Here's a free hand embroidery pattern for you, in case you feel like embroidering a turkey...

In America, the turkey is the Great American Thanksgiving Icon. I like Thanksgiving weekend - don't get me wrong! - but my liking the weekend has far less to do with the turkey than it does with the fact that it is a four day weekend of family gatherings that usually incite a festive holiday mood. (And it signals only three more weeks until school holidays for Christmas!)

To tell you the truth, when it comes to Thanksgiving weekend, I could take or leave the turkey.

Still.... I do like turkeys in general, despite the connotations often associated with the name of the bird. "You turkey!" is not really a compliment, you know. "Don't let the turkeys get you down" implies that the turkey is negative, maybe even hostile or oppressive. I wonder why that is? When I see wild turkeys here in Kansas (and they abound!), they make me happy. I like to see the birds here and there, clustered on the edges of newly harvested fields. I love to have my windows open in the autumn and hear the turkeys out in the woods behind my house.

They don't go "gobble, gobble," by the way.

I think, in general, the turkey has gotten a bad rap.

And really, I'm not sure my drawing helps. If I were a turkey with these feet, I'd be pretty embarrassed.

Still, it makes an adequate little turkey embroidery pattern, which you can enlarge or reduce, depending on what you want to do with it. Reduced a bit (the PDF version, especially), I think it would look pretty stately and turkey-like, stitched in the corner of cloth napkins or a bread cloth for your Thanksgiving table.

Here's the pattern - click on it for a larger version, then save it to your computer. You can then enlarge or reduce it as you wish.



And here's the PDF version:

Hand Embroidery Pattern - Turkey (PDF)

Enjoy!

Labels: Embroidery for the Home, free embroidery patterns, seasonal embroidery

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Posted By: Mary Corbet on Monday, November 09, 2009
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Laurie Latour of Future Christian Homemakers is quite an enthusiast when it comes to hand embroidery on gingham. If you have not seen her Gingham Museum on her website, it is worth taking a look at, especially if you are interested in elaborate "chicken scratch" embroidery that is unique and really beautiful. She has quite a collection of embroidered aprons, and they're all detailed with close-up photos and commentary.

Laurie's been experimenting with gingham lately, coming up with several Christmas designs that are really attractive. I especially like this series of Christmas trees she's been working on, so I was very happy when she said I could share them with you.

Traditionally, embroidery on gingham is worked in white or in the color of the darkest square on the fabric. Laurie played a little with this, but found that contrasting colors worked best on this series of trees.

The trees are embroidered on 1/8" homespun fabric (available online through Jubilee Fabric), and their finished size is approximately 3.25" tall by 2.75" wide - the perfect size for an ornament or a Christmas card.



This first tree is worked with a combination of dark green and sparkly white thread - although I like it, I have to admit I like the trees worked in colors that contrast with the fabric better. Laurie used two strands of DMC 890 (green) for the tree, and two strands of Treasure Braid Petit High Gloss (P410) for the circles and x's.




I like this tree a better, with the green stitched on the red homespun. She used the same color green as on the tree above, but instead of the white braid, she used Treasure Braid Petite (PB68), a multi-colored sparkly thread. It's hard to capture the sparkle in the picture, but you can imagine how nice it looks if you're familiar at all with Rainbow Gallery's Treasure Braids (pictured down below).



This tree, I really like. I like the kelly green floss on the red, with the gold braid! It's very pretty, and oh-so-Christmassy.



This tree, however, is my absolute fave. I love the contrast of the bold red stitches, and I like the dark geen with the gold braid.

Which is your favorite, of the four trees above?



Although this isn't a full tutorial, if you are interested in working up some similar trees, in the photo above, you can see the "skeleton" pattern for the design. For further directions on gingham embroidery, you can check out some tips for embroidering on gingham at the Future Christian Homemakers website.



This, by the way, is Treasure Braid. You can find it at most local needlework shops that carry cross stitch or needlepointing supplies.



While wandering through Laurie's website, I came across this little book that Laurie publishes, Classic Prayers for Children. It is a sweet book of prayers and poems for children, beautifully illustrated. It struck me as a perfect stocking stuffer or First Communion treasure for little kids.

I love the work of preservation that Laurie is doing with gingham embroidery. She is building quite a collection of vintage gingham embroidery and documenting them so that we can see the unique designs and stitch combinations used in the technique. If yuou get a chance, make sure you check out her website!

Have a terrific weekend!

Labels: Christmas, embroidery for children, Embroidery for the Home, embroidery tips and tricks, gingham embroidery, needlework pictures, pictures

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Posted By: Mary Corbet on Friday, October 30, 2009
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Remember those hand embroidered curtains I've been harping on lately? Guess what?

If you said to yourself, "She changed her mind," you are, in short, correct. I have changed my mind. Let me show you why.



After progressing pretty far up the first embroidered line, it suddenly struck me that I should probably hang the curtains in front of a sunny window to test out this whole concept of embroidery on sheer curtains. The room in which they will hang gets a goodly bit of sun most of the day in one window or another, from morning until late afternoon.

Embroidering on sheer curtains that will be back-lighted by the sun most of the time is not quite the thing, methinks. The embroidery stands out, but not in a desirable way. It looks dark - and every warble and wobble in the stitching, every stray peeking thread end stands out in an obnoxiously noticeable manner.

I suppose I should have realized this sooner, but the whole question of whether or not I really should embroider the curtains never occured to me until I hung one set of the (un-embroidered) curtains in the room. They are white and crisp and airy, hanging over wide white slatted blinds, in a periwinkle room with white trim. Very cool and breezy looking! I love them! And while I was looking at them and admiring the overall effect, I tried to picture them embroidered. And suddenly, the whole question of backlighting jumped into my head. So I took the sheer I was working on, stuck it on a window, and said....

Ugh.

This was followed rather closely by...

Ick.

And the subsequent ritual of head banging and forehead slapping was followed up by placing an order for a new panel.

I'll keep the sheer I was stitching on. I think that the voile will make a good foundation fabric for embroidering on velvet. I'll recycle it for some use, anyway.

But in the meantime, I've crossed curtains off my List of Things To Do. Sorry for stringing you along on that one!

On the bright side, I think I'll concentrate on Schwalm for a bit - it'll be my new 15-Minute Project.

School has begun, by the way. To the dear reader who sent me an encouraging e-mail yesterday, wondering how I manage to do what I do - teaching, stitching, blogging regularly, and so forth - my only reply at the end of the first day of classes is this:

AAAAAAAAAaaaaaaaaaaaaaaaaaaaaaaaaaaaaccccccccccccccck!!!!!!!

Labels: Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Wednesday, August 26, 2009
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When life is busy and the schedule gets hectic, I try to squeeze in some 15-minute sessions with needle and thread, figuring that if I can manage 15 minutes here and there, I might make some progress on needlework projects that would otherwise sit neglected until I convinced myself that I "have time" to embroider. Now that summer is over and life is returning to the hectic rat race of the school year, I'm back to my 15 minute concept. But sometimes, it doesn't get me very far!

I've got two needlework projects presently going on the front burner. On the back burner, there are two other needlework projects floating, that I have every intention of addressing at some point, some time. Here's a recap on those, and a 15 Minute Progress Report.

On the first front burner, you'll find my curtain project. With a recently almost-refinished bedroom, I thought some hand embroidered curtains would be a nice touch. Unfortunately, my bedroom is not quite finished, but then again, neither are my curtains!

On the second front burner, there's the Schwalm whitework project. Because my bedroom's not finished, my studio is overloaded with ... well, stuff from my bedroom, so I don't have anywhere to work on the Schwalm project right now. When I'm working on a piece of linen that size, I like to sit at a table, so I can spread it out.

On the first back burner rests the poppy kit from Trish Burr. I've framed up the piece but haven't started stitching. As soon as I make a start, though, I'll be good to go on that one. But first, the curtains. And the Schwalm. Well, ok - the Schwalm and the poppy can be simultaneous. But since I've started the curtains and they're part of my decor, I feel almost obliged to get them done first. (Operative word: almost!)

On the second back burner, my Long Dog Sampler is still stewing. I want to get back to this, and I will, as soon as things settle down. This particular project is a great 15-Minuter, because if it's on a stand in the corner, and a thread is started, it's really easy to launch in 15 minutes of straight stitching.

So, on to a project update, in pictures...



For the curtains, I decided to go with a chain stitched straight line in periwinkle, with a stem stitched yellow tendril working its way up the straight line. There are several lines of various heights (from 26" - 40" long) spaced about 6 inches apart, going up each panel.



I'm using three strands for DMC for both colors. Stitching on voile presents its own little difficulties. At first, I wanted to stitch in hand, without a hoop, but it is practically impossible to keep the tension right on this loosely woven, airy fabric. So I'm using a hoop, but the hoop presents other problems. It tends to distort the fabric considerably. Still, once the fabric is removed from the hoop, the stitching looks ok. Even with the hoop, it's a challenge to keep the fabric from puckering, and I'm hoping that the slight pucker that is evident will iron out.

I didn't transfer the design - I just doodled it free hand, using a ruler for the strait (periwinkle) line. It's not as if it's a design that could be messed up! I used one of those fine-tipped water soluble transfer markers from the notions section of a sewing store to draw the design, and I found that, in drawing with this pen on the voile, it was quite helpful to put another cloth (scrap) behind the curtain. This helped keep the ink from spreading.

