Here's a free hand embroidery pattern for you, in case you feel like embroidering a turkey...

In America, the turkey is the Great American Thanksgiving Icon. I like Thanksgiving weekend - don't get me wrong! - but my liking the weekend has far less to do with the turkey than it does with the fact that it is a four day weekend of family gatherings that usually incite a festive holiday mood. (And it signals only three more weeks until school holidays for Christmas!)

To tell you the truth, when it comes to Thanksgiving weekend, I could take or leave the turkey.

Still.... I do like turkeys in general, despite the connotations often associated with the name of the bird. "You turkey!" is not really a compliment, you know. "Don't let the turkeys get you down" implies that the turkey is negative, maybe even hostile or oppressive. I wonder why that is? When I see wild turkeys here in Kansas (and they abound!), they make me happy. I like to see the birds here and there, clustered on the edges of newly harvested fields. I love to have my windows open in the autumn and hear the turkeys out in the woods behind my house.

They don't go "gobble, gobble," by the way.

I think, in general, the turkey has gotten a bad rap.

And really, I'm not sure my drawing helps. If I were a turkey with these feet, I'd be pretty embarrassed.

Still, it makes an adequate little turkey embroidery pattern, which you can enlarge or reduce, depending on what you want to do with it. Reduced a bit (the PDF version, especially), I think it would look pretty stately and turkey-like, stitched in the corner of cloth napkins or a bread cloth for your Thanksgiving table.

Here's the pattern - click on it for a larger version, then save it to your computer. You can then enlarge or reduce it as you wish.



And here's the PDF version:

Hand Embroidery Pattern - Turkey (PDF)

Enjoy!

Labels: Embroidery for the Home, free embroidery patterns, seasonal embroidery

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Posted By: Mary Corbet on Monday, November 09, 2009
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Laurie Latour of Future Christian Homemakers is quite an enthusiast when it comes to hand embroidery on gingham. If you have not seen her Gingham Museum on her website, it is worth taking a look at, especially if you are interested in elaborate "chicken scratch" embroidery that is unique and really beautiful. She has quite a collection of embroidered aprons, and they're all detailed with close-up photos and commentary.

Laurie's been experimenting with gingham lately, coming up with several Christmas designs that are really attractive. I especially like this series of Christmas trees she's been working on, so I was very happy when she said I could share them with you.

Traditionally, embroidery on gingham is worked in white or in the color of the darkest square on the fabric. Laurie played a little with this, but found that contrasting colors worked best on this series of trees.

The trees are embroidered on 1/8" homespun fabric (available online through Jubilee Fabric), and their finished size is approximately 3.25" tall by 2.75" wide - the perfect size for an ornament or a Christmas card.



This first tree is worked with a combination of dark green and sparkly white thread - although I like it, I have to admit I like the trees worked in colors that contrast with the fabric better. Laurie used two strands of DMC 890 (green) for the tree, and two strands of Treasure Braid Petit High Gloss (P410) for the circles and x's.




I like this tree a better, with the green stitched on the red homespun. She used the same color green as on the tree above, but instead of the white braid, she used Treasure Braid Petite (PB68), a multi-colored sparkly thread. It's hard to capture the sparkle in the picture, but you can imagine how nice it looks if you're familiar at all with Rainbow Gallery's Treasure Braids (pictured down below).



This tree, I really like. I like the kelly green floss on the red, with the gold braid! It's very pretty, and oh-so-Christmassy.



This tree, however, is my absolute fave. I love the contrast of the bold red stitches, and I like the dark geen with the gold braid.

Which is your favorite, of the four trees above?



Although this isn't a full tutorial, if you are interested in working up some similar trees, in the photo above, you can see the "skeleton" pattern for the design. For further directions on gingham embroidery, you can check out some tips for embroidering on gingham at the Future Christian Homemakers website.



This, by the way, is Treasure Braid. You can find it at most local needlework shops that carry cross stitch or needlepointing supplies.



While wandering through Laurie's website, I came across this little book that Laurie publishes, Classic Prayers for Children. It is a sweet book of prayers and poems for children, beautifully illustrated. It struck me as a perfect stocking stuffer or First Communion treasure for little kids.

I love the work of preservation that Laurie is doing with gingham embroidery. She is building quite a collection of vintage gingham embroidery and documenting them so that we can see the unique designs and stitch combinations used in the technique. If yuou get a chance, make sure you check out her website!

