http://www.needlenthread.com/default.html Thu, 29 Apr 2010 07:11:55 -0500 http://blogger2wordpress.appspot.com en 1.0 http://wordpress.com http://www.needlenthread.com/default.html http://www.needlenthread.com/2010/04/needlework-book-sale-and-some-news.html Thu, 29 Apr 2010 05:00:00 -0500 Mary Corbet 1 2010-04-29 05:00:00 2010-04-29 05:00:00 open open Needlework-Book-Sale-and-Some-News... publish 0 0 post

You already know I'm a sucker for needlework books, and as full as my bookshelves may be, I can always somehow find room for more. Interweave Press puts out facsimile copies of all the Weldon's Practical Needlework books. I'd love to have this collection! But the cover price for one volume is generally $30. Right now, you can pick them up for $18 each, which isn't too bad.



The various volumes of this copious needlework publication contain all kinds of needlework instruction and patterns. The individual volumes cover many needlework interests: knitting, crochet, embroidery, lace making, canvas work, smocking, drawn thread embroidery, Mountmellick embroidery, and the list goes on. While each volume doesn't contain every single type of needlework, the books are varied enough to keep a needleworker occupied for a long time!

In the needlework section, you can also find quite a few back issues of Piecework Magazine available at a discount. Now might be the time to finish your collection, if you've been trying to build one.

News

Tomorrow is it - the last day of Needle 'n Thread as we know it! I think you'll really like the new and improved site. It includes many of the features that you've suggested over the years. There's going to be a transition time, but it'll be as short as possible. Tomorrow, I'll give you a sneak peek of the new site, but if you don't hear for me for a couple days after that, it's just to work through the transition. I'll be posting again as soon as possible, and, from what I understand, those who are subscribed via e-mail or a feedreader are fine. You won't need to change anything. (If, however, you don't hear from me for more than a couple days, you might want to check in! If there's a problem, we'll fix it!)

From what I understand, the site will still be here and look like it does now, until the transition is made. It will just be stagnate, as I won't be able to post through Blogger after April 30th.

Keep an eye out for tomorrow's sneak peek!

]]> embroidery resources needlework news 1218 Cynthia Bonnell noreply@blogger.com 2010-04-29 06:42:01 2010-04-29 06:42:01 1 0 http://www.needlenthread.com/2010/04/follow-blackwork-fish.html Wed, 28 Apr 2010 09:25:00 -0500 Mary Corbet 2 2010-04-28 09:25:00 2010-04-28 09:25:00 open open Follow-the-Blackwork-Fish publish 0 0 post

I began this embroidery project at the end of February, 2010, and I hope to have it finished by the beginning of May. I'll update these dates when I actually do finish the project!



The project came about as the result of a doodled design of a fish, when I was playing with "zentangles," which are basically drawn image that make use of repetitive patterns. It seems that, properly speaking, zentangles have no definite form, but this project started out as the doodled outline of a fish, which I filled with repetitive patterns. While doodling, I started thinking of ways to translate the concept into needlework, and the Blackwork Fish emerged.

The project is worked on 40 count white Legacy linen, using 8 different weights of black silk thread made by Pipers Silk. The threads were originally packaged for blackwork by Leon Conrad.

The stitches and fill patterns are more or less random - whatever pops into my head as I'm stitching.

Below, you'll find all the posts related to the project so far, in chronological order. As the project continues, I'll add the rest of the links here.

Setting Up the Blackwork Fish Project
Starting the Face on the Blackwork Fish
Progress on the Blackwork Fish, and the Original Doodle
More Progress - the Fin of the Blackwork Fish
The Lower Half of the Blackwork Fish
Progress on the Upper Half of the Blackwork Fish
]]> Embroidery Projects pictures blackwork needlework pictures 1219 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2010-04-29 04:24:35 2010-04-29 04:24:35 1 0
I wanted you to point you to a bead journal friend of mine, Angela Plager..who is also using zentangles to inspire her bead journal project for this year.

http://angelaplagerbjp.blogspot.com

Here is a post showing how she transferred her zentangle design to fabric...

http://angelaplagerbjp.blogspot.com/2010/01/following-inspiration-part-5.html

You both have me very intrigued about zentangles...]]> 1220 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-04-28 23:38:33 2010-04-28 23:38:33 1 0
I just love this project. I am not a doodler, as I have not one creative bone in my body. So I am amazed at those who can draw things, whether by design or by doodling. It is so interesting to see how this project is evolving. You asked earlier for suggestions on what to do with the final product. I think it would look very good framed and hung in a black and white room (somewhat extravagant) or attached to a black silk tote bag (also extravagant.]]> 1221 Hartasu hartasu@gmail.com http://www.blogger.com/profile/08044179266450209420 2010-04-28 13:39:37 2010-04-28 13:39:37 1 0 1223 Janice M. Miller noreply@blogger.com 2010-04-28 12:26:24 2010-04-28 12:26:24 1 0 I am so "in love" with your fish. I have followed everything and even zoomedon the various stitches. He is a beautiful work and I wish I had the kind of talent you do to make him happen for me. Thanks girl
Janice]]> http://www.needlenthread.com/2010/04/italian-needlework-supplies-resource.html Tue, 27 Apr 2010 08:39:00 -0500 Mary Corbet 3 2010-04-27 08:39:00 2010-04-27 08:39:00 open open Italian-Needlework-Supplies---A-Resource publish 0 0 post embroidery iron-on transfer packs from Italy, via the company that produces them, Mani di Fata. I've long been a fan of many European needlework products and publications, and lately, I've come across a nice resource for Italian needlework supplies, including linen and threads for the various types of whitework and drawn thread embroidery that are popular parts of Italian needlework traditions.

Italian Needlecrafts is a retail website dedicated to... Italian needlecrafts! On the website, you'll find a whole selection of the aforementioned Mani di Fata embroidery transfers, with a nice variety of beautiful embroidery designs for household and other linens.



But of all the nice things on the site, this is really what I was after. Inspired by pottery designs from Ferrara, Italy, Estense embroidery is beautiful and colorful. A while ago, I saw a reference to this book somewhere online, and of course, I lost track of the resource! I was thrilled to find the book here.

Besides books and design resources, you'll also find some very nice Italian linen available on the website. Careful, though - the prices reflect the price for fat quarters, so if you're looking for a whole meter, you have to multiply the price times 4. Still, if you're looking for Italian linen for whitework, cutwork or Assisi embroidery, and you wonder what linen is used in all those beautiful examples of Italian needlework, this is the stuff.

I've added a few items from Italian Needlecrafts to my list, and when the budget is conducive to making an overseas purchase (shipping's a real bear!), I'll pick up a few things that I can't find available here in the US.
]]> embroidery resources regional embroidery techniques 1226 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-28 02:09:32 2010-04-28 02:09:32 1 0
Veeerrry interesting and intriguing. I went into the site and is great for a fan of old style and/or different things like me. Now, does that say I'm old and/or different or the things on the site? Probably both right!

Thanks Mary, Cheers, Kath.]]> 1227 margaret c. noreply@blogger.com 2010-04-27 21:49:57 2010-04-27 21:49:57 1 0 lot of trouble. (I'm in the States and had customs problems and other issues.)

Among the items that I bought was a selection of Italian linens (they're wonderful). I am so happy that you found another place for Italian linen because I want more! I think that this site has a better selection of linens (especially colours) than Mani di Fata/Canetta.]]> 1229 Anonymous noreply@blogger.com 2010-04-27 11:07:26 2010-04-27 11:07:26 1 0 http://www.needlenthread.com/2010/04/blackwork-fish-coming-along.html Mon, 26 Apr 2010 09:59:00 -0500 Mary Corbet 4 2010-04-26 09:59:00 2010-04-26 09:59:00 open open The-Blackwork-Fish---Coming-Along... publish 0 0 post last we visited the Blackwork Fish, I had not quite finished embroidering the lower half - almost, though! Today, I'll show you how far I've gotten, talk to you a little about the pros and cons of the project, and pose a question that has come up.

To recap, the Blackwork Fish began as a doodled drawing. When I finished with the doodling, which was done on a whim in a moment of boredom while waiting for an appointment, I began to wonder if this type of doodling could be interpreted in embroidery. Recalling that I had a package of unused black silk threads in various weights, I found the concept of embroidering the doodled fish rather appealing. And hence, the Blackwork Fish.



The last time we looked at the fish, that's what he looked like.



Here, I'm moving towards the tail. I wanted to move some of the stitches laterally, because normally on a fish there's an obvious lateral line in the middle of the caudal peduncle (the narrow part of the body that the tail's attached to). But I didn't quite carry the lateral stitching across the middle of the peduncle, as you can see:



I'll actually pick up some darker lateral lines in the top half of that back area by the tail, if I remember! I figure there's not too much about this fishy fellow that's very realistic, anyway. So I won't fret over it!

Funny - until I actually had the outline of the body stitched (minus all the fins and tail), I didn't realize what a big forehead the fish has! It looks kind of odd at this point, but I think once the dorsal fin (the top fin) is stitched, it'll look a lot better.

So that's the complete bottom half of the fish.



Then I moved up to the forehead of the fish. I like the wheat stitch for working darker lines, and I found myself using it more and more on the top of the fish. It tends to look kind of sea-weed-ish, doesn't it? I stitched lines of buttonhole scallops on each side of the wheat stitch line.

You can also see that I've sketched in a few divisional areas, using a micron art pen. This helps me divide and conquer the stitching areas. I find it's easier to stitch in some darker dividing "lines" and then to fill in between with smaller threads.

One of the pros of working this project is that there's never really a dull moment, because each area changes. One of the cons is that I find myself drawing a blank now and then when thinking up a new fill pattern or line stitch to use.



The "square" lines in the lighter threads that fill in the area above are worked in buttonhole stitch. I like using buttonhole stitch - it's versatile! It looks different with each application and it takes on a different look depending on the weight of the thread, too.

Another one of the pros of the project - for a different look without having to change the stitch, just switch to a heavier or lighter weight of thread. One of the cons - I find myself switching threads more often than I usually like!



I jumped over and worked some of the divisional areas next. The scalloped half-circle there is worked in a combination of buttonhole and straight stitch. I didn't want the scallops to be solid. I was trying to achieve a kind of sketchy look, but it looks somewhat sloppy, so I might end up going over this area again. On the other hand, once this area is surrounded with stitches, it doesn't look as sketchy.



The filling here was completely random. I started with backstitch, outlining the scallop semi-circle, using a tiny thread. As I stitched, I moved the lines out, and ended up with some chunks of area suitable for different filling patterns.



The variety makes it fun. The stitches look a bit larger than they are in real life, due to the close-up shots. I'm stitching on 40 count linen, so that may give you an idea of the size of the individual stitches.



That's about half of the top of the fish, finished.



Working towards the double wheat stitch lines, I used buttonhole stitches to fill, changing the weight of the thread and the size of the stitches. To give a little depth to the lines, I used stem stitch to darken the under parts of the curves of the buttonhole stitch lines.



I want to be careful with how I fill the area behind the tip of the fin there. I really want the fin to maintain the look of standing out from the fish, if possible.



And there's the fish so far!

I've had some suggestions for finishing the project: pillow, outer pocket of a black and white tote bag, framed for a "guy" gift, and so forth. Any other suggestions?

Finally, I'm contemplating all the fin areas. Should each little section of each fin be a different fill pattern? Or should I keep the fins uniform, to make the body stand out more? That's something I'm contemplating.

What think you?

I'm enjoying this project, more than I actually realized I would. It's fun! And while working on it, all kinds of possibilities for future projects have been floating through my head. It might be fun to do a series of these. It might be fun to play with the same concept, only in color. So many possibilities! So little time!!!

]]> Embroidery Projects pictures blackwork needlework pictures 1225 Francesca noreply@blogger.com http://www.blogger.com/profile/01316361078052416731 2010-04-28 06:41:08 2010-04-28 06:41:08 1 0 1228 Lisa T noreply@blogger.com 2010-04-27 21:40:46 2010-04-27 21:40:46 1 0 1231 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2010-04-27 08:27:03 2010-04-27 08:27:03 1 0
What if for the fins you pick three patterns and repeated them? That way you have both uniformity and a suggestion of movement?]]> 1232 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-04-27 02:08:30 2010-04-27 02:08:30 1 0
Your fish is fascinating me very much!! It's very creative, and the random patterns make it very attractive.

I agree with all others in keeping the fins in simple straight stiches; you can use something like the long and short dash lines which you have used in the curve portion below the mouth. something like the following pattern in the upper and lower fins - |',','|,',',| (take commas for straight lower dashes :), and ofcourse more closely spaced).

The tail fins could be worked in fish bone stitches separated by straight stiches.

But I believe you have more creative ideas :). Looking forward how it would progress...]]> 1233 Dolores dsedore1@hotmail.com http://www.blogger.com/profile/00013261733996949731 2010-04-26 23:46:55 2010-04-26 23:46:55 1 0 1234 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2010-04-26 23:02:26 2010-04-26 23:02:26 1 0 Hooroo,
Christine in much cooler Sydney Australia.]]> 1235 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-04-26 22:37:39 2010-04-26 22:37:39 1 0
This project would be wonderful as a notecard. Have you ever thought of printing notecards of some of your stitcheries? I've done some of my crazy quilted blocks, simply by putting them in the scanner and printing onto card stock. They are cheaper and more personal than store-bought cards.

I'm thinking I'd leave the fins as simple as the one is now (just outlined). Or filled in completely with satin stitch or another fill stitch. The simplicity would really set off the complex body.]]> 1236 Walden lynn121@hotmail.com http://www.blogger.com/profile/03455450537078747858 2010-04-26 22:36:10 2010-04-26 22:36:10 1 0 1237 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-04-26 22:33:42 2010-04-26 22:33:42 1 0 1238 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-26 18:43:10 2010-04-26 18:43:10 1 0
Goodness, he's almost fin-ished!

"Capital, capital, excellent" like Mr ? kept saying in Pride and Prejudice.

I would keep the fins uniform, not only to complement the body but also for their own benifit.

The fish might be suitable for a blokes scarf too.

Cheers Kath.]]> 1239 Heidi noreply@blogger.com http://www.blogger.com/profile/06047448565179055542 2010-04-26 16:48:55 2010-04-26 16:48:55 1 0
PS: Your fish reminds me of a James Christensen fish. I love it.]]> 1240 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-04-26 16:43:42 2010-04-26 16:43:42 1 0 I aree is it just too nice a piece (especially with the silk thread) to use it as a pillow. I agree it is worhty of framing - unusual, fascinating to look at, and beautiful to boot!- but don't think it has to be a guy gift, unless, of course, you really really like the guy, or the guy really really apreciates the gift.]]> 1241 Dorothy noreply@blogger.com http://www.blogger.com/profile/14452808705092546809 2010-04-26 16:36:47 2010-04-26 16:36:47 1 0 For fishy inspiration,one local town has a ShadFest complete with lots of fishy inspiration. (link would be thru lambertville.org)
Dorothy]]> 1242 slavetobeads.1000markets.com taniaworth@gmail.com http://www.blogger.com/profile/10571043095169935451 2010-04-26 16:07:12 2010-04-26 16:07:12 1 0
Tania]]> 1243 Shusha noreply@blogger.com http://www.blogger.com/profile/05990620627136344377 2010-04-26 15:26:31 2010-04-26 15:26:31 1 0 1245 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2010-04-26 14:40:26 2010-04-26 14:40:26 1 0
You suggestions to use this are great. I could see it being a lovely wall hanging in the sports lodge...summer cottage...they other quiet spot in the house to dream of the fishing trips.

Keep up the great work...you inspire us all.]]> 1246 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-04-26 14:12:49 2010-04-26 14:12:49 1 0 1247 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2010-04-26 13:39:56 2010-04-26 13:39:56 1 0 1248 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-26 13:20:45 2010-04-26 13:20:45 1 0
Gillian - Regarding the outline and the fish in general, it's not really "blackwork" proper, the way the term is used today. It's only blackwork, in the sense that it's done entirely in black thread, which is why blackwork was originally called blackwork, but the actual proper "blackwork" embroidery has morphed into something specific. So I'm using the term loosely. I would say with this type of random needlework, there's not necessarily a right or wrong way. I can see the point of stitching the outline last, so that it covers up the edge of the stitches, but I stitched it first to give me a sense of placement and to help me determine what threads I want to use in comparison to the thread and stitches used for the outline. So I'm not really following specific rules for the project, since I'm not really following any specific technique.

I actually thought about gold to begin with, by the way, but the more I work on it, the more I like the black-on-white.

Thanks again for the comments!

MC]]> 1249 Bobbi noreply@blogger.com 2010-04-26 13:10:31 2010-04-26 13:10:31 1 0 1251 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2010-04-26 12:26:47 2010-04-26 12:26:47 1 0 1252 Elza Bester noreply@blogger.com 2010-04-26 12:16:46 2010-04-26 12:16:46 1 0 You are a shear genius!!! Mr Fish is just getting better and better. What to do with it afterwards? Well if you are not going to donate it to me... ahem... Mr Fish must definitely be framed!! It is to good for any other uses!! Love. Elza Bester Cape Town]]> 1253 Cynthia L. noreply@blogger.com http://HomeMatters1st.blogspot.com 2010-04-26 11:42:03 2010-04-26 11:42:03 1 0
Wow, your doodle really is turning into something beautiful! Your work is wonderful.

Look forward to seeing more!]]> 1254 Gillian noreply@blogger.com http://www.blogger.com/profile/08398724553076514377 2010-04-26 11:40:36 2010-04-26 11:40:36 1 0
I do have one question though. You stitch the outline of your fish before you have filled in all the middle stitches. Is this something you always do with blackwork or just a one off on this project? I was under the impression that the outline was the last thing stitched.

Maybe you could use some gold thread to outline some important points and another comment is I think you should stitch the fins all the same to make them stick out but maybe using different thicknesses of thread.

I think the finished project will look great. Keep up the good work. I admire your effort.

Gillian Gonzalez]]> 1255 LollyChops lollychops@gmail.com http://www.blogger.com/profile/17965880109441857257 2010-04-26 11:34:39 2010-04-26 11:34:39 1 0
it's STUNNING!!!!!]]> http://www.needlenthread.com/2010/04/stumpwork-goldwork-by-jane-nicholas.html Sun, 25 Apr 2010 05:00:00 -0500 Mary Corbet 5 2010-04-25 05:00:00 2010-04-25 05:00:00 open open Stumpwork-&-Goldwork-by-Jane-Nicholas-Coming-Soon publish 0 0 post

Jane Nicholas is among the best when it comes to stumpwork and goldwork embroidery. I love her books! I've reviewed a few of them - Stumpwork Medieval Flora and Stumpwork Embroidery, both of which are equally beautiful and instructive books. Her new book coming out in June, 2010 (on her website, anyway), is Stumpwork & Goldwork Embroidery, inspired by Turkish, Syrian, and Persian Tiles.



If you click on the image of the book above, it will take you directly to Jane Nicholas's website, where you can read some details about the book, which is scheduled for release in the US in August (but hopefully, it will show up a bit sooner!). You can also pre-order the book from Jane's website, which is always a great idea if you are eager to get it.



To get a sense of the designs offered within the book, take a look at the stumpwork and goldwork kits available from the projects in the book. It looks as if the kits will be available this month some time, so that's pretty exciting!

There's not one kit there that I don't like, but there are several that really appeal to me above the rest! I'm afraid I will definitely be succumbing to the temptation on some of them.

I love the vibrant colors in all the tiles, but it seems that the ones featuring red and purple really grab me!



This is the most expensive kit from the selection. The Sryian Pomegranate Tile is featured on the cover of the book for obvious reasons! I love the irises, I love the scallops, I love the little shoots of red flowers, and oh, I love the pomegranate!



This Persian Peony Tile is lovely, and it's the piece that alerted me a few months ago to this upcoming book when Sandy Vass of Gold 'n Stitches blogged about the Persian Peony Tile project that Jane Nicholas taught at one of the Koala Conventions classes. When I saw Sandy's project, I was enchanted! The first thing that struck me was the vivid color on the crisp white background. The delicate shape of the design, the airy thistles, the red peony lined with gold all struck my fancy right away. When I found out there was a Whole Book of these designs coming out, I was thrilled.



Finally, this Cherry Flower Roundel is on my list. It's a smaller project, a little more affordable, and I adore the edge treatment!

It's so easy to get excited about Jane Nicholas's work. Her books and projects always entice me. She has a unique design style - when you see her work, it says "Jane Nicholas" - and that's not a bad thing, because I've never seen any work of hers that I didn't like.

The difficulty, of course, is that there's only so much time in one's life! I already have a list of projects I want to do and a list of projects that I have to do this year. Is there enough time to get them all done? Probably not.

But I can't help it. I'm afraid the Tiles just moved to the top of both lists!

Do you ever get the itch to do something so badly that it's the only thing you can envision doing, and if you don't do it, you'll be distracted by it until you do? Well, that's how I've been since I saw the tile project on Gold 'n Stitches.

My mom always said that anticipation is greater than realization, and now that I've lived a bit, I think she may have been right.

But not about these.
]]> goldwork embroidery resources embroidery kits stumpwork embroidery books 1224 Ramya noreply@blogger.com http://www.blogger.com/profile/00894780256080713640 2010-04-28 10:18:54 2010-04-28 10:18:54 1 0 A very nice review indeed. I just went into Jane's site and the cherry roundel appeals to me both in looks as well as price. I have never done stump work before so I'm waiting for your tutorial on it so that I too can start it along with you.
Thanks for the lovely review!]]> 1256 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-04-26 02:42:20 2010-04-26 02:42:20 1 0
She also has a project (one of the tiles) in the newest Inspirations Magazine which has just come out (issue 66). Thank you Jane Nicholas, for all your research, books, classes, and kits/supplies, that allow the rest of us to be intoduced to the wonderful world of stumpwork!

Thanks, Mary!]]> 1259 Anonymous noreply@blogger.com 2010-04-25 08:19:29 2010-04-25 08:19:29 1 0
Jayashree]]> 1260 Anonymous noreply@blogger.com 2010-04-25 07:24:28 2010-04-25 07:24:28 1 0 I was delighted to read your review about Jane Nicholas' upcoming book. I was aware that it was to arrive this summer- I try not to miss anything when it comes to her glorious work. I have almost all of her books now, and have always found them to be beautiful-with fine illustrations and clear instructions. She is an incredible teacher with the ability to teach embroidery to all interested. I have been most fortunate to have studied with her on 3 occasions- memories I cherish. She is, indeed, a very special lady!]]> 1261 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-25 07:15:34 2010-04-25 07:15:34 1 0
Am grateful for this review. Went into Jane's site and The "Turquoise Peony Tile" appeals to me the most.The colours and smaller design catch my attention. Also the small Ixmik Carnation Tile.

The book No. 6 on Stumpwork Medieval flora has special appeal to me too. So... Abrraa cadabaraa, zippydy zooks, expand bookcases to take lots more books. AND don't forget my bank balance while you at it. Thanks in anticipation!!


Good oh Mary, All the best in all your pursuits. Hope you and yours keep well. Bye for now Kath.]]> http://www.needlenthread.com/2010/04/drawn-thread-embroidery-tutorials.html Sat, 24 Apr 2010 07:08:00 -0500 Mary Corbet 6 2010-04-24 07:08:00 2010-04-24 07:08:00 open open Drawn-Thread-Embroidery-Tutorials publish 0 0 post

Drawn thread embroidery is a technique that requires the stitcher to remove either vertical or horizontal threads from the fabric before stitching. The stitching itself in drawn thread work is usually both functional and decorative - the stitches hold the remaining threads together while adorning the area worked.





Drawn Thread - Securing Edges with Re-Weaving
Drawn Thread - Securing Edges with Satin Stitch
Drawn Thread - Hemstitch Tutorial
Drawn Thread - Chain Loop Bunches
Sampler Update with Schwalm Embroidery
Online Book on Drawn Thread Techniques
Diamond Stitch in Drawn Thread Work
Coral Knot Bunches in Drawn Thread Embroidery
Zig-Zags in Drawn Thread Embroidery
Simple Treatment with Coral Knots
Drawn Thread Embroidery on Gingham

]]> needlework tutorials embroidery tips and tricks drawn thread embroidery 1244 JudyinPittsburgh noreply@blogger.com 2010-04-26 14:48:50 2010-04-26 14:48:50 1 0 I absolutely LOVE your idea of grouping together all the lessons you provide, into one blog entry where I can access and look at progress of a piece from beginning to end, again, in ONE entry. So very thoughtful and brilliant on your part to make your material "User Friendly"...but then, that's You...always "user friendly"...thanks a bunch
Judy in Pittsburgh]]> 1250 Carol DuVall noreply@blogger.com 2010-04-26 12:55:38 2010-04-26 12:55:38 1 0 I so enjoy each and every email you send out! You are so inspiring. I'm making a notebook of the blackwork fish, so I might try it at a later date. I'm so impressed with your "doodling"!

Another suggestion for finishing the fish. Make it into a 3-dimensional....make a back for it (maybe out of a black suede) and stuff it....then find a pretty stand to display him (her) on....I'm thinking of stands now....some candlesticks can be used as stands. Wouldn't it be dramatic to have maybe 3 fish in various sizes and heights to display together! Just having fun with the old imagination!

Carol]]> 1262 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-04-25 01:46:21 2010-04-25 01:46:21 1 0 1264 Anonymous noreply@blogger.com http://juliescraftsandhobbies.blogspot.com 2010-04-24 21:13:39 2010-04-24 21:13:39 1 0
These links are brilliant, as I only found out about you recently, I didn't know you have done this sort of drawn thread work. I have a band sampler that I started many years ago on 36 count linen from SANQ (vols 7-12). There are 2 white work sections. The instructions say to satin stitch to secure the ends (as in your second link), but I wasn't sure if this would hold, so I rewove the ends in (but didn't think to remove the next thread first). Consequently my re-woven bits are a bit bulky, so I'll try and redo them the proper way.

Thank you so much, that project has stalled for many years (as I am on the second part of reweaving the ends) now I have incentive to complete a lovely work of art.

hugs
Julie in Australia]]> 1265 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-24 20:13:36 2010-04-24 20:13:36 1 0
I remember doing this at High School. Not the fancy ones though. They look really smart. I know I enjoyed it but have never done any again. Too bad on my part but glad of the incentive to get going again.

Thanks, Kath.]]> 1267 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-04-24 10:47:59 2010-04-24 10:47:59 1 0
You are the BOMB! You just get cooler, and cooler, and cooler every day! Ditto what Annie said! I want to grow up to be like you too! I'm 40 this year. Do I still have time?

LOL! Sheila :)]]> 1268 Anonymous noreply@blogger.com 2010-04-24 08:39:51 2010-04-24 08:39:51 1 0 I am just in awe...all of your work is amazing. When I grow up I wanna be you! lol
Annie in Michigan]]> 1269 Cynthia Bonnell noreply@blogger.com 2010-04-24 07:59:49 2010-04-24 07:59:49 1 0 http://www.needlenthread.com/2010/04/church-embroidery-step-by-step-agnus.html Fri, 23 Apr 2010 05:15:00 -0500 Mary Corbet 7 2010-04-23 05:15:00 2010-04-23 05:15:00 open open Church-Embroidery-Step-by-Step:-Agnus-Dei publish 0 0 post

This church embroidery project began in December, 2006, with designing the piece. I began stitching the piece in the middle of February, and finished it in April, on time for Easter. The project took in excess of 300 hours, including design, set up, some practice stitching, and the stitching and finishing of the piece.



If you would like to follow this project as it developed, please visit the following links, which is are listed chronologically:

Italian Stitch - experimenting with the background stitches
Project Set Up and First Stitches
Finishing the Hill and Beginning the Background
The Sky is In and Beginning the Nimbus
Couching Flat Silk with Gold Passing Thread
The Halo and Banner are Completed
The Lamb is Finished
The Completed Project

]]> ecclesiastical embroidery goldwork embroidery tips and tricks silk 1230 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-04-27 08:57:27 2010-04-27 08:57:27 1 0 1266 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-24 20:06:06 2010-04-24 20:06:06 1 0 I came in on the last of this one. Always intended to trace back but...So this is a good and easy prompt.
Thanks, Kath]]> 1270 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-04-23 21:01:41 2010-04-23 21:01:41 1 0 Thanks, I'm so glad you posted all the links for this project. I'm on vacation in Colorado (visiting the granddaughter :)) and am struggling with a slow connection. I look forward to sitting down and slowly going through the whole project.]]> 1271 margaret c. noreply@blogger.com 2010-04-23 13:33:16 2010-04-23 13:33:16 1 0 Needle 'n Thread and have been an avid and enthusiastic reader ever since!]]> 1273 Glapha Cox noreply@blogger.com http://www.blogger.com/profile/00007719676640457511 2010-04-23 08:20:25 2010-04-23 08:20:25 1 0 http://www.needlenthread.com/2010/04/crewel-embroidery-project-step-by-step.html Wed, 21 Apr 2010 21:55:00 -0500 Mary Corbet 8 2010-04-21 21:55:00 2010-04-21 21:55:00 open open Crewel-Embroidery-Project-Step-by-Step:-Crewel-Rooster publish 0 0 post

The Crewel Rooster embroidery project began on December 31, 2009, and I finished him in the middle of February. This embroidery project was primarily experimental - I wanted to test the new linen twill by Legacy linen and try out a variety of wool threads that are available on the market.



If you are interested in following this project step-by-step, the following links will take you chronologically through the whole piece, to the finish plans.

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail
French Knots on the Wattle
Adding the First Blue Feather using a Raised Backstitch
The Rooster Tail, Finished for Now
The Wing - Three Attempts
Adjusting the Tail Feathers One More Time
The Rooster's Head, Neck, and Comb
The First Flower Attempt Comes Out
New Colors for the Flowers
Lots of Knots
Rethinking the Flowers Again
More knots on the Flowers and a Color Change
The Crewel Rooster - Finished!
The Crewel Rooster on a Platter

]]> needlework tutorials Embroidery Projects embroidery tips and tricks crewel work 1272 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-04-23 12:10:23 2010-04-23 12:10:23 1 0
Great that you are indexing your projects! As expressed in my previous comment I'm really excited to know that you too had the same thing in mind :)

Looking forward to the new website!
Love you for putting in this much effort for us all]]> 1276 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2010-04-23 01:59:08 2010-04-23 01:59:08 1 0 Well done, after all the ripping out and re-doing the result was certainly worth all your hard work. Hope you're pleased with him?
Thanks for sharing your journey with us all,
Hooroo,
Christine in sunny Sydney Australia]]> 1277 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-22 18:33:45 2010-04-22 18:33:45 1 0
Thanks again. You're doing a great job.

Cheers, Kath.]]> 1278 Kathleen T noreply@blogger.com http://www.blogger.com/profile/10850760845476699677 2010-04-22 16:19:53 2010-04-22 16:19:53 1 0 1280 FredaB fmbutler@hotmail.com http://www.blogger.com/profile/08000510495713705938 2010-04-22 12:36:27 2010-04-22 12:36:27 1 0
The rooster turned out perfect. I could just look and look at it. The colors are wonderful. I truly envy you your talent.

Hugs

FredaB]]> 1281 Anonymous noreply@blogger.com 2010-04-22 10:36:29 2010-04-22 10:36:29 1 0
Thank you so much for posting the complete instructions for both the rooster and the pomegranate projects. I had saved them separately as you went through the projects and this makes it so much easier with everything in one place.

Helen in SW FL]]> http://www.needlenthread.com/2006/06/needlework-books.html Fri, 16 Jun 2006 12:57:00 -0500 Mary Corbet 9 2006-06-16 12:57:00 2006-06-16 12:57:00 open open Needlework-Books publish 0 0 post
These are needlework books that I've found inspirational and useful, and I hope the review helps you see whether or not a specific book is suited to your tastes and interests in needlework before you make an investment in it.

• Eighteenth Century Embroidery Techniques
  by Gail Marsh



• 19th Century Embroidery Techniques
  Gail Marsh


• A-Z of Goldwork with Silk Embroidery
  Country Bumpkin Publications



• A-Z of Whitework
  Country Bumpkin Publications



• Abécédaires de Tradition
  By Marie Clare



• All that Glitters
  By Alison Cole



• The Art of Embroidery
  By Lanto Synge



• The Art of Teaching Craft
  By Joyce Spencer and Deborah Kneen



• Basic Principles of Schwalm Whitework
  By Luzine Happel



• Basics of Embroidery on Paper
  By Erica Fortgens



• Beginner's Guide to Crewel Embroidery
  Jane Rainbow



• The Beginner's Guide to Goldwork
  by Ruth Chamberline



• Beginner's Guide to Mountmellick Embroidery
  
  by Patt Trott
  
• Beginner's Guide to Silk Shading
  Clare Hanham



• Broderie et Dentelle sur Carton Perforé
  By Veronique Maillard



• Broderies Colbert (Colbert Embroidery)
  Éditions L'Inédite - Paris



• Bunnies in My Garden
  by Jenny McWhinney



• Comendium of Ancien Artistic Initials for Vintage Style Monograms
  by JF and FA Shepard



• Crewel and Surface Embroidery: Inspirational Floral Designs
  Trish Burr



• Crewel Embroidery: A Practical Guide
  By Shelagh Amor



• Crewel Embroidery in England
  By Joan Edwards



• Dictionary of Embroidery Stitches
  By Mary Thomas



• Early American Crewel Designs
  By Frances Bradbury



• Embroidered Flora & Fauna: Three-Dimensional Textured Embroidery
  By Lesley Turpin-Delport & Nikki Delport-Wepener



• Embroidered Flowers for Elizabeth
  By Susan O'Connor



• The Embroiderer's Handbook
  Published by the same people who put out the A-Z series



• Embroidery on Paper
  By Cynthia Rapson



• Embroidery on Paper for Every Occasion
  By Joke and Adriaan de Vette



• Embroidery Stitch Bible
  Betty Barnden



• Embroidery Techniques and Patterns
  Marie-Noelle Bayard



• English Crewel Designs: 16th - 18th Centuries
  By Frances Bradbury



• Fancy Hems
  By Luzine Happel



• Floral Interpretations for Silk Ribbon Embroidery
  By Helen Dafter



• Filet Lace - Introduction to the Linen Stitch
  By Marie-Jo Quinault at Filet Lace By the Sea



• Goldwork Embroidery: Designs & Projects
  by Mary Brown



• Iron-On Transfers
  Several Reviews in One Review



• Left-Handed Embroiderer's Companion
  By Yvette Stanton



• Letters and Monograms from the House of Malbranche
  By Yvonne Van de Velde-Malbranche and Christine Rosenthal



• Long and Short Stitch Embroidery, A Collection of Flowers
  Trish Burr



• Mains et Merveilles
  French Published Needlework Magazine



• Making Hand-Sewn Boxes
  By Jackie Woolsey



• The Midas Touch
  By Alison Cole



• Metal Thread Embroidery
  By Jane Lemon



• The New Crewel
  By Katherine Shaughnessy



• Painting with a Needle
  By Young Yang Chung



• Redoute's Finest Flowers in Embroidery
  Trish Burr



• Ribbon Embroidery and Stumpwork
  By Di van Niekerk, published by Search Press



• Royal School of Needlework Embroidery Techniques
  By Sally Saunders



• Schwalm Whitework Embroidery
  Christine Bishop



• Stumpwork Embroidery
  Jane Nicholas
  
  
• Stumpwork: Medieval Flora
  By Jane Nicholas



• Twixt Art and Nature: English Embroidery from the Metropolitan Museum of Art
  Metropolitan Museum of Art



• Variety Magazines: Italian Cut Work and Filet Lace
  Multiple volumes digitally refurbished by Iva Rose Productions



• Wessex Stitchery
  By Gay Eaton



• White Work
  By Carter Houck (Dover Publications)



• The Wool Embroidery Collection
  By Gail Rogers



• Why Not Embroider Boxes?
  By Daphne Ashby and Jackie Woolsey

]]> book review embroidery resources embroidery books beginner embroidery 2036 Anonymous noreply@blogger.com 2010-03-22 11:13:41 2010-03-22 11:13:41 1 0 i found this site very useful, but im unable to work by seeing on pc every time, i need one a-z emb book, im in india, can u recommend me any a-z hand emb book which is available in INDIA pls, thanx]]> 3153 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-02-15 10:51:14 2010-02-15 10:51:14 1 0 6001 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-22 09:30:24 2009-08-22 09:30:24 1 0 6010 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-21 18:35:24 2009-08-21 18:35:24 1 0 It was the mistake of being unexperienced, when i was starting to build my own library of needlework books. But now, I learn to read reviews, and your reviews are the best!]]> 13219 Emily noreply@blogger.com http://www.blogger.com/profile/09805130570587132754 2007-03-19 14:39:00 2007-03-19 14:39:00 1 0 13443 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-08-17 08:47:38 2006-08-17 08:47:38 1 0 13449 Anonymous noreply@blogger.com 2006-08-15 07:45:40 2006-08-15 07:45:40 1 0 http://www.needlenthread.com/2010/04/goldwork-embroidery-project-step-by.html Wed, 21 Apr 2010 05:01:00 -0500 Mary Corbet 10 2010-04-21 05:01:00 2010-04-21 05:01:00 open open Goldwork-Embroidery-Project-Step-by-Step:-Stylized-Pomegranate publish 0 0 post

I began this particular goldwork embroidery project in February, 2010, and finished it almost two months later, at the beginning of April. It took a total of 56.5 hours to work, including project design, set-up, and the stitching. The finished project will (eventually) be framed.



You can find all the articles in this series, in order from start to finish, through the links below:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - Silk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
Goldwork Embroidery Project: Finis!

]]> Embroidery Projects goldwork pictures embroidery tips and tricks silk needlework pictures 1282 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-22 08:36:38 2010-04-22 08:36:38 1 0
Yep, that's what's happening. That will all be set up on the new site. The reason I'm building this index post right now (and another one coming up today for the rooster) is so that the pages are built before transferring to the new site.

Thanks!

MC]]> 1283 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-04-22 00:41:39 2010-04-22 00:41:39 1 0
Great Thanks for this collection! Your Goldwork Pomegranate is in my favourites list and I much appreciate you putting this in one place :)

I have a suggestion here...
As far as I had followed, you had taken us through a variety of projects like the long and short stich shading, hand embroidery of letters and texts, crewel rooster, goldwork pomegranate and currently the blackwork fish. Why don't you put a link under the editor's floss - something like "Projects and Tutorials" - and point to the post (like this one for the goldwork)linking to all the step-by-step posts? This would serve as a reference to the stich varieties as well as types of embroidery, and would be of great help esp to beginners like me :)]]> 1284 Anonymous noreply@blogger.com 2010-04-21 20:22:28 2010-04-21 20:22:28 1 0 This was a beautiful project and it was wonderful of you to share it with us. I have done just a little gold work and only wish I had your talent. Keep up the good work.
Joan, Richmond BC Canada]]> 1285 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-04-21 20:18:21 2010-04-21 20:18:21 1 0 This will surely be helpful when I start my "Golden Pomegranate" kit from Inspirations.]]> 1286 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-21 20:17:08 2010-04-21 20:17:08 1 0
Yes, if you look earlier in the series, you'll see the part where I added the felt. The gold / yellow keeps the ground fabric from being seen. It also pads the area and lifts it above the ground fabric... Hope that helps!

MC]]> 1287 Marian noreply@blogger.com 2010-04-21 19:48:34 2010-04-21 19:48:34 1 0
I have a small query. I notice under the chip work you have placed a small piece of felt in a matching colour. May I ask why? and is this always necessary?

Thanks again.]]> 1290 meri noreply@blogger.com http://avomeri.wordpress.com 2010-04-21 12:19:19 2010-04-21 12:19:19 1 0 Thanks, Mary!]]> 1291 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-04-21 08:47:23 2010-04-21 08:47:23 1 0 Janice in K.C.]]> 1293 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-04-21 08:34:32 2010-04-21 08:34:32 1 0 1294 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-21 07:56:53 2010-04-21 07:56:53 1 0
This reference is wonderful. Greatly appreciate the thoughtfulness and effort of all you do. Many thanks.

Cheers, Kath]]> 1295 Anonymous noreply@blogger.com 2010-04-21 06:23:30 2010-04-21 06:23:30 1 0
You have such an inspirational site and talent to match

Thank you for sharing.]]> http://www.needlenthread.com/2010/04/blackwork-embroidery-lower-half-of-fish.html Tue, 20 Apr 2010 10:08:00 -0500 Mary Corbet 11 2010-04-20 10:08:00 2010-04-20 10:08:00 open open Blackwork-Embroidery:-The-Lower-Half-of-a-Fish publish 0 0 post

To take you back to the beginning of this project, the Blackwork Fish is a spin-off of a doodled design. Instead of using pen and ink on paper, I'm using eight different weights of black silk thread on white 40-count linen. I already wrote a little bit about the pack of silk threads I'm using - it's called the Ebony Collection from Leon Conrad Designs. If you're looking for this silk pack, you can order it through Mimi's Attic. I don't know if they stock it, but they can get it for you.

Incidentally, the silks are all Pipers Silks, and you can probably mix and match the various weights available of black silk from Pipers and end up with pretty much the same variety of thread weights. The Pipers Silks website has recently undergone a transformation, so ordering from there is a bit easier than it used to be!

Now - onto the fish!



This is the next to the last section on the base of the fish - to the left of the pectoral fin. The close up on this rather stiff and gridded area is to demonstrate the difference in weights of thread. I backstitched the darker boxes, and then "filled" each of them with a straight stitch in one of the finest weights in the thread pack. It's tiny stuff! (This is where a #12 embroidery needle comes in handy!)

The scallops on the right side of the photo are worked in stem stitch. The base of each scallop has an extra line of stem stitch worked there, to darken it up a bit.



The fan shape in the corner is a combination of cable chain stitch, straight stitch, fly stitch, and running stitch.



I added a few more valleys and hills using buttonhole stitch and chain stitch, and threw in a half-wheels in daisy stitch, too. The very top area is a series of straight stitches, alternating long and short.



I moved back to the middle section under the pectoral fin and started filling with a series of chain stitch hills, filled up with backstitch, cross stitch, buttonhole stitch, and straight stitches.



This is a close-up on the area around the pectoral fin. I wanted a bit of "shading" in there, to give the fin a bit of a lift off the body of the fish.



So I just went through and added some tiny straight stitches under the lower edge of the fin.



Here's the fish to this point. I'm not finished with the area just to the left of the top of the pectoral fin. I still need to finish filling the top area there, to darken it up a bit. I want a stronger contrast between the body of the fish at this point and the fin.

So there's the update on this fellow. I've made a little more progress on him since I took these photos, so I'll be sharing those with you shortly!

If you're interested in following this whole series of posts on this project, here are the related links:

Blackwork Threads for the Fish Project
The Fish Face
Progress on the Fish - and the original design
A Little More Progress on the Fish

]]> Embroidery Projects pictures blackwork needlework pictures 1288 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-04-21 16:28:04 2010-04-21 16:28:04 1 0 1292 Christy S. noreply@blogger.com 2010-04-21 08:38:42 2010-04-21 08:38:42 1 0 1296 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-04-21 04:14:15 2010-04-21 04:14:15 1 0 1297 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-04-20 21:01:58 2010-04-20 21:01:58 1 0 1298 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-20 20:23:37 2010-04-20 20:23:37 1 0
Really appreciate the detail in photos and text. It's all really great. Love it.

Cheers, Kath.]]> 1299 Tania Kleckner noreply@blogger.com 2010-04-20 19:20:26 2010-04-20 19:20:26 1 0 1300 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-04-20 19:19:19 2010-04-20 19:19:19 1 0 I must admit that at first he wasn't my favourite of the projects that you've done (me, silk, colour and gold?), but he is really really looking good!]]> 1304 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-04-20 13:50:41 2010-04-20 13:50:41 1 0
Janice in K.C.]]> 1305 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-04-20 13:18:53 2010-04-20 13:18:53 1 0 1306 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-04-20 12:47:06 2010-04-20 12:47:06 1 0 1307 Elza Bester noreply@blogger.com 2010-04-20 12:19:31 2010-04-20 12:19:31 1 0 This fish will never be boring to look at!! All the textures you get are just awesome. I think I am going to try my hand soon on this very fish, it is just a question where to get the threads at this moment. Still, I will watch each step of the way of the completion of Mr fish in great anticipation
Kind Regards Elza Bester xx]]> 1308 Pamela pamela.mittens@gmail.com http://www.blogger.com/profile/05485358671045660416 2010-04-20 12:14:19 2010-04-20 12:14:19 1 0 1311 meri noreply@blogger.com http://avomeri.wordpress.com 2010-04-20 11:40:31 2010-04-20 11:40:31 1 0 I would need to join you to help me in my project lol!- I've never done blackwork embroidery I think I'll try it soon... For now the project has to wait for three weeks.]]> 1312 Walden lynn121@hotmail.com http://www.blogger.com/profile/03455450537078747858 2010-04-20 11:10:10 2010-04-20 11:10:10 1 0 1313 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-04-20 10:58:11 2010-04-20 10:58:11 1 0 http://www.needlenthread.com/2010/04/new-crewel-winner-announced-happy.html Mon, 19 Apr 2010 07:47:00 -0500 Mary Corbet 12 2010-04-19 07:47:00 2010-04-19 07:47:00 open open The-New-Crewel---Winner-Announced-&-Happy-Birthday! publish 0 0 post The New Crewel this morning, I had to laugh! I like it when life dishes up a healthy dose of "coincidence"!

The copy of the book, The New Crewel by Katherine Shaughnessy, has found a home!

The winner is Terri Sue, and strangely enough, today also happens to be her birthday. Happy birthday, Terri Sue!

Please contact me with a mailing address and I'll get the book out to you this week!

Keep an eye out for future give-aways on Needle 'n Thread - I've been accumulating a stack of nice little things that I plan to start dishing out in May and June!

]]> Book Give-Away crewel work 1315 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-19 21:05:07 2010-04-19 21:05:07 1 0
Another beaut prize finds a deserving home. Thanks Mary.

Terri Sue, you might find yourself going down a whole new path once you start into non-traditional designs for others. The two can be blended together successfully too. You probably would find experimenting with the designs quite exciting. Have fun, congratulations and the happiest birthday you have ever had.

Cheers, Kath.]]> 1318 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-04-19 11:29:34 2010-04-19 11:29:34 1 0 1319 simsima noreply@blogger.com http://www.simsima-coussin.blogspot.com 2010-04-19 09:51:38 2010-04-19 09:51:38 1 0 1320 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-04-19 09:20:37 2010-04-19 09:20:37 1 0 1321 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-04-19 09:08:36 2010-04-19 09:08:36 1 0 1322 meri noreply@blogger.com http://avomeri.wordpress.com 2010-04-19 08:43:11 2010-04-19 08:43:11 1 0 Enjoy the book :)]]> 1324 Ricky in Winnipeg noreply@blogger.com http://www.blogger.com/profile/08568211506416080390 2010-04-19 08:20:52 2010-04-19 08:20:52 1 0 Such luck and good fortune must be acknowledged.
Hope the book is all you wanted it to be.
Ricky]]> http://www.needlenthread.com/2006/10/free-embroidery-patterns-around-web.html Sun, 15 Oct 2006 08:41:00 -0500 Mary Corbet 13 2006-10-15 08:41:00 2006-10-15 08:41:00 open open Free-Embroidery-Patterns-around-the-Web publish 0 0 post

In this list of free online embroidery patterns, I've included descriptions of what you'll find on the site, but haven't organized the links in any particular fashion. Some of the sites are specifically embroidery-related, while others include images that can be adapted to embroidery.

• 14th Century German Counted Thread Designs:
  Similar to the designs above - mostly medieval counted thread designs - heraldry and more. They're pretty much the same as the above, but not as clear.


• Heritage Shoppe:
  An embroidery primer, with patterns. PDF files. You'll find lots of educational resources on this site.


• Netting Designs:
  Granted, this isn't exactly embroidery. But if you like netting, doilies, and whatnot, this is a great site. Embroidered netting, like filet guipure, depends upon notted net ground.


• Caron Collection:
  charts and such for work on even weave, using the threads from Caron Collection. Of course, they can be adapted to suit whatever threads you have, but they are really pretty in the overdyed stuff from Caron Collection.


• Windflower Embroidery:
  Here, you'll find some exquisite designs for small but beautiful stumpwork projects. If you're interested in trying stumpwork, but don't want to take on anything too big, these projects are great! The instructions are detailed and clear.


• Classic Stitches:
  The online version of the magazine Classic Stitches offers a heap of nice patterns for "club members" - club membership is free. Most of the patterns are for counted thread techniques.


• Coloring Books from Edupics:
  Admittedly, these aren't embroidery designs. However, there are heaps of ideas here - fruits, vegetables, whatever - and most can easily be adapted to surface embroidery. An extensive index of coloring book pages.


• Textile Pattern Coloring Book Pages from 40to40:
  Here you'll find some great patterns for backgrounds and for general design inspiration. Click around on this site. Lots of stuff, some pretty intricate, and entirely suitable to embroidery (especially in the textile part).


• Blackwork Designs from Blackwork Archives:
  Some really nice blackwork designs here, and also a lot of interesting reading.


• Interweave Press Needlework Projects:
  The publishers of Piecework Magazine offer some free projects on their website.


• Fill Patterns for Blackwork:
  Some very nice background patterns for blackwork techniques.


• Blackwork Sampler:
  A few more samples of blackwork patterns. These are really pretty!


• Stitch Magazine
  Magazine produced by the Embroiderers' Guild of the UK. The site includes stitch instructions and lots of projects, many of which have great patterns.


• Colouring Book Pages
  Great selection of children's motifs, including popular characters from Disney, Beatrix Potter, etc. Also flowers, holidays, whatnot.


• Embroidery and Sewing section at knitting-and.com
  Sarah Bradbury has quite a collection of vintage and original patterns for free on her site, from flowers and animals to butterflies and dragonflies.


• Vintage Embroidery Transfer Patterns
  Here's a great website for patterns from Vogue vintage embroidery transfers. You'll find all kinds of great patters for embroidering household goods, clothes, quilts, totes, etc.


• Alita Designs
  free cross stitch and tapestry patterns in a variety of motifs: animals, floral, religious, children's, etc. The patterns print in sections from your basic computer printer.


• Embroidery and Embroider:
  an excellent source for Assisi work patterns and instructions. Jos Hendriks has over 200 free Assisi work patterns on the site, offering the patterns in various sizes with various themes. You can also find photos of completed projects on this site, as well as blackwork designs.


• DragonBear:
  A great resource for historical counted thread techniques. Browse the site, and don't miss the "Designs, Period" section, which contains over 250 medieval motifs for counted thread and other techniques!


• Plaid Online Floral Monogram Pattern
  A pretty monogram pattern that can be used on household goods. You'll find the floral embellishment and stitch guide, plus a free monogram alphabet.


• Antique Pattern Library
  A great resource for needlework books from days of old. You'll find PDF files of books full of techniques and patterns.


• Digital Archives of Weaving and Related Topics
  Here's another great resource for "old" books full of techniques and patterns. This site takes a little browsing to get to what you want, but it's well worth the time!


• Smocking Pattern: a Symphony of Roses
  A gorgeous smocking plate from Country Bumpkin.


• Stumpwork Mushrooms
  Another design from Country Bumpkin - beautiful little mushroom design in stumpwork, suitable for the beginner, with clear step-by-step instructions


• Christmas Embroidery Designs
  Five great designs worked in bullion knots, including Christmas trees, holly, and jolly old St. Nick. Really darling and perfect for little accents or for ornaments. From Country Bumpkin.


• Simple Christmas Embroidery patterns
  These are actually coloring book pages, some of which are cute, while others could be dressy, depending on how you interpret them. You'll find angels, snowflakes, snowmen, ornaments, bells, holly, and even a fish.


• Homeberries
  Here, you'll find some cute free patterns in the "primitive" style, useful for all kinds of embellishment. I think a lot of them would look good on baby things (quilts, bibs, etc.). I'm also thinking some would do well for hand embroidery on paper.


• TipNut - a whole bunch of vintage-ish hand embroidery patterns for things like kitchen towels and so forth. You'll also find tips on making needlecases and organizing your work space.


• Floral Line Drawings with Shading - would make great surface embroidery patterns. Daffodils, Tulips, Roses, Lilies, More...

]]> free embroidery patterns embroidery resources beginner embroidery 6828 Jac noreply@blogger.com http://www.blogger.com/profile/12879740456607159728 2009-06-18 16:16:35 2009-06-18 16:16:35 1 0 9282 Lisa noreply@blogger.com 2009-01-04 12:47:00 2009-01-04 12:47:00 1 0 www.lazymay.com which has a free downloadable pattern every month or so and some great free 'how 2' sheets on methods of transferring PDF patterns ect.
great blog :)]]> 11984 Anonymous noreply@blogger.com 2008-04-16 07:35:00 2008-04-16 07:35:00 1 0
I've discovered that there are, in fact, a good number of folks out there who have made a little business for themselves by collecting original old Tri Chem, Artex, Vogart, etc., transfer patterns that they in turn create photo copies of, and then sell the photo copies.

I've purchased a handful of these patterns now and it works out pretty great! Not wanting to mark up the pattern itself, what I do for now, until I get a little photocopier of my own, is place a sheet of paper over the photo copy and trace it, using a Dritz Transfer Pencil. I use a small light box for this but taping the design to a sunny window will work just as well. It's a good bit of fun! Cheers! J. Mosley]]> 12001 Kaitlyn noreply@blogger.com 2008-04-13 08:29:00 2008-04-13 08:29:00 1 0 12148 Anonymous noreply@blogger.com 2008-03-28 07:46:00 2008-03-28 07:46:00 1 0
Mary, I do see where you've said that most designs are meant for personal use, not for reproduction for profit. This is a topic that I'm a bit confused about.

Can someone safely set up a little cottage industry, creating items to be embroidered, using, for instance those old vintage iron on transfer patterns found in Grandma's attic?

Is it illegal, for instance, to take an old Vogart transfer, one that now can only be found at a flea market or in some old attic, transfer the design on to a set of pillowcases and then sell the pillowcases?

What about using art illustrations found in old 19th century, or turn of the century books?

For that matter, is it legal to buy pillowcases, towels, etc., put your own artwork on them and then offer them for resale?

Color me confused!

I realize I'm asking you to play copyright expert here. I don't mean to. I'm just wondering if there is some general rule of thumb. Or a source of information you can point me toward.

Thank you again! J. Mosley]]> 12962 Lenna Green of Stitching Cow lenna@stitchingcow.com http://www.blogger.com/profile/06775857771785768969 2007-09-14 02:46:00 2007-09-14 02:46:00 1 0 Thanks so much. You have done a wonderful job here. So many beautiful embroidery designs.
Here are two more that you may want to add to your collection.
http://www.stitchingcow.com/free-pattern.htm and http://www.stitchingcow.com/free-redwork-pattern.htm

Keep up the great work.]]> 13026 Sytske noreply@blogger.com http://www.blogger.com/profile/05468324857417486659 2007-07-31 14:55:00 2007-07-31 14:55:00 1 0 Best wishes,
Sytske.]]> 13218 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2007-03-20 14:27:00 2007-03-20 14:27:00 1 0 http://mytransfers.blogspot.com/index.html]]> 13298 ss noreply@blogger.com http://www.blogger.com/profile/01963636266295637273 2007-02-08 19:34:00 2007-02-08 19:34:00 1 0 your blog is fantastic-it's inspired me to get my floss and project bag out of the closet. Question about this post- For some of the paisley designs, what combination of stitches would you recommend? http://www.4to40.com/activities/artcraft/html/coloringbook12.htm]]> 13366 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-29 19:49:29 2006-11-29 19:49:29 1 0 13401 Sandra noreply@blogger.com 2006-10-29 12:29:41 2006-10-29 12:29:41 1 0 http://www.needlenthread.com/2010/04/on-needlework-hand-embroidery-books.html Sat, 17 Apr 2010 09:53:00 -0500 Mary Corbet 14 2010-04-17 09:53:00 2010-04-17 09:53:00 open open On-Needlework-&-Hand-Embroidery-Books publish 0 0 post



Not all my needlework and embroidery books are new. I like to find "old" needlework books, and I've been collecting them for quite a while. Out in the Studio, I've got a few deep shelves of old needlework books and magazines that are awaiting some kind of organization and indexing. I've also got a slew of needlework pamphlets and periodicals from the mid-1800's through the early 1900's that are chockfull of designs that are awaiting scanning and cleaning up. For the latter project, I've actually considering hiring someone - a teenager needing a summer job, perhaps? - to do the work! If I managed one design a day for the rest of my life, I probably wouldn't make it through the stack!



In the past, I've mentioned cataloging all my needlework books on Needle 'n Thread, and some day, that may actually happen. In the meantime, though, I've written quite a few reviews that I've published here on the website. But I've been awfully negligent when it comes to updating the index of book reviews!



Well, guess what? I finally updated it! Right now, there are 55 books listed on my Needlework Book Reviews Index, as opposed to about half that before today! The title of each book links up to the review I wrote on it. Most of the reviews include photos of the book, a summary of contents, and pros and cons. So if you're looking for some new books for your needlework library and you'd like to know a little bit about them first, feel free to browse through my Needlework Book Reviews.



The irony of the situation is that the all-new Needle 'n Thread is gearing up for launch in the next couple weeks! And at that point, my indexing of books is completing changing! That's what I get for putting things off!



I'd love to hear from readers about any books they would like to see reviewed on Needle 'n Thread. Do you have any books on your wish lists that you've wondered about? You never know - I might have it on my shelf. If I don't have it, I may be able to procure it! If you have any book requests, feel free to leave a comment below, and I'll see what I can do!

Have a terrific weekend! I plan to get some stitching done! (Oh, and housework. I almost forgot that part.)
]]> book review embroidery books 1323 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-04-19 08:33:11 2010-04-19 08:33:11 1 0
I'm Gail, and I have a book collection. I refuse to call it a problem. Of all the things I've spent money on, books are the one area I've never regretted. Some of my clothing, food, decorating, and garden plant choices have been regrettable, but not the books!]]> 1329 Anonymous noreply@blogger.com 2010-04-18 20:43:52 2010-04-18 20:43:52 1 0 I would really like to see a review of the book Embroidered Alphabets and Whitework (it is a
Japanese book). I found it on the Lacis site and have been comtemplating buying it for some time.
Thank you,
R. Mondragon]]> 1336 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2010-04-18 10:34:21 2010-04-18 10:34:21 1 0 1337 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2010-04-18 10:32:55 2010-04-18 10:32:55 1 0
Hope your rebuild of the site is going well... it's always a pain to do, but so fun to see the final results! (Kind of like stumpwork!)]]> 1344 Anonymous noreply@blogger.com 2010-04-18 03:29:13 2010-04-18 03:29:13 1 0 I would like to read a review on the book Embroiderer's countryside, by Helen M. Stevens.I like birds and small animals, so maybe I can find them in this book. It's quite expensive, so I haven't bought it yet. But maybe I should...
Gwen Kok from the Netherlands]]> 1348 lidia noreply@blogger.com 2010-04-17 21:20:48 2010-04-17 21:20:48 1 0 por aqui es dificil ,,solo estan en tiendas muy exclusivas,de muy dificil acceso,en una feria tube en mis manos uno en ingles,, me dejo sin dormir..
gracias a ti e podido admirar tantas puntadas lindas
pero que es bueno un libro '''no es bueno es genial¡¡]]> 1353 Anonymous noreply@blogger.com 2010-04-17 19:35:17 2010-04-17 19:35:17 1 0 Thank you so much for the oh so useful book reviews. the books all sound grand- and I want them all!! It is hard to choose a book especially when you can't see it first. The bookstores nearby no longer carry much in the line of embroidery books so your reviews will be invaluable. I wanted you to know that I was so very lucky to have seen the OUTSTANDING English Embroidery exhibit held at the Bard School last year. The book is incredible as well, and I would think a delightful addition to anyone's library. Peg from NJ]]> 1355 Christine noreply@blogger.com http://www.blogger.com/profile/11812223278446037862 2010-04-17 19:01:21 2010-04-17 19:01:21 1 0 1356 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-04-17 17:49:46 2010-04-17 17:49:46 1 0 1359 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-17 14:20:23 2010-04-17 14:20:23 1 0
That's 19th Century Embroidery Techniques, by Gail Marsh. The review has several more photos!

MC]]> 1361 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2010-04-17 12:41:50 2010-04-17 12:41:50 1 0 1363 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-17 10:58:08 2010-04-17 10:58:08 1 0
One thing I've never considered is stitching in the bathtub. I wonder.....]]> 1364 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-04-17 10:55:28 2010-04-17 10:55:28 1 0 http://www.needlenthread.com/2010/04/new-crewel-embroidery-book-give-away.html Fri, 16 Apr 2010 05:00:00 -0500 Mary Corbet 15 2010-04-16 05:00:00 2010-04-16 05:00:00 open open The-New-Crewel:-Embroidery-Book-Give-Away! publish 0 0 post The New Crewel by Katherine Shaughnessy - and today, I'm giving away a copy! Wouldn't you like your own copy of this fun little book on contemporary crewel embroidery? If you do, read on!

The New Crewel is a great little embroidery book that focuses on contemporary embroidery. It's full of little (sometimes, tiny) crewel embroidery projects that are modern and kind of swanky, some a bit funky, but all rather fun.



It's true that the designs may not cater to everyone's embroidery tastes, but I think it's a neat book for those who like a minimalist, modern look. It would make a great gift, or a good project book for your own bookshelf.

If you'd like to win your own copy, here's your chance!

Please read the following rules for the give-away:

1. The give-away is open to everyone, anywhere. If the winner lives outside the US, I'll ship it using the least-expensive air mail option.

2. To enter, you must leave a comment on this post, on the website. Please do not respond by e-mail, and please do not leave entries on other posts on the website. You'll find a "click to comment" link at the end of this post, on the website.

3. In your comment, answer the following question:

What do you like best about this book?

4. Please make sure you leave a name in your comment, even if you comment anonymously, so that I can announce the winner by name.

5. Entries will be taken until 5:00 AM (CST) Monday, April 19th. I'll announce the winner on Monday, and the winner will need to contact me with mailing information.

And that's it!

Best of luck!
]]> Book Give-Away crewel work 1325 Uzi tokarczyk.paulina@gmail.com http://www.blogger.com/profile/10011347080157719202 2010-04-19 01:07:39 2010-04-19 01:07:39 1 0
Thanks,
Paulina]]> 1327 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-04-18 22:10:43 2010-04-18 22:10:43 1 0
Again thank you for yet another great give away :)

What I like about this book are the small, simple, yet stylish designs... I could think of a lot of places (like curtains, cusion covers, table spreads, bed spreads, kids apparels etc) where these small designs could be applied, and this tickles the creative side in me :)

Though I may not strictly stick with crewel embroidery to use these designs, it would give an opportunity to begin learning it...

Thanks,
Dhivya]]> 1328 Jeanne noreply@blogger.com http://www.blogger.com/profile/07037955584980587306 2010-04-18 21:34:53 2010-04-18 21:34:53 1 0 1331 Simsima noreply@blogger.com http://www.simsima-coussin.blogspot.com 2010-04-18 16:42:28 2010-04-18 16:42:28 1 0 1332 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-04-18 15:31:26 2010-04-18 15:31:26 1 0 Thank you very very much.
Agnė]]> 1333 Steffi noreply@blogger.com http://www.blogger.com/profile/06308149192809815164 2010-04-18 14:22:56 2010-04-18 14:22:56 1 0 ~Erin R.]]> 1334 Aiste V. noreply@blogger.com http://www.blogger.com/profile/09008665899744082654 2010-04-18 11:41:50 2010-04-18 11:41:50 1 0 Also there's history of crewel work - the part I'm particularly interested in. I belong to medieval club and I sew and stitch a lot. I've started just a year ago and there are many new things I need/want to learn, for instance - crewel work. I believe that this book would be very helpful for me.

Aiste V. Lithuania]]> 1335 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-04-18 11:19:48 2010-04-18 11:19:48 1 0
Shana]]> 1338 Nasreen Musa noreply@blogger.com 2010-04-18 10:14:45 2010-04-18 10:14:45 1 0 What i love about this book is that it has quick projects that i can do inbetween my revision for my gcse's. Also because it's something different i'd really like to try out.
thanks a lot.
Nasreen Musa]]> 1339 Ricky in Winnipeg noreply@blogger.com http://www.blogger.com/profile/08568211506416080390 2010-04-18 09:34:45 2010-04-18 09:34:45 1 0
Ricky]]> 1340 Christy S. noreply@blogger.com 2010-04-18 09:17:51 2010-04-18 09:17:51 1 0 As for what I like about the book, I like that it isn't at all traditional. I love traditional needlework, but I also like to see how other people are able to mix it up a bit.

Thanks,
christy]]> 1345 Leigh noreply@blogger.com http://www.blogger.com/profile/16107295414753495622 2010-04-18 00:34:18 2010-04-18 00:34:18 1 0 1346 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2010-04-17 23:47:35 2010-04-17 23:47:35 1 0 1352 Anonymous noreply@blogger.com 2010-04-17 20:20:51 2010-04-17 20:20:51 1 0
I love this book, I like that there are smaller projects and that it applies an older technique to contemporary motifs. Have a great weekend! Nita Carroll]]> 1354 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-04-17 19:17:25 2010-04-17 19:17:25 1 0 1357 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-04-17 17:44:42 2010-04-17 17:44:42 1 0 Thank you, as always, for your fun giveaways.]]> 1360 Anonymous noreply@blogger.com 2010-04-17 13:18:23 2010-04-17 13:18:23 1 0 Thank you Mary.
Ella Hernandez]]> 1365 Cynthia noreply@blogger.com http://www.blogger.com/profile/01419338669949024958 2010-04-17 09:36:33 2010-04-17 09:36:33 1 0 1366 Caro noreply@blogger.com http://www.blogger.com/profile/16883010420281281809 2010-04-17 07:21:03 2010-04-17 07:21:03 1 0 1367 Valquiria noreply@blogger.com htp://qualquermotivo.blog.uol.com.br 2010-04-17 06:33:26 2010-04-17 06:33:26 1 0 Kisses
Valquiria]]> 1370 Regan Rothery noreply@blogger.com http://www.blogger.com/profile/10231323746880091706 2010-04-17 01:24:22 2010-04-17 01:24:22 1 0
xoxo,

Regan]]> 1373 Anonymous noreply@blogger.com 2010-04-16 23:15:48 2010-04-16 23:15:48 1 0
Thanks for the chance to win this beautiful book. I Love the way it wives ideas for the modern use of an old technique.

Fingers crossed.

Trish Hughes, New Zealand]]> 1374 Linda J noreply@blogger.com 2010-04-16 21:08:24 2010-04-16 21:08:24 1 0 1375 Linda Smith noreply@blogger.com http://www.blogger.com/profile/17644688923108342517 2010-04-16 20:43:16 2010-04-16 20:43:16 1 0 1376 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-16 20:38:47 2010-04-16 20:38:47 1 0
This beaut book is quirky, like me!

Cheers, Kath.]]> 1379 Sarah machinegunsarah@gmail.com http://www.blogger.com/profile/09828414543697731990 2010-04-16 19:07:41 2010-04-16 19:07:41 1 0
Sarah Steed]]> 1380 Anonymous noreply@blogger.com 2010-04-16 19:04:29 2010-04-16 19:04:29 1 0 1381 Anonymous noreply@blogger.com 2010-04-16 19:03:19 2010-04-16 19:03:19 1 0 1382 Angie Allen noreply@blogger.com http://www.blogger.com/profile/10676880124652270258 2010-04-16 18:22:31 2010-04-16 18:22:31 1 0
Angie]]> 1384 Anonymous noreply@blogger.com 2010-04-16 18:01:03 2010-04-16 18:01:03 1 0 Thanks so much for another beautiful give away. I have not done crewel work and would like to give it a try. Winning this wonderful book would be a big help.
Thanks again for such a lovely web site.
Joan from Richmond B.C.]]> 1385 sherealster noreply@blogger.com 2010-04-16 17:46:32 2010-04-16 17:46:32 1 0 1386 Jennifer noreply@blogger.com http://www.blogger.com/profile/12361175139760593616 2010-04-16 17:10:14 2010-04-16 17:10:14 1 0 1387 Marian noreply@blogger.com 2010-04-16 16:03:04 2010-04-16 16:03:04 1 0 1388 Pam in Texas pamela.mcghee15@gmail.com http://www.blogger.com/profile/00599770908011223454 2010-04-16 15:39:42 2010-04-16 15:39:42 1 0
I hope to step up my embroidery abilities...I need a lot of practice! These designs will help me out!]]> 1389 Annabel noreply@blogger.com http://www.blogger.com/profile/10405549356232075454 2010-04-16 15:30:07 2010-04-16 15:30:07 1 0
Annabel]]> 1390 Kelly noreply@blogger.com http://www.blogger.com/profile/02732795583142268122 2010-04-16 15:10:46 2010-04-16 15:10:46 1 0 Kelly]]> 1392 mhpedrosa noreply@blogger.com http://www.blogger.com/profile/18357600566389438645 2010-04-16 13:06:32 2010-04-16 13:06:32 1 0 1393 Anonymous noreply@blogger.com 2010-04-16 13:00:11 2010-04-16 13:00:11 1 0 ek]]> 1394 Kaye Turner k.turner.arts@googlemail.com http://www.blogger.com/profile/00279777457322482272 2010-04-16 12:54:51 2010-04-16 12:54:51 1 0 1395 figure8angel noreply@blogger.com http://www.blogger.com/profile/04069028704239734614 2010-04-16 12:41:15 2010-04-16 12:41:15 1 0
Angelina]]> 1396 Sommer noreply@blogger.com http://www.blogger.com/profile/01677835522573541445 2010-04-16 12:32:57 2010-04-16 12:32:57 1 0 1398 Terri Sue noreply@blogger.com http://www.blogger.com/profile/00161769399124744018 2010-04-16 12:03:16 2010-04-16 12:03:16 1 0 i make most of our gifts for others. being somewhat of a traditionalist there are times when i am just stumped as to what to give to a few of our family and friends who ar not. looking at the pages you showed us, i dom't thimk i would be stumped again. please enter my name in the drawing. oh, and by the way april 19 happens to be my birthday.]]> 1399 Anne noreply@blogger.com http://www.blogger.com/profile/14236053871877225030 2010-04-16 11:48:17 2010-04-16 11:48:17 1 0 1400 Ramya noreply@blogger.com http://www.blogger.com/profile/00894780256080713640 2010-04-16 11:43:07 2010-04-16 11:43:07 1 0 Wow.. another wonderful giveaway. You have the best giveaways! I love crewel embroidery and smaller projects will be a great start for me to learn crewel. Thanks for giving us an opportunity to win such a great book!]]> 1401 Kate mjrroland@yahoo.com http://www.blogger.com/profile/06395157955320659033 2010-04-16 11:42:52 2010-04-16 11:42:52 1 0 1403 dawn noreply@blogger.com http://moreart.spaces.live.com 2010-04-16 10:56:17 2010-04-16 10:56:17 1 0 1404 Cynthia Nicole noreply@blogger.com http://www.blogger.com/profile/15956151327066448551 2010-04-16 10:37:24 2010-04-16 10:37:24 1 0 I love the wool/crewel, and love taking embroidery into new areas of expression. This book looks intriguing that way!
Cindy Baxter]]> 1405 Grammybks noreply@blogger.com http://www.blogger.com/profile/12248901923773965142 2010-04-16 10:27:57 2010-04-16 10:27:57 1 0 1407 BFromM noreply@blogger.com http://www.blogger.com/profile/03145563818322438262 2010-04-16 10:26:04 2010-04-16 10:26:04 1 0 1408 Lelia noreply@blogger.com http://www.blogger.com/profile/04234080378437860941 2010-04-16 10:25:48 2010-04-16 10:25:48 1 0
Awesome design & color - thx for offereing it on your blog space

leliaevely (at) gmail (dot) com]]> 1409 Loopyker noreply@blogger.com http://www.blogger.com/profile/01674970541396402576 2010-04-16 10:16:22 2010-04-16 10:16:22 1 0
Kerrie]]> 1410 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2010-04-16 10:12:11 2010-04-16 10:12:11 1 0 JoAnn Biddiscombe]]> 1411 Ansie wiebina@gmail.com http://www.blogger.com/profile/08265845785916762436 2010-04-16 10:08:09 2010-04-16 10:08:09 1 0 Thanks for hosting the give-away.
Ansie]]> 1412 Jennifer noreply@blogger.com http://www.blogger.com/profile/07236912060992623539 2010-04-16 09:58:58 2010-04-16 09:58:58 1 0 1413 Agnes Tan noreply@blogger.com http://www.agnestan.net 2010-04-16 09:43:28 2010-04-16 09:43:28 1 0 1414 Susan C. noreply@blogger.com 2010-04-16 09:42:49 2010-04-16 09:42:49 1 0 1417 VegKat katlollar@hotmail.com http://www.blogger.com/profile/18222711420059136253 2010-04-16 09:25:52 2010-04-16 09:25:52 1 0 1418 Karey noreply@blogger.com http://www.blogger.com/profile/04109432686375942454 2010-04-16 09:00:41 2010-04-16 09:00:41 1 0 1419 Vanessa noreply@blogger.com 2010-04-16 08:59:48 2010-04-16 08:59:48 1 0 Thanks for the opportunity.]]> 1421 awesomeave noreply@blogger.com http://awesomeave.wordpress.com/ 2010-04-16 08:39:50 2010-04-16 08:39:50 1 0 1422 Deb noreply@blogger.com http://bkporch1@gmail.com 2010-04-16 08:28:11 2010-04-16 08:28:11 1 0 1423 Anonymous noreply@blogger.com 2010-04-16 08:26:07 2010-04-16 08:26:07 1 0 Thanks for sharing this book with us.
Genie in Oklahoma]]> 1424 Gail noreply@blogger.com 2010-04-16 08:17:22 2010-04-16 08:17:22 1 0 1425 Anonymous noreply@blogger.com 2010-04-16 08:10:04 2010-04-16 08:10:04 1 0
Cheers,
Linda A]]> 1426 Anonymous noreply@blogger.com 2010-04-16 08:06:48 2010-04-16 08:06:48 1 0 -Emily Richards]]> 1427 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2010-04-16 08:03:33 2010-04-16 08:03:33 1 0 1428 piney cq noreply@blogger.com http://www.blogger.com/profile/06318464831940639006 2010-04-16 08:02:51 2010-04-16 08:02:51 1 0 1429 gailfountain noreply@blogger.com http://www.blogger.com/profile/15286681581338578621 2010-04-16 07:58:40 2010-04-16 07:58:40 1 0 1430 Diana Trout noreply@blogger.com http://www.dianatrout.blogsot.com 2010-04-16 07:53:16 2010-04-16 07:53:16 1 0 1431 barbobbi noreply@blogger.com http://www.blogger.com/profile/00935990355282427368 2010-04-16 07:48:15 2010-04-16 07:48:15 1 0 1433 Anonymous noreply@blogger.com 2010-04-16 07:39:57 2010-04-16 07:39:57 1 0 Lovely, lovely, lovely!
Gwen Kok from Dordrecht, the Netherlands.]]> 1435 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2010-04-16 07:33:43 2010-04-16 07:33:43 1 0 1437 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2010-04-16 07:22:04 2010-04-16 07:22:04 1 0 1438 Laura lgj302@gmail.com http://www.blogger.com/profile/15492427404652837504 2010-04-16 07:20:41 2010-04-16 07:20:41 1 0 1439 Kimberly P. noreply@blogger.com 2010-04-16 07:20:12 2010-04-16 07:20:12 1 0 1440 Pat noreply@blogger.com http://www.blogger.com/profile/11086618266918856381 2010-04-16 07:12:22 2010-04-16 07:12:22 1 0 1441 Glorious Hats glorioushats@gmail.com http://www.blogger.com/profile/11823049237183212920 2010-04-16 07:05:29 2010-04-16 07:05:29 1 0
Thanks Mary, for sharing about the book and for giving one away.

Cheers, Jane
glorioushats at gmail dot com]]> 1442 Deepa Sethuraj noreply@blogger.com 2010-04-16 06:21:38 2010-04-16 06:21:38 1 0 Regards,
Deepa Sethuraj]]> 1443 Amanda Sheridan amanda@parasolarts.co.uk http://www.blogger.com/profile/16035641953527752284 2010-04-16 06:20:17 2010-04-16 06:20:17 1 0 1444 Samanta noreply@blogger.com 2010-04-16 05:55:29 2010-04-16 05:55:29 1 0 What I like best about this one is that we can learn crewel with small, fast projects! I have the bad habit of making too big projects that never end (I'm working on it!). And it's nice to have a modern look on such an ancient technique - even though I do like the classic patterns, it's good practice to look at embroidery in a modern way.]]> 1445 Anonymous noreply@blogger.com 2010-04-16 05:52:53 2010-04-16 05:52:53 1 0 You always have the best give-aways. I love crewel, but usually stick to the very traditional patterns. This book lots outside the box. It would be fun to stich-up a couple of small project to see if I can break the traditional rut I'm stuck in.
Elaine in WV]]> 1446 meri noreply@blogger.com http://avomeri.wordpress.com 2010-04-16 05:48:50 2010-04-16 05:48:50 1 0
I think this book has easy projects so it's a good book to offer to my daughter - she can do a good use of it with my granddaughters, and now and then she can lend it to me.
It could be a family book for easy crafts lol]]> 1447 Zuzu noreply@blogger.com http://www.blogger.com/profile/08627301565988645951 2010-04-16 05:46:11 2010-04-16 05:46:11 1 0 Actually this is a book I've been eyeing for a long time on Amazon. Why? Well I like the strong graphic design alot and all the shots you showed were something that I think are really bright and funky.Thanks for highlighting it as your giveaway.

All the best Zuzu]]> 1448 Hartasu hartasu@gmail.com http://www.blogger.com/profile/08044179266450209420 2010-04-16 05:33:37 2010-04-16 05:33:37 1 0 Mi nick es Hartasu, vivo en Spain.]]> 1449 viji noreply@blogger.com 2010-04-16 05:31:39 2010-04-16 05:31:39 1 0 Anyhow if i am not getting what your idea of give away is fentastic.
viji]]> 1450 Anonymous noreply@blogger.com 2010-04-16 05:18:27 2010-04-16 05:18:27 1 0 thanks,
Barbara from Italy]]> 1451 Phillipa noreply@blogger.com http://www.blogger.com/profile/13678630515599837268 2010-04-16 05:18:07 2010-04-16 05:18:07 1 0 Love this book. and especially the design on the cover. It really appeals.Cute and quirky.
And thanks for the oppurtunity to win.
Regards Phillipa
freeone@inspire.net.nz]]> http://www.needlenthread.com/2006/06/hand-embroidery-patterns.html Mon, 26 Jun 2006 08:09:00 -0500 Mary Corbet 16 2006-06-26 08:09:00 2006-06-26 08:09:00 open open Hand-Embroidery-Patterns publish 0 0 post

These hand embroidery patterns come from a variety of sources - some from old embroidery pattern catalogs that I own, that are well out of copyright, some designs below I drew myself, inspired by objects that were never meant for hand embroidery.

I hope you enjoy the designs. If you use them in your own projects and are interested in sharing the results, feel free to contact me! I'd love to see what you do with them!



Here's a stylized flower stalk. It would look great in any kind of thread, but especially in silks, with a combination of stitches for texture. You could also "needle paint" it for a nice, smooth effect. Goldwork is another option, for something very fancy. You could work this in white, on white linen, for a nice guest towel. Vary your stitches for texture, and you'd have a beautiful design in white. Seed stitch inside different line stitches can create a nice effect. Click on the image for a larger version.

Here's a list of more designs for hand embroidery that you'll find on this site:

Passion Flower Design - great for corners!

Fleur de Lys border - lots of options on this one, and easy to stitch, using basic line stitches.

Single Lily - perfect for household linens, guest towels, and whatnot.

Border for Redwork or other techniques - a simple border that would work up quickly.

Pretty Daisies - great for practicing line stitches around curves.

Butterflies! - A couple nice butterflies for any kind of hand embroidery technique.

Acorn Border - a simple border suitable for anything fallish!

Maple Leaf

Flower Border - published under the "Linea" post, this pattern is suitable for any embellishment.

Grape Vine - Exceptionally pretty design for borders on household items.

A Scrolly Border - another versatile border design

Jacobean pattern - an exercise in crewel work, for more advanced embroiderers

The Acorn, revisited - another acorn pattern for seasonal embroidery

Simple Rose Design - a corner design of simple roses

Jacobean pattern with Butterfly

Daisies! - great embellishments for just about anything.

Single Flower - another multi-purpose design, suitable for beginners and beyond; includes stitching suggestions.

A Bunch of Little Flowers - all kinds of uses for this design. A repeat is also shown.

Goldwork Sampler - a magnificent pattern to use as a 'sampler' for learning different techniques of goldwork.

Silk Shading Sampler - a beautiful pattern suitable for practice in silk shading and gold couching.

Sunflower Cross - a nice pattern for basic embroidery stitches - can be used for church embroidery or secular.

Flower Medallion - another pattern that can be used for basic embroidery on household goods, etc.

Decorative Border - this pattern would look great on the edge of household linens.

Simple Lily - this pattern is very simple, and would be great for quick embellishments or even for applique techniques.

Bookmark or ? - a diamond column with a four-petal flower motif within, great for a hand embroidered bookmark or even household linens.

A Circular Thing - I'm not sure what else to call this. It's a nice circle pattern, especially suited to line stitches.

Monogram - the Letter A - a very pretty "A" that can be used to personalize gifts and household items.

Circles - a pattern for stitching on the drawstring bags the kids made in our summer embroidery classes, 2007.

Dancing Daisies Garden - another pattern for stitching on the drawstring bags, Summer, 2007.

Simple Daisy Wreath Pattern - this is another pattern used on the kids' drawstring bags this summer, 2007. The middle of the wreath is perfect for a fancy initial!

A Simple Jacobean Motif - with suggestions for stitching.

Embroidered Bag Sampler Pattern - a simple pattern for the outside of a drawstring embroidered bag. Uses a variety of stitches!

Jacobean Flower and Leaf - this is a typical Jacobean looking flower and leaf pattern, very nice for a single motif or worked into a larger piece.

Single Stylized Leaf - here's a simple single stylized leaf pattern which would combine well with other Jacobean motifs or work on its own.

Hanging Flower Pattern - good for goldwork or any kind of surface embroidery, this is a unique little flower and very pretty.

Jacobean Leaves - three leaves together that would make another interesting addition to a whole Jacobean sampler, or can be worked individually. This one is also adaptable to goldwork.

Fuschia Embroidery Pattern - here's a pattern for a single fuschia, very pretty and simple in design.

Simple Single Flower - another pattern that would work well as Jacobean or crewel embroidery, but is adaptable to any surface technique.

Pretty Stylized Scroll & Flower design - this is a beautiful design suitable for silkwork or other shading techniques. It can be adapted to other forms of surface embroidery. It's one of my favorites!

Tulips ala William Morris - Here's a nice tulip pattern after William Morris. It would make a great pattern for any surface technique.

William Morris Flower Thingy - another motif after William Morris.

Slender Flowers - a tall and slender bunch of three flowers, with very pretty leaves and stems. It would make a great study in whitework, but could be used for almost any surface technique.

Fortune Cookies - Rather a strange little motif, but there it is, nonetheless.

Repeating Scroll Design from Therese Dillmont - perfect for shading and filling techniques. A pretty design!

Corner Motif - A pretty and simple diamond (or square) shaped corner motif perfect for hand towels, bread cloths, or even for goldwork couching practice!

A Leafy Border - another simple line design suitable for all kinds of applications - from household goods to the hem of a skirt.

Scrolly Design - works great for line stitches; pretty on household linens and so forth.

Scrolly Medallion - somewhat diamond shaped (though not perfectly symmetrical) and very ornate; another good pattern for simple line stitches.

Medallion Frame - a simple interwoven, double-lined frame that would look great enclosing a monogram.

L-O-V-E in a Box - a four-box design, with L-O-V-E written in flowered monograms.

Scalloped Heart - very simple and sweet.

Leafy Medallion - I think this one would work well for goldwork.

Blackwork Trees - Well, you can divide up the motif, actually, and use it as trees, or line them up and use them as a decorative edge! Up to you!

Stylized Pomegranate - Pretty design, perfect for needlepainting or goldwork, and would work well for ecclesiastical embroidery, too.

Carnations - a pretty carnation bunch, perfect for needlepainting. There's a colored version along with it, so you can get an idea of shading!

Leaf and Flower Corner - a perfect design for the corner of a handkerchief, or cloth napkins, or a larger tea towel, or - even larger - a tablecloth.

Diamonds and Fleur de Lys - a diamond motif for simple embroidery.

Needlelace Pattern - an egg-shaped pattern for needlelace, with resources for learning techniques.

Cutwork Pattern - flower motif with scroll designs for cutwork. This pretty design can also be used for other embroidery techniques.

Another Scrolly Medallion - perfect for line stitches and satin stitch dots. This design would be great on a square pillow or on the outside pocket of a tote bag.

A Turkey - Great for Thanksgiving and Autumn embroidery, as well as for various kitchen items.

Stylized Tudor Pomegranate - This design would be fantastic for goldwork and silk shading.

Quaker Motif: Bird in Tree - This design is styled after a Mary Wigham cross stitch motif and adapted for hand embroidery. It would make an excellent Christmas ornament or a nice element on your own surface embroidery sampler.

Quaker Motif: Circle, Petals, & Quilt-Square - This is another design adapted from a Quaker cross stitch motif and made into a hand embroidery pattern. This would work well on quilt squares, as it has a kind of quilt-square-look.

Farmyard Scene & Fable Illustration - a neat cutwork pattern that illustrates a fable, this can be used as a regular surface embroidery design as well.

Springy Flower Corner Design - this makes a really nice corner for a brightly embroidered towel, tablecloth, pillowcase, etc. You can see my embroidered version here.

Needlelace Pattern: Easter Egg - This is an egg-shaped pattern for needlelace, perfect for a lace Easter egg or an oval inset.

Celtic Cross - Perfect for St. Patrick's Day or any time of the year!

Stylized Pomegranate - used for goldwork and silk shading - you can watch this series progress by visiting my goldwork links.

Heart o' Flowers - a fun design for colorful embroidery! It's a heart, filled with flowers.

The Crewel Rooster - this is my crewel embroidery project worked in January, 2010. You can see the embroidered rooster here.

Easter Egg with Flowers - a fun egg shaped design packed with flowers - perfect for Spring!

There are more to come - I try to post free patterns fairly regularly! If you want to be informed of new content on Needle 'n Thread, sign up via RSS feed or subscribe to my daily newsletter (the subscriptions in the top of the right hand column!) With the daily newsletter, you get each day's blog post delivered straight to your inbox, so you never miss a post, and you can save them or print them for future use!

Hope you enjoy the patterns!


]]> free embroidery patterns Hand embroidery stitches beginner embroidery 1358 Anonymous noreply@blogger.com 2010-04-17 14:23:27 2010-04-17 14:23:27 1 0 Just had a look on your site and it is really splendid and highly useful.
The embroidery patterns too are so good that I feel like just tracing them out and working on them.Thank you.....Harina]]> 1478 Anonymous noreply@blogger.com 2010-04-13 17:48:01 2010-04-13 17:48:01 1 0 1845 Anonymous noreply@blogger.com 2010-03-24 10:22:44 2010-03-24 10:22:44 1 0 So could you please give me a pattern suggestion. I would be really thankful if it would have a central piece and little motifs on the edge. Thank You!
By the way, I really love your website!]]> 6745 leslie noreply@blogger.com http://www.blogger.com/profile/13775902902108612095 2009-07-03 18:32:36 2009-07-03 18:32:36 1 0
I have enjoyed following the different stitches that you post.Thank you so much for doing this.It has been hard to find different patterns that I can do without so much trouble that looks like I have spent many hrs doing on each project.Thank you so much for showing us how to do the different stitches.]]> 8154 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-05 10:56:54 2009-04-05 10:56:54 1 0
Thanks for your comment! I'm glad to hear you're getting into embroidery and enjoying it, and that Needle'nThread is helpful to you!

Your first comment worked great! Good job! :-)

Mary]]> 8156 Anonymous noreply@blogger.com 2009-04-05 08:14:00 2009-04-05 08:14:00 1 0
I've never commented on any website before (so I hope this works!) but I just found your website and just have to say how great it is. I'm certainly a beginner and never thought I could do anything like this so thanks for making me believe that I can. I'm sure your site is going to be a great source of information. Thanks, you're an inspiration.

Lisa,
Canberra, Australia]]> 8418 Yvonne noreply@blogger.com 2009-03-07 15:44:00 2009-03-07 15:44:00 1 0
Love the free embroidery patterns. And no need to rename. Great!!
Yvonne]]> 8871 Hannah noreply@blogger.com http://www.blogger.com/profile/06632493091216422871 2009-02-09 13:47:00 2009-02-09 13:47:00 1 0 9274 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-05 08:35:05 2009-01-05 08:35:05 1 0
Best of luck!

MC]]> 9279 Anonymous noreply@blogger.com 2009-01-04 23:49:00 2009-01-04 23:49:00 1 0 9446 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-15 21:11:48 2008-12-15 21:11:48 1 0
Thanks for your comments!

To transfer the patterns, I'd print them from your computer onto regular paper, then use either a light box or sunny window to trace them. If you are working on darker fabric, you could use dressmaker's transfer paper (use it like carbon paper). You can also buy iron-on transfer pens (sulky are apparently the best), trace the pattern on the other side of the paper, and then iron it on. There are other ways of transferring fabric as well, such as prick and pounce, or using tissue paper, or using a water-soluble stabilizer...

Best of luck!

Mary]]> 9447 AJ noreply@blogger.com 2008-12-15 20:56:00 2008-12-15 20:56:00 1 0
Thank you so much for your website, I love it! I am starting to get into embroidery, and have just finished a felted wool project. (I love felted wool projects) I have a basic question. How to I transfer the embroidery patterns you have posted on your site to fabric? Do I print the pattern from the computer onto transfer paper, and then iron it on? I have no clue. Thanks again for all of your help on the website, it is really great.]]> 9475 Anonymous noreply@blogger.com 2008-12-11 06:50:00 2008-12-11 06:50:00 1 0 Shirley, Louisiana]]> 9991 maheshwar noreply@blogger.com http://www.blogger.com/profile/03003759348141268876 2008-10-28 11:02:00 2008-10-28 11:02:00 1 0 >>>>>>>


Hey that will be great if you can post some color pictures....that will help ppl to choose the best color]]> 10584 Staycy noreply@blogger.com 2008-09-12 14:55:00 2008-09-12 14:55:00 1 0 11371 Valerie noreply@blogger.com http://www.blogger.com/profile/18322743099124171256 2008-07-15 23:05:00 2008-07-15 23:05:00 1 0 11372 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-15 22:12:43 2008-07-15 22:12:43 1 0
http://www.coloringcastle.com/state_coloring_pages.html

Hope that helps!
MC]]> 11373 Anonymous noreply@blogger.com 2008-07-15 21:05:00 2008-07-15 21:05:00 1 0 11714 Dribs n' Drabs noreply@blogger.com http://www.blogger.com/profile/05775102310368109913 2008-06-06 11:31:00 2008-06-06 11:31:00 1 0 11835 Anonymous noreply@blogger.com 2008-05-14 10:12:00 2008-05-14 10:12:00 1 0 I would like to know if there is a special kind of ink I should use to print out the pattern of my choice? This is all new to me.
Thanks]]> 11939 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-25 17:23:30 2008-04-25 17:23:30 1 0
You'll find good linen at a variety of online shops. You might want to try Nordic Needle, Needle in a Haystack, Windham Needleworks - to name a few. If you're looking for a high-count, firm linen for cutwork or whitework, I suggest looking at the ecclesiastical linen by Legacy.

There are other brands of linen that are good, too: Strathaven, Zweigart, etc.

You might want to read my post on fabrics for surface embroidery, which may help you.

Hope that helps!

MC]]> 11940 rgl noreply@blogger.com http://www.blogger.com/profile/00807408375326183516 2008-04-25 16:22:00 2008-04-25 16:22:00 1 0 Thanks]]> 12138 camnisha noreply@blogger.com http://www.blogger.com/profile/05130357415952864316 2008-03-29 00:33:00 2008-03-29 00:33:00 1 0 i must congratulate you for your fabulous site and the amazing patterns you have posted.
iam planning to do some embroidery on my kurti(dress top) could you suggest some pattern and also which fabric
iam planning to do on cotton fabric will your patterns work out well on them]]> 12160 Anonymous noreply@blogger.com 2008-03-26 17:32:00 2008-03-26 17:32:00 1 0 Does anyone know where I can find a lavender pattern to embroider. I am just learning to hand embroider and thought it would be neat to make pretty heart sachets or a small pillow with lavender vines/flowers hand embroidered on them and stuffed with fragrant lavender. Also has anyone tried whitework? It looks so pretty.
Debbie]]> 12340 Anonymous noreply@blogger.com 2008-02-19 00:49:00 2008-02-19 00:49:00 1 0 12936 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-21 18:02:46 2007-09-21 18:02:46 1 0 12937 Meeta noreply@blogger.com 2007-09-21 14:10:00 2007-09-21 14:10:00 1 0
Wishing you much success!

Regards,
_Meeta]]> 12938 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-21 13:31:46 2007-09-21 13:31:46 1 0
Check out stores like TJMaxx or similar for good deals on cloth napkins or table cloths. Even if they're colored or "damask," you can still embellish them.

You can also go through sites like www.embroiderthis.com and order a pre-hemmed table cloth and pre-hemmed napkins to embroidery (usually they're a blend of linen and cotton). They're pretty nice!]]> 12939 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-21 13:29:25 2007-09-21 13:29:25 1 0
If you're buying your own fabric to make pillow cases, go for a high thread count cotton (200 or higher).

Hope that helps!]]> 12940 Meeta noreply@blogger.com 2007-09-21 09:45:00 2007-09-21 09:45:00 1 0 I was going through your website last night and noticed all these beautiful patterns that you suggest would be good for table cloth, pillow cases or guest towels. My question is, how do you embroidery a border pattern on towel material? Also, for pillow cases, do you suggest store bought table cloth and standard pillow cases are fine for embroidery? Please advise.

Many thanks!]]> 13447 Anonymous noreply@blogger.com 2006-08-16 07:08:37 2006-08-16 07:08:37 1 0 http://www.needlenthread.com/2010/04/new-crewel-by-katherine-shaughnessy.html Thu, 15 Apr 2010 05:00:00 -0500 Mary Corbet 17 2010-04-15 05:00:00 2010-04-15 05:00:00 open open The-New-Crewel-by-Katherine-Shaughnessy---Book-Review publish 0 0 post The New Crewel by Katherine Shaughnessy may be just the right book. It's a small, concise book with a minimalist approach. Herein, don't expect the flouncy flourishes of Jacobean crewel work or the abundant vine, flowers, and birds of other crewel embroidery projects. Instead, expect little and simple designs that are modern and a little bit funky and fun. Here's my review...

The New Crewel is a book devoted to "exquisite designs in contemporary embroidery." In my opinion, it falls into the category of a project book more than an instructional book, but it contains good instructional information, too.



The cover of the book reflects the flavor of the projects enclosed - they are simple and modern.



Though the book is definitely a modern approach to crewel, art springs from something, it has a history, and it can't be reasonably separated from its history. We learn from the ages before us, and so it is fitting that the book begins by looking back at the history of crewel with a brief and interesting discussion of the origins and development of crewel embroidery.



Then, we have a section on the basics. This is where you find fabric and threads discussed, as well as instruction on setting up a project and finishing it. The information here is the standard basics you would find in most good crewel embroidery books.



For the newbie to crewel, a discussion of stitches is imperative, and the book supplies the learner with plenty of drawn diagrams and stitch directions.



Next up is the gallery of different crewel designs that will be used in the projects following. The names of the pieces crack me up. The one on the left is "Dinner Party." (I'm not quite sure what was for dinner??) And then there are those really "hip squares." They're hip. What more needs to be said?



Ruby Shoots and Sway Days compose my favorite spread of pages, only because I'm a sucker for reds. These two projects practically jump out of the book because of their vibrant color.

The "gallery" images are accompanied by information on supplies and stitches used to complete the featured pieces.



Following the gallery is the project area, where several projects are presented from start to finish, including finishing techniques.



The unique character of the book is seen especially in the projects. Aside from the more traditional uses of crewel - pillows and eyeglass case - there are some non-traditional uses as well. How often do you top your filled canning jars with your embroidery?



And the cover project is effectively put to use as a greeting card.

You'll find a lampshade project, a small circle sampler, some pillows, a fun and unusual eyeglass case, some greeting cards, ornaments, embellished clothing, an album cover, and more in the projects area.

The book is very accessible for all levels of embroiderers and the projects are definitely different and fun. They're small projects, too, so they can be worked up quickly.

I like the book! I think it would make a terrific gift for someone with contemporary tastes in decor and in the needlearts.

You can find The New Crewel: Exquisite Designs in Contemporary Embroidery at Amazon for just over $10 new.


]]> book review pictures 1326 Mohan Raj noreply@blogger.com http://www.blogger.com/profile/08229538923550239025 2010-04-18 23:59:21 2010-04-18 23:59:21 1 0 Crewel is something I have never learnt. This book caters to different levels of embroiderers, which makes it all the more interesting. There are also small projects that can be completed quickly and that would be just great for working women like me who have little time in the evenings to do something they love.]]> 1330 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-04-18 20:25:08 2010-04-18 20:25:08 1 0 Thanks for your generosity, as always!

Kathy in Kenia]]> 1341 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2010-04-18 08:02:32 2010-04-18 08:02:32 1 0 1342 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2010-04-18 08:01:48 2010-04-18 08:01:48 1 0 1343 Anonymous noreply@blogger.com 2010-04-18 06:53:56 2010-04-18 06:53:56 1 0 Thanks. Kathy]]> 1347 Anonymous noreply@blogger.com 2010-04-17 23:37:19 2010-04-17 23:37:19 1 0
I like the fact that it's a totally different 'take on embroidery.... modern, simple, yet beautiful... the 'small size' of the projects will prob make it more possible for me to have 'completed projects' rather than 'work in progress'..

regards,
aaliyah mehdiyah,
Dubai
UAE]]> 1349 Angela noreply@blogger.com 2010-04-17 20:53:33 2010-04-17 20:53:33 1 0 Ooops, forgot to leave an email for my post a few minutes ago, incase of winning.

Angela
ermascreations@live.com]]> 1350 Angela noreply@blogger.com 2010-04-17 20:53:05 2010-04-17 20:53:05 1 0 Ooops, forgot to leave an email for my post a few minutes ago, incase of winning.

Angela
ermascreations@live.com]]> 1351 Angela noreply@blogger.com 2010-04-17 20:47:54 2010-04-17 20:47:54 1 0 Absolutely the cutest things to embroider in this book. I love the simple patterns and thank you for letting us know about this one.
Have a great weekend.

Angela]]> 1368 Anonymous noreply@blogger.com 2010-04-17 05:44:46 2010-04-17 05:44:46 1 0 1371 CarolynPhi CarolynLPhillips@msn.com http://www.blogger.com/profile/06561414352635851207 2010-04-17 00:00:57 2010-04-17 00:00:57 1 0
I think what I like most about this book is that it doesn't take itself too seriously; it is full of whimsy and charm and would be so much fun to work from. I LOVE the Mason Jar lids!! We make scrumptions apricot jam every year, and generally gift it to family and friends...I can imagine these tiny motifs worked in orange apricot colors for a few close (lucky) friends and family.

Carolyn Phillips
CarolynLPhillips@msn.com]]> 1372 Anonymous noreply@blogger.com 2010-04-16 23:26:23 2010-04-16 23:26:23 1 0 1383 onita moore noreply@blogger.com 2010-04-16 18:06:12 2010-04-16 18:06:12 1 0 1397 Joy noreply@blogger.com http://www.blogger.com/profile/05297406972377534649 2010-04-16 12:16:32 2010-04-16 12:16:32 1 0 I often teach projects to our Sonoma County, CA, chapter of Pomegranate Guild of Judaic Needlework. The designs in The New Crewel would lend themselves to some ancient designs and projects such as an indoor mezuzah (case for the "Shema") or a challah or matzo cover, even a tallit or synagogue piece. I believe I could adapt the projects and stitches in the book.
Joy Danzig of Santa Rosa, CA (formerly of Prairie Village, KS)]]> 1402 Anonymous noreply@blogger.com 2010-04-16 11:02:48 2010-04-16 11:02:48 1 0 from what I can see in this book, the images can be used in so many projects, either alone or combined. Thank you again for your generosity in sharing items that we may other wise never get.
Maggie]]> 1406 Lelia noreply@blogger.com http://www.blogger.com/profile/04234080378437860941 2010-04-16 10:27:34 2010-04-16 10:27:34 1 0 1415 Anonymous noreply@blogger.com 2010-04-16 09:38:33 2010-04-16 09:38:33 1 0 My favorite part has changed a bit with each try..but I really do like how K.S. went minimalist with ''the new crewel'', what i had seen before was a heavy handed embroidery technique and I remember those old 70's colors. This is fresh and exciting. People new to embroider will probably take up crewel and intermediate to expert hands may try it again.

carol kunnerup
https://carolsquilting.wordpress.com/]]> 1432 Anonymous noreply@blogger.com http://(optional) 2010-04-16 07:40:51 2010-04-16 07:40:51 1 0 bye from Simsima]]> 1434 Simsima noreply@blogger.com http://(optional) 2010-04-16 07:39:00 2010-04-16 07:39:00 1 0 bye from Simsima]]> 1436 Simsima noreply@blogger.com http://(optional) 2010-04-16 07:25:57 2010-04-16 07:25:57 1 0 1452 sheila noreply@blogger.com 2010-04-16 05:15:22 2010-04-16 05:15:22 1 0 Sheila Bowers]]> 1454 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-15 19:37:49 2010-04-15 19:37:49 1 0
Well, here I am out in the bush again. Much more comfortable weather thankfully. Next week it will be 12 mths since our grand daughter arrived out here, to teach us a whole new meaning of love. Our precious little bush princess.

Valued your review Mary. Have seen this book advertised and was very interested but never able to see inside it. It's beaut. Besides for myself, it would be good to have on the shelf for my bush princess, a few short years hence.

It's mid a.m. but I'm for bed. After 7 hrs on the road yesterday I've misplaced my get-up-and-go. Hopefully I'll have found it after a lovely long sleep!

Bye now Kath.]]> 1457 Rachel Corbett noreply@blogger.com 2010-04-15 12:47:21 2010-04-15 12:47:21 1 0 1460 Anonymous noreply@blogger.com 2010-04-15 06:18:50 2010-04-15 06:18:50 1 0
Gwen (28) from Dordrecht, the Netherlands.]]> http://www.needlenthread.com/2010/04/floral-glove-needlecase-silk-and-gold.html Wed, 14 Apr 2010 05:00:00 -0500 Mary Corbet 18 2010-04-14 05:00:00 2010-04-14 05:00:00 open open Floral-Glove-Needlecase:-Silk-and-Gold-Embroidery publish 0 0 post Thistle Threads Floral Glove Needlecase online embroidery class. The set up is really rather simple - besides giving in-depth history lessons each month on 17th century embroidery (featuring particularly embroidered gloves), the class features six months' worth of step-by-step instructions to complete the needlecase and includes all the supplies necessary for the project. Now that I've gotten into the project, I'm enjoying it.

At first, I have to admit, while I was keen on the finished project - it really is a beautiful little embroidered needlecase - I wasn't that interested in the whole "class" thing. I was curious about how Thistle Threads would present the class and interested in the finished product, but not curious enough to overcome the price hurdle! When the supplies arrived, I expected my interest would be piqued and that I would launch in with all enthusiasm. It didn't happen. Still, not wanting the opportunity, the lessons, or the supplies to go to waste, I told myself I better get on with the project and have something to show for it! (Guilt can be a great motivator!)

And once I got into the stitching, I was hooked. As usual, for me, the sell point was the thread. Working with certain threads is a pleasure, and since the silk in this project is Au Ver a Soie's Soie de Paris, I found myself in thread heaven.



The kit for the project came with the design already traced on the linen. It took me forever to get past the first stage of stitching, which was supposed to be outlining the various filled motifs. In fact, I decided to jump around a bit and not follow the instructions step-by-step. I outlined a couple elements and then started filling right away.



I love Soie de Paris. The trick to using it for needlepainting is to think of it as a stranded silk - don't try to stitch with all the strands in one thread. Stitch with one individual strand. It makes a beautiful long and short stitch and a beautiful satin stitch. The silk is a twisted filament silk with a very nice sheen.



While I think the two side flowers came out ok, there are a couple things that bother me about them. First, the transfer was a bit off - the flower on the left is much smaller than the one on the right, and the left flower is also skewed a bit - the arch leans left. I considered drawing over the flower and trying to enlarge it slightly and straighten it out, but I didn't want to do something that I couldn't repair. This is why I tend to be a bit obsessive about accurately transferring a design; it's pretty likely that mistakes in the transfer will show up in the stitching. Still, in the finished product, once all the gold and the other decorative stuff is stitched on, I don't think it will be that noticeable.

When stitching the carnations, I left the top row of darker gold somewhat thin, instead of dividing the flowers evenly in three sections. I like the idea of the flowers tipped with the gold, rather than the whole top third of the flower being gold. This might not be historically accurate, but it's the way I like it, so that's how I stitched it.

Another thing I did differently: I followed my inclinations on the long and short stitch. Oh, it's true! I tried - honestly - to stick with the whole rigid long-short pattern, but it looked so very rigid, so I strayed on that, too. I also found I didn't like the way the silk blended when following the directions to stitch down into the previous row of stitches, instead of up into it. One reason given in the instructions for stitching down into the previous row is that it's too difficult to stitch up from the back into the thread, but I find it easier to stitch up into the previous row, and I think the finished results are much smoother when stitched this way.



The center flower is also a product of a wonky transfer. It's not even - and I suppose this keeps with the historical look of the thing. I suppose that, today, we tend to get a bit particular with evenness and accuracy because, after all, we can line designs up on the computer and make sure they are spot-on accurate. Back in the day, I imagine that designs were a bit more roughly drawn. So I launched into the flower with fewer misgivings about it turning out crooked.



Still, the flower in the center stretches off a bit to the left, too, almost as if it's slightly warped. But - again, once all the gold and frillies are in place, I don't think it'll be all that noticeable.



In case you think I might be a bit too weird on the whole transfer question, this is the side of the needlecase - the line on the left is the outside edge of the design, and there's an oval medallion that's resting against the line....



This is the outside edge on the right side of the design.... with a good 3/16ths of an inch between the edge of the medallion and the outside edge of the piece. The medallions are kind of leaning left, too. There are lots of reasons this can happen to a traced design during the transfer process - the fabric could be stretched out of "square" over the design, or, if either the fabric or the design were not secured, either one could easily shift during tracing. The moral: Be careful when you transfer your embroidery designs! Take the time to make sure everything is lined up and secure, and then don't rush while tracing. You'll be happy in the long run, even if you find the whole transfer part tedious!

I'm not much worried about it. I think any line problems can be covered up with the finish work on the whole project. It looks like there's some kind of frilly something outlining the cuff on the glove, so my plan is to fix up the lines at the point of finishing. If I can't cover up the misplaced lines, I figure I can always try a dab of amodex with a tiny brush or something. Either way, I'm not sweating over it (yet).

So that's where I am on this particular project. I'm alternating between this and the blackwork fish right now. I'm thinking, though, that the glove project is pretty small, and if I devote myself to it this week, I can probably finish it. Shall I try, or should I stick with my alternating fish schedule? Hmmmm....

Well, I shall surely keep you updated on progress on both!

Stay tuned this week - I'm going to give away another book! So keep an eye out for that!
]]> historical needlework Embroidery Projects goldwork pictures silk needlework pictures 1461 Anonymous noreply@blogger.com 2010-04-15 04:44:42 2010-04-15 04:44:42 1 0 1462 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-04-14 23:26:27 2010-04-14 23:26:27 1 0 1463 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-14 12:22:39 2010-04-14 12:22:39 1 0
Well, I knew there was a "P" in there....

I corrected it in the article!

Thank you!]]> 1464 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2010-04-14 11:58:26 2010-04-14 11:58:26 1 0 1465 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-04-14 11:32:50 2010-04-14 11:32:50 1 0 1468 Anonymous noreply@blogger.com 2010-04-14 07:09:42 2010-04-14 07:09:42 1 0 I had the same problem re: symmetry and transfer of the design. I spent roughly 5 hours redrawing the design and transferring it to a new piece of linen. Much happier with the result. The Paris thread is a delight to stich with!!! Love the sheen.The goldwork is really lifting the design.Great to see your work. I have to keep up with the floral glove as my supplies for your Pomegranite are arriving in the next few days.
Kind regards,
J]]> 1469 Anonymous noreply@blogger.com http://juliescraftsandhobbies.blogspot.com 2010-04-14 06:56:01 2010-04-14 06:56:01 1 0
I am a scientist and I agree about wanting "perfection" in my craft work. I too had a project of a sampler which I bought in 1980 (!) while I lived in the USA..put off starting it for decades, then I no longer liked stamped pieces. But I began the reproduction sampler and then noticed quickly that the stamping leaves much to be desired. On one side it fades away (so you have to make it up as you go following the rest of the pattern, and some bits dont line up well at all. However I have persevered and interestingly, like you say, it looks OK when complete.

Look forward to your progress with this one.

cheers
Julie in Australia]]> 1470 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-04-14 06:06:26 2010-04-14 06:06:26 1 0 1471 Anonymous noreply@blogger.com 2010-04-14 05:54:22 2010-04-14 05:54:22 1 0 1472 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-04-14 05:41:13 2010-04-14 05:41:13 1 0
I heard that some places had become available on this course so I am a late addition to the class. My supplies arrived this weekend and I am really inspired by them, but I have a couple of things I need to complete before I dare let myself start on this one. It will be fun to have a virtual stitch-along with you but I think you may be done with the silk embroidery before I get started on it.]]> http://www.needlenthread.com/2010/04/pony-embroidery-needles-brand-question.html Tue, 13 Apr 2010 05:00:00 -0500 Mary Corbet 19 2010-04-13 05:00:00 2010-04-13 05:00:00 open open Pony-Embroidery-Needles-&-Brand-Question publish 0 0 post

There aren't a whole lot of #12 embroidery needles available on the market. Rarely do you find them available in needlework shops, even. Several years ago, Michael of Wormspit sent me a few of the smaller sized Pony needles. I've used them time and time again, and finally decided I need a few more. I've been on the lookout for them, but haven't had too much luck finding them available for purchase online.



So I contacted the company. And now I have four packages of Pony crewel (embroidery) needles in sizes 9, 10, 11, and 12.



Embroidery needles are sized by number, and the lower the number, the larger the needle. The smallest crewel needle size commonly available is a #12, which is the needle on the far right in the photo above. Besides the shafts and the eyes decreasing in size as the needle size number increases, the needle itself becomes generally shorter. You can see that the #12 on the right is quite a bit shorter than the #9 on the far left.



Here, you can see a close-up on the eyes, and the super-macro mode on the camera shows us something that the naked eye may not necessarily notice: the flaw on the #10 needle. Instead of being rounded at the tip, it's got a bit of a burr there.

Overall, I like Pony needles in these sizes. So far, they have withstood the test of time pretty well - I am still using one that I've had for a couple years and have used fairly regularly. I like the fact that they are very small and delicate. They work well with the finest weight of Piper's silk that I'm using on the Blackwork Fish project.

I'd like to see Pony needles in the finer sizes more readily available in needlework shops. So far, I haven't had any luck nailing down a steady supplier in the US! If you know of one, will you let me know?

Another company that offers an excellent needle - and the supplies them in the smaller sizes (crewel sizes #7 - #12) - is Wendy Schoen Designs. In fact, I think hers are the first embroidery needles I ever had in really fine sizes (and only because I snitched them from my sister!)

And these really are the only two needle brands I'm familiar with that supply sizes #11 and #12 in crewel (aka "embroidery") needles. Do you know of any others, and where they can be found?

I'm an embroidery needle hoarder, I admit. I always feel that something is not right if I don't have a decent supply of ready embroidery needles. But I'm always dismayed that embroidery needles in a variety of the smaller sizes are not more readily available, even in needlework shops!

What brand of needles do you normally use and where do you purchase them? Do you have a hard time finding the needles you like in local needlework shops? Do you buy online?
]]> needles embroidery resources needlework tools pictures 1459 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2010-04-15 08:40:08 2010-04-15 08:40:08 1 0 1473 Elaine noreply@blogger.com http://www.blogger.com/profile/10565138584945080707 2010-04-14 03:20:51 2010-04-14 03:20:51 1 0 I hope it's OK to post a query aimed at someone who commented here?
Only good needlework shops in the UK can be hard to find! You don't know how lucky you are in the States!
My query is for ravenrigan who mentioned a shop in Wood Green. Ravenrigan .... do you mean Wood Green in North London? I grew up in Tottenham/Wood Green although haven't been that way in ages! Currently live in Cheshunt, not that far away. Where abouts is the shop you are referring to?
Thanks.
Elaine]]> 1474 Elaine noreply@blogger.com http://www.blogger.com/profile/10565138584945080707 2010-04-14 03:07:30 2010-04-14 03:07:30 1 0 May I ask a really silly question? How do you manage to thread such fine needles? Or are you blessed with exceptional eyesight :)

Elaine]]> 1475 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-04-14 00:51:55 2010-04-14 00:51:55 1 0 1476 Lori noreply@blogger.com http://www.blogger.com/profile/17068154176213041932 2010-04-13 18:47:34 2010-04-13 18:47:34 1 0
http://www.spiraleyeneedles.com/Needles.html]]> 1477 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-04-13 18:40:08 2010-04-13 18:40:08 1 0 1479 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-04-13 17:47:44 2010-04-13 17:47:44 1 0 1480 Uzi tokarczyk.paulina@gmail.com http://www.blogger.com/profile/10011347080157719202 2010-04-13 14:00:29 2010-04-13 14:00:29 1 0
thanks for this post. It motivated me to finally buy some decent needles as so far I've been using "no name" ones. I live in Poland and found here some online shops that sell Pony needles. In fact I have one question to you: do you use this type Embridery/Crewel to any sort of embroidery? I'd like to learn Long&Short; Stitch one and wonder if these would be fine.

Thanks,
Paulina]]> 1481 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-13 13:54:04 2010-04-13 13:54:04 1 0
You're right. The 3/9, etc. is the range (from size 3 through size 9) and the higher the number, the smaller the needle!

MC]]> 1482 Tania Kleckner noreply@blogger.com 2010-04-13 13:49:08 2010-04-13 13:49:08 1 0
Recently, I ordered a stumpwork kit from Jane Nicholas -http://www.janenicholas.com as well as Jane's Stumpwork Needle Collection (8 packages of various sized needles from sharps size 12 with the tiniest holes ever to Size 14/18 yarn darners) it is a good variety of needles. The cost was $27.18 AUD/$19.00 USD. The needle brands in this grouping are John James (milliners size 3/9, tapestry size 28, chenille size 18/24, embroidery size 10 and yarn darners size 14/18) Piecemakers (sharps size 12) and Richard Hemming & Son (sharps size 5/10 and crewel size 3/9).

I am still a little confused about the sizes and maybe you can answer this question. What does it mean when the package is label Size 14/18 or 3/9 or 5/10? Is that the range of sizes in the package? And if I understand the numbers correctly, the higher the number, the smaller the needle? Any additional information on needles and sizes would be great on your new site.

Thanks MARY!!!]]> 1486 Anonymous noreply@blogger.com 2010-04-13 10:36:56 2010-04-13 10:36:56 1 0
Celeste]]> 1489 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2010-04-13 10:03:30 2010-04-13 10:03:30 1 0 1490 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-13 09:54:02 2010-04-13 09:54:02 1 0
Thanks so much for your comments and your resources!

Yep, Pony needles are made in India, so it is easier to find them there than here, but there is a US distributor, and I know needlework shops can get them, but they don't always go for the smaller sizes, because people don't use them as much. In the US, we're used to using, for example, DMC cotton, and even when we use just one strand, it can be easily accommodated in a #10. It's when you get to the tinier threads - for example, Eterna silk, Piper's, etc. - and you want to do tiny work with single strands, that the smaller needle comes in handy.

MommaBlogger - a small needle is useful for delicate work with smaller threads. Needlepainting, for example, that's done with one strand of silk or cotton works best with a small needle. Your needle should "fit" your thread: the rule tends to be that the shaft of the needle should be about the same thickness as the thread you're using. So #10 works ok with one strand of cotton, but if you're using that Eterna that you bought, and you want to use one strand, then a smaller needle will work better with the finer thread. You can achieve more delicate work, and it saves your fabric from holes that are too big for the thread (the holes become visible).

Yes, yes. I do like "needle talk" and I'm happy to see the resources! I'll try to put some together in a list - maybe that'll be a good section for the "new" site that's coming in the next couple weeks!

Thanks heaps!

Mary]]> 1491 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2010-04-13 09:29:00 2010-04-13 09:29:00 1 0
I found a source for them in the US; they don't have the gold-plated, but they do have the gold-eye:

http://www.wormspit.com/blog/2008/03/12/found-us-source-for-pony-needles/]]> 1492 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-04-13 09:20:07 2010-04-13 09:20:07 1 0
I was happy to see your review of the Pony Brand crewel needles. Like you, I simply hoard embroidery supplies. I have been using Pony needles for the last 30 years since that is the only one which is readily available here in India. I swear by the quality and now insist that my students get these needles only.

I have tried Dritz but that was because I did not get Pony straws. Pony has got some very nice scissors as well.]]> 1493 margaret c. noreply@blogger.com 2010-04-13 09:12:44 2010-04-13 09:12:44 1 0
Lacis still sells #12s. I don't know if they are Pony needles, but they are #12. (Mary is so right about the difficulty in finding small needles!)

Here's a link to Lacis' needle page:

http://www.lacis.com/catalog/data/AD_Needles.html]]> 1494 Silver Sisters noreply@blogger.com http://www.blogger.com/profile/03699221400428028528 2010-04-13 09:03:40 2010-04-13 09:03:40 1 0 1495 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2010-04-13 08:53:19 2010-04-13 08:53:19 1 0
Have to try Wendy's needles... a shop in a nearby town carries them.

Have you consider becoming a distributor of Pony crewel needles ? I (and many others) will sure buy them from you for use and resale ;-) !]]> 1496 Ashley noreply@blogger.com http://www.blogger.com/profile/04810113070259398400 2010-04-13 08:31:30 2010-04-13 08:31:30 1 0 1497 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-04-13 08:04:51 2010-04-13 08:04:51 1 0
Deepa]]> 1499 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-04-13 07:55:38 2010-04-13 07:55:38 1 0 1500 Anonymous noreply@blogger.com 2010-04-13 07:47:41 2010-04-13 07:47:41 1 0 1501 Anonymous noreply@blogger.com 2010-04-13 07:26:37 2010-04-13 07:26:37 1 0 as for the needles, i'll have to look for "pony "brabd. i like "scarlet lady". i buy them on-line or , i try to buy enough at the March quilt show in Dallas, to last me a year. they are my favorite, but i'll have to look for "pony" and try them. thanks for the info.. molly]]> 1502 everbloom everbloom@gmail.com http://www.blogger.com/profile/14034996575695266203 2010-04-13 06:10:47 2010-04-13 06:10:47 1 0 http://www.morrisandsons.com.au/catalog/index.php?manufacturers_id=157&osCsid;=viln5mt7n54ouguoqk466e8hp7]]> 1503 everbloom everbloom@gmail.com http://www.blogger.com/profile/14034996575695266203 2010-04-13 06:03:46 2010-04-13 06:03:46 1 0 tiny. I'm used to using 'standard' sewing needles (whatever was lying around) but they were tending to rust (if anyone knows why?) so I got some new ones.]]> http://www.needlenthread.com/2010/04/monogram-for-hand-embroidery-fan-flower.html Mon, 12 Apr 2010 06:54:00 -0500 Mary Corbet 20 2010-04-12 06:54:00 2010-04-12 06:54:00 open open Monogram-for-Hand-Embroidery:-Fan-Flower-K publish 0 0 post

If you're looking for stitching suggestions for this series of monograms, please check out the Letter A, where I've mentioned a few ideas for stitches. Also, if you have any ideas or input for stitching these letters, feel free to leave a comment!

Here's the small K:



And here's the large K:



And, if you'd like to save a PDF version of the small and large K, here it is:

Monogram for Hand Embroidery: Fan Flowers K (PDF)

Feel free to visit the Index of Monogram Designs here on Needle 'n Thread, if you're looking for more monograms, including the rest of this alphabet.

Enjoy!
]]> free embroidery patterns monograms 1484 meri noreply@blogger.com http://avomeri.wordpress.com 2010-04-13 10:52:46 2010-04-13 10:52:46 1 0 1488 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-13 10:06:13 2010-04-13 10:06:13 1 0
So, if you're using the stranded Eterna silk, if you take one end from the skein, you'll see that the larger strand should easily separate into about 12 tiny strands. Think of these the same way you would think of DMC cotton strands. They can be separated from the main strand and any number can be put back together for stitching. I'd say about 2 or 3 strands of the Eterna would be like stitching with 1 strand of DMC.

You'll find that this kind of silk is a little more difficult to stitch with. It's a filament silk, not a spun silk, so the long filaments of silk that make up the strand are very ... well, "sensitive" to anything at all that it could possibly snag on. You can use a product like Thread Heaven to help "tame" the silk a little bit. So after you've separated out as many strands as you want to use (or you can certainly use the whole "bunch" in the larger strand), you thread your needle and treat the thread just as you would stitching with anything else, but you need to get used to it as you stitch with it. It's going to be a little more finicky.

To keep the silk laying perfectly flat when you stitch with it, you can use a laying tool. This will help the strands lie perfectly parallel to each other, will give you better coverage, and will make the surface of the silk very smooth and shiny. To use a laying tool, you hold it in your non-stitching hand (the hand your needle isn't in), and, after you pull the thread to the front of the fabric, you stroke it with the laying tool as you're taking the next stitch, and then hold the laying tool under the thread as the stitch goes in. It's sounds like a lot of work, but once you get used to using a laying tool, it's second nature.

You don't have to use a laying tool, though. I think your best bet is just to try stitching with several strands of the silk to get the hang of how it works and what it looks like when you stitch with it. Once you're comfortable with it, launch into your project!!

You're always welcome to e-mail if you have any specific questions, and I'll see if I can give you a hand from a distance!

MC]]> 1498 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-04-13 08:00:29 2010-04-13 08:00:29 1 0
*side note, I ordered from Thread Express, which, while I've only had the one dealing with them, I can't in good faith recommend them to order from.... It took two weeks for her to just get to my order, and she ignored my first email*

Anyway, back to business :) It's Eterna Silk, 5m, 100% pure Silk Soie Seda. As usual, I've just lept right in and realized I was in over my head :) My project is to be cherry blossoms (Asian themed project on silk fabric), but I'm not even sure how that's going to work out either, still working on that design :) Lol, like I said, I like to jump right in ;)]]> 1504 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-12 18:36:56 2010-04-12 18:36:56 1 0
If you can tell me what kind of silk you have, I'll try to give you a hand!

MC]]> 1505 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-04-12 17:19:02 2010-04-12 17:19:02 1 0
Thanks :D]]> 1508 Patty noreply@blogger.com http://www.ultimatefitnessgear.com 2010-04-12 14:06:12 2010-04-12 14:06:12 1 0 1509 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-12 10:07:46 2010-04-12 10:07:46 1 0 http://www.needlenthread.com/2010/04/hangin-out-with-needle-n-thread-and.html Sat, 10 Apr 2010 07:54:00 -0500 Mary Corbet 21 2010-04-10 07:54:00 2010-04-10 07:54:00 open open Hangin'-Out-with-Needle-'n-Thread...-and-the-Fish publish 0 0 post

First of all, the Blackwork Fish - here's a little more progress on the fellow:



I want to make the fin stand away from the body a little bit, so I'll be playing with some shading or darker fillings under the edges - we'll see how that works!

Thank you so much for all your encouraging comments on the fish! I really didn't know if he would go over very well, but I am having fun with him. It's the randomness, following on the rather rigid work on the pomegranate, that I find attractive right now.

I've got some other projects going, including the Floral Glove Needlecase from Thistle Threads, so I'll update you on those in the upcoming week. I haven't started any of the Elizabethan flowers yet, but I have gathered the supplies and am ready to start stitching one of these days! And of course, there is that Lilac Breasted Roller (Elza!!). (Though I am wondering if the Kingfisher should come first...)

Website News: Changes Coming Up

Back in January, I mentioned some possible upcoming changes for Needle 'n Thread, and they're still coming up! Before the month of April is out, you'll see a whole new Needle 'n Thread. The transition will be as seamless as possible, and I'm pretty sure I'll warn you before it happens, just in case you pop in and think you've arrived at the wrong website!

Hangin' Out

If you want to connect with me and Needle 'n Thread elsewhere on the internet, you're welcome to! Here's the connection info for various online haunts. Needle 'n Thread is my "home base," of course, but I do use some other networking sites for the occasional bits!

Facebook: Become a fan of Needle 'n Thread

Twitter - follow tweets of little newsy bits now and then (I'm not an avid tweeter - just the occasional bit...)

Stitchin' Fingers - not too active on here, but I do like to update and have a good browse now and then. The gallery is fantastic - lots of talented people!

Flickr - follow updates to my photo stream






]]> website news pictures blackwork needlework pictures 1467 erma's creations noreply@blogger.com 2010-04-14 10:48:40 2010-04-14 10:48:40 1 0 I have been following you for almost a year now and will look forward to the updates to your site. Thank you for all you do and I know it will be great!]]> 1485 meri noreply@blogger.com http://avomeri.wordpress.com 2010-04-13 10:40:14 2010-04-13 10:40:14 1 0 I haven't commented for long! I've made an Easter break at the country, but even there I read all your posts by e-mail!
Now I have to write that I do love that fish! I like much the embroidery with black threads - I'm working on some designs. Your fish has been very inspirational (is this word English??) - you'll see soon, I hope.
So the great website transition will happen at April end... I think I'll not be here to follow it but I'll try to follow you wherever I'll may be, lol!
About your Calling for Stitches post: I found most of your followers suggested a photo or picture for each stitch! I'm absolutely agree with them - that was the aim of the first multilingual glossary of stitches we did, isn't it? The picture is important for not just beginners, also not English speakers. And you know, Mary, your website is known and read all over the world!
Have a great week! Here at last Spring has arrived!
Happy stitching!]]> 1506 Ofelia, Que. Canada noreply@blogger.com 2010-04-12 15:43:05 2010-04-12 15:43:05 1 0 I really like your website, although I have not explored it fully yet. I am a beginner intermediate and so I do not know when to use particular stitches and when others are best. Is there a resource that would guide me or do you give examples of when certain stitches are best for certain types of patterns. By the way, I like the fish. Ofelia, Que. Canada]]> 1514 Francesca noreply@blogger.com http://www.fuoriborgo.com 2010-04-11 07:19:23 2010-04-11 07:19:23 1 0 1517 Elza Bester noreply@blogger.com 2010-04-10 11:43:31 2010-04-10 11:43:31 1 0 Kind regards Elza Bester. xx]]> 1519 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-10 09:59:25 2010-04-10 09:59:25 1 0
The fish is coming along swimingly.
Yes, making the fin stand out is good thinking and will be interesting to see it in practice.

I went into your flickr site recently to look at the finished pomegranate. Not familiar with the extra sites so was a lovely surprise to see all the photos. I really like the patchwork doodles.

Bye for now Mary, Kath.]]> 1520 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-04-10 08:41:09 2010-04-10 08:41:09 1 0 http://www.needlenthread.com/2010/04/stitch-on-fish-blackwork-fish-revisited.html Fri, 09 Apr 2010 09:18:00 -0500 Mary Corbet 22 2010-04-09 09:18:00 2010-04-09 09:18:00 open open Stitch-on-Fish:-The-Blackwork-Fish-Revisited publish 0 0 post goldwork pomegranate, I moved on to my Blackwork Fish, a project that is not truly blackwork the way we think of it today. Today, blackwork has become synonymous with a counted thread technique - not counted cross stitch, because it is mostly Holbein stitch, but like counted cross stitch in that it involves following a charted design. Blackwork today features mostly elaborate and lacy filling designs worked on the grid of an even-weave fabric, and not necessarily worked in black, either. So this isn't necessarily the type of blackwork I'm talking about here - I'm using the term specifically because I'm using all black threads.

The last time we visited my Blackwork Fish, he hadn't progressed too far. He was still rather a hazy idea, overall. I wasn't sure if my experiment would work out!



This is what I'm doing, though. I doodled this guy a while ago - you can check out a larger version of my Doodled Fish on Flickr - and then I got it into my head that it might be a neat challenge to try to reproduce something similar in embroidery. So, using 40 count linen and a variety of weights of black silk thread, I set out to do that.



Last time we looked at the fish, this is where I was.



And a little bit of stitching brought me to this next point.

My plan is that the various weights of the black threads - from as light as a cobweb, practically, to about the thickness of a #8 pearl cotton - will provide much of the contrast in the piece, while the stitches chosen will do the rest of the job.



Most of the time, the stitching is completely random. There are some lines drawn on the fabric, marking the overall design, and occasionally, if I want to be certain that I have equal or even lines, I will mark in something with a tiny black pen. But for the most part, I'm not marking anything as I go. I'm just filling with whatever comes to mind, but still using the doodled fish as a guideline or idea-board here and there.



This section of spirals is stitched in backstitch, working from the center of the spiral out, and eyeballing the route of the spiral. You can see that each spiral is not "perfect" - the distance between the lines is not necessarily even, the shape is not necessarily perfectly round - but all that is quite ok with me, as I think it adds to the look I want to achieve with this piece.



You can see below the fin on the fish, I sketched in a couple wavy lines. In fact, I also drew in that scalloped vertical line before I stitched it - for me, it's hard to stitch scallops evenly, and I wanted these to be even.

So that's my progress on the fish so far. I think he's looking a bit startled, personally.

What I like about this project:

1. I can play with types of stitches and pretty much be guaranteed that I won't ruin the piece.

2. As I parcel the fish up, each little bit offers the opportunity for variety - I don't think I'm going to get bored with the stitching itself.

3. I like the look of it.

4. I like the challenge of deciding on a filling technique, or a stitch to use, etc.

What I like less about it:

1. Why on earth am I stitching a fish? Whatever am I going to do with this thing?

2. Working only with black may become a bit dull - but I don't know about that, yet. So far, it hasn't.

3. Sometimes, I sit and stare for quite a while before deciding what to actually stitch. I scratch my head. I wonder. I start to take a stitch. I stop. I think..... and this can become rather annoying.

But the pros outweigh the cons - I like the project so far, and I'm actually pretty eager to make progress on it, to see if it'll turn out as I imagine it.

So what think you? Do you think this is a weird project, not worth the time it'll take? Do you like the idea? Is it something you would try? Are you eager to see an outcome, or does the piece strike you as dark and oddly ugly? See, I'm not sure what to make of it yet, either!

]]> Embroidery Projects pictures blackwork needlework pictures 1377 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-16 19:45:23 2010-04-16 19:45:23 1 0
Regan - Glad you like it! Your comment gave me a good chuckle!

I've been getting some pressure to use the finished fabric as the outside pocket on a summer tote, made with black and white fabric. I'm thinkin' about it....]]> 1378 Regan Rothery noreply@blogger.com http://www.blogger.com/profile/10231323746880091706 2010-04-16 19:17:41 2010-04-16 19:17:41 1 0 lovely and highly appreciative girl in Southern California who would know exactly where to put that fish. Secondly, this is nothing short of breathtaking, stunning, wonderous. There are not enough words! I love it, I can't wait to see it completed, I will follow your blog for that alone. Be proud of that work for it is truly inspiring.]]> 1391 wendy noreply@blogger.com http://www.blogger.com/profile/04711567804321998461 2010-04-16 13:46:44 2010-04-16 13:46:44 1 0 1416 Anonymous noreply@blogger.com 2010-04-16 09:30:25 2010-04-16 09:30:25 1 0
I like the fact that it covers the basics. The Jacobean
work fascinates me and although I have never done any crewel work I would like to see an introduction.

Maria]]> 1453 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2010-04-15 20:54:14 2010-04-15 20:54:14 1 0 1455 tongfengdemao noreply@blogger.com http://www.blogger.com/profile/17109314578773780990 2010-04-15 17:31:18 2010-04-15 17:31:18 1 0
~Faith]]> 1456 Lins Artyblobs noreply@blogger.com http://www.blogger.com/profile/17622271221153290281 2010-04-15 15:40:12 2010-04-15 15:40:12 1 0 1512 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-04-11 11:38:10 2010-04-11 11:38:10 1 0
I'd be happy with just black but wondered if you are not, would a fine border/ lower edge of muted color grasses work? Just a thought.

Every day visiting here brings more surprises. Thanks for sharing.]]> 1521 Walden lynn121@hotmail.com http://www.blogger.com/profile/03455450537078747858 2010-04-10 02:05:23 2010-04-10 02:05:23 1 0 1523 Anonymous noreply@blogger.com 2010-04-09 18:32:46 2010-04-09 18:32:46 1 0 1524 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-04-09 17:17:13 2010-04-09 17:17:13 1 0 1525 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-04-09 17:16:50 2010-04-09 17:16:50 1 0 1526 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-09 16:52:35 2010-04-09 16:52:35 1 0
Of course he's looking startled. He has just woken up to the fact that he is going to be very gorgeous and very different AND however will he manage the media frenzy let alone the ensuing fan club of oggling people.

This really is right up my alley. For years I've kept copies of any sort of doodley design things I've come across with the thought of embroidery in mind. And just 'cos I like 'em.

I love the black. It highlights the graphics (in design/doodles/different stitches) and that's what is so appealing to me in this project.

I like the different thicknesses of thread idea too, rather than combining different amounts of strands of the same thread all the time.

I don't mind if this project goes on for a while, although am very interested in finished result, as I will find it so satisfying to savour each step. And to see how each step affects the previous ones, ties in, makes stand out, subdues etc.

Artwork is problem solving all the way isn't it. Most things you do creates another problem or decision. Some are obvious and easy to the artist and the work flows but others take some pondering.

This is all going beautifully Mary. Thank you again, Kath.

PS, His eye is fine, it's a work of art and suits him.

Reminds me of a story of Mums. Many years ago Mum had goldfish in a bowl and a visiting toddler was facinated by them. Eventually little Coral said to Mum, "They got eyes"!]]> 1527 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-04-09 16:00:02 2010-04-09 16:00:02 1 0 1528 margaret c. noreply@blogger.com 2010-04-09 15:58:14 2010-04-09 15:58:14 1 0
But...

The doodle is awesome and I really like the stitched version as well. Keep going!

I'm hooked! :-)]]> 1529 Uzi tokarczyk.paulina@gmail.com http://www.blogger.com/profile/10011347080157719202 2010-04-09 15:06:01 2010-04-09 15:06:01 1 0 1531 Laura Bullinger noreply@blogger.com 2010-04-09 14:30:55 2010-04-09 14:30:55 1 0 1532 kathleen noreply@blogger.com http://www.blogger.com/profile/14924620301581918273 2010-04-09 14:08:00 2010-04-09 14:08:00 1 0 1533 Maureen greesonma@cox.net http://www.blogger.com/profile/07711569333263234504 2010-04-09 12:59:46 2010-04-09 12:59:46 1 0 1534 Romilly noreply@blogger.com http://www.stitchingwithashimmy.com 2010-04-09 12:51:51 2010-04-09 12:51:51 1 0
I love stitching in "doodles".]]> 1535 Cassey noreply@blogger.com 2010-04-09 12:38:19 2010-04-09 12:38:19 1 0 1536 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-04-09 12:26:57 2010-04-09 12:26:57 1 0
Working with one color boring? For me, it's doing the same stitch over and over that gets boring. Probably why it takes me years to finish a cross stitch project, even if it's a pattern I really really like.

Sitting and Staring - you are waiting for the fish to tell you what he wants to look like.]]> 1537 Anonymous noreply@blogger.com 2010-04-09 12:04:34 2010-04-09 12:04:34 1 0
Annie in Michigan]]> 1538 Anonymous noreply@blogger.com 2010-04-09 12:00:32 2010-04-09 12:00:32 1 0
Kim]]> 1539 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-04-09 11:57:54 2010-04-09 11:57:54 1 0 1540 Sarah machinegunsarah@gmail.com http://www.blogger.com/profile/09828414543697731990 2010-04-09 11:57:52 2010-04-09 11:57:52 1 0 1541 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2010-04-09 11:54:49 2010-04-09 11:54:49 1 0 1542 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2010-04-09 11:20:42 2010-04-09 11:20:42 1 0 Jane]]> 1544 Aorto noreply@blogger.com 2010-04-09 10:55:17 2010-04-09 10:55:17 1 0 1545 Susan C. noreply@blogger.com 2010-04-09 10:50:21 2010-04-09 10:50:21 1 0 1546 Elza Bester noreply@blogger.com 2010-04-09 10:47:37 2010-04-09 10:47:37 1 0 I like ..no love this fish!!It is so interesting. I can see how the doodle version can be transformed into blackwork very beautifully. Go for it, but on one condition, I have not forgotten Trish's lilac breasted roller!!
Love, Elza Bester, Cape Town.]]> 1547 Shannon noreply@blogger.com http://www.blogger.com/profile/10948124064800838871 2010-04-09 10:16:07 2010-04-09 10:16:07 1 0 http://www.needlenthread.com/2010/04/wool-embroidery-collection-by-gail.html Thu, 08 Apr 2010 10:02:00 -0500 Mary Corbet 23 2010-04-08 10:02:00 2010-04-08 10:02:00 open open The-Wool-Embroidery-Collection-by-Gail-Rogers---Book-Review publish 0 0 post The Wool Embroidery Collection by Gail Rogers is a project book for wool embroidery enthusiasts. It features 18 wool embroidery projects that range from a footstool to blankets to clothing. While the book is instructive, I would not call it a "beginner's" book - yes, it teaches techniques and offers clear instructions, but overall, it is strikes me as a book meant for the stitcher who is already familiar and comfortable with wool embroidery and who is looking for some fun projects to work on. This is not to discourage the beginner - if you are adamantly enthusiastic about embroidering larger projects in wool even if you've newly fallen in love with stuff, then you will probably like this book, too!

The Wool Embroidery Collection is arranged somewhat differently from most needlework books, and this is where it becomes evident that the book assumes a familiarity with embroidery. After some inspirational acknowledgements, the author launches right into the first project. All the preliminary information - materials, tools, threads, etc. - are summed up at the end of the book, in a page or so.



The author uses a variety of stitches and threads in her projects featured in the book. The cover attests to a colorful and abundant interior!



The majority of the projects in the book are blankets. However, if you don't like the idea of stitching blankets, don't be turned off. Most of the blankets feature motifs that can be isolated into individual projects. In fact, if you consider the blanket projects in that light, suddenly there's an infinite variety of combinations and designs suitable for interpretation in embroidery!

The first project is a blanket that features Australian wildflowers. Incidentally, the second project in the book is the sequel to the first - another blanket featuring Australian wildflowers.



The instructions for each project include a thorough thread list, a list of stitches used, and then written explanations.



You'll find line drawings of the designs, and a colored photo of the finished motif.



Throughout the book, there are nice close up photos, so that you can see clearly what the results of your stitching should look like.



The book features several children's blankets which focus on bears. Teddy bears are cute, but they've never actually been my "thing." But if you like bears, you'll really like these - they are so cute! This little guy, hounded by bees, has taken refuge in the pond.



And the little Hide-and-Seek bear blanket is very cleverly designed. It combines the cuteness of bears playing the game with all the fun the stitcher can find in embroidering gardens, flowers, and even some dimensional items. It's quite darling!



If I were embroidering a child's blanket, I'd lean more towards this type of design - scenes and text from the nursery rhyme "Little Boy Blue" surround the edge of this blanket.



From the sheep in the meadow to the cows in the corn, the blanket is really adorable.



The projects advance in difficulty throughout the book. Towards the end, we find this lovely wool vest with embroidered lapels...



... and a vibrant evening jacket with embroidered lapels and cuffs.

After the projects are presented, there are several pages with stitch diagrams and a couple pages dedicated to tools, materials, and basic finishing.

All in all, The Wool Embroidery Collection is an excellent project book for anyone who loves stitching with wool!

Stitchers in the US can find the book used or new through Amazon:



Or, you might try The Book Depository, where you can find The Wool Embroidery Collection for US$19.45, with free shipping worldwide.


]]> book review wool crewel work 1530 Zuzu noreply@blogger.com http://www.blogger.com/profile/08627301565988645951 2010-04-09 14:52:56 2010-04-09 14:52:56 1 0 1549 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-09 09:06:35 2010-04-09 09:06:35 1 0
Margaret, the projects in the book include all kinds of wool threads: Gumnut Yarns, Paternayan, Appleton, as well as cotton (DMC) and other types of floss, even some rayons. It's quite a variety....]]> 1550 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-04-09 04:15:56 2010-04-09 04:15:56 1 0 1553 margaret c. noreply@blogger.com 2010-04-08 20:18:21 2010-04-08 20:18:21 1 0 1554 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-08 19:46:19 2010-04-08 19:46:19 1 0
Yes, a beaut book. Luckily, it's on my shelves.

I adore that Boy Blue blanket too. It is one of my favouites.

Cheers, Kath]]> 1556 Laura Bullinger noreply@blogger.com 2010-04-08 17:35:45 2010-04-08 17:35:45 1 0 1557 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2010-04-08 14:54:30 2010-04-08 14:54:30 1 0 vince]]> 1558 Knit - R - Done alexcateye@msn.com http://www.blogger.com/profile/04773170643629282797 2010-04-08 14:29:47 2010-04-08 14:29:47 1 0 http://www.needlenthread.com/2010/04/calling-for-stitches.html Wed, 07 Apr 2010 07:30:00 -0500 Mary Corbet 24 2010-04-07 07:30:00 2010-04-07 07:30:00 open open Calling-for-Stitches publish 0 0 post

The Video Library of Hand Embroidery Stitches is a popular aspect of Needle 'n Thread.



Right now, the library features 55 videos of stitches and techniques, from the simple running stitch to more complex stitches, like the drizzle stitch pictured above.



You'll find line stitches and filling stitches, and even stitches that create a puffy pile on your fabric, like Turkey Work (aka Ghiordes Knot) shown above.

I Like It, But Not Quite

I like the Video Library, but there are some things about it that I'm Not Quite Satisfied with. I hope to gradually change these aspects during the course of this year, and especially within the next 5 months, starting now.

For example, it is time to switch out some of the older videos on the site with better, cleaner, more professional versions. When I first started filming the stitches, it was a trial-and-error process with a point-and-shoot digital camera and that's about it. No decent lighting, no decent microphone, no decent camera! I think those problems are sorted out now, and I'd like to improve some of the present videos on the site.



Another aspect of the Video Library that I'd like to improve is featuring photos of each stitch on the corresponding video page. I've done this with many of the stitches - you can see examples on the Knotted Diamond Stitch page or the Fishbone Stitch page - but I haven't done it with all the stitches, especially with the older ones. My plan is actually to go a bit further with the pictorial element, by showing how the stitch can be used in variation.

And What About the Index?

Right now, the Index for the Video Library is arranged in stitch types. I wonder if this is the best way to arrange the stitches. I considered arranging them alphabetically, but for newbies, the name of a stitch doesn't say much. On the other hand, if you are following instructions that tell you to work a particular stitch - "Fill with Bokhara Couching," the alphabetic arrangement might be useful. What's your take on that?

Which Stitch?

Finally, besides improving the videos already in the library and the way in which they are displayed and categorized, I plan to expand the library considerably. On that note, I really want your input! What stitch (or stitches) would you want to see in the Video Library, or what stitch do you think would be particularly useful for folks to see in video form?

Input is Important!

I try to tailor, as much as possible, the content of the website to my readers' interests. I know I don't always succeed - I suppose I can't please everyone - but your input will help me in this endeavor! I value your suggestions, so please don't hold back - any input you have on what you want to see in the video library, or any suggestions on improvements (beyond the improvements of the actual videos, which I know need serious work!) will be most appreciated!

So feel free to bombard me with ideas, thoughts, suggestions, constructive criticism, etc. I'm all ears, and eager to hear from you!

Up later this week on Needle 'n Thread: A book review, the blackwork fish, pending project recaps, and maybe even some "Studio Talk" (of the organizational variety). I'm working out in the studio today, trying to get organized and get my space back so I can get some serious work done! Embarrassing as it may (certainly) be, I may have to show you some before and after pictures of my present mess!


]]> website news video tutorials miscellaneous embroidery musings 1314 Jacquelin noreply@blogger.com 2010-04-20 10:13:11 2010-04-20 10:13:11 1 0 Gracias de nuevo, un beso.]]> 1551 Squishy Ishy noreply@blogger.com http://www.blogger.com/profile/14758295769016947449 2010-04-09 01:36:20 2010-04-09 01:36:20 1 0 1552 Sangheetha noreply@blogger.com http://www.blogger.com/profile/06777497661003570501 2010-04-08 22:40:00 2010-04-08 22:40:00 1 0 The video tutorials are good.
If you dont mind, can you please create a category/album or something which shows the free patterns you have posted.It will be easy to search.
Thanks a lot.

Sangheetha.]]> 1555 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-08 19:42:16 2010-04-08 19:42:16 1 0
I have used your videos and stitch library quite a bit. They are very, very helpful.

I have a diagram somewhere of a problem stitch that I can't work out. When I come across it again I'll let you know. Thanks.

Cheers Kath.]]> 1560 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2010-04-08 07:19:47 2010-04-08 07:19:47 1 0
Thanks for all your hard work and dedication! :)]]> 1561 Samanta noreply@blogger.com 2010-04-08 06:50:48 2010-04-08 06:50:48 1 0 Now if money isn't appealing to you... ;-) I told you this before, please turn the library into an iTunes series so we can take it with us in our iPods. It's really handy to look at the video without having to go to the computer.
I would like the pages to have a picture of the stitch, and also a picture of some work where it's been used.
You could have indexes for different purposes, and if you could have a small picture of the stitch along with the name, that would be really nice.
Any stitch you use in a work that still doesn't have a video could be the next one. I, for one, always want to replicate the beautiful things you share on your site. :)
And the last thing would be to organize them in lessons. Where we could have a sampler (or many) in the end, just like you did with Long and Short stitches. Please, please, please! :)]]> 1562 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-04-08 03:41:26 2010-04-08 03:41:26 1 0
Like so many of the others, I used your video library of stitches to learn various stitches, especially when a book diagram wasn't clear. Thank you so much for providing this resource to us all. A small photo of each stitch to see before watching the video is a good idea s many have said. One thing I would like to see are photos of the stitch done in different threads. For example, satin stitch done with wool, silk, cotton...just to give your readers an idea of how different threads affect the stitch. I imagine you have photos of almost everything in your embroidery photo library already!
This would be a bit like you thread comparison posts - which are so helpful!

Kathy]]> 1563 Anonymous noreply@blogger.com 2010-04-08 01:14:02 2010-04-08 01:14:02 1 0 I love your video and I use it .So firstly many thanks for this Library.
I would prefer an index of stitches by type with a small thumbnail picture beside each. (For me -french woman- a problem is to find the good name of the sticch in english what about some translation?
Michele]]> 1566 Elaine noreply@blogger.com http://www.blogger.com/profile/14700083262760515834 2010-04-07 17:25:50 2010-04-07 17:25:50 1 0 1567 Sharon Brodeuse noreply@blogger.com 2010-04-07 16:37:45 2010-04-07 16:37:45 1 0 The current index of stitches by type seems the most logical.

Types of stitches I would like to see: different couching techniques.

On my wish list, but perhaps not practical for this site: videos of how to do stitches left-handed.

One interesting (and important to me as a beginner) aspect. I was recently watching the video on stem stitch, and I noticed the rhythm of your stitching, and the way you were stitching, and it showed me, well, how to approach the fabric with your needle, if that makes sense.]]> 1568 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2010-04-07 16:36:28 2010-04-07 16:36:28 1 0 1569 Anonymous noreply@blogger.com 2010-04-07 15:12:58 2010-04-07 15:12:58 1 0 1572 Anonymous noreply@blogger.com 2010-04-07 13:50:27 2010-04-07 13:50:27 1 0 Thanks!
Gwen from the Netherlands]]> 1573 Anonymous noreply@blogger.com 2010-04-07 13:39:54 2010-04-07 13:39:54 1 0 Thank you so much for all your great information. I read your blog daily. Recently I needed to find more information on Turkey Work. Right away I thought of you and came straight here. Being a beginner I had trouble finding what I was looking for, but I did find it. I agree with Linda A. above that having the list by categories and then alphabetically in each category would be the most helpful. Thanks for all your helpful information.

Claire A.
Virginia]]> 1574 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2010-04-07 13:13:12 2010-04-07 13:13:12 1 0 I love your site! The video library has inspired me - a newbie - to embroider a sampler of (hopefully) all the stitches. I have been cross stitching for over 30 years and following your site has inspired me. My plan is to use tea towels and to stitch at least one row of each stitch. A thumbnail of each stitch would be a great asset. A small little sample pattern using each stitch would be awesome but a huge task for you. Keep up the great work!
Jo
Edmonton, Alberta, Canada]]> 1575 Teresa noreply@blogger.com http://www.blogger.com/profile/10797256747360929502 2010-04-07 12:43:00 2010-04-07 12:43:00 1 0
Love this site so much! Thank you!!]]> 1577 Christy S. noreply@blogger.com 2010-04-07 12:08:31 2010-04-07 12:08:31 1 0 1578 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2010-04-07 11:09:32 2010-04-07 11:09:32 1 0 1579 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2010-04-07 10:40:54 2010-04-07 10:40:54 1 0 I have used your video library quite often and have found it so helpful! For now, I am still too much of a newbie to suggest more exotic stitches to add, but I can answer your question about the index. I like the current grouping by type because it shows the stitcher other options within the same stitch family. Should someone be looking for a specific stitch, they can always use the search feature on the site. I also really like your idea of showing the stitch applied to a piece of embroidery and surrounded by other stitches. That would be helpful.
Whatever you decide to do, you and your site are THE BEST!]]> 1580 Anonymous noreply@blogger.com 2010-04-07 10:03:42 2010-04-07 10:03:42 1 0
While I love & use the video library as it is, I can only suggest that you keep the categories but list the stitches in each category in alphabetical order.

Cheers,
Linda A
Ontario,Canada]]> 1581 Elaine noreply@blogger.com http://www.blogger.com/profile/10565138584945080707 2010-04-07 09:41:38 2010-04-07 09:41:38 1 0 Firstly, it was a random Internet search for stitch videos which led me to your website barely a month ago and all I can say is that I am so glad I found it!
Although I did do some free embroidery when in my early teens, since then I have stuck to either needlepoint or cross stitch. However, your videos have inspired me to branch out! They are so clear and so informative that I can't thank you enough for all the trouble you have taken to share your knowledge so freely. So THANK YOU :)

So .... I guess my input is as a beginner to free embroidery!

Having the stitches grouped by type is very useful because, if you are searching for a stitch that does a particular thing or produces a certain effect, that is most useful. What might help is if there was a small thumbnail picture beside each one so you could get a quick idea if the stitch is what you are after .... and it would enable a quick comparison between stitches of the same group.
An alphabetic listing by name would also be a useful alternative way of getting at a stitch quickly.

But .... perhaps it's a bind maintaining both? Of the two, grouping by type is most useful since you can always search down the webpage for a particular name if required.

Also, speaking as a beginner, seeing examples of how any one stitch can be used in practice to produce different effects etc is useful. I've seen some lovely outline pictures that scream out to be embroidered, but then hesitated over what might be the best approach to take. I realise the answer is to experiment, but for a newbie that initial start can be scary :)

As a newbie, I can't comment on extra stitches!

However, I can only say once again that I appreciate all the efforts you make to share your knowledge.

Elaine
Cheshunt, Hertfordshire, UK]]> 1583 Anonymous noreply@blogger.com 2010-04-07 09:23:28 2010-04-07 09:23:28 1 0
Resmi]]> 1584 Gail noreply@blogger.com http://www.blogger.com/profile/11562001458823352370 2010-04-07 09:09:33 2010-04-07 09:09:33 1 0
Thank you! Gail]]> http://www.needlenthread.com/2010/02/free-hand-embroidery-pattern.html Thu, 11 Feb 2010 13:49:00 -0600 Mary Corbet 25 2010-02-11 13:49:00 2010-02-11 13:49:00 open open Free-Hand-Embroidery-Pattern:-Pomegranate-in-the-Round publish 0 0 post yesterday's sketching.

As I mentioned yesterday, my plan is to create an embroidery design that I can use across several embroidery techniques. These stylized pomegranate thingamabobs are always a favorite of mine, and I find they pop up a lot in my designs. They are particularly suitable for silk shading and for goldwork, but I think they'd transfer to other types of embroider as well. I think this one, for example, would look pretty nice in whitework, especially on a colored fabric.

There's one style of embroidery, though, that I don't think this will transfer well to, and that's casual, free-style surface stitching. Stylized pomegranates seem to be a bit too formal to go the casual route, in my mind. What do you think?



You can click on the above for a larger version, or you can print the PDF below. The design on the PDF will print at approximately 5" square.

Pomegranate in the Round: A Design for Hand Embroidery (PDF)

I'm not sure if I'll embroider this design for my upcoming series, but maybe someday, I'll use it for something. In the meantime, maybe you can find a use for it!

By the way, you can reduce the busy-ness of the lattice work in the center by removing every other line in both directions, if you don't like the crowded lattice. That would open it up for a bead or spangle in the middle of the diamonds.

And finally, I think I should be more forthcoming about the rooster. He isn't finished. I'm going to go work on him right NOW.

This design ended up as a goldwork embroidery project, and you can follow all the step-by-step articles in the series of completing the project by visiting the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate

]]> goldwork free embroidery patterns embroidery design 2703 crazypatch noreply@blogger.com http://carrementcrazy.zumablog.com 2010-03-01 08:42:26 2010-03-01 08:42:26 1 0 3049 Brooklynne noreply@blogger.com http://brooklynnemichelle.com/ 2010-02-21 18:52:30 2010-02-21 18:52:30 1 0 3076 Anonymous noreply@blogger.com 2010-02-18 21:07:03 2010-02-18 21:07:03 1 0 Maria in Kansas]]> 3223 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-02-12 14:02:57 2010-02-12 14:02:57 1 0
....having an urge to leap towards my Meyer Handbook of Ornaments ....]]> 3224 Samanta noreply@blogger.com 2010-02-12 12:07:37 2010-02-12 12:07:37 1 0 About the contest, I think we could create a Flickr group and ask people to embroider the design as they wish... then add the photos there. Set a final date for entering, and then all readers can vote. If you're planning another give-away, this could be it!
I'd like to see what everyone does with the design - so no suggestions from Mary anymore! ;-)]]> 3226 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-02-12 05:38:14 2010-02-12 05:38:14 1 0 3227 sewnup noreply@blogger.com http://www.blogger.com/profile/07259335852824102204 2010-02-11 22:10:47 2010-02-11 22:10:47 1 0
While I agree that this pomegranate is quite formal the motif itself has long been seen on all sorts of goods. It was a favorite for a time in early American crewel-worked bedcovers and hangings and as I was restoring a pomegranate (or sometimes, an artichoke) originally stitched in chilly New England I often found myself wondering how/what they really knew about foods so exotic to the stitcher's location.]]> 3229 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2010-02-11 20:42:28 2010-02-11 20:42:28 1 0
The competition would be nice. If I can come up with something I like, I would be willing to submit it.]]> 3230 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-02-11 19:58:38 2010-02-11 19:58:38 1 0 The idea of contest is great!!

-Deepa]]> 3233 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-11 19:09:47 2010-02-11 19:09:47 1 0
In commenting on the design competition, I mentioned it would be good seeing the designs. The thought just occured to me that if you go ahead with the copmetition you may not intend to show the enteries, just the winner. That's fine, would be very interesting anyway.

Bye, Kath.]]> 3234 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-11 18:19:21 2010-02-11 18:19:21 1 0
The design is perfect. The neck band is just right. Sometime I just might learn to wait before thinking aloud. Never mind, It wouldn't be good to let all my 'thinks' get cooped up together in my head for very long. I'd have UNtangleable tangles, whatever about the zen.

I reckon the competition sounds good. I'd be shy to submit (if I ever came up with anything) but would try to have a go. The best part would be seeing the designs of others.

Thanks for giving us the Pomegranate in the Round design. It's special. I like the title too.

Cheers, Kath.]]> 3235 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-11 17:21:01 2010-02-11 17:21:01 1 0
Carol-Anne - Isn't it funny how our tastes completely change, and sometimes, in a relative short time! Yeah. The rooster. The ROOSTER. I'm workin' on it! :-)]]> 3236 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-02-11 17:16:12 2010-02-11 17:16:12 1 0
I remember there was a design in a magazine several years ago that I thought I would like to embroidery in lots of differnt was. Needless to say I never got around to it. I just looked out the design but it doesn't appeal as much to me as it did in 2002.

Now then, how's that rooster coming along?]]> 3237 Bobbi noreply@blogger.com 2010-02-11 16:29:25 2010-02-11 16:29:25 1 0 3238 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-02-11 14:50:31 2010-02-11 14:50:31 1 0 http://www.needlenthread.com/2010/03/goldwork-embroidery-project-underway.html Mon, 01 Mar 2010 06:58:00 -0600 Mary Corbet 26 2010-03-01 06:58:00 2010-03-01 06:58:00 open open Goldwork-Embroidery-Project-Underway! publish 0 0 post free hand embroidery pattern that I'm currently using as a goldwork embroidery project. For those of you who are new to goldwork, it is a form of surface embroidery that employs real metal threads. When it's mixed with silk shading, I think it's possibly the richest of all surface embroidery techniques. I mean, really - silk and gold! What more could you want?

So here begins a series on goldwork, wherein I'll take you step-by-step through this project with me. I'll try my best to give some clear instructions so that those interested in goldwork can give it a try!

Last week, I showed you the set-up of the goldwork project on the frame. I use Evertite stretcher bar frames, but if you have a slate frame, it is always considered the best choice of frame for goldwork. With goldwork, don't use a hoop! (My opinion, anyway!) You want your fabric to be drum tight, and you want it to stay that way, or at least to have the option of tightening it (hence, the Evertite frame or slate frame) without warping your fabric while you adjust it in the hoop. Another point: you won't be able to iron out hoop rings! Just trust me on this - goldwork is much better done on a frame than in a hoop!

With the project set up on the frame, the preparation for stitching can begin. All the areas where the gold will be applied to the design are going to be padded with yellow felt. This accomplishes a few things: it lifts the gold a little bit above the rest of the stitching and gives it a more finished look, I think, and it also provides a color base behind the gold, so that the white fabric, should it show through, will not be as visible.

For the felt, I'm using a regular craft felt which can be purchased in small pieces at your local fabric or craft store. I prefer a slightly thicker wool felt for this step, usually, but I didn't have any on hand. So this will do!

Besides the felt, I used a light fusible interfacing (similar to Wonder Under) for this step.



I took my pattern, and numbered each piece that would be cut out of the felt. This way, I wouldn't confuse which little piece of felt goes where on my project.



Then, I inverted the design (very important!) and traced out all the pieces where the gold would go onto the paper of the fusible interfacing.

I numbered each piece as I went, to make sure nothing got confused. And I traced out some extras of certain parts of the design, because I wasn't sure yet if I wanted to pad some areas more than others. (As it turns out, I didn't use these extra pieces.)



After ironing the fusible interfacing to the felt, I cut out each individual piece and left the paper on the back. Remember, the paper has the numbers on it. Then, I took my pattern and laid out all the pieces on it. Now, I'm ready to stitch the felt to the ground fabric.



First, peel the paper from the back of the felt. The fuzzy side of the felt goes up - not the side where the interfacing is. The interfacing merely makes it easier to cut the felt in accurate pieces.

Then, place the piece on the fabric and thread up a needle (I'm using a #9 crewel needle) with whatever thread you like to use for couching your gold onto your fabric. I'm using either Tire silk (50 wt) or Kreinik gold couching thread.



Knot the end of your thread and take your needle down into the felt, stitching some anchoring stitches into the felt, and then cutting the knot off the top there. (You may want to look at this photo tutorial for using anchor stitches to start a thread, if you're unfamiliar with the technique.)



I'll generally stitch some straight stitches down the middle of the piece of felt, to hold it in place while I stitch up the edges. It makes it easier to stitch the edges without the felt shifting.

The felt is sewn onto the ground fabric with small stitches all around the outside perimeter of the shape. To do this, it's easiest to bring your needle up into the fabric and take it down into the felt.



The process is repeated with each piece of felt, until all the areas where gold will be used as a filling are padded and ready to go!

So, that's the second step in the set-up process, and now I'm ready to stitch. I'll actually be stitching all the silk work first, and the goldwork last. This way, my silk threads won't get caught on my goldwork threads.

Next up - color selection, then silk shading!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate

]]> needlework tutorials Embroidery Projects goldwork pictures embroidery tips and tricks needlework pictures 2624 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2010-03-02 18:16:32 2010-03-02 18:16:32 1 0 I hadn't heard of using the interfacing as a means of cutting accurate shapes in felt for padding before. Thanks for the tip!

Like Christine, I'm curious to see how the turn-unders with the extra padding are going to turn out!]]> 2627 blubberryhl noreply@blogger.com 2010-03-02 15:09:21 2010-03-02 15:09:21 1 0 2651 Brooklynne noreply@blogger.com http://brooklynnemichelle.com/ 2010-03-02 05:10:41 2010-03-02 05:10:41 1 0
P.S. I'm staying up late to see if I was lucky enough to win your give away which I really really really want]]> 2665 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-03-01 18:12:35 2010-03-01 18:12:35 1 0 2666 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-01 17:05:43 2010-03-01 17:05:43 1 0
This is so intriguing.

Many, many, thanks.

Cheers, Kath]]> 2667 margaret c. noreply@blogger.com 2010-03-01 15:50:39 2010-03-01 15:50:39 1 0
1) It holds the felt together better than just using a plain piece of felt so you can use it in small spaces.

2) Placing the wonderunder side down on the fabric helps the felt stay in place a bit better than plain felt. It doesn't seem to slide around as much.

3) As Mary says, wonderunder also makes it much easier to cut out nice, clean pieces, especially small pieces. It's so easy to get a crisp edge with the wonderunder.

I've thought about ironing the felt to the backing fabric since it has the glue and then stitching around the edge, but I haven't tried it yet. You could run into big problems if the felt moved as you ironed it down! I don't think I'd do that on a really small piece of felt, but perhaps on a larger one. Also, I tend to use a slightly smaller piece of felt than the outline of the area that I'm covering. I then sort of coax the felt to the edges. In this case ironing wouldn't do much good. I have problems with exactly sized felt being a little too big. If I make it just slightly smaller I have better luck getting a nicely sewn down edge. I suspect that I have a natural propensity towards stretching the felt slightly when I'm stitching it down so I need it to be a tiny bit smaller.

One more comment regarding the areas of turned under leaves that are covered in felt and are higher rather than being recessive. I don't know how the forward parts of the leaves are going to be stitched, but if they were to be fully covered, they could be covered in felt to at least bring them to the same height (or higher with extra padding) as the turned under parts. For those of you who remember the goldwork pomegranate, that's why the body of the pomegranate was covered in red felt. I wanted the surface stitching and goldwork for the entire body to be at the same level. The red felt also provided a nice edge to lay the pearl purl outlining against.]]> 2672 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-03-01 15:02:26 2010-03-01 15:02:26 1 0 2677 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-01 12:19:18 2010-03-01 12:19:18 1 0 2678 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-01 12:11:39 2010-03-01 12:11:39 1 0 2684 Kitty mcthekat@gmail.com http://www.blogger.com/profile/18369077646106761670 2010-03-01 11:16:05 2010-03-01 11:16:05 1 0 2688 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-01 10:30:59 2010-03-01 10:30:59 1 0
I am waiting for the list of supplies since I may get some of them here, but if not I will get my sister to send them to me. I love the design and the way you go about explaining each step. Thanks]]> 2691 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-03-01 10:11:02 2010-03-01 10:11:02 1 0 2692 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-01 10:02:00 2010-03-01 10:02:00 1 0 2694 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-01 09:47:32 2010-03-01 09:47:32 1 0
Christine - I debated about padding the underside of the two bottom leaves on each side, because they would naturally be farther away from the eye, and the curling top of the leaf would be higher up. I am hoping that my plan for those four sections works out so that it doesn't look awkward. There will be some shading involved in there, that will hopefully pull the underside back, and, at the same time, the turnover on the upper leaves will be fuller. So we'll see how that turns out. If it doesn't look the way I intend, I'll just pick it out. They're very tiny sections, so I won't lose much over it.

Cindy - I have a fairly large stash of various sizes of metal threads, and there will be some trial-and-error involved in selecting the right sizes, I'm sure. So I don't have an absolute list yet. I know I'm using #5 smooth passing in 2% gold and different sizes of pearl purl, twist, and check purl. I may use some bullion (smooth purl) for the neck - we'll see. But I'm not sure yet what specific sizes of each metal thread.

I order my metal threads from two sources: Tanja Berlin in Canada and Hedgehog Handworks in California.

I'll post the colors of silk in the next installment.

I'm glad you're all interested in the project! Thanks again for the comments!

MC]]> 2695 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2010-03-01 09:29:51 2010-03-01 09:29:51 1 0 2696 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-01 09:24:43 2010-03-01 09:24:43 1 0
I am eagerly anticipating watcgubg the progression of this project.]]> 2698 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2010-03-01 09:03:26 2010-03-01 09:03:26 1 0
Thank you.]]> 2700 Christine Harris noreply@blogger.com 2010-03-01 08:59:32 2010-03-01 08:59:32 1 0 2702 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-01 08:50:48 2010-03-01 08:50:48 1 0 Speaking about supplies soon I'll write you an e-mail asking for some advise...:)]]> 2706 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-03-01 08:02:48 2010-03-01 08:02:48 1 0
I will be in silk and gold paradise next week. I have a two day gold leaf course Saturday/Sunday, then a 5 day Japanese embroidery course beginning Monday. My cup runneth over :-D]]> http://www.needlenthread.com/2010/03/selecting-colors-for-goldwork.html Thu, 04 Mar 2010 05:00:00 -0600 Mary Corbet 27 2010-03-04 05:00:00 2010-03-04 05:00:00 open open Selecting-Colors-for-Goldwork-Embroidery-Project publish 0 0 post stylized pomegranate that I'm working in silk and metal threads, I already knew that I wanted either a very rich purple scheme or a very rich red scheme.

Both deep reds and deep purples look very good with gold threads - they're both rich colors that go beautifully with rich threads. Once I had the project set up, then, I took out my box of Soie d'Alger and rummaged through for all the purples and reds in the box. I also picked out greens - but more on that in a bit.



It was quite a heap of threads. Some of this is left over from the silk-on-silk satin-stitched stole I made quite a few years ago, and some of it comes from building stash from smaller projects, and so forth. Soie d'Alger has long been an absolute favorite thread of mine, so I admit, I collect it! I love using it for ecclesiastical projects, for needlepainting, for any goldwork / silk combinations... the list can go on!



I didn't actually have as much purple as I thought - the darker blues up above don't really count...



I'm a little more flush on reds. I'm a sucker for reds, and in my heart o' hearts, I knew deep down, I'd be going for reds.



I'm still debating the green issue. I may just go with gold on the circular swash. On the other hand, the gold looks great next to a vibrant silk, so.... we shall see.



I wanted six shades of red, from very dark to a very light, and this was the only color grouping that worked out to six acceptable shades. The other groups of reds had three or four shades, and some of them were missing intermediate colors. So this was the color group I stuck with: Soie d'Alger numbers 946, 945, 943, 942, 936, 932.



This was the only set of green that had a selection of at least five shades: 2136, 2135, 2133, 2132, 2131. And the greens and the reds go well enough together, so right now, these are the colors I'm using. The green could change to gold instead. I'll have to try a little bit of it out to see if I like it.

Now, if you are thinking about trying this project out, you are certainly not stuck with the same color scheme that I'm using! If you decide to go with needlepainting (long and short stitch shading) on parts of the stylized pomegranate, whatever colors you decide to use, remember that you'll need a minimum of four shades of your color. I like to work with five or six on this type of project, because it gives me the ability to build a bit more depth in the shading, but you can get away with four. You don't have to use silk. If you're practicing, you might want to use cotton instead of making the investment in silk.

The metal threads are a bit more difficult. I'm going to have to work with them first to make sure of the correct sizes before I publish any kind of list of metal threads. I wouldn't want to change sizes in the middle of the project, and then find out that anyone purchased metal threads based on my initial assumptions. I do know I'm using a #5 smooth passing thread on the body of the pomegranate. Other than that, we'll have to see!

Next time we visit the project, I'll show you some stitching!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate

]]> Embroidery Projects goldwork pictures needlepainting silk needlework pictures 2557 Talia noreply@blogger.com http://taliacarbis.com 2010-03-07 01:47:37 2010-03-07 01:47:37 1 0 2586 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-03-04 20:55:40 2010-03-04 20:55:40 1 0 I continue to be amazed at your talent and the way you share with us all the ins and outs of your projects. I was thrilled to see your rooster, and now I'm captivated to watch this silk & goldwork project develop.
I can't remember if I've ever thanked you for your generosity with your knowledge and adventures in embroidery, so I'll do it now. Thank you, Mary. You make me smile so often.
WendyBee]]> 2588 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-03-04 15:12:34 2010-03-04 15:12:34 1 0 2589 BonnieC noreply@blogger.com 2010-03-04 14:00:18 2010-03-04 14:00:18 1 0 2590 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-03-04 10:59:40 2010-03-04 10:59:40 1 0 2591 chatroux noreply@blogger.com 2010-03-04 10:42:53 2010-03-04 10:42:53 1 0
Your explanation of each stage of a project is really valuable. I feel that you are giving us an embroidery course online!

Am going to work along in cotton threads, which seems to make sense for me as a novice embroiderer.

Thank you, Mary, for another embroidery "adventure".

-Sharon in France]]> 2592 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-04 08:18:34 2010-03-04 08:18:34 1 0 2594 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-04 07:45:13 2010-03-04 07:45:13 1 0 2595 Laura Bullinger noreply@blogger.com 2010-03-04 06:34:06 2010-03-04 06:34:06 1 0 2596 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-04 06:30:24 2010-03-04 06:30:24 1 0
I wouldn't have a clue about the colours so am only too happy to follow along and learn.

Lots of wonderings but they will all come out in the wash I'm sure. I'm learning to wait and see!

This is good. Thanks.

Cheers, Kath.]]> 2597 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-03-04 05:40:44 2010-03-04 05:40:44 1 0 So many shades of silk thread - a dream for me ;-)]]> http://www.needlenthread.com/2010/03/goldwork-embroidery-time-to-stitch.html Fri, 05 Mar 2010 09:36:00 -0600 Mary Corbet 28 2010-03-05 09:36:00 2010-03-05 09:36:00 open open Goldwork-Embroidery:-Time-to-Stitch! publish 0 0 post colors for my current goldwork embroidery project, it was time to start stitching. I began with the "arms" or leaves that come out of the body of the stylized pomegranate (see the original design). Using long and short stitch shading techniques, I started filling in the individual leaves. So today, I'll show you my progress on that, and point out some tips along the way.

If you are familiar with goldwork embroidery and silk shading, you'll be able to follow this with no problem. For those who are new to these techniques, I recommend that you check out my long and short stitch shading lessons. You may find the long and short stitch videos handy, and, as far as the lessons are concerned, you might want to look particularly at lesson five: shading around curves.



I began on the right side of the pomegranate, with the the smallest arm. The yellow felt padded overturn of the leaf sits above, so I wanted to cast a shadow underneath that turnover. I began with the darkest red and worked into the medium reds and back to the dark for this particular leaf.



Then I moved to the second leaf on the right. You can see that I used the lightest shade of the reds (the pink!) to outline the shape. At first, I was intending to add more pink to this leaf than I ended up actually adding. Hence, the pink outline. You can outline the leaf with one of the medium reds (in the middle of the range of colors) if you, like me, decided not to use so much of the pink.

Working around the curve is somewhat difficult. It may be helpful to draw guidelines with a pencil on the fabric. I began with the darkest red close to the body of the fruit, and then worked through the range of red, getting lighter as I rounded the curve, and then moving back into the darker reds as I approached the tip.



The lighter color should move to the outside of the curve. Here, if you look closely, you can see five shades of the red, with the light red (but not the pink) on the right side of the leaf.



I wanted to pick up a little bit of light right on the top of the curve. I'm picturing the light source coming from the top right of the design, and I wanted just a glint on this curve on the larger leaf. So I stitched in just a touch of the light pink.

Then I took it back to the mediums and the medium-dark, but I did not go all the way back to the darkest shade of red at the tip.



I outlined the third leaf (it's the leaf in the forefront of the design) with one of the darker reds, and I followed the same stitching technique around the curve of the leaf, gradually changing shades so that the lightest shade (just short of the lighter pink) is hitting the curve.

And there's the first embroidery stitches on this goldwork / silk project. So far, I'm ok with it. One point I'm not perfectly happy with is the first leaf I stitched, the one farthest back. I didn't quite catch the turn on that one, and I think it could have used another step in the shading. I may indeed pick that one out. But first I'll stitch the leaves on the other side and think about it.

I finally bought a decent stopwatch, by the way! I know that sounds pointless and completely out of the blue, but I would like to keep track accurately of the time spent on various projects. This will help me judge better how much time a particular project will take. I tend to underestimate the time a project will take - I was thinking I'd have this goldwork piece, for example, finished by this weekend. It's not happening!

Unfortunately, I didn't get the stopwatch until after this part was finished. Still, I estimate that I've spent about 5 hours on the project to this point. It seems like a lot of time, for such a little bit of color!

Hope you have a terrific weekend and can get some time in with your needle 'n thread!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate
]]> Embroidery Projects goldwork pictures embroidery tips and tricks needlepainting silk needlework pictures 2568 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-06 07:44:34 2010-03-06 07:44:34 1 0
Thanks very much for your comments! I'm really enjoying this project so far! Glad you are, too!

Jayashree - I'm using a single strand for all stitching. Hope that helps!

MC]]> 2570 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-06 02:23:50 2010-03-06 02:23:50 1 0 2571 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-03-05 20:45:49 2010-03-05 20:45:49 1 0 WendyBee]]> 2572 Bobbi noreply@blogger.com 2010-03-05 17:30:09 2010-03-05 17:30:09 1 0 2573 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-05 16:20:53 2010-03-05 16:20:53 1 0 Me too, Vince! Waiting for the golds... I'm not doing this project...yet! Hope to join the supplies in a near future...:)]]> 2574 worksofhands noreply@blogger.com http://worksofhands.wordpress.com 2010-03-05 13:56:28 2010-03-05 13:56:28 1 0 Can´t wait til you put the golds!!!!
Vince]]> 2575 Pierrette =^..^= noreply@blogger.com http://www.blogger.com/profile/14089778500290515449 2010-03-05 12:47:17 2010-03-05 12:47:17 1 0
You are such a wonderful source of inspiration.

Pierrette =^..^=]]> 2576 Anonymous noreply@blogger.com 2010-03-05 12:23:57 2010-03-05 12:23:57 1 0 2577 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-05 10:56:00 2010-03-05 10:56:00 1 0
I almost always underestimate the time I take to finish projects and that is so annoying. So your stop watch is a great idea.]]> 2578 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-05 10:49:03 2010-03-05 10:49:03 1 0
Thank you for your efforts in being really descriptive in this including the pictures. It is all very, very helpful.
The 5 colour shades make the shading quite easy to understand. I'm especially happy about learning that.

You seem to be taking fairly short stitch lengths with the shading.
Ok, I just went back into the suggested posts. All questions answered.
My, that shading sampler is interesting. Saw it when went further back still to the triangle shading. My doodling often ends upwith a lot of shading. I'll follow the sampler all along tomorrow. I mean today, after I've had lots more sleep. I've woken and getting my embroidery fix before going back to bed.

Cheers, Kath]]> http://www.needlenthread.com/2010/03/goldwork-embroidery-stitching-continues.html Sat, 06 Mar 2010 08:03:00 -0600 Mary Corbet 29 2010-03-06 08:03:00 2010-03-06 08:03:00 open open Goldwork-Embroidery:-Stitching-Continues... publish 0 0 post
This project has been really fun to work on so far, and I hope to make Great Progress on it this weekend. I was going to make a switch back to the blackwork fish for the weekend (I'm eager to make noticeable progress on him!), but I'm afraid he'll have to wait until next week....

In the meantime - it's goldwork for me, and here's my progress on the Colored Tendril Thingies that stick out of the sides of the Stylized Pomegranate-Artichoke-Flower Thing. (I think I need to come up with specific words for these design elements.)

Before I go further, though, I want to show you two photos. The first is the last photo on yesterday's article discussing the beginning of the stitching:



And this photos is the same area of stitching, taken from a different angle:



I always find it interesting how needlework changes, when viewed from another angle. When viewed from the second angle, I think the shading becomes much more obvious, and that movement out from the center - the curving of the arms - becomes even more noticeable. At the same time, it makes the lack of depth in the shading on the top (small) leaf more obvious. This view is one of the reasons I thought I should pick that area out. I'm still debating that point!

Ok, on with it!



Moving over to the left side of the design, I managed to add one more shade in that top curl. I think it looks better than the first one on the right. I also changed my stitch direction on that, beginning at the base of the curl (next to the body of the fruit) and working towards the turn-over, which is the same stitch direction I've used on the other curls, but not on the first small one. On that first one on the right, I started at the turn over and stitched down to the source - and this is probably part of the reason it doesn't quite look right. Maybe not. Anyway - I'll get back to that!

I also outlined the curls with one of the darker reds, using split stitch.

Again, if you're not familiar with long and short stitch shading, but you want to give this design a try using the same techniques, then do visit my Long and Short Stitch Shading lessons, and take a look specifically at Lesson 5, which addresses embroidering this type of shape.



I'm following pretty much the same shading pattern as I did in the right half of the design, with the exception of adding the little light pink tint on the longer curl.



Notice that my long and short stitches are not uniformly long and short! This is a point that I go over in the long and short stitch shading lessons, but I thought I'd re-emphasize here. If you go with a uniform long-short pattern, keeping the stitches the same length, worked in uniform rows, the shading doesn't end up looking as natural, smooth, and "painted."



And there it is - the left side finished. It's a bit darker than the right side of the design, and this was done on purpose, by using less of the lighter shade of red at the curves. The point here is that, when the flower is tipped in the correct direction of the design, this side (the left side) is pointing downwards, while the right side is closer to the imagined light source. That was my idea, anyway. Whether or not it will actually matter that much in the finished design is another question.

The next part I'll tackle is the center of the fruit, where the lattice area is. This is actually going to be stitched with color. I may add some tiny gold lines after the color is in. We shall see!

Once that part is done, then it's on to the gold threads!

Have a perfect weekend - and get some stitching in!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate
]]> Embroidery Projects goldwork pictures needlepainting long and short stitch silk needlework pictures 2550 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-08 04:09:02 2010-03-08 04:09:02 1 0 Regardless, they're looking great!]]> 2552 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-07 17:38:05 2010-03-07 17:38:05 1 0
Kath, I did see the box when I got the newsletter this morning - I love the fact that the lady stitched the little watercolor people designs that pepper the inside of Inspirations - a clever idea!

Daniel - I'm glad you like the lessons! I'd love to see pictures of your work, if you ever feel like e-mailing any!

Megan - sounds like you'll be a bit too busy for long and short stitch! But your projects are fun, and I'm sure they'll keep you entertained!

Hi, Jayashree - Thanks very much! I'll post a more complete list as I work with the different supplies and make some final decisions. One thread that I'm definitely making use of, besides #5 smooth passing, is called "check thread" - it looks like a very fine roccocco, but it's not as soft - it's more like a wire. I like it a lot. I only have three yards of it on hand, though, so I don't think I'll be using it for all the edges of everything - but it does make a very nice edging! I would imagine it would look great couched as a filling, too.

Karol - I don't wash projects like this, where I've used felt. And in projects that aren't goldwork that use felt, I probably wouldn't wash them, either. Lots of felt on the market today sold for handwork is overdyed (weeks dye works, for example, makes quite a bit of overdyed wool felt), so I wouldn't really plan on washing that at all after stitching on it. If I thought I were going to have to wash it after stitching, I'd wash it first, before stitching, and make sure there's no dye run-off. The felt I'm using in this project is your basic (cheap) acrylic craft felt sold at the craft store. I prefer using felt with a bit more body, but I didn't have any yellow wool felt, so I stuck with this, and it's working out ok. I've never washed craft felt before, either, so I don't know if it would run. But, since this is goldwork, it won't be washed, so I suppose I'm safe!

Well, back to work!

MC]]> 2553 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-03-07 16:26:18 2010-03-07 16:26:18 1 0 friend3951atcharterdotnet]]> 2554 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-03-07 14:47:36 2010-03-07 14:47:36 1 0 2556 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-07 10:30:11 2010-03-07 10:30:11 1 0 2558 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-06 23:08:45 2010-03-06 23:08:45 1 0 2559 Anonymous noreply@blogger.com 2010-03-06 13:07:29 2010-03-06 13:07:29 1 0 Danielle K.]]> 2560 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-06 12:13:00 2010-03-06 12:13:00 1 0 I think you'd get their email newsletter.
It's a delightful little treasure chest of a box.
Bye, Kath]]> 2561 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-06 12:02:29 2010-03-06 12:02:29 1 0
I'm just loving this.
Amazing how the felt on the lower 'peelings' looks tucked under already. Well, I shouldn't be surprised really 'cos that's what your correct clever shading is supposed to do. All the same it's beautiful to actually see it happening.
The same with the light source explainations coming to life.

Have been visiting the long and short stitch lessons incl videos. Am very happy to have them. Thank you again.

Cheers, Kath]]> 2562 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-06 11:12:26 2010-03-06 11:12:26 1 0
Thanks for your comments!

Kathleen - I'm using one strand of Soie d'Alger, which may be slightly fatter looking than a strand of DMC, but they are about the same size. The silk, I think, is a bit softer with more "spring" so it might look slightly fatter, but it stitches about the same, as far as size goes. Keep in mind that my photos are pretty close up here, so the threads look larger than they are. My guess is that you're probably making your stitches too short. Take longer stitches, and then work the next shade deeply into the previous shade, extending the second shade well beyond the first. The difficulty is the curving, and in some cases, the stitches, as you work around the curve, are going to slant into each other in some points, to accommodate the curve.

"Peelings" - I like that!

"Bracts" - I see what you mean. I think the scalloped bowl shape at the base of the flower thing would fit that explanation better. In fact, with that in mind, I'm thinking about a little green in there.

Oh, the frito felt! Yes. That's what it looks like! The gold will hopefully eliminate that!!!

MC]]> 2563 Dixie noreply@blogger.com http://www.blogger.com/profile/02634644167648237712 2010-03-06 10:27:38 2010-03-06 10:27:38 1 0 2564 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-06 10:21:20 2010-03-06 10:21:20 1 0 I'm collecting them. Thanks, Mary!]]> 2565 Anonymous noreply@blogger.com 2010-03-06 09:58:26 2010-03-06 09:58:26 1 0 I think I'd call those "things" on the sides "bracts." They're specialized colorful petals that help to attract pollinators. They're not green, so they're not sepals. They might be just petals, but they look more like bracts to me. But since these are stylized imaginary flowers... who knows?
Tess]]> 2566 Anonymous noreply@blogger.com 2010-03-06 09:11:32 2010-03-06 09:11:32 1 0 I have been working on learning the thread painting technique and I have questions. Looking at the pomegranate that you are working on, the threads look twisted and thicker than the dmc threads I have been using on another pomegranate design you had posted. Also my threads after I have stitched them look heavy and it seems to take a long time to get even a little bit done. I can't seem to get the shading that you achieve. what am I doing wrong?

Any advice you can give would be appreciated. You are my inspiration.
Kathleen Whatley]]> 2567 onafixedincome noreply@blogger.com 2010-03-06 09:05:14 2010-03-06 09:05:14 1 0
But I can't quite get past the 'ew! Wierd yellow Fritos' thing with the felt... :)]]> http://www.needlenthread.com/2010/03/goldwork-project-finishing-silk.html Mon, 08 Mar 2010 06:56:00 -0600 Mary Corbet 30 2010-03-08 06:56:00 2010-03-08 06:56:00 open open Goldwork-Project:-Finishing-the-Silk publish 0 0 post

With the lattice design in the middle of the fruit, there are so many options for interpretation. I decided to go with silk shading in the middle of the fruit, with goldwork around it. So that central lattice section is solid (shaded) color. It was actually at the point of finishing it that I decided my stylized pomegranate is looking more like an artichoke.

A red artichoke, no less.



The first thing I did was split stitch the lattice in the darkest red. This provided an outline for each diamond, which I shaded using long and short stitch and four shades of red - the lightest pink at the top, followed by the next lightest shade, and then one of the medium values, and ending with the darkest at the base of the diamond.



You can see the shades here a bit better. I didn't cover the split stitch line, by the way. I left that visible, to mark the lattice.



You can see here a couple layers of shading and the basic shape I followed for doing the long and short stitch.



And that's the finished center area. I'm not sure - I might put some gold in there. What do you think? It might be easier to decide after seeing the goldwork around this section first.



For the little fleur de lys tip, I started at the top with the lightest pink and shaded down the center section, and then, with the two arms under the turn-overs (the frito-looking felt things!), I used the darker values down to the base.

So there it is - the silk shading is finished on the fruit. I'm going to do the goldwork on the fruit before moving on to the stem. Otherwise, we'd be waiting forever to get to the really fun stuff!

Tomorrow (Tuesday, March 9th) I'll be giving away another copy of Susan O'Connor's Embroidered Flowers for Elizabeth. It's going to be a short run on the give-away, so do make sure you stop by!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate

]]> Embroidery Projects goldwork pictures needlepainting silk needlework pictures 2520 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-09 06:34:52 2010-03-09 06:34:52 1 0
Thanks for your comments!

First, regarding the give-away, I'm afraid that was a pre-announcement, just so you know to look for the give-away post, which is going up today (Tuesday, March 9). If you want to be included, please make sure you leave a comment on the give-away post!

I should have some goldwork to show you in the next few days - keep your fingers crossed for me!

Julie - yes, the little knot looking things are where I've anchored the thread. They aren't really knots - it's a group of three tiny straight stitches. These get covered up...

Thanks again, everyone!

MC]]> 2521 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-03-09 06:01:34 2010-03-09 06:01:34 1 0 Yes I am looking forward the gold stitching]]> 2523 Anonymous noreply@blogger.com 2010-03-09 02:08:55 2010-03-09 02:08:55 1 0 I am enthralled with this project - something I know little about. I am tempted to try now thanks to you.
Please could I be entered into the competition for the flower book.
Thank you
Janey from Bristol]]> 2524 Anonymous noreply@blogger.com http://juliescraftsandhobbies.blogspot.com/ 2010-03-09 01:14:08 2010-03-09 01:14:08 1 0
I have a stitching project finished except for some long and short stitching. It has waited for YEARS, now thanks to you, I feel ready to complete this! Question though, I can see see what look like french knots of colours in the sections you havent done long and short stitches on, do you just anchor threads there?

thanks!
Julie in Australia]]> 2525 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-03-08 20:13:57 2010-03-08 20:13:57 1 0
I thank you for the fantastic video tutorial on long/short stitching, which is something I have never accomplished.

You make it so clear and while talking, answer some questions before I could ask them.

I will be practising long/short stitches this week.

Thanks again,
Maureen]]> 2527 anna noreply@blogger.com 2010-03-08 15:03:12 2010-03-08 15:03:12 1 0 Your work is beautiful.
It is nice to see the work so close, so I can see it very precisely.
It is an inspiration, and it is something I reayly hope to make (once!!)

Anna]]> 2528 Tania Kleckner noreply@blogger.com 2010-03-08 14:55:01 2010-03-08 14:55:01 1 0 I can't wait to see the gold! I've never done this kind of needlework and I am so curious to see how you do it and what it will look like. I am fascinated but the process.
Tania]]> 2529 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-08 13:36:22 2010-03-08 13:36:22 1 0 Wow, you are generous!]]> 2532 Anonymous noreply@blogger.com 2010-03-08 12:36:12 2010-03-08 12:36:12 1 0 simply so beautiful!!I'm looking forward to the goldwork portion and finished project!!
Michele]]> 2533 Kim K noreply@blogger.com http://www.blogger.com/profile/09410675833339408404 2010-03-08 12:25:09 2010-03-08 12:25:09 1 0 I think the shading gives a wonderful depth to the project. If you add gold to the center, tiny gold flecks in the right places might be lovely. Hope springs eternal, please enter me in the drawing.
Kim Kemmsies]]> 2534 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-03-08 12:16:02 2010-03-08 12:16:02 1 0 2535 Eager Needler sukanya.kri@gmail.com http://www.blogger.com/profile/17765998702218797593 2010-03-08 11:47:26 2010-03-08 11:47:26 1 0 2536 swiltse.venturenorth noreply@blogger.com http://www.blogger.com/profile/00108262208824399565 2010-03-08 11:13:37 2010-03-08 11:13:37 1 0
AK Sue]]> 2537 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-08 10:23:08 2010-03-08 10:23:08 1 0 2538 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2010-03-08 09:57:15 2010-03-08 09:57:15 1 0 2539 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-08 09:47:42 2010-03-08 09:47:42 1 0 Your excitement about starting the gold work is contagious.

The 'quilted' seeds are beautiful. I'll wait on the goldwork issue there but am interested as to the outcome.
Let's just say, (Yvette's comment) that the fruit was sliced down there. Once it's pointed out I can see it, but it's so lovely as it is.

The 'flame' tip of the fleur de lys, matching the seeds is appealing. A symbol of purity for the gold as in refining it.
The pomegranate itself is so steeped in symbolism that the imagination is the only limit, I'd say, and I'll leave that to the...er..imagination?!

I'm realising how well the composition is working. To me it is flowing, balanced and keeps the eye interested.

Roll out the gold!

Thank you Mary, Kath]]> 2540 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-08 09:24:31 2010-03-08 09:24:31 1 0 2541 QI1 noreply@blogger.com http://www.blogger.com/profile/10627045322532599697 2010-03-08 08:59:23 2010-03-08 08:59:23 1 0 read your newletter every day and have learned so much. but I am almost hyperventilating to see the gold work stitching.]]> 2542 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-08 08:51:17 2010-03-08 08:51:17 1 0 2543 Yvette Stanton noreply@blogger.com http://www.vettycreations.com.au/white-threads 2010-03-08 08:51:09 2010-03-08 08:51:09 1 0
I think your shading is beautiful, in each section. However, as each section is worked in the same way, the shaping it gives is only to each section, not the pomegranate/artichoke bulbous bit as a whole. I think that if it were worked to give the whole thing shape, rather than just each individual section, it would look less flat and more rounded. Do you get what I mean? Think of it as a pear shape with lattice around the pear, not a flat surface divided into lattice sections.

But I don't want to discourage you - I think it is coming along beautifully!

Yvette]]> 2544 Anonymous noreply@blogger.com 2010-03-08 08:50:13 2010-03-08 08:50:13 1 0
This project is turning out quite interesting--different from what I thought it would look like in my head, and different from how I would stitch it as well. I might have been tempted to try some stumpwork and textured stitches on it.

Please count me in on the giveaway for the Embroidered Flowers book!

Carol Sylvester]]> 2545 molly noreply@blogger.com 2010-03-08 08:41:47 2010-03-08 08:41:47 1 0 Molly]]> 2546 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-03-08 08:38:33 2010-03-08 08:38:33 1 0 2547 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-03-08 08:36:04 2010-03-08 08:36:04 1 0
I do have a question - I've only seen goldwork in person 1 time, at the Kroyje (sp?) exhibit at the National Czech-Slovac Museum in Cedar Rapids Iowa about 4-5 years ago. If I recall correctly, that gold and silver work was done over leather, not felt. Does it make a differnce what the item is to be used for, or might it be a tradition thing to use leather vs. felt?

Also, I have washed craft felt. It does have a tendency to pill, or have "threads" start lifting from the surface. Or sometimes if it gets wrapped around another item, it will stretch out of shape. But I'd think if it's under other stitching, it would be fine, it doesn't shrink or bleed color that I've ever seen.]]> 2548 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2010-03-08 08:28:31 2010-03-08 08:28:31 1 0
Please enter me in the drawing for the book giveaway.]]> 2549 Anonymous noreply@blogger.com 2010-03-08 08:09:05 2010-03-08 08:09:05 1 0 http://www.needlenthread.com/2010/03/goldwork-embroidery-smooth-passing.html Wed, 10 Mar 2010 05:00:00 -0600 Mary Corbet 31 2010-03-10 05:00:00 2010-03-10 05:00:00 open open Goldwork-Embroidery:-Smooth-Passing-Thread publish 0 0 post

For goldwork, I order my supplies from two different places, depending on what I'm after. For smooth passing thread (gilt and 2%) I go to Tanja Berlin in Canada. Shipping is a bit more expensive, and the shipping time is a bit longer, so I always try to think ahead if I have a large goldwork project coming up. For some reason, I really like the passing threads that Tanja carries. I'm not sure who the manufacturer is, but they are different from other passing threads that I've ordered from other places. Another thread I order from Tanja is check thread, but I'll talk more about that later, since I will be using it later on in this project.

Another good source for real metal threads is Hedgehog Handworks. In my stash, I have a good selection of frieze (or check purl) and smooth purl from Hedgehog, as well as Jaceron (pearl purl).

So, I'm beginning the goldwork on this project with #4 gilt smooth passing.

For tools and other supplies (besides the smooth passing thread), this is what I'm using:

1. Beeswax - this is for coating the couching thread, to strengthen it against the metal thread
2. Gold-colored couching thread - for this project, I'm actually using YLI #100 gold (color #215). It is tiny, strong, and less visible than other threads that I often use (including Kreinik, 50 wt Tire Silk, and Soie 100/3). In fact, while working this project, it has become my Most Favorite gold-colored couching thread ever. (I have no idea where I got it...)
3. #11 Crewel (embroidery) needle - you can get away with a #10, which is easier to find
4. Chenille needle for plunging
5. Tweezers - essential for pinching threads and pulling things and all around usefulness
6. Small, sharp embroidery scissors used solely for cutting metal threads
7. Melore - for prodding metal threads around

(The melore is not 100% essential - it's a nice tool to have, and since I have one, I feel obliged to use it!)



The outside of the body of the "fruit" will be covered with the smooth passing thread, which is couched in pairs.



I started with double the length of one side of the fruit, plus about 1.5" for plunging. To create a pair of threads, I folded this length in half.



Using tweezers, I pinched the fold so that it was a sharp fold.



I started at the outside base of the side of the fruit, next to the petals, arms, peelings, bracts, or whatever you want to call them - those long curly things that I already embroidered. I ran my couching thread through the beeswax about three or four times to coat it well, and then ran it slowly between my finger and thumb to work the wax in and get rid of any extra wax clumps. I anchored the stitch in the yellow felt, taking a few little tiny anchoring stitches. Then, I brought my needle up in the middle of the pinch of the gold thread, taking it back over the thread and into the fabric and creating the first stitch at the base of the gold thread, in the middle of the pinch. You can see the first stitch in the photo above - it is perpendicular to the other couching stitches.

The next couching stitch is just above the pinch, across the pair of threads, and pulled tight to hole the pinch together (but not too tight, as to distort the pair of threads). The pair of threads should lie parallel to each other, but not overlap, nor should one jump up and sit higher than the other.



I worked two rows (two pairs each) on each side of the fruit, leaving a long bit of passing thread hanging over the tip, for plunging to the back.

As I couched each row, I tried to space my stitches between the stitches in the previous row, in a "brick" fashion.



You can see here at the tip that there's not enough room for another two pairs of passing threads, which would keep the side even, so I will stagger the placement of the threads, so that they miter into each other when I plunge them.

I should have gone ahead and plunged these threads at this point - but I didn't. It's always easier, in my mind, to plunge as you go, rather than leaving everything to plunge at the end. However, I don't always practice what I preach!



So I worked one more pair up each side of the fruit, and ended up with LOTS of ends to plunge.

Plunging is not my favorite part.



There are a couple ways to plunge goldwork threads. You can use a lasso formed of string and pull the passing thread through, or, if you're using a fairly fine passing thread as I am here, you can use a chenille needle with a large enough eye to accommodate the passing thread. I used a chenille needle and worked from the outside threads towards the middle on each side. Basically, to plunge the passing thread, you stick your plunging needle into your work where you want the thread to pass to the back, then I pinch the tip of the passing thread with tweezers to flatten it so it slides right into the eye of the plunging needle, and then you pull the plunging needle to the back. Now, the plunging needle doesn't necessarily pass easily to the back of the work. Sometimes, you have to wiggle it back and forth a bit. Eventually, it will pop through. (In fact, it sounds like a pretty good "pop" as it passes through the fabric to the back of the work.)



Concerning the middle area, if you look at the diagram below, even though the spacing is all wrong, this is how I staggered the placement of the threads for sinking them. On the third pairs up each side, one thread from each pair filled the gap left at the top edge of the flower, and then the other two were staggered and plunged to the back.



The rest of the threads filling the area were staggered the same way and plunged to the back.



In the photo above, you can see the passing thread pulled aside to make room for plunging each thread down the center.



Where the threads were plunged, a line forms down to the tip of the embroidered center of the fruit.



After the passing thread is pulled to the back, I strip the gold off, leaving the yellow core thread. To do this, you just grab the tip of the gold, and pull gently.



I strip the thread down to about a quarter inch from the fabric and snip the gold off. It's easier (I think) to secure the "naked" yellow thread than to secure the gold-covered thread. It's not a necessary step, but this is generally how I like to secure my threads on the back.



You can see that there's still some gold left on the thread - you don't want to strip it to the fabric, because you don't want to risk pulling gold off the thread that's on the front of the fabric.

And you can see that my secured threads on the back are rather clumpy and in a general mess. This really is my least-favorite aspect of goldwork - finishing off the threads on the back!



So there you have the first five pairs of smooth passing thread on each side of the fruit. At this point, I started staggering the base of the threads, too, in order to fill the rest of the felted area.



I love the look of smooth passing thread! It's so rich and solid!



To fill the rest of the space, I cut two separate pieces of passing thread to form each pair. I left "plunging room" on both ends of the thread, so that I could stagger where they were plunged in order to fill up the uneven space remaining on the outside edge of the fruit.



The threads are couched exactly the same way as before, without the fold in the thread.



After filling up the whole area, I used gilt pearl purl, size #F1 (from Hedgehog Handworks) to line the inside of the fruit. I've already written a little bit about pearl purl and how it is used, so you may read that article if you are interested. To get the pearl purl to fit in the tip of the inside of the goldwork area there, I pinched it with tweezers so that it bent sharply.

And that's the first foray into the goldwork on this project! Next up, I'll show you what check thread is and where I'm going to use it on this part of the design!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate
]]> Embroidery Projects goldwork embroidery resources needlepainting silk 2266 Carol DuVall noreply@blogger.com 2010-03-11 16:51:17 2010-03-11 16:51:17 1 0 I'm an addicted follower of your blog and beautiful embroidery. I've already learned alot from doing the long and short stitch tutorial you so kindly shared with us.
Learning Goldwork has been a dream of mine for about the last 10 years and I'm thrilled that you are taking us step-by-step through this gorgeous project.
I am signed up to have a thread painting class with Tanja Berlin in June through our EGA chapter....and she will be bringing some of her kits, supplies with her when she comes. She has asked our chapter what kind of supplies to bring....can you tell me what I can put on the list in regard to this project? and in regard to what you like to have in your goldwork stash from Tanja? This would save some mailing expense for me. I am very confused when it comes to ordering the metals for this. There seems to be a vast array of them.

Thanks again for being such a fun mentor to all of us!
Carol DuVall]]> 2268 Anonymous noreply@blogger.com 2010-03-11 14:20:30 2010-03-11 14:20:30 1 0
Jacqui (in Auckland, New Zealand)]]> 2272 Лариса noreply@blogger.com http://www.blogger.com/profile/06817353275354717355 2010-03-11 11:20:42 2010-03-11 11:20:42 1 0
Larissa, Moscow, Russia]]> 2279 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-11 06:37:43 2010-03-11 06:37:43 1 0
I'm really enjoying the development of this project, Mary - thank you for sharing it with us!]]> 2281 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-10 21:14:16 2010-03-10 21:14:16 1 0
Tania - glad the horizons have been widened. Careful. It's addictive!

Bonnie - the gold on the back gets anchored in with the whole thread. I just sort of tie it all down, but stitching over the thread folded on the back. It doesn't ravel off unless it snags or you pull it. It's pretty tightly wound. Goldwork threads, if you think in terms of length, can seem rather expensive compared to regular embroidery floss, etc. But if you go with gilt rather than 2% gold, you'll save a bundle there. Also, with goldwork threads, in most cases, a little goes a long way, though it's always best of have more than you need than to run short! If you check out the links in the article above to the two places I buy gold threads, you'll get an idea of the prices. Certain real metal threads are much more expensive than others - for example, pearl purl, once you venture into the large sizes, starts climbing dramatically in price, and if you're looking at it in the 2%, it can be really rather expensive. But overall, yes, you'll find the threads more expensive than regular embroidery supplies, but you can economize by working with gilt threads and also with using the gold as a 'touch' in a piece, rather than using it as the bulk of the whole piece.

Hi, Lorena - glad I was able to help you with an annoyance!

C'mon, MJ and Danielle - dive in! You'll love it! Funny thing about goldwork - as far as the stitching itself goes, it's really quite simple. For this type of goldwork, there are no complicated stitches involved! It's the manipulation of the metal threads that is the more difficult element.

Hi, Janice - I've used the Gutermann thread before. You're right - I like this better because it's a much finer gauge, and it's a "real gold" color, rather than a yellowish color. For the scissors, that's just it. I get a cleaner cut with regular edged, small, sharp embroidery scissors. I have a designated pair of embroidery scissors for metal thread work. They are a fine-tipped, thin-bladed Dovo scissors with slightly larger finger holes than some embroidery scissors, which makes them more comfortable when cutting the tougher threads (like pearl purl).

As for the invisible thread, I was going to mention that you "can" use nylon or manufactured thread that's invisible, but I don't like it, so I didn't bring it up. First of all, it's h-e-l-l-ish to work with. It adds another layer of "intensity" or stress to goldwork, because it just isn't pleasant to stitch with that kind of thread, in my mind. Second, it slides in between the wraps even on the passing thread, with a kind of cutting effect, though it doesn't actually "cut" the thread - it just cuts into it, if you know what I mean. Third, it has a tendency to seem stretchy, though I suppose it isn't "stretchy" in an elastic way - but it does give. I don't like the way it feels when I stitch with it. So I'm not one to go for the invisible threads, personally. Again, I like the look of the couching threads on the passing threads - as long as it is subtle. I don't necessarily like to use a thicker, heavier bright yellow, but this YLI stuff is great, and so is Tire Silk. I like them both.

Hope that answers some questions.

And gosh, I just re-read my post and realized that there are a heap of writing errors in there. It was late at night!!

Thanks again for your interest and enthusiasm over this project! It keeps me fired up and eager to work on it!

MC]]> 2284 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-03-10 19:42:06 2010-03-10 19:42:06 1 0
I'll second what you said about the serrated-edge goldwork scissors. I've found that they don't cut cleanly enough. Do you designate one of your pairs of embroidery scissors as metal thread scissors or do you use a sturdier pair for that purpose?

Finally, do you ever use invisible thread for some of your couching? I just heard that the Royal School of Needlework once considered this verboten but now allows its students to use it for couching certain types of gold thread. (It's a bear to work with, though.)]]> 2285 Anonymous noreply@blogger.com 2010-03-10 18:44:20 2010-03-10 18:44:20 1 0 Danielle K.]]> 2287 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-03-10 18:03:25 2010-03-10 18:03:25 1 0 2293 Lorena noreply@blogger.com http://www.blogger.com/profile/00898602865195128470 2010-03-10 16:15:19 2010-03-10 16:15:19 1 0 2294 BonnieC noreply@blogger.com 2010-03-10 16:11:53 2010-03-10 16:11:53 1 0 2301 Tania Kleckner noreply@blogger.com 2010-03-10 13:15:20 2010-03-10 13:15:20 1 0 2303 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-10 13:02:43 2010-03-10 13:02:43 1 0
Kath - The remnants after stripping the thread are pretty sharp on the edges. I suppose they could be used for something, but I don't generally save them for anything.

Laura - The couching threads are not generally too visible, especially from far away. I don't see them as a necessary "evil" - they are often used to form patterns, etc., and I've never really thought them to be a distraction from the gold. If they're done neatly, I think they look nice. But then, I've always liked the look of couching.

Jacqueline - true, they do make serrated edged scissors for goldwork, but I've never found them essential. I have a pair, but I never use them. They're one of those things I bought thinking they were essential, and regret putting the money into them. I prefer a very fine, sharp blade that slides between the pearls on the pearl purl and between the coils on smooth purls and check purls. I've never experienced frustration with them. They work great! They have larger finger holes, too, so they are quite comfortable to use

How did I decide on what size passing thread to use? I use the threads I like best - the #4 (and #5) consistently creates a nice smooth coverage, they're easy to work with, and they are exceptionally pretty - they gleam gold, without showing the wrap, like the larger Japanese threads. Plus, the area to be covered is rather narrow - I could fit more of the smaller threads closely together to create a smooth finish, rather than having fewer larger threads that look bumpy or corduroy-like.

Thanks again for the comments!

MC]]> 2304 jacquelin noreply@blogger.com 2010-03-10 12:52:26 2010-03-10 12:52:26 1 0 A question about the couching of the felt. Your felt couching stitches look slightly slanted, not perpendicular, is this so as not to "cut" the felt?
Thanks, Jacquelin]]> 2306 jacquelin noreply@blogger.com 2010-03-10 12:43:18 2010-03-10 12:43:18 1 0 Just an FYI for goldwork fans. The scissors for goldwork have one edge that is serrated to make cutting the gold easier and these should not be used for threads so as not to dull the blade. They are not cheap but the right equipment saves frustration.
How did you decide on what size passing thread to use ?]]> 2313 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-03-10 09:04:56 2010-03-10 09:04:56 1 0 2314 Kitty mcthekat@gmail.com http://www.blogger.com/profile/18369077646106761670 2010-03-10 08:08:42 2010-03-10 08:08:42 1 0 2315 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-10 07:27:31 2010-03-10 07:27:31 1 0 2316 Nikki noreply@blogger.com http://www.nikkiinstitches.wordpress.com 2010-03-10 07:08:16 2010-03-10 07:08:16 1 0 2318 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-10 07:03:38 2010-03-10 07:03:38 1 0 2319 Laura Bullinger noreply@blogger.com 2010-03-10 06:49:45 2010-03-10 06:49:45 1 0 Question & comment: Couching seems to be a necessary evil with Goldwork. The yellow threads break up the smooth sheen. However, the distant photos make it appear to have a gorgeous shimmery gold look so it's not a "bad" result; you mentioned the smoothness of the passing thread but it seems somewhat obscured. Would you ever use a gold sewing thread instead or is the strength of linen thread necessary to hold down the gold? Suggestion to gold threadmakers- build in a small exposed loop from within the yellow inner thread, a picot loop for bottom attachment using one of the applique stitches, which are really fun to do, especially the invisible ones. Anyway, as a "non-Goldwork-er" I want to thank you for the detailed photos and for sharing your lovely works of art.]]> 2320 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-10 06:36:00 2010-03-10 06:36:00 1 0 I won't get to read all the post until tomorrow evening but have 'read' the photos.
I don't know what I was expecting really but certainly not to be amazed at the beauty of the 'thing'.

The stripped gold from the back of the threads would be nice couched onto stitched Christmas trees and decorations, crazy patchwork embroidery etc. Do you use them for anything or are they too fragil or sharp or ....?

Anyway, it made me feel quite excited to see those gold threads being laid down. It's beautiful, really beautiful.

Appreciate your enthusiasm. It hurtles across the world and loses none of it's sincerity and fun in the coming. Thank you again for sharing.

Another one of my stray thoughts comes to mind. My son had a turtle that was old and slow. It was replaced with a new one that is very lively so he's called it Hurtle the Turtle. Ha!
Thought should delete the turtle story but then, what the heck, gotta make your own fun in the bush!
Laughter surely must be the laid gold pathway that afforts us easier travel in life.

Cheers, Kath.]]> 2321 Janey noreply@blogger.com 2010-03-10 05:53:22 2010-03-10 05:53:22 1 0 Ah now I understand gold work! I honestly had no idea just what it was. How lovely is that - thanks to your clear pictures and description I am really tempted to have a go.
This is going to look so beautiful.
Kind regards
Janey from Bristol]]> http://www.needlenthread.com/2010/03/goldwork-embroidery-check-thread.html Fri, 12 Mar 2010 05:15:00 -0600 Mary Corbet 32 2010-03-12 05:15:00 2010-03-12 05:15:00 open open Goldwork-Embroidery:-Check-Thread publish 0 0 post smooth passing thread in my current goldwork embroidery project. Today, we'll take a look at another real metal thread used for embroidery, called check thread.

Check thread is a real metal thread that's quite similar to smooth passing thread, but it's crimped and wavy. It looks a bit like rococco, which is also a wavy real metal thread couched on the surface. As far as I can tell, the only real differences between check thread and rococco are that check thread is quite a bit finer than rococco, and that it's not quite as soft. In fact, the fine stiffness of it makes it easier to work with than rococco, I think.

Both rococco and check thread are normally used for filling threads, in the same way I used the smooth passing thread on the first section of the goldwork. But with all three couched threads - check thread, smooth passing, or rococco - you can also use them to outline, and that's what I'll be doing here.

If you're interested in reading a wee bit about rococco, you can peruse this article I wrote for CQMagazine, on using goldwork for crazy quilting. If you scroll through the article, you'll come to a section titled "Rococco."



In the photo above, you can see the difference between rococco (on the bottom) and check thread (on the top). The check thread I'm using comes from Tanja Berlin's website, and it's 2% gold, in either size 16x3 or 8x2 (the size actually wasn't marked on the envelope, and that's as close as I can get by measuring).



Just as with smooth passing thread, check thread is couched onto the surface of the fabric. I'm still using YLI #100 silk in color #215 to couch the check thread, with a #11 crewel needle. I've run the silk couching thread through beeswax before couching the gold.

The nice thing about check thread is that it's very easy to space your couching stitches evenly! I couched the thread at each little crimp.

I used the check thread to outline the outside of the fruit. The check thread fits right up to the side of the smooth passing, and creates a fine, wavy edge. I like the look of it - I love the way the check thread catches the light.



After outlining the main body of the fruit, I used the check thread to outline the fleur de lys tip of the pomegranate, couching the thread around the outside, and on all sides of the felt padding.



I haven't quite finished the tip in this photo. The key to making the couching easy on small design elements is to find the longest line you can follow, without having to start a new couching thread. I started at the top inside of the felt padding, moved down the inside of the felt padding, rounded the tip (pinching the thread with tweezers to get a nice sharp fold), and then followed across the top of the fleur de lys, around the outside of the padding on the other side, around the tip (pinching with tweezers) and then up the inside of the padding. Unfortunately, I underestimated the length of the check thread and didn't make it up the inside of the felt padding on the other side. But that's the route I would have gone, if I had cut a long enough thread!

(Is this where I say, "Do as I say, not as I do"? ---- Tsk, tsk. Not the best teaching policy!)

Now, you may well ask why I worked the outside of the felt padding first, before filling it in. It's true - if you were using a couched thread that has to be plunged (like smooth passing thread) to cover that felt padding, you should definitely cover the felt before outlining it. I'm going to be using chip work up there, and I'm hoping the outline will keep me from "overflowing" the chip work on those tiny turn-overs and making them look too fat. So I went ahead and outlined the turn-overs on the tip. You don't have to - you can wait on outlining this until you've covered the felt, but for me, this worked best.



To end check thread, you plunge it in the same manner as you would with smooth passing thread, and then secure the thread on the back of the work by stitching over it with your couching thread. You can strip the check thread exactly as you do with smooth passing thread, too.

So that is check thread. We'll be coming back to it later, as I intend to use it for outlining other areas. I Really Like this metal thread! (Note: I don't like rococco - it's a real pain in the neck to work with!)

When next we visit the goldwork project, it's time for chip work - a particularly spectacular filling technique, if you like sparkle. (And really, who doesn't like sparkle?!)

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate
]]> Embroidery Projects goldwork pictures embroidery tips and tricks needlepainting silk needlework pictures 2252 Romilly noreply@blogger.com http://www.stitchingwithashimmy.com 2010-03-12 17:56:38 2010-03-12 17:56:38 1 0
I love goldwork. And this piece is stunning!]]> 2253 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-03-12 16:30:24 2010-03-12 16:30:24 1 0 2254 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-12 15:53:17 2010-03-12 15:53:17 1 0
And then you mention that you don't like working with rococco. For these reasons?]]> 2257 Anonymous noreply@blogger.com 2010-03-12 12:25:05 2010-03-12 12:25:05 1 0
I can't wait to see the finished project!

Karen from Arcadia]]> 2258 Anonymous noreply@blogger.com 2010-03-12 11:43:06 2010-03-12 11:43:06 1 0
I also really appreciate the resources for suppliers. Thank you!]]> 2259 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-03-12 09:09:53 2010-03-12 09:09:53 1 0 2260 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-12 07:22:19 2010-03-12 07:22:19 1 0 2262 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-12 06:04:30 2010-03-12 06:04:30 1 0 "Chip work" sounds familiar but I'm not sure what it is - I think you've written about it in a previous goldwork of yours...is about something I've never seen in real life.
So let's wait for next post. lol!]]> 2263 Anonymous noreply@blogger.com 2010-03-12 06:01:04 2010-03-12 06:01:04 1 0 http://www.needlenthread.com/2010/03/goldwork-embroidery-chip-work-and-check.html Sat, 13 Mar 2010 05:30:00 -0600 Mary Corbet 33 2010-03-13 05:30:00 2010-03-13 05:30:00 open open Goldwork-Embroidery:-Chip-Work-and-Check-Purl publish 0 0 post

The goldwork pomegranate, when we last left it, had acquired a nice coating of smooth passing thread, a touch of pearl purl, and an outline in wavy check thread. This is what the piece looked like before getting into the chip work:



I apologize for the greenish tint in the photo. I'm longing for sunny days again - goldwork photographs much better in natural sunlight!

Now we're going to address the yellow felt areas on the tip of the pomegranate and on the larger turnovers on the "petals" protruding from the side of the fruit.

I'm working with Gild Bright Check Purl #7 (which I purchased from Hedgehog Handworks). This come in 18" lengths, and, if you're planning on following along with the project and doing what I do, then you'll probably want to order two 18" lengths. This will give you plenty of bright check purl for all the chip work in the design, plus a little left over for future projects (or to make up for mistakes!)



I use a piece of black velvet lining this plastic basket for cutting and holding my chips of purl. A box lid with a piece of velvet in it will work, or you can make your own velvet board for cutting your metal threads by adhering a piece of velvet or velveteen to a piece of mat board. You should use velvet or something with a short nap to cut on, as the nap of the velvet keeps things in place. I have a velvet board as well (in red) but since I had this basket on hand and the piece of black velvet, it served the purpose for this project.



Bright check purl, also called "frieze," is made from a metal wire that is coiled like a triangle and twisted to make a faceted tube of spiraled gold wire that is loose and limp when left in long lengths. When it is cut into small "chips," the chips are a bit stiffer, but still retain the ability to be pulled or stretched out of their spring-like shape. They do not spring back, so if you pull check purl out of shape, it'll stay stretched out of shape.

The purl is cut carefully into small lengths - I usually cut them about 3 or 4 twists long, as in the photo above. They can be cut smaller, too, to fill in small spaces. When cut, they are like beads. You can see pretty clearly in the picture that, when cut, they make what could be described as a hollow, faceted gold wire bead.

To cut them, you can either leave your length of check purl on the velvet and place the tips of your scissors over it and snip, or you can, as I do, hold the check purl down next to the velvet close to the end where you're going to cut it, and then slide it onto the edge of your scissor blade. The purl will separate a bit over the scissor blade and snip without any crimping or warping.

They're pretty, aren't they? And they're a lot smaller than they look!



These little chips are picked up just like beads and sewn onto the gold felt padding in the same manner one would sew on beads. Here, you can see the needle picking up one little chip.

I'm using a #11 crewel needle (you can probably get away with a #10, which is more readily available than the smaller #11) and the same YLI 100 wt thread that I spoke of in article on smooth passing thread. My thread is waxed well, since the abrasion from the gold necessitates protection for the thread!



Here, I'm working on one of the turn-overs on the top petals next to the body of the pomegranate. The chips of gold are sewn on randomly, covering the felt. They should be stitched on in various directions, so that the light catches them well, and so that they fill the space as thoroughly as possible. Regarding filling, though, it is important not to crowd the chips so much that they buckle up on top of each other. They should fit snugly next to each other, but not bulge over each other. Since they have that spiral, springy nature, they will bend and buckle and bulge if they are crowded.

I did my best not to let the chips overflow the felt area, too. I am going to edge the felt with a different gold thread to give it a clean finish, and I don't want the chips to interfere with the outline.



Using the same random sewing-on-of-chips, I filled in the turn-overs on the fleur de lys at the tip of the pomegranate as well. These, I fit into the outline of check thread that was already there, being careful not to cover the outline.

When filling with chip work, there may remain some tiny spaces of yellow felt that aren't covered between the chips. This is ok. The felt, because of its color, won't be noticeable.



Photos don't do justice to the sparkly nature of chip work!



Pulling back a bit, this is the piece so far...



And then I moved over and finished the chip work on the other side of the fruit.

Chip work is fun! It's a bit tedious in a way, due to working with very small pieces of gold and having to take a lot of stitches to fill in an area. But really, it's simple stitching! And the results are worth it! It's great fun to watch an area fill up with chips of gold!

Next time we visit this project, we will look at outlining those turn-overs with one of my favorite edging techniques.

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate
]]> needlework tutorials Embroidery Projects goldwork pictures embroidery tips and tricks needlepainting silk needlework pictures 2200 kanwalzm noreply@blogger.com http://www.blogger.com/profile/09556371527036696396 2010-03-17 05:57:01 2010-03-17 05:57:01 1 0
this gold work pomegranate project is awesome. The clear step by step instructions and photos are great. waiting impatiently for the next step.
kanwal, UAE]]> 2236 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-03-14 23:24:49 2010-03-14 23:24:49 1 0
I use a piece of ultrasuede in my chipping box. I like the firmness of it vs. velvet.

As others have noted, your photography is great; very clear and it captures the sparkle. - JL in KC]]> 2241 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-14 13:12:37 2010-03-14 13:12:37 1 0 2242 Ruut noreply@blogger.com 2010-03-14 08:11:10 2010-03-14 08:11:10 1 0 2243 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-14 06:14:21 2010-03-14 06:14:21 1 0
From now on I will certainly take heaps more notice and interest in any goldwork articles and projects in mags etc.

I too am so gratefull for your clear and detailed explainations and photos.

The difference some understanding on a subject makes. Especially when the teacher is enthusiastic and so warmly human.

Consider yourself hugged Mary.

Cheers, Kath.]]> 2244 Pamela pamela.mittens@gmail.com http://www.blogger.com/profile/05485358671045660416 2010-03-13 23:05:29 2010-03-13 23:05:29 1 0 2245 Anonymous noreply@blogger.com 2010-03-13 22:08:58 2010-03-13 22:08:58 1 0
Carol S.]]> 2246 BonnieC noreply@blogger.com 2010-03-13 16:09:45 2010-03-13 16:09:45 1 0 2247 Elza Bester. noreply@blogger.com 2010-03-13 14:15:40 2010-03-13 14:15:40 1 0 2248 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-13 13:08:53 2010-03-13 13:08:53 1 0 2249 Anonymous noreply@blogger.com 2010-03-13 10:19:34 2010-03-13 10:19:34 1 0 Linda]]> 2250 SharoninStitches noreply@blogger.com http://www.blogger.com/profile/03451163710122617372 2010-03-13 08:48:57 2010-03-13 08:48:57 1 0 2251 Susan Cuss noreply@blogger.com 2010-03-13 07:55:00 2010-03-13 07:55:00 1 0 http://www.needlenthread.com/2010/03/goldwork-embroidery-pearl-purl.html Tue, 16 Mar 2010 05:00:00 -0500 Mary Corbet 34 2010-03-16 05:00:00 2010-03-16 05:00:00 open open Goldwork-Embroidery:-Pearl-Purl-Outlining publish 0 0 post chip work on the "petals" on the goldwork embroidery project I'm currently working on, I set about outlining the larger areas of chip work on the top petals. The method I used is really very simple, and it makes a really nice edge!

Outlining various parts of a goldwork project with a different metal thread helps not only to make the edges look neat and finished, but also helps to set off an area filled with gold. Pretty much every filled element in my goldwork projects ends up with some kind of different thread as an outline, and in this case - outlining the larger chip work areas - I'm using pearl purl.



Above is an image from a previous article on pearl purl. This is what pearl purl looks like - it's a solid metal thread (not wrapped around a string core), coiled to form a "thread" (more like a wire) of pearl-like bumps. Pearl purl is spring-shaped - if you stretch it, you can see that it has that same spiral make-up of a spring. It does not spring back if it's stretched. You can check out the earlier article on this metal thread to see how I cut it, and how it is stitched onto the fabric when un-stretched. It is a couched thread. Using waxed couching thread, you couch the pearl purl onto the surface of the fabric, pulling the couching down in between the "pearls" of the metal so that it doesn't show.



For this project, I'm working with Gilt Pearl Purl, size Fine 1, which I purchased at Hedgehog Handworks. I calculated the length around the turn-over on the petal, and cut a little more than half that length of pearl purl. Then, taking the very ends of the piece of pearl purl in my fingernails, I pulled gently on it to stretch it out to twice its length. I've covered the topic of stretching pearl purl previously, but here I'm going to show you how I couched it for this project.



Using two strands of Soie d'Alger (in one of the middle shades of red) in a #9 crewel needle, I took a couching stitch at every "valley" in the stretched pearl purl.

A couple technical notes:

1. Begin couching just at the point where you want your pearl purl to begin. I forgot to take a picture! I began at the sharp lower tip of the area filled with check purl.

2. (And this point is debatable) Don't wax your couching thread. Some might think this is imprudent, since the metal thread can be kind of rough on the silk, and the wax provides extra protection. But the wax also darkens the thread and makes it look gummy, so whenever I'm couching pearl purl like this, using a decorative thread over the stretched purl, I don't wax my thread. I like the clean bright look of the decorative thread. If you're more comfortable waxing the thread, go for it....



Here's one turn-over completed. I started at the lower tip, worked around the right side toward the top, pinched the pearl purl with tweezers to get it to turn sharply around the top, and then headed back down to the lower tip, where I ended with a final couching stitch.

Pearl purl is NOT plunged to the back. It begins and ends with a couching stitch.

If your pearl purl is too long, just snip it carefully before you take your last couching stitch, leaving enough of the metal thread to hold a final stitch.



I think this edging is really one of the prettiest techniques in goldwork - I like the alternating twist with the colored silk and the gold.



And here's the design so far. Little by little, we're getting there!

Next up, we'll address the larger felt area below the body of the fruit!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate
]]> Embroidery Projects goldwork pictures embroidery tips and tricks silk needlework pictures 2185 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-18 06:54:02 2010-03-18 06:54:02 1 0
Ah - the 003 would be very nice to have! Tiny!

For the goldwork pomegranate in Inspirations, yes, I did pad the fruit with red felt. It helps raise that area up so that it is on the same level as the gold. It's actually surprisingly easy to stitch the soft shading on the felt - it fills up and looks nice and full. If you follow the same techniques you normally would for long and short stitch shading, I think you'll find it works out ok!

Hope that helps!

MC]]> 2186 Francesca matrix70@genie.it http://www.blogger.com/profile/15212944961632954222 2010-03-18 06:50:44 2010-03-18 06:50:44 1 0 is not a 03 pen, but 003 so thinner than 005, this is because it could be interesting...

Again a little help...on the other Pomegranate goldwork you did, the instructions on Inspirations says that the red silk soft shading part of the fruit, has red felt padding uder the silk.
Did you padded it ?
I never did it on felt and seems to me to be a little difficult to make soft shading on felt...
Again thanks and have a lovely day !]]> 2191 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-17 11:32:54 2010-03-17 11:32:54 1 0
I haven't used that particular pen, but it looks like the same idea behind the pens I use. I wonder if an 03 might be a little large. I use an 005 and occasionally an 01 when I trace using a pen. The 005 makes a tiny line that's easy to cover. Remember that the pens aren't guaranteed on cloth - they can still run if soaked in water. I only use them on pieces that I know I won't wash.

Hope that helps!

MC]]> 2192 Francesca matrix70@genie.it http://www.blogger.com/profile/15212944961632954222 2010-03-17 10:58:30 2010-03-17 10:58:30 1 0 Thank yo so so much for such clear instructions !!

I have seen here this 0.03 art pen, have you never tested it for tracing the drawings on fabric ??

http://www.dickblick.com/products/copic-multiliner-sp-pens/]]> 2193 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-17 09:23:28 2010-03-17 09:23:28 1 0 2194 Anonymous noreply@blogger.com 2010-03-17 09:11:03 2010-03-17 09:11:03 1 0
I have finished a Schwalm version of your design but it looks very sad in comparison with your glorious colours.

tricia elvin-jensenin cape town]]> 2196 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-17 06:33:35 2010-03-17 06:33:35 1 0
Megan - thanks - I love this technique. It isn't what I'd call a "Country Bumpkin" technique. They do cover it in their A-Z Goldwork book, which is excellent, but other goldwork books published before that one cover it as well - I have a feeling stretching and couching the pearl purl has been going on for a while!

MC]]> 2199 Elza Bester noreply@blogger.com 2010-03-17 06:23:32 2010-03-17 06:23:32 1 0 2201 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-17 01:46:20 2010-03-17 01:46:20 1 0 2203 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-16 17:48:11 2010-03-16 17:48:11 1 0
Elza - I'm not quite sure about the bead. I can't picture how it would work or fit, though it might be something to play with, if you have a particular look in mind. I don't think there are any fixed rules that have to be followed, when it comes to combinations in embroidery. Beads are often used in goldwork pieces. But I'm trying to picture how a bead would fit in with pearl purl. The pearl purl is in itself rather bead-like, and I wonder if a bead might look a little "out done" by the real gold thread. But, in any case, it might be something fun to try, to see how it would look!

MC]]> 2204 Elza Bester noreply@blogger.com 2010-03-16 15:25:48 2010-03-16 15:25:48 1 0 Kind regards,from a very ignorant Elza Bester. Cape town :)]]> 2207 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2010-03-16 12:28:49 2010-03-16 12:28:49 1 0 2208 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-03-16 11:45:15 2010-03-16 11:45:15 1 0 2209 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-16 09:44:45 2010-03-16 09:44:45 1 0 2210 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-16 09:44:17 2010-03-16 09:44:17 1 0 2211 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2010-03-16 08:54:19 2010-03-16 08:54:19 1 0 2212 Ruth O'Leary info@rutholearytextileart.co.uk http://www.blogger.com/profile/13960970278718542174 2010-03-16 08:18:58 2010-03-16 08:18:58 1 0 2213 Лариса noreply@blogger.com http://www.blogger.com/profile/06817353275354717355 2010-03-16 07:59:46 2010-03-16 07:59:46 1 0 And thank you a lot for ebay info about beetle wings, I found and ordered them.
Larissa]]> 2214 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2010-03-16 07:43:23 2010-03-16 07:43:23 1 0 2216 Tania Kleckner noreply@blogger.com 2010-03-16 07:32:53 2010-03-16 07:32:53 1 0
I've said it before and I'll say it again "wow!" This is so interesting. I had no idea how goldwork worked and I am finding this step by step process fascinating.

Thank you!!]]> 2217 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-16 07:14:39 2010-03-16 07:14:39 1 0 2218 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-16 05:25:02 2010-03-16 05:25:02 1 0
I can hardly believe what I'm seeing and feeling here. The latest progress photos are making me feel excited. Never had that feeling before looking at Goldwork. Mmmmm.

Cheers, Kath]]> http://www.needlenthread.com/2010/03/goldwork-embroidery-filling-with.html Thu, 18 Mar 2010 05:00:00 -0500 Mary Corbet 35 2010-03-18 05:00:00 2010-03-18 05:00:00 open open Goldwork-Embroidery:-Filling-with-Passing-Thread publish 0 0 post titching with smooth passing thread in a previous post, I'll not go into deep detail here on couching, but instead, I'll just show you how I went about filling the shape.

If you haven't read my earlier article on using smooth passing thread in goldwork projects, you may want to read that post before delving into this one. The techniques for couching and plunging threads are discussed in the earlier post.



To measure out the passing threads, I just took a good length of smooth passing thread and doubled it, knowing that I had plenty to cover the space. I should have measured it, but I didn't think of that until it was too late! The "bowl" at the base of the fruit is going to be filled from the outside in with the smooth passing thread, so I started on the left tip of the bowl, leaving a one-inch tail on my pair of threads. I began with my first couching stitch right inside where I would plunge the tails, and then...



... I couched the pair all the way around the bowl, following the contour of the shape. When I got back around to the start point, I moved inside the first pair of threads, to continue around the shape, filling it in.



In the "corners" of the shape (the area inside the circle in the photo above, where the arrow is pointing), I always stitched a couching stitch, pulling the passing thread into the corner to fill it. I pinched the threads with tweezers, and I couched them singly - that is, the outermost thread first (after pinching it) and then the innermost one (towards the inside of the bowl) next, pulling it in next to the first one.



As the shape narrowed, the pair of passing threads wouldn't fit into the corner, and so I plunged one and continued couching the other, folded to fit into the corner.



After passing the corner with the one remaining thread, I added a new passing thread to it, to make a pair again. For the new thread, I left a tail that had to be plunged. I plunged it after taking the first couple stitches over the new pair of threads, so that the tail was worked into the corner to make the layout of the threads as clear as possible for the next time I approached the corner. As the shape filled and the center area became smaller and smaller, it was more difficult to fit the threads in, but as much as possible, I kept on filling, plunging a thread when I needed to, and picking up a new thread.



The pinch of the passing threads in the corner, and the couching threads in the corners, and the plunging of the threads in the center as things narrowed - these all created a line in the center of the "bowl" - and you might be tempted to say that it looks as if the darned thing is smiling.

I can't look at it in certain light without bringing to mind a pair of lips.

But it depends on how the light catches it - sometimes, the center crease is not as obvious. I suppose you'll have to take my word for it - the photo above certainly doesn't make that claim too clear!

If you don't like the line in the bowl area, there are other ways you can couch the passing threads in - you can go vertically, and plunge on each end around the shape, or you can start in the middle and work outwards in an oblong, or you can couch pairs of threads horizontally and plunge them on each end around the shape.

I'll be leaving this the way it is, though. It does not look quite as "odd" in person, and hopefully, future photos will bear witness to this!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate
]]> Embroidery Projects goldwork pictures embroidery tips and tricks silk needlework pictures 1968 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2010-03-22 18:17:25 2010-03-22 18:17:25 1 0 1969 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2010-03-22 18:16:07 2010-03-22 18:16:07 1 0 1972 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2010-03-22 18:11:33 2010-03-22 18:11:33 1 0 2108 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2010-03-22 06:57:39 2010-03-22 06:57:39 1 0
Your work is as usual beautiful. I bought some Krenik Jap #7 to do a small first piece. I opened the skein, dropped it, and now have a lovely, sparkly, tangled mess. Do you have any hints (other than not dropping it) for handling and storing this type of thread?

KMK]]> 2173 Anonymous noreply@blogger.com 2010-03-18 18:24:08 2010-03-18 18:24:08 1 0 I wondered if you could do a continuous line of couching starting at one side and working across the bottom of the shape, then taking a tight turn and coming back along again next to the first line, and so on in rows up to the top of the shape? Or would such a tight turn make too much of a hump in the line?

Alison in Aus]]> 2174 worksofhands noreply@blogger.com http://worksofhands.wordpress.com 2010-03-18 18:20:38 2010-03-18 18:20:38 1 0 vince]]> 2175 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-18 18:13:49 2010-03-18 18:13:49 1 0
Definitely a good thing. It's helped me appreciate an art form that I'd previously looked at through the eyes of ignorance.
I'm not a 'glittery' person so have just passed it off as a 'don't like'. Even though I've seen and read other projects. You have shown and explained to me the beauty in goldwork that no other embroiderer has been able to do.

I'm an earthy person, and just as gold comes from the earth, in it's natural form it's more appealing to me.

But, you have refined and polished the subject in such staight forward but intriguing way that my ignorance of the whole thing has well and truely had the rough edges knocked off and polished up nicely.

Your thought process being so openly revealed, the design, and the placement of the different types of gold thread has unlocked a goldmine of possibilities for me.

Thank you, Kath.]]> 2176 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-18 14:13:59 2010-03-18 14:13:59 1 0
Danielle - I did plan this one out in advance, actually. The only parts I didn't plan with certainty were which threads I would use to outline various elements - I wasn't sure, for example, if the check thread around the body wold "work" or if the couched pearl purl around the larger turnovers would appear too thick. So I had those ideas in the back of my mind, but not really set in stone. The rest of the stitching, though, was planned in advance. On some projects, it's not that way; some projects, I make up as I go, but usually on goldwork, I'll plan ahead, since I don't want to waste supplies by doing things several times over!

Hope that helps!

MC]]> 2177 Anonymous noreply@blogger.com 2010-03-18 13:28:54 2010-03-18 13:28:54 1 0
Danielle K.]]> 2178 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-03-18 13:12:22 2010-03-18 13:12:22 1 0 2179 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-18 11:49:34 2010-03-18 11:49:34 1 0 2180 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-18 11:49:09 2010-03-18 11:49:09 1 0 2182 irene noreply@blogger.com 2010-03-18 10:27:55 2010-03-18 10:27:55 1 0 2184 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-18 07:13:11 2010-03-18 07:13:11 1 0
Kath, I'm not sure. Is this a good thing, or a bad thing?!

Laura - the top is not padded any more than the bottom of that area - the whole thing is just one piece of felt padding. It's funny how the direction and type of lighting plays off the gold. There are angles of light that make the lower half of that area look as if it almost sits above the upper area. What I was trying to achieve was a "continuous" look from the top edges of the fruit (the sides that move down from the tip) to right below the fruit, so you're kind of right, about the cup shape holding the fruit. I'm still deliberating about making that a bit more obvious by adding another gold line down the center part with pearl purl. It would accentuate that curved look, but ... I'm not sure I would like it in the long run.

I'll move on and come back to it later, after working the other areas. This is the only spot on the whole design that I hesitated on, so I'm sure I'll go back and revisit it!

Thanks again for your comments!

MC]]> 2187 Laura Bullinger noreply@blogger.com 2010-03-18 06:00:49 2010-03-18 06:00:49 1 0 That area is really pretty. It gives off an optical illusion, though, I don't see lips. I think the top part of it looks padded. This gives the appearance of a bowl, or cup-like shape holding the fruit. Was that area raised or padded more?
It looks good. The lower stems should balance the look as you go along.]]> 2188 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-18 05:33:06 2010-03-18 05:33:06 1 0
I've been looking a little at other goldwork pictures and projects. I'm beginning to realise why other goldwork hasn't appealed to me in the past. It's just not like yours.
I'll have to do a bit more looking into it before I can put the differences into words, but there it is.

Cheers, Kath]]> http://www.needlenthread.com/2010/03/goldwork-embroidery-finishing-tips-with.html Tue, 23 Mar 2010 05:00:00 -0500 Mary Corbet 36 2010-03-23 05:00:00 2010-03-23 05:00:00 open open Goldwork-Embroidery:-Finishing-the-Tips-with-Passing-Thread publish 0 0 post

Before delving into this part of the goldwork project, you might wish to read my first post on using smooth passing thread, earlier in the project. I've touched on some basics there and won't re-cover the same ground here.



I'm using the same smooth passing thread that I used up the sides of the body of the fruit and on the "bowl" underneath the fruit - it's a #4 gilt thread. The smooth passing thread is couched in pairs, starting on the widest part of the turn-under and following the curve of the turn-under. I left about an inch of thread on each side, to use for plunging. You can get away with less, actually - about 3/4" is still easy to manipulate with a plunging needle, and if you're using a plunging lasso, you can leave even less (easily 1/2"). (I covered using a plunging lasso in my article in CQMagazine Online on goldwork and crazy quilting. You can also find a good tutorial on making a plunging lasso on Threads Across the Web.)



I filled the whole area, always starting with a couching stitch right at the edge of the felt padding underneath the gold, so that the gold was firmly covering the padded area.



Once the shape was covered with gold, I plunged the threads on one side, making sure that I held onto the gold threads. While pulling the plunging needle through, I held onto the other ends of the passing thread, so that I didn't shift the gold threads (or pull the whole thread through!).



On the side next to the silk shading, I positioned the plunging needle right between the felt and the silk shading, and popped the threads on through. You can see the tiniest tip of yellow felt right at the "elbow" of the shape - but no worries, this will be covered with an outline.



I moved on to two at a time on the other side...



... and got those plunged and anchored on the back.

Doing the turn-unders was fun, even though the shapes were small enough to make it seem rather tedious. But, despite all the threads to secure on the back, it went faster than I thought it would.



And here's the progress so far, including a stretched pearl purl outline at the base of the "bowl" below the fruit. I couched that stretched pearl purl with a medium green.

Next up - outlining the turn-unders, the rest of the petals, and the top of the bowl, and then the body of the fruit is finished!

(I think?)

Any questions so far? Feel free to leave a comment below!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate
]]> needlework tutorials Embroidery Projects goldwork pictures embroidery tips and tricks needlework pictures 1774 Jeanne noreply@blogger.com http://www.blogger.com/profile/07037955584980587306 2010-03-24 21:21:22 2010-03-24 21:21:22 1 0 1782 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-24 18:43:07 2010-03-24 18:43:07 1 0
You don't want to add a gold pearl purl line (as you've done for gold couching inside the acanthus) coz the green is darker, and will 'retreat' to the eye, and make the bottom of the fruit look like it's sticking out over the top of the bowl, rather than giving a sense of depth.]]> 1786 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-24 18:00:49 2010-03-24 18:00:49 1 0 - on turning a corner, the pair of threads wouldn't have fit into the corner, so I ......
- and the one pointing out in this post that that tiny corner will be covered in the outline thread. I would have covered it with passing thread,then outlined it, then wondered why I had a clumpy corner ('clumpy') is the word that comes to mind - there's probably a more technical one - blunter?

Part of me wants to put a short line of some type of purl (in a larger size) in the middle of the lips as a 'decorative' feature so it looks less like lips. Tho I don't know if the idea that it looks like lips wouldn't have ever occured to me if you hadn't pointed it out.]]> 1812 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-03-24 13:15:42 2010-03-24 13:15:42 1 0 1835 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-03-24 11:05:16 2010-03-24 11:05:16 1 0 1883 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-03-23 22:54:35 2010-03-23 22:54:35 1 0 ) I do have a question/comment about waxed thread. I have been told that one is supposed to iron the waxed thread or run it over a lightbulb or heat source to melt the wax into the thread rather than leave it in its sticky state. You had mentioned your not liking to use it for a certain technique because of that problem and I wondered if there is a reason why you don't heat it in or if that's not supposed to be done for goldwork or on the silk? As always, thank you for your time.]]> 1884 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2010-03-23 22:46:27 2010-03-23 22:46:27 1 0 1885 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09949046646183486644 2010-03-23 21:42:24 2010-03-23 21:42:24 1 0
Your work is fabulous, as usual! But, would you mind showing us the back side? With all those ends back there, where do they go? What about lumps on the back? Would you mind also explaining how you do it _ I mean the back side!

Thanks,
Didi]]> 1893 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-03-23 17:57:20 2010-03-23 17:57:20 1 0 1915 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-23 13:33:20 2010-03-23 13:33:20 1 0
Karen - they aren't really re-usable. They're just little bits left over. Maybe someone super meticulous could find a use for them, but by the time I get them through the fabric, trimmed up, and ready to stitch down on the back, they've kind of been through it, if you know what I mean!

Hi, Janice - The soft string padding that you see in goldwork books is usually for underneath purl (or bullion), which is sewn down like beads - cut the length to fit over the padding and then the needle and thread are taken through the purl and it is sewn over the bump of the string - kind of like satin stitch. The other times string is used is to create kind of a woven look with passing thread or Jap, by laying the string down in rows and couching between alternate rows. I've done both. You can use any string, really. I have a hank of yellow cotton yarn that's a little bit firmer than regular knitting or crochet yarn. You run the yarn through your beeswax, and then either lay it in lines (for the woven look with the passing threads) or bunch several up (for the rope look with the gold purls).... I had actually considered an all-gold stem done in purls on this piece, using string for padding, but the stem around the pomegranate is a bit too elaborate for that. I'll save that technique for a smaller project some day!

MC]]> 1918 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-03-23 11:54:27 2010-03-23 11:54:27 1 0 1922 Christine Harris noreply@blogger.com 2010-03-23 09:29:31 2010-03-23 09:29:31 1 0 1926 Laura Bullinger noreply@blogger.com 2010-03-23 08:54:36 2010-03-23 08:54:36 1 0 The touch of green on the bottom is gorgeous. It looks like a string of emeralds.
Mary, a suggestion: the "upper lip" may gain distinction if you added a brown couching thread to sit beside the yellow. It would give, I think, an appearance of an underside being curled up, and over, the fruit. The darker thread would give it a gentle shading and distinguish that area from the continuous teardrop loop that you created.]]> 1931 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-23 08:05:40 2010-03-23 08:05:40 1 0 1933 Francesca matrix70@genie.it http://www.blogger.com/profile/15212944961632954222 2010-03-23 07:50:15 2010-03-23 07:50:15 1 0 And I'm learning so much...my supplies are still not arrived and I can't wait to start it !]]> 1936 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2010-03-23 07:19:33 2010-03-23 07:19:33 1 0
I was wondering what you do with the pieces after plunging them to the wrong side. Seems to me like you'd have lots of short pieces leftover. Are those reusable?]]> 1937 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-23 07:16:41 2010-03-23 07:16:41 1 0 I think this is a dificult part of the project, but as I'm not doing it (only saving these lessons) I don't know what to ask :)

And I do love that green couching in stretched pearl purl! It's just lovely.
Thanks for all you teach in this blog. It's precious. Thank you!]]> 1939 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-23 06:57:23 2010-03-23 06:57:23 1 0
I wondered if, with more gold, it wouldn't appeal to me as much but am finding it as enchanting as ever.

Thank you, Cheers, Kath]]> http://www.needlenthread.com/2010/03/goldwork-embroidery-finishing-fruit.html Sat, 27 Mar 2010 11:09:00 -0500 Mary Corbet 37 2010-03-27 11:09:00 2010-03-27 11:09:00 open open Goldwork-Embroidery:-Finishing-the-Fruit! publish 0 0 post passing threads on the turn-under tips of the "petals," there were only two more things that needed to be done in order to call the fruit finished: outlining a bit more with check thread, and taking care of the neck clasp at the top of the fruit.

Since I've already covered working with check thread - a wavy, real metal thread used in goldwork - you may want to read the previous article on it. I'm not going to go into deep detail here with the check thread! As a matter of fact, this last part was really easy, as it was just a matter of outlining.



In the photo above, you can see that I've already outlined one petal on the far left. Now it's time to add the top edge to the center "bowl" of the fruit, and that edge is done with check thread, which carries over to the lower edge of the petals on both sides of the bowl.

To work the outline in the check thread, I picked out the longest continual lines, worked those, and then went back and worked the shorter broken lines.

All the "petals" of the fruit are outlined with the check thread.



If you concentrate on this petal - the largest one on the right of the fruit - you can see that I picked the longest outline edge, starting from the origin of the petal (where it meets that other petal in the background of the photo), bringing it forward along the top edge of the petal, working around the tip of the turn-under (pinching with tweezers to take the corner), and then ending at the end of the turn-under. The next piece of check thread will cover the rest of the outline - the lower edge of the petal, into the petal above the turn-over.

I left at least an inch of thread at each end of the check thread, to take care of plunging.



I plunged the check thread right in the corner, where petal and turn-over meet. Again (as mentioned in earlier posts on this project), I am using a chenille needle to plunge the threads, since the check thread is relatively fine and fits easily into the eye of the needle.



You can see the tip of the eye of the needle here, taking one last gasp before plunging to the back. When using a needle to plunge your threads, you might have to wiggle it gently back and forth to get the needle and the metal thread to pop to the back.



All gone! The next piece of check thread will be worked right along the edge of the petal there, and then right along the passing thread on the turn-under.

And all the remaining edges of the petals were duly outlined with check thread...



Then I went up and took care of the little neck clasp. I satin stitched the two 'bars' that were drawn there in the medium shade of red silk, and then ran a little snippet of pearl purl through the center area of the clasp, and then outlined the clasp with pearl purl, manipulating it around the corners without bending it square. You can actually bend pearl purl into a very nice 90-degree angle, but I didn't want sharp edges here.

I subsequently started poking around the pearl purl, trying to get it where I wanted it after stitching it on there, and managed a disturbing kink in the metal on the lower edge of the clasp. I'll fix that up at the end - nothing a bit of manipulating can't take care of, or, at the worst, I might have to replace that bit of pearl purl.

So here it is, the fruit complete:



Now, on to the stem. One thing I've already discovered about the stem: it's a larger area than I thought, when it comes to filling in with the green silk!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate

]]> needlework tutorials Embroidery Projects goldwork pictures embroidery tips and tricks needlepainting silk needlework pictures 1618 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2010-04-06 03:33:19 2010-04-06 03:33:19 1 0 I learned a lot about goldwork, the different sizes and shapes, how to lie them down and where to use them. Thank you for your hard work and well taught design.
Debra Pumaundme]]> 1701 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-03-29 05:42:48 2010-03-29 05:42:48 1 0 1705 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-28 18:29:15 2010-03-28 18:29:15 1 0
That's a good question! It would be nice if that could work out, but the plunging really takes a lot out of the thread - by the time it gets pulled to the back, it doesn't look so great. Also - and I could be wrong about this, because I haven't tried it - but, picturing it, I think the angle on the thread would not be so good. That folding under of the end keeps the finish angle on the thread fairly sharp. If the thread stretches across to another point to go up, it will pull the top thread in that direction and perhaps mess up finish on the plunged end of the thread.

But I think the strongest argument against it, with this size thread, is that plunging takes a toll on the thread and messes it up quite a bit.

Hope that helps!

MC]]> 1707 irene noreply@blogger.com 2010-03-28 11:00:30 2010-03-28 11:00:30 1 0 1709 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-28 08:42:39 2010-03-28 08:42:39 1 0 1711 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-28 06:19:05 2010-03-28 06:19:05 1 0 1712 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-27 19:07:07 2010-03-27 19:07:07 1 0
Smiles,]]> 1713 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-27 18:14:35 2010-03-27 18:14:35 1 0 Love the neck clasp!]]> 1714 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-27 17:17:28 2010-03-27 17:17:28 1 0
"So here it is, the fruit complete:"
Completely beautiful.

Cheers, Kath.]]> 1715 Pamela pamela.mittens@gmail.com http://www.blogger.com/profile/05485358671045660416 2010-03-27 15:10:07 2010-03-27 15:10:07 1 0 1717 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-03-27 13:25:42 2010-03-27 13:25:42 1 0 1718 Лариса noreply@blogger.com http://www.blogger.com/profile/06817353275354717355 2010-03-27 12:41:28 2010-03-27 12:41:28 1 0 Beautiful. Thank you for sharing such beautiful work in all detail.
I really enjoy your blog. I will be trying some goldwork soon, when my ordered kit arrives.

Larissa, Moscow]]> 1719 Elza Bester noreply@blogger.com 2010-03-27 12:25:54 2010-03-27 12:25:54 1 0 http://www.needlenthread.com/2010/03/goldwork-embroidery-back-to-silk.html Mon, 29 Mar 2010 09:56:00 -0500 Mary Corbet 38 2010-03-29 09:56:00 2010-03-29 09:56:00 open open Goldwork-Embroidery:-Back-to-Silk publish 0 0 post goldwork pomegranate project so far has been the fact that each little piece of the fruit has been a section unto itself - so no individual part of the piece has taken all that long to do. I always find that, when working on a whole project, if I can parcel it off in my head in little pieces and conquer each little piece at a time, then the whole project is more manageable, more enjoyable, and has more of a chance of getting finished! Launching into the stem on this goldwork project, I came to the realization that, design-wise, I may have overdone it with that circular swashy stem thing! I'll explain what I mean...

If you look at the original design for this stylized goldwork pomegranate, you'll notice that the stem begins narrow enough, works around the piece of fruit, and then wides with those swashy wave things. I did that on purpose - I wanted the right side of the circle to kind of "balance" the fruit. And that's all well and fine...

... until you start filling in all that space with one strand of silk at a time!



I'm using one strand of Soie d'Alger on the stem, in two shades of the green so far. I admit I didn't plan out a definite shading pattern - my plan was more or less to keep the shading to a minimum on the majority of the stem, and then to concentrate shaded areas on the underside of the turn-overs on the "waves" on the other side of the stem. Basically, I'm just filling the stem with the greens.

I'll also admit that, while I've been using long and short stitch up to the point you see in the photo above, shortly after this (I'll show you further photos of the stem later, when I get to a stopping point in the next "area") I switched to split stitch. If you work in split stitch rows and stagger where you split the stitches, and you split them fairly deeply into the previous stitch... well, taken as a whole, what is the result? It pretty much looks like long and short stitch!

My plan for the stem is as follows:

The body of the stem will be filled with shades of green. Underneath the turn-overs, I'll concentrate on some darker shading in order to give the right effect.

The turn-overs will be worked with chip work (like the large turn-overs on the fruit) and outlined with stretched pearl purl.

The stem will be outlined with gold threads - you'll see that when I get there!

And then!! It's done, right? Weeeellllll.... no. There's one more finishing touch I'm planning.

So that's where I am right now, plodding my way through filling the vast expanse of green stem space! It's not that bad, actually - it's very relaxing and easy stitching. It's just a matter of finding time to finish it!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate
]]> needlework tutorials Embroidery Projects goldwork pictures embroidery tips and tricks needlepainting silk needlework pictures 1686 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-03-31 08:31:14 2010-03-31 08:31:14 1 0 1687 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-03-31 08:24:16 2010-03-31 08:24:16 1 0
How long do you let a project "ferment" before totally/permanently putting it on the scrap heap. Or un-kitting/giving away/burning it?]]> 1688 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-30 19:14:38 2010-03-30 19:14:38 1 0 1695 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-30 04:18:24 2010-03-30 04:18:24 1 0 1696 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-29 21:02:22 2010-03-29 21:02:22 1 0
The green and red 'zing' each other nicely.

Very interesting about the split- stitch-switch from long and short stitch. Sounds good.

Say 'split-stitch-switch' quickly a few times! Split-stitch-switch, spich-stwich-swish, swshpichsitchpishwhichspish! Pheew. Not unlike those words we have to verify to post our comments. Sometimes I think I could make a new language using them. Or even just to put meanings to them for fun. A game for the kids, young and old.

Cheers, Kath]]> 1697 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-29 19:08:20 2010-03-29 19:08:20 1 0 1699 Anonymous noreply@blogger.com 2010-03-29 15:50:22 2010-03-29 15:50:22 1 0 Thank you for such lovely lovely delicate work.
Regards
Jane from Bristol]]> http://www.needlenthread.com/2010/03/goldwork-embroidery-more-green-answers.html Wed, 31 Mar 2010 12:59:00 -0500 Mary Corbet 39 2010-03-31 12:59:00 2010-03-31 12:59:00 open open Goldwork-Embroidery:-More-Green-&-Answers publish 0 0 post

I've embroidered around the stem and made it to the wavy parts.



By this time, I've already switched to split stitch in the darker green along the inside edge of the stem. I'm working in longer split stitches, in lines, and as I work the next line next to the previous to fill up the area, I stagger where I place the split stitch so that I don't get any obvious ridges in the stitching.

Underneath the yellow felt turn-overs, you can see that I've worked some long and short stitches in the darker green. I'll fill the waves with long and short stitch, bringing the color in the wave sections down to meet the main stem, following the "curl" of the wave for stitch direction.

Now, to answer some questions:

What size is the piece? The piece is exactly the size of the PDF print-out on the original pattern - it's smaller than six inches all around, I believe - just slightly smaller. Many of the photos are close-ups, which can give an incorrect perspective on size. I'm using one strand of silk Soie d'Alger, though, which is about the size of one strand (taken from the six) of regular DMC embroidery floss. Most of the gold threads I'm using are relatively small in diameter; for example, I'm using a #4 smooth passing thread, which is one of the smaller sizes of smooth passing.

Have I gotten to the point of losing interest? I haven't lost any interest in this project at all, the whole time I've been stitching it! The green stem did seem a bit tedious time-wise to fill up, but it was easy, relaxing stitching, so it didn't really bother me. The whole time I've been working on the project, I've been looking towards the end, eager to finish and see if I really like the finished product!

How long do I let a project go stale before pitching it? If I've stopped working on a project, it is usually because I've lost interest in it, or because something else that is of more interest to me comes along. If I've lost interest in it - if I got out of it what I wanted and can't force myself to take it up with any pleasure, then I have no problem boxing it up. I'll keep it - sometimes for a very long while - on the chance that it may pique my interest again, which often happens. If I'm working on something that I realize I really can't stand and will never finish, I try to find someone else who might be interested in it. I don't like the idea of chucking something if any expense has gone into it, that's for sure. And what I don't like, someone else may like very much, so I always think it's worthwhile trying to find someone who might want the cast-off! If it's a case of something else coming along that is of more interest, I pretty much know I'll get back to the first project - it gets relegated to my "current projects" basket, and normally, I'll end up trading it out now and then just to add variety to my stitching routine.

But instead of hearing my take on this, it would be interesting to hear what everyone else does? A reader asked how long I keep a project around if I've lost interest in stitching it. What do you do?

Finally, just an observation - the photo above is the 100th photo in this series covering the goldwork pomegranate! I had no idea I had published that many photos for this project!!

Next time I post on this project, I'll have some better up-close photos, and we'll chat a bit about long and short stitch and split stitch and so forth!

For all the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate

]]> Embroidery Projects goldwork pictures silk needlework pictures 1620 sai noreply@blogger.com http://www.blogger.com/profile/10712708021325884717 2010-04-06 00:36:29 2010-04-06 00:36:29 1 0 1664 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2010-04-01 19:19:31 2010-04-01 19:19:31 1 0 1670 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-04-01 13:36:52 2010-04-01 13:36:52 1 0 When it comes to finishing things - I keep them until I do. There's precedent in the family - my mother has a tablecloth it took her twenty years to finish!]]> 1673 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-04-01 10:29:03 2010-04-01 10:29:03 1 0 1674 lili.constanta lili.constanta@gmail.com http://www.blogger.com/profile/11007573627738635489 2010-04-01 10:08:50 2010-04-01 10:08:50 1 0 1675 Anonymous noreply@blogger.com 2010-04-01 03:27:36 2010-04-01 03:27:36 1 0 Loving this goldwork project and I didn't realise it was as small as that. I can tell you have really enjoyed this (remembers the rooster!). What are you going to do with the finished item - oh did you put the rooster in the tray - thought that was a great idea.
As for unfinished work - at the moment I am working on a famous face for a friend who is visiting in 12 days time so have a deadline. I usually do pieces as presents which keeps me to a deadline which helps. Just bought 100 anchor silks on ebay - oh the colours - just love looking at them and not sure what I will do next.
Thank you for your inspiring work.
Jane from Bristol]]> 1676 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-31 22:25:25 2010-03-31 22:25:25 1 0
I have just one counted cross stitch project which goes in and out of my work area with amazing regularity. I have finished only a third of the project which is 18 inches by 36 inches. Picked it up a couple of years ago as the perfect piece for a niche in the family room but other projects have been completed and this continues to languish in the Unfinished list.]]> 1677 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-31 22:21:41 2010-03-31 22:21:41 1 0
100 photos! All to our benifit. A picture tells a thousand words, like they say. Thanks again.

Cheers, Kath.]]> 1678 Beverly noreply@blogger.com http://www.blogger.com/profile/01097377480944079836 2010-03-31 20:25:43 2010-03-31 20:25:43 1 0 Ohhh, the honesty of everyone writing about unfinished projects makes me smile. So many reasons that causes us all to have them and the reasons are so legitimate. LOL. I have to laugh at my own self for an unfinished cross stitch of Old Town Row Houses that was started in 1989! Dreadful! And I love that picture and would still love to have it finished but of the 8 houses in a row only two are finished! But I keep it because one day I may get the interest back that once inspired me to buy the fabric, thread, pattern and that special frame we talked about two months ago. Your goldwork is stunning and the patience needed to complete even one small goldwork project is great and I admire you for working on something so detailed and sooooo beautiful!! I hope you have a nice place to show it off when it is finished.
Beverly]]> 1679 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-31 19:35:17 2010-03-31 19:35:17 1 0
But lately - actually, over the past three weeks - I haven't flipped back and forth between projects. I've worked consistently on the goldwork project, hoping to finish it every weekend, and never quite getting to the finish point, because of sickness at one point and busy weekend schedules the other times.

How many have been packed away? I don't really have too many "unfinished" pieces. I think I have two right now - the Schwalm teacloth and the Long Dog Sampler piece that my niece and I were doing.

Now, on the list of things I WANT to do, I have plenty of projects!

But.... I better not get into that right now!

Thanks for your comments, all!

MC]]> 1680 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-03-31 18:57:53 2010-03-31 18:57:53 1 0
OK, re losing interest. I've only ever had 2 pieces that I haven't finished. One was a magazine freebie cross stitch project (which I will finish up one day and mount in a card) and the other was a City & Guilds sample I got a bit bored with/got too tied up with doing more current work to finish. I'll finish that one one day as I think it will look great when done and I can then pop it in my portfolio. I'm hoping some of this C&G; work can be 'recycled' for cuture studies and save some work later on.=)

Almost all my projects are gifts for other people, so that really motivates me to get them finished. Maybe that's why I've stagnated stitch-wise at the mo?? Or maybe I'm just too darned tired for more than reading others' blogs!!!!!!!!!

Good hunting with the rest of this piece and, out of interest, how many pieces do you have in the current project basket that you pick at occasionally and how many have been packed away for future reference??=)]]> 1681 Anonymous noreply@blogger.com 2010-03-31 18:03:49 2010-03-31 18:03:49 1 0 You are really amazing! Your work is like no other...Simply Beautiful!

Annie in Michigan!]]> 1682 Elza Bester noreply@blogger.com 2010-03-31 16:26:49 2010-03-31 16:26:49 1 0 1683 Laura Bullinger noreply@blogger.com 2010-03-31 14:41:53 2010-03-31 14:41:53 1 0 http://www.needlenthread.com/2010/04/goldwork-embroidery-project-finishing.html Sat, 03 Apr 2010 18:30:00 -0500 Jim 40 2010-04-03 18:30:00 2010-04-03 18:30:00 open open Goldwork-Embroidery-Project:-Finishing-the-Stem publish 0 0 post Goldwork Pomegranate on Flickr. Here, then, is the final step, minus one, to finishing the project!

When last we left the Goldwork Pomegranate project, I was working my way around the stem with the green silk floss. Again, I'm using one strand of Soie d'Alger silk embroidery floss, in the colors of silk previously discussed. Concerning the greens, I ended up really only using three shades - the second darkest, a medium, and a light - 2135, 2133, and 2132 in Soie d'Alger. You can certainly use all five greens selected - you'd end up with a much richer stem with more depth to it, I'm sure.



Although I began the stem, up by the fruit, using long and short stitch, as I progressed towards the swashy part of the stem, I switched to filling in with split stitch lines in order to accommodate the curves into the swashes. Underneath all the turn-overs on the swashes, I had worked a long and short stitch area in a darker green in order to put some shadows in there.



You can see here the split stitch lines coming together. Following the curve on the top part of the stem, but following the straight line on the outer edge of the stem created a gap in the middle that needed to be filled. It looks a little awkward here, but it filled in ok!



It's funny how a change in lighting picks up the gleam of the silk. Even though Soie d'Alger is a spun silk (as opposed to a filament silk, which is a lot shinier than a spun silk), it still has an excellent sheen and it reflects the light quite beautifully.

In the photo above, the green is finished. The last touch of green I put on the piece was actually up towards the top in this photo - a thin strip (two or three split stitch lines deep) of a lighter green.




The next step - the chip work filling on the swashes. Following the same procedure that I used in filling the turn-overs on the larger petals on the fruit, I covered each felt piece at the tip of the swashes with chip work, using #7 bright check purl.




Before starting the chip work filling, I cut the bright check purl into tiny pieces and put it all into a little box, so that I could have easy access to the chips. Holding the little box in my left hand and using the needle in my right hand to pick up each individual chip, I was able to work pretty quickly. I didn't have to move back and forth between my supply table. Everything was right there on top of the needlework.




The effectiveness of chip work as a filling comes from the way the light plays off the gold, and in order to get a really good sparkle, the chips should be stitched down randomly in as many directions as possible. In a small space, this is somewhat difficult, but it's worth the effort. The random directions of the chips make all the difference in the way the light reflects on them. Sparkly!




I developed a small "problem" here. I don't really consider it a real problem, but you can see that the larger swash up there is practically running into the small one next to it. And it did, by the time all was said and done. It looks fine, but it was not admittedly part of my initial design plan, to have those two "waves" meeting up!

The chip work filling is finished...




... so the last thing to do is to outline each little wave with pearl purl, stretched and couched down with the medium green.

The last step in this project will be to outline the stem - I'll show you that next, and then we can all jump for joy over the finished project!!

Questions? Comments? Suggestions? Don't hesitate to leave a comment below!

For the rest of the posts in this series, please visit the following links, which are arranged in the order of the project's development:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem
The Finished Goldwork Pomegranate


]]> Embroidery Projects goldwork pictures embroidery tips and tricks silk needlework pictures 1571 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-04-07 14:41:59 2010-04-07 14:41:59 1 0 1588 Pat patricia.thornhill@btopenworld.com http://www.blogger.com/profile/15771378948765147509 2010-04-07 03:11:28 2010-04-07 03:11:28 1 0 1589 Pat patricia.thornhill@btopenworld.com http://www.blogger.com/profile/15771378948765147509 2010-04-07 03:09:46 2010-04-07 03:09:46 1 0 1614 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2010-04-06 10:18:56 2010-04-06 10:18:56 1 0 1615 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2010-04-06 07:16:18 2010-04-06 07:16:18 1 0 1616 Elza Bester noreply@blogger.com 2010-04-06 06:41:48 2010-04-06 06:41:48 1 0 1617 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-04-06 04:53:49 2010-04-06 04:53:49 1 0 1619 Anasuya noreply@blogger.com http://www.blogger.com/profile/10898277427077070661 2010-04-06 03:17:46 2010-04-06 03:17:46 1 0 1624 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-04-05 19:36:43 2010-04-05 19:36:43 1 0 I looked in Flickr, and like the way the stretched purl + green looks on the stem - an extra bit of bling.

Oh, I ache to do some L&S; stitch+goldwork after seeing you do this project! Just had a thought - translate the *whole* of the Hilda Hands project to silk shading, not just gold, and do that (oh no, not another project!)

So - the hard part. What are you going to do with this fabulous piece? It deserves framing, at least.]]> 1625 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-04-05 18:14:28 2010-04-05 18:14:28 1 0 (hah...the word verification is 'faint', which is what I feel when I look at your work...lol)]]> 1626 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-05 16:45:33 2010-04-05 16:45:33 1 0
Yvette - Oh, that is funny. I didn't even check that. I was testing my brother's iPad yesterday. I started the post on the iPad, logging into blogger on his account. I didn't even notice!

(I liked the iPad...!)

MC]]> 1627 viji noreply@blogger.com 2010-04-05 15:52:31 2010-04-05 15:52:31 1 0 viji]]> 1628 Yvette Stanton noreply@blogger.com http://www.vettycreations.com.au/white-threads 2010-04-05 15:37:25 2010-04-05 15:37:25 1 0
It looks beautiful! Congratulations, and a happy Easter to you too.

I'm wondering who "Jim" is that posted this post? He writes with your voice... :-)

Yvette]]> 1629 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-04-05 15:36:37 2010-04-05 15:36:37 1 0 1630 figure8angel noreply@blogger.com http://www.blogger.com/profile/04069028704239734614 2010-04-05 12:25:14 2010-04-05 12:25:14 1 0 1632 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-04-05 11:30:09 2010-04-05 11:30:09 1 0 1633 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-04-05 10:25:50 2010-04-05 10:25:50 1 0 http://www.needlenthread.com/2010/04/goldwork-embroidery-finis.html Tue, 06 Apr 2010 10:01:00 -0500 Mary Corbet 41 2010-04-06 10:01:00 2010-04-06 10:01:00 open open Goldwork-Embroidery:-Finis! publish 0 0 post

The final step in this embroidery project was outlining the stem, and I chose to do that with stretched pearl purl, couched with the silk floss, just like the outline on the turn-overs on the swashy things on the stem. I really like working with the stretched pearl purl. Admittedly, it is very easy to stitch with, so there's no great skill going on here - I didn't even have to pay attention to stitch spacing, as the thread took care of that for me!



I began by the body of the fruit, and worked from the right side of the "V" below the body, around the outside of the stem first. This was easy - it was just one length of pearl purl.



Remember, if you're stretching pearl purl, when you cut it before you stretch it, don't cut the full length! With the outline on the stem, I stretched the pearl purl to it's full extent, really. I pulled it until the "pull" was gone. I didn't want it to form a ridge around the stem, and the more it is stretched, the smaller the bumps are. I cut about 1/3 the length of the outline I was stitching, and then pulled the thread out - I still had leftovers! (It's a great way to use pearl purl and make a little go a long way!)



After finishing the outside of the stem, I moved back to the beginning, at the base of the body of the fruit, and worked on the left side. You can see the difference in the size of the pearl purl on the "bowl" at the base of the fruit and the pearl purl on the stem - this is only from stretching, as I used the same size pearl purl.



The inside of the stem was a bit more "difficult" - not really hard to do, but once I reached the waves in the stem, I had to cut small pieces and start and stop often.



You can see here where the larger wave ran into the smaller one on the inside of the stem. I don't mind it, really. If I were doing it again, I might adjust it, but it still looks ok, I think.



Here, you can see the three colors of green silk I used in the stem.



I always like to take a side shot, just to see the height of the stitches and the difference in the lighting!



And voilá - there's the finished project!

Thanks so much for following along. I hope I didn't bore you to death with my "tunnel vision" on one project! And I hope there were some useful tips that might help you in your stitching. I appreciate all the feedback along the way! Thank you!

For the rest of the posts in this series, please visit the following links:

Stylized Pomegranate Pattern used for this project
Setting up the Project on a Frame
Preparing the Ground Fabric with Felt Padding
Selecting Colors of Silk for the Project
The Stitching Begins - SIlk Shading
Continuing the silk shading - the left side
Finishing the silk shading
The Goldwork Begins: Smooth Passing Thread
Check Thread for Outlining
Chip Work Filling with Check Purl
Outlining with Stretched Pearl Purl
Filling the Bowl with Passing Thread
Finishing the Tips with Passing Thread
Finishing the Fruit
Beginning the Stem
Continuing with the Green on the Stem
Almost finished! Chip work on the Stem


]]> Embroidery Projects goldwork pictures embroidery tips and tricks silk needlework pictures 1483 meri noreply@blogger.com http://avomeri.wordpress.com 2010-04-13 11:03:09 2010-04-13 11:03:09 1 0 Thanks again, Mary]]> 1510 Radha. noreply@blogger.com 2010-04-12 08:54:21 2010-04-12 08:54:21 1 0 Many thanks for taking the time to
help me out with my question.
I appreciate you.
Regards, Radha.]]> 1513 Anonymous noreply@blogger.com 2010-04-11 07:44:21 2010-04-11 07:44:21 1 0 1515 Sher CrazierQuilter@gmail.com http://www.blogger.com/profile/06089140478747502095 2010-04-10 23:16:29 2010-04-10 23:16:29 1 0 1543 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-09 11:12:49 2010-04-09 11:12:49 1 0
Yes, you can certainly stitch long and short stitch on the felt padding, using gold colored threads (silks, art silk, rayon, cotton, etc....). I think it would be difficult (if not impossible) to work long and short stitch with real metal threads, but certainly it would work with gold colored threads!

Hope that helps!

MC]]> 1548 Radha. noreply@blogger.com 2010-04-09 09:37:16 2010-04-09 09:37:16 1 0 I’ve never seen the Goldwork.It’s amazing!. Thank you for sharing this.I thought gold work is a kind of long and short stitch with golden thread.
Can I stitch the long and short stitch on the felt padding? with golden thread?
Regards,
Radha.]]> 1559 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-04-08 08:12:09 2010-04-08 08:12:09 1 0 I really like the green edging you made at the end, it looks fantastic.]]> 1576 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk/wordpress/ 2010-04-07 12:21:57 2010-04-07 12:21:57 1 0 1582 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-04-07 09:28:48 2010-04-07 09:28:48 1 0 Smiles,]]> 1585 Sharon Brodeuse noreply@blogger.com 2010-04-07 07:10:44 2010-04-07 07:10:44 1 0
The design turned out just lovely. Good step-by-step teaching. Not sure I am ready to launch into a goldwork project just yet, but was so interested in understanding the process.

And by the way, what are your plans for this finished project? It's too pretty to languish in the back of the cupboard!
-Sharon]]> 1586 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-04-07 05:45:38 2010-04-07 05:45:38 1 0
The work is very elegant and lovely!! Great!! this is the first gold work project that I'm following. Before you began the project, I was of the opinion that gold work should completely be done in gold - courtesy: my gold-worked white top but that is machine embroidered (of course not by me :)) in a light, thin golden thread.

I especially like the chip work and I wish I get such purls here in my place... (all that glitters is not gold, but none glitters as much as Mary's gold work :):))

I too, like many other people here, had been waiting for this finish... and I'm absolutely overwhelmed by the whole piece.. It's really wonderful!!

Thanks for sharing it with us!]]> 1587 Jane noreply@blogger.com http://www.blogger.com/profile/06088645094342340917 2010-04-07 05:38:37 2010-04-07 05:38:37 1 0 1590 Deepa Sethuraj noreply@blogger.com 2010-04-07 00:39:18 2010-04-07 00:39:18 1 0 Now I'm also eager to know what you r going to do with this..!!!]]> 1591 Bobbi noreply@blogger.com 2010-04-07 00:33:04 2010-04-07 00:33:04 1 0 1592 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-04-06 22:53:06 2010-04-06 22:53:06 1 0 1593 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2010-04-06 21:12:19 2010-04-06 21:12:19 1 0 1594 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-04-06 20:59:23 2010-04-06 20:59:23 1 0 1595 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-06 20:55:26 2010-04-06 20:55:26 1 0
An amazing journey from the drawing board to the final stitch.

I've surprised myself at my interest in the goldwork side of this project.

Congratulations and thank you.

Cheers, Kath]]> 1596 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2010-04-06 20:18:56 2010-04-06 20:18:56 1 0 1597 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-04-06 18:29:50 2010-04-06 18:29:50 1 0 1598 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2010-04-06 14:29:30 2010-04-06 14:29:30 1 0 Thanks!]]> 1599 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-04-06 14:16:00 2010-04-06 14:16:00 1 0 Well done]]> 1600 Glorious Hats glorioushats@gmail.com http://www.blogger.com/profile/11823049237183212920 2010-04-06 13:58:32 2010-04-06 13:58:32 1 0 1601 Ruth O'Leary info@rutholearytextileart.co.uk http://www.blogger.com/profile/13960970278718542174 2010-04-06 13:27:11 2010-04-06 13:27:11 1 0 1602 Anonymous noreply@blogger.com 2010-04-06 13:13:59 2010-04-06 13:13:59 1 0
Thank you for sharing the step-by-step process with us.

Can't wait to see your next project.

Helen in SW FL]]> 1603 Betsy noreply@blogger.com http://www.blogger.com/profile/17483952704587727482 2010-04-06 12:54:06 2010-04-06 12:54:06 1 0
Thanks,
Betsy
Hilton, NY]]> 1604 Лариса noreply@blogger.com http://www.blogger.com/profile/06817353275354717355 2010-04-06 12:44:17 2010-04-06 12:44:17 1 0 Excellent work! You certainly inspire to try goldwork.
And I will.
Thank you very much.

