About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Shisha, Metallics, and Beads: You Won’t Know it’s a Tree

 

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Well, I finished that little shisha embroidery tree that I showed you day before yesterday.

I might have gone wee bit overboard, but you know what? That’s ok! It was fun, it will work for what I need it for, and, more to the point, it’s finished!

And that means I can move on to the other tree I need to finish.

I’m not sure why I’m sprouting trees all over the place lately.

Maybe I’m going through a growth spurt.

Shisha embroidery with DMC Diamant
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Thread Talk – Soie Tressage: Satouche & Flat Braid

 

On Monday when I mentioned the free shipping sale at Hedgehog Handworks, I dropped the name of a new silk on the market. It’s not really a silk thread, but it can be used for embroidery applications of many sorts.

Soie Tressage is the name of a new line of silk braids – specifically, a soutache braid and a flat braid – made from Au Ver a Soie silk.

Today, I’ll them to you up close and chat a bit about what you can do with them.

Soie Tressage - Soutache silk braids in reds & pinks
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Tambour Embroidery with Metallics & Mirrors

 

Here’s a little practice and play piece I worked on last weekend.

I wanted to try out the tiny mirrors for shisha embroidery that I told you about last week (the punched ones). I’ve also been itching to play around with some DMC Diamant (a metallic thread that I wrote about here) and tambour embroidery.

I went about setting up my play piece the wrong way, though. I don’t know why I do things like this, but I do!

And I usually regret it later. So, learn from me. I like to make mistakes so that you don’t have to.

Embroidered tree with shisha embroidery and tambour work, in metallic thread
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Thread Talk: The Debate I Don’t Want to Have

 

For many, many, many years, there’s been a subject that’s circulated in the embroidery world that I’ve never bothered to write about here on Needle ‘n Thread (on the blog), because it is a debate that I don’t want to have.

It’s not that I’m wishy-washy; it’s not that I won’t stand up for my beliefs. It’s just one of those topics that I figure isn’t worth debating over. It’s not a matter of principle; it’s not a matter of life-or-death, right-or-wrong, just-or-unjust. In life, you pick your fights. And arguments over embroidery thread, when there are much greater issues to occupy one’s mental energy with, just don’t seem that important to me.

Still, I’ve been recently barraged with the question because the topic came up on a couple embroidery websites recently, and I’ve been asked about it off and on over the years because it comes up in classes, guild groups, books and conversations now and then. I can’t tell you how many emails I’ve written on the subject!

And so, this morning, once and for all, I’m going to write about the question here on Needle ‘n Thread: you’ll know exactly what I think of the subject and finally, I’ll be able to reply to inquiries about it with a direct link to this article. (Saves the fingers, you know…)

Embroidery Floss: Thread Grain - Does it really matter?
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