Have a terrific weekend!

Labels: Christmas, embroidery for children, Embroidery for the Home, embroidery tips and tricks, gingham embroidery, needlework pictures, pictures

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Posted By: Mary Corbet on Friday, October 30, 2009
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Remember those hand embroidered curtains I've been harping on lately? Guess what?

If you said to yourself, "She changed her mind," you are, in short, correct. I have changed my mind. Let me show you why.



After progressing pretty far up the first embroidered line, it suddenly struck me that I should probably hang the curtains in front of a sunny window to test out this whole concept of embroidery on sheer curtains. The room in which they will hang gets a goodly bit of sun most of the day in one window or another, from morning until late afternoon.

Embroidering on sheer curtains that will be back-lighted by the sun most of the time is not quite the thing, methinks. The embroidery stands out, but not in a desirable way. It looks dark - and every warble and wobble in the stitching, every stray peeking thread end stands out in an obnoxiously noticeable manner.

I suppose I should have realized this sooner, but the whole question of whether or not I really should embroider the curtains never occured to me until I hung one set of the (un-embroidered) curtains in the room. They are white and crisp and airy, hanging over wide white slatted blinds, in a periwinkle room with white trim. Very cool and breezy looking! I love them! And while I was looking at them and admiring the overall effect, I tried to picture them embroidered. And suddenly, the whole question of backlighting jumped into my head. So I took the sheer I was working on, stuck it on a window, and said....

Ugh.

This was followed rather closely by...

Ick.

And the subsequent ritual of head banging and forehead slapping was followed up by placing an order for a new panel.

I'll keep the sheer I was stitching on. I think that the voile will make a good foundation fabric for embroidering on velvet. I'll recycle it for some use, anyway.

But in the meantime, I've crossed curtains off my List of Things To Do. Sorry for stringing you along on that one!

On the bright side, I think I'll concentrate on Schwalm for a bit - it'll be my new 15-Minute Project.

School has begun, by the way. To the dear reader who sent me an encouraging e-mail yesterday, wondering how I manage to do what I do - teaching, stitching, blogging regularly, and so forth - my only reply at the end of the first day of classes is this:

AAAAAAAAAaaaaaaaaaaaaaaaaaaaaaaaaaaaaccccccccccccccck!!!!!!!

Labels: Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Wednesday, August 26, 2009
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When life is busy and the schedule gets hectic, I try to squeeze in some 15-minute sessions with needle and thread, figuring that if I can manage 15 minutes here and there, I might make some progress on needlework projects that would otherwise sit neglected until I convinced myself that I "have time" to embroider. Now that summer is over and life is returning to the hectic rat race of the school year, I'm back to my 15 minute concept. But sometimes, it doesn't get me very far!

I've got two needlework projects presently going on the front burner. On the back burner, there are two other needlework projects floating, that I have every intention of addressing at some point, some time. Here's a recap on those, and a 15 Minute Progress Report.

On the first front burner, you'll find my curtain project. With a recently almost-refinished bedroom, I thought some hand embroidered curtains would be a nice touch. Unfortunately, my bedroom is not quite finished, but then again, neither are my curtains!

On the second front burner, there's the Schwalm whitework project. Because my bedroom's not finished, my studio is overloaded with ... well, stuff from my bedroom, so I don't have anywhere to work on the Schwalm project right now. When I'm working on a piece of linen that size, I like to sit at a table, so I can spread it out.

On the first back burner rests the poppy kit from Trish Burr. I've framed up the piece but haven't started stitching. As soon as I make a start, though, I'll be good to go on that one. But first, the curtains. And the Schwalm. Well, ok - the Schwalm and the poppy can be simultaneous. But since I've started the curtains and they're part of my decor, I feel almost obliged to get them done first. (Operative word: almost!)

On the second back burner, my Long Dog Sampler is still stewing. I want to get back to this, and I will, as soon as things settle down. This particular project is a great 15-Minuter, because if it's on a stand in the corner, and a thread is started, it's really easy to launch in 15 minutes of straight stitching.

So, on to a project update, in pictures...



For the curtains, I decided to go with a chain stitched straight line in periwinkle, with a stem stitched yellow tendril working its way up the straight line. There are several lines of various heights (from 26" - 40" long) spaced about 6 inches apart, going up each panel.



