About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Embroidery Projects: Lessons from the Past

 

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During the whole Restoration Process of my data from the old computer to the new, I’ve had a good bit of fun discovering misplaced photos of past embroidery projects that, over time, have slipped my mind.

It’s not that I don’t remember the projects; it’s just that, when I come across the photos of them, there’s a kind of new delight in seeing them again, because I haven’t thought about them in so long. And in looking at them again, some valuable lessons come to mind.

This is one of the reasons that I normally encourage new stitchers to take photos of their embroidery projects, regardless of your age, your skill level, or the type of project it is. Whether you have a blog or not, even if you think you’ll never have any interest in seeing photos of the projects you’ve worked, you’d be surprised what they can teach you, or what new ideas they will generate, when you look back at them after some time has passed.

Here are some Pictures from the Past and a little chat about some of the lessons I’ve recalled, or ideas that have occurred to me, since coming across them.

Embroidered Grasshopper
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Thread Talk: Overdyed Threads – Your Take?

 

This morning, I was going to write a long, deep article about overdyed embroidered threads.

But two things are against me: one is the ongoing computer kerfuffle, which is slowly being solved, but when I say slowly, I mean slooooowly. And the other is a large impending thunderstorm, which could very well mean a loss of internet connection.

So instead of an all-out article on the subject over overdyed embroidery threads at this point, I’m going to poll the audience for opinions today, and save the in-depth stuff for a little farther down the road.

Overdyed Embroidery Thread
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Mission Rose: Goldwork Outlines

 

This whole Mission Rose project has me a little bit excited – I love seeing an embroidery project come together! I’m dying to get on to the goldwork around the frame of the piece!

But before I can move to the outside, I have to finish the inside. Isn’t that always the way of it? It’s another case of “dinner before dessert”…

After finishing the filling on the large leaves, the next step is doing all the outline work on the rest of the rose part of the design. So here it is – the goldwork outlines on the lower part of the rose stem and around the large leaves.

Mission Rose Embroidery Project in Goldwork and Silk Embroidery
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Victoria Classics: Monograms – A Review

 

Are you a magazine person? I’m only sometimes a magazine person.

There is only one magazine I subscribe to regularly – Inspirations Magazine. If you only ever subscribe to one needlework magazine, let it be Inspirations. It is gorgeous. Each issue is a book of fine needlework projects, instructions, and insight.

Occasionally, I’ll pick up Sampler & Antique Needlework Quarterly as well. It’s a good magazine, of special interest to those who like topics related to historic embroidery.

But now and then (pretty rarely these days), I come across a magazine at a newsstand or bookstore that catches my eye. I like meandering through a good magazine while sitting on the front porch, or while whiling away passenger hours on a road trip or a long commute. But it has to be a beautiful magazine – one that delights the eye and feeds the mind – and one that doesn’t bombard the reader with really annoying ads on every other page.

Recently, Hoffman Publishing put out a special issue of Victoria Classics on Monograms. Well, given the subject matter, and given the fact that Victoria Magazine is generally a beautiful magazine, I couldn’t resist! So here’s a review of the special issue, so that you can decide if you want a copy, too!

Victoria Classics: Monograms
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