About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Stop Shifting – Simple Basting

 

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Day before yesterday, I showed you the Medallion project framed up on my new Millenium embroidery frame (which, as each day passes, I love more and more!). Yesterday, we looked at a built-in cover on the embroidery project, to protect it both during stitching sessions and outside stitching sessions. Today, I’ll show you what I did to ensure that my ground fabric (which is linen) and my lining fabric (which is muslin) don’t shift.

This is something you can do when you’re stitching through two layers of fabric. It’s not always a necessary step – on smaller projects, I rarely baste. But on larger projects that will be framed up for a while, and especially if there’s any chance that down the road I might remove it from the frame before it’s finished, it’s a good idea to do some simple basting to keep things from shifting.

Basted Layers of Fabric for Embroidery
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The Big Needlework Cover Up

 

There is a real cover-up going on here. It’s perpetrated by me. And I did it on purpose.

Last time, when I started the Medallion Project, I started hastily. This time, I have started slowly and I’ve taken a little more care with the initial stages of the project. I don’t usually talk about my cover-up jobs with my embroidery projects, only because they always come after the fact: after I’ve taken photos, after I’ve done a round of stitching, after I’ve straightened everything up after a session. And frankly, I never really think about it.

When I straighten up from a stitching session, I always (always always always always – get the point?) cover my embroidery project. If it’s a large project on a frame, I lay a clean cloth over it (could be a piece of muslin, could be a clean pillow case, etc.). If it’s a small project in a frame, I’ll slip it into the bag I’m using with the project. If it’s on a hoop, I take it off the hoop and put it in my project bag. But the point is, it’s good to cover your work when you’re not working on it. Why? The reasons are somewhat obvious, I suppose – to reduce dust accumulation, to keep excess light off it, to ensure against something accidentally snagging on it – whatever. The idea is to protect it.

But it’s also a good idea to protect your work while you’re working on it.

Covering Needlework with Cloth for Protection
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Millenium Embroidery Frame: Review

 

Have you heard of the Millenium needlework frame? Well, you know I harp a lot on slate frames and on Evertite stretcher bar frames, and I do love them both. But today, I want to show you a different type of frame.

Perhaps … the Last Frame!

It’s true. I have a new love. It’s the Millenium frame, and I’ll tell you why as I show it to you.

Update, 2016: Due to an overwhelming amount of feedback from readers, I’ve adjusted my Pros & Cons list below. Please read it carefully! I still love the frames and their stand, but please be aware that lots of people have encountered some difficulties, which I detail in the Pros & Cons below.

Millenium Needlework Frame
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Cleaning Vintage Crewel Work Embroidery

 

Last week, I was delighted to hear from a reader & fellow stitcher I hadn’t heard from for a while! She wrote and sent a picture about a clean up job that she recently undertook on some embroidery. There are two reasons I’m sharing her story and photo with you: 1. There’s some good information here about cleaning a piece of time-stained needlework; and 2. The needlework is quite vibrant and pretty! I think you’ll like it.

Cleaning Hand Embroidery
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Marian Medallion Church Embroidery – Project Index

 

The Marian Medallion Project began in the summer of 2011 and was completed in May, 2012. The whole journey was chronicled here on Needle ‘n Thread, so that readers could follow along with progress.

Marian Medallion Ecclesiastical Embroidery Project

From beginning to end, every step of the project was covered (including mistakes!) so that we could all learn together on it. It was a fun adventure!

The Marian Medallion Project E-Book

You can now find The Marian Medallion Project available as an e-book here on Needle ‘n Thread, thanks to the digital formatting skills of Cindy Russell.

The e-book is in PDF format (51MB), and is delivered via a download link in your e-mail. It is 287 pages long, completely cross-referenced and interlinked throughout, with a clickable table of contents and index. Instructional and technique articles that were referred to in the original series of website posts are also included in the e-book, which can be read on your computer or any device that will read PDFs.

There are many advantages to having the entire project compiled in one document, not least among them the fact that the pages are in print-friendly format, so you can print for personal use a page, a chapter, or even the whole book!

You can find The Marian Medallion Project e-book available in the Needle ‘n Thread shop, where you’ll find a complete description of the e-book, plus photos.

Marian Medallion Church Embroidery Project
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Product & Process & Product

 

When you use the right product in a given process you can be assured of a better final product.

Last week, when we spoke about packaging of supplies and looking for needlework tools outside the Needlework Industry Proper, we were looking at buying charcoal powder to use as pounce for transferring embroidery designs.

Today, I’m going to continue in the same line, talking about another type of product that is suitable for embroidery design transfers. At the same time, I’ll answer some questions that came up after last week’s article on charcoal.

I guess what I’m trying to do here is two-fold: 1. to encourage you to look for the needlework tools you need outside of the normal needlework channels, either because they might be overpriced when bought with a “needlework” label or because they might just be impossible to find in the needlework industry of today; 2. to encourage you to at least try a form of embroidery design transfer that may seem to be inconvenient, but in fact, is most gratifying because it is so accurate and because it is a “satisfying” part of the whole embroidery process.

That being said, prick & pounce is a process you have to get used to. But once you get used to it, you may actually end up preferring prick & pounce to any other form of design transfer. The more you do it, the easier it is and the faster you can accomplish your transfer.

On to the product.

Talc for Embroidery Design Transfer
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