I'm using three strands for DMC for both colors. Stitching on voile presents its own little difficulties. At first, I wanted to stitch in hand, without a hoop, but it is practically impossible to keep the tension right on this loosely woven, airy fabric. So I'm using a hoop, but the hoop presents other problems. It tends to distort the fabric considerably. Still, once the fabric is removed from the hoop, the stitching looks ok. Even with the hoop, it's a challenge to keep the fabric from puckering, and I'm hoping that the slight pucker that is evident will iron out.

I didn't transfer the design - I just doodled it free hand, using a ruler for the strait (periwinkle) line. It's not as if it's a design that could be messed up! I used one of those fine-tipped water soluble transfer markers from the notions section of a sewing store to draw the design, and I found that, in drawing with this pen on the voile, it was quite helpful to put another cloth (scrap) behind the curtain. This helped keep the ink from spreading.

And that represents my 15 minute session. Finished, it's a total of about 5 inches. At this rate, the two sets of voile panels should be finished in about a year - or two!

Coming up this week, I'll have Lesson 5 of the Long and Short Stitch Shading lessons up for you. You can look for that around Thursday, though I'll try to get it posted before then. I've also got some product reviews, another episode of messing with transfer pens and pencils, and (hopefully, if the US Post Office is on my side) two beautiful books to show you.

I hope you have a Terrific Week, and get to spend lots of time with your own needle 'n thread!

Labels: 15 minutes, Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Sunday, August 23, 2009
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The whole thought of hand embroidering two sets of curtains seemed a bit daunting, once I sat down to really consider the project carefully. With brand spankin' new curtains hanging before me and a roll of tracing paper on the table, I started fiddling, and thinking, and doodling, and ... eventually... despairing! Then, I went back to my e-mail. Do you know what the best thing about hand embroidered curtains is?

The very best thing about hand embroidered curtains is the fact that, when I wrote the last post presenting my plan to hand embroider new curtains for a new room, I heard from many who people who have hand embroidered their own curtains, or who have hand embroidered curtains in their homes.

Many folks sent suggestions on types of stitching and types of patterns, and when I started going back through the e-mails I received on the subject and the comments and ideas that were left on the original post, I felt much more inclined to tackle the project! I was excited again about it, thanks to your encouragement, comments, and suggestions. So, that's the Best Thing about hand embroidered curtains - I heard from a lot of really nice people!

Some readers even sent photos of hand embroidered curtains:



Méri thinks that these curtains were made by her mother. Recently found, when they were unpacked, they were discovered to be in bad shape. But they are beautiful! It looks like the design is made with tapes, like the kind used for making Battenburg lace.



Where the design becomes more intricate is where the majority of the damage is. In this technique, the tapes would be stitched onto the fabric, and then connections would be made between them, in the areas where the fabric is to be cut away. What elegant curtains these were! And I love the natural color, with the lighter design!



Janice hand embroidered the hem of her kitchen valance, in blue flowers. I like the embroidery along the hem. This is something I had considered - a line of flower or something similar, along the hem and down the center edges of the two curtain panels (where they meet). What I like about Janice's design is the "random" look of the flowers, and the way they seem to be kind of ... well... dancing. I love this valance, and it gave me a jolly idea for the kitchen window!



Mrs. Kitty went all out on her curtains! She made them a sampler of sorts, with a wide range of motifs on them. You really must look at her up-close photos of this embroidery project! It took her almost two years to complete the panels, the results of which are a sampler of varied techniques, colors, and motifs - truly an amazing job, and what a conversation piece! Fun!

After pouring over the various e-mails and comments, I went back to the table - literally, the drawing board - and looked at my curtains and my roll of tracing paper.

I knew what I wanted: simplicity. All the doodles I had doodled went into the trash. Too many scroll, too many flowers. I drew straight lines at 4 inch intervals on the paper - varying the lines in length from 24 inches to 40 inches. Then, in one on-going "sweep" I drew my embroidery designs. And they are, to say the least, simple!



Wavy lines with random loops - that's it. I liked the recurring suggestions I received from readers of doing shadow work on the cotton voile, so, where the lines wave (but not where they loop), I'll take the lines a bit wider and stitch herringbone stitches (to create the shadow) on the back, leaving the front looking like backstitch. Where the waves come back together in one line to make the loops, I'll switch to straight backstitch. Then, to finish off the look of the backstitch, I'll whip it with the same color thread.

