About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

Contact Mary

Connect with Mary

     

Archives

2020 (20) 2019 (147) 2018 (146) 2017 (169) 2016 (147) 2015 (246) 2014 (294) 2013 (294) 2012 (305) 2011 (306) 2010 (316) 2009 (367) 2008 (353) 2007 (225) 2006 (139)

Embroidery Art in the Middle Ages – Exhibit Catalog

 

Amazon

Last year, there was an exhibit at the Cluny Museum in Paris titled L’Art en Broderie au Moyen Âge – Embroidery Art in the Middle Ages.

Much as I would have loved to see it in person, it’s a bit of haul from Kansas. So I did what I often do when there’s a major museum exhibit that I can’t get to: I looked for the exhibit catalog.

Most major museums that host an exhibition of some importance produce an exhibit catalog, which is a book that details at least the major pieces (and sometimes all the pieces) in an exhibit.

Exhibit catalogs also include a lot of research and information on the individual pieces, the places, the times, and so forth. They’re worth having, if you have an interest in a certain area of art and there happens to be a good exhibition with a good catalog.

Embroidery Art in the Middle Ages

Sometimes, exhibition catalogs are a little harder to come by, especially if the museum is in a different country. And sometimes, they’re even harder to track down if you don’t speak or read the language of that country.

But most exhibition catalogs are available through museum shops online, during the time of the exhibition, and sometimes (if they’ve printed a lot of them), for a long while after. It’s always worth looking for exhibition catalogs if you happen to be visiting major museums when on vacation and so forth!

Because exhibition catalogs are often full-fledged books, you can sometimes also find them through regular book seller sites, like Amazon and Book Depository. The publishers of the catalog, in order to make a larger print run worthwhile, will often distribute the catalog through major booksellers.

Embroidery Art in the Middle Ages

If you have a deep (and I’d say somewhat “academic”) interest in historical embroidery, this particular catalog – which is titled after the exhibit, so L’Art en Broderie au Moyen Âge – is worth adding to your library.

There is a good chance, after all, that, unless you are well-traveled or have the ability to travel specifically to see embroidery exhibits like this, you will never see these pieces in person. Yet they are the authentic, original primary source for information about embroidery from this time period. They aren’t someone else’s recreated designs, they aren’t surmise and guesswork – they are the primary source.

And while you can’t “study” a piece of embroidery featured in a book the same way you can a piece of embroidery in person, exploration by book may be as good as it gets for most of us. And it’s better than nothing! We live in a great era for photography and printing, so what we can get out of a book is actually a pretty good deal!

Embroidery Art in the Middle Ages

Of course, one of the difficulties about this particular catalog for those who don’t speak or read French is the language barrier. It is written in French.

But again, we live in a great age for technical help with translating! There are plenty of online tools that can help you translate passages that you want to read if you don’t speak the language the catalog is presented in.

This particular catalog features mostly images of medieval embroidery and the research that goes along with them.

There are, however, quite a few images of medieval art that reflect embroidery – and I’ll talk a little more about that below. The photo above is of one of the first images in the book, which is a small painting or illumination of the Virgin Mary at an embroidery frame with the baby Jesus toddling about.

And that’s another thing to keep in mind about medieval embroidery: the majority of extant examples feature religious subjects. Most of the embroidery in this exhibition catalog is ecclesiastical embroidery.

Embroidery Art in the Middle Ages

It’s nice to know that some tools haven’t changed much. Scissors and thimbles are still the same in concept.

But hey, even though I love to study embroidery from ages past, I’m perfectly content with doing embroidery in the 21st century, where we have modern needles and good lighting.

Embroidery Art in the Middle Ages

Here’s another example of embroidery in art from that era, as opposed to embroidered art from the era.

The catalog has several excellent examples of illuminations and paintings that capture the embroidery of the era in some way or another.

Embroidery Art in the Middle Ages

This is another example of embroidery and embroidered fabric in a painting. It captures the structure of figure embroidery on ecclesiastical garb.

I’ve often though that a book on embroidery and embroidered fabrics featured in paintings and other art, with examples from museums world-wide, would be fantastic! There is one book that floats on the edge of this idea by focusing on fabric in painting (Fabric of Vision: Dress & Drapery in Painting), but I found it somewhat limited and disappointing.

Embroidery Art in the Middle Ages

But really, the meat of this exhibit catalog is the embroidered works from the era, and there are a good number of them detailed in the book.

Keep in mind, we’re talking about embroidery from 600+ years ago, at a time when embroidery was expensive and reserved only for royalty and the Church, created in a medium that is prone to deterioration. So, as far as art goes, there aren’t as many extant pieces of embroidered art as there are extant pieces of other types of art from the same period.

