I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
April 2, 2012
I love whitework embroidery. I love monograms. I love drawn thread embroidery. I love linen! I love vintage linens! And I really love it when whitework and monograms and drawn thread are combined on one vintage embroidered linen! That’s what I call a winning combination! And oh, what a piece of embroidery this is!
Come gaze with me!
March 31, 2012
The only embroidery left on the Medallion project is goldwork embroidery… and lots of it!
I really appreciate all the incredible input from you on the last article regarding adding the pink ring around the design, joining the roses – thank you so much for your take on it, whether positive or negative. You all gave me a lot to think about, and I really appreciated all your comments. I’ll be answering some of them when time allows.
Ummm…. I did decide to keep the pink. It isn’t Pink-Pink, by the way (if “Pink-Pink” is allowable as a classification of Pinkness!). I would call it more of a “light red” or true “rose” color – not Candy Pink.
This is more or less my current state of progress:
March 30, 2012
Casalguidi is an embroidery technique, rather than just a stitch. It consists of very heavy raised stem stitch worked in curves, lines, squiggles, or what-have-you (whatever the design dictates), usually with a lighter background of pulled thread stitching. Casalguidi is usually a whitework embroidery technique, but the technique can be easily adapted to your surface embroidery, wherever you want a high-relief, textured line that tends to be somewhat heavy. It can be easily incorporated into stumpwork embroidery projects, too.
For today’s Stitch Play, as a follow-up to yesterday’s raised stem stitch, we’re going to look at Casalguidi, and hopefully, you’ll find lots of potential for this technique, at the various stages in the stitching. This is what we’re going to create:
March 29, 2012
Raised stem stitch is a great way to create thick, textured ribbons, bands, ropes, tree trunks, caterpillars… lots of possibilities with this technique!
There are different ways to go about raised stem stitch – you can really raise it by working it over a cord or rope padding (as is done in Casalguidi embroidery), or you can raise it moderately by working long lines of horizontal stitches, over which you can then work the vertical stitches you’ll see in the tutorial below, and then the stem stitch over those. Or, you can just barely raise it a bit, by working the vertical stitches right on the fabric, as we’ll do here.
In today’s Stitch Play, this is what we are going to create:
March 28, 2012
Last week, I mentioned running into a stitching wall on the Medallion Project. There’s something rather deflating about getting some hundreds of hours into a goldwork and silk embroidery project – fiddly hours, you know! – and running into a wall. Something seriously deflating.
I attacked that wall in innumerable quick sequences, without photographing each one. I was engrossed, engaged… perhaps a wee bit enraged… and the camera was the last thing on my mind! I did catch the second-to-the-last attempt to scale the wall – the last attempt being the one that catapulted me over it. I’ll tell you about it and show you what I did. You can let me know if you agree, disagree, feel sick when you see it, or what!
March 27, 2012
There are two hand embroidery treasures that I have locked up in a dark box, in a dark closet, wrapped safely in tissue paper, awaiting The Day, The Moment, the Ideal Time. This hank of Japanese Real Gold Thread is one of those treasures.
March 26, 2012
We have a winner for Mary Brown’s Goldwork Embroidery: Designs & Projects!