I might - but I don't guarantee it - add a few random small flowers between the wavy lines, here and there, maybe worked in a combination of ribbed spider web and daisy stitch.

And that's my plan, which brings me to the second best thing about hand embroidered curtains: they can still be hung, until I get to each panel.

I plan to transfer the wavy lines onto one panel today. The room won't be finished until early next week, when I'll hang the curtains until I can get to stitching on them.

I can't wait to get started! And thanks to all who left comments and sent e-mails with ideas and suggestions! I really appreciate it!

Labels: Embroidery for the Home, needlework pictures, pictures

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Posted By: Mary Corbet on Thursday, August 20, 2009
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We can never have toooooooooo much to do, can we?! Especially when it comes to needlework, we can't, anyway! It's not quite like cleaning bathrooms and grading papers and things like that, is it? (Oh, no!! It's not!!) So, with that in mind, and knowing that the time is tick-tick-ticking away and summer will be gone in just over a week, I'm frantically preparing in advance the projects that I want to work on in the next few months. I don't want to be hindered by the preparation work when I finally have time to start stitching!

With all that in mind, one project that I definitely want to do (and to complete fairly quickly) is embroidering my curtains for my room. They're not really curtains - they're cotton voile sheers, and I want to do some simple embroidery on them. The stitching I'm thinking about will be light. Heavy embroidery wouldn't quite fit cotton sheers, would it?

I want to go simple, but at the same time, I want them to be fun. They can't be "too fun," though, because the room isn't really "fun." It's cool and calm.

These are the colors I've picked out for embroidering the white sheers - and probably these will be reduced to about four colors, and maybe only three:



That's the range. The room itself, once the paint job is done, is a darker periwinkle, with white trim. The new carpet will be... I don't know yet... All the furniture is white, the bed linens are white... you get the idea.

But the curtains (we're back to the curtains again) will be embroidered!

I figure by the end of September, life will be in good order again - the house finished, the school year underway and in a regular routine, and fall weather upon us - a perfect time for open windows and breezy curtains. Think I can finish this project by then? Hmmm....

Have you ever embroidered on sheer cotton voile? Have you ever embroidered your own curtains? Any ideas?

Labels: Embroidery for the Home, pictures, threads

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Posted By: Mary Corbet on Friday, August 14, 2009
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Last week, I told you about the iron-on transfers from Mani di Fata, which I purchased at Lacis while on vacation. Here's a little towel I worked up, using one of the corner designs in that package. I'm also going to show you (gasp! shock! horror!) the back of the embroidery.

As I mentioned earlier, my favorite way of transferring an embroidery pattern - even if it's an iron-on - is actually by tracing. That's what I did with this particular towel. I taped the iron-on to my little light box and traced the design on using a regular mechanical pencil with #2 lead. There are other ways of transferring designs, of course! I've got a bunch of them explained in the articles under Tips and Tricks for Hand Embroidery, if you're looking for some other way to get your embroidery design onto your fabric. For me, though, for this type of embroidery, I prefer just to trace with a pencil. It's easy, it doesn't require special equipment (you can use a sunny window instead of a light box), and it's really fast.

After transferring the pattern, I picked out colors. Generally, on towels, I stick with no more than four colors, and often only three. In this towel, I used four: green, red, a lighter orangy-red, and yellow.



The design is pretty simple, but bold.



The entire thing is stitched in stem stitch, with the exception of the satin stitched dots around the outside of the flower and the satin stitched center of the flower.



Stem stitch is an absolutely delightful stitch. It's my favorite for line patterns, because it's easy, quick to work, and its rope-like appearance is pretty. Despite arguments contrary to the fact, there is a difference between stem stitch and outline stitch, by the way! If you choose to use outline stitch for lines, you won't get that rope-like appearance.



The Back of Embroidery is generally a subject that comes up either in hushed tones or apologetic tones... I received a funny e-mail from a reader, asking Very Apologetically if I would mind showing the back of my embroidery some time. She was worried because, especially on the towels she was making, the back is not covered up. "Slugs" where the end of the thread is anchored were a concern.

You can see the "slugs" where I wrap the ends of my threads around the backs of the stitches to anchor them. I either wrap (whipping around the backs of the stitches), or just pull the threads through the stitches, taking one extra backstitch around the back of the threads to anchor the thread. You can read about this under Ending Embroidery Threads, if you want. In any case, this is generally how I end stitches in a line on the back of towels.

