About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Basketweave Stitching in Gold Threads

 

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One technique that I plan to use on the embroidery project I’m working on now is a kind of “basketweave” stitching, using gold threads. The concept is pretty much the same as working with any smooth passing thread – the threads are couched, and they are couched in a bricking pattern, so that on each row of couching stitches holding the passing thread, each stitch falls between two stitches on the previous row. You can see this concept of bricking your stitches in this article about smooth passing thread.

The difference, though, when you want to achieve that woven basketweave look, is what you use to pad your stitches. To achieve a basketweave look with the gold threads, you need some bumps to couch the threads over. Let me show you what I mean!

Basketweave with Gold Metal Threads
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Summer Fun with Gingham Embroidery

 

Laurie Latour, author of The Guide to Gingham Embroidery: Book One – Stitch & Learn Gingham Lace, Snowflaking, & Gingham Cross Stitch, is guest posting here today. Laurie’s an avid collector of gingham embroidered aprons and an expert on the subject of All Things Gingham-Embroidered. I hope you enjoy her article!

Ah, the long lazy days of summer, a time to dream and play and have fun. Or so it was when we were kids. Now, maybe not so much. I don’t know about you, but there’s still a playful little kid inside me yearning to be set free. Free to explore, imagine, and well, just have fun.

These are the very prerequisites for creativity: giving that inner child permission to play, time to dream without the clamor of endless To-Do lists, and freedom to explore without the fear of making a mistake. That applies to our needlework as well as any other creative endeavor.

As we play and try out something new with needle and thread, why not invite a child to join you? Or perhaps an adult who never learned to sew, much less to embroider. Approach needlework as a fun time together, rather than an intimidating endeavor.

My hobby, collecting gingham embroidered aprons, became a call to creativity and has sparked many ideas to try new designs and threads in my needlework. My display of vintage aprons has changed me from someone content to always follow a pattern, to a more adventurous soul who now delights in playing with needle, thread, and fabric. After all, what do I have to lose? A bit of gingham and some floss is not a huge investment, but it is the “perfect playground.”

The aprons also inspired me to teach gingham embroidery to young and old. Because it is easy to learn, and needs only a few inexpensive supplies, most people are willing to give it a try and are pleasantly surprised that their needlework efforts are quickly rewarded.

So on this breezy summer’s day, let me share with you some of the embroidered aprons that inspire me.

Gingham Embroidery Aprons
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Fabric for Embroidery: Final Take!

 

For the past couple days, we’ve looked at some silk options to use as a ground fabric for hand embroidery, specifically goldwork and silk embroidery. I tried out some very nice Italian silk satin and a beautiful Japanese silk dupioni.

Today, I’ll tell you my final choice, which is neither of the above, and tell you why.

You see, while I was contemplating exactly what to do fabric-wise, I started flipping through photos I’ve collected of different ecclesiastical works. This particular photo caught my attention:

Fabric for Hand Embroidery
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Fabric for Embroidery: Take Two

 

There were lots of questions and helpful comments on yesterday’s post about using silk satin as a ground fabric for hand embroidery. I’ll answer those questions (I hope) within today’s article, where I’ll also show you the second silk option I tried out.

A couple months back, I showed you some gorgeous silk dupioni from Japan, bought by a good friend who went shopping in Osaka just to find it for me. (What a guy!) My second Ground Fabric Test made use of the “white” (more like egg-shell) dupioni. Again, it’s silk, so it’s not a glaring white – just a soft pearl-ish white. A very pretty fabric!

Choosing fabric for hand embroidery
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Choosing Fabric for Embroidery Project: Narrowing Down

 

Do you every wonder how to decide on the ground fabric you’ll use on a major embroidery project? I wish I were the type who could definitively say, “This is my design, and this will be the ground fabric I stitch it on.” For some hand embroidery projects – especially smaller, quicker ones – it sometimes goes that way, but for anything that I’ll be investing a lot of time and supply money into, I am not very quick at making a decision on the ground fabric.

The other day, I showed you my design process for this current embroidery project I’m working on. The project will be worked in silk and gold threads, that I know for sure. But I’m still a bit undecided on the ground fabric. So this is what I’ve been doing – trying to narrow down a choice of fabric, based on various considerations.

So, how do I narrow down my choices? By testing. Let me show you what I mean…

Choosing Fabric for Hand Embroidery Project
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Needle ‘n Thread “Ask & Share” is Here!

 

Yesterday afternoon, the “Ask & Share” section here on Needle ‘n Thread went live!

2016 Update: The Ask & Share Section on Needle ‘n Thread is view only now. You’re welcome to browse through it, but it is no longer functioning as an active forum.

I’d like to give you a little overview of this new site feature, so you can see how to use it and what it can do for you.

Needle 'n Thread Ask & Share Launch
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Embroidery Design Process: Haphazard at Best?

 

This summer, contrary to all previous plans and imagined agendas, I’ll be teaching an ecclesiastical embroidery class twice a week. I shouldn’t really call it a class. It involves one person, to whom I couldn’t say no. I’m glad of it – even though I hadn’t intended to teach at all this summer, a regularly scheduled meeting time twice a week is a great mainstay when it comes to keeping a structured schedule. So, I succumbed, and the first step in preparation for the class was the design process.

Before entering that process, I considered a few things: 1. What does the student already know? 2. What does the student want to learn? 3. What is reasonably achievable in the time that we have? 4. What are the various approaches we can take to reach our goals? 5. Of those approaches, which makes the most sense?

Next, I dug out my Ecclesiastical Stuff box.

Church Embroidery Project: Design Process
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