About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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The LightPad – Perfect for Tracing Embroidery Patterns onto Fabric

 

Amazon Books

Sometimes, when it comes to hand embroidery, equipment just complicates things. When you think about it, does an embroiderer need a lot of equipment? Not really – needles, a hoop, some sharp scissors, and that about covers the basic needs relating to hand embroidery.

Yet I’ve invested in a new piece of equipment, and although originally I had no intention of writing about it, the Inordinate Infatuation I have with it compels me to write about it.

I’m Excessively Fond of it.

And, more to the point, it’s a Really Handy Piece of Equipment, especially if your primary way of transferring embroidery patterns is by tracing.

Light Pad for Tracing
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Silk Threads, Buttonhole Stitch, and Medieval Manuscripts

 

Book art – the manipulation, recycling, up-cycling, embellishing, cutting, folding, sculpting, stitching, or myriad-other-things done to books (especially to old books) in the quest of creativity – is pretty popular today.

While some of the things paper artists do with old books are amazing, enchanting, and incredibly artistic – like these book-cut sculptures by Sue Blackwell – most of the creative approaches that require the destruction of a book don’t thrill me all that much. I chalk it up to years of teaching literature and an almost fanatical fondness for books as books.

So although stitching on pages of books is not something I’d normally consider enticing, there are definitely exceptions. This particular exception is fascinating – especially because it is a work of restoration.

Stitching on the pages of a book is apparently not a new thing.

Medieval Manuscript Mended with Silk Thread
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Openwork Needleweaving Books from Luzine Happel

 

Back in 2009, I reviewed Luzine Happel’s book, Basic Principles of Schwalm Whitework, which, in my mind, is still The Definitive Guide on Schwalm whitework embroidery.

Since then, Luzine has written quite a few books that have been translated into English, some of which I’ve reviewed – like Fancy Hems, a book on Early Schwalm Whitework, a beautiful pattern book for Schwalm embroidery, and books on filling techniques. Really, when it comes to this type of whitework embroidery and all the nuances of it – all the “sub techniques” that can be applied to other types of embroidery, too – Luzine is a goldmine of information!

Her latest books are of the sampler variety, in a sense. Here’s a look at both of them: Openwork Pattern Samplers and Openwork Needleweaving Patterns.

Openwork Pattern Samplers & Needleweaving Patterns by Luzine Happel
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Stitch Fun? Or Maybe Knot! Turk’s Head Knot Stitch

 

The Turk’s Head Knot is often seen in knot-making and other cord and rope techniques, but it’s also an embroidery stitch.

As an embroidery stitch, the Turk’s Head Knot creates an intertwined knot that sits up, plump and round, on the fabric. It can be used in place of French knots and colonial knots for a little more texture. Like the French knot and colonial knot, it can be used singly, as an isolated stitch, or it can be grouped together in clusters or used as highly textured filling.

The thing is, it’s a tricky stitch. It’s definitely knot the easiest knot in the book!

Turk's Head Knot embroidery stitch
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