About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Free Hand Embroidery Pattern: Hungarian Redwork

 

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When I think of Hungarian embroidery, I generally think of bright, multi-colored embroidery. From region to region in Hungary, though, different styles of embroidery dominate. Some of it is multi-colored and bright. Some of it is whitework. As with many countries that have a needlework heritage, there are many different styles of embroidery in Hungary.

My favorite type of embroidery from Hungary is a kind of “peasant” embroidery, worked in red, red and blue, or red and black, on heavy, coarse linen. I’m calling it Hungarian redwork, because really, that’s what it is – it is often all-red embroidery, worked heavily in a combination of buttonhole stitch, a kind of closely worked open chain stitch, some satin stitch, and sometimes other stitches, too.

Hungarian Folk Embroidery
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Old Silk & Goldwork Fragment – Ugly?

 

Over the last few months, we’ve looked at some pieces of old embroidery featuring silk and goldwork. The three pieces we’ve examined so far (this example of Chinese embroidery, this gorgeous tambour and goldwork embroidery panel, and this goldwork and silk on velvet piece) are all in fairly good condition for what they are.

Today, I’m going to show you another old fragment featuring silk tambour embroidery and metal threads.

It’s not the most beautiful piece of embroidery you’ll ever clap your eyes on. In fact, as far as my preferences go, I’d say it’s a bit on the ugly side, the poor thing.

There are some intriguing things about the fragment as well, though, and the whole thing begs to be examined more closely. But let’s start with a brief look.

Old Silk & Goldwork Embroidery Fragment
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How to Embroider a Wee Pumpkin, in less than 5 minutes

 

I don’t know why I did it. Perhaps it’s because I couldn’t get over the orange kick, after playing with orange Trebizond silk and plaited braid stitch. (Remember that? I’m not really an orange person!)

More likely, though, it’s because everywhere I look right now, someone is proffering the latest Pumpkin-Something, and I am beginning to feel Oddly Short of Mainstream. To solve the problem, yesterday I took five minutes out of my already off-course day and fiddled with orange thread to create a pumpkin.

If you want to add a of Petite Pinch of Popular Pumpkin to your embroidery, here’s an easy and quick way to do that!

How To Embroidery a Small Pumpkin
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15 Most Popular Embroidery Books on Needle ‘n Thread

 

I haven’t done a “Top 10” list of embroidery books in ages upon ages. One reason is that it takes ten forevers just to collect the stats and figure them out. But since I was updating my Embroidery Book List the other day, I took the plunge and did some real work… for a change!

So here’s my list of Most Popular Embroidery Books on Needle ‘n Thread for 2012 so far. I’ve included 15, because numbers 15 through about 9 all rank very close in popularity. They’re all excellent books in their own way, and worth having for reference or instruction.

I’m eager to know if you agree with the popular consensus! What books are you surprised to see on the list, or not on the list?

Maybe you’ll find something here to add to your own library (or at least to your Christmas Wish List). Each entry on the list is linked to my book review for that entry, so feel free to browse!

Embroidery Stitch Bible
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Branching Out: Embroidering Trees, Part 1

 

While playing around with silk gimp the other day, I was struck with the inspiration to embroider this tree.

Now, trees may seem like fairly mundane, unimportant things, but can you imagine life on this earth without trees? Trees may be common, but they are, at the same time, essential, and in art, throughout history, the tree has enjoyed an important representative role, symbolizing many different things across cultures.

Trees show up in hand embroidery in practically every era and every culture, in some respect or another. Therefore, I didn’t feel too odd about branching out with the silk gimp the other day and embroidering a tree.

Today, I’ll show you how I worked the trunk and branches, and while meandering through the topic, I’ll talk a bit about the silk gimp used for the tree (making some clarifications about the thread, what it is, and its pending availability), and a bit about how you can adapt the process covered here to other materials. Ready?

Hand Embroidered Tree
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