Posted By: Mary Corbet on Wednesday, July 08, 2009
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Located in Berkeley, California, Lacis (pronounced "Lah-cease") is, like I said yesterday, a weirdly wonderful needlework (and more) shop. It's somewhat difficult to explain this place. I would have liked to have spent much more time there, but alas, by the time we stopped, we were behind schedule already. I ended up missing some of the "definites" that I wanted to see (and buy!), and I took lousy photos in general. 3,000 miles or so later, I'm kicking myself for that!

But, still, I'll tell you what I can about this needlework-lace-museum-gift-book-and-antique-shop sort of shop. It's a strange mix, but it works!



Located on a very busy street in Berkely (is there a street in Berkeley that isn't very busy?), the shop has two parts to it: the shop, and the "lace museum." From what I could tell - and I didn't go through the whole thing - the lace museum is an ecclectic mix of collected laces, in a very casual venue. Unlike museums where pieces are kept behind glass, in climate and light-controlled settings, this museum is somewhat hodge-podge-ish, with the various displayed laces pinned to wall displays and draped hither and thither. Perhaps, behind the outside front, there are display cases and so forth, but I never quite made it to the museum proper.



In the shop part of the establishment, vintage clothing hangs from the ceiling, along with hats and bric-a-brac and all kinds of other stuff, taking up just about every display spot in the store.

Below, needlework goods fill the shelves and racks throughout the place.



In addition to needlework supplies, lace-making supplies, millinery supplies, costume-making supplies, and vintage books and patterns, you'll find, mixed in, racks of nostalgic greeting cards and prints and so forth.



Everywhere you turn, you'll find strange little gift and specialty items, like this wooden fish puzzle.



There are an abundance of threads. These are Edmar threads, used often in Brazilian embroidery. Besides the threads visible on display racks, there are drawers and drawers of different types of threads. One thing on my list for my visit to Lacis was to check out the whole range of floche that they have available on their website. I completely forgot! C'est la vie.



Threads for crochet, specialty yarns and lace-making threads - all kinds of threads take up the shelves and racks in the middle of the shop, as do spools of lace and ribbon and so forth.



Once you walk in, your attention may be first arrested by the clothes hanging above you and draped over everything, but it doesn't take long to forget about the stuff above while perusing the stuff below! I thought the vintage apron on this dress was quite sweet.



You can buy vintage lace and vintage handkerchiefs there, as well, although I have to admit, I saw one "wedding hankie" - very fine needlework, indeed! - for $125, and was a little surprised at the price, especially considering that there were about six or so of the exact same handkerchief there (which leads one to think they may have been mass produced?). I bought one similar, in pristine condition, on eBay last year for a mere $18. So with a little shopping around, if you're in the market for antique lace or vintage handkerchiefs or the like, I think you could probably find them at a more reasonable price elsewhere. However, as far as selection goes, Lacis seems to have a pretty vast selection of vintage goods to choose from!



Upon leaving the shop, I felt a bit flurried. It's definitely one of those places that, if you go, allot a good amount of time for serious, concentrated browsing - thought concentration is somewhat difficult, as the shop was crowded with all kinds of shoppers, the staff was all very busy either helping customers or seeing to a variety of different tasks (like ironing fabric, separating buttons, answering phones, and fluttering about), and in general, the place has an overwhelming feeling of "clutter." Weeding through the clutter, though, is fun.

One of my favorite aspects of the store was the back corner, which is filled with all kinds of needlework books on every kind of technique, many of which books are out of print or hard to find, and some of which are foreign. I liked the selection of vintage iron-on transfers for cutwork, as well as some interesting old magazines that I came across.

If you like a clean, tidy, and organized needlework shopping experience, Lacis may not be the place for you. Still, if you're looking for anything related to needlework - even obscure tools - chances are, you'll find it here. If you want a bit of adventure and you like exploring, then definitely put Lacis on your list of places to visit!

I'm still regretting the floche. But I know why it slipped my mind - there was just so much to see!

I didn't purchase much at Lacis - a few books and cutwork patterns and a couple greeting cards, and I think that was about it. I don't think I bought any thread at all. I know they have fabric there, too, but I don't even recall looking at any! It was, to say the least, a whirlwind stop at a whirlwind store! On the bright side, anything I missed, I know I can find on the Lacis website, if I really need it. This, by the way, is the place that I buy my cutwork threads. I didn't bother looking at cutwork threads, as I'm pretty fully stocked with them right now.

After leaving San Francisco, we headed south to Santa Clara, and then to Monterey and Carmel. Though we didn't find our old house in Monterey (there are new homes along the street there), we did see some beautiful places.



One of my favorite aspects of Monterey, and really the whole central coastal area of California, is the sunny-foggy days. The day begins with a heavy fog covering the coastal area, but this tends to burn off by mid-morning, and the sun shines until late afternoon, when the fog starts to creep back in. Here, the fog is moving back over Monterey Bay and wharf.



I'm kind of a sucker for seascapes, marine life, and birds. In Monterey, you can find all three in abundance.



The seagulls are huge and humorous.



Upon leaving the Monterey and Carmel area, we took the coastal road towards San Diego.



We stopped for a humorous interlude with some sea lions that were lounging on a beach. No, they aren't dead. They're just... lounging. I think it's what they do best.



We visited several of the old missions along the coastal route. San Juan Capistrano, famous for its yearly influx of swallows, is certainly a beautiful setting, but it was probably my least-favorite mission stop, as it is so commercialized. The mission itself seems to be overshadowed by the swallows!

We took the coastal road all the way to San Diego, to Coronado, where my folks also lived (before I was born), and where my older sisters went to school for a bit. We found the old school and the old house. The house is about five houses from the beach, on Pine Street. Prime property today, but back in the day, my parents thought $30K was too much for it!

After a quick stop in Coronado, we headed east again - finally - to the rural parts of the country. I longed for open road and reduced traffic! And boy, did we ever get both! Through the deserts of Arizona and New Mexico, there isn't much going on.



We went to the Grand Canyon - the southern and eastern rims - in Arizona. Hm. I'm not sure what to say about it. It's majestic - beautiful - awesome - but the height made me rather woozy. Still - it's something!



Finally, we went to Sante Fe, where we visited the Loretto Chapel to see the St. Joseph stairs, a very beautiful spot, with a very interesting story.

That was our last "tourist" stop on the trip - the rest was just returning to Kansas. To make the occasion of returning home memorable, we ended up in a massive thunderstorm that spawned at least one tornado within a mile of where we sat on the side of the highway, waiting for the storm to pass. Yes, Toto, we're back in Kansas!



