About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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You Light Up My Life!

 

Amazon Books

Every time I turn the lights on in my workroom, my internal vocalist starts belting out that song. Yooooouuuuu light up myyyyy liiiife!

I love my workroom lights!

Good lighting is essential for embroidery and for any art or craft. And among the more frequently asked questions here on Needle ‘n Thread, lighting is a prevalent topic.

So today I’m going to introduce you to the lights that I use in my workroom and tell you what I like about them. I’m not trying to sell you on them, and I’ve got absolutely no affiliation with the company. But if you’re hemming and hawing over the question of lighting, this information may help you.

And a good light may be Just the Thing to put on your Christmas wish list. You might end up with one in your stocking!

Blue Max Lighting
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Hungarian Redwork Runner: Starting & Ending Threads

 

Don’t you just love embroidery projects that allow you to stitch seemingly endless lines of design, without having to start and end your threads often?

In Stitching Heaven, we’ll be able to stitch indefinitely, with miraculously never-ending threads that don’t fray, that don’t tangle. When we want to change colors or thread types, we will merely think it, and it will be done. We won’t have knots on the back of our fabric and every stitch will cooperate. We won’t make mistakes, but we might change our minds. And when we change our minds, previous stitches will disappear as quickly as we can breathe the wish.

Sounds nice, doesn’t it?

After a while, though, I’d get bored. The challenges of stitchery – and overcoming the challenges – may not be half the fun of embroidery, but they are almost all the satisfaction. If you didn’t have to overcome any challenge at all when stitching, would you be nearly as satisfied with your finished project?

One challenge that we have all faced at some point is that of starting and ending threads in a way that is secure, that makes sense for the particular project, and that won’t impair the finished design.

Today, I’ll show you how I’m starting and ending stitches on the Hungarian Redwork Runner. These are methods we’ve discussed before, but here, you’ll see them in action on a real project. I’ve made one alteration in the ending of my threads, though, for this particular project, so we’ll look at that up close and I’ll tell you why I’m doing it.

Hungarian Redwork Embroidery Table Runner
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Yes, It’s a Fire Screen

 

Remember this needlepoint “tapestry” that I picked up for a song? Well, I told you that I bought it for the “frame” it came in, and asked you to guess what it was. I thought I was being So Smug and Secretive. But you all guessed it right off the bat – thank you for unsmugging me!

I was going to stage some photos to show off the fire screen. But I don’t have a fireplace, and the thing is really too big for my minuscule living room. You might be wondering why the heck I bought it, then – and I don’t blame you! I find myself wondering the same thing! But I’m glad I did!

Needlepoint Tapestry in a Firescreen
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Embroidered Portraits by Jan Messent – Book Review

 

If you’re an embroidery-bookophile, you’ve probably heard of Jan Messent, and you’ve probably even got some of her books on your bookshelf. If you haven’t and you don’t, I highly recommend her books. She’s a prolific author, not just of embroidery books, but also of books on design, historical techniques, on knitting and wool and yarn work. In her embroidery books, you will find many excellent tips for the embroiderer. Her older books can be found, too, through used book sources, and can often be picked up for a bargain.

Embroidered Portraits by Jan Messent
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Project Progress: Seed Stitch, Stippling & Snipping

 

Here’s a little update on the behind-the-scenes project in silk and gold that I’m working on. It’s for publication in a book (2014), and I’ll tell you more about it (and the book – I’m just contributing, not writing it) closer to publication time. When I was asked to contribute a project, at first, I was a bit hesitant. But now that the project is this close to being finished, I’m glad I participated. I’ve learned a lot!

Because the piece is for publication, I can’t really show you the whole thing. But I can show you snippets, and I can even troubleshoot some aspects with you, and discuss different techniques involved. So today, I’ll show you a technique that’s called “stippling” in art, but in embroidery, we just call it seed stitch or seed stitch filling… but if we want to, we can call it stippling, too.

Seed Stitch Filling
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