I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more
Contact Mary
December 16, 2011
Back in November, I reviewed the Millenium needlework frame, and about a week later, wrote a follow-up article on the Millenium frame to answer some questions about it.
Needle Needs, the company that produces the Millenium frame, also makes a floor stand that accommodates the Millenium frame well. It’s called the Necessaire floor stand.
December 15, 2011
After Christmas and into 2012, there are some exciting things coming up here on Needle ‘n Thread, and I thought I’d give you a little sneak peek at part of the line-up.
December 14, 2011
This is it – my last book review for 2011, and WOW – what a book! Trish Burr’s new text, Colour Confidence in Embroidery, is the first of its kind. Sure, there are several color theory books out there that have to do with textiles, but these are generally geared towards fabric, with the exception of a couple color theory books that have to do with color choice in abstract needlepoint and cross stitch design. These latter books rely on technical color theory, adhering rather rigidly to the dictates of the color wheel, and advancing color theories through technical language and hypothetical design scenarios.
Until now, we’ve yet to see a book on color, focusing on embroidery, that is accessible, instructive, practical, applicable, and beautiful.
Trish has achieved all of the above with her new book, Colour Confidence in Embroidery.
When pondering an embroidery project, if you’ve ever found yourself asking, “But what colors should I use?” then this is a book you need. (And haven’t we all asked that question at some point or another?) It’s THE color reference book for hand embroiderers – and it will not go neglected on your bookshelf.
December 13, 2011
Working the background of the Medallion project in this vermicelli goldwork technique, I don’t actually have to end the goldwork threads too often. I start and stop the thread only once in any given space, always either at a corner of the space, or somewhere along the edge.
When using couched goldwork threads, it’s really very easy to end off the thread. Let me show you how it’s done.
December 12, 2011
Never underestimate simple stitches.
Take, for example, the running stitch. It is the simplest of embroidery stitches. But you can do a lot with it! The running stitch can be used as a filling, it can be used to form the foundation of compound stitches, it can be “dressed up” by being laced or whipped with another color of thread. Simple – yes. But versatile, too!
Here, I’m working with the wrong thread, the wrong fabric, and the wrong needle. I was demonstrating pattern darning to a student, explaining that running stitch should not be poo-pooed just because it’s such a simple stitch.
December 10, 2011
It’s been a while since Yvette Stanton’s stitch dictionary, The Right-Handed Embroiderer’s Companion, hit the market. Her first book of the stitch-dictonary ilk was written for the left-handed stitcher, and is appropriately called The Left-Handed Embroiderer’s Companion, and when it came out, I reviewed it here on Needle ‘n Thread. It is the definitive stitch dictionary for the left-handed stitcher.
I wanted to review The Right-Handed Embroiderer’s Companion today for a few reasons: 1. I think it would make a great Christmas gift for any stitcher interested in surface embroidery, crazy quilting, counted work, drawn thread work…. (should I go on?). If you don’t already have it, you may want to add it to your wish list! 2. It’s a Really Good stitch dictionary, and I’ve been making use of it for a while now without actually giving any verbal credit to it. I refer to it often when I’m either deciding on a stitch to use or needing a refresher. When I get transported to that desert island to be forever stranded, limited in the number of embroidery books I can take with me, I’m pretty sure this book will be in the boat. Reason 3. It’s always nice to have a review to fall back on when someone inquires about “which stitch dictionary” to buy. This will hopefully give some insight into the book, so folks can make a good decision when judging among several available stitch dictionaries.
If you’re already familiar with the RHEC and you think this is “old hat” because it’s been available for a while, bear with me! If you’ve not heard of the book and you’re looking for a good stitch dictionary, this is definitely one you should add to your list of contenders.
December 9, 2011
Lately, I’ve been stitching upside-down.
(How’s the visual on that? Not so good?)
I am not upside-down – but my design is.
Working with the design upside-down for the area I’ve been filling with silk, I’ve found that I’ve been stitching much faster because the reach to the area I’m working is not quite as far.
Depending on the embroidery project, you’re perfectly justified in turning your design upside-down. There are some embroidery techniques where doing so wouldn’t work so well, but with this type of flat stitchery, to avoid reaching far to the top of the design, it’s much easier just to turn the frame 180 degrees.