In certain types of embroidery (needlepainting, goldwork, etc.), if I'm filling an area and I haven't filled it all the way yet, and I need to end a thread, I'll end my thread by taking it into an area that will be filled with other stitches and working several tiny backstitches that will hold the thread. It's the same concept as beginning with anchor stitches, only, in a filled area, you can work the little anchor stitches perpendicular to (and into) each other (without building up a lump!). I've shown this technique on the video tutorial on bullion rose buds, if you want to take a look.



But, on line stitches on the back of a towel like this, where I don't have anywhere to hide little anchoring stitches, I wrap the end of the thread through the stitches on the back. Yes, it makes a bit of a slug. But it's the back! So I think it's ok! Just trim your little fuzzies, and clean it up as best as you can, and I think it'll look fine for the back of the work!



Decorated flour sack towels are useful for a number of purposes besides just drying dishes, hanging on the fridge, wiping the countertop, or sopping up messes. They make terrific basket liners, for one thing. We use them to line bread baskets for serving bread in at the dinner table. You can fold the corners up over the bread to keep it warm, and if you put your embroidered corner on the top, it's very pretty!

Additionally, you can line gift baskets with them. This is great for wedding showers! Instead of wrapping the gift, put it in a basket lined with a towel, and fold the towel over the gift, with the embroidered corner on the top. A nice personal touch!

I like embroidering flour sack towels when I'm in the mood for relaxing, easy needlework that doesn't require any kind of thinking or planning. I usually keep a couple towels "kitted up" in my work basket, ready for moments when I need something to do with my hands, but can't afford deep concentration on needlework.

PS... Great source for flour sack towels: American Chair Store. I use their Deluxe Flour Sack Towel. They're nicer than any I've found anywhere else, and, so far, they've been consistently nice, which is good. They're cheaper by the dozen, so if you plan to decorate many towels with hand embroidery, consider getting them by the dozen...

Labels: beginner embroidery, Embroidery for the Home, embroidery tips and tricks, needlework pictures, pictures

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Posted By: Mary Corbet on Monday, July 20, 2009
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Yesterday, I had the opportunity to take a couple of my nieces out to the studio and set up some embroidery projects with them. They wanted to stitch some "quick" designs onto flour sack towels to use as bread basket liners (and hopefully sell). So, out we went...

... to the studio that was clean and neat, and there we sifted through designs and ideas. Luckily, the towels were already prepared. I had two dozen deluxe flour sack towels from American Chair Store in the cabinet, awaiting designs and embroidery. These are consistently the best flour sack towels I've come across, by the way, and they are worth the cost of $1.60 each if you buy them in packs of 10. (Like everything else, the price, by the way, has gone up... I bought them by the dozen for about $15 not too long ago...)

Contemplating designs, we very quickly settled on the brilliant idea of making use of the iron-on transfers I told you about yesterday. After all, we could kill two birds with one stone: I could see how well the transfers work, and they could have their towels ready for stitching in no time flat.

Anna selected a few different designs: the three cups, cut out and arranged askew on the corner of one towel, the "B-I-S-C-O-T-T-I" design for across the edge of another towel, and a swirly floral corner thing for another towel.

Emma selected one design - a small bunch of plums that she insisted were peaches and are embroidering them as such, so they are coming out looking like apricots.... which is fine. Emma's eight years old, so I've adopted a new policy with her concerning embroidery: Keep It Simple (despite her inclination to want to do what everyone else is doing) and One Thing at a Time. If she finishes the plums-gone-peaches-gone-apricots, she can set up another towel.

So, we got to try the transfers, and this, of course, takes me back to my reasons for preferring to trace rather than use a transfer.



The transfers took pretty well for iron-on transfers. For the most part, the designs came off very clear, and in little corners here and there where they didn't, the fault belongs to the person behind the iron. These particular transfers are definitely made to give a good, bold first transfer.

We tried a couple of the designs twice, making up, for example, two Biscotti towels. The second impression of the design was actually better than the first.



One thing I remembered I don't like about iron-ons is the thick line they can leave if you are trying for a bold impression. If I'm stitching up a towel for a gift, I generally use 2 strands of floss, which keeps the design bold enough, but not chunky looking. I'm not sure if these transfer lines will wash out, so the best bet is to cover them well when embroidering. This'll require at least 3 strands of floss.