Larissa, Moscow]]> 1605 Anonymous noreply@blogger.com 2010-04-06 12:37:18 2010-04-06 12:37:18 1 0
Annie in Michigan]]> 1606 Anasuya noreply@blogger.com http://www.blogger.com/profile/10898277427077070661 2010-04-06 12:12:42 2010-04-06 12:12:42 1 0 1607 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2010-04-06 12:00:06 2010-04-06 12:00:06 1 0
You are so very generous with your time, talent and information. I am thrilled to be able to learn from you.]]> 1608 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2010-04-06 11:58:11 2010-04-06 11:58:11 1 0 1609 Anonymous noreply@blogger.com 2010-04-06 11:39:58 2010-04-06 11:39:58 1 0 you did a wonderful job, the end result is just beautiful. Thanks for all the useful information that you pass along to your readers.
Joan from Richmond BC Canada.]]> 1610 Jean noreply@blogger.com http://www.blogger.com/profile/14247515387599954817 2010-04-06 11:30:52 2010-04-06 11:30:52 1 0 1611 Anonymous noreply@blogger.com 2010-04-06 11:30:14 2010-04-06 11:30:14 1 0 That is the most incredible pomegranate ever!!!!! I enjoyed watching your progress- you are a master. I lived vicariously and loved every minute. I have learned so much and thank you for sharing. Peg]]> 1612 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-04-06 11:02:17 2010-04-06 11:02:17 1 0 Kathy in Kenai]]> 1613 Karin (the mrs) noreply@blogger.com http://www.themrs.eu 2010-04-06 10:47:16 2010-04-06 10:47:16 1 0 http://www.needlenthread.com/2010/04/historical-ecclesiastical-embroidery.html Sat, 03 Apr 2010 06:00:00 -0500 Mary Corbet 42 2010-04-03 06:00:00 2010-04-03 06:00:00 open open Historical-Ecclesiastical-Embroidery-&-a-Happy-Easter! publish 0 0 post

The vestment here belonged to St. John Marie Vianney and is on display in the museum dedicated to his honor in Ars, France. St. John Marie Vianney (the Curé of Ars) lived from 1786 - 1859, so the vestments belong to sometime during this period.



The central motif on the back of the chasuble is of the Agnus Dei, symbol of Christ risen from the dead. I love the way the Lamb was worked, in what looks like silver bright check purl (which is the same as the check purl used on my current goldwork project, only in silver). I like the way the motif fits perfectly within the quatrefoil, and I like the treatment of the quatrefoil, with the double outline and the silver spots within.



The whole vestment, made in the French 'baroque' style, is further embellished with elaborate goldwork made from fine gold threads satin stitched over thick card or carpet felt of some sort. (Well, today, we could use a very heavy felt - 2-3 mm - but back then, they likely used a card or lightweight wood block of some sort, cut in the shape of the design.)



The design that forms the cross on the back of the vestment is worked in a repeated motif like the one above. A gem that looks like a garnet is set at the base of each flower section.

The vestments are kept behind glass now, in the museum in Ars. They look relatively good for their age and former use, as I am sure they were used often, for solemn feastdays. Having been worn by St. John Marie Vianney, in the Catholic Church they would be considered a relic of the second class.

The goldwork is beautiful, and seen in a new state, it would have been stunning. The vestments, no doubt, must be rather heavy! Imagine the skill that went into making them!

I wish you and yours a very happy Easter! I'll take the day off tomorrow from blogging to spend time with family and friends, enjoying the (finally) glorious spring weather here in Kansas!
]]> historical needlework ecclesiastical embroidery goldwork pictures needlework pictures 1621 needlecraftlady noreply@blogger.com http://needlecraftlady.com 2010-04-05 23:00:59 2010-04-05 23:00:59 1 0 1622 Anonymous noreply@blogger.com http://(optional) 2010-04-05 22:57:31 2010-04-05 22:57:31 1 0 1634 Ruth O'Leary info@rutholearytextileart.co.uk http://www.blogger.com/profile/13960970278718542174 2010-04-05 03:51:46 2010-04-05 03:51:46 1 0 1638 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-04-03 14:19:59 2010-04-03 14:19:59 1 0
You do beautiful work and provide enjoyment to many, many others along the way!

Kathy in Kenai]]> 1639 margaret c. noreply@blogger.com 2010-04-03 13:13:37 2010-04-03 13:13:37 1 0
Happy Easter to you, Mary, and to your readers (as appropriate! :-)

Happy Spring to those of us in the northern hemisphere!]]> 1640 Deepa Sethuraj noreply@blogger.com 2010-04-03 12:43:29 2010-04-03 12:43:29 1 0 Wish you a very Happy Easter too..
Love, Deepa]]> 1641 meri noreply@blogger.com http://avomeri.wordpress.com 2010-04-03 10:51:42 2010-04-03 10:51:42 1 0 Happy Easter Sunday to you and your family as well, Mary!
Glad you're having good Spring weather I wish we'll have to...
xx meri]]> 1642 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-04-03 10:04:04 2010-04-03 10:04:04 1 0
I hope you are enjoying your Kansas springtime. Thank you always for your great pictures and informative posts!]]> 1643 Anonymous noreply@blogger.com 2010-04-03 09:46:25 2010-04-03 09:46:25 1 0 Happy Easter Mary...
Annie in "Finally Spring" Michigan]]> 1644 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-04-03 06:55:07 2010-04-03 06:55:07 1 0
Smiles,]]> 1645 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-03 06:39:50 2010-04-03 06:39:50 1 0 1646 Anonymous noreply@blogger.com 2010-04-03 06:18:37 2010-04-03 06:18:37 1 0 Have a lovely Easter and you so deserve a day off.
Kind regards
Jane from Bristol]]> http://www.needlenthread.com/2010/04/ecclesiastical-embroidery-with.html Fri, 02 Apr 2010 05:00:00 -0500 Mary Corbet 43 2010-04-02 05:00:00 2010-04-02 05:00:00 open open Ecclesiastical-Embroidery-with-Interesting-Texture publish 0 0 post

This is a hand embroidered medallion on the back of a chasuble. The piece, we will see, is actually a combination of techniques. From far away, it looks like it is completely hand stitched, but it isn't.



The first interesting thing that strikes me about this whole piece (and the vestment) is the use of color. It is not at all subdued! My preferences don't generally lean towards combinations of very bright colors on vestments. But this particular piece certainly makes use of some bright tones, and I think it does so effectively.

Remember, as we progress through these photos, that ecclesiastical embroidery is generally worked to be seen from a distance. You'll notice that embroidery in the photo above (with the image somewhat distant) looks very smooth.



The different pieces of the image - the face, hands, cross, garments - are all actually from different fabric, appliquéd and then stitched over in certain areas. Certain areas, especially noticeable on the face, are also tinted, to provide a "painted" look. The effect, from far away, is that the face is embroidered with intricate shading, when in fact, the embroidery on the face is rather simple.

The texture on the cross is interesting. I think I like it better close up than I do from far away, but I suspect that from even farther away than the above photos allow, the cross probably looks better.



You can see here a close-up of the eye and the stitching around it. They eye is completely embroidered in blues and black and white. The stitches at the end of the whites of the eye - at the base - really catch the light, and the effect is one of watering eyes, fitting with the tears that flow down Christ's face.

Notice the stitching on top of the eye - a black line along the top of the eye, and then, at the crease of the eyelid, a dark mauve line is stitched. Notice, too, the corner of the eye, with the pink stitches. From far away, these are not noticeable - look up at the first picture again. But they all combine to form very clear facial details from far away.



The hands, too, are only embroidered where shading is required. Notice that the outline of the hands is a very strange purple. Up close, this looks bizarre! But if you look at the first photo again, you can see that, from far away, it works.

You can see that the texture on the cross is made by couching a thick bundle of threads in a puffy couching technique.



The hair is stitched in long curving lines of stem stitch, in various shades to give it depth.

The crown of thorns is rather uniquely executed. I've never seen a green rendition of the crown of thorns, and the way it is stitched is kind of interesting. Again, there's some nice texture here. The crown is apparently made out of two Japanese gold threads loosely twisted together, then couched with green floss. The couching stitches are close around the gold threads, and then, in spots, the green juts out to form a thorn. So you get glints of gold - just a little bit, not a lot - and the yellow in there is the core thread underneath the Japanese gold, where the gold wraps have been moved. Some of the thorns touching the face are tipped with pink. Notice that they aren't tipped with a bright red, which I think, from far away, would be too confusing to the eye. It would not be obviously blood, but rather darker spots, whereas the pink accentuates the tip of the thorn against the flesh. If you look at the second picture above, you can see this.

This whole piece is actually very simple. The image itself is not too full of detail - notice there is no background detail, for example. This style of hand embroidery combined with appliqué was worked on vestments from at least the late 1800's through the mid-1900's, and is actually still done today. The combination of appliqué and stitching reduced the production time on pieces that would otherwise have taken easily twice as long to embroider. It is humorous to read some of the old ecclesiastical embroidery books from the turn of the 20th century (early 1900's), where the authors insist that the combination of appliqué and embroidery should only be done when nothing else can be afforded!


]]> historical needlework ecclesiastical embroidery pictures needlework pictures 1647 meri noreply@blogger.com http://avomeri.wordpress.com 2010-04-03 05:52:13 2010-04-03 05:52:13 1 0 we are many but not all together...

Have a Good Easter weekend with family.]]> 1648 worksofhands noreply@blogger.com http://worksofhands.wordpress.com 2010-04-03 02:19:57 2010-04-03 02:19:57 1 0 Very good study. One learns a lot in studying other people´s works, in addition to one´s own.^_^]]> 1649 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-04-02 16:39:34 2010-04-02 16:39:34 1 0 1650 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-02 12:23:36 2010-04-02 12:23:36 1 0
Actually, the fabric would be painted - just lightly, where the shadows are meant to be - and then the stitching is done in regular silk, in different shades depending on the area stitched...

MC]]> 1651 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-04-02 12:12:48 2010-04-02 12:12:48 1 0
(I wonder what paint they used? Acrylic? Special Fabric paint? What didn't bleed all across the fabric, but didn't look so stiff either? Hmmm...)]]> 1652 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-04-02 12:09:00 2010-04-02 12:09:00 1 0
Are the threads on the face painted to give the shading? They look very specifically varigated, and I can't imagine a randomly varigated thread working so perfectly to get such tonal shading. Or is the fabric underneath painted? What do you think?

Many thanks for your opinion...]]> 1653 Anonymous noreply@blogger.com 2010-04-02 11:51:50 2010-04-02 11:51:50 1 0 Thank you for the beautiful,interesting,yet necessary embroidery.
Karole]]> 1654 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-04-02 10:38:41 2010-04-02 10:38:41 1 0 1655 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-02 09:35:51 2010-04-02 09:35:51 1 0
Thanks for your comments!

Carol - the robe is an appliqued piece of fabric (probably red) that has been painted lightly to form the overall shadows. It has been stitched over in long parallel lines of split stitch (each split stitch is rather long, around 1/4 - 1/2" probably, so it's not a close, heavy split stitch line, but rather a long light split stitch line). The split stitching lines are worked in various shades of red, to match the red shading on the fabric applique, and they are worked with a space between each parallel line - the space of a line of stitching, basically, that has been skipped. The defined folds are worked with dark lines, maybe in stem stitch to give them a little more thickness, and these are actually stitched along the definition lines of folds and such. Imagine a coloring-book drawing of the same image, and the way the folds would be indicated with lines and curves in the coloring book. Those lines and curves are stitched in dark colors.

So that's how it's done, pretty much....

MC]]> 1656 Anonymous noreply@blogger.com 2010-04-02 09:19:22 2010-04-02 09:19:22 1 0
Could you describe the stitching on the robe a little bit? That was the part of the picture that really caught my eye. It looks like it's row upon row of satin stitching in multiple shades of red, but as you've shown in your post, what we think is there might not be.

Carol S.]]> 1657 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-04-02 08:38:04 2010-04-02 08:38:04 1 0
I have been completely stumped for months on how to progress with a project of which the human face and hands are an important piece. I've been so dissatisfied with my results. I really appreciate your excellent pictures and explanations. Thank you so much! I'm re-inspired.

Happy Easter. Peace be with you. :)]]> 1658 Laura Bullinger noreply@blogger.com 2010-04-02 08:05:01 2010-04-02 08:05:01 1 0
The books that insist on avoiding the combination of different media are trying to elevate embroidery above folkart, to a level closer to fine art.

Folkart needlework ypically contains applique. This is commonly found among native island and indigenous needlework samples.

Apparently in the world of fine sewing, applique work is not so great! Too bad, since it is a favorite of mine!]]> 1659 Ruth O'Leary info@rutholearytextileart.co.uk http://www.blogger.com/profile/13960970278718542174 2010-04-02 07:42:29 2010-04-02 07:42:29 1 0 1660 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2010-04-02 06:27:59 2010-04-02 06:27:59 1 0 1661 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-02 06:06:56 2010-04-02 06:06:56 1 0
Our Good Friday is coming to a close. We're having a quiet Easter at home.

Thanks for pointing out all the various techniques used on this piece. I was quite amazed. Seeing it in sections like that is very helpful.

I'm glad you didn't have to pull this one apart to see how it worked! Nothing ventured, nothing gained though eh.


Cheers, Kath]]> http://www.needlenthread.com/2010/04/3-d-embroidered-eggs-seeking-better.html Thu, 01 Apr 2010 10:16:00 -0500 Mary Corbet 44 2010-04-01 10:16:00 2010-04-01 10:16:00 open open 3-D-Embroidered-Eggs:-Seeking-a-Better-Pattern,-or-The-Anatomy-of-an-Easter-Egg publish 0 0 post 3-D stuffed Easter Egg, made of felt and hand embroidered. It was a fun experiment - a very easy way to make decorated fabric eggs for Easter. This morning, I had an egg hunt. I wanted to revisit the concept of a 3-D egg, only I wanted a different pattern. In the deep recesses of my memory, I had an egg floating around - an embroidered egg (needlepoint, really) that my sister Susie made for my Mom many years ago. I needed to find that egg. I needed to find it and dissect it.

I found the egg. Here it is, below, embroidered on mono canvas (13 / 14 count, I think) with DMC floss in pastel colors.



The egg must be a good 20 years old. Nestled away in a hutch drawer, it has survived some house moves relatively unharmed. I wonder if Mom will ever know I borrowed it?



I just wanted to see, really, what the basic pattern was. Surely, it couldn't be all that difficult to disassemble... in fact, on first exploration, it looked like it was simply pinned onto a styrofoam egg.



A few pins later, the bow was off. This was going to be easy!



The dividing ribbons were pinned down... and glued down. Ooooh. I hadn't considered glue.



Ooooh. I hadn't considered quite so many pins, either...



Yeeesh. I was feeling a bit like Lady Macbeth: "Who would have thought the old egg to have had so many pins in him?" Two broken fingernails later, they were out.



It yawned and revealed its styrofoam innards.

This was the point where I realized the thing was not going to go back together.

Ever!



I knew there had to be one seam in the piece, and after much cajoling with an awl and some scissors and any other tool that I could poke and prod through layers of floss and glue hardened by time, I found the seam.



I unwrapped the egg.

A band of mono canvas lined the inside of the egg, around the middle. It was glued on.

I have a whole new respect for glue. It is tenacious stuff.



The naked egg, and all its accoutrements.



And the needful piece, from which my plan was to develop a pattern that looks something like this:



What I was aiming for was a pattern for a stuffed egg that was one piece, that could be embroidered before it was sewn up. I don't know if this will work - I haven't tested it yet - but if you want to play with it, you're welcome to do so! If you print it off your computer, enlarge it to 4" high (which will make it 6" wide). You'll want to cut it with a seam allowance. My plan is to print it on card stock to use as a tracing template, since I'll be working on felt. I'll trace the outline of the cardstock pattern onto the felt (that way, I have my sewing lines all marked) and then I'll cut it out with an 1/8 - 1/4" seam allowance around it.

Again, I have no idea how well it will work at this point - no doubt, some tweaking will need to be done - but it'll be fun to fiddle with, to see if I can make it work.

Ah. Nothing like last minute projects!

Any input, suggestions, or even admonitions for destroying the original are welcome!

Thanks, Mom! Thanks, Susie!
]]> free embroidery patterns seasonal embroidery wool felt 1662 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-04-02 02:58:58 2010-04-02 02:58:58 1 0
I was going to say OUCH but you beat me to it Susie.

Don't worry Susie, I'm sure Mary has a 'whole new respect' for you too now, as well as for glue.

Appreciate the skills and efforts of you both.

May all your Easter eggs be filled with more than styrofoam and glue. At least enough of them to give you all a very confectionate and enjoyable Easter.

Cheers, Kath]]> 1663 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-04-01 23:08:41 2010-04-01 23:08:41 1 0 1665 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-04-01 18:46:50 2010-04-01 18:46:50 1 0 1667 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-04-01 14:55:50 2010-04-01 14:55:50 1 0 And I am waiting for your new great Easter eggs.]]> 1668 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2010-04-01 13:47:08 2010-04-01 13:47:08 1 0 1669 StitchenJen noreply@blogger.com http://www.blogger.com/profile/10457888338834863060 2010-04-01 13:38:00 2010-04-01 13:38:00 1 0
I'm not sure if I have ever posted it here or not but I am mostly quiet because I am in awe of your projects. Your postings really make things seem possible, but partly because you make it look so easy.

Happy Easter - and thanks for the starting point. I'll be watching to see what you do with it!

Jenny in Pittsburgh, PA]]> 1671 Susie noreply@blogger.com 2010-04-01 13:31:44 2010-04-01 13:31:44 1 0
Your favorite sister,
Susie]]> 1672 Samanta noreply@blogger.com 2010-04-01 13:03:59 2010-04-01 13:03:59 1 0 http://www.needlenthread.com/2010/03/free-hand-embroidery-pattern-easter-egg.html Tue, 30 Mar 2010 05:00:00 -0500 Mary Corbet 45 2010-03-30 05:00:00 2010-03-30 05:00:00 open open Free-Hand-Embroidery-Pattern:-Easter-Egg-o'-Flowers publish 0 0 post free hand embroidery pattern I posted for Valentine's Day, the Heart o' Flowers? Well, I cheated. I made an egg (not as easy as it sounds!) and dropped the same flower fillings into it, to create an Egg o' Flowers for you to embroider on anything that would benefit from a touch of spring color.

"Egg o' Flowers" doesn't quite have a ring to it, does it? I wish I were clever enough to think of perfect names for different hand embroidery patterns on Needle 'n Thread! Alas, I find myself wanting to title my designs ingenious things, like "a scrolly design" and "another scrolly design" or "a circular thing." How decidedly dull.

So, today, I'm posting an Egg o' Flowers. A flower-filled egg. Oh, I could've punned things up a bit - "An egg-celent garden" - "Flowers Over Easy" - "Floral Hatchery" - or some such something or other.

But really, when it boils down to it, what are we talking about here? An egg. With flowers.

Despite the name, think of the possibilities for hand embroidery! Oh, the stitches you could use! Oh, the colors! I still want to embroider another basket liner, like I used for last year's Easter basket, and I was thinking about stitching this large egg o' flowers in the four corners of the flour sack towel that I use to line baskets. If I were to do so, I'd use a bright Spring palette of probably four colors - yellow, green, pink, purple. I could also see working the piece in shades of coral and yellow, with touches of pale green. But right now, it's mighty doubty that I'll get a basket liner stitched this year.

However, I hope you can find a use for the design!

Maybe on felt? Cute felt eggs to hang on a branch? I don't know! Maybe you could use it for a card somehow - embroider it on paper. Or as a quilling pattern? Anything goes, really! What about you - any ideas?



And if you'd like a PDF for easy printing, here 'tis:

Free Hand Embroidery Pattern: Easter Egg o' Flowers.

I've got a whole list of free hand embroidery patterns here on Needle 'n Thread, if you're looking for something to stitch! Help yourself!

Enjoy!
]]> free embroidery patterns seasonal embroidery 1636 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-04 08:00:59 2010-04-04 08:00:59 1 0 1637 Anonymous noreply@blogger.com 2010-04-03 22:10:20 2010-04-03 22:10:20 1 0
Nita Carroll]]> 1685 Christy S. noreply@blogger.com 2010-03-31 11:34:51 2010-03-31 11:34:51 1 0 1689 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-03-30 15:33:58 2010-03-30 15:33:58 1 0 1690 Anonymous noreply@blogger.com 2010-03-30 10:25:43 2010-03-30 10:25:43 1 0 Happy Easter!
Karole from Texas]]> 1691 Kim noreply@blogger.com http://www.blogger.com/profile/07633665738416318869 2010-03-30 10:07:27 2010-03-30 10:07:27 1 0 1692 Anonymous noreply@blogger.com 2010-03-30 09:54:32 2010-03-30 09:54:32 1 0
In my case, I think I'd like to make it with cream linen (I have just the right weight of crash for a square bread basket with one egg in each corner).

I'd make it in Richelieu embroidery, with cutouts to leave the flowers in relief, with the scrolls and egg shape in a simple blanket/edge stitch.

The cream on cream would be perfect for some eggy rolls that I would do as dough from my breadmaker (who's to say I'm above cheating when it comes to cooking!).

'Tis not to be for this Easter -- but it may well be the present of a lifetime for my cousin for next year! She has many small children, and eggy bread or not, it would line a beautiful easter basket when all of her kids bring in the eggs she's hidden (you know, it's critical to keep track of where they are and how many, to avoid unpleasant surprises in May, don't you?!?). Mixed with Peeps and chocolate bunnies,,,, :-D

Because this is really beautiful

Karen from Arcadia]]> 1693 Sharon Brodeuse noreply@blogger.com 2010-03-30 08:56:19 2010-03-30 08:56:19 1 0
A sweet design! Happy Easter to all.
Sharon]]> 1694 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-30 05:59:55 2010-03-30 05:59:55 1 0
It's really sweet. Thank you.

I know this isn't Easterish, but I would make the Egg O' Flowers a lady beetle's tummy. With a head atop and outspead wings, feelers, legs, eyes etc. Or it could be her back with a separation down the centre where the wings meet, although I think the wings are symetrical, a cool bug would be happy to be different eh.

Bye now, Kath]]> http://www.needlenthread.com/2010/03/monogram-for-hand-embroidery-fan-flower_28.html Sun, 28 Mar 2010 08:36:00 -0500 Mary Corbet 46 2010-03-28 08:36:00 2010-03-28 08:36:00 open open Monogram-for-Hand-Embroidery:-Fan-Flower-J publish 0 0 post

If you're looking for stitching suggestions for this series of monograms, please check out the Letter A, where I've mentioned a few ideas for stitches. Also, if you have any ideas or input for stitching these letters, feel free to leave a comment!

Here's the small J:



And here's the large J:



And, if you'd like to save a PDF version of the small and large J, here it is:

Monogram for Hand Embroidery: Fan Flowers J (PDF)

Feel free to visit the Index of Monogram Designs here on Needle 'n Thread, if you're looking for more monograms, including the rest of this alphabet.

Enjoy!
]]> free embroidery patterns monograms 1700 Sharon Brodeuse noreply@blogger.com 2010-03-29 07:15:39 2010-03-29 07:15:39 1 0
The fan flower series is really in a category by itself - the initials are so elegant, and yet they lend themselves to a variety of stitching interpretation. I used a varietgated DMC perle cotton in a red/pink blend for the large letter "C", using stem stitch to outline, and filling the letter with tiny seed stitches, satin stitch for the "points". Turned out to be very pretty with a "fun" feel.

-Sharon]]> 1703 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2010-03-28 21:08:29 2010-03-28 21:08:29 1 0
I have nominated you for the Beautiful blog award--cant get the graphic to adhere in the comment post, but come filch it from my blog

(paisleycatpenandneedle.bloggspot.com)

Here's how the award works. The rules are simple.
1. You must accept the award.
2. Thank the person who gave you the award.
3. Add a link to the person who gave you the award.
4. Paste the award on your blog.
5. Write 10 things about yourself that others might not know.
6. Pass the award on to 10 others.]]> 1704 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-28 19:13:36 2010-03-28 19:13:36 1 0
Thanks again Mary.

Karol, I 'click and dragged' my 'Bs' onto the desktop then did the same to put them into my 'Mary's alphabet' folder. So at least I have them altogether.

I have an iMac (cast off from my son) but I cheat when it comes to printing as just send whatever it is over to hubby's computer and he does it for me.

Bye for now. Kath]]> 1706 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-03-28 13:41:37 2010-03-28 13:41:37 1 0 http://www.needlenthread.com/2010/03/crewel-embroidery-practical-guide-book.html Fri, 26 Mar 2010 05:00:00 -0500 Mary Corbet 47 2010-03-26 05:00:00 2010-03-26 05:00:00 open open Crewel-Embroidery:-A-Practical-Guide---Book-Review publish 0 0 post Crewel Rooster project, and following up on quite a bit of talk about wool threads lately, I thought I'd review some books on crewel embroidery that I think are pretty good.

There are a few book reviews on Needle 'n Thread that deal with crewel embroidery, in one form or another, already. Here's a list of them, with links to my reviews:

Crewel Embroidery in England
Beginner's Guide to Crewel Embroidery
Crewel & Surface Embroidery
English (and) Early American Crewel Design (two books in one review)

And here's another good one to add to the list - in fact, this book has a lot of perks that the others don't necessarily have, so let's take a good look at it....

The book is Crewel Embroidery: A Practical Guide, by Shelagh Amor, a Milner Craft Series book.



The book is a soft cover - stiff flexible board for the cover - and the pages are printed on a nice satin-finish paper. It's a nice-looking book overall. I'm a little surprised at the amount of white space in it, but the content is good.

The book begins with the tried-and-true, typical information: a little bit of history, a section on materials and tools, a section on transferring your design onto your fabric, and a section on framing up the work and getting ready to stitch.

But then, there's a nice little surprise among the preliminaries:



There's a very nice little section on color selection - a color guide that explains color relations and so forth, to help the beginner make good color choices. This is a very nice addition to the typical preliminaries in any embroidery book, and though the topic is briefly treated, it is thorough enough to help the reader form good ideas about color.



The bulk of the book is divided into "Crewel Designs and Stitches." Beginning with very simple designs that are typical of traditional crewel work and progressing to more complex designs, the author presents little lessons in crewel stitching.



For each of these exercises, she includes a line drawing of the design, a photo of the finished product (close up, to see the stitches clearly), a materials list for the exercise, and then a step-by-step method of working the design.

I personally like this approach for beginner work: it's a textbook-exercise approach that teaches the skill through an incremental sort of development, each stage working on a project a little more challenging, but still giving the stitcher the ability to skip ahead.



Another feature I really like! Progressing through the exercises, we finally arrive at the Tree of Life design, and, rather than just hand you a design and say "Stitch this," the author actually takes the reader step-by-step through designing your own Tree of LIfe. Nice touch!



She does give her finished design - with a materials list and method of working, just like the previous lessons - but it's great that she also teaches how to design your own.



And there are pages full of circles, too.

Every book needs pages of circles.

These circles have a purpose, though - an extension of the design-teaching applications in the book! One of the later exercises focuses on a spiral design, and again, the author shows us how to create our own step-by-step.



She gives her spiral design as one of the lessons, and it is really pretty!



So, you can work her design, or, using the principles she gives, you can design your own.



And then, one more step above ordinary! I love this section - it's called "Design Sheets" and it is six pages of individual motifs that can be combined in heaps of ways to create your own crewel designs. I love resource pages like this!

The book ends with information on finishing your needlework - blocking and preparing for framing, and then the last section:



... a stitch glossary with diagrams of all the stitches she discusses in the book.

This is a good book, and if you're interested in designing your own crewel embroidery pieces, this book makes an excellent resource. As far as most "how to" needlework books go, it is out of the ordinary, because the author goes beyond simple design copying by teaching basic principles in creating your own designs. It brings to mind the well-known proverb: Give a man a fish, and you feed him for a day.... teach him to fish, and you feed him for a lifetime. While the analogy may limp slightly, I like this approach in a needlework book, don't you?

Enjoy the book!

For US readers, you can find the book at Amazon, used or new:



For others worldwide, you might try The Book Depository, where you can find Crewel Embroidery: A Practical Guide for US$15.64, with free shipping worldwide.

]]> book review pictures 1466 Mary-Frances noreply@blogger.com http://www.blogger.com/profile/05348665962345432914 2010-04-14 11:19:13 2010-04-14 11:19:13 1 0 Since you're talking about wool, we were down in New Mexico for Spring Break and I ran across Colcha embroidery and this book (wrote up a review - you might be interested in the book and the embroidery):

http://www.iamnotahandbag.com/index.php/2010/04/learning-a-new-stitch-colcha-embroidery/]]> 1623 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-04-05 19:41:46 2010-04-05 19:41:46 1 0 Amazon shipping costs are less than half now to Australia than they were (and presumably to everywhere else as well) - presumably because of Book Depository's free shipping. Yay! Anything that means cheaper books is a great thing!]]> 1702 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-03-29 05:23:38 2010-03-29 05:23:38 1 0 1708 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2010-03-28 09:04:01 2010-03-28 09:04:01 1 0 1720 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-27 10:24:41 2010-03-27 10:24:41 1 0 1722 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2010-03-27 07:58:09 2010-03-27 07:58:09 1 0
I'm really excited about the design section, as that is the part I struggle with and while I enjoy interpreting other people's designs I really do want to move twoards doing my own.]]> 1725 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-03-26 21:34:07 2010-03-26 21:34:07 1 0 1727 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-26 18:34:18 2010-03-26 18:34:18 1 0 1728 jacquelin ihsan noreply@blogger.com 2010-03-26 18:25:47 2010-03-26 18:25:47 1 0 Several comments- I love your site. Couldn't believe the questions of the Wed.? post.
I tried to enter the wool giveaway but I'm not the brightest penny in the pool when it comes to using the computer.
Re. this book review-Whatever anyone can learn about color is always a bonus. Esp. how colors affect one another when placed together on fabric. You cover this very well in your projects.
I went back to the old eccleastical posts- your rooster and esp. your pomegranate rank up there with the best of them. It made me realize that a lot can be accomplished in a little time. Those big projects are do-able.
Thank you for so much teaching and inspiration.
Jacquelin]]> 1731 Penelope Jane noreply@blogger.com 2010-03-26 16:48:19 2010-03-26 16:48:19 1 0 1732 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-26 15:10:30 2010-03-26 15:10:30 1 0 For long I only buy embroidery books reviwed by you.
Thanks.]]> 1733 Sharon Brodeuse noreply@blogger.com 2010-03-26 09:57:40 2010-03-26 09:57:40 1 0
Your book review today is so timely!

Am just starting to stitch some crewel designs and as a beginner, i have a lot of questions that I think this book can respond to very ably.

Particularly regarding "decisions" that arise when stitching various elements of a design - which to stitch first and why, as an example.

Love the idea of the color selection tutorial, too. This is the first time I've seen this addressed in a book on crewel embroidery.

Many thanks,
Sharon]]> 1734 Elaine noreply@blogger.com http://www.blogger.com/profile/12270947582039770539 2010-03-26 09:43:56 2010-03-26 09:43:56 1 0 1735 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-26 09:40:08 2010-03-26 09:40:08 1 0 1736 Лариса noreply@blogger.com http://www.blogger.com/profile/06817353275354717355 2010-03-26 09:32:14 2010-03-26 09:32:14 1 0 Here is the link
http://www.newliturgicalmovement.org/2009/01/high-fashion-in-church-place-of-church.html

I don't know how good it is in terms of finding embroidery patterns, but there are some close-ups of vestments. Thought you might be interested.

Larissa]]> 1737 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-26 07:44:51 2010-03-26 07:44:51 1 0
Larissa - yes, even the original copy of the book is in black and white. The pictures are very clear, but still black and white. Incidentally, there is an image in the book (the Good Shepherd) that is shown in the process of being embroidered, again, in black and white. Ages ago, a friend sent me an e-mail of the same exact piece, only it was a colored photo. I never found out where she got it.

I haven't heard of the book you mention. Have you seen it? Is it good? Is it something I should look for?

Thanks!

MC]]> 1738 Лариса noreply@blogger.com http://www.blogger.com/profile/06817353275354717355 2010-03-26 06:56:08 2010-03-26 06:56:08 1 0 This is a nice one. With your help, reading your book reviews I am starting to collect my own library.
I also have a question about the book called Church Embroidery and Church Vestments. Are the illustrations black and white? Like in those free PDF files that are available now?

And have you seen a book called - High Fashion in the Church: the Place of Church Vestments in the History of Art From the Ninth to the Nineteenth Century?

Thanks you a lot
Larissa, Moscow]]> 1739 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-26 06:26:28 2010-03-26 06:26:28 1 0
This is my kind of book. One that I could come back to over and over.
You can always succesfully come back to a solid foundation. A poor one will let you down every time.
Your fishy analogy is good. Teach him how to fish and he can help someone else as well as himself.

I like the idea of the design sections. Everything seems to be really well thought out. Including your review. Thanks.

Funny thing happened at the library (No, I wasn't playing Cluedo). Was browsing some embroidery books and on the cover of one was a very appealing crewel embroidery. Flicking the pages here's this section on crewel and blackwork. Designs etc appealed so borrowed it only to find it was all done with plant seeds!!! Amazing. There was even convincing goldwork! Seeds were painted for that though.

Cheers, Kath.]]> 1740 Beverly noreply@blogger.com http://www.blogger.com/profile/01097377480944079836 2010-03-26 05:57:35 2010-03-26 05:57:35 1 0 This book review is such a high note to end the week with! Your reviews of products are extremely informative and I "eat it up" because I have such minimal knowledge of embroidery beyond cotton floss and a stamped on design; as a Camp Fire girl at age 9 I learned to embroider with cotton floss using the basic stitches. My forte' is on the sewing machine, but I LOVE hand work. Your book review gives me the information I need to wisely purchase a learning tool that will guide me to become proficient in doing crewel work. Reading your daily blog is a treat for me while I eat my morning breakfast and coffee. Wishing you a wonderful day! Thank you again for sharing to help us learn more. :)
Warmly,
Beverly]]> http://www.needlenthread.com/2010/03/renaissance-dyeing-crewel-wool-winner.html Thu, 25 Mar 2010 08:57:00 -0500 Mary Corbet 48 2010-03-25 08:57:00 2010-03-25 08:57:00 open open Renaissance-Dyeing-Crewel-Wool-Winner! publish 0 0 post give-away! Thank you to Andie of Renaissance Dyeing for the beautiful crewel wool in the Elizabethan color range! A very generous gift that's sure to please, because it's Really Nice Wool!! Now, on to the winner...

The lucky recipient of the Elizabethan Range of Renaissance Dyeing crewel wool is......

SilkLover!

Congratulations! Oh, the irony! Well, I think you'll find you like wool, too, working with these threads! Please contact me in the next couple days with a mailing address, and I'll get these out to you as soon as possible!

Thanks to all who participated - I think that's the largest response I've gotten on a give-away!

If you want to try out Renaissance Dyeing wool, you might want to check out the Outlets page on their website. There, you'll find lists of all the shops that carry Renaissance Dyeing wool around the world. There are shops that carry Renaissance Dyeing wool in the UK, in the US, in Canada in Australia, in Turkey, in different parts of Europe, and you can always order straight from the Renaissance Dyeing website.

Thanks again for joining in on the give-away and sharing your creative ideas. I'll start drumming up another good give-away in the next few weeks, so keep an eye out!
]]> Give Away 1745 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-25 17:49:58 2010-03-25 17:49:58 1 0
And a hearty congratulations Silklover. How lovely. According to your give away comment you have lots of ideas for using these special threads.
Do what you enjoy and you'll enjoy what you do.

Bye and thanks again Mary.]]> 1747 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-03-25 14:59:32 2010-03-25 14:59:32 1 0 1749 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-25 14:20:33 2010-03-25 14:20:33 1 0 1753 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-25 11:22:42 2010-03-25 11:22:42 1 0 1754 And1010 noreply@blogger.com http://www.blogger.com/profile/03101207986550006864 2010-03-25 11:00:29 2010-03-25 11:00:29 1 0 The link provided for Renaissance threads is out of date. Several of the websites and phone numbers aren't working.
Happy stitching!
Andrea]]> 1755 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-25 10:51:47 2010-03-25 10:51:47 1 0 http://www.needlenthread.com/2010/03/behind-scenes-at-needle-n-thread.html Wed, 24 Mar 2010 05:00:00 -0500 Mary Corbet 49 2010-03-24 05:00:00 2010-03-24 05:00:00 open open Behind-the-Scenes-at-Needle-'n-Thread publish 0 0 post

The recurring questions I get about Needle 'n Thread, me, my methods, my organization, and (yes, even this) my personal life - or what-have-you - can be summarized as follows:

1. What kind of camera (etc.) do you use? (equipment questions)
2. How do you organize your day? (This includes questions about working, blogging, stitching, and living)
3. Do you offer classes that we can travel to?
4. Do you sell stuff?
5. Will you review (promote, advertise, etc.) my designs, my products, etc.?
6. Sure, if you're rich or you get things for free, you can afford to do what you do, but I'm not rich and I don't get things for free, so how can I afford to do what you do? (Questions about spending money to buy supplies, why I promote "expensive" supplies and comments along those lines...)

Ok - here it goes.

1. What kind of camera (equipment, etc.) do you use?

This is the easiest question. I use an Olympus Stylus 800, which is a point and shoot digital camera with a super-macro mode. It is about four or so years old, outdated, but chugging along wonderfully. I have begun budgeting for a DSLR of some sort, which I will purchase towards the end of this year. I haven't done all the research yet to know which one, but I figure it doesn't hurt to start budgeting ahead of time for it, because I know it's going to be a bit pricey.

For video, I use a Sanyo Xacti Full HD blahblahblah camera. (I really don't know the precise name or the specs). I bought it last year and have not used it "much" for video, but intend to be using it more this spring - a lot, even. I bought it because it is s-m-a-l-l and fits between me and the embroidery without too much trouble.

For editing photos, I use Photoshop. For video, I use whatever happens to be on my Mac.... ? I don't know - the typical Mac software. I'm still getting familiar with it.

For patterns and line drawings and so forth, I use Inkscape and Illustrator.

And for all things blogging, I use an iMac, which I loooooove. It was my Big Budgeted Purchase last year for my website work, and it took me over six months to save for it. I like it a lot.

To blog, I currently use Blogger, but I publish using FTP, which service Blogger is discontinuing on May 1st. Slightly before that time, you will see an all-new Needle 'n Thread, and I will be using Wordpress. (I think you'll like the new website! I'm pretty excited about it!)

2. How do you organize your day?

Are you kidding? Organize? I would love to tell you that I am some sort of Organized Wonder who has all the secrets to Organized Living, but the fact of the matter is, I'm not! I do what I have to do.

It's easier to say what I don't do: I don't watch television; I'm not a "go-shopping-for-fun" sort of person (I only shop for necessities); I rarely go "out" for entertainment (movies, bars, dining out, etc.), though I do visit with friends and family and socialize on the home front quite a bit; and I never sleep in - generally up before or by 6:00 am, including weekends.

By today's standards, I think I can safely say I live pretty simply.

Specifically, for blogging, I work in advance of the blog. On weekends, I try to pre-write (or at least outline and get some thoughts down) my blog posts for the upcoming week. I check e-mail and moderate comments off and on throughout the day, when I have time. I try to catch up on e-mail during the weekend, but it doesn't always happen. I spend several hours a week - grabbing an hour here and there - just editing photos in anticipation of upcoming blog posts. Basically, the key to the blogging thing is to work ahead as much as possible.

And, a final note on the subject (to keep my sister - a wife, mother of 10, and "business baker" - happy!): I'm not married and I don't have kids. If you're married and you have children, you know that your life is vastly different and that you have to spend your time in ways I don't have to. Who has the better end of the deal? Children are a fantastic gift! I'd say you do. Be thankful for it!

3. Do you offer classes that we can travel to? Or do you travel to offer classes?

At this time, no. And no. I teach from the middle of August through the beginning of June. During the summers, I get up small embroidery classes with local children or local adults I know, if I can. These classes are super casual among people I know. If I had to prepare full-fledged seminars that I were charging money for, I couldn't do it! There's not time between the end of one school year and the beginning of another to do the planning and executing of that kind of workshop, and still get in my own planning for the next school year and my own vacation time. And believe me - teachers need vacation time!

4. Do you sell stuff?

At this time, no. (Though I do have a younger brother that I always thought might bring a decent price if I could market him correctly....)

5. Will you review (promote) my designs, my products, etc.?

I review products and promote them only if I find that I like them and would spend money on them. Occasionally, I do receive some freebies from needlework-related companies, but my "promotion policy" (listed under the FAQs) is simply that I only promote the things I would spend my own money on. I don't promote things just because someone sends them to me. So if you want to risk sending me something, you're free to do so, but it doesn't guarantee that I'll write about it. My readers (and my reputation with them) come first - I'm not going to sell them on things that I'm not sold on myself.

The vast majority of stuff you see on Needle 'n Thread, I have paid for myself. The only exception would be occasional books and now and then a give-away item, and I use the term "courtesy of" if they are given to me from publishers. When I give away supplies or books "courtesy of," I've often already bought the same things for myself.

6. Sure, if you're rich or you get things for free, you can afford to do what you do, but I'm not rich and I don't get things for free, so how can I afford to do what you do? (Questions about spending money to buy supplies and why I promote "expensive" supplies, comments about my website being "snobby" because I talk about supplies that are expensive, and things along those lines...)

Is it just me, or are these types of questions a little unfair? I do have a wee bit of a blunt streak in me, so I hope you don't mind if I'm somewhat direct on this one!

Like I said, I live pretty simply. With the exception of that chunk of my income that pays taxes, and the money that I give to charity, my income is mine because I have no debt. I have had debt in the past - college loans, car loans, credit card bills, etc. - but, thanks to the "nagging" of my very good parents, I learned the hard way (several years of paying off debt and living without much at all) that I am happier when someone else doesn't own me or my money. I budget my income so that I can afford things. And if the things are big and expensive, I save before I buy them. I don't deserve everything as soon as I want it, and if I want something badly enough, I will work to pay for it first. And part of my budget is my hobby money. You can read my post on Price Tags and Budgets for further information on this, if you like.

I purchase good supplies because I take my needlework seriously, and over the years, I have learned the value of using good supplies. And good supplies cost money. But I will deny myself some things (for example, I don't pay a cable bill, I rarely dine out, I don't buy new cars, I don't impulse buy or shop just for fun...) so that I can afford what I do.

The people who produce good embroidery supplies are spending a lot of money to do so, by the way. They aren't "taking us for a ride." It costs money to produce quality goods...

BUT - all that being said - embroidery doesn't have to be expensive. You don't have to do what I do, with the supplies I use! A needle, some cotton embroidery floss, and some fabric, and you can teach yourself to embroider and have a lot of fun doing it, for very little money. As your skill develops or you find techniques that you'd like to explore further, then you can determine whether or not it's worth the investment! Some of the most fun things I've embroidered (example: this towel) cost me less than three dollars!

I hope I haven't popped anyone's bubble or disappointed you too much - you can pretty much see I'm fairly average and the nitty-gritty isn't all that nitty or gritty, or even interesting! But I hope I've answered some of your questions. You're welcome to contact me if you want clarification on anything in particular, or just leave a comment below. And what about you? Any feedback? How do you do things? Any agreement or disagreement? I'd love to hear your take on the questions above! If you have a blog and you're game, you could always answer the same questions and put a link in the comments below, if you want!

Up tomorrow - the winner of this week's give-away. If you haven't signed up for the Renaissance Dyeing Threads give-away, don't miss the opportunity to win a beautiful packet of embroidery wool!
]]> website news miscellaneous embroidery musings 1698 KatieQ katiequilts@gmail.com http://www.blogger.com/profile/03402499142649295188 2010-03-29 16:25:40 2010-03-29 16:25:40 1 0 1726 Ed T. noreply@blogger.com 2010-03-26 21:12:31 2010-03-26 21:12:31 1 0 As probably one of the few "ahem" guys here...I can state the MYOB applies to any question about your hobby..afterall to some the justification of very very $$$ golf clubs that are used 1-2x a year hardly justifies the price... But true Saving is something I am working as I near the big 3-0...But working as a professional embroiderer, it IS necessary to use the best.. after all that what the clients(in this case it's you) expect something that they can treasure ans see the value of without thinking..."hey why WAS this so exp." And as for stockpiling..well sometimes for me it depends on the nature of the item.. vintage stock, then yes..new stock..ehhh not so much.]]> 1742 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-26 00:23:12 2010-03-26 00:23:12 1 0 1751 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-03-25 13:25:39 2010-03-25 13:25:39 1 0
I will admit that right now, I really do envy your June-August time off Mary! It's been crazy-busy at work the last 2 months. On the other hand - the overtime has boosted the savings nicely!]]> 1752 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-03-25 12:38:18 2010-03-25 12:38:18 1 0 To attend a class for this amount of detail would cost dearly.

I had previously read the FAQs and thought then, how honest you were toward people who wished you to promote or review their product.

I have also enjoyed reading the many comments.

Maureen]]> 1757 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-25 09:04:24 2010-03-25 09:04:24 1 0
I'd also like to request that you blog about your camera search. I'll be taking notes...

And a rather premature welcome to Wordpress, by the way!]]> 1758 Sheryl noreply@blogger.com 2010-03-25 08:03:21 2010-03-25 08:03:21 1 0
Thank you. Thank you for your book reviews and your recommendations. I don't post often, but am an avid reader of your blog. One of the reasons I read is how accessible you make things.

I recently bought my first batch of soie d'alger, based on your silk thread reviews. It is a most vibrant, beautiful thread. As for it being expensive, I made a choice to spend my money on quality over quantity. I now have fewer projects consisting of higher quality materials. I have no regrets and more closet space :).

So please keep it up. You have ALOT of fans out here in cyberspace!]]> 1760 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-03-25 06:50:19 2010-03-25 06:50:19 1 0
Re the nasty questions etc, jealousy is as the bottom of all manner of things. I've been asked countless times how I stayed so slim (when I was slim enough to warrant the enquiry...) and, when I explained how, almost invariably got a mouthful or defensive and even offensive comments in return. It boils down to 'I want what you've got, but I don't want to have to make the sacrifices/develop the habits needed to get it, so I abuse you in order to excuse myself.' Sick!

I'm glad it doesn't bother you too much anyway, but I can certainly see why you blogged this yesterday as it gets to the point where you need to say something - for your own peace of mind, to get indignant feelings off your chest and get moral support from nicer, more balanced people.

Now, I need to follow your example and start some needlework again. I even felt a glimmer or two of interest this evening - hurrah! Will let you know when my goldwork is done in case you're no longer following along.=)]]> 1764 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-24 23:01:56 2010-03-24 23:01:56 1 0
Sorry to add yet another question for you to answer.

I read that you have established an embroidery guild in your Church group. I have started teaching embroidery to fifth graders and above during vacation time. We dont have any embroidery guilds in India... So I want to start a guild. What I would like to know is what are the activities that your guild . Is it mostly work for charity? Is there is organisation tht your guild is affiliated to? Is there a structured format for your guild activities?]]> 1765 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2010-03-24 22:43:24 2010-03-24 22:43:24 1 0
I am aghast that you have been asked some of these questions!!! Quite frankly, I am just so pleased to know you are just a mouse-click away. I don't comment often, but read your blog/site almost every day. I find you a most giving and talented embroiderer. How you do it, why you do it is absolutely none of my business. I am just thankful that you do it to such an extent. I have learnt so much from your notes. Thank you and may you always feel the need to continue with your embroidery and your notes. Well done!!!]]> 1766 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-03-24 22:23:25 2010-03-24 22:23:25 1 0 This is definitely one of your more interesting and provocative posts. I'll comment on the parts that are relevant to me. 1. I wish I were more camera savvy! I still have an old film SLR that's 30 years old. But I love it. I find I can take so much better photos than with my husband's somewhat nice digital. But the time it takes to get film developed tends to make me not want to take any photos at all. I've never owned a video camera and probably never will. 2. Many weeks I go without stitching. I work 9 hours/day with a 3 hour round trip commute. My coworkers are absolutely amazed that I find the time to stitch at all. Luckily, the only son still at home loves to cook, and this does free up an amazing amount of time. I have every other Friday off, which I pretty much spend holed up in my sewing room, only leaving to start some laundry, eat, etc. 6. Luckily, I'm a software engineering manager with a large defense company so I make a pretty good salary. I can afford to buy lovely silk threads, silk fabrics, Ott-lites, and so on. I also do a lot of smocking, quilting and heirloom sewing, which are quite expensive hobbies. Sure, it's fun to use gold and silk threads on linen twill, but the embroiderers' skill will be no less evident with cotton floss on cotton fabric. Look at Ayrshire embroidery, done with cotton floss on cotton fabric. Amazing! I'm much more impressed by the skill in this as by the loveliest, most expensive goldwork. All that being said, I still have to agree that if you want something to last a very long time, always use the best materials that you can afford (without going into debt!) This is not snobbery, just good common sense.
Keep up the good work, Mary. I love reading the blog of someone who can actually write well. Unfortunately, this is all too rare.]]> 1770 Jeanine in Canada noreply@blogger.com http://www.blogger.com/profile/04846336931938366326 2010-03-24 21:51:49 2010-03-24 21:51:49 1 0
Your blog is so interesting that you have inspired me to start one... I only hope that mine can be 1/4 as interesting as yours!

I read you everyday, even if I don't comment much - you do a fantastic job!

Jeanine in Canada
http://www.italian-needlework.blogspot.com/]]> 1772 Jeanne noreply@blogger.com http://www.blogger.com/profile/07037955584980587306 2010-03-24 21:42:05 2010-03-24 21:42:05 1 0
I just joined your blog not very long ago and I LOVE IT and I LOVE YOUR STYLE AND YOUR HONESTY. AND I LOVE THE FACT THAT YOU SHARE YOUR TALENTS, LOVES AND LIFE (Which really is none of our business if you weren't so generous) WITH ALL OF US. Expensive hobbies, and expensive supplies for hobbies that is your choice and if others choose not to use those supplies, they should be happy that you share your talents and realize there are other less expensive options for supplies. So KEEP UP THE GOOD WORK and you know what, I have 3 Daughters and I would have loved to have you for one of their teachers. :) AND AGAIN THANKS FOR SHARING!!!!!!]]> 1778 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-03-24 20:07:18 2010-03-24 20:07:18 1 0
I love this blog, and always find something to interest me here, even if I am not tempted to do the technique myself. It`s always fun to watch you work a project...you make it interesting!

I don`t find that you are a snob when it comes to needlework materials....there are some things that are simply worth the money, and some things that are luxuries...for myself, good tools and good quality fabrics are a must...silk theread isn`t if DMC will give me the same result. Sometimes I splurge on silk...it depends on the project.

I also do not have children and watch very little TV.It gives me more stitching time...if I could learn to turn off the comp and stop reading so many stitching blogs, that is...*wink*

Have a good day Mary, hope your throat gets better soon!]]> 1779 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2010-03-24 19:54:05 2010-03-24 19:54:05 1 0 As for spending money on good quality supplies, I agree and interestingly Jerry and I chose to live debt free in a modest house so that we could follow our interests. We prioritised education etc but not much of the social climbing associated with consumerism. Also I am amazed that people ask or infer such things - I had someone ask a similar question - to be honest I ignored it.
As for you being snooty - I have never sensed that at all

Always enjoy and read you blog thanks!]]> 1784 Anonymous noreply@blogger.com 2010-03-24 18:07:09 2010-03-24 18:07:09 1 0 I have no children at home now and I can buy good sewing supplies at last,and it is so much better. Anyway, I love your web site so don't change it too much.
I appreciate all your help when showing us how to do different stitches. You have me embroidering for the first time in years.

Dixie]]> 1785 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-03-24 18:04:27 2010-03-24 18:04:27 1 0 Thank you, as always, for what you do!]]> 1791 Laura Kathleen noreply@blogger.com http://www.blogger.com/profile/14304467170642717891 2010-03-24 17:33:39 2010-03-24 17:33:39 1 0
What I mean is, I get hours and hours of entertainment from it, so compared to a movie, or a dinner out, or many other expensive uses of my time, better materials really aren't that expensive.]]> 1794 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-24 16:42:13 2010-03-24 16:42:13 1 0 Hope you are feeling better!
xx]]> 1797 BonnieC noreply@blogger.com 2010-03-24 15:38:52 2010-03-24 15:38:52 1 0
I am one who did ask you how you managed your time so you could stitch. I hope that wasn't taken as intrusive or rude. I didn't mean it that way. I always appreciate knowing tips and ways talented people do it because I try to get in as much stitching as I can but fail at it a lot of the time. I'm just so inspired by creative people and I'm interested in learning from them. I also enjoy seeing people's studios and where they work. Maybe that makes me nosy. I never thought of it that way. I just thought it was admiration for people more creative than myself.

As for the money issue that is NOT something I would ask anyone. It is nobody's business and does not need to be addressed. I think people are just jealous of your talent.

Thank you for your blog and all the wonderful information you offer your readers. It is much appreciated. I know when I go to your site there will always be something interesting or beautiful to see.]]> 1799 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2010-03-24 15:28:39 2010-03-24 15:28:39 1 0
I feel that the person who made the comment regarding the purchase of "expensive" materials is from the new generation. I am 63 years old and was brought up to buy only what I could afford and save for things that I wanted. I have been hit with the economic times and have been laid off for the first time in 40 plus years of working. I was not ready for retirement so have started collecting unemployment while I look for a new job...a loosing proposition in Michigan. If I want to work on a lovely needlework project or quilt or knitting project, I now have to plan ahead more diligently and save the money necessary to get the materials. But it makes getting the materials and making the project just that much more special.

You need to understand you buy the things that you NEED and budget and save for the things you want...you just need to have the patience to wait for them. They too will come....

I enjoy your blog and all the wonderful things that you share on a daily basis. Please keep it up...you are definitely an inspiration to everyone. Thank you!!!]]> 1804 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2010-03-24 14:48:18 2010-03-24 14:48:18 1 0
Mary, I read most of your post/emails, even though I'm not able to leave a comment on all of them.

I'm very thankful of all the valuable time you give to others, to all of us, through your blog: tutorials,videos,patterns,advice,reviews,etc. . I'm truly thankful for what you do for us, since at the end we end up saving time from doing our own separate research as to where to find certain things, how to use them, what works and what don't , etc. .

I'm very happy to be able to learn and work needlework using the best so I won't be sorry on the long run and like others, I too have to plan when and how I will get certain things.
Like the NS4 , which I love (have the lap stand one and thinking in getting the floor stand, it helps me stitch faster and not strain my hands/wrists which can get painful when I'm having a fibromyalgia flare) and how did I knew about it.... Here, on your blog !!! ;-D

As far as time, well, right now don't have much free time (work part-time, I'm a mom and wife and like to do volunteer work often) but very soon will have a bit more free time on my hands. So I'm hoping to use it wisely in things that are worth it , like getting my needlework skills to the next level ;-).

So... once more... Mary, Thanks A Lot !!!

(The following is for those ill mannered people out there)

1) It is always good to learn to live according to one's means of life instead of comparing yourself(ves) with others. It helps you keep your sanity and happiness ! Stressing over other people business will not help you to live long.

2) You don't have to be rich to get quality things, just be smarter : saving money by not eating out a lot and cooking more homemade meals, shop for necessary things with coupons and on sale if possible, healthy habits saves you money, planning your trips/errands/etc. save you gas and car maintenance money, and so on.

PS = A 7" Hardwicke Manor hoop cost about the same as a fast food meal !!! ... and it will last you a loooong time !!! That's what I call and investment !!!]]> 1806 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-03-24 14:44:17 2010-03-24 14:44:17 1 0
I don't have any debt either, having learned the hard way, and I like being debt-free. I don't own a new car. I don't buy the latest techno gadgets so I can turn around in 6 months and buy the latest techno gadgets again. I look for sales, raher than paying full price. And I budget my money and save for what I really want so I can buy the better silks like Au ver a Soie, and linen. That is not to say that I don't use DMC or Anchor. I just prefer silks (and wool) because they will last longer than cotton. Plus, to be honest, I swear alot when using cotton or the cheaper silks.

I would also like to say that it takes a lot of focus, time management, and preparation to write a blog such as yours, for which I thank you. And thank you for listening to my opinion. I can truthfully say, I am opinionated. Which is, to me, much better than having no opinion at all.]]> 1809 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2010-03-24 13:59:16 2010-03-24 13:59:16 1 0
You are a go getter. I have been thinking about doing something what you are doing, but haven't had the nerve to start on full speed.

I'm really glad you put this up because now I can show my husband that we should be doing other things instead of sleeping in and watching TV.

I'm normally up by 6-6:30 anyway so I get plenty done before he gets up on the weekends. I don't usually have tv on and I have a plan going into the weekend. However, once he gets up my productivity goes down to nill.

Thanks for the insite!]]> 1813 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-03-24 12:58:45 2010-03-24 12:58:45 1 0 1816 Anonymous noreply@blogger.com 2010-03-24 12:10:57 2010-03-24 12:10:57 1 0 How I organize my day? Pretty simple too, I have MS. I used to be a teacher to 9, 10 an 11 year old kids, but the MS got in the way. Now I work at a tiny foundation that helps people with a mental disability to have a nice and useful day. I do this three mornings in the week. When I get home, first things first! I sit on my couch and embroider! When I'm rested I get to do the stuff like laundry, dishes, vacuuming, etc. (My husband is a big help, he does the windows and the cooking, but only because he thinks he's better at it, lol!) I found a very cheap DMC shop, only 35 eurocents a piece. And I saved up some money to buy the main thread pack from renaissance dying, after your email on the subject. I always save upfront if I'm going to buy something for my hobby. Right now, I'm saving up for a new sewingmachine, because I would like to make my own bags and... embroider on them! Would make some nice gifts for friends and family!
Gwen Kok (28), from Dordrecht, the Netherlands.]]> 1817 onafixedincome noreply@blogger.com 2010-03-24 12:05:32 2010-03-24 12:05:32 1 0
Silliness aside, I have to admit, some of those questions have been itching me for a while. "How do you afford..." is more like, "How can *I* afford..", though. And the answer is, "I don't!"

So I sigh over your materials and use my plebian cotton and spin my own crewel wool (or try to!) and still have a blast playing around--which to be honest, is about my depth of interest in this stuff. :)

(Although thanks to a certain blogger whose initials are MC, it's getting deeper and deeper and...!!)

"Organize" and "Finish" are two words that rarely show up in my life--I'm chronically frazzlepated and largely unfinished. Just the way it is, but a few words on how to keep your focus on something to GET it finished would be really helpful.

The very best thing about your blog, Mary, is that it feels like I get to go see a friend every day. That alone is worth its weight in gold bullion!

Keep up the good work and please do keep us informed as you search for another camera (and when you get it, I want the Stylus, okay?).]]> 1818 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-24 12:01:25 2010-03-24 12:01:25 1 0
Janice - the Mac choice was primarily because of the blogging, but even at the time I decided on it, I did not know much about it. I am re-working and expanding the videos this year, and all recommendations pointed towards a Mac being more useful for video and for graphics, though in truth, PCs work fine for both as well. But I was in the market last year for a new computer - my PC was getting quirky and I knew it was just a matter of time. So I started looking into the iMac seriously. I was afraid there would be some kind of "learning curve", but I was incredibly mistaken on that! It is so easy to use, I wonder why I ever used a PC. There are a few things that you do differently, but overall, the machine (I call it my Mighty Mac Monster) is intuitive - simplicity itself, really. I was in MacHeaven when I got it - not an ounce of buyer's remorse! And I'm still just as thrilled with it. Ok, and another thing that sold me on it (I'm almost embarrassed to admit it!) Um.... I had just repainted my room periwinkle, with nickel hardware and all white furniture, shelves, etc. And this is the most difficult thing to admit, but .... the iMac matched. :-) Yes, I bought my computer because it matched the room. (Not the only reason! But it did have some swaying influence!) They're sleek machines!

Anna - thank you! It sounds as if you have had a full and rich life! A good way to live!

Melissa - I suppose I talk about kids a lot, but I don't have the responsibility of them. I have more nieces and nephews than most people can claim, that's for sure, and a gaggle of them are always around, or I'm always around over at their houses... so I have lots of contact with kids. The kids I photograph for different things (the temari ball, the First Communion dress) are nieces.

Oh, I have two teaching jobs. I teach two high school English courses at a local high school five mornings a week, and I've been doing that for 17 years. About six years ago, not too long after finishing my postgraduate work in education, I took up teaching some college courses in a teacher prep program. Depending on the semester, I teach anywhere from three to nine hours a week there (one to three 3-credit hour courses). This happens to be a light semester. :-)

By the way, laryngitis and teaching don't mix....

MC]]> 1819 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-03-24 11:56:31 2010-03-24 11:56:31 1 0
It is just so surprising that people dare to ask you such questions. You do not have to justify what you do with your money. I love to read about all the beautiful supplies you work with, you share really interesting informations. And yes, I agree with you : good supplies make better results. Now I try to buy just a little each month, and not stock supplies which maybe - one day- I'll probably use. Less but better !

Have a nice day (despite the illness)

PS : If you manage to sell your brother I would be interested how you did it - I also have a brother ;-)]]> 1821 Sharon Brodeuse noreply@blogger.com 2010-03-24 11:37:09 2010-03-24 11:37:09 1 0 Enjoyed learning about the technology you use for your blog.

It was evident to me from reading your first post that you are a real teacher. There is such clarity in your explanations.

One of the things I most enjoy on your site is your detailed comparisons of materials - threads and fabrics. This has opened a world of possibilities.

And it seems obvious to me that an individual would adjust the types of materials one buys according to their available budget - in a creative way! For example, just read in Jane Rainbow's book her suggestion to substitute linen union for crewel projects(at 50% the cost of linen twill)with good results.

And of course, by prioritizing, to make time for embroidering - small projects can be just as satisfying as a more complicated one.

Your blog is a course in every aspect of embroidery, in itself. Thank you for it and for sharing your knowledge with us.

I call you the Julia Child of Embroidery (when is PBS going to pick up on this idea? ;)]]> 1822 Paula noreply@blogger.com http://www.blogger.com/profile/00031604730237076503 2010-03-24 11:35:30 2010-03-24 11:35:30 1 0
Didn’t everyone’s mom say; “If it worth doing, it is worth doing well.”? Needlework takes time. It is also a learned skill. So, with all the time invested in learning those skills and executing the work why would you not want to use the best materials you can find? In today’s world of “use it and throw it away” society we needle workers are very, very fortunate to have a few suppliers still dedicated to producing quality threads and fabric! Better to have a small box of really nice threads than to have a HUGE stash of threads and material you do not like and will never use!

Who says a “stash” has to be built all at once? It takes time to plan and execute a expensive project so why not purchase your materials over time if dollars are short? Threads this month, foundation material next month, etc. While some kinds of embroidery are expensive, there are many types beautiful embroidery that are very inexpensive. With just a good piece of cotton fabric and some cotton thread you can do: huck, red work, white work, pulled thread, black work, cross stitch, hardanger, candlewick, and on and on and on. Not every stitch you take with a needle has to be in gold and silk on linen. They are only part of the whole world of embroidery. I am not a needlework snob either. I just sprinkle in a few of those expensive projects as my budget allows. After all, you can’t eat ice cream every day and still it to be a special treat!]]> 1826 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-24 11:22:26 2010-03-24 11:22:26 1 0
Oh, please don't be upset about the questions people ask! I should have tempered #6 so that it didn't sound quite so intrusive! Allow me to clarify:

#6 usually comes from folks who unsubscribe from my newsletter, after subscribing around a give-away, hanging on for a couple weeks, and then unsubscribing with comments about expensive, snobby, etc. The question also shows up in e-mails, but I really don't take offense when they come this way. Basically, it boils down to something very natural that pops into people's heads: "Wow. How do they afford that?"

Oh - the crack about my brother!! It was a just a crack! We get along famously - he's my favorite brother! (Of course, he's my only brother...) I suspect that was just some "family humor" slipping out - we really do get along well, and I hope no one thought that was indicative of some kind of family row. It's completely not. (Secretly, deep down, I think was hoping he really reads my blog, and this would smoke him out! Surely he'd have to respond! No luck on that yet, though...) And besides, he has a wife. I think she has property rights....

Christa - WordPress: this is because of flexibility. I will be able to maintain a more complex website with a blog in it than I would using Blogger. I have been thinking about WordPress for a year or so, but sometimes, change is a bit daunting, and I knew my local ISP would not be able to support WordPress, so I'd have to change hosts and everything. But Blogger has forced it by discontinuing support for FTP.... so, WordPress it is. And I'm excited about it! It's going to cost a bit more to maintain the site, but I think it'll be worth it for everyone in the long run!

MC]]> 1827 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2010-03-24 11:19:33 2010-03-24 11:19:33 1 0
I really appreciate that you use high quality supplies and point us in the direction of people who supply them. It's beautiful and inspiring stuff, even if I can't afford it at the moment. It takes an effort to keep that sector of the market alive, and I think we'd lose something important if it failed.

If I may ask one further personal question - what grade do you teach? High school? Elementary? I apologize if that's too nosy a question. :-)

Thanks!
Melissa]]> 1830 AnnaK noreply@blogger.com http://www.blogger.com/profile/04733272049707899821 2010-03-24 11:13:07 2010-03-24 11:13:07 1 0 When our kids were small, my husband and I lived on crafts (mostly during the summer) and on the potatoes, carrots and onions we grew, the berries and fruit we picked and preserved. Like you we have NEVER bought anything (except our houses) without having the cash to pay for it. We live a good life and by prioritizing we are able to have the things we want/need and do the things we like to do!
Never feel you have to explain!
Love and hugs from
AnnaK]]> 1837 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-03-24 11:02:39 2010-03-24 11:02:39 1 0
I am curious about your use of the iMac vis a vis needlework -- or is that not the main reason you chose it? Do you use it for your design work differently than you would a PC? I have vaguely thought a Mac might come in handy when trying to create designs, but I don't know enough about Macs to understand how.

Finally, I was taken aback at the accusation that your preference for high quality materials constitutes snobbery! I also live simply, don't have cable, and shop only when absolutely necessary; needlework and beading are my only indulgences. I don't understand why anyone should having to justify preferring good quality, if more expensive, needlework materials over lower quality ones, even if one isn't wealthy. Wow!]]> 1843 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-03-24 10:31:59 2010-03-24 10:31:59 1 0
I, for one, am incensed and take deep umbrage on your behalf, for anyone to ask questions about your finances and something that is NONE OF THEIR BUSINESS! (Question 6) How Dare They ??!!

I applaud your "grit" that you would even honor such an insult with an answer!!

I started with a needle, cotton floss and a piece of cloth, and happened upon your blog to my continuing great delight and edification! Thanks to your kind tutelage, I've moved on, into goldwork, crewel, and now stumpwork. Regarding the cost of materials, "You can't make a silk purse out of a sow's ear"!

On a personal note: What's going on? Is something in the air? My two loving brothers are at each others' throats full of insults, after 60 years of harmony!!! Let's get back to NEEDLEWORK and GOOD MANNERS !!

Your continuing and devoted fan.

Judy in Pittsburgh]]> 1849 irene noreply@blogger.com 2010-03-24 09:13:48 2010-03-24 09:13:48 1 0
Finances are always a matter of priorities. If stitching is important enough, we find ways to pinch the pennies to do what we love. Same with time.

Just keep doing what you do. I may be a lowly cross stitcher but I love your blog, wouldn't miss it for the world.]]> 1850 Anonymous noreply@blogger.com 2010-03-24 08:53:26 2010-03-24 08:53:26 1 0
I, too, feel like I have found a friend as I read your postings every day. I would love to meet you someday, though I doubt it will ever happen.

My kids are no longer at home, and so I now have a lot of "free" time. I have never watched TV, and for years people have asked me how I got so many things done. That is the answer, along with choosing how you want to spend your free time. I found that reading cheap novels was also a time waster, as is sitting in front of the computer, surfing the Web. So we all choose what we want to do, and then blast those who are more successful than we are. That's my rant!

Keep up the good work. I love it! And let us know how the non-verbal teaching goes today. Sandi Hersh]]> 1852 Anonymous noreply@blogger.com 2010-03-24 08:42:09 2010-03-24 08:42:09 1 0 I just have to say again that I love Needle n Thread and look forward to it each and everyday. It has been therapy for me since the loss of my husband and I would never ever ask about your personal life just as you would never ask me. I too have whittled down my debt...luckily before my husbands passing, and live a simple life as well. Keep doing what you are doing!!!
You are admired beyond words.

Annie in "SPRING IS FINALLY HERE" Michigan]]> 1853 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-24 08:18:51 2010-03-24 08:18:51 1 0
I agree with you on all your inputs in today's post. I am amazed that people are so intrusive. I agree that hobbies are expensive but the fact remains that they are so fulfilling. My husband and I have a son who will join college in a year's time and a younger child who is in school. So my embroidery budget requires a lot of juggling with other things getting priority. Not that I am complaining. So I have been slowly acquiring the A-Z series, the Hardwicke Manor hoops etc with careful budgeting. I for one am so glad that you recommend stuff that is good quality and I dont regret the money ( that is really a lot when you convert it to rupees)- I have spent on them. So thanks Mary for introducing me to so many new products.]]> 1854 Christa Evans ce@lilystitch.com http://www.blogger.com/profile/12003666963817648329 2010-03-24 08:11:51 2010-03-24 08:11:51 1 0
Great post! I read your blog because of the GREAT NeedleArt content that is published but I am also intrigued by the technology that lies behind it. Like you, I'm saving for a good digital camera with micro lenses to take (and post good pictures). Please comment on your journey to the right camera. I'm also about 9 months away.

Question - what brought you to working with WordPress? I've heard for a long time that there is more flexibility within the software. Is it more of a Mac decision?

Hope your teaching goes well, even with the laryngitis.
Christa]]> 1860 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-24 07:31:02 2010-03-24 07:31:02 1 0
Some specifics -

Laura - yes, I see what you mean!

Elizabeth - thank you for the input! You know, I totally agree on the finish work thing. I'm guilty of occasionally not finishing things, but actually, because of the blog here, I finish things up a lot more than I used to!

Marysia - yes, 10. Yes, shocking what people will ask about - those who ask the last question are not usually people who stick around. I think if you have a blogger account or gmail account, you can just use the blogger account info rather than the open id. I think?!!

Sue - glad to hear you're on your way there! It's such a relief when it's all done, and you'll be oh-so-glad that your kids pushed you in that direction! It makes all the difference in the world!

Elza - Thank you so much for your kind words! You're always welcome to ask me anything you want to ask, really - that's what happens when people stick themselves out here on the internet for all the world to see, so I don't mind the questions! There are some questions I probably wouldn't answer :-) but I don't really have too many secrets in my life!

Thanks, Kath! I always appreciate your early morning comments (or, uh.... that would be late evening comments, for you!)

Hi, Deepa - yes, I understand your situation, and I believe that for most people with families, it is the case that the hobbies come in as the last consideration! But look at the trade-off! I am sure it is worth it. As for drawing - I primarily use the mouse with Inkscape. Occasionally, I'll haul out the tablet. With the mouse, I draw straight lines, and then turn them into curves, so I'm not actually drawing the curve node by node. I start with the straight line on the starting and stopping point of where a curve would be, and then I change it to a curved line and adjust it however I need to, to fit the curve. Much easier, when you're using a mouse, than trying to draw a curvy line!

Thanks all!

Incidentally, I have laryngitis today, and I'm heading off to teach. I wonder how one does that??! I suppose today, I will learn something new - how to communicate with my students without actually speaking. Should be fun! Wish me luck!]]> 1863 reynardo noreply@blogger.com http://reynardo.livejournal.com/ 2010-03-24 07:06:38 2010-03-24 07:06:38 1 0 Though I do have a younger brother that I always thought might bring a decent price if I could market him correctly....

I'm afraid the market is oversupplied, he's past his use-by date and out of warranty, there's not a lot of demand for them and you can't even sell them off for parts.

Three of my own - why do you ask?

Although I am having some luck selling the dog's kidneys on Ebay to put towards a house deposit. So far we're up to 23... no... wait... 24 now, and still going strong.]]> 1865 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-03-24 06:58:18 2010-03-24 06:58:18 1 0 By the way, I do have one more question - you said you use illustrator/inkscape for drawings. How do you draw with them ? - do u use a tablet? I find drawing with the mouse very tedious and am always surprised at how symmetric your drawings are.

regards,
Deepa]]> 1868 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-24 06:35:12 2010-03-24 06:35:12 1 0
Good one!

Cheers, Kath.

PS, that's a compliment, with appreciation and thanks.]]> 1869 sue noreply@blogger.com http://www.blogger.com/profile/00770592335543390352 2010-03-24 06:34:43 2010-03-24 06:34:43 1 0 Sue]]> 1870 Elza Bester noreply@blogger.com 2010-03-24 06:20:55 2010-03-24 06:20:55 1 0 I sincerly hope we will share this special friendship for many a year to come and I am looking forward to your new website. Kind regards Elza Bester, Cape Town.]]> 1872 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2010-03-24 06:06:53 2010-03-24 06:06:53 1 0
I have to write and say that I appreciate receiving my daily email from you. Totally in awe of your work, your kindness and generosity of spirit in sharing your immense skill and talent.

Oh dear, I also have to be honest........I am rather shocked that people ask you such questions.......you know the one I am referring to!!

How wonderful and refreshing to have someone who has the philosophy of saving and budgeting.....I am early retired, so I dont have a huge stash of fabrics etc, I buy for the projects I am working on, but I have built up a collection of threads for my smocking; however, nothing by others standards. However, I am happy working this way and its great to have my wishlist and save and build up the supplies I want for my pattern drafting, sewing, smocking etc.

Interesting that your sister has such a wonderful large family; I have two daughters, my twinsister 8 fabulous boys!!

Thank you for the daily bog; it is always inspirational.

Oh, just to say Mary, showing that I am not 100 up on technology. When posting and entering my google account, never sure whether I should put a tick in the open 1d, name/url etc?
That should make people smile!!]]> 1873 Laura Bullinger noreply@blogger.com 2010-03-24 06:06:16 2010-03-24 06:06:16 1 0 Overall, anyone can see that you are a "real" person and not snooty or over-the-top. Don't bother trying to please everyone - no one in history has accomplished that goal. People who send those less-than-pleasant comments are not happy people, Even if you are giving away free kits, they will accuse you of sitting above the masses. You cannot win. I can almost guarantee that even these explanations will not deter the commenters from throwing stones. Accept that and gird yourself and protect yourself. Just don't bother to explain.]]> 1875 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-03-24 06:02:55 2010-03-24 06:02:55 1 0
I like the bit about debt as well. That's something that I wonder about with many folks - how they can even sleep at night knowing they manage their finances so appallingly as to have multiple debts and credit cards. We have £/$0 in zero in debt, no credit cards and even savings of a few thousand! I too was raised in a frugal manner and, when I married a guy with a GB£7000 student loan (about US$10K), I sorted us out with a savings plan that saw that paid off in full within about 3 years (which also meant that he could get about 50% off!) and still left enough to buy a nice 2nd hand car.=) Sure, I have a good thousand pounds worth of art and craft supplies, but I get most of them discount on-line, via e-bay and so on and I don't hoard what I won't use and sell on the stuff that I've changed my mind about, or used.

I also think that some folk complain about not having money for certain things stitchwise when they have the most ENORMOUS stashes of stuff they're just not using and it could even be that husbands have seen this and put feet down..... I visited someone's (colossal) stash list recently as well as their WIP/UFO lists (40 items!) and was very tempted to leave a comment on the wishlist page saying, 'You dare have a wish list??' NOT that this lady laid claims to poverty, but I feel certain that there will be some who have a lot already, but just don't have some things that, say, you might.

Something else I find that helps a lot with producing an interesting blog is to get on and finish things. I'm no shining example of that at the mo as I'm busy studying abroad, my health is nothing short of lousy at the mo and I seem to be in a (hopefully) temporary lack of interest in needlework period, but I have had one lady comment that she never finished anything in her life! If one wants to have something good to blog about, then one needs to get on and finish things and not have too many WIP project. I keep it to 3 at a max, usually 2 decent sized things and one small project (card, bookmark), so I have a choice of what to work on. Blog is varied, but readers don't lose track of 73 projects all going at once! Also, people like to see finishes and they're most satisfying to blog.

And that's my NT$2 worth!!! The New Taiwan Dollar is too small to have cents....]]> http://www.needlenthread.com/2007/12/embroidery-and-hobbies-price-tags-and.html Wed, 12 Dec 2007 10:38:00 -0600 Mary Corbet 50 2007-12-12 10:38:00 2007-12-12 10:38:00 open open Embroidery-and-Hobbies:-Price-Tags-and-Budgets publish 0 0 post

Whether you're buying linen or threads, frames, needles, hoops, or scissors, you know that the costs can add up! Even if you are a casual embroiderer who takes up a project now and then, chances are, you've spent money on your hobby.

This is a somewhat "personal" rant (I don't normally get too personal on here!), but since the question has come up numerous times from readers, I thought I'd address it. I hope you don't mind!

I receive a lot of e-mail from people who are looking for less expensive linen, cheaper silk, the place to get goldwork supplies "cheap," and what it all boils down to is that we look for ways to save money on supplies because living is expensive. I'm all for saving a buck (many bucks, if possible!), but I realize that some things just do cost money. I just received an e-mail from a reader who told me, "I can't afford to get into embroidery like you do, but I'd like to. Do you get a discount on your supplies from the shops you promote? If not, how do you afford doing everything you do? It has to cost money!"

No, I don't get anything from the needlework shops I promote. I promote them because they've provided me with a good service. She's right, it does cost money!

Here's a very real example: For the last several months, I've been looking for an ideal embroidery stand. I started hunting around, even driving two hours one way just to try an embroidery stand. I finally found the embroidery stand I want, but the price tag was out of my reach - almost $300 for the two components that would make it usable for me!

And yet, the stand will arrive this week! I'm very excited about that. How did I manage it? Did I just "charge it" and plan to "pay for it later," so I could have it now? If I had done so, I would have had it months ago! But, given human nature and the credit card mentality, it probably still wouldn't be paid off, and I'd be paying interest on it, to boot. And that would make an already too-expensive product ridiculously pricey.

So what's the key to being able to afford your hobby so that you can enjoy it with a free and easy mind, knowing that the supplies, books, needlework stands, lights, little splurges on your needlework stash - whatever niceties you purchase - haven't become just one more debt to pay off, sometime in the future, when you realize that your credit card has ballooned to extraordinary proportions? I know I can't enjoy things wholly when I have a cloud of debt hanging over my head.

The key is budgeting. If you spend money on your hobby, but it sets you back and puts you in debt, then you're doing something wrong, and it will eventually catch up with you! I know, because I've been there! Now, I have a budget, and in that budget is figured my "fun" money - the money I spend on my hobby. When I want to make a major purchase, such as a $300 needlework stand, I don't buy it right now because I want it now. I plan it into my budget and I save towards it, until I can buy it. If something comes up that's an absolute need, I adjust my budget accordingly.

Budgeting isn't hard - it's not rigid or restricting if done the right way! On the contrary, on a budget, you're much freer to do things, because you know exactly where you money is and what you're doing with it.

So, to answer the inquiries I've received on affording needlework supplies, now you know how I do it - I'm not wealthy, but I don't subscribe to credit card spending, either. I just... budget!

Budget your money and budget your time - and you'll enjoy your embroidery a whole heck of a lot more!
]]> miscellaneous embroidery musings 4720 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-02 15:44:58 2009-11-02 15:44:58 1 0
Welcome aboard - I'm glad you found me! It sounds as if we think a lot alike!

I'm also really glad you found the video library useful. I've got "plans" for it in the near future - well, it'll probably be the Christmas holidays before anything becomes noticeable, but ... something to look forward to, anyway!

Thanks for your comment! Happy stitching!

Mary]]> 4721 Kathleen C. villagequilter@gmail.com http://www.blogger.com/profile/00006196303709544992 2009-11-02 15:26:53 2009-11-02 15:26:53 1 0
I've read your post about budgeting and wholeheartedly agree; everything you said applies to the expensive hobby of quilting, too. I've lived my life as you describe and feel good for doing so.
I am a quilter, patchworker and hand appliquer. I love the peacefulness of doing hand applique and hand quilting (tho lately have wanted to see things finished more quickly and have been using the sewing machine); I am drawn to your work for the same calm feeling that I get when doing needleturn applique.
When I began quilting, I bought inexpensive fabric, then graduated to better quality.
Now I may do the same with embroidery-start with DMC floss and plain fabric with simple designs.
Thanks for your great site; I've subscribed to the feed.
Kathleen C.
villagequilter@gmail.com]]> 5690 erin fay noreply@blogger.com 2009-09-10 00:05:00 2009-09-10 00:05:00 1 0 i just read about budgeting . and yes i agree being on disabiltily pension, every thing get prepaid even gas elect rent what is left after our basic needs are meet i spend on my hobbys. with going to craft groups if any one has a bit of lace or material they know i love all little treasures it is good for learning skills and if i stuff up i know i did not pay alot for it god bless]]> 8179 Linda lnelson@azglulam.com http://www.blogger.com/profile/11072878604883231136 2009-03-30 17:08:00 2009-03-30 17:08:00 1 0 9057 Anonymous noreply@blogger.com 2009-01-29 11:01:00 2009-01-29 11:01:00 1 0 9922 Anonymous noreply@blogger.com 2008-11-11 16:10:00 2008-11-11 16:10:00 1 0 10380 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-26 14:01:08 2008-09-26 14:01:08 1 0
I bought the Needlework System 4. It's the Best Needlework Purchase I have ever made.

You can see my review of it here:

Needlework System 4 Review

Thanks,
Mary]]> 10381 Anonymous noreply@blogger.com 2008-09-26 12:51:00 2008-09-26 12:51:00 1 0
I'd love to know what kind of craft stand you went for, but the link is broken! I ended up with a Lowery, and it really was a considered purchase. I love it but gave up other things to get it!

Happy stitching!]]> 12622 Joey noreply@blogger.com 2007-12-15 10:32:00 2007-12-15 10:32:00 1 0 12625 Margaet C. noreply@blogger.com 2007-12-14 16:18:00 2007-12-14 16:18:00 1 0
I want to comment about supporting local needlework shops. I live in San Diego, a large city. I buy almost all of my needlework supplies on-line because the local needlework shops look at me like I am sort of alien creature because I don't do cross stitch or needlework. I want Appleton crewel wool, twill fabric, silk flosses, goldwork supplies, etc. I don't really blame the needlework shops for not carrying any of these things, but I don't feel guilty for not patronising them either because they don't have anything I want.]]> 12633 Anonymous noreply@blogger.com 2007-12-13 07:53:54 2007-12-13 07:53:54 1 0
Especially for the young people out there, you couldn't help them better by directing them to this type of financial management. I always tell college students who are always swiping out credit cards they better shut up and listen to this guy or they're going to be miserable.

My hobbies didn't help our financial situation!

But now we're doing fine. I don't have to have a job and I have time and money for my hobbies. Better yet, I have time for my daughters. And I'm teaching them my hobbies thanks to your videos.

Thanks for your sight.]]> 12635 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-12 20:24:05 2007-12-12 20:24:05 1 0 12636 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2007-12-12 17:48:00 2007-12-12 17:48:00 1 0 However, I'd like to add one more tidbit of food for thought. As a former needlework shop owner, I believe that the local needlework shop is the backbone of the needle craft industry. I have often thought how discouraging it is that so many stitchers seemed to balk at suggested retail prices. With the advent of the Internet, it is easy for stores to undercut their competition or for private parties to sell through on-line auction houses. My thought is that if we stitchers continue to refuse to support the industry (i.e. support the small independent needlework stores), it won't be long before we no longer have all the wonderful supplies we might take for granted today. Something to think about; it's all about priorities.
Joey]]> http://www.needlenthread.com/2010/03/give-away-crewel-wool-by-renaissance.html Mon, 22 Mar 2010 05:00:00 -0500 Mary Corbet 51 2010-03-22 05:00:00 2010-03-22 05:00:00 open open Give-Away!-Crewel-Wool-by-Renaissance-Dyeing-Company publish 0 0 post Renaissance Dyeing, a company that hand-dyes wool threads using natural dyes, creating gorgeous ranges of color on a beautiful wool that's ideal for crewel embroidery and tapestry work. The Elizabethan Embroidery Range (crewel embroidery wool) is what's up for grabs today - 27 skeins of naturally dyed wool, dyed using the same dyes available in the 16th century.

The first time I used the Renaissance Dyeing threads was after I bought a sample pack from Hedgehog Handworks. I was struck right off the bat by their softness and the fact that they stitch up very nicely - they're easy to work with. The color range also impressed me - and I didn't even know, at that time, all the work that goes into hand-dyeing this beautiful wool. If you have time, you should browse through the Renaissance Dyeing website and take a look at their blog. It's a real eye-opener about the work behind the threads we like to use!

I used Renaissance Dyeing wool on my crewel rooster project, by the way - especially on the flowers:



It makes a wonderful satin stitch and very nice French knots!



After discovering the wonderful thread on my own and buying a bit of it, I made use of it in my crewel rooster project and linked back to their website. And they very kindly wrote and offered a packet of their wool for a give-away! I took Andie up on the offer - I couldn't quite pass up the opportunity to let one of my readers build a nice starter-stash of a good thread! Thank you, Andie!



So, what I'm giving away is a beautiful color range of "Elizabethan" colors - colors typical of the 16th century, and dyed in the same manner as threads were back then!



Beautiful, aren't they??

If you would like an opportunity to win this package of threads, please read the following Rules of the Give-Away:

1. All eligible comments must be left on the website, on this post. Comments left on other posts or sent via e-mail (in reply to the daily newsletter) will not be eligible. So please make sure you visit the website to leave your comment! For those who read Needle 'n Thread via RSS feed or in your e-mail, just click on the title of the post, and it'll take you straight to the right post on the website.

2. Please make sure you sign your comment, if you choose to comment using the "anonymous" feature.

3. Answer the following question in your comment:

(This is predictable!) What type of design would you stitch with this collection of threads? (Feel free to daydream a bit here, if you don't really have any set idea at this point!)

4. The give-away ends on Thursday, March 25, at 5:00 am CST (Kansas, USA).

I'm happy to mail the package of threads anywhere in the world, so all are welcomed to sign up! (Overseas mailings will be sent by the least expensive airmail option, and the receiver is responsible for any custom duties, etc. I am not liable for any postal misdirection or loss for overseas mailings.... That has only happened once with my give-aways, but should it happen again, please understand that I cannot replace the parcel.)

Best of luck!
]]> threads pictures wool crewel work Give Away 1744 annie_and_the_mad_hatter noreply@blogger.com http://www.blogger.com/profile/06119949891057214207 2010-03-25 19:21:57 2010-03-25 19:21:57 1 0 Annie]]> 1748 Anonymous noreply@blogger.com 2010-03-25 14:48:19 2010-03-25 14:48:19 1 0

Pat Spring Tx]]> 1761 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2010-03-25 00:39:43 2010-03-25 00:39:43 1 0 1762 Cheryl noreply@blogger.com http://www.blogger.com/profile/10071563361390572389 2010-03-25 00:23:56 2010-03-25 00:23:56 1 0 build the gingerbread house knitted
tea cosy that I want to make.
Thank you for a chance to win.]]> 1763 Anonymous noreply@blogger.com 2010-03-24 23:44:06 2010-03-24 23:44:06 1 0 I've just discovered your site, I'm a return beginner to embroidery, did it as a teen, now about 60. I really love your photos of the work you have done. I just feel an urgent need to be creative, make my own designs, and maybe combine materials, felt, buttons, seeds, paper, with the embroidery. Could put the give away crewel threads to good use, I have a chronic illness and can't afford a lot of materials; need for creativity there! Thanks for the website and all the tutorials, it's been a big help to me.
Emily Krahn, Virginia Beach
bobodoll4@yahoo.com]]> 1767 kiran seth noreply@blogger.com 2010-03-24 22:17:07 2010-03-24 22:17:07 1 0 this is just so beautiful...
i would love to embroider van cogh's sunflower painting or something similar...
it is so beautiful...
thank you
kiran seth]]> 1768 Mary J. Marshall noreply@blogger.com 2010-03-24 22:07:22 2010-03-24 22:07:22 1 0
The lovely threads would be stitched into a wreath of my favorite floras such as columbine, violets and lilies. I have had a wonderful piece of wool blanketing from Australian tucked away in my embroidery stash for sometime just awaiting such a set of fine threads. The cozy blanket is to adorn the chaise in my bedroom. My favorite stitching nook. Thank you for the opportunity to acquire this luxurious set of threads.

Stitching down south,
Mary J. Marshall]]> 1769 Tracy noreply@blogger.com 2010-03-24 21:53:29 2010-03-24 21:53:29 1 0 1773 Nicole noreply@blogger.com http://www.blogger.com/profile/13283478825820789034 2010-03-24 21:29:03 2010-03-24 21:29:03 1 0 1775 Anonymous noreply@blogger.com 2010-03-24 21:16:14 2010-03-24 21:16:14 1 0
Sharon Ihde
Bakersfield, CA]]> 1776 billiemick noreply@blogger.com http://www.blogger.com/profile/12962933031675452865 2010-03-24 20:45:50 2010-03-24 20:45:50 1 0
Billie]]> 1777 Anonymous noreply@blogger.com 2010-03-24 20:12:19 2010-03-24 20:12:19 1 0 Sharon Middlebrook
czechcostumesblogspot.com]]> 1780 blphipps1@yahoo.com noreply@blogger.com 2010-03-24 19:52:58 2010-03-24 19:52:58 1 0 1781 lewmew noreply@blogger.com http://www.blogger.com/profile/00060405110305781007 2010-03-24 19:29:43 2010-03-24 19:29:43 1 0 1783 Anonymous noreply@blogger.com 2010-03-24 18:10:19 2010-03-24 18:10:19 1 0 1787 Anonymous noreply@blogger.com 2010-03-24 17:54:44 2010-03-24 17:54:44 1 0 Thanks for the opportunity....

Dixie]]> 1788 Penelope Jane noreply@blogger.com 2010-03-24 17:40:33 2010-03-24 17:40:33 1 0 1789 Do Be Do Bead Do SandiLeeJames@gmail.com http://www.blogger.com/profile/17776668704580998133 2010-03-24 17:40:14 2010-03-24 17:40:14 1 0 1790 The Museum Quilt Guild noreply@blogger.com http://www.blogger.com/profile/11646501853063261602 2010-03-24 17:35:41 2010-03-24 17:35:41 1 0 I am taking Sharon Boggon's Sumptuous surfaces and I would use them on this for sure!]]> 1792 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-24 17:14:42 2010-03-24 17:14:42 1 0 : the rooster you did (I do love him)
or
: a Tree of Life, because that is so essentially "Jacobean"]]> 1793 Marty52 mamatrahan@msn.com http://www.blogger.com/profile/13237461237107850391 2010-03-24 16:52:06 2010-03-24 16:52:06 1 0 1795 mac noreply@blogger.com http://www.blogger.com/profile/12399692936140173245 2010-03-24 16:08:48 2010-03-24 16:08:48 1 0 1796 ClinkscalesArts noreply@blogger.com http://www.blogger.com/profile/13986861296630567555 2010-03-24 16:01:30 2010-03-24 16:01:30 1 0
~Susan]]> 1798 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2010-03-24 15:34:17 2010-03-24 15:34:17 1 0 1800 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2010-03-24 15:15:35 2010-03-24 15:15:35 1 0 I love all the lovely things that you discover and share with the group...please keep it up!]]> 1801 Kathy noreply@blogger.com http://www.blogger.com/profile/13391152401051501717 2010-03-24 15:05:24 2010-03-24 15:05:24 1 0 1802 Turtle moonhonu@yahoo.com http://www.blogger.com/profile/01851819627750022788 2010-03-24 15:01:19 2010-03-24 15:01:19 1 0 1803 Kim R. nascar333fan@gmail.com http://www.blogger.com/profile/17758600733076361996 2010-03-24 14:53:21 2010-03-24 14:53:21 1 0
kimberlybreid at hotmail dot com]]> 1805 Anonymous noreply@blogger.com 2010-03-24 14:46:56 2010-03-24 14:46:56 1 0
Marti in PA]]> 1807 pippirose pippirose59@gmail.com http://www.blogger.com/profile/01434077761560911345 2010-03-24 14:26:09 2010-03-24 14:26:09 1 0 I would probably do a wall-hanging, maybe something "foresty"--with animals, mushrooms...
:o)
pippirose59 at gmail dot com]]> 1808 damselfly damselflydesigns@gmail.com http://www.blogger.com/profile/18178597882288851908 2010-03-24 14:15:18 2010-03-24 14:15:18 1 0 I am currently enrolled in City and Guilds Level 3 Embroidery, and will at one point need to create my own crewel design. It would be wonderful to have these yarns teasing me to hurry up to that portion of the course to use them. I will probably use a floral theme for these wools.]]> 1810 Lorrie noreply@blogger.com http://www.blogger.com/profile/16277959127919127458 2010-03-24 13:22:54 2010-03-24 13:22:54 1 0 1811 Erin Nichole shortwindedmuse@gmail.com http://www.blogger.com/profile/02915715903871719565 2010-03-24 13:17:24 2010-03-24 13:17:24 1 0 1814 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2010-03-24 12:30:02 2010-03-24 12:30:02 1 0 Thanks so much for sharing all your knowledge.
Laura Herrmann]]> 1815 La Bergère Brodeuse noreply@blogger.com http://www.blogger.com/profile/05168940189062032838 2010-03-24 12:15:49 2010-03-24 12:15:49 1 0 1820 Joanna joanna.perry0109@yahoo.com http://www.blogger.com/profile/10434220084140118982 2010-03-24 11:53:39 2010-03-24 11:53:39 1 0

Those threads are beautiful and their quality would deserve something special, so I would challenge myself if I won them. I love crewel work, so I think that is what I would use them for, except I would do alot of practising first.]]> 1823 Jacqueline noreply@blogger.com http://www.blogger.com/profile/17233953015794588367 2010-03-24 11:35:18 2010-03-24 11:35:18 1 0
Jackie from Canada]]> 1824 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2010-03-24 11:27:56 2010-03-24 11:27:56 1 0
What lovely wool skeins!! I was dreaming about owing crewel wool off lately and here comes the opportunity to win some :). I would like to stitch up some floral designs with it. Thanks for the opportunity to win.

regards,
kirti]]> 1825 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2010-03-24 11:25:48 2010-03-24 11:25:48 1 0 I have to tell you that I've learned more about embroidery from this site than anywhere else. I ususally search your site first when I have a specific question. When I don't search hear first and I search the web for an answer, your site pops up close to the top every time. I trust your advise and instruction and have always been plesed with the results of following your teaching.

Thanks for all you do, Mary. I'd love to win the giveaway, but I just wanted to tell you how much I appreciate what you do.

Lin Taylor, Bradenton, FL]]> 1828 jvanvelsor noreply@blogger.com 2010-03-24 11:15:58 2010-03-24 11:15:58 1 0 The array of colors is just breathtaking. I just love the soft colors, yet they are vibrant and clear. Yum indeed.
I would like to use them to embroider a Jacobean tree of life design, on some very high quality cream wool.
Joan in Fair Oaks]]> 1829 Barb's Mindless "Meanderings" noreply@blogger.com http://www.blogger.com/profile/07580069810095512383 2010-03-24 11:14:07 2010-03-24 11:14:07 1 0 What a wonderful gesture! I have the perfect Rooster for these threads! He would look marvelous with my "Menagerie!"
Thenks for the opportunity.
Barb in Syracuse, NY]]> 1831 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-03-24 11:13:08 2010-03-24 11:13:08 1 0 1832 jvanvelsor noreply@blogger.com 2010-03-24 11:12:03 2010-03-24 11:12:03 1 0 Always hopeful
Joan in Fair Oaks]]> 1833 ButterflyLion noreply@blogger.com http://www.blogger.com/profile/16829449450721655380 2010-03-24 11:08:55 2010-03-24 11:08:55 1 0 1834 Carol noreply@blogger.com http://www.blogger.com/profile/15663256160369920564 2010-03-24 11:07:06 2010-03-24 11:07:06 1 0 1836 Mimi noreply@blogger.com http://www.blogger.com/profile/09807384185241255549 2010-03-24 11:03:13 2010-03-24 11:03:13 1 0 1838 Anonymous noreply@blogger.com 2010-03-24 11:02:14 2010-03-24 11:02:14 1 0 Thanks so much for everything you do.

Kim J in the UK]]> 1839 rosemaryschild noreply@blogger.com http://www.blogger.com/profile/01525206404143882389 2010-03-24 10:55:50 2010-03-24 10:55:50 1 0 1840 CHulsing noreply@blogger.com http://chulsing@hotmail.com 2010-03-24 10:45:54 2010-03-24 10:45:54 1 0
Carrie Hulsing]]> 1841 Anonymous noreply@blogger.com 2010-03-24 10:38:30 2010-03-24 10:38:30 1 0
Dawn C.
Southcoast, Ma]]> 1842 Rose noreply@blogger.com http://www.blogger.com/profile/08162033676536897801 2010-03-24 10:35:59 2010-03-24 10:35:59 1 0 1844 Anne Tuley noreply@blogger.com 2010-03-24 10:26:58 2010-03-24 10:26:58 1 0 1846 joy noreply@blogger.com http://www.blogger.com/profile/15316188637798690396 2010-03-24 10:19:41 2010-03-24 10:19:41 1 0 1847 Warwick family noreply@blogger.com http://www.blogger.com/profile/08760755396137804817 2010-03-24 10:13:17 2010-03-24 10:13:17 1 0 1848 Paula noreply@blogger.com http://www.blogger.com/profile/00031604730237076503 2010-03-24 09:32:59 2010-03-24 09:32:59 1 0 1851 DAS noreply@blogger.com http://www.blogger.com/profile/00623118914187101482 2010-03-24 08:50:28 2010-03-24 08:50:28 1 0
Thanks again.
Maureen Desilets]]> 1857 Anonymous noreply@blogger.com 2010-03-24 07:40:12 2010-03-24 07:40:12 1 0 I love the colors! I would do something with beasts - similar to 18th century English samplers. (I was so sidetracked browsing through them I almost missed the contest!) Thank you for your fascinating blog!
KathyC]]> 1858 Anonymous noreply@blogger.com 2010-03-24 07:39:18 2010-03-24 07:39:18 1 0 I love the colors! I would do something with beasts - similar to 18th century English samplers. (I was so sidetracked browsing through them I almost missed the contest!) Thank you for your fascinating blog!
KathyC]]> 1862 Randy noreply@blogger.com http://www.blogger.com/profile/06876808110426796447 2010-03-24 07:12:36 2010-03-24 07:12:36 1 0 1866 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-03-24 06:57:38 2010-03-24 06:57:38 1 0 Good luck for all dreaming about this give-away (for me too)
Mary, thank you very much.]]> 1867 sue salleh noreply@blogger.com http://s5_salleh@hotmail.com 2010-03-24 06:37:33 2010-03-24 06:37:33 1 0
This is the 1st time i', entering.

I will stitch daisies, tulip, rose buds, french notes, leaves on my khimaar.]]> 1871 Anonymous noreply@blogger.com 2010-03-24 06:08:07 2010-03-24 06:08:07 1 0
What would I make with them? I have a collection of old patterns that were my mother's before she passed away. I would love to do one of her Jacobean patterns with those threads.

Thrilled to have the opportunity to win them.

lynngelston@yahoo.com]]> 1874 Gillian noreply@blogger.com http://www.blogger.com/profile/08398724553076514377 2010-03-24 06:03:35 2010-03-24 06:03:35 1 0
Thank you once again for this great opportunity.

Gillian Gonzalez]]> 1876 Anonymous noreply@blogger.com 2010-03-24 06:00:05 2010-03-24 06:00:05 1 0
Pat Rogers
Illinois]]> 1878 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2010-03-24 03:05:37 2010-03-24 03:05:37 1 0 1879 Ruth O'Leary info@rutholearytextileart.co.uk http://www.blogger.com/profile/13960970278718542174 2010-03-24 02:58:20 2010-03-24 02:58:20 1 0
I'd like to try stiching Celtic spiral designs in the wools. I think it could look great - similar to the Cross Carpet pages in the Book of Kells or the Lindisfarne Gospels.

Ruth]]> 1880 Mirabilys nenuphar@quelquepart.org http://www.blogger.com/profile/11157527435843162235 2010-03-24 02:47:41 2010-03-24 02:47:41 1 0 I plan to do a sort of mysterious kitty well-dressed renaissance portrait...
Have a nice day!]]> 1881 firstfallen noreply@blogger.com http://www.blogger.com/profile/11542497430821477359 2010-03-24 02:17:44 2010-03-24 02:17:44 1 0
Jo in Cape Town]]> 1882 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-03-24 01:27:54 2010-03-24 01:27:54 1 0
As for the design, obviously, the first thought is a crewel flower, given the variegated shades in the give-away stash. And of course how could I forget your magnificent crewel rooster? That is a great source of inspiration for me.

I'm also fascinated by designs of Indian girls, in colourful attire, carrying water pots on their head. I have seen such designs available in painting kits or anchor quick-stitch kits, but I would wish to try needle painting on such a design if I ever win this gift :)

Once again a big thank you for this give-away and congrats to the lucky one...

Dhivya Santosh]]> 1886 Anonymous noreply@blogger.com 2010-03-23 21:33:14 2010-03-23 21:33:14 1 0 Looks like another great give away!
The colors are beauitful. I just purchased two books by Trish Barr so I am thinking I would like to try them with something out of one of the books. Thanks again for all your wonderful projects I love to follow a long.
Carrie in Washington]]> 1887 woolybooger evegrand@gmail.com http://www.blogger.com/profile/07281509066197793787 2010-03-23 19:32:32 2010-03-23 19:32:32 1 0
Your website is beautiul.]]> 1888 singtatter munfoong5@yahoo.com http://www.blogger.com/profile/17403928354173634051 2010-03-23 19:30:56 2010-03-23 19:30:56 1 0 1889 Linda noreply@blogger.com http://www.blogger.com/profile/12107204519063994231 2010-03-23 19:11:08 2010-03-23 19:11:08 1 0
Linda R. in Florida]]> 1891 IF THE BIRDS KNEW noreply@blogger.com 2010-03-23 18:29:27 2010-03-23 18:29:27 1 0 1892 lindaschiffer noreply@blogger.com http://www.seminolelinda.typepad.com/fiber_and_pulp 2010-03-23 18:03:15 2010-03-23 18:03:15 1 0
:) Linda]]> 1894 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09949046646183486644 2010-03-23 17:24:10 2010-03-23 17:24:10 1 0
Please sign me up for the crewel wool give-away! I would like to use this wool to get some experience in long and short shading stitch on small fruit/floral/leaves designs, like the ones in the "blanket." Thanks for the opportunity and the great daily lessons. I have been learning so much!

Didi]]> 1895 Arctic Needle arcticneedle@alaska.net http://www.blogger.com/profile/14342754674210758135 2010-03-23 17:07:43 2010-03-23 17:07:43 1 0
I receive your posts through an RSS feed and have recommended your blog to many of my students. I have particularly enjoyed your recent post on Goldwork (I have one started myself)and Crewel embroidery (I am currently teaching a Jacobean Style pillow). Your photography is excellent and make for wonderful teaching devices.

As to what I would create with the Renaissance Dye works wool, I have a black wool felted waist length jacket just waiting for embellishment. Jacobean is my favorite style and I can see something large on the back with a floral something on the lapel.

thank you for sharing your knowledge.

Karen B. Anchorage Alaska USA]]> 1896 WoolenSails woolensails@verizon.net http://www.blogger.com/profile/08621977477193550261 2010-03-23 17:06:19 2010-03-23 17:06:19 1 0
Debbie]]> 1897 Phillipa noreply@blogger.com http://www.blogger.com/profile/13678630515599837268 2010-03-23 16:53:57 2010-03-23 16:53:57 1 0 Ive been thinking of doing an elizabethan edging to my bedroom curtains. And these would be perfect to get the right "Look",
The design would be on a long panel that was then attached to the curtain for ease of working.
I have my fingers crossed . :)
Thanks Renaissance Dying for the oppurtunity to win

Phillipa from New Zealand]]> 1898 AnnaK noreply@blogger.com http://www.blogger.com/profile/04733272049707899821 2010-03-23 16:52:25 2010-03-23 16:52:25 1 0
I would love to have a chance to win these beautiful wool threads to stitch the drawing of my son’s house (which he built himself) up in the Rocky Mountains of Colorado. My plan is to have a large tree of life, adding the animals they have, Toren’s turtle, Kaia’s rabbits and the elk my son hunts on his land. The colors in the give- away would be perfect for the design on the lovely linen twill I purchased from Hedgehog…

Best
AnnaK]]> 1899 Loralynn loralynnsart@gmail.com http://www.blogger.com/profile/15639809624070979958 2010-03-23 16:41:56 2010-03-23 16:41:56 1 0 1901 Di's Quilting and Craft ohmaster@ozemail.com.au http://www.blogger.com/profile/04950779045248041264 2010-03-23 15:50:13 2010-03-23 15:50:13 1 0 Regards Dianne]]> 1902 Marta Hoelscher noreply@blogger.com http://www.blogger.com/profile/03583226951027915970 2010-03-23 15:49:24 2010-03-23 15:49:24 1 0
Marta
http://martasmeanderings.blogspot.com

tbbycatt at gmail dot com]]> 1903 Shannon noreply@blogger.com http://www.blogger.com/profile/11287644455656799017 2010-03-23 15:21:24 2010-03-23 15:21:24 1 0
I find it so odd that my heart would start beating so quickly just by looking at the beautiful colors and the amount of thread in the giveaway. Funny that I get so excited about possibilities....

I have an 8 yr old daughter who is obsessed with rainbows and fairies...I would make something for her if I were to win.

Thanks for the giveaway :)]]> 1904 Erica ecgraham@aol.com http://www.blogger.com/profile/12006690360122489350 2010-03-23 14:20:15 2010-03-23 14:20:15 1 0 I love roosters. I would love to see the rooster pattern made into a round pillow using these threads!]]> 1905 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2010-03-23 14:19:07 2010-03-23 14:19:07 1 0 I would love to use them for some antique flowers by Elizabeth Bradley. I would like to use them in a vase and put it into a pillow. This wool threads are beautiful and would love to try the softness for this project.
Debra Puma]]> 1906 linwenster noreply@blogger.com http://www.blogger.com/profile/12039650393453934749 2010-03-23 14:12:16 2010-03-23 14:12:16 1 0 1907 bp45141 noreply@blogger.com http://www.blogger.com/profile/03717614861410465400 2010-03-23 14:09:36 2010-03-23 14:09:36 1 0 If I win this thread, I am thinking of a very large punchneedle project using this thread and other threads and wools and yarns. It would be a welcome addition to my creativity. Thank you for having the giveaway.
Bonnie]]> 1908 Anne noreply@blogger.com http://www.blogger.com/profile/14236053871877225030 2010-03-23 14:06:04 2010-03-23 14:06:04 1 0 1909 Linda Coate noreply@blogger.com 2010-03-23 14:04:27 2010-03-23 14:04:27 1 0 1910 JoyAnna noreply@blogger.com http://www.blogger.com/profile/08111229688666742060 2010-03-23 14:04:17 2010-03-23 14:04:17 1 0 JoyAnna]]> 1911 Mademoiselle Chaos info@paranoire-design.com http://www.blogger.com/profile/14908669216993791371 2010-03-23 13:55:17 2010-03-23 13:55:17 1 0
I am so excited >.<

Best, Eva (a.k.a. MademoiselleChaos)]]> 1912 Anonymous noreply@blogger.com 2010-03-23 13:53:05 2010-03-23 13:53:05 1 0 1913 Gwyneth gwyneth.white@gmail.com http://www.blogger.com/profile/13039312498969694667 2010-03-23 13:44:06 2010-03-23 13:44:06 1 0 1914 danyamichael noreply@blogger.com http://danyamichael.wordpress.com 2010-03-23 13:42:52 2010-03-23 13:42:52 1 0
Thanks!
Danya]]> 1916 Louise noreply@blogger.com http://www.blogger.com/profile/01255034342558825105 2010-03-23 12:45:28 2010-03-23 12:45:28 1 0 Louise B.]]> 1917 Emily noreply@blogger.com 2010-03-23 11:56:36 2010-03-23 11:56:36 1 0 1919 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-03-23 11:14:21 2010-03-23 11:14:21 1 0 What an awesome giveaway! My favorite technique is crewel. I love the textures you can create with the yarns by using different stitches, and I love working with wool fibers.

So what would I stitch? The tundra! I have been photographing the tiny, delicate plants on the tundra of Alaska, from Denali to Kenai to Lake Clark. I am intreged by the textures and colors of the mosses, lichens, and dwarf plants that cover every square inch of the tundra as well as under the forest canopy. I would use the threads to stitch up some of my photographed favorites!

Kathy in Kenai]]> 1920 diana noreply@blogger.com 2010-03-23 10:30:08 2010-03-23 10:30:08 1 0 1921 Anonymous noreply@blogger.com 2010-03-23 10:25:32 2010-03-23 10:25:32 1 0 Now as for me, I would start a lesson from the Trish Burr CD ,,long and short needlepainting. Then I need to delve into Jane Nicholas`s,Stumpwork. These projects will force me out into deep new areas I`ve never been befor. All to learn something beautiful.
Karole King]]> 1923 Anonymous noreply@blogger.com 2010-03-23 09:24:33 2010-03-23 09:24:33 1 0
Margaret R, Scotland]]> 1924 Anonymous noreply@blogger.com 2010-03-23 09:19:57 2010-03-23 09:19:57 1 0 Lesley-Anne]]> 1925 Anonymous noreply@blogger.com 2010-03-23 09:18:51 2010-03-23 09:18:51 1 0 Lesley-Anne]]> 1927 Anonymous noreply@blogger.com 2010-03-23 08:42:39 2010-03-23 08:42:39 1 0 I'm italian and I would use these threads to an italian embroidery technique: BANDERA EMBROIDERY
What a lovely Give-Away! Thank you very much, Barbara (longamar@libero.it)]]> 1928 AnnaK noreply@blogger.com http://www.blogger.com/profile/04733272049707899821 2010-03-23 08:40:04 2010-03-23 08:40:04 1 0 Thanks Mary for you blog - I look forward to it every day as I fire up my computer!
Anna]]> 1929 OzWeaver brenda.osborn@gmail.com http://www.blogger.com/profile/03689807058066446918 2010-03-23 08:27:19 2010-03-23 08:27:19 1 0
Brenda, in New Jersey]]> 1930 Jane wild1@up.net http://www.blogger.com/profile/06416757276838552848 2010-03-23 08:18:52 2010-03-23 08:18:52 1 0 Thanks for hosting this giveaway, the Renaissance Dying Co site had such an array of info and color.
Just this week, I got into my box of collected wool and felt pieces and started dreaming up an idea for a large crazy quilted tote. These threads would meld perfectly in it's north woods design... deer motifs, fern fronds, birds and the wildflowers I wish to replicate as they show themselves this year.
Your stitching videos are the best ever.
Thanks again for entering me.
Jane]]> 1932 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-03-23 07:52:06 2010-03-23 07:52:06 1 0 1934 barbobbi@gmail.com noreply@blogger.com 2010-03-23 07:33:49 2010-03-23 07:33:49 1 0 barbobbi]]> 1935 carol scheele noreply@blogger.com http://www.blogger.com/profile/17853814692596886838 2010-03-23 07:33:35 2010-03-23 07:33:35 1 0 1938 Laetizia noreply@blogger.com 2010-03-23 07:15:08 2010-03-23 07:15:08 1 0
Thank you for once again such nice initiative.
With these inspiring threads I will embroider letters. Taking in example the latest serie of posts about writing with a needle.
Kind regards,
Laetizia]]> 1940 Juli Juli.Levine@gmail.com http://www.blogger.com/profile/13647008167036203546 2010-03-23 04:02:42 2010-03-23 04:02:42 1 0
I've seen some fantastic flowers done up in this thread, so I think that I would use it for flowers in CQ projects.

Juli]]> 1941 Anonymous noreply@blogger.com 2010-03-23 03:17:56 2010-03-23 03:17:56 1 0 Gwen Kok from Dordrecht, the Netherlands.]]> 1942 Anonymous noreply@blogger.com 2010-03-23 01:59:58 2010-03-23 01:59:58 1 0
To use up the other beautiful shades, I might just have to have the poppies be growing around a fallen log, perhaps with a bit of moss growing on the log. I'd mix in some other wildflowers like forget-me-nots from the blue and anemones from the mauves.

What a beautiful garden those threads could make!

Karen from Arcadia]]> 1943 Hannah noreply@blogger.com http://www.blogger.com/profile/00809661408364996257 2010-03-23 01:35:41 2010-03-23 01:35:41 1 0
Thank you!

Hannah Starr]]> 1944 Anonymous noreply@blogger.com 2010-03-23 01:18:00 2010-03-23 01:18:00 1 0 I love your website Mary and use it a lot for references.

Marina P. in Montreal]]> 1945 Deepa Sethuraj noreply@blogger.com 2010-03-23 00:58:55 2010-03-23 00:58:55 1 0 What a wonderful give away.. Its a dream.. so many beautiful colours of threads that too wool.. wow.. I definitely would like to do the same rooster which was posted by you..
Regards
Deepa]]> 1946 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2010-03-23 00:56:03 2010-03-23 00:56:03 1 0
I would use these threads to stitch a throw pillow with an Arts and Crafts design. It would be fun to experiment with so many wool colors.

Thanks for the opportunity.

Michelle Christopherson]]> 1947 kerrykatiecakeskeb43 Kerrykatiecakeskeb43@gmail.com http://www.blogger.com/profile/11949171119703114016 2010-03-23 00:43:33 2010-03-23 00:43:33 1 0 Hugs,
Kerry
kerrykatiecakeskeb43@gmail.com]]> 1948 leebee7 noreply@blogger.com http://leebee7.livejournal.com/ 2010-03-23 00:43:17 2010-03-23 00:43:17 1 0 1949 Erica noreply@blogger.com http://www.blogger.com/profile/12692499583754486790 2010-03-23 00:26:12 2010-03-23 00:26:12 1 0 1950 usha noreply@blogger.com 2010-03-23 00:20:05 2010-03-23 00:20:05 1 0 Beauriful threads and wonderful colors. That rooster u did was really outstanding. I stand nowhere near u i my embroidery. still i would like to try my hand with these colors...hope to god that i will win these threads. Thank u for this opportunity.]]> 1951 evangelines noreply@blogger.com http://www.blogger.com/profile/03434990605618362716 2010-03-22 23:34:10 2010-03-22 23:34:10 1 0 1952 Maryvonne noreply@blogger.com 2010-03-22 23:31:28 2010-03-22 23:31:28 1 0 Such beautiful colours and wool! Never used anything else than DMC. I think I would like to use the wool to do one of Di Van Niekerk's beautiful cottages, with a thatched roof and surrounded by english-style gardens, lots of flowers and bushes.]]> 1953 Anonymous noreply@blogger.com 2010-03-22 23:25:02 2010-03-22 23:25:02 1 0
Such beautiful threads - what inspiration.

I would use them on a cushion cover with Jacobean crewel design - my first and only piece of crewel work so far was a needlecase and I have wanted to do more ever since - winning this generous giveaway would definately spur me on!

Thanks for the great blog. Regards,

Trish Hughes, New Zealand]]> 1954 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2010-03-22 23:13:02 2010-03-22 23:13:02 1 0 1955 Anonymous noreply@blogger.com 2010-03-22 22:46:07 2010-03-22 22:46:07 1 0
What a beautiful set of threads and a lovely giveaway! I would like to try some crewel work but incorporating long and short stitch as well. Looking at the colours, I am thinking of a floral motif with some roses in those orangey tones.

Alison in Sydney]]> 1956 Sarah machinegunsarah@gmail.com http://www.blogger.com/profile/09828414543697731990 2010-03-22 22:26:40 2010-03-22 22:26:40 1 0 Sarah Steed]]> 1957 jcmend noreply@blogger.com http://www.blogger.com/profile/01456542354901569052 2010-03-22 21:29:30 2010-03-22 21:29:30 1 0 1958 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2010-03-22 20:44:05 2010-03-22 20:44:05 1 0
You are so generous! I have Embroidered Flowers for Elizabeth but haven;t had the opportunity to start on any of the projects yet. If I get lucky, these would go towards those ;) Thanks again!]]> 1959 Rosie noreply@blogger.com http://www.blogger.com/profile/11590694080610406260 2010-03-22 20:32:51 2010-03-22 20:32:51 1 0 The best thing about threads of all kinds is that they can be made into anything you want. I like making hats and costumers. I could see myself using the threads on a wool felt hat and embroidering a design - perhaps autumn leaves.

Sharon in Canberra.]]> 1960 hennafatema noreply@blogger.com http://www.blogger.com/profile/03831482162094684581 2010-03-22 19:57:35 2010-03-22 19:57:35 1 0 Oh, the colors, the luscious colors! The possibilities are plentiful. However, what recently caught my eye, was the pomegranate/blueberries crewelwork that you recently posted about. Ah, I want that, I want it all over my house, on cushions, curtains, little dresses for my two monkeys. That's what I would do with all that lovely yarn!
Best!
Henna]]> 1961 Anonymous noreply@blogger.com 2010-03-22 19:40:04 2010-03-22 19:40:04 1 0 I would love to have those threads.
I would like to embroider a top for my daughter with those threads if i happen to win that is.]]> 1962 Anonymous noreply@blogger.com 2010-03-22 19:31:49 2010-03-22 19:31:49 1 0
Patsy Deaton]]> 1963 stitchkat noreply@blogger.com http://www.blogger.com/profile/13386818613507497168 2010-03-22 19:30:05 2010-03-22 19:30:05 1 0 Surface Embroidery book and would stitch one of the beginning designs from this book - actually starting a crewel project! Your blog is a joy to read and thanks for the opportunity.
Katherine]]> 1964 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2010-03-22 19:10:57 2010-03-22 19:10:57 1 0 1966 Kim K noreply@blogger.com http://www.blogger.com/profile/09410675833339408404 2010-03-22 18:58:06 2010-03-22 18:58:06 1 0 I would use the Renaissance Dyeing wools for Jacobean crewel work. Maybe a tree of life design for a box lid or purse. Thanks for thinking of your readers.
Kim Kemmsies]]> 1967 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-03-22 18:18:39 2010-03-22 18:18:39 1 0 As always Mary...you're so generous and so are the people from renaissance Dyeing!]]> 1970 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2010-03-22 18:14:44 2010-03-22 18:14:44 1 0 1971 Anonymous noreply@blogger.com 2010-03-22 18:11:39 2010-03-22 18:11:39 1 0
Thanks for the opportunity!

Now hurry up and get back to that gold work project. I want to see what happens next!

Maggie McCullen]]> 1973 Ming noreply@blogger.com http://www.blogger.com/profile/08953297663891058573 2010-03-22 18:04:59 2010-03-22 18:04:59 1 0 1974 Anonymous noreply@blogger.com 2010-03-22 18:02:58 2010-03-22 18:02:58 1 0
I'll keep my fingers crossed!

Cheers,
Louise B.
in Brisbane]]> 1975 Knit - R - Done alexcateye@msn.com http://www.blogger.com/profile/04773170643629282797 2010-03-22 18:02:19 2010-03-22 18:02:19 1 0
While I don't follow traditional stitches or patterns, I always read your blog to learn the correct technique.]]> 1976 Anonymous noreply@blogger.com 2010-03-22 18:01:17 2010-03-22 18:01:17 1 0 I would embroider a tree of life. I think this particular embroidery wool would accentuate my design.
Thanks for the opportunity and good luck everyone.
VW]]> 1977 Lynn Stiglich noreply@blogger.com 2010-03-22 17:45:23 2010-03-22 17:45:23 1 0 You have the greatest website, I'm always telling people about it, (which might work against me during these giveaways!). I just got Flowers for Elizabeth in the mail today so I would stitch one or many things from that book. Thanks! Lynn Stiglich]]> 1978 Anonymous noreply@blogger.com 2010-03-22 17:34:01 2010-03-22 17:34:01 1 0 1979 rindajust noreply@blogger.com http://www.blogger.com/profile/09118202377246263757 2010-03-22 17:26:45 2010-03-22 17:26:45 1 0
Watching you work the rooster and now the gold work has made me want to revisit crewel. When I did it years ago it was mostly kits and crappy wool on questionable fabric. I think that in part it is your use of the legacy twill that results in clean, sharp lines, and to try out those beautiful wools on some twill would just be heaven!]]> 1980 J noreply@blogger.com http://www.blogger.com/profile/18038410399748516498 2010-03-22 17:15:37 2010-03-22 17:15:37 1 0 1981 Brittany noreply@blogger.com http://www.blogger.com/profile/11262368638637841764 2010-03-22 17:13:39 2010-03-22 17:13:39 1 0
Brittany Brain]]> 1982 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2010-03-22 16:52:12 2010-03-22 16:52:12 1 0
First up - a Tristan Brooks!

Sally]]> 1983 Carol Duvall noreply@blogger.com 2010-03-22 16:37:12 2010-03-22 16:37:12 1 0 1984 Anonymous noreply@blogger.com 2010-03-22 16:30:54 2010-03-22 16:30:54 1 0
Nancy Fleming]]> 1985 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-03-22 16:24:33 2010-03-22 16:24:33 1 0
If I had a choice to use these I'd try either Crewel or Stumpwork to work on.

Thanks to Andie of Hedgehog Handworks too.

Maureen
http://crazyqstitcher.wordpress.com/]]> 1986 Anonymous noreply@blogger.com 2010-03-22 16:23:17 2010-03-22 16:23:17 1 0 I enjoy your posts and learn something most times.
I would love to use these threads to do a Poppy picture.
Eileen in Winnipeg]]> 1987 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-03-22 16:07:26 2010-03-22 16:07:26 1 0 Thank you Mary, and Renaissance Dyeing Company for another great giveaway!]]> 1988 Tricia Hoffmann noreply@blogger.com 2010-03-22 15:55:50 2010-03-22 15:55:50 1 0
I've very much enjoyed following your goldwork project. I've drooled over the Plimouth jacket, and would love to try a 16th century crewel design, should I win the drawing. If not, I'll be trying one of the Tristan Design smalls.

Tricia , Rochester, NY
trhoff@rochester.rr.com]]> 1989 Carrie Elmore noreply@blogger.com http://www.blogger.com/profile/11837298777557986810 2010-03-22 15:51:22 2010-03-22 15:51:22 1 0 1990 Anonymous noreply@blogger.com 2010-03-22 15:41:54 2010-03-22 15:41:54 1 0 Me encantan los hilos que mostraste mas arriba! son preciosos!! y es realmente increíble la artesanía que son en si mismos!
Si los tuviese haría un pequeño cuadro con un motivo o paisaje medieval, para poner en la tapa de una caja de madera.
Yo recién me estoy iniciando en todo lo que es bordado pero sería todo un desafío para mi!! :)
saludos desde Buenos Aires, Argentina
Diana (dianaa.rodriguez@hotmail.com)]]> 1991 Anonymous noreply@blogger.com 2010-03-22 15:36:39 2010-03-22 15:36:39 1 0
Those yarns are to die for, they are so beautiful.

I can visualize doing a crewel Victorian Sampler or a crewel similar to your rooster which I covet. Thank you for the opportunity to win these. You can send them any time.
Carol in AL]]> 1992 Anonymous noreply@blogger.com 2010-03-22 15:32:54 2010-03-22 15:32:54 1 0 Martha]]> 1993 Isa isabelnemet@gmail.com http://www.blogger.com/profile/11922685998394930678 2010-03-22 15:28:56 2010-03-22 15:28:56 1 0 Estoy muy contenta de poder ver todas esas bellezas que haces.
Este hilado es preciosisimo!!!
Me gustaria poder hacer algun motivo floral, con arboles, algo bien bonito para mi casa.
Es la primera vez que participo en algo asi en tu sitio. Muchas gracias!
Desde Argentina.... Isabel
http://isabelmarianemet.blogspot.com]]> 1994 Ruth ruthlane@montanasky.net 2010-03-22 15:24:52 2010-03-22 15:24:52 1 0 1995 Glorious Hats glorioushats@gmail.com http://www.blogger.com/profile/11823049237183212920 2010-03-22 15:19:17 2010-03-22 15:19:17 1 0 1996 Anonymous noreply@blogger.com 2010-03-22 15:17:09 2010-03-22 15:17:09 1 0 I am soooooo coveting this set of gorgeous thread!!!

No doubt whatsoever, I'd make the painted rooster I shared with you a few weeks back...would use a number of these beautiful colors on his tail feathers!

I already have my fingers crossed -- Even though I know they will be cramped by Thursday a.m. (Yes, it IS hard to type with your fingers crossed...)

Thank you so much for sharing your wonderful, colorful goodies!!!!

CarolynLPhillips@msn.com]]> 1997 Anonymous noreply@blogger.com 2010-03-22 14:48:06 2010-03-22 14:48:06 1 0 1998 Anonymous noreply@blogger.com 2010-03-22 14:20:08 2010-03-22 14:20:08 1 0 what a wonderful giveaway, you know what I think that if I won I would use them to do your rooster, have never tried crewel and have not done very much with wool. Or, I just might do another design that I have which calls for wool, but then again the rooster keeps calling to me. Thanks again for such a wonderful site.
Joan, Richmond BC]]> 1999 Anonymous noreply@blogger.com 2010-03-22 14:13:16 2010-03-22 14:13:16 1 0
I would use these threads to make a project from Trish Burr's new crewel book. Haven't done crewel work since I made a lap quilt from the Australian Inspirations magazine many years ago. A long time fan of that magazine also.

Hugs

FredaB]]> 2000 Anonymous noreply@blogger.com 2010-03-22 14:04:31 2010-03-22 14:04:31 1 0
Penny B]]> 2001 Melissa noreply@blogger.com http://www.blogger.com/profile/06525383270971001142 2010-03-22 13:57:26 2010-03-22 13:57:26 1 0
I've been thinking about 16th/17th century home furnishings for a while, and I'm really enamored of the fruit/tree animal slips at Traquair house, especially the pomegranate tree/griffon one. I think it would be lovely either as wool needlepoint for a pillow or something or modified to a crewel design.]]> 2002 Terri Sue noreply@blogger.com http://www.blogger.com/profile/00161769399124744018 2010-03-22 13:55:57 2010-03-22 13:55:57 1 0 i have the book "crewel & surface embroidery inspirational floral designs" by trish burr that i would love to do some projects out of. the colors in this giveaway match so many of them. it would be a treat to do some of her designs as i never have before. i also would love to do your rooster! i fell in love with him while you were working on him. thank you for the chance for winning these beautiful threads.

terri sue]]> 2003 Anonymous noreply@blogger.com 2010-03-22 13:48:43 2010-03-22 13:48:43 1 0 Jacqui S]]> 2004 Julie noreply@blogger.com http://www.blogger.com/profile/12424803040418244129 2010-03-22 13:47:48 2010-03-22 13:47:48 1 0
A rooster - yes, a rooster. I've started but definitely could use some more threads...

Julie In San Diego]]> 2005 Anonymous noreply@blogger.com 2010-03-22 13:36:00 2010-03-22 13:36:00 1 0
Heather W.]]> 2006 alice m noreply@blogger.com 2010-03-22 13:26:09 2010-03-22 13:26:09 1 0 2007 Linda in Arkansas noreply@blogger.com 2010-03-22 13:12:47 2010-03-22 13:12:47 1 0 2008 Anonymous noreply@blogger.com 2010-03-22 13:11:56 2010-03-22 13:11:56 1 0
Nancy Larsen]]> 2009 Anonymous noreply@blogger.com 2010-03-22 13:01:57 2010-03-22 13:01:57 1 0 2010 Eveline noreply@blogger.com 2010-03-22 13:01:40 2010-03-22 13:01:40 1 0
What I would stitch with it..I'm making a costume at the moment of a old fishwife, and I plan to embroider her cap and a piece of the bodice, and I was planning on using wool because it fits the very textured outfit. These colors are perfect too, and the whole thing is a bit elizabethan in style, so it would fit. A bit of a fancy do for selling fish, but it's the only dress the poor dear has left!

~Eveline]]> 2011 Anonymous noreply@blogger.com 2010-03-22 13:00:50 2010-03-22 13:00:50 1 0
Beth Graham Siegel
Sandia Park, NM]]> 2012 Cintia Caldas noreply@blogger.com http://www.docespontinhos.com 2010-03-22 13:00:32 2010-03-22 13:00:32 1 0 tudo bem?
Primeiro quero dizer que amo seu blog.
Aprendo muito com você.
Acho que eu faria uma linda almofada para meu sofá, claro que ia usar a técnica de sombreamento que estou aprendendo aqui.
Abraços
cintia
www.docespontinhos.com]]> 2013 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-03-22 12:59:36 2010-03-22 12:59:36 1 0 I am astounded that such wools are still manufactured in the old old world way.

I will definitely, if I win, use the wool, desperately needed, to fill in the "scenery" on the religious piece I'm doing, which the goldwork is really looking very professional thanks to you.

I'll be "painting" with wool, a 16th 17th Century pastoral scene at the bottom of my piece. The appropo wool would really put a stamp of authenticity on it. Thanks Again......Judy in Pittsburgh]]> 2014 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2010-03-22 12:36:02 2010-03-22 12:36:02 1 0
Colleen Lim]]> 2015 Anonymous noreply@blogger.com 2010-03-22 12:35:09 2010-03-22 12:35:09 1 0
Gretchen in Georgia]]> 2016 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2010-03-22 12:18:35 2010-03-22 12:18:35 1 0 2017 DK Spins dkspinner@q.com http://www.blogger.com/profile/17846231118417581109 2010-03-22 12:17:23 2010-03-22 12:17:23 1 0 2018 Janice M. Miller noreply@blogger.com 2010-03-22 12:16:58 2010-03-22 12:16:58 1 0 You have the most wonderful give-aways. I love crewel embroidery. I have always used a kit. I have worked up quite a few. I love working on flowers and it would be great to stitch some with really good wool threads.
Janice]]> 2019 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2010-03-22 12:12:40 2010-03-22 12:12:40 1 0 2020 sherry noreply@blogger.com http://www.blogger.com/profile/14255985119058647532 2010-03-22 12:06:30 2010-03-22 12:06:30 1 0 I feel any design would look wonderful using the crewel yarn. The colors are astounding. I am excited!

Sincerely,

Sherrylou]]> 2021 Jules noreply@blogger.com http://www.blogger.com/profile/10496039187159668965 2010-03-22 12:00:59 2010-03-22 12:00:59 1 0 thank you for making this available.
julie candler]]> 2022 Anonymous noreply@blogger.com 2010-03-22 11:59:02 2010-03-22 11:59:02 1 0 I love the colors! I would love to recreate a crewel embroidery from the Elizabethan era and use that design for a pillow or framed art. Thank you for the wonderful giveaways opportunity.]]> 2023 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2010-03-22 11:57:08 2010-03-22 11:57:08 1 0 2024 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-22 11:52:02 2010-03-22 11:52:02 1 0
Without hesitation, a woollen blanket for THE grand daughter.
An animal design, cats, pups or sheep.
There are some nice French knot sheep in an Inspirations mag I've always wanted to do. Natural colour for sheep is not a concern. These colours would be lovely for a childs flock of sheep.

Thanks Mary, Kath from Oz]]> 2025 And1010 noreply@blogger.com http://www.blogger.com/profile/03101207986550006864 2010-03-22 11:50:05 2010-03-22 11:50:05 1 0 Thanks for such an enjoyable and informative newsletter...like getting a mini lesson in embroidery each day.
I would love to stitch your rooster design, other designs similar to the goldwork pattern you are now doing, and some from a small instructional book of crewel stitches, I have, which has a different pattern to do with each type stitch.
Andrea]]> 2026 Renée noreply@blogger.com http://www.blogger.com/profile/05245206126596409887 2010-03-22 11:48:51 2010-03-22 11:48:51 1 0 2027 Anonymous noreply@blogger.com 2010-03-22 11:48:50 2010-03-22 11:48:50 1 0
Teresa
East Lothian, Scotland]]> 2028 Anonymous noreply@blogger.com 2010-03-22 11:48:41 2010-03-22 11:48:41 1 0 Mary Ann
Cinti.,Ohio]]> 2029 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-22 11:47:54 2010-03-22 11:47:54 1 0
Thank you and Andie for this lovely giveaway. If I had the opportunity of stitching with the Rennaissance wool, I would love to stitch a design which also is represenatative of that period since dyes of the 16th century are still being used. So I would want to stitch a project like The Secret Squirrel By Phillipa Turnbull with the browns and earth tones and a Project like Ariel by Jane Goodwin with the peaches, corals and pinks.]]> 2030 Anonymous noreply@blogger.com 2010-03-22 11:46:21 2010-03-22 11:46:21 1 0 Rebekah D. in Ohio]]> 2031 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2010-03-22 11:43:26 2010-03-22 11:43:26 1 0 2032 Lynn noreply@blogger.com 2010-03-22 11:29:49 2010-03-22 11:29:49 1 0 2033 Anonymous noreply@blogger.com 2010-03-22 11:26:09 2010-03-22 11:26:09 1 0 2034 susan noreply@blogger.com http://www.xanga.com/lilms_sassy 2010-03-22 11:14:01 2010-03-22 11:14:01 1 0 2035 Diane noreply@blogger.com http://www.blogger.com/profile/13017606450905495705 2010-03-22 11:13:49 2010-03-22 11:13:49 1 0 2037 Christine Harris noreply@blogger.com 2010-03-22 10:59:29 2010-03-22 10:59:29 1 0 2038 Anonymous noreply@blogger.com 2010-03-22 10:58:08 2010-03-22 10:58:08 1 0
Jean B.
Puyallup WA]]> 2039 craftylibrarian noreply@blogger.com http://craftylibrarian.wordpress.com 2010-03-22 10:52:06 2010-03-22 10:52:06 1 0
Thanks for the chance to win some lovely threads.

Charlie.]]> 2040 Anonymous noreply@blogger.com 2010-03-22 10:49:21 2010-03-22 10:49:21 1 0
I've been planning a small pouch for a pocket prayerbook my son-in-law wants, and these threads would be perfect for the stylized tree I want to embroider on the cover.

Miriam Marlin, Santa Rosa, CA]]> 2041 Anonymous noreply@blogger.com 2010-03-22 10:47:57 2010-03-22 10:47:57 1 0 2042 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2010-03-22 10:36:00 2010-03-22 10:36:00 1 0 2043 figure8angel noreply@blogger.com http://www.blogger.com/profile/04069028704239734614 2010-03-22 10:31:37 2010-03-22 10:31:37 1 0
figure8angel@gmail.com]]> 2044 Jean noreply@blogger.com http://www.blogger.com/profile/14247515387599954817 2010-03-22 10:30:56 2010-03-22 10:30:56 1 0 2045 Diane G noreply@blogger.com 2010-03-22 10:20:34 2010-03-22 10:20:34 1 0 Those threads and colors are inspiring. I would love to do a firescreen in a Jacobean pattern, I think. Of course, I would never put it in front of a fire where it could get scortched or discolored with smoke and ash! I can see a flowing vine of birds and flower.....daydreams!
Diane G]]> 2046 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2010-03-22 10:18:19 2010-03-22 10:18:19 1 0 2047 Anonymous noreply@blogger.com 2010-03-22 10:15:56 2010-03-22 10:15:56 1 0 Karole King]]> 2048 BFromM noreply@blogger.com http://www.blogger.com/profile/03145563818322438262 2010-03-22 10:05:27 2010-03-22 10:05:27 1 0 2049 Pat noreply@blogger.com http://www.blogger.com/profile/11086618266918856381 2010-03-22 10:04:48 2010-03-22 10:04:48 1 0 2050 Anonymous noreply@blogger.com 2010-03-22 10:02:23 2010-03-22 10:02:23 1 0 What an exiting giveaway...!
I would love to use those beautiful threads on decorative children pillows i'm making.I do ballerina's figure skaters vintage airplanes westfalia's ect.. I'd love to experience with these threads!
Caroline D Montreal, Québec]]> 2051 Ramya noreply@blogger.com http://www.blogger.com/profile/00894780256080713640 2010-03-22 09:58:45 2010-03-22 09:58:45 1 0 What a wonderful giveaway! The colors and the texture look so fantastic!
Ever since I have seen your work on crewel embroidery, I have wanted to do one and if I win the giveaway I will work a nice floral design with those lovely colors in satin stitch and french knots.

Thanks for your generosity!]]> 2052 pam noreply@blogger.com 2010-03-22 09:58:13 2010-03-22 09:58:13 1 0 Greetings from UK!
Please may I be entered into the draw for these threads...what a dream to win them:O)
Oh how very unique and original they all are.
Thank you so much Mary for introducing me to them.
If I were to win, would use to embroider a wedding ring cushion for our daughter's wedding in Sept.
I have an idea for bird's and ribbon swags' plus initials.
Also another project is for the Elizabethan sweet bags I love to embroider...how original these threads would be to use?

Warm wishes from Pam]]> 2053 Anonymous noreply@blogger.com 2010-03-22 09:54:24 2010-03-22 09:54:24 1 0 I am new to embroidery and having recently discovered your tutorials, I'm learning a lot! I am a knitter and my goal is to embellish some of my knitting. But, even if I do not win, I am glad to have discovered your website and the opportunity to learn!
Melody James, Atlanta, GA.]]> 2054 corvustristis noreply@blogger.com http://corvustristis.wordpress.com 2010-03-22 09:52:25 2010-03-22 09:52:25 1 0
Other than that: an octopus. Oh yes. Octopus make everything better.

corvus.melloriATgmailDOTcom]]> 2055 Erin in MI qwilter98@yahoo.com http://www.blogger.com/profile/01680305167760525418 2010-03-22 09:52:21 2010-03-22 09:52:21 1 0 2056 Shanti noreply@blogger.com http://www.blogger.com/profile/13546609048862150571 2010-03-22 09:51:40 2010-03-22 09:51:40 1 0 2057 Jeanne noreply@blogger.com http://www.blogger.com/profile/07037955584980587306 2010-03-22 09:49:31 2010-03-22 09:49:31 1 0 2058 Pam noreply@blogger.com http://www.blogger.com/profile/06115757921248639285 2010-03-22 09:42:57 2010-03-22 09:42:57 1 0 2059 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2010-03-22 09:38:24 2010-03-22 09:38:24 1 0 I have wanted to try a Jacobean piece for a long time. These beautiful wools would be perfect. Thank you for another terrific give away.
JoAnn]]> 2060 Debra noreply@blogger.com http://www.blogger.com/profile/17267525503567670854 2010-03-22 09:35:45 2010-03-22 09:35:45 1 0
Debbie Czerwionka
Chicago, IL]]> 2061 Anonymous noreply@blogger.com 2010-03-22 09:33:35 2010-03-22 09:33:35 1 0 Cheers,
Linda Adam]]> 2062 Grovenore noreply@blogger.com http://www.blogger.com/profile/00327520989615705988 2010-03-22 09:30:22 2010-03-22 09:30:22 1 0
Your goldwork project is gorgeous and I'm enjoyed watching your progress. Grovenore]]> 2063 Anonymous noreply@blogger.com 2010-03-22 09:20:52 2010-03-22 09:20:52 1 0 INCREDIBLE!!!!!!!! Those threads would make me speechless!! The delicious colors would be perfect for an Elizabethan design. I love embroidery from that time period and would feel quite excited attempting something on my own with these threads. Perhaps stumpwork- mix in some gold work and -oh-see the places I go!! I so appreciate all you do to further the education of embroidery! I have learned SO MUCH!!
Thank you! Peg from NJ]]> 2064 Linda linda.boudreau@gmail.com http://www.blogger.com/profile/15715321609008622071 2010-03-22 09:09:14 2010-03-22 09:09:14 1 0
I can picture a lovely medallion in the centre with the four corners accenting and a trail of flowers cascading from the medallion.]]> 2065 Kitty mcthekat@gmail.com http://www.blogger.com/profile/18369077646106761670 2010-03-22 09:08:56 2010-03-22 09:08:56 1 0 Kitty]]> 2066 Anonymous noreply@blogger.com 2010-03-22 09:08:10 2010-03-22 09:08:10 1 0
I have a crewel project in the planning stages, based on one of the designs in the RSN book, and was thinking of trying the Appleton crewel wools on it, but would LOVE to have these wools to use instead. I have a skein of Broder Wol, which I believe was the same thread, but with a new name. It is wonderful to work with!

Thanks for the giveaway. Sandi Hersh]]> 2067 Silver Sisters noreply@blogger.com http://www.blogger.com/profile/03699221400428028528 2010-03-22 09:05:21 2010-03-22 09:05:21 1 0
There are so many things I would sew... starting with some portraits I've got sketched up and using reclaimed wool sweater felt.]]> 2068 Claire noreply@blogger.com http://www.blogger.com/profile/07536127013682044141 2010-03-22 09:05:09 2010-03-22 09:05:09 1 0
So many choices! :)

Claire]]> 2069 Courtney noreply@blogger.com http://www.blogger.com/profile/13475318662505589743 2010-03-22 09:04:20 2010-03-22 09:04:20 1 0 2070 Pat noreply@blogger.com http://www.blogger.com/profile/14818480853647503521 2010-03-22 09:03:13 2010-03-22 09:03:13 1 0 Thank you for your webbsite. I enjoy it so much and would truly love to win the renaissance Elizabethan crewel embroidery wool so that i may use it on your "Crewel Rooster Project"
Thank you,
Pat]]> 2071 Anonymous noreply@blogger.com 2010-03-22 09:02:15 2010-03-22 09:02:15 1 0
What would I stitch? The colors to me are too bright to use for traditional crewel designs--I see them and my brain says Laurel Burch! Especially those purples!

I think it would also be neat to do some designs of vegetables. I see eggplant, tomatoes, carrots, squash, lots of yummy things.

Carol Sylvester]]> 2072 QI1 noreply@blogger.com http://www.blogger.com/profile/10627045322532599697 2010-03-22 09:01:48 2010-03-22 09:01:48 1 0 Living in a very rural area i haven't ever ventured much past DMC but your posts have certainly educated me and got me thinking.
as for the crewel work it would definetly have to be something

now if I could find a needlework shop next door to a big box hardware store in town that would be just the ticket-he could spend time in housepaint and i could look at some new threads.

thanks for taking the time to teach all of us new techniques]]> 2073 Sheila from CA noreply@blogger.com 2010-03-22 08:55:51 2010-03-22 08:55:51 1 0 I have never used these threads but am intrigued. I think if I won, I would try a Jacobean design that I've always admired but was afraid to tackle. Thanks for doing the giveaways! Sheila from CA]]> 2074 Anonymous noreply@blogger.com 2010-03-22 08:55:09 2010-03-22 08:55:09 1 0
Absolutely gorgeous colors. I have
done crewel and would love to stitch a project with these beautiful colors.

Thanks,
Teri Sanfilippo]]> 2075 Cheryl noreply@blogger.com 2010-03-22 08:52:09 2010-03-22 08:52:09 1 0
I live in a house that is 171 years old. This summer, my gardens are being displayed on a garden tour. I would use the beautiful yarns to make a pillow that I would display during the tour. Thank you for this opportunity.]]> 2076 Tina noreply@blogger.com http://www.blogger.com/profile/08893505369117386904 2010-03-22 08:49:54 2010-03-22 08:49:54 1 0
What a lovely set of threads-I would love to win this and I would use it to make a men's night cap with the pattern I just ordered from the website I got to from one of your links-reconstructing history!

I love your BLOG and read it everyday now!

tina tdwjohnson@yahoo.com]]> 2077 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2010-03-22 08:49:07 2010-03-22 08:49:07 1 0
I've been wanting to try crewel work for a while, and I think I would probably go for a dead traditional jacobean design. I'd have lots of fun researching authentic designs, and digging around in the Online Pattern Library and Project Gutenberg, and looking at musum pieces.]]> 2078 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2010-03-22 08:49:04 2010-03-22 08:49:04 1 0 2079 Anonymous noreply@blogger.com 2010-03-22 08:48:46 2010-03-22 08:48:46 1 0
I ordered the "Elizabethan" book and would use the collection for flowers.
Thank you for your generosity in sharing your knowledge.
Best,
Maria]]> 2080 Sandi leon9801@gmail.com http://www.blogger.com/profile/11913020634740497169 2010-03-22 08:48:21 2010-03-22 08:48:21 1 0
Project: I thing a lovely pincushion. I would need to make at least four of them to give to my friends.

Thanks for the chance to win this wonderful gift.
Sandi]]> 2081 Marjolein noreply@blogger.com 2010-03-22 08:47:08 2010-03-22 08:47:08 1 0 I think I would embroider a Jacobean design with roses.
Marjolein]]> 2082 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2010-03-22 08:44:41 2010-03-22 08:44:41 1 0 2083 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2010-03-22 08:39:33 2010-03-22 08:39:33 1 0
I'm sure some would go into some "Bayeux Stitch" or laid and couched work. Probably some more in some canvas work inspired by Mary QOS work. Possibly some trim for 12th century tunics ....

Kandy in PA]]> 2084 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-03-22 08:28:01 2010-03-22 08:28:01 1 0 I'm a crazy quilter and have only used cotton and silk threads, but I'd love to try these beautiful wools for both seam embroidery and motifs!]]> 2085 Laura Bullinger noreply@blogger.com 2010-03-22 08:27:32 2010-03-22 08:27:32 1 0 Berlin Wool Work. I would pull out one of my traditional patterns and make a chair back with it.
Anything remaining would be used for fireplace bellow motif embellishment surrounded by brass nailheads. It's a project I've been meaning to begin. This would be a great jumpstart!]]> 2086 Ashley noreply@blogger.com http://www.blogger.com/profile/04810113070259398400 2010-03-22 08:23:24 2010-03-22 08:23:24 1 0
Ashley Aedo]]> 2087 Anonymous noreply@blogger.com 2010-03-22 08:21:33 2010-03-22 08:21:33 1 0 2089 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-03-22 08:09:41 2010-03-22 08:09:41 1 0 Because of your recomendations,Mary, I was just beginning to save my pennies for this line of yarn :)
Will crossing my fingers, toes, and eyes help do you think ?????
Seriously though, I have been itching to get back into crewel, especially historic crewel, after a thirty year drought.
Back then all I could get my hands on were the kits sold locally (no such thing as internet shopping ) and the yarn included in the kits were all the choice there was.
I can't wait to try my hand on beautiful stitching in some awesome fibers :)
Thanks so much Mary for all your inspiration, humor, know how, and....enabling.

Hugs, Marlon]]> 2090 Elaine noreply@blogger.com http://www.blogger.com/profile/12270947582039770539 2010-03-22 08:05:53 2010-03-22 08:05:53 1 0
Elaine
Norman, OK]]> 2091 Karen Milano noreply@blogger.com http://www.blogger.com/profile/05590023512445496956 2010-03-22 08:05:28 2010-03-22 08:05:28 1 0 2092 Anonymous noreply@blogger.com 2010-03-22 08:00:56 2010-03-22 08:00:56 1 0 Pat Danco]]> 2093 Laura lgj302@gmail.com http://www.blogger.com/profile/15492427404652837504 2010-03-22 07:59:56 2010-03-22 07:59:56 1 0 2094 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-03-22 07:54:39 2010-03-22 07:54:39 1 0 What a lovely giveaway! I would love to have them to make a pillow to accompany my living room wing chair and ottoman, which is upholstered with a Jacobean fabric.]]> 2095 pastpresentcreations noreply@blogger.com http://www.blogger.com/profile/04291603494121160383 2010-03-22 07:53:06 2010-03-22 07:53:06 1 0
Thanks so much for another great giveaway :)

Christine R., PA]]> 2096 Anonymous noreply@blogger.com 2010-03-22 07:52:10 2010-03-22 07:52:10 1 0 The threads are beautiful and I think I would stitch two floral designs based on my china. It is Botanic Garden.
sincerely,
Ruth Ann Woolford]]> 2097 ledamewood noreply@blogger.com http://www.blogger.com/profile/09741893340014830055 2010-03-22 07:44:23 2010-03-22 07:44:23 1 0
Lynn D]]> 2098 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2010-03-22 07:43:43 2010-03-22 07:43:43 1 0 I am not sure yet what I would make with these yet-I am really into the 1830's period of history so would probably adapt a pattern to that. I have been wanting to make a crazy wool quilt so thinking these would be lovely embroidery on there thank you again for these wonderful giveaways]]> 2099 Vicki Saulsbery noreply@blogger.com 2010-03-22 07:35:56 2010-03-22 07:35:56 1 0 2100 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2010-03-22 07:24:10 2010-03-22 07:24:10 1 0 These are beautiful and I have never embroidered with this type of thread before and would love to be able to try them. I would use them on a Victorian design, since those are my favorite. Lovely give away!]]> 2101 D. Woolley noreply@blogger.com 2010-03-22 07:18:17 2010-03-22 07:18:17 1 0 2102 Amanda Sheridan amanda@parasolarts.co.uk http://www.blogger.com/profile/16035641953527752284 2010-03-22 07:15:47 2010-03-22 07:15:47 1 0
Keep up the inspirational blog!]]> 2103 Marika Muller noreply@blogger.com 2010-03-22 07:08:12 2010-03-22 07:08:12 1 0
I'm just getting started on crewel embroidery, but I think I would use this amazing stash to do a piece I've been promising my mother for ages and ages - a tree of life design, with lots of wonderful leaves and flowers on the tree to practice different stitches with, lots of interesting animals on the ground beneath (especially rabbits and deer - I like those!), and perhaps a bird or two to round it off. I've got a nice piece of legacy linen twill I've been saving just for this, and the wool will complement it well!

What a brilliant give away!

Marika]]> 2104 Sharon Brodeuse noreply@blogger.com 2010-03-22 07:03:11 2010-03-22 07:03:11 1 0
These are scrumptious looking threads that I would love to use in my next "Flowers for Elizabeth" project; I'm thinking the motif with the pomegranates - after having stitched two smalls with Appleton.

Thank you for this lovely - and too tempting! - giveaway. Good luck to all.
Sharon]]> 2105 kbsalazar noreply@blogger.com http://www.blogger.com/profile/14953310524063775372 2010-03-22 07:01:32 2010-03-22 07:01:32 1 0
I would like to stitch up a vintage Elsa Williams pattern, printed on linen. I found it buried unopened and untouched in a bin of tatty household linens at an antiques store. The design is a standard Stuart pomegranate on tree. There are no instructions for color or working method, so I am free to let my imagination wander, much as you did for the rooster. You can see the piece here:



I haven't done crewel in a very long time, so I have no stash of appropriate wool at hand as a starter. A core set of colors would make choosing the rest from color cards much easier.

Thank you again for your explorations so generously posted here. Happy stitching - kbsalazar]]> 2106 Heather noreply@blogger.com http://www.blogger.com/profile/14033595110359622754 2010-03-22 06:59:00 2010-03-22 06:59:00 1 0 2107 Anonymous noreply@blogger.com 2010-03-22 06:57:57 2010-03-22 06:57:57 1 0 Suzyp]]> 2109 Shari noreply@blogger.com http://www.blogger.com/profile/09114903436549807391 2010-03-22 06:57:39 2010-03-22 06:57:39 1 0 2110 Anonymous noreply@blogger.com 2010-03-22 06:53:32 2010-03-22 06:53:32 1 0 -Emily Richards]]> 2111 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2010-03-22 06:49:10 2010-03-22 06:49:10 1 0 2112 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2010-03-22 06:48:14 2010-03-22 06:48:14 1 0
Anyway. The colors are gorgeous!]]> 2113 Anonymous noreply@blogger.com 2010-03-22 06:48:11 2010-03-22 06:48:11 1 0 I would love to win the beautiful collection of threads. I am new using different fibers. I have several designs of flowers in mind that I want to embroider. I am currently enjoying using silks on a small Helen M. Stevens design. I throughly enjoy your daily newsletter!!Your video showed me how to easily do a bullion stitch!!! Mary Burton]]> 2114 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2010-03-22 06:46:01 2010-03-22 06:46:01 1 0 2115 Susan Cuss noreply@blogger.com 2010-03-22 06:36:29 2010-03-22 06:36:29 1 0 Susan Cuss]]> 2116 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2010-03-22 06:31:57 2010-03-22 06:31:57 1 0 2117 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2010-03-22 06:30:49 2010-03-22 06:30:49 1 0 2118 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-03-22 06:30:28 2010-03-22 06:30:28 1 0 Remeber when you reviewed the book History of Crewelwork in England? I was so interested I found a used copy at Amazon in the UK. It is such an interesting book but, like you, I was inspired by the patterns. I would use this wool to stitch one of the flower designs in the book - something that is from about the same time as the colors of the wool.

Best of luck to everyone!

Kathy]]> 2119 Elza Bester noreply@blogger.com 2010-03-22 06:30:00 2010-03-22 06:30:00 1 0 2120 worksofhands noreply@blogger.com http://worksofhands.wordpress.com 2010-03-22 06:27:06 2010-03-22 06:27:06 1 0 this is very delicious give-away, like all your give-aways.
I think I would make a sampler of crewel stitches with my favorite design of peace helmets, of course. lol.
The colors will make great flowers and the greys and greens will be great for the helmet.
i am drooling. haha.

vince]]> 2121 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-03-22 06:24:10 2010-03-22 06:24:10 1 0 How can you give away so many beautiful threads ?
I never tried crewel embroidery, but if I had to use these ones, sure I would stitch a pattern I found in Inspiration magazine : Beautiful flowers, pomegranate and birds.
Have a nice day

Coeur de freesia]]> 2122 A noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2010-03-22 06:22:04 2010-03-22 06:22:04 1 0 They are beautiful and the first thing I thought of was Angels. These colors are soft and would make angels look angelic!
Annie in Va.]]> 2123 everbloom everbloom@gmail.com http://www.blogger.com/profile/14034996575695266203 2010-03-22 06:21:50 2010-03-22 06:21:50 1 0
I'd love to have something art nouveau to hang on the wall, like one of the patterns from the William Morris pattern book [http://www.amazon.com/gp/product/0486431835/]
I think it would look beautiful in crewel work.]]> 2124 Anonymous noreply@blogger.com 2010-03-22 06:21:32 2010-03-22 06:21:32 1 0 Nita Carroll]]> 2125 Christine B noreply@blogger.com 2010-03-22 06:18:17 2010-03-22 06:18:17 1 0 Christine B]]> 2126 Nancy noreply@blogger.com http://www.blogger.com/profile/15399656333025771710 2010-03-22 06:13:38 2010-03-22 06:13:38 1 0 2127 Francoise Beauchamp noreply@blogger.com 2010-03-22 06:06:39 2010-03-22 06:06:39 1 0 With that beautiful range of color, I would give a try on one of "Susan O'Connor" Flowers for Elizabeth design. I just receive my book, the yarn would be berfect to start one of the blanket motif.

Thank you for all the inspiration you bring me. Live a beautiful day.

Francoise (Mafyb)
mafyb@videotron.ca]]> 2128 Deborah noreply@blogger.com http://www.blogger.com/profile/15269262675050786889 2010-03-22 06:02:26 2010-03-22 06:02:26 1 0 http://www.temptingtangles.com/]]> 2129 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2010-03-22 06:01:32 2010-03-22 06:01:32 1 0 2130 sue noreply@blogger.com http://www.blogger.com/profile/00770592335543390352 2010-03-22 05:58:02 2010-03-22 05:58:02 1 0 sue ames]]> 2131 Lisa Tressler noreply@blogger.com 2010-03-22 05:56:16 2010-03-22 05:56:16 1 0 2132 Anonymous noreply@blogger.com 2010-03-22 05:55:14 2010-03-22 05:55:14 1 0 2133 Beverly noreply@blogger.com http://www.blogger.com/profile/01097377480944079836 2010-03-22 05:54:20 2010-03-22 05:54:20 1 0 Beverly]]> 2134 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2010-03-22 05:50:27 2010-03-22 05:50:27 1 0 2135 Dhivya Dilip noreply@blogger.com http://www.blogger.com/profile/16389910838227460959 2010-03-22 05:49:35 2010-03-22 05:49:35 1 0
Dhivya]]> 2136 Samanta noreply@blogger.com 2010-03-22 05:44:37 2010-03-22 05:44:37 1 0 2137 Tea Potty noreply@blogger.com http://www.blogger.com/profile/07342581970935254779 2010-03-22 05:44:32 2010-03-22 05:44:32 1 0
Tea Potty at http://pastperfectpostcards.blogspot.com/]]> 2138 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-22 05:44:24 2010-03-22 05:44:24 1 0 2139 France Riddell noreply@blogger.com 2010-03-22 05:43:08 2010-03-22 05:43:08 1 0 First, I want to thank for your wonderful tutorial video. What a HELP.I am dreaming... I would love to tackle a beautiful bird with the Renaisssance wool.
Thank you
France Riddell]]> 2140 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2010-03-22 05:41:35 2010-03-22 05:41:35 1 0 2141 Judy in OKC noreply@blogger.com http://www.blogger.com/profile/16894891567484694154 2010-03-22 05:40:12 2010-03-22 05:40:12 1 0 2142 Elaine K. Brown noreply@blogger.com 2010-03-22 05:37:37 2010-03-22 05:37:37 1 0 As always you have a great give-a-way. I always called this product Broider Wul, but I guess Renaissance Dyeing tread sounds more romantic. I love this great crewel fiber. The colors are fabulous, and its easy on the fingers when stitching. I'd probably stitch up a floral pillow,or a have a little bench that needs a new cushion cover,maybe in a tree of life design.
I hope is thread finds a good home.
Elaine in WV]]> 2143 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-03-22 05:37:20 2010-03-22 05:37:20 1 0 I would use these threads for crewel embroidery .Ever since I've seen your crewel project I've wanted to try this form of embroidery atleast once.You even provided a whole lot of info on where to get the supplies and what to get in one of the later posts.If I win this giveaway,it'll be a great start towards gathering the necessary stuff.
Regards,
Deepa]]> 2144 Grammybks noreply@blogger.com http://www.blogger.com/profile/12248901923773965142 2010-03-22 05:36:33 2010-03-22 05:36:33 1 0
Thank you so much for the opportunity to win theses beautiful fibers.

Brenda Schiesser]]> 2145 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2010-03-22 05:36:07 2010-03-22 05:36:07 1 0 wonderful giveaway as always..
I would like to fill a floral design completely with french knots for wall hanging.

Lakshmi]]> 2146 Anonymous noreply@blogger.com 2010-03-22 05:33:50 2010-03-22 05:33:50 1 0 I would use the "Elizabethan" range of Renaissance Dyeing in an African Tree of Life design eg an Acacia tree with a giraffe,a porcupine, a lion and a masked weaver. Understand, they wouldn't normally all be on or under the tree, especially if that lion is snooping around! But it is meant to be a stylised tree, after all. It would be a bit of a stretch for me. I think I'm going to try it even if I don't win those beautiful threads.
Cheryl]]> 2147 Iris from Estonia noreply@blogger.com 2010-03-22 05:31:52 2010-03-22 05:31:52 1 0
Aaanyway what I'd do with these - the moment I saw them, I thought oooh pillowcases! I've had an idea for pillows for my sofa for ages, sort of scrolly medieval-looking design but well Anchor mercerized cotton is too shiny and just plain wrong for it. So I'd love to get my little grabby hands on these to finally make the pillows I've dreamt of for so long :)]]> 2148 Anonymous noreply@blogger.com 2010-03-22 05:28:55 2010-03-22 05:28:55 1 0 OH my...what luscious colors! I would be threading up and learning some traditional crewel with those threads. I have the books, the fabric and the desire...all I need are the threads :)
Thanks for the generous giveaway.
Suzanne Bruno
Raymond, Maine]]> 2149 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-03-22 05:27:47 2010-03-22 05:27:47 1 0
Another lovely giveawy that I probably won't win, but I certainly won't if I don't enter, right?

I think I'd be interested in doing something like the fish in the RSN's book in crewel style, but also perhaps some nice cushion/pillow covers for our living room sofa for when we get back home.

Enjoying the goldwork project very much. I have one on the go, but it's nothing on yours! I don't really have enough patience for that, but I admire your project very much. Thanks for sharing.=)

Elizabeth in Taiwan.]]> http://www.needlenthread.com/2010/03/gumnut-yarns-hand-dyed-embroidery.html Sat, 20 Mar 2010 12:03:00 -0500 Mary Corbet 52 2010-03-20 12:03:00 2010-03-20 12:03:00 open open Gumnut-Yarns:-Hand-dyed-Embroidery-Threads-from-Australia publish 0 0 post crewel smalls from Tristan Brooks Designs. I liked the thread a lot! I knew Gumnut Yarns came in a range of thread types, but I wasn't familiar with them, so I dropped the company a line, and was able to procure through their US distributor, Custom House of Needlearts, a sample skein of each type of embroidery thread they produce. So let's look at the threads up close...

I haven't had a chance to stitch with any of the Gumnut Yarns threads, aside from Poppies, and although I know the true test of an embroidery thread is how well it stitches, I also tend to judge threads by their look and feel when they're skeined up. Don't you? If you walk into your local needlework shop and pick up a thread you're unfamiliar with, and it doesn't pass your first scrutiny, do you buy it? I don't, usually. The only exception would be when a thread has had such rave reviews that I have to try it out myself, regardless of what it may look like to me when I first encounter it in a shop.

So the first thing I do whenever I examine a thread for hand embroidery is look at it and feel it. I examine the structure of the thread, including the twist, the feel of the thread between my fingers, the weight of the skein, and generally the end of the thread, if I can find a loose end.

While it's kind of hard to do the "feel" test when viewing a thread online, the visual says a lot, so here are Gumnut Yarns embroidery threads, close up.



Presently, Gumnut produces six types of thread. From left to right in the photo above they are: Tulips, which is mohair; Blossoms, which is crewel wool; Daisies, which is a fine wool (suitable for crewel as well - finer than Blossoms); Poppies, a 50/50 silk/wool blend; Buds, a perle silk; and Stars, a stranded silk. At one time, Gumnut also produced variegated shades of many of the above threads, but these have been discontinued.



Blossoms and Daisies are 100% wool crewel threads. Blossoms is the larger of the two, while Daisies is a fine weight crewel wool.



You can see the the Blossoms on the left is a fatter looking thread compared to the Daisies on the right. They are both nice wool threads - soft, not scratchy - with the characteristics of wool: a slight sheen or "sparkle" from the wool fibers, a bit of stretchy "boing" that seems to go along with most crewel wools, and the little curly, hairy shards that fluff out from the twist - kind of like the "nap" of the thread. Both are threads that feel nice - they aren't dry and scratchy, they have a bit of body and some weight, but aren't heavy.



Tulips is the mohair thread, suitable for crewel work as well. Mohair is different from wool - it is made from Angora goat's hair - and it is not as curly as wool, so you can see in the close-up that the fibers that stick out from the actual thread are longer and straighter. It's a soft thread and feels very nice when pulled through the fingers. The twist on the mohair thread is a bit looser and longer than the twist on the wools.



You can get kind of a sense of the difference between the mohair and the wools here - the mohair, again, has a longer twist, and it also has more of a sheen to it than the wool threads do.



Poppies is the 50/50 wool/silk blend from Gumnut Yarns. It's on the left in the photo above, next to Daisies, the fine wool. Right off the bat, you can see a noticeable difference: Poppies has a closer, more discernible twist, and it has much more sheen to it. It also does not sport the same amount of fuzzy sprays that come off the wool.



This photo illustrates the sheen a bit better. You can also tell that the Poppies on the left is not as springy - it's definitely a smoother looking thread, thanks to the silk content.



And finally, the silk: the blue is Buds, a perle silk, about the size, I'd say, of a #8 cotton perle (but much softer). The green is Stars, and it is a stranded silk, grouped in six strands which can be used individually for fine embroidery. I really like the look of both of these threads and am eager to stitch with them. (What can I say? I'm a bit of a sucker for silk!). The twist on the Stars individual strands looks very nice and tiny, a little tight, but not too tight. It looks like it would make a nice thread for needlepainting.

If you'd like to read more about these threads, visit the Gumnut Yarns website. You can view the shades available for each kind of thread (lots of beautiful shades!) and read more about each individual thread. They also have a gallery that's worth looking at (check out Maggie the Cat!). You can also find out who stocks the threads in various countries.

I plan to stitch a bit with each of the threads as soon as I have the opportunity, so I'll probably have more to say about them then! So far, I like what I see!

Speaking of threads, make sure you tune in on Monday - I'm giving away a wonderful collection of Renaissance Dyeing wool threads (the whole Elizabethan range!) So don't miss that!

Have a terrific weekend!

]]> embroidery resources threads pictures silk wool 1771 Jeanne noreply@blogger.com http://www.blogger.com/profile/07037955584980587306 2010-03-24 21:45:27 2010-03-24 21:45:27 1 0 1890 IF THE BIRDS KNEW noreply@blogger.com 2010-03-23 18:34:16 2010-03-23 18:34:16 1 0 2151 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-03-21 06:04:51 2010-03-21 06:04:51 1 0 Thanks for the great photos of the different yarns. I haven't been able to try any of them yet but I love the silk/wool thread from Caron - Impressions. I used it on the piece I just finished and it was lovely to stitch with.

I'd like to see a comparison of the two silk/wool yarns if you have both and have the time to do that. Neither one is easy to get here in Germany so the more information I have before I order the better!

I just sent away for the Renaissance Elizabethan wool from France ( it IS easy to get in Germany!) Rats! Had I known about the give-a-way I would have tested my luck.

Back to stitching...I love weekends!]]> 2152 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-03-21 04:06:17 2010-03-21 04:06:17 1 0 2153 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-21 03:50:33 2010-03-21 03:50:33 1 0 2154 Anonymous noreply@blogger.com 2010-03-20 21:15:18 2010-03-20 21:15:18 1 0
Carol S.]]> 2155 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-20 18:52:18 2010-03-20 18:52:18 1 0
Really appreciate all that info. Thank you.

Maggie the Cat is a beauty. Kinda find myself wanting to sidestep! I'm sure I saw that tail wave. I like the Cat with attitude too. "So...I'm on your favourite flower pot. Whatcha gonna do about it eh?"

In the 'What's New' section there is a larger crewel embroidery project shown from Inspirations #62. It uses mostly Gumnut yarns and is very appealing.

I also like the new Asparagus green colours added to the range.

I really enjoy going into all these sites you mention. Thanks again.

Bye now, Kath.]]> 2156 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-03-20 14:20:44 2010-03-20 14:20:44 1 0 Thanks for the information and fab pictures of the Gumnut threads. I haven't tried any of them yet but I loved working with the silk/wool yarn from Caron, Impressions, on my latest project.Do you have any idea of how the two different silk/wool threads compare?
And...OH RATS! I just ordered the Elizabethan colors from Renaissance in France - I should have waited for your give-a-way! Their customer service is great and I'm happy to support them. Back to stitching...! I love weekends!]]> 2157 Ramya noreply@blogger.com http://www.blogger.com/profile/00894780256080713640 2010-03-20 13:45:49 2010-03-20 13:45:49 1 0 That was a very nice preview of the Gumnut yarns. Thanks for all the wonderful insight into various threads. For a novice embroiderer like me, your blog has tons of info. Keep up the good work!]]> http://www.needlenthread.com/2008/06/monograms-for-hand-embroidery-index.html Thu, 26 Jun 2008 07:42:00 -0500 Mary Corbet 53 2008-06-26 07:42:00 2008-06-26 07:42:00 open open Monograms-for-Hand-Embroidery-Index publish 0 0 post

For each letter of each alphabet, there will be a post with a full sized pattern on it. I'll also include tips on how it might be hand embroidered. The individual letters are links to each full-sized monogram.

Flowered Monograms from La Broderie Blanche, 1912



A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Celtic Knotwork Monograms
This set, from Journal des Demoiselles, features a specked area inside the curves of loose knotwork.



A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Fan Flowers
This set is also from Journal des Demoiselles, from the 1880's.



A B C D E F G H I J K L M O P Q R S T U V W X Y Z

Keep an eye out for future updates to the alphabet and additions of new alphabets.

Please note that all images here, to the best of my knowledge, are out of copyright. They come from old publications of magazines or needlework flyers that I'm trying to collect, most from the late 1800's and early 1900's. If you wish to add the images to your own website, I ask that you please note Needle 'n Thread as the source, with a link. Thanks!

I'm always happy to hear about sources for these old publications, so if you know of any sources or have any that you are interested in selling, please contact me.]]> free embroidery patterns monograms 1855 carmen noreply@blogger.com http://www.blogger.com/profile/01277499718535074954 2010-03-24 07:46:01 2010-03-24 07:46:01 1 0 Muchas gracias por tu estupenda pag. es todo maravilloso.+
Saludos desde ESPAÑA (EUROPA)]]> 3072 Anonymous noreply@blogger.com 2010-02-19 08:41:16 2010-02-19 08:41:16 1 0 Just thought that I would offer my thanks for some inspiration that i gained after looking through your posted alphabets, I used this insight into designing a His and Hers monogramed initials, for both my wife and I, and we had them tattoed on valentines day, to mark 17 years of unity.
Many Thanks
K.N UK]]> 3097 Anonymous noreply@blogger.com 2010-02-16 15:26:50 2010-02-16 15:26:50 1 0
Could you please put the K M and S up for the Fan Flower Monograms -- in your "spare" time, of course.

This series of monograms is out of the ordinary - very lovely.

Thank you.
Sharon in France]]> 3446 Anonymous noreply@blogger.com 2010-01-26 15:25:44 2010-01-26 15:25:44 1 0 4301 Anonymous noreply@blogger.com 2009-12-07 17:57:33 2009-12-07 17:57:33 1 0 Diana in Indiana]]> 4964 Anonymous noreply@blogger.com 2009-10-12 04:17:48 2009-10-12 04:17:48 1 0 une brodeuse française]]> 5938 Nick the Poodle noreply@blogger.com http://www.blogger.com/profile/11659979644596686860 2009-08-28 10:35:10 2009-08-28 10:35:10 1 0
I posted a link to your pretty and free monograms! Thanks

Regards,
Pam

www.oakridgeprep.com

http://www.oakridgeprep.com/blog5.php/2009/08/28/title-39]]> 9099 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-25 08:33:35 2009-01-25 08:33:35 1 0
Sure, I'll try to clean up the celtic G this week!

Best,
Mary]]> 9102 kathaleenr noreply@blogger.com 2009-01-25 02:33:00 2009-01-25 02:33:00 1 0 Kate]]> 9153 Katarina noreply@blogger.com 2009-01-20 18:12:00 2009-01-20 18:12:00 1 0 10153 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-15 05:56:55 2008-10-15 05:56:55 1 0
I need to remove that link. Actually, the site is no longer there. I'm not certain why, but I fear it has just lapsed away!

Thanks for reminding me to remove the link!

MC]]> 10154 Marika noreply@blogger.com 2008-10-15 05:35:00 2008-10-15 05:35:00 1 0
I can't get into the Sajou website for love or money.

Any ideas?]]> 10443 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-20 17:21:27 2008-09-20 17:21:27 1 0
MC]]> 10445 Jennifer noreply@blogger.com www.simplyelemental.com 2008-09-20 14:27:00 2008-09-20 14:27:00 1 0 11230 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-07-28 00:08:00 2008-07-28 00:08:00 1 0
Handmade Adelaide has some of the cross stitch charts too. http://www.handmade-adelaide-baby.com/free-cross-stitch-patterns.html and http://www.handmade-adelaide-baby.com/baby-cross-stitch-patterns.html]]> 11231 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-07-28 00:04:00 2008-07-28 00:04:00 1 0 11518 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-06-26 11:43:00 2008-06-26 11:43:00 1 0 If I remember correctly,you had posted the letter A (a different pattern) sometime before.May be you could add that too to this index.
Deepa]]> http://www.needlenthread.com/2010/03/monogram-for-hand-embroidery-fan-flower.html Fri, 19 Mar 2010 05:00:00 -0500 Mary Corbet 54 2010-03-19 05:00:00 2010-03-19 05:00:00 open open Monogram-for-Hand-Embroidery:-Fan-Flower-I publish 0 0 post

If you're looking for stitching suggestions for this series of monograms, please check out the Letter A, where I've mentioned a few ideas for stitches. Also, if you have any ideas or input for stitching these letters, feel free to leave a comment!

Here's the small I:



And here's the large I:



And, if you'd like to save a PDF version of the small and large I, here it is:

Monogram for Hand Embroidery: Fan Flowers H (PDF)

Feel free to visit the Index of Monogram Designs here on Needle 'n Thread, if you're looking for more monograms, including the rest of this alphabet.

Enjoy!
]]> free embroidery patterns monograms 2150 Carol cardsbycarol@ymail.com http://www.blogger.com/profile/16047209123154598013 2010-03-22 04:37:23 2010-03-22 04:37:23 1 0 Thanks for the patterns. I really appreciate them!
Enjoying your blog...
juno
xx
Juno's Place
Cards by Carol]]> 2158 shraddha noreply@blogger.com http://www.blogger.com/profile/17236077862110169516 2010-03-20 07:02:08 2010-03-20 07:02:08 1 0 2161 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-03-19 13:48:26 2010-03-19 13:48:26 1 0 I have been patiently waiting. As I think these letters will work wonderfully with my Crazy Quilt blocks. I have been enjoying the goldwork tutorial. I would have never guesed how they got the results on gold work that they do.Your goldwork is beautiful. I am not yet good enough at embroidery to spend that much on thread. So I am saving your tutorials for when I dom Get good enough. It is very beautiful. I hope I can do it some day. What a wonderful gift to a church it would make. thank you Karol]]> 2168 Sharon Brodeuse noreply@blogger.com 2010-03-19 09:23:11 2010-03-19 09:23:11 1 0 I recently finished a large "C" fan flower for my Mom, worked in DMC Satin stem stitch for the outline. Used DMC perle 5 variegated "red" in seed stitch to fill the letter and satin stitch for the fans. Turned out to be very pretty. Looking forward to your posting the "S" ;)
-Sharon]]> 2171 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-19 06:27:59 2010-03-19 06:27:59 1 0
I've enjoyed looking back and catching up on previous letters.

There are other designs too, I see, in monograms so will look-see them sometime soon too.

I like this fan flowers one. It's kind of Art Decoish or similar style.

Cheers, Kath]]> http://www.needlenthread.com/2010/03/free-hand-embroidery-pattern-celtic.html Wed, 17 Mar 2010 05:00:00 -0500 Mary Corbet 55 2010-03-17 05:00:00 2010-03-17 05:00:00 open open Free-Hand-Embroidery-Pattern:-Celtic-Cross publish 0 0 post

I took the design for this Celtic Cross from a little button and altered it a little bit. When thinking about how to embroider it, there are lots of options. You could just outline everything, using chain stitch or stem stitch. Or, you could get adventurous and fill in all the knot work with a filling stitch - satin stitch, stem stitch filling, chain stitch filling, or couching. You could get fancy, and work the design on a green background (velvet would be very rich) and use goldwork techniques to complete the design. Really, when it comes to hand embroidery, the possibilities are many and varied!



You can use a photocopier or photo editing software to scale the image up or down. Here's a PDF version:

Celtic Cross Design for Hand Embroidery

Enjoy it!
]]> free embroidery patterns 2162 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-19 13:22:42 2010-03-19 13:22:42 1 0 2166 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2010-03-19 11:04:53 2010-03-19 11:04:53 1 0 http://worldembroideries.blogspot.com/2010/03/shamrock-temari.html
Enjoy!
Jane]]> 2172 Fran noreply@blogger.com http://www.blogger.com/profile/04015908875511618381 2010-03-18 22:14:48 2010-03-18 22:14:48 1 0 Have a great day!

Fran D]]> 2189 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2010-03-18 00:08:14 2010-03-18 00:08:14 1 0 Laura]]> 2190 Jean noreply@blogger.com http://www.blogger.com/profile/14247515387599954817 2010-03-17 17:17:08 2010-03-17 17:17:08 1 0 2195 A noreply@blogger.com http://www.blogger.com/profile/05749950354879856611 2010-03-17 07:48:49 2010-03-17 07:48:49 1 0 I like these design so much. I dont'n know how I'm going to stitch it, but your ideas are wonderful

Anna]]> 2198 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-17 06:26:21 2010-03-17 06:26:21 1 0
Thank you.
I like the idea of doing it mainly in French knots as a Parterre garden type embroidery. Some tuffed turkey stitch could add dimmention as hedges with some plainer pathways playing against the coloured flower knots if needed.

I have some lovely old buttons and can relate their patterns to this type of design. My best buttons we saved from a bonfire we saw when driving past an old home. The old lady had died and most of the things were getting chucked into the fire. These were actually being taken to the (shudder) fire when we stopped.

Cheers Kath.]]> http://www.needlenthread.com/2010/03/revisiting-crewel-embroidery-supplies.html Mon, 15 Mar 2010 05:00:00 -0500 Mary Corbet 56 2010-03-15 05:00:00 2010-03-15 05:00:00 open open Revisiting-Crewel-Embroidery:-Supplies-and-Resources publish 0 0 post Crewel Rooster project, I had a few loose ends I wanted to tie up regarding crewel work, but I just haven't gotten around to it! For one thing, I wanted to stitch up some small samples of the different threads I used, side-by-side, to give you a better idea of what these threads are like. Have I done it yet? No! But since I am still receiving e-mail about the rooster project and a few readers have clamored for a list of recommendations and resources, I thought I'd put together the following list.

The two most obvious needs when undertaking a crewel embroidery project are fabrics and threads, so that's really all I'm going to talk about here: fabric and thread.

Fabric

For fabric, I've probably over-mentioned the linen twill from Legacy linen that I am quite besotted with right now. It's not a fabric limited to just crewel work, either - I'm working my current goldwork project on a linen twill ground, and it's working magnificently. And when I set up one of the flower motifs from Embroidered Flowers for Elizabeth next weekend (yes, I am! and nothin's gonna stop me!), I'll be using linen twill for that, too. So this is a versatile fabric, and worth the investment a half a yard or so to have on hand for all kinds of embroidery projects. It's not inexpensive stuff, though, at $84 / yard. But if you can afford to have a half yard or so on hand, you'll find it useful and beautiful fabric. You can find it at Hedgehog Handworks, as well as Tristan Brooks Designs.

You aren't limited to twill, though, for crewel embroidery. You can use a sturdy linen, too. Strathaven linen works well. It is a plain-weave linen, very sturdy, and pretty much an all-around useful linen for crewel work or historical needlework projects. It's a more economical choice, when compared to the linen twill above, at $46 / yard. You can also find it at Hedgehog Handworks as well as Tristan Brooks Designs.

Threads

For threads, here's my take on what I Really Like, what I Sort of Like, and what (ahem) I don't really like much.

I Really Like the following threads, in no particular order of Really-Like:

Renaissance Dyeing wool, crewel weight - I found this a pleasure to stitch with, soft, with good coverage, and oh-so-easy to work. No pilling or annoying knotting or anything that comes with rougher threads. It's dreamy. It's pretty. I like it! You can find it in the US at Hedgehog Handworks, and you can also order directly from Renaissance Dyeing (in France). They're really nice folks to deal with. And they take Paypal. The skeins are reasonably priced - the color choices are beautiful! (They're vegetable-dyed threads). You get a 25 meter skein for $2.05 from Hedgehog. It's slightly less from the company, but if you're ordering from the US, you'll pay the difference in overseas postage!

D'Aubusson - this is a finer sized crewel wool, great for detail. It is easy to stitch with, it retains the traditional look of crewel wool without being scratchy or pill-proned. It comes in a nice color range, it has a nice woolly sheen to it (most wool does have a sheen to it - and in some cases, a kind of sparkle, because the fibers catch the light as they fray about in their wool-like way. True, it isn't silk, but it isn't matte cotton, either!). The price is pretty reasonable at $3.50 for 32 meters. Right now, there are about 50 colors available in the States, but if the thread is well-liked, I would imagine that Access Commodities will eventually import more. You can find it at Hedgehog Handworks.

Heathway - this is a soft, beautiful wool. It feels smooth and silky, and it has a very nice sheen. It makes a gorgeous satin stitch. And it is not troublesome to stitch with at all! It comes in 20 color families, with 9 shades in each color family. It's certainly more expensive than the other wools above - $2.75 per hank of only 10 yards. But it is nice thread. There's just a wonderful feel to it. I would dearly love to see a whole color card with thread samples on it! You can find Heathway at Tristan Brooks Designs.

Bella Lusso wool - This is an Italian wool that's very fine, indeed. It's another one that's a complete pleasure to stitch with - it's like working with coton a broder or floche, it's so smooth. It makes another beautiful satin stitch! It comes in a range of colors - about 78 from what I can tell - and runs about $2.50 for a 45 yard skein. You can find it at Nordic Needle for that price (most other places, it runs around $2.80)

I also did some stitching on the rooster with Gumnuts Poppies, which isn't 100% wool, so I'm not going to cover that here, beyond saying that it is a beautiful wool / silk blend, and I'll talk more about it soon, when I take a close look at the range of Gumnuts threads.

The thread I Sort of Like - there's really only one that falls in this category - is Appleton wool. Yes, I like it. I wouldn't say I love it. And if someone laid a skein of Appleton in front of me, and a skein of any of the others in front of me, and told me to pick one to stitch with, I'd pick any of the ones above. Still, I like Appleton. There's something about it that's "real wool" feeling, that's a bit on the rough and rugged side, but that, despite the occasional pills in stitching, it always comes out looking pretty darned nice. (The body and wing of the rooster were done with Appleton.) I can't really complain about this thread! And it is super-economical compared to the others above. It's about $1.40 for a 27-yard skein. And it comes in over 400 colors. The trick to working easily with Appleton wool is to work with short lengths and the right sized needle. I'm sure I'll use Appleton again. You can find the range at Wooly Thread, where the folks are very nice and helpful.

I don't like Paternayan crewel wool. I only had one skein to play around with, and maybe it was the skein, but oh. I have a feeling it'll never be a go-to thread for me! Everyone's tastes are different, though - you might like it, so don't let me turn you off it!

Now, what I would love to see would be a color conversion chart among all the threads listed above! Wouldn't that be something? But what a job! And of course, you'd have to have the actual threads or real thread cards.... so I won't be doing that - though I think it would be quite a fun and challenging project!

And finally, here are a few very random links that have to do with crewel embroidery, off the beaten path. Some inspiration, some projects, some reading - if you want to browse about a bit:

A Jacobean crewel embroidery project

PDF of stitch instructions and a project from the EGA

Some reading on the Caron website - with pictures!

Examples of household decor employing crewel from Matters of Style

Crewel Embroidery on Sheer Silk Fabric - this is a decorator's fabric site, but it's kind of an interesting concept. And why couldn't you?

Crewel Stones - yes, rocks, covered with felting and then with crewel embroidery

Vintage Crewel - kits worked by the author's mom. A nice treasure from a nice mom!

]]> embroidery links embroidery resources crewel work 1965 Bebop noreply@blogger.com http://www.blogger.com/profile/01578915155435551632 2010-03-22 19:04:32 2010-03-22 19:04:32 1 0 2167 Sharon Brodeuse noreply@blogger.com 2010-03-19 09:33:31 2010-03-19 09:33:31 1 0 I've finished the small and I am "delighted" with it. I would have preferred to have the exact colors as given in the book, but used what I had in my stash of Appleton, that came pretty close.
But I just enjoyed the pleasure of stitching it - made me smile.

The more I look thru this book the more I am "enamored" of it - by the lovely designs, that are easy enough for a novice embroiderer to achieve - and for the choice of colors.

I have plans to start a large motif soon - on linen twill and using Paternayan - that will be used as a cushion. (It probably won't be the last!) ;)]]> 2181 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-18 10:36:36 2010-03-18 10:36:36 1 0
How do you like the motif so far? I can't wait to set one up and get started on it - but right now, still stuck in goldwork, and enjoying that, too!]]> 2183 Sharon Brodeuse noreply@blogger.com 2010-03-18 08:36:53 2010-03-18 08:36:53 1 0
In my quest to find a conversion chart, I found the following link to an Appleton to Paternayan Wool Conversion Chart that others may also find to be helpful.

It is: http://www.florilegium.com/appleton_to_paternayan.htm

A note on the chart page states that the conversions are approximate and that the individual should verify the colors "to be sure they suit your eye".

P.S. Am 50% finished with one of the "small" motifs - the Gillyflower - in Susan O'Connors' "Flowers for Elizabeth" book, and I did my own "conversion" from Pat. to App. before finding the conversion chart!

Sharon]]> 2205 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-16 14:40:02 2010-03-16 14:40:02 1 0
Thanks for your comments!

Ann - Thanks for the link to the photo on flickr - absolutely beautiful! The Aubusson wool I'm reviewing is the wool from Au Ver a Soie - I like it a lot, but you're right, it is not as full or 'fluffy' as most wool for crewel work. It is nice, though, for detail work and finer crewel. And it feels good to stitch with. I've seen some beautiful work with Paternayan - your photo, the work by Susan O'Connor, etc. So thanks very much for sending that link and adding your recommendation for it!

MC]]> 2206 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-03-16 12:53:49 2010-03-16 12:53:49 1 0
And I also like Appleton wools. I'm not so much convinced by Aubusson wool, they are fantastic for tapestry but I find they do not have the fluffy aspect of wool.
By the way, there is a new Aubusson wool which is make by http://www.laroutedelalaine.fr/ in collaboration with Au ver à Soie.
Thank you for your post.]]> 2222 joey noreply@blogger.com 2010-03-15 12:12:47 2010-03-15 12:12:47 1 0 2223 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-15 10:10:44 2010-03-15 10:10:44 1 0
Thanks for the comments!

Sharon - you may like the Paternayan - do try it first! Some folks really like it a lot... like I said, it's just my personal preference!

Kath - I think the rocks are great! But yeah, they probably wouldn't make the best pin cushions. BUT - you could make a felted "rock" - that is, the same shape as a rock, but without the rock. Or, if you wanted some weight in it, you could use a much smaller rock and felt deeply all over it, to give enough room for pins....

skh - yep, it's not inexpensive. Given the price and the quality, it's something I would only use for special projects. Also, a yard goes a long way when talking about needlework projects. You can find linen at fabric stores, like you said, or you can use blends, or cotton. There was a beautiful Belgian linen I used to order up two years ago, that's 72" wide (so you're getting a lot in a yard) and ran about $32/ yard. It's nice linen for surface work, but too fine for crewel work. I use it for whitework, usually. I don't have the source for it anymore, as the supplier no longer supplies it. :-(

MC]]> 2224 ZenCrafter patlongoria@twcny.rr.com http://www.blogger.com/profile/12161858043705055699 2010-03-15 10:03:29 2010-03-15 10:03:29 1 0
Thank you so much for linking to my Crewel Stones so that I could find your site. They're a lot of fun to do. And I use them as pin cushions, too!]]> 2226 Sarah noreply@blogger.com http://44parkave.com 2010-03-15 09:21:28 2010-03-15 09:21:28 1 0 EIGHTY FOUR DOLLARS A YARD. Seriously?? Holy god that's insane. Even $46 is quite steep for only ONE yard of fabric.

I usually buy plain-old 'linen' from Joann Fabric which is about $15/yd. Do you find this too poor a quality product to bother working with?

Also, with this shocking reaction to the cost of the fabric you recommended in mind, can you suggest some recession-priced fabric that you find tolerable?

Thanks!

-skh]]> 2228 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-15 08:42:45 2010-03-15 08:42:45 1 0
Thanks for all the info. Appreciated.

Been thro all the links you listed from Rocks to the decorator's site to whatever. The embroidered fabrics in the decorator's site are special and the rocks appealing. Would make nice pin cushions - minus the rocks of course!

Bye for now, Kath]]> 2229 Sharon Brodeuse noreply@blogger.com 2010-03-15 08:02:54 2010-03-15 08:02:54 1 0
Unfortunately (?) I just ordered some 20-odd skeins of Paternayan wool to use. The funny coincidence is that I just this morning asked another stitcher if a conversion chart of the different types of wools existed as I wanted to use Appleton.

The answer is, I guess, that I use my Appleton swatch colors and try to get the "best match" to the color photographs in the book.

Thanks for all the good information, Mary.]]> 2230 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-15 07:03:05 2010-03-15 07:03:05 1 0
I got mine on eBay. Look up "beetle wings" or "elytra wings" and they'll come up.

Hope that helps!

MC]]> 2231 Лариса noreply@blogger.com http://www.blogger.com/profile/06817353275354717355 2010-03-15 05:42:30 2010-03-15 05:42:30 1 0 I want to say thank you for your blog! It is so interesting and exciting! I really enjoy it a lot.
I have a question. And I am not sure in what part of your blog to post it. So, please, excuse me, if I am doing it wrong. I want to ask you about beetle wing embroidery. I read your posts about it which are dated 2007. But I did not find the info where did you get the wings? Can you tell me, please, where did you buy them?

Larissa]]> http://www.needlenthread.com/2010/03/another-take-on-crewel-embroidery.html Sun, 14 Mar 2010 15:05:00 -0500 Mary Corbet 57 2010-03-14 15:05:00 2010-03-14 15:05:00 open open Another-Take-on-Crewel-Embroidery publish 0 0 post

This is a whole new take on crewel embroidery! (Did I say "take"? I meant.... cake!)



This comes from Cake Wrecks - a blog devoted to "professional cakes that go horribly, hilariously wrong." If you visit the original post (Sunday Sweets: That Takes the Cake part 1), you can click on the photo of the crewel cake and see a magnificent larger version. Too funny!

I tried everything to refrain from saying this, but I can't help it:

Sweeeeet!!
]]> miscellaneous embroidery musings embroidery for fun crewel work 2232 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-03-15 05:01:41 2010-03-15 05:01:41 1 0 2233 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-15 04:47:14 2010-03-15 04:47:14 1 0
At first I thought it was embroidery placed on the cake!! I've been into the site and it's very interesting, at least that section. Not sure about the actual 'wrecks'. Especially the ones with toe jam filling! Oh my goodness, its a site that caters (couldn't help it either!) for everyone, sweet tooth or not.

Cheers, Kath.]]> 2234 cyndi noreply@blogger.com http://www.blogger.com/profile/12485232592683995836 2010-03-15 00:43:43 2010-03-15 00:43:43 1 0 2235 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-03-14 23:59:08 2010-03-14 23:59:08 1 0 2237 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-03-14 17:51:23 2010-03-14 17:51:23 1 0 2239 viji noreply@blogger.com 2010-03-14 16:25:03 2010-03-14 16:25:03 1 0 I enjoyed the cake very much
viji]]> 2240 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2010-03-14 16:19:23 2010-03-14 16:19:23 1 0 http://www.needlenthread.com/2010/03/embroidered-flowers-for-elizabeth.html Thu, 11 Mar 2010 06:22:00 -0600 Mary Corbet 58 2010-03-11 06:22:00 2010-03-11 06:22:00 open open Embroidered-Flowers-for-Elizabeth---the-Winner-is... publish 0 0 post Embroidered Flowers for Elizabeth by Susan O'Connor draws to a close. If you want to read all about how I normally do the give-aways, you can visit last week's winner announcement for the first copy of the book.

This second copy of Embroidered Flowers for Elizabeth (courtesy of Country Bumpkin) goes to....

Danielle K!

Congratulations, Danielle! I'm sure you will love the book as much as I like being able to send it off to you, and I hope it provides you with much inspiration!

Please contact me via e-mail with your mailing address, and I will get the book in the mail to you as soon as possible!

If you're looking for your own copy of Embroidered Flowers for Elizabeth, you'll find sources for the book mentioned on my review of it. Read the comments - there's an excellent resource listed in one of the comments!

Tomorrow, I'll be back to the goldwork project. I was planning to take a hiatus from it and spend some time with the fish, but I got hooked into the goldwork instead and am eager to see it done. So tomorrow, I'll be discussing check thread. Over the weekend, I won't be getting any stitching in (boohoo) as I'm very busy with work-related matters right now. Hopefully, by the middle of next week, my time will be loosened up a little bit. On the bright side, I've stitched a bit beyond my blog posts, so I should be able to keep you relatively entertained over the next several days!

Or put you to sleep....

Whichever!

]]> website news Book Give-Away Give Away 2261 flowers noreply@blogger.com http://www.iflorist.co.uk/c-482-mothers-day-flowers.aspx 2010-03-12 06:05:50 2010-03-12 06:05:50 1 0 2267 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-03-11 14:39:52 2010-03-11 14:39:52 1 0
Mary I am glad you are staying with the goldwork for the moment; each day it grows more vibrant and beautiful and I look daily to see what is added. I love the perfect red shading with the gold, so complimentary.]]> 2269 Sharon Brodeuse noreply@blogger.com 2010-03-11 13:12:55 2010-03-11 13:12:55 1 0
And congratulations to Danielle. I couldn't wait any longer and ordered the book from Amazon UK which arrived today. The projects are very well explained, and I can't wait to try "just one design" right away!
-Sharon in France]]> 2274 Laura Bullinger noreply@blogger.com 2010-03-11 08:10:38 2010-03-11 08:10:38 1 0 2275 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-11 07:58:38 2010-03-11 07:58:38 1 0
You and Country Bumpkin are sure generating some interest and making people happy too.
The winner will be so happy, and we are happy for her. And you're happy to be part of giving the book away.

Lovely for you Danielle, congratulations.

Cheers, Kath.]]> 2276 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-11 07:30:36 2010-03-11 07:30:36 1 0 2278 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-11 06:58:37 2010-03-11 06:58:37 1 0 http://www.needlenthread.com/2010/03/embroidered-flowers-for-elizabeth-give.html Tue, 09 Mar 2010 06:38:00 -0600 Mary Corbet 59 2010-03-09 06:38:00 2010-03-09 06:38:00 open open Embroidered-Flowers-for-Elizabeth---Give-away-II publish 0 0 post Embroidered Flowers for Elizabeth, that gorgeous book by Susan O'Connor. Please (please) read the give-away rules carefully to make sure that you are entered into the drawing!

This give-away includes one copy of Embroidered Flowers for Elizabeth, courtesy of Country Bumpkin.



The give-away is for anyone, world-wide. If you do not live in the US or Canada, I will send the book via the least expensive air mail option.

The Rules!

1. Your comment must be left on this article, on the website. Please do not respond via e-mail or leave comments on other articles. If you do not know how to leave a comment, you can visit this Blogger Help Page that shows you how to leave one. If you are reading this in your e-mail inbox, via the daily newsletter, simply click on the title of the article (in purple), which will bring you directly to this post on the website where you can leave your comment.

2. Please make sure that you sign your comment so that I have a name. You may post the comment anonymously, but inside the comment, please leave a name!

3. Please answer the following question:

If you were to stitch up some of the projects in this book (you can see some of them on my review of Embroidered Flowers for Elizabeth), what type of thread would you use? Would you stitch them as originally described, with Paternayan crewel wool, or would you be more likely to use the thread conversion chart provided in the book and convert the colors to Soie d'Alger or DMC? and Why?

4. Leave your comments by Thursday, March 11, 5:00 am CST (I'm in the Midwest USA), and I'll announce the winner that morning. The winner will need to contact me via e-mail once announced.

Best of luck!


]]> Book Give-Away Give Away 2280 Sarah DeBree noreply@blogger.com 2010-03-10 22:35:51 2010-03-10 22:35:51 1 0 2282 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-03-10 19:55:31 2010-03-10 19:55:31 1 0
Paternayan - ugh. Too hairy. Same for Appleton. I don't always pay attention to the thread colors listed; I often change them or use threads for which there is no listed conversion.

I would start by experimenting with Renaissance Dyeing Wool or floche. Though I like the look of silk my fingers snag it no matter what lengths I go to to safeguard my hands.]]> 2283 Joshua noreply@blogger.com http://www.blogger.com/profile/06262588981126184123 2010-03-10 19:50:10 2010-03-10 19:50:10 1 0 2286 Anonymous noreply@blogger.com 2010-03-10 18:38:16 2010-03-10 18:38:16 1 0 I think I would try to track down all of the colors in Paternayan crewel wool first, because I would like the soft look of wool for this particular project. If I could not get all of the colors I needed then my second choice would be the Soie d'Alger because I love silk.
Thank you for your time!
Danielle K.]]> 2288 Kim K noreply@blogger.com http://www.blogger.com/profile/09410675833339408404 2010-03-10 17:42:19 2010-03-10 17:42:19 1 0 Kim Kemmsies]]> 2291 Lauren H ljhlaw@cableone.net http://www.blogger.com/profile/00340772121665377703 2010-03-10 16:30:22 2010-03-10 16:30:22 1 0 2292 Anonymous noreply@blogger.com 2010-03-10 16:25:38 2010-03-10 16:25:38 1 0 I would use DMC thread to attempt these beautiful projects because, being a total novice, that's what I'm familiar with. Thanks!

Susan Riggs]]> 2295 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2010-03-10 15:47:56 2010-03-10 15:47:56 1 0 2296 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09949046646183486644 2010-03-10 15:42:20 2010-03-10 15:42:20 1 0
If I received this book, I would try out some new-to-me silk threads I have, probably using different ones in the same frame, in order to see the contrasts: shiny, flat, pearled, s or z twist!

Thanks for the second chance at this enticing offer!
Didi]]> 2297 Anonymous noreply@blogger.com 2010-03-10 15:10:22 2010-03-10 15:10:22 1 0 Thanks for the second chance.I would use the conversion chart and Soie d' Alger thread. I am also enjoying your goldwork project. As soon as you've completed it I am going to start my own.
Kind regards,
Maria]]> 2298 Christy S noreply@blogger.com 2010-03-10 14:29:26 2010-03-10 14:29:26 1 0 2299 Marty52 mamatrahan@msn.com http://www.blogger.com/profile/13237461237107850391 2010-03-10 14:21:10 2010-03-10 14:21:10 1 0 2302 Anne noreply@blogger.com http://www.blogger.com/profile/14236053871877225030 2010-03-10 13:13:07 2010-03-10 13:13:07 1 0 2305 jacquelin noreply@blogger.com 2010-03-10 12:46:59 2010-03-10 12:46:59 1 0 Here in paradise the moths love wool so it's silk or cotton for most work. If I were to send something to someone in a colder climate, definitely wool. It feels as good as silk in the hand when working it,
Good luck to all in the draw.
Jacquelin]]> 2307 Fée Clobouclett' noreply@blogger.com http://lestrucsdefeeclobouclett.over-blog.com/ 2010-03-10 12:18:05 2010-03-10 12:18:05 1 0 I would try to do this embroidery not with woollen threads, but with silk and rayon ones ! why ? because they are light-full and so "doux" in my fingers !
the wollen ones are too "hot" between my fingers ;o)
I wish you a great day in reading oll your comments, of your american readers and of other countries that don't write english very well (but we try !;o) I'm fron France in Normandy !)kind regards and "kenavo !" (Iwas born in Brittany , west of France !)]]> 2308 Anonymous noreply@blogger.com http://threadtalesfromascrappyquilter.blogspot.com 2010-03-10 12:00:35 2010-03-10 12:00:35 1 0
Valerie Wagner]]> 2309 Betsy noreply@blogger.com http://www.blogger.com/profile/17483952704587727482 2010-03-10 11:33:33 2010-03-10 11:33:33 1 0 ~Betsy
Hilton, NY]]> 2310 Samanta noreply@blogger.com 2010-03-10 10:46:33 2010-03-10 10:46:33 1 0 I would have to go with DMC, that's the only one I can find here in Brazil - and it's more expensive than Anchor, which is widely available. I guess it would be ok, though, I am using Anchor for your Long and Short Stitch lessons (yes, I'm THAT late), and I really like the results. Good luck for me! :-D]]> 2311 Lana of Honeysuckle Lane lanamanis@gmail.com http://www.blogger.com/profile/03984967027046436970 2010-03-10 10:45:37 2010-03-10 10:45:37 1 0
Lana :)]]> 2312 Lana of Honeysuckle Lane lanamanis@gmail.com http://www.blogger.com/profile/03984967027046436970 2010-03-10 10:44:33 2010-03-10 10:44:33 1 0 2317 Steffi noreply@blogger.com 2010-03-10 07:06:49 2010-03-10 07:06:49 1 0 I'd use some of my selfspun and plant-dyed wool for a little flower-project. I only used it for tablet-weaving 'til now, so I'm eager to find out if this might actually work. My one and only crewel project so far was done in some cheap Chinese DMC surrogate since that was what I had lying around at the moment...]]> 2322 Arlene noreply@blogger.com http://www.blogger.com/profile/11849360528142486708 2010-03-10 04:47:38 2010-03-10 04:47:38 1 0
As for me, I would like start by doing a small square using DMC. Mostly because I don't really have a store nearby that carries a good selection of wool and, when undertaking a major project, it is always good to take small steps. So, for me, first, give the whole thing a little try with a thread I'm familiar with and then see what evolves.

Hope you have a lovely day!
arlene]]> 2323 Deepa Sethuraj noreply@blogger.com 2010-03-10 04:37:34 2010-03-10 04:37:34 1 0 Thanks for the give away. Well I would like to do the designs in Anchor cotton threads 'coz its the only available option for me here.. We don't get any other threads. Wish me gud luck..
Deepa Sethuraj]]> 2324 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2010-03-10 04:35:40 2010-03-10 04:35:40 1 0 2326 ji noreply@blogger.com http://www.blogger.com/profile/04501749929011002984 2010-03-10 04:17:58 2010-03-10 04:17:58 1 0 Since the moths here love wool, it would have to be silk or cotton. Sending something to someone in a colder climate, definitely wool.
ji]]> 2327 Anonymous noreply@blogger.com http://juliescraftsandhobbies.blogspot.com/ 2010-03-10 03:35:59 2010-03-10 03:35:59 1 0
Judging from your very detailed photos, I would want to stitch using the original wool threads. These look so sumptuous in the pictures. I have used substituted threads before and am sometimes disappointed, because although they try to match the colours to the best fit, they don't always look like the photos. After all, we pick a design based on the photos don't we.

Keep up the good work, I look forward to your progress every day! Thanks for the excitement of the competitions :)

regards
Julie in Australia]]> 2329 onafixedincome noreply@blogger.com 2010-03-10 02:42:35 2010-03-10 02:42:35 1 0
If I could afford silk, I'd use that. If not (which is far more likely), good old DMC would be the way I would go. Besides, washability is important to me.

Wool..hm. I might spin some superwash if I could find compatibly dyed wools...and then use that.

THANK YOU MARY! You are one cool people. :)]]> 2330 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-03-10 02:35:38 2010-03-10 02:35:38 1 0
Were I lucky enough to win the book, I would use DMC Madeira wool as I have that on hand and wool is more forgiving to use than DMC. I have lots of DMC stranded threads and no outlet nearby for the silk.

Maureen Bond]]> 2331 Anonymous noreply@blogger.com 2010-03-10 02:02:47 2010-03-10 02:02:47 1 0 I have tryed to use silk for another pattern from Susan O'Conner. This book is one I like to have and in this time I can order it from Amazon.de. But now I have a chance to get it from you! I would embroider the flowers with silk or with DMC first. Why: I don't have some experience with wool thread, but I will learn it and I think this book is a good chance to do this.
All the best Katrin from Germany]]> 2332 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-03-10 01:49:45 2010-03-10 01:49:45 1 0 Greta to be back on your second giveaway!!
Ah! it's a tough question for me :). Ideally I would want to use the Paternayan crewel wool according to the instructions, as that would definitely be a difference stitching experience... but due to the limited thread availability in my locality, I would have to choose my own colours of anchor threads which will go along with the stiching instructions..

And as always... Wishing dearly to win in this draw, atleast this time :)

Dhivya]]> 2333 Anonymous noreply@blogger.com 2010-03-10 01:49:08 2010-03-10 01:49:08 1 0 I would do them in renaissance dying wool. You gave me some advice on tem and I've ordered them and I'm using it on a little project as I write! I love the sheen and the fine threads it's made of. Maybe I'd order some Caron threads with silk and wool, just for little effects...(muse...)
Thanks for your lovely give away!
Gwen from Dordrecht, the Netherlands.]]> 2334 helene noreply@blogger.com http://www.blogger.com/profile/00824502945746085067 2010-03-10 01:40:28 2010-03-10 01:40:28 1 0
Que de belles choses sur votre site,

Pour les motifs, j'utiliserai de la Soie d'alger ou du vers à soie, car la laine est difficile à trouver en France (sauf celle d'Aubusson mais on arrive rarement à obtenir une palette de couleurs suffisante sans se ruiner) et je ne sais pas où trouver celle que vous utilisez

Un grand merci pour tout ce que vous nous montrer.

Hélène]]> 2335 Brenda noreply@blogger.com http://www.blogger.com/profile/02932300582692498942 2010-03-10 00:39:36 2010-03-10 00:39:36 1 0 I love crewel, and I would use the Paternayan crewel wool to stitch the entire blanket. This book is a treasure! Thanks for the opportunity to win it!
Brenda from Wisconsin]]> 2336 Thisbee noreply@blogger.com 2010-03-10 00:36:22 2010-03-10 00:36:22 1 0 2337 Anonymous noreply@blogger.com 2010-03-10 00:05:51 2010-03-10 00:05:51 1 0
Kelley Poulos]]> 2338 claudettew noreply@blogger.com http://www.blogger.com/profile/01851309012733314410 2010-03-09 23:44:19 2010-03-09 23:44:19 1 0 I so look forward to reading your blogs every day. Best wishes.]]> 2339 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-03-09 23:21:09 2010-03-09 23:21:09 1 0 Thanks for the second give-away! You are wonderful!

I would use the crewel yarn as suggested. I love working with wool; I like the feel and the texture. I also love crewel work even though it seems it's not as popular as other types of stitching. So there you have it!

Kathy in Kenai]]> 2340 Maryvonne noreply@blogger.com 2010-03-09 22:51:27 2010-03-09 22:51:27 1 0 Thanks for giving us another chance to win this beautiful book. I cannot get hold of silk or wool here, so I suppose it would have to be DMC. The result might not quite as good, but ....
what you don't know, you don't miss!
LOL]]> 2341 Anonymous noreply@blogger.com 2010-03-09 22:33:53 2010-03-09 22:33:53 1 0
Thank you - and Country Bumpkin - for this second chance to win such a lovely book.

It's inspiring to see how many readers are ready to "push the envelope;" I'm still working on opening mine! Were I to stitch some of the projects in this book, I would start with DMC, because it's what I know, it's what I have on hand, and it's what I can afford.

I am following your goldwork pomegranate with great interest, and am "staying tuned for the next episode."

I love it that you're loved all over the world!

Thank you, Mary

Lauri]]> 2342 Pam noreply@blogger.com http://www.blogger.com/profile/06115757921248639285 2010-03-09 22:26:14 2010-03-09 22:26:14 1 0
For stitching these lovely project I would definitely use wool yarn, either Paternayan or Appleton crewel yarn (Appleton is in stock at my LYS.) Wool yarn is easier to work at the larger scale required by my poor eyesight. Pam in Austin TX]]> 2343 leebee7 noreply@blogger.com http://leebee7.livejournal.com/ 2010-03-09 22:23:49 2010-03-09 22:23:49 1 0 2344 Sangheetha noreply@blogger.com http://www.blogger.com/profile/06777497661003570501 2010-03-09 21:54:39 2010-03-09 21:54:39 1 0 If I get to see some designs of the book.I will try them with Anchor cotton and Silk whichever gives a good look and feel, will proceed with the same.
Btw your website is very cool :-)]]> 2345 sudukc noreply@blogger.com http://sudukc.wordpress.com 2010-03-09 21:32:40 2010-03-09 21:32:40 1 0 2346 Anonymous noreply@blogger.com 2010-03-09 21:18:05 2010-03-09 21:18:05 1 0 Thank you for the second chance to win this wonderful give-away.

I would not use the thread that is shown in the book since I have never worked with it before. Instead I would use the conversion chart for DMC for a few of the projects. That would allow me to begin sooner since I am able to buy DMC in a neighboring town.
Thank you again.
Renetta Mondragon Taos NM]]> 2347 DK Spins dkspinner@q.com http://www.blogger.com/profile/17846231118417581109 2010-03-09 21:13:29 2010-03-09 21:13:29 1 0 2348 annie (aka scooter) noreply@blogger.com http://www.blogger.com/profile/17208865987486965643 2010-03-09 21:08:50 2010-03-09 21:08:50 1 0 2349 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2010-03-09 21:05:09 2010-03-09 21:05:09 1 0 2350 Anonymous noreply@blogger.com 2010-03-09 20:47:30 2010-03-09 20:47:30 1 0
It's a beautiful book and I love the designs. I think I'd use Soie d'Alger--it's so lovely. But I'd experiment with several threads before making a final choice.

Katrina]]> 2351 KatieQ katiequilts@gmail.com http://www.blogger.com/profile/03402499142649295188 2010-03-09 20:35:14 2010-03-09 20:35:14 1 0 KatieQ]]> 2352 Ramya noreply@blogger.com http://www.blogger.com/profile/00894780256080713640 2010-03-09 20:10:35 2010-03-09 20:10:35 1 0 Thanks for the wonderful giveaway! I will start doing some samples on pillows / throws with DMC threads. Its what I have in hand. But when I (I hope so!) start the actual blanket, I will use the recommended Paternayan crewel wool. I have never worked with crewel wool so that would be a challenge for me.

Ramya]]> 2353 Anonymous noreply@blogger.com 2010-03-09 20:03:24 2010-03-09 20:03:24 1 0
Thanks for this second chance to win this magnificent book. I would start off by trying individual designs in DMC as that is the thread I have the most of but if I were to do the whole blanket I would probably use the wool and blow the embroidery budget for at least 2010, if not longer!

Best Wishes, Trish Hughes, New Zealand]]> 2354 JoyAnna noreply@blogger.com http://www.blogger.com/profile/08111229688666742060 2010-03-09 20:02:17 2010-03-09 20:02:17 1 0 JoyAnna]]> 2355 Brittany noreply@blogger.com http://www.blogger.com/profile/11262368638637841764 2010-03-09 19:37:38 2010-03-09 19:37:38 1 0
Brittany Brain]]> 2356 Anonymous noreply@blogger.com 2010-03-09 19:34:41 2010-03-09 19:34:41 1 0
Sharon Ihde]]> 2357 J noreply@blogger.com http://www.blogger.com/profile/18038410399748516498 2010-03-09 19:33:17 2010-03-09 19:33:17 1 0
Janet]]> 2358 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-03-09 18:51:08 2010-03-09 18:51:08 1 0 2359 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2010-03-09 18:48:33 2010-03-09 18:48:33 1 0 Martha B]]> 2360 Romona noreply@blogger.com http://www.blogger.com/profile/15517248251134899952 2010-03-09 18:43:08 2010-03-09 18:43:08 1 0 2361 Anonymous noreply@blogger.com 2010-03-09 18:33:59 2010-03-09 18:33:59 1 0
If I could choose, I would try a variety of threads, just to see what they are all like to work with - and the work fabric would make a difference, of course.....I'd start with the recommended materials and branch out - what a great excuse to build up one's thread stash!

Miriam Marlin, Santa Rosa CA]]> 2362 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-03-09 18:30:56 2010-03-09 18:30:56 1 0
If I were to stitch the projects from the book, I'd use whatever thread I had in stock that seemed to best suit. It might be my usual Anchor stranded cottons, (most likely option), or I may even use some Pearl #5s if I wanted a thicker guage thread. So, I'd use the DMC conversion (I can't imagine being able to afford Soie D'Alger threads either) and then re-convert to Anchor via a chart and my own colour judgment.=)

Just longing for the chance!!]]> 2363 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2010-03-09 18:22:00 2010-03-09 18:22:00 1 0
Ruth Moleaar]]> 2364 Janice Miller noreply@blogger.com 2010-03-09 18:19:02 2010-03-09 18:19:02 1 0 I would use the crewel wool to work these beautiful designs. I started my stitching experience in wool and I love how the long and short stitch work up in it.
I have a thought to use some needle punch embroidery in the designs also, just to shake it up a bit and give the design more dimension.
Thanks for the opportuniy to participat.
Janice Miller]]> 2365 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2010-03-09 18:04:16 2010-03-09 18:04:16 1 0 2366 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2010-03-09 18:01:16 2010-03-09 18:01:16 1 0 for the daisy, I would consider changing it to a sunflower, brown center and yellow/gold petals (because I'm a transplanted Kansan). I think I would have to redesign the leaf to a more spiky one like a sunflower. The pansy I would stitch just as it is and I would convert to DMC floss for both. The instructions in the book seem to be very clear.

Cynthia Bonnell]]> 2367 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2010-03-09 17:55:35 2010-03-09 17:55:35 1 0 This is always fun to see what you are going to do next. The pictures from books and your stitching are great to see. This is another wonderful book. The colors and illustrations are wonderful. It is easy to see how you can use the flowers, leaves in other items. I like to put them on pillows, box tops, pictures, table runners and place mats. I would probably use Soie d'Alger, Water Lilies or DMC. I like the overdyed thread sometimes on leaves for a different look. Thanks for another chance at this book.
Debra Puma]]> 2368 ShirleyNotes noreply@blogger.com http://www.blogger.com/profile/11081456079317891988 2010-03-09 17:54:25 2010-03-09 17:54:25 1 0 Thank you so much, Mary, for the chance to win.

Shirley Crockett]]> 2369 Anonymous noreply@blogger.com 2010-03-09 17:35:20 2010-03-09 17:35:20 1 0
I think I would like to try the Soie d'Alger as I have not used them before and I love to try different threads. A mix of different threads could also give an interesting textural effect.

Lynette P]]> 2370 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-03-09 17:13:21 2010-03-09 17:13:21 1 0
CA]]> 2372 Raou noreply@blogger.com 2010-03-09 17:12:33 2010-03-09 17:12:33 1 0
As for your question, I would probably try out all three! I've only stitched a bit with wool but I like it, and I'd like to see the differences between the 3 types of threads when stitching the designs. For making the eventual blanket, I'd probably go for the wool, as I think it has that..blanket-y look.

Have a good day,
Eveline]]> 2373 Beverly noreply@blogger.com http://www.blogger.com/profile/01097377480944079836 2010-03-09 16:58:33 2010-03-09 16:58:33 1 0 Thank you for once again offering a copy of the magnificent work of Susan O'Connor. Just last week I purchased my first silk floss from Gloriana and have fallen in love with it, so I would try working a design in silk just to see how beautiful it turns out. Wool is lovely, but now that I have spent so much on the silk I will use it on anything.

I am very fascinated with your international followers! It speaks highly of your gift that you share with us.

Thanks again for a second chance to win this wonderful book.

Beverly C. in Indianapolis, USA]]> 2374 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2010-03-09 16:40:44 2010-03-09 16:40:44 1 0 thank you offering this book a second time.
I love wool, so I would us wool for crewel work for this project.
thanks Kathy]]> 2375 Jacqui noreply@blogger.com http://www.blogger.com/profile/01960584780868629399 2010-03-09 16:19:46 2010-03-09 16:19:46 1 0 2376 Anonymous noreply@blogger.com 2010-03-09 16:08:40 2010-03-09 16:08:40 1 0
Thank you Mary for sharing your wisdom and for being so generous with giveaways!

Mary L.
Cranberry Township PA]]> 2377 Anonymous noreply@blogger.com 2010-03-09 15:52:45 2010-03-09 15:52:45 1 0 If I were lucky enough to win the book I would go with either the Soie d'Alger or DMC - why just because I like the look of both of these threads. I might try and use some Wildflowers just to see how they would look as I have some of these on hand
Thanks for the chance to win this lovely book.
Joan from Richmond BC]]> 2378 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2010-03-09 15:46:25 2010-03-09 15:46:25 1 0
Kandy in PA]]> 2379 Anonymous noreply@blogger.com 2010-03-09 15:45:59 2010-03-09 15:45:59 1 0 2380 idyllicchick idyllicchick@gmail.com http://www.blogger.com/profile/05772680234610824238 2010-03-09 15:45:21 2010-03-09 15:45:21 1 0 ---Sharon Emery]]> 2381 Anonymous noreply@blogger.com 2010-03-09 15:37:20 2010-03-09 15:37:20 1 0
I can't believe you're giving away another of these beautiful books again! You're the best!

Karen from Arcadia]]> 2382 Anonymous noreply@blogger.com 2010-03-09 15:24:44 2010-03-09 15:24:44 1 0 2383 Sarah noreply@blogger.com http://44parkave.com 2010-03-09 15:15:54 2010-03-09 15:15:54 1 0 I'm sad that the question for the give-away for just the book is harder to answer than the super easy question for the give-away for the book and all the other wonderful things from February! ;.;
-skh]]> 2384 Sherry D. noreply@blogger.com 2010-03-09 15:09:51 2010-03-09 15:09:51 1 0 2385 Anonymous noreply@blogger.com 2010-03-09 15:09:48 2010-03-09 15:09:48 1 0
Dawn C.
Southcoast, MA]]> 2386 Anonymous noreply@blogger.com 2010-03-09 15:04:55 2010-03-09 15:04:55 1 0
I would use the Paternayan crewel wool to make the blanket and then I would use the Soie d'Alger silk to make blocks for a quilt. I would like to see the difference in the techniques with different threads.

I've used Paternayan before and really liked the effect. I would use the silk since I've never done anything with silk and would love to see how it stitches and the appearance of it.

Helen Vickers
SW FL]]> 2388 Diane noreply@blogger.com 2010-03-09 14:58:53 2010-03-09 14:58:53 1 0 2389 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2010-03-09 14:52:03 2010-03-09 14:52:03 1 0 I think I'd actually try one using the crewel wool, simply because I haven't worked with it at all. I do know that one advantage of the wool is that it "plumps up" a bit, so it's a bit more forgiving with coverage than a single ply of silk or cotton floss would be.

I would also likely try using the designs for goldwork, blackwork, or stumpwork!

- Jeanne]]> 2390 Diane noreply@blogger.com 2010-03-09 14:48:25 2010-03-09 14:48:25 1 0 2391 wldflr noreply@blogger.com http://www.blogger.com/profile/03208812605807845184 2010-03-09 14:33:08 2010-03-09 14:33:08 1 0 Marion T.]]> 2392 stitchkat noreply@blogger.com http://www.blogger.com/profile/13386818613507497168 2010-03-09 14:32:27 2010-03-09 14:32:27 1 0
I would definitely try some wool first, as I'm a crewel novice, but I'm not very fond of Paternayan. I think I would try some of the other wools you discussed in working on your rooster. I would most likely mix silk and cottons in on smaller elements. I really like the difference in textures and sheens that mixing fibers provides!

Good luck to everyone!

Katherine]]> 2393 Anonymous noreply@blogger.com 2010-03-09 14:24:46 2010-03-09 14:24:46 1 0
jan in indiana]]> 2394 sue noreply@blogger.com http://www.blogger.com/profile/00770592335543390352 2010-03-09 14:22:23 2010-03-09 14:22:23 1 0 Sue Ames]]> 2395 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2010-03-09 14:21:58 2010-03-09 14:21:58 1 0 2396 Marti Weidner noreply@blogger.com 2010-03-09 14:10:31 2010-03-09 14:10:31 1 0 2397 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2010-03-09 14:09:19 2010-03-09 14:09:19 1 0 2398 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-03-09 14:02:45 2010-03-09 14:02:45 1 0 Thank you Mary and Country Bumpkin, who really does make the world's most beautiful embroidery magazine. One day I want to attend Beating Around the Bush so I can take classes from their designers, and see Australia while I am there.]]> 2399 Kris noreply@blogger.com http://www.blogger.com/profile/01819774113675793643 2010-03-09 13:52:22 2010-03-09 13:52:22 1 0 2400 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-03-09 13:50:27 2010-03-09 13:50:27 1 0 I love new experiments ;-)
Thanks again for those giveaways
Coeur de freesia]]> 2401 Cactusneedle noreply@blogger.com http://www.blogger.com/profile/13063893333954556967 2010-03-09 13:49:30 2010-03-09 13:49:30 1 0 2402 M&amp;Co. noreply@blogger.com http://www.blogger.com/profile/05826472564396169120 2010-03-09 13:19:37 2010-03-09 13:19:37 1 0 2403 Carol R noreply@blogger.com 2010-03-09 13:19:35 2010-03-09 13:19:35 1 0
I'll try again...I'd use DMC probably, on individual motifs. There's no way I'd ever have time to do a blanket. But I might manage a small quilt...

By the way, I thought you'd enjoy this, since you have a replica kit of the Bayeaux Tapestry:

http://www.mentalfloss.com/blogs/archives/49408]]> 2404 Anonymous noreply@blogger.com 2010-03-09 13:16:41 2010-03-09 13:16:41 1 0
Thanks, Nita Carroll]]> 2405 Zuzu noreply@blogger.com http://www.blogger.com/profile/08627301565988645951 2010-03-09 13:16:06 2010-03-09 13:16:06 1 0
I would prefer to stitch them in the origianl Paternayan crweel as much as possible but I would also use DMC cotton floss for practicing. I would not practice in Paternayan as it is more expensive. Once I got the the techniques down I would use the paternayan as much as possible. If I could n't find that thread then I could turn to Anchor. I haven't a clue, though I imagine www.froogle.com would tell me, where to get Soie d'Alger and currently I can get Anchor and Paternayan easily.

Zuzu Paolini
Forest City, PA]]> 2406 Erica noreply@blogger.com http://www.blogger.com/profile/12692499583754486790 2010-03-09 13:11:05 2010-03-09 13:11:05 1 0 2407 Anonymous noreply@blogger.com 2010-03-09 13:07:53 2010-03-09 13:07:53 1 0 I would also like to see the back of some of your projects. Mine are not always (actually lots of times) presentable.
Louise]]> 2408 Anonymous noreply@blogger.com 2010-03-09 13:01:39 2010-03-09 13:01:39 1 0
Aaliyah-mehdiyah]]> 2409 Marnie, New Jersey noreply@blogger.com http://www.blogger.com/profile/07420239468240979669 2010-03-09 13:01:14 2010-03-09 13:01:14 1 0 2410 Anonymous noreply@blogger.com 2010-03-09 12:58:56 2010-03-09 12:58:56 1 0
Aaliyah-mehdiyah]]> 2411 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2010-03-09 12:56:15 2010-03-09 12:56:15 1 0 2412 Anonymous noreply@blogger.com 2010-03-09 12:52:38 2010-03-09 12:52:38 1 0
Aaliyah-mehdiyah]]> 2413 vincent valiente noreply@blogger.com http://www.blogger.com/profile/07546939236611882265 2010-03-09 12:49:50 2010-03-09 12:49:50 1 0 I would use DMC Cotton conversion, because I like finer embroidery and would probably make a finer version than the original wool.
vincent]]> 2414 Jenny noreply@blogger.com http://www.blogger.com/profile/05706333207285379997 2010-03-09 12:46:40 2010-03-09 12:46:40 1 0
Jenny]]> 2415 Anonymous noreply@blogger.com 2010-03-09 12:44:52 2010-03-09 12:44:52 1 0 My initial thread choice would be DMC as it is readily available for me to purchase at a low cost (Michaels)and I have a good selection of colours already. Second thread choice - Soie d'Alger of which I have a few colours that I have been saving and want to try. What's with saving thread for something just right. I've become an unstoppable thread collector. Gotta love it!

Cheers,
Linda Adam
Ontario, Canada]]> 2416 Nikki noreply@blogger.com http://www.nikkiinstitches.wordpress.com 2010-03-09 12:34:21 2010-03-09 12:34:21 1 0 2417 Sarah machinegunsarah@gmail.com http://www.blogger.com/profile/09828414543697731990 2010-03-09 12:30:10 2010-03-09 12:30:10 1 0
Sarah Steed]]> 2418 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2010-03-09 12:29:51 2010-03-09 12:29:51 1 0 2419 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-03-09 12:24:50 2010-03-09 12:24:50 1 0 I will use wool to make it, as I like to work with it.]]> 2420 Anonymous noreply@blogger.com 2010-03-09 12:18:51 2010-03-09 12:18:51 1 0
Rosalie Wakefield in Oregon]]> 2421 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2010-03-09 12:18:23 2010-03-09 12:18:23 1 0 2422 KathyC noreply@blogger.com http://www.blogger.com/profile/02188666349289851531 2010-03-09 12:15:35 2010-03-09 12:15:35 1 0 2423 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2010-03-09 12:08:56 2010-03-09 12:08:56 1 0 Thanks for the amazing give away again. Wow! I would use Soie d'Alger silk threads. I have used them before than the finished piece is lovely.

Colleen]]> 2424 Terri Sue noreply@blogger.com http://www.blogger.com/profile/00161769399124744018 2010-03-09 12:07:07 2010-03-09 12:07:07 1 0 i would use DMC on a couple of the motifs. i have been seriously wanting to make a blanket for over a year now. when this book premiered on the country bumpkin site, i fell in love with it. first i would have to save up to buy the money for the blanket and then i would buy the paternayan crewel wool for each diamond as i went. probably having to save up each time. oh, but it sure would be worth it in the end, wouldn't it?
sincerely
terri sue]]> 2425 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-03-09 12:02:01 2010-03-09 12:02:01 1 0 2426 CarolynPhi CarolynLPhillips@msn.com http://www.blogger.com/profile/06561414352635851207 2010-03-09 12:00:01 2010-03-09 12:00:01 1 0 Thank you for having another give away of this gorgeous book! WOW!
I have some beautiful Stef Francis silk thread that I bought last year; and I've been waiting for a project that would do it justice!! Anything in this book would qualify! Of course, I'd need to buy more of the thread to fill in the gaps in the colors I have. Big grin...might have to go shopping!!!
Carolyn in southern California.
CarolynLPhillips@msn.com]]> 2427 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2010-03-09 11:42:52 2010-03-09 11:42:52 1 0 2428 Emily noreply@blogger.com 2010-03-09 11:40:08 2010-03-09 11:40:08 1 0 2429 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2010-03-09 11:37:00 2010-03-09 11:37:00 1 0 Candyce]]> 2430 Annie C noreply@blogger.com http://www.blogger.com/profile/13056690785535492562 2010-03-09 11:33:38 2010-03-09 11:33:38 1 0 2431 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-03-09 11:30:38 2010-03-09 11:30:38 1 0 I would definitely go with the original Paternayan wool, (if I can afford it) as I believe in doing everything "as presented" to achieve the luscious look of the original work. Otherwise, I'll go with a silk which I'm now hoping to get into more. The cotton I've been using does have its own limitations, albeit it's very cheap. As mentioned, I definitely want to do this blanket as a keepsake for my children and grandchildren. Thanks again for all your tutelage and patience, (AND giveaways !! :-)

Judy in Pittsburgh]]> 2432 Anonymous noreply@blogger.com 2010-03-09 11:29:40 2010-03-09 11:29:40 1 0
Dixie Crabtree]]> 2433 Susan, in Maine noreply@blogger.com 2010-03-09 11:15:04 2010-03-09 11:15:04 1 0
If I were to be the fortunate winner of the book, I would use as a background a wonderful handwoven and lightly-fulled piece of wool yardage I've been hoarding for something special, and that would in turn call for mostly-wool embroidery. Therefore, I'd most likely use handspun wool dyed to my choice of color. I am currently handspinning some mohair for embroidery and would probably include some of that for the wonderful sheen it has, and since I have a lot of silk haunting me I'm sure some of that would find it's place, too.

I love these sorts of designs done with a variety of materials; they are sumptuous and have wonderful texture that is difficult to achieve using only one thread/yarn.

Thank you once more for making such books available; I (and surely many others) live in a "needlework desert" so I always look forward to checking your blog every day, and these offerings are such a delightful bonus!]]> 2434 Nonna D noreply@blogger.com http://www.blogger.com/profile/08655186294141518151 2010-03-09 11:13:16 2010-03-09 11:13:16 1 0
Thanks,
Nonna D]]> 2435 Jana Krumrey noreply@blogger.com 2010-03-09 11:12:17 2010-03-09 11:12:17 1 0 I first saw the book, Embroidered Flowers for Elizabeth, on the Country Bumpkin website, and was intrigued by the beautiful designs. I adore surface embroidery, but have done some counted work. I have discovered that the repetition of doing the same stitch over and over is not my cup of tea (although I love the finished results}. I much prefer the dimensionality of surface embroidery stitches and the fact that one can vary the stitches to gain different results and keep my interest piqued.
If I win your generous giveaway, I believe I would do the complete blanket in Appleton crewel wools.
Finally, Mary another fan recently has voiced the concern probably most of us who follow you feel. "Loss of your Webite". Please write a book! Even if you self-publish, I believe there would be quite a demand from your adoring public.

Thanks for your constant emcouragement. Jana Charland-Krumrey]]> 2436 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2010-03-09 11:11:31 2010-03-09 11:11:31 1 0 Kaysee]]> 2437 Christine noreply@blogger.com 2010-03-09 11:10:31 2010-03-09 11:10:31 1 0
Christine Barnes]]> 2438 Anonymous noreply@blogger.com 2010-03-09 11:04:37 2010-03-09 11:04:37 1 0 2439 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2010-03-09 11:03:55 2010-03-09 11:03:55 1 0 2440 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2010-03-09 11:02:55 2010-03-09 11:02:55 1 0 It is most generous of you to give us another crack at this lovely book.
From the very beginning, I have joyfully combined wool and mercerized cotton in canvas work and embroidery projects. I love the way that the matte wool makes the shiny cotton pop. It so happens that I am lucky enough to have local sources for Paternayan, Soie d'Alger and DMC, so would probably use all three in the blanket. Selective use of silks in embroidery is something that I have only just started, and I really like the results. It seems that the more different textures and reflective qualities one adds to the mix, the greater the depth of the image. An additional advantage is an expanded palette from which to choose.
Thanks again, and good luck to all.
Suzanne in SB]]> 2441 Anonymous noreply@blogger.com 2010-03-09 11:02:36 2010-03-09 11:02:36 1 0
Celeste]]> 2442 Anonymous noreply@blogger.com 2010-03-09 11:01:51 2010-03-09 11:01:51 1 0 I have a lot of DMC, so I would use this thread.
Barbara from Modena (ITALY)]]> 2443 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2010-03-09 10:49:23 2010-03-09 10:49:23 1 0 2444 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-09 10:47:05 2010-03-09 10:47:05 1 0 2445 sherry noreply@blogger.com http://www.blogger.com/profile/14255985119058647532 2010-03-09 10:39:39 2010-03-09 10:39:39 1 0
Sherry Lou]]> 2446 Debra noreply@blogger.com http://www.blogger.com/profile/17267525503567670854 2010-03-09 10:35:34 2010-03-09 10:35:34 1 0 2447 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2010-03-09 10:34:13 2010-03-09 10:34:13 1 0
To answer your question I have to use anchor threads or silk threads as there is no other choice for me since those threadsyou mention are not available here..:(
I am dying to get different kinds of skeins and to see the effect of of them in my embroidery projects

love
lakshmi]]> 2448 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-03-09 10:32:04 2010-03-09 10:32:04 1 0 Cheers
MA]]> 2449 Anonymous noreply@blogger.com 2010-03-09 10:31:25 2010-03-09 10:31:25 1 0 2451 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2010-03-09 10:30:14 2010-03-09 10:30:14 1 0
Thanks for doing a give-away! I might have to go buy this book regardless... So many patterns, so little time!

Melissa V]]> 2452 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-03-09 10:29:15 2010-03-09 10:29:15 1 0 Thanks and best regards,
Deepa]]> 2453 BFromM noreply@blogger.com http://www.blogger.com/profile/03145563818322438262 2010-03-09 10:21:35 2010-03-09 10:21:35 1 0
Beth M]]> 2454 Meeta V. noreply@blogger.com 2010-03-09 10:20:44 2010-03-09 10:20:44 1 0 Thank you for giving us another chance at this book. I would use combination of silk and DMC thread which I'm sure will look very pretty.

-Meeta V.]]> 2455 Analise Muscat Pulis noreply@blogger.com 2010-03-09 10:20:29 2010-03-09 10:20:29 1 0 thanks
Analise from Malta Europe]]> 2456 Pierrette =^..^= noreply@blogger.com http://www.blogger.com/profile/14089778500290515449 2010-03-09 10:18:02 2010-03-09 10:18:02 1 0
I would absolutely stitch some of the projects in the book as they are the kinds that I love.

As for changing the threads, using the conversion chart, I am not sure.

I am saying this because I do love to stitch with crewel wool and so far I have not had that many opportunities to do just that, so chances are that I would use the crewel wool for most of them, but I also love Soie d'Alger and have lots of DMC threads at home, so it is a bit of a dilemna for me as in order to make the best decision I would really need to have the book in front of me and study it a bit before making the final decisions.

I could stitch some of the projects using the crewel wool and others using other threads this way taking full advantage of the conversion chart provided.

Pierrette =^..^=]]> 2457 La Bergère Brodeuse noreply@blogger.com http://www.blogger.com/profile/05168940189062032838 2010-03-09 10:14:50 2010-03-09 10:14:50 1 0
Catherine]]> 2458 Anonymous noreply@blogger.com 2010-03-09 10:12:28 2010-03-09 10:12:28 1 0
Thanks! Caroline D]]> 2459 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2010-03-09 10:11:09 2010-03-09 10:11:09 1 0 2460 Anonymous noreply@blogger.com 2010-03-09 10:03:19 2010-03-09 10:03:19 1 0 Thanks for another chance at the beauitful book. Thanks to Country Pumpkin also for provideing the book. If I think I would like to try a few of the flowers with Soie d Alger and frame them. I have used crewl wool and also DMC so would like to try something new.
Thanks Again
Carrie L. in Washintong]]> 2461 Wendy Osenton noreply@blogger.com 2010-03-09 10:02:23 2010-03-09 10:02:23 1 0
If I were to be chosen to receive this book, I would almost certainly use the thread conversion chart provided in the book to convert the colours to Soie d'Alger. Over the years I have worked with Paternayan crewel wool and have enjoyed doing so but my preference over the last 10 years or so has to been to use silk; I love the sheen and the feel of working with it and I find the finished piece gives me a lot of satisfaction.
Thank you for another opportunity to have this book.

Wendy]]> 2462 Elizabeth teldra@gmail.com http://www.blogger.com/profile/16112379793387963142 2010-03-09 09:59:34 2010-03-09 09:59:34 1 0
At least the first time. :D]]> 2463 Jules noreply@blogger.com http://www.blogger.com/profile/10496039187159668965 2010-03-09 09:58:27 2010-03-09 09:58:27 1 0 Julie Candler]]> 2464 Anonymous noreply@blogger.com 2010-03-09 09:50:59 2010-03-09 09:50:59 1 0
First off, thank you for giving us another opportunity to win this wonderful book.

I have lots of DMC threads so would probably be tempted to just use what I have on hand. I have worked with some wools mostly what comes with a kit. I love going to the craft store to drool over thread that I havent worked with so I also might take a leap and do a sample in some thing new. Thanks, Liz]]> 2465 Anonymous noreply@blogger.com 2010-03-09 09:49:57 2010-03-09 09:49:57 1 0 Jean Dryden Cape Town South Africa]]> 2466 Courtney noreply@blogger.com http://www.blogger.com/profile/13475318662505589743 2010-03-09 09:43:21 2010-03-09 09:43:21 1 0 2467 Anonymous noreply@blogger.com 2010-03-09 09:43:03 2010-03-09 09:43:03 1 0
I think I would go for the silk. Those designs are really nice, and I think they would be a great excuse to increase my stash of soie d'alger. Thank you for the great blog - I have been kinda wishing I could follow along with your goldwork piece but I did not get in gear fast enough. It is really, really nice to see, though. Kris]]> 2468 Anonymous noreply@blogger.com 2010-03-09 09:41:14 2010-03-09 09:41:14 1 0 I been enjoying your letters since you had send it to me. I really like your page. Keep up the Great Job!
I came here(your page) because I wanted to learn hand stitching but I haven't practice a bit...In other words I do free motion embroidery machine as a hobby and I would like to own books about thread painting or such... so I most of the time I use either cotton or polyester thread for any project... I haven't used wool thread at all. So, consequently I'll use the threads as I been using. thank you! ATTE Elizabeth Cuevas bethCsmile@yahoo.com]]> 2469 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-09 09:25:22 2010-03-09 09:25:22 1 0 But I would love to use Paternayan wool oe silk but they are not available and on-line shopping becomes too expensive...

Thank you for another great give away, Mary!]]> 2470 Anonymous noreply@blogger.com 2010-03-09 09:24:09 2010-03-09 09:24:09 1 0 -Emily Richards]]> 2471 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2010-03-09 09:18:35 2010-03-09 09:18:35 1 0 2472 Ricky in Winnipeg noreply@blogger.com http://www.blogger.com/profile/08568211506416080390 2010-03-09 09:17:20 2010-03-09 09:17:20 1 0
I have a lot of DMC from my mother and some older stuff from my grandmother that I would love to use. I also bought some hand dyed thread from Sharon B in Aust. and would love to experiment with all of those. So those are the ones I would play with.
Please send it to me??!!!!! Hands folded in prayer!
Ricky in Winnipeg]]> 2473 Jane noreply@blogger.com http://www.blogger.com/profile/08488219490056812222 2010-03-09 09:16:17 2010-03-09 09:16:17 1 0 2474 Anonymous noreply@blogger.com 2010-03-09 09:13:52 2010-03-09 09:13:52 1 0
I would probably not use any of the the recommended threads! I would love to see some of these stitched up in Chinese (flat) silk, or maybe even rayon. I also have a bunch of hand dyed threads with fabulous color variation in them that I think would be really cool in these patterns, especially the flowers.

Why? Because from what I can see on the front of the book, some of the designs are screaming for more flashy treatment. The poppies, for example, and some of the smaller motifs.

Carol Sylvester]]> 2475 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-03-09 09:04:56 2010-03-09 09:04:56 1 0 2476 Jean noreply@blogger.com http://www.blogger.com/profile/14247515387599954817 2010-03-09 09:03:26 2010-03-09 09:03:26 1 0 2477 Sheila from CA noreply@blogger.com 2010-03-09 09:00:58 2010-03-09 09:00:58 1 0 Thanks again for another chance to get this beautiful book. I would probably use DMC threads to do one of the blocks because that is the thread I'm most comfortable using.
Sheila from CA]]> 2478 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2010-03-09 08:55:47 2010-03-09 08:55:47 1 0 Jane
www.worldembroideries.blogspot.com]]> 2479 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2010-03-09 08:47:07 2010-03-09 08:47:07 1 0 2480 Anonymous noreply@blogger.com 2010-03-09 08:46:29 2010-03-09 08:46:29 1 0
Love your projects and am so impressed at how quickly you work them up.

Silverrand]]> 2481 Maggie C noreply@blogger.com 2010-03-09 08:46:17 2010-03-09 08:46:17 1 0 If I was in Costa Rica I would use the conversion chart and use DMC because anything else is very hard to find if at all.]]> 2482 Mellissa noreply@blogger.com 2010-03-09 08:45:22 2010-03-09 08:45:22 1 0 2483 Kitty mcthekat@gmail.com http://www.blogger.com/profile/18369077646106761670 2010-03-09 08:42:56 2010-03-09 08:42:56 1 0 Kitty]]> 2485 Anonymous noreply@blogger.com 2010-03-09 08:37:50 2010-03-09 08:37:50 1 0 Martina Lueneburg from Germany]]> 2486 Brenda noreply@blogger.com 2010-03-09 08:36:38 2010-03-09 08:36:38 1 0 2487 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-09 08:34:27 2010-03-09 08:34:27 1 0
I would experiment a little with DMC and the silk together on a small design but my main choice would be the wool and silk together, both in same needle (only a little silk to wool) and separately in the one design.

I haven't tried it but the thought has always appealed to me. I would have to give careful thought to placement of each so its not higgley piggley but a balanced, pleasing combination that also compliments the design.

I think I would say that is my reason. To extend myself to make this experiment work in my own way.

Cheers Kath from Oz]]> 2488 Edy noreply@blogger.com http://www.blogger.com/profile/09891231764552459663 2010-03-09 08:26:37 2010-03-09 08:26:37 1 0 2490 Elza Bester noreply@blogger.com 2010-03-09 08:25:33 2010-03-09 08:25:33 1 0 2-The wool for crewel work is hard to come by and if you do get it, very expensive so economics also play a roll. Because I am a pensioner, I made provisions to build up a nice assortment of threads in the past. But as with all things prices went up and I only buy stuff when really needed.
I still can't over your wonderful choice of gold thread. Enjoy your week and I will enjoy your goldwork project. Kind regards Elza Bester Cape Town]]> 2491 Anonymous noreply@blogger.com 2010-03-09 08:25:14 2010-03-09 08:25:14 1 0 Marilyn V.]]> 2493 Pam Paice noreply@blogger.com 2010-03-09 08:19:40 2010-03-09 08:19:40 1 0 2494 Susan Cuss noreply@blogger.com 2010-03-09 08:19:39 2010-03-09 08:19:39 1 0 Susan Cuss]]> 2495 Anonymous noreply@blogger.com 2010-03-09 08:18:52 2010-03-09 08:18:52 1 0 2496 pastpresentcreations noreply@blogger.com http://www.blogger.com/profile/04291603494121160383 2010-03-09 08:07:22 2010-03-09 08:07:22 1 0
I think any thread would be lovely (these are so beautiful), but I would do them in silk. I plan to make holiday ornaments and I like silk for those.

Thanks for all you share!

Christine R.]]> 2497 Anonymous noreply@blogger.com 2010-03-09 08:04:42 2010-03-09 08:04:42 1 0 2498 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-03-09 07:56:48 2010-03-09 07:56:48 1 0
I would stitch it up in Appleton because I happen to have the color swatches here with me and I love them:)

My knitting season is coming to an end for the warmer weather so I would spend my lazy summer days stitching away at those gorgeous florals.

Hugs, Marlon]]> 2499 Debra noreply@blogger.com http://www.blogger.com/profile/17267525503567670854 2010-03-09 07:55:34 2010-03-09 07:55:34 1 0 Debbie Czerwionka, Chicago]]> 2500 Anonymous noreply@blogger.com 2010-03-09 07:52:48 2010-03-09 07:52:48 1 0 Joanie
Shamrock1236@hotmail.com]]> 2501 Bobbi Pohl rj.pohl@verizon.net http://www.blogger.com/profile/00971467142314900997 2010-03-09 07:49:01 2010-03-09 07:49:01 1 0 2502 Angela aknussbaum@gmail.com http://www.blogger.com/profile/00543499846561697214 2010-03-09 07:48:41 2010-03-09 07:48:41 1 0
Thanks for the chance at the giveaway.]]> 2503 Anonymous noreply@blogger.com 2010-03-09 07:47:54 2010-03-09 07:47:54 1 0
I would use silk because I have been dying to find just such an occasion to do so. The book is a fabulous find and it would be a great help in all embroidery works.

Kathleen Whatley]]> 2504 Kay P. (francie) noreply@blogger.com 2010-03-09 07:47:53 2010-03-09 07:47:53 1 0 Kay P. (francie)from Strongsville, OH]]> 2505 Anonymous noreply@blogger.com 2010-03-09 07:46:29 2010-03-09 07:46:29 1 0 Peg F from NJ]]> 2506 Tania Kleckner noreply@blogger.com 2010-03-09 07:44:57 2010-03-09 07:44:57 1 0
How wonderful to have a second chance at winning this beautiful book.

Good question - I have only really stitched with DMC threads and that is my comfort zone. However, I would love to work with silk and wool someday. My guess is that I would do a trial run with DMC and then graduate to the wool and perhaps silk.

Thanks so much!
Tania]]> 2507 Anasuya noreply@blogger.com http://www.blogger.com/profile/10898277427077070661 2010-03-09 07:41:14 2010-03-09 07:41:14 1 0 ansu chennai]]> 2509 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2010-03-09 07:37:33 2010-03-09 07:37:33 1 0 2510 QI1 noreply@blogger.com http://www.blogger.com/profile/10627045322532599697 2010-03-09 07:37:21 2010-03-09 07:37:21 1 0 i would embroider the designs using the wool. I think it would be in keeping with the design of motifs, how pretty. I might make some of the smaller motifs in silk as that would be striking as a stand alone piece
thanks Mary for the giveaway
jane A.]]> 2511 crazypatch noreply@blogger.com http://carrementcrazy.zumablog.com 2010-03-09 07:37:00 2010-03-09 07:37:00 1 0 I think I would like the embroidery with wool crewel because I like the rendering and the warmth of the line ... but why not also try silk Algiers, because in fact I have never yet had the opportunity to try to embroider with silk ....
This book is Gorgeous... and your blog also]]> 2512 Janey noreply@blogger.com 2010-03-09 07:35:54 2010-03-09 07:35:54 1 0 Gosh I'm the first!! Please could I be entered into this competition as I would so adore to own this book.
I would use the conversion chart for DMC as I mainly use that or Anchor threads. I have a wonderful supply, some inherited from my Grandmother and my darling Mother has also given me her supply as, aged 90, she no longer sews. I have not only my Grandmother's silks but her whole sewing box which also had the felt needle case I made her when I was about seven!
Kind regards
Janey from Bristol]]> 2513 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2010-03-09 07:31:49 2010-03-09 07:31:49 1 0
Patricia Martini, Howell, Michigan]]> 2514 Anonymous noreply@blogger.com 2010-03-09 07:31:28 2010-03-09 07:31:28 1 0
Pat Rogers]]> 2515 Iris from Estonia noreply@blogger.com 2010-03-09 07:31:23 2010-03-09 07:31:23 1 0
I would use Anchor actually and because it's the only thread available here and the customs limits are so outrageously low that it would be totally ridiculous to pay half of the total value for threads, not something I can easily afford. Yup, brutal honesty here :D]]> 2517 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-09 07:26:15 2010-03-09 07:26:15 1 0 2518 barbobbi noreply@blogger.com http://www.blogger.com/profile/00935990355282427368 2010-03-09 07:25:21 2010-03-09 07:25:21 1 0
Thanks so much for the second chance at this great book! barbobbi]]> 2519 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-03-09 07:18:54 2010-03-09 07:18:54 1 0 http://www.needlenthread.com/2010/03/embroidery-classes-with-susan-oconnor.html Wed, 03 Mar 2010 05:00:00 -0600 Mary Corbet 60 2010-03-03 05:00:00 2010-03-03 05:00:00 open open Embroidery-Classes-with-Susan-O'Connor-Announced publish 0 0 post Embroidered Flowers for Elizabeth, the author, Susan O'Connor, is teaching quite a few neat looking classes around the globe this year - maybe you'll be close to one and can take advantage of what looks like some really nice embroidery classes! Here's some information on upcoming classes in various parts of the world....

In case you don't know who Susan O'Connor is, she's a designer whose work is regularly featured in Country Bumpkin's Inspirations Magazine. If you've been following my latest book-gushing, you also know she's the author of Embroidered Flowers for Elizabeth. I've always been drawn to her projects in Inspirations. I like her style of embroidery. Though I haven't been to a class with her, I bet they'd be fun, so I thought I'd pass on some class information, just in case you think they'd be fun, too!



Right around the corner, from March 16 - 19, 2010, she'll be teaching in the Hunter Valley, NSW, Australia. Here's a PDF brochure with details:

Embroidery Classes in the Hunter Valley



If you happen to be in Paris, France, in April 2010, you'll find Susan teaching at Au Ver a Soie from the 26th - 30th. Here's the PDF brochure, in French and English:

Embroidery Classes in Paris - French
Embroidery Classes in Paris - English



Are you going to be in Dublin in May? Susan is teaching in Dublin, Ireland from May 4 - 10, 2010, and here's the PDF with information on that venue:

Embroidery Classes in Ireland



She's teaching a variety of projects, some of them pictured here. It looks like the projects at the classes in Dublin are slightly different - she has some smocking in there, and an embroidered blanket project.

If you happen to be nearby any of these venues at the right time, maybe it would work out that you could take a class with Susan! I think you'd be pretty lucky! (I'd do the mirror project. It would look utterly perfect on my bedroom wall!)

From what I hear, she's also looking for a venue for the US. If you belong to a guild that would be interested, you might use the contact information on the brochures to see if something can be arranged.

You can see what's up with her embroidery classes on Facebook, too, in case you want to keep abreast of these kinds of things!

No affiliation here, by the way - just passing on information!

(And if you go, by the way, you have to let me live vicariously through you - I want the details!)
]]> needlework classes embroidery designers needlework news 2580 Kathleen noreply@blogger.com http://www.blogger.com/profile/01159709369633249856 2010-03-05 08:37:02 2010-03-05 08:37:02 1 0 Would love to see Susan in Chicago!
Anytime, July included!
Kathleen]]> 2582 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-05 06:37:16 2010-03-05 06:37:16 1 0
Maryvonne - I hope you can swing the class in Paris! That would be a fantastic b-day present!

Sorry Rachel! :-)

Gail - you're lucky! That sounds like Great Fun! Well, the whole Beating Around the Bush conference was one of those things that I daydreamed about! It sounded fantastic! Would it be possible for you to contact me? I'd like to ask you a question via e-mail, if it's all right with you. The chances that you'll read this are somewhat slim, but I thought I'd try!]]> 2593 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-04 07:55:56 2010-03-04 07:55:56 1 0 2599 Maryvonne noreply@blogger.com 2010-03-03 22:44:26 2010-03-03 22:44:26 1 0
I am going to visit my daughter in France in April and now you got me dreaming... Susan O'Connor, I love what she does.

I've printed the little poster and see what happens. Maybe some generous soul will treat me to a wonderful birthday present - it happens to be on April 20th. Dream on.
LOL]]> 2600 FiFi noreply@blogger.com http://www.blogger.com/profile/08909143050144109935 2010-03-03 22:37:27 2010-03-03 22:37:27 1 0 Would love to hear your thoughts, Fi]]> 2601 margaret c. noreply@blogger.com 2010-03-03 21:07:17 2010-03-03 21:07:17 1 0 2602 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-03 20:10:06 2010-03-03 20:10:06 1 0 2603 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-03 18:10:35 2010-03-03 18:10:35 1 0
How absolutely beautiful are all those designs.

A picture says a thousand words.

Cheers, Kath.]]> 2604 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-03-03 16:25:15 2010-03-03 16:25:15 1 0 Julie]]> 2605 Gail noreply@blogger.com http://www.blogger.com/profile/11562001458823352370 2010-03-03 14:08:28 2010-03-03 14:08:28 1 0 2606 anne noreply@blogger.com http://www.blogger.com/profile/13972362706074088504 2010-03-03 11:41:43 2010-03-03 11:41:43 1 0 2607 BonnieC noreply@blogger.com 2010-03-03 11:22:30 2010-03-03 11:22:30 1 0 2609 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2010-03-03 11:15:14 2010-03-03 11:15:14 1 0
The projects featured here are eye candy. They are really very beautiful.

Regards,
kirti]]> http://www.needlenthread.com/2010/03/embroidery-flowers-for-elizabeth-winner.html Tue, 02 Mar 2010 06:46:00 -0600 Mary Corbet 61 2010-03-02 06:46:00 2010-03-02 06:46:00 open open Embroidery-Flowers-for-Elizabeth-Winner-Announced! publish 0 0 post

The first reason is that the response has really been fantastic! I'm sure this is due to the book, undoubtedly. I wonder how much of it has to do with the extras? Are the extras worth it? (Of course, to the winner, I think they will be!) But what I wonder is, would everyone have signed up for the give-away still without the extras? I think pretty much everyone would have. What say you?

Yes, Susan O'Connor's book is beautiful, and I do hope that you all have the opportunity of acquiring it for your own libraries. If not, I hope you can talk your local library into carrying it, so that you can use it there!

Now, the other point of difficulty. You know, it's one thing to do a give-away and disappoint 100 or so people. It's much harder to do one and disappoint some 270 people. The larger the number of disappointments, the harder it is to do this! I just can't help thinking that there are going to be some 270-something disappointed people in the world - all because of me. Aaaaaaack!!!

But that is the nature of the thing, I suppose. And on the bright side, I'll be giving away another copy of the book in the coming week!

Now, to answer the question someone posed, about how I choose a winner. It would be impossible to keep something like this fair - totally objective - unless it were done in a totally objective, random way, like pulling a name out of a hat. I'm sure you all understand that I've got regular readers I've gotten to know well, communicating with them often, reading their frequent comments, and so forth. Wouldn't it be tempting to just pick one of them? At the same time, there are several folks who read my site who are friends off-line. Wouldn't it be ever-so-easy to pick one of them? Then, if you look at responses - well, if I judged on those, it would be so difficult to pick a winner, because I would mull over so many of your responses, over and over and over again. (This would not be easy!) So, you see, none of those will do, because they aren't really objective.

So, the solution is complete objectivity. I use a random number generator. I move all the names to a spreadsheet and mix them up (like shuffling, electronically), removing any duplicates (identical posts) along the way. Then, I generate a random number via random.org, and that's the person who wins. To me, it's important not to stray from this, because then it would become less objective and too difficult to choose.

So, we'll just call it .... Fate. Destiny. Divine Providence.

The winner of this give-away is:

MNStitcher (signed Bonnie)!

Bonnie, please contact me before Thursday morning with a mailing address! If I don't hear from you by Thursday morning, I'll draw another winner.

For everyone, thank you for your responses! I wish I could give you all a book, but since that isn't possible, I'll give away one more in the upcoming week. Look for the give-away!

Congrats, Bonnie!
]]> Book Give-Away Give Away 2277 veena krishnakumar veena060669@gmail.com http://www.blogger.com/profile/08807884550698122995 2010-03-11 07:12:47 2010-03-11 07:12:47 1 0 2579 Kathleen noreply@blogger.com http://www.blogger.com/profile/01159709369633249856 2010-03-05 08:46:48 2010-03-05 08:46:48 1 0 Thank you, Mary, for doing this!]]> 2598 Julie noreply@blogger.com http://www.blogger.com/profile/14877578207134920821 2010-03-04 03:12:18 2010-03-04 03:12:18 1 0
Mary you presented the book so beautifully, wonderful pictures, that it made us all dream of creating such lovely pieces!

Thanks for doing this for us, we all appreciate it

cheers
Julie in Australia]]> 2608 Ramya noreply@blogger.com http://www.blogger.com/profile/00894780256080713640 2010-03-03 11:15:27 2010-03-03 11:15:27 1 0 Well, Bonnie is indeed one lucky lady! I ran to my local library last night to see if they had the book, but was disappointed to find out they did not. So, I am looking forward to your next give away of book. If I dont win that one too, well, I might just go ahead and buy one from the sites you have recommended.
Thanks Mary!]]> 2610 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2010-03-03 11:11:19 2010-03-03 11:11:19 1 0
regards,
kirti]]> 2612 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-03-03 01:38:54 2010-03-03 01:38:54 1 0
True, Mary, that the book is the major attraction in this give-away.. But I would have opted in had you given away the other accessories separately too :)

You pretty much explain in every draw on how you choose the winner.. I (for that matter I think most of us here) do not have an ounce of doubt on your objectivity of choosing a winner! So no need for a concern..

And I'm really astonished when u told you are going to give away another copy of the book.. Gosh this is the height of generosity :)
Looking forward to it!!

Thanks,
Dhivya]]> 2615 Deepa Sethuraj noreply@blogger.com 2010-03-02 23:56:07 2010-03-02 23:56:07 1 0 And Mary I reaaly adore your kind good heart.. Such a precious gem you are.. Your feelings for all the participants touched me a lot.. I'm glad that I'm a member of your needle n thread family.. God bless you always..]]> 2616 Maryvonne noreply@blogger.com 2010-03-02 22:49:27 2010-03-02 22:49:27 1 0 You are so generous to even give us a chance to win your goodies. Of course we all hope "I will be the lucky one", but then again, we are happy for the lucky lady. The "losers" did not lose anything, and if we are really so keen on any of the goodies, we just have to dig in our pockets and get whatever we had our eyes on. Does that sound callous?
So Mary, please don't have any qualms about the odd 200 "unlucky" readers, we love to read your blog and we are lucky to have you to keep our enthusiasm for embroidery alive
LOL]]> 2618 Anonymous noreply@blogger.com 2010-03-02 22:42:41 2010-03-02 22:42:41 1 0 Can't wait for next weeks turn. Mary, you are just too sweet for words.
Cheers,
Linda Adam
Ontario,Canada]]> 2622 margaret c. noreply@blogger.com 2010-03-02 21:34:55 2010-03-02 21:34:55 1 0 2623 AKTATTER noreply@blogger.com http://www.blogger.com/profile/11394946685642114038 2010-03-02 18:42:59 2010-03-02 18:42:59 1 0

Mary, thanks for your generous offer.]]> 2625 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-03-02 18:02:16 2010-03-02 18:02:16 1 0 2628 lynnoel noreply@blogger.com 2010-03-02 14:40:18 2010-03-02 14:40:18 1 0 2629 BonnieC noreply@blogger.com 2010-03-02 14:06:07 2010-03-02 14:06:07 1 0 2630 Anonymous noreply@blogger.com 2010-03-02 13:21:20 2010-03-02 13:21:20 1 0 Again,Congratulations from...
Annie in Michigan]]> 2631 Raouken noreply@blogger.com http://www.blogger.com/profile/02317198951999979140 2010-03-02 13:08:48 2010-03-02 13:08:48 1 0 2632 Katie noreply@blogger.com http://www.blogger.com/profile/03812374680645763586 2010-03-02 12:09:45 2010-03-02 12:09:45 1 0 2633 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-03-02 11:04:24 2010-03-02 11:04:24 1 0
Thanks Mary for the offer and the work that goes into choosing a name. I'd not realized what a time taker this part of a competition is.

The book certainly was the drawcard but the hoop for me was a hot second.]]> 2636 irene noreply@blogger.com 2010-03-02 10:15:46 2010-03-02 10:15:46 1 0
I wanted to comment on the book but didn't want to be entered into the giveaway. I don't do embroidery work (not well anyway) but I love visiting your blog everyday. The information you share, the books you show are a great temptation even to someone like me who can't stitch a straight line. That's why I do cross stitch. I can put thread in holes. LOL

Again, congrats to Bonnie and Thanks to Mary for this wonderful place to visit.]]> 2637 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-03-02 10:13:23 2010-03-02 10:13:23 1 0 Well,Mary, the book was the major attraction..had it not been there,probably the number of comments would've been a little less (including me :) ) as compared to now.
Regards,
Deepa]]> 2638 Anonymous noreply@blogger.com 2010-03-02 10:06:56 2010-03-02 10:06:56 1 0 And lucky all of us, your readers, because it is just plain fun to learn about embroidery through your instructive posts. Yes, the book alone was worth trying for - and the other items were a bonus.

Your site is really a lovely community of folks, and am learning so much...

-Sharon in France]]> 2639 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2010-03-02 09:42:27 2010-03-02 09:42:27 1 0 2640 Pat noreply@blogger.com http://www.blogger.com/profile/11086618266918856381 2010-03-02 08:45:36 2010-03-02 08:45:36 1 0
To answer your musings, I think most people would have entered for just the book, but appreciate the extras too. We all know that you don't have to do any give-aways so I think most of us are just thrilled at the chance. And maybe there are 269 of us who are disappointed that we aren't Bonnie (in this case) but that is the nature of the beast. These are still waaaaayyyyy better odds than the lottery. It is just exciting to me to think that it just might be me some day!

The way you pick the names is probably the fairest way I can imagine. All in all, I enjoy your blog and would read it irregardless of the prizes....those are just icing on the cake!]]> 2641 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-03-02 08:44:27 2010-03-02 08:44:27 1 0 2642 sudukc noreply@blogger.com http://sudukc.wordpress.com 2010-03-02 08:36:28 2010-03-02 08:36:28 1 0
I will put this book on my wish list and am definitly looking into ordering a embroidery hoop or two, too.]]> 2643 reynardo noreply@blogger.com http://reynardo.livejournal.com/ 2010-03-02 08:35:59 2010-03-02 08:35:59 1 0
Of course, now, there's only one possible course of action.

*heads off to her Amazon Wish List and makes a very pertinent entry*]]> 2644 MNStitcher noreply@blogger.com http://www.blogger.com/profile/15799071182243190013 2010-03-02 08:31:54 2010-03-02 08:31:54 1 0 2645 Christa Evans ce@lilystitch.com http://www.blogger.com/profile/12003666963817648329 2010-03-02 08:09:11 2010-03-02 08:09:11 1 0 2646 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-03-02 08:07:45 2010-03-02 08:07:45 1 0 2647 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-03-02 08:07:15 2010-03-02 08:07:15 1 0
Yes the book is a drawcard but for myself I'd enter for the other things alone too. All things I haven't tried and are of interest to me to see what they're about. I'm sure I'm not the only one.

Thinking tho, if per chance I won a prize, it's not fair on you to have to send overseas re postage. So perhaps to be fair I shouldn't enter.

That brings to mind an email I sent recently. Understand if you haven't had time to answer but just wondered too if I sent it correctly. Does your reply come thro my email? Not hassling, just wondering.

And last but certainly not least, CONRATULATIONS TO BONNIE. You lucky lady you. I enjoy sharing in your excitement. Please contact Mary in time!!

Bye for now Mary, Kath.]]> 2648 meri noreply@blogger.com http://avomeri.wordpress.com 2010-03-02 07:43:38 2010-03-02 07:43:38 1 0 Congratulations, lucky girl!
Thank you Mary! for the chance you gave all of us]]> 2649 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-03-02 07:34:09 2010-03-02 07:34:09 1 0
Thank you for giving us all the opportunity Mary. Also, for sewing the seeds of 'possibilities'. :)]]> http://www.needlenthread.com/2010/02/embroidered-flowers-for-elizabeth-give.html Sat, 27 Feb 2010 05:00:00 -0600 Mary Corbet 62 2010-02-27 05:00:00 2010-02-27 05:00:00 open open Embroidered-Flowers-for-Elizabeth---GIVE-AWAY! publish 0 0 post Embroidered Flowers for Elizabeth by Susan O'Connor, and today, I'm giving away a copy - along with some other goodies. Read on for details...

Embroidered Flowers for Elizabeth is a gorgeous book, and one that you will want in your embroidery library if you are a fan of surface embroidery. Though the book focuses on making a gorgeous embroidered blanket, the designs within are not limited to that project alone! They're suitable for needlepainting, stumpwork, and goldwork, to name a few options.



Today, I'm giving away, courtesy of Country Bumpkin, a copy of the book! So this is your opportunity to win a copy for free!



Along with the book, I'm giving away (courtesy of me) a half a yard of Legacy Linen Twill, which would make a perfect ground fabric for embroidering single motifs from the book for framing, pillow-making, and other applications. This is the same fabric I used as the ground fabric for the Crewel Rooster, and it's also the ground fabric for my current goldwork project. I love this fabric! It's great for many types of surface embroidery work.



In addition to the above, I'm also giving away, courtesy of Sakura of America, a set of Sakura Pigma® Micron Pens in sepia. These are the pens I use for transferring embroidery designs on projects that will not be laundered or rinsed after the needlework is done. (They are only guaranteed permanent on paper, though I've never had any problems with them on fabric - always test first, though!) The set features pens of various sizes, and a brush pen. I use size 01 or 005 (the latter is not included in the set) to trace designs onto fabric. A little disclaimer: you should make sure you're used to the way the pens work before tracing a design onto good fabric with them - practice on a scrap of fabric first.



And finally, courtesy of me, I'll add a Very Good embroidery hoop to the package - a Hardwicke Manor hoop, in medium thickness, suitable for use with the linen twill.

So, aside from threads and a needle, you'll be ready to set up a design from your new book! You can trace the design with the pens onto the linen twill, put the fabric in your new hoop, and, once you've gathered your threads, you're ready to stitch!

Directions for the Give-Away

To join in this drawing, please follow these directions:

1. Leave a comment below, on this article located on the website (comments on other articles or submitted via e-mail in reply to the newsletter will not be counted).

2. In your comment, answer the following question:

Are you interested in making the blanket featured in the book, or in stitching the individual designs?

3. Make sure you sign your comment with a name! You can post the comment using the 'anonymous' feature, but please make sure you leave your name in the post so that I can announce a winner by name.

4. Post your comment by 5:00 am CST, Tuesday, March 2nd. I'll announce the winner on Tuesday morning. The winner will need to contact me with a mailing address within 2 days; otherwise, I will draw another winner.

Good luck!

]]> Give Away 2613 Anonymous noreply@blogger.com 2010-03-03 00:28:45 2010-03-03 00:28:45 1 0 BIG HUGS and Thanks !!!
Kiwidutch :)]]> 2614 Anonymous noreply@blogger.com 2010-03-03 00:19:21 2010-03-03 00:19:21 1 0
regards.. Kiwidutch :)
http://kiwidutch.wordpress.com/

ps The link to Wordpress won't work, it keeps telling me to sign in.. but I already am! :)]]> 2626 Anonymous noreply@blogger.com 2010-03-02 15:52:25 2010-03-02 15:52:25 1 0
Ann Post]]> 2652 Wedy Osenton noreply@blogger.com 2010-03-02 00:42:19 2010-03-02 00:42:19 1 0 Thank you for your daily 'epistle'; I look forward to reading it and seeing what you are up to - it sets my day off to good start.]]> 2653 sumalatha noreply@blogger.com 2010-03-02 00:10:35 2010-03-02 00:10:35 1 0 2654 lekshmi noreply@blogger.com http://www.blogger.com/profile/15148728626778088576 2010-03-01 23:48:36 2010-03-01 23:48:36 1 0
Lekshmi]]> 2655 DK Spins dkspinner@q.com http://www.blogger.com/profile/17846231118417581109 2010-03-01 23:41:28 2010-03-01 23:41:28 1 0
Thank you for the opportunity to win these lovely items and for the information you so willingly share each day. take care, Dianne in Utah]]> 2656 Trish H. noreply@blogger.com 2010-03-01 23:03:30 2010-03-01 23:03:30 1 0
When you first posted those book photos, I knew I wanted to make those flowers into an heirloom baby quilt for my grand daughter (though I will probably tweak it from the Tudor look a bit).

I apologize for posting twice, but I forgot to sign my name to the previous one & I wanted to make sure I qualify! :)

Thanks for the great giveaway - sooo hoping I win. I'm in love with the pansies & daisies!

Trish H.]]> 2657 Trish H. noreply@blogger.com 2010-03-01 22:54:04 2010-03-01 22:54:04 1 0
making a quilt was exactly what I had in mind when I saw those flowers on the cover! I've been looking for something special for my new grand baby and those pansies and daisies are absolutely perfect. I think I would probably tweak the border to look not quite so Tudor-ish, but I'm in love with all those flowers!

Thanks for offering this prize package - I sure hope I win. :)]]> 2658 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2010-03-01 21:40:37 2010-03-01 21:40:37 1 0
Angie B.]]> 2659 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09949046646183486644 2010-03-01 21:16:29 2010-03-01 21:16:29 1 0
What a giveaway! If I received this incredible package, I would do the individual designs (first!!) since I am a beginner. It would be a great way to gather some experience (and courage) before trying something like a whole blanket.

Many thanks to you,
Didi]]> 2660 Anonymous noreply@blogger.com 2010-03-01 20:44:43 2010-03-01 20:44:43 1 0
Lauri]]> 2662 Anonymous noreply@blogger.com 2010-03-01 18:53:38 2010-03-01 18:53:38 1 0
Estoy muy contenta de saber que tengo, gracias a ti, la oportunidad de hacer un pequeño proyecto de este libro tan interesante y sobre todo de lo que mas me gusta "las flores". Me gusta la idea de una almohada para mi pequeña hija.

Quiero aprovechar para agradecerte por esta pagina porque desde que la encontre, hace como un año, la he seguido. Gracias por tus revisiones de los libros porque me ha llevado a conocer muchas tecnicas de bordado desconocidas para mi. Admiro tu capacidad para compartir todo lo que sabes y lo que vas descubriendo en libros y paginas de Internet.

Gracias

Tere.]]> 2663 Anonymous noreply@blogger.com 2010-03-01 18:30:39 2010-03-01 18:30:39 1 0 Rebecca C.]]> 2664 Anonymous noreply@blogger.com 2010-03-01 18:13:58 2010-03-01 18:13:58 1 0 So to answer your question, I would like to stitching the individual design from this book, cause I am handicap of sewing.

Cheers
Wei in Arcadia, CA]]> 2668 susie noreply@blogger.com 2010-03-01 15:46:22 2010-03-01 15:46:22 1 0 2669 Memaw's memories noreply@blogger.com http://www.blogger.com/profile/03551836962653092248 2010-03-01 15:45:18 2010-03-01 15:45:18 1 0
I'm Shirley at Memaw Bakes Memories
shirleysmith@astate.edu]]> 2670 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2010-03-01 15:41:13 2010-03-01 15:41:13 1 0 Didomum]]> 2671 Anonymous noreply@blogger.com 2010-03-01 15:09:44 2010-03-01 15:09:44 1 0 Sue Kernan]]> 2673 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2010-03-01 13:58:12 2010-03-01 13:58:12 1 0
Colleen Lim]]> 2674 Jenny noreply@blogger.com http://www.blogger.com/profile/05706333207285379997 2010-03-01 13:18:01 2010-03-01 13:18:01 1 0
Jenny in Missouri]]> 2675 Sang noreply@blogger.com http://www.blogger.com/profile/12506767212911667677 2010-03-01 12:50:58 2010-03-01 12:50:58 1 0
Sang]]> 2676 Anonymous noreply@blogger.com 2010-03-01 12:35:31 2010-03-01 12:35:31 1 0
Mary L.
Cranberry Township PA]]> 2679 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2010-03-01 12:10:16 2010-03-01 12:10:16 1 0
I would do the flowers individually, to use on smaller items like bags etc. I have a huge queue of projects at the moment and the blanket just wouldn't happen.]]> 2680 Anonymous noreply@blogger.com 2010-03-01 12:02:17 2010-03-01 12:02:17 1 0
And thanks for the giveaway. This will be my first time participating but to many goodies to pass up :).

Catherine K. (in Kansas)]]> 2681 Jules noreply@blogger.com http://www.blogger.com/profile/10496039187159668965 2010-03-01 11:58:57 2010-03-01 11:58:57 1 0 I loved that the book had conversion charts for different threads, specifically the DMC Cotton.
So here's my entry,
Julie Candler]]> 2682 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2010-03-01 11:49:30 2010-03-01 11:49:30 1 0 2683 Anne noreply@blogger.com http://www.blogger.com/profile/14236053871877225030 2010-03-01 11:16:32 2010-03-01 11:16:32 1 0 2685 Anonymous noreply@blogger.com 2010-03-01 11:09:53 2010-03-01 11:09:53 1 0
I would use the exquisite flower patterns and supplies as a teaching tool for the student embroiderers in my medieval recreation group. The "Tudor windowpane" arrangement works well to showing how different materials produce different results: Here's how a pansy spray worked in DMC cotton looks, here's how a similiar flower looks worked in wool, here's another worked in silk on linen -- and here's how it looks as stumpwork!

What a cool way to interest teens and adults in embroidery. :D

Dawn Tavares
a.k.a.
Lady Aurora de Portugal]]> 2686 Brenda noreply@blogger.com 2010-03-01 10:56:54 2010-03-01 10:56:54 1 0
I would not attempt the blanket. But I would love to do these designs on individual quilt blocks. How gorgeous would THAT be?

Does drooling while I am looking at the pictures you posted give me an advantage for winning this wonderful give away? tee hee hee.]]> 2687 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2010-03-01 10:47:43 2010-03-01 10:47:43 1 0
Like so many others I'm not as interested in the blanket (though who knows what can happen down the road!) but I'd love to work with the flowers on other projects - even perhaps a liturgical stole.

Many thanks,
Candyce]]> 2689 Anonymous noreply@blogger.com 2010-03-01 10:26:24 2010-03-01 10:26:24 1 0
What an awesome book and giveaway. I would not make the blanket but would make individual motifs to use in a quilt top. Thank you so much.

Jean B
Puyallup WA]]> 2690 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2010-03-01 10:11:51 2010-03-01 10:11:51 1 0 2693 jana krumrey noreply@blogger.com http://www.blogger.com/profile/09898677926455877271 2010-03-01 09:51:06 2010-03-01 09:51:06 1 0
Jana]]> 2697 Emily noreply@blogger.com 2010-03-01 09:21:32 2010-03-01 09:21:32 1 0 2699 Debra noreply@blogger.com http://www.blogger.com/profile/17267525503567670854 2010-03-01 09:00:22 2010-03-01 09:00:22 1 0
I am a stitcher, self taught, and would love to do the blanket, however, I want to use the designs individually in diamond shaped frames around the upper part of a room as a "border" if you will. Then, I'd like to make the blanket as a throw for over my grandmother's antique rocker for my mother after mastering the techniques. And then accent pieces for my newly vacated room with the border mentioned above. I will not paint or buy furniture until I know what I am doing and this is such a motivational book!

You have inspired me into stitching again - I was doing mostly counted cross but have done Hardanger and am loading up my supplies, books, materials, etc. in preparation for retirement and topstitching! What a great blessing your blog has been for me. I am inspired and awed by your talents - I hope I can do your teaching justice! Thank you for your kindness - this give away is far more than generous as your newsletter is as well. Going through a difficult time and you are a great highlight that I enjoy daily. I hope you have an idea how you touch people with your art - teaching and creating and passing it along - what a legacy.

Debbie Czerwionka
c21debbiecz@gmail.com]]> 2701 Lisa Tressler noreply@blogger.com 2010-03-01 08:54:01 2010-03-01 08:54:01 1 0 2704 Kathleen noreply@blogger.com http://www.blogger.com/profile/01159709369633249856 2010-03-01 08:38:19 2010-03-01 08:38:19 1 0 2705 Anonymous noreply@blogger.com 2010-03-01 08:29:45 2010-03-01 08:29:45 1 0 Mellissa]]> 2707 louise noreply@blogger.com http://www.blogger.com/profile/03109784323604033385 2010-03-01 07:11:19 2010-03-01 07:11:19 1 0 2708 Anonymous noreply@blogger.com 2010-03-01 06:39:54 2010-03-01 06:39:54 1 0
I'm a newcomer to your newsletter and blog. Your long and short tutorial was incredibly helpful to someone who hasn't done embroidery work in years.

