About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Deconstructing Goldwork Embroidery – Part I

 

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Several years ago, the following piece of old ecclesiastical goldwork embroidery was handed over to me. It is beyond use as far as an ecclesiastical piece is concerned, and rather than leaving it in some storage cupboard somewhere, the general consensus was that I could take it apart, save some hard-to-find materials on it, and learn something in the process.

Overall, though the piece is attractive in parts and might look ok from afar, it is not really a well-designed ecclesiastical piece. Still, I like certain individual elements of the design.

This is an excellent piece for learning. Although I would never consider taking certain embroideries apart, this one is perfect for “deconstructing” in order to learn from it. Since I’m photographing the process and discoveries, I thought I would share them with you.

Goldwork Embroidery Examination
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Russian Elegance: Book Review

 

Textiles, embroidery, fabric, clothing – a study of all of these in any given country’s history provides insight into the values and traditions of that have permeated a nation over the centuries.

Hand embroidery has played a significant role in the fashions, the arts, and the religious and cultural interests of most countries, in one way or another. And so, although I generally don’t get into “costuming” and the making of historical or re-creation clothing, I do love to study the records of historical fashion from different countries.

Russian Elegance Book Review
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Raised Goldwork – Inspiration

 

This is a technique that’s been on my mind for a while – a Long While! I rarely see it on goldwork pieces being designed and embroidered today, but it shows up often on ecclesiastical embroidery pieces from the past.

It’s a type of raised goldwork. It looks like satin stitch (it’s actually surface satin stitch, or laid work, couched at the sides) worked over card or board or other foundations. We talked about this technique a little bit last year, when exploring this piece of old goldwork.

Raised Goldwork over Card Foundation
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Needlework News – A Good Sale and a Developing Project

 

Here’s a bit of needlework news that may thrill you silly. It thrills me silly, anyway!

Needlework Supplies on Sale!

The first bit is about a sale.

Oh my. Sale + Needlework Supplies = Giddy-Gladness!

If you’ve been holding out to purchase some good embroidery supplies, February is a great month to do it over at Hedgehog Handworks! Hedgehog is having their annual 15% off sale, which often comes in January, but this year is for the whole month of February.

Hedgehog Handworks
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Butterfly Kit Winners & New for Needlepainting

 

Good morning, stitchy world!

Time to announce the winners of the three beautiful butterfly needlepainting embroidery kits from Trish Burr from the give-away posted earlier this week!

In addition to that, we’ll look at some new needlepainting resources that Trish has recently released. For those who wish to perfect their needlepainting skills and have a color resource at their fingertips, you’ll want to take a look!

Butterfly Embroidery Kit by Trish Burr
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Clean Hands = Clean Embroidery & Traveling

 

Just a really tiny embroidery tip today! It’s tiny. But important!

You know those dirty hoop rings that develop (especially on lighter colored fabric) around the edge of your hoop? Or the soiled look that might develop over time on embroidery that you’re working in hand, without a hoop? Much of the dirt, grime, and soiling that subtly develops on an embroidery project comes initially from your hands.

Clean Hands, Clean Embroidery
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