Adhering madly to my philosophy that a little time for needlework is better than no time for needlework, I've made some progress lately using the 15-minutes-for-stitching approach.

I'm still plugging along with the Long Dog Sampler I started last year, and since my last 15-Minute Stitching Update, I've made some ok progress, I suppose. It's time for me to switch this project out, though!

I was supposed to switch it out last week and take up my Schwalm whitework project again, but the truth it, it is much easier to sit down and drop in a few stitches on this sampler, than it is to situate myself with the Schwalm project when I'm in a hurry. I just haven't had time to do the switch-out and set stuff up for easy access with the Schwalm work, so I've stuck with this project so that I'd have something to do here and there, now and then, when the opportunity struck....

... which is, of course, the basis for this whole 15-minute-session idea.

But let me tell you - time management has its drawbacks! Take a look at this:



Determined to adhere strictly to the timer one day, I sat down to spend 15 minutes on this bit of the sampler. I only had one white blotch left that needed to be filled in with the green, and when I set the timer, I was confident that, when it went off, I would have this block finished. (And then some, or so I thought!)

When the timer went off, I had three stitches left.

THREE.

Three tiny, insignificant stitches.

But they were significant enough to bug me!

That session was a serious Only-15 15-minute-session, as a minute longer and I'd be late for work. So, the timer sounded, I dropped the frame, picked up my books, and headed out the door. I was not "relaxed" or pleased at the end of that session. Three Silly Stitches! For heaven's sake!

When I came back an hour and fifteen minutes later, the timer was still going off. Hmmmm. I decided I would have to take a much more relaxed approach to these 15-minute things if I were to retain (regain?) my sanity. Rushing through the minutes, trying to beat the clock, isn't precisely the best approach.



For the next 15-minute session, I managed to finish those riffemrackemfrickemfrackem three stitches....



.... and to get out the colors for the next little square I wanted to stitch...

... and to work Nine Whole Stitches on it.

Twelve stitches in 15 minutes?

Perhaps that day, I was a bit tooooo relaxed.

Virtue lies in the middle. Next time, I will be relaxed, but at the same time, I am determined to accomplish a bit more than this!

How are your 15-minute stitching sessions coming along?

Labels: 15 minutes, counted thread embroidery techniques, needlework pictures, pictures

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Posted By: Mary Corbet on Monday, September 14, 2009
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Do you work outside your home? I do. Between the middle of August and the end of May, my real job actually takes precedent over my needlework! (Can you believe I allow that??!) Now, this isn't just because the real job pays the bills - it's also because, if it is to be done well, the job demands it, and I love my job! I like teaching a lot, even though, yes, it does occasionally have its Moments. Needlework, during the school year, becomes my carrot - the thing that motivates me to do what I need to do, work-wise, so that I can enjoy relaxing with my needle and thread. And, as you avid stitchers know, needlework can also serve as a tremendous stress reliever!

But, when the work week is hectic, it's often difficult to find time to squeeze in a needlework project. Often, what ends up happening is that, because no progress is being made at all on the project, it gets side-lined, interest in it gradually wanes, it is finally stowed away, and... The End.

To avoid this, I started "forcing" myself (ok! right! it doesn't take that much force!) to fit in at least 15 minutes a day stitching. Whether those 15 minutes are snatched on a lunch break or between classes, whether they are found at the very end of the day before hitting the sack, or whether they are squeezed in first thing in the morning, before heading out to work (assuming I'm ahead of schedule!) - whatever the case may be, those 15 minutes serve three useful purposes: 1. they provide a momentary "break" doing something I really love; 2. they keep my projects going at least a wee bit and I feel as if I'm making progress; and 3. I don't have that overwhelming feeling of "needing to start," which can make me lose interest in a particular project and relegate it to the shelf.

That's the background of my 15-minute sessions. And here are some results from a few sessions last week.