Lynn
Abingdon, MD]]> 2709 Anonymous noreply@blogger.com 2010-03-01 05:53:50 2010-03-01 05:53:50 1 0 I will try to partecipate to this giveaway... I would use the book for the individual designs.
I'm very interest also in pen and hoop.
I love reading your blog: I've learned a lot from you!

Barbara from Italy]]> 2710 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-03-01 05:40:22 2010-03-01 05:40:22 1 0 2711 Anonymous noreply@blogger.com 2010-03-01 03:59:20 2010-03-01 03:59:20 1 0
Thanks for the great offer.

Martina Lueneburg]]> 2712 Juli Juli.Levine@gmail.com http://www.blogger.com/profile/13647008167036203546 2010-03-01 03:51:22 2010-03-01 03:51:22 1 0
Thanks for always having great articles on your blog!]]> 2713 Marian noreply@blogger.com 2010-03-01 02:45:04 2010-03-01 02:45:04 1 0 2714 Kathy noreply@blogger.com http://www.blogger.com/profile/17036167100686615797 2010-03-01 02:20:48 2010-03-01 02:20:48 1 0 2715 kiwidutch noreply@blogger.com http://kiwidutch.wordpress.com 2010-03-01 02:12:44 2010-03-01 02:12:44 1 0
I would make the designs on their own and once I had mastered the process, would add it to the list of stitching that I have signed up to teach my local Scouting group. They are really inspired to start soonest and I will have to keep on my toes in order to keep ahead of them.

Even if I don't win, Thank you for this kind giveaway, some lucky stitcher will very much appreciate your kindness. I have started to teach my daughter to stitch (and a friends daughters) and love to see their eyes light up when they say "hey can we PLEASE stitch again today! We have been making Christmas ornaments and I realise that big photo's can't be posted here so if you would like to see photo's they are on my blog dated October 10 2009.

kind regards, Kiwidutch :)

http://kiwidutch.wordpress.com/2009/10/10/crafting-with-kids-felt-christmas-ornaments/]]> 2717 Maryvonne noreply@blogger.com 2010-02-28 22:52:46 2010-02-28 22:52:46 1 0
I know it would be a long, involved task to do the blanket, but I would be very enthusiastic about it. When my first grand-daughter was expected I asked my daughter to choose something for me to knit. She chose a double-sided afghan in blue and white. I had never knitted double face, but I took up the challenge ... and felt very proud when it turned out to be a success. She is now 10, and the afghan still comes out every winter.
So, I suppose I could tackle another challenge 10 yrs after. It does look beautiful, and the twill! Don't see anything like this in my part of the world.
Mary, I will say it again, I love your newsletter and look forward to seeing what marvels you've come up with every day. LOL]]> 2718 Carol DuVall noreply@blogger.com 2010-02-28 22:47:26 2010-02-28 22:47:26 1 0 The person winning this will be very lucky indeed.

Carol DuVall]]> 2720 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2010-02-28 22:41:24 2010-02-28 22:41:24 1 0 I would prefer to do individual designs as I tend to slow down on big projects.]]> 2721 CreativeHands kreidawh@sbcglobal.net http://www.blogger.com/profile/11610016910035138770 2010-02-28 21:00:36 2010-02-28 21:00:36 1 0 2723 Stitcher Sister noreply@blogger.com http://www.blogger.com/profile/14982043419274774766 2010-02-28 20:27:52 2010-02-28 20:27:52 1 0 Cathy S, Remus MI]]> 2724 Anonymous noreply@blogger.com 2010-02-28 19:58:24 2010-02-28 19:58:24 1 0 Caroline D]]> 2725 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2010-02-28 19:30:23 2010-02-28 19:30:23 1 0 I enjoy your blog very much, and I am still planning/hoping to do the lettering sampler.
Bye for now,
Jane
www.worldembroideries.blogspot.com]]> 2726 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-02-28 18:57:40 2010-02-28 18:57:40 1 0
Good luck to all who are trying to get this marvelous give away from you Mary!]]> 2727 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-28 18:19:46 2010-02-28 18:19:46 1 0 As always, such a nice giveaway Mary!!]]> 2728 DAS noreply@blogger.com http://www.blogger.com/profile/00623118914187101482 2010-02-28 17:35:24 2010-02-28 17:35:24 1 0
Maureen M.
Rockport, USA]]> 2729 Kim K noreply@blogger.com http://www.blogger.com/profile/09410675833339408404 2010-02-28 17:22:04 2010-02-28 17:22:04 1 0 Thank you for thinking of your readers! I would like to use the individual flower designs to continue trying new techniques and materials The book is perfect for this. I think taking notes on the materials, design, stitches and any problems is a great way to improve your skills. The best part of course is having those beautiful flowers for all time.
Kim Kemmsies NJ]]> 2730 Anonymous noreply@blogger.com 2010-02-28 16:51:04 2010-02-28 16:51:04 1 0 Thanks, Char Brooks]]> 2731 Sher CrazierQuilter@gmail.com http://www.blogger.com/profile/06089140478747502095 2010-02-28 16:30:48 2010-02-28 16:30:48 1 0 Sherry Johnson]]> 2732 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-02-28 14:58:48 2010-02-28 14:58:48 1 0
I am interested in the blanket. I eventually want to design one with Alaska wildflowers - this would be an inspiration to actually get it written down and started!

Thanks again :0)
Kathy in Kenai]]> 2733 Cindy noreply@blogger.com http://www.blogger.com/profile/14486820669386664128 2010-02-28 14:56:26 2010-02-28 14:56:26 1 0 cindy tubb]]> 2734 Anonymous noreply@blogger.com 2010-02-28 13:59:49 2010-02-28 13:59:49 1 0
Vicki W.]]> 2735 Anonymous noreply@blogger.com 2010-02-28 12:45:33 2010-02-28 12:45:33 1 0 With regards,
Gwen Kok from the Netherlands.]]> 2736 Sharon Shetley noreply@blogger.com 2010-02-28 11:59:23 2010-02-28 11:59:23 1 0 What a wonderful prize. It will be a treasure to the winner -
Good luck to me.....
Sharon S.]]> 2737 lynda noel noreply@blogger.com 2010-02-28 11:36:22 2010-02-28 11:36:22 1 0 2738 Anonymous noreply@blogger.com 2010-02-28 11:23:26 2010-02-28 11:23:26 1 0
I am delighted to have recently discovered your website. Now I really have a crush on embroidery! I am madly reading all your previous posts as fast as I can, enjoying your beautiful needlework, and learning. Thank you for your generous spirit and for sharing your time and talent with so many. You are an inspiration!

Thank you, too, for giving all your readers the opportunity to win such a wonderful giveaway. Should I be the fortunate recipient, I would have to begin by stitching individual designs and aspire to gain the confidence and skill to stitch the lovely blanket.

Thank you again for the chance,

Lauri]]> 2739 ksbroome100 noreply@blogger.com http://www.blogger.com/profile/09534102962839225666 2010-02-28 10:54:49 2010-02-28 10:54:49 1 0
Sharon]]> 2741 Anonymous noreply@blogger.com 2010-02-28 10:44:42 2010-02-28 10:44:42 1 0
Judy Rand]]> 2742 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2010-02-28 10:36:38 2010-02-28 10:36:38 1 0
Martha]]> 2743 Anonymous noreply@blogger.com 2010-02-28 10:35:01 2010-02-28 10:35:01 1 0 read your newletter and once a week try to learn a new stitch from the video library.
i would make the individual designs as a learning tool and then who knows? maybe a quilt
there you have it.
jane atkins]]> 2744 Anonymous noreply@blogger.com 2010-02-28 10:03:58 2010-02-28 10:03:58 1 0 2745 C N Heidelberg eastie216-blog@yahoo.com http://www.blogger.com/profile/18055010902344874594 2010-02-28 10:03:35 2010-02-28 10:03:35 1 0 My dream is to stitch a blanket one day. But to be realistic, the first thing I do if I win will be to stitch the design with the peas! I love it!]]> 2746 sue noreply@blogger.com http://www.blogger.com/profile/00770592335543390352 2010-02-28 10:01:29 2010-02-28 10:01:29 1 0 Sue Ames NY]]> 2747 KatieQ katiequilts@gmail.com http://www.blogger.com/profile/03402499142649295188 2010-02-28 09:35:09 2010-02-28 09:35:09 1 0 Thank you for arranging for this lovely giveaway.]]> 2748 MarthaD noreply@blogger.com http://www.blogger.com/profile/16610159288243869896 2010-02-28 08:55:10 2010-02-28 08:55:10 1 0 Martha]]> 2749 Anonymous noreply@blogger.com 2010-02-28 08:23:29 2010-02-28 08:23:29 1 0 I would probably use ths book in two different ways... 1. make a wall hanging using 4 or 6 of the designs 2. use one design and try to demonstrate all types of needlework technique - goldwork, jap. emb, crewel, blackwork, schwalm, pulled thread etc... it would be an interesting "study" in color/texture etc.
Oh, but I'm sure I won't win...so I won't get my hopes up!
Nupur]]> 2750 Pam noreply@blogger.com 2010-02-28 08:04:49 2010-02-28 08:04:49 1 0
Pam]]> 2751 Lana of Honeysuckle Lane lanamanis@gmail.com http://www.blogger.com/profile/03984967027046436970 2010-02-28 08:00:38 2010-02-28 08:00:38 1 0 I think I would make individual small projects instead of the blanket, but who knows, I may get carried away and make the entire blanket! :)
Thank you, Lana]]> 2752 ledamewood noreply@blogger.com http://www.blogger.com/profile/09741893340014830055 2010-02-28 07:17:26 2010-02-28 07:17:26 1 0
Lynn D]]> 2753 idyllicchick idyllicchick@gmail.com http://www.blogger.com/profile/05772680234610824238 2010-02-28 07:04:59 2010-02-28 07:04:59 1 0 ---Sharon]]> 2754 bionic noreply@blogger.com http://www.blogger.com/profile/10611133325145732153 2010-02-28 06:56:02 2010-02-28 06:56:02 1 0 I've recently returned to surface embroidery after years (decades!) of simple sewing-on-buttons, clothes-making etc, and I'm loving it, now I'm retired and have the time. I'm in the midst of a cross-stitch feast, but am longing to create some crewel gems, or my ambition - goldwork.
Many thanks for sharing your needlework life with us - I look forward to your blog every day, and save it til last to savour the content and follow your links.
Bionicbodger in VERY windy western France...]]> 2755 Anonymous noreply@blogger.com 2010-02-28 06:43:22 2010-02-28 06:43:22 1 0 2756 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2010-02-28 05:22:42 2010-02-28 05:22:42 1 0 Your devoted reader,
Karen in Western N.C.]]> 2758 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-02-28 04:58:30 2010-02-28 04:58:30 1 0
Definitely I'm not prepared enough to stitch a whole blanket, as featured in the book, but I'd love to try the individual motifs for some of my plain kurta tops that I wear to office.

Only recently I finished embroidering one such top with my own design... This book inspires me to do more...

I so want to be lucky this time, but even if I don't win this give-away, I don't know how to thank you for your blog is a free resource for all aspiring needle workers.

Hats off to you dear Mary!!!

Dhivya]]> 2759 Anonymous noreply@blogger.com 2010-02-28 04:03:06 2010-02-28 04:03:06 1 0
Thank you for your lovely posts and your generosity in sharing with all of us. I wouldn't have the confidence to attempt the whole blanket, but would love to have a try at some of these gorgeous flowers! Once I've been through your soft shading lessons that is!

Alison in Sydney Australia]]> 2760 Steffi noreply@blogger.com 2010-02-28 03:35:05 2010-02-28 03:35:05 1 0 Steffi]]> 2762 Julie noreply@blogger.com http://www.blogger.com/profile/14877578207134920821 2010-02-28 02:31:45 2010-02-28 02:31:45 1 0
I joined your newsletter only recently and just love reading what you are up too, you have been so inspiring to me and I am fitting in more time to stitch in the last few weeks. Tricky question about whether to do the whole blanket or individual ones. I think I would like to make the whole thing, the colours look marvellous, but maybe practice first with some small pictures of individual flowers. I do like the way the sashing has been done, such a nice royal colour.

Keep up the good work
cheers
Julie in Australia]]> 2763 Penelope noreply@blogger.com 2010-02-28 02:25:05 2010-02-28 02:25:05 1 0 2764 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2010-02-28 01:55:21 2010-02-28 01:55:21 1 0 You do such a good job in teaching and being down to earth on stitching. This book is a good one for me as I am looking for items to add to corners of baby blankets and making pillows. I do frame a lot of things. These would be great to add to other items. Thanks for a chance to have this book.
Debra Puma]]> 2765 Anonymous noreply@blogger.com 2010-02-28 01:42:54 2010-02-28 01:42:54 1 0 Hugs
Denise]]> 2766 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2010-02-28 01:42:47 2010-02-28 01:42:47 1 0
I think I forgot to mention that I will use the flowers to make a tablecloth.

Love,
Kirt,India]]> 2767 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2010-02-28 01:41:07 2010-02-28 01:41:07 1 0 2768 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2010-02-28 01:29:31 2010-02-28 01:29:31 1 0
What a wonderful give away as always.The review of the book "Embroidered flowers for Elizabeth" is amazing. A couple of days of ago I was trying to search floral patterns on internet and othe resources for embroidery and what I see on your blog are these beautiful, gorgeous flowers :).I really really want that book for those lovely flowers. And what a treat to have legacy linen to go with it.......hurray!!. And the pens which we don't get in India :(.I always had liking for victorian patterns whether embroidery or crochet or purses they always fascinate me. And therefore this book is a must have for me and the goodies too.

love,
kirti]]> 2769 deepasethuraj@yahoo.com noreply@blogger.com 2010-02-28 00:38:33 2010-02-28 00:38:33 1 0 WOWOW....What a wonderful and generous give away..!!! I don't want to miss this chance.. If I get this Iwould like to do the individual flowers and frame it and keep.They are so gorgeous..
Thanks for this Mary..
Love, Deepa Sethuraj]]> 2770 Anonymous noreply@blogger.com 2010-02-27 23:44:19 2010-02-27 23:44:19 1 0
This book is so stunning, though, that I thought of a compromise when you reviewed the book, and if I win this wonderful give away, I think it would give me the resolve I need to follow through. You see, my dear grandmother was known by everyone who loved her for two things: her love of flowers (and ability to make them bloom at all times of the year) and her exquisite needlework. Most of her children and grandchildren were blessed with the ability to grow flowers, but I got a black thumb and am the only one to carry on trying to reproduce her beautiful needlework (though not nearly as well ).

My cousin's two daughters, who never knew their great-grandmother, are now off at college, though, and I'd love the chance to give them a lasting bit of their heritage. Wouldn't blankets with a posy or two (probably in the center) make a beautiful gift to warm them through their studies? That way, I could control the time commitment and keep Tom away from the bits I was working on at the same time!

Thanks for your generosity of time and goodies! I look forward to reading your blog every day!

Karen from Arcadia]]> 2771 vinnie noreply@blogger.com http://www.blogger.com/profile/01837173303811666508 2010-02-27 23:42:34 2010-02-27 23:42:34 1 0
Thank you for the amazing giveaway. Good luck everyone (and me).]]> 2772 Flowers noreply@blogger.com http://www.iflorist.co.uk/c-482-mothers-day-flowers.aspx 2010-02-27 23:33:27 2010-02-27 23:33:27 1 0 2773 Duane noreply@blogger.com http://www.blogger.com/profile/15376117188121073503 2010-02-27 23:07:51 2010-02-27 23:07:51 1 0
Duane]]> 2774 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2010-02-27 22:14:01 2010-02-27 22:14:01 1 0 2775 Anonymous noreply@blogger.com 2010-02-27 21:55:01 2010-02-27 21:55:01 1 0 This is one "ono" (that's Hawaiian for delicious) giveaway. I would love to do the flowers as individual motifs. With the pens, cloth and hoop it would be a stitchers dream. Having used my fair share of cheap hoops that alone is worth a lot. What is fascinating is the lore attached to different flowers- socially, religiously, romantically and medicenally. Thanks for your generous spirit.
Jacquelin Ihsan]]> 2776 annie (aka scooter) noreply@blogger.com http://www.blogger.com/profile/17208865987486965643 2010-02-27 21:33:51 2010-02-27 21:33:51 1 0
I love crazy quilting, "sane" quilting, and embroidery. I see so many possibilities for the designs in this book. I would love to make some small gifts (pillows, framed stitcheries) with the individual designs, and it would be a joy to make that blanket for my mum!

I love the connection I feel to other women - past, present, and future - when I stitch and teach others to stitch. I teach a different type of heirloom craft at the state fair every summer. I set up my table with fabric, needles, and threads from my own collection for anyone to try, and I'm always surprised by the number of children (especially boys and dads!) who stop to explore these arts.

I would love to win this generous package! Thanks for the offer and your inspiring blog!

best regards, annie
sew strong / be strong
aanyfleur.blogspot.com]]> 2777 CarolR noreply@blogger.com 2010-02-27 21:30:51 2010-02-27 21:30:51 1 0
As for this book--I could see making a quilt but not a blanket--and definitely some of the single motifs.]]> 2778 Ryan noreply@blogger.com http://www.blogger.com/profile/03419727342721055379 2010-02-27 21:26:22 2010-02-27 21:26:22 1 0 2779 Anonymous noreply@blogger.com 2010-02-27 21:14:17 2010-02-27 21:14:17 1 0 2780 Anasuya noreply@blogger.com http://www.blogger.com/profile/10898277427077070661 2010-02-27 21:13:51 2010-02-27 21:13:51 1 0 2781 Anonymous noreply@blogger.com 2010-02-27 21:13:50 2010-02-27 21:13:50 1 0 2782 Heather W. noreply@blogger.com 2010-02-27 21:13:46 2010-02-27 21:13:46 1 0 I'm a huge fan of your site and read it every day -- thanks for providing such a wonderful needlework resource! I probably wouldn't attempt the whole blanket, but I would love to stitch the motifs on it and would try a pillow in similar style first.

Keep up the good work, your blog is one I look forward to reading every day :)]]> 2783 Carol noreply@blogger.com http://www.blogger.com/profile/15663256160369920564 2010-02-27 21:05:47 2010-02-27 21:05:47 1 0 Enjoy your blog very much Mary.]]> 2784 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2010-02-27 20:47:28 2010-02-27 20:47:28 1 0 I am a quilter too, so I would start out with individual blocks first, and make them part of a quilt-thank you again for this generous giveaway Kathy]]> 2785 Brooklynne noreply@blogger.com http://brooklynnemichelle.com/ 2010-02-27 20:27:06 2010-02-27 20:27:06 1 0

Not only do I think I would do the blanket I think I would also use the flower around the hem of a summer Victorian Tea gown and the bodice and sleaves too... I would also use them to make pin cusions for each of my "aunties" who help me learn to quilt, and are there when I have odd questions. some of the motifs would also find their way into a huswif that I'm designing... so ingeneral yes I would use this book and love it a lot... I'll probably have to buy it cause I never win anything EVER.

Brooklynne

P.S my confirmation code is s0sew :-D]]> 2786 rroebuck rhondaroebuck@mac.com http://www.blogger.com/profile/00284532434509104860 2010-02-27 20:19:36 2010-02-27 20:19:36 1 0 rhondaroebuck@mac.com]]> 2787 changelingthings noreply@blogger.com http://changelingthings.wordpress.com 2010-02-27 20:14:26 2010-02-27 20:14:26 1 0 2788 Mel noreply@blogger.com 2010-02-27 20:12:12 2010-02-27 20:12:12 1 0
I think I'd be initially inclined to stitch individual designs, since I haven't done crewel work before, but I have a secret longing to make late Elizabethan bed hangings (never mind that I don't have a suitable bed for them). The designs look like they could be easily adaptable to curtains.]]> 2789 Penny B noreply@blogger.com 2010-02-27 20:02:49 2010-02-27 20:02:49 1 0 2791 JoyAnna noreply@blogger.com http://www.blogger.com/profile/08111229688666742060 2010-02-27 19:39:34 2010-02-27 19:39:34 1 0 JoyAnna Singer]]> 2792 leebee7 noreply@blogger.com http://leebee7.livejournal.com/ 2010-02-27 19:39:31 2010-02-27 19:39:31 1 0 I love the finish of the blanket and would do that. The black and gold frame the motifs wonderfully but do not overpower it.]]> 2793 Anonymous noreply@blogger.com 2010-02-27 19:38:30 2010-02-27 19:38:30 1 0 What a wonderful give-away. I would not do the blanket but would do the individual designs. Thank you for a chance to win these goodies.
Maria in Kansas]]> 2794 3 Girls &amp; A Guy rebolfamily@q.com http://www.blogger.com/profile/03384430044748782944 2010-02-27 19:35:47 2010-02-27 19:35:47 1 0 2795 Maggie C noreply@blogger.com 2010-02-27 19:34:45 2010-02-27 19:34:45 1 0 2796 Anonymous noreply@blogger.com 2010-02-27 19:23:02 2010-02-27 19:23:02 1 0
Thanks!

Sheryl R.]]> 2797 worksofhands noreply@blogger.com http://worksofhands.wordpress.com 2010-02-27 19:18:31 2010-02-27 19:18:31 1 0
This is a great give-away and I would like to try my luck!

vincent]]> 2798 LindaJ noreply@blogger.com 2010-02-27 19:17:18 2010-02-27 19:17:18 1 0 I use Japanese products alot and you can't beat their pens and out of the dozens of embroidery hoops I have purchased over the years, I've never seen one as magnificent as the one you are offering.
Thank you for the opportunity to enter this contest to win the book and other items. This is a very generous giveaway.
Linda Jones
Central Ohio]]> 2799 Laura Kathleen noreply@blogger.com http://www.blogger.com/profile/14304467170642717891 2010-02-27 18:55:48 2010-02-27 18:55:48 1 0 2800 Ramya noreply@blogger.com http://www.blogger.com/profile/00894780256080713640 2010-02-27 18:42:21 2010-02-27 18:42:21 1 0 What a lovely giveaway! Not just the book but also the other miscellaneous items... I am interested in making the individual designs since I'm planning on making some pillows covers. The flower motifs would be great on pillow covers!
Thanks for giving us all a wonderful opportunity to win such great goodies!]]> 2802 Anonymous noreply@blogger.com 2010-02-27 18:29:58 2010-02-27 18:29:58 1 0 I have never commented before, but this book is just too tempting to pass up. I love any book that helps me choose the color of threads. I would not be able to make the blanket (time and money limitations), but I would make the individual flowers and put them on some pillows that could use some embroidery or as gifts for my sisters.
Thank you for having this give away!
Ren Mondragon Taos NM]]> 2804 Anonymous noreply@blogger.com 2010-02-27 18:14:33 2010-02-27 18:14:33 1 0
Here's what I would do with the book. I would love to stitch the individual designs, but stitch each one in multiple stitching techniques. Then you could finish each design with all the techniques and make a study of a particular flower. I think that would look really cool when framed.

Carol Sylvester]]> 2805 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-02-27 18:08:10 2010-02-27 18:08:10 1 0
I'd do individual sections - cos I'd like to give some to friends.]]> 2806 Anonymous noreply@blogger.com 2010-02-27 17:42:43 2010-02-27 17:42:43 1 0 Danielle Kleinsmith]]> 2807 Anonymous noreply@blogger.com 2010-02-27 17:40:48 2010-02-27 17:40:48 1 0 2808 J noreply@blogger.com http://www.blogger.com/profile/18038410399748516498 2010-02-27 17:39:12 2010-02-27 17:39:12 1 0 Janet]]> 2809 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2010-02-27 17:38:58 2010-02-27 17:38:58 1 0
Melisa Bakos]]> 2810 Sheila from CA noreply@blogger.com 2010-02-27 17:31:39 2010-02-27 17:31:39 1 0 What an outstanding give away! This is just so generous. I would love to try this entire blanket...I've seen the book on their website & said to myself: you must buy this book and try it. Every book I have purchased from them has been extremely well documented and thorough. I'm sure this one will be too. Thanks for doing this give away. Sheila from CA]]> 2811 Julie noreply@blogger.com http://www.blogger.com/profile/12424803040418244129 2010-02-27 17:16:13 2010-02-27 17:16:13 1 0
I am a motif kind of gal, so rather than the blanket, I will use the motifs here and there.

Julie
In San Diego, CA]]> 2812 Anonymous noreply@blogger.com 2010-02-27 17:13:28 2010-02-27 17:13:28 1 0
I would certainly make the blanket. I quilt on the weekends and embroider during week in the evenings. I could also vision this being turned into a quilt.

And the other supplies offered would complete the ensemble.

Helen Vickers
SW FL]]> 2813 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2010-02-27 17:08:24 2010-02-27 17:08:24 1 0 2814 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-02-27 16:50:39 2010-02-27 16:50:39 1 0 I would need to work the individual samplers before attempting a blanket.

Thank you for the generous offer Mary.

Maureen Bond

http://crazyqstitcher.wordpress.com/]]> 2815 Ming noreply@blogger.com http://www.blogger.com/profile/08953297663891058573 2010-02-27 16:40:29 2010-02-27 16:40:29 1 0 Thank you Mary, for this wonderful give-away!]]> 2816 Anonymous noreply@blogger.com 2010-02-27 16:28:33 2010-02-27 16:28:33 1 0 I would stitch the individual designs, using them for gifts. I love the acorn design.
Katrina]]> 2817 Anonymous noreply@blogger.com 2010-02-27 16:25:39 2010-02-27 16:25:39 1 0 I've just learned that my close friends are expecting their first baby. They would love this blanket, it's just their style and it would be a lovely keepsake for the baby. For myself the individual designs are exactly what I've been looking for for cushion cover centres, they're beautiful and so inspiring.

Cheers,
Pauline J]]> 2818 jcmend noreply@blogger.com http://www.blogger.com/profile/01456542354901569052 2010-02-27 16:22:31 2010-02-27 16:22:31 1 0
Joanie in west tennessee]]> 2820 Nancy noreply@blogger.com http://www.blogger.com/profile/12742050287670807322 2010-02-27 16:07:13 2010-02-27 16:07:13 1 0 Nancy F.]]> 2821 linwenster noreply@blogger.com http://www.blogger.com/profile/12039650393453934749 2010-02-27 16:03:23 2010-02-27 16:03:23 1 0 2823 Karen of Bethany georgiesmom@live.com http://www.blogger.com/profile/09200675517890769588 2010-02-27 15:41:05 2010-02-27 15:41:05 1 0
Patches, crazy quilting, fabric collage, picture postcards, clothing embellishing, to name a few.

As an activity director in a nursing center, I would grab the book and reproduce the flowers for coloring projects for the residents (I know, it's not embroidery so that would be cheating)...they can't do needlework, but they can "embroider" with paints, crayone and markers. I always use a theme and their work goes up on the bulletin board. These would be perfect for the summer.

They also enjoy discussing embroidery and sewing projects; many of them did work that was outstanding in their time.

Thank you again for this newsletter, which is a beautiful respite from a lot of the present world's not-so-beautiful "realities".

You can never have enough babies, puppies or flowers, in my opinion.]]> 2824 Anonymous noreply@blogger.com 2010-02-27 15:12:21 2010-02-27 15:12:21 1 0
In answer to your question : BOTH. I love your site and your attention to detail is fantastic. I am primarily a counted thread enthusiast who would love to branch out onto some free-form surface embroidery and what better way to do it than to follow the beautiful patterns in this book.

Keep up the good work

Trish Hughes, Whangarei, New Zealand]]> 2825 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-02-27 15:05:48 2010-02-27 15:05:48 1 0
Actually, I don't know of any Americans that embroider on blankets, or on wool in general -- which is not to say that there aren't any, I've just never heard of any. I've always been puzzled why Australians and New Zealanders like to embroider on wool since they live in a mostly warm climate. When I go there I intend to ask! -- Janice in Missouri]]> 2826 Anonymous noreply@blogger.com 2010-02-27 15:02:45 2010-02-27 15:02:45 1 0 I would probably not attempt the entire blanket but would use the stitch instructions and motifs

Sandy Pell]]> 2827 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2010-02-27 14:52:40 2010-02-27 14:52:40 1 0 Not sure which I would do, the blanket or individuals small projects. Probably start with several small pillows, then when I felt comfortable would make the blanket. Thanks for offering us a chance to win the book. BarbM]]> 2828 Anonymous noreply@blogger.com 2010-02-27 14:50:59 2010-02-27 14:50:59 1 0
Suzanne Espinosa]]> 2829 Katie noreply@blogger.com http://www.blogger.com/profile/03812374680645763586 2010-02-27 14:47:45 2010-02-27 14:47:45 1 0 2830 lizzie noreply@blogger.com http://www.blogger.com/profile/04141405204392170200 2010-02-27 14:46:38 2010-02-27 14:46:38 1 0 2831 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2010-02-27 14:43:12 2010-02-27 14:43:12 1 0 Annie in Va.]]> 2832 ChrisTea noreply@blogger.com 2010-02-27 14:39:42 2010-02-27 14:39:42 1 0
Christy C. in Illinois
botm2@yahoo.com]]> 2833 BFromM noreply@blogger.com http://www.blogger.com/profile/03145563818322438262 2010-02-27 14:36:05 2010-02-27 14:36:05 1 0 2834 stitchkat noreply@blogger.com http://www.blogger.com/profile/13386818613507497168 2010-02-27 14:23:35 2010-02-27 14:23:35 1 0
I don't believe I would ever stitch the blanket design - it's just tooo big. I would definitely try some of the flowers and the smaller projects look fabulous and very do-able, even for a novice.

Congratulations to whoever wins this generous gift!

Katherine]]> 2835 Liseanne noreply@blogger.com 2010-02-27 14:10:28 2010-02-27 14:10:28 1 0 2836 Miriam Marlin noreply@blogger.com 2010-02-27 14:03:42 2010-02-27 14:03:42 1 0
I think I would attempt the individual designs on something that actually might be completed before I consider the whole blanket....]]> 2837 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2010-02-27 13:48:33 2010-02-27 13:48:33 1 0 Karen In Breezy Point]]> 2838 Courtney noreply@blogger.com http://www.blogger.com/profile/13475318662505589743 2010-02-27 13:32:34 2010-02-27 13:32:34 1 0 2839 Angelina noreply@blogger.com 2010-02-27 13:30:15 2010-02-27 13:30:15 1 0 2840 Sharon Ihde, Bakersfield, CA noreply@blogger.com 2010-02-27 13:27:16 2010-02-27 13:27:16 1 0 2841 Susan R. noreply@blogger.com 2010-02-27 13:07:31 2010-02-27 13:07:31 1 0
Susan Riggs]]> 2843 Anonymous noreply@blogger.com 2010-02-27 13:03:07 2010-02-27 13:03:07 1 0
Rosalie]]> 2845 Christy Sanford noreply@blogger.com 2010-02-27 12:42:03 2010-02-27 12:42:03 1 0
Christy S.]]> 2846 Sarah machinegunsarah@gmail.com http://www.blogger.com/profile/09828414543697731990 2010-02-27 12:41:56 2010-02-27 12:41:56 1 0
Sarah Steed]]> 2847 Kitty mcthekat@gmail.com http://www.blogger.com/profile/18369077646106761670 2010-02-27 12:39:16 2010-02-27 12:39:16 1 0 I enjoy reading your blog from time to time. Your photos and tutorials are inspiring!
Kitty from Tennessee]]> 2848 Anonymous noreply@blogger.com 2010-02-27 12:34:23 2010-02-27 12:34:23 1 0 2849 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2010-02-27 12:30:26 2010-02-27 12:30:26 1 0 Good luck to everybody. I'm sure that we are all equally covetous of this great prize.
Suzanne]]> 2850 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2010-02-27 12:29:59 2010-02-27 12:29:59 1 0
To be honest, I would not tackle the blanket, just too big a job for me! But those individual flowers motifs would be just perfect for crazy quilt squares. And as you said they could be used in lots of different ways, such as stumpwork, which I am very much into right now. All the other items that you are generously offering are wonderful too. I'm keeping my fingers and toes crossed!
Diane in Ontario]]> 2851 Needlewithaneye noreply@blogger.com http://www.blogger.com/profile/13561323683846623893 2010-02-27 12:23:20 2010-02-27 12:23:20 1 0 2852 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-02-27 12:18:48 2010-02-27 12:18:48 1 0
I'm very much a 'set' type of person, so my heart would yearn to make the cushion (although I'm not sure I would allow anyone sit on it!).

However, I find that because I'm waiting until I have time to do the whole project, I often don't get around to starting something.

For that reason I am trying to be less ambitous with some things and telling myself it is ok to just make one or to scale things down.

If I one this give away, I would do an individual design. (To start with ;-) )
Carol-Anne]]> 2853 Needlewithaneye noreply@blogger.com http://www.blogger.com/profile/13561323683846623893 2010-02-27 12:17:43 2010-02-27 12:17:43 1 0 2854 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-02-27 12:11:53 2010-02-27 12:11:53 1 0 Janet Popish]]> 2855 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2010-02-27 12:09:09 2010-02-27 12:09:09 1 0
I'm interested in the individual designs as a learning tool, as I haven't done an extensive amount of surface embroidery. Also I know better than to commit myself to such a large project right now. However, the entire blanket is lovely. Maybe some day...]]> 2856 Sharon wildflowerhouse@hotmail.com http://www.blogger.com/profile/15897609431263814815 2010-02-27 11:57:01 2010-02-27 11:57:01 1 0 2857 piney cq noreply@blogger.com http://www.blogger.com/profile/06318464831940639006 2010-02-27 11:49:47 2010-02-27 11:49:47 1 0 2858 Anonymous noreply@blogger.com 2010-02-27 11:38:59 2010-02-27 11:38:59 1 0 What a beautiful book and such a lovely idea to add items so that a project could be started. I would love to win this and do them as individual designs, perhaps one of the projects would work itself into small pillows.
Many thanks for your thoughtfulness in putting together this give away.
Joan from Richmond BC Canada]]> 2859 Anonymous noreply@blogger.com 2010-02-27 11:21:35 2010-02-27 11:21:35 1 0 2860 Anonymous noreply@blogger.com 2010-02-27 11:17:00 2010-02-27 11:17:00 1 0
Celeste]]> 2861 Susan noreply@blogger.com http://www.xanga.com/lilms_sassy 2010-02-27 11:12:12 2010-02-27 11:12:12 1 0 love your blog.]]> 2862 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-02-27 11:09:11 2010-02-27 11:09:11 1 0 2863 Moon_Child moonchild776@aol.com http://www.blogger.com/profile/08540808008617188690 2010-02-27 10:58:53 2010-02-27 10:58:53 1 0
Moon]]> 2864 Meeta V. noreply@blogger.com 2010-02-27 10:50:54 2010-02-27 10:50:54 1 0
I would make individual designs, frame and give it away as gifts or maybe, keep it :))

Thank you,
-Meeta V.]]> 2865 Pat noreply@blogger.com http://www.blogger.com/profile/11086618266918856381 2010-02-27 10:47:10 2010-02-27 10:47:10 1 0
Pat]]> 2866 Barbara in TN noreply@blogger.com http://www.blogger.com/profile/15433870637989210473 2010-02-27 10:42:05 2010-02-27 10:42:05 1 0 Thanks again!
Barbara in TN
saltillo3@yahoo.com]]> 2867 figure8angel noreply@blogger.com http://www.blogger.com/profile/04069028704239734614 2010-02-27 10:42:02 2010-02-27 10:42:02 1 0
I probably wouldn't attempt the whole blanket, but I'd love to try some of the smaller designs. I've also been wanting to try the twill you use & have been meaning to get a good hoop for a long time. I've been using those plastic ones for over a year now. And we can always use good pens for transferring designs!

Thanks again for the chance to win & for all the time you put into your blog. I've learned a lot from you!

- Angelina]]> 2868 Emily noreply@blogger.com http://www.blogger.com/profile/02047327311305704056 2010-02-27 10:41:33 2010-02-27 10:41:33 1 0 2869 Betsy noreply@blogger.com http://www.blogger.com/profile/17483952704587727482 2010-02-27 10:39:35 2010-02-27 10:39:35 1 0 ~Betsy
Hilton, NY]]> 2870 Anonymous noreply@blogger.com 2010-02-27 10:35:06 2010-02-27 10:35:06 1 0
Dawn Correia
Southcoast, MA]]> 2871 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-02-27 10:34:38 2010-02-27 10:34:38 1 0 Oh...if I had the book I'd probably do the blanket first it's just beautiful!) but then use the designs in another format - say a wooden sewing box! Imagine a box with these beautiful designs on each of the four sides and the top covered with glass... on legs...maybe even drawers with the flowers in the triangle sections across the front of each drawer...I can see it in my mind's eye! I hope my father is up for the woodworking part of this project!
Have a great weekend Mary and thank you again for everything your do for us!
Kathy in Berlin
(but with family in Iowa for shipping!)]]> 2872 Janice M. Miller noreply@blogger.com 2010-02-27 10:33:44 2010-02-27 10:33:44 1 0 Jacobean/Elisabethen flower designs are my favorite. I have done them in crewel and cotton. I would like very much to make the blanket shown. It would be an heirloom piece for my girls to pass down.
Thank you Mary for your generosity. Good luck everybody
Jan]]> 2873 Susan noreply@blogger.com http://www.blogger.com/profile/17842409196561932682 2010-02-27 10:32:53 2010-02-27 10:32:53 1 0 I am most interested in working up the small motifs. I like finishing stuff - although you'd never know it from looking at my stack of UFO's :)
Many thanks -
Susan Newberry]]> 2874 Shanti noreply@blogger.com http://www.blogger.com/profile/13546609048862150571 2010-02-27 10:19:11 2010-02-27 10:19:11 1 0
Your blog gives me my half hour of relaxation after teaching every evening. Thanks for giving me the opportunity to enter this draw.]]> 2875 Anonymous noreply@blogger.com 2010-02-27 10:15:25 2010-02-27 10:15:25 1 0 Thanks Mary, Nita Carroll]]> 2876 reynardo noreply@blogger.com http://reynardo.livejournal.com/ 2010-02-27 10:14:13 2010-02-27 10:14:13 1 0 2878 Anonymous noreply@blogger.com 2010-02-27 10:05:57 2010-02-27 10:05:57 1 0 Kris Weiss
Wisconsin]]> 2879 Leanne noreply@blogger.com 2010-02-27 10:05:24 2010-02-27 10:05:24 1 0
I'm getting back into embroidery after many years away and really enjoy your website and newsletter.

At this point I wouldn't do the blanket in the book but, instead, would focus on the individual motifs for framing.

Thanks for offering the giveaway!!

Leanne Hall]]> 2880 Christine Harris noreply@blogger.com 2010-02-27 10:04:17 2010-02-27 10:04:17 1 0 2881 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2010-02-27 10:00:21 2010-02-27 10:00:21 1 0 2882 Katiemom noreply@blogger.com http://www.blogger.com/profile/10631024545179285964 2010-02-27 09:56:46 2010-02-27 09:56:46 1 0
Thanks so much for this opportunity.

Katiemom
The Dalles, Oregon]]> 2883 Maureen greesonma@cox.net http://www.blogger.com/profile/07711569333263234504 2010-02-27 09:46:36 2010-02-27 09:46:36 1 0
Maureen Greeson]]> 2884 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-02-27 09:43:24 2010-02-27 09:43:24 1 0 Much appreciated,
Deepa]]> 2885 Anonymous noreply@blogger.com 2010-02-27 09:37:30 2010-02-27 09:37:30 1 0 For me to attempt a project as large as the blanket would be futile (even though it is lovely). I would love to work an individual design from the book. The Elizabethan style is perfect! I love it.
Thank you, Mary for your inspiration and impeccable daily newsletter.
Cheers,
Linda Adam
Ontario, Canada]]> 2886 rukhsana noreply@blogger.com 2010-02-27 09:33:05 2010-02-27 09:33:05 1 0 Thank you for your generosity :)

Rukhsana]]> 2887 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2010-02-27 09:31:24 2010-02-27 09:31:24 1 0
With the way I stitch, jumping from project to project, I'd never finish the blanket. Definitely individual projects for me, and I'd likely try the designs out with different techniques like stumpwork or goldwork.

Thanks for a great giveaway, Mary!]]> 2888 Anonymous noreply@blogger.com 2010-02-27 09:29:45 2010-02-27 09:29:45 1 0 How very generous of you. I love the book. But since I am stilling in the learning process is would not atempt the blanket at this point maybe in a few years after much practice. I would howerver love to do a few of the individual disigns. Thanks for your blog Mary and all your giveaways. I start my day reading what you have written for the day and enjoy following along with your projects, Thanks Carrie L., Newport Wa]]> 2889 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2010-02-27 09:25:04 2010-02-27 09:25:04 1 0 2890 barbobbi noreply@blogger.com http://www.blogger.com/profile/00935990355282427368 2010-02-27 09:14:21 2010-02-27 09:14:21 1 0
My son got engaged over Christmas and I have been thinking furiously about making them a quilt as a wedding present (I have never made a full-sized one before) but after reading your presentation of the book, I would love to make this for them instead! So, if I am lucky enough to be the winner, I want to try making the blanket for them but since I haven't done this kind of work before, I would certainly want to do some individual designs first to get a handle on it. So, I guess my answer would be I want to do the blanket and the individual designs. Thanks again, barbobbi]]> 2891 Anonymous noreply@blogger.com 2010-02-27 09:13:24 2010-02-27 09:13:24 1 0
I have been closely following your blog for about a year ever since a friend in my stitch group recommended it. I started the stitch group because I wanted to learn more about surface embroidery, however, it wound up to be more fun than informative. We are all about the same level of skill. However, as soon as I started to follow your blog and took advantage of your video our skill level came up considerably. I am now learning to thread paint (courtesy of you) and my ultimate goal when I grow up is to do gold work. I emailed you about gold work sometime ago asking for clarification on the metal threads and the needles.

I so admire your work and I hope that one day you will write a book with all the information you impart to us everyday. I don't know what I would do if my computer crashed and I lost everything.

I would never be able to afford the linen and all the goodies that you have up for grabs. Our stitch group (The Loose Threads) meet at our local quilt shop, but they do not carry all the linen and such that you offer for your giveaway. I would probably not make the blanket, but instead would make a pillow or picture to hang on the wall.

Even if I don't win, I feel as if I have already just being a follower of you blog and wonderful instructions. Thanks for all your diligence and hard work, it is really appreciated.

Sincerely,
Kathleen Whatley
Brenham, Texas]]> 2892 KnittenJen knittenjen@gmail.com http://www.blogger.com/profile/12532340511738293250 2010-02-27 09:12:41 2010-02-27 09:12:41 1 0 2893 Lynn noreply@blogger.com 2010-02-27 09:05:30 2010-02-27 09:05:30 1 0 2894 MNStitcher noreply@blogger.com http://www.blogger.com/profile/15799071182243190013 2010-02-27 09:04:56 2010-02-27 09:04:56 1 0 2895 Anonymous noreply@blogger.com 2010-02-27 09:02:38 2010-02-27 09:02:38 1 0 Please enter me in the draw.
Ruth Ann Woolford in London, Ontario.]]> 2896 Anonymous noreply@blogger.com 2010-02-27 08:57:20 2010-02-27 08:57:20 1 0 Thank you for the generosity of your time and materials and for sharing your talents with all.
Maria]]> 2897 Arlene noreply@blogger.com http://www.blogger.com/profile/11849360528142486708 2010-02-27 08:55:00 2010-02-27 08:55:00 1 0
What an incredibly generous giveaway!

Thank you for being such an inspirational needleworker. I have been quite taken by this book, thanks to your blog posts, and am feeling quite a calling to it to. My plan would be to pick out my absolute favorite design first and stitch just that. If my gut says "this is what you are meant to be doing," (as I suspect it might), then I will tackle the whole blanket. Kind of like testing out a pen on a scrap fabric first!

Please enter me in your giveaway. And thank you for bringing a little lightness into my life.

Arlene]]> 2898 ShirleyNotes noreply@blogger.com http://www.blogger.com/profile/11081456079317891988 2010-02-27 08:49:30 2010-02-27 08:49:30 1 0
Thank you so much for the chance to win!

Shirley Crockett]]> 2899 wldflr noreply@blogger.com http://www.blogger.com/profile/03208812605807845184 2010-02-27 08:48:25 2010-02-27 08:48:25 1 0
Marion T.]]> 2900 tania Kleckner noreply@blogger.com 2010-02-27 08:45:30 2010-02-27 08:45:30 1 0
Oh this book is delicious and I would love a copy. Not only would I linger over and soak it's beauty in but I would use to make the individual designs for perhaps a pillow, needlebook or to cover the lid of a box. I don't do much surface embroidery, but would love to explore this technique more (I am awaiting my first stumpwork kit from Jane Nicholas). The other goodies - legacy linen, pens and hoops are truly generous as well. Thank you for this wonderful give away!]]> 2901 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-02-27 08:42:17 2010-02-27 08:42:17 1 0
How wonderful for you and Country Bumpkin to colaborate and be so very generous......and how exciting :)

I am just getting back to my roots of stitching....embroidery...after many years of concentrating on counted work and the florals I saw ihn your post absolutley made my "wanter" leap into heigh gear.

I am in the process of decorating my home with as much hand-made decore as I can turn out.
Therefore, I would most likely stitch the florals as individual pieces and use them through out the house.

Keeping my finers, toes and eyes crossed for this one :)

Hugs, Marlon]]> 2904 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2010-02-27 08:30:45 2010-02-27 08:30:45 1 0
Kandy Fling, PA]]> 2905 Anonymous noreply@blogger.com 2010-02-27 08:30:44 2010-02-27 08:30:44 1 0
I had entered to try and win the Long and Short Stitch Embroidery book by Trish Burr that you were giving away a few months back. I finally ordered a copy of my own. It arrived yesterday. I'll just enjoy browsing through it for a bit before planning out yet another project. I have some all different stages.

Thank you for the wonderful information that you provide and the great give aways that you offer. Liz S.]]> 2906 Anonymous noreply@blogger.com 2010-02-27 08:26:07 2010-02-27 08:26:07 1 0 2907 Rebecca noreply@blogger.com http://www.blogger.com/profile/13074711915049899167 2010-02-27 08:23:03 2010-02-27 08:23:03 1 0 2908 Laura lgj302@gmail.com http://www.blogger.com/profile/15492427404652837504 2010-02-27 08:21:17 2010-02-27 08:21:17 1 0 Laura]]> 2909 Anonymous noreply@blogger.com 2010-02-27 08:18:04 2010-02-27 08:18:04 1 0 2910 Nonna D noreply@blogger.com http://www.blogger.com/profile/08655186294141518151 2010-02-27 08:15:45 2010-02-27 08:15:45 1 0 2911 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-02-27 08:14:37 2010-02-27 08:14:37 1 0
Shana]]> 2912 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2010-02-27 08:14:29 2010-02-27 08:14:29 1 0 I too will like to work on the individual
motifs. Perhaps they could
be use to embellish an already
made blanket or a handbag & definetely
other household items. (i'm so looking forward
to having more free time when my little one starts pre-school in few months)

Monika]]> 2913 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-27 08:14:12 2010-02-27 08:14:12 1 0 2914 sudukc noreply@blogger.com http://sudukc.wordpress.com 2010-02-27 08:08:00 2010-02-27 08:08:00 1 0 2915 Linda T noreply@blogger.com http://openid.aol.com/LTuros41 2010-02-27 08:07:11 2010-02-27 08:07:11 1 0 I read your blog daily. I am almost coveting this book!! I saw the pansy pattern!! I adore pansies! And the Legacy Linen Twill!! I have been wanting a piece of that! I would immediately drop my current project upon arrival of the goodies and do that pansy!!! I can just about see it in my warped brain. sigh. in SILKS no less! Had a horrible birthday last Sunday. Long story! this sure would make my day! Thanks for the chance! Hugs! Linda Mc L]]> 2916 Lorena noreply@blogger.com 2010-02-27 08:05:55 2010-02-27 08:05:55 1 0
It is a beautiful book. If I was to win your give away, I would stich them individually, but it wouldn't be difficult to decide and just continue embroidering!!

Thank for sharing and look forward to Tuesday!!]]> 2917 Anonymous noreply@blogger.com 2010-02-27 08:04:44 2010-02-27 08:04:44 1 0 2918 Erin in MI qwilter98@yahoo.com http://www.blogger.com/profile/01680305167760525418 2010-02-27 08:01:00 2010-02-27 08:01:00 1 0
Keep up the amazing work!]]> 2919 Janey from Bristol noreply@blogger.com 2010-02-27 07:58:02 2010-02-27 07:58:02 1 0
Firstly thank you for your daily emails - really appreciate the time and effort you put into these. I would adore to do the whole blanket but I know it is too large a project for me just yet. I would use the individual designs as I make cards or small pictures for friends in free embrodiery and these are usually flowers or small figures. I am about to attempt a face for a dear friend - I have a couple of pictures and hope it will work - but hey the experimentation is part of the fun! Please could I be entered in the draw. Thank you.
Regards
Janey]]> 2920 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-02-27 07:56:04 2010-02-27 07:56:04 1 0
When I get the book, either through this or buying it myself when I get back home, I intend to use the designs as inspiration as much as anything, and will probably stitch some of the individual designs rather than a whole blanket. I can see them being mounted in special cards, small frames and so on. This way, I can share them with more friends, whereas a whole blanket I'd never be able to part with!!=)

Have a good weekend.=)]]> 2921 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2010-02-27 07:51:48 2010-02-27 07:51:48 1 0
Amber]]> 2922 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-27 07:48:50 2010-02-27 07:48:50 1 0 What a giveaway, Mary! This is wonderful!!!
What a wonderful return home and find this precious opportunity.
Surely I would not begin with the blanket - first I'd try little projects.
Thanks, Mary!]]> 2923 Iris from Estonia noreply@blogger.com 2010-02-27 07:42:03 2010-02-27 07:42:03 1 0
Okay so the answer:
I would actually like to try both, the blanket and the individual designs. I have so many ideas on how to use the individuals!]]> 2924 nima stitchynight@gmail.com http://www.blogger.com/profile/17275701099832636262 2010-02-27 07:32:33 2010-02-27 07:32:33 1 0 2925 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-02-27 07:31:02 2010-02-27 07:31:02 1 0 To answer your question : I'd rather be willing to stitch individual elements. I have plenty of projects and ideas and it is hard to work on a so long project. But I had a look on the book on Countrybumkin web site - it is georgeous !]]> 2926 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2010-02-27 07:30:48 2010-02-27 07:30:48 1 0
Patricia from Howell, Michigan]]> 2927 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-02-27 07:29:54 2010-02-27 07:29:54 1 0 2928 Elza Bester noreply@blogger.com 2010-02-27 07:24:19 2010-02-27 07:24:19 1 0 2929 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2010-02-27 07:19:02 2010-02-27 07:19:02 1 0

You have my favorite time period, favorite monarch, embroidery and uber generosity here. all I can say Mary is WOW!!!!

As far as what I would make--definitely the blanket. I have been contemplating making one for a few weeks now, tossing around ideas on motifs, fabrics, trim in my notebook. I would LOVE to win this---Can we say serendipitous kismet???

Wow and thanks again Mary for your overwhelming generosity in these giveaways

Ruth Molenaar]]> 2930 Anonymous noreply@blogger.com 2010-02-27 07:17:26 2010-02-27 07:17:26 1 0 2931 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2010-02-27 07:14:34 2010-02-27 07:14:34 1 0 2932 Ashley noreply@blogger.com http://www.blogger.com/profile/04810113070259398400 2010-02-27 07:12:24 2010-02-27 07:12:24 1 0
--Ashley Aedo]]> 2933 Fée Clobouclett' noreply@blogger.com http://lestrucsdefeeclobouclett.over-blog.com 2010-02-27 07:11:38 2010-02-27 07:11:38 1 0 you've got a great idea !;o)
I would like to embroide some flowers of this blanket, not the whole blanket...;o)
I hope my comment will be accepted !
kind regards and Bye'
until the next "blabla about traditionnal embroidery"...
Fée]]> 2934 Lisa noreply@blogger.com http://www.blogger.com/profile/11137272371773363323 2010-02-27 07:10:46 2010-02-27 07:10:46 1 0 2935 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2010-02-27 07:10:26 2010-02-27 07:10:26 1 0
Oh my - Absolutely!!! How could you Not want to make it/them? I know some people are drawn to stitchery with animals or birds (or roosters or fish) {smile} but I am always drawn to flowers. I love to garden, growing my own flowers, so that makes sense.

The black parts of the blanket - can't tell exactly what that is, stitched or fabric...? Well, whatever it is, it certainly does set off the brilliant color of the flowers.

I'd be honored to win the book and accompanying accoutrement :)]]> 2936 Diane George noreply@blogger.com 2010-02-27 07:08:16 2010-02-27 07:08:16 1 0 2937 violette noreply@blogger.com http://www.blogger.com/profile/11150508656042008489 2010-02-27 06:59:32 2010-02-27 06:59:32 1 0 Je ne parle pas anglais mais grâce au traducteur je peux rester une fidèle de votre news letter. Merci pour tout ce que vous m'apportez à votre côté je progresse de jour en jour.
J'ai commandé le livre et je vais le recevoir cette semaine.
Encore un grand merci et au plaisir d'une nouvelle news letter.
Sincèrement
Violette]]> 2938 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2010-02-27 06:57:43 2010-02-27 06:57:43 1 0 2939 Bethany Kartchner kartchnerfamily@cox.net http://www.blogger.com/profile/14470671215866642309 2010-02-27 06:54:13 2010-02-27 06:54:13 1 0
Again, thank you for this chance!

Bethany]]> 2940 annemarie a.haun@sbcglobal.net http://www.blogger.com/profile/07526668349590879593 2010-02-27 06:40:29 2010-02-27 06:40:29 1 0 2941 Jean noreply@blogger.com http://www.blogger.com/profile/04868265093720066874 2010-02-27 06:37:36 2010-02-27 06:37:36 1 0
Jean]]> 2942 Judy in OKC noreply@blogger.com http://www.blogger.com/profile/16894891567484694154 2010-02-27 06:20:20 2010-02-27 06:20:20 1 0 Judy in OKC]]> 2943 Françoise Beauchamp (Mafyb) noreply@blogger.com 2010-02-27 06:16:22 2010-02-27 06:16:22 1 0 Yes I will eventually make the blanket (maybe in my next live) but for now I will enjoy making first some of the flowers for practice then every single motif for framing or pillow.
I am so happy since I join your newsletter. I have save every single one of them as a precious note book for learning.
Thank you for your beautifull work. You are a inspiration to me.

Françoise Beauchamp
Mafyb Créations Textiles
Bois-des-Filion, Québec, Canada
mafyb@videotron.ca]]> 2944 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-27 06:15:16 2010-02-27 06:15:16 1 0
I'm interested in stitching the blanket but unfortuately poor health is my "grin and bear it" burden. I just physically wouldn't be able to manage it all. I have considered working less designs but will have to wait untill i have a book to work that out.

I definitely will be stitching some individual designs. My winter coat could do with a permanent corsage and I do love embroidering pincushions, sissor fobs and needle books, oh... there are so many smaller things that are appropriate. And some not so usual too. They're the ones I really like doing. I could even do a soft winter 'cap' or a scarf to wear with the embroidered corsage coat.
Mmmm, even my old doll could do with a set like that.

Ok, enough. Thank you for the opportunity to enter. Enjoy all the responses. I do.

Cheers, Kath]]> 2945 Glorious Hats glorioushats@gmail.com http://www.blogger.com/profile/11823049237183212920 2010-02-27 06:13:32 2010-02-27 06:13:32 1 0
My interest would be in starting with just one design for a wall hanging.

Thanks so very much. Jane]]> 2946 Bobbi Pohl rj.pohl@verizon.net http://www.blogger.com/profile/00971467142314900997 2010-02-27 06:12:45 2010-02-27 06:12:45 1 0 2947 Christa Evans ce@lilystitch.com http://www.blogger.com/profile/12003666963817648329 2010-02-27 06:04:50 2010-02-27 06:04:50 1 0
This book is absolutely glorious. If it is anything like the other Country Bumpkin publications I am sure it is a delight. I'd love to stitch many of these projects as gifts such as lids on fabric boxes or sides of satchels/bags. Also, they would make gorgeous pillows for my bed. Oh the possibilities! That little violet shown in your review is absolutely stunning - imagine a whole garden of them...

Please accept my entry!
Christa Evans
www.lilystitch.blogspot.com]]> 2948 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2010-02-27 06:04:23 2010-02-27 06:04:23 1 0 2949 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2010-02-27 05:57:43 2010-02-27 05:57:43 1 0 Kaysee]]> 2950 Wendy Breezy1@gmail.com http://www.blogger.com/profile/06723942275341036308 2010-02-27 05:56:15 2010-02-27 05:56:15 1 0 2951 Anonymous noreply@blogger.com 2010-02-27 05:54:35 2010-02-27 05:54:35 1 0 KathyC in Indy]]> 2952 Carolyn noreply@blogger.com http://www.blogger.com/profile/09091388255416736372 2010-02-27 05:48:09 2010-02-27 05:48:09 1 0
I would love to embroider the entire blanket in this book. I love flowers, and I am so drawn to beautiful patterns of flowers. I would be so *extremely* pleased to win the book, fabric, hoop, and pens!!

Thank you for all your work in helping others learn and enjoy these beautiful needlcrafts1

Sincerely, Carolyn Otterness
An American living in Budapest, Hungary]]> 2955 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2010-02-27 05:36:16 2010-02-27 05:36:16 1 0 it is very generous of you as always you are..yes I am intersted to make a blanket as I am planning to do one blanket for my new born niece with all types of stiches. so this book (and the water soluble pens) are definitely a great use to me. Thank you

love
lakshmi]]> 2956 Anonymous noreply@blogger.com 2010-02-27 05:33:19 2010-02-27 05:33:19 1 0 YOur daily newsletter is an absolute delight to read. I've learned so much from you and look forward to your email. Sometimes I save a few to read at a leisurely pace. About the book..I would be interested in individual motifs, but wouldn't rule out a blanket. Thank you.
Suzanne Bruno]]> 2957 Mary K Bell noreply@blogger.com http://www.blogger.com/profile/10963028952956851851 2010-02-27 05:27:05 2010-02-27 05:27:05 1 0 Mary K. Bell]]> 2958 onafixedincome noreply@blogger.com 2010-02-27 05:25:29 2010-02-27 05:25:29 1 0
YES, you bet your rooster I want to make that blanket! :) Not on wool, though, but more as a top for a really awesome comforter cover with cotton floss.

The bonus items (pens, twill AND hoop!) are just crazy-neat too. I have needed a good hoop for ages and love stitching twill--believe it or not, DENIM twill. Nice dark background and sure makes the colors pop.

You're the greatest and most fun to wake up to, for sure!]]> 2959 PomieMommie noreply@blogger.com http://www.blogger.com/profile/13802941050762789365 2010-02-27 05:24:11 2010-02-27 05:24:11 1 0 Donna D'Intino]]> 2960 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-02-27 05:19:04 2010-02-27 05:19:04 1 0 Thank you for this great give away. It would be a great gift for the finish of my studies. And good luck for the others. Everyone would like to get such a gift.]]> 2961 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-02-27 05:13:46 2010-02-27 05:13:46 1 0
I would not attempt the blanket, but I would love to try some of the flowers...I ADORE elizabethan style embroidery...]]> http://www.needlenthread.com/2010/02/embroidered-flowers-for-elizabeth-book.html Fri, 26 Feb 2010 11:13:00 -0600 Mary Corbet 63 2010-02-26 11:13:00 2010-02-26 11:13:00 open open Embroidered-Flowers-for-Elizabeth:-Book-Review publish 0 0 post Embroidered Flowers for Elizabeth by Susan O'Connor, published by Country Bumpkin, was released, and today, I want to show you the book up close. It's a beautiful book featuring a beautiful project - but it's more than that!

The main project featured in the book Embroidered Flowers for Elizabeth is a gorgeous wool blanket divided in diamond-shaped panes, and displaying a selection of hand embroidered flowers that reflect the style of the Elizabethan era (the Renaissance in England). Susan O'Connor, whose embroidery designs always capture my eye, has really written a winner of a needlework book with this one! It is fantastic - the book is beautiful in every sense of the word, and the designs within are versatile.



While it is certainly a project book - a how-to book - it is so pretty that it deserves a nice spot in your home for display. It would look great on the coffee table! The quality of the book is Country Bumpkin quality - they do produce the most gorgeous needlework books!



The blanket itself is striking: diamond shaped panes reminiscent of Tudor windows, the black panes outlined with gold stitching on a cream ground speckled with the colorful flowers. It's a very sophisticated design.

The book begins with a short history of the Elizabethan era. There's not a whole lot "new" in this section - it's your typical text-book history that doesn't delve into primary sources. The section following the "history" moves into the textiles of the era, and this much more interesting. Here, you'll discover the significance of the flowers featured in the book.



After this brief introduction, instructions are given on setting up the blanket project, placing and embroidering the panes on the blanket.

But what if you're not really into making and embroidering blankets? Oh! Never fear! This book is a perfect multi-project book for anyone who loves embroidered floral designs, all of which are suitable for a variety of needlework techniques.



The book is broken down by floral motif. Each section on each floral arrangement begins with a clear color photo of the finished floral design.



The floral design is followed by a materials list and stitching instructions. Paternayan wool is used for the embroidery on the blanketl. But for those not interested so much in wool embroidery, never fear - there's a handy thread conversion chart in the back of the book.



Besides the general stitching instructions for the whole motif, there are step-by-step photos for the different stitches used in each motif. If you appreciate other Country Bumpkin publications (for example, the A-Z Series of Needlework books), you will certainly like these step-by-step photos.



Oooooooh. My Absolute Favorite in the Whole Book is this Pea & English Daisy design. I just love it! I love the greens, I love the peas, I love the daisies, I just love this motif! It's beautiful, isn't it?



After the larger floral motifs comes a section on smaller designs. These are like a little sampling taken from the larger floral designs - they're little, sweet, perfect designs that could be stitched individually (relatively quickly) for a variety of applications, such as needlebook covers, pin keeps (as shown in the book), or whatever your imagination can devise!



Following the embroidery instructions are the instructions for constructing the blanket. One reader mentioned that these instructions are a bit confusing. After reading through them, I think that someone who has constructed blankets or quilts before would find the assembly instructions clear enough. They aren't necessarily written for an absolute beginner, but I do think they are manageable.



The thread conversion chart towards the end of the book gives color numbers for DMC stranded cotton and Au Ver a Soie silk (Soie d'Alger). The author specifies the difference in stitching, should you choose a different thread to work with.



Some suggestions are given for individual projects with the small motifs. Very pretty! I love the addition of the gold spangles around the flowers.



And finally, the last section of the book is filled with all the line drawings, as well as drawings that indicate stitch direction.

All in all, the book is everything I was hoping it would be! The designs are so pretty, and oh, the possibilities! Silk shading, stumpwork, goldwork, whitework - the designs are versatile and easily adaptable to other techniques.

You can find Embroidered Flowers for Elizabeth at several places online:

Country Bumpkin Publications - located in Australia; the book costs AU$34.95. For those ordering outside Australia, be prepared to pay shipping costs and, where applicable, customs duty.

The Book Depository (Thanks, Irene!) - this is located in the UK, but shipping worldwide is free. I ordered a copy from here ($21.81) and had it within a week.

Amazon UK - Though not available on Amazon in the States yet, the book can be found on Amazon UK for £13.27 (US$20.22 right now).

And, finally, this weekend, I'll be giving away a free copy of Embroidered Flowers for Elizabeth, so keep an eye out for the give-away!
]]> historical needlework book review pictures needlepainting crewel work 2290 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-03-10 16:41:40 2010-03-10 16:41:40 1 0 Karol]]> 2300 Salwa noreply@blogger.com 2010-03-10 14:07:33 2010-03-10 14:07:33 1 0 Thanks.
Salwa]]> 2325 jcmend noreply@blogger.com http://www.blogger.com/profile/01456542354901569052 2010-03-10 04:22:42 2010-03-10 04:22:42 1 0 2328 pallavi noreply@blogger.com http://www.blogger.com/profile/03232220473555561760 2010-03-10 02:43:57 2010-03-10 02:43:57 1 0 2371 Laura Bullinger noreply@blogger.com 2010-03-09 17:13:18 2010-03-09 17:13:18 1 0 2450 Anonymous noreply@blogger.com 2010-03-09 10:30:32 2010-03-09 10:30:32 1 0 2484 Anonymous noreply@blogger.com 2010-03-09 08:38:54 2010-03-09 08:38:54 1 0 i would like your interesting about book for using stiching. pls send me free book project .thank you for sharing.]]> 2489 marilynneq noreply@blogger.com http://www.blogger.com/profile/06565005568256460583 2010-03-09 08:26:19 2010-03-09 08:26:19 1 0
I would love to have the book as I do quite a bit of crewel embroidery and I definitely would make this blanket. I believe, however, I would stitch the blanket with the Au Ver a Soie Silk (Soie d' Alger)as I prefer working with the Au Ver a Soie Silk thread and I would use the book's color conversion chart. I love the sheen of the Au Ver a Soie Silk thread in a piece of needlework much better than Paternayan wool thread. Again, I would really love to win this book. Thank you for the opportunity to win this book and I love your work and enjoy reading your newsletter and blog. Marilynne Quick in SE TN]]> 2492 Anonymous noreply@blogger.com 2010-03-09 08:23:28 2010-03-09 08:23:28 1 0 i think i should win this book because, I am a male , and its the first time i have entered a competition .I would use the silk Soie d'Alger to get a more smooth paint like finish , to look like paint
Love your website
thanks
keep it up
franco]]> 2508 veena krishnakumar veena060669@gmail.com http://www.blogger.com/profile/08807884550698122995 2010-03-09 07:39:35 2010-03-09 07:39:35 1 0 would love to win this book .....if not will definitely get it from amazon . thank you for sharing.
learnt so much from your blog and will continue to do so:-)]]> 2516 Anonymous noreply@blogger.com 2010-03-09 07:28:17 2010-03-09 07:28:17 1 0 2522 CarolynPhi CarolynLPhillips@msn.com http://www.blogger.com/profile/06561414352635851207 2010-03-09 02:48:47 2010-03-09 02:48:47 1 0 Carolyn]]> 2611 Flowers noreply@blogger.com http://www.iflorist.co.uk/c-482-mothers-day-flowers.aspx 2010-03-03 03:06:41 2010-03-03 03:06:41 1 0 2661 Anonymous noreply@blogger.com 2010-03-01 19:19:17 2010-03-01 19:19:17 1 0
Donna Widerquist
mggpeace@directv.net]]> 2719 Anonymous noreply@blogger.com 2010-02-28 22:41:29 2010-02-28 22:41:29 1 0
Joanne Crouch
jo_crouch@att.net]]> 2722 CreativeHands kreidawh@sbcglobal.net http://www.blogger.com/profile/11610016910035138770 2010-02-28 20:57:07 2010-02-28 20:57:07 1 0 2740 AKTATTER noreply@blogger.com http://www.blogger.com/profile/11394946685642114038 2010-02-28 10:50:59 2010-02-28 10:50:59 1 0 Thank you for your overall generosity and the wonderful information you have posted on the website. It has been a help to me.
Georgia Seitz
AKTATTER@aol.com
www.georgiaseitz.com
The Online Tatting Class.]]> 2761 Julie noreply@blogger.com http://www.blogger.com/profile/14877578207134920821 2010-02-28 02:39:50 2010-02-28 02:39:50 1 0
You have done a lovely job reviewing this book, I can see why you like the daisies and pea pods! I love the pea pod needle cases they used to have in olden times.

hugs
Julie in Australia]]> 2790 Dianne noreply@blogger.com http://www.blogger.com/profile/03541141035959518512 2010-02-27 19:47:12 2010-02-27 19:47:12 1 0 2801 Anonymous noreply@blogger.com 2010-02-27 18:30:18 2010-02-27 18:30:18 1 0
Kelley Poulos

p.s. pick me! pick me! pick me! ;)]]> 2819 Lyz1411 noreply@blogger.com http://www.blogger.com/profile/16715562632362168247 2010-02-27 16:21:04 2010-02-27 16:21:04 1 0
Liz]]> 2822 Karen of Bethany georgiesmom@live.com http://www.blogger.com/profile/09200675517890769588 2010-02-27 15:47:50 2010-02-27 15:47:50 1 0
Elizabeth accepted these gifts, but sadly, although she suffered over the decision, she finally allowed the other queen to be put to death.

It is fascinating in the context of the womens' roles and their shared interests.]]> 2844 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2010-02-27 12:44:30 2010-02-27 12:44:30 1 0 Laura]]> 2877 Anonymous noreply@blogger.com 2010-02-27 10:06:52 2010-02-27 10:06:52 1 0 2902 Elli Helm noreply@blogger.com 2010-02-27 08:39:04 2010-02-27 08:39:04 1 0 2903 Fusun noreply@blogger.com 2010-02-27 08:32:57 2010-02-27 08:32:57 1 0 2953 Anasuya noreply@blogger.com http://www.blogger.com/profile/10898277427077070661 2010-02-27 05:45:12 2010-02-27 05:45:12 1 0 2954 Joni noreply@blogger.com http://www.blogger.com/profile/03580425137407991304 2010-02-27 05:37:51 2010-02-27 05:37:51 1 0 2965 Jacqui noreply@blogger.com 2010-02-27 03:00:46 2010-02-27 03:00:46 1 0 2966 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-02-26 21:44:02 2010-02-26 21:44:02 1 0 2968 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-02-26 20:17:24 2010-02-26 20:17:24 1 0 2969 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2010-02-26 18:04:07 2010-02-26 18:04:07 1 0 Hope you don't mind- I'm posting a link to this review on Twitter.

(And yes, I'll come back this weekend to enter the giveaway!)]]> 2970 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-26 17:42:07 2010-02-26 17:42:07 1 0 2971 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-26 17:35:07 2010-02-26 17:35:07 1 0
Susan O'Connor is a treasure and this book is one of her gems.
It definitely deserves the Coffee Table label.

Thanks for the beautiful review.

Cheers, Kath]]> 2972 Stitcher Sister noreply@blogger.com http://www.blogger.com/profile/14982043419274774766 2010-02-26 17:30:18 2010-02-26 17:30:18 1 0 I think the pictures are wonderful and it would be an awesome resource to have and to explore new designs. Keep up the good work of keeping us informed on the resources becoming available.]]> 2974 Brooklynne noreply@blogger.com http://brooklynnemichelle.com/ 2010-02-26 16:24:11 2010-02-26 16:24:11 1 0 http://www.needlenthread.com/2010/02/different-take-on-blackwork-embroidery_25.html Thu, 25 Feb 2010 05:00:00 -0600 Mary Corbet 64 2010-02-25 05:00:00 2010-02-25 05:00:00 open open Different-Take-on-Blackwork-Embroidery-&-a-Fish-Face publish 0 0 post is blackwork. It's black embroidery worked on white linen. What more does it need to be? Here's an update of my fish.

I'm embroidering this fish in the same way I would go about doodling on anything - randomly stitching patterns in spaces that cover the fish shape. I'll try to keep it looking somewhat like a fish, and I may work in some patterns that are specifically related to fishy things, like netting, or maybe shells, or something. I'm also contemplating adding some teeeeny itsy bitsy tiny vintage beads when I want to work tiny dots. I think I have some black ones that are a microscopic size (24?). We'll see as we go on this one!



Here we are, so far. The threads are nice - half of them are what I would classify as "very fine," and the other half are more substantial. The two finest weights remind me of Piper's silk (or Helen Stevens's TESS embroidery silk). As the threads progress in size to greater thicknesses, the twist in them becomes much more noticeable. The heaviest thread (which makes up the line under the fish's chin in the photo above) is a z-twisted silk about the weight of #8 or #12 pearl cotton, I'd say.

So far, I like stitching the fish! Now, if blackwork isn't your thing, and you're thinking this is just a really Super Weird project, if you think of it as surface embroidery and imagine it done in another color, you might like it better. But be honest - what do you think of this project? I wonder if the fish is worthwhile. Do you suppose it tends towards boring, being all black and white? Does it grab your interest and is it something you want to see progress? What's your take?

I've also managed some stitching on the Floral Glove, which I'll show you later on. And the post office delivered a package pick-up card this morning. I suspect it is Embroidered Flowers for Elizabeth, and if so, I'll be giving away a copy of it very soon! So keep an eye out!
]]> Embroidery Projects pictures blackwork needlework pictures 1900 Tina noreply@blogger.com http://www.blogger.com/profile/08893505369117386904 2010-03-23 16:01:37 2010-03-23 16:01:37 1 0
Tina]]> 2584 Building materials Kerala noreply@blogger.com http://www.koodaram.net 2010-03-05 05:11:30 2010-03-05 05:11:30 1 0 2650 Web designing Kerala noreply@blogger.com http://www.webzinfotech.com 2010-03-02 05:11:11 2010-03-02 05:11:11 1 0 2757 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-02-28 05:13:13 2010-02-28 05:13:13 1 0
Though the fish looks bewildered to me at the moment, I would admit that I have seen some fishes look the same in real as well :)

And we do have a black moulin fish as our pet in our small fish tank. It is totally black, but has minute silver lines (probably its original body colour) under its scales and fins which will be prominent when it swims around... And the cutest of all is the silvery glimmer in its eyes...
Sorry to bore you with my fishy story :) but I'm positive that your blackie too will turn out adorable...

It's interesting to see what kind of stiches you could use on a fish to fill in. I like the circular symmetry in the eye and the lattice structure below. I'm eagerly awaiting its progress :)

Cheers,
Dhivya]]> 2963 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-02-27 05:10:10 2010-02-27 05:10:10 1 0 2973 Stitcher Sister noreply@blogger.com http://www.blogger.com/profile/14982043419274774766 2010-02-26 17:26:06 2010-02-26 17:26:06 1 0 I did contact MIMI"S ATTIC and she is getting the info for me and will get back to me. I have only used regular cotton and silk floss for my stitching. I am looking forward to expanding my inventory of threads to experiment with.
I also want to ask a question that I haven't seen anywhere. When doing regular and surface embroidery, how big/small should the stitches be. In stem stitch or backstitch I usually try to keep my stitches about 1/8th inch or less. Is this too small/big?]]> 2977 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-26 07:17:19 2010-02-26 07:17:19 1 0
I've worked a little bit more on the fish, and the more I work on it, the more I think I really do like the project! It'll be fun and challenging. It's certainly interesting, anyway, to stitch without guidelines - you really have to look ahead and figure out where you're going and how you're going to get there evenly!

At the same time, it's kinda fun just to do whatever you want in a little area on the piece.

A few responses:

Laura points out that blackwork was done on sheer net in reversible stitches. This type of blackwork adorned cuffs, sleeves, ruffs, etc. But blackwork was also worked in bolder patterns, in surface stitches, with various filling, on linen back in the day. Take, for example, this (circa 1600 - 1630): coif, worked in black silks on linen, or this coif at the Platt Museum in Manchester, England. Both of these, though not what we normally associate with "blackwork" (the Holbein stitched embroidery at the edge of sleeves, ruffs, and so forth during the Elizabethan era) are called blackwork by the museums that house them.

I don't blame you for being a stickler, but I figure if all the blackwork designers and patterns and everything floating around today, worked on aida, linen, canvas, and so forth, can be called blackwork, I'm ok using the name, too!

Cynthia asked where the threads can be found in the US - they can't, as far as I can tell. However, you can contact Mimi's Attic Needlework Shoppe and request the threads, and they may be able to get them for you. Leon Conrad will be there at the end of next month, so when I contacted them, they asked which threads I wanted so they could get current pricing. If you want to special order some of the threads, just drop them an e-mail to see what they can do for you. It's a very nice collection.

Deepa! I hope the project improves enough to meet with your approval! You're right - there's not much there so far, to judge. Monochrome stitching isn't always the most exciting thing in the world, and a fish is not the most endearing creature - so I'm with you! We'll see how it goes!

Thanks, everyone, for your comments - I think the project will be fun, and I'll keep you posted on progress!

MC]]> 2978 Brooklynne noreply@blogger.com http://brooklynnemichelle.com/ 2010-02-25 19:41:45 2010-02-25 19:41:45 1 0
I love the fish and can't wait to see it progress... i personally think I would do it the same but in a varigated turqouise, hunter green and grass green thread, just cause I love COLOUR! might the fish be a design you share with us one day? how is your goldwork coming along? I'm doing swell with my crewel work will have to take another porgress photo soon... and "Embroidered Flowers for Elizabeth" O-M-G!!! I MUST HAVE! LIKE ASAP! hmmm if i can convince husband that he wants to do this kind of embroidery than maybe we can do a joint purchase.... I love having a husband who also does needle crafts]]> 2980 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-25 18:05:33 2010-02-25 18:05:33 1 0
I love your fish. Reminds me of those we caught as kids when holidaying with Nanna. The wharf, into a quiet bay, was just a short distance from her home. We'd catch a few then race to the house where Nanna would fry them up straight away for our breakfast. Yummmmmoh.

The eye is a bit spooky tho. Just how I like it! Anyone in camp who complained about the food had to do the cooking. One bloke said "This bacon sure is salty, just how I like it"!!
No, the eye is so good. In this case, being spooky means it's looking right at and through me. Wonderful.

I have a big file of blackwork pictures and projects and photocopies from magazines etc. Always appeals. Just have to keep any I find.
So am enjoying this project immensely.

Cheers now Mary, and Thanks]]> 2981 hayj noreply@blogger.com http://www.blogger.com/profile/11620208969756152903 2010-02-25 17:25:40 2010-02-25 17:25:40 1 0 2982 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-02-25 16:21:56 2010-02-25 16:21:56 1 0
I am very interested to see your progress on your fish...]]> 2983 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-02-25 14:39:04 2010-02-25 14:39:04 1 0
Black work is a very bold move I think. But it occurred to me that if you wanted to simulate the fish's scales you could try using clear sequins. They shimmer a bit, just like scales on a fish! I have a bag of them and I though WOW! Perfect!! Don't know if you want to go that route. (Kinda cheating using a medium other than thread)...but I like to be daring. Thanks to MaryMentor my creative juices are always in high gear! Thanks again Love....Judy in Pittsburgh]]> 2984 margaret c. noreply@blogger.com 2010-02-25 13:30:55 2010-02-25 13:30:55 1 0 2986 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-25 11:12:30 2010-02-25 11:12:30 1 0 2987 Laura Bullinger noreply@blogger.com 2010-02-25 10:26:38 2010-02-25 10:26:38 1 0 Original Blackwork was reversible, done on sheer or net and backtracked on itself to make it look the same on both sides without carrying any threads.
Evolved into our beloved cross stitching with black colored thread, not reversible since that is usually done on canvas.
I feel that we need to keep those traditions alive; name and all! That's not to say that we shouldn't evolve in our application of methods, only that we should try to keep intact the original names and methods for history buffs and researchers. Maybe we can call it Black-on-White or Freestyle Black-on-Canvas? Yes, I'm a stickler I'll admit!]]> 2988 irene noreply@blogger.com 2010-02-25 10:14:11 2010-02-25 10:14:11 1 0 2991 SJ noreply@blogger.com 2010-02-25 09:05:01 2010-02-25 09:05:01 1 0
SJ]]> 2992 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-02-25 08:58:25 2010-02-25 08:58:25 1 0 2993 C N Heidelberg eastie216-blog@yahoo.com http://www.blogger.com/profile/18055010902344874594 2010-02-25 08:17:50 2010-02-25 08:17:50 1 0 2994 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-02-25 08:06:38 2010-02-25 08:06:38 1 0 I think it will be very interesting. I love working with just one color as it really showcases stitches and techniques, although I find I have to be more precise. I can't wait to see the finished fish. Have you found a source for these threads? I've been searching and haven't found one, at least not in the US.]]> 2995 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-02-25 07:53:49 2010-02-25 07:53:49 1 0 Best regards,
Deepa]]> 2998 Tania Kleckner noreply@blogger.com 2010-02-25 07:46:08 2010-02-25 07:46:08 1 0
When I inventoried my needlework projects earlier this year, I found a kit I bought in Scotland of a favorite castle we visited. The castle is roughly sketched on the fabric and it is meant to be worked in blackwork. Having never done blackwork, this project has never been started. Following your progress on the fish is very instructive and helpful. Now I feel I could actually do it! Thank you Mary!!!]]> 2999 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-02-25 07:40:02 2010-02-25 07:40:02 1 0 I probably wouldn't do a fish myslef, but might be tempted to try this on a detailed bird.

Thanks for sharing.

Marlon]]> 3001 Karey noreply@blogger.com http://www.blogger.com/profile/04109432686375942454 2010-02-25 06:39:54 2010-02-25 06:39:54 1 0 3003 Ginger Hutter noreply@blogger.com 2010-02-25 05:54:54 2010-02-25 05:54:54 1 0 3004 Pamela pamela.mittens@gmail.com http://www.blogger.com/profile/05485358671045660416 2010-02-25 05:47:50 2010-02-25 05:47:50 1 0 I like the blackwork fish. I think things could get very interesting if you do a variety of stitches. Keep at it!]]> http://www.needlenthread.com/2010/02/blackwork-threads-lost-found-and.html Wed, 24 Feb 2010 10:11:00 -0600 Mary Corbet 65 2010-02-24 10:11:00 2010-02-24 10:11:00 open open Blackwork-Threads-Lost-&-Found-and-Something-Fishy publish 0 0 post blackwork threads that I knew were there somewhere! Like a woman possessed, I emptied every cabinet - took out every bin, bag, and basket that could harbor the elusive collection of black silk threads that I have been hoarding for several years, in anticipation of just the Right Embroidery Project. All to no avail! My studio is now a mess awaiting re-organization! And hours and hours were spent - wasted in seeking That Which Could Not Be Found.

When it comes to finding things, my mother always says, "You'll find it in the last place you look," and you know - Mom is always right. On Monday afternoon, after digging through and unpacking everything in my studio, I returned to the house, resigned to foregoing this Blackwork Idea bouncing around in my head!

And as I stepped into the living room, I took a look at a box sitting on my sofa. While setting up the goldwork and glove projects, I had brought in my box of silk threads. Keep in mind, I had already been through the box looking for the blackwork threads! It was the first place I looked!

But a nagging little voice inside my head said, "You better look through it one more time." I opened the box. I picked up a package of colorful silks, and what to my wondering eye should appear?



The whole package of threads - just sitting there!

Aaaargh! If you could see the MESS in my studio, you would understand my frustration! Though happy to have the threads in my hand at last, I can't seem to overcome the trepidation of facing the clean-up job! Especially when the threads weren't out there in the first place!

C'est la vie. And Mom was right - they were in the last place I looked.



This is a collection of 8 different weights of black silk thread, assembled by Leon Conrad specifically for blackwork. I don't know if the collection is still on the market; I acquired these about three years ago.



Once I had the threads in hand, I was super-enthused to go forward with the preparation of what I'm afraid may turn out to be a really zany project.

I started by selecting a piece of linen - Alba Maxima, by Legacy. This is a white linen, around 40 threads per inch. When I cut linen for a project, I always square it up by removing threads on all four sides, until I have perfectly straight lines. I then trim off the shaggy edges left from removing the threads. This way, I can be certain that the fabric is perfectly square and it gives me a straight edge to line up when tracing the pattern and when mounting the piece on a frame.



Once the fabric was ready, I traced my design. Oh. Yes. It is a FISH. I don't know why the fish - it is something that I sketched up when doodling, and my plan is to reproduce the doodling in embroidery. I will eventually show you the pen and ink drawing - but not quite yet! First, I want to see how my idea works out. (I don't want you to have any preconceived notions - that way, maybe we won't be disappointed if the whole thing flops!)



The next step - mounting the linen on stretcher bar frames. I use Evertite frames, because they can be tightened and loosened as you work. They're positively wonderful frames, worth the investment! I'll never go back to regular stretcher bar frames again.

The framing done, I'm ready to stitch!



So far, I haven't had that much time for stitching. I managed some really ugly lips!

This is not going to be a traditional blackwork project. Instead, I'll be using a variety of surface and filling stitches to work the project, in a variety of weights of black thread. I think I'm going to like this project - it's spontaneous and unplanned, in a sense. I'm not marking off filling areas or designs for filling. Still, though I'll be stitching randomly, I do plan for there to be some sense of organization and design to the piece. We'll see if it turns out anywhere remotely close to the idea in my mind!

I'll keep you posted!
]]> Embroidery Projects pictures blackwork needlework pictures 1303 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2010-04-20 14:06:52 2010-04-20 14:06:52 1 0
Wonderful work! I like!!!
Hugs :) :)
Maria del Valle]]> 2967 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-02-26 20:18:53 2010-02-26 20:18:53 1 0 2979 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-02-25 19:14:49 2010-02-25 19:14:49 1 0 And I also don't have your vision for the project in my own head, of course.

But as a visitor to the Farmers' Market every fortnight (I'm going there in an hour) I can assume you that fish DO HAVE really ugly lips! It's an Asian market, so you get all sorts of creatures, and the ones that are big enough for you to notice the lips - yep, they are ugly.

(If you want any off the cuff comments about pigs' heads, I'm also good for that. Ew)]]> 2990 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-02-25 09:38:59 2010-02-25 09:38:59 1 0
Ooof, you just think yourself lucky to *have* a study to get in a mess! I dream of having one.....

Love all the yummy threads, blackwork, goldwork, you name it work!=)]]> 2996 BonnieC noreply@blogger.com 2010-02-25 07:48:46 2010-02-25 07:48:46 1 0 2997 Kathleen noreply@blogger.com 2010-02-25 07:48:05 2010-02-25 07:48:05 1 0 3005 stitchalicious noreply@blogger.com http://stitchalicious.com 2010-02-25 01:53:19 2010-02-25 01:53:19 1 0
Just how do you keep abreast of all these products? (not to mention budget for them) I am in total awe of your stash and awash with jealousy.]]> 3006 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-24 22:30:10 2010-02-24 22:30:10 1 0 3008 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-24 17:50:47 2010-02-24 17:50:47 1 0 3009 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-24 17:21:29 2010-02-24 17:21:29 1 0
Pheeeeww, we can breath again. Have been holding my breath while the search was on.

Never heard of those threads for blackwork. I am intrigued. And really interested.
And facinated by that lovely fish. It is beautifull. Gracefull. You have a special touch.

Thank you Mary, Cheers, Kath.]]> 3012 Anonymous noreply@blogger.com 2010-02-24 14:47:41 2010-02-24 14:47:41 1 0
Annie in Michigan]]> 3013 Brian noreply@blogger.com http://www.blogger.com/profile/07379963099275525986 2010-02-24 12:29:33 2010-02-24 12:29:33 1 0 Something different, than this post.
Re Embriodered flowers for Elizabeth.
I recieved mine this morning,it's brilliant,layed out well and beautiful colours,even a complete novice like me can understand it.
Thanks for mentioning it on here.
Regards.
Brian]]> 3015 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2010-02-24 11:59:24 2010-02-24 11:59:24 1 0 Congratulations on finding your thread! I'm glad to hear I'm not the only one who does this.

Oh - you're also not alone when it comes to squaring up linen before stitching on it. Before trimming the shaggy bits, though, I'll often lay a piece of tape over them, then cut between the edge of the tape and the remaining solid fabri. This way I don't have lots of little pieces of fabric dandruff that may get caught in the project.

Looking forward to seeing your progress with the fish!]]> 3016 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-02-24 11:51:33 2010-02-24 11:51:33 1 0 http://www.needlenthread.com/2010/02/hand-embroidered-handkerchief-of.html Tue, 23 Feb 2010 06:48:00 -0600 Mary Corbet 66 2010-02-23 06:48:00 2010-02-23 06:48:00 open open Hand-Embroidered-Handkerchief-of-the-Vintage-Variety publish 0 0 post

This vintage embroidered handkerchief is about 11" square. The fabric is very sheer and delicate - I'd call it "gauzy."



It's a very pretty handkerchief, but it is certainly not an "original" design or one-of-a-kind piece. I recently saw one very similar to it (if not identical - I didn't have this one with me to compare) in another collection of vintage textiles. It caught my eye because of the edges.



The edges feature a crenellated pattern, with the threads drawn to form a net, and the edges worked in tiny buttonhole stitches. This form of edging is not uncommon - I have a few pieces of heavier vintage linens (dresser scarves) with the same edge pattern - the work is not as delicate as this, but still very fine.



The little whitework flower design sprinkling the hanky is so tiny and delicately done. There's an itty-bitty eyelet in the middle of each flower. While the leaves may look almost like a bullion knot, they aren't - they're worked in an overcast stitch - that is, they're satin stitched over another single thread. You can see the single thread sticking out at the end of some of the leaves there.



My favorite part of the design is these three corner squares, surrounded by the little flowers. Each drawn thread grid there is just barely over an inch square - split into nine, with the threads drawn out and hemstitch worked all around. It's all so fascinatingly small.

So, despite the irritation of my desperate search for my black threads yesterday (more on that later - there is an ironic ending to that episode!), I was really thrilled to be reminded of a few pieces of embroidery that I almost forgot!

In addition to a few vintage pieces of needlework, I unearthed a large collection of kits, charts, designs and stuff that I will never ever in a million years use. They'll make excellent give-away treats. They're mostly for counted work - they came in a bundle package that I bought when a needlework store closed. They're all "new" (unopened, unused), but not all necessarily "recent." There are some series pieces in there - Old Santas and the like - as well as some Primitive designs (in surface embroidery), some historical flavored pieces (Quaker and old English), and so forth. So I'll be giving those away in bundles - keep an eye out!

And, finally, I did set up the blackwork project, so I'll show that to you this week, too. It's not what you expect, so please don't expect much! And, yes, I've managed to put some stitches onto a couple projects.

With all that, here's hopin' I can keep things interesting this week!

Enjoy the day!

]]> website news whitework pictures vintage embroidery 2617 marilynneq noreply@blogger.com http://www.blogger.com/profile/06565005568256460583 2010-03-02 22:44:09 2010-03-02 22:44:09 1 0 3020 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-23 18:10:56 2010-02-23 18:10:56 1 0 3022 Brooklynne noreply@blogger.com http://brooklynnemichelle.com/ 2010-02-23 16:39:48 2010-02-23 16:39:48 1 0 3023 Bobbi noreply@blogger.com 2010-02-23 16:33:58 2010-02-23 16:33:58 1 0 3024 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2010-02-23 15:42:41 2010-02-23 15:42:41 1 0 BarbM]]> 3025 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-23 15:36:19 2010-02-23 15:36:19 1 0
My heart is kind of heavy this morninig. We're going home for a while and I will miss my 10 mth grand daughter terribly. So....
I was really pleased for the post on this handkerchief. What daintiness and love put into it wouldn't cheer the heart.
It sure is a treasure.

Thank you, Kath.]]> 3026 Anonymous noreply@blogger.com 2010-02-23 13:38:04 2010-02-23 13:38:04 1 0
At 96, she's from the era that actually used such beautiful pieces of handwork. Ones for showing (like yours) were often made (or bought) for weddings, then used to wrap tie up sachets and kept in the drawer to make other delicates smell sweet. The one I'm making, being simpler, will be "for blowing," or for wiping one's brow on a hot day, or any of the multitude of reasons I reach for the tissue box, then throw the tissue in a landfill somewhere.

I think there's something beautiful about the way Grandma cherishes such small comforts, and the way something so simple can be made to be as beautiful as your hanky. It's really a work of art!

Karen]]> 3028 Anonymous noreply@blogger.com 2010-02-23 11:46:27 2010-02-23 11:46:27 1 0 Don't you just love it when you find something you have totally forgotten about in your stash.
Good for you. I just love your site and look forward to reading it every day.
Joan from Richmond BC]]> 3029 Anonymous noreply@blogger.com 2010-02-23 11:14:34 2010-02-23 11:14:34 1 0 3030 Anonymous noreply@blogger.com 2010-02-23 11:13:34 2010-02-23 11:13:34 1 0 3031 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-02-23 10:26:36 2010-02-23 10:26:36 1 0 3032 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-23 10:12:43 2010-02-23 10:12:43 1 0 A giveaway with drawn thread theme???
Can't fail it, lol!
so many to learn about drawn thread!]]> http://www.needlenthread.com/2010/02/two-down-two-to-go-and-wheres-my-black.html Mon, 22 Feb 2010 05:50:00 -0600 Mary Corbet 67 2010-02-22 05:50:00 2010-02-22 05:50:00 open open Two-Down,-Two-to-Go,-and-Where's-My-Black-Thread?? publish 0 0 post

The two new embroidery projects I managed to put together are actually somewhat similar in type: the Pomegranate in the Round pattern I posted a while ago was first on the list, and will be a goldwork and silk project; second up was the floral glove needlecase from Thistle Threads.



My first step was to make adjustments on the design. I reduced the number of lattice lines in the center of the stylized pomegranate, and I added turn-overs on the tip of the pomegranate and on every swirly thing around the edge. This may seem like overkill on the turn-overs - and it might be - but this is where I plan on showing a contrast between the silk and the gold. We shall see!



After tweaking the design, I decided to rummage through my goldwork supplies, to make sure I had enough of the types of metal threads I wanted to use on this project. There's nothing worse than planning out a project a certain way, only to find the supplies aren't on hand!



This is when I discovered that I have fairly large stash of goldwork supplies, and yet, it seems I rarely use them. I need to change that!



Next step was to sit down with the light table, a handy-dandy Sakura Micron Art Pen®, in black, size 005. I love these pens for transferring designs when I know that the transfer lines will be covered.

I'm using Legacy Linen Twill for this goldwork project. I just love this fabric, and I want to see how it operates with goldwork and silk shading. I think it'll work well! It's a pretty fabric - I love the twill weave and the color.



When tracing the pattern with the Micron pen, it's really important to use the lightest touch you can manage. If I can feel the surface underneath the fabric, I'm pressing too hard. Generally, I can only feel the pen touching across the surface of the fabric. Be careful of resting the pen in one place on the fabric, too. As you come to intersections of lines, don't let the pen sit on the fabric, or the ink will form a larger spot. In the photo above, you can see where this started to happen a bit, and that was with a minute pause!



Now, this is cotton muslin in the photo above. I lined the linen twill with the cotton muslin, to give the goldwork more support. The twill is actually a pretty substantial fabric, so the muslin isn't necessarily necessary, but when I do goldwork, I like extra stability in the ground fabric. I also don't like anything that seems remotely sheer - not that the twill is sheer at all! It isn't. I still wanted the extra backing, so I tore up some muslin to go behind the twill.

It's very important, if you back your ground fabric with muslin or cotton or even another linen, that the backing fabric is cut square, on the grain. If it's at all cut on the bias or mounted on the frame on the bias, it'll pucker. To make sure the fabric is square, I tear my muslin on the weave instead of cutting it. The ends end up looking a bit gnarled, but nothing that can't be fixed with an iron.



I ironed both the muslin and the twill (the twill before tracing the design on it!) until they were good and smooth, no wrinkles, and nice and square. Then the twill went on the table first, with the muslin lined up on top, both fabrics on the grain, lined up straight.

Some folks like to baste their backing fabric to the ground fabric at this point - to baste the muslin to the twill, in this case. This would help ensure that the fabrics frame up well together, without one or the other slipping. You can do that - you can baste a couple inches around the outside of the design, for example, if you are worried about the fabrics slipping.

I don't baste mine. I work slowly and carefully, tacking the fabrics to the frame together, and keeping them smooth and lined up as I go, and it works out fine.



Here's the pomegranate on the frame. There's an extra inch of fabric skirting the frame there....



... but nothing that a little trim won't take care of. It's true. I don't stitch or bind the edges on the fabric. They will initially shed a few threads, but after that, they'll be fine.



The floral glove project is on the left, framed up, and the pomegranate on the right. I was surprised (Really Surprised!) how sheer the linen is for the floral glove project, and I oscillated between lining the linen and not lining it. I finally settled on not lining it, thinking it's best just to follow directions as they are written on someone else's project. I have a feeling I may regret not lining it. The instructions say that it is "Napier Ivory Linen" - I think they mean Legacy linen's Napery Ivory, which is about a 50 count "dower quality" linen. It does seem a bit more sheer than most Legacy linens I've worked with. I'm going to have to dig some out to compare.

In the meantime, though, these are the two projects I managed to set up this past weekend. Not that impressive....

There are two other projects I want to set up, one of which I'm really excited about (Really Excited!), but doggonit if I can't find the threads! I'm going to do a kind of blackwork project (non-counted), which I'll tell you more about once I get it set up. I have a wonderful set of 8 blackwork threads (Leon Conrad's Ebony Collection) that I have practically roosted on like a doting hen over eggs for the past several years, being very careful of them, not wanting to lose them, not wanting anything to happen to them (do you see where this is going?!?!), wanting to save them for Just The Right Project.

The Right Project has come.

The Threads..... Where are the Threads?????! I think they must've hatched and headed off. I can't find them anywhere. I can picture them perfectly in several different places, but I can't for the life of me find them now. I spent hours this weekend going through every thread box in the studio.

Today, I'm going to repeat the procedure. Things don't just disappear. They must be somewhere!

In the meantime, does anyone know if there are any shops in the States that carry this collection of threads? Just in case?

That's how my weekend went, stitching-wise. Today, we have a snow day in Kansas, so I plan to make good use of it and finish up the things I didn't get finished over the weekend! Wish me luck!

Have a terrific Monday!
]]> Embroidery Projects goldwork pictures embroidery tips and tricks 3010 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-02-24 16:22:01 2010-02-24 16:22:01 1 0 3011 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-24 16:05:55 2010-02-24 16:05:55 1 0
MC]]> 3014 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-02-24 12:02:58 2010-02-24 12:02:58 1 0 Thanks!]]> 3033 skh noreply@blogger.com http://44parkave.com 2010-02-23 09:14:55 2010-02-23 09:14:55 1 0 3036 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2010-02-23 05:26:45 2010-02-23 05:26:45 1 0 3037 BonnieC noreply@blogger.com 2010-02-22 22:21:24 2010-02-22 22:21:24 1 0 3039 Brooklynne noreply@blogger.com http://brooklynnemichelle.com/ 2010-02-22 16:45:56 2010-02-22 16:45:56 1 0
Brooklynne]]> 3040 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-22 14:31:07 2010-02-22 14:31:07 1 0
I'm sorry you've had a dissapointing search for those threads.

I think a snow day must be when your snowed in. Have a cosy, comfy one.

Am very glad of the clear instructions. Nothing like knowing your properly setup. Hope the glove project works ok without the lining for you.

I like what you've done with the lattice and turnovers. Specially the ones on the tip of the pomegranate.
The turnover word conjures up visions of hot raspberry jam in pastry turnovers. Mmmmmmm.

Thank you Mary, Cheers, Kath.]]> 3041 Tania Kleckner noreply@blogger.com 2010-02-22 11:51:38 2010-02-22 11:51:38 1 0
Glad to know that others appear to have "black holes" in their homes as well. Sorry couldn't resist!

Your new projects look great. I really love how you walk through your project set-up. I usually dive in and end up with jumbled messes/masses of thread and and/or positioning my work in such a way that doesn't leave enough seam allowance.

Enjoy the snow day. We had one a few weeks ago and it was fun!]]> 3042 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-22 11:39:20 2010-02-22 11:39:20 1 0
Ah, Joey - I knew you would know what threads I was talking about!
I think I told you a while back I was "saving them." Now they're well and truly saved. High and low - I've searched everywhere! i keep telling myself I put them somewhere safe! Boy, they are the safest threads in the world right now.

Thanks for the heads up on Mimi's Attic - I actually e-mailed them first thing this morning, but haven't heard back yet.

In the meantime, I suppose I shall set up the project and pretend that it's going to happen. Worst case scenario: I'll buy separate types of thread!

Thanks again, all!

MC]]> 3043 joey noreply@blogger.com 2010-02-22 11:15:12 2010-02-22 11:15:12 1 0 3044 Anonymous noreply@blogger.com 2010-02-22 10:55:26 2010-02-22 10:55:26 1 0
In the meantime, worry not for the black threads. I once heard the tale of where Leprechauns get all their gold (since St. Patty's day is coming up, it seems apropos). It seems they enter peoples' houses whilst they sleep, taking small, seemingly inconsequential items. Then, when the householders need those items, they hold them for ransom, requiring gold for their soon return.

If, however, you remain stalwart, refusing to panic, the Leprechauns fun is quickly spoilt, and they end by returning the item to someplace you've already searched so that you trip over the item, then wonder how you could have missed it before.

Since you have such juicy projects to jump into for the meantime, good luck spoiling some imp's fun!

Karen]]> 3045 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-22 09:46:13 2010-02-22 09:46:13 1 0 3046 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-02-22 08:37:02 2010-02-22 08:37:02 1 0
Never mind, all that preparation work has gone well!]]> 3047 Bobbi noreply@blogger.com 2010-02-22 08:31:20 2010-02-22 08:31:20 1 0 3048 Elza Bester noreply@blogger.com 2010-02-22 08:06:29 2010-02-22 08:06:29 1 0 http://www.needlenthread.com/2010/02/embroidered-boxes-there-are-kits-for.html Fri, 19 Feb 2010 10:00:00 -0600 Mary Corbet 68 2010-02-19 10:00:00 2010-02-19 10:00:00 open open Embroidered-Boxes:-There-are-Kits-for-These-Things! publish 0 0 post

The first embroidered box kit here is actually a crazy quilted étui from Maureen's Vintage Acquisitions.



The kit is for a 6-sided étui. The sides open when the lid is removed, and pulls closed with a drawstring, before putting the lid back on. It comes with precisely cut chipboard and instructions, as well as a cross stitch pattern for the box (if you wanted to go in that direction). However, using your own fabric and embellishments in your stash, you can doll up the box with all kinds of crazy quilting, which is how the sample is shown on the website.



Another place to find kits for fabric boxes is Needleboxes, Etc. Here, you can buy kits with specific fabrics for different kinds of boxes, including étuis, or you can order a finished box custom made with your choice of fabric. Right now, I'm hankering to make my own box, but I was thinking the custom made boxes would make an excellent gift for a needleworker!

Even though the kits here are for fabric covered boxes, you can always substitute the cover fabric for an embroidered piece. The site features lots of specialty shapes and designs for boxes, too - from birdhouses to pyramid-shaped "baubles" to hold your needlework goods. They look fun!



Yesterday, I mentioned that Inspirations Magazine, Issue 65, features an embroidered box - it's actually a whole étui / needlework accessory set called Tiny Treasures. It's embroidered in cross stitch, in a Quaker style, and they offer the whole embroidered box kit on their website. A bit pricy! But if it's your heart's desire, and if making it ends up being your entertainment for the year, well... you might spring for it!

Note: (added Feb. 20) Upon hearing from readers in the UK, I thought a little warning about customs fees appropriate! For readers in the UK, you might want to look carefully into custom fees before ordering kits from CB. One reader was charged, above and beyond the kit and shipping, a £32 customs duty! Yikes!

So if you're looking to go more the kit route in making an embroidered box, these resources might be helpful for you!

Yesterday, I also mentioned that I started another project. It's still in the planning stage, but later today and tomorrow, I plan to move it into the preparation stage, so I'll be showing you that soon. Yes, as a matter of fact, I'm planning for it to include a box. But first, the embroidery must be executed! The design? Well, I'm going with goldwork. Heh heh. It's about time!

Also, this weekend, I'll be setting up the glove project I mentioned in my whining post last week, when I didn't know what project to do next! (Finishing the rooster put everything else in a whole new light!)

On top of all that, I did set up a simple project earlier this week - another spring towel to use as a basket liner. It's a flop, though. I printed the design Way Too Large, because I thought I'd like a really Large design in a corner of the towel. But it's just too big - I'll start over on that eventually, but not before I get the aforementioned projects prepared to stitch on.

So that's what I'm up to. I hope you have a terrific weekend with your needle and thread. And keep your fingers crossed for me, that I actually manage to accomplish the things I have planned for the weekend! (Hey, if I get halfway there, I think I'll be pretty happy!)

]]> embroidered boxes embroidery links embroidery resources needlework websites 3054 Thneedless noreply@blogger.com http://www.blogger.com/profile/02866232913802243171 2010-02-21 02:13:25 2010-02-21 02:13:25 1 0 3058 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-20 11:31:25 2010-02-20 11:31:25 1 0
Thanks for the link to the Nutmeg Company, Irene - those are pretty boxes!

Kath - goldwork is wonderful, once you get into it. There's nothing quite so beautiful, in my opinion, in the whole needlework world. The problem is that the supplies are harder to come by than most (that's getting a bit better, though, as goldwork becomes more popular), they are more expensive than most needlework supplies, and it's not as "relaxing" a technique. When I do goldwork, I find myself very focused and concentrated. I can't do anything else - listen to audiobooks or anything like that - when I do goldwork. It's absorbing and intense.

Jayashree - Good! I'm glad you're looking forward to the project, and I hope I can make it easy and instructive. I'll try my best!

Sandi - thanks for the book reference. Guess what? I have it! I was going to review it next week.

Denise - LOL! Oh, goldwork isn't "hard," it's just intense, and the supplies are more difficult to come by! I plan to do some simple instruction as I go along in this project, and I'll try my best to make it clear and less intimidating! I don't plan on doing anything too advanced with this project. We'll see how it develops. Of course, I can't do quite the same thing I did with the rooster - goldwork threads are a bit more expensive than wool! So I'll do my best to minimize waste and to eliminate picking out and starting over!

Judy - Funny! Now you know what I do with my nights....! Hey, I hope you can do something with those boxes. If they're already covered, a crazy-quilting approach might work really well for them!

Ok, thanks all, for your comments!

MC]]> 3059 Carolyn McNeil noreply@blogger.com http://www.blogger.com/profile/03709494177158323583 2010-02-20 11:22:39 2010-02-20 11:22:39 1 0 Happy Stitchin'...
Carolyn
http://www.stitchopedia.com
An encyclopedia of needlepoint stitches…]]> 3060 Anonymous noreply@blogger.com 2010-02-20 11:12:52 2010-02-20 11:12:52 1 0
I'm doing the glove too! Does printing out the instructions and photos count as starting? I'm a little in awe of the materials still - I've read through the instructions twice, pulling out the silk threads and the gold to ooh and ahh over them but haven't started stitching yet.

Celeste]]> 3061 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-20 10:28:32 2010-02-20 10:28:32 1 0 3065 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-20 05:51:29 2010-02-20 05:51:29 1 0
This is all so interesting. I too look forward to the Goldwork and box project.

The look of Goldwork hasn't appealed to me greatly in the past so haven't looked into it much. Have read what I've come across in magazines so am not all together uninformed. I feel tho that I'm going to really enjoy these posts and gain a happier appreciation for this type of embroidery.

Thank you Mary for piquing my interest, and the project is hardly started. I sort of feel excited about it. So roll out the gold and lets begin...over to you Mary, when you're ready of course!

Bye for now, Kath]]> 3067 Irene noreply@blogger.com http://www.blogger.com/profile/13631335417709055896 2010-02-19 22:23:45 2010-02-19 22:23:45 1 0
I too am thinking seriously about making boxes - actually, it is something that has been in the back of my mind for many years but I am only now starting to put it into action.

Kits for boxes (look to be cross stitched), and also houses and a few other things, are produced by The Nutmeg Company. The web address for their boxes is: http://www.3dcrossstitch.co.uk/Categories.cfm?MainCategoryId=5

All the best with your quest. I look forward to seeing the results.
Irene]]> 3069 Anonymous noreply@blogger.com 2010-02-19 15:23:02 2010-02-19 15:23:02 1 0 3070 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-02-19 14:38:38 2010-02-19 14:38:38 1 0 This is an inspiration! The last few blogs you did on "boxes" I honestly, kind of ignored, but when I looked through these pictures today I thought "Wait A Minute!..HI HO!..I have one or two silky covered boxes I've been keeping in my dresser drawer, and wondering what will I ever do with them. And the embroidery is a perfect idea! Mary I swear you stay up nights thinking of these things :) !! God Luv Ya....Judy in Pittsburgh]]> 3071 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-02-19 12:12:46 2010-02-19 12:12:46 1 0 http://www.needlenthread.com/2010/02/inspirations-and-embroidered-box-hey-it.html Thu, 18 Feb 2010 05:00:00 -0600 Mary Corbet 69 2010-02-18 05:00:00 2010-02-18 05:00:00 open open Inspirations-and-an-Embroidered-Box.-Hey.-It-isn't-Just-Me! publish 0 0 post Inspirations Magazine, "The World's Most Beautiful Embroidery Book," to which I've subscribed for quite a long time now. Well, when the current Inspirations hit my mailbox, I was glad to see I wasn't the only one on an embroidered box kick. And hey, if Inspirations can feature an embroidered box, then I suppose I'm in pretty darned good company!

Inspirations is published by Country Bumpkin in Australia.

Now, it's true. It's not an inexpensive magazine. In fact, it's an expensive magazine, as magazines go. But for me, it's worth it! Take Inspirations Issue #65 that just came out. It's packed with twenty beautiful projects. Each project comes with photos of the finished piece (the photos in their magazines are stunning!), complete patterns, materials lists, and step-by-step (illustrated) instructions for completing the project. Twenty! Although each issue doesn't always feature a full twenty projects, they do feature many projects from start to finish - enough that they call the magazine a book rather than a magazine.




Ok, enough slathering over the magazine itself. What I wanted to get at is this: I'm not the only one with my mind bent on embroidered boxes. Perhaps there's a trend here! On the cover of Inspirations #65, there's a wonderful little embroidered box - an etui - with lots of little needlework accessories that match. The style of the embroidery is definitely Quaker, and the box is really beautiful!



Inside, there are step-by-step illustrated instructions for completing the box, as well as the embroidery pattern and materials lists. I love it! I want to make it! Or... I want to make something similar, anyway.

Of course, there are other projects in the magazine that bear mentioning, so what the heck? I might as well mention some of them!



There's a crewel work project that's very pretty, while at the same time being small and manageable.



There are some other needlework accessories to make - this scissor case and fob feature a small needlepainting design that is quite striking.



There are a couple leeeeetle stumpwork projects that are manageable in size - perfect for trying out stumpwork without launching into a complicated design. The ladybug above is just that - a ladybug on a leaf.



There are several designs to stitch and use in paperweights, like the little goldfish in the photo above. Instructions for finishing the project - installing it in the paperweight - are thorough and clear. The larger goldfish on the left is a promised project for an embroidered blanket in the next issue.

Aside from these projects, there's a darling embroidered crib set, an embroidered doll with heaps of curly hair, an appliquéd and embroidered quilt, and on and on!

This was a great issue of the magazine - I don't think there's anything in it that I don't like! And so many ideas for projects!

But back to the box - I was happy to see the box on the cover, and even if I don't stitch that exact pattern in that exact style, the instructions are really helpful.

If you're looking for some project inspiration, you might consider purchasing an individual copy of the magazine if you aren't up to subscribing. Individual copies can be had through various local outlets - check your local needlework shop to see if they carry the magazine, or maybe call a nearby bookstore that might carry it. In the US, Wooly Thread carries individual copies. And, of course, you can always order straight from Country Bumpkin (to which I have no affiliation, beyond being a fan!)

Now, back to my needle 'n thread, because guess what? I've started a new project....

]]> embroidered boxes Embroidery Projects hand embroidery information embroidery resources Inspirations Magazine 2989 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-02-25 09:45:04 2010-02-25 09:45:04 1 0
Speaking of expensive, I don't know how much you have to pay for yours normally, but the cover price for the UK says £5.75 at the mo, but I have to pay NT$500 at the moment, (that's New Taiwan Dollars at just under NT$50:£1), so almost double. Worth it though.

I'm delighted at the magazines I can get in Taiwan, but not so hot on the books. Most of the stitching books here are, of course, in Chinese and are mostly translated from Japanese. Still waiting for CB books to appear in any language here.]]> 3073 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-19 06:14:31 2010-02-19 06:14:31 1 0
Maryvonne, the crib set is so cute. It's something I'd like to make, too.

Tania, thanks for the link to that box - it looks really nice! I like the idea of the 40 ct.

Kathy - I hope you get it soon.

Carol - velvet: I don't actually know of any good books specifically on embroidering velvet. I know it's mentioned in several books I have, but off the top of my head, I'm not sure which books! I suspect some goldwork books may discuss it. The thing about embroidering on velvet is that your threads sink into the nap. To avoid this, you can lay down a loose weave or very light fabric, like an organza or a sheer, loose-weave silk or even a very light, fine batiste or something similar, do the embroidery, and then cut away the fabric. I'd back the velvet with a muslin when mounting it on the frame. And using a hoop is pretty much out of the question, unless your finished area fits inside the hoop.

Kath - you're lucky to have the whole set! I don't have it, but I'd like to. I pick up missing copies now and then, when I can find a good deal on them. I need to go through and make a list of the ones I don't have - it's only about 6 now, I think!

MC]]> 3074 Maryvonne noreply@blogger.com 2010-02-18 22:41:29 2010-02-18 22:41:29 1 0 You tempted me into subscribing to Inspirations, and, yes it is well worth the money. I love the magazine. Issue 65 is my third one and I started straight away on the crib set (this project being more within my reach), as my niece is expecting a baby soon.
I am looking forward to seeing what you make in the way of embroidered box.
LOL]]> 3075 Carol R noreply@blogger.com 2010-02-18 21:26:37 2010-02-18 21:26:37 1 0
The paperweights in that issue of Inspirations are perfect gifts for men--what a great idea!

Just wondering--have you ever tried embroidering on velvet? Is there a good book on it (I figured you would know)?]]> 3077 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-02-18 19:30:09 2010-02-18 19:30:09 1 0 3079 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-02-18 08:51:15 2010-02-18 08:51:15 1 0 3080 Tania Kleckner noreply@blogger.com 2010-02-18 08:32:35 2010-02-18 08:32:35 1 0
In the meantime, I can't wait to hear about your new project!!]]> 3081 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-18 05:50:53 2010-02-18 05:50:53 1 0
I too am a subscriber to Inspirations and have now got together the whole set from #1. I just love browsing them.

"...because guess what? I've started a new project...." Oh Mary, your a tease!
All the same, how lovely. Roll on tomorrow night (for Down Under). You will tell / show us then won't you?
When your post comes in I know it's well and truely time for bed! so...

Bye for now, Kath]]> http://www.needlenthread.com/2010/02/tote-for-large-embroidery-projects.html Wed, 17 Feb 2010 05:00:00 -0600 Mary Corbet 70 2010-02-17 05:00:00 2010-02-17 05:00:00 open open A-Tote-for-Large-Embroidery-Projects! publish 0 0 post Hooked on Needles sent me a fabulous one, and here it is....

The one thing I require in a tote bag is room - I have to be able to stick my embroidery project on the frame in the bag, along with all the tools, threads, and so forth required to complete the project. When I've got a needlework project stored up in a tote bag, I feel secure - like I can grab it and go at any time, even if I'm just going into the other room! A tote bag with a project nestled within is great for long trips, for short trips, for those times when you know you're going to be sitting somewhere, waiting.... and waiting.... Well, in general, I just like tote bags for my projects!



I like the fabric on this bag, and I love the coordinated lining! But most of all, I like that it can do this:



See the difference? The inside facing of the bag - made from a coordinated fabric - is not sewn down to the inside of the bag. It folds out for added space, and it can still be zipped shut.

Closing is important! Raindrops off roses, whiskers (and other hair) off kittens, dust that might settle and snow from my mittens - all must be kept off the embroidery! And so having a tote that expands in height and that zips closed is terrific!



Roomy isn't the word for this one - I can easily fit an 18" x 20" frame in here, along with all the necessities to complete the framed-up project. In fact, if I really wanted, I could pretty much fit all my current pending / possible projects in this bag! It's very roomy.

There are a couple separate pockets inside the tote.



And there's this little hidden pocket fitted inside the bag facing, where I can keep things I don't want to lose.



And - a nice little touch - there's a key hook on a nice long strap.

It's a terrific tote! And the fabric is fun! And the construction and finishing - excellent!

If you're looking for a nice tote for your work and you're not into sewing your own, you can contact Mary Grace at Hooked on Needles. Right now, it looks like she's selling website samples and a few tote bags, but I'm pretty sure she'll also do custom orders, if you have your own fabric and patterns.

I was lucky to receive this as a gift, because we drew each other's names for a Christmas swap. I bet you're dying to know what I made and sent to her.

I'm afraid I was a fink and didn't send anything hand-made. But hey, I included some entertainment for her kids - some audio stories - which is even better! She can plug the kids in and sew in peace.

See, I think of everything.

(Ok, fine, I'm a fink.)

Thanks, M-G! I love the tote, and it's serving its purpose well!
]]> needlework accessories needlework tools 2975 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-26 15:03:46 2010-02-26 15:03:46 1 0
MC]]> 2976 blubberryhl noreply@blogger.com http://www.blogger.com/profile/16828991173069172100 2010-02-26 14:03:26 2010-02-26 14:03:26 1 0 3083 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2010-02-17 15:56:30 2010-02-17 15:56:30 1 0 I've added one to my myriad of projects.]]> 3084 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2010-02-17 08:32:05 2010-02-17 08:32:05 1 0 Jane]]> 3085 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-17 06:10:44 2010-02-17 06:10:44 1 0 That tote is tote-aly the bee's knees. Funny saying but 'spose they need their knees as much as you and all of us need that tote.
Reminds me of a quote I read recently. "A woman needs a man like a fish needs a bicycle"!!! Give the fish the bike, I say, and I'll keep my hubby.
And, I'll keep all the wonderful tote bags I've bought from Op-shops too, despite my son's well meaning objections. None are the 'bee's knees' like your tote tho Mary.
And I'll keep all the men's old and not so old ties I've gotten from the same source. I'll do something with them someday. I intend to embroider some of them. In the mean time I just like looking at them and displaying them on my old timber ladder with round rungs.

I'm sure your return gift was enthusiasicly received. Unless, perhaps the kids short circuted when plugged in! Even so, you would not be a fink. Impossible for someone so generous.

Cheers, Kath.]]> http://www.needlenthread.com/2010/02/crewel-rooster-on-platter.html Tue, 16 Feb 2010 05:20:00 -0600 Mary Corbet 71 2010-02-16 05:20:00 2010-02-16 05:20:00 open open The-Crewel-Rooster---on-a-Platter? publish 0 0 post

Last spring, I participated in a needlework shop hop, and while hopping hither and thither between shops, I acquired a red Sudberry tray. Sudberry makes beautiful wooden boxes, trays, trivets, and other finishing accessories for needlework. You can find quite a slew of them available through Nordic Needle under "Finishing Accessories."



I love this square tray! I love it for its redness and its squareness. (I'm a sucker for red!) I bought it, thinking that someday, I'd make something just perfect to display under the glass. The rooster was by no means my plan.



But for some reason, when considering what to do with the rooster, the tray popped into my mind. When I dug it out, I saw that it's 9.5" square size would probably house the rooster pretty darned well.



And, lo! Methinks it might! This isn't mounted in the tray yet. I need to cut some mounting board to fit, and then lace the rooster onto it. Then I'll fit it together and see what the finished product looks like. If I like it, I suspect I'll keep it in the tray for now! So far, I like it!

What do you think? Good choice? Or .... should I consider a different finish?



]]> finish work pictures crewel work needlework pictures 3068 Grammybks noreply@blogger.com http://www.blogger.com/profile/12248901923773965142 2010-02-19 18:10:36 2010-02-19 18:10:36 1 0 3078 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-02-18 16:44:39 2010-02-18 16:44:39 1 0 3086 Maryvonne noreply@blogger.com 2010-02-16 22:59:45 2010-02-16 22:59:45 1 0 I can just say "WOW". The tray is perfect and the white space around the rooster is just right to make him stand out. To me the whole thing is just perfect.
Thanks for sharing with us. My dream is that one day I can do one beautiful piece of embroidery like you. Maybe it's around the corner.
LOL]]> 3087 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-02-16 22:52:43 2010-02-16 22:52:43 1 0 Kathy in Kenai]]> 3088 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-16 22:09:10 2010-02-16 22:09:10 1 0 3090 Lisa noreply@blogger.com http://www.blogger.com/profile/11137272371773363323 2010-02-16 20:46:25 2010-02-16 20:46:25 1 0 3091 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2010-02-16 20:26:07 2010-02-16 20:26:07 1 0 3092 Anonymous noreply@blogger.com 2010-02-16 18:06:30 2010-02-16 18:06:30 1 0
What a perfect roost for the rooster! Are you going to use spacers so the glass doesn't smoosh the millions of french knots you worked so hard on?

The tray will be lovely as a tray, but would also look wonderful hanging on my wall. Sorry - I meant to say your wall!

Katrina]]> 3093 Lisa T noreply@blogger.com 2010-02-16 17:27:51 2010-02-16 17:27:51 1 0 3094 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2010-02-16 17:19:54 2010-02-16 17:19:54 1 0 3095 Anonymous noreply@blogger.com 2010-02-16 16:09:26 2010-02-16 16:09:26 1 0 BEAUTIFUL! BELLISIMO!]]> 3096 Stitcher Sister noreply@blogger.com http://www.blogger.com/profile/14982043419274774766 2010-02-16 16:04:01 2010-02-16 16:04:01 1 0 Keep up the good work Mary, I have found the ideas you come up with are inspirational to me. I'm looking forword to seeing what you do with your "doodle" I have it enlarged and ready to go as soon as you start it. I will be waiting for more of your thoughts.]]> 3098 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-02-16 13:50:20 2010-02-16 13:50:20 1 0 3099 Anonymous noreply@blogger.com 2010-02-16 13:46:24 2010-02-16 13:46:24 1 0 3100 Anonymous noreply@blogger.com 2010-02-16 13:16:31 2010-02-16 13:16:31 1 0
I tend towards the "maybe too much white space" spectrum, but have a simple suggestion -- could you use masking tape and acrylic paint to mask and paint a narrow red square onto the glass you plan to put over him (with the painted glass face-down only after the paint is completely dry, of course!)? That way, you could bring the red of the tray down to curb Mr. Cock of the Walk and keep him from strolling off into trouble!

The paint would probably help provide just a bit of air-space to avoid crushing all those beautiful French Knots, and would do double duty by preventing any future seepage (which is the reason I suggest acrylic paint instead of glass paint -- acrylic will stop the flow of liquids).

Karen (who's a little too crafty for her own good!)]]> 3101 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2010-02-16 13:03:30 2010-02-16 13:03:30 1 0 3102 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-02-16 12:30:34 2010-02-16 12:30:34 1 0 3103 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2010-02-16 11:04:36 2010-02-16 11:04:36 1 0
I looked for, but did not find, information on choosing needles for crewel and how long they should be expected to stitch before losing their sharpness. Some very different sizes seem to be suggested, depending on the project. I understand that the goal is to make as small a hole as possible, while causing minimal abrasion to the wool. Is there a formula based on the thread count of the linen? As I finish up my second Newbury small, questions like this are very much on my mind. Is there an article on needles that I did not see?

Can't wait to see what you choose to stitch next. If it is your other Newbury small, I shall be very interested to see what you do with the big leaf and the berries (I was too chicken to try your circular long and short shading method for them, and they look rather phony).
Suzanne]]> 3104 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2010-02-16 10:53:59 2010-02-16 10:53:59 1 0 3105 Cactusneedle noreply@blogger.com http://www.blogger.com/profile/13063893333954556967 2010-02-16 10:49:37 2010-02-16 10:49:37 1 0 3106 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-16 10:44:56 2010-02-16 10:44:56 1 0
I reckon he's come home to roost in that tray and it looks really good as it is.

I never would have thought of a tray. Good one!

Cheers, Kath]]> 3107 Kate mjrroland@yahoo.com http://www.blogger.com/profile/06395157955320659033 2010-02-16 10:01:50 2010-02-16 10:01:50 1 0 3108 Anonymous noreply@blogger.com 2010-02-16 09:48:12 2010-02-16 09:48:12 1 0
Have to say I don't see any kind of border around him - I think the red of the tray as a counterpoint to the rooster's colors is good. In my view, another border (embroidered or otherwise) would detract from the rooster. He should stand alone!

-Sharon in France]]> 3109 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2010-02-16 09:36:44 2010-02-16 09:36:44 1 0 3110 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-16 09:35:35 2010-02-16 09:35:35 1 0 3112 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2010-02-16 09:21:57 2010-02-16 09:21:57 1 0
I'd stitch him myself, but my husband has a strict "no chickens" policy in the house... It's a long story, but it's something I respect. :)

Now that pomegranate pattern you posted last week... Hmmm. THAT might make a nice tray insert, too.....]]> 3113 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-02-16 09:13:25 2010-02-16 09:13:25 1 0 3114 SheilafromCA noreply@blogger.com 2010-02-16 09:09:49 2010-02-16 09:09:49 1 0 I love your rooster in this tray...the red is perfect. Don't do anything more to the insert because the rooster is quite busy all by himself...he deserves all the attention! Great job.
Sheila from CA]]> 3115 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-02-16 08:56:17 2010-02-16 08:56:17 1 0 3116 annie noreply@blogger.com http://www.blogger.com/profile/12989351544163396219 2010-02-16 08:55:47 2010-02-16 08:55:47 1 0 3117 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-02-16 08:43:41 2010-02-16 08:43:41 1 0 3119 Tania Kleckner noreply@blogger.com 2010-02-16 08:33:27 2010-02-16 08:33:27 1 0 3120 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2010-02-16 08:31:39 2010-02-16 08:31:39 1 0
MGM]]> 3121 La Bergère Brodeuse noreply@blogger.com http://www.blogger.com/profile/05168940189062032838 2010-02-16 08:10:13 2010-02-16 08:10:13 1 0
I have just one question, do you think the glass will be waterproof? I would intend it as a tea tray and I'm wondering if some tea is spilled, will it leaks under the glass? Maybe I should put a little silicon glue under the glass close to the wood edge?

Thank you again and again for your wonderful blog!

Catherine from Québec]]> 3122 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-02-16 07:54:49 2010-02-16 07:54:49 1 0 3123 A noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2010-02-16 07:31:18 2010-02-16 07:31:18 1 0 I do agree that the rooster looks beautiful in the red tray. I am also thinking the white is to stark a contrast. Instead of a border how about some hand dyeing on the white just to give it some contrast. I am not sure how to go about it but I have seen some pretty embroideries with that done as an accent to a piece. After watching you create your designs I just know you could do it! Just an idea!
Annie in Va.]]> 3124 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-16 07:29:17 2010-02-16 07:29:17 1 0
(thank you so much for your comments in my old stitch. I'm just arriving home after some time off. Do you really think is the knotted pearl stitch? i have to search for it...)]]> 3125 Ruut noreply@blogger.com 2010-02-16 07:25:41 2010-02-16 07:25:41 1 0 3126 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2010-02-16 07:22:34 2010-02-16 07:22:34 1 0 3127 Brenda noreply@blogger.com 2010-02-16 07:21:19 2010-02-16 07:21:19 1 0 3128 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2010-02-16 07:16:27 2010-02-16 07:16:27 1 0
Good work lady!]]> 3129 Anonymous noreply@blogger.com 2010-02-16 07:10:23 2010-02-16 07:10:23 1 0 3130 Elza Bester noreply@blogger.com 2010-02-16 07:08:12 2010-02-16 07:08:12 1 0 3131 Laura Bullinger noreply@blogger.com 2010-02-16 07:00:30 2010-02-16 07:00:30 1 0 The Rooster looks great. Maybe you can paint something around the inside of the tray to match the rooster. Little flowers to match the stitched buds and curlyques to match the swoop of the tail. Then hang it up so that you don't accidently use it! Or are you placing glass over it?]]> 3132 viji noreply@blogger.com 2010-02-16 06:58:15 2010-02-16 06:58:15 1 0 Excellent idea. I like it very much
viji]]> 3133 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-02-16 06:58:10 2010-02-16 06:58:10 1 0 3134 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-16 06:35:44 2010-02-16 06:35:44 1 0
Gwen, fitting the piece into the tray is simple, really - I'll remove the rooster from the frame it's on right now, then take a thin piece of mat board and lace the piece onto it, just like preparing it for framing. The back of the tray comes off very easily - it has little hooks that fit into a groove on the back, so you just turn the hooks and the back pops off. The glass comes out and gets cleaned, then the glass goes in, the embroidery goes in, and then the back goes back on, and - it's finished!

Ann, I'm glad you enjoy the daily newsletter! :-)

Cindy, I think you are right, but I'm not really up to a border on this one. There's a lot of white space around him, that's true, but he's just going to have to live with it! The nice thing is, the tray doesn't have to be permanent! If I ever find something I'd like in there better, I can move the rooster to another setting.]]> 3135 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2010-02-16 06:20:54 2010-02-16 06:20:54 1 0 3136 Anonymous noreply@blogger.com 2010-02-16 06:15:38 2010-02-16 06:15:38 1 0 3137 Ann noreply@blogger.com 2010-02-16 05:50:59 2010-02-16 05:50:59 1 0
I love the Rooster and the idea of the platter is great too. :)]]> 3138 Anonymous noreply@blogger.com 2010-02-16 05:27:01 2010-02-16 05:27:01 1 0 But, how do you mount it on the tray? It's always a complete mystery to me how those things get finished. Are there any instructions that come with the tray?

Gwen from Dordrecht, Holland.]]> http://www.needlenthread.com/2010/02/crewel-rooster-finished.html Mon, 15 Feb 2010 05:37:00 -0600 Mary Corbet 72 2010-02-15 05:37:00 2010-02-15 05:37:00 open open The-Crewel-Rooster:-Finished! publish 0 0 post wishy-washy-what-to-do post on Saturday, I figured I didn't like having a rooster hanging over my head. Besides, the majority of you encouraged me to do the right thing and finish it! So I got to it, and finished the thing off. I'm satisfied with the finish, more or less. What am I talking about?!?!?! I'm downright elated with the finish! Simply because he's Finished!

When I started this crewel embroidery project, my purpose was to test out a variety of crewel threads that I had in my stash. I hadn't really stitched anything significant with any of them - I had no idea which threads I would like better when stitching extensively with them. The rooster taught me several good lessons about crewel embroidery. I'm going to share those with you once I stitch up some small (very small - I'm wooled out!) samples of each thread.

In the meantime, here's the Rooster Guy in all his glory:



There are (there always are!) plenty of things I wish I had done differently. But I can truly say that, on this project, for the majority of it, I re-stitched the areas I didn't like, until I arrived at something I liked at least a bit better!

One point that will probably haunt me: I wish I had stitched the flowers the same, following the color layout of the flower on the left. But too much stitching went into the flowers to pick them out this last time! I picked out the flowers 6 times before settling on a stitch combination. It's not necessarily my favorite combination, either - I just ran out of patience on those things.

The feathers just below the wing were the last things I embroidered, after picking them out. I chose the colors in the flowers - the darkest red and the medium coral. I like it better than the pinks that were originally there.

My favorite part of the rooster: his comb!

Tomorrow, I'll show you what I plan to do with the fellow. I've got an idea, but I have to forage through some shelves in the studio to dig it out. I can't wait to show you!

Thanks heaps for following along with me on this project, and for your encouragement, advice, and suggestions along the way. I hope I didn't bore you too much with the stitching and re-stitching (and sometimes re-stitching) of the various parts! It was an interesting journey, and as usual, it's always great to have your company along the way!

For further posts on this crewel embroidery project, you may wish to visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail
French Knots on the Wattle
Adding the First Blue Feather using a Raised Backstitch
The Rooster Tail, Finished for Now
The Wing - Three Attempts
Adjusting the Tail Feathers One More Time
The Rooster's Head, Neck, and Comb
The First Flower Attempt Comes Out
New Colors for the Flowers
Lots of Knots
Rethinking the Flowers Again
More knots on the Flowers and a Color Change

]]> Embroidery Projects pictures wool crewel work needlework pictures 1750 Jeanne noreply@blogger.com http://www.blogger.com/profile/07037955584980587306 2010-03-25 14:09:19 2010-03-25 14:09:19 1 0 2221 Anonymous noreply@blogger.com 2010-03-15 20:16:10 2010-03-15 20:16:10 1 0 Annie in Michigan]]> 2225 ZenCrafter patlongoria@twcny.rr.com http://www.blogger.com/profile/12161858043705055699 2010-03-15 09:59:33 2010-03-15 09:59:33 1 0 2227 Anonymous noreply@blogger.com 2010-03-15 09:11:09 2010-03-15 09:11:09 1 0 2962 Mari Carmen, (Onox) mcgayo@hotmail.com http://www.blogger.com/profile/15549105423048879775 2010-02-27 05:13:40 2010-02-27 05:13:40 1 0 3035 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2010-02-23 05:29:29 2010-02-23 05:29:29 1 0 3050 Anonymous noreply@blogger.com 2010-02-21 09:54:36 2010-02-21 09:54:36 1 0 3111 leannich noreply@blogger.com http://leannich.myopenid.com 2010-02-16 09:29:06 2010-02-16 09:29:06 1 0
Anyway, the rooster is fabulous; thanks for sharing him with us on his winding road to completion!]]> 3118 Anonymous noreply@blogger.com 2010-02-16 08:36:11 2010-02-16 08:36:11 1 0 3139 Tania Kleckner noreply@blogger.com 2010-02-16 05:12:06 2010-02-16 05:12:06 1 0 3140 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-02-15 21:45:51 2010-02-15 21:45:51 1 0 Congrats on completing your absolutely gorgeous rooster!! I could see him croon merrily with triumph in the air :).

Yes I too love his french knotted comb, as well as his proud tail feathers...

And though both the flowers look pretty, I too felt that the left flower is brighter (due to the dark outline scallops which highlights the textured light coloured petals) than the right one... But I see them as the same flower in different angle of light :)

And could not wait to see what you have in store for him. I feel he could stand in your bedroom window and wake you up every morning :)]]> 3141 Beverly noreply@blogger.com http://www.blogger.com/profile/01097377480944079836 2010-02-15 19:55:57 2010-02-15 19:55:57 1 0 3142 worksofhands noreply@blogger.com http://worksofhands.wordpress.com 2010-02-15 18:35:52 2010-02-15 18:35:52 1 0
vince]]> 3143 worksofhands noreply@blogger.com http://worksofhands.wordpress.com 2010-02-15 18:35:34 2010-02-15 18:35:34 1 0
vince]]> 3146 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2010-02-15 15:02:18 2010-02-15 15:02:18 1 0 3147 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-02-15 13:45:42 2010-02-15 13:45:42 1 0 3148 StitchenJen noreply@blogger.com http://www.blogger.com/profile/10457888338834863060 2010-02-15 12:49:10 2010-02-15 12:49:10 1 0 3149 Corvus noreply@blogger.com http://corvustristis.livejournal.com 2010-02-15 12:41:27 2010-02-15 12:41:27 1 0 3151 Brian noreply@blogger.com http://www.blogger.com/profile/07379963099275525986 2010-02-15 11:54:31 2010-02-15 11:54:31 1 0 What can i say. He's Brilliant absolutely Brilliant,well done in deed.
Regards Brian]]> 3152 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-02-15 10:54:00 2010-02-15 10:54:00 1 0
The Rooster is fabulous.

I'm looking forward to your next project; thanks for sharing your progress]]> 3154 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-15 10:34:28 2010-02-15 10:34:28 1 0 3155 Anonymous noreply@blogger.com 2010-02-15 10:31:01 2010-02-15 10:31:01 1 0 The rooster is fabulous. The comb is a fitting crown on this regal barnyard creature. I've missed seeing him these past few weeks. Through your stitching, he had become quite real and alive. Personally I like the variation between the flowers. It is another exotic touch to this fantasy scene of rich colors and textures.
Katrina]]> 3156 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2010-02-15 10:26:24 2010-02-15 10:26:24 1 0 3157 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-02-15 10:04:53 2010-02-15 10:04:53 1 0 3158 irene noreply@blogger.com 2010-02-15 10:03:51 2010-02-15 10:03:51 1 0 3159 Wendy Osenton noreply@blogger.com 2010-02-15 10:00:57 2010-02-15 10:00:57 1 0 3160 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-02-15 09:50:42 2010-02-15 09:50:42 1 0 3161 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-02-15 09:40:03 2010-02-15 09:40:03 1 0 3162 annie noreply@blogger.com http://www.blogger.com/profile/12989351544163396219 2010-02-15 09:22:35 2010-02-15 09:22:35 1 0 3163 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-15 08:52:57 2010-02-15 08:52:57 1 0 3164 Rachel noreply@blogger.com http://www.blog.virtuosewadventures.co.uk 2010-02-15 08:50:58 2010-02-15 08:50:58 1 0 3165 jayashree venkat noreply@blogger.com http://www.blogger.com/profile/10081232470482981933 2010-02-15 08:42:45 2010-02-15 08:42:45 1 0 A exciting project that kept me guessing the finished Rooster.Majestic is the word for this beautiul work.Thanks for keeping the spirit of needlework asking for more.]]> 3166 Bobbi noreply@blogger.com 2010-02-15 08:36:40 2010-02-15 08:36:40 1 0 3167 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-02-15 08:21:16 2010-02-15 08:21:16 1 0 3168 Lisa T. noreply@blogger.com 2010-02-15 08:19:26 2010-02-15 08:19:26 1 0 3169 Anonymous noreply@blogger.com 2010-02-15 07:48:22 2010-02-15 07:48:22 1 0 3170 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-15 07:40:50 2010-02-15 07:40:50 1 0
He's absolutely fabulous. I'm glad I was in on the start, eagerly awaiting each post as it came.

I must make time to go back and find other post by post projects to read, absorb and dream over.

Congratulations Mary, you've done yourself proud.

Cheers, Kath.]]> 3171 Anonymous noreply@blogger.com 2010-02-15 07:28:31 2010-02-15 07:28:31 1 0 3172 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2010-02-15 07:27:53 2010-02-15 07:27:53 1 0 3173 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-02-15 07:19:43 2010-02-15 07:19:43 1 0
Funny, I was just thinking I would have stitched both flowers the same as the one on the left when I read you saying exactly that! GMTA!!]]> 3174 ansu chennai noreply@blogger.com 2010-02-15 06:59:35 2010-02-15 06:59:35 1 0 3175 Steffi noreply@blogger.com 2010-02-15 06:43:04 2010-02-15 06:43:04 1 0
thanks a bunch for sharing this wonderful project with us... I admire your patience (and determination) in picking out and picking out and picking out... you get the drift... until you arrive at the perfect solution.
The tail has come out absolutely beautiful, and though I wasn't too sure about the scallops on the body, now that it's complete I feel it's the best idea for this - this fellow looks like he's about to hop from his perch.
And, last but not least, seeing some stunningly beautiful crewel embroidery being done, I dug out my own (sadly long abandoned) project, which brought me to your blog some time ago on the quest of finding out the difference between stem- and outline-stitch. Been around almost every day since then, looking forward to your newest projects and discoveries.
Thanks a lot,
Steffi]]> 3176 Yvette Stanton noreply@blogger.com http://www.vettycreations.com.au/white-threads 2010-02-15 06:34:14 2010-02-15 06:34:14 1 0
Yvette]]> http://www.needlenthread.com/2010/02/readers-embroidery-embroidered-boxes.html Sun, 14 Feb 2010 05:24:00 -0600 Mary Corbet 73 2010-02-14 05:24:00 2010-02-14 05:24:00 open open Reader's-Embroidery:-Embroidered-Boxes publish 0 0 post present Embroidery Crisis (what to do next?!), I forgot to mention that I also want to make an embroidered box. The truth about that right now, though, is that I don't have the space to lay things out. That's a Big Project, and I have to wait until I clean up my work space out in the studio. In the meantime, though, Sue from Missouri sent in some pictures of some embroidered boxes that she has recently made - but they're a completely different take on embroidered boxes, and they open up a lot of possibilities!

Sue embroidered a bunch of boxes in the last year - and she embroidered them literally. She didn't embroider fabric and then cover the parts of a box. She embroidered wooden boxes, straight through the wood.



Using pre-made, unfinished wooden boxes purchased at a craft store, Sue and her husband sanded and painted the boxes. Then, using a design for paper embroidery, Sue marked out the stitching holes. Using a fine-tipped Dremel drill, they drilled all the tiny holes used for the stitching.

Then, using metallic threads, Sue stitched the designs onto the box lids following the holes made by the Dremel drill. She lined the inside of the box with matching craft foam to cover up the stitching.

This particular pink box with the heart design (happy Valentine's Day, by the way!) made a perfect treasure box for her granddaughter.



This purple and gold medallion design looks great on the stained lid of this box, doesn't it? I love the rich tones.

I thought this was a clever way to add embroidery to a box and to personalize a gift. Perfect keepsake boxes for little treasures!

My mind immediately started brewing up possibilities. You know those pre-made paper maché boxes with the separate lids, used for découpage? They could be covered with paper and highlighted with matching embroidery, in a method similar to Sue's. They'd make great little gift boxes!

Thanks, Sue, for the inspiration - and for more ideas for more things that I want to do. Ah! So many ideas. So little time!
]]> 3177 Anonymous noreply@blogger.com 2010-02-15 05:12:03 2010-02-15 05:12:03 1 0 Sue F]]> 3184 Anonymous noreply@blogger.com 2010-02-14 10:55:18 2010-02-14 10:55:18 1 0 Karole]]> 3186 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-14 08:08:15 2010-02-14 08:08:15 1 0 3187 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-14 07:11:37 2010-02-14 07:11:37 1 0
Oh my goodness. The mind sure boggles.

I've been collecting up magazine pictures of embroidery and old lace etc to decoupage onto some boxes. Kind of a crazy quilt style so it almost looks as if the box is embroidered. I hope, I haven't tried it yet.
It would be interesting to have some actual embroidery highlighting this. But I suppose that type of surface embroidery would have to be done on the paper first. It could work maybe with a stiffening of some sort behind the paper. Mmmmm. We'll see eh.

Thanks for sharing Sue's clever idea and fine work.

Cheers, Kath.]]> http://www.needlenthread.com/2010/02/embroidery-projects-everywhere-and.html Sat, 13 Feb 2010 12:17:00 -0600 Mary Corbet 74 2010-02-13 12:17:00 2010-02-13 12:17:00 open open Embroidery-Projects-Everywhere---and-Narry-a-Spot-to-Stitch publish 0 0 post
The problem? I want to start a new embroidery project, but I'm stuck in the Worlds of In-Between and Not Finished.

Don't you ever get this way? It's kind of like inspirational glut: I have a million ideas that I'd like to move towards, and yet I know I can't start anything big, and yet, I know I want to be doing something, and yet I have plenty to do, and yet I can't make up my mind.

And yet.... there's a pretty good line-up of ready-to-do embroidery projects just waiting to happen:



I want to work Trish Burr's lilac-breasted roller. It's so darned beautiful. I want to make it. I want to hang it on my wall.



I want to take the embroidery design I posted the other day and translate it into a goldwork project. I'm even thinking I want to stitch it on velvet. I'm also thinking I'm a glutton for punishment.



I'm also thinking I want to start this project, but there isn't really a buuurrrrning desire to start it. It's not sparking anything right now, if you know what I mean. Do you know what it is? Can you guess? It was a gift - I was enrolled in "university!" But it's not a project I can blog step-by-step without violating an ethical code, so I am rather hesitant to launch into this one. I could certainly update you on progress with pictures, I suppose, since it's my embroidery, but I do like to venture into instructional points when I blog, and that wouldn't be quite right. Any idea what it is? I'll give you ten points if you guess right.



Oh. He just HAD to sneak in here! This is the Side Dish of Guilt in my present state of indecision. He must be finished. I've circled the parts that need to be done - it isn't much! I know I'll feel better about everything once I conquer this rascally rooster. (And hey - I've thought of a good use for him, too - but more on that later...)



I want to make this next needlebook from the French Maid Needlebook series designed by Bobbi Chase and distributed by Access Commodities. I really loved making and finishing the last needlebook, and I'm kind of eager to translate this one into a surface embroidery design, too. On top of that, they've come out with the fourth one in the series. I'm sure I'm going to want to make it, too.



Remember this? I started it last year, with my niece working on her own copy of it at the same time. Neither of us has finished. Working on this right now isn't un-appealing. I'm kind of in the mood for the simplicity of a charted design.



But then there's this - I'm dying to get back to some Schwalm work and actually FINISH a piece. Luzine Happel, author of Basic Principles of Schwalm Whitework, sent me this printed piece of linen, which is ready to stitch. Not only do I want to do the central section of this cloth, but I want to work some fancy hems around the outside (using Luzine's book, Fancy Hems). What to do?



I could take up something very small, like this crewel small. I enjoyed working on the crewel pomegranate small and the other crewel flower small - they were quick weekend projects that satisfied. But if I'm going to do crewel work, you know and I know that it must be the rooster first.

In fact, if I'm going to do anything, we all know it has to be the rooster first.

There's one other thing that's tempting me, and it's rather silly and inconsequential - but it would be a fun and relaxing project for the next week or so. Remember the spring corner I embroidered on a towel, to line an Easter basket last year? I want to make another one, with a different design, but in spring colors, for the same purpose. I have a terrific corner flower design to use - it's fun and crowded and casual and versatile, and it would be really bright and colorful. I think the grey winter weather is leaning me more and more in the direction of THIS idea.

So this is where I am, in the throes of a jolly bout of indecisiveness.

How about you make the decision for me and put me out of my misery?!
]]> Embroidery Projects embroidery kits pictures miscellaneous embroidery musings 3179 Kim K noreply@blogger.com http://www.blogger.com/profile/09410675833339408404 2010-02-14 18:33:54 2010-02-14 18:33:54 1 0 Sarah May design for an Easter card. Stitched in Hardanger with some cross stitch. Maybe an embroidered Spring card of flowers using a mix of techniques (silk shading, blackwork, gold work, ect) could cheer us all up and make a great gift.]]> 3180 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-14 17:54:22 2010-02-14 17:54:22 1 0 I've found your cross stitch sampler post. The whole is so different to what I expected (book by its cover etc). Thought it would be all squares but see now why the centre is left as is. No, the angels aren't my thing either. I would be replacing them. Anyway it's an interesting, lovely piece and done over one thread gives it an appeal that the 'ordinary' cross stitch wouldn't have.

It's a beautiful morning here. I'm still out west just yet and we've had 110ml of rain over 3 days. Beautiful. The trees look so fresh with the red dust washed off them. Hope it keeps up through the year and breaks this 10 year drought.
Can hear Blue Wrens and Jenny Wrens singing their hearts out and scattering good vibes hither and thither on the breezes.
Bye now, Kath.]]> 3181 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-02-14 13:06:14 2010-02-14 13:06:14 1 0 Whether than narrows it down to Trish Burr's project, or a crewel small. But something with colours.

And the rooster is looking *Magnificent*]]> 3182 Dixie noreply@blogger.com http://www.blogger.com/profile/02634644167648237712 2010-02-14 11:32:38 2010-02-14 11:32:38 1 0 3185 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-14 08:30:52 2010-02-14 08:30:52 1 0
Kath - the charted design is a Long Dog Sampler chart called "Angel Pavement" - I like it, except the angels, ironically. I have nothing against angels, of course - it's just the text ("Here Be Angels") and the angels themselves are a bit too sweetsy for me. What I particularly liked about this project was the section you see done already in the photo. I might try adjusting the pattern a bit to suit my tastes a bit better, on the rest of the design. Or I might just work it like it is. Or I might never finish it. Oh golly.]]> 3188 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-14 06:55:10 2010-02-14 06:55:10 1 0
I'm so pleased you've finished the rooster. Good on ya!
He looks really good in the pic. Glad you changed the pinks in tail tho - they were a bit...umm.. well they just didn't seem right. Interested to see what you've put it their place. And the whole finished embroidery.
I've been wanting to see the flowers as a whole and am not disapointed. They look really good.
And his comb is fabulous. My, he's a proud fellow and so pleased with himself. Am interested to see what you have planned for him.

The charted design is absolutely beautiful. I havn't seen it before. I like how some of the squares look like just part of a larger design.
I have a definite leaning towards rich colours AND paterns / designs cobbled together. Like the 'patchwork' heading a recent post with photos of sections of stitched designs.
A couple more squares of this charted design would be nice to see. Are you designing it yourself or do you have a pre-charted graph? I'm wondering too about its size. Are the squares tiny?
It's just so very appealing. I've had a bit of a look back for it but keep getting side tracked with lots of other amazing info and projects! And it's almost midnight so... bye for now, Kath.]]> 3189 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2010-02-14 06:42:51 2010-02-14 06:42:51 1 0 This lament was heard far and wide, so too was the groaning of her work space, "I'm too crowded, you can barely find the floor!
Skeins of threads, scissors, needles and pins, not to mention all those projects that want doing.
Miss Mary gazed around her in dismay, "I didn't realize it had gotten quite this bad." She cried, wiping a tear from her eye with a hankie (hand-embroidered, of course)
"A bit of early Spring cleaning is just the thing to get me out of this funk. I'm sure to find something for a contest or two. It will be like killing two birds with one stone. But first, there's this book I've been meaning to read!"
Good luck,
Karen Hilinski]]> 3190 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-02-13 20:08:06 2010-02-13 20:08:06 1 0
So many projects, so little time :O)]]> 3191 irene noreply@blogger.com 2010-02-13 20:00:24 2010-02-13 20:00:24 1 0
I agree - finish the rooster: the flower dots, the leafy tendrils and the beak/legs (I'd go for a rich gold color). If you finish one, you can start another with no guilt. Same thing I do with clothes or books: one comes in, one goes out.]]> 3192 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2010-02-13 19:23:42 2010-02-13 19:23:42 1 0 3193 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2010-02-13 19:21:40 2010-02-13 19:21:40 1 0
And after our Texas snow storm, I'm burning with ideas about a contemporary embroidery piece from some of the pictures I took. I've never seen snow quite like this. And I've seen plenty of snow since I'm from Kansas. There was no wind that day, the temperature was just above freezing and a very wet snow piled up by inches on the trees. We actually had 12", but some of it just melted into the ground. All the trees were fat with the snow, bending the branches down low and all rounded. It was amazing to see all that snow on the Magnolia tree that still had its leaves.

So I have a similar dilemma

I think you should finish the rooster or the charted piece. You'll feel better when something is finished.]]> 3194 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-13 18:10:11 2010-02-13 18:10:11 1 0 Not much help, am I?]]> 3195 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-13 18:07:53 2010-02-13 18:07:53 1 0
All I can say is....

I FINISHED THE ROOSTER. I just couldn't start something else without finishing it first. I even picked out a section and restitched it. (A small section - the pinks at the base of the wing).

Ah. He's finished. Now I can move on!

Thanks, all, for your encouragement and advice! Tonight, I may set up the next project. It'll be something light, I assure you - and easy to stitch, with easy threads! Wool is not always a dream to stitch with, I've learned!

MC]]> 3196 AmphipodGirl noreply@blogger.com http://www.blogger.com/profile/06713968079060622222 2010-02-13 17:27:24 2010-02-13 17:27:24 1 0 3197 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-13 16:32:58 2010-02-13 16:32:58 1 0 then the spring corner for next Easter...it's relaxing, meanwhile you think what to do next, maybe none of those lol!

I would like to hear from you about the stitch I've just posted - I was searching for a stitch for long and now I found it and had written three posts about. I don't know its name in English, do you know it?]]> 3198 Susan D noreply@blogger.com 2010-02-13 16:21:13 2010-02-13 16:21:13 1 0 3199 Lisa T noreply@blogger.com 2010-02-13 16:03:14 2010-02-13 16:03:14 1 0
Lisa]]> 3200 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2010-02-13 15:48:00 2010-02-13 15:48:00 1 0 3201 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-02-13 15:31:19 2010-02-13 15:31:19 1 0
I would tell you to finish that Rooster, he is so nearly there and finishing him would free you up, but I know that only you can make this decision.

Then start the glove, you are not obligated to us. Sure, we will miss you, but you don't have to post daily. Do something for yourself (say's she who is still debating wether to sign up for the Gold Work Master Class and hads't given a thought to the no-blogging aspects of it!)

Most of all, do your heart's desire. That's what will move you forward. The blog is not the most important thing, you are.

And when you are at your best, the blog is :-)]]> 3202 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-02-13 15:24:05 2010-02-13 15:24:05 1 0 Kathy in Kenai]]> 3203 Carol R noreply@blogger.com 2010-02-13 15:23:53 2010-02-13 15:23:53 1 0
But there's this little thing called tenure, and NSF grants waiting to be written, and an unfinished silk fan, two pillowcases, a promised barbecue apron, and a certain Indian girl project...and I send you via e-mail two other Indian motifs I would LOVE to make.

Not enough hours in the day.]]> 3204 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-13 15:03:13 2010-02-13 15:03:13 1 0
Aaaaaaaack.]]> 3205 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2010-02-13 14:46:03 2010-02-13 14:46:03 1 0 Having him completed will get rid of the side dish of guilt (great phrase!)
I'd love to see you start the roller afterward simply because I love him, but perhaps you should do something that isn't feathered.]]> 3206 Anne sasquatch2008@gmail.com http://www.blogger.com/profile/06691675699626976288 2010-02-13 14:36:38 2010-02-13 14:36:38 1 0
Anne]]> 3207 Anonymous noreply@blogger.com 2010-02-13 14:18:13 2010-02-13 14:18:13 1 0 3208 stitchkat noreply@blogger.com http://www.blogger.com/profile/13386818613507497168 2010-02-13 14:09:14 2010-02-13 14:09:14 1 0
As for your 'university' piece, how I ENVY
you! I have LUSTED after that Floral Glove Needlecase of Tricia's. If it were in MY stack, it would be right behind the two small obligation pieces that will be
finished within the week!

Whatever you choose, enjoy!

Katherine]]> 3209 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-02-13 13:33:45 2010-02-13 13:33:45 1 0 3210 Barbara in TN noreply@blogger.com http://www.blogger.com/profile/15433870637989210473 2010-02-13 13:25:24 2010-02-13 13:25:24 1 0 Barbara in TN]]> http://www.needlenthread.com/2010/02/folk-embroidery-needlelace-and-good.html Fri, 12 Feb 2010 09:39:00 -0600 Mary Corbet 75 2010-02-12 09:39:00 2010-02-12 09:39:00 open open Folk-Embroidery,-Needlelace,-and-Good-Reading publish 0 0 post Hungarian Flower Embroidery. The folk embroidery of Hungary is quite colorful, and, in its simplicity, I find it very appealing. After perusing the article on The Textile Blog, I found myself meandering about online, ending up at one of my favorite resources for online books.

Have you ever visited the On-Line Digital Archive of Documents on Weaving and Related Topics? It's a hefty title for a website. I just call it the Digital Archives. There, you will find some terrific books on all kinds of textile-related subjects. I found a couple books on folk art in particular, and both books feature some beautiful folk embroidery, needlelace, and related textile goods.



Both of the books I found myself browsing through are by author Charles Holme. The first is Peasant Art of Austria and Hungary, and though it covers more than just textiles, much of the content is dedicated to peasant costumes, embroidery, and needlelace.



Various items of the peasant costumes from Austria and Hungary are featured throughout the book, like this head-shawl, adorned with beautiful eyelets, cutwork, and textured embroidery.



The hand-made laces - like these two laces embroidered on net ground - are a terrific source of inspiration for surface embroidery patterns of a folky nature. I love those birds!



This bridal veil is exquisite. The design, embroidered on net and very light and delicate, would take on a completely different look if stitched in traditional Hungarian surface work, which is generally super colorful and somewhat heavy, as this photo from The Textile Blog demonstrates:



Though the types of needlework make both pieces look completely dissimilar, note that there are some elements in the flower designs that are look somewhat similar. I like both of these designs - the veil is certainly more elaborate and "formal," while the surface embroidery is simpler and somewhat "casual," but they're both beautiful in their own right.



The other book by the same author is called Peasant Art in Italy. Can't you just imagine this nice piece of crisp linen embroidered in bold blues or reds and adorning a tea table?

But what is that description under the photo? An embroidered bullock cover? Are they kidding? What do they mean - I mean, really... what DO they mean? Surely, they wouldn't really cover a bull with that.

"What a beautiful tea cloth!"

"Thanks, but it's not a tea cloth."

"Oh, what is it?"

"It's a bull cover, of course."

I thought there was some discrepancy between the description of the cloth and my understanding of the description. Towards the end of the book, in the section on painted carts, I arrived at this picture:



And so you see that a visit to the Digital Archives is always a learning experience!

I'm glad I don't have cattle. I might be tempted....

This weekend, if you're looking for a source of inspiration, some good reading on textile-related subjects, or just in the mood to browse good books, visit the Digital Archives. You can find these two books under the "H" section, by the author's last name.

Have a swell weekend!
]]> regional embroidery techniques online needlework books 3145 Anonymous noreply@blogger.com 2010-02-15 16:39:06 2010-02-15 16:39:06 1 0 3213 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-02-13 10:33:25 2010-02-13 10:33:25 1 0 ....Judy in Pittsburgh.]]> 3214 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-13 08:18:41 2010-02-13 08:18:41 1 0
Erica - you and I are in the same boat, I suppose. I really want to jump into a new project - something of a folk-arty design - but I'm tied to a ... a..... a ROOSTER.

Hi, Karen - heh heh. I thought a bullock was just a young bull. I suppose certain anatomical differences between the bullock and the bull might make it easier to dress one up for special occasions.

Jayashree - I would love to see pictures of that! I'll look around online to see what I can find. I suppose every country has its traditional festive decor for their various prized animals! In the American west, horses and saddles used to get a lot of attention, though I don't know if that's still the case.

KerGiz! Good to see you again! I love the embroidery of Hungary and that area of Europe. I have a Romanian student who brought me some gorgeous photos of the native costumes worn by his relatives at their weddings - the embroidery was so colorful and so abundant! A wonderful tradition!

Hi, Silvia! Thanks for the link - I read the article. It sounds as if the covers were made from a heavy fabric, actually with braid that was couched on, rather than embroidered through the fabric? Very nice of you to find the information and send the link! I appreciate that!

Tania - glad you got a good chuckle! I can't quite imagine it myself. But I suppose it's very festive looking when the carts are painted and oxen are covered! It would be neat to see in real life.

Oh, yes, Magpie - you and me both. I can easily squander a whole afternoon at the Digital Archives. It doesn't look as if any new books have been added recently, though, so I didn't hang out there too long this time!

Thanks again for your comments! Have a wonderful weekend!
MC]]> 3215 silvgar1 noreply@blogger.com http://www.blogger.com/profile/06648222855200082543 2010-02-13 07:21:57 2010-02-13 07:21:57 1 0
It's a google-made translation, some things are a little difficult to understand!

Regards
Silvia, from Italy]]> 3217 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-13 01:26:46 2010-02-13 01:26:46 1 0
In India in Gujarat which has a rich and varied tradition of embroidery bull covers are made by the nomadic communities using techniques like applique, beadwork, aari or tambour work etc.]]> 3218 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2010-02-13 00:04:28 2010-02-13 00:04:28 1 0 Actually, there are many styles of embroidery in Hungary, the two most beautiful surface embroidery styles are "kalocsai" and "matyó". The ladies in the past had beautifully stitched folk costumes too.
Is I am mostly do cross-stitching, I must add, that we have got beautiful folk cross stitch patterns, too.
Maybe some time later I gather a few pictures for you to see.
Have a nice weekend.]]> 3219 Anonymous noreply@blogger.com 2010-02-12 22:39:58 2010-02-12 22:39:58 1 0
I don't know if this will make it make more sense to you or not, but a bullock and a bull are not the same thing (I'll let you look them up because the difference is not genteel ;-p).

Suffice to say, you wouldn't go close enough to most prize bulls to put that cloth on its back :-O! Steers, on the other hand, rhyme with dears for a reason.

And this book is amazing!

Karen]]> 3220 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-12 16:02:21 2010-02-12 16:02:21 1 0 3221 Erica noreply@blogger.com http://www.blogger.com/profile/12692499583754486790 2010-02-12 14:59:04 2010-02-12 14:59:04 1 0
I shall explore the Digital Library when I have a few hours to spare. It may provide other interesting and thus far unthought of inspiration.

Guess I had better finish the bags before starting something new. Sigh.]]> 3222 Tania Kleckner noreply@blogger.com 2010-02-12 14:41:09 2010-02-12 14:41:09 1 0
Beautiful stuff. I just can't imagine why you would put an embroidered cloth on a bull. But there you go.]]> http://www.needlenthread.com/2010/02/sketching-embroidery-project.html Wed, 10 Feb 2010 11:23:00 -0600 Mary Corbet 76 2010-02-10 11:23:00 2010-02-10 11:23:00 open open Sketching-an-Embroidery-Project publish 0 0 post

At first, my plan involved sketching a Very Simple Embroidery Pattern. When I'm starting from scratch, and especially for the project I have in mind, simple is always better. I'm not sure what happened. I've ended up with a monster, something I know will not stitch up quickly, regardless of the technique.



This is it, and it's too much, and it's not quite right, either.

I did want something that would fit within a 6" square, but it didn't have to be round, and I'm not sure how it became round. I'm not sold on that Swishy Circle Something that's evolving on the lower right of the circle. In fact, I'm not sold on any of it.

My plan is to set up several (the numbers aren't clear yet) projects with the same design on them, and to stitch each project in a different technique, to show comparisons between various approaches to hand embroidery. Because there are so many approaches to hand embroidery! I think it would be helpful and even interesting to see how a design is reinterpreted depending on the approach the embroiderer takes with it. Needless to say, I wouldn't employ every embroidery technique under the sun. Instead, I wanted to concentrate on about four techniques.

And so, I need an original design. Something.... something.....oooooh.... Something just right. I've squizzed through innumerable design books, magazines, a bunch of vintage and antique flyers and catalogs, many of the tried-and-true oldies but goodies (Dillmont, etc.) ... but the Muse just never bit.

What I really want is something more akin to the simplicity of the crewel smalls I worked recently from Tristan Brooks Designs - this one, which is a very simplified something (I'm not sure it's exactly a flower), and this one, which is a simplified pomegranate design.

I've tried to make myself pin down what I have in mind. A stylized flower? Yes, kind of - but nothing too "cutesy." Formal or casual embroidery? Something that could be interpreted either way, and would change, depending on the techniques and materials used. Detailed or Very Plain? Starting plain, but with the option of details.

The pathetic thing is that this has been flopping around in my head for well over a month - since before Christmas, actually. And yet, all it does is flop.

I started flipping through my sketch books. I don't sketch often, and that's part of my problem. Doodling? Sure. Sketching? Not much. And you can't get good at something if you don't practice. I tell myself that all the time!



Speaking of doodling, I've always wanted to take this type of thing and translate the idea into a free-style embroidery design. I think it'd be fun to stitch up something similar - in black and white, or in color.

And so my mind wanders on to other things, and my sketching falls short of my plans, and my next project remains distantly foggy in my head.

That's the same head, by the way, where a nagging voice keeps saying something about a rooster.
]]> Embroidery Projects miscellaneous embroidery musings embroidery design 3240 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-02-11 10:47:14 2010-02-11 10:47:14 1 0 3242 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-11 07:48:02 2010-02-11 07:48:02 1 0
Thanks very much for your comments! Megan, you're RIGHT - it's just kind of a take off of the previous silk stole design.... heh heh. I realized that after I drew it. "I think I've seen this somewhere before...."

Kath, I added a neck band to the tip, but pretty much left the height alone - I'll post the design today, so you'll see what I mean. It still needs tweaking, I'm sure.

Yvi - thanks for the tip on that book! I love the Dover design books! They're great for inspiration - and they're generally very affordable, which is great. I'll look this one up! Thank you!

Pat, your doodle design in really nice! It looks fun. That's kind of what I had in mind - something... like that! One of these days? We'll see!

Magpie, by the way, yes, I can see it in goldwork, too. I may be creweled out for a while. I'm not sure yet - once I finish the rooster, I'll let you know!

Elspeth - you and I are in the same boat. I posted a similar doodle on my Flickr account, and someone asked if I would add it to the zentangle group. I had no idea what they were talking about. Who would have ever thought to give a name to a doodle?

Meri - if I get around the next project, it should be fun. Wish me luck and time!

Sheila - I looked up the book. It does look like it would be really good. I've put it on my list and will keep an eye out for it through other places, too. Thanks for that!

Linda - Thanks! I was thinking something along the lines of a box top, even. I seem to be stuck on boxes lately.....

Thanks again, all! It's always great to get feedback!

MC]]> 3243 Pat patricia.thornhill@btopenworld.com http://www.blogger.com/profile/15771378948765147509 2010-02-11 04:26:08 2010-02-11 04:26:08 1 0 3244 Yvi noreply@blogger.com 2010-02-11 02:40:56 2010-02-11 02:40:56 1 0 I'm generally only a 'lurker' on your blog and read your posts most days - wonderful inspiration, thank you.
Dover publications have book of designs that I think you (not me!)could very easily translate into sort of crewel work - or indeed many other other types of stitching. Decorative Flower and leaf designs by Richard Hofmann.]]> 3246 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-10 20:47:25 2010-02-10 20:47:25 1 0
Your sketch is inspirational to say the least. It may not be what you want for this exercise but it a wonderful piece.
I like the 'Swishy C S', it's like waves that are born of the the flower petals but no matter how wild the storm, the flower rises above it. That reminds me of butterflies in strong wind. They still seem to be able to fly about ok, even across the wind.
For myself I think I'd leave the tip off the flower in that position as it seems to crowd the space there. Maybe I'd try something smaller.
Also, I like that square corner protruding from the circle. I reckon they could successfully be incorporated into the design.
Just my 'thinks'.

Also the doodles give me doodle bumps (related to goose bumps of a delicious nature!). It is WOW!

Bye for now, Kath.

ps: Rooster? Seems I should know that word!
Sorry, good luck with it anyway.]]> 3247 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-02-10 18:45:07 2010-02-10 18:45:07 1 0 3248 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-10 18:26:56 2010-02-10 18:26:56 1 0 And can't wait for your next project! It sounds great! (as usual)]]> 3249 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-10 18:12:03 2010-02-10 18:12:03 1 0 3250 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2010-02-10 16:48:38 2010-02-10 16:48:38 1 0 Elspeth.]]> 3251 Sheila noreply@blogger.com 2010-02-10 15:50:50 2010-02-10 15:50:50 1 0
Looking at your sketch reminds me of a really wonderful book that I found several years ago called "Botanique et Ornement dessins" from the Musee Des Arts Decoratifs. It contains 30+ lovely watercolor sketches by Pierre-Victor Galland. They are architectural sketches of leaves and flowers, very art-nouveau-ish. The style of drawings captures the sculptural quality of the woodwork you'd find on the Trouvais blog.

Your sketch has a bit of this quality, and since this very small book is so precisely focused on the botanical, it reminds me of the direction you are going in your sketching.

I tried to find images of the colored plates in the book to give you a better idea, but unfortunately, I only find posters that look nothing like the delicately lovely sketches in the book I'm holding. Abe books has this copy for about 25 USD, but I wouldn't buy a book sight unseen, so I can't imagine others doing so either... Wish I could show you...]]> 3252 Linda Boudreau noreply@blogger.com http://www.threadsoflove.blogspot.com 2010-02-10 15:18:15 2010-02-10 15:18:15 1 0
Your work is second to none. Look at the different styles in the butterfly you did some time back, it was gorgeous and would do that one again as well.]]> 3253 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-10 13:29:26 2010-02-10 13:29:26 1 0
Thanks for your comments! Silks? Oh, so do I. Heh heh. It's kind of a spin-off from my silk-on-silk project I posted eons ago.

The French website is a very nice resource - I have it in my favorites as well. The sources she uses for her designs are pretty much all the same paper / print sources I have, from the 1800's into the 1900's - La Broderie Lyonnaise, etc. They're wonderful old pamphlets / catalogs / magazines. Some day Im actually going to make it through all of them and scan the designs and clean them up!

Yes, I've seen the RSN project by Sally Saunders. But I forgot about it - I'll dig the book out and take another look!

Thanks again!

MC]]> 3254 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2010-02-10 13:18:21 2010-02-10 13:18:21 1 0 Royal School of Needlework Embroidery Techniques by Sally Saunders with the same goal of trying four techniques on a similar design. Have you done those?]]> 3256 Anonymous noreply@blogger.com 2010-02-10 12:47:56 2010-02-10 12:47:56 1 0 3257 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2010-02-10 12:15:53 2010-02-10 12:15:53 1 0 http://www.needlenthread.com/2010/02/embroidered-flowers-for-elizabeth-its.html Tue, 09 Feb 2010 06:56:00 -0600 Mary Corbet 77 2010-02-09 06:56:00 2010-02-09 06:56:00 open open Embroidered-Flowers-for-Elizabeth---It's-Out-and-...-I-...-Want-...-It. publish 0 0 post Embroidered Flowers for Elizabeth by Susan O'Connor is out? And that I want it?

I'm not a book-comings-out watcher, normally. There are very few embroidery books on the market whose arrival I anticipated before the fact - a couple Jane Nicholas books, perhaps, (Medieval Flora being one), but that's about it. Oh, yes. I'm glad to hear certain books are coming out, but I don't write them down on my calendar and wait and watch. And wait. And watch.

Susan O'Connor's Embroidered Flowers for Elizabeth is one of the exceptions, and I'm happy to say that......

IT'S OOOOUTTTT!!!!!!



The book is published by Country Bumpkin - the folks behind Inspirations Magazine (the newest issue #65 is wonderful!) - and right now, the only way to get your paws on it is to order it from Australia. I'm sure it will eventually be released worldwide, but for now, it's hovering Down Under.

Lo! A strange feeling creeps over me! It is one of determination. I must order the book, and I must order it from the Antipodes. (Actually, it's not "determination." Wrong word. It is sheer covetousness, and you'd think I'd drum up some virtue and get over it, but....)

It's true - I haven't ordered mine yet, and the book has been out for a couple weeks. You see, there are two drawbacks to the CB website: 1. They don't take Paypal for international customers, and some debit cards don't work for overseas orders, so unless you're a credit-card person, you have to devise another way to order; 2. The shipping is - whoa - high, but they can't help that. And I suppose every time I order from CB, I don't have to go browsing through their website finding all kinds of other things I want to order, which only increases the cost of shipping, not to mention the cost of the order.

Ok, enough about the mundane details behind this maniacal need for hobby-related goods.



The fact is, without having even seen it, I know this book is completely up my alley. It is ... it is Me. I realize it wasn't written with Me in mind, but it is really my kind of book, my kind of stitching, my kind of inspiration, the type of embroidery I really love to do and love to look at and love to plan to do and .... just.... love.



And hence, I have waited. I have anticipated its arrival. I have planned. I have saved. And I will purchase!

If you haven't seen the preview for this book yet, do visit the Country Bumpkin website and flip through the Flash preview of Embroidered Flowers for Elizabeth. Try not to become twitterpated, or you'll be in the same boat I am.

I'll review the book more thoroughly once it's in hand! In the meantime, if you've had the opportunity to see it or buy it, what's your take? Will we like it??
]]> book review embroidery resources Inspirations Magazine long and short stitch 2985 Paulette noreply@blogger.com 2010-02-25 11:56:45 2010-02-25 11:56:45 1 0 Have a beautiful day.]]> 3000 Marika noreply@blogger.com http://www.blogger.com/profile/13800399877762233993 2010-02-25 06:47:12 2010-02-25 06:47:12 1 0
The book is beautiful, well put together, stunning photos, and the actual embroidery is a dream (I can't wait to get started).

But in terms of guidance on the construction of the blanket, I think it's lacking. For someone like me, who is competent as far as embroidery goes but a beginner in terms of construction, the actual final product is pretty confusing.

A pity, but I'm not going to give up - waiting for my wool order to arrive and then I'm going to start on it!]]> 3002 jocelyne noreply@blogger.com http://www.blogger.com/profile/11059354844560124592 2010-02-25 06:21:40 2010-02-25 06:21:40 1 0 This from Susan O`Connor will be available at Amazon.ca fro the price of $28.31 cdn.
The date is March 2010. I am ordering it right now....
Thanks to you for the wonderful info.
Jocelyne from Quebec, Canada]]> 3150 Joan in Reno noreply@blogger.com http://www.blogger.com/profile/15494265725689820056 2010-02-15 11:58:04 2010-02-15 11:58:04 1 0 3258 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-10 08:11:16 2010-02-10 08:11:16 1 0
Just wish I had the financial means to buy a copy for everyone and send them over post haste with a note written on the outside like we used to do as kids, 'Postman, postman please be quick,
My friend can't wait another tick'!

Cheers, Kath.]]> 3260 Marika noreply@blogger.com http://www.blogger.com/profile/13800399877762233993 2010-02-10 03:27:10 2010-02-10 03:27:10 1 0
I ordered it straight away, and I'd promised myself no more embroidery books...ah well!

Another good place to order, often MUCH cheaper than Amazon etc is www.abeboks.com]]> 3261 Flowers noreply@blogger.com http://www.iflorist.co.uk/c-105-valentines-day.aspx 2010-02-10 01:54:14 2010-02-10 01:54:14 1 0 3263 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-02-10 00:26:37 2010-02-10 00:26:37 1 0
I'm FAR away from home in Taiwan just now and won't be buying many books at all thanks to having to pay mucho shipping £$£ to get it here, then having to pay to get it home as well when we move back, I'm not buygin yet. I'm saving up a load of wish-list books for home, or, if they appear at a price I can't refuse (like a Barbara Hurst stumpwork book did recently) on Amazon Marketplace, I have it sent to my mum's and possess my soul in patience until December......

Thank goodness I can get 'Inspirations', 'Stitch' and 'Classic Stitches' here, which your post has just reminded me to go soon and pick up.=)]]> 3264 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-02-10 00:04:21 2010-02-10 00:04:21 1 0 3265 margaret c. noreply@blogger.com 2010-02-09 21:52:31 2010-02-09 21:52:31 1 0
Great link, Irene!]]> 3267 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2010-02-09 19:39:16 2010-02-09 19:39:16 1 0
I'm with Irene. My hubby and I love the Book Depository. They carry a lot of books we like that might take a while before it gets released in the US plus free shipping is always good. ;-)
As a matter of fact, when I succumbed to the temptation of your post on "Why Not Embroider Boxes" I ordered it from them as well as "Embroidered Flowers for Elizabeth!"
I have been salivating over that book ever since Country Bumpkin started promoting it.
Oh, "Making Hand-Sewn Boxes, by Jackie Woolsey" is available at Lacis. Did I mention how I liked free shipping? :-)
Now to try to exercise what little self-control I have and wait before I get "William Morris in Applique.:


Chris]]> 3268 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-09 18:40:37 2010-02-09 18:40:37 1 0 3269 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2010-02-09 18:09:41 2010-02-09 18:09:41 1 0 3271 stitchalicious noreply@blogger.com http://stitchalicious.com 2010-02-09 14:52:28 2010-02-09 14:52:28 1 0
Now, I wonder if anyone will be selling it at Stitches & Craft in London in March... and if I should head over with an empty suitcase just for my purchases...]]> 3272 joey noreply@blogger.com 2010-02-09 14:16:20 2010-02-09 14:16:20 1 0 3273 AnnaK noreply@blogger.com http://www.blogger.com/profile/04733272049707899821 2010-02-09 12:41:25 2010-02-09 12:41:25 1 0 Oh, and BTW - the first thing I look for when I turn on my computer every morning is your blog/newsletter!
Anna]]> 3274 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-02-09 12:19:11 2010-02-09 12:19:11 1 0 3275 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2010-02-09 11:52:22 2010-02-09 11:52:22 1 0 3277 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-09 10:58:01 2010-02-09 10:58:01 1 0 and it has a pomegranate!!!!:)
I've already checked out that link!Thank you Irene!]]> 3278 Tania Kleckner noreply@blogger.com 2010-02-09 10:56:42 2010-02-09 10:56:42 1 0
We are having a balmy day here in NYC but apparently a blizzard is on it's way and the NYC school's have already annouced a snow day for tomorrow! Hard to believe since it is about 36 and the skies are clear blue. Tomorrow will be a perfect day to stay home and stitch - if my kids will let me.]]> 3279 M&amp;Co. noreply@blogger.com http://www.blogger.com/profile/05826472564396169120 2010-02-09 10:47:52 2010-02-09 10:47:52 1 0 3280 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-09 10:10:30 2010-02-09 10:10:30 1 0
Brian - thanks for the heads up about Amazon - it's not quite available yet on Amazon in the US, but it looks like it's coming.

Hi, Judyth - I think I'd go with this book (Embroidered Flowers for Elizabeth). But I do have several wool / crewel books, so that's why I rule that one out, and I already have the 19th C Embroidery Techniques one - it's a really good book. But I suspect I'd still go with the Embroidered Flowers book, because I like the small motifs that can be worked individually, and I love this style of embroidery in general.

And as for Kansas! I'm laughing my head off this morning. We expected snow on Sunday and Monday and didn't get a lick. It was practically balmy. Then, this morning, when it's supposed to be "partly cloudy and cold" (that was the extent of the forecast) it's been snowing all morning! Everything's practically covered again!!

Have a terrific day!

MC]]> 3281 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-09 10:07:23 2010-02-09 10:07:23 1 0 3282 Brian noreply@blogger.com http://www.blogger.com/profile/07379963099275525986 2010-02-09 09:56:15 2010-02-09 09:56:15 1 0 With regards to Embroidered flowers for Elizabeth by Susan O,Connor.
Amazon sell it for 12gb pounds plus postage,unless you wait the 5 days then postage is free
Regards .
Brian

PS Ive ordered it.]]> 3283 Judyth B. Lutt noreply@blogger.com 2010-02-09 09:10:45 2010-02-09 09:10:45 1 0 and this one - 19th Century Embroidery Techniques by Gail Marsh. Of the three, if you could only get one, which would you consider the ONE?
I love wool embroidery and already have a couple good books on it. I mostly crazy quilt and wool just doesn't seem to work well with what I'm doing.
I'm in love with the rooster. Maybe someday.......
Judyth in Kansas, too. Where it's cold! and the wind......... awful!]]> 3284 Irene noreply@blogger.com 2010-02-09 08:19:57 2010-02-09 08:19:57 1 0 Kind Regards,
Irene]]> 3285 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-02-09 08:18:16 2010-02-09 08:18:16 1 0
I have an antique folding screen that belonged to my grandmother. I have been thinking about embroidering panels for it and I may take my inspiration from the designs in this book. Wouldn't that be beautiful?! But until I actually HAVE the book, I can only dream!

Kathy in Berlin]]> 3286 margaret noreply@blogger.com http://www.blogger.com/profile/07727534908302610374 2010-02-09 08:11:54 2010-02-09 08:11:54 1 0
I'll add it to my wish list.]]> http://www.needlenthread.com/2010/02/revisiting-society-silk.html Mon, 08 Feb 2010 06:33:00 -0600 Mary Corbet 78 2010-02-08 06:33:00 2010-02-08 06:33:00 open open Revisiting-Society-Silk publish 0 0 post collection of Society Silk (aka Silk Art Embroidery or Needlepainting) pieces that I received from a reader, along with a bunch of threads that belong to this historical embroidery movement that spanned the end of the 1800's through the beginning of the 1900's. This morning, I found an informative comment from Donna Cardwell, author of the book Silk Art Embroidery and the website The Society Silk Embroidery Collectors Club.

The comment that Donna left on the original post about Society Silk Embroidery is well worth reading, so I wanted to highlight it here, since last year's August article is probably pretty obscure right now.



Society Silk (or Silk Art Embroidery) was an embroidery style popular from the mid 1880's into the second decade of the 1900's. On her website, Donna narrows the dates down to 1877-1912. The style featured typical Victorian designs, especially of flowers and vines and so forth, stitched with silk on linen in long and short stitch. The technique was taught to women in America in order to give them a source of income. You can read all about the history of the technique at the Society Silk Embroidery Collectors Club website. While you're there, do make sure you visit her picture gallery of Society Silk pieces - it is well worth a lingering browse!



In my original article on the Society Silk pieces I received, I wondered about a few things: the difference in types of linens, the types of threads, whether or not the linens would wash up. Donna was kind enough to supply the following extensive answer to my musings:

Hi Mary, what lovely pieces. I was just wondering what you decided to do with them as far as washing the spots out. My experience has been that the pre-printed designs were made to wash out in the first wash ~ I don't think they will still be there if you try to immerse them in anything resembling soap and water (or even just plain water).

In my research for my book (Silk Art Embroidery, A Woman's History of Ornament & Empowerment), I purchased many, many pieces just like this that had been worked but never washed, and you could still see the design under the floss. When soaked, the design comes right out.

As far as the patterns themselves, the ladies could purchase the linens to be worked with the design already stamped; buy a Stamping kit and either copy the patterns from the many embroidery books; or they could design their own pattern and stamp them on whatever type of linen they wished. Some of the companies also offered them for sale at a higher price with the embroidery already started, which could explain the partly done embroidery on some of your pieces.

You are correct that the pieces could be purchased with the drawnwork and/or hemstitching already done. This was especially true of the smaller fine white linen teacloths that were so popular for teatime. I have several catalogs from which dealers actually purchased their stock of items to sell, and there are many different types of pieces such as this.

Also, the difference in the fabric and the designs is because in the beginning of the silk art embroidery movement in America (in 1877), fine white linen was the norm for most of the table linens. Closer to the end of the approximately 33-year period (1877 to 1910-1912 or so), they began to use the coarser, heavier fabric. They called the different fabrics "ticking," "brown burlap," "grey crash," "Tan Art Cloth," to name a few. The designs also turned away from the pure realism of the beginning time period to include more abstract "Arts & Crafts" and "William Morris" type motifs. In many cases, these linens were also shaded so that the volume of embroidery necessary to finish the piece was much less then from years past. Often they only worked the edges of these designs.

Also, they offered MANY different types of floss and the motifs look totally different when worked with differnt types ~ Richardson's sold "Filo," "Sicilian," "Grecian," "Rope Silk," "Wash Embroidery Twist," "Honiton Silk" (especially for use in Honiton Lace work), or "Mountmellick Silk." There are also different sizes of silk floss for different types of items ~ something that was used on the table had to be more sturdy, while a piece made to frame (which came into popularity in 1901) could be a little less sturdy and therefore more delicate floss could be used.

Ecclesiastical embroidery was very popular as mentioned, and though I've seen many patterns in the embroidery books, I've only seen one piece in real life (which I found after my book was published, so it's not in the book). I'll post a picture of it on my website if you would be interested in seeing it. [It's on the home page and also in the photo gallery - a gorgeous piece! MC]

By the way, many of your pieces have the very popular motif of maidenhair ferns stamped on them. Also, all of these are table linens. It was very common to purchase them in sets for the whole table. They consisted of a centerpiece and matching doilies.

Hope some of this helps. If I can answer any more questions, please feel free to contact me. You can do so through my website, www.societysilkembroidery.com.

You'll find Donna's website, Society Silk Embroidery, an informative and beautiful resource for those interested in this period and type of embroidery. Do stop by there and visit! And thank you, Donna, for the informative comment!

]]> historical needlework embroidery resources silk needlework pictures 3245 Yvette Stanton noreply@blogger.com http://www.vettycreations.com.au/white-threads 2010-02-10 22:53:41 2010-02-10 22:53:41 1 0
Coloured threads are never a part of Mountmellick embroidery. One of the defining characteristics of Mountmellick is that it is white matt cotton thread on white cotton satin jean (having a slight sheen)
fabric.

You can read more about what makes Mountmellick its own style at my website: http://www.vettycreations.com.au/me.html

You can also follow more of my discussion about Mountmelllick and silk threads on my blog at:
http://vettycreations.com.au/white-threads/2010/02/10/more-mountmellick-and-silk/
and also the post immediately preceeding that one.

I hope that helps. I don't mind answering any further questions either!

Yvette]]> 3266 Yvette Stanton noreply@blogger.com http://www.vettycreations.com.au/white-threads 2010-02-09 21:46:33 2010-02-09 21:46:33 1 0
I posted on my blog about this yesterday, following Mary's thought-provoking post. You can find my further thoughts on the matter at:
http://www.vettycreations.com.au/white-threads

I will email you, and we can continue our conversation. No need to do it here in Mary's comments! :-)

With thanks,

Yvette]]> 3276 Donna Cardwell noreply@blogger.com http://www.societysilkembroidery.com 2010-02-09 11:04:48 2010-02-09 11:04:48 1 0
I received a question from a friend recently ~ she has found some Mountmellick done in colored floss instead of white. I remember seeing an article in one of my old books about this, but I haven't been able to put my hands on it yet (I have WAY too many antique needlework books!) The article is about using colored floss in Mountmellick embroidery. I don't remember if it was silk or cotton. Do you know anything about this practice, and was it unusual or the norm? I will have a small section about Mountmellick in my second book, and you may be able to clarify this issue for me. I have been looking for a while with no answer in sight!

Thank you so much!

Best regards,
Donna]]> 3288 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-09 06:54:06 2010-02-09 06:54:06 1 0 I found this post so interesting. I looked up Donna's site and am in awe of the embroideries in the gallery. Ooohh and ahhh etc.

The pieces you have are treasures. I'm glad you own them and are sharing them with us.

Cheers, Kath.]]> 3289 margaret c. noreply@blogger.com 2010-02-08 23:25:57 2010-02-08 23:25:57 1 0
I have a fantasy where I find a piece of about 110 year old beautiful fine linen stamped with a wonderful design all ready for me to stitch! Even better would be to find a sufficient cache of antique silk floss with which to embroider this mythical piece.

I did say it was a fantasy; a person's got to have dreams. :-)]]> 3290 Yvette Stanton noreply@blogger.com http://www.vettycreations.com.au/white-threads 2010-02-08 21:29:20 2010-02-08 21:29:20 1 0
How fascinating! However, I shuddered at the mention of "Mountmellick silk". I would not want anyone to think that working Mountmellick embroidery in silk was the right thing to do! This would have been a marketing attempt to sell more thread, and nothing more. You see, Mountmellick Embroidery (from the town of Mountmellick, in Ireland) was worked on white cotton satin jean in white matt cotton thread. The thread was supposed to be *cotton* and *not shiny*! Silk is neither of these things!

Interesting that the silk manufacturers were trying to make it otherwise, but this was certainly NOT a traditional way of working Mountmellick, so I wouldn't want anyone to think so.

While I love Mountmellick embroidery and I love working with silk, I keep those two loves separate. :-)

Yvette Stanton
Author of "Mountmellick Embroidery: Inspired by Nature"
http://www.vettycreations.com.au/me.html]]> 3292 Katarzyna noreply@blogger.com http://www.blogger.com/profile/08598712865952004266 2010-02-08 14:02:51 2010-02-08 14:02:51 1 0 I fund Your Web site a few weeks ago and I really like it.
I live In Poland, where most popular is cross stitch. In some regions people knows other embroidery techniques like Bobbin lace, embroidered white, richelieu, Irish lace. But we have so many types of embroiders in the world. I like Goldwork – like You. In Poland just several people familiar with this technique.
I’m going to look You site, because it is very inspirational for me.
Good look with next embroiders.
Best regards
Anna from Poland]]> 3293 Anonymous noreply@blogger.com 2010-02-08 11:22:34 2010-02-08 11:22:34 1 0
The quality of the stitching in the photos on Donna's site is simply amazing. Makes me realize I have a long way to go...
-Sharon]]> 3294 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2010-02-08 08:22:05 2010-02-08 08:22:05 1 0 http://www.needlenthread.com/2010/02/why-not-embroider-boxes.html Sun, 07 Feb 2010 09:29:00 -0600 Mary Corbet 79 2010-02-07 09:29:00 2010-02-07 09:29:00 open open Why-not-Embroider-Boxes? publish 0 0 post Making Hand-Sewn Boxes, by Jackie Woolsey. This second book is called Why not Embroider Boxes? by Daphne Ashby and Jackie Woolsey.

Why not Embroider Boxes? was somewhat hard to find here in the States, but it is available through used book sources online, so I tracked a copy down. The book is the collaborative effort of embroiderer Daphne Ashby and box-maker Jackie Woolsey. I heard from Jackie after reviewing her book Making Hand-Sewn Boxes, and she told me about this book which she thought would be more tailored towards fulfilling my quest for embroidered-box instructions. She was right! It's a great a little book, and perfect for the ideas that are gurgling about in my head.



The book is small - 6" x 8" - but packed with good content, including instruction not just in box assembly but also in embellishment.



And hey, look! It's spiral bound! I love instructional books that are spiral bound. The book begins with instruction on basic box making. If you happen to have Making Hand-Sewn Boxes, this section is a bit repetitive, but it's still essential for the book, and it's always good to re-read initial instructions before launching into projects, anyway!

Keep in mind, though, that the projects and the types of boxes within this book are not the same as those featured in Making Hand-Sewn Boxes. Each box in Why not Embroider Boxes? is different from those already covered in the previous book.



For each project in the book, we're given instructions on making the particular type of box, and then instructions on making embroidered embellishment for the box.



The embroidery design is given in the book, as well as instruction on the completion of the embroidery. Some of the embroidery is perfectly suited to beginners, while some of it is directed more for those seeking a challenging project. This stumpwork lily pad and dragonfly design is gorgeous and would be terrific for anyone who is keen on stumpwork.



Notice the coordination between the fabric on the box and the design on the embroidery. Most of the box projects in the book are created this way - the fabric is chosen first, and then coordinating embroidery motifs are designed for the embellishment of the box.



I love the variety of the boxes in the book. Details are given on how to make stays (that keep the hinged lids from flopping all the way open), dividers and hinges, all necessary components of this more complex box, which would be ideal for stationary and writing supplies.



Note the coordination between the two flower motifs and the fabric on the box carcass.



For many projects, the embellishment is something added separate from the actual covering of the box. In this case above, two little medallions are embroidered to match the fabric covering the lid and the rest of the box; then the medallions are sewn onto the lid fabric. While I'm more inclined to want the whole cover embroidered (or the whole box, for that matter!), I do like this treatment a lot. I love the way the little medallions pick up the fabric.



Honey, anyone? The bee box features honeycombed panels on the sides (canvas work) and stumpwork bees populating the surface of the box. I like the hexagon shape of the whole piece.



And I just had to let you know that there's a rooster in the book.

There is.

I can't get away from them!

If you're considering making an embroidered box, this is probably a book that you'll want to have on hand! Look it up through used book sources to see if you can grab a copy! You'll be glad you did!

]]> embroidered boxes book review 2387 Christine noreply@blogger.com http://www.blogger.com/profile/11812223278446037862 2010-03-09 15:03:06 2010-03-09 15:03:06 1 0 3287 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-09 07:05:22 2010-02-09 07:05:22 1 0 Surely there must be a nicer name for such splendid articles than 'boxes'.
Thanks for introducing this special book.
Bye for now, Kath.]]> 3291 Tania Kleckner noreply@blogger.com 2010-02-08 19:20:54 2010-02-08 19:20:54 1 0
I bought 'Making Hand Sewn Boxes' after I read your review of it a few weeks ago. I love it and love the idea of making a box and covering it with something I have embroidered. So this very weekend, I searched online and found a book called 'Hand Stitched Boxes' by Meg Evans for $1.55! Don't know if it will be as detailed as 'Why Not Embroider Boxes,' but I am looking forward to reading it and getting some ideas. I am really tempted to get 'Why Not..." as well.

Thanks for the inspiration!

PS I bet you will notice every rooster you see from now on. I know I will!]]> 3297 Needlewithaneye noreply@blogger.com http://www.blogger.com/profile/13561323683846623893 2010-02-07 16:54:30 2010-02-07 16:54:30 1 0 3299 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2010-02-07 14:14:39 2010-02-07 14:14:39 1 0 3300 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2010-02-07 11:27:24 2010-02-07 11:27:24 1 0
This may have been mentioned before, but I also found a needlepoint box tutorial here http://pinsneedles.wordpress.com/needlepoint-box/

I bookmarked it and put together a 'kit' to make it. It's still waiting, but at least it's ready. :)]]> http://www.needlenthread.com/2010/02/crewel-embroidery-rooster-more-knots.html Sat, 06 Feb 2010 07:29:00 -0600 Mary Corbet 80 2010-02-06 07:29:00 2010-02-06 07:29:00 open open Crewel-Embroidery-Rooster:-More-Knots-and-Not-Finished! publish 0 0 post crewel embroidery project, The Crewel Rooster. Between me and the Finish were many, many French knots. But the Finish was in sight! And, oh, that delectable anticipation of Finally Reaching the End! But... you know. Things don't always work out the way we plan. Here's my week-later update on The Crewel Rooster, which isn't finished at all, and which still requires lots and lots of yucky knots. (See how my attitude has changed towards the French knot?!)

French knots are not really yucky, I suppose. I just under-estimated the time it takes to work that many French knots, and, as it turns out, I haven't had a lot of time for embroidery this week.

I have, however, moved on to the second flower and adjusted the color layout somewhat. I'm still using Renaissance Dyeing wools - wools dyed with pure vegetable dyes - and I'm really enjoying working with these threads. They're quite nice. The colors are the same used in the first crewel flower, but I've re-arranged the location of the colors on the various parts of the flower.



The stitching is the same - the buttonhole scallop around the outline of each petal, the petal filled with French knots, and then a detached buttonhole stitch worked around the very edge of the petals.

For the colors, though, I went with the mid to lighter tones on the scallops and the filling, and then the darkest tone as the "ruffle" around the outside of the scallops. The dark red will also be used for the stamens and the round things at the very top of the flower. I like this color layout better, personally. The dark on the very edges blends better with the buttonhole scallops, so the individual buttonhole stitches don't stand out as much, making the stitching look neater over all.

But, hey. That's just my opinion! What's yours?

I am determined to finish the rooster project this weekend, come hell or high water or even something more exciting, like a place to go or people to see. No, no! I shall be a hermit and git 'er done. It's time to move on to a new project. Multiple projects all at the same time, actually - but more about that later!

Enjoy your weekend! And keep your fingers crosses for me!
]]> Embroidery Projects pictures wool crewel work needlework pictures 3017 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-24 06:12:33 2010-02-24 06:12:33 1 0
I've got a video for detached buttonhole filling, if you want to check it out:

Detached Buttonhole Filling

Hope that helps!

MC]]> 3021 Marie noreply@blogger.com 2010-02-23 17:22:14 2010-02-23 17:22:14 1 0
I love your website and am finding it a great help in my first forays into embroidery. Thank you so much.

I was wondering if you could help me out a little as I've seen your instructions for buttonhole stitch but cannot find any for detached buttonhole stitch - I'm assuming it is a slight 'tweak' of the original. Could you please tell me how to do this/

Many thanks

Marie]]> 3144 Anonymous noreply@blogger.com 2010-02-15 18:30:45 2010-02-15 18:30:45 1 0 Thanks for the great website and for sharing your time and talents.

Kysis in Kentucky]]> 3301 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-07 01:06:04 2010-02-07 01:06:04 1 0 What has snow and French knots got in common?
Sometimes Mary likes em and sometimes she don't. Now that's a bit cheeky of me. Hope you have a nice warm home. I'm sitting in reach of the air conditioner!

The flower is looking beaut. Yes, I do like these colours though haven't gone back to the other to compare. It's going to be lovely.

Bye for now, Kath]]> 3304 Cactusneedle noreply@blogger.com http://www.blogger.com/profile/13063893333954556967 2010-02-06 18:59:55 2010-02-06 18:59:55 1 0 3307 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2010-02-06 12:58:00 2010-02-06 12:58:00 1 0
It's been nice to see how the various wools work up when used by someone other than me. :P I know now that I REALLY want to play with the Bella Russo wool I've got in my stash!]]> 3310 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-06 10:30:44 2010-02-06 10:30:44 1 0 3312 Anonymous noreply@blogger.com 2010-02-06 09:01:36 2010-02-06 09:01:36 1 0 http://www.needlenthread.com/2010/02/crewel-embroidery-in-england-book.html Fri, 05 Feb 2010 05:00:00 -0600 Mary Corbet 81 2010-02-05 05:00:00 2010-02-05 05:00:00 open open Crewel-Embroidery-in-England---Book-Review publish 0 0 post sound familiar. But I suppose that's because there are only so many titles for books about embroidery, and when you get specific (for example, a book about crewel embroidery), there's a good chance the same words are going to be used in the title somehow. So, whether you're looking for Crewel Embroidery in England or The A-Z of Crewel Embroidery, or even The New Crewel - it's a safe bet that the word "crewel" is going to occupy part of the title!

So, given the proclivity for needlework book titles to all sound similar, and given my completely disorganized needlework library, it's sometimes difficult to know for sure if I have indeed seen a specific book, or worse, if I own it. When the book Crewel Embroidery in England by Joan Edwards sauntered into the conversation, I couldn't say for sure whether I was familiar with the book, whether I had actually seen the book, or whether I owned it.

As it turns out, it sounded familiar. A quick Google search revealed a photo of the cover, and my memory kicked in. Familiar? yes! I'd definitely seen it! Who could forget that big monster lion growling on the front of it? But did I own it? Hmmm.... that took a little more work. Foraging through shelves packed two deep and two high with needlework books, I discovered that I did own this gem of a book. But I hadn't yet discovered it was a gem.



Crewel Embroidery in England by Joan Edwards was published in 1975, so if you want to read it, your best bet is to look online through used book sources or to go check your library to see if they have it available.



My copy is, sadly, a library reject. While I love getting books for a great price (I paid $1.50 for this one), it's kind of sad to know that the book isn't available in that particular library for anyone who might want to use it. The fact that it was at a library book sale demonstrates that it had lost popularity with patrons. *Sigh* If they only knew what they were missing!



The author begins with the history of crewel embroidery in England, starting with the famous Bayeux Tapestry. Crewel embroidery, you see, was around a lot earlier than that style of embroidery which we call "Jacobean," which came into fashion under James I of England, in the 17th century. "Jacobean" comes from the Latin name Jacobus, which is James in English. Jacobean refers to a style of embroidery design, and crewel embroidery is not synonymous with Jacobean embroidery, though Jacobean designs were often worked in wool. Crewel embroidery is simply embroidery worked with wool, or predominantly with wool. The Bayeux Tapestry, worked in the 11th century, was embroidered in wool, so it fits comfortably into the category or wool embroidery.



Spattered throughout the section on the early history of crewel embroidery, the author includes black and white drawings of sections of the Bayeux Tapestry. For historical embroidery buffs, these drawings would easily transfer into terrific designs.



Moving into the Jacobean look, the author presents pictorial samples of different historical embroideries, and accompanies these with line drawings of the different elements within the samples. Next to the line drawings, she includes a magnified section that shows the stitches used is the particular element.



These line drawings of the different motifs found in the historical samples of crewel work abound throughout the book, and some of them are quite humorous. Imagine the embroiderer sitting at the frame, concocting different creatures to depict in wool - a great opportunity for creativity and a little fun. These little creatures remind me of the odd little elements that the illuminator included in the manuscript, or the sculptor incorporated into the creatures adorning cathedrals. A bit funny, a bit macabre, a bit bizarre - but always creative.



They layout of the historical samples juxtaposed with the line drawings are a terrific catalyst for embroidery inspiration. There's the line drawing - there's the original color scheme. Now, what can YOU do with the design?



Some of the designs are easily imagined in other types of embroidery. For example, with this particular design, a goldwork motif comes to mind. Wouldn't it be grand?



In the back of the book, the author gets down to the nitty-gritty of instruction, demonstrating, for example, how to enlarge or reduce a design by hand, using a grid. This is a good technique for drawing out a design in a suitable size, even though nowadays, computer graphics programs such as Photoshop, or simply a photocopy machine, can take care of this with a bit less time and effort. Still, to work it out with one's own hands does give a clearer sense of the elements in the pattern, and the slowness of the process gives the embroiderer time to really concentrate on stitch, color, and thread choices. Think of it as the difference between hand-writing a letter, which gives you time to really think about what you're saying and how it will come across to the reader, as opposed to whipping off an e-mail faster than you can really consider the impact of what you're saying! It never hurts to try your hand at drawing out your own design, using the grid method.



The quality of the book revolves around the historical information - which is written in a style that is interesting and easy to read and digest - and the design and technique discussions within the text of the book. For actual stitching instructions, the book falls a bit short. There are a couple pages that show the types of stitches commonly used in crewel work (as pictured above), but they don't go much into real instruction on stitching.



Still, the book is a wonderful source of inspiration for those interested in crewel embroidery. Though published in the 1970's, when crewel work enjoyed a notable revival, the book itself is timeless - an excellent study of the history of a technique and the designs and stitches associated with that technique throughout history.

If you're a fan of crewel embroidery or interested in general about the history of embroidery (especially in England), you will certainly find this book worthwhile to add to your collection! Look it up at your favorite used book sources - it can be had right now for a song!
]]> book review pictures crewel work 3228 Mary-Frances noreply@blogger.com http://www.blogger.com/profile/05348665962345432914 2010-02-11 21:39:36 2010-02-11 21:39:36 1 0 3232 pegilee noreply@blogger.com 2010-02-11 19:43:07 2010-02-11 19:43:07 1 0 A great resource. Thanks for the tip.]]> 3270 leannich noreply@blogger.com http://leannich.myopenid.com/ 2010-02-09 15:25:53 2010-02-09 15:25:53 1 0
I'll never forget visiting the Bayeux Tapestry when I was 13 (and already a hopeless needlework addict!). It was absolutely breathtaking. I like the sound of that David Wilson book, too.

Last summer I was delighted to discover a full-scale replica of the Bayeux Tapestry, in Reading Museum. Have you heard of this piece? It was made in the 1880s by 35 English women, each of whom added an elaborately decorated signature band under her section. It's gorgeous - and an amazing historical artefact in its own right, of course.

Léan]]> 3308 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-06 12:27:59 2010-02-06 12:27:59 1 0
Look on the bright side - to review most of the books on here, I have to buy them, too. So we're in the same boat!!

The more I look at this book (I keep saying this!), the more I like it. There's something about the earlier embroidery books (from the 70's and earlier) that is very instructional - in a deep way. Not just pictures on "how to," but also the history behind the techniques. This really helps round out one's whole knowledge of needlework.]]> 3309 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-02-06 10:37:29 2010-02-06 10:37:29 1 0 3311 Carol R noreply@blogger.com 2010-02-06 09:04:04 2010-02-06 09:04:04 1 0 3313 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-06 06:45:59 2010-02-06 06:45:59 1 0
Metanoia - I, too, have David Wilson's book on the Bayeux Tapestry. It's a terrific book! The detail in it is incredible. I just wish I had the perfect coffee table space to leave the book out all the time. It's one of my all-time favorite pictorial / history / needlework books!]]> 3314 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2010-02-06 02:39:23 2010-02-06 02:39:23 1 0 3315 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-05 20:07:10 2010-02-05 20:07:10 1 0 the birds are singing louder, the grass is greener (yes, there is grass out here now and it's raining again, enjoy your snow), and I have a nice fuzzy creative feeling all over me.
Cheers, Kath]]> 3316 Carolyn McNeil noreply@blogger.com http://www.blogger.com/profile/03709494177158323583 2010-02-05 15:04:47 2010-02-05 15:04:47 1 0 Carolyn
http://www.stitchopedia.com
An encyclopedia of needlepoint stitches…]]> 3319 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-05 09:48:02 2010-02-05 09:48:02 1 0
Magpie - I'm glad you got the book, too. Too often, I come across across a book and don't get it, and then when I want it, I can't find it again!

Kath - your comments are always fun to read and inspirational, too. I think the patchwork idea is great, especially because it would give a small enough motif at a time to work on (and finishing each motif would give that great feeling of accomplishment!), plus, moving on to the next motif in the grid would provide variety, but still give the pleasure of working on one piece. Often, when I finish a piece, I'm disappointed that it's over. So with a grid design, with small motifs, you get the best of both worlds! It would make a great sampler! Do keep up the comments - interaction is what makes blogging fun, and at the same time, that sharing of ideas keeps everyone's creative juice flowing!!

We're getting a gorgeous snowfall here in KS right now - a thick, soft, wet snow that is coating the trees and creating a real winter wonderland! A beautiful winter's day!

Enjoy your Friday, everyone!

MC]]> 3320 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-05 08:52:39 2010-02-05 08:52:39 1 0 Beaut book. Thanks for the reference.

Any line drawings or illustrations inspire me. It doesn't need to be the whole design. Zooming in on part can be amazing for a border to border design in its own right. And I think works nicely in crewel as an abstract. How abstract depends of course on how zoomed in you go. You wouldn't want the spaces to be too big for crewel embroidery I suppose.

The grided design gives me an idea of doing a crewel embroidery 'patchwork', somehow incorporating the squares into different um...how about...mmmmm...the pattern in each square could be...????? Sorry, just thinking 'aloud'. I'm sure it has something going for it, perhaps with a less detailed design, but my brain isn't up to it at this hour. (1.30 a.m., a late run back to Central NSW and had to check the latest good word of yours before bed).

I love the pages you've shown, even the doodle looking stitches pages. Even though 'untechnical', they have a charm of their own.

Bye now, Kath.

ps, I'm not an experienced comment person. Yours is the first blog I've ever had to do with. Please tell me if I go on too much or if there is etiquete I'm dumb to. Or whatever!]]> 3321 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-05 08:49:59 2010-02-05 08:49:59 1 0 3322 Anonymous noreply@blogger.com 2010-02-05 08:24:48 2010-02-05 08:24:48 1 0 3323 Laurie Powers lauriepowers12@gmail.com http://www.blogger.com/profile/10429604692700662254 2010-02-05 07:53:01 2010-02-05 07:53:01 1 0 3324 crazypatch noreply@blogger.com http://carrementcrazy.zumablog.com 2010-02-05 06:27:10 2010-02-05 06:27:10 1 0 3325 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-05 06:19:24 2010-02-05 06:19:24 1 0 That book looks great! I guess it will become more expensive after this post...with your US readers looking after it ! Good luck ladies!]]> http://www.needlenthread.com/2010/02/free-hand-embroidery-pattern-heart-o.html Thu, 04 Feb 2010 07:06:00 -0600 Mary Corbet 82 2010-02-04 07:06:00 2010-02-04 07:06:00 open open Free-Hand-Embroidery-Pattern:-Heart-o'-Flowers publish 0 0 post

I titled the hand embroidery pattern "Heart o' Flowers" for various and sundry reasons, one more striking reason being the fact that it is a heart ... full of flowers. The other reason is kind of obscure. When I was growing up, my best friend and I would always say, "In my heart o' hearts...." whenever we expressed a wish for something or whatever. I don't know why we said that, but we did. It wasn't "in my heart OF hearts" - no, that would not be nearly dramatic enough. It was definitely "in my heart o' hearts." This design reminded me of that.

(I was just a kid. Don't hold it against me...)

But in my heart o' hearts, I'm sure you'll find a use for this pattern if you like it. If it's not quite your style, feel free to skip it!



And here's a handy-dandy PDF of the same pattern. It prints about 4.5" x 4.5"

Heart o' Flowers Hand Embroidery Pattern - PDF

Enjoy!
]]> free embroidery patterns Hand embroidery stitches embroidery design 2551 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2010-03-07 19:42:15 2010-03-07 19:42:15 1 0 I stitched Heart O'Flowers for a quilt label for a friend. I've uploaded a photo of it and gave you credit for the wonderful design. You can find the photo here: http://coffeetimestitches.blogspot.com/2010/03/look-i-remember-how-to-sew.html.

Thanks for a great design. I had a lot of fun stitching it while watching the Olympics.]]> 3296 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-02-07 22:03:32 2010-02-07 22:03:32 1 0 3326 BonnieC noreply@blogger.com 2010-02-04 18:00:53 2010-02-04 18:00:53 1 0 3327 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-02-04 16:14:29 2010-02-04 16:14:29 1 0 I downloaded it right away and printed several copies. I would like to color with my colored pencils first, and then see what threads I can try to match to the scheme I come up with. I suppose this kind of limits me, as there are more DMC colors than I have pencils, but it's a place to get started.
I am a bit of a novice to embroidery, so I really only have DMC cotton floss on hand, and as I have promised myself to work on my knitting, crocheting, and embroidery out of my stash, that settles that question. I hope people will post pictures (or send them to you for posting)of how they work this up. I'd love to see it sized up and down, different fabrics, threads and color combos. And used for different things - apparel, framed art, pillow tops, etc. I am picture it padded, on top of a heart-shaped fabric box! Not that I am that ambitious, but gee, somebody might be!
Thanks for the inspiration!
WendyBee]]> 3328 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-04 15:44:14 2010-02-04 15:44:14 1 0
Sarah - The PDF works from my end. Do you have Adobe Acrobat on your computer?

MC]]> 3329 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2010-02-04 14:12:29 2010-02-04 14:12:29 1 0 3330 Glenda noreply@blogger.com http://wrenandstitchy.wordpress.com 2010-02-04 14:04:38 2010-02-04 14:04:38 1 0 3331 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-04 13:07:45 2010-02-04 13:07:45 1 0 3332 Bailey noreply@blogger.com http://www.blogger.com/profile/04573596975356440777 2010-02-04 12:49:37 2010-02-04 12:49:37 1 0 3333 Sarah machinegunsarah@gmail.com http://www.blogger.com/profile/09828414543697731990 2010-02-04 12:47:50 2010-02-04 12:47:50 1 0 3334 Perla noreply@blogger.com http://www.blogger.com/profile/01095721345034118398 2010-02-04 12:40:50 2010-02-04 12:40:50 1 0 un abrazo
Perla]]> 3336 irene noreply@blogger.com 2010-02-04 11:00:05 2010-02-04 11:00:05 1 0 3338 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-04 10:38:25 2010-02-04 10:38:25 1 0
The design is delightful. Definitly flower power. Mock patch on jeans etc but so very adapable for modern applications. I can visulize a reduced size around the hem of my grand daughter's pinafore and one on the bib of it. Besides pincushions, drawstring bags, sofa and bed cushions even a teddy's tummy would be tickled to have this happy design.He could sit on a chair and match the cushions!

And in my "heart o' hearts" I think you really could be one of Anne of Green Gables kindred spirits. Iv'e wondered.

Thanks for the cheery design.
Bye for now, Kath.]]> 3339 Anonymous noreply@blogger.com 2010-02-04 10:04:16 2010-02-04 10:04:16 1 0 3340 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-04 09:53:59 2010-02-04 09:53:59 1 0
Glad you like the pattern! Carol-Anne, I agree, it has a kind of 70's flavor to it. I was thinking it'd look cute in bright reds and pinks, with a semi-bright lime green for the leaves. Maybe some corals in there, too....

Melissa, good idea. It'd make a neat quilling design, actually, wouldn't it?

Thanks again for your comments!]]> 3341 crazypatch noreply@blogger.com http://carrementcrazy.zumablog.com 2010-02-04 09:51:01 2010-02-04 09:51:01 1 0 3342 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2010-02-04 09:11:28 2010-02-04 09:11:28 1 0 3343 Anonymous noreply@blogger.com 2010-02-04 09:06:46 2010-02-04 09:06:46 1 0 3344 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-02-04 08:08:12 2010-02-04 08:08:12 1 0
In my heart o' hearts, I wish you had posted this a few days ago when I needed a heart design to embroider for a Valentine swap. I can just picture this one in 70's colours. I will blog about my much simpler heart design when my swap partner has received it.]]> 3345 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-02-04 07:52:14 2010-02-04 07:52:14 1 0 http://www.needlenthread.com/2010/02/embroidered-fabric-perfect-inspiration.html Wed, 03 Feb 2010 05:00:00 -0600 Mary Corbet 83 2010-02-03 05:00:00 2010-02-03 05:00:00 open open Embroidered-Fabric---Perfect-Inspiration! publish 0 0 post beautiful paws on.

Lengths of embroidered fabric covered with vines, flowers, plants, animals, insects - browse through Chelsea Textiles and take a gander at the delectable offerings!



There are heaps of beautiful fabrics featured on this website, and with most of them, you can click on a link to see an up-close detail.



From simple motifs that scatter over the fabric ground...



... to gorgeous floral bunches - ah! They are all really beautiful!



How would you use this tiled design in household decor? I'm not sure how I would - but oh! Would I use it? You bet! (Ok, maybe not in my tiny house...)



A sofa upholstered in blackwork would be awfully chic. (I'd settle for a little chair...)



Besides hand embroidered fabrics, Chelsea Textiles also carries a line of nice printed fabrics. William Morris, anyone?



And this is a sweet printed design - it would make an excellent embroidery pattern. Check out the knots in the flower center.



Finally, the shop carries pre-made cushions and accessories that are pretty stunning, too.

If you live in London or the vicinity, Chelsea Textiles is having a sale (40 - 80% off) through February. I don't know what that means. Browsing through the website is a lot like looking at a menu without prices. You kinda get that funny feeling that things might be a bit beyond ye olde budget. But golly. Wouldn't it be fun just to see them in person? To touch them?

But even if you can't do that, you can still glean a lot of inspiration from the fabric details on the website! So go browse and enjoy yourself!
]]> embroidery resources needlework websites fabric for embroidery 3346 Anonymous noreply@blogger.com 2010-02-03 16:17:37 2010-02-03 16:17:37 1 0
The problem is that a few yards of fabric take up so much more space than all my embroidery stash put together!

I have sewn pre-embroidered fabrics, though, with spectacular success. Although I've never laid hands on anything as yummy as these look, I inherited a lemon yellow piece of linen with lovely yellow daisies (they were done by machine) that was just the right amount of fabric for a little girl -- but I was able to stretch it to make a very classically styled short-sleeved jacket. Every time I wear it, I get compliments and the kind of admiring glances that make me feel like I have a much larger bank balance than I really do, LOL.

I also once made a silk evening dress for a wedding that had an empire waist and, because it was for a very special occasion, I made simple bullion roses following a diamond grid. All evening, I had women pretending to tuck in the tag on my dress (there wasn't one since I dislike sewing them into something I've made myself on grounds of general scratchiness).

Not that I'm encouraging anyone out there to commit the sin of encouraging other women's envy, but... I just don't think embroidery should be limited to pictures under glass.

On the topic of dry hands, I discovered by accident (a capsule got stuck and spilled all over me when I tried to dislodge it) that the flax-seed oil sold as a nutritional supplement is the perfect skin conditioner. It soaks into the skin almost immediately, and, after a few days use, my hands are as smooth as they were when I was but a wee lass. Even the needle holes I get in my finger tips seem to heal faster when I "take" my flax-seed oil every day.

Karen from Arcadia]]> 3347 Jacqui noreply@blogger.com 2010-02-03 13:55:24 2010-02-03 13:55:24 1 0 3349 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-02-03 12:34:19 2010-02-03 12:34:19 1 0 WendyBee]]> 3350 Sheila noreply@blogger.com 2010-02-03 09:22:04 2010-02-03 09:22:04 1 0
You made me laugh! I clicked your link before I'd made it back to read the rest of your blog.

"You kinda get that funny feeling that things might be a bit beyond ye olde budget. But golly. Wouldn't it be fun just to see them in person? To touch them?"

That's just what I was thinking!]]> 3351 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2010-02-03 08:06:22 2010-02-03 08:06:22 1 0
I do something similar, depending on the price of the ingredients and how thick you make it you can also use it allover, and I make a slightly different formulation to use on my face!

You can also use salt as the exfoliating ingredient (stings in any nicks and cuts, but is good for the skin chemistry) add honey for added moisturisation, and use any oil you can cook with. I sometimes add cold pressed avocado oil (very moisturising) sweet almond oil, ground almonds for exfoliation, vitamin e oil from the health food store, and essential oils. Tea tree, chamomile, sandalwood, rose and lavender are all good for the skin, and tea tree and lavender are antiseptic and will help it keep.

Varying the sugars used will also give different results -soft brown sugar for very gentle exfoliation and a nice smell, Demerara for more assertive exfoliation, or for the most abrasion, coarse sea salt (good for feet). Sorry if this is a little OT but you can have such fun with scrubs, and they make great gifts. You could always embroider a little bag for the pot ;-)]]> 3352 Bobbi noreply@blogger.com 2010-02-03 08:04:08 2010-02-03 08:04:08 1 0 3353 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2010-02-03 07:55:10 2010-02-03 07:55:10 1 0
I wonder what the copyright implications would be if one "borrowed" a design element to use in one's own work? (I "borrow" quite often, but as I embroider for fun, not profit, and my blog has about three readers, I think it's probably low risk.)]]> 3354 Anonymous noreply@blogger.com 2010-02-03 07:43:38 2010-02-03 07:43:38 1 0 3355 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-03 07:03:44 2010-02-03 07:03:44 1 0
Don't you love it when you find a treasure at op shops? (Well, we call them "thrift" shops here). I'm sure you'll make something really exciting out of it!

Jacqui - I know exactly what you mean about the winter hands problem. Here's an article I wrote last year that provides a good solution:

Olive Oil and Sugar Hand Treatment

I use olive oil when I do this, but you can actually use regular vegetable oil. It doesn't smell that great. If you have any essential oils - lavender or whathaveyou - you could always add a drip. You can even make the stuff up in advance, and keep it in a little covered jar, so you can scoop a little out throughout the day and give your hands a treatment. The problem will be practically solved after the first use, but if you continue with it for a couple days, it'll be well and truly solved!

MC]]> 3356 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-03 06:45:40 2010-02-03 06:45:40 1 0
Scrummy, yummy fabrics. I actually bought a delicious embroidered fabric remnant from an op shop today.

Just a simple thing I like to do for cards, pincushions, needle books etc for our Guild sale table is to embroider over a print. Whether a floral bunch or a pattern, the added dimension can be very attractive.

Thanks for the web site and the teasing pics. It's 20 to midnight here now so will feast on Chelsea Textiles tomorrow.

Cheers, Kath.]]> 3357 Jacqui noreply@blogger.com 2010-02-03 06:13:22 2010-02-03 06:13:22 1 0 I love your site and look at it most days - have to remember the time difference here in the UK when I try to read today's blog at 8am!
I have a problem which I hope you or your readers can advise me on: due to our cold winter I have chapped hands and fingers and I love to sew with silk thread, which of course catches on my rough fingers. I use lots of hand cream to no avail. Any suggestions would be most welcome.]]> http://www.needlenthread.com/2010/02/what-do-hand-embroidery-and-canned.html Tue, 02 Feb 2010 05:03:00 -0600 Mary Corbet 84 2010-02-02 05:03:00 2010-02-02 05:03:00 open open What-Do-Hand-Embroidery-and-Canned-Foods-have-in-Common? publish 0 0 post

I received an e-mail yesterday, February 1st, asking if I am going to celebrate National Embroidery Month in a special way on Needle 'n Thread.



My answer is pretty simple - during the month of February:

I'm not going out of my way to eat canned foods.

I'm not going out of my way to eat grapefruit.

I'm not going out of my way to eat snack foods.

I'm pretty darned certain I'm not going out of my way to get married.

I'm not doing anything different with my pet than I ever do.

If I receive an International Twit Award, I'm not telling anyone about it.

And as far as embroidery goes, I will probably just keep doing what I do.

Happy National Embroidery Month!

]]> miscellaneous embroidery musings 3359 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-03 04:21:30 2010-02-03 04:21:30 1 0
A twit (noun) has something in common with thread and yarn users.

It's a thin or weak place in yarn caused by uneven spinning, so the Google dictionary tells me.

Every one probably knew this and I'm the twit who didn't !! Mmmm...learn a new thing every day.

Cheers Kath]]> 3360 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-02-02 20:35:13 2010-02-02 20:35:13 1 0 3361 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-02-02 16:32:44 2010-02-02 16:32:44 1 0 3362 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-02-02 16:14:17 2010-02-02 16:14:17 1 0 WendyBee]]> 3363 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-02-02 12:21:50 2010-02-02 12:21:50 1 0 3364 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-02-02 10:36:34 2010-02-02 10:36:34 1 0 3365 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2010-02-02 09:07:37 2010-02-02 09:07:37 1 0
I don't think I'll go out of my way for any of the others, though. :)

All the days have to be passed by Congress... I sometimes think they do it so they can say "Well, we worked together to pass *****," even if they don't do anything else!

Happy stitching!!]]> 3366 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2010-02-02 08:36:08 2010-02-02 08:36:08 1 0 3367 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-02-02 08:03:10 2010-02-02 08:03:10 1 0 I definitely agree with all of your comments, and I love your photos. On a side note, I just found this goldwork cockerel from Rajmahal in Australia. Here's the link: http://www.rajmahal.com.au/Goldwork.aspx

Happy Stitching in February!]]> 3368 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-02 06:45:06 2010-02-02 06:45:06 1 0 3370 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-02-02 05:57:38 2010-02-02 05:57:38 1 0
I'm glad you don't intend to get lost this month. Well... if you don't go out of your way you more than likely won't get lost. Duh & ouch!

Love the patchwork picture with all your inspiring work. Would make a good banner for this National Embroidery Month of yours.

Keep well, cheers, Kath.]]> http://www.needlenthread.com/2010/01/i-considered-long-and-short-stitch.html Sun, 31 Jan 2010 07:49:00 -0600 Mary Corbet 85 2010-01-31 07:49:00 2010-01-31 07:49:00 open open I-Considered-Long-and-Short-Stitch publish 0 0 post should be considering a different stitch. Maybe the French knots weren't the way to go. Maybe I should consider long and short stitch.

Fortunately, this design has two of the exact same flowers on it. So rather than pick out stitches on the flower I was almost finished with, try long and short stitch, not like it, rip it out, and put the French knots back in (oooooh, just writing all that was painful!), I just jumped over the other flower and gave long and short stitch a try.



It has potential. Each petal, though, would need something textured along the outside rim, to make the individual petals stand out. I could have started with buttonhole stitch, like I did with the petals on the French knot flowers, and then worked long and short stitch from there, I suppose.



My thought was that, if I kept the inside of the petal very dark, then the next layer of petals (starting on their outside rim with the lightest thread) would really stand out.

And they might have. But the first petal didn't grab me. I went ahead with the French knots with a bit more certitude.



There's something about the buttonhole stitch that looks a little rough. The ruffling of the second layer makes it look messy - and the variation in stitch placement doesn't help. This "messiness" is more aggravated, though, by the contrast in colors - the very light outer edge of the petals really stands out against the dark.



Seeing the piece from a different angle changes it slightly. I like it ok, I guess.



I didn't spend much time stitching on Saturday (which makes it highly unlikely that I will meet my January 31st deadline and have this finished today). This is as far as I got. The stamens are worked in a very padded satin stitch - three layers of thread there, building on top of each other.

Today, I'll finish those little round blobs of wool, and then hopefully make some headway on the second flower. I'll re-adjust my deadline to Wednesday.

For further posts on this crewel embroidery project, feel free to visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail
French Knots on the Wattle
Adding the First Blue Feather using a Raised Backstitch
The Rooster Tail, Finished for Now
The Wing - Three Attempts
Adjusting the Tail Feathers One More Time
The Rooster's Head, Neck, and Comb
The First Flower Attempt Comes Out
New Colors for the Flowers
Lots of Knots

]]> Embroidery Projects stitch along pictures wool crewel work needlework pictures 3369 meri noreply@blogger.com http://avomeri.wordpress.com 2010-02-02 06:43:40 2010-02-02 06:43:40 1 0 I like it]]> 3374 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2010-02-01 02:39:31 2010-02-01 02:39:31 1 0 I just love, love, LOVE the french knots! They look just right and the whole flower looks a little retro which I think is 'way cool'. I wish I could get my little dots look as great as your stamens do. I just can't get them to be so high and round. What is your secret?
A note of thanks regarding the cotton floche - I have started a teeny, tiny, little business making and monograming dinner napkins and was going to use good ole' DMC floss, but after reading your post have changed my ways and ordered a goodly amount of it from Hedgehog Handworks just catching their sale - such a great company!
Thanks again for your suggestion,
Karen Hilinski]]> 3375 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2010-02-01 02:18:39 2010-02-01 02:18:39 1 0
Had to pop in to say, as ever your daily email is full of wonderful advice and information.

Your work is always beautiful, and I love the way you show the changes when you make them. I often can't see whats wrong (not the right word, but you know what I mean!) as I love your choices, but then you change something and its even more spectacular.

Thanks so much for sharing everything.]]> 3376 wendy noreply@blogger.com http://www.blogger.com/profile/01704724850206538537 2010-02-01 01:57:07 2010-02-01 01:57:07 1 0 3377 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-31 17:00:07 2010-01-31 17:00:07 1 0 WendyBee]]> 3378 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-31 15:09:46 2010-01-31 15:09:46 1 0
It's all rather mind boggleing but very interesting.
You're reallly making me get into the nitty gritty of the piece.
Just when I think something is all settled, along comes the 'what if'.
That's good.

The stamens are sweet and just right but what if? No, just trickin' (family saying!).

Bye for now, Kath.]]> 3379 MAP noreply@blogger.com http://www.blogger.com/profile/02084274350949150456 2010-01-31 08:30:51 2010-01-31 08:30:51 1 0 http://www.needlenthread.com/2010/01/weekend-stitching-lots-of-knots.html Sat, 30 Jan 2010 07:57:00 -0600 Mary Corbet 86 2010-01-30 07:57:00 2010-01-30 07:57:00 open open Weekend-Stitching:-Lots-of-Knots publish 0 0 post

I'm making lots of French knots. LOTS of them! This whole crewel rooster project has me more involved in making French knots than any other project I've ever done. Oh, sure - I use French knots here and there when I embroider. One here. One there. A few in that cluster, a small bunch thither and yon.

But I don't think I've ever packed in this many French knots in one project in my whole stitching life!

My plans for this weekend involve lots of knots. Come Sunday night, my goal is to have the rooster project completely finished. There are about a million (or a gazillion) French knots between me and that goal.



Each petal in both flowers on the rooster project will be filled with French knots. Plugging away last night on some of the knots, I asked myself, "Why? Why did you do this? Why not just some quick filling stitches? Why not satin stitch? Why French knots? Are you NUTS?"



For each petal, it takes 34" of crewel wool to fill the petal with French knots. In fact, I use two and a half 16" strands of wool, but I'm taking into account the thread lost at the beginning and end of each strand - so it roughly works out to about 34" all told per petal. I'm using Renaissance Dyeing wool for the flowers. I like the colors of crewel wool I'm using, but the flowers are ending up darker than I realized they would be.

So why French knots?

My answer:

Why knot?

Enjoy your weekend!

]]> Embroidery Projects Hand embroidery stitches pictures wool crewel work needlework pictures 3306 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2010-02-06 13:19:59 2010-02-06 13:19:59 1 0
We all know that you will finish Ricky Rooster this weekend. He is looking fantastic, far more resplendent than the ones I see across the road from me everyday!!

I have to admit, mine hasn't been a stitching/sewing weekend, but it has been a pattern drafting weekend...........So, hopefully, next week really will see the start of some smocking and embroidery. Fingers crossed!]]> 3380 méri noreply@blogger.com http://avomeri.wordpress.com 2010-01-31 05:44:01 2010-01-31 05:44:01 1 0 knot??? They are so pretty!
My weekend has been with my grand daughters at home... so... only theirs stitching and drawings and some walks outside...
Have a great Sunday!]]> 3381 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-31 03:34:38 2010-01-31 03:34:38 1 0
I really like what you're doing with the french knots and colours at close range.
Will be interesting to see how they look in the whole picture.

Once before I commented on the flowers as the hens and the stamens as the chicks.
Am interested to see what you do with the 'chicks'. Only small but you will be considering them as carfully as any other part no doubt.

Cheers, Kath.]]> 3383 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-01-30 18:55:16 2010-01-30 18:55:16 1 0
This weekend I am stitching on a couple of different projects...just started one of the blocks from Houses Of Hawk Run Hollow on 40ct lambswool. Not impressed with the fabric quality i`m using though, so i`ll see how it goes. I am also going to go study your tutorials on embroidering letters...a friend volunteered me for stitcing over autographs on a quilt project to raise funds for Haiti, so I need to brush up my freehand skills.

Have a "knotty" weekend!!]]> 3384 Anonymous noreply@blogger.com 2010-01-30 16:40:46 2010-01-30 16:40:46 1 0 Karole]]> 3385 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2010-01-30 16:35:53 2010-01-30 16:35:53 1 0 3386 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-30 14:48:28 2010-01-30 14:48:28 1 0
Dorothy, I would imagine that the cocktail napkins would be find for stitching on - just make sure you're using a fine thread. I would use no more than one strand of DMC, for example. If it ends up looking "lost," try two strands, but I bet one will suffice. You'll also need a small needle - #10 or higher.

MC]]> 3387 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-30 14:45:43 2010-01-30 14:45:43 1 0
(and I love the rooster, of course!)]]> 3388 Dorothy noreply@blogger.com http://www.blogger.com/profile/04095561915594476425 2010-01-30 14:42:45 2010-01-30 14:42:45 1 0 3389 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2010-01-30 12:29:01 2010-01-30 12:29:01 1 0
The flower looks lovely, though. I'm looking forward to seeing the finished project.]]> 3390 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2010-01-30 10:07:47 2010-01-30 10:07:47 1 0 3391 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-30 10:00:22 2010-01-30 10:00:22 1 0 WendyBee]]> 3393 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2010-01-30 09:09:10 2010-01-30 09:09:10 1 0
I think the French knots are beautiful. I also think you're a lot like me in your stitch choices and ambitions! (But you seem to finish more... Hmmm. Need to work on that!)

We are snowed in here in the Triangle area of NC, so I'm going to be stitching the weekend away. Making a fleece jacket for myself, but also working on a cross stitch project and getting the design finalized for a new crewel piece. :) Much fun here.]]> http://www.needlenthread.com/2010/01/needle-n-thread-news-stats-and-looking.html Fri, 29 Jan 2010 06:45:00 -0600 Mary Corbet 87 2010-01-29 06:45:00 2010-01-29 06:45:00 open open Needle-'n-Thread-News,-Stats,-and-Looking-Ahead... publish 0 0 post website aspect of Needle 'n Thread. In fact, it's been over a year and a half since I've actually spilled forth about the website itself, what it is, what you'll find on it, and where it's going. For faithful readers who have been here for a long while (the website's over 3.5 years old now), what's on Needle 'n Thread might not be new information for you. But for those of you who have joined my needlework journeys relatively recently, you may find that a little orientation will help you find your way around the website with a bit more ease. Old Timers and Newbies alike may find my current stats information interesting, and hopefully, you'll all be keen to know what's coming up in the future of Needle 'n Thread. So please bear with me, while I babble a bit about my online home!

Finding Your Way around Needle 'n Thread

The last time I mentioned in detail the organizational set-up on Needle 'n Thread was well over a year and a half ago. Given the growth of the website in the last year, I thought perhaps I should acquaint and re-acquaint readers with the website's current organizational "system," so that you can get the most out of your visits to Needle 'n Thread. You may also find some hidden gems of information or inspiration that you didn't know were here!

Lost in the recesses of 3.5 years of posting, you'll find my Orientation Page of the website. This is a good place to start exploring Needle 'n Thread, and to get a feel for what's on the website and where to find it.

Needle 'n Thread Website Statistics

I'd like to share some statistics with you, not for the sake of horn-blowing, but rather so you know where the website's been and where it's going.

I haven't been one to linger much on website stats. When I first started Needle 'n Thread, I had no idea what I was doing as far as blogging is concerned, and I had no visions of popularity or grandeur - my website was merely meant to be a teaching tool, an extension of the embroidery classes I was teaching during the summer months. Still, the website has enjoyed some growth, thanks to you, of course!

As far as statistics go, I'll speak in term of "visits" (numbers of people actually visiting the website), as opposed to "hits" (which are simply requests for files by a user-agent, and do not necessarily translate into the number of people actually visiting a website).

Last year in January, 2009, Needle 'n Thread received 8.5K - 9.5K visits per day (up to almost 60,000 visits a week). For a narrow niche like hand embroidery, I'm told this is good.

As of this January, 2010, the site receives between 13K-15K visits a day, and averages around 90K-93K visits a week, which strikes me as a nice growth rate.

Last January, 2009, Needle 'n Thread had a total of 1,674 daily readers who subscribed to the website via a feedreader or through the daily e-mail newsletter.

This January, 2010, Needle 'n Thread has over 3,200 daily readers who subscribe to the webfeed or the daily e-mail newsletter.

(Good golly, three thousand regular readers?! I never, ever expected those kinds of numbers! It's rather humbling! Thanks for your confidence and interest, dear readers!)

Where Needle 'n Thread is Going

This is a difficult subject, because I'm not 100% clear on the topic myself right now! I find myself in a situation where I have to make some serious changes to the website. This is actually a hosting problem, which I hope will be rectified through some serious tweaking, a different method of hosting, and even a complete overhaul of the website itself. In the next couple months, I'll be working towards this end with some professional help, and in the process, there may be some glitches. Please bear with me!

Once the technical difficulties are squared away, I'll be adding some new features to the site and actually offering a couple products / services. This latter part is taking me a heap o' work right now! I'm excited about it, but a bit nervous!

One thing that won't change: valuable, free daily content on subjects related to hand-embroidery - the same type of content you've enjoyed up to now, and that I've enjoyed putting together.

I hope you'll stick with me through the transitions in the months to come! If you have any questions, comments, and suggestions, you are always welcome to contact me. I always look forward to hearing from readers, and I like to be able to tailor the site to your interests, so don't hesitate to write!

And finally, thank YOU so much for your encouragement and accompaniment during my needlework explorations! I've learned so much and have been so inspired by the kindness and generosity of the online needlework community! I hope the rest of this year sees continued interest and growth in the art of embroidery so that we, and future generations, may continue to enjoy this art we all love so well!
]]> website news 3371 Anonymous noreply@blogger.com 2010-02-02 05:34:38 2010-02-02 05:34:38 1 0 -Ambica]]> 3394 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-30 07:47:27 2010-01-30 07:47:27 1 0
Congratulations! It is hardly surprising since you have made the content so interesting and varied, but what I really like is the effort that you make to to answer all our queries and our requests. Your blog as Kathy says is a friendly, cozy place for exchange of ideas.]]> 3395 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-01-29 22:44:08 2010-01-29 22:44:08 1 0
I found your blog when you were on your travels in the summer of 2009 and was immediately hooked. I do love reading posts by someone who actually knows how to write. As I writing-challenged person I appreciate this very much. I would like to see your reference posts on "The Editor's Floss", updated when you review new products, especially the needlework book reviews. You have reviewed several books that are not on this post, so I have to search for it. I may have mentioned this previously :). I did take one of your recommendations seriously and asked for (and received) a wonderful Monogram book for Christmas.
Keep up the great work, your blog is by far the most interesting one I follow.]]> 3396 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-29 19:31:55 2010-01-29 19:31:55 1 0
Good on you. The proof is in the pudding. And such a yummy one it is too. The ingredients are top stuff and the 'stirrer' truely knows what she's doing. So many regular tasters can't be wrong eh!

All the best with the changes. Don't worry if not always smooth sailing. I'm with you, and trust you won't have many problems.

Cheers, Kath.]]> 3397 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-29 17:53:01 2010-01-29 17:53:01 1 0 3398 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-01-29 17:31:58 2010-01-29 17:31:58 1 0 3400 meri noreply@blogger.com http://avomeri.wordpress.com 2010-01-29 14:35:20 2010-01-29 14:35:20 1 0 In fact the number of your readers is fantastic but doesn't surprise me.
You are really well known all over the world. And more than that you are respected, admired and held in high regard. (don't write this in caps lock because it's not correct!)
You have always the right word to support each of us.You are always calm and encouraging.
You already know how I am grateful to you. I feel a deep esteem for you, despite the virtual world we met each other.
Once more I thank you for all your hard work and energy and time shared with us!
I'm sure the new website will become amazing like all you do.]]> 3401 Liseanne in CA noreply@blogger.com 2010-01-29 13:52:48 2010-01-29 13:52:48 1 0 3402 joey noreply@blogger.com 2010-01-29 13:00:27 2010-01-29 13:00:27 1 0 3403 Mel noreply@blogger.com 2010-01-29 12:59:19 2010-01-29 12:59:19 1 0
Congrats on your readership. As Kathy mentions, it doesn't feel that big! It's rare to find someone who is both passionate about their subject and passionate about teaching it to others - I know it's a lot of work! It's very much appreciated, and that's why we keep reading.]]> 3404 Anonymous noreply@blogger.com 2010-01-29 12:02:45 2010-01-29 12:02:45 1 0
I enjoy and look forward to reading your web pages. Along with many other readers!! A very large measure of thanks are due to you for all the time and effort you put in to the content, and the embroidery instructions / lessons. I have only been embroidering for a short time and your long and short stitch lessons have enabled me to learn and produce some good results in this technique. I wish you success in your future endeavours.

Pam in the UK]]> 3405 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2010-01-29 11:36:17 2010-01-29 11:36:17 1 0 3406 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-01-29 11:01:15 2010-01-29 11:01:15 1 0 i just received my daily email from your site and was astonished to read that you have so very many visitors every day! You web site "feels" like a cozy, friendly place to come to learn about embroidery and share the passion we each have with others. I now appreciate even more the individual attention you give to our questions! Congratulations on your success and thank you for doing so much for all of your readers!

Kathy in Berlin]]> http://www.needlenthread.com/2007/10/needle-n-thread-and-hand-embroidery.html Mon, 01 Oct 2007 15:09:00 -0500 Mary Corbet 88 2007-10-01 15:09:00 2007-10-01 15:09:00 open open Needle-'n-Thread-and-Hand-Embroidery publish 0 0 post

To familiarize readers a little better with Needle 'n Thread and the tips, tricks, and resources you'll find on the site, here's a little recap. I originally intended Needle 'n Thread to be an instructional place for beginners, where they could get ideas and learn a few things as they explore the fantastic art of hand embroidery. As my little website continued to develop, I found that many readers are not necessarily newbies! So, overall, Needle 'n Thread focuses on hand-embroidery for all levels, beginners and beyond.

What will you find on Needle 'n Thread? Here are some of the features of the site:



A Video Library of Hand Embroidery Stitches

This is perhaps the most popular page at Needle 'n Thread. I began the library because I realize that people have different learning modalities, and many people are "visual" learners - they need to see a thing worked out to really get it! The library will continue to grow. After all, there are over 500 documented embroidery stitches! Right now, you'll find over 50 videos that demonstrate stitches or techniques.

Tips and Tricks for Hand Embroidery

This is an index of specific tutorial articles you'll find on Needle 'n Thread. I'm constantly updating this list! Here, you'll find specific instructions for the beginner in hand embroidery, as well as more advanced techniques for those who wish to try something new. There are heaps of articles with photo tutorials.

In addition to brief articles highlighting a specific tip or detailing a short tutorial, you'll find specific series of complete tutorials on techniques, like my series on long and short stitch shading, or my series on hand embroidered lettering.



Pattern Resources

If you're looking for embroidery patterns, you'll find three categories on Needle 'n Thread: 1. The ones hosted here: general hand-embroidery patterns that you'll find useful and fun, including a growing library of monograms for hand embroidery; 2. Ecclesiastical embroidery patters; 3. A list of free embroidery patterns available online.



Embroidery Resources

A list of places where you can find embroidery supplies or designs - these are reputable shops or the webpages of reputable designers. I've ordered from most of the shops on the list, or I've read about the designers and seen their work. I don't want to recommend shops or designers that could give readers a bad experience, so I make sure my list is limited to those shops or resources that I'm sure are good.

Among the daily blog posts, you'll also find articles featuring great shops, needlework sales, and needlework news about products (and product reviews), to help keep you informed about your options for purchasing needlework supplies.



List of Online Embroidery Books

As I become aware of whole embroidery books hosted online, I post them here. Usually, I'll write a review of the book first, so that you can see what's in it.

Gallery

This is where I post pictures of embroidered works. Sometimes, these are my own pieces, but not always. Every needleworker needs inspiration! So if I post an article with pictures about a work of embroidery (whether mine or someone else's), I'll add this to the Gallery list.



Reviews of Needlework Books

These are books that I own and have found useful for learning different techniques. I won't review a book and recommend it unless I actually own it and have used it! Occasionally, I might review a book I don't like, just so you know what you're getting into before you make the investment.

Webfeed & Daily E-mail Newsletter

So that you can stay up-to-date with new posts with ease, sign up for the feed, and you'll get notified every time there's something new on the site! If you don't have a feedreader, no worries - you can sign up for daily e-mail notification. Both sign-up areas are available in the right hand column.

You can find the major features of Needle 'n Thread under "Editor's Floss" in the left-hand column. You can also click on the labels at the end of each post to find other articles with similar content.

Just want to browse? In the lower right column, you'll find the Archives list for over 3.5 years of articles on Needle 'n Thread. Pick a month, and browse away! Alternately, you can visit the Topic Index on Needle 'n Thread (also located under "Editor's Floss" in the right hand column), where you'll find a list of the topic tags used on the website. Just click a topic, and all the posts tagged with that word will show up.

To go to the current posts on Needle 'n Thread, just click "Home" in the top menu below the header.

Suggestions, requests, and comments are always welcome! If you're looking for something in particular or would like to hear about some particular aspect of embroidery, please don't hesitate to contact me! If I can accommodate your request, I will.

I hope you enjoy Needle 'n Thread!
]]> welcome 12894 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-06 10:06:19 2007-10-06 10:06:19 1 0
If you click "Pattern Resources" (the link) you'll end up at this page:

Embroidery Patterns. There are three categories there - the "hand embroidery patterns" are the ones I have here on the site, and then there's a list of online patterns, and a list of church embroidery patterns that I also have on the site.

I hope that's helpful!! If that's not what you were looking for, please let me know! You can e-mail me at mary[at]needlenthread.com if there's something specific you're looking for.

Thanks,
MC]]> 12895 Charlene ♥ SC csogle@yahoo.com http://www.blogger.com/profile/09356543817696065946 2007-10-06 09:50:00 2007-10-06 09:50:00 1 0 Could you please direct me to the pattern you have beside Pattern Resources - appears to be a Crazy quilt motif. Thanks a lot!]]> 12903 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-01 15:16:01 2007-10-01 15:16:01 1 0
Thanks for the comment! I'm glad the video library is helpful.

I've got metal thread couching and undersided couching (video tutorials) on my future video list. I hope to get to filming on those in the next couple weeks.

In the meantime, it might be fun just to do a post on different types of metal embroidery!

I'll follow up on that this week! Thanks!

MC]]> 12904 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2007-10-01 14:47:00 2007-10-01 14:47:00 1 0 Iam one of the regular readers of your blog.Your video library is a great help to learners like me.Appreciate your efforts on the same.
I've some metallic threads with me and would like some tips on metallic thread embroidery.

Thanks
Deepa]]> http://www.needlenthread.com/2010/01/crewel-embroidery-flowers-again.html Thu, 28 Jan 2010 10:42:00 -0600 Mary Corbet 89 2010-01-28 10:42:00 2010-01-28 10:42:00 open open Crewel-Embroidery:-The-Flowers-Again publish 0 0 post crewel rooster project wasn't so easy. I wanted colors that coordinated with the rooster at least a little bit, and that had enough shade options to keep the flowers from being too flat. This is where I dropped my original intention to just use threads from my present stash (at the time I started the rooster). Last week, when I received that order from Hedgehog that had all that luscious floche in it, I also received a small range of colors of Renaissance Dyeing Wool, so I dug into those for the flowers.

I like the Renaissance Dyeing wools, and they embroider really well. So I have duly justified the alteration in my original stash-only intention! At first, though, I thought perhaps these colors would not work for the flowers, especially once I started stitching. But I have resolved that they WILL work. My plan is to use the same colors on both flowers, but I'll stitch them in different locations on the flowers, so that the flowers aren't identical.



These are the shades - a deeper red (the same used in the tail of the rooster) to a lighter salmon. I think they'll work well together?



They're beautiful - like a gorgeous Kansas sunset. (Really - we have stellar sunsets in Kansas!)



I'm going back to the buttonhole scallops around the outside of the petals, and then filling the inside with French knots.



Around the outside of the darker petals, I'm working a row of detached buttonhole stitches in the loops of the previous stitches.



I didn't think out the order of stitching before I began. It's true that I want the detached buttonhole edges to rest over the petals beneath - which means they have to fit over those French knots - but I think it makes more sense to stitch the detached edges first. Since I didn't do that, I had to work the buttonhole over the French knots in the first petal I worked. To transport the needle without catching the knots, I find the fingernail on my little finger to be the perfect transport tool. If you do this carefully, it works great! Just slide your needle onto the tip of your fingernail, which is covering the stitches underneath, then transport the tip of the needle on your fingernail beyond the stitches, so that the needle doesn't catch. Now, if you don't do this carefully, you're in for a shocker. Needles sliding under the nail and into the skin are not pleasant. So if you stitch this way, be careful. (I do this all the time....)



I think I'm going to like the flowers!

Oh, trust me. I AM going to like the flowers, because there's no more picking out from this point on. It's time to finish this guy! And I can't wait to see the flower complete, so hopefully, today I'll make some headway on that.

For further posts on this project, feel free to visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail
French Knots on the Wattle
Adding the First Blue Feather using a Raised Backstitch
The Rooster Tail, Finished for Now
The Wing - Three Attempts
Adjusting the Tail Feathers One More Time
The Rooster's Head, Neck, and Comb
The First Flower Attempt Comes Out
]]> Embroidery Projects threads pictures embroidery tips and tricks wool crewel work needlework pictures 3337 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2010-02-04 10:58:47 2010-02-04 10:58:47 1 0 Laura]]> 3392 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-30 09:52:53 2010-01-30 09:52:53 1 0 WendyBee]]> 3407 Annet noreply@blogger.com http://www.blogger.com/profile/06938803180320247229 2010-01-29 09:01:30 2010-01-29 09:01:30 1 0
I like to read about this lovely crewel rooster and I'm glad you let use see every step in the making of it. I also wanted to ask the same question as Betsy (I have an allergy for wool too), but I read your answer already. That helps me a lot!]]> 3408 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-01-29 04:57:13 2010-01-29 04:57:13 1 0
Looking forward to more of your stitching and like Leannich will miss your rooster when completed.

Thanks for sharing the comparison of threads too.]]> 3409 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-29 04:34:37 2010-01-29 04:34:37 1 0
Love the texture coming up in this flower. Is complementing the wattle too.
Pity that blue had to go but these final colours and stitches are beaut.
The idea of same colours in different locations on the flowers sound wonderful.

Hope you are really well now.
Cheers Kath.]]> 3410 Flowers noreply@blogger.com http://www.iflorist.co.uk/c-105-valentines-day.aspx 2010-01-28 23:11:09 2010-01-28 23:11:09 1 0 3411 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-28 22:39:56 2010-01-28 22:39:56 1 0 3412 Carol noreply@blogger.com http://www.blogger.com/profile/16145339876894805722 2010-01-28 16:37:30 2010-01-28 16:37:30 1 0
It does look nice, even though I lament the loss of that gorgeous blue.

"Stellar sunsets"--ha! That's a great phrase!

Best,
Carol]]> 3413 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-28 16:29:18 2010-01-28 16:29:18 1 0 3414 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-28 15:04:19 2010-01-28 15:04:19 1 0
Betsy, if you're allergic to wool, I wouldn't stitch with wool threads at all. You'll have to substitute with cotton or silk. As for specific "crewel" silk, no, there isn't - although silk was introduced into crewel work long ago, silk itself is not typical of "crewel work" proper, because "crewel work" is specifically embroidery with crewel weight wool.

However, given the variety of threads available today, stitchers have, with good effect, used other threads on designs that are typically seen as "crewel" designs (like tree of life designs, etc.) So you don't have to use wool threads!

Hope that helps!

MC]]> 3415 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-01-28 14:25:42 2010-01-28 14:25:42 1 0 3416 leannich noreply@blogger.com http://leannich.myopenid.com/ 2010-01-28 14:01:50 2010-01-28 14:01:50 1 0 3417 Betsy noreply@blogger.com http://www.blogger.com/profile/17483952704587727482 2010-01-28 13:46:04 2010-01-28 13:46:04 1 0 I have been following your crewel postings very closely and I'm really enjoying this series. Thanks for the close up photos; they're just gorgeous. It's lovely to see the lustre of the fibers with that kind of shot.

Can you comment for us on the comfort of working with wool threads? For those of us with an allergy to wool, will this be a problem? I'm also wondering if there are silk crewel threads, and, if they work well with linen twill? Thanks ~Betsy]]> http://www.needlenthread.com/2010/01/comparison-of-wool-threads-for-crewel.html Wed, 27 Jan 2010 12:22:00 -0600 Mary Corbet 90 2010-01-27 12:22:00 2010-01-27 12:22:00 open open Comparison-of-Wool-Threads-for-Crewel-Embroidery,-part-1 publish 0 0 post

So my plan - and I'm slowly working on it - is to show you some stitch samples with each of these threads, and to put the samples side-by-side so that you can see them and compare the outcome of the stitching with the various threads. In the meantime, though, let's look at the seven different threads I've been working with.



These are the threads I used, in alphabetical order: Appleton crewel (100% wool from England), Bella Lusso (100% merino wool from Italy), D'Aubusson (100% wool from France), Gumnuts Poppies (a 50/50 silk/wool blend, from Australia), Heathway (100% merino wool from Wales), Renaissance Dyeing crewel wool (100% merino wool, vegetable dyed, from France, but the wool is from England), and Simply Wool by Gentle Art (100% wool - company is located in the US, but I don't know where the wool is from).

With the exception of Gumnut Poppies (which is a wool / silk blend), all the threads are wool, and you'd think they'd all pretty much be the same, since they're all wool, but they aren't. And even though several of them look the same, they stitch differently.



Simple Wool (lower) and Renaissance wool (top): fine, two-ply wool, kind of hairy. These two look a lot alike - they feel completely different when you stitch with them!



Heathway is a two-ply merino wool, but the plies twist around each other with a closer twist - not a tighter twist than the others, because the thread isn't tightly twisted. But the "spring" shape of the twist is definitely closer. This makes the thread a bit stretchier and springier. It also makes it very smooth when stretched out in stitching.



Gumnut Poppies: The presence of silk, I think, is obvious. The strands look smoother, more lustrous, and they hold together in their twist, thick and soft.



D'Aubusson's twist is a bit shorter - it looks like Simply Wool, which has a slightly shorter twist than the Renaissance wool. But the twist is much longer than Heathway's.



Bella Lusso (lower) was difficult to photograph (red threads are always difficult to photograph, for some reason!), but you can see that its twist holds together more than the other threads - it is softer, and the fibers are longer. It reminds me more of a cotton-floche-gone-hairy than of wool. And Appleton (top) is again a two-ply twist, but notice how the plies are really separated from each other? They are long twists, but very loose, and the fibers in Appleton wool are also kind of loose and all over the place.

So, although the threads (except Poppies) are all wool, and though they look alike at a glance, they have subtle differences, and these differences come across in the way they stitch. What makes them different? The way the wool is processed, the way it's combed and spun, even the dye process, I suppose. You can read quite a bit, actually, on wool threads in general on the Renaissance Dyeing website. It's a nice site with interesting information for those interested in wool threads, thread dyeing, vegetable dyes, and so forth.

I'll be finishing up some stitch samples to show you how these threads perform. So stay tuned for that! In the meantime, I'm planning on getting the rooster finished over the next few days! Wish me luck!
]]> hand embroidery information threads embroidery tips and tricks wool crewel work 3421 margaret c. noreply@blogger.com 2010-01-28 09:06:18 2010-01-28 09:06:18 1 0
I agree with Cynthia that, if you can, including Paternayan would be good since it's so ubiquitous.]]> 3422 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-28 09:02:24 2010-01-28 09:02:24 1 0
I have a wool thread that I think might be Paternayan crewel weight, but I'm not sure if it is. So I didn't want to include it, and be wrong about that! Thanks, Cynthia!

Concerning including the poppies, I included the wools (well, and a blend) that I used on the rooster. I would have been happy to include the other Gumnut yarns that are 100% wool, but I don't have any in my stash. I tried to contact Gumnut for samples, but they sent me to their US distributor, who, for some reason, I can't seem to get through to. So right now, I'm limited to the threads in my stash, unless I invest in some other wools, which I may do in the future.

Yes, I think knitters are much more aware of the different breeds of sheep and the wool they produce. This is something I'd also like to learn a bit more about, so I've been reading up on it a bit, but don't know too much about it off the top of my head. It's obvious, though, as I read about it and work with the wools, that the wool and the process of combing, spinning, dyeing, and all that stuff have a direct influence on how well the embroidery wools work and feel, too. It's a subject I'll have to delve more deeply into in the future.

Thanks again for the comments, everyone!
MC]]> 3424 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-28 05:58:56 2010-01-28 05:58:56 1 0
Thanks for the valuable info on these threads.

Yes, good luck strutting your stuff to finish 'our' rooster.

Trust you feel ok now.

Cheers, Kath.]]> 3425 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2010-01-27 22:28:35 2010-01-27 22:28:35 1 0 3426 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-27 21:52:31 2010-01-27 21:52:31 1 0 3427 Karen Milano noreply@blogger.com http://www.nimbleneedle.net 2010-01-27 19:21:13 2010-01-27 19:21:13 1 0 3428 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-01-27 17:37:10 2010-01-27 17:37:10 1 0
This is a great idea. But how about including Paternayan wool? Do you have a sample? I can send you some if you like.]]> http://www.needlenthread.com/2010/01/cotton-floche-whats-not-to-love.html Tue, 26 Jan 2010 13:16:00 -0600 Mary Corbet 91 2010-01-26 13:16:00 2010-01-26 13:16:00 open open Cotton-Floche:-What's-Not-to-Love? publish 0 0 post whole set of a specific embroidery thread (you know, one of every color!). Granted, I've come close. Last year, a certain hankering crept over me: I longed to purchase the whole available range of cotton floche! And I resolved, at that moment, that if I ever did buy a whole set of one type of thread, the first set would indeed be cotton floche. It took a while to do it - a whole set of an embroidery thread isn't cheap, if the set is somewhat extensive, so I had to save for it. When Hedgehog Handworks launched their January sale (15% off everything) this year, I jumped!

Cotton floche is a beautiful embroidery thread, perfect for monogramming, for all kinds of surface work, for folk and ethnic styles of embroidery, for cross stitch. It works great for long and short stitch shading, as you can see in this beautiful piece worked by Jeanne of Just String. It makes beautiful little flowers for surface work. It's wonderful to smock with. And some stitchers love it for needlepoint on higher count canvas...



Me? I love it for.... everything!



I love its softness, and its vivid colors.



I love its range of shades within colors.



I love that its easy to stitch with.



I just downright love the stuff.

And I love the fact that I now have the whole range! (Well, the whole range available at Hedgehog - 89 colors!) *Sigh*

Pure ... Thread ... Bliss!

(The next question: what am I going to do with it? I suppose you'll just have to wait and see!)

If you're not familiar with floche and want to do some reading on it, I've got a couple articles here on Needle 'n Thread:

Thread Comparison between Floche, DMC perle cotton, and DMC stranded cotton
Floche, Danish Flower Thread, and coton a broder
Floche vs Danish Flower Thread - comparison
Miniature Flowers Sampler using Floche


]]> supplies hand embroidery information embroidery resources threads floche 3420 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-28 10:46:11 2010-01-28 10:46:11 1 0 Now I want to try some cotton floche....and perle cotton...and cotton a broder...and Danish flower thread.... and all the other things I've never tried. Mary, your blog is so inspiring.
Thank you.
WendyBee]]> 3423 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-28 08:53:05 2010-01-28 08:53:05 1 0
I believe that this floche is actually from DMC France, rather than DMC USA. I could be wrong about that. It comes in 89 colors. There are other websites (Vaune Pierce, for example) that sell 87 colors, but they only sell the whole hank (for $6 / each or so). Hedgehog carries 89.

Anyway, the difference is probably the source of the floche.

For those who didn't see Joady's comment above, the color numbers coordinate with regular DMC cotton floss numbers. So conversion between the two threads is easy enough. Also, if you have a DMC color card for the regular stranded cotton, you can at least see what colors of floche you're getting when you order.

Yep, I think I'm going to have to make up a real-thread color chart with these. I wonder if that should be a stitched thing, or if I should work it on paper. Hm.

MC]]> 3429 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-01-27 17:03:15 2010-01-27 17:03:15 1 0
I am a wee bit confused though...you bought 80 colours (you lucky duck!) but on the DMC website it says it comes in 20 colours...]]> 3430 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-27 15:28:14 2010-01-27 15:28:14 1 0
(And I'm soooo jealous! *grin*).
Don't you just want to run your fingers through them, and arrange and re-arrange them. (which I'm sure you have been doing :-)]]> 3432 Joady noreply@blogger.com 2010-01-27 13:53:12 2010-01-27 13:53:12 1 0 3434 Anonymous noreply@blogger.com 2010-01-27 11:13:59 2010-01-27 11:13:59 1 0 I look forward to your mail every day.Many Thanks for the post,the marvellous photos ,the envy and ideas and the link.
Michele]]> 3436 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-27 08:46:12 2010-01-27 08:46:12 1 0
To answer the question about bleeding - I haven't had floche bleed on me before. That doesn't mean it doesn't - but I've never had it happen with this floche.

Gillian - I think (though I'm not certain) that the color numbers coordinate w/ dmc stranded floss colors. I'll check into that. Keep in mind that floche is thicker than one strand of DMC cotton floss, so if you are stitching with one strand of DMC cotton, then floche won't exchange well, unless you go for a lower thread count on your fabric (if you're doing counted work). If you're doing surface work, it will exchange fine, but it will look a wee bit thicker.

Sharon - only 15 colors to go! Keep in mind, I bought the small hanks - not the large ones. If you're lucky to have the large ones, you're way ahead of me!!!

Cynthia - uh.... aaaaahhhh. Floche of the Month Club. That sounds exceedingly dangerous for me. I must go look....

Thanks all, for your comments!

MC]]> 3437 Stitcher Sister noreply@blogger.com http://www.blogger.com/profile/14982043419274774766 2010-01-27 08:16:56 2010-01-27 08:16:56 1 0 3438 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-27 05:32:01 2010-01-27 05:32:01 1 0 Now I have a face to the name. Lovely. Went into Jeanne of Just String's link. And there you were.

Looking at this thread makes me tingley and your descriptions and thoughts on it make me 'tingleier' still!!!!

Your certainly have a professional eye for photography too. Yummy pics.

Hope you're well now.
Cheers, Kath]]> 3439 Gillian noreply@blogger.com http://www.blogger.com/profile/08398724553076514377 2010-01-27 05:02:46 2010-01-27 05:02:46 1 0
How do we convert our normal DMC or Anchor thread numbers to get the same/similar effect when sewing from a chart or kit using these threads?

The colours are spectacular and the flowers sewn using these threads are beautiful.

I look forward to your email every day and even though you have unpicked your jacobean work alot it is working out fabulous.

Keep up the good work.

Gillian Gonzalez]]> 3441 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-01-26 17:53:08 2010-01-26 17:53:08 1 0 I do empathize with you! Vaune Pierce has a "Floche of the month club" so I signed up for that. I also have the entire DMC cotton floss collection. Vaune also has an "Anchor Floss of the Month Club" but so far I've been able to resist. But I may get all of the new colors of Coton a Broder 25. I think I have more thread than I'll be able to use in my lifetime! I'll have to will it to someone.]]> 3442 BonnieC noreply@blogger.com 2010-01-26 17:10:54 2010-01-26 17:10:54 1 0 3443 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2010-01-26 16:59:39 2010-01-26 16:59:39 1 0
Colleen Lim]]> 3444 Sharon noreply@blogger.com 2010-01-26 16:30:43 2010-01-26 16:30:43 1 0 I too, love this thread. It makes the neatest split stitch and chain stitch. That is as far as I have gotten. I am looking for more ways to use the Floche. The feel is wonderful. I really enjoyed using it.
Sharon]]> 3445 meri noreply@blogger.com http://avomeri.worpress.com 2010-01-26 16:10:26 2010-01-26 16:10:26 1 0 3447 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2010-01-26 14:54:23 2010-01-26 14:54:23 1 0 Can't wait to see what you do with all those luscious colors.]]> http://www.needlenthread.com/2009/03/embroidered-flora-fauna-book-review.html Fri, 27 Mar 2009 06:40:00 -0500 Mary Corbet 92 2009-03-27 06:40:00 2009-03-27 06:40:00 open open Embroidered-Flora-&-Fauna---Book-Review publish 0 0 post Embroidered Flora & Fauna: Three-Dimensional Textured Embroidery is ... well, quite a book! I hesitated about buying it, really, because I thought "No - it's just not me." But I was won over by a fig...

The title of this embroidery (more "fiber art") book is daunting, and the double authors with double names is, too: Embroidered Flora & Fauna: Three-Dimensional Textured Embroidery, by Lesley Turpin-Delport & Nikki Delport-Wepener. Wow. It's a mouthful. I'm funny about titles. I often tend to judge books by titles, and, though I try not to, I tend to judge books by their covers, too!

It was the cover that enticed me to buy this book after all, even though I was skeptical about it at first.



The red flower in the lower left is an eye-grabber, isn't it? But that isn't what grabbed me! It was the fig right next to the flower. Now, that is a fig, if I've ever seen one. A fig. And it's embroidered. Wouldn't it be fun to have a bowl of embroidered figs in the middle of your table?

If an embroidered fig could look so like a fig, I thought the book had to be worthwhile.

And I was right.

Let me tell you a little about the book, give you a little tour of it, and then some pros and cons.

The book begins like other good embroidery books, with a discussion of supplies. Threads are especially discussed, as most of the techniques in the book require, to a wide extent, a variety of different fibers (this isn't your typical DMC embroidery here!).



Then, the authors launch in to techniques, beginning with photo transfers, which I found interesting. The color photocopy of a picture, in mirror image, is applied to the fabric (using a solvent or lacquer thinner), heat set with an iron, then the embroidery is worked over it. I've never tried such a method, and I wonder about the chemical properties of lacquer thinners on fabric - it would be neat to explore this further!



They continue the techniques section: preparation of background fabric, working with textured threads, scale and shading, applique, barbola, stumpwork inspired ideas, trapunto, felt, ribbon techniques, beading, networking, machine stitching, and working with metallic threads. A wide variety of techniques are used in combination on most of the projects!



After taking the reader through the individual techniques, the book is divided into chapter headings by color inspirations: oyster white; red; green; yellow; blue; lilac & lavender; salmon; brown; pink; burgandy; indigo; and grey, black & white.



Under each of these chapter headings, you'll find different projects that fit into the color categories.



Finally, the book has a stitch glossary...



... followed by a section of templates for various projects.



What delights me most about the book are the various projects featured in it. They are unbelievably beautiful and very realistic.



The pomegranates look as if the seeds are bursting out of the fruity flesh. The roosters look as if they could start crowing! The flowers beg to be picked, and most of the bugs - especially the grubby looking ones - make you shudder at their utter buggy creepy-crawliness.

The artistry of the authors is quite evident, as is the passion they have for their art. And truly, the book is about fiber art. It's not strictly embroidery - many other techniques besides "stitching" fill these pages.

The pros of the book:

1. It's a good resource for realistic inspiration. If you've ever wanted to recreate, with needlework, something that looks utterly real, then this book will help you do it.

2. It's beautiful. It's a coffee-table-conversation-starter book. Just point out some of the grubs crawing on some of the plants, and you'll enchant your guests into discussing the wonders of needlework!

3. It instructs the reader clearly on techniques, and offers step-by-step guidelines for the various projects within. These guidelines are nice and clear.

4. There's a really nice section full of line-drawn templates. The designs can be worked realistically, or if you're more of a stylized sort of stitcher, they can still be adapted to stylized embroidery.

5. It's fun. I enjoyed reading it and browsing through it.

Cons:

1. Some quirks in the text here and there. For example, coton a broder is listed as "cotton a broder / flower thread - a fine, matte cotton thread." Coton a broder and flower thread are, to my knowledge, entirely different threads, one major difference being that one is mercerized (has a sheen) and the other isn't (matte finish). It's not really a big deal, but I found it somewhat surprising. But, you know - maybe there is a kind of coton a broder out there that is matte thread, and looks like flower thread...

Update: Thanks to Sharon Boggan (Pin Tangle) who kindly e-mailed me a discreet and gentle note of correction, Monika (comment below) and some reading and research yesterday, I've discovered that what I'm used to calling "coton a broder" (that's the white mercerized cotton I use for whitework) is a type of "coton a broder." The term "coton a broder" is actually rather generic, and does include other types of thread. In Australia and the UK, Sharon says that "coton a broder" is matte, like flower thread. So this is a cross between a regional thing (same name referring to different things) and a way of labeling many types of cotton embroidery threads. Now I know! Thank you, ladies, for your help!

2. I don't normally hard-line classify books as "beginner, intermediate, advanced," because I'm convinced that beginners can pick up a book and learn what are classified as advanced techniques. But this is a book that I'd say is definitely intermediate and beyond. There are some things in it that a beginner could pick up - and still, any determined beginner can accomplish even the advanced techniques herein. However, I'd not recommend it to a newbie at embroidery.

3. For most of the projects, the fibers involved are not so easy to come by, and tend towards being expensive. If you don't already do this kind of stuff, I could see the development of a Whole Nuther Line of Stash! Still... could be worth it, if you want the beautiful end product!

Overall, I like the book very much, and I'm glad I've added it to my library! I think intermediate to advanced stitchers will really like it, as it will certainly give you a new perspective and plenty of inspiration for your embroidery projects!


]]> book review pictures stumpwork 7762 Lin Moon noreply@blogger.com http://www.blogger.com/profile/14088659161994313808 2009-04-30 00:43:00 2009-04-30 00:43:00 1 0 ~Lin Moon]]> 7783 arlee arlee.ar@gmail.com http://www.blogger.com/profile/14036114069539254266 2009-04-26 16:18:00 2009-04-26 16:18:00 1 0 8192 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-03-29 16:51:00 2009-03-29 16:51:00 1 0 8204 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2009-03-28 09:35:00 2009-03-28 09:35:00 1 0 8205 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-28 08:11:53 2009-03-28 08:11:53 1 0
I did some searching about on that name. "Coton a broder" is a generic term, it seems (French...) for embroidery cotton, and within it, are different categories. On many DMC labels (DMC is a French company originally), the label will read "coton a broder" because it is cotton embroidery thread.

So, it's really just a generic term, and can include all kinds of embroidery cotton, from flower thread to floche...

Thanks again, all....

MC]]> 8206 Monika noreply@blogger.com 2009-03-28 07:20:00 2009-03-28 07:20:00 1 0
Yesterday I got some coton a broder for the 1st time, the wrapping also called it flower thread... it is from DMC and here is a link of a picture a took in case you will like to check:
http://www.flickr.com/photos/mygoals_mismetas/3391099206/
Maybe in the book they called it like that because some brands do ? That just my guess.

Thanks Again, I really enjoyed this review !]]> 8207 beard5 noreply@blogger.com http://www.blogger.com/profile/04005181542051113220 2009-03-28 00:23:00 2009-03-28 00:23:00 1 0 8212 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2009-03-27 15:16:00 2009-03-27 15:16:00 1 0 8215 Thneedless noreply@blogger.com http://www.blogger.com/profile/02866232913802243171 2009-03-27 11:58:00 2009-03-27 11:58:00 1 0
Yesterday I stumbled upon this book as I was ordering a white work book (inspired by your sampler) from amazon. I couldn't resist adding this one as well. I'm especially excited about the sort of patchwork looking project with all different leaves and bugs. Your great review makes me happy. If you liked it, I'm sure I will.]]> 8216 celeste noreply@blogger.com 2009-03-27 11:03:00 2009-03-27 11:03:00 1 0 8217 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-27 10:21:00 2009-03-27 10:21:00 1 0 http://www.needlenthread.com/2010/01/making-embroidered-boxes-and-book.html Mon, 25 Jan 2010 09:41:00 -0600 Mary Corbet 93 2010-01-25 09:41:00 2010-01-25 09:41:00 open open Making-Embroidered-Boxes,-and-a-Book publish 0 0 post making an embroidered box and provided a link to a project featured on the V&A; website. This week, I'm revisiting the subject because the whole notion of making an embroidered box has caught my fancy, and I believe it's more than a passing interest. This bodes well - I believe I will actually make one, and if I do, I'll certainly step-by-step the process here on Needle 'n Thread. My interest in making an embroidered box is more fixed, thanks to you readers out there who expressed enthusiasm for the topic, and especially for those of you who recommended some books. I was able to lay my paws on two books that were recommended in the comments section of the previous post, and today, I want to show you one of them - Making Hand-Sewn Boxes, by Jackie Woolsey.

Making Hand-Sewn Boxes is a terrific how-to book! And even though the author is not specifically illustrating how to make an embroidered box, the techniques are exactly what an embroidered-box-maker would use to make a box. I love this book!



The copy of the book that I was able to pick up is an ex-library copy. It's in good shape. The book is apparently not in print anymore, but you can find it online through various booksellers.



The book features all different types of boxes, from the simple rectangular box to more complex boxes with drawers and trays. For each type of box in the book, the author takes us step-by-step through creating the box, from the materials list, through the assembly of the box, using clear diagrams and color photos.



Boxes of different shapes - from square, to round, to octagonal and hexagonal - are all covered. (No pun intended, honestly.)



The whole notion of constructing the actual box is what intimidated me whenever I contemplated an embroidered box. But this book practically eliminates any worries along those lines - the text instructions, the diagrams, and the photos all work together to clarify the process of finishing.



One of my favorite sections to read was the chapter on making a Victorian étui. While this isn't exactly the type of box I have plans to make at first, I love seeing how it is made. Tanja Berlin's blackwork étui was the first box I saw like this, and it fascinated me. And now I've got this wonderful book that shows me exactly how to make my own!

At the end of the book, the author provides a photo gallery of all kinds of hand-sewn boxes. Once the techniques of creating different types of boxes that include different features - from trays to drawers to doors - are understood, all kinds of box possibilities spring to mind! And they all seem accessible, because the author covers pretty much every possibility of box construction in this book.

I reiterate - this is a great how-to book! If you're interested in constructing an embroidered box and you can get your hands on this book, it's a worthwhile investment. If you just want to take a look at it, check your local library! If they don't have it, they should be able to get it for you.

There are a few new and used copies available on Amazon:



Later on, after I recover completely from the Wog and get caught up, I'll show you what I do to books that I want to use as references while working on something from them. That's probably the only drawback of this particular book - it doesn't lie open easily. When I'm working from this type of book, I like to have it open in front of me while I work. In order to achieve that, I demolish the book. Well, not really! I'll show you what I do, once I have the chance to do it!

In the meantime, start dreaming up a box!
]]> embroidered boxes book review finish work 3034 kookysue noreply@blogger.com http://www.blogger.com/profile/04123764076902393621 2010-02-23 07:32:03 2010-02-23 07:32:03 1 0 3440 Marian noreply@blogger.com 2010-01-26 20:21:33 2010-01-26 20:21:33 1 0
I love going to the small gas station opposite my house, mainly because they are the only local stockists of Inspirations magazine. Very dangerous!! I usually have to go into town (20 mins by bus) but I dont always have time to go and look at tit in the book store.

Anyway, the current issue has a covered box featured on the cover. I also have an older copy of a stitching magazine (the name escapes me at the moment) which has a Victorian etui in it.

It is supposed to rain here tomorrow, so gardening will cease & stitching will commmence.

Take care,]]> 3448 Marti noreply@blogger.com 2010-01-26 14:20:21 2010-01-26 14:20:21 1 0 I love reading your blog and the fact you enjoy doing many different types of needlework, as do I. I'm reading through my older Piecework magazines and today saw the article in J/A 1997 pg.50 about stumpwork and there is a wonderful pic of a 17th century casket. I immediately thought of you. Hope you're feeling better.]]> 3449 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2010-01-26 11:47:38 2010-01-26 11:47:38 1 0 3450 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-26 11:15:20 2010-01-26 11:15:20 1 0 So inspiring, Mary, as always!
WendyBee]]> 3451 Tania Kleckner noreply@blogger.com 2010-01-26 07:26:14 2010-01-26 07:26:14 1 0 3455 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2010-01-25 17:56:26 2010-01-25 17:56:26 1 0 3456 Lisa noreply@blogger.com http://www.blogger.com/profile/10845757688839404825 2010-01-25 16:46:44 2010-01-25 16:46:44 1 0 3457 Anonymous noreply@blogger.com 2010-01-25 15:52:33 2010-01-25 15:52:33 1 0
I have often looked at embroidered boxes and items like the etui but get put off by the fiddlyness?? of putting them together. I would be very interested in a blow by blow description of how you do this and any pointers on keeping it neat. I am very bad with anything that uses glue.

Lynette]]> 3458 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2010-01-25 14:42:24 2010-01-25 14:42:24 1 0
Amber]]> 3460 Samanta noreply@blogger.com 2010-01-25 12:27:55 2010-01-25 12:27:55 1 0 Sometimes I wonder what your family says when you tell them you've got a new book on embroidery, or that you found out something new you'd like to try. Am I the only one who gets ugly faces and rolling eyes?
(not that they stop me by doing that, but it's... annoying, agree?)

