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Mary Corbet

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I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Pomegranate Corners: The Stitching Begins

 

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After finally getting Pomegranate Corners framed up and ready, it was time to start stitching. The thread selection for this wool embroidery project has already been discussed, but I’ll make a few clarifications here, for those who wish to follow along.

Now, one thing I should probably mention is that this project will develop a lot like the Crewel Rooster project developed last year. I’m showing it to you “raw” as I go. For new visitors to Needle ‘n Thread, this means that I will make mistakes and change my mind and pick things out and change them and try again – and maybe even again – until I get what I want out of the thread and the stitches. When I show this kind of embroidery project development on the website, you get stuck with the whole darned process! So it won’t be like receiving a kit with perfect instructions in it – instructions that have already gone through the process, have been tested and found successful!

So that’s my disclaimer. It’s sort of like “covering my six,” as my dad-the-pilot would say…. or basically just offering a really lame excuse for showing you my mistakes!

Wool Embroidery Project: Stitching on Pomegranate Corners

Let’s start by talking a bit more about the wool tapestry thread I’m using. This is the Fine D’Aubusson (available at Needle in a Haystack online, or any local needlework shop that carries goods from Access Commodities), and you can see that it comes off the skein in a group of four. I’m only using one strand of those four for all the stitching on this project.

The greens for this project are are kind of celery color in their lightest shades. This is the number / color range:

2131 – lightest green
2132 – medium light green
2133 – medium green

… and then, shades that don’t necessarily belong strictly to this color family:

2118 – medium-dark green
2952 – dark green

Because there are so many leafy bunches on this project, it is likely that I will need two skeins of the 2132 and 2133. I’m not 100% certain of that yet, but I’m thinking it’s a pretty good guess.

Now, let’s talk about stitching….

Wool Embroidery Project: Stitching on Pomegranate Corners

For needles, I’m using a #7 crewel needle. You may be able to get away with a #8, but it seemed a little tight to me, so I’m sticking with #7. Alternately, you can use a chenille needle, which has a longer eye, and may be easier for you to thread.

To thread the needle, I used the thread as it came off the skein. That is, I pulled the bundle of four out, and cut off one strand in the length I wanted. I threaded the “front end” (not the cut end) of the thread into the needle. I don’t know how much of a difference this makes with the Fine D’Aubusson, and I haven’t had a chance to really test this wool thread for “nap” direction, but I suspect that it may make a difference. I’ll test further and get back to the subject later on. For now, though, that’s how I’m cutting my threads and threading my needles. I’m working with thread lengths of about 15″. With wool, it’s best not to work with very long lengths of thread.

Wool Embroidery Project: Stitching on Pomegranate Corners

So I began with the top most leaf in the bunch on top of the pomegranate – this is the leaf that is farthest back and farthest up in the bunch. When doing long and short stitch shading (which is the treatment I’ll be using for all the leaves), work from the element farthest back.

You can start with any pomegranate – I started with the lower left-hand corner of the design.

To begin stitching, start with a waste knot and some tiny stitches inside the leaf. I describe this process of using anchor stitches and a waste knot in this photo tutorial (under “Tips & Techniques), and even though the photo tutorial deals with anchor stitches on a line, it’s the same idea when you’re filling a space.

Wool Embroidery Project: Stitching on Pomegranate Corners

Once the anchor stitches are in, snip off the waste knot.

Wool Embroidery Project: Stitching on Pomegranate Corners

Before working long and short stitch, it’s helpful to outline the leaf with split stitch. The outline extends only from the tip down the sides – leave the other leaves that cover this leaf un-outlined for now. For the outline, I used one 2132 – the medium-light green – because this is the color of thread that will at the tip of this leaf.

I’m working the leaves in shades from light at the tip to darker at the base, and as I get to the front leaves in the bunch, I’ll be using only the light and medium shades, with barely a touch of dark, if any. So, from back to front, the leaves are darker in the back and lighter in the front. You’ll see what I mean as I finish the bunch of leaves.

(Well, you won’t see it today – you’ll see it later….!)

Wool Embroidery Project: Stitching on Pomegranate Corners

Beginning with the tip of the leaf, I worked with the medium-light (2132) at the very tip, angling the stitches towards the “growth point” of the leaf. The very tip is the light part on this leaf. Then I moved in with the next layer of stitches in the medium-dark 2118, followed by the darkest green, 2952.

Wool Embroidery Project: Stitching on Pomegranate Corners

You can see that the leaf is very dark indeed. If you are unsure of long and short stitch, by the way, you might take a look at my long and short stitch tutorials, especially the one with the three long and short stitch video tutorials, and the lesson that discusses filling in leaf shapes with long and short stitch. You might also consider having a crewelwork book on hand, like the RSN Stitch Guide for Crewelwork.