And that represents my 15 minute session. Finished, it's a total of about 5 inches. At this rate, the two sets of voile panels should be finished in about a year - or two!

Coming up this week, I'll have Lesson 5 of the Long and Short Stitch Shading lessons up for you. You can look for that around Thursday, though I'll try to get it posted before then. I've also got some product reviews, another episode of messing with transfer pens and pencils, and (hopefully, if the US Post Office is on my side) two beautiful books to show you.

I hope you have a Terrific Week, and get to spend lots of time with your own needle 'n thread!

Labels: 15 minutes, Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Sunday, August 23, 2009
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The whole thought of hand embroidering two sets of curtains seemed a bit daunting, once I sat down to really consider the project carefully. With brand spankin' new curtains hanging before me and a roll of tracing paper on the table, I started fiddling, and thinking, and doodling, and ... eventually... despairing! Then, I went back to my e-mail. Do you know what the best thing about hand embroidered curtains is?

The very best thing about hand embroidered curtains is the fact that, when I wrote the last post presenting my plan to hand embroider new curtains for a new room, I heard from many who people who have hand embroidered their own curtains, or who have hand embroidered curtains in their homes.

Many folks sent suggestions on types of stitching and types of patterns, and when I started going back through the e-mails I received on the subject and the comments and ideas that were left on the original post, I felt much more inclined to tackle the project! I was excited again about it, thanks to your encouragement, comments, and suggestions. So, that's the Best Thing about hand embroidered curtains - I heard from a lot of really nice people!

Some readers even sent photos of hand embroidered curtains:



Méri thinks that these curtains were made by her mother. Recently found, when they were unpacked, they were discovered to be in bad shape. But they are beautiful! It looks like the design is made with tapes, like the kind used for making Battenburg lace.



Where the design becomes more intricate is where the majority of the damage is. In this technique, the tapes would be stitched onto the fabric, and then connections would be made between them, in the areas where the fabric is to be cut away. What elegant curtains these were! And I love the natural color, with the lighter design!



Janice hand embroidered the hem of her kitchen valance, in blue flowers. I like the embroidery along the hem. This is something I had considered - a line of flower or something similar, along the hem and down the center edges of the two curtain panels (where they meet). What I like about Janice's design is the "random" look of the flowers, and the way they seem to be kind of ... well... dancing. I love this valance, and it gave me a jolly idea for the kitchen window!



Mrs. Kitty went all out on her curtains! She made them a sampler of sorts, with a wide range of motifs on them. You really must look at her up-close photos of this embroidery project! It took her almost two years to complete the panels, the results of which are a sampler of varied techniques, colors, and motifs - truly an amazing job, and what a conversation piece! Fun!

After pouring over the various e-mails and comments, I went back to the table - literally, the drawing board - and looked at my curtains and my roll of tracing paper.

I knew what I wanted: simplicity. All the doodles I had doodled went into the trash. Too many scroll, too many flowers. I drew straight lines at 4 inch intervals on the paper - varying the lines in length from 24 inches to 40 inches. Then, in one on-going "sweep" I drew my embroidery designs. And they are, to say the least, simple!



Wavy lines with random loops - that's it. I liked the recurring suggestions I received from readers of doing shadow work on the cotton voile, so, where the lines wave (but not where they loop), I'll take the lines a bit wider and stitch herringbone stitches (to create the shadow) on the back, leaving the front looking like backstitch. Where the waves come back together in one line to make the loops, I'll switch to straight backstitch. Then, to finish off the look of the backstitch, I'll whip it with the same color thread.

I might - but I don't guarantee it - add a few random small flowers between the wavy lines, here and there, maybe worked in a combination of ribbed spider web and daisy stitch.

And that's my plan, which brings me to the second best thing about hand embroidered curtains: they can still be hung, until I get to each panel.

I plan to transfer the wavy lines onto one panel today. The room won't be finished until early next week, when I'll hang the curtains until I can get to stitching on them.

I can't wait to get started! And thanks to all who left comments and sent e-mails with ideas and suggestions! I really appreciate it!

Labels: Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Thursday, August 20, 2009
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We can never have toooooooooo much to do, can we?! Especially when it comes to needlework, we can't, anyway! It's not quite like cleaning bathrooms and grading papers and things like that, is it? (Oh, no!! It's not!!) So, with that in mind, and knowing that the time is tick-tick-ticking away and summer will be gone in just over a week, I'm frantically preparing in advance the projects that I want to work on in the next few months. I don't want to be hindered by the preparation work when I finally have time to start stitching!

With all that in mind, one project that I definitely want to do (and to complete fairly quickly) is embroidering my curtains for my room. They're not really curtains - they're cotton voile sheers, and I want to do some simple embroidery on them. The stitching I'm thinking about will be light. Heavy embroidery wouldn't quite fit cotton sheers, would it?

I want to go simple, but at the same time, I want them to be fun. They can't be "too fun," though, because the room isn't really "fun." It's cool and calm.

These are the colors I've picked out for embroidering the white sheers - and probably these will be reduced to about four colors, and maybe only three:



That's the range. The room itself, once the paint job is done, is a darker periwinkle, with white trim. The new carpet will be... I don't know yet... All the furniture is white, the bed linens are white... you get the idea.

But the curtains (we're back to the curtains again) will be embroidered!

I figure by the end of September, life will be in good order again - the house finished, the school year underway and in a regular routine, and fall weather upon us - a perfect time for open windows and breezy curtains. Think I can finish this project by then? Hmmm....

Have you ever embroidered on sheer cotton voile? Have you ever embroidered your own curtains? Any ideas?

Labels: Embroidery for the Home, pictures, threads

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Posted By: Mary Corbet on Friday, August 14, 2009
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Last week, I told you about the iron-on transfers from Mani di Fata, which I purchased at Lacis while on vacation. Here's a little towel I worked up, using one of the corner designs in that package. I'm also going to show you (gasp! shock! horror!) the back of the embroidery.

As I mentioned earlier, my favorite way of transferring an embroidery pattern - even if it's an iron-on - is actually by tracing. That's what I did with this particular towel. I taped the iron-on to my little light box and traced the design on using a regular mechanical pencil with #2 lead. There are other ways of transferring designs, of course! I've got a bunch of them explained in the articles under Tips and Tricks for Hand Embroidery, if you're looking for some other way to get your embroidery design onto your fabric. For me, though, for this type of embroidery, I prefer just to trace with a pencil. It's easy, it doesn't require special equipment (you can use a sunny window instead of a light box), and it's really fast.

After transferring the pattern, I picked out colors. Generally, on towels, I stick with no more than four colors, and often only three. In this towel, I used four: green, red, a lighter orangy-red, and yellow.



The design is pretty simple, but bold.



The entire thing is stitched in stem stitch, with the exception of the satin stitched dots around the outside of the flower and the satin stitched center of the flower.



Stem stitch is an absolutely delightful stitch. It's my favorite for line patterns, because it's easy, quick to work, and its rope-like appearance is pretty. Despite arguments contrary to the fact, there is a difference between stem stitch and outline stitch, by the way! If you choose to use outline stitch for lines, you won't get that rope-like appearance.



The Back of Embroidery is generally a subject that comes up either in hushed tones or apologetic tones... I received a funny e-mail from a reader, asking Very Apologetically if I would mind showing the back of my embroidery some time. She was worried because, especially on the towels she was making, the back is not covered up. "Slugs" where the end of the thread is anchored were a concern.

You can see the "slugs" where I wrap the ends of my threads around the backs of the stitches to anchor them. I either wrap (whipping around the backs of the stitches), or just pull the threads through the stitches, taking one extra backstitch around the back of the threads to anchor the thread. You can read about this under Ending Embroidery Threads, if you want. In any case, this is generally how I end stitches in a line on the back of towels.

In certain types of embroidery (needlepainting, goldwork, etc.), if I'm filling an area and I haven't filled it all the way yet, and I need to end a thread, I'll end my thread by taking it into an area that will be filled with other stitches and working several tiny backstitches that will hold the thread. It's the same concept as beginning with anchor stitches, only, in a filled area, you can work the little anchor stitches perpendicular to (and into) each other (without building up a lump!). I've shown this technique on the video tutorial on bullion rose buds, if you want to take a look.



But, on line stitches on the back of a towel like this, where I don't have anywhere to hide little anchoring stitches, I wrap the end of the thread through the stitches on the back. Yes, it makes a bit of a slug. But it's the back! So I think it's ok! Just trim your little fuzzies, and clean it up as best as you can, and I think it'll look fine for the back of the work!



Decorated flour sack towels are useful for a number of purposes besides just drying dishes, hanging on the fridge, wiping the countertop, or sopping up messes. They make terrific basket liners, for one thing. We use them to line bread baskets for serving bread in at the dinner table. You can fold the corners up over the bread to keep it warm, and if you put your embroidered corner on the top, it's very pretty!

Additionally, you can line gift baskets with them. This is great for wedding showers! Instead of wrapping the gift, put it in a basket lined with a towel, and fold the towel over the gift, with the embroidered corner on the top. A nice personal touch!

I like embroidering flour sack towels when I'm in the mood for relaxing, easy needlework that doesn't require any kind of thinking or planning. I usually keep a couple towels "kitted up" in my work basket, ready for moments when I need something to do with my hands, but can't afford deep concentration on needlework.