Hope you feel in shape again pretty soon! :)]]> 3461 Janice M. Miller noreply@blogger.com 2010-01-25 11:28:40 2010-01-25 11:28:40 1 0 I too, am fasinated with making an embroidered box. Thanks for all to good resources.
My Neelepoint Guild offered me advice on books that don't open flat. Take it to Kinko's and have them do a spiral binding. The cost is minimal and the results are just great. It is a "while you wait" process. Just another idea to share.
Keep stitchin']]> http://www.needlenthread.com/2010/01/crewel-embroidery-flower-is-coming-out.html Sat, 23 Jan 2010 14:13:00 -0600 Mary Corbet 94 2010-01-23 14:13:00 2010-01-23 14:13:00 open open Crewel-Embroidery:-The-Flower-is-Coming-Out publish 0 0 post

This flower was stitched in a medium-blue Appleton wool, but I was having a hard time deciding how to finish it. I just couldn't settle on a decent palette of colors. So...



Funny thing is, that's as far as I got on picking the stitches out. For two days, the rooster has perched in a corner, neglected! Tsk tsk. And hence this short post: I'm down with a wretched Flu-Like Something. I'll probably take tomorrow off - unless I zing back to life at some point today!

If I don't see you tomorrow, have a jolly Sunday, and hopefully, we'll meet up on Monday!

Enjoy the weekend!
]]> crewel work needlework pictures 3431 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-27 14:53:47 2010-01-27 14:53:47 1 0
There are different little handy tools out there that help with residue removal. One's called the "Boo-boo stick," for example. But you know what I do? I take a piece of cloth - like a clean kitchen towel, either the flour sack variety or something with a low nap terry cloth finish, and I put my finger behind the towel, and just rub over the fabric lightly with a circular motion, front and back of the fabric. It cleans it right up. Don't over-rub, as you could "pill" the fabric, but with this twill (and probably with any linen) I haven't any problem with that. It just cleans right up!

Hope that helps!

MC]]> 3433 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-01-27 13:48:52 2010-01-27 13:48:52 1 0 3454 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-25 18:28:02 2010-01-25 18:28:02 1 0
Hope the chicken soup is forth coming but please don't boil up 'our' rooster. We need him!
Quick recovery.

Cheers, Kath]]> 3462 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-25 08:48:55 2010-01-25 08:48:55 1 0
Meri - I hope you're better soon, too!

Corvus, try to avoid the truck. It's not a very pleasant one!

Gwen - crewel work has often been used for seat cushions, etc. The wool is pretty sturdy... but I don't know how long a piece would hold up. I'd think that if the whole thing were embroidered (the whole cushion, without much white space), you'd have better luck with it holding up longer. But to get right down to it, I don't see why it wouldn't work. It's a small design, though - around 6" square, at the most. It might get lost on a regular sized seat cushion....

Thanks again, everyone. I suppose I'll have to finagle some chicken soup out of someone!

MC]]> 3463 Anonymous noreply@blogger.com 2010-01-25 02:05:41 2010-01-25 02:05:41 1 0 Gwen from Holland.]]> 3464 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-24 19:21:24 2010-01-24 19:21:24 1 0 WendyBee]]> 3466 Anonymous noreply@blogger.com 2010-01-24 12:42:48 2010-01-24 12:42:48 1 0 Karole King]]> 3468 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-01-24 12:22:56 2010-01-24 12:22:56 1 0 3469 Anonymous noreply@blogger.com 2010-01-24 10:38:13 2010-01-24 10:38:13 1 0
Take care and get well soon.

Katrina]]> 3470 Corvus noreply@blogger.com http://corvustristis.livejournal.com 2010-01-24 08:05:53 2010-01-24 08:05:53 1 0 3471 Tania Kleckner noreply@blogger.com 2010-01-24 06:16:05 2010-01-24 06:16:05 1 0 3473 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-23 21:28:22 2010-01-23 21:28:22 1 0 3474 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-23 18:08:39 2010-01-23 18:08:39 1 0
So sorry you're not well. Please take care.

Watching the flower now with great interest.

Wishing you a speedy recovery.

Cheers, Kath]]> 3475 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-01-23 17:04:36 2010-01-23 17:04:36 1 0 s]]> 3476 meri noreply@blogger.com http://avomeri.wordpress.com 2010-01-23 16:41:24 2010-01-23 16:41:24 1 0 Hope you feel better soon (and me too... by the way)]]> 3477 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-23 16:24:40 2010-01-23 16:24:40 1 0
Marion -

The rooster itself is only about 6" square - I don't remember off the top of my head. In any case, I cut my fabric 12" square, and have it mounted on a 10" square Evertite frame. There's plenty of space around the bird for framing, etc.

MC]]> 3478 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-01-23 15:41:39 2010-01-23 15:41:39 1 0 How large is the rooster AND what size frame do you have it in?
I am in the process of purchasing what I need to do this project and want to make sure that my evertite frme is the right size.

Sorry your feeling under the weather. Hoping you'll bounce back very quickly.

Hugs, Marlon]]> 3479 Sharon wildflowerhouse@hotmail.com http://www.blogger.com/profile/15897609431263814815 2010-01-23 15:35:10 2010-01-23 15:35:10 1 0 3480 lkrum1999 noreply@blogger.com http://www.blogger.com/profile/06926798002529172713 2010-01-23 15:14:04 2010-01-23 15:14:04 1 0 http://www.needlenthread.com/2010/01/chats-on-old-lace-and-needlework.html Fri, 22 Jan 2010 11:41:00 -0600 Mary Corbet 95 2010-01-22 11:41:00 2010-01-22 11:41:00 open open Chats-on-Old-Lace-and-Needlework publish 0 0 post Chats on Old Lace and Needlework by Emily Leigh Lowes was first published in 1908. The book is just as its title describes - chats on old lace and needlework. It is a book arranged in chapters, discussing various types of lace and needlework.

Because the book is old, it's not filled with gorgeous colored photos of museum pieces. Still, its value is in the written content and even - yes - the black and white photos.



I tend to get used to colored photos, and find myself often passing completely on exploring a book when the photos are black and white. I have to remind myself that, like black and white movies, black and white photos can be just as artistic and just as well done as colored photos. They can tell a story, too, after all. I suppose this isn't always the case with the black and white photos in old books (because some can be rather poor quality!), but I think it's silly to disregard a book simply because the photos aren't in color.

(At the same time, admittedly, I prefer colored photos, especially of needlework!)



I like this Jacobean piece featured in the book. When you start looking at it closely, you start to notice things - like the squiggly lines on the left, about a third of the way up behind some of the leaves and flowers there. They aren't anywhere else. Or the pot of flowers in the lower right hand corner, resting on one of the hills - a somewhat strange place to rest a pot of flowers.

The book addresses the history of lace (mostly in England, or having to do with England somehow) and the history of English embroidery in small, manageable chunks of texts (hence, the "Chats" part of the title). It's interesting to read, but not long enough to be a dry historical discourse.

If you'd like to take a look at the book, you'll find Chats on Old Lace and Needlework on Project Gutenberg.

Enjoy!

]]> book review embroidery resources online needlework books 3487 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2010-01-22 22:11:01 2010-01-22 22:11:01 1 0 3488 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-22 16:05:45 2010-01-22 16:05:45 1 0 WendyBee]]> 3489 Anonymous noreply@blogger.com 2010-01-22 15:24:12 2010-01-22 15:24:12 1 0
Annie in Michigan]]> 3490 Marian noreply@blogger.com 2010-01-22 14:17:25 2010-01-22 14:17:25 1 0
The matress I bought on Monday has a beautiful crewel motif all over the linen and I notice last night that my blue on white shower curtain is also crewel embroidery motifs. Bunches of miniature pomegranetes, carnations, lilies and other flowers. I shal take photos and email them to you.]]> 3491 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-01-22 13:35:26 2010-01-22 13:35:26 1 0 3492 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-01-22 13:15:29 2010-01-22 13:15:29 1 0 3495 margaret c. noreply@blogger.com 2010-01-22 11:54:05 2010-01-22 11:54:05 1 0 http://www.needlenthread.com/2010/01/crewel-embroidery-rooster-head-neck.html Thu, 21 Jan 2010 05:30:00 -0600 Mary Corbet 96 2010-01-21 05:30:00 2010-01-21 05:30:00 open open Crewel-Embroidery:-Rooster-Head,-Neck,-Crown publish 0 0 post ever seen!

I set about to embroider the head of the rooster using Appleton wool, as it's the only wool I have a creamy white color available in. I planned for the head to be stitched in long and short stitch, from very light (creamy white - like on the top of the wing), through the three shades of gold already used on the body, ending with the darkest. So, in that rather smallish head space, my plan was to use four shades, and it worked out pretty well. The head and the crown, in fact, are the only parts of this whole venture that didn't get stitched twice so far!



I began by stitching around the whole head in split stitch, in the creamy white. I split stitched the head, and then across the top scallop line of the larger scallops on the neck, so that the whole head was surrounded with the creamy white split stitching. (Unfortunately, I forgot to take a picture of just the split stitching!)

Then, beginning up by the beak (which doesn't look a thing like a rooster beak!), I started long and short stitch, working down the head. I left the eye blank.



Who would have ever known that the rooster and the shark were remotely related? I think my rooster proves there's a familial resemblance between the two creatures. The whole time I stitched this, a little voice inside my head was screaming, "Shark! Shark!" I swear I even heard the music from Jaws....

Regardless, I fearlessly continued to stitch, filling in the head with the gold colors found in the body. These are all Appleton crewel wools.



I finished off the head in the darkest gold-brown (the same color accenting the wing), and then I bespeckled the head with small straight stitches.



The base of the head looks a little dark, but I planned to lighten it up later with some stuff around the neck.

The blank eye was still looking rather sharky, so it was time to do something about that.



A wee bit o' red around the eye area - a buttonhole wheel, to be precise, stitched with Bella Lusso merino wool - began to remedy the eye situation.



I thought about filling in the eye with black, but I was afraid that the black would Really Stand Out, since nothing else on the whole piece would be worked in black. Besides, I didn't have any black wool. So I filled in the eye with dark brown Appleton crewel wool, in satin stitch.



Then I jumped back in with two little stitches in creamy white, to add a glint and pick the eye up a bit. I didn't want it to look like a sunken hole in the middle of a red ring.



Sorry for the poor color and out-of-focus shot here, but I wanted you to see the lines I drew inside the scallops on the crown. They're drawn in about 1/8" from the outside lines on each scallop.



Using Bella Lusso merino wool, I embroidered an outline around each scallop on the crown in buttonhole stitch, so that the twisted edge of the buttonhole stitch was on the outside line of each scallop. I wasn't worried too much about perfection in this buttonhole stitching, because my plan was to cover most of it up, anyway.



I often turn my work upside down in my stand clamp, to better reach the top edge of the embroidery design. Using D'Aubusson wool in brick red, I randomly stitched in some French knots all over the crown, even on top of the buttonhole stitches around the edges. At the base of the crown, the dark red stitches are denser - I was hoping for a kind of mottled shading.



Then I started filling in around the dark knots with the brighter red Bella Lusso.



I'm afraid I couldn't wait to fill in the whole crown before trying out what I had in mind for the edges. Since the first two scallops were filled, I went ahead and experimented on the first scallop. Into the edge of the buttonhole stitching around the scallop, I stitched another row of detached buttonhole stitch. That is, I worked this next row of buttonhole stitches through the previous row, but without passing into the fabric. Then, working around this row of detached buttonhole stitch, I started working some buttonhole scallops to give the crown some bumps on the edges.

I liked it, so I continued with the plan!



I did the same thing around the second scallop, then finished filling the third and fourth scallops with the bright red French knots.



Then I finished adding buttonhole scallops on the rest of the crown. Overall, I will admit, I was pleased with the effect.

Now, to address the neck, and finish up this whole rooster body!



I got a little eager on the neck scallops, and forgot to take intermediate pictures. But this is what I did:

I divided that large scallop area on the neck into three equal layers. Starting in the bottom layer, I embroidered a buttonhole stitch line across the lower division of the neck scallops in the darkest gold (the dark color on the wing). Then, in the middle section, I used the next lightest gold and stitched a buttonhole line. Then, in the next section up (the last division in the neck scallops) I worked the lighter gold. Then, working directly on the dark edge of the long-and-short stitching at the base of the head, I worked buttonhole stitch in the creamy white.



Then, taking the creamy white, I worked a detached buttonhole across each layer of color, working in the twist on the edge of the buttonhole stitches, but not through the fabric. This "lifted" the white edges.



You can see that the white edges don't go back down into the fabric, but they sort of "layer" over each other.



There he is so far. I haven't done his beak yet, or his legs, and I'm still contemplating the under feathers below the wing.

I'm not exactly sure what stitch to use on the legs. Any suggestion? I was thinking French knots down the line of his leg, to give kind of a bumpy look. But what color? What color are roosters' legs? What color legs should this guy sport? Suggestions?

Thanks, everyone, for your comments and suggestions so far on this project! Your suggestions have been really helpful!

For further posts on this project, feel free to visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail
French Knots on the Wattle
Adding the First Blue Feather using a Raised Backstitch
The Rooster Tail, Finished for Now
The Wing - Three Attempts
Adjusting the Tail Feathers One More Time

]]> Embroidery Projects pictures embroidery tips and tricks wool crewel work needlework pictures 3472 Yvette Stanton noreply@blogger.com http://www.vettycreations.com.au/white-threads 2010-01-23 23:05:02 2010-01-23 23:05:02 1 0
No idea about colours for his legs. The only thing I really know about roosters is that they crow ALL throughout the night and day here in Ethiopia! The idea of them crowing at dawn is just simply wrong!]]> 3494 Divya noreply@blogger.com http://www.blogger.com/profile/16813142712000951794 2010-01-22 12:24:33 2010-01-22 12:24:33 1 0
Question - have you thought about what you're going to do with this piece once its done?]]> 3496 Carol Sylvester noreply@blogger.com 2010-01-22 09:26:19 2010-01-22 09:26:19 1 0
On another note, I absolutely LOVE his head and neck. The scallops around the comb are perfect for it.

Carol]]> 3497 Maryvonne noreply@blogger.com 2010-01-21 22:50:45 2010-01-21 22:50:45 1 0 I love the rooster, but the head is magnificent. You are so inventive, I've been absolutely fascinated watching him grow. He is just wonderful. Can't wait to see how he is going to be finished.]]> 3498 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2010-01-21 22:05:22 2010-01-21 22:05:22 1 0
Though you might have not been technically correct in calling the comb, I feel its very apt to call it 'crown' on the head of your stylised chap... So beautiful and so 3D, the dark and lighter red shades really stand out. Esp your detached buttonhole stich - I love it!! Wow I'd like to adorn you too with a crown for sharing with us this lovable rooster :)

As for the leg, I think it could be a broader line, and it would be good to see in multiple shades - yellow, green, brown - as you like it :). As Melissa told, I'd like to see the beak and legs in the same colour shades.

Eager to see how and where he ends up finally :)]]> 3499 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-21 20:33:24 2010-01-21 20:33:24 1 0
I agree with another lady - the speckling on the head really makes it.

And I just love the overlaying layers.

And his comb! It's great. I used to have chooks (Australian for "Chickens") when I was a child, and that is an excellent comb.

Interested in the suggestion of the woven picots for the legs - french dots are not going to give a smooth outline. Will his claws be a different colour? They have big ones, for scratching in the dirt and if you've ever picked a rooster up, you'd know about them.]]> 3500 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2010-01-21 18:30:03 2010-01-21 18:30:03 1 0 Hooroo,
Christine in sunny Sydney Australia.]]> 3501 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-21 18:30:00 2010-01-21 18:30:00 1 0 3503 sharon noreply@blogger.com 2010-01-21 16:24:35 2010-01-21 16:24:35 1 0 But this is a Rooster any other fella would envy - he can have any color legs you want him to have.
For the feathers on the legs, would woven picot stitch work, or would that be to big with wool ?
I agree the feathers below the wing just do not fit in with the rest of him - need to pick and redo
This Rooster has been an adventure for all of us to see what you are ending up with, the colors and your different stitches used. I will be sad when he is finished... what is next?]]> 3504 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-01-21 15:54:03 2010-01-21 15:54:03 1 0 3505 joey noreply@blogger.com 2010-01-21 13:24:42 2010-01-21 13:24:42 1 0 3506 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2010-01-21 10:39:33 2010-01-21 10:39:33 1 0 As for his legs, rooster legs come in all colors. Here's a link to a really good picture I found using a Google image search-
http://thejeditrainer.com/wp-content/uploads/2009/08/rooster.jpg You can see that the legs are fairly sturdy and are covered with scales.
I'm looking forward to seeing your interpretation.]]> 3507 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2010-01-21 10:36:49 2010-01-21 10:36:49 1 0
I love how the neck and head came out! It's fabulous! The speckling on the head really makes that section, I think. The whole project looks very three dimensional, it reminds me more of stumpwork than what I usually think of as crewel. I'm really liking it.]]> 3508 Anonymous noreply@blogger.com 2010-01-21 10:36:23 2010-01-21 10:36:23 1 0
Chicken feet, in real life (don't ask how I know -- it's just something I tend to notice in a kind of Seinfeld-y obsessive sort of way) aren't exactly pretty. They may be yellow or shades of grey, but they tend to be almost reptilian (without feathers, chicken skin is, well... chicken skin). Probably not something to worry about -- making them as simple and inconspicuous as possible will keep the focus on your beautiful plumage.

This is becoming so beautiful, I'm almost sorry to see you getting so close to the finish. It's been a great, fun ride, watching you work!

Karen from Arcadia]]> 3509 Bobbi noreply@blogger.com 2010-01-21 09:28:15 2010-01-21 09:28:15 1 0
Now the Feet And Beak!! I can't wait!]]> 3510 Mel, Foxtail Farm noreply@blogger.com http://www.blogger.com/profile/12262226666614908638 2010-01-21 09:07:07 2010-01-21 09:07:07 1 0 3511 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-21 08:21:20 2010-01-21 08:21:20 1 0
The detached buttonhole is worked around the comb and around the neck.

COMB!! - I've been calling it a comb all along, until I sat down to write this post, and then I couldn't for the life of me remember what the word was!! Thank you!

MC]]> 3512 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-01-21 07:17:37 2010-01-21 07:17:37 1 0
I especially like the detached buttonhole stitch you're using. Really gives depth and texture to the feathers and comb (technical name for the crown).

Chicken's legs are a strangely bright yellow-orange in real life. I don't have any idea what color your stylized chicken's legs should be. Can't wait to see what you come up with.]]> 3513 Laura Bullinger noreply@blogger.com 2010-01-21 07:00:51 2010-01-21 07:00:51 1 0 What will happen to him when you're done? Is he going onto another background? Or covering a box? or hanging on a wall?

Thank you, Mary, for sharing my new website www.Luxxee.org with your readers last week! I probably won't be writing too often as the new site is keeping me very busy!

Thanks for all you do, Mary.]]> 3514 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-21 06:48:36 2010-01-21 06:48:36 1 0 http://www.needlenthread.com/2010/01/crewel-rooster-tail-feathers-again.html Wed, 20 Jan 2010 05:10:00 -0600 Mary Corbet 97 2010-01-20 05:10:00 2010-01-20 05:10:00 open open Crewel-Rooster:-Tail-Feathers.-Again. publish 0 0 post stitching process"? Stitching? Have I been stitching?...)

Not to let the over-abundance of stitching-in at the end of yesterday's post on the wing outweigh my picking-out, today we're picking out again. I re-stitched the tail feathers that were bothering me. I don't know if you will like this any better, but I guarantee you one thing about the tail:

I'm

Not

Changing

It

Again.



This is where we left off. Ok, fine. I will probably change those "under feathers" below the wing....

The large brick red tail feather has to go. I don't like the satin stitching after all - the direction of it, or the fact that, in the wide parts, without padding underneath, the stitches have loosened up and become somewhat discombobulated.

The lowest feather on the tail - the Pepto-Bismol Pink one - also has to go. It's not that I don't like the pink, because I do. I just don't like it there. And it's the satin stitching again. Something about it. Gosh, I wanted satin stitching, but it just isn't doing it for me on the feathers.



"Knock, knock."

"Who's there?"

"Earwig."

"Earwig, who?"

"Earwi-go again!"

As corny as it is, it says it all: here we go again! The feather was sliced open and...



... returned to its bare state.



Into the same spot, with a slight bit of difficulty keeping the edges smooth while trying to work around the feathers already there, I stitched a dark red feather in fishbone stitch. I like the feather better, stitch-wise. The thread is actually a bit brighter. It's still a brick-ish red, but slightly brighter. The wool is from the Renaissance Dying collection.



I like the way the colors line up on the tail. Well, Pepto-Feather has to go. But other than that, I like it so far.



And I like the fishbone stitch.



Now, it's Pepto-Feather's turn. Say good-bye!



All sliced up here - this is Heathway wool. It is soft wool and it makes beautiful satin stitches. It also picks out very easily, without leaving those wooly shards all over the place.



My goodness, the linen twill holds up marvelously. It looks great! You can see where I picked out one of the green chain stitches accidentally....



Mwahahahahaha. Some of you are probably cursing me right now! It's true. I used the dark red again. I like the lower feather of the tail in the dark red. It finishes the tail. I used stem stitch in the dark red Renaissance wool, and filled in the area with rows of stem stitching.

Do you notice anything else? Yes, the body is getting some more color there. It's not all in, so it looks a bit blocky and systematically linear or geometric or something. I don't know. It looks bizarre.



Ok, I've added the rest of the darker gold. It doesn't look AS bizarre. Well, not bizarre-bizarre. Only sort of bizarre. But - wait. Just wait! Once the neck and head are done, trust me. It won't be nearly as noticeable!

Yes, the more I look at it now, the more I'm convinced the colors on the "under feathers" below the wing there have to change. Any suggestions? What color? Body color? Or tail colors?

For further posts on this project, feel free to visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail
French Knots on the Wattle
Adding the First Blue Feather using a Raised Backstitch
The Rooster Tail, Finished for Now
The Wing - Three Attempts

]]> Embroidery Projects pictures wool crewel work needlework pictures 3516 tangoandcha noreply@blogger.com 2010-01-21 05:34:10 2010-01-21 05:34:10 1 0
I don't know how well it would work for anyone else, but if I am doubtful about colours I photocopy my design a few times and then get going with coloured pencils. Then with a bit of luck the unpicking is only about stitches and not about colours!

You're doing a great job, Mary - keep at it!]]> 3518 Nancy Anne noreply@blogger.com http://www.blogger.com/profile/02237114827879596130 2010-01-20 19:04:01 2010-01-20 19:04:01 1 0 3519 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-20 18:42:50 2010-01-20 18:42:50 1 0
I'm so glad I'm in on this project.

He usually looks pretty right to me and then you point out something to change and that particular part sticks out like a sore thumb!!
So I watch the underfeathers with interest and anticipation.

Cheers, Kath]]> 3520 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-20 18:35:43 2010-01-20 18:35:43 1 0 And the tail looks great.

I'm with the lady who said - do the rest, including the crest, then re-visit the bottom feathers.]]> 3522 Sheila noreply@blogger.com 2010-01-20 12:47:08 2010-01-20 12:47:08 1 0
You've probably already started. Will be fun to see what you choose.

Sheila]]> 3523 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2010-01-20 11:53:08 2010-01-20 11:53:08 1 0
I really like what you've done with the body and the wing, it's textured enough to suit the piece very well. I think you're right that the under wing feathers aren't quite right, but I'm not sure what would be better.]]> 3524 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-20 11:42:08 2010-01-20 11:42:08 1 0 WendyBee]]> 3525 Anonymous noreply@blogger.com 2010-01-20 10:42:57 2010-01-20 10:42:57 1 0 As for the under feathers, maybe you should leave them until you have done the comb? I don't know what your plans are for that, but I'm imagining lots more color. Once the head of the bird is done, it might be easier to decide if those bottom feathers should be vibrant or discreet.]]> 3526 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2010-01-20 09:52:17 2010-01-20 09:52:17 1 0 For the wing feathers I think some darker greens and purples. Remember that in bird species the males are colored so they stand out and attract attention - like the peacock. I can't wait to see what you choose.]]> 3527 Sheilafrom CA noreply@blogger.com 2010-01-20 09:29:23 2010-01-20 09:29:23 1 0 I just love the rooster so far...the body is turning out to be a work of art. Just received my Keepsake Quilting catalog & thought of you when I saw the rooster patterns by McKenna Ryan of Pine Needles Designs on page 39...thought you might get some ideas.]]> 3528 irene noreply@blogger.com 2010-01-20 09:25:34 2010-01-20 09:25:34 1 0 3529 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-01-20 08:46:16 2010-01-20 08:46:16 1 0 3530 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-20 08:38:11 2010-01-20 08:38:11 1 0 3531 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2010-01-20 07:59:48 2010-01-20 07:59:48 1 0
My husband keeps wondering why I laugh out loud reading a needlework blog. Keep up the great stitching and commentary!]]> 3533 Anonymous noreply@blogger.com 2010-01-20 07:10:51 2010-01-20 07:10:51 1 0
My only suggestion would be that both the body and wing look a little dull in comparison to that glorious tail. Have you ever noticed that many colorful birds' feathers have a slight iridescence to them? How about tucking in some tiny touches of green and blue in behind the brown to give him a bit of the semblance of a shimmer (notice I said tiny -- maybe the barest bit of a fly stitch buried under an existing element so that you only see it if you tilt the piece?

He's well on his way to being cock of the walk!

Karen from Arcadia]]> 3534 Lisa noreply@blogger.com http://www.blogger.com/profile/11137272371773363323 2010-01-20 06:17:22 2010-01-20 06:17:22 1 0 3535 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-01-20 06:16:23 2010-01-20 06:16:23 1 0
I was thinking about all of those wonderful kits that are available. I look at them and think how fantastic they are, but I never stopped to think that the designer may have tried out several stitches, threads and colours on each element before coming up with the finished design. This has been such an insight.]]> 3537 Cynthia Bonnell noreply@blogger.com 2010-01-20 06:00:06 2010-01-20 06:00:06 1 0 http://www.needlenthread.com/2010/01/crewel-rooster-winging-it.html Tue, 19 Jan 2010 05:00:00 -0600 Mary Corbet 98 2010-01-19 05:00:00 2010-01-19 05:00:00 open open Crewel-Rooster:-Winging-It publish 0 0 post stunk. Winging it on the wing was probably the worst idea I've had on this piece so far.

The last time I showed you this crewel project, you could see the red scalloped line I had embroidered in chain stitch, using Bella Lusso wool, across the scallops on the wing.



Well, it didn't take much to convince me that the red scalloped line wasn't going to work.



So I picked it out. The Bella Lusso merino wool goes in great! It's a beautiful thread to stitch with - very fine, very soft, very smooth. Coming out, it leaves shreds, but these wipe off easily.

Once I picked out the red, I got it into my head that I would work the wing in colors matching the tail. The top section, I decided to fill with a lattice design, like so:



I wasn't really liking it much, but I plugged on. I filled the open parts of the lattice area:



Green French knots alternate with blue cross stitches in the open areas between the lattice lines. The outline is worked again in chain stitch, using D'Aubusson in the brick red - the same stuff used on the large center tail feather.

This colorful lattice design left the base of the wing questionable: more color? which colors? Argh. I continued with the same color scheme, and came up with this:



Using the same greens and pinks found in the tail, I embroidered these stripes down the wing, following the design, in buttonhole stitch.

(Don't worry, it gets worse!)



Between the colored striped, I worked a blue stem stitch. Well, what the heck? If we're going with a colored wing, it might as well be Really Colored.

I didn't like it. I didn't like it At All. For one thing, the wing looks as if it were stitched somewhere else, cut out, and stuck on a piece that it doesn't really fit on. It just looked too bizarre and busy for me.



On this project, I have discovered that picking out can sometimes be highly pleasurable. For one thing, there's the building anticipation of trying something different in the same space. For another, there's the sheer relief in removing something I really don't like!



Quite a bit of picking later... from the back.



Another fine testament to the Legacy Linen Twill!! It holds up incredibly well. We're back at the drawing board.



I decided color on the wing just wasn't going to hack it. So, taking the two primary shades of the rooster's body, and adding a creamy white, I explored a new idea. Above, you can see the split stitch line that's going to form the base of some long and short stitch shading.



The wing needed to stand out a bit from the side of the bird, so to that end, I padded the long and short stitching space completely with the same creamy white. Here, I'm working with Appleton wool.



Then I began the first of three layers of long and short stitch, with the lightest shade on the top.



And there's the top of the wing. My mother says it looks like a pillow stuck on the side of the rooster. Thanks, Mom.



Then I worked long and short stitch shading down the stripes of the wings, in the same colors, from light to dark down the wing. I separated the lines on the wing with a darker gold altogether.



Finally, I went back and added some fly stitches on the stripes. Now, don't be alarmed. Please don't be alarmed. It's not over yet.



I also finished the long feathers underneath the wing, in the colors you see above. These may yet change.

The wing, however, is going to stay more or less like it is. I have an idea for the top part, which I may or may not implement.

But overall, the wing isn't changing. It's not!! But guess what? The body.... the body is changing! Oh, boy.

We shall see where it takes us.

Any comments? Questions? Suggestions? Let me know by leaving a comment below. And please don't tell me to give it up! I'm not ready to throw the towel in on this guy just yet. He'll be right ----- eventually....

Maybe.....

For further posts on this project, feel free to visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail
French Knots on the Wattle
Adding the First Blue Feather using a Raised Backstitch
The Rooster Tail, Finished for Now

]]> Embroidery Projects stitch along pictures embroidery tips and tricks wool crewel work needlework pictures 3539 denise noreply@blogger.com http://www.blogger.com/profile/05595803003119887013 2010-01-19 21:50:37 2010-01-19 21:50:37 1 0 3541 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-19 19:10:08 2010-01-19 19:10:08 1 0
I suppose we'll all just have to wait and see how he turns out!

One thing I guess I should reiterate, though I'm pretty sure I'm stating the obvious. He is a "stylized" rooster - not meant to be entirely real looking. After all, when's the last time you saw a rooster perched on the stem of a drooping flower?

Next up, I'm adjusting those tail feathers....

Thanks again, all! I appreciate your input!]]> 3543 Stitcher Sister noreply@blogger.com http://www.blogger.com/profile/14982043419274774766 2010-01-19 18:54:42 2010-01-19 18:54:42 1 0 3544 onafixedincome noreply@blogger.com 2010-01-19 18:52:13 2010-01-19 18:52:13 1 0
The wing is GLORIOUS!! absolutely GLORIOUS (although I'd have skipped the fly stitches, that's just me). I'm with Sharon, though...'tying it together' just might make the whole thing less defined and distinct.

He's gorgeous! :)]]> 3546 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-01-19 17:15:26 2010-01-19 17:15:26 1 0
I wondered if the straight across scalloping might look more natural if it curved upward to match the wing top.

I love your last coloring of the wing and how you, an expert with the needle, show your mishaps, which is so encouraging to me who has plenty.

Even though you are undoing a lot you are finding out how your threads and fabric react for you and others can benefit from this.

The scalloped body is so beautiful.]]> 3547 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-19 15:57:52 2010-01-19 15:57:52 1 0
Oh good. That was what I was going to suggest.

He's looking great!]]> 3548 méri noreply@blogger.com http://avomeri.wordpress.com 2010-01-19 15:16:08 2010-01-19 15:16:08 1 0 You are unbelieved doing and undoing - i believe that sometimes you already know that way will not work but you are a teacher...:)
And today when I read the "body...the body is changing!I laugh, sorry :)
Since the beginning I felt you would do something else with the rooster breast!
He is becoming wonderful!
Any hint from here, just watching because I really know that when finished I'll love it.]]> 3550 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-01-19 14:05:32 2010-01-19 14:05:32 1 0 3551 Anonymous noreply@blogger.com 2010-01-19 12:29:57 2010-01-19 12:29:57 1 0
I love the wing and body. I am glad that you are leaving the scallops. I like the stitches that you have chosen and how they describe the part of the body that you are creating.

Thanks for sharing with us your thought process and unstitching experience. I know that I am learning from it. Sandi]]> 3552 AnnaK noreply@blogger.com http://www.blogger.com/profile/04733272049707899821 2010-01-19 12:07:26 2010-01-19 12:07:26 1 0 3553 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-19 11:17:26 2010-01-19 11:17:26 1 0 You really hit it with the wing. What an arduous process. Oh, patience, patience....
WendyBee]]> 3554 Sharon noreply@blogger.com 2010-01-19 10:40:28 2010-01-19 10:40:28 1 0 The first wing, I thought "Oh my gosh what is she thinking" It looks very nice NOW.
I will stay tuned... it is fun watching you stitch & create.
Have a great day ~]]> 3555 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-19 10:30:23 2010-01-19 10:30:23 1 0 3558 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-19 10:08:56 2010-01-19 10:08:56 1 0
Thanks for your comments! Oh, yes, the picking out is quite a chore, but it is worth it - might as well end up with something likable in the long run!

Sheila - yes, on any large project that I design myself - any project that will be time consuming and that will require the use of expensive supplies - I plan the colors first, usually using colored pencils (prismacolors - I love 'em!) or watercolors. If texture is involved, I try to get an idea of it before hand, sketching it in if possible and determining what stitch will give me the texture I want. And example of the process can be seen on my "Agnus Dei" project - or at least, the results can be seen there. I didn't actually post my sketches, as that was before I realized people enjoy seeing the whole development process of a project, from conception to completion.

As far as the body goes, don't worry! The scallops are staying. I'm just touching in a bit of the darker gold that is on the wing, to tie the wing and the body together a bit more!

Stay tuned!]]> 3560 anabeau noreply@blogger.com http://www.blogger.com/profile/05433676656664860861 2010-01-19 09:57:47 2010-01-19 09:57:47 1 0 3561 irene noreply@blogger.com 2010-01-19 09:48:17 2010-01-19 09:48:17 1 0 3562 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-19 09:26:55 2010-01-19 09:26:55 1 0 3563 Dolores dsedore1@hotmail.com http://www.blogger.com/profile/00013261733996949731 2010-01-19 09:01:39 2010-01-19 09:01:39 1 0 3564 Sheila noreply@blogger.com 2010-01-19 08:53:01 2010-01-19 08:53:01 1 0
It looks like your process for this project is really about stitching and picking. I know *this* project is really about testing various threads and it's great to see how the Legacy Linen Twill is holding up.

Just curious, on other projects, do you ever try to map out the colors beforehand with color pencil on a copy of your transfer pattern and then play with the textures later? Or do you find it's still too difficult to really envision what it will look like so must stick with trial and "Err-rrr-errr-or" ;)]]> 3566 Laurie Powers lauriepowers12@gmail.com http://www.blogger.com/profile/10429604692700662254 2010-01-19 07:59:50 2010-01-19 07:59:50 1 0
I'm a new stitcher and I'm loving your web site. Thank you!]]> 3568 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2010-01-19 07:23:24 2010-01-19 07:23:24 1 0 3569 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2010-01-19 07:06:34 2010-01-19 07:06:34 1 0 I like how the wing turned out it is lovely.]]> http://www.needlenthread.com/2010/01/making-embroidered-box.html Mon, 18 Jan 2010 07:00:00 -0600 Mary Corbet 99 2010-01-18 07:00:00 2010-01-18 07:00:00 open open Making-an-Embroidered-Box publish 0 0 post

As I was squizzing about online the other day, though, I came across a tutorial for an embroidered box. It isn't quite the same as the 16th century caskets, but I was thinking it might be a good start for any other embroidered box people out there who have a secret desire to make their own embroidered casket - replete with drawers, removable trays, cubby holes, etc.... This one is just a simple box - four sides and a lid. A good starting place for embroidered box construction, methinks.



This lesson for making an embroidered box can be found on the V&A; website. The lesson is meant to supplement a textile course with museum research, so it's kind of a neat idea, if you happen to live in the vicinity of a museum with a decent textile display. If you don't, though, and if you just want the nitty-gritty of the construction process, take a look at the PDF that explains how the box goes together.

If you'd like to browse the collections at the V&A; for embroidered boxes, you'll want to visit their search page, and type in "Embroidered Caskets" or something to that effect.

What will amaze you is reading the descriptions of some of these embroidered boxes. The box featured in the screen shot above is described thus:

The panels of the casket would have been worked by a young girl, of about the age of 11 or 12, as the culmination of her needlework education, which would have begun with samplers, and the decoration of small objects like pin cushions. She would embroider a series of small panels drawn or printed with pictorial scenes, which would then be sent to a cabinet maker to be made up into a casket, the edges bound with braid. The caskets were fitted with a variety of drawers and compartments, suitable for keeping jewellery, writing equipment and letters, needlework tools, tiny toys or keepsakes. They often had one or two secret drawers, for their young owners' most precious or private possessions; this casket has five, concealed with considerable ingenuity.

If I had worked one of these at age 11 or 12, at the culmination of my needlework education, maybe I'd have this longing to make one out of my system by now!

Enjoy the links, and have a terrific (!) Monday!
]]> historical needlework embroidery resources needlework websites 1420 Anonymous noreply@blogger.com 2010-04-16 08:44:15 2010-04-16 08:44:15 1 0 Thanks so much for the feedback. Heavens- three caskets sounds like a lifetime of stitching!!! The slightly distressed look worries me slightly- think that I would prefer to distress it myself. May look into having someone making me a neat, precise version!!
Kind regards,
Jo]]> 1756 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-25 10:07:54 2010-03-25 10:07:54 1 0
Well, if I ever hear anything in depth about that, I'll be sure to share the information with you!

MC]]> 1759 Anonymous noreply@blogger.com 2010-03-25 07:11:42 2010-03-25 07:11:42 1 0 I would love to complete a casket and was also taken with the one on Vikki Clayton's website However prior to making such a significant investment I was hoping that someone may be able to feedback on the quality of the product. It is so difficult to tell from a photo!!!
Thanks,
Jo]]> 3502 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-01-21 18:03:42 2010-01-21 18:03:42 1 0
http://s70.photobucket.com/albums/i114/shanawoodman/Crafty%20Examples/Panel%20Embroidery/]]> 3532 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-01-20 07:45:22 2010-01-20 07:45:22 1 0 3536 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-20 06:00:56 2010-01-20 06:00:56 1 0 3538 stitchkat noreply@blogger.com http://www.blogger.com/profile/13386818613507497168 2010-01-20 00:06:59 2010-01-20 00:06:59 1 0
http://www.justathought.net/bl/?cat=4

Judy writes GREAT construction info & you
could put whatever embroidery you like on
the surfaces. Also, it's small scale, so
is do-able.

Thanks for you posts - always fascinating!

Katherine]]> 3540 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-01-19 19:10:47 2010-01-19 19:10:47 1 0
I am hoping to photograph all the steps, and I'll let you know once I'm done.

I do have a question though, I bought a silk for the base fabric, but I only have cotton floss for embroidery thread. Would it be better to stick with silk threads, or will cotton be fine? Otherwise I'd want to switch to muslin or broadcloth in place of the silk.]]> 3542 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-19 19:04:45 2010-01-19 19:04:45 1 0
I love the wooden caskets that are available - but whoa! They're beyond my budget. As far as boxes go, I'll probably start a lot more simply, and with less of an investment. Maybe some day, I'll work up to a full-fledged casket. The one drawback to the wooden ones I've seen online - I don't like the drawer layout on the inside. I'd like to see a couple smaller drawers in there, too. But then I suppose that would increase the expense....

MommaBlogger, I can't wait to see what you come up with!]]> 3545 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-01-19 18:09:21 2010-01-19 18:09:21 1 0
Thanks for this great idea and I will show you once I'm done with mine. Hopefully it won't take too long :)]]> 3559 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2010-01-19 10:03:28 2010-01-19 10:03:28 1 0
I would love to make one of these. I'm thinking of going out and buying a plain little jewelry box from the thrift store and seeing what I can come up with :)]]> 3565 Anonymous noreply@blogger.com 2010-01-19 08:50:11 2010-01-19 08:50:11 1 0 3571 Anonymous noreply@blogger.com 2010-01-18 23:05:41 2010-01-18 23:05:41 1 0 Andrea]]> 3572 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2010-01-18 20:38:41 2010-01-18 20:38:41 1 0
It uses cardstock of varying weights and fabric. Shows a variety of decorating textile art, usually for the tops of the box only. It also shows in detail, the construction method for a great many different boxes from simple to complex including lids, inserts and drawers and even an etui.

Perhaps you might like to check it out Mary if you are going to make a box.]]> 3573 cynthaea noreply@blogger.com http://www.blogger.com/profile/14736876254061302765 2010-01-18 18:24:58 2010-01-18 18:24:58 1 0 3574 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2010-01-18 18:12:25 2010-01-18 18:12:25 1 0 Karen- two or three good coats of marine varnish on the box should protect your fibers from wood tannins.
Mary- There are still cabinetmakers out there who will do small projects like this to order. It's not inexpensive, but the results can be fantastic. I can recommend this guy: http://www.threegryphons.com although he's often booked up with large projects.]]> 3578 Anonymous noreply@blogger.com 2010-01-18 10:52:41 2010-01-18 10:52:41 1 0
Years ago, a cousin made me a simple wooden box with hinges, and I have used it ever since to hold my hoard of needlework stuff -- but I have a question: how did the makers of these wonderful boxes get around the problem of tannic acid?

You see, everything in my wooden casket is contained in plastic (yes, I know, not a perfect solution either!). I'd love to cover the box to make it even more wonderful and special, but the wood is certainly not archival. I can see (someone else) constructing a box out of acid-neutral bookboard, then trusting their precious embroideries to survive the ages (as long as the bookboard isn't banged up too much), but I'd be frightened to put so much work into a project that would be doomed by its own construction.

Does anyone know if quilting the fabric is the key (as in, does the quilted batting provide an extra layer of protection)? Would using wool as wadding add protection if the wool still contained lanolin (aka a pre-scoured batt)?

So many questions... so many UFOs, but still....

It would be a glorious place to keep my stash!

Karen from Arcadia]]> 3579 Anonymous noreply@blogger.com 2010-01-18 09:38:04 2010-01-18 09:38:04 1 0
Celeste]]> 3580 Jennifer M noreply@blogger.com 2010-01-18 09:28:21 2010-01-18 09:28:21 1 0 I'm nuts about those caskets too. Check out Vicki Clayton's site- hand-dyedfibers.com. She's got a casket for sale - it's expensive and I fell for it. Now I just have to figure out what to put on the panels.]]> http://www.needlenthread.com/2010/01/needlework-inspiration-information-and.html Sun, 17 Jan 2010 05:00:00 -0600 Mary Corbet 100 2010-01-17 05:00:00 2010-01-17 05:00:00 open open Needlework-Inspiration,-Information,-and-Procrastination publish 0 0 post

Over on Moonsilk Stitches, you'll find some interesting info developing on hem stitching. Be sure to check out her finishing work on a piece of Hardanger - really pretty finished product! You also must check out her first finish of 2010 - it's a little crewel work pillow, and very pretty! On that post, you'll also see her brilliant crewel chatelain.

A reader sent me a great link lately for a website called The Calligraphy Pen. Now, you might be wondering what this has to do with embroidery, but if you take a look at the creative process of designing borders for calligraphy, I think you'll find some concepts that cross over really nicely to needlework applications. Besides the details in the simple ink and gold border, take a look at the post on simple scatter borders, and then think "stumpwork." You might also like the post on full spiral borders - combined with embroidered lettering, this would be a great way to immortalize your favorite saying with needle and thread. This is a nice resource for design - thanks, Karen, for the link!

Over on The Textile Blog, there's a terrific article about May Morris, daughter of William Morris, along with a nice picture of one of her embroidered tapestries. Beautiful stuff! While you're there, you might want to check out the post on Finnish Embroidery, especially if you like to study regional or ethnic embroidery techniques.

If you're into canvas work (needlepoint), over on Possibilities, Etc! don't miss her latest information on gingham and plaid needlepoint designing. A couple years ago, a friend asked me to stitch a family crest (ahahahahah - ok, never mind - I won't laugh at him) in goldwork and surface embroidery, with the clan tartan as a background. As soon as the "plaid" idea crept in, I stopped considering it. I didn't want to figure out how to figure out a plaid! Well, if you follow along on Possibilities, Etc!, I think you'll have better luck than I did conquering plaids! You'll find her "Project in Plaid" Egg delightful - it's over on her website Freebies.

Here's a neat idea for artisans in any field out there - whether you're an artisan yourself and seeking a place to advertise your art, or you're looking for an artisan to create something for you. Laura Bullinger has established an arts and crafts site for those who are seeking or doing artistic things! The site is called LUXXEE, and on it, you'll find all kinds of arts and crafts categories. I think it's a neat idea, and it would be exciting to see the concept take off.

Have you seen Margaret Land's new website yet? She's an embroiderer and designer, and she's set up her own website to market her custom embroidery. She makes some beautiful embroidered pillows, but the really interesting thing is that she is willing to design and compile custom embroidery kits. I think that's a neat idea, too!

This one's from quite a while ago, but I just HAVE to point you to it - Jo in NZ stitched this really pretty embroidered postcard, and I love it! I love the sea and the flowers. Really nice! Go look at it. I think you'll like it, too.

Over on Agulhas da Meri, you can find Meri's finish on the Trish Burr Poppy kit she won from one of my give-aways last year. I think she did a beautiful job!

If one of your New Year's Resolutions was to learn how to embroider better, or if you've been hankering to take a class in embroidery, but can't find one locally, have you considered the option of online classes? It sounds a bit strange - online classes for something that is such a tactile pursuit - but there are some on offer around the traps. For those who want to learn how to loosen up and get creative with their embroidery, and especially if you like textured embroidery, you might consider Sharon Boggan's class Sumptuous Surfaces. Sharon's classes are very reasonably priced, at $60 for six weeks. They come with extensive supporting material, and students have access to a forum where they can troubleshoot, post pictures, and get feedback the whole time the classes are running. It's an excellent value! And a great way to "meet" online stitchers, too. If you've seen Sharon's work over on Pin Tangle, you know that the classes she offers are quality instructional classes!

For those who are interested in historical embroidery, goldwork, silk, and so forth, you might consider an online course through Thistle Threads with Tricia Wilson-Nguyen. She's one of the people behind the Plimoth Plantation Jacket, and she has recently launched some online embroidery courses in what I would consider more advanced forms of embroidery for very serious embroiderers. I say serious, because the classes are definitely an investment! Right now, registration for the first class has been closed, but the second class offered - a goldwork master class - is still open for registration, as is the third class presently offered. The classes extend anywhere from 6 months to 18 months in length. I haven't experienced them myself, but considering the quality of the various projects coming from Thistle Threads, I would imagine that they will be very well done! Again, they're an investment - they aren't inexpensive, but they're set up so that the student can pay monthly. The goldwork master class, paid monthly over 18 months, comes out to $645. All the supplies are included, plus an animated stitches CD (computer animation). The goldwork class looks interesting - but the overall price tag is a bit beyond me, plus 18 months is a long stretch for a class. A lot can happen in a year and a half! But if it's something you are interested in, and you don't have access to these kinds of classes in person, this just may be the way to go if you can afford it!

And speaking of affording things, don't forget that Hedgehog Handworks is having their January sale! Everything in their store is 15% off during January. At Hedgehog, you'll find the best embroidery hoops, you'll find slate frames, real metal threads for goldwork, beautiful needlework linen, the whole range of cotton floche (this was my big purchase this year - I bought the range!), wool threads, books - everything a needleworker could want. It's a good time to take advantage of a discount on needlework items that are not normally found at a discount.

Along those same lines, you might be interested in Tanja Berlin's extensive collection of embroidery kits, which are on sale for 10% off this month. She has beautiful needlepainting kits, goldwork kits, blackwork kits, Jacobean embroidery kits, shadow work kits, etc. etc. etc. Now's a good time to order from Tanja!

And that, my friends, is enough browsing and procrastinating for one day, don't you think? I'm sure there are things out there I meant to share, that I've let fall through the cracks! But for now, that'll have to do!

Enjoy browsing!

]]> embroidery links embroidery resources needlework websites 3557 Carolyn McNeil noreply@blogger.com http://www.blogger.com/profile/03709494177158323583 2010-01-19 10:26:00 2010-01-19 10:26:00 1 0 Happy stitchin'...
Carolyn
http://www.stitchopedia.com
An encyclopedia of needlepoint stitches…]]> 3575 Anonymous noreply@blogger.com 2010-01-18 16:32:52 2010-01-18 16:32:52 1 0 3576 méri noreply@blogger.com http://avomeri.wordpress.com 2010-01-18 16:08:21 2010-01-18 16:08:21 1 0 Thanks for the mention!You are always kind!
Did I thank you before????
:)
Have a great week!]]> 3577 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2010-01-18 11:10:38 2010-01-18 11:10:38 1 0 3581 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-17 19:37:23 2010-01-17 19:37:23 1 0
Bambina - I'm not sure about using wool thread. I don't know how you would store needles in it? I use wool felt. It's usually available at fabric stores and some craft stores. I suppose if you knitted up something nice and tightly with wool yarn, and then felted it, it would make a good needle case...? Why not? To felt something crocheted or knitted, you just have to stick it in hot water and rub it hard...

Hope that helps!

MC]]> 3583 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2010-01-17 19:13:57 2010-01-17 19:13:57 1 0
I placed a Pony needle order from
Hedgehog's site (they have them up on the site now... gold eye pony crewel needles in sizes 9,10,11,12) and they are included in the sale !

PS (non related: Mary... I've heard about how wool preserve embroidery needles .. I was wondering if wool yarn will do the same, since it is easier to find wool yarn locally than in sheets.
Thanks in advance !)]]> 3586 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-17 17:55:15 2010-01-17 17:55:15 1 0 3590 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2010-01-17 05:08:45 2010-01-17 05:08:45 1 0 http://www.needlenthread.com/2010/01/trish-burr-cd-winner-announced.html Sat, 16 Jan 2010 07:08:00 -0600 Mary Corbet 101 2010-01-16 07:08:00 2010-01-16 07:08:00 open open Trish-Burr-CD-Winner-Announced... publish 0 0 post Trish Burr CD give-away.

In this recent give-away, I asked you to tell me what embroidery technique (that you haven't tried) would you like to try, why do you want to try it, and what has prohibited you from trying it up to this point?

Well, this is the answer of the person who won (drawn by random number):

The technique I haven't tried yet that is now catching my eye is or nue. I'm intrigued by the use of couching stitches to create a design--in my previous work, couching has simply been to tack down a thread. Why haven't I tried it yet? Because I have too many other interests, and this one just recently bubbled up to the top!

I can sympathize with this whole "bubbling to the top" thing!

The winner is Carol Sylvester!

Congratulations, Carol! Please contact me as soon as possible with your mailing address!

Now, if you're looking for one of these CDs for yourself, you can find both the DVD and CD through Trish's website, or through various retail stores online. If you are in the US, you'll find the DVD (and some of Trish's kits) available at Nordic Needle. In the UK, you can find Trish's products through Mace & Nairn, and in Australia, through Lyn's Fine Needlework or Allthreads Embroidery. (Search "Trish Burr" at any of the above.)

Thanks to Trish for supplying the CDs for these give-aways!

And the next give-away that comes up... hm.... I think it's DEFINITELY time for something involving fibers - threads definitely. Maybe even fabric. Oh, something delectable for a winter pick-me-up! I'll be putting together a fun package for that, so keep an eye out!

Hope you're enjoying the weekend!
]]> Trish Burr needlepainting Give Away 3493 BonnieC noreply@blogger.com 2010-01-22 12:41:04 2010-01-22 12:41:04 1 0 3567 Virginia LunasBaublebilities@gmail.com http://www.blogger.com/profile/10811690314497763047 2010-01-19 07:55:44 2010-01-19 07:55:44 1 0 3584 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2010-01-17 19:04:40 2010-01-17 19:04:40 1 0 You will love the CD ... Enjoy !!!
I own both the CD and the DVD and I love both (great way of teaching the technique plus many tips)... ordered them directly from Trish's website, together with the Kit (without the floss) that goes with the DVD. I had a wonderful experience, she is Great at Customer Service !!!

So I'm hoping to finish 1st Mary's L&S; stitch lessons (I'm all about finishing what I start now), which are great btw, and tackle Trish's kit using her DVD.]]> 3585 Carol Sylvester noreply@blogger.com 2010-01-17 17:55:27 2010-01-17 17:55:27 1 0
Carol Sylvester]]> 3589 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-17 06:06:40 2010-01-17 06:06:40 1 0
I wasn't interested in the technique until I saw simpler, smaller designs of a beetle (in an Inspirations Mag from Country Bumpkins) and Butterflies of Alison Cole's.

I attended one of Alison's workshops for our Embroidery Guild and have started a butterfly. I have found it very interesting and enjoyable, fancinating even, but I'm a slow worker so the butterfly is still very much earth bound just yet. It's looking promising though.

Enjoy the CD and the or nue when you get started Carol.

Mary, I really enjoyed reading all the comments, the why and where-fore's of other needleworkers stitching interests and hopes.

Bye for now, Kath]]> 3592 Laura Bullinger noreply@blogger.com 2010-01-16 21:37:08 2010-01-16 21:37:08 1 0 I don't enter needlepainting contests because it is not "my thing" but if fabric is next, I'm "IN" !]]> 3593 Anonymous noreply@blogger.com 2010-01-16 18:10:43 2010-01-16 18:10:43 1 0 Karole King]]> 3595 méri noreply@blogger.com http://avomeri.wordpress.com 2010-01-16 12:44:46 2010-01-16 12:44:46 1 0 3597 Ren noreply@blogger.com http://www.theother353.com 2010-01-16 09:51:59 2010-01-16 09:51:59 1 0 http://www.needlenthread.com/2010/01/crewel-tail-over-for-now.html Fri, 15 Jan 2010 06:21:00 -0600 Mary Corbet 102 2010-01-15 06:21:00 2010-01-15 06:21:00 open open Crewel-Tail---Over-For-Now! publish 0 0 post

I've been mentioning for a while while working on this crewel project that the lower tail feather would be removed. I didn't like the abrupt shade changing on that feather, which you can see in yesterday's post on adding the first blue feather. But I did like the use of the pink, believe it or not. I like the shade of the middle tone of pink.



The first task - to get rid of the previous stitching. When I cut out an area of stitching like this, using either a very sharp seam ripper or my smallest embroidery scissors, I put the cutting blade (whichever one it is) parallel to the fabric, and run it right underneath the stitches, slicing them open and being careful not to jab the fabric. I do this on the front and on the back, and then I pick the stitches out with tweezers.

Once the stitches were out, this is what I put in. Now, don't cringe.



I satin stitched the lower half in the mid-tone pink (which is Heathway wool) and then chain stitched in three shades of Heathway green on top of that, from dark to light. Heathway and satin stitching.... More on that later, but just briefly, it's a thread that works so nicely for satin stitching. It's really smooth!



So here's the tail so far. Now it's a matter of that one remaining feather, which I worked in blues.



The lower part is worked in basket stitch, the upper part in fly stitch.



(Ignore the red scallops on the wing! They came out already!)

For now, I'm calling the tail done. I will likely go back to it and address two things: the middle dark red satin stitching, which I'm pretty sure is going to go completely, and there is a chance that the pink is going to come out again. I don't mind it a lot - it's not as bad as it was - but I'm not 100% satisfied with it. I've got a couple different ideas bubbling about in my brain.

But for now, I need to move away from the tail! Any comments, questions, suggestions are always welcome!

For further posts on this project, feel free to visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail
French Knots on the Wattle
Adding the First Blue Feather using a Raised Backstitch


]]> Embroidery Projects stitch along pictures embroidery tips and tricks wool crewel work needlework pictures 3594 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-16 14:31:53 2010-01-16 14:31:53 1 0 I am just marveling (marvelling?)at this whole project. I'm a little embarassed at having even left a suggestion at one point. I know so little, and you are so creative and experienced. I'm just grateful that you are photographing and documenting as you go, and then sharing on this blog.
WendyBee]]> 3596 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-01-16 10:02:09 2010-01-16 10:02:09 1 0
Maybe one color needs to more obviously serve as the dominant color? I remember reading something about a 5-3-1 color ratio but can't recall the details.

I think there needs to be more of a rhythm to the color placement, but I don't have any useful suggestions on how to achieve that, unfortunately.

Do you have a way to play with the colors on a computer version of the image first?

It's fun and interesting seeing your experiments with the different stitches and colors.]]> 3598 CC noreply@blogger.com http://www.blogger.com/profile/10014665817356312048 2010-01-16 05:31:58 2010-01-16 05:31:58 1 0
The pink on the bottom is paired with green, it's opposite. Visually, it clashes more than the others and breaks the pattern of sympathetic colors used for the rest.

Still amazing work! I'm enjoying watching the rooster come to life. And, did you notice that the blue flower looks wonderful under that tail?]]> 3599 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2010-01-15 21:33:49 2010-01-15 21:33:49 1 0
For some reason the deep red (burgundy) look a bit dark, to me, compared to the other colors and the salmon/beige tail feather, to me, looks a bit too light (since all the chest area is already light).
What about embroidering on top of the deep red and on top of the light feather with contrasting colors in an open type/kind of stitch ?
Have you consider a nice bright med. yellow for one of the tail feathers ?

Just have fun , the end result will be beautiful !
I'm sure !]]> 3603 Andrea Halliday noreply@blogger.com http://www.creationcraftsandneedlework.com 2010-01-15 15:02:19 2010-01-15 15:02:19 1 0 3604 Tania Kleckner noreply@blogger.com 2010-01-15 11:56:48 2010-01-15 11:56:48 1 0
Here's a humble suggestion for the comb - ghiordes knots - in reds like the wattle. I found it in A-Z of Crewel Embroidery last night as I was thumbing through.

Happy Day!]]> 3605 onafixedincome noreply@blogger.com 2010-01-15 11:27:45 2010-01-15 11:27:45 1 0
Try the stitch direction change on it first, please??]]> 3606 Kris noreply@blogger.com 2010-01-15 11:22:52 2010-01-15 11:22:52 1 0 3607 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-15 10:16:49 2010-01-15 10:16:49 1 0 3608 irene noreply@blogger.com 2010-01-15 10:01:58 2010-01-15 10:01:58 1 0
As for the big red, I like the colors but wonder if the direction of the stitches is what bothers me. The satin stitches go across rather than with the flow. It's such a large area. . . . just wondering.

Still love that upper blue feather.]]> 3609 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2010-01-15 09:44:35 2010-01-15 09:44:35 1 0 3610 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-01-15 09:41:09 2010-01-15 09:41:09 1 0 But I am sure that you will have the right idea !]]> 3611 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-15 09:12:51 2010-01-15 09:12:51 1 0 3614 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-01-15 08:03:11 2010-01-15 08:03:11 1 0 3616 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2010-01-15 07:36:09 2010-01-15 07:36:09 1 0
Really enjoying following this project.]]> 3618 Laura Bullinger noreply@blogger.com 2010-01-15 07:17:07 2010-01-15 07:17:07 1 0 http://www.needlenthread.com/2010/01/wooly-feathers-more-tail-progress-on.html Thu, 14 Jan 2010 07:00:00 -0600 Mary Corbet 103 2010-01-14 07:00:00 2010-01-14 07:00:00 open open Wooly-Feathers:-More-Tail-Progress-on-Crewel-Rooster publish 0 0 post

The tail has been the best part of this crewel embroidery project, because it opens up a lot of possibilities for variety in stitches and color and thread. So the tail has been great fun to embroider! There are elements that need to come out as yet, but we'll get to that later.



Resting on the top of the largest tail feather is a little feather that flips out behind the large one. I stitched this in buttonhole stitch, in green, using Gumnut Poppies. I lined the top of the buttonhole stitching with stem stitch, to close in the feather.

(It's really hard to call these things feathers. They don't look like feathers!)



Then I moved on to the large feather between the largest brick-red satin stitched feather and the green basket stitch feather, which I showed you the other day. I began the top of this middle feather with straight stitches evenly spaced, over which I intended to work a ribbed backstitch. This is the same concept as working a ribbed spider web wheel.



After working a dark blue line, I took a medium blue, and began backstitching over the bars - it's an "under-two-back-over-one" stitching rhythm that basically wraps each of the bars with a loop of the thread.

I worked one row of very dark blue, two rows of medium blue and one row of light blue in this manner over the bars.



And this is what I came out with.



There it is, from afar.



Then I worked the base of the feather in long and short stitch, lighter at the tip and darker towards the rooster. The difficulty was that I didn't have any shade between the medium and this very dark blue, to cut the transition and make it a bit smoother. Ah well, we work with what we have! And this actually doesn't bother me too much. I'm sure it will stay in.

Some things that will change, though, before the rooster is entirely finished: 1. The lowest feather on the tail - in the shades of pink - will be cut out and replaced, and I'm pretty sure the middle large brick-red satin stitched feather will be re-worked. I didn't pad that, and the threads in the middle of the feather at the widest part are starting to look discombobulated. I'm not satisfied with that, so eventually I'll re-stitch it and pad the satin stitches thoroughly.

Feel free to add your questions, comments, or suggestions below!

For further posts on this project, feel free to visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail
French Knots on the Wattle



]]> Embroidery Projects stitch along pictures wool crewel work needlework pictures 3600 Front Range Stitcher noreply@blogger.com http://www.blogger.com/profile/00452838228733272788 2010-01-15 21:22:24 2010-01-15 21:22:24 1 0 3626 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-14 20:18:54 2010-01-14 20:18:54 1 0 WendyBee]]> 3630 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-01-14 14:22:20 2010-01-14 14:22:20 1 0 I like to follow "the rooster story"]]> 3632 Liseanne noreply@blogger.com 2010-01-14 12:55:29 2010-01-14 12:55:29 1 0 3635 Raou noreply@blogger.com 2010-01-14 11:43:33 2010-01-14 11:43:33 1 0
I'm enjoying your crewel rooster posts :)]]> 3636 irene noreply@blogger.com 2010-01-14 11:09:14 2010-01-14 11:09:14 1 0 3637 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2010-01-14 10:55:48 2010-01-14 10:55:48 1 0 3638 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2010-01-14 10:34:35 2010-01-14 10:34:35 1 0 3640 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2010-01-14 09:40:26 2010-01-14 09:40:26 1 0 3641 onafixedincome noreply@blogger.com 2010-01-14 09:25:49 2010-01-14 09:25:49 1 0
LOVE that blue feather...]]> 3645 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2010-01-14 08:00:16 2010-01-14 08:00:16 1 0
MGM]]> 3646 Tania Kleckner noreply@blogger.com 2010-01-14 07:58:53 2010-01-14 07:58:53 1 0 http://www.needlenthread.com/2010/01/trish-burr-cd-give-away-ii.html Wed, 13 Jan 2010 05:13:00 -0600 Mary Corbet 104 2010-01-13 05:13:00 2010-01-13 05:13:00 open open Trish-Burr-CD-Give-Away-II publish 0 0 post Trish Burr CD features seven embroidery projects focusing on long and short stitch shading. Each of the projects includes a printable design (that you trace onto your fabric), complete materials list, and step-by-step instructions for completing each project - and I'm giving away one CD to a lucky winner!

This give-away is identical to the one before Christmas, which featured the same CD (Karole King won that one). Now's your chance to try again to win the same CD!



The CD features beautiful projects like the ones above. Even if you've never tried long and short stitch shading, you'll be able to conquer the various projects, which are presented in sequence for beginners to more advanced embroiderers.

The drawing is for the project CD only. Trish also offers a long and short stitch shading DVD that takes you through the rudiments of long and short stitch shading, in the comfort of your living room. You can find the DVD through Trish's website, or through various retail stores online. If you are in the US, you'll find the DVD (and some of Trish's kits) available at Nordic Needle. In the UK, you can find Trish's products through Mace & Nairn, and in Australia, through Lyn's Fine Needlework or Allthreads Embroidery. (Just search "Trish Burr" at any of the above.)

Give-Away Rules

To be eligible for the give-away, please note the following points:

1. Comments must be left on the website, on this article. Comments left elsewhere or via e-mail will not be included in the drawing. (Wow, I sound like a meany teacher or something. It takes too much time to move comments and e-mails and to gather them from other areas - please understand!)

2. Comments must include a name. Even if you post anonymously, please make sure you sign your comment with a name that I can use to announce the winner.

3. If you win, you'll need to make contact with me. I'll leave instructions for that in the winner announcement.

4. Answer the following questions in your comment:

What embroidery technique (that you've not done before) piques your interest - you'd like to try it, but haven't done so yet? What interests you about it? And what has prohibited you from trying it up to now?

Ha. That's three questions. See - you have to Work for this one!

5. Leave your comment before 5:00 am CST, Saturday, January 16th. I'll announce the winner on Saturday.

Best of luck!
]]> Trish Burr needlepainting long and short stitch Give Away 3591 lidia noreply@blogger.com 2010-01-16 23:04:17 2010-01-16 23:04:17 1 0 es como no saber leer'''
de todas formas muchas gracias, no nos dejes
un abrazo
lidia]]> 3601 Zenia noreply@blogger.com http://www.blogger.com/profile/08972164568636082028 2010-01-15 16:43:44 2010-01-15 16:43:44 1 0 I really want to learn needle painting.This work looks realistic and i love the colours and shades of this work.I haven't tried it because it takes so much time and i am still learning the basics of long and short stitch through your videos and i would love to do trish burr's project
Zenia]]> 3612 Anonymous noreply@blogger.com 2010-01-15 08:30:16 2010-01-15 08:30:16 1 0 Thanks for all you do for all of us. As a retired teacher myself (chemistry) I don't know how you manage all that grading and still have a life. My hat goes off to you.
Martha McSweeney
mammym@flash.net]]> 3613 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-01-15 08:09:43 2010-01-15 08:09:43 1 0 And about the future plans. At the moment I am knitting and I guess, that I'll make some projects (it's winter here, about -10 - -15 C). But when I'll come back to stitching, I'd like to try jacobean embroidery. I like the result, created using so many different stitches (and I like your rooster very much). I have bought a kit from Berlin, I like it very much, it is very clear. But I am afraid. How to make such small stitches with the wool. Of course, it is possible and one day I'll try, but I am afraid (it sounds so silly)]]> 3615 Virginia LunasBaublebilities@gmail.com http://www.blogger.com/profile/10811690314497763047 2010-01-15 07:42:43 2010-01-15 07:42:43 1 0
I recently started playing with some crazy quilting techniques - thank to Sharon B's pin tangle blog! I'm finding that I really enjoy using embroidery as an embellishment tool. I haven't done cross stitch since I was a child and have never tried a shaded embroidery project, but I am developing a growing interest in these other handwork techniques.

My busy schedule keeps me from doing much experimental handwork but I am finding that Sunday afternoons are a becoming a good time for such meditative endeavors - it takes me back to my roots and reminds me of those comfortable afternoons with my gramma.

I think that answers all of your questions, in a round about way!

Virginia B. in far far Upstate NY.]]> 3617 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2010-01-15 07:32:24 2010-01-15 07:32:24 1 0
I haven't attempted it due to a combination of fear and a lack of equipment (wire etc). Neither are very good excuses and I have bought a kit to give me a start, just need the time/guts to get started!]]> 3619 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-15 06:51:03 2010-01-15 06:51:03 1 0
Ribbon embroidery has been my main 'want to do' interest for some time.

It hasn't always appealed to me as had only seen project pictures and I just wasn't into what seemed 'pretty' decorations on pretty things.

Now, it's all changed. I won a heap (truely, a heap) of Cascade ribbons in a 25 words or less embroidery magazine competition. (Quite some time ago i'm ashamed to say)

I've let those beautiful ribbons glide through my fingers, twisted and gently formed them into imagined ideas and now I MUST learn their secrets, the techniques, so I can manipulate and them to satisfy my own creative interpretations on fabric.
I want to combine ribbon with ...well...whatever I can conjure up.
Ribbon roses stand aside!

I haven't tried ribbon embroidery yet because the left side of my brain keeps bullying the creative side. I tend to try and work things out in my mind first and if it doesn't gel, well that's as far as I get.

So the ribbons just keep slipping through my fingers. I've threatened to pile them all behind a matt board and frame them as is!

Mary, I don't expect to win this competition. There are so many lovely enteries. I just wanted to add my thoughts to the boiling pot.

Also, I,m not up with time zones so this may not even be in the time limit.

Cheers, Kath from Oz]]> 3620 Marilyn noreply@blogger.com http://www.blogger.com/profile/05744022499786263474 2010-01-15 06:06:12 2010-01-15 06:06:12 1 0
Marilyn]]> 3622 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2010-01-15 01:55:27 2010-01-15 01:55:27 1 0
It's hard for me to say which type of stitchery I'd like to take up that I haven't yet done as I've tried my hand at so many - stumpwork, goldwork, ribbon work etc as well as multiple counted and surface stitches etc. What's left now??

Well, I haven't done any blackwork, for a wonder, so I suppose that would be it. Blackwork, to me, is incredibly classy looking, be it in traditional designs or the more modern pictorial pieces - even the coloured versions, and I esp fancy the double sided idea and the ones with metallic touches. I love sparkle. I have some lovely kits and designs on hand to get to one day soon.

Why haven't I done it yet? I suppose because the majority of my work is for a reason: A gift for someone, a piece of coursework or something like that, so I haven't really got to this one as I haven't thought of using it as a gift yet and I was so far behind with my C&G; work by the time we got to the blackwork week, that it didn't happen.

I love Trish Burr's work and, in the serious absence of supplies and eye candy out here in the Far East (everyone's into knitting, quilting and beadcrafts in Taiwan, embroidery is rare, even cross stitch!) I'm ready for a treat, so please add my name to the drawer.

Many thanks and thanks also for the mention you made of my blog last June when I displayed 3 fancy pieces. My site hits never soared so high as they did on the 3 days or so that folk were following your link! I hope to inspire you to admiration again one day!

All the very best for this year and always, Elizabeth=)]]> 3624 gaylenona noreply@blogger.com http://www.blogger.com/profile/09316836887091401366 2010-01-14 23:22:27 2010-01-14 23:22:27 1 0 3625 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2010-01-14 21:16:52 2010-01-14 21:16:52 1 0 Karen in Breezy Point]]> 3627 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2010-01-14 20:01:45 2010-01-14 20:01:45 1 0
What has prohibited me from learning the technique is that I haven't found a good teacher or book or resource yet...I have a few books but they're in French...]]> 3628 Debbie noreply@blogger.com http://www.blogger.com/profile/18152053157589895117 2010-01-14 16:49:12 2010-01-14 16:49:12 1 0 3629 Valerie L noreply@blogger.com 2010-01-14 15:20:01 2010-01-14 15:20:01 1 0
Thanks for the opportunity to win the CD.

Valerie Lortz]]> 3631 morduededentelle noreply@blogger.com http://morduededentelle.wordpress.com/ 2010-01-14 13:30:56 2010-01-14 13:30:56 1 0
I am hanging on the edge of my seat as the rooster progresses. It is really wonderful to have a blow by blow photo documentary of your experimentation. I am sure that all your efforts in this direction will save the rest of us quite a bit of time.

Regarding the giveaway. Like many others above, I aspire to perfect needle painting, and you have already guided my baby steps in that direction with your excellent long and short stitch tutorial.

Since I have already tried that, I cannot list it as the next thing I want to learn. Just about to embark on my first Newbury small crewel kit, it is the woven stitches that fascinate me the most and I am really looking forward to trying them. I wasn't really aware of the existence of this type of ornamentation until I learned to form Cluny leaves in tatting a year or so ago; and I have only just come back to embroidery after a very long hiatus - so that is why I have not yet tried it. The shaping and texture imparted by woven stitches is really effective.

Suzanne Muir]]> 3633 Sharon wildflowerhouse@hotmail.com http://www.blogger.com/profile/15897609431263814815 2010-01-14 11:59:33 2010-01-14 11:59:33 1 0 I would love to learn needlepainting and more stumpwork. I love birds and flowers, nature all of it. Please enter my name in your wondrful drawing. Sharon]]> 3634 Raou noreply@blogger.com 2010-01-14 11:54:10 2010-01-14 11:54:10 1 0
A type of embroidery I would like to try is tambour work. I love how it looks so much like a chain stitch-one of my favorite stitches, but the continues line makes for very characteristic patterns that I like, I'm also intrigued by how fast professional tambour embroiders of the past were able to work this stitch. Most of all though, I'm intrested in the equipment and the technique, it's so different from 'usual' embroidery, almost like a combination of crochet and embroidery! Lastly, I embroider to decorate my clothing and costumes, and tambour sounds like a great way to decorate hems of skirts, faster than needlepainting and it looks fun and not so heavy. Also, I'm working on a 19th century Frysian costume with a friend and I want a tamboured shawl as they had there in that time :)

What has stopped me so far is that I haven't found the right equipment yet! I live in the Netherlands and I haven't found a tambour needle and frame yet, I can order the needle from a US shop but the frame is more difficult, I emailed shops that have it but never received back about if they'd ship it to Europe. But! I found someone-only 2 hours away from where I live-who runs a course on tambour work, which I plan to follow so I can ask him where to get equipment and learn from someone who's already capable of this technique :)

Have a nice day!

~Eveline]]> 3642 Lynn Stiglich noreply@blogger.com 2010-01-14 08:10:48 2010-01-14 08:10:48 1 0 I am really wanting to learn the detached stitches used in early 1600's Elizabethan embroidery - the detached buttonhole, trellis and other stitches. I love the embroidered jackets and other items this stitching embellished. Too many other projects and too little time has kept me from it so far, but this is the year I do it! Thanks for all the cool stitching and news on your blog!!]]> 3643 Tania Kleckner noreply@blogger.com 2010-01-14 08:10:01 2010-01-14 08:10:01 1 0
To answer your question - I would LOVE to learn stumpwork. I love the 3D aspect, the colors and in many designs, the use of flora and fauna (especially the dragonflies and spider webs). I am intimidated by the techiques and would love a tutorial as I am like so many who have commented here, a visual learner.

Thanks again for everything Mary. It is a true joy to read your blog everyday.]]> 3644 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2010-01-14 08:09:26 2010-01-14 08:09:26 1 0 3647 Anonymous noreply@blogger.com 2010-01-14 07:29:25 2010-01-14 07:29:25 1 0
First I wish to congratulate you on the crewel rooster progress. Its turning out beautiful. Now the give away answer I love most of the hand embroidery forms like brazilian emb,ribbon embroidery,stumpwork,crewel work,long and short stitch etc. I have tried brazilian of them all and will venture into long and short stitch shading next but I would love to try crewel embroidery because it is so very pretty.....this technique uses awesome colours, they are so lively and pretty. The materials needed for these emb techniques are not available in india :( so couldn't try my hands on them.

Thanks,

kirti]]> 3650 Fée Clobouclett' noreply@blogger.com http://lestrucsdefeeclobouclett.over-blog.com 2010-01-14 02:43:34 2010-01-14 02:43:34 1 0 I follow each articles of your site since Elena33 talk about ...a long time ago !;o)
and then , today, I will leave my first comment, for this article.
I would like to learn the schwalm embroidery technique (since a very long time too).
My interest for it ? to make little holes (Jours in french) without using my cisors too much !;o)
what prohibited one from trying it up to now ? time and also books(that I haven't), I prefer learning with step to step (with beautiful and precise -zooms-pictures) than reading words that sometimes I can't understand well...
I thank you a lot for your site, really well and very funny sometimes !;o)
I love embroideries, the un-boring ones !
thanks ! I hope my english is understandable !;o)
kind regards from Fée]]> 3651 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-01-14 00:27:43 2010-01-14 00:27:43 1 0 Kathy in Kenai]]> 3652 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2010-01-13 23:27:05 2010-01-13 23:27:05 1 0
Carrickmacross Lace is a delicate and enchanting Irish craft dating back to 1820. It evolved from some of the appliqué lace acquired by Mrs. Grey Porter, from Carrickmacross, Co. Monaghan, on her honeymoon in Italy in 1816. It is internationally acclaimed for its beauty and the skill employed in its execution.

I have always been fascinated by the look of it. The issue that prohibits me from trying it is the technique of how it is made. First the design is hand sewn with very fine stitches onto a piece of fine net. This step is called appliqué. The needlework is done using fine organdie cotton thread and the design is accented with elegant edging. Inside the design are intricate patterns with an amazing variety of stitches.

Colleen Lim]]> 3653 Maryvonne noreply@blogger.com 2010-01-13 23:03:53 2010-01-13 23:03:53 1 0 Like last time you posted it in your blog, I think Trish Burr's little bird is magnificent.

I would realy, really love to learn Casalguidi. Just yesterday I printed one of Sharon B's tutorials on Casalguidi and maybe I'll try it this time. I love the way it stands out and the three-dimensional character making the embroidery almost looking life like. Why I haven't had a go? I am afraid I can't do it, it's so very intricate and involves three or four different operations before the result can be seen.

Anyway, I look at what you do ... and dream!]]> 3654 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2010-01-13 22:43:06 2010-01-13 22:43:06 1 0 1. Stumpwork
2. I love the depth of the needlework and its richness.
3. I received the book "Stumpwork Medieval Flora" for Christmas. I am slowly reading my way through the book. Once I have read it and reviewed the techniques, equipment and stitch glossary in Part 3 I plan on gathering the necessary supplies to begin my adventure in Stumpwork. Wish me luck.]]> 3655 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2010-01-13 21:30:52 2010-01-13 21:30:52 1 0 3656 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2010-01-13 21:07:47 2010-01-13 21:07:47 1 0 3657 Anonymous noreply@blogger.com 2010-01-13 20:59:35 2010-01-13 20:59:35 1 0
Lee Ann Grief]]> 3658 Anonymous noreply@blogger.com 2010-01-13 20:16:22 2010-01-13 20:16:22 1 0 3659 Sheilafrom CA noreply@blogger.com 2010-01-13 20:16:08 2010-01-13 20:16:08 1 0 An embroidery technique I would like to try & haven't is Brazilian embroidery. I'm enchanted by the 3-d effects. The reason I haven't is that no one teaches it & the threads are intimidating (very "loosey-goosey" rayon).
Sheila Keeling]]> 3660 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2010-01-13 20:15:25 2010-01-13 20:15:25 1 0
I especially like lifelike effect the threads give the work.

Lack of confidence.

Maureen- Australia]]> 3661 SmithRiverBeadwork noreply@blogger.com http://www.blogger.com/profile/06351865422438466066 2010-01-13 19:41:11 2010-01-13 19:41:11 1 0 3662 Anonymous noreply@blogger.com 2010-01-13 19:06:04 2010-01-13 19:06:04 1 0 1. i would like to try/learn the
art of japanese hand embroidery
2. because the style is very
simple and the look calming
when i look at a piece of
work....the background color
and material are very pretty
3. i have not tried it bec.there
is no teacher where i
live....small town
kiran seth]]> 3663 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-13 18:11:06 2010-01-13 18:11:06 1 0 Cheers Mary
from MA (Mary Anne)]]> 3664 Grovenore noreply@blogger.com http://www.blogger.com/profile/00327520989615705988 2010-01-13 17:03:54 2010-01-13 17:03:54 1 0
I would love to have the threadpainting CD to use as a refresher (I took a course with Tanja Berlin several years ago and the project is still incomplete).

I would like to learn Casalguidi because it looks challenging and also looks very intricate.

I have not attempted to learn it to date because I don't seem to have enough spare time to devote to something new. I do a lot of embroidery techniques already and am now attempting to include them in crazy quilting.

Grovenore
Lacombe, AB Canada]]> 3665 Needleworker noreply@blogger.com 2010-01-13 16:42:14 2010-01-13 16:42:14 1 0
After I learn how to make a box, I would be able to make gifts for friends and family with their favorite things on it.

Time has prohibited me from learning.

Thank you for your wonderful blog, I read it often.

Denise]]> 3666 Anonymous noreply@blogger.com 2010-01-13 14:50:30 2010-01-13 14:50:30 1 0 I think that the next technique that I try will be crewel, I have the A-Z of crewel which should be of some help. Why have I not done this before is because I have never liked working with wool, but after looking at your work, especially the rooster, you have inspired me to try using it once more. As for the CD I would just love to do that little bird. BTW I just love reading your news every day and really look forward to receiving it.
Joan from Richmond B.C. Canada]]> 3667 Marian noreply@blogger.com 2010-01-13 14:46:08 2010-01-13 14:46:08 1 0
1. What embroidery technique (that you've not done before) piques your interest - you'd like to try it, but haven't done so yet?

Thread painting actually

2. What interests you about it?

The shading esp on the birds

And what has prohibited you from trying it up to now?

Lack of confidence and wary of my embroidery abilities]]> 3668 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2010-01-13 14:21:43 2010-01-13 14:21:43 1 0 I would love to fine turn thread painting, long and short stitch. I do a lot of embroidery work with stumpwork, embroidery, and the needle arts. It is such beautiful work. I have seen these pictures in books and at Trade Shows and they are so beautiful. I need to have the instructions for that fine work.
Thank you for offering this as a gift.
Debra Puma]]> 3669 Martha Weidner noreply@blogger.com 2010-01-13 14:06:57 2010-01-13 14:06:57 1 0 2. The pictures I've seen are very neat and uniform. I love doing drawn thread work and this variation is intriguing, very lace looking.
3. I did not know of this ethnic needlework until recently and finally purchased the instuctions by Phyllis Maurer. I haven't had a chance to try it yet.]]> 3670 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2010-01-13 13:18:58 2010-01-13 13:18:58 1 0 3671 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2010-01-13 12:34:29 2010-01-13 12:34:29 1 0
Stumpwork both intrigues and intimidates me. The 3D aspect of it is fascinating. Any suggestions for a small enough project that an embroidering klutz can tackle would be most welcome!

Chris]]> 3672 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2010-01-13 12:15:22 2010-01-13 12:15:22 1 0 Love your posts! I have always enjoyed embroidery and, for some reason, I haven't been very experimental. I tend to use a pallet of about 5 stitches--always 2 or more threads. I am fascinated with thread painting and the quality of work and shadding using 1 tread. This is what I want to try next and the CD would be a powerful training tool! Thanks for all the special tips you share!]]> 3673 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2010-01-13 11:48:12 2010-01-13 11:48:12 1 0 As I browse throught several blogs on needlework I am always drawn to the beauty of Jacobean work. On a recent trip to Italy I saw so many gorgeous pieces and each one gave me a yen to stitch. However there are several types of stitching involved that I have never attempted- silk painting, goldwork, etc. The only thing holding me back is me. I need to explore the different types of stitching and then compile them into a bigger project. Keep up the great work Mary - you are a terrific inspiration!
Thanks
Kaysee]]> 3674 Beatriz noreply@blogger.com http://www.blogger.com/profile/02401750390083879105 2010-01-13 11:47:46 2010-01-13 11:47:46 1 0 My name is Beatriz
Well, here my answers:
What embroidery technique (that you've not done before) piques your interest - you'd like to try it, but haven't done so yet?: Embroidery
What interests you about it?
It looks soo natural, the combination of the colors and how they combine perfectly to look so beautiful
And what has prohibited you from trying it up to now?
Because I dont know how to combine the colors, where to begin, where to end, how to overlap them, etc. Maybe I am a bit afraid, but I really would like to try.
Thanks for letting me participate.
Kisses,
Beatriz]]> 3675 Gillian noreply@blogger.com http://www.blogger.com/profile/08398724553076514377 2010-01-13 11:39:20 2010-01-13 11:39:20 1 0 Why haven’t I tried it? I always feel that I need someone to guide me through the basic stitches to get started but I’m sure If I just sat down and gave it a go I would eventually conquer it.
My main problem is lack of free time as I teach English as a foreign language.
One of these days I will try it.

Gillian]]> 3677 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-13 11:03:37 2010-01-13 11:03:37 1 0
I want to try crewel work. I have been fasinated by wool lending so much depth to the finished pieces. I love the textured effect but I have never tried it till now as the wool for embroidery is not available here in India. I feel cotton floss is a poor substitute for crewel wool.]]> 3678 Anonymous noreply@blogger.com 2010-01-13 10:39:28 2010-01-13 10:39:28 1 0 I have resolved to learn silk ribbon embroidery this year. (I also want to learn stumpwork, drawn fabric/thread work, etc) I am interested in silk ribbon embroidery (as well as the other techniques) because of the texture. I love embroidery techniques that add dimension to the fabric palette. I think I have not tried silk ribbon embroidery yet because I'm a little intimidated, hence the resolution!
Thanks, Nita Carroll]]> 3679 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-01-13 10:31:54 2010-01-13 10:31:54 1 0 I am really interested in stumpwork. The 3D aspect intrigues me. I own several books about stumpwork (Jane Nicholas' mostly), but have been trying to complete what I've started before getting into stumpwork. I am working on the beginnings of a BIG project that will include stumpwork in the final design and execution (no, not a firing squad :)). I plan on beginning to practice some of the techniques by the end of April. I find that if I practice stitches/techniques before beginning a project, then I have a better success rate.
Thanks and thanks to Trish lso.]]> 3680 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-01-13 10:28:45 2010-01-13 10:28:45 1 0
There are many more things I wish I could learn – limited by the amount of time I have to stitch (working REALLY gets in the way sometimes!). Ribbon and stump work to name two more!

Thank you for teaching us all so much! especially those of us who are far away!

Kathy in Berlin]]> 3681 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2010-01-13 10:07:56 2010-01-13 10:07:56 1 0 3682 Samanta noreply@blogger.com 2010-01-13 10:03:16 2010-01-13 10:03:16 1 0 And by the way, I still don't consider I've already tried thread painting, since I (shame on me) haven't finished your lessons yet. And long and short stitches are just GORGEOUS, and that's why I'd like to try that technique, too.
Thanks for another give away! :)]]> 3683 ShirleyNotes noreply@blogger.com http://www.blogger.com/profile/11081456079317891988 2010-01-13 09:51:09 2010-01-13 09:51:09 1 0
Thank you for the chance to win!
Shirley C. from Maryland]]> 3684 La Bergère Brodeuse noreply@blogger.com http://www.blogger.com/profile/05168940189062032838 2010-01-13 09:49:05 2010-01-13 09:49:05 1 0
2- I LOVE botanical and animal arts and this technique make them so real, so vivid!!! Much better than cross-stitch (that I usually do). In particular, the blue bird on the CD is sooooooo well done!!!! I would love to be able to stitch it!!!!

3- I think I was a little afraid. But now, I'm ready to try it!!!



Thank you for your generous offer!!!

Catherine from Quebec]]> 3685 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-01-13 09:34:40 2010-01-13 09:34:40 1 0 Oh I wish I could be a lucky girl ;-)

I would like to try mountmellick embroidery, because of the varieties of stitches. It looks very nice to stitch.
I have never tried yet because of a lack of time, and also because the fabric seems to be very expensive. I think I will try it this year, with a cotton fabric.]]> 3686 Ricky in Winnipeg noreply@blogger.com http://www.blogger.com/profile/08568211506416080390 2010-01-13 09:28:22 2010-01-13 09:28:22 1 0 I love the textures that the style can put together, but have never giving myself permission to just sit down and play with the colours and the threads. Now that I'm retired I think it is about time.
Ricky in Winnipeg]]> 3688 Debby Parker noreply@blogger.com 2010-01-13 09:06:33 2010-01-13 09:06:33 1 0 I love the beauty of the "art" of the project, the elegance of it.
I had never given it a try for several reasons but the biggest is that it looks so complicated and with no one around to show me how it just looked far beyond my experience level. But have to say the more I read your newsletters the more confident that I'm becoming. Trish Burr is a wonderful designer and I would love to have her DVD to teach me what to do next.
Sincerely, Debby Parker]]> 3689 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2010-01-13 08:54:02 2010-01-13 08:54:02 1 0 I always enjoy your posts, thanks. Karen K]]> 3690 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2010-01-13 08:44:11 2010-01-13 08:44:11 1 0 3691 Dianna Burton noreply@blogger.com 2010-01-13 08:34:12 2010-01-13 08:34:12 1 0 I have always loved the way it looks, you get such wonderful shading. It has always been something that looks so hard to do and being new to anything other than redwork, I always assumed that it was way to hard to do. I still don't know if I could tackle anything like that, but I love to watch your site. I do have thoughts in my brain that if I watch your site long enough, I might be able to try some of the things you do. LOL
Thanks so much for your wonderful site....keep showing us how to stitch for a very long time, Mary.
One of your biggest fans, Dianna Burton]]> 3692 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2010-01-13 08:24:05 2010-01-13 08:24:05 1 0
It looks so rich, and decadent, and I want to try out the Fine Mulberry silks, so it would be the perfect project. I even have a spool of imitation Jap Gold!

What puts me off is that it looks exceedingly time consuming, and I'm not quite sure about how to space the stitches to produce the alterations in shading. That and I have a complete Regency wardrobe for two people (day and Evening) to make by the end of Feb.

A reticule in bullion stitch (another technique I havn't tried) may, however, be in my future!]]> 3693 Carol Sylvester noreply@blogger.com 2010-01-13 08:20:01 2010-01-13 08:20:01 1 0
The technique I haven't tried yet that is now catching my eye is or nue. I'm intrigued by the use of couching stitches to create a design--in my previous work, couching has simply been to tack down a thread. Why haven't I tried it yet? Because I have too many other interests, and this one just recently bubbled up to the top!

Carol Sylvester]]> 3694 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2010-01-13 08:18:19 2010-01-13 08:18:19 1 0
I think next on my list is Reticella. I love the lacy look of pieces and there's a handkerchief in the V&A; that I'm inspired by. (Most of my work has an historic bent). Having done some of the Plymoth jacket and thus honed my buttonhole technique, I feel I might be about up to Reticella. I think my buttonhole technique has held me back before this -- and that all-encompassing problem, time.

As for the Trish Burr CD -- oh that little bird just sings to me :)

Kandy in PA]]> 3696 Emily Richards noreply@blogger.com 2010-01-13 07:57:51 2010-01-13 07:57:51 1 0 3698 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-01-13 07:37:26 2010-01-13 07:37:26 1 0
I think the technique I'd like to tackle is stump work.

I have seen some amazing pieces that just pop out at you and would love to be able to add that technique to the more flat styles of embroidery to design something unique and totally my own.

I've been doing embroidery since I was three years old, more than 50 years ago (Yikes - saying it like that sounds really really old!)
But I have never done this kind of dimnensional technique. To tell the truth, I only found out about it four years ago while browsing the web!

So, why haven't I attempted it before?

Well, I am self-taught in every stye of fiber craft that I do....but am totally intimidated by this one!
(I did get a cross stitch lesson at the age of three in public school in Amsterdam) I have a book on stump work, but it is VERY limited and not very helpful.

My first goal is to make a butterfly as part of a meadow/wild flowers piece....

Will it ever happen? Will I have some very lonely flowers standing in a field by themselves?

I need to sit down and put in some honest effort and see what I can do....
PLEASE wish me luck! :)

Hugs, Marlon]]> 3699 Sophie noreply@blogger.com http://sophiedentelles.canalblog.com/ 2010-01-13 07:33:58 2010-01-13 07:33:58 1 0 3700 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2010-01-13 07:26:40 2010-01-13 07:26:40 1 0 Annie in VA.]]> 3701 srowe1 noreply@blogger.com http://www.blogger.com/profile/15633727824811051123 2010-01-13 07:24:39 2010-01-13 07:24:39 1 0
Sheryl R.]]> 3702 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2010-01-13 07:20:46 2010-01-13 07:20:46 1 0 Your blog is so inspiring to me, it has helped me through a lot of difficult stitches. Thanks for your time and effort you put in to it.
Rebecca C. in PA]]> 3703 Cis v.d. Bosch noreply@blogger.com 2010-01-13 07:15:26 2010-01-13 07:15:26 1 0 This is the answer to your 3 questions to be eligible for the give-away CD.
I subscribed to your newsletter which I receive nearly every day. I enjoy the tips and hints in it and I'm looking at your website and the short instruction films very often. Keep writing it, it is of great help.
Best wishes
Cis v.d. Bosch
the Netherlands]]> 3704 Judy in OKC noreply@blogger.com http://www.blogger.com/profile/16894891567484694154 2010-01-13 05:42:41 2010-01-13 05:42:41 1 0
Judy in OKC]]> 3705 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2010-01-13 05:34:22 2010-01-13 05:34:22 1 0 My answers are
1.stump work which i didn't tried
2.Its 3D effect interests me much
3.Not seen any stumpwork in real and more over I couldn't find any books here in India and also I couldn't find any online tutorials(Iwill be happy if someone help me in finding the online tutorials)

Regards
Lakshmi sadala]]> http://www.needlenthread.com/2010/01/french-knots-lots-of-knots-on-wattle.html Tue, 12 Jan 2010 05:09:00 -0600 Mary Corbet 105 2010-01-12 05:09:00 2010-01-12 05:09:00 open open French-Knots---Lots-of-Knots---on-a-Wattle publish 0 0 post French knots in two colors of red.

Unlike the stitchin' and a-pickin' I did on the previous parts of the rooster, I've decided that whether or not you like this coagulation of French knots, they are staying. If you don't like them, feel free to say so! But I don't think you can twist my arm enough to pick out this many French knots!

(Ok, if you tell me it's downright horrible, and that my entire reputation as even a moderately knowledgeable stitcher will go whizzing down the drain if I don't remove them - I might remove them. But even then, at this point, I kind of doubt it!)



Besides, I am a great lover of the French Knot. I love the texture French knots give to embroidery. I love the way they just slip into their knotty circles as you stitch with them. I love French knots.



And I will admit that these are rather messy French knots, crowded and packed into their wattle-space like ... bumps on a wattle. But I still like them. And even if I've over-done it with the French knots, the mere fact that they are French knots makes me very happy with them.

Because I .... Love .... French .... Knots.

I briefly considered finishing the entire rooster in French knots.

Onto another subject: I do believe tomorrow I will break from the rooster momentarily (I can hear the collective sighs of relief reverberating all over the globe!) and Give Away another Trish Burr CD. So stay tuned for tomorrow's post!

For other posts on this crewel rooster project, please visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body
The Beginnings of the Rooster's Tail

]]> stitch along pictures wool crewel work needlework pictures 3648 Ren noreply@blogger.com http://www.theother353.com 2010-01-14 06:51:31 2010-01-14 06:51:31 1 0
Wow, Mary! Great idea!!!
Ren]]> 3649 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-14 05:51:45 2010-01-14 05:51:45 1 0
Just an extra note on French Knots and Wattle.

When I saw the heading, my first thought was of Australia's national floral emblem. The Wattle tree.
It's clustered, yellow, fluffy flower balls are most often embroidered in French Knots.
Just one or a very few for each 'ball' on smaller clusters or branches or quite a number for each close up larger 'ball'. Shading then is particularly effective.

Flowering in late winter / early spring it's a glorious sight scattered through other trees on a hill side.
I have a vision in my mind I will never forget. About 25 years ago, driving along a country road, I saw a lone,large wattle tree in full bloom on the brow of a close by grassy hill. Inky dark storm clouds were behind it and the late afternoon sun was shining only on the tree and a patch of grass.
I still get shivery thinking of that picture.

Bye now Kath.]]> 3687 Mary-Frances noreply@blogger.com http://www.blogger.com/profile/05348665962345432914 2010-01-13 09:13:20 2010-01-13 09:13:20 1 0 I can't wait to see it finished!]]> 3706 Marian noreply@blogger.com 2010-01-13 03:16:09 2010-01-13 03:16:09 1 0 3707 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2010-01-12 23:47:04 2010-01-12 23:47:04 1 0 Kathy in Kenai]]> 3708 Maryvonne noreply@blogger.com 2010-01-12 22:46:40 2010-01-12 22:46:40 1 0 As usual, I think what you do is gorgeous - and this wattle is soooo beautiful. Have you noticed that when you show a piece of embroidery done with French knots to people, they just have to touch. Would you believe me if I said that I love French knots?
Yes, I admire the way that after such a long time spent on doing something, you unpick if you're not happy ... I just throw it in a corner.]]> 3709 Sharon wildflowerhouse@hotmail.com http://www.blogger.com/profile/15897609431263814815 2010-01-12 19:08:51 2010-01-12 19:08:51 1 0 3711 lovetosew noreply@blogger.com http://www.blogger.com/profile/03037157446521110031 2010-01-12 16:51:10 2010-01-12 16:51:10 1 0 3712 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2010-01-12 16:37:45 2010-01-12 16:37:45 1 0 3714 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2010-01-12 10:20:35 2010-01-12 10:20:35 1 0 3715 Anonymous noreply@blogger.com 2010-01-12 09:51:57 2010-01-12 09:51:57 1 0
Thanks.
Tricia]]> 3716 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-12 09:22:39 2010-01-12 09:22:39 1 0 3717 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2010-01-12 09:19:41 2010-01-12 09:19:41 1 0 3718 onafixedincome noreply@blogger.com 2010-01-12 08:54:51 2010-01-12 08:54:51 1 0
You might also want to give him proper ears...and tufts! :)]]> 3719 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2010-01-12 08:53:43 2010-01-12 08:53:43 1 0 3720 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2010-01-12 08:51:17 2010-01-12 08:51:17 1 0 3721 amaloney noreply@blogger.com http://www.blogger.com/profile/10551750623787855297 2010-01-12 08:48:49 2010-01-12 08:48:49 1 0 3722 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-01-12 06:37:47 2010-01-12 06:37:47 1 0 3723 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-12 06:04:52 2010-01-12 06:04:52 1 0
Wattle be will be eh!

I, too, love French Knots and think lots in a group look boring if 'perfect'. I know that seems I am agreeing yours arn't perfect but it looks great. So wattle there be knot to like?

With The Tale of the Tail (love the detail in de tail), I was interested to see how effective the simple application of Backstitch over Chain is. I don't think I've noticed this done before.
Also I really like the green feather.

Good on you.

Thanks again and bye for now, Kath

ps, I accidently wiped out my comment (I think) so if 2 come through....!]]> 3724 Nicole Follow the White Bunny nvva123@hotmail.com http://www.blogger.com/profile/11552647840902000310 2010-01-12 05:54:38 2010-01-12 05:54:38 1 0 3725 Beverly noreply@blogger.com http://www.blogger.com/profile/01097377480944079836 2010-01-12 05:48:30 2010-01-12 05:48:30 1 0 Beverly]]> http://www.needlenthread.com/2010/01/great-resource-for-needlework-fabric.html Fri, 08 Jan 2010 06:00:00 -0600 Mary Corbet 106 2010-01-08 06:00:00 2010-01-08 06:00:00 open open Great-Resource-for-Needlework-Fabric-and-Supplies---and-a-Great-Sale! publish 0 0 post

Transferring Your Embroidery Design

For transferring crewel designs, a reader suggested using a sepia colored micron pen, as it will be less likely to show (with anything except white). I totally agree! But sepia colored art pens are not always available at craft and art stores, so they're harder to come by. I just ordered a couple from Blick Art Materials. They have both the Sakura Micron Pens and the Prismacolor Illustration Markers. I like both. A product search for "micron" pens will bring these up.




A light table is also a great instrument for transferring designs. If you like to embroider your own designs instead of pre-printed designs, investing in one of these is a good idea. You can use it for all kinds of applications - not just for tracing onto fabric. I use mine for lots of things - card-making, embossing, designing layouts for needlework, etc. You can find these at Blick's as well, in all sorts of types and price ranges.

Fabric for Crewel Embroidery - Hedgehog Handworks Sale!



Traditionally, linen twill is favored for crewel work. Besides linen twill, you can also use a plain weave linen. Hedgehog Handworks carries Legacy linen twill for $84 / yard - and right now (through January) they're having a 15% off sale (on everything!), but the twill is 30% off - so it's $58.80 yard. That's an absolute steal. If you want to use plain-weave linen, they also carry Strathaven linen, which works well for crewel when backed by muslin. Both linens can be used for other needlework applications as well. I was thinking the twill would make a nice ground fabric for goldwork and needlepainting, so I'm planning on trying that out later. Hedgehog Handworks is also a great place to pick up Renaissance Dying wool, cotton floche, Gilt Sylke Twist, Soie d'Alger (best price online, while it's on sale!), and Hardwicke Manor hoops.... not to mention goldwork threads... and the list could go on. Do check out their January sale - it's a great time to stock up!

So whether you're exploring crewel embroidery with me right now, or you're playing with other surface embroidery endeavors, the above resources will help you find the tools and supplies you need for your needlework.

Try not to go hog-wild at Hedgehog! (Well.... I suppose you can if you want to!)




(I did.)
]]> supplies embroidery links embroidery resources needlework tools fabric for embroidery linen 3639 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-01-14 09:46:55 2010-01-14 09:46:55 1 0 I love the way his plumage looks...although I probably would not use the pink...but that is totally a difference in color taste call and not a critique of your choice.
I do appreciate that you are pulling from your stash as I try to do that whenever possible....

A thread used up from the stash is a dollar earned! ;)
Benjamin Franklin probably would have said that if he were a stitcher :)
Hugs, Marlon]]> 3710 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2010-01-12 18:55:27 2010-01-12 18:55:27 1 0 3776 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-01-08 20:47:04 2010-01-08 20:47:04 1 0
I also like getting your opinion on such things because of the extent of your experience: you're kind of a Consumer Reports/Good Housekeeping Seal of Approval arbiter for needlework products and techniques!]]> 3779 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-08 11:22:41 2010-01-08 11:22:41 1 0
I haven't used the gel pens. I'm not quite keen on gel pens, whether I'm writing with them on paper, or working with them in any other application. I don't know how well they work on fabric. I would suppose that the designers would know, though, what works, and so if they recommend that pen, there must be a reason for it.

I've used white (chalk pencil) to transfer on a very light pale gold silk and also on white silk. The white chalk, because of the contrast with the shiny silk, is actually easy to see. I can't imagine that this would work on linen, but it certainly works when there is a contrast between the fabric and the transfer method.

Now, the nice thing about it is the fact that, even if you don't cover it completely, the white transfer is not noticeable once there's embroidery around it. It just sort of blends in. So you don't have to feel at all "stressed" about covering transfer marks when working with white-on-white transfers!

Hope that helps!

MC]]> 3780 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-01-08 11:08:03 2010-01-08 11:08:03 1 0
I recall that you said white on white was hard to see . . . but have you ever used gel grip pens in general to mark fabric? Any thoughts on those?]]> http://www.needlenthread.com/2010/01/crewel-tale-er-tail.html Mon, 11 Jan 2010 05:28:00 -0600 Mary Corbet 107 2010-01-11 05:28:00 2010-01-11 05:28:00 open open A-Crewel-Tale-...-er-...-Tail publish 0 0 post

Embroidering the tail on this rooster design should be fun. There's lots of scope here for variety in stitches and color.



Now, bear with me on this, ok?

I started at the tip of the largest feather on the tail - and the thread I'm using here is the D'Aubusson wool in a brick red, and Simply Wool by Gentle Arts in a peachy color and a greeny color.

The stitch is fly stitch, worked vertically from the outside tip of the tail.

As I worked into the tail feather, I thought it might be interesting to change colors, so I did. I also thought it might be interesting to change types of thread, so that I could see two different wools side-by-side in the same stitch, for the sake of comparing the look of the threads.



This striped bit towards the tip of the tale shows a notable difference between the two types of threads I'm using.



The D'Aubusson wool is a fine weight embroidery wool. Simply Wool by Gentle Arts is, too. But Simply Wool is slightly finer, and it has a lot more sheen to it. D'Aubusson wool looks more like wool, but Simply Wool looks like (and behaves like) a blend of wool and silk, though I know it isn't a blend. But it is smoother, and it does have a higher sheen.

As for the actual stripe thing going on here, I knew right off - as soon as I did it - that I didn't really like it. Somehow, it reminded me of a sock. A sock? A sock.



I digressed from the striped effect and decided to add some texture, using spiderweb stitch worked in this fan shape. Now it was starting to remind me of a ribbed sock. I was liking it less and less.

The ribbed spiderweb stitch, by the way, is difficult to work in a tiny space with this thread (Simply Wool). It was not pleasant stitching.



So I worked two opposite triangles in the spiderweb stitch, then picked up the dark red fly stitch again, then decided to change directions on that stitch and leave a diamond-shaped hole for another inset design area. You know, just to sort of spice the feather up and make it look really... really dumb. I didn't like where this was going at all - but don't worry! It gets worse!



Here's my close-up of the bumpy ribbed inset on the tail. You can see that it isn't exactly smooth and perfectly straight, as far as the spines are concerned. They're a bit wobbly, and, as I worked towards the tip of the triangle, I had to reduce the number of spines by wrapping more than one at a time. But, besides the stitching, another thing this photo above shows pretty clearly is the soft sheen of the Simply Wool thread.



Working my way around the curve of the feather, I kept going with the fly stitch in the D'Aubusson wool. As I took the curve, it became more and more difficult to compensate for the curve without moving my stitches apart and showing more of the fabric underneath. At this point, I was really not liking the tail at all.



I cut back the red and picked it out, leaving a slight border on the spiderweb triangles. Then I moved to the inside end of the feather, thinking it might help to work this stitch from this direction, and meet the area already stitched. I gave that theory about half an inch, and then resorted to this:



What a glorious picking mess! This is a good time to be thankful for those tweezers in your workbox!



This is also a good time to be thankful for a Really Good Fabric! You can see the fuzzies left from the wool - not a big deal. Take a scrap piece of cloth and, using gentle small circular motions, "wipe" the wool fuzzies off. But look at the fabric. I have put in a lot of stitching here - some of it rather tight stitching - and then picked it all out. In some places, I've done this twice. The fabric holds up really well. The holes close back up, and once you've rubbed the fuzzies away, you can't really tell you've had any stitching there. The fabric is Legacy Linen Twill, made specifically for hand embroidery. It's on sale during the month of January at Hedgehog Handworks, at a Really Good Price per yard - $58.80 (30% off retail) - and it's 62.5" wide. This is a fantastic price for Legacy Linen, and especially for linen twill, which is usually expensive. ** (see note below, please)

Ok..... Now what?



Now let's try some of those fun stitches, like feather stitch. After all, it's a feather.



And let's work a row of herringbone stitch underneath that.



And then let's cut all that out, too.



Let's forget the big feather and move down to the smaller one at the base of the tail.

This is stitched using fishbone stitch, in three colors of Heathway wool. The Heathway is soft and boingy, and it covers well and smoothly.



But by this time, I was tailed-out, and I must have lost my concentration somewhere along the feather. It wasn't until I actually looked at the photos that I found these two mistakes. I overlapped incorrectly, and ended up with these very noticeable jolts in the center line.

It doesn't matter so much. Why, you ask? Because deep down, I don't like the color changes on this. It's too stripey. More socks! I have a distinct feeling this is going to go.



Still, I left it for now, and then I moved back up to that large feather, which I satin stitched in the dark brick D'Aubusson wool.



This wool makes a nice satin stitch in small spaces. In larger spaces, it's definitely necessary to pad underneath the satin stitching to give the top threads some friction to keep them in place. The wool threads line up nicely for satin stitch, and, unlike the Heathway, which looses its twisted look in satin stitch, creating a very smooth surface, the D'Aubusson keeps its twist and looks very clean and neat in satin stitch. The light plays off the twists.



I like satin stitch in the D'Aubusson wool.



On the lower half of that large feather, I chain stitched in the straw-colored D'Aubusson, to fill the area. Then, on the two outside rows, I worked backstitch through the chain stitches, in the coral Simply Wool from Gentle Arts. I was determined to get the Simply Wool thread next to the D'Aubusson, so that the difference in weight could be seen better.



Above, you can see one row of the chain stitches backstitched with the Simply Wool in coral. The D'Aubusson is a fine thread, compared to Appleton and Heathway. But the Simply Wool is a wee bit finer - and you can see that it has more of a sheen to it.



And here you can see the two rows of backstitching in the chain stitch on the middle feather, and the top feather worked in green, Simply Wool by Gentle Arts, in a basket stitch.



Basket stitch looks a lot like a closed double-herringbone stitch (that is, double herringbone, worked close together so there isn't much space between the stitches). The difference is that you don't work two rows - it's all done in one forward movement of stitching. But more on that later!

The tail so far is half-way tolerable. I will leave the middle feather as it is. The lower feather is bugging me, and it will most likely go. The top feather in the green is likable, so I think I'll keep it!

One distinct difficulty in working only with threads from your stash is that you often get stuck with colors you wouldn't normally use in a given project (I'm having that problem with pinks right now), or you end up working without colors you normally would use (I'd love to have several shades of coral for this fellow). Still, it's fun to make do and see what comes of it!

Do you think the wing should be colorful? What would your approach be to the wing? Any ideas?

For more posts on this project, visit the following links:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books
Stem Stitch Filling on Flower Stems
Scalloped Feathers on the Rooster's Body

___________________________________

** Note: There's an explanation on the Hedgehog Handworks website for the change in price in Legacy Linen. There was an error in pricing, so it's been adjusted, and they are making up for the mistake by giving a 30% discount on the linen. Originally, the twill is $84 / yard. This makes more sense, actually. Legacy is the finest needlework linen in the world - I've never seen their specialty linen (like the dower quality linens or the ecclesiastical linen) less than $60 - $80 / yard, on sale. I feel kind of bad for the mistake - bad for Hedgehog, because it means they're taking a serious loss on those orders already placed, and it would not have been such a burden had I not over-publicized the sale! On the other hand, for those who have already ordered linen, consider yourself pretty darn lucky! The sale price now - $58.80 - is still a good price for Legacy Linen. It's a bargain. And I'm still planning on ordering some before the end of the month! Sorry for any disappointment or inconvenience caused by my blabbering!
]]> Embroidery Projects stitch along pictures embroidery tips and tricks linen wool crewel work needlework pictures 3697 Pat noreply@blogger.com http://www.blogger.com/profile/02158942909271659144 2010-01-13 07:56:09 2010-01-13 07:56:09 1 0 3713 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-12 15:46:12 2010-01-12 15:46:12 1 0 3726 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-11 23:23:51 2010-01-11 23:23:51 1 0
Could you do a review of Jacobean books that come with stitch and even colour instructions? It's great fun watching you play, but I would have put the stretcher through the window by now. (or rather, tucked the piece away for another day, a long long time away. I just don't have the experience with stitches to be able to pick and choose like you can)]]> 3728 Madame Purl noreply@blogger.com http://www.blogger.com/profile/06153048948309626014 2010-01-11 20:38:11 2010-01-11 20:38:11 1 0 3729 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2010-01-11 18:31:32 2010-01-11 18:31:32 1 0 Personally I like the striped feather and would remove the yellow feather if you made me choose one.
A fantastical rooster will look great. Keep going.]]> 3730 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-01-11 17:48:42 2010-01-11 17:48:42 1 0
As far as the tale goes, you've Er-err-err-er-erred! How appropriate, no? (I couldn't resist, don't wring my neck, I'm such a big chicken, okay?)

Thanks once again for the candid and thoughtful demonstration of your design process. I'm so grateful you are letting us follow along. Just think how you'll "crow" when it's all complete!

Stopping now...

Sheila :)]]> 3731 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2010-01-11 16:37:47 2010-01-11 16:37:47 1 0 I'm embroidering the Red Poppy from Trish B. you've sent me and I'm looooving Au Ver a soie silk! So different from cotton threads...thanks for the chance.]]> 3732 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-11 13:33:54 2010-01-11 13:33:54 1 0
Laura - you know, I finished the wing late last night, after writing up this morning's post. And you know, I think I'm going to pick it out and go with some of your suggestions! Plus, I just got a little packet of Renaissance wool in the mail, so I have a new wool and a few new colors to play with - strangely enough, they're all kind of in the pink family. What was I thinking?

Melissa, what actually has ended up happening is that the piece looks kind of "separate" - there's the breast, and then there's the tail - and right now, they look like they belong to two different birds. Argh. I am glad, though, that I included the straw color in the tail, because it does sort of draw the whole thing together a little bit. But not much. I really botched it with the wing, though - way too much color - so that's going to be another exploratory situation.

Isn't Soie d'Alger just the greatest to stitch with? I really love that thread!

Wendy - good point on the feathers. The light to dark on the tail was actually something I thought about pretty carefully! And you see where thinking got me! My bird - I have a parrot - has dark tips on all his decorative feathers. They're lighter towards the body, and darker at the tip. That's pretty much what I ended up basing that decision on. But as it works out, it doesn't matter too much, as the bottom feather is coming out. The colors are coming out, that is. For the dark on the top of the large feather, my thinking was more along the lines of "focal point" - it's the focal point of the tail - so I wanted a strong color there. In the scheme of things, I think it'll work out ok... but if it doesn't, and I have to pick it out, you're coming to Kansas to pull out the shreds!

That's one of the problems I am having with the overall approach to this - I made the mistake of shaded stitching on the body, tending towards realism (though I think we can all admit it doesn't look anything like a rooster!), but now the tail (and the wing) are ending up fantastical.

It'll be interesting to see how it turns out. Even for me. And I'm the one stitching it!

Thanks again, everyone, for your encouraging and insightful comments!

MC]]> 3733 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2010-01-11 11:17:45 2010-01-11 11:17:45 1 0
After a lifetime of working with DMC cotton, I finally got some silk thread (Soie d'Alger in a couple shades of green) this weekend. I expected it'd be shinier and smoother, I didn't realize it was so soft! And it embroiders like a dream. I may never be able to use cotton again - I blame you for this! Your blog has introduced me to embroidery techniques and materials I wouldn't have tried otherwise. Thanks for the inspiration!]]> 3734 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-11 11:09:24 2010-01-11 11:09:24 1 0 3735 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2010-01-11 08:04:48 2010-01-11 08:04:48 1 0 3736 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2010-01-11 07:55:37 2010-01-11 07:55:37 1 0
I appreciate your candidness about the trail and error method of coming up with colors and stitches you are using. I think it's all part of the creative process andm though it's frustrating and time consuming, it's a good way to lea4rn!

Keep showing us the process, please, and good luck!]]> 3737 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-11 07:24:22 2010-01-11 07:24:22 1 0 3738 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-11 07:23:17 2010-01-11 07:23:17 1 0
I simply love the way you have created the textured effect in the rooster. Will start stitching a little later.]]> 3739 Laura Bullinger noreply@blogger.com 2010-01-11 06:58:01 2010-01-11 06:58:01 1 0 the wing shoulder cap should be a warm milk-white done in diamond-covered couching. Scallop shaping in one of the lighter browns that's been used on the front.Each diamond intersection dotted with one of your famous French Knots. The striped area of wing could be alternating pale celery green with toned cocoa brown in split or encroaching stitch. Did you have something preplanned for it already from your wool stash?]]> 3740 Cynthia Bonnell noreply@blogger.com 2010-01-11 06:14:09 2010-01-11 06:14:09 1 0
Just want to let you know how much I appreciate your video stitch library. I used it twice last week - once to refresh myself on the drizzle stitch and again to learn the colonial knot, which, for some reason, I had not learned before. I'm working on a textured piece so wanted to use these stitches.]]> http://www.needlenthread.com/2010/01/rooster-breast-and-scallops-crewel.html Sun, 10 Jan 2010 06:06:00 -0600 Mary Corbet 108 2010-01-10 06:06:00 2010-01-10 06:06:00 open open Rooster-Breast-and-Scallops:-A-Crewel-Recipe publish 0 0 post

Last time we visited my rooster crewel work project, I was debating how to embroider the rooster's body. I knew I would use wool thread (it's crewel embroidery - wool is somewhat required!) and I knew I wanted it filled completely. That's about all I knew. Having gone at the beast with a permanent pen, drawing scallops all over him, I felt obliged to continue with the scallop motif. Here's my trial-and-error process.



Scalloped buttonhole stitch is a truncated version of the buttonhole wheel, so if you're unfamiliar with the stitch but interested in working scallops all over the breast of a bird (or anything else), you can check out the buttonhole wheel stitch video. It'll show you enough to learn the scalloped buttonhole.

I began scalloping (it's a word, really!) at the base of the rooster's legs, using a medium soft brown. This wool, in fact, is Paternayan crewel wool. The color name is "amber" but it's more brown than amber. The rest of the body is worked in Appleton crewel wool, in two colors of gold. Working up the legs, I layered each row of scallops on top of the previous row, with the hopes of creating a feathered and layered look.



The layered look worked out fine. As for feathers, think of it as "stylized" feathers. Before I finished the rooster's body, I went back to the forefront leg and stitched some very dark brown around it. I did this for two reasons: first, I was curious what the dark outline would look like; second, I didn't want to forget where the leg line (now covered with stitches) was.

I wasn't sure if I liked this. But this is part of the journey, so I won't tell you the outcome just yet.



I finished stitching the scallops up the breast of the rooster, working darker gold scallops in areas that I thought should be a bit shaded. I wasn't particularly thrilled with my attempt at shading - but that's all part of the journey, too, so I won't tell you the outcome yet, either.



Compare the photo above with the one directly above it. Do you see a difference? Probably not. But I was hoping for a subtly noticeable difference.



Close up, there you have my attempt at shading under the scallops. Taking that medium soft brown (the Paternayan wool), I stitched little upside-down V's underneath some of the scallops, to try to create a little shadow underneath them and lift them up a bit more off the feathers below.



And then I picked out that dark brown line, and replaced it with the Paternayan wool in the medium soft brown.



But it didn't seem bold enough to me - the line seemed to get lost in that mess of scalloped feathers. So I stitched back in the very dark brown, and then I went around the body of the bird in the dark brown. You see, I had this notion that I wanted a bold rooster. I wanted him to stand out. I tried to achieve this with the dark brown.

And I hated it.



So I picked out the line around the body, And stitched back in the line around the foremost leg in the medium brown. It's always fun to do the same thing twice.

The rest of the body needed something around it, to finish off the edges and to cover the transfer line. Brown? No. Contrast wasn't working. It just looked wrong.



So I took the darker of the golds used for the scallops, and worked a stem stitch line down the left side of the rooster's body.

And I saw that it was good.

Good enough, anyway!

To tell you the truth, I'm now debating the use of the two tones of gold on the majority of the body. It looks as if they poor guy is sweating. And he probably is - he's figured out what's coming.

Now, step back from your computer monitor, and squint. From far away, he's not so bad.

If you think the body process here was wearisome, just wait until we get to the tail!

As always, I'm open to suggestions, comments, questions! What would you have done differently? What do you like or not like? Any ideas for (reasonable) adjustments? I'm all ears.... (as long as you don't tell me to pick him out -- again!)

Back to the needle and thread.... See you tomorrow!
]]> Embroidery Projects pictures embroidery tips and tricks wool crewel work needlework pictures 3741 Kysis noreply@blogger.com 2010-01-10 21:56:53 2010-01-10 21:56:53 1 0 3742 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-10 19:23:24 2010-01-10 19:23:24 1 0 I love the "V"s adding dimension. I think they work very well.
Over 110F (43C) here today.]]> 3744 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2010-01-10 18:21:38 2010-01-10 18:21:38 1 0 Can't wait for tomorrow's foul tale.]]> 3745 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-10 18:08:44 2010-01-10 18:08:44 1 0
Yep, Magpie, I found it rather too dark. Someone mentioned "cartoony" up above - and that's exactly it. I'm glad I picked it out!]]> 3746 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-10 17:55:04 2010-01-10 17:55:04 1 0 3747 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-10 15:54:04 2010-01-10 15:54:04 1 0 I'll keep following along, as I'm sure that when you're done you'll really have something to crow about!
WendyBee
P.S. Reading through the comments and your answers, I wonder if when you refer to using the wool for canvas work, are you talking about needlepoint? I've never done that either....]]> 3748 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-10 14:59:29 2010-01-10 14:59:29 1 0
Take care -
Mary]]> 3749 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-10 14:43:05 2010-01-10 14:43:05 1 0
It all looks just right. So very, very right. I certainly think my 'thinkings' on outlining the scallops in part is obsolete now. At this stage anyway. Good on you.

Lovely morning here at 25C and breezy but heading for another 40C+, and very humid. No stitching weather. I'm still out west with family incl THE grand daughter. Many distractions from stitching anyway. Makes your emails all the more anticipated and enjoyed.
Hope all is ok with the snow etc there.

Thank you, Kath]]> 3750 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-10 14:10:57 2010-01-10 14:10:57 1 0
MC]]> 3751 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-10 14:09:47 2010-01-10 14:09:47 1 0
Thanks very much for your comments!

To answer a few question: yes, you can use regular embroidery floss and stitch the design the same way (or different).

Yes, Renaissance Wool is suitable for crewel work. Joady (who owns Hedgehog) has great taste in needlework supplies, so, although I'm not using Renaissance wool on this fellow, I'm sure it's good thread. I think I may have already mentioned that I have a hank of Ren. Wool somewhere, but I haven't been able to put my hands on it, which is too bad, as I would have liked to incorporate it in this project. But I may still be able to before all is said and done, because I ordered some from Hedgehog this past week. We'll see if it gets here before I finish.

I'm so happy I can do all the "reverse" stitching for you all, so you don't have to! Oh boy! That's just such fun. Actually, it's not that bad - it's a good way to feel things out. And this is a completely "Feel Things Out" sort of project!

Tomorrow, I'll be posting a bit on the tail. If you thought today's episode was frustrating, wait until you see my tail adventures. *Sigh*

Thanks again!

MC]]> 3753 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2010-01-10 11:52:51 2010-01-10 11:52:51 1 0
Thank you for sharing your journey. Seeing that you also do a fair amount of "reverse stitching" means there may be hope for me after all.]]> 3754 irene noreply@blogger.com 2010-01-10 11:39:42 2010-01-10 11:39:42 1 0 3755 sewinggranny kcdelight419@gmail.com http://www.blogger.com/profile/10243223999814564203 2010-01-10 11:03:03 2010-01-10 11:03:03 1 0 I love the way you have done the scallops they are beautiful and look like feathers. I hope I grow up to stitch like you do.
Beckie]]> 3756 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-01-10 10:40:13 2010-01-10 10:40:13 1 0
Honestly????
I think your journey ended in success.
Don't forget, you're sitting with your eyes pretty darn close to the bird.....no one is going to do that when admiring the finished hung-on-the-wall piece.

I like the way he is coming out and even if you change him, I am going to do the two-toned scallops.

I'm looking forward to seeing those colors in the tail.

keep on stitching girl.

Marlon]]> 3757 Carol DuVall noreply@blogger.com 2010-01-10 10:37:53 2010-01-10 10:37:53 1 0
I love what you are doing with the rooster and can't wait to see the rest of your colors and designs for him. It's also great having you do the putting in and pulling out for us.....so we just have to do it once (hopefully)!!!

Thanks for any help you can give.]]> 3758 And1010 noreply@blogger.com http://www.blogger.com/profile/03101207986550006864 2010-01-10 09:03:37 2010-01-10 09:03:37 1 0 This has been a great experience in needlework with you. I am learning so much by following your thought processes in changing your plans and the photos that go with them. I like the rooster with gold line and light brown lines in the last photo. I think the button hole scallops convey the perfect look of the breast.
Sincerely,
Andrea]]> 3759 Laura Bullinger noreply@blogger.com 2010-01-10 08:38:00 2010-01-10 08:38:00 1 0 The fowl looks really nice with the layered coin looking breast. Very nice color selection, too.
You seem to accomplish much in such little 15-minute slots! I prefer my method of stabbing at a project, walking away, losing it for 2 weeks, starting 2 new ones at the same time while shopping for materials that I will probably never use! It seems to get me by! Oh, well, "to each his own"!]]> 3760 Christa Evans ce@lilystitch.com http://www.blogger.com/profile/12003666963817648329 2010-01-10 07:56:05 2010-01-10 07:56:05 1 0 I love what your doing with Rooster's belly. I agree the dark brown was too dark. My two cents is to really add deminsion and boldness with his wings and back. Beautiful!
Christa]]> http://www.needlenthread.com/2010/01/did-you-see-twixt-art-and-nature.html Sat, 09 Jan 2010 08:14:00 -0600 Mary Corbet 109 2010-01-09 08:14:00 2010-01-09 08:14:00 open open Did-you-See-Twixt-Art-and-Nature? publish 0 0 post

English Embroidery from The Metropolitan Museum of Art, 1580 - 1700: 'Twixt Art and Nature is the name of the book. Despite the heavy title and the hefty size of the book, keep in mind that the era studied by the book is just slightly over 100 years of needlework! But what a fascinating era!



The book has been reviewed online on a number of needlework blogs and websites, so I'm not out to do a review here. I haven't actually finished reading it yet, and I always like to read the books I review from cover-to-cover. (It's a whole lot easier with stitch dictionaries and picture technique books - there isn't as much reading involved!) From what I've read so far, the book is fascinating - those interested in historical embroidery who like to read in-depth scholarly work will enjoy it. Those who are more interested in technique specifics and instruction might not enjoy it as well. Anyone interested in pictures of historical embroidery from this era will love it, but will want even more photos. The photos are beautiful.

I was reading the book the other day, and came upon part of a passage that brought to mind a good friend of mine, and made me think (with overwhelming enthusiasm!) that he would really enjoy this book. The passage was an insightful comment on history and art and I wish I had written it down. Anyway - a great wave of generosity swept over me, and I thought, "I am going to buy this book for him. He will like it."

Last year, I sent copies of this book out to a couple friends as gifts (hey, gals - I hope you Really Like It!). For me, I bought mine used last year, for about $35. And heck, it's been six months, right? Used ones will probably be less expensive now, right? But I was willing to spend $35. Really. I'm just that nice.

But I'm only that nice.

I checked this page on Amazon first, and after the initial heart attack, I moved on to ABE Books. (Though you can find a slightly "less expensive" copy on this page at Amazon - around $140).

Is it only me, or are the prices asked for these books just slightly a bit much? I mean, the book is good. But... but.... but...???!!!

Needless to say, those momentary warm fuzzy feelings of generosity sapped right out of me!

If you're looking for the book at a more reasonable price, Hedgehog Handworks does carry it, and right now, it's $55.25 (on sale through January). I don't know how many they have in stock, but at least you know they are available through booksellers besides used book sources for ridiculous prices! You can also find it at The Mad Samplar for $65 right now.

If you aren't quite ready to invest that type of money in a book, you can get a glimpse of some of the pieces in the exhibit in this nice little promotional video from last year:

[youtube=http://www.youtube.com/watch?v=vr2vTYWfI3U]

Though I didn't make it to the exhibit, I'm happy I have my book.

And I'm happy I got it used.

For $35.

]]> historical needlework book review embroidery resources miscellaneous embroidery musings 3588 Pat R. noreply@blogger.com http://www.blogger.com/profile/04707387495249169348 2010-01-17 16:35:29 2010-01-17 16:35:29 1 0
Pat R.]]> 3761 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2010-01-09 15:29:43 2010-01-09 15:29:43 1 0 3762 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-01-09 14:02:56 2010-01-09 14:02:56 1 0 I actally love this book and try to read it when I can. It always amazes me how these types of things were made before calculators and computers. I think it is ok to slow down and enjoy the process; the feel of the cloth in your hands, the feel of the silk as it slides through the needle and the fabric, watching your project unfold. And create something beautiful and lasting. Now I want to go work on my pieces!]]> 3763 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2010-01-09 13:59:17 2010-01-09 13:59:17 1 0 3764 Mel noreply@blogger.com 2010-01-09 13:25:22 2010-01-09 13:25:22 1 0
For example, one of the caskets (I hope I wrote down which one) had original embroidery tools in it, I think...an ivory or bone laying tool? and flat filament silk wrapped on squares cut from playing cards. And there are no photos of that in the book and I haven't found descriptions either, although I've only skimmed so far.

The exhibit was mind-boggling, though, especially the scale of embroidery. Like, not only is the jacket they displayed tiny (as in, it would only fit a child or a very small-boned adult--no amount of weight-loss will make most modern women's shoulders or ribcage narrow enough), but the embroidery is small, the thread is fine, the stitches are minuscule, the weave of the linen was so fine I almost couldn't find the godets on the skirt. And there was an incredibly variety of embroidery styles on display, and the video was fantastic (I'm still hoping they'll get permission to release it on DVD). It really was an absolutely stunning exhibit.]]> 3765 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-01-09 12:50:52 2010-01-09 12:50:52 1 0
To those recommending the library, sometimes it's better to own needlework "reference" books with techniques, stitches, and patterns because you'll want to refer back to them periodically. Because of this I've spent hours feeding money in library photocopiers because, for example, I can't afford to buy a needlework book that was published at $25 but now costs over $200. And photocopies, to me, are a less than satisfactory substitute for owning the book.

Also regarding libraries, I would add that some needlework books cannot be obtained even through interlibrary loan - especially if they are self-published, very specialized, published in other countries, old, or more obscure. And I'm speaking here not just as a patron but as a reference librarian who used to oversee interlibrary loan. As a result, there are needlework books that none of us will have access to unless we're willing to, in some cases, pay many times what the book originally cost.

Sorry for using your Comment section as a soapbox. Grossly inflated costs for needlework books is (obviously) a sore subject with me.]]> 3767 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-09 10:53:19 2010-01-09 10:53:19 1 0
The library is a great place to savor books! I generally use the city library to browse through certain books I "think" I might want, but am not sure I would make the investment. It's nice to see the books first. I've also found fantastic older books at the library, and books on needlework that I never knew existed and wouldn't come across online. As far as technique books go, though, (and especially current technique books) our library - which houses even a copy of Christie's English Medieval Embroidery - is deplorably lacking. But I do love browsing through the more obscure books that they have, as well as the scholarly books. Libraries are great!

Very good suggestion - thank you!

MC]]> 3768 Laura Bullinger noreply@blogger.com 2010-01-09 10:52:31 2010-01-09 10:52:31 1 0 3769 Betsy noreply@blogger.com http://www.blogger.com/profile/17483952704587727482 2010-01-09 10:45:29 2010-01-09 10:45:29 1 0
While most of us can't afford to add this to our library, (but how I wish I could!), your readers may want to check their local public and university libraries. A quick look at WorldCat online shows there are many copies available that way. If your local library doesn't own it, do as I do, and ask the librarian to consider purchasing it for their collection. It's not the same as owning the book, but you can still have hours of pleasure pouring over it. ~Betsy]]> 3770 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-09 10:43:05 2010-01-09 10:43:05 1 0
You're a lucky duck! I second your vote on more collaborations on embroidery exhibits! It would have been worth the plane trip from the Midwest to see this one! But.... I suppose I'll just have to stick with the book.

Seeing the pieces makes me want to start a stumpwork project. I'd love to recreate one of those cabinets, actually. Wow. That would be a REAL project!

MC]]> 3771 Tania Kleckner noreply@blogger.com 2010-01-09 10:33:20 2010-01-09 10:33:20 1 0
I live in New York and did see this exhibit and loved it. I wish I bought the catalog after seeing the show. About 2 weeks ago, I searched for the book and also found the prices way too high. Some sites claim that the book is out of stock and some of the used prices were well over $100.

Thanks for highlighting this wonderful exhibit. I hope that Bard and the Met will do more collaborations on embroidery from the Met collection and exhibit them.

Enjoy the weekend.]]> http://www.needlenthread.com/2010/01/stem-stitch-filling-on-stem-stitched.html Thu, 07 Jan 2010 06:01:00 -0600 Mary Corbet 110 2010-01-07 06:01:00 2010-01-07 06:01:00 open open Stem-Stitch-Filling-on-a-Stem-Stitched-Stem publish 0 0 post Crewel Rooster project, I moved on to the stem. Stems deserve stem stitch. Maybe that's a bit narrow-minded, but it really is the first stitch I think of when it comes to stems. Because the stems on the Rooster project are thick, they needed to be filled, so I embroidered the first stem with a stem stitch filling, using D'Aubusson wool in a dark and a medium green.

Compared to stitching with the Appleton wool, I liked the D'Aubusson better. First, it's a finer thread, and second, it seemed to me to be a bit smoother. I like the look of the stem stitch with this thread, too.



I began by stitching the lower line of the stem with the dark green, and the upper line of the stem with the medium green. Unfortunately, this shade of green doesn't work so well with the blue, I thought. Maybe something a little brighter and greener? But not a grass or kelly green? In any case, I stuck with it, because this is the thread I have!



The two lines converge in the same hole at the tip of the stem.



After working the outside lines, I filled the inside by taking turns doing a row on the left, then on the right, then on the left, and I changed out the shade of green now and then - keeping most of the darker green towards the right side of the stem and most of the lighter green towards the left side (which is the top of the stem, where the light would hit, if I were worrying much about realistic lighting.... which I'm not. But at the time, it struck me as the way to do it....)



Here's the first stem, then, and the first flower.

You can see that the green is a bit muted for the blue in the flower. I can't wait to see what shades of D'Aubusson going to be available! I really like stitching with this thread. As wools go, it's a nice wool to stitch with!

After finishing the first stem, I jumped again to another part of the design, the body of the bird.

Now, you'll have to bear with me when discussing the belly of the rooster, because I have started and stopped and picked out, and re-worked this a number of times. (Is this process beginning to sound familiar?) Even at this point, I know I will pick it out AGAIN.



If you're stitching along with me on this - or planning to eventually - you do not have to work any part of the design (and especially the Rooster Belly!) the same way I decided to. At first, I started with some lines of fly stitch down the contours of the bird, with a stem stitch outline around the body. But oh me, oh my. I didn't like it. I want a Bold Rooster. Roosters, after all, are generally pretty bold. So I decided he had to be filled. I drew scallops all over him and went at him with the buttonhole stitch, and you can see the beginning of that in the photo above.

However, the thread I was using - which I think is Paternayan crewel yarn - was awfully persnickety.

When working with wool, it is essential to use short strands to stitch with. If you're used to getting just about every stitch out of an 18"-20" strand of cotton (or even some silks), you may be in for a surprise when you try wool. I am cutting my wool lengths at about 14", and I can't use it all. I find I have to change threads even when I want to squeeze out several more stitches. This is more the case with some threads than others. I'll try to illustrate this for you in an upcoming post.

But, back to the rooster fellow. I picked out these stitches. I like the idea of the scallops - a lot - but they need to start from the bottom of his legs and move up, so that they can overlap each layer nicely, like feathers. Also, I don't like this color brown for the whole body. So I picked out a lighter golden wheat and a medium golden wheat color for the bulk of the rooster's body. And now, I'm scalloping away with buttonhole stitches!

That's where I am! I'm always open to comments, suggestions, questions, advice! Feel free to let me know what you're thinking about this so far, especially if you have any ideas for me! I LOVE ideas!

I'm off to make some headway on this guy!

Previous Articles on The Crewel Rooster:

Free Hand Embroidery Pattern for The Crewel Rooster
Setting up The Crewel Rooster Project
Choosing Threads for The Crewel Rooster - and the first flower
Crewel Design Books


]]> needlework tutorials stitch along threads pictures embroidery tips and tricks crewel work needlework pictures 3695 Anonymous noreply@blogger.com 2010-01-13 08:07:13 2010-01-13 08:07:13 1 0 Joanie B.
Galveston]]> 3773 Doris noreply@blogger.com http://www.blogger.com/profile/03190912859269410022 2010-01-09 06:56:00 2010-01-09 06:56:00 1 0 3774 Doris noreply@blogger.com http://www.blogger.com/profile/03190912859269410022 2010-01-09 06:51:17 2010-01-09 06:51:17 1 0 depends on effect you want
I`ve been teaching for 50 yrs !]]> 3777 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-08 20:15:16 2010-01-08 20:15:16 1 0
Thank you so much for the input! I am trying to assimilate it all! I finished the turkey breast.... no, I take that back. I finished the Rooster breast the other night, so it's officially done, after much trial and error. It's not too bad - but I'm still not 100% sold on it. Still, I can't pick it out anymore! I've picked out more than I've put in on the whole piece so far, and now I really have to make some serious headway! I wanted to finish the rooster before the weekend is over, because my vacation is officially over Monday morning. Life gets back to "normal" after that, which will mean a real reduction in stitching and blogging time!

I'm making notes, though, and hopefully will be able to make further suggestions for the completion of the bird, based on your suggestions! Thank you so much!

Bambina - Thank You for those links! Gorgeous, gorgeous embroidery! Unbelievable. My rooster won't even come remotely close!

TTFN -

MC]]> 3778 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-08 17:35:02 2010-01-08 17:35:02 1 0
Looking again at the rooster I now notice the actual design on the fabric does have the wing tip a little past that tail line.
On my copy I was speaking of, I drew mine coming down a little further and going into the space a little more than your working one. It seemed to separate the wing and tail more.
But... like others, I'm just sharing ideas, not telling you how to do it!! Just thinking on 'paper'. This is the first time I've participated in discussions like this (in actual groups, the others say I'm the 'quiet' one!! I know, you're thinking the rest must be very, very vocal!!)

Am absolutely loving your 'class'.

Bye for now, Kath.]]> 3783 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-01-08 07:47:03 2010-01-08 07:47:03 1 0
I am really liking this tutorial and am especially interested because, as I said before, there is a rooster Japanese Embroidery that I would like to stitch one day. Also the next phase in JE for me is a design called Loving Couple which is a pair of Mandarin Ducks so I am very interested in how you will stitch your feathers. Even though you are using wool and I will be using silk, I think there are a lots of techniques that would work for either.

I never like to presume to tell you how to stitch something but as you have invited ideas I am happy to have an opportunity to share some ideas with you.

On Loving Couple there is an area of scallops like on your Rooster's breast. I am certain that these feathers are stitched in the order that you have suggested so that the curve of each scallop overlaps the stitches on the preceeding scallop. An alternative to buttonhole stitch would be to outline the curve with outline, stem or back stitch, then satin stitch over the line, I think this would give a nice smooth curve and a slight padding to the edge of the feather.

Another thought, would be to fill each scallop as if it were a leaf, say with fishbone stitch, or any other stitch that would give a central vein and a feathery look to the stitching.

Finally, I agree that using three or four shades on his breast will be more stricking than one shade all over.

He is going to look magnificant and I wish I were doing my JE Cockeral as a stitch-along, it would be great to compare techniques.]]> 3787 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-08 02:34:59 2010-01-08 02:34:59 1 0
1st up, colour. I like the dull green for itself, and it will be balanced by the other stem (I suppose it will be the same). A touch of it in a/some 'shadowy' part/s of the rooster could probably harmonize it if needed.

Colour is not my strong point and I appreciate all the info from yourself and others in that regard. Having said that, I do like the blue keeping it's own identity which this green seems to allow.

2nd, the stem stitch, It's lovely. I've looked up other sections on stem stitch which have answered questions (thank you, it's beaut to have it at the finger tips) but am also wondering about the filling. I think you would have gone in the same direction with each line (ie from base to tip), but I'd like to know for sure. It's always niggled me. I think I remember from somewhere, something about doing stem stitch one direction and outline stitch comeing back????? That would mean turning the work though eh. I have tried some different ways but seem to always question it.

3rd, the rooster's body. I thought of the plain body space as a resting place for the eye, considering de tail, (sorry!), considering the detail in the rest of the design. BUT I was very wonderous as to filling it. I like the scallops and if are basically all the same colour it still gives the eye a resting place AND solves the filling in.
All the same, thought some of the scallops might eventually do with a little touch of the tail colours. Just a basic line stitch on the outside of the buttonhole stitch, and the same side of each scallop that is done. Only some of the scallops, and ending before the join of the scallops beneath.

4th & last! Concerning design. I noticed this 1st up but was a bit shy to mention it! To me it seems the tip of the wing should go past the line of the tail where the wing tip stops. I drew it on a copy with the tip beyond that line but not as far as 1/2 way in the gap. To me it looks 'better'. Separates it from the tail.

This has become perhaps too long. Takes me a bit to explain things. Sorry.

Bye now, Kath]]> 3788 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2010-01-07 19:24:22 2010-01-07 19:24:22 1 0 Or am I mixing things up a bit ?

Like for example...Have you seen these:

http://pasaloda.blogspot.com/2009/04/cuadros-bordados-mano.html

http://pasaloda.blogspot.com/2009/05/colchas-con-bordado-mallorquin.html

If you haven't I think you will enjoy it !]]> 3789 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-07 17:45:21 2010-01-07 17:45:21 1 0 3791 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-01-07 13:34:21 2010-01-07 13:34:21 1 0
It's looking great! It's interesting to get your take on the feel of the different threads in your hands. I'd agree with Janice that the color blend of the green and blue are not a deal breaker. If you go out and look at flowers that have that kind of bright blue (in California, we have Ceanothus or lots of plantings of Cape Plumbago "Plumbago Auriculata") both of which have some species with this spectacular color of blue, the foliage on one has more blue green and the foliage on the other is more gray green. If you like, you can image google for some examples.

Way back when, I learned about a technique called Simultaneous Contrast, that would be fun to play with in your color selection. Now, you may already know about this, in which case, I bow to the master! ;) It's a trick used by graphic designers to maximize the appearance of the number of colors. This works really well when you're blending paints. Again, you can google this term for a better explanation, but an example of the idea is this: Take a splash of blue-green color and surround it with a large field of yellow-green. The large yellow-green field will visually suck the green out of the blue-green mixture and make it appear to be a brighter blue. Now take that same color combination and reverse it so that a small splash of yellow-green is surrounded by a large field of the blue-green and the blue-green will suck the green out of the yellow-green, making it appear more yellow. It only works when it's surrounded by color though, and the colors have to be secondary or tertiary colors.

That's how to make a two color printed piece appear to be four colors. It's so cool when it works right! I know this works with paint because you take a bit of the one color and mix it into the contrasting color, and vice versa. Now, can you do that with thread? Not sure about that, but it seems like mixing a touch of the blues and the greens together somewhere else might tie it in together.

Either way, it's so cool to watch what you're doing! Neat to see your process. I'm holding off on starting. Will head to Needle in a Haystack late next week or so to get threads, so I'm cheating to see what you like stitching with first. :)]]> 3792 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-07 13:21:22 2010-01-07 13:21:22 1 0 3793 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2010-01-07 13:02:24 2010-01-07 13:02:24 1 0 3794 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-07 12:10:57 2010-01-07 12:10:57 1 0 I like the green stem being a cool shade of green, since I assume the rooster will be in warm tones, and it seems like it will be nice for the stem and flower to unify in coolness in contrast with the rooster...does that make any sense? Of course, I am making assumptions about the rooster coloring. Anyway, I love the way you shaded the stem. It is exciting to watch an artist work!
WendyBee]]> 3795 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2010-01-07 11:09:44 2010-01-07 11:09:44 1 0
For the rooster, I don't know, that seems like a very large expanse of tan (even in two shades), and of that stitch, for both the body and legs. Is it possible to break up this large area by varying the stitch/and or color for the legs?

Look forward to reading more about your progress.]]> 3798 Anonymous noreply@blogger.com 2010-01-07 09:32:37 2010-01-07 09:32:37 1 0
I can't wait to see your progress on the rooster. You're my first treat of the day before I get the kids ready in the morning- thanks for all the inspiration.]]> 3799 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-07 09:28:16 2010-01-07 09:28:16 1 0
Liz - that's a very good question, and the answer pretty much is no. It's not hand embroidery thread. I've used machine embroidery thread, sometimes doubled or tripled or quadrupled in the needle) to embroider on cards and other paper items, but it is not pleasant to hand stitch with at all, and it certainly wouldn't give the same type of coverage that hand embroidery threads offer. Hope that helps!

MC]]> 3800 Anonymous noreply@blogger.com 2010-01-07 08:36:19 2010-01-07 08:36:19 1 0 3801 Laura Bullinger noreply@blogger.com 2010-01-07 08:21:22 2010-01-07 08:21:22 1 0 (It's another option, anyway.)]]> http://www.needlenthread.com/2010/01/crewel-embroidery-design-books-double.html Wed, 06 Jan 2010 05:25:00 -0600 Mary Corbet 111 2010-01-06 05:25:00 2010-01-06 05:25:00 open open Crewel-Embroidery-Design-Books:-Double-Review publish 0 0 post

Frances Bradbury has written (or rather, drawn) several design books in different needlework techniques, but the two I'm focusing on here are specifically crewel: English Crewel Designs: 16th to 18th Centuries and Early American Crewel Design.



English Crewel Designs: 16th to 18th Centuries is a design source book. As such, you won't find a lot of text herein. There are a couple pages at the beginning of the book that serve as introductory information, but that's it. The rest of the book is devoted to designs - black and white drawings of crewel patterns taken from historical pieces.



While there are no stitch suggestions in the book (and no stitch instructions), it isn't hard to imagine what types of stitches would look good on the various designs. The designs have a good amount of shading and filling - they aren't merely line drawings.



Some of the designs in the book are given as negative images, with black backgrounds and white lines. I suppose this is to indicate pieces that were worked on dark fabric? I don't know! (And I haven't read the introduction to the book!) The majority of the designs, though, are delivered on white paper with black ink.



The designs are adaptable to other forms of embroidery. For example, this panel brings to mind stumpwork embroidery. Now, wouldn't that be fun?!



I did have a laugh at this fellow. This is such a simple treatment of the bird's body. I probably should've looked at this before I marked up my rooster yesterday! I added scallops all over the main part of the rooster's body - in pen, so I don't really have a choice in embroidering them! Ah, well - live and learn!



The second sourcebook for crewel designs by the same author is Early American Crewel Design.



The designs in this book are noticeably different from the designs in the previous book. They're not quite as elaborate. I like these four designs here - they're very much like the "smalls" I've been working on recently.



Even the more elaborate designs in the book are relatively simple - and I think I like them this way. Both books definitely present a different "look" of crewel work, though the designs have obvious things in common - stylized flowers and leaves, woodland animals, etc.

The books are not huge, extensive sourcebooks, but for the price (less than $6.00 new, from Amazon), they're nice design books and good to have on hand for inspiration and ideas. The Early American design book is not currently in stock through Amazon, but it's available through other used book sources. English Crewel Designs is currently available.





]]> historical needlework book review embroidery design crewel work 3803 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09012789609281609182 2010-01-06 16:18:04 2010-01-06 16:18:04 1 0
I'm glad you're talking about crewel work! I am planning on doing your long and short stitch lessons/designs in crewel. I'm thinking it might be good to enlarge the design somewhat, since crewel (Appleton, in my case) is thicker than floss. I'm not sure how much to enlarge; I'm guessing that it should be only a little bit! What do you think?

Best returns of the new year to you!
Didi]]> 3805 avomeri noreply@blogger.com http://avomeri.wordpress.com/ 2010-01-06 13:08:26 2010-01-06 13:08:26 1 0 I'm tempted to repeat a former reader (sorry can't remember her name): don't make all things you write about looking so interesting ;)

Seriously the designs are pretty - through your pictures they have some resemblance with Castelo Branco designs, have they?]]> 3809 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-06 07:34:51 2010-01-06 07:34:51 1 0
I like both books, for different reasons. I like the English one, because the designs are easily convertible to other types of embroidery typical of that historic look. I like the American one, because the designs are simple. They remind me of those "smalls," which are fun to work simply because they're small!

They're nice resources, as long as you don't expect anything from them but designs!

MC]]> 3811 Laura Bullinger noreply@blogger.com 2010-01-06 07:00:54 2010-01-06 07:00:54 1 0 I'll probably order this book. Nice to have around for design patterns.]]> http://www.needlenthread.com/2010/01/crewel-embroidery-rooster-setting-up-on.html Mon, 04 Jan 2010 10:34:00 -0600 Mary Corbet 112 2010-01-04 10:34:00 2010-01-04 10:34:00 open open Crewel-Embroidery-Rooster:-Setting-Up-on-Linen-Twill publish 0 0 post
Here, I'm showing you my set-up process for the Crewel Rooster. This process can pretty much be applied to any surface embroidery project, so even if you aren't working a crewel embroidery project, you can apply the process to your own projects.

I'm working the Crewel Rooster on Legacy Linen Twill. Crewel embroidery is traditionally done on a medium-weight plain weave linen or on linen twill. I like linen twill, and I find I really like Legacy's linen twill, now that I've been working with it. It's a nice crisp medium-weight twill, made specifically for hand embroidery. Unlike other twills that are woven for upholstery, this twill is finely woven and tight. The weave does not loosen and separate as you stitch, which is often what happens with inferior twills that are great for upholstery and regular sewing applications, but are not made to support hand embroidery stitches.



Legacy's linen twill is an egg-shell white (not quite white, not quite cream), and it has a beautiful "hand" - that is, the surface feels smooth and ... well, just really nice. I like it a lot. In the US, if you're looking for this particular linen, so far I've found it at Hedgehog Handworks and Tristan Brooks Designs. I am not certain of other sources yet. If your local needlework shop carries any items from Access Commodities (Au Ver a Soie threads, Trebizond, Hardwicke Manor hoops, etc.), then chances are, they can special order Legacy's linen twill.

If you don't have linen twill and you're planning on joining me in exploring crewel stitches, let's talk a bit about alternatives. Second choice: a plain-weave medium-weight linen, which you can line with muslin. The muslin behind the plain-weave helps support the stitches between the weave of the linen. Third choice: cotton twill, or even a satin jean fabric (cotton sateen) - like the kind used for Mountmellick embroidery. Fourth choice: you could use a heavier cotton, such as the type used to make pillow cases or sheets, but probably you don't want to use this type of fabric with wool threads. If you're just following along for the sake of the stitching, you might just skip the whole "crewel" part, think in terms of regular surface embroidery, and use embroidery cotton (DMC or Anchor stranded cotton).



The very first thing to do with your fabric is to iron it to ensure that there aren't any wrinkles or creases in it. If you have bought a cut of linen or other fabric that has been folded and that has a crease in it from the fold, you might have to wet the linen first. In fact, I soaked mine in hot and then cold water twice, then left it to rest in hot water until the water was lukewarm. This shrinks the fabric. On some embroidery, it might not be desirable to pre-shrink your fabric (it is not recommended, for example, for Schwalm embroidery). But since I do not plan to wash this after I stitch it, I went ahead and pre-shrunk it. The good soaking ensured that all the creases were gone. Then, I ironed the linen while it was still damp, which gave me a perfect wrinkle-free surface.

Next, "square up" your cut of fabric. When setting up an embroidery project, it's important that your fabric is "square." To achieve this with linen - whether twill or plain weave - pull out threads from the sides of your cut, until you have a straight edge.



Do this on all four sides of your cut. See the remaining threads in the photo above? Just trim along the straight edge, removing this extra fringe, and you'll have a perfectly squared up piece of fabric.



After cutting your fabric, you'll transfer the design. For this project, I traced my pattern on a light box, using Micron art pens. I chose the 05 size, as the 005 (which is tiny!) snagged a bit on the linen as I wrote with it. You might test the pen or pencil you are going to use on scrap of fabric, to see how well it draws on the fabric you have chosen.

Update: A reader since suggested using sepia colored art pens, and she is correct - the line is much easier to cover for every color with the exception of white. It's MUCH better than using black. The difficulty is that the sepia colored micron pens are difficulty to find at local art / craft stores. You can find them online, however, for an excellent price through Dick Blick Art Materials. Just do a search for "micron pen" and they'll come right up. Besides the micron pen, Prismacolors also makes a permanent fine drawing pen in sepia.



I placed my design on the light box and taped it down. Then I laid the linen over the design, and I taped it on the sides, too, to keep it from moving. I centered my 10" Evertite frame over the design just to make certain that the 10" frame would work without a problem - and it is perfect! So, now it's time to move the frame and trace the design.



When you trace a design onto fabric this way, it's important to draw in long, smooth strokes, rather than short, sketchy strokes. Don't sketch! You want a continuous smooth line. When you have to stop in the middle of a curve or something to adjust your hand position, lift the pen off the fabric completely. If you leave it on the fabric, you risk either jarring it and getting a warble in your line, or you risk a pen blot from the ink soaking into the fabric while it rests on it.



Here's the traced design, ready to go. The next step is to center up the design with the center marks on your frame, and to tack the fabric onto your stretcher bar frames. I have a whole tutorial on setting up stretcher bar frames, if you are unsure of how to go about doing this.

For crewel embroidery, it's important that your fabric is kept taut during stitching. There are several ways to achieve this, and I'll list them here in order of preference (with a few noted conditions!):

1. Slate Frame - slate frames are ideal for larger crewel work projects. If you have one, and are working on a large project, it is worth the time it takes to dress a slate frame. For a smaller project like this, though, I prefer Evertite Stretcher Bar Frames.

2. Evertite Stretcher Bar Frames - These are ideal for smaller projects. They are quicker to set up than a slate frame, yet they still give you the option of tightening your work further, after you've set up the project. You can achieve excellent, drum-tight tension with Evertite frames.

3. Regular stretcher bar frames - these don't have the screw mechanism set into the bars, like on the Evertite frames, but they are still quite suitable for small to medium sized projects. Just make sure when you tack on the fabric that you are pulling it enough to achieve a tight tension, without warping the fabric.

4. Hoop - for crewel work, you'll want a good, sturdy embroidery hoop that is somewhat thick. Because of the weight of the fabric, a thin plastic hoop doesn't really cut it as well. On the other hand, if this is all you have on hand, it's better than nothing! Just make sure that you remove your work from the hoop every time you finish a stitching session. Hoops make marks, so the shorter the time the fabric is in the hoop, the better. Additionally, if you're using a good wooden hoop (like Hardwicke Manor hoops), you can bind the inside ring of the hoop to protect your fabric and also to provide better tension.



Here's my rooster, set up and ready to go. The next step will be sorting out the threads I'm going to use. I am using only threads that I have on hand - not buying anything new right now! - so I'll be sifting through my stash to see what wool threads I can come up with. I know I have a heap of Appleton wools, plus some leftovers from the crewel smalls I've been working on, plus the Fine D'Aubusson, made for Au Ver a Soie and distributed by Access Commodities. I'll show you all these in an upcoming post!

Now, I'm off to fix my rooster. Yes, fix him. Well - I'm going to adjust the design one more time, I think!

If you have any questions, comments, or suggestions, feel free to leave a comment below!

Have a terrific Monday!

]]> needlework tutorials Embroidery Projects embroidery resources threads embroidery tips and tricks wool crewel work 3727 Madame Purl noreply@blogger.com http://www.blogger.com/profile/06153048948309626014 2010-01-11 21:07:40 2010-01-11 21:07:40 1 0
I had never thought about shrinking the fabric before like you describe. Thanks for the tips.]]> 3766 Amy noreply@blogger.com http://www.embroidery-methods.com 2010-01-09 12:07:44 2010-01-09 12:07:44 1 0 http://www.embroidery-methods.com/crewel-embroidery.html

I'd be happy to exchange a link back to your blog!]]> 3815 Joady noreply@blogger.com http://www.hedgehoghandworks.com 2010-01-05 14:52:38 2010-01-05 14:52:38 1 0 3823 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-05 06:59:31 2010-01-05 06:59:31 1 0
Thanks for the tip on Thistle Needleworks!

MC]]> 3826 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-01-05 01:28:18 2010-01-05 01:28:18 1 0 I had a painter suggest using the sepia (brown) color permanent pen when tracing a design onto linen (or other cloth), as all but a white thread would cover the sepia color so that the pen lines would not show after all stitching was completed. I have used the sepia colored pen since and found her to be correct.]]> 3830 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-04 19:04:48 2010-01-04 19:04:48 1 0
The twill isn't lined. It's heavy enough, and a solid weave, that it doesn't need lining. Plain weave linen would be lined with muslin, because the openness of the weave requires something behind it to hold the types of stitches used in crewel work. To line the plain weave linen with muslin, you can see my post here:

Crewel Kit set up

You can bind the edges of the linen twill or regular plain weave linen with a whip stitch if you want, or run it through your sewing machine on a zig-zag stitch. I didn't bother. There won't be enough raveling to bother me, or to take away from the fabric. I generally only bind the fabric edge when I'm working on a looser weave of linen.

Hope that helps!

MC]]> 3831 avomeri noreply@blogger.com http://avomeri.wordpress.com/ 2010-01-04 18:13:05 2010-01-04 18:13:05 1 0 I have a basic question: how do you line the linen? Are the borders sewn?
Excuse my ignorance...:)]]> 3832 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-04 16:52:01 2010-01-04 16:52:01 1 0
Thanks for your comments!

I use a permanent pen because the lines will be covered, anyway. The piece won't be washed after it's stitched, so there's no point in using the washable markers. Besides, I find, with the water-soluble pens, that they tend to feather quite a bit when you write with them on fabric. They don't make a crisp, fine line.

I'm not quite sure what colors I'll be using, really. I haven't "quite" mapped it out. Unlike a piece designed for a kit, this piece is more of a sampler, to try different wool threads. The threads I'll be using: Appleton, Fine D'Aubusson, Heathway, Gumnut Poppies (I have a couple strands leftover from the kits I've been using), possibly Paternayan crewel wool (I have one hank), and possible Renaissance Wool (crewel weight) from Renaissance dying, if the colors work, and possibly Bella Lusso (I have one bright red skein that might work on the rooster's chin and crown). I don't want the piece to end up a whole mishmash of opposing colors, but I admit that I didn't take color into great consideration, because I'm working entirely from my stash.

If you're stitching along and concerned about color, I'd suggest sticking with a four to five color scheme, with a couple shades within the color ranges. So, golds / yellows; reds; blues; greens - something like that. That's about what I have mapped out, but I do have a couple purply hues in there, too (which I don't really like much for this). I have already discovered that my blues (I selected a brighter French blue - like a deep, autumn sky blue), but the greens are much more muted and earthy. But I don't have any brighter greens, without going to kelly or grass greens, which just won't do it for me! I want colorful, but not shockingly so, if you know what I mean!

Hope that helps!

MC]]> 3833 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2010-01-04 16:17:15 2010-01-04 16:17:15 1 0 WOW beautiful! I like crewel embroidery!!
I think the fabric is gorgeous. I know it in natural color. Thanks so much for your explanation about ironing, because this is my problem with linen twill fabric, cost me ironing for remove wrinkles from being folded. And as I said on my blog yesterday, this year I'll ironing this type of material often!
I hope you had have a Happy New Year you and yours!
Hugs and love
Maria del Valle]]> 3835 Sheila noreply@blogger.com 2010-01-04 15:51:58 2010-01-04 15:51:58 1 0
BTW, they also have a few of the little crewel kits that you wrote about the other day.]]> 3836 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2010-01-04 13:11:31 2010-01-04 13:11:31 1 0
Why do you use a permanent pen, instead of a washable marker?]]> http://www.needlenthread.com/2010/01/crewel-embroidery-wool-threads-what.html Tue, 05 Jan 2010 05:29:00 -0600 Mary Corbet 113 2010-01-05 05:29:00 2010-01-05 05:29:00 open open Crewel-Embroidery:-Wool-Threads---What-Colors? publish 0 0 post Hard Work! 'Course, as work goes, it's the kind of Hard Work I can really get into. It isn't quite the same as cleaning bathrooms, is it? Here's my thread-sifting adventures for the Crewel Rooster project.

I'm going to be working this crewel embroidery project much like a sampler - a kind of off-the-cuff sampler. There's a dual purpose behind this project. The first point is to play with different wool threads that are available on the market and see what they're like, and especially, what they're like in comparison to each other. The second point is to play with stitches that are typical of crewel embroidery.

All of my threads for this project are coming from my stash. So, unlike the designer who designs a project, works out the colors on paper, then picks out suitable threads to carry out the project, I'm sort of winging it on the color choices. For the sake of this particular project, it's the type of thread more than the color choice that is moving me in my selection. Now, don't get me wrong - I'm going to try to coordinate things so that the poor rooster doesn't end up looking like a blob of discombobulated colors. But my choices are limited entirely to what's in my stash.



Ok. Admittedly, there's no dearth of Appleton crewel wool here. I have some hundreds of skeins. I've never counted them. I really don't want to know how many are there. They stuff into a medium sized plastic garbage bag. I haven't taken very good care of them. I wouldn't be surprised if one day, they just up and decided to felt themselves.



Besides the Appleton, I've got the leftovers from a couple of the crewel smalls kits I've been working lately. These are Heathway wool threads and Gumnut poppies - mostly Heathway. And not a lot of either.



I have these skeins of Fine D'Aubusson, made for Au Ver a Soie and distributed by Access Commodities. These threads will be available in the States this month, I think.



Then I have this kind of odd-ball collection of threads. The hank in the back, I think, is crewel-weight Paternayan wool. It's only marked with a color number and price tag, but I'm pretty sure I bought this off the wall at a needlepoint shop under the Paternayan wool sign. But I could be wrong. Oh, the disadvantages of not writing things down!! Then there's a Bright Red skein of Bella Lusso, which is 100% merino wool from Italy, and then three cards of Gentle Art Simply Wool, which is a rather fine wool embroidery thread that comes in a very limited range of colors.



These are the colors I chose out of the Appleton pile.

In addition to the above threads, I'll also be using some Renaissance Dying crewel weight wool, if the colors work out. I need to dig those out - I think I have at least a couple colors of these threads. These are wools made from vegetable dyes, by the way. Kind of neat process and interesting website, if you want to visit Renaissance Dying and read a bit about what they do.



So I picked out all my threads, and assembled the framed fabric ready to embroider, the threads, my tool box, and a little "doodle hoop" into a smallish basket to house the whole project while I make my way through it.



What's a doodle hoop? It's a very handy item to have in your work basket when you're making your way through a project. I've hooped up a small scrap of the linen twill, so that I can test out different threads or stitches before I use them. When you're working with a thread that's unfamiliar, it's nice to have an idea of how it's going to work before you use it on your project!



And, finally, yes - I started. And boy, do I regret this! I wanted to get blue into the piece, but I thought that it might be difficult working blue into the tail of the rooster (Does it really matter? Probably not...) So I decided to do the flowers in blue. Not just any blue - I wanted a deep, bright blue, like a crisp Autumn sky on a chilly day. I used buttonhole stitch on the flowers, with the darker of the two blues I selected. And then I went through stitching-and-picking-out-hell, trying to figure out what to fill the rest of the petals with.

But more on that later!

That's my color-choosing adventure.

Any comments? Suggestions? Advice? Any ideas for filling those petals?
]]> Embroidery Projects stitch along threads pictures embroidery tips and tricks linen wool crewel work needlework pictures 3752 Ren (rubberduckiemom) noreply@blogger.com http://www.theother353.com 2010-01-10 13:14:54 2010-01-10 13:14:54 1 0 Would I be able to use this as an embroidery piece? I am trying to use the items I have (for Christmas gifts - go figure) and all I have is embroidery thread and OMG Orange yarn.
Ren]]> 3790 Anonymous noreply@blogger.com 2010-01-07 15:47:30 2010-01-07 15:47:30 1 0 - Sandy]]> 3797 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-01-07 09:53:37 2010-01-07 09:53:37 1 0
Question on ripping out - do you do it such that the yarn is re-usable, or "rip-and-toss"? I have a beard trimmer I bought for ripping seams for sewing (works great!), and wonder if it's false economy picking out stitches one-by-one. Sometimes after that work, the re-stitching with the same yarn looks like $#%% and I end up ripping and tossing anyway. Maybe I should just reach for the trimmer and not even think about saving the yarn?]]> 3802 Marian noreply@blogger.com 2010-01-06 19:35:19 2010-01-06 19:35:19 1 0
I'm off to town tomorrow to use my $20 voucher & start marking out my colours.

Thank you also for the tip about using a doddle hoop as I will definitely need one.]]> 3806 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-06 12:47:29 2010-01-06 12:47:29 1 0
I haven't blogged yet about resources for threads, actually... I'm not sure where the Fine D'Aubusson will be stocked. I think it's coming onto the market just this month in the US (Jan 2010). You can buy Appleton wool through The Wooly Thread. Thistle Needleworks sells Gumnuts. For Simply Wool by Gentle Arts, you can find those at Needle in a Haystack - but they're about 25 - 35 cents more per skein there. 1-2-3 Stitch! carries them for $3 / skein, but I've never ordered from there, so I'm not sure about their service. Bella Lusso is also available at Needle in a Haystack.

I'll be blogging a bit about the threads - which I like best, what the differences are, etc. - soon. I wanted to get a good feel for stitching with all of them first!

Hope that helps!

MC]]> 3807 Diane Stavola noreply@blogger.com 2010-01-06 12:04:29 2010-01-06 12:04:29 1 0 3808 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2010-01-06 11:15:25 2010-01-06 11:15:25 1 0 I sometimes get anxious about my projects, specially when I want to start a particular one and have not been able to do so or I need some supplies for it ... yeap.... it can even take my sleep away.

I'm pretty sure you must have blogged about where can we find wool thread suitable for crewel work online... May you please direct me to the
right post ? Thanks in advance ! ;-)
I do have some Medici and 2 skeins of Appleton but will like to try something else (the "thinner" the better).
I went to local needlework shops but they only had needlepoint wool... so thick !]]> 3810 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-06 07:12:27 2010-01-06 07:12:27 1 0 Cynthia Nicole has written my thoughts. Thank you Cynthia.
And thank you Mary for being honest about your problem solving. A great confidence booster, that's for sure. Like, I'ts ok to make mistakes AND ok to talk about them.

I seem to have spent a lot of my life stubornly not acknowledging my mishaps in life. I have a little more courage now and find it helps me and others appreciate it. A sense of humour helps too!

Also, I really love that blue. Does it have a shade name or number Mary?

I try not to be too exacting now (that's another story!) but... I feel I NEED that blue. (no, want doesn,t come into it, ha!).

This whole exercise is so very interesting.

Bye for now, Kath]]> 3814 tania Kleckner noreply@blogger.com 2010-01-05 20:01:13 2010-01-05 20:01:13 1 0
I love the blue. Have you considered something like a red or perhaps something in that color family to fill? Does it have to be another blue color?

This is so inspiring to watch and I can wait for the next installment.]]> 3816 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-05 11:49:48 2010-01-05 11:49:48 1 0
Carol-Anne - I was thinking about leaving the flower as it is, too. It reminds me a bit of Japanese embroidery (if you squint, and look at it from far away!) We'll see... still musing...

Yes, it's a lot of wool! But for those of you haven't stitched with wool, do understand that it isn't the same as stitching with cotton or silk. Some people just Can't Stand stitching with wool. It does have its little troubles, which I'll be discussing as we go along with this project.

Diane - the allergy question is a serious one. They do make some synthetics, but they are a pill to stitch with, and pretty awful in general, in my opinion. I'd stick with cotton - if you want the thicker look of crewel embroidery, use pearl cottons, size 5 and 8, I think. You can also use cotton floche.

Hope that helps!

MC]]> 3817 Cynthia Nicole noreply@blogger.com http://www.blogger.com/profile/15956151327066448551 2010-01-05 11:09:19 2010-01-05 11:09:19 1 0 I guess that helps me accept that process for myself.
Thanks for all you share here on this blog.]]> 3819 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-05 10:16:22 2010-01-05 10:16:22 1 0 3820 Diane Stavola noreply@blogger.com 2010-01-05 10:07:25 2010-01-05 10:07:25 1 0
Thanks!
Diane]]> 3822 avomeri noreply@blogger.com http://avomeri.wordpress.com/ 2010-01-05 07:35:06 2010-01-05 07:35:06 1 0
I wish I had 1/4 of your wool thread stash!!!]]> 3824 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-01-05 06:25:08 2010-01-05 06:25:08 1 0
I saw a cockeral at the weekend and he had a very fine petrol blue tail. I didn't catch up with you posts until after I saw him, otherwise I would have taken a photograph for you.

I love the blue flower and personally would not fill the petals, I like them just as they are.]]> 3825 Laura Bullinger noreply@blogger.com 2010-01-05 06:09:41 2010-01-05 06:09:41 1 0 http://www.needlenthread.com/2010/01/embroidering-pomegranate-in-wool-hm.html Sun, 03 Jan 2010 14:59:00 -0600 Mary Corbet 114 2010-01-03 14:59:00 2010-01-03 14:59:00 open open Embroidering-a-Pomegranate-in-Wool...-Hm. publish 0 0 post Tristan Brooks website that featured this seedy fruit. And, better yet, it was one of the "smalls" - a little complete embroidery kit, with all the threads and everything ready for stitching, for a project that can easily be completed in two evenings (and maybe one, if you want to spend several hours in a row stitching!)

These little crewel embroidery kits (which I've found rather addictive!) take me three sessions, approximately: one session for setting up, and two stitching sessions, If I can spend a couple hours straight stitching. The first crewel kit I finished took a lot less time than this one, for some reason. Last week, I finished this pomegranate small, and overall, I really like it a lot. However, if I were stitching it again, there are a couple things I'd do differently.



This is the finished piece. The colors are really appealing to me - I love the reds and the blues and the greens, with just a tiny touch of yellow.

In retrospect, I would have paid a little more attention to the shape of the pomegranate. The top edge on the right side of the fruit is looking a bit flat.



The only thing I changed in the design and kit directions on this one was the center of the pomegranate. The original design has a few scattered French knots in red in the center, with a tiny green fly stitch at the base of each French knot. These look like teeny flower buds of some sort. I'm a sucker for lattice work in embroidery, and I love seeing laid work in crewel embroidery. So I filled the middle of my pomegranate with a lattice in the medium pink, tacked down with the dark red at the intersections.



Concerning the stitch chosen for the skin of the pomegranate, the kit called for coral knots, layered from dark on the outside to light on the inside, all worked in Heathway wools, except for the innermost line (in medium pink), which is stitched with Gumnuts Poppies.

On the picture accompanying the project, the lines of coral knots become a bit more spaced out as they move towards the center, so that the fabric is visible. Two things I wonder, now that the project is finished: 1. I wonder if this would have looked better, if the rows of coral knots were packed together all the way to the edge, so that the ground fabric isn't visible? 2. I wonder how the pomegranate would have looked if stitched in a different stitch - for example, stem stitch used as a filling?



I do like the texture of the coral knots, but stem stitch would've been a bit more pomegranate-skin-like. A pomegranate has very smooth skin. But - I like the texture. So I'm happy enough with the coral knot pomegranate. I just wonder if I would like it as well (or maybe better?) in stem stitch. Maybe I'll test that some day....



One thing I do really like about these kits is the use of Gumnut Yarns (poppies) and Heathway wool next to each other, creating a noticeable contrast. Poppies by Gumnut Yarns is a 50 / 50 wool / silk blend, so it has a very nice sheen. It's a really beautiful thread to stitch with! I'd like to try the other threads from Gumnut yarns to see if they are comparable in quality. Maybe someday I will. (In the meantime, if you're interested in seeing the threads available through Gumnut yarns, check out their website! Their threads look enticing!)



The blueberries are clusters of French knots, worked with Gumnut Poppies. This is actually two colors of thread - the middle berry is slightly lighter than the side berries. It's a great thread for French knots, by the way!



This is the other thing - probably the Biggest Thing - in this design that I don't like, and now, I wish I had worked it differently. While I like the Heathway and Gumnut Poppies next to each other (the base of this leaf is Heathway wool, the weird vein-things are worked in stem stitch with Gumnut Poppies), I don't like the striped effect in the leaf, and I don't like the shape of the stem stitching in the middle. I ended up eyeballing this, actually, because once the satin stitches are in, you can't see the lines for the stem stitching. My first instinct, actually, was to substitute the stem stitched bumps with a double fly stitch, worked down across the leaf. I wish I had done this! That's really my only Big Regret in this kit. I didn't pick the stem stitching out, because it would have ruined the satin stitching underneath, and I didn't know if I would have enough thread to replace the satin stitched leaf if I had to.

And, well. It's not that big of a regret! Overall, I really like this kit, I'm pleased enough with the way the piece came out, and I'm dying to get going on the next small!

"But what about the rooster?" you ask.

Oh, I started him. I started one of the flowers, and I have taken good photos of the parts I've put in and picked out again. And then the parts I put in and picked out yet again. I put in and picked out on the flower three times so far. It's been great fun! I'm hoping to remedy the situation today by switching colors.

I hope you're having a terrific weekend! Back to my needle and thread....
]]> embroidery resources embroidery kits crewel work 3255 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2010-02-10 12:48:12 2010-02-10 12:48:12 1 0 (I can always depend on you for the "perfect idea!)...Judy in Pittsburgh]]> 3813 Rania noreply@blogger.com 2010-01-05 21:30:23 2010-01-05 21:30:23 1 0
Infact i'm learning too much through your posts .... thanks alot for your efforts.]]> 3827 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-04 21:59:54 2010-01-04 21:59:54 1 0
Well, to keep it from puckering, you'll need to line both layers up with the grain of the fabric (not on the bias - try to keep the weave of both pieces in line with each other), and then baste the fabric together before putting it in a hoop. I'd pin it all around first, then work a close running stitch or even a herringbone stitch around the perimeter.

Hope that helps!
MC]]> 3828 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2010-01-04 21:26:24 2010-01-04 21:26:24 1 0 Kathy Kelly]]> 3839 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-03 21:53:40 2010-01-03 21:53:40 1 0 I saw your post answering my question regarding woollen threads and I will stick to cotton floss and stitch along. Thanks]]> 3842 Evette noreply@blogger.com 2010-01-03 19:38:50 2010-01-03 19:38:50 1 0
Don't fret about the slightly flat section of poomegranate. They are never quite perfectly round. I think you're right about having less background fabric show through on the skin/rind. I suspect the instructions were so written because it's easier for most people to stitch straighter lines.

Gumnut threads are great. I didn't know they made wool or wool blends. My LNS carries some of their silks. Both the colors and textures are wonderful]]> 3843 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-03 19:27:45 2010-01-03 19:27:45 1 0
Thanks very much for your comments!

Martha, I'm dying to try "Daisies" by Gumnut Yarns. It sounds like it would be right up my alley. Have you tried it? What do you think of it?

Marian - Oh, good questions about fabric. If you're going to be working in wool threads, I'd not use quilter's weight cotton. See, what will happen is this: the needles used for crewel embroidery (when using wool or heavier threads) are crewel needles, usually around a #4, or, if you're using a very fine wool, then maybe a #7 crewel. In any case, they are larger needles, and when they go through the fabric, they create a good-sized hole. With linen, the fibers hug back around the thread, but with a tightly woven cotton (like quilter's cotton), the hole will just stay. If you have a medium-weight linen, you could back it with muslin and use that. Or, if you're looking for a fabric at a local fabric shop, then you might have to go with a cotton twill. Traditionally, linen, linen twill, or fustian was used for crewel work. Fustian is simply a sturdy twill. You can probably find a natural-colored (like a flax or wheat-colored) cotton twill at your local fabric shop.

These cotton twills are not technically a needlework fabric, but they'll work ok for a practice piece.

Now, if you're not going to be working this in heavier threads - say you're just planning on working it in DMC cottons, and using just two strands to keep it light-weight - then you can probably get away with the quilter's cotton. Basically, you'll be doing surface embroidery with stitches typical of crewel work, and that's just fine!

Anyway, feel free to e-mail me (use the contact form in the top menu of the website) if you have any other questions, or anything, ok? Or you can ask here!

Wendy! Thank you very much for the blog award! That is very kind of you! I noticed you have Hooked on Needles on there, too - I'm sure MGM will be thrilled! (We know each other quite well...) Thank you again!

MC]]> 3844 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-03 18:22:09 2010-01-03 18:22:09 1 0 First, let me say I love this project, the colors are beautifully balanced, as are the textures.

Second, let me say that I have chosen you for the Beautiful Bloggers Award!

Come visit me to learn more: http://wendysbees.blogspot.com/2010/01/just-let-me-catch-my-breath.html

WendyBee]]> 3845 Marian noreply@blogger.com 2010-01-03 17:38:19 2010-01-03 17:38:19 1 0
I have a question on crewel work, namely your rooster. I have chosen this to be my main, new project for January and I have been thinking about the background fabric. On Saturday, I visited the shop of a friend and she was ironing out scraps of material. One piece was lovely and the design was obviously inspired by crewel embroidery. The background of the fabric was a light biscuit on dark lemon.

I liked it and so today, when at the fabric store looking for something else, I looked for something similar. I found a med/light lemon tone-on-tone, but in a 100% cotton, similar to those used for quilting. My question is, is this cotton good to use for the rooster? Would it be too fine to use wool for the embroidery?]]> 3846 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2010-01-03 16:35:14 2010-01-03 16:35:14 1 0 http://www.needlenthread.com/2010/01/its-crewel-crewel-world.html Sat, 02 Jan 2010 08:56:00 -0600 Mary Corbet 115 2010-01-02 08:56:00 2010-01-02 08:56:00 open open It's-a-Crewel,-Crewel-World publish 0 0 post Crewel Rooster. I suppose I could be really unsociable and mean and lock all the doors and put a "Go Away" sign out - but that would hardly be very holiday-spirited, now, would it? (Forgive me a crewel chuckle... while I go post the sign....)

Recent e-mails and comments on previous posts have raised a few questions that I want to address here, and I also want to show you how I set up these little crewel "smalls" that I've been working on lately. They've turned out to be great little embroidery projects that are quick to work.

We'll start with setting up a crewel embroidery project on a stretcher bar frame. Now, what I'm doing here really holds true for practically any embroidery project set up on stretcher bars. I'll try to elaborate as I go along and explain any differences.



What you see here is one of the smalls from Tristan Brooks Designs. I wrote about Tristan Brooks Designs at length recently, so I won't go into explaining what these are - you can read about them on the previous post. But what you want to note here is that the ground fabric for the crewel work in these little kits is actually a regular weave linen. That is, the threads that form the fabric are horizontal and vertical threads, perpendicular to each other. I believe it's Strathaven linen that comes in the kits, and it's a nice, solid plain-weave linen.

The linen requires a lining fabric behind it, to support the stitches used in crewel work and the weight of the thread. When you're cross-stitching with linen, you wouldn't put a lining fabric behind it. After all, you're working in holes naturally formed by the intersections of the threads in the fabric. But with surface embroidery, the stitches don't necessarily conform to the holes in the fabric, and so you end up splitting the linen threads as you stitch, and stitching in the holes. A lining fabric helps you maintain smooth edges and curves. So, behind the linen here is a piece of regular cotton muslin (aka calico).

The point of this is to let you know that, although I will definitely be working on linen twill in my upcoming rooster project (more on the subject of linen twill later!), crewel embroidery can be done on a plain-weave linen. Just make sure you line it with a piece of muslin.

What you see in the photo above is the muslin in the background, with the linen placed over it. The grain of the linen and the grain of the muslin need to match! Make sure you line up your lining fabric when lining any piece of embroidery with the grain of the ground fabric. If one of the fabrics is off - if the fabric grains don't match - you risk your embroidery puckering. Actually, it's not just a risk - it's definite! Imagine having your linen "square" - the grain of the fabric running perfectly horizontal and vertical on your work table - but putting behind it a piece of muslin on the bias. The muslin will be stretchy, because it's turned on the bias! This will create puckers.

So line up your two fabrics on the grain, and pin them all the way around.



Double up some sewing thread, and stitch your linen ground fabric to the muslin lining, using a herringbone stitch.

Now, a little bit about this: on these little projects that I'm working on here, a close running stitch around the inside of the linen (though the linen and the muslin) will work fine. And it's a lot faster than working a herringbone stitch. But if you're working a bigger project that will be framed up for a while, stick with the herringbone stitch!



Once you've stitched all around the edges of the linen, you're good to go.

It works out well for me that the muslin is much larger than the linen square, because I don't have a frame small enough to accommodate just the linen. If you're working on a larger frame than the size of your ground fabric, make sure you cut your muslin large enough to fit your frame. In these circumstances, you'd actually be pinning the muslin to stretcher bar frames, rather than the linen.



For crewel work, your fabric must be drum tight. You have three options for achieving this: a hoop, a stretcher bar frame, or a slate frame.

If you don't have the latter two options available, then use a hoop. I have my druthers about hoops! Previously, I've presented an argument for good embroidery hoops, and I've also talked about binding an embroidery hoop. You might want to read both of those articles, if the question of hoops is confusing to you. At the same time, though, if you're just starting out and you don't want to invest yet in supplies, and you have a regular "Susan Bates" plastic hoop that you use, by all means, use it. Just don't leave your fabric in it when you aren't stitching! They are more prone to catch dirt than other types of hoops, because of the little "lip" on the inside ring.

Stretcher bars are sold at specialty needlework shops. You can find them as well at Michael's in the needlework aisle, but the ones sold there are made of a hard wood and are unfinished, so it's difficult to push the tacks in them, and they're splintery, which is never quite comfy on the hands. The stretcher bars that I love to use - and I don't use any others anymore - are Evertite stretcher bars. This is also a topic I've already discussed here on Needle 'n Thread, so you might want to read my previous review of these stretcher bars if you don't know anything about them. I just love them! I've slowly invested in practically every size, and I use them All The Time. (I should have stock in that company - I plug them a lot, too... but we aren't affiliated!)

Slate frames are a little more complicated and a little harder to come by, but not as impossible to come by as they were three or four years ago! I use a slate frame (I have two, a medium and a large size) for larger pieces that will be set up for a long time. It is true that slate frames are the best when it comes to providing consistent, drum-tight, adjustable tension for your embroidery projects. But they are sometimes a pain to set up (you can see my previous tutorial on dressing a slate frame), and for smaller projects, I find the Evertite stretcher bars a better choice all around. But if you're keen on using a slate frame, then you'll find them available through Hedgehog Handworks and through Tristan Brooks.

All that having been said, the 8" Evertite stretcher bars work perfectly for these crewel smalls, and I'll be using a set of 10" Evertite stretcher bars for the rooster.



The review of the Evertite frame is really more of a tutorial on how to set one up, so if you don't know how to set up stretcher bar frames, you might want to take a look at that article, too.

Now, if the house is quiet today - if no company stops in - then I'm setting up that rooster! Keep your fingers crossed for me!

(Actually, really - what would life be without friends and family stopping in?! I'll get the rooster set up eventually!)

More on crewel work later, with a bit of information on threads and so forth. Crewel work, by the way, is really just surface embroidery worked (normally) in wool threads. You don't have to limit yourself to wools, and if you want to join along and try out a bunch of stitches typical of crewel work but you don't have wool, don't worry about it! Use what you have on hand!

Enjoy the weekend, everyone!!

]]> Embroidery Projects embroidery resources needlework tools pictures embroidery tips and tricks crewel work 3821 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2010-01-05 09:07:27 2010-01-05 09:07:27 1 0 I'll try to follow you with a thiner linen and DMC floss - let us see if I manage to finish what I have to do next days]]> 3834 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-01-04 16:01:15 2010-01-04 16:01:15 1 0 3848 Anonymous noreply@blogger.com 2010-01-03 08:14:48 2010-01-03 08:14:48 1 0
Judy in OKC]]> 3850 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-03 07:40:52 2010-01-03 07:40:52 1 0
MC]]> 3851 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-03 07:36:07 2010-01-03 07:36:07 1 0
Thanks for your comments!

Beverly, it sounds as if you have a scroll frame there - to make it work for crewel, you'll have to lace the sides. Basically, you'd lace them just the same way as you would a slate frame. You'll want that tension from the sides to keep the piece taut!

Sorry, Wendy! :-)

Jayashree, I think you'd be better off using a cotton embroidery floss. Traditionally, crewel is worked in wool, but wool that is made for crochet and knitting is spun differently. Passing it through the fabric will wear it down very quickly! Often, manufacturers will take a yarn made for crochet or knitting and just "resize" it for needlework, but it is not needlework thread, and the results show this. It's a pain in the neck to work with, it pills up from passing through the fabric, and it doesn't look nice when embroidered with. So I'd just stick with whatever threads you have that are made for embroidery, personally.

I hope that helps! Thanks again for your comments!

MC]]> 3853 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2010-01-03 03:14:41 2010-01-03 03:14:41 1 0 Thanks for the detailed instructions to set up the crewel work project.

Glad to see that your crewel kick is ongoing because for your readers it is a fabulous opportunity to learn new styles of embroidery. I was glad to read that you could use other threads. We do get 2, 3, 4 and double Knit wool in India in hanks but these are used for Knitting and crochet work. So can I use these?]]> 3854 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2010-01-02 19:07:29 2010-01-02 19:07:29 1 0 Thanks for all the info and for the comfort of knowing that it is okay to just use what we have on hand to give
crewel embroidery a try !]]> 3855 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-02 15:21:06 2010-01-02 15:21:06 1 0 Must you be so crewel? You see, I love stitching. But I've actually done very few projects in my life time. And I'm busy with my knitting projects these days, and I have promised a hiatus on purchasing supplies. Clearly, if I must stitch, it will have to be embroidery with DMC cotton floss as it is all I have on hand.....sigh. If your crewel instructions weren't so darned appealing, I could turn on my heel and refuse to watch anymore, as it is sweet torture.... One of these days, Mary, one of these days, I will succumb and try a project...........(but in the meantime, couldn't you make it a little less interesting?)
WendyBee]]> 3858 Beverly noreply@blogger.com http://www.blogger.com/profile/01097377480944079836 2010-01-02 11:48:55 2010-01-02 11:48:55 1 0 http://www.needlenthread.com/2009/12/free-hand-embroidery-pattern-crewel.html Thu, 31 Dec 2009 08:33:00 -0600 Mary Corbet 116 2009-12-31 08:33:00 2009-12-31 08:33:00 open open Free-Hand-Embroidery-Pattern:-The-Crewel-Rooster publish 0 0 post

I've adapted the elements of this design from different sources - the flowers come from this embroidery pattern already posted here on Needle 'n Thread, and the rooster is a loose interpretation - crewel-fied - of a cartoony piece of clipart, for which I no longer have the source. Anyway, it's quite altered. Once I started thinking in terms of "embroidery pattern" - and especially "crewel work" - the poor bird underwent a shocking transformation.

What I'll be doing is embroidering this piece on Legacy Linen Twill, using a variety of threads, most of which will be wool or a wool / silk blend. I have a specific color range in mind for the rooster, but I don't have the color range I would like to work with in any one brand of thread. This gives me a good excuse to use a variety of threads, while at the same time allowing me to make comparisons between different threads.

Here's what the rooster looks like:



If you print the following PDF pattern, it fits inside an 8.5 x 11 sheet of paper - the height of the whole design is about 8.5 inches, and the width about 5.5". The whole thing should fit ok in a 10" square stretcher bar frame, which is what I'm planning to use, but I actually will reduce the pattern (from the PDF) slightly (maybe 10% smaller). Anyway, play with it to find the size you like, that you think would be manageable.

The Crewel Rooster - PDF

I'll be setting up this project today, and then I'll walk you through what I do with it in the upcoming weeks, including recommendations on threads, fabrics, needles, and so forth.

Revised Rooster:

After fiddling a bit with the design above, I made some changes, and the following rooster will actually be the one I plan to stitch:



I prefer the "square" design as opposed to the elongated one.

Here's the PDF:

The Crewel Rooster Revised - PDF

If there's anything in particular you're curious about concerning this project, or if there's anything in the whole process of completing a project that you would like in-depth coverage of by way of a tutorial, leave a comment below. I'll try to accommodate requests!

Happy Last Day of 2009!!
]]> Embroidery Projects free embroidery patterns linen wool crewel work 1258 sorypeterati noreply@blogger.com http://www.blogger.com/profile/04569259269965401013 2010-04-25 11:02:06 2010-04-25 11:02:06 1 0 3570 jocelyne noreply@blogger.com 2010-01-19 06:53:42 2010-01-19 06:53:42 1 0 I know I will succeed.
Thanks
Joeclyne,Quebec.Canada]]> 3847 Sheila noreply@blogger.com http://www.blogger.com/profile/13855612593521382122 2010-01-03 13:29:53 2010-01-03 13:29:53 1 0
Thank You! Thank You! Thank You! That wrinkle was really going to bother me. I plan on getting some supplies tomorrow when the kids are back in school to follow along on the rooster.

Sheila]]> 3849 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-03 08:11:18 2010-01-03 08:11:18 1 0
I'll try to answer some questions and comments here....

Kath, yes, I agree - embroidery and art go together. They absolutely go together!

Joey - I like the Legacy linen twill! I started stitching on this piece last night, and the twill very nice. I love the color, and it is "light" (that is, lighter than "upholstery weight" linen twill) but not as light as ... well, lighter linen, if that makes sense. It's a nice medium weight, very crisp, with a beautiful "hand". I really DO like it. But I think I'll harp on that more later.....!

SJ - I hope the snow has stopped???

Anna - I picked out the threads last night for this project. The majority of them are Appleton wool. I'll also be using a few other wools, though, for the sake of comparison, and I may order a few.... We'll see....

Suzanne - Funny about the rooster coincidence! If you want to backstitch it, you're welcome to!

Carrie - I'll include sources for threads in upcoming blog posts!

Sheila -Well, if you're working with linen or cotton, this is what I do: I soak the piece of cloth in water, hot and then cold. And then hot and then cold. And then I leave it at hot, until it cools down to room temperature. This will shrink the fabric, so the threads are obliged to move a bit! Then, I take the fabric out of the water, and I arrange it on a bath towel, laying it out flat. Then I roll the bath towel up, rolling part of the towel into the linen, like you would if you were rolling up a jelly roll cake. This way, the linen isn't touching itself, and it's "padded" - and it's rolled, not folded. Then, I press out (not wring....) the excess water by applying pressure to the jelly roll. Then, while the linen is still damp, I iron it with a dry iron, on the setting for linen, but be careful not to scorch it! I iron mine all the way to dry. You'll get some "ruffles" on the edges as it's drying, but that's ok.Let the iron do the work, don't push on it hard or anything. Eventually, as you work the edges and the whole thing dries, the ruffled will smooth out, and you'll be good to go.

If that doesn't help, I'd look for another piece of cloth. There's nothing worse than putting the time and effort into a piece, and being bothered by a wrinkle or a spot that can't be removed!

No, I don't cover my work with another piece of fabric. There's nothing wrong with doing that, and it does help protect work in a hoop, but if I'm using a hoop, I never leave my work in the hoop if I'm not stitching and I don't put my hands on my work, unless it's necessary. I don't rest the side of my hand, for example, on the fabric as I work.

Francoise - Yes, I'll be working this rooster and posting my progress, with tutorials and information on crewel work, as I go! You are very welcome to follow along!

To everyone - thank you for your kind words, happy new year, and do join in on the crewel fun, if you can!

MC]]> 3852 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-03 07:03:55 2010-01-03 07:03:55 1 0 While on my soapbox yesterday, I should have mentioned that I include embroidery in 'art work'.
I like to think there is a very blurred line, if any, between embroidery and art.
Truely, it is not unusual for both to be found succesfully combined in the same 'square'.

Enjoy the journey,
Yours Crewelly, Kath]]> 3856 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2010-01-02 14:17:14 2010-01-02 14:17:14 1 0 I have not done crewel since the late 70's when I bought a kit for my son's room and Then I did a garden scene. I will bwe watching this tutorial closley. Right now I am working on a crazy quilt and plan on using your tutorials for inspiration in my embroidery on it.
thank you
Karol]]> 3857 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2010-01-02 12:08:49 2010-01-02 12:08:49 1 0
I really enjoy your thread comparisons and stitch-alongs. I won't have time to stitch-along with you but will definitly be following.

If some of your readers stitch the design in DMC or threads other than wool it will be interesting to see those for comparison, also.]]> 3860 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2010-01-02 07:24:52 2010-01-02 07:24:52 1 0
The square has worked wonderfully.I like them both. With 2 shapes we are able to choose the best one for different applications.

I have a 'thing' about squares. When 1st starting into fine art as a 'mature' (? ha!) age student, I proudly took a square artwork to the framer. Only to be berated about the shape. Squares were not the done thing. He rattled off all these reasons why squares in art and design works were a no-no. Talk about bursting the confidence bubble of a new student.

Once I got further into my studies , and realised that art should be a personal journey, the square became a challenge. I started noticing square art works, old and new, from highly successful artists. And they always greatly appealed to me.

I've since realised the framer would have been looking out for himself. Left over matte board from squares would not be so easy for him to reuse. Shame on him.

So, we don't always have to think outside the square to do our own thing. Make sense? Doesn't matter does it. I've realised I don't have to like everyones work but it's benificial for me to appeciate it.

I won a section of an art prize and when I showed the painting to another artist she said, with distain, "Oh yes, THAT sort win prizes but they don't sell"! I was into my personal art journey enough by then to turn that comment into a compliment. And no, that one wasn't square!

Woops, better get off my soapbox.

Looking forward to your tutorials on the Crewel Rooster Mary.

Bye, Kath.]]> 3866 Joanna joanna.perry0109@yahoo.com http://www.blogger.com/profile/10434220084140118982 2010-01-01 16:15:52 2010-01-01 16:15:52 1 0
I will be following your rooster tutorial. I don't think my embroidery is very good, and I want to improve. I look forward to it.
Happy New Year.]]> 3870 Sheila noreply@blogger.com 2010-01-01 12:06:49 2010-01-01 12:06:49 1 0
I do have a question for you about setting up your frame. What do you do with a piece of cloth that has a stubborn crease in it? It's almost like it came from the middle part of a bolt of cloth, and even after washing and ironing, you can still see it. Do you abandon it, and start over with another piece? Or is it possible to ever remove that middle of the bolt crease?

Also, do you recommend covering your embroidery work with a another piece of cloth with a hole cut out to keep the edges from getting dirty, or do you just take special care to work with clean hands?

Thank you! Sheila :)]]> 3873 Anonymous noreply@blogger.com 2010-01-01 10:19:48 2010-01-01 10:19:48 1 0 3874 SJ noreply@blogger.com 2010-01-01 10:13:01 2010-01-01 10:13:01 1 0
I have for many years now (~50) only used handspun threads for embroidery, mostly wool but a fair amount of linen thread, too, so when I see a design now my brain paints its 'finished version' in linen and wool. I always enjoy your use of such a nice variety of threads; it's really been fun to see the progress and end result of all the cool threads you're using.

SJ, in Maine where we have 10" new snow and 3 days left to go in this storm. Needlework heaven!!]]> 3876 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2009-12-31 17:10:50 2009-12-31 17:10:50 1 0 Just looking at your design again and noticed the flowers are like a representation of a hen and chicks.
The petals are the hen with her feathers nicely fluffed out and the stamens are the chicks.
No wonder the 'shocking transformation' looks so happy with himself.
Special New Year thoughts for you and yours Mary.
Bye, Kath]]> 3877 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2009-12-31 17:02:32 2009-12-31 17:02:32 1 0 And what a beaut design (and anticipated workings) to start it off.
His Majesty looks very proud of his 'shocking transformation'. Good on you Mary.

Bye for now, Kath.
Oh... when I see the 'click to unsubscribe' words at the base of the page I have to smile. No way.]]> 3879 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2009-12-31 14:14:28 2009-12-31 14:14:28 1 0 I haven't done much of crewel work but I like it a lot !
The only crewel threads I have are a few DMC Medici Wool and a couple of Appleton. I did like stitching with the Medici Wool, haven't use the Appleton.
Looking forward to your crewel journey !]]> 3880 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-31 13:18:10 2009-12-31 13:18:10 1 0 The rooster is great. I know nothing at all about wool threads. Please give us some direction as you usualy do :) and (don't know how to say in a diferent way) a BIG THANK YOU!]]> 3881 joey noreply@blogger.com 2009-12-31 12:09:39 2009-12-31 12:09:39 1 0 3882 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-12-31 11:26:46 2009-12-31 11:26:46 1 0 3883 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-31 11:01:15 2009-12-31 11:01:15 1 0
Best wishes for the New Year and hope that it is Creative, Joyful and Prosperous.

I am looking forward to the Crewel work tutorial. We dont get wool for embroidery here and I really want to learn this style. So I would like to see if I can use something as a substitute and still stitch along.]]> 3884 morduededentelle noreply@blogger.com http://morduededentelle.wordpress.com/ 2009-12-31 10:30:16 2009-12-31 10:30:16 1 0 Just a quick comment to wish you a very Happy New Year and tell you just how much I appreciate your wonderful stitching blog.

Even though I had not stitched in years, I was seduced by your marvellous tutorial on long and short satin stitching (which I did not complete because I was in over my head: I was not very good at satin stitching to begin with and the single strand of floss forced me to work under a magnifier, which was not comfortable).

Every one of your tutorials is most informative and very inspiring. I cannot imagine that there are any basic aspects of project setup and execution that you have not already covered.

All that preamble to say that your rooster is tempting me to try embroidery again. Which is somehow very fitting: one of my very first embroidery projects as a child was a stem stitched rooster outline on a potholder. However, this time I shall start with one of the sweet Tristan Brooks samplers.

It is obvious that you put much time and trouble into composing these posts (which I am sure detracts seriously from your overall stitching time), and they are truly inspiring. Thank you.
Suzanne]]> 3885 Anna noreply@blogger.com 2009-12-31 10:23:41 2009-12-31 10:23:41 1 0 What a beautiful pattern.
How nice that you are comparing the threats.Here in Holland it is quit difficult to buy different kind of threats.So I'm quit curious whits threats you are going to use.
I really enjoy these comparisons, because we don't have something like this in the Netherlands.

Anna]]> 3886 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2009-12-31 10:03:06 2009-12-31 10:03:06 1 0 http://www.needlenthread.com/2010/01/happy-new-year-reminiscing-resolutions.html Fri, 01 Jan 2010 08:04:00 -0600 Mary Corbet 117 2010-01-01 08:04:00 2010-01-01 08:04:00 open open Happy-New-Year!-Reminiscing,-Resolutions,-and-a-Revised-Rooster publish 0 0 post

In 2009, I didn't really have any huge embroidery finishes! Looking back on the year, I managed a lot of little things mostly geared towards publishing here on Needle 'n Thread, but I didn't really finish anything big. In fact, anything big I started, I didn't finish. I wonder if this is a way to measure success? If it truly is... oh golly. I'm such a loser! Some things that transpired on Needle 'n Thread in 2009:



In January, I concentrated a lot on Goldwork, for an article in CQMag Online. (You can still find the goldwork article online at CQMag!)



In February, I focused quite a bit on drawn thread embroidery and whitework, in this embroidery sampler, which - well, yes, I admit it! - I never finished. Another project took over, and I had to use the frame, so once I unframed this piece, I never got back to it. You can find the tutorials that accompanied this project under the Tips and Tricks for Hand Embroidery.



In March, the drawn thread sampler continued, and I did actually manage a finish on something else. Whoo hoo! It's not exactly a big finish, but I enjoyed working this miniature embroidery piece, and it's one of my favorite little framed pieces in my house. Lots of free hand embroidery patterns were posted on Needle 'n Thread in March, too.



In April, I started working on this Long Dog Sampler titled Angel Pavement. It was a project that my niece and I began working on together - we set up two samplers, bought double charts, supplies, and whatnot... Neither of us have finished! But we're still working on it now and then! The sampler is stitched on 28 ct fabric, over one.



In May, besides sifting through stash stuff and starting a new project and going Needlework Shop Hopping, I did manage to post one useful tutorial on Drawn Thread Embroidery on Gingham. Oh, and this can be counted as a finish, too!



In June, I hand embroidered this pall as a gift. It counts as a finish! June was also a month full of guest articles here on Needle 'n Thread, because I went on vacation for a few weeks. That was fun!



In July, I worked my first Temari ball. That can be counted as a finish, can't it? I also reviewed the needlework shops I visited while on vacation, and spent a lot of time preparing the Long and Short Stitch Shading Lessons that got into full swing a bit later.



August saw the Long and Short Stitch Shading Lessons in full swing, though they definitely carried on past August!



In September, the Long and Short Stitch Shading Lessons continued, I didn't do a whole lot of personal embroidery, I did dig out an old embroidery project to reconsider how to finish it (and got nowhere at the time!), and I gave away a lot of good stuff in September, like Jane Nicholas's stumpwork books and some Trish Burr kits! September is always a difficult month to make progress on personal projects, since school is starting and a new routine is taking over.



October saw the beginning of the hand embroidered lettering and text tutorials, which would last into December! It was also another month with few personal projects due to the demands of the school year.



November saw the bulk of the Lettering tutorials, as well as the beginning of a needlebook. I gave away some stuff, and started posting a new monogram alphabet, which I haven't finished yet!



December was a fairly productive month, for being one of the busier months of the year! I finished a needlebook, the lettering sampler, and a little crewel piece. I've gotten on a crewel kick here, so I've been writing a bit for upcoming posts on crewel work, comparing threads, and so forth. Also during December, I managed a lot of behind-the-scenes work here on Needle 'n Thread, working on a couple projects that will be launched in the early parts of 2010. December was indeed a productive month!

Resolutions and Looking Ahead

For 2010, I have some personal embroidery-related goals: use more stash, finish more projects! I also have some plans for Needle 'n Thread! I've been compiling a list of tutorials and topics that I hope you will enjoy throughout 2010. The video camera has also been occupied lately, so you can look forward to some video-related productions, too.

And the Rooster

Yesterday, I posted a rooster pattern for crewel work that will be my first "New Year" project here. I've since revised the pattern, so if it is something you were thinking of stitching along with, I thought I'd let you know there's a new version available on yesterday's post.

Happy New Year, one and all! I'm looking forward to 2010, and I hope you are, too!
]]> website news miscellaneous embroidery musings 3796 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-01-07 10:49:05 2010-01-07 10:49:05 1 0 I think it was yeswterday (so long ago :) that you mentioned you wish you had simplified the body of the rooster per the example in one of the featured books from yoiur email.
Well, I for one am very happy that your rooster has the scallops. I think he will comeout looking much more rich and I think he deserves the extra detail.
I am so loving this project and I do plan on doing hem up my self.

Thanks,
Marlon]]> 3840 amaloney noreply@blogger.com http://www.blogger.com/profile/10551750623787855297 2010-01-03 21:08:16 2010-01-03 21:08:16 1 0 Happy New Year to you too! I don't know you but I feel like I do a bit because I've been reading your blog for almost a year and a half now! You are so selfless in writing this blog and sharing so many valuable teachings and much inspiration with your readers. I am so grateful I found this blog and you! I can tell you are a true teacher: giving of yourself to help others grown and learn and often putting yourself aside. May 2010 bring you time to take care of yourself. You deserve it! Thanks for sharing your time and talent with us! (But don't hesitate to take a week off with no blogs :)]]> 3859 Anonymous noreply@blogger.com 2010-01-02 11:08:10 2010-01-02 11:08:10 1 0 Bonne et heureuse année à vous et à votre famille.
Michèle]]> 3861 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2010-01-02 01:50:48 2010-01-02 01:50:48 1 0 I don't know that I agree, Mary. I think you have accomplished quite a bit over the last year. Perhaps you didn't finish as much as you would have liked in projects, but you have opened people up to what is out there in the world of embroidery, and introduced us to techniques, materials and other artists. And that is HUGE!
Now I am going to go look at that article on Goldwork you wrote...]]> 3862 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2010-01-01 22:04:28 2010-01-01 22:04:28 1 0 3863 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2010-01-01 17:24:17 2010-01-01 17:24:17 1 0 For which I gratefully thank you and greatly admire you
xxoo]]> 3867 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2010-01-01 13:58:22 2010-01-01 13:58:22 1 0
Happy New Year!

Cindy]]> 3868 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2010-01-01 13:14:47 2010-01-01 13:14:47 1 0 Grateful to have you blogging in 2009 and looking forward to 2010!
WendyBee]]> 3869 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2010-01-01 12:29:05 2010-01-01 12:29:05 1 0 3871 Tania Kleckner noreply@blogger.com 2010-01-01 11:42:22 2010-01-01 11:42:22 1 0
Your recap of the year is amazing. I love the whitework piece- it is stunning. I think you accomplish a lot, in addition to working full time, writing this wonderful blog and finishing projects to boot. WOW!!

I am looking forward to the year and have been inspired to complete a few projects this year. Some that have been lingering and some new ones as well.

BTW - I like the revised rooster in the square as well.

All the best for 2010.]]> 3872 irene noreply@blogger.com 2010-01-01 10:57:17 2010-01-01 10:57:17 1 0 3875 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2010-01-01 09:58:00 2010-01-01 09:58:00 1 0
As far as resolutions for this new year goes, I really don't have any! Except to continue to do things I enjoy, learn the new concepts that interest me, and make lovely things for my home and as gifts for family.

What do people do all day if they don't stitch, sew, knit, crochet, or play with threads and fibers in some context? Sounds too boring to me! :)

Karen]]> http://www.needlenthread.com/2009/12/bit-of-organizing-you-think-itll-help.html Wed, 30 Dec 2009 08:05:00 -0600 Mary Corbet 118 2009-12-30 08:05:00 2009-12-30 08:05:00 open open A-Bit-of-Organizing:-You-Think-It'll-Help? publish 0 0 post

Organization of embroidery supplies and projects is a good step towards efficiency. And if you're more efficient with some things, then it stands to reason that you'll get to spend more time actually stitching. Organizing the loose ends of various projects and gathering them together in one easily accessible spot reduces rummaging time. So this is what I set out to do yesterday.



I keep inside the house (as opposed to outside in the studio) a variety of smaller projects, and usually, they end up in a basket. Right now, though, I have a surplus of small projects I want to address in the next couple weeks, and my basket runneth over.

So I high-ho-hithered myself outside to the studio, fetched two more baskets, and set about organizing things in the order I want to address them. I failed to take a photo of the Stack of Stuff that didn't fit in that first full basket up there!



Remember this piece? I want to keep it accessible, because I like to pick it up now and then and try to make a little progress on it. So it, and all its components - pattern sheets, threads - are going in this basket (for "ongoing" projects)



You might not recognize this in its present form, but its my Schwalm embroidery project, along with all its components - and it's going in the Ongoing Projects Basket as well.



This isn't a needlework project per se, but since I'm currently reading this book, it is belongs to my "inside needlework" stuff, too.



After organizing everything, I ended up with three baskets and a book. The basket on the left is full of tools, hoops, needles, magazines, and some threads - all miscellaneous items, but things I like to have quick access to. The basket in the back is full of "ongoing projects," the projects that take a long time, but that I want accessible, because I'm still working on them. The basket in the front is full of current small projects that I will be addressing in the immediate week or so. It holds the crewel smalls I've been working on, the other two needlebook kits, some linen twill and wool threads that I'm going to be playing with today and tomorrow, and a couple other packets of threads that I will be photographing for upcoming blog posts.

The baskets fit on the floor of my bedroom closet, easily accessible when I need something, but not creating any clutter in the house. Perfect.

Going through and organizing this small collection of supplies (and a book) helped to direct my work for the next couple weeks. I was able to set goals around my organized supplies. Now I know I can work more efficiently, because I know where my immediately needed supplies are, and I can make the best use of my time.

Yes, I know it doesn't always stay this way ---- we can but try!

How do you organize your immediate needlework supplies in your house? Any organizational tips you want to share? We're all ears!
]]> supplies pictures organization 3818 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2010-01-05 10:21:09 2010-01-05 10:21:09 1 0
I usually do counted thread using cottons and silks. I'm used to my modest stash of flosses and pull from them as needed.
I haven't done crewel work outside of large kits I did back some 20 to 25 years ago and just about fell off my chair when I saw the luscious assortment of threads you have.
What fabulous colors!
Now I'm worried about beginning a whole new stash collection! :)

I love this rooster and am going to gather the things I need to do him up.

Thanks so much for your generosity in sharing your stitching life. If you hadn't shared I'd be trying to set up for this project in the same manner I do for counting projects....and it would NOT have worked

Hugs, Marlon]]> 3864 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2010-01-01 17:00:25 2010-01-01 17:00:25 1 0 3878 Ruth O'Leary info@rutholearytextileart.co.uk http://www.blogger.com/profile/13960970278718542174 2009-12-31 15:46:00 2009-12-31 15:46:00 1 0
Have a fabulous new year, and I can't wait to see what you'll be working on in 2010.]]> 3887 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-31 03:06:30 2009-12-31 03:06:30 1 0 3889 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-12-30 18:29:11 2009-12-30 18:29:11 1 0 Happy New Year!]]> 3890 Pollydo2003 noreply@blogger.com http://www.blogger.com/profile/15225398638294939827 2009-12-30 17:41:35 2009-12-30 17:41:35 1 0 I have bloged about my "to do list door" which I have in my craft room, I do my work in there now, except when hubby is home or I want to wat something on Telly, then I put stuff in my bag and toddle on out to the lounge room.
http://arlenescrafts.ning.com/
arlene]]> 3891 Marian noreply@blogger.com 2009-12-30 17:37:59 2009-12-30 17:37:59 1 0
I can relate to Janice's post; I too need to do more organising, and to stop buying up old patterns at an online auction site - now there is a new years resolution.

& Carol, I too have a lot of tote bags and 1 already holds all my scrapbooking stuff.

Maybe my storage & organisational ideas were not so out of tune with everyone else, just a bit more disorganised.

Thanks everyone for your inspirational ideas.

Happy New Year everyone.]]> 3892 Carol noreply@blogger.com http://www.blogger.com/profile/16145339876894805722 2009-12-30 16:01:38 2009-12-30 16:01:38 1 0
One tote has all my current projects and related materials. Another has materials for upcoming projects. Because my university is 70 miles away, I stay at my parents' house during the week (they live down the road from my uni) and I can just grab the relevant totes to take with me. They hang on the doorknob, out of my mother's way.

Stash I don't want to carry around lives in a plastic art box that, natch, fits into one of my totes.

The totes were "free" but are still very nice and very sturdy. Easy to move out of sight and the cats don't try to sleep in them!]]> 3894 Anonymous noreply@blogger.com 2009-12-30 14:31:04 2009-12-30 14:31:04 1 0 3895 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-12-30 12:39:02 2009-12-30 12:39:02 1 0
Tools (laying tool, tacks, needles, scissors,etc. are in theory supposed to go in a smaller lidded box on the worktable, but in practice are usually left out on the table.

One of my goals during semester break is to organize my stash of unstitched charts and kits into containers by technique -- and establish stitching priorities for them instead of grabbing whatever catches my eye when I feel like starting a new project.

Another big organizing priority is establishing intellectual and physical control over all of the needlework resources I've collected in hard copy and electronic form. These include articles torn from magazines, photocopies from library books I can't afford to buy, notes from workshops, articles from the internet (including your blog posts), and projects or articles in magazines that I don't want to cannibalize.

I'm considering, for example, creating a stumpwork box that contains not only unstitched stumpwork pieces but hard copy information such as magazine articles, lists of stumpwork books in my library, list of articles/projects found in my magazines, and lists of files on my computer (related issue: do I print out the files on my computer or spare some trees?). I would be interested in how you and others manage this -- or maybe others don't squirrel away information to the same extent that I do.

Back to your blog post, I was reading along with interest when I was brought up short by your statement about storing the baskets ON THE FLOOR OF YOUR BEDROOM CLOSET. Your bedroom closet is clean and organized enough to store needlework in? I hope you realize that this sets an impossibly high standard of organization for some of us. I can't even remember the last time I actually SAW the floor of my bedroom closet.]]> 3896 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-30 12:24:24 2009-12-30 12:24:24 1 0 Mine is in a bag which goes with me everywhere - that doesn't mean that I've worked. Last week I haven't worked a single stitch... you already know why!
All ended well and our Christmas Eve was beautiful!!! I've just posted some photos.
Have a great New Year, Mary.]]> 3898 Samanta noreply@blogger.com 2009-12-30 11:21:27 2009-12-30 11:21:27 1 0 I myself prefer little (or big) bags. Since I enjoy other crafts besides embroidery, I try to keep them apart. Right now, I have a big one for knitting and a medium one for one of my embroidery projects. I also enjoy quilting, so one project I want to start soon is making more bags for my projects! :) I have even put aside the materials for that - I guess I just need another bag to keep it in!]]> 3899 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-12-30 09:49:04 2009-12-30 09:49:04 1 0
However, I love the idea of pretty baskets. Maybe I should cover the lids with some pretty fabric with elastic holding it in place.]]> http://www.needlenthread.com/2009/12/needlebook-kit-finish.html Tue, 29 Dec 2009 08:29:00 -0600 Mary Corbet 119 2009-12-29 08:29:00 2009-12-29 08:29:00 open open Needlebook-Kit:-The-Finish! publish 0 0 post Access Commodities. This kit is the one called "Nichole" and it features a monogram and fancy stripes that match the reproduction fabric that lines the inside of the needlebook. I'm excited to show you the finished needlebook - I like it a lot, and, of course, it's always great to see a project completely through to the end!

There are heaps of things I like about these embroidery kits from Access Commodities. In previous articles showing the progress on this particular needlebook, I've mentioned the supplies especially - good linen, nice lining fabric, beautiful threads. Other aspects worthy of mentioning about this kit: the detailed instructions are easy to follow and clear, the finishing touches on the needlebook are nice, and .... well, this is a big deal for me.... it came out the way it was supposed to!



Once I finished the outside of the needlebook, it was time to prepare the lining so that it could be sewn in. All the work on the needlebook is completely done by hand, by the way - there's no need of a sewing machine for the finishing. I was glad of that. Believe it or not, I don't have a sewing machine. I'd like a sewing machine. I have my eyes on a particular sewing machine (a Bernina!), but I don't actually have my own machine. The fact that I didn't have to high-ho-hither myself to my sister's house to use her machine was a huge plus for me!

Anyway, I thought the shot above really captured the coordination of the lining and the design on the needlebook.



The lining has a pocket in it. It's created by a simple fold, and it works out really well! Clever design, I thought. By the way, this obviously isn't a step-by-step tutorial on finishing a needlebook! The step-by-step instructions are available in each kit in this series.



I almost forgot the ties. That would've been a pleasant disaster. The ribbon for the ties is black. At first I was a little unsure of this color choice, thinking that a pink ribbon would be a lot prettier and would match the flowers. But the black looks terrific with the black needle lace around the edge, and pink doesn't look so great - I tried it!



I tacked the ribbon rather sloppily with backstitch. I almost took it out again, thinking it really should be neater. But it's going inside the lining, and no one will ever see it. So I left it!



Before sewing the lining in, I attached the felt, using the buttons and pink ribbon. Actually, I also used a bit of pink floss and sewed the buttons on first with the floss, then tied on the bows. That way, if the bows every come undone (or I get tired of them!), the buttons will still be secure.



Once the lining was in, I still had the spine to worry about. This was the last step. Through all the layers, down the middle of the spine of the needlebook, a line is supposed to be sewn in such a way that it looks decent on both the outside of the needlebook and the inside. I was faced with a dilemma: to use a natural colored sewing thread that matched the outside of the needlebook would've been really simple - but on the inside of the needlebook, one of the grey stripes on the fabric was lined up exactly with the spine. Darn. A natural colored thread would show up against the grey stripe. So first I tried the grey floss (Soie d'Alger) that came with the kit, but it looked pretty bad! Then, I decided to backstitch down the spine in black, using the Soie Perlee that came with the kit. On the outside of the needlebook, I ended up with a backstitch line, and on the inside, I ended up with a stem stitch.

I didn't much like the black backstitch line on the outside.



So I whipped the backstitching with the grey Soie d'Alger that came with the kit. I liked that better.



The black line on the inside of the needlebook is not very noticeable, which is nice.



The line down the spine serves as well to separate the long pocket inside the needlebook. The pocket can hold small scissors (in a sheath), or maybe flat bobbins of threads, or even more needles on cards.



Here's the needlebook, closed, from the front....



... and the needlebook, closed, from the back.



And here's a little detail of the needlelace around the outside edge!

I really enjoyed making this needlebook and I'm looking forward to starting the next one in the series soon! You can see the progress of this project at the following links:

Nichole Needlebook Kit Unboxed - kit contents
Setting Up the Needlebook Project
Satin Stitching on the Monogram - troubleshooting
The Monogram
The Front of the Needlebook
The Back of the Needlebook
Working with Linen Thread

If you're interested in purchasing this needlebook kit, I ordered mine from The Mad Samplar, and it looks as if they have them in stock right now, which is nice. If you want to see what's in the kit, you might want to take a look at my first post on this project, Nichole Needlebook Kit Unboxed.

Whew. One project done. I didn't quite meet my Christmas deadline, but I came pretty close! Now, onto the next project! See you tomorrow!
]]> historical needlework Embroidery Projects embroidery kits pictures silk linen needlework pictures 3897 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2009-12-30 12:10:16 2009-12-30 12:10:16 1 0 3900 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-30 07:58:44 2009-12-30 07:58:44 1 0 3903 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2009-12-30 04:50:56 2009-12-30 04:50:56 1 0 3906 Marian noreply@blogger.com 2009-12-30 00:28:23 2009-12-30 00:28:23 1 0
thanks for sharing and providing another 'tutorial']]> 3908 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-12-29 18:56:20 2009-12-29 18:56:20 1 0
Enjoyed the snowy picture of your house. I'm driving across KS & OK today. My kids are hoping to see some fresh snowfall tomorrow.]]> 3909 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2009-12-29 16:59:19 2009-12-29 16:59:19 1 0 What a darling, precious needlebook.
Glad of the finishing instructions and pics so clear. I find needlebooks and pincushions good sellers for our annual Embroidery Guild sales table. Am always at a bit of a loss tho with final assembling and attractive finishings. Thanks for help there.
Bye for now, Kath]]> 3910 Laura Bullinger noreply@blogger.com 2009-12-29 16:16:32 2009-12-29 16:16:32 1 0 3911 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-12-29 14:10:00 2009-12-29 14:10:00 1 0 3914 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-12-29 13:11:20 2009-12-29 13:11:20 1 0 3915 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2009-12-29 12:28:43 2009-12-29 12:28:43 1 0
By the way, if you're still taking suggestions for next years projects, I would also love to do a small stumpwork project. I've looked at all the projects I could find online and I didn't find the instructions all that helpful. I know you could make it more understandable for me.]]> 3917 Divya noreply@blogger.com 2009-12-29 11:17:01 2009-12-29 11:17:01 1 0 Divya]]> http://www.needlenthread.com/2009/12/crewel-finish.html Mon, 28 Dec 2009 09:30:00 -0600 Mary Corbet 120 2009-12-28 09:30:00 2009-12-28 09:30:00 open open A-Crewel-Finish! publish 0 0 post Tristan Brooks "smalls" - which are literally that: small crewel embroidery kits, that result in a small finished product (about 4" x 4"). Today, I'll show you the finish.

This little crewel embroidery kit is easily finish-able in a weekend, and on top of that, it's really fun to work! One thing I like about crewel work is the variety of stitches used in it. This little project, for example, used a total of eight different stitches, all in about 4" square. You can beat that for variety!



I made a few adjustments in the whole plan of the kit, substituting a few stitches here and there. For example, inside the blue flower in the original design there are some scattered French knots. I opted for seed stitch. The yellow tendrils are supposed to be plain stem stitch in Heathway, but the Heathway seemed a bit bland as a plain stem stitch, so on the top left tendril, I whipped the stem stitch with Gumnut Poppies, and for the lower right yellow tendril, I stuck with Gumnuts poppies for the plain stem stitch.

I set up another small right after I finished this one. They're so .... small and manageable! Which is great if you're pressed for time, still want to stitch, and want to enjoy that feeling of actually finishing something!

Some crewel topics that will be discussed in some upcoming posts, thanks to your input:

1. What is crewel work, anyway, and how does it differ from other forms of surface embroidery?
2. Threads for crewel work
3. Fabric for crewel work

I'll also discuss stitches and so forth, and give you some close-ups of these little projects. If you have any additional topics you'd like discussed, leave a comment below!

This week, besides regular blog upkeep, trying to catch up on e-mail, sneaking in some work on these smalls, and finishing up the lingering needlebook (!), I'm working out in the studio, which has been decommissioned for quite a while due to storage difficulties, household rearranging, and so forth. Once things are in order out there in my frigid workspace, I'll be setting up a project, taking pictures for various upcoming posts, and hopefully filming stitches. There is so much I want to do during my short break between semesters - I have to be careful not to turn my vacation into a pressure-cooker! After all, this is supposed to be fun, right?!

Enjoy your Monday!
]]> embroidery kits threads pictures wool crewel work needlework pictures 3841 lidia noreply@blogger.com 2010-01-03 20:55:36 2010-01-03 20:55:36 1 0 aunque no puedo traducir... pero mi vida de bordadora ,a cambiado e aprendido maravillas que de a poco voy aplicando.
los libros increibles ,,ojala este año pueda lograr traducir para, seguirte en alguno de tus hermosos proyectos
ojala tengas un 2010 de mucha alegria y bienestar
un abrazo
lidas]]> 3901 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2009-12-30 05:04:14 2009-12-30 05:04:14 1 0 3905 Marian noreply@blogger.com 2009-12-30 00:29:57 2009-12-30 00:29:57 1 0
Thanks again for sharing, Mary.]]> 3907 claudettew noreply@blogger.com http://www.blogger.com/profile/01851309012733314410 2009-12-29 23:42:53 2009-12-29 23:42:53 1 0 3913 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-29 13:53:12 2009-12-29 13:53:12 1 0 Looking forward your next posts!]]> 3916 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2009-12-29 12:21:08 2009-12-29 12:21:08 1 0 Thanks for the review !
Enjoy your days off... yes... it is suppose to be fun !!!]]> 3918 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-12-29 08:07:05 2009-12-29 08:07:05 1 0 WendyBee]]> 3920 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-12-28 21:35:45 2009-12-28 21:35:45 1 0 3921 margaret c. noreply@blogger.com 2009-12-28 18:52:51 2009-12-28 18:52:51 1 0 3923 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2009-12-28 15:32:32 2009-12-28 15:32:32 1 0
Thanks again,
Elspeth.]]> 3925 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-12-28 15:03:47 2009-12-28 15:03:47 1 0 3926 Anonymous noreply@blogger.com 2009-12-28 12:17:11 2009-12-28 12:17:11 1 0 http://www.needlenthread.com/2009/12/crewel-weekend.html Sun, 27 Dec 2009 09:08:00 -0600 Mary Corbet 121 2009-12-27 09:08:00 2009-12-27 09:08:00 open open A-Crewel-Weekend publish 0 0 post

I want to show you this piece of crewel embroidery in a bit more detail later. My intention is to compare and contrast some different wool threads available on the market, but I'll await the sun before venturing into detail photos!

In the meantime, I've had a bit of fun with this piece, a tiny bit of which is shown here:



This is from one of the Charleston Smalls available in kit form on the Tristan Brooks website. I had no intention of actually buying kits when I bought these (heh heh - are you with me here? do you know where I'm coming from?!). I went to Tristan Brooks to order some Pearsall's silk floss, which I'm trying out for an upcoming ecclesiastical project. But oh - these little kits! They caught my eye. No, actually - they didn't just catch! They caught, they latched, they tugged. And golly. I gave in.

What I like about these particular kits is that I had the opportunity to use, side-by-side, two distinct threads suitable for this style of embroidery: Heathway merino crewel wool and Gumnut poppies. There are also some little spots here and there worked in Pearsall's silk, for variety - like the French knot center of the flower above.

Heathway merino crewel wool and Gumnut poppies (a silk / wool blend) are quite a contrast. Heathway offers a matte finish when stitched, while Gumnut poppies throws in a very nice sheen. In the flower above, the three similar petals are worked in Heathway; the other two are worked in Gumnut poppies.

So, coming up, I'll be showing you this little project in a bit more detail, and doing some comparisons on threads. If you have any specific questions about crewel work or similar embroidery, or if you have particular resources, threads, or supplies that you like for this type of needlework, leave a comment below and tell us!

In the meantime, being somewhat snowed in has its advantages! No, I'm not "stuck" (thanks very much for the many e-mails asking how I survived the recent storm!), but I don't mind staying inside to get some work done!



This was after the front steps had been cleared a few times. It's not "tons" of snow, but for Kansas, and for Christmas in Kansas, it was a good amount, and in the aftermath, it's very pretty! The wind swept the roof fairly clean, which is always a disappointment when it comes to picture-taking!

I hope you're enjoying your weekend, wherever you are! Hot or cold, snow or sunshine, may you find a little extra time to spend with your needle and thread!
]]> personal embroidery resources threads wool crewel work 3902 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2009-12-30 05:03:10 2009-12-30 05:03:10 1 0
Wish you a very happy new year Mary.]]> 3912 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-29 13:56:54 2009-12-29 13:56:54 1 0
I can't wait for crewel information. I guess if I can find the right threads in our local shops...we'll see :)]]> 3922 viji noreply@blogger.com 2009-12-28 16:41:08 2009-12-28 16:41:08 1 0 VIJI]]> 3924 Anonymous noreply@blogger.com 2009-12-28 15:24:06 2009-12-28 15:24:06 1 0 Karole King]]> 3928 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2009-12-28 09:30:29 2009-12-28 09:30:29 1 0 3929 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-28 06:52:56 2009-12-28 06:52:56 1 0
Concerning upcoming info on crewel, I will certainly take all your questions into consideration and try to cover... um.... well, everything I can cover!

Stay tuned!!

MC]]> 3931 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-28 00:02:09 2009-12-28 00:02:09 1 0
Yopur home looks beautiful. Nothing like the weather to nudge us into doing what we love best. I love the little crewel piece that you have stitched.]]> 3932 Inez noreply@blogger.com 2009-12-27 21:17:12 2009-12-27 21:17:12 1 0
Your house looks beatifull, even if is a little late to wish you a happy christmas, I am sending you my christimas wishes anyway and all the best for the new year.

Thank you for everything that you have teach me through the year. Thank you, Thank you, Thank you.

A big hug

Maria]]> 3933 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2009-12-27 20:39:44 2009-12-27 20:39:44 1 0 Was thrilled to see the 'home' pic. Beautiful. Brings old home memories.
I grew up in a snow area of NSW but have lived in a warmer part for many yrs now.
For the last mth have been visiting in the Centre of NSW. 40+ degree heat and going into 10th yr of drought. But have had rain, starting Christmas day. Not drought breaking but very welcome. Lovely to see dams and tanks filling and a some green grass coming.
I,too, find crewel work very appealing. I think it's the variety of stitches complementing the graphic style.
Thank you Mary for your kind reply to my Christmas comment.
Bye for now, Kath.]]> 3935 WendyBee noreply@blogger.com http://www.wendysbees.blogspot.com 2009-12-27 19:57:30 2009-12-27 19:57:30 1 0 Your home is charming, and the snow is like icing! (No pun intended...)
I enjoyed the link and would love to make the pencil box.
Your work is lovely.
WendyBee]]> 3936 Betsy noreply@blogger.com http://www.blogger.com/profile/12560540082272100899 2009-12-27 15:55:34 2009-12-27 15:55:34 1 0
In the upcoming postings on crewel, I am hoping you will give us some guidance on fabric choices, fibers, and so forth in terms of what is best for wall decor, pillows, bedspreads, etc.
Thanks! ~Betsy]]> 3937 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2009-12-27 15:09:49 2009-12-27 15:09:49 1 0 3939 Anonymous noreply@blogger.com 2009-12-27 12:44:32 2009-12-27 12:44:32 1 0
I like the way the different threads work up, showing off the different textures and finishes. I am interested to read about what you learn as you work with the different threads, and seeing the kit as it develops. After seeing your kit, I am thinking of ordering one to work with the different threads also. I like her designs, and the small size is nice. Sandi]]> 3940 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2009-12-27 11:18:06 2009-12-27 11:18:06 1 0 very tempting !!!
I noticed the difference on the leaves/petals that
you stitched, look forward to reading more about it.
Enjoy your stitching time and the pretty view !!!

PS (hehe I totally know what you mean ... lol .
On a similar note have you browse this
other site from South Africa:
http://www.magicembroidery.com/kits.php?Type=Kits )]]> 3941 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-12-27 11:16:19 2009-12-27 11:16:19 1 0
Since I have been "growing" enough in my needlework (thanks to you !) and developing in my own directions of taste, it is abundantly clear to me that Crewel and Stump work are where "It's At" for me....at this juncture. For this reason, I'm going to purchase this piece that you're working on, since my crewel/stump skills need much honing. And I've learned from you to "start small" (as with the rosebud you gave me guidance on)...as sorely tempted as I am to jump in with the biggest piece they offered on the link you mentioned.

At any rate, you certainly are my guide and clearing house, regulating my impulses to buy buy buy and go in over my head...too often to be frustrated due to lack of experience and skill. Thanks again so much.

I LOVE the photo of your house!!! In Pittsburgh we also had snow but Nothing Like the Mid-West! But "Tis the Season"....yes??...meanwhile, have a holly jolly holiday season and a Blessed New Year....as my Polish heritage would put it. "Wesolego Bozego Narodzenia Swiat"

Looking forward to so much more on your website this coming year ....Hugs...Judy in Pittsburgh.]]> 3942 Laura Bullinger noreply@blogger.com 2009-12-27 11:14:52 2009-12-27 11:14:52 1 0 3943 Laura Bullinger noreply@blogger.com 2009-12-27 11:10:55 2009-12-27 11:10:55 1 0 3944 Laura Bullinger noreply@blogger.com 2009-12-27 11:06:57 2009-12-27 11:06:57 1 0 Mary, I'm glad you mentioned Crewel work. I love the idea of it. Can you help answer these questions, since I have been baffled for years over it.
What is the definition of Crewel work?
What is the difference between German Work or Berlin work? and finally, what is crewel thread? A designer friend of mine said that DMC used to sell them and that almost no one has heard of it.
Thanks if you can supply any answers at all. I tend to research alot but to no avail, so any enlightenment is appreciated.]]> 3945 Tania Kleckner noreply@blogger.com 2009-12-27 11:00:56 2009-12-27 11:00:56 1 0
Thanks for your great blog and the picture of your home.

Enjoy the weekend indoors!]]> 3946 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-12-27 10:24:41 2009-12-27 10:24:41 1 0 http://www.needlenthread.com/2009/12/trish-burr-cd-give-away-winner.html Sat, 26 Dec 2009 06:44:00 -0600 Mary Corbet 122 2009-12-26 06:44:00 2009-12-26 06:44:00 open open Trish-Burr-CD-Give-Away-Winner!-&-Resolutions publish 0 0 post
I promised I'd announce the winner of Trish Burr's project CD today, so I'm happy to pop in and make that announcement!

This give-away features a project CD (to be viewed on your computer) focusing on several of Trish Burr's needlepainting projects. It is a lovely CD, and if you didn't win it this time, never fear. I'll be giving away a second one in the coming weeks, to which I hope to add a little something special. (We'll keep that part a surprise!)

If you can't wait for the giveaway, and you want your own project CD or one of Trish's new DVDs (both packaged together!), you can find them available through several retailers around the world, and also from the Trish Burr website. In the US, you can buy them from Nordic Needle - if they aren't on their website yet, you can call and order over the phone. For further information on suppliers in different countries, you can contact Trish.

Ok, all that having been said, let's move on to the winner!

The winner, drawn by random number, is Karole King! Karole, please contact me as soon as possible with your mailing address!

Karole answered my "New Year's Resolution" question:

Yes indeed, I intend to try gold work, long and short, Hardanger, and simply finish embroidery projects I have started. I also inherited many kits from my mother. I want to work them for grandchildren. I want them to have something started by their Grandmother and finished by me, the Aunt.

It was interesting to read everyone's resolutions! While reading many of them, I felt as if I had been a bit of a sticky-beak in asking that question! Just call me "Nosey Mary." At the same time, I felt a bit kindred to many of you!

My stitching resolutions so far have boiled down to two vague notions that I need to solidify a bit: 1. to use more stash and less new stuff; and 2. to finish what I start. Pretty vague, pretty vague!

Thanks for your participation in the give-away!

Enjoy the weekend!
]]> Trish Burr needlepainting Give Away 3930 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-28 06:41:22 2009-12-28 06:41:22 1 0 3934 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2009-12-27 20:06:27 2009-12-27 20:06:27 1 0 All the best Karole for your resolutions, perhaps especially the heirloom projects. I'm sure they will be very rewarding to work on.]]> 3938 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2009-12-27 15:00:01 2009-12-27 15:00:01 1 0 3948 Anonymous noreply@blogger.com 2009-12-26 14:23:03 2009-12-26 14:23:03 1 0 3949 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2009-12-26 08:07:02 2009-12-26 08:07:02 1 0 I didn't enter the giveaway 'cause once you informed us that Trish Burr had a DVD/CD set available... I jumped right away and ordered a set from her site along with the kit (with no threads) that goes with it ... :-D !
Mary ... Thanks for always keeping us up to date !

I'm also trying to use what I have on hand for needlework and to finish what I start... let's see how good I do with that !!!???]]> http://www.needlenthread.com/2009/12/merry-christmas.html Fri, 25 Dec 2009 05:00:00 -0600 Mary Corbet 123 2009-12-25 05:00:00 2009-12-25 05:00:00 open open Merry-Christmas! publish 0 0 post


Wishing you and your families great joy and many blessings this Christmas and throughout the coming year!

Love,
Mary]]> personal 3947 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2009-12-27 08:30:05 2009-12-27 08:30:05 1 0 3951 Anonymous noreply@blogger.com 2009-12-25 21:53:11 2009-12-25 21:53:11 1 0 And may all your ramblings be bright!
God Bless you,your family,loved ones, your creativity and your hands. May the New year hold many rich and wonderful surprises for you.
Deo Gratias
Karole King]]> 3955 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-12-25 15:26:05 2009-12-25 15:26:05 1 0
*grin*

Merry Christmas,

Megan]]> 3956 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-12-25 15:19:28 2009-12-25 15:19:28 1 0 Agnė]]> 3957 virtualquilter noreply@blogger.com http://virtualquilter.wordpress.com/ 2009-12-25 14:45:01 2009-12-25 14:45:01 1 0 Thank you for your ramblings, and long may they continue in the new year.
Judy B]]> 3958 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-12-25 14:25:04 2009-12-25 14:25:04 1 0 Your ramblings are so much fun to read, I look forward to them every day. I have so much more information and access to resources that were obtained from your site. In fact, you are quite a resource in yourself. And thank you so much for wishing us "Merry Christmas" instead of "Happy Holidays". May you and your family have a wonderful Christmas together.
PS. It's nice here in Southern California, no snow, lots of sun, cool weather. I've been in those blizzards and I'm glad I escaped to California.]]> 3960 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-12-25 11:45:55 2009-12-25 11:45:55 1 0
I hope you have a lovely day with your sister and her family. Merry Christmas.]]> 3962 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-25 10:35:57 2009-12-25 10:35:57 1 0
Thank you for your wishes and I hope that you have a great holiday season with your near and dear ones.]]> 3963 Carol noreply@blogger.com 2009-12-25 10:21:18 2009-12-25 10:21:18 1 0
Carol (who is from Buffalo but is in Boston--hardly any white stuff!)]]> 3964 Anonymous noreply@blogger.com 2009-12-25 10:01:09 2009-12-25 10:01:09 1 0
I really enjoy your ramblings! Thanks very much for your lessons - I finished the long and short stitch sampler, the first time I have ever done this stitch and the results were fine. Merry Christmas and a Happy New Year. Love and best wishes from Pam , in the UK]]> 3965 Anonymous noreply@blogger.com 2009-12-25 08:05:56 2009-12-25 08:05:56 1 0
Judy in OKC]]> 3967 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-25 07:24:13 2009-12-25 07:24:13 1 0
Snow in Arizona?! Wow. I didn't pay any attention to this weather front while it was developing, so this whole thing was a bit of a surprise!

Thanks for your kind words!

Merry Christmas!

MC]]> 3969 Anonymous noreply@blogger.com 2009-12-25 07:18:40 2009-12-25 07:18:40 1 0
And to all who read this post, may you have a special day with family and friends also, where ever you are.

I live in sunny Southeastern Arizona, and we even had snow a couple of days ago. It did not last long but was beautiful while it lasted. And I think that this is the same storm that dumped snow on you, and much of the country, Mary.

Sandi]]> 3970 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-25 06:56:14 2009-12-25 06:56:14 1 0
Kath - thank you very much for your kind words! They made me chuckle a bit, picturing Christmas in the bush right now. We are inundated with snow and under blizzard conditions at the moment, so a warm Christmas in the bush is a HUGE contrast! It's wonderful that you got to enjoy Christmas with your first granddaughter - don't kids just make Christmas great?! I'm planning on venturing forth into the elements a bit later today to spend the day with my sister and her family - Christmas wouldn't be the same without them!

Wishing you the best!

MC]]> 3972 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2009-12-25 06:23:40 2009-12-25 06:23:40 1 0 Was beautiful 2nite when your message came thro.
Lovely finish to Christmas in the bush, in the centre of NSW, with our 1st grand child. 8mth old Rosalie. Old enough to help take the wrappings off but young enough to enchant us with her innocence.
Your 'ramblings' are delightful and inspiring AND you are a treasure.
Thank you for your interest and every effort. I'm new to your site (thro a recent Country Bumpkin newsletter)and have loved every posting. They seem to be especially for me, not just the content but the refreshing friendliness too.
Bye for now, Kath]]> 3973 Brenda noreply@blogger.com http://www.blogger.com/profile/02932300582692498942 2009-12-25 05:27:18 2009-12-25 05:27:18 1 0 http://www.needlenthread.com/2009/10/hand-embroidery-lettering-and-text.html Sat, 17 Oct 2009 08:49:00 -0500 Mary Corbet 124 2009-10-17 08:49:00 2009-10-17 08:49:00 open open Hand-Embroidery:-Lettering-and-Text-Index publish 0 0 post

Hand embroidery is an excellent way to personalize gifts, household objects, momentos and so forth. Writing with your needle and thread can also be a lot of fun - I hope these tutorials help you in your needlework endeavors!



Hand Embroidery: Lettering and Text 1 - This tutorial covers setting up the lettering sampler. In this particular article, you won't learn much about stitching your letters, but there are a few tips and tricks for design transfer discussed, if you want to take a look! You can also get a good look at the text sample that I'll be using in this series.

Hand Embroidery: Lettering and Text 2 - This tutorial features lettering in backstitch, but it focuses mostly on how to "travel" your threads in order to achieve a clean, finished look from the front. I discuss the path of the embroidery, noting that the path you would follow for hand writing is not necessarily the same path you would follow for hand embroidery.

Hand Embroidery: Lettering and Text 3: Dot Your I's. In this tutorial, I focus on one method of dotting I's. You know how the dot floats so far away from the text? Well, how can you dot, without carrying your threads? I'll show you how, and then the technique can apply for a variety of different dotting stitches.

Hand Embroidery: Lettering and Text 4: In this tutorial, the focus is on stem stitch, especially how to travel in the right direction to keep the stem stitch looking like stem stitch, and to keep the working thread in the right place in relation to the needle. This sample is in cursive, so we will also look at how to travel the threads to achieve a nice cursive text, without bulky double lines. Finally, this tutorial also addresses the question of crossing over previously stitched lines.

Hand Embroidery: Lettering and Text 5: This tutorial will focus on a suitable stitch for very small text - whipped backstitch - and how to keep the whipped backstitch smooth and consistent in its twist. We'll look at the difference between whipping the stitch while traveling in different directions, and discuss how to avoid changing the direction of the stitching. Also, check out this article on stitch direction for whipped backstitch - it'll show you the difference in the look of your stitching depending on the direction.

Hand Embroidery: Lettering and Text 6: Did you know that you can combine your stitches on the same lettering for very nice results? Well, you can, and this tutorial is going to look at using a combination of stitches on the same lettering, specifically buttonhole stitch and stem stitch.

Hand Embroidery: Lettering and Text 7: Working the initial letter in padded satin stitch makes it really stand out! The rest of the lettering in this tutorial is stitched in chain stitch. I used embroidery wool for this, in a beautiful red, and I've written up a little review of the thread (Simply Wool) within this tutorial.

Hand Embroidery: Lettering and Text 8: The split stitch works great for embroidered writing, especially when worked with a non-stranded thread, like floche or perle cotton. This tutorial shows you how to embroidery letters using split stitch and it talks a bit about threads, too.

Hand Embroidery: Lettering and Text 9: Combining herringbone stitch and split stitch works well with Stef Francis silk.

Hand Embroidery: Lettering and Text 10: In this tutorial, I've used different stitches for each letter of the word, including the French knot for one letter... Yes, it's true. You can write with French knots!

Hand Embroidery: Lettering and Text 11: This little "lesson" is short - it covers the heavy chain stitch worked with a fine thread. This one's not heavy on instruction - all the tips and tricks already discussed in previous tutorials apply to working the heavy chain on these letters.

Hand Embroidery: Lettering and Text 12: In this tutorial, I'm using coral stitch on smaller letters. I like the nubby texture of coral stitch! I found it somewhat difficult to stitch small letters (these are 1/2") with coral stitch in a hoop. If you decide to use coral stitch on your letters, I recommend working in hand, without a hoop, for the coral stitch - it's much easier to manipulate the fabric! Still, I like the way this word came out!

Hand Embroidery: Lettering and Text 13: Treenway Silk makes beautiful whipped backstitch letters. In this article, I'm working on larger letters with this heavier thread. The twist in the silk and the twist in the stitch play well off each other!

Hand Embroidery: Lettering and Text 14: In this post, I show you a small word (1/2") written in half-cursive, and stitched in stem stitch. It would be helpful to review Lesson 4 above, which focuses on stem stitch, for more information on working with stem stitch on curves, etc.

Hand Embroidery: Lettering and Text 15: The Finish. In this post, you'll see some of the "filler" words worked in different threads, but using stitches we've already covered in the previous tutorials. You can also see the finished lettering sampler!

]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks needlework pictures beginner embroidery 1507 Anonymous noreply@blogger.com 2010-04-12 14:10:05 2010-04-12 14:10:05 1 0 4648 Anonymous noreply@blogger.com 2009-11-12 01:35:35 2009-11-12 01:35:35 1 0 4889 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-10-18 22:24:14 2009-10-18 22:24:14 1 0 Thankyou, Mary]]> 4892 Beth Karese BethKarese@gmail.com http://www.blogger.com/profile/13461449002277391095 2009-10-17 19:41:41 2009-10-17 19:41:41 1 0 4893 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-17 17:21:11 2009-10-17 17:21:11 1 0
I've gotten pretty good handkerchiefs from EmbroiderThis:

http://www.embroiderthis.com/handkerchiefs.html

If you click on "women's" or "men's" handkerchiefs, you'll see what they have in the way of cotton and linen.

Hope that helps!

MC]]> 4894 Anonymous noreply@blogger.com 2009-10-17 16:11:12 2009-10-17 16:11:12 1 0 Karole King]]> 4898 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-10-17 11:22:08 2009-10-17 11:22:08 1 0 http://www.needlenthread.com/2009/12/hand-embroidery-lettering-and-text-15.html Thu, 24 Dec 2009 05:52:00 -0600 Mary Corbet 125 2009-12-24 05:52:00 2009-12-24 05:52:00 open open Hand-Embroidery:-Lettering-and-Text-15:-Finished publish 0 0 post previous tutorials in the series, which cover all kinds of ways to hand embroider lettering.

I'm stitching the small filler words here, using three different types of threads for the remaining four words. I have few comments to make on the threads!



I stitched this short little "lazy" at the base of the sampler, using a relatively bright green over-dyed silk from Sassa Lynn. I liked these threads ok for this sampler. They're very soft. I think they're worked best in short lengths. I could see them being very nice threads for crazy quilting.



Here's the sampler after this word was added.



Now I ventured into this Burmilana, which I picked up on one of my shopping stops last summer while on vacation. This is the first time I've stitched with it. It's a wool and acrylic blend.



Oh my. I don't usually knock too many threads. But I don't think this one is made for surface embroidery. It is a pill. And it pills - and it fuzzes - and it's just really difficult to work with. I tried working with a crewel needle, a chenille needle, and even a milliner (thinking the round eye might wreak less havoc on the thread), stitching with short lengths of the thread, but really, what it boils down to is that this is a difficult thread to stitch with.



Perhaps, on a large-holed canvas, it may work better, and indeed, that may be what the manufacturers had in mind for this thread. But I'm pretty sure it wasn't made for surface embroidery.

The whole time I was stitching with it, I was thinking to myself, "Oh. Yuck."

And this brings me back to the whole question of embroidery supplies. If you're going to invest in supplies, do make your investment worthwhile by purchasing items you know are made for surface embroidery!



Here's the sampler so far, on an angle....



Using one strand of Pearsall's in a wheat color, I stitched this tiny "quick" in stem stitch.

Pearsall's is a nice silk. It's a little pricey, but it is a nice thread. It's softly twisted filament silk, so it has a very nice sheen. It also snags on things easily.

My advice is not to stitch with Pearsall's right after you've put up your Christmas tree - or you'll end up with a lot of these:



This is Pearsall's in red (which I used for the very last word on the sampler), after snagging it on my scratched and raw tree-fingers!



And there's the finish of my rather crowded and somewhat colorful and fairly nonsensical lettering sampler.

When you embroider text, remember the golden rule of all writing: The purpose of writing is communication! If writing does not communicate, then what is the point of writing? If your lettering does not communicate what it is meant to communicate, then the effort is wasted! Choose stitches that best communicate to your reader, and arrange the words so that they communicate your thought clearly to your reader, too. If you follow those rules, you'll have no problems with stitching readable text!

I hope you enjoyed this series! You can find the rest of it under "Tips and Tricks for Hand Embroidery" in the top right column, under editor's floss. There, you'll find all kinds of useful articles for beginners and beyond.

*********************************

Other News:

Don't forget my current give-away ends this Saturday, December 26th. If you'd like the opportunity to win one of Trish Burr's project CDs, don't forget to follow the directions in the original post for leaving a comment!

Speaking of that give-away, if you're in the US and you're looking for Trish's DVD / CD set, you can definitely order it through Nordic Needle, if you call them to place the order. It's not on their website yet, but they do have it in stock.

Today, I'm planning to finish the Nichole needlebook! Wish me luck. I'll share the finish with you in upcoming days.

But speaking of upcoming days, tomorrow is Christmas! Yes, I will still post - a Merry Christmas message for you, done by hand (but not stitched!). Right now, though, I'm not really replying to e-mail, unless it is urgent. If you've written in the last few days with a question, never fear - I will reply! But it may be a couple days yet. If you do have an urgent question, feel free to drop a line and let me know! I'll try to get to you sooner.

Here in the Midwest, we're anticipating a big ice and snow storm starting today, so it will be a perfect day for indoor finish work, wrapping presents, and getting ready for tomorrow.

May you have a peaceful, quiet, not-too-hectic Christmas Eve!
]]> needlework tutorials stitch along hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks sampler needlework pictures beginner embroidery 3927 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-12-28 11:10:22 2009-12-28 11:10:22 1 0 3982 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2009-12-24 16:47:34 2009-12-24 16:47:34 1 0 3983 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2009-12-24 10:55:50 2009-12-24 10:55:50 1 0
Cindy]]> 3987 Anonymous noreply@blogger.com 2009-12-24 07:21:34 2009-12-24 07:21:34 1 0 I haven't posted a comment in quite some time. I love all the wonderful things you have posted on your site and I look forward to it each and every day. I happened upon it quite by accident awhile back and have been reading it ever since. I want to thank you for all of your inspiration and talent you have so graciously shared with us.
I hope Santa fills your stocking with good health and happiness for the coming year!
Annie in Michigan]]> http://www.needlenthread.com/2009/12/germaine-needlebook-embroidery-kit.html Wed, 23 Dec 2009 08:26:00 -0600 Mary Corbet 126 2009-12-23 08:26:00 2009-12-23 08:26:00 open open Germaine-Needlebook-Embroidery-Kit---Unboxed publish 0 0 post new needlebook kit in the series of French Maid Needlebook Kits from Access Commodities, and since it showed up in the mail, I figured I'd show you the insides of the kit.

Even though I'm not usually one for working things in a series - I'm just not a "collector" at heart - this particular needlebook series has really captured my fancy! These are the points that appeal to me about this series: the quality materials (Au Ver a Soie silks, Legacy Linen); the coordination of the needlework part of the kit (threads, fabric, stitching designs) with the reproduction fabric lining; the pretty finishing touches; and the fact that I can adapt the designs from counted work to surface embroidery if I want to.

Of course, if I don't get my you-know-what in gear and get the first needlebook done, I may end up with a stack of boxes on my shelf and no needlebooks to show for it! (More on that later!)



Here's the box the kit came in - you can see it's the third in this series, and it's produced by Access Commodities.



This is the cover design for the needlebook. The picture doesn't do it justice, really - the trim and finishing touches add so much to the needlebook! But still, you get the idea of the overall design of the book here as well as the color scheme.

In contemplating the design, I don't know if I could reasonably adapt the bird to surface work on this fabric. I'll have to think about that one a bit.



I love the creams, browns, and cranberry color scheme here! The silk threads are perfectly coordinated with the lining fabric. Very pretty!



This particular kit has four skeins of Soie d'Alger, one spool of Soie Perlee, ribbons and so forth for the finishing, as well as covered button hardware, lining fabric, Legacy linen for the outside fabric, interfacing for the construction of the book, felt for the needles (and three needles), and all the instructions.



It has a very clear chart for the back cover of the needlebook, too. The initial is again something you have to come up with, but there are plenty of online resources for these cross stitch initials, where you can find them for free. Well - you know me - I'll switch that to an embroidered monogram, anyway.

I purchased this kit (it's my own Christmas present - you know, any excuse!) from the Mad Samplar. It came very quickly, but at the time, they had it in stock. Now, I see it's a special order item, but I suspect that they can get it pretty quickly, if you're interested in the kit, too.

Now, what of the needlebook kit I'm supposed to have finished for Christmas? Um....

When is Christmas?
]]> historical needlework Embroidery Projects embroidery resources embroidery kits pictures counted thread embroidery techniques 3979 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-12-24 22:16:52 2009-12-24 22:16:52 1 0
Have a great holiday!!]]> 3993 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-12-23 14:53:30 2009-12-23 14:53:30 1 0 What a great gift to yourself! I'll be looking forward to how you interpret this design, after you finish Nicole, of course.]]> 3994 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-12-23 14:33:02 2009-12-23 14:33:02 1 0 3996 Marian noreply@blogger.com 2009-12-23 12:51:48 2009-12-23 12:51:48 1 0
Oh! by the way, Christmas is tomorrow for me. Yay!! & my gift for me arrived yesterday :) I'll take a photo & email/twitter later.

Happy Holidays to You, Your Whanau and all who follow your blog.]]> 3997 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-12-23 12:49:31 2009-12-23 12:49:31 1 0 It's been awhile since I've read your lovely blog. You are charming and fresh, as always. I am looking forward to reading through the archives to see what I've missed. Of course, now I want to drop everything and make one of these pretty needlebooks! You are so inspiring. May you have the merriest of Christmases and a very Happy New Year.
WendyBee]]> http://www.needlenthread.com/2009/12/give-away-embroidery-project-cd-from.html Mon, 21 Dec 2009 07:11:00 -0600 Mary Corbet 127 2009-12-21 07:11:00 2009-12-21 07:11:00 open open Give-Away!-Embroidery-Project-CD-from-Trish-Burr publish 0 0 post

Trish has recently produced a Needle Painting Workshop CD and DVD called "The Long and Short of It." What I'm giving away here is just the project CD, courtesy of Trish.



It comes in a hard jewel case, for safe storage.



The CD contains three sections: a PDF on stitching instructions (understood best, I think, in conjunction with her DVD), a PDF of clear, printable photos of each of the seven projects on the CD, and a PDF containing all the information for the individual projects.



On the latter PDF, you'll find it starts with a clear, clickable index for each project.



For each project featured, you will find a traceable design, a materials list (DMC threads), and...



... stage-by-stage photo instructions for the project.

I tested the CD on both my PC and my Mac, and it works great on both. This CD really is a lot like having SEVEN of Trish's kits at your fingertips for whenever you want them! (Minus the actual fabric and threads!) If you have a stash of DMC floss and some decent muslin or linen on hand, you'd be good to go!

UPDATE: Tuesday, December 22nd: If you live in the US and want to order Trish's DVD / CD set, the best way to go about it (to save you on shipping and handling and time) is to order through Nordic Needle. Right now, the set is not listed on their website, so you actually have to call and place the order. You can find a toll-free number on their contact info page, on the bottom of the website. They have a limited number in stock right now.

If you do call them, tell them you'd be interested in seeing Trish's kits in their online store, too. RIght now, they aren't carrying them, but I hope that they will in the future!

Give-Away Instructions!!

If you'd like a chance to win this Project CD, please follow these instructions:

1. Leave a comment below (on this article on the website, not via e-mail and not on other articles on Needle 'n Thread)

2. In your comment, answer the following question:

Are you planning to make any New Year's Resolutions that involve stitching? If so, what's one of them?

3. Leave your comment by Saturday, December 26th, at 5:00 am CST - I'll announce the winner on Saturday! The winner will need to contact me with a mailing address within 48 hours; otherwise, I will need to re-draw for another winner!

Best of luck!!
]]> Trish Burr needlepainting Give Away 3865 Deneme noreply@blogger.com http://www.blogger.com/profile/10438630455001752985 2010-01-01 16:47:18 2010-01-01 16:47:18 1 0 3950 Nisha Pillai SO noreply@blogger.com http://www.blogger.com/profile/09468726267740179164 2009-12-26 01:31:16 2009-12-26 01:31:16 1 0 My major new year resolution is to join an embroidery class, in addition to the online classes i am attending. In fact, i have already acted upon my resolution and made enquiries at the Continuing Education sub centre in the Womens' College here. The classes are slated to begin on the 1st of January 2010. Its going to be slow, as i will be getting only one hour of my lunch time to attend the classes. But i have resolved to keep it steady.
My another resolution is to steadily build up - stitch by stitch - my cross stitch project on 'Oscar and his friends' showcased by jayne Netley Mayhew and Nicki Wheeler in their book "four seasons in cross stitch'. Being a working woman and mother of two highly demanding boys aged 4 and 2 doesnot leave much time for my embroidery pursuits. still i have resolved to perservere.

Happy Holidays....


Keep up the good work.]]> 3952 jcmend noreply@blogger.com http://www.blogger.com/profile/01456542354901569052 2009-12-25 17:43:18 2009-12-25 17:43:18 1 0
Joanie]]> 3953 B.T.Carolus noreply@blogger.com http://www.blogger.com/profile/10549741099055782849 2009-12-25 16:36:33 2009-12-25 16:36:33 1 0 3959 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2009-12-25 13:00:25 2009-12-25 13:00:25 1 0 Happy Holidays! Love your giveaway! My New Years resolution is to get my stash out of storage and get my minky quilt done.]]> 3961 elizabetha noreply@blogger.com http://www.blogger.com/profile/12978216397229204014 2009-12-25 11:40:55 2009-12-25 11:40:55 1 0 3966 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-12-25 07:38:49 2009-12-25 07:38:49 1 0 3975 Anonymous noreply@blogger.com 2009-12-25 03:04:22 2009-12-25 03:04:22 1 0 Have a Happy New Year
Elaine in West Virgina]]> 3976 Dawn noreply@blogger.com http://www.blogger.com/profile/10958202015501519300 2009-12-25 00:38:21 2009-12-25 00:38:21 1 0 3977 Penny B noreply@blogger.com 2009-12-24 23:36:14 2009-12-24 23:36:14 1 0 3978 Temperance noreply@blogger.com http://www.blogger.com/profile/16522199035103333678 2009-12-24 22:33:52 2009-12-24 22:33:52 1 0 3980 HeatherC noreply@blogger.com 2009-12-24 20:23:26 2009-12-24 20:23:26 1 0 3981 Anonymous noreply@blogger.com 2009-12-24 19:54:40 2009-12-24 19:54:40 1 0
Happy Holidays!!

Betty Zarate]]> 3984 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-12-24 09:28:56 2009-12-24 09:28:56 1 0 Mary, thanks for all your inspiration. Merry Christmas to you and your family. Candyce]]> 3985 Carol noreply@blogger.com 2009-12-24 07:46:58 2009-12-24 07:46:58 1 0
I want to make the Indian girl project and finish up a half dozen other, smaller, easier ones waiting in the wings.]]> 3986 Kath noreply@blogger.com http://www.blogger.com/profile/01011880759435057512 2009-12-24 07:44:02 2009-12-24 07:44:02 1 0 The sight of the pansy and bluebird pictures certainly has the right side of my brain raging at the left side to do something about my very unorganised work room.
So, I'm definitely going to organise that room. Not fussily or I'll give up before I'm through. Just practially enough so I'm able to enjoy my precious embroidery time without frustration.
Bye for now,
Kath]]> 3988 macarter noreply@blogger.com http://www.blogger.com/profile/02573541526725472204 2009-12-24 07:01:03 2009-12-24 07:01:03 1 0 3989 Rosie noreply@blogger.com http://www.blogger.com/profile/11590694080610406260 2009-12-23 23:06:02 2009-12-23 23:06:02 1 0 3990 Rosie noreply@blogger.com http://www.blogger.com/profile/11590694080610406260 2009-12-23 23:03:38 2009-12-23 23:03:38 1 0 It is a wonderful give away. I have been wanting to do some ribbon embroidery for a long time. It's one of the embroidery styles on my to do list to make my costumes look authentic.

Rosie]]> 3991 Anonymous noreply@blogger.com 2009-12-23 15:56:14 2009-12-23 15:56:14 1 0 to learn more about the long and short stitch. I currently have a project,a rather cheap kit, to practice this stitch on.Thanks alot for a chance to win this CD. A very Merry Christmas to you Mary. Maria in Kansas]]> 3995 Marti in PA noreply@blogger.com 2009-12-23 14:01:21 2009-12-23 14:01:21 1 0
The DVD/CD looks great. Someone will be very happy.]]> 3998 Anonymous noreply@blogger.com 2009-12-23 12:24:44 2009-12-23 12:24:44 1 0 3999 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2009-12-23 11:31:59 2009-12-23 11:31:59 1 0 4000 BFromM noreply@blogger.com http://www.blogger.com/profile/03145563818322438262 2009-12-23 11:22:07 2009-12-23 11:22:07 1 0 4001 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2009-12-23 10:23:21 2009-12-23 10:23:21 1 0 What an awesome give away you have. Whomever gets it will enjoy ir for sure. My plans for next year does involve several of Trish Burr's projects. I have already started making my blocks. The center circles
will have thread painted flowers or Sre. I have chosen to do the Magnolia, Pink Sweet Peas, Purple Pansy, Arum Lily, and Rust Bearded Iris.
The remaining centers will have SRE .
You can see what I've done so far on my blog
http://thelmassewnthings.blogspot.com
wishing everyone a Merry Christmas and Happy New Year!]]> 4003 Anonymous noreply@blogger.com 2009-12-23 08:42:45 2009-12-23 08:42:45 1 0
Thanks for the great giveaway and even better - a year full of advice and fun things to stitch!

- Fran M]]> 4004 Steffi noreply@blogger.com 2009-12-23 07:53:21 2009-12-23 07:53:21 1 0 Have a nice christmas everyone!]]> 4005 Madhu noreply@blogger.com http://www.blogger.com/profile/15624261437846166830 2009-12-23 02:24:25 2009-12-23 02:24:25 1 0
This year i have a resolution too:
1. get perfection in embriodery.
2. Learn the Long n Short Stitch along with other Indianised versions like the Kamal Kadai and navar work.

Though there are lot of tutorials, its important to gain hands-on experience. Therefore year 2010 is for accomplishing and fulfilling the simple desires of life.

Take Care and Happy xmas]]> 4006 Deepa Sethuraj noreply@blogger.com 2009-12-23 00:47:45 2009-12-23 00:47:45 1 0 This is an interesting give away.. I would like to participate..
Well I usually don't make any new yr resolutions for I believe each day is a new beginning and u can take resolutions on any fine day but more important u stick on to it.. what do u say? In 2010 I want to continue my learning process and stitch more n more... as much as I can..]]> 4007 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2009-12-22 22:18:07 2009-12-22 22:18:07 1 0 4008 Susan noreply@blogger.com http://www.blogger.com/profile/17842409196561932682 2009-12-22 21:25:25 2009-12-22 21:25:25 1 0 Happy Holidays, Mary, and thanks for your wonderful site.
Susan N.]]> 4009 Pam noreply@blogger.com http://www.blogger.com/profile/06115757921248639285 2009-12-22 20:19:31 2009-12-22 20:19:31 1 0
Wishing everyone everywhere a happy holiday season and a fabulous New Year.]]> 4010 Anonymous noreply@blogger.com 2009-12-22 16:54:54 2009-12-22 16:54:54 1 0
Regards
Lea]]> 4011 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2009-12-22 16:52:15 2009-12-22 16:52:15 1 0 What a great give a way! My New Year's Resolutions are
1. to embroider every day without fail even if it's only 10 minutes. The peace and sense of calm that comes over me when I pick up a needle and start to create something is so wonderful.

2. to SIT UP STRAIGHT while I embroider! I find myself hunching over and - ow! - my back hurts! If anyone has any ideas about how to be more aware of posture, let me know! I get so involved...

3. last but certainly not least - to teach anyone who asks to learn how to do embroider and to share the great community of embroiderers out there!]]> 4012 Anonymous noreply@blogger.com 2009-12-22 16:21:17 2009-12-22 16:21:17 1 0 4013 Anonymous noreply@blogger.com 2009-12-22 16:16:44 2009-12-22 16:16:44 1 0
My New Years Resolution that involves stitching: As I pack my house to move I keep coming up with UFO'S, unfinished objects. Most have the pattern and thread, others who knows. My plan is to get every thing in order by project or by the year in history they would have been worked on. Then set down and do them until I have empty boxes for new projects. I have seen so much more I would like to do but first come first done.

When I lived in Japan as a child I saw a lot of Needle painting silk on silk. It took my breath away and still does. My Mother even took classes and I have two of her works. All my life I have looked at how each thread is laid and the detail of each flower, and wondered at the skill it took to lay each thread. I would one day like to master this art form. I also have your project on needle painting that you did this summer. Another project I will number and get to.

I enjoy you sight and check it daily with excitement and joy.

Thank You
Noilene]]> 4016 Pat noreply@blogger.com http://www.blogger.com/profile/00534657046726214014 2009-12-22 13:47:02 2009-12-22 13:47:02 1 0 4018 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2009-12-22 13:38:10 2009-12-22 13:38:10 1 0 Debra Puma]]> 4019 BonnieC noreply@blogger.com 2009-12-22 13:31:12 2009-12-22 13:31:12 1 0 4022 Mayté magicXstitch@gmail.com http://www.blogger.com/profile/09031486818730881428 2009-12-22 11:22:44 2009-12-22 11:22:44 1 0
This worked very weel for me this yer and I think I will keep it for the next one. Also I want it to be a year of giving.

Happy Holidays!!]]> 4024 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-12-22 11:07:21 2009-12-22 11:07:21 1 0 4025 Kim K noreply@blogger.com http://www.blogger.com/profile/09410675833339408404 2009-12-22 10:54:00 2009-12-22 10:54:00 1 0 I have a great solution!
To do a stitch
without a glitch,
Would be my wish
to stitch like Trish.]]> 4026 Carla Fiedler staqss@gmail.com http://www.blogger.com/profile/04633228795999260813 2009-12-22 10:53:27 2009-12-22 10:53:27 1 0 4029 Anonymous noreply@blogger.com 2009-12-22 10:37:51 2009-12-22 10:37:51 1 0 Jean from Puyallup WA]]> 4031 RUSH noreply@blogger.com 2009-12-22 10:01:52 2009-12-22 10:01:52 1 0 4034 Ricky in Winnipeg noreply@blogger.com http://www.blogger.com/profile/08568211506416080390 2009-12-22 09:11:26 2009-12-22 09:11:26 1 0 Ricky in Winnipeg]]> 4035 Angie noreply@blogger.com http://www.squirrelsgolikethis.com 2009-12-22 07:33:02 2009-12-22 07:33:02 1 0 4037 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2009-12-22 07:25:17 2009-12-22 07:25:17 1 0 4038 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-12-22 07:19:36 2009-12-22 07:19:36 1 0 4039 amrit noreply@blogger.com http://www.blogger.com/profile/00924657340242070346 2009-12-22 06:48:55 2009-12-22 06:48:55 1 0 wishing you very happy xmas from melbourne.......... amrit]]> 4040 Anonymous noreply@blogger.com 2009-12-22 06:34:44 2009-12-22 06:34:44 1 0 MARY CHRISTMAS TO ALL READERS]]> 4041 Beverly noreply@blogger.com http://www.blogger.com/profile/15164048351793892632 2009-12-22 05:53:49 2009-12-22 05:53:49 1 0 Beverly C.]]> 4042 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-12-22 05:33:17 2009-12-22 05:33:17 1 0
I don't have New Years Resolutions I have a "Rolf List", an idea gleaned from Rolf Harris, which is a list of some fairly specific objectives you want to have aaccomplished by next New Year. I publish mine on my Live Journal blog.

It includes making a Celtic Goldwork Cross for the Church on with whom I have worked a lot in partnership this year, even though I myself am Pagan, I really value them as people and partners, so an "interfaith" cross is on my list, and to do a really big Arts and Crafts project for my brother's Arts and Crafts home. I'm thinking of a runner for their 12 foot dinner table, done in Ricami work, from Therese Dillmonts Ricami book on the Antique Pattern Library.

As usual updates will be on http://silksandshinies.blogspot.com/

The idea is to have plenty of goals, to make them asprirational and a bit stretching, and most importantly give myself credit for any progress towards them at all, not to try to do all of them all at once, give myself full credit for any I have achieved, decide whether any I havn't achieved are still relevant and if they are not, let them go without guilt. If they are still relevant I keep them on the list, again without guilt.

Usually when I do this I am pleasantly surprised by how much I have achieved, rather than feeling guilty over my "failures".]]> 4043 Anonymous noreply@blogger.com 2009-12-22 04:58:36 2009-12-22 04:58:36 1 0
Judy in OKC]]> 4045 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-12-22 02:10:52 2009-12-22 02:10:52 1 0 4046 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-22 02:06:45 2009-12-22 02:06:45 1 0
I would like to wish you and your family a Merry Christmas and a great year ahead.

My New Year's resolutions are two different areas- I would like to begin work on documenting some of the needlework styles of India. I am also planning needlework classes for kids in the age group 10-15.]]> 4047 Erica noreply@blogger.com http://www.blogger.com/profile/12692499583754486790 2009-12-22 01:01:24 2009-12-22 01:01:24 1 0
This year I finished all my UFO's...well almost! Next year I am going to get completely out of my comfort zone. I have enrolled in a weekend design workshop and am saving to enroll in an online design course. This is someone who has no ability to draw - AT ALL. I am rather nervous, but not averse to a challenge.

Do enjoy your Christmas. May it be blessed indeed.

Erica]]> 4048 EC noreply@blogger.com http://www.blogger.com/profile/18260908935271427941 2009-12-22 00:24:28 2009-12-22 00:24:28 1 0
wishing everyone happy holidays]]> 4049 Connie in Montana noreply@blogger.com 2009-12-21 23:15:54 2009-12-21 23:15:54 1 0 4050 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-12-21 23:00:03 2009-12-21 23:00:03 1 0
Thanks and Merry Christmas to everyone!
Kathy in Kenai]]> 4051 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2009-12-21 22:53:01 2009-12-21 22:53:01 1 0 4053 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-12-21 22:25:56 2009-12-21 22:25:56 1 0 I always think twice before commenting on your giveaways.First I look carefully at what the item is and then ponder if I would really love having it.There's no point in putting in my name for something just because its free, right? I think I didnot participate in the last one ,but this one I would surely like to.
My resolution for the next year is 'Learn,learn and learn' - more stitches,techniques and embroidery styles.I also find the need to improve the back of my embroidery.I'll have to strive towards that.
Hope you've a wonderful christmas and a fantabulous year ahead.

Love from India,
Deepa]]> 4054 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-12-21 22:22:29 2009-12-21 22:22:29 1 0 My New Year's Resolution for embroidery is to find time often (every other day at least!) to stitch, even if it is only for fifteen minutes.
Best,
Michelle]]> 4055 carol noreply@blogger.com 2009-12-21 22:06:01 2009-12-21 22:06:01 1 0 4056 Marjo noreply@blogger.com http://www.asouthernerunderthenorthernlights.blogspot.com 2009-12-21 21:54:39 2009-12-21 21:54:39 1 0 4057 smoose003 noreply@blogger.com http://www.blogger.com/profile/10776468587656358584 2009-12-21 21:48:18 2009-12-21 21:48:18 1 0 4058 Ninu noreply@blogger.com http://www.blogger.com/profile/15451333726618944097 2009-12-21 21:46:54 2009-12-21 21:46:54 1 0 So kind of you. and yeah, I ve some resolutions realted to stitching, I am planning to learn some Indian embroidery and to make some quick home dec projects ..thats it..
Merry Christmas and very Happy new year !!!]]> 4059 Maggie C noreply@blogger.com 2009-12-21 21:35:23 2009-12-21 21:35:23 1 0 4060 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-12-21 21:33:46 2009-12-21 21:33:46 1 0 4061 My Mother's Samplers noreply@blogger.com http://www.blogger.com/profile/09663043366237856692 2009-12-21 20:01:32 2009-12-21 20:01:32 1 0 4062 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-12-21 19:30:15 2009-12-21 19:30:15 1 0 My 2010 resolution is to finish some of my large projects and move to smaller miniatures. I have learned so much from reading your blog--so much I want to try and experiment. I believe if I move to smaller projects---I will be able to experiment more, improve my skills, and have more results too! Thank you for all the informative news and updates! Merry Christmas!!]]> 4063 Sharon noreply@blogger.com http://www.blogger.com/profile/15044611432002042157 2009-12-21 19:00:13 2009-12-21 19:00:13 1 0 4064 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2009-12-21 18:48:09 2009-12-21 18:48:09 1 0 Do you think I have any chance of achieving this?]]> 4065 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-12-21 18:46:13 2009-12-21 18:46:13 1 0 4067 yerbatera noreply@blogger.com http://www.blogger.com/profile/12876817321065977447 2009-12-21 18:26:55 2009-12-21 18:26:55 1 0
Wishing you and your loved ones a happy & cozy holiday season! Thanks for putting out this blog: I've finally got the time, supplies, (organized) room and inspiration for *several* projects. These range from simple household things (shopping/produce bags) to home decor (lots of windows & linens!) and embellishing/updating thrift store clothing finds.

Thanks again for your detail and dedication!]]> 4068 Eva noreply@blogger.com http://www.blogger.com/profile/16357689525828900636 2009-12-21 18:24:30 2009-12-21 18:24:30 1 0 4069 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-12-21 18:23:49 2009-12-21 18:23:49 1 0
My stitching New Year's resolution is to choose different designs instead of mostly Asian inspired ones this year and to toss my needle after each project. My acid hands are hard on needles and I'm keeping them too long and abrading my threads.]]> 4070 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2009-12-21 17:39:19 2009-12-21 17:39:19 1 0 Thank you to Mary and Trish Burr for this fabulous gift! Trish is one of my favorite textile artists. I use her books and apply her lessons throughtout the year.
Merry Christmas to all!]]> 4071 countrygal noreply@blogger.com 2009-12-21 17:38:58 2009-12-21 17:38:58 1 0 4073 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-12-21 16:35:23 2009-12-21 16:35:23 1 0 4074 Pollydo2003 noreply@blogger.com http://www.blogger.com/profile/15225398638294939827 2009-12-21 16:35:01 2009-12-21 16:35:01 1 0
for my new years resolution is to try and get into more of a routine with my stitching. I have a couple of projects that I'd really like to finish in the first few months of the year, and this would start it off perfectly.

Arlene
http://arlenescrafts.ning.com/]]> 4075 Anonymous noreply@blogger.com 2009-12-21 16:23:43 2009-12-21 16:23:43 1 0 Sandy Breuer]]> 4076 cynthaea noreply@blogger.com http://www.blogger.com/profile/14736876254061302765 2009-12-21 16:11:27 2009-12-21 16:11:27 1 0 Other than hoping to finish some of the huge number of projects I have on the go (mostly cross stitch) I have some small stump work project I want to try. I also plan to tackle my long standing fear of getting started with surface embroidery and thread painting.]]> 4077 Robert noreply@blogger.com http://www.blogger.com/profile/12914564739101815375 2009-12-21 15:55:32 2009-12-21 15:55:32 1 0 4078 Anonymous noreply@blogger.com 2009-12-21 15:25:46 2009-12-21 15:25:46 1 0 Joan, Richmond B.C.]]> 4079 jacqui.ross noreply@blogger.com http://www.blogger.com/profile/16767168897735643097 2009-12-21 15:16:02 2009-12-21 15:16:02 1 0 4080 Linda Adam noreply@blogger.com 2009-12-21 14:32:44 2009-12-21 14:32:44 1 0
My first beginner smocking class starts January 10 which I am eagerly looking forward to. Also I have a "Picnic" quilt well underway to complete for my daughter and her family. Still embroidery to finish on it before piecing it together.

Have a lovely Christmas, Mary and a very happy New Year.

Cheers,
Linda Adam
Ontario, Canada]]> 4081 Anonymous noreply@blogger.com 2009-12-21 14:20:48 2009-12-21 14:20:48 1 0 Karole King]]> 4082 Justine Henn_Stitching@yahoo.com http://www.blogger.com/profile/04207171509125594882 2009-12-21 14:15:03 2009-12-21 14:15:03 1 0 >>>
Clean-up and organize my hand embroidery "stuff". Hard to get motivated to pull out a rpoject for 15 minutes of stitching with the disaster I have right now. Also: give-away the patterns and stuff I will never get to so they can find a good home with someone who will use them.

Justine]]> 4083 Melissa ArdeasNest@gmail.com http://www.blogger.com/profile/14733647867832856001 2009-12-21 14:11:17 2009-12-21 14:11:17 1 0 4084 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2009-12-21 14:00:43 2009-12-21 14:00:43 1 0 4085 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2009-12-21 13:59:29 2009-12-21 13:59:29 1 0 Annie in Virginia]]> 4086 Christa Evans ce@lilystitch.com http://www.blogger.com/profile/12003666963817648329 2009-12-21 13:39:08 2009-12-21 13:39:08 1 0
Here's to everyone achieving their resolutions!]]> 4087 onafixedincome noreply@blogger.com 2009-12-21 13:13:28 2009-12-21 13:13:28 1 0
Getting a place to sew set up decently would be another great thing to have happen... :)

That looks like dynamite, Mary--thank you!]]> 4088 Anna noreply@blogger.com 2009-12-21 13:07:55 2009-12-21 13:07:55 1 0 4089 Anonymous noreply@blogger.com 2009-12-21 13:07:45 2009-12-21 13:07:45 1 0
dawn c.]]> 4090 Claudia noreply@blogger.com http://www.blogger.com/profile/16231652165903690375 2009-12-21 13:05:21 2009-12-21 13:05:21 1 0
Claudia in Seattle]]> 4091 Susan noreply@blogger.com 2009-12-21 13:00:32 2009-12-21 13:00:32 1 0 4092 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-12-21 12:56:02 2009-12-21 12:56:02 1 0 I hope, that I'll have some time to try needle painting and maybe stumpwork. And I must to stitch your long & short stitch lessons. Big plans... I'll be very happy to make half of them.]]> 4093 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-12-21 12:52:27 2009-12-21 12:52:27 1 0 4094 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2009-12-21 12:51:10 2009-12-21 12:51:10 1 0
No stitching New Year's Resolutions for me...it would turn it into a grim duty instead of free-time fun! I would, however, like to experiment with stumpwork this year.

