About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Transferring Embroidery Designs using Silk Gauze and a Printer

 

Amazon Books

A long while ago, I was looking at the book 18th Century Embroidery Techniques, and I came across the section on embroidering on velvet.

18th century embroidery techniques

The book describes how the embroiderer would put a loose silk gauze over the velvet to hold up the stitches and provide a foundation on the velvet pile. Goldwork and embroidery worked over silk gauze placed over the ground fabric isn’t a new concept, but today’s guest writer has a great way of transferring the embroidery design to the silk gauze using an inkjet printer, so that even highly detailed designs can be transferred with accuracy. I hope you enjoy her detailed tutorial! Continue reading “Transferring Embroidery Designs using Silk Gauze and a Printer”

Spring in Italy Sampler: Pearsalls Silk

 

Kathy Andrews continues today with her final guest post on Needle ‘n Thread. This is the fourth post in a series on her Spring in Italy Sampler, where she’s been exploring embroidery motifs inspired by Italian pottery. So far, Kathy has shown us how she came up with her embroidery designs, and then she’s stitched one embroidery design in wool threads and one embroidery design in cotton floche. Today, she’s working with Pearsalls silk. Enjoy!

The first thing I did before stitching the third design was to scrub my hands with olive oil and sugar. Sounds gooey and sticky, right? Not something you’d want on your embroidery. When working with silk, it’s important that your hands are smooth or the silk will snag and tangle and generally be a mess. I didn’t know that the first time I stitched with silk: I thought it was just difficult thread and decided it wasn’t for me. Then I read Mary’s post on the olive oil and sugar hand smoothing scrub, and now silk has become a joy to stitch with! Thank you, Mary!

Hand Embroidery Inspired by Italian Pottery
Continue reading “Spring in Italy Sampler: Pearsalls Silk”

Italian Needle Lace by Anna Castagnetti

 

Anna Castagnetti of Verona, Italy learned to embroider from an enthusiastic group of women who were passionate about their art. Being of a curious nature, she soon discovered the beautiful stitches of needle lace like Hedebo, Teneriffe, Aemilia Ars, Reticello, Renaissance and Venice Point. She takes traditional surface embroidery patterns and fills them with an assortment of the stitches from these styles.

Italian Needle Lace by Anna Castagnetti
Continue reading “Italian Needle Lace by Anna Castagnetti”

Soft Metallic Twist for Trimming Your Needlework

 

This is “stash” post by yours truly – an opportunity to introduce you to supplies that I have in my needlework stash that you might not know are on the market, and that might be Just The Thing you need or want for your own needlework. Remember the post I wrote a while back on Accentuate thread? My purpose there was the same – to introduce you to something on the market so that you know that it’s out there. My point is not to “sell” you the stuff, but just to inform you of needlework goods that exist, in case you’re looking for something similar!

Today’s “stash post” is to introduce you to Soft Metallic Twist.

Soft Metallic Twist Trim for Needlework Projects
Continue reading “Soft Metallic Twist for Trimming Your Needlework”

Spring in Italy Sampler: Cotton Floche

 

Here’s the third post on Kathy’s “Spring in Italy” Sampler, focusing on embroidering a motif using cotton floche, which is an all-time favorite thread of mine! (Well, it, and a how many other favorite threads? We better not count!) Floche is a beautiful cotton thread. It’s a non-strandable mercerized cotton with a wonderful sheen, and it’s very soft and fine. If you’d like to read more about it, you can check out this comparison of floche with Danish flower thread (a matte thread) or this comparison of floche with other cottons. You can also check out this delectable collection of the range of cotton floche, which I love looking at, but haven’t touched yet!

Kathy Andrews is guest writing this series of articles for Needle ‘n Thread on using Italian pottery as inspiration for an embroidery project. For more information on her project, her first article covers the design process and her second article takes a look at working a motif in wool.

Hand Embroidery Sampler Inspired by Italian Pottery
Continue reading “Spring in Italy Sampler: Cotton Floche”