Last week, I reviewed the book BiblioCraft, wherein you’ll find a project I designed, inspired by ornamental penmanship of the 19th century.

The project in the book is worked on a linen glass towel (like the one I used for this monogrammed towel). The one in the book was my second version of the project, though.

The first version of the project was worked in various types of silk thread, and it ended up looking like this:

I have a hard time letting go of something that’s nagging me on an embroidery project. If it’s nagging me, I want to tackle it and correct it right away; otherwise, it hovers like my own personal little grey cloud, detracting from the rest of the embroidery.

And that’s what was happening with the outer outlines on the leaves on the Secret Garden Project. They were bugging me. I had determined to leave them until later.

But there they were, hovering. Nagging. Whispering. Constantly distracting me.

After eight failed attempts at settling on a color and a stitch for the outer leaf outlines, in steps an email from Margaret Vant Erve (if you’re not familiar with her embroidered landscapes, you should be!).

She suggested one of two options: a dark maroon or a mustard yellow. I had already tried a maroonish color, but yellow – yellow never occurred to me at all!

In my workroom, I now have six eight- and ten-drawer cabinets that I use to store all my embroidery threads in.

The cabinets are not quite tall enough to support a table top at normal sitting height, so they are lifted on plinths so that they can support my work table. Three cabinets fit tidily at one end of the table, facing outward, and three fit at the other end, facing outward. Right now, the table is slightly smaller in depth than three cabinets side-by-side, but eventually, once the budget allows it, I’ll be-take myself to the lumberyard, where I’ll have a custom 6 foot long tabletop made to fit the depth of the cabinets.

At that point, my workroom thread storage and worktable set-up will be complete. The set-up didn’t happen overnight – it took me three years to acquire the cabinets, buying a couple each year from The Container Store, when they have their yearly sale (which made a difference of $70 per cabinet).

I’ve found the cabinets a great way to store my whole thread sets. But I still need to finish my inventory system! And that takes a little time!

But for those who don’t have space for cabinets, here’s a great way to organize and store a complete line of threads with a built in inventory system, so that you can easily see what you have and what you’re missing.

Seems rather shoddy of me to pretend this is something special for St. Patrick’s Day. After all, I’ve been working with green thread for the past several weeks, and it really has nothing to do with March 17th. But happy St. Patrick’s Day, anyway!

The Secret Garden Project, in my mind, is awash with green. My plan for the piece has always been very green and lush. And with all those leaves in the design, it’s no wonder. The leaves beg for green.

Now, I know there are so very many shades of green out there, but I’m quite taken with these bright greens I’ve been working with so far on the project. I think it’s the springy green-ness of them that gets me. They’re just chipper, and they make me happy.

Green is a color that tends to put people in a good mood. That’s one of the reasons grocery stores put vegetables and flowers right near the front of the store, so you see them when you enter. It lifts the spirits.

On that note, here’s some green to lift your spirits, and a couple mistakes, too, to keep us all from getting too green-giddy.

Ahhhh… one of you out there who participated in last week’s Chatelaine Scissors give-away will soon be in possession of this gorgeous little accessory from Golden Hinde and Simply Scissors!