PS... Great source for flour sack towels: American Chair Store. I use their Deluxe Flour Sack Towel. They're nicer than any I've found anywhere else, and, so far, they've been consistently nice, which is good. They're cheaper by the dozen, so if you plan to decorate many towels with hand embroidery, consider getting them by the dozen...

Labels: beginner embroidery, Embroidery for the Home, embroidery tips and tricks, needlework pictures, pictures

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Posted By: Mary Corbet on Monday, July 20, 2009
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Yesterday, I had the opportunity to take a couple of my nieces out to the studio and set up some embroidery projects with them. They wanted to stitch some "quick" designs onto flour sack towels to use as bread basket liners (and hopefully sell). So, out we went...

... to the studio that was clean and neat, and there we sifted through designs and ideas. Luckily, the towels were already prepared. I had two dozen deluxe flour sack towels from American Chair Store in the cabinet, awaiting designs and embroidery. These are consistently the best flour sack towels I've come across, by the way, and they are worth the cost of $1.60 each if you buy them in packs of 10. (Like everything else, the price, by the way, has gone up... I bought them by the dozen for about $15 not too long ago...)

Contemplating designs, we very quickly settled on the brilliant idea of making use of the iron-on transfers I told you about yesterday. After all, we could kill two birds with one stone: I could see how well the transfers work, and they could have their towels ready for stitching in no time flat.

Anna selected a few different designs: the three cups, cut out and arranged askew on the corner of one towel, the "B-I-S-C-O-T-T-I" design for across the edge of another towel, and a swirly floral corner thing for another towel.

Emma selected one design - a small bunch of plums that she insisted were peaches and are embroidering them as such, so they are coming out looking like apricots.... which is fine. Emma's eight years old, so I've adopted a new policy with her concerning embroidery: Keep It Simple (despite her inclination to want to do what everyone else is doing) and One Thing at a Time. If she finishes the plums-gone-peaches-gone-apricots, she can set up another towel.

So, we got to try the transfers, and this, of course, takes me back to my reasons for preferring to trace rather than use a transfer.



The transfers took pretty well for iron-on transfers. For the most part, the designs came off very clear, and in little corners here and there where they didn't, the fault belongs to the person behind the iron. These particular transfers are definitely made to give a good, bold first transfer.

We tried a couple of the designs twice, making up, for example, two Biscotti towels. The second impression of the design was actually better than the first.



One thing I remembered I don't like about iron-ons is the thick line they can leave if you are trying for a bold impression. If I'm stitching up a towel for a gift, I generally use 2 strands of floss, which keeps the design bold enough, but not chunky looking. I'm not sure if these transfer lines will wash out, so the best bet is to cover them well when embroidering. This'll require at least 3 strands of floss.

Anyway, as far as the transfer itself goes, these work well. Whil I may still prefer tracing my designs, I have to admit that ironing them on is really quick - we were able to set up about 8 projects yesterday in less than an hour.

After setting up the individual towels, we selected floss for each, then bagged up the floss and the folded towel to make up a "kit." Now the gals will have something to keep them busy! They like to stitch and listen to audio books, which is a good passtime for summer, when they're not in the pool or frolicking about doing other things.

That's done, then.

What else am I up to? Well, I've cleaned up the studio (once again) and sifted through a few things to tie up some loose ends. Sometimes, it's just easier not to go on vacation! Playing catch-up doesn't always seem worth it! I've got a heap of mail ready to go out (the birthday give-aways from June! Finally!). I've gone through all my photos and organized them (about 10 times now), looking desperately for photos of the finished pall I embroidered recently. I never found any, which leads me to think I never took pictures of the finished piece! And now it's delivered! I could kick myself for that one - so, for those of you who have asked about the finish, sorry about that.

I'm still trying to catch up on e-mail, but I fear some may have fallen through the cracks, and, just this morning, for the first time, I've finally caught my feedreader up.

The laundry room here at home has a new coat of paint on it (thanks to my niece, Bridget), but the dining room is stacked with all the shelf clutter from the laundry room. I need to tear down my bedroom this week and get it ready for new paint, which will be followed by new furniture and new linens, curtains, etc., in the next couple months. I'm going with periwinkle walls and white trim, all white linens, all white furniture - and the palest of greens and yellows for highlights. I'm excited about that, and am looking forward, especially, to carrying out my Curtain Idea. I'm going to make (or buy) some airy white sheers for both windows and stitch some very simple, loose scroll designs on them in colors to coordinate with the new paint job. It'll be a while before this is realized, though, as the kitchen, dining room, living room and entryway all have priority.

And, in the midst of all that, I'm working on school work for next year, planning classes and so forth. As the summer passes all-too-quickly away, I must schedule several hours a day just to focus on school preparation. Anyone who thinks teachers have it made, with summers completely off, is rather incorrect in that assumption!

That's what's going on in Real Life right now. In Website Life, I'm still working on projects for Needle 'n Thread, including the long-promised long and short stitch tutorials, as well as a slew of new videos. I haven't had any prime video days yet, though - the days are too broken up with other work and visitors and all the hubbub of the summer.

I hope your summer is going well, and that you have time to relax and enjoy working with your needle 'n thread!

Labels: beginner embroidery, Embroidery for the Home, embroidery resources, iron-on embroidery transfers

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Posted By: Mary Corbet on Tuesday, July 14, 2009
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Drawn thread embroidery is not relegated solely to even-weave linen. Today, we generally associate drawn thread techniques with even-weave, and it's true that it's possibly easier and more precise when it is worked on even-weave. But in the past, drawn thread embroidery was worked on all kinds of fabrics, including fine, high-count cottons and plain-weave linens.

A couple months ago, Laurie LaTour of Future Christian Homemakers contacted me about some chicken scratch (embroidery on gingham) aprons that she had collected, with a question on an embroidery stitch employed on one of the aprons. We've been exchanging interesting e-mails ever since, and wow - some of the chicken scratch aprons she's collected are really nice! One in particular caught my eye - a chicken scratch apron worked on cotton, with double drawn thread strips worked on the apron's front and the pockets. Laurie has this drawn-thread-on-gingham apron (PDF) in her gallery on her website - do check it out. It's meticulously worked and really pretty!

Discussing the different stitches with Laurie led me to working up a tutorial for drawn thread on gingham, to show how to twist groups of threads together for a decorative border.



I began with a simple gingham dish towel. This particular towel is available in different colors from All About Blanks. It's a soft cotton towel and hems are squared up with the gingham, so it's perfect for this kind of work. I've washed it once already, and you can see that the colors didn't run, which is great! It's a good towel!



When I first started, I was going to make the drawn thread area only as high as one row of checks on the towel, so I began by cutting a slit right next to the side hem, abotu six rows of checks up on the towel. (Later, I decided to make the drawn thread area twice as high, which you'll see below...)



About every three or four checks, I cut a vertical slit between two vertical threads, so that I wouldn't have to draw out long horizontal threads. When you cut your horizontal threads, you want to use nice sharp, small scissors. Fold the fabric over the blade of the scissors to that you can see the horizontal threads you are cutting and so that you avoid accidentally cutting any vertical threads.

With this weave, it was very easy to draw out the horizontal threads. I used a tweezer and just picked them out. Though it takes a little bit of time, it's not labor-intensive or stressful - the horizontal threads just pull right out, and removing the threads actually goes very quickly.



Once I was finished drawing out the threads, I hemstitched the base of the strip using a #5 white perle cotton, and dividing the threads into two groups per check on the fabric. I didn't count the threads - I just estimated the center of each check, which worked fine.

If you don't know how to hemstitch, check out my photo tutorial for the hemstitch. This is the exact technique I used, and it's really simple. I was working in hand (no hoop or anything) for this, and it went very quickly.



After getting to the end of the first row of hemstitching, at the base of the drawn thread area, I decided to go ahead and increase the height of the drawn thread area by removing the horizontal threads from the row of checks above. Then, I turned the work 180 degrees and hemstitched across the top of the area.



This is what the towel looked like with all the hemstitching done. You can see the two groups of threads for each check - two red, two white, two red, etc.



After I finished hemstitching, I decided to go ahead and buttonhole the edge of the hemstitched area. Up to this point, I had not done so, because the edge was on the seam and I didn't think it was really necessary. It probably isn't absolutely necessary, but in case it would fray, I figured I might as well finish the edge. I don't really like this buttonholing here. It's rather thickish and lumpy, but since the towel has a bit of a "rustic" look, it's ok. If I did this again, I'd probably finish the edges with a simple overcast stitch (like the satin stitch bars you can see in the hemstitch tutorial), and maybe even in a finer thread.



Now it's time to start twisting the groups of threads. This part is really easy, and it goes really fast! There's nothing to it.

First, you'll want to cut a length of thread about 5 or 6 inches longer than the width of the towel. Thread your needle (I'm using a tapestry needle with a large enough eye to accommodate the perle cotton), and then anchor your thread by running it under the stitches on the back of the buttonhole bar. You want your thread to emerge right in the middle of the drawn thread area, which is conveniently marked by the edge of the two checks.

The direction I'm working here is right to left, but to twist the thread groups, I'm taking my needle under the second group of threads from the edge, pointing back towards the edge. The needle goes under the second group and over the first group (which is the thread group right next to the edge.



Once the needle is in position - under the second group and over the first, pointing towards the edge - you're going to flip the needle so that the eye is now next to the edge, and the point is pointing down towards the far left edge of the towel. When you flip the needle, make sure you push the first group of threads underneath the second group.