On a few days, I only barely managed 15 minutes! Other days, I had more time in the evenings, and could make more progress than shown below. But for now, here are three 15 minute sessions that were snatched during the week:



I had two projects out this week - my Schwalm whitework project and this Long Dog Sampler. I started this sampler last spring. My niece wanted to work a counted cross stitch piece since they were covering the technique in home ec, and she really liked this Long Dog sampler called "Angel Pavement." So I purchased two copies, one for her, one for me, and we went thread and fabric shopping, and settled on working the sampler on 28 ct fabric over one thread. She's still plugging away on hers, though she works more sporadically all over the place on the chart than I do!

I haven't made any progress on this since I put it away last spring, but it's out again now, because it is perfect for 15 minute sessions.



In the first 15 minute session, I didn't get very far at all! You would almost be tempted to say, "This is not progress!" But the way I see it is, any stitch is progress! During that first session, I had to dig for thread, cut it, strip it, and thread two needles (which was wishful thinking - I didn't even use one full-threaded needle).



In the next 15 minute session, I stuck the frame on my Needlework System 4 stand, rather than holding it, and I resorted to two-handed stitching, which is a lot faster than one-handed!



And, by the third 15 minute session, I was making good headway. When I ended the previous session, I threaded a new piece of floss and had it ready for beginning, and, with both hands stitching, it went fairly well.

Now, keep in mind this little piece is not quite an inch square - so, in the scheme of things, it doesn't look like much stitching! But really - it is progress! And, as I mentioned before, this really serves as a motivator! I find myself seeking the next 15 minutes, just to see how far I can get in the next session. And, better yet, I find myself getting other things done that I need to get done, with more efficiency, so that I can squeeze in 15 minutes.

Do you use needlework as a carrot? Do you try to carve out bits of your day that you can devote to it? How do you go about doing so? Does it help motivate you in your other daily tasks? I'd love to hear how you deal with limited time and needlework!

Labels: 15 minutes, counted thread embroidery techniques, needlework pictures, pictures

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Posted By: Mary Corbet on Monday, August 31, 2009
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When life is busy and the schedule gets hectic, I try to squeeze in some 15-minute sessions with needle and thread, figuring that if I can manage 15 minutes here and there, I might make some progress on needlework projects that would otherwise sit neglected until I convinced myself that I "have time" to embroider. Now that summer is over and life is returning to the hectic rat race of the school year, I'm back to my 15 minute concept. But sometimes, it doesn't get me very far!

I've got two needlework projects presently going on the front burner. On the back burner, there are two other needlework projects floating, that I have every intention of addressing at some point, some time. Here's a recap on those, and a 15 Minute Progress Report.

On the first front burner, you'll find my curtain project. With a recently almost-refinished bedroom, I thought some hand embroidered curtains would be a nice touch. Unfortunately, my bedroom is not quite finished, but then again, neither are my curtains!

On the second front burner, there's the Schwalm whitework project. Because my bedroom's not finished, my studio is overloaded with ... well, stuff from my bedroom, so I don't have anywhere to work on the Schwalm project right now. When I'm working on a piece of linen that size, I like to sit at a table, so I can spread it out.

On the first back burner rests the poppy kit from Trish Burr. I've framed up the piece but haven't started stitching. As soon as I make a start, though, I'll be good to go on that one. But first, the curtains. And the Schwalm. Well, ok - the Schwalm and the poppy can be simultaneous. But since I've started the curtains and they're part of my decor, I feel almost obliged to get them done first. (Operative word: almost!)

On the second back burner, my Long Dog Sampler is still stewing. I want to get back to this, and I will, as soon as things settle down. This particular project is a great 15-Minuter, because if it's on a stand in the corner, and a thread is started, it's really easy to launch in 15 minutes of straight stitching.

So, on to a project update, in pictures...



For the curtains, I decided to go with a chain stitched straight line in periwinkle, with a stem stitched yellow tendril working its way up the straight line. There are several lines of various heights (from 26" - 40" long) spaced about 6 inches apart, going up each panel.



I'm using three strands for DMC for both colors. Stitching on voile presents its own little difficulties. At first, I wanted to stitch in hand, without a hoop, but it is practically impossible to keep the tension right on this loosely woven, airy fabric. So I'm using a hoop, but the hoop presents other problems. It tends to distort the fabric considerably. Still, once the fabric is removed from the hoop, the stitching looks ok. Even with the hoop, it's a challenge to keep the fabric from puckering, and I'm hoping that the slight pucker that is evident will iron out.

