About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Going Green with Hand Embroidery

 

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Since it’s St. Patrick’s Day, let’s meander through some green embroidery stuff together, shall we? Clicking the photos will take you to the articles related to them.

Green Floche for Hand Embroidery
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Stitch Play: Beaded Palestrina Stitch

 

If you’re looking for a way to add a bit of texture and sparkle to your needlework, how about a bit of bead embroidery? There are many hand embroidery stitches that can be used in conjunction with beads, to create textured lines or fillings. One of my favorites is the Palestrina stitch.

The Palestrina stitch is already a textured stitch, as it forms a string of nice, fat knots along the line of stitching. It’s a magnificent stitch for creating a textured line, and once you get the rhythm of the stitch, it’s an easy and fun stitch to work! It’s the same stitch used in twilling, a stitching technique popular among quilters in the Midwest, which is essentially embroidering blocks using Palestrina stitch.

In today’s Stitch Play, we’re going to add some beads to Palestrina Stitch.

Stitch Play: Beaded Palestrina Stitch
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Goldwork Embroidery: Filled Dots

 

Approaching the gold dots on the outer edge of the Medallion design, I decided that they should tie in with the center goldwork area on the Tudor-style roses that surround the Medallion. The center of the dots, then, should be filled with a goldwork embroidery technique called chipping or chip work. This involves cutting up tiny bits of check purl and sewing the bits down by taking the needle and thread through them and sewing them down like beads, in a random fashion, until the area is filled up.

Goldwork Embroidery: Filled Dots with Chips of Check Purl
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Goldwork Dots on the Medallion

 

After working out the colors and procedures for the stem stitch filling on the outer edge of the Medallion (it’s not all finished yet!), my next step was to concentrate on the goldwork dots and makes some decisions about them. Around the outside of the Medallion, you see, there are 50 round dots, each about 5/16th’s of an inch in diameter. So they aren’t large dots, but they are dots nonetheless, and each has to be individually worked.

What was I thinking?!

Once I finished one section of the blue outer edge of the circle, I took a break to think about those dots.

Goldwork Dots on Silk Background
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Twisting Flat Silk – Video Tutorial

 

Flat silk is filament silk that has no (or very little) twist to it. It has an incredible sheen and, when it’s a good flat silk, it’s one of the most luxurious of hand embroidery threads. Flat silk is used in different types of hand embroidery – for example, I used flat silk as a background for my Medallion Project.

If you’re not sure what flat silk is, and if you’d like to read a little more about flat silk and what it is, you’re welcome to read these two articles comparing flat silks, which I wrote a long time ago:

Comparing Flat Silks for Hand Embroidery, part I
Comparing Flat Silks for Hand Embroidery, part II

Flat silk is probably probably best known for its use in Japanese embroidery. Flat silk used in Japanese embroidery is fairly recognizable – it comes on cardboard tubes in a beautiful range of colors!

Flat Silk used in Japanese Embroidery
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