Thanks for holding this drawing. Hope you get caught up on your holiday to-do list!]]> 4095 oldsewandsew noreply@blogger.com 2009-12-21 12:50:29 2009-12-21 12:50:29 1 0 4096 FredaB fmbutler@hotmail.com http://www.blogger.com/profile/08000510495713705938 2009-12-21 12:40:55 2009-12-21 12:40:55 1 0 I have been in a sewing funk and had already decided that after all the christmas stuff is packed away I am going to sit down every day for at least an hour and do some form of needlework. Hopefully I will get interested again and be back to my daily stuff.

Have a Very Merry Christmas and a Sewing New Year.

Hugs

FredaB]]> 4097 Sharon wildflowerhouse@hotmail.com http://www.blogger.com/profile/15897609431263814815 2009-12-21 12:38:28 2009-12-21 12:38:28 1 0 4098 Marian noreply@blogger.com 2009-12-21 12:25:45 2009-12-21 12:25:45 1 0
My New Year's resolution is to keep my promise to myself that I am going to spend the hot January afternoons stitching.

The cooler mornings will be spent in the garden.]]> 4099 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-12-21 12:21:25 2009-12-21 12:21:25 1 0 On this new year I would like to do something different!
I have two things in my head and my New Year's Resolutions is: that I would like to do these two!! Part from that is return to my first love in the embroidery, I really know.
These are: Blackwork and needlepainting
Thanks so much for this opportunity about the DVD!!!
Hugs
Maria del Valle]]> 4100 Adrianne noreply@blogger.com http://www.blogger.com/profile/09291031054280591051 2009-12-21 12:16:01 2009-12-21 12:16:01 1 0 4101 BJ Pontalion noreply@blogger.com 2009-12-21 11:58:09 2009-12-21 11:58:09 1 0
Thanks for this great offer. Trish is awesome!
BJ]]> 4102 La Bergère Brodeuse noreply@blogger.com http://www.blogger.com/profile/05168940189062032838 2009-12-21 11:52:29 2009-12-21 11:52:29 1 0 1) To work on my UFOs (10 of them)
2) Not to commit on any obligation stitching, exchanges and RRs in particular.]]> 4103 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2009-12-21 11:50:01 2009-12-21 11:50:01 1 0 I guess if I have a resolution this year it is to spend more time on me and things that interest me, such as my stitching. I often use all my time on other people/things and leave nothing for myself. I would like to try and get one stitching project significantly forward in progress each month this year. It's a big goal, but one I think I can accomplish.
If I don't win, I just may purchase the product. It really looks wonderful!
Smiles,
Amy]]> 4104 Marty52 mamatrahan@msn.com http://www.blogger.com/profile/13237461237107850391 2009-12-21 11:41:53 2009-12-21 11:41:53 1 0 4105 Tania Kleckner noreply@blogger.com 2009-12-21 11:41:46 2009-12-21 11:41:46 1 0
This is a very exciting give away and I would love to win it!!

I have two stitching goals for this coming year. One is to finish a cross stitch Christmas stocking that I have been working on since 2005 (!) for my son and I would love to learn how to do stumpwork (I requested Stumpwork Embroidery: A Collection Of Fruits, Flowers & Insects For Contemporary Raised Embroidery by Jane Nicholas for Christmas!)

This fits into my overall philosphosy of my main New Year's Resolution - and that is to make sure I do something that feeds my soul - yoga and needlework do the trick!!

Thanks so much for all you wonderful posts and I hope you have a great Christmas..]]> 4107 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2009-12-21 11:38:10 2009-12-21 11:38:10 1 0
Best wishes to you and yours for Christmas and the New Year!]]> 4108 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2009-12-21 11:36:46 2009-12-21 11:36:46 1 0 I never make any New Year's resolution. I prefer listing personal and professional projects.
Regarding embroidery, I plan to work on a sampler mixing needle painting and stumpwork !]]> 4109 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-12-21 11:35:37 2009-12-21 11:35:37 1 0 4110 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2009-12-21 11:34:41 2009-12-21 11:34:41 1 0 4111 Pat noreply@blogger.com http://www.blogger.com/profile/08583134376248004441 2009-12-21 11:31:19 2009-12-21 11:31:19 1 0
Thanks for your blog and all the other work. I downloaded several of your patterns this other day (having just found you) and man-oh-man, they are gorgeous!

Best to you!

Pat Margulies]]> 4113 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2009-12-21 11:22:31 2009-12-21 11:22:31 1 0
Yes, I would love to have this Trish Burr CD. Maybe it would help me figure out what I did wrong on my second pansy.

My resolutions are to finish my Pansy Quilt Wall Hanging. I always seem to give my creations away, but this one is for over my bed. Also want to keep up with Sharon B's TAST, and work on new kinds of embroidery for me - blackwork, goldwork, whitework, etc.

Thank you for all you do.]]> 4115 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-12-21 11:13:39 2009-12-21 11:13:39 1 0 I hope you and yours have a very happy Christmas!]]> 4116 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2009-12-21 11:11:17 2009-12-21 11:11:17 1 0 4117 Betsy noreply@blogger.com http://www.blogger.com/profile/12560540082272100899 2009-12-21 10:55:32 2009-12-21 10:55:32 1 0 ~ Betsy, Hilton, NY]]> 4118 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-12-21 10:53:00 2009-12-21 10:53:00 1 0
Alas I will be visiting elderly relatives for the week so I wish the winner much enjoyment
Seasons greetings Mary.]]> 4119 Nora noreply@blogger.com 2009-12-21 10:50:40 2009-12-21 10:50:40 1 0 My New Year's resolution is to embroider more instead of quilting. I am burned out and need the sedentary break that embroidery provides. I also think I had stopped embroidery because I was burned out on trying to do both quilting and embroidery. One at a time is much better; I have new threads that I have not tried. Onward I go during next year.
Nora]]> 4120 Juli Juli.Levine@gmail.com http://www.blogger.com/profile/13647008167036203546 2009-12-21 10:48:15 2009-12-21 10:48:15 1 0
For the New Year, my goal is to finish 10 UFOs. This includes both stitching and already made quilt tops. Also, during my holiday vacation, I hope to finish organizing all of my CQ supplies.]]> 4121 Anonymous noreply@blogger.com 2009-12-21 10:41:04 2009-12-21 10:41:04 1 0 Pru from England]]> 4122 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2009-12-21 10:34:38 2009-12-21 10:34:38 1 0 4123 Anonymous noreply@blogger.com 2009-12-21 10:22:17 2009-12-21 10:22:17 1 0 1. Continue to stitch everyday
2. Hone my skills
3. Learn one new technique and understand it well
4. Share the joy of Japanese embroidery with others

And, for once in my life WIN something! The CD would be a great start.
Happy Holidays!
Nupur]]> 4124 Susan Donn noreply@blogger.com 2009-12-21 10:04:25 2009-12-21 10:04:25 1 0 4125 Jeanne noreply@blogger.com http://www.blogger.com/profile/17123395333610844603 2009-12-21 10:01:01 2009-12-21 10:01:01 1 0 merry Christmas from Switzerland .]]> 4126 Anonymous noreply@blogger.com 2009-12-21 10:00:07 2009-12-21 10:00:07 1 0 4127 Anonymous noreply@blogger.com 2009-12-21 09:59:56 2009-12-21 09:59:56 1 0 from, Ruth Ann]]> 4128 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-12-21 09:56:28 2009-12-21 09:56:28 1 0 your giveaways are always tempting me like anything. I am already dreamimg the plans if I won the kit.
When it comes to resolution usually I dont make any. Stiching has become my part of life so something or the other I always stitch. Since there is my daughter's birthday in the first week of february I have to complete one dress for her by the end of January and can I say it as a must resolution!!

'WISH YOU A MERRY CHRISTMAS'

love
lakshmi]]> 4129 Julie noreply@blogger.com http://www.blogger.com/profile/12424803040418244129 2009-12-21 09:55:09 2009-12-21 09:55:09 1 0
Julie
In San Diego, CA]]> 4130 Mary-Frances noreply@blogger.com http://www.blogger.com/profile/05348665962345432914 2009-12-21 09:47:45 2009-12-21 09:47:45 1 0 4131 Waterrose noreply@blogger.com http://www.blogger.com/profile/07422788758188500128 2009-12-21 09:47:07 2009-12-21 09:47:07 1 0 4132 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-12-21 09:39:34 2009-12-21 09:39:34 1 0 I am planning on trying something new, new techniques or stitches, and to get as many of my finished stitching made up into something or framed]]> 4133 Quayceetatter noreply@blogger.com http://www.blogger.com/profile/08287283586890066834 2009-12-21 09:36:24 2009-12-21 09:36:24 1 0 Linda M
http://quayceetatter.blogspot.com]]> 4134 Samanta noreply@blogger.com 2009-12-21 09:33:09 2009-12-21 09:33:09 1 0 Thanks for the give away! :) And happy holidays!]]> 4135 maggieplusplus noreply@blogger.com http://maggieplusplus.myopenid.com/ 2009-12-21 09:23:38 2009-12-21 09:23:38 1 0

I have all of it completed except for the two open work square sections. I have attempted but do not know how to do these stitches. I plan to spend time learning how they are done so I can complete, display and enjoy this sampler.

Working on this sampler brings back wonderful memories of a stitching group I attended where I started it. Those ladies were wonderful to visit with and I would love to share a photo of this finished project with them.

I have been getting your newsletter for quite a while and love the way you share instructions of so many techniques. You are inspiring me to get back to stitching that I love.]]> 4136 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-12-21 09:22:04 2009-12-21 09:22:04 1 0 4137 Anonymous noreply@blogger.com 2009-12-21 09:18:20 2009-12-21 09:18:20 1 0
Mary C.]]> 4138 Allie noreply@blogger.com http://www.blogger.com/profile/14864083839893171130 2009-12-21 09:16:17 2009-12-21 09:16:17 1 0
My New Year's resolution in regards to needleworking, then, is to work on a project that doesn't have a deadline, that I can be creative with, and that is simply just for my own enjoyment! In addition, I've always been interested in design, so I want to design and make some of my own needlework patterns and distribute them as freeware for others to enjoy.

Allie C.]]> 4139 ChristineMH noreply@blogger.com 2009-12-21 09:15:13 2009-12-21 09:15:13 1 0 1. Strive for quality not quantity.
2. If I really don't like the piece, give it away. If I can't give it away, throw it away. UFO's stifle creativity.
3. Don't get too comfortable. Try something new.]]> 4140 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-12-21 09:07:46 2009-12-21 09:07:46 1 0 4141 Anonymous noreply@blogger.com 2009-12-21 09:03:08 2009-12-21 09:03:08 1 0 I wasn't able to do anything at that time, because of an accident that I was involved in, but now that I'm mended I'm ready to learn all the techniques and stitches and everything that involves this art.

Tricia DeHerrera]]> 4142 xena noreply@blogger.com http://www.blogger.com/profile/14673376815335830784 2009-12-21 08:57:38 2009-12-21 08:57:38 1 0 My new year’s resolution is to try new embroidery projects involving new stitches other than cross-stitching,to expand my creativity and this give away would be great.
Merry Christma and Happy New Years]]> 4143 AnnaK noreply@blogger.com http://www.blogger.com/profile/04733272049707899821 2009-12-21 08:41:15 2009-12-21 08:41:15 1 0 Anna]]> 4144 Anonymous noreply@blogger.com 2009-12-21 08:38:42 2009-12-21 08:38:42 1 0 4145 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2009-12-21 08:23:05 2009-12-21 08:23:05 1 0
I will still have time to do other projects, so I hope I win this give away.]]> 4146 Pat noreply@blogger.com http://www.blogger.com/profile/11086618266918856381 2009-12-21 08:20:40 2009-12-21 08:20:40 1 0 4147 Anonymous noreply@blogger.com 2009-12-21 08:20:16 2009-12-21 08:20:16 1 0 4148 piney cq noreply@blogger.com http://www.blogger.com/profile/06318464831940639006 2009-12-21 08:15:24 2009-12-21 08:15:24 1 0 http://www.needlenthread.com/2009/12/left-handed-embroiderers-companion-by.html Tue, 22 Dec 2009 09:18:00 -0600 Mary Corbet 128 2009-12-22 09:18:00 2009-12-22 09:18:00 open open Left-Handed-Embroiderer's-Companion-by-Yvette-Stanton publish 0 0 post

When Yvette Stanton set out to create a left-handed stitch dictionary this past year, I never expected anything less than another excellent book by Yvette. But now that I've seen the book, my opinion has changed a little bit. You see, Yvette has written some exceptional embroidery books, so I figured this stitch dictionary would be in the same category.



But you know what? She's outdone herself on this. I'm not exaggerating! I think this is her best book yet. Yvette's other embroidery books are very topic-specific. Besides this new books, she has written a Mountmellick book, a Ukranian drawn thread book, and a Hardanger embroidery book. All of them are thorough and excellent instructional books in their specific categories.

But the Left-Handed Embroiderer's Companion is in a different category, and this is why I think it catapults to the top of the list. It is a book for everyone!



"For everyone?" you ask. "Isn't it for left-handed stitchers?"

Ok, you're right. She wrote the book for left-handed stitchers.

But, see, there are stitch dictionaries, and then there are Stitch Dictionaries. I have some absolutely favorite stitch dictionaries. And being a right-handed stitcher, I can pretty much use any stitch dictionary I want to use. Some are better than others, so I stick with a few favorites.



But Yvette's stitch dictionary, while written for left-handed stitchers, is so thorough. So totally instructional. So clear. So.... Everything you want a stitch dictionary to be!

She begins with some basics, like the question of starting and ending threads.



She discussed needles and the importance of the right needle, explaining differences in needles and so forth.



And then she launches in to the Dictionary Proper. And this is where it gets amazing. Her diagrams feature step-by-step movements of each stitch she covers. Under each diagram, she meticulously and clearly explains the step of the stitch. On each stitch page, she includes colorful photo examples of the stitch worked on fabric or felt (some gorgeous felt photos in here!) in various threads.



The background of each stitch diagram, as you can see in the photo above, is blue. But what is that pink square? Oh - yes, she includes in the right handed movement for the stitch as well! In one square, she clarifies the difference between the stitch performed by a right-handed stitcher and the stitch performed by a left-handed stitcher.



I'm a huge fan of Country Bumpkin's step-by-step photos of stitches found in their A-Z books, in Inspirations Magazine, and in their various other books (like The Embroiderer's Handbook). Since I've become so attached to the Country Bumpkin way of presenting step-by-step photos in their books, I was pretty certain drawn diagrams would never quite hold the same appeal. Yvette's diagrams are computer graphics that mimic photos - the movement of the needle and thread, the position of the fingers, etc., are all included. So although you might be tempted to think that, since she's using diagrams rather than photos, this dictionary doesn't measure up, don't worry! It does. The diagrams are perfectly clear when it comes to the movements used to create a stitch.



Many embroidery stitches have variations - and many embroidery stitches have many variations. Yvette covers variations on stitches that have them, so that you can experiment all kinds of ways of using the stitch.



And she includes in the dictionary many obscure stitches that you don't always find in stitch dictionaries. She goes beyond the basics with specialty stitches like the Mountmellick Thorn Stitch and the elusive Plaited Braid Stitch (for which she presents thorough instruction, including the questions of spacing and width).

The book features 74 stitches, and that does not include their variations! It is an amazing stitch dictionary that I know left-handers especially will appreciate because they've waited a long time for a book written for them with this kind of quality content.

But it is not limited to left-handed stitchers. As a right-handed stitcher, I am certain this is going to be one of my "go to" reference books for stitches. Furthermore, as a teacher, I know it will be invaluable in the classroom and at workshops for instructing lefties!

You can find the book on Yvette's website, Vetty Creations. I am not sure if it will be distributed in the US as well - I know her other books are available at Nordic Needle, but this one is not listed there yet. I'll try to find out if it will be sold by any distributors in the US. With the present currency exchange rate, the book ends up being about US$52 - $53, if you're ordering from the US. The price includes shipping.

Frankly, it's worth the price!
]]> book review embroidery resources Hand embroidery stitches pictures 4015 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-12-22 15:02:42 2009-12-22 15:02:42 1 0
Yes, the book will be distributed in America (and UK/Europe, and of course Australia!) and should be arriving in shops very soon. If your local shop doesn't have it - ASK FOR IT!

For shops who are interested in stocking the book, the US distributor is Dinky Dyes, the UK/Europe distributor is Search Press, and the Australian distributors are CraftBook Wholesalers and Ristal Threads. If you're a distributor in another part of the world, and you want to stock it, please contact me!

And as Mary says, you can always order directly from my website.

I do hope that all you fellow lefties enjoy it as much as I enjoyed writing it. I had a ball!]]> 4017 Anonymous noreply@blogger.com 2009-12-22 13:45:27 2009-12-22 13:45:27 1 0
I hope that you are doing okay, because I missed your blog a couple of days ago and wondered if you were sick. You have a bunch of friends out here who love you, and who appreciate all that you do. Thanks, and have a wonderful holiday season. Sandi]]> 4020 Nicole Follow the White Bunny nvva123@hotmail.com http://www.blogger.com/profile/11552647840902000310 2009-12-22 11:40:07 2009-12-22 11:40:07 1 0 4021 Elza Bester noreply@blogger.com 2009-12-22 11:27:57 2009-12-22 11:27:57 1 0 Regards Elza Bester, Cape Town.]]> 4027 BJ Pontalion noreply@blogger.com 2009-12-22 10:51:18 2009-12-22 10:51:18 1 0
So glad you reviewed it. I really want to move to Australia, They are so supportive of the craft of embroidery.]]> 4028 Jules noreply@blogger.com http://www.blogger.com/profile/10496039187159668965 2009-12-22 10:43:12 2009-12-22 10:43:12 1 0 4030 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-22 10:32:58 2009-12-22 10:32:58 1 0 http://www.needlenthread.com/2009/12/long-short-stitch-lessons-in-french.html Sat, 19 Dec 2009 05:50:00 -0600 Mary Corbet 129 2009-12-19 05:50:00 2009-12-19 05:50:00 open open Long-&-Short-Stitch-Lessons---in-French! publish 0 0 post

Elena will be posting highlighted lessons in the series on her website, Coeur de Freesia, with my permission. The lessons are available in PDF format for those who wish to have a copy in French. She's got the first long and short stitch lesson up already!



For those of you who speak French would like an accurate translation of the lessons, please do visit Elena at Coeur de Freesia! Thanks, Elena!

Other News & Musings

I would never think to blame you all for a lack of sleep. But last night, I barely slept a wink, thinking of your ideas that you posted in the comments section, in answer to my request for input on contents for 2010 on Needle 'n Thread. I should never let myself think too hard about these things before bedtime! Some readers have suggested some very good ideas, so I've been working out several ways to pursue them.

If you've got ideas of topics you'd like to see on Needle 'n Thread but haven't left a comment or dropped me an e-mail yet, feel free to do either!

Christmas is just around the corner! Aaack! Can someone please tell me how that happened?! I haven't decorated (the tree is not up, nor the nativity scene - no lights on the house - nothing), and today I'm going Christmas shopping for the first time. I haven't baked a thing, I haven't thought ahead to doing anything fun with nieces and nephews.... nothing. I am, in short, behind.

All that being said, this coming week, I'm planning on a great Give-Away, courtesy of Trish Burr. I received in the post yesterday a couple copies of her new CD of Long and Short Stitch Projects! Thank you, Trish! The CDs contain step by step instructions for various projects featured in her books and in kit form on her website, as well as the full-size patterns, materials lists, etc. The only things not included to finish the projects are the materials, which you supply. However, I do have one of Trish's kits that I'll be giving away with a CD, so that's coming up - look for it next week!

In between preparations for Christmas, I also have to finish my needlebook this coming week, so I hope to be able to share the finish with you on that, too.

What else is coming up? I suppose you'll have to wait and see. And so will I, actually!

Enjoy your weekend!
]]> embroidery resources needlework websites miscellaneous embroidery musings long and short stitch 3623 Anonymous noreply@blogger.com 2010-01-15 01:31:08 2010-01-15 01:31:08 1 0 Pat]]> 3992 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2009-12-23 15:12:37 2009-12-23 15:12:37 1 0 Just a quick message to let you know that I have posted the second part of the lesson concerning boxes (the big one).
Have a nice Christmas
Cheers

Elena]]> 4044 Sophie noreply@blogger.com http://sophiedentelles.canalblog.com/ 2009-12-22 02:59:37 2009-12-22 02:59:37 1 0 4153 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-12-20 07:55:56 2009-12-20 07:55:56 1 0 I am sure that a lot of people will enjoy your lessons !!]]> 4156 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-19 20:49:46 2009-12-19 20:49:46 1 0
Thanks for your comments - I'm glad the French speaking stitchers have such a good translation from Elena. I love visiting her blog!

Oh boy, oh boy. Christmas did sneak up. I spent the day shopping, trying to catch up in that regard. I ended buying a lot of tea. I don't know why. I hope my friends and family like tea! Just about every package I sorted upon arriving home, I found myself saying, "Wow. More tea." That's the kind of day it was!

On the exciting side, I found out that Topeka, Kansas, has a mounted police force. On horses. Traffic was horrendous.

May you all find time to rest and relax with your needle and thread, or at least in some creative way!

MC]]> 4159 EmilyHall noreply@blogger.com http://www.blogger.com/profile/14587130417443023845 2009-12-19 15:55:36 2009-12-19 15:55:36 1 0
I hope that you can get yourself sorted so that when Christmas actually comes, that it will be stress free and joyous. :)]]> 4160 Tania Kleckner noreply@blogger.com 2009-12-19 14:12:04 2009-12-19 14:12:04 1 0
I'm in the same boat, just got tree, just started cards and have baking and wrapping left to do! The list goes on. Can't wait to see your finished needlebook. I'm thinking of getting one to do myself. I love your idea of asking for topics to write about in the coming year. So far I have no suggestions other than continue what you are doing. I look forward to your posts everyday and enjoy learning about all things needlework! I am really interested in trying stumpwork this coming year so any beginners tips for that would be most welcome.

Enjoy the season!! And thank you.]]> 4162 Jeanne noreply@blogger.com http://www.blogger.com/profile/17123395333610844603 2009-12-19 09:09:53 2009-12-19 09:09:53 1 0 http://www.needlenthread.com/2009/12/hand-embroidery-lettering-and-text-14.html Fri, 18 Dec 2009 08:06:00 -0600 Mary Corbet 130 2009-12-18 08:06:00 2009-12-18 08:06:00 open open Hand-Embroidery:-Lettering-and-Text-14:-A-Wee-Word publish 0 0 post

If you've not read the tutorial on working with stem stitch on hand embroidered lettering, you might want to check that out. All the principles apply here, even when working the S. The trick is just to turn your hoop as you work, to keep the stitch going in right direction.



This is one of the little "extra" words floating at the top of the sampler. I stitched it in a deep red cotton floche. I really like floche!

Remember, as you work around tight curves, shorten up your stitches so that they take the curve well. Actually, when you're stitching letters this small (about half an inch high), all your stitches will be pretty small!



And here's the sampler so far!

You can catch up on all these tutorials by visiting the complete list of hand embroidered lettering and text tutorials.

If you have any questions, feel free to leave a comment below!

]]> needlework tutorials hand embroidered lettering pictures tips' embroidery lessons needlework pictures 4172 irene noreply@blogger.com 2009-12-18 09:08:54 2009-12-18 09:08:54 1 0 http://www.needlenthread.com/2009/12/needlework-goodies-soap-boxing-and-your.html Thu, 17 Dec 2009 07:50:00 -0600 Mary Corbet 131 2009-12-17 07:50:00 2009-12-17 07:50:00 open open Needlework-Goodies,-Soap-Boxing,-and-Your-Input publish 0 0 post

First up, if you've been a follower of the Plimoth Plantation Jacket project which was unveiled last week, you may be particularly inclined towards this beautiful set of threads now available. It's a Plimoth Plantation Thread Pack, and it includes the various colors of silks used on the jacket, as well as a wee jar of spangles.



You can read all about the Plimoth Plantation thread collection on the Access Commodities Blog, where you'll also find the contact information for ordering these beautiful threads!



The other new item just out is Germaine, the third needlebook in the series of French Maid Needlebooks designed by Roberta Chase and packaged and distributed by Access Commodities. The needlebook I'm currently working on (called "Nichole") is from this same series. These kits have some Major Points that make them desirable, in my mind: 1. The designs are charming; 2. the instructions for creating the needlebooks are wonderfully clear; 3. the supplies are The Best - fabric, threads, ribbons, needles are all top quality - the kit is complete with everything you need to make the needlebook; 4. the reproduction fabrics used as the lining and inside pocket are pretty and unique!

I've never actually been a 'collector' of series items, but I love this series of needlebooks, and I'm pretty... uh... certain at this point that I'm going to be avidly waiting for each kit. I don't know how many are projected, but I do believe there is at least a fourth planned.

You can read about Germaine on the Access Commodities blog. If you want to order the kit, I suggest ordering through The Mad Samplar - they are apparently carrying the kit in stock, and their whole ordering process on their website is very easy. In my experience, they have have excellent customer service, too - and who knows? You might even be able to get it before Christmas, if the shipping gods are on your side!

The more I learn about Access Commodities (which is a company not directly accessible to us retail shoppers, but is a wholesale distributor and manufacturer of fine needlework supplies), the more I'm impressed with what they do. The availability of some very fine needlework supplies here in the US is thanks to Access Commodities. From Au Ver a Soie products, Trebizond, Appleton wool, goldwork threads, Legacy linen, Hardwicke Manor hoops, slate frames, and so forth, we have access to them (no pun intended) because this company has a vision of supplying the best in needlework products. If you shop at your local needlework store and find that they carry Access Commodities products (such as Trebizond or Au Ver a Soie threads), and you are interested in other products (like Hardwicke Manor hoops and so forth), you can probably ask for a special order. I think it would be worth it to ask - it would benefit you, your local needlework shop, and the stitching public in general, because it would demonstrate customer interest in other fine products. I'm all for supporting the industry, especially when it means keeping quality needlework supplies available for all of us!

Ok, I'm off my soap box!

Christmas vacation officially begins for me tomorrow morning! I'm working on two Very Exciting Projects during the break, but I can't share them with you until all the kinks are worked out and I'm positive that they will happen. But once I'm positive they'll happen, I will be jumping up and down and shouting about them from the rooftops. (I'll give you a hint: it's about time - I'm going to produce something!) (I suppose that wasn't much of a hint!) Anyway, you all will be the FIRST to know.

Besides those Big Looming Scary Projects, I've got a bunch of small things I must work on for sanity's sake, plus a few tutorial ideas that I want to develop for you.

Can I have your input? I'm open to ANY ideas of things YOU want to see, that I can feasibly manage to do for you here on Needle 'n Thread. Do you have any ideas? Any topics or techniques you'd like to see discussed? Hearing from you will help me shape content to your interests, so don't be shy! It will also help me set a direction for 2010. I want your input! I need your input! I appreciate your input! So please - input!

Have a terrific day with your needle and thread!
]]> supplies website news Embroidery Projects embroidery resources miscellaneous embroidery musings silk 4002 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2009-12-23 10:21:19 2009-12-23 10:21:19 1 0 great !!! ... and about time ;-D !!!!
Will keep my eyes open !!!

About ideas or input:
I love all the needlework information you post here on the blog specially since you cover a wide variety of subjects and techniques.

Perhaps... Online classes/tutorials on different techniques varying the length and amount of info a for different student levels (and perhaps some short ones for those of us with little time), maybe some SAL's, Show and Tell, etc.]]> 4023 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-12-22 11:15:04 2009-12-22 11:15:04 1 0 4036 idyllicchick idyllicchick@gmail.com http://www.blogger.com/profile/05772680234610824238 2009-12-22 07:26:09 2009-12-22 07:26:09 1 0
Thanks so much for your website! I wouldn't be stitching without it!]]> 4151 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-12-20 14:18:17 2009-12-20 14:18:17 1 0
Happy Christmas Vacation!!!!]]> 4152 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2009-12-20 08:04:07 2009-12-20 08:04:07 1 0 I tried Q-snap frame, but I am not satisfied with it.]]> 4164 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-19 08:01:40 2009-12-19 08:01:40 1 0
Goldwork and stumpwork are favorite techniques, so it would not be difficult to oblige you on that! I'll definitely put them both on my 2010 list!

Nothing to do with CB, really...

Looks like fabrics and threads is a favorite topic. Definitely, I'll have some information on materials coming up - in fact, I've been musing how a few of these topics can be combined logically into a series. It'll be a challenge putting what I have in mind together, but lots of fun at the same time!

Thanks heaps for the input!!

MC]]> 4165 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-19 07:48:51 2009-12-19 07:48:51 1 0
And this production of yours... has it got something to do with the post from Margie of CB?]]> 4169 Linda Adam noreply@blogger.com 2009-12-18 23:52:57 2009-12-18 23:52:57 1 0
I would love to learn more about fabrics and threads. What type of thread would be best used with a particular fabric.

Looking forward to the New Year and your wonderful ideas.

Linda Adam]]> 4170 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-18 12:29:08 2009-12-18 12:29:08 1 0
Paternayan yarn is used mostly for needlepoint, Candyce. Maybe you could find a nice painted canvas that would work with the colors you have? I suppose it could be stranded and used for other techniques - maybe Bayeux stitch or something... but I've mostly seen it used for needlepoint.

The list is growing, and thank you very much for the good ideas! I especially like the 30 day series for beginners. This is something I will definitely pursue. I will keep you posted on that. My plan would probably be to run it simultaneously with other blog content.

A DVD? Funny you should mention that.... :-)

MC]]> 4171 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-12-18 11:27:16 2009-12-18 11:27:16 1 0 4174 Carol noreply@blogger.com http://www.blogger.com/profile/16145339876894805722 2009-12-18 07:56:16 2009-12-18 07:56:16 1 0 4175 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-18 06:41:46 2009-12-18 06:41:46 1 0 I would like to know how to do single tassels - the best threads, how to end them, how to attach them at a corner, how can we decide about the size...
I think you have already written about it but I can't find where...]]> 4176 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-12-18 01:54:03 2009-12-18 01:54:03 1 0 4177 glamourpopcrafts darkalice93@gmail.com http://www.blogger.com/profile/04001478542171350015 2009-12-18 00:22:35 2009-12-18 00:22:35 1 0 4178 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-17 17:33:45 2009-12-17 17:33:45 1 0
Thanks for your input. I really DO want input - it's what directs my plans for the website! Well, that, and my own self-absorbed interests! :-)

Carol!! Thanks for the list of questions - they're all good ones. You know, I always brush my teeth after eating anything like chocolate, too. I don't know why - I have a fear of sneezing or something on my work. I've never done it, but it's always a fear.... and I figure the one time I don't brush my teeth, I'll sneeze! And then I'll be sorry!

Well, there's no need to wash the linen, if you are never going to wash the linen any other time, which I doubt you will, if you're working in silks and golds. That being said, sometimes it's nice to get sizing out, if the linen has sizing in it. If you do wash it, just make sure you iron it well, and cut it on the square, and mount it on the square. You can do this by pulling out threads along the edge, until you've squared the piece up - they mount parallel to the fabric's edge.

You don't have to turn the edges under before mounting on the slate frame. You can, though. It's easy if you have a sewing machine, and it will give you a little more ... stability? I usually like to do a kind of triple turned hem, not just a single fold. For the parts attached to the webbing, if you have a sewing machine and you line everything up right, you can just run those straight through your machine, making sure the tension is correct, of course, and the fabric is square.

For the kit in the hoop. No. mounting won't take care of ring marks, usually. But ironing, with metal threads???? Oh no!!!! I would say try ironing just where the hoop marks are, if you have to iron. Wow. Hoops are no good, for projects that can't be washed!! But since you're already at that point, I'd say try at least to iron where the hoop marks are, if the iron does not come near the metal threads. I'd make sure there are no dust / dirt marks from the hoop, too - ironing might set them..... Good luck with that! I hope it works out!!

MC]]> 4181 Carol noreply@blogger.com http://www.blogger.com/profile/16145339876894805722 2009-12-17 16:15:56 2009-12-17 16:15:56 1 0
I'm almost ready to start that Indian girl project I showed you a while ago, and I have a couple questions--do I wash the linen first? Should I turn the edges under before I mount the linen on the slate frame? Should I start from the "inside" of the piece before I put in the sky? Should I work on it right after eating chocolate?

Well, I know the answer to the last one ("Not unless I've washed my hands!") but could use some guidance on the others.

Oh! One more question! I am doing a kit piece on a hoop. It's got silver purl and silver cord on it. Can I iron this piece (wrong side, of course) when I am done with it to get the wrinkles out, or would mounting it take care of those?

Last but not least--I love reading about big projects you are doing, step by step.]]> 4182 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-12-17 15:01:29 2009-12-17 15:01:29 1 0 4183 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-12-17 15:00:44 2009-12-17 15:00:44 1 0 4184 Anonymous noreply@blogger.com 2009-12-17 12:44:34 2009-12-17 12:44:34 1 0 4185 Laura Bullinger noreply@blogger.com 2009-12-17 11:59:49 2009-12-17 11:59:49 1 0 Any comparisons that you can show along with the why's and wherefore's that go with each project is, to me, just the sort of detail I love. Pointing out what is acceptable, what is okay to substitute, what is unforgivable, is the epitome of fine stitching. In the historical context, it holds most interest to me.]]> 4186 Kim K noreply@blogger.com http://www.blogger.com/profile/09410675833339408404 2009-12-17 10:11:54 2009-12-17 10:11:54 1 0
If I could buy a DVD of your stitch library videos my life would be complete. I'm a beginner and would love to create a stitch notebook that detailed the stitch (sample) and it's use for different effects.]]> http://www.needlenthread.com/2009/12/hand-embroidery-lettering-and-text-13.html Wed, 16 Dec 2009 06:25:00 -0600 Mary Corbet 132 2009-12-16 06:25:00 2009-12-16 06:25:00 open open Hand-Embroidery:-Lettering-and-Text-13:-With-Treenway-Silk publish 0 0 post hand embroidered lettering sampler, I'm using a wonderful silk by Treenway Silk out of Canada, and I'm revisiting the whipped backstitch for the letters, because I like the resulting chunky-twistiness of it when worked with this silk.

In the fifth lesson of this series of tutorials on hand embroidered lettering, I addressed the whipped backstitch for producing a fine, tiny line for little letters. If you change your thread to something a bit heavier, though, you can change the look of the whipped backstitch considerably!



Treenway silk "cord" (I don't know why they call it that) is similar to about a #8 pearl cotton. It reminds me a lot of some silk buttonhole twists, but I think it actually may be slightly heavier, and perhaps slightly softer in its twist.



Anyway, whatever the case, it's a beautiful thread. It's a bit boingy, though, so you might straighten it before stitching. I like to do this over the spout of a whistling tea kettle. Just hold the silk in both hands, pulling slightly, and move it back and forth in the steam. It'll relax the kinks almost immediately. As far as "kinks" go, though, this thread isn't too bad - if you don't do anything to it to help it relax, you can solve any twisting problems as you stitch by letting your needle dangle so the thread can untwist itself. None of this is said to intimidate you from trying this thread, though - like I said, it's a beautiful thread!



I'm working on the large "Quick" on the top right corner of the sampler. I wanted to use a thread that's somewhat dark, since this is the boundary of the piece. Since the letters are large, and since this thread is a somewhat heavier thread, the whipped backstitch makes a nice bold letter here. And I like the way the thread twists and untwists with the stitch. I like the very-slightly-wiggly-look.



To keep your thread twisting in the same direction, you might have to turn your hoop and work upside down now and then. All of this is explained in Lesson 5 of this series of tutorials. You can also read my notes about the importance of stitch direction with whipped stitches, if you are curious about stitch direction.



There's a little nubby thing going on with the U there, and I'll probably have to pick that out. With thicker threads, it's sometimes difficult to join the intersections in the letters smoothly. But I didn't notice that, really, until just now!



And here's the sampler so far!

If you're looking for Treenway Silk, you can find it at Nordic Needle, where you'll find the thread accompanied by gorgeous overdyed silk ribbon that matches the various colors. Well, you already know I'm a sucker for threads - but when I see this beautiful thread paired with its ribbon counterpart, I melt! It is Really Pretty.

If you're looking for more tutorials on hand embroidered lettering and text, you can visit the index for this series of tutorials, where you'll find all 12 previous articles on the topic, full of step-by-step directions on how to write with your needle and thread!

]]> needlework tutorials hand embroidered lettering embroidery resources Hand embroidery stitches pictures silk embroidery lessons needlework pictures beginner embroidery 4187 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-17 06:12:32 2009-12-17 06:12:32 1 0
Hi, Laura! Actually, I've shown the thread before, but I don't think I've done any "real" stitching with it (that is, any stitching that has some sort of purpose attached). I might have taken a few stitches with it by way of demonstration, but this is actually the first time I've embroidered anything with it. Not that the letters are much.....! I think it would make a BEAUTIFUL satin stitch, or any closed stitch, like fishbone, etc.

Glad to hear you took the plunge - I'll be eager to hear what you think of the thread. I love their coral and yellow dye combos, by the way!

MC]]> 4188 Laura Bullinger noreply@blogger.com 2009-12-17 04:09:09 2009-12-17 04:09:09 1 0 4189 Laura Bullinger noreply@blogger.com 2009-12-17 03:55:15 2009-12-17 03:55:15 1 0 4192 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-16 11:15:30 2009-12-16 11:15:30 1 0 I've already used the thread and it's lovely embroidering with it. The ribbon I didn't try yet.

This sampler is beautiful! I'm colecting...]]> http://www.needlenthread.com/2009/12/needlework-browsing-or-avoiding-what-i.html Tue, 15 Dec 2009 05:51:00 -0600 Mary Corbet 133 2009-12-15 05:51:00 2009-12-15 05:51:00 open open Needlework-Browsing,-or-Avoiding-What-I-Should-Be-Doing! publish 0 0 post

I categorize my online browsing in my head this way: Needlework Inspiration, Needlework Supplies, and Needlework Desires and Longings (or what should more accurately be called, "The Danger Zone").

Needlework Inspiration

There's been a heap of inspirational stuff online lately. Lots of it is holiday-related, and I admit I've shied away from glutting on Christmas embroidery ideas this year. No, I'm not a Scrooge. I just haven't had time to stitch on this particular theme, so the things that have really caught my eye have been entirely non-holiday-related embroidery items.



First, there's the big unveiling of "Faith" - the 17th century embroidered jacket - over at Thistle Threads for Plimoth Plantation. If you haven't seen the pictures yet or read up on the last days and weeks before the project was presented to the public, do jump over to The Embroiderers' Story and rest your eyes on an amazing and laudable achievement! Beautiful does not say enough about it! I remember first blogging about the whole project two years ago, after it had been underway for a good year - I was so excited about it and loved following along with the whole project! Now that it's over, it seems to me that we have all benefited from the jacket project in a lot of ways - one tangible way is the fact that we have Gilt Sylke Twist available on the market. Lucky us!



Now how about something springy? Allison Aller's been doing punchneedle ribbon embroidery on some CQ squares. Have you seen her results? Well, you should! It's a great take on ribbon embroidery - and there's nothing like looking at beautiful flowers when your feet and nose are frozen.



Speaking of flowers, colors, and so forth, I introduced you last week to Sandy Vass's new blog, Gold n' Stitches. Uh. WOW. She didn't crawl into blogging, here - she leapt in, and has put up some absolutely wonderful projects that she's working on. I'm totally hooked, and I'm afraid I'm going to be drooling over her blog daily. Take a look at her latest Jane Nicholas project, and her circular Or Nue design! What think you of this? Doesn't it just make you melt into a sea of gold and silk contentedness? I want to do what she is doing! And I want to do it Now! My green eyes are getting the better of me, as Shakespeare would say (or something along those lines.)



I keep up with what's going on over at Needleprint, because, though I don't do a lot of counted work, the kind of counted work I do like is this stuff with the historical twist to it. I really like the Quaker motifs, and I'm still fiddling with turning some more of them into Quaker Surface Motifs. In the meantime, though, Needleprint isn't devoted just to counted work - oh my, no! There's this gorgeous piece of needle painted art posted last week that completely bowled me over. The pomegranate in this piece is downright scrumptious looking. If I were Persephone, I'd not stop at six seeds...

Speaking of doing the things I want to do, Meri's been plugging away at Schwalm work, and although it's been a while since she posted this one, you should go see her project! We're both working on the same project - and she's leaps and bounds ahead of me.

I'm hoping to catch up this vacation. Look out, Meri! But - better than the Schwalm whitework as far as resources go, do check out Meri's Multi-Lingual Picture Stitch Glossary that she put together. You'll find pictures of embroidery stitches accompanied by the name of the stitch in many languages. You can download it and save it to your computer as an excellent reference work.

Over on Coeur de Freesia, you must see this beautiful blue embroidery project that Elena has been working on. Scroll through all the posts, so that you can see this piece as it is developing. I love it! I want it! I want to make that. I don't. I don't have time. Stop.

Over on Maureen Greeson's blog, Vintage Acquisitions, she's been working up some ribbon embroidery flowers as well, like the ones in this vintage basket design (she's got the pattern there, too, if you want it!). I love the flowers. They look like mums. While you're there, she's also got an informative post on using silk chenille for hand embroidery.



Have you seen what Carol-Anne is doing over at Threads Across the Web? I love watching her Japanese embroidery projects unfold. They always looks so sharp, crisp, and beautiful. Her current project is particularly enchanting - I love the different patterns and colors of the cords!

Needlework Supplies



Every needleworker needs needles. Needleworkers need needles. Say that ten times fast! There are needles, and then there are needles. Bohin needles are fast becoming my faves. I'd LIKE to find them in size 10, 11, and 12 crewel. But in the meantime, Sharon over at Threads in Bloom has a small shipment of Bohin Needles - Milliners, Chenille, and Tapestry - available in assorted sizes. Get them now, before they're gone. And hope she gets more soon!

Are you looking for coton a broder in colors? You can find a set of #25 coton a broder (in 18 colors) from Vaune French Heirloom Sewing and Smocking supplies. I haven't ever ordered from them, but this is rather enticing... I just wish they had a picture of it on their website.

The Danger Zone

The Danger Zone is comprised of things I've come across that I have added to a wish list. Some of them, I will probably never purchase. But some are definites for the upcoming year. Now, if you think you might succumb, and you don't want to succumb, just stop reading now.... just move on. Click the X. Close your browser. Don't let me lead you astray!

There are some books coming out in 2010 that look intriguing - Country Bumpkin's Flowers for Elizabeth is on my list. I always get in trouble when I start wandering around the Country Bumpkin website!

Going back to the subject of colors, Hedgehog Handworks has added "Silk Collections" to their website. These are packs of different types of threads, grouped by color. They include silks and metallics, and they all look pretty sumptuous. The prices are reasonable, too. They range from $18.50 - $25-ish, depending on the number of thread types in the pack (some have as many as 10 different types of threads grouped together). You can also find that Thread of Threads Beyond Compare at Hedgehog - Gilt Sylke Twist - in all the colors that are currently available, at the most reasonable online price you'll find. I've got to get some of that Gawdie Grene. I don't have that color yet, and the name intrigues me. I think I should put it in my Christmas stocking. As a stuffer. From me. (Pathetic, isn't it?)

Ok, enough?! For now, yes! I have over-procrastinated! I hope I didn't distract you too much from what you should be doing, too...!!

Have a great day with your needle and thread!
]]> embroidery resources pictures needlework websites needlework news miscellaneous embroidery musings 4114 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-12-21 11:18:19 2009-12-21 11:18:19 1 0 4163 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-12-19 09:01:00 2009-12-19 09:01:00 1 0 Thank you so much...and for the hour's worth of delightful net cruising too (love the Danger Zone) with my morning coffee.]]> 4193 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-12-16 09:49:25 2009-12-16 09:49:25 1 0
I especially appreciate seeing the websites of stitchers from non-English-speaking countries since I don't usually stumble across those on my own.]]> 4196 Flowers noreply@blogger.com http://ww.iflorist.co.uk/c-95-christmas-food-hampers.aspx 2009-12-16 01:59:15 2009-12-16 01:59:15 1 0 4197 BonnieC noreply@blogger.com 2009-12-15 23:13:28 2009-12-15 23:13:28 1 0 4198 margaret c. noreply@blogger.com 2009-12-15 20:16:35 2009-12-15 20:16:35 1 0
I've eagerly watched the Plimoth jacket take shape (no pun intended), but it really came to life for me when I saw it on the model. It's so beautiful. I hope I can see it in person someday.

Bohin needles: yes! I'm a fan, too. They're so smooth.

I'm also waiting for 'Flowers for Elizabeth'.

I love all the links to everyone's wonderful projects. Well done to all of you!]]> 4199 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-12-15 17:57:41 2009-12-15 17:57:41 1 0 4200 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-12-15 17:18:58 2009-12-15 17:18:58 1 0 4201 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-12-15 16:56:28 2009-12-15 16:56:28 1 0 4202 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-15 12:51:15 2009-12-15 12:51:15 1 0
(and two blogs to join the list - the others you've already introduced to me...)
Carol-Anne cords are a BEAUTY, aren't they?

And listen! that so well called Multi-Lingual Picture Stitch Glossary (hard to translate...)IS YOURS too as well Elena's, Luzine's and Giana's!
We all work on it! Again Thank you!]]> 4203 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-12-15 12:32:59 2009-12-15 12:32:59 1 0 I am flattered by your interest for my blue embroidery. This will certainly motivate me to finish it !!! Thanks for the quote.
For Bohin embroidery needles in size 10-12, I am not sure it exists. But if I find them, be sure it is for you ! Have a nice evening,
Elena]]> 4204 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-12-15 12:05:10 2009-12-15 12:05:10 1 0 4205 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2009-12-15 12:00:36 2009-12-15 12:00:36 1 0 Kathy]]> 4206 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2009-12-15 11:59:58 2009-12-15 11:59:58 1 0 4207 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-15 10:21:49 2009-12-15 10:21:49 1 0 4208 Ricky in Winnipeg noreply@blogger.com http://www.blogger.com/profile/08568211506416080390 2009-12-15 09:33:12 2009-12-15 09:33:12 1 0 Ricky in Winnipeg]]> 4209 Laura Bullinger noreply@blogger.com 2009-12-15 07:54:28 2009-12-15 07:54:28 1 0 The Plimoth Plantation jacket is beyond gorgeous. It is breathtaking. And of course, proves to us that we cannot wear that kind of clothing anymore! Or can we?]]> http://www.needlenthread.com/2009/12/are-you-sloppy-stitcher.html Mon, 14 Dec 2009 06:04:00 -0600 Mary Corbet 134 2009-12-14 06:04:00 2009-12-14 06:04:00 open open Are-you-a-Sloppy-Stitcher? publish 0 0 post

I embroider in one of three places: the living room, where things are pretty casual and where I'm probably most comfortable but I don't always get the most done; my bedroom at my desk, right in front of my computer, where I get more done than I do in the living room; or out in the studio, where I work on larger projects that need dedicated space.

No matter where I am, though, I have a tendency to get engrossed in my stitching, and I generally always feel pressured when I stitch. This isn't necessarily a good thing - I don't advise you to feel pressured when you stitch - but for me, lately, it is the case, and this comes from balancing a full-time job with upkeep on the website here, while perpetually trying to make headway on stitching projects. So, when I sit down to stitch, I Just Want to Stitch and get something accomplished! And I don't want anything delaying me from stitching.

And this brings me to the topic of organization. If I maintained perfect organization in my stitching supplies, I know I would get more accomplished! It's true! I know it! And this is why I take oaths, make promises, and vow that I will be more organized.

But, oh. I get engrossed. And I pull what I need, and I leave the rest, and I burrow through, looking for this thing or that thing, and I forage about for this other thing..... until.... until.....



Yeeeesh. The insides of my pretty little needlebook kit box.....

Then, there comes a point where I can't stand it. The mess drives me nuts! I can't easily find what I'm looking for (yes, even in a 12" square box!), my threads are on the road to complete knottiness, and my needles - forget it.

So I stop stitching and I clean up.



And once I clean up, I start making those vows and promises, while I delve back into my (organized) stitching.

Sometimes, we pay a price for being sloppy when stitching. Lost needles, thread ruined by knots.... these little items add up and detract from our hobby budgets! So that's one reason I vow to be more careful about my organizational habits when I stitch, and to overthrow this tendency to get sloppy during my already-too-short stitching sessions. We not only save supplies (and therefore money) when we keep ourselves organized, but we save time as well - and really, this is more valuable!

For this particular case that prompted today's post, there was a casualty:



There are supposed to be TWO of those buttons!

Are you a sloppy stitcher? What do you do to keep yourself organized while stitching a project? Have you had any breakthroughs in your vows to keep organized? Learned any good lessons? Are you habitually a neat-nick with enviable good habits? If so, how do you organize yourself?

Go ahead... confess.
]]> 4066 Underground Panther noreply@blogger.com 2009-12-21 18:44:27 2009-12-21 18:44:27 1 0
To carry my supplies I use a tri folding makeup box.Cool thing about a makeup box is it has sections,shelves and dividers you can move around to suit your needs
The upper part of the box holds needles,which are in a narrow box ,hoops and other tools. Buttons and the like,go in a bead cylinder box that is clear and screws together.
The threads don't get messed up that way they aren't even around the tools.It all fits. Makeup boxes also have handles.If you got a bigger hoop than the box,I just get a ziplock that fits the project,punch a hole below the zipper with a paper punch,get a strip of velcro and velcro my project to the handle or use a carabeaner I have put on the handle that rests at the base.
Than I can carry the whole thing.

I have 3 make up boxes,to carry the stuff I need to do my projects, I can use them for beads,forleatherwork,
sculpture, watercolors and drawing supplies,whatever I want.

If I don't want to carry the box,
The makeup boxes fit into a thing I rigged up to attach the box to my backpack .The basket like holder is made of webbing straps, it hooks in place with D rings on my backpack, and dog leash clips on the straps.That way I can take my projects wherever I go and not have to carry the box in my hands all the time. Hope this was useful.]]> 4072 Melissa ArdeasNest@gmail.com http://www.blogger.com/profile/14733647867832856001 2009-12-21 17:21:13 2009-12-21 17:21:13 1 0 4106 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-12-21 11:40:44 2009-12-21 11:40:44 1 0
What helps me keep them this way is:
1) Just love to see them organized, it just makes me happy ... lol.

2)They are ready to go when I need to start or continue with a project. So no wasting time.

3) Having a little one around all the time... don't want her to get pricked by a needle or scissors or playing with my supplies. And when she wants to do some embroidery I got her a small box with some child friendly supplies !]]> 4190 Anonymous noreply@blogger.com 2009-12-16 14:50:37 2009-12-16 14:50:37 1 0 4191 Anonymous noreply@blogger.com 2009-12-16 13:05:13 2009-12-16 13:05:13 1 0 4210 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-15 06:42:56 2009-12-15 06:42:56 1 0 I subscribe Laura Bullinger!

But let me say I doubt you are a sloppy stitcher! I believe that a bag or box you are using for a project looks like your picture but everything around is clean and organized, I believe!

You have a full-time work and do so many things about embroidery (writing, searching, stitching... and so on)at the same time - you HAVE to be the Queen of organization.
But thank you for pacifying our minds :)]]> 4212 Sandy Vass noreply@blogger.com 2009-12-14 23:59:27 2009-12-14 23:59:27 1 0 4213 dixiea noreply@blogger.com http://www.blogger.com/profile/08769740358825551307 2009-12-14 20:38:07 2009-12-14 20:38:07 1 0 I sew in the living room in my little corner of the sofa. Next to it I have my end table covered with all I need for whatever project I am stitching. Believe me, it can get really ugly too. I have needles everywhere but can never seem to find one. What can I say? It takes me more time to organize than it does to get my projects done.]]> 4214 irene noreply@blogger.com 2009-12-14 18:14:36 2009-12-14 18:14:36 1 0
And it's near Christmas. Want to make some ornaments so out comes more floss and cross flossing from projects 1 and 2. And don't forget that adorable little kit I bought with floss and beads. My little side table is a jumble of little boxes, bags and tupperware containers. But it's all organized, kind of. LOL]]> 4215 Anonymous noreply@blogger.com 2009-12-14 17:32:52 2009-12-14 17:32:52 1 0 4216 Han-chan noreply@blogger.com 2009-12-14 15:24:08 2009-12-14 15:24:08 1 0
I have a small clear box that contains most of my stuff that is both sewing and embroidery. Things like stitch witchery, machine needles, etc are kept in a separate box that is not very travel-nice (since when am I going to travel and need a machine?). The clear box has in it another smaller box, and I keep my thimbles, some needles, buttons etc in this box. Larger stuff (scissors etc) is kept in the larger box.

Since I'm still pretty cheap at the moment...I only use one brand/type of embroidery floss cuz it's easy to find and pretty cheap. I keep it in the original loops until I'm ready to use it, and then I only unwrap one loop at a time, work everything I need to with that color. After that, I'll re-loop it and use the same little paper bits to keep it all together. All my floss goes into a little baggie when it's looped. When it's unlooped because I'm working with it, it gets wrapped and tucked into my travelling sewing bag =)]]> 4217 Bobbi Chase noreply@blogger.com 2009-12-14 14:05:01 2009-12-14 14:05:01 1 0 4218 Lisa Tressler noreply@blogger.com 2009-12-14 13:10:39 2009-12-14 13:10:39 1 0 4219 marian noreply@blogger.com 2009-12-14 13:07:52 2009-12-14 13:07:52 1 0
Of course, having 2 spare beds in your proposed peaceful stitching place isn't an ideal situation either. :{]]> 4220 Anonymous noreply@blogger.com 2009-12-14 12:43:59 2009-12-14 12:43:59 1 0 4221 Laura Bullinger noreply@blogger.com 2009-12-14 11:49:24 2009-12-14 11:49:24 1 0 4222 Virginia noreply@blogger.com 2009-12-14 11:41:53 2009-12-14 11:41:53 1 0 When I was little my father always kept his work shop in the garage impeccably organized which helped me to come up with a great idea to keep my thread organized.

When my thread supply increased I went to the hardware store and purchased a small utility cabinet with draws usually used to keep nuts and bolts in.

Then printed out color coded labels with their numbers.

For the threads I'm using for the current project I keep them in a strong plastic bag that zips the pillow cases I bought came in.

That way if I am out an about and having to wait for what ever reason my project can neatly go with me.

I now have to get another utility cabinet hopefully I can find a larger one. For now to store my new quantity of thread I'm using the same style bag but bigger that came with the sheets I bought.

Years ago I would purchase small zip lock bags and use a hole puncher to make one hole. Then I put all the bags on key rings then labeled each bag with the color numbers. That way I could go right to the color and check the number. Just another idea.

Virginia
San Diego]]> 4223 A noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-12-14 09:30:25 2009-12-14 09:30:25 1 0 I do not think there are any real answers to being the neatest stitcher on the block. As long as the items I need are together in the box I am in good shape. That said,"I had to go look for some overdyed Threadworx varigated floss this morning that somehow or other decided to move outside my box!"]]> 4224 sewinggranny kcdelight419@gmail.com http://www.blogger.com/profile/10243223999814564203 2009-12-14 09:24:16 2009-12-14 09:24:16 1 0 I think we are all guilty of this in one way or another . I know when I am doing my Christmas sewing ,my sewing room looks worse than your little box does. I end up with fabric and thread and once in a while I have to stop and put things away to have a place to cut again and to sew more of what ever I am sewing. Like you I hand sew in front of my computer boy does the computer desk get full have to stop and clean it up also.
Beckie]]> 4225 BJ Pontalion noreply@blogger.com 2009-12-14 09:12:22 2009-12-14 09:12:22 1 0 I totally understand I spent 2 months last year getting totally organized. That was the time I sent you the package of stuff that I had double. I put all my threads on cards and numbered and put in plastic black boxes so no light could get through. I bought a huge craft armoire that holds all my supplies and plastic boxes for my fabric that sits on top. I even got a mini fridge for my linens.

I bought the zippered bags and I pull only what I need and put back what I am finished with. So when I am done most of my items are already put away. For a kit like this I will go ahead and put all the threads on spools or loosely on cards. I usually have a plastic box that can hold all my items that has a lid. I try to clean up as I go but sometimes I cannot get it done. I will usually try to clean before I start again.

With all this commitment to organization you would think I would have organization down. Nope I have to organize my armoire as it is now overflowing, hmmm maybe another package to you Mary.

It is such a challenge to maintain a clean space.

Thanks Mary for the post, your human, and nice to hear since your work is so amazing!
BJ]]> 4226 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-12-14 09:05:04 2009-12-14 09:05:04 1 0
I don't mean to be, but I get too busy.

Any ideas, tips ... ANYTHING would be welcome in my room!]]> 4227 Anonymous noreply@blogger.com 2009-12-14 08:41:07 2009-12-14 08:41:07 1 0
My pet peeve used to be the long strands of floss that, once separated, seemed to stick to everything, getting tangled, and ultimately getting lost or thrown away, either costing me precious thread or the time it took to untangle a big mess.

Fortunately, I also do quite a bit of plain sewing (on the sewing machine), and I realized recently that all those empty thread spools could hold the bits and pieces of floss that would otherwise float around, making the worst of the mess.

Now, when I start a project knowing I will use a good bit of a given color, I'll often pre-divide the strands, twining them around my spools so that I can snip just the desired amount, leaving the rest on the spool (which I have carefully marked with the brand, type and color number so any leftovers will be easily identified).

Notions like buttons or other trims go into little baggies. The spools of thread may even go into baggies according to color or the order in which they are to be used.

Now I feel quite smug about my tidiness, since it allows me to grab a project and go (for instance, to doctors appointments and other occasions when waiting will be inevitable).

The only downfall to this system seems to be that, once a project is finished, I now often have substantial, well organized bits left over -- enough at least to use on another project, if only I can manage to unpack my little kit and send the leftovers back to the stash!

Karen from Arcadia]]> 4228 Tania Kleckner noreply@blogger.com 2009-12-14 08:13:37 2009-12-14 08:13:37 1 0
I so enjoy your blog and website. Your thoughts about needlework are so interesting to read and most of the time, I am nodding in agreement. I can't believe you are every sloppy. Everything I have seen so far suggests otherwise.

My fantasy is to have a room dedicated to my supplies with a cozy chair for working on my stitching. Right now, supplies are scattered and I stitch in various places around the house which means I can't really leave things 'as is' to 'pick up' at a later point. I feel this hinders my work and the time I have to work on things. Oh well. Something to dream about.

Any further tips and suggestions for keeping organized would be greatly appreciated.]]> 4229 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-12-14 08:13:13 2009-12-14 08:13:13 1 0 4230 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-14 07:52:12 2009-12-14 07:52:12 1 0 4231 Brenda D noreply@blogger.com 2009-12-14 07:29:13 2009-12-14 07:29:13 1 0
I was at my mom's house this weekend. She has all of her embroidery work right at her fingertips. She keeps everything out that she needs for each block she's working on (she's making an embroidered quilt top) and nothing else.

I'm learning to listen to her advice. If you don't need it right then, keep it put away until
you do. She uses the DMC Stitch Bow system. Works for her anyway!]]> http://www.needlenthread.com/2009/12/monogram-for-hand-embroidery-fan-flower_13.html Sun, 13 Dec 2009 08:31:00 -0600 Mary Corbet 135 2009-12-13 08:31:00 2009-12-13 08:31:00 open open Monogram-for-Hand-Embroidery:-Fan-Flower-H publish 0 0 post embroidery monogram patterns called "fan flowers."

If you're looking for stitching suggestions for this series of monograms, please check out the Letter A, where I've mentioned a few ideas for stitches. Also, if you have any ideas or input for stitching these letters, feel free to leave a comment!

Here's the small H:



And here's the large H:



And, if you'd like to save a PDF version of the small and large H, here it is:

Monogram for Hand Embroidery: Fan Flowers H (PDF)

Feel free to visit the Index of Monogram Designs here on Needle 'n Thread, if you're looking for more monograms, including the rest of this alphabet.

Enjoy!
]]> free embroidery patterns monograms 4235 Laura Bullinger noreply@blogger.com 2009-12-13 12:29:47 2009-12-13 12:29:47 1 0 http://www.needlenthread.com/2009/12/hand-embroidery-lettering-and-text-12.html Sat, 12 Dec 2009 08:59:00 -0600 Mary Corbet 136 2009-12-12 08:59:00 2009-12-12 08:59:00 open open Hand-Embroidery:-Lettering-and-Text-12:-Coral-Stitch-and-Adding-an-S publish 0 0 post Coral stitch is one of my favorite embroidery stitches, when I'm in the mood for it. When I'm not in the mood for it, it quickly slides to the bottom of the list! You can do a lot with the coral stitch - you can create nubby lines and curves, or you can even fill spaces by working lines and alternating the placement of the knots that the stitch produces. In this little example on my lettering sampler, I'm stitching some small letters - the word "dogs" - with coral stitch to create nubby letters.

If you're just joining in here, you may wish to go through the other tutorials in this series on hand embroidered lettering. At this point in the series, the basics of stitching letters have already been covered, and you can find them in the earlier tutorials.

If you want to know how to work the coral stitch - or any other stitch used in this series, as a matter of fact - you can visit my video library of hand embroidery stitches. That's where you'll find instructions on individual stitches.



On this lettering sampler, I'm stitching the word "dogs" in the lower left corner of the sampler. The red circle in the photo above indicates where this word is on the sampler, though you'll probably notice that there's no S on the end of the word! When I originally wrote out the text for this series, I wrote it incorrectly - it should read "The quick brown fox jumps over the lazy dog." Since I left the S out, I'm trying to work in a few of them after "dog" here and there.



I'm going to use a reddish-orange cotton floche for this word, and you can see in the photo above (circled in black) that I've penciled in an S.



I ran into two difficulties with coral stitch on this word:

1. I've got my project set up in a bound hoop, with the fabric stretched taut in the hoop. This is not the easiest way to stitch coral stitches - it's much easier to work coral stitch in hand, without a hoop, because you can manipulate the fabric. Since I'm working in a hoop, I resorted to the "stab" method of stitching. That is, I'm stabbing into the fabric and taking my needle and working thread all the way to the back of the fabric and then again to the front of the fabric, with every step of the stitch. Normally, with coral stitch, it's easier to "scoop" your needle back and front again (the "sewing method" of hand embroidery), without actually taking your hand to the back of your fabric to pull the needle through. Still, stabbing works, and that's how I worked the stitch on these letters.

2. The letters are small and relatively curvy. They are no more than half an inch high, which makes the curves in them just a bit tight. And this goes back to point #1 - if I were working in hand rather than in a hoop, it would be easier to maneuver around these curves. The stab method of stitching made it possible to get around the curves.



When "stabbing" instead of "sewing," you have to make sure you're bringing your needle up into the loop of thread, in order to make the knot. Sometimes, I end up with very exaggerated loops!



At the beginning of the top of the D, my stitches are a bit too crowded, so I started spacing them out a bit as I worked down the D.



Coral stitch looks better when the knots are evenly spaced. Still, on such little letters, the overall outcome of the uneven stitches wasn't that disturbing. They ended up looking ok overall.



When you work around the O in the coral stitch, try to space your knots so that your last knot lands in the right spot, so that the beginning and ending point are not noticeable.



The D and the O. DO.



And then the G. DOG.



And finally, the straggling S, which was the most difficult letter to stitch because of the tight curves on an S only half an inch high. I admit it got a little sloppy there!



But, overall, it worked out ok. Here's the sampler so far.

As you can see, I'm starting to stitch the extra words now. Most of the extras will be stitched in many of the same stitches we've already covered in this series of tutorials, but now we can have some fun testing new threads and seeing how the stitches and letters work out, depending on the threads we use. The sampler's turning out to be fairly colorful, and at this point, I've really enjoyed the stitching.

But there's a word coming up, stitched in a thread that was new to me, that I really (REALLY) didn't like, so it'll be fun showing you that word. Wow. It was about the most unpleasant stitching experience I've had, and the reason, I have no doubt, goes back to the materials used.

And that brings me around to a subject I want to write about in some upcoming posts: the whole question of the materials we choose to embroider with. Is this a subject you would be interested in hearing my take on? Or do you get quite enough of that from me already? What think you?

Despite the busy time of year, don't forget to relax a bit this weekend and get some stitching in! It'll keep you sane!

Enjoy the weekend!

]]> needlework tutorials hand embroidered lettering threads embroidery tips and tricks embroidery lessons beginner embroidery 4232 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-14 05:23:16 2009-12-14 05:23:16 1 0
Thanks for your kind comment! I'm putting together some ideas for some "serious" materials posts - we'll see what materializes. Oh, dear. Was that a pun?

Thanks again!

MC]]> 4234 Maryvonne noreply@blogger.com 2009-12-13 23:09:02 2009-12-13 23:09:02 1 0
Tell us all about what works well with what - you've become my guru. Never have enough of all your precious advice. I love your blog and look forward to reading it every morning.

Thanks for your generous sharing of your extensive experience.

Have a lovely Xmas.]]> 4237 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-13 10:43:58 2009-12-13 10:43:58 1 0
Glad you like the nubby coral stitches, Judy! And THANK YOU for the Christmas card! I got it yesterday - it made my day!

Hi, Laura! (I think you got truncated?)

MC]]> 4239 Laura Bullinger noreply@blogger.com 2009-12-13 08:38:48 2009-12-13 08:38:48 1 0 4240 JudyinPittsburgh noreply@blogger.com 2009-12-12 17:04:32 2009-12-12 17:04:32 1 0 4241 Anonymous noreply@blogger.com 2009-12-12 15:17:23 2009-12-12 15:17:23 1 0
Just checked Meri's glossary of stitches you mentioned. This is impressive - so much work. Particularly like the fact that there are illustrations of each stitch, and have already placed a link to the glossary on my computer.

Ditto Denise's comments. I was so delighted to find your blog as a resource, and I read it daily. Found Yvette's Stanton's "Left-handed Stitch Dictionary" through you, too - a godsend.
-Sharon]]> 4243 Anonymous noreply@blogger.com 2009-12-12 14:36:52 2009-12-12 14:36:52 1 0 4246 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2009-12-12 13:23:52 2009-12-12 13:23:52 1 0 4247 Laura Bullinger noreply@blogger.com 2009-12-12 12:36:05 2009-12-12 12:36:05 1 0 If you're going to give info on compatible materials, I speak for all when I say that it is a very helpful undertaking. Needle artists could be helped with that info. Suggestion, Mary: Write it in book form when you are all done; maybe a downloadable ebook so we could buy copies to keep on hand. I'm sure needle shops would stock it, so it would be beneficial to us as a group.]]> 4248 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-12 12:31:05 2009-12-12 12:31:05 1 0
I'm smiling and you know why!
Sharon comment here telling about Elena and you refer to OUR Multi-Language Stitch Glossary. Actually this is a nice name!:)

Answering your question of course I, me, myself am very interested in hearing your take on(!?) (opinion, decision, choice?!)

The coral knots are perfect - as you know I can't do coral knots very well with hoop...]]> 4249 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-12 11:16:33 2009-12-12 11:16:33 1 0
Thanks for your comment! I've got your e-mail regarding sources in France in the queue, awaiting for some response from some friends overseas who might be able to track down suitable (more local) online resources for you. We'll see if anything materializes! I will certainly send you any information I receive.

Thanks as well for the translation dictionary of stitches - a wonderful resource!

Along the same lines, Meri in Portugal has recent posted a Picture Dictionary of stitches in translation on her website here:
Multi-Language Stitch Glossary
Meri's glossary includes pictures of common embroidery stitches, with the names in five different languages - a very helpful resource, especially for those of us who like needlework books in other languages!

I'll be in touch!

MC]]> 4250 Anonymous noreply@blogger.com 2009-12-12 11:08:51 2009-12-12 11:08:51 1 0
My challenge as an American living in France has been to find good online sources for Appleton wool, crewel needles, linen and other materials, + accessories.

I have found a very useful resource with a French to English translation of embroidery stitches at: http://annuairebroderie.canalblog.com/tag/dictionnaire
(Coeur de Freesia's blog) - very helpful.
Sharon]]> http://www.needlenthread.com/2009/12/slub-dub-dub-my-threads-got-slub.html Fri, 11 Dec 2009 05:00:00 -0600 Mary Corbet 137 2009-12-11 05:00:00 2009-12-11 05:00:00 open open Slub-a-Dub-Dub,-My-Thread's-Got-a-Slub publish 0 0 post

A slub is a little lump in thread (or yarn or fabric) that develops during the spinning process, when loose fibers get caught up in the thread being spun. "Slub" is a magnificent word. When I hear it, the word "slug" automatically comes to mind. There are two reasons for the connection: 1. slubs look like slugs, in a fibery sort of way; and 2. slubs in thread try my patience and make me want to slug... something, someone, anyone!

But then I remember... slubs and linen just go together.

On my needlebook project, Londonderry Linen thread is used for the edging around the needlebook. Before assembling the book, the instructions require backstitching all around the edge of the needlebook, using black Londonderry Linen thread. Once the mitering is done on the cover of the book, I think I am supposed to go back to those backstitches and work a scalloped buttonhole needlelace in them, using the same thread.

And I don't mind using Londonderry Linen thread! As linen thread goes, I like it a lot.

But if you've never used linen thread, you should prepare yourself for the experience. You should know that slubs and linen just go together.



I backstitched all around the outside edge of the needlebook.

It was a lot like writing with a bloppy pen. You can see where the black stitching is a bit thicker-looking, can't you?



In places like this, for example?



Or in places like these?



See?



This is the culprit. It is a slug. No, no - sorry - it's a slub. And slubs and linen... they just. go. together.

But you know, you can take a stand against slubs. They can be conquered. When I find them on thread, and I see that they are an obvious protrusion from the thread, I take a needle and try to pick them out, or, if it'll work without cutting the thread, I take my scissors and I trim them. I do! And when I find them in fabric, if they interrupt the design and I can do it without damaging the fabric, I carefully pick them out with a needle and tweezers. But you know, sometimes I think I might be damaging the character of the linen.

But if you find that slubs really frustrate you when you're stitching - because on linen thread, they can be frustrating! sometimes they're like pulling a small knot through the fabric! - just calm down and remember that they both (slubs and linen) just go together.

Have you experienced slubs? What do you do about them?
]]> Embroidery Projects embroidery kits threads counted thread embroidery techniques linen 4180 Anonymous noreply@blogger.com 2009-12-17 17:06:12 2009-12-17 17:06:12 1 0 4252 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-11 13:52:45 2009-12-11 13:52:45 1 0
Actually, I should probably have been a bit clearer - I do LIKE the linen, and I'm looking forward to finishing the edge with it. I think it looks good with the whole piece. I can't wait to do the finishing around the edge!]]> 4253 Roberta Chase noreply@blogger.com 2009-12-11 13:44:58 2009-12-11 13:44:58 1 0 4254 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2009-12-11 13:10:42 2009-12-11 13:10:42 1 0 4256 Marian noreply@blogger.com 2009-12-11 12:00:29 2009-12-11 12:00:29 1 0 4258 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-12-11 08:32:15 2009-12-11 08:32:15 1 0 4259 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-12-11 07:59:02 2009-12-11 07:59:02 1 0 I really enjoy your blog, and I'm collecting the instructions for the lettering sampler. I have a design started, but I haven't transfered it to fabric yet. It would be interesting to see a picture of the sampler with a size reference. I can't really tell how big it is from the pictures.
Thank you again!
Jane]]> 4262 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-12-11 07:26:00 2009-12-11 07:26:00 1 0 parallel to the fabric (to avoid cutting the fabric itself - just the wisps!).]]> 4263 Laura Bullinger noreply@blogger.com 2009-12-11 06:50:56 2009-12-11 06:50:56 1 0 4264 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-11 06:33:35 2009-12-11 06:33:35 1 0 Sometimes I had to count till ten...or twenty!!!
I've done all the embroidered drawn threads with linen thread! But the result is much more beautiful - I think - than if I've used cotton thread.
as you say linen and slubs just go together]]> http://www.needlenthread.com/2009/12/crewel-and-pearsalls-and-stuff.html Thu, 10 Dec 2009 06:01:00 -0600 Mary Corbet 138 2009-12-10 06:01:00 2009-12-10 06:01:00 open open Crewel,-and-Pearsall's,-and-Stuff publish 0 0 post

In case you haven't visited the Tristan Brook's Designs website lately, you might want to stop in! You're in a for a treat - even if you're just stopping in to look at a pretty website.



As far as I know, Tristan Brooks Designs is one of the few sources for Pearsall's silk in the US. I like Pearsall's silk. It reminds me of the silk I see on ecclesiastical embroidery pieces from the late 1800's and early 1900's. In fact, right now, I'm designing a new ecclesiastical piece that I'm supposed to start in earnest on over the Christmas break, and I'm debating whether or not the use Pearsall's. The difficulty: it's somewhat expensive, compared to other silks out there! We'll see what happens when I get to the thread selection stage!

I like the way threads are arranged on the Tristan Brooks website, by the way - the threads are grouped in color family.



I prefer this type of clear grouping of ALL blues, ALL reds, ALL browns, ALL greens, etc - rather than having to sift through all the colors to find the different groups of blues, reds, browns, etc. (For example, the latter scenario is pretty much how you have to shop for Eterna floss).

Of course, a website like Tristan Brooks Designs offers more than just thread. Oh boy. Does it ever.



You'll find a gorgeous selection of crewel embroidery kits on the website! And I love these little ones - they're called "smalls", and they're about 3" x 3" - perfect to practice crewel embroidery, but not big enough to be intimidating! And the designs are Really Pretty. They include Heathway merino wool thread and Gumnuts poppies. So if you've wanted to try both of those threads, this would be a good way to do it!

Some other Stuff worth perusing at Tristan Brooks Designs: they have Legacy Linen Twill for all your special crewel work projects. They also have a great little tools section, where you'll find slate frames, Evertite stretcher bars, good hoops, and twitchetts.

Twitchetts? What are twitchetts? Well, you'll just have to look and see. (If you're a nut about thread organization during projects, I think you might be interested in them!)

And that is Tristan Brooks Designs. It's also the only source I know for Pearsall's in the US - but if you know of another source, will you let me know?

Enjoy browsing!

]]> embroidery resources needlework websites silk crewel work 4261 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2009-12-11 07:42:04 2009-12-11 07:42:04 1 0 4265 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-11 05:45:37 2009-12-11 05:45:37 1 0 4266 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-11 05:44:57 2009-12-11 05:44:57 1 0 4268 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2009-12-11 03:56:09 2009-12-11 03:56:09 1 0 shiboridragon.com
There should be a place on the home page where you can click to go to their yarn store. The main page is for quilting materials.]]> 4270 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-12-11 00:27:38 2009-12-11 00:27:38 1 0 I want to do some crewel work one day, and I definitely have to try out some Pearsalls.
Those colour charts are just delicious!]]> 4271 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-10 16:02:48 2009-12-10 16:02:48 1 0
The slate frames at Tristan Brooks Designs are typical slate frames - if you're used to working with a slate frame, they will work fine. A slate frame is pretty much a slate frame, wherever you get it. You might want to price shop a bit - the other "constant" source I know of that carries slate frames is Hedgehog Handworks, so you may want to compare prices with theirs, just in case one is less expensive than the other.

I prefer a slate frame for more complex projects, especially goldwork, ecclesiastical work, and anything that will be set up for a while.

Hope that helps!

MC]]> 4272 NBW noreply@blogger.com 2009-12-10 11:37:40 2009-12-10 11:37:40 1 0 I am a beginner embroiderer and would like to know if the slate frames offered at Tristan's would be the best for me to work with. I plan on doing repair ecclesiastical as well as designing some new designs.
Thanks so much for your site, it is so very helpful and informative.]]> 4273 NBW noreply@blogger.com 2009-12-10 11:37:21 2009-12-10 11:37:21 1 0 I am a beginner embroiderer and would like to know if the slate frames offered at Tristan's would be the best for me to work with. I plan on doing repair ecclesiastical as well as designing some new designs.
Thanks so much for your site, it is so very helpful and informative.]]> http://www.needlenthread.com/2009/12/hand-embroidery-lettering-and-text-11.html Wed, 09 Dec 2009 05:00:00 -0600 Mary Corbet 139 2009-12-09 05:00:00 2009-12-09 05:00:00 open open Hand-Embroidery:-Lettering-and-Text-11:-Little-Word,-Little-Stitches publish 0 0 post heavy chain stitch). I'll tell you why I chose this stitch, show you the thread I'm using, and give you a look at the lettering sampler so far.

The word "The" on this lettering sampler needed to be embroidered with a fairly fine thread, as the letters are small and a little loopy, but I didn't want the word itself to be so finely stitched that it got lost in the sampler.



I selected this Gloriana twisted silk, overdyed in pinks and yellows, because it's a pretty thread, kind of like a buttonhole silk, only finer.



In fact, it's a beautiful thread! With the lighter colors of the thread, I wanted a stitch heavier than a stem stitch or a chain stitch, so that the word would show up next to the bolder colors around it. Hence, I settled on the heavy chain stitch. If you don't know how to work this stitch, check out the video tutorial for the heavy chain stitch - it will get you started.



I began at the base of the vertical line of the T, and worked up and around the loop on the right, then crossed over the top of the vertical line.



I began the H at the top loop, worked around the loop, and headed down the vertical spine of the letter, crossing over any embroidered paths in the way.



When I got to the end of the vertical spine, I jumped up to the hump of the H, beginning with my anchor stitch to hold the first chain loop. This is a little different from the instructions in the video, but obviously, you can get the same results with heavy chain stitch by stitching the anchor stitch first, then passing both loops through it to start the line. In fact, I've become accustomed to stitching the anchor stitch first, then stitching the loops. The effect is the same.



And then I followed through to the end of the word, crossing over any embroidered lines as I came to them.

It's not the most exciting word on the sampler, I suppose, but I really Really Like the heavy chain stitch for lettering. It makes a bold, even, smooth line and looks really good on lettering.



Here's the sampler so far.

This particular tutorial doesn't go into a lot of detail on the actual stitching of the word, because we've pretty much covered all the basics in previous tutorials. If you want to catch up on the basics that got us to this point in the sampler, you should go back to the previous lessons in this series of tutorials on hand embroidered lettering and text. There, you'll find all the hints, tricks, and tips on writing with your needle and thread.



]]> needlework tutorials hand embroidered lettering pictures embroidery tips and tricks embroidery lessons needlework pictures beginner embroidery 4280 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-09 13:29:06 2009-12-09 13:29:06 1 0
Yes, the trick is to decrease the length of your stitches and to let up on tension a bit, especially on the outside of the curve so that the stitch has more thread so it can lie flat. Think of it kind of like turning when you're rowing a canoe - you let up on the outside of the turn, but continue working on the inside, in shorter strokes! Well, my analogy might limp a bit there, but that would do the trick - give more thread to the outside of the curve, lightening up on tension, and decrease your stitch length.

Hope that helps!

MC]]> 4281 EmilyHall noreply@blogger.com http://www.blogger.com/profile/14587130417443023845 2009-12-09 13:18:22 2009-12-09 13:18:22 1 0 4282 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-09 12:12:26 2009-12-09 12:12:26 1 0
Hi, Irene - I used a regular embroidery needle. You can use a tapestry needle, and you're right, it would slide under more easily, but it works fine with a regular embroidery needle, too. I don't like using a tapestry needle with surface embroidery - not quite sharp enough to pierce the linen....

Hope that helps!

Thanks for the comments!

MC]]> 4283 irene noreply@blogger.com 2009-12-09 09:42:13 2009-12-09 09:42:13 1 0 4284 Laura Bullinger noreply@blogger.com 2009-12-09 09:21:37 2009-12-09 09:21:37 1 0 Curious-are there additional words I see pencilled in around the sampler or are those just shadows?]]> 4285 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-09 06:49:20 2009-12-09 06:49:20 1 0
Compared to the Stef Francis I've used so far, this Gloriana silk is much finer, with a tighter twist (similar to buttonhole twist, but the thread size is finer). The Gloriana silk holds the shape of the stitches better - due to its tighter twist. The Stef Francis produces almost "puffy" stitches because it is loose and soft, whereas the Gloriana produces a precise, tight stitch. They're both nice threads for embroidering with - it just depends on the look or feel you want.

Hope that helps!
MC]]> 4286 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-12-09 06:30:09 2009-12-09 06:30:09 1 0 Thanks for these tips, I likee to read your lessons, even if I do not take part actually to the project.
I have a question regarding the thread, compared to the one of Stef Francis. (I've got also the one you used in purple)
Is the Gloriana quite similar or is it thiner ? thicker ?
Thanks for your answer,
have a nice day
Coeur de freesia]]> http://www.blogger.com/ Tue, 08 Dec 2009 13:17:00 -0600 Mary Corbet 140 2009-12-08 13:17:00 2009-12-08 13:17:00 open open Browsing-Needlework-Websites-...-and-stuff. draft 0 0 post


]]> http://www.needlenthread.com/2009/12/stumpwork-holly-and-promises-of-gold.html Tue, 08 Dec 2009 05:00:00 -0600 Mary Corbet 141 2009-12-08 05:00:00 2009-12-08 05:00:00 open open Stumpwork-Holly-and-Promises-of-Gold publish 0 0 post

I've been a fan of Sandra Vass's beautiful embroidery - her stumpwork and goldwork - for a while, enjoying her photos posted on Stitchin' Fingers, a vast social network for needleworkers established and maintained by Sharon Boggan (of Pintangle) down in Australia. My favorites among Sandy's work include her goldwork gecko and this beautiful piece:



This is Sandy's rendition of the Goldwork Sampler by Hinda Hands, from the book Church Embroidery.

Isn't it Stunning?

Well, the good news is that Sandy has started a blog! It's called Gold n' Stitches. The first project she's featuring is a little goldwork and stumpwork holly project.



In her first post on the Christmas Holly Stumpwork design, you'll find a downloadable pattern, a thorough supply list, and the first instructions for completing this pretty project.

This is a perfect little project for delving into stumpwork - it's small enough to be manageable (without being overwhelming), and it's perfectly suited to the season. I was thinking it would make a really pretty inset for a box lid - a nice gift idea!

Please take a minute to stop by Sandy's new blog, Gold n' Stitches and welcome her to the world of blogging. I'm sure that she will have much to give us, when it comes to beautiful goldwork and stumpwork projects. I'm looking forward to seeing her website develop!
]]> goldwork free embroidery patterns pictures needlework websites stumpwork 4288 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-09 05:59:45 2009-12-09 05:59:45 1 0 4297 Anonymous noreply@blogger.com 2009-12-08 10:25:14 2009-12-08 10:25:14 1 0
Ellen]]> http://www.needlenthread.com/2009/12/needlebook-kit-back.html Mon, 07 Dec 2009 05:06:00 -0600 Mary Corbet 142 2009-12-07 05:06:00 2009-12-07 05:06:00 open open Needlebook-Kit:-The-Back publish 0 0 post embroidered needlebook - is finished. There are some hiccups. Lately, and I don't know why, I always have hiccups in my needlework. Despite them, though, I like the little design on the back. For this part of the needlebook, I adopted part of the counted cross stitch design given in the kit, and then added my own surface stitching to finish the motif. I'll show you my adjustments...

In the original needlebook kit, a cross stitch pattern is supplied for the motif on the back of the needlebook, an urn filled with roses. I kept the urn, though I adjusted the count on it, and then I filled the urn with bullion rose buds and feather stitch and French knot greenery.



This is a distant shot of the urn and flowers. The flowers are one of the hiccups. I wanted them to be in approximately the same place they were plotted on the counted cross stitch chart that came with the kit. But I started them in the wrong place, and things got a bit discombobulated.



The little urn is supposed to be stitched over two threads of fabric. I decided to keep it small and stitch it over one.



At first, at the very base, I went with cross stitch, with one strand of Soie d'Alger, but you know what? It didn't work! The single thread was a bit too thick to manage a whole cross stitch, so after the base, I resorted to tent stitch, which actually worked out ok. In a macro shot, you can really see the stitches, but in person, the stitches are really too tiny to see perfectly, so you get the overall look of the urn just fine, without seeing where the tent stitches didn't quite do the job!

I like the urn a lot, even stitched as it is - half cross stitch, half tent stitch.

The roses bug me a bit, though - but NOT enough to take out and re-do them! I tried to keep them more bud-like, than full-blown roses, and so I started with the long bullion center. For a regular, full-blown bullion rose, it's easier to start with a round center. Anyway, my roses came out a little bit angular. And do you notice something about the drooping bud on the right? It's true, I resorted to two fly stitches around the dark bullion center. Why? Well, it was a combination of factors:

One, I was sick of doing bullions.

Two, I worked one there and it looked awful. I picked it out.

I stitched it again. It still looked silly. I picked it out.

I tried two bullions, overlapping. The didn't fit - they looked heavy and all wrong. I picked them out.

I stitched two fly stitches.



And here 'tis - the embroidery finished on the back. Now, it's quite done - I still have to backstitch around the outside edge (where the basting thread is) in black linen thread. The backstitching will mark and define the edge, and also provide the base for some needlelace scallops around the outside of the needlebook.

I'm not making it through this kit as quickly as I thought I would. This isn't because of the kit so much as it is a matter of having time to really stitch. I'm pleased with the kit so far - I really like it! I'm looking forward to the construction part!

]]> Embroidery Projects Hand embroidery stitches embroidery kits pictures counted thread embroidery techniques needlework pictures 4293 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2009-12-08 14:48:50 2009-12-08 14:48:50 1 0 4294 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-08 13:18:48 2009-12-08 13:18:48 1 0
Deepa discombobulate is a strange word indeed, but I found it in my both on-line dictionaries Dicionário Editora and Babylon :)
(i couldn't read so many English blogs without them...) :))]]> 4299 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-12-07 21:35:07 2009-12-07 21:35:07 1 0 Great work,Mary.Looking forward to the construction part.]]> 4304 Carla Fiedler staqss@gmail.com http://www.blogger.com/profile/04633228795999260813 2009-12-07 14:14:42 2009-12-07 14:14:42 1 0 Just discovered your site and have spent hours perusing it; wonderful!Am delighted in seeing your ecclesiastical embroidery. You should write your own book!
Carla]]> 4306 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-07 13:13:45 2009-12-07 13:13:45 1 0
It's a nice kit! The recommended monogram is a Sajou one - and it's counted, not surface embroidery.

The one that I used is also actually a Sajou monogram from a pamphlet that I have that I haven't yet converted to website-ready monograms. However, you can find scans of the monogram style online here:

Sajou Monogram Pamphlet #345

Funny - it was posted shortly on Pattern Maker shortly after I began this project!

I adjusted the design only a little bit, to accommodate bullion roses instead of the flowers that are on the monogram.

Enjoy the kit!

MC]]> 4307 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2009-12-07 11:50:16 2009-12-07 11:50:16 1 0
What a beautiful kit and how wonderfully you have executed it...........

............can you put me out of my misery. Having re-read your postings about the journey to completion, I have re-learned that the actual monogram wasn't in the kit(! hiss boo).

I am hoping to spoil myself come the New Year and take on the challenge of this project..................where do I find the lovely monogram style that you used??

I personally think that it would be good if they did actually add the a-z of the monogram in the kit, but that's just me!LOL

Thanks again, for talking us through. For sure, you have made me want to buy the kit and do it!!

Hugs in this the most wonderful month of the year.

Marysia.]]> http://www.needlenthread.com/2009/12/monogram-for-hand-embroidery-fan-flower_06.html Sun, 06 Dec 2009 05:05:00 -0600 Mary Corbet 143 2009-12-06 05:05:00 2009-12-06 05:05:00 open open Monogram-for-Hand-Embroidery:-Fan-Flower-G publish 0 0 post embroidery monogram patterns called "fan flowers."

If you're looking for stitching suggestions for this series of monograms, please check out the Letter A, where I've mentioned a few ideas for stitches. Also, if you have any ideas or input for stitching these letters, feel free to leave a comment!

Here's the small G:



And here's the large G:



And, if you'd like to save a PDF version of the small and large G, here it is:

Monogram for Hand Embroidery: Fan Flowers G (PDF)

Feel free to visit the Index of Monogram Designs here on Needle 'n Thread, if you're looking for more monograms, including the rest of this alphabet.

Enjoy!
]]> free embroidery patterns monograms http://www.needlenthread.com/2009/12/readers-embroidery-beautiful.html Sat, 05 Dec 2009 05:00:00 -0600 Mary Corbet 144 2009-12-05 05:00:00 2009-12-05 05:00:00 open open Reader's-Embroidery:-Beautiful-Christening-Gown-Set! publish 0 0 post

We'll begin with a full-length view of the gown. Made from Bear Threads Swill batiste, the dress is adorned with French and French Maline laces. The embroidery is mostly worked in Splendor silk, and is accented with pearls and Swarovski crystals.



Carol used a lace-to-lace technique to create the bodice, and she inserted lace into the body of the gown, marking off areas of pin tucking.



The bodice is beautifully smocked! The bullion roses are stunning, and the pearls and crystals add an elegant touch.



The slip bodice is made out of a sheer cotton organza. Notice the feather stitching and the bullion roses! Beautiful details!



Speaking of details, on the slip, Carol embroidered the name and birthdate of the baby, along with the names of the parents, in a heart-shaped wreath of flowers. The photo is somewhat difficult to see - it's never easy to photograph whitework - but you can see enough to understand the detail and care that went into this (and it's the slip!)



The bonnet is ... wow! Unbelievable! I love the smocked netting and the pearls and crystals, but it's that wreath of bullion roses at the back of the bonnet that I find most enchanting.



First of all, the bullions are fantastic - I love how the roses nestle up to each other. And the little pearls sprinkled here and there among the roses are a perfect touch.



To finish off the set, Carol made a matching padded hanger for it, with a pretty ribbon-wrapped hook, and a storage bag. On the outside of the storage bag, she fitted a pocket made of silk organza on which she printed a photo of little Kate and all the little details of her birth. Ingenious!

Do you agree with me that this is absolutely stunning? What a work of art, and what a work of love!

Thanks, Carol, for letting me share your masterpiece with readers here on Needle 'n Thread! It's exquisite! I hope everyone else finds it as inspiring as I do!

If you're interested in sharing your needlework with readers on Needle 'n Thread, feel free to drop me a line, and I'll send you an e-mail address. It's always nice to see what other stitching folk out there are up to - and a great way to get the creative juices flowing for the rest of us!
]]> embroidery for children heirloom sewing smocking readers embroidery pictures needlework pictures 1511 Lauren noreply@blogger.com 2010-04-12 08:09:37 2010-04-12 08:09:37 1 0 1684 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2010-03-31 12:47:52 2010-03-31 12:47:52 1 0
Your work is so stunningly beautiful and I adore the beautiful bonnet, with all the perfect bullion roses............what a triumph the whole ensemble is.

I accessed your web album, but your blog page, when I tried to access it, comes up in Turkish, (I am currently living in Turkey) and I cant understand it............

May I ask, is the complete outfit your own pattern, if not, could you possible let us know what pattern you used for the gown and bonnet. I would love to try and tackle it for my Grandma's hope chest.

Kindest regards and thanks for sharing such stunning work with us all.
Marysia.]]> 4155 Angelina noreply@blogger.com 2009-12-19 23:09:04 2009-12-19 23:09:04 1 0
Angelina]]> 4233 Linda Adam noreply@blogger.com 2009-12-14 00:33:31 2009-12-14 00:33:31 1 0 Linda in Ontario, Canada]]> 4260 Carol D noreply@blogger.com http://www.blogger.com/profile/06492547971636323533 2009-12-11 07:47:52 2009-12-11 07:47:52 1 0
If anyone would like to see the construction of the Christening Gown, I have made a web album you can access at http://picasaweb.google.com/yndis2eilaTan/ChristeningGownProgress1?feat=directlink . This was made for the mother and grandmother of the baby so they could follow along as it was created....but thought you all might enjoy looking at it also.
Happy Stitching! Carol]]> 4269 rékia noreply@blogger.com 2009-12-11 01:58:18 2009-12-11 01:58:18 1 0 Cordialement]]> 4308 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2009-12-06 22:07:46 2009-12-06 22:07:46 1 0 4312 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-12-06 13:54:14 2009-12-06 13:54:14 1 0 Kathy in Kenai]]> 4313 EmilyHall noreply@blogger.com http://www.blogger.com/profile/14587130417443023845 2009-12-06 13:27:28 2009-12-06 13:27:28 1 0
Of course we would love to see your "in progress" pictures. It's dangerously inspiring already, I already have too much on the go and now my hands are itching to make pretty white lacey things on top of it all!]]> 4318 deepa sethuraj noreply@blogger.com 2009-12-06 00:23:38 2009-12-06 00:23:38 1 0 4320 Marian noreply@blogger.com 2009-12-05 20:37:52 2009-12-05 20:37:52 1 0 4321 Carol DuVall noreply@blogger.com 2009-12-05 19:36:34 2009-12-05 19:36:34 1 0 I have been learning heirloom embroidery for the last 17 years and have made many garments, although this is the first Christening dress I have "completed". You notice I said "completed"....I have another that has been in stages of work for the last 10 years!!!! I will finish it one day!

I am doing a step-by-step picture review of the making of the dress and getting ready to upload it to a Picassa website. I actually am making this so the mother of Kate will have an understanding of how it was made. If any of you are interested, I'll let you know the website so you can see it.

Carol DuVall]]> 4322 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-12-05 17:58:45 2009-12-05 17:58:45 1 0 4323 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-12-05 16:23:49 2009-12-05 16:23:49 1 0
MGM]]> 4325 Laura Bullinger noreply@blogger.com 2009-12-05 13:41:11 2009-12-05 13:41:11 1 0 4326 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-05 11:52:23 2009-12-05 11:52:23 1 0 Carol DuVall - a name to remind - your hands are precious! Don't you want to start a blog???? I guess you would have lots of things to show all of us!
Congratulations and thank you for sharing!]]> 4327 Tania Kleckner noreply@blogger.com 2009-12-05 09:19:31 2009-12-05 09:19:31 1 0 4328 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2009-12-05 09:18:32 2009-12-05 09:18:32 1 0 4329 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-12-05 09:00:08 2009-12-05 09:00:08 1 0 Congratulations for this beauty, and thanks for sharing it with us.]]> 4330 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-05 07:28:49 2009-12-05 07:28:49 1 0 4331 sue noreply@blogger.com http://www.blogger.com/profile/00770592335543390352 2009-12-05 07:27:24 2009-12-05 07:27:24 1 0 Sue A.]]> 4332 carol l steffensen noreply@blogger.com http://www.chickadeehollowdesigns.com 2009-12-05 07:25:30 2009-12-05 07:25:30 1 0 http://www.needlenthread.com/2009/12/monogram-for-hand-embroidery-fan-flower.html Fri, 04 Dec 2009 05:05:00 -0600 Mary Corbet 145 2009-12-04 05:05:00 2009-12-04 05:05:00 open open Monogram-for-Hand-Embroidery:-Fan-Flower-F publish 0 0 post embroidery monogram patterns called "fan flowers."

If you're looking for stitching suggestions for this series of monograms, please check out the Letter A, where I've mentioned a few ideas for stitches. Also, if you have any ideas or input for stitching these letters, feel free to leave a comment!

Here's the small F:



And here's the large F:



And, if you'd like to save a PDF version of the small and large F, here it is:

Monogram for Hand Embroidery: Fan Flowers F (PDF)

Feel free to visit the Index of Monogram Designs here on Needle 'n Thread, if you're looking for more monograms, including the rest of this alphabet.

Enjoy!
]]> free embroidery patterns monograms http://www.needlenthread.com/2009/12/brazilian-embroidery-kit-winner-and.html Fri, 04 Dec 2009 05:00:00 -0600 Mary Corbet 146 2009-12-04 05:00:00 2009-12-04 05:00:00 open open Brazilian-Embroidery-Kit-Winner!-And-Some-Comments... publish 0 0 post Brazilian Embroidery Kit and the instructional book called Apples to Zinnias, all provided by Threads in Bloom! In this post, you'll find the winner announced, a wee bit of commentary on Brazilian Embroidery, and some answers to questions posed in the comments on the original post.

The Brazilian embroidery kit is titled Kalmya, and you can find it on the Threads in Bloom website. You'll also find the book, Apples to Zinnias, listed there. So if you aren't the winner and you're set on having this kit or the book (or both!), stop by Threads in Bloom. Remember that the Edmar threads are sold separately from the kit - and if you need needles, invest in a package or two of milliners needles, which are always nice to have on hand!

Now, for the winner!

I drew by number, after "mixing up" all the names (kind of like shuffling a deck of cards, only I use a spreadsheet!). Using a random number generator, I was given the number 62, which, on my mixed up list, is Ellen F. in Nebraska! So, Ellen, please contact me with a mailing address, and I will send this off to you as soon as possible (sometimes, it takes a while, as I have difficulties getting the post office during business hours, but I'll definitely make sure you have it before Christmas!).

Thanks, all, for your enthusiastic participation in the give-away, and thanks again to Sharon of Threads in Bloom for supplying the loot!

I think this every time I do a give-away: I'd love to be able to send you each something, but since it's impossible, the best I can do is promise future give-aways of delectable needlework stuff, so that you have another chance to win!

Comments and Answers....

Trigger Cloth

One reader asked about the cloth used for Brazilian embroidery. It is called "trigger cloth," or Blazer poplin, and you can find it on Threads in Bloom, as well as through other needlework suppliers, like Nordic Needle.

Copyright Issues

One reader suggested that whoever wins could scan the book and the pattern and share them with everyone else. This surprised me, but I realize it may have been said in jest, or it may simply be a matter of not realizing the repercussions of copyright violation for artists and designers. It's important to understand that reproducing and sharing books and patterns that are the personal property of another and not in the public domain is a violation of copyright. Not only is this a violation of a law, but it is simply not fair to the designer and the author, who rely upon their art and expertise for income. It is a serious injustice. I don't support such ideas and I do not frequent or support websites that feature violated copyright materials. I hope this is clearly understood. I apologize for the "rant," but copyright issues are important in this community, as many needle artists and designers rely heavily upon their copyrighted work for their livelihood. Thanks for understanding!

Coming Up on Needle 'n Thread

Coming up this weekend on Needle 'n Thread: more monogram patterns in the latest series of hand embroidery monograms; some Bee-Yoo-Tee-Ful needlework from a reader (really, an unbelievable christening gown set - it's stunning, and worth seeing!); and hopefully, by early next week (I'm shooting for Monday) the embroidery will be complete on my needlebook, so I should be able to show you progress on that. I'll be continuing with the lettering sampler next week, as well, and coming up with a few more tidbits on needlework in general!
]]> stash contest embroidery resources Book Give-Away 4333 Laura Bullinger noreply@blogger.com 2009-12-05 03:10:58 2009-12-05 03:10:58 1 0 4335 Anonymous noreply@blogger.com 2009-12-04 18:15:13 2009-12-04 18:15:13 1 0
I'm Emailing you now!

ELLEN]]> 4337 Mel noreply@blogger.com 2009-12-04 11:25:50 2009-12-04 11:25:50 1 0 http://www.needlenthread.com/2009/12/embroidered-needlebook-i-fixed-it.html Thu, 03 Dec 2009 05:00:00 -0600 Mary Corbet 147 2009-12-03 05:00:00 2009-12-03 05:00:00 open open Embroidered-Needlebook---I-Fixed-It publish 0 0 post Big Mistake on the monogram on the needlebook I'm presently embroidering. Most of the feedback on the monogram pushed me to fix the problem on the loop of the T. You were all pretty much right! It was bugging me too much to leave it the way it was, so I picked it out and fixed the stitching. I'll tell you a bit about that...

Below, you can see the original "finished" embroidery on the monogram, with the mistake on the upward loop of the body of the T. This really bugged me more than I realized at first.



Do you ever start a project, greatly enthusiastic about it, run into a snag, and find that you lose steam right away because of that mistake? This is what was happening to me with the monogram. I disliked it so much that I found myself losing interest in finishing the project! And that's bad, because not only did I invest a bit in the kit, but I really Like the kit a lot. How could I let a mistake sit there, turning me off the whole piece?

So I finally buckled down and made myself sit down to fix the stitching.



And this is the fix. Much better, I think. I know it isn't exackitackily Perfect, but I'm happy with it now! The funny thing was that I pictured myself spending hours trying to fix this, gritting my teeth in frustration the whole time. In reality, I made a few snips with the scissors, careful not to cut any of the padding threads, then removed the stitches back to a reasonable point to work up to the area of The Mistake.

It took me a whole ten minutes to fix the problem.



The moral of the story: from now on, when something in my stitching is bugging me, I will correct it right away. No more pining over mistakes and building them up in my mind as insurmountable errors!

I finished the front of the needlebook in the same sitting as correcting The Mistake. So far, I'm pleased with it, and the more I work it, the more pleasure I get from it. I'm quite twitterpated with this kit!

If you're looking for this needlebook kit, you can order it from The Mad Samplar. It's called "Nichole," and it's one of a series of needlebook kits designed by Roberta Chase and distributed by Access Commodities. There will soon be a fourth one of these kits on the market - but I haven't seen the third one yet. I'm hoping to track it down one of these days to see what it looks like! Has anyone else run across it? I'd love to see a photo.

Dont Forget!

If you haven't signed up for this week's Brazilian Embroidery Give-Away, today's your last chance! I'm drawing a winner tomorrow morning at 5:00 am CST. It's a great opportunity to win a Brazilian embroidery kit, a very nice book, threads, a mesh project bag, and even the right needles! So stop by at the original post, read the instructions for the give-away, and leave a comment before today's over!

Now, on to the back of the needle book!
]]> Embroidery Projects embroidery resources Hand embroidery stitches pictures counted thread embroidery techniques needlework pictures 4343 EmilyHall noreply@blogger.com http://www.blogger.com/profile/14587130417443023845 2009-12-03 20:13:49 2009-12-03 20:13:49 1 0 very next day- the project never, and I mean never, gets finished (well maybe a year or two down the line when I am looking through UFOs wondering why I "never finish anything").

This is looking beautiful, the colours really are fantastic and the kit translated very well with the changes you made.]]> 4348 Bobbi noreply@blogger.com http://www.blogger.com/profile/14220841606357988174 2009-12-03 17:37:56 2009-12-03 17:37:56 1 0
Bobbi]]> 4354 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-12-03 13:39:34 2009-12-03 13:39:34 1 0
I'm glad the fix is done and wasn't a big effort, it looks great.]]> 4358 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-12-03 11:54:53 2009-12-03 11:54:53 1 0 So I've been redoing things for three years now, when need be, and to avoid those horrible UFO :-)]]> 4359 Anonymous noreply@blogger.com 2009-12-03 11:27:03 2009-12-03 11:27:03 1 0 Karole]]> 4366 margaret c. noreply@blogger.com 2009-12-03 09:19:11 2009-12-03 09:19:11 1 0
Nice fix. It looks much better.]]> 4367 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-03 08:37:05 2009-12-03 08:37:05 1 0 4372 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-03 07:19:01 2009-12-03 07:19:01 1 0
This moral holds good for all of us since these snags often take on gigantic proportions. I hate it when I make mistakes in my embroidery and though it may be hardly visible , I eventually go back and redo that irritating portion!]]> 4374 lovetosew noreply@blogger.com http://www.blogger.com/profile/03037157446521110031 2009-12-03 06:48:01 2009-12-03 06:48:01 1 0 4375 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-12-03 06:35:37 2009-12-03 06:35:37 1 0
Do I ever. Most of my unfinished projects are ones that I was not happy with my workmanship or got so far and can't work out how to do the next bit or make it up into a finished item. It's infuriating!

Mary, could you not have backed the linen with calico (muslin) to help with the surface embroidery?

I think that it looks beautiful. I hope that 'T' enjoys her new needle book and realises that it has been made for someone very special :-)]]> http://www.needlenthread.com/2009/12/hand-embroidery-lettering-and-text-10.html Wed, 02 Dec 2009 05:00:00 -0600 Mary Corbet 148 2009-12-02 05:00:00 2009-12-02 05:00:00 open open Hand-Embroidery:-Lettering-and-Text-10:-Combining-Stitches-and-Colors publish 0 0 post hand embroidered lettering tutorials, today we'll be looking at combining stitches and colors in a word. We've already combined stitches in previous tutorials, but for this tutorial, we'll be working each letter in a different stitch, and we'll be exploring how some stitches that seem unconventional for writing with thread can be used to good effect to form letters.

If you're just joining in on these embroidered lettering tutorials, you can find the whole list of them under this Index of Tutorials for hand embroidered lettering. The previous tutorials in this series cover the basics of writing with needle and thread - from starting and ending threads, to stitching small letters, to traveling your threads on the back so that they are not visible on the front, to dotting your i's in different ways. So you might want to check those out for some background information.

In this tutorial, I'm stitching the word "Dog." I'm starting with a laced chain stitch for the D, then revisiting the whipped running stitch for the O, then working the G in French knots. For all the stitching, I'm using DMC floche in yellow and red.



Starting at the top of the D, I anchored the thread with tiny backstitches.



Then I worked the letter in chain stitch - the rounded part of the D first, then the spine.



Once the chain stitching was done, I changed threads to the red floche, which I'm using to lace the chain stitches. I brought the new thread up at the tip of the line of chain stitches that I wanted to lace.



Lacing a stitch (like the chain stitch) is not the same thing as "whipping" a stitch. The thread does not wrap around the stitches, but rather runs in and out underneath the stitches. So my first step was to run my needle underneath the first chain stitch. I'm not picking up any fabric - just running right under the stitch.



I gently pulled the working thread through, without putting too much tension on the thread. I want the laced red thread to be visible outside the yellow chain stitches. If you pull too tightly here, the red thread will not be as visible, so just pull gently until the lacing thread rests where you want it to. Then, run your needle in the opposite direction under the next stitch.



Continue alternating the direction of passing your needle underneath each chain stitch, so that you are basically zig-zagging underneath the chain stitches. Remember to keep the tension on the lacing thread relatively loose - don't pull hard on it, but leave it resting visibly outside the chain stitches. Pull these stitches enough to keep them even. Occasionally, you might have to tweak them a bit with your needle so that they are even.



Continue all the way around the bump of the D, and then take your thread to the back of the fabric at the end of the bump. Bring your thread up at the base of the spine of the D, and lace the chain stitches up the spine. When you're finished, it'll look pretty much like this. Kind of cute and colorful!



I worked the O in whipped backstitch. We've actually already covered whipped backstitch once in this series of tutorials, so I won't spend a lot of time going over it here. After stitching the backstitches, I changed to the yellow floche and brought my needle up inside the O.



Remember when whipping backstitches or running stitches to always travel in the same direction around all the stitches. You can turn your hoop as you stitch, to make this easier.



Keep the tension loose enough that you don't pull the whipped stitches straight. They should wind around the backstitches and should be clearly visible. When you arrive back around where you started, sink your needle to the back and anchor your threads by whipping around the stitches on the back of the fabric.



Now it's time to move on to the G. I worked the G in alternating colors of French knots - red and yellow. To make this easy, thread two needles, one with one color and one with the other, so that you can trade off needles as you switch colors. To make French knots Really Easy, I use a milliner needle. They always pass through the knot with great ease. If you don't have a milliner's needle, though, that's ok - embroidery needles work fine, too.



To begin, I anchored both threads with tiny backstitches that would be covered up with the French knots. Once both threads are anchored, you're ready to knot!



Simply follow the line of your letter, spacing your knots evenly. Don't crowd them too much - you want them to stand on their own, not jam up against the knots on each side. French knots tend to look better when they're not crowded tight together.



Work the French knots around the curve of the G and then into the center on the cross bar of the G.



At first I wasn't sure how well French knots would form a letter, but once I finished the G, I was sold on the look. I like it!



Here is Dog - colorful and a bit whimsical.



I wasn't quite ready to stop there, though. The O seemed a bit skimpy, so I threaded up my yellow floche again, and brought my needle up just inside the lower edge of the O, in the center.



I worked two little fans of daisy stitches inside the O, at the top and base of the letter. Then I threaded the red floche...



... and added a little French knot and some straight stitches in red, to finish the inside of the the letter. At this point, I was thinking that things might be getting too cutesy and circus-like, but I left it.



And here is Dog, again, finished.



And this is the whole sampler so far.

I guess the whole point of this lesson is to encourage you not to restrict yourself to one stitch for a word, or even to one color. You can play around with stitches, experiment a bit, add little extra details and so forth to personalize your lettering - and have a lot of fun doing it!

Enjoy the lesson, and have fun stitching!
]]> needlework tutorials hand embroidered lettering pictures embroidery tips and tricks needlework pictures beginner embroidery 4179 Kate katefurr67@yahoo.com http://www.blogger.com/profile/09069939095555443730 2009-12-17 17:14:06 2009-12-17 17:14:06 1 0 4340 Judith Hembrow noreply@blogger.com http://www.blogger.com/profile/09630671800003241184 2009-12-04 02:48:28 2009-12-04 02:48:28 1 0 4353 Laura Bullinger noreply@blogger.com 2009-12-03 13:49:30 2009-12-03 13:49:30 1 0 4368 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-12-03 08:31:03 2009-12-03 08:31:03 1 0 Why haven't I waited for the end of these lessons to finish my sampler????????

I DO LOVE those DOG letters, Mary!!!!
Thank you for sharing such brilliant ideas!]]> 4382 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-12-03 04:15:47 2009-12-03 04:15:47 1 0 4386 Dilla noreply@blogger.com http://www.blogger.com/profile/00073770340697506862 2009-12-02 14:31:11 2009-12-02 14:31:11 1 0 I would like to know if you have any tips on how to make sure the wrong side of the sticthes looks 'OK'.
Thanks]]> 4387 Dilla noreply@blogger.com http://www.blogger.com/profile/00073770340697506862 2009-12-02 14:16:28 2009-12-02 14:16:28 1 0 Tq for showing this. I learn a lot of new stitching techniques from your videos.]]> 4390 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-02 13:20:28 2009-12-02 13:20:28 1 0
Gail, I think you're right about color choices. I wouldn't combine pale letters with dark letters in the same word, unless you are trying to achieve a certain effect - the pale letters would be hard to read, I think.

When I picked the colors for this - even though red and yellow are such different colors - I selected a yellow that was a primary, rich yellow, rather than a pale one, which I don't think would've looked quite right with the red.

Thanks for your comments!

MC]]> 4391 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-12-02 13:17:08 2009-12-02 13:17:08 1 0 4393 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-12-02 11:32:31 2009-12-02 11:32:31 1 0 4394 amaloney noreply@blogger.com http://www.blogger.com/profile/10551750623787855297 2009-12-02 09:01:08 2009-12-02 09:01:08 1 0 4395 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-12-02 08:50:40 2009-12-02 08:50:40 1 0 BarbM]]> 4396 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-12-02 08:26:42 2009-12-02 08:26:42 1 0 4397 Divya noreply@blogger.com 2009-12-02 08:14:59 2009-12-02 08:14:59 1 0
Am definitely going to try that one! Thank you so much!]]> 4398 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2009-12-02 06:53:36 2009-12-02 06:53:36 1 0 I haven't tried laced chain stitch but as chain stitch is one of my favorites (so relaxing to do!) and it looks so lovely laced, I will include it in one of my next projects. Thanks Mary!]]> 4399 Anusuya noreply@blogger.com http://www.blogger.com/profile/02938431007212383113 2009-12-02 05:20:56 2009-12-02 05:20:56 1 0 4400 Deepa Sethuraj noreply@blogger.com 2009-12-02 05:18:35 2009-12-02 05:18:35 1 0 This is toooo cute... The french knot G luks pretty.. And the new luk of O too.. Using two colour threads have really come out very well...
Deepa]]> http://www.needlenthread.com/2009/12/access-commodities-linen-twill-and-some.html Tue, 01 Dec 2009 05:00:00 -0600 Mary Corbet 149 2009-12-01 05:00:00 2009-12-01 05:00:00 open open Access-Commodities,-Linen-Twill-and-some-Wool! publish 0 0 post Access Commodities, which is an import and manufacturing business that distributes different types of needlework supplies here in the United States. Access Commodities, for example, brings us the Au Ver a Soie line of threads, Trebizond, Gilt Sylke Twist, Hardwicke Manor Hoops, Legacy Linen, and a variety of other fine needlework products. Here are two new-to-me products from Access Commodities that I hope will be showing up in shops soon: a new linen twill from Legacy and a tapestry wool, perfect for fine crewel work.

We'll start with the tapestry wool. Appleton wool is perhaps the most well-known of the wool threads used for surface work, and they rightly deserve their good reputation - they have an excellent color range, are colorfast, and are reasonably priced. But Appleton wool is a bit rougher and thicker than some of the newer wools showing up on the market. Take, for example, the Gentle Art Simply Wool that I used on a lettering tutorials recently - this is a tapestry wool, with strands that are finer than Appleton wool. However, it comes in a very limited color range, and is expensive for the quantity on each card.

The tapestry wool we're looking at today is called Fine D'Aubusson, made for Au Ver a Soie by la Route de la Laine (their website is currently under construction). It is made in France of pure wool, and it is colorfast, with a fine medium-tight twist.



I am not certain what the color range is on these threads. I am hoping that they will be available in a broader range of colors than the Gentle Art Simply Wool threads. One thing I do know by seeing these skeins is that they do, at least, come in shades of colors - the greens and the mauves make that clear. Not that color number is a necessary indication of a broad range of colors, the color numbers (2452, 2454, etc.) make me hopeful that there are many shades available. We'll see....



The threads are wound in an 8 meter hank, but there are actually 32 meters of thread here, because the strands are bundled in fours.



For most crewel work, you would use one of these four strands. The strands separate easily from the bundle of four - they aren't twisted together, just kind of loosely grouped.



In the background of the photo above, you can see the new linen twill from Legacy Linen. I generally think of linen twill has a heavier weight fabric, but this particular twill is rather light and crisp. Legacy usually doesn't use sizing in their linen, so I'm pretty sure that the character of this twill is somewhat crisp - I'll have to rinse and dry the piece I have to test it out a bit. In any case, it is certainly a lighter weight twill, very nice for more delicate crewel work. And the color is nice, too - it's not a bright white, nor is it the more commonly seen "natural" color. It's more of a "fresh milk" color - kind of creamy and off-white.



Legacy linen has long been my favorite linen, but it is prohibitively expensive, so I only use it for special projects. Whenever you're looking for the Best linen to stitch on, look for Legacy! You'll find it in needlework shops that carry other supplies from Access Commodities, and if the shop doesn't normally carry it, you can usually ask them to special order a length for you (if they already carry goods from Access Commodities).

You can see what kind of products Access Commodities distributes by visiting their home page, and you can keep up with their new supplies by visiting the Access Commodities blog, which has some really archived articles on it and is worth a good browsing session.

As soon as I find out a little more about the wool tapestry thread, I'll fill you in.

My plan is to sketch up a little design on this twill and test the threads - so, as soon as I have time, I'll let you know how it stitches up! Have you seen this particular wool in shops or used it for your own stitching? If so, I'd love to hear about it! If you regularly use wool, what's your favorite brand and why? Can you make any recommendations for those of us who are looking for a nice wool embroidery thread?
]]> supplies embroidery resources threads pictures linen wool crewel work 4309 Alice McClelland noreply@blogger.com 2009-12-06 21:22:59 2009-12-06 21:22:59 1 0 Alice McClelland]]> 4416 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-12-01 09:13:44 2009-12-01 09:13:44 1 0 http://www.needlenthread.com/2009/11/give-away-brazilian-embroidery-kit.html Mon, 30 Nov 2009 05:00:00 -0600 Mary Corbet 150 2009-11-30 05:00:00 2009-11-30 05:00:00 open open Give-Away!-Brazilian-Embroidery-Kit! publish 0 0 post Threads in Bloom, I've got a beautiful Brazilian embroidery kit - including EdMar threads, full instructions, and printed fabric, along with a mesh bag to store it all in - and a book that I'm going to give away to a lucky reader this week!

If you haven't tried Brazilian embroidery yet or aren't familiar with it, you might want to check out the Brazilian Dimensional Embroidery guild website, where you'll find lots of information on the technique. Essentially, Brazilian embroidery combines regular surface embroidery stitches with dimensional stitches, to create a highly textured embroidery design. The threads normally used in Brazilian embroidery are twisted rayon (Edmar Threads are commonly used), so the overall effect of the style is colorful and textured, with a high sheen.

Threads in Bloom is an online shop specializing in Brazilian embroidery kits and supplies. Sharon offers many Brazilian embroidery kits that she has designed herself, and some of them are really beautiful! She sent this kit to me for a give-away, along with the threads to complete it and a mesh bag to store it in. So - here it is:



For this give-away, you'll get everything you see in the photo above - the kit, the threads, the mesh bag. Oh - and needles - milliners needles in different sizes. I forgot to include those in the photo!



Inside the kit, you'll find the design pre-printed on trigger cloth, which is traditionally used for Brazilian embroidery, a set of printed instructions that include diagrams of the various stitches, and the beads required for finishing the piece.



The threads are beautiful, aren't they?



In addition to the kit and bag, you'll also receive this book, Apples to Zinnias: A Dimensional Embroidery Project Book, which details how to make the alphabet sampler on the front cover of the book.



Inside the book, you'll find diagram instructions on how to complete the various stitches and combinations used in Brazilian embroidery.

So if you've been hankering to try Brazilian embroidery - or if you've been wanting to practice dimensional stitches - here's your opportunity to try it for free!

To join the give-away, please follow these instructions:

1. Leave a comment below (on this article on the website - not via e-mail or on another post).

2. In your comment, answer the following question: What do you like best about Brazilian embroidery - the colors, the texture, the threads, the dimensional stitching, or....? and why? If you haven't done any Brazilian embroidery, what intrigues you about it?

3. Make sure you sign some kind of name to your comment, if you post anonymously.

4. I'll draw a winner on Friday, December 4th at 5:00 am CST, so leave your comment before then! Check back on Friday to see if you've won, and then, if you did, follow the instructions in the winner post!

That's all - not too complicated, I don't think. I hope not, anyway!

By the way, even if you don't do Brazilian embroidery, this little package would make a great Christmas gift for a stitching friend!

Best of luck!
]]> stash contest regional embroidery techniques stumpwork 4339 Tania Kleckner noreply@blogger.com 2009-12-04 08:59:53 2009-12-04 08:59:53 1 0 4342 yolanda noreply@blogger.com http://www.blogger.com/profile/06753026822862522307 2009-12-03 20:26:07 2009-12-03 20:26:07 1 0 4344 etostudio noreply@blogger.com http://www.blogger.com/profile/17095663920567325345 2009-12-03 19:34:39 2009-12-03 19:34:39 1 0 EdT.]]> 4345 Anonymous noreply@blogger.com 2009-12-03 19:09:45 2009-12-03 19:09:45 1 0 Sandy Breuer]]> 4346 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-12-03 18:49:11 2009-12-03 18:49:11 1 0 4347 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2009-12-03 18:31:07 2009-12-03 18:31:07 1 0 Didomum]]> 4349 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2009-12-03 14:33:02 2009-12-03 14:33:02 1 0 Annie from Virginia]]> 4350 Anonymous noreply@blogger.com 2009-12-03 14:27:16 2009-12-03 14:27:16 1 0 4351 Marian noreply@blogger.com 2009-12-03 14:09:12 2009-12-03 14:09:12 1 0
I guess my competition comments would be that, as I have not heard of this before, I should like to explore it more. Also, I'm not sure, but I dont think any of the Ladies at Guild have heard about Brazilian embroidery, so I think the Ladies would be interested to learn more about this style of embroidery.]]> 4352 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2009-12-03 13:50:01 2009-12-03 13:50:01 1 0
SCRUMPTIOUS!!!

Thanks for the opportunity to win.

Colleen Lim]]> 4355 kbsalazar noreply@blogger.com http://string-or-nothing.com 2009-12-03 13:39:07 2009-12-03 13:39:07 1 0 4356 Anonymous noreply@blogger.com 2009-12-03 13:12:39 2009-12-03 13:12:39 1 0 Shamrock in Galveston, Texas]]> 4357 Julie noreply@blogger.com http://www.blogger.com/profile/05453376699209922456 2009-12-03 12:08:37 2009-12-03 12:08:37 1 0 Please include me in your drawing...I absolutely love the color and textures of the threads! Your website is a wonderful place.
Blessings,
Julie
jcayemberg at gmail dot com]]> 4360 Anonymous noreply@blogger.com 2009-12-03 11:23:53 2009-12-03 11:23:53 1 0 4361 Anonymous noreply@blogger.com 2009-12-03 10:37:55 2009-12-03 10:37:55 1 0 Maggie C]]> 4362 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2009-12-03 10:24:14 2009-12-03 10:24:14 1 0 4363 Anonymous noreply@blogger.com 2009-12-03 09:30:11 2009-12-03 09:30:11 1 0
What I like about Brazilian embroidery is the colors, they are truly beautiful and bold. Why I would like to try this type of embroidery is I love to learn new types of skills.

Thank you for the lovely give-away.
Leslie]]> 4364 Kim momgib2000@gmail.com http://www.blogger.com/profile/13897978493027374695 2009-12-03 09:23:05 2009-12-03 09:23:05 1 0 4365 susan noreply@blogger.com http://www.blogger.com/profile/06608145418807196040 2009-12-03 09:19:43 2009-12-03 09:19:43 1 0 4369 Anonymous noreply@blogger.com 2009-12-03 07:56:16 2009-12-03 07:56:16 1 0 4370 Pam Paice noreply@blogger.com 2009-12-03 07:46:59 2009-12-03 07:46:59 1 0 Pam.
Hampshire UK]]> 4371 Ninu noreply@blogger.com http://www.blogger.com/profile/15451333726618944097 2009-12-03 07:33:17 2009-12-03 07:33:17 1 0 4373 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2009-12-03 07:13:55 2009-12-03 07:13:55 1 0 4376 Anonymous noreply@blogger.com 2009-12-03 06:26:54 2009-12-03 06:26:54 1 0 Wow! I joined the group just in time to take part in the raffle. I haven't done Brazilian embroidery yet but it looks great. The colors and threads look absolutely inviting. The dimensional effects look really interesting to learn.
Good luck to everyone]]> 4377 viji noreply@blogger.com 2009-12-03 06:18:21 2009-12-03 06:18:21 1 0 viji]]> 4378 RemarkablyAverageJane noreply@blogger.com http://www.blogger.com/profile/09364307484380227947 2009-12-03 06:15:50 2009-12-03 06:15:50 1 0 4379 Janice M. Miller noreply@blogger.com 2009-12-03 06:01:25 2009-12-03 06:01:25 1 0 Anyway, it is such a beautiful give away I just had to put my number in the hat.]]> 4380 Anonymous noreply@blogger.com 2009-12-03 05:42:46 2009-12-03 05:42:46 1 0
Thanks for introducing me to this "new" artform.

Colleen Murphy]]> 4381 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-12-03 04:22:13 2009-12-03 04:22:13 1 0 Here our traditional embroidery is whitework, called "adinuke" and mereshka. Of course, we have some wonderful ecclesiastical embroidery examples. But other kinds of embroidery are new and I learn about them only from internet (of course, nowadays the most popular is cross stitching). So I would be very glad to try this embroidery and to learn more about it.]]> 4383 Ramya noreply@blogger.com http://www.blogger.com/profile/00894780256080713640 2009-12-03 00:22:01 2009-12-03 00:22:01 1 0 4384 Anonymous noreply@blogger.com 2009-12-02 18:47:21 2009-12-02 18:47:21 1 0
Cheers,
Djailai
NY, NY!]]> 4385 Rhiannon noreply@blogger.com http://www.blogger.com/profile/16216993984117292551 2009-12-02 14:38:13 2009-12-02 14:38:13 1 0 4388 Waterrose noreply@blogger.com http://www.blogger.com/profile/07422788758188500128 2009-12-02 14:14:56 2009-12-02 14:14:56 1 0
waterrose at mac . com]]> 4389 Anonymous noreply@blogger.com 2009-12-02 13:28:08 2009-12-02 13:28:08 1 0
I have done three stumpwork pieces from Jane Nicholas's books and I've tried Brazilian embroidery (with the correct threads). I like BE a lot because of the diversity of colors and textures. If I could, I would own all the Ed mar threads.

Thank you again for the opportunity, Mary. I love your website and visit every day, but this is my first comment. Now that I have come out of the woodwork may be I will comment more!

Blessings to you,
Ellen F. in Omaha, NE]]> 4392 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-12-02 12:14:06 2009-12-02 12:14:06 1 0 4401 Divya noreply@blogger.com 2009-12-02 03:43:14 2009-12-02 03:43:14 1 0
Thank you so much for this awesome and extremely generous give away. I've never tried Brazilian Embroidery (and quite honestly, haven't come across it till now), but this kit looks so very pretty and I would love to give it a try. Always nice to learn new techniques :)

Fingers Crossed!!

Divya]]> 4402 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-12-02 01:01:54 2009-12-02 01:01:54 1 0
Thanks for sharing all the beautiful stitches, advice, and giveaways!
Kathy in Kenai]]> 4403 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2009-12-02 00:07:42 2009-12-02 00:07:42 1 0 4404 Erica noreply@blogger.com http://www.blogger.com/profile/12692499583754486790 2009-12-01 23:34:25 2009-12-01 23:34:25 1 0 Although I have seen Brazilian embroidery done, I have not tried it myself - yet. The hues of Edmar threads are subtle and the sheen beautifully soft. I know there are some tricky stitches, but who is afraid of a challenge? Flowers, especially in three dimensions, look so gorgeous when embroidered. I would love the opportunity to work this bouquet - even though I just KNOW there will be some unthinking along the way!
Erica]]> 4406 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2009-12-01 18:00:17 2009-12-01 18:00:17 1 0 Debra Puma]]> 4407 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2009-12-01 16:32:36 2009-12-01 16:32:36 1 0 4409 Anonymous noreply@blogger.com 2009-12-01 14:48:10 2009-12-01 14:48:10 1 0
I'd love to see you give more information on Brazilian embroidery. We have so many people who are desperately in search of lessons to do this beautiful embroidery. Thanks for the always informative website, too.]]> 4410 Diane Conn connphoto@gmail.com http://www.blogger.com/profile/10319953598877520924 2009-12-01 14:06:04 2009-12-01 14:06:04 1 0 Diane]]> 4412 Anonymous noreply@blogger.com 2009-12-01 12:25:21 2009-12-01 12:25:21 1 0 Jean from Puyallup WA]]> 4413 Valerie noreply@blogger.com http://www.blogger.com/profile/12655755853719886136 2009-12-01 11:42:45 2009-12-01 11:42:45 1 0 4414 Anonymous noreply@blogger.com 2009-12-01 10:47:24 2009-12-01 10:47:24 1 0 I continue to enjoy your site and read it daily, thanks for all the help and instructions. Now, as for the Brazilian embroidery I have only done one very small piece and found that what really got my eye was the colors of the thread. This would be a wonderful kit and really beautiful book to win. Thanks for sharing
Joan, Richmond B.C.]]> 4415 Anonymous noreply@blogger.com 2009-12-01 10:06:52 2009-12-01 10:06:52 1 0 Karole King]]> 4417 Anonymous noreply@blogger.com 2009-12-01 09:00:38 2009-12-01 09:00:38 1 0 Brazilian Embroidery has the Wow factor, the colours really shine and because of the different stitchesit really stands out. Pleasse pick me. We need cheering up in the UK.]]> 4418 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2009-12-01 08:52:21 2009-12-01 08:52:21 1 0
angie at angiebrennan dot com

Thanks!]]> 4419 Nora noreply@blogger.com 2009-12-01 08:37:07 2009-12-01 08:37:07 1 0 I would love to win this kit and book. I have some Ed Mar threads and could use all the help I can get. I hope I win this.
Thanks
Nora]]> 4420 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2009-12-01 08:25:12 2009-12-01 08:25:12 1 0 This is the first time I'm hearing about Brazilian embroidery... But I'm attracted towards it at first sight because of it's bright colours and dimensional looks... This one looks like an embroidery which will stand out, literally :)

Thanks Mary and Sharon for this great give-away!! Would love to be the lucky one... All the best for the lucky winner!!]]> 4421 Anonymous noreply@blogger.com 2009-12-01 08:21:08 2009-12-01 08:21:08 1 0
Katrina M.]]> 4423 teresa noreply@blogger.com http://www.blogger.com/profile/05425122289127519610 2009-12-01 07:48:19 2009-12-01 07:48:19 1 0 you for sharing your work and ideas with us.
TERESA]]> 4424 awesomeave noreply@blogger.com http://awesomeave.wordpress.com/ 2009-12-01 07:11:47 2009-12-01 07:11:47 1 0 4425 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-12-01 05:57:46 2009-12-01 05:57:46 1 0 All the best to you and all the stitchers out there this holiday season. Karen in NC]]> 4426 Anusuya noreply@blogger.com http://www.blogger.com/profile/02938431007212383113 2009-12-01 05:30:09 2009-12-01 05:30:09 1 0
Your give-aways are always tempting. I like everything about BE, especially the final outcome is always breathtaking. Recently, I completed a small and my first BE project. Please count me in as well.

Love,
Anu]]> 4427 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2009-12-01 05:03:36 2009-12-01 05:03:36 1 0 Brazilian embroidery but haven't tried it yet.
The threads are beautiful ! I am wanting to learn
how to do this beautiful stitching. The colors just look amazing! Thanks for giving this awesome giveaway Mary, someone is going to be a happy winner!
Thelma Bradshaw]]> 4428 PomieMommie noreply@blogger.com http://www.blogger.com/profile/13802941050762789365 2009-12-01 04:28:16 2009-12-01 04:28:16 1 0 Donna the Pommie Mommie]]> 4430 Carol cardsbycarol@ymail.com http://www.blogger.com/profile/16047209123154598013 2009-12-01 03:30:50 2009-12-01 03:30:50 1 0 Thanks for all the lovelies you post - I love the monogram alphas and appreciate all the other links you share, too.
juno
xx
Juno's Place]]> 4431 Maryvonne noreply@blogger.com 2009-11-30 22:45:55 2009-11-30 22:45:55 1 0 As usual you come up with the most attractive giveaway. How I'd like to win this one. Have been wanting for a long time to try my hand at three-dimensional embroidery, but... The colours, the threads, texture, everything appeals to me. Where I live, we don't have a wide choice of threads and I've mostly used stranded cotton, so the brilliant colours and sheen of your threads would really make a change. And the book... What a gorgeous alphabet.
This giveaway will make someone a fabulous early Xmas present. Hope you have a very happy one.]]> 4432 Madhu noreply@blogger.com http://www.blogger.com/profile/15624261437846166830 2009-11-30 22:19:10 2009-11-30 22:19:10 1 0 4433 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2009-11-30 21:55:21 2009-11-30 21:55:21 1 0 I have not tried Brazilian embroidery-what intrigues me is it's beauty. Kathy]]> 4434 Anonymous noreply@blogger.com 2009-11-30 21:07:29 2009-11-30 21:07:29 1 0
This is an absolutely beautiful kit and book. Thanks for the chance!

Nita Carroll]]> 4436 Anonymous noreply@blogger.com 2009-11-30 20:11:14 2009-11-30 20:11:14 1 0 4437 Anonymous noreply@blogger.com 2009-11-30 20:09:20 2009-11-30 20:09:20 1 0 4438 Sara ananemone@gmail.com http://www.blogger.com/profile/17027048057861655852 2009-11-30 19:54:12 2009-11-30 19:54:12 1 0 4439 Anonymous noreply@blogger.com 2009-11-30 19:49:42 2009-11-30 19:49:42 1 0
Waiting, waiting, until Friday, Ginger]]> 4440 Anonymous noreply@blogger.com 2009-11-30 19:07:46 2009-11-30 19:07:46 1 0
Dixie Crabtree]]> 4441 Anonymous noreply@blogger.com 2009-11-30 18:20:59 2009-11-30 18:20:59 1 0 Dawn C.]]> 4442 linwenster noreply@blogger.com http://www.blogger.com/profile/12039650393453934749 2009-11-30 18:05:33 2009-11-30 18:05:33 1 0 4443 Mel noreply@blogger.com 2009-11-30 17:50:04 2009-11-30 17:50:04 1 0
A question--I'm used to "trigger" describing a poly or poly/cotton fabric. Is that true here or is this a different kind of trigger?]]> 4444 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-11-30 17:48:00 2009-11-30 17:48:00 1 0 4445 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-11-30 17:27:25 2009-11-30 17:27:25 1 0 4446 Jenne jenne_girle@yahoo.com http://www.blogger.com/profile/17885254780188100205 2009-11-30 16:56:41 2009-11-30 16:56:41 1 0 4447 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-11-30 16:40:23 2009-11-30 16:40:23 1 0 4448 J noreply@blogger.com http://www.blogger.com/profile/18038410399748516498 2009-11-30 16:15:53 2009-11-30 16:15:53 1 0 Janet]]> 4449 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-11-30 16:02:59 2009-11-30 16:02:59 1 0 4450 Anonymous noreply@blogger.com 2009-11-30 15:55:01 2009-11-30 15:55:01 1 0 I LOVE Brazilian Embroidery!!! I have been doing it since taking a class at Omaha CQ retreat. I blends so nicely into CQ that I am addicted!! Congrats to the lucky winner!!

Gayle in Missouri]]> 4451 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2009-11-30 15:39:03 2009-11-30 15:39:03 1 0
I tried it once, with some success, but another try is really needed!

Sally]]> 4452 Elisa Gomez noreply@blogger.com http://www.blogger.com/profile/15078108816821330255 2009-11-30 15:32:48 2009-11-30 15:32:48 1 0
Elisa]]> 4453 Anonymous noreply@blogger.com 2009-11-30 15:18:56 2009-11-30 15:18:56 1 0
What I like about Brazilian Embroidery is how life like the project becomes after every defining color is implemented in each design be it birds, flowers, fruit or whatever the chosen design may be.

I love, love, love the Apples to Zinneas project.

Thank you again for such a generous offer and Good Luck everyone.

Virginia
San Diego, CA]]> 4454 Anonymous noreply@blogger.com 2009-11-30 14:32:44 2009-11-30 14:32:44 1 0
I have wanted to learn Brazilian embroidery for a while and that A - Z book has caught my eye several times. I find the texture of the Brazilian embroidery intriguing. With holidays coming up it would be a perfect time to learn a new skill. I love learning new techniques. Thankyou for the opportunity

Lynette]]> 4455 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-11-30 14:29:23 2009-11-30 14:29:23 1 0 And above all, friday is my birthday, so maybe I will be lucky ;-)
Cheers
Coeur de freesia]]> 4456 Anonymous noreply@blogger.com 2009-11-30 14:21:45 2009-11-30 14:21:45 1 0 Sandy]]> 4457 graperoof907 noreply@blogger.com http://www.blogger.com/profile/14331941170827894285 2009-11-30 14:18:22 2009-11-30 14:18:22 1 0 4458 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2009-11-30 14:17:05 2009-11-30 14:17:05 1 0 4459 Anonymous noreply@blogger.com 2009-11-30 14:14:08 2009-11-30 14:14:08 1 0 4460 Marti Weidner noreply@blogger.com 2009-11-30 14:04:23 2009-11-30 14:04:23 1 0 4461 Juanita noreply@blogger.com 2009-11-30 13:35:25 2009-11-30 13:35:25 1 0 4462 Susan noreply@blogger.com http://www.blogger.com/profile/15592650795481285111 2009-11-30 13:18:29 2009-11-30 13:18:29 1 0 I just love any kind of embroidery. But what i love most about Brazillian embrodiery is the way the sticthes just jump off the fabric it is a beautifulwork of art and i would love to try it out.!!!!!!!!]]> 4463 Froggies pad noreply@blogger.com http://www.blogger.com/profile/02464682436359653921 2009-11-30 13:04:30 2009-11-30 13:04:30 1 0 4464 ebs noreply@blogger.com http://www.blogger.com/profile/00407565305232528383 2009-11-30 13:02:31 2009-11-30 13:02:31 1 0 4465 Pam noreply@blogger.com http://www.blogger.com/profile/06115757921248639285 2009-11-30 12:51:56 2009-11-30 12:51:56 1 0 4466 d.quilter noreply@blogger.com http://www.blogger.com/profile/15909091428642357568 2009-11-30 12:46:08 2009-11-30 12:46:08 1 0 4467 Angelina S. noreply@blogger.com http://www.littleroomrecordco.com 2009-11-30 12:30:01 2009-11-30 12:30:01 1 0 4468 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2009-11-30 12:23:30 2009-11-30 12:23:30 1 0
As ever, tempting us with wonderful new forms of embroidery to stretch our knowledge and challenge us.

I have never done any Brazillian Embroidery. Took your advice and visited the website...........Wow, I just love the vibrant and shimmering threads, just calling out to be used. The website shows us all how to recreate the stitches in a way that is so user friendly.........It makes your fingers itch with anticipation.

How I would love to win this fantastic give away. Good luck to everyone that enters. What a wonderful Christmas surprise this would be to win.

Good luck everyone! Thanks as always for your site and the wonderful people that contribute to the "giveaways"
Marysia.]]> 4469 Anonymous noreply@blogger.com 2009-11-30 12:10:05 2009-11-30 12:10:05 1 0 I love your site. Have been getting your e-mails for some time.
Very informative. Keep up the good work but don't know how you do it.
Kris]]> 4470 Anonymous noreply@blogger.com 2009-11-30 12:06:54 2009-11-30 12:06:54 1 0 Rayon thread takes some getting used to but is beautiful.
Kris]]> 4471 carrie noreply@blogger.com 2009-11-30 11:56:48 2009-11-30 11:56:48 1 0 4472 Gina ginab6@yahoo.com http://www.blogger.com/profile/17127914310809216760 2009-11-30 11:52:45 2009-11-30 11:52:45 1 0 4473 Justine Henn_Stitching@yahoo.com http://www.blogger.com/profile/04207171509125594882 2009-11-30 11:45:08 2009-11-30 11:45:08 1 0 4474 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-11-30 11:39:27 2009-11-30 11:39:27 1 0
I have done some BDE and love the lush look of the threads and the raised embroidery; the range of colours through vibrant to muted.

Nova makes wonderful tree trunks in bullions. Glory is stunning for fine leaves.

To me there is no choice between thread/colour or embroidery. It is the whole that makes the perfection.

thanks for including me,
Maureen]]> 4475 Merryann noreply@blogger.com http://www.blogger.com/profile/06729348908156943980 2009-11-30 11:29:05 2009-11-30 11:29:05 1 0
Merryann]]> 4476 Melangell noreply@blogger.com http://www.blogger.com/profile/01584015801080662866 2009-11-30 11:27:09 2009-11-30 11:27:09 1 0
Melangell]]> 4477 piney cq noreply@blogger.com http://www.blogger.com/profile/06318464831940639006 2009-11-30 11:23:11 2009-11-30 11:23:11 1 0 4478 Anonymous noreply@blogger.com 2009-11-30 11:21:12 2009-11-30 11:21:12 1 0 I love the texture and realism of the finished product. The sheen of the thread makes me swoon--I love silk and rayon in all forms.
Thank You,
Lou]]> 4480 mrsbeela noreply@blogger.com 2009-11-30 11:08:29 2009-11-30 11:08:29 1 0 Thanks
Linda B]]> 4481 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-11-30 11:01:24 2009-11-30 11:01:24 1 0
Samanta - it's interesting that Brazilian embroidery isn't being done in Brazil. I wonder if it's a case of giving an old style of stitching done in a new material an "exotic" name to try to boost interest in it? Or it really started in Brazil and fell out of favor, and no one remembers it?

Mary - please do not put me in the drawing, I love the kit, but fear it would languish in my backlog of projects for quite a while. Good luck to everyone!]]> 4482 Anonymous noreply@blogger.com 2009-11-30 10:56:50 2009-11-30 10:56:50 1 0 I have found your blog three months ago. Every day I waiting for the next interesting post. Thank you so much. I'm from Germany and it's a little bit difficult to write all what I think. It's easier for me to read a english text.
Now, Brazilian embroidery I have never done. I like the shiny threads and the texture of this embroidery. I like to learn many kinds of embroidery, maybe I have a little bit luck to get this nice kit.
All the best, Katrin]]> 4483 shortoldlady noreply@blogger.com http://www.blogger.com/profile/14274432184167606327 2009-11-30 10:55:43 2009-11-30 10:55:43 1 0 4484 Kaysee noreply@blogger.com http://www.blogger.com/profile/11309622562411730967 2009-11-30 10:51:01 2009-11-30 10:51:01 1 0 4485 Kris noreply@blogger.com http://www.blogger.com/profile/01819774113675793643 2009-11-30 10:28:41 2009-11-30 10:28:41 1 0 Kris Curtis]]> 4486 Anonymous noreply@blogger.com 2009-11-30 10:27:31 2009-11-30 10:27:31 1 0 4487 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-11-30 10:19:12 2009-11-30 10:19:12 1 0 4488 Carrie in Washington noreply@blogger.com 2009-11-30 10:01:24 2009-11-30 10:01:24 1 0 Carrie in Washington]]> 4489 Linda in Arkansas noreply@blogger.com 2009-11-30 09:48:08 2009-11-30 09:48:08 1 0 4490 Anonymous noreply@blogger.com 2009-11-30 09:39:17 2009-11-30 09:39:17 1 0
Judy in OKC]]> 4491 Cynthia noreply@blogger.com 2009-11-30 09:23:06 2009-11-30 09:23:06 1 0 Brazilian Embroidery it is completely unknown here in Brazil, has materials, needles, lines and a lot of things I can only get through paypal, + books = an account credit card unbelievable!
I would gladly pay the shipping and send photos of my progress. It would be a dream come true!]]> 4493 Anonymous noreply@blogger.com 2009-11-30 09:14:42 2009-11-30 09:14:42 1 0 Beryl]]> 4494 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-11-30 09:13:53 2009-11-30 09:13:53 1 0 4495 onafixedincome noreply@blogger.com 2009-11-30 09:13:29 2009-11-30 09:13:29 1 0
Doing serious jump up and down going "ooh, ooh, ME!!MEEEEE!!!" here. The Apples to Zinnias book garnered an actual gasp and instant, total lust...I WANNA DO THAT!!

*closing eyes*...*invoking calm*...ah, much better, can almost make sense now.

The shiny intense colors and mix of stitches (FORTY wrap bullion? Ai! Whee!) is something that just calls to me in a fun and downright intriguing little voice...and I just gotta try this!

Thanks, Mary and TIB...sure hope the ol' computadora picks me for this one, it would make my DECADE!]]> 4496 rroebuck noreply@blogger.com 2009-11-30 09:06:45 2009-11-30 09:06:45 1 0 rroebuck]]> 4497 Quayceetatter noreply@blogger.com http://www.blogger.com/profile/08287283586890066834 2009-11-30 09:03:34 2009-11-30 09:03:34 1 0 Linda M
http://quayceetatter.blogspot.com]]> 4498 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-11-30 09:01:10 2009-11-30 09:01:10 1 0 Thanks for another wonderful give away. As someone who majored in sculpture I am fascinated by the 3 dimensional aspect of Brazilian embroidery, but to be truthful it is the threads that are the real temptation. I hope your Thanksgiving was great. Here's wishing you a joy filled Advent.
Candyce]]> 4499 Carol noreply@blogger.com 2009-11-30 08:55:40 2009-11-30 08:55:40 1 0 4500 Cathy noreply@blogger.com 2009-11-30 08:55:20 2009-11-30 08:55:20 1 0 4501 Becky noreply@blogger.com http://www.blogger.com/profile/13997333143641003888 2009-11-30 08:55:02 2009-11-30 08:55:02 1 0
Becky]]> 4502 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2009-11-30 08:48:26 2009-11-30 08:48:26 1 0 4503 Pat noreply@blogger.com http://www.blogger.com/profile/00534657046726214014 2009-11-30 08:47:21 2009-11-30 08:47:21 1 0 4504 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-11-30 08:45:53 2009-11-30 08:45:53 1 0 4505 Anonymous noreply@blogger.com 2009-11-30 08:37:27 2009-11-30 08:37:27 1 0
MommaSue]]> 4506 ledamewood noreply@blogger.com http://www.blogger.com/profile/09741893340014830055 2009-11-30 08:21:09 2009-11-30 08:21:09 1 0
Lynn D]]> 4507 Anonymous noreply@blogger.com 2009-11-30 08:16:47 2009-11-30 08:16:47 1 0 4508 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2009-11-30 08:02:44 2009-11-30 08:02:44 1 0 This is a wonderful draw. I have been practicing Brazillian embroidery for a CQ round robin with CQI in January. I love the three dimentional stitches and of course the shiny threads add a lot too. I'd love to win this! Thanks!]]> 4509 Marjolein noreply@blogger.com 2009-11-30 07:57:59 2009-11-30 07:57:59 1 0 I like the Brazilian embroidery designs and I am very curious about how it is done, the unknown threads and .... can I do it???]]> 4510 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-11-30 07:52:15 2009-11-30 07:52:15 1 0
Jane]]> 4511 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-11-30 07:51:27 2009-11-30 07:51:27 1 0 I have been trying to teach myself BE for the last week or so and have been practicing my stitches with locally available threads till I can get hold of the real thing.

Brazilian embroidery with the rayon threads looks totally out of this world because of the sheen of the threads and also the colours available.

Thanks Mary and Sharon for offering such a wonderful giveaway]]> 4512 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2009-11-30 07:49:59 2009-11-30 07:49:59 1 0 4513 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-11-30 07:49:02 2009-11-30 07:49:02 1 0 4514 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-11-30 07:46:54 2009-11-30 07:46:54 1 0 4515 Pat noreply@blogger.com http://www.blogger.com/profile/11086618266918856381 2009-11-30 07:46:25 2009-11-30 07:46:25 1 0 4516 sue noreply@blogger.com http://www.blogger.com/profile/00770592335543390352 2009-11-30 07:45:45 2009-11-30 07:45:45 1 0 Thank you for the giveaway chance.
sue]]> 4517 Pat noreply@blogger.com http://www.blogger.com/profile/11086618266918856381 2009-11-30 07:41:47 2009-11-30 07:41:47 1 0 4518 Lynn sunnysmiles1951@yahoo.com http://www.blogger.com/profile/14259119395374587303 2009-11-30 07:38:05 2009-11-30 07:38:05 1 0 4519 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-11-30 07:35:30 2009-11-30 07:35:30 1 0 wish i will be the winner of this beautiful kit..
I like the texture of the BE though i didn't see in real..
and also I would like to try some stitches of caston family which are best goes with rayon threads..
this kit is tempting me like anyhting..wish I could be the winner.
Tahnk you Mary..]]> 4520 Elza Bester noreply@blogger.com 2009-11-30 07:28:51 2009-11-30 07:28:51 1 0 4521 Anonymous noreply@blogger.com 2009-11-30 07:15:07 2009-11-30 07:15:07 1 0 PICK ME THIS TIME... have always wanted to try Brazilian Embroidery but have not to date. I am intrigued by it's texture and the way it use different stitches to get quite a stunning effect.
Would be good to try something new!
Nupur]]> 4522 jcmend noreply@blogger.com http://www.blogger.com/profile/01456542354901569052 2009-11-30 06:56:11 2009-11-30 06:56:11 1 0 4523 Nancy noreply@blogger.com http://www.blogger.com/profile/15399656333025771710 2009-11-30 06:52:15 2009-11-30 06:52:15 1 0
I am one of those people that long to learn but then worry that I will make a mistake so sit back and watch. With a kit plus the book I would have no reason to do that!

Nancy Steele]]> 4524 Laura lgj302@gmail.com http://www.blogger.com/profile/15492427404652837504 2009-11-30 06:48:18 2009-11-30 06:48:18 1 0 I saw a piece of Brazilian embroidery a couple years ago and just loved it! Haven't gotten around to trying it yet, though. The textures and dimension are what intrigue me!]]> 4525 Anonymous noreply@blogger.com 2009-11-30 06:44:46 2009-11-30 06:44:46 1 0 4526 Allie noreply@blogger.com http://www.blogger.com/profile/14864083839893171130 2009-11-30 06:17:09 2009-11-30 06:17:09 1 0
Brazilian embroidery...I honestly hadn't heard of it before reading about it on your site. Those threads look so gorgeous though..I can imagine how beautiful they reflect light combined with the dimensional embroider of this style! I'm sure it's one of those things that you have to struggle not to touch every second! I would love to learn how to do this style and to get a chance to work with those lovely threads, as well as read the book. The front cover is just so intriguing...the designs blow me away!

Allie C.]]> 4527 bionic noreply@blogger.com http://www.blogger.com/profile/10611133325145732153 2009-11-30 06:09:28 2009-11-30 06:09:28 1 0 bionicbodger]]> 4528 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-11-30 05:59:47 2009-11-30 05:59:47 1 0
I just love trying new techniques and I've been itching to try my hand at Brazilian Embroidery for a looooooong time.

I love the colours, texture and dimensional aspect but I think the biggest attraction to me is that it is so very different from any other embroidery I do.

Good luck everyone :-)]]> 4529 TiLT TiLTcreations@gmail.com http://www.blogger.com/profile/15569608376145813091 2009-11-30 05:59:04 2009-11-30 05:59:04 1 0 I think it's the texture of this kind of embroidery that really grabs me. It just makes me want to reach out & touch it :)]]> 4530 Anonymous noreply@blogger.com 2009-11-30 05:48:13 2009-11-30 05:48:13 1 0 Barb]]> 4531 Samanta noreply@blogger.com 2009-11-30 05:45:20 2009-11-30 05:45:20 1 0 Thanks for the give-away, it's very generous of you - as always! :)]]> 4532 Colleen Strickler noreply@blogger.com 2009-11-30 05:32:56 2009-11-30 05:32:56 1 0
Thanks so much for your blog, I love it.

Colleen Strickler]]> 4533 Anonymous noreply@blogger.com 2009-11-30 05:30:47 2009-11-30 05:30:47 1 0 Berenice]]> http://www.needlenthread.com/2009/11/monogram-for-hand-embroidery-fan-flower.html Sun, 29 Nov 2009 06:00:00 -0600 Mary Corbet 151 2009-11-29 06:00:00 2009-11-29 06:00:00 open open Monogram-for-Hand-Embroidery:-Fan-Flower-E publish 0 0 post
I was visiting NYC at the time, and this was my first venture into some really pricey antique shops. That little 9" square of linen someone a hundred or more years ago had poured a lot of heart into was selling for $100, and, needless to say, I couldn't buy it! No matter how I tried to justify it, spending $100 on a slip of fabric was way beyond my means. And then, of course, there was the whole question of the E. E was not quite Me!

But I'll never forget that monogram; I think it was the first time I actually appreciated the art of embroidered monograms. Now, every time I see an E monogram, I think back to that hankie in an over-crowded antique shop in NYC, and I wonder if anyone ever did buy the thing?

Well, enough of that! Here's the E in the latest series of free hand embroidery monograms patterns here on Needle 'n Thread.

If you're looking for stitching suggestions for this series of monograms, please check out the Letter A, where I've mentioned a few ideas for stitches. Also, if you have any ideas or input for stitching these letters, feel free to leave a comment!

Here's the small E:



And here's the large E:



And, if you'd like to save a PDF version of the small and large E, here it is:

Monogram for Hand Embroidery: Fan Flowers E (PDF)

Feel free to visit the Index of Monogram Designs here on Needle 'n Thread, if you're looking for more monograms, including the rest of this alphabet.

Enjoy!
]]> free embroidery patterns monograms 4537 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-29 10:07:21 2009-11-29 10:07:21 1 0
Elza, I have seen Di's book - it's lovely. One of these days, I'll try to get my hands on it! Her work is always stunning. I think the best word to describe her embroidery is "lush." It's so colorful and so full of texture!

Thanks for the comments!

MC]]> 4538 Elza Bester noreply@blogger.com 2009-11-29 10:00:07 2009-11-29 10:00:07 1 0 Elza Bester Cape Town]]> 4539 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2009-11-29 09:54:27 2009-11-29 09:54:27 1 0 http://www.needlenthread.com/2009/11/time-for-needlework-needlebook-progress.html Sat, 28 Nov 2009 05:47:00 -0600 Mary Corbet 152 2009-11-28 05:47:00 2009-11-28 05:47:00 open open Time-for-Needlework!-Needlebook-Progress! publish 0 0 post French Maid Needlebook kit from Access Commodities.

I've finished the monogram, added some bullion roses to it, and almost finished one of the "fancy stripes" down one side of the front. Now, I AM excited about the project so far, but I have made some mistakes, and I'll be pointing those out to you - not because I'm a negative person always looking for mistakes (!), but just so that you can see where I've run into some pitfalls. Maybe pointing out the pitfalls in my stitching will help you avoid similar pitfalls in your stitching.



Here's the finished monogram, and you can see that I've started adding the bullion roses to it. I would like the monogram, had I not made some little mistakes on it that bug me. The question is, do they bug me enough to pick out some of the stitching and re-do it? Ummmm.... maybe not!



This is the upwards swash where the main part of the T curls up and around. The circled areas indicate the points that bug me. The circled area on the right: I should not have made such a clear separation for the last little section of the curve. The circle on the left: there's a stitch in there that's too small, and it makes the curve there look pinched, so that it is just slightly angular, rather than smoothly curved.

The latter problem isn't that big of a deal - I don't find it that noticeable. But the former problem (the right circle) does bug me (a LOT), so I'm thinking I might pick that out eventually!



I added the bullion roses to the center, using the pinks that were supplied with the kit. I used two strands of Soie d'Alger for the bullions.



Once I finished the bullion roses, I used two strands of the brighter green to work in some straight-stitch greenery around the roses. Here, I should have worked in all three greens that were supplied in the kit. Later, I did go back and cut in some other green, but it isn't very effective.

I also should have reduced to one strand, when working the rest of the curl on that green branch. You can see this point better in the picture below:



Here's the completed monogram with the flowers.



In the original kit, the "fancy stripes" down the two sides of the front and back of the needlebook are bordered by a cross stitched edge, straight down the length of the stripe. Inside, are cross stitched roses. For my version of the surface embroidered needlebook, I wanted to keep the color and design scheme, but work in surface stitches. For the edges of the stripe, I chose Portuguese Knotted Stem Stitch. I like the little bit of texture this stitch provides, plus I like the somewhat wavy or scalloped look of the stitch.



After working the one edge of the stripe area, I realized that, if I were going to stitch bullions in the center, it would be easier to do so if I were not stitching between two embroidered lines! Otherwise, I risk running into the embroidered lines with the tip of my needle and snagging them. So I added the bullion rose buds before stitching up the other edge of the stripe area.



I added straight stitch leaves on each side of each rose bud, and worked a running stitch line down the center of the stripe area. The running stitch line is part of the original counted instructions.



In the photo above, you can get a sense of the design of the needlebook cover and the matching lining fabric. I think they look great together! I like the way the stripes on the cover mirror the stripes in the fabric. In fact, I think that's what sold me on the kit in the first place!

So, there's my progress so far. I'm enjoying this little project! Keep your fingers crossed for me - maybe I'll get the embroidery finished on it before Monday arrives again!

Enjoy the weekend!

]]> historical needlework Embroidery Projects embroidery kits pictures needlework pictures 4422 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2009-12-01 08:18:28 2009-12-01 08:18:28 1 0
That looks Gorgeous... The bullion roses look brilliant along with the grey monogram.

I tried the bullion knot some 2 months ago, but I could not get it right... I think I did not secure it properly at the end, the knot was not firm, leaving it looking sagged. Think I need some more practice to get it perfectly... Hmm I'll try it when I get time...]]> 4535 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-29 21:45:47 2009-11-29 21:45:47 1 0
Thanks for your comments and input!!

MC]]> 4536 EmilyHall noreply@blogger.com http://www.blogger.com/profile/14587130417443023845 2009-11-29 21:09:02 2009-11-29 21:09:02 1 0
For the "right circled area" you might just overlap the satin stitching rather than butting up the two areas of stitching (if I make any sense). It would be something that I would pick out personally, but I guess I am pretty finicky about these sort of things.

It is looking lovely all told though. I really like how you've decided to use the same sort of motif for the borders just in surface instead of counted stitches!

It is always a pleasure to see what you're up to.]]> 4541 Alyssa barnes.alyssa@gmail.com http://www.blogger.com/profile/14945067470076601894 2009-11-29 00:25:50 2009-11-29 00:25:50 1 0 4544 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2009-11-28 16:44:45 2009-11-28 16:44:45 1 0
As ever your work is wonderful.I am learning so much and have just watched your video of the Portugeuse knotted stem stitch.......so another stitch learned.

One day perhaps my monograms will look as good! I always have trouble with the curly parts and I must come back and look again, to know where I am going wrong in the way I do them. I mean the curled parts completed in satin stitch............You always have your stitches just blending in so neatly.......
Thanks as always.
Hope you had a great Thanksgiving.]]> 4545 Marian noreply@blogger.com 2009-11-28 13:12:24 2009-11-28 13:12:24 1 0 4546 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-11-28 12:05:43 2009-11-28 12:05:43 1 0 4547 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-11-28 07:33:06 2009-11-28 07:33:06 1 0 http://www.needlenthread.com/2009/11/readers-embroidery-carnations-in-silk.html Fri, 27 Nov 2009 05:01:00 -0600 Mary Corbet 153 2009-11-27 05:01:00 2009-11-27 05:01:00 open open Reader's-Embroidery:-Carnations-in-Silk publish 0 0 post beautiful embroidery design for a bunch of carnations. Well, just recently, she finished embroidering the design herself, and has graciously allowed me to share photos of it with you. Reminiscent of the "Society Silk" embroidery that was popular at the turn of last century, it's a beautiful example of needlepainting in silk.

Margaret embroidered these carnations using Eterna silk, both the stranded (flat) silk and the mini twist. The flower petals are worked in the flat silk, and the stems and leaves are worked in the mini twist.



The piece is embroidered on an ivory shantung, with four shades of green, four shades of brown, and six shades of pink. The browns and greens are mini twist, while the pinks are flat.



When viewed from the side, you can see the difference between the flat silk on the petals and the mini twist on the stems and leaves.

I love the shading in this piece. The contrast with the browns and greens in the stems and leaves is gorgeous, isn't it? I think what I like best about the design is the "natural" look of the bunch of flowers - I prefer this look to many stylized flower designs that are more common today. This natural look to bunches of flowers is typical of many of the "Society Silk" patterns I've come across, and I really like the look a lot!

Thanks, Margaret, for letting me post the photos! And congratulations on another beautiful finished project!

What have you been working on lately with your needle 'n thread? Any photos you want to share? Feel free to drop me a line and I'll reply with an e-mail address you can send pictures of your work to! I love seeing what needlework other folks are up to - it helps keep the creative juices flowing!
]]> readers embroidery pictures needlepainting silk needlework pictures 4336 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-12-04 16:08:25 2009-12-04 16:08:25 1 0 4479 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-11-30 11:15:29 2009-11-30 11:15:29 1 0
I also followed the link to the "society silk" link and have added it to my bookmarks. Such beautiful designs!

As far as what have I been stitching - I haven't. I have a cross stitch piece on the bars, but haven't touched it in weeks. For some reason, by the time I get home, supper made and cleaned up, my brain is too tired to count holes. And I have sewing projects that really need to be done. Perhaps I need to start just a *small* surface embroidery item......]]> 4548 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-11-28 03:29:47 2009-11-28 03:29:47 1 0 You've made a wonderful work!!!]]> 4549 Flowers noreply@blogger.com http://www.iflorist.co.uk 2009-11-28 01:08:07 2009-11-28 01:08:07 1 0 4550 margaret c. noreply@blogger.com 2009-11-27 16:50:00 2009-11-27 16:50:00 1 0
I had a wonderful time making the pattern, choosing the threads and colours and, finally, stitching this piece. I think that the stitching was the easiest part. It was so much fun watching the carnations take shape and seeing how the threads and colours worked together.

Projects like this are why I stitch.]]> 4551 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-11-27 15:33:13 2009-11-27 15:33:13 1 0 4552 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-27 14:43:41 2009-11-27 14:43:41 1 0
Mbellish - you're right - "art silk" that is sold today is a combination of silk and viscose, and sometimes, it doesn't even have silk in it. The silk used 100 years ago, though - featured in that link on Society Silk goodies I received from Freda - we actually 100% silk. It's filament silk, so very shiny, and has just a slight twist to it. Nice stuff!

Marian! Congratulations on the new position in your AGM guild - you're going to be Really Busy with that, I bet! But wow - wouldn't it be fun to plan a big celebratory event around stitching?!?! Best of luck with that!

MC]]> 4553 Marian noreply@blogger.com 2009-11-27 14:35:21 2009-11-27 14:35:21 1 0
It's Saturday here in New Zealand, and for the first time in 3 months, I have been able to eat Saturday's breakfast at the computer.

Such a lovely post to read and to marvel at the delicate shading onthe petals and leaves.

I attended the AGM of my Guild on Thursday night and was asked if I should like to be on the Committee for 2010 and I agreed. So I am looking forward to being part of organising the celebrations for the 50th Anniversary in 2011.]]> 4554 Mbellish noreply@blogger.com 2009-11-27 13:14:50 2009-11-27 13:14:50 1 0 4555 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-11-27 10:30:10 2009-11-27 10:30:10 1 0 4556 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-11-27 06:18:09 2009-11-27 06:18:09 1 0 http://www.needlenthread.com/2009/11/textile-turkey-happy-thanksgiving.html Thu, 26 Nov 2009 05:00:00 -0600 Mary Corbet 154 2009-11-26 05:00:00 2009-11-26 05:00:00 open open The-Textile-Turkey---Happy-Thanksgiving! publish 0 0 post

This particular turkey is a combination of hand embroidery projects I've worked. You can find the Textile Turkey explained in-depth on this post that followed Thanksgiving Day last year, if you really want to find out more about it.

In the meantime, though - here's my Happy Thanksgiving card to you all!



Wherever you are, even if you don't normally celebrate Thanksgiving, I hope you do have much to be thankful for in your life! For me, I'm super thankful for each of you - thank you for your constant inspiration, encouragement, and interest in hand embroidery and the needle arts!

Happy Thanksgiving! Enjoy the day!
]]> holiday stitching personal pictures 4557 Marian noreply@blogger.com 2009-11-26 20:19:20 2009-11-26 20:19:20 1 0 4558 Elza Bester noreply@blogger.com 2009-11-26 10:44:31 2009-11-26 10:44:31 1 0 4559 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-26 09:48:44 2009-11-26 09:48:44 1 0
They're beetle wings! You can find the post about them here:

Beetle Wings and Goldwork

Thanks, meri, for the best wishes!

Happy Thanksgiving, all!]]> 4560 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2009-11-26 08:24:22 2009-11-26 08:24:22 1 0 4563 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-11-26 06:13:00 2009-11-26 06:13:00 1 0
Hope you enjoy your Thanksgiving holidays!!!
Happily I have much to be thankful for in my life and for me I'm sooooo thankful for meeting you in blogland! not forgetting your nice readers!]]> http://www.needlenthread.com/2008/09/tips-and-tricks-for-hand-embroidery.html Thu, 25 Sep 2008 06:00:00 -0500 Mary Corbet 155 2008-09-25 06:00:00 2008-09-25 06:00:00 open open Tips-and-Tricks-for-Hand-Embroidery publish 0 0 post

Here you'll find general categories for different types of tips, tricks, and helpful information articles on Needle 'n Thread. I've linked to articles that focus solely on a certain tip or technique, as well as articles that contain helpful information within, even if they weren't written to focus on a particular tip.

While organizing this list, I've noticed that I am missing some key information that is especially suited to beginners - articles that I planned to write, but never finished, etc. I'll be finishing those up and publishing them in the near future.

As I re-organize and re-categorize some articles, I'll add them to the list. And of course, whenever I come up with a new article that would fit under any of these categories, I'll list it here, too, so you can find it easily.

Tips Especially for Beginners

Video Library of Hand Embroidery Stitches

Starting and Ending Threads

Transferring a Repeat Pattern (Iron-on)

On Threading Needles (read the comments section, too!)

Making False Starts - Knowing When to Start Over

The Back of the Embroidery

Removing and Repairing a Slip Knot on the Back of your Work

Hand Embroidered Lettering and Text Index - a series of tutorials

Transferring Patterns

Transferring a Design onto a Dressed Slate Frame

Transferring a Repeat Pattern (Iron-on)

Tracing a Pattern (information is contained in the text of this post)

Using Solvy to Transfer Your Design: Part I

Using Solvy to Transfer Your Design: Part II

Transferring a Pattern Using Prick and Pounce

General Information about Iron-on Patterns

Designing your Own Embroidered Card Pattern

Difficulties of Pencil Transfer with Whitework

Transferring a Pattern using Tracing Paper and Tacking stitches

Hoops, Frames, and Stands

The Embroidery Hoop

Dressing a Slate Frame

Using a Stretcher Bar Frame

Stand Review for the Needlework System 4

On Embroidery Hoops in General

Using a Scroll Frame for Ribbon Embroidery (read the comments section for reader input!)

A Project from its Conception to the Beginning Stitches (includes commentary on planning, framing, transferring)

Threads

Thread Conversion - DMC to Anchor, etc.

Cotton Floche vs. Danish Flower Thread

Floche, Perle, and Stranded Cotton

Twisted Silks in Use

Comparison of Twisted Silks

Comparison of Flat Silks, Part I

Comparison of Flat Silks, Part II

Goldwork Threads: Sadi

Goldwork Threads: Passing Thread Close Up

Size Comparison: Gilt Silk Twist vs. Stranded Cotton

Embroidering with Gilt Silk Twist (needle info, etc., within the artcle)

Further Clarification on Floche, Coton a Broder, and Danish Flower Thread

Individual Stitches and Techniques

Long and Short Stitch Shading (Thread Painting, Needle Painting) - a series of tutorials, including videos.

Video Library of Hand Embroidery Stitches

The Difference Between Stem Stitch and Outline Stitch

Whipped Backstitch and Running Stitch - Stitch direction makes a difference!

Satin Stitch around a Tight Curve

Satin Stitch: Outlining and Padding before Stitching

Making Flowers out of Buttonhole Stitch

Making Hollyhocks out of Buttonhole Stitch

Working Herringbone Stitch in a Circle

Experimenting with Italian Stitch in Silk and Gold

Using Seed Stitch as a Filling

How to Make a Bullion Rose Bud - this is a video tutorial that includes tips on starting and ending threads

Lattice Work for the Center of a Flower

Plaited Braid Stitch Musings

Couching Lattince Work

Thread Painting Tips - Long and Short Stitch Shading

Thread Painting Tip from Trish Burr

Stitching a Better Satin Stitch

Beginning a Cutwork Piece

Satin Stitching on Linen - satin stitch on fabric usually used for counted thread techniques (check the comments section, too, for good tips!)

Drawn Thread Embroidery Tips

Chain Loop Bunches in Drawn Thread Embroidery

Hemstitch Tutorial: Photo Tutorial on the Hemstitch used in Drawn Thread Embroidery

Securing the Edges for Drawn Thread Embroidery: Re-Weaving the Drawn Threads

Securing the Edges for Drawn Thread Embroidery: Satin Stitch Bars

Diamond Stitch used in Drawn Thread Embroidery

Fabric

What is Cloth of Gold?

Taking Care of Linens and Projects (read the comments, too)

Embroidering on Vintage Linens

Fabric for Surface Embroidery and Tips on Linen

On Specific Tools

On Threading Needles

Selecting the Right Needle for the Job

Using a Laying Tool

A Boo-boo Stick

Tack Kit (for stretcher bars)

Thread Rings and Keeps

The Contents of a Needlework Toolbox

How to Make a Simple Needle Roll for Storing Needles

Goldwork

Stretched Purl Pearl wrapped with Thread (gold and floss twist)

Using a Plunging Lasso (for plunging goldwork threads)

Goldwork Threads: Sadi

Couching Gold over Silk, and Some Comments on Plunging Threads

Repairing Cloth of Gold (read the comment section especially!)

Preparing Beetle Wings for Embroidery

Chipwork and Working with Purl

Or Nue Information

Goldwork Tools

Stretching Pearl Purl and Couching in the Valleys

What is Pearl Purl and How to Use It

Finish Work

Ironing Your Finished Embroidery

Finish Work: How to Frame a Piece of Embroidery

Finishing an Embroidered Pouch

Making a Cord, Tassel, and Button

Organization

Floss and Thread Organization, Part I ***

Floss and Thread Organization, Part II ***

Keeping Organized While Stitching

Organizing a Project Room (no real tips, just what I did)

Organizing Threads, Especially Floche, Coton a Broder, and Perle Cotton

Organizing Threads Using Key Chain Tabs

Organizing Threads using Thread Cards

Miscellaneous (There's always a junk drawer, isn't there?)

Setting up a Children's Embroidery Class (including making your own thread holders)

An Online Resource for Tips and Tricks

Making Dorset Buttons

Making Embroidery Stitch Videos

Budgeting so you can Afford your Hobby

Making an Arm-Chair Thread Catcher for Scraps and Orts

How Many Hand Embroidery Techniques Are There, Anyway? (read comments!)

Stitching a Stuffed Figure

*** These articles need to be reformatted, which I will do soon. When I switched the site over last year to the new format, some of the characters and formatting didn't transfer, and I just now noticed!!! Aaack. So I will fix these and repost them!

I hope you find something useful in this list that maybe you haven't seen before, or perhaps you'll find something that a stitching friend could use, and you'll forward it on! Thanks!
]]> hand embroidery information embroidery tips and tricks 1631 Theresa noreply@blogger.com http://www.blogger.com/profile/01563144017790116815 2010-04-05 11:52:16 2010-04-05 11:52:16 1 0 3919 C.E. noreply@blogger.com 2009-12-28 22:51:20 2009-12-28 22:51:20 1 0 7934 Gillian noreply@blogger.com http://www.blogger.com/profile/08398724553076514377 2009-04-11 05:21:00 2009-04-11 05:21:00 1 0
When cross stitch kits first came out here in Spain ,30 years ago, I decided to do a whole set of alphabet letters and frame each one individually. I don't know who designed them but the letters are all stitched in green and there are boys and girls in 19th century clothes.These pictures have spent the last 20 years in my garage and as I have been spring cleaning I have found some of them in a terrible state with signs of mould and rust. My idea is to make a quilt with them, now that I have grandchildren, but I don't know if I will be able to get them clean.

Here goes my question. Do any of you expert ladies know how to clean cross stitch work with terrible stains?

I hope a solucion can be found and I'd like to thank you all in advance for your help.

Keep up the good work.

Regards,
Gillian]]> 7972 mmwatts69 noreply@blogger.com http://www.blogger.com/profile/04255723863947761960 2009-04-09 23:45:00 2009-04-09 23:45:00 1 0 10374 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-27 10:02:28 2008-09-27 10:02:28 1 0
Hi, Susan - How many strands of floss you need to use really depends upon what you're stitching. For delicate work or tiny stitches, generally one strand works, but if your working on a ground fabric that's thick or fluffy (for example, felt) the stitches might get lost with just one strand. There's no hard-fast rule for the number of threads. It's basically just whatever looks best. The one exception would be satin stitch, which usually looks best with only one strand of thread, as two or more will often twist up and look bulky, unless you're using a laying tool.

Hope that helps!]]> 10375 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-09-27 09:29:00 2008-09-27 09:29:00 1 0 10390 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-09-25 10:34:00 2008-09-25 10:34:00 1 0
I'm working on a crewel embroidery project and have been frustrated with the needlethreading part of it. I'm a beginner, plus a bit clumsy with my hands, so I'm constantly having to re-thread. Neither the "fold & pinch" nor the moistening methods seem to work well for threading yarn. I do have a Clover needlethreader, but I find that the wires fray the yarn a bit as I'm pulling it through. Plus I've already yanked out one end of wires.

Then in the comment section I read Laura's paper strip suggestion...so simple, no equipment needed but a piece of paper and scissors, and it works wonderfully with yarn. What a relief!]]> 10391 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-25 07:39:00 2008-09-25 07:39:00 1 0 I'll be your first buyer, surely! and I'll do all the divulgation I can... Think about that, pleeeease! I'm serious!]]> http://www.needlenthread.com/2009/11/monogram-for-hand-embroidery-fan_25.html Wed, 25 Nov 2009 05:00:00 -0600 Mary Corbet 156 2009-11-25 05:00:00 2009-11-25 05:00:00 open open Monogram-for-Hand-Embroidery:-Fan-Flowers-D publish 0 0 post

If you're looking for stitching suggestions for this series of monograms, please check out the Letter A, where I've mentioned a few ideas for stitches. Also, if you have any ideas or input for stitching these letters, feel free to leave a comment!

Here's the small D:



And here's the large D:



And, if you'd like to save a PDF version of the small and large D, here it is:

Monogram for Hand Embroidery: Fan Flowers D (PDF)

Feel free to visit the Index of Monogram Designs here on Needle 'n Thread, if you're looking for more monograms, including the rest of this alphabet.

Enjoy!
]]> free embroidery patterns monograms 4564 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-11-26 04:58:28 2009-11-26 04:58:28 1 0 4565 Flowers noreply@blogger.com http://www.iflorist.co.uk 2009-11-26 02:35:05 2009-11-26 02:35:05 1 0 http://www.needlenthread.com/2009/11/jacobean-project-step-by-step.html Tue, 24 Nov 2009 09:59:00 -0600 Mary Corbet 157 2009-11-24 09:59:00 2009-11-24 09:59:00 open open Jacobean-Project---Step-by-Step-Instructions publish 0 0 post Inspirations, Piecework, and Sampler & Antique Needlework. Occasionally, though, other needlework magazines will catch my eye when the feature a project that I find particularly appealing. Here's one such case...

In Cross Stitch and Needlework Magazine - the November, 2009 issue - there is apparently a project by Phillipa Turnbull of The Crewel Work Company. I haven't actually seen the issue yet (maybe some of you have?), but on the Cross Stitch and Needlework Magazine website, under their freebies, they have step-by-step photo instructions for a project titled "Jacobean Idyll" by Phillipa Turnbull (that's a PDF link). According to those instructions, the project is in the November, 2009, issue of the magazine.



Is it not lovely?! I am tempted to invest in the November, 2009 back issue!

Even if you don't have that issue of the magazine and you just wanted the instructions for reference for crewel work, it's worthwhile to check out the PDF of Jacobean Idyll. If nothing else, you can revel in the colors! I think the piece is quite magnificent.

The November, 2009 back issue of Cross Stitch and Needlework Magazine is available on their website right now, but I was a little miffed at the cost of shipping one issue, actually - the cost of shipping is about the same price as the magazine!

Another thing that suprised me was that this piece - which is so colorful and really eye-catching - does not seem to be featured on the front cover!

While you're squizzing around the Cross Stitch and Needlework Magazine website, you might also enjoy these crewel stitch instructions (PDF) - black and white drawn diagrams for a variety of crewel stitches.

If I ever bite the bullet and pay the shipping cost for this issue of the magazine, I'll let you know a bit more about this particular project. It's so pretty, that I'm mightily tempted! And I do have a nice piece of linen twill that would serve as a perfect ground fabric..... (See, I never have a hard time talking myself into such things!)

Enjoy the resources!
]]> Jacobean embroidery embroidery resources pictures needlework websites crewel work 4567 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-11-24 14:03:17 2009-11-24 14:03:17 1 0 4568 BFromM noreply@blogger.com http://www.blogger.com/profile/03145563818322438262 2009-11-24 13:46:26 2009-11-24 13:46:26 1 0 4569 Laura Bullinger noreply@blogger.com 2009-11-24 10:53:01 2009-11-24 10:53:01 1 0 http://www.needlenthread.com/2009/11/needlebook-progress-satin-stitch.html Mon, 23 Nov 2009 07:36:00 -0600 Mary Corbet 158 2009-11-23 07:36:00 2009-11-23 07:36:00 open open Needlebook-Progress:-Satin-Stitch-Drawbacks publish 0 0 post needlebook I'm working on, I did manage some trial-and-error (mostly error!) with satin stitching, which I thought I'd share with you. This is one of those "teaching moments" that translates into "don't make the same mistakes I make!"

I mentioned earlier when I showed you this needlebook embroidery kit that the fabric is not necessarily ideal for surface embroidery. Still, it works. But it can be frustrating at times!



First, I finished the top bar of the T, but I'm not too keen on that squiggle right in the middle. From a distance, it's not noticeable enough to pick the stitching out!



I also managed filling the bulk of the monogram.



Again, I'm using split stitch on the edge (which you can see clearly on the left edge of the letter there) and then filling with long split stitches and straight stitches. You can also see in the photo above the open weave of the fabric - great for counted work, but more difficult for surface embroidery, especially stitches like satin stitch.



The upwards loop on the T is also outlined and filled, ready for satin stitching.



I began satin stitching on the body of the T (the back spine, more or less) in the direction you see in the photo above. I thought this slant would make the little off-shoot curls easier to handle.



I didn't like the stitching. See how the edges jog in where the arrows are pointing? Was this a problem with the fabric, or with my stitching? Well, it'd be nice to have an excuse - to be able to say it's the fabric! - but this wasn't necessarily the case! Still, I'm finding it hard to see the lines clearly for stitching on this fabric, and the colors don't help much either. The grey is difficult to see on top of the natural linen, so judging the very edge was a bit frustrating.



I picked the stitching out (careful not to cut any of the padding or outlining underneath!), and re-stitched. I was much more satisfied with the edge - it's much cleaner...



... but good golly, Miss Molly! That thing, in the circle up there, looks bizarre, to say the least!



So I picked all the stitching out again! (Well, sometimes, you just have to!) Where the arrow is pointing, you can see how the actual threads of the fabric have to be split, in order for the satin stitching to look good.



Ah. Now things are looking better!

I decided to go with very little slant in the satin stitching, right in the middle of the back of the T. As I work downwards and upwards on the curve, I know I'll have to slant my stitches a bit, but right in the middle, I found that horizontal stitches worked pretty well.

I'm much more satisfied with this bit of satin stitching! Whew.

Like I said... I didn't progress a whole lot. But hey! Every bit counts!

Hope you have a great Monday!
]]> Embroidery Projects Hand embroidery stitches embroidery kits pictures embroidery tips and tricks monograms needlework pictures 4566 Bobbi Chase noreply@blogger.com 2009-11-24 15:33:19 2009-11-24 15:33:19 1 0
Two people that I know carry the Needle Maid kits with online presence are: www.atticneedlework.com and www.3stitches.com
I know they have Germaine (#3). I will be happy to alert you when #4 is released. There is a possibility they will be reviewed on the Access Commodities Blog.

Happy Monogramming!!

Bobbi]]> 4572 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-23 16:50:29 2009-11-23 16:50:29 1 0
Yes, good (VERY good) idea, Marjorie - I should've started that way. I normally line any finicky fabric with a light cotton or linen.... but I didn't think before I started this one, I was so eager to start! Now I know, for the next one!

Hi, Tricia-Renee - Oh, boy. I love having problems like this! It gives me something to blog about! ;-) It's working out, actually, pretty well, and I'm pleased with it so far. Now, if that changes, you all will be the first to hear!

Hi, Bobbi! Congratulations on designing a truly beautiful kit, with the best materials and excellent instructions! I'm loving it so far - I hope you don't mind the liberties with the style of embroidery! I bought the second kit, too, actually (I'm a sucker for beautiful kits like these). I think it's called "Marjorie" (with the R on the front, and the dove with the envelope on the back). It's really lovely. On this kit (Nicole), I can't wait to do the fancy little stripes!

I haven't seen the third kit available anywhere - where can I find it? Do you have any idea who's carrying it? I'll definitely keep an eye open for the 4th one, too. Feel free to drop me a line when it's released. The reproduction fabrics are beautiful - and the designs and color choices for embroidery are really beautiful.

Thanks heaps for your comment!

I'll keep you all posted on my.... well, slooooooooow progress!

MC]]> 4574 Roberta Chase noreply@blogger.com 2009-11-23 16:32:07 2009-11-23 16:32:07 1 0
Let me introduce myself. I am Roberta Chase (commonly known as Bobbi), the designer of the kit, Nichole, of the Needle Maid Series. Lamora, of Access Commodities, alerted me to your blog comments. I am absolutely thrilled to "meet" you! You are the EXACT customer I was hoping to design for! And that you appreciate it makes my heart sing!

The venture started out when Lamora and I were fabric shopping and found these gorgeous French 18th Century reproduction cotton prints. We just WANTED to BUY them! That planted the seed for making, what we thought of as, "beautiful kits". A beautiful project with beautiful materials, that a stitcher could successfully complete. This had to be something that we, ourselves, would buy. The fine materials, complete finishing instructions, and presentation were almost more important than the actual embroidery design. We wanted the embroiderer to be thrilled (and successful)with the project AND be able to personalize the project (if she so desired) and make it "her own". This is exactly what you have done by choosing to do a surface stitched monogram!

Your stitching is beautiful on a "not so friendly" surface-stitching ground! I agree with Marjorie. If I was doing this style of embroidery, a fine woven backing fabric would hold the stitches in place better. I have even, on occasion, been able to find iron-on 100% cotton interfacing that can help to stabilize the linen, as well. I am so looking forward to watching your progress (now that I have found your website).

Also, thank you for noting that the contents of the kit bears out its seemingly high price. Each needlebook in the series is priced according to its own contents. It was also hoped that once the kitted NeedleBook was complete, the embroiderer would be able to take the framework (instructions) and create her own needlebooks, having benefitted from following the process mapped out in the kit. (I am a teacher first, designer second!)

Anyway, the fourth in the series, Laurette, is soon to be released. Each subsequent kit has something special and unique about it, including its own French cotton print lining. I hope you will take a look.

Again, Mary, thank you so much for the glowing report on the Needle Maid Needlebooks. It makes me feel successful, and THAT is very gratifying!

Bobbi Chase]]> 4575 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-11-23 16:19:11 2009-11-23 16:19:11 1 0 4576 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2009-11-23 09:04:51 2009-11-23 09:04:51 1 0 http://www.needlenthread.com/2009/11/hand-embroidery-lettering-text-9-combo.html Fri, 20 Nov 2009 05:00:00 -0600 Mary Corbet 159 2009-11-20 05:00:00 2009-11-20 05:00:00 open open Hand-Embroidery:-Lettering-&-Text-9:-Combo-Herringbone-and-Split-Stitch publish 0 0 post

In this tutorial, I'm combining herringbone stitch (for the thick part of the initial letter) with split stitch for the rest of the lettering. For thread, I'm using Stef Francis silk, which is a first for me. I've got quite a few skeins of Stef Francis silk, but to tell you the truth, I've never used it until now. I wanted a rich purply color, and I wanted a thread with a bit more texture, so this thread suited my needs.



The thread is variegated, and, although it's silk, it has a bit of fuzziness to it, kind of like a soft wool. I like it a lot!



Between the two parallel lines that form the backbone of the L on "Lazy" I'm working a closed herringbone stitch. Basically, this is just herringbone stitch worked close together, so there isn't any space (or at least, not much!) between the stitches. So, first you go down in your fabric - a bit away from your last stitch in order to give you room to come up right next to your last stitch.



When you come up, you come up right next to your last stitch, to close the gap you left when you took your needle down into the fabric. To understand this clearly, it helps to know the movement of the herringbone stitch - if you're unfamiliar with it, check out my herringbone stitch video tutorial, which may be somewhat helpful.



When you cross over to the other side of your stitching area (to the opposite parallel line), you'll take your needle down into the fabric a little bit away from your last stitch. You can see the gap in the photo above. Then you come up inside that gap and cross back over to the other side, working in this manner down between the parallel lines.



As you get to the base of the spine of the L, where things narrow up a bit, just move your lines closer and closer, filling in as best as you can, keeping your stitch movement the same. It'll fill right in to a narrow point.



You can see pretty clearly where the variegation kicks in on this thread. After I stitched it, this block of color change was rather disappointing, but I've gotten used to it now and I don't mind it too much. I'm not really keen on variegation, when it happens in such segmented blocks of color. But, still... I liked stitching with this thread!



After finishing the spine of the L, I jumped down to embroider the base line of the L, using split stitch. Since I've already covered split stitch in a previous lettering tutorial, I won't bore you with the details - I'll just show you how the letters progressed from this point!



Here's the base line of the L. A hint on this thread: After stitching a bit with the same strand, it gets fuzzy just like wool does, so it's helpful to start a fresh piece, if you want a really nice looking split stitch. I am not quite satisfied with this base line. (But no, I didn't pick it out!)



I liked the curl on the top of the L much better. It was stitched with a fresh strand of thread.



Here are the rest of the letters, all worked in split stitch, too.



And here's the sampler so far! It's growing on me, the more I work on it. I like the variety of colors and stitches, and I think it would be fun to do a much more meaningful phrase (or saying, poem, proverb, etc.) in the same mixed-up manner - it'd make a great little gift for someone, to stitch up something like this, but with something a bit more profound, personal, or pertinent.

If you're just joining in on these lessons on embroidered writing, I've posted all the previous lessons in under the Hand Embroidered Lettering Index. You're welcome to check them out!

Next up in this series is a really bright and crazy word - with combined stitches and a few added touches to liven the word up a bit.

If you have any suggestions, comments, questions, and the like, don't hesitate to leave a comment below!

Enjoy the weekend!
]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks needlework pictures beginner embroidery 4580 Anonymous noreply@blogger.com 2009-11-20 16:30:17 2009-11-20 16:30:17 1 0
http://www.white-works.com/famous_quotations_in_needlework.htm

I kinda like this one:

I cannot count my day complete
'Til needle, thread and fabric meet.

...and this one:

You keep me in stitches.]]> 4581 onafixedincome noreply@blogger.com 2009-11-20 10:39:14 2009-11-20 10:39:14 1 0 4582 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-11-20 10:20:51 2009-11-20 10:20:51 1 0 And I think the idea of doing a poem or some such in a like manner is a great idea... Hmmmm. Time to get my calligraphy background out again, maybe. :P]]> 4583 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-20 07:28:21 2009-11-20 07:28:21 1 0
MC]]> 4584 Laura Bullinger noreply@blogger.com 2009-11-20 07:08:00 2009-11-20 07:08:00 1 0 http://www.needlenthread.com/2009/11/hand-embroidered-needlebook-kit.html Thu, 19 Nov 2009 04:53:00 -0600 Mary Corbet 160 2009-11-19 04:53:00 2009-11-19 04:53:00 open open Hand-Embroidered-Needlebook-Kit-Underway publish 0 0 post post the other day about my "mad" purchase of a rather pricey needlebook kit, I felt pretty good after reading all your comments! Nothing like getting a group of people together with the same interests in order to justify the occasional splurge, I say! Thanks for the shot in the arm! I'm pretty excited about the little needlebook, now that the project is underway. Don't expect to be amazed - I've only made a tiny bit of progress - but I thought I'd share it with you and make a few comments about the experience so far.

Before beginning any embroidery kit, it's helpful - I'd almost say "essential" - to read through the directions before jumping in. So that's the first thing I did. It wouldn't do to start stitching along, only to run into a problem that could have been avoided by reading ahead.

The next step is generally set-up work. It took me a couple days to get the set-up done, due to numerous interruptions and a general lack of embroidery time.



Remember that the kit is designed for counted techniques, so it makes sense to grid things off so that the placement is correct. You may also remember my determination to go Surface Embroidery on this kit... and I am sticking with that plan! Still, the lines are necessary to mark off the edge, and to mark off the various areas for adornment on the needlebook. These are just basting lines, and they will be pulled out while I stitch.



This is the monogram I'm stitching. It's from an old Sajou pamphlet (I think?). I had scanned it into my computer and cleaned it up a while ago, with plans. So I shrunk it to fit the needlebook, and altered the flowers (which were daisies) to round circles, which will be bullion roses.

It's kind of hard to see. I traced the monogram on using a .005 (super-duper fine) micron pen and a very light touch. I used a light box to make the tracing possible, and even then, on this fabric (which is slightly darker than a flax or natural colored linen), it was still difficult to trace. Still, it's on there, and that's all that matters.



When the fabric's held at a slant, it's easier to see the marking.



I intend to do the decorative bands that run down the sides of the needlebook covers in hand, without a hoop, but since I'm stitching the monogram in satin stitch, I definitely wanted to use a hoop. I find I get better results with satin stitch when the fabric is taut.



And here's the first bout of stitching. I was surprised at the color. I decided to keep the color scheme for the original design, but I didn't realize just how grey this is. It's really grey!

It's a difficult color to stitch on this color of fabric, when working tiny split stitches around the outline of the monogram. I had a difficult time seeing where I was going!



The color at first did not seem too attractive, and I was worried that I would not be very happy with it. But I decided to stick with it, anyway, and I found it grew on me. It really does match the reproduction fabric that lines the needlebook perfectly, so it's a good choice of color.

This is the padding for the satin stitched monogram. I worked a small, single-thread split stitch around the area, and then filled in with longer stitches.



Starting in the middle of the area to set my stitch direction, I stitched to the top part of this area in satin stitch, over the padding and the outline.

Now, this isn't as easy as it could be, and that's because this fabric, which is well-suited to counted work, is not so well-suited to surface embroidery. There's too much space between the weave, and it requires splitting the weave quite often, in order to get the stitches to lie comfortably next to each other.



This is the finished section, satin stitched. I've managed to pad the top section and I've started outlining the middle area of the letter, but this is as far as I've gotten.

I think I'll be pleased with the result, but we'll have to see. The whole monogram - due to the outlining and padding under the satin stitches - is going to be a bit thicker than I first imagined, but that isn't necessarily a bad thing. We'll see how it works out!

I'll definitely keep you posted!

And once again, thanks heaps for your input on the kit purchase. I knew you'd make me feel better about it!

]]> Embroidery Projects Hand embroidery stitches embroidery kits pictures monograms needlework pictures 4573 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-11-23 16:32:39 2009-11-23 16:32:39 1 0
I am enjoying seeing these lessons but have yet to start. Perhaps over Christmas. My folder is getting fat.
Thanks Mary for sharing.
Maureen]]> 4577 RobynK noreply@blogger.com http://www.blogger.com/profile/13363052010272253678 2009-11-22 13:42:40 2009-11-22 13:42:40 1 0 Cheers
RobynK
New Zealand]]> 4588 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-11-19 10:17:54 2009-11-19 10:17:54 1 0 4591 qwerty knittingdivine@hotmail.com 2009-11-19 08:44:34 2009-11-19 08:44:34 1 0
I've never done counted work of any kind, so I find it fascinating to see the step-by-step photos. It's one of those things on my 'To Try' list, but I always keep coming back to what I know, lol. Thanks for sharing so much great info :)]]> 4592 AnnaK noreply@blogger.com http://www.blogger.com/profile/04733272049707899821 2009-11-19 08:39:28 2009-11-19 08:39:28 1 0
You have inspired me to take up “surface embroidery”, silk shading and being more creative. I have been doing needlepoint for years, but have felt it to be a little rigid, and not as creative as I’d like.

Anyway – before really understanding “silk embroidery” I purchased a kit with silk threads, first mistake! The printed canvas was 18 holes per inch and the colors of the silk did not really match the colors I perceived on the picture that was included. I should have picked the colors myself, second mistake!

So I start the project, trying out different stitches to see how I could make the silk shine and get the detail I saw on the printed paper. I spent days, growing increasingly frustrated and disappointed, and then started following your emails and your videos. I started practicing, tracing parts of the picture and details from other pictures on muslin and stitching with stranded cotton. I played around with shading and sizing the pictures to a size where I felt I would be able to get the detail I was looking for, without having to stitch an enormous amount (the background on the purchased canvas had to be stitched as well).

I am now stitching a part of the picture (about 1/3) on good muslin with the silk and I am pretty happy with the result. I will probably only have need for about ¼ of the silk I have, but I have found other pictures that will be great to add to make a series. As I get better I will purchase linen, but that will be down the road!

So – lessons learned – I do not have to necessarily follow the kit, use my own judgment and creativity, and PRACTICE until I find a method and stitches that suits my hand and eye!

Happy stitching,

Anna]]> 4594 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-19 06:29:23 2009-11-19 06:29:23 1 0
It's silk - stranded (spun) silk, so it looks (in structure and size) like stranded DMC, though quite a bit softer!

It's Soie d'Alger from Au Ver a Soie... one of my absolute favorite stranded silks to work with!

Thanks for the chuckle - your comment made me laugh!!

Best,
Mary]]> 4595 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-11-19 06:09:03 2009-11-19 06:09:03 1 0 http://www.needlenthread.com/2009/11/monogram-for-hand-embroidery-fan_18.html Wed, 18 Nov 2009 05:00:00 -0600 Mary Corbet 161 2009-11-18 05:00:00 2009-11-18 05:00:00 open open Monogram-for-Hand-Embroidery:-Fan-Flowers-C publish 0 0 post

If you're looking for stitching suggestions for this series of monograms, please check out the Letter A, where I've mentioned a few ideas for stitches. Also, if you have any ideas or input for stitching these letters, feel free to leave a comment!

Here's the small C:



And here's the large C:



And, if you'd like to save a PDF version of the small and large C, here 'tis:

Monogram for Hand Embroidery: Fan Flowers C (PDF)

Enjoy!
]]> free embroidery patterns monograms 4603 Laura Bullinger noreply@blogger.com 2009-11-18 07:52:09 2009-11-18 07:52:09 1 0 My suggestion for this one is: Copper marquise satin stitch for all the petals, Pewter diagonal striped bands alternated with tiny midnight knots, and Platinum satin filled letter with black stem outline!
These letters are an inspirational challenge!
Right now I am busy recreating an 1890 Irish Lace dainty purse, really pretty, in pink #10 cotton to be lined with pink velour, but as soon as I can, these letters are next!]]> 4606 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-18 06:54:03 2009-11-18 06:54:03 1 0
Thanks,
Mary]]> 4607 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-11-18 06:40:47 2009-11-18 06:40:47 1 0 http://www.needlenthread.com/2009/11/hand-embroidery-lettering-text-8-split.html Tue, 17 Nov 2009 04:46:00 -0600 Mary Corbet 162 2009-11-17 04:46:00 2009-11-17 04:46:00 open open Hand-Embroidery:-Lettering-&-Text-8:-Split-Stitch publish 0 0 post

If you're just joining in on these hand embroidery tutorials for writing with your needle and thread, you might want to take a look at the index of lessons so far in this series. In previous lessons, I've covered subjects such as starting and ending threads, traveling threads on the back of your work so that they are invisible from the front, and combining stitches.

Before venturing into this tutorial, you also might want to check out my split stitch video tutorial, especially if you're not quite sure of how to do the split stitch.



In this tutorial, I'm embroidering the word "jumped" using the split stitch. I'm using cotton floche in a coral color. (I love this color, by the way!)

Floche is a four-ply cotton thread with a very nice shine. It is relatively softly twisted, and it is one single strand - it is not normally strandable. That is, you don't normally separate floche into smaller strands to stitch with.

I chose floche because it's a beautiful thread for split stitch. I prefer working split stitch in a single-strand thread, rather than working it with two strands of cotton or silk. Why is that? Because I think you achieve a better looking split stitch with a single strand of thread. Using two strands of floss, the split falls between the two strands and separates them so much that you don't get the close "hugging" of the fibers around the working thread. This close "hugging" makes a solid-looking split stitch.

If you don't have floche, try a perle cotton #8, or, if that's not available, a #5 will also do, but it will be slightly thicker.



When working the split stitch, the key to getting a nice looking stitch is to split the thread in the middle. With floche, the thread is thick enough that it's pretty easy to see. It is more difficult to find the middle of a single strand of DMC cotton floss, because it is much finer than floche. Because of this, it's hard to split the thread right in the middle. With floche, the middle split is not so difficult.

To split the thread easily, make sure that your straight stitches (before splitting them) are pulled firmly so that they hug against the fabric. If they are loose and bulging up from the fabric, it's harder to split them in the middle.



So in the photos above, you can see that I began at the top of the J using the same method of starting my thread discussed in earlier tutorials. Then I just worked the split stitch straight down the letter. As the tail curved, I didn't really have to turn my work, because the split stitch doesn't depend on stitch direction. But if it's easier for you to turn you work, then by all means, turn it!



To end the thread, turn the work over and whip the backstitches that were formed on the back of the fabric, anchoring the thread under these stitches.



I'm going to use a French knot to dot the J. To dot the J (it's lower case), begin in the same manner as discussed in the article on dotting I's. Stitch three anchoring threads very close together, over only one thread of fabric, stitching each stitch into the stitch before. This will require you to stitch perpendicular stitches. I didn't do that in the photo above - but it will work better if you do it that way!



Now all you have to do is work your French knot over your anchoring stitches, making sure that the knot is fat enough to cover the anchoring stitches. I used three wraps on my needle for this knot.

Turn your fabric over and hitch your working thread under the stitches behind the knot. Then cut your thread.



The U is split stitched just like the J.



In working the M, when you come to the point where the direction changes, end your split stitch line and then begin the next split stitch line.



Instead of taking a straight stitch forward, notice that I brought my needle up a stitch length away from where I wanted my line to start, and took a stitch length backwards. Then continue split stitching as normal.



Keep your stitches relatively small when working around tight curves. This is the M, finished.



Here you have the P and the E finished. Pick a starting point on each letter that makes sense, so that you can follow the flow of the letter easily. With the P, I started at the base and worked up. With the E, I started in the middle of the letter, worked around the loop and down the tail.



With the D, I started at the top of the tail and worked down around the loop.



And here's the sampler so far! I still need to add an "S" or two to the text! This word is supposed to be "jumps" rather than "jumped." That's what I get for relying on my foggy memories of junior high typing class!

If you're practicing on text yourself and have a blog, feel free to leave a link so we can check out your progress. You're also welcome to post photos in my Needle 'n Thread group on Flickr, if you like. If you do post any, drop back by and let me know, so I can check them out!

Enjoy the tutorial! If you have any questions or comments, feel free to leave them below!



]]> needlework tutorials hand embroidered lettering pictures embroidery tips and tricks embroidery lessons needlework pictures beginner embroidery 4571 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2009-11-23 20:45:49 2009-11-23 20:45:49 1 0 4597 Pamela noreply@blogger.com http://www.blogger.com/profile/04708767246122734221 2009-11-18 15:28:53 2009-11-18 15:28:53 1 0
I noticed something today, though, and I wonder if anyone else has caught it: your fox jumped over the dog, but the fox in question jumps over the dog. If he jumped over the dog, then there'd be no "s" in the sentence!

But who am I to nitpick? This is so cute!]]> 4601 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2009-11-18 11:06:06 2009-11-18 11:06:06 1 0 4604 Laura Bullinger noreply@blogger.com 2009-11-18 07:40:48 2009-11-18 07:40:48 1 0 The entire piece is coming out great, Mary, as a Sampler piece.]]> 4609 onafixedincome noreply@blogger.com 2009-11-17 10:30:16 2009-11-17 10:30:16 1 0
You do such good work, I think I'll just live vicariously--mine's nowhere near that pretty!]]> 4612 Nora noreply@blogger.com 2009-11-17 05:22:21 2009-11-17 05:22:21 1 0 I just love the way you have drawn and embroidered the letters. The curved, almost cursive-like letters look beautiful. The way you have embroidered them make them stand out. I think I will practice drawing some of my own letters in this way. Thanks.
Nora]]> http://www.needlenthread.com/2009/11/needlebook-embroidery-kit-unboxed.html Mon, 16 Nov 2009 04:44:00 -0600 Mary Corbet 163 2009-11-16 04:44:00 2009-11-16 04:44:00 open open Needlebook-Embroidery-Kit-Unboxed publish 0 0 post

I've made several embroidered needlebooks in my life, but I've never been satisfied with my less-than-professional finish. This particular kit, I surmised, would be worth the investment, because I was certain I would learn to make a nice, finished needlebook. That was the first thing that caught my eye about the kit - the look of the needlebook. Once I read the description of the kit, I knew it would be almost a perfect match for me: the threads are Au Ver a Soie's Soie d'Alger, a thread a really love working with!



The name of the kit is "Nicole," and it is a limited edition needlebook kit distributed by Access Commodities. I bought the kit through The Mad Samplar, justifying it for all the reasons above, plus the fact that I could make the needlebook up as a nice gift for Christmas.



The cover of the box doesn't quite display the finished needlebook to its advantage - you can see the finished needlebook on The Mad Samplar website, in their new needlework shop. The description on the website reads:

"This is the second in a series of French Needle Maid Needle Books. The design was inspired by the 18th Century French Reproduction fabric procured for the lining of the needlebook. In 'reverse' fashion, the line and embroidery color choices were based on the fabric..."



I liked the fact that, when I opened the box, everything was wrapped in matching tissue paper. Right off, I figured this was a rather classy kit. And you might be thinking that, for the price tag, it should be classy! I agree... but wait. Look what's in the kit, and then let's talk price again.



So far, so good - instructions abound! There are two sets of instruction for the needlebook: one is a general little booklet that covers the question of constructing the book once it is embroidered; the other focuses on this particular needlebook, and contains specific counts and patterns for the book.



Everything is printed nicely - and this little booklet will be a gem to keep for any future needlebook projects.



The instructions are accompanied by diagrams and are very clear. After reading through both sets of instructions, I did not have any questions about what to do to create the needlebook.



For fabric, the kit contains a piece of 34 ct Wren Wing linen, a piece of cotton lining (the French Reproduction fabric mentioned above), and two pre-cut squares of heavy interfacing.



Included are seven full 5-meter skeins of Soie d'Alger. There's no way the embroidery will require this much thread - it's a generous amount, and a real sell point for me.



There's a full spool of Londonberry Linen thread in black, and a full spool of Soie 100/3 from Au Ver a Soie, in black as well. Also included are two lengths of silk ribbon (pink and black) for finish work, buttons, needle felt, and three needles.



Now, let's get back to the price tag. I surfed around online to get some prices, and added up the retail cost of just these threads. Depending on where you buy them, the threads alone will cost a minimum of $31.45. That's more than half the cost of the kit right there. I'd estimate that the supplies in the kit, retail, would cost me a minimum of $40. Between the designer, the middle-people (the store that sells it and the distributor) there's a balance of $18.50 to be split.

I think that's a pretty good deal, then, for the kit, even if the first look at the price tag made me gasp a bit.

This isn't the type of purchase I would make every day (hahahah - or every month... or probably more than even once a year!) But given my excuses above (yes, yes, I suppose they are excuses!), I'm glad I bought the kit, and I'm looking forward to working it.

One thing I wasn't aware of was that the monogram alphabet does not come with the kit. It is an old Sajou alphabet, and it can be found in a number of places online, I think. I haven't looked for it yet, but it looks familiar. I may even have it in a book somewhere, myself. But, this didn't really both me much, 'cuz guess what??

Oh, I forgot to mention... I'm not stitching this design! ???? What??? I paid that much for a kit, and I'm not even stitching the design that goes with it???!!! That's right - I'm going Surface on this one instead of counted, using my own monogram. I'm going to keep the general look of it, with the stripes down the side, and the little bunch of flowers on the back - but I'm going to work everything in surface stitches. I think the roses are begging for bullions, as are the little buds in the fancy stripes. And the monogram? Well, I haven't decided on stitches for it yet. I'll let you know when I get there! Of course, I'm keeping the color scheme. The colors all work together so well - I would be daft to change them!

So here's another little work in progress. I've started setting up the fabric and basting in the areas for stitching... I'll show you as I go along!

Ok - tell me something! Was it silly of me to pay the price for this kit? What do YOU look for in a kit? Am I NUTS?! (Ok, maybe you shouldn't answer that one!)

Enjoy your Monday!
]]> historical needlework embroidery resources embroidery kits pictures counted thread embroidery techniques 4543 lidia noreply@blogger.com 2009-11-28 21:19:33 2009-11-28 21:19:33 1 0 gracias
un gran abrazo
lidas
Chile]]> 4586 Maryvonne noreply@blogger.com 2009-11-19 22:41:27 2009-11-19 22:41:27 1 0 If it doesn't break the bank, why not indulge. I find that if I stop myself from buying something I really want, it stays in my mind, and then when I finally decide that it's ok to spoil myself.... it's gone - can't be found any more.
So go for it. Think also of all the pleasure you will be giving to all your fans as we follow your progress on the needlebook.
Thank you - your blog is the first thing I go for every morning.]]> 4587 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-11-19 15:40:13 2009-11-19 15:40:13 1 0 Good buy Mary - enjoy.
Thanks for the first of your lessons on the initial. I look forward to the rest.
I like your personal input of how the fabric or threads work for you.]]> 4589 Samanta noreply@blogger.com 2009-11-19 09:59:49 2009-11-19 09:59:49 1 0 4590 robin noreply@blogger.com 2009-11-19 09:16:21 2009-11-19 09:16:21 1 0
Oh I could think of plenty of other things to spend on. How could you pass this up.

Happy Stitching Robin]]> 4593 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-11-19 06:55:28 2009-11-19 06:55:28 1 0 Knowing you can design it yourself, because you are a talented needleworker, and knowing you know how much it is to look for the threads ourselves, having our own favorite colors add that personal touch to the design.
A finished bought kit is not worth as much as that which you have designed,kitted and finished yourself, despite the materials having the same price. After so many years, your stitching knowledge is far wider than most kitting companies out there.
I think you should be the one selling wonderful kits. :)]]> 4596 qwerty knittingdivine@hotmail.com 2009-11-18 16:12:06 2009-11-18 16:12:06 1 0
The needle book itself looks amazing - very 'finished' and professional looking.

Kits can be wonderful to experiment with. All the work is done for you with colour coordinating, gathering all the supplies, etc.

As for the reader that asked for opinions on whether or not class kits should include full spools - I say YES! If I'm already taking the class, then I'm already interested in the technique so having extra thread/floss/fabric/etc. is simply a great way to stash build :) Of course, if doing this bumps the price up *significantly*, then I'd prefer just the basics. Depending on how much extra work it would be, perhaps offering both options could work well.]]> 4605 Laura Bullinger noreply@blogger.com 2009-11-18 07:34:21 2009-11-18 07:34:21 1 0 Mary - do women in general ever suffer their men, their husbands and sons, to scrimp on THEIR expensive hobbies? By comparison, threads are a pittance next to car stereo equipment, and golf country club fees!
That said, I want to add, we needleworkers are also by nature-"cheap", so we chastise ourselves when we make indulgent purchases. And its' not fair to the merchants, the needlearts heritage, nor fair to us.
Repeat after me "It's OKAY to occasionally spoil myself"!]]> 4615 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-11-17 00:35:12 2009-11-17 00:35:12 1 0 I enjoyed the review and would love to have one in my kitty had I been a U.K or U.S citizen. From the Indian point of view, this kit is only for the filthy rich or the embroidery obsessed. If we convert it to our currency, this one will amount to 2000/- which will pay for an average Indian's monthly grocery :)
After the Trish Burr purchase,I've tightened my purse strings. Hmm...may be next year.. :)

Best regards from India,
Deepa]]> 4616 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-11-16 12:25:15 2009-11-16 12:25:15 1 0
My kit experiances have not been so good. My major beef is the size of the linen...I like sampler kits to provide at least 3 inches of extra linen beyond the design edge. Most have 2...and once I got a kit that had only 1 inch margins. I sent back the material and they cut me a larger piece and sent it no charge, but not without some grumbling. I would much rather pay more for a kit with complete skeins and lots of materials than pay less and run short...esp the threads, because I live in the back of beyond with no LNS. I even have to order DMC floss on the net. I also like to change designs around a little (or a lot) and the extra thread makes it possible to do that. Also, you have to allow for errors in instructions. I recently ran short of thread in a kit for just that reason...stitches were supposed to be done with one strand when the instructions said two. The project was kitted by a shop owner, so it wasn`t her fault at all, but I still ran out of thread.

Whew! Didn`t mean to be so long winded there! Enjoy your kit...I look forward to seeing your changes in the stitches!!]]> 4617 Samanta noreply@blogger.com 2009-11-16 11:49:57 2009-11-16 11:49:57 1 0 4618 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2009-11-16 10:26:34 2009-11-16 10:26:34 1 0 Answering the previous message, as a participant in classes, I would rather have the right amount of thread, etc. for the class and pay less. But I also teach, and it's a big job to get the kits ready when you measure out the lengths of silk ribbon and embroidery thread.]]> 4619 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-11-16 10:16:21 2009-11-16 10:16:21 1 0 4620 margaret c. noreply@blogger.com 2009-11-16 09:10:43 2009-11-16 09:10:43 1 0
I don't think the price is that bad given what you get for the money.

I do have a question, though, for you (and your readers). I've been putting kits together for a class I'm teaching for the local EGA chapter and I put whole spools of thread and such in the kits because it was easier to include entire spools rather than sit around (for hours) and cut appropriate amounts of thread for the project. Would you rather pay more (perhaps significantly more) for a kit and have entire spools/skeins of thread or have a less expensive kit with appropriate amounts of thread?]]> 4621 onafixedincome noreply@blogger.com 2009-11-16 09:01:54 2009-11-16 09:01:54 1 0
It is a truly lovely kit, and going surface with it seems to be a very elegant alteration which would be a very neat alternate to include in the instructions, actually....

I'd definitely like the look of satin stitch for the monogram, though. With such lovely threads, what else would do them justice? :)]]> 4622 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-11-16 08:40:41 2009-11-16 08:40:41 1 0 4623 Grammybks noreply@blogger.com http://www.blogger.com/profile/12248901923773965142 2009-11-16 06:19:02 2009-11-16 06:19:02 1 0
Brenda S
grammybks@yahoo.com]]> http://www.needlenthread.com/2009/11/monogram-for-hand-embroidery-fan_14.html Sat, 14 Nov 2009 10:13:00 -0600 Mary Corbet 164 2009-11-14 10:13:00 2009-11-14 10:13:00 open open Monogram-for-Hand-Embroidery:-Fan-Flowers-B publish 0 0 post

You can find stitching suggestions for this particular monogram on the first post in the series, featuring the A. Make sure you read the comments - some readers have made suggestions that are worthwhile!

You can save and print the images, and if you need to enlarge or reduce them, this can be done on a photocopier or in an editing program on your computer.

Here's the small B:



Here's the large B:



For more monograms in this alphabet and others, please visit my Index of Monograms for Hand Embroidery.

Enjoy!
]]> free embroidery patterns monograms 4287 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-09 06:26:46 2009-12-09 06:26:46 1 0
Sounds like you're having fun!! If you're on a PC, you can right click on the image and save it to your computer. I'll try to get around to making a PDF of the B today - Originally, I wasn't going to put these on PDF, and then I ended up doing it anyway... but I forgot the B... Sorry about that!

MC]]> 4289 Linda noreply@blogger.com 2009-12-09 00:50:26 2009-12-09 00:50:26 1 0
I am unable to locate the PDF file for the letter B monogram. Is there another way to save it?]]> 4598 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-18 13:20:46 2009-11-18 13:20:46 1 0
Glad you like this alphabet - I like it a lot, and have plans for some projects with it (eventually).

I'll try to put the B in PDF format. Originally, I wasn't going to offer the PDFs, but since I already had the A and C in PDF, I added them to the site.

If you click on the PDF link now, it works. The one in the newsletter that went out this morning won't work, because I didn't fix it until the newsletter had already gone - sorry about that!

Thanks again,
MC]]> 4599 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2009-11-18 12:24:04 2009-11-18 12:24:04 1 0 Thank you for all the help you have given us onyour blog. I subscribe to your RSS.
Karol Beaufore]]> 4600 kkawrn noreply@blogger.com 2009-11-18 11:30:27 2009-11-18 11:30:27 1 0 4625 Laura Bullinger noreply@blogger.com 2009-11-15 14:59:19 2009-11-15 14:59:19 1 0 Okay, this one inspires flame colors because of the fauna inside of the letter. It would do great in fire reds, ambers or glowing golds and black outlines! Really pretty set of letter!]]> 4626 Romilly noreply@blogger.com http://www.stitchingwithashimmy.com 2009-11-15 10:47:39 2009-11-15 10:47:39 1 0 4627 JudyinPittsburgh noreply@blogger.com 2009-11-15 04:05:27 2009-11-15 04:05:27 1 0 http://www.needlenthread.com/2009/11/colbert-embroidery-combining-surface.html Fri, 13 Nov 2009 05:00:00 -0600 Mary Corbet 165 2009-11-13 05:00:00 2009-11-13 05:00:00 open open Colbert-Embroidery:-Combining-Surface-and-Counted-Techniques publish 0 0 post

Colbert embroidery reminds me a lot of the free-form blackwork of the 17th century. Like blackwork from this early era (and unlike most blackwork today), Colbert embroidery is typified by bold lines that make up the predominant design of the piece, while the backgrounds are filled with geometric filling patterns.

Colbert embroidery is not too well-known today - look it up online, and you'll find only a few resources available, some of which have simplified the look of the technique quite a bit. In fact, in its heyday, the technique was quite elaborate and intricate, as can be seen from the samples that are featured in Therese Dillmont's Complete Encyclopedia of Needlework.



The photos in Dillmont's book are black and white, of course, but you can see clearly that Colbert embroidery was a rather "busy" technique. The flowing lines and shapes of flowers, leaves, and so forth were formed by surface stitches or couched braid. Then, within the shapes and over the background fabric, various counted fillings were worked. The technique was used to decorate pillows, mats, and so forth.



The structured, counted filling patterns contrast quite vividly with the flowing lines and curves of the designs. According to Dillmont, Colbert embroidery involves "large designs worked on coarse, transparent material with various filling stitches and braid outlines... The foundation is soft (washed) congress canvas..." and the threads used were actually quite a variety, from cording to stranded and pearl cotton to silk.

Today, Colbert embroidery still exists, and there are even books about the technique, though they aren't very common. Through The Mad Samplar, I picked up one book on the technique at the online needlework retail show that ran last week.



You can see from the cover of the book that the technique has been somewhat simplified. It's quite bold and grand, isn't it?



However, though somewhat simplified compared to the samples in Dillmont, it still reflects the combination of surface stitches in bold designs and geometric background fillings. In the book above, Broderies Colbert, the actual design area is left voided, which makes it somewhat similar to Assisi work.



The voiding of the bold designs is effective, I think. It creates such a stark contrast with the background.

While the book does not go into stitch directions (at all), it does give close up images of different background techniques, which would be a cinch to imitate. The text is in French, dedicated pretty much just to materials lists for the various projects featured in the book - so knowledge of the language isn't entirely necessary, as most of the supplies are pretty straightforward.



In the back of the book are small line patterns that are suitable for enlargement.

When I saw this technique and started reading a bit about it, I made an immediate connection between it and the book Wessex Stitchery, which I've already reviewed.

Wessex Stitchery focuses on a variety of filling techniques - some, admittedly, are probably too busy for Colbert embroidery. But others would serve the technique well, I think.



The photo above is from Wessex Stitchery - and the filling pattern featured there would work for Colbert embroidery, too, I think. The idea of combining Colbert embroidery with Wessex stitchery presents some interesting possibilities.

Colbert embroidery is worked today on Congress cloth, Jobelan or Etamin fabrics - all of which are cotton or blends and resemble canvas more than they resemble fabric. And this means that, in the areas that aren't stitched, you can see through to whatever is behind the fabric.

I am wondering how the technique would work on linen; perhaps the weave would have to be looser to accommodate some of the thicker background motifs. I'm also wondering how the technique would work for, say, a monogram, if the monogram were voided (that is, empty of stitching), but outlined with a surface stitch, and then the background were filled with some of the intricate fillings in the Wessex Stitchery book. A good pillow for a gift? A Christmas stocking? Oh, the possibilities...

And isn't this just the Greatest Thing about embroidery? When it comes to designing or to combining techniques, we really are only limited by our imaginations!

Have you ever tried Colbert embroidery? Do you know of any additional, thorough resources on the technique that you'd like to share with the rest of us? Does this technique appeal to you at all - or do you see any possibilities for combinations or for projects? What are YOUR thoughts?

Thanks for putting up with my ramblings! Have a terrific weekend!
]]> historical needlework book review pictures counted thread embroidery techniques embroidery books 4624 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-11-15 23:49:05 2009-11-15 23:49:05 1 0 Another new (to me) technique. Sigh, I'll never live long enough...]]> 4628 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-11-14 06:39:17 2009-11-14 06:39:17 1 0 I've read about Colbert embroidery just in one of Therese Dillmont's books, I think, but looking at the pictures I think I'll never managed doing such an intricate embroidery!]]> 4629 CC noreply@blogger.com http://www.blogger.com/profile/10014665817356312048 2009-11-14 04:36:36 2009-11-14 04:36:36 1 0
Not sure if that would be too busy, but might try something like it when the books arrive.]]> 4632 margaret c. noreply@blogger.com 2009-11-13 18:48:55 2009-11-13 18:48:55 1 0
I think your idea of combining Colbert and Wessex is intriguing. Do it! :-)

Comment to Samanta:

I think it's good to know the 'correct' way to do something, but I also think that if you have found a different way that works for you don't let the 'correct' way stop you. On the flip side if you have the opportunity to take a class in a technique that interests you, do it! You never know what tips or tricks you might pick up.

The only thing that truly matters to me when it comes to embroidery is 'how does the finished piece look?'. If it looks good does it really matter how it was done? If it doesn't look good it doesn't much matter if the technique was 'correct'. (There are many levels of grey so don't take this as a black and white statement. :-)

I will say that sometimes learning the 'correct' way can be easier than being self-taught.]]> 4634 silvgar1 noreply@blogger.com http://www.blogger.com/profile/06648222855200082543 2009-11-13 15:47:41 2009-11-13 15:47:41 1 0 Silvia, from Italy]]> 4635 JudyinPittsburgh noreply@blogger.com 2009-11-13 15:38:23 2009-11-13 15:38:23 1 0 4636 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-11-13 11:07:39 2009-11-13 11:07:39 1 0
The line drawings of the Colbert embroidery in Dillmont's book make me think of goldwork. I wonder how those motifs would looks stitched in silk and metal? Or at least metallic threads like Kreinik.]]> 4637 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-11-13 10:13:13 2009-11-13 10:13:13 1 0 4638 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-11-13 10:12:37 2009-11-13 10:12:37 1 0 4639 Samanta noreply@blogger.com 2009-11-13 09:49:23 2009-11-13 09:49:23 1 0 http://www.needlenthread.com/2009/11/monogram-for-hand-embroidery-fan.html Thu, 12 Nov 2009 05:51:00 -0600 Mary Corbet 166 2009-11-12 05:51:00 2009-11-12 05:51:00 open open Monogram-for-Hand-Embroidery:-Fan-Flowers-A publish 0 0 post

You can hand embroidery monograms in countless ways. With this particular collection, I think the small cross bars are well-suited to satin stitch, though they could be outlined and filled with seed stitch. The letter itself would look nice outlined in any type of stitch suitable for lines and curves (like stem stitch, split stitch, chain stitch, outline stitch, backstitch, whipped backstitch, etc.), and they don't have to be filled at all. But if you like contrasts, and if you satin stitch the small cross bars, then the letters might look nice with seed stitch filling.

The fan flowers themselves? Well, it depends on the look you want. If you're going for something formal, I'd satin stitch them. If, however, you want something a wee bit less time consuming, daisy stitch would work. If you use daisy stitch, I'd not necessarily draw out the entire petal on the fabric when transferring the design - I'd just but a dot where the petal ends and begins. Daisy stitch will change the look of the petals - they won't look as pointy and palm-like.

I'm providing a small version and a large version, in .gif format here. You can also download the PDF and print it. The monograms should come out to 3.5" tall and 6.5" tall in the PDF. You can also enlarge or shrink the design as you wish.



Here's the larger version:



And finally, here's the PDF:

Monogram for Hand Embroidery: Fan Flower Alphabet - A

For different monogram alphabets, please don't hesitate to visit my Index of Monograms for Hand Embroidery.

If you have any ideas for interpreting this monogram alphabet in stitches, please do leave a comment below with your suggestions! How would YOU stitch this monogram, and what would you put it on? Your comments will certainly help inspire other readers looking for stitching ideas! Thanks!

Enjoy!
]]> free embroidery patterns monograms 4274 Anonymous noreply@blogger.com 2009-12-10 11:14:48 2009-12-10 11:14:48 1 0 I am from Argentina. . First of all thank you so much for your generosity and share all your kownlege with us. As I a I am a bigginer in this matter I would like to know wich stitch is nice to embroidering a letter, I read that the satin stitch. I would like to give a towel as a present but I do not know how to make the finest part of the letter with that stitch. Also How do you embroidering the flowers between the letter.
I hope you can understand my english. Again thank you so much. Mercedes]]> 4314 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2009-12-06 11:17:33 2009-12-06 11:17:33 1 0
Thank you again for yet another beautiful monogram, with fantastic suggestions of what stitches to use...............for those of us that have less expertise..............I cant wait to try this one out and perfect my satin stitch.

Like everyone else, I do so appreciate all the effort and hardwork into providing such a fantastic resource for us all

Warmest regards,
Marysia.]]> 4640 Carol cardsbycarol@ymail.com http://www.blogger.com/profile/16047209123154598013 2009-11-13 05:56:58 2009-11-13 05:56:58 1 0 I enjoy reading your blog and although I am not doing much needlework at the moment, it is inspiring to me as a digital designer in lots of different ways.
Thanks for the monograms!
juno
xx
Juno's Place]]> 4642 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-11-12 18:56:23 2009-11-12 18:56:23 1 0 4643 Laura Bullinger noreply@blogger.com 2009-11-12 14:16:45 2009-11-12 14:16:45 1 0 Rice stitches or actual little pearl beads filled in would look great, too as would laid yarn couched in a different tone. Some of the old needlework books have beautiful examples of elaborate monograms that are breathtaking to look upon. Thank you for another pretty set of letters.]]> 4646 Anonymous noreply@blogger.com 2009-11-12 09:21:26 2009-11-12 09:21:26 1 0 4647 Anonymous noreply@blogger.com 2009-11-12 06:53:28 2009-11-12 06:53:28 1 0 Thank you Mary.

Annie in getting colder in Michigan]]> http://www.needlenthread.com/2009/11/hand-embroidery-lettering-text-7-in.html Wed, 11 Nov 2009 08:51:00 -0600 Mary Corbet 167 2009-11-11 08:51:00 2009-11-11 08:51:00 open open Hand-Embroidery:-Lettering-&-Text-7-in-Satin-Stitch-and-Chain-Stitch publish 0 0 post

I'll be working with wool thread in this tutorial, embroidering the word "Fox." If you're a beginner at hand embroidery, you may wish to check out two videos: padded satin stitch and chain stitch. If you're just joining in on these tutorials, I've got an up-to-date index of all the hand embroidered lettering tutorials, if you want to check out some of the previous concepts covered.



For this tutorial, I'm using Simply Wool from Gentle Art, Inc. This is a fine wool embroidery thread, and I really liked working with it. It's a beautiful color of red, first of all, and secondly, the wool itself is slightly finer and softer than Appleton, while still retaining the typical look and feel of wool thread. If they had a broader color range (they only offer about 36 colors right now) and if it weren't quite so expensive, it would be my wool of choice. Compared to Appleton, though, it's really expensive - between $3-$3.50, depending on where you buy it, for 10 yards. (Appleton's about $1.30 for 27 yards, and they offer 421 shades right now).



The spine of the F in Fox is thick, and I'm going to satin stitch it first. I could satin stitch it without padding it, but for this letter, I want it to lift up off the fabric a bit, so that it is definitely bolder than the rest of the letters in the word. So, I'm padding the satin stitch along the spine of the F. To begin, split stitch along both parallel lines.



I stitched down the left line of the spine and up the right. Now, I'm going to add the padding between the two lines. I jumped over the left of the right split stitch line, and now I'm just going to fill that area between the two will very long split stitches - so, only about 3 or 4 split stitches straight down in lines.



You can see I ended up with 3 filling lines between the two outside lines, and again, those inside filling lines are made up of a few long split stitches. That's the padding - now it's time to start the satin stitching.



I'm working the satin stitch horizontal over the padded bar. On a shape like this, you can also stitch your satin stitch on a diagonal, but I used the horizontal on purpose. When you begin the satin stitch, don't begin right on the edge of the bar. Begin around half-way up the bar, and then stitch to one end. Then go back to your starting point and stitch to the other end.



The arrows in both pictures above demonstrate this idea of starting in the middle and working to each end.



For the small bar on the F, I worked two long straight stitches side by side over the drawn line. They were obviously thicker than the drawn line, but that's ok. I'm going to satin stitch over these straight stitches, in a manner similar to what is called "trailing." Trailing is basically an overcast stitch (like a small satin stitch) worked over a long thread or group of threads used for padding. With this little bar on the F, I stitched one straight stitch out from the spine of the F to the end of the little bar, then went back to the spine and stitched another straight stitch right next to the first. Then, starting at the end of the bar - not next to the spine - I worked the overcast stitch over the bar. An overcast stitch is technically the same concept as a satin stitch, but, again, much smaller. I think it's called overcast, because it is just going "over and over." In some old books, you see it called "over and over stitch."



There's the small bar.



For the longer bar at the top of the F, I did the same exact thing - worked two long straight stitches side-by-side, and then worked the overcast stitch over them, beginning from the outside edge and working towards the spine of the F.



When I finished overcasting the top bar, this is what it looked like.



But I didn't like this.



So I just added two more satin stitches at the top of the spine, to get it to look like this.



There's the completed F. It's nice and bold, and I really like the color!



For the other two letter - O and X - I'm using chain stitch. I began the thread on the O in the same manner discussed in the previous lettering tutorials, so that I started stitching the chain stitch at the top of the O.



I've arrived here back at the top of the O, where it is practically time to end the thread. I have room for one more stitch here.



And, in taking that last stitch, it slightly overlaps the first stitch. To end, anchor the last chain stitch in the middle of the first chain stitch. To end off your thread, turn your work over and run the thread under the stitches on the back of the O.



And there you have the F and the O.



I chain stitched the small bar of the X first.



Then, turning my work over, I worked the thread under the stitches already there, to the cross on the X, as indicated by the red large arrow. Then I brought my needle up to the front of the work and took some tiny "stepping" stitches over to where I wanted to begin the chain stitch on larger cross of the X. These stitches are indicated by the smaller red arrows. The purpose here is to keep my thread from traveling across the back of the work where it might be seen from the front. This keeps the back of the work nice and tidy.

Then, I chain stitched down the cross to the intersection of the X, stopped at the intersection (I didn't stitch over the other arm of the X), and then picked up the line on the other side, and continued to the tip.



And that is FOX.



And here is the sampler so far!

Enjoy!
]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks needlework pictures beginner embroidery 4641 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-11-12 22:14:57 2009-11-12 22:14:57 1 0 4649 Laura Bullinger noreply@blogger.com 2009-11-11 19:55:40 2009-11-11 19:55:40 1 0 4651 Marian noreply@blogger.com 2009-11-11 17:35:52 2009-11-11 17:35:52 1 0
Thank you also for this post http://www.needlenthread.com/2009/11/needlework-temptations-and-musings-of.html
as it gives me some idea of what to stock for my little needle work shop which I hope to get off the ground next year. A friend opened her shop and specifically stocked items that other guild members would order by mail. It has taken 3 years for some of those members to stop ordering online and go to her shop. Having some idea of which items I need to have is great. Thank you]]> 4652 Raven Corinn Carluk noreply@blogger.com http://www.blogger.com/profile/06014248975870886289 2009-11-11 16:44:18 2009-11-11 16:44:18 1 0 4653 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-11-11 14:46:42 2009-11-11 14:46:42 1 0
I particularly loved the buttonhole stitch from yesterday.]]> http://www.needlenthread.com/2009/11/hand-embroidery-lettering-text-6.html Tue, 10 Nov 2009 12:34:00 -0600 Mary Corbet 168 2009-11-10 12:34:00 2009-11-10 12:34:00 open open Hand-Embroidery:-Lettering-&-Text-6:-Buttonhole-and-Stem-Stitch publish 0 0 post hand embroidered lettering focuses on combining buttonhole stitch and stem stitch, on letters that have thick and thin lines. The word I'll be embroidering on the sampler is "over."

If you're just joining in on this series of tutorials, you might want to check out the tutorial on stem stitched lettering. Additionally, it is necessary to know how to work the buttonhole stitch.

For the word "over," I'm using is DMC's Alsatian Twist (size 12). It is a super-nice thread to stitch with, very smooth and it doesn't twist up much at all when you're stitching. I really like it!

Anyway, on with the instruction!



Begin your thread with the tacking stitches I described in the first stitching lesson. You can tack these stitches in the middle of the thicker part of the letter, since they will be covered up with the buttonhole stitches.



After starting the thread, I came up with my needle and working thread at the top of the O, and turned the hoop so that the O was resting on its side and I was stitching from left to right, as in the photo above.



I buttonhole stitched the side of the O, from left to right, down to the base.



When I arrived at the base, I moved from buttonhole stitch to stem stitch (an easy transition, as the outside "rope" of the buttonhole stitch is simply stem stitch), and I stitched the narrow part of the letter O, across the base, in the direction of the arrow in the photo above, turning my hoop to accommodate my stitching direction.



Now, with the O resting on its other side, I moved back into the buttonhole stitch up the side of the O.



When I got to the top of the O, I reverted back to stem stitch to close the gap at the top of the letter.



And there's the O.



To end the thread, take the needle to the back and run it under the stitches on the back of the O.



For the next letter, V, I started as I did with the O, making the anchor stitches in the wide part of the letter.



I began with a straight stitch first, from the outside of the thickest part of the V, towards the inside, then bringing my needle back up on the outside of the letter, where the rope-like edge of the buttonhole stitch will be.



Then I began the buttonhole stitch down the side of the V, keeping my work turned so that I was stitching from left to right.



As I moved towards the base of the V, where the letter became narrow, I switched to stem stitch.



The right hand side of the V is worked solely in stem stitch.



For the E, it was easier to turn the work completely, so that the letters were upside down. I began with anchoring stitches on the top part of the E, which is a thin line. The anchoring stitches will be covered by the stem stitch.



The thin line at the top of the E is worked in stem stitch.



In the photo above, you can see where I am moving into buttonhole stitch. The last stem stitch is on the lower line, and my needle is going down on the upper line of the thick part of the letter.



I worked the buttonhole stitch down the thick part of the E...



... and at this point, where the letter narrowed again to a single line, I moved back to stem stitch.



After finishing the base of the E, I had to move up to work the center cross on the E, so the needle needs to come up there. Instead of carrying the thread straight across the back of the fabric to that point....



... I turned my work over and ran the thread under the stitches already there.



And that completes the first three letters.



For the R, begin the same way as for the V, with the anchoring stitches and then a straight stitch on the edge of the letter.



Work the buttonhole stitch down the thick spine of the R, anchoring the buttonhole stitch by stitching directly over the last stitch with a tiny anchor stitch. Then, stem stitch the rest of the thin lines on the R.



And that's OVER.

Visit the index of these hand embroidered lettering lessons for more tutorials!

Enjoy!

]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks needlework pictures 4405 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-01 18:59:25 2009-12-01 18:59:25 1 0
Use a #8 pearl cotton. This is sold in most hobby / sewing stores in the needlework section, and it comes as a ball instead of a hank. It's sold usually for tatting or crocheted lace thread...

Hope that helps!

MC]]> 4408 xena noreply@blogger.com http://www.blogger.com/profile/14673376815335830784 2009-12-01 16:14:18 2009-12-01 16:14:18 1 0
what can i use instead of this
dmc Alsatian Twist
that will give me the same or close to the same effect

thanks]]> 4411 xena noreply@blogger.com http://www.blogger.com/profile/14673376815335830784 2009-12-01 12:41:19 2009-12-01 12:41:19 1 0
I don't have that kind of thread.
what could i use instead so i can get the same effect?
thanks]]> 4654 Laura Bullinger noreply@blogger.com 2009-11-11 06:37:49 2009-11-11 06:37:49 1 0 4655 Midvale Cottage midvalecottage@gmail.com http://www.blogger.com/profile/04076826830708811495 2009-11-11 00:04:34 2009-11-11 00:04:34 1 0 4656 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-11-11 00:03:57 2009-11-11 00:03:57 1 0 4657 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-11-10 20:02:38 2009-11-10 20:02:38 1 0 4658 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2009-11-10 19:36:51 2009-11-10 19:36:51 1 0 I do the buttonhole leaves all the time, but never thought to translate it to text. You ROCK!]]> http://www.needlenthread.com/2009/11/free-hand-embroidery-pattern-turkey.html Mon, 09 Nov 2009 05:21:00 -0600 Mary Corbet 169 2009-11-09 05:21:00 2009-11-09 05:21:00 open open Free-Hand-Embroidery-Pattern:-Turkey! publish 0 0 post

In America, the turkey is the Great American Thanksgiving Icon. I like Thanksgiving weekend - don't get me wrong! - but my liking the weekend has far less to do with the turkey than it does with the fact that it is a four day weekend of family gatherings that usually incite a festive holiday mood. (And it signals only three more weeks until school holidays for Christmas!)

To tell you the truth, when it comes to Thanksgiving weekend, I could take or leave the turkey.

Still.... I do like turkeys in general, despite the connotations often associated with the name of the bird. "You turkey!" is not really a compliment, you know. "Don't let the turkeys get you down" implies that the turkey is negative, maybe even hostile or oppressive. I wonder why that is? When I see wild turkeys here in Kansas (and they abound!), they make me happy. I like to see the birds here and there, clustered on the edges of newly harvested fields. I love to have my windows open in the autumn and hear the turkeys out in the woods behind my house.

They don't go "gobble, gobble," by the way.

I think, in general, the turkey has gotten a bad rap.

And really, I'm not sure my drawing helps. If I were a turkey with these feet, I'd be pretty embarrassed.

Still, it makes an adequate little turkey embroidery pattern, which you can enlarge or reduce, depending on what you want to do with it. Reduced a bit (the PDF version, especially), I think it would look pretty stately and turkey-like, stitched in the corner of cloth napkins or a bread cloth for your Thanksgiving table.

Here's the pattern - click on it for a larger version, then save it to your computer. You can then enlarge or reduce it as you wish.



And here's the PDF version:

Hand Embroidery Pattern - Turkey (PDF)

Enjoy!
]]> free embroidery patterns Embroidery for the Home seasonal embroidery 4650 Marian noreply@blogger.com 2009-11-11 17:44:26 2009-11-11 17:44:26 1 0
Here's another cliche that I am fond of: "Why walk with the turkeys when you can fly with the eagles"]]> 4662 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-10 08:17:06 2009-11-10 08:17:06 1 0 4663 Valquiria noreply@blogger.com http://qualquermotivo.blog.uol.com.br 2009-11-10 08:01:31 2009-11-10 08:01:31 1 0 Mary,please check my blog.I've working a spiral trellis and woven picot with satin ribbon to create a sunflower and I would like if you analize the results.
Embroidered kisses
Valquiria]]> 4664 Anonymous noreply@blogger.com 2009-11-10 05:56:53 2009-11-10 05:56:53 1 0
Rebecca C.]]> 4665 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2009-11-10 02:28:19 2009-11-10 02:28:19 1 0 We have had a increase in the wild turkey population here in the Napa Valley (California) a few years ago. Used to be, you'd see them out and about in the less populated areas of the Valley. However, 2 weeks ago I was running an errand not too far from the development I live in. I happened to glance over, and there was a wild turkey sitting on a neighbor's front yard fence!]]> 4666 onafixedincome noreply@blogger.com 2009-11-09 20:59:58 2009-11-09 20:59:58 1 0
:) Happy Upcoming Thanksgiving all you Americans! (Happy Let's Observe Someone Else's National Holiday to the rest of you..LOL!)]]> 4668 nana_cindy42 noreply@blogger.com http://www.blogger.com/profile/05390954047943127525 2009-11-09 12:52:05 2009-11-09 12:52:05 1 0 4669 Sharon - noreply@blogger.com 2009-11-09 11:44:49 2009-11-09 11:44:49 1 0 It will be fun to stitch on one of the "Bird Brain" tea towels
(love the name of the Co.)
The Co. you mentioned some months ago where you get the nice flour sack towels - they have napkins too.
Gee, now I have another project to do.. I am taking 2 week vacation, starting in 4 days, just to have time to work on some of these fun things for Holiday gifts.
Have a wonderful day
Sharon -]]> 4674 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-11-09 06:07:31 2009-11-09 06:07:31 1 0 Thanks for the line drawing. It's cute, even if it does have silly feet.

Regarding your earlier question though, I've never heard anyone say "Don't let the turkeys get you down." It may be a regional thing.]]> http://www.needlenthread.com/2009/11/highlights-from-needle-show-retail.html Fri, 06 Nov 2009 06:29:00 -0600 Mary Corbet 170 2009-11-06 06:29:00 2009-11-06 06:29:00 open open Highlights-from-the-Needle-Show-Retail publish 0 0 post Online Needle Show for retail buyers is now open - and you'll find quite a large collection of shops and designers listed, waiting for you to come browsing through. Sometimes, though, it's hard to make it through a whole long list like this, especially if we hit a few links at random and don't find anything we like. I thought I'd point out a few things that caught my eye, in case you're interested in direct links.

First off, there's the Mad Samplar Book Company and Needlework Shop. The owner, Paige, has recently expanded her site, which has focused on specialty needlework books, into a shop that now carries kits and charts, and hopefully will expand further to carry some specialty supplies (well, this is my hope, anyway!). What I want to specifically point out is that she is now carrying Luzine Happel's books, Basic Principles of Schwalm Whitework and Fancy Hems! They're the first two books listed on her show page, so if you're interested in them, go look!

Another favorite at the Needle Show is Chickadee Hollow Designs. For the surface embroiderer, Chickadee Hollow offers some primitive designs, as well as some fun crazy-quilt-looking items, such as her Christmas stockings. These aren't precisely "crazy quilting" - rather, they are printed designs that give you the fun of seam embellishments and surface embroidery, without the piecework.

Another favorite of mine featured at the show is the French Needle. Featuring mostly cross stitch designs, you'll find some really pretty European ones there. You'll also find some nice French books on alphabets, and, if you visit her shop directly, you'll also find some surface embroidery kits from Europe, including reproduction kits of the Bayeux tapestry. (I've got one of these - some day, I'll find time to stitch it!)

Thistle Needleworks features Gumnut Yarns from Australia. I like these threads - they're expensive, but they're really beautiful. If you're looking for some specialty threads for a fine project, you might want to check them out.

Mani di Donna carries some neat biscornu patterns. Threads of Gold carries some beautiful reproduction samplers. And Shakespeare's Peddler (where I get my Dovo scissors) has some interesting thread packs and a very pretty Ackworth Box available.

Those are the vendors that caught my eye at the show. Granted, I haven't had a chance to browse through Every Single Link! How about you? Have you browsed through the shops yet and found anything in particular that struck your fancy?? Do tell!



]]> supplies embroidery resources 4682 bethn noreply@blogger.com http://www.blogger.com/profile/18170346795311207403 2009-11-08 09:12:56 2009-11-08 09:12:56 1 0 4686 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-11-06 09:09:26 2009-11-06 09:09:26 1 0 http://www.needlenthread.com/2009/11/hand-embroidered-lettering-and-text-5.html Thu, 05 Nov 2009 04:40:00 -0600 Mary Corbet 171 2009-11-05 04:40:00 2009-11-05 04:40:00 open open Hand-Embroidered-Lettering-and-Text-5:-Whipped-Backstitch publish 0 0 post

If you don't know how to backstitch, feel free to check out my video tutorial for backstitch. Then you can check out the whipped backstitch video tutorial.

I'm working the word "Brown" on my lettering sampler in one strand of DMC floss. "Brown" is smaller than the other words so far on the lettering sampler - with the exception of the "B," the letters are just less than half an inch tall.

I should be using a #10 embroidery (or crewel) needle, and I think, in most of these photos, I am. But towards the end of stitching the word, after one of those unavoidable interruptions, I couldn't find my #10 needle, so I switched to a #9. I suggest a #10 - or, if you have one, a #11.



I began by backstitching up the spine of the B. When I finished covering the pencil line with the backstitch, I brought my needle up in the fabric right at the top of the line of stitches.



Working back down the line towards me, I whipped the backstitches by sliding my needle from right to left under each backstitch, all the way down the line.

Now, since I started whipping my stitches from right to left and down the line towards me, I made sure that, as I stitched each letter, I kept the same direction. Yesterday's article demonstrates the importance of consistent stitch direction. If you haven't read it yet, you might want to check it out so that you can see the distinct differences between stitching in different directions.



After whipping down the line, I jumped over to the base of the B and backstitched the lower bump. For some reason unbeknownst to me at this moment, I did not finish backstitching up the top bump. You can, of course - it will save you time and having to travel your thread on the back of the fabric to get to your next starting point.



I turned my work so that I was whipping the backstitches (again, from right to left) down the stitches towards me. To keep everything going correctly in the same direction and avoid confusion, just turn your hoop as you stitch.



So there's the first bump of the B, done.



To get to the next bump without carrying a loose thread across the back of my stitching, I turned my work over so I could run my thread under the backs of the stitches and move up to the next bump.



The backstitching on the second bump of the B is whipped in the same was as it was on the first bump of the B.



And there you have the B...



The R is stitched in the same manner. I began with the spine first and backstitched up it, then whipped the backstitches, moving from right to left, coming down the spine.



Then, turning my work over and running my working thread under the back of the stitches, I moved back up to the top of the R and backstitched the bump and the tail. See where the arrow points? I left a tiny space at the top of the tail, just below the bump, because this is where I will sink my thread after whipping the tail of the R.



Then I brought my needle up where the bump comes in contact with the spine in the middle of the letter.

My backstitching brought me to the base of the tail. In order to keep the stitching direction correct, I turned my hoop so that the letters were upside-down, and I whipped the backstitches on the tail, sinking the thread in the tiny space next to the bump.



Then I moved over next to the spine, brought my needle up, and whip stitched the bump of the R, turning the hoop as necessary to keep the stitching in the right direction.



And there you have the B and the R complete.



Now, it's time to work on the O. Remember that, because these letters are not connected, each time a new letter is started, you have to start the thread again. In the first two stitching tutorials of this series, I discussed how to start your threads with each letter.

Once the O was backstitched, I brought my needle up inside the O, ready to whip the stitches.



Again, to keep the stitch direction correct, I turned my hoop so that the letters were upside-down.



While stitching around the O, just keep turning the hoop to keep the direction.



The black arrow in the photo above indicates where I started whipping the backstitches. As I finished the circle, I sunk my needle on the outside of the O (indicated by the red arrow), opposite to where I started.



I'm sure you're getting the hang of this by now! So let's move quickly through the rest of the letters. Backstitch the complete W, then whip the backstitches down the last leg, towards you, working your needle from right to left.



For the next leg, turn your hoop around so the letters are upside-down again, and whip the next leg, then turn the hoop again, whip the next leg, then turn the hoop one more time to whip the last backstitched line of the W. As you finish whipping the backstitches in each line, you sink your thread to make a sharp finish, then bring your needle up at the top of the next line.



The finished W...



Work the N just as you did the W, backstitching the whole thing first, then whipping the backstitches and turning your hoop as you need to. As you finish whipping each line of the backstitching, remember to sink your thread and start the next line new, to keep the angles sharp.



And here is the finished word, and the lettering sampler so far!

We've now covered plain backstitch lettering, which also focused on how to travel your threads on the back of the fabric to make sure you don't leave loose threads; we've covered stem stitch on lettering, making sure that the stitch direction is kept consistent; we've seen how to dot an I in hand embroidery; and now we've seen whipped backstitch, which is a nice stitch for small lettering.

The next tutorial will cover combining two stitches - buttonhole and stem stitch - on letters that are thick in some parts and thin in others.

All these tutorials are easily accessible under Tips and Tricks for Hand Embroidery in the Editor's Floss located at the top of the right column of the website, and also directly at the Index of Tutorials for Hand Embroidered Lettering.

If you have any questions, comments, or suggestions, don't hesitate to leave them in the comment section below!

Enjoy!

]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks needlework pictures beginner embroidery 4670 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-11-09 10:33:32 2009-11-09 10:33:32 1 0 4687 Anonymous noreply@blogger.com 2009-11-06 08:22:06 2009-11-06 08:22:06 1 0
I've often used stem stitch for simple (non-monogram quality) lettering and been disappointed by the fact that letters with sharp bends like the W and N in your example tend to end up with curves or visible bends at the points, no matter how hard I've tried to use small stitches or even tiny backstitches to give definition to the points.

At the same time, I haven't wanted to use backstitch in the same circumstances because it tends to cause the letters to be broken up in much the same way I am annoyed when I try to blow up an image on a photocopier past the limits of the original image; the individual dots of the backstitch create visual noise I find annoying.

You don't say much about how sinking your whipping thread at the conclusion of each point serves to terminate a pleasingly continuous line, but your pictures speak volumes.

Such a great alternative for lettering -- and such a great post!

Karen from Arcadia]]> 4688 Anonymous noreply@blogger.com 2009-11-06 08:18:24 2009-11-06 08:18:24 1 0
I've often used stem stitch for simple (non-monogram quality) lettering and been disappointed by the fact that letters with sharp bends like the W and N in your example tend to end up with curves or visible bends at the points, no matter how hard I've tried to use small stitches or even tiny backstitches to give definition to the points.

At the same time, I haven't wanted to use backstitch in the same circumstances because it tends to cause the letters to be broken up in much the same way I am annoyed when I try to blow up an image on a photocopier past the limits of the original image; the individual dots of the backstitch create visual noise I find annoying.

You don't say much about how sinking your whipping thread at the conclusion of each point serves to terminate a pleasingly continuous line, but your pictures speak volumes.

Such a great alternative for lettering -- and such a great post!

Karen from Arcadia]]> 4691 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-11-05 12:41:02 2009-11-05 12:41:02 1 0 http://www.needlenthread.com/2009/11/stitch-direction-makes-difference.html Wed, 04 Nov 2009 09:45:00 -0600 Mary Corbet 172 2009-11-04 09:45:00 2009-11-04 09:45:00 open open Stitch-Direction-Makes-a-Difference publish 0 0 post hand embroidered lettering tutorials, I wanted to show you how the direction in which you stitch can make a difference in the look of your stitches. Here, I'm focusing on whipped backstitch, but the concept applies to any whipped stitch.

I'm starting with a small backstitched line, which I've stitched from the top of my fabric down towards the base.



The arrow in the above photo indicates the direction I stitched the line. This part really doesn't make that much of a difference, but you can see that, from the base of the line, I'm beginning to whip the back stitches from right to left, going back UP the line.



I'm going to whip each stitch, going in the same direction - up the line - and working my needle in the same direction, from right to left, as the curved arrows indicatel



After whipping the first line of backstitch, I stitched another line right next to it, and as you can see in the photo above, I began whipping the backstitch at the top of the line, working DOWN towards me, and still whipping the stitches from right to left. The difference here is the direction in which I am traveling, which is down the line instead of up it, as I did with the first line.



Though the whipping of the stitch is done in the same direction (from right to left under the backstitches), the direction in which I stitched (from the base to the top on the left line, and from the top to the base on the right line) makes a difference in the way the two lines look when they are whipped. The left line is smoother looking, and the right line is a little chunkier looking. This is because, when I worked the left line, the working thread was untwisting while I whipped the stitches, and when I worked the right line, the working thread was twisting itself as I whipped the stitches.

My point here is not to say that one way of whipping the stitches is better than the other. Rather, the idea is that, when you are working a whipped stitch, if you want all your stitching to look the same, you have to be consistent in two ways: 1. in the direction your stitching is traveling (here, up the line or down the line); and 2. in the direction in which you whip the stitch (from right to left or left to right).

It helps to work two parallel practice lines before you start whipping your stitches, to see what look you like better, so that you can be consistent in whipping your stitches in the same direction.

SO - when we move on to the next hand embroidered lettering tutorial (tomorrow's post), you'll see that I made an effort to be consistent with the direction of my stitching and the direction in which I moved my needle to whip the stitches.
]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks needlework pictures beginner embroidery 4689 Tea Potty noreply@blogger.com http://www.blogger.com/profile/07342581970935254779 2009-11-06 03:46:44 2009-11-06 03:46:44 1 0 4692 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-11-04 20:48:16 2009-11-04 20:48:16 1 0 4694 JudyinPIttsburgh noreply@blogger.com 2009-11-04 16:58:41 2009-11-04 16:58:41 1 0 4695 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-11-04 15:46:14 2009-11-04 15:46:14 1 0 4696 qwerty knittingdivine@hotmail.com 2009-11-04 15:32:48 2009-11-04 15:32:48 1 0 4697 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-11-04 11:27:50 2009-11-04 11:27:50 1 0 4698 Laura Bullinger noreply@blogger.com 2009-11-04 11:16:15 2009-11-04 11:16:15 1 0 Your demonstration is really a good example of how direction can entirely change a stitch.
Thank you for the demo.]]> http://www.needlenthread.com/2009/11/needlework-temptations-and-musings-of.html Tue, 03 Nov 2009 04:46:00 -0600 Mary Corbet 173 2009-11-03 04:46:00 2009-11-03 04:46:00 open open Needlework-Temptations-and-the-Musings-of-a-Retail-Customer publish 0 0 post other little side of me (oh, it's true - I have so many sides!) that is calmly saying, "There's nothing wrong with looking. Just be prudent..."

Each year, twice a year, there's an online wholesale needlework event - a trade show, as a matter of fact - called The Needlework Show. The concept behind it is fairly simple - shop owners can browse through the inventory of different wholesalers in the trade and order stuff for their shops, without having to travel to a trade show. Regular retail customers (you and me) can browse through and see the things that are available, and ask our local needlework shops to order this or that thing that we might see. It's a nice concept, but for the average retail shopper, unless you're in pretty close cahoots with your local needlework shop, it just doesn't mean all that much, except that we do get to see some new stuff coming out on the market.

Mostly, I keep up with the event to see what's going on in the world of needlework threads (several thread companies usually display their wares during the show) and to see if there's anything new and enticing in the way of needlework accessories.

Well, guess what? There's a new show in town, created by the same folks, only it's called Needle Show Retail... and it's our opportunity to experience the "trade show" approach to needlework supplies.

This is the way it works: between November 5th - 8th, you register as a customer, and then you browse the booths. Some of the booths are simply for advertising, while others will be taking orders. You get to see what's coming out new on the market, or what specialty items are available, and then, you get to shop through the various retailers. Basically, what you're getting is the convenience of shopping or browsing through many retailers all in one spot. They'll only be displaying a small number of items, though - my guess is, they'll be displaying what's new or particularly popular in their shops.

Even though this approach is mega-convenient (if the shops feature any needlework goods that you are interested in), I would gently suggest that you might take a look at what's available on the retail market, then see if your own LOCAL needlework shop can order what you want. If they can't or won't, then order online. Supporting your local needlework shop first will help ensure that your local needlework shop stays in business!

Now, speaking of interest in Local Needlework Shops and so forth, I have been musing a bit about a recent surge of interest in an interesting project called The 3/50 Project. Have you heard about it? It is a movement to encourage people to shop locally at privately owned businesses that have brick-and-mortar stores. (Ironically enough, the 3/50 Project has an online shop for their promotional merchandise, and no ... ahem ... brick and mortar store...)

I'd love to know what you all think of this project. I agree wholeheartedly with the concept - I live in a small town, and I know the value of small privately owned businesses.

But as a serious needleworker who regularly shops for needlework supplies through retail businesses (and mostly online, because my LNS does not cater to my interests), I find there's another side of the issue that bears consideration and has me thinking:

When I shop for needlework supplies that I often need in my projects, or when I shop for kits that are suited to my tastes, the only place I can find them is through online retail businesses, most of which don't have brick-and-mortar stores. Some of these businesses are in the States (the Japanese Embroidery Center, Hedgehog Handworks, Yodamo, The French Needle, Thistle Threads, etc.) and some are not (Berlin Embroidery, Benton & Johnson, Alison Cole, for example).

The way I see it, for the needleworker in the US who is interested in a variety of needlework techniques, if we were to restrict ourselves solely to brick and mortar stores, it surely would mean the death of most needlework techniques in America, with the exception of cross stitch and needlepoint. I would sorely love to find a brick-and-mortar store in the States that supplies the range of metal threads for goldwork; that supplies floche and coton a broder for surface embroidery, whitework and cutwork; that carries a range of fine linen; that sells beautiful surface embroidery kits from a variety of talented designers...

Does such a store exist anywhere except through the combination of retailers available online? I'm afraid it doesn't. And if we turn our backs equally on these specialty retailers who sell online only, we would be eliminating our ability to embroider with the specialty supplies that we need. Many of these small online specialty needlework shops are home-grown businesses begun by a needleworker with a real passion for needlework and a real fortitude to undertake running a business for a rather slim market. I can't begrudge them their lack of brick and mortar.

So that's what I've been musing about. At the same time, I do have a fear for the survival of small local needlework shops in the present economy, so I do my bit when I can and shop locally.

Any thoughts on the subject? And hey - if you've found the Ultimate Needlework Shop - feel free to recommend it in the comments section below!
]]> supplies embroidery resources miscellaneous embroidery musings 4303 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2009-12-07 14:16:02 2009-12-07 14:16:02 1 0 4700 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-11-04 05:16:35 2009-11-04 05:16:35 1 0 I always search for local shops. But I must confess that I find few and with limited stuff so we have the on-line shops...]]> 4701 margaret c. noreply@blogger.com 2009-11-03 20:59:25 2009-11-03 20:59:25 1 0
I used to be very frustrated by this, but I understand that they have to stock items that sell and that's fine. I've changed my attitude and have totally embraced buying nearly everything online. Except for DMC floss and sometimes Anchor floss I buy everything online. It has taken a few years, but I now have a group of online sources for everything I use. (I hope they all stay in business! I do my best to contribute :-)

Even before I had the option of buying online I was buying via mail order because I don't do counted work so there's nothing in the shops.

I am so grateful for the online retailers. I would probably never have been able to pursue goldwork or fine embroidery projects with wonderful fabrics and threads if not for online 'shops'. I also appreciate the time savings in ordering online. It would take several hours to go to a LNS to buy some thread and I'd rather not use my time for that.

The only thing I miss about not having a comprehensive LNS is the lack of being able to see and perhaps touch a thread or fabric. I've decided that I'd just rather buy some samples and go from there. (I don't have much choice.) Yes, it would be wonderful to see items first, but if the choice is buying samples or nothing I'll take the former.

The 3/50 concept is a noble idea, but as far as LNSes go I'll stick to online. Honestly, if all the LNSes closed in my vicinity it would make no difference to my stitching pursuits.

I think we will lose many, many more LNSes especially as the population becomes more comfortable with buying online. What I would like to see are more teachers and promoters of non-counted techniques. They would be able to spread the word about where to buy things, just as Needle 'n Thread does!]]> 4702 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09012789609281609182 2009-11-03 20:44:59 2009-11-03 20:44:59 1 0
Is it appropriate to name my favorite shop? It's a real brick and mortar shop, but, alas, 3000 miles away from me! I might be under-informed, but I don't know of a shop in BOSTON that stocks embroidery supplies. Is this blessed city so fast that no one has time for needlework? The best (needlepoint only) store here closed, leaving only one other with customer service so unfriendly (read: RUDE) that you feel dirty when leaving. So, I order online from Thread Needle Street in Issaquah, Washington. Fabulous selection, friendly and knowledgeable salespeople (I prefer to make my orders by phone), and fast service with sensible shipping rates. I'd love to visit, but it's a long way to go to buy a few spools of GST!

Couldn't someone run their online shop from a storefront here in Boston?

Thanks for letting me rant,
Didi]]> 4703 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-11-03 17:40:56 2009-11-03 17:40:56 1 0 4704 qwerty knittingdivine@hotmail.com 2009-11-03 15:21:43 2009-11-03 15:21:43 1 0
I'm lucky to live in a very large metropolis (Toronto area) where I can find almost everything I need locally. Needlework supplies however, are hard to come by. And the few specialty shops are spread out all over the Greater Toronto Area.

Sewing, quilting, knitting - these are very popular here and we have MANY independent shops that provide tons of variety. Needlework supplies and specialty threads? Very difficult to find. And to get a decent selection, one has to visit many different shops. By the time I drive 20 to 40 km, pay for parking, pay for gas - and spend half the day to do this - I'm better off ordering online. Also, the hours that most independent B&M; shops have are ridiculous. They tend to be 9-5, Mon-Fri. There are some exceptions, but in general those are the hours. Well guess what? If I work 9-5 myself, how can I possibly go and shop there? Then they wonder why chains such as Michael's that offer 10 am -9 pm hours (plus weekends) do so well. Local B&M; shops that also offer online shopping are very smart - and they tend to do VERY well.

Ultimately, business is business. If I can save time and money by ordering online, then I will. That's the bottom line. What I REALLY WISH I could find are large, well-stocked CANADIAN online retailers. I'd most definitely support Canadian etailers and local B&M; shops that offer mail order. Shipping costs from US to Canada are daylight robbery, so very few US-based etailers get my business.]]> 4705 Cindy in Oregon noreply@blogger.com 2009-11-03 14:19:32 2009-11-03 14:19:32 1 0 4706 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2009-11-03 12:03:12 2009-11-03 12:03:12 1 0 4707 Mel noreply@blogger.com 2009-11-03 11:33:11 2009-11-03 11:33:11 1 0
But if I want spangles, Gilt Sylke Twist, real metal thread, silk purl? I have to order online from Hedgehog or Thistle Threads or Lacis (I've been to Lacis's brick-and-mortar store once, and I love it--but Berkeley is pretty far away from me).

The internet is what has made some of these specialty threads economically feasible. If GST and metal threads had to rely solely on brick-and-mortar, they wouldn't exist.

I do prefer shopping in person, especially for silk thread...but it's just not really an option. My local store has about 6 colors of Soie Perlee, and half of them are ugly. I doubt they'll reorder when they sell out. They are not interested in the business of embroiderers like me.

Acorns and Threads is pretty close to perfect, super-specialty-threads aside, if you live in Portland, OR. They have a vast range of cotton and silk threads, some wool, a great selection of fabrics, and HUGE numbers of patterns and kits and miscellaneous tools. They carry a small but interesting/unusual selection of books. Great selection of back issues of magazines. The fact that they carry a good selection of Soie Perlee and Soie Gobelins speaks volumes to me.]]> 4708 Anonymous noreply@blogger.com 2009-11-03 11:22:04 2009-11-03 11:22:04 1 0
Still, you're right. I've not yet found a brick-and-mortar shop that has everything I might want, that can be reliably counted on to have that one thing I need RIGHT NOW (which, I suppose is the reason for having a bit of a stash -- but that's not perfect, either).

So I guess I think there's a need for both. That's one reason I support both kinds of shops; I think they're both endangered more by the kind of big box retailers who only carry a few brands of threads than it is a war between brick-and-mortar needlework shops and Internet specialty shops.

Because if we're left with only the few pitiful offerings that are available in the chain stores, then we'll really be in trouble!

Karen in Arcadia]]> 4709 Laura Bullinger noreply@blogger.com 2009-11-03 10:36:12 2009-11-03 10:36:12 1 0 I'm hoping to soon complete my website that will engage in assisting crafters. As consumers and workers, we've all got to do what we can, including lending support where needed.]]> 4710 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-11-03 09:46:58 2009-11-03 09:46:58 1 0 4711 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-11-03 09:07:58 2009-11-03 09:07:58 1 0
Fireside Stitchery in Malvern, PA which is local to me (and also on line, the best way for shops to survive today) is close. Not ultimate, but very good. Wide selection of threads and happy to have non-needlepointers (ok, non modern needlepointers -- I do historic canvas work) come in and browse and buy -- and request items.

One way to help local stores help their customers would be for the distributors to make goods available without minimums -- even if at a higher price. If a store has someone who wants, for instance, one or two skeins of a given thread that the store doesn't normally carry, if the store could order just what the customer wants, they might be more likely to do it (rather than have to order more than the customer wants).

Wow, I'm getting wordy here, maybe it's a topic I should bring up in my blog soon :)

Kandy -- who is now off to think of three local stores to spend some money in ....]]> 4712 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2009-11-03 08:58:49 2009-11-03 08:58:49 1 0
Needlework is hard though. Five years ago I had three good LNS close by. Now they are all gone, for various reasons. The shops I can get to meet some of my peripheral needs for fibers and fabrics but they're primarily fabric, quilting or needlepoint shops (I don't bother with cross stitch shops).

It's been many (many) years since there's been a local store that specialized in hand embroidery (fine embroidery, French hand sewing and smocking--and I still miss them!). I have never been able to find crewel supplies locally. And I live in a large metropolitan area (Chicago).

I browse the semilocal shops when I can, buy what might work for my purposes, and mail order the rest.

I have discovered a sometimes compromise. Most brick-and-mortar stores will send things by mail if you can't get to them in person and you know what you want. I don't get that pleasure of browsing, but if I know the shop carries the thread I need, generally if I call them they'll mail it to me. I even called one shop and said I want a gray linen that tended toward bluish gray, about 32 count, and we discussed the options and I had my package within a week.]]> 4713 Christine noreply@blogger.com http://www.blogger.com/profile/11812223278446037862 2009-11-03 08:34:18 2009-11-03 08:34:18 1 0
The Japanese Embroidery Center has products for purchase at their location, though access is limited, so perhaps they are 'brick and mortar'. If I have a STABLE (STitching Above and Beyond Life Expectancy) it's due to purchases at the JE Center. I would encourage stitchers visiting Atlanta to try to visit the Center, much beautiful work is on display, and they are extremely gracious.

Thank you again for the best blog on the web.

Christine]]> 4714 BFromM noreply@blogger.com http://www.blogger.com/profile/03145563818322438262 2009-11-03 08:13:27 2009-11-03 08:13:27 1 0 4715 Samanta noreply@blogger.com 2009-11-03 07:10:22 2009-11-03 07:10:22 1 0 4716 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-11-03 07:06:46 2009-11-03 07:06:46 1 0 BarbM]]> 4717 Brenda noreply@blogger.com 2009-11-03 06:59:26 2009-11-03 06:59:26 1 0 I can honestly say that "no" I have not found the ultimate needlework shop in my home town or the other home towns close to mine. I emailed the Embroidery Guild of America and they recommended a shop about 40 minutes away that carried a variety of threads. My mother and I visited her store just this past weekend. Through many searches online I could not locate this shop through the normal internet search engines. Only when I was given her shop name did I find it! She has floche, but only in a limited array of colors. She has Au Ver a Soie but only in a tiny limited number of colors. She has tons of Anchor and lots and lots of DMC Pearl, some soy threads, some japanese threads, and metalics. She specilizes in Needlepoint and has an array of pre stamped and colored needlepoint designs on canvas ready to work. But alas, no embroidery patterns. And said, as we looked and compared threads, I am strictly a Needlepoint Shop. Okay we said. We can use the threads in our embroidery work. My mom and I are a hands on type shopper. We like to look at the threads, compare how they feel, how thick they are, actually see the color palletes. Online shopping is great, but you have to know what you want. Otherwise you are ordering and then shipping back (if they allow you to ship back) which can be a huge waste of precious hobby money in this economy.
The shop owner was very knowledgeable about the threads she sold, rayon blends, all silks, all cotton, overdyed, and we enjoyed the thread lesson while we were there.
Was it the perfect local needlepoint shop? No. But it's the closest one we've found so far. We won't give up the ship however. We will press on. After all, it's fun just spending the day with your mom on a road trip looking for the perfect needlepoint shop to while away a lazy afternoon!]]> http://www.needlenthread.com/2009/11/comparison-of-flat-silks-stitched.html Mon, 02 Nov 2009 05:08:00 -0600 Mary Corbet 174 2009-11-02 05:08:00 2009-11-02 05:08:00 open open Comparison-of-Flat-Silks---Stitched-Experiment publish 0 0 post

First, we'll begin with the stitched piece that Ilke uses to demonstrate the various silks she is comparing in this "experiment." I've left the photo rather large so that you can click on it and look at the stitches fairly close.



Now, I'm going to let Ilke tell you all about her experiment. You'll find some very useful and thorough information here - I hope you enjoy it as much as I did!

This is a comparison experiment between the flat silks I've got. There are quite a few, but for the moment I will ignore the ones which either come in very few shades (like Erawan Thai silk), or which come in variegated shades only (like Stef Francis), because they aren't suitable if you want to build up a collection with a good range of shades for ordinary charts (as opposed to monochrome designs, blackwork, Assisi designs or charts which are specifically designed for variegated threads).

Five flat silks remain: Eterna Stranded (ES), Au Ver á Soie Soie Ovale (SO), Pipers 90 Floss Silk (P), JEC Flat Silk (JEC), and House of Embroidery Fine Flat Silk (HE) (which is strictly speaking variegated, but has quite a few shades which are only very softly shaded). I've added a sixth silk, Pearsall's Filofloss (PF) – it's a flat silk which came in many different colours, but it has unfortunately been discontinued and replaced with Filoselle, which is a twisted silk.

All six silks are filament (reeled) silk (with the possible exception of HE); this means that the very fine filaments that make up the thread were reeled in one continuous strand from the silk moth's cocoon, and not spun from short pieces and leftover odds and ends. Because filament silks are built up out of continuous filaments, they are stronger and less prone to fuzziness than spun silks. On the other hand, they do tend to snag quite easily, on anything that isn't smooth – the edge of your fabric, rough skin, anything. Fortunately, it is also easily smoothed back into shape again, and can then be used again without looking any the worse for it.

ES and PF are stranded silks, 12 and 6 strands respectively, but because ES strands are so fine, the threads come to roughly the same thickness. ES strands are about 1/2a strand of DMC, PF strands are a little heavier than a strand of DMC.
SO, P, JEC and HE are single-stranded silks. SO is about 2 strands of DMC, JEC a little less than 2 strands, HE about 1 strand, P is about 1/2 a strand. SO and JEC, being thicker than the others, are a little less versatile in playing with different amounts of coverage, although they can be divided by very carefully separating the filaments (up to 16) which make up the threads – this is rather a fiddly job, though.
Each of these flat silks actually seem to give better coverage than their thickness would make you expect, because the silk lies flat and has a higher lustre than stranded cotton.

ES comes in 545 shades, in 5m skeins at $1.05
SO comes in about 50 shades, in 15m reels at $2.20
P comes in 224 shades, in 80m or 150m reels at $1 or £1.65
JEC comes in about 250 shades, in 60m reels at $7 or £4.70
HE comes in about 100 shades, in 30m card bobbins at £2.25 (100m reels are available direct from H of E, but I don't know the price)
PF is no longer available; I don't know how many shades it came in.

The amount of "coverage" you get per skein or reel compared to DMC stranded cotton is approximately as follows:
ES equals about 5m of DMC ($0.21/m)
SO equals about 5m of DMC ($0.44/m)
P equals about 6 1/2 or 12m of DMC (£0.15/m or £0.14/m)
JEC equals about 18m of DMC ($0.39/m or £0.26/m)
HE equals about 5m of DMC (£0.45/m)

Of these, I have read that only JEC is a truly flat silk. In practice there is little difference with P and OS, but ES, HE and PF are indeed a little less flat. In the case of ES and PF this may be because they are stranded, and have a slight twist to combine the strands, even though the strands themselves are flat. P and HE will usually have to be combined to get the required thickness, and so need occasional smoothing with the needle to get it to lie fully flat when stitched.

The project is stitched on burgundy 28ct Lugana over two.

I started with Eterna Stranded (the darker part of the rose). For good coverage, 5 strands are required. The strands lie quite flat without much help, although occasionally it needs a little smoothing with the needle. The silk snags fairly easily, but is as easily smoothed back into shape again. On the whole it is quite easy to work with, and it has a strong lustre. Drawbacks to this silk are that occasionally a skein may have some unevenness in some of the strands which cannot be smoothed out, and sometimes even broken strands; there are also occasional irregularities in the dyeing, leaving white spots. Even when this happens, however, only a very small part of the skein is rendered unusable, and as it is one of the cheapest flat silks around it is no great burden to buy a little more than you need, just in case.

The second part was stitched with JEC Flat Silk (the lighter part of the rose). In order to experiment with coverage, I stitched the left-hand petals using one thread, and the right-hand ones using a double thread. For good coverage, the double thread is needed; a single thread gives a more lacy effect. The thread lies perfectly flat without any assistance, but it does snag on absolutely everything, so it is essential to make sure that the edges of your fabric are smooth. As with the Eterna silk, however, this snagging has no lasting effect on its smoothness or its lustre, which is very strong with a slight haziness to the shine. In spite of the snagging, I found this a lovely silk to work with simply because it feels so smooth and looks lovely the moment you've laid a stitch; the sheen is very visible even when only one thread is used, but even stronger with a double thread (as there is more surface).

I then used House of Embroidery Fine Flat Silk for the top left-hand leaf. This silk surprised me, as it looks as though it has a very slight twist which might affect its sheen, but it stitches up beautifully with a lovely strong lustre. A double thread gives good coverage, and it is easy to work with, hardly snagging at all. It feels a little more springy than the other silks, and needs good tension and railroading to lie nice and flat.

The next leaf down is done in Pearsall's FiloFloss. Two strands give very good coverage, and apart from some slight snagging it is easy to work with, although it does need "dangling" occasionally to make sure it doesn't tangle, something none of the other silks seems to need a lot. This has a moderate lustre, and when stitched does show a slight twist, although only when compared to other flat silks.

The top right-hand leaf and the stem are stitched in Pipers 90 denier Silk Floss. This is the thinnest of the silks, and needs four threads to get satisfactory coverage; in some cases five or six threads may be needed. Although it is a bit fiddly to cut all the threads to the same length and smooth them together into one thread, once you're stitching with it, it behaves beautifully. It needs a bit of smoothing and/or railroading to lie flat, but it doesn't snag, and it has a good lustre.

Finally the lower right-hand leaf was done in Soie Ovale - the left-hand "leaflet" using a double thread, the other two using a single. On the reel, SO and JEC look very much the same thickness, but when stitched there is a clear difference, with SO giving much better coverage; so much so that the double thread was really a bit too chunky for my taste on this 28ct. This silk is the worst for snagging after the JEC, but it is also one of the flattest, and lies flat without needing much encouragement beyond an occasional smoothing stroke of the needle. It has a strong but subtle lustre with the same slight haziness that JEC has - both are reminiscent of vintage silk in their look.

So which is the best silk? It's very difficult to say because so much of it is a matter of taste, and it will also vary with the project you are choosing your silk for. Personally, I like the strong but soft lustre of the absolutely flat silks Soie Ovale and JEC. The difficulty with both is the snagging, which can get a little frustrating if you've been too impatient to bind your fabric and haven't been looking after your hands so they're all rough :oops:... Simple care for the fabric and the hands should reduce the snagging greatly, though, so no real reason to steer clear of them. Another slight disadvantage is that for finer work, or for more control over the thickness of your thread, you have to separate the actual filaments, which can be done but is a bit fiddly. JEC beats SO here because it is a little thinner and so separating threads should only be necessary for things like miniature embroidery. JEC also wins hands down when you compare the two in range of colour and price.

So what of the next flattest silk, Pipers 90 Silk Floss? I liked this more than I though I would - it is so thin I feared it wouldn't "gel" into a nice plump thread with a smooth surface, but it did; it also snagged very little. Other advantages are that it comes in a wide range of colours, is relatively cheap, and because of its thinness it is easy to combine into whatever thickness of thread you need. The combining is a little fiddly, even when you use a loop start and so have to cut only half the number of required threads, but I think you would quickly get used to it. One disadvantage is that the delivery times can be quite long, and emails don't always seem to get through, although when you actually call them and speak to them they are very helpful indeed.

Then the two "odd ones out" - FiloFloss because it is no longer available, and House of Embroidery because it comes in shaded rather than solid colours. Both are easy to work with, and HE actually had a much flatter look than I expected from the reel. HE is a good choice if you like the effect of subtle colour variation without going for full-blown variegated (although they do those as well). Most of the other silks which come in shaded colours (like some of the Dinky Dyes, Gloriana, Waterlilies, Belle Soie and so on) are not flat silks, and Stef Francis' flat silk tends to be bolder in its colour variations.

And finally the first flat silk I ever tried, Eterna Stranded. This has an awful lot going for it: it is inexpensive (even with a weak pound only Pipers comes close), comes in a staggering range of colours, and divides into thin strands so can easily be combined to any thickness. For snagging, it is average - better-behaved than SO and JEC, worse than P, HE and PF. For flatness and lustre, again average - it does not lie so naturally flat as SO and JEC, but needs less encouragement than P, HE and PF. The irregularities in the silk and the dyeing are a definite disadvantage, but this is compensated for by the price.

Final verdict:
For special projects I would go for SO (if the colours were available) or JEC, but they are too pricey and labour-intensive for "everyday" use. P is a very good alternative, although being so thin they are a pain to wind on bobbins (voice of experience there ...). I will certainly be expanding my collection of them over time. But if you want to use a flat silk almost in the way you would use your ordinary cottons, ES is probably the best choice because it has the widest colour range, is the least fiddly, and comes at an affordable price. HE are lovely for flat silk projects that need a little colour variation.

