One technique that I plan to use on the embroidery project I’m working on now is a kind of “basketweave” stitching, using gold threads. The concept is pretty much the same as working with any smooth passing thread – the threads are couched, and they are couched in a bricking pattern, so that on each row of couching stitches holding the passing thread, each stitch falls between two stitches on the previous row. You can see this concept of bricking your stitches in this article about smooth passing thread.
The difference, though, when you want to achieve that woven basketweave look, is what you use to pad your stitches. To achieve a basketweave look with the gold threads, you need some bumps to couch the threads over. Let me show you what I mean!
Instead of using a flat felt to pad the gold threads that I’ll be couching down along this curve, I’m using small “rolls” of cotton yarn that have been heavily waxed, with beeswax. If you want to try this technique, you’ll need a cotton yarn in ivory or yellow. Yellow works well behind the gold, but ivory is ok here, because it’s the background color of the piece – you might try matching your background color, but if you can’t, use a golden yellow if you’re couching gold metal threads over it.
Cut a longer length of yarn, and run it through a cake of beeswax several times, until it’s good and waxy. After running the yarn through the beeswax a few times, run it through your fingers several times to work the wax into the yarn. The end result will be a stiffened, waxy yarn, which will be used to make these little “logs” across the area that I’m going to cover with gold.
Why wax the yarn? There are three practical reasons, that I can see (there may be other reasons that aren’t so obvious, but these are the ones that make sense to me): 1. The beeswax protects the yarn from the gold thread; 2. It tames fuzziness, so you don’t get any fuzz interfering with the gold; and 3. It makes the yarn firm, so that your threads don’t sink into it irregularly.
You can see in the photo above that I sewed over the yarn logs with a gold-colored sewing thread, the same silk thread I use to couch down my metal threads. It’s rather a finicky task, to sew down tiny yarn logs that are about 3/8″ – 1/2″ long, so I sewed down the yarn while it was still connected to the longer piece, then cut the piece off, leaving an overhang, and finally, when all the pieces were of yarn were couched down, I went back and trimmed them flush with the width of the design.
Instead of using gold passing thread, I’m going to use gold tambour thread, which is available at needlework shops that carry real metal threads. If your shop doesn’t carry it, and you really want to try using it, ask for it – they can probably special order it for you. It’s imported into the US by Access Commodities.
The main difference between tambour thread and passing thread is the flexibility of the thread. The tambour thread is not as stiff as passing thread, and this works out well, because I want the thread to pull down between those bumps I just put on the fabric. Since the bumps are close together (I want a lot of texture in this basketweave area), the metal thread really needs to bend into the area between the yarn logs.
By the way, “yarn logs” is not a technical term. If you happen to show up in a goldwork class somewhere and start talking about “yarn logs” expecting your instructor to know what you’re talking about, you might get a funny look! I have no idea if there’s a precise technical term for these little bits of cotton yarn padding, but they look like yarn logs, so that’s what I call them!
So this is the effect I want to achieve, and you can see why I’m calling it basketweave stitching (another term which may not be Technically Correct, but which fits the look of the thing!).
This is what I did: I took a single length of tambour thread and folded it in half. Starting in the middle of the log strip (where the design begins), I sewed down the tambour thread, couching it at the tip of the folded area. Then I took another couching stitch over the double threads, to hold them together. With the first set of double threads, I skipped the first two logs, couching the gold thread after the second log, and continuing down the logs, couching after every two logs. Then I started over at the top with a new pair of gold threads, started it the same way, and then couched that pair after the first log, and then after every two logs thereafter. The order of work was the middle thread running down the center of the log strip, then I moved to one side of that middle pair of gold threads, and couched another pair, then I moved to the other side of the middle pair, and couched another pair, always making sure that I was alternating where the couching took place in the adjacent row.
Aha! The sun came out – and it makes all the difference when photographing gold threads, if you really want to see them sparkle!
So that’s my little test area for this basketweave technique. I really like the look that results from this technique, don’t you?
One of the main reasons that I always work up a test sample in the same thread on the same fabric I’ll be using, is that through testing, I can see what I need to adjust in my approach before stitching on the Real Project. For example, thanks to having worked a test sample first, I’ve discovered several things I will do differently on the Real Project:
1. The yarn logs will not extend right up to the edge of the design. I want them to fall a little short, because I plan to work a different thread around the outside edge of this area, and I don’t want the lettering to look fattened – I want the outline to be right on the line of the design.
2. The logs will be spaced a little farther apart, though not much farther apart – just a hair difference. I like the tight textured look this gives, but I don’t want it to be too tight on the inside curve.
3. I’ll use a different silk thread to couch the metal thread – most likely, Tire silk, 100 wt. It’s a very fine thread, not visible against this gold at all.
Incidentally, if you’re not into goldwork, you can use the same technique working with regular embroidery threads. Perle cottons or silks, for example, make a great “basketweave” look when stitched this way. All you need to do is make up some yarn logs, and couch the perle cotton or silk in pairs, just like I did with the metal thread. It looks really nice – try it!
Ask & Share News
Over in the new Ask & Share section, we’re having a stitch-a-long featuring the Talliaferro Persian Blossom design. (I reviewed the Royal Persian Blossom design here.) I’ll be posting my progress on that piece regularly on Ask & Share, but in case you’re not keen on joining us there, I’ll post occasional progress posts here, too. If you’d like to join us, though, do stop over! It’s a very casual stitch-a-long – no pressure!