About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Embroidering Flat Back Crystals onto Late Harvest – the Grapes

 

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Of all the different embroidered elements on Late Harvest, the grapes were the Wow Factor that really sucked me into this project!

Made from bunches of flat back topaz crystals attached to the surface of the project with a clever combination of detached buttonhole cinched with a whip stitch, the grapes add a massive amount of sparkle and texture to the project.

Lately – and I admit it freely! – I’m a sucker for bling, and these grapes definitely feed my growing penchant for adding a bit of blingy brightness to my embroidery projects.

So, needless to say, I was super eager to get on with the grapes. Alas, it wasn’t smooth going at first! Initially, in fact, it was pretty hard going – most of which has to do with the leaf that I showed you last week and the fact that I switched up the recommended order of work.

I’ll explain…

Embroidering Flat Back Crystals onto Embroidery Projects - Late Harvest Grapes
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La Serenissima Crewel Embroidery Give-Away!

 

Last week, I reviewed La Serenissima, the new crewel embroidery instructional guide from Talliaferro. At the end of my review, I promised you a little surprise, and here it is!

Today, thanks to Anna, the artist behind Talliaferro, I’m giving away one complete instructional guide to one lucky stitcher out there who wants to take on this gorgeous project!

Read on for the details on how to join in the fun!

La Serenissima Crewel Embroidery instructional guide Continue reading “La Serenissima Crewel Embroidery Give-Away!”

Late Harvest: A Lavish Leaf & Retrospective Tips

 

Good Morning and a Happy Tuesday all around!

I’ve been making pretty good progress on Late Harvest recently, and I’ve concluded that one of the things I like best about this project is that every bit that I do is a learning experience.

Many of the lessons I’ve absorbed from this project are negative lessons – what not to do, the next time I’m in similar situations. Negative lessons are sometimes the best lessons, because they stick with us longer.

The negative lessons I’m experiencing here have nothing to do with the instructions or the kit itself – instead, they have to do with decisions or mistakes that I’ve made while working my way through the project.

Today, I want to show you one of my favorite elements of Late Harvest so far, and I’ll share with you some negative lessons, so that, if you’re ever in a similar stitching situation, you can avoid making the mistakes I’ve made.

Here’s the leaf:

Late Harvest: Long and Short Stitch Leaf with Lattice Stitching & Beads
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Gorgeous, Exuberant Crewel – Talliaferro is Back!

 

For those of you who have been hanging out with me on Needle ‘n Thread for a while, you might recall a review I wrote about five years ago for the Royal Persian Blossom crewel embroidery instructional guide from Talliaferro Classic Needleart.

For those of you who are newer to the fold, if you haven’t seen that instructional guide, take a look at it! It’s worth a gander!

When that design first hit the market, I was thrilled! Here was traditional crewel embroidery, kicked up about a hundred notches into something new, something artistic, something fabulously exuberant, and yet worked in traditional crewel techniques, with wool.

Well, you’ll be most happy to know that Anna, the artist behind Talliaferro, has done it again, recently releasing a stunning new design called La Serenissima. Today, I want to show it to you and review the instructional guide for this gorgeous piece of modern, yet traditional, crewel embroidery.

La Serenissima crewel embroidery from Talliaferro Classic Needleart
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Big Beads, Little Stitches, and Levels of Embroidery

 

As you know, I’ve been working through Late Harvest – an embroidery design from Hazel Blomkamp that can be found in her book Crewel Intentions.

I’ve been making pretty decent progress on it (and having a lot of fun with it!), pretty much because it’s the only project I’ve got out right now.

While I’d like to be working on some other projects, and while I need to be working on some other projects, I find myself taking the Path of Least Resistance. It’s just easier to work on what’s right in front of me instead of going through the set-up phases on other projects.

One of these days, I’ll snap out of my Lazy Mode. But in the meantime, I justify it by telling myself that at least I’m getting something done with my needle and thread. Gosh, I’m good at justifying these things!

As I’ve worked through different parts of the project, I’ve found myself contemplating a few things. We’ve already discussed some of them, like changing the order of work.

In one prolonged moment of stitching reverie last week, I found myself contemplating the subject of levels of embroidery.

Late Harvest Embroidery Project - small flower element
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A Controversial Little Embroidery Tool that I Love

 

How can an embroidery tool be controversial?

Well, controversial might be an exaggeration – it’s not as if the use of a specific tool for a hobby is a matter of serious debate or anything, and a tool’s use is hardly a matter of principle on which we’d stake our lives.

But surprisingly, there’s one little tool that I think is super-handy for embroidery, that weighs in on a love-hate scale.

There are lots of people who use these tiny tools all the time, whose stitching lives wouldn’t be complete with them, while others avoid them with vehemence.

I fall on the side of over-use of them. I love ’em. I use ’em. I rarely stitch without ’em.

I present to you My Case in Favor of the Magnet.

Magnets for Needlework
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