Thank you SO MUCH, Ilke, for this informative article! I'm eager to try House of Embroidery's thread - I haven't tried their silk! And I'm really grateful for your insight to the rest of these threads!
]]> threads pictures embroidery tips and tricks silk needlework pictures 4673 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-09 06:12:16 2009-11-09 06:12:16 1 0
Of course! Your comparisons are so thorough! I love this one - I keep going back to it... I'm thinking of an upcoming project that will use flat silks, so this is such a good resource for helping make up my mind!

Best regards,
Mary]]> 4676 Ilke Cochrane noreply@blogger.com 2009-11-09 05:40:37 2009-11-09 05:40:37 1 0 Karen, I do have some pictures which show a closer view of twisted and flat silks next to each other (in cross stitch again), if Mary wouldn't mind posting them I could send them?]]> 4699 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-11-04 09:41:28 2009-11-04 09:41:28 1 0 Thank you so much,
Karen]]> 4718 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-11-02 21:06:27 2009-11-02 21:06:27 1 0
Mary, can you talk about railroading when stitching some time?]]> 4719 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-11-02 18:10:25 2009-11-02 18:10:25 1 0 Mary, would you like to write something about that, or give me a hollar and I'll make a couple of notes.
Also, for all silks and most multistrand threads, I use a tekobari or some other kind of laying tool. AnneG in NC]]> 4722 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-02 09:34:15 2009-11-02 09:34:15 1 0
Karen - nope, that's not a silly question! Flat vs. twisted silk is not a question of right or wrong for your embroidery - it really depends on what look you want to achieve. I use both twisted and flat silks in my embroidery, depending on the project. So really, the key is seeing what you like and what look you want to achieve!

Hope that helps!
MC]]> 4723 Laura Bullinger noreply@blogger.com 2009-11-02 08:38:01 2009-11-02 08:38:01 1 0 4724 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-11-02 08:31:49 2009-11-02 08:31:49 1 0 I so look forward to seeing Needlenthread in my inbox!
Thanks,
Karen]]> 4725 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-11-02 07:12:33 2009-11-02 07:12:33 1 0 BarbM]]> http://www.needlenthread.com/2009/10/boo-my-only-embroidered-pumpkins.html Sat, 31 Oct 2009 10:02:00 -0500 Mary Corbet 175 2009-10-31 10:02:00 2009-10-31 10:02:00 open open Boo!-My-Only-Embroidered-Pumpkins publish 0 0 post

These are embroidered pillowcases, and the theme for them is "opposites" - so I embroidered one black and one white pillowcase with faces. On the white pillow case, they're all awake and having a blast, and on the black pillowcase, they're snoozing away comfortably.



The pumpkin was easy enough to embroider while he was awake...



... but sleeping pumpkins pose a slight problem, when it comes to closing their eyes. When I worked this project, I think I embroidered those eyes two or three times, trying to get a "sleepy" look.



Yep, I can safely say this was one of my Just for Fun projects that was really fun!

I hope you have a fun day, that you get out and enjoy the autumn weather (if you're in the same hemisphere - spring, for the rest of you!), and that you have a terrific weekend!

]]> holiday stitching pictures embroidery for fun needlework pictures 4267 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2009-12-11 05:08:30 2009-12-11 05:08:30 1 0 4728 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-11-01 13:13:00 2009-11-01 13:13:00 1 0 4730 Anonymous noreply@blogger.com 2009-11-01 11:16:48 2009-11-01 11:16:48 1 0
Tina

tdwjohnson@yahoo.com]]> 4732 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2009-10-31 14:40:18 2009-10-31 14:40:18 1 0
Love the pillowcases and would buy the pattern for the faces, for sure.

Thanks for showing us, brilliant as always.

Marysia.]]> 4733 Marysia noreply@blogger.com http://www.blogger.com/profile/17959080591821794196 2009-10-31 14:38:48 2009-10-31 14:38:48 1 0
I for one would buy the pattern for your black and white pillowcases...........absolutely fantastic.

Regards,
Marysia.]]> http://www.needlenthread.com/2009/10/hand-embroidery-on-gingham-christmas.html Fri, 30 Oct 2009 13:15:00 -0500 Mary Corbet 176 2009-10-30 13:15:00 2009-10-30 13:15:00 open open Hand-Embroidery-on-Gingham---Christmas-Trees! publish 0 0 post Future Christian Homemakers is quite an enthusiast when it comes to hand embroidery on gingham. If you have not seen her Gingham Museum on her website, it is worth taking a look at, especially if you are interested in elaborate "chicken scratch" embroidery that is unique and really beautiful. She has quite a collection of embroidered aprons, and they're all detailed with close-up photos and commentary.

Laurie's been experimenting with gingham lately, coming up with several Christmas designs that are really attractive. I especially like this series of Christmas trees she's been working on, so I was very happy when she said I could share them with you.

Traditionally, embroidery on gingham is worked in white or in the color of the darkest square on the fabric. Laurie played a little with this, but found that contrasting colors worked best on this series of trees.

The trees are embroidered on 1/8" homespun fabric (available online through Jubilee Fabric), and their finished size is approximately 3.25" tall by 2.75" wide - the perfect size for an ornament or a Christmas card.



This first tree is worked with a combination of dark green and sparkly white thread - although I like it, I have to admit I like the trees worked in colors that contrast with the fabric better. Laurie used two strands of DMC 890 (green) for the tree, and two strands of Treasure Braid Petit High Gloss (P410) for the circles and x's.




I like this tree a better, with the green stitched on the red homespun. She used the same color green as on the tree above, but instead of the white braid, she used Treasure Braid Petite (PB68), a multi-colored sparkly thread. It's hard to capture the sparkle in the picture, but you can imagine how nice it looks if you're familiar at all with Rainbow Gallery's Treasure Braids (pictured down below).



This tree, I really like. I like the kelly green floss on the red, with the gold braid! It's very pretty, and oh-so-Christmassy.



This tree, however, is my absolute fave. I love the contrast of the bold red stitches, and I like the dark geen with the gold braid.

Which is your favorite, of the four trees above?



Although this isn't a full tutorial, if you are interested in working up some similar trees, in the photo above, you can see the "skeleton" pattern for the design. For further directions on gingham embroidery, you can check out some tips for embroidering on gingham at the Future Christian Homemakers website.



This, by the way, is Treasure Braid. You can find it at most local needlework shops that carry cross stitch or needlepointing supplies.



While wandering through Laurie's website, I came across this little book that Laurie publishes, Classic Prayers for Children. It is a sweet book of prayers and poems for children, beautifully illustrated. It struck me as a perfect stocking stuffer or First Communion treasure for little kids.

I love the work of preservation that Laurie is doing with gingham embroidery. She is building quite a collection of vintage gingham embroidery and documenting them so that we can see the unique designs and stitch combinations used in the technique. If yuou get a chance, make sure you check out her website!

Have a terrific weekend!
]]> embroidery for children gingham embroidery Embroidery for the Home pictures embroidery tips and tricks Christmas needlework pictures 4693 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-11-04 19:48:42 2009-11-04 19:48:42 1 0 4736 Anonymous noreply@blogger.com 2009-10-31 10:17:45 2009-10-31 10:17:45 1 0 http://www.needlenthread.com/2009/10/goldwork-and-tudor-designs.html Thu, 29 Oct 2009 04:49:00 -0500 Mary Corbet 177 2009-10-29 04:49:00 2009-10-29 04:49:00 open open Goldwork-and-Tudor-Designs:-Possibilities! publish 0 0 post dream. You know how that is, don't you? This one particular design has be besotted...

BibliOdyssey is one of those places I go to get inspired, and last week when I visited, I wasn't disappointed - there was no lack of inspirational stuff floating about the website. This post on The Tudor Pattern Book really caught my eye, and this one pattern in particular struck me as particularly suitable for goldwork.



When considering an picture or design that is not made specifically for embroidery, I usually try to isolate the elements within the design that would work as an embroidered image. So I took this picture from BibliOdyssey, opened it in Photoshop and got rid of the background. I didn't spand a lot of time cleaning the thing up - just a few button clicks - but I did at least isolate the part I like.

At this point, I figured I could trace the image in Inkscape or a similar program, to end up with a crisp line drawing, but instead, I started playing with a couple very basic filters in Photoshop and reduced the image to this:



For some reason, a black and white image is my preferred format for any kind of potential embroidery design. I seem to see more possibilities when I can reduce the image to outlines with a bit of shading but no color.

With this piece, I'm thinking in terms of a combination of silk shading and goldwork.

So what do you think? Should I just chuck everything else and launch into a completely senseless goldwork project?

Oh well! Since "chucking" everything else right now probably isn't prudent, I suppose I'll just stay the present course. However, if I do drift off...

... you'll know what I'm doing!

]]> goldwork free embroidery patterns miscellaneous embroidery musings embroidery design 4731 Carol cardsbycarol@ymail.com http://www.blogger.com/profile/16047209123154598013 2009-11-01 07:45:32 2009-11-01 07:45:32 1 0 Thanks for all your lovely inspiration and for the fabulous links.
juno
xx
Juno's Place]]> 4740 margaret c. noreply@blogger.com 2009-10-31 00:40:58 2009-10-31 00:40:58 1 0 4743 virtualquilter noreply@blogger.com http://virtualquilter.wordpress.com/ 2009-10-30 05:57:09 2009-10-30 05:57:09 1 0 Judy B]]> 4745 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-10-29 21:18:12 2009-10-29 21:18:12 1 0 4746 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-10-29 19:11:47 2009-10-29 19:11:47 1 0 4747 Lorena noreply@blogger.com http://www.blogger.com/profile/00898602865195128470 2009-10-29 17:03:36 2009-10-29 17:03:36 1 0
http://www.bl.uk/catalogues/bookbindings/Default.aspx]]> 4748 Jules noreply@blogger.com http://www.blogger.com/profile/10496039187159668965 2009-10-29 10:01:02 2009-10-29 10:01:02 1 0 4749 charlie noreply@blogger.com 2009-10-29 09:39:50 2009-10-29 09:39:50 1 0 Life is Short!
Drop everything!
Or find one of your 15 minutes a day slot....
Two weeks ago, my van broke down on the day I was going to visit friends down south for my birthday.
One week ago a storm took my landline and internet access down.
My oil fired range has been dormant for months and won't light, so needs a service before it gets really cold.
Problems?
Well, when I couldn't go away, my neighbour offered to drive me to Aquatic Plant place 70 miles away....the money I would have spent on diesel went on plants for my new pond!
When I was without transport,and the phone went down, and the range wouldn't light, I realised it was nature's way of getting me out there, planting new babies....
And coming back to 70 messages in my Inbox,I vow to spend less time glued to this machine.
good Luck Mary...can't wait to see what you do with that design!]]> 4750 Laura Bullinger noreply@blogger.com 2009-10-29 08:25:59 2009-10-29 08:25:59 1 0 4751 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-10-29 08:11:08 2009-10-29 08:11:08 1 0 4752 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-10-29 07:41:18 2009-10-29 07:41:18 1 0 4753 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-10-29 07:30:13 2009-10-29 07:30:13 1 0 4754 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-10-29 05:48:04 2009-10-29 05:48:04 1 0 and I love this kind of designs
Have a good day dear Mary!

Maria del Valle]]> 4755 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-10-29 05:44:28 2009-10-29 05:44:28 1 0 It's a lovelly pattern for only silk work too, isn't it?]]> http://www.needlenthread.com/2009/10/fancy-hems-winner.html Wed, 28 Oct 2009 06:26:00 -0500 Mary Corbet 178 2009-10-28 06:26:00 2009-10-28 06:26:00 open open Fancy-Hems-Winner! publish 0 0 post

First of all, the winner of Luzine Happel's book Fancy Hems is ....

Mommablogger.... who apparently happened to be visiting Kansas a while ago and doesn't like the dirt. Yep. We have a lot of that stuff in Kansas.... Please drop me an e-mail with your mailing address, and I'll get that off to you as soon as possible! Congratulations!

Coming up this week on Needle 'n Thread: some musings on an embroidery design for goldwork, another lettering tutorial, and some great information from a reader on gingham embroidery Christmas trees! So stay tuned....

Have a terrific Wednesday!

]]> website news Book Give-Away 4251 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-12-12 08:51:54 2009-12-12 08:51:54 1 0
Thanks again :D]]> 4278 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-09 21:04:13 2009-12-09 21:04:13 1 0
There is a Beginner's Guide to Drawn Thread work that may be helpful - it's available through Amazon.

But I bet the tutorials here could get you started!

Hope that helps!
MC]]> 4279 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-12-09 20:24:45 2009-12-09 20:24:45 1 0
I was wondering though, is there a good book for explaining how to do the drawn thread? I don't know how to get started :D]]> 4758 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-10-29 00:15:43 2009-10-29 00:15:43 1 0
(And woohoo, another letter lesson to come!)]]> 4761 EmilyHall noreply@blogger.com http://www.blogger.com/profile/14587130417443023845 2009-10-28 20:14:16 2009-10-28 20:14:16 1 0
It looks like I'll just have to go ahead and buy it, or ask my hubby to get it for me for Christmas.]]> 4764 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-10-28 10:56:16 2009-10-28 10:56:16 1 0 4766 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-10-28 07:35:27 2009-10-28 07:35:27 1 0 http://www.needlenthread.com/2009/10/readers-embroidery-quaker-motif-as.html Tue, 27 Oct 2009 05:45:00 -0500 Mary Corbet 179 2009-10-27 05:45:00 2009-10-27 05:45:00 open open Reader's-Embroidery:-Quaker-Motif-as-a-Christmas-Ornament publish 0 0 post hand embroidery pattern for a Quaker sampler design, converted for surface embroidery. I haven't had time to stitch it myself, but Jan Miller has. Using the bird in a tree design, Jan made a beautiful Christmas ornament - and she sent pictures. Thanks, Jan!

My first thought when I finished converting this design into a surface embroidery pattern was that it would make a pretty Christmas tree ornament. So I was delighted to see Jan's rendition.



Using simple stitches that suit the pattern very well, Jan stitched the ornament on white velvet, I think. She finished it with a matching hand-made tassel.



I love the dark green and the deep red - they suit the design. One reader suggested that simple color tones were best, rather than a variety of shades, since plain color choices would work best in keeping with the simplicity of the Quaker design.

I still want to stitch this pattern up, and hope to one of these days! Has anyone else tried this design? I'd love to see what other people do with it!

Thanks again, Janice, for sending along the pictures!

What are you working on? If you want to share photos of your recent needlework adventures, drop me a line!
]]> readers embroidery pictures Quaker designs Christmas needlework pictures 4757 Dzithendo noreply@blogger.com http://www.blogger.com/profile/11630224317473281810 2009-10-29 04:48:02 2009-10-29 04:48:02 1 0 Heather]]> 4760 margaret c. noreply@blogger.com 2009-10-28 22:28:06 2009-10-28 22:28:06 1 0 4762 Anonymous noreply@blogger.com 2009-10-28 17:14:09 2009-10-28 17:14:09 1 0 I used felted wool that I felted myself. I will be sending this on to my exchange sister in my yahoo group Ladies of Steeles. Thanks again for the nice comments.
Jan]]> 4780 smg noreply@blogger.com http://www.blogger.com/profile/09083361873107903712 2009-10-27 13:11:22 2009-10-27 13:11:22 1 0 I'm a Catholic sister with little time for leisure arts, but I like to stitch on retreat days... it's very contemplative. My previous projects were to make a Russian/Ukrainian stitch embroidered prayer towel for an icon of Our Lady with all my prayer intentions on it.]]> 4785 awesomeave noreply@blogger.com http://awesomeave.wordpress.com/ 2009-10-27 08:30:37 2009-10-27 08:30:37 1 0 4788 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-10-27 06:23:53 2009-10-27 06:23:53 1 0 4789 Divya noreply@blogger.com 2009-10-27 06:08:40 2009-10-27 06:08:40 1 0
I'm stitching this one too by the way. Mine is going to turn into a throw pillow. Am still contemplating on how to fill the birdie.

Any suggestions ladies?]]> http://www.needlenthread.com/2009/10/schwalm-embroidery-photos-give-away.html Mon, 26 Oct 2009 05:30:00 -0500 Mary Corbet 180 2009-10-26 05:30:00 2009-10-26 05:30:00 open open Schwalm-Embroidery-Photos-&-a-Give-Away! publish 0 0 post something beautiful! But the fact o' the matter is, there just aren't enough hours in the day, days in the week, weeks in the year to do all the needlework things I'd like to do! Do you ever feel that way? So, often, I content myself with looking at pictures. And along those lines, here are some photos of magnificent examples of Schwalm whitework embroidery.

These first two pieces belong to a friend, Joey, who helped Luzine Happel with the translation of two of her Schwalm embroidery books, Basic Principles of Schwalm Whitework and Fancy Hems.



This first piece is a teacloth embroidered by Luzine. Isn't it gorgeous? You can click on the photo for a closer view of it. The stitching is so stunning! Check out the variety of filling stitches!



This second piece is a decorative pillow, with the Schwalm work covering a red pillow - which makes the whitework stand out beautifully. I had not considered finishing a whitework pillow this way, with a contrasting fabric behind the whitework, but it makes all the sense in the world if you really want to show off the whitework. Again, you can click on the photo for a larger version.



The books above are published by the Museum der Schwalm in Germany. The books are a kind of photographic journal of the pieces that have been featured in the museum's displays. Talk about inspiration!



Here's one piece featured in one of the books. Pretty, isn't it? I don't know if it's exactly "traditional" Schwalm embroidery as far as design goes - the design seems a bit more contemporary. I like it a lot!



A lampshade! I think I would love to have this in my house... but I can't help wondering if it would stay this pristine? I'd feel obliged to put it under glass to keep the Kansas dust off it!

Yep, I do love to browse through these types of books!! They goad me into doing something with my needle and thread.

A Give-Away!

Now, speaking of Schwalm work (again), I'd like to give away another book. Joey sent me a copy of Fancy Hems, but since I already have one, I thought it would be a good opportunity to put this excellent book into some other keen stitcher's hands.

You can read my thorough review of Fancy Hems here on Needle 'n Thread, to see what the book is about. Note that it's not just for stitchers interested in Schwalm whitework. Anyone interested in drawn thread or pulled thread embroidery will find this book useful and instructive.



If you'd like to win this copy of Fancy Hems, here's how the give-away works:

Leave a comment below (on this article, on the website - not via e-mail or on other posts), answering the following question:

If you could launch into a Schwalm project right now, assuming you have the materials and instructions at hand, what would you make?

Make sure you leave a name, even if you use the "anonymous" feature when posting your comment. I'll draw for a winner on Wednesday, October 28th, by 5:30 am.

Best of luck!


]]> Schwalm whitework regional embroidery techniques pictures Book Give-Away needlework pictures 4765 Connie noreply@blogger.com http://www.blogger.com/profile/04325568385706817499 2009-10-28 10:24:17 2009-10-28 10:24:17 1 0 4767 Anonymous noreply@blogger.com 2009-10-28 06:03:43 2009-10-28 06:03:43 1 0
Karen from Arcadia]]> 4768 Marian noreply@blogger.com 2009-10-28 04:53:12 2009-10-28 04:53:12 1 0 4771 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-10-27 23:47:01 2009-10-27 23:47:01 1 0
Thanks for your generosity in giving away such neat goodies!]]> 4772 Anonymous noreply@blogger.com 2009-10-27 22:25:30 2009-10-27 22:25:30 1 0 Liseanne]]> 4773 Anonymous noreply@blogger.com 2009-10-27 20:59:34 2009-10-27 20:59:34 1 0
Thank you so much! Kris]]> 4774 Erica noreply@blogger.com http://www.blogger.com/profile/05158664675306294581 2009-10-27 19:04:22 2009-10-27 19:04:22 1 0 4776 Pigtail Pete noreply@blogger.com http://www.blogger.com/profile/17524883373450000550 2009-10-27 17:15:37 2009-10-27 17:15:37 1 0 4781 Tricia noreply@blogger.com http://www.blogger.com/profile/10800864673813334725 2009-10-27 13:01:40 2009-10-27 13:01:40 1 0
If I were to start a Schwalm piece, I would probably do something like the pillow cover you show with the red beneath (although I'd use a blue or green).]]> 4782 Sunela noreply@blogger.com http://www.blogger.com/profile/07309123727218351365 2009-10-27 12:07:04 2009-10-27 12:07:04 1 0 4783 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-10-27 12:00:20 2009-10-27 12:00:20 1 0 4786 Emily noreply@blogger.com 2009-10-27 07:20:44 2009-10-27 07:20:44 1 0 4787 Linda D noreply@blogger.com 2009-10-27 06:45:47 2009-10-27 06:45:47 1 0 Linda]]> 4790 Anonymous noreply@blogger.com 2009-10-27 04:08:50 2009-10-27 04:08:50 1 0 Thank you for this generous chance of winning the book.
/Matilda]]> 4791 jacquelin ihsan noreply@blogger.com 2009-10-27 03:35:24 2009-10-27 03:35:24 1 0 With the help of this book, I would like to make beautiful altar cloths-credence table cloths for the Latin Mass I attend. Working white on white is a very calming experience. Living here in Hawaii has the advantage of natural sunlight which is great for doing this work. If you need to getaway from the cold, come visit.
Kindest regards,
Jacquelin I]]> 4792 CC noreply@blogger.com http://www.blogger.com/profile/10014665817356312048 2009-10-27 02:45:21 2009-10-27 02:45:21 1 0
Given that Christmas is so close, if I were to start a project it would be some medium sized ornaments using the same method at the red pillow above. I would change the under color to a vibrant/royal blue and possibly introduce a small bit of silver into the overall design. (MIL will only have white, silver and blue for decorations.)]]> 4793 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-10-27 00:32:11 2009-10-27 00:32:11 1 0
I think I would make a table runner for our coffee table. Its the only thing that I regularly display embroidery on, and as long as my daughter doesn't take her textas (marker pens) anywhere near it, I think that Schwalm would look lovely there!

Yvette]]> 4794 EmilyHall noreply@blogger.com http://www.blogger.com/profile/14587130417443023845 2009-10-26 23:52:03 2009-10-26 23:52:03 1 0
Also, truthfully, I would like to make myself a delightfully girly underskirt. :)]]> 4795 Maryvonne noreply@blogger.com 2009-10-26 23:25:58 2009-10-26 23:25:58 1 0 Like you, I love to look at books on embroidery and I dream of doing some of the superb things I see, but unlike you, I haven't got the ability to turn some of my dreams into reality.... just haven't got the skills, although I'm working towards acquiring a little bit more expertise.

If I could, I'd love to make a lampshade exactly like the one in the photograph. Think it is beautiful, but we have the same problem with dust as you seem to have.... it would look drab and grey within a few months, but one can dream....]]> 4796 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-10-26 23:17:49 2009-10-26 23:17:49 1 0 4797 Shari ladyjspice@aol.com http://www.blogger.com/profile/06756180452191304667 2009-10-26 22:50:37 2009-10-26 22:50:37 1 0 4798 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-10-26 22:37:12 2009-10-26 22:37:12 1 0
Whitework in India is called Chikankari and is done on tunic style dresses or saris. If I were to start a Schwalm whitework project I will start a stole which can then be used with any outfit. I would embroider the edges with one of the many beautiful borders and then work the body of the fabric with the flower motif on the left hand corner of the second border on Page 17 that you have shown in your review.]]> 4799 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2009-10-26 22:19:37 2009-10-26 22:19:37 1 0 4800 Dixie noreply@blogger.com 2009-10-26 21:51:57 2009-10-26 21:51:57 1 0 I would make some pillows for a large chair in my living room. Everyone could see how beautiful the work is.
Dixie C]]> 4801 Anonymous noreply@blogger.com 2009-10-26 21:01:41 2009-10-26 21:01:41 1 0 4802 Anonymous noreply@blogger.com 2009-10-26 20:33:03 2009-10-26 20:33:03 1 0 I would do a runner for my living room.I thank you for the lovely e-mails and I love your work
Tila]]> 4803 Anonymous noreply@blogger.com 2009-10-26 19:41:00 2009-10-26 19:41:00 1 0
Nita Carroll]]> 4804 Anonymous noreply@blogger.com 2009-10-26 18:39:58 2009-10-26 18:39:58 1 0 - Fran M.]]> 4805 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-10-26 18:01:59 2009-10-26 18:01:59 1 0 Cheers
MA]]> 4806 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-10-26 17:37:42 2009-10-26 17:37:42 1 0 4808 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2009-10-26 16:36:37 2009-10-26 16:36:37 1 0
Thank you once again for the continued interest in this form of embroidery. I just can't get enough of it. If I were to win this lovely book, I would try to make a small afternoon teacloth from beautiful linen given to me as a gift.

However, if I do not win, I am still looking at purchasing this book, if I could only get my emails to get delivered to Luzine's mailbox.........

Thanks again so much.
Elspeth.]]> 4809 SEW WHIMSY noreply@blogger.com http://www.blogger.com/profile/00140603040511404006 2009-10-26 16:30:28 2009-10-26 16:30:28 1 0
Betty Zarate]]> 4810 Pollydo2003 noreply@blogger.com http://www.blogger.com/profile/15225398638294939827 2009-10-26 16:23:10 2009-10-26 16:23:10 1 0
Arlene]]> 4811 Angelina noreply@blogger.com http://www.littleroomrecordco.com 2009-10-26 15:03:50 2009-10-26 15:03:50 1 0 4812 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2009-10-26 14:47:46 2009-10-26 14:47:46 1 0 4813 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-10-26 14:32:34 2009-10-26 14:32:34 1 0
Now I have to go check out Carol D's blog because I learned some things down in Puerto Rico too :D]]> 4814 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2009-10-26 14:19:12 2009-10-26 14:19:12 1 0
Colleen Lim]]> 4816 Anonymous noreply@blogger.com 2009-10-26 13:43:21 2009-10-26 13:43:21 1 0 Your photos are wonderful, and in particular I just love the pillow, so I guess if I was the lucky winner I would try and do a pillow. Thanks for such a lovely interesting site.
Joan from Richmond B.C.]]> 4817 Anonymous noreply@blogger.com 2009-10-26 13:23:24 2009-10-26 13:23:24 1 0
Loretta]]> 4818 Penny noreply@blogger.com 2009-10-26 13:18:23 2009-10-26 13:18:23 1 0
Your blog is an inspiration Mary and I look forward to reading and learning something new every day!]]> 4819 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-10-26 13:12:56 2009-10-26 13:12:56 1 0
Oh, and I still have Kansas dust in my van from our trip down there to visit family :) My grandparents and my mom and stepdad both live on dirt roads two miles away from the main road, and we did a lot of driving while I was visiting :) That stuff never quite goes away :D]]> 4820 Anonymous noreply@blogger.com 2009-10-26 13:07:47 2009-10-26 13:07:47 1 0 Karole King]]> 4821 Cara Hayes noreply@blogger.com 2009-10-26 12:50:24 2009-10-26 12:50:24 1 0 4822 Pat Salada noreply@blogger.com 2009-10-26 12:38:12 2009-10-26 12:38:12 1 0 photographing needlework; it is
so inspirational. I believe I
would like to try Schwalm work
on a small sewing bag that would
hold my sewing necessities.

Pat S.]]> 4823 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-10-26 12:34:03 2009-10-26 12:34:03 1 0 :)]]> 4824 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2009-10-26 12:15:22 2009-10-26 12:15:22 1 0 4826 mummsie noreply@blogger.com http://www.blogger.com/profile/05375783918429934130 2009-10-26 11:38:45 2009-10-26 11:38:45 1 0 4827 Angela Tx noreply@blogger.com 2009-10-26 11:33:52 2009-10-26 11:33:52 1 0 4828 Pat noreply@blogger.com http://www.blogger.com/profile/02158942909271659144 2009-10-26 11:23:06 2009-10-26 11:23:06 1 0 4829 Debby Parker noreply@blogger.com 2009-10-26 10:59:18 2009-10-26 10:59:18 1 0 Debby Parker]]> 4830 Carol D noreply@blogger.com http://www.blogger.com/profile/06492547971636323533 2009-10-26 10:53:37 2009-10-26 10:53:37 1 0
Carol D.]]> 4831 Kris noreply@blogger.com http://www.blogger.com/profile/01819774113675793643 2009-10-26 10:48:23 2009-10-26 10:48:23 1 0 Kris Curtis]]> 4833 Melissa noreply@blogger.com http://www.blogger.com/profile/05990221855437772748 2009-10-26 10:21:08 2009-10-26 10:21:08 1 0 4834 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09012789609281609182 2009-10-26 09:50:15 2009-10-26 09:50:15 1 0
Yet another mouth-watering post. You have moved me a significant bit closer to that small tablecloth I have been wanting to make! If only my work would look as good as your fantastic photos! How can I refuse your offer for this giveaway? Please sign me up!

Thanks,
Didi]]> 4835 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2009-10-26 09:50:05 2009-10-26 09:50:05 1 0 Fancy Hems would be extremely useful for me, as I'm on an handkerchief making/embroidering kick right now (holiday gifts) and it would be wonderful to have new and different hems to make for different people. As well as being able to make some lovely table linens for myself. ;)
I am so glad that I found your site Mary! It is a constant source of information and inspiration.
Amy]]> 4836 Sheila from CA noreply@blogger.com 2009-10-26 09:36:28 2009-10-26 09:36:28 1 0 The cutwork is just beautiful...I too like the lampshade but also would be afraid of dirt getting on it (a plastic cover would be a horrible thought!). If I did start this work, it would probably be a tea towel sampler with the various hems...it would make a nice gift. Thanks for the opportunity! Sheila from CA]]> 4837 Anonymous noreply@blogger.com 2009-10-26 09:32:28 2009-10-26 09:32:28 1 0
Martha]]> 4838 Samanta noreply@blogger.com 2009-10-26 09:14:12 2009-10-26 09:14:12 1 0 4839 FloridaBird noreply@blogger.com http://www.blogger.com/profile/01703991349272178112 2009-10-26 09:12:55 2009-10-26 09:12:55 1 0 Odette]]> 4840 Martha Mc noreply@blogger.com 2009-10-26 09:11:34 2009-10-26 09:11:34 1 0 Thanks for all the time and effort you put into showing us beautiful pieces of embroidery and encouraging us to do them. I hope you are quite recovered from your recent illness.
I am absolutely salivating over the pictures you showed in today's post and would love to start on something like any of them. I, however have not yet attempted Schwalm work so I would probably begin on a sampler to get my hand in it then attempt something more difficult. I would love to have the book as an incentive to get started.]]> 4841 Virginia noreply@blogger.com 2009-10-26 09:09:47 2009-10-26 09:09:47 1 0
Hmmm...I would either make a table runner to use for the holidays or curtains.

This technique is tedious but with patience and perseverance the end results are wonderful.

Good luck everyone and Happy Halloween.

Virginia-San Diego]]> 4842 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-10-26 08:52:03 2009-10-26 08:52:03 1 0 4843 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-10-26 08:39:13 2009-10-26 08:39:13 1 0
What would I make? I love that pillow with the red behind and might consider something like that. Of course the lampshade is impressive, but I can't imagine it lasting in my house with two cats :)

Thank you for the morning eye-candy. It's made my Monday better already.]]> 4844 Anonymous noreply@blogger.com 2009-10-26 08:38:21 2009-10-26 08:38:21 1 0 4845 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-10-26 08:30:17 2009-10-26 08:30:17 1 0
I have so many things going, but it I started a new project it would be one from the Schwalm book, white on white is in a class all by itself. Barb]]> 4846 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2009-10-26 08:14:24 2009-10-26 08:14:24 1 0 If I were to try this I would make something very small at first, a little round or rectangle piece to place on top of an antique furniture piece.
thank you for the drawing. Kathy]]> 4847 Peggy pgschaar@gmail.com http://www.blogger.com/profile/04539865899294596043 2009-10-26 07:53:35 2009-10-26 07:53:35 1 0
Beautiful examples...thanks for sharing.

Peggy]]> 4848 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-10-26 07:25:41 2009-10-26 07:25:41 1 0 4850 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-10-26 07:00:00 2009-10-26 07:00:00 1 0
Since you've showed this book in your blog I'm thinking of it...
As you may remember I'm following Luzine's pattern from Basic Principles and I do want to finish it before starting another project (don't know how long can I resist to Trish Burr's Red Poppy...)
BUT I've already a linen towel (for one of my grandaughters) ready to make a fancy hem so... please count with me!
And thank you!
Hopimg you are recovered at all.]]> 4851 Laura Bullinger noreply@blogger.com 2009-10-26 06:50:55 2009-10-26 06:50:55 1 0 4852 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-10-26 06:41:22 2009-10-26 06:41:22 1 0 It is coming colder every day here in Lithuania so as every year I knit at this period. But your posts can make some changes (and my mother will stay without new cardigan :D ). I want to stitch very much. And I have some linen which could suite for some drawn thread embroidery.
Would it be clever to try Schwalm embroidery stitching some tablecloth? But I imagine some tablechoth with whitework flowers in the corners and all around could be some merezhka (I do not know, how it is called in English)]]> 4853 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2009-10-26 06:21:01 2009-10-26 06:21:01 1 0 4854 Laetizia noreply@blogger.com 2009-10-26 06:20:29 2009-10-26 06:20:29 1 0
If I could launch into a Schwalm project, I would make 2 decorative pillows for my bedroom, 40cm x 30cm. I would choose a design with birds and vase of flowers.

I currently use 2 made by my grand aunt; white with their initials, very traditionnal. As the fabric was damaged, I have used the embroidered part and added a black and white "squarred" bias.

Thank you once again for your blog.
kinds regards, Laetizia

l.tuttobene@em2c.com]]> http://www.needlenthread.com/2009/10/hand-embroidery-lettering-and-text-4.html Fri, 23 Oct 2009 12:40:00 -0500 Mary Corbet 181 2009-10-23 12:40:00 2009-10-23 12:40:00 open open Hand-Embroidery:-Lettering-and-Text-4:-Stem-Stitch publish 0 0 post

Before venturing into the tutorial, you might want to take a look at my stem stitch video to get the hang of the motion of the stitch, and you might find it useful to read this article on stem stitch vs. outline stitch.

The best way to keep your stem stitch always looking right as you embroider words is to first establish your stitch direction. Now, with stem stitch, whether you are right handed or left handed is an important consideration, so let's first clarify some stitching directions for both types of stitchers.

Right Handed Stitchers

Stitching Direction: For righties, stem stitch always travels left-to-right. It is true that you can move your hoop around and work the stitches vertically, but for right handers, whenever you consider the line you are stitching as horizontal to the floor, you will notice that, if you're working stem stitch, the direction of your line is going to be from left to right.

Needle / Thread placement: For right handers, when looking at your horizontal line that is moving from left to right, the working thread always hangs below the line, below the needle.

Left Handed Stitchers

Stitching Direction: For lefties, when you stitch a line horizontal to the floor, it will always travel from the right to the left. Even if you are stitching vertically, if you "turn the hoop" in your mind's eye, the line should always be moving from right to left.

Needle / Thread placement: For left handed stitchers, the working thread should always be above the needle, above the stitching line.

Now, these principles of stitching direction and thread placement hold true, even when traveling around curves. To change the placement of the thread as you round a curve in order for the stitches to hold themselves in the curve will mar the look of your stem stitch.

[I have to throw this note in, because it does put a wrench in the works, but please consider these directions to be written for s-twisted threads only. If stitching with z-twisted threads, the directions must be reversed. But let's forget that consideration for now, and assume that we will mostly be working with s-twisted threads - your typical DMC stranded cotton, pearl cotton, floche, most stranded silks, etc. If you want to see a close-up picture of what I mean about Z-twist and S-twist on threads, check out this post on The Silk Mill threads. There is a close-up picture of threads half-way through the post that show the difference in twist direction. Additionally, if you really want some in-depth reading on thread twists, this PDF on knowledge of sewing threads is somewhat interesting.]



To begin, I'm going to anchor my thread just as I did in the first backstitch lettering lesson. I will be traveling from the base of the circle on the "q" around to the top of the circle, down the long tail, and then up and around the curl on the tail.



To keep the stitch direction from left to right (I am right handed), I turned the work over. As I progress around the curve, I'll simply turn my hoop, so that I can keep the same direction with ease.



As I round the curve and come to the top of the head on the "q," I am back to working right-side-up again.

Now, I could make a sharp "corner" here where the loop runs into the back of the "q", but instead of doing that, I'm going to make a smooth, tight curve here. To do this, I am taking my stitches very small in the corner, but I'm still keeping the correct placement of the working thread.



Now, I've turned my work again, keeping the left-to-right direction of stitching, and heading down the back and the tail of the "q". Coming right out of the curve, I resumed a stitch length that is slightly longer than the stitches I used in the curve, but not so long as to look thinner or out of proportion with the other stitches on the "q" so far.



Approaching the point where the tail curls back over on itself at the base of the letter, I'm going to keep right on going with my stem stitch, crossing the intersection of the lines, and moving into the tight curve of that little curl.



As I start into the curve, I'm going to start decreasing the length of my stitches.



After I worked around the curve in shorter stitches, keeping the working thread below the needle and turning the hoop to keep the left-to-right direction, I started to lengthen the stitches again slightly coming out of the curve.

Now, keep in mind that this shortening and lengthening of stitches does not have to be mathematically accurate or anything! You just want your stitches to "take the curve" while keeping the closed-rope-look of the stem stitch, so just adjust your stitches slightly if you need to, in order to get them comfortably and neatly around the curve.



Now it's time to cross the curl over the back of the "q" and this is quite easy. As you approach the already-stitched line, simply jump your next stitch over the line. Work the stem stitch as you normally would - only cross over the stitches already there.



Return back to the end of the previous stitch, just like you would with any stem stitch, and cross over one more time, to complete the stem stitch.



And there's the finished letter.

The techniques for rounding curves and crossing over already stitched lines will remain the same throughout the rest of the tutorial here, so I won't go in as much detail with each letter.



The next step is to travel your thread on the back of your work up to where the next letter starts.



Whip your thread around the stitches on the back of the letter, taking the most direct path to the spot where the next letter begins.



Here, I'm stitching the connection between the q and the u, stopping at the point where the connection meets the downstroke of the u. If I were handwriting this, I would not lift my pen off the paper at this point, but when embroidering letters, I don't double these lines.



Now, I've turned my work so that I can continue working left-to-right. I've ended the last stitch where the connection meets the downstroke of the u, and then I've brought my needle up at the top of the downstroke. I did not need to "travel" my thread at all here, because this spot is pretty much directly above where my last stitch ended, and only a very short distance away. I'll be stitching through that carried thread on the back - it will line up with my next stitches and not show through to the front of the work.



I continued down the downstroke, then around the curve, then up the other side of the u.



Then I moved back down and stitched the connection between the u and the i.

Again, as a reminder, as you stitch your letters, always look ahead and work out a sensible path to follow for stitching. On this u, two paths presented itself, and both would have been fine: the first path is the one I took - down the downstroke and up the other side of the u. Alternately, I could have gone down the downstroke, around the curve, and stopped where the curve met the second downstroke on the u, then worked the downstroke and the connection. Either way would've been fine, and perhaps the second way would have been more consistent, as it would have matched the first half of the letter better. But it really doesn't matter in this case - the letter is clear, and the stitching is tidy. And that's really what you want to achieve.



Here, I've stitched the downstroke of the i, and the connection with the c.



Now you can see I'm in a situation where I can't carry my thread across to the next beginning point, nor can I "travel" the thread on the back through any stitches already there. Yet I have a long enough thread to keep stitching... so, what to do?

I could end my thread and start again, but why bother, when I can "start" without ending??



Just as I start a thread by taking tiny anchoring stitches, here, I'm taking tiny stitches along to the next starting point. I will cover these stitches up with the stem stitch, and I've avoided having to end my thread and start a new one and having a thread carrying visibly across the back of the fabric.



To keep the left-to-right direction of stitching, and to keep my working thread in the correct place in relation to the needle (below the needle), I started the c upside-down and turned the hoop as I progressed through the curve.



Continuing from the c, I worked my way up the top loop of the k.



I turned the work to accommodate the direction of the line, taking smaller stitches around the top of the loop of the k.



Then, coming down the back of the k, I stopped here for one main reason: I was out of thread. This was a good place to stop. If I had had more thread, I probably would have continued down the whole back of the k, but I will pick that part up with the new thread, and move up the k here, instead of down.



When you get to a point where two lines converge to make a sharp corner, as happens here in the middle of the k, it is necessary to end one line of stitching and start a new one. End the line of stitching around the loop right in the corner, as you see in the photo above. To start the next line of stitching (the downstroke of the k here), bring your needle up in the fabric a stitch length away.



Then take the needle down into the fabric right in the corner, to make the first stitch. Basically, I'm beginning this stem stitch line with a backstitch, if you want to think of it this way.



Now, bring your working thread up halfway the length of that backstitch, on the line, but above the stitch, to continue on with the stem stitch.



And the last stroke of the k is finished!

So, there you have the stem stitch worked on cursive lettering, using two strands of DMC stranded cotton.

If you're interested, feel free to check out my other tutorials on hand embroidering text. The next tutorial will focus on smaller text using a finer line.
]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks needlework pictures beginner embroidery 4849 Coeur de freesia noreply@blogger.com http://www.blogger.com/profile/15997251572778515514 2009-10-26 07:12:39 2009-10-26 07:12:39 1 0 4857 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-10-24 13:55:42 2009-10-24 13:55:42 1 0 4858 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-10-24 06:12:42 2009-10-24 06:12:42 1 0
You are an absolutely fabulous teacher and your photography is outstanding. Your instructions are extremely clear and I think this would make a wonderful course for you to teach. (along with all the other great things you know...like long and short etc etc)

Just wanted you to know that I think you're an absolutely priceless resource to the online needlework community.

Thank you very very much for sharing yourself with the world.]]> 4859 margaret c. noreply@blogger.com 2009-10-23 23:51:20 2009-10-23 23:51:20 1 0
I'm a lefty. If I were stitching a horizontal line I'd go from left to right (or maybe right to left; it depends :-).

If I were stitching the lettering in this post I would do it exactly the way you did it, in the same order and the same direction.

Did I miss something?

I guess what I'm curious about is how much does the direction really matter? I usually approach stem stitch outlines (on curves) by looking at the predominant direction of the curve and I just try to do my stem stitches so that I get maximum curve hugging. (Does that make sense?) I'm always looking for the inside part of a given curve because when I'm on the outside I'm basically doing an outline (crewel outline) stitch. It's hard for me to describe this since it's a visual thing.

Being a self-taught, left-handed stitcher opens one up to all sorts of weirdities, you know. :-)]]> 4860 Anonymous noreply@blogger.com 2009-10-23 21:42:53 2009-10-23 21:42:53 1 0 I hope by now you are feeling much better!
Annie in Michigan]]> 4862 Nora noreply@blogger.com 2009-10-23 13:56:26 2009-10-23 13:56:26 1 0 I sure hope you feel better and back to normal soon. But take carein the meantime.
On the stem, I always had problems turning (curved) but with this method it will really eliminate my problems. Thanks.
Nora]]> http://www.needlenthread.com/2009/10/some-embroidery-related-links-and-awol.html Thu, 22 Oct 2009 13:20:00 -0500 Mary Corbet 182 2009-10-22 13:20:00 2009-10-22 13:20:00 open open Some-Embroidery-Related-Links-and-AWOL publish 0 0 post

First up - I'm a sucker for free hand embroidery patterns. Given the current and upcoming seasons (fall and winter), I thought these free patterns were worth taking a look at:

-- Jacobian leaves: I've mentioned these before. Now that it's autumn, methinks these leaf patterns are even more significant. While you're checking out Kelly's Jacobean leaves, take a few minutes to check out two new patterns she's put up lately - Bloomin' Marvellous 1 and Bloomin' Marvellous 2. They're a perfect way to practice a variety of stitches on small motifs. Bloomin' Marvellous 2 is my favorite - it looks like lots of fun!

-- Cute pumpkin tea towel design - from Bird Brain Designs.

-- Christmas ornaments: Twelve Days of Christmas - these designs from Tricia-Rennea would make darling hand embroidered ornmaments, and could also be used to decorate all kinds of Christmas items - tree skirt, table runner, bread basket liner, etc.

-- Heart Christmas Tree Ornament - from Matryoshka Biscornue, a counted cross stitch ornament that's very pretty.

I wonder if you've had a chance to check out these old Sajou patterns from Pattern Maker Charts that are free for the downloading. They are mostly Very Nice cross stitch alphabets, along with some pretty border designs and so forth. I like keeping up with this blog!

Moving out of the realm of free patterns, here's some good needlework news:

You know I'm a Trish Burr fan. I don't know if you know I'm a bird fan. I am, I am! Trish Burr's kingfisher stole my bird-loving heart..... and then she made another bird kit, and ... it ... is ... gorgeous. If you haven't seen her Lilac Breasted Roller that she has added to her embroidery kits page, do check it out. If you like beautiful birds and you're a lover of needlepainting (long and short stitch shading), then you'll probably be taken by this beautiful creature.

And finally, Yvette Stanton of White Threads (and Vetty Creations) has finished her Left-Handed stitch dictionary - The Left-Handed Embroiderer's Companion - and has sent it off to press! Yvette's stitch samples - worked on beautiful colors of felt - look absolutely lucious. There's inspiration to be had in this book, I tell you! And I can't wait to get my hands on it! It's not due out until January, but it's available for pre-order now.

I think that about does it from this end. I'm going back to "recovery" mode. In the meantime, I've fallen behind a bit on website e-mail, so if you haven't heard from me, this is why. If you have an urgent-urgent question, feel free to e-mail me again, and your question will move to the top of the list.

To LISA (in San Francisco?) I did try to reply to your e-mail, but it bounced back (AOL addresses always bounce back on me). If you want to try again with an alternate e-mail address, please do!

]]> embroidery links free embroidery patterns embroidery resources 4861 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-23 14:17:56 2009-10-23 14:17:56 1 0
Stay healthy!

MC]]> 4863 Alexandrina valdy2005ster@gmail.com http://www.blogger.com/profile/08580236865881178044 2009-10-23 07:43:12 2009-10-23 07:43:12 1 0 Thank you for your nice comments.
Feel better soon.
Best regards
Alexandrina (Moscow)]]> 4864 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-10-23 03:56:37 2009-10-23 03:56:37 1 0 4866 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-10-22 22:18:06 2009-10-22 22:18:06 1 0 I hope you don't have the flu! Take care of yourself and thanks for taking the time and energy for this post even though you are sick. I would definitely not have the energy. I look forward to following the links you have provided, they do look interesting.

Cynthia]]> 4867 lovetosew noreply@blogger.com http://www.blogger.com/profile/03037157446521110031 2009-10-22 19:30:51 2009-10-22 19:30:51 1 0 4868 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-10-22 17:57:23 2009-10-22 17:57:23 1 0 4869 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-10-22 16:15:21 2009-10-22 16:15:21 1 0
Feel better soon. Thanks for posting these links!

Best regards,

Helen]]> 4870 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2009-10-22 15:49:18 2009-10-22 15:49:18 1 0 4871 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2009-10-22 15:28:02 2009-10-22 15:28:02 1 0 4872 Cynthia Bonnell noreply@blogger.com 2009-10-22 14:58:25 2009-10-22 14:58:25 1 0 4873 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-10-22 14:23:41 2009-10-22 14:23:41 1 0 4874 Anonymous noreply@blogger.com 2009-10-22 14:00:11 2009-10-22 14:00:11 1 0
I hope you feel better soon.

Thanks for the links they look very interesting. I am still working on the silk shading sampler so I had better finish this first!

Regards Pam]]> http://www.needlenthread.com/2009/10/hand-embroidery-lettering-and-text-3.html Mon, 19 Oct 2009 04:45:00 -0500 Mary Corbet 183 2009-10-19 04:45:00 2009-10-19 04:45:00 open open Hand-Embroidery:-Lettering-and-Text-3:-Dot-the-I publish 0 0 post i's and cross your t's? The same thing holds true when writing with your needle and thread - dotting the i's and crossing the t's are important, but dotting the i's is the part that's tricky. The dot floats above the lettering, presenting the problem of traveling up to it to stitch the dot. You don't want your thread to show through the front, so how do you get up there to the dot, without traveling a thread on the back of your work? Here's one way.

When hand embroidering your lettering or text, by the way, it doesn't really matter when you dot your i, not like it does in penmanship. With embroidery, you already have your lettering mapped out for you. You know exactly where that dot on that i is going to be. So while it may seem to be out of sequence to talk about dotting an i before we've even written the word, the fact is, it doesn't really matter! Besides, since you might be writing a completely different text on your sampler, I thought it a good idea to address this question, in case you already have some i's to dot!



Start by bringing an unknotted thread to the front of the fabric, right where you want your dot. The thread does not connect to any other lettering - you're just starting out with a new thread, and bringing it to the front of your fabric. In this particular tutorial, I'm using two strands of DMC cotton, but the technique applies equally as well to stitching with any kind of embroidery thread, really.



On the back of your fabric, leave about an inch-long tail, so that you can easily get ahold of it to snip it, later.



Now we're going to work a couple anchoring stitches. Going back to the front of your fabric, take one tiny straight stitch over only one or two threads of fabric. If you're working with a larger text on muslin or a high thread count cotton, you can certainly take the stitch over two or three fabric threads. It depends a bit, too, on what size you want your dot. If you want your dot to be relatively small, then take this anchoring stitch over as few threads as possible in your fabric, making the anchoring stitches as small as possible. After you take your first tiny stitch, bring the needle back up right next to that stitch.



Now, take your second anchoring stitch straight into that first tiny stitch.



Now your thread is anchored sufficiently to stitch the dot. Turn the fabric over, pull your working thread out of the way, and snip off the one-inch tail that you left on the back. Snip as close as possible to the fabric, but don't pull up on the tail with any force. Just try to snip right next to the fabric.



On the front of your fabric, this is what you'll have - two tiny stitches, worked perpendicular to each other, the second stitch stitched into the first.



Now, stitch over those anchoring stitches with two straight stitches, side-by-side, that cover the anchoring stitches. Bring the needle up right above the anchoring stitches and go down right below them, then bring the needle up again in the same exact hole above the ancoring stitches, and go down in the same hole below them, arranging the two straight stitches to lie right next to each other over the anchoring stitches.

If you are working with a single strand of thread, you might have to take several straight stitches to cover your anchoring stitches. The trick is always going up and down in the same hole above and below your anchoring stitches, and making sure your straight stitches are lying side-by-side. This is what will make the dot look round.



Now, turn the work over, and take the needle through the stitches on the back, running through them twice, once in one direction, and once perpendicular to that. If you can't manage a perpendicular stitch, then run the needle under the stitches twice, going in the same direction each time.



Cut your thread close to the fabric, but don't pull up on it before cutting. Just get as close as you can, without risking cutting your stitches or your fabric.



And there's your perfect little dot, floating by itself above the text.

Next up, we'll cover the lettering on that word, using stem stitch and focusing on connecting cursive text and keeping the direction of the stem stitch right.

For more tutorials on hand embroidered lettering and text, visit the Hand Embroidery: Lettering and Text Index of tutorials.

Any questions? Feel free to leave them in the comments below, and I'll do my best to answer them!
]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks needlework pictures beginner embroidery 4784 lovetosew noreply@blogger.com http://www.blogger.com/profile/03037157446521110031 2009-10-27 11:13:01 2009-10-27 11:13:01 1 0 4875 lidia noreply@blogger.com 2009-10-21 21:06:37 2009-10-21 21:06:37 1 0 me da error'
un abrazo
lidia]]> 4884 Tea Potty noreply@blogger.com http://www.blogger.com/profile/07342581970935254779 2009-10-20 04:12:45 2009-10-20 04:12:45 1 0 4885 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-10-19 16:59:25 2009-10-19 16:59:25 1 0 4886 Laura Bullinger noreply@blogger.com 2009-10-19 15:28:01 2009-10-19 15:28:01 1 0 4887 Cindy in Oregon noreply@blogger.com 2009-10-19 14:22:42 2009-10-19 14:22:42 1 0 4888 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-10-19 09:26:12 2009-10-19 09:26:12 1 0
http://homemakersguidetothegalaxy.blogspot.com/2009/10/feeling-love.html]]> http://www.needlenthread.com/2009/10/hand-embroidery-lettering-text-1.html Wed, 14 Oct 2009 04:33:00 -0500 Mary Corbet 184 2009-10-14 04:33:00 2009-10-14 04:33:00 open open Hand-Embroidery:-Lettering-&-Text-1 publish 0 0 post

If you want to follow along with this series of hand embroidery tutorials, you're welcome to join me!

You can choose whatever text you wish. The idea here is to learn techniques and to get the feel of stitching lettering, so really, any text will work. If you are the type of person who likes to create "samplers" that can be used for decorative purposes, I suggest picking a quote, short poem, saying, Bible verse or something of that nature that you like, and setting it up in an attractive way using a variety of writing styles, so that you can practice using different stitching techniques and threads on the sampler.

For this series, I sat down with a piece of graph paper and pencil and wrote out a sentence using a variety of handwriting styles. Then, to expand the canvas a bit so that I have plenty of samples, I repeated words and filled out the space with lots of lettering.



Because the sentence covers all the letters used in the alphabet, I chose "The quick brown fox jumped over the lazy dog." Before I started writing out the letters, I determined the space I wanted to fill, using my hoop as a gauge. I'm working with a 10" hoop to give plenty of room for the text, with extra room to work out some small tutorials on the side. You might want to work within a smaller space, and that's just fine.



After writing out the text in pencil, I traced over it with a micron pen so that the lines were clear and dark. Fine tipped Sharpies or micron pens are essential tools in my tool box - perfect for this step in any embroidery project.



I'm using a piece of white linen for this project. It is a plain weave (not even-weave) medium weight linen with a relatively close weave. You'll want to use a close-weave fabric - for practice, pretty much anything will do (though you'll find a natural fabric like cotton or linen easiest to work on).

Because the linen is light enough and the lettering on the paper is dark enough, I didn't need a window or light box to trace. I ironed the fabric smooth, laid it on top of the lettering, and traced the lettering onto the fabric with a regular pencil.



With the fabric hooped up, I picked out a few colors of DMC stranded cotton to start with. I'll also be using pearl cotton and floche, and any other threads that come to mind during the series here.

If you plan to join along with the stitching, you'll also want a variety of sizes of embroidery needles (crewel needles) in sizes 3 - 9 or 10. I'll be using size 10 (for tiny text with one thread), size 8, size 5 and probably a size 3 for pearl cotton #5.

So, now I'm ready to stitch! I'll begin with the word "The" (why not?) using a very basic stitch, with a focus on starting and ending threads and "traveling" with your threads so that they are invisible from the front.
]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures needlework pictures beginner embroidery 4890 Carol D noreply@blogger.com http://www.blogger.com/profile/06492547971636323533 2009-10-18 19:40:33 2009-10-18 19:40:33 1 0 I've not posted before, but love reading your inspirational and educational eletters.
For those of you who want a copy of Mary's Brown Fox lettering....just right click on the picture of the one she darkened with ink....save it to your computer....then print it of....I had to "shrink to fit", but it printed out beautifully, and Mary won't have to go to all the trouble of a PDF file for us.

I'm working on the L&S; tutorial right now and really learning alot. My goal.... a Trish Burr project!!!
Carol]]> 4891 annie noreply@blogger.com http://www.blogger.com/profile/12989351544163396219 2009-10-18 12:00:01 2009-10-18 12:00:01 1 0
I don't know if you can change it now that you've written on your fabric, but all you need to do to get that S in there is change "jumped" to "jumps" and you've got all the letters.

Thanks for sharing your knowledge so freely, Mary! You do a great job of teaching. I LOVE your site!

annie]]> 4902 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-10-16 21:18:39 2009-10-16 21:18:39 1 0 4923 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-15 20:31:09 2009-10-15 20:31:09 1 0
Sorry about that! I didn't even think to scan it. And I'm sure I probably pitched it when I was cleaning up after setting up the project....

Best,
MC]]> 4927 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-10-15 15:29:30 2009-10-15 15:29:30 1 0 I look forward to following this tute.
I like your various styles of letters.]]> 4932 Laura Bullinger noreply@blogger.com 2009-10-15 06:58:48 2009-10-15 06:58:48 1 0 4936 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-10-14 20:19:21 2009-10-14 20:19:21 1 0 4937 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-10-14 18:41:26 2009-10-14 18:41:26 1 0 4938 Debbie S. noreply@blogger.com 2009-10-14 17:33:26 2009-10-14 17:33:26 1 0 Debbie S.]]> 4939 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2009-10-14 15:05:45 2009-10-14 15:05:45 1 0 4940 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-10-14 13:17:22 2009-10-14 13:17:22 1 0 4941 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-10-14 10:19:01 2009-10-14 10:19:01 1 0 4942 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-14 08:55:05 2009-10-14 08:55:05 1 0
I'll add an S, never fear!! Thanks for bringing it to my attention!!

MC]]> 4943 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-10-14 07:33:47 2009-10-14 07:33:47 1 0 4944 Divya noreply@blogger.com 2009-10-14 07:29:11 2009-10-14 07:29:11 1 0 4945 Tea Potty noreply@blogger.com http://www.blogger.com/profile/07342581970935254779 2009-10-14 06:54:28 2009-10-14 06:54:28 1 0 4946 Amanda Sheridan amanda@parasolarts.co.uk http://www.blogger.com/profile/16035641953527752284 2009-10-14 06:37:35 2009-10-14 06:37:35 1 0 http://www.needlenthread.com/2009/10/hand-embroidery-lettering-and-text-2.html Thu, 15 Oct 2009 04:40:00 -0500 Mary Corbet 185 2009-10-15 04:40:00 2009-10-15 04:40:00 open open Hand-Embroidery:-Lettering-and-Text-2 publish 0 0 post lettering sample I'll be using for these tutorials, and how I set it up to start stitching. Today, the stitching begins...

The first sample of hand embroidered lettering is on the word "The" at the beginning of my sample sentence ("The quick brown fox jumped over the lazy dog"). I'm using two strands of DMC cotton and a #8 crewel needle, and the stitch I'm using is backstitch. Fabric and hoop were discussed in yesterday's post.



To begin stitching, I started at the base of the T. With knot in the thread, take your needle down into the fabric about a half an inch away from the base of the letter. Take two small straight stitchs in the fabric, towards your starting point and away from the knot, ending at the back of the fabric. Then, bring your needle up at the very base of the letter, so that you're ready to travel up the line of the T, covering up the small stitches en route.

I've already posted a picture tutorial on beginning your embroidery threads in this manner, if you want to take a look at this technique in detail.



Using small stitches evenly spaced, I'm embroidering the base of the T with backstitch. I stitched all the way to the top of the line.

Now, at this point, if you were hand writing, you would probably pick up your pen and take it to the far left of the top line on the T, put the pen down, and draw a straight line to cross the T.

However, we're not going to do that here. Our last backstitch ended a whole stitch length below the cross line. If we were to take our thread to the left side of the cross line on the T, we'd end up trailing a thread across the back of the embroidery, where it could be seen.



Instead, I started my next stitch on the cross line right in the middle of the line and worked the backstitch all the way to the left end of the cross line.



To return to the center and finish the right side of the cross line, turn your work over. Wrap your working thread around the back of the stitches by "whip stitching" around the back of the stitches. You'll only need to whip the back of the stitches about twice to return you to the center of the cross line.



Finish backstitching the cross line all the way to the right. The next step is to return to where the H crosses the cross line of the T.



To do this, turn your work over and whip stitch around the back of the stitches, to the point where the H crosses the cross line on the T.



You'll only need to whip around the backs of the stitches once or twice - and make sure you don't pick up any fabric! Just take your needle underneath the threads, wrapping them.



I'm working the top of the H that extends above the cross line on the T. This way, I don't have to travel back up here later to finish the H. It's important to look ahead when you're embroidering text, to see the easiest (and "cleanest") path to follow for your stitches. In this case, stitching this little stem here will get it out of the way. Then, I can move back down and do the rest of the H.



Once you get to the top of the H, turn your work over and "travel" your threads back down the back of the stitches by whipping them as you did above.



Continue backstitching down the downstroke on the H. If you were hand writing, once you reached the end of the downstroke, it is likely that you would not lift your pencil or pen to bring it back up to the bump on the H. However, when embroidering text, you don't want to double different parts of your lines - they'd end up looking bulky.

So, just as you traveled your threads on the back before, now you'll turn over your work and wrap the back of the stitches up the point where the bump on the H begins.



The "traveling" on the back (by wrapping your thread around the backs of your stitches) is indicated by the dotted line here. When you travel to the right place, come to the front of your fabric and backstitch the bump of the H.



When you finish the H, turn your work over, and wrap the working thread around the stitches on the back. Cut the working thread.



This is what the back of your embroidery will look like about now. The E in "The" is separate from the other two letters, so I'm not going to travel my thread from the H to the E. The most obvious reason for this is that the thread will be seen from the front, through the white linen. Even using white thread with white fabric, your thread would be seen. And even if you were using DARK fabric with a light thread, carrying your thread across an empty space could still be visible, because the thread can form a small ridge in the fabric, especially once the fabric softens with time. Even though it is (admittedly) a pain in the neck to constantly be changing threads, it is best to get into the habit of changing them rather than carrying them across open spaces. If it's a habit, it won't seem like such a big deal when you have to start and stop often.

If it really bothers you to start and stop your threads often, when working up your text, consider arranging it so that each letter in every word touches. Then you can travel your threads on the back by wrapping them through the back of your stitches, and you won't have to start and stop for individual letters.



Begin the next thread the same way the first thread was begun, by a series of tiny stitches that will be covered up with the backstitch.

Considering the E, I decided to start from the base and work up around the loop, rather than starting at the inside of the loop and working down to the base. My reason for this was that I wanted a neat join, where the loop and the back of the E met, and I figured I could achieve that better by stitching the back of the E first, and then meeting the back after traveling into the loop.

You see, then, that it's a good idea to think ahead along the path that you want to stitch. Notice where the various parts of the letter meet.



When the E is finished, turn the work over and run your working thread under the backs of the stitches, then snip the thread.

And there is the end of the first word, stitched in a simple backstitch, which works well for this style of lettering. Though there are some curves in the lettering, there are not many tight curves, so the backstitch looks smooth and not too blocky with the simple printed lettering.

Next up, we'll work cursive in stem stitch.

Hope you enjoyed the tutorial and that there was a little tip or two that was helpful for you!

Other Posts on Hand Embroidered Lettering

Hand Embroidery: Lettering and Text 1 - setting up the sampler

]]> needlework tutorials hand embroidered lettering Hand embroidery stitches pictures embroidery tips and tricks needlework pictures beginner embroidery 4257 Anonymous noreply@blogger.com 2009-12-11 08:34:17 2009-12-11 08:34:17 1 0 4895 Anonymous noreply@blogger.com 2009-10-17 15:53:44 2009-10-17 15:53:44 1 0 4896 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-17 13:59:32 2009-10-17 13:59:32 1 0
Hope that helps!

MC]]> 4897 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2009-10-17 13:50:28 2009-10-17 13:50:28 1 0 4916 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-10-16 09:17:24 2009-10-16 09:17:24 1 0
I love the nice clear close-up photos you take - do you have (or have already done) any tips on that? I do have a macro setting, but I think I need some pointers on lighting, etc.]]> 4919 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-16 06:18:31 2009-10-16 06:18:31 1 0
Yep, I'll cover that, Sher. It's not that much different, actually.... but yes, chain stitch is on the list!

MC]]> 4921 Sher CrazierQuilter@gmail.com http://www.blogger.com/profile/06089140478747502095 2009-10-16 01:05:14 2009-10-16 01:05:14 1 0 4922 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-10-16 00:28:19 2009-10-16 00:28:19 1 0 4929 Kim momgib2000@gmail.com http://www.blogger.com/profile/13897978493027374695 2009-10-15 13:58:55 2009-10-15 13:58:55 1 0 4930 onafixedincome noreply@blogger.com 2009-10-15 09:51:28 2009-10-15 09:51:28 1 0
That's always been one of my big bugaboos...]]> 4931 Anonymous noreply@blogger.com 2009-10-15 07:36:26 2009-10-15 07:36:26 1 0 I always tried to embroider letters the way I write them, and they always looked ugly.]]> http://www.needlenthread.com/2009/10/hand-embroidered-lettering-and-text.html Fri, 09 Oct 2009 15:47:00 -0500 Mary Corbet 186 2009-10-09 15:47:00 2009-10-09 15:47:00 open open Hand-Embroidered-Lettering-and-Text publish 0 0 post
What stitches should I use to embroider a name?

I'm hand embroidering a poem on a quilt. What type of lettering should I use and how do I stitch it?

How many strands of thread should I use to embroider text on a baby blanket?

I want to hand embroider a baseball cap but I don't know what stitches to use. Can you help me?

I'm using stem stitch to embroider a poem, but my stem stitch looks bad especially when I go around corners. Any ideas how I can fix it?

To answer all these questions and more, I've developed a plan...

... and I plan to work on the plan over this weekend. In the upcoming weeks here on Needle 'n Thread, I'll be presenting some short tutorials on embroidering lettering or text by hand.



Not to be confused with stitching monograms, embroidering text or lettering - especially multiple words - so that it looks good and is clear to read can be daunting. I want to address the subject so that beginners especially can get the hang of hand embroidered lettering without suffering too much grief along the way.

Do you have any questions about the subject that you would like to see particularly addressed? If so, now's your opportunity to bring them up, so I can address them in the tutorials!

If you've embroidered lettering before, I'd love to know what your favorite stitch is for lettering!

What do you think? Will this be a worth-while series of short tutorials? Any thoughts or suggestions? ]]> needlework tutorials hand embroidery information hand embroidered lettering Hand embroidery stitches miscellaneous embroidery musings beginner embroidery 4255 linda m. noreply@blogger.com http://www.blogger.com/profile/15582875967111234343 2009-12-11 13:10:36 2009-12-11 13:10:36 1 0 4290 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-08 20:26:43 2009-12-08 20:26:43 1 0
Glad you found me! Tomorrow's post, incidentally, is #11 in the series on hand embroidered text.

Mary]]> 4291 linda m. noreply@blogger.com http://www.blogger.com/profile/15582875967111234343 2009-12-08 19:48:18 2009-12-08 19:48:18 1 0 4950 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2009-10-13 17:28:52 2009-10-13 17:28:52 1 0 Thank you
Karol
friend3951@verizon.net]]> 4952 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-10-13 16:02:11 2009-10-13 16:02:11 1 0 4956 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-13 06:22:12 2009-10-13 06:22:12 1 0
The first article in this series will be up tomorrow (Wednesday, the 14th!)

Best regards,
Mary]]> 4957 Laetizia noreply@blogger.com 2009-10-13 06:11:38 2009-10-13 06:11:38 1 0 Sorry for the mistakes: I am french speaking, Belgian living in France. And congratulations for your blog as technical as friendly.
Kind regards, Laetizia]]> 4958 Anonymous noreply@blogger.com 2009-10-12 16:14:48 2009-10-12 16:14:48 1 0 I find the stem stitch looks best if you stab all the way through the fabric and back up. It allows for much smaller stitches which make curves a lot easier. That and paying attention to the direction of the wrap so that it helps pull the line away from the center of the o's.
-Andrea]]> 4959 Beth Karese BethKarese@gmail.com http://www.blogger.com/profile/13461449002277391095 2009-10-12 13:12:36 2009-10-12 13:12:36 1 0 4963 Dolores dsedore1@hotmail.com http://www.blogger.com/profile/00013261733996949731 2009-10-12 08:10:43 2009-10-12 08:10:43 1 0 4965 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-10-12 03:33:35 2009-10-12 03:33:35 1 0 4971 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-10-11 15:22:10 2009-10-11 15:22:10 1 0 4973 Anonymous noreply@blogger.com 2009-10-11 11:29:15 2009-10-11 11:29:15 1 0 4974 Anonymous noreply@blogger.com 2009-10-11 11:05:40 2009-10-11 11:05:40 1 0 Resmi]]> 4977 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-10-11 08:21:59 2009-10-11 08:21:59 1 0 4979 Anonymous noreply@blogger.com 2009-10-11 03:50:52 2009-10-11 03:50:52 1 0 /Matilda]]> 4981 Tea Potty noreply@blogger.com http://www.blogger.com/profile/07342581970935254779 2009-10-11 02:15:12 2009-10-11 02:15:12 1 0 4982 Sher CrazierQuilter@gmail.com http://www.blogger.com/profile/06089140478747502095 2009-10-10 23:30:17 2009-10-10 23:30:17 1 0
Sher]]> 4983 B.T.Carolus noreply@blogger.com http://www.blogger.com/profile/10549741099055782849 2009-10-10 21:56:37 2009-10-10 21:56:37 1 0 4988 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-10-10 18:01:36 2009-10-10 18:01:36 1 0 4989 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-10-10 16:12:37 2009-10-10 16:12:37 1 0 4991 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-10-10 16:04:04 2009-10-10 16:04:04 1 0
i would love this book so i can learn a new technique!!!!!!!!]]> 4992 Elizabeth noreply@blogger.com http://www.blogger.com/profile/17907937107391491146 2009-10-10 14:03:24 2009-10-10 14:03:24 1 0
By the bye, if you are planning on stitching the 'lazy dog' one don't forget it's 'jumps' not 'jumped'...otherwise there is no 's' in the phrase, to include all the letters of the alphabet.]]> 4994 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2009-10-10 12:21:14 2009-10-10 12:21:14 1 0 4997 Anonymous noreply@blogger.com 2009-10-10 10:21:30 2009-10-10 10:21:30 1 0
celeste]]> 4998 Ruth O'Leary noreply@blogger.com http://rutholearytextileart.blogspot.com/ 2009-10-10 10:00:38 2009-10-10 10:00:38 1 0 4999 irene noreply@blogger.com 2009-10-10 09:23:06 2009-10-10 09:23:06 1 0 5000 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-10-10 09:20:00 2009-10-10 09:20:00 1 0 I'm very interested in these tutorials speccially for little letters - I like to label my embroideries by stitching made by avó méri but not always I'm well succedeed...]]> 5001 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-10-10 09:18:59 2009-10-10 09:18:59 1 0 5002 Anonymous noreply@blogger.com 2009-10-10 08:22:55 2009-10-10 08:22:55 1 0 So from the big to the small, a text tutorial would be most welcome. thanks
Mary]]> 5004 Anonymous noreply@blogger.com 2009-10-10 05:03:56 2009-10-10 05:03:56 1 0 5005 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2009-10-10 02:32:22 2009-10-10 02:32:22 1 0 5006 Anonymous noreply@blogger.com 2009-10-10 01:18:01 2009-10-10 01:18:01 1 0
When I use an outline or stem stitch, I have the hardest time with rounded letters like O, d, b or a.

Thanks!! :)

PS, found your blog about a year ago while searching for tips on how to embroider. You make some of the only GOOD tutorials out there! thank you! it's so hard for me to follow with just written instructions, but your videos are very easy to learn from.]]> 5008 Debby P noreply@blogger.com 2009-10-09 23:16:36 2009-10-09 23:16:36 1 0 Debby P]]> 5012 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-10-09 21:08:23 2009-10-09 21:08:23 1 0 5013 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-10-09 20:50:37 2009-10-09 20:50:37 1 0 I'd like to be able to sign my name nicely on a piece]]> 5014 Alice McClelland noreply@blogger.com 2009-10-09 19:05:44 2009-10-09 19:05:44 1 0 Alice]]> 5015 My 1st Bambina ! noreply@blogger.com http://myfirstbambina.blogspot.com 2009-10-09 19:01:00 2009-10-09 19:01:00 1 0 I've always wondered , when embroidering letters or words in print;
If the floss/thread should start and end for each one of the letters in the word and what method for beginning and ending will work the best ?
I too have trouble with my stem stitch when embroidering letters, specially smaller ones.]]> 5017 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2009-10-09 18:29:07 2009-10-09 18:29:07 1 0 5019 K noreply@blogger.com http://www.blogger.com/profile/11669697367343020430 2009-10-09 18:05:03 2009-10-09 18:05:03 1 0 5020 Cindy B noreply@blogger.com 2009-10-09 18:04:18 2009-10-09 18:04:18 1 0
I would like to learn how to duplicate handwriting like in the "lazy fox" on your sample.]]> 5021 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2009-10-09 17:43:55 2009-10-09 17:43:55 1 0 5022 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2009-10-09 17:43:46 2009-10-09 17:43:46 1 0 5023 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-10-09 17:36:27 2009-10-09 17:36:27 1 0 5024 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2009-10-09 17:24:56 2009-10-09 17:24:56 1 0 http://www.needlenthread.com/2009/10/dmc-alsatian-twist-and-coats-ritorto.html Fri, 16 Oct 2009 04:30:00 -0500 Mary Corbet 187 2009-10-16 04:30:00 2009-10-16 04:30:00 open open DMC-Alsatian-Twist-and-Coats-Ritorto-Fiorentino publish 0 0 post

The threads are DMC Alsatian Twist (or Retors d'Alsace) and Coats Cucirini (Anchor's Italian branch) Ritorto Fiorentino. Both threads are similar to pearl cotton, but they are not the same as pearl cotton.



There are three hanks here - the two green hanks on the left are DMC Alsatian Twist and the white on the right is Coats Ritorto Fiorentino. I put the typical 6-stranded DMC floss next to the hanks, so that you could get a proper sense of the size of the Italian bundles.



Both threads come in two sizes: 8 and 12. They are similar, as I said, to pearl cotton, though there is a difference in look and feel. The Alsatian Twist, for example, feels heavier and limper than pearl cotton, and it has more of a sheen.

Jeanine mentioned that the Alsatian Twist by DMC is a return to an old style of thread DMC stopped making at the turn of the century. They re-released the thread this past May in Italy, and they may release it to other markets as well, though there are no present plans to release it in North America. You can find references to Alsatian Twist in the old advertisements in needlework and pattern magazines from the turn of the last century, and especially in the Therese Dillmont books like this one, Motivi per Ricami (Embroidery Motifs) - a PDF hosted on the Digital Archives. Check out the advertisements in the back of that book (which is full of beautiful embroidery motifs, by the way), and you'll see this thread listed.



The Alsatian Twist is listed on DMC Italy's website, if you want to take a look at it. You can drop the URL in Google for a translation if you want. The thread comes in 77 colors in size 8 and 56 colors in size 12 - all in 20 gram hanks like these above. (They're... HUGE!)



The Coats Ritorto Fiorentino is produced exclusively for the Italian market. It comes in many colors as well, in 40 gram hanks (even HUGER!). You can read more about it on the Coats Italian website.



Now that you're in a very Italian mood, I want to direct you to another resource - a nice Italian website (with a good English translation!) - called TuttoRicamo. You'll be able to click on a flag in the left column, to choose the Italian or the English version. This is an amazing site to browse - full of great resources and inspiration. While you're there, check out the Techniques section, to read about different embroidery techniques, and the How It's Done section for many excellent photo tutorials on different techniques. What a great resource!

Thank you, Jeanine, for the thread - I'm happy to know a little bit about it and the Italian thread market, and I can't wait to try the thread out!

(I think tonight is a spaghetti night...)
]]> embroidery resources threads regional embroidery techniques pictures 4900 lidia noreply@blogger.com 2009-10-16 21:49:20 2009-10-16 21:49:20 1 0 es sedoso y brillante,me encanta
abrasos
lidia]]> 4901 lidia noreply@blogger.com 2009-10-16 21:48:28 2009-10-16 21:48:28 1 0 es sedoso y brillante,me encanta
abrasos
lidia]]> 4903 margaret c. noreply@blogger.com 2009-10-16 14:21:11 2009-10-16 14:21:11 1 0
It almost looks like floche in the first picture.

The 'Tutto Ricamo' site is a true treasure. (I needed yet another online place to spend a few hours. :-)]]> 4904 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-10-16 13:25:33 2009-10-16 13:25:33 1 0 4906 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-10-16 13:06:49 2009-10-16 13:06:49 1 0 4907 qwerty knittingdivine@hotmail.com 2009-10-16 12:56:38 2009-10-16 12:56:38 1 0 4913 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-10-16 10:34:37 2009-10-16 10:34:37 1 0
P.S. I just picked up Trish Burr's book (Crewel & Surface Embroidery) and I'm waiting for some supplies to get started. I blame you for the time I'm going to lose when I should be working (designing 2 cross stitch patterns for work). :D]]> 4914 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2009-10-16 09:26:31 2009-10-16 09:26:31 1 0 Karol (karmicraft)
friend3951@verizon.net]]> 4915 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-10-16 09:24:12 2009-10-16 09:24:12 1 0 http://www.needlenthread.com/2009/10/hand-embroidered-name-cards-on-lacy.html Tue, 13 Oct 2009 05:48:00 -0500 Mary Corbet 188 2009-10-13 05:48:00 2009-10-13 05:48:00 open open Hand-Embroidered-Name-Cards-on-Lacy-Paper publish 0 0 post

About a month ago, I reviewed a book on embroidery on perforated cardstock. The book focuses more on the decorative, lacy look you can achieve by cutting the perforated cardstock a number of ways, but it also shows a variety of hand embroidery motifs (mostly in tent stitch or cross stitch) that can be worked on the perforated paper.



Working at night, I found out that this kind of paper-cutting can be addictive. I don't suggest picking up your Xacto knife when you're supposed to be heading to bed! Though I enjoyed the late (late) quiet evenings cutting away the cardstock and watching the patterns emerge, I paid for it the next morning...



The first small pieces came out pretty well, so I decided to embroider my nieces' names on these cards and use them for gift cards.



Before embroidering the names, I had to decide on how I wanted them to look. I charted the names in cross stitch and also in backstitch. At first, I thought it would be fun to try different stitches on the cardstock. Chain stitch would work, I figured, so, using the backstitch design, I set out to work chain stitch on the first card.



I got through the first letter (a capital C) and immediately began taking it out, without even photographing it. Half-way through the take-out, I realized I needed a picture. The chain stitch simply looked too heavy for the paper. I was working with two strands of floss, and didn't like the look of the chain stitch At All. Switching to one strand of floss didn't help - it didn't show up well enough.



One major point of frustration while stitching these was the ability of the thread to snag up on the lacy points of the paper. I knew I had to be careful - I knew this would happen! But my gosh. It happened All The Time. And I swear I was being careful!

Part of my problem, too, was that I was racing the clock. It's never good to work on a delicate project when you're in a hurry!



I ended up cross stitching the names, and was pleased enough with the results. Clare Elizabeth got a middle initial on hers for two reasons: 1. Her first name is short, and it didn't cover much of the center card; 2. (and much more to the point!) I didn't center her first name correctly, and there was no way on God's good earth that I was going to take the whole thing out!

The cards are very light and lacy and pretty. They could be mounted on colored cardstock for a good effect, but I think the gals will appreciate the look of them like this. And since we're talking a 20 and 21 year old, I'm not really worried about the cards being torn to shreds!

I like cutting the paper, but I've learned that it's easier to stitch first and cut later, even though this requires very careful planning and counting.

These would make nice tags for Christmas gifts, for the Very Special people in your life. It's a time-consuming way to go about making a gift tag, but again, for special people or special occasions, I think it would be a really nice touch!

If you're interested in this technique, you can read my review of the book, Broderie et Dentelle sur Carton Perforé, where you'll find purchasing information. This particular cardstock is 22 squares per inch, while most other perforated paper available for stitching is 14 squares per inch. Personally, I like the higher count. The book, by the way, is also available on Amazon France.
]]> hand embroidered cards embroider on paper pictures counted thread embroidery techniques needlework pictures 4917 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-10-16 09:02:09 2009-10-16 09:02:09 1 0
And I've seen a few patterns where "crass" stitch would indeed be appropriate!]]> 4924 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-15 18:55:47 2009-10-15 18:55:47 1 0
MC]]> 4925 kbsalazar noreply@blogger.com http://www.blogger.com/profile/14953310524063775372 2009-10-15 18:52:42 2009-10-15 18:52:42 1 0
I did a pile of stitched perforated paper placecards for a friend's wedding. Thankfully, it was a relatively small wedding, but there were still dozens to do. As a result I can recommend two working methods.

First is to stitch before you cut the paper. Fewer fragile areas to perturb in handling, fewer thread-snagging points in general.

The second is to make a shim. I used a manila folder. I cut it just ever so slightly larger than my perforated cards. I used the folder's own fold for one side, then carefully taped the two short sides closed, leaving the second long side open. Then I cut a window in the shim, so I could access the top and bottom of the to-be-stitched area. Once the shim was done I inserted my card, and with the edges protected by the cardboard folder, stitched away. Once the stitching was done I slipped the completed card out of my shim, and following precept #1 above, cut the lacy edges.

The cardboard folder protected my edges and kept them clean and unbent during the embroidery. It also protected my silk floss thread, keeping it from getting snagged or frayed on the cardboard.]]> 4928 Charlene ♥ SC csogle@yahoo.com http://www.blogger.com/profile/09356543817696065946 2009-10-15 15:07:28 2009-10-15 15:07:28 1 0 4947 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2009-10-13 23:25:42 2009-10-13 23:25:42 1 0 Thanks for showing something really different yet again,
Hooroo,
Christine in sunny Sydney Australia]]> 4948 lidia noreply@blogger.com 2009-10-13 22:10:55 2009-10-13 22:10:55 1 0 no puedo ver los anuncios '''
un gran abrazo
lidia
chile]]> 4949 Judy H. noreply@blogger.com 2009-10-13 19:16:12 2009-10-13 19:16:12 1 0 Wow~ all of them looks for pretty~ And just wondering what size of Xacto knife you use to cut these perforated paper? Is knife size#11?

Judy H.]]> 4953 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-13 15:38:18 2009-10-13 15:38:18 1 0
Thanks for the comments - believe it or not, I found the cutting part very relaxing. It's small and meticulous work, but one of those things that you can really get absorbed in.

Yep, in the future, I'm thinking if I do this again, I'll definitely stitch first and cut later....

MC]]> 4954 BonnieC noreply@blogger.com 2009-10-13 14:56:56 2009-10-13 14:56:56 1 0 4955 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-10-13 14:39:07 2009-10-13 14:39:07 1 0
Seriously...the card is so pretty after you cut it! I love the look, but am wondering how much card I would go through before I got it right! I would be tempted to stitch first and cut second, afraid I would bend the edges up. But then, if I messed up the cutting, all that stitching for nought! It`s a dilemma!]]> http://www.needlenthread.com/2009/10/schwalm-embroidery-book-winner.html Mon, 12 Oct 2009 05:45:00 -0500 Mary Corbet 189 2009-10-12 05:45:00 2009-10-12 05:45:00 open open Schwalm-Embroidery-Book-Winner! publish 0 0 post Basic Principles of Schwalm Whitework. Thanks for the excellent response to the give-away!

The winner is Karen, who wrote:

I'd love to have the book! I learned about whitework from you, so it seems only fitting :) Wrinkled or not, your stitching looks great and I hope I can do that some day. The first time I read a post on your site about whitework, I made myself NOT buy the book :) but I did go and buy 10 skeins of white Floche a Broder from Hedgehog Handwoks! You know, just in case. :) Thanks again for sharing!

Congratulations, Karen! And just think - you've already got threads! Drop me a line with your mailing address, and I'll send the book along as soon as possible!

Thanks again, all, for participating - and stay tuned for similar book give-aways in the future!]]> Schwalm whitework Book Give-Away 4918 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-10-16 08:54:33 2009-10-16 08:54:33 1 0
Now off to add this book to my wish list!]]> 4960 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-10-12 12:05:22 2009-10-12 12:05:22 1 0
MGM]]> 4961 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-10-12 11:39:28 2009-10-12 11:39:28 1 0 4962 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-10-12 10:42:32 2009-10-12 10:42:32 1 0 http://www.needlenthread.com/2009/10/schwalm-embroidery-update-and-give-away.html Thu, 08 Oct 2009 04:40:00 -0500 Mary Corbet 190 2009-10-08 04:40:00 2009-10-08 04:40:00 open open Schwalm-Embroidery:-Update-and-a-Give-Away! publish 0 0 post Basic Principles of Schwalm Embroidery by Luzine Happel, and although it seems as if I began the project a hundred years ago, I haven't gotten very far on it! So, to make up for the lack of noteworthy progress in stitching, I think I'll throw in a give-away!

First, the Schwalm whitework project! I've managed to get through the first two steps on one side of the square in the middle of the teacloth.



Woe is me! I know that looks just awful - a wrinkled mess! I don't want to iron it until I've finished the stitching and washed it because the transfer marks might set.

So far, I've outlined in coral stitch and I've done all the buttonhole scallops and wheels.

Not very impressive. *sigh*



I worked this mostly in hand (without a hoop). I think this lends to the general wrinkled appearance of the linen!

When working the buttonhole scallops, at first I progressed without a hoop, and it went ok, but I found it wasn't so easy to manipulate that much fabric while trying to work the scallops. I ended up wadding the linen up in one hand while stitching with the other.



Eventually, though, I decided to hoop the project up for the rest of the scallops and wheels. Stitching the scallops with a hoop seemed much easier!



I enjoyed stitching this part of the project. If I had all four sides of the square done, it would've been nice to keep going and going on buttonhole scallops and circles. It's a fun stitch! But my design has faded too much on the other three sides of the square, so I can't really do anything on those parts until I re-transfer the design.

So that's my progress right now on this project.

Now, for a give-away!

Thanks to Joey, who sent me an extra copy of Basic Principles of Schwalm Whitework, I am offering this book to an interested reader who wants to try (or improve upon) techniques of Schwalm embroidery. Schwalm is a beautiful form of whitework, and the stitches learned in the technique can be widely applied to other embroidery styles.

If you're interested in owning your own copy of this superb book, leave a comment below (on this post, on the website) letting me know you're interested in the book. Please make sure you sign your name to the comment, even if you use the "Anonymous" feature.

The give-away deadline is Monday, October 12, 2009, at 5:30 am CST.

If all goes as planned tomorrow, I'm going to spend Friday evening making some serious progress on this piece! I want to get to the point of drawing out the threads for the center fillings - wish me luck!
]]> Schwalm whitework regional embroidery techniques pictures Book Give-Away needlework pictures 4967 Evie noreply@blogger.com 2009-10-11 20:28:38 2009-10-11 20:28:38 1 0 4969 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-10-11 18:48:29 2009-10-11 18:48:29 1 0 4972 Laura noreply@blogger.com http://www.blogger.com/profile/15610223617377169734 2009-10-11 12:59:38 2009-10-11 12:59:38 1 0 4976 Melusine noreply@blogger.com 2009-10-11 09:11:02 2009-10-11 09:11:02 1 0 4978 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-10-11 07:29:48 2009-10-11 07:29:48 1 0
Your progress is looking good!]]> 4980 Anonymous noreply@blogger.com 2009-10-11 03:40:28 2009-10-11 03:40:28 1 0 /Matilda]]> 4984 DeirdreS noreply@blogger.com http://www.blogger.com/profile/04141543392227044048 2009-10-10 21:41:38 2009-10-10 21:41:38 1 0
I just discovered your site this evening as I was looking for directions on hand embroidery. Your videos are excellent and I appreciate the time you took to produce them.

Sincerely,
Deirdre]]> 4986 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-10-10 19:54:07 2009-10-10 19:54:07 1 0
I just returned from the Embroiderers' Guild of American national seminar, and last night was a slide lecture on Schwalm, coincidentally enough. I've just barely gotten my feet wet with it but hope to do more, since I love the look of it.

Janice]]> 4987 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-10-10 19:31:18 2009-10-10 19:31:18 1 0 Thanks!
Jenny T.]]> 4990 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-10-10 16:07:18 2009-10-10 16:07:18 1 0 4993 theeema noreply@blogger.com http://www.blogger.com/profile/01537683268388116764 2009-10-10 13:12:42 2009-10-10 13:12:42 1 0 Your white work looks lovely. I've tried it but I need to work on the details more. The book would be a great tool for that! Thanks for your wonderful site!
Linda]]> 4995 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2009-10-10 12:17:58 2009-10-10 12:17:58 1 0 4996 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09012789609281609182 2009-10-10 11:32:04 2009-10-10 11:32:04 1 0
Your fabulous photography is very helpful! It make me think that this is possible even for me! Please sign me up for this give-away!

Thanks, Didi]]> 5003 Isabel noreply@blogger.com http://www.blogger.com/profile/00655928482942701568 2009-10-10 05:21:27 2009-10-10 05:21:27 1 0
I live in Europe ca I enter?

Thans,

Isabel from Barcelona]]> 5007 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-10-10 00:59:23 2009-10-10 00:59:23 1 0
Thanks,
Susan Robinson
susan.robin81@yahoo.com]]> 5009 cnuland blogcont@cnuland.com http://www.blogger.com/profile/12564202773870456587 2009-10-09 22:18:39 2009-10-09 22:18:39 1 0 5011 Renee G rsg@air-pipe.com http://www.blogger.com/profile/16405063753972082642 2009-10-09 21:41:44 2009-10-09 21:41:44 1 0
rsgrandinetti@yahoo(DOT)com]]> 5016 Patricia Salada noreply@blogger.com 2009-10-09 18:40:47 2009-10-09 18:40:47 1 0 a newcomer to surface embroidery
I need to build a library of
reference books. White work is a
favorite...it looks so pristine.

Pat S.]]> 5018 Laura noreply@blogger.com http://www.blogger.com/profile/13669495474377807685 2009-10-09 18:16:44 2009-10-09 18:16:44 1 0 I found you thru Craft Gossip which I just joined and I am enjoying at all the great stuff I found on the web.
Please consider me in your choice
Laura]]> 5026 river3181@comcast.net noreply@blogger.com 2009-10-09 16:18:54 2009-10-09 16:18:54 1 0 5027 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-10-09 15:57:43 2009-10-09 15:57:43 1 0 I have not tried Schwalm work.
I have made a round tablecloth in Whitework with a knitted fringe and enjoyed that very much. I love the simple look of this work and the fact it can be soaked to remove stains without damaging the work and fabric.
I would like to be in your giveaway if I may.

Thank you, Maureen]]> 5028 Anonymous noreply@blogger.com 2009-10-09 15:30:09 2009-10-09 15:30:09 1 0
This is so lovely. I'm a needlelacer who is getting back into embroidery. Schwalm seems like a marriage of the best of both, and I'd love to have the Schwalm embroidery book.

Katrina
jandkat@surewest.net]]> 5029 Christy C. noreply@blogger.com 2009-10-09 14:35:41 2009-10-09 14:35:41 1 0 5030 Becky beckysews@hotmail.com http://www.blogger.com/profile/01495309815825183088 2009-10-09 14:25:42 2009-10-09 14:25:42 1 0 Becky]]> 5032 Kim R. nascar333fan@gmail.com http://www.blogger.com/profile/17758600733076361996 2009-10-09 12:50:19 2009-10-09 12:50:19 1 0 kimberlybreid@hotmail.com]]> 5034 Joan in Reno noreply@blogger.com http://www.blogger.com/profile/15494265725689820056 2009-10-09 12:27:43 2009-10-09 12:27:43 1 0 5035 Egater egateris@gmail.com http://www.blogger.com/profile/10309482227168209938 2009-10-09 11:53:44 2009-10-09 11:53:44 1 0 Siret
egateris at gmail dot com]]> 5036 Anonymous noreply@blogger.com 2009-10-09 11:47:07 2009-10-09 11:47:07 1 0 Sharon Middlebrook of
czechcostumes.blogspot.com]]> 5037 Nancy Wise noreply@blogger.com 2009-10-09 11:25:21 2009-10-09 11:25:21 1 0 Recently I was cleaning my sewing room and found some pieces of Swalm work that I had done in a class. I was a little amazed at how nice it looked. Try as I might I couldn't figure out exactly what to do. That book would be a blessing for me. Thank you for all the pleasure your web site gives me.
Nancy Wise]]> 5038 Mimi noreply@blogger.com http://www.blogger.com/profile/09807384185241255549 2009-10-09 10:45:34 2009-10-09 10:45:34 1 0 5039 Mandy noreply@blogger.com http://www.blogger.com/profile/00809642666099025753 2009-10-09 10:38:53 2009-10-09 10:38:53 1 0 Thanks for being so generous with pictures of your beautiful art and with offering a chance for someone to learn to do this type of artwork as well. I started out at 6 yrs old as a cross stitcher and later learned Hardanger. I have been looking at embroidery books at the library and thinking that I might like to branch out into that less than rigid genre. Learning this technique would be an excellent first step. Hoping to be included in your contest. Thanks!]]> 5040 Dolores dsedore1@hotmail.com http://www.blogger.com/profile/00013261733996949731 2009-10-09 10:18:43 2009-10-09 10:18:43 1 0 5042 Jeanne noreply@blogger.com http://www.blogger.com/profile/08529784228102140992 2009-10-09 09:44:16 2009-10-09 09:44:16 1 0
Jeanne]]> 5043 Anonymous noreply@blogger.com 2009-10-09 09:42:29 2009-10-09 09:42:29 1 0 Thank you so much for offering this book. Please enter me also.
Isabell
isabell.sandoval@yahoo.com]]> 5045 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-10-09 08:12:41 2009-10-09 08:12:41 1 0 5046 Melinda noreply@blogger.com http://www.blogger.com/profile/04461770540754486428 2009-10-09 08:12:02 2009-10-09 08:12:02 1 0 5047 Wanda wandanamgreb@gmail.com http://www.blogger.com/profile/12245620124361873544 2009-10-09 07:25:43 2009-10-09 07:25:43 1 0 5049 Marian noreply@blogger.com 2009-10-09 05:04:18 2009-10-09 05:04:18 1 0
I don't think I am experienced enough to tell anyone how to improve upon Schwalm embroidery.]]> 5050 Sher CrazierQuilter@gmail.com http://www.blogger.com/profile/06089140478747502095 2009-10-09 00:42:28 2009-10-09 00:42:28 1 0
Sherry]]> 5051 Maryvonne noreply@blogger.com 2009-10-08 23:53:12 2009-10-08 23:53:12 1 0 Like all the others, I'd love to win your giveaway book. I reallly love the look of your white work. I have tried coral stitch recently and think it is beautiful and very easy, still want to try your little trick for doing regular scallops - haven't got to it yet.

After your recent newsletter, I let myself be tempted by Lucine Happel's book on hems and have ordered it. Can't wait to receive it. I think my husband will soon block your newsletter from me - I get too many "needs" after I've read them.

Thanks for everything - you keep my enthusiasm for embroidery alive and give me even more motivation when I see all the lovely things you make.]]> 5052 Anonymous noreply@blogger.com 2009-10-08 23:22:39 2009-10-08 23:22:39 1 0 Your schwalm is looking good. I have done some of this as a guild correspondence course and really loved it. I know that I would love the book to help me improve my stitching.

Penny Batchelor]]> 5053 Jenny noreply@blogger.com http://www.blogger.com/profile/15313502220068651587 2009-10-08 22:40:37 2009-10-08 22:40:37 1 0 5054 Digital Misfit heidig@gmail.com http://www.blogger.com/profile/15389264864693682561 2009-10-08 22:19:53 2009-10-08 22:19:53 1 0 I am new to embroidery, and I can use all the tips and tricks I can get. I would love a copy of this book to learn these beautiful techniques.

heidig@gmail.com]]> 5057 Jane noreply@blogger.com http://www.blogger.com/profile/12715563647548550582 2009-10-08 19:59:42 2009-10-08 19:59:42 1 0 I'm also very appreciative of your wonderful blog.]]> 5058 pastrymama1 noreply@blogger.com http://www.blogger.com/profile/12560481246882583516 2009-10-08 18:50:40 2009-10-08 18:50:40 1 0 To have a book on the technique would be wonderful and a great incentive to get started. Thank you for the opportunity.
Marilyn]]> 5059 Kristi booksandneedlepoint@comcast.net http://www.blogger.com/profile/17320403550938221507 2009-10-08 18:29:07 2009-10-08 18:29:07 1 0
kherbrand at comcast dot net]]> 5061 One Craft at a Time noreply@blogger.com http://www.blogger.com/profile/16635741175669565863 2009-10-08 17:43:40 2009-10-08 17:43:40 1 0
Becky]]> 5062 Ming noreply@blogger.com http://www.blogger.com/profile/08953297663891058573 2009-10-08 17:01:38 2009-10-08 17:01:38 1 0 5063 Lorena noreply@blogger.com http://www.blogger.com/profile/00898602865195128470 2009-10-08 16:52:34 2009-10-08 16:52:34 1 0
I'd be interested in the book, whitework is growing a little more fascinating every time I see it.]]> 5064 RobynK noreply@blogger.com http://www.blogger.com/profile/13363052010272253678 2009-10-08 15:40:34 2009-10-08 15:40:34 1 0
I would love to learn how to do
Schwalm Embroidery with your give-away book. I live in a 150year old house and white work is perfect for the surroundings. I own some very old pieces but they are too precious to use unless it is a Very
Special occasion.
Cheers from Down Under
Robyn K
New Zealand]]> 5065 Anonymous noreply@blogger.com 2009-10-08 15:11:34 2009-10-08 15:11:34 1 0
I love white work and the delicate look when it is complete. I would love to have a copy of the book.
Would like to see your progress on this work that you are doing.

Happy Thanksgiving!

Dorothy]]> 5066 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-10-08 14:10:33 2009-10-08 14:10:33 1 0 5067 Sarah machinegunsarah@gmail.com http://www.blogger.com/profile/09828414543697731990 2009-10-08 13:31:59 2009-10-08 13:31:59 1 0
Sarah S.]]> 5068 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-10-08 13:11:35 2009-10-08 13:11:35 1 0
Regards,
kirti]]> 5069 Sailaja sailaja.sharma66@gmail.com http://www.blogger.com/profile/02569833807611372525 2009-10-08 12:56:55 2009-10-08 12:56:55 1 0 I love your site and always look forward to your posts. I enjoyed and learned a lot from your lessons on long and short stitch. Boy I would love to have that book.
Recently I won some designs on one site. But missed to claim it within due date. Hope I will be lucky enough this time.
Please visit my site and leave your comments and suggestions.
http://summersofindia.blogspot.com/
Sailaja]]> 5070 Jyoti noreply@blogger.com http://www.blogger.com/profile/16556778275803435065 2009-10-08 12:53:18 2009-10-08 12:53:18 1 0 Jyoti Jaggi]]> 5071 Zenia noreply@blogger.com http://www.blogger.com/profile/08972164568636082028 2009-10-08 12:33:04 2009-10-08 12:33:04 1 0 This whitework looks beautiful.I've never done whitework and would love to learn these stitches.Your site is the best site for embroidery lovers.
Zenia]]> 5072 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2009-10-08 12:29:34 2009-10-08 12:29:34 1 0
I am very interested in doing some white work, and this book looks like a great incentive!]]> 5073 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-10-08 12:21:22 2009-10-08 12:21:22 1 0 5074 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-10-08 12:20:28 2009-10-08 12:20:28 1 0 5075 Anonymous noreply@blogger.com 2009-10-08 12:11:20 2009-10-08 12:11:20 1 0 5076 qwerty knittingdivine@hotmail.com 2009-10-08 12:08:25 2009-10-08 12:08:25 1 0
I first read about Schwalm Embroidery in the Nov/Dec 1997 issue of Piecework. It fascinated me but realistically I probably won't ever get into it (too many other ideas and techniques are already in the queue!)

Don't enter my name on this giveaway, I just wanted to let you know this was a great post with terrific pictures! Like I said, I will definitely use the scalloped wheel idea :)]]> 5077 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-10-08 11:55:58 2009-10-08 11:55:58 1 0
Lin Taylor, Bradenton, FL]]> 5078 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-10-08 11:51:04 2009-10-08 11:51:04 1 0 5079 Debby P noreply@blogger.com 2009-10-08 11:48:27 2009-10-08 11:48:27 1 0 Debby Parker, Kalispell, MT]]> 5080 Anonymous noreply@blogger.com 2009-10-08 11:45:31 2009-10-08 11:45:31 1 0 I have not done much whitework of any kind and have never done any Schwalm work. Your piece is lovely and something that I would really like to try. I do love books and would love to win a copy, it would be put to good use. Happy stitching.
Joan
Richmond B.C.]]> 5081 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2009-10-08 11:25:47 2009-10-08 11:25:47 1 0 5082 Dawn noreply@blogger.com http://www.blogger.com/profile/10958202015501519300 2009-10-08 11:13:14 2009-10-08 11:13:14 1 0 5083 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-10-08 10:59:30 2009-10-08 10:59:30 1 0 5084 Anonymous noreply@blogger.com 2009-10-08 10:33:17 2009-10-08 10:33:17 1 0
I've never tried Schwalm embroidery, though, despite my Grandfather's German heritage, and it would be a delight to honor his contribution to my family by learning more about the patterns and shapes his sisters and mother probably took for granted. If they made anything as beautiful as what you are working, it would be rewarding indeed!

Karen from Arcadia]]> 5085 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-10-08 10:19:13 2009-10-08 10:19:13 1 0 Melisa Bakos]]> 5086 La Bergère Brodeuse noreply@blogger.com http://www.blogger.com/profile/05168940189062032838 2009-10-08 10:09:17 2009-10-08 10:09:17 1 0
Catherine from Quebec]]> 5087 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-10-08 10:09:10 2009-10-08 10:09:10 1 0 5088 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-10-08 10:06:32 2009-10-08 10:06:32 1 0 Deepa]]> 5089 Anonymous noreply@blogger.com 2009-10-08 10:01:57 2009-10-08 10:01:57 1 0 5090 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-10-08 09:49:21 2009-10-08 09:49:21 1 0
Obviously I'm doing too much crafting for work lately. The buttonhole scallop closeup looks like a crochet edging I've been doing :D

Please enter me, and I'm looking forward to some update pics. Good luck on drawing out those threads, but I doubt you'll need it ;)

Jen]]> 5092 Anonymous noreply@blogger.com 2009-10-08 09:44:13 2009-10-08 09:44:13 1 0 Karole King]]> 5093 Anonymous noreply@blogger.com 2009-10-08 09:40:52 2009-10-08 09:40:52 1 0 Sandy Breuer]]> 5094 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-10-08 09:37:50 2009-10-08 09:37:50 1 0
Shana]]> 5095 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2009-10-08 09:34:14 2009-10-08 09:34:14 1 0 Your work is so wonderful on the Schwalm piece. I would love to add the book to my small collection, I think I would enjoy the buttonhole stitching too.

Thanks for your wonderful website!]]> 5096 Ashley noreply@blogger.com http://www.blogger.com/profile/04810113070259398400 2009-10-08 09:20:41 2009-10-08 09:20:41 1 0 5098 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-10-08 08:38:43 2009-10-08 08:38:43 1 0 5099 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-10-08 08:35:33 2009-10-08 08:35:33 1 0 5100 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2009-10-08 08:33:06 2009-10-08 08:33:06 1 0 5101 FloridaBird noreply@blogger.com http://www.blogger.com/profile/01703991349272178112 2009-10-08 08:31:17 2009-10-08 08:31:17 1 0 Odette]]> 5102 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2009-10-08 08:30:57 2009-10-08 08:30:57 1 0 Amy, upstate NY]]> 5103 irene noreply@blogger.com 2009-10-08 08:29:00 2009-10-08 08:29:00 1 0
My question for you is what fabric are you using? Looking at the close-ups, it's such a wonderful evenweave that would be excellent for many things. I'm not adding my name to the list for the book because I'm already up to my eyeballs in patterns and books. I'm just an observer right now.]]> 5104 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-10-08 08:27:51 2009-10-08 08:27:51 1 0
I would love to try my hand at Schwalm whieteork, i like that the variety is in the stitches employed unlike my other love silk shading where variety is found in the colours.]]> 5105 Laura Bullinger noreply@blogger.com 2009-10-08 08:26:49 2009-10-08 08:26:49 1 0 This has a joyful look to it, as opposed to the delicacy of pure pulled work and stateliness of broderie anglaise. Gosh, I hope I win it!]]> 5106 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-10-08 08:24:58 2009-10-08 08:24:58 1 0 This type of embroidery is just what I need to learn...I have been looking for something that I could use for curtains (not just a border around curtains, but the whole curtain body)
I'd love to get my hands on that book so I could get started! :)

Looking forward to seeing you progress on your project.

Have fun, Marlon]]> 5107 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-10-08 08:13:29 2009-10-08 08:13:29 1 0
Kandy Fling]]> 5108 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2009-10-08 08:13:28 2009-10-08 08:13:28 1 0
~Eleanor]]> 5109 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-10-08 07:54:45 2009-10-08 07:54:45 1 0 5110 Marion noreply@blogger.com 2009-10-08 07:41:47 2009-10-08 07:41:47 1 0 Marion]]> 5111 deepasethuraj noreply@blogger.com 2009-10-08 07:29:42 2009-10-08 07:29:42 1 0 Your work always soooo beautiful.. however you blame it.. I don't feel like taking my eyes off it.. And wish u very good luck.. waiting for the updates.. I would be very happy to join your give away lucky list.. hoping to be lucky this time..
Regards,
Deepa Sethuraj]]> 5112 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-10-08 07:28:04 2009-10-08 07:28:04 1 0 5113 NormaH noreply@blogger.com http://www.blogger.com/profile/08026198342994384119 2009-10-08 07:27:51 2009-10-08 07:27:51 1 0 jusbnharris@verizon.net]]> 5114 Missy Ann melissa.walker@gmail.com http://www.blogger.com/profile/02861791199270220392 2009-10-08 07:26:49 2009-10-08 07:26:49 1 0 5117 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-10-08 07:05:49 2009-10-08 07:05:49 1 0
The buttonhole scallops have inspired me to try them on my next project...]]> 5118 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-10-08 06:50:45 2009-10-08 06:50:45 1 0 vincent]]> 5119 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-10-08 06:50:35 2009-10-08 06:50:35 1 0 5120 Anonymous noreply@blogger.com 2009-10-08 06:44:18 2009-10-08 06:44:18 1 0 5121 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2009-10-08 06:39:57 2009-10-08 06:39:57 1 0
Amber Rutz]]> 5122 Anonymous noreply@blogger.com 2009-10-08 06:36:30 2009-10-08 06:36:30 1 0
Claire]]> 5123 Nancy two4him@bellsouth.net http://www.blogger.com/profile/03437265347292401112 2009-10-08 06:30:16 2009-10-08 06:30:16 1 0
Nancy Lee, Middlesboro, KY]]> 5125 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-10-08 06:20:00 2009-10-08 06:20:00 1 0 5126 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2009-10-08 06:20:01 2009-10-08 06:20:01 1 0 I think that your work on this piece is beautiful!! I would enjoy trying this form of embroidery so please throw my name in the hat! penguingranny55@yahoo.com
Thanks]]> 5127 Barbara in TN noreply@blogger.com http://www.blogger.com/profile/15433870637989210473 2009-10-08 05:58:46 2009-10-08 05:58:46 1 0 Barbara in TN
saltillo3@yahoo.com
P.S. Am first commenter? Uh oh - that's not a good sign! lol]]> 5128 Carolyn noreply@blogger.com http://www.blogger.com/profile/09091388255416736372 2009-10-08 05:46:26 2009-10-08 05:46:26 1 0
Carolyn Otterness]]> 5129 Anonymous noreply@blogger.com 2009-10-08 05:40:17 2009-10-08 05:40:17 1 0
As someone who doesn't regularly embroider ( does smocking, bullions and monograms count?)I have done a little whitework but need to extend my knowledge of stitches.

I love white work and do a lot of white on white, not being into lots of colour or busy patterns! lol.

Your sample is showing lots of stitches I have never seen and would love to try. To be proficient one day would be wonderful, but quite a challenge I think for a relative novice in embroidery work.

Thanks for showing everything up close, it helps so so much.]]> 5130 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-10-08 05:35:34 2009-10-08 05:35:34 1 0 Annie in VA.]]> 5131 Anonymous noreply@blogger.com 2009-10-08 05:30:55 2009-10-08 05:30:55 1 0 I'd love to have this book!
Best regards,
Catalina
cmartincalzada@yahoo.es]]> 5132 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2009-10-08 05:30:50 2009-10-08 05:30:50 1 0
Thank you for always giving so freely of your time. I am so looking forward to seeing how this piece progresses.

I love whitework, and if it is my turn to be chosen, I would welcome this publication with open arms.

I am also extremely keen to purchase the book on hems. I am having difficulty getting emails through to Luzine.

Thank you.
Elspeth.]]> 5133 Pamela pamela.mittens@gmail.com http://www.blogger.com/profile/05485358671045660416 2009-10-08 05:22:41 2009-10-08 05:22:41 1 0 Your work is always so beautiful, even if the linen is a little wrinkled. I love white work. I've only done a little of it, but I do love it. It's so romantic and clean to me. I could probably spend hours just looking at it. There's so much variety too!
Good luck on the rest of your project!]]> http://www.needlenthread.com/2009/10/hand-embroidery-pattern-quaker-motif-2.html Wed, 07 Oct 2009 04:37:00 -0500 Mary Corbet 191 2009-10-07 04:37:00 2009-10-07 04:37:00 open open Hand-Embroidery-Pattern:-Quaker-Motif-2-for-Surface-Embroidery publish 0 0 post

Now, this is a pattern I really want to stitch. The first Quaker pattern I posted for surface embroidery stitches looked fun, but since I had already stitched it on paper in cross stitch, I find I'm a bit more eager to try a different design. I played again with some of the Mary Wigham designs offered on Needleprint, and this is one that I like a lot. I think it could be fun.

I "updated" the bird a bit after finding it a bit difficult to translate the gridded bird into something smoother for surface work. If you don't particular like this bird, you can always sketch your own into the design, I suppose! (Don't worry - I won't be insulted!) In considering the bird, I wanted something suited to more than just an outline stitch. The wings, tail, and crest give some room for playing with fillings.

Here's the pattern:



The double lines around the outside of the pattern would be a good place to practice composite stitches, like the raised chain band, or double herringbone stitch. Ladder stitch would work well there, too.

I'm thinking about filling the trunk of the tree with stem stitch in several shades of brown, working the branches in stem stitch in brown, and working the leaves in a couple of colors of green using daisy stitch. The small berries would be worked in red French knots, and I think the bird would be worked in a variety of stitches in red, though I'm still contemplating that one.

I was thinking this might a good design for a Christmas ornament, too. What do you think?

Here's a PDF of the pattern:

Quaker Motif #2 for Surface Embroidery Stitches

Enjoy!
]]> free embroidery patterns Hand embroidery stitches sampler Quaker designs 4244 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-12 14:16:36 2009-12-12 14:16:36 1 0
Thanks for your comment (and the one just previous to this on today's post)....

Ah - yes, that would be a neat interpretation of the design. I think the leaves would probably have to go the route of "eyelets" more than cutwork, if you kept the proportions of the design the same. But if you increased the size of the design, you could definitely go the cutwork route and put fabric behind it - that would be a really pretty approach! So, here's your assignment - go do that, and then send me pictures!!!!!! I'd love to see it!

I still haven't gotten around to stitching this design myself. Some day soon? Hopefully!

Best,
Mary]]> 4245 Denise denisemarie7@yahoo.com http://www.blogger.com/profile/11450817564280623429 2009-12-12 13:50:23 2009-12-12 13:50:23 1 0 4739 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2009-10-31 03:42:54 2009-10-31 03:42:54 1 0 4769 mimi noreply@blogger.com http://laboitamimi.over-blog.fr 2009-10-28 02:34:07 2009-10-28 02:34:07 1 0 4975 Melusine noreply@blogger.com 2009-10-11 09:13:32 2009-10-11 09:13:32 1 0 5048 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-10-09 06:56:42 2009-10-09 06:56:42 1 0 Thanks for sharing !
This will be on my "must do list".
I personally think that the bird is just perfect as is in your pattern. It would look lovely in a frame on my work desktop. Thinking I may embroider the cute birdie in bright colors.
Thanks Again !]]> 5136 glamourpopcrafts darkalice93@gmail.com http://www.blogger.com/profile/04001478542171350015 2009-10-07 21:23:26 2009-10-07 21:23:26 1 0 5137 Anonymous noreply@blogger.com 2009-10-07 17:29:08 2009-10-07 17:29:08 1 0 you please post where I can find it? I save all of your posts in a special file. I love this Quaker Motif...it reminds me of the "Tree of Life."
Annie in Michigan]]> 5138 Anonymous noreply@blogger.com 2009-10-07 15:27:50 2009-10-07 15:27:50 1 0
It would be gorgeous as a pillow stitched in crewel wools, using your suggestion to vary the stitches so that only a few shades could create the impression of a wide range of tonalities....

Thank you so much for the inspiration! I have made so many of your designs in my mind -- and they're all masterpieces. Now, if only I could stick to your idea of 15 minutes a day....

Karen in Arcadia]]> 5139 Laura Bullinger noreply@blogger.com 2009-10-07 11:34:50 2009-10-07 11:34:50 1 0 keep it primary and basic to maintain its' folksy look.]]> 5140 irene noreply@blogger.com 2009-10-07 11:15:07 2009-10-07 11:15:07 1 0 5141 Kathy noreply@blogger.com http://www.blogger.com/profile/00788808227513133592 2009-10-07 11:05:18 2009-10-07 11:05:18 1 0 5142 TC noreply@blogger.com 2009-10-07 09:55:47 2009-10-07 09:55:47 1 0 5144 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-10-07 08:49:35 2009-10-07 08:49:35 1 0 5147 awesomeave noreply@blogger.com http://awesomeave.wordpress.com/ 2009-10-07 07:15:54 2009-10-07 07:15:54 1 0 5148 parasols and maryjanes parasolsandmaryjanes@gmail.com http://www.blogger.com/profile/14503457430747499021 2009-10-07 06:35:02 2009-10-07 06:35:02 1 0 Carol]]> 5150 viji noreply@blogger.com 2009-10-07 06:21:59 2009-10-07 06:21:59 1 0 5151 Anonymous noreply@blogger.com 2009-10-07 06:20:43 2009-10-07 06:20:43 1 0
I think it would be wonderful to keep collecting them as you translate them and offer them here! I'd love to collect enough to create quilt squares for a nice size quilt. Thanks very much for your efforts, Mary! - Jeannine]]> http://www.needlenthread.com/2009/10/hand-embroidered-wedding-dress-circa.html Tue, 06 Oct 2009 05:14:00 -0500 Mary Corbet 192 2009-10-06 05:14:00 2009-10-06 05:14:00 open open Hand-Embroidered-Wedding-Dress,-circa-1914 publish 0 0 post

Made from a gorgeous silk Crepe de Chine, the dress and "court train" are completely hand embroidered in silk perle with a pattern of chrysanthemums, ribbons, and shamrocks. The shoulders and sleeves of the dress are made of embroidered tulle, and the waste is accented with a rhinestone and bead bow.



The dress, unfortunately, was not carefully packaged or preserved over the last century, so it shows some serious marks of deterioration. The tulle on the shoulders and sleeves has turned a dark brown, and although feeling somewhat brittle in some places, it can still be gently handled. The lining of the dress is decaying in shreds, but the silk crepe of the dress itself is still in lovely shape (despite discoloration and some spotting that looks like rust). The embroidery is immaculate, with the exception of an occasionally broken thread here and there.



The bodice of the dress is covered with an abundance of embroidered chrysanthemums and shamrocks. The lustre of the silk threads is amazing - only silk thread could withstand the test and ravages of time and still look practically brand new!



Here, you can see the waste sash and the edge of the train running down the length of the skirt. The train, which is relatively small by today's standards of fancy trains, is made from the same fabric as the dress. It is relatively narrow and falls not too much longer than the length of the gown. The sides of the train wrap just barely to the front of the dress, so that the beautiful embroidery that adorns the edges of the train can be seen from the front and then down across the lower edge where it trails on the ground.



The large chrysanthemums are made of sweeping petals, embroidered in satin stitch, and their centers are embroidered with French knots.



In the close-up above, you can see that the clusters of French knots and the satin stitching are still in perfect shape - absolutely lovely!



The tulle that forms the caps of the sleeves is browned with age, but the embroidery on the tulle is still in excellent shape, and though the tulle seems somewhat brittle, it is actually quite soft. I love the leaf designs on the edge of this sleeve cap.

This particular tulle forms a kind of cap at the top of the sleeves - it is a larger-holed tulle in the typical hexagon shape. The sleeve itself is made from a very fine tulle which is slightly more brittle and had tiny holes, making it a bit more opaque. At the edge of the long tulle sleeves is a ruffle made of a diamond-shape netting, delicately embroidered:



I am not certain if this particular lace that forms the ruffle at the edge of the sleeves is hand embroidered or not. The little flower designs are made of what looks like bullion knots, but they may actually be satin stitch (or overcast stitching). The very edge is lined with scallops topped with a little picot.



This is a closer shot of one of the smaller embroidered chrysanthemums, ribbons, and shamrock. It's beautiful from the front, but what's amazing is that it is equally beautiful from the back:



Do you see the row of "dots" at the top of the embroidery? That is a strip of tiny weights sewn to the edge of the train.

The dress is stunning - and so light and airy, despite what looks like a heavy embroidery design. The whole dress is petit in size - I would say it's equivalent to about a size 4 - and holding it up to me, height-wise, the length would fall about to my mid-calf - and I'm only 5' 3". The bride was certainly a petit little thing. The article accompanying the dress indicated that her veil was adorned with an orange-blossom crown and she carried a bouquet of roses.
]]> historical needlework pictures silk needlework pictures 2842 lace wedding dresses noreply@blogger.com http://laceweddingdresses.org 2010-02-27 13:07:02 2010-02-27 13:07:02 1 0 4878 Wedding Speeches Father noreply@blogger.com http://weddingspeechesfather.blogspot.com 2009-10-21 08:12:04 2009-10-21 08:12:04 1 0
Fabric was not so costly and a bride could enjoy yards and yards of flowing, layered fabrics to make her feel like the loveliest of fairy princesses on her big day.

You'll be hard pressed to find this quality of hand work in today's wedding dresses - at any price.

Many thanks for sharing!]]> 5055 janjan noreply@blogger.com http://www.blogger.com/profile/04386656208270221942 2009-10-08 21:42:50 2009-10-08 21:42:50 1 0
Jan from FNQ Australia]]> 5124 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-10-08 06:22:20 2009-10-08 06:22:20 1 0 5135 Alison noreply@blogger.com http://www.blogger.com/profile/10350486462070954874 2009-10-07 22:33:33 2009-10-07 22:33:33 1 0 5143 Anjuli noreply@blogger.com http://www.blogger.com/profile/07562443864024521238 2009-10-07 09:21:11 2009-10-07 09:21:11 1 0 5145 Chrissy noreply@blogger.com 2009-10-07 07:34:31 2009-10-07 07:34:31 1 0 5146 Mademoiselle Julie juleme@yahoo.com http://www.blogger.com/profile/03328956291052695454 2009-10-07 07:24:39 2009-10-07 07:24:39 1 0 5149 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-10-07 06:24:26 2009-10-07 06:24:26 1 0 Judy in Pittsburgh.]]> 5152 Clare pretty-green-message@hotmail.co.uk http://www.blogger.com/profile/13931436948216821554 2009-10-07 04:04:38 2009-10-07 04:04:38 1 0 5153 leonora somalicat_uk@yahoo.com http://www.blogger.com/profile/09432898647945296611 2009-10-07 03:59:04 2009-10-07 03:59:04 1 0 Was it made within a family, a mother making it as a heirloom for her daughter? Do you know anything about the history?]]> 5154 Yarrow azurechango@gmail.com http://www.blogger.com/profile/03309961451032136148 2009-10-06 20:52:09 2009-10-06 20:52:09 1 0 5155 Anonymous noreply@blogger.com 2009-10-06 18:19:45 2009-10-06 18:19:45 1 0 5156 JustGail noreply@blogger.com http://www.blogger.com/profile/08948391538309176039 2009-10-06 17:46:51 2009-10-06 17:46:51 1 0 5157 qwerty knittingdivine@hotmail.com 2009-10-06 10:51:30 2009-10-06 10:51:30 1 0
It's a shame it's deteriorating. I wonder if removing the tulle and lining would preserve the rest of the dress?]]> 5158 samplerhart noreply@blogger.com http://www.blogger.com/profile/05648459087300425074 2009-10-06 10:31:45 2009-10-06 10:31:45 1 0 5159 Cynthia noreply@blogger.com 2009-10-06 08:56:10 2009-10-06 08:56:10 1 0 5160 Annie R. noreply@blogger.com http://www.blogger.com/profile/09121821159170261510 2009-10-06 08:54:18 2009-10-06 08:54:18 1 0 5161 Brenda/grammybks@yahoo.com noreply@blogger.com 2009-10-06 08:34:07 2009-10-06 08:34:07 1 0 5162 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-10-06 07:09:31 2009-10-06 07:09:31 1 0 5163 Amy noreply@blogger.com http://www.blogger.com/profile/07895464698761723577 2009-10-06 07:04:53 2009-10-06 07:04:53 1 0 5164 Anonymous noreply@blogger.com 2009-10-06 06:35:27 2009-10-06 06:35:27 1 0 Annie in Michigan]]> 5165 Violette violetteblog@orange.fr http://www.blogger.com/profile/07014580741505127035 2009-10-06 06:31:35 2009-10-06 06:31:35 1 0 http://www.needlenthread.com/2009/10/stumped-by-needlework-tool.html Mon, 05 Oct 2009 10:34:00 -0500 Mary Corbet 193 2009-10-05 10:34:00 2009-10-05 10:34:00 open open Stumped-by-a-Needlework-Tool publish 0 0 post always in the mood for a needlework shop, after all! While we were there, I came across an interesting "tool" that captured my interest, so I bought it, thinking (if it does what it says) it would be an interesting tool to share with you.

But as it turns out, I am majorly perplexed by this needlework tool. Maybe someone out there can enlighten me on its value!



This is what it is: "thread straightener" rods, for silk or synthetic threads that are kinky, curly, etc.

Now, in concept, I am not opposed to a tool that would easily assist in relaxing the kinks out of silk threads. I, too, have been befuddled and frustrated by silk threads that are so boingy that they are a pain to use.

So I was more than willing to give this little miracle tool set a try.



These are two four-inch plexi-glass or pastic dowels, with a purple rubbery foam cushion hugging the middle of the dowels. The purple stuff feels a lot like the stuff that's used on the outside of drink bottles to insulate them.



According to the directions, you're supposed to wrap the cut ends of each thread around the purple foam center, and gently pull until you feel the thread relax. This is supposed to remove kinks, curls, etc.

For my first attempt, I took out some curly silk that was wound on a small, narrow spool, so it was a bit out the curly-bouncy side. I wrapped only the cut ends (about an inch or an inch and a half) around the purple stuff, one end to each dowel. And I pulled gently.

What I felt was the cut ends sinking into the foam center on the dowels. I didn't "feel" the thread relax. ??!! And the thread didn't look any different when I removed the ends from the dowels, except that the ends were a bit staticky.

Then I looked at the instructions again, and I thought that perhaps they really meant that, starting from each cut end of the thread, I was to wrap the thread all the way around the purple foam, into the center of the thread, so that the thread was wound onto the dowels, and then I was supposed to pull gently, pulling the thread off the dowels.



So I tried that, too, and ended up with a staticky mess of curly silk thread. I'm assuming my second interpretation of the directions was entirely incorrect - curly-boingy thread is one thing. Staticky-curly-boingy thread is another matter entirely, and practically impossible to stitch with.

Yes, I'm stumped. This isn't exactly my idea of a useful needlework tool. But perhaps I've got the whole thing figured wrong, and there's some way to make this $5 set of 4-inch plastic sticks useful? Any clues?

A tried and true method for relaxing kinked, curly, or bouncy silk thread: Take the whole bundle (assuming it's coming off a skein) and cut it to your preferred length for stitching. Then put the tea kettle on. Once it starts whistling, hold your bundle of threads in both hands, and pull gently on it while running it through the steam from the kettle. In this way, you've relaxed your whole bundle of threads in one go. Then fix yourself a cup of tea and let your threads dry out. You can also use Thread Heaven on particularly cantankerous threads, to good effect.
]]> needlework tools threads pictures silk 5166 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2009-10-06 04:39:02 2009-10-06 04:39:02 1 0 5167 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2009-10-06 01:37:20 2009-10-06 01:37:20 1 0 Dido]]> 5168 Meretricious Consideration noreply@blogger.com http://www.blogger.com/profile/13813914481226306776 2009-10-05 21:46:07 2009-10-05 21:46:07 1 0
Wrapping the thread around your fingers and pulling should work just as well.]]> 5169 irene noreply@blogger.com 2009-10-05 20:50:37 2009-10-05 20:50:37 1 0 5170 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-10-05 19:13:01 2009-10-05 19:13:01 1 0 Can you inform us again whether this product helps?
I might want to buy it.

vincent]]> 5171 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-10-05 18:12:14 2009-10-05 18:12:14 1 0 5172 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-10-05 17:54:28 2009-10-05 17:54:28 1 0
Another tip I use is to run my thread over a hot (dust-free) light bulb. Just try not to look into the light as you do it. Ask me how I know!]]> 5173 deansdraperies dean@deanfountain.com http://www.blogger.com/profile/09579067487003966235 2009-10-05 17:37:14 2009-10-05 17:37:14 1 0 5174 Monica noreply@blogger.com http://www.blogger.com/profile/10168062879331647053 2009-10-05 16:19:07 2009-10-05 16:19:07 1 0 5175 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2009-10-05 16:17:05 2009-10-05 16:17:05 1 0
You have the correct idea. Cut a length of thread. Wrap cut ends around foam cores and pull. With Nymo I usually pull hard.]]> 5176 Elza noreply@blogger.com http://www.blogger.com/profile/05317203980463184479 2009-10-05 15:10:36 2009-10-05 15:10:36 1 0 5177 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-05 14:54:13 2009-10-05 14:54:13 1 0
This isn't necessarily a "negative" review, by the way - it's just a "question mark" review. ??? As Linda said, you can accomplish the same things with your fingers!]]> 5178 Anonymous noreply@blogger.com 2009-10-05 14:29:52 2009-10-05 14:29:52 1 0 -Andrea]]> 5179 Linda linda.boudreau@gmail.com http://www.blogger.com/profile/15715321609008622071 2009-10-05 13:47:02 2009-10-05 13:47:02 1 0 5181 Laura Bullinger noreply@blogger.com 2009-10-05 12:57:49 2009-10-05 12:57:49 1 0 5182 Natalia noreply@blogger.com 2009-10-05 12:45:01 2009-10-05 12:45:01 1 0 Maybe there's a little trick to it.]]> 5183 Anonymous noreply@blogger.com 2009-10-05 12:42:44 2009-10-05 12:42:44 1 0
thanks for the tip on using steam, sounds much more relaxing!

JustGail]]> 5184 onafixedincome noreply@blogger.com 2009-10-05 12:04:27 2009-10-05 12:04:27 1 0
Try wrapping around a couple of hemostats (I know you have some there somewhere!) and pulling. Steady firm pull is key.

Never tried it with thread; maybe I should!]]> http://www.needlenthread.com/2009/10/schwalm-embroidery-and-fancy-hems.html Fri, 02 Oct 2009 04:45:00 -0500 Mary Corbet 194 2009-10-02 04:45:00 2009-10-02 04:45:00 open open Schwalm-Embroidery-and-Fancy-Hems publish 0 0 post Basic Principles of Schwalm Whitework - which was newly translated into English. Today, I want to show you her latest book translated into English, Fancy Hems.

Fancy Hems is a book that any needleworker interested in drawn thread embroidery or whitework would find interesting, informative, and useful. It is not merely for folks interested in Schwalm embroidery in particular. The techniques explained in the book are suited to any kind of drawn thread work, really.



Like Luzine's Basic Principles of Schwalm Whitework, Fancy Hems is a self-published book.



Within its pages, you will find step-by-step instructions for creating the fancy openwork and drawn thread hems that often accompany Schwalm embroidery.



The instructions are cleary photographed, so that you can follow each step of embroidery. And the English text is clear and precise.



The book begins with simpler fancy hems and works its way slowly to more complex hems.



Featured throughout the book are pictures of magnificent embroidery that has been "finished" with the addition of a beautiful hem. Each type of hem is thoroughly explained and demonstrated in the book.



Watching the intricate designs of the hems unfold before your eyes, though the photos, is amazing - Luzine makes it look so simple! And because her instructions are good, creating a unqiue and intricate embellished hem area does become relatively simple.



All the basics are discussed, by the way, before venturing into the more complex embellishment. So, if working something like the above drawn thread bars featured in the text, you not only learn how to embellish the bars, but you learn the basics of how to create the bars in the first place - a nice tidbit of instruction for those interested in drawn thread work in general.



The types of hems featured in the book range from narrower bars to composite hems, made up of a variety of different "bars" stacked together, as in this magificent piece below:



Wouldn't it be something to finish the edge of a tea cloth like this? It's amazing, isn't it?

In the most recent issue of Piecework Magazine (Sept. / Oct. 2009), a one-page article focus on an embroidery guild group in Canada who began working through the Fancy Hems book, each creating their own fancily-hemmed cloth. I think that would be a fun and challenging group project - to take a book like this and have each person compile their own "stack" of hemming motifs. I was glad to see that article in Piecework.

But even more than that, I was so happy to see Luzine's newly-translated book, which will certainly become The Definitive Guide to drawn-thread fancy hems.

If you're interested in obtaining a copy of this book, feel free to contact Luzine via e-mail. She takes Paypal, which makes ordering from Germany very easy.

I have to thank Luzine for sending me the book, which was quickly followed by a real treasure chest of Schwalm related instructional and inspirational books - and some linen! Oh, linen! How I love linen! Thank you, Luzine!

Luzine has actually self-published a whole slew of books in German on Schwalm embroidery, and I do eventually want to show you all of them. They are amazing - and So Thorough! A few are in English, but most are in German. Still, the step-by-step photos make the books accessible even for those of us who don't speak or read German. In the meantime, though, if you are looking for books on filling stitches for Schwalm work or drawn thread embroidery, you can ask Luzine what she has available. One of her books instructs on 175 (yes, 175! - that's a LOT!) filling patterns. It's amazing!

She also has a really nice book of Schwalm patterns for a variety of projects. I'm really looking forward to making use of it. The more I look at Schwalm work, the more I fall in love with it! And she's got some really pretty patterns in this book. I'll review that one a bit later, in detail, so you can see what it looks like. And she included some little books from the Schwalm Museum in Germany - they're full of clear black and white photos of various Schwalm pieces. Oh, if I could just reproduce them for you here! I think you'd be in awe of the work!

The thing that really attracts me about Schwalm whitework is that, though it is predominantly whitework, the techniques involved spill over into so many other areas of surface embroidery, while at the same time integrating extensive drawn thread and pulled thread techniques. I think that's why I had so much fun with my Schwalm chicken and pomegranate on my whitework sampler.

And what about my Schwalm project that's currently underway (taken from Luzine's Basic Principles of Schwalm Whitework)? Well, I did indeed make the switch from another project so that I can focus on the Schwalm project during my 15-minute sessions, and I have enjoyed working on it in spurts. I actually accomplished a good bit of stitching on Wednesday afternoon of this week, which was nice for a change! I've finished the buttonhole stitching on one motif, and I'm ready to move on to the chain stitching, before starting the filling. I'm having fun with it - I'll update you with progress photos soon!

In the meantime, if you're interested in any of Luzine's books, drop her an e-mail.

Have a terrific Friday!
]]> Schwalm book review whitework drawn thread embroidery 4807 RobynK noreply@blogger.com http://www.blogger.com/profile/13363052010272253678 2009-10-26 16:53:51 2009-10-26 16:53:51 1 0 Cheers
RobynK
New Zealand]]> 4815 Sheba noreply@blogger.com 2009-10-26 13:45:54 2009-10-26 13:45:54 1 0 4825 kay p. noreply@blogger.com 2009-10-26 12:09:44 2009-10-26 12:09:44 1 0 Kay]]> 4832 bettyjacobs noreply@blogger.com http://www.blogger.com/profile/06984891077584537039 2009-10-26 10:44:05 2009-10-26 10:44:05 1 0 could do embroidery 24/7.
Thanks so much,
Betty]]> 5180 Sewingmamusia nryng@comcast.net http://www.blogger.com/profile/18347885476735843788 2009-10-05 13:05:30 2009-10-05 13:05:30 1 0 5187 Violette violetteblog@orange.fr http://www.blogger.com/profile/07014580741505127035 2009-10-05 03:57:50 2009-10-05 03:57:50 1 0 5194 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-10-03 16:46:46 2009-10-03 16:46:46 1 0 5195 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-03 15:11:06 2009-10-03 15:11:06 1 0
Jeanne - I was fortunate to receive a copy of the Basic Principles of Schwalm Whitework from Joey Colbert, who has helped with the translating and editing of the English editions of Luzine's book. Luzine's books are by far the best and most thorough books I've seen on Schwalm work, but also on drawn thread techniques, as well, since the drawn thread areas on Schwalm work are so varied. They're great books, and really worth the investment for anyone who is interested in whitework at all.

Thanks for your comments, all!]]> 5196 Anonymous noreply@blogger.com 2009-10-03 14:34:57 2009-10-03 14:34:57 1 0
Our group has also done place mats using these borders as well.

They are really relaxing to work on. Simple to take with and work on wherever.

I highly recommend any of Luzine's books. The pictures are worth a thousand words.

~Pam]]> 5199 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-10-03 13:53:38 2009-10-03 13:53:38 1 0 5205 onafixedincome noreply@blogger.com 2009-10-02 19:55:36 2009-10-02 19:55:36 1 0
What a PHENOMENAL resource! I don't even want to think about how much work this took and that's only one book!?!??

Wow. Just wow.]]> 5207 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-10-02 13:24:20 2009-10-02 13:24:20 1 0 5208 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-10-02 06:56:27 2009-10-02 06:56:27 1 0 http://www.needlenthread.com/2009/10/goldwork-metal-thread-flower-tutorial.html Thu, 01 Oct 2009 06:08:00 -0500 Mary Corbet 195 2009-10-01 06:08:00 2009-10-01 06:08:00 open open Goldwork-&-Metal-Thread-Flower-Tutorial publish 0 0 post Brodely, has worked up a very clear tutorial for making a goldwork & metal thread flower. She uses colored purls, couching them in a basketweave pattern, to fill the petals of a simple but beautiful flower. This would be a great technique for making ornaments! I love the the idea, the materials, the whole technique! If you get a chance, check out her tutorial. She's also selling colored purls on Brodely, if you're looking for a European resource. I was thinking this technique would work great with Thistle Threads new silk-wrapped purls, too.

Enjoy the tutorial!]]> needlework tutorials goldwork embroidery resources 5211 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-10-01 11:29:58 2009-10-01 11:29:58 1 0
vince]]> 5212 qwerty knittingdivine@hotmail.com 2009-10-01 10:27:03 2009-10-01 10:27:03 1 0 5213 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-10-01 10:08:08 2009-10-01 10:08:08 1 0
I was thinking that too :-D

I've been having a go at the pink bug needlework nibble this week and am enjoying working with the wiggly worms even though I found them a bit fiddly at first.]]> 5214 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-10-01 09:44:50 2009-10-01 09:44:50 1 0 http://www.needlenthread.com/2009/09/tapestry-woven-from-spider-silk.html Wed, 30 Sep 2009 06:33:00 -0500 Mary Corbet 196 2009-09-30 06:33:00 2009-09-30 06:33:00 open open Tapestry-Woven-from-Spider-Silk! publish 0 0 post tapestry woven completely from spider silk. It's an interesting article - if you have a chance, take a look! The tapestry is on display in NYC at the Museum of Natural History.... might be worth seeing if you live in the area! Enjoy!]]> needlework news silk 5216 BonnieC noreply@blogger.com 2009-09-30 21:45:21 2009-09-30 21:45:21 1 0 Interesting, with an "ewww" twist.
:)]]> 5219 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-09-30 14:30:42 2009-09-30 14:30:42 1 0 5221 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-09-30 11:25:41 2009-09-30 11:25:41 1 0 5222 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-09-30 10:48:34 2009-09-30 10:48:34 1 0 5223 irene noreply@blogger.com 2009-09-30 10:23:15 2009-09-30 10:23:15 1 0 5224 deansdraperies dean@deanfountain.com http://www.blogger.com/profile/09579067487003966235 2009-09-30 09:53:52 2009-09-30 09:53:52 1 0 http://www.needlenthread.com/2009/09/trish-burr-embroidery-kit-winner.html Wed, 30 Sep 2009 06:23:00 -0500 Mary Corbet 197 2009-09-30 06:23:00 2009-09-30 06:23:00 open open Trish-Burr-Embroidery-Kit-Winner! publish 0 0 post

I had a great time reading all the comments on this one - it is really interesting to see what types of pieces appeal to different people, don't you think?

After going through the typical drawing rigmarole, the winner of this kit is....

Judy in Pittsburg! Congratulations, Judy! Please drop me a line with your mailing address, and I'll get that on its way soon!

Thanks, all, for participating. Trish Burr's Embroidery Kits are available on her website, if you're interested in trying them out.

Tomorrow, I hope to have something Schwalm related to show you! In the meantime, have a great Wednesday!

]]> Trish Burr needlepainting long and short stitch 5200 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-10-03 13:13:42 2009-10-03 13:13:42 1 0 5218 qwerty knittingdivine@hotmail.com 2009-09-30 15:30:54 2009-09-30 15:30:54 1 0 5220 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-09-30 12:43:47 2009-09-30 12:43:47 1 0 http://www.needlenthread.com/2009/09/revisiting-and-rethinking-embroidery.html Tue, 29 Sep 2009 04:30:00 -0500 Mary Corbet 198 2009-09-29 04:30:00 2009-09-29 04:30:00 open open Revisiting-and-Rethinking-an-Embroidery-Project publish 0 0 post first article featurs close-up pictures of the stole, and the second article featurs a photo of the whole stole.

This past weekend, at the request of a friend, I pulled the embroidery project out again, including the second half of the stole, which has been laced up on a scroll frame, neglected for many years.

In revisiting this project, I've had the opportunity to rethink a few things about it.



This is the beginning of the second half of the stole. In my mind, I remembered being about a third of the way finished with this half of the project. I'm not sure why I thought I was so far along. It's discouraging, actually, to see that I finished so little on the second half!

What slowed me down on this project? Why did I resign it to the shelf?

The first thing that happened was that Life got in the way. I remember frantically applying myself to the first half of the stole, and, after about 3 months, finishing it, setting up the second half, and making a start on it. But it was the middle of the school year by then, and things just got busy. So the project was set aside for a time.

Then, one day, I had visitors, a lady and a little girl. And the lady wanted to see my current embroidery project. The little girl - about six years old - was playing outside when I took the piece down. I looked at the piece with the lady, and had just turned away from it, when the little girl came in. I didn't think to pay close attention to her - her dirty hands were wet and sticky and a little muddy. And she made a bee-line for the frame. Before the thought could formulate in my head (I don't think I got beyond the internal "Noooooooooooooooooooooo!"), she had applied one particularly grimey finger to the fabric and threads, leaving a big, wet, dark spot on both the embroidery and the ground fabric.

Do you know how it is, when you have a "big" obstacle to overcome in a needlework project, and the obstacle kind of takes the wind out of your enthusiastic sails? This was the case for me. At the end of that day, I wrapped the frame up in a cloth, and tucked the whole thing away on the highest shelf, in a box. And it has been there ever since.

But in taking it out again this past weekend, I discovered several things.



First, I discovered that the way in which I originally transferred the design had been a good idea, for the image has withstood the test of time magnificently. On the soft gold silk ground fabric, I had used white dressmaker's carbon. The white, once embroidered over, is not visible at all - even if a little fringe of it is left beyond the embroidery. And yet, it is clearly visible on the silk ground fabric, due to its light white-ness and its matte finish against the shiny silk.

Dressmaker's carbon can be an excellent way to transfer a design on smooth fabric. You can find transfer paper in the sewing notions section of fabric stores. Saral Transfer Paper is a good brand to use if you can find it. The variety packs come with a sheet each of red, white, yellow, blue, and graphite (greyish black). The sheets can be used many times over. If you can't find Saral, Dritz also makes a wax-free dressmaker's transfer paper in five colors. It is probably more commonly available at sewing stores, and the size is actually perfect for a project like this stole, which is long and narrow. It comes in 5.5" x 19.5" sheets.

Though the frame for the stole was wrapped in fabric that rested against the design, and then packed again in a box with other stuff, and put on a top shelf for several years, the design is still crisp and fresh and hardly smudged at all. I'm glad to see that.



The next thing I learned is that I tend to exaggerate in my mind how serious a "flaw" is on a piece of needlework. The wet, dark smudge (that I thought could never be cleaned away) was right here, between these two "petals" on the embroidery. Where is it now? Did time take it away? Or was the flaw not quite as bad as I had worked it up in my mind to be? Whatever the case, that excuse for shelving the project is now completely gone. There was only the slightest sign of a bit of dirt on the silk threads in the top petal. A little scratch with the fingernail, and it was completely gone.



I've learned a lot more about embroidery in general, ecclesiastical embroidery in particular, and individual stitching techniques since I embroidered this piece. In my mind, I recall this piece as being a "beginning" step in my pursuit of serious embroidery. As a beginning step, I somehow had adopted the impression, over the years, that I didn't do a very good job on the piece. But in looking at it (and this isn't to honk my own horn - just to make a point), my satin stitching was actually pretty darned good. Had I convinced myself that it wasn't up to par, as a further excuse not to return to this project? It is Certainly Possible!



I can't help thinking that I might be hard-pressed, now, to replicate this satin stitching!



Finally, there is the question of this frame. When I first started this project, I would've killed for a slate frame (not literally, but...). I looked high and low, here and there, and absolutely everywhere for one. I settled for a scroll frame, because it was the only thing that could accommodate the silk, keep it relatively taut, and roll up the excess fabric.

But in looking at the framed up piece now, I can confirm that I was right about my lousy lacing job. And, on top of that, using masking tape to "finish" the edge was probably just downright stupid (though there is actually about 6" of excess fabric on each side of the design).



In my mind, whenever I thought of this project (because it does still hang over my head now and then, and I think on it with regret...), this lousy lacing job and the tape fiasco were obstacles to completing the piece. But are they, in reality, obstacles? Not really. It would be nothing, now, to take this frame apart, remount the piece on a slate frame using proper fabric edges, and tighten it up to work on it.



Going back to the original first half of the stole, I took some photos of it again. Since that first post on the subject oh-so-long ago, I've had two different cameras, each progressively better, and I've learned a bit about light, and also a bit about photo editing programs.



I can't help looking at images of the original finished half of the stole and asking myself if it would be worth revisiting this project and even finishing it.

But now that some serious time has passed since I shelved the project, some serious issues have arisen that are truly obstacles. Of course, obstacles exist in order to be overcome!

The greatest obstacle is that of thread: the original piece was worked with Au Ver a Soie's Soie d'Alger. Though I had, at the time, purchased enough of the same dye lots for both sides of the stole, over the years, I have used those threads. Can I match them closely enough in order to finish the second half of the stole? Maybe. It is worth looking in to, but can't be done until I visit a shop that carries the threads.

There are several - actually, many - things that I would do differently now, if I were making this stole from the beginning. And this is another obstacle for me! It is more of a mental obstacle, though - which are the worst types of obstacles, because they require overcoming self, rather than overcoming something tangible outside of one's self.

I can't guarantee what I will do with this - whether I will finish it or not. Most of the trivial barriers that I had built up in my head regarding the whole project are gone, but a few serious ones still linger.

So, those are my musings on this project from the past. What would YOU do at this point? How would you come to a decision about whether or not to finish such a project?
]]> ecclesiastical embroidery Embroidery Projects pictures miscellaneous embroidery musings silk needlework pictures 5215 BonnieC noreply@blogger.com 2009-09-30 21:57:55 2009-09-30 21:57:55 1 0 5217 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-09-30 20:16:13 2009-09-30 20:16:13 1 0 It is always hard after we put things away unfinished. A lot of times it does spark interest when we bring it back out. Most of the time we find that we have grown in many ways, when we look back, and it is good, because we see how far ahead we have gone. You have come a long way and when the time is right you will pull it out , take off the masking tape and stitch it the right way that you have learned, and after you find the right colors or close to it, you will in your own time start to stitch on it once again. You took the first step, you took it down from the closet and looked at it, your mind is rebooting to see where you have to go from here.
I have a feeling that with this group of friends, you will find your colors, and that will probably be the beginning of your re-starting point.
We have all done that, been there and sometimes it may take a little more time, one thing for sure, you won't have to worry about it going anywhere.
It is a beautiful piece Mary, and I know you will finish it!
Thanks again for all your inspiration! You always keep us thinking!
Keep Stitching,
Kathy Kelly]]> 5225 Violette violetteblog@orange.fr http://www.blogger.com/profile/07014580741505127035 2009-09-30 04:02:41 2009-09-30 04:02:41 1 0 Sorry for bad english!]]> 5226 Marian noreply@blogger.com 2009-09-30 03:28:57 2009-09-30 03:28:57 1 0
About 3 months ago, I finished 2 long term projects and I am glad I did. The first, a piece of material which I embroidered around the outside of leaves and flowers, I had put aside after being told that the foam I had used for the reverse of my embroidered cushion cover was wrong and that I should have used needle punch. This had been on the go for about 20 yrs.

The second project was a combination of cross stitch & surface embroidery, but I had chosen to stitch on Aida cloth. I had begun the cross stitch on the aida, then wanted to add other, embroidered flowers to the 'scene'. this project was completed 7 yrs after it was begun.

I will take photographs tomorrow when it is light and email to you.

I suggest that you should complete the stole, if only to get it finished. The satisfaction that comes from getting it done is sweet.

I know this because it took 11 attempts for me to pass my economics exam and 6 attempts for me to pass my statistics exam (B- no less) and so in Dec I will finally graduate with my bachelors degree AND a Diploma for Graduates, 9 years after commencing my studies, and earlier this year I turned 50.

You will feel so much better for getting it done. :) But by all means, wait until you can get the correct threads that are required ;)]]> 5228 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-09-30 01:09:33 2009-09-30 01:09:33 1 0
...I have been working on a quilt where I used up some royal blue fabric from my stash, then realised I didn't have enough. Of course the dye lots had changed, but I used the new royal blue fabric in a different area and if you can tell that it is a slightly different colour then you will think I've done it deliberately... at least I think I'll be the only one that will notice.

I think you've done a fantastic job and truly, the things that you have mentioned will only be recognisable to you, and people you tell and show with a magnifying glass. I am so glad the dirt came out though!]]> 5229 Anonymous noreply@blogger.com 2009-09-29 23:33:04 2009-09-29 23:33:04 1 0
I come from a family of talented makers, and have suffered all my life from the demon of perfectionism. My mother has a touch of it, too, but fortunately, we are able to encourage each other by seeing the other's talents instead of the flaws. So I'm giving you the advice I think my mother would give me:

No two things in nature are ever identical. Even a simple blade of grass is unique, so variations on a theme should not be seen as flaws but as a celebration of Our Maker's desire to explore new ideas as He Creates.

If you can't get silks that exactly match what you have done already, ask yourself if, hanging as they should during a service, the two sides of the stole would ever have seemed to be identical in color (the answer is, of course not -- the play of light on the silk is part of its beauty!). The harder question is, can you come close enough to strike a balance so that one side does not seem "heavier" than the other? If you feel you can do so, then I hope you will complete this stunningly beautiful work and bless someone to wear it in glory!

Karen from Arcadia]]> 5230 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-09-29 20:12:35 2009-09-29 20:12:35 1 0 5231 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-09-29 19:59:24 2009-09-29 19:59:24 1 0 You use the pomengranites (?) from the scroll as your Net icon - how can you NOT finish the project - taking up one or more of the suggestions above?

It's *you* (well, what I associate on the computer with you)]]> 5233 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-29 17:43:42 2009-09-29 17:43:42 1 0
I'm sure sometime in the future - well, it'll be a while! - I'll be revisiting this project again, and hopefully with good news about a new start. We shall see!

Thank you again! You're such a terrific bunch of stitching folk!

MC]]> 5234 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2009-09-29 16:32:29 2009-09-29 16:32:29 1 0 5235 Pamela pamela.mittens@gmail.com http://www.blogger.com/profile/05485358671045660416 2009-09-29 15:18:47 2009-09-29 15:18:47 1 0 Thanks so much!]]> 5237 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2009-09-29 13:20:59 2009-09-29 13:20:59 1 0 karol
friend3951@verizon.net]]> 5239 Nancy two4him@bellsouth.net http://www.blogger.com/profile/03437265347292401112 2009-09-29 12:01:37 2009-09-29 12:01:37 1 0
Nancy Lee
Middlesboro, KY]]> 5240 Anonymous noreply@blogger.com 2009-09-29 11:58:20 2009-09-29 11:58:20 1 0 your stitching and design is just breathtaking you must get your head around your obstacles and finish off this beautiful stole. As for the thread, if the shades are slightly different on one side will it really be noticed? Good luck
Joan from Richmond BC]]> 5244 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-09-29 11:23:37 2009-09-29 11:23:37 1 0
Amazing stitching and I think despite all your "Obstacles" this piece occupies a place close to your heart. You have chosen one of the motifs as the embroidered piece on your home page. I have always admired it and would love to see the completed piece.]]> 5246 La Bergère Brodeuse noreply@blogger.com http://www.blogger.com/profile/05168940189062032838 2009-09-29 10:01:29 2009-09-29 10:01:29 1 0
Catherine]]> 5247 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2009-09-29 09:50:05 2009-09-29 09:50:05 1 0
But yes, I think the stole is lovely and really should have a chance to be seen. If you decide you don't want to finish it, maybe the completed half can be converted for some other use? It just seems a shame to hide away such a pretty piece.]]> 5248 qwerty knittingdivine@hotmail.com 2009-09-29 09:26:17 2009-09-29 09:26:17 1 0
Personally, if I was sick of it and wouldn't enjoy finishing it, then I wouldn't. I'd use the first half and make into something else.

If it will bug you forever and you truly want to finish it, then go for it.

Thank you for this detailed post. You echoed what many of us have struggled with regarding unfinished projects. It's always helpful to hear how others resolve the issue.]]> 5249 Slack smartisport@gmail.com http://www.blogger.com/profile/13974581328067068775 2009-09-29 09:26:09 2009-09-29 09:26:09 1 0 5250 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2009-09-29 09:25:17 2009-09-29 09:25:17 1 0
And the threads, for the most part, will never be seen to 'mismatch', as different leaves would normally be different colors, etc. The only problem would be a half-finished leaf or stem.]]> 5253 yarngoddess noreply@blogger.com http://yarngoddess.wordpress.com/ 2009-09-29 07:57:11 2009-09-29 07:57:11 1 0 Just an thought in case your thread search comes up short.]]> 5254 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2009-09-29 07:34:10 2009-09-29 07:34:10 1 0 5255 Christine noreply@blogger.com http://www.blogger.com/profile/11812223278446037862 2009-09-29 07:11:28 2009-09-29 07:11:28 1 0
Thanks for making every one of my days a bit better with your wonderful blog. - Christine]]> 5256 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2009-09-29 07:07:05 2009-09-29 07:07:05 1 0
Funny how time took care of the little girl's grime. There's a technique I've never employed before - ignore it and it goes away.

And lastly. Good luck matching the AVAS. Some of the greens and reds have changed completely over the past ten years. If it hadn't been for someone out on the internet hearing my plea for AVAS that was eight years old, I'd still have an unfinished Agnes Scott sampler.]]> 5257 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-09-29 07:00:25 2009-09-29 07:00:25 1 0
I've used dressmakers carbon too, but I thought it was cheating!]]> 5258 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-09-29 06:52:50 2009-09-29 06:52:50 1 0
I hope you finish it and I'm wondering where you got the pattern?]]> 5259 Anonymous noreply@blogger.com 2009-09-29 06:48:52 2009-09-29 06:48:52 1 0 Sue]]> 5260 Elza Bester noreply@blogger.com 2009-09-29 06:24:19 2009-09-29 06:24:19 1 0 5261 Anonymous noreply@blogger.com 2009-09-29 06:19:15 2009-09-29 06:19:15 1 0
Cissie]]> http://www.needlenthread.com/2009/09/long-short-stitch-book-give-away-winner.html Mon, 28 Sep 2009 05:58:00 -0500 Mary Corbet 199 2009-09-28 05:58:00 2009-09-28 05:58:00 open open Long-&-Short-Stitch-Book-Give-Away-Winner! publish 0 0 post

For this morning's drawing, I did something a bit different. Normally, I keep an on-going list of names in a spreadsheet, and at the end of the drawing, I mix up the names on the spreadsheet (kind of like shuffling cards)... and then I pick a random number (via random.org), and the matching number on the spreadsheet wins.

This weekend, I didn't have time to keep the spreadsheet, so instead, I picked a number via random.org, and counted down the comments from top to bottom according to the number generated. Either way, I figured, "luck" is still determining the winner, right?

The number generated was 6, and counting down the comments, I came to the sixth one down.... and that's....

Hey, come to think of it, I could make YOU go back and count down the number of comments to #6....

But since I've already made you work hard enough for the give-away, by commenting - and not only commenting, but answering one of those off-the-wall kind of questions - I suppose I could just tell you.

As luck would have it - or more of what I would call a happy coincidence - the winner is Méri! Now, I'm always happy for whoever wins, but I find myself particularly pleased with this drawing for a number of reasons: Méri and I have enjoyed a good long-distance friendship thanks to our needlework blogs (she's all the way over there in Portugal); Méri has been very generous to me - she's sent me some beautiful fabric and threads and a great magazine from Portugal; and Méri has followed along with the long and short stitch lessons and been really supportive all the way through them. Congratulations, Méri!

I'm actually not a believer in luck. Happy coincidences (and even sad ones) are generally the work, in my mind, of a higher providence, and I like to think that through this "happy coincidence" I've been given the opportunity to repay a friend a little bit! Having said that, I think I was a little lucky myself this morning!

You still have another chance to win something long and short stitch related, though - don't forget my other give-away ending on Wednesday (for a Trish Burr embroidery kit).

Thanks for participating!

]]> Trish Burr Book Give-Away long and short stitch 5267 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-09-28 23:08:34 2009-09-28 23:08:34 1 0 5270 BonnieC noreply@blogger.com 2009-09-28 20:15:23 2009-09-28 20:15:23 1 0 5275 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-09-28 15:14:27 2009-09-28 15:14:27 1 0
And thanks for your generosity in running the contest, Mary.]]> 5276 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-28 14:28:54 2009-09-28 14:28:54 1 0
Mary!!! I'm so happy!
Thank you, thank you!As always you are so Kind! What nice words you've written!
And Thank you all of your readers - all so kind too!
I'm out of Porto for two weeks, now I'm in Braga (do you remember I've talk about? The Portuguese Rome?)When I return home I'll send you an email - is it fair??
I have acess my e-mail and read this post through the newsletter. Now I'm connected to the net by phone (besides it is too slow it isn't cheap...) so sorry the English!
Thank you Mary, again! Soon I'll write to you by e-mail.

A big hug!!!

PS - Mary,you must take off my name from the other giveaway - it will be much fair.]]> 5277 Anonymous noreply@blogger.com 2009-09-28 13:53:34 2009-09-28 13:53:34 1 0 Michle]]> 5279 qwerty knittingdivine@hotmail.com 2009-09-28 12:06:48 2009-09-28 12:06:48 1 0 5284 irene noreply@blogger.com 2009-09-28 10:02:40 2009-09-28 10:02:40 1 0
irene]]> 5286 Sewingmamusia nryng@comcast.net http://www.blogger.com/profile/18347885476735843788 2009-09-28 09:09:21 2009-09-28 09:09:21 1 0 5288 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-09-28 08:52:58 2009-09-28 08:52:58 1 0 5295 Anonymous noreply@blogger.com 2009-09-28 07:39:15 2009-09-28 07:39:15 1 0
Annie in "turning cold Michigan"]]> http://www.needlenthread.com/2009/09/trish-burr-kit-give-away-practice-your.html Sat, 26 Sep 2009 14:23:00 -0500 Mary Corbet 200 2009-09-26 14:23:00 2009-09-26 14:23:00 open open Trish-Burr-Kit-Give-Away:-Practice-your-Threadpainting-Skills! publish 0 0 post Long and Short Stitch Shading Lessons, I thought one more celebratory give-away would be just the thing!

Although the Long and Short Stitch Lessons series finished yesterday, you can still access the lessons here on Needle 'n Thread, all in one convenient index which now features a finished photo of the long and short stitch sampler. Here's the link:

Long and Short Stitch Shading Lessons

Now, I have to admit, the series was a lot of fun, but it was a lot of work, too! I'm somewhat relieved it's over, so I can move on to some other projects and maybe work up a few more instructional series on other techniques.

You know when you finish something that you've been working on for a while, and you have that feeling of complete elation at having actually Finished? Doesn't that feeling just make you want to celebrate? It makes me want to, and so I figured another give-away would be a perfect way to close the lessons.

So, here it is - a complete Trish Burr embroidery kit, for beginners:



This kit features realistic rose buds and leaves, perfect subjects for needlepainting. If you've worked through the sampler, you will have absolutely no problem with the kit, and even if you haven't worked through the long and short stitch sampler, you still won't have any problems with the kit, because Trish wrote it for beginners. The instructions take you step-by-step through the process of working the project.

If you haven't read my review of Trish's threadpainting kits yet, you can check that out for further details on this kit.

Also, if you're looking for some beautiful needlepainting kits, you might want to take a look at Trish Burr's website, where you'll find all her kits available.

For this give-away, please follow these instructions:

1. Leave your comment at the end of this post on the website, not via e-mail, and not on any other post. If you are reading this in the e-mail newsletter, you need to visit the website, not just reply to the e-mail. To go directly to this post from the e-mail newsletter, click on the purple title at the top of the e-mail!

2. Please sign a name to your comment! You may use the "anonymous" feature on the comment box, but please include a name at the end of your comment!

3. Answer the following question:

What's your favorite Trish Burr kit and why? (Visit Trish Burr's Threadpainting Kits page on her website to see the kits she has available!)

4. The give-away ends on Wednesday, September 30th, at 4:30 am US Central time. Leave your comment by then in order to be included!

And while we're at it, don't forget that my other give-away ends this Monday. If you haven't signed up to win Trish's latest book on threadpainting, check out the original post and leave a comment there before Monday!

Have a terrific weekend!


]]> 4032 Claudette Woudberg noreply@blogger.com 2009-12-22 09:31:43 2009-12-22 09:31:43 1 0 I love Trish Burr's daisy spray kit with the pink rosebuds. Have a happy Christmas.]]> 4033 Claudette Woudberg noreply@blogger.com 2009-12-22 09:26:15 2009-12-22 09:26:15 1 0 4881 jeannie noreply@blogger.com 2009-10-20 07:44:07 2009-10-20 07:44:07 1 0 I have one of Trish's books,Finest flowers". I love her work and have embroidered some of the flowers in her book, even though i'm pleased with the outcome, they never look as nice as her's!]]> 5227 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2009-09-30 03:13:30 2009-09-30 03:13:30 1 0 Debra Puma]]> 5232 Anonymous noreply@blogger.com 2009-09-29 18:49:54 2009-09-29 18:49:54 1 0
Julie B.]]> 5236 Anonymous noreply@blogger.com 2009-09-29 14:46:32 2009-09-29 14:46:32 1 0 Judy Marteney]]> 5238 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2009-09-29 13:03:11 2009-09-29 13:03:11 1 0 karol
friend3951@verizon.net]]> 5241 JeannieB noreply@blogger.com http://www.blogger.com/profile/11210834741280537623 2009-09-29 11:44:54 2009-09-29 11:44:54 1 0
Jean from Washington]]> 5242 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-09-29 11:32:05 2009-09-29 11:32:05 1 0 5243 Janice Miller noreply@blogger.com 2009-09-29 11:24:18 2009-09-29 11:24:18 1 0 I was able to see a few of these kits at the Puyallyp Quilt show last year and I needed a tissue to wipe the drool. ha
Thank you Mary for the opportunity to win this wonderful kit.
Janice Miller]]> 5245 La Bergère Brodeuse noreply@blogger.com http://www.blogger.com/profile/05168940189062032838 2009-09-29 10:24:45 2009-09-29 10:24:45 1 0 5251 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2009-09-29 08:59:38 2009-09-29 08:59:38 1 0 5262 Zenia noreply@blogger.com http://www.blogger.com/profile/08972164568636082028 2009-09-29 05:57:48 2009-09-29 05:57:48 1 0 It is difficult to choose any one trish's kit.But I think I like Antique pink ribbon and rose buds the most.
Zenia]]> 5263 Deepa Sethuraj noreply@blogger.com 2009-09-29 05:47:45 2009-09-29 05:47:45 1 0 Thank you for the posts.. The lessons were awsome.. Good work..
My favourite kit is "Antique Pink ribbon& rosebuds".. I really loved the pink, white and green combination.. its really beautiful..
Deepa]]> 5264 Connie in Montana noreply@blogger.com 2009-09-29 01:25:17 2009-09-29 01:25:17 1 0
Connie in Montana]]> 5265 Anonymous noreply@blogger.com 2009-09-29 01:21:41 2009-09-29 01:21:41 1 0 I would have to say that even though they are all beautiful I really like the "White blossoms with blue berries". I think that this would be a wonderful project to try.
Thanks again for all the hard work with the long & short lessons I know that they will be put to good use.
Take care
Joan in Richmond, B.C. Canada]]> 5266 Maryvonne noreply@blogger.com 2009-09-28 23:38:53 2009-09-28 23:38:53 1 0 I love poppies, they are my favourite flower and as a child I always dreamed of seeing a field of poppies (in my country, this does not exist). Anyway, although they are my favourite flower, I think I like the

"Antique Pink Ribbon & Rosebuds"

best. They give off such a feeling of peace and quiet beauty, and I might just end up ordering it one day, when I've polished up my skills a little bit more, thanks to your tutorials.]]> 5268 Marian noreply@blogger.com 2009-09-28 22:44:35 2009-09-28 22:44:35 1 0 5269 Anonymous noreply@blogger.com 2009-09-28 20:28:02 2009-09-28 20:28:02 1 0 I keep reading your posts and thinking about doing some surface embroidery - although I MUST finish the crossstitched Christmas stocking for our first grandchild and the sweater I'm knitting for her. I only have a half dozen other projects underway, but I love the look of thread painting. I like the red rose kit a lot and also the red poppy. It would be hard to choose.
Liz in Tenn]]> 5271 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2009-09-28 18:23:21 2009-09-28 18:23:21 1 0 5272 Anonymous noreply@blogger.com 2009-09-28 17:35:26 2009-09-28 17:35:26 1 0 I like Them all .Thanks for the E-mails.]]> 5273 Anonymous noreply@blogger.com 2009-09-28 17:33:56 2009-09-28 17:33:56 1 0 I like Them all .Thanks for the E-mails.]]> 5278 Anonymous noreply@blogger.com 2009-09-28 12:19:12 2009-09-28 12:19:12 1 0
Claudia Butler]]> 5280 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-09-28 11:22:47 2009-09-28 11:22:47 1 0 Keep stitching Mary!
Kathy Kelly]]> 5281 Anonymous noreply@blogger.com 2009-09-28 11:19:16 2009-09-28 11:19:16 1 0
Thanks for the contest!

Nita Carroll]]> 5282 Ruby noreply@blogger.com 2009-09-28 10:41:43 2009-09-28 10:41:43 1 0 5283 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-09-28 10:09:05 2009-09-28 10:09:05 1 0 5285 FloridaBird noreply@blogger.com http://www.blogger.com/profile/01703991349272178112 2009-09-28 09:16:43 2009-09-28 09:16:43 1 0 Thanks for your giveaway -- you're so generous!
Odette]]> 5287 Sewingmamusia nryng@comcast.net http://www.blogger.com/profile/18347885476735843788 2009-09-28 09:01:14 2009-09-28 09:01:14 1 0 5289 NCPat noreply@blogger.com http://www.blogger.com/profile/05815138815552708153 2009-09-28 08:40:14 2009-09-28 08:40:14 1 0 5291 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-09-28 08:30:07 2009-09-28 08:30:07 1 0
What I really love is the butterfly on the top of the web page (the one that's the click icon for contact). Not usually a huge butterfly fan, but that's not a "cutsy" one, it's very true -- and if I'm a sucker for deep blues, put them with those gold/yellows and I'm gone :)

Kandy/Elizabet]]> 5292 Anonymous noreply@blogger.com 2009-09-28 08:14:39 2009-09-28 08:14:39 1 0
My ultimate favorite kit is the Kingfisher. I observe one in the aviary at the SD Zoo here in CA.

He just sits there and watches his lady bird so it's easy to sketch him. His colors are so vibrant and Trish has captured them exactly plus he's cute.

I've sketched other birds from the zoo and plan to use Trish's technique for all of them.

I recently completed a pillow of birds (for my bird watcher mother) and I must say it came out beautiful. Threadpaint really does bring life to any embroidered creation.

I'll be back at the zoo Friday as I will turn 54 years young. : )
Thanks for the offer.

Virginia]]> 5293 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-09-28 08:04:52 2009-09-28 08:04:52 1 0 5294 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-09-28 07:40:53 2009-09-28 07:40:53 1 0 5296 samplerhart noreply@blogger.com http://www.blogger.com/profile/05648459087300425074 2009-09-28 06:34:08 2009-09-28 06:34:08 1 0 5297 Wendy Breezy1@gmail.com http://www.blogger.com/profile/06723942275341036308 2009-09-28 05:23:07 2009-09-28 05:23:07 1 0 5298 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2009-09-28 04:43:14 2009-09-28 04:43:14 1 0 Two give-aways in a line is really really generous of you.

My favourite is the Kingfisher kit - the blend of colours is awesome and it has a spectacular finish. The bird stands (err... sits) out with so much life.

Dhivya]]> 5299 Divya noreply@blogger.com 2009-09-28 03:28:07 2009-09-28 03:28:07 1 0
This is a fantastic give away, perfectly timed at the end of the stitch along series!

Of Trish's kits, my absolute favourite is the White blossoms with blue berries, simply because of the colours and the elegant look. (and oh, I LOVE blue and white!)

Thanks again for the lovely lessons!
Divya]]> 5300 Anonymous noreply@blogger.com 2009-09-28 01:42:49 2009-09-28 01:42:49 1 0 Thanks for the lessons n for this wonderful give away. As Trish Burr name is my favourite n I like to practise her Antique Pink RIbbon n Rosebuds.
God Bless U
sweety]]> 5302 Emily noreply@blogger.com 2009-09-27 22:55:33 2009-09-27 22:55:33 1 0 5305 Anonymous noreply@blogger.com 2009-09-27 20:10:07 2009-09-27 20:10:07 1 0
Pam Dunn]]> 5307 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2009-09-27 19:28:41 2009-09-27 19:28:41 1 0 5308 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-09-27 18:30:38 2009-09-27 18:30:38 1 0 5309 qwerty knittingdivine@hotmail.com 2009-09-27 17:57:14 2009-09-27 17:57:14 1 0
I love the White Blossoms with Blueberries kit - there's so much shadow and depth. It's very life-like.]]> 5310 Steffi noreply@blogger.com 2009-09-27 15:13:56 2009-09-27 15:13:56 1 0 This said: Thank you very, very much for those great lessons. You really are a giving person.
Sorry for my terrible English, it's been some time since I last used it...]]> 5311 Amanda W. noreply@blogger.com 2009-09-27 14:40:52 2009-09-27 14:40:52 1 0 5312 Melissa noreply@blogger.com 2009-09-27 14:27:25 2009-09-27 14:27:25 1 0 5315 Pat Salada noreply@blogger.com 2009-09-27 13:50:46 2009-09-27 13:50:46 1 0 blueberries are my favorite fruit.
I have always thought blueberries
were a perfect object as a motif
because of their shape and color.
Pat Salada]]> 5317 Linda in Arkansas noreply@blogger.com 2009-09-27 13:38:20 2009-09-27 13:38:20 1 0 Thank you so much for the wonderful instructions on this beautiful art. I absolutely love the Kingfisher and hopefully one day I will feel experienced enough to give it a try!]]> 5318 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-09-27 13:25:03 2009-09-27 13:25:03 1 0 Kathy in Kenai]]> 5320 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-09-27 10:46:06 2009-09-27 10:46:06 1 0 White blossoms with Blue Berries. I love berries in fabric, or floral arrangements, or in stitchery designs. If it has berries, I'm drawn to it.

I've completed 6 of the Long and Short Lessons, and my reward for finishing was to be able to start Trish's book - which I already have. :) Well, I've started on the first project, even though I haven't finished the lessons yet :) I couldn't resist any longer.

Thanks for the give away!

Karen]]> 5321 Radha. noreply@blogger.com 2009-09-27 10:43:11 2009-09-27 10:43:11 1 0
Regards, Radha.]]> 5322 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-09-27 10:37:14 2009-09-27 10:37:14 1 0
The kingfisher is beautiful--the gradiation in coloer is superb!

I can only dream and practice!

Ruth Molenaar]]> 5324 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-09-27 09:52:05 2009-09-27 09:52:05 1 0
Vincent]]> 5326 irene noreply@blogger.com 2009-09-27 09:07:39 2009-09-27 09:07:39 1 0
I looked at the kits and although I love bright colors like the poppy and rosebud, I like the Kingfisher. Since I work with wildlife, it brings back wonderful times caring for these birds. They're so peculiar with their big beaks, obnoxious voices and adorable miniature feet.

Looking forward to your next lesson.

irene]]> 5327 Mel, Foxtail Farm noreply@blogger.com http://www.blogger.com/profile/12262226666614908638 2009-09-27 08:49:14 2009-09-27 08:49:14 1 0 5328 Pam Paice noreply@blogger.com 2009-09-27 08:42:42 2009-09-27 08:42:42 1 0 Many thanks for another fab giveaway.

Pam,
Hampshire UK]]> 5329 Marjolein noreply@blogger.com 2009-09-27 07:46:06 2009-09-27 07:46:06 1 0 Just because I have never embroidered a bird in threadpainting.

Marjolein
Netherlands]]> 5330 Nasreen noreply@blogger.com 2009-09-27 07:29:02 2009-09-27 07:29:02 1 0 I think that this is the best giveaway so far, because believe it or not I was only just admiring the Burgundy Rosebud kit the other day. I would definitely have to agree that that is my favorite one (especially considering the fact that I am a beginner too!)
I hope I get this give-away more than anything else as it is perfect for me.
Thanks a lot.
Nasreen]]> 5331 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-09-27 07:18:36 2009-09-27 07:18:36 1 0 When I look at the Burgundy Rosebud I think of the Elly Sienkiewicz applique I have done and think it would be a perfect addition to that collection. It is beautiful and also a 'beginner' so right up my alley!

But, the Red poppy reminds me of more 'modern' applique I have been taught with the turning petals and I love reds. It would be a perfect accent to the new paint we have put in our family room!

However, #1 has to come out for different reasons. It is the White blossoms with blueberries. This is not typical of what I am normally drawn to but I was strangely pulled in. I think the beautiful shading on the blueberries is one plus. The fact that this is a totally different color choice for me and would also be a nice addition that I would not gravitate toward would be great. Finally, it is something to shoot for....aim high! Work my 'rump' off until I am ready for that one. So the White Blossoms is it!

Thank you for putting together these lessons and all in one spot together so we can continue to access them. I know you are aware, but you touch so many with your blog daily. I cannot imagine what your readership numbers! It has to be huge!

Gratefully,
Susan Robinson]]> 5332 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-09-27 06:11:35 2009-09-27 06:11:35 1 0 5333 alice m noreply@blogger.com 2009-09-27 06:04:12 2009-09-27 06:04:12 1 0 5335 Ruut noreply@blogger.com 2009-09-27 04:39:43 2009-09-27 04:39:43 1 0 5337 Anonymous noreply@blogger.com 2009-09-27 04:04:48 2009-09-27 04:04:48 1 0
Thanks for your long and short stitch lessons, I am now slowly working through them. I like Trish Burr's Red Poppy needle painting kit because the poppy is my favourite flower and it looks just like the poppies that grow in my garden. They give a splash of vibrant colour after the bleakness of winter. But I realise I need to start at the beginners level so the Rosebuds would be a good introduction. Regards Pam Hancock]]> 5339 Iris from Estonia noreply@blogger.com 2009-09-27 03:27:24 2009-09-27 03:27:24 1 0 5340 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-09-27 02:16:47 2009-09-27 02:16:47 1 0 Debbie]]> 5341 Turtle moonhonu@yahoo.com http://www.blogger.com/profile/01851819627750022788 2009-09-27 02:14:42 2009-09-27 02:14:42 1 0 5342 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-09-27 01:43:57 2009-09-27 01:43:57 1 0
My favourite is the African Pygmy Kingfisher as I am sure that it will be a challenge and the colours are stunning.]]> 5343 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-09-27 01:35:37 2009-09-27 01:35:37 1 0 5344 Jyoti noreply@blogger.com http://www.blogger.com/profile/16556778275803435065 2009-09-27 01:06:57 2009-09-27 01:06:57 1 0
Jyoti Jaggi]]> 5345 Anonymous noreply@blogger.com 2009-09-26 23:19:55 2009-09-26 23:19:55 1 0
Rosalie W]]> 5346 Susan noreply@blogger.com http://www.blogger.com/profile/17842409196561932682 2009-09-26 22:59:29 2009-09-26 22:59:29 1 0 Thanks, Mary -
Susan NC]]> 5348 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-09-26 22:45:31 2009-09-26 22:45:31 1 0 I think that the Burgundy Rosebud is lovely--so simple and beautiful. I especially like the leaves.
Thanks for the opportunity to win,
Michelle]]> 5350 Anonymous noreply@blogger.com 2009-09-26 22:32:21 2009-09-26 22:32:21 1 0 Martha]]> 5352 awesomeave noreply@blogger.com http://awesomeave.wordpress.com/ 2009-09-26 22:18:50 2009-09-26 22:18:50 1 0
Emily
awesomeave.wordpress.com]]> 5353 Aik aikychien@yahoo.com http://www.blogger.com/profile/07120383471104483739 2009-09-26 22:10:54 2009-09-26 22:10:54 1 0
aikychien at yahoo dot com]]> 5354 Anonymous noreply@blogger.com 2009-09-26 22:01:43 2009-09-26 22:01:43 1 0 Sandy Breuer]]> 5355 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2009-09-26 21:48:13 2009-09-26 21:48:13 1 0 5356 Paula in OH noreply@blogger.com http://www.blogger.com/profile/01348007103239112183 2009-09-26 21:27:27 2009-09-26 21:27:27 1 0 5358 Missy Ann melissa.walker@gmail.com http://www.blogger.com/profile/02861791199270220392 2009-09-26 21:16:06 2009-09-26 21:16:06 1 0
You're such a Trish enabler... I've already bought Redoute's Finest Flowers in Embroidery, so beautiful.]]> 5359 Laura Bullinger noreply@blogger.com 2009-09-26 21:12:27 2009-09-26 21:12:27 1 0 5360 Ming noreply@blogger.com http://www.blogger.com/profile/08953297663891058573 2009-09-26 21:10:43 2009-09-26 21:10:43 1 0 5361 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-09-26 21:08:59 2009-09-26 21:08:59 1 0 Another lovely giveaway Mary; you are so generous.]]> 5363 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2009-09-26 21:06:15 2009-09-26 21:06:15 1 0 ~Eleanor]]> 5364 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-09-26 20:33:40 2009-09-26 20:33:40 1 0
Thank you so much for doing these tutorials. They've helped me tremendously.]]> 5365 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2009-09-26 20:19:25 2009-09-26 20:19:25 1 0 Annie]]> 5366 Nicole noreply@blogger.com http://www.blogger.com/profile/13283478825820789034 2009-09-26 20:17:37 2009-09-26 20:17:37 1 0
Mary, I can tell that you're a teacher because you don't just ask for a comment, but create a mini-assignment.

I'm a huge fan and LOVE your blog!]]> 5367 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-09-26 20:14:52 2009-09-26 20:14:52 1 0 5369 Anonymous noreply@blogger.com 2009-09-26 19:51:03 2009-09-26 19:51:03 1 0 Sharon Middlebrook of
Czechcostumes.blogspot.com]]> 5370 Anonymous noreply@blogger.com 2009-09-26 19:41:40 2009-09-26 19:41:40 1 0 Thanks for your generosity and info as always...
Tidyhite]]> 5371 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2009-09-26 19:38:30 2009-09-26 19:38:30 1 0 Julie in Napa]]> 5374 bettyjacobs noreply@blogger.com http://www.blogger.com/profile/06984891077584537039 2009-09-26 18:58:02 2009-09-26 18:58:02 1 0 do the rosebud. (I think I can, I think I can)
Thanks so much,
Betty in KY]]> 5375 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-09-26 18:55:11 2009-09-26 18:55:11 1 0 Melisa Bakos]]> 5376 Marion Brumwell noreply@blogger.com 2009-09-26 18:47:36 2009-09-26 18:47:36 1 0 Marion]]> 5377 Anonymous noreply@blogger.com 2009-09-26 18:46:38 2009-09-26 18:46:38 1 0
Donna Widerquist]]> 5379 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2009-09-26 18:27:38 2009-09-26 18:27:38 1 0
Amber]]> 5380 Catherine noreply@blogger.com http://www.blogger.com/profile/17400299862431047273 2009-09-26 18:03:51 2009-09-26 18:03:51 1 0 Catherine in Alberta]]> 5381 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-09-26 18:00:26 2009-09-26 18:00:26 1 0
Martha B]]> 5382 Laura lgj302@gmail.com http://www.blogger.com/profile/15492427404652837504 2009-09-26 17:17:36 2009-09-26 17:17:36 1 0 5383 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-09-26 17:07:59 2009-09-26 17:07:59 1 0
Gotta be the Kingfisher. I've done so many flowers, never tried a critter! And Trish does amazing critters.

And thanks agian for all your time spent blogging.

I don't think I would have kept up with stiching without your links and encouragement and designs, and I love my stitching.]]> 5384 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09012789609281609182 2009-09-26 16:57:20 2009-09-26 16:57:20 1 0
Thanks again for yet another beautiful offer. A fellow stitcher recently introduced me to Trish Burr's website. I was caught in my tracks by the Kingfisher kit - it's definitely my favorite of her kits. I hope someday I can stitch well enough to make that beautiful bird! Trish's design is stunning!

Didi from MA]]> 5386 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-09-26 16:47:34 2009-09-26 16:47:34 1 0 5388 Sheila from CA noreply@blogger.com 2009-09-26 16:45:01 2009-09-26 16:45:01 1 0 I know you must be tired from all the work putting together the long & short stitch lessons...but, be aware that it was much appreciated! Believe it or not, the burgundy rosebud is the one Trish Burr kit I would probably buy. I love roses of all kinds & the bud looks like it might be an easier way to begin...
Sheila from CA]]> 5389 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-26 16:21:39 2009-09-26 16:21:39 1 0 You are incredible!!!

My favourite is the "Antique pink ribbon & rosebuds"

Thanks, Mary :)]]> 5390 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2009-09-26 16:21:06 2009-09-26 16:21:06 1 0 5391 Anonymous noreply@blogger.com 2009-09-26 16:19:42 2009-09-26 16:19:42 1 0 I have 2 books of Trish Burr.I love look at her designs even I have not yet stitched one of them.
the red poppy is my favorite kit because it's so realistic and it makes me dream to the fields in summertime.
Michèle]]> 5393 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2009-09-26 15:56:32 2009-09-26 15:56:32 1 0 If I had to pick just one (not easy)It would be the Red poppy. It one of my favorite flowers. But to tell the truth I think I am going to have to sweet talk the hubby. I got a B-day coming up so I just might see if he will treat me.
And Mary thanks for the lessons never thought I would finish but it's almost done.
Dido]]> 5394 sewinggranny kcdelight419@gmail.com http://www.blogger.com/profile/10243223999814564203 2009-09-26 15:51:08 2009-09-26 15:51:08 1 0 After looking at Trish Burrs kits I think my favorite is the Antique pink ribbon & rosebuds, the reason I like it is for the soft colors and the flow of the design. I love roses and rose buds even if the rest of my body does not. I think it would be a fun kit to do. I am just getting started in this stitching I have done a lot of needle embroidery but I am trying to learn you short and long stitch and crazy quilting.
Beckie n Kansas]]> 5395 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-09-26 15:48:44 2009-09-26 15:48:44 1 0 Thanks soooo much for the lessons and the
encouragement !

My fav. kit on her site is:  
African pygmy kingfisher - Needle painting Advanced,
sooo beautiful.
Once I finish with your lessons I will like to tackle 2 or 3 of Trish Burr's projects and this beginners kit will be a perfect
start !
Thanks to your reviews of her books here I have 2 of her books . Sooo looking forward to this winter (my schedule
gets slower or should say less crowded), to sit and stitch !

 ]]> 5397 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-09-26 15:44:51 2009-09-26 15:44:51 1 0
Elena (Coeur de freesia)]]> 5399 Corvus noreply@blogger.com http://corvustristis.livejournal.com 2009-09-26 15:10:01 2009-09-26 15:10:01 1 0
Tala/Corvus
corvus.melloriATgmailDOTcom]]> http://www.needlenthread.com/2009/08/long-and-short-stitch-lessons-index.html Sun, 02 Aug 2009 16:22:00 -0500 Mary Corbet 201 2009-08-02 16:22:00 2009-08-02 16:22:00 open open Long-and-Short-Stitch-Lessons-Index publish 0 0 post

List of Long & Short Stitch Lessons and Links



Flickr Group for Sharing Photos and Receiving Feedback

Supplies

Lesson One: Setting Up the Project - includes design, materials list, instructions on transferring the design, etc.

Lesson Two: Element One - Inside the Box - basic long and short stitch technique - Includes Video Tutorials!

Lesson Two, Part 2: Element One - The Large Box (stitched on the diagonal)

Lesson Three: Element Two - Triangles - Shading at an Angle

Lesson Four: Circles - from flat to three dimensional on round elements like berries

Lesson Five: Ribbon - Shading around curves and to a point

Lesson Six: A Simple Leaf

Lesson Seven: Another Leaf - slightly more complex

Lesson Eight: Small Simple Flower

Lesson Nine: Leaf with a Turnover

There is a direct link to this Index under "Editor's Floss" in the right hand column.
]]> stitchalong lessons pictures needlepainting long and short stitch embroidery lessons needlework pictures 1743 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-03-25 23:40:17 2010-03-25 23:40:17 1 0 The pattern has been removed from the site. I think I've saved a copy of it.I'll check out and mail you when I reach back my home. Iam at my in-laws place now for the yearly visit :)

Deepa]]> 1856 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-24 07:41:43 2010-03-24 07:41:43 1 0
Hmmm. I can't seem to download a larger version of that pattern, so I can only see the tiny one on the link. If you have the larger version and want to e-mail it to me, you can (mary (at) needlenthread (dot) com)... I'm off to work right now, but I'll check later in the day!

MC]]> 1859 deepa noreply@blogger.com http://deepashome.blogspot.com/ 2010-03-24 07:36:06 2010-03-24 07:36:06 1 0
Deepa]]> 1861 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-24 07:16:27 2010-03-24 07:16:27 1 0
I usually do turn-overs in satin stitch. Here's an example, in this lesson:

Leaf with a turn-over

The stitch direction of the turnover should follow the growth direction of the petal, but you have have to imagine the petal flat, as if you're looking at it from the back to get the direction right.

Hope that helps!]]> 1864 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2010-03-24 07:05:04 2010-03-24 07:05:04 1 0 I've been doing a project on filling stitches in embroidery and the last stitch on my list is long and short. Was wondering how to fill a floral pattern like this one with long and short.
http://www.needlecrafter.com/SearchKey/SearchKeywords_detail.php?refNum=10278&PHPSESSID;=bd0b71b2135ded484c8f22da343535a3

Could you pls explain the filling of turned over petals?
Deepa]]> 1877 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2010-03-24 05:37:09 2010-03-24 05:37:09 1 0 One day I'll stitch this sampler too.]]> 3259 Anonymous noreply@blogger.com 2010-02-10 04:19:04 2010-02-10 04:19:04 1 0 tnx very much
it really helped us a lot....
,,,,...



,,,,,,,...////thanks again!!xoxo
this is mildred love yah,!!!!!!!!!!!!!!!!


,,,.../'_'/...,,,,]]> 4166 Anonymous noreply@blogger.com 2009-12-19 06:41:44 2009-12-19 06:41:44 1 0 4168 Michèle noreply@blogger.com http://www.blogger.com/profile/16899123366624449141 2009-12-19 03:34:02 2009-12-19 03:34:02 1 0 Thank's
Piroulette]]> 4675 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-09 06:07:23 2009-11-09 06:07:23 1 0
There are different ways of filling shapes. I believe Helen begins with a row of long and short stitches, and then all her stitches after that are long, but they vary in length, because the first row was long and short. I'll have to take a look at her tutorial to see how she does it.

Notice that, with her threads and the way she does the filling, she achieves a different look, too - it's not quite as full, but very light.

Thanks for pointing out the link!

MC]]> 4677 Sarika noreply@blogger.com http://www.blogger.com/profile/05788250929243155288 2009-11-09 02:04:44 2009-11-09 02:04:44 1 0
I have learned a looot about embroidery from your site,in fact you are my first teacher.Really thankful for all your tutorials.I went through the long and short stitch tutorial also.
I found another tutorial by Helen M Stevens here http://www.fritillary.co.uk/mlol_classes/lol-free/Welc.htm . After going through this I have a confusion.Here she have used only long stitches for the flower.Can we use long and short stitch for shading the petals here.Why was long and short stitch not used here.Is there a basic difference in the techniques applied.Sorry if my concept is wrong.Can you please clear my confusion.]]> 4727 raj noreply@blogger.com http://www.blogger.com/profile/02641540116421837658 2009-11-02 05:08:11 2009-11-02 05:08:11 1 0 --thanks--
Florist]]> 5489 sewinggranny kcdelight419@gmail.com http://www.blogger.com/profile/10243223999814564203 2009-09-24 10:18:01 2009-09-24 10:18:01 1 0 I have sure enjoyed your complete instructions the pictures are great.
Would I change or go by what the instructions say. If it is how to make a stitch I would probably try it their way as that is how that particular stitch is done and try to learn how to do it. If it is a kit and it said to use this stitch and I felt another stitch might be better I would change. It is my art form and I am a changer and do it my way but the stitches need to be learned right.
Beckie N Kansas]]> 5517 Cathy T. noreply@blogger.com 2009-09-24 08:06:51 2009-09-24 08:06:51 1 0 Actually, several years ago I decided to duplicate exactly anything new that I learn. So yes, I would use a design from a book and duplicate colors, etc and have done it many times. That is how I learn the first time. After that I make my own adjustments to whatever new technique I am learning. Thanks for a great site.]]> 5585 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-17 10:34:42 2009-09-17 10:34:42 1 0
The "Editor's Floss" is on the right side of the web page, at the top. It's the first menu of links in the right hand column...

MC]]> 5586 Monica noreply@blogger.com http://www.blogger.com/profile/10168062879331647053 2009-09-17 09:26:08 2009-09-17 09:26:08 1 0 6341 Sheila from CA noreply@blogger.com 2009-08-04 12:09:50 2009-08-04 12:09:50 1 0 6349 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-03 11:14:12 2009-08-03 11:14:12 1 0 I only found those 100s in one shop (the best one...).]]> 6352 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-08-03 10:37:55 2009-08-03 10:37:55 1 0 6357 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-02 20:26:49 2009-08-02 20:26:49 1 0
Numbers 158 - 161 are four shades of blue. If you find a blue that has a four-shade range, you'll be good!

MC]]> 6358 Sheila from CA noreply@blogger.com 2009-08-02 17:18:02 2009-08-02 17:18:02 1 0 Sheila Keeling]]> http://www.needlenthread.com/2009/09/long-and-short-stitch-shading-lesson-9.html Fri, 25 Sep 2009 13:48:00 -0500 Mary Corbet 202 2009-09-25 13:48:00 2009-09-25 13:48:00 open open Long-and-Short-Stitch-Shading-Lesson-9:-Leaf-with-a-Turnover publish 0 0 post Long and Short Stitch Shading Lessons here on Needle 'n Thread are drawing to a close! Lesson 9 is the final lesson for the sampler, featuring a shaded leaf with a turned tip.

For those just joining in, you can find the rest of these lessons listed under Long and Short Stitch Lessons in the "Editor's Floss" in the right hand column.

I've really enjoyed putting together this series, but I have to admit, this last lesson is not everything I wanted it to be. My stitching skills seem to be a bit "off" lately, and I feel as if I'm rushing everything I do. Long and short stitch is a technique that shouldn't be rushed. This leaf demonstrates this point really well!

So I'd like to encourage you to play a bit with the shading. You don't have to follow my instructions to the letter. If you've been following along here for the last eight lessons, then you are ready to play a bit with shading, to try to get the effect you want.

All that being said, let's move on to the lesson!

Materials: You'll need your sampler in a hoop or frame, focusing on the center section of the left side of the square, where you'll find element #8, a leaf with a turned-up tip. Small, sharp scissors are a must in all hand embroidery, and you'll probably want a pencil nearby, too, for drawing in your stitch direction lines. For needles, use #9 or #10 crewel, and finally, you will need the following colors of DMC stranded cotton: 469 (dk green); 471 (med. green); 472 (med-lt green); and 613 (pale green).



Begin by marking in your stitch direction lines. Just as we did with the other leaf lessons, your stitch direction points to the "growth point" on the leaf, towards the base of the leaf (which is at the top of the image) and the stem.



Split stitch only around the sides of the leaf using 613, leaving the turn-over part alone for now. Don't outline any part of the turn-over at all at this point. Then work long and short stitch on the right side of the leaf, using 613. Notice that, at the base of the leaf, by the stem, a larger area is filled in with long and short stitch. I've actually worked two layers of L&S; stitches in that area, using 613.



Using 472, fill in a small area of medium-light green at the base of the leaf, working into the layers of color already there. Notice that I haven't taken the medium-light green all the way up the side of the leaf - it fills part of the base, and ends about half way up the side of the leaf.



Switch to the medium green (471), and continue filling the leaf. Work the color into the 472 layer, and up to the center vein. Then moving up the side of the leaf, work a layer of the color into the palest green (613).



You can see here how the medium green (471) fills the remaining area at the base of the leaf, near the stem, up to the central vein, and then works into the pale green at the top of the leaf, leaving some space towards the center vein.



Now work the darkest green (469) into that empty space on the right side of the leaf, filling to the center vein of the leaf. Fanning the stitches around to keep your stitch direction consistent, continue filling with the dark green across the base line on the turn-over.



At this point, I switched back to the medium green (471), and began to fill the left side of the leaf.

Here's where you can play a bit with your shading. If you want, you can mirror the other side of the leaf, keeping the layers of color the same on both sides of the leaf. You could also continue with the darkest green on the left side of the leaf, and then work a layer of medium, then light. Be adventurous!



After stitching that much of the medium green on the left side of the leaf, I began to notice that I did not much care for my color placement. However, the only way to overhaul the whole leaf would be to take much of what I had already done out. I decided not to do that.

Still, in looking at the leaf at this point, I could see that there was one spot where I could make a minor adjustment without much effort - the corner area on the right side of the leaf, just under the turn-over. I did not like the drastic change from pale green to dark green, and I didn't like the pale green covering that corner.

What to do?



I brought the dark green up, just outside the corner of the turnover, and just beyond the end of the pale green stitching.



Angling my needle very low, so as to slide under the stitches already there, I put it between the stitches there, and drew it through. The needle was almost lying down directly on the fabric - just about horizontal to it - so that the thread would slide into the fabric at a long angle, rather than simply going straight down into the fabric and stitches already there, which would be very noticeable.



In this way, I took the dark green around the corner below the turnover, on the right side of the leaf. You can't really tell which are the properly done long and short stitches here and which are the "tucked in" stitches in dark green, can you?



After that was corrected, I moved back over the left side of the leaf and finished the medium green. (In the photo above, I have the leaf turned, so it actually looks like the right side of the leaf....)



Next, I switched to 472, and layered in some medium-light green.



Finally, I filled the rest of this side of the leaf with 613, the pale green.



Taking the darkest green (469), I worked a stem stitch vein down the middle of the leaf, and along the right side of the stem. Again, above, my work was turned so that the right side of the leaf is actually in the lower part of the picture.



I left the stem at that point, to finish it up later. Now, let's turn our attention to the turn-over.

The turn-over is going to be satin stitched, using the medium-light green (472). Begin by split-stitching all around the turn-over. You can also draw in your stitch direction lines if you wish. The stitches are going to span the width of the turn-over, just slightly pointing down towards the leaf, as you can see in the photo above.



After outlining the turn-over with split stitch, fill in the center with some long straight stitches, going perpendicular to your stitch direction lines. This will serve as a very light padding under the satin stitch, and will help to lift the turn-over up above the rest of the leaf.



Beginning in the center of the turn-over, satin stitch over the split stitch outline, from the center to the right side (towards the leaf).



Then move back to the center of the turn-over, and satin stitch up to the tip of the turn-over.



I finished the stem with medium green (471), filling in the remaining area of the stem with stem stitch.



Then, picking up the dark green (469) again, I worked a small straight stitch at theh tip of each of the little points on the sides of the leaf.



You can see the dark green straight stitch tucked under the points on the left side of the leaf...



... and also on the right side of the leaf.



Congratulations! You've finished the final element on the Long and Short Stitch sampler!



This is the finished sampler, as far as the long and short stitch elements are concerned.

If this is a sampler you want to keep, you could stitch around each box in your favorite line stitch, and then fill the center area with your own long and short stitch motif. How about a monogram? The first monogram alphabet on this page would look terrific in long and short stitch!

If you're looking for the rest of the long and short stitch lessons, please check the index for them. They're all listed there!

You can find the PDF for this particular lesson here:

Long and Short Stitch Shading, Lesson 9: Leaf with a Turned Tip

I hope you've enjoyed this series on long and short stitch shading! Now... any suggestions for a new series?!
]]> stitchalong lessons needlework tutorials stitch along Hand embroidery stitches needlepainting long and short stitch embroidery lessons 2215 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-16 07:41:23 2010-03-16 07:41:23 1 0
You can use long and short stitch on pretty much any kind of cloth - it would work very well on a bed sheet.

I hope that helps!

Mary]]> 2219 nisha noreply@blogger.com http://www.blogger.com/profile/11079328590228240339 2010-03-16 03:40:31 2010-03-16 03:40:31 1 0 love ur blog. it is my firsttime reading ur blog. thank u so much 4 ur well explained tuturials. what do u do with tht cotton cloth for?is it for the table cloth or bedsheet?? can i stitch tht for bed sheet spread? waiting 4 ur reply.
lov IN CHRIST,..nim]]> 4112 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-12-21 11:23:04 2009-12-21 11:23:04 1 0 5134 bricolosdulundi noreply@blogger.com http://www.bricolosdulundi.canalblog.com 2009-10-08 03:48:16 2009-10-08 03:48:16 1 0 Claire from France]]> 5198 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-03 13:56:49 2009-10-03 13:56:49 1 0
Thanks for your note!

As for the puckers, I think it depends on how badly distored the piece is. You can steam iron it from the wrong side, on top of a towel or two, to try to work the wrinkles out.

Yes, with the threads, you'll want to "strip" the floss first (take each thread separately then put them back together) and then try to keep them parallel as you stitch with them. You'll get a cleaner edge that way.

Best of luck!

MC]]> 5203 Sheila from CA noreply@blogger.com 2009-10-03 11:36:29 2009-10-03 11:36:29 1 0 5334 alice m noreply@blogger.com 2009-09-27 05:50:42 2009-09-27 05:50:42 1 0 5387 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-26 16:45:19 2009-09-26 16:45:19 1 0
Yes, of course. It is good to line silk with another fabric, either linen or cotton.

Hope that helps!

MC]]> 5392 Anonymous noreply@blogger.com 2009-09-26 16:07:40 2009-09-26 16:07:40 1 0 I started to stitch the square and the large box but my fabric was too fine ; I began again on a more thick fabric the result is better.
a question:if I stitch in a silk fabric may I use a fabric underneath?
Michèle]]> 5396 Anonymous noreply@blogger.com 2009-09-26 15:48:20 2009-09-26 15:48:20 1 0 5400 BonnieC noreply@blogger.com 2009-09-26 13:07:38 2009-09-26 13:07:38 1 0 I would like to see some step by step tutorials on using the long and short for birds and animals, like Tanja Berlin's kits. But, in more detail and perhaps with video? I get confused over the shading for the fur.
Also, I have a lot of trouble deciding on what colors to put together, especially when starting a piece with flowers and leaves. I know some people are naturally talented in color coordination, but I'm not! Any tips on how you choose your colors? Thanks again!]]> 5404 francoise noreply@blogger.com http://www.blogger.com/profile/15283785476855471877 2009-09-26 10:35:30 2009-09-26 10:35:30 1 0 5407 irene noreply@blogger.com 2009-09-26 08:52:20 2009-09-26 08:52:20 1 0
irene]]> 5414 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-09-25 22:13:15 2009-09-25 22:13:15 1 0
Thanks for the incredible stitch along.]]> 5416 lidia noreply@blogger.com 2009-09-25 21:05:02 2009-09-25 21:05:02 1 0 gracias por darme esa oportunidad
un abraso
lidia]]> 5418 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-25 19:26:58 2009-09-25 19:26:58 1 0 5419 Cynthia Nicole noreply@blogger.com http://www.blogger.com/profile/15956151327066448551 2009-09-25 18:20:53 2009-09-25 18:20:53 1 0 5420 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2009-09-25 17:22:56 2009-09-25 17:22:56 1 0
This is just fascinating. I have enjoyed watching you throughout this series, and have learnt so much just by reading. You are such a giving embroiderer, thank you.

I am new to this site, and you may have done so before, but I would love to see a full blown rose embroidered [by you obviously.....LOL]. I have wanted to do a full blown satin stitched/needle painted rose forever, but just don't know where to start really. If this has been done already, I would love you to point out where I'm to find it. Thank you again for so much of your valuable time and knowledge.]]> http://www.needlenthread.com/2009/09/long-short-stitch-book-giveaway.html Thu, 24 Sep 2009 04:40:00 -0500 Mary Corbet 203 2009-09-24 04:40:00 2009-09-24 04:40:00 open open Long-&-Short-Stitch-Book-Giveaway! publish 0 0 post Long and Short Stitch Shading lessons, I'm giving away one of Trish Burr's books!

You might be thinking, "But the lessons haven't ended yet, because we haven't seen the final leaf!" And, you know, you would be right in thinking that! The final lesson will be up soon. But I thought we could gear up for it with one give-away, and then follow up with a second give-away once the lesson is posted.

(Do you get the feeling that I think it's worth celebrating the end of this series?!)

Now that you have the basics of long & short stitch shading down and hopefully feel more confident in tackling needlepainting projects, you need a good book with plenty of projects and further (and better) instructions within! Trish Burr's books are just that - full of beautiful projects and excellent instruction.

Bonnie, a very kind reader, sent me a copy of Trish's book, Crewel & Surface Embroidery: Inspirational Floral Designs, in case I wanted to use it for a give-away. Her timing was absolutely perfect - I received the book just at the beginning of this week, and I'm so happy to be able to pass a copy on to a lucky reader! Thank you, Bonnie!



I've posted a thorough review of Trish Burr's Crewel & Surface Embroidery previously, and you're welcome to read it to see what the book is about. I think you'll find it a wonderful and inspirational resource.

To join the give-away, please follow these instructions:

1. Leave a comment on the website at the end of this post. Comments sent via e-mail and left on other posts can't be included, so if you're reading this via the e-mail newsletter, click on the title of the article, which will take you straight to the post on the website, where you can leave your comment.

2. In your comment, please include a name. You may post anonymously if you don't have a Blogger account, but please at least sign your comment so I can announce a winner who has a name.

3. Answer the following question in the post:

When you stitch a design from a book, do you stick rigidly to the author's designs, instructions, color choices, and so forth? Why or why not?

If you haven't ever stitched a design from a book, do you imagine yourself as the type of person to follow rigidly the author's instructions, or would you be the type of person who would branch out and try your own interpretation? Why or why not?

4. The deadline for this give-away is Monday, September 28th at 4:30 am US CST, so leave your comment before then! I'll announce the winner on Monday.

5. The give-away is open to all. Should the winner live in a different country, I will mail the book the least expensive method, and please understand that I cannot be responsible for any difficulties with international mail.

Good luck!
]]> Trish Burr Book Give-Away needlepainting long and short stitch 5252 cottontales noreply@blogger.com http://www.blogger.com/profile/15806216987847632239 2009-09-29 08:03:17 2009-09-29 08:03:17 1 0 5274 Nicolefrancoise noreply@blogger.com http://www.blogger.com/profile/01017341365229963838 2009-09-28 17:28:11 2009-09-28 17:28:11 1 0 Long and short is one of my favorite technique.

For your question, I like a lot Trish Burr I have three of them. I like also “Soft Shading” Audrey Francini.

I do not have any kit from her, I like Rose bud and Red Puppy.
Thank you very much to share your expertise with us.

Excuse the way I wrote in English.

Thank you,

Nicole Gelinas]]> 5290 NCPat noreply@blogger.com http://www.blogger.com/profile/05815138815552708153 2009-09-28 08:37:45 2009-09-28 08:37:45 1 0 5301 arlette arlettelk@gmail.com http://www.blogger.com/profile/14415874894856033391 2009-09-28 00:02:50 2009-09-28 00:02:50 1 0 5303 Emily noreply@blogger.com 2009-09-27 22:51:26 2009-09-27 22:51:26 1 0 5304 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2009-09-27 20:12:24 2009-09-27 20:12:24 1 0
For example, I'm working your long and short stitch series in different colors, but following the method closely.

Thanks for the lessons and the great give aways.]]> 5306 Pam Dunn noreply@blogger.com 2009-09-27 20:03:59 2009-09-27 20:03:59 1 0
I am a beginner and would strive to follow the directions that are given. In time and with patience I will learn more about the techniques and become more knowledgeable about colors so I envision I would then feel more comfortable to venture out and make my own changes as I go along. For now, I am more content on following the instructions as written.
Pam Dunn]]> 5313 Melissa noreply@blogger.com 2009-09-27 14:25:12 2009-09-27 14:25:12 1 0
With counted needlepoint, I tend to miscount a lot, but as long as it doesn't radically affect the design, I don't worry about it. Especially with patterns charted from historical sources, the original was usually stitched based on a drawing on the fabric, anyway! (In the future, I plan to do that because I think it will be easier, and I'll have more designs to choose from.) Even with "faithful" reproductions, there's always a choice between matching the current colors and guessing at the originals, and I tend to do the latter.

Generally speaking, I don't follow directions precisely for all kinds of things.]]> 5314 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-09-27 14:20:24 2009-09-27 14:20:24 1 0 5316 Linda noreply@blogger.com 2009-09-27 13:45:14 2009-09-27 13:45:14 1 0 I usually follow the instructions but try to add a little something in design or change of color to suit my taste and also to "make it my own". Thank you for the chance to win this generous gift of a truly lovely book!]]> 5319 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-09-27 13:14:07 2009-09-27 13:14:07 1 0
Kathy from Kenai]]> 5323 Anonymous noreply@blogger.com 2009-09-27 10:13:34 2009-09-27 10:13:34 1 0 5325 kat noreply@blogger.com http://www.blogger.com/profile/12369785235454313506 2009-09-27 09:32:25 2009-09-27 09:32:25 1 0 You are so wonderful! Not only do you teach us new skills but you give away awesome stuff!!
I am a rule follower. I have not done anything except the long and short lessons but I followed them to the T...and I know mine doesn't look anything like yours!!! I need to practice alot more before I attempt anything like Trish Burr!!
Kathy]]> 5336 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2009-09-27 04:32:01 2009-09-27 04:32:01 1 0
It's really awesome to see the gifts that you give away each time. Though I haven't been lucky so far, I always look forward to your give-aways.

As a beginner in Embroidery, I don't have any collection/projects yet. I haven't stitched from a book as yet, I merely draw my own designs. But if I were to stich from a guide, I'd definitely follow the author's design and colour pattern, as I believe that it would yield the best results to begin with.. :)

And by the way... I'm saving all your Long and Short stitch shading lessons for future.. I'm planning to pick them up sometime. I'm also planning to adopt your 15 mins session strategy!!!

Cheers,
Dhivya (from India)]]> 5338 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2009-09-27 03:28:37 2009-09-27 03:28:37 1 0 Sharon]]> 5347 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-09-26 22:53:08 2009-09-26 22:53:08 1 0
Thanks for asking.]]> 5349 Anasuya noreply@blogger.com http://www.blogger.com/profile/10898277427077070661 2009-09-26 22:38:48 2009-09-26 22:38:48 1 0 mallipoo]]> 5351 Anasuya noreply@blogger.com http://www.blogger.com/profile/10898277427077070661 2009-09-26 22:30:57 2009-09-26 22:30:57 1 0 ansu chennai]]> 5357 Paula in OH noreply@blogger.com http://www.blogger.com/profile/01348007103239112183 2009-09-26 21:22:09 2009-09-26 21:22:09 1 0 5362 KerStitch kerstitch@gmail.com http://www.blogger.com/profile/01490707268132316159 2009-09-26 21:08:31 2009-09-26 21:08:31 1 0
I often change colours and/or design elements when working from a book/pattern. I like to make things unique, but may also change things to match specific decor or a finishing technique size. I'm not afraid to experiment. :) Because of this, I often purchase patterns or technique books rather than kits.

Kerrie Rusk]]> 5368 Nicole noreply@blogger.com http://www.blogger.com/profile/13283478825820789034 2009-09-26 20:14:01 2009-09-26 20:14:01 1 0
Nicole]]> 5372 Christy noreply@blogger.com 2009-09-26 19:14:23 2009-09-26 19:14:23 1 0 5373 Anonymous noreply@blogger.com 2009-09-26 18:59:21 2009-09-26 18:59:21 1 0
As far as changing from a published design, it's a definite maybe. Usually, I will leave the design, and usually the stitches as is. I will change the colors. My embroidery skills haven't progressed to the point where I can look at a design and picture what it would look like if I were to start changing stitches used.

JustGail]]> 5378 Anonymous noreply@blogger.com 2009-09-26 18:39:59 2009-09-26 18:39:59 1 0
Donna Widerquist]]> 5385 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-09-26 16:52:56 2009-09-26 16:52:56 1 0
I tend to use books for inspiration, I take the design, and improvise on it. For colours I choose from what I have in stash, and what I feel the recipient would like.

Sometimes I stick fairly faithfully to the orginal, sometimes I completely depart from it (eg interpreting a freestyle design in silk ribbon).

I can't make original designs, but I will search high and low for something that is a starting point for how I want it to be, online or in a book.

I do however read instructions, and learn about technique. But there always has to be a bit of me in it, a twist, or variation. Even when the original looks "better", it's just not about a faithful reproduction, it's about trying to get as close as possible to how I see the design.]]> 5401 Kim R. nascar333fan@gmail.com http://www.blogger.com/profile/17758600733076361996 2009-09-26 12:40:14 2009-09-26 12:40:14 1 0 kimberlybreid@hotmail.com]]> 5402 Anonymous noreply@blogger.com 2009-09-26 12:21:08 2009-09-26 12:21:08 1 0
Dorothy]]> 5403 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2009-09-26 10:51:58 2009-09-26 10:51:58 1 0 Iam a revised new needleworker. I used to do all kinds of needlework in the 80's. I even taught needle punch loved to crazy quilt and embroidery. Then in the 90's because of some tragedgies in the family and developing cancer that took a 2 year fight into 2001 and losing my husband in 2003 I kind of got away from it. When I moved up North in 2004 to be closer to my son. I found that when they packed the truck and cars to move me they decided to leave some boxes of books behind that they said did not fit on the truck. After I got up here I told them I wish I had known I would have rather had them leave my couch behind. So I lost a lot of my needlework books. When I taught needlework I would experiment a lot with different colors then what the books or designs said but now that I am just taking it up again. I am working on a project that I am sticking to the colors on the chart. I am enjoying your toutorials and printing them as a resource for tips on how to do the long and short stitching and shading.
Thank you
Karol
friend3951@verizon.net]]> 5405 geri.actor@comcast.net noreply@blogger.com 2009-09-26 10:30:23 2009-09-26 10:30:23 1 0 There are times I'm so taken with the design that I do follow it exactly ;-).

Thanks for the series and the giveaway!
Geri]]> 5408 Isabel noreply@blogger.com http://www.blogger.com/profile/00655928482942701568 2009-09-26 08:15:23 2009-09-26 08:15:23 1 0
Thanks for the opportunity :)]]> 5409 Melusine noreply@blogger.com 2009-09-26 04:37:24 2009-09-26 04:37:24 1 0 5410 Anonymous noreply@blogger.com 2009-09-26 01:30:41 2009-09-26 01:30:41 1 0 Usually when I stitch a piece from a pattern or book I try to stick with the overall design but must say that I often change the size, or fabric, or thread. Why, part of the reason would be trying to use some of my stash, the other just personal choice. Sometimes it works out and other times it would have been wiser to stick to the pattern.
Thanks so much for the long & short lessons, I have learned a lot and really appreciate your time and effort.
Joan from Richmond B.C. Canada]]> 5411 Julie B noreply@blogger.com 2009-09-26 00:59:55 2009-09-26 00:59:55 1 0
I love to play with thread shading
and texture to try to imitate
nature; I also like to consider how to make the design more 3-D with beads, buttons and possibly
stumpwork and/or ribbon. Earlier in my stitching I always followed the colors and design meticulously
and ripped out every "wrong" stitching - now I tend to work around that part Iif possible) and
consider it my own "unique" design addition.
Love the newsletters and projects!

Julie B]]> 5412 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2009-09-25 23:00:37 2009-09-25 23:00:37 1 0 when I stitch from a book I only use the instructions as ideas and I never use the same colors or make exactly as in the book]]> 5413 Turtle moonhonu@yahoo.com http://www.blogger.com/profile/01851819627750022788 2009-09-25 22:51:31 2009-09-25 22:51:31 1 0 5417 Anonymous noreply@blogger.com 2009-09-25 20:13:52 2009-09-25 20:13:52 1 0 5421 Carol noreply@blogger.com http://thatyankstitches.multiply.com/ 2009-09-25 16:28:56 2009-09-25 16:28:56 1 0 5422 Corvus noreply@blogger.com http://corvustristis.livejournal.com 2009-09-25 15:12:52 2009-09-25 15:12:52 1 0
corvus.melloriATgmailDOTcom
Corvus/Tala]]> 5423 BD noreply@blogger.com http://www.blogger.com/profile/12740503321542928673 2009-09-25 15:06:53 2009-09-25 15:06:53 1 0 The few embroideries that I have done were from outline drawings with no colour so I decided myself what shades to use.
However, being a very indicisive person,and not good at colour co ordination, I would use the colours indicated by the designer of a piece if they were available. ( as with all your chosen colours recommended in the tutorials)]]> 5424 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2009-09-25 14:42:08 2009-09-25 14:42:08 1 0 5425 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-09-25 14:13:57 2009-09-25 14:13:57 1 0
vincent (Berlin)]]> 5426 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2009-09-25 13:12:22 2009-09-25 13:12:22 1 0 5427 Connie in Montana noreply@blogger.com 2009-09-25 11:43:17 2009-09-25 11:43:17 1 0
I might use the pattern's colors as inspiration or guidance (say if the flower is done in 4 varying shades of pink, I might use 4 varying shades of purple instead) but odds are I wouldn't use the exact same colors. :-)]]> 5428 Anonymous noreply@blogger.com 2009-09-25 11:31:47 2009-09-25 11:31:47 1 0 Ashley]]> 5430 JeannieB noreply@blogger.com http://www.blogger.com/profile/11210834741280537623 2009-09-25 10:32:27 2009-09-25 10:32:27 1 0
Thank you Mary.]]> 5431 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2009-09-25 09:53:46 2009-09-25 09:53:46 1 0 5432 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-09-25 09:32:24 2009-09-25 09:32:24 1 0 5433 Paulina Tokarczyk, Poland noreply@blogger.com 2009-09-25 08:18:50 2009-09-25 08:18:50 1 0
it depends whether it's kind of embroidery I know or not. For example I already did a couple of Hardanger embroidery pieces, so when I do this one I tend to change colors to ones I prefer or modify the pattern a bit. But when I learn a new type of embroidery I tend to stick to author's directions, as for me it's the best way to see afterwards how much my piece differs from the one from book :). And how much it's still to learn.
Some time ago I bought a book for Long&Short; Stitch but I haven't started to learn it yet. Recently I've come across your lessons and most likely I will start my journey with this embroidery from them. This embroidery looks great and the variations to use it seem endless.]]> 5434 Anonymous noreply@blogger.com 2009-09-25 07:18:29 2009-09-25 07:18:29 1 0
so far I have only done cross stich projects from books and I have always followed the instruction, but in case of for example a pattern for long and short stiches I would chose colors I like.
Sheers,
Martina Lueneburg]]> 5435 Catherine catbenedict@gmail.com http://www.blogger.com/profile/03592150210486047721 2009-09-25 07:10:57 2009-09-25 07:10:57 1 0
Cat]]> 5438 carol Spezowka noreply@blogger.com 2009-09-25 00:14:21 2009-09-25 00:14:21 1 0
Whether or not I follow instructions implicitly when I doing a project from a book or pattern, depends mostly on circumstance. If it's meant for a specific purpose or person, I might change some things to suit that person or purpose. If the pattern includes a technique that is new to me, I will stick to the instructions - at least the first time I use it. This can help me get stitches done properly and, in the case of colours, I can compare my results with the photograph. Of course, circumstance may call for a variation of the above - who knows?

Carol]]> 5439 Beverly noreply@blogger.com http://www.blogger.com/profile/04939959032886958617 2009-09-24 23:58:53 2009-09-24 23:58:53 1 0 5440 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-09-24 23:48:37 2009-09-24 23:48:37 1 0
Yet another fascinating give away. I am a big fan of Trish Burr's work.Her work is so pretty and captivating.I wish I can have all her book one day.

Now the answer for the question I do like to follow the instructions from the book but would like to alter the color scheme according to my liking but if I like the original design I follow design, instructions and color scheme rigidly.]]> 5441 Maryvonne noreply@blogger.com 2009-09-24 23:47:27 2009-09-24 23:47:27 1 0 In answer to your question - my answer is yes and no. I don't like to change the colours because when I find it difficult tomatch combinations. Sometimes buying the required threads I think these are never going match, and then... they look beautiful. So I don't mess up with the colours, but I do adapt the design to suit what I am doing, which is not necessarily the use the pattern was made for.
I don't think I made this sound very clear but anyway I love needlework, it brings me such peace. Again I can't thank you enough for your newsletters which I avidly read every morning.]]> 5442 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-09-24 22:46:08 2009-09-24 22:46:08 1 0
By now, over 45(?) years later, it's come to the point of taking bits and pieces of ideas from different designs, often trying something new. I rarely use the colors suggested, as many of them use pink and purple and I strongly dislike the color pink and purple comes a close second.

Thanks for the fun, Mary!]]> 5443 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-09-24 21:57:03 2009-09-24 21:57:03 1 0 5444 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-09-24 21:56:12 2009-09-24 21:56:12 1 0 First of all Thanks to you and Bonnie for the lovely giveaway.

I have used books and charts but have mostly changed elements and colours to suit the creative me... But in the case of flowers, leaves and nature, I have mostly stuck to what looks realistic. This has balanced realism and has also given me scope to try a lot of new things.]]> 5445 Ruby noreply@blogger.com 2009-09-24 21:40:26 2009-09-24 21:40:26 1 0 5446 Anonymous noreply@blogger.com 2009-09-24 21:38:40 2009-09-24 21:38:40 1 0
carolyn]]> 5447 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2009-09-24 21:38:31 2009-09-24 21:38:31 1 0 When I'm first learning something new I pretty much follow the instructions, but once I get the hang of it, I will change whatever I think I would like better, color, etc. Instructions are there to guide us,,but as artist we can definately put on our own touches to it.]]> 5448 C noreply@blogger.com http://www.blogger.com/profile/02605160957046917859 2009-09-24 21:38:07 2009-09-24 21:38:07 1 0 5449 Anonymous noreply@blogger.com 2009-09-24 20:40:18 2009-09-24 20:40:18 1 0 I rarely stick to the author's strict instruction--often because I don't have materials on hand; or because I have another color or size combination in mind. The author's often inspire me to think about something differently. Some experiments are good and some are not so good.]]> 5450 Divya noreply@blogger.com 2009-09-24 20:34:43 2009-09-24 20:34:43 1 0 5451 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-09-24 20:25:46 2009-09-24 20:25:46 1 0 5452 Lorena noreply@blogger.com http://www.blogger.com/profile/00898602865195128470 2009-09-24 20:24:41 2009-09-24 20:24:41 1 0 Of course when you change one thing you're liable to affect the whole thing, and more often then not I've backed myself into some ridiculous corner and I then have to reinvent the wheel to get things back on track. I will say however that it's a great (if not necessarily easy) way to learn the right and wrong way of going about something, and I rarely forget one of THOSE lessons. *laughs*]]> 5453 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-09-24 19:57:29 2009-09-24 19:57:29 1 0 Cath]]> 5454 Susan noreply@blogger.com http://www.blogger.com/profile/15592650795481285111 2009-09-24 18:21:16 2009-09-24 18:21:16 1 0 5455 xena noreply@blogger.com http://www.blogger.com/profile/14673376815335830784 2009-09-24 18:14:19 2009-09-24 18:14:19 1 0
I have stitched a design from a book and I did follow the author’s instructions(color choice and all) Because, I loved everything about that design.
I also have stitched a design and made it my own. Sometimes I stitch a design and take some instruction from the author and put in my ideas.
For me it depends on how I feel when I see the design.
What or where I will use that design .Sometimes it’s fun to add my ideas and other times the design is perfect the way it is. I’m so happy we have so many author's and their books because sometimes a book will help me with ideas like mixing colors and learning new stitches and a lot more. Books give me a lot of joy and the possibilities are endless. I would be very happy to win this book.

Nicole in Canada]]> 5456 Anonymous noreply@blogger.com 2009-09-24 18:12:03 2009-09-24 18:12:03 1 0
I think one of the earlier comments said they look on projects as "suggestions" or recipes. I know I certainly hope that's how people take my ideas - something that will make you enthusiastic about a technique but that gives you a starting point not a line in the sand.

I've almost never done something exactly as written: either I don't have the exact supplies or the pattern or I want to incorporate something or take the project in a new direction (probably why I started designing in the first place!! :)). At least from my POV, the more original and distinctive you make something I designed, the happier I would be! IMHO it's a compliment to the breadth of any design that it can be reworked, not an insult.

Claire]]> 5457 Valquiria noreply@blogger.com http://qualquermotivo.blog.uol.com.br 2009-09-24 17:41:30 2009-09-24 17:41:30 1 0 Here I am trying to winn this giveaway although the difficulty to communicate me in English,(I used a translator this time)
Recently I tried to strict follow the instructions of the book of Helen Stevens, but I did not obtain the material all, then I tried to give my interpretation to the drawing. The result you confer in mine blog. Shorts were waiting for yours lessons of long and short stitch therefore had much difficulty to mount one colors pallete to make the shade and its lessons really helped me very. Normally when I choose the project of a book I do not obtain to strict follow the instructions for the lack of indicated material, I have difficulty in finding store that sell the necessary products. Because this I always have that to appeal to my creativity and interpretation. On the other hand this is an excellent exercise, for another one is frustrating also.
Thank you so much for your generosity.
Hugs
Valquiria]]> 5458 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2009-09-24 17:34:06 2009-09-24 17:34:06 1 0 I do love your website so much!! Thanks!! This book looks wonderful. I have stitched from a book and have used "creative" license! I used the color thread that I had on hand and went from there. It turned out great and I would do it again. I have in the past used the directions strictly but find now that I enjoy changing colors to suit me,]]> 5459 Marian noreply@blogger.com 2009-09-24 16:57:25 2009-09-24 16:57:25 1 0
I read the book review thoroughly when it was first posted and it is a technique that I would like to try.

When I am following any pattern chart, I do try to keep to the colours the designer has chosen, but when buying the thread,if a particular shade doesn't 'fit' with me, I change it for something that complements the other colours it will sit next to in the finished item.

Not only does this 'personlise' the finished product more for me, but to use a colour I'm not happy with, that would make me unhappy with the finished product and not want to keep it.]]> 5460 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-09-24 16:18:10 2009-09-24 16:18:10 1 0 5461 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-09-24 15:04:08 2009-09-24 15:04:08 1 0 In answer to your question I do not follow the directions exactly. I live in an area where I have access to limited variety of supplies so I substitute. I also have a variety of supplies that I have puchased from garage sales. Like floss that is without its # so if it calls for a specific colour and I know it is light blue Ill just substitute another lt blue that I have. If I am working in a specific colour family on a Crazy quilt block I may use a embroidery pattern say for a flower motif and change it to the colour family that goes with the block.
Melisa B]]> 5462 Anonymous noreply@blogger.com 2009-09-24 14:55:17 2009-09-24 14:55:17 1 0 5463 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2009-09-24 14:24:08 2009-09-24 14:24:08 1 0 I usually follow the instructions as I learn whatever new techniques are involved in the project. For the next one, I feel more free to adapt those techniques for my own ends. Occasionally, I will change the colors, but often the scheme is one that attracted me in the first place so not always.]]> 5464 Anonymous noreply@blogger.com 2009-09-24 14:21:53 2009-09-24 14:21:53 1 0 )

Ellen in VA]]> 5466 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-09-24 14:13:50 2009-09-24 14:13:50 1 0 I am following your lesson. And I must admit that even for this exercise, I changed the color scheme of the square, I added or deleted some layers...

Each time I inspire from a book, I change the design, or thread colors, add some details,... So the design becomes mine. But I also often draw my own design.

Thanks a lot for this give-away. I was just thinking that after the course, I should buy a book... It would be so nice...

Coeur de freesia]]> 5467 Ruut noreply@blogger.com 2009-09-24 13:58:44 2009-09-24 13:58:44 1 0 5468 Ruut noreply@blogger.com 2009-09-24 13:57:51 2009-09-24 13:57:51 1 0 5469 Anonymous noreply@blogger.com 2009-09-24 13:57:00 2009-09-24 13:57:00 1 0 - Sandy D in TX]]> 5470 jokimpat@yahoo.co.uk noreply@blogger.com 2009-09-24 13:37:18 2009-09-24 13:37:18 1 0
Thanks again for these wonderful lessons.

Kim J]]> 5471 Susan noreply@blogger.com http://www.blogger.com/profile/17842409196561932682 2009-09-24 13:32:05 2009-09-24 13:32:05 1 0 Thanks to both of you for making this lovely book a give-away.
Susan N.C.]]> 5472 Linda Smith noreply@blogger.com http://www.blogger.com/profile/17644688923108342517 2009-09-24 13:21:51 2009-09-24 13:21:51 1 0
When I stitch a design from a book, I usually use the author's idea as a framework or stepping stone and modify it according to the project I am working on or the supplies I have on hand. I might simplify the stitches or elaborate on them. Likewise, I will use whatever threads, fibers, beads etc., that I have on hand and that are pretty close to the author's suggestions.

Thanks for the great lessons on the long and short stitch. They are very clear and easy to follow. That is one stitch I have avoided, thinking it was too hard. Now, I have added it to my repertoire, and will use it more often.]]> 5473 Sheila from CA noreply@blogger.com 2009-09-24 13:20:31 2009-09-24 13:20:31 1 0 5475 Anonymous noreply@blogger.com 2009-09-24 12:35:53 2009-09-24 12:35:53 1 0
I would probably stitch the design as directed until I learned the technique and then would try my hand at personalizing the embroidery.

Most of my learning of any needlework technique has been self taught so I don't need someone over my shoulder but it's always good to have well written instructions to guide you.

Debby Parker]]> 5476 Nasreen noreply@blogger.com 2009-09-24 11:54:43 2009-09-24 11:54:43 1 0 I know what you mean by wanting to celebrate the end of the series as it is definitely an achievement.
Anyway, when I stitch a design from a book I only use it as inspiration or I base my work on that theme etc, because if I am going to embroider something then they would have to be my own personal ideas, not those of somebody else's. Also, as a beginner I am still experimenting and choosing what I like best and how. Usually I am looking for a new technique and after that I add my own personal touches to it, either with a little change a something which differs in more than one way!
(Thanks for the luck and the giveaway, hope i win!)]]> 5477 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-09-24 11:52:29 2009-09-24 11:52:29 1 0 5478 prairiethistle noreply@blogger.com http://prairiethistle.wordpress.com/ 2009-09-24 11:47:21 2009-09-24 11:47:21 1 0
When stitching a design from a book, I never follow the instructions, or color choices. Most of the time I may even alter the design. As much as I may like the original design, when stitching, I want to make it mine.

Carol B.]]> 5479 Linda linda.boudreau@gmail.com http://www.blogger.com/profile/15715321609008622071 2009-09-24 11:47:01 2009-09-24 11:47:01 1 0
When I stitch I do not always stitch directly to the design or colour. If I feel a project needs more colour, I add it, if I feel it is much nicer with some accents such as silkribbon work and embroidery combined with some accents of my own personal chosing.

I am drawn to creative people who take the time to design a project and if it is one that I select because of the actual design, then I would probably follow it all of the way through as is, and only deviate if the type of thread/wool etc., were not available in my area.

I do not stitch with infrerior projects and I do admire a great designer.

Linda Boudreau]]> 5481 Dawn noreply@blogger.com http://www.blogger.com/profile/10958202015501519300 2009-09-24 11:18:35 2009-09-24 11:18:35 1 0
- Dawn in New Mexico]]> 5482 Cynthia Nicole noreply@blogger.com http://www.blogger.com/profile/15956151327066448551 2009-09-24 11:05:53 2009-09-24 11:05:53 1 0 I study other work very intently in order to understand what works in color and design. I love taking in everything I can get my eyes on of other embroiderer's work. I love learning and perfecting technique.
When it comes time to stitch myself, I may try a small sample of an exact form, using a different hue, but perhaps the same scheme. I've been concentrating on needle arts for the last year (I'm a lifetime seamstress) and am still in the learning phase--I haven't completed a full piece yet.
I don't think i would ever spend the time to create a completed project using another's design. I'm most interested in what will appear out of me.]]> 5483 Anonymous noreply@blogger.com 2009-09-24 10:56:24 2009-09-24 10:56:24 1 0 5484 Sharon wildflowerhouse@hotmail.com http://www.blogger.com/profile/15897609431263814815 2009-09-24 10:51:52 2009-09-24 10:51:52 1 0 5485 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-09-24 10:46:43 2009-09-24 10:46:43 1 0
Jen]]> 5486 Sewingmamusia nryng@comcast.net http://www.blogger.com/profile/18347885476735843788 2009-09-24 10:35:30 2009-09-24 10:35:30 1 0 5487 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09012789609281609182 2009-09-24 10:22:52 2009-09-24 10:22:52 1 0
Long and short shading is exactly what I am struggling with now. It looks like this book would be a big help!

Thanks for the offer!]]> 5490 Anonymous noreply@blogger.com 2009-09-24 10:09:21 2009-09-24 10:09:21 1 0
Second, I see myself beginning with following directions and then making little flourishes!

Third, when I was a young girl I received a crewel kit to make a pillow. I LOVED making that pillow and when I became an adult I searched for books, kits, etc on crewel~to no avail. Thank is why this book is sooooo exciting to me! Thanks for posting it.
Martha]]> 5491 Anonymous noreply@blogger.com 2009-09-24 10:05:53 2009-09-24 10:05:53 1 0 Karole King]]> 5492 Laura Bullinger noreply@blogger.com 2009-09-24 10:00:45 2009-09-24 10:00:45 1 0 5493 qwerty knittingdivine@hotmail.com 2009-09-24 10:00:30 2009-09-24 10:00:30 1 0
I've been quilting for years - and I feel the same way about quilting patterns! I hate following a pattern exactly - I want something I make to be recognized as mine, not as someone else's style. I'll follow a specific *technique* rather than a pattern.

I DO copy colour combinations, though. I love seeing what combos others come up with! And I copy a few small design elements here and there but ultimately it will be my own style.]]> 5494 Monica noreply@blogger.com http://www.blogger.com/profile/10168062879331647053 2009-09-24 09:51:30 2009-09-24 09:51:30 1 0 I usually consider my ground (linen, canvas, etc.) then the fibers I wish to use to stitch with. then I experiment - first I try the author's way exactly, then I see if that achieved the results I desired. if not, I asses what about it is not striking me since I was obviously struck by the book piece - is it too "shallow"? too heavy? etc. then I begin to adapt and achieve the results I want based on the book's inspiration. I find the color photos of some of the wonderful books give me great ideas and I cannot believe those artists who prepare the books would not celebrate my interpreting their art in a way that allows me to cherish it. thank you for the wonderful blog! sincerely, Monica]]> 5495 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-09-24 09:50:07 2009-09-24 09:50:07 1 0 5496 Anonymous noreply@blogger.com 2009-09-24 09:44:30 2009-09-24 09:44:30 1 0 Linda Ritchie]]> 5497 Pam Paice noreply@blogger.com 2009-09-24 09:32:32 2009-09-24 09:32:32 1 0 Thanks for this giveaway Mary.
Pam, Hampshire UK]]> 5498 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-09-24 09:25:10 2009-09-24 09:25:10 1 0
Thanks again
Martha B]]> 5499 MNStitcher noreply@blogger.com http://www.blogger.com/profile/15799071182243190013 2009-09-24 09:09:23 2009-09-24 09:09:23 1 0 5500 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2009-09-24 08:57:20 2009-09-24 08:57:20 1 0
I have never been bound by the idea that the designer knows best and I shouldn't change anything. I look at most designs as starting points.

Donna]]> 5501 summersgabby noreply@blogger.com http://www.blogger.com/profile/05177947022532629616 2009-09-24 08:56:05 2009-09-24 08:56:05 1 0 I still love books and patterns for their inspiration.
Thank you Summersgabby]]> 5502 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-09-24 08:47:51 2009-09-24 08:47:51 1 0 5503 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-09-24 08:40:28 2009-09-24 08:40:28 1 0
If I am stitching a design from a book for the to learn the technique, I will strictly follow the author's instructions...the whole works, including color. This is especially true in the case of something such as needlepainting/shading. I don't trust myself when learning to know enough about color in matters like this.
Instructions...Absolutely! If I am going to bother using a book or sound instructions such as your website or Tanja Berlin's website I would be foolish not to do it the tried and true way! Follow the experts!
Once I feel I have learned the actual technique then I will apply my own touches...possibly a combination of methods I have learned from more than one source-the ones that seem to work best for me.

And we all love books, don't we?
Susan Robinson
susan.robin81@yahoo.com]]> 5504 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-24 08:38:21 2009-09-24 08:38:21 1 0
Normally, I treat instructions for needlework pieces the way I do recipes: as suggestions. I don't think I'm capable of following directions exactly as written.

It's not so much that I feel that I have to make my own "statement," it's just that when I'm working on a piece someone else has designed I immediately start seeing other possibilities and wondering "what if?" and can't resist experimenting with variations on the original theme. This sometimes gets me in trouble in needlework classes if the teacher is the type who is insulted if anyone tries to change her design. Fortunately, I haven't had many of those! -- Janice]]> 5505 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2009-09-24 08:31:10 2009-09-24 08:31:10 1 0 5506 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-09-24 08:30:56 2009-09-24 08:30:56 1 0
I often change colors when working on a design, whether it is from a book, a chart or a painted canvas. However, I notice that I change colors less on a painted canvas. I probably bought the needlepoint canvas because I liked the colors, so there is less likelihood of me making changes but I am not adverse to making any changes necessary to create the vision I have of a design.

Jane, waving from Chilly Hollow]]> 5507 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-09-24 08:30:19 2009-09-24 08:30:19 1 0
As for following exactly what the author did, it depends. There are times when I absolutely want what I see pictured and will go to some lengths to reproduce it. Other times I may choose a new color scheme or ground fabric for reasons of my own. I do not feel bound by either method.]]> 5508 Anonymous noreply@blogger.com 2009-09-24 08:25:47 2009-09-24 08:25:47 1 0
Thanks again for another incredible offer.

I usually follow the author's instructions until I get the hang of it. Then when I start drawing my own designs I can add my own special flare.

Good Luck everyone.

Virginia
San Diego, CA]]> 5509 cyberprincess noreply@blogger.com 2009-09-24 08:22:59 2009-09-24 08:22:59 1 0 (which at times is definitely needed!)

Thank you so much for the giveaway.]]> 5510 Anonymous noreply@blogger.com 2009-09-24 08:20:01 2009-09-24 08:20:01 1 0 Sandy Breuer]]> 5511 La Bergère Brodeuse noreply@blogger.com http://www.blogger.com/profile/05168940189062032838 2009-09-24 08:19:20 2009-09-24 08:19:20 1 0
Usually, I tend to follow the designer instructions as much as possible. But sometimes, more often than not because of material availability and budget, I'll change the fabric or the threads. I see the designers as artists and when I transgress their instructions, I've always the impression of degrading or violating their art. So, I really try to do it the less often possible.

Catherine]]> 5512 Anonymous noreply@blogger.com 2009-09-24 08:17:47 2009-09-24 08:17:47 1 0
For this beginning project I am faithfully following the instructions for two reasons: it permits me to focus on my stitching and two, it is teaching me a lot about the "shading" effect on leaves and petals-a topic you covered in the l&s; stitch lessons, Thank G!

Later, will most certainly make changes, both to the colors and the designs, if even in a small degree, because it seems to me that embroidery is all about expressing one's individual creativity, and I think we all like to put our "signature" on our projects.]]> 5513 Ming noreply@blogger.com http://www.blogger.com/profile/08953297663891058573 2009-09-24 08:14:44 2009-09-24 08:14:44 1 0 5514 Silverlotus noreply@blogger.com http://lotuspond.silentblue.net/blog 2009-09-24 08:13:23 2009-09-24 08:13:23 1 0
Thank you so much for the wonderful give-away. Best of luck to everyone!]]> 5515 cyberprincess 4leahnow@gmail.com http://www.blogger.com/profile/04627776967530199689 2009-09-24 08:09:57 2009-09-24 08:09:57 1 0 since i've put so much detail into embroidery -
would be wonderful to win this book -
not only to inspire me -
but my neighbor's daughter who
i have begun to teach to sew ....
pick 'us'!]]> 5516 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-09-24 08:07:41 2009-09-24 08:07:41 1 0
Kandy Fling]]> 5519 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-09-24 08:01:25 2009-09-24 08:01:25 1 0 5520 Anonymous noreply@blogger.com 2009-09-24 07:59:15 2009-09-24 07:59:15 1 0 Sharon Middlebrook of
Czechcostumes.blogspot.com]]> 5521 FloridaBird noreply@blogger.com http://www.blogger.com/profile/01703991349272178112 2009-09-24 07:58:59 2009-09-24 07:58:59 1 0
Thanks for your generosity. I can't imagine that anyone could give better directions than you!

Odette]]> 5522 Iris from Estonia noreply@blogger.com 2009-09-24 07:56:05 2009-09-24 07:56:05 1 0
So to answer the question - I usually start out thinking oh, I'm SO going to stick to the plan this time and I never do. I usually change colors around to my liking first and then the design starts changing until it's exactly like I want it. Nonetheless, I find it's really good to start with an existing design sometimes because it helps to keep the inspiration in one direction rather than aimlessly bouncing off the walls. Hopefully that makes sense.]]> 5523 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-09-24 07:51:39 2009-09-24 07:51:39 1 0 5524 Jyoti noreply@blogger.com http://www.blogger.com/profile/16556778275803435065 2009-09-24 07:50:28 2009-09-24 07:50:28 1 0 While following a book,I like to and try to follow it stitch by stitch and color by color even if I have to research for the stitches used and practice them before the final look.And in INDIA,hunt for the threads or the exact needles and thread-count of fabric used.It's just is no fun to do otherwise.I always want to go a level higher in my work and for that religious following of a good book is a must.]]> 5525 Missy Ann melissa.walker@gmail.com http://www.blogger.com/profile/02861791199270220392 2009-09-24 07:40:14 2009-09-24 07:40:14 1 0 5526 eileen noreply@blogger.com 2009-09-24 07:31:35 2009-09-24 07:31:35 1 0 colour ideas
why...just an old habit
i see things done in my head and use those colours
the outline and colours in the book are the beginning of seeing a picture
that you want to finish
i like seeing someone else's idea to work from not to copy
never did like the pictures in school with the colours labeled and you had to follow
i like my thoughts and then work from the book as a starting point]]> 5527 Anonymous noreply@blogger.com 2009-09-24 07:26:53 2009-09-24 07:26:53 1 0
Most of all, I guess that the reason I craft is that, if I wanted something based exactly on someone else's ideas, I'd buy it in a store already made. Crafting for myself gives me the freedom to express myself, and that's part of the joy and the reward for all my painstaking work.

Karen from Arcadia]]> 5528 Brenda Day noreply@blogger.com 2009-09-24 07:14:22 2009-09-24 07:14:22 1 0 5529 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2009-09-24 07:12:32 2009-09-24 07:12:32 1 0
Amber]]> 5531 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-09-24 07:06:10 2009-09-24 07:06:10 1 0 The very name of Trishburr is so exciting.
Usually I dont carbon copy the same design or colours. If I feel Im not so perfect I will go according to the original copy. sometimes i feel dissatisfaction if I cudn't do the exact replica. I always prefer to add my own ideas once i master the stitch.]]> 5532 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-09-24 07:05:08 2009-09-24 07:05:08 1 0
Well...When I have a book in my hand, generally follow the design of the author specialy if this is for to paint with the needle.

If it is a book of designs for counted points, usually I can not stop for change it!! and add or remove something. LOL!

And why did this? really I do not know, I like it!

With regard to color: I change it often because I always think I see, another color to add or a reflecting color, a touch, a light that can enhance other color here or there.

In any case constantly I'm learning from books and a they are a treasure to me ,all of them! actually I read all the time enjoying.

Hugs
Maria del Valle]]> 5534 Cynthia Bonnell noreply@blogger.com 2009-09-24 06:37:09 2009-09-24 06:37:09 1 0
However, when I'm learning something new like now, I try to stick pretty closely to the instructions and colors. I buy books mainly for the instructions and techniques, not for the projects.

I get a lot of satisfaction from doing my own designs. I consider myself a beginner at this and have much to learn about embroidery and designing.]]> 5535 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-09-24 06:35:00 2009-09-24 06:35:00 1 0 Karen from NC
P.S. I also love Whitework so color interpretation isn't an issue:)]]> 5536 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-24 06:34:50 2009-09-24 06:34:50 1 0
When I stitch from a book there is always something that I don't follow.
Why? First of all because as a begginer I don't know how to do something in the design, so I dare to make it easier...
second: I haven't the right material to follow exactly the author's instructions...
third: I'm not very fond of copying

(i'm not sure i've express myself properly)]]> 5538 Allie noreply@blogger.com http://www.blogger.com/profile/14864083839893171130 2009-09-24 06:17:39 2009-09-24 06:17:39 1 0
Planning to continue, books like these seem to be an excellent resource to hone my skills. However, I'm a bit of a 'free spirit' so to speak, so I really doubt I would follow all instructions to a perfect T.

Having only done my own designs thus far, I think it would feel more rewarding to re-work color schemes and adjust techniques to create something that was uniquely mine, rather than a carbon copy of a lesson from a book.

For me, embroidery is another form of art that I do now, and I see little fun in re-creating something that somebody has already done perfectly other than to say that "I can", which is just silly, since my embroidery project should be meant for me, first and foremost.

Allie C.]]> 5539 Karen South noreply@blogger.com http://www.blogger.com/profile/16077758537788880135 2009-09-24 06:02:38 2009-09-24 06:02:38 1 0
Karen S.]]> 5540 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2009-09-24 06:01:28 2009-09-24 06:01:28 1 0 Annie in Virginia]]> 5541 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-09-24 05:57:57 2009-09-24 05:57:57 1 0 5542 Gillian noreply@blogger.com http://www.blogger.com/profile/08398724553076514377 2009-09-24 05:49:47 2009-09-24 05:49:47 1 0
Gillian Gonzalez]]> http://www.needlenthread.com/2009/09/hand-embroidery-patter-quaker-motif-for.html Wed, 23 Sep 2009 04:35:00 -0500 Mary Corbet 204 2009-09-23 04:35:00 2009-09-23 04:35:00 open open Hand-Embroidery-Patter:-Quaker-Motif-for-Surface-Stitches publish 0 0 post this perforated paper embroidery project last week, I couldn't help wondering if Quaker motifs would 'work' with surface embroidery stitches. So I'm going to try an experiment.

I've drawn up a hand embroidery pattern based on the Quaker motif I used on the paper project. It is, in shape and layout, pretty much the same design, but the use of surface embroidery stitches, I suspect, will change the look of the design quite a bit.

Here's my line version of the motif:



Here's a PDF of the same pattern:

Hand Embroidery Pattern: Quaker Motif for Surface Embroidery Stitches

Ussing the PDF, the pattern should print at approximately 4.5 inches square. It can probably be taken smaller, but for this test run, I thought a medium-sized medallion would work best.

I'm going to combine a variety of stitches on this piece, sticking with the notion that the Quaker motifs generally come from samplers. My plan so far includes the following stitches:

Palestrina Stitch
Mountmellick Stitch
Satin Stitch
Long and Short Stitch
Fly Stitch or Fishbone Stitch (haven't decided which on that one yet)
Daisy Stitch
French Knot

I'll be working on this project over the next few weeks. I'll be stitching on a sturdy linen (Thank you, Méi! I can't wait to use some Portuguese linen!), but I haven't decided 100% on the threads yet. I think it will take some playing to figure out the best options.

What think you? Will this come off, or should I leave the Quaker motifs in their regular form, as counted cross stitch pieces? What's your take?
]]> Embroidery Projects free embroidery patterns Hand embroidery stitches sampler Quaker designs 5488 Laura Bullinger noreply@blogger.com 2009-09-24 10:22:08 2009-09-24 10:22:08 1 0 But I plan to use this design, Mary - the "old-fashioned" way--on bright wool felt with primary crayon colors!]]> 5537 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-24 06:22:15 2009-09-24 06:22:15 1 0 5543 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-09-24 01:11:47 2009-09-24 01:11:47 1 0 5544 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-23 23:14:33 2009-09-23 23:14:33 1 0
The "Quaker" name came from the motifs on the samplers, I think, from the Ackworth school and similar schools for girls. They were Quaker schools. I think the style of motif was common on their needlework samplers.

Thanks, all, for your comments!

I'll keep you posted on my progress!

Now, could someone please grant me 38 hour days??

MC]]> 5545 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-09-23 21:20:59 2009-09-23 21:20:59 1 0 5546 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-09-23 21:08:42 2009-09-23 21:08:42 1 0
I might have to have a go myself. :)]]> 5547 glamourpopcrafts darkalice93@gmail.com http://www.blogger.com/profile/04001478542171350015 2009-09-23 20:37:59 2009-09-23 20:37:59 1 0 5548 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-09-23 16:24:04 2009-09-23 16:24:04 1 0 5550 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-09-23 12:04:35 2009-09-23 12:04:35 1 0 5553 Violette violetteblog@orange.fr http://www.blogger.com/profile/07014580741505127035 2009-09-23 10:45:00 2009-09-23 10:45:00 1 0 5555 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-23 09:11:59 2009-09-23 09:11:59 1 0
I, too, was thinking whitework, by the way... I'm still considering that one.

The pattern was made in Inkscape, which is a freeware SVG graphics editor. You could do the same thing in Illustrator or Corel Draw.

Meri - stitch choice can be a real difficulty. With this one, I'm still debating a couple stitches, but I'll only know for sure what will look best once I try them out!

Thanks for your comments, all!

MC]]> 5556 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-23 08:28:50 2009-09-23 08:28:50 1 0 5557 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-09-23 08:00:37 2009-09-23 08:00:37 1 0 5559 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-23 06:24:53 2009-09-23 06:24:53 1 0
When I have a pattern my problem is always to choose the stitches - where do this and where use that... i'm absolutely not good about it]]> http://www.needlenthread.com/2009/09/traditional-alphabets-for-hand.html Tue, 22 Sep 2009 05:29:00 -0500 Mary Corbet 205 2009-09-22 05:29:00 2009-09-22 05:29:00 open open Traditional-Alphabets-for-Hand-Embroidery publish 0 0 post Abécédaires de Tradition, published by Sajou, in conjunction with marie claire idées, which is a popular needlework (and other stuff) magazine in France. I know I've been on a French book and magazine kick lately - Mains et Merveilles and the the perforated paper and embroidery book - but I can't help it! I think you deserve to see these great resources, too, and this one is particularly nice if you like monograms, and it's available in the US. So take a look...

Though written in French, Abécédaires de Tradition is not a book that requires you to know the language, in case you can't read French. Why not? Because it is primarily a design book, plus a little bit more.



Traditional Alphabets abound in this book of traditional alphabets. It is a "stiff" paperback book, printed on high quality paper, with beautiful color photos within.



Maison Sajou, a French needlework establishment, has been well-known for over a hundred years for their quality needlework products. When I think "Sajou," what normally comes to mind are their alphabets.



The book is packed with decorative monograms which are first presented to the reader via colored plates.



Many beautiful monogram styles are featured...



... and they are all accompanied by photos of embroidered pieces featuring the monograms.



There's a wonderful animal alphabet. Granted, the names of several of the animals don't match the English translation. "C," for example, is illustrated with ducks ("canards" in French). But many of the letters do match up - Z: zebra; Y: yak; P: peacock; R: rhino, etc. Personally, for me this isn't a bother - I like the idea of a foreign language alphabet. You can look at it as a teaching moment for kids.



Oh, yes, pictures of monograms are nice - but this is the best part of the book.



The whole last half of the book is made up of iron-on transfer sheets for all the alphabets within....



... along with some nice borders to dress up your monograms.

The book contains 10 full alphabets in various sizes and in varying degrees of formality and informality. Each alphabet is attractive, and can be used on anything from household linens, quilts, and so forth, to handbags and clothing. You can even stitch up full alphabets to hang as samplers. From beautiful to downright fun, there's something in the book for everyone.

Here's a thought: Are you planning to make Christmas presents this year? How about personalizing some gifts with a monogram? That's what I'm planning to do! And these monograms will be just the thing.

You can find Abécédaires de Tradition in the US through The French Needle, which specializes in all kinds of European-style stitching kits, books, threads, and accessories. (I love this shop - this is where I got the Bayeux tapestry kit). Lisa carries some beautiful surface embroidery kits that would be great fun to work. I love the large monogram (majuscule) kits. When I saw those, I suddenly longed for a name beginning with "W" or "Y"!

Anyway, at the time of publishing today's article, the book is not listed on The French Needle website yet, but it will be posted there some time today. Click on 'boutique' in the left column of the site, and you'll see an extensive list of everything available. Go to the books category to find this particular book.

If you like the idea of hand embroidering some monograms on various and sundry articles, then, do check out this book! The beautiful monograms within it are worth the price alone, but coupled with the convenience of iron-on transfers, how can you miss?

Later in the week, I'll be showing you a thread that works well for all kinds of surface embroidery, including monograms, so keep an eye out!

Until tomorrow.... au revoir!
]]> iron-on embroidery transfers book review embroidery resources pictures monograms 5474 Anonymous noreply@blogger.com 2009-09-24 13:05:45 2009-09-24 13:05:45 1 0 I ordered the book today. The monograms can be used in so many ways with whatever stitch variations a person would want to use.]]> 5558 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-09-23 07:13:10 2009-09-23 07:13:10 1 0 5560 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-09-22 22:24:05 2009-09-22 22:24:05 1 0
The book seems lovely with beautiful monograms in different style.....and the one with animals are adorable....Amazing.

Regards,
Kirti]]> 5562 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-09-22 11:17:58 2009-09-22 11:17:58 1 0 5563 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-22 10:00:31 2009-09-22 10:00:31 1 0
Mary]]> 5564 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-09-22 09:08:54 2009-09-22 09:08:54 1 0 5565 Laura Bullinger noreply@blogger.com 2009-09-22 08:30:35 2009-09-22 08:30:35 1 0 5566 Violette violetteblog@orange.fr http://www.blogger.com/profile/07014580741505127035 2009-09-22 07:25:17 2009-09-22 07:25:17 1 0 http://www.needlenthread.com/2009/09/quaker-on-paper-embroidered-card-that.html Mon, 21 Sep 2009 04:30:00 -0500 Mary Corbet 206 2009-09-21 04:30:00 2009-09-21 04:30:00 open open Quaker-on-Paper:-the-Embroidered-Card-that-Wasn't publish 0 0 post embroidery & perforated paper. I thought I would make a card. You know - one of those "I'll-just-whip-this-up" sort of projects...

As it turned out, it wasn't a quick project at all. I always underestimate things like this. ALWAYS. It used to be that I thought I was an optimist - and being an optimist is a good thing, right? But now I realize it's not optimism at all - it's a gross under-estimation of the speed at which the hands on my clock move. And this gets me into trouble.

The occasion for the card came and went.

And yet, I went ahead and finished the embroidery for the card. Some day, I'll cut out the lacy edge for it.

The design is one of the Quaker motifs available on the Needleprint blog. I picked the colors to match the cardstock I was going to mount the piece on. For thread, I used regular DMC stranded floss, mostly two strands. The count on the perforated paper is about 18 squares per inch, and three strands is too much for the holes - which was evident after I finished stitching the central "flower" in three strands, and found that the paper was trying not to warp. Two strands were perfect.



I like the blue / yellow scheme, and I think the design is neat. But you know what was going through my mind the Whole Entire Time I was stitching this? Any idea?

I was thinking.... "How can I translate this design (and similar designs) into surface embroidery?" And so, I played with it. And later on in the week, if all goes according to some kind of Plan of Sanity, I will share with you my version of the above design, re-structured for surface stitching.



I tried to get a shot where you could see how the three strands of floss started to warp that center area a bit, but I don't think you can really tell in any of the photos.

Sometimes, I kick myself for starting "quick" projects like this, because it takes away from making headway on larger projects that are already starving for time. But in this case, I made a couple discoveries along the way and came up with some ideas that I'll be sharing with you in the upcoming days and weeks. So I don't count this particular "quick (slow)" project as a complete waste of time!

Coming up this week on Needle 'n Thread: the final lesson in long and short stitch shading, a book review for a nice iron-on transfer book (really nice!), some thread talk, TWO give-aways to celebrate the end of the long and short stitch shading lessons, and any other tidbits that may happen to pop up! So do check back in during the week!

Have a jolly Monday!
]]> Embroidery Projects embroider on paper pictures counted thread embroidery techniques needlework pictures 5554 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-23 09:13:21 2009-09-23 09:13:21 1 0
We'll see....

MC]]> 5568 irene noreply@blogger.com 2009-09-21 10:15:23 2009-09-21 10:15:23 1 0
I do like the Quaker Motif you made. Can you share how long it took to stitch?

irene]]> http://www.needlenthread.com/2009/09/long-and-short-stitch-shading-lesson-8.html Fri, 18 Sep 2009 04:41:00 -0500 Mary Corbet 207 2009-09-18 04:41:00 2009-09-18 04:41:00 open open Long-and-Short-Stitch-Shading-Lesson-8:-A-Simple-Flower publish 0 0 post

If you're just joining in on this series of lessons on long and short stitch, you can "catch up" by checking out the index of long and short stitch shading lessons, where you'll find links to each lesson so far.

The lessons are arranged incrementally, going from basic filling with long and short stitch to filling more complex shapes. The entire series is for beginners in this embroidery technique, and once you've worked your way through it, I'm hoping that you'll have a bit more confidence in using long and short stitch as a filling technique in your embroidery projects.

For Lesson 8, we'll be working on the small flower located in the center of the base of the sampler. Note that the point is not necessarily to achieve a "dimensional" effect - this is a simple, flat flower - but once you've stitched it, you should have no trouble translating the lesson into more challenging flowers.

For your materials, you'll need the sampler in a hoop or frame, scissors, #9 or #10 crewel needles (embroidery needles), and the following colors of DMC stranded embroidery floss: 471 (medium green), 469 (dark green), Ecru, 225 (light pink), 223 (dark rose), and 814 (dark burgundy).

As in the previous lessons, the stitching is done with one strand.

Most of the procedures in this lesson do not need to be explained in thorough detail, as you have already experienced them in the previous lessons. Also, the flower is a series of five repeats, so the lesson will only focus in detail on creating one petal and one leaf, although you will see photos of the flower develop.

NOTE: There are different ways to approach stitching something like this. I went one petal at a time, in order to show you a complete petal. You can also stitch each layer of the all the petals at one time, progressing from the outside of all the petals, to the middle layer of color in all the petals, and finally to the inside tip of all the petals. Following such an approach may help you on two accounts: 1. it may save you time by not having to change back and forth to different colors of threads; 2. it may help you keep your layers of color shading uniform as you move from one petal to the next.

Procedure:



The first parts of the flower that will be stitched are the little leaves that jut out between the petals. Feel free to draw your stitch directions inside these little leaves. Your stitches should point towards the "growth point" of the little leaves, which will be the center point where the flower petal lines merge together.



Using one strand of 471 (medium green), split stitch around the outside of the leaf.



Beginning in the middle of the leaf (the tip), over the split stitch line, fill the leaf in color 471, stitching long and short stitches from the center to one edge, then from the center to the opposite edge of the leaf. This is the same long and short stitch technique we have been using all along.

Your stitches should fill most of the leaf, leaving only a bit in the center and down at the tip empty.



Switch to 469 (dark green), and, coming up into the first layer of medium green, fill the rest of the leaf with the dark green.



The first leaf will look something like this. Following the same procedure, finish all five leaves.



The leaves are relatively tiny, so it won't take too long to stitch them all.

A note here about beginning with the leaves. In this type of needlepainting, it is common to begin with the part of the design that is farthest away from you or that is tucked behind other parts of the design. While some books and some designers don't always insist on this point, I think it does help to achieve a more dimensional and realistic effect in needlepainting, to start with the parts of the design that are farther away and behind other parts of the design. In this way, the "painting" seems to build up, one layer on the next.

In this little design of this flat and simple flower, it probably does not make that much of a difference, but as you progress to more complex designs, it will make a difference! Especially with elements like hair, feathers, animal fur, etc., it is important to work the layers from the farthermost layer to the closest layer, in relation to viewer.



For the petals, begin with Ecru and split stitch a line from the inside tip of the green leaf, around the top of the petal, to the inside tip of the next green leaf. Essentially, you are stitching only the arch of the petal, not the area where the petals are touching.

Draw in your stitch direction as shown above. Your stitches will slant towards the inside tip of the petal.



Following the same techniques learned before and still using Ecru, begin in the middle of the arch of the petal, and work the long and short stitch from the middle to one side, then from the middle to the other side of the petal. You will fill up most of the petal - about two-thirds the length of the petal, leaving only about a one-third arch area empty.



Switch to the light pink thread (225), and fill in practically all of the remaining petal, fanning your stitches out in the same fashion you learned in previous lessons.



Leave a tiny bit of space just at the tip of the petal.



Switching now to the dark rose (223), work in a few small fanned stitches right at the tip of the petal. It's easy to work one in the center and one at each side, then to add a tiny stitch in the spaces between - five stitches in all.



Continue to fill the petals in the same manner. Remember that you do not have to end every thread. When you're finished with a color but still have plenty of thread left, bring your threaded needle to the front of the fabric, away from your stitching area. You can then pick up the color on the next part of the design, when needed.



Continue working your way around the little flower...



... until all the petals are filled.



Now, using dark rose (223), stitch one long stitch, bringing your needle up at the inside tip of each green leaf, and taking it down in the center of the flower. The stitch should lie in between each petal. This will help distinguish the individual petals.



Now, you can switch to dark burgundy (814) and work a few random French knots in the center of the flower. If you want to use a different color - like yellow - feel free to do so! The darker yellow (3855) might look better than this dark burgundy.



It was hard to get a good shot of the flower with the French knots.



Here's a shot of the sampler up to this point! And only one more lesson to go!

Enjoy stitching your little flower, and next week, we'll tackle the final leaf.

Here's the PDF version of Lesson 8:

Long and Short Stitch Shading: Lesson 8, a Simple Flower

As always, feel free to leave a comment down below if you have any questions about this lesson!

Have a terrific weekend!

]]> stitchalong lessons needlework tutorials pictures embroidery tips and tricks long and short stitch embroidery lessons needlework pictures 4295 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-08 12:57:16 2009-12-08 12:57:16 1 0 4296 Anonymous noreply@blogger.com 2009-12-08 12:30:13 2009-12-08 12:30:13 1 0 5549 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-23 12:38:17 2009-09-23 12:38:17 1 0 Your stitches are so perfect! It always seems so easy...
Thanks for sharing your time and knowledge with us all!]]> 5573 BonnieC noreply@blogger.com 2009-09-19 18:28:52 2009-09-19 18:28:52 1 0 5576 Hifa noreply@blogger.com http://elisidunyamiz.com/en/ 2009-09-19 09:48:47 2009-09-19 09:48:47 1 0 thanks for taking these to us.
cheers~]]> 5579 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-09-18 17:18:46 2009-09-18 17:18:46 1 0 5580 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2009-09-18 12:31:35 2009-09-18 12:31:35 1 0 5581 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-09-18 07:25:28 2009-09-18 07:25:28 1 0
I am very interested in next week's leaf. I have a fall design I sketched off and feel as though I am in over my head. My favorite leaf is shaped very much like the one in Lesson 9 and I keep wondering if I have the ability to do it right. I look forward to the final lesson.]]> http://www.needlenthread.com/2009/09/two-great-needlework-resources-and.html Thu, 17 Sep 2009 07:42:00 -0500 Mary Corbet 208 2009-09-17 07:42:00 2009-09-17 07:42:00 open open Two-Great-Needlework-Resources-and-An-Excuse publish 0 0 post

Tricia Wilson Nguyen of Thistle Threads (and of Plimoth Jacket reknown) has recently published a new Needlework Nibble that makes good use of Gilt Sylke Twist and some of the stitches used on the Plimoth Jacket. Tricia's Needlework Nibbles are tiny projects - usually only a couple inches in either direction, size-wise - that employ some interesting threads and techniques, so that you can get a taste of these without launching into a big time-consuming project. I love the idea!



Her latest Needlework Nibble is a bunch of grapes worked with Gilt Sylke Twist. She sells the little kit for a reasonable price - less than $20 - and offers the embroidery pattern and instructions for free on her website. Now, this is really generous! For those of us who might have some GST in our stash, this is a great little project to try with it, and we can do it without purchasing any supplies. But, if you don't have GST in your stash, her kit is a wonderful way to try many colors of this gorgeous thread, at a reasonable price (less than the cost of a spool of GST). Among the instructions for the project, you'll also find a Gilt Sylke Twist Primer (PDF), which details very clearly how to work with GST.

Another interesting tidbit from Tricia is a great little video on the sparkle of Gilt Sylke Twist. Yep, that alone should get you drooling over those threads!

And speaking of historical threads and so forth, recently, I've become quite avidly enchanted with the Needlprint blog and all the goings-on with the Mary Wigham samplers all around the globe. It really is fascinating to read the interesting stuff on that website! Recently, Jacqueline featured a beautiful border from a Scottish sampler, which is available for free to download, if you have the right design software for cross stitch. You can get the software through her website - look for the Infinity Beatrix Potter deal, where you get the software and all the Beatrix Potter design motifs for $20.

I think these Infinity charts that Jacqueline sells on her website are super-duper interesting, and would make a good resource especially for designers. They are counted thread designs, but I can't help thinking that many of them can be adapted to other forms of surface embroidery, too. I like the Quaker and antique-type sampler motifs that are featured on Needleprint. Have you seen them? What do you think? I did something with one of them the other day, and I'll share it with you soon. Hopefully. (I haven't actually finished it. In fact, I'm not finishing much lately. Argh.)

Now, on to the excuse... for those of you who were expecting the second-to-the-last Long and Short Stitch Lesson today, never fear - it's coming! It'll be up tomorrow! I got tied up yesterday and couldn't finish the lesson! Sorry about that!

Have a terrific Thursday!
]]> historical needlework Gilt Sylke Twist embroidery resources needlework websites 5582 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-09-17 20:59:05 2009-09-17 20:59:05 1 0 http://www.needlenthread.com/2009/09/church-embroidery-watch-this-progress.html Wed, 16 Sep 2009 04:30:00 -0500 Mary Corbet 209 2009-09-16 04:30:00 2009-09-16 04:30:00 open open Church-Embroidery:-Watch-This-Progress! publish 0 0 post Ruth O'Leary contacted me about her taking an embroidery commission on a banner for Durham Cathedral, I was really intrigued about her banner-making plans. Since then, she has undertaken the commission and begun the work. And best yet, she's blogging the whole process!

If you haven't had an opportunity to stop by Ruth O'Leary Textile Arts, now would be a good time to do so, while she's still in the relative beginning stages of the St. Cuthbert's Banner.



Of course, if you like goldwork, you should stop by just to take a look at her header on her blog. I love it.

Ruth has been commissioned to re-create the St. Cuthbert's Banner, a banner of which there is no surviving image, but which was described in detail some five hundred years ago in writing. From the written description, she is creating her version of the banner.

So far, on the St. Cuthbert's banner, you can see Ruth's fabric choices, the conceptual design, a mock-up, the appliqué process, and the first leg of the cross, which is worked in red velvet, with red satin pieces appliqued on to create the design. You can also see a very nice goldwork circle already finished. She also shows how she neatened the edge of the applique cross with couched gold Jap - all the steps being interesting and suspense-building components of the whole creative process behind this banner. I can't wait to see it finished!

This year, I agreed to make a banner for a church-related event that takes place at the end of October. Oh golly, October is coming up fast! While Ruth's banner is much more complex, much more artistic, and much more historically relevant to the church for which it is commissioned, mine is - at least in concept so far - relatively simple, and mostly appliquéd. The color scheme, though, is the same - red, white, and gold, which are typical (and glorious) liturgical colors. Though time seems to be somewhat scarce, I have to admit that watching Ruth's process inspires me to want to push through my banner project and make some headway on it!

You reckon I can manage it? Realistically speaking, I'm somewhat doubtful. And if I don't, that's ok, I suppose. I can still enjoy the whole banner-making process (and actually, I can enjoy it a whole lot more!) by watching Ruth's St. Cuthbert Banner unfold.

I hope you get a chance to check out her website and watch this historical re-creation come to life!

Enjoy!
]]> historical needlework ecclesiastical embroidery goldwork embroidery resources needlework websites 5574 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-09-19 13:12:24 2009-09-19 13:12:24 1 0
your always the greatest mary]]> 5592 Ruth O'Leary noreply@blogger.com http://rutholearytextileart.blogspot.com/ 2009-09-16 15:27:17 2009-09-16 15:27:17 1 0 5593 alice m noreply@blogger.com 2009-09-16 15:05:22 2009-09-16 15:05:22 1 0 5595 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-09-16 11:29:46 2009-09-16 11:29:46 1 0 5596 Anonymous noreply@blogger.com 2009-09-16 10:59:36 2009-09-16 10:59:36 1 0
Annie in Michigan]]> 5597 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-16 10:11:53 2009-09-16 10:11:53 1 0 facravic]]> 5598 JudyinPittsburgh noreply@blogger.com 2009-09-16 09:20:54 2009-09-16 09:20:54 1 0 5599 Stitchalicious noreply@blogger.com http://stitchalicious.com 2009-09-16 06:09:21 2009-09-16 06:09:21 1 0 http://www.needlenthread.com/2009/09/needlework-magazines-bring-pleasant.html Tue, 15 Sep 2009 04:30:00 -0500 Mary Corbet 210 2009-09-15 04:30:00 2009-09-15 04:30:00 open open Needlework-Magazines-Bring-Pleasant-Surprises publish 0 0 post Mains & Merveilles Point de Croix is a French needlework magazine that I subscribe to. I often forget what needlework magazines I subscribe to, actually, because needlework magazines are notoriously (and understandably) far-spaced when it comes to yearly output. But the other day, I was reminded of my subscription to this particular magazine when it arrived in the mail. It is a cross stitch magazine.

I've written about this magazine company here on Needle 'n Thread in the past, when telling you about the Mains & Merveilles iron-on transfer collections that are very pretty (and used to be available at Hedgehog Handworks, but are no longer available there...)

Well, the company that put out those very nice iron-on transfer collections (Les Éditions de Saxe) also produces some Very Nice embroidery magazines: Embroidery, Creative Embroidery, and Cross Stitch (my translations of the titles). I only have a subscription right now to the Point de Croix line, having subscribed a little over a year ago because they were running a series I wanted to watch develop. Eventually, I'll pick up the other two subscriptions and probably let this one drop - when the others fit into the budget!

The needlework magazines from Les Éditions de Saxe have a distinctive European flair to them, and they are quality magazines - very pretty to look at, printed on good paper, filled with informative and interesting articles, and featuring a large paper pull out pattern section for all their featured projects. And the projects are generally beautiful. The magazines are printed entirely in French. If you don't read French, though, the content is still worthwhile - the patterns are beautiful, the instructions usually include step-by-step photos, and the pictures overall are simply worth looking at! I'd say the magazines rival Inspirations, as far as quality goes, though they don't have as much in them as each individual Inspirations magazine, and the projects differ a bit in flavor.

Getting back to the latest edition of Mains & Merveilles Point de Croix, three articles struck me in this latest issue (#74).

The first was a project article for these pretty paisley table and household linens that just look fun to embroider!



The paisleys are worked in various pinks and reds, entirely in surface embroidery stitches.



Of course, the color scheme can always be changed to match your own home! I think they're cute, and perfect for a casual, fun setting.

The next article that caught my eye was focused mostly on whitework and drawn thread techniques. As one of their regular features ("Passion Broderie"), this article shows the work of Jocelyne Dubois, who always has embroidery at her fingertips!



The whitework photos that accompany the article are gorgeous - the pieces are so impressive! What a talented embroiderer!



Her edgings are intricate and perfect. And while I don't normally pour over this particular magazine and attempt to read it, I found myself engrossed in this article (accompanied by my French-English dictionary from college days!) I was thrilled to open the magazine and find this article!

But, you know, while these two features excited me more than usual, the publishers had one more thing in store for me when I finished the whitework article. Flipping the page, I came across this layout:



There was a whole feature article on a currently running ecclesiastical embroidery exhibition that honors the work of the Visitation nuns in Europe, dating from the 17th century to the present day. And this being one of my favorite topics - historical ecclesiastical embroidery - I was really excited about this article! Better yet... I've got to go to France! NOW. The exhibition lasts until November 28, 2009, at the Museum of the Visitation (convent?) in Moulins, France. I'm ... I'm so stuck in Kansas, it isn't even funny! Anyway, I'm stuck - but if you happen to be in the area of Moulins, France, through November 28th, I bet this will be an exhibit that will knock your embroidery-loving socks off! Even if you aren't inclined towards the religious aspects of church embroidery, it cannot be denied that it is among the most beautiful embroidery work on the planet. The Visitation nuns were known for their exquisite work - the collection will certainly be worth seeing.

(If you happen to go, may I live vicariously through you?)

So I was really pleased with this last edition of Mains & Merveilles Point de Croix from Les Éditions de Saxe. While I normally just flip through the photos once and note the things that may interest me later (or my nieces or friends), this time, I spent quite a bit of time pouring over the articles and trying to get over my rusty French. It was fun - and it was the first time I really appreciated my subscription to this magazine!

Do you subscribe to any needlework magazines? If so, which ones? What's your favorite? Are you generally thrilled to get them, or do they just strike your fancy once in a while? That seems to be the case for me often, with all my magazine subscriptions (Inspirations, Pieceworks, Sampler & Antique Needlework, and M&M;). Sometimes, they just don't grab me, but then suddenly - wow! They bamboozle me with magnificent content, and that's when I most appreciate the subscription. What about you? What's your experience with needlework magazine subscriptions?
]]> ecclesiastical embroidery embroidery resources miscellaneous embroidery musings needlework magazines 5567 Anonymous noreply@blogger.com 2009-09-21 13:02:05 2009-09-21 13:02:05 1 0
I hope this doesn't sound to stern, but I just want to point out what might happen if the advertising income disappears. We may very well be left with only magazines relating to whatever craft is deemed to be in style at the time.

Is there anyone in the magazine business reading that can verify if it's still true that a subscription price still is mostly for postage/handling and that advertisers pay for the articles???

Gail]]> 5571 Anonymous noreply@blogger.com 2009-09-20 15:15:02 2009-09-20 15:15:02 1 0
1- many times I don't like the projects that are explained step by step. I find that the design quality is often lacking, the emphasis is on how quickly you can finish, how easy it is to stitch etc., as if the reader is an overworked airhead, not a punctilious needlewoman.

As a matter of fact I don't want to copy what someone has designed, I want to create my own design, all I'm interested in is to learn the technique.

2- In magazines there are articles I'm not interested in .

3- I get fed up with the advertising.

I prefer to buy books with the money I save on mags. Books have more in-depth study on a particular subject and it's pleasing to have every page filled with pertinent info, unlike in magazines where you have to leaf thru a lot of uninteresting stuff.

In years past I bought magazines and kept them as a cherished collection before realizing I had never actually made any of the projects in these magazines! This is why my thinking has evolved.

Brigitte in Paris]]> 5594 Anonymous noreply@blogger.com 2009-09-16 13:41:50 2009-09-16 13:41:50 1 0 This blue embroidery is very beautiful, I wish you lot's of fun doing it !
Michelle]]> 5600 margaret c. noreply@blogger.com 2009-09-15 21:34:41 2009-09-15 21:34:41 1 0
I only subscribe to 'Inspirations', as far as needlework goes. I pick up other magazines when I see something that catches my eye. Embroidery magazines are like books to me and I can't throw them away so I have to be mindful of how much space I have. (If I had more space I might subscribe to a couple of other publications.)]]> 5601 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-15 20:10:33 2009-09-15 20:10:33 1 0
I went to the Les Éditions de Saxe site and took a look. From the photos, it appears that the Embroidery Inspiration magazine is the equivalent of the Australian Inspirations magazine, and the Creative Embroidery magazine is the equivalent of (also Australian) Creative Embroidery & Cross-Stitch magazine. Does that seem about right?

I had to rely on the photos because my college French is also rusty, but even when I translated the respective magazine descriptions into English in google WordMonkey they were no more enlightening. Generic stuff about beauty and creativity. I am tempted to order a copy of both -- depends on how expensive the exchange rate and postage are.

Another interesting topic, thanks!]]> 5602 Jeanine in Canada noreply@blogger.com http://www.blogger.com/profile/04846336931938366326 2009-09-15 19:54:27 2009-09-15 19:54:27 1 0 5603 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-09-15 19:39:39 2009-09-15 19:39:39 1 0
If you would like to see the embroidery I am interested in, try looking at Coeur de Freesia's page: http://babelfish.yahoo.com/translate_url?doit=done&tt;=url&intl;=1&fr;=bf-home&trurl;=http%3A%2F%2Felena33.canalblog.com%2Farchives%2Fbroderie_bleue%2Findex.html&lp;=fr_en&btnTrUrl;=Translate]]> 5604 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-09-15 19:08:13 2009-09-15 19:08:13 1 0 5605 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-09-15 18:10:40 2009-09-15 18:10:40 1 0 5606 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-15 17:00:12 2009-09-15 17:00:12 1 0 http://mci.blogs.marieclaireidees.com/ and write asking.
Don't know if I have nº65. If you can't get it through the blog let me know.]]> 5609 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-09-15 15:29:31 2009-09-15 15:29:31 1 0 5610 qwerty knittingdivine@hotmail.com 2009-09-15 15:07:13 2009-09-15 15:07:13 1 0
Currently I only subscribe to Quilting Arts. I have every issue that's been published. There are only a few issues that I feel are 'meh', overall I get so much inspiration and joy from that magazine.

I used to subscribe to Quilters Newsletter and I also used to have memberships with American Quilters Society and Canadian Quilters Association (those two have regular newsletters in a magazine format). I had to economize, so I only kept the QA subscription.

I regularly take a look at Quilters Newsletter, Workbox, Piecework and New Zealand Quilter, but only pick up a copy if an article or series of pictures REALLY catches my fancy.

I also have a handful of issues of Fibrearts, Belle Armoire, Stitch. I have a number of knitting magazines as well - Knitters, Interweave, etc.

Other than Quilting Arts, I prefer to pick up a magazine only if that issue really has something I could use. I now have literally hundreds of textile and fibrearts books and magazines so I'm just not interested in shelling out between $7-14 each time. (I'm in Canada, so some magazines are outrageously priced, especially the international ones). If Workbox wasn't so darn expensive in Canada, I'd get a subscription to that one too, since I really love it.

