About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Goldwork Thread Tray & How To Make One

 

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Various metal threads for goldwork are cut into pieces and sewn onto the ground fabric like beads. For example, bullions and purls (check, smooth, and rough) are applied in this fashion. The pieces are often cut in advance, and then sewn on as you go. You can see a good example of this when I started applying the chip work the goldwork pomegranate I embroidered last year. I usually work on a velveteen or velvet mat, and I’ll usually put the mat inside whatever basket or tool box or any other thing with sides on it that’s at hand, so that I can pick up the mat with the cut pieces on it, and hold it next to my work surface.

But you know, the idea of having something a little more permanent – especially something that closes and keeps the already-cut gold threads secure – has preyed on my mind off and on. I decided to concoct my own goldwork tray, one that was small enough to be comfortably holdable, and that could close for storage when putting a project away.

Goldwork Metal Thread Cutting and Storage Tray Tutorial
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Jacobean Jumble: Sneak Peek

 

Here’s a sneak peek at my current embroidery project! This from the beginning of the sample project. I’m working on a test piece, and when an element works out the way I want it to, I move over to the actual project, embroidering the element anew, with confidence that it’s exactly what I want… not just guesswork. This process makes for slow going towards any kind of definite finish, but it gives me a chance to work out several thread scenarios and make the threads do what I want them to do.

Jacobean Jumble: Silk Embroidery Threads
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Design Resource: Italian Renaissance Textile Designs

 

While digging through my bookshelves lately, trying to arrange books by “type,” I realized that one of my favorite types of needlework books are not necessarily needlework books at all. They are what I call “resource” books, usually dealing with design ideas. I’ve have quite a few of these types of books – books that struck me as useful sources of inspiration for embroidery designs.

Some of these books are not directly “design” books; they contain elements that can be converted into embroidery designs, or that inspire color combinations, or texture combinations and so forth – all useful stuff that can be interpreted or converted into elements in embroidery. And some of these books have designs that can be copied directly from the books and used in personal needlework projects. If the books are still under copyright, of course, the designs can’t be reproduced or sold, but they still make great designs for personal projects.

In the latter category falls the book Italian Renaissance Textile Designs by Dolores Andrew. This is a book that contains line drawings and interesting patterns that can be used directly as embroidery designs on their own, or as elements of larger embroidery projects.

Italian Renaissance Textile Design
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Free Hand Embroidery Pattern: Pomegranate Corners

 

How about a free hand embroidery pattern for today? This is a variation on a design – meant for cutwork or Battenburg lace – from an old Herrschner’s catalog. I have a collection of four of these old catalogs – one from the early 1920’s, one from the early 1940’s, a “supplement” from the 1940’s, and the better-known edition from 1907, which is also available online at Antique Pattern Library.

These catalogs are gems. Much like the Thomas Brown & Son catalog from the turn of last century which features embroidery patterns for ecclesiastical needlework, the catalogs have small line drawings that provide a wealth of inspiration from the past for embroidery in the present.

Take, for example, this design:

Free Hand Embroidery Pattern: Pomegranate Corners
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