About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Stitch Fun: Fly Stitch Leaves

 

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The other day, I received a nice email from a reader who explained an embroidery problem that was perplexing her. This is her note:

Whenever I want to stitch small leaves on an embroidery project, I’m always stumped. The only stitch that comes to mind is the single chain stitch [detached chain, or daisy stitch], but I really want to add a little more variety to my projects. Do you have any recommendations for stitching leaves?

Since leaves have been on my to-do list for a while now, there’s no time like the present! So today, I’d like to kick off a series-within-a-series. As part of the Stitch Fun series here on Needle ‘n Thread, we’re going to look at a variety of ways to create individual embroidered leaves, using stitches other than the detached chain stitch.

First up, fly stitch leaves!

Fly Stitch Embroidered Leaves
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Goldwork Threads from Spain – Close Up!

 

The other day, we looked at this fantastic piece of goldwork embroidery by Cristina Badillo. When Cristina sent the piece off to Larissa, who commissioned it, she sent along some samples of the various gold threads in the piece.

Larissa, understanding my inordinate infatuation with goldwork threads, generously shared some cuttings with me, and today, I want to share them with you, virtually.

I like to examine embroidery threads from different countries, especially goldwork threads. Here in the States, most of our goldwork threads come from England and Japan, but there are other goldwork thread manufacturers in other parts of the world, too; looking at these threads may give us a broader perspective on goldwork and may also help those who are interested come up with resources in their own countries or in other countries.

Goldwork Embroidery Threads from Spain
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Fantastic Goldwork by Cristina Badillo

 

Cristina Badillo is an embroiderer in Spain who creates fantastic pieces of embroidery featuring gold and other metal threads. I’ve gotten to know her work through her blog, Barroco Siglo XXI, or 21st Century Baroque, and through following Cristina on Facebook, where she posts gorgeous close ups of her work.

Recently, I’ve been communicating with Larissa Borodich, a Russian friend who shares a keen interest in goldwork and embroidery as well. She commissioned Cristina to embroider a piece for her, and Larissa sent some close up photos of the piece to me.

So I’d like to share this gorgeous goldwork with you today, for inspiration!

Goldwork Embroidery on Velvet
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Beginner Embroidery Tip: How to Separate Floss

 

Today’s tip on separating (also called stripping) embroidery floss is handy especially for beginners, because stripping your floss first makes a huge difference in the look of your stitches, whether you’re doing surface embroidery, cross stitch, or any other kind of stitching.

Any type of divisible thread for embroidery benefits from stripping or separating before stitching with it. Stripping floss is simply separating the individual strands from the larger bunch of strands. With regular DMC embroidery floss, for example, there are six strands in one “bunch” or main thread as it comes off the skein, and each of those six strands can be removed singly from the bunch. Usually, you remove the number of strands you’re going to stitch with one at a time, and then you put them back together again when you thread the needle.

The advantage of this exercise? It untwists the individual strands from each other, so that you get fuller and more consistent stitch coverage from your thread.

Here’s how I separate my floss. I know others do it differently, so this is just one way that’s always worked for me without any hitch.

Separating Embroidery Floss
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Stella Lamp Give-Away!

 

Yesterday, I reviewed the Stella lamp for you – it’s a nice task lamp that works really well for hand embroidery, other arts and crafts, reading, writing, and the like. It’s also a great lamp for carrying to workshops and classes.

Today, courtesy of Needle in a Haystack, I’m giving away a Stella! I’m excited about it, too – with autumn and winter coming on in the States and the days getting shorter, it’s a great time to add a little more light to your life!

Stella Table Top Lamp
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Lighting for Embroidery: Stella Lamp Review

 

So, we’ve chatted a bit about color in hand embroidery projects lately, and yesterday we talked a bit about color and the eyes. Today, I’d like to follow up with a review of a good light for hand embroidery.

We’ve talked about lighting before here on Needle ‘n Thread. I’ve reviewed the BlueMax lamps that I use in my workroom, and the Dublin Craftlite LED light and magnifier, and I’ve used all kinds of other lights, too, from various types of Ott lights, to “HD” craft lights, to LED clip ons – you name it. I don’t have very good eyesight, so good lighting has always been one of my Great Quests.

There lots and lots of craft lights available out there, and it’s difficult to differentiate between them without either using them yourself or doing a little research. So here’s another review – this time, of Stella lamps.

Stella Lamps Review
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