About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Picking Out My Stitching is Good

 

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Most embroiderers will agree that when we’re not satisfied with our stitching, we’re prone to react certain ways towards our projects. Me? I go two ways, depending on my frame of mind: 1. If I’m feeling determined and curious about the project, I’ll correct the problem right away, no matter how much time or trouble is involved; or 2. If I’m not wholly “into” the project and I’m already looking ahead to the greener pastures of another project, I’ll usually turf it, or at least relegate the project to a shelf – maybe to resurrect later, maybe not.

Picking Out my Stitching

The Floral Glove project is one that I’m rather ferociously determined about, so the idea of doing a little picking didn’t bother me at all. In fact, in such circumstances, picking out stitches is always a good thing!

Although the project is not meant to be symmetrical, I could not find happiness in the look of this flower, which, as you can see, is somewhat sloppily stitched. You can see little bits of white between the layers, for example. I knew there would be some gold in there, but still – I just wasn’t satisfied with the look of it! At the same time, as I approached adding the gold Elizabethan twist around each layer of the flower, my mind boggled at how I would add the gold around the outside layer without plunging on both sides of every outside petal. I really didn’t want to do that.

The only thing for it, then, was to pick out the flower and start over with it. Continue reading “Picking Out My Stitching is Good”

The Dark Side of Embroidery: The BACK!

 

It’s not unusual to be asked to see the back of an embroidery project. I do believe that on just about every project I’ve done here on Needle ‘n Thread, someone has asked at least once to see the back. Working with the Blackwork Fish project, the question of the back of the needlework seems a bit more pertinent, because I’m working with black thread on white fabric. Carrying threads any distance on the back of the fabric would seem a horrific idea, because surely the black thread would show through the front!

That sounds right, but in reality, there are a couple things going on here that prevent the threads showing through the front of the fabric.

Blackwork Embroidery: The Backside of the Fish

So this is the back of the fish. (Note that he’s swimming in the other direction!) Continue reading “The Dark Side of Embroidery: The BACK!”

The Blackwork Fish: Stalled, but Not Sunk

 

It’s been a while since I picked up the Blackwork Fish project, so he’s in a bit of a stall. But I do intend to finish him! (I keep saying that!) Actually, I’m dying to finish him! But I’ve only been able to snatch a few minutes here and there to stitch, and he isn’t the project I have out right now. On the bright side, since the last time I showed him to you, I made a little progress before he got shelved.

Blackwork Fish Embroidery Project

The tail and fins are all getting the same treatment: they’re worked in lines of backstitch, with one of the lighter weights of black silk. Continue reading “The Blackwork Fish: Stalled, but Not Sunk”

Elizabethan Twist: Rooling and Spigging

 

I’ve been working with the Elizabethan twist on the Floral Glove project. Elizabethan twist is a very fine goldwork thread – it’s actually two very fine goldwork threads, twisted lightly together. It’s lightweight and tiny stuff, and, couched along the outside of the a little embroidered element, it makes a nice outline.

Elizabethan Twist Goldwork Thread

The kit came with several yards of Elizabethan twist. When working with this thread on small elements, it’s best not to cut it, but to work from the full length. When working with the full length of any fine goldwork thread that is being couched to the surface of the fabric, I like the thread to be on something, not just loosely wound up. The obvious reason is that a loosely wound goldwork thread that is not wound onto something can become a pain in the neck to keep in order. Continue reading “Elizabethan Twist: Rooling and Spigging”

A Beautiful Embroidery Treat!

 

Here’s a real treat! Margaret Cobleigh, who has become a really good online embroidery friend, is an excellent stitcher. She strives for perfection in all her embroidery, and everything she touches with her needle and thread turns out beautiful! Her approach is a lot like mine – she troubleshoots her way through her projects, making adjustments and corrections as she goes, and the results are outstanding. I count myself lucky to be privy to her progress notes on the various things she stitches. She was happy to let me show off the following finish, and since it is, after all, Spring, it’s mighty appropriate!

Reader's Embroidery: Spring

The piece that Margaret recently finished is titled “Spring,” designed by Helen Stevens. Continue reading “A Beautiful Embroidery Treat!”

Apologies and a Clarification

 

Those of you who read my website regularly know me fairly well – you know that I try to be honest in my approach to my work and in everything I write about on Needle ‘n Thread. Sometimes, I am too frank, and sometimes, I obviously write without thinking things through completely. And this gets me and other people in trouble. I’d like to clarify a situation and offer an apology. Continue reading “Apologies and a Clarification”

Hand Embroidery Tip: Care of Hands

 

In reading through the catalog Embroidery Lessons with Color Studies (the Brainerd & Armstrong booklet on silk embroidery published in 1899, that I wrote about last week), I came across a little paragraph thate emphasizes the care of the embroiderer’s hands.

Given the increasing popularity of silk thread for hand embroidery, and understanding that sometimes embroiderers are put off by silk threads because some of them can be extra-snaggy and cantankerous, I thought I’d share the little blurb in this old book – a little blurb that reads somewhat antiquated, but that’s still relevant today. I’ll also point you in the direction of my recipe for smooth hands for stitching with silk.

Hand Care for the Embroiderer
Continue reading “Hand Embroidery Tip: Care of Hands”