About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Weekend Diversion: Needle Lace and More

 

Amazon Books

If you have not discovered Internet Archive for seeking out public domain publications on all kinds of topics – including needlework, design, and just about anything else – you should explore it some day!

Often, when I’m looking up information in old books, I’ll come across references to earlier publications that I’d never be able to see in person, except when I can find those references online in places like Internet Archive.

And often when I’m looking up something specific on Internet Archive, I’ll stumble across a little gem here and there that I find inspirational, interesting, amusing, or helpful.

Peter Jessen Der Ornamentstich
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Blackberry Brambles & Blossoms: Upcoming Stitch-Along

 

And it’s About Time!

I’m happy to say that there are still blackberries on the vine here in Kansas, so our upcoming stitch-along, Blackberry Brambles & Blossoms is still in season. I’m excited to get it launched!

To that end, I’ll tell you a little bit about the stitch-alongs I run here on Needle ‘n Thread, so that you can decide if you want to participate. I’ll also introduce you to Blackberry Brambles & Blossoms, let you know when the kits will launch and how that works, and share the initial timeline with you for this project.

Blackberry Brambles & Blossoms Stitch-Along on Needle 'n Thread
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Free Hand Embroidery Design: Rose & Leaves Medallion

 

Happy Monday!

It’s been a long time since I’ve posted a free hand embroidery design here on Needle ‘n Thread!

This is my renovated version of a rose medallion (formed as a cross) from an old ecclesiastical embroidery-related publication.

While the design could also be used for secular embroidery – especially if you’re looking for something very symmetrical – the cruciform shape lends itself well to church embroidery.

Rose and Leaves Medallion
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Ground Fabric for Embroidery – Eye Candy!

 

I’m almost sorry to do this to you. I wouldn’t, after all, want to spark in you any deep yearnings or desires for the second Wonder of the Embroidery World: Fabric! (The first wonder, of course, being Thread.)

But at the same time, I’d like to share a little bit of the joy and pleasure I experienced when, with trembling fingers and antsy excitement, I recently opened up some long-awaited, highly-anticipated packages from abroad.

So today, I’m going to share a little eye candy with you.

Never fear! Ultimately, this is for you.

Ground Fabric for Hand Embroidery
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Carbon Transfers III: on Dark Fabrics

 

Recently, I’ve posted a couple articles on carbon transfers for getting embroidery designs onto fabric.

Carbon-style transfer techniques are useful enough that it’s good to be familiar with them. You never know when this approach might come in handy, depending on the fabric you’re using, the size or scope of your design, and so forth.

It probably won’t surprise you, if you’ve read the two articles (Part I here and Part II here), that these aren’t my go-to methods for transferring designs. I would rather trace with a pencil than use a carbon transfer method.

But you can’t always trace a design. In cases where you can’t, there are still other methods I prefer over carbon transfer.

Still, carbon transfer is a useful option to know, and it works well under some circumstances.

Today, we’re going to look at the method on dark fabric, using artist’s white “graphite” paper and DMC’s transfer carbon. Then, we’ll chat about a different approach for dark fabric, and I’ll make some suggestions on modifications and techniques you can try.

Carbon Transfers on Dark Fabric
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Think First… then Cut! (Or Don’t)

 

When I was finishing up the hem on Clara’s Gardenwhich we last looked at here – I found myself sad that the hem stitching was coming to an end. That meant the project was coming to an end.

It was late at night. I was wide awake. I was enjoying the rhythm of working the hemstitch, and all was well with the piece. I had a mere four or five stitches left. It was, for all practical purposes, finished.

And I didn’t want it to be!

I didn’t have another “home project” set up. What would I do at night, when I needed something to occupy myself?

In a moment of impulse, I said to myself, “Hey, why not withdraw another strip of threads and work another line of hem stitch a little further in?”

And I answered myself, “Hey! What a great idea! I’ll do that!”

And I picked up my scissors, and I started snipping fabric threads.

drawn thread hem correction
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