The trip began and ended more or less where the red dot is there in Kansas. Not bad, for 14 nights, three of which were spent in Minnesota before really "striking out." It was a heap of fun! Still ... there's no place like home!

Now, that's the nitty gritty of the recent travels, but wait! There's more! Though I won't bore you with anymore road tripping details, I do want to show you some of the needlework loot I picked up along the way, especially the books and a few handy items and accessories for stitchers that I thought looked ... uh ... necessary.

I'll be sharing that with you over the next few days, while I'm trying to get together some upcoming tutorials and videos, and while I'm sorting through some projects and getting to work again. So, keep an eye out!

Labels: embroidery resources, needlework and travel, personal, pictures, supplies

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Posted By: Mary Corbet on Wednesday, July 08, 2009
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The next needlework shop I visited is located in Alameda, California - Needle in a Haystack. Of the four shops I visited, Haystack was probably the best "fit" for me. I'll tell you why...

Located on a busy street in Alameda, a town teeming with activity, shops, cafés, bakeries, farmer's markets, and so forth, Needle in a Haystack is a large, open, airy shop filled with all kinds of delightful things for the needleworker.



I'd say that, out of the four shops I visited, the Haystack has the largest space devoted solely to needlework supplies. It's probably comparable in size to Nordic Needle, but the floor area is not as broken up as Nordic Needle's is.



With lots of floor space and a very open layout, it is a very pleasant place to shop. In the front of the store, tables and chairs invite the stitcher to sit a bit to match threads or to flip through books and so forth. The area is used for classes and stitching groups.



Much of the wall space of the store is covered with threads - lots of threads!



Additionally, they've got drawer cases for Anchor, DMC, and other threads, as well as spinning racks hung with ... threads. Lots and lots of threads! (DId I mention they have a lot of thread?)



In addition to threads, you'll find shelves tastefully arranged with displays of accessories, books, and needlework-related items.



Above the threads along the walls, you'll find heaps of hand painted canvases for needlepoint, including some very enticing historical adaptations of tapestries and slips and whatnot.

What I really liked about Haystack was the variety of embroidery techniques represented by their merchandise. I found some beautiful crewel and needlepainting kits, many books / magazines on cutwork and whitework, fabric for surface embroidery of all types, as well as a vast selection of counted thread charts, historical samplers, blackwork, and needlepoint / canvas work supplies. There was more variety here, as far as specific stitching techniques are concerned, than in any other store I visited.

My overall impressions of the place:

Merchandise: a variety of merchandise is offered for stitchers interested in different techniques. They pretty much have everything, and if, by chance, there's something you want that they don't have, they'll order it. They have the full range of Au Ver a Soie products, by the way, if you're looking for silk, among other types of silks and blends.

Layout of the Shop: Most pleasant - open, airy, easy to find things and relaxing for casual browsing, even when the shop is busy with customers.

Prices: Well. I have to admit, their prices for things that can be bought elsewhere are slightly higher than many online or brick-and-mortar shops. However, it's always worthwhile to keep an eye out for their specials, by subscribing to their newsletter and frequenting their blog.

Service: Very good - the people working are friendly, knowledgeable, and talkative and can help you find anything or make decisions on thread choices, etc. They're also very helpful when it comes to local information, goings-on, and so forth.

So ... in a nutshell... yes, I loved Needle in a Haystack. They have a great online store, too, so if you can't make it to their shop, check them out online! As far as online shops go, they're layout is really nice, too. I like ordering from them, simply for the ease of ordering.

We did non-needlework-related stuff in the San Francisco Bay area, too, by the way. In fact, my family used to live in every place we visited on the West Coast! So, while we were up in the Seattle area, we found the house my folks lived in on Whidby Island. In Alameda, we used to live on Burbank Street, which is still lined with very tall palm trees. Also in the area, we lived in a "modern" Eichler home up on Phaeton Drive in Oakland (and the house still looks great!), and we also lived in Walnut Creek for a while, so we looked for that house, too, and the school we attended as children. We didn't always have luck finding our former homes - in Monterey, for example, the house is no longer there.



Driving into the city of San Francisco, we saw a blimp hovering overhead. I had to take a picture - as a kid, we always looked for the blimp! And it's still there!



Of course, at Fisherman's Wharf, we had to eat sourdough bread...



...and ice cream at Ghiradelli Square. Boudin's Sourdough Bread and Ghiradelli Ice Cream are San Francisco icons...

Before we left the San Francisco area, I did manage to make it to Lacis, which was my last needlework shop on the trip. It's a weirdly wonderful place, so I'll tell you about that one next!

Labels: embroidery resources, needlework and travel, personal, pictures, supplies

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Posted By: Mary Corbet on Tuesday, July 07, 2009
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After stopping in North Dakota at Nordic Needle for some needlework shopping - yes, I admit it, I bought embroidery supplies at each of these shops! - we struck out west towards the Seattle area of Washington, via Glacier National Park and Coeur d'Alene, Idaho. On the way in to Seattle, very conveniently located off Interstate-90 in the town of Issaquah, is Threadneedle Street, a small needlework shop specializing predominantly in needlepoint and counted thread work.

On the way in to Washington, the scenery changes somewhat drastically after the mountains of Idaho and western Montana. The eastern part of Washington is rather desert-like and scrubby.



The Columbia River is an impressive site. There are a couple dams along the river in the middle part of the state, and one is in the vicinity of the highway, making for a nice scenic stopping point. So we stopped. And it was scenic.

Then we headed into the Seattle area, stopping at Issaquah. Really, when I say it's an easy stop, I mean it. If you're on I-90, you simply take the exit, drive into the town on the main street, and pull over to park. It's about that easy.



Of the four shops I visited, Threadneedle Street is certainly the smallest. In fact, if you weren't looking for it specifically, you might miss it altogether!



In case you're looking for the shop some day, though, the pink pig might help you find it. This gal sits at the end of the sidewalk on the same side of the street the shop is on... I didn't inspect her closely, so I'm not sure what she's all about. I suspect she's a grill...



Inside the shop, you'll find very closely arranged (as in, tight quarters!) merchandise - all kinds of threads, tools, accessories, beads, etc. - that are used in embroidery.



You'll find shelves of pre-cut fabric and racks of beads, buttons, and little items.



You'll find racks and baskets full of kits and charts and so forth. And tucked here and there, lines of neat books for sale. (I bought a terrific book here that I'm looking forward to showing you!)



You'll also find some walls devoted to painted canvases, from elaborate Christmas stockings to geometric designs, etc. They're very pretty and colorful!



