Good morning, and happy Friday! Today, we’re going to continue the saga of reframing an embroidery piece that we started talking about last week, when I showed you this botched frame job.

On Wednesday, we looked at Part 1 of the reframing process, and now we’re going to finish that up.

Before we kick off today’s article, thanks to all who jumped on The Leafy Tree embroidery kits yesterday evening! I’ll have more information about the kits at the end of this article for those who weren’t able to get one or for those who have further questions, shipping ideas, and so forth.

On to today’s topic…

I’ve written about framing embroidery projects here on Needle ‘n Thread only a few times in the past. It’s a subject, though, that must come up, if you embroider things that you intend to hang, finished, as art or decor in a home or elsewhere.

I’ve had quite a bit of work framed over the past 15 years, most of which has gone on to other places. Some of it, I’ve framed myself, and some of it, I’ve had professionally framed with different “grades” of professional framers.

Why is it, though, that every time I take a piece to a highly endorsed professional framer, I end up … well, a little disappointed?

I picked up a piece from a professional framer earlier this week. This is “high end” framing, with a framer who is not only highly recommended, but apparently experienced in framing needlework.

I’m in a quandary right now over the piece. You might remember it – it’s this piece, Fantasia in Silk.