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Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Spring in Italy Sampler: Pearsalls Silk

 

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Kathy Andrews continues today with her final guest post on Needle ‘n Thread. This is the fourth post in a series on her Spring in Italy Sampler, where she’s been exploring embroidery motifs inspired by Italian pottery. So far, Kathy has shown us how she came up with her embroidery designs, and then she’s stitched one embroidery design in wool threads and one embroidery design in cotton floche. Today, she’s working with Pearsalls silk. Enjoy!

The first thing I did before stitching the third design was to scrub my hands with olive oil and sugar. Sounds gooey and sticky, right? Not something you’d want on your embroidery. When working with silk, it’s important that your hands are smooth or the silk will snag and tangle and generally be a mess. I didn’t know that the first time I stitched with silk: I thought it was just difficult thread and decided it wasn’t for me. Then I read Mary’s post on the olive oil and sugar hand smoothing scrub, and now silk has become a joy to stitch with! Thank you, Mary!

Hand Embroidery Inspired by Italian Pottery
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Italian Needle Lace by Anna Castagnetti

 

Anna Castagnetti of Verona, Italy learned to embroider from an enthusiastic group of women who were passionate about their art. Being of a curious nature, she soon discovered the beautiful stitches of needle lace like Hedebo, Teneriffe, Aemilia Ars, Reticello, Renaissance and Venice Point. She takes traditional surface embroidery patterns and fills them with an assortment of the stitches from these styles.

Italian Needle Lace by Anna Castagnetti
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Soft Metallic Twist for Trimming Your Needlework

 

This is “stash” post by yours truly – an opportunity to introduce you to supplies that I have in my needlework stash that you might not know are on the market, and that might be Just The Thing you need or want for your own needlework. Remember the post I wrote a while back on Accentuate thread? My purpose there was the same – to introduce you to something on the market so that you know that it’s out there. My point is not to “sell” you the stuff, but just to inform you of needlework goods that exist, in case you’re looking for something similar!

Today’s “stash post” is to introduce you to Soft Metallic Twist.

Soft Metallic Twist Trim for Needlework Projects
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Spring in Italy Sampler: Cotton Floche

 

Here’s the third post on Kathy’s “Spring in Italy” Sampler, focusing on embroidering a motif using cotton floche, which is an all-time favorite thread of mine! (Well, it, and a how many other favorite threads? We better not count!) Floche is a beautiful cotton thread. It’s a non-strandable mercerized cotton with a wonderful sheen, and it’s very soft and fine. If you’d like to read more about it, you can check out this comparison of floche with Danish flower thread (a matte thread) or this comparison of floche with other cottons. You can also check out this delectable collection of the range of cotton floche, which I love looking at, but haven’t touched yet!

Kathy Andrews is guest writing this series of articles for Needle ‘n Thread on using Italian pottery as inspiration for an embroidery project. For more information on her project, her first article covers the design process and her second article takes a look at working a motif in wool.

Hand Embroidery Sampler Inspired by Italian Pottery
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Spring in Italy Sampler: Wool Threads

 

Kathy Andrews shares her first step on her Spring in Italy Sampler. If you’re just picking up on this series, be sure to check out the first article on Kathy’s design process on designing a hand embroidery project using Italian pottery as inspiration.

Here’s the first stitched design of the “Spring in Italy Sampler.” Why Spring in Italy? I have been to Italy many, many times, at all times of the year. Spring is the best. There aren’t nearly as many tourists as later in the summer, the air is fresher and the colors are clearer. Whenever I use this pottery, that’s what I remember – a cool, spring day in the hills of Italy. (Before those of you living outside Europe think I’m made of money…the distance from where I live in Berlin, Germany to Florence, Italy is the same as traveling from Ames, Iowa to Denver, Colorado. It’s a vacation spot but not the trip of a life time as it would be if I were living in the USA!)

Italian Pottery Inspires Hand Embroidery Designs
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