But to me, the greatest appeal of Threadneedle Street is this. It's the Needlework System 4 stand and all its accessories and parts - and she stocks the pieces in the shop, instead of special ordering each time a customer wants the stand. This means that chances are, if you stop in, you'll be able to pick up a part right then and there. Every other needlework shop I've dealt with regarding this stand keeps a demo model, and then has to special order the pieces you want (and you end up with a 10 - 14 day wait). But here, you can buy the pieces you want, in stock. AND - she has the best prices in the country! If you buy the stand and frame clamp from Threadneedle Street, you're spending almost $50 less here than anywhere else. And you're not having to wait. What a deal!

I bought the extension piece, by the way, for my Needlework System 4 stand. This allows the stand to easily work from the side, over the arm of a couch. (Feel free to read my review of the Needlework System 4 stand, if you aren't sure what I'm talking about!)

So, my review of Threadneedle Street in a nutshell:

Merchandise: There's a vast quantity of merchandise in this little store! She carries all the popular threads for cross stitch and needlepoint, including wools and blends and so forth, as well as a few different hand-dyed threads that I had not seen before. Lots of little accessories are available, as well. There's a good collection of interesting needlework-related books that you won't find on the shelf of a typical bookstore, and a few that I had not seen before, one of which I bought. Seeing some Access Commodities merchandise there, I figure that the folks at Threadneedle Street can pretty much order anything that you want, if they don't have it in stock.

Shop Layout: As needlework shops go, I'd call this one "average" in size. Most needlework shops I've been to are relatively small in general. Threadneedle Street is no exception - the shop is small and seems somewhat crowded, but when you start to look around and see what's in there, you realize there's a pretty clever use of space going on. No space is wasted.

Prices: They actually seem a little bit less, overall, than in most places, though I can't be sure of that with everything there. Certainly, it's the case with the Needlework System 4 stand, but I also thought the threads were just slightly less expensive than in other shops. In any case, there wasn't anything that struck me as outlandish, price-wise, at all.

Service: This is the one shop I can say without reserve that I met with great service - that perfect balance between warm and friendly and open, capped with professional knowledge, and not overwhelming. Just a nice, friendly, open personality, ready to help and having no hang-ups about answering questions. It was, in short, very refreshing to go to a needlework shop and receive really genuine, sincere, niceness for a change. You just don't see that often in needlework shops, thought it's unfortunate to have to say so. Now, their online service may be a bit different - the website notes that they are often busy with customers in the store and therefore may have to call you back if you call to place an order. I have the impression the shop is worked by very few people (I only saw one!), so if you do call them to place an order, expect to be either put on hold or called back.

I liked Threadneedle Street. If I lived in the vicinity, I think it would be the kind of shop that I'd establish a good working relationship with. There's a real niceness and enthusiasm about needlework there that I haven't met at too many needlework shops.

I'd love to see the Threadneedle Street website updated into a regular shopping-cart type website. I think this would ease the ordering situation for out-of-town customers and it would probably make the job on the selling end easier, too.

After leaving Issaquah, we headed to the Seattle area. My folks used to live on Whidby Island, so we went there to see the old haunts and so forth.



Deception Pass is gorgeous! Well, ok - it's water! You'll find that I get overly enthusiastic about anything that looks like abundant water! We drove through Whidby Island, took a ferry to Seattle, stayed overnight, did some looking around the next day, and then headed to Oregon...



...where we saw Crater Lake...



...which is blue beyond belief, and still, and quiet, and cold. Snow still lined the roads up at the top of the mountain, with four-foot cuts of the white stuff in some places along the road. The mosquitoes up there, by the way, were huge and Really Hungry.



From Oregon, we headed into California, where we drove through the Napa Valley, stopping at a few wineries along the way. The contrast between green and lush and dry and sandy in the area is quite intriguing and really beautiful. I love the grape vines! They are something else - I'd love to see them when they are fully laden with grapes.



My favorite stop was at Peju Winery, which is a little boutique winery in the Napa Valley. I prefer boutique wineries to the Big-Wigs (like Berringer, etc.). They're more fun, more intimate, more interesting, and they do fun stuff with their wine. I bought, untasted, a bottle of zinfandel port (port-style wine, anyway) as a gift. They only make this every so many years, and they were down to six bottles left. It was a risk to pay the price without knowing for sure if it was good, but we weren't disappointed! Good Stuff Indeed!

This leg of the trip took us into the Bay Area, where I visited two extraordinary needlework shops... coming up!

Labels: embroidery resources, needlework and travel, needlework websites, personal, pictures

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Posted By: Mary Corbet on Monday, July 06, 2009
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The first needlework shop stop on my 6,200-mile-road trip was in Fargo, North Dakota, at Nordic Needle. Now, this is a shop I have always and forever wanted to go to! And since I was heading to Minnesota for a three days, I figured this would be a prime opportunity to visit Nordic Needle. This was the beginning of the Great Road Trip Plan that took me in a huge loop to the West Coast and back to Kansas. Really - I was just planning to add a couple hundred miles to the trip and jump up to Fargo! But Mom and Dad suddenly got the "bug" to travel, too, and so the three of us concocted this ever-changing journey that took us to some very interesting spots and some old haunts where my folks lived and raised their kids. So, without further ado, here's Nordic Needle and some other stuff...

We left Kansas on Thursday, June 18th and drove to Minnesota, where we stayed until Sunday morning, June 21st.



Minnesota is beautiful. The lakes that dot the state are especially enticing if you happen to be coming from the Kansas prairies, where water is not always abundant. One morning, we picnicked on the shore of a lake, in the company of a pair of ducks.

On Sunday, we headed north to Fargo, arriving in time to have dinner with some friends and put up for the evening. The next morning would be devoted to Nordic Needle. I didn't plan to spend a lot of time there - I didn't think it would be quite the thing to do to the Agéd P's - but a good hour, I thought, was reasonable.

Of course, it ended up being two hours.



The outside of the shop is rather mundane, but hey - it serves its purpose!



Inside Nordic Needle, you will find practically everything a stitcher's heart can desire, to some degree or another. This is a wall of beads and accessories and little things...



One section of the store is devoted to these rotating book stands that are filled with everything from charts for counted work, to a delightful variety of books (including many books self-published by different designers, that can't be had through Amazon, etc.), to kits of all sorts, including several of Tanja Berlin's embroidery kits (among others).



Being "Nordic" Needle, there is a goodly amount of stock devoted to Nordic embroidery techniques, including Hardanger, huck embroidery and so forth.



And then, there are threads. Oh, are there ever threads! All kinds of threads! This particular section in the photo above is their Brazilian embroidery section of threads, but behind it, on the wall, is the whole line of Treenway Silks pearl and ribbon -- among other threads.