Embroidery Art in the Middle Ages

The exhibit is organized by region of Europe during this time period, so you’ll find a section on embroidery from Germany, embroidery from France, embroidery from England – and Opus Anglicanum, and so forth.

It’s really incredible to note the differences in the embroidery of the time, based on the region the embroidery comes from!

Embroidery Art in the Middle Ages

For those who are interested in recreating embroidered accessories from the era, you’ll find a few featured here.

Embroidery Art in the Middle Ages

Filet embroidery! Fantastic piece!

Embroidery Art in the Middle Ages

There are some close-ups in the book, but not a lot. Still, you can get down the pictures with a magnifier and see some good detail. You can also snap a photo with your phone camera and zoom in on it, to get some of the stitching detail that you might otherwise miss, but that the original photo captured. It’s hit and miss with that approach – depends on how grainy things are.

Still, I’ve zoomed on the above image, and it gives you a good idea of the structure and movement of the stitching.

Embroidery Art in the Middle Ages

These are exquisite examples of figure embroidery in typical stylistic settings. Absolutely gorgeous! What skill!

There’s even a stitch dictionary in this catalog, that illustrates the typical stitches used in embroidery during the Middle Ages. It’s not vast, of course. It covers split stitch, couching, undersided couching and the like.

I’m very happy I invested in the catalog. I have to pick over certain areas and drop things now and then into a translator, to get a clearer understanding of what I’m reading and seeing. This does take a little time, but it’s worth it. It’s the type of “study” that I love. If you also like this kind of thing, then I recommend this particular catalog. It’s got some fabulous content!

Also, if you’re looking for historical pieces for recreating embroidery pieces, there are a few sketchy items in here that would translate well into embroidery patterns.

Where to Find It

If this type of historical embroidery interests you and you want to study it further, you can find this exhibit catalog through the following sources. Keep in mind that, once exhibition catalogs are sold out, they usually do not come back into print.

There are just a few available on Amazon in the US. You’ll find the listing on my Amazon Recommendations page here, under Browse My Amazon Recommendations. It’s about $46 or so at the time of writing this.

You can also find it available through Amazon France, which is how I was able to get mine. It was less expensive ordering from France, even with shipping. Be sure you do the currency conversion to check the exchange rate.

This article contains an affiliate link to my Amazon recommendation page, which means Needle ‘n Thread receives a small commission for purchases made through that link.

 
 

Leave A Comment

Your email address will not be published. Required fields are marked *

*


(9) Comments

  1. Sounds and looks fascinating. I’ve just treated myself to the catalogue of the V&A’s 2016 Opus Anglicanum exhibition (which I was lucky enough to be able to visit) and as you say it is full of great pictures and interesting details. This one may have to become its companion volume!

    1
  2. Thank you SO much for this Mary. What a treat and all those colours are from natural dyes in the embroidery and pigments in the paintings. So inspiring to see.

    3
  3. Your posts are always so interesting. But when you say ’embroidery was expensive and reserved only for royalty and the Church’, I tend to bristle. Whose ’embroidery’ are we talking about? Presumably, you don’t include smocking, which tends to be dated to the Middle Ages, but this is frequently included as a form of embroidery today. Is the Middle Ages too early for decorative forms to have emerged? I could imagine that it may have become more ornamental later, so perhaps that explains your excluding it? And how much do we know about what other people were doing with fabric and threads at this time? (This is a genuine question – how much do we really know? What we have samples of reflects what was thought worth preserving just as the documents we have reflect what was thought worth recording. But these aren’t necessarily representative.) And was Christianity the only religion to make use of embroidery during this period or is that just the predominant case in Europe?

    4
  4. Hello Mary,
    If you need help, let me know, I am French speaker and not too far from you (in NE). I love the museum and they have beautiful books and tapestries. I did not know about that exhibit but will definitely order the catalog! thank you for sharing.

    5
  5. Some fascinating images you have selected from this book Mary! The one that seems to show a woman in labour is particularly poignant. The pose and the supportive stance of the figures around her is really charming, and I’ve not seen that in subject depicted in old embroidery before. I can see the value of a catalogue on a niche subject like this, I have the one from the 2011? Met exhibition you reviewed previously. I could never have visited the exhibit in person so it was really worthwhile getting the book and I learned so much reading it.

    6
  6. How wonderful! I am studying late medieval northern renaissance art on a short course at the moment and was wondering if there is anything around on embroidery from that period to add another dimension to the almost exclusive concentration on oil on panel painting. Thank you for your always interesting articles.

    7
More Comments