About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Just Another Pic on the Wall

 

Amazon Books

Last November, Needle ‘n Thread moved into our new working studio in a commercial building in downtown St. Marys, Kansas. I wrote about that here and here.

Evaluating our first four months, I’d say we’ve settled in pretty well! We’ve become much more work-efficient in this space, because we have a better layout and we have more room.

Mostly, though, I think that we work better because we’re in a working environment rather than a residential environment. It makes a Huge Difference in the mindset when coming to work, getting into the work day, and carrying through the work day with focus.

Needle 'n Thread Studio - Picture Wall
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An Embroidery Fail: Digging Up the Past

 

In a conversation with a fellow (not embroidery) blogger the other day, we were discussing trendy blogging and social media topics. We got on the subject of how words are used these days, and I listed off a few pet peeves.

For example, I don’t like the prevailing use of verbs as nouns and nouns as verbs. I gave a few examples: fail as a noun, adult as a verb, art as a verb.

I have to pay bills. I guess it’s time to adult.

I’m going to art all day long today!

I had a big adulting fail yesterday, when I slept till noon and missed work.

Cake fail. Cooking fail. Building fail.

It rubs me the wrong way.

As the topic progressed, I was challenged to write an article about an “embroidery fail,” and to use the term “fail” the way I don’t like using it.

(I’m only explaining this whole backstory so that you know why the title of today’s article is what it is!)

And just to clarify – I know that there is a history of “fail” being used as a noun in the academic sense. The way it’s used today, though, is just as a shortened version of failure.

Silk embroidery on silk fabric
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A Stitch Snippet Sneak Peek

 

As we rapidly approach the end of February, I thought I’d offer a sneak peek of the first Stitch Snippet stitch-along project for 2023 here on Needle ‘n Thread.

Earlier, I hinted at the colors and threads I’m using on the project. And just so you know that I’m not too much of a lazy bum – I really have been working on it – today, I’ll highlight some of the stitching that we’ll be doing together on this little thing that we’re going to make.

We’ll also talk about a feasible time line for the project, so that you can know what to expect when it’s ready to launch.

Stitch Snippet 1 for 2023
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Cherry Blossom Roundel from Jane Nicholas

 

A long time ago, back in August of 2022, I reviewed Jane Nicholas’s latest embroidery book, Japanese Motifs in Stumpwork & Goldwork, which you can read about here.

Jane Nicholas is a professional embroiderer and embroidery designer from Australia. She’s instructed at the EGA (Embroiderers’ Guild of America) National Seminars and regional workshops, and she’s traveled around the world as a teacher. I’ve written about her pretty abundantly here on Needle ‘n Thread, too, reviewing many of her books, so many of you are likely familiar with her work.

Jane’s beautiful designs have a pristine, clear quality about them. They’re unmistakable – you can always recognize them as hers, even thought she draws from myriad styles of art.

Cherry Blossom roundel from Jane Nicholas
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Flax to Linen – Your Weekend Viewing

 

My all-time favorite fabric for hand embroidery is linen. I love good linen, so I’m always at pains to seek it out and acquire it, not just for personal stitching but also for the kits and supplies that I offer here on Needle ‘n Thread.

Linen for hand embroidery is fairly widely available these days, if you really go to the effort to look for it. But quantity is one thing – quality is another. We have that “embarrassment of riches,” but it still takes effort to find the Good Stuff.

Luckily, there are people out there who care about getting really good linen into the hands of stitchers. There are companies that still make beautiful linen (predominantly in Europe), there are distributors who go to the effort and expense to bring it into the country so that shop owners have access to it, and there are shop owners who understand that there are stitchers who want good linen and they go to the effort and expense to stock it. And all this investment in money and effort keeps awareness up and it keeps the supply line going for now. And that’s a good thing!

But have you ever thought about how linen comes to be?

Flax to Linen Video
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