You can imagine that in the midst of all these glorious goods, I was a bit unfocused at first. I just saw, but didn't really "attack" with any clear focus. My eyes went from one selection of goods to the next, without really honing in on my own particular interests.



I have seen huckwork in magazines and books, but have never tried it. Engrossed by the samples hanging on the walls, I took a look at some of their huckwork kits and decided they would be perfect for on-the-road needlework! So I bought a couple. I never touched them. I did not lift a needle (except when purchasing needles) once during the whole trip. *Sigh*



It's difficult to explain the quantity and variety of needlework goods available at Nordic Needle. The main floor of the shop is packed with aisles and shelves and displays filled with threads and tools and kits and designs, as well as display boxes, accessories, and anything you really could want, needlework-wise.



The threads are, of course, the most colorful things in the shop! Racks of them - everywhere! I would suppose that just about any type of thread you would want, you could get through Nordic Needle. Even if they don't regularly carry it, they can probably special order anything. While I saw a whole rack of Danish Flower Thread, for example, I didn't see any floche. But I bet, if you want floche, you could special order it from them. Of course, this doesn't mean they don't have floche - I may have just missed it.



They have a nice corner - much bigger than seen here - full of fabrics on bolts, and also cut fabrics. You can find linens, evenweaves of different types, and just about anything for regular embroidery in their fabric area. Anything they don't have, again, I am pretty sure they could special order!

Nordic Needle has a neat incentive for travelers, by the way. If you travel a distance to visit them, they take a certain percentage off your purchase. If you click the "How Far Will You Go" box on their home page, you can read about the incentive. The shop is less than 1,000 miles from me, so I received 10% off my purchase. BUT - I happened to be there on a Monday, and they have this "Monday Madness" thing they do, where you can draw for a discount on one item (or many - depending on what you draw). I lucked out - I was there on a Monday! - and got 50% off my most expensive item, which was one of Alison Cole's goldwork books.

All in all, by the time I left, I was a pretty happy camper!

Here's my review of the shop, in a nutshell:

Merchandise: Wow! They have a lot of great needlework merchandise. I would have loved to have seen more merchandise devoted to other surface embroidery techniques such as needle painting, crewel work, etc., or even cutwork and other forms of whitework (in addition to Hardanger). They had Trish Burr's books in stock, and some kits of Tanja Berlin's (though not her needlepainting kits - blackwork and shadow-work, basically). They also had a bunch of nice Brazilian supplies. And I'm sure that they could order just about any kind of needlework-anything you might want, so I'm not too taken a-back by the lack of other surface techniques. They have as well a terrific selection of accessories - the best I've seen anywhere - for the needleworker, from all the convenient tools and accessories a sticher needs, to many unique and beautiful stitching-related items, tools, notions, and so forth.

Shop Layout: As needlework shops go, I'd call Nordic Needle "really big." It's crowded and a bit confusing. When it comes to finding something specific, such as a design or a kit, if you aren't used to the layout, you'll probably need help. Still, good use is made of the space they have, and once you get the general feel of the shop, it's easy enough to find your way around or just to enjoy browsing. Never-ending browsing!

Prices: They seemed fair and equivalent to other shops I've been to, or to merchandise I've found online. Nothing seemed outlandish, as far as prices are concerned. Prices were pretty much what I expected them to be. I picked up a couple little bargain bits in their "discount" room, too, which was nice...

Service: Well, this is difficult. It depends on what you want in service. The people were polite enough, though not overly friendly, and they kept their distance. If I needed something, though, I had but to ask, and they directed me politely to it. There was no real "warmth" in any communications, but they weren't rude, either. It was just business. In a sense, this is a good thing. It allows the customer to browse a shop without being hassled or conversed with the whole time so that it's hard to concentrate. I would imagine that, in a shop this size, that's probably what most shoppers would desire. And when it came to my needing anything, I had prompt attention. So in that sense, the service was good - not warm and over-friendly, but there was no curtness or rudeness (which I have, believe it or not, experienced in other needlework shops, and it's one of my pet peeves!)

Nordic Needle is definitely an A+ shop, obviously built through the hard work of the owners into a thorough supply warehouse for needleworkers all over the world. If you get the opportunity to visit the shop, you won't be disappointed, I don't think! If you don't have the opportunity to visit in person, you can always visit their website.

I finished up at the shop before 11:00 am (so, actually less than two hours!) and we struck out west from there, across North Dakota, heading towards Glacier National Park in Montana.



There are some parts of North Dakota that are really beautiful! We stopped for coffee at a friend's house in Mandan, which is located on the Missouri River. Their back deck offered us this incredible view - and it was a perfectly beautiful day to enjoy it!



The majority of North Dakota looked pretty much like this, until we got to the very western edge of the state. The "Badlands" of the Theodore Roosevelt National Park in western North Dakota are surprising, to say the least! At one moment, you're driving along through the rolling green hills typical of the photo above, and then you round a curve in the highway, and there you are in the midst of rocky canyons and scrubby landscapes.

We made it through North Dakota and on into Montana, where we turned north to take the "scenic" route to Glacier.



It was .... sort of scenic, I suppose. We spent Monday night in a small town along the way - Glasgow, Montana - and then Tuesday, we headed to Glacier National Park.



Glacier is incredibly beautiful! It is majestic and awesome - and difficult to describe! Unfortunately, we only got to see "part way in," as the road through the pass was still considered too precarious for car travel (avalanche warnings, and so forth). No, we didn't get out to hike it! Instead, we had lunch in beautiful surroundings, saw as much as the park as we could from the eastern and southern parts of it, via road, and then headed to Coeur d'Alene, Idaho, where we spent the rest of the afternoon and night before heading to Seattle, where I stopped in at Threadneedle Street.

But we'll save that for the next installment!

Labels: embroidery resources, needlework and travel, needlework websites, personal, supplies

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Posted By: Mary Corbet on Sunday, July 05, 2009
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My Mom was cleaning out some stuff the other day and came across a few little needlework-related items that she handed over to me, which led me to thinking about different needlework projects Mom has done over the years.

Many folks are lucky enough to learn their needlework skills from their moms, grandmothers, aunts, etc. In my case, I'd say I learned the proclivity towards any kind of crafty-artsy stuff from Mom, but not necessarily specific needlework skills. My Mom, who turns 75 this weekend, was rather the artistic type when she was younger. She took up painting at some point in her eary married years, and even enjoyed showing her work at an art gallery at one point and selling it. She also taught art in a private school in the San Francisco Bay Area for a bit. She was dabbler in lots of things - sewing, painting, needlework, crochet, etc., and most of her kids have ended up being dabblers in one (or many) creative way or another. We dabble. We flit about. What can I say?



