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Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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10 Tips for Quicker & Easier Stitching

 

Amazon Books

A few weeks ago, I compiled this list of suggestions for how to make a stitching session easier and more productive.

I know this sounds a little weird. Easier and quicker are not necessarily two things we’re seeking when we embroider.

We pretty much already know that hand embroidery isn’t quick (in fact, that’s one of the reasons we like it, right?), and, when we embroider, we’re not normally looking for an easy way out of our chosen project. If we choose a challenging project, it’s because the challenge is part of the fun!

But the ten tips below are not really meant for speeding up your stitching to the point of machine-like production levels, and they’re not meant to simplify your stitching to the point of Boring. Instead, they’re just suggestions that will make an embroidery experience better (as in, more pleasurable and less frustrating), while at the same time allowing the embroiderer to make more progress on actual stitching during any embroidery session.

Here are my ten tips, and I’d love to hear your suggestions, too!

10 tips for quicker easier stitching
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I Spy with my Little Eye – or do I?

 

Once upon a time, just around when I turned seven, my teacher suggested to my folks that I should have my eyes checked.

Lo and behold, the discovery was made that I was very near-sighted. That’s when I got my first pair of glasses.

I remember coming home the day we picked up my glasses. We drove through winding New England roads, where the sun glints between tree branches and leaves, and I discovered, for the very first time, that it was possible to see individual leaves on trees. What always looked to me, from a distance, like a kid’s cartoon of a tree – you know the type, with a brown trunk topped with green blobs – now came to life, with quivering leaves and delicate branches.

That was the best ride home ever! I could see! And while, before, I didn’t know what I was missing, now, I was completely enchanted by it. Trees with leaves. What a wonder!

My enthusiasm for sight only got better as that first week in glasses went by. TV? Oh, yeah! I could sit on the couch and still see it. Chalkboards and bulletin boards at school actually had some kind of meaning to me now. And every ride home from school was deliciously detailed with distant houses, farms, people, and animals.

Then, Sunday rolled around and we went to church. Our church had a big stained glass rose window at the front. Before glasses, it was a kaleidoscope of blurred colors running over on each other like backlit watercolors all merging on the same round canvas. I thought it was beautiful! So much color!

When I saw it with glasses for the first time, though, I was floored. There were pictures in it! Saints and angels and stories, all there in a glorious arrangement that I could see for the first time.

Eyes are important. In most cases, they are the primary receptors of sensory information for us. As we get older, our eyes change quite a bit, and that can have a huge effect on what we can and can’t do, comfortably, with our needlework.

30 ct embroidery linen vs 25 ct embroidery linen
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Playing about with Needle Woven Fillings

 

Playing with embroidery stitches is Good for You.

It’s good for you, like sunshine and fresh air are good for you. Or fruit and vegetables. Or … chocolate…

When you allow yourself to dabble about and play with stitches, you learn a lot!

Besides learning just the construction of a stitch, you learn how to be really comfortable with it, how to mix it up, how to combine it with other stitches, how to expand the possibilities of the stitch.

There are other advantages to playing with stitches: it opens up new possibilities for your own projects, it gets your creative juices flowing, it gives you new ideas on color and texture combinations.

Oh yes. I’m a huge Advocate of Playing with Stitches. That’s why the Stitch Fun! series came about, and that’s why I encourage stitchers to indulge in random stitch samplers and doodle cloths.

It’s Good for You!

Lately, I’ve been playing with needle-woven fillings.

Needle weaving embroidery stitches and fillings
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New Tulip Monograms (I – L) and News

 

To start the week off, here are the next four letters of the Tulip Monograms – I, J, K and L.

I’m trying to crank these monogram embroidery patterns out for you as quickly as possible – I know there are quite a few of you waiting for some of the later letters in the alphabet. I think it’s better to keep the letters in order, though. There’s just something about alphabetical order for keeping things tidy!

So, without further ado, here’s I though L, followed by the PDF!

Monograms for hand embroidery, letters I though L - free printable
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Unraveling the Secrets of the Pull Skein

 

All this talk about embroidery floss organization lately has raised some good questions from fellow stitchers, from newbies and experienced alike.

One recurring question has to do with the embroidery floss pull skein, and how to pull thread successfully from the pull skein without having to wrestle a knotted clump of embroidery floss to the ground to subdue it.

Let’s address that question today. I’m going to give you the key to unlock the secret of the pull skein! We’ll also discuss the whole notion of the “blooming” end of the embroidery floss.

how to pull embroidery floss from the skein
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Glorious Dorset Buttons Galore!

 

I love Dorset Buttons.

I love their history.

I love their charm.

I love their versatility.

I just love Dorset buttons!

And I love what creative people are doing with Dorset buttons these days.

So, when Anita sent in photos of her latest adventures in Dorset-buttonry (I don’t really think that “buttonry” is a word, but it should be), I just knew I’d have to share them with you!

And, in case they inspire you to try some buttonry yourself, I’ve also included several links below to good Dorset button-related tutorials.

Handmade and embroidered Dorset buttons
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Floss Pulling – One Strand at a Time

 

When you work with stranded embroidery floss (like DMC or Anchor cotton floss, stranded silks, and the like), it’s pretty standard procedure to separate the number of strands of floss, one at a time, from the whole thread of six, and then put the number you’re going to use back together again to stitch with them.

This is called stripping your embroidery floss, and I show you how to do that in this tutorial here.

Stripping your floss serves a purpose: it keeps the strands (if you’re using two or more) from twisting around each other, so that you get good and smooth coverage with every stitch.

Whether you’re doing counted work or surface embroidery – whether it’s cross stitch or stem stitch – stripping the floss makes a huge difference in the way your stitches look. It’s a good practice.

When I wrote about this thread organization system the other day, I made the comment that I like using precut threads hitched through a hole, because they allow me to pull out individual strands of floss without having to strip them from the rest of the threads (well, the comment was something to that effect, anyway). I don’t have to replace the unused portion of the strand. I can just pull out one tiny little thread at a time.

This garnered a bit of comment and a whole flood of questions via email, so I promised I would clarify.

And here’s the clarification of how this whole one-strand-at-a-time floss pulling trick works.

Separating one strand of embroidery floss at a time
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