I regularly look through all the magazines and books I own. I read before going to bed and I dislike fiction. It's rare these days for a magazine to have anything truly new or original, so I just enjoy the ones I have. There's always something new, even if I've looked through a particular issue a dozen times!]]> 5611 Anonymous noreply@blogger.com 2009-09-15 14:15:48 2009-09-15 14:15:48 1 0
http://shop.ebay.fr/?_from=R40&_trksid=m38&_nkw=marie-claire+idees+65&_sacat=See-All-Categories&_sacat_sel=See-All-Categories

good luck !
Michelle]]> 5612 Anonymous noreply@blogger.com 2009-09-15 14:02:47 2009-09-15 14:02:47 1 0
Gail]]> 5613 Anonymous noreply@blogger.com 2009-09-15 13:50:05 2009-09-15 13:50:05 1 0
you can find old magazine of Marie-Claire idees on ebay.fr
in this moment, I could see there are 2 n° 65 proposed.
Good luck !
Michelle]]> 5615 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-09-15 10:25:07 2009-09-15 10:25:07 1 0 5616 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-15 10:11:59 2009-09-15 10:11:59 1 0 I had an Italien magazine subscription last year - Rakan. I like it very much. Here we can find it in a few shops and run out very quickly. It's monthly. And have some old Rakan magazines. I think it is alike Mani di Fata.
This year I've made an Inspiration subscription guess why! :)
I buy Marie Claire idées every three months. And it's all...]]> http://www.needlenthread.com/2009/09/15-minutes-and-three-more-stitches.html Mon, 14 Sep 2009 04:30:00 -0500 Mary Corbet 211 2009-09-14 04:30:00 2009-09-14 04:30:00 open open 15-Minutes-and-Three-More-Stitches?! publish 0 0 post little time for needlework is better than no time for needlework, I've made some progress lately using the 15-minutes-for-stitching approach.

I'm still plugging along with the Long Dog Sampler I started last year, and since my last 15-Minute Stitching Update, I've made some ok progress, I suppose. It's time for me to switch this project out, though!

I was supposed to switch it out last week and take up my Schwalm whitework project again, but the truth it, it is much easier to sit down and drop in a few stitches on this sampler, than it is to situate myself with the Schwalm project when I'm in a hurry. I just haven't had time to do the switch-out and set stuff up for easy access with the Schwalm work, so I've stuck with this project so that I'd have something to do here and there, now and then, when the opportunity struck....

... which is, of course, the basis for this whole 15-minute-session idea.

But let me tell you - time management has its drawbacks! Take a look at this:



Determined to adhere strictly to the timer one day, I sat down to spend 15 minutes on this bit of the sampler. I only had one white blotch left that needed to be filled in with the green, and when I set the timer, I was confident that, when it went off, I would have this block finished. (And then some, or so I thought!)

When the timer went off, I had three stitches left.

THREE.

Three tiny, insignificant stitches.

But they were significant enough to bug me!

That session was a serious Only-15 15-minute-session, as a minute longer and I'd be late for work. So, the timer sounded, I dropped the frame, picked up my books, and headed out the door. I was not "relaxed" or pleased at the end of that session. Three Silly Stitches! For heaven's sake!

When I came back an hour and fifteen minutes later, the timer was still going off. Hmmmm. I decided I would have to take a much more relaxed approach to these 15-minute things if I were to retain (regain?) my sanity. Rushing through the minutes, trying to beat the clock, isn't precisely the best approach.



For the next 15-minute session, I managed to finish those riffemrackemfrickemfrackem three stitches....



.... and to get out the colors for the next little square I wanted to stitch...

... and to work Nine Whole Stitches on it.

Twelve stitches in 15 minutes?

Perhaps that day, I was a bit tooooo relaxed.

Virtue lies in the middle. Next time, I will be relaxed, but at the same time, I am determined to accomplish a bit more than this!

How are your 15-minute stitching sessions coming along?
]]> pictures counted thread embroidery techniques 15 minutes needlework pictures 5618 lidia noreply@blogger.com 2009-09-14 22:13:24 2009-09-14 22:13:24 1 0 google no traduce

siempre veo tus maravillas
gracias eres genial]]> 5619 Tricia noreply@blogger.com http://www.blogger.com/profile/10800864673813334725 2009-09-14 21:04:05 2009-09-14 21:04:05 1 0 5621 janjan noreply@blogger.com http://www.blogger.com/profile/04386656208270221942 2009-09-14 19:54:23 2009-09-14 19:54:23 1 0
Jan in F.N.T.Queensland australia]]> 5622 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-09-14 19:33:10 2009-09-14 19:33:10 1 0 5625 Branlaadee noreply@blogger.com http://www.blogger.com/profile/06678286378713089390 2009-09-14 17:18:56 2009-09-14 17:18:56 1 0
And hi...I just hopped over here from the Floss Queens blog.]]> 5627 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-14 13:30:24 2009-09-14 13:30:24 1 0
Thanks for your comments!

Yes, I agree on the nap theory and the hours of stitching theory. I have decided to subscribe to them both, at least once a day, but more if necessary!!!

CA - I saw your beads the other day - a magnificent project, and I can see how it would be worthwhile to be 10 minutes late for work, for that last inch o' thread! >:-) But hey, don't let me be a bad influence!

Cynthia - I'm using regular DMC stranded cotton embroidery floss, which you can buy just about anywhere that carries needlework supplies - including fabric stores, etc.]]> 5629 Cynthia Nicole noreply@blogger.com http://www.blogger.com/profile/15956151327066448551 2009-09-14 11:16:45 2009-09-14 11:16:45 1 0 5630 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-09-14 09:33:18 2009-09-14 09:33:18 1 0 In my case, 15 min. intervals of stitching don't work that well. For me is like taking a 30 min. nap when what I really needed was a 2 hour one, short naps make me cranky !

So what I try to do is push things around in my schedule in order to be able to accumulate enough time ( at least 2 h.) to sit and stitch, even if that means only one long section a week instead of a few short ones through the week.
This is the only way I really enjoy and feel refresh working on a project !]]> 5633 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-09-14 05:51:10 2009-09-14 05:51:10 1 0
I understand how you felt about those three stitches but you are far more disciplined than me. I would have done them before packing up, like this morning when I had just an inch of thread remaining. I thought "it will only take a minute to use that". Actually, you can stitch a few beads on with an inch and then of course you have to fasten off the thread and trim it. In the end I was 10 minutes late for work :-O

I am really close to finishing this piece with only an hour or two of stitching remaining. When I can see the end of a project I can't wait to finish. I will have to get up earlier so I have more time for beading :-D]]> http://www.blogger.com/ Sun, 13 Sep 2009 08:34:00 -0500 Mary Corbet 212 2009-09-13 08:34:00 2009-09-13 08:34:00 open open How-Do-You-Do-It?-Needlework,-Blogging,-Time-Management,-and-Individual-Differences draft 0 0 post Do I Really want my readers to know how boring my life is?!?"

A couple quotes from recent e-mail will demonstrate the nature of most of the time-management-related questions I receive:

"Between working and blogging, how do you have time for embroidery or anything else? I started a blog a year ago and its dying because I can't keep up with it. I'm a SAHM with two kids who are both in school most of the day, but I still can't keep up my blog and get any projects done... Will you write an article on how you manage to do things...?"

Or there's this one:

"I was a teacher for 21 years and finally quit because I felt like there was never time for me. I started my own business but it failed, and now I work from home doing finish work for my LNS. I want to start a website so I can get online business, but I don't know if I have time to keep up with it since I have a husband and house and my son is still at home in high school. How do you manage teaching, writing on your website and everything else and still have time for you... Can you give me some pointers?..."

[Beware when you e-mail me questions! I may quote you for the world to see! Seriously, though, these are quoted with permission, and I warned the writers of them that my answers might not be quite what they expect.]

Several points come to mind when folks ask me questions like this. While I can't tell you how to arrange your own life, I can tell you a few things that may help you understand why things work for me.

1. Individual Differences: I am me, you are you. I know it's stating the obvious! We are different people, probably in entirely different circumstances.

2. I am not a "Me Time" person. I am with me all the time, whether I'm doing something for me, or whether I'm doing something for someone else. I really don't need extra Me Time to spend more time with Me! This is a matter of perspective. If you are unhappy because you don't have enough "Me Time," then you might need to change your perspective. The fact is, as social beings, we all have demands on our time - whether in the society of the family, or in the workplace, or wherever we have obligations. Neglecting the things that we're supposed to do, just in order to have "Me Time," will not make us happy. If you are debating about doing something that is not a required activity or duty - such as starting a blog or website - and it's going to make you unhappy because "you don't have Me Time," then don't start a blog. But if you need to start a blog or a website, because you need to drum up business to pay the bills, then you might have to sacrifice your notion of "Me Time." If you change the way you consider "Me Time," then sacrifing your "Me Time" won't be a big deal.

3. I get up early. You can get a lot done in the morning if you get up early. I have to be in the classroom at 8:30 am. I live two minutes from work. I could get up at 7:00 am and still comfortably get to work without rushing. For that matter, I could get up at 7:45 am. I get up at 5:00 am.

4. I go to bed when I go to bed. This doesn't change the time that I get up.

5. On Saturdays and Sundays, I get up early. I don't sleep until 10:00 or 11:00, just because it's the weekend. To me, weekends have a purpose: to get things done!

6. Needs first, then Wants. Do what needs to be done first, then do what you want to do.

7. I live according to a schedule, but it is a relatively flexible schedule. I check my e-mail and work on my blog at set times during the day. I schedule my weekends in advance, making a list of the things I want to accomplish. If something comes up, I tweak the schedule - making up time in one place or another, until the things I need to accomplish are accomplished, so I can get on to the things I want to do.

8.




]]> http://www.needlenthread.com/2009/09/linen-for-hand-embroidery.html Sat, 12 Sep 2009 09:51:00 -0500 Mary Corbet 213 2009-09-12 09:51:00 2009-09-12 09:51:00 open open Linen-for-Hand-Embroidery publish 0 0 post

The range of types and quality of linen for hand embroidery is pretty vast. It's Very Vast, actually. In sharing my experiences with linen, I'll only be talking about a limited selection of linens available for needlework. I'm always happy to hear about different types of needlework linen, where it's available, and what people like about it - so if you have any input on this subject, please do leave a comment below so that we get as broad a view as possible on different types of linens.

That being said, some linen made for needlework I just can't stand. Have you ever gone into the local craft store - Joann's, Michael's, Hobby Lobby, Hancock Fabrics, etc. - and explored the fabrics in the needlework section? You'll sometimes find linen there - it comes folded in bags hanging on hooks or rolled in plastic tubes. I'm not sure of the brands off the top of my head, but I fear some of those packages are probably DMC. Now, I like DMC stranded cotton for an everyday embroidery floss, but golly. Those packages of linen just don't do it when you want a quality fabric. They're ok for learning on, I suppose, but when you're ready to kick things up a notch, it's time to look for better linen.

So, here's some linen talk that may help you decide on what kind of linen you want to use, and some sources for buying linen for needlework.

First of all, what is linen? It's a fabric made from the inner skin of the flax plant. It's been around as a fabric for thousands of years. Way back in history some four or five thousand years ago, the Jews of the Old Testament used it, the Egyptians used it (before they got into cotton, I suppose!), as did the Greeks and the Romans, and eventually, it moved north into Europe with the re-civilization of Europe after the fall of Rome. We can say that flax has been woven into fabric, then, across pretty much all the known ages of the written history of Western Civilization. It's Old Stuff.

Linen has always been somewhat expensive, and this is due to the way it must be harvested, processed, and woven. If you want to read about the making of linen - from harvest to weaving - from an historical perspective, with nice photos along the way, take a look at the article "Linen Weaving" on Maggie Blanck's website. It's really interesting! I stumbled across it a while ago when I was preparing a teaching unit on the book Silas Marner.

When considering linen for needlework, it's necessary to determine ahead of time what type of project you're planning to stitch, because the type of project will determine the type of fabric you want to use. For example, if you're stitching a counted cross stitch piece, you'll want "even weave" linen. If you're stitching a crewel work piece (or something similar to it), you might want to use linen twill. If you're stitching goldwork and you want a linen ground, you don't necessarily need something as heavy as twill, but you'll want a good, sturdy linen (probably with a closer weave, higher thread count - but not necessarily even weave). If you're working regular surface embroidery - say, a fine needlepainting project - you'll want a lighter weave of linen (but not too light that it's flimsy), with a higher count thread that's firm enough and closely woven enough to support all the stitches. Oh, so many things to consider!!

Then, of course, there's the question of quality. Are you stitching a project in which you are investing much time and money, to produce a work of art that you want to last for a long time? Then you probably want to use a good quality linen.

In considering quality of linen, you have to go back to its origins - the flax crop. Flax crops around the world vary in the quality of flax they produce. Flax is grown in many countries, and linen is woven in many countries - from Ireland, to Germany, to Egypt, to Italy, to China, to the US, and so on. It seems to be the common opinion, though, that flax grown in Belgium and other close-by areas of northern Europe is the "best" flax for making linen. Belgian linen is usually considered good linen. Though my experiences in fabric do not encompass every type of linen made in every region of the world, I have tried lots of different linens for stitching. I have to say that I have never used a Belgian linen I didn't like. Even the less-expensive Belgian linens I've tried have been pretty nice.

And that brings us to the question of expense. By less-expensive Belgian linen, I'm talking about $30 - $40 / yard. Many fine quality needlework linens are more expensive than this.

My all-time favorite linen is Legacy linen. It's a Belgian linen woven with nice plump threads, and though it is not all even-weave fabric, even the plain weave comes close to being even weave, as the warp and weft threads are generally pretty evenly sized. It has a GREAT hand. It's got body, but it isn't stiff, and it isn't prepared with sizing to give it body - even after washing, it still retains its nice drape along with linen crispness. It irons beautifully. I just love Legacy linen. But... it is ... whew. Expensive.

On the bright side, we don't normally use a whole yard of linen for a needlework project, do we? So retailers often make good linen available in popular-sized cuts.

If you're looking for good linen, here are the brands that I think range from Very Good to good, and readers are welcome to add their input for their favorite types of linen in the comments below, too:

1. Legacy linen - my all-time favorite. I think it's the best linen on the market, personally.

I buy different types of Legacy linen through various sources:

Hedgehog Handworks now carries a good range, especially if you're looking for linen suitable for historical needlework. Out of the linens listed there, I love the alabaster angel, alba maxima, and ecclesiastical.

Needle in a Haystack carries a decent line of Legacy linen, including even-weave.

Wyndham Needleworks (it takes them forever to fill an order - if you don't mind waiting two or three weeks, though, it's a decent source).

Lakeside Linens, by the way, offer some hand-dyed Legacy linens, so if you want the hand-dyed look with the quality of Legacy linens, see what Lakeside Linens has to offer in this line. I haven't tried any of the Lakeside Linens, because I don't normally work on colored fabric, but I've got a project brewing in my head that requires a nice light buttery yellow ground fabric - I may be contacting Lakeside Linens or one of their retailers to see what they have.

2. Weddigen linen - this is a new-to-me linen that I discuss in this article on Schwalm whitework. I've also given the source for it in the article. It's available in two even-weave thread counts, approximately 32 threads per inch and 50 threads per inch. It's a nice linen, and I intend to use it in the future for other projects besides Schwalm.

3. Church linen - I have ordered excellent linen from Church Linens and Vestments. Elizabeth Morgan stocks one kind of linen and it is perfect for church linens as well as any kind of surface embroidery that you want to work on white linen. It's a nice quality linen for surface embroidery and very reasonably priced at $27 / yard (54" wide). I like it a lot, and I'm pretty sure she's still selling it. I need to order more!!

4. Combinations of various types of even-weave linen, from Zweigart to Graziano (Italian linen) to Lakeside Linens can be purchased through various needlework shops online. I have not tried Graziano linen, but I would like to one of these days. Zweigart is ok for counted thread work, and Lakeside linens are actually other types of linen (like Legacy, Zweigart, Graziano, etc.) that are hand-dyed - I mentioned them above under Legacy linen.

Some sources for a variety of linens:

I like Shakespeare's Peddler - she has a good selection of fabrics and is very friendly and easy to order from (she can send a Paypal invoice, which is very convenient).

Nordic Needle carries a wide variety of popular even-weave linens. They don't seem to carry higher end linens (like Dower quality linens - Legacy, Strathaven, etc.) but they have a good selection of decent even-weaves.

Needle in a Haystack - already mentioned above - has all kinds of different types of needlework linens, including some of the higher-end linens like Legacy.

You've probably noticed that my sources overlap, but that's the way it is - I order from a fairly limited selection of shops, but they all carry good linen, have great service, and fair enough prices.

What about you? What type of linen do you use and where do you buy it? What's your favorite type, and why do you like it? Feel free to comment and help me broaden the topic a bit, so that readers can benefit from your input, too! Thanks heaps!

Enjoy the weekend!
]]> hand embroidery information embroidery resources embroidery tips and tricks needlework websites fabric for embroidery linen 5635 Ruth O'Leary noreply@blogger.com http://rutholearytextileart.blogspot.com/ 2009-09-13 12:26:53 2009-09-13 12:26:53 1 0 5636 margaret c. noreply@blogger.com 2009-09-13 10:40:09 2009-09-13 10:40:09 1 0
What is the definition of 'dower linen'? I keep meaning to look into this, but haven't had time. Is it linen of such a quality that one would include it in a dowry?

I too am curious as to what thread counts are considered suitable for surface work. I can tell by looking at a fabric if it would be suitable for my purposes and have sort of figured out over time what counts to look at. Is there a rule of thumb for counts and surface embroidery?

I bought some decent handkerchief linen from fabrics.com. I've bought some other heavier weight linens there, but I think they are a bit too coarse for fine embroidery work. They're OK for doodling. By the way, I've bought some fabulous dupionis from fabrics.com.

I have recently bought some linen from http://www.fabrics-store.com/ and it seems a bit coarse, but probably OK for doodling. It might work for crewel, but I don't think I'd use it for fine work. I don't think I bought the finer quality fabric as I was looking for a specific colour and it was only available in the heavier weight. They have a nice (free) sampler card that contains the different weights of their fabrics. The prices are good, too.

I bought a lovely piece of white (oyster?) linen twill from Haystack recently. I may be wrong, but it seems to be a slightly (just slightly) lighter weight of fabric than the 'regular' linen twill that I am familiar with.]]> 5643 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-09-12 16:30:39 2009-09-12 16:30:39 1 0 5644 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-09-12 15:50:46 2009-09-12 15:50:46 1 0 Speaking about DMC linen, it is not the one I would like very much. But I made some cross stitching on it and I can say that some patterns look very nice (especially stitched with DMC linen thread).
Sometimes I use Lithuanian linen and if I find a good price, it could cost about $1,5-2 (for a metre). Normal prices are about $10.
But the best linens I used were from my friends. Few of them had some linens weaved at home and the threads also were spinned by hand, without the use of machines. The quality was absolutely perfect. Alas, we are too civilised and most of our weavers are dead.]]> 5645 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-09-12 14:13:56 2009-09-12 14:13:56 1 0 This was so very helpful. I have been hoping that you would discuss linen (and other fabrics, too) for embroidery. But I am still confused about thread count. When I ask for linen at various needlework shops, they always ask me what count I want. I do surface embroidery but not counted cross stitch.
Thanks,
Michelle]]> 5646 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-09-12 14:07:23 2009-09-12 14:07:23 1 0 Mary, thanks for the history lesson in addition to the good advice on linen fabrics!
Kathy]]> 5647 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-09-12 13:09:03 2009-09-12 13:09:03 1 0
ThreadneedleStreet.com in Issaquah, WA carries a very nice Ecclesiastical linen (though I'll have to check out your sources!) that I like as a basis for goldwork and fine silk embroidery. She also carries traditional linen twill for crewelwork... but says that she actually cuts out the flaws for customers, and that there are a lot of them! She, (and I) is looking for a better source. Ideas? She's also got a nice oyster linen that's suitable for crewelwork.

I recently got some samples of clothing and canvas weight linens from http://www.fabrics-store.com/. I think I'm going to order some and see how it works. They're a bit cheaper, and they cater to the Renaissance faires and historic re-enactors. I'll let you know what I think when I get it!

The linens in the big box stores are usually either charles craft or DMC. I'll use the charles craft in a pinch for counted work, but the threads on both of them are very sparse and because of that the fabric is almost transparent, even in the darker colors.

OH! I also Really like the hand dyed Zweigart's linen from SilkWeaver.com Her dye work is amazingly beautiful!]]> 5648 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-09-12 12:57:19 2009-09-12 12:57:19 1 0 5649 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-09-12 12:54:16 2009-09-12 12:54:16 1 0 5650 Cynthia Nicole noreply@blogger.com http://www.blogger.com/profile/15956151327066448551 2009-09-12 12:37:56 2009-09-12 12:37:56 1 0 I was thrilled to see this post on linen after asking you so recently about it.
You're a gem.]]> http://www.needlenthread.com/2009/09/gold-embroidery-needles-are-they-better.html Fri, 11 Sep 2009 04:32:00 -0500 Mary Corbet 214 2009-09-11 04:32:00 2009-09-11 04:32:00 open open Gold-Embroidery-Needles:-Are-they-Better? publish 0 0 post better for stitching. This is the concept, anyway, but does it hold true?

Some embroiderers have told me that they stitch exclusively with gold needles because of allergies. They find that other needles tarnish quickly in their hands, or bother their skin. In these cases, they've found that gold needles are a good solution for them. But if you don't have skin allergies or reactions to regular steel needles, what is the advantage of stitching with a gold needle?

Most needles today are made out of high carbon steel that is stretched to the correct size, cut, sharpened, punched, and plated with nickel. Hence, folks with nickel allergies usually look for specialty needles that are plated with something else. That something else can be gold or platinum. Here, we're looking specifically at gold-plated needles.

According to various descriptions of gold needles (in retail shops, manufacturers websites, etc.), gold needles are superior to other needles and are resistant to corrosion from humidy and body oils. According to one website, "gold needles cost a little more than steel but they impart a real sense of quality to your needlework."

Available here in the US, the most common gold needles are made by DMC, which offers 18k gold plated embroidery and tapestry needles in various sizes. John James (made in England, but widely available in the US) also makes a line of gold needles, though I am uncertain of the range of gold needles they produce. I know they produce gold tapestry needles in sizes sizes 20 - 28, and petite tapestry needles in sizes 22 - 28. If you have a popular needle company in your own country and are interested in gold-plated needles, you might want to check to see if they produce any gold plated embroidery needles.

Now, about the needles specifically. Are they really "better"? Do they really "impart a sense of quality to your needlework"? (Um - logically speaking, I don't think that claim flies, but anyway...) They cost more, certainly. For about a dollare more than a package of six John James regular tapestry needles, you can purchase three John James gold plated needles. So they cost more than twice as much as regular needles. Incidentally, John James platinum coated needles cost about $2.50 more per package, and you get... 2.



In the photo above, the needle on the left is a size 26 gold-plates tapestry needle (by John James). The needle on the right is a regular steel needle plated with nickel, John James, tapestry #26.

I started using the gold-plated needle because I was looking for a #26 needle, and I had a package of gold plated ones close at hand, so I grabbed 'em. I used this particular gold-plated needle in the photo above for several hours of stitching - probably six hours all told.

When I first started stitching with it, I did notice a different "feel" to the needle. Really! It feels different as it passes through the fabric. It is pleasantly smooth, and it almost seems "squeaky" smooth as it goes through the fabric. There's no resistence or anything, but there is definitely a different feel to it. It glides in a squeaky clean kind of way. (How do you describe how a needle feels??!)

So, away I stitched.



I really hadn't thought too hard about gold-plated needles before this particular incident of stitching. I have a few gold needles, but have never used them any length of time.



In the photo above, the needle on the left is the one I used for about six hours. The needle on the right is new from the package.



But, this is the thing - and I realize it may just be an individual difference in skin and body chemistry, so you can't take this as an absolutely "objective" review of gold-plated needles. After about six hours of stitching with the gold-plated needle, it started to feel "sticky" as it passed through the fabric, rather than smooth and squeaky. I had to push it through - it had stopped gliding smoothly.

On closer inspection, the wear on the coating was obvious. On the shaft of the needle, there were darker areas of wear, and, as you can see in the photo above, the shaft is dull rather than softly shiny.

I still like the initial feel of the gold needles, and I am going to use the other two. I'll try cleaning my hands a different way to see if that helps allay the corrosion of the gold finish.

But I have to admit, since I haven't experienced any allergy problems with nickel, or any corrosion problems with the standard list of needles that I use - John James, Richard Hemming (not my absolute faves, but they're ok), Bohin, and some Wendy Schoen needles - I probably won't make a habit of paying extra for gold coating.

That being said, I really do think I need to try platinum! Just for curiosity's sake!

What are your experiences with gold plated needles? Do you use them? Have you ever had corrosion issues? How about with regular nickel-plated needles? Any insights!

Have a terrific Friday!
]]> needles needlework tools pictures 5561 Alice noreply@blogger.com http://www.blogger.com/profile/00526785508873914721 2009-09-22 18:20:07 2009-09-22 18:20:07 1 0 5587 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-17 07:38:48 2009-09-17 07:38:48 1 0
Which brings me to this point: given my propensity to lose needles, I can't imagine paying the price for 10K or gold-filled ones!!! However, I would not be adverse to having one in my "specialty" supplies - which hardly ever get used. But then again, that sort of undermines the whole purpose of a needle!

Thanks, all, for your comments and insights on this post!

MC]]> 5588 Brittany noreply@blogger.com http://www.blogger.com/profile/11262368638637841764 2009-09-17 01:08:02 2009-09-17 01:08:02 1 0
the only way I see a gold needle working well and consistently from opening the package through last use, is if it were either a solid, 10k or better gold needle, or a 14k or above gold fill needle(which means 20% of the needles weight is gold).]]> 5590 glenda noreply@blogger.com http://www.n8kpl.net 2009-09-16 19:16:38 2009-09-16 19:16:38 1 0 5614 RachelW noreply@blogger.com 2009-09-15 11:19:27 2009-09-15 11:19:27 1 0 I find them easier to work with, and they don't go depressingly rusty on me!

Seems like it depends on body chemisty...]]> 5624 janjan noreply@blogger.com http://www.blogger.com/profile/04386656208270221942 2009-09-14 19:11:19 2009-09-14 19:11:19 1 0 I wish I could find the packet so I could see who manufactured mine.
I loved them initially but after a few housrs of stitching found them to be 'sticky' and definately not going through the material smoothly. Living in the tropics normal needles tend to tarnish after a while so I end up throwing away quite a few, so I thought maybe paying more for the gold plated and getting them to last longer would be the best bet. How wrong was I. Not seen the platinum ones, though I haven't really looked.
Jan in far north tropical queensland, australia]]> 5641 Anonymous noreply@blogger.com 2009-09-13 04:21:57 2009-09-13 04:21:57 1 0
Jacqui]]> 5652 Karen noreply@blogger.com http://nimbleneedle.net 2009-09-11 22:54:39 2009-09-11 22:54:39 1 0 5653 Andrea J. noreply@blogger.com http://www.blogger.com/profile/09319447475289414131 2009-09-11 16:17:58 2009-09-11 16:17:58 1 0 5654 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-09-11 15:10:00 2009-09-11 15:10:00 1 0 I've had the same experience. The gold needles (at least John James, which are the only ones I've tried) do seem to lose their finish easily and stop gliding as well. As for platinum needles, I dimly recall trying them, but they didn't seem to be any better than your standard needle. I do have a friend who has problems with nickel, though, and she swears by the platinum.

Within the nickel needles, I find that needles from certain manufacturers are better than others. I refuse to buy DMC needles because the eyes often break on me. John James needles handle well, but the eyes are often slightly bent, pinched, or rough. As much as I don't like the political / religious overtones of the group that puts out Piecemakers needles, I can't argue that they make GREAT tapestry needles. But that's just me...]]> 5656 Cindy in Oregon noreply@blogger.com 2009-09-11 12:20:39 2009-09-11 12:20:39 1 0
I've always wanted to try a SOLID gold or platinum needle!]]> 5657 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-09-11 12:11:33 2009-09-11 12:11:33 1 0 5658 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2009-09-11 11:52:06 2009-09-11 11:52:06 1 0
Try the same test with a regular steel needle. If you take a new needle, it will probably stitch better than an old one. The nickel will probably last longer than gold, as gold is softer, but I'd bet a new needle or either kind would stitch better than an old one.

Sally]]> 5659 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2009-09-11 11:07:00 2009-09-11 11:07:00 1 0
Oddly enough, I'm allergic to gold. I can't wear gold plated earrings for more than a few hours or it will bother the piercings quite a bit. My aunt is the same way, and my grandmother can't wear metal against her skin at all. Maybe that affects needle corrosion, I don't know.]]> 5660 Gina ginab6@yahoo.com http://www.blogger.com/profile/17127914310809216760 2009-09-11 10:46:48 2009-09-11 10:46:48 1 0 :-)]]> 5661 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2009-09-11 10:17:34 2009-09-11 10:17:34 1 0
To me, the bit about "imparting quality" isn't as much about altering the appearance of the finished piece, as it is about changing the experience of working - I love working with beautiful tools, and they impart a sense of dignity and beauty to my working - the actual time I spend making something - whether or not it shows in the finished stuff. I have a little turned wood case for needles, and a matching one that holds my scissors - they don't even touch the fabric, but I do think that using beautiful and elegant tools helps me to get my head right for the work, and that can show.]]> 5662 Karen noreply@blogger.com http://www.blogger.com/profile/18197717203814124107 2009-09-11 10:03:57 2009-09-11 10:03:57 1 0 5663 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-09-11 09:59:45 2009-09-11 09:59:45 1 0 5664 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-09-11 09:58:21 2009-09-11 09:58:21 1 0 5665 Samanta noreply@blogger.com 2009-09-11 09:32:23 2009-09-11 09:32:23 1 0 5666 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2009-09-11 09:09:07 2009-09-11 09:09:07 1 0 5667 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-09-11 08:52:21 2009-09-11 08:52:21 1 0
Recently I started having the skin on my fingers to split, exactly where I held the needle and where the thimble rests. Frankly, I would have preferred another platinum needle but was able to readily get gold instead. I thought it was rather sticky to begin with and ran it into my emory a few times to clean it up. Perhaps I have just become accustomed to it but it's working OK although I believe the gold plating is wearing off. I got a gold thimble around the same time and my fingers haven't been splitting although that may start again if the gold plate totally wears off the needle.]]> 5668 Janice MIller noreply@blogger.com 2009-09-11 08:44:14 2009-09-11 08:44:14 1 0

I am a needle-holic. Comes from having one needle as a kid learning and it became chipped and rough. NOw I hardly go to a fabric store without coming out with some kind of needle.
I always wanted a gold needle and finally went to this site and ordered some size 7 embroidery needles from the UK. IT cost me about 10 total.
I am in love with them. They pass thru great and I haven't had the tarnish problem at all.
Janice Miller]]> 5669 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-11 08:05:53 2009-09-11 08:05:53 1 0 5671 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-09-11 07:27:00 2009-09-11 07:27:00 1 0 5672 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-11 07:08:37 2009-09-11 07:08:37 1 0 5674 marmotte-stitch noreply@blogger.com http://marmotte-stitch.livejournal.com/ 2009-09-11 06:04:51 2009-09-11 06:04:51 1 0 http://www.needlenthread.com/2009/09/long-and-short-stitch-shading-lesson-7_10.html Thu, 10 Sep 2009 04:21:00 -0500 Mary Corbet 215 2009-09-10 04:21:00 2009-09-10 04:21:00 open open Long-and-Short-Stitch-Shading-Lesson-7:-More-Complex-Leaf publish 0 0 post

If you've just popped in, you can find the rest of these lessons on long and short stitch in the Long and Short Stitch Lesson Index. We're working incrementally through a small sampler in order to practice filling and shading with long and short stitch.

In today's lesson, the leaf that we're working is pointind downwards, and it has some little spikes on its outer edge. We're going to be working from a dark edge to a lighter center. Other than the shape and the direction of the color changes, the concepts are much the same as those used in Lesson 6, where we stitched a simple flat leaf shape. We'll be cutting in a bit of color for shadows on this leaf, but I think you'll find, overall, that this leaf is fairly simple if you've already worked the flat leaf in Lesson 6.

For this lesson, you will need the following colors of DMC stranded cotton: 469 (dk green); 471 (med. green); 472 (med-lt green); 613 (pale green); 3012 (med. olive green) and 814 (burgundy)



Split stitch the outline of the leaf. To do this, you can use 469 (dk green). I used 613 (pale green) because I was planning different color placement, originally. If you are afraid you won't cover your split stitch line completely, use the dark green because it's the color on the outside of this leaf. If you don't generally have problems with the outside edge, it really won't matter which green you use for the split stitch outline.



Draw in your directional lines and your shade spaces. I'm afraid I made another mess with my pencil lines, so here's a cleaned up version so you can get a better idea of where to sketch in your lines!



The dark purple lines are stitch direction and the green spotted lines indicate shade changes.



Beginning with the darkest green (469) and working on the left side of the leaf, stitch in directional lines for the outer edge of the leaf. Fill in between the directional lines with long and short stitch, in the same manner covered in previous lessons.



As the stitch direction changes, the stitches "fan out" a bit - that is, they are closer together on the inside of the leaf, and slightly farther apart on the outside of the leaf. Notice that there is some tiny space there between the stitches next to the split stitch line. This won't be noticeable at all, because the "fanning" out of these stitches isn't that extreme. If, however, you notice that, in fanning your stitches out so that they lie in the correct direction, there is a noticeable space between your stitches at the split stitch line, take a small stitch over the line (forming a "short stitch") to cover up the split stitch line. Tucking in a little stitch here and there to fill a gap is not only fine, but it's often quite necessary!



Work long and short stitch in dark green around the outside edge of the leaf, filling it in completely. Your long stitches may be as long as a quarter inch here.



On some parts of the leaf, where the little spike sticks out, you can take one stitch from the tip of the spike and completely cover the split stitch line with it (it will run in the same direction as the split stitch line, so you'll basically be stitching a straight stitch from the tip of the spike on top of the split stithch line to cover it up.



After you've finished the dark green all around the left side of the leaf, change your thread to medium green, 471. This will be your second layer of color. Remember to go deep into the first layer as you stitch, and to alter where you start your stitches, so that the starting points don't create a line on the leaf.



Here's the stitch direction again.



And here's the completed second layer. Once you finish the second layer, switch threads to med-light green (472) and stitch the third shade of color towards the center of the leaf, leaving room for one more shade.



As you get to the base of the leaf with the third layer, you will probably be running into the center vein. That's ok. In this area, which is slightly crowded, you can take the third layer of color all the way in to the center vein. This is the circled part in the photo above.

On this leaf, you want to keep your central vein area as neat as possible, and you want all your stitches to meet, if possible. Although you will be stitching a vein as you did in Lesson 6, the vein on this leaf is not as thick.



This is what the leaf should look like after stitching the third shade of green. Now, switch your thread to the palest green 613. This is the color you will use to fill in the center of the leaf.



Notice in the photo above that I "cut in" some small stitches in 613, into the stitches that have already met the center vein at the base of the leaf. This is to lighten up that area, so that the color change does not seem so drastic.



Finish filling the center area with 613, taking your stitches all the way to the vein line in the center of the leaf. Once you've finished filling the center with 613, change your thread again to color 3012. In the very center of the leaf, where 613 meets the vein line, "cut in" some tiny stitches in 3012, to create a shadow along the vein line.

I'm not sure if "cutting in" is a legitimate term. That's what I call it when a few tiny stitches are being added to an area where the color is already stitched in. So, basically, you're splitting stitches that are already there - you don't have any filling space left, so you're just adding these tiny stitches into the stitches already there.

You've pretty much finished the left side of the leaf, so now it's time to move to the right side.



Again, stitch in directional lines with dark green, 469.



Fill in the dark green in long and short stitch on the outside edge, from the tip all the way to the base. Make sure you cover the base split stitch line.



Now, switch to color 471 again, and stitch the next layer of color. When you finish the second layer, it should look something like the leaf in the photo above.



Now, you're going to switch directly to the palest green (613), skipping the light green layer. Fill to the center, with the exception of a small area, as shown in the photo above. Change your thread to medium olive green (3012) and fill in the remaining area.



You can also "cut in" some tiny stitches of 3012, all the way up the vein line towards the tip, as shown in the photo above.

Once you finish filling in a bit of a shadow next to the vein, take your thread to the base of the leaf, coming up in the center on the vein, and work a long split stitch line along the vein in 3012, to help define the center of the leaf. The "vein" you are now stitching should not extend all the way to the tip.



For the stem, I split stitched around the edges in 3012, and then satin stitched in the same color all the way down to where the stem meets the leaf. As the stem narrows, the satin stitches become very tiny.



This is the leaf so far. The stem is a bit too large for the leaf, methinks!



Now, to make the leaf pop out a bit, I took the burgundy (814), and stitched a tiny straight stitch in burgundy on the inside edge of each spike on the leaf. This may look better in a darker brown, but I used the burgundy since it is on our color list. If you have a darker brown on hand and want to use it instead, feel free to do so!



Ta-dum! You've finished Lesson 7! Only two more lessons to go!!

If you want to visit the other lessons in this series, go to the Long and Short Stitch Lessons index, where you'll find the whole list of lessons so far, including one with three videos demonstrating long and short stitch.

If you're following along with the lessons so far, you can add your photos to the Needle 'n Thread flickr group if you would like feedback on your progress.

And, finally, here's a PDF version of this lesson, if you'd like to print it out:

Lesson 7: Long and Short Stitch Shading - a More Complex Leaf (PDF)

Enjoy the lesson! Feel free to ask any questions or add comments below!
]]> stitchalong lessons needlework tutorials stitch along pictures embroidery tips and tricks needlepainting long and short stitch embroidery lessons needlework pictures 4880 jeannie noreply@blogger.com 2009-10-20 07:47:49 2009-10-20 07:47:49 1 0 5480 Linda linda.boudreau@gmail.com http://www.blogger.com/profile/15715321609008622071 2009-09-24 11:40:45 2009-09-24 11:40:45 1 0 Linda]]> 5651 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-12 10:01:13 2009-09-12 10:01:13 1 0
1. gaps on the front of the embroidery. While stitching, you might not see gaps in your stitches - and yet, when you hold it under different light, you can. Consider that your embroidery may be viewed under all kinds of different lighting conditions - do you want the gaps to be visible? Probably not. If you have gaps in your long and short stitch on the front of your embroidery, and the gaps are visible when you scrutinize your work under good lighting, you should take measures to correct that. That being said, there are times when the slightest "gap" (especially at the edges when 'fanning' stitching out towards the edge) is really NOT visible, unless you are really being scrupulous in looking at the piece. What you want to avoid are gaps that show up under regular scrutiny - not gaps that you imagine are visible to everyone, but really are only visible to you because you know they are there. It's a difficult question to answer, in this regard.

2. "Gaps" from backlighting. You hold your needlework up to light, and you see that your long and short stitch seems denser in some places and not so dense in others, and so it seems that there are visible gaps. It's usually not the case. The stitching is denser in some areas, so if you backlight your embroidery, you are going to see different levels of light. It doesn't mean that you've failed to cover the area with stitching. It's interesting to backlight the work now and then, but don't judge the overall finished look of the embroidered area while looking at it in front of a light source!

Anyway, I hope that helps!

MC]]> 5670 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-11 07:59:35 2009-09-11 07:59:35 1 0 This is beautiful!
Thanks for your precious time with us, Mary!]]> 5675 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-09-11 03:27:57 2009-09-11 03:27:57 1 0 5676 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-09-10 21:07:55 2009-09-10 21:07:55 1 0 5677 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-10 20:50:07 2009-09-10 20:50:07 1 0
I have THIRTEEN leaves to stitch in an upcoming stumpwork class, so you can bet I'm avidly watching these leaf-shading videos.

Looking forward to the linen post.]]> 5678 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-10 18:32:06 2009-09-10 18:32:06 1 0
Thanks so much for your encouraging and kind comments. I like putting together these kinds of lessons, and I hope to be able to do more in the future, on different techniques. We'll see!!

Ahhh - LINEN. I love linen. I buy linen from lots of sources and I keep a pretty good supply of "favorite" linen in stock, using it sparingly. Instead of listing here a whole bunch of suppliers, wha tI'll do is write up a post on the subject. I'll have that up this Saturday some time, if that's ok. That way, the shops get a little more coverage, and more readers will be able to find the information (sometimes, info gets lost in the comments!)

So - Saturday. I've made a note to myself and stuck it on the front of my computer screen. If you don't see the post some time on Saturday, you'll know I've gone blind. :-)

MC]]> 5680 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-09-10 14:40:44 2009-09-10 14:40:44 1 0
I have the same question as Cynthia, above, regarding your sources for good linens on which to embroider.]]> 5681 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-09-10 13:20:43 2009-09-10 13:20:43 1 0 5682 Anonymous noreply@blogger.com 2009-09-10 12:44:12 2009-09-10 12:44:12 1 0 manythanks
it's so well explained!!and your photos :splendid
I'd just finished the bloc one and started the bloc 2.I think I have made a bad choice with my fabric i's too fine but I go on!!
Michèle]]> 5683 Anonymous noreply@blogger.com 2009-09-10 10:49:54 2009-09-10 10:49:54 1 0
I would like to ask you a question about long and short embroidery. It may seem silly, but I would like to get clarification from you. Whenever I do long and short embroidery I feel happy with the output, however, if I hold it against a light source, I could see some gaps in between the stitches. Is it OK as long as I don't see any gaps when I see it without a light source at the background? I beleive you will answer my query.

Thanks!]]> 5684 Cynthia Nicole noreply@blogger.com http://www.blogger.com/profile/15956151327066448551 2009-09-10 10:12:55 2009-09-10 10:12:55 1 0 Thanks much......]]> 5686 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2009-09-10 07:42:23 2009-09-10 07:42:23 1 0
This is just brilliant, so beautifully stitched and photographed. I must say it's one of the best 'lessons' I've ever seen. I'll be printing out the PDF, thanks!!! You're a gem!!]]> http://www.needlenthread.com/2009/09/lacy-paper-and-thread-im-twitterpated.html Wed, 09 Sep 2009 07:24:00 -0500 Mary Corbet 216 2009-09-09 07:24:00 2009-09-09 07:24:00 open open Lacy-Paper-and-Thread:-I'm-Twitterpated publish 0 0 post The Long Winter - where Laura received a box of silks for embroidery, but couldn't embroider with them right away because her hands were so rough (from twisting straw all winter). As an adult who loves to use flat silks for embroidery, I can totally sympathize with Laura, when she ran her hands over the silks from the missionary barrel, and realized she couldn't use them right away! At another point in one of the books, Laura embroidered Christmas gifts for her mother on card or paper - and my guess is, keeping with the popular trends of that time, it was on perforated paper. For some reason (gee, I wonder why?), parts of books that mention needlework have always captivated me, even if, as a kid, I didn't exactly know what embroidery on paper or card meant.

Embroidery on paper is no new thing. It was very popular in the Victorian Age, and today, it's enjoying a come-back, mostly in the area of card-making and scrapbooking. I've written about embroidery on paper before here on Needle 'n Thread, and I've even considered devoting a separate website to the topic (though whether I ever get around to it is another question entirely!).

Recently, Needleprint featured an article on about embroidered bookmarks made from perforated paper and ribbon. I thought the bookmark featured in that article was quite charming. It was not just the embroidery that caught my eye - I love the lacy little edge cut from the perforated paper! The article referred to a website in France, La Lambroquine, which specializes in perforated card or paper and the beautiful things that can be created with it. I found myself completely enchanted by some of the books featured on the website and ended up purchasing a couple. I'd like to show you one.



The book, Broderie et Dentelle sur Carton Perforé, is devoted to embroidery and thread on perforated cardstock or paper. The projects within the book are really beautiful! And though the book is written in French, the instructions are easy to follow thanks to the abundant photos and diagrams within its pages.



Perforated cardstock is certainly ideal for counted cross stitch. The perforations form a grid, so any graphed design - like the monograms in the photo above - are perfectly suitable for perforated paper.



But the projects in this book go beyond embroidery. By cutting out elements from the perforated cardstock, intricate lacy designs are created, forming an elegant frame for embroidered centerpieces.



The book shows different historical pieces made from decorated paper, and, using these historical pieces as models, presents a new approach to re-creating the same or similar looks with modern materials. This pretty lamp shade, for example, mimicks a similar antique lampshade made from embossed and perforated paper.



Embroider techniques on perforated paper are not limited to cross stitch, as this pretty card demonstrates. Satin stitch and straight stitch are used here in combination to form a colorful border and a sprinkling of sweet little flowers.



In the back of the book, you'll find diagrams and charts for all the featured projects. The charts indicate where to stitch on and where to cut the perforated paper.



If you aren't able to read the French instructions, you can rely easily on the clearly presented diagrams that show how to achieve the different lacy results from the cutting the paper certain ways.



La Lambroquine also carries a wide assortment of perforated card stock in different sizes. I ordered a smattering to have on hand to play with, thinking ahead to Christmas cards, gifts, tags, and so forth.



The cardstock has approximately 18 holes per inch, which is a nice count for adapting monograms and designs.

Ordering from La Lambroquine was easy - they accept Paypal - and though it took about two and a half weeks for the package to arrive, it was worth the wait!

I'm quite twitterpated with this new (to me, anyway) twist to embroidering on paper, and I'm looking forward to playing with these cutting and stitching techniques in the future. Come November, I plan to have time to make a few Christmas cards and gifts! It the plan pans out, I'll let you know!
]]> book review embroider on paper pictures 4951 Tania noreply@blogger.com 2009-10-13 16:30:21 2009-10-13 16:30:21 1 0
Thanks for your wonderful website and blog. I love all kinds of needlework even though I never seem to have much time to finish a product.

I hope you continue to feature paper embroidery in the future!]]> 5634 Glenda noreply@blogger.com http://wrenandstitchy.wordpress.com 2009-09-13 22:48:57 2009-09-13 22:48:57 1 0 5673 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-11 07:07:54 2009-09-11 07:07:54 1 0 Like you I like just to look at crazy quilting not try it.
And despite cross stitch was the only stitch I've learnt early in my life I'm not fond of it.
Lacy paper and thread doesn't call me too - but love look at it :))]]> 5679 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-09-10 14:45:47 2009-09-10 14:45:47 1 0 5687 Sheila noreply@blogger.com http://www.blogger.com/profile/09670417987332451311 2009-09-10 05:48:11 2009-09-10 05:48:11 1 0 5692 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-09 16:16:49 2009-09-09 16:16:49 1 0
Ok, enough of that! I haven't eaten lunch yet (at 4:00 pm!)

Oh, yes, there are techniques I've tried that I thought I would love, but found I didn't after a few attempts. Strangely enough, crazy quilting is one of those. I love looking at it, and I can get lost in all the beautiful stitch combinations and so forth. I practically drool over all the threads and embellishments that can be used so freely in crazy quilting. But I haven't liked it much when I've attempted it myself. Part of the problem is that I don't like piecing together the blocks.

I'm also not super-dee-duper crazy about counted cross stitch, though there are some aspects about it that I do like, and some types of designs that I like a lot, so, under certain conditions, I can be enticed into counted cross stitch.

I wrote about huck weaving not too long ago, and I gave it a go on the towel kits I bought at Nordic Needle while on vacation. I quickly passed them on to my nieces. They liked the kits, so that worked out well. It's not that I despise the technique, but it didn't grab me.

There are PLENTY of embroidery techniques that I have not tried! Every region, every area of the world has their special embroidery techniques - and I'd love to try all of them, but in the effort, I'd end up growing old and dying and never actually accomplishing any full project!!

It all boils down to the age-old complaint.....

So much to do. So little time!

Now.... Lunch!]]> 5693 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-09 14:44:14 2009-09-09 14:44:14 1 0 paper was in vogue in the 1980s, but it was nowhere near as classy as this.

I continue to be impressed by the depth and breadth of your needlework interests. I'm really curious -- have you ever found a needlework technique that you thought you'd like but then found you didn't? Or are there some forms you're not even tempted to try? You seem to have tried just about everything.]]> 5696 qwerty knittingdivine@hotmail.com 2009-09-09 12:07:45 2009-09-09 12:07:45 1 0 http://www.needlenthread.com/2009/09/needles-for-short-threads.html Tue, 08 Sep 2009 07:33:00 -0500 Mary Corbet 217 2009-09-08 07:33:00 2009-09-08 07:33:00 open open Needles-for-Short-Threads publish 0 0 post

Tapestry petites are little needles - a full quarter inch smaller than a regular sized tapestry needle - and they are ideal for getting the most out of your thread.



These needles, stuck in the needle felt block I keep my Japanese hand-made needles in, are both size 28 tapestry needles. Tapestry needles have a long eye and a blunt tip and are the ideal needle for counted thread work, needlepoint, petit point, and other techniques where you need a blunt tip that will help you avoid splitting fabric threads.

The needle on the left in the photo above is the tapestry petite.

You would not think that a quarter of an inch on a needle would make all that much difference, but it really does! The short needle allows you to work closer to the end of your thread, getting the most stitch coverage out of it, while still being able to manipulate the needle underneath the threads on the back when you're ready to tie off.

Tapestry petites do require some getting used to! That little needle, especially in a size 28 (which is relatively small for tapestry needles) is much more delicate, so your fingers have to get used to finding it. But once you're used to the smaller needle, you'll find it's a great tool for your stitching needs.



Tapestry petites come in different brands, but the local needlework shop where I bought my last bunch of needles only carries John James. That's quite ok - these are pretty good needles. I've never had a problem with them, even after long-term use.

One online source that I really like for needles, especially if I'm buying in bulk, is Colonial Needle. They have just about every type of needle you'd want for regular handwork, and their prices, shipping, and customer service are hard to beat.

So, if you're looking to get a bit more out of your thread, next time you buy needles, consider picking up some tapestry petites. I think you'll like them!

How about you? Do you use petites? Do you like them? What's your Favorite Needle?
]]> needles needlework tools pictures 5694 Anonymous noreply@blogger.com 2009-09-09 12:27:26 2009-09-09 12:27:26 1 0
JustGail]]> 5695 Anonymous noreply@blogger.com 2009-09-09 12:24:13 2009-09-09 12:24:13 1 0
I have some petites (brand is ??) but haven't used them yet. Thanks for the pointer to where to buy needles.

onafixedincome - I have a few of those "banana" needles also, but as long as they aren't so bent that the plating cracks (and then starts snagging) I keep using them. In fact they are often the ones I reach for first, it seems I have more control with them, esp. for sewing and embroidery.

JustGail]]> 5697 onafixedincome noreply@blogger.com 2009-09-09 09:58:22 2009-09-09 09:58:22 1 0 5700 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-08 21:43:47 2009-09-08 21:43:47 1 0 5702 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-09-08 18:05:36 2009-09-08 18:05:36 1 0
Ren]]> 5703 My 1st Bambina ! noreply@blogger.com http://m.flickr.com/#/photos/mygoals_mismetas/3900755195/ 2009-09-08 15:16:48 2009-09-08 15:16:48 1 0 2) Richard Hemming & Son ( 2nd fav. brand, shown in size 10)
3) Super Glide Big Eye Colonial Quilting needle (size 11, since is so little it helps with working with the end of the thread/floss)
4) Can't remember brand but this is a tapestry size 28, good for weaving on the surface though I have to admit that most of the time I use my embroidery working needle backwards for weaving.
5) Not shown, I also like using (any brand) "between" needle for bullions in one of the thinest sizes.

I too buy mine at www.colonialneedle.com.

PS= in addition of the ones above I've tried DMC, John James, Clover and others but, so far I'm liking S. Thomas & Sons better.]]> 5705 Sue A/TX noreply@blogger.com http://www.blogger.com/profile/15243193742674992795 2009-09-08 10:56:56 2009-09-08 10:56:56 1 0 5706 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-09-08 10:55:54 2009-09-08 10:55:54 1 0 5707 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-08 09:51:20 2009-09-08 09:51:20 1 0 5708 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-08 09:47:26 2009-09-08 09:47:26 1 0
I do have a favorite needle - I'll be writing about it later in the week.

Um. Well, for those of you who did notice - and even those of you who didn't - my apologies for the grammar mistake in the first line. I've since corrected it on the website, but it's permanently engraved in the daily newsletter which has already gone out. A tribute, I suppose, to the hasty writer who fails to proof read. Ack.]]> 5709 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-09-08 09:35:03 2009-09-08 09:35:03 1 0 5710 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-09-08 09:18:44 2009-09-08 09:18:44 1 0 5711 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2009-09-08 09:05:07 2009-09-08 09:05:07 1 0 Thank you for the info on these needles. Wondering if you have a favorite embroidery needle, you probably have shared this before and I missed it. I enjoy all the info and classes that you share! Thanks so much.]]> 5712 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-09-08 08:31:45 2009-09-08 08:31:45 1 0
http://www.piecemakers.com/products/pm/needles.html]]> 5713 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-09-08 08:29:58 2009-09-08 08:29:58 1 0 http://www.needlenthread.com/2009/09/stumpwork-medieval-flora-winner.html Mon, 07 Sep 2009 10:01:00 -0500 Mary Corbet 218 2009-09-07 10:01:00 2009-09-07 10:01:00 open open Stumpwork-Medieval-Flora-Winner! publish 0 0 post finally accomplished something in the realm of labor!

But all this is neither here nor there! Right now, I will announce the winner of Jane Nicholas's Stumpwork Medieval Flora.

The lucky winner of this beautiful stumpwork embroidery book is.....

Trish in Columbia, TN, who happens to be working on a stumpwork piece right now, so that works out well for her! Congratulations, Trish - please contact me with your mailing address, and I'll get that in the mail to you as soon as possible.

Coming up this week on Needle 'n Thread, I'll be talking needles, showing you some progress on embroidery projects, posting the next lesson in the Long and Short Stitch Shading Lessons, and sharing some other little embroidery tidbits.

I hope those of you celebrating Labor Day (that's a federal holiday here in the States) are enjoying your three-day weekend. I'm going to celebrate the day in the most appropriate manner, by getting back to work. I've almost caught up enough on school work to have some "legitimate" breathing space, so keep your fingers crossed for me. In the meantime, I've fallen deplorably behind on e-mail, so if you are expecting to hear from me, don't give up hope! I'll catch up soon!

Enjoy the day!
]]> website news Book Give-Away 5704 Anonymous noreply@blogger.com 2009-09-08 11:34:41 2009-09-08 11:34:41 1 0
Annie in Michigan]]> 5714 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-09-08 01:30:54 2009-09-08 01:30:54 1 0
Regards,

Kirti]]> 5715 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-09-07 23:58:06 2009-09-07 23:58:06 1 0
Enjoy!!!

Mary, Have a great haliday.

Cynthia, Looks like you are in for a treat at BTAB. Have a fab time and do give us a writeup.]]> 5716 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-09-07 20:44:40 2009-09-07 20:44:40 1 0 5717 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-09-07 15:53:07 2009-09-07 15:53:07 1 0 5718 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-07 15:10:58 2009-09-07 15:10:58 1 0
I'd love to be going. But alas, schooooooooollllll.....

I hope you have a marvelous time! It's the longest flight I've ever been on - and it seems as if it will Never End. But coming back is worse! :-) Just think of all the stitching you can do on the plane....]]> 5719 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-09-07 14:55:15 2009-09-07 14:55:15 1 0 Enjoy your Labor Day; my family and I certainly are. In just over three weeks I'll be flying to Australia to attend Beating Around the Bush. Do you know anyone else from the US who will be attending? Would you like me to keep my eye out for something (smallish) to bring back? I'm in California and can mail you from here.]]> 5720 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-07 13:33:53 2009-09-07 13:33:53 1 0 Congratulations! Enjoy the book!

Mary enjoy the holiday (our Labour Day is on 1st May)]]> 5721 janet noreply@blogger.com 2009-09-07 12:13:11 2009-09-07 12:13:11 1 0 http://www.needlenthread.com/2009/09/stumpwork-medieval-flora-book-give-away.html Fri, 04 Sep 2009 04:30:00 -0500 Mary Corbet 219 2009-09-04 04:30:00 2009-09-04 04:30:00 open open Stumpwork-Medieval-Flora---Book-Give-Away! publish 0 0 post Stumpwork Medieval Flora? Then you're in the right spot, because...

... I'm giving one away! To read all about this beautiful embroidery book that focuses on medieval flora in stumpwork, you can visit my review of Stumpwork Medieval Flora.



Stumpwork, though a more advanced embroidery technique, is accessible even for beginners. It utilizes many of the same surface embroidery stitches we see in other embroidery techniques.

This book is written for the needleworker who has ventured into stumpwork already. While the instructions are detailed enough for the novice, they are not necessarily written with the beginner in mind.

Still, if you are a beginner, don't let this deter you! If you've been inspired by stumpwork and have found yourself wanting to try it, this book will become a source of inspiration and motivation.



My favorite parts of each of the stumpwork designs are the bugs. It isn't often that I call bugs "beautiful," but these critters really are just that!

So, if you want a chance to win a free copy of Jane Nicholas's new books, do join the give-away. Here are the particulars:

1. Leave a comment on this article, on the website (responses via e-mail or on other posts are not eligible).

2. In your comment, answer the following question:

What do you find most fascinating about stumpwork embroidery?

3. The contest ends Monday, September 7th, at 5:00 am CST. Check back on Needle 'n Thread on Monday, September 7th, when I will announce the winner. The winner will have to contact me within 48 hours with a mailing address, so don't forget to check back to see if you are the lucky winner!!

Good luck!
]]> Book Give-Away stumpwork 5722 NCPat noreply@blogger.com http://www.blogger.com/profile/05815138815552708153 2009-09-07 11:19:16 2009-09-07 11:19:16 1 0 5723 Anonymous noreply@blogger.com 2009-09-07 09:20:27 2009-09-07 09:20:27 1 0 Hope it is not to late to join.
Greetings from Germany,
Martina]]> 5724 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-09-07 08:27:30 2009-09-07 08:27:30 1 0
Thank you for the opportunity and mostly for what you share of your mind and experience with so many.]]> 5728 Maryvonne noreply@blogger.com 2009-09-07 00:25:34 2009-09-07 00:25:34 1 0 I love your newsletter, first thing in the morning, before doing anything else, I read what you've been up to. I really do wonder how you squeeze so many things in 24 hours - hoursin the States must be longer than here, or maybe we 're just too laid back.

Stumpwork makes embroidery take a new dimension (no pun intended) and I find it fascinating although am really a rank beginner and attempts are a bit fumbly to say the least.

Would love the book, as would all your other readers I'm sure.

Thanks for for giving us so much pleasure every day.]]> 5729 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-09-06 22:14:19 2009-09-06 22:14:19 1 0
Stumpwork got me interested in all kinds of embroidery again. I was fed up with seeing cross stitch and uninterested in embroidery... then I saw a stumpwork butterfly in a magazine and WOW! It looked real! It jumped off the page, literally! And Jane Nicholas does some amazing work! This book combines my love for medieval things with my love for stumpwork. It is on my Christmas wishlist, but if you can make this wish come true I would love it so much!!

Metanoia]]> 5730 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-09-06 21:49:34 2009-09-06 21:49:34 1 0 What I love about Stumpwork is the 3D, realistic way of working fiber and cloth to recreate part of nature to be closer to it. It is like bringing the garden inside.
Learning how to do stumpwork, like any other needle work, keeps us in touch with the past, being able to keep it alive for the future.
Thanks for your time Mary, we really appreciate it!
Kathy Kelly]]> 5731 Erica noreply@blogger.com http://www.blogger.com/profile/12692499583754486790 2009-09-06 21:18:48 2009-09-06 21:18:48 1 0
Stumpwork is a challenge and must look daunting for a beginner. However, I have been fortunate enough to do a class with Jane when she visited New Zealand. She is a gifted embroiderer and designer and a skilled teacher. Her instructions are clear and even a beginner can accomplish a lovely piece - just follow the instructions one step at a time and you will have a piece of stunning work to show off.
Stumpwork is not quick to do but is utterly satisfying and well worth the effort. I look at the piece I did in Jane's class and feel so thrilled that I created something so exquisite. I have since done stumpwork on a bride bag I made for my daughter-in-law. She treasures it. I would love to own Jane's latest book to enhance my stumpwork skills, especially as I have such an interest in medieval style work.
Erica]]> 5732 Anonymous noreply@blogger.com 2009-09-06 20:02:11 2009-09-06 20:02:11 1 0
I'm just starting to try stumpwork and it is fascinating. I just love the bugs! Right now my bugs look a little like they've been stepped on, but I'll get better with time I hope. Thanks for the great blog.]]> 5734 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-06 18:45:29 2009-09-06 18:45:29 1 0
From the online illustrations I’ve seen, Nicholas deftly juxtaposes the formality of the botanicals with the whimsy of assorted bug life – an effect that could have been cloying in less sophisticated hands, but is just right in hers. I covet each of the insects she’s created, so well-crafted and realistic they look like they could fly off the page. I spent many childhood hours molding rubber bats and beetles and lizards with my Creepy Crawlers Workshop oven -- for an eight-year-old it was like getting to be God “on the day He created every living creature that moves.” What luck that I can still indulge that impulse as a grown-up through Nicholas’ books!

In a few weeks I’m taking a four-day stumpwork class, and after that I believe I’ll feel emboldened enough to tackle one of her projects. As much as I like Nicholas’ earlier designs, I’d like to start with her medieval flora, which are so in keeping with my Arts & Crafts era house.]]> 5735 Christy/OKC noreply@blogger.com 2009-09-06 18:04:55 2009-09-06 18:04:55 1 0
Christy
OKC]]> 5737 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2009-09-06 17:27:45 2009-09-06 17:27:45 1 0 5738 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-09-06 16:52:42 2009-09-06 16:52:42 1 0
What do I like most about stumpwork. Looking at the cover of this book, I love that the flowers and bugs look so lifelike. How wonderful to mimic nature beauty in such a realistic manner.]]> 5739 MarthaD noreply@blogger.com 2009-09-06 15:55:02 2009-09-06 15:55:02 1 0 5740 Pam noreply@blogger.com 2009-09-06 14:44:52 2009-09-06 14:44:52 1 0
Thank you for generous give-away of a copy of Medieval Flora.
It is fascinating that this traditional form of stumpwork embroidery is so versatile that it can be used to produce beautiful flowers and realistic brightly coloured insects. The exquisite details make my beginners fingers itch to have a go at creating this world of medieval flora and fauna! Still you have to start somewhere so I will dream on!! Regards Pam]]> 5742 Angelina noreply@blogger.com 2009-09-06 13:20:31 2009-09-06 13:20:31 1 0 5744 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-09-06 09:54:37 2009-09-06 09:54:37 1 0 5746 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-09-05 22:55:19 2009-09-05 22:55:19 1 0 I love stumpwork because it adds that third dimension to stitching. I like experimenting with different textures (I am a tactile person!) so I really like the added dimension. I haven't done a lot of it but want to incorporate more into my landscape scenes, especially with flowers and grass.]]> 5747 Anonymous noreply@blogger.com 2009-09-05 20:59:50 2009-09-05 20:59:50 1 0
Thank you for the opportunity.

Sandi]]> 5748 Penny Batchelor noreply@blogger.com 2009-09-05 20:20:12 2009-09-05 20:20:12 1 0
Stumpwork has been a passion of mine - mostly to look at, though I have done a few pieces, notably a clas with Jane Nicholas. I love the realism, particularly the bugs - they just seem to jump off the page!]]> 5749 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2009-09-05 19:48:15 2009-09-05 19:48:15 1 0 5750 Anonymous noreply@blogger.com 2009-09-05 16:43:50 2009-09-05 16:43:50 1 0
thanks for the gift opportunity,
eileen
eileen2000 at hotmail dot com]]> 5751 Anonymous noreply@blogger.com 2009-09-05 15:50:09 2009-09-05 15:50:09 1 0

Stempwork engages the mind to be creative. The result is personalization of a project.

Lorraine C.]]> 5752 Lorraine noreply@blogger.com http://www.blogger.com/profile/14361267794837095507 2009-09-05 15:44:29 2009-09-05 15:44:29 1 0
This book is a beauty. I find stumpwork engaging my mind into creativity.

Lot's of fun on your web site.

Lorraine Connelly]]> 5753 Anonymous noreply@blogger.com 2009-09-05 14:54:51 2009-09-05 14:54:51 1 0 5754 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-09-05 12:55:53 2009-09-05 12:55:53 1 0
The most fascinating thing about stumpwork is that it gives life to embroidery for instance the bug looks real....thats why I like it.

Regards,

Kirti]]> 5755 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-09-05 12:07:57 2009-09-05 12:07:57 1 0 5756 Connie in Montana noreply@blogger.com 2009-09-05 12:02:52 2009-09-05 12:02:52 1 0
I've been embroidering for over 20 years, but I've not really gotten into stumpwork. This book is very inspiring! I love the 3D quality, and the life-like detail to the flowers and the insects (I'm not a bug person, but ladybugs and butterflies are cute!).

I am an avid fantasy gamer (in fact, designing fantasy games is what I now do for a living) and my husband and I have digitally created so many family crests for our characters. It's on my "to do" list to physically make cloth banners of those crests, and stumpwork would be the perfect way to decorate them.]]> 5757 prairiethistle noreply@blogger.com http://prairiethistle.wordpress.com/ 2009-09-05 11:39:32 2009-09-05 11:39:32 1 0
I love the bugs too, and like to browse through Jane Nicholas' book on Beetles. They are so life like.]]> 5758 CQ noreply@blogger.com http://www.blogger.com/profile/11894448362053667971 2009-09-05 11:09:32 2009-09-05 11:09:32 1 0 5759 Susan noreply@blogger.com http://www.blogger.com/profile/17842409196561932682 2009-09-05 09:22:36 2009-09-05 09:22:36 1 0
Thanks for this generous gift, Mary.
Susan N.]]> 5761 Emily noreply@blogger.com 2009-09-05 09:09:26 2009-09-05 09:09:26 1 0 5764 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-05 05:14:44 2009-09-05 05:14:44 1 0
I remember that one of the first questions I made you was "what means stumpwork?" - I couldn't find any translation for that... it seems like it was long, long ago!]]> 5766 leebee7 noreply@blogger.com http://leebee7.livejournal.com/ 2009-09-05 00:21:17 2009-09-05 00:21:17 1 0 To read and learn how to do that would be fun and exciting.]]> 5767 Karen South southka@yahoo.com http://www.blogger.com/profile/17651249815534672364 2009-09-05 00:19:12 2009-09-05 00:19:12 1 0 5768 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-09-04 23:57:53 2009-09-04 23:57:53 1 0
What I find fascinating about stumpwork embroidery is the whimsical, magical quality it conveys right along with botanical accuracy.]]> 5773 Heidi Bullis noreply@blogger.com 2009-09-04 21:02:27 2009-09-04 21:02:27 1 0 5776 Rosalie noreply@blogger.com http://www.blogger.com/profile/00753620499897510071 2009-09-04 20:31:23 2009-09-04 20:31:23 1 0 Rosalie]]> 5777 quiltingreader 13rubberduckies@gmail.com http://www.blogger.com/profile/05951698433217106035 2009-09-04 20:25:35 2009-09-04 20:25:35 1 0 5778 Catherine noreply@blogger.com http://www.blogger.com/profile/17400299862431047273 2009-09-04 20:10:58 2009-09-04 20:10:58 1 0 Catherine]]> 5779 Tiffany819 Tiffanys819@gmail.com http://www.blogger.com/profile/02933518947257209865 2009-09-04 20:09:50 2009-09-04 20:09:50 1 0
tiffanys819 at gmail dot com]]> 5780 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-09-04 20:01:29 2009-09-04 20:01:29 1 0
Kathy]]> 5781 Anonymous noreply@blogger.com 2009-09-04 19:46:48 2009-09-04 19:46:48 1 0 stokesbg@westserv.net.au]]> 5782 Diane Stavola noreply@blogger.com 2009-09-04 19:05:55 2009-09-04 19:05:55 1 0
Diane Stavola]]> 5783 Anonymous noreply@blogger.com 2009-09-04 18:46:12 2009-09-04 18:46:12 1 0 5784 Patricia Salada noreply@blogger.com 2009-09-04 18:43:22 2009-09-04 18:43:22 1 0 the challenge to make the "bugs"
look as life life as possible.

Pat S.]]> 5785 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2009-09-04 18:29:45 2009-09-04 18:29:45 1 0 Thanks for the chance to win Jane's wonderful book
Hooroo,
Christine]]> 5786 Lynn noreply@blogger.com 2009-09-04 18:21:16 2009-09-04 18:21:16 1 0 5787 RobynK noreply@blogger.com http://www.blogger.com/profile/13363052010272253678 2009-09-04 18:13:36 2009-09-04 18:13:36 1 0 A chance to win a book from a very exciting embroiderer. I have to say in my 'young' days I had a very poor view of stumpwork thinking it was an early, ugly form of old English embroidery. THEN along came Jane Nicholas and her 3D flowers and bugs. I was 'stung'. This Australian lady had inspired us again. I would love to own one of her books instead of borrowing from the library.
Cheers
Robyn
New Zealand]]> 5788 Pam noreply@blogger.com http://www.blogger.com/profile/06115757921248639285 2009-09-04 17:58:47 2009-09-04 17:58:47 1 0 5789 Nova GeNovena437@yahoo.ca http://www.blogger.com/profile/01869578497735309120 2009-09-04 17:57:42 2009-09-04 17:57:42 1 0 5792 stitchkat noreply@blogger.com http://www.blogger.com/profile/13386818613507497168 2009-09-04 17:19:28 2009-09-04 17:19:28 1 0 Katherine]]> 5794 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-09-04 16:41:56 2009-09-04 16:41:56 1 0 5795 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-09-04 16:12:02 2009-09-04 16:12:02 1 0 5796 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2009-09-04 16:11:50 2009-09-04 16:11:50 1 0 The history behind stumpwork also brings me closer to the artists who have gone before. I find the human genius to be unlimited and timeless when it comes to art. And stumpwork is definately timeless and an art form.
I always show samples of stumpwork design, especially Jane's books, to visitors and fellow fiber addicts. Invariably it elicits Ooohs and Ahhhs as people pick out their favorite designs.
Even though I am a beginner, this medium brings out a facination and passion I do not always experience working in other art forms. Thank you for this opportunity to win one of her delightful and instructional books!]]> 5797 Needleworker noreply@blogger.com 2009-09-04 15:57:59 2009-09-04 15:57:59 1 0
Stumpwork is fascinating because you can use so many everyday things to complete projects. Like a toothpick for a sword, heavy card for the foundation of a building or wooden beads for berries.

I love your blog and read it often, you always have interesting updates about the type of work I enjoy.

Thank you,
Denise]]> 5799 Virginia noreply@blogger.com 2009-09-04 15:31:17 2009-09-04 15:31:17 1 0
I'm amazed how life like the designs look. It's beautiful.

I thoroughly enjoy doing floral and or botanical creations myself and would love to win this book to expand my talent.

Thank you for always thinking of us.

Happy Labor Day.

VW
San Diego, CA]]> 5801 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2009-09-04 15:11:35 2009-09-04 15:11:35 1 0
I adore textures. All textures. Ever met someone who can spend a quarter of an hour examining the surface of a cheap laminate desk in rapt fascination? Hi. Stumpwork is the single most textured form of embroidery I've seen, and it seems to combine with other techniques very easily (and overlaps with needle painting), which opens up even more options.

I'm also a sucker for color, which also helps!

I'll probably end up buying this book when I have time to take up a new project. (Ha ha. "Time." Like that ever happens.)

- M. VanTassel]]> 5802 Jules noreply@blogger.com http://www.blogger.com/profile/10496039187159668965 2009-09-04 15:05:10 2009-09-04 15:05:10 1 0 5803 Fengate 1963jaci@gmail.com http://www.blogger.com/profile/17735638058001190831 2009-09-04 14:57:43 2009-09-04 14:57:43 1 0 5804 MNStitcher noreply@blogger.com http://www.blogger.com/profile/15799071182243190013 2009-09-04 14:55:19 2009-09-04 14:55:19 1 0
I love the realistic look of stumpwork - the flowers and bugs seem to come alive. Its unlike anything else in needlework!]]> 5806 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-09-04 14:33:56 2009-09-04 14:33:56 1 0
I have never heard of stumpwork..I've seen it, but didn't know what I was seeing. Your articles help so much!

I would love to win this book and try some of the special designs of nature. The details are amazing and impressive and give so much realism!]]> 5807 Linda noreply@blogger.com 2009-09-04 14:32:05 2009-09-04 14:32:05 1 0 5811 Janice noreply@blogger.com http://www.blogger.com/profile/08436063594797800595 2009-09-04 13:37:36 2009-09-04 13:37:36 1 0 5812 Linda Smith noreply@blogger.com http://www.blogger.com/profile/17644688923108342517 2009-09-04 13:28:04 2009-09-04 13:28:04 1 0 5814 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-09-04 13:02:56 2009-09-04 13:02:56 1 0 Stumpwork is 3D and that is by itself the most attractive feature of stumpwork embroidery that I like!

vince]]> 5816 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-09-04 12:41:20 2009-09-04 12:41:20 1 0 Melisa B]]> 5817 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-09-04 12:38:42 2009-09-04 12:38:42 1 0 5818 Sharon noreply@blogger.com 2009-09-04 12:14:14 2009-09-04 12:14:14 1 0 Stumpwork gives dimension, texture and realism to a piece. I design and teach Brazilian Embroidery - I love adding a touch of Stumpwork to a piece. It gives another layer to the Brazilian. The way you can shape a petal, leaf or butterfly wing and it stays in position - it really is easy and it brings live to your stitching.
I would certainly like to win this book, but since I probably will not be that lucky - I hope my comment will inspire others to add Stumpwork to their stitching favorites.
and congrats to who ever is the lucky stitcher ~
Sharon - Modesto]]> 5819 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2009-09-04 12:06:19 2009-09-04 12:06:19 1 0 5820 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-09-04 12:05:04 2009-09-04 12:05:04 1 0
What a great give-away.

Thanks, Mary, for all you do.

Lin Taylor, Florida]]> 5821 Anonymous noreply@blogger.com 2009-09-04 11:50:16 2009-09-04 11:50:16 1 0
Trish, Columbia TN]]> 5822 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-09-04 11:43:05 2009-09-04 11:43:05 1 0 How very generous of you! I've wanted this book since you posted about it last month.

Anyway, stumpwork fascinates me for a number of reasons, but primarily because of the range of realistic effects you can achieve with some basic techniques.

I've only finished one stumpwork piece, and I'm eyeing it now from my desk. It's hung VERY prominently in my house, and is the piece I'm most proud of.

I look forward to seeing who the lucky winner is!]]> 5823 Sharon wildflowerhouse@hotmail.com http://www.blogger.com/profile/15897609431263814815 2009-09-04 10:51:42 2009-09-04 10:51:42 1 0 5825 Sharon Downing noreply@blogger.com 2009-09-04 10:23:08 2009-09-04 10:23:08 1 0
Sharon Downing]]> 5826 Missy Ann melissa.walker@gmail.com http://www.blogger.com/profile/02861791199270220392 2009-09-04 10:20:54 2009-09-04 10:20:54 1 0
For me the fascinating aspect is that it makes me WANT to stitch bugs. Even ladybugs. And that's saying something after the full house infestation I had to deal with in a rental house in Alabama.]]> 5827 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2009-09-04 10:20:38 2009-09-04 10:20:38 1 0 5828 sewinggranny kcdelight419@gmail.com http://www.blogger.com/profile/10243223999814564203 2009-09-04 10:20:09 2009-09-04 10:20:09 1 0 I have been wanting to learn how to do the bugs. This looks like a wonderful book and a person can never have enough books in there library. I am fairly new to stump work and crazy quilting and I am doing your shading class that is really interesting. Thank you for a chance to receive the book. Life is full of challenges and I love challenges.
Beckie n Kansas]]> 5830 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-09-04 10:03:47 2009-09-04 10:03:47 1 0 5831 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09012789609281609182 2009-09-04 10:03:41 2009-09-04 10:03:41 1 0
Thanks for your informative and enjoyable review of this great new book! God bless you for sharing this and all the helpful things on your wbsite! I have not (yet) done stumpwork, but after reading your review, my appetite is up. I enjoy seeing something old and beautiful and handworked making a comeback! I am interested to see how stumpwork can be applied in a Byzantine style to Orthodox Church embroidery.

Fr. Boniface]]> 5832 kat noreply@blogger.com http://www.blogger.com/profile/12369785235454313506 2009-09-04 09:45:41 2009-09-04 09:45:41 1 0 I probly shouldn't be in the running for this since I am just learning but I would love to be able to create such beautiful work!
When my daughter was in college we had to collect different types of bugs...she was a biology major..and these bugs look better than the real ones!! I am going to learn how to do this!! I wonder why they call it Stumpwork?
Kat]]> 5833 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-09-04 09:38:19 2009-09-04 09:38:19 1 0 What I like about stumpwork? I would have to say it would be how realistic it looks. I love the dimensionality (is that a word?)and that it mimics nature so well.
Cheers
Mary Anne]]> 5834 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-09-04 09:36:13 2009-09-04 09:36:13 1 0 I love stump work beacause of we use different technique which gives dimentional effect and thus adding the beauty. Im totally smitten by the beauty of this work.

regards
lakshmi]]> 5835 Justine noreply@blogger.com 2009-09-04 09:14:13 2009-09-04 09:14:13 1 0
I put this on the top of my Amazon list when you first reviewed it. Beautiful! Thanks for the contest. Justine]]> 5836 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-09-04 09:13:09 2009-09-04 09:13:09 1 0
This is art imitating nature at it's best.]]> 5837 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-09-04 09:06:38 2009-09-04 09:06:38 1 0
I should love to have my name in the virtual hat for this book.]]> 5838 Karen noreply@blogger.com http://www.blogger.com/profile/18197717203814124107 2009-09-04 09:01:16 2009-09-04 09:01:16 1 0 5839 Marjolein noreply@blogger.com 2009-09-04 08:55:23 2009-09-04 08:55:23 1 0 5840 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-09-04 08:54:47 2009-09-04 08:54:47 1 0 5841 kathy n noreply@blogger.com http://www.kathynida.com 2009-09-04 08:53:41 2009-09-04 08:53:41 1 0 5842 Nora noreply@blogger.com 2009-09-04 08:42:21 2009-09-04 08:42:21 1 0 Nora]]> 5843 Needleworknup noreply@blogger.com 2009-09-04 08:38:26 2009-09-04 08:38:26 1 0 get me back to needlework by concentrating on small components of the big picture. It would feel great to get a bit of good fortune by "winning" this book!]]> 5844 Anonymous noreply@blogger.com 2009-09-04 08:33:06 2009-09-04 08:33:06 1 0
Thank-you for this great gift.

I've always loved the realism of

stumpwork and have been fascinated

with the end result. If I were to

win this book, I would share it

with a friend who is on a very

limited budget and has a passion

for Stumpwork. Teri]]> 5845 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-09-04 08:32:02 2009-09-04 08:32:02 1 0
Stumpwork fascinates me because I love botanical drawing, and this takes it to the next level, adding another dimension to the careful recording of a plant.

Jane]]> 5847 qwerty knittingdivine@hotmail.com 2009-09-04 08:24:56 2009-09-04 08:24:56 1 0
I love stumpwork because it makes me do a double-take. It literally 'pops' off the surface and wants to be seen and examined. The threads also seem to have an intense sheen.

Thanks for the great review, too!]]> 5849 FloridaBird noreply@blogger.com http://www.blogger.com/profile/01703991349272178112 2009-09-04 08:15:22 2009-09-04 08:15:22 1 0 Odette]]> 5851 Vidya noreply@blogger.com http://www.blogger.com/profile/06713587979000110062 2009-09-04 08:11:23 2009-09-04 08:11:23 1 0
The stump work is a realistic work. I would like to recieve the Nichols book on Stumpwork. The designs are full of life, if you see from a distance you would feel that the object is placed.
I am looking forward to have a personal copy of the book.

Thanks and Regards
Vidya Ramesh]]> 5852 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2009-09-04 08:09:49 2009-09-04 08:09:49 1 0
I think the thing I love about stumpwork is it gives another dimenion to canvasswork or and type of embroidery for that matter. I have tried a few things but I am not very good at it. I thing it is a study all it's own.

Thank you again for this great gift.]]> 5853 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-09-04 08:00:24 2009-09-04 08:00:24 1 0 5854 Elza noreply@blogger.com http://www.blogger.com/profile/05317203980463184479 2009-09-04 07:52:13 2009-09-04 07:52:13 1 0 Kind regards, Elza Bester Cape Town
South Africa.]]> 5855 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-09-04 07:48:57 2009-09-04 07:48:57 1 0
http://celebrationofnw.com/teacher.php?teacherID=36]]> 5856 Viooltje (Violet) noreply@blogger.com http://www.blogger.com/profile/13401427799720313249 2009-09-04 07:48:52 2009-09-04 07:48:52 1 0 :o)
I find all insects (and spiders too) the most fascinating subjects in stumpwork.
:o)]]> 5857 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-09-04 07:46:40 2009-09-04 07:46:40 1 0
I've been lucky enough to see some of Betsy Morgan's stumpwork pieces. They are gorgeous, fragile and like little gems. It is truly amazing.]]> 5858 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-09-04 07:44:01 2009-09-04 07:44:01 1 0
thank you for the opportunity!]]> 5859 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2009-09-04 07:29:58 2009-09-04 07:29:58 1 0
What I love best about stumpwork is the realism. I can barely draw, yet with a needle and thread I can create something wonderful AND recognizable!]]> 5860 kerrykatiecakeskeb43 Kerrykatiecakeskeb43@gmail.com http://www.blogger.com/profile/11949171119703114016 2009-09-04 07:26:31 2009-09-04 07:26:31 1 0 Stumpwork fascinates me and I am just starting to experiment with it. I love the dimentional aspect - the berries,leaves and bugs.]]> 5862 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-09-04 07:12:29 2009-09-04 07:12:29 1 0 5863 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-09-04 07:05:18 2009-09-04 07:05:18 1 0 Ren]]> 5864 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2009-09-04 06:58:30 2009-09-04 06:58:30 1 0 Annie]]> 5865 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-09-04 06:53:05 2009-09-04 06:53:05 1 0 5866 VP noreply@blogger.com 2009-09-04 06:51:06 2009-09-04 06:51:06 1 0 5867 Kay noreply@blogger.com 2009-09-04 06:33:31 2009-09-04 06:33:31 1 0 Thank you,
Kay]]> 5868 Kim J noreply@blogger.com 2009-09-04 06:32:09 2009-09-04 06:32:09 1 0
Stumpwork just fascinates me fullstop! I think it is because the designs always look so realistic and life like. I have never tried the technique myself but love reading books and articles on the subject. I have bought a small kit and hope with the help of your long and short stitch lessons to start it soon.........]]> 5869 Samanta noreply@blogger.com 2009-09-04 06:29:03 2009-09-04 06:29:03 1 0 Very nice of you giving a copy away, Mary! :)]]> 5871 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2009-09-04 05:53:56 2009-09-04 05:53:56 1 0 5872 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-09-04 05:25:41 2009-09-04 05:25:41 1 0 Deepa]]> 5874 Anusuya noreply@blogger.com http://www.blogger.com/profile/02938431007212383113 2009-09-04 05:14:04 2009-09-04 05:14:04 1 0
Stumpwork embroidery as a whole fascinates me. I love the dimensional effects, stuffed work and raised textures of Stumpwork. Reading your review and having a glimpse of the contents made me fall in love with this book.

Please add me for the give-away.

Thanks….]]> 5875 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-09-04 05:09:12 2009-09-04 05:09:12 1 0 I am keen of stumpwork, and a beginner in that technique. Why am I fascinated by it ? Well it gives deepness to the design, and I have the feeling that we still have a lot to discover. Flowers, bugs and insects can become almost real ! They can take part of your interior, not only behind a frame. That's what fascinate me most. And I would be so pleased to get that book, it looks so nice. Many thanks for that giveaway.]]> 5876 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-09-04 04:55:06 2009-09-04 04:55:06 1 0 I like the life-like textures very much. Stumpfwork is not like drawing, it is like relief.
I would like to do a stumpfwork ladybug. I had a beautiful pair of children's gloves when I was 4 or 5, decorated with a ladybug. I lost half of that... I was very sad...
I would like to re-create the gloves, perhaps my son will love it too. :-)]]> 5877 Iris from Estonia noreply@blogger.com 2009-09-04 04:51:36 2009-09-04 04:51:36 1 0
So on to the question: I find stumpwork absolutely fascinating because of it's realism and beauty. How people can do such mindblowing things with needle and thread. I really want to try my hand at this.

Thank you very much for the chance to win this! That is really generous of you :)]]> http://www.needlenthread.com/2009/09/long-and-short-stitch-shading-lesson-6.html Thu, 03 Sep 2009 04:30:00 -0500 Mary Corbet 220 2009-09-03 04:30:00 2009-09-03 04:30:00 open open Long-and-Short-Stitch-Shading-Lesson-6:-A-Simple-Leaf publish 0 0 post Long and Short Stitch Shading lessons focuses on a simple leaf shape. It is not the most realistic looking leaf in the world, but with a little shading, it'll end up looking pretty good!

If you are just joining us in these Long & Short Stitch Shading lessons (also known as needle painting, thread painting, silk shading, and so forth), you can find the rest of the lessons in the index in the right column under "Editor's Floss." We've been working through a small sampler of various elements that we're shading with long and short stitch - a technique that sometimes intimidates embroiderers, but that becomes easier and easier once you understand the basic concepts, and - of course! - once you practice the technique a little bit!

So here we go, on to the next element - the simple leaf at the top center of the sampler.

For this lesson, you will need the following materials:

1. The project in a hoop or frame, with element five (the top leaf) centered in the hoop

2. #9 or #10 crewel needles

3. Small, sharp embroidery scissors

4. DMC stranded cotton in the following colors: Greens - 3011 (dark), 3012 (medium), and 3013 (light); and burgundy 814.

For the basic stitching technique for long and short stitch, refer to the long and short stitch videos included in Lesson Two.

All stitching is worked with one strand (from the six) of regular DMC 6-stranded embroidery floss, with the exception of the stem, which is worked in two strands.



For stitch directions, mark your leaf with a pencil. The purple solid lines in the diagram above illustrate the direction of your stitching, while the dotted lines can be penciled in to mark the areas of color change.

When stitch a natural object like a leaf or flower petal, the stitch direction follows the natural direction of growth. The stitches angle towards the "growth point" of the element. In a leaf, that is the center base of the leaf towards the stem.



Split stitch around the leaf in the lightest green, 3013.



As we did in the boxes of Lesson Two and the triangles of Lesson Three, stitch in some directional stitches using light green (3013). These stitches will be about a quarter of an inch long, more or less, and will act as "long" stitches. They can extend slightly beyond your first "color area" marked on the leaf. (My pencil markings on the leaf above are a mess - but they'll be covered up, thank goodness!)



Begin the long and short stitching in the middle of the side of the leaf, and work to the base. Return to the middle and stitch to the tip. I left the base (down by the stem) blank, and filled it in last, after finishing the rest of the leaf. You will see this as the lesson progresses.

Stagger your stitches, long and short, as explained in previous lessons, and do your best to follow the stitch direction lines.



After stitching one side of the leaf in light green (3013), move to the other side, and stitch the other side in the same manner. When stitching at the tip of the leaf especially, the stitch direction will change drastically in a very little space. Tuck in little hidden stitches as necessary to neatly fill the area, without over-crowding the tip.



The light green (3013) is complete.



Thread your needle with the medium green (3012), and, beginning in the middle of the side of the leaf, work the next layer of long and short stitches down to the base, and then go back to the center and stitch up to the tip. As you get to the tip, manipulate your stitches as best as possible to give good coverage, but don't crowd your stitches into the tip. You will be using fewer stitches as you work towards the center area of the leaf. Stitch both sides of the leaf in the same manner, filling the second layer with the medium green.



Once the medium green is completed, switch to the darkest green, 3011.



Begin in the mddle and work up to the tip, bringing your stitches to the center vein line on the leaf. On each side of the leaf, your stitches will meet at the center, forming a line down the center of the leaf.



Stretch your stitches to the center line where possible - up towards the top of the leaf, this will be easy, as the distance to the center line is not as far. As you work down the leaf (you can see this in the photo above), your long stitches may be too long if they are to meet the center line. This is ok. Don't take them all the way to the center line - you can go back and fill in one more layer of the dark green, to complete the filling process.



You can see in the circled area that my dark green did not stretch all the way to the central line. After working this area, I went back and filled in with another layer of dark green.



As you fill in at the base of the leaf with the dark green, take the stitches over the split stitch line where the stem meets the base, as necessary.



You will notice here that I have still got one area at the base of the leaf (on both sides) that is not filled in.



At this point, instead of long and short stitch, I will use long straight stitches (satin stitch) to cover the rest of the base of the leaf. I worked these stitches in medium green (3012).



This is the leaf, completely filled in.



There are a couple little "trouble" spots, but I didn't let them worry me. The first is that area on the center line. You can see the white fabric there where the stitches don't quite meet, and you can see one area where the stitches in the center do meet. We will stitch a stem over this, so it will not be noticeable and is not worth correcting. Also, at the base, the satin stitches seem more obvious, as they are not shaded. Once the stem is in, however, they will be less noticeable.

For the stem, take one strand of dark green (3011) and one strand of burgundy (814) and thread both strands together in your needle. You do not need to arrange them in any special way - just thread them both in.



Beginning at the base of the stem (the end of the stem line, farthest away from the leaf), using stem stitch, work your way to the tip of the stem area on the leaf. End your stem line about 1/2" - 3/4" below the tip of the leaf. If you are unsure of how to work the stem stitch, check out my stem stitch video tutorial.



Congratulations! You have completed Element Five and now you're ready to move on to Element Six - another leaf, but slightly more complicated than this one.

If you'd like a PDF of this lesson so that you may print it out, here 'tis:

Lesson Six: a Simple Leaf (PDF)

Good luck and have fun with it! (And don't hesitate to leave a comment below if you have any questions!)

]]> stitchalong lessons needlework tutorials embroidery tips and tricks needlepainting long and short stitch embroidery lessons 3521 Mariezanne noreply@blogger.com http://www.au-fil-de-l-autre.com/ 2010-01-20 15:04:27 2010-01-20 15:04:27 1 0 Mariezanne (French)]]> 3812 Anonymous noreply@blogger.com 2010-01-06 06:37:21 2010-01-06 06:37:21 1 0 Your lesson is a good idea,everything is quite clear to understand!

Ksenia in Russia]]> 5771 Anonymous noreply@blogger.com 2009-09-04 21:38:03 2009-09-04 21:38:03 1 0
Thank-you for sharing your love of stitching. I just love you work you are a perfectionist and it shows.
Linda in Canada]]> 5878 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-09-03 23:48:02 2009-09-03 23:48:02 1 0 5881 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-09-03 11:54:28 2009-09-03 11:54:28 1 0 http://www.needlenthread.com/2009/09/commissioned-embroiderer-sought.html Wed, 02 Sep 2009 04:49:00 -0500 Mary Corbet 221 2009-09-02 04:49:00 2009-09-02 04:49:00 open open Commissioned-Embroiderer-Sought publish 0 0 post

Gardiner Hall International is seeking a skilled hand embroiderer (or group of embroiderers) in the United States to work a commissioned ecclesiastical embroidery project. The techniques employed in the project may include (but may not be limited to) needlepainting (including the side profile of a face) and goldwork. If you are a capable embroiderer and are interested in commissioned work, you can contact Gardiner Hall International through their website and communicate with David Gardiner. You should probably be prepared to provide work samples in appropriate techniques.

If I had the time right now, I would pursue acquiring this commission (it doesn't necessarily mean I would get it, though!). The piece is already designed and quite beautiful, but I cannot commit to any commissions right now because of the school year. If you have the required needlework skills and have wondered how to go about getting commissioned work or wanted to make contacts for aquiring commissions, here's a chance to try.

Disclaimer: I am not affiliated with either the company or with any commissioned embroiderer. Should you choose to pursue this opportunity, all negotiations or agreements will be made between the company and you. This is simply a "public service announcement" for those who have the necessary needlework skills and who are interested in taking commissioned work.

If there is a big interest in discussing commissioned work, I might write a post on my experiences, the pros and cons, considerations in negotiating payment, and so forth. I haven't discussed it in-depth before, because it can be a sticky subject, but if there's interest in it, maybe I could write something about it from my perspective.

Have you had experience in taking commissions? Would you be interested in hearing about this subject? Leave a comment below to let me know! You can also contact me if you have any specific questions, but please understand that I cannot discuss or recommend specific financial information for the commission mentioned above.
]]> embroidery commissions needlework news 5885 Anonymous noreply@blogger.com 2009-09-02 17:33:15 2009-09-02 17:33:15 1 0 I found your site a while back and began exploring it in depth recently. I'm so thankful that you're willing to share your expertise with us - you're right when you say there's something lacking when you copy stitches from a book- and would be very interested to hear what you have to say about the commissions you've had. Your tutorial on satin stitch has been indispensable for me - you put into words all the problems I was having i.e. overlapping threads, twisted multi-strand thread. I constantly caught myself saying, "Oh, that makes so much sense!"
Thank you, truly.
Keri B.]]> 5890 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-02 13:29:58 2009-09-02 13:29:58 1 0 5891 Ruth O'Leary noreply@blogger.com http://rutholearytextileart.blogspot.com/ 2009-09-02 13:20:35 2009-09-02 13:20:35 1 0 5892 Chloe Patricia chloe_patricia@hotmail.co.jp http://www.blogger.com/profile/04991818867907950427 2009-09-02 10:46:37 2009-09-02 10:46:37 1 0 5893 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-09-02 10:14:12 2009-09-02 10:14:12 1 0
Thanks!]]> 5894 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2009-09-02 09:11:37 2009-09-02 09:11:37 1 0 5896 qwerty knittingdivine@hotmail.com 2009-09-02 08:19:01 2009-09-02 08:19:01 1 0 5898 Anonymous noreply@blogger.com 2009-09-02 07:57:20 2009-09-02 07:57:20 1 0
Annie in Michigan]]> http://www.needlenthread.com/2009/09/embroidery-of-castelo-branco-portugal.html Tue, 01 Sep 2009 04:42:00 -0500 Mary Corbet 222 2009-09-01 04:42:00 2009-09-01 04:42:00 open open The-Embroidery-of-Castelo-Branco,-Portugal publish 0 0 post Méri recently introduced me to this type of needlework when she sent me a beautiful magazine dedicated to the embroidery of Castelo Branco and featuring many gorgeous projects. Take a look!

The embroidery of Castelo Branco brings one word to mind - it is rich. It is rich in color, design, and symbolism.



This traditional Portuguese embroidery is worked on a linen ground, traditionally with silk threads. The predominant filling technique used is Ponto Castelo Branco, or Ponto Frouxo - long satin stitches with a perpendicular thread couched over the satin stitching to secure it. The technique reminds me very much of Italian stitching, which is comprised of long silk satin stitches couched over with gold passing thread (I used this technique for the sky in my Agnus Dei project). The obvious difference is the type of thread used for couching.



Among the other stitches used in the embroidery of Castelo Branco, you'll find satin stitch, stem stitch, long and short stitch shading, chain stitch, French knot, detached chain stitch, fern stitch, fly and feather stitch, shadow stitch, herringbone stitch, straight stitch, and various fillings. Méri was very kind to translate the stitches for me! The magazine, Belas Ideias, published by tuttirév, includes not only an abundance of designs but also a pictorial stitch dictionary.



The embroidery is by no means "popular" or common embroidery - it was worked, in its day, for those who could afford to pay for it.



It seems the most wide-spread application was in decorating bed coverings, which were often part of the trousseau or dowry of a young bride. Today, the embroidery of Castelo Branco can still be purchased or commissioned, with prices ranging all the way up to 45,000 Euros for a bedspread, depending on size and design.



Have you noticed that the designs are somewhat reminiscent of Jacobean embroidery? The tree of life is a common image, as are fanciful birds, animals, flowers, vines and tendrils, and fruit.



The elements included range from the sacred to the profane, and many of them have symbolic meaning.

I think this embroidery style is lovely! While it is like Jacobean in some respects, in other respects it is quite unique - the abundance of couched-over satin stitching is defintely different, and the threads used are a flat, lightly twisted silk (originally, a filament silk - today, artificial silks are also widely used).

The designs in the magazine are calling my name!! (They're practically screaming, actually!) Méri often teases me for introducing her to embroidery she "must" try (like the Schwalm project!), but I think she has avenged herself! I've added this to my perpetually growing List of Things to Do, and I'm already looking ahead for my next block of time, where I can set up a small project. There's an ideal "little" project in the magazine, which would make a perfect Christmas gift.

Thank you SO much, Méri, for introducing me to the embroidery of Castelo Branco! The book is beautiful! Thanks, as well, for the linens and threads! I will make use them all soon and keep you posted on how it goes!
]]> Jacobean embroidery regional embroidery techniques pictures silk linen needlework pictures 5188 Anonymous noreply@blogger.com 2009-10-04 21:55:40 2009-10-04 21:55:40 1 0 Thank you

Monique]]> 5900 Ruth O'Leary noreply@blogger.com http://rutholearytextileart.blogspot.com/ 2009-09-01 15:09:43 2009-09-01 15:09:43 1 0 5901 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-01 14:24:56 2009-09-01 14:24:56 1 0
I did really mean north of the Spanish border - I think it is closer to Spain in the north-south direction than in the east-west direction. Spain juts in to Portugal right below Castelo Branco. So it is really next to Spain on two sides - it is both north and west of the Spanish border. I would imagine there must be a history behind this - it seems as if the city would be in a more difficult position to defend itself (back in history's more warlike days...)

It's a beautiful style of embroidery - the more I look at it, the more I'm dying to do something. I think a small bird, just for the sake of the technique, would be fun!

I'm off to work!]]> 5903 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-01 13:58:36 2009-09-01 13:58:36 1 0 north of the Spanish border in central Portugal" I think you want to write "just next of the Spanish border", isn't it?
:)]]> 5906 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-01 12:34:06 2009-09-01 12:34:06 1 0 And glad for all the readers like CB embroidery!
In this magazine we can read that the first pieces of Castelo Branco embroidery appeared about the end of 16th century and the multiplicity of inspiration resources passes by Persia, China, India undergoing the influence of Renaissance and Baroque taste.
I'm looking for a book about it for long ago and can't find. Even this magazine was hard to find! I've waited for it for long weeks.I hope I will have some news about CB embroidery and then I'll inform Mary to spread the word (mine is a little blog in a bad English)
By the way Dawn Tavares(excuse me, Mary, for using your comments but I have no other manner)I should like to know your work about Portuguese needlework history - I don't know what is SCA...- your name Tavares is Portuguese, isn't it?]]> 5907 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-09-01 10:59:24 2009-09-01 10:59:24 1 0 Thanks for sharing. This is so beautiful.

Wow! I am learning more each day and I must say that I am truly enjoying this learning curve.]]> 5908 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-01 10:41:09 2009-09-01 10:41:09 1 0
And yes, I love Meri's blog, too! I visit her there regularly - and I'm happy to say we communicate outside the blog world, too! She's a wonderful lady!

Hi, Dawn - I've done a little reading on the style of embroidery. Some sources (including this magazine and a few "museum" blurbs) state that examples of this work can be found as far back as the 16th century. It apparently began to become popular in the 17th century, and in the 18th century, it enjoyed even a greater increase in popularity because of the revitalization plans for Portugal's textile industry.

All the sources I've seen mention predominantly 17th & 18th centuries, a few mention early samples from the 16th century, but none at all mention anything "Victorian-ish" at all.

The contact info for the publisher of the magazine is in the post above - you can probably contact them for a back issue.

Hope that helps!
MC]]> 5910 Dawn Tavares noreply@blogger.com 2009-09-01 10:31:46 2009-09-01 10:31:46 1 0
Does the magazine give any indication when this embroidery style originated? I play in the SCA, specializing in Portuguese culture and needlework history. Castelo Branco appears to combine the richness of English Jacobean design with the traditional use and stitches of Indo-European bed coverletsl; the Portuguese conducted a thriving trade with Indian-made goods in the 16th century. I'm very much hoping this style of embroidery isn't just a Victorian invention of what amateur scholars thought was a Renaissance technique....

I didn't see anything on Meri's blog about this magazine. Did she mention how or where it was available?

Many thanks,
Dawn Tavares
Salt Lake City, Utah]]> 5911 qwerty knittingdivine@hotmail.com 2009-09-01 10:22:08 2009-09-01 10:22:08 1 0
My family is from Portugal, so this is fascinating. I'm more familiar with the ubiquitous Madeira embroidery even though my family is from the mainland. I was exposed to embroidery as child, but I wasn't taught it since the women in my family mainly did crochet.

I also love Méri's blog!! She has also inspired me :)]]> 5913 Lauren in Connecticut noreply@blogger.com 2009-09-01 07:19:53 2009-09-01 07:19:53 1 0
Thank you, too, for spreading the word on little-known, regionalized, and lost techniques. We need to preserve the knowledge of the needleworkers before us AND isn't it a bonus that it's such fun to learn new things! I can't wait to investigate this embroidery style.]]> http://www.needlenthread.com/2009/08/15-minutes-with-needle-and-thread-x-3.html Mon, 31 Aug 2009 04:18:00 -0500 Mary Corbet 223 2009-08-31 04:18:00 2009-08-31 04:18:00 open open 15-Minutes-with-Needle-and-Thread-x-3 publish 0 0 post allow that??!) Now, this isn't just because the real job pays the bills - it's also because, if it is to be done well, the job demands it, and I love my job! I like teaching a lot, even though, yes, it does occasionally have its Moments. Needlework, during the school year, becomes my carrot - the thing that motivates me to do what I need to do, work-wise, so that I can enjoy relaxing with my needle and thread. And, as you avid stitchers know, needlework can also serve as a tremendous stress reliever!

But, when the work week is hectic, it's often difficult to find time to squeeze in a needlework project. Often, what ends up happening is that, because no progress is being made at all on the project, it gets side-lined, interest in it gradually wanes, it is finally stowed away, and... The End.

To avoid this, I started "forcing" myself (ok! right! it doesn't take that much force!) to fit in at least 15 minutes a day stitching. Whether those 15 minutes are snatched on a lunch break or between classes, whether they are found at the very end of the day before hitting the sack, or whether they are squeezed in first thing in the morning, before heading out to work (assuming I'm ahead of schedule!) - whatever the case may be, those 15 minutes serve three useful purposes: 1. they provide a momentary "break" doing something I really love; 2. they keep my projects going at least a wee bit and I feel as if I'm making progress; and 3. I don't have that overwhelming feeling of "needing to start," which can make me lose interest in a particular project and relegate it to the shelf.

That's the background of my 15-minute sessions. And here are some results from a few sessions last week.

On a few days, I only barely managed 15 minutes! Other days, I had more time in the evenings, and could make more progress than shown below. But for now, here are three 15 minute sessions that were snatched during the week:



I had two projects out this week - my Schwalm whitework project and this Long Dog Sampler. I started this sampler last spring. My niece wanted to work a counted cross stitch piece since they were covering the technique in home ec, and she really liked this Long Dog sampler called "Angel Pavement." So I purchased two copies, one for her, one for me, and we went thread and fabric shopping, and settled on working the sampler on 28 ct fabric over one thread. She's still plugging away on hers, though she works more sporadically all over the place on the chart than I do!

I haven't made any progress on this since I put it away last spring, but it's out again now, because it is perfect for 15 minute sessions.



In the first 15 minute session, I didn't get very far at all! You would almost be tempted to say, "This is not progress!" But the way I see it is, any stitch is progress! During that first session, I had to dig for thread, cut it, strip it, and thread two needles (which was wishful thinking - I didn't even use one full-threaded needle).



In the next 15 minute session, I stuck the frame on my Needlework System 4 stand, rather than holding it, and I resorted to two-handed stitching, which is a lot faster than one-handed!



And, by the third 15 minute session, I was making good headway. When I ended the previous session, I threaded a new piece of floss and had it ready for beginning, and, with both hands stitching, it went fairly well.

Now, keep in mind this little piece is not quite an inch square - so, in the scheme of things, it doesn't look like much stitching! But really - it is progress! And, as I mentioned before, this really serves as a motivator! I find myself seeking the next 15 minutes, just to see how far I can get in the next session. And, better yet, I find myself getting other things done that I need to get done, with more efficiency, so that I can squeeze in 15 minutes.

Do you use needlework as a carrot? Do you try to carve out bits of your day that you can devote to it? How do you go about doing so? Does it help motivate you in your other daily tasks? I'd love to hear how you deal with limited time and needlework!
]]> pictures counted thread embroidery techniques 15 minutes needlework pictures 3968 Lexi noreply@blogger.com http://www.blogger.com/profile/16744912064228067260 2009-12-25 07:21:41 2009-12-25 07:21:41 1 0
Merry Christmas to you!

- Lexi]]> 3971 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-25 06:32:10 2009-12-25 06:32:10 1 0
Yes, the 15 minute approach is sometimes the only way to get any stitching in, when life is hectic!

For "gridding" - which works well for especially complex patterns - you determine how many threads you want to count off, and then you work running stitches in a contrasting color of regular sewing thread along your grid. Then, as you stitch, you cut the running stitches around the area where you're working, once you've already determined where to start in that area, and you pull out the running stitches just in that area as you're getting near to stitching over them. You don't want to stitch over them - it's best just to clip them as you come close to them.

I gridded 10x10 on this one, and even though it was a major pain in the neck to do it, in the end I was glad. It has made stitching this so simple.

Well, take it easy, Lexi, and best of luck in school!

MC]]> 3974 Lexi noreply@blogger.com http://www.blogger.com/profile/16744912064228067260 2009-12-25 03:55:06 2009-12-25 03:55:06 1 0
Perhaps I will try to do this 15 (maybe 20, I'm really slow!) minute approach when I'm at school. I literally have a sheet of printer paper gridded out for every half hour each day that I block out with my schedule and planned study time.. otherwise things like eating lunch just don't happen and that can't be healthy. lol. I find that a lot of my time is wasted thinking about everything I should be doing at the moment instead of actually doing things!

So since quilting in a dorm room is out of the question due to space and budget, I'm thinking I want to take a stab at my stockpile of samplers (maybe eventually the 12x18 one of the Titanic on 18 count aida).

I happened upon the concept of "gridding" just the other night when I was looking at some tips to cross stitch faster, make less mistakes etc. I can't figure out how exactly I'm supposed to do the gridding, though. For example, at first I was thinking OKAY now I take a really long single thread and do a running stitch every 5 stitches vertically.. then do that every 10 columns. or I could make squares 10 wide..same idea. But how do I get the thread out afterward? Is there a type of floss that is monofilament (like fishing line) so the needle won't poke through it? or is a better approach to remove the grid as you stitch the design... but will that come loose if you cut out parts and leave a bunch of loose floss to get in the way?

Thanks,
Lexi]]> 5886 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-09-02 16:43:23 2009-09-02 16:43:23 1 0 5899 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-01 18:34:14 2009-09-01 18:34:14 1 0
I call them basted, too.

Because the pattern for this project is spread over 6 separate pages, and because it's the kind of design that I will hop around on a bit, with lots of little elements, I marked off the fabric to match the dark lines on the graph, every ten threads. That way, I don't really have to count threads - I just locate the square the design element is in, and at a glance, I can see where to start a particular part of the design.

Basting this many lines into the fabric before starting the project was time consuming. If I were to do it again, I might go every 20 threads with a basted line. But it has made the placement part of the stitching Very Easy - I've had no worries about being a stitch off or anything like that. And so, in the long run, the extra effort at the beginning of the project has paid off.

Basting in extra guide lines is not a required step - most people probably just baste in their center lines and count from there. Still, like I said, in the long run, it's worked well for me!

Hope that helps.

MC]]> 5902 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-09-01 14:20:32 2009-09-01 14:20:32 1 0
I've really been enjoying your blog and learning so much - thank you.]]> 5918 pinsneedles noreply@blogger.com http://pinsneedles.wordpress.com/ 2009-08-31 18:00:22 2009-08-31 18:00:22 1 0 I consider stitching to be my daily "therapy", a stress release at the end of the day, and a fantastic was to get my day off to a good start.

Each morning I deliberately get up half an hour earlier than I really need to, and I make sure I spend half an hour stitching before I leave for work.

Then each evening I stitch while "watching" tv - my DH watches, I listen, LOL.

I find the rhythm of stitching to be a wonderful way to relax.
Jocelyn]]> 5919 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-31 11:27:56 2009-08-31 11:27:56 1 0
Samanta - I don't know if I have actually written much about two-handed stitching, except in passing. Basically, to stitch two-handed, you need to have your work on some kind of stand, so that you don't have to use a hand to hold it. Sometimes, I can sit at a table, rest the frame on the edge of the table and on my lap - or against my torso - and not use a stand. What you do is keep your dominant hand underneath your work to receive the needle and push it to the front. With your less dominant hand, you work on the top, pushing the needle back to the back. At first, it takes some real getting used to, and it is slow. If you are right-handed, for example, your left hand is on top of your work, and you have to train it to place the needle accurately. The technique works quite well, especially for counted work (though it works equally as well for goldwork, needlepainting, etc.). I find that I can work almost twice as fast, using two hands, and using shorter lengths of thread. While the shorter lengths may require starting and ending threads more often, if you pre-thread your needles, this speeds up the changing process. With shorter lengths of thread, it doesn't take as long to make a stitch, because you aren't having to pull the thread through as far.

Anyway, perhaps I'll write up a more detailed post on this! It would be somewhat difficult to demonstrate with photos, but maybe I can manage something!

Thanks again for your comments!

MC]]> 5920 Samanta noreply@blogger.com 2009-08-31 11:12:03 2009-08-31 11:12:03 1 0 One question for you: what's two-handed stitching and how does that work? You probably have already talked about it here, so I'll search later - the boss might not enjoy needles and threads as much as we do! ;-)]]> 5921 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-08-31 10:41:55 2009-08-31 10:41:55 1 0
Mary, I recently finished a pastel version of your Easter Bread Cloth. It took weeks. not A week like yours did.]]> 5922 pegsplace noreply@blogger.com http://pegsplace.wordpress.com/ 2009-08-31 09:40:10 2009-08-31 09:40:10 1 0
Good post!]]> 5923 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-08-31 09:08:43 2009-08-31 09:08:43 1 0 next project....)

15 minutes each? I'd say you're working at a nice clip, particularly at 28 count over 1!]]> 5924 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-08-31 08:53:55 2009-08-31 08:53:55 1 0 5927 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-08-31 07:07:25 2009-08-31 07:07:25 1 0
I'm finding this easier with my current bead project than with the silk embroidery. If I only manage 15 mins, it doesn't seem to get me very far, but by the end of the week it is surprising how much I have got done.

For me it's not so much a carrot as it is claiming a little bit of time for myself and something I want to do, when the rest of the day will most likely be given to things I have to do, mostly for other peps!]]> 5928 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-08-31 06:14:58 2009-08-31 06:14:58 1 0 5931 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-08-31 04:40:11 2009-08-31 04:40:11 1 0
Looking at your post I found myself thinking about pulling out my project to show "Sorry, out to lunch." Thanks, I can now see the project getting finished in time!

Ren]]> http://www.needlenthread.com/2009/08/goldwork-embroidery-thread-tidbit.html Fri, 28 Aug 2009 15:51:00 -0500 Mary Corbet 224 2009-08-28 15:51:00 2009-08-28 15:51:00 open open Goldwork-Embroidery:-A-Thread-Tidbit publish 0 0 post

Flatworm is a real metal thread used for embroidery. It is also called "oval" thread, and is made just like smooth passing thread used in goldwork, but then it is rolled between two rollers to flatten it out.



This is what the wonderful, lustrous stuff looks like! Flatworm! Ahhhhh - a Bee-yoo-tee-ful goldwork thread! I've written about Flatworm before, and I still have a bit of an infatuation with it every time I see it. And yet, I have not done a lick of stitching with it. But it's pretty, isn't it? And it's got a great name!

While none of this information so far is too unique, this is the part I like:

Flatworm really does have a connection to its namesake, the Worm. It has been and is produced for the fly fishing industry. Fly fishing enthusiasts cut up the flatworm for making fishing lures, hoping to trick the little fishies (actually, they probably want to trick the Big fishies) into thinking that the somewhat twisted, flat broad reflective metal thread is a worm.

I never quite felt as akin to fish as I did when I learned this bit of information. In fact, I have never felt akin to fish at all.

But now, I admit that I can relate. If I were a fish, I'd go for a flatworm lure. Wouldn't you?

Info from a goldwork threads manufacturer who contacted me to explain! Thank ye kindly!
]]> supplies goldwork threads http://www.needlenthread.com/2009/08/long-and-short-stitch-lesson-5-shaded.html Thu, 27 Aug 2009 10:28:00 -0500 Mary Corbet 225 2009-08-27 10:28:00 2009-08-27 10:28:00 open open Long-and-Short-Stitch-Lesson-5:-Shaded-Curves publish 0 0 post

If you are just joining us for these lessons in shading with long and short stitch, you can find all the articles related to the lessons listed under the Long and Short Stitch Lesson Index. For those of you who want to know what these lessons are all about, they are merely to help the embroiderer learn the basics of long and short stitch shading in order to feel confident in tackling more complex needle painting projects. The lessons are free and will be kept here on Needle 'n Thread, easily accessible, so that you can follow them at your own pace.

The fifth long and short stitch lesson focuses on stitching around a curve, in order to shade design elements such as ribbon or flowing text.

For this element (the top right corner of the sampler), you will need the same shades of blue that were used on the triangle: DMC 159, 159, 160, and 161.

You'll also need #9 or #10 crewel needles, sharp embroidery scissors, and a hoop or frame to keep the work taut.

For basic technique in long and short stitch, feel free to visit Lesson Two, where you will find three videos demonstrating basic long and short stitch. Reading and working through the previous lessons up to this point will help you as well.



Begin with the small swash next to the ribbon. Anchor your thread and split stitch an outline around the small swash in medium-light blue (160). Begin the long and short stitch (in 160) in the center of the rounded end of the swash, working to the right side of the swash, then going back to the center and working to the left edge of the swash.



When you finish with color 160, if you still have "stitching room" on your thread, take your needle from the back of the fabric to the front, outside to the working area, without cutting the thread. You can leave your thread here until you are ready to use this color again. This way, you don't have to end and re-start the thread each time you need to use the same color.



Switch to light blue (159) and stitch two ore more rows of long and short stitch, to fill the main central part of the swash. As you stitch each row, make slight adjustments in direction in order to ease your way aroudn the turn of the swash. See the phot below for stitching direction:



The red slashes indicate the turning stitches. The green slashes indicate the stitches that extend to the side and over the split stitch outline. As the stitches on the left approach the split stitch line, take them over the line to ensure a smooth edge. Keep gradually moving your stitches around the bend of the swahs, adjust the stitch direction as you grow. Switch back to medium light blue (160) for one row, then medium-dark blue (161) for the next row, and then end the swash at the point in dark blue (158).

The key in getting around the curves gently is to slowly adapt your stitches to the curve. Take small stitches where need be (in fact, your stitches will be smaller going around the curve), in order to "tweak" the stitch direction so that your stitches are working in the direction you want them to go (which is toward the tip of the swash). Remember that, as your space gets smaller, you use fewer stitches (just as you did with the triangles).



When you finish your swash, it should look something like this.



(Mine looks better from farther away!)



Once you've finished the small swash, you're ready to move on to the large ribbon shape. Begin on the lower right tail of the ribbon. Outline in split stitch (159) as demonstrated in the photo above. You do not need to outline the whole shape - just the top edge of the ribbon and about half way down the sides.

Use a pencil to mark direction lines down the length of the ribbon tail, and color-change lines across the width of the ribbon tail, as shown in the photo above. You want four sections of the area "blocked off" to mark approximately where you will change shades.



Working in light blue (159), work the long and short stitch over the split stitch line at the top end of the ribbon.



Begin the next row of long and short stitch in medium-light blue (160). Remember to take your new stitches deep into the first row of stitches.



Work the third row of stitches in medium-dark blue (161). Begin shifting your stitch direction more dramatically in order to accommodate the curve.



When it becomes necessary to cover the split stitch line, bring your needle up outside the line so that you can cover it. You'll take the stitch back down inside the shape.



You'll probably work at least two rows in medium-dark blue (161). These rows will require the most dramatic change in stitch direction. Try to follow the curve of the ribbon, using relatively short stitches and adjusting their direction as you work around the curve.



Finally, switch to the darkest blue (158), and continue working in short stitches, easing around the curve to the point of the ribbon curl, and decreasing the number of stitches in order to fit the design area.



Continue to add subsequent rows of dark blue (158) until you reach the tip, as shown below:



This is the finished first ribbon tail.



At this point, you can mark in your stitch direction lines and your color lines on the main section of the ribbon. Divide the ribbon across its width as indicated above. In the widest part of the ribbon here, the center will be light, and it will gradually get darker towards the tips. The stitch direction will work around the curve of the ribbon.



Now that you've finished the lower tail of the ribbon and marked your stitch direction, turn your work over so that the element is upside-down. The next section of the ribbon is easier to work upside-down. First, using 158 (dark blue), stem stitch the thin line between the curl you just finished and the main section of the ribbon. (The area circled in red in the photo above). When your stem stitch reaches the point where the lines divdide to form the mid-section of the ribbon, you can switch to split stitch for outlining the area. Outline on a little way up into the main curve of the ribbon (also shown in the photo above).



Then, in the darkest blue (still 158), work long and short stitches to fill the tip of the ribbon, working from the narrow point to the wider center.



The red lines above indicate the stitch direction. Notice that I'm not starting in the tip of the ribbon, and fanning out. Rather, I'm starting on the side of the ribbon, and working almost vertically.



Switch to the medium-blue (161) and then medium blue (160) and continue to work long and short stitch to fill the riboon shape.



As you switch colors, anchor your working threads in the fabric above the design so that you can keep using them when you return to those colors on the rest of this section.



In the widest part of the ribbon (center), switch to light blue (159), and stitch two or three rows (depending on the size of your stitches). Alter the direction of your stitches to gradually move them towards the tip where the lines of the design converge.



Keep adjusting your stitches as you round the curve, and then switch back to medium blue (160).



After stitching a row of medium blue, switch to medium dark (161) and continue towards the tip of the ribbon.



If you turn your work right-side-up at this point, it should basically look like this. You can outline the tip in split stitch, using dark blue (158) if you wish. I did not outline at this point - I just continued filling to the tip where the lines of the design converge.



Working upside-down again, continue filling with the darkest blue, to the tip of the large ribbon curve, easing your stitches around the curve by changing their direction little by little.



The tip should look like this.



Continuing with the dark blue (158), stem stitch the line between the main part of the ribbon and the top curl. Again, where the lines separate to form the top curl of the ribbon, switch to split stitch and outline the lower third of the curl.



Mark in your stitch direction lines and the lines to indicate changes in shade, if you wish. Split stitch the very edge of the ribbon (hidden here by long and short stitch) in medium-light blue (160), and then work one row of medium-light (160) in long and short stitch. If it is easier for you, turn your work upside down again.



Following the same sequence as in the lower curl on the ribbon, work a row or two of light blue (159) in long and short stitch, tweaking your stitch direction as you work around the curve. Then switch to medium-light blue (160), then medium-dark blue (161) - one row of each - then to dark blue (158), which will fill the tip.



Congratulations! You have finished the fourth element in the Long and Short Stitch Shading Sampler - the most difficult element so far! If you're still with me, you'll find the next element (the center leaf on the top of the sampler) a breeze! See you in Lesson Six!

Here's a PDF download of this lesson:

Lesson Five: Long and Short Stitch Shading on Curves

For previous lessons, visit this Index of Lessons in Long and Short Stitch Shading.


]]> stitchalong lessons pictures embroidery tips and tricks needlepainting long and short stitch embroidery lessons needlework pictures 2569 Anonymous noreply@blogger.com 2010-03-06 04:24:18 2010-03-06 04:24:18 1 0 4775 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-10-27 18:34:46 2009-10-27 18:34:46 1 0 I thought I'd share a little "oops" that happened when I was working on the small swash the other night during the baseball game. I only mention the game because I was a wreck and started to stitch to take my mind off the game. Probably not the best time to be learning a new technique...My thread got tangled right after I began so I tried pulling it out but some didn't come loose so I took my scissors and tried snipping the rest of the threads. Well...I ended up with a lovely hole in the fabric. At first I thought I wouldn't be able to complete the swatch. But I decided not to panic and continued stitching. And, it worked. You're right. The Long and Short stitch is a very forgiving stitch! By the time I completed the swatch you couldn't tell the fabric had a hole in it. Pretty neat!]]> 5406 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-09-26 09:27:36 2009-09-26 09:27:36 1 0 Thansk again for these wonderful lessons. I finished the ribbon. I could not achieve it without your tips. I am so happy !!!
Could you have a look and tell me what you think of it ?
Thanks a lot.
You can see my work here :
http://elena33.canalblog.com

Cheers]]> 5798 Crazypatch mc.chasseraud@orange.fr http://www.blogger.com/profile/12833153179435090586 2009-09-04 15:35:22 2009-09-04 15:35:22 1 0 5932 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-29 13:22:29 2009-08-29 13:22:29 1 0
Well, for the long stitches, I think about 3/16ths of an inch (just short of a quarter) is good, and the short stitches would be about 1/8th of an inch. You can go longer - to 1/4" on the long and 3/16th on the shorter, but when you start working around curves, that might seem a bit long.

There are some instances when my stitches would be a bit longer - as long as 3/8" - for example, on the squares, in some parts.

Please don't stress out over making each element "absolutely" perfect. I'd just work through each element, getting used to the technique. The finished product might not be absolutely perfect, but as you stitch each element, you'll definitely see an improvement, I think! (that's my 2-cents' worth!)

Best regards,
Mary]]> 5933 Anonymous noreply@blogger.com 2009-08-29 11:36:46 2009-08-29 11:36:46 1 0 signed, Thinning fabric 'cause I've picked out my stitches too many times!]]> 5936 lkrum1999 noreply@blogger.com http://www.blogger.com/profile/06926798002529172713 2009-08-28 13:11:07 2009-08-28 13:11:07 1 0 Whenever I feel bogged down, I read the posts from you and your many admirers as a gentle reminder that others are working to teach themselves the many techniques of surface embroidery.
Thank you...Jana]]> 5937 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-08-28 12:49:09 2009-08-28 12:49:09 1 0 5939 Carol noreply@blogger.com http://www.blogger.com/profile/16145339876894805722 2009-08-28 09:56:39 2009-08-28 09:56:39 1 0
Oooh, I am envisioning a set of monogrammed napkins for my daughter done like this---another project added to my list. Alas, the academic year is starting for me too, and I won't have much free time.

By the way, I have nearly everything I need to make the Indian dancing girl project I told you about a few months ago, thanks to Joady at Hedgehog Handiworks. Just need the two shades of red velvet!]]> 5941 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-28 07:18:36 2009-08-28 07:18:36 1 0
Well, in this project I am stitching on cotton fabric and using cotton (DMC) embroidery floss.

I hope that helps!

Best regards,
Mary]]> 5943 lidia noreply@blogger.com 2009-08-27 20:54:25 2009-08-27 20:54:25 1 0 es muy bueno facil de seguir
Que pena lo del traductor
para saber en que material trabajas??
gracias Mary
un abrazo
lidia
Chile]]> http://www.needlenthread.com/2009/08/hand-embroidered-curtains-no.html Wed, 26 Aug 2009 05:14:00 -0500 Mary Corbet 226 2009-08-26 05:14:00 2009-08-26 05:14:00 open open Hand-Embroidered-Curtains?-No. publish 0 0 post hand embroidered curtains I've been harping on lately? Guess what?

If you said to yourself, "She changed her mind," you are, in short, correct. I have changed my mind. Let me show you why.



After progressing pretty far up the first embroidered line, it suddenly struck me that I should probably hang the curtains in front of a sunny window to test out this whole concept of embroidery on sheer curtains. The room in which they will hang gets a goodly bit of sun most of the day in one window or another, from morning until late afternoon.

Embroidering on sheer curtains that will be back-lighted by the sun most of the time is not quite the thing, methinks. The embroidery stands out, but not in a desirable way. It looks dark - and every warble and wobble in the stitching, every stray peeking thread end stands out in an obnoxiously noticeable manner.

I suppose I should have realized this sooner, but the whole question of whether or not I really should embroider the curtains never occured to me until I hung one set of the (un-embroidered) curtains in the room. They are white and crisp and airy, hanging over wide white slatted blinds, in a periwinkle room with white trim. Very cool and breezy looking! I love them! And while I was looking at them and admiring the overall effect, I tried to picture them embroidered. And suddenly, the whole question of backlighting jumped into my head. So I took the sheer I was working on, stuck it on a window, and said....

Ugh.

This was followed rather closely by...

Ick.

And the subsequent ritual of head banging and forehead slapping was followed up by placing an order for a new panel.

I'll keep the sheer I was stitching on. I think that the voile will make a good foundation fabric for embroidering on velvet. I'll recycle it for some use, anyway.

But in the meantime, I've crossed curtains off my List of Things To Do. Sorry for stringing you along on that one!

On the bright side, I think I'll concentrate on Schwalm for a bit - it'll be my new 15-Minute Project.

School has begun, by the way. To the dear reader who sent me an encouraging e-mail yesterday, wondering how I manage to do what I do - teaching, stitching, blogging regularly, and so forth - my only reply at the end of the first day of classes is this:

AAAAAAAAAaaaaaaaaaaaaaaaaaaaaaaaaaaaaccccccccccccccck!!!!!!!
]]> Embroidery for the Home pictures needlework pictures 5944 Robin Luger noreply@blogger.com http://www.blogger.com/profile/06846217173912793865 2009-08-27 20:08:19 2009-08-27 20:08:19 1 0 5948 Anonymous noreply@blogger.com 2009-08-27 15:13:11 2009-08-27 15:13:11 1 0 http://trouvais.com/2009/08/21/early-19th-century-dress/]]> 5951 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-08-26 16:07:31 2009-08-26 16:07:31 1 0 5952 Jules noreply@blogger.com http://www.blogger.com/profile/10496039187159668965 2009-08-26 15:04:08 2009-08-26 15:04:08 1 0 By the way, are there any special cleaning instructions for work using silk?]]> 5954 Samantha noreply@blogger.com http://www.blogger.com/profile/08577111146723078502 2009-08-26 12:26:36 2009-08-26 12:26:36 1 0 5955 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-08-26 12:06:24 2009-08-26 12:06:24 1 0 5957 Anonymous noreply@blogger.com 2009-08-26 11:48:46 2009-08-26 11:48:46 1 0 5958 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-08-26 11:31:05 2009-08-26 11:31:05 1 0 Sense of humour is a great weapon at times of failure.]]> 5960 Anonymous noreply@blogger.com 2009-08-26 11:14:58 2009-08-26 11:14:58 1 0 5961 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-08-26 10:41:58 2009-08-26 10:41:58 1 0 then decide that the colors don't work, or the thread's not the one you want to use, etc...]]> 5962 Cindy B noreply@blogger.com 2009-08-26 09:56:58 2009-08-26 09:56:58 1 0 5963 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-08-26 08:53:55 2009-08-26 08:53:55 1 0 5964 K noreply@blogger.com http://www.blogger.com/profile/11669697367343020430 2009-08-26 08:32:17 2009-08-26 08:32:17 1 0 http://www.needlenthread.com/2009/08/three-types-of-silk-for-hand-embroidery.html Mon, 24 Aug 2009 19:09:00 -0500 Mary Corbet 227 2009-08-24 19:09:00 2009-08-24 19:09:00 open open Three-Types-of-Silk-for-Hand-Embroidery publish 0 0 post Kreinik is an embroidery thread company here in the US that's been around since the 1970's. It's a family run business that has become very well known in the embroidery world - I've never been in a needlework shop or the needlework section of a craft, sewing, or hobby store that didn't have some kind of Kreinik thread available for purchase. While they are probably best known for their different metallic cords and blending filaments (that's just a guess...), they also manufacture some beautiful threads. I want to show you three of their silks and tell you a little bit about them.

Silk Serica, Silk Bella, and Silk Mori by Kreinik are all 100% silk threads for hand embroidery. The first two threads - Silk Serica and Silk Bella - are filament silks, while Silk Mori is a spun silk.

The difference between filament and spun silk is found in the silk fibers that are used for manufacturing the thread, and how the threads are manufactured. Filament silk is spun straight off the cocoon in long lengths. It is a very high sheen thread and quite strong. Spun silk is made from the "left-overs" after the cocoon has been unraveled. The silk is spun much like wool or cotton, in small pieces that, through the spinning process, work into a long strand. Spun silk has a nice lustre to it - it is soft, and generally it is "stranded" - that is, it's put up in a certain number of strands per thread off the skein (like DMC or Anchor cotton, which are stranded cottons).



Silk Serica is a 3-ply filament silk. It works well on 18-ct canvas, for good coverage with tent stitch. It's also a beautiful thread for techniques such as Hardanger, where it makes very nice Kloster blocks.



It can be used in any application in which you would use a silk buttonhole twist, but, from what I can see, the Serica is a looser twisted thread. Because it is looser, you can actually separate the plies (carefully), to use in satin stitching and so forth. When separated, the three ply thread becomes even more "shiny," and any waves that are the result of being twisted can be smoothed out by slightly dampening the thread.

Silk Serica comes in 142 colors that match Silk Mori.



Silk Bella (the second row of spools) is also a 3-ply filament silk, but it is much finer than Silk Serica. Unlike Silk Serica, it can't be separated into individual plies.



This fine thread is perfect for any application where tiny detailing is desired. It works well on high count fabrics for stitching over one thread, in counted work. It's great for blackwork, and can be used well in needle lace and pulled thread techniques.

Silk Bella comes in 46 colors.



This little picture is a sample given in the Kreinik brochure. The Kloster blocks (those are the heavier white stitching) are worked in Silk Serica. The woven bars and the tiny filler stitch in the center are worked in Silk Bella. The leaves on the outside are worked in Silk Mori.



Silk Mori (the pull skeins in the last row) is a typical stranded silk, used in the same applications you'd use stranded cotton. It's a six-strand spun silk, and, because it is silk, it has a higher lustre than cotton, and that lustre will last indefinitely. (Mercerized cotton tends to lose its sheen over the years...) Silk Mori comes in 142 colors, like Silk Serica.



Another little sample here from the Kreinik brochure helps demonstrate the differences in these three silks.

The color selection for these silks is really nice, and I'm eager to stitch with them. I've stitched with Silk Mori, but haven't personally done any embroidery with the Silk Serica or the Silk Bella. I hope to soon! You can find color charts for these silks available on Kreinik's website.

To help you get a better idea of the threads, I'll write up a comparison between them and other similar threads, so you can see these threads in relation to more familiar needlework threads. In the meantime, though, if you're looking for some beautiful silks to try out, you might want to give these a look! I love the feel of them, and I think they're going to be very nice for stitching.

Have you used any of these Kreinik silks? Any tips? Any information? Let us know!
]]> embroidery resources threads pictures needlework websites silk 5637 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-13 07:31:54 2009-09-13 07:31:54 1 0
MC]]> 5639 bridie noreply@blogger.com 2009-09-13 07:18:11 2009-09-13 07:18:11 1 0 I live in the UK and found "Janice Williams" who has great range of goldwork items plus lots of other stuff(PDF catalogue here hopefully) http://www.ajs-it.co.uk/goldwork/images/PRICE%20LIST%20Nov08.pdf
Thanks to anonymous for the uk sites as my local craft shop has very little and its expensive . I`m waiting for my thread now (from Ebay) to get stuck in to your tutorials ,can`t wait and thank you ever so much Mary for sharing your time and skills with us, you are indeed very generous
Bridie]]> 5905 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-09-01 12:51:17 2009-09-01 12:51:17 1 0 5935 Anonymous noreply@blogger.com 2009-08-28 14:06:16 2009-08-28 14:06:16 1 0 5959 alice m noreply@blogger.com 2009-08-26 11:19:22 2009-08-26 11:19:22 1 0 5965 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-08-26 08:29:04 2009-08-26 08:29:04 1 0 Karen]]> 5966 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-08-26 08:20:03 2009-08-26 08:20:03 1 0 5967 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-25 14:32:12 2009-08-25 14:32:12 1 0
Hi, Alice - regarding the videos, they are working on this end. Are you able to view other YouTube videos on your computer? You might want to visit the YouTube help page to see if it's a playback issue on your computer. Do you have the required software, etc...

Thanks,
Mary]]> 5970 alice m noreply@blogger.com 2009-08-25 11:18:53 2009-08-25 11:18:53 1 0 On a different topic, when I go to "Lesson 2" (long and short stitch) I can't access the video tutorials. I just get blank boxes. Can you help?]]> 5971 Anonymous noreply@blogger.com 2009-08-25 10:11:43 2009-08-25 10:11:43 1 0
Do you know how the Silk Bella compares to YLI silk sewing machine thread? I'm looking for a good silk to use for couching in stumpwork.

celeste]]> 5972 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-08-25 09:22:12 2009-08-25 09:22:12 1 0 5973 Anonymous noreply@blogger.com 2009-08-25 08:27:02 2009-08-25 08:27:02 1 0 Not really Krenik silks in this context. But some needlework resources.
I live in Europe, and many times I was frustrated that I had to shop from US. And lots of shock came for the first time, when I had to pay lot for shipping, customs (VAT and import tax), and still paying more for the items, compared to the European prices.

After long search, I have my own favourite shops now in Europe, where I'm free of the customs. I liked to share this with you, so also other fellow readers get to know.
As an example, I now get Soie d' Alger for approximately 2.7 USD per 5 meter.
The Belfast or Edinburgh Linen for approximately 50 USD per meter.
And, after-all low shipping cost.

Here I have them listed:

France - Metal Threads - http://www.brodely.com/index.php?language=en
They don't sell the real gold, but the glitter is as comparable to the real one.

France - Silk Threads - http://www.atelier196.com/
A nice lady, Fati runs this shop. The rates are too good. 8 meter skein of Soie d' Alger costs 3.40 €, and if you buy 10 skeins, it costs 30 €.
When you buy 10, then the price when compared to US stores for 5 meter:
Atelier: ~2.7 USD
Other US stores: 3.6 USD minimum

You can also buy Au ver a' Soie silk threads, and other threads here, though its not listed in the website. You simply have to mail her.

Germany - Fabrics - http://www.handarbeitshaus.de/stoff_wed_leinenfein.html
Good to buy Linen, and some accessories too. Fabrics - good cost-wise.

Germany - Silk and Metal Threads - http://www.tentakulum.de/
Also a good place for Au ver a' Soie. They also have good metal threads, ribbon floss, wool, cotton.

UK - Silk Threads - http://www.devereyarns.co.uk/
They carry the filament silk. I haven't tried this. I have my order placed and shippment made. Just curious to try this.

UK - Flat silk/Japanese silk and tools - http://www.midori-embroidery.com/
From what I see, it resembles JEC. Again the order placed, and shippment made. Curiously awaiting to try this.

JEC - thread made of 12 suga; Color card has to be purchased for huge price; Only 60 meter spool available
Midori - thread made of 16 suga; Color card optional. Color selection available online; Can choose between 30/60/500 meters.

Both of them carry colorful metallics, real or imitation gold, and all other tools and accessories.
Midori is little bit less in cost, provided the silk should be on equal standard.

UK - Twisted Silk - http://www.thesilkmill.com/

UK - Flat Silk - http://www.fritillary.co.uk/

UK - Needlework shop - http://www.sewandso.co.uk/index.html
You can find most accessories, threads, fabrics here. Especially the fabric collection for their competitive price is good.

I will update on the quality of silks which I haven't tried before, when the items are there.
Mean-while I don't know if you have given the Devere yarns, or Midori a try.]]> http://www.needlenthread.com/2009/08/society-silk-embroidery-beautiful.html Mon, 24 Aug 2009 04:45:00 -0500 Mary Corbet 228 2009-08-24 04:45:00 2009-08-24 04:45:00 open open Society-Silk-Embroidery---A-Beautiful-Resource publish 0 0 post vintage needlework supplies (including silk threads and stamped linens from the early part of the 20th century) was, for me, a catalyst for further explorations into Society Silk. I also featured some of these historic needlework items in my give-away a couple weeks ago. Since then, it's been a case of Silk-Art-Embroidery-on-the-Brain.

Needless to say, then, I was super-duper delighted when a reader left a comment directing me to her Flickr page that is jam-packed full of 192 photos of Society Silk embroidery! Oh, wow! I was in Silk-Shaded Heaven.



This particular collection on Flickr includes color plates from books published by silk companies and now in the public domain. The collector has put her images together in one place, so that the rest of us can meander through some really gorgeous examples of silk shading and other embroidery in silk.



Even if nothing else in the collection thrills you to the tips of your toes (a scenario which is highly unlikely!), then this embroidered peacock surely will. It is... it's - amazing.



While you're meandering around Embroiderist's Flickr collection, make sure to click on Embroidery Collection, which will take you to a more general page that includes all her collections related to embroidery. Beware, though - you might spend hours browsing! There are heaps of vintage designs there!



I hope you enjoy browsing the Embroiderist's collections - and thank you, Embroiderist, for commenting on Needle 'n Thread and posting your link! I thought it was far too good a source of inspiration to leave it lost in the comments - hope you don't mind the write-up!
]]> embroidery resources pictures needlework websites needlepainting long and short stitch silk needlework pictures 5969 Cactus Pearl noreply@blogger.com http://www.blogger.com/profile/08971155573477294702 2009-08-25 11:52:41 2009-08-25 11:52:41 1 0 5974 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-08-25 07:14:48 2009-08-25 07:14:48 1 0 5975 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-08-25 02:53:36 2009-08-25 02:53:36 1 0 5976 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-08-24 20:16:16 2009-08-24 20:16:16 1 0 5978 Anonymous noreply@blogger.com 2009-08-24 14:12:41 2009-08-24 14:12:41 1 0
celeste]]> 5979 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-08-24 13:16:38 2009-08-24 13:16:38 1 0
*dribble*

*dribble*]]> 5980 Anonymous noreply@blogger.com 2009-08-24 13:01:07 2009-08-24 13:01:07 1 0
Thanks for sharing!]]> 5981 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-08-24 12:27:31 2009-08-24 12:27:31 1 0 Dear Maria, thank you very much for this wonderful link with so many beautiful things!!

Hugs
Maria del Valle]]> 5983 prairiethistle noreply@blogger.com http://prairiethistle.wordpress.com/ 2009-08-24 10:58:07 2009-08-24 10:58:07 1 0 5984 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-08-24 10:25:20 2009-08-24 10:25:20 1 0 5985 Anonymous noreply@blogger.com 2009-08-24 10:07:24 2009-08-24 10:07:24 1 0 These are magnificent!
Thank you Mary for passing this along.
Annie in Michigan]]> 5986 margaret c. noreply@blogger.com 2009-08-24 09:59:54 2009-08-24 09:59:54 1 0
Society silk on the brain, eh? Join the club! :-)]]> 5987 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-24 09:05:45 2009-08-24 09:05:45 1 0 http://www.needlenthread.com/2009/08/15-minutes-to-practically-nowhere.html Sun, 23 Aug 2009 07:06:00 -0500 Mary Corbet 229 2009-08-23 07:06:00 2009-08-23 07:06:00 open open 15-Minutes-to-Practically-Nowhere publish 0 0 post

I've got two needlework projects presently going on the front burner. On the back burner, there are two other needlework projects floating, that I have every intention of addressing at some point, some time. Here's a recap on those, and a 15 Minute Progress Report.

On the first front burner, you'll find my curtain project. With a recently almost-refinished bedroom, I thought some hand embroidered curtains would be a nice touch. Unfortunately, my bedroom is not quite finished, but then again, neither are my curtains!

On the second front burner, there's the Schwalm whitework project. Because my bedroom's not finished, my studio is overloaded with ... well, stuff from my bedroom, so I don't have anywhere to work on the Schwalm project right now. When I'm working on a piece of linen that size, I like to sit at a table, so I can spread it out.

On the first back burner rests the poppy kit from Trish Burr. I've framed up the piece but haven't started stitching. As soon as I make a start, though, I'll be good to go on that one. But first, the curtains. And the Schwalm. Well, ok - the Schwalm and the poppy can be simultaneous. But since I've started the curtains and they're part of my decor, I feel almost obliged to get them done first. (Operative word: almost!)

On the second back burner, my Long Dog Sampler is still stewing. I want to get back to this, and I will, as soon as things settle down. This particular project is a great 15-Minuter, because if it's on a stand in the corner, and a thread is started, it's really easy to launch in 15 minutes of straight stitching.

So, on to a project update, in pictures...



For the curtains, I decided to go with a chain stitched straight line in periwinkle, with a stem stitched yellow tendril working its way up the straight line. There are several lines of various heights (from 26" - 40" long) spaced about 6 inches apart, going up each panel.



I'm using three strands for DMC for both colors. Stitching on voile presents its own little difficulties. At first, I wanted to stitch in hand, without a hoop, but it is practically impossible to keep the tension right on this loosely woven, airy fabric. So I'm using a hoop, but the hoop presents other problems. It tends to distort the fabric considerably. Still, once the fabric is removed from the hoop, the stitching looks ok. Even with the hoop, it's a challenge to keep the fabric from puckering, and I'm hoping that the slight pucker that is evident will iron out.

I didn't transfer the design - I just doodled it free hand, using a ruler for the strait (periwinkle) line. It's not as if it's a design that could be messed up! I used one of those fine-tipped water soluble transfer markers from the notions section of a sewing store to draw the design, and I found that, in drawing with this pen on the voile, it was quite helpful to put another cloth (scrap) behind the curtain. This helped keep the ink from spreading.

And that represents my 15 minute session. Finished, it's a total of about 5 inches. At this rate, the two sets of voile panels should be finished in about a year - or two!

Coming up this week, I'll have Lesson 5 of the Long and Short Stitch Shading lessons up for you. You can look for that around Thursday, though I'll try to get it posted before then. I've also got some product reviews, another episode of messing with transfer pens and pencils, and (hopefully, if the US Post Office is on my side) two beautiful books to show you.

I hope you have a Terrific Week, and get to spend lots of time with your own needle 'n thread!
]]> Embroidery for the Home pictures 15 minutes needlework pictures 5956 nancy noreply@blogger.com http://www.blogger.com/profile/14727281220290425146 2009-08-26 11:49:25 2009-08-26 11:49:25 1 0 5988 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-08-23 22:32:24 2009-08-23 22:32:24 1 0 If I just did 15 minutes on my myriad of projects I wouldn't be looking at them all in despair so often.... or perhaps instead of looking at them in despair I just need to got in and DO!]]> 5990 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-08-23 17:30:07 2009-08-23 17:30:07 1 0 5991 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-08-23 15:40:23 2009-08-23 15:40:23 1 0 5993 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-08-23 15:24:43 2009-08-23 15:24:43 1 0
I'm liking the curtains. Would strips of water soluble fabric or film behind the fabric help to stablize the fabric while stitching?]]> http://www.needlenthread.com/2009/08/stumpwork-medieval-flora-droolingly.html Fri, 21 Aug 2009 05:00:00 -0500 Mary Corbet 230 2009-08-21 05:00:00 2009-08-21 05:00:00 open open Stumpwork-Medieval-Flora:-A-Droolingly-Beautiful-Book! publish 0 0 post Books. Stumpwork Medieval Flora by Jane Nicholas falls into the latter category: it's a Book you need in your needlework library! Here's an overview of it.

Jane Nicholas is an Australian needlework designer who specializes in stumpwork embroidery. She has multiple books on the market that feature her stumpwork projects in all their glory - projects that captivate any avid embroiderer and enchant even those who aren't needlework prone. Her newest book, Stumpwork Medieval Flora, does not disappoint. In the introduction, Jane notes that, like Medieval illumination, stumpwork is a surprise - it begs the viewer to close inspection and delights with each new discovery within a design.



Stumpwork Medieval Flora, an ample hard-bound book about an inch thick, features sumptuous pictures of the many projects featured in the book, along with complete materials lists and thorough instructions for completing each project. The book is divided into four sections: a brief introduction to the subject of medieval flora in illuminated manuscripts and their adaptation to stumpwork, the botanical specimens projects, the illuminated panels projects, and the final section on techniques, equipment, and stitches.



The front cover of the book features three of the five botanical specimens project (the other two specimens wrap around to the back cover). These "speciments" are can be stitched either as separate panels - each specimen individually - or they can all be stitched on one larger panel.



Each specimen illustrates a type of flora common to Medieval illumination, and along with the plant comes a good selection of very appealing insects. At the base of each speciment, the Latin name of the flower can be stitched.



The "surprise" of these stumwork pieces does not come merely from the litle bug tucked here or there. While these are certainly fascinating (and downright beautiful - yes! even though they are bugs!), the "surprise" that awaits the close observer is the technique. Close inspection reveals the leaf ruffled by the wind, the twisted petal, the shaded bud, the dragonfly's transparent wing and the beetle's shiny armor, the butterflies fuzzy abdomen - all meticulously executed with needle and thread.



Without even looking at the instructional content, you've probably realized that the book could stand alone as a coffee-table conversation piece, it's so darned beautiful!



But, let's look at the insides, too - and the meat of the matter, for those of us interested in needlework technique.



Within the book, the author instructs on a total of eight projects - five speciments and three illuminated panels. The specimens are those individual sprays featured on the cover. The panels are somewhat more formal - they feature a slightly less "natural" spray of flower or plant, bedecked with bugs and the like, and encased in a vivid frame of colored silk and gold thread.



A materials list is presented for each of the eight project. The list includes all fabric, fibers, and embellishments required to complete the project.

Line-drawings of the patterns (in the actual size to be worked) are accompanied by templates for the raised elements in each design.

The order of work is presented for each project, taking the reader step-by-step through the process of embroidering the particular design.



Little details of instruction are demonstrated with drawn diagrams. Most of the instruction, though, is in the text. The diagrams simply serve to clarify the text. Jane's text instructions in all of her books are very well and clearly written.



Mixed in among the text instructions and diagrams are up-close photos of the particular elements, completed. This is a nice touch; it not only adds interest to the black-and-white sections of the book, but it gives the reader a focused look at the element for the sake of reference.



These finished elements are printed larger than their completed size, in order for the reader to see the details of stitching and placement.



You can see here, for example, the line drawing of the butterfly accompanied by an enlarged image of the completed little beauty.



In the chapter on technique, equipment, and stitches, the reader will receive all the necessary "background" information for setting up the project, organizing and gathering supplies, the correct tools to use, and how to work the general types of stitches in the featured projects. The book, though, is not intended absolutely for beginners - unless you happen to be a very determined and enthusiastic beginner. For beginners, it would be helpful to have a few other reference books handy for stitch instructions, and Jane notes this at the back of the book (giving, in fact, a good list of resources available).

The book is Stumpwork Medieval Flora. The author, Jane Nicholas. Distributed in the US by Sterling Publishing (which has an absolutely terrific selection of embroidery books), it is a part of the Sally Milner Craft Series.

Add it to your needlework library. You'll be glad you did!






]]> historical needlework book review pictures embroidery designers stumpwork 3262 Anonymous noreply@blogger.com 2010-02-10 01:16:35 2010-02-10 01:16:35 1 0 4744 Madhu noreply@blogger.com http://www.blogger.com/profile/15624261437846166830 2009-10-29 23:28:55 2009-10-29 23:28:55 1 0 Can some one teach me please the nuances!]]> 4756 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-10-29 05:03:44 2009-10-29 05:03:44 1 0 5725 Marian noreply@blogger.com 2009-09-07 03:44:27 2009-09-07 03:44:27 1 0
Stumpwork mesmerizes and fascinates me, and is the one style of embroidery I am actually afraid to attempt.

The embroidered items look very real and life-like and I think this is what both fascinates & frightens me.]]> 5726 Madhu noreply@blogger.com http://www.blogger.com/profile/15624261437846166830 2009-09-07 03:30:24 2009-09-07 03:30:24 1 0 Stumpwork has always stumpped me as they look so real and have used varied stitches in a different methodology!]]> 5727 Madhu noreply@blogger.com http://www.blogger.com/profile/15624261437846166830 2009-09-07 03:29:50 2009-09-07 03:29:50 1 0 Stumpwork has always stumpped me as they look so real and have used varied stitches in a different methodology!]]> 5736 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2009-09-06 17:34:45 2009-09-06 17:34:45 1 0 5741 Beverly noreply@blogger.com http://www.blogger.com/profile/04939959032886958617 2009-09-06 13:39:56 2009-09-06 13:39:56 1 0 5743 Carol noreply@blogger.com 2009-09-06 10:15:16 2009-09-06 10:15:16 1 0
Carol in FL]]> 5745 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-09-06 08:10:37 2009-09-06 08:10:37 1 0 5769 Dido noreply@blogger.com http://www.blogger.com/profile/12001822132439197048 2009-09-04 23:53:56 2009-09-04 23:53:56 1 0 5770 Julie noreply@blogger.com http://www.blogger.com/profile/12424803040418244129 2009-09-04 22:58:50 2009-09-04 22:58:50 1 0
Julie
In San Diego, CA]]> 5774 Karen noreply@blogger.com http://www.nimbleneedle.net/blogspot 2009-09-04 20:36:16 2009-09-04 20:36:16 1 0 5775 Karen noreply@blogger.com http://www.nimbleneedle.net/blogspot 2009-09-04 20:35:12 2009-09-04 20:35:12 1 0 5790 Onita noreply@blogger.com http://www.blogger.com/profile/00512284675021769263 2009-09-04 17:39:34 2009-09-04 17:39:34 1 0 5793 Vevia noreply@blogger.com 2009-09-04 17:05:14 2009-09-04 17:05:14 1 0 5808 2Much2Make noreply@blogger.com http://www.blogger.com/profile/11558812120771708321 2009-09-04 14:04:27 2009-09-04 14:04:27 1 0 5809 Julie B noreply@blogger.com 2009-09-04 13:51:13 2009-09-04 13:51:13 1 0 realistic touch and learning to master a new technique.

Thanks! (again)
Julie B]]> 5810 Julie B noreply@blogger.com 2009-09-04 13:46:04 2009-09-04 13:46:04 1 0 Thanks! jjb]]> 5813 Jane noreply@blogger.com 2009-09-04 13:23:33 2009-09-04 13:23:33 1 0 Thank you so much for your review!
Jane]]> 5815 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2009-09-04 12:46:33 2009-09-04 12:46:33 1 0 5824 piney cq noreply@blogger.com http://www.blogger.com/profile/06318464831940639006 2009-09-04 10:47:12 2009-09-04 10:47:12 1 0 5829 Bobbi Pohl rj.pohl@verizon.net http://www.blogger.com/profile/00971467142314900997 2009-09-04 10:12:52 2009-09-04 10:12:52 1 0 5846 qwerty knittingdivine@hotmail.com 2009-09-04 08:27:00 2009-09-04 08:27:00 1 0 5848 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2009-09-04 08:24:18 2009-09-04 08:24:18 1 0 It would be a blessing to have this book.
Debra]]> 5850 mouse noreply@blogger.com 2009-09-04 08:12:25 2009-09-04 08:12:25 1 0 wonderful thing to share with us Mary, thanks from the bottom of my heart. What's that....I hear the little bugs of the world rejoicing in this book...they have moved up a notch on the chain!]]> 5861 Brenda, Wilmington, Ohio noreply@blogger.com 2009-09-04 07:18:50 2009-09-04 07:18:50 1 0 5873 Audrey noreply@blogger.com http://summersgabby.etsy.com 2009-09-04 05:15:24 2009-09-04 05:15:24 1 0 Hugz and Blessings Audrey]]> 5950 jeannie noreply@blogger.com 2009-08-26 18:47:11 2009-08-26 18:47:11 1 0 Thanks!]]> 5997 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-08-22 16:09:26 2009-08-22 16:09:26 1 0 5998 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-22 12:08:09 2009-08-22 12:08:09 1 0
This looks beautiful, but I've never made stumpwork. Better said I knew what is stumpwork through you as well so many things about embroidery.
Thanks, Mary! - what else can I say?]]> 6003 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-08-22 08:24:26 2009-08-22 08:24:26 1 0 6004 Lana of Honeysuckle Lane lanamanis@gmail.com http://www.blogger.com/profile/03984967027046436970 2009-08-22 07:06:03 2009-08-22 07:06:03 1 0 6007 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-08-21 21:25:20 2009-08-21 21:25:20 1 0 6012 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-08-21 17:46:51 2009-08-21 17:46:51 1 0 6013 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-21 17:45:40 2009-08-21 17:45:40 1 0 I have the thick complete book of stumpwork, I also want the one with insects and now this!!! thanks for sharing!]]> 6014 margaret c. noreply@blogger.com 2009-08-21 15:36:10 2009-08-21 15:36:10 1 0 6015 BonnieC noreply@blogger.com 2009-08-21 09:59:53 2009-08-21 09:59:53 1 0 6016 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-08-21 07:12:15 2009-08-21 07:12:15 1 0
Great review Mary, thank you.]]> http://www.needlenthread.com/2009/08/best-things-about-hand-embroidered.html Thu, 20 Aug 2009 10:31:00 -0500 Mary Corbet 231 2009-08-20 10:31:00 2009-08-20 10:31:00 open open The-Best-Things-About-Hand-Embroidered-Curtains publish 0 0 post hand embroidering two sets of curtains seemed a bit daunting, once I sat down to really consider the project carefully. With brand spankin' new curtains hanging before me and a roll of tracing paper on the table, I started fiddling, and thinking, and doodling, and ... eventually... despairing! Then, I went back to my e-mail. Do you know what the best thing about hand embroidered curtains is?

The very best thing about hand embroidered curtains is the fact that, when I wrote the last post presenting my plan to hand embroider new curtains for a new room, I heard from many who people who have hand embroidered their own curtains, or who have hand embroidered curtains in their homes.

Many folks sent suggestions on types of stitching and types of patterns, and when I started going back through the e-mails I received on the subject and the comments and ideas that were left on the original post, I felt much more inclined to tackle the project! I was excited again about it, thanks to your encouragement, comments, and suggestions. So, that's the Best Thing about hand embroidered curtains - I heard from a lot of really nice people!

Some readers even sent photos of hand embroidered curtains:



Méri thinks that these curtains were made by her mother. Recently found, when they were unpacked, they were discovered to be in bad shape. But they are beautiful! It looks like the design is made with tapes, like the kind used for making Battenburg lace.



Where the design becomes more intricate is where the majority of the damage is. In this technique, the tapes would be stitched onto the fabric, and then connections would be made between them, in the areas where the fabric is to be cut away. What elegant curtains these were! And I love the natural color, with the lighter design!



Janice hand embroidered the hem of her kitchen valance, in blue flowers. I like the embroidery along the hem. This is something I had considered - a line of flower or something similar, along the hem and down the center edges of the two curtain panels (where they meet). What I like about Janice's design is the "random" look of the flowers, and the way they seem to be kind of ... well... dancing. I love this valance, and it gave me a jolly idea for the kitchen window!



Mrs. Kitty went all out on her curtains! She made them a sampler of sorts, with a wide range of motifs on them. You really must look at her up-close photos of this embroidery project! It took her almost two years to complete the panels, the results of which are a sampler of varied techniques, colors, and motifs - truly an amazing job, and what a conversation piece! Fun!

After pouring over the various e-mails and comments, I went back to the table - literally, the drawing board - and looked at my curtains and my roll of tracing paper.

I knew what I wanted: simplicity. All the doodles I had doodled went into the trash. Too many scroll, too many flowers. I drew straight lines at 4 inch intervals on the paper - varying the lines in length from 24 inches to 40 inches. Then, in one on-going "sweep" I drew my embroidery designs. And they are, to say the least, simple!



Wavy lines with random loops - that's it. I liked the recurring suggestions I received from readers of doing shadow work on the cotton voile, so, where the lines wave (but not where they loop), I'll take the lines a bit wider and stitch herringbone stitches (to create the shadow) on the back, leaving the front looking like backstitch. Where the waves come back together in one line to make the loops, I'll switch to straight backstitch. Then, to finish off the look of the backstitch, I'll whip it with the same color thread.

I might - but I don't guarantee it - add a few random small flowers between the wavy lines, here and there, maybe worked in a combination of ribbed spider web and daisy stitch.

And that's my plan, which brings me to the second best thing about hand embroidered curtains: they can still be hung, until I get to each panel.

I plan to transfer the wavy lines onto one panel today. The room won't be finished until early next week, when I'll hang the curtains until I can get to stitching on them.

I can't wait to get started! And thanks to all who left comments and sent e-mails with ideas and suggestions! I really appreciate it!

]]> Embroidery for the Home pictures needlework pictures 6005 Anonymous noreply@blogger.com 2009-08-22 00:03:36 2009-08-22 00:03:36 1 0 6017 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-21 05:47:21 2009-08-21 05:47:21 1 0 6018 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-20 17:57:30 2009-08-20 17:57:30 1 0 6019 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-08-20 17:07:07 2009-08-20 17:07:07 1 0 http://www.needlenthread.com/2009/08/charting-text-calculating-fabric-needs.html Wed, 19 Aug 2009 04:29:00 -0500 Mary Corbet 232 2009-08-19 04:29:00 2009-08-19 04:29:00 open open Charting-Text-&-Calculating-Fabric-Needs publish 0 0 post

The first resource is Crosstitch.com's "Fontform," where you can chart your own text in 21 different fonts, and print the chart from the generated PDF.



All you have to do is select your font, the width of the piece in stitches, and the color, then type in your text, check off whether you want it centered or not, and then preview and get the chart. It's that simple!



Here's my test run. I'm thinking this tool would be Particularly Handy for card-making and embroidery on perforated paper!

There's also a handy stitch calculator available on the same page.

The second resource is similar: Stitchpoint offers another text-charting program, but the format is different.



There are six fonts to choose from, four cross stitch and two backstitch. After selecting the font, you use the "keyboard" on the screen to select your text, then hit print. The image prints straight to your printer.



What I really like about the Stitchpoint page is their little fabric calculator.



Up in the right-hand corner of the page, you'll see three icons. The first one is a handy-dandy stitch calculator that tells you precisely what size to cut your fabric, taking into consideration the threads per inch (or centimeter - you can calculate it either way), the number of threads you are stitching over, the number of vertical and horizontal threads in the design, and the number of inches extra you want around the finished embroidery. Very handy, indeed!

So, if you're looking for a way to chart some simple text for your next project, check out both of these resources!

Thanks, Judith, for pointing these out!




]]> embroidery resources needlework websites counted thread embroidery techniques 6023 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-08-19 07:52:15 2009-08-19 07:52:15 1 0
fyi... cyberstitchers.com has a graph paper tool that allows you to "create custom graph paper that has a picture of your choice displayed behind the grid making it easier to create custom patterns". I know you don't do much cross stitch but it could come in handy.]]> http://www.needlenthread.com/2009/08/schwalm-update-in-hand-embroidery.html Tue, 18 Aug 2009 04:45:00 -0500 Mary Corbet 233 2009-08-18 04:45:00 2009-08-18 04:45:00 open open Schwalm-Update-&-In-Hand-Embroidery publish 0 0 post my set-up for the Schwalm embroidery project I'm working on, from Luzine's book, Basic Principles of Schwalm Whitework Embroidery. Well, after a slight kerfuffle, all is underway again, and I've even begun stitching.

I've just managed to stitch in some of the coral stitch outlines around the motifs on only one of the four sides of the tea cloth design. I've discovered a couple points I'll share with you here. Even if you aren't interested particularly in Schwalm whitework, they may serve you in some other embroidery-related endeavor!



Frist of all, when working coral stitch, it's helpful to work up a bit of a "rhythm" to the stitch. When I first started stitching the coral stitch outlines, I didn't realize how important it is to really concentrate on getting the rhythm of the stitch. I'd stitch a wee bit, then get interrupted, add a few more stitches a bit later, get interrupted, etc. These stitches are uneven and inconsistently spaced. Over all, I don't think this will show up in the finished piece, so I'm not that worried about it. But once I had a stretch of time to stitch, I found that the stitch became quite quick to work and the spacing and tension of the knots evened out considerably.



I'm an avid hoop or embroidery frame user. You probably have realized that if you've been reading me for very long! But - not all stitching is for the hoop! In my mind, some stitching simply requires a hoop or frame. For example, I would not, personally, attempt a nice satin stitch, any kind of drawn thread work, or needlepainting without one. But then, there are some stitches that work out better in hand. "In hand" implies embroidery that is stitched with the fabric held in the hand, without the aid of a hoop or frame or any other device to supply tension. And coral stitch - especially in the quantity on this Schwalm piece - works best in hand.

Not only does the stitch work up a whole lot faster, but the tension is overall better on each knot, when worked in hand rather than in a hoop. That's what I found, anyway!



Another thing I have discovered while stitching this piece in hand: the watercolor pencils I tested for transferring an embroidery design tend to rub off and fade, due to the touching and holding of the fabric. The other three sides of the Schwalm design have more or less faded off, and I will have to retrace them. On the side I'm working on, I'm having to retrace each element of the design as I get to it. C'est la vie!

I've got a couple ideas to test about design transfer - including Papermate Flair Ultra Fine markers - specifically in green. A kind reader wrote and told me that's what she uses, and the green works well (the other colors not as well). I'm eager to try this - I wonder how it will work with white threads on white fabric. (Thanks for that tip, Jean!)

In the meantime, I suppose I'll stick with re-tracing as I go. Though I might just break out the regular water-soluble fabric marker.... we'll see. Those tend to fade, too, a bit. But maybe they would hold up better than the pencils are right now!

Anyway, whichever direction I go with the design transfer, I'll be sure to keep you posted.

In the meantime, I'll keep plugging away with the Schwalm project. I like working on it so far! And I'm looking forward to adding different stitches - I think buttonhole scallops are next.

Oh, and a final thing I've learned: I take rotten photos of white-on-white embroidery. I need to research a bit to find out how to remedy that! Any tips you all may have would be wildly welcomed!

That's my project update. What are you up to? Whatever it is, I hope you're enjoying wielding your needle, too!
]]> Schwalm whitework pictures embroidery tips and tricks needlework pictures 6020 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-20 03:39:53 2009-08-20 03:39:53 1 0 6025 Anonymous noreply@blogger.com 2009-08-18 16:51:56 2009-08-18 16:51:56 1 0
A suggestion for the photography - try putting something dark under your fabric. If it shadows through it may create more of a contrast between the fabric and thread.

It is looking good so far.

SJ]]> 6026 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-18 16:15:14 2009-08-18 16:15:14 1 0 Now I'm so relaxed, Mary!
I'm doing the coral knots without hoop. I also think that rythm is needed.
Tomorrow I hope to write something about my progress.]]> 6027 Anonymous noreply@blogger.com 2009-08-18 15:36:35 2009-08-18 15:36:35 1 0 Overall, the photography on your site is amazing, but I see your problem with the white-on-white. Some time ago you played around with natural light slanting through a window and it really popped the stitching. Having worked in photography for many years I can tell you that was the correct solution. Keep your light source low and to the side and let the shadows tell the story.]]> 6032 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-08-18 07:31:04 2009-08-18 07:31:04 1 0
Just a thought.
Ren]]> 6033 Anonymous noreply@blogger.com 2009-08-18 06:57:31 2009-08-18 06:57:31 1 0 Or, using any photo editing tool, reduce the brightness, and increase the contrast a little bit.]]> 6034 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-08-18 06:21:46 2009-08-18 06:21:46 1 0
Somethings are just very difficult to photograph well. White on white, anything the shines and the black beads on black that I am currently working with.

I find a soft even light is best, outside on an overcast day is my favourite choice.

I think that you can get a photography 'tent' that gives an all round soft light.

CA]]> http://www.needlenthread.com/2009/08/long-and-short-stitch-shading-lesson-4.html Mon, 17 Aug 2009 04:45:00 -0500 Mary Corbet 234 2009-08-17 04:45:00 2009-08-17 04:45:00 open open Long-and-Short-Stitch-Shading-Lesson-4:-Circles,-Flat-and-Round publish 0 0 post index of the long and short stitch shading lessons available here on Needle 'n Thread, where you'll find all the links necessarily to easily access these embroidery lessons.

In Lesson Four, we are looking at how to embroider a circle in long and short stitch, in such a way that it looks shaded. Now, there are a couple different ways to go about this, depending on the type of shaded circle you are trying to achieve.

For me, personally, when I'm looking at needle painting, I'm looking at achieving a realistic effect with the long and short stitch. But for others, the two-dimensional flat effect is what they want.

So, in this particular lesson, I'm going to address two methods of long and short stitch: the "textbook" method (comprised of rigorously uniform long and short stitches) and the method we've been following here in these lessons so far, which, over all, is a much freer and more relaxed approach to the technique.

Instead of writing out the exact same lesson that you will find in the PDF at the end of this article, I'll stick to the bare bones for those of you who just want the gist of it. Then, if you want more detail, you can take a look at the PDF.

Colors The colors used in the circles are 347, 349, 351, 353, and 745.

Begin with the top circle, with one strand of 351 threaded in your needle. Split stitch the outer edge of the first circle in 351. Then draw directional lines in pencil inside the circle, like so:



Once you have split stitched around the circle, begin with your needle coming up in the fabric about one third way down the diameter of the circle, on the middle vertical line, as shown by the green dot in the diagram below:



Emerge from the fabric at this point, then take your needle down on the other side of the split stitch line, following the stitch direction marked by the vertical lines. For the next stitch, bring your needle back up into the fabric to the right of your first stitch, right next to it but not crowding it, and just slightly higher in the fabric, and then take it over the split stitched line. Now you have one long stitch and one short stitch. Continue in this manner all the way to the right side of the circle, beginning your long stitches along the same long and your short stitches along the same line.

To help you determine where to begin your stitches, you might draw two horizontal lines inside your circle, like the blue lines in the diagram below:



Once you reach the right side of the circle, go back to the middle and work to the left side of the circle. You'll end up with a row that looks something like this:



To begin your next row, using color 351, bring your needle up, splitting the centermost long stitch in the first row. You'll want to split this stitch only slight up into it - a good gauge would be to split the stitch next to where your short stitches in the first row end.



Your second row will look somewhat like this.



For your third row, use 353, and work the row in the same manner as the two above.



Finally, for the last row, use 745 and stitch the last row over the split stitch edge.

That's the first circle, worked in the "textbook" method of long and short stitch.

Second Circle

The second circle is the next one down, slightly to the right.



Begin by drawing an elongated dot at the top left side of the circle, leaving a little space between the dot and the edge of the circle. If you look at the circle as the face of a clock, the elongated dot will be at approximately 11:00 o'clock.



Next, draw directional lines radiating from the dot, as shown in the photo above.



Using 353, split stitch the edge of the circle. Then, begin your long and short stitching on the edge of the elongated dot. You don't want to go into the center of that dot - just consider the edge of it the place where you begin your stitches. As you stitch, fan the stitches out to follow the directional lines, and vary the length of the stitches. On the sides, stretch the stitches over to the edge. Don't hesitate to take a few over the split stitch line.



Fill in all around the elongated dot, so that the stitches fan out into the circle, and then begin the second row in 351. You'll want to fill in any gaps left by the first row, and build up a thickness of stitches here. You don't want them to overlap each other, but you do need them to cover the ground fabric, so make sure that you tuck in stitches where necessary to fill the area and cover the ground fabric.



I wasn't really satisfied with the lighter stitches on the left side of the elongated dot, so I went back in with 353 and tucked in a stitch to balance the top of the sphere out a bit. Yet another testimony to the forgiving nature of the L & S stitch, when stitched in this manner!



Your second row will look approximately like this.



Your next row is also worked in 351, filling in the center a bit more and building up a full foundation of stitches.

Then switch to 349, and fill in the rest of the sphere, following your stitch direction lines, and taking the thread over the split stitch line when necessary. You will probably stitch at least two rows of 349.



When you finish filling the sphere, which looks a bit like a berry, you'll have something close to this.



Using 347, stitch a few satin stitches across the elongated dot.

Third Circle

The third circle is going to be stitched much like the second, but the "berry" is turned to the other side.



Place a fat dot on the right side of the circle, about halfway down the length of it, and near the edge, but not touching it. Draw lines that radiate from the circle, as shown in the photo above. You can also draw in "layering" lines, which will help you know where to layer your colors.

When you have drawn your directional lines, you can split stitch around the circle in 349.



Beginning with 353 again, stitch in your directional lines radiating from the edge of the circle on the right.



Once you have the directional lines in, go back and fill in between them, varying the length of your stitches.



Begin the second row in 351, fanning your stitches out to follow your directional lines. Keep varying the length of your stitches, as seen in the photo above.



When you need help setting in a directional stitch, remember that you can pull your working thread in the direction you want your stitch to lie, then put your needle into the fabric underneath your working thread, so the stitch ends up in the right spot.



When you finish your second row, it should look something like the one in the photo above.



The next row is worked in 349. Remember to take your thread over the split stitch line as it becomes necessary to do so.



The final row is stitched in 347, over the split stitch line.



When you finish filling in the circle, using 347 again, add a few satin stitches to the inner circle.

Congratulations! You have now finished the first three elements of the Long and Short stitch shading lessons.

You can see all the other available lessons in this series in the Index of Long and Short Stitch Shading Lessons.

You can print or save this lesson (PDF) from the following link:

Lesson Four: Circles, Flat and Round (PDF)

You will probably notice that, of the three circles in this lesson, the last two are far more realistic looking than the first. The techniques used in the last two circles would be the same technique you would use to work such things as fruit (cherries, grapes, berries, larger round fruit, etc.) or vegetables (peas?!) or any spherical item that you want to look more dimensional.

Have fun with it!

]]> stitchalong lessons pictures embroidery tips and tricks needlepainting long and short stitch embroidery lessons needlework pictures 1316 claudete noreply@blogger.com 2010-04-19 17:55:21 2010-04-19 17:55:21 1 0 4685 Anonymous noreply@blogger.com 2009-11-06 12:46:07 2009-11-06 12:46:07 1 0 5465 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-09-24 14:18:50 2009-09-24 14:18:50 1 0 You can see it here :
http://elena33.canalblog.com/archives/2009/09/21/15140479.html]]> 5977 Susan Hoekstra noreply@blogger.com http://foxview.com 2009-08-24 15:11:12 2009-08-24 15:11:12 1 0 Susan in NJ]]> 6022 SFSunset noreply@blogger.com http://www.blogger.com/profile/12870417446762715744 2009-08-19 16:54:24 2009-08-19 16:54:24 1 0 Thank you, thank you. I have been waiting for this for years.
Judy]]> 6031 Lana of Honeysuckle Lane lanamanis@gmail.com http://www.blogger.com/profile/03984967027046436970 2009-08-18 08:41:33 2009-08-18 08:41:33 1 0 6036 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2009-08-17 15:52:27 2009-08-17 15:52:27 1 0 6038 Anonymous noreply@blogger.com 2009-08-17 11:26:42 2009-08-17 11:26:42 1 0 6039 jayashree venkat noreply@blogger.com http://www.blogger.com/profile/10081232470482981933 2009-08-17 11:11:57 2009-08-17 11:11:57 1 0 A very interesting Tutorial.Never tried Long and Short stitch in a circle.Thanks for the post,will try out soon.]]> 6041 Anonymous noreply@blogger.com 2009-08-17 10:16:05 2009-08-17 10:16:05 1 0
Mary, you make it look so easy and I love all the tutorials...When I go to do it, wellll, that's a different story! lol

Annie (can't wait for cooler weather in michigan)]]> 6043 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-17 08:05:57 2009-08-17 08:05:57 1 0 6044 Michèle noreply@blogger.com 2009-08-17 07:17:48 2009-08-17 07:17:48 1 0 many thanks
that seems so easy with your tuto.
Michèle]]> http://www.needlenthread.com/2009/08/historical-needlework-give-away-winner.html Sat, 15 Aug 2009 07:53:00 -0500 Mary Corbet 235 2009-08-15 07:53:00 2009-08-15 07:53:00 open open Historical-Needlework-Give-Away-Winner! publish 0 0 post dying to know just Who Won, here's the winner...

The winner of the historical needlework give away is:

(drumroll)....

Annie in hotter 'n heck Michigan!

The problem is, if it isn't hotter than heck in Michigan right now, do you still win?

Contact me, Annie, with your mailing address, and I'll get that out to you soon. First, I'm going to copy that linen - I meant to do that last week, but just haven't quite gotten to it!

Thanks, all, for participating! We'll do it again soon!
]]> website news stash contest 6053 Anonymous noreply@blogger.com 2009-08-15 17:02:21 2009-08-15 17:02:21 1 0 I truly appreciate this!
Annie
(in its even hotter in Michigan)]]> 6055 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-08-15 14:54:21 2009-08-15 14:54:21 1 0 6057 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-15 13:00:38 2009-08-15 13:00:38 1 0 6060 kreativeimagination noreply@blogger.com http://www.blogger.com/profile/11854200964091583944 2009-08-15 10:11:23 2009-08-15 10:11:23 1 0 6061 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-08-15 08:38:56 2009-08-15 08:38:56 1 0 http://www.needlenthread.com/2009/08/embroidered-curtains-another-upcoming.html Fri, 14 Aug 2009 04:45:00 -0500 Mary Corbet 236 2009-08-14 04:45:00 2009-08-14 04:45:00 open open Embroidered-Curtains:-Another-Upcoming-Project! publish 0 0 post not!!) So, with that in mind, and knowing that the time is tick-tick-ticking away and summer will be gone in just over a week, I'm frantically preparing in advance the projects that I want to work on in the next few months. I don't want to be hindered by the preparation work when I finally have time to start stitching!

With all that in mind, one project that I definitely want to do (and to complete fairly quickly) is embroidering my curtains for my room. They're not really curtains - they're cotton voile sheers, and I want to do some simple embroidery on them. The stitching I'm thinking about will be light. Heavy embroidery wouldn't quite fit cotton sheers, would it?

I want to go simple, but at the same time, I want them to be fun. They can't be "too fun," though, because the room isn't really "fun." It's cool and calm.

These are the colors I've picked out for embroidering the white sheers - and probably these will be reduced to about four colors, and maybe only three:



That's the range. The room itself, once the paint job is done, is a darker periwinkle, with white trim. The new carpet will be... I don't know yet... All the furniture is white, the bed linens are white... you get the idea.

But the curtains (we're back to the curtains again) will be embroidered!

I figure by the end of September, life will be in good order again - the house finished, the school year underway and in a regular routine, and fall weather upon us - a perfect time for open windows and breezy curtains. Think I can finish this project by then? Hmmm....

Have you ever embroidered on sheer cotton voile? Have you ever embroidered your own curtains? Any ideas?
]]> Embroidery for the Home threads pictures 6040 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-08-17 10:38:13 2009-08-17 10:38:13 1 0 6062 Ruth O'Leary noreply@blogger.com http://www.rutholearytextileart.co.uk/ 2009-08-15 08:07:08 2009-08-15 08:07:08 1 0 6065 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-08-14 20:42:36 2009-08-14 20:42:36 1 0 One couple were doing a medieval theme -sheet copper on the walls in the kitchen (caught the afternoon sun - gorgeous) and brocade curtains - with groups of beads sewn into the centres of the tiny flowers that appeared in the brocade. The wife did that with her best friend, and I always wondered how much of a best friend the girl was after finishing that huge huge project, that she HAD to finish coz the cameras were on them. It did look absolutely totally lovely tho, as another big light catcher in the room.]]> 6068 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-14 15:09:35 2009-08-14 15:09:35 1 0
Well, I'm glad hand embroidered curtains don't seem like such an inane idea after all!

Margaret and Brigitte - I've got one of the Mani di Fata "Tende" books from my relatively recent trip to Lacis. It's got some great ideas in it, and I love looking at it - but it's not quite what I was leaning towards, style-wise. The cutwork is a bit too formal and dressy compared to what I wanted.

What I have in mind is more along the lines of ravenrigan's last suggestion about the scrolly design. My finials on my rods are scrolls. I was thinking of kind of tying in the design somehow. We'll see!]]> 6070 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-08-14 14:18:10 2009-08-14 14:18:10 1 0
I was also wondering about very light voile or muslin curtains done in simple bands of tambour work in a sort of scrolly design.]]> 6071 margaret c. noreply@blogger.com 2009-08-14 13:19:14 2009-08-14 13:19:14 1 0 thought about embroidering curtains, but then I took my meds and became sane again. (Well, I have to admit that I'm never completely sane when it comes to embroidery. I just bought a plain linen duvet/sham set that I want to embroider on, :-)

Seriously, I love embroidered curtains, but I would never be able to get rid of them when they needed to go (nothing lasts forever). Also, the places where I'd most like to have embroidered curtains are all south facing windows with hot southern Californian sun all day long. Fabric takes a terrible beating so it's just not practical for me to put a lot of time into embroidery that will fade and ultimately rot fairly quickly.

I am, however, going to try stencilling curtains for my kitchen because I'll get the customisation that I want, but without the time commitment. They aren't supposed to fade too quickly either. (We shall see about that.) Also, I'm going to use a linen to see if it holds up better than cotton. The cottons disintegrate after just a few years. (Man-made fabric holds up much better.) I have some linen/poly blend from fabric.com that I'm going to try.

I am looking forward to seeing your curtains, Mary. I'm sure they'll be lovely. I wish you'd do some of the Italian cutwork designs from Mani di Fata. I'd really like for someone else to do some of those so I can enjoy them vicariously. :-D]]> 6074 Sarah noreply@blogger.com http://www.blogger.com/profile/17542284953005606956 2009-08-14 11:07:03 2009-08-14 11:07:03 1 0 Since they'd be used more like a tapestry, I wasn't thinking sheer, but I was thinking that it would be fun to have a huge swath of cloth I could work on over time.]]> 6079 Anonymous noreply@blogger.com 2009-08-14 09:54:06 2009-08-14 09:54:06 1 0
Italian publisher Mani di Fata (Fairy Hands) has several embroidery albums aprox 60 pages each, dedicated to curtains. The Italian word for curtain is "Tende". They're about 4euros+ shipping from the publisher in Italy or you can get some of these albums from Lacis.com.
Brigitte in Paris]]> 6080 Pamela pamela.mittens@gmail.com http://www.blogger.com/profile/05485358671045660416 2009-08-14 09:54:00 2009-08-14 09:54:00 1 0 Good luck to us both!!]]> 6081 Janice Miller noreply@blogger.com 2009-08-14 08:58:51 2009-08-14 08:58:51 1 0 At my sister's urging I did embroider my kitchen valances. I used some good white muslin, or osenabeger? and created a border of blue flowers. I used a varigated blue floss and once I began, like with most projects I was sad to be finished. They look just right. I never would have thought to do it if Sister had not suggested it.
Janice Miller.
PS: The sheers will be a bit of a challenge but excited to see the results.]]> 6082 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-08-14 08:55:30 2009-08-14 08:55:30 1 0 Thanks as always for your inspiring ideas! And you do get me into trouble...ha,ha!
It seems everytime you mention a type of needlework I want to do it! Not your fault! :)]]> 6083 Anonymous noreply@blogger.com 2009-08-14 08:41:49 2009-08-14 08:41:49 1 0
My most recent project was a pair of long cafe-style curtains I'd given someone as a gift. She'd asked for "plain" curtains, wanted something she could see through. I'd made them of a very open-weave linen, almost like a gauze. She liked them at first, then realized that someone outside, at night, could see right through them, so she brought them to me to 'fix'. What I ended up with was doing a wide band of "Swedish weaving" through the gauze at the height folks would have otherwise been able to see through. They are white and I used white linen thread, slightly heavier than the yardage-threads, for the thread weaving. Came out really nice, still drape and wave in the breeze, and have now been tested: can't see through that band at night. Susan Jane]]> 6085 JudyinPittsburgh noreply@blogger.com 2009-08-14 07:04:41 2009-08-14 07:04:41 1 0 6086 onafixedincome noreply@blogger.com 2009-08-14 06:49:06 2009-08-14 06:49:06 1 0 http://www.needlenthread.com/2009/08/setting-up-schwalm-whitework-embroidery.html Thu, 13 Aug 2009 04:45:00 -0500 Mary Corbet 237 2009-08-13 04:45:00 2009-08-13 04:45:00 open open Setting-Up-Schwalm-Whitework-Embroidery-Project publish 0 0 post 15 Minutes Plan, but I can only do that if I have projects ready to stitch.

With that in mind, then, I set about setting up a project! This is the Schwalm Whitework teacloth that is featured in Luzine's book, Basic Principles of Schwalm Whitework.

I began by measuring out the linen to the prescribed 80 x 80 cm. Instead of working in centimeters, I converted everything to inches - which was probably silly. Anyway, I cut the linen to 31.5" square, pulling out threads to make sure the linen was cut on the weave. Then, I zig-zagged the edges on the sewing machine, so that I wouldn't have stray threads falling off the edge of the linen.

The linen I'm using is from Germany (thank you, Joey!) and is the preferred linen for Schwalm whitework. It's called Weddigen Linen, and it's available through Das Handarbeitshaus. (If you don't read German, you can drop that in Google's translator, and get a very good translation.) It comes in two thread counts: approx. 35 threads per inch, and approximately 50 threads per inch. I'm using the 35.

Once all the linen preparation was done, I divided the linen in half with basting lines, vertically and horizontally, then marked off the square for the pattern with basting stitches, too. The book calls for 20 cm in each direction, to form approximately a 40cm square for the design. I converted that to inches, and blocked off a 15.5" square, and then also basted in the diagonals on the square. How to do all of this - and why - is explained in the book.

Anyway, I found that the pattern was a bit small for a 15.5" square, so I took the square in an inch all around, and was a bit more satisfied with the layout. Then....

I started tracing. The book suggests an iron-on pencil or pen for transferring the pattern, and I have to admit, that would be about ten million times easier. But I have an aversion to iron-on transfer pencils and pens, because I know they don't come out all the way, despite the method of removal. I decided instead to use a watercolor pencil, and I traced the design.

To trace the design, I lined it up with all the correct lines on the fabric, then I pinned it on and placed it over a light box. It was "easy enough" in concept, but it took a long time! But, once it was finished - it was finished!



Once the design was transferred, my next step was to assemble all my threads. I took out my box of whitework threads, to find this general mess:



I've been telling myself for a while that I need to inventory my threads. These threads get used all the time, and they're not easy to come by. You generally can't find whitework threads (coton a broder) at your local needlework / sewing / craft or hobby store - or at least, I can't! So whenever I need a particular thread, I have to order it online. Still, it looked as if I might have enough!



I sorted them all out, and grouped them according to size. I had sizes 12 through 40, in the following quantities:

#12 - 3 skeins
#16 - 14 skeins + 1 partial
#20 - 4 skeins
#25 - 11 skeins + 2 partial
#30 - 7 skeins + 3 partial
#40 - 3 skeins + 1 partial

I put them all in individual bags, according to size. I'll probably order a few skeins of #20 this week, since I'm relatively low on it, and it's a popular size for many of the stitches in this project.

In the book, it's very nice to have a thread chart that indicates the particular stitches for which each weight of thread is used. Size #50 coton a broder is mentioned (you can use #50 or #40), but I can't find #50 available at any shops here in the States, so I'll stick with #40, which is also becoming increasingly hard to find.



I also had a pile of loose threads that didn't have tags on them, so I have no idea what size they are. Let this be a lesson! Always make sure you have a way to identify your thread sizes. These won't go to waste, of course. I will use them randomly here and there on little projects, like my fish.



Then, I dug through my needle box, and found I had the right sized needles. The book calls for chenille needles and tapestry needles in specific sizes. I had plenty of tapestry, but no chenille, so I'm substituting crewel needles in corresponding sizes.



With everything gathered for the project, I packed the threads and needles away in a mesh zipper bag.



Everything's together and ready to go - ain't that grand??!

But the best thing was that I still had some time (it was only 9:30 pm - I had to stop at 9:45, for company coming) so I decided to actually start on the stitching!



Before working with coton a broder, it's a good idea to prepare your thread. I've got a little tutorial here on Needle 'n Thread about preparing coton a broder for stitching - how to handle these types of "hanks" of embroidery cotton. Incidentally, this is the same method that Luzine suggests in her book. So I prepared a skein of #16 for stitching by braiding it with the paper tags left on, so that I can identify the size.

Then....

I threaded my needle...



It was time to start stitching!

... and that's when the timer went off. Time was up! But it was a good evening's work, and I'm ready to go at my next stitching opportunity!

*******************************************

Other News:

If you haven't signed up yet for my Historic Needlework give-away, there's still time! Visit the original post and read the information on how to sign up!

Today, I'm moving. Not moving, moving. Just sort of moving. My habitat (cave, hovel, whatever you want to call it) is getting a little facelift, so all my computer stuff is being shifted to the studio. The Internet People (Wamego Telecommunications) are coming today to put in a new internet line out the studio, so I'll still be able to work online while the remodeling is being done. The point of all this unwanted personal information is simply to let you know that, if you don't hear from me tomorrow (?!), it's because something went wrong!

Now, I'm off to make room for Technology, so that I don't have to rest my PC on beds of embroidery thread....
]]> Schwalm Embroidery Projects whitework pictures embroidery tips and tricks needlework pictures 6095 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-13 13:36:35 2009-08-13 13:36:35 1 0 I should do go (is this anything in Ehglish? - I want to emphasize the sentence :) ) along with you in this project!!! But I'm quite late. I've never made such a complex embroidery but what has thrilled me is the complete explanation in this book. I take the opportunity to say to Anonymous 2 that I've learnt everything about embroidery in books you have recommended here (and hope learn more).

And I was already 58 years old (two years ago....ALREADY!!!???)]]> 6096 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-08-13 13:30:49 2009-08-13 13:30:49 1 0 6098 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-13 12:20:25 2009-08-13 12:20:25 1 0
Anonymous 1 - good idea about the thread weights. Without comparing them specifically to another well-known thread, I'm not sure how to go about giving you a 'visual' on size. I've done a couple thread comparison posts, though, that include coton a broder, floche, DMC stranded, etc. You can find those under "Tips and Tricks" in the right column under Editor's Floss. Just look under "Threads" and you'll see a few articles on that subject.

Meri! Sorry! What can I say? I think you and I are probably a lot alike when it comes to our tastes and enthusiasm for needlework! Are you going to work the project featured in the book? If you do, let me know - maybe we can "troubleshoot" together?

Sewbusy - I think I need a user name like yours! Well, it's better to be busy than bored, I figure!

Anonymous 2 - regarding learning whitework: if you already have a handle on regular stitches, the only difference is the thread and different "styles" of stitching. You can definitely teach yourself from a book. I did.

Joey - Thanks! I'm such a moron - I just looked at that. I have a box of DMC cordonnet in various sizes, and I know #50 is in there! I'll dig it out. It's for the edge, anyway, so I suppose I don't need it right away. Still, if I need more, I should order it now! Thanks for the tip!!

Hi, Jacnice - Do you mean the logo title of Needle 'n Thread (the very slim looking, sort of art nouveau type? as in the "Needle 'n Thread" in the header on the website? or do you mean the handwritten script?! The logo type is called "Stylistic SF" and the hand written type is "Scrawlies." My favorite source for fonts is Fontcraft Scriptorium, which is where I got "scrawlies" but not "Stylistic" - that may have just come with my computer or some graphic software or something? Fontcraft has some beautiful art nouveau fonts, though....

Thanks, all, for your comments!

MC]]> 6101 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2009-08-13 11:06:07 2009-08-13 11:06:07 1 0 6102 joey noreply@blogger.com 2009-08-13 10:08:00 2009-08-13 10:08:00 1 0
Regarding the no. 50 thread you refer to in this post, actually if you look again on page 7 you will notice it says "Crochet Cotton no. 40 or 50". Cordonnet (DMC is what I use) is mentioned specifically on page 74.
I'm very happy to see this project featured on your blog!]]> 6104 Anonymous noreply@blogger.com 2009-08-13 09:11:50 2009-08-13 09:11:50 1 0 Thanks!]]> 6106 Sewbusymor noreply@blogger.com 2009-08-13 08:33:25 2009-08-13 08:33:25 1 0 6108 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-13 07:56:56 2009-08-13 07:56:56 1 0 Luzine is a very nice person and has the book in French too.

When I went to buy the DMC skeins for stitching along your long and short stitch shading project I've also bought all the white skeins and threads for the project in the book...
You are the cause of all this, Mary!!!]]> 6109 Anonymous noreply@blogger.com 2009-08-13 07:17:02 2009-08-13 07:17:02 1 0 I have a request. I embroider with the supplies I get by seeing with the eyes. But when browsing, its mentioned a lot about thread sizes or needle sizes, also the metal threads.
Particularly when ordering online, I don't have an idea of what sizes really mean here.
Could you give information on what these sizes correspond to.]]> http://www.needlenthread.com/2009/08/using-watercolor-pencils-to-transfer.html Wed, 12 Aug 2009 04:36:00 -0500 Mary Corbet 238 2009-08-12 04:36:00 2009-08-12 04:36:00 open open Using-Watercolor-Pencils-to-Transfer-Embroidery-Designs publish 0 0 post Schwalm Whitework embroidery project I'm getting ready to start, I decided to try out a different method of transferring a design: using watercolor color pencils to trace. Now, we already know about regular dressmaker pencils that have "water soluble" blue chalk in them - but what I'm looking at today is not found in the sewing notions section of your local store. You'll find watercolor pencils in the art section of hobby stores or art stores. In this little test piece, I went a little overboard (actually, I went a lot overboard!) with Faber Castell watercolor pencils - but I learned something at the same time.

Watercolor pencils are normally used to mimic the effects of watercolor painting, by drawing or coloring first with the pencil, then dabbing it with water to blend the pencil marks into a watercolor finish. They're fun to play with, on the art side, and they're equally as fun to play with on the embroidery side...



For this article, I used Faber Castell watercolor pencils. Other brands exist: Prismacolor, Caran d'Ache, Derwent, etc., and I intend to test Derwent and Prismacolor as well (eventually). I selected four colors of blue. Since I'm working a whitework project, blue is a good color for a design transfer. White "absorbs" blue, so even if there is a little residue, it generally only makes the white look a bit whiter (unless there's a lot of residue... then it looks... well. Blue.) I tried all four colors on the little piece I worked.



In fact, I went a bit overboard on the color - I drew the design darker than it needed to be. After all... I was testing to see if it would disappear, so why not go dark - because then we would really know, right?



You can see the four colors here on my fishy friend, and you can see that they are all pretty clearly drawn on the linen. No problem seeing the lines, that's for sure!



On the front part of the swashy tail, I used the darkest pencil. I drew with a heavy hand. (I know you're waiting with Baited - oh, no pun intended! - Breath to see if this has a happy ending!)



I stitched the fish in white coton a broder, size 25, using a variety of stitches - pretty much anything that popped into my head.



You can definitely see the blue lines on the front of the swashy tail.



And, in fact, you can see blue on the head, too.



I wasn't sure if I had drawn quite enough blue, so I penciled in a little more, for good measure.



Then I decided that testing with white threads only was a little restrictive - so I started adding some colored bubbles. And I drew some Very Dark Circles for the bubbles. (Well, why not? This is a test, this is only a test...) Since yellow and pink would definitely turn if blue soaked in, I chose yellow...



... and a wee bit of pink. I also left a few bubbles blank - it would be interesting to see if traces of them were left on the fabric.



I decided there wasn't quite enough blue around the yellow, so I colored in a bubble.



Then, on a whim, I went back to the swashy tail because I couldn't leave well enough alone. I added more blue around the tail.



Then, the fish was introduced to water. I dribbled a bit on at first, just to see what would happen. Would the blue run? Noooo. It didn't really do much of anything. So I soaked the thing. And soaked it. And soaked it a bit longer. (In fact, I got busy doing something else, forgot about it, and came back to it the next day!)



I removed the fish from the water and committed a Grave Error - but one I felt necessary for the sake of photographing the thing - and I ironed it before all the transfer color was removed. Actually, I figured if the color weren't gone after 16 hours of neglected soaking, would it really ever leave?



Much of the blue did indeed leave - but not all. Considering the heavy dose around the tail, this actually isn't that bad when it comes to residue. Still, it's more than I'd want on a finished piece of whitework.



There's a faint bit of blue around the fishbone fish fins. From farther away, this is, in fact, not too noticeable.



The buttonhole back of the swashy tail actually came out terrific - nary a hint of blue, or if there is, it is ever-so-faint.



The bubbles are a bit of a different story. I drew them with all four blues at first, but then I went back over them (in my frenzy to add Enough Blue) with the darkest blue. I don't really like the removal results here. The unstitched bubbles are still quite visible, as is the blue inside the yellow bubble, and faint circles of blue around all the rest of the bubbles.



The lighter of the four blues - 140 & 147 of the Faber Castell pencils - worked best as far as removal went. Would I use these again? Well, yes. In fact, I did - to transfer my Schwalm design.

I would not use the two darker blues again, even with a light hand.

My conclusions on the Faber Castell watercolor pencils: the lighter ones work ok, but go easy in applying the marks.

You may wonder why I would try the watercolor pencils at all, when "water soluble" dressmaker pencils are widely available. The fact is, I've never had good luck getting ALL the blue out, after using a dressmaker's transfer pencil. I am hoping to find the "perfect" tool for tracing an embroidery design - the pencil that leaves No Trace Behind!

I'll be trying Prismacolor watercolor pencils next, as soon as I have a chance. Joey has used Prismacolors with very good results. The Faber Castell pencils (which are called Albrecht Durer watercolor pencils) have the highest amount of pigment in them, according to the description. There may be a significant difference between the two types of pencils, so I'm looking forward to giving the Prismacolors a try.

Incidentally, I didn't wait to buy a Prismacolor watercolor pencil before transferring the Schwalm design...

Perhaps I should have!
]]> needlework tools embroidery tips and tricks 6056 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-15 14:46:13 2009-08-15 14:46:13 1 0
Oh, yeah. I forgot about that list! I'll have to get to that! For the book cover, I've made a few, but here's one that's on the website:

Hand Embroidered Prayer Book Cover

It's not really a tutorial on how to finish the cover, but there is a bit of commentary in there on how I did it.

Hope that helps!

Will get to the list soon!

MC]]> 6058 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-08-15 12:33:05 2009-08-15 12:33:05 1 0 6059 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-08-15 12:10:42 2009-08-15 12:10:42 1 0
Im in the middle of creating a large linen piece with differnt motifs on it. I was thinking of using it for a book cover but dont know how about doing that.. have you ever done anything like that? would you have any tips on how? any help is always appriciated....:D]]> 6076 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-14 10:40:10 2009-08-14 10:40:10 1 0
I just received an e-mail from a reader, suggesting the use of a Papermate Flair Ultra-Fine green colored marker. She said she uses them and they come out all the way, after running under water for a few minutes, then soaking for about 30 minutes. I'm going to test them. The Papermate Flair Ultra-fine markers are ultra-fine - which is something I'd love to see in a transfer tool. They have ultra-fine transfer pens in the sewing section (they're water-soluble) but the lines are not as visible as I would like, unless I really lather the ink on. So I'm going to test the Papermate markers. She said the green is the only one that works really well for this - but perhaps I'll test the green and the blue.

Thanks again!

MC]]> 6078 Anonymous noreply@blogger.com 2009-08-14 10:03:27 2009-08-14 10:03:27 1 0
Oh I love all these color pencil brand names, they remind me of my youth! Faber Castell, Prismacolor, Caran d'Ache! They were my best chuildhood friends.

And what a great idea to use the light blue ones for tracing. Like you I haven't solved the problem yet, and do not like the iron-on solution after I failed in my first attempts.
Brigitte]]> 6093 Tricia noreply@blogger.com http://www.blogger.com/profile/10800864673813334725 2009-08-13 14:43:37 2009-08-13 14:43:37 1 0 6107 Crystal noreply@blogger.com http://www.blogger.com/profile/06376651752409183322 2009-08-13 08:06:00 2009-08-13 08:06:00 1 0 6114 Vicky~ stichr ~ stichr1@comcast.net http://www.blogger.com/profile/02398784887410187456 2009-08-13 00:15:10 2009-08-13 00:15:10 1 0
But now I can try these, thank you!]]> 6118 Flora flora.flowers.boo@gmail.com http://www.blogger.com/profile/17836989715340857264 2009-08-12 21:47:35 2009-08-12 21:47:35 1 0
Thanks you so much!

Flora]]> 6125 Janet noreply@blogger.com http://www.weekendwinner.blogspot.com/ 2009-08-12 17:14:22 2009-08-12 17:14:22 1 0 6128 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2009-08-12 16:03:57 2009-08-12 16:03:57 1 0 6131 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-12 13:02:07 2009-08-12 13:02:07 1 0
No, it doesn't matter if you use Anchor or DMC. They're both mercerized stranded cotton. The only real difference I ever notice between the two are the color palettes. Anchor seems to have a deeper, earthier palette, compared to DMC. I like stitching with both equally, and in fact, if I'm using black stranded cotton, I prefer to use Anchor (DMC seems to pill a lot in black). But other than the black, I've not noticed that much of a difference between the two.

Hope that helps!

Mary]]> 6134 Allie noreply@blogger.com http://www.blogger.com/profile/01099850926601136165 2009-08-12 12:27:47 2009-08-12 12:27:47 1 0 6135 Flora flora.flowers.boo@gmail.com http://www.blogger.com/profile/17836989715340857264 2009-08-12 11:58:35 2009-08-12 11:58:35 1 0
Sorry. This is something related to the long and short stitch tutorial. I have a question for you.

Will the kind of thread we use for long and short shading make a big difference on the output? For example, is there any difference in using DMC or Anchor threads for long and short shading. I think DMC threads have more sheen and look like silk threads, don't they? Could you please let me know which thread is best for long and short shading?

Hope I will get an answer to my question.]]> 6144 Anonymous noreply@blogger.com 2009-08-12 09:57:38 2009-08-12 09:57:38 1 0 DebbyP]]> 6145 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-12 09:44:15 2009-08-12 09:44:15 1 0
Sure, I'll post the stitches. The one on the tail is kind of interesting - it's "basketweave stitch" - maybe I'll work up a tutorial for that one!

Thanks!
MC]]> 6146 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-08-12 09:40:41 2009-08-12 09:40:41 1 0 http://www.needlenthread.com/2009/08/long-and-short-stitch-shading-lesson-3.html Tue, 11 Aug 2009 08:15:00 -0500 Mary Corbet 239 2009-08-11 08:15:00 2009-08-11 08:15:00 open open Long-and-Short-Stitch-Shading-Lesson-3:-Triangles publish 0 0 post

If you're just popping in on this series of embroidery lessons on long and short stitch shading, you can visit the Index of Long & Short Stitch Lessons to find all the back issues of the lessons listed in one place.

Don't forget that I've also set up a Needle 'n Thread Flickr group, where you can post pictures and get feedback.

Our objectives in this lesson are to practice stitching long & short stitch to a converging point, keeping the correct stitch direction, and to understand how to reduce the number of stitches in smaller spaces (without bunching up the stitches) in a way that looks (more or less!) natural...

Materials:

1. Project in hoop or frame, with element two: triangles centered (lower left corner of the design.

2. #9 or #10 crewel (embroidery) needles

3. Small, sharp embroidery scissors

4. DMC stranded cotton (or equivalent) in the following colors: 158 (dark blue), 159 (light blue), 160 (medium-light blue), 161 (medium blue)

NOTE: The technique of the stitch is the same learned in lesson two. This particular lesson presents two challenges: keeping the stitch direction and reducing the number of stitches as the space gets smaller.

Procedure

Begin with the top triangle. Anchor your thread according to your favorite method, or use the method demonstrated in the video tutorial of lesson two, part one.

Work a split stitch line across the top line of the first triangle (the broadest part) in dark blue (158).

Beginning in the center of the top line, draw a vertical line to the tip of the triangle, then split the remaining distance on each side of the top line several times, drawing a straight line from any point on the top line to the tip of the triange, like so:



Triangle 1 - Top left triangle

First Row:

Bring your needle up through the fabric, about 3/8" below the split stitch line, in the top center of the box. Take your first stitch over the split stitch line and back into the fabric. Now, working down the row to the right, stitch in about four directional stitches more or less the same length, dividing up the row. (This is illustrated in the videos in lesson two). The difference here is that your stitches are not vertical - they point towards the tip of the triangle. After placing in your directional lines (which are "long" stitches), go back to the center and work to the right, filling in short stitches of varying lengths, moving down the row.



You want your stitches to lie next to each other, as they would in satin stitch, so make sure that you space them correctly - not too close that they bunch up, but not too far apart that you can see any fabric between them.

Continue working across the fabric to the right side of the triangle, altering the size of your stitches between long and short. Vary their lengths, for a more natural-looking shading. You want the bottom edge of your row of stitches to be jagged, but you still want to keep an overally consistent length across the longest points of your stitches.

When you reach the right edge of the triangle, end with a long stitch on the pencil line. This is approximately what your progress should look like so far:



Now move back to the middle and address the left side of the triangle, finishing the first row:



Second & Third Rows

The second and third rows are worked in 161 (medium blue) and 160 (medium light blue).

Bring your needle up from the back of your fabric into the first row of stitches, in the center. Then take your stitch down into the fabric, following your directional lines.



To help keep the direction of your stitches correct, pull your working thread to the tip of the triangle, so you can always see in what direction your stitches should be pointing.

You may add directional stitches if it is easier for you, or you may simply stitch from the center over to the right side of the triangle.



Go deep into the first row of stitches and vary the entry point of your stitches, following basically the same long and short stitch pattern from the row above. Remember, though, that the second row is not as wide as the first, so you can't fit in as many stitches. You won't be bringing your needle up into every stitch on the first row, so don't try! Try to gauge this as you go. Directional stitches may help you with this!



Continue working to the right side of the triangle...



... then go back to the center and work to the left side.

Follow the same procedure for the next row, working in the medium-light blue (160) and keeping in mind the following:

---- Keep your stitches directed towards the point.
---- Don't crowd them - there will be even fewer stitches in this row!

Work from the center to the right:



And when you finish the third row, it should look more or less like this:



Last Row

The last row is the trickiest. You should be close enough to the tip of the triangle that your first stitch reaches the tip. If you aren't, don't worry about it. Make the stitch shorter. The point is that you want this last row to feed into the tip, but in order to do that without building up a big bunch of stitches at the tip, you're going to have to "tuck in" some stitches.



All the stitches it will take to fill the top part of this row cannot fit into the tip of the triangle. So, you're going to work long and short stitches, but pretty much what's going to happen is that your long stitches will "overlap" the ends of the shorter stitches, which won't be "finished" down to the tip. And, you may find that you have to go back to fill in a gap at the top - to sneak a stitch in. At that point, you'll angle your needle underneath the stitches already there. (This is when you'll really find out how handy good lighting is!)



In the picture above, my needle is angled underneath the stitch on its left. I'm tucking the new stitch in, so that I don't have a bulky build-up at the tip.

Continue filling in this manner to the right side of the triangle, taking long stitches down to the tip when necessary, eyeing it to make sure your long stitches fit:



Then go back to the center and work in the same manner to the left side of the triangle:



Second Triangle

The second triangle is worked in the same manner as the first, but it is worked from the bottom (the broad base) to the tip, going upwards. Instead of writing out each direction, I've provided some pictures at various stages. You'll see it's the same exact concept as the first triangle, only your stitching direction is going upwards.



So, you have the split stitch line at the base, then you stitch from the center over the split stitch line.



Put in directional stitches if you want. I find they help, but some instructors say not to use them (although others say to use them!).



Fill in the first row in the same method as detailed above. I'm not super pleased with the edge on this first row - a bit too bumpy! You'll do better!!



Fill in all the subsequent rows up to the tip, and there's the finished triangle.



Move on to the triangle with the curved top - split stitch the top curved line in the lightest blue, and draw your directional lines with a pencil.



Fill in the first row in the same manner detailed above... notice that the first row is shaped like an arch. As you fill in the subsequent rows, you want to keep this arch shape by fanning your stitches around in that semi-circle.



Fill in your subsequent rows, fanning the stitches out in an arch as you stitch.



As you fill in the last row in the darkest blue, you may find you have to sneak some stitches in, but "tucking" them in.



The finished little element.

Congratulations! If you're with me to this point, you've finished element two and are ready to go on to element three, the circles, which are... a challenge! But a fun one!



And there's the sampler so far.

Here's a PDF version of Lesson 3: Triangles

Long & Short Stitch Shading, Lesson Three: Triangles

For all the other lessons in this series, check out the Long & Short Stitch Shading Lesson Index!


]]> stitchalong lessons needlework tutorials pictures needlepainting long and short stitch embroidery lessons needlework pictures 6069 BCD67 noreply@blogger.com http://www.blogger.com/profile/13335575882286345699 2009-08-14 14:55:21 2009-08-14 14:55:21 1 0 Beryl]]> 6113 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-08-13 00:23:55 2009-08-13 00:23:55 1 0 6147 Martina noreply@blogger.com 2009-08-12 07:56:38 2009-08-12 07:56:38 1 0 thanks a lot for your time to make us such a wonderful tutorial. I´m looking forward to start the lessons, but I have first to finish my UFOs (UnFinishedObjekts).

Cheers,
Martina]]> 6149 onafixedincome noreply@blogger.com 2009-08-12 04:19:17 2009-08-12 04:19:17 1 0
On the other hand, if anyone wants to see something fit to make theirs look REALLY GOOD, go look at Flicker in a few hours....I'll post mine. :) My cats are laughing their fuzzy lil butts off, and contributed a lovely halo to the whole affair...]]> 6166 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-08-11 13:04:31 2009-08-11 13:04:31 1 0 WOW!
I'm still finalizing my first part.
I believe that long ago that I do not do that type of embroidery. I thinks that is why I'm slower! Really "my hand" will not do what I say, LOL!
Thank you very much for your lesson!

Hugs
Maria del Valle]]> http://www.needlenthread.com/2009/08/historical-needlework-in-give-away-form.html Mon, 10 Aug 2009 04:31:00 -0500 Mary Corbet 240 2009-08-10 04:31:00 2009-08-10 04:31:00 open open Historical-Needlework-in-Give-Away-Form! publish 0 0 post

I thought it would be fun to group together some embroidery items by era and style and give them away to someone interested in all kinds of embroidery! And, if you're only interested in one thing represented here, I suppose the rest would make good gifts to other needleworking friends.



It's an odd mix of needlework-related goods, actually...



First, representing the 17th century, I've selected four blank cards from the Plimoth Plantation Jacket notecards. These are nice cards, printed on quality paper, and featuring up-close photos of motifs embroidered on the Plimoth Jacket. The four cards each feature a different motif, so you'll probably have a hard time deciding which to keep and which to give away! They'd make great birthday cards, thank you notes, or what-have-you for anyone interested in textiles. You can view the designs on all the cards on Thistle Threads. 10% of each purchase of the box of cards goes to the support of the Jacket Project.



Representing the late 18th and early 19th centuries, in the style of Quaker samplers, here's the Ackworth school memory book. This is a nifty little book where you can record your stitching. It has a zipper pocket in it, and various sleeves and pages for affixing stitch samples and so forth, as well as areas for writing commentary, some card threadwinders to cut out and use, some postcards that can be cut out and sent through the mail, and even little stitch diagrams for Quaker motifs. Neat little book! You can see inside the memory book on Needleprint, which is the publisher of the book. I happened upon a special on these not a year ago, so I picked a couple up, thinking they'd make good gifts.



And, moving into the late 19th and early 20th centuries, we've got a pre-printed vintage linen (in fairly good shape). These are from the box of linens and threads I wrote about the other day.



And two skeins of M. Heminway & Sons silk. If you've been itching to see this silk up close, here's your opportunity to get your hands on some!



The skeins are in fairly good shape - still braided with tags - but you can see that the pink is having a bad hair day. Still, it's usable, and it's beautiful!

Needlework Giveaway Participation Guidelines

To participate in the giveaway, please leave a comment below this post on the website. If you're reading this in your feedreader or in the e-mail newsletter, just click on the title of the article, and that will take you straight to the website!

In your comment, please leave a name. If you comment annonymously, please make sure you sign a name inside the comment box before you submit it!

In your comment, please answer the following question:

What's your favorite style and / or era of embroidery and why?

I'll draw for a winner on August 14th at the end o' the day, and I'll let you know on the 15th who won. The winner will then need to contact me with a postal address. If for some reason contact isn't made, I'll re-draw for a new winner.

Thanks for participating!
]]> historical needlework stash contest threads pictures Book Give-Away linen 2270 Anonymous noreply@blogger.com 2010-03-11 11:37:11 2010-03-11 11:37:11 1 0 2271 LOUISE noreply@blogger.com 2010-03-11 11:23:58 2010-03-11 11:23:58 1 0 6063 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-08-14 22:36:20 2009-08-14 22:36:20 1 0
My favorite embroidery is the crewel and similar work done in the 70's. Partly because that's when I grew up, and partly because of the wild colors and designs. I like the way that bright colors were used for all kinds of decorations around the house, and for clothes. I remember I had a pair of bell-bottoms that had bright pink and yellow flowers - I can't believe I actually wore those!]]> 6064 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2009-08-14 21:46:22 2009-08-14 21:46:22 1 0 6067 Pat Salada noreply@blogger.com 2009-08-14 18:48:20 2009-08-14 18:48:20 1 0 stump work; something fairly new
in my experience. It's dimensional aspect fascinates me.

Pat S.]]> 6084 virginia noreply@blogger.com http://www.blogger.com/profile/04360360225345177591 2009-08-14 08:37:39 2009-08-14 08:37:39 1 0 I love every kind of embroidery style, design and era. Anything to keep these busy hands creating for friends, family, nieces, nephews, my grandson.
But, I do especially love the very first basic stitches I teach to kids who are interested in learning this wonderful craft.
Good Luck everyone.
Virginia]]> 6088 Carol noreply@blogger.com 2009-08-13 22:57:15 2009-08-13 22:57:15 1 0 Carol]]> 6091 Anonymous noreply@blogger.com 2009-08-13 16:23:14 2009-08-13 16:23:14 1 0 6092 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-08-13 14:51:38 2009-08-13 14:51:38 1 0 But then I've read about leaving our stitchings for next generations. And I have one very important suggestion: if you want not to finish some work, put it into some place with all the threads for it. This spring I have finished one stitching, which was started by my grandmother, stitched by my mother... My friends were joking, that I should stitch a little and leave it for next generations. It was started some 60 years ago using some Russian "muline" threads. Of course, they had no numbers to help finding the threads. At that times eople were buying the colours, which were in the shops, because these threads also were difficult to get and you possible could not find the ones you needed when you needed them... I have quite a big collection of these threads. Some are quite good, some not so much. But I had to change the colours, because I could not find the ones, which were used in the stitching. Of course, DMC, Anchor have numbers, but who knows, wthat they look like after some 50 or 100 years...
And about my likes. For some time I was cross stitching and was very happy because of that. But now I am interested in many different stitchings, learning them and trying to finish my old cross stitch projects. I want to participate in your lessons and I hope, next week I will. Maybe I know more than I have tried. Sometimes I learn myself by preparing some lessons for others (of course, it is not good, but if people ask and I know at least theoretically). I like different historical stitching. And the list of my likes becomes longer and longer because it is equal to the list of my wishes to learn...]]> 6094 Pop Wahm Buzz minxmaker@gmail.com http://www.blogger.com/profile/16645923682779906609 2009-08-13 13:56:24 2009-08-13 13:56:24 1 0 6097 Vicki noreply@blogger.com http://www.blogger.com/profile/08691201319921964749 2009-08-13 13:11:39 2009-08-13 13:11:39 1 0 6099 Anonymous noreply@blogger.com 2009-08-13 12:11:52 2009-08-13 12:11:52 1 0 Thanks for all you do for us stitchers.
Odette Bragg
obragg@aarp.org]]> 6100 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-08-13 11:32:41 2009-08-13 11:32:41 1 0
Of course I haven't come across any embroidery that didn't thrill me and I suppose I never will.

Thanks for the chance to enter.


Lin Taylor]]> 6103 Ashley noreply@blogger.com http://www.blogger.com/profile/04810113070259398400 2009-08-13 09:16:21 2009-08-13 09:16:21 1 0 6105 Pam Paice noreply@blogger.com 2009-08-13 09:09:35 2009-08-13 09:09:35 1 0 Pam]]> 6110 Racine noreply@blogger.com 2009-08-13 06:30:19 2009-08-13 06:30:19 1 0
I can't paint or draw on paper like an artist but I can create with fabric, embellishments and embroidery. I get to bring out the artist in me that has been suppressed for so many years.

I have been following your site since you were mentioned on the HGTV quilting boards telling us about your tutorials, they are how I learned to embroider and I live through all your travels, work and fun.

I love all embroidery and I Thank You for all you have done for people like me who were lost and needed direction. At this point I am still learning there are so many different techniques to learn so right now I have no specific favorite because they are all amazing.I buy books to learn more and follow anything I can to make my work even better.

Your giveaway would be an awesome addition to my growing knowledge and work - I do not only CQ I have tried a few different techniques thanks to your emails and many of the stores & products you suggest. Thanks Mary for being you and sharing with us! Racine]]> 6111 Nestor noreply@blogger.com http://www.blogger.com/profile/16933110940245946709 2009-08-13 04:11:53 2009-08-13 04:11:53 1 0
So there, now you know one of my guilty pleasures.

Nestor]]> 6112 Brittany noreply@blogger.com http://www.blogger.com/profile/11262368638637841764 2009-08-13 03:09:03 2009-08-13 03:09:03 1 0 6116 ChrisTea noreply@blogger.com http://www.blogger.com/profile/01174772576039425553 2009-08-12 23:04:08 2009-08-12 23:04:08 1 0 6117 Anonymous noreply@blogger.com 2009-08-12 22:33:41 2009-08-12 22:33:41 1 0
Favorite era: pre-Renaissance. Love the ancient embroidery artifacts. Love Opus Anglicanum.

Also love the 16th century work like the Plimoth project is. But Victorian is too ornate for me!

Have always wanted to try the Hemingway silks. They look luscious.

Christiana (K)]]> 6119 Anonymous noreply@blogger.com 2009-08-12 20:52:34 2009-08-12 20:52:34 1 0 6120 Cathy K catkiz@xmission.com http://www.blogger.com/profile/05765115495938525371 2009-08-12 20:46:46 2009-08-12 20:46:46 1 0 6121 Kim R. nascar333fan@gmail.com http://www.blogger.com/profile/17758600733076361996 2009-08-12 20:46:36 2009-08-12 20:46:36 1 0 kimberlybreid@hotmail.com]]> 6122 cnuland blogcont@cnuland.com http://www.blogger.com/profile/12564202773870456587 2009-08-12 19:48:36 2009-08-12 19:48:36 1 0 6123 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-12 17:34:15 2009-08-12 17:34:15 1 0 Maybe we become lucky here in Germany and get picked. lol!
We love all kinds of embroidery from the past to the present, because we can never get enough of them.
--vincent]]> 6124 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-12 17:33:29 2009-08-12 17:33:29 1 0 Maybe we become lucky here in Germany and get picked. lol!
We love all kinds of embroidery from the past to the present, because we can never get enough of them.
--vincent]]> 6126 envirohist@yahoo.com noreply@blogger.com 2009-08-12 17:11:31 2009-08-12 17:11:31 1 0 6127 DK Spins dkspinner@q.com http://www.blogger.com/profile/17846231118417581109 2009-08-12 16:23:55 2009-08-12 16:23:55 1 0 6129 Anonymous noreply@blogger.com 2009-08-12 15:16:50 2009-08-12 15:16:50 1 0 The 19th and 20th Century period is my favorite as it is the embroidery that I remember my Mother stitching.

jmmarteney
at
earthlink.net]]> 6130 sarwat noreply@blogger.com http://www.blogger.com/profile/14778633042323452976 2009-08-12 14:08:59 2009-08-12 14:08:59 1 0
I like the cross stitch its timeless and simple yet can be used in very elegant pieces]]> 6132 Dolores dsedore1@hotmail.com http://www.blogger.com/profile/00013261733996949731 2009-08-12 12:46:58 2009-08-12 12:46:58 1 0 6133 Anonymous noreply@blogger.com 2009-08-12 12:41:18 2009-08-12 12:41:18 1 0 My favorite embroidery is the early samplers that were done as reference - before patterns were available. I'm quite interested in stitches and designs being passed and collected hand by hand all over the world.

jodie.marie
at
verizon.net]]> 6136 billiemick noreply@blogger.com http://www.blogger.com/profile/12962933031675452865 2009-08-12 11:55:20 2009-08-12 11:55:20 1 0
Billie
bigmick@austin.rr.com]]> 6137 etrnlone noreply@blogger.com http://www.blogger.com/profile/15824664874500371045 2009-08-12 11:44:19 2009-08-12 11:44:19 1 0 thanks for the great contest and the opportunity to win]]> 6139 Deep noreply@blogger.com 2009-08-12 11:30:38 2009-08-12 11:30:38 1 0 6140 Deep noreply@blogger.com 2009-08-12 11:29:34 2009-08-12 11:29:34 1 0 6141 Turtle moonhonu@yahoo.com http://www.blogger.com/profile/01851819627750022788 2009-08-12 11:11:37 2009-08-12 11:11:37 1 0 6142 Tricia noreply@blogger.com http://www.blogger.com/profile/10800864673813334725 2009-08-12 10:34:11 2009-08-12 10:34:11 1 0 6143 leebee7 noreply@blogger.com http://leebee7.livejournal.com/ 2009-08-12 10:25:15 2009-08-12 10:25:15 1 0 I am always amazed by Jacobeab work. The colours, the variety of motifs and stitches, and imagining what it would have looked like originally.]]> 6148 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-08-12 04:48:39 2009-08-12 04:48:39 1 0 I love seeing pieces using traditional techniques - Jacobean or blackwork - but with a modern twist..

This looks like a fabulous give away - I especially like the book from Ackworth - I grew up just down the road from there..]]> 6150 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-11 23:04:05 2009-08-11 23:04:05 1 0
MC]]> 6151 Marian noreply@blogger.com 2009-08-11 23:02:56 2009-08-11 23:02:56 1 0
For me to work myself, I always come back to cross stitch, but I do have to say, that the first piece of surface embroidery I worked was a piece of pre-printed linen. I was able to choose which stitches and colours I did, and when I finished the piece, I gave it to my youngest sister as a present. She still has this piece and whenever it is on the coffee table in her lounge. When the nieces and nephew found out that I had worked the embroidery the were quite amazed and now they move it away from any food or drink they have on the table so that it doesn't get spoiled by a spills that may happen.

The short answer would be, if I had to choose, it would be pre-printed linen as it give me the ability to choose colours, threads and stitches and I can truely call it my own work.]]> 6153 Kanmani noreply@blogger.com http://www.blogger.com/profile/10385700230441768708 2009-08-11 22:57:36 2009-08-11 22:57:36 1 0
I am really thankfull for your site, it is my virtual teacher.. keep up the good work..

Kanmani]]> 6154 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2009-08-11 22:25:24 2009-08-11 22:25:24 1 0 6157 bedmaker04 noreply@blogger.com 2009-08-11 19:59:54 2009-08-11 19:59:54 1 0 6159 JudyinPittsburgh noreply@blogger.com 2009-08-11 17:16:59 2009-08-11 17:16:59 1 0 6160 Laurel Lee Pedersen laurelpedersen@aol.com http://www.blogger.com/profile/05717142054562062362 2009-08-11 15:28:16 2009-08-11 15:28:16 1 0 6161 Sheila noreply@blogger.com http://www.blogger.com/profile/09670417987332451311 2009-08-11 14:40:37 2009-08-11 14:40:37 1 0 6162 hm noreply@blogger.com http://www.blogger.com/profile/02616663978947134732 2009-08-11 14:29:24 2009-08-11 14:29:24 1 0 But I'll have to say the most favorite piece of hand embroidery I have is a small counted cross stitch my youngest daughter gave to me one Christmas.

~~Holly]]> 6163 Deb in Idaho noreply@blogger.com http://www.blogger.com/profile/01016496676825054246 2009-08-11 13:49:14 2009-08-11 13:49:14 1 0
Deborah in Idaho]]> 6164 SilkLover juels51@yahoo.com http://www.blogger.com/profile/18178518091908141655 2009-08-11 13:05:42 2009-08-11 13:05:42 1 0 Thank you for the chance at a giveaway!
Julie]]> 6167 Anonymous noreply@blogger.com 2009-08-11 11:23:53 2009-08-11 11:23:53 1 0 Susan]]> 6168 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2009-08-11 10:22:47 2009-08-11 10:22:47 1 0 You are really very kind to give away such wonderful collection of embroidery.
I'm a novice in embroidery, and to admit the truth, I have no idea about how the embroidery evolved across the eras, but certainly I'm proud to say that whatever knowledge of embroidery I have acquired is entirely due to your blog Mary :)
I always had a fancy towards Jacobean embroidery, and of late I've grown as a fan of needle painting, thanks to your shading lessons...
Wonder whether I am lucky enough to take away this treasure you have so generously shared :)

Dhivya]]> 6169 Michelle tephens noreply@blogger.com 2009-08-11 09:14:47 2009-08-11 09:14:47 1 0 I can't wait to see the next lesson in shading. Thanks for all the lessons and tips.
Michelle S.]]> 6170 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-08-11 08:45:23 2009-08-11 08:45:23 1 0 I am glad you began the needlepainting lessons.
Oh... I am a cross stitcher. :-)]]> 6171 moggi noreply@blogger.com 2009-08-11 08:38:55 2009-08-11 08:38:55 1 0 6172 Samanta noreply@blogger.com 2009-08-11 07:15:26 2009-08-11 07:15:26 1 0 Anyway, I'm not sure you're sending the give-aways abroad, but here's my preference: anything that looks medieval, because they are so well done and so delicate. But for now, since all I know how to embroider is cross-stitch, that's what I do most. :) Your lessons are opening a whole world to me!]]> 6173 Robbie robbiespawprints@aol.com http://www.blogger.com/profile/13506964994589004458 2009-08-11 06:46:40 2009-08-11 06:46:40 1 0 6174 Amie noreply@blogger.com http://www.blogger.com/profile/01286113724603282106 2009-08-11 04:47:24 2009-08-11 04:47:24 1 0 6175 Debra noreply@blogger.com http://www.blogger.com/profile/11225453705699301556 2009-08-11 03:53:39 2009-08-11 03:53:39 1 0 Debra from Los Gatos, Ca.]]> 6176 Inez noreply@blogger.com 2009-08-11 02:07:47 2009-08-11 02:07:47 1 0 Thank you Mary from Inez]]> 6177 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2009-08-11 02:00:54 2009-08-11 02:00:54 1 0
Goldwork is a close second - I haven't had a chance to try it yet, but I love the look of it and I'm determined to try as soon as I can justify buying more embroidery supplies!

Mel VT]]> 6178 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-08-11 01:18:44 2009-08-11 01:18:44 1 0
It's difficult to tell what form of embroidery I like because every time I see hand embroidery I get mesmerised by beauty of it and hard work and patience of the embroiderer.I have tried free style embroidery,Brazilian embroidery,cross stitch, and crochet till date and dream of trying crewel embroidery,long and short stitch,ribbon embroidery,gold work and the list goes on.......all in all I love hand embroidery and love inspiration magazines too....they are lovely.

Regards,

Kirti]]> 6179 Barbara noreply@blogger.com http://www.blogger.com/profile/12998188947448253248 2009-08-10 23:47:58 2009-08-10 23:47:58 1 0 6180 Viooltje (Violet) noreply@blogger.com http://www.blogger.com/profile/13401427799720313249 2009-08-10 22:57:17 2009-08-10 22:57:17 1 0 I'm reading (and "watching") Jane Austen's work at the moment, so the Regency period, 18th/19th century speaks to me.
Oh those clothes!
(but I'm very happy we live today, with all our modern Things) :o)
Quaker samplers and all kind of other cross stitch samplers old and new ones, if a design calls my name: I'm game. *Ü*
Thank you for all your work on this site, and this lovely give a way.
Please count me in.
:o)]]> 6181 Lindi noreply@blogger.com 2009-08-10 22:51:21 2009-08-10 22:51:21 1 0 6182 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-08-10 22:30:34 2009-08-10 22:30:34 1 0 6183 Anonymous noreply@blogger.com 2009-08-10 22:26:45 2009-08-10 22:26:45 1 0
The women in my family are quite long-lived, and they considered that no family wedding was complete unless they had done their duty to help fill out the bride's trousseau. As a result, I "inherited" a number of exquisitely stitched items that were simply meant to be used as household items when my parents divorced. Knowing that my great-aunts had made them makes them especially precious.

Karen from Arcadia, CA.]]> 6184 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-08-10 22:02:08 2009-08-10 22:02:08 1 0 6185 Anonymous noreply@blogger.com 2009-08-10 21:45:27 2009-08-10 21:45:27 1 0 6186 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2009-08-10 20:44:01 2009-08-10 20:44:01 1 0 6187 Penny noreply@blogger.com 2009-08-10 19:59:18 2009-08-10 19:59:18 1 0 6188 qwerty knittingdivine@hotmail.com 2009-08-10 19:19:27 2009-08-10 19:19:27 1 0 6189 Anonymous noreply@blogger.com 2009-08-10 18:44:35 2009-08-10 18:44:35 1 0
Lorraine L.]]> 6190 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2009-08-10 18:30:18 2009-08-10 18:30:18 1 0 6191 Amanda W. noreply@blogger.com 2009-08-10 17:59:47 2009-08-10 17:59:47 1 0 6192 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-08-10 17:56:46 2009-08-10 17:56:46 1 0 6193 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-08-10 17:19:35 2009-08-10 17:19:35 1 0 6194 Anonymous noreply@blogger.com 2009-08-10 17:18:10 2009-08-10 17:18:10 1 0 I would love the selection of embroidery items you are giving away.

Dixie]]> 6195 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-08-10 17:17:13 2009-08-10 17:17:13 1 0
I read and comment on your blog quite regularly...I don`t do freehand embroidery, but I love seeing what you are doing. This ia a fabulous giveaway! Those silks look soooo pretty!]]> 6196 jacqui.ross noreply@blogger.com http://www.blogger.com/profile/16767168897735643097 2009-08-10 17:11:35 2009-08-10 17:11:35 1 0 6197 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-08-10 16:53:57 2009-08-10 16:53:57 1 0
My favorite style of embroidery is hardanger, because I can DO hardanger. However, I've always been fond of embroideries from the 14th-16th centuries and someday I'll have time to do quite a bit of research on them and do some of my own :)]]> 6198 Linda Smith noreply@blogger.com http://www.blogger.com/profile/17644688923108342517 2009-08-10 16:04:11 2009-08-10 16:04:11 1 0 6199 figure8angel noreply@blogger.com http://www.blogger.com/profile/04069028704239734614 2009-08-10 16:02:56 2009-08-10 16:02:56 1 0
Thanks for having this great giveaway! And thanks too for everything you share. I've learned a lot so far! (I just started embroidering in January, so there's still a lottttt to learn.)

Angelina]]> 6200 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2009-08-10 15:41:59 2009-08-10 15:41:59 1 0 6201 Dianna Hamilton noreply@blogger.com 2009-08-10 15:33:32 2009-08-10 15:33:32 1 0 6202 RemarkablyAverageJane noreply@blogger.com http://www.blogger.com/profile/09364307484380227947 2009-08-10 15:31:57 2009-08-10 15:31:57 1 0
Although I'm not well-read in the art of prick and pounce, imagining it's conception-the design idea, the search for the right materials to mark the blank fabric, the trial and error-well, to me it just feels like I'm part of history. Even the society projects echo back to a long-lost era and lets the liberated new millenium woman in me "bond" with my ancestors; sisters of needlework!

Laurinda Crawford
goddessofwax@gmail.com]]> 6203 Anonymous noreply@blogger.com 2009-08-10 15:05:39 2009-08-10 15:05:39 1 0
Purple butterfly]]> 6204 Wendy noreply@blogger.com http://www.blogger.com/profile/09392740164787804796 2009-08-10 14:59:24 2009-08-10 14:59:24 1 0 "I'd have to say that 17th century band samplers are my current favorite, as I'm doing a correspondence course through EGA on them right now."]]> 6205 Annie baxtera61@yahoo.com http://www.blogger.com/profile/02428057295474620241 2009-08-10 14:36:26 2009-08-10 14:36:26 1 0 6206 Anonymous noreply@blogger.com 2009-08-10 14:27:34 2009-08-10 14:27:34 1 0 Ali x]]> 6207 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-08-10 13:55:01 2009-08-10 13:55:01 1 0 Annie]]> 6209 Paula noreply@blogger.com http://www.blogger.com/profile/16748614079186805907 2009-08-10 13:15:18 2009-08-10 13:15:18 1 0 6210 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-08-10 12:57:27 2009-08-10 12:57:27 1 0
My favorite era? I guess it would be a toss between Jacobean embroidery and Elizabethan blackwork. I love the swirling, organic and imaginative Jacobean style but I am also a sucker for black and white anything. So there you have it.]]> 6211 Anonymous noreply@blogger.com 2009-08-10 12:56:17 2009-08-10 12:56:17 1 0 Mary you have done it again, what a lovely gift someone will receive. I guess my favorite at this point in time is Blackwork, have just finished a design which turned out really nice. However I like many others love & enjoy all techniques and as for era, either 18th century or present date, all of them are equally beautiful.
Take care,
Joan from Richmond B.C. Canada]]> 6212 schomacker noreply@blogger.com http://www.blogger.com/profile/14967287058253320525 2009-08-10 12:45:04 2009-08-10 12:45:04 1 0 Pam - Duluth, MN]]> 6213 Kate mjrroland@yahoo.com http://www.blogger.com/profile/06395157955320659033 2009-08-10 12:44:20 2009-08-10 12:44:20 1 0 6214 Betsy noreply@blogger.com 2009-08-10 12:33:20 2009-08-10 12:33:20 1 0 18th Century Embroidery Techniques by Gail Marsh and it's a beautiful book. My favorite technique, at the moment anyway, is surface embroidery; but, I do love pulled thread, drawn thread, whitework, hardanger and others. I am really enjoying the silk shading lessons - thanks Mary!

Betsy]]> 6215 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-08-10 12:24:15 2009-08-10 12:24:15 1 0
shanawoodman (at) yahoo (dot) com]]> 6216 onafixedincome noreply@blogger.com 2009-08-10 12:23:00 2009-08-10 12:23:00 1 0 6217 Cathi cathiquilts@gmail.com http://www.blogger.com/profile/02531639422553980153 2009-08-10 12:22:03 2009-08-10 12:22:03 1 0 6219 Patsy noreply@blogger.com 2009-08-10 11:51:07 2009-08-10 11:51:07 1 0 6220 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-08-10 11:39:54 2009-08-10 11:39:54 1 0 6221 Sharon noreply@blogger.com 2009-08-10 11:23:17 2009-08-10 11:23:17 1 0 Era - I don't have a favorite era.
Each era has its own story to tell. The evoluntion of needleart is facinating. The new fibers, techniques and designs; expanding and combining. What I have seen in just 50 years is amazing. What story will this era say to the future ?
Put me in for the give-away. Just to touch the floss, listen to it's stories would be wonderful.
Sharon - Modesto]]> 6222 Anonymous noreply@blogger.com 2009-08-10 11:13:13 2009-08-10 11:13:13 1 0
Ellen (ellenhartman@verizon.net)]]> 6223 Christy noreply@blogger.com 2009-08-10 10:58:20 2009-08-10 10:58:20 1 0 6224 Kent noreply@blogger.com http://acrescout.com 2009-08-10 10:57:55 2009-08-10 10:57:55 1 0
Contact: info [AT] bombaycreative.com]]> 6225 M. noreply@blogger.com http://www.blogger.com/profile/06525383270971001142 2009-08-10 10:48:40 2009-08-10 10:48:40 1 0
-Melissa (I'll be out of town until the 31st, on the off chance I get drawn)]]> 6226 karoleshere noreply@blogger.com 2009-08-10 10:41:40 2009-08-10 10:41:40 1 0 6227 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-08-10 10:26:48 2009-08-10 10:26:48 1 0 I'm eclectic in what attracts me so I can best say what I dislike. I posted, on one of my blogs, a brief mention of the repulsiveness evil of what some call "Art" in the form of stitchery just this morning. I happened upon an image on the web that was linked to my query of a particular stitch which left me thoroughly disgusted.
So I think it's fair to say I do "not" like modern, alternative or mainly anything that borders on...well, I can't even think of a word for the mess, so give me anything "biblically lovely".
Sorry for the wordiness. I would love to get my hands on all the goodies, but if this is a bit much for posting, I'll understand.
Tammy T.]]> 6228 Jeanne noreply@blogger.com http://www.blogger.com/profile/17123395333610844603 2009-08-10 10:11:23 2009-08-10 10:11:23 1 0 6229 Justine Henn_Stitching@yahoo.com http://www.blogger.com/profile/04207171509125594882 2009-08-10 10:10:26 2009-08-10 10:10:26 1 0 6230 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-08-10 10:09:50 2009-08-10 10:09:50 1 0 6231 ShirleyNotes noreply@blogger.com http://www.blogger.com/profile/11081456079317891988 2009-08-10 10:07:11 2009-08-10 10:07:11 1 0
Thank you so much for the chance to win this wonderful give-away!

Shirley Crockett]]> 6232 prairiethistle noreply@blogger.com http://prairiethistle.wordpress.com/ 2009-08-10 09:57:11 2009-08-10 09:57:11 1 0 Carol B.]]> 6233 PomieMommie noreply@blogger.com http://www.blogger.com/profile/13802941050762789365 2009-08-10 09:55:02 2009-08-10 09:55:02 1 0 Donna D]]> 6234 Janice Miller noreply@blogger.com 2009-08-10 09:54:08 2009-08-10 09:54:08 1 0 I have always loved Jacobean embroidery. The detail is so lovely and the colors, oh the colors, make me smile.
Janice Miller]]> 6235 Sarah or Semmy e4e823l@yahoo.com http://www.blogger.com/profile/04363149505686470485 2009-08-10 09:51:18 2009-08-10 09:51:18 1 0 6236 Odette noreply@blogger.com http://www.blogger.com/profile/14551179676003327706 2009-08-10 09:37:56 2009-08-10 09:37:56 1 0 Que tenga una buena semana.
Saludos de Odette]]> 6237 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-08-10 09:30:37 2009-08-10 09:30:37 1 0 6238 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-10 09:27:32 2009-08-10 09:27:32 1 0 Goldenwork only to look at!
I love to try new things to me I've never expected to do! Like drawn threads work, openwork - love to do it!

Another great giveaway, as if you aren't giving us a daily gift - your posts!!!!]]> 6239 Catherine noreply@blogger.com http://www.blogger.com/profile/17400299862431047273 2009-08-10 09:16:58 2009-08-10 09:16:58 1 0 Catherine]]> 6240 Pollydo2003 noreply@blogger.com http://www.blogger.com/profile/15225398638294939827 2009-08-10 09:09:14 2009-08-10 09:09:14 1 0 Now I'm returning home to Oz, this little collection would be just fabulous to have as a litte reminder of my time here.
I've started your long and short stitch lessons, there are just great too.
Thanks for the chance to win such a great prize.
Arlene
http://arlenescrafts.ning.com/]]> 6241 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2009-08-10 09:06:28 2009-08-10 09:06:28 1 0 6242 Anonymous noreply@blogger.com 2009-08-10 08:55:53 2009-08-10 08:55:53 1 0 Beckie]]> 6243 Bobbi Pohl rj.pohl@verizon.net http://www.blogger.com/profile/00971467142314900997 2009-08-10 08:54:39 2009-08-10 08:54:39 1 0 6244 Martha McSweeney noreply@blogger.com 2009-08-10 08:49:16 2009-08-10 08:49:16 1 0 Martha]]> 6245 charlie noreply@blogger.com 2009-08-10 08:45:58 2009-08-10 08:45:58 1 0
Lovely give away,Mary!]]> 6246 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-08-10 08:44:11 2009-08-10 08:44:11 1 0 6247 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-08-10 08:40:49 2009-08-10 08:40:49 1 0 To be honest I never went deep in to know the history of embroidery. All I was doing is stitching which looks good for me. Very lately I started using internet and came to know different embroidery all over the world..Still have to study a lot. Gold work which fascinates me much of all..lukcy if i win..

Regards
lakshmi]]> 6248 Kathy noreply@blogger.com http://www.blogger.com/profile/13391152401051501717 2009-08-10 08:38:05 2009-08-10 08:38:05 1 0 But I love the crazy quilts of the Victorians also - love that its so individual...]]> 6249 Sewbusymor noreply@blogger.com 2009-08-10 08:19:43 2009-08-10 08:19:43 1 0 Karin]]> 6250 Miss Nancy npagequilts@gmail.com http://www.blogger.com/profile/08174818350022498794 2009-08-10 08:18:36 2009-08-10 08:18:36 1 0 6251 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-08-10 08:17:29 2009-08-10 08:17:29 1 0 6252 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2009-08-10 08:16:21 2009-08-10 08:16:21 1 0 6253 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-08-10 08:15:01 2009-08-10 08:15:01 1 0 6254 Anonymous noreply@blogger.com 2009-08-10 08:05:55 2009-08-10 08:05:55 1 0 annie in hotter n heck Michigan]]> 6255 gocrazywithme jcwpopish@yahoo.com http://www.blogger.com/profile/04063066209331964997 2009-08-10 08:01:26 2009-08-10 08:01:26 1 0 6256 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-08-10 08:00:47 2009-08-10 08:00:47 1 0
I love to watch movies, for the fashion. Ok... movies like Braveheart, so I can see the embroidery on clothes, the clothes that are sewn, the fashion, and how it all goes together.

I guess I'd have to say pre 17th century... The Other Bolyn (sp) Girl was a fantastic collection of clothes with embroidery. And tapestries. Love them!

Karen]]> 6257 Anonymous noreply@blogger.com 2009-08-10 07:42:48 2009-08-10 07:42:48 1 0 6258 Courtney noreply@blogger.com http://www.blogger.com/profile/13475318662505589743 2009-08-10 07:42:11 2009-08-10 07:42:11 1 0 6259 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2009-08-10 07:41:14 2009-08-10 07:41:14 1 0 6260 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-08-10 07:30:50 2009-08-10 07:30:50 1 0 6261 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-08-10 07:29:24 2009-08-10 07:29:24 1 0 I have been doing hand needlework for almost 54 years now and it is hard to say which I enjoy doing the most or which is prettier when done, maybe Jacobean.
The collection you have pulled together is wonderful, especially the book, grin, I have this thing for books, on any subject.]]> 6262 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2009-08-10 07:26:44 2009-08-10 07:26:44 1 0 6263 Lana noreply@blogger.com http://www.blogger.com/profile/08045511819916868147 2009-08-10 07:15:27 2009-08-10 07:15:27 1 0
I like the early American samplers.
They have so much detail and depict the everyday lives of the people so well.

Thanks for the chance to enter!]]> 6264 Arleen Schindler noreply@blogger.com 2009-08-10 07:14:05 2009-08-10 07:14:05 1 0 I don't have a particular age or
style, since I find almost all a
true delight.
What a nice gesture to share with
your readers - thank you.
Arleen Schindler
asnorthwoods@centurytel.net]]> 6265 Claire noreply@blogger.com http://www.blogger.com/profile/07536127013682044141 2009-08-10 06:55:38 2009-08-10 06:55:38 1 0 6266 Crystal noreply@blogger.com http://www.blogger.com/profile/06376651752409183322 2009-08-10 06:34:21 2009-08-10 06:34:21 1 0 6267 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2009-08-10 05:46:28 2009-08-10 05:46:28 1 0 http://www.needlenthread.com/2009/08/notable-needlework-stops.html Sun, 09 Aug 2009 04:40:00 -0500 Mary Corbet 241 2009-08-09 04:40:00 2009-08-09 04:40:00 open open Notable-Needlework-Stops publish 0 0 post

First, some needlework shop news:


I mentioned already that Hedgehog Handworks is offering free shipping during the month of August. This is a really good deal, methinks. How many times do you look for something online, only to be deterred from ordering because of shipping? Especially if you're just looking for one little thing - like a certain color or type of thread! I had a project underway a few years ago and ran out of a specialty thread that I had to order. The shipping more than doubled the cost of thread! I'm always happy to find a free shipping deal! And, as Méri pointed out, international shipping is half price. So check out Hedgehog this month to see if there's anything you need! (Floche is on my list before the month is out...)



Threads in Bloom - specializing in Brazilian embroidery supplies and kits - is also running a little deal in August to celebrate 22 years in business. (That's a long time! Congratulations, Sharon!) During August, Sharon will be including free mesh zipper bags with any orders $10 and over. For orders of $10 - $25, she's including a small bag; $25.01 - $35.00, a medium-small bag; $35.01 - $50, a medium bag, and orders over $50 will include a large bag. These mesh bags are terrific project bags - I have a few and I use them all the time! I've taken to using the large mesh zipper bag to store multiple projects of a particular kind. For example, all my Trish Burr kits are safely tucked away in a large zipper bag.



If you're looking for specialty embroidery supplies in Europe, Aurélie Clay and her mom have recently opened an online shop in France. The shop is called Brodely, and you can find it in both French and in English. Brodely has just opened up, so I'm sure we'll see some expansion on the shop. What I like about it: they carry goldwork supplies! They also carry some harder-to-find supplies for embroidery on tulle, including cotton tulle and tambour needles in a variety of sizes. You can also find silk fabrics, sequins, beads, and so forth. And, they accept Paypal, which makes it very easy to place orders from overseas! I like this little shop - it'll be fun to see how it develops.



Paint-by-Threads is an interesting online shop specializing in embroidered art (already embroidered) and kits (for you to embroider) in the Arts & Crafts Movement style. The Framed Needle Art section is quite inspiring to browse through, but what really catches my attention about the shop is the selection of linen available to purchase by the yard. The prices on the linen per yard look quite reasonable. I haven't seen any of the fabric upclose, in person, but I'm going to order some swatches. There are some Belgian linens and Irish linens on there - and, like I said, per yard, they are priced quite reasonably.

Now, onto some Fun Stops online....



Have you visited Needleprint? This is a site devoted to a huge world-wide stitch-along on the Mary Wigham sampler from the Ackworth school. The designs that abound on the website are in the "Quaker" style of samplers, and the historical information about needlework from the era and from the school is all rather engrossing. I found myself whiling away quite a bit of time, reading through the posts and seeing what's offered on the website. If you like the Quaker style of needlework, you will really enjoy this site. The stitching is counted - and it has that old world charm that is beguiling, I think. I love it! There are some nice projects and freebies on the site, too, so browse around and dig deep!



Ok, I know you're going to think this is really weird - it's not really "needlework" - why is she sending us to a hat pattern? But, anyway - enough of that! Let me explain! On Betz White's blog this week, she featured her new reversible bucket hat pattern, which she has for sale on Etsy. Ok, ok. I'm not a hat person. I'd like to BE a hat person! But I'm not. But I know several people who are - and I think this pattern (while cute as anything in Betz's fabrics) has some potential in a needleworky-sort-of-way. So stay tuned for that in a while - my niece and I are working on something! It IS a cute hat, isn't it? And think: embellishment!

Those are a few sites that have caught my eye recently! Hope you have fun looking through them!

]]> historical needlework supplies embroidery resources 6271 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-08-09 13:18:55 2009-08-09 13:18:55 1 0 http://www.needlenthread.com/2009/08/vintage-linens-for-embroidery.html Sat, 08 Aug 2009 04:34:00 -0500 Mary Corbet 242 2009-08-08 04:34:00 2009-08-08 04:34:00 open open Vintage-Linens-for-Embroidery publish 0 0 post magnificent box of M. Heminway & Sons silk - a goodly collection of vintage silks from the turn of the 20th century. The more I think about this treasure, the more excited I am about it! Here, I'd like to show you some of the linens that were in the box...

These linens are certainly "vintage" - they're downright antiques. Some are embroidered in part, some are not. Some are in fairly good shape and might be salvageable, but some probably can't be salvaged. Below, you'll see some photos of only some of the linens, actually - there are more than pictured here, but this is a good selection of the types of linens in the box.

Many of the pieces are of the same weight fabric - a light, fine linen with a smooth "hand" (or surface feel), but others are coarser linen and one even looks like a cotton sateen, the type of fabric used for Mountmellic embroidery. And there are different types of designs on some of the linens - especially on the coarser ones. These, I don't think, were necessarily used for "Society silk" styled embroidery, but for other projects - maybe just practice?

Let's take a look - and if you have any insights, do feel free to share them!



This is rather a fine weight linen, with a leafy design printed on it. Embroidery was begun on one corner.



The embroidery for the filled areas is worked in a shading technique - long and short stitch - and the stems are worked in stem stitch. Isn't the sheen of the silk just beautiful?!?



This is a piece of rather coarse linen. You can see that it is pretty well stained and marked with age. I suspect that the embroiderer actually put the pattern on herself, via a prick-and-pounce method of transfer. The pounce must have been either damp or actually an ink of sorts. In old books, especially books on ecclesiastical embroidery, there are some "recipes" for ink that is applied in a way similar to the prick-and-pounce powder method method, and I think that's what this is. Why do I assume she didn't buy the piece with the design already on it? Read on, and I'll get to that point further down...



This is another piece of linen that's relatively coarse, but not as coarse as the linen in the previous photo. The design on this one looks preprinted, and the embroidery was begun in a heavier silk (called "rope" - there's a good bundle of this silk in the box).



The embroiderer was stitching the edges of the leaves in buttonhole stitch.



This is another piece of finer linen - very thin stuff. I suspect that the piece came with the drawn thread areas already done, and with the embroidery design printed on it. This was obviously a set, because there are a couple more pieces in the box, just like this, with different embroidery designs around the drawn thread area.



You can see a close-up on the drawn thread area here. Though it is visually interesting over all, the drawn thread design is not worked very neatly. The tips of the ovals are jammed with threads. Still, the inside parts of the ovals are really incredible - teeny tiny detail work here.



You can see the graduated shades in the stitching here, and the luster of the silk.



This piece is from the same set, but instead of flowers, the design around the outside features pomegranates.



This is the same design as the first coarse linen up above, and the fabric looks to me more like a cotton sateen - it's shiny, and the weave looks like a sateen. Hence, my reasoning for thinking she transferred these two designs herself, because they are on completely different types of fabric, and though the designs are the same, they have a few "blotches" in different places. It's a neat design - it has the look of some of the flowers you'll find in William Morris's textile designs.



Here's another piece of fine linen, with a design typical of "Society silk" or Silk Art Embroidery. There's a larger doily, with several small ones - sort of like coasters. The design is preprinted in blue.



The small circles have different designs around them - they aren't all exactly the same. I think there were two of one pattern and two of another, but they all "work" together as a matching set.



Here's another set of small doilies. The edges of these could be worked in a buttonhole or a satin stitch, then the rest of the fabric could be cut away.



The strange thing about this set is that it looks as if someone went back over the design with pencil, either to darken it up, or to put in guides for stitching. Either that, or perhaps a ghost image was printed on the fabric at the same time. I'm wondering about spot removal on some of these - I wouldn't want to remove the design, but I'd like to get rid of some of the spots...



This is another pre-printed linen, on a finer weight of linen, but printed in yet a different style when compared to the other linens above.



What I really like about it is the information on the corners - directives for types of stitching and colors, I think.



There's also what looks like a design or pattern number, and a needle still stuck in the fabric.



This piece is perhaps my favorite in the whole box - not just because I think the pattern is very pretty, but also because it is in the best shape. I think it IS salvageable, and it would be worth embroidering in the same style, using the silks from the box. I've put that on my List!

Some of the pieces had some really pretty embroidery on them, though none of it was finished. Some bits of embroidery look like practice pieces, while others were projects underway but never completed. I'll show you some of those a bit later, too!

So what do you think? Worth trying to clean some of these up to stitch? Do you think they'd hold up? I certainly think the patterns are worth tracing on many of them, that's for sure! Some of the designs are very pretty and delicate - others are bold and beautiful. I may have to devote some time to that!
]]> historical needlework pictures linen vintage embroidery 3295 Donna Cardwell noreply@blogger.com http://www.societysilkembroidery.com 2010-02-08 01:29:24 2010-02-08 01:29:24 1 0
In my research for my book (Silk Art Embroidery, A Woman's History of Ornament & Empowerment), I purchased many, many pieces just like this that had been worked but never washed, and you could still see the design under the floss. When soaked, the design comes right out.

As far as the patterns themselves, the ladies could purchase the linens to be worked with the design already stamped; buy a Stamping kit and either copy the patterns from the many embroidery books; or they could design their own pattern and stamp them on whatever type of linen they wished. Some of the companies also offered them for sale at a higher price with the embroidery already started, which could explain the partly done embroidery on some of your pieces.

You are correct that the pieces could be purchased with the drawnwork and/or hemstitching already done. This was especially true of the smaller fine white linen teacloths that were so popular for teatime. I have several catalogs from which dealers actually purchased their stock of items to sell, and there are many different types of pieces such as this.

Also, the difference in the fabric and the designs is because in the beginning of the silk art embroidery movement in America (in 1877), fine white linen was the norm for most of the table linens. Closer to the end of the approximately 33-year period (1877 to 1910-1912 or so), they began to use the coarser, heavier fabric. They called the different fabrics “ticking,” “brown burlap,” “grey crash,” “Tan Art Cloth,” to name a few. The designs also turned away from the pure realism of the beginning time period to include more abstract "Arts & Crafts" and "William Morris" type motifs. In many cases, these linens were also shaded so that the volume of embroidery necessary to finish the piece was much less then from years past. Often they only worked the edges of these designs.

Also, they offered MANY different types of floss and the motifs look totally different when worked with differnt types ~ Richardson's sold "Filo," "Sicilian," "Grecian," "Rope Silk," "Wash Embroidery Twist," "Honiton Silk" (especially for use in Honiton Lace work), or "Mountmellick Silk." There are also different sizes of silk floss for different types of items ~ something that was used on the table had to be more sturdy, while a piece made to frame (which came into popularity in 1901) could be a little less sturdy and therefore more delicate floss could be used.

Ecclesiastical embroidery was very popular as mentioned, and though I’ve seen many patterns in the embroidery books, I’ve only seen one piece in real life (which I found after my book was published, so it’s not in the book). I’ll post a picture of it on my website if you would be interested in seeing it.

By the way, many of your pieces have the very popular motif of maidenhair ferns stamped on them. Also, all of these are table linens. It was very common to purchase them in sets for the whole table. They consisted of a centerpiece and matching doilies.

Hope some of this helps. If I can answer any more questions, please feel free to contact me. You can do so through my website, www.societysilkembroidery.com.

Donna Cardwell]]> 6268 BonnieC noreply@blogger.com 2009-08-09 20:46:13 2009-08-09 20:46:13 1 0 6269 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-08-09 18:12:17 2009-08-09 18:12:17 1 0 6270 Susan Jane noreply@blogger.com 2009-08-09 13:25:23 2009-08-09 13:25:23 1 0
I'd copy (trace, that is) the patterns and then wash the linens themselves, especially for those that are actually linen. A lot of that spotting looks like (at least over the computer) insect damage (read insect pee)and rather than actual damage-damage and a lot of that will come out with a regular wash, which would also remove other pollutants that have accumulated over the years: dust, wood or coal smoke, and whatnot.

Linen is a very durable fiber and you are very unlikely to ruin it by washing....I usually use actual soap for said washing rather than modern detergents which have brighteners and all sorts of other chemical additions that certainly weren't designed to make a fabric last longer. Some of those are actually bad for longevity and some have never been tested for anything; who knows what they will do in 20 years? I'd try laying them in the sun to lighten them if you think they need it rather than using any sort of bleach.

Another reason to wash them is that some of the old inks/dyes used for marking and/or printing fabric were made with iron filings, along with a number of other ingredients, and the iron will eat away at the fiber as the years go by. You've probably seen old quilts where the dye just 'ate' the fabric along lines where it was thickly applied to get a dark line....that's what you want to avoid. Especially the ones you thought to be handmarked would be likely suspects: right up into the 1940s some were still using walnut hulls for such marking inks—unfortunately, the hulls were usually boiled in iron vats, so again the iron issue.... Linen holds up to that sort of damage better than either cotton or wool but sooner or later, they all succumb to iron exposure if it's there.

Another thing, if fabric doesn't hold up to a washing it likely won't hold up to being stretched on a hoop or frame, either. And once it's clean and pressed, then you can reapply the designs with pencil, which is a fairly benign substance, although I do keep actual graphite pencils for such work, rather than the synthetic-lead ones.

I like Carlie's idea to copy these designs (and maybe sell them??); several of them are very different from what we often see on old textiles. You can write me down for the one with the pomegranates! And although it is less uncommon than some of the others, I love the one that's all maidenhair fern leaves. Sweet, sweet.

I notice that several of the pieces have maidenhair leaves; I wonder if the person especially liked them, or whether they were just in fashion, or maybe she bought mostly from the same designer/supplier, or ???

Anyway, quite a treasure. Congratulations!]]> 6272 Ruth O'Leary noreply@blogger.com http://www.rutholearytextileart.co.uk/ 2009-08-09 11:24:08 2009-08-09 11:24:08 1 0 6275 Jenny noreply@blogger.com http://www.blogger.com/profile/15313502220068651587 2009-08-08 22:22:29 2009-08-08 22:22:29 1 0 6279 sewnup noreply@blogger.com http://www.blogger.com/profile/07259335852824102204 2009-08-08 13:31:24 2009-08-08 13:31:24 1 0 6280 bobbletrop noreply@blogger.com 2009-08-08 12:12:23 2009-08-08 12:12:23 1 0 6282 Ann Martin ann.b.martin@gmail.com http://www.blogger.com/profile/15425151742060266097 2009-08-08 10:49:11 2009-08-08 10:49:11 1 0 6285 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-08-08 09:50:01 2009-08-08 09:50:01 1 0 6286 Anonymous noreply@blogger.com 2009-08-08 09:13:52 2009-08-08 09:13:52 1 0
Nancy Larsen]]> 6288 Elza Bester noreply@blogger.com 2009-08-08 08:02:58 2009-08-08 08:02:58 1 0 with clean water move the item to a dry part on the towel and repeat
. Of course it is always wise to try this procedure on a corner first. Hope I could have been of some help.
Regards, Elza Bester Cape Town]]> 6289 onafixedincome noreply@blogger.com 2009-08-08 07:59:25 2009-08-08 07:59:25 1 0
Call it a badge of distinction...]]> 6291 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2009-08-08 05:39:23 2009-08-08 05:39:23 1 0
I've been anxious to see these. They are all nice, however I'm not fussed on those openwork areas. I think the pieces are worth working. I remember my Mum doing that close buttonhole stitch around the edges of petals and leaves.]]> http://www.needlenthread.com/2009/08/long-and-short-stitch-shading-lesson-2.html Fri, 07 Aug 2009 04:09:00 -0500 Mary Corbet 243 2009-08-07 04:09:00 2009-08-07 04:09:00 open open Long-and-Short-Stitch-Shading-Lesson-2-continued publish 0 0 post

If you're just joining in on the Long and Short Stitch lessons, you can visit the Long & Short Stitch Lesson Index to see a list of already published lessons and articles in this series.

Once you've worked through the first box in Element One on the sampler, it's time to move to the second box, which is the larger of the two boxes. This second box is set behind the first. Often, in needlepainting (long and short stitch shading), the elements farther back in the design are embroidered first, but we'll make an exception with these boxes! The first box was easier to stitch, so that's why we started with it.

Materials:

1. Project in hoop or frame

2. #9 or #10 crewel (embroidery) needles (I'm using #10)

3. DMC Colors: 814, 347, 349, 351, 353, 745, Ecru - note that 3855 (darker yellow) isn't used on this box

4. Small, sharp embroidery scissors

Procedure:

Begin by stitching a split stitch line around the box. Start on the left side and stitch up the left side and across the top of the box in the salmony-red 351. Stitch down the right side of the box and across the base line in yellow 745.



When you've finished split stitching the lines, go ahead and draw in your diagonal stitch direction with a pencil. Take a look at the diagram below:



The pink lines in the boxes above indicate the direction of stitching. Notice that on the second box, the direction is diagonal instead of vertical.

The first row will be stitched in the top left corner of the box, just underneath the smaller box. The first row is worked in dark burgundy (814). In the diagram below, you can see the basic shape of the first area to be filled:





Following the same directions from yesterday's post - the first part of lesson 2 on basic long and short stitch - work from the center point (just under the corner of the top box) towards the top line. Mark in your directional stitches before you begin - this will help keep you on the diagonal.



Then stitch from the center point to the left side of the box, following the direction of your diagonal lines and filling in between your directional stitches.



The second row is worked in dark red (347). Bring your needle up in the center of your first row, splitting the stitches as you learned in yesterday's lesson. Work from the center to the top line of the box, marking in directional stitches and filling in between them.



Move back to the center and work to the left side of the box, filling in the second row.



The next row is worked in bright red (349). Begin in the center and work to the top line and then back to the center to the left side of the box. Here, I began in the center and worked first to the left side of the box. (You can work in either direction first...)

When you get to the point that your long stitches would cross over the split stitch line at the base of the box, cross over the split stitch line and fill in the rest of the corner with satin stitch.



You can see that the last few stitches in the corner here are worked in satin stitch. You may not arrive at this point working the third row - you might not get here until the fourth row of stitching - and this is fine. It depends, you see, on how deep you stitch each row of stitches. But whenever you arrive at the point where your long stitches are going to cross over the corner, go ahead and cross the split stitch line, then finish the corner off with satin stitch.



This is the completed third row.



The fourth row is worked in the salmony-red (351). Again, as you come to the point where your long stitches want to cross the corner, go ahead and cross the corner and fill the rest of the area by working over the split stitch line toward the corner.



The fifth row is worked in the lighter salmon (353), and, as you work, notice that you will be filling quite a bit over the split stitch line on the right side of the box and on the base line of the box.



Work the sixth row in light yellow (745) in the same method.



And, finally, work into the corner of the box in Ecru.

Voila! You have finished stitching inside the boxes!



Next lesson - filling in an angled area that begins broad and works to a tip (triangles).

Long & Short Stitch Shading Lessons - Related Posts

Supplies

Lesson One: Setting Up

Lesson Two, Part 1: Inside the Box - Basic Long and Short Stitch (with three-part video tutorials)

INDEX of Long & Short Stitch Lessons




]]> stitchalong lessons needlework tutorials pictures needlepainting long and short stitch embroidery lessons needlework pictures 6072 Radha noreply@blogger.com 2009-08-14 12:10:44 2009-08-14 12:10:44 1 0
God bless you.

Radha.]]> 6075 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-14 10:41:33 2009-08-14 10:41:33 1 0
Sure, I'll try to remember to include the back in an upcoming lesson. The back looks pretty much like the front, with the exception of a few cross threads here and there.

MC]]> 6077 Anonymous noreply@blogger.com 2009-08-14 10:10:23 2009-08-14 10:10:23 1 0 Thank you.

Regards,
Radha.]]> 6208 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-10 13:17:25 2009-08-10 13:17:25 1 0
Well, it depends on what book you're reading. While some books instruct on long and short stitch in exactly that method (and I would say that probably most do, especially if they only present a simple diagram), others - books and instructors - work with a much looser method, like the one here.

The difference is in the look you're trying to achieve. Especially on a "straight line" (such as working a square), alternating with a rigid, absolute long-short-long-short in uniform lengths will produce a very formal, systemmatic looking filling. And that's ok, if that's what you're looking for.

But since most long and short stitch shading is done to mimick a natural and gradual color change - for example, in flowers and animals and so forth - the variation in the length of the long and short stitches helps to achieve this.

Some designers / authors that I can reference who use a more "relaxed" method (rather than the uniform long-short in all cases of shading) would be, for example, Tanja Berlin, Trish Burr, Clare Hanham.

Yes, it's true that the only line that really varies length (especially if following a more rigid approach) is the first, and then the rest of the lines are pretty much made up of the same length of stitches - this holds true, even with the technique I'm demonstrating, more or less, if you want to do it that way. Personally, I'm not too rigid about that.

When we move into the triangle, you'll find that the rigid long-short, long-short doesn't work as well, because we're working on two angles that converge. You end up having to sort of tuck in stitches to make the shading work.

But if you like the long-short-long-short of uniform lengths, by all means, you can stitch it that way! As long as you're getting the results that you want!

Thanks,
Mary]]> 6218 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-08-10 12:04:37 2009-08-10 12:04:37 1 0 Thanks for all the help,
Karen]]> 6277 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-08 14:52:41 2009-08-08 14:52:41 1 0
DMC makes gold-plated needles. You can see a list of them here:

Gold Plated Needles from DMC

I don't think DMC sells them directly on their website, but Nordic Needle carries them. You'll find them here:

Nordic Needle

I've never used Schmetzneedles, but they have some gold ones listed on their website, too:

Schmetzneedles

Hope that helps!

MC]]> 6281 Janice noreply@blogger.com http://www.blogger.com/profile/10216277201888816769 2009-08-08 11:43:55 2009-08-08 11:43:55 1 0 6283 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-08 10:34:01 2009-08-08 10:34:01 1 0
I'm using cotton. I like the look of silk better with this type of stitching - the sheen is much niver and it just looks prettier, I think - but for practice, cotton works fine. And it looks nice, too. I'll have the triangle lesson up early in the week (working on it today), and you'll probably find that you like your results on the triangle shape better. The colors of blue blend better, and shading to a tip definitely looks better than shading across a square.

Don't fret over the thread. I wouldn't invest in silk for a practice project!

Hope that helps!

MC]]> 6284 JudyinPittsburgh noreply@blogger.com 2009-08-08 10:14:33 2009-08-08 10:14:33 1 0 6287 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-08 08:25:20 2009-08-08 08:25:20 1 0
Thanks for the questions!

Working from the center to the edge helps keep the angle of stitches correct. This is especially important once you start working around curves and angles and so forth. It doesn't really waste too much thread - the elements are pretty small...

Ahh - the e-mail newsletter! You'll need to add me to your contacts or your approved list... or check your spam folder! If you happen to have an aol address, I have a perpetual problem getting through to aol addresses. The problem might be solved by adding me to your contact list. Did you receive the confirmation e-mail? Check your spam folder for it. You have to confirm the subscription before the e-mails will come regularly.

Thanks again for the questions!

MC]]> 6290 hilinski_k noreply@blogger.com http://www.blogger.com/profile/16443461458666534480 2009-08-08 07:26:30 2009-08-08 07:26:30 1 0 Also, I am still not receiving your post to my email box although I have re-signed up for it twice!

Karen]]> 6293 onafixedincome noreply@blogger.com 2009-08-07 21:22:15 2009-08-07 21:22:15 1 0 6294 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-07 14:14:15 2009-08-07 14:14:15 1 0
MC]]> 6296 onafixedincome noreply@blogger.com 2009-08-07 13:48:03 2009-08-07 13:48:03 1 0 http://www.needlenthread.com/2009/08/share-photos-of-your-long-short-stitch.html Thu, 06 Aug 2009 18:03:00 -0500 Mary Corbet 244 2009-08-06 18:03:00 2009-08-06 18:03:00 open open Share-Photos-of-Your-Long-&-Short-Stitch-Project! publish 0 0 post
Flickr Group for Long & Short Stitch Lessons

In order to comment and post photos in the group, you need a Flickr account. They're free and it's relatively easy to sign up. Once you have an account, you add your photos to your photostream. Then, you can join the group and add your photos to the group photo pool. You can even put little notes on your photos, to highlight an area you might have a question about - which is a very hand feature, when learning a technique online.

So, if you're interested, feel free to join the group on Flickr. I'll be checking in at least once a day, too.]]> stitchalong lessons website news organization needlepainting long and short stitch embroidery lessons 6292 BonnieC noreply@blogger.com 2009-08-08 02:49:46 2009-08-08 02:49:46 1 0 6300 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-07 05:15:07 2009-08-07 05:15:07 1 0 http://www.needlenthread.com/2009/07/long-and-short-stitch-shading-lesson-1.html Fri, 31 Jul 2009 03:45:00 -0500 Mary Corbet 245 2009-07-31 03:45:00 2009-07-31 03:45:00 open open Long-and-Short-Stitch-Shading-Lesson-1:-Setting-Up-a-Project publish 0 0 post

You already know that, before you launch into most embroidery projects, you have to do some preliminary work. Today's lesson covers the preliminaries.

Lesson 1: Getting Started

Objectives

1. to gather & organize materials
2. to transfer the design
3. to frame (or hoop) up the fabric for stitching.

Materials

1. Fabric: high count cotton (muslin, calico) in solid color (white, natural): 12" x 12" square.

2. Transfer tool (your choice): #2 pencil, water-soluble fabric marker, micron art pen (.005), iron-on pencil, or dressmaker's carbon, whichever method of transfer you prefer. I'm using a #2 mechanical pencil. I use mechanical pencils because they're consistently sharp.

3. Scotch tape

4. Pair of 10" stretcher bars OR a decent embroidery hoop (4" or 6" will work well)

5. Iron and ironing board

6. Pattern (below)

7. #9 or #10 crewel needles (I will use size 10)

8. Small, sharp scissors

9. Embroidery threads: DMC stranded cotton in the following colors, arranged numerically below for easy shopping. You'll find them grouped by design element further along in the lesson.

158, 159, 160, 161, 223, 225, 347, 349, 351, 353, 469, 471, 472, 613, 745, 814, 3011, 3012, 3013, 3052, 3855, Ecru

10. Pencil for marking stitch direction as you progress (if you don't use a regular pencil for transferring your design)

11. Good lighting! If you don't have a light specifically for your needlework or crafts, I suggest a very sunny window or porch, or as bright a light inside as you can manage.

Procedure



1. Print this PDF of the Long and Short Stitch Lessons Pattern. It should print as approximately a 7" square. The pattern is designed so that you can work the whole piece or you can work each individual element separately on scrap fabric. If you are stitching each element individually on scrap fabric, you can skip the next step.

2. Cut a 12" square of fabric and stitch the edges with a zig-zag stitch on your sewing machine to keep the edges from fraying. Alternately, you can hand stitch around the edges with a whip stitch. (This is a normal step in setting up a project, but on this project, I admit that I skipped stitching the edges!)

3. Iron your fabric well. You can use starch if you wish. It doesn't make any difference in the stitching (as long as there's no flaking on the fabric), and it will rinse out at the end. You want your fabric smooth and wrinkle-free.

4. Choose your favorite method for transferring a design onto fabric. You will find several methods discussed under Tips and Tricks for Hand Embroidery here on Needle 'n Thread. For this type of embroidery, I'm using a light box and a pencil.



First, tape your pattern to your light box. A sunny window will give you the same results as a light box, if you don't have one.



Center your fabric over the pattern and align the lines (as much as possible) with the grain of the fabric. You don't want to be stitching on the bias! Tape your fabric to the light box, too. I eye-balled the center of the fabric, but if you want to be more precise, you can finger-fold the fabric in half lightly, horizontally and vertically, so you can see where the center of the fabric is.



Using a #2 pencil, trace the design. Use a straight-edge (ruler or what-have-you) for the lines. Don't "stroke" as you trace. Try to trace with one smooth, constant line.



Notice that the lines aren't hairy or sketchy.

5. Now you're ready to frame up your fabric, if you're using stretcher bars. If you're using a hoop, you don't need to hoop the fabric up until you're ready to start stitching.



A 4" hoop will fit individual design elements. You can use anywhere from a 4" - 6" hoop. If you can't find a Really Good Hoop, that's ok. Use a plastic Susan Bates-type hoop - it will work fine for this project. Just be sure to tighten the hoop and your fabric often.



I'll be using stretcher bar frames - specifically, Evertite stretcher bars. If you're using stretcher bars, a 10" square will work. But, if you're not familiar with all these tools and gadgets, just use a simple hoop - you'll be fine!

6. Gather your threads and organize them according to your favorite method. You can separate them for each element, so that you only have to have the necessary threads out at one time.

Element 1 (Boxes) and Element 3 (Circles): 814, 347, 349, 351, 353, 3855, 745, & Ecru

Element 2 (Triangles) and Element 4 (Ribbon Swirly): 158, 159, 160, 161

Leaves: 469, 471, 472, 613, 3011, 3012, 3013, 3052

Little Flower: Ecru, 223, 225



If you want to use thread cards for organization, you can print the threads cards, already numbered. The directions for using the cards have already been discussed here on Needle 'n Thread, and the link is provided below, too.

Long and Short Stitch Thread Cards (PDF)
Directions for Organizing Threads using Thread Cards

7. Take a look at the colored design, below. I colored it with prismacolors. The color isn't 100% accurate - I've made some adjustments while stitching - but at least it gave me a sense of what colors I wanted to use, and the general direction of the shading. To get a sense of shading, try coloring your pattern yourself, if you have colored pencils on hand. You don't have to do this, of course, but it will help familiarize you with the direction we're going in. I think it's always a good idea to at least try to color a shaded design yourself, if possible, to get the feel for the shading.



Order of Stitching the Project

The elements of the project will be stitched in a specific sequence, as indicated in the picture below.



Summary of Print Materials

Here's a summary of all the printed material for Lesson One. They're all PDF documents. The lesson itself is available as well. There are no pictures included in it - just straight text - but if you want to print it and read through it at your convenience, you may.

L&S; Project Pattern
L&S; Colored Pattern
Thread Cards
L&S; Lesson One: Getting Started (including materials list) (a luxury - this may not always happen, but I'll definitely try!)

Conclusion

I'm not covering any stitching in Lesson One, in order to give those of you following these tutorials the weekend to gather supplies and set up your project.

If you have any questions, don't hesitate to leave a comment below. Any questions directly related to the lessons can be left in the comment section on Needle 'n Thread, below this article, so that others will learn from any ensuing discussion or clarifications, too.

If you're on board for these lessons and want to make sure you don't miss any, feel free to sign up for my daily newsletter. You'll find the sign-up box near the top of the page, in the right-hand column. You'll receive each day's post in your inbox, on the day that it's posted. Also, it'll give you a more printer-friendly version, if you intend to print out the tutorials.

Don't hesitate to let me know if you have any questions, suggestions, difficulties, etc.!

Move On To Lesson Two: Basic Long and Short Stitch with Video Tutorials


]]> stitchalong lessons pictures embroidery tips and tricks needlepainting long and short stitch embroidery lessons 5800 Crazypatch mc.chasseraud@orange.fr http://www.blogger.com/profile/12833153179435090586 2009-09-04 15:15:35 2009-09-04 15:15:35 1 0 6090 My 1st Bambina ! noreply@blogger.com http://www.flickr.com/photos/mygoals_mismetas/ 2009-08-13 18:14:02 2009-08-13 18:14:02 1 0 (I didn't have success with the cutwork ... I guess because I was trying to use shortcuts.)
Thanks Again !!!]]> 6315 Anonymous noreply@blogger.com 2009-08-06 09:12:16 2009-08-06 09:12:16 1 0 Michèle]]> 6340 Suzanne noreply@blogger.com http://www.blogger.com/profile/06995456961674323818 2009-08-04 12:13:05 2009-08-04 12:13:05 1 0 6346 Eileen noreply@blogger.com 2009-08-03 19:37:16 2009-08-03 19:37:16 1 0 Eileen]]> 6347 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-03 15:44:58 2009-08-03 15:44:58 1 0
Yes, a mechanical pencil is the kind you click, and it feeds out the little stick of lead.

I didn't realize that blue was so hard to come by. I picked it up at Hobby Lobby...

Any color of blue will do, I suppose - or you can use purples or pinks or ... whatever you wish. Just as long as there are four shades of the color available (well, you could get away with three...)

MC]]> 6350 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-03 11:06:38 2009-08-03 11:06:38 1 0 thank you for all this work!]]> 6356 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2009-08-02 21:12:47 2009-08-02 21:12:47 1 0 6362 margaret c. noreply@blogger.com 2009-08-02 13:00:22 2009-08-02 13:00:22 1 0
Our chapter is called: Muchas Manos de San Diego (http://www.muchasmanos.org/)

We hold regular meetings as well as informal chat and stitch sessions on most Mondays. You can check the calendar for our meeting details.

This is going to be a fun and worthwhile project. If you need help or encouragement please come see us!]]> 6370 JudyinPittsburgh noreply@blogger.com 2009-08-01 09:30:50 2009-08-01 09:30:50 1 0 6371 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-01 09:07:06 2009-08-01 09:07:06 1 0
Aaaaaagh.

MC]]> 6372 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-08-01 05:43:21 2009-08-01 05:43:21 1 0
I have one additional item to add to the project list: two plastic sleeves: one for holding the printed directions and one for holding the color printout. That way I won't mess up the papers.]]> 6373 Pat patricia.thornhill@btopenworld.com http://www.blogger.com/profile/15771378948765147509 2009-08-01 02:29:57 2009-08-01 02:29:57 1 0 6374 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-31 17:04:49 2009-07-31 17:04:49 1 0
Pam - Yes, you're right, you're looking for a good muslin with a fine weave. Not a "sheer" fabric, but just a good sturdy cotton, like a quilting-weight fabric. Some are a lower thread count than others (think: $2/yard Walmart muslins), and they're rather flimsy - but you know, they'd work. You just want a ground fabric. Kona cotton works great, as does Southern Belle muslin (which has a 220 thread count - it's perfect for this kind of work, I think). But, whatever you have on hand will probably be just fine.

For my fabric, I actually used part of a cotton pillow case that I bought as a blank to embroider a design on. I tried an iron-on transfer and ended up ruining it, so I cut the cotton up to use for different projects.

For needles, we often just call them "embroidery needles." They have a longer eye and are sharp. At a regular sewing store in the US - or craft store with a needlework section - you probably won't find a pack of #10, but what you will find, most likely, is a variety pack of embroidery needles in sizes 3 - 9. That'll work. Just use the 9 (smallest one in there).

Hope that helps!