These are the pieces that instigated this post. They're needlepoint versions of Pinkie and Blue Boy, famous paintings by Thomas Lawrence and Thomas Gainsborough, respectively. They're not finished. In fact, I think Mom picked out the background stitching and never finished them.



I like them - they may be salvagable, though I don't know what I would salvage them into, except framed pieces.



They're worked in two sizes of stitches on Penelope canvas - the detailed faces are smaller stitches, and most of the rest of the figures are worked in larger stitches.



I always thought Blue Boy looked a bit jaunty.



I like his little shifty eyes. He's definitely checking out Pinkie...



My Mom has always had a penchant for Things Pinkie-and-Blue-Boy. These statues were with us in every house we lived in - and we lived in Many Houses, all over the country!

Studying the Pinkie and Blue Boy canvases led me to another work of my Mom's from her early married days:



I never knew a time when this wasn't on a wall of our homes growing up. It was made from a stamped cross stitch kit Mom bought two years after she was married (so that would have been in 1959, making the piece exactly 50 years old).



Let's see if I can get it right: the stamped fabric cost her 59 cents, and the thread for it cost 30 cents. An 89-cent project - 50 years old - not bad!



She paid $20 to have it framed four years later.

The year Mom got married, she made this baby quilt:



This was another kit - stamped embroidery, featuring Peter Rabbit and Company.



The piece features several stitches - mostly cross stitch, but also a good smattering of satin stitch, stem stitch and daisy stitch.



It's funny to look at this now, when these types of vintage embroidery patterns have become pretty popular once again.



There are a couple stains on the Peter Rabbit section. One of these days, I'll try to remove them!



Nice little watering can... The quilt top was pre-printed with the pattern when Mom bought the kit. She did the embroidery, then put the blanket together.... almost 52 years ago! She was expecting my oldest sister at that point.



I like the little bird...



...but the pink eyes are a bit freaky!



The cottontails are little cotton pom-poms that have held up really well for this many years and several babies' usage!

Later on in life, Mom took up counted cross stitch, and vestiges of her efforts can still be seen around her house.



Mom has always liked birds.



This was one of my grandmother's favorite prayers (my Mom's mom), and subsequently one of Mom's. Mom said she almost kicked herself when she finished the piece and realized she had not cut her fabric large enough for the type of framing she wanted. Still, this has been a nice piece in her house for the past 25 years or so.

Like Pinkie and Blue Boy, the St. Francis Prayer is a recurring theme in her house:



My grandmother gave my Mom and Dad this plaque (which is only about 4" x 6") as a gift many, many years ago - another thing I remember always being on a wall in our homes across the country.

Mom's present needlework pursuits involve crochet only, and she makes some pretty nice doilies, tablecloths, and filet crocheted lace for church use.



Mom didn't make this, but it was in among her needlework things - a souvenir from a one of her trips to Hong Kong many years ago:



She says it's a baby carrier. Her escapades on this trip to Hong Kong were pretty funny. It was her first time abroad, and she had no idea how money exchanging actually worked. When she exchanged money for the first time, she couldn't believe how much they gave her back! So she had fun shopping with it!



The embroidery is machine embroidery; I think it's kind of neat! This has seen several appearances on kids in school plays, costumes, and so forth. I don't think she ever actually used it as a baby carrier!

Mom's needlework adventures also included afghan-making, quilting, sewing children's clothes, making things for the house, and so forth. She's always been a project woman! And it's always heaps of fun, going through her old pattern books and needlework items!

Happy 75th, Mom!

Labels: counted thread embroidery techniques, crochet, embroidery for children, needlepoint, needlework pictures, personal, pictures, vintage embroidery

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Posted By: Mary Corbet on Friday, May 15, 2009
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I've been stitching along rather diligently on the Long Dog sampler that I'm working with my niece. Though it doesn't look like much progress, considering the time I've had to work on it, I think it's coming along well. I thought I'd give you a quick update and then talk plans!

This is a project I started as a stitch-along with my niece, who is learning counted cross stitch in one of her classes. The sampler is called "Angel Pavement," and it's produced by Long Dog Samplers.



This is the progress so far. The outlines of all the "memory blocks" around the edge are complete, so now it's just a matter of filling the rest of them in. Each of those blocks is slightly less than one inch square.



These are my favorites so far. I love the colors and the designs of all three.

Now, onto the question of a hiatus. Wow - time really flies, doesn't it? For those of you who don't know, I am a teacher. I teach English at the high school level, and I also teach six hours' worth of college courses a week (two courses), in the field of education. It almost seems as if the school year just started. As the year comes to a close, things are getting hectic, to say the least!

On top of the end of the year activities, I'm faced with a project with a deadline. A few months ago, I agreed to embroider a pall (a small altar linen) for a woman whose grandson is being ordained a priest this summer. As yet, I still haven't started that - it's due in the middle of June. Heh heh. Oh sheesh. I do tend to procrastinate. I always claim I work better under pressure, and in some cases, I do. In other cases.... well.... The inspiration for this project just hasn't hit me, and the more pressure I feel over it, the more distant my Muse seems! Not a very good situation!

In addition to the above, my family is descending upon Kansas next week, to celebrate my mother's 75th birthday! There are eight children in my family altogether, and all but one will be here, along with some grandchildren, husbands, wives, etc. It'll be fun! Hectic, but fun!

Plans, plans, plans! So I'm planning on taking a hiatus from the sampler here for a bit, until I get all the upcoming major stuff out of the way! You may bid it farewell, then, until the (hopefully not too distant) future!

Labels: counted thread embroidery techniques, needlework pictures, personal, pictures, sampler

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Posted By: Mary Corbet on Thursday, May 07, 2009
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Next weekend, several needlework shops in the Topeka / Kansas City area are sponsoring a needlework shop hop. I'm thinking about this, musing, contemplating, wondering....

I love needlework shops - and I love supporting local needlework shops when I have the opportunity. I strongly encourage supporting your local needlework shop, by the way, because if you don't, some day, it may not be there, and supplies will become harder to find and more expensive. Also, there's something to be said for helping your local economy!

Anyway, enough soap boxing! About this needlework shop hop in the Topeka / Kansas City area... Do you realize how much trouble I could get into, going into FIVE needlework shops in one weekend? It would be a serious glut. It would also be a whole lot of fun!



The five shops are located along the purple path indicated above. All told, the circle is about 200 miles (specifically, 199.6 miles).

