About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Stitch Play: Casalguidi Stitch – or Really Raised Stem Stitch!

 

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Casalguidi is an embroidery technique, rather than just a stitch. It consists of very heavy raised stem stitch worked in curves, lines, squiggles, or what-have-you (whatever the design dictates), usually with a lighter background of pulled thread stitching. Casalguidi is usually a whitework embroidery technique, but the technique can be easily adapted to your surface embroidery, wherever you want a high-relief, textured line that tends to be somewhat heavy. It can be easily incorporated into stumpwork embroidery projects, too.

For today’s Stitch Play, as a follow-up to yesterday’s raised stem stitch, we’re going to look at Casalguidi, and hopefully, you’ll find lots of potential for this technique, at the various stages in the stitching. This is what we’re going to create:

Casalguidi Stitch in Hand Embroidery
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Stitch Play: Raised Stem Stitch

 

Raised stem stitch is a great way to create thick, textured ribbons, bands, ropes, tree trunks, caterpillars… lots of possibilities with this technique!

There are different ways to go about raised stem stitch – you can really raise it by working it over a cord or rope padding (as is done in Casalguidi embroidery), or you can raise it moderately by working long lines of horizontal stitches, over which you can then work the vertical stitches you’ll see in the tutorial below, and then the stem stitch over those. Or, you can just barely raise it a bit, by working the vertical stitches right on the fabric, as we’ll do here.

In today’s Stitch Play, this is what we are going to create:

Raised Stem Stitch
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Stitching Dilemma: Think Pink

 

Last week, I mentioned running into a stitching wall on the Medallion Project. There’s something rather deflating about getting some hundreds of hours into a goldwork and silk embroidery project – fiddly hours, you know! – and running into a wall. Something seriously deflating.

I attacked that wall in innumerable quick sequences, without photographing each one. I was engrossed, engaged… perhaps a wee bit enraged… and the camera was the last thing on my mind! I did catch the second-to-the-last attempt to scale the wall – the last attempt being the one that catapulted me over it. I’ll tell you about it and show you what I did. You can let me know if you agree, disagree, feel sick when you see it, or what!

Church Embroidery: Silk & Gold Marian Medallion
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Goldwork & Silk Medallion: On the Edge!

 

As mentioned earlier this week, I’ll be updating the Medallion Embroidery Project in larger chunks now, showing you progress on whole parts, rather than individual tiny elements. Why? Because from here on out, it gets a little repetitive! Don’t worry – I’ll still include close ups and those inevitable Instructional Moments (i.e. especially when I make mistakes, change my mind, run into trouble, and so forth!).

Today, I want to show you the edge of the Medallion all stitched in, so you can get a general idea of the whole look of the piece now.

Ecclesiastical Embroidery: Silk & Goldwork embroidery
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Goldwork Embroidery by Mary Brown – Book Give-Away!

 

Methinks today is a good day to give away a very nice goldwork embroidery book, called Goldwork Embroidery: Designs and Projects by Australian embroiderer, Mary Brown. You’re very welcome to ready my review of Goldwork Embroidery if you like. It was written in the days before my more in-depth approach to book reviews, but the essentials are there, and my opinion of the book hasn’t changed any!

Goldwork Embroidery by Mary Brown
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