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Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Beeswax for Goldwork Threads – Heavenly Stuff!

 

Amazon Books

Quite a while ago, we chatted about thread conditioners used in the needlework world, and I gave my two-cents’ worth of profound thought on the subject.

I’m not a fan of thread conditioners – you can read the article to see my reasoning – but I am an unabashed fan of beeswax.

But, before there’s any confusion, I’m not a fan of beeswax for conditioning or taming cranky needlework threads. Not at all! (I mention why in that article, too.)

But I do use beeswax for goldwork, to strengthen threads and protect them from abrasion from the metal threads. (And, yes, we talk about that in the previously mentioned article, too.)

It just so happens that I have a beehive in my backyard. And that beehive produces honey and beeswax. It’s my brother-in-law’s hive, and this past year, he harvested some nice wax. I got a little bit of it.

This weekend, I was beset with a headache that kept me from stitching and from computer work, so instead, I set about preparing little wax pats for goldwork kits.

Preparing Beeswax for Goldwork Threads
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Pulling Silk Threads & Beads for a Project to Savor

 

The other day, I pulled threads and beads for an embroidery project I have a mind to do.

It’s a project I want to savor. And although I won’t be starting it right away (still finishing up some Christmas stuff!), once I do start, it’s going to be one of those no-pressure projects. I’m going to take it slow and easy and really enjoy the heck out of it!

It’s a monogram from Elisabetta’s book, Ricamare Il Mare (A Sea to Stitch), which I reviewed here and which you will find available here in my shop.

I’ve been itching to stitch one ever since I clapped eyes on Elisabetta’s samples! I couldn’t resist pulling threads and other delectables for it the other day. I felt a little sneaky because I had other things to do, but you know how it is when a project is stewing in your head and you just can’t resist its siren call!

For my version, I’ll be mixing up some silk threads, specialty threads, and beads. Once I start on it, I’ll keep you updated on my progress, I’ll share tips and discoveries along the way, and I’ll let you know what choices I make along the way as far as materials go. If you want to follow along when I get to that point, you’ll need your own copy of the book (of course). I won’t be sharing Elisabetta’s patterns, her interpretations of elements into stitches, or anything like that. Just my journey, which you’re welcome to join me on when I finally head out!

A Sea to Stitch Monogram in Silk, Beads, & Specialty Threads
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Embroidery with Beads – Thread Follow-Up!

 

Last week, I we chatted about using certain types of fishing line for embroidery with beads.

I distinguished what I mean when I say “embroidery with beads” (as opposed to “bead embroidery”), we looked at the difference between using embroidery floss for fixing beads in place (which is a perfectly acceptable way to sew bead accents onto embroidery projects), and I recommended the two types of line that I’ve used for embroidery with beads.

The article generated a Massive Amount of Questions, so I thought I’d break from regular programming and answer a few of those. Here on the website, I’ll link to this article from the original article, in the hopes that it will be helpful to future readers, too.

Using Fireline and Nanofil for embroidery with beads
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Embroidery with Beads What Threads?

 

Once upon a time here on Needle ‘n Thread, I distinguished between “bead embroidery” and “embroidery with beads.” I’m not really sure if there’s an official distinction, but if there isn’t, I think there should be (just for the sake of clarity).

And just for the sake of clarity, when I’m writing about beads and embroidery, I tend to think of “bead embroidery” as embroidery that is done entirely with beads. Take, for example, these beautiful bead embroidery kits by Mary Alice Sinton at Blue Bonnet Studio. Exquisite! And entirely beaded.

When I think of “embroidery with beads,” on the other hand, I think of work that is predominantly thread-executed embroidery, accented with beads.

I like both. (Who am I kidding? I love both!) There’s just something that appeals to me about the sparkle of beads.

But most frequently, when I’m playing with beads, I indulge in the latter – embroidery with beads.

Incidentally, neither of these should be confused with beading – creating jewelry or other structures, usually devoid of fabric and relying only on thread or wire as the structure, entirely from beads. Nor should either be confused with weaving with beads. Both of these are entirely different from embroidery, or the embellishment of fabric, with beads (even if some beading can involve fabric and weaving results in a kind of fabric…)

Confusing enough? Well, for today’s topic, let’s just stick with the notion of embellishing fabric with embroidery that is accented with beads.

Embroidery with beads - what threads to use
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Yellow to White: Whitening Yellowed Linen, Part II

 

A couple weeks ago, we chatted about this yellowed and stained piece of linen that I was freshening up and (hopefully) bringing back to white.

Many of you wrote in with some great suggestions for whitening old linens – if you are missed that article and you’re looking for ways to whiten linens, make sure you read the previous article and the comments.

After boiling with cream of tartar, which can be a successful way to remove stains and some types of markings from linen, I plunged into the Buttermilk Adventure detailed in the previous article.

You see, this was an experiment of sorts. I had read about using buttermilk to whiten linens in older books. I just wanted to see how it would work. Curiosity and all…

And guess what? After a 36-hour soak, I conceded that buttermilk doesn’t really work. It made perhaps a mild dent in the yellowing, and it may have lightened the stain a fraction, but not really enough to notice at a glance. So I decided to move on.

I have successfully struck the Buttermilk Soak from my bucket list.

Whitening Yellowing Linen
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Embroidered Communion Pall – Finished

 

I’ve been trying to tie up loose ends lately, finishing up smaller embroidery projects here and there. There’s something rather satisfactory about being able to put a completely finished project away – to tidy up the work table, to put threads in their place, and all that!

This piece of ecclesiastical embroidery that I showed you earlier is finished, so it’s ready to pack up.

I’ll show you the finish, talk a bit about trimming, blocking, and so forth, and then we’ll chat about (literally) putting it away and how I go about doing that.

Hand Embroidered Communion Pall - IHS - by Mary Corbet
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A Sea to Stitch – and It’s Gorgeous!

 

My heart is full of delight when I look at this book. It speaks to me on So Many Levels!

A Sea to Stitch (or Ricamare il Mare in Italian) by Elisabetta Sforza is her newest publication highlighting a beautiful sea-themed alphabet and decorative elements to embroider. The designs are exquisitely imagined and stitched!

If you have any penchant for the sea, if it calls to you as it has for so many people through the ages, then you will find something very enticing about this collection! For me, the designs in the book elicit a kind of tranquil wonder – that awestruck feeling that sweeps over a person when beholding the sea after long separation, or when looking upon something new and beautiful for the first time.

Today, I’ll show you the book in-depth, so that you know what you can expect inside its pages. I’ll also share some photos of some finishing ideas from Elisabetta’s collection. Finally, if the book is up your alley as much as it is up mine, you’ll find it available to purchase in my shop.

A Sea to Stitch by Elisabetta Sforza
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