The Shop Hop begins on Thursday, April 30th, and lasts through Saturday, May 2nd, so there are three days in which you can make the journey to all five shops. This is the way it works:

In the first shop you visit along the route, you pick up a "passport," which you have marked for each shop you visit along the way. If you visit all five shops involved, then you can turn your passport in at the last shop, to be eligible for prize drawings (in this case, $250-worth of gift certificates). Along the way, the needlework shops also have their own "specials" going on, for people doing the shop hop. So it's an opportunity to become familiar with some local needlework shops and at the same time, to enjoy some special deals.

The shops participating in the Heartland shop hop are:

The Sunflower Seed - Topeka, KS
Stitch-On - Lawrence, KS
Old Mill Stitchery - Liberty, MO (I couldn't find a website)
C.C. & Co. - Blue Springs, MO
Two the Point - Overland Park, KS

I list them in the above order, because that's the route I'd travel. I live quite a bit west of Topeka, which adds a goodly amount of mileage on the above treck.

I've been to three out of five of the shops, and am keen to visit the other two. Still, it's quite a drive!

To hop, or not to hop - that is the question?

I'm definitely leaning towards "hop." If I go, I'll actually have to leave on Friday afternoon, visit the shops in Topeka and Lawrence before they close at 6:00, and then spend the night in the KC area. Then I could visit the shops around Kansas City in a more leisurely fashion, methinks, between 9:00 am - 5:00 pm on Saturday.

If you're in the Kansas City or Topeka area, venture out along the route, and maybe we'll meet up!

Labels: needlework news, personal

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Posted By: Mary Corbet on Saturday, April 25, 2009
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Posted By: Mary Corbet on Saturday, April 04, 2009
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Posted By: Mary Corbet on Friday, February 20, 2009
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On this great feast day, I thought I'd share with you some photos of another hand made item here at home - one that my Mom made!

This is the Nativity Scene I set up here at home this year. My Mom made it (hand poured porcelain) about 45 years ago.



It's out of the box for the first time in about 13 years, when it was resigned to the attic because some of us kids got the hair-brained idea of investing in a new Nativity Scene for Mom for Christmas. A store-bought-multi-charactered-various-buildings-and-accessories sort of scene.



But this year, I wanted to take out the "old" scene and set it up in the entrance of my home.



It's simple: White, smooth, hard porcelain set on red velvet, with a small string of holly and lights and a couple poinsettias - nothing fancy at all.

My Mom made it. I like it best. I love everything it represents.



It's a good reminder of what Christmas is about.

Thanks for all your encouragement and support over the year! I look forward to spending another year in your company - to me, it's like hanging out with a great group of friends!

To one and all, I wish you a very happy Christmas full of many blessings!

Labels: Christmas, personal

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Posted By: Mary Corbet on Thursday, December 25, 2008
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I am so very grateful - and somewhat embarrassed! But - thank you! In yesterday's mail (which I got late yesterday evening), I found the following...

It's the Inspirations magazine #33 that Wooly Thread announced for sale last week!



Two very kind (anonymous) readers ordered a copy from Wooly Thread and had Jan send it to me.



Look! It's the CAMELS! Aren't they lovely? And so... smug, in a camel-ish sort of way. Can I add one of them to my carrot list? I think perhaps I can!

I don't know how I can thank you, whoever you may be! It was a very kind and generous of you, and you can bet I do appreciate it!

When I tackle the camels, you'll be in my thoughts!

Labels: Inspirations Magazine, personal

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Posted By: Mary Corbet on Sunday, September 14, 2008
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Now that I finished the embroidery on "Breath of Spring," and with the busy school year underway, I want to line-up my next needlework projects so that I don't have to focus so much on set-up, and so that I always have a "carrot." You do use needlework as a carrot, don't you?

For me, needlework is absolutely a carrot - it is my inducement to get myself to perform (whether household tasks, job-related activities, whatever) so that I can embroider with a clear conscience. Basically, I do what I have to do so that I can do what I want to do. That's not to say that everything besides needlework is drudgery; on the contrary, I like my job and I like doing other necessary things that relate to normal living. I always find, though, that if I have a goal (get this done now so I can do that later), I work with more energy and focus.

Do you want to know what my carrots are right now? Well - here they are:

First, I'm working on a goldwork project - a small project that's a lot of fun so far. I'm giving it to my niece for her wedding in November. I would like to have it finished by the end of next week, which isn't impossible. I've done all the silk shading, and now it's just a matter of the goldwork.



This is a picture of part of the project. I can't blog the whole thing right now, as the project isn't really "mine." Once it's published, I'll show you my finished work and tell you about it at length. But don't you love the colors so far?



Here's a little shot showing you how a vine is narrowed using gold passing thread. The vine is originally two pairs of passing thread (gold passing thread is generally couched in pairs). Then, about halfway around, I plunged one thread (half of a pair), and then a bit later, another thread, to narrow the vine to only one pair of passing threads. I think the designer was ingenious with this little touch.

After this is finished, I'll move on to beginning my Pelican.



This is the piece that I bought the threads for on my recent shopping venture. It's painted on 18 ct. canvas and the whole thing will be worked in tent stitch. The canvas was designed and painted by Judy of Possibilities, etc. I've had it for a while, and had every intention of starting it last spring, but, amazingly enough, I never had a chance to go shopping for threads until just a few weeks ago.



I don't plan to stitch the whole piece in one sitting. (Oh, no kidding??) Actually, it's going to be an on-and-off piece, for something to stitch on now and then, between projects and whenever I'm on a needlepoint roll. I don't think I would enjoy glutting myself entirely on tent stitch for months until this is finished. I'm looking forward to working it.

My next little project is going to be BABY BOOTIES. I'm excited about this one!!!! I'm going to make a couple sets of little baby booties out of wool felt (I think I'll try some different lining ideas, though - like lining them with flannel, or, for cold weather, perhaps fleece?). They'll be embroidered, of course, and I hope they turn out cute. I've got a pattern set from McCall's (pattern #2867).



I've also found some cute patterns online. I especially like this Bitty Booties pattern from Heather Bailey Designs (PDF). You'll find it on her blog Hello My Name is Heather.

I've also been in the process of designing a really ambitious project.



It's ecclesiastical embroidery and will feature mostly silk shading and goldwork. The design is still in the works, and it's really l-a-r-g-e. I still have some sketching to do on it, like finishing the angels in the arm of the cross:



My plan is to break the design down into workable elements that will be appliqued together onto the main ground fabric. This is a whole new adventure for me - at least on this scale. I'll definitely be keeping you posted on this project's development. If I flop or just give up, you'll be the first to know!