I didn't transfer the design - I just doodled it free hand, using a ruler for the strait (periwinkle) line. It's not as if it's a design that could be messed up! I used one of those fine-tipped water soluble transfer markers from the notions section of a sewing store to draw the design, and I found that, in drawing with this pen on the voile, it was quite helpful to put another cloth (scrap) behind the curtain. This helped keep the ink from spreading.

And that represents my 15 minute session. Finished, it's a total of about 5 inches. At this rate, the two sets of voile panels should be finished in about a year - or two!

Coming up this week, I'll have Lesson 5 of the Long and Short Stitch Shading lessons up for you. You can look for that around Thursday, though I'll try to get it posted before then. I've also got some product reviews, another episode of messing with transfer pens and pencils, and (hopefully, if the US Post Office is on my side) two beautiful books to show you.

I hope you have a Terrific Week, and get to spend lots of time with your own needle 'n thread!

Labels: 15 minutes, Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Sunday, August 23, 2009
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Have you noticed that weekends are a lot shorter than the work week? This tends to cramp my "embroidering style," but I can't seem to figure out how to do anything about it! I can never get as much embroidery done on the weekend as I want to, and during the work week, I can hardly get anything done! So, I'm enjoying my 15 minutes with my needle and thread.

A couple weeks ago, I introduced the topic of setting aside 15-minute needlework sessions, grabbed here and there during the day, to at least make some progress on embroidery (or other) projects. My point, I suppose, was that you can actually get a lot done in 15 minutes, and those 15-minute sessions do add up to real progress!

Admittedly, sometimes those 15-minute sessions can be a bit of a wash, like my last 15 minutes with my goldwork iris! Argh. I still haven't recovered from that one! But at least I learned something!

Here's a 15 minute session with my whitework sampler.



I mentioned the story behind these large curly things on my whitework sampler the other day. So, here, I am finishing the filling work inside this curl. The stitch is an un-named mistake, but would be called reversed wave stitch, if I had done it correctly! Heh heh.

So, I set the timer, and with great enthusiasm, I picked up my camera, snapped the above photo, and then grabbed my needle, and the race was on!

Wait! Wait!!

Stop!

Racing won't do!!

I found I have a tendancy to want to race in these 15-minute sessions. "How much can I accomplish in 15 minutes?!" But that's not the point. The point is 15 minutes of regular stitching, not rushed stitching! Besides, when rushed and feeling pressured, mistakes are sometimes more likely!

So, I snapped a picture, took a deep breath, sat back, picked up my needle, propped my feet up (on the couch!) and just ... sttiiiiitched with nice, normal pacing until the timer turned off.

In the back my head, I was sure I could finish filling in this curl, and, while I was controlling the urge to really rush, I still figured I had it in the bag. Surely I could finish this filling...



But alas! No! I was just beginning to stitch the first stitch on the bottom of the second to the last row there, when the timer went off. Oh... I could've cheated. I could've kept going! I wanted to, that's for sure! But with other things pressing (like my first class starting in 10 minutes!), I thought it wise to stop!

So there's a 15-minute session. As usual, I was excited and fired up to get home and finish the filling! But as luck would have it, I haven't had a chance to get back to it yet! (Maybe tonight?!) I'll let you know!

Labels: 15 minutes, drawn thread embroidery, needlework pictures, pictures, whitework

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Posted By: Mary Corbet on Thursday, March 12, 2009
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After setting up the goldwork iris, I began embroidering it in one 15-minute needle and thread session. The first embroidery session was, admittedly, a wash...

When beginning a needlework project - and this is true of any type of needlework for me, whether surface embroidery, counted cross stitch, goldwork, drawn thread work, crochet, even sewing - I find that my initial moments with the project are always the most important. In the first minutes of actually working with needle and thread, I get a real sense of what the project is going to be about. No more theory, no more vague picture in my head - now I know what must be done to make the project develop toward the picture which I imagined for it.

It's also in the first session of stitching that I tend to make mistakes while I feel the project out.

