About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Embroidery Design Process: Haphazard at Best?

 

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This summer, contrary to all previous plans and imagined agendas, I’ll be teaching an ecclesiastical embroidery class twice a week. I shouldn’t really call it a class. It involves one person, to whom I couldn’t say no. I’m glad of it – even though I hadn’t intended to teach at all this summer, a regularly scheduled meeting time twice a week is a great mainstay when it comes to keeping a structured schedule. So, I succumbed, and the first step in preparation for the class was the design process.

Before entering that process, I considered a few things: 1. What does the student already know? 2. What does the student want to learn? 3. What is reasonably achievable in the time that we have? 4. What are the various approaches we can take to reach our goals? 5. Of those approaches, which makes the most sense?

Next, I dug out my Ecclesiastical Stuff box.

Church Embroidery Project: Design Process
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Take a Look at the Artwork

 

The last couple days, I’ve shown the beautiful goldwork & pearl and beadwork frames embroidered by Larissa Borodich. Well, for the fun of it, today, let’s look at the artwork she framed.

Yep, I thought they were paintings or prints. Didn’t you? And surrounded by the sumptuous embroidered matting, I didn’t look that closely at the images themselves. Did you?

But when I started cropping the photos in Photoshop, I zoomed in on one of them. I couldn’t tell for sure what I was looking at: was the picture just slightly grainy? And then it occurred to me! So I whipped off an e-mail and got a response, with a few more photos. Here they are:

Tent Stitch Embroidered Artwork
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Gold Threads and Pearl Embroidery

 

Yesterday, I showed you some stunning beadwork embroidery worked by Larissa Borodich, and today, I’ll show you another gorgeous piece she did, worked with gold threads and natural freshwater pearls. I’ll also tell you a little bit about Larissa’s technique.

And then…. and then…. later on, I’ll tell you something else. Something incredible about the pieces that I’m showing you… but I want to see if you can guess the last detail!

Gold Threads and Pearl Embroidery Continue reading “Gold Threads and Pearl Embroidery”

Church Embroidery: Inspiration!

 

In ecclesiastical embroidery – both historical and contemporary – it’s fairly easy to find representations of the Holy Ghost in most collections. The Holy Ghost is symbolically represented as a dove, from Christ’s baptism in Luke 3:22: “And the Holy Ghost descended in a bodily shape, as a dove upon him.” As a symbol, the dove evokes certain images – it is gentle, pure, peaceful. Within larger images on historical vestments, you might look at the whole picture and completely miss the dove, but if you look hard enough in Christian figure embroidery on vestments, sure enough, you’ll often find a little dove figured into the needlepainting somewhere.

Lately, I’ve been in touch with several embroiderers out there who have been working on different pieces of ecclesiastical embroidery for Pentecost. A couple sent photos, so I’d like to share them, and I’ll also show you some photos of historical pieces with the Holy Ghost discreetly figured into the embroidery.

Holy Ghost Banner
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