For light work this winter, I've got a couple of Tanja Berlin's kits still - the squirrel and a bird, I think. So it's likely I'll set those up for stitching.

And between these projects, for more immediate purposes, I'd kind of like to make a stack of Christmas cards before the end of November rolls around. I'm thinking about getting some kids together - or at least a couple of my nieces - and doing a kind of group card-making session or four on Saturday afternoons.

All this is fun stuff and really exciting to me. But the reality is that, as much as I'd like to have all these projects underway with a certitude that I could finish them this winter, I know it will not be likely that I'll get them all done. Oh, the ecclesiastical piece will take years, I know. But it's nice to have stitching goals for the fall and winter months, even though I know that my real job is going to be taking the bulk of time. Still, I do plan to stitch, and stitching always makes a Really Good Carrot for me. If I do my work like a good girl, then I can settle into some serious needlework!

Is embroidery your carrot? Do you make up stitching goals for yourself? If you do, how many projects do you have on the burner? (Or at least stewing in your head?) In short, how do you go about planning and executing your stitching adventures? Maybe if we share ideas on this, we can all become more efficient with our time and our approach to our projects!

Labels: ecclesiastical embroidery, goldwork, needlepainting, needlepoint, needlework pictures, organization, personal, pictures, silk

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Posted By: Mary Corbet on Saturday, September 13, 2008
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Posted By: Mary Corbet on Saturday, August 30, 2008
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Today, I suppose I shall go a little off-topic, as this item is not really related to hand embroidery. In fact, there's not an embroidery stitch on it! But fabric and embellishment with fabric fall into the same realm as hand embroidery - somehow - so I thought I'd stretch the niche a bit and show you some photos of a little treasure I came across as I was going through my mom's things this weekend. It's a menu. Really, it's a food menu.

Umpteen years ago, my Mom went to Hong Kong to see my Dad, and while they were there, they went to Gaddi's Restaurant in the Peninsula Hotel, where the menus were embellished with a fabric applique of a Chinese lady. I thought I'd show it to you for two reasons: 1. it's fabric applique; and 2. I think it's pretty!



The cover of the menu is very simple, in fact. The lady stands in the middle, adorned in her silk native-looking costume, and holding a menu. A really large turquoise tassel dangles down the left side, and a little bit of script indicates the name of the restaurant and its location.



I suppose the face is probably silk screened, but I don't know for sure, so I stand to be corrected by anyone who might know! The silver embellishment on the lapel and the gold in the hair look like some kind of foil.



The fabric of the costume is shot through with silver in a floral design, and a red cord hangs down the lady's side, arranged carefully and pinned neatly with another gold foil ornament.



Simple red script names the restaurant and location.



The inside is not quite as pretty as the outside!

I think this lovely little figure would be fun to copy, either as an embroidery pattern or as an applique. It'd probably be neat to fix it in another setting, too, combined with stitches and other embellishment.

But I don't really have the heart to take the menu apart!

Labels: embellishments, miscellaneous embroidery musings, personal, pictures, silk

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Posted By: Mary Corbet on Sunday, June 08, 2008
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Here are some up-close photos of my niece's hand-embroidered First Communion dress. Embroidery on children's clothing, especially for special occasions, is no new thing, really, so although you will see a beautiful dress here, it isn't a "novel" idea! There are still plenty of people out there who make their own children's clothes and embellish them, too... but I have to wonder if it's kind of a dying art?

The Victorians were avid embellishers of children's clothing - fine embroidered baby items were worked with loving hands (or by hired hands) to dress up the baby for grand occasions, and even for every day. With the advent of cotton mills and of mercerized cotton, fine items could be made for a lot less money, making fancy work more accessible to those other than the very rich.

Momentous occasions were celebrated with fine clothing - whether christening gowns, First Communion dresses, graduations, or marriages. Dresses and gowns were passed down from child to child, carefully packed away after the event, to resurface again for cleaning and pressing when the time came for the next in line to wear the piece.

Have we lost these traditions a bit, with the "ready-made" Instant Society we live in? Overall, I think we have. But not everywhere, with everyone. Certainly, companies like Wendy Schoen, Martha Pullen, and Country Bumpkin (with their smocking and christening gown angle) attest to a remaining thread of interest in hand-made, special occasion clothing.

If you'll allow me to brag a bit about my sister, I'll say I'm glad to see that these traditions continue in her family, just as they did in our family. We all (seven of us!) wore the same christening gown and the same First Communion dress, and my older sister has managed the same with her own girls.

She made this at the beginnings of her ventures into heirloom sewing, and it has withstood the test of time - worn this year for the sixth time, over 16 years of use, and looking just as perfect as when it was new!

So that's the history, and here are the photos:



The dress is made of Swiss batiste, with inset lace on the bodice, the skirt, and the sleeves.



The embroidery design is made up of white roses in bullion stitch and a pale green vine and leaves, highlighted with tiny pearls.



The embroidery motif can be found on the back of the shoulders, too...



...and is even repeated on the covered buttons down the back of the dress.



This is the lower part of the front of the skirt, situated between scallops formed by inlaid lace.



Somehow, it loses a bit, looking at it like this on a hanger! The sash is not original - this is a substituted organdy and satin ribbon. Originally, it was a plain white satin ribbon, I think.



This is the front of the bodice. The batiste, you can see, is pretty sheer.



A close-up on the above - the vines are worked in stem stitch and the leaves in satin stitch. All the stitching is done with floche.



And that's the center of the front of the bodice.

Ain't it perty?

My sister's my hero! Golly.

Do you have any clothing traditions in your family? Do you think hand-making special occasion clothing is a dying tradition? I'd love to hear your thoughts!

Labels: embroidered clothes, heirloom sewing, needlework pictures, personal, pictures

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Posted By: Mary Corbet on Saturday, May 10, 2008
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I mentioned a while back that my Aunt was celebrating her 90th birthday, and I shared a photo of the embroidered paper card I made for her. Well, when my parents returned from Alabama, they brought with them something for me from my Auntie, so... I thought I'd show it to you!

Granted, this isn't embroidery. It's a different use of needle 'n thread (or hook, anyway). It's crochet! My Aunt Margaret (affectionately called "Auntie" by everyone), though 90 (and now pushing 91!) is a master with a crochet hook. She's made all her nieces and grandchildren and children and probably all her friends and their children (and on and on) crocheted afghans, sometimes full-sized and sometimes throws.

