I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
March 27, 2014
Last time we looked at the Hungarian Redwork Runner project that I started some serious eons ago, the second end section of the runner was underway.
Here’s a brief little update on the slow progress of this project, just to prove that it isn’t forgotten and hasn’t been shelved!
March 26, 2014
It’s been a while since I’ve written a Stitch Fun tutorial! I’ve been aching to write one, though, for quite a while!
This particular combination of stitches results in a rather frivolous and fun spoked wheel. It would be perfect for adding to dimensional embroidery projects, Brazilian embroidery, highly textured embroidery, free style embroidery, and so forth.
Before we begin, if you’re not familiar with buttonhole wheels and bullion knots, you might take some time to watch the buttonhole wheel video tutorial and the bullion knot video tutorial.
March 25, 2014
Last time we visited the Secret Garden project, I was reveling in Yellow. I still haven’t gotten over the excitement of the yellow – I want to outline every element on the project in yellow now!
But I’ll refrain…
Today, let’s look at some leaf clusters. There are quite a few clusters of leaves on the Secret Garden project. Some could certainly be translated into flowers. The three-leaf clusters, for example, could be worked as some kind of stylized flower, in colors other than green.
But, as I explained earlier, my color vision for this particular project is predominantly lush and vibrant green – lots of green. Very leafy and springy green. And so my clusters are all going to be leaves.
March 24, 2014
Last week, I reviewed the book BiblioCraft, wherein you’ll find a project I designed, inspired by ornamental penmanship of the 19th century.
The project in the book is worked on a linen glass towel (like the one I used for this monogrammed towel). The one in the book was my second version of the project, though.
The first version of the project was worked in various types of silk thread, and it ended up looking like this:
March 21, 2014
Arts & Crafts. Libraries.
I love arts & crafts. I value the things made by artists and craftsmen. And I value the gift of being able to make things.
I love libraries. And I love the riches within libraries. Books are as much a part of my life as embroidery is. If people only knew the Treasure that is The Library! Whole worlds of wonder reside in the library system. It’s just a matter of knowing how to tap The Library as an inexhaustible source of inspiration for artisans and crafters.
So… when rare books librarian and knitter-stitcher-bibliophile Jessica Pigza asked me to participate in a book she was writing that combines the Library with Arts & Crafts, how could I say no?
The result of that happy combination: BiblioCraft, by Jessica Pigza. It’s a completely different twist on arts & crafts and inspiration.
March 20, 2014
I have a hard time letting go of something that’s nagging me on an embroidery project. If it’s nagging me, I want to tackle it and correct it right away; otherwise, it hovers like my own personal little grey cloud, detracting from the rest of the embroidery.
And that’s what was happening with the outer outlines on the leaves on the Secret Garden Project. They were bugging me. I had determined to leave them until later.
But there they were, hovering. Nagging. Whispering. Constantly distracting me.
After eight failed attempts at settling on a color and a stitch for the outer leaf outlines, in steps an email from Margaret Vant Erve (if you’re not familiar with her embroidered landscapes, you should be!).
She suggested one of two options: a dark maroon or a mustard yellow. I had already tried a maroonish color, but yellow – yellow never occurred to me at all!
March 19, 2014
In my workroom, I now have six eight- and ten-drawer cabinets that I use to store all my embroidery threads in.
The cabinets are not quite tall enough to support a table top at normal sitting height, so they are lifted on plinths so that they can support my work table. Three cabinets fit tidily at one end of the table, facing outward, and three fit at the other end, facing outward. Right now, the table is slightly smaller in depth than three cabinets side-by-side, but eventually, once the budget allows it, I’ll be-take myself to the lumberyard, where I’ll have a custom 6 foot long tabletop made to fit the depth of the cabinets.
At that point, my workroom thread storage and worktable set-up will be complete. The set-up didn’t happen overnight – it took me three years to acquire the cabinets, buying a couple each year from The Container Store, when they have their yearly sale (which made a difference of $70 per cabinet).
I’ve found the cabinets a great way to store my whole thread sets. But I still need to finish my inventory system! And that takes a little time!
But for those who don’t have space for cabinets, here’s a great way to organize and store a complete line of threads with a built in inventory system, so that you can easily see what you have and what you’re missing.