Anyway, as far as the transfer itself goes, these work well. Whil I may still prefer tracing my designs, I have to admit that ironing them on is really quick - we were able to set up about 8 projects yesterday in less than an hour.

After setting up the individual towels, we selected floss for each, then bagged up the floss and the folded towel to make up a "kit." Now the gals will have something to keep them busy! They like to stitch and listen to audio books, which is a good passtime for summer, when they're not in the pool or frolicking about doing other things.

That's done, then.

What else am I up to? Well, I've cleaned up the studio (once again) and sifted through a few things to tie up some loose ends. Sometimes, it's just easier not to go on vacation! Playing catch-up doesn't always seem worth it! I've got a heap of mail ready to go out (the birthday give-aways from June! Finally!). I've gone through all my photos and organized them (about 10 times now), looking desperately for photos of the finished pall I embroidered recently. I never found any, which leads me to think I never took pictures of the finished piece! And now it's delivered! I could kick myself for that one - so, for those of you who have asked about the finish, sorry about that.

I'm still trying to catch up on e-mail, but I fear some may have fallen through the cracks, and, just this morning, for the first time, I've finally caught my feedreader up.

The laundry room here at home has a new coat of paint on it (thanks to my niece, Bridget), but the dining room is stacked with all the shelf clutter from the laundry room. I need to tear down my bedroom this week and get it ready for new paint, which will be followed by new furniture and new linens, curtains, etc., in the next couple months. I'm going with periwinkle walls and white trim, all white linens, all white furniture - and the palest of greens and yellows for highlights. I'm excited about that, and am looking forward, especially, to carrying out my Curtain Idea. I'm going to make (or buy) some airy white sheers for both windows and stitch some very simple, loose scroll designs on them in colors to coordinate with the new paint job. It'll be a while before this is realized, though, as the kitchen, dining room, living room and entryway all have priority.

And, in the midst of all that, I'm working on school work for next year, planning classes and so forth. As the summer passes all-too-quickly away, I must schedule several hours a day just to focus on school preparation. Anyone who thinks teachers have it made, with summers completely off, is rather incorrect in that assumption!

That's what's going on in Real Life right now. In Website Life, I'm still working on projects for Needle 'n Thread, including the long-promised long and short stitch tutorials, as well as a slew of new videos. I haven't had any prime video days yet, though - the days are too broken up with other work and visitors and all the hubbub of the summer.

I hope your summer is going well, and that you have time to relax and enjoy working with your needle 'n thread!

Labels: beginner embroidery, Embroidery for the Home, embroidery resources, iron-on embroidery transfers

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Posted By: Mary Corbet on Tuesday, July 14, 2009
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Drawn thread embroidery is not relegated solely to even-weave linen. Today, we generally associate drawn thread techniques with even-weave, and it's true that it's possibly easier and more precise when it is worked on even-weave. But in the past, drawn thread embroidery was worked on all kinds of fabrics, including fine, high-count cottons and plain-weave linens.

A couple months ago, Laurie LaTour of Future Christian Homemakers contacted me about some chicken scratch (embroidery on gingham) aprons that she had collected, with a question on an embroidery stitch employed on one of the aprons. We've been exchanging interesting e-mails ever since, and wow - some of the chicken scratch aprons she's collected are really nice! One in particular caught my eye - a chicken scratch apron worked on cotton, with double drawn thread strips worked on the apron's front and the pockets. Laurie has this drawn-thread-on-gingham apron (PDF) in her gallery on her website - do check it out. It's meticulously worked and really pretty!

Discussing the different stitches with Laurie led me to working up a tutorial for drawn thread on gingham, to show how to twist groups of threads together for a decorative border.



I began with a simple gingham dish towel. This particular towel is available in different colors from All About Blanks. It's a soft cotton towel and hems are squared up with the gingham, so it's perfect for this kind of work. I've washed it once already, and you can see that the colors didn't run, which is great! It's a good towel!



When I first started, I was going to make the drawn thread area only as high as one row of checks on the towel, so I began by cutting a slit right next to the side hem, abotu six rows of checks up on the towel. (Later, I decided to make the drawn thread area twice as high, which you'll see below...)



About every three or four checks, I cut a vertical slit between two vertical threads, so that I wouldn't have to draw out long horizontal threads. When you cut your horizontal threads, you want to use nice sharp, small scissors. Fold the fabric over the blade of the scissors to that you can see the horizontal threads you are cutting and so that you avoid accidentally cutting any vertical threads.