With the goldwork iris, I realized a few things right off the bat.



Here are the supplies I initially wanted to start with: #5 smooth passing thread (2% gold), Tire silk for couching the gold areas, and the darkest green soie d'alger, which would make up the first colored stitches.



Because this was a 15-minute session, I set the timer before cutting threads and threading needles.



I began couching the gold in the lower left corner, working up toward the swirly base of the iris. This looks positively terrible! Anyway, Tire silk is extremely fine thread. I do like it for couching the gold, but...



... compared to the soie d'alger, it is really too fine. I think I'd rather use a thread closer to the size of the soie d'alger. Otherwise, I'm afraid that, down the road, I'll have a warping problem with the piece - the colored threads will take up more space over the gold and push the design out.



Another thing I didn't like: in my first section of dark green over the outline, the green silk is bulging here and there. Soie d'alger is a 2-ply twisted thread, much like DMC cotton. As the thread works in and out of the fabric, the twist can become tighter or looser, and the plies can lay on top of each other (twisting over each other) just as the stitch is settled into its place. In most surface embroidery techniques, this isn't really a problem. It's the natural way the thread works. But in this technique, I don't want any extra bulges! I'll need to pay closer attention to that. A laying tool will help, but... I don't really want to use one!

I'm thinking about going back through my threads to see if I might have some flat silk that I can use instead. I do have a collection of Helen Stevens's TESS, but I don't know if it includes any purples.



In any case, this is the 15 minute session! Whoo-hoo! Doesn't seem like much, does it? I don't like the "angular" look of the gold, and I don't like the stitching.



So guess what I did the next time I had 15 minutes? Right! I'm starting again, with some wiser (hopefully!) decisions. If I can switch to flat silk, I'll continue to work with the Tire thread for couching the gold. If I don't have suitable colors in the flat silks, I'll probably switch my gold couching thread to something thicker - maybe soie 100/3.

I'm pretty sure, so far, that Or Nué is something you have to give a chance. One gold thread couched isn't going to reveal impressive results. Still. I want to make some changes before going any further!

Any advice or suggestions?

For more information on different silk threads, you'll find a few articles that compare different types of silks under Tips and Tricks for Hand Embroidery.

Labels: 15 minutes, Embroidery Projects, goldwork, needlework pictures, pictures, silk

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Posted By: Mary Corbet on Thursday, March 05, 2009
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In another 15 minute session with my needle and thread, I managed to accomplish a tiny bit of embroidery on a tiny embroidery project. As luck would have it, this 15-minute embroidery experience was nowhere nearly as productive as the last one!

Miniature embroidery has its drawbacks. The most noticeable one, for me, is the fact that it's miniature! Now, don't get me wrong - I like this project. It's fun! But on such a small scale, once the stitches are in, it's actually hard to see which direction the stitches are going. This wouldn't be a big deal, except for the fact that the four corners point in four different directions, and I quickly found that the design looked better if the tent stitches were altered to point in a certain direction, depending on the corner.



You can definitely see the problem with the center of the motif - I should have changed the direction of my stitching on the the right-hand leaf! I may take that out and fix it. (Then again....)

So, once again, here's a 15 minute segment of stitching. I took the above photo after setting the timer for 15 minutes, and when the timer went off, I stopped stitching.



I managed to get in the top of all the flowers in the light pink! I was so happy!

But then I realized that the stitching on the bottom right corner was done in the wrong direction! I didn't take it out at that point - I figured that would make a good job for another 15-minute segment!

Anyway, the little motif is coming along. I'll show you finished photos of it later on - with a ruler to give you a sense of size...

In the meantime, I've got a lot of work to do to catch up on a weekend that was insanely busy! I hope you had a chance to check out the goldwork peacock feather, which I didn't get a chance to post until later Sunday night. It's quite a beautiful piece of work!

Enjoy your Monday! And I do hope you get in a good 15 minutes (or more - lots more!) of stitching today!

Labels: 15 minutes, counted thread embroidery techniques, miniature embroidery, needlework pictures, pictures

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Posted By: Mary Corbet on Monday, March 02, 2009
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