About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Goldwork Dots: Lining them Up!

 

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More goldwork dots today! But I think it’s the last time I’m going to show them to you.

You see, I’m musing about how much of the Medallion Project to show you these days. I don’t want to bore you to death with the slow progress!

And it is slow progress. All hand embroidery is slow progress, compared to what we’ve become used to with machines to do all our work. The slowness of it – the whole “journey” of any handwork project – is part of the appeal of handwork. Whipping out the Medallion on a machine wouldn’t be quite the same! And in fact, it couldn’t be the same. Many of the elements of this project can only be achieved by hand. And even those that could be achieved by machine wouldn’t look the same. So the progress is slow, and I can live with that.

But can you?!

Ecclesiastical embroidery: Goldwork on Silk Hand Embroidery
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Thread Talk: Coton a Broder

 

What’s your favorite element involved in hand embroidery? Are you:

A. an Accessories Advocate, irresistibly drawn to the tools and trinkets that are used by the embroiderer?

B. a Fabric Fanatic, mesmerized by any woven surfaces upon which embroidery can be performed?

C. a Thread Junkie, with a Thread Fixation that keeps you addicted to needlework?

If I had to choose only one of the three above, I’d have to say I’m a Thread Junkie. I just love embroidery thread!

DMC Coton a Broder Size 25 in Colors
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Stitch Play: Beaded Palestrina Stitch

 

If you’re looking for a way to add a bit of texture and sparkle to your needlework, how about a bit of bead embroidery? There are many hand embroidery stitches that can be used in conjunction with beads, to create textured lines or fillings. One of my favorites is the Palestrina stitch.

The Palestrina stitch is already a textured stitch, as it forms a string of nice, fat knots along the line of stitching. It’s a magnificent stitch for creating a textured line, and once you get the rhythm of the stitch, it’s an easy and fun stitch to work! It’s the same stitch used in twilling, a stitching technique popular among quilters in the Midwest, which is essentially embroidering blocks using Palestrina stitch.

In today’s Stitch Play, we’re going to add some beads to Palestrina Stitch.

Stitch Play: Beaded Palestrina Stitch
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Goldwork Embroidery: Filled Dots

 

Approaching the gold dots on the outer edge of the Medallion design, I decided that they should tie in with the center goldwork area on the Tudor-style roses that surround the Medallion. The center of the dots, then, should be filled with a goldwork embroidery technique called chipping or chip work. This involves cutting up tiny bits of check purl and sewing the bits down by taking the needle and thread through them and sewing them down like beads, in a random fashion, until the area is filled up.

Goldwork Embroidery: Filled Dots with Chips of Check Purl
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Goldwork Dots on the Medallion

 

After working out the colors and procedures for the stem stitch filling on the outer edge of the Medallion (it’s not all finished yet!), my next step was to concentrate on the goldwork dots and makes some decisions about them. Around the outside of the Medallion, you see, there are 50 round dots, each about 5/16th’s of an inch in diameter. So they aren’t large dots, but they are dots nonetheless, and each has to be individually worked.

What was I thinking?!

Once I finished one section of the blue outer edge of the circle, I took a break to think about those dots.

Goldwork Dots on Silk Background
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