Now you see that the needle is pointing in the direction that you're working - that is, from right to left. The twist is held in place right now by the needle...



... but once you pull your thread all the way through, the twist will be held in place by the thread.



Continue down the line in the same manner, pointing the needle backwards, under the second group of threads, then over the first, flipping the needle and pushing the first group under the second, then pulling the thread through.

When you get to the end of the drawn thread strip, take your needle to the back of the buttonhole bars right in the center, and anchor your thread by running it under the bars a couple times.



And that's what the finished towel will look like.



I like the way it turned out!

Now, on the apron that I mentioned above, the stitcher used each check as a group of threads, so that the twists were made up of two colors. You can do the same thing, or you can still divide the checks into two groups (using hemstitching) and alternate the twists to make a kind of diamond pattern, as I did below:



First, on this time around, I thought I'd try doing the twisting part with a bit of tension, to see if it made any difference. I used a Q-Snap frame, but left one edge "unsnapped."



Using the same method as above, I anchored my thread in the buttonhole bar and brought it to the front, working from right to left.



Because I wanted to use alternate colors, I had to anchor the first (out of two) group of red threads to the side of the towel. Then I proceeded to twist the threads as described above, but using one white group and one red group.

Pointing back towards the edge, the needle went under the first white group of threads, over the remaining red group...



... and then I flipped the needle to reverse its direction, pushing the red group under the white group with the tip of the needle.



I continued in that manner down the strip, ending by anchoring the last red group of threads against the edge of the towel.



This worked ok, and made an overlapping diamond pattern in the drawn thread area. But guess what? After trying that, I took it out and worked the first method on the towel again. I like the finished look of the first method better, personally. But at least you can see that there are options in the way you go about bunching and twisting your threads.

Concerning tension and hooping and so forth, I found this project very easy to work in hand, without a hoop or frame. For the twisting part, if you can lay your fabric down on a surface and smooth it out, you can work easily without a hoop. You just want to be careful that you pull the center thread firmly enough to keep things from sagging, but not too firmly to where it pulls on the end and makes the towel pucker. In fact, if you lay it out on a cloth surface - like an ironing-board cover (or the top of a footstool, like I did!), or even on your self-healing cutting matter, the friction will help hold the fabric in place (better than working on a slick surface!).

Now, if you really wanted to, you could decorate the towel further with other embroidery. But I like the simple drawn thread area, and I think it would be really nice on a summer picnic tablecloth, with matching napkins. In fact, wouldn't that make a great gift? A matching picnic set and hamper, or something? Hmmm.... I'm thinking summer wedding presents... summer birthdays... just something nice for the family gatherings...

Enjoy!

Labels: drawn thread embroidery, Embroidery for the Home, needlework pictures, needlework tutorials, pictures

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Posted By: Mary Corbet on Wednesday, May 27, 2009
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I've been dying to try out hand embroidery on waffle weave towels, because I see a lot of waffle weave out there in colors that I like. I've always thought the texture and relative looseness of the weave might be deterrents to hand embroidery, though. When BJ's package arrived in the mail - replete with a bright yellow waffle weave tea towel - I decided to give waffle weave a try as a ground for hand embroidery.

I'll tell you right off the bat that my approach was simple and not too ingenious. The towel was yellow. I like yellow, red, and white. So - why not big white daisies with red centers? Nothing too extravagant - I planned on filling petals and centers with chain stitch. And that's what I set out to do.

BUT - then I got an e-mail from a reader who embroiders on waffle weave towels, and uses the weave as part of her design... and that's when I saw a much more exciting potential to waffle weave! I'll show you down below...

First, my dabbles with daisies on waffle weave:



Using a tiny micron art pen, I drew a line of random large daisies across the lower edge of the towel. Drawing on this particular weave with a tiny pen tip is somewhat difficult, as the pen snags on the longer threads in the weave. The best thing is to go slowly and to try drawing in smooth long strokes, rather than short sketchy strokes.



Once I had the daisies drawn on, I started foraging for thread. I wanted to use something a bit heavier than regular floss, with a bit of texture to it - but not as thick as #5 perle cotton. I happened to have some #8 perle cotton in both red and white, so that's what I decided to use.



Knowing that my stitching time would be a bit sporadic, I arranged everything in a bag for easy access - hoop, scissors, threads, needles and towel all fit into one of the mesh-like bags that's featured in this month's give-away.



The first time I had a moment, I started stitching. I'm using chain stitch as a filler - nothing too complicated here!



It works great! Waffle weave is easy to stitch on!

Now, this is the thing:

Janice Miller took embroidery on waffle weave to a different level of fun! She went all out, embroidering this design with a variety of stitches, and ingeniously using the waffle weave squares as part of her design. Here it is - her "To Market" towel:



This towel is amazing! It's not just the design, which I think is rather hilarious - the little lady with her perfect curls, sunny hat, breezy dress, carrying the fat chicken (which looks be-dazzled) to market - but it's the meticulous attention to detail in stitching that's really delightful!



Using the squares created by the waffle weave, Janice filled in the dress, hat, and chicken with a checkered pattern.



She filled in many places with chain stitch - the face and arms, the sash on the hat, the bow on the dress, etc. - and worked the hair in perfect bullion knots!



You can see satin stitch, straight stitch as a filling, French knots, running stitch, a buttonhole wheel for the eye... an amazing variety of stitches on a really cute design, all on waffle weave!

So, now you know! Hand embroidery works on waffle weave - and it not only works, but in the hands of some stitchers like Janice, it works great!

Go grab a waffle weave towel and see what you can do with it! You can find them in most stores that have a kitchen linen section, or online through various sources that sell embroidery blanks. BJ found the yellow set at All About Blanks, for example - the set includes a large yellow-and-white checker print, a small checker print, and the matching yellow waffle weave towel.

Just as an aside on waffle weave... my shower curtain is white waffle weave fabric, and I can't tell you how often, when in a position to contemplate the shower curtain, I have considered embroidering it. Hmmmm....

Thanks, Janice, for sending the photos! Thanks, BJ, for the towel!

Labels: beginner embroidery, Embroidery for the Home, embroidery resources, needlework pictures, pictures, readers embroidery, supplies

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Posted By: Mary Corbet on Tuesday, May 19, 2009
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Last week, I set up a "grab-and-go" embroidery project that materialized into a fairly nice Easter gift for my sister's family. The project was an embroidered flour sack towel, with a spring garden design on the corner. I ended up using it to line a matching basket, which I filled with Easter candy and took to the fam. Here's the completed project.

As Easter approached, I didn't think I was going to finish the embroidery on this. By Thursday, this was the extent of my progress...



...and I still had to work the tulip in the corner and the other side of the design.

The bulk of my stitching time actually came on Easter morning, when the world (at least at my house!) was relatively quiet. After going to church very early, I went home and started stitching. By 11:30 am, family and friends started popping in, but I was determined to keep stitching - I was too close not to finish!



The corner tulip ended up mostly purple, with pink highlights (opposite of the two end tulips)



I only finished the one corner. When I first set out on the project, I was wanting to stitch two opposite corners. Ha. Well, I'm perpetually an optimist on that kind of thing - I never gauge correctly how long it takes to embroider something!



I chose a rectangular woven basket in bright pink, to match the flowers. After finishing the towel, I washed it and, being in too much of a hurry, I only let it dry part way, then I tried to iron it dry the rest of the way!

Have you ever ironed something dry? I do it to linen all the time. But the strange thing about ironing something dry is that the thing can feel dry, when it isn't actually dry-dry.

Yep. That's what happened here. The towel was still just the slightest bit damp here and there when I arranged it in the basket. I know, because the jelly beans took on a kind of clammy skin after a bit. "Oh, that's just from kids rummaging through..." No, no! The m&m's - you know, those things that melt in your mouth and not in your hands? They melt on damp towels!

When I realized what had happened, I pulled the towel out of the basket! But not before I got a shot of it with this little fellow:



... and not before the towel was completely bespeckled with pastel-colored-candy-syrupy-sticky-splotchy-gunky mess!

Did I take a picture of THAT?

No.

Remember what your mother always told you: Haste makes waste! And learn from my experience! Rumor has it that the Laundry Queen at my sister's house (that would be my niece Julie, who likes doing laundry for some bizarre reason) has removed the stains, and all is well again with the towel.

Now, isn't that bunny just the cutest thing in the whole wide world?

Labels: beginner embroidery, Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Wednesday, April 15, 2009
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I've managed to get at least one of every element in the Spring Garden Corner design embroidered so you can see what stitches I'm using, in case you want to embroider the design yourself and don't know what stitches to use. Keep in mind that there are really no absolutes on this kind of project - you can use whatever stitches you want, and whatever stitches will work!

I didn't plan out my stitching before I started - I pretty much worked whatever embroidery stitch came to mind as I got to any particular part of the motif. This has worked well overall, except in one area that I picked out. I'll tell you aaaallll about it...



Here we are so far - the colors are pretty bright and cheery...



Here's one of the "tulips" up close. I'm doing the two end tulips in pink for the outline, but the middle (corner) tulip has a purple outline.

Concerning the buttonhole scallops on the edge, I suggest penciling in the shape of the inside of the scallop - it'll help keep your scallops a bit more even. I didn't bother, but I probably should have.



In order from left to right, you'll see two backstitched rows in yellow, with a green running stitch between them.

