About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

Contact Mary

Connect with Mary

     

Archives

2025 (91) 2024 (135) 2023 (125) 2022 (136) 2021 (130) 2020 (132) 2019 (147) 2018 (146) 2017 (169) 2016 (147) 2015 (246) 2014 (294) 2013 (294) 2012 (305) 2011 (306) 2010 (316) 2009 (367) 2008 (352) 2007 (225) 2006 (139)
 

To Pin or Not to Pin: Why I Use Pinterest & Love It!

 

Amazon Books

I’d like to open up a discussion about Pinterest, the visual social network that created a lot of controversy in the arts & crafts (and especially needle crafts) blogosphere when it first started up, and that still has its adamant advocates and staunch opponents.

Since there are quite a few needleworkers out there using Pinterest, I think it’s a worthwhile topic to discuss, and I’d love to hear your opinion about it.

Lately, too, I’ve received some well-meaning, but horrified, e-mails, informing me that they saw a photo from my website on Pinterest. I had to write back and assure my friends that it’s ok. I actually like Pinterest, and I use it a lot, and sometimes (between you and me), I even post my own photos on there!

Needle 'n Thread on Pinterest
Continue reading “To Pin or Not to Pin: Why I Use Pinterest & Love It!”

Stitch Fun: On the Edge with Palestrina Stitch

 

The whole idea of Stitch Fun is to explore some of the more obscures stitches or to explore more obscure – but fun! – ways of using common stitches.

Today’s Stitch Fun is a more obscure way of using a fairly well-known stitch, the Palestrina stitch.

Palestrina stitch is one of my all-time favorite embroidery stitches. It creates an interesting line with texture to it, thanks to the knots formed by the stitch. It’s also lots of fun to work. It’s got a great “stitch rhythm,” and once you get going with it, it works up quickly into a really attractive line.

If you haven’t added Palestrina stitch to your embroidery repertoire, I encourage you to try it out! For even more fun and more texture, you can even try beaded Palestrina stitch.

Palestrina Stitch Edging
Continue reading “Stitch Fun: On the Edge with Palestrina Stitch”

Happy Easter – and a Free Pattern!

 

Happy Easter, everyone!

I wanted to show you a nice display of my embroidered eggs this morning, but in fact, I didn’t finish them after all. Life is sometimes like that!

Instead, I’ll share with you (again) this beautiful example of Pysanky (Ukrainian dyed Easter eggs), with an embroidered Ukrainian cloth in cross stitch, along with a pattern for my version of the cloth.

Ukrainian Easter Eggs
Continue reading “Happy Easter – and a Free Pattern!”

The Marian Medallion Project: from Design to Delivery – E-Book Now Available!

 

At the beginning of March, I shared with you a very heartwarming, kind gift from a reader, Cindy Russell, who compiled my Marian Medallion Project into book form and sent me two printed copies of the book.

Your feedback from that article was much appreciated, and it prompted us (both Cindy and I) to look into printing options for the book. Alas, the expense of print-on-demand for a book this size is rather high, making it an unlikely investment.

So instead, I decided to make the book available as an e-book – that is, as a downloadable PDF that will work on computers and devices that have the ability to open PDFs.

I’m really excited about being able to make it available to you!

There are many special features to the e-book that make it worthwhile to own. How ’bout some highlights?

The Marian Medallion Project E-Book
Continue reading “The Marian Medallion Project: from Design to Delivery – E-Book Now Available!”

Goldwork Embroidery: How to Build a Dimensional Lamb

 

Yesterday, we continued in our study of this goldwork piece by examining up-close the very dimensional Agnus Dei (lamb) that adorns the embroidered vestment that we’re taking apart.

At the end of yesterday’s article, we ended up with the Agnus Dei removed from the ground fabric, and today, we’re going to “unlayer” the lamb on this piece.

By doing this, we’ll see how the foundations of a dimensional piece of embroidery are built up and eventually embroidered. Mostly, we’ll learn through photos – there’s not a lot of explanation required here (though that doesn’t usually keep me from talking, does it?!).

Given the symbolism of this piece and what I’m doing with it, I figured this would make an appropriate Good Friday topic!

Goldwork Ecclesiastical Embroidery - Agnus Dei - construction
Continue reading “Goldwork Embroidery: How to Build a Dimensional Lamb”

Deconstructing Goldwork Embroidery: Close-Up of the Agnus Dei

 

Everything we’ve examined so far in this Deconstructing Goldwork series has built up, in a way, to the final central element on the vestment, which is the Agnus Dei symbol.

So far in the series, we’ve looked at how this bunch of goldwork grapes was constructed, we examined the goldwork lily and the goldwork rose and took those apart to see their foundations and discover the methods with which they were made, we looked at simple goldwork leaves, and at shafts of goldwork wheat.

But all those little pieces – as interesting as they are – are not quite as complex as the focal point on the vestment, which is this symbol, the Agnus Dei:

Goldwork Embroidery: Agnus Dei
Continue reading “Deconstructing Goldwork Embroidery: Close-Up of the Agnus Dei”