About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Glorious Dorset Buttons Galore!

 

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I love Dorset Buttons.

I love their history.

I love their charm.

I love their versatility.

I just love Dorset buttons!

And I love what creative people are doing with Dorset buttons these days.

So, when Anita sent in photos of her latest adventures in Dorset-buttonry (I don’t really think that “buttonry” is a word, but it should be), I just knew I’d have to share them with you!

And, in case they inspire you to try some buttonry yourself, I’ve also included several links below to good Dorset button-related tutorials.

Handmade and embroidered Dorset buttons
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Floss Pulling – One Strand at a Time

 

When you work with stranded embroidery floss (like DMC or Anchor cotton floss, stranded silks, and the like), it’s pretty standard procedure to separate the number of strands of floss, one at a time, from the whole thread of six, and then put the number you’re going to use back together again to stitch with them.

This is called stripping your embroidery floss, and I show you how to do that in this tutorial here.

Stripping your floss serves a purpose: it keeps the strands (if you’re using two or more) from twisting around each other, so that you get good and smooth coverage with every stitch.

Whether you’re doing counted work or surface embroidery – whether it’s cross stitch or stem stitch – stripping the floss makes a huge difference in the way your stitches look. It’s a good practice.

When I wrote about this thread organization system the other day, I made the comment that I like using precut threads hitched through a hole, because they allow me to pull out individual strands of floss without having to strip them from the rest of the threads (well, the comment was something to that effect, anyway). I don’t have to replace the unused portion of the strand. I can just pull out one tiny little thread at a time.

This garnered a bit of comment and a whole flood of questions via email, so I promised I would clarify.

And here’s the clarification of how this whole one-strand-at-a-time floss pulling trick works.

Separating one strand of embroidery floss at a time
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Tulip Monograms for Hand Embroidery: E-H

 

Last week, I shared the printable for letters A – D in this tulip monogram alphabet with you.

If you missed that article and you want to collect the alphabet printables for this set, or you want to see one of the letters stitched, feel free to jump over to the A – D article. You’ll find the printable at the bottom of the page.

Here are the next four letters, E through H.

Tulip monogram for hand embroidery: E
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Thread Organizing for a Large Needlework Project – All Done!

 

Last week, I asked you all how you organize threads for large needlework projects – because, you see, I’ve gone off the deep end and I’ve set up a pretty ridiculously large project that will probably take me three hundred years to complete.

When I asked the question, I was already hooked into organizing the 200 colors required for this project – there are 95 solid colors in it, and 105 blended colors.

I found that the organizational aspect was actually kind of fun, but it took So Much Time. It was a project in itself! Still, I figure if I’m going to subject myself to a super-duper-long-range project, it makes good sense (based on the Principle of P’s: Prior Proper Planning Prevents Poor Performance) to organize thoroughly in advance.

So many of you offered great suggestions for organizing threads for projects! A couple of you mentioned the system that I’m using, which is called Annie’s Keepers. Today, I’ll show you that system, the parts involved, and how I’m using them for this particular project.

Annie's Keepers Thread Organization System for large needlework project - slides and tabs
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Embroidered Farmers Market Bags & Vintage Patterns

 

As we wind down the week, I thought I’d share with you this twin set of embroidered Farmers Market bags, made by Melissa for her sister and her farmers market sidekick.

I’m a sucker for farmers markets, especially in the fall! Here in the Midwest, we have an abundance of good ones that are heaps of fun to potter around early on a Saturday morning.

But I don’t go to them in style. When I go, I pretty much crawl out of the house, looking pretty much like I just crawled out of bed.

I don’t have embroidered totes to tote around my stuff, like these two adorable bags. I think they’re a great idea, and I thought they’d serve as inspiration for other FM enthusiasts out there!

Embroidered Farmers Market Tote Bag - Dancing Mushrooms
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Organizing Lots of Thread for Big Projects – How do You do it?

 

So, I mentioned the other day that I’m setting up this crazy-big needlework project.

It’s essentially a counted cross stitch project, but I’ll be working it in tent stitch on a 30-count linen.

Last night, as sleep was wafting over me, I found myself contemplating switching to a 40-count silk gauze, by the way. When I awoke this morning, I instantly recalled the thought, and then I forthwith brushed it aside as a nightmare.

The project involves 200 colors, a little less than half of which are solid (only one color of thread in the needle at a time) and the rest, blended (two colors in the needle at a time).

Now, when you’re dealing with This Much Thread for one project, there is no way around it: you must come up with a reasonable, logical, efficient organizing system for your thread.

I know this. You know this. But the question is, what system to use? How does one go about organizing this much thread for a project of this scope?

Organizing Embroidery Thread for Large Needlework Projects
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