The next line is a purple fly stitch following the zig-zags on the pattern, and between the zig-zags, three straight stitches kind of fanned out to fill the valleys of the zigs and zags.

The next line is chain stitch in yellow, interlaced with green.

Then you see another green running stitch - that line's not on the pattern, but I stuck it in there while I was stitching...

And finally, at the tip there, you'll see some buttonhole scallops worked far apart at the base (where the scallops are on the design), but closed at the top.



For this little guy, work the buttonhole wheel first, leaving a large-ish hole in the center. The center is filled with French knots. A chain stitch line is worked around the outside of the buttonhole wheel, and the little petals are daisy stitches.



This is the larger flower, and this is the one I tried something different on and then picked out. I was going to satin stitch the round petals, but it takes too long and it's too solid, and so I changed my mind. Start with the inside - the buttonhole wheel. The center is filled, again, with French knots, and outside the buttonhole wheel is another chain stitch circle. Next, work the petals, and then work the single French knots (they're the yellow ones) last.



I ended up working the petals in a chain stitch spiral, starting on the outside and spiraling in. I didn't work the spirals really close and tight - I didn't want it quite that solid.



Ok, this thing is really weird. I don't know what I was thinking, but this is what it ended up looking like. The easiest way to do this bud thing would be to work large daisy stitches for the flower buds and leave it at that. I worked bullion knots for the two side bud petals, then the middle one is fly stitch, worked vertically and close together. The stames are long straight stitches with a French knot at the end. I couched over the long straight stitch with the same thread, to secure it. On towels, it's not a good idea to have longish stitches floating about...

The green part of the bud is satin stitched in three sections. The two outside sections slant down towards the middle, and the inside section is stitched vertically.



The large leaf is worked in stem stitch, just like the rest of the stems. Stem stitch the longer parts of the leaf outline, but where the leaf juts in to the middle, just use a little straight stitch. The veins are also stem stitched.



All the other leaves are worked in fishbone stitch.

So there it is!

Thank you all for your very kind birthday wishes yesterday! I had a nice birthday, and your good wishes made it even better! Thanks! If you haven't signed up on my birthday give-away post yet, please check that out and join in the fun! I'm going to send one lucky commentor a surprise birthday package to help me celebrate!

Also, just a reminder that The French Needle is running a 10% off special for readers of Needle 'n Thread through April. Check out their kits and charts! They have some really beautiful stuff! (By the way, I'm not affiliated or paid by The French Needle - I'm just pointing out a good resource for embroiderers!)

Hope you have time for your needle & thread today!

Labels: beginner embroidery, Embroidery for the Home, Hand embroidery stitches, needlework pictures, pictures, stitch along

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Posted By: Mary Corbet on Thursday, April 09, 2009
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Yesterday, I showed you my "grab-and-go" embroidery project, a little Spring design for the corner of a towel that I'm going to use as a basket liner. Here's the embroidery pattern for that piece.

This embroidery design comes from a stack of hand embroidery transfers that I got at a garage sale. Most of the designs were loose; the few that were in booklets came from the 1950's, so I'm assuming this one is about the same time period. The original was a mess, so I scanned it and worked from the scanned image, cleaning it up into a vectorized image, which I've saved as a gif file (you can click on it to make it larger, then save it to your computer and resize it if you wish), and also as a PDF file, which you can also resize and print.

The design on my towel corner is about 8 inches wide - just wide enough to print on regular paper. The PDF should work out to about the same (hopefully!)



Here's the PDF:

Spring Garden Corner Design for Hand Embroidery

If you are interested in using the same colors I'm using, here's a list of DMC numbers:

Purples: 208 & 209
Green: 907
Yellow: 743
Bright Pink: 602

I have a blue, too (DMC 794) but so far, I haven't used it, and I'm not sure if I will. It doesn't seem "quite right" somehow.

Of course, you are more than welcomed to use any colors you want!

As I stitch, by the way, I'm just improvising. I'll try to finish enough of the design tonight so that each element is stitched, and then I'll explain which stitches I'm using.

In the meantime, if you want to stitch along, feel free. You can always get started with the leaves - they're all worked in fishbone stitch, except for the largest open one, which is outlined in stem stitch - and the stems, which are worked in stem stitch. The center of the flowers are worked in buttonhole wheels, then filled with French knots. You can see these up close on the introduction to this little project.

For a flour sack towel, I suggest using a better quality one, if you can find one. Some of the flour sack towels out there are very flimsy and seem almost like cheesecloth.

Labels: beginner embroidery, Embroidery for the Home, free embroidery patterns, stitch along

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Posted By: Mary Corbet on Tuesday, April 07, 2009
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Yesterday, I set up a grab-and-go embroidery project. "Grab and go" projects are those "quick" projects that can be taken anywhere or can be picked up for a few quick stitches when you're on the go. I know this week is going to be hectic, like last week, and admittedly, I'm going nuts without simple and quick to work on.

At first, the whitework sampler was providing ok 15-minute stitching "fixes," but the cutwork part is rather tedious, and since it's the same stitch over and over and over again, it does get a bit on the boring side.

For grab-and-goes, I like color and simplicity! I also like cheap materials! If I'm working on this type of project in the car, in waiting rooms, or outside on the front porch, I don't want to be using expensive linen and silk threads. So, cotton on cotton is great!

This particular Spring Towel is a flour sack towel to use as a basket liner for Easter. Flour sack towels make great liners for large baskets that you might serve bread in - or, in this case, that you might arrange Easter eggs and candy in. You embellish at least one corner (I think I'm going to do two on this one), and then you arrange the towel so that the decorative corner hangs over the edge of your basket. If you're putting bread in a basket to serve a crowd, you would arrange the towel so that the decorative corner folds over the top of the bread.

Because it is likely that the towel will come in contact with food and will need to be washed, use colorfast threads (DMC or Anchor work great).



Here's the corner. I've already started stitching. It's a rough and chunky design, and fun to work. I'm not shooting for "perfection" here as much as just a fun, colorful corner. The design extends about 8 inches from each corner.

I transferred the design by tracing it with a regular pencil. All the lines will be covered - and if they're not, that's ok. They'll wash out.



The embroidery pattern is mostly just a series of strange flowers and leaves. The design came from an old transfer I salvaged from some garage sale junque. I altered the design a bit to turn it into a corner pattern.



I was musing a bit over the colors - at first, I thought pretty pastels would be the thing for Spring, but they didn't seem to go with the bold design. So instread, I picked out a selection of colors reminiscent of bright Easter baskets.



I'm pretty sure I'm going to do all the leaves in fishbone stitch. I just love this stitch! I was going to work with two shades of green, but I have a feeling I'll reduce the whole project to as few colors as possible - just bright and bold. We'll see...

This is also my first complete adventure using Q-snaps. I'm a hoop person, personally, but so many people rave about Q-snaps that I thought I should give them a try. I did try them briefly on a piece of linen a while ago, but ... sheesh... no, I didn't like that! Thinking I didn't quite give them a fair trial, I decided to use them from start to finish on this project. I'll let you know my thoughts once I've given them a fair run!

Now, the question is - should we place bets? I'd like to finish this and the opposite corner (same design) by Easter. Do you think I'll get it done?

Labels: beginner embroidery, Embroidery for the Home, Embroidery Projects, Hand embroidery stitches, needlework pictures, pictures

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Posted By: Mary Corbet on Monday, April 06, 2009
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Do you ever get to the point where you decide to shelf a needlework project indefinitely? Here's one I just shelved...

This is a spring tea cloth from Anchor (a Fleur de Lys kit), worked in a variety of surface embroidery stitches. On its own, when considering the various recommended stitches, it's not anything too elaborate - the stitches are simple, and the interpretation of the individual motifs is equally simple.



The garden image goes all around all four sides. And I think it's pretty enough, but every time I sit down to work on it, I am not particularly "grabbed" (as in, enchanted, delighted, interested, and so forth!).

I'm having a heck of a time deciding on how to stitch those blue bell thingies. The pattern calls for satin stitch, using three strands of floss. Well, that just looks ridiculous! So I tried all different kinds of stitches, from split stitch filling (I think that's what's on there right now) to long and short stitch (I'll probably revisit that one - it was a bit too poofy with three strands, but I'll take Margaret's advice and try it with two), to satin stitch with three threads, then two threads, then even padded and the top worked with one thread. None of the latter satisfied!



I've had this kit, actually, for about two or three years, and I took it out for the first time about a year ago. I worked the round pink things in the front and some of the stems at the time, but then put it away. The next time I took it out, I worked the yellow flowers and then put it away.

So here I am, putting it away again. I thought, about a month ago, that I might be able to finish the piece up for a Christmas present. So I took it out and worked a few stitches.

I'm not sure why this project doesn't grab me. It should be a rather relaxing embroidery project, simply because it's relatively simple. I picture it being fun to work on. Yet every time I take it out, I barely manage a few stitches before I toss it aside for something else! Why?

By the way, Margaret's stitching the same project, only she's almost finished with hers, and she made Vast Improvements on the kit as she went, shading and adding different colors and stitch types, etc. I can't wait to see her finished version - maybe it will inspire some determination in me to take this up again and really finish it!

Do you have any ongoing projects that you regularly set aside for other things? If so, why do you shelf them? And is there any "trigger" that causes you to take them out again and determine to finish them?

Labels: beginner embroidery, Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Thursday, December 18, 2008
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Yes, well. This Christmas Towel. Satin stitching. Long and short stitch. Sometimes, I could just kick myself!

