About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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A Tale of Two Embroidered Mitres

 

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Ecclesiastical embroidery always fascinates me! One of my favorite aspects to consider when contemplating different ecclesiastical embroidery pieces is the question of origin. I like to think about – and maybe try to find out about (if possible) – the origins of the piece, the origin of the designs and patterns used, and so forth. I also like to compare and contrast different pieces, especially those from different places. I’m always excited to find similarities between pieces, such as the similarities between these two embroidered faces of Christ, one from a museum in California and the other from a museum in Missouri.

Along those lines, I thought I’d show you pictures of two embroidered mitres that are very similar. I took a bit of liberty with the photos, and, playing around in Photoshop, I put them together so that you can see how similar they really are.

Hand Embroidered Bishop's Mitre
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Considering the EGA (Embroiderers’ Guild of America)

 

Living in rural Kansas, I don’t have the advantage of being associated with a particular embroidery guild in my area. However, I’m still a member of the EGA – the Embroiderers’ Guild of America – and though I’ve never attended a guild meeting or been to an EGA event, I am glad I’m a member. If you take your needlework seriously and you think it’s a life-long passion that you’ll keep pursuing, you might consider becoming a member, too.

Because I’m not near a local chapter of the EGA, I’m what they call a “Member at Large” – just kind of floating out there, but still in tune with what’s going at with the EGA, and still able to participate in their extensive correspondence courses if I wanted to, attend their functions, take advantage of their online “members area” resources on the EGA website, and receive their publications. One day, I even came across an unexpected advantage to being a member – I was visiting a couple different needlework shops while on vacation a few years ago, and found out that both shops offered a 10% discount to EGA members. (Hey, it was a happy surprise!)

So membership has its advantages! But today, I wanted to show you another advantage, and that’s the EGA’s regular quarterly publication, NeedleArts Magazine.

Embroiderers' Guild of American - NeedleArts Magazine
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Hungarian Embroidery

 

Recently, thanks to reader Mike up in Canada, I’ve had the opportunity to look into Hungarian embroidery. I love regional embroidery techniques, especially the types that reflect the social heritage of a nation. I don’t know a lot about Hungarian embroidery – I’m just beginning to learn a little bit about it. Before my interest in it was recently awakened, what I knew about traditional embroidery from Hungary was pretty vague: that it is colorful, that it sometimes involves cross stitch and sometimes involves cutwork or lace, and that it is often employed (quite exuberantly!) in the national costumes of Hungary.

Any time I begin a new journey into learning about a type of needlework, I start with searching online for resources and searching for books. One of the most helpful websites I came across in my preliminary search into Hungarian folk art and Hungarian embroidery was Folkology. It was here that I found titles of various books in Hungarian on Hungarian embroidery, with brief reviews of the books’ contents. Though the books are no longer available on Folkology, I was able to do some searching and land a few through used books sources. The first one that arrived is called Nagyanyáink öröksege, or “Legacy of our Grandmothers.”

Hungarian Embroidery
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Needlework and Hand Embroidery around the Traps

 

Well, it’s Saturday, and a good day to look around online for some hand embroidery and needlework resources. Whether you’re looking for inspiration for your needlework, or you’re trying to track down a fun hand embroidery kit, or you’re looking for embroidery threads, supplies, or gifts for the needleworker in your life, you’ve got to admit – there’s a lot to find online! And for those of us who don’t have a local needlework shop around, the internet is a handy tool.

So if you’d like to browse through some needlework places I’ve visited online lately, sit back and join me! Maybe these spots can inspire you, help you find embroidery supplies you’re looking for, or just give you a break from (or a reason to put off) your Saturday chores!

Let’s start with Needlework Inspiration, shall we?

Hand Embroidery Inspiration: Needle Painting
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Embroidery Linen: Puritan Gray from Legacy

 

Have you ever tried to characterize yourself by color? Me, neither. But if I did, gray wouldn’t exactly come to mind. Reds would. Blues might. But gray? Not really. Granted, it isn’t really a “color” proper – it’s just a shade – but normally, I’m not too attracted to grayness.

However, the first time I smacked eyes on Legacy’s “Puritan Gray” linen for hand embroidery, I new I had to use it for something. I liked it. I liked the putty grayness of it, and I really liked the way it felt.

In my head, “contrast” was bubbling up. The idea of contrast, that is – whites on gray, blues on gray, maybe flaming reds on gray. I didn’t know yet, but I did have, floating around in my head, the notion that whatever is stitched on the gray (as long as it’s not more gray) would somehow jump out in contrast to the gray. I’m not sure if this makes sense, but it’s something I’m dabbling with.

Puritan Gray Linen for hand embroidery by Legacy Linen
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Needle Arts Class: Color Control

 

Variegated embroidery floss. It had to happen.

When I began teaching my Needle Arts class this year to high school students, my intention was originally to keep the embroidery floss selection pretty simple. Since the goal for the first semester was to work a spot sampler with a variety of stitches, I planned on giving the students a rather narrow selection of floss – all regular stranded DMC cotton – in a particular range of colors and shades.

Well, I figured out right away that the color limitation wasn’t going to work. The students had their own ideas about color – what they like, what they don’t like – and I suppose if I had left my floss box at home, we would all have the same color schemes developing on our samplers, despite their likes and dislikes.

I’m glad I took the box in. It’s fun to see the variety of colors the students chose for their own samplers. But hidden in the floss box, unbeknownst to me, were quite a few skeins of variegated embroidery floss. Today, I’ll show you how we dealt with variegated floss, and other ways we discussed controlling color.

Needle Arts Class Hand Embroidery Samplers
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Trish Burr Embroidery Kit Winner!

 

Well, here it is. The winner of the Trish Burr Embroidery kit give-away! I really enjoyed reading everyone’s comments as they came in. So many embroidery techniques out there, and so many of us wanting to do them all!

I chose the winner using a random number generator, just so you know. It would be waaaaay too difficult to select among comments, but I love reading the comments and they are quite useful to me, too. Besides being entertaining and interesting, they help me get ideas for future work here on Needle ‘n Thread. Thanks for that!

Ok – on to the winner!

Trish Burr Needlepainting Kit
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