With this weave, it was very easy to draw out the horizontal threads. I used a tweezer and just picked them out. Though it takes a little bit of time, it's not labor-intensive or stressful - the horizontal threads just pull right out, and removing the threads actually goes very quickly.



Once I was finished drawing out the threads, I hemstitched the base of the strip using a #5 white perle cotton, and dividing the threads into two groups per check on the fabric. I didn't count the threads - I just estimated the center of each check, which worked fine.

If you don't know how to hemstitch, check out my photo tutorial for the hemstitch. This is the exact technique I used, and it's really simple. I was working in hand (no hoop or anything) for this, and it went very quickly.



After getting to the end of the first row of hemstitching, at the base of the drawn thread area, I decided to go ahead and increase the height of the drawn thread area by removing the horizontal threads from the row of checks above. Then, I turned the work 180 degrees and hemstitched across the top of the area.



This is what the towel looked like with all the hemstitching done. You can see the two groups of threads for each check - two red, two white, two red, etc.



After I finished hemstitching, I decided to go ahead and buttonhole the edge of the hemstitched area. Up to this point, I had not done so, because the edge was on the seam and I didn't think it was really necessary. It probably isn't absolutely necessary, but in case it would fray, I figured I might as well finish the edge. I don't really like this buttonholing here. It's rather thickish and lumpy, but since the towel has a bit of a "rustic" look, it's ok. If I did this again, I'd probably finish the edges with a simple overcast stitch (like the satin stitch bars you can see in the hemstitch tutorial), and maybe even in a finer thread.



Now it's time to start twisting the groups of threads. This part is really easy, and it goes really fast! There's nothing to it.

First, you'll want to cut a length of thread about 5 or 6 inches longer than the width of the towel. Thread your needle (I'm using a tapestry needle with a large enough eye to accommodate the perle cotton), and then anchor your thread by running it under the stitches on the back of the buttonhole bar. You want your thread to emerge right in the middle of the drawn thread area, which is conveniently marked by the edge of the two checks.

The direction I'm working here is right to left, but to twist the thread groups, I'm taking my needle under the second group of threads from the edge, pointing back towards the edge. The needle goes under the second group and over the first group (which is the thread group right next to the edge.



Once the needle is in position - under the second group and over the first, pointing towards the edge - you're going to flip the needle so that the eye is now next to the edge, and the point is pointing down towards the far left edge of the towel. When you flip the needle, make sure you push the first group of threads underneath the second group.



Now you see that the needle is pointing in the direction that you're working - that is, from right to left. The twist is held in place right now by the needle...



... but once you pull your thread all the way through, the twist will be held in place by the thread.



Continue down the line in the same manner, pointing the needle backwards, under the second group of threads, then over the first, flipping the needle and pushing the first group under the second, then pulling the thread through.

When you get to the end of the drawn thread strip, take your needle to the back of the buttonhole bars right in the center, and anchor your thread by running it under the bars a couple times.



And that's what the finished towel will look like.



I like the way it turned out!

Now, on the apron that I mentioned above, the stitcher used each check as a group of threads, so that the twists were made up of two colors. You can do the same thing, or you can still divide the checks into two groups (using hemstitching) and alternate the twists to make a kind of diamond pattern, as I did below:



First, on this time around, I thought I'd try doing the twisting part with a bit of tension, to see if it made any difference. I used a Q-Snap frame, but left one edge "unsnapped."



Using the same method as above, I anchored my thread in the buttonhole bar and brought it to the front, working from right to left.



Because I wanted to use alternate colors, I had to anchor the first (out of two) group of red threads to the side of the towel. Then I proceeded to twist the threads as described above, but using one white group and one red group.

Pointing back towards the edge, the needle went under the first white group of threads, over the remaining red group...



... and then I flipped the needle to reverse its direction, pushing the red group under the white group with the tip of the needle.



I continued in that manner down the strip, ending by anchoring the last red group of threads against the edge of the towel.



This worked ok, and made an overlapping diamond pattern in the drawn thread area. But guess what? After trying that, I took it out and worked the first method on the towel again. I like the finished look of the first method better, personally. But at least you can see that there are options in the way you go about bunching and twisting your threads.