Originally, I was supposed to be embroidering regular cotton towels with regular cotton thread in regular outline stitches for regular easy embroidered gifts. But darnit, if I didn't start filling in on this one, and now, it's taking me ten forevers to get it done!

Remember the embroidered towel I finished last week? That piece took me less than three hours of stitching. I figured at that rate, I could do (easily) two towels a week and still have time for finish work on other little projects.

But no. I had to start filling in on this one! Did you ever realize what a difference it makes, time-wise, when you start to fill in areas of stitching?

I have duly frustrated myself, but I don't want to give the project up!

So let me show you how far along I am, and then I'll tell you what really frustrates me about the whole endeavor.



The satin stitching on the berries is done - at least, on this clump of berries (there's one more further down the design) - and all the little green satin stitch things are finished, and I've managed only one pine cone so far.



Now, the pine cone was an interesting dilemma. It's worked in long and short stitch. Originally, I was just planning on outlining it, but once I started filling in the berries with satin stitch, it was silly to have an only-outlined pine cone! So I started experimenting with filling. I was going to work a stem stitch filling. Then I thought about a split stitch or even chain stitch filling - something that could be worked fast and somewhat loose, so it wasn't a "full" filling.

Ugh. None of those looked right.

So I resorted to long and short stitch. Then the colors became a problem. If you're just outlining something, shading isn't that important, really. But once you move into long and short stitch, colors become important, and the shading achieved by the stitching and color choices together is what makes long and short stitch look ok.

When I started, I thought I better take a look at some pine cones. What I noticed on larger, older, opened pine cones was that the tips were almost a white-ish grey, curved up, and the rest of the cone was a darker brown, and some almost blackish-brown. But on the small, closed pine cones, they're really brown - a nice brown. Not a lot of color difference in them. Just a nice woody-looking brown.

So I stuck with three shades of brown, to give the cone a bit of depth. I don't like the connection area - I guess it's the stem - up top, but that's the way the pattern was, so I ended up stitching it with two small areas of satin stitch for highlights, surrounded by a split-stitch filling in dark brown.

And that's the pine cone. Two more pine cones, one more bunch of berries!!! Remind me never to FILL IN on a TOWEL. Yes, as I mentioned yesterday when I was talking about the obvious merits of machine embroidery thread for paper embroidery, sometimes, I'm a bit slow lately!

But this is what really frustrates me - and perhaps it's just a problem with the way I'm looking at the stituation. You can tell me what YOU think:

I'm putting all this embroidery time and effort into a cotton flour sack towel.

It's not a linen table runner.

It's not a linen table cloth.

It's not even a pretty little crisp, white cotton Christmas apron.

It's a FLOUR SACK TOWEL!!!

:-) Ah, well. I'm in. So I may as well finish it! But, sheesh. Really. What was I thinking?

Labels: Christmas, Embroidery for the Home, gift ideas, Hand embroidery stitches, needlepainting

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Posted By: Mary Corbet on Tuesday, December 02, 2008
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I finished the hand embroidery on the corner of this bread basket liner --- well, it's a towel, actually, but it'll be used as a bread basket liner.

I made a mistake on part of the embroidered design - can you find it?



Unfortunately, I tend to be the type of stitcher who gets caught up in the mistakes on my work. I really see them! And perhaps that's the case with most stitchers and crafters. But sometimes, I think it's quite alright to let a mistake go, and that's absolutely what I'm doing in this case!! But I'd be interested to know what you would do... would you take it out and re-do it?



Have you found it yet? Here's a hint:



And here's the other hint:



Would you re-do the little circles? I'm not. If nothing else, they make it characteristically hand stitched. A machine would not have made the mistake of stitching a mirror image using a completely different stitch!

I'm making a series of these towels, with similar, simple corner designs, for my sister for Christmas. She's a cook and an entertainer - she has large crowds at her home often for big meals. In fact, I think her daily meals for her family (and friends - there always seem to be guests at her table) would be considered "fancy" meals for most people. She's the Queen of Hospitality, and a great cook. She always sets a nice table, not just on formal occasions, but for casual daily dinners as well. One of her signature items is bread. A day doesn't go by that she doesn't have bread going - rising, baking, rising, baking - the smell permeates the house. She makes artisan loaves of naturally leavened bread; she makes French and Italian breads; she makes great crusty dinner rolls and melt-in-your-mouth soft rolls and fruit and nut breads; she grinds her own wheat and makes a wonderful, nutty wheat bread as a regular staple for the family. With crowds at the table, she uses large baskets lined with flour sack towels for bread. I thought a set of nicely embroidered flour sack towels to use solely for lining bread baskets would be a good gift.

So, let's see - how far away is Christmas? I've finished one towel. I have a Christmas-themed one in the works. I intended to make six towels altogether. I figured I could make two a week, and still stitch on other necessary items, if I stuck with Really Simple Designs, like the one featured here. But the Christmas one is slowing me down! I wasn't supposed to fill in the designs, but satin stitch seemed perfect for the berries, and the pine cones look better in long and short stitch than they do merely outlined. Aaargh. Six might be a bit ambitious at this rate!

Anyway, I'm still trying to dig up some simple corner patterns. The one I used on this towel above was a lot of fun - I may do it again, in a different color scheme. I may draw up a wheat pattern to use, too, if time allows! I'd like to share this pattern with you, but it isn't mine. I need to check the source (it's from a huge envelope of older patterns that a friend dropped off one day) to see if it's copyrighted.

And, finally, speaking of time - I'm out of time for the day! I hope all you Americans have a great Thanksgiving weekend. Teaching has its advantages - I've got a four day weekend, during which I plan to get some serious embroidery done and I hope to devote a lot of time to the website, too. I've scheduled a filming session for Saturday mid-morning, so keep your fingers crossed for me! If I have sunshine and a relatively quiet day, I should be able to actually finish some of those hanging video tutorials of more embroidery stitches!

For now - I must go bake pies!

Labels: beginner embroidery, Christmas, Embroidery for the Home, Hand embroidery stitches, needlework pictures, pictures

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Posted By: Mary Corbet on Wednesday, November 26, 2008
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This weekend, I didn't manage a whole lot of embroidery-related tasks, much to my disappointment. Still, I did manage a couple things: 1. to assemble a couple projects into easy-access packages so that, when I can snatch some time for stitching, they'll be ready for snatching; 2. to stitch up most of a towel, thanks to some late night hours...

I'm stitching up a few sets of flour sack towels for Christmas presents. The designs are varied. Some I drew, some I copied, some I adapted. In every case, I tried to keep the designs relatively bold, with clean lines, for quick stitching in a variety of line stitches.



After ironing a couple towels and tracing the designs on to them using a light box and pencil, I selected no more than six colors (but in truth, I think four colors are sufficient), and put the threads and the folded towel into a handy-dandy zip-loc bag. Now, when I have time to devote to this kind of embroidery, I've got everything on hand to start one of these projects. I'm glad about that, because I only have a gazillion more projects to complete before the holidays!!



I had a bit of time later Saturday evening for some focused stitching, so I set out on one of the towels.



I'm just using four colors (two shades of green, a darker burnt red, and a reddish-orange) and two stitches - stem stitch and chain stitch.



I was going to throw two shades of blue in with these colors, but I'm glad that I didn't!



I'm about two-thirds of the way finished on this one. I'm only doing one corner - enough for a splash of color.

Here's hoping that this week presents a few more opportunities to make some headway on Christmas gifts! I'm under a little crunch at work, so we'll see what develops on the home front in the evenings. I still have the front of the goldwork and silk ornament to complete - just a tiny bit more to go! Keep your fingers crossed for me that I can finish it this week!

If you haven't signed up for this month's stash give-away, don't miss your opportunity to win some really good threads and stuff!

That about covers my weekend as far as embroidery goes - I hope you had the opportunity to spend more time with your needle 'n thread and were able to accomplish everything you wanted to!

Enjoy your Monday!

Labels: beginner embroidery, Christmas, Embroidery for the Home, Hand embroidery stitches, needlework pictures, pictures

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Posted By: Mary Corbet on Monday, November 17, 2008
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One of the kids from this summer's embroidery classes showed me her finished final project, and ... golly! I was really impressed. I took some pictures, and I thought I'd show them to you...

This is a baby pillow case hand embroidered by a 13-year-old. I have to admit, I think she did a really nice job.

The last project for the 12-14 year old class was a "pick your own," and among the blanks I had (some of which were meant more for the adult class!) were some very nice linen baby pillowcases, which I got from All About Blanks. They have a little drawnthread (hem stitched) edge.

So, this student picked her own blank (the pillowcase, for a new baby sister), her own design (which she transferred by tracing it with a light box, using a pencil), and her own colors of thread. When she was finished, she wanted an "A" in the middle of the design and asked me to draw it in for her. That's the only thing I did on this whole piece - everything else was left up to the student!

Here's the pillowcase:



And here's a bit of detail:



The stitches she used are French knots, daisy stitch, satin stitch, bullion knots, and stem stitch.



I think she did a good job on everything, but I was particularly impressed with the bullions (and there are lots of them!) - bullion knots don't generally fall in the "easy" category.



There's the center motif with the initial. Her satin stitching looks good, too - she worked some French knots on top of the satin stitch on the side flourishes (blue satin stitch, yellow French knots).

The whole design was embroidered with two strands of DMC stranded cotton.

