About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Maureen the Owl – Embroidery Kit & Book Give-Away!

 

Amazon Books

It’s almost the middle of April, and what a great time to do a Fantastic Give-away for a Fantastic Embroidery Kit & Book!

You might remember that last week, I reviewed Hazel Blomkamp’s new book, Crewel Creatures, which is full of really fun embroidery instruction, projects, and ideas centering around fantastical creatures bedecked with all kinds of stitches, combinations, patterns, and a little bling.

Well, today, thanks to Hazel, I’m offering one of her kits with a copy of the book as a give-away! Yay!

Maureen the Owl, which is the largest and most elaborate of the creatures in Crewel Creatures. Here she is, in all her glory – and feel free to click on her, for a better view.

Maureen the Owl Embroidery Kit by Hazel Blomkamp
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Color Choices and Stitching Up Some Monograms

 

Do you ever have problems making good color decisions for your own embroidery projects? I do!

There are ways to help yourself when it comes to choosing colors for embroidery projects – I’ll give you some suggestions on that topic below.

But I thought I’d share with you some monograms I’ve been fiddling with lately. I gave you a sneak peek of one of them in this article about my leafy tree project a few weeks ago.

Since then, I worked up another sample letter in a color scheme that I thought I’d really like. As it turns out, I’m not that keen on it! We’ll chat about why, what I can do to improve it, what my limitations are in these particular circumstances, and what I’m going to do next.

Yellow, blue and white monogram in hand embroidery
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Unique and Beautiful: Harp Needle Case by Jenny Adin-Christie

 

Good morning, and Happy Monday All Around!

Once in a while, out there in the Wide World of Needlework, an embroidery project so unique and so beautiful catches my eye and makes my heart go pitter-pat – and compels me to share it with you!

This morning, by way of throwing temptation in your path (sorry), I want to highlight just such an embroidery project, created by Jenny Adin-Christie. And even if it isn’t something you would work yourself, I’m sure you will appreciate the beauty, delicacy and uniqueness of this needle case. Plus, there’s some fun reading about the original museum piece on which Jenny’s needle case is based.

Harpe Needle Case by Jenny Adin-Christie
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Crewel Creatures – Hazel, on the Wild(er) Side

 

If you’re one of those stitchers who loves surface embroidery in extravagant designs full texture, patterns, color, sparkle and beads, you may already be familiar with Hazel Blombkamp’s series of books featuring projects that hint at a Jacobean flavor, but are totally modern.

Hazel’s “crewel” books – punnily titled – focus not on crewel embroidery, but rather on fabulous and ornate stylized floral and similar surface embroidery designs. The projects are worked with a variety of mostly cotton threads in fantastic stitch and filling combinations.

Always fanciful, sometimes flamboyant, Hazel’s designs are wildly ingenious when it comes to her use of patterned and textured elements.

With her latest book, Crewel Creatures, she steps over (or just barely scoots over a hair?) to the wild side! The book highlights six curious creatures worked in a style that is definitely All Hazel.

Crewel Creatures by Hazel Blomkamp
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Party in Provence: Adding the Beads and Finished!

 

Today, we’re exploring the very last step in embroidering Party in Provence, a hand embroidered kaleidoscope we’ve been working through together here on Needle ‘n Thread.

If you’re just joining in, you can find all the installments for this embroidery project in my embroidered kaleidoscope projects index, where you’ll also find step-by-step instructions listed for a few similar projects that are just as fun to stitch.

The last step on Provence is bling! It’s time to add the beads!

Adding Beads to Embroidered Kaleidoscope
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Comparing Figures in Ecclesiastical Embroidery

 

If you’re relatively new to Needle ‘n Thread, you might not know that my first forays into advanced embroidery techniques came about due to an interest in historical ecclesiastical embroidery. I was taking a history of art class in my early days in college, and one of the works of art I chose to research was a piece of ecclesiastical embroidery. I chose it not so much because it was embroidery – rather, I chose it because it was beautiful and because it was different from the more common artistic mediums my classmates were focusing on.

Over time, with a bit of study, a lot of experimentation, and making contacts in all kinds of interesting corners of the globe, I amassed an interesting collection of pieces, books, pattern portfolios and the like, along with many tidbits of information on the hows, whats, and whys of ecclesiastical embroidery.

From all that sprang a love and appreciation for hand embroidery, which I had dabbled in as a kid and through college, but never really saw as art until captivated by that first research project.

In ecclesiastical needlework, all the elements of the art of embroidery – and any art, really – come together. Purpose, technique, materials, thought, skill, symbolism, color, balance, beauty, proportion, order – you can find all these things in ecclesiastical needlework, whether you’re religiously minded or not. It is a fascinating medium to study, especially when it comes to the development and dissemination of historical needlework techniques.

Since it’s Good Friday, let’s take a close look at some pieces of Ecclesiastical (religious) figure embroidery that have crossed my path lately. The figures are somewhat similar in some ways, but vastly different in others. We’ll look at the differences and draw some conclusions.

Ecclesiastical Embroidery: Christ embroidered on vestments
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