Wool Embroidery Project: Stitching on Pomegranate Corners

After finishing the first leaf, I worked the split stitch outline for the next leaf forward.

It was then that I decided I didn’t like the leaf! I had debated whether or not I would keep a “vein” line in the middle of the leaf, and I decided not to at first. But I like the definition that a line down the middle of the leaf gives, and so … I picked out the leaf. And you know, I was glad I did. I wasn’t 100% satisfied with the stitching on the leaf in the first place, though I did like the darkness of it.

So, thus ends the first lesson. If you just stitched the leaf like I did, and you want a vein down the middle of your leaves, now’s the time to pick out all your stitching!

Aren’t you glad we aren’t doing this in real time? I might as well make the mistakes for you, I figure!

Next time we visit the pomegranates, I’ll show you how I solved the leaf question, and then maybe surprise you with what I did after that. Though if you know me even a wee bit, you can probably guess!

Snip.

Snip.

Snip.

Other posts on this project:

Pomegranate Corners – Free Embroidery Pattern
Setting up Pomegranate Corners – fabric selection, transferring the design, and preliminaries
Wool Embroidery Thread Selection for Pomegranate Corners
Framing Up the Project for Stitching – mounting the ground fabric on stretcher bar frames

 
 

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(8) Comments

  1. Covering your six is military-speak for covering your tail (donkey, kinda). Three letters. Enough hints? 🙂

    Mary, why use an anchor knot if you can take those tiny stitches without it? Is it just easier?

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    1. Hi, All – Thanks for your comments!

      Julie, I’m glad you like seeing the “process” – I don’t really mind showing my “mistakes” for two reasons: 1. It’s good to see that mistakes can be corrected; and 2. They aren’t always “mistakes” – as we stitch a project for the first time, especially if it hasn’t been designed by someone else, we develop ideas as we go, and may change our minds or think of a better way to do whatever it is while in the process of doing it one way. I’m glad you don’t mind seeing the process, though. Sometimes, I’m afraid it might be rather tedious and boring!!

      Pam – and Deb – yes, Pam, you’re correct about covering your six…!! If you’re facing straight ahead, it’s 12 o’clock, and directly behind you is 6:00 o’clock… so, covering your behind! For the waste knot, it’s easier to use the knot, I think. It ensures, too, that those tiny anchor stitches are tight and secure.

      Deb – Yep. Some unstitching. I didn’t like the way it came out, and I’m going to do it again until it’s just right. I think the third time’s a charm – it’s coming out more along what I had in mind now. I’ll show you a bit further down the road this week!

      ~MC

  2. Personally, I love it that you are showing us your backtracking on the project. When we only see the finished project, we tend to think that the person did everything exactly right the first time and had no challenges in completing the project. I think that can be offputting for new sewers/embroiderers. I like reading about others’ thought processes and how they solved problems because it helps me think through my own sewing/embroidery challenges. Thanks for sharing!

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  3. I’ve been waiting for another real time project. It was so much fun watching you stitch the rooster and the blackwork fish. It’s almost like doing the stitching myself. I agree that the leaves will need a center vein to give them some depth and, and, something. . . . . senior moment. 🙂

    irene

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  4. Mary, do you start with a left side because you’re right-handed? I tend to start with an upper right corner when I work. I think I do this because I’m left handed, and find that this way I don’t drag my hands across completed work quite so much. I never actually thought about it before.

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  5. I’m also glad to see the step-by-step, including errors and other redos. I started reading your blog about the time you started doing the blackwork fish. I’m particularly interested in this crewel project, because I never liked crewel, but based on what I’ve learned in the past year, I think it’s because I didn’t really know how to do it. (Maybe I also just prefer smooth to fuzzy when it comes to thread, but I don’t know.) Anyway, I am learning a lot just reading what others are doing, when they give the details like you do.

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  6. Hey, Mary, The leaf looks very nice. Just wondering. When we do leaves in flat or twisted silk and want to put in a vein line, sometimes we add a twisted thread on top and couch it down where we want it. To make a twisted thread, just put 2 (or more if you want it really thicker) strands together. In Japanese we hook them around an awl that sits in a hole on our frames, but you could hook it somewhere you could easily take it off. Since the yarn is already twisted, twist the 2 strands together the other direction till you get the tightness you like. We wet the flat silks prepared this way, or you can dampen with a small cloth, keep taut then couch down. Does that make sense? AnneG

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