Nice job, Anna!

Labels: beginner embroidery, embroidery for children, Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Saturday, August 02, 2008
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My embroidery classes for children are coming to a close. I have one more class next Monday morning! So the projects are rolling in, although I don't think I'll see all of the completed work by the end of our last class. I thought I'd give a little recap of the different projects worked this summer and share a few photos of some embroidery projects completed this week.

For the 2008 Summer Embroidery Classes for Children, we worked the following projects, divided into groups by age:

Group A: Children 7 - 9 years old (mostly - there were a couple 10-year-old newbies in there, too) worked the following projects:

• Two stitch samplers - a butterfly and a flower, both filled with lines for practicing different line stitches
• An embroidered felt bookmark
• A white towel, embroidered with a butterfly and flower scene (no photos of that one, yet! Hopefully, next Monday we'll see some completed towels!)

Group B: Children 9 - 10 years old (with a 7 year old thrown in for good measure!) worked:

• A stitch sampler - the lined butterflies
• Embroidered felt bookmark
• Embroidered checkered dish towel (pictures below)
• Embroidered greeting card

Group C: Children 11 - 14 years old (with some younger ones thrown in for good measure here, too!) worked:

• Embroidered Flour Sack Towels
• Embroidered Greeting Cards
• Embroidery project of their choice - linen handkerchiefs, bookmarks, or pillow cases

The kids picked out their own threads and colors for the various projects, with the exception of the stitch samplers, the check towels, and the felt bookmarks.

In all the groups, there were several stitchers who finished all their projects by the end of the last class, but most of the students still had a little bit left to do on their final project, so they were able to pick out enough thread to finish up the projects and take them home to finish during the slow summer days.

Here are a few photos of projects that came in this week:



This is one of the blue checkered dish towels. Originally, they were going to work chicken scratch embroidery on the checked towels, but the checks were bigger than I thought they would be. Still, I like this little design. It reminds me a bit of the Pennsylvania Dutch look.



And here's one of the red checked towels. These towels are Really Nice quality towels. I got them from All About Blanks.



Here are three of the kids' flower sack towels that came in. This was another great find in good towels - these particular flour sack towels came from Embroider This. The designs are the Java Break and Wine Country patterns from Aunt Martha, which you can find at Colonial Patterns. Most the stitching was done in simple line stitches: back stitch, whipped back stitch, stem stitch, and some chain stitch.



This is a larger photo of one of the more complex ones! I was so happy to see them finish these, as they were bigger projects than the Java Break designs, but they seemed to like doing them and were proud of the finished results.



This is one of the select-your-own projects from Group C, done by a 12 year old. These handkerchiefs (from All About Blanks) make really pretty monogrammed hankies. And I think she did a great job, using simple stitches and nice colors. Her tiny stitches, actually, are really perfect.



She used French knots and backstitch - I was really impressed with her even backstitches!

I'm still eagerly waiting the butterfly towels done by Group A, some of which should be done when the come to class on Monday! There are also a few of these towels out:



This is one of the class samples I made up, but didn't finish stitching before the classes started.



I think a reader asked previously about this pattern - it's found in the Repeats and Borders book I reviewed earlier. It's a fun pattern to work, and I'm looking forward to seeing some of the kids' results with it.

I was really very happy with this summer's embroidery classes. We had five two-hour sessions for each group, and I think they had fun, I know I had fun, and although it's a lot of work, I really think it's worth it! If you have the opportunity to instruct children in needlework of any kind, grab it! It's a wonderful chance to pass on to the next generation a love of handwork. You also have the opportunity to give children a hobby that will make them happy for years to come, if they keep up with it! And you never, never know what they'll do with it.

If you are interested in teaching children, but you don't know how to go about establishing a venue or getting the word out, I suggest contacting your local library to see if they have any summer programs for youth that they're looking for volunteers for.

If the other projects show up on Monday, I'll share some photos of those, and then that's it for the kids' classes until next summer! Though I was thinking it might be fun to take a day over Christmas vacation and do an ornament class or something... I'll have to muse a bit over that one!

Labels: beginner embroidery, embroider on paper, embroidery for children, embroidery for fun, Embroidery for the Home, Embroidery Projects, iron-on embroidery transfers, needlework pictures, pictures

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Posted By: Mary Corbet on Thursday, July 17, 2008
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Last night I finished week three of this summer's hand embroidery classes. Well, I call it week three, even though yesterday was just Wednesday. All five classes are packed into the first three days of the week. Would someone please remind me not to do that next year??!! I've got a few photos here of some of the class projects that have been finished...

With five embroidery classes going for different age levels - and different levels of ability - all crammed into the first three days of the week (Mon - Wed), by Wednesday evening's class, I'm mixing up embroidery threads, fabrics, projects... In my Wednesday evening class, for example, half the class is working with DMC stranded floss on flour sack towels, the other half is working with DMC Satin Floss (rayon) on embroidered greeting cards, and one younger youngster is working with pearl cotton on a felt bookmark.

Now, you may rightly wonder why things aren't more organized, but there are a couple little difficulties:

The first obvious one is that the children tend to work at entirely different speeds, with entirely different levels of enthusiasm. Some go home and stitch their hearts out and finish each new project before the next time we meet. These fast little stitchers - who are usually the enthusiastic and meticulous kids with real interest and talent - are ready for a new project each week practically!

Then there are what I call The Lagging Stitchers - the kids who don't do anything on their projects during the week. They come into class forgetting what they learned in the last class, because they haven't picked up their needlework at all. This requires me to "reteach" some of the students in every class, which is inconvenient for me and for the other students, and hampers the progress we could make otherwise. I haven't figured out how to handle this yet, and yet, I've faced this every year.

And finally, in some classes, there's a real disparity in age. Some of the children come from Really Rural Kansas, and to make the extra drive into town each week is a hardship on the parents. So if there's an older and younger child from the same family signed up, they often come to the same class, despite their age difference. The disparity in age is reflected in the disparity in development - there is a vast difference between the level of physical development (think fine motor skills!) of a 10 year old and that of a 7 year old. Which means I have to have the Little-Little Kids' projects going in the Medium-Little Kids' classes and in the Big-Little Kids' classes as well. Take, for example, the Wednesday class. There are 11 students, and their age range is supposed to be 12 - 14, but it's really 10 - 14, with a 7-year-old thrown in for good measure!

Whew.

But - really - it's a blast! And there's nothing better than seeing the results start to come together. Here are some needlework developments from the classes so far.

First, an embroidered dish towel. This is stitched by an 11-year-old. The towel's already been laundered, hence the wrinkles.



These are the Aunt Martha designs from the set called "Java Break." She worked the whole piece in stem stitch.



And she does a really nice job on her stem stitch!



Her stitches are even and neat.



Three embroidered cards were finished last night... the embroidery was finished on several more, but the cards haven't been assembled yet.



The pattern for these three cards was selected from one of Erica Fortgens's books on embroidered greeting cards. I've got all her books on my shelves, so the kids flip through to see what they like when it's time to delve into a project. They're super-terrific books!



And here, one of the kids from the 7-9 year olds' class is showing off her embroidered butterfly towel as it progresses.



And here's another kitchen towel... actually, I stitched it. It's a project sample. A couple of the kids are working on this design right now (in the Medium-Little Kids' class - ages 10 & 11). I'm looking forward to seeing the results on this one!

So, there's progress for you!

As each summer passes, I learn something new about teaching these classes. This year, my reflection is going to include trouble-shooting the age / level disparity problem and figuring out once and for all how to handle Lagging Stitchers.

Any ideas on those subjects??

Labels: embroidery for children, Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Thursday, July 03, 2008
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One of the projects we're doing in my summer embroidery classes is an embroidered dish towel. We're using flour sack towels and embroidering a little (actually, relatively big) design on them. I thought it would be a good project for the older kids (ages 11-14), and I'm also doing it with the adult beginners. So, here's my class sample and a little information about the set up and stitching...

First of all, keep in mind that flour sack towels can be a delight to embroider on, or they can be a pain. Good flour sack towels take hand embroidery very well! I bought the towels for this year's embroidery classes from Embroider This! - you can see the ad for the company in the right hand column. They were very generous in helping me with the endeavor, and I did get a cut for the bulk order. In exchange, I'm running an ad for them for a month.

I bought the Ultra Premium Flour Sack towels from them, and I'm really, really glad I did! They are super smooth and super sturdy - not the flimsy, filmy, wrinkly kind sported by Walmart and Target. The only reason I bring this up is because I did go buy some from Walmart and Target - and they were thin and flimsy. At $2.99 each from Embroider This (that's their retail price), it's not a bad deal for a good towel!

The towels are huge, by the way. I've read on some blogs that embroiderers will often cut the flour sack towels in half and hem up the fourth side (where the cut is) to make two towels. I suppose that's a good idea, if you want a smaller towel.

Anyway, on with it...

My original intention, as I noted before when I was introducing you to my monogrammed guest towel sample, was to use iron-on transfers for most of our projects this summer, so that we could save some time on setting up projects. But that changed as I prepared my sample for stitching!

I purchased a few sets of Aunt Martha transfers - Wine Country and Java Break - but the transfers were bigger than I liked. I wanted them just slightly smaller! So I reduced them on the copier and traced them.

