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Mary Corbet

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I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Blackwork Design Development: Further Variations

 

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Yesterday, we went through some steps of varying a blackwork embroidery design, starting from a simple wavy line and mixing things up. Today, I’ll show the rest of my fiddling with this particular blackwork square, and give you a printable version of the variations, in case you want to work them out in thread.

Developing Blackwork Embroidery Designs

Going back to the original “woven” design, I started playing with different ways to fill it. Instead of the stitches crossing over each other in the bumps, I used a little box for the center and branched off the box with little stitches. Then, I repeated that in a checkerboard pattern:

Developing Blackwork Embroidery Designs

Then I went back to looking at the background of the bumpy lines, and I also finished the edges so that they aren’t open:

Developing Blackwork Embroidery Designs

Then I started thinking about just filling in the background area, and trying to keep the woven look of the intersecting lines:

Developing Blackwork Embroidery Designs

That lead me to finishing off the whole square into little squares. Notice that the bumpy lines have disappeared:

Developing Blackwork Embroidery Designs

Then I finally I went back to the bumpy look, at least on the ends, by making the lines end in “finials” (think curtain finials):

Developing Blackwork Embroidery Designs

Well, the whole finial thing sort of appealed to me, so I thought I’d play with that, and add a darker background:

Developing Blackwork Embroidery Designs

But that over-under weavy thing is now gone. Where’d it go? So I pursued that again:

Developing Blackwork Embroidery Designs

I tried to shade a bit the under-over area in the above design, by inserting cross stitches as “shadows” – it really made the woven strips stand out, but they look rather narrow. I don’t know how well that one will translate onto fabric. And somehow, I missed some closing stitches on the edge (I’ve fixed them in the PDF).

I didn’t really like that one much, so I went back to the finials, which made me wonder about accenting the circles or bumps, and connecting them in a different way. And those thoughts led to this:

Developing Blackwork Embroidery Designs

And I thought that was kind of funny, how a whole new look developed. So I played with it a bit more:

Developing Blackwork Embroidery Designs

And then, the circles grabbed me, and I went overboard, and ended up with this:

Developing Blackwork Embroidery Designs

And that’s when I said, “ENOUGH!”

That, then, is the development of many small blackwork blocks, all from one original line. The possibilities with these types of filling are endless, and if you’re a doodler, you could have lots of fun playing with several basic designs and spicing them up.

As fillings, they can be worked inside other shapes, too. Or they could just be a fun blackwork sampler, to get the hang of Holbein stitch.

A reader asked yesterday if, on Needle ‘n Thread, I’ve covered the concept of following the blackwork pattern in stitching, to achieve a reversible image. Complex patterns like this last square might look impossible to follow in Holbein stitch – and to tell you the truth, I haven’t tried stitching any of these squares yet! But most patterns like this can be stitched successfully in Holbein stitch, ending up to be (more or less) reversible.

I’m not sure if the interest in this would really be out there, to see a pattern worked through. Is this something you’d like to see? If so, do leave a comment and let me know!

For your own needlework purposes, here’s a PDF of all the blocks I’ve shown here, in case you are interested in playing around with them. If you stitch them, I’d suggest stitching over 2 on any fabric 25 threads per inch or higher, with one strand of floss. There are 15 squares total.

Blackwork Design Development Blocks (PDF) – 3 pages

 
 

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(7) Comments

  1. Hi Mary,
    It’s been a few months since I’ve come around and drooled over your blog. Your new decor is prettier than ever, and you continue to inspire. Just wanted to give you my greetings from Maine.
    WendyBee

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  2. Mary? Have I ever told you how bad you are for my to-do list? I’ll NEVER get caught up on it if you keep dangling fun things like blackwork in front of me – and then letting me really want to try it (and therefore adding something else to my list!!).

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  3. WOW I love your detail and directions. I have just started with blackwork this past week and love it already. I found your website and I will be coming to it for further ideas and instructions. Thank you for helping an old lady learn new tricks.

    Jannie

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  4. Mary, one of my biggest problems with blackwork designs is “mapping” the stitches so that I have neither “orphans” nor threads carried over blank areas.
    Do you – or your readers – have any tips on how to tackle a new pattern? I usually try to use graph paper to deconstruct a couple of repeats but these can get really confusing when it takes more than 2 runs.

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