I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
September 7, 2012
Are you familiar with Trebizond silk? When it comes to silk threads, Trebizond is Pure Luxury. I don’t think Trebizond has quite come into its own yet, in the surface embroidery world. Here and there, you hear about it used in surface embroidery, but mostly, it seems to more popular in needlepoint or canvas work.
September 6, 2012
Once in a while, I take questions that come into my inbox and turn them into blog posts. The other day, I received a couple questions about copyright in embroidery. I thought it might be an interesting topic to open up.
Please keep in mind, I’m only writing from the standpoint of US law, and not as an expert at it, either, though I did consult an expert to make sure I wasn’t saying anything off the mark, here. Still, I’m open to correction!
By reading the copyright laws and understanding certain terminology and applying a little common sense, what’s what in copyright issues for embroiderers should be pretty clear.
September 5, 2012
I’m still fascinated with the goldwork-on-velvet panel I’ve been exploring lately. In discussing it with Phillipa Turnbull, who is an expert in historical embroideries, she suggested Italian, and part of a canopy from a half tester bed, confirming Lesley-Ann’s comment on the original article about the piece. The half tester is a bed with a partial canopy just above the very head of the bed. No certainty on the dates, but guessing 17th / 18th century. I may follow up with some other sources Phillipa suggested, to be more certain about the time period. I’m always for consulting experts – it’s much better than just guessing, so I was grateful that Philippa kindly took the time to discuss the piece and to recommend further avenues of exploration.
But in the meantime, what really fascinates me about the panel is the variety of goldwork couching techniques displayed in it, and the variety of gold threads and thread sizes used. It isn’t until you really get up close to the piece that you start to see all the details! I’m using a magnifier to look at some parts and take notes, but the macro setting on the camera is pretty useful, too, because it can get in there close, and then I can zoom farther in, using Photoshop.
September 4, 2012
Perhaps you’ve heard of The Crewel Work Company? If you haven’t, but you are interested in crewel embroidery, you must (must) become familiar with Phillipa Turnbull’s website. She offers glorious crewel embroidery kits, in the tradition of historical crewel work – they are timeless, they are lovely, they are… *sigh* … covetable! And she offers them in different stitching levels, from Level 1 for beginners (whom she calls “the terrified”!), Level 2 for beginners and stitchers with some experience, and Level 3, for those with some experience in embroidery who like a challenge.
One of Phillipa’s newer kits – the Mellerstain Parrots – is the subject of today’s give-away, with thanks to The Crewel Work Company.
September 3, 2012
If you are into historical embroidery, if you like stitching larger projects, if you do ecclesiastical embroidery and so forth, and if you work on larger embroidery frames, trestles are something you’ve probable thought about!
Maybe you’ve seen them in use in the photos on the Royal School of Needlework’s website, or pictured in their books, supporting slate frames. Or maybe you’ve worked with large frames and experienced the discomfort of trying to support them on the edge of a table, and wondered if there was another solution to holding up your frame.
September 1, 2012
The scenario: trying to teach the cast-on stitch and double cast-on stitch to a persistent eleven years old, while in the middle of working on other things.
(You know those situations when you really need to be working on other things, but there’s the matter of that eleven year old?)
The solution: challenge the eleven year old to be creative! She has the hang of the stitches. Tell her to come up with something inventive on her own, just for the fun of it!
August 31, 2012
At least once a year, I get hankering for certain embroidery kits that have been floating in the back of my mind for a while. Alison Cole’s kits have been simmering and calling to me for a few years now. She’s recently revamped her website, Alison Cole Embroidery, and it now includes a regular online ordering system. But better than that, it includes so many photos of so many beautiful goldwork and stumpwork and combined goldwork and stumpwork projects, that it’s just a wonderful website to browse!