Yeah. That's right. I traced 20 towel designs - and that was just the flour sack towels! I've also ended up tracing designs on 20 other towels for the younger kids. They aren't flour sack towels, though. They're gingham towels and smaller kitchen towels. That was a lot of tracing! I used a light box, and a micron art pen on the gingham towels and smaller kitchen towels. On the flour sack towels, I used a #2 pencil.

For stitching, the students are using two strands of DMC and a variety of stitches. I kind of saw the whole towel project as a sampler, in a sense. That is, it would give the kids practice on their line stitches (I'm emphasizing even stitches and smooth lines), but at the same time, it would give them a finished, colorful project that they could keep or give to Mom or Grandma, or whatever. (Kids like finished projects!)

Here's my class sample, which is from the Java Break collection:



I had to pick the pattern with the cupcake. I wanted to stitch pink frosting for some reason!



Here's the cherry, worked in whipped backstitch for the fruit and chain stitch for the stem. There are three reasons I like to use whipped backstitch with the kids: 1. it creates a relatively smooth line, compared to plain backstitch; 2. It's easy; and 3. It's like learning two stitches in one, since they have to learn the backstitch, anyway!



I worked the letters in chain stitch in dark brown, and, in light brown, I worked a line of stem stitch right next to the chain stitch, to give the letters a little depth (or something!)... just to set them off a bit.



The cup and saucer and the dessert plate are worked in chain stitch, in a bright yellow and red.



And the decoration on the cup - the red grid - is worked in backstitch. The coffee inside the cup is worked in rows of stem stitch (used as a filling), and the steam rising from the coffee is also worked in stem stitch.

So, overall, the towel gives the students the opportunity to practice some common line stitches - especially chain stitch, stem stitch, and backstitch - and (hopefully!) to perfect their spacing and sizing of their stitches. That's my plan, anyway - I'll let you know if the idea was successful!

You know what? I had fun stitching this towel! I'm thinking about doing the other three corners, so the thing can be used as a little "coffee cloth" (as opposed to tea cloth). Really, the towel is big enough to spread as a tea cloth on your table. It's not super fine linen, that's true, but it would be fun to spread out for a coffee break when your pals stop by for a cup!

Other ideas: great wedding gifts for coffee drinkers, fixed in a basket with other coffee supplies (some special cups or whathaveyou).... or, do a bread / wheat motif in all the corners, and use it as a liner for a large basket of bread when company's coming, or when you're having a cookout and you want to put the hamburger buns in a basket and cover them. So many ideas... so little time!

Labels: beginner embroidery, Embroidery for the Home, iron-on embroidery transfers, needlework pictures, pictures

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Posted By: Mary Corbet on Tuesday, July 01, 2008
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Here's a sample I'm working up for my adult embroidery class, which is also looming - it starts a week from Tuesday, and I have two more samples to work up for it. At the same time, I am setting up a Big Project that needs to be finished before the end of July! So things are hopping here!

This is an embroidered guest towel. It's an oatmeal-colored linen-cotton blend with a drawn thread edge, from All About Blanks. You'll notice the note on the page there - to pre-wash before embroidering. These do shrink quite a bit, but I still like them, and I like them smaller!

I wanted an oatmeal colored towel to monogram in white for two reasons: I love the look of the white on natural-colored linens (I think it's pretty!), and I think, when it's the first time monogramming something, it's easier to work on a color with white than to work white-on-white. The fabric has been really easy to stitch on, but it's not crisp like a 100% linen fabric would be. It's soft, and it does have a bit of a fuzz to it - I like it a lot, and I think one of the reasons is the softness and the fuzz and the ease of stitching on it (or is that three reasons?).

I started by ironing the towel after laundering it and drying it. I folded the towel in half, long ways, to mark the center.



Then I unfolded it, but I noticed that the crease would probably cause difficulties placing the monogram!



I like the wide drawn thread hemstitching there, don't you? Anyway, I pressed the crease out lightly - just enough to still see where it was!



For the first time ever, I am using iron-on transfers. I don't think I've ever actually used one myself, though I've seen lots of people use them and I know lots of people like them. I figured it would be a huge time-saver for me, to have a good selection of iron-on transfers on hand, instead of our having to hand-transfer all the designs, which takes up a whole class period in itself!

So I centered the initial - I'm using a "B" - and followed the pressing directions.



And that's what I got. It's there, more or less - there's some kind of streaky thing going on there, but that's ok. That's the fastest I've ever put a design on a peice of fabric. I was elated!



But I found the blank streaks a bit distressing.



So I took a fine-tipped Micron art pen and drew in the missing lines. No big deal!



I hooped it up. I use Hardwick Manor hoops, made in Germany. They're an excellent embroidery hoop - very firm, very stable-feeling, and the hardware on them is solid brass and very sturdy, so you can use a screw driver and really tighten the hoop. They hold fabric quite well, and even better if you bind the inside ring, which I didn't on this hoop!

I hooped right over the drawn thread hemstitching - the towel is sturdy, and I'm not worried about damaging it. I don't keep my work on the hoop when I'm finished stitching for the day (always take your work off the hoop when you're finished for the day!), so I am pretty confident that this will be just fine!

It's nice to work on a hoop for a change. I usually have my work set up on a frame (stretcher bars, generally), which I clamp in my floor stand (I have the greatest floor stand ever!). But now and then, I think it's really nice to be able to sit on the couch or even at the table visiting, without dragging out my floor stand or a larger frame.



So, the fabric ready, it's time to pick out threads. Ahhh. I love Lacis (Incidentally, they now have free shipping). Here's my box of coton a broder and white floche. I have several skeins of each size, from 16 up to 40.



I originally thought that size 40 would be the way to go. So I began stitching with it, but it really got lost in the towel fabric. I wanted something that would sit up on the fabric!



Soooo... I split it in half, and tried size 20 instead, which I found to be just right. I want the monogram to sit up off the fabric, and there are a couple ways you can achieve this with monograming. One is to use a technique called trailing, where you satin stitch over bunched string. Whenever you need to narrow your design, you sink one or more of the strings in your bunch to the back of your fabric. But trailing is a technique you have to get a feel for - you want to sink your threads so that the change in size is gradual and smooth.

Since this is for more or less a beginner's class, and since the design itself doesn't really come to a tip anywhere (trailing is great for lettering that comes to a tip), I'm sticking with outlining, padding, and then satin stitching.

For the outline, I'm using backstitch. You can also use split stitch to outline under satin stitch. It doesn't really matter which one you use, except I kind of think split stitch might create a smoother line. In any case, I used backstitch.



After backstitching the outline, a worked the padding in long straight stitches, occasionally splitting them to fit a thread in, working down the length of the letter. My satin stitching will be worked on top of this, perpendicular to the padding.



Wow! All those pictures, just to show you an inch of real work! So there's the beginning of the "B."

Quick overview:

Ground fabric: Oatmean colored linen / cotton blend guest towel from All About Blanks.
Thread: DMC Coton a Broder #20, cut in 14" lengths
Needle size: #8 crewel
Stitch: Padded Satin
Stitching Time to this Point: 30 minutes
Thread: 3 14" inch lengths

So that's the beginning of my monogrammed guest towel sample. I'll show you an update soon!

By the way, any good recommendations for iron-on transfer books? I've found a few I really like, but I'd love to hear of others!

This project was written up in four separate articles. If you'd like to view the progress of the project, please follow the links below:

Part I - (That's this article!)

Part II - Continuing stitching, discussion of stitches, some trouble-shooting

Part III - Taking the Curves with Satin Stitch - discussion of stitch direction and working around curves using the padded satin stitch

Part IV - the finished guest towel!

Labels: Embroidery for the Home, Embroidery Projects, gift ideas, linen, monograms, needlework pictures, pictures, whitework

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Posted By: Mary Corbet on Saturday, June 14, 2008
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A few readers have recently sent me some photos of their own embroidery work, and coincidentally, they're all table linens of some sort! Hand embroidery has been used to embellish items for the home for ages, and I love to see that it's still done for that purpose. Marlena sent along photos of two table cloths she's done - one is complete and the other is in the works.

The first embroidered table cloth Marlena completed, she framed! Because she has little kids, she figured it was a good way to preserve it from paint and dirt.



I love the colorful ring of flowers, don't you? Daffodils have always been a favorite of mine!



Here's the piece framed up. I would have never thought of framing a tablecloth to preserve it - it's a good idea, since she still plans to use it in the future. In the meantime, she doesn't have to pack it away in a box and can still enjoy it.



Here's the second flowered tablecloth. I love the shades of blue! I meant to ask what type of floss she's using (sorry!) and how many strands, so Marlena, if you read this, do let us know!



Here's a close-up on the embroidered flower. Very nice!



And the work progressing in the hoop!

I was really happy to receive these! Thank you for sending the pictures, Marlena!

One of the reasons I find it delightful to see embroidered table linens right now is because I am STILL in the throes of preparing my summer classes. I hope to take a few days off work before they start, so that I can devote some concentrated effort to patterns and stitch directions. We'll be working on some household linens, too - the kiddos are doing kitchen towels at one point, and the adults have some monogrammed guest towels on their list.

The way things are turning out, I may end up with a theme of posts this week on embroidered household linens! Margaret sent along a tablecloth embroidered with strawberries, which I'll have up for you to admire, too.

Thank you again, Marlena! Congratulations on your very fine work!

Labels: Embroidery for the Home, needlework pictures, pictures, readers embroidery

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Posted By: Mary Corbet on Sunday, June 01, 2008
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