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Mary Corbet

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I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Hungarian Redwork Runner: Embroidery Design Transfer

 

Moving right along on the Hungarian Redwork Runner project, this is the final step before stitching begins!

After preparing the linen and basting in layout guides, I was finally ready to transfer the pattern – an ordeal that ended up being much easier than I first envisioned.

This is how I did it:

Hungarian Redwork Embroidery Design Transfer

I started by taping together the enlarged embroidery design into a paper version of the full-sized runner.

When I had the original design photocopied, I had it enlarged to about 15″ wide by 18″ long. In order for the design to print at this size, I had to have each half broken into two parts, so that they would fit on an 11″ x 17″ sheet of paper. So I ended up with 4 sheets of paper with some design overlap on each sheet. I cut off the design overlap and lined up each sheet so that the design lines matched up perfectly.

I have a small fold-up table in my workroom that worked really well for laying out the whole runner design. I taped the pieces together and then taped them to the table.

Hungarian Redwork Embroidery Design Transfer

Originally, I thought I would have to use a light box for the tracing, but that wasn’t the case. Because the design prints rather boldly, and because it was enlarged quite a bit, the design lines were dark enough to see through the fabric.

Hungarian Redwork Embroidery Design Transfer

You can see the design under the linen here. This was Such a Wonderful Discovery! No messing with a light box, no need for prick and pounce, no need for any complicated transfer process. Just straight, plain old tracing!

Normally, on detailed embroidery designs that are quite small, the lines aren’t this bold (they can’t be, because, if the design is very detailed, the lines would run into each other). So normally, it would be difficult to trace through this weight of linen. But in this case, there’s no difficulty at all with regular tracing.

Ohhhh, glory! This is Design Transfer Heaven!

Now, if I had gone with the natural colored linen (one of my original considerations), it would be a different situation altogether. Most natural colored linen is too dark to see clearly the design lines for straight tracing.

But with white linen… ah! Bliss.

Hungarian Redwork Embroidery Design Transfer

With the design taped securely to the table on all sides so that it won’t move, it’s time to line up the linen and pin it to the design. I started in the very center of the linen, where the two center basted lines intersect. Using regular straight pins, I pinned them in an “X” formation around that intersection. Notice that I didn’t “scoop” the fabric with the pins. I just slid them into both the fabric and the paper pattern carefully, so that the fabric did not pucker.

Hungarian Redwork Embroidery Design Transfer

Moving out from the center and keeping the basted layout lines lined up with the dashed lines on the pattern, I continued to pin the fabric to the pattern, two pins on each side of both center basted lines, all the way out to the edge. Then, I pinned along the outer edge, moving from the center out, and around the ends, until the whole piece of linen was firmly pinned to the paper pattern.

Perhaps I pinned more than I needed to, but I always figure better safe than sorry. It’s best to fix your fabric so that it won’t shift at all on the pattern while doing the transfer.

Hungarian Redwork Embroidery Design Transfer

Then, I took out this pen.

I love this pen!

It’s from Martha Stewart crafts, and the color is “moonstone.” The tip size is .5mm, and the ink is acid free, archival quality, fade-proof pigment ink. The “moonstone” color is not as dark as sepia – it’s a kind of grayish-goldish-taupe color (if that makes any sense). The lines will not disappear or run when the piece is washed (I’ve tested that), but that’s ok if they will will be completely covered by the embroidery (as is the case with this project).

The tip of the pen is quite fine and makes a very clear, sharp line that’s not too dark and not too light. It’s Just Right.

You can find this particular Martha Stewart pen on Amazon, but I find the $7+ price a bit prohibitive. Everywhere else I’ve looked online, even if they run around $3, the shipping brings them up to $7 or $8! I don’t know that they are actually worth that price. Don’t get me wrong – I love the pens. But they’re Much More Affordable if you can find them at a hobby or art store that carries the Martha Stewart craft line. I stock up on them when I have a coupon. I do love them – they write wonderfully, and they are a nice color for tracing embroidery designs.

Hungarian Redwork Embroidery Design Transfer

And here’s part of the design, traced onto the fabric.

The key to tracing a pattern this size (and tracing it accurately and smoothly) is to take your time. Don’t rush the tracing. Do a little bit at a time, if need be, and come back to it later.

Hungarian Redwork Embroidery Design Transfer

The tip of the pen should just skim over the surface of the fabric, not rest on it for any time at all. And the design should be drawn in continuous lines, not in short sketchy strokes. I find it helpful to hold the pen at a low angle, rather than perpendicular to the fabric.

It took me slightly more than half an hour to trace the whole design.

And now – I’m ready to start stitching!

My plan is to work the project “in hand” (no hoop), using a combination of Hungarian braided chain stitch and chain stitch, with perle cotton #8 and coton a broder size 25 (also called Art. 107, or “cutwork” thread), in red 321.

This is going to be my grab-and-go, sit-around-relaxing, 15-minute project (15 minutes here, 15 minutes there – you can read about my 15 Minute Philosophy here, if you want). It’s something that I want to be able to work on when lounging about in the wee hours of the morning or night sitting by the Christmas tree, or when visiting with family and friends over the holidays, as opposed to the more complex projects that are set up in the workroom on a frame and require more stringent concentration.

I’ll keep you posted on progress!

If you’re following along with the Hungarian Redwork Runner project, you can find all the articles listed in chronological order in the Hungarian Redwork Runner project index. You’re welcome to join me in stitching the project, too. All the information you need to get the project underway is available in the project index, and if you run into any snags, you can always ask questions here on the website or drop me a line.

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(8) Comments

  1. Hi Mary, Your design turned out beautiful. Would have taken me many hours to transfer the design. You never cease to to amaze me. I can’t wait to see it finished. I love redwork.

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  2. I’ve been dutifully following along with all the reports, Mary. Thank you! I’ve got two questions. #1 I would tape the linen to the table, rather than pin it to the design. You must have a good reason why not to, what is it? #2 What is your plan for not avoiding puckers, while not using a hoop?

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  3. My local-ish Michael’s store used to carry the pens individually, but then stopped, but do still have them in sets with other colors. I’m glad I bought some when read your original post about them.

    I’m looking forward to seeing the results on this project.

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  4. Wow, really, no hoop? How does this work? I thought all embroidery required something that kept the linen taught. I haven’t done much embroidery, so I’m living vicariously through what you and others do.

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  5. Thank you so much, Mary, for such a detailed explanation of the steps involved in setting up your work. It gives me confidence to takle more difficult work. Great to see the photos of the steps along the way.
    I only discovered your blog a few weeks ago and have been amazed at how much you share with us each day. I also really appreciate the fact that you have organised things so well that I can follow a previous project from beginning to end.
    Thank you,
    Lorraine

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  6. Dear Mary

    It’s great that you can trace without using additional equipment. You are very brave to stitch with no hoop or frame won’t this affect the stitch tension? I looked up Martha Stewart pens in the UK and they are about £20 so if I was to purchase them I would definitely purchase from the US which is much cheaper as is fabric threads etc.

    Regards Anita Simmance

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  7. hi mary,
    your work is so nice and beautiful.i live in iran and i learn amny things from your site and red work.
    i want to do this,i dont have the picture of hungarian. can u send me the correct picture then i print that , then i can transfer it on stuff or cloth.
    or if u can offer me a site
    thanks
    iwait for your answer
    with best regards
    zeinab

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