I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
July 11, 2011
Last time I mentioned my little embroidered Tudor rose in silk and real metal threads, it was almost finished. “Almost” when working on something like this doesn’t necessarily mean that it will be finished “shortly.” Taking the rose from the almost finished state to complete took several hours. But at long last, it was finished, and here it is:
July 9, 2011
Today I want to show you how to satin stitch to a sharp point. Sometimes, on your embroidery designs that you’re working, you might find an small element (like a leaf or a petal or a bird beak) that requires a sharp point. You satin stitch the element, following the “stitch-just-over-the-outline rule” that seems to govern satin stitching, and …. you end up with a slightly rounded tip to your leaf, or at least it isn’t as pointed as you thought it should be.
The two things that will ensure a pointy point on a satin stitched element are the length of the first center stitch and the angle of all subsequent stitches.
Let me show you what I mean:
July 8, 2011
Goldwork embroidery is great fun, but it’s a time-consuming type of hand embroidery. It’s not something that can be rushed. And when you’re feeling your way through an embroidery design – not quite sure what thread will look just right – there’s bound to be some trial and error.
July 7, 2011
The last couple days, I’ve been working out the details for the small rose motif that’s repeated on the current ecclesiastical embroidery project I’m working on.
And really, when I say the last couple days, I mean just that – two days. Two! Sure, we’re not talking about stitching 24 hours a day, but all my stitching time has been devoted to this one thing for two days, and – woe is me! – I haven’t even finished the thing!
July 6, 2011
Yesterday, we looked at one method of working daisy stitch in two colors, with petals in one color and anchor stitches at the tip of the petals in a different color. Today, let’s look at a different method of achieving the same result – and a much easier method, to boot!
July 5, 2011
It was one of those e-mails: “Can you look at this and tell me how it was done?” It was a picture of a daisy embroidered in detached chain stitch (lazy daisy stitch), only there was a difference – the anchor stitches on all the petals were worked in a different color from the petals. It was really cute!
July 4, 2011
Last year, when the Royal School of Needlework began producing a series called “Essential Stitch Guides,” I was pretty excited! The first two books in the series, the RSN Essential Stitch Guide for Blackwork and the RSN Essential Stitch Guide for Crewelwork, I’ve already reviewed. I like them both.
The RSN Stitch Guide for Silk Shading is going to be a little more difficult to review. After reading the book cover-to-cover, I have to admit that I wasn’t in raptures over it. That’s not to say it doesn’t have some good points and some good content. I’ll give you a synopsis and touch on some pros and cons, from my point of view. Then you can decide whether or not you’ll add it to your library.