Concerning tension and hooping and so forth, I found this project very easy to work in hand, without a hoop or frame. For the twisting part, if you can lay your fabric down on a surface and smooth it out, you can work easily without a hoop. You just want to be careful that you pull the center thread firmly enough to keep things from sagging, but not too firmly to where it pulls on the end and makes the towel pucker. In fact, if you lay it out on a cloth surface - like an ironing-board cover (or the top of a footstool, like I did!), or even on your self-healing cutting matter, the friction will help hold the fabric in place (better than working on a slick surface!).

Now, if you really wanted to, you could decorate the towel further with other embroidery. But I like the simple drawn thread area, and I think it would be really nice on a summer picnic tablecloth, with matching napkins. In fact, wouldn't that make a great gift? A matching picnic set and hamper, or something? Hmmm.... I'm thinking summer wedding presents... summer birthdays... just something nice for the family gatherings...

Enjoy!

Labels: drawn thread embroidery, Embroidery for the Home, needlework pictures, needlework tutorials, pictures

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Posted By: Mary Corbet on Wednesday, May 27, 2009
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I've been dying to try out hand embroidery on waffle weave towels, because I see a lot of waffle weave out there in colors that I like. I've always thought the texture and relative looseness of the weave might be deterrents to hand embroidery, though. When BJ's package arrived in the mail - replete with a bright yellow waffle weave tea towel - I decided to give waffle weave a try as a ground for hand embroidery.

I'll tell you right off the bat that my approach was simple and not too ingenious. The towel was yellow. I like yellow, red, and white. So - why not big white daisies with red centers? Nothing too extravagant - I planned on filling petals and centers with chain stitch. And that's what I set out to do.

BUT - then I got an e-mail from a reader who embroiders on waffle weave towels, and uses the weave as part of her design... and that's when I saw a much more exciting potential to waffle weave! I'll show you down below...

First, my dabbles with daisies on waffle weave:



Using a tiny micron art pen, I drew a line of random large daisies across the lower edge of the towel. Drawing on this particular weave with a tiny pen tip is somewhat difficult, as the pen snags on the longer threads in the weave. The best thing is to go slowly and to try drawing in smooth long strokes, rather than short sketchy strokes.



Once I had the daisies drawn on, I started foraging for thread. I wanted to use something a bit heavier than regular floss, with a bit of texture to it - but not as thick as #5 perle cotton. I happened to have some #8 perle cotton in both red and white, so that's what I decided to use.



Knowing that my stitching time would be a bit sporadic, I arranged everything in a bag for easy access - hoop, scissors, threads, needles and towel all fit into one of the mesh-like bags that's featured in this month's give-away.



The first time I had a moment, I started stitching. I'm using chain stitch as a filler - nothing too complicated here!



It works great! Waffle weave is easy to stitch on!

Now, this is the thing:

Janice Miller took embroidery on waffle weave to a different level of fun! She went all out, embroidering this design with a variety of stitches, and ingeniously using the waffle weave squares as part of her design. Here it is - her "To Market" towel:



This towel is amazing! It's not just the design, which I think is rather hilarious - the little lady with her perfect curls, sunny hat, breezy dress, carrying the fat chicken (which looks be-dazzled) to market - but it's the meticulous attention to detail in stitching that's really delightful!



Using the squares created by the waffle weave, Janice filled in the dress, hat, and chicken with a checkered pattern.



She filled in many places with chain stitch - the face and arms, the sash on the hat, the bow on the dress, etc. - and worked the hair in perfect bullion knots!



You can see satin stitch, straight stitch as a filling, French knots, running stitch, a buttonhole wheel for the eye... an amazing variety of stitches on a really cute design, all on waffle weave!

So, now you know! Hand embroidery works on waffle weave - and it not only works, but in the hands of some stitchers like Janice, it works great!

Go grab a waffle weave towel and see what you can do with it! You can find them in most stores that have a kitchen linen section, or online through various sources that sell embroidery blanks. BJ found the yellow set at All About Blanks, for example - the set includes a large yellow-and-white checker print, a small checker print, and the matching yellow waffle weave towel.

Just as an aside on waffle weave... my shower curtain is white waffle weave fabric, and I can't tell you how often, when in a position to contemplate the shower curtain, I have considered embroidering it. Hmmmm....

Thanks, Janice, for sending the photos! Thanks, BJ, for the towel!

Labels: beginner embroidery, Embroidery for the Home, embroidery resources, needlework pictures, pictures, readers embroidery, supplies

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Posted By: Mary Corbet on Tuesday, May 19, 2009
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