Auntie's crocheting is always perfect. You can't find a flaw in it if you wanted to! Here's the red-and-white throw she sent home to me:



I love it! It's the perfect size for everything - reading on the couch, even embroidering in the winter - and it doesn't have the extra bulk and length of a regular full-sized afghan.

I like the pattern on it as well - kind of checkered, but not really:



When I graduated from high school, Auntie made me a dark pink and cream full sized afghan. I took it with me to college, which was a good thing! I had a drafty dorm room, and that afghan, I'm sure, saved my life. I slept under it many a winter! I still have it and use it, too, thought it's now stored away for next winter.

My mom tells me funny stories about growing up "in the old days." My mother crochets as well, but she only learned because my Aunt forced her to. The story goes like this:

Margaret's a good 16 years older than my mom. At some point or another, Auntie got married and moved from Florida to Quonset Point, Rhode Island, where Uncle George was stationed in the Navy. Her little sister Laura Ann (my mom) eventually got married to my dad, a Navy pilot, and they were stationed at Quonset Point, as well.

Laura Ann could manage simple crochet, but not like Auntie, who made beautiful doilies. She visited Margaret's house one day and decided she wanted doilies for her house, too! And Laura Ann, the new bride, asked her sister to make her one. Mom was a bit "spoiled" (and perhaps a little demanding), so she probably didn't expect the answer she got! Well... being the Wise Older Sister (or just being ornery, I'm not sure which!), Margaret told her no, to make her own. But Laura Ann said she couldn't read the pattern. Margaret told her to figure it out!



My mother's reaction: "I'll show her. I'll make BETTER doilies." She charged out and bought a book and figured it out herself. Whether or not my mom makes Better Doilies is not the issue! Thanks to Auntie's refusal to oblige the new bride, my mom can make beautiful doilies, among other things. Her obsession now is crocheted filet lace for church use.



But isn't that the way it should be? Teach others - or at least encourage them to learn - how to do some handwork, and they'll have something that will give them pleasure for the rest of their lives!

Thanks for the throw, Auntie!! I love it!

Labels: crochet, needlework pictures, personal

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Posted By: Mary Corbet on Sunday, April 20, 2008
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Tonight, I'm going to embroider. I know that sounds strange, because I embroider often. But tonight, I'm embroidering with a purpose!

I'm making a gift for my sister, and I've been so slow about it. I can't seem to concentrate on the piece, because I'm in the middle of doing heaps of bullion knots. I know when I get the bullions done, I'll be more enthused about it!

The current project I'm working on is called "Breath of Spring" - it's a large striped linen bag with an outside pocket that's embroidered, and it was featured in Inspirations Magazine #56. If you follow the link there, you can "flip" through the magazine and find the striped linen bag. Strangely enough, in the photo, it looks like there are blue flowers on the piece, but there aren't!

This is the first Inspirations project I've ever done as a whole. I like to take ideas or patterns from Inspirations and use them on little things, but I've never actually worked a whole project. So this is a first, and I have a month to finish it.

That's what I'm up to, project-wise. Here are some photos of the parts I've finished, which, as you can see, isn't a whole lot. I've taken liberties on some parts...



Some embroidered butterflies...



Some embroidered bugs...



And some shamefully MESSY bullion knots...

Aside from "embroidering with purpose" tonight, I'm also reveling in the fact that I got the rest of the Gilt Sylke Twist colors: dark blue, purple, and yellow.

Hedgehog Handworks carries all colors (but they don't have the green in stock right now), and they're charging $19.80 / spool, which is the least-expensive price I've seen so far. Admittedly, they get you a bit on shipping (almost $15 for 6 spools of thread?), so it all evens out.

The yellow is actually a VERY nice, mellow gold, and with the gold wrapped around it, it really gleams. It will be perfect for ecclesiastical embroidery. I'm generating ideas and will probably be turning them over in my head the whole time I'm stitching. I'm thinking wheat. And that brings to mind the bullion knots I must finish tonight. Aaack.

I wonder how GST will do, stitching bullions?

Labels: Breath of Spring, ecclesiastical embroidery, Embroidery Projects, Gilt Sylke Twist, Inspirations Magazine, needlework pictures, personal, pictures

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Posted By: Mary Corbet on Friday, April 18, 2008
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For all those who sent me e-mail and so forth expressing kind wishes for my birthday, thank you! I'm not zealous about celebrating my birthday, but who doesn't like receiving good wishes? And... who doesn't like receiving the "perfect" birthday gift? Well, if you embroider and if your tastes are similar to mine, you'll understand how thrilled I was to receive a hefty little package from my sister...

I have an older sister who likes to embroider as well, and in the earlier years of Inspirations Magazine, she was a subscriber. She kept the issues, of course... and now....

THEY'RE MINE!!



I haven't had a chance to pour over them slowly, but it's a nice supply for lunch-break magazine perusals.

Isn't she nice?!

There's one project that did catch my eye right off the bat. One of the magazines has an Or Nué (goldwork and silk) strawberry design in it. I feel another strawberry brewing...! Oh no!

Labels: embroidery books, gift ideas, personal, pictures

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Posted By: Mary Corbet on Saturday, April 12, 2008
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The other day, I mentioned needle lace, cutwork, and embroidery. A day later, we ended up with an embellished landscape! Nature provides great inspiration for embroiderers, but I'm not sure how this week's landscaps could be interpreted in thread and even come close to the original source of inspiration!

Regardless, I thought I'd share some quick photos of the ice storm that hit the Plains this past week. I received several e-mails from readers, hoping that all was well with me and my family. Thank you! Indeed, we were relatively lucky! Although I live in a rural town, it is still a town, and our loss of power only lasted about 12 hours. Neighbors out in the country are still living without power, with an estimated two-week wait! On top of it, the forecast says there will be more snow tonight.



Back yard photo - the woods are congested with trees - from red buds to elm and oak. In the winter, it looks bare and cold and stark. In the spring, a green and purple haze begins to form, the harbinger of new life. In summer, it's thick and relatively lush, and in autumn, it's actually just a dullish yellow. There are few things prettier in nature than ice coating trees. I love the lacy look.



From the front porch, looking up the hill. The trees are bowing quite a bit under the ice.



Bush in front of the porch. I love the red through the ice!



A little bit of a problem with a downed power line right in front of the house...



...and no wonder. This side-yard tree surprisingly didn't cause any damage, though it looks as if it's hanging for support on every power line available!



A little bit of a lacy fringe on a power line...



When the sun came out, things really began to look up! The finest silks, embellished with lace and diamonds, would look dull in comparison to this!



Thanks for your inquiries and good wishes. As you see, all is well on my end!

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Posted By: Mary Corbet on Friday, December 14, 2007
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