On Cramming an Embroidery Project
You remember cramming for tests, right? Well, I'm cramming an embroidery project! I started this project this past Saturday, around noon. I have one week to have it finished - doable? You bet!
The project is an embroidered book cover for my niece's prayer book. She makes her First Communion this Sunday. (I'll show you her hand-embroidered dress once it's pressed and ready...) I thought I'd whip up a little book cover for her prayer book before this coming Saturday evening - after all, it's just a little book, with a little cover.
The only possible obstacle that I may have overlooked was ... the work week!?!
I started by finding a design. I could draw one - takes time - or I could flip through the designs I have. I flipped. I quickly realized I would need something long and narrow as opposed to short and wide, so I limited my looking to the overall shape of the design, and then eliminated choices from there. I needed something relatively simple that I could stitch relatively quickly, and that would appeal to my niece.
The fabric of choice - should it be white Italian silk (thick silk - satin), or linen? I settled on linen for washability. I'm using a piece of Alabaster Angel by Legacy - NICE stuff!
Then I pre-shrunk the fabric. While it was going through the stages of pre-shrinking linen, I took out graph paper and the prayer book and drew up the pattern for the cover.
I sought a piece of white cotton for a lining behind the linen, as the prayer book has a black cover, and I didn't want that to show through. I pre-shrunk the cotton as well.
Then while the fabric was drying, I transferred my embroidery design to tracing paper. I drew the design with a fine micron pen, then turned it over and traced the back of it with a pencil.
When my fabrics were almost dry, I ironed them to crisp (as in, stiff and wrinkle-free, not burnt!!). I added a couple layers of starch on the linen to make removing any pencil marks easier.
I removed a thread on each side of the linen to mark the size of the pattern (makes cutting easier and square when finished) and basted in the width of the cover of the prayer book.
I took the embroidery design (on the tracing paper), centered it up, and used a ball-point pen on the right side of the design, pressing hard enough to transfer the pencil lines on the back of the design onto the fabric. It worked perfectly. Then I took an extra-fine (.005) micron art pen, and drew in the lines on the linen with the pen.
I framed up both the lining and the linen - but I didn't frame it super-tight. Just enough to give a little tension without pulling on the linen.
I picked out my colors - the cross and crown will be gold, the vines green, the flower will be a range of purple, and the bud will be a light and medium shade of salmon-pink.
And then I started stitching. I had a good chunk of time on Saturday evening to stitch (it took me a couple hours to get the project set up), a little bit of time on Sunday afternoon, and a few hours late Sunday night. I managed a little stitching on Monday evening, and a couple hours on Tuesday. The picture below shows progress through Sunday afternoon (a few hours of stitching).
Will I finish before Saturday? I do believe I will! Now I wish I had chosen a more complicated pattern! It's going pretty fast, actually.
I was glad to find a use for the gilt sylke twist on the project - but then I remembered I chose linen for washability. Ut oh. The GST will most likely get wet. I outlined the cross in the gold GST, which helped even up some of the lines (cheating, I know!) and I'm contemplating using it on the crown as well.
I'll keep you posted with finished pictures. I'm going to make a matching corded trim, so I'll show you how I do that. It'll either be kumihimo, or I'll just make a twisted cord by hand. And I'll try to take sensible and instructive photos on assembling the piece over the book!
Have you ever crammed a project? Do you perform better or worse when you're embroidering under pressure?
Wish me luck!
The project is an embroidered book cover for my niece's prayer book. She makes her First Communion this Sunday. (I'll show you her hand-embroidered dress once it's pressed and ready...) I thought I'd whip up a little book cover for her prayer book before this coming Saturday evening - after all, it's just a little book, with a little cover.
The only possible obstacle that I may have overlooked was ... the work week!?!
I started by finding a design. I could draw one - takes time - or I could flip through the designs I have. I flipped. I quickly realized I would need something long and narrow as opposed to short and wide, so I limited my looking to the overall shape of the design, and then eliminated choices from there. I needed something relatively simple that I could stitch relatively quickly, and that would appeal to my niece.
The fabric of choice - should it be white Italian silk (thick silk - satin), or linen? I settled on linen for washability. I'm using a piece of Alabaster Angel by Legacy - NICE stuff!
Then I pre-shrunk the fabric. While it was going through the stages of pre-shrinking linen, I took out graph paper and the prayer book and drew up the pattern for the cover.
I sought a piece of white cotton for a lining behind the linen, as the prayer book has a black cover, and I didn't want that to show through. I pre-shrunk the cotton as well.
Then while the fabric was drying, I transferred my embroidery design to tracing paper. I drew the design with a fine micron pen, then turned it over and traced the back of it with a pencil.
When my fabrics were almost dry, I ironed them to crisp (as in, stiff and wrinkle-free, not burnt!!). I added a couple layers of starch on the linen to make removing any pencil marks easier.
I removed a thread on each side of the linen to mark the size of the pattern (makes cutting easier and square when finished) and basted in the width of the cover of the prayer book.
I took the embroidery design (on the tracing paper), centered it up, and used a ball-point pen on the right side of the design, pressing hard enough to transfer the pencil lines on the back of the design onto the fabric. It worked perfectly. Then I took an extra-fine (.005) micron art pen, and drew in the lines on the linen with the pen.
I framed up both the lining and the linen - but I didn't frame it super-tight. Just enough to give a little tension without pulling on the linen.
I picked out my colors - the cross and crown will be gold, the vines green, the flower will be a range of purple, and the bud will be a light and medium shade of salmon-pink.
And then I started stitching. I had a good chunk of time on Saturday evening to stitch (it took me a couple hours to get the project set up), a little bit of time on Sunday afternoon, and a few hours late Sunday night. I managed a little stitching on Monday evening, and a couple hours on Tuesday. The picture below shows progress through Sunday afternoon (a few hours of stitching).
Will I finish before Saturday? I do believe I will! Now I wish I had chosen a more complicated pattern! It's going pretty fast, actually.
I was glad to find a use for the gilt sylke twist on the project - but then I remembered I chose linen for washability. Ut oh. The GST will most likely get wet. I outlined the cross in the gold GST, which helped even up some of the lines (cheating, I know!) and I'm contemplating using it on the crown as well.
I'll keep you posted with finished pictures. I'm going to make a matching corded trim, so I'll show you how I do that. It'll either be kumihimo, or I'll just make a twisted cord by hand. And I'll try to take sensible and instructive photos on assembling the piece over the book!
Have you ever crammed a project? Do you perform better or worse when you're embroidering under pressure?
Wish me luck!
Labels: ecclesiastical embroidery, needlepainting, needlework pictures, pictures, silk
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Posted By: Mary Corbet on Wednesday, April 30, 2008
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