MC]]> 6375 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-07-31 16:14:28 2009-07-31 16:14:28 1 0 6376 BonnieC noreply@blogger.com 2009-07-31 16:11:59 2009-07-31 16:11:59 1 0 I just bought the scroll frame for the system 4, so I may try it for this project. I'm ready!]]> 6377 onafixedincome noreply@blogger.com 2009-07-31 15:46:21 2009-07-31 15:46:21 1 0
Can you use something like FrayCheck to do the edges on embroidery? (Not having a sewing machine that will do zigzag and being an impatient type...)

What makes a muslin or calico 'high count'--on a practical level, are we just looking for a fairly finely-woven fabric?

I think we got all my others... :)]]> 6378 Justine Henn_Stitching@yahoo.com http://www.blogger.com/profile/04207171509125594882 2009-07-31 14:30:13 2009-07-31 14:30:13 1 0
I've just rediscovered hand embroidery and I'm looking forward to working this project. I'm having a heck of a time finding Crewel embroidery needles locally (USA). Do they have another name sometimes? Justine]]> 6379 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-31 13:35:26 2009-07-31 13:35:26 1 0
No, I've never had a problem with that. I wouldn't use anything softer than a #2 lead, and I'd avoid building up the lead by using heavy brush strokes to trace. But, anyway, no, it doesn't usually cause a problem when I work this type of project: colored threads, shading, on muslin.

With whitework on linen, using white threads, yes - it tends to make the threads grubby!! I've made that mistake before!

(By the way, Tanja Berlin's L&S-stitch; kits come with the design already transferred - she uses a regular pencil on muslin, too... just some extra assurance, there!)

Good question! Thanks!

MC]]> 6381 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-07-31 12:51:47 2009-07-31 12:51:47 1 0 6382 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-31 11:51:32 2009-07-31 11:51:32 1 0 6383 bluemuf noreply@blogger.com http://www.blogger.com/profile/09685657004985323494 2009-07-31 11:33:02 2009-07-31 11:33:02 1 0
Karen]]> 6384 prairiethistle noreply@blogger.com http://prairiethistle.wordpress.com/ 2009-07-31 10:40:33 2009-07-31 10:40:33 1 0
My long and short stitching has never been up to par. I will definitely be following along with your tutorials.]]> 6385 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-31 08:32:00 2009-07-31 08:32:00 1 0
Karen, It prints in color from my end. Check "properties" on your print screen (go to "file" then "print" then, when you get the pop up menu for your printer, make sure you have color selected in the properties). Hope that works.

Deepa - by grain, I mean along the weave of the fabric - try to line the pattern up parallel to the weave of the fabric. Bias is the diagonal of the fabric, and it's generally stretchy.

MC]]> 6386 Flora flora.flowers.boo@gmail.com http://www.blogger.com/profile/17836989715340857264 2009-07-31 08:15:23 2009-07-31 08:15:23 1 0 6387 Anonymous noreply@blogger.com 2009-07-31 06:06:14 2009-07-31 06:06:14 1 0 Thanks,
karen]]> 6388 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-07-31 05:03:42 2009-07-31 05:03:42 1 0 6389 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-07-31 04:37:20 2009-07-31 04:37:20 1 0 6390 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-07-31 04:15:41 2009-07-31 04:15:41 1 0 Thanks so much!

Hugs :)
Maria del Valle]]> http://www.needlenthread.com/2006/10/video-library-of-hand-embroidery.html Sun, 22 Oct 2006 21:20:00 -0500 Mary Corbet 246 2006-10-22 21:20:00 2006-10-22 21:20:00 open open Video-Library-of-Hand-Embroidery-Stitches---Index publish 0 0 post

The idea of making free videos of hand embroidery stitches came about mostly as an extension to my summer hand embroidery classes that I teach to kids (and now also to adults). It's fun to teach embroidery, and it's fun to see people learn to embroider. Why not let more people learn, by hosting the videos online for free?

I've arranged the stitches according to type, but as the library of embroidery videos expands, I can see that it is going to require a little re-arranging.

Feel free to leave a comment if you have any specific stitch you would like to see on video, by the way. I'm always up to requests, and I plan for the stitch library to keep developing over the years.

And, in case you're interested, here's an article about how I make the embroidery stitch video tutorials.

If you have problems playing the videos, please check out the Google Video Help Center on Solving Playback Issues. I find that the few people I hear from who have a problem viewing the videos solve the problems by looking through the list of FAQs on that page.

Here's the Video Library of Stitches Index:

Line Stitches & Bands

• Running Stitch
• Whipped Running Stitch
• Backstitch
• Whipped Backstitch
• Stem Stitch
• Portuguese Knotted Stem Stitch
• Coral Stitch
• Outline Stitch
• Couching
• Split Stitch
• Herringbone Stitch
• Double Herringbone Stitch
• Cretan Stitch
• Chevron Stitch
• Fern Stitch
• Palestrina Stitch
• Ladder Stitch
• Mountmellick Stitch
• Knotted Diamond Stitch

Chain, Fly, and Buttonhole Stitches

• Chain Stitch
• Heavy Chain Stitch
• Double Chain Stitch
• Raised Chain Stitch Band
• Alternating or Checkered Chain Stitch
• Cable Chain Stitch
• Rope Stitch
• Rosette Chain Stitch
• Wheat Stitch
• Vandyke Stitch
• Fly Stitch - Horizontal
• Fly Stitch - Vertical
• Feather Stitch
• Double Feather Stitch
• Blanket Stitch / Buttonhole Stitch
• Buttonhole Wheels

Detached Stitches & Knots

• Lazy Daisy
• Seed Stitch
• Spider Web - Ribbed
• Bullion Knots
• French Knot
• Colonial Knot
• Oyster Stitch
• Drizzle Stitch
• Woven Picot

Filling Stitches

• Basic Long and Short Stitch Shading
• Fishbone Stitch
• Cretan Stitch
• Detached Buttonhole Filling
• Satin Stitch
• Lattice Work
• Bokhara Couching
• Roumanian Couching
• Trellis Stitch
• Turkey Work (Ghiordes Knot) - a plush, dimensional filling

Miscellaneous Embroidery Techniques

• Bullion Rose Bud Tutorial
  A little over 13 minutes, this tutorial demonstrates how to make rose buds using the bullion knot. It also covers beginning and ending your threads when working small embroidery motifs.

Check back often! As the stitches are posted, the links will be added.
]]> video tutorials Hand embroidery stitches beginner embroidery 1289 Snjeza noreply@blogger.com http://www.blogger.com/profile/10409253746213570564 2010-04-21 15:17:20 2010-04-21 15:17:20 1 0 1362 Anonymous noreply@blogger.com 2010-04-17 11:53:59 2010-04-17 11:53:59 1 0 i would love to save some of your videos in case they get removed of your web site,so if you could put a link for downloading videos Please.
thanks very much.
nasim]]> 1570 sylvia noreply@blogger.com 2010-04-07 15:03:21 2010-04-07 15:03:21 1 0
thank you so very much,
sylvia evita4020@hotmail.com]]> 1724 Sumali Parikh Shah noreply@blogger.com http://www.blogger.com/profile/07554531594129583152 2010-03-26 23:01:43 2010-03-26 23:01:43 1 0 2088 Anonymous noreply@blogger.com 2010-03-22 08:17:23 2010-03-22 08:17:23 1 0 Linda B in MI
kelibott@yahoo.com]]> 2264 Broderie d'Antan noreply@blogger.com http://broderieantan.canalblog.com/ 2010-03-12 04:16:04 2010-03-12 04:16:04 1 0 Amicalement Marie-Rose]]> 2583 Anonymous noreply@blogger.com 2010-03-05 06:25:14 2010-03-05 06:25:14 1 0 elles sont claires et si bien expliquées
bravo pour tout ce travail]]> 2964 sharon noreply@blogger.com http://www.blogger.com/profile/00585576414330441926 2010-02-27 05:00:21 2010-02-27 05:00:21 1 0 3082 Anonymous noreply@blogger.com 2010-02-17 20:42:50 2010-02-17 20:42:50 1 0 Awesome website. Glad I stumbled across it.]]> 3372 Anonymous noreply@blogger.com 2010-02-02 00:00:54 2010-02-02 00:00:54 1 0 3486 Anonymous noreply@blogger.com 2010-01-22 22:13:50 2010-01-22 22:13:50 1 0
I from Nicaragua, I not speaking English, my comment será en Español.

Estoy muy agradecida con tus videos, acá en Nicaragua no hay personas que enseñen a bordar, el bordado tradicional, tampoco se encuentran books ni magazines, entonces, tu blog con clases de bordado tradicional son de una inmensa ayuda, yo estoy intentando aprender a bordar con tus videos.
Que Dios te bendiga por tu hermosa labor social.
saludes desde Nicaragua.]]> 3582 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-17 19:33:42 2010-01-17 19:33:42 1 0
Hope that helps!

MC]]> 3587 grmjudy noreply@blogger.com http://www.blogger.com/profile/02324315751204876581 2010-01-17 16:43:40 2010-01-17 16:43:40 1 0 4173 Anonymous noreply@blogger.com 2009-12-18 08:20:26 2009-12-18 08:20:26 1 0 4310 Beverly noreply@blogger.com 2009-12-06 18:08:47 2009-12-06 18:08:47 1 0 4324 Anonymous noreply@blogger.com 2009-12-05 14:24:10 2009-12-05 14:24:10 1 0 4562 Valerie noreply@blogger.com 2009-11-26 06:18:29 2009-11-26 06:18:29 1 0 4602 Arien Marcsi_29@hotmail.com http://www.blogger.com/profile/12279157562858477520 2009-11-18 10:19:41 2009-11-18 10:19:41 1 0 4608 Anonymous noreply@blogger.com 2009-11-17 15:56:50 2009-11-17 15:56:50 1 0 lyn wills]]> 4610 Anonymous noreply@blogger.com 2009-11-17 08:21:39 2009-11-17 08:21:39 1 0 4630 Mariska noreply@blogger.com http://www.blogger.com/profile/15287457821909396975 2009-11-14 04:30:20 2009-11-14 04:30:20 1 0 4631 Mariska noreply@blogger.com http://www.blogger.com/profile/15287457821909396975 2009-11-14 04:20:01 2009-11-14 04:20:01 1 0 4672 Anonymous noreply@blogger.com 2009-11-09 09:32:27 2009-11-09 09:32:27 1 0 4690 Anonymous noreply@blogger.com 2009-11-06 00:29:23 2009-11-06 00:29:23 1 0 4759 Anonymous noreply@blogger.com 2009-10-28 23:36:17 2009-10-28 23:36:17 1 0 Thank you so much for your generosity. I love watching your video library of stitches.

regards
Oleksandra]]> 4865 Oooee noreply@blogger.com http://www.blogger.com/profile/04516069075220727436 2009-10-22 23:18:02 2009-10-22 23:18:02 1 0 5429 Nancy Ward noreply@blogger.com http://paperfriendly.blogspot.com 2009-09-25 10:55:13 2009-09-25 10:55:13 1 0
Today I posted an entry on my blog with a link to these outstanding videos.

I'd appreciate your letting me know if that's OK.

Thanks,

Nancy Ward
http://paperfriendly.blogspot.com]]> 5569 Anonymous noreply@blogger.com 2009-09-21 06:44:12 2009-09-21 06:44:12 1 0 5617 NEIL noreply@blogger.com 2009-09-15 06:30:19 2009-09-15 06:30:19 1 0 5915 Jessy noreply@blogger.com 2009-09-01 03:56:26 2009-09-01 03:56:26 1 0 6066 Connie noreply@blogger.com 2009-08-14 20:11:27 2009-08-14 20:11:27 1 0 6323 Anonymous noreply@blogger.com 2009-08-05 20:59:49 2009-08-05 20:59:49 1 0
Question: I'm working on a pattern and noticed there would be one cross stitch in one color in one part of the piece and another cross stitch in another color in another part of the piece. How do I bind that one cross stitch off?]]> 6433 Nicole noreply@blogger.com http://www.blogger.com/profile/04041072632013877890 2009-07-27 23:25:11 2009-07-27 23:25:11 1 0 I've looked all over and don't think that I've found an answer to my question. When I'm working on a corner, I'm never sure when to begin and end the stiches around the corner so that it looks optimal. I'm wondering if it is a matter of looking down the road instead of the hood of the car (planning better) or if there is a technique for each stitch to turn corners.
Thank you!]]> 6442 Raven Corinn Carluk noreply@blogger.com http://www.blogger.com/profile/06014248975870886289 2009-07-27 16:36:11 2009-07-27 16:36:11 1 0
I would like to request the ceylon stitch as a video. I saw diagrams of it over at thicketthreads.com, but drawings and still photos just do not demonstrate anywhere near as good as a video. And while it looks close to a ladder stitch (which I think is gorgeous), it's just not the same.

Thank you again for the fantastic site, and thank you in advance if you ever make the ceylon stitch.]]> 6499 mariadelcarmen noreply@blogger.com http://www.blogger.com/profile/10301423793916674175 2009-07-24 11:36:58 2009-07-24 11:36:58 1 0 6511 gauri noreply@blogger.com 2009-07-24 01:56:03 2009-07-24 01:56:03 1 0
Thank you very much as i was thinking of documenting the stitches i knew for reference to teach others. Now i can add more stitches to them. and also can tell others to go through your videos for more detailed view to learn

and most of it is you are sharing this knowledge for free... in this world where you have to pay for everything

thank you so much... i have no more words to say thank you]]> 6528 Esther noreply@blogger.com 2009-07-22 12:14:10 2009-07-22 12:14:10 1 0 Thanks so much for your generosity in creating this site and sharing your skills with us. I wish I had had you as my sewing teacher years ago in school. I might have understood and remembered a lot more than I do!
People like you make the Internet a wonderful place!]]> 6618 Nicole noreply@blogger.com http://www.blogger.com/profile/04041072632013877890 2009-07-15 08:28:39 2009-07-15 08:28:39 1 0 6692 Tai noreply@blogger.com 2009-07-08 19:21:47 2009-07-08 19:21:47 1 0 6771 hilda noreply@blogger.com http://www.blogger.com/profile/13053688797137892083 2009-06-28 12:44:52 2009-06-28 12:44:52 1 0 Great site! I'm an absolute beginner, and would like to try to embroider a monogram on a linen hand-towel. What are the simplest but still attractive stitches that you would recommend for such a task? I watched several of your tutorials and saw a few stitches that seemed like they would work for the "outline" of the letters, but what about the "fill"? Thanks so much for your help and generous website.]]> 7085 Anonymous noreply@blogger.com 2009-06-11 09:06:03 2009-06-11 09:06:03 1 0 Could you please do a long and short stitch? I started a kit on a tablecloth and it is full of pansies. My long and short stitches are not very pretty comparativly, and I just adore the videos you already have. My poor pansies are nothing like the ones I saw on your little speal on kits that the one lady had sewn. Thank you.]]> 7089 Anonymous noreply@blogger.com 2009-06-10 21:53:44 2009-06-10 21:53:44 1 0 7090 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-10 16:39:14 2009-06-10 16:39:14 1 0
I'd suggest either backstitch or split stitch, as they are both easily worked small...

Glad you like my website! Thanks for your kind words!

Best regards,
Mary]]> 7091 Manon noreply@blogger.com http://www.blogger.com/profile/01066709454854288677 2009-06-10 15:29:16 2009-06-10 15:29:16 1 0 7106 Morena noreply@blogger.com 2009-06-09 06:24:32 2009-06-09 06:24:32 1 0 Regards
Morena
P.S from down under in Australia]]> 7183 Wingz noreply@blogger.com http://www.blogger.com/profile/03494903235308866740 2009-06-04 20:58:27 2009-06-04 20:58:27 1 0 7642 Nadine noreply@blogger.com http://www.blogger.com/profile/14522662254612345086 2009-05-13 16:36:00 2009-05-13 16:36:00 1 0
Thanks,
Nadine]]> 7643 Nadine noreply@blogger.com http://www.blogger.com/profile/14522662254612345086 2009-05-13 16:34:00 2009-05-13 16:34:00 1 0
Thanks so much,
Nadine]]> 7662 Anonymous noreply@blogger.com 2009-05-11 02:43:00 2009-05-11 02:43:00 1 0 It is so helpful! I am a total beginner, and I have just used your video to learn button hole stitch - THANKYOU!]]> 7744 zoeroses noreply@blogger.com http://www.blogger.com/profile/01164625781273989412 2009-05-02 20:38:00 2009-05-02 20:38:00 1 0 7752 merri noreply@blogger.com 2009-04-30 14:16:00 2009-04-30 14:16:00 1 0 7830 Teara noreply@blogger.com http://www.blogger.com/profile/15325398027277782040 2009-04-21 21:25:00 2009-04-21 21:25:00 1 0
http://www.rhodefamily.com/one-more.html]]> 7839 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-21 17:18:26 2009-04-21 17:18:26 1 0
MC]]> 7841 Teara noreply@blogger.com http://www.blogger.com/profile/15325398027277782040 2009-04-21 16:55:00 2009-04-21 16:55:00 1 0
http://www.rhodefamily.com/meow-2.html

I will watch more videos soon and fine tune things in future projects. Thanks for your help.]]> 7867 Anonymous noreply@blogger.com 2009-04-19 02:21:00 2009-04-19 02:21:00 1 0
Can u please add some vedios for long n short stitches, I like that stiches but i cant able to do.

Thanks once again for your effort.

Sweety]]> 7922 Raven Corinn Carluk noreply@blogger.com http://www.blogger.com/profile/06014248975870886289 2009-04-12 19:45:00 2009-04-12 19:45:00 1 0
Thank you, thank you, thank you.]]> 8163 Anonymous noreply@blogger.com 2009-04-03 01:37:00 2009-04-03 01:37:00 1 0 8178 Anonymous noreply@blogger.com 2009-03-30 20:34:00 2009-03-30 20:34:00 1 0 8387 Alice McClelland noreply@blogger.com 2009-03-10 08:56:00 2009-03-10 08:56:00 1 0 8455 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-05 08:06:42 2009-03-05 08:06:42 1 0
Here's a link - scroll down, there's a picture of the technique.
Damask Darning explanation

If you think of it as just a series of small straight stitches, worked in steps, that should help.

You can also check Therese Dillmont's encyclopediat of needlework:

Damask darning in Dillmont

In Dillmont's book, it's a "mending" technique, but they show some samples of the stitch as decorative, too, which might help...


Hope that helps!

Best,
MC]]> 8456 Harpa Jónsdóttir noreply@blogger.com http://www.blogger.com/profile/13586062992738603952 2009-03-05 07:59:00 2009-03-05 07:59:00 1 0 8457 Gillian noreply@blogger.com http://www.blogger.com/profile/08398724553076514377 2009-03-05 07:38:00 2009-03-05 07:38:00 1 0
It's called - Damask Darning.

The explanation on the sewing sheet is not clear and I keep making mistakes and have to unpick which isn't helping the material any.

Thank you in advance.

Gillian Gonzalez]]> 8507 The Heart of Paul noreply@blogger.com http://www.blogger.com/profile/12354064939156393794 2009-03-01 23:21:00 2009-03-01 23:21:00 1 0 8680 reba noreply@blogger.com 2009-02-22 12:07:00 2009-02-22 12:07:00 1 0 8792 Anonymous noreply@blogger.com 2009-02-17 19:12:00 2009-02-17 19:12:00 1 0 8869 Anonymous noreply@blogger.com 2009-02-09 23:22:00 2009-02-09 23:22:00 1 0 8875 Anonymous noreply@blogger.com 2009-02-07 23:52:00 2009-02-07 23:52:00 1 0 8901 Anonymous noreply@blogger.com 2009-02-05 11:36:00 2009-02-05 11:36:00 1 0
Grateful,
Fairfield, CA]]> 8947 Lessie noreply@blogger.com http://www.andersondailyphoto.wordpress.com 2009-02-02 12:52:00 2009-02-02 12:52:00 1 0 8972 Anonymous noreply@blogger.com 2009-02-01 17:18:00 2009-02-01 17:18:00 1 0 9061 Anonymous noreply@blogger.com 2009-01-28 21:28:00 2009-01-28 21:28:00 1 0 9230 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-08 22:57:57 2009-01-08 22:57:57 1 0
Thanks for the comment! It's another ribbed spider web, in opposite colors to the one worked in the video...

MC]]> 9231 ashley noreply@blogger.com 2009-01-08 22:09:00 2009-01-08 22:09:00 1 0 9273 lauren noreply@blogger.com http://www.blogger.com/profile/03741999165520587097 2009-01-05 09:12:00 2009-01-05 09:12:00 1 0 Finding your beautiful and informative website is like finding the Golden Ticket! I've tried many times to embroider-- ending up in frustration and unfinished projects. Thanks to you, it has become a relaxing and rewarding pastime. Kudos!
Lauren]]> 9409 Anonymous noreply@blogger.com 2008-12-20 00:54:00 2008-12-20 00:54:00 1 0 9422 Casey noreply@blogger.com http://www.blogger.com/profile/15757870372892403525 2008-12-18 20:19:00 2008-12-18 20:19:00 1 0 9568 Liz liz@asmallvictory.org http://www.blogger.com/profile/10800471384146746286 2008-12-06 00:52:00 2008-12-06 00:52:00 1 0 9569 Liz liz@asmallvictory.org http://www.blogger.com/profile/10800471384146746286 2008-12-06 00:48:00 2008-12-06 00:48:00 1 0 9574 Elizabeth noreply@blogger.com 2008-12-05 21:45:00 2008-12-05 21:45:00 1 0 9610 Judith Hembrow noreply@blogger.com http://www.blogger.com/profile/09630671800003241184 2008-12-04 02:54:00 2008-12-04 02:54:00 1 0 9656 Carol in Sweden carol.doughty@telia.com http://www.blogger.com/profile/08269032707952515342 2008-11-28 16:44:00 2008-11-28 16:44:00 1 0 9696 Anonymous noreply@blogger.com 2008-11-21 19:34:00 2008-11-21 19:34:00 1 0 9697 Anonymous noreply@blogger.com 2008-11-21 19:30:00 2008-11-21 19:30:00 1 0 9805 Kristina noreply@blogger.com 2008-11-14 09:08:00 2008-11-14 09:08:00 1 0 9930 Anita noreply@blogger.com http://www.blogger.com/profile/04465808230415510965 2008-11-10 10:04:00 2008-11-10 10:04:00 1 0 9992 Anonymous noreply@blogger.com 2008-10-28 10:53:00 2008-10-28 10:53:00 1 0 10071 Anonymous noreply@blogger.com 2008-10-23 08:30:00 2008-10-23 08:30:00 1 0
im new to embroidery and your videos are a treasure for beginners like me....ive been looking out for video tutorials all over the internet but couldnt find a good source to it... am soooo happy that ive found yours.... am a great fan of you and your work now...i absolutely love the way you explain the stitches...thanxxx a million for taking so much efforts in teachin us how to do those stitches....YOU ROCK!!!!
thanx once again....u r awesome!!!

buttercup]]> 10151 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-16 07:17:50 2008-10-16 07:17:50 1 0
Concerning the hoop on silk, it depends. Hoops can leave hoop marks, which are difficult to remove if the fabric you're using can't be dampened. So if the silk isn't supposed to be washed, I would hesitate to use a hoop. But, if the design you're working fits into the hooped are, and the finished project is no larger than the hooped area, then it would be ok.

You may want to use a stretcher frame, if the project would fit on one. You can buy specific stretcher bars for embroidery, and tack the fabric onto those. Or, you can buy stretcher frames that are used for canvas (for painting) and tack the fabric onto those, too. You may wish to back silk with a sturdy muslin, to give the project support, depending on what you're stitching.

Hope that helps!

MC]]> 10152 Kalpalathika Renjit noreply@blogger.com http://www.blogger.com/profile/01250918998808652429 2008-10-16 00:43:00 2008-10-16 00:43:00 1 0
This is Kalpa from Singapore. I stumbled upon your site and absolutelylove the way you explain the stitches. Your videos are a treasure trove for embroidery lovers. Please keep the great work going! I love your website :)

PS: I would like to use your designs on silk and blended cotton which is not so stiff. Can I use hoops on silk and such material to hold it? Would'nt that spoil the material? Thanks.]]> 10309 Susan noreply@blogger.com 2008-10-03 15:04:00 2008-10-03 15:04:00 1 0 10439 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-20 22:31:43 2008-09-20 22:31:43 1 0
Well, it depends. Are you planning to embroider the doll clothes, too? Or are you looking for a sewing stitch that works for seams?

If you're planning to embroider the clothes or the doll, then you'll probably find a bunch of useful stitches here, depending on what design you want to stitch.

If you're looking for ways to sew up a seam, I suppose you should look at the running stitch or the backstitch. The backstitch would probably make a sturdier seam.

Good luck on your project!

MC]]> 10440 Anonymous noreply@blogger.com 2008-09-20 22:24:00 2008-09-20 22:24:00 1 0
Thank you for your marvelous site and tutorials. I am very new to sewing and have taken on making a doll and doll clothes for my daughter. I do not have a sewing machine and the little clothes are very simple. My question is- are the stitches you show here appropriate for using on my project, and if so, which one in particular would you recommend?

Many thanks!
Jennifer]]> 10454 Allie noreply@blogger.com 2008-09-19 12:47:00 2008-09-19 12:47:00 1 0
I was just watching the couching video, and was wondering if you were going to do a video on couching as a filler? Or is this the same as the Roumanian or Bokhara couching?]]> 10501 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-16 17:21:17 2008-09-16 17:21:17 1 0
Thanks for the suggestion! I'll be filming again in a few weeks, so I'll add that to the list and see if I can manage putting a video together on it.

Thanks again!
MC]]> 10504 Patrice noreply@blogger.com 2008-09-16 15:08:00 2008-09-16 15:08:00 1 0 I'm working on a Mountmellick project and I'm having trouble with indian filling stitch. I have referred to 2 books, and I can't find a video on line for it. It would be great if you could add it to the library sometime.]]> 10597 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-11 21:07:57 2008-09-11 21:07:57 1 0
Hope that helps!

MC]]> 10598 Tori noreply@blogger.com 2008-09-11 20:32:00 2008-09-11 20:32:00 1 0 10610 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2008-09-11 08:30:00 2008-09-11 08:30:00 1 0 10685 Anonymous noreply@blogger.com 2008-09-05 09:32:00 2008-09-05 09:32:00 1 0 -Maria]]> 10690 Kizzy kizzy49@gmail.com http://www.blogger.com/profile/12360333313805834738 2008-09-04 17:06:00 2008-09-04 17:06:00 1 0 10934 Anonymous noreply@blogger.com 2008-08-19 12:31:00 2008-08-19 12:31:00 1 0 10987 Anonymous noreply@blogger.com 2008-08-15 04:35:00 2008-08-15 04:35:00 1 0 11034 Anonymous noreply@blogger.com 2008-08-11 08:29:00 2008-08-11 08:29:00 1 0 11075 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-08-08 05:52:00 2008-08-08 05:52:00 1 0 11108 Anonymous noreply@blogger.com 2008-08-04 09:44:00 2008-08-04 09:44:00 1 0 11148 Anonymous noreply@blogger.com 2008-08-02 09:33:00 2008-08-02 09:33:00 1 0 11323 Praveena noreply@blogger.com http://www.blogger.com/profile/04551015234073583269 2008-07-22 20:05:00 2008-07-22 20:05:00 1 0 This is an amazing website to learn hand embroidery. It is also a good reference website for brushing up your basic stitches. I have a small request. In your video libraty of stitches, for button hole stitch, you have given a sample of flowers that can be made using that stitch. It will be nice if you could give some small stitched sample pictures for each stitch shoeing hoe it could be used in patterns like the button hole. The reason why I am suggesting this is, any new learner will be inspired to make a small pattern and see how these stitches work in different patterns and how well they have learned it. I once again thank you for putting up this video library for others.

thank you,
Praveena]]> 11424 Anonymous noreply@blogger.com 2008-07-09 15:07:00 2008-07-09 15:07:00 1 0 11485 Anne / Educe noreply@blogger.com http://www.blogger.com/profile/11062459896804462039 2008-07-02 10:09:00 2008-07-02 10:09:00 1 0
Thank you!]]> 11521 Anonymous noreply@blogger.com 2008-06-25 13:15:00 2008-06-25 13:15:00 1 0
I found your site and bookmarked it because it was SOOO helpful and I could follow along so well!! Thank you from the crochet world!!]]> 11735 Nora noreply@blogger.com 2008-06-03 14:21:00 2008-06-03 14:21:00 1 0 I had never seen Anchor floss in the stores, so I was wondering. I am going to order some starter sets at yesterdayscharm.com. It seems reasonably priced. I have seen it higher priced higher at other web sites. I hope they are all the same. Thanks again.
Nora]]> 11739 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-02 18:52:38 2008-06-02 18:52:38 1 0
Anchor floss is like DMC - a 6-stranded, divisible floss made from mercerized cotton. It comes in a wide color range like DMC, and usually costs a little more here in the US than DMC. Some stitchers prefer Anchor to DMC, and claim it is a higher-quality thread. The colors are perhaps a bit more muted than DMC - or at least, some colorways are. I like both DMC and Anchor equally, and will mix them in different projects, depending on the colors I have on hand.

Besides stranded cotton, both DMC and Anchor also make a coton a broder, which is a non-divisible cotton very nice for whitework. DMC, however, only goes as high as a #30 in the coton a broder, while Anchor goes as high as #40 (the higher the number, the finer the thread). I'll be using DMC and Anchor coton a broder in my summer classes this year, for monogramming.

Hope that helps!
MC]]> 11741 Anonymous noreply@blogger.com 2008-06-02 15:37:00 2008-06-02 15:37:00 1 0 Please tell me what you can anchor floss. Is shiny or is it just similar to dmc. I have fallen in love with the ROPE stitch. This is just such a great and easy stitch.
Nora]]> 11793 Marian noreply@blogger.com 2008-05-20 20:09:00 2008-05-20 20:09:00 1 0
The stitch I am most nervouse about right now is Turkish stitich. It is a looped stitch and I need to know this so that I can complete a chart/picture that my sister found for me at a garage sale.

If you dont have the written instructions let me know and I will write them out for you.

Thanks]]> 11906 Anonymous noreply@blogger.com 2008-05-01 15:51:00 2008-05-01 15:51:00 1 0 12117 Anonymous noreply@blogger.com 2008-04-01 05:17:00 2008-04-01 05:17:00 1 0 12135 Anonymous noreply@blogger.com 2008-03-29 09:58:00 2008-03-29 09:58:00 1 0 DianaW]]> 12183 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-22 20:45:18 2008-03-22 20:45:18 1 0 12184 Susan dezertsuz@gmail.com http://www.blogger.com/profile/09159163720029661287 2008-03-22 20:34:00 2008-03-22 20:34:00 1 0 12217 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-14 20:03:18 2008-03-14 20:03:18 1 0
I'd like to post some this weekend. I have the feathered chain ready for editing, as well as ceylon stitch and raised chain. But I'm swamped right now with other stuff, too! I promise I'll TRY to get one (or more) up this weekend and early next week. But if not, I'll make it as soon as I possibly can!!

Thanks!
MC]]> 12218 Anonymous noreply@blogger.com 2008-03-14 19:28:00 2008-03-14 19:28:00 1 0 I was just wondering when you were going to post more tutorials mentioned in a previous message. Just anxious to try more stitches.
Nora]]> 12224 Roberta noreply@blogger.com http://www.blogger.com/profile/01228382484061714333 2008-03-13 04:12:00 2008-03-13 04:12:00 1 0 Cheers from South Africa,
Roberta]]> 12290 harpyr noreply@blogger.com http://www.blogger.com/profile/07282122754012694688 2008-03-01 20:11:00 2008-03-01 20:11:00 1 0 It's wonderful to see them demonstrated. Much much easier than trying to decipher the stitches from a picture.]]> 12341 Anonymous noreply@blogger.com 2008-02-18 11:16:00 2008-02-18 11:16:00 1 0 12345 apexemb noreply@blogger.com http://www.apexembdesigns.com 2008-02-17 11:54:00 2008-02-17 11:54:00 1 0 12363 Anonymous noreply@blogger.com 2008-02-14 11:55:00 2008-02-14 11:55:00 1 0 12365 Anonymous noreply@blogger.com 2008-02-12 23:19:00 2008-02-12 23:19:00 1 0 This is the very best instructional video that I have seen! I am so grateful for all your hard work and thoughtfulness. You have made it possible for someone like me to really enjoy and learn this beautiful art.
Once again, thank you so very much for making this available to us. It takes someone special and someone so giving. You are certainly very much appreciated.
Sylvia Angermeier
San Angelo, Tx]]> 12367 JonniVA noreply@blogger.com 2008-02-12 20:27:00 2008-02-12 20:27:00 1 0 Thanks!
JonniVA]]> 12465 Maureen noreply@blogger.com 2008-01-23 15:46:00 2008-01-23 15:46:00 1 0 12475 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-22 07:26:21 2008-01-22 07:26:21 1 0
My guess is that it's a ribbon embroidery stitch. You can find instructions for it at Camille's Place.

Hope that helps!]]> 12476 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-01-22 06:23:00 2008-01-22 06:23:00 1 0 12493 Anonymous noreply@blogger.com 2008-01-20 05:09:00 2008-01-20 05:09:00 1 0 Michèle (France)]]> 12524 Anonymous noreply@blogger.com 2008-01-17 07:19:00 2008-01-17 07:19:00 1 0 12589 airportstories noreply@blogger.com http://airportstories.livejournal.com/ 2007-12-29 16:47:00 2007-12-29 16:47:00 1 0 12595 Anonymous noreply@blogger.com 2007-12-25 15:43:00 2007-12-25 15:43:00 1 0 12604 Anonymous noreply@blogger.com 2007-12-20 04:53:00 2007-12-20 04:53:00 1 0 The viseos are amazing.]]> 12605 Anonymous noreply@blogger.com 2007-12-19 07:01:00 2007-12-19 07:01:00 1 0 12629 Anonymous noreply@blogger.com 2007-12-13 23:43:00 2007-12-13 23:43:00 1 0 12642 Nicole noreply@blogger.com 2007-12-11 00:07:00 2007-12-11 00:07:00 1 0 12658 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2007-12-09 06:17:00 2007-12-09 06:17:00 1 0 12685 Q.T.Pi noreply@blogger.com 2007-12-03 21:28:00 2007-12-03 21:28:00 1 0 12776 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-15 07:12:23 2007-11-15 07:12:23 1 0 12777 Mrs.Kwitty noreply@blogger.com http://www.blogger.com/profile/01705302949128942627 2007-11-15 07:00:00 2007-11-15 07:00:00 1 0 HAve a wonderful day!
Smiles, Karen]]> 12778 Mrs.Kwitty noreply@blogger.com http://www.blogger.com/profile/01705302949128942627 2007-11-15 07:00:00 2007-11-15 07:00:00 1 0 HAve a wonderful day!
Smiles, Karen]]> 12912 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-27 22:04:25 2007-09-27 22:04:25 1 0
Thanks again!
MC]]> 12913 Starting Over noreply@blogger.com 2007-09-27 21:59:00 2007-09-27 21:59:00 1 0 12924 Judy in Indiana noreply@blogger.com 2007-09-25 19:25:00 2007-09-25 19:25:00 1 0 12929 Anonymous noreply@blogger.com 2007-09-25 07:03:00 2007-09-25 07:03:00 1 0 12935 Anonymous noreply@blogger.com 2007-09-21 18:55:00 2007-09-21 18:55:00 1 0 12976 Anonymous noreply@blogger.com 2007-09-07 21:58:00 2007-09-07 21:58:00 1 0 12985 DL noreply@blogger.com http://www.blogger.com/profile/08900816889175422247 2007-09-03 16:11:00 2007-09-03 16:11:00 1 0 12987 Hilda noreply@blogger.com 2007-09-02 10:04:00 2007-09-02 10:04:00 1 0 12990 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-08-31 05:13:53 2007-08-31 05:13:53 1 0
Anyway, thank you again for the supportive comments - it makes it worth the effort, when I know the little videos are so helpful to so many, even if they aren't "perfect"!

MC]]> 12991 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-08-31 05:09:35 2007-08-31 05:09:35 1 0 12992 Anonymous noreply@blogger.com 2007-08-30 23:33:00 2007-08-30 23:33:00 1 0 Brenda]]> 13002 Liz noreply@blogger.com http://www.blogger.com/profile/10352373478874483730 2007-08-23 07:52:00 2007-08-23 07:52:00 1 0 13008 Anonymous noreply@blogger.com 2007-08-20 06:30:00 2007-08-20 06:30:00 1 0 13009 E to the M noreply@blogger.com http://www.blogger.com/profile/13096148380201826437 2007-08-19 18:31:00 2007-08-19 18:31:00 1 0 13019 Yvonne K H.ayes noreply@blogger.com 2007-08-11 11:57:00 2007-08-11 11:57:00 1 0 If clear, easy to follow and it inspired ones to want to try it.
great work! Your ite will help to preserve this values art forever.
Yvonnev]]> 13021 Anonymous noreply@blogger.com 2007-08-10 12:27:00 2007-08-10 12:27:00 1 0 13024 Anonymous noreply@blogger.com 2007-08-05 10:57:00 2007-08-05 10:57:00 1 0 13040 LInda noreply@blogger.com pinkcloudbluesky.blogsome.com 2007-07-21 22:05:00 2007-07-21 22:05:00 1 0 13062 Jenny noreply@blogger.com 2007-07-05 03:12:00 2007-07-05 03:12:00 1 0 This is a wonderful,helpful site. It makes learning the various embroidery stitches so easy - much easier than from a book. My craft group and I are very appreciative of all the work you have put into these instructions. I look forward to seeing the Long and Short stitch tutorial very much. Keep up the good work.
Jenny (Australia)]]> 13072 Lori noreply@blogger.com 2007-06-29 12:59:00 2007-06-29 12:59:00 1 0 God bless you!!!
Thank you so much! You helped me finally make a French knot! Now I can finish this baby quilt for my 1st granddaughter!
When I want to know how to embroider something, I'll go to your tutorials... extremely helpful!
Thanks again.... Lori]]> 13080 Mandy (EJ180) noreply@blogger.com 2007-06-26 18:22:00 2007-06-26 18:22:00 1 0 13081 eowyn noreply@blogger.com http://www.blogger.com/profile/09939302815237171304 2007-06-26 00:44:00 2007-06-26 00:44:00 1 0
What a GREAT site! The instructions are so clear!

I'm so glad I found your site, I'm going to practise those stitches soon!

Thanks!

Elaine]]> 13088 Anonymous noreply@blogger.com 2007-06-21 11:41:00 2007-06-21 11:41:00 1 0 13099 Anonymous noreply@blogger.com 2007-06-12 10:44:00 2007-06-12 10:44:00 1 0 13109 Elizabeth D noreply@blogger.com http://www.blogger.com/profile/16252655292763047325 2007-06-04 07:37:00 2007-06-04 07:37:00 1 0 13110 Anonymous noreply@blogger.com 2007-06-02 20:40:00 2007-06-02 20:40:00 1 0
I finally ended up sending her the site at G-mail and she's enjoying it every much. :-D Thanks for all the great work you've done here.]]> 13111 JK noreply@blogger.com http://www.blogger.com/profile/10722633057708947661 2007-06-01 11:47:00 2007-06-01 11:47:00 1 0
Thanks again]]> 13112 Liz noreply@blogger.com 2007-06-01 10:33:00 2007-06-01 10:33:00 1 0
These videos are utterly perfect!]]> 13116 Annie Morris noreply@blogger.com www.anniesdyepot.com 2007-05-29 05:33:00 2007-05-29 05:33:00 1 0
Thank you so much!!! This is beyond awesome!

Annie from Down Under]]> 13136 Anonymous noreply@blogger.com 2007-05-12 21:21:00 2007-05-12 21:21:00 1 0 13159 Susan dezertsuz@gmail.com http://www.blogger.com/profile/09159163720029661287 2007-04-26 18:38:00 2007-04-26 18:38:00 1 0 13160 amukish2002 noreply@blogger.com http://www.blogger.com/profile/12208460323820522909 2007-04-26 06:12:00 2007-04-26 06:12:00 1 0 Thanx
Amudha]]> 13167 Anonymous noreply@blogger.com 2007-04-20 00:10:00 2007-04-20 00:10:00 1 0
Thanks]]> 13174 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-04-10 06:37:28 2007-04-10 06:37:28 1 0 here.

Thanks!]]> 13175 Yamini noreply@blogger.com http://www.blogger.com/profile/14654165302099888450 2007-04-09 22:27:00 2007-04-09 22:27:00 1 0 13191 Anonymous noreply@blogger.com 2007-04-05 00:19:00 2007-04-05 00:19:00 1 0 13201 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-31 07:14:05 2007-03-31 07:14:05 1 0
Thanks for asking.

I'm so glad so many people find the videos helpful!]]> 13202 Anonymous noreply@blogger.com 2007-03-31 06:01:00 2007-03-31 06:01:00 1 0 13216 Anonymous noreply@blogger.com 2007-03-21 08:49:00 2007-03-21 08:49:00 1 0
thanks again]]> 13241 Anonymous noreply@blogger.com 2007-03-08 16:58:00 2007-03-08 16:58:00 1 0 hats off to you.]]> 13252 Gracencameronsmomy noreply@blogger.com http://www.blogger.com/profile/09233630250151366405 2007-03-02 22:08:00 2007-03-02 22:08:00 1 0 13254 claudine hellmuth noreply@blogger.com http://www.blogger.com/profile/02755435377366944408 2007-03-01 22:49:00 2007-03-01 22:49:00 1 0 xxxox]]> 13255 willotoons noreply@blogger.com http://www.blogger.com/profile/06555865873932159679 2007-03-01 16:07:00 2007-03-01 16:07:00 1 0 13283 dave noreply@blogger.com 2007-02-19 20:18:00 2007-02-19 20:18:00 1 0 thks]]> 13299 Pip Taylor noreply@blogger.com 2007-02-08 19:32:00 2007-02-08 19:32:00 1 0 Thank you again
Pip]]> 13304 Anonymous noreply@blogger.com 2007-02-03 15:36:00 2007-02-03 15:36:00 1 0 13306 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-02-02 19:31:00 2007-02-02 19:31:00 1 0 13308 Anonymous noreply@blogger.com 2007-02-01 03:56:00 2007-02-01 03:56:00 1 0
Please, keep up with all those other lovely embroidery stiches :)

Thank you again from a very happy Stéphanie all the way from Paris France.]]> 13320 Beth noreply@blogger.com http://www.blogger.com/profile/05983698469364526195 2007-01-18 19:15:00 2007-01-18 19:15:00 1 0 13325 Anonymous noreply@blogger.com 2007-01-15 09:23:00 2007-01-15 09:23:00 1 0 13326 Lisa noreply@blogger.com http://www.blogger.com/profile/08295648406591907583 2007-01-13 02:50:00 2007-01-13 02:50:00 1 0 13335 Anonymous noreply@blogger.com 2007-01-02 15:45:00 2007-01-02 15:45:00 1 0
I was wondering if you'd consider including some stitching videos for cross stitch?]]> 13346 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2006-12-20 07:10:33 2006-12-20 07:10:33 1 0
The website's had some tweaking in the last few weeks, so perhaps this is solved!]]> 13356 Anonymous noreply@blogger.com 2006-12-07 00:56:00 2006-12-07 00:56:00 1 0 13378 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-27 14:05:43 2006-11-27 14:05:43 1 0
Mercedes, of course you may talk about the videos on your blog! I'm more than happy to have you spread the word about them - the more they can be helpful to others, the better!

Stay tuned for more videos this week, as well as a few book reviews and whatnot.

Thanks again, everyone!]]> 13379 Mercedes noreply@blogger.com http://www.blogger.com/profile/13767378447022528174 2006-11-27 13:07:00 2006-11-27 13:07:00 1 0 Can I talk about your videos in my blog? I will put the link to your site. I know a lot of Spanish needleworker who visit my blog will enjoy with your explication.]]> 13382 Susan dezertsuz@gmail.com http://www.blogger.com/profile/09159163720029661287 2006-11-24 21:19:00 2006-11-24 21:19:00 1 0 13383 Anonymous noreply@blogger.com 2006-11-22 18:46:00 2006-11-22 18:46:00 1 0
I'll be looking forward for more stitches]]> 13384 Kathy noreply@blogger.com 2006-11-19 16:24:00 2006-11-19 16:24:00 1 0 13387 Anonymous noreply@blogger.com 2006-11-15 15:32:00 2006-11-15 15:32:00 1 0 13393 Sue noreply@blogger.com 2006-11-11 06:19:00 2006-11-11 06:19:00 1 0 13396 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-04 14:32:48 2006-11-04 14:32:48 1 0
I enjoy doing them even more, knowing that people are using them!]]> 13399 Anonymous noreply@blogger.com 2006-10-31 13:39:00 2006-10-31 13:39:00 1 0 13404 Anonymous noreply@blogger.com 2006-10-27 20:52:00 2006-10-27 20:52:00 1 0 13408 Anonymous noreply@blogger.com 2006-10-25 14:16:00 2006-10-25 14:16:00 1 0 13409 Anonymous noreply@blogger.com 2006-10-23 23:25:00 2006-10-23 23:25:00 1 0 13410 Anonymous noreply@blogger.com 2006-10-23 18:24:00 2006-10-23 18:24:00 1 0 13412 Jenne jenne_girle@yahoo.com http://www.blogger.com/profile/07352116636593449335 2006-10-22 22:15:00 2006-10-22 22:15:00 1 0 http://www.needlenthread.com/2009/08/long-short-stitch-shading-lesson-2.html Thu, 06 Aug 2009 04:30:00 -0500 Mary Corbet 247 2009-08-06 04:30:00 2009-08-06 04:30:00 open open Long-&-Short-Stitch-Shading,-Lesson-2:-Inside-the-Box publish 0 0 post

If you're just joining us for the long and short stitch shading lessons, be sure to check out the previous posts in this series: Supplies and Lesson One: Setting up.

At the end of this post, you'll see a series of three videos on the basic long and short stitch. (I couldn't quite cram it all into one 10-minute video!)

Materials:

1. Project in hoop or frame, with Element One: Boxes centered in hoop (top left corner of the whole sampler)

2. #9 or #10 crewel (embroidery) needles (I use a #10)

3. Small, sharp embroidery scissors

4. DMC stranded cotton in the following colors: 814, 347, 349, 351, 353, 3855, 745, Ecru

NOTE: There is a difference between the step-by-step photos and the video tutorial for this lesson. In the step-by-step photos, I began the top of the box with bright red (349). In the video tutorial, I began the top row in dark red, (347) and worked six rows of color. The directions, however, are written with the bright red (349) as the first color, with five rows working to the lightest yellow (745). You can work the box either way, with five or six rows. If you work five rows, start with bright red (349). If you work six, start with dark red (347).

All stitching is worked with one strand of floss.

To Begin

1. Begin with the smallest box.

2. Anchor your thread according to your favorite method, or use the method demonstrated in the video tutorial, part 1.

3. Work a split stitch line across the top of the small box in bright red (349).

Draw vertical lines, from the center to each side of the box, to mark your stitch direction. Use a regular pencil for this. The vertical lines will help keep your stitches straight up and down. (This is demonstrated in the video, part 1).

First Row

1. Bring your needle up through the fabric, about 3/8" below the split stitch line, in the top center of the box. Take your first stitch over the split stitch line and back into the fabric. Now, working down the row to the right, space about six directional stitches more or less the same length all the way to the right edge of the box. This is illustrated in the video, part 1. after placing your directional lines (which are "long" stitches), go back to the center and work to the right, filling in "short" stitches of varying lengths, moving down the row.

2. You want your stitches to lie right next to each other, as they would in satin stitch, so make sure that you space them correctly - not too close that they bunch up, but not too far apart that you can see any fabric between them.

3. Continue working across the fabric to the right side of the box, alternating the size of your stitches between long and short. Vary their lengths. For a natural-looking long and short stitch (less formal and rigid-looking), stagger the length of your stitches between several lengths - some long, some a little shorter, then a bit longer, then shorter again, then shorter yet, then a little longer, then long, then short, then slightly longer, etc......! You want the bottom edge of your stitched row to be jagged, but you want ot keep an overall consistent length across the longest points of the stitches.

4. When you reach the right edge of the box, end with a long stitch on the pencil line. This is approximately what your progress should look like so far:



5. Now, move back to the middle of the box and work from the center to the left side of the box, doing the same thing.



6. If you're like me, one side will look better than the other. I don't know why this is! For me, the second half that I stitch always looks better than the first, even if I switch directions and stitch from the center to the left first.

Refer to the Long and Short Stitch Video, part 1, below, to see this technique worked out.

Subsequent Rows - up to, but not including, the last row

1. After the first row, each row is worked in the following sequence of colors:
---- Row 2: 351
---- Row 3: 353
---- Row 4: 3855

2. For subsequent rows, after the first row, bring your needle up from the back of your fabric into the first row of stitches, in the center:



3. Stitch some longer directional stitches from the center towards the right edge, dividing up the stitching area as you did with the first row (demonstrated in the video, part 2).

4. Stagger the entry point at the top of the stitches, so that some begin higher and some lower than the others. Work into the long stitches of the first row, about one-third the length up into the long stitches.

5. Work the short stitches of the second row high up into the first row of stitches, bringing the needle back down into the fabric to make a "short" stitch in the second row. Again, stagger your stitches, varying their length by varying where the stitches emerge in the previous row and where they go down into the fabric.



6. Continue from the center to the right edge, and then work from the center to the left edge of the box. You can find this technique demonstrated in the Long & Short Stitch Video, part 2, below.



You'll work each row in this manner, filling in the square, until you get to the last row.



Make sure that you're taking your stitches deep into the previous row, so that the colors blend well. Again, the video will help with this!



The Last Row

1. Split stitch the base line of the square in light yellow, 745.



2. Finish the last row in the same manner of the previous rows, but working the base of the stitches over the split stitch line, as you did with the beginning of the first row.

To help reduce "information overload" in one post, tomorrow I'll post the rest of Lesson Two, which is the second box, worked on the diagonal!

You may print, if you wish, a PDF of the entire lesson (including the second box):

Long and Short Stitch Shading, Lesson Two: Inside the Box (PDF)

Long & Short Stitch Shading Video Tutorial - Part 1

[youtube=http://www.youtube.com/watch?v=eq50XQlZsUY]

Long & Short Stitch Shading Video Tutorial - Part 2

[youtube=http://www.youtube.com/watch?v=AdjYjN8GfnI]

Long & Short Stitch Shading Video Tutorial - Part 3

[youtube=http://www.youtube.com/watch?v=TkPA9EQvO2E]

If you have any questions or comments, need clarification on anything, or have any suggestions that I'm able to implement concerning the lessons, don't hesitate to leave a comment below. Additionally, you can subscribe to the e-mail newsletter (right hand column) or my RSS feed to ensure you don't miss the next lesson! Advantages of the newsletter include that it's in a better format for printing (compared to the webpage) and you can reply directly to it to send me an e-mail (and attach pictures, if you wish).

Long and Short Stitch Shading Lessons - Related Posts

Supplies for Long and Short Stitch Shading Project

Lesson One - Setting Up

Long and Short Stitch Shading Lesson INDEX
]]> stitchalong lessons needlework tutorials video tutorials pictures needlepainting long and short stitch embroidery lessons needlework pictures 1710 dollystar noreply@blogger.com http://www.blogger.com/profile/17062083460422027920 2010-03-28 07:16:49 2010-03-28 07:16:49 1 0 parabéns e já estou inscrita para news letters.
abraços, Dolly]]> 4167 sylvie noreply@blogger.com http://passionbroderie.over-blog.net 2009-12-19 04:01:08 2009-12-19 04:01:08 1 0 5607 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-15 16:51:08 2009-09-15 16:51:08 1 0
I've gotten a bit o' flack on the question of how many threads to use for the filling - some folks have e-mailed and said that it should be two as a rule, because the threads are being split, and others have e-mailed asking why I didn't include the important information of numbers of strands of floss in the instructions.

To answer the first point, it is a misconception to say that split stitch always has to be worked in two or more threads, so that you can "split" between them. Split stitch is often worked with a single thread, splitting right into the middle of the thread.

To answer the latter point, when I first published this lesson and the PDF, the lesson and the PDF were not merely "cut and paste" jobs - so they aren't exactly the same text. In the PDF, I didn't include the # of threads, but in the post above, I did (one thread for all stitching). But apparently most people are downloading the PDF and not reading the post - so I suppose I should go back and add this to the PDF...! I should've done that several weeks ago - I just haven't gotten around to it yet!

So, yes, split the thread right up its middle, and all stitching is done in one thread (except in the rare instances - eg. the first leaf - where noted otherwise).

Hope that helps!

MC]]> 5608 Anonymous noreply@blogger.com 2009-09-15 15:41:47 2009-09-15 15:41:47 1 0
I know you've mentioned it before, but I still don't get how you're using only one strand for the outline split stitch. How do you split it if you are only using one strand of thread? Also, how many strands of thread are you using for filling?

Thank you so much for the videos, they are so helpful.]]> 5879 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-03 16:32:35 2009-09-03 16:32:35 1 0
Actually, if you divide the small box, it ends up being in 5 sections of color. Your stitches are probably a bit short, but instead of tearing out, since it is a practice piece, why not just start the sequence of colors over again? Then, on the next element, you can practice with longer stitches! It would save you the frustration and time of picking out your stitches. Just a suggestion! I'll check in on flickr tomorrow (Friday) afternoon to see what's new.

Best,
Mary]]> 5880 joannestitches joannegledhill@yahoo.com http://www.blogger.com/profile/09188449516154615810 2009-09-03 12:51:35 2009-09-03 12:51:35 1 0 5940 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-08-28 09:34:12 2009-08-28 09:34:12 1 0 Thanks a lot for these lessons. I am so happy to improve in that field. I started the first box today. Not perfect at all, but I am sure that your videos and tutos will make me progress
Cheers]]> 5953 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-08-26 14:14:11 2009-08-26 14:14:11 1 0 6115 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-08-12 23:13:57 2009-08-12 23:13:57 1 0 Chunkiness rules! It looks ok.

One thing I personally find useful is to rule across vertically (vertically in the case of this box) as well. This gives you an idea of when to start your next colour - so you don't end up with narrower and narrower bands as you try to fit in all your colours in. (so the box will start off looking like a chequerboard. On a more complicated shape, you end up with directional lines (which I agree - they are essential) and colour change indication lines - a real architecture of a line drawing before you start!

How far along the back would you say you could travel backwards, on the back, to the midpoint before tension becomes an issue? An inch?

I found your comments on going really deeply into the former rows very valuable. I don't think I've been going deeply enough (after a total of 1 year of L&S; stitching practially non-stop)]]> 6152 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-11 23:01:17 2009-08-11 23:01:17 1 0
The ecru, for me, worked into the last row of the second (larger) box, at the very tip of the box (working on the diagonal). If you ran out of room, that's quite ok - you don't have to use every color!

Good to hear it came out well!

Can't wait to hear how you like the triangles!

Best,
Mary]]> 6155 kat noreply@blogger.com http://www.blogger.com/profile/12369785235454313506 2009-08-11 21:44:33 2009-08-11 21:44:33 1 0 I finished my little block...I'm glad you're not grading this!! No, actually I did ok and will do better with the next one! When do I use the ecru? It was on the list but maybe I just ran out of room?
This is so,ooo much fun!!
Kathy]]> 6278 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-08 14:46:37 2009-08-08 14:46:37 1 0
Hi, Samanta -

I think Anchor mouline is the same thing as DMC 6-stranded cotton, but it is manufactured by Anchor (a British company) rather than DMC (a French company). The color numbers are different, but you can find color conversion charts online. You can find one here that you can also print. It's Anchor to DMC, so the DMC number is on the right.

MC]]> 6295 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-07 14:12:14 2009-08-07 14:12:14 1 0
I think Anchor mouline is the same thing as DMC 6-stranded cotton, but it is manufactured by Anchor (a British company) rather than DMC (a French company). The color numbers are different, but you can find color conversion charts online. You can find one here that you can also print. It's Anchor to DMC, so the DMC number is on the right.

MC]]> 6297 Samanta noreply@blogger.com 2009-08-07 11:26:14 2009-08-07 11:26:14 1 0 6298 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-08-07 06:45:53 2009-08-07 06:45:53 1 0 6299 Kim noreply@blogger.com 2009-08-07 05:52:29 2009-08-07 05:52:29 1 0 6302 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-06 20:59:47 2009-08-06 20:59:47 1 0
No, not the group - just one strand!

Thanks for asking!

MC]]> 6303 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-08-06 19:45:16 2009-08-06 19:45:16 1 0
For someone like me, who doesn't have anyone in their life who does this work, this type of teaching is invaluable.

Thanks!]]> 6304 Debbie S. noreply@blogger.com 2009-08-06 19:06:01 2009-08-06 19:06:01 1 0 Thank you,
Debbie S.]]> 6305 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-06 18:03:00 2009-08-06 18:03:00 1 0
1. if you make your three little anchor stitches fairly close to your knot, and then you pull up on the tail of the knot and cut right next to the fabric, only a tiny bit of a tail is going to be left on the back. You don't need to weave it in - you'll be covering it up with your stitches.

2. Well, I think I explained this somewhere - it doesn't matter, really, if you move from the center to the right or from the center to the left, really. In fact, in one photo, you can see that I moved from the center to the left (it's in the larger box - the photo's in the PDF, and will be included in tomorrow's post). But there is a reason for not starting on either end of the row and just working across the row. It helps keep your stitches in the right direction and it helps with spacing your stitches. Starting in the middle "sets in" your stitch direction. It's the same technique used for satin stitching, if you want to achieve a nice, smooth, even, and consistent satin stitch - don't start on the end of the area you're stitching, but rather start in the middle and move to the edge.

Hope that helps! Thanks for the questions!]]> 6306 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-08-06 17:19:34 2009-08-06 17:19:34 1 0 When you start with the knot on the top of the fabric, and you then cut it, doesn't that leave a loose end on the under side, do you cut that also or weave it in as you stitch?
Is there a reason why you do the right side in one shade then do the other side? Just wondered on the reasoning on that.]]> 6307 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-06 12:12:28 2009-08-06 12:12:28 1 0
Yes, it does make a difference. You want to come UP into the stitches that are already there, splitting them from underneath. This creates a smooth surface on top of the stitches. It "lifts" the stitches above a bit, and your thread becomes part of them, rather than pushing them down. If you go DOWN into the previous row of stitches, then your present row will sit on top of the previous row and push down into it, which will change the look of the stitching. It's subtle, but it does make a difference!

Once you work the stitch a bit, you'll get used to the feel of coming up into the stitches rather than up into the blank fabric and down into the stitches!]]> 6308 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-06 12:08:31 2009-08-06 12:08:31 1 0
You are not coming up in the same hole that the threads in the previous row ended in! That would give you a different stitch, called encroaching satin stitch.

With this, you're actually splitting the threads of the row above - so, in that sense, yes, it is like split stitch, only you aren't stitching in a line, you're stitching across a row, and alternating where you go up into the previous row...

Hope that helps!

MC]]> 6309 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-06 12:06:18 2009-08-06 12:06:18 1 0
You're welcome! ;-)

I used one thread on the split stitch. You can use two - this will cause the edge to sit up a bit more on the fabric. But I only use one, usually....

MC]]> 6310 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-08-06 11:39:56 2009-08-06 11:39:56 1 0
From years of cross stitch, it feels easier, to me, to bring the needle up in the blank space. Would it make a difference to come up in the blank area and down into the previous row? Is it verboten in this kind of needlework? ;)]]> 6311 Thelma thelma_bradshaw@yahoo.com http://www.blogger.com/profile/01623155326613616072 2009-08-06 11:30:09 2009-08-06 11:30:09 1 0 On the split stitch are you only using one thread for that or two??]]> 6312 lewmew noreply@blogger.com http://www.blogger.com/profile/00060405110305781007 2009-08-06 10:44:52 2009-08-06 10:44:52 1 0 6313 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-08-06 10:31:42 2009-08-06 10:31:42 1 0 It is so wonderful for you to take the time to do this.]]> 6314 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-08-06 10:19:35 2009-08-06 10:19:35 1 0 6316 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-06 08:27:46 2009-08-06 08:27:46 1 0 Thank you, thank you!!]]> 6317 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-06 07:21:17 2009-08-06 07:21:17 1 0 6318 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2009-08-06 07:06:07 2009-08-06 07:06:07 1 0 6319 Anonymous noreply@blogger.com 2009-08-06 06:51:46 2009-08-06 06:51:46 1 0 6320 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-06 05:53:57 2009-08-06 05:53:57 1 0 It appears this message:

"This is a private video. If you have been sent this video, please make sure you accept the sender's friend request"

What may I do???

Thanks in advance!]]> 6321 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-08-06 05:44:59 2009-08-06 05:44:59 1 0 Thank so much for everything dear Mary!

All is perfect!
Big Hugs!!
Maria del Valle]]> http://www.needlenthread.com/2009/08/vintage-embroidery-supplies-treasure.html Wed, 05 Aug 2009 07:36:00 -0500 Mary Corbet 248 2009-08-05 07:36:00 2009-08-05 07:36:00 open open Vintage-Embroidery-Supplies---A-Treasure! publish 0 0 post

I've had similar things happen before: neighbors cleaning out their garage or their storage area and coming across old craft stuff and not wanting to go through it; people contacting me from afar, after the death of a family member, and asking if I wanted the box of their mom's embroidery supplies, as they weren't interested in them; a lady dumping (yes, dumping) a worn out box full of children's crafting supplies on my front porch.... and the list could go on. In most of these situations (the exception being the dumbed box on the front porch!), it has always been a real pleasure to go through the boxes.

Each box tells a story of sorts - what the person's tastes were; how much they loved their hobby; what things in life were important to them; whether they were very organized and meticulous people, or whether they were more like... uh... me. Going through old needlework supplies, you can learn a lot about people!

You can also learn a lot about the history of needlework, which was the case with Freda's box.



The contents of this box undoubtedly date to the late 1800's - early 1900's, during that era of "Silk Art Embroidery" or "Society Silk." Well, certainly some of the threads date from the mid-1800's up to 1917 (I'd guess closer to 1917).

Inside the box, I found a heap of unworked, stamped linens, featuring tea cloths, doilies, and the like. The majority are printed with "natural" looking floral designs, typical of the "Silk Art Embroidery" style (or "Society Silk"). Very few of them are partially worked, and none are completely worked. I'll show you the linens a bit later.



Tucked inside some of the linens were skeins of silk floss - in different degrees of disarray. Some will need attention to get them back in order; others are neatly braided.



Regardless of their current situation, all the threads are gorgeous! The sheen is incredible - the silk is just beautiful! I am looking forward to the challenge of separating and straightening out the different colors and weights of silk!

When I removed the linens from the box, I discovered more silk! Someone had already tried to organize this bunch, using small plastic bags.



The majority of the silk was manufactured by M. Heminway & Sons:



Merrit Heminway was the first manufacturer to spool silk in the US. From the mid-1800's through 1917, his company (formerly Bishop & Heminway) was called M. Heminway & Sons Silk Company. In 1917, the company was sold to Hammond Knowlton & Co, and the name was changed to H.K.H. Company. So somewhere between the establishment of of M. Heminway & Sons Silk Company and the selling of it to H.K.H., these threads were made. An expert who's studied the subject in-depth could probably look at the label and be a bit more precise as to the age of the thread, but there's no doubt that the era is certainly the "Silk Art" or "Society Silk" era of embroidery.

The popularity of this style of embroidery, which is essentially needlepainting flowers and other natural florals on linen and other ground fabrics using fine silks, lasted from the around the 1880's through about 1915 - 1920. According to Donna Cardwell in her book Silk Art Embroidery: A Woman's History of Ornament and Empowerment, the term "society silk" comes from the organization (The Society of Decorative Art) that taught the skills of this type of needlework all over the country and in Canada. Silk Art Embroidery has an interesting history and is worth reading about. Don't be too put off by the title of the book above - I was afraid it was going to be entirely a "social history" book, but it isn't. It contains interesting history and lots of technique information.

While it is evident from this box of goodies that the stitcher was definitely stitching household linens, I can't help wondering if they were for her or if they were being made to sell as a source of income? Was she just dabbling in the new embroidery rage? Or was she seriously trying to learn the technique in order to supplement income? These things, I will probably never know - but it's fun to wonder!

Incidentally, this type of thread was not used solely for "Silk Art Embroidery." This was the silk embroidery floss available in the US at that time, and you can see it on a multitude of ecclesiastical work from that time period, as well. I've always wanted to see the threads they used in ecclesiastical work from the early 1900's, up close. When looking at different pieces, it's evident that the pieces were stitched with lightly twisted filament silk. And finally, here's a whole box of it!

I'll be sorting through this as I have time, and I'll also be showing you the linens, in case you're curious!

Thanks, Freda, for thinking of me!

]]> historical needlework threads pictures silk vintage embroidery needlework pictures 5992 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-23 15:36:41 2009-08-23 15:36:41 1 0
Thank you SO MUCH for sending the link!

MC]]> 5994 Cactus Pearl noreply@blogger.com http://www.blogger.com/profile/08971155573477294702 2009-08-23 12:44:38 2009-08-23 12:44:38 1 0 Luann]]> 6087 Ulla kotkarankki@gmail.com http://www.blogger.com/profile/02176085550753578481 2009-08-14 01:16:15 2009-08-14 01:16:15 1 0 6322 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-08-06 02:04:18 2009-08-06 02:04:18 1 0 have fun with them.

till then take care.

Regards,
Kirti]]> 6324 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-08-05 18:00:12 2009-08-05 18:00:12 1 0 Now you must bless us less fortunate with photos of how you use them. Please, just among the other one million things you do to share with us. :)]]> 6326 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-08-05 16:09:46 2009-08-05 16:09:46 1 0 6327 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-08-05 13:51:41 2009-08-05 13:51:41 1 0
quack! quack!

hope the sorting/detangling goes well.]]> 6328 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-08-05 12:06:45 2009-08-05 12:06:45 1 0
MGM]]> 6329 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-08-05 11:34:01 2009-08-05 11:34:01 1 0 6330 Karen editor@cottonspice.com http://www.blogger.com/profile/12014482467888279370 2009-08-05 09:53:27 2009-08-05 09:53:27 1 0
How can you tell if the sewing notion is old? If the package of rick rack is from J.C. Penney and cost 8 cents, you know it's not from the fabric store downtown. :)]]> 6331 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-05 09:52:19 2009-08-05 09:52:19 1 0 Hope you show the linens; I'm really curious!]]> 6332 Nestor noreply@blogger.com http://www.blogger.com/profile/16933110940245946709 2009-08-05 09:48:59 2009-08-05 09:48:59 1 0 We figured out how to put them on hidden "frames" so they could be removed from the stole for laundering or for transferring to other stoles if another liturgical color was needed later.
The threads were much like the ones you show here in your post. The connection to the past when using threads like this is amazing.]]> http://www.needlenthread.com/2009/08/fantastic-news-from-hedgehog-handworks.html Tue, 04 Aug 2009 03:46:00 -0500 Mary Corbet 249 2009-08-04 03:46:00 2009-08-04 03:46:00 open open Fantastic-News-from-Hedgehog-Handworks!! publish 0 0 post Hedgehog Handworks has recently been ... well, "updated," for lack of a better word. It's always been a wonderful online shop, and a great resource for needlework books, costuming supplies, goldwork supplies, and threads. But nooooow, they've gotten better! Let me tell you all about it!

Hedgehog Handworks is an online-only needlework shop; there's no brick-and-mortar Hedgehog. The online store is run by a super nice lady named Joady, and I love her taste in supplies!



What will you find new on the website?

For starters, Joady is now carrying some fantastic linen - Legacy linen in different weights as well as some Strathaven linen that's similar in weave to 17th century linen.

You'll also find at Hedgehog the whole range of Hardwicke Manor hoops, which I recently discussed with you here on Needle 'n Thread.

And - jolly, jolly! Are you looking for slate frames? She's got plenty of sizes available!

Recently, I reviewed the book Letters and Monograms from the House of Malbranche, and you'll find it available at Hedgehog, too.

But here's the icing on the cake: During August, to celebrate their 22 years in business, Hedgehog Handworks is offering FREE SHIPPING to US customers.

(Murphy's Law: I placed an order last week!)



Now would be a good time to indulge in a few trial supplies, like different goldwork threads (she also carries the range of Gilt Sylke Twist - and it's less expensive than anywhere else I've seen it!)



If you're looking for goldwork supplies, you'll find a whole range of real metal threads available. The last time I splurged on goldwork supplies, I bought them from Hedgehog. Maybe you just want to "try" a thread, but didn't want to pay shippingn on top of the cost? Now you can!

Another thing: You'll get fantastic customer service, I'm sure. It's sometimes difficult to say that about a shop absolutely , because everyone has their On Days and their Off Days. But I've never ordered anything from Hedgehog without having a pleasant experience - and quick delivery, too!

So, stop by Hedgehog during August, see what's new in the shop, and enjoy free shipping!
]]> goldwork embroidery resources needlework websites 6037 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-08-17 13:13:13 2009-08-17 13:13:13 1 0 6339 Lisa noreply@blogger.com http://www.blogger.com/profile/11137272371773363323 2009-08-04 17:48:17 2009-08-04 17:48:17 1 0 6344 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-08-04 06:35:12 2009-08-04 06:35:12 1 0 http://www.needlenthread.com/2009/08/sewing-needlework-and-other-textiles-in.html Sun, 02 Aug 2009 14:12:00 -0500 Mary Corbet 250 2009-08-02 14:12:00 2009-08-02 14:12:00 open open Sewing,-Needlework-and-Other-Textiles-in-Art publish 0 0 post wall space in the "studio," I started collecting images of art that was textile or needleart-related, with the intention of finding a framable print or two for the walls in my project room. While organizing some of the image files (I have over 60,000 pictures on my computer - it's time to weed some out!), I came across this folder full of collected art images. "Why not share them?" I thought. So here are just a few, grouped by artist...

Here are three artists whose paintings feature textiles or needlework in some way. I especially like faces and feet in art (yes, feet - I don't know why, but I always look at feet in art, when feet are available...)

First up is Bouguereau, 19th century French painter.



This is a portrait of Leonie Bouguereau, and I suspect that's needlework of some sort, although she could have just finished drying a lot of dishes. In any case, despite what she's been doing, she isn't getting much done at the moment.



This is probably Bouguereau's most famous little sewing girl, and I actually do have her matted and framed. I suspect she's sitting on a doorstep, working a little sampler, and people watching. I think she's sweet. And - yes, check out her feet. Barefoot and stitching - what a great combination.



This is Bouguereau's Spinner. There's nothing quite like standing outside the front door with your drop-spindle, trying to look busy. I like the color in this one.



Another Bouguereau... I don't know the proper name of this one, but I call it Mending a Sock. She probably isn't mending a sock, but considering she's barefoot and the thing on her lap looks like a sock, she might as well be darning it. And besides, I suspect her feet are cold. She's wrapped up, anyway. She's got a sweet little face, but golly, is she bored? Or wistful?



This is Bouguereau's Knitting Girl.



No, I admit she isn't doing needlework. But I'm pretty sure she's drawing her next needlework sampler. And she's being rather ornery about it, too. Actually, this is my favorite Bouguereau. Her expression cracks me up.



This is the goldworker (the Gold Embroideress) by Vasily Tropinin, a Russian artist of the late 1700-early 1800's. I would like to find this in a print and have it framed. I like it a lot! I'd like to be able to see more of her workspace!



Tropinin also has a very nice lace-maker...



... and a spinner. But I like his goldworker best.



Mary Cassatt was an American artist at the end of the 1800's - beginning of the 1900's. Mostly in her day, women studied art as something to "dabble" in, in order to be considered "accomplished." This wasn't Mary's plan - she really wanted to be an artist.



Though these are not her most famous paintings, I like them both - especially the first one, with the child at the mother's knee.

And there you have it - three well-known artists who included the needlearts in their own artwork. There are HEAPS more, though! It's really surprising, once you start looking around, how many famous artists painted subjects busy with needlework of some sort.

[Image Source Information: Unfortunately, these have been collected over quite a long period of time, and I didn't always note the sources, but I believe them all to be copyright-free images. Some are from Wikipedia, I suppose...]
]]> miscellaneous embroidery musings 6325 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-08-05 16:14:29 2009-08-05 16:14:29 1 0 6342 Pamela noreply@blogger.com http://www.blogger.com/profile/04708767246122734221 2009-08-04 10:29:46 2009-08-04 10:29:46 1 0
And you're just fine with the copyright laws. A court case (can't remember the specifics; I'd have to re-research it) determined that a faithful representation of 2-dimensional art is copyright-free, although this is in dispute by the museums who hold the works and hope to gain financial renumeration by selling reproductions and permissions.

Now if it were photo of a sculpture, where the photographer's artistry determines how the sculpture is presented, then that photographer could claim copyright protection.

Hope that empowers you to post more! :D Thanks again!]]> 6343 Jeanne noreply@blogger.com http://www.blogger.com/profile/17123395333610844603 2009-08-04 09:56:41 2009-08-04 09:56:41 1 0 6348 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-08-03 11:33:01 2009-08-03 11:33:01 1 0 Thanks again.]]> 6353 Samanta noreply@blogger.com 2009-08-03 08:14:00 2009-08-03 08:14:00 1 0 6354 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-08-03 06:24:36 2009-08-03 06:24:36 1 0
Some years ago I passed up a fairly inexpensive print of a woman sitting in a chair beside a window, sewing. I liked it so much but just didn't get it. It wasn't there the next time I returned to that store and I have kicked myself ever since. One of these days I will have a proper sewing area (room? — dream on!) and would have loved it for the wall.]]> 6355 Anonymous noreply@blogger.com 2009-08-03 05:31:54 2009-08-03 05:31:54 1 0 karen hilinski]]> 6359 Melissa noreply@blogger.com 2009-08-02 16:58:36 2009-08-02 16:58:36 1 0
Okay, time to go transfer the pattern for the long-and-short stitch project...]]> http://www.needlenthread.com/2009/08/humungo-mistake-and-good-lesson.html Sat, 01 Aug 2009 09:09:00 -0500 Mary Corbet 251 2009-08-01 09:09:00 2009-08-01 09:09:00 open open A-Humungo-Mistake---and-a-Good-Lesson publish 0 0 post always proof read! But sometimes I miss things. Thanks to Pat for catching a big mistake. In the scheme of things, color-wise, it's a huge mistake, especially if you've already gone to the effort of shopping for threads!

I listed in the materials section DMC #754. The number should be 745. If you can make that adjustment without too much inconvenience, that would be good.

754 is a peachy/pink color, I think, and 745 (the correct color) is a yellow. Now, if you already have your threads and you're ready to go, just use the 754. I know it isn't the color, and some parts of the piece may look slightly different from what was intended, but it's not as if it's a green or a purple, so you can probably get away with it. The point of the lesson is to practice the long and short stitch, and even if the colors are slightly off, it doesn't mean you still can't practice.

On the other hand, if you're the type who will be completely bothered by the difference, and may even chuck the project because it isn't "quite right," then by all means, pick up 745 next time you're out! The color is used in the first and third elements, and we'll be starting with the first element (the boxes) next week.

I'm awfully sorry, really embarrassed, and at least thankful that I've learned a good lesson before getting too far into this series - proof read the nitty gritty!

Thanks again, Pat!]]> stitchalong lessons needlepainting long and short stitch embroidery lessons 6360 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-02 15:32:56 2009-08-02 15:32:56 1 0 6361 Anonymous noreply@blogger.com 2009-08-02 13:23:33 2009-08-02 13:23:33 1 0 6367 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-08-01 18:46:51 2009-08-01 18:46:51 1 0 6368 Anonymous noreply@blogger.com 2009-08-01 12:32:22 2009-08-01 12:32:22 1 0 I'm ready.
Did you go right-brainer there for a sec?
JoanB]]> 6369 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-08-01 10:53:46 2009-08-01 10:53:46 1 0 http://www.needlenthread.com/2009/07/long-and-short-stitch-shading-my.html Mon, 27 Jul 2009 03:30:00 -0500 Mary Corbet 252 2009-07-27 03:30:00 2009-07-27 03:30:00 open open Long-and-Short-Stitch-Shading---My-Supplies publish 0 0 post

The long and short stitch shading lessons series that I'll be posting here on Needle 'n Thread over the next several weeks will consist of a small sampler of eight elements, each focusing on a different shape.



The whole piece is a total of 7" square, which keeps the individual elements rather small. The colors above are only approximate - I doodled them in while considering color schemes and shading.

The middle section is left empty. If you decide to do the whole piece in a square as the pattern is drawn (like above), then you can use the middle to stitch your own little something, shaded. Or you can add some personal information, to document when you stitched it, etc.

You can skip the whole "square" layout, and just do each element separately, on a bit of scrap fabric. It's all up to you.

I'm working the square, as designed above.

When I'm ready to publish the lessons, you'll receive a downloadable pattern in a plain line drawing, plus a downloadable color guide like the one above, just to give you the idea of the shading, and also a downloadable stitch-direction guide.



Here's the supply list:

1. Fabric - a 12" square of cotton - high thread count muslin (calico) is suitable - in white or natural. I used a piece of good cotton from a new pillow case that I was going to stitch, but that I messed up on when transferring the design onto it. So you can use a "scrap" if you want to conserve a bit on fabric or expense.

2. Hoop or frame - you'll want a hoop (either a 4" or 6" hoop will work). Alternately, you can use stretcher bar frames - 10" work fine, if you're working on a 12" square.

3. Needles - #10 crewel

4. Sharp Scissors

5. Pencil - I use a mechanical pencil

6. Thread: I'm using DMC stranded cotton in the following colors. You are welcome to use the same colors or change them to suit you. I've arranged the DMC color numbers in numerical order for shopping convenience, if you're going to buy threads. If you have suitable threads in your stash, though, feel free just to use those!

DMC Colors:
158, 159, 160, 161, 223, 225, 347, 349, 351, 353, 469, 471, 472, 613, 745, 814, 3011, 3012, 3013, 3052, 3855 and ECRU

I'll be presenting the lessons in a sequential order, progressing from least difficult to more difficult. The first lesson will cover setting up the project. After that, each lesson will deal with an individual element (the group within a square).

There will be at least two videos accompanying the series of lessons. Unfortunately, my software did something weird when I tried to complete the first video, so I'll be looking into that. The first video was 57 minutes long originally, edited down to 27, for the basic long and short stitch. I'll try to edit it further! Aaack!

So that's the plan! If you're interested, you can join me in the venture! If you just want to watch from the sidelines, that's fine, too! And if you aren't interested, never fear - I'll still keep up with some other content for those of you not inclined to shade!

I'm looking forward to this series - I hope you find it fun, too.
]]> stitchalong lessons pictures embroidery tips and tricks needlepainting long and short stitch embroidery lessons 5949 Labores noreply@blogger.com http://www.blogger.com/profile/11086176619046848116 2009-08-27 04:40:56 2009-08-27 04:40:56 1 0 (manuelamarin@gmail.com)]]> 6273 swarna noreply@blogger.com 2009-08-09 05:13:33 2009-08-09 05:13:33 1 0 6274 swarna noreply@blogger.com 2009-08-09 05:10:35 2009-08-09 05:10:35 1 0 6351 Moonsilk Stitches holme9@gmail.com http://www.blogger.com/profile/10659720657383001401 2009-08-03 10:41:46 2009-08-03 10:41:46 1 0 6363 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-02 09:38:37 2009-08-02 09:38:37 1 0
You'll be able to find all the articles relating to the long and short stitch lessons here:

Long and Short Stitch category

There will be some other posts in there, too, that aren't necessarily the lessons themselves, but eventually, all the lessons will end up under that category.

To see the most recent articles on the site, click on "HOME" in the top menu. You can also subscribe via RSS feed or the daily newsletter (both options in the right hand column). With the newsletter, each day's blog post will show up in your inbox.

Have fun!!

MC]]> 6364 Stephanie noreply@blogger.com http://www.blogger.com/profile/14274898348661917408 2009-08-02 09:22:03 2009-08-02 09:22:03 1 0 I would really like to join this group. This is the first time I have had a look at your website and have spent the whole morning watching your stitch videos. so much easier than looking at book illustrations..... Thank you for all the hours you have put into your excellent website.
Stephanie
North Carolina]]> 6406 CarolynPhi CarolynLPhillips@msn.com http://www.blogger.com/profile/06561414352635851207 2009-07-29 21:42:06 2009-07-29 21:42:06 1 0 I am really happy about getting started on our long and short stitch-along tutorial!!!

Thank you so much!!!!!

Carolyn]]> 6409 Anonymous noreply@blogger.com 2009-07-29 11:59:05 2009-07-29 11:59:05 1 0 I have been following your site for some time. Now I am so excited to be starting a class on your site. Looking forward to starting this class. I have supplies in hand. Will be waiting with bated breath.
Carol]]> 6411 Anonymous noreply@blogger.com 2009-07-29 11:05:31 2009-07-29 11:05:31 1 0 I'm off shopping for the threads and looking for my material. I'll keep checking in to see where you are on the project and when the children are back in school (ahhhhhhhh) I'll pick up my needle n thread and join in. Thank you very much for your time and energy Mary.
Maria in Kansas]]> 6412 Quiltnut noreply@blogger.com http://www.blogger.com/profile/09759710068014581021 2009-07-29 11:03:21 2009-07-29 11:03:21 1 0 6417 kennedyg noreply@blogger.com http://www.blogger.com/profile/13141144626019422635 2009-07-29 07:54:20 2009-07-29 07:54:20 1 0 6419 Samanta noreply@blogger.com 2009-07-29 07:21:43 2009-07-29 07:21:43 1 0
Keep posting!]]> 6422 Robin Hart noreply@blogger.com http://www.blogger.com/profile/13973983902751504739 2009-07-29 01:43:25 2009-07-29 01:43:25 1 0 6426 marie-jeanne noreply@blogger.com 2009-07-28 19:15:28 2009-07-28 19:15:28 1 0 I will join you in this project.
Thank you
marie-jeanne]]> 6429 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-28 06:33:08 2009-07-28 06:33:08 1 0 I only have two colours. Today I'll buy all I need.
Thank you so very much, Mary!]]> 6431 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-07-28 04:37:16 2009-07-28 04:37:16 1 0
Count me in. Learnt this in school and that was a long time ago. Time to brush up before I teach my daughter. Thanks for the supply list.]]> 6432 BonnieC noreply@blogger.com 2009-07-28 00:32:25 2009-07-28 00:32:25 1 0 6434 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-07-27 22:53:52 2009-07-27 22:53:52 1 0 6437 Lindi noreply@blogger.com 2009-07-27 22:07:26 2009-07-27 22:07:26 1 0 6438 Theresa noreply@blogger.com http://www.blogger.com/profile/11206428440957079177 2009-07-27 21:36:59 2009-07-27 21:36:59 1 0
I think this is some of the best that embroidery has to offer. I want to stitch along.]]> 6439 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-27 20:01:32 2009-07-27 20:01:32 1 0
As you know, I'm a bit under the weather atm, but should be better in a month or so, and I'll join you then, before getting back into my sampler. This is too good an opportunity to miss!

Thankyou So Much for putting this effort in]]> 6441 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-07-27 17:01:12 2009-07-27 17:01:12 1 0 I been waiting for this news!
Hugs!

Maria del Valle]]> 6445 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-07-27 13:59:14 2009-07-27 13:59:14 1 0 6446 JudyinPittsburgh noreply@blogger.com 2009-07-27 13:32:20 2009-07-27 13:32:20 1 0 6447 Pam Paice noreply@blogger.com 2009-07-27 13:29:20 2009-07-27 13:29:20 1 0
Pam. UK]]> 6448 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2009-07-27 13:01:00 2009-07-27 13:01:00 1 0
Thanks for putting this together! I can teach myself most stitches from books, but I'm glad to get a little more instruction on shading, it's not as easy to pick up.]]> 6449 Sewbusymor noreply@blogger.com 2009-07-27 12:47:36 2009-07-27 12:47:36 1 0 6450 Janice Miller noreply@blogger.com 2009-07-27 11:43:06 2009-07-27 11:43:06 1 0 I am very excited to join in this project. Ihave a complete kit of Berlin's wild rose but I think this will give me the courage to face that. Thanks as always Mary, you are the best;.]]> 6451 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-07-27 11:36:09 2009-07-27 11:36:09 1 0
Ren]]> 6454 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-07-27 09:44:36 2009-07-27 09:44:36 1 0 6455 Shari M sharimasson@gmail.com http://www.blogger.com/profile/09514748575422631885 2009-07-27 09:37:41 2009-07-27 09:37:41 1 0
Shari Masson
Canada]]> 6456 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-07-27 09:23:44 2009-07-27 09:23:44 1 0 6457 BJ Pontalion noreply@blogger.com 2009-07-27 07:54:37 2009-07-27 07:54:37 1 0 6458 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-07-27 07:24:30 2009-07-27 07:24:30 1 0 I have always wanted to learn, how to do the shading in needlepaint. Now, I can try it myself.
Thank you for your work.]]> 6459 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-07-27 07:02:28 2009-07-27 07:02:28 1 0 Cheers]]> 6460 Anonymous noreply@blogger.com 2009-07-27 07:00:13 2009-07-27 07:00:13 1 0 6461 Anonymous noreply@blogger.com 2009-07-27 06:43:13 2009-07-27 06:43:13 1 0 This is a great idea! I will join you in this project.
Best wishes,
Catalina]]> 6462 alice m noreply@blogger.com 2009-07-27 06:00:38 2009-07-27 06:00:38 1 0 6463 Anonymous noreply@blogger.com 2009-07-27 05:34:18 2009-07-27 05:34:18 1 0
I am longly waiting for the lessons of short and long stitches.I am first to join in this venture.

Thanks for the update.
Sweety]]> http://www.needlenthread.com/2009/07/tutorial-binding-embroidery-hoop.html Thu, 30 Jul 2009 03:45:00 -0500 Mary Corbet 253 2009-07-30 03:45:00 2009-07-30 03:45:00 open open Tutorial:-Binding-an-Embroidery-Hoop publish 0 0 post selecting a good hand embroidery hoop, here's a little tutorial on how to bind the inside ring of your hoop in order to maintain better tension for a longer period of time.

Binding a hoop isn't absolutely essential in embroidery, but it does have its advantages. When you bind at least one ring (I bind the inside ring), you supply a little extra friction to keep your fabric tighter, longer. Also, the binding adds a bit of protective "padding" that will make the hoop a bit easier on your fabric. And though binding seems as if it would be a time-waster or a pain in the neck, really, it's very simple, and once it's done, you don't normally have to do it again. I have four hoops with the inner ring bound that I've been using for three or four years, and the binding job is just as good now as it was when I first did it. They work great! I'm glad I took the time to bind them.

That being said, not all my hoops are bound; I often work with hoops that aren't. If you want to bind the inside ring of one of your hoops, here's a little tutorial to show you how. Keep in mind that the tutorial focuses on the inside ring of the hoop. If you decide to bind the outside ring of the hoop, you'll need to begin and end your twill tape on the outside of the outside ring. Binding doesn't really work well on the plastic Susan Bates-style hoops that have a lip.



First, gather your supplies. I'm using the same Hardwicke Manor Hoop I spoke about yesterday (7" round x 5/8" deep). (By the way, it's HardwickE Manor Hoop, with an "E" - seems I spelled it wrong ...)

I'm using 1" twill tape, the kind you buy in the notions section at a sewing store. It's polyester. For better friction, I'd suggest cotton twill tape, but I didn't have any on hand. Cotton twill tape is easier to bind the hoop with, too, as it's not as slippery as polyester and it has a little more body to it. You can also use narrower twill tape, but the 1" works well on the 5/8" hoops. On smaller hoops - the 5/16" ones - I use narrower twill tape.

Twill tape vs bias tape: I like twill tape better. You can use bias tape, but the folded bias tape has a noticeable edge where the fold ends, so you don't get smooth coverage. Any overlapping or any spots of bulging thickness reduce the effectiveness of binding the hoop.

You'll definitely want some clothespins to help you out, unless you have four hands. I've always wanted four hands, but since I haven't managed growing extras, I just use clothespins.

You'll also need scissor, sewing thread, and a sewing needle.



Begin by laying your twill tape at an angle across the inside of your inside embroidery ring. You want the beginning and the end of the length of twill tape to meet on the inside of the ring, because that's where you'll stitch them together, avoiding a bulge from your stitching on the outside of the ring, where it meets the inside of the outer ring of the hoop. (Wow.... confusing...!)



Wrap the twill tape around the hoop once to establish the angle needed for the tape to lay perfectly parallel to the wrap before, and then use a clothespin to hold the edge.



Continue to wrap the twill tape around the hoop, lining up the edges of the tape so that they are parallel and not overlapping. Pull the tape tight, and work with it to reduce any bulging or buckling. You want it to hug the hoop.



When you get to about the halfway point, if everything is looking good, go ahead and clamp another clothespin on to secure the tape at that point. This way, if you mess up a bit on the second half, you don't have to re-wrap the whole ring.



When you arrive back at the beginning of your twill tape, fix the end with another clothespin. You may have more space than you want between the wraps, or you may need to adjust to fit the last wrap in just right. Clamp the end with another clothespin, then work the twill tape around with your hands, running the hoop through your hands and shifting the tape around as you need to. You might have to tug a bit here and there, or twist the hoop in your hands a bit, adjusting until you line up the edges of the wraps as close as possible to each other and until wraps of the twill tape are hugging the hoop all around.



Undo the clothespin on the beginning of the wrap, and cut the extra off, so that the twill ends at the farther edge of the ring.



Then, take the end of the twill tape (it'll be the end with the long tail) and finish wrapping it so that it overlaps the beginning of the tape. Don't trim it just yet. Stick a clothespin on to hold both ends in the right place.

Then, take your needle and thread (with a knot in the end of the thread), and begin stitching over the overlap. I just use a whip stitch, and I stitch down the edge of the inside of the ring, through both pieces of twill, and then back again over the same path.



I also stitch down one side of the twill wraps, stitching two edges of the wrap together. Then, clip off the extra twill tape...



... and the inner ring of your hoop is now bound!

Try binding one hoop - I think you'll like it!

Tomorrow, stay tuned for the first "action" installment of the Long and Short Stitch lessons. I'll discuss materials, talk about transferring the pattern, give you the design to transfer, and show you my transfer and set-up process.

Incidentally, I've had a jolly awful time editing the first video, soooo... I gave up and will try again this weekend. I bit the bullet and invested in a new camcorder today, so you should be getting a better quality video, at any rate. But yikes! After hours in front of the computer yesterday, and practically all day today, I was ready to pull out my hair.

Instead, I shopped! My Mom always says, "Get your hair done and go shopping - you'll feel better." Her solution to every gal's problems! And... she's right! It worked! I can't wait to get back to the whole video process!!

See you tomorrow!
]]> needlework tutorials needlework tools pictures embroidery tips and tricks 5589 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-09-16 19:32:09 2009-09-16 19:32:09 1 0 6380 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-07-31 13:14:43 2009-07-31 13:14:43 1 0 email me at hederaivy@yahoo.com

Look for a copy of Naaien is Niet Moeijlijk. Another great resource for sewing terms is KnipMode, which you can find on the magazine racks at most grocery stores (I got mine at C1000) There are usually cross-stitch magazines as well; the instructions are laid out so similarly to English language ones that it's pretty easy to figure out translations. One good one is Borduuren, which I think comes out quarterly.
Sucess!]]> 6392 CC noreply@blogger.com http://www.blogger.com/profile/10014665817356312048 2009-07-31 01:53:34 2009-07-31 01:53:34 1 0 6394 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-07-30 16:43:35 2009-07-30 16:43:35 1 0 6396 CC noreply@blogger.com http://www.blogger.com/profile/10014665817356312048 2009-07-30 13:53:57 2009-07-30 13:53:57 1 0 6397 Fr. Nestor noreply@blogger.com http://www.blogger.com/profile/14331229098903191942 2009-07-30 11:51:24 2009-07-30 11:51:24 1 0 Do you use one of these? and do you recommend it?
Thanks again for the great post on binding the inner hoop.
Nestor]]> 6398 prairiethistle noreply@blogger.com http://prairiethistle.wordpress.com/ 2009-07-30 11:34:03 2009-07-30 11:34:03 1 0 Several years ago while taking Brazilian Embroidery classes I bound my hoops with strips of Pellon fleece, for extra cushioning. They are still in great shape and work well for my crazy quilting projects.]]> 6399 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-07-30 09:05:54 2009-07-30 09:05:54 1 0 6400 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-07-30 09:04:39 2009-07-30 09:04:39 1 0 6403 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-07-30 04:41:48 2009-07-30 04:41:48 1 0
Loved your tutorial on binding hoops. will try it just as soon as I get hold of the cotton tape this evening]]> 6404 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-07-30 04:26:48 2009-07-30 04:26:48 1 0 http://www.needlenthread.com/2009/06/categories-on-needle-n-thread.html Wed, 24 Jun 2009 06:38:00 -0500 Mary Corbet 254 2009-06-24 06:38:00 2009-06-24 06:38:00 open open Categories-on-Needle-'n-Thread publish 0 0 post

These categories are all arranged alphabetically. When you click on a category, you'll get all the posts that are assigned to that category. Most posts are assigned to more than one category, so if you browse this way, you'll probably end up running into repeat posts.

If I add more "tags" or categories on Needle 'n Thread, I'll also add them to this list.

I know that I could automatically generate a category list for the right column of the blog, but it looks messy. So I'll do it manually for now! (And hopefully, I'll keep up with it!) I try not to add categories randomly anymore, though I'm afraid that's exactly what I did do when I first started adding categories, so some of these are not only rather random, but they are somewhat disorganized!

Enjoy browsing!

15 Minutes

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]]> website news organization 6794 Anonymous noreply@blogger.com 2009-06-24 15:28:29 2009-06-24 15:28:29 1 0 6795 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-06-24 12:36:39 2009-06-24 12:36:39 1 0 This is just so great! I won't be lost in your blog ever again. Thank you!!!]]> http://www.needlenthread.com/2009/07/embroidery-hoop.html Wed, 29 Jul 2009 04:00:00 -0500 Mary Corbet 255 2009-07-29 04:00:00 2009-07-29 04:00:00 open open The-Embroidery-Hoop publish 0 0 post good? Below are my criteria for a good hoop, and later on, I'll show you how to make a good hoop even better.

The purpose of an embroidery hoop is to hold taut the fabric that's in it. For most embroidery (though not all - depends on the type of stitch), I like my fabric to be drum tight - that is, if I flick it with my fingers, it sounds a bit like a drum. There are different ways to achieve drum-tight fabric for stitching: a slate frame, stretcher bar frames, or a hoop. Now, for a hoop to achieve drum-tightness and maintain it for a reasonable amount of time, a good hoop is essential.

So... my question: what makes a hoop good? This (below) is a good hoop:



This is a 7" round hoop that's 5/8" deep. It has all-brass hardware, and the outer ring fits the inner ring very well, without any warping.



The hoop is made from birch wood and is strong and solid - unless you're super-duper ridiculously strong (like Captain Caveman strong), I don't think you could bend it out of shape with your hands! It's got a natural finish and is smoothly polished, so there are no splintery bits that can snag your threads or your hands.



When the rings are together and the outer ring is tightened, there are no gaps between the outer ring and the inner. They're a perfect match. (Awwwww...)



The hardware, again, is all brass. The brass brackets are not flimsy - they're strong and durable, and they don't bend, no matter how much you tighten the screw. The screw has outer ridges that serve as grips for tightening, and it also has a slash in it for a screwdriver, so that you can Really tighten the thing up.

This is a good hoop. The 5/8" depth is perfect for medium weight fabrics, though I also use it on some finer weight fabrics as well. Muslin, shadow weight linen, dower quality linen - this hoop works with all of them. For heavier weight fabric, like linen twill, I'm more inclined to use a 7/8" deep hoop, but this hoop actually works fine with twill, too. It's a good all-purpose hoop in an all-purpose size. The 7" diameter ring is an easy fit for my hands. Anything larger, actually, becomes cumbersome when it comes to working on the fabric in the middle. I generally like 6" and 7" hoops best.

When you buy a hoop, you want to look for one that fits well in your hands. You should be able to hold the edge of your hoop in your palm, secured by your thumb, and stretch your fingers easily to the center of the hoop. Larger hoops (10" and larger, especially) are generally best managed with some kind of stand to support them (or at least the lip of a table), so that, when necessary, you have both hands free to reach the center of the fabric in the hoop.

The hoop featured above is a Hardwick Manor hoop, made in Germany and imported into the States by Access Commodities. You can find these hoops through many fine online needlework shops. I usually get mine through Needle in a Haystack.

A hoop pointer: Always take your fabric out of your hoop when you finish a stitching session. Doing so reduces the chance of permanent hoop marks or dirt rings. Plastic hoops with a lip are more prone to dirt rings than good wooden hoops are, though, because the lip tends to catch dust and dirt.

Coming up later: I'll show you how to bind a hoop easily, to achieve better long-lasting tension and to eliminate stress on your fabric. I don't bind all my hoops, but I do bind some, and I like them bound. I'll show you how!
]]> needlework tools embroidery tips and tricks 5945 Ruth Liebert noreply@blogger.com 2009-08-27 17:29:12 2009-08-27 17:29:12 1 0 6391 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-07-31 03:22:36 2009-07-31 03:22:36 1 0
Thanx for your reply. will try it out and let you know how its going.
Till then take care :)

Kirti.]]> 6401 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-30 07:53:38 2009-07-30 07:53:38 1 0
I have several articles here for beginning your threads. The concepts are the same, even if you aren't stitching on a line. Start the threads the same way, and then cover up your starting point with your bullion stitch.

Also, take a look at the bullion rose bud video tutorial. I show how to start and end threads on that...

Hope that helps...

MC]]> 6402 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-07-30 07:11:02 2009-07-30 07:11:02 1 0
I have a query but its not related to the current post but something which I am working on currently. Its brazilian embroidery. I don't understand how to secure the back of the stitches(which are mostly bullions, french knots)and I fear that they mighty come undone after a while of using it :(. Since the thread is rayon its quite slippery and knots come undone very easily. I wish you could help in out in this.
Thanks
Kirti]]> 6405 Sandy noreply@blogger.com 2009-07-29 23:10:40 2009-07-29 23:10:40 1 0
Fr. Nestor: I also hope to embroider my own stole someday (although I love all church embroidery). Wish my church had more of this (we normally don't do vestments). Regardless, it's a beautiful and distinctive art form. I'm taking Mary's shading class, too, and expect to gain some great skills!]]> 6407 Marian noreply@blogger.com 2009-07-29 18:18:55 2009-07-29 18:18:55 1 0
One of the classes I attended a Wessex embroidery workshop with Gay Eaton, and I asked her 'Should I bind my hoop?"

She replied, "Yes please."

So I eagerly await you post on how to bind a hoop.]]> 6410 Fr. Nestor noreply@blogger.com http://www.blogger.com/profile/14331229098903191942 2009-07-29 11:14:03 2009-07-29 11:14:03 1 0
Nestor]]> 6413 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-29 10:26:26 2009-07-29 10:26:26 1 0
Thanks for your comments! Margaret, thanks for the information and endorsement!!

I'll be showing you how to bind a hoop and tighten it up in the next couple days, covering as well the question of moving the hoop over other embroidered areas.

You can read about slate frames here:

Dressing a Slate Frame

Slate frames come in smaller sizes, too, and are available through Hedgehog Handworks.]]> 6414 margaret c. noreply@blogger.com 2009-07-29 10:09:42 2009-07-29 10:09:42 1 0
I would also caution against Elbensee hoops which are similar and less expensive than Hardwickes, but not as nice. I bought a couple on-line (i.e., sight unseen) and had to use steel wool on them as they were not as well finished as the Hardwicke Manor hoops. They don't seem quite as sturdy either, but are serviceable. I'd rather pay the extra cost, though, and buy Hardwickes.

My favourite sizes are 6-8" round, 5/8" thick. They feel good in my hands. The thick hoops are wonderful and just give you a little more to hold on to. I think they hold the tension on the fabric better than the thinner hoops.

Hoops are always my first choice for embroidery projects (over frames) because I'm impatient to get to the stitching and I can mount a project very quickly in a hoop. I like to use hoops in classes for this very reason. In addition, hoops seem more portable to me than frames. There are definitely times when you should use a frame, but if I can possibly use a hoop for a project I do. I want to stitch, not lace up a frame! :-)

One last thing: please use a screwdriver to tighten the screw! There's a screwdriver slot for a reason. When I started using a screwdriver to tighten the hoop the improvement in the quality of my work was very noticeable. My stitching tension was orders of magnitude above and beyond what it had been. In fact, I recently had to replace the screw on my favourite hoop as I'd worn out the slot from many, many projects. (I was able to get a new screw from Access Commodities via Hedgehog Handworks.) Remember, too, that you have to maintain the tightness of your fabric. You can't just mount the piece and never tighten it again. When you start noticing any play in the fabric tighten it up.]]> 6415 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-07-29 08:54:35 2009-07-29 08:54:35 1 0 6416 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-07-29 08:34:22 2009-07-29 08:34:22 1 0 But question...when one uses a smaller hoop (like 6", which I also prefer) how does it affect your embroidery previously done on the piece? ie, when you move the hoop to a different area and it has to be placed over the work already completed?
Thanks,
Susan]]> 6418 Anonymous noreply@blogger.com 2009-07-29 07:50:41 2009-07-29 07:50:41 1 0 6420 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2009-07-29 05:41:48 2009-07-29 05:41:48 1 0 http://www.needlenthread.com/2009/07/i-forgot-ecru.html Tue, 28 Jul 2009 17:56:00 -0500 Mary Corbet 256 2009-07-28 17:56:00 2009-07-28 17:56:00 open open I-Forgot-Ecru! publish 0 0 post original post on materials. Sorry about that!!]]> stitchalong lessons needlepainting long and short stitch embroidery lessons http://www.needlenthread.com/2009/07/new-old-metal-thread-silk-purl-have-you.html Tue, 28 Jul 2009 03:30:00 -0500 Mary Corbet 257 2009-07-28 03:30:00 2009-07-28 03:30:00 open open A-New-Old-Metal-Thread:-Silk-Purl---Have-you-Seen-It?! publish 0 0 post Plimoth Plantation 17th century jacket project have been busy! They've brought another new metal thread onto the market, one which was used in 17th century raised embroidery, but eventually fell out of use and disappeared from the market. We've heard the story before - remember that these are the same folks behind the Gilt Sylke Twist now once again available to the embroiderer after a couple centuries of absense! Silk Purl is the new thread, and here's a look at it...

Silk Purl is made up of a fine copper wire wrapped with filament silk, then turned into a tight coil. If you're familiar with goldwork embroidery threads (real metal threads for embroidery), you can compare Silk Purl with regular purls used in goldwork. (You can see some gold purls being worked in my beetle wing goldwork project from a while ago, if you want!) The difference between regular gold or gilt purls and Silk Purl is that Silk Purl is covered in silk, which means it's colored and shiny like silk and the coil is a little fatter than the coil you'd see on a regular gold or gilt purl.



Silk Purl is a really incredible thread! I realize that trends and tastes change as the years pass, but it's so hard to imagine that a thread this interesting could just fade from existence and not be resurrected again for some centuries!

I love the look and the feel of the Silk Purl. It feels hard (due to the wire) but smooth (thanks to the silk!), a little boingy, and bumpy.



Just like with regular purls used in goldwork, if you stretch the Silk Purl, you'll get an elongated spring-looking length of wire that will not close back on itself.



If you unwrap the spring, you can see the colored wire that forms the core of the metal thread, and the silk, of course, which becomes very limp and silk-like. It's nice silk and it feels great to the touch!



Silk Purl is hollow in the center, so small pieces cut from the length of the Silk Purl can be sewn on just like bugle beads. According to Tricia Wilson Nguyen, the lady behind the research that resurrected these historic threads, Silk Purl was sewn on in a number of ways: couched in long wavy lines (sometimes with the Silk Purl slightly stretched - think human of animal hair in 17th century embroidery); sewn on in loops; or sewn on in a kind of chipwork method to fill an area, as is done with check purl. Tricia included some great photos of historical examples of Silk Purl in use in her last newsletter from Thistle Threads. If you haven't signed up for her newsletter, you should. Though they don't come out often, when they do, they're full of interesting tidbits on historical embroidery.



To give you an idea of the size of Silk Purl, I lined a piece up with a regular piece of 6-stranded DMC cotton, which is what you see here in the foreground of the photo.



Although in size, Silk Purl is more solidly round and stands up off the fabric, you can see that it isn't too far in size from a regular piece of DMC (with all 6 strands still in tact).



Silk Purl comes in colors to that match Gilt Sylke Twist, with about 8 colors available right now. It is uncertain whether the thread will continue to be manufactured, and the colors presently being manufactured are short in quantity, so if you see a color you like over at Thistle Threads, don't delay in ordering it - you never know when it may be gone again for good.

I ordered a sample pack of the colors, to see what Silk Purl was all about. I think it's a really neat thread, and that those interested in stumpwork or any dimensional embroidery techniques, or goldwork, would find the thread inspiring. I've been mulling over all kinds of possible uses ever since the package arrived in the mail, and I've added it to my list of things to play with in the near future! I'm looking forward to it!
]]> historical needlework goldwork embroidery resources threads pictures silk 6424 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-28 19:27:06 2009-07-28 19:27:06 1 0
Museum : Museum of Fine Arts, Boston

Date : late 17th to early 18th C

Accession Number : 88.531

Link : http://www.mfa.org/collections/search_art.asp?coll_keywords=88.531

you will find a piece that is done entirely in couched silk purl!]]> 6425 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-28 19:23:25 2009-07-28 19:23:25 1 0
If you google "silk purl" and "silk covered purl" you can find other suppliers, with other colours - although I'm unable to comment on quality.

Also note there is the coloured metal purl - comes in turquoise, blue, green, rust etc etc but it's not silk covered - it's just like the regular gold purl, only in a particular colour and doesn't have the lushness of the silk covering (it's easy to get confused when you see a list of "coloured purl" - I certainly have!)]]> 6427 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-07-28 16:49:29 2009-07-28 16:49:29 1 0 http://www.needlenthread.com/2009/07/two-beautiful-goldwork-embroidery-books.html Sat, 25 Jul 2009 06:00:00 -0500 Mary Corbet 258 2009-07-25 06:00:00 2009-07-25 06:00:00 open open Two-Beautiful-Goldwork-Embroidery-Books! publish 0 0 post
Finally, while enjoying that incredibly long road trip earlier this summer, my wishes were fulfilled, and both of Alison's books were added to my library. In fact, I got a deal on one of them...

The two books in question here are All that Glitters and The Midas Touch. You can read about Alison's publishing adventures with these two books here on Needle 'n Thread, where she was featured in a "Designer Spotlight" article last summer. It's a fascinating story, especially if you are interested in the craft book publishing industry!



Alison self-publishes her books. They are not available through discount book warehouses, such as Amazon, but they are available at many fine needlework shops around the world. The books, as the covers attest, are full of goldwork projects and stumpwork projects that incorporate goldwork.



The majority of the content of both books concentrates on projects, but both books have extensive stitching technique sections as well.



For each project, the reader is given the patterns in line drawings, detailed materials lists and instructions on completing the project, and photos of the finished project.



All the necessary techniques for goldwork are covered at the beginning of the work, using clear photos and directions.



For different techniques - such as detached petals in stumpwork - there are colored photos of samples of the technique. The works in the photos are really something! Inspirational, to say the least. At the same time, having clear photos of the finished elements help the reader "get it."



The general instructions in the books apply to any type of goldwork and stumpwork. They aren't relegated just to the designs in Alison's books. If you're learning goldwork, for example, chances are you will learn to couch passing thread around corners, a technique clearly illustrated in the "stitches and techniques" section.



Some of the projects in the books are really just unbelievably gorgeous! Could you imagine finishing such a piece as the fuschia in the photo above, and having it hanging on your wall? Talk about a beautiful accent - and what a conversation piece!



I've been a fan of goldwork and stumpwork for a long time - but I've mostly thought of them as separate techniques. Yes, you might see, occasionally, some stumpwork highlighted with a bit of goldwork, or some goldwork that employs a bit of dimensional work, but in Alison's books, she really combines the two techniques in amazing ways!

I was really happy with the purchase of these two books! I found them at Nordic Needle, and, to tell you the truth, they were the only definite things on my list to buy there. I've seen them there for a while, but was never ready to pay the price and the shipping for both. I felt justified in buying both of them by saving on shipping! (We won't discuss how much the road trip cost in the first place, ok?) Funny how we tend to justify things like that...

But, to make the picture even brighter, I visited Nordic Needle on a Monday, which was perfect! They have, on Mondays, a "Monday Madness" special, where you can draw a card that has a discount amount on it, from 10% up to 50% off an item in your order. Guess what? I got 50% off one of the books. In addition to that, because I had travelled a certain number of miles, I got another percentage off the whole order (a little special they run for out-of-town visitors, based on the number of miles they travel). So it worked out, and my patience in waiting for these two books paid off.

If you're looking for a challenging goldwork project, or if you just want to dream a bit about working one in the future, I'd suggest investing in one or both of Alison's books, especially if you're a fan of dimensional embroidery. While the books aren't heavy on step-by-step beginner information, they do contain enough instruction in them for the adventurous beginner in goldwork and for the novice who has dabbled a bit in goldwork. If you're absolutely brand new to embroidery, though, you might want to get some simpler techniques down first.

My favorite of the two books is the second one, The Midas Touch, but the first one, All That Glitters, is excellent, too.

In the States, both books are available through Nordic Needle.
]]> book review goldwork embroidery designers 6471 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-07-25 17:30:09 2009-07-25 17:30:09 1 0 6472 Carol R. noreply@blogger.com 2009-07-25 12:30:31 2009-07-25 12:30:31 1 0
Amazon does carry "All That Glitters" and for a very reasonable price.

They don't have "The Midas Touch", however.]]> 6473 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-25 11:00:26 2009-07-25 11:00:26 1 0
If one day, if! i'll go to Nordic Needle, on a Monday from here do you think they count on me as out-of-town visitor and consider all these miles I'll have to travel????
I've already bought a goldwork embroidery book after a review of yours: Beginner's Guide to Goldwork but I've never tried any project...yet]]> 6477 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-07-25 10:26:50 2009-07-25 10:26:50 1 0 6479 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-07-25 08:02:55 2009-07-25 08:02:55 1 0 http://www.needlenthread.com/2009/07/organizing-embroidery-threads-for.html Fri, 24 Jul 2009 10:40:00 -0500 Mary Corbet 259 2009-07-24 10:40:00 2009-07-24 10:40:00 open open Organizing-Embroidery-Threads-for-Projects publish 0 0 post

Here on Needle 'n Thread, I've mentioned different ways to go about organizing your threads, from using key tabs to braiding your skeins of coton a broder. Way back, in the deep, dark beginning of the website, I wrote an article on thread organization & storage, exploring some of the more popular forms including bags and rings and such, and then followed it up with another article that included the file-a-floss system and EZ Bobs. So this isn't really a new topic here, but it is another angle...

Thread keeps, thread rings, thread cards - they all have the same thing in common: holes that you put your embroidery threads into, looping them so that it is easy to remove one strand of floss at a time.



Thread keeps can be nice little accessories. They come in all kinds of shapes and materials, from simple wood strips, to bright pink plastic horse-heads (via DMC), to beautiful wood palettes, to mother-of-pearl acorns and hearts. This particular one above is from Kelmscott Designs. It costs around $9.00, and holds six colors of thread.



Thread rings are simply rings that you loop your thread onto. The rings can be attached to needlebooks, as I did when I finished this felt needlebook project. You can buy mother-of-pearl rings (also made by Kelmscott Designs), or you can even buy plastic rings made for curtain tie-backs for cheap, and get the same (thought not as attractive!) results.

Thread cards are a little less permanent than the above options. They are generally made out of heavy cardstock with punch-out-able holes and a place to record color numbers. You'll find them in the needlework section of many craft and sewing stores.

I like thread cards for projects that require using a lot of colors. While I have some thread rings and a few thread keeps and thread winders of different types, none of them are quite sufficient when working on a project involving a lot of thread.

So, I made up a version of a thread card to use with my upcoming Long and Short Stitch Shading Lessons, and then I turned it into a generic pattern for thread cards that can be used with any project. Here's how they work:



These are the cards for the Long and Short stitch lessons. I printed them on my computer on card stock.



I printed and cut two of each sized strip, stacking them on top of each other while cutting. Then I glued (using strip adhesive) the strips together, to reinforce them. If you can find slightly heavier cardstock that will go through your printer, you can skip this step! I only had light card stock on hand.



You can see that I already had the color numbers printed on my sheet before I printed them out. I also happened to have a 1/2" circle punch, so I used that to punch the holes. You can use a regular hole-punch and just not make the holes as big.



Cut your threads into working lengths (I always work with 18" - 20" lengths of threads) and fold the bundle in half.



Feed the fold of the thread through the front of the hole in the card, and make a loop behind the tails that remain on the front of the card, then pull the tails through the loop....



... and tighten it by pulling on the tails.



Repeat the process with all the threads for your project, writing the color number of the threads above each hole.

Now, your threads are ready to use! You can pull one strand at a time from the front of the little loop, without having to separate each bunch. Just slip the eye of your needle under one strand at the front of that little loop, and pull the strand out. Very easy!

If you want to print and use generic thread cards, here's a PDF that you can print out:

Thread Cards for Organization (PDF)

The thread cards include a place to write the project name and a space above each hole for writing the color number of the thread. There are three cards per sheet, with seven holes in each card.

How do you organize your threads for a project? Do you use thread cards or keeps, or some other system? Do tell!
]]> threads pictures embroidery tips and tricks organization 6436 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-07-27 22:25:46 2009-07-27 22:25:46 1 0 6466 Mal* (turning*turning) mal@turningturning.com http://www.blogger.com/profile/06089616225966759897 2009-07-27 03:25:54 2009-07-27 03:25:54 1 0 6467 Marian noreply@blogger.com 2009-07-26 21:11:23 2009-07-26 21:11:23 1 0 6480 County Belle noreply@blogger.com 2009-07-25 07:31:30 2009-07-25 07:31:30 1 0 6483 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-07-24 20:40:03 2009-07-24 20:40:03 1 0 6484 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-07-24 18:16:54 2009-07-24 18:16:54 1 0 6486 Andrea J. noreply@blogger.com http://www.blogger.com/profile/09319447475289414131 2009-07-24 14:22:33 2009-07-24 14:22:33 1 0 6489 Ruth O'Leary noreply@blogger.com http://www.rutholearytextileart.co.uk/ 2009-07-24 13:37:27 2009-07-24 13:37:27 1 0 6493 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-07-24 12:41:41 2009-07-24 12:41:41 1 0 6494 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-07-24 12:41:18 2009-07-24 12:41:18 1 0 6496 CarolynPhi CarolynLPhillips@msn.com http://www.blogger.com/profile/06561414352635851207 2009-07-24 12:15:42 2009-07-24 12:15:42 1 0
Great subject!

I use the old fashioned shower-curtain rings - the ones that are large at the top and smaller at the bottom and look sort of like keyhole.
I open and unloop each skein, cut the skein in half, loop the thread either back through the label ring or mfg. info card (or small cards with regular-sized holes punched in them. I string the cards onto the curtain rings through the punched hole. Depending on the type of thread, I'll either group them by thread-type, or by color families.

Carolyn in SoCal]]> http://www.needlenthread.com/2009/07/still-fiddling-with-needle-n-thread-in.html Fri, 24 Jul 2009 06:36:00 -0500 Mary Corbet 260 2009-07-24 06:36:00 2009-07-24 06:36:00 open open Still-Fiddling-with-Needle-'n-Thread---in-Lots-of-Ways! publish 0 0 post

I figured I may as well give a new service a try to see how it works, and if I (we!) like it, we'll be good to go! If not, a little tweaking will put us back in place.

In the meantime, this is what you can expect:

I will be transferring the Needle 'n Thread subscription list today (or at least, part of it.... I can only transfer 2,000 readers a day...) You will probably receive a confirmation e-mail again from me, to confirm your e-mail subscription. Following the confirmation e-mail, you will probably receive a follow-up e-mail, welcoming you to my newsletter.

If you do not receive either, don't panic. Because you have already confirmed your subscription, you may not receive another confirmation. If, however, you go a few days without receiving the e-mail newsletter, you can re-subscribe via the form on the website here, or you can contact me directly and I'll let you know what to do.

Once you confirm your subscription, you'll get the daily newsletters, just like before, except there will be a few changes:

1. You'll be able to reply directly to my newsletters if you have a question!

2. If I'm a good girl about writing my posts on time, for the most part, they should arrive on the same morning that they hit the website.

3. You'll receive special editions - occasional newsletters with extra needlework STUFF in it - tutorials or what-have-you... think of it as extra editions of the blog. These will be random and, again, occasional (once a month, I'm thinking!)

4. You'll receive advanced notice of contests & give-aways

So that's the plan. If there are any glitches in the next few days, it's because I'm fiddling!

If you are not subscribed to my e-mail newsletter and are interested in doing so, feel free to sign up! The form is right there, in the right hand column. Just add your e-mail address and click "subscribe."

Stay tuned for a Better Embroidery Post later on today! Surely I can come up with something Far More Interesting than this!

Thanks for your patience!
]]> website news 6482 Sallie noreply@blogger.com 2009-07-25 04:33:50 2009-07-25 04:33:50 1 0 6485 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-07-24 16:26:53 2009-07-24 16:26:53 1 0 6490 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-07-24 13:26:22 2009-07-24 13:26:22 1 0 6491 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-07-24 13:25:59 2009-07-24 13:25:59 1 0 6497 Elza noreply@blogger.com http://www.blogger.com/profile/05317203980463184479 2009-07-24 12:03:51 2009-07-24 12:03:51 1 0 effort you put in your daily letters. Also, you write like we are really good friends. It is always so warm and friendly ,keep up the good work. Kind regards Elza Bester Cape Town South Africa( PS I am on the new list)]]> 6500 MaryMaryQuiteContrary fbigirlie@yahoo.com http://www.blogger.com/profile/17268527334571062399 2009-07-24 11:20:27 2009-07-24 11:20:27 1 0 Mary Jo]]> 6506 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-24 08:08:15 2009-07-24 08:08:15 1 0 6507 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-07-24 07:46:55 2009-07-24 07:46:55 1 0 http://www.needlenthread.com/2009/07/huck-embroidery-kits.html Thu, 23 Jul 2009 15:50:00 -0500 Mary Corbet 261 2009-07-23 15:50:00 2009-07-23 15:50:00 open open Huck-Embroidery-Kits publish 0 0 post Nordic Needle. They're kits for Huck embroidery, also called Swedish Weaving or Huck Darning. I thought they were appropriate to buy at Nordic Needle (considering the "Nordic" angle), and surely, thought I, they would make Really Good Projects to work in the car!

Six thousand miles and almost three weeks later, I'll admit I never did open up these embroidery kits while I was in the car. In fact, I don't think I ever looked at them again until I unpacked everything (and that was just briefly)... but while reorganizing this morning and putting things in a "definite" place (you know how it is - from The Stack to the Definite Place?), I came across them again, and thought I'd show them to you.



The kits are for two towels, which is a typical (but not the only) application for Huck work.

Strangely enough, though the kits caught my attention at the time, now as I look at them, I find myself chuckling. Neither are in "my" colors! They aren't really typical of me at all.

Yet, still, I like the idea of them.



Huck embroidery is worked on a specific type of fabric, normally (at least for beginners, anyway!) by following a pattern like the one in the photo above. The lines of the design represent the floss, while the little vertical dashes speckling the pattern represent the fabric weave.



You can use specific fabric for Huck work called Huck fabric, or you can use Huck toweling (or huckaback). You can also get away with using aida cloth or monk's cloth for Huck embroidery, too. For the actually "weaving" of the design (running the needle under loops of the fabric, according to a pattern, to create stitches that look like darning stitching - hence, "Swedish Weaving" and "Huck Darning") you use a blunt tapestry needle. And almost any kind of regular cotton embroidery thread or floss can be used, including pearl cotton and stranded cotton.

Those are the tidbits of information I picked up about Huck embroidery in reading the backs of the kits at Nordic Needle. Other than that, I don't really know much about the technique, as I've never tried it!

I've relegated these kits to the Someday Pile - I'm interested in trying them, but not right now, as there's just too much on the plate at the moment!

Still, I thought they were interesting enough to show you the kits, and ask if anyone out there is a great fan of Huck work, and if so, can you tell us any other information about it? Are there links and resources available for this craft? How 'bout some photo pages and so forth?
]]> regional embroidery techniques pictures 3893 SilvaThreads noreply@blogger.com 2009-12-30 15:00:11 2009-12-30 15:00:11 1 0 4726 Debbie Katchko Gray noreply@blogger.com http://www.cantordebbie.com 2009-11-02 06:57:20 2009-11-02 06:57:20 1 0 cantordkg@aol.com
THANKS
Cantor Debbie Katchko-Gray
Ridgefield,CT]]> 6502 Sherry noreply@blogger.com http://stores.shop.ebay.com/senior-rescue-store_W)QQ_armfsz1 2009-07-24 10:39:25 2009-07-24 10:39:25 1 0 6503 irene noreply@blogger.com 2009-07-24 09:20:33 2009-07-24 09:20:33 1 0 6504 Anonymous noreply@blogger.com 2009-07-24 09:14:30 2009-07-24 09:14:30 1 0
ME in Ottawa, ON, Canada

p.s. I would like to be able to comment from the newsletter without going into the web site.]]> 6509 Laura Bullinger noreply@blogger.com 2009-07-24 06:17:58 2009-07-24 06:17:58 1 0 6510 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2009-07-24 05:57:23 2009-07-24 05:57:23 1 0
I haven't gotten to making anything yet, but it does seem like a fun thing that you can do a lot with.]]> http://www.needlenthread.com/2009/07/long-and-short-stitch-shading-lessons.html Thu, 23 Jul 2009 09:01:00 -0500 Mary Corbet 262 2009-07-23 09:01:00 2009-07-23 09:01:00 open open Long-and-Short-Stitch-Shading-Lessons:-Sneak-Peek publish 0 0 post

Long and short stitch shading goes by many names in the embroidery arena, and the long and short stitch is a vital part of many embroidery techniques. Needle painting, thread painting, shading, silk shading.... crewel work, art silk embroidery... and on and on...



Despite what it's called, long and short stitch shading is a beautiful embroidery technique and it's worth learning. There's no better way in embroidery to fill a realistic-looking shape. And even if you're working a stylized design and you want to fill an area with shades of color, long and short stitch is the stitch to use for a smooth, gradual shaded fill.



It seems lots of stitchers are intimidated by long and short stitch. In a sense, there's good reason for that - it's usually considered a more "advanced" form of embroidery, and it's often seen in combination with "advanced" forms of embroidery (like goldwork).

Like any new skill, long and short stitch takes practice to get it, but once you start working with the technique, you'll find out a very important thing about it: it's a "forgiving" stitch, more so than many other embroidery stitches! It allows you to make corrections as you go.

The concept behind these lessons is to take you through the basics of long and short stitch. While the lessons are in stitch-a-long form, they are not focused on one finished design. (We'll save that for another time!)



Instead, I will be working through a series of 8 design elements, each fitting within a space of about 2" (and the elements themselves are smaller than that!). Each element will be stitched in sequence, from basic long and short stitch filling in a box, to angled long and short stitch shading, to filling in a circle, then filling in a ribbon, then working on natural elements - from the stylized leaf, to the more realistic, to the small flower shape, to a "real" leaf, with a folded edge.

By stitching these eight elements, you will learn the anatomy of the stitching technique and its applications in basic forms. The lessons will help you get the hang of shading and will prepare you for further adventures with long and short stitch.



The lessons include materials list, design, picture tutorials, a couple videos, and, of course, text instructions (because you know I couldn't do this without incessant babbling!) The finished product, should you stitch the whole thing as I drew it, will be a small sampler of 8 elements, with a space to personalize it, leaving you with a good reference point for later work.

I've been working like a fiend on the lessons, and I'm planning to launch them soon. Look for them!
]]> needlepainting long and short stitch embroidery lessons 6408 graperoof907 noreply@blogger.com http://www.blogger.com/profile/14331941170827894285 2009-07-29 16:40:14 2009-07-29 16:40:14 1 0 6435 kweenvee noreply@blogger.com http://www.blogger.com/profile/14373895345965865914 2009-07-27 22:50:49 2009-07-27 22:50:49 1 0 Thanks]]> 6465 Mal* (turning*turning) mal@turningturning.com http://www.blogger.com/profile/06089616225966759897 2009-07-27 03:31:59 2009-07-27 03:31:59 1 0 6470 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-07-26 02:30:48 2009-07-26 02:30:48 1 0 6474 Karen noreply@blogger.com http://www.blogger.com/profile/09094098169855345422 2009-07-25 10:53:07 2009-07-25 10:53:07 1 0 6475 Skye noreply@blogger.com http://www.blogger.com/profile/07313130856094132738 2009-07-25 10:45:28 2009-07-25 10:45:28 1 0 6476 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-07-25 10:31:31 2009-07-25 10:31:31 1 0 6498 Shari M sharimasson@gmail.com http://www.blogger.com/profile/09514748575422631885 2009-07-24 11:38:54 2009-07-24 11:38:54 1 0
I can hardly wait. I'v been looking forward to this since you mentioned it previously. So, you can count me in.

Shari M i Canada]]> 6501 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-07-24 11:09:57 2009-07-24 11:09:57 1 0 Wonderful!! I'll follow you! I like your planning of course!

Hugs
Maria del Valle]]> 6505 Anonymous noreply@blogger.com 2009-07-24 09:06:20 2009-07-24 09:06:20 1 0
Cindy Bonnell]]> 6508 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-07-24 07:08:33 2009-07-24 07:08:33 1 0 6512 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-07-23 23:10:53 2009-07-23 23:10:53 1 0 6513 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-07-23 20:11:49 2009-07-23 20:11:49 1 0 6516 Lisa noreply@blogger.com 2009-07-23 17:04:37 2009-07-23 17:04:37 1 0 6517 onafixedincome noreply@blogger.com 2009-07-23 16:26:01 2009-07-23 16:26:01 1 0
Wanna bet I've been doing it wrong?

WHAT A GREAT IDEA THIS IS!!! :) Thank you, Mary!]]> 6518 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-07-23 14:35:28 2009-07-23 14:35:28 1 0 Tammy T.]]> 6519 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-07-23 14:20:58 2009-07-23 14:20:58 1 0 Your blog is like a big book, growing with every day...]]> 6520 Slack smartisport@gmail.com http://www.blogger.com/profile/13974581328067068775 2009-07-23 12:25:55 2009-07-23 12:25:55 1 0 6521 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2009-07-23 11:32:58 2009-07-23 11:32:58 1 0 6522 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-07-23 11:04:48 2009-07-23 11:04:48 1 0 6523 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-07-23 10:36:06 2009-07-23 10:36:06 1 0 http://www.needlenthread.com/2009/07/wessex-stitchery.html Wed, 22 Jul 2009 08:55:00 -0500 Mary Corbet 263 2009-07-22 08:55:00 2009-07-22 08:55:00 open open Wessex-Stitchery publish 0 0 post Wessex Stitchery. Now, if you're a counted thread embroidery fan, you're gonna love this book! And even if you're not, you're still gonna love it, because of the variety of stitches and applications in the book. (Well, ok... I think you'll like it, anyway!)

Wessex Stitchery is a book devoted to the study of the motifs and arrangements of stitches (on even-weave fabric) that reflect a style of embroidery made popular, apparently, during the Victorian age by a British lady - a fact I found sort of disappointing, as I thought it was a more "historical" approach to embroidery, with roots stretching way back to Medieval England or beyond. I quickly overcame my disappointment (or surprise, rather) when I realized that just about any embroidery technique has more "historical" roots than we give credit for, because, after all, that's pretty much what we do - we generally build on what came before.

The book illustrates the anatomy of groups of stitches that make up beautiful patterns (especially filling patterns).



The variety of combinations and the use of many colors make Wessex stitchery a really fascinating technique, one definitely suitable for on-going development and discovery.



The book includes explanations, patterns, instruction, and diagrams all clearly focused on teaching this style of embroidery to beginners and beyond.



The filling patterns are not relegated to counted embroidery on even-weave fabric, of course. If you like canvas work (needlepoint), I suspect you'll find plenty of inspiration here!



Wessex stitchery, methinks, would be particularly suited to make band samplers. You certainly wouldn't get bored with working the same types of stitches over and over again with this kind of embroidery!



I like the idea of using this type of stitchery for background. Who says it has to be in colored threads, for example? What about a background on a goldwork pattern, worked in gold threads? If you're not working on even-weave, I suspect you could tack on some waste canvas or netting and work up a beautiful background fill pattern.



Besides covering a wide variety of stitch combinations and motifs, the book also contains projects, including needle keeps, pin cushions, and the like, along with ideas for samplers.

This is worthwhile book for any stitching enthusiast to have on the shelf. It's especially worthwhile for counted thread enthusiasts who want to expand their repertoire of counted thread stitches or who want to add some variety and texture to their work. Surface embroiderers will find the book fascinating for the variety of filling ideas and the combinations of stitches. In short, I think anyone interested in working with needle & thread will like this book!

Strangely enough, the book is becoming a wee bit difficult to come by, though you can still find it through Lacis and some used book sources online. I bought mine at Lacis, where it was available for $25. It's still listed on their website, so just search their catalog with the term "Wessex Stitchery" and it should pop right up.

I don't advise acquiring it through Amazon in the US right now. One copy is available, used, for a mere $387.90 (a couple weeks ago, it was on there for $175). Sheeeeesh!

Still, I believe the book is out of print, so if you want it, now's the time to get it, while Lacis is still carrying it....

PS (added a bit later!) You can also buy it for $25 through Hedgehog Handworks.

Enjoy!
]]> book review embroidery resources pictures 6515 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-07-23 18:38:35 2009-07-23 18:38:35 1 0
I am envisioning a sampler...with many-coloured bands of vibrant stitches...]]> 6524 Laura Bullinger noreply@blogger.com 2009-07-23 06:42:09 2009-07-23 06:42:09 1 0 I am replying to your previous question about the changes you will be making.
Everyone seems to agree, and I do, too, that we love the way it is. The format is perfect. Separating the NeedleArts on your site will be a huge disappointment to us readers. Your strong suit is that you show us different divisions of embroidery. We all salivate over the things we love to do and over the things we wish to do! That is precisely the reason why everyone enjoys reading your postings. We never know what will turn up but we know that it will be exciting and beautiful and interesting! Don' change, Mary. With Love, Laura B.]]> 6526 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-07-22 18:13:05 2009-07-22 18:13:05 1 0 6529 margaret c. noreply@blogger.com 2009-07-22 11:50:53 2009-07-22 11:50:53 1 0 6530 Lauren in Connecticut noreply@blogger.com 2009-07-22 11:27:52 2009-07-22 11:27:52 1 0 6531 LTuros41 noreply@blogger.com http://openid.aol.com/LTuros41 2009-07-22 10:43:40 2009-07-22 10:43:40 1 0 http://www.needlenthread.com/2009/07/needlework-system-4-stand-extension.html Tue, 21 Jul 2009 09:54:00 -0500 Mary Corbet 264 2009-07-21 09:54:00 2009-07-21 09:54:00 open open Needlework-System-4-Stand-Extension publish 0 0 post review of the Needlework System 4 stand, including a short video that demonstrates how it turns easily, but today I'm going to show you a new piece I bought for it...

This piece is an extension that fits on the Needlework System 4 stand, between the top of the stand and the clamp (or other devises - like scroll frame connector, etc.). It's an arched piece of metal, with the same end fittings as the other pieces, so that they all fit together.



At first, I wondered about the purpose of the extension when I heard that there was one available. I usually use my stand from the front position of wherever I'm sitting, so that the frame clamp is at the top of my work directly in front of me, and I hadn't seen the need for an extension.

However, one day I was working on a larger frame, and I was thinking it would be nice if I could put the floor stand easily to the side, over the arm of the couch, so that I didn't have the stand sitting way out in the middle of the floor, since the frame it was holding was over 20" deep....

... and that's when I realized that the extension would be pretty nice to have.



The arch of the extension allows you to put the frame easily to the side, over the arm of a chair or couch. You can adjust the extension bar to point up or down, or leave it "horizontal" (insofar as an arch can be horizontal!), and then you can further adjust the frame clamp into whatever position you want.

Besides being handy for the side-position arrangement of the stand, the extension also makes it easier to get your work right where you want it, if the stand is directly in front of you. The extension gives the stand one more option for adjustment. Also, basically, it just gets your work closer (by about 10") and from any direction.

The extension is made out of metal, and matches the rest of the stand in quality construction. It's made to last!

I really do love the Needlework System 4! It's by far the best embroidery stand I've ever used (and I think I've used pretty much every stand out there). I've only had one minor problem with the frame clamp. After using it a ton - as in, every day, day in day out, for a year, and turning it too many times to count while using it - the turning mechanism loosened up quite a bit. When I contact the Needlework System 4 company, they wrote back and told me to ship it in, and they'd fix it or replace it (no charge!) There's a lifetime warranty on the stand, but I doubt it would be much needed. And, actually, I found a better fix for the turning mechanism on the frame clamp (I didn't want to be without it for too long!). I used a wrench to tighten things up - and... voila! Back to normal.

If you're looking for a good embroidery stand, you won't be disappointed with this one. If you don't use stretcher bar frames, they have several other options for the stand: scroll bars and a Q-snap holder (though I admit, I use my frame clamp to hold Q-snaps, and it works "ok"). If you're solely a hoop person, the frame clamp holds hoops pretty well, too.

I'm totally unaffiliated with the company or any of its distributors, so there's no "sell job" going on here. Just a hearty recommendation for a really good embroidery stand!

If you've already got the Needlework System 4, consider adding the extension. It's nice. I'm glad I bought it!

So far, the best place I've found to purchase the stand is through Threadneedle Street in Issaquah, WA, which I just recently visited. They have the best prices that I've seen on the stand, plus they stock it and the accessories in the store, so you don't normally have to wait as long for delivery. The only difficulty is that their web page is kind of a pain to shop through, but it still works. You can also call them and place an order over the phone, if you don't like their online order form.

I haven't tried the scroll frame or Q-snap holder for the Needlework System 4. Each element of the system is indeed rather pricey, so I've stuck so far with just the frame clamp. But I'm considering the future purchase of the standard scroll frame attachment and the regular Q-snap attachment. I'm just not quite sure yet if I want to take the plunge. If you've got either of those - the scroll frame or the Q-snap holder - I'd love to hear what you think of them!
]]> embroidery resources needlework tools pictures 4579 Anonymous noreply@blogger.com 2009-11-21 08:38:19 2009-11-21 08:38:19 1 0
Just wanted to add one more comment to the Needlework 4 System postings. I live in France, emailed Threadneedle Street to place my order for the floor stand plus the extension bar. They gave me excellent service, and I received everything I ordered in one box (included stretcher bars and Hardwicke hoop) in EIGHT DAYS. This is a record for receiving a package from the U.S. I gave Denise at Threadneedle "special instructions" to put the names of the items I ordered in French (to ensure it would pass quickly through Customs). The shipping was only $56.95 priority airmail. A deal. Am thrilled to have this system and a big thank you to you for the thorough review of the system on your site.
Sharon]]> 5689 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-09-10 04:02:48 2009-09-10 04:02:48 1 0 It was of great help reading your feedback on it on a previous post, taken a look at the video and reading everyones coments on it ! I was searching for a stand but was very confused and overwhelmed by the many kinds and brands out there. Search is over, received mine 2 days
ago (got the lap/table stand -wich by the way has been upgraded with a sturdier base than the one on the picture on their site-with the stretcher bar clamp).
After comparing prices, got mine from www.stitchersparadise.com , great customer service . Got it in less than a week straight from the manufacturer. I'm sooo looking forward to using it this weekend for continuing with the Long and Short stitch lessons !]]> 6047 ChitownStitcher chitownstitcher@gmail.com http://www.blogger.com/profile/13157216903607244734 2009-08-16 10:11:56 2009-08-16 10:11:56 1 0 Cheryl - you shop at my absolute most favorite store but I don't remember seeing a wooden tool holder for the System 4. I think I need to run over there. Fortunately for me, it's only 9 miles away. :)]]> 6534 margaret c. noreply@blogger.com 2009-07-21 22:34:55 2009-07-21 22:34:55 1 0
The extension has been on my wish list ever since it came out. One of these days I'll actually buy one. :-)]]> 6535 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2009-07-21 22:06:52 2009-07-21 22:06:52 1 0 I love, love, love, the Q snap frame, and use it for crazy quilting as well as other types of embroidery. I use the stab, not stitch method of stitching, so this works well for those who are "stabbers". It makes us sound rather fiendish, doesn't it?
For those in the Midwest, Designers Desk in Geneva Illinois is very knowledgeable on this product, and also sells magnifier lights that fit right into the wood accessory holder.]]> 6540 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-21 15:17:32 2009-07-21 15:17:32 1 0 6542 Anonymous noreply@blogger.com 2009-07-21 11:45:21 2009-07-21 11:45:21 1 0 http://www.needlenthread.com/2009/07/back-of-embroidery-on-flour-sack-towel.html Mon, 20 Jul 2009 11:35:00 -0500 Mary Corbet 265 2009-07-20 11:35:00 2009-07-20 11:35:00 open open The-Back-of-Embroidery-on-a-Flour-Sack-Towel publish 0 0 post iron-on transfers from Mani di Fata, which I purchased at Lacis while on vacation. Here's a little towel I worked up, using one of the corner designs in that package. I'm also going to show you (gasp! shock! horror!) the back of the embroidery.

As I mentioned earlier, my favorite way of transferring an embroidery pattern - even if it's an iron-on - is actually by tracing. That's what I did with this particular towel. I taped the iron-on to my little light box and traced the design on using a regular mechanical pencil with #2 lead. There are other ways of transferring designs, of course! I've got a bunch of them explained in the articles under Tips and Tricks for Hand Embroidery, if you're looking for some other way to get your embroidery design onto your fabric. For me, though, for this type of embroidery, I prefer just to trace with a pencil. It's easy, it doesn't require special equipment (you can use a sunny window instead of a light box), and it's really fast.

After transferring the pattern, I picked out colors. Generally, on towels, I stick with no more than four colors, and often only three. In this towel, I used four: green, red, a lighter orangy-red, and yellow.



The design is pretty simple, but bold.



The entire thing is stitched in stem stitch, with the exception of the satin stitched dots around the outside of the flower and the satin stitched center of the flower.



Stem stitch is an absolutely delightful stitch. It's my favorite for line patterns, because it's easy, quick to work, and its rope-like appearance is pretty. Despite arguments contrary to the fact, there is a difference between stem stitch and outline stitch, by the way! If you choose to use outline stitch for lines, you won't get that rope-like appearance.



The Back of Embroidery is generally a subject that comes up either in hushed tones or apologetic tones... I received a funny e-mail from a reader, asking Very Apologetically if I would mind showing the back of my embroidery some time. She was worried because, especially on the towels she was making, the back is not covered up. "Slugs" where the end of the thread is anchored were a concern.

You can see the "slugs" where I wrap the ends of my threads around the backs of the stitches to anchor them. I either wrap (whipping around the backs of the stitches), or just pull the threads through the stitches, taking one extra backstitch around the back of the threads to anchor the thread. You can read about this under Ending Embroidery Threads, if you want. In any case, this is generally how I end stitches in a line on the back of towels.

In certain types of embroidery (needlepainting, goldwork, etc.), if I'm filling an area and I haven't filled it all the way yet, and I need to end a thread, I'll end my thread by taking it into an area that will be filled with other stitches and working several tiny backstitches that will hold the thread. It's the same concept as beginning with anchor stitches, only, in a filled area, you can work the little anchor stitches perpendicular to (and into) each other (without building up a lump!). I've shown this technique on the video tutorial on bullion rose buds, if you want to take a look.



But, on line stitches on the back of a towel like this, where I don't have anywhere to hide little anchoring stitches, I wrap the end of the thread through the stitches on the back. Yes, it makes a bit of a slug. But it's the back! So I think it's ok! Just trim your little fuzzies, and clean it up as best as you can, and I think it'll look fine for the back of the work!



Decorated flour sack towels are useful for a number of purposes besides just drying dishes, hanging on the fridge, wiping the countertop, or sopping up messes. They make terrific basket liners, for one thing. We use them to line bread baskets for serving bread in at the dinner table. You can fold the corners up over the bread to keep it warm, and if you put your embroidered corner on the top, it's very pretty!

Additionally, you can line gift baskets with them. This is great for wedding showers! Instead of wrapping the gift, put it in a basket lined with a towel, and fold the towel over the gift, with the embroidered corner on the top. A nice personal touch!

I like embroidering flour sack towels when I'm in the mood for relaxing, easy needlework that doesn't require any kind of thinking or planning. I usually keep a couple towels "kitted up" in my work basket, ready for moments when I need something to do with my hands, but can't afford deep concentration on needlework.

PS... Great source for flour sack towels: American Chair Store. I use their Deluxe Flour Sack Towel. They're nicer than any I've found anywhere else, and, so far, they've been consistently nice, which is good. They're cheaper by the dozen, so if you plan to decorate many towels with hand embroidery, consider getting them by the dozen...
]]> Embroidery for the Home pictures embroidery tips and tricks needlework pictures beginner embroidery 5010 Becca noreply@blogger.com 2009-10-09 21:50:45 2009-10-09 21:50:45 1 0 5591 Liz :) noreply@blogger.com 2009-09-16 15:44:16 2009-09-16 15:44:16 1 0 6532 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-22 07:33:44 2009-07-22 07:33:44 1 0
Thanks very much - glad you like the little corner on the towel!

Marian, yes, do send a photo! I have the book, Wessex Stitchery - in fact, it was on my list for a review this week, and I think I'll actually do it today!

Thanks again, folks!
MC]]> 6533 theeema noreply@blogger.com http://www.blogger.com/profile/01537683268388116764 2009-07-22 05:32:05 2009-07-22 05:32:05 1 0 Just beautiful. I'm sure some people would be thrilled if the front of their work looked like the BACK of yours! Linda]]> 6538 Marian noreply@blogger.com 2009-07-21 18:17:27 2009-07-21 18:17:27 1 0
In April, I joined my local Embroiderers Guild and in May attended their annual May Day.

There, I learned a new way of stitiching, it's called Wessex Embroidery and Gay Eaton was the tutor (google this); the colours I chose to use for my small sample are exactly the same you used for this design.

I will scan and email tomorrow.

Thanks as always for a great topic. I love seeing the work done by other people and seeing the back of your work means that I can see if I am doing things 'right'.]]> 6544 awesomeave noreply@blogger.com http://awesomeave.wordpress.com/ 2009-07-21 10:10:17 2009-07-21 10:10:17 1 0
I don't think I have commented before but I really enjoy your site. The tutorials are a big help. Right now I am embroidering one of your patterns as a gift, and it's coming out beautifully!

Oh, and I love stem stitch too - though I am increasingly prefer split stitch.]]> 6551 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-07-20 18:15:31 2009-07-20 18:15:31 1 0 6553 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-20 14:57:45 2009-07-20 14:57:45 1 0 Other day you doubt if the lines of iron-on transfer would disappear with washing - I can say that the iron-on tranfers from Rakan(italian magazine too) wash very well.
And its fun you were asked to show the back of embroidery just now - Tomorrow I'll have a post with an embroidered linen towel and... its back!!!]]> 6554 Anonymous noreply@blogger.com 2009-07-20 14:52:32 2009-07-20 14:52:32 1 0
I love your towel projects! I fell in love with the design you shared in you posting on Monday, April 06, 2009 -- Grab and Go Embroidery Project: Spring Towel. I purchased a dozen floursack towels via mail order, and have almost finished the first one, using a much simpler design than the one you did in April. The towels will be perfect for me as I refresh and expand my embroidery skills in preparation for the calendar quilt project that my mother and I will be doing together. Your instructions on starting and ending, transferring designs, types of threads, the various stitches, etc. all are so, so helpful -- and inspiring!

Katrina]]> http://www.needlenthread.com/2009/07/clarifications-on-needle-n-thread-e.html Mon, 20 Jul 2009 08:07:00 -0500 Mary Corbet 266 2009-07-20 08:07:00 2009-07-20 08:07:00 open open Clarifications-on-Needle-'n-Thread-E-Mail-Newsletter! publish 0 0 post feedback on my daily newsletter that comes in your e-mail, if you are subscribed! I'm afraid I may have left a few people confused, so I wanted to assure you of a few significant things!


Thank you for your e-mails and comments on yesterday's post! I received an influx of e-mail this morning, and instead of responding individually (well, I will with some, but I can't with all!), I thought it's best to clarify here, just in case there are some of you thinking the same things, yet didn't e-mail!

The daily "newsletter" from Needle 'n Thread, as it is right now, is powered by Feedburner, a free service for me. For those who subscribe to the e-mail newsletter (via the box in the right column on the website), you receive in your e-mail each day the previous day's post. Right now, there is nothing extra. The whole thing is automated, and that's how it works. Basically, in your e-mail inbox, you just see an e-mail from me (from Needle 'n Thread) and it has all the text and pictures from the previous day's post.

Should I enroll in a service that costs me, don't worry! It won't cost you anything! I'm not planning on charging for my e-mails! (Yikes!) It would just make life a lot easier for me, and enable me to do some more creative things with my subscribers. It would be, in short, "fun" for me!

What I'm thinking about, for example, are things like e-mail groups. I may want to pass on, let's say, some specific information about goldwork to those who are specifically interested in goldwork. If I had a group of subscribers to "Goldwork on Needle 'n Thread," I might send out a special newsletter (every now and then - nothing daily or even weekly!) that is sent just to those people. I might not do groups, but at least I would have the option, if it seemed like something my readers wanted.

Also, I would have the ability to send subscribers special information - like advanced notice of give-aways, or perhaps discounts at needlework retailers (if I could manage talking a purveyor into something like)... little special things now and then. Wouldn't that be fun?

And, finally, it would eliminate some glitches that I've had with the e-mail newsletter service I use now. I'm hoping one thing it will eliminate is the major problem concerning AOL - it seems very few, if any, AOL users who sign up for my newsletter actually ever receive it. That's the pits. I'd like to clear that problem up, if possible.

So, just to summarize: 1. right now, you're not missing anything if you're not signed up for the newsletter and you read me in your feedreader or just check in daily, and 2. I wouldn't charge you for my e-mail newsletters! Going to a paid service (that I pay, not you) is something ultimately for my benefit, that I think would benefit you, too.

Ok, that's cleared up! Feedback? Feedback? Anyone?

Now - on to today's embroidery stuff - in a different post!
]]> 6527 Laurie noreply@blogger.com 2009-07-22 14:14:39 2009-07-22 14:14:39 1 0 6536 Marian noreply@blogger.com 2009-07-21 18:28:05 2009-07-21 18:28:05 1 0 You happy.

:) I am guessing it would make AOL subscribers of the newsletters very happy too :)]]> 6541 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-07-21 14:28:55 2009-07-21 14:28:55 1 0 6545 samplerhart noreply@blogger.com http://www.blogger.com/profile/05648459087300425074 2009-07-21 08:17:36 2009-07-21 08:17:36 1 0 6547 Anonymous noreply@blogger.com 2009-07-21 01:59:14 2009-07-21 01:59:14 1 0 6548 Cynthia Gilbreth noreply@blogger.com http://www.blogger.com/profile/17124840580430749378 2009-07-21 00:24:25 2009-07-21 00:24:25 1 0 6555 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-20 14:32:21 2009-07-20 14:32:21 1 0 Whatever you do is well done surely! If you change you'll advise your readers, right?]]> 6556 BJ Pontalion noreply@blogger.com 2009-07-20 13:48:16 2009-07-20 13:48:16 1 0
Thanks for everything you do for us readers.]]> 6559 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-07-20 12:53:33 2009-07-20 12:53:33 1 0 6560 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-07-20 12:08:21 2009-07-20 12:08:21 1 0 6561 Sallie noreply@blogger.com 2009-07-20 10:56:32 2009-07-20 10:56:32 1 0 Regards]]> 6562 joey noreply@blogger.com 2009-07-20 10:21:43 2009-07-20 10:21:43 1 0 I do not subscribe to your blog postings from your web site, but rather in my Reader service (free from gmail, but there are others out there, too)I have added NeedleNThread to my list of blog subscriptions. Whenever you make a post, it gets delivered to my Reader - easy and very convenient.]]> 6565 Janice Miller noreply@blogger.com 2009-07-20 09:17:10 2009-07-20 09:17:10 1 0 http://www.needlenthread.com/2009/07/attention-needle-n-thread-subscribers.html Sun, 19 Jul 2009 21:24:00 -0500 Mary Corbet 267 2009-07-19 21:24:00 2009-07-19 21:24:00 open open Attention-Needle-'n-Thread-Subscribers---and-Everyone-Else,-too! publish 0 0 post all of you are welcome to read and comment on the topic!

I'm considering changing services for the delivery of my daily newsletter, to a paid service, in order to better ensure reliable delivery and to give the option of sending out special newsletters to subscribers - advanced notice of give-aways and contests, occasional special lessons, etc. This would give me a bit more control over subscriptions and would hopefully eliminate some of the glitches I (and probably you) have experienced with the current e-mail subscriptions.

This in no way changes your privacy or anything in that regard. Your e-mails are solely used for my newsletter and nothing else, and I guard that trust very carefully! Also, never fear! I would not be flooding your inbox with ridiculous amounts of embroidery-related mail... but occasionally, I would like to be able to send special news to my subscribers, or to give you the opportunity to receive special newsletters on specific topics.

If I go this route, it will require a little behind-the-scenes work on my part (and hopefully with the help of my dear darling brother, the Knower of All Things Internetish), and it may involve a few glitches at first, but overall, I think it will be a smooth transition. I'll certainly be going with the best provider of this service, so, with their support, my brother's help, and your patience, it would not be too traumatic a transition!

Before firmly investing in this, though, I'd like your feedback! What do you like about the e-mail newsletter? What would you like to see different about it? If you have any ideas, input, or suggestions, will you please share them with me?

I'm eager to make your experience with Needle 'n Thread as pleasant, trouble-free, informative, entertaining, and (when possible!) inspirational as I can. I can do this best if I receive feedback from you, with your impressions or suggestions. So - comment away! I'm all ears! (Alternately, you can send me an e-mail via my contact form, if you would rather.)

Thanks for helping me in my constant quest to improve Needle 'n Thread!
]]> website news 6537 Marian noreply@blogger.com 2009-07-21 18:22:07 2009-07-21 18:22:07 1 0 6539 Yvonne noreply@blogger.com 2009-07-21 15:46:04 2009-07-21 15:46:04 1 0 I love getting your email every morning, the only thing I would wish for since I save some of your emails, especially if they contain a form of needlework that I am unfamiliar with. I would like the subject heading to read, ie Biscornu, rather than Needle n Thread, since my PC won't let me change the heading.

I fully agree with the sentiments that your other subscribers have mentioned.

Keep up the fantastic work.]]> 6549 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2009-07-20 22:59:52 2009-07-20 22:59:52 1 0 Though i have not had any problems in receiving emails personally, I do agree that you should do what suits you the best.
I would like to know what is the amount that you will be charging as it would be including the conversion rate for me. That would decide whether it would be affordable to subscribe or not.]]> 6550 Anonymous noreply@blogger.com 2009-07-20 22:21:13 2009-07-20 22:21:13 1 0
Annie in Michigan]]> 6552 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-07-20 16:08:13 2009-07-20 16:08:13 1 0 I have no problem receiving your e-mails and really enjoy reading them. Do whatever changes you see fit and just want to say that I really appreciate the time and effort you put in the blog.]]> 6557 BJ Pontalion noreply@blogger.com 2009-07-20 13:43:08 2009-07-20 13:43:08 1 0
I go to your blog everyday and I go back to ones I missed if I happen to miss a day. Right now I am making it through the videos. I would sign up fo rht enewsletter if there were extras or if there was maybe different content now and then. Kind of like a members only thing.

Thanks for asking us.]]> 6558 Shari M sharimasson@gmail.com http://www.blogger.com/profile/09514748575422631885 2009-07-20 13:40:17 2009-07-20 13:40:17 1 0
I love your blog and get thru my email. I've had not trouble at all with anything. You are the only blog I read daily and I thoroughly enjoy everything you write. Your projects are wonderful.

I look forward to participating in your SAL, if you still plan to do that.

Whatever you decide is fine with me. Whatever makes things easier for you is what you should go with. I just hope it won't cost you a lot of money to switch.

Shari M in Canada]]> 6563 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-07-20 10:02:16 2009-07-20 10:02:16 1 0 6564 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-07-20 10:01:25 2009-07-20 10:01:25 1 0 6566 kat noreply@blogger.com http://www.blogger.com/profile/12369785235454313506 2009-07-20 09:08:03 2009-07-20 09:08:03 1 0 I have to agree, I love your emails just the way they are! Its so nice not to have annoying pop-ups and advertising and I can just sit down and enjoy YOU! I have no problems using the links you provide which is awesome! Whatever you decide to do is fine with me as long as I keep getting your mail!
Kat]]> 6567 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-07-20 08:14:12 2009-07-20 08:14:12 1 0 6568 feedestiroirs noreply@blogger.com http://www.blogger.com/profile/08940583366020249187 2009-07-20 08:07:36 2009-07-20 08:07:36 1 0 Merci de nous faire partager toutes ces belles techniques et ces magnifiques réalisation !
je reste fidèle !]]> 6569 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-20 07:57:09 2009-07-20 07:57:09 1 0
Thanks for your comments - glad to hear the e-mail hasn't been a problem, Carol!

Whhooops, Debbie - sorry to give a false impression - Right Now, my newsletter is simply the daily blog post. Should I change to a different newsletter service, I would have the opportunity to include extras (I don't have that option right now...)

Thanks again for your feedback!

Mary]]> 6570 parasols and maryjanes parasolsandmaryjanes@gmail.com http://www.blogger.com/profile/14503457430747499021 2009-07-20 06:12:16 2009-07-20 06:12:16 1 0 Carol Ryan]]> 6572 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-07-19 23:34:18 2009-07-19 23:34:18 1 0 http://www.needlenthread.com/2009/07/on-ball-with-temari.html Sat, 18 Jul 2009 10:48:00 -0500 Mary Corbet 268 2009-07-18 10:48:00 2009-07-18 10:48:00 open open On-the-Ball-with-Temari publish 0 0 post was on the ball - I actually completely something! One of the best parts of creating anything is actually completing it and enjoying that sense of accomplishment. I don't always complete everything I begin, needlework-wise. (Have you noticed that? Think: whitework sampler, silk shading sampler, Long Dog sampler... the list could go on!) My excuse list, by the way, is just as long! However, Temari balls are small enough to finish in just a couple sittings, and this makes embroidering these spheres extra fun.

The beginning of my first attempt at Temari went pretty quickly. After selecting the right threads and a pattern, all told, I think I worked for a bit less than an hour.

The next chance I got, I went back out to the studio to finish up the Temari ball, and this took about two hours, with a few interruptions in there.



I worked the other side of the ball exactly like the first, although I tried to loosen up my tension a bit and not crowd the tips so much. That's going to take a little more practice, methinks. I wanted both sides to come out even, as far as the spacing from the tips of the "star" to the middle band, or obi. I added to both sides one more row of light blue and one more row of dark blue, to try to bring out the pattern a bit more.



The obi, or band across the middle, is worked in the same threads. I had plenty more yellow and pink, but I don't like the yellow, so it ended up being mostly blue with a little bit of pink and only one row of yellow in the center I think double herringbone stitch would normally be worked over the top of the obi, but I only had two strands of dark blue left.



The pattern called for gold braid for the herringbone, but since I didn't use gold anywhere else (except the original marking threads on the ball, which I tried to cover up as much as possible), I figured the blue would be fine. I've got the impression that, pretty much, you can do whatever you want to with colors.



The final test of whether or not I got the process right was passing the ball off to Adele, who inspected it for me. I figure if Temari were originally presented as baby gifts, I might as well see how a baby liked this one. She approved, though I had the impression she would have liked it better if it had a bell or something inside. Next time, I may just have to make my own core and add a bell!

So that was my first experience with Temari, and I found that I did like making it (a lot), and will probably delve into the craft again. Hm... they'd make good Christmas gifts, baby gifts, housewarming gifts, and even just regular decoration. I like the idea of a decorative bowl filled with different sizes - a good conversation piece, if nothing else.

For books, I like Barb Suess's Japanese Temari: A Colorful Spin on an Ancient Craft best for beginners. The instructions were really clear.

If you take a look at any Temari book and feel intimidated by the angles and markings on the ball, start with Barb's book, and once you get through the first ball, your intimidation will vanish, even if you're working with the pre-made and pre-marked cores. Actually working with the marked ball helps dissolve that befuddlement of looking at all those angle diagrams in the books - you'll suddenly "get it" without too much effort!

If you're looking for pre-made and pre-marked cores, you can find them available in three colors (red, white, and black) at Nordic Needle, for $10.99 each. (Lacis charges $14.95 for the same thing, and theirs only come in black or white.)

Working on a pre-made and pre-marked core has its advantages, but it also has its disadvantages. For example, the pre-marked balls are divided into a simple 6 division, which limits your pattern choices to 6 or 12 division patterns. Most of the patterns that catch my eye are 8 or 16 division patterns. So there's a bit of a limitation there. BUT - on the other hand - if you want to try Temari, and you are intimidated by the idea of making your own core, or you simply don't want to put the time, effort, and expense into making the core until you know if you like the craft, then starting with a pre-marked 6-division ball is a good idea.

I'd love to hear your Temari adventures. If you want to link to your photo page, blog, etc., that features your Temari, leave a comment with a link below. If you know of good resources to share, feel free!



]]> regional embroidery techniques pictures temari needlework pictures 6492 Loretta noreply@blogger.com http://www.lorettascustomstitchery.com 2009-07-24 13:14:10 2009-07-24 13:14:10 1 0 Loretta]]> 6546 Little Rabbit Miniatures kounelitsa2000@yahoo.co.uk http://www.blogger.com/profile/16188003427433414912 2009-07-21 03:31:55 2009-07-21 03:31:55 1 0 6573 appleseed noreply@blogger.com http://www.blogger.com/profile/15436461693763285963 2009-07-19 13:46:40 2009-07-19 13:46:40 1 0 6577 irene noreply@blogger.com 2009-07-18 22:53:36 2009-07-18 22:53:36 1 0 6579 La Mañosa mistypursel@hotmail.com http://www.blogger.com/profile/07406265364982441732 2009-07-18 16:57:36 2009-07-18 16:57:36 1 0
I am very eager to try this but will probably have to wait about a month or so, as we are moving.

Thanks for sharing your experience with us!]]> http://www.needlenthread.com/2009/07/schwalm-embroidery-definitive-guide.html Fri, 17 Jul 2009 10:25:00 -0500 Mary Corbet 269 2009-07-17 10:25:00 2009-07-17 10:25:00 open open Schwalm-Embroidery---The-Definitive-Guide! publish 0 0 post love needlework books. Occasionally, I read a needlework book from cover to cover, but it's rather a rare thing for me to do, especially if it is a book on a specific needlework technique. In such cases, I "scan" - I look for the information I need. For the first time in a long time, I read a needlework book from cover to cover yesterday. It wasn't hard to do, as the book is filled with pictures, and the text is made up of clear, succinct instruction.

Basic Principles of Schwalm Whitework by Luzine Happel is a self-published book that I think will become the definitive guide to learning Schwalm embroidery. The English version, recently edited by Joey Colbert (who formerly owned a great little embroidery shop called Twining Thread) and with an introduction by her, is one of the best instructional books that I've seen focusing on teaching a specific needlework technique.



Do not be put off by the fact that this is a self-printed book bound with a plastic comb. I say that because I've purchased many such printed books, and some of them have been complete fizzers, even though written and sold by rather well-known names in the needlework world. This book is not a fizzer.

The book is printed in color on nice paper, bound with a plastic comb, and has a clear plastic cover. The binding, actually, is an advantage - the book lays flat on the table, which is a boon for stitchers who are following the instructions within.

The book is written around one (beautiful!) Schwalm whitework project which incorporates all the major aspects of Schwalm embroidery, including many filling techniques, from simple to intricate. The premise is that, if you work through the project - a small decorative square linen with a Schwalm design around the four sides - you will become familiar with, and practice, all the techniques involved in Schwalm whitework, including excellent finishing techniques. The author takes you through every step of the way and leaves no question unanswered.



After beginning with a discussion of materials (fabrics, threads, tools), Luzine shows you, through pictures and text, how to set up your fabric and transfer your project so that you begin on the right foot.

This section alone would be of interest to any stitcher, regardless of technique preferences, because the principles in the set-up of this project apply to setting up practically any embroidery project. The proper marking of the fabric so that the design is centered and lined up perfectly, the transfer of the pattern, including transferring an extra corner piece - all this information is useful to the hand embroiderer.



You can see here a glimpse of the design. On the right page, in the left corner of the design, you can see how the extra motif for the corner is being aligned with the rest of the design.



Luzine addresses the question of how to treat your threads - how to arrange them for easy access and in a way that keeps them neat and organized as you work through the project.



The stitches are explained with step-by-step photos, but more interestingly, the whole progress of the projects is explained with step-by-step photos, too. Each time you get through a stage of the project, a complete picture of the area is given, so you can see what it's supposed to look like at the end of that stage.

Little red arrows in the photos point to the areas that require special attention - a little instructional hint on how to come to a perfect point, for example, or how to end a thread, or where to come up next, etc. (Like I said, no question is left unanswered!)



Progressing to the next stage, you're taken step-by-step through it, and then given a clear picture of what your work should look like at the end of the stage.



Since different results are often desired from the same stitch (for example, depending on the shape of the leaf, satin stitches will be worked differently), Luzine includes photos of all the results you will want to achieve, discussing them and explaining how to achieve them.



One of the most beautiful aspects of Schwalm whitework is the variety of fillings used inside the various motifs. There are three basic approaches to fillings in Schwalm, and the author explains all three, then takes you through different stitches within the three categories. The project incorporates all different types of fillings, working you from the basic to the more intricate.



Close-up photos and detailed explanation take you through what could be tricky ground. This is the aspect of Luzine's book that I prefer vastly over Christine Bishop's book, Schwalm Embroidery Techniques and Designs, which I've already reviewed. While I like Christine's book and find it informative and inspiring, when it comes to actual stitch explanations (especially in the filling techniques) and their sketched diagrams, the book leaves the novice stitcher with questions that require troubleshooting. Luzine's explanations of the filling techniques used in Schwalm are clear, precise, and well illustrated.



And, again, as you go, you get the photos of the work as you complete a stage.



Now, in many technique books, the finish work is either neglected completely, or, if finishing is discussed, it is in the most generic of terms. Not so in this book. The author takes you through every step of finishing the project.



The finishing section alone is worth the book, for anyone interested in any kind of drawn thread or whitework embroidery that requires hemming with a decorative edge. Once you understand the principles, you can apply them to a variety of decorative treatments.



Finally, in the back of the book, you'll find two semi-transparent pages with clear line drawings of the motifs used in the project. These are marked with dashed lines on the center points, so that you can line up the design precisely on your fabric.

Now, the book is available, but it has to be ordered from Germany either directly from Luzine or from the Museum der Schwalm website in Germany, which is rather difficult to order from. This is the direct link to Basic Principles of Schwalm Whitework by Luzine Happel at Museum der Schwalm. Better yet, you can contact Luzine directly for the book and she can send you a Paypal invoice (which is much easier!). Her e-mail is leuchtbergverlag [at] aol [dot] com.

The price is a bit daunting, I know, at 29.9 EURO (about $42US). And you might think that, because it isn't a professionally published book, it couldn't be worth that. I think it is worth that. If you want to learn Schwalm, or you want to explore it further and learn some of the tips and tricks, I think this is the best book for doing so. There's just no comparison between it and the other two popular Schwalm books on the market (Christine Bishop's and Renate Fernau's). While both of those feature beautiful embroidery - and the sampler in Christine's book is really nice! - the actual instruction in both books fall short when compared to this book, in my opinion.

So, if you're interested in Schwalm or whitework in general, I think this is a book to add to your library!

Since reading it, I've decided (ut oh!) that, with the exception of the current long and short stitch stuff I'm preparing for the website, my next "complete" project - as in "real" and "serious" project, is going to be this piece. It's beautiful. And I want to learn from Luzine!! Don't be surprised, then, to see me setting up this project in the next few weeks!

[The Fine Print: No affiliation here - just a Really Good Book that I think you'll like if you're interested in whitework!]
]]> Schwalm book review embroidery resources whitework pictures 4966 Madhu noreply@blogger.com http://www.blogger.com/profile/15624261437846166830 2009-10-12 01:39:14 2009-10-12 01:39:14 1 0
Another attempt to win something special (I know i will not get :( an attempt :)) and what better than this Schwalm Embriodery book!
I like the way you embrioder and bring out the interesting topics. Great work! Keep Sharing! Sharing is caring!

Lots of love]]> 4968 Anonymous noreply@blogger.com 2009-10-11 18:53:32 2009-10-11 18:53:32 1 0 4985 Anonymous noreply@blogger.com 2009-10-10 20:46:08 2009-10-10 20:46:08 1 0 Tila
Ilove your work it is so beautiful.I love to embordery like you .Thanks for the E-mails i enjoy very one of them thanks]]> 5033 snulfers snulfers@hotmail.com http://www.blogger.com/profile/12947640907287562649 2009-10-09 12:29:50 2009-10-09 12:29:50 1 0 5041 redguide noreply@blogger.com 2009-10-09 09:48:17 2009-10-09 09:48:17 1 0 5044 Anonymous noreply@blogger.com 2009-10-09 08:37:56 2009-10-09 08:37:56 1 0 Suzy in UK]]> 5056 Anonymous noreply@blogger.com 2009-10-08 21:40:22 2009-10-08 21:40:22 1 0 5091 Sharon Middlebrook czechcostumes@gmail.com http://www.blogger.com/profile/04205072822675910004 2009-10-08 09:46:12 2009-10-08 09:46:12 1 0 Sharon Middlebrook of
czechcostumes.blogspot.com]]> 5097 bonmot58 noreply@blogger.com http://www.blogger.com/profile/09012789609281609182 2009-10-08 09:09:30 2009-10-08 09:09:30 1 0
You really know how to get my mouth watering. I've haven't begun yet - and I'm already hooked! Please sign me up for this tantalizing book!

Your giveaways are a great way to keep all of your readers coming back!

Thanks, Didi]]> 5115 viji noreply@blogger.com 2009-10-08 07:24:54 2009-10-08 07:24:54 1 0 I am also in the line to know about the book.
viji]]> 5116 Nancy B noreply@blogger.com http://www.blogger.com/profile/17612921806887967665 2009-10-08 07:07:18 2009-10-08 07:07:18 1 0 6576 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2009-07-19 00:27:03 2009-07-19 00:27:03 1 0
Thank you so much for the wonderful insight into this book. I'm extremely interested in Schwalm embroidery and pleased to know how to acquire such a publication. Thank you to the lady who gave the email address for it's purchase.]]> 6578 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-07-18 18:08:44 2009-07-18 18:08:44 1 0 6580 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-07-18 07:07:07 2009-07-18 07:07:07 1 0 6584 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-17 17:34:49 2009-07-17 17:34:49 1 0
Good to see a high standard self published book out there - they vary so much, but good ones can be done.]]> 6585 Joey noreply@blogger.com 2009-07-17 13:49:06 2009-07-17 13:49:06 1 0 6586 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-17 13:07:58 2009-07-17 13:07:58 1 0 This is really a temptation!
Once more, thanks and thanks to Joey too for giving us Luzine e-mail.]]> 6587 Joey noreply@blogger.com 2009-07-17 12:41:21 2009-07-17 12:41:21 1 0 After buying the German edition and finding myself wishing I could read German, I offered to edit this book for Luzine.
I just wanted to let your readers know that ordering from Luzine is easy. She speaks English, responds quickly, and accepts PayPal. In the back of all her books she includes her email address for ordering. It is: leuchtbergverlag@aol.com
Happy Stitching!]]> http://www.needlenthread.com/2008/08/schwalm-whitework-embroidery-book.html Sun, 24 Aug 2008 08:38:00 -0500 Mary Corbet 270 2008-08-24 08:38:00 2008-08-24 08:38:00 open open Schwalm-Whitework-Embroidery:-Book-Review publish 0 0 post

The book is called Schwalm Embroidery Techniques and Designs, by Christine Bishop. Even if Schwalm embroidery doesn't seem to be your thing, I discovered a couple good aspects of the book that would make it useful for those who enjoy other surface embroidery techniques.

But first, a little information on Schwalm embroidery. It's a whitework technique hailing from the Schwalm region of Germany (think Hansel and Gretel and other fairytales...). The characteristics of Schwalm embroidery are basically bold outlines and delicate fillings. Schwalm whitework creates a lacy look, but it isn't properly lace. Some stock shapes are typical to Schwalm embroidery - hearts, tulips, birds, leaves, etc. - but the technique is not limited to just these shapes. The shapes are outlined with a bolder line, made up of coral stitch and chain stitch, and then they are filled. The filling is the thing that amazes me - the range of filling designs is limited only by the stitcher's imagination, really. The fillings are executed on the fabric with threads drawn out, to lighten the look of them, or to enhance the pattern.

As far as materials go, Schwalm whitework is worked on high-count linen (32 count and higher, generally, with 50+ count being standard and even preferred for intricate designs). The thread employed is coton a broder, something I've been mentioning a lot lately. This is a non-divisible 4-ply mercerized cotton that comes in sizes 12 (large) to 40 (small). Actually, here in the States, it's easier to find 16 through 40 - sizes 16 through 35 are produced by DMC, and Anchor seems to be the only available size 40. You can find coton a broder in the US through specialty shops - I usually order mine through Lacis.



If you want to see what Schwalm whitework looks like and read a little more about it, check out the Essay on Schwalm Embroidery at Heritage Shoppe. There are two really pretty pictures there.

Many of the websites devoted to Schwalm embroidery are in German, and even if you don't read German, it's still worthwhile to check them out. For example, the site of Margarete Grandjot, Stick-Atelier, has an excellent gallery on it, where you can see some beautiful examples of Schwalm embroidery. Scroll down to about the middle of the page, and you'll see a fantastic circular linen (it's really shaped like a doughnut, with a hole in the middle!). There are close-up photos underneath the main picture, showing the different motifs around the piece. There, you'll get a good sense of the variety of fillings used in Schwalm embroidery.



Another website on the topic of Schwalm embroidery is Hessenstickerei, the site of Renate Fernau. Unfortunately, the site is still under construction, and the last evident date on it was 2005, BUT - on the German version of the website, it has a decent gallery, though the photos don't enlarge very large! The thing I like in particular about this website is that, on the English version, under catalog, you will find a section on patterns for Schwalm embroidery. You can get a good sense of the "look" of Schwalm patterns here.

One thing you'll notice about Schwalm embroidery is that it looks rather "folk-ish," and there's a reason for that. Schwalm developed among the peasants of Germany, as a decorative embroidery for the "average" person, rather than for the wealthy. The "wealthy" counterpart of Schwalm whitework could perhaps be considered Dresden whitework, which looks more like lace and was worked by professional houses to supply the stuff to those who could afford it. Dresden whitework reached its zenith of production and popularity in the mid-1700's. Strangely enough, it was worked on muslin (very, very fine muslin, imported from India). Schwalm was generally worked on linen by the peasants, for their own personal decoration - household linens, clothing, etc. It's quite a bit "rougher" than Dresden work.

Funny how things turn around - linen is a much dearer fabric today than muslin or cotton! Of course, you have to consider the sheer fine-ness of the muslin then, and that it was woven by hand. An interesting story is told in a pamphlet published by Lacis on their whitework museum (PDF): "The story is told that when a Nawab reproved his daughter for allowing her skin to be seen through her clothes, she demonstrated that she was wearing no less than eleven thicknesses of such material." So - very fine stuff! If you haven't read that pamphlet (linked to above) and you're interested in whitework, you might give it a look - you'll find heaps of photos of different types of whitework and lace.

Now - I've strayed from the point - back to Schwalm and the book at hand.



Schwalm Embroidery by Christine Bishop is a great introduction to the techniques of Schwalm whitework. It's perfectly suited to a beginner, with techniques and designs of varying degrees of difficulty throughout the book.



I particularly like the sampler that's presented in the book. Samplers such as this one are great for those interested in trying out the various techniques within a particular type of embroidery before launching into a major project involving those techniques.



You'll also find some really nice project ideas in the book. See the needlelace on the edge of the cushion? The author goes into detail on creating that edge, and the instructions are clear and accessible for the beginner.



Notice that the projects in the book are not all executed on white linen. I really like the look of the white on the natural linen, as in the sampler above. While I was out shopping yesterday, I went to Two the Point, a little needlework shop in Kansas City (where I bought some goodies I'll tell you about later!). While I was there, I picked up a remnant of a high count natural linen that would be perfect for such a sampler. I've tucked it away, though - too many other projects coming up - but I plan to go back to it, with this book in hand, before the year's out. We'll see!!

Finally, as last point on Schwalm embroidery - I like the fact that it involves various techniques that carry over into other styles of embroidery: pulled thread, drawn thread, satin stitching, a variety of surface stitches - all are used in Schwalm embroidery. So if you play around with Schwalm embroidery, you'll pick up skills useful in other types of embroidery, too. And this book by Christine Bishop will help you learn those skills!

The book is part of the Milner Craft Series, and is available through Amazon for $14.00 new.


]]> Schwalm book review whitework regional embroidery techniques pictures beginner embroidery 10784 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-27 14:12:05 2008-08-27 14:12:05 1 0 10786 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-08-27 12:14:00 2008-08-27 12:14:00 1 0 The Schwalm Whitework reminds me a tipical embroidery from Viana do Castelo - a town in the North of Portugal - they are called Viana's embroideries. They are made in red, blue, red+blue, and also in white. They are embroidered on typical clothes or on all kind of table-cloths. It is in Portuguese but you can see some photos (you have to scroll down) here

http://trajesdeportugal.blogspot.com/2007/11/o-bordado-de-viana-do-castelo.html]]> 10825 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-08-25 08:26:00 2008-08-25 08:26:00 1 0 Many thanks to you by all information so complete that you give to us in your blog!!!!
It's a type of embroidery that I enjoy and I'm learning to do now,in my little free time!
As Nadia also I have knowledge about Schwalm embroidey on Filoselle site.
A big hug

Maria del Valle]]> 10836 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-08-24 18:38:00 2008-08-24 18:38:00 1 0
One day, with a LOT more practise, I might get about a quarter as good as Christine. I'd recommend her book to anybody who'd like to sample this lovely technique.
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 10842 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-24 16:02:37 2008-08-24 16:02:37 1 0
Merci pour le "link"!

Les instructions sont tres claires - les images sont tres bonnes!

Et mon francais est tres pauvre!

Do check out the link Nadia posted. Even if you don't read French (the site is in French), you will find that the picture tutorial for Schwalm work is very clear - from outlining the shape to adding the scallops, to drawing threads and working the filling. Very NICE picture tutorial!

You can also drop the page in a translator.... definitely worth a look!]]> 10844 nadialp noreply@blogger.com http://www.blogger.com/profile/02480876182638407231 2008-08-24 15:38:00 2008-08-24 15:38:00 1 0
si vous lisez le français , il y a un tutoriel sur le blog de " Filoselle "

http://www.filoselle.com/articles.php?lng=fr&pg;=965

J'aime beaucoup cette broderie , elle est très jolie

Nadia

http://nadiatambouille.canalblog.com]]> 10846 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-08-24 15:14:00 2008-08-24 15:14:00 1 0 10848 Joey noreply@blogger.com 2008-08-24 14:28:00 2008-08-24 14:28:00 1 0 10856 Anonymous noreply@blogger.com 2008-08-24 10:14:00 2008-08-24 10:14:00 1 0 http://www.needlenthread.com/2008/10/schwalm-ish-chicken-on-card-or-how-to.html Thu, 02 Oct 2008 07:33:00 -0500 Mary Corbet 271 2008-10-02 07:33:00 2008-10-02 07:33:00 open open Schwalm-ish-Chicken-on-a-Card,-or-How-to-Get-Distracted-with-Needlework publish 0 0 post

There I sat, inspecting the pile of paperwork before me, when suddenly, my eye was arrested by Christine Bishop's Schwalm Whitework Embroidery.

I contemplated the book. I contemplated the pile of papers.

The book.

The papers.

The boooooooooooooooooooooook.

Literally, it was calling to me. I'm sure I heard it. What can one do?

The next thing I knew, I was engrossed in a Chicken. (She's got a cute chicken in there.)

Now, I didn't stray so much from my Plan of the Day as to completely forget the cards I was supposed to be preparing. I thought to myself, "A Card. I could maybe make a Schwalmish Christmas Chicken card. I mean, everyone's heard of the Christmas Chicken, haven't they?"

And so I tinkered, and this is what I came up with:



I drew the design out on graph paper first. I wasn't as precise as I should have been. Some intersections were off, and I didn't space the dots as carefully as they needed to be on the longer stretches of stitch. You'll see what I mean....

I placed a piece of tracing paper over the picture I had drawn on the graph paper, and used different colored ink (pink and purple - though you can't tell in the photo) to trace the picture in dots, where I would pierce the pattern.

Then I put the tracing paper over the cardstock - I'm using a textured red, with a red core (not white core card stock) - and pierced the design.



The large dots around the edge in the blurry photo above are eyelets, actually. The card will be backed with a white card, and the chicken's eye, the eyelets around the edge, and the eyelets on the wing and tail (which you can't see yet, because they aren't punched) will show the white background. That's the plan, anyway.

Once I got to that point in my Christmas chicken adventure, I decided I better do what I planned to do, or I'd be in trouble later.

So I readdressed that stack of papers.

But then it occurred to me that I wasn't sure what thread I would stitch that Christmas Chicken with. So I decided I better rummage through thread while it was still sunny outside. (Well, you know the old superstition, that thread rummaging should never be done after sunset?)

And I came upon a #80 DMC cordonette - small stuff, for cordonette.

I finished my thread rummaging right before sunset. But of course, you know I wouldn't start stitching until I had taken care of my paperwork! No, no. I just had to line up my resources, so when I could be irresponsible, everything would be ready.

Ok. So that's what I did yesterday before the sun went down.

And shortly after the sun went down, I did this:



There are a few blurby spots I need to take care of. I think, if I ever do this again, I'll change my approach on some of the pricking dots. It was a learning experience. Gosh, I just feel So Accomplished and So Responsible for making certain I had a learning experience yesterday.......

Tonight, I'm bonding with papers. And please don't try to talk me out of it!
]]> Schwalm whitework hand embroidered cards embroider on paper pictures Christmas needlework pictures 3419 chandu noreply@blogger.com http://www.blogger.com/profile/02999218163702223905 2010-01-28 11:44:07 2010-01-28 11:44:07 1 0
You have a Wonderful Blog here!!!! I Just LOVE it and have used some of your ideas already. Its Amazing how you have worked out those designs on cards. All my friends are going to be getting some embroidered cards for sure now!!!
Thank You for sharing your work and ideas!!!

CP]]> 10294 Anonymous noreply@blogger.com 2008-10-05 10:22:00 2008-10-05 10:22:00 1 0 10310 Anonymous noreply@blogger.com 2008-10-03 14:31:00 2008-10-03 14:31:00 1 0 -Jeannine]]> 10311 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-10-03 12:12:00 2008-10-03 12:12:00 1 0 10313 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-02 23:06:10 2008-10-02 23:06:10 1 0
Christine - I did manage to do a little of both today, and I'm almost finished with the chicken card now. I have two more edges on the border, and then I'll mount it on a white card, I think. It was fun, but a bit too labor and time intensive for doing many of them! I'll be moving in the direction of simpler cards after this. Do you have Erica Fortgens book called Merry Christmas? It has some very nice Christmassy designs. Some are nice and small - or at least, some of the elements can be broken up into smaller designs - and are perfect for miniature cards or gift tags. They also work up pretty quickly! I'll be posting on that whole card subject soon. I'm also working on some of my own little patterns, so I'll be able to post those for users if they want them. All I need is a leeeeeeeeetle more TIME!

Best,
Mary]]> 10314 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-10-02 18:34:00 2008-10-02 18:34:00 1 0 I, too, am easily distracted by stitching, but in my case it's usually someone else's online, VBG! I love your Schwalm chicken (or Schvalm as Christine says it should be pronouned) I'm looking to give the kids group some stitched Christmas card designs on 11th October, as they so enjoyed our last session of card stitching they've asked for some more. Thanks for pointing me in this direction all those months ago, and for sharing your latest project, even if the paperwork is still sitting waiting for attention!!
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 10318 Kysis noreply@blogger.com 2008-10-02 16:42:00 2008-10-02 16:42:00 1 0 KYSIS IN KENTUCKY,USA]]> 10319 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-02 13:22:20 2008-10-02 13:22:20 1 0
I do have a regular pricker tool. Well, sort of. My tambor needle has a little screw on the side so you can remove the needle. Instead of putting the hooked tambour needle in, I can exchange different sizes of needles for pricking. Normally, I just use a fine "eyeless" needle, but occasionally, if I need to, I put a larger needle in.

MC]]> 10320 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2008-10-02 13:15:00 2008-10-02 13:15:00 1 0
Thank you for your wonderful blog! I am new to embroidery, and I have found it to be very helpful. I have already used several of your free patterns.

Blessings,
Katy]]> 10322 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-10-02 11:29:00 2008-10-02 11:29:00 1 0 http://www.needlenthread.com/2008/10/christmas-chicken-part-ii-whitework.html Fri, 03 Oct 2008 15:18:00 -0500 Mary Corbet 272 2008-10-03 15:18:00 2008-10-03 15:18:00 open open The-Christmas-Chicken-Part-II:-Whitework-Card-Embroidered-on-Red publish 0 0 post really a Christmas card. It was supposed to be! I'm supposed to be embroidering baby booties, Christmas cards, and a Christmas ornament right now. But I already demonstrated (much to my embarrassment, in retrospect) how easily distracted I can get when it comes to needlework! Whatever the case, though (whether a Christmas card, or just a card), I finished embroidering the chicken.

Inspired by Christine Bishop's book, Schwalm Whitework Embroidery, I adapted her little chicken design to a card. After drawing out the pattern and dotting it up for piercing, I transferred the pattern to a red piece of 5" x 5" textured cardstock and started stitching with #80 DMC white cordonette. For different parts of the design, I switched to #60, and I think at one point, I even used #50, but I can't remember where! (Tsk, tsk - another tribute to my present state of disorganization!)



I haven't mounted the piece on a white card yet, but that's my plan. As luck would have it, I have just about every color of cardstock except white. I contemplated using cream, but it kills it. So I'll have to pick up some white next time out.

The eyelets around the edge are a funny story. Originally, I was just planning on having larger open circles there, as seen on the card before it was embroidered. My idea was that the white from behind would show through and make the dots white. They would. But I held the card up to blank paper, and it still didn't look quite as I had pictured it. So I decided to outline each eyelet with little stitches.

The funny thing is, I hadn't pierced the cardstock for those stitches. I contemplated going back to the drawing board (piercing foam) and carefully pricking in a few hundred little holes... but then I opted for the lazy approach, and just used my needle, pricking and stitching at the same time.

Taking that approach didn't cause any trouble - it was rather easy, actually - but I did notice that it slightly dents in the card, more so when pricked before stitching. Still, in the finished scheme of things, it didn't make any noticeable difference.



Overall, I like the little fellow a lot. But, this is the thing: it took quite a few hours of stitching to finish this little 5 x 5 piece of paper. And in the long run, though I do like the idea of time and effort going into handmade cards, I'm not sure if 6 hours a card is a feasible idea.

That being said, I've got a couple other Schwalmish schemes bouncing around in my head. I'll let you know if they come to fruition.

Resources for Embroidery on Paper and Card Making

I also have a stack of cards and cut-outs already pierced for stitching. I've been using Erica Fortgens book, Merry Christmas Embroidery on Paper, for some designs, and I really like it. I like the fact that, on many of the patterns, you can take just one little element and situate it in the corner of a card or gift tag, or in the middle of a miniature card. If you're not familiar with any of Erica's books, you might want to check them out.

Another good resource for patterns for embroidered cards is Stitching Cards, where you can purchase patterns and download them right away in PDF format. If you haven't discovered their blog yet - Prick and Stitch is My Craft - you might want to take a look at it, too. They have some freebies on there, like this 3D Christmas Tree card, and heaps of excellent tips for embroidering on paper.

And then, of course, there's your own imagination. You know, if you can embroider it on fabric, you can probably embroider it on paper, too. It might be fun to take your embroidery niche and see if you can transfer the look onto paper! True, there might be some limits. I wouldn't necessarily do goldwork on paper, for example.

And drawn thread patterns might not work exactly the same way, but I bet you can mimic the look! Hmmm.... sounds like the beginnings of another distraction...

Whatever the case, as the holidays approach, if you're a card-giver, you might consider going handmade this year with embroidered greeting cards. They take more time, that's true. But somehow, I think they deliver a more personal message than any Hallmark card could deliver. You really DID care to send the very best, so you made it yourself!

If you know of any sources for paper embroidery, will you share them?

Enjoy the weekend!
]]> Schwalm 10196 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-11 06:33:33 2008-10-11 06:33:33 1 0 10197 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-10-11 03:34:00 2008-10-11 03:34:00 1 0 10304 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-10-04 08:47:00 2008-10-04 08:47:00 1 0 10305 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-04 08:22:36 2008-10-04 08:22:36 1 0 10306 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-10-04 07:41:00 2008-10-04 07:41:00 1 0
Definitely approaching the Silly Season at my place , wouldn't you say?
Hooroo,
Christine.]]> 10307 Anonymous noreply@blogger.com 2008-10-04 07:18:00 2008-10-04 07:18:00 1 0 http://www.needlenthread.com/2009/02/atypical-whitework-embroidery.html Sun, 08 Feb 2009 06:45:00 -0600 Mary Corbet 273 2009-02-08 06:45:00 2009-02-08 06:45:00 open open Atypical-Whitework-Embroidery publish 0 0 post question about fabric.

Many of you could see the decision coming, methinks: I did change the fabric to the darker linen. The deciding factor was the question of photography. I get better pictures on darker fabric, especially when the stitches need to be seen.



You can see that the contrast makes the stitches a lot clearer. In choosing between the two fabrics, I was choosing between this fabric (the darker shade) and a shade lighter than this, but not white. The original fabric I started working on was almost a golden color, but, in close ups and with any kind flash or bright lighting, the fabric tended to wash out, so the stitches were not as noticeable.

I also decreased the size of the whole piece. I think it's 16" x 18" now, which is much easier to work on.

Now, to explain the whole sampler. I'm afraid the term "whitework" only refers to technique. I realize it is not properly "whitework," since it is not done on a white ground fabric (which is usually the case with real "whitework"). The point of the samper for me is to explore different types of whitework techniques, demonstrating "how to" and troubleshooting and whatnot as I go. In the process, I'll work up a few photo tutorials of different techniques for you, like the one on re-weaving the edges in drawn thread work and the one on finishing the edges with satin stitch.

The finished piece isn't meant to "be" anything, other than a sampler. I'm not trying to create a gorgeous work of art or anything, although I do hope it comes out fairly nice! I have no idea what it will look like yet, when finished, but I have blocked out a drawn thread section and a small Ukranian sample, and I've transferred a Schwalm design on the fabric, using Christine Bishop's book, Schwalm Whitework Embroidery (the link will take you to my review of the book).

Besides this sampler, which isn't meant to be my sole occupation for the next however long it takes, I've got plans for other embroidery, too - so don't worry, I won't bore you to death with whitework (I hope!).

In the embroidery arena, I've got some interesting things coming up! I'm eagerly waiting some sample projects that I'll be working on, from some well-known designers. I don't want to whisper anything too loudly right now, but just so you know, in the near future, there are some exciting projects coming out for embroiderers, with the possibility of some new kits becoming available ... and, well. Just a hint: think long and short stitch shading and flowers, and you may just guess who I'm talking about!

And, with my present creepy, crawly, cruddy cold dissipating, my voice is getting somewhat back to normal, so there's a good chance I'll be able to add sound to some videos this week. (Keep your fingers crossed for me!) I just can't do the frog voice on something that is more or less public and permanent!

Coming up, I've got a little photo tutorial on transferring a design using tissue paper (very easy, though somewhat time-consuming). Along with that, look for a photo tutorial on simple hemstitch and a beautiful piece of embroidery from a reader. Also, some thread tips, thanks to Pam and Inspirations, are in this week's line up.

A busy week ahead, but I hope you all enjoyed the weekend, got some stitching done (I managed a wee bit!) and are looking forward to a good week!
]]> Schwalm website news whitework pictures sampler fabric for embroidery linen 8873 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-02-08 16:22:00 2009-02-08 16:22:00 1 0 http://www.needlenthread.com/2009/02/drawn-thread-embroidery-chain-loop.html Sat, 14 Feb 2009 11:29:00 -0600 Mary Corbet 274 2009-02-14 11:29:00 2009-02-14 11:29:00 open open Drawn-Thread-Embroidery:-Chain-Loop-Bunches publish 0 0 post

This is a simple way to bunch together groups of threads in drawn thread embroidery - and the result is a very basic "decoration."



Notice that there's no knot in the thread that's running through the bunches. Rather, there's just a kind of "hook" that looks a bit like a chain stitch.

This method is an ok way to bunch threads together on an item that is not utilitarian. If you're practicing bunching threads for a sampler or something that will be framed, then this is fine. If you're making a pillow or some other utilitarian item that will eventually need to be laundered, I wouldn't use this method of thread bunching, personally. Without an actual knot in the thread, I don't know that the loops will hold up and keep their proper tension.

For bunches to look good in drawn thread work, they need to be even. In the row pictured above, I began by hemstitching the top and bottom of the row, grouping together two vertical threads. Since I'm bunching up groups of 4 (each group made up of 2 vertical threads), before I started, I made sure I had enough vertical threads. I withdrew horizontal threads over a number divisible by 8. If I only wanted to work three bunches of two together, the number of vertical threads left would be divisible by 6.

I really don't like the whole counting aspect of drawn thread work, and it's true that you can hedge a bit on some of it, depending on your project, but when you're working a sampler where the stitches and bunches and so forth are all very visible, it's a good idea to count accurately.



Once the hemstitching is complete, you'll start with a new thread. Anchor the thread on the right side of your strip, so that it emerges at the half-way point on the right side. Then, take the needle under the bunch of threads you want to pull together, and take it over the working thread, just as you would do with a chain stitch in regular surface embroidery.



Pull the needle forward through the loop along with all of the working thread, pulling tightly enough to bunch together the vertical thread groups in the fabric.



Continue down the row in the same manner, until you finish the last chain loop over the last bunch. Take your thread to the back at the half-way point of the edge, and weave it under your edging to secure it.



And that's pretty much it. It's not the most decorative way of bunching threads together, but it works ok for a simple effect. I prefer (personally) using a coral knot, but for getting started, this is an easy way to get an idea of bunching threads. Don't worry - I'll show you the coral knot (or "knotting") in an upcoming article.

In the meantime, I'm still just messing around with the whitework techniques on this sampler. I've played a bit with Schwalm - just enough to make a few mistakes and learn a few useful things. I'll be sure to show you what I mean this coming week!

And phew! I'm glad it's Saturday! I'm playing catch-up this weekend, which is not always fun after a rat-race-week. I hope you're able to get some stitching in and that you enjoy the weekend!
]]> Schwalm needlework tutorials whitework pictures embroidery tips and tricks needlework pictures drawn thread embroidery 8817 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-02-14 14:14:00 2009-02-14 14:14:00 1 0 http://www.needlenthread.com/2009/02/whitework-techniques-embroidery-sampler.html Mon, 16 Feb 2009 07:54:00 -0600 Mary Corbet 275 2009-02-16 07:54:00 2009-02-16 07:54:00 open open Whitework-Techniques-Embroidery-Sampler-Update! publish 0 0 post

The techniques I plan to dabble in on this sampler include drawn thread, Schwalm, Hardanger, Ukrainian drawn thread embroidery, surface techniques (such as trailing and satin stitch and so forth), pulled thread, and whatever else happens to come to mind.

So far, it's been a fun experiment, and I've learned a lot of things along the way. Today, I'll just give you a couple shots of what I've done so far. Later on, I want to go into various motifs and show you mistakes (yes, I make mistakes!) and corrections, and other points of learning.

Here's the sampler so far:



This is the lower left-hand corner of the fabric. The area is quite dominated by an incomplete Schwalm chicken. I wasn't going to do this guy at first, but on a whim, I stuck him on there. For a chicken, compared to everything else on the sampler, he's somewhat large - but, gosh, I love this guy! He's the same motif I used on my Christmas Chicken embroidered card.



And this is the lower right-hand corner of the fabric so far. You can tell that I jump around between motifs a bit. The Schwalm work pomegranate here isn't finished - I still have to work the pinecone on the right and the little spray below it. The chicken above isn't finished, either, and in the middle of the fabric, you can see a larger blank rectangle that's marked out - and it's not finished, either!



Here's the chicken close-up. Check out those chicken legs. There are some flaws on this fellow, and some troubleshooting I had to go through when choosing threads, but we'll come back to that down the road.



And here's the crown of the pomegranate. This is perhaps my favorite thing I've worked so far on this! It was a bit challenging here and there, which was nice. Yeah, the eyelets aren't so great, and - yes! - they are on crooked. The right side is higher than the left side!

We'll go back to that later, too.



I like this little section of drawn thread, which utilizes the coral knot to bunch things together. The other day I showed you how to do what I call a chain loop to bunch threads, but the method I prefer is this coral knot.



And, here's the whole panel in perspective. See what I mean about the dominating chicken??!!

That's my progress so far - it's really one of the more relaxing projects I've ever worked on, I suppose because it isn't for anyone else, it's purely exploratory, and I can do whatever I want! Kinda fun!

Anyone else out there working on anything fun or interesting? Feel free to leave a comment below with a link to your current project! Or, if you've finished something recently and want to share it with us, you can contact me, and I'll send you my e-mail address so you can send photos!

Have a great Monday!
]]> Schwalm whitework pictures sampler needlework pictures drawn thread embroidery 7666 Rosalind noreply@blogger.com http://www.blogger.com/profile/00632638031403542250 2009-05-10 10:46:00 2009-05-10 10:46:00 1 0
Anyone able to tell me where I can get patterns/designs for drawn thread work please.]]> 8517 Anonymous noreply@blogger.com 2009-02-27 03:31:00 2009-02-27 03:31:00 1 0 8710 ElliKay noreply@blogger.com 2009-02-22 08:29:00 2009-02-22 08:29:00 1 0 8796 FredaB fmbutler@hotmail.com http://www.blogger.com/profile/08000510495713705938 2009-02-17 10:28:00 2009-02-17 10:28:00 1 0
Thanks again for all the time you spend educating the rest of us and thank you for visiting my blog and leavng nice comments.

Hugs
FredaB]]> 8797 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-17 08:33:00 2009-02-17 08:33:00 1 0 I love what you've done so far.
Even though I've got a gizillion things going right now (literally) in my stitching life, I really want to follow this and put it on fabric myself.
I never gave much thought to white work in the past.... just thought it was pretty and left it for others.
Following your blog has put a bug in me and I know I'll have to follow through.

Guess I'll go on a fabric and thread hunt :)
Hugs, Marlon]]> 8798 charlie noreply@blogger.com 2009-02-17 07:35:00 2009-02-17 07:35:00 1 0 8802 Anonymous noreply@blogger.com 2009-02-16 20:18:00 2009-02-16 20:18:00 1 0 The fabric change was a sound choice; these pictures are beautifully clear.
Keep up the lovely work!
-Christiana]]> 8805 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-16 13:13:11 2009-02-16 13:13:11 1 0
Francesca - the stitch filling the crown of the pomegranate is the reverse wave stitch, and on the inside of the chicken, those are just small straight stitches worked down the line, and pulled a little. At the intersection of each line, a three-thread block is left blank.

I'll be writing in-depth about each technique as time allows, with up-close photos and stitch tutorials...

Thank again!]]> 8806 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-02-16 11:45:00 2009-02-16 11:45:00 1 0
Maybe when you're finished your sampler, you'd consider a stitch along...I know I would participate. I've always wanted to tackle something similar but haven't liked the traditional look of a band sampler...it would be fun to do a section a week or something. On the other hand, you can keep playing and showing us what you're doing and I'll be just as happy...]]> 8807 Francesca noreply@blogger.com http://www.fuoriborgo.com 2009-02-16 10:11:00 2009-02-16 10:11:00 1 0 http://www.needlenthread.com/2009/02/drawn-thread-embroidery-diamond-stitch.html Wed, 18 Feb 2009 06:30:00 -0600 Mary Corbet 276 2009-02-18 06:30:00 2009-02-18 06:30:00 open open Drawn-Thread-Embroidery:-Diamond-Stitch-Photo-Tutorial publish 0 0 post whitework techniques sampler, I'm messing around a little more with drawn thread embroidery. It's kind of fun to experiment with the different stitches, and although I'm not 100% pleased with the location of this next little bit of drawn thread work, I still think it's coming out ok. Today, I want to show you how to do the diamond stitch, which can be used in pulled thread work or drawn thread work.

When used in drawn thread work, the diamond stitch serves to bunch together some of the vertical threads. This is how I'm using it in the motif I'm working on now, anyway. In pulled thread work, you would simply pull the threads together to leave little holes in the fabric. It's the same concept, but you aren't working without horizontal threads. Hmmm..... that would be better explained in photos, methinks!

But here, I'm working with drawn threads, so please allow me to demonstrate the diamond stitch with drawn thread.



First, here's the area I'm working on. It's a three-tiered section of drawn threads, and in between each section of drawn threads, I've left four horizontal threads intact. I'm still working in multiples of four here. I'm working the diamond stitch at the top of the lower section, over the area where I left four horizontal threads.



The working thread is anchored on the back, by running it under the satin stitches that secure the edge of the drawn thread area. After you've anchored your thread, you want to position your emerging point two threads up in the four thread area, and count in four vertical threads. Basically, you're stitching over four vertical threads on the half-way line in the four-thread area.



Next, take your needle down four threads to the right, along the same line, and back up through the first hole from which you emerged. Basically, you're wrapping the working thread around four vertical fabric threads along the same line. Pull the working thread through and pull firmly to tighten the stitch.



Now, take your needle down, directly under the point you just emerged, in the drawn thread area, and up again four threads later.



Then, take your needle back around the group of four threads, and emerge again to the left of the fourth thread. Here again, you're basically just wrapping your working thread around that group of four threads.



Moving straight up from the point you just emerged, following the vertical threads (so you're just above them again, in the four-thread area), take your needle down along the same line as the first stitch in the four thread area, and bring it up again four threads later. Now, you're just going to repeat the stitches.



Pull your working thread through, wrap it back around the four threads, and pull the stitch tight.



Continue working down the line in this manner, until you have completed the bottom of the diamond design.



Now, it's just a matter of reversing the direction of the stitch and returning along the line, to form the top of the diamonds. Instead of going down into the drawn thread area, you're just going up into it. The stitches in the four-thread area are all in the same holes (so that there are two stitches over the same four threads on the return journey). Pull tight whenever you're working the middle stitches, so that you get a nice little pulled effect with little holes in the middle of that four-thread area. This will increase the lacy look of the finished area.

So that's the diamond stitch. Notice that it bunches together every other group of four threads, and leaves the groups in between straight. That's ok! For the next step of this section, I'll work coral knots over the bunches and then through the middle to make a diamond pattern using the drawn threads....

I'll show you how to do that next time I visit the sampler.

Up later this week - a GIVE-AWAY! Don't miss the February give-away. I'll be including some patterns and fibers for you and little fun embellishments. I really need to go through my cabinets and straighten things out again. Whenever I organize, I come up with some pretty good stuff that makes for good stash-building. So stay tuned for that!

Also, I've got some reader's embroidery to show you, a few tutorials, a pattern, and a couple other interesting tidbits from the craft blog-o-sphere. I'm perusing a few books right now, too, so I'd like to review those for you.

Feel free to leave a comment below if you have any questions or input on this technique! Thanks!

More Drawn Thread and Whitework Embroidery

Drawn Thread - Securing Edges with Re-Weaving
Drawn Thread - Securing Edges with Satin Stitch
Drawn Thread - Hemstitch Tutorial
Drawn Thread - Chain Loop Bunches
Sampler Update with Schwalm Embroidery
Online Book on Drawn Thread Techniques
]]> Schwalm needlework tutorials whitework pictures needlework pictures drawn thread embroidery 8777 Patrice noreply@blogger.com 2009-02-19 14:56:00 2009-02-19 14:56:00 1 0 8781 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-02-19 09:03:00 2009-02-19 09:03:00 1 0 I follow you step by step through each post, of this magnificent work and I enjoy it!!!
Thanks so much by your lessons

Maria del Valle :)]]> 8782 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-02-19 08:17:00 2009-02-19 08:17:00 1 0 8785 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-18 17:46:19 2009-02-18 17:46:19 1 0
I notice I say "so" a lot, too - I also use the word "anyway" a lot when I write! I never notice it until after I've finished writing and re-read... then I try to adjust it. But sometimes, "so" and "anyway" are the only words that fit!

MC]]> 8786 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-18 17:44:51 2009-02-18 17:44:51 1 0
Well, maybe it's a matter of translation... in English, "pulled thread" is embroidery done with tight stitches, so that the stitches pull on the threads and leave open holes. "Drawn thread" means that you take some of the fabric threads out of the fabric - you cut them and draw them out, and then embroidery on the remaining threads. So in these techniques, I am taking the horizontal threads out of the fabric and embroidering on the vertical threads, grouping them together. But in "pulled thread" (like the top of the pomegranate in the Schwalm motif, or the inside of the large side "leaves" or "pinecones" in the Schwalm motif) I did not remove any of the fabric threads - I just pulled the stitches tight, to make open holes in the fabric.

I hope that helps!

Mary]]> 8788 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2009-02-18 09:44:00 2009-02-18 09:44:00 1 0
I am really enjoying these posts on drawn thread embroidery!]]> 8789 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-02-18 08:44:00 2009-02-18 08:44:00 1 0 I'm following all these lessons about drawn thread work and I'm delighted! Thanks for your clear words and photos!
I read carefully but sometimes my English isn't enough to understand everything clearly.
Let me know what is the difference between "drawn thread work" and "pulled thread work", pleeeeeease! Haven't to draw and to pull the same meaning? I thought they were the same work... I'm still a little slow recovering from a very bad flu... so I think I have an excuse for my naive question...Sorry!!!!]]> 8790 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-18 08:00:46 2009-02-18 08:00:46 1 0
Ladeeda deedumdeedoo....

MC]]> http://www.needlenthread.com/2009/02/tutorial-coral-knot-in-drawn-thread.html Sun, 22 Feb 2009 07:20:00 -0600 Mary Corbet 277 2009-02-22 07:20:00 2009-02-22 07:20:00 open open Tutorial:-Coral-Knot-in-Drawn-Thread-Embroidery publish 0 0 post

The coral knot in drawn thread embroidery is not that different from the coral stitch used in regular surface embroidery. Essentially, the movements of the stitch are the same. The difference is, of course, that you don't have a regular ground fabric in drawn thread work, so the line created by your working thread doesn't come out looking "couched." Instead, it looks like a thread with knots in it that hold together bunches of vertical fabric threads.

To begin, I've already finished my edges using satin stitch and withdrawn the vertical threads. I've also hemstitched the bottom of the drawn thread area over two threads. At the top of this piece, I've worked Diamond Stitch, grouping together every other four threads.



Anchoring my thread in the satin stitch bars on the side, I brought it up on the right side of the drawn thread area right where I wanted the line of coral knots to run. With the needle and thread at the front of the fabric right next to the satin stitch bars, I brought the needle down behind four vertical fabric threads (that's two groups of two hemstitched threads) and back up again, underneath my working thread and inside the loop formed by it. (The working thread is looped over, then under, the needle.)



Pull the needle and working thread through the loop, pulling the loop firmly so that the fabric threads bunch together. I find that it helps to pull the working thread forward and upward rather than simply forward on top of your fabric, in order to get the knot to situate itself in the middle of the bunch.



Moving on to the next coral knot, take the needle to the back of the next group of four threads and to the front again (in one motion - "sewing" rather than taking your hand to the back of your work!). Come up underneath the working thread again, and inside the loop.

The stitch requires you to come up from the back, then wrap your working thread up over the top of your needle, then down underneath your needle, to form this loop. It's easier, though, if you simply leave your working thread looped forward on your fabric and you pass underneath the working thread then up into the loop.

Again, pull the stitch tight by pulling forward and upwards on your working thread.



To keep the line of knots straight, you can use your needle and nudge the knots up or down on the vertical threads, so that you situate them right where you want them.



Work all the way across to the other edge of your drawn thread area, then take your thread to the back and anchor it under the satin stitch bars.



On this piece, I worked a line of coral knots at the top and bottom of the drawn thread area. As tempting as it would be to slide your working thread up under the satin stitch bars to begin the coral knots going from left to right (on the return journey at the top), don't. The knots in the lower row are moving in the same direction - if you switch the direction of your stitch (and you're still working with your right hand), the knots will look different.

For left-handers, the stitch is worked from left to right, and the looping of the working thread is the same.

That's the coral knot! Have fun with it!

More Drawn Thread and Whitework Embroidery

Drawn Thread - Securing Edges with Re-Weaving
Drawn Thread - Securing Edges with Satin Stitch
Drawn Thread - Hemstitch Tutorial
Drawn Thread - Chain Loop Bunches
Sampler Update with Schwalm Embroidery
Online Book on Drawn Thread Techniques
Diamond Stitch in Drawn Thread Work

You can find more tips and tricks for hand embroidery - including all the above tutorials - indexed on my Tips and Tricks for Hand Embroidery page.
]]> Schwalm needlework tutorials whitework pictures sampler needlework pictures drawn thread embroidery 8619 graperoof907 noreply@blogger.com http://www.blogger.com/profile/14331941170827894285 2009-02-23 14:58:00 2009-02-23 14:58:00 1 0
I'm very new to embroidery and everything I learn is on line.......I'm hoping to get the a=z embroidery, so much i want to learn......wow, those threads are awesome, so many i haven't seen

jan in indiana]]> 8641 Anonymous noreply@blogger.com 2009-02-23 01:41:00 2009-02-23 01:41:00 1 0
I have two fabulous books from the A-Z series, one is A-Z embroidered flowers, the other A-Z of embroidery stitches. They are both well worn and much loved resources.
And it looks like your site will be the same.Thank you so much.

Kathleen]]> 8661 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-02-22 17:13:00 2009-02-22 17:13:00 1 0 8672 Anonymous noreply@blogger.com 2009-02-22 14:17:00 2009-02-22 14:17:00 1 0 8674 alice m noreply@blogger.com 2009-02-22 14:09:00 2009-02-22 14:09:00 1 0 8682 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-02-22 11:32:00 2009-02-22 11:32:00 1 0 http://www.needlenthread.com/2009/02/drawn-thread-embroidery-zig-zags-and.html Fri, 27 Feb 2009 08:16:00 -0600 Mary Corbet 278 2009-02-27 08:16:00 2009-02-27 08:16:00 open open Drawn-Thread-Embroidery:-Zig-Zags-and-Corners publish 0 0 post hemstitch before moving on to zig-zags, so you might want to check out that tutorial if you're just getting started with drawn thread embroidery.

When you work zig-zags in drawn thread, you're hemstitching the top and bottom of a row of stitches that have had several horizontal (or vertical - depending on the direction you're stitching) removed.



In this little tutorial, I'm working around a box, so I've removed threads horizontally on the top and bottom rows that comprise the outside of the box (indicated by "A" in the photo above), and vertically on the sides of the box (indicated by "B" in the photo above).

I'm using satin stitch bars to secure the edges (see the arrow in the photo above). Note that they are secured around the corner, for both the vertical and horizontal removal of thread.

I'm working in groups of four threads. This technique requires an even amount of threads, so that the bundles can be divided correctly. So, if you're working with four threads, you want to count off a multiple of four for the width and height of your box.



When you work your initial hemstitching on the outside of the box edge, on the first group next to the satin stitch bars, you want to pick up only two vertical threads. Then, for the subsequent groupings, pick up four vertical threads....



... until you come to the end of the row, where you'll only have two threads leftover.



To begin the hemstitching around the inside of the box, use a waste knot to start your thread. Now, you'll be working in groups of four threads, hemstitching around the first bunch of two, and picking up two from the next bunch of four.



For the next bunch, pick up the two left in the bunch, plus the first two of the next bunch.



Work this way all the way to the corner - you can see the zig-zag pattern developing.



When you come to the corner, you'll work the wrapping stitch of the hemstitch around the last four threads (two from the bundle you're in, and the last two bundled threads). When you take your needle down after the wrap, you'll bring it up in the second bundle around the corner, so that you can now wrap the first four threads around the corner.



To complete this corner hemstitch, take your needle down into the corner to form the wrap and bring it up in the fabric to form the wrap and put your needle in position for the next hemstitch.

Work the next inside row over four threads, splitting the bundles as you did in the first row, and then proceed around the rest of the corners of the box in the same manner.



When you come to the end of your last inside row, to anchor the thread, slide it underneath the hemstitching on the inside row. Don't cross over to the outside of the box, or your thread will show behind the drawn thread areas.

And there you have zig-zags in drawn thread, around the outside of a box!

More Drawn Thread and Whitework Embroidery

Drawn Thread - Securing Edges with Re-Weaving
Drawn Thread - Securing Edges with Satin Stitch
Drawn Thread - Hemstitch Tutorial
Drawn Thread - Chain Loop Bunches
Sampler Update with Schwalm Embroidery
Online Book on Drawn Thread Techniques
Diamond Stitch in Drawn Thread Work
Coral Knot Bunches in Drawn Thread Embroidery

You can find more tips and tricks for hand embroidery - including all the above tutorials - indexed on my Tips and Tricks for Hand Embroidery page.
]]> Schwalm needlework tutorials whitework pictures sampler needlework pictures drawn thread embroidery http://www.needlenthread.com/2009/03/whitework-drawn-thread-sampler-update.html Tue, 10 Mar 2009 19:09:00 -0500 Mary Corbet 279 2009-03-10 19:09:00 2009-03-10 19:09:00 open open Whitework-&-Drawn-Thread-Sampler-Update publish 0 0 post

As a short background, my purpose in this project is to explore a variety of whitework and whitework-related techniques. I'm working on a 36 count natural colored linen. It's an even-weave linen, meaning that the warp and weft threads are approximately the same size, so that one can count horizontally or vertically approximately 36 threads in an inch. It's not the ideal ground for some whitework techniques, but it works great for drawn thread, pulled thread, and Schwalm embroidery.

Normally, whitework is worked white-on-white, but I chose a darker background fabric for the sake of the photos.

As I've been working on the sampler - which is totally random, just doing "whatever" whenever and wherever (this is probably going to be a bit of a mistake!), I keep thinking ahead to the next thing I want to do on it. I'm contemplating the difficulties of good satin stitching on this fabric. I generally like working satin stitch on a higher count fabric that isn't necessarily even-weave (though it can be). Anyway, I think I can manage it on this fabric, as long as I use a crewel needle or similar, with a sharp point. With tapestry needles that have a blunt point, it is difficult to stitch into the fabric threads, but with satin stitching, to get a smooth edge, I know I'm going to have to split fabric threads.

Looking ahead to some satin stitching, I'm trying to decide precisely what I want to satin stitch. The logical choice would be a monogram, since they are very often the subject of whitework. I want to demonstrate a technique called trailing, though, so if I select a monogram, it will probably be the best letter to demonstrate the technique of trailing. It will need to be flowy, with narrower and wider parts. I'm thinking an "S". But why would I want something embroidered with an "S" on it??! So we'll see about that!

In the meantime, this is what I've been doing on the sampler. Now, I know it's kinda weird-looking! But let me tell you how it developed before you chalk it up as too bizarre and unfitting for the rest of the sampler so far!!



See those big curls. Weird. But back to that in a bit... The last time we visited the whitework sampler, I had not yet worked the motif directly below the insanely large curly things. In that drawn thread patch, I attempted to mimic a variation that I saw in Therese Dillmont's book, Drawn Thread Work, which I reviewed a few weeks ago. I'm not satisfied with the results. I think it looks bizarre. But, it was interesting, and at least it was something to learn. The wheels in the middle (the big white dots) are made by weaving the thread around the intersections of the the coral knot threads traveling up and down from one bunch of threads to the next. In Dillmont's illustration, she doesn't have the vertical white threads working up to the wheels, but I put them in there because I didn't do the wheels as I went, while working the coral knot "waves." Those vertical lines make the whole thing look kind of strange!



Now, about these chunky curly things. They were completely spontaneous. I wanted to work a variety of drawn thread and pulled thread fillings, but I didn't want to keep working in squares. I thought about circles (and I still might do some!) but I ended up doing these scrolly things instead. They're worked in chain stitch, using a #16 coton a broder.

Inside the curlies, I withdrew some threads so that I could work some filling techniques.



And here's the first attempt. Hilariously enough (I'm not really laughing! Ok, actually, now I am!), my first filling was going to be a reverse wave stitch, which I was going to photograph upclose for tutorial. (You can see the reverse wave stitch in the crown on top of the Schwalm pomogranate.) Oh, golly! I started going, and realized I was not really doing the reverse wave stitch. I had run amuck somehow. But since it was working out (more or less), I left it.

Notice that in this particular curl, the drawn thread areas get closer together towards the top. You see, originally I was taking out two threads from the fabric and leaving three in. As I worked higher on the curl, I took out two threads and left only two in between the drawn thread areas. I thought that this would help give a "shaded" look (just an experiment!) to the curl, because the white stitches would be closer together. But once I got going, I realized it isn't the white stitches that show - it's the gaping holes. They get closer together, but it isn't that noticeable!



So, this is where I am, working out the fillings in the big fat curls. I'm planning on working some more decorative stitching outside the curls - different sized scallops or something. We'll see how that develops!

And then, once I finish these elements, I'll move on to... well, something else in the sampler. I was thinking of going straight into satin stitch at first, but the more I look at the sampler right now, the more I think I'll add some filling. But then on the other hand, if I don't break away from this drawn thread stuff soon, I fear the whole sampler will end up dedicated to drawn thread, with a bit o' Schwalm thrown in!

What think you? Any ideas for future elements of the sampler? I'm all ears!

More Drawn Thread and Whitework Embroidery

Drawn Thread - Securing Edges with Re-Weaving
Drawn Thread - Securing Edges with Satin Stitch
Drawn Thread - Hemstitch Tutorial
Drawn Thread - Chain Loop Bunches
Sampler Update with Schwalm Embroidery
Online Book on Drawn Thread Techniques
Diamond Stitch in Drawn Thread Work
Coral Knot Bunches in Drawn Thread Embroidery
Zig-Zags in Drawn Thread Embroidery
All Whitework Articles on Needle 'n Thread

You can find more tips and tricks for hand embroidery - including all the above tutorials - indexed on my Tips and Tricks for Hand Embroidery page.
]]> Schwalm whitework pictures sampler needlework pictures drawn thread embroidery 8375 María José(mesonero68) mesonero68@gmail.com http://www.blogger.com/profile/16049850965948641593 2009-03-11 03:13:00 2009-03-11 03:13:00 1 0 http://www.needlenthread.com/2009/03/cut-it-out.html Thu, 19 Mar 2009 07:21:00 -0500 Mary Corbet 280 2009-03-19 07:21:00 2009-03-19 07:21:00 open open Cut-it-Out! publish 0 0 post

Cutwork is a kind of whitework embroidery where the design is stitched along the edges, usually with little attached bars of sorts between different design elements, and then the background fabric in parts of the design is cut away. Here's an example from an old post on whitework, where I reviewed the A-Z of Whitework, Book One:



Here, you can see that the outline around the cutwork area and the bars between the outline's lines are all about the same size, and the cutwork looks kind of "squarish."



Here, it's slightly different - the "bars" are not as bar looking, but look more like long web-like strands.

In both examples above, the main elements of the design have been stitched around the edges with overcast stitch, which is simply satin stitch worked in a very narrow line all around the outline. The way it works is this: you have your design. You stitch a running stitch around the area to be cut out. Then, the first thing you stitch are the bars, by the passing the thread back and forth wherever you want the bars, and then either overcasting them or buttonholing them on the return journey. Then, you stitch the edges, either with overcast stitch or buttonhole stitch. I'll show you up-close how it's done... eventually!

Well, I was very enthusiastic to get started on my cutwork motif after getting the design down. Funny. After transferring the monogram, I was keen to start on it, to the detriment of finishing the drawn threadwork, which I was eager to start on to the detriment of finishing the Schwalm pomegranate. I can't keep doing this!



But can you blame me, really? Doesn't that just look fun?

This is the cutwork motif. I like it a LOT. I LOVE IT! If I can do it justice, I will really be thrilled with it. So far, I think it's my favorite bit on this sampler - but I know it's also going to be the most tedious bit!

When you realize how much I love the design, can you forgive me for jumping around so sporadically and inconsistently?!

Anyway, my plan with this particular design was to use a cord underneath the overcast stitch along the edges, to make those stitches stand up. I want a bit of "relief" on the design - some height and definition in the outlines. One of the reasons is because of the relative roughness of the fabric. Mostly, you see cutwork worked on high count, firmly woven linen. This is rather not the stuff of cutwork, but it'll still work...



For the "cord" that I'm stitching over, I'm using DMC Cebelia #10.



I began the overcasting with enthusiasm! For the overcast stitching, I'm using #30 coton a broder.



Stitching over the cord really lifts the stitches nicely. I like it so far.



The design has a kind of "double" outline around each cutwork area - that's one of the reasons I like the design so much. So, here I am, starting back on the double line... this line is the line that directly outlines the cut out area. Stitching along, stitching along... very happy. Liking the whole thing a lot... dum dee doo... having fun....

Suddenly realizing...

?

What?

I'm getting kind of tired of these head-slapping moments.

I complete forgot to the put the bars in. Ugh.

Yes, well, the monogram's looking pretty good! Maybe I'll stitch on that tonight. Who needs this cutwork stuff, anyway?!?!
]]> Schwalm cutwork whitework pictures embroidery tips and tricks sampler needlework pictures drawn thread embroidery 6334 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-05 02:14:53 2009-08-05 02:14:53 1 0 The bar are buttonhole bars aren´t they? You forgot about them because they are not in the transferred bastings. The original cutout pattern also calls for wide ribbon laces on those areas, not threads. good luck on the progress!
vince]]> 8281 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-03-20 23:25:00 2009-03-20 23:25:00 1 0 8296 Ruth noreply@blogger.com 2009-03-20 07:46:00 2009-03-20 07:46:00 1 0 8299 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-03-19 21:51:00 2009-03-19 21:51:00 1 0 8300 Susan noreply@blogger.com 2009-03-19 16:23:00 2009-03-19 16:23:00 1 0
Susan]]> 8301 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-03-19 15:45:00 2009-03-19 15:45:00 1 0 8303 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2009-03-19 12:40:00 2009-03-19 12:40:00 1 0 8305 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-03-19 11:32:00 2009-03-19 11:32:00 1 0
Jane]]> http://www.needlenthread.com/2009/03/drawn-thread-simple-treatment-with.html Tue, 24 Mar 2009 09:08:00 -0500 Mary Corbet 281 2009-03-24 09:08:00 2009-03-24 09:08:00 open open Drawn-Thread:-Simple-Treatment-with-Coral-Knots publish 0 0 post

The coral knot stitch in drawn thread embroidery is often used to bunch together threads. If you haven't looked at the photo tutorial for the coral knot, you may wish to, since this basic treatment depends on the coral knot.



Beginning with a relatively wide strip with threads withdrawn, anchor your working thread in the satin stitch bars on the right. Take the working thread up from this central point to the top of the vertical threads. You can work as many coral knots across the top as you'd like - it depends on how many bunches of vertical threads you want to group together. Here, I'm grouping together four bunches of vertical threads, so I'm working four coral knots, one around each bunch.

Then, move your thread down to the bottom of the area of withdrawn threads, and work an equal number of coral knots around the bunches. Move back up to the top, and group together the same number of bunches. Continue across the whole strip, then anchor the working thread behind the satin stitch bars at the middle point of the edge (exactly opposite where you began in the right side satin stitch bars).



Return to the right side of the piece, and anchor your working thread in the same place behind the satin stitch bars.

Now, work down then up with your coral knot bunches, so that your working thread crosses over the thread of the previous journey, to form an "X" between the groups of coral knot bunches.

Continue this across to the left side of the area, then anchor the working thread behind the satin stitch bars where you anchored your previous thread.



Now you have a simple "canvas" for further embellishment, if you like. Or, you can leave it as it is. I decided to try some woven wheels around the "X" between the coral knot groups...



But, to tell you the truth, it is my least favorite motif on the sampler. The wheels are not quite even, they look "heavy" compared to the rest of the work around them, and I don't like the vertical white threads. But - live and learn! That's the whole point of a sampler!

Next time I work this basic motif, I'm going to work an opened diamond in the middle of the coral knot groups. I think that'll look nice... When I get to that point, I'll show you how to do it!

For further information:

More Drawn Thread and Whitework Embroidery

Drawn Thread - Securing Edges with Re-Weaving
Drawn Thread - Securing Edges with Satin Stitch
Drawn Thread - Hemstitch Tutorial
Drawn Thread - Chain Loop Bunches
Sampler Update with Schwalm Embroidery
Online Book on Drawn Thread Techniques
Diamond Stitch in Drawn Thread Work
Coral Knot Bunches in Drawn Thread Embroidery
Zig-Zags in Drawn Thread Embroidery
All Whitework Articles on Needle 'n Thread

You can find more tips and tricks for hand embroidery - including all the above tutorials - indexed on my Tips and Tricks for Hand Embroidery page.

]]> Schwalm needlework tutorials whitework pictures sampler needlework pictures drawn thread embroidery 8247 Ruth noreply@blogger.com 2009-03-24 18:00:00 2009-03-24 18:00:00 1 0 8248 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-03-24 17:42:00 2009-03-24 17:42:00 1 0
Love the Or Nue, I look forward to seeing that develop. Christiana's peacocke feather is awesome, thanks for sharing that.

I smiled when I read about your 15 minutes aday. A change of routine means that I am able to fit in 30 mins of JE before I go to work. No, I don't get much done each day, but as you say, it adds up but more importantly, it makes a HUGE difference to my day.

CA]]> 8253 ViennaBelle noreply@blogger.com 2009-03-24 10:51:00 2009-03-24 10:51:00 1 0
I have a suggestion you might want to try. There's no reason you need use the same weight floss for the woven wheels (or spiders, as my instructor called them) as the rest of the drawn work. I've had outstanding success on punto in aria work using a lighter gauge of floss in places like this. Bear in mind, I have only used linen thread on needle lace--and it may make a difference (I'm really not sure).

BTW, You've inspired me to try my hand at goldwork. Even using the mystery threads I picked up at a flea market, I was pleased with the results! Thank you!]]> http://www.needlenthread.com/2009/03/cutwork-pattern-for-hand-embroidery.html Wed, 25 Mar 2009 06:35:00 -0500 Mary Corbet 282 2009-03-25 06:35:00 2009-03-25 06:35:00 open open Cutwork-Pattern-for-Hand-Embroidery publish 0 0 post cutwork motif. Here, I've got the pattern for you AND the incredible progress I've made on the cutwork motif! How exciting!

Well, I already feel bad about saying that - not a fib; rather an exaggerated jest: I have made very little progress on the cutwork motif. Still, every little bit counts, right?

Here's the design for you, in case you ever want to use it for cutwork - or for any other kind of embroidery or craft usage, for that matter. You can click on it for a slightly larger image (and a larger file size!).



And, if you want, here's a PDF version:

Cutwork Design for Hand Embroidery

You can size the pattern up or down if you want. If you size it up, it may take more time, but you could also work with heavier threads to cover more ground a little faster.

Here's my progress on the cutwork design so far:



Oh. I know you're impressed!

Actually, I was debating whether or not I should put progress photos up at all - it practically seems pointless! But, still, there it is!

I transferred the design using the tissue-paper-and-tacking-stitches method, which has worked well so far with this design.



There it is, up close. I was debating about whether or not I would go with fine bars. Sometimes, the attaching bars on cutwork are mere threads, you see... and that lends to a very delicate, lacy look - absolutely beautiful on fine white linen. But given that this fabric is a little coarser than normal (for most fine cutwork, that is), I decided to go with a heavier look on the bars and on the overcasting around the edges of the design.

I plan to get some photo tutorials up on cutwork eventually, once I make a little more progress on this piece.

Now, to step backwards a bit, remember the monogram I set up for the sampler? The plan on that seems to be taking a different direction in my head. Initially, I wanted to do some trailing (which is super-raised satin stitch, over a bunch of cords), but I'm thinking about another technique right now - something... something a bit odd. On the wide parts of the letter, what think you of a raised stem stitch? Or casalguidi? I was kind of thinking it might be fun to do something not-quite-as-typical-of-whitework, and with a bit of texture. Anyway, that idea's ripening right now. We'll see what it develops into... If I keep plugging away at the cutwork, it'll have plenty of time to ripen, that's certain!

Funny thing is, while I was working the bars in that tiny bit there, I had the sudden desire to finish up the Schwalm pomegranate right below the cutwork motif. If I had students bouncing around like this, I'd tell them to settle down, take a deep breath, and FOCUS! Physician, heal thyself!

I suppose the next time we come back to the whitework sampler, we'll all be surprised at what transpired!

Enjoy the pattern - hope you find it useful!
]]> Schwalm free embroidery patterns cutwork whitework pictures sampler needlework pictures drawn thread embroidery 6921 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-06-16 09:09:20 2009-06-16 09:09:20 1 0 :-( ... I'm sad to say that it didn't go very well (even though was only working on a very small part of the design). I will once more give it a try sometime before the end of the year. I guess I felt a little over confident by imagining that it was going to be easier than what it really was (at least for me).
Thanks so much for all the advice,tips and help you provide through your blog !]]> 8199 charlie easterfield noreply@blogger.com 2009-03-29 09:00:00 2009-03-29 09:00:00 1 0 8221 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-03-26 22:54:00 2009-03-26 22:54:00 1 0

i love this!!!. im currently working on a new project...(yayyy) project number two!!! i have to send you the picture of the finished project, so proud of myself if i do say..hahahha. i am currently creating a name design with flowers for a friend. i would like to work some cutwork into the design. does the cutwork have to be done with bars? . cuz the vines of the flower intertwine and i would like to cutout the negative space especially since the space is not square. thought would give it a good cool look rather than have to leave it blank or filled with solid color.

so could you please council me on how i could do that with out nessicarily having to use bars or any other way u can think of.

once again thank you so much for sharing your wealth of knowledge with me. :)]]> 8235 Monika noreply@blogger.com 2009-03-26 04:53:00 2009-03-26 04:53:00 1 0 I will be busy with this over the weekend, once I finish will let you know ;-) !]]> 8236 margaret c. noreply@blogger.com 2009-03-25 22:19:00 2009-03-25 22:19:00 1 0
I took a class with cutwork in it a while back and we used cuticle scissors to cut away the fabric. We did all of our stitching with buttonhole and you sort held the rounded edge of the scissors along the buttonhole 'loops' and cut away the unneeded fabric. Since the points of the scissors were pointing away from the fabric it seemed easier to me than using straight scissors.]]> 8237 Marian noreply@blogger.com 2009-03-25 18:32:00 2009-03-25 18:32:00 1 0
Question: would it be possible to do a Celtic letter in cutwork? I would love to try cutwork, but want something small to start with.

re: twitter - I am ForestMaid if anyone wants to add me.]]> 8238 Gina ginab6@yahoo.com http://www.blogger.com/profile/17127914310809216760 2009-03-25 14:49:00 2009-03-25 14:49:00 1 0 8239 littlebirdhouse noreply@blogger.com http://littlebirdhouse.wordpress.com/ 2009-03-25 10:28:00 2009-03-25 10:28:00 1 0 8240 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-25 07:20:40 2009-03-25 07:20:40 1 0
Actually, I'm using overcast stitch, which is easier if you're working on a small design (On my fabric, the design is about 4 inches high). Yes, outline with running stitch - I outline right on the lines - then overcast or buttonhole over the outlines, working in the bars first. When you do the bars, you don't pass through the fabric, but when you outline the fabric areas, you do pass through the fabric. Once the stitching is done, you carefully (carefully... really carefully...) cut away the fabric behind the bars.

Good luck! Good idea to take just a bit o' the design. Wish I had. Heh heh.

Best,
MC]]> 8241 Monika noreply@blogger.com 2009-03-25 06:50:00 2009-03-25 06:50:00 1 0
This information has come at the right time for me.
My family and I just came back from a trip to Spain.
There I had the chance to see a beautiful variety of hand embroidered items/goods and cutwork caught my attention like never before.
So I started searching for info and online patterns for cutwork with very little success until I came to visit your blog !
Please keep us up to date with the progress of this project !
I will give it a try... but I'm thinking I will choose only a small part of the design, since I am brand new at this type of work.
Just a little ? before I go to make sure I got it ...
I need to outline the area of the design I'm using with back stitch or running stitch ... on the exact lines of the patterns or inside the lines and then cover the outer lines with the bottom hole stitch ?

Thanks Again, and I will be checking back !]]> http://www.needlenthread.com/2009/07/temari-anyone.html Fri, 10 Jul 2009 06:30:00 -0500 Mary Corbet 283 2009-07-10 06:30:00 2009-07-10 06:30:00 open open Temari,-Anyone? publish 0 0 post

While at Lacis in Berkeley, I didn't buy a whole lot of embroidery-related supplies, but I did buy books, and one of them is The Temari Book.



The book includes instructions and patterns for making thread-wrapped balls. Temari are given as gifts by the Japanese for a variety of purposes - to mark the birth of a child, for example.

The art of making these beautiful little globes of perfectly arranged and colorful thread has grown in popularity lately here in the States, and apparently around the world. The most recent issue of Inspirations Magazine (Issue #62) attests to this. In this issue, you'll find a thorough article and instructions for making your own temari, including making the thread-wrapped core. You'll also find a temari challenge (with prizes) in the issue!

If you are new to temari (as I am!) and want to try your hand at it, you might want to invest in a book. However, this book.... well... I like it in some ways, but in other ways, I don't. Normally, I don't have trouble picking up a book and "getting it" pretty quickly, but I found I had to re-read and think through the steps in this book a few times before really getting what the author was instructing, on some points. On other points, I didn't have a problem. Since I'm not too familiar with the craft, I don't know, really, if the difficulty is me, or if it's this book.

One thing I do like about the book is the inclusion of non-traditional forms, such as the egg shape. In fact, this is probably what sold me on the book. I like the idea of making temari for gifts - Christmas gifts, housewarming gifts, etc. Being able to make an egg-shaped "temari" would broaden the gift-giving perspective, I thought.

I started squizzing around the internet a bit, looking up Temari, and found a few very good websites that look helpful for the beginner.

Temari.com has a nice section on tips for beginners. The website is Diana Vandervoort's, who is an author of several books on temari and also has produced a how-to video that goes along with her book, Temari: How to Make Japanese Thread Balls.

Another great site is JapaneseTemari.com. Here, you'll find a history of the art, some interesting and fun ideas for temari, and, best of all, a good selection of free temari patterns.

Edit: (added at 10:00 am...) I forgot to add the website temarikai.com, which is actually the first website I ever read in depth on the subject of making temari. Don't be put off by the first page of the site, which is predominantly text. The how-to section is really thorough, with tons of excellent instructional information!

I'm thinking about investing in one of Diana Vandervoort's books and keeping The Temari Book (above) as a resource for ideas.

In the meantime, I have to admit that I did buy two thread-wrapped cores while at Lacis, too.



I know it seems a bit like cheating! And, trust me - they were kind of an extravagance, at $14.95 each! But I justified the purchase two ways (I'm always having to do this to myself!): 1. Time is money. It will take time to get a perfect core ready for decorating; 2. Since time is money, if I save time by cutting to the "fun" part of decorating, then I'll know that much sooner whether or not I want to spend the time learning the craft, right? If I find it to be as fun as I think it will be, then I'm pretty sure, in the future, I won't mind making my own thread-wrapped core.

Ok, do I really have to justify the purchase?!

So, what about you? Has this form of "embroidery-on-a-sphere" ever interested you? Have you made temari? Do you have any specific books to recommend, or resources for the beginner? Feel free to leave a comment below and let us know!

For now, I'm off to set up some flat-surface embroidery!
]]> book review regional embroidery techniques temari 6622 Anonymous noreply@blogger.com 2009-07-14 21:11:21 2009-07-14 21:11:21 1 0 6625 Anonymous noreply@blogger.com 2009-07-13 20:45:08 2009-07-13 20:45:08 1 0
Joan - Richmond B.C. Canada]]> 6649 Sharon noreply@blogger.com 2009-07-11 12:52:13 2009-07-11 12:52:13 1 0 I am not sure what size Temari balls you found at Lacis but Nordic Needle also has them, 8cm in red, white and black for 10.99.
I have wanted to learn how to do these for along time - your blog and all the other comments from your readers is the inspiration I needed to say "No time like the present"
You never need to justify buying needle art supplies: thread, books, fabics, necessary toys.
Stitching is our mental therapy, gifts, being creative, happiness.
Sharon ~ Modesto, CA]]> 6650 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-07-11 12:45:07 2009-07-11 12:45:07 1 0 6651 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-11 08:55:42 2009-07-11 08:55:42 1 0
I'm glad to see there are so many interested parties or enthusiasts for this subject! Now I'm really excited to give temari a try! I'm glad to know that Nordic Needle carries starters, too - very good to know! I'll look those up!

Barb - thanks for stopping by! Funny. I ordered two of your books, based on the recommendations here - the temari one, and, through a used bookstore, I ordered the one on kimekomi, which sounds really interesting, too - the picture on the cover actually sold me.

I'll let you all know how it goes, once I launch in. I'm hoping it'll be something my teenage nieces & nephews would enjoy doing, too...

Thanks again for all the comments!]]> 6654 Barb Suess noreply@blogger.com http://www.japanesetemari.com 2009-07-11 06:57:25 2009-07-11 06:57:25 1 0 Hint for anonymous about securing marking threads: if your marking thread is heavy, don't tack with it. Tack with a thinner thread the same color.
I hope you all fall in love with the craft like I have.
Barb Suess]]> 6655 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-07-11 06:20:50 2009-07-11 06:20:50 1 0 6656 Anonymous noreply@blogger.com 2009-07-11 06:14:15 2009-07-11 06:14:15 1 0 Our guild did have a class but..
They started with a base of a styroform ball, covered it with thread. EGA now has a correspondence course but don't how good the instructions. And just an FYI - Nordic Needle has the starter balls in three colors (red, black, white) for $10.99 each.]]> 6659 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-07-10 17:48:08 2009-07-10 17:48:08 1 0 6660 Nita noreply@blogger.com 2009-07-10 16:05:12 2009-07-10 16:05:12 1 0 6661 Anonymous noreply@blogger.com 2009-07-10 11:23:03 2009-07-10 11:23:03 1 0
Welcome to the fun of Temari! I actually enjoy making the cores, but the divisional markings are tough. The book mentioned above has some great suggestions for determining spacing, my problem comes when trying to secure the marking threads - I try to secure them with a small stitch of the same thread, and they always end up slightly twisted, no more than a thread's width, but it's heavy thread and it throws off the final design. You'll have to come up with a fix and share it here. :-)]]> 6662 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-07-10 10:09:46 2009-07-10 10:09:46 1 0 6664 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-07-10 09:32:21 2009-07-10 09:32:21 1 0 6665 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-07-10 09:26:10 2009-07-10 09:26:10 1 0 My sister showed me how to do Temari last year in October, and for 4 months I did nothing else. Since then I've made more than 50.To start, I recommend the Japanese Temari" book by Barb Seuss; It provides an easy, step-by step introduction and explanation, and you can learn the essential stitches. Then you can branch out to ther books. Another book is by Mary Wood. Another wonderful website is www.temarikai.com with many free patterns and resources. It also has a Yahoo group associated with it (as does the Japanese Temari web-site).
If you would like to see my work, check out http://www.flickr.com/photos/jane_from_illinois/sets/72157610703734691/
I talk about them in my blog www.worldembroideries.blogspot.com

Just be careful, making temari is very addictive.

Jane]]> 6667 irene noreply@blogger.com 2009-07-10 08:50:57 2009-07-10 08:50:57 1 0 6668 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-07-10 08:48:07 2009-07-10 08:48:07 1 0 (Admire and drool) now that I can do.
Tammy]]> 6669 Lauren in Connecticut noreply@blogger.com 2009-07-10 08:28:44 2009-07-10 08:28:44 1 0
BTW: where were they at Lacis? We spent over an hour looking at everything and I never saw them!
I am SO jealous.....

Lauren]]> 6671 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-07-10 08:26:46 2009-07-10 08:26:46 1 0 these.

Same type of stitching but on a ring instead of a ball AND they are stitch related. Toooo tempting :)]]> 6672 stitchalicious noreply@blogger.com http://stitchalicious.com 2009-07-10 08:20:30 2009-07-10 08:20:30 1 0
I've found that getting a neat core isn't too much of a problem (I've done a few cores now, mainly out of old socks) but it's getting the equally divided markings that's driving me batty. No matter what I do they are never *quite* right and the pattern ends up being wonky. Start with the pre-marked ones- I wish I had!

Also, I'm not sure if I'm just getting older and slower, but it takes quite a while for me to think through all the instructions and geometries to work out how the pattern works. I like them a lot, but right now it's taking too much brainpower and so my thread wrapped sock cores are likely to languish a bit longer before I approach trying to mark them again.]]> http://www.needlenthread.com/2009/07/trying-temari.html Thu, 16 Jul 2009 07:46:00 -0500 Mary Corbet 284 2009-07-16 07:46:00 2009-07-16 07:46:00 open open Trying-Temari publish 0 0 post finished my first attempt yet - but I do know that, in the process of creating one ball, it is addicting. I didn't want to stop. And my First Attempt Temari is ugly. And I still didn't want to stop!

Yesterday, the itch to try to make a Temari ball finally overcame me, and in the later afternoon when I should have been doing a dozen other things, I slunk out to the studio, furtively planning to to give in.

The first thing I had to do was gather threads.

Oh.

Darn.

Threads.

Never start a project until you have at least a goodly bit of the supplies actually in your possession. I know this rule, but I really had to make a Temari ball yesterday afternoon!

I had some partial skeins of DMC perle cotton #5 leftover from the kids' embroidery classes I taught last summer. Let's see... a pink, a light blue, a very little bit of dark blue, and a rather vibrant yellow. There was also a skein of bright orange, but that didn't seem to fit the bill, quite.

Sticking with an overall baby-colored scheme, then (with the exception of the yellow, which was too bright to be baby), I launched into embroidering the outside of one of my thread-wrapped balls from Lacis.

The ball was already divided into a simple 6 division, so I found, in Barb Suess's book Japanese Temari, A Colorful Spin on an Ancient Craft, a pattern for a six division ball and launched in.

I wasn't sure of the needle to use, so at first, I started out with a regular crewel needle (#3), but quickly switched to the only large darning needle that I had in my needle box. I have no idea what size it is, but it was the longest needle I had, so I stuck with that.



It isn't exactly my favorite design that I've seen on Temari balls. So many of these embroidered spheres have caught my eye lately, but this particular design didn't, exactly. Still, it was a six-division pattern and looked fairly simple (which it was).



Because the ball I had was so huge, I had to add extra rows of thread, so I expanded the original pattern a little bit.



My spacing and tension were not exactly what they should have been. I found I crammed the stitches into the end-points, instead of keeping them a bit farther apart and well-spaced. This caused some of the threads to bunch up against each other, and, in some cases, to overlap, covering up other threads.



Some of the little arms of the "star" came out better than others, but there's still a tension and spacing problem going on here.



As I altered the pattern a bit, I jotted down the alterations in the book. Yes, I write in my books. Not in all my books, but in many of them!

Barb Suess's book is really excellent for beginners. I recommend it highly! The other book I ordered was Temari: How to Make Japanese Thread Balls, by Diana Vandervoort. Once I got the hang of what I was doing, I liked the second book, too. It's not as nice a book, though, as Barb Suess's, if you're one who judges content by appearance. The pages are that rough news-printy type paper, and, except for a couple pages right in front, there is no color throughout the book. All the diagrams look hand-sketched. But the information is really good, and there are some neat designs in there, though you don't get to see them displayed in color.

As far as the pre-wrapped ball from Lacis goes, by the way, I find them rather large. I don't know if this is the standard size, but it "just" fits in my hand - it's like a softball. It feels large. I can see why making your own thread-wrapped core would be more enticing, since you can then determine the size of the finished product.

I'm eager to finish this ball. Once I see it completed, I'll know better if I want to invest in some specific threads for the black core.

Anyway, that's it - my First Attempt Temari.
]]> regional embroidery techniques pictures temari needlework pictures 6583 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-17 17:40:59 2009-07-17 17:40:59 1 0
Looking forward to seeing the finished product!]]> 6588 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-17 11:46:36 2009-07-17 11:46:36 1 0 6589 Barbara Suess noreply@blogger.com http://www.japanesetemari.com 2009-07-17 09:34:40 2009-07-17 09:34:40 1 0 I'm so glad you are finding success with my book. I was really lucky to find that special publisher :)
Barb]]> 6590 Anonymous noreply@blogger.com 2009-07-17 09:23:12 2009-07-17 09:23:12 1 0 Cissie]]> 6593 berries01 berries01@gmail.com http://www.blogger.com/profile/01394647873976773654 2009-07-17 06:09:05 2009-07-17 06:09:05 1 0 6595 onafixedincome noreply@blogger.com 2009-07-17 01:28:50 2009-07-17 01:28:50 1 0
Go easier on yourself; you're having fun and learning at the same time--a great way to go.

Here's a thought, though...why not use the small tennis balls from the dollar store for centers?]]> 6596 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-07-16 22:59:08 2009-07-16 22:59:08 1 0
Your first attempt looks lovely and very tempting for us readers to try.]]> 6599 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-07-16 16:21:48 2009-07-16 16:21:48 1 0
Kind of reminds me of the perle cotton wrapped Easter eggs I made a few years ago, only your project is much more involved and so much prettier!

MGM]]> 6601 Little Rabbit Miniatures kounelitsa2000@yahoo.co.uk http://www.blogger.com/profile/16188003427433414912 2009-07-16 14:36:28 2009-07-16 14:36:28 1 0 6602 joey noreply@blogger.com 2009-07-16 14:25:09 2009-07-16 14:25:09 1 0
Aren't we a funny lot ... anything to do with thread and needle will send us into a swoon.]]> 6603 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-07-16 14:13:10 2009-07-16 14:13:10 1 0 6604 Anonymous noreply@blogger.com 2009-07-16 11:23:00 2009-07-16 11:23:00 1 0
I guess the theory is that bigger Temari are easier to work. I've been using 3" foam balls as a core, wrapped in yarn and then the surface thread. The end result is one size smaller than a softball (yes, I just jumped up and did a comparison!), and is about as large as I can hold and work comfortably. I have larger-than-average hands though, so your mileage may vary.

Congrats on your first Temari! I don't think it's all that ugly. :-) And yes, the spacing does takes practice. Have fun!]]> 6605 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-07-16 10:47:04 2009-07-16 10:47:04 1 0 Jane]]> 6606 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-07-16 09:34:53 2009-07-16 09:34:53 1 0 No really, your first attempt looks marvelous. Yes, you do have some overlapping threads, but just look at how much is perfect! It's eye candy to me.
Tammy]]> http://www.needlenthread.com/2009/07/from-embroidery-pattern-to-paper.html Wed, 15 Jul 2009 06:30:00 -0500 Mary Corbet 285 2009-07-15 06:30:00 2009-07-15 06:30:00 open open From-Embroidery-Pattern-to-Paper publish 0 0 post

Gitte doesn't hand embroider, but she does indulge in paper crafts. Taking one of my scrolly medallion embroidery designs, she used it to make a beautiful card out of vellum and cardstock.

First, she embossed the design from the back, then, using special scissors, she cut each individual tiny scallop around the embossed lines, creating a gorgeous lacy effect. WOW! The card is beautiful - a real work of art.

The picture below is clickable, and if you click on it, you'll be taken to a larger version.



Beautiful, isn't it?!

If you're one of those Have-to-Craft people who move from craft to craft, making things, I'm sure you've already discovered that you can cross from one craft to another, taking designs and ideas with you. This card is a perfect example of doing that. There are really only two categories of crafts I get into - textiles (from needlework to Kumihimo, felting, and so forth) and paper crafts. I love how this card uses something I intended for needlework in a whole different application in paper craft. It maketh the Muse-juice flow, and all kinds of ideas are popping up in my head now!
]]> free embroidery patterns embroider on paper readers embroidery pictures 5691 erin fay noreply@blogger.com 2009-09-09 22:58:07 2009-09-09 22:58:07 1 0 6366 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-01 20:36:11 2009-08-01 20:36:11 1 0 6597 Inez noreply@blogger.com 2009-07-16 20:24:05 2009-07-16 20:24:05 1 0 I am a bigginer on hand embroidery and since I found your wabe page I have learned so much and I wanted to thank you for all your postings, you are and inspiration every day I look forward to read from you and your new ideas and lessons.
Thank you very much.]]> 6598 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-07-16 18:46:08 2009-07-16 18:46:08 1 0 6600 Laura Bullinger noreply@blogger.com 2009-07-16 15:25:09 2009-07-16 15:25:09 1 0 6607 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-07-16 00:18:05 2009-07-16 00:18:05 1 0 6608 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-07-15 17:57:39 2009-07-15 17:57:39 1 0 6609 irene noreply@blogger.com 2009-07-15 17:44:21 2009-07-15 17:44:21 1 0 6611 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-15 14:17:32 2009-07-15 14:17:32 1 0 But I think it is essential to have the skill to do that job and be very patient!!!
About side by side backstitch I've not heard of too...]]> 6614 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-15 09:22:25 2009-07-15 09:22:25 1 0
Thanks for your comment! The paper cutting is pretty incredible, isn't it?

You're right - there's no definite forum for asking / answering questions. I've been thinking about developing one, but I don't know how it would go over...

But you can always use my "contact us" page (top right of the page here) and drop me an e-mail. If necessary, I can 'poll' my readers for an answer! They're extremely knowledgeable!

But, this is a dilemma. "Double Backstitch" is generally a stitch used in shadow work, where you create, on the front of your fabric, two more or less parallel lines of backstitch, while on the back of the fabric, you create a herringbone stitch across the space, to give a "shadowed" effect on the front, between the backstitch.

Side-by-side backstitch, though, as a stitch, I've not heard of. I suspect - but I could be wrong - that it is exactly what it says it is - "side by side" - two rows of backstitch, side by side. As for the colors, could one row be worked in one color, and one in another? If the chart shows just one line of backstitch, perhaps it's two rows, worked in the same holes, for a thicker line, in two shades of color. Depending on the colors, this could create a certain "depth" to the line.

Anyway, I hope that helps! Let's see if we get some other answers here!]]> 6616 irene noreply@blogger.com 2009-07-15 09:04:18 2009-07-15 09:04:18 1 0
You mentioned crossing from one craft to another (and I'm sorry for intruding here but I don't see a general community for questions). I visit a cross stitch forum and someone asked about "side by side backstitch." I told them the folks on this board know thousands of specialty stitches and may know how to do this. In cross stitch backstitch is just the basic outline used to define details. Do you know what side by side is? Apparently it called for 2 colors but is not the same as blended colors (2 strands, 2 colors for stitching).

I do enjoy this site and am in awe of the work everyone does.]]> http://www.needlenthread.com/2009/07/setting-up-embroidery-projects-for-gals.html Tue, 14 Jul 2009 07:37:00 -0500 Mary Corbet 286 2009-07-14 07:37:00 2009-07-14 07:37:00 open open Setting-up-Embroidery-Projects-for-the-Gals,-and-Stuff! publish 0 0 post

... to the studio that was clean and neat, and there we sifted through designs and ideas. Luckily, the towels were already prepared. I had two dozen deluxe flour sack towels from American Chair Store in the cabinet, awaiting designs and embroidery. These are consistently the best flour sack towels I've come across, by the way, and they are worth the cost of $1.60 each if you buy them in packs of 10. (Like everything else, the price, by the way, has gone up... I bought them by the dozen for about $15 not too long ago...)

Contemplating designs, we very quickly settled on the brilliant idea of making use of the iron-on transfers I told you about yesterday. After all, we could kill two birds with one stone: I could see how well the transfers work, and they could have their towels ready for stitching in no time flat.

Anna selected a few different designs: the three cups, cut out and arranged askew on the corner of one towel, the "B-I-S-C-O-T-T-I" design for across the edge of another towel, and a swirly floral corner thing for another towel.

Emma selected one design - a small bunch of plums that she insisted were peaches and are embroidering them as such, so they are coming out looking like apricots.... which is fine. Emma's eight years old, so I've adopted a new policy with her concerning embroidery: Keep It Simple (despite her inclination to want to do what everyone else is doing) and One Thing at a Time. If she finishes the plums-gone-peaches-gone-apricots, she can set up another towel.

So, we got to try the transfers, and this, of course, takes me back to my reasons for preferring to trace rather than use a transfer.



The transfers took pretty well for iron-on transfers. For the most part, the designs came off very clear, and in little corners here and there where they didn't, the fault belongs to the person behind the iron. These particular transfers are definitely made to give a good, bold first transfer.

We tried a couple of the designs twice, making up, for example, two Biscotti towels. The second impression of the design was actually better than the first.



One thing I remembered I don't like about iron-ons is the thick line they can leave if you are trying for a bold impression. If I'm stitching up a towel for a gift, I generally use 2 strands of floss, which keeps the design bold enough, but not chunky looking. I'm not sure if these transfer lines will wash out, so the best bet is to cover them well when embroidering. This'll require at least 3 strands of floss.

Anyway, as far as the transfer itself goes, these work well. Whil I may still prefer tracing my designs, I have to admit that ironing them on is really quick - we were able to set up about 8 projects yesterday in less than an hour.

After setting up the individual towels, we selected floss for each, then bagged up the floss and the folded towel to make up a "kit." Now the gals will have something to keep them busy! They like to stitch and listen to audio books, which is a good passtime for summer, when they're not in the pool or frolicking about doing other things.

That's done, then.

What else am I up to? Well, I've cleaned up the studio (once again) and sifted through a few things to tie up some loose ends. Sometimes, it's just easier not to go on vacation! Playing catch-up doesn't always seem worth it! I've got a heap of mail ready to go out (the birthday give-aways from June! Finally!). I've gone through all my photos and organized them (about 10 times now), looking desperately for photos of the finished pall I embroidered recently. I never found any, which leads me to think I never took pictures of the finished piece! And now it's delivered! I could kick myself for that one - so, for those of you who have asked about the finish, sorry about that.

I'm still trying to catch up on e-mail, but I fear some may have fallen through the cracks, and, just this morning, for the first time, I've finally caught my feedreader up.

The laundry room here at home has a new coat of paint on it (thanks to my niece, Bridget), but the dining room is stacked with all the shelf clutter from the laundry room. I need to tear down my bedroom this week and get it ready for new paint, which will be followed by new furniture and new linens, curtains, etc., in the next couple months. I'm going with periwinkle walls and white trim, all white linens, all white furniture - and the palest of greens and yellows for highlights. I'm excited about that, and am looking forward, especially, to carrying out my Curtain Idea. I'm going to make (or buy) some airy white sheers for both windows and stitch some very simple, loose scroll designs on them in colors to coordinate with the new paint job. It'll be a while before this is realized, though, as the kitchen, dining room, living room and entryway all have priority.

And, in the midst of all that, I'm working on school work for next year, planning classes and so forth. As the summer passes all-too-quickly away, I must schedule several hours a day just to focus on school preparation. Anyone who thinks teachers have it made, with summers completely off, is rather incorrect in that assumption!

That's what's going on in Real Life right now. In Website Life, I'm still working on projects for Needle 'n Thread, including the long-promised long and short stitch tutorials, as well as a slew of new videos. I haven't had any prime video days yet, though - the days are too broken up with other work and visitors and all the hubbub of the summer.

I hope your summer is going well, and that you have time to relax and enjoy working with your needle 'n thread!
]]> iron-on embroidery transfers embroidery resources Embroidery for the Home beginner embroidery 6582 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-17 17:47:05 2009-07-17 17:47:05 1 0 6612 Sharon noreply@blogger.com 2009-07-15 13:39:54 2009-07-15 13:39:54 1 0 Just reading todays post.
Thanks for the information about the four sack towels. I see they also have Huck napkins - nice.
You mentioned the iron-on transfers, if they would wash out.
Probably not, because they are heat transferred.
The blue you see on some needlework designs ( such as Brazilian Embroidery ) is using a special wash out or wash away ink.
The heat transfer may fade a little over time, but it is permanent. Another reason for your hand drawn transfer.
Sharon]]> 6615 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-15 09:05:19 2009-07-15 09:05:19 1 0
Well, that's a good question... the room is attached to the house, but not accessible through the house - I have to go outside to get there (there's a covered walkway / porch area to go through). It WAS a garage, but never used as a garage, so it has been re-made into this storage / studio space. The room is lined with cabinets, but they aren't all used just for my needlework and hobby stuff - they're also used as extra household storage, for example - but the room itself is used as a hobby room.

Anyway, you can take a look at it here:

Setting up a Workspace

Since then, it's been "filled up" a bit more, but essentially, that's how I use my space - all my needlework related paraphernalia is stored in boxes of various sorts, and sometimes in bags, and these fill up the shelves...

I've also used the room for teaching children's and adult's classes - there's enough room in the middle of the room to set up tables and seat 12 people comfortably.

Perhaps I'll do an updated post on this subject in the future! But I'm no organizational guru, I assure you!]]> 6621 Marque T noreply@blogger.com 2009-07-15 00:30:49 2009-07-15 00:30:49 1 0 http://www.needlenthread.com/2009/07/really-nice-iron-on-transfers-for-hand.html Mon, 13 Jul 2009 09:58:00 -0500 Mary Corbet 287 2009-07-13 09:58:00 2009-07-13 09:58:00 open open Really-NICE-Iron-on-Transfers-for-Hand-Embroidery publish 0 0 post

I've only occasionally used iron-on transfers for my embroidery projects. Truth is, I find it easier and more reliable to trace patterns, even those intended to be ironed on. With this set of transfers from Mani di Fata, I'm definitely tracing. Though the transfers would last through several applications, I'm pretty sure they'll last even longer if I stick with tracing them rather than ironing them.



These transfers came in a very large envelope. There are three sheets of transfers, each sheet folding out to... oh, some huge tabletop proportion! (I didn't measure them...)



Each sheet contains many motifs for embroidery. You simply cut out the pieces you want to iron-on, making note of the markings for repeat patterns if your design has a repeat. Then you set up your fabric and iron on your pattern.



The package contains motifs suitable for the bedroom, the living room, the dining room, the kitchen... you get the idea...



... and they're all more or less mixed up on each of the three sheets in the package.



There's one nice alphabet in the set - it features letters marked out with lilies of the valley. It's a very pretty, medium-sized alphabet.



Some of the highlights that sold me on this particular set were these cute cups...



... this line of cacti - though I've never embroidered potted cacti and have no idea if I actually ever will...



... and the many nice corner-type designs in the set. There are at least six or more designs specifically suitable to corners, some very simple and some more complex.

Now, I haven't tried the actual iron-on-ness of these yet, though I will, so I can let you know how well they work. But given the quality of the paper and the sharpness of the designs, I'm assuming they iron on well. I'll play with that this week and let you know.

You can find these iron-on sets through Lacis, by searching "mani di fata" in their online catalog. You'll also find that they have several cutwork iron-on sets, books, and so forth by the same company. You can also look up the Mani di Fata website, which is written in Italian, but you can switch to English or Spanish translation on the site. I found it difficult to find exactly the same set of transfers on their website, but they have all kinds of other delectable things to look at, too, including kits - cutwork tablecloth kits, for example, with the design already printed on, and all kinds of other neat stuff.

Back to the transfers - these sets really have the nicest designs I've seen in these types of transfers. I'm glad I found them while rummaging through Lacis, and now I wish I had bought more of 'em!
]]> supplies iron-on embroidery transfers embroidery resources pictures 6514 lkrum1999 noreply@blogger.com http://www.blogger.com/profile/06926798002529172713 2009-07-23 18:58:09 2009-07-23 18:58:09 1 0 6581 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-07-18 07:05:48 2009-07-18 07:05:48 1 0 6626 margaret c. noreply@blogger.com 2009-07-13 20:12:02 2009-07-13 20:12:02 1 0
Mary, these patterns look wonderful. I'm looking forward to seeing what you do with them.]]> 6627 irene noreply@blogger.com 2009-07-13 19:59:36 2009-07-13 19:59:36 1 0 6629 onafixedincome noreply@blogger.com 2009-07-13 13:47:49 2009-07-13 13:47:49 1 0
On another tack...if you want to do standard (ha!) embroidery, does it matter if the patterns are listed as 'cutwork', 'cross stitch', 'hardanger', etc?]]> http://www.needlenthread.com/2009/07/needlework-website-hopping-for-weekend.html Sun, 12 Jul 2009 09:31:00 -0500 Mary Corbet 288 2009-07-12 09:31:00 2009-07-12 09:31:00 open open Needlework-Website-Hopping-for-the-Weekend publish 0 0 post

On Materialistic, Kelly is still featuring her Jacobean leaf series. She's up to leaf #7 of 8. Besides showing you her finished leaf, she includes a nice line pattern for free, in case you want to try out some Jacobean leaves, too.

BibliOdyssey has up some strange and funky and kinda fun-looking Indian Designs that would make interesting embroidery patterns. They caught my eye as especially suitable for embroidery because they are very clear line drawings for the most part. If you like stitching the unusual, you might check them out.

Completely unrelated to needlework, Lifehaker has a great little idea for adding outdoor "atmosphere" for your summer evenings in the form of jar candles. The only reason I point it out is because I think it's a great idea! Actually, it's something we've been doing for years - only we use the little half-pint, faceted mason jars and a larger candle (so they last longer). We set them on the porch railings, outdoor tables, up the steps, and so forth. They're great when you have a multi-table outdoor gathering in the evening. I never thought of hanging them in trees...

Wow, that was completely off topic, wasn't it?

Sibling Rivalry has a cute little free embroidery pattern page up - called Seafood Salad, which is a great name! It features fish of all sorts, including jellyfish and sea horses, with all kinds of expressions! As far as seafood salad goes, it looks rather scrumptuous.

You know how much I like keeping up with the Plimoth Plantation Jacket Project... well, here's a great way to support the project and come out with a little something really nice - they're selling notecards featuring different stitched motifs from the jacket. And they are really pretty! They would make an excellent gift for stitching and non-stitching friends alike. If I get them (still, uh, balancing the budget after vacation!), I'd use them as cards, but I'd probably also use them a bit as stitch guides!

Following up on the Temari post from the other day, Jeanne of Just String has posted some information about her beginning Temari adventures, which is very interesting to read! She points to some good sources, as well, and talks about the length of time involved in making a core for the first time. Now I'm Really Excited to give Temari a try. I've ordered a couple new books, which I'll review for you once they arrive - I think they'll be much better than the last one I purchased!

Over on CraftyPod, which is always bedecked with one creative idea after another, you'll find that Diane has produced an e-book called "Weaving Un-Loomed" featuring some great little weaving-without-the-loom projects. If you like weaving, or the look of woven things, but agree that looms are too complex, large, expensive, and so forth, you can satisfy your desire to be a weaver through these little projects that look like loads of fun. My mother has always wanted to be a weaver.....

Elizabeth over on Sew in Love has posted some beautiful finished embroidery projects that you'll enjoy seeing. My favorite is the strawberry wreath, stitched in silk, and I love what she did with the blue dragonfly project! Check those out!

Finally, this little stitched postcard over on Nini Makes is really cute - and she details instructions for making your own.

Well, that'll do for this morning, won't it? Hope you're having a lovely weekend!

PS. I cleaned up the studio yesterday, and for the first time in weeks, picked up a needle and did some stitching (at 10:30 last night, finally!). Oh, it isn't a very exciting project - just very simple and relaxing. But I did organize and make lists, plans, and so forth for upcoming events. Yes, the long and short stitch is still in the works. Just bear with me as I catch up!
]]> embroidery resources needlework websites 6594 Kelly Fletcher noreply@blogger.com http://www.blogger.com/profile/16339322891412243381 2009-07-17 01:43:06 2009-07-17 01:43:06 1 0 6628 joanie noreply@blogger.com http://ninimakes.typepad.com 2009-07-13 18:42:31 2009-07-13 18:42:31 1 0 6631 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-07-13 10:30:44 2009-07-13 10:30:44 1 0 6632 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2009-07-13 06:28:10 2009-07-13 06:28:10 1 0 6633 La Mañosa mistypursel@hotmail.com http://www.blogger.com/profile/07406265364982441732 2009-07-12 23:08:53 2009-07-12 23:08:53 1 0
I found Barb Seuss' book on Temari at a bookstore and have wanted to go back and pick it up, as it looked like a really fun project. Can't wait to see what you do with it and what you think of the books you have on order. :)]]> 6634 Sewingmamusia nryng@comcast.net http://www.blogger.com/profile/18347885476735843788 2009-07-12 21:09:34 2009-07-12 21:09:34 1 0 6635 Kandra noreply@blogger.com http://www.siblingcraftery.com 2009-07-12 21:08:09 2009-07-12 21:08:09 1 0 http://www.needlenthread.com/2009/07/ecclesiastical-embroidery-comparison-of.html Sat, 11 Jul 2009 09:46:00 -0500 Mary Corbet 289 2009-07-11 09:46:00 2009-07-11 09:46:00 open open Ecclesiastical-Embroidery:-Comparison-of-Pieces publish 0 0 post

Both vestments were certainly hand embroidered. I know for a fact that the vestments in Clyde, Missouri, are hand embroidered, and, looking at the ones at San Carlos up close, it is obvious that they, too, were worked by hand.

Both vestments are "Roman" in style - that is, they are oblong rectangles - and in the middle of the back of the vestment (the part that, in the traditional ceremonies of the Church, face the congregation most of the time), there is a round medallion featuring the face of Christ, with a small bit of text surrounding the face. The medallions are centered in an elaborately embroidered cross. The surrounding embroidered cross is not really the focal point here, because, except in size, they aren't similar at all.

The following medallion is on a vestment at the Benedictine convent in Clyde, Missouri:



The colors are a little surprising. The photo was taken inside, in regular lighting, and the piece was behind glass. Still, these were the colors, more or less - predominantly blues and pinks.



The vestment at San Carlos in Carmel featured much warmer colors - golds, reds, deep bluish-greens.

The overall look of the two vestments reflect completely different "eras" of art. The top piece, for example, has a somewhat art-nouveau look to it (this style of art being popular from the late 1800's through the early 1900's, with the peak of popularity being between about 1890-1905/10 - about a 15 to 20 year spread of time). The second piece, from San Carlos, is more conservative in style and color selection. But the similarities between the faces is what is intriguing.

The points of similarity that strike me especially are:

1. The arrangement - the circle, the text, the face.
2. The nose and eyebrows
3. The cheekbones
4. The eyes
5. The lips - though dissimilar in color, the are similar in structure, including the space just below the lips.

The hair and beard on the two pieces are different, too - the stitching on the beard on the second piece is much "lighter" and fuzzier looking. The top medallion features very dark lines under the edge of the moustache, which draws the mouth down. Yet, essentially, the two moustaches are the same shape, even to the point of the left side looking less angled than the right.

It is pretty clear that the two pieces were worked from the same image as a pattern, but the interpretations are slightly different. My guess? That a line of patterns with this image of the face was available from the late 1800's through the early 1900's, but that, though the face was the same, the embroiderer could select from a series of patterns that featured different styles of text, wording, etc., and that the individual embellishment of the cross and halo and the surrounding edge were left to the embroiderer's imagination and skill. Probably, a catalog of embroidery patterns was available at the time, and convents, houses of embroidery, or individuals selected their patterns from the catalog.

That's just a guess. I have a couple other images from different vestments in different parts of the country that support the notion that common patterns were used (probably ordered from catalogs) in ecclesiastical embroidery found on old vestments. One image in particular comes to mind, so when I find those photos, I'll put them up for you to see.

I thought it was kind of neat to find two such similar images in hand embroidery, some thousands of miles apart, but both in museums that reflect the religious heritage of the area in which they are located. I also like the fact that the choice of colors and the arrangement of design on the back of the chasuble (the embroidered cross) reflect both the individual embroiderers' tastes and the location / use of the vestment. The second medallion above, for example, is perfect for San Carlos, as far as colors are concerned. The vestment belonging to the first medallion would look entirely out of place in the sanctuary at the mission in California, but it probably worked great in the chapel in Clyde, Missouri.

Any input or observations?
]]> historical needlework ecclesiastical embroidery pictures needlework pictures 5060 Anonymous noreply@blogger.com 2009-10-08 18:22:24 2009-10-08 18:22:24 1 0
these may have been inspired by
Mary Linwood's Salvator Mundi

(although I have never seen an image of her work)]]> 6571 Anonymous noreply@blogger.com 2009-07-20 01:28:20 2009-07-20 01:28:20 1 0 6624 Ruth O'Leary noreply@blogger.com http://www.rutholearytextileart.co.uk/ 2009-07-14 12:51:14 2009-07-14 12:51:14 1 0 6638 Anonymous noreply@blogger.com 2009-07-12 11:11:07 2009-07-12 11:11:07 1 0 Could fading be a factor in the color differences ?]]> 6639 irene noreply@blogger.com 2009-07-12 08:44:08 2009-07-12 08:44:08 1 0 6641 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-07-12 07:38:40 2009-07-12 07:38:40 1 0 I agree with you, I think there was a pattern common because both are similar images.
and also:
I've been watching closely and I see the images in both the stitches for the entire area are vertical, isn't it?

I wonder (if my assessment was correct) when I want to embroider a face which is more convenient:
- This way or
-Perhaps, following the direction, with the stitches, the folds of the skin and the trajectory of the muscles of the face?
what do you think about?
I also hope that the idea was expressed correctly in my English!


Thank so much for all that you sharing with us!

Hugs
Maria del Valle]]> 6644 Waterrose noreply@blogger.com http://www.blogger.com/profile/07422788758188500128 2009-07-11 18:39:55 2009-07-11 18:39:55 1 0 6645 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-11 17:41:38 2009-07-11 17:41:38 1 0
Hope that helps!

MC]]> 6647 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-07-11 15:04:53 2009-07-11 15:04:53 1 0 Well, I like second stitching more. But I have one question: what are the colours of this two vestments? I guess, that the second one could be white, maybe golden and it could be used in Easter time; the text (Salvator mundi - Saviour of the World) also proclaims it.
But I guess, that while working this evening, I'll try to attribute the first text (Iesu, splendor Patris) for some other feast... It's colours are really very interesting, I'd like to know, when it was used.]]> http://www.needlenthread.com/2009/07/letters-and-monograms-from-house-of.html Thu, 09 Jul 2009 06:36:00 -0500 Mary Corbet 290 2009-07-09 06:36:00 2009-07-09 06:36:00 open open Letters-and-Monograms-from-the-House-of-Malbranche---Book-Review publish 0 0 post Threadneedle Street in Issaquah, Washinton, I picked up a new book on hand embroidered monograms that is more than just a book on hand embroidered monograms - it is a fascinating glance into the House of Malbranche, a French institution dedicated, since the mid-1800's, to the creation of beautiful household linens.

Letters and Monograms from the House of Malbranche by Yvonne Van de Velde-Malbranche and Christine Rosenthal is a hard-bound book that contains practical information for the embroiderer - instructions on creating beautiful monograms for household linens - as well as a unique look into an interesting part of textile history: the established "institutions" or "houses" that produced luxury embroidered goods for the rich and the royal.



The text of the book is presented in three languages: French, Italian, and English. The book begins with a history of the House of Malbranche, detailing how the insitute would fulfill orders for custom linens - from the consulting stage, to the designing, to the distribution to embroiderers, to collections and payments.



It then progresses to practical information about the embellishment of fine household linens, including embroidering to appliquéing linens for the home.



The monograms featured range from elaborate in form - scrolly, intricate letters entwined around each other - to simple, clear individual letters.



Technical information on completing the monograms is arranged alongside the photo samples included.



Along with patterns, detailed explanations of stitch direction (especially for satin stitching) are included. This type of information is of great help to the beginner who desires to achieve perfect satin stitching around the curves of graceful letters.



Appliqué and pin stitching are featured on a "modern" looking monogram - quite art nouveau-ish - worked in white on natural linen. Not only do I love the combination of white-on-natural, but I love the clean look of this monogram set!



Diagrams covering different technical aspects of the art of embroidered monograms pepper the book, helping to illustrate the instructions in the text.



One of the most helpful topics in the technical instructions is the stitch direction for satin stitching, as mentioned above. Here, you can see that stitch direction on rounded tips of letters is being discussed and drawn out.



Throughout the book, there are many beautiful alphabets suitable for a variety of interpretations.

If you're interested in whitework, in monogramming, or in the history of textiles, I think you would enjoy this book! The English translation is a little choppy here and there, but the wealth of information and beauty within the pages makes up for this.

I found the book at Threadneedle Street in Washington, but I do not know if they still have it available, as it isn't presently on their website. They can probably order it for you, if you're interested in it. Note, though, that the price tag was pretty hefty - around $50.

You can also find the book through Mad Sampler Books, available for special order at $48. I couldn't find it in too many other places online, so if you happen to know a resource, do please feel free to let us know!

I think, overall, this is my favorite purchase from my recent road trip. I picked up a lot of fun things, but this was a nice find of a not-so-common book, on a topic I like, in a beautiful format, with an interesting story to read. I really like it!
]]> historical needlework book review embroidery resources monograms 4302 Beverly noreply@blogger.com http://www.blogger.com/profile/15164048351793892632 2009-12-07 17:47:16 2009-12-07 17:47:16 1 0 You have simply made my year after I found your blog and website last evening while I was searching the internet for the hand embroidery term "trailing". Many times over recent years I have searched for monogramming information but did not find anything. Last evening when I found your website and how you talk about your passion for monogramming I was so excited! There is nothing more stunning in hand embroidery than the antique monogramming. I am also a machine embroiderer but machine work will never ever replace hand work in monogramming. Since you offer these wonderful free designs I can now finally work on my stitching technique and maybe finish a beautiful monogram like those you have done. Thank you ever so much for sharing your knowledge and using your time to teach those you have never met. The internet is a wonderful source for learning. I do want this book though! :) Thanks!
Beverly]]> 6048 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-16 09:12:05 2009-08-16 09:12:05 1 0
I always find using a pencil difficult on coarse linen, as the bumpy surface is difficult to get a smooth line on with a sharp pencil. In such cases, I find pens a lot easier to use, but the difficulty is finding a pen that will wash out.

When you trace, the ideal is to have a light source directly behind your pattern and your linen.

If you're using a window, you'd tape your pattern to the window, then your linen over it, then trace it. The same concept holds true if you're using a light box - tape down the pattern, then either tape the linen or pin the linen onto the pattern, then trace.

With heavier linens, they're more difficult to see through, even when they are white, but it still can be done - I've done it with Kingston, and even with twill.

Now, depending on what type of thread you are using and what type of stitches you are using, you might be able to use a micron art pen in the finest size (.005) and trace the design - but I only suggest this if you are planning to cover completely your transfer lines, as the micron pens are permanent. You have to be very confident that your design is exactly as you want it, too! It's difficult to make changes once you've inked a design in with permanent pen!

Other suggestions: they make water-soluble transfer pens that are sold in the notions department at sewing stores. An "fine tipped" one would work ok for getting in details, as long as you can see them while you are tracing. Personally, I don't like these pens, but they do work ok, and in a pinch, they are better than nothing!

Another option: trace the design onto a light tracing paper or tissue paper, and then tack the paper onto your fabric, squaring it up where you want the design. Then, stitch over the design with running stitches to mark in your design. It's helpful if you can do this in the same color thread as the thread you intend to embroider with (that way, if you don't get all the tacking stitches out, they don't show up - or you can just stitch right on top of them, and not bother removing them at all). You can see a short tutorial on this method here:

Using tracing paper and tacking stitches to transfer a design

Do take time to read the comments at the end of the article - several readers contributed some excellent tips on how to do this method well. And it does work really well for details.

Another reader sent me an e-mail not too long ago, suggesting the use of the Papermate Flair Ultra Fine marker, in green, to transfer designs (by tracing them). She said the ink comes out completely after soaking. Now, I haven't tried this method yet, and I wonder exactly how well it would work on white fabric with white threads - I'm planning to do a little test run of it soon. But if it does work, it'd be nice, since the line would be easy enough to see, the pen is fine tipped, which is great for detail, and you don't have to worry about the design smudging away, as often happens with pencils. So we'll see how the test goes!

My recommendation: try the tracing paper and tacking stitches method, after reading the article at the link above and everyone's comments. You might find it works really well for what you want to do!

Good luck - let me know how it goes!

Best,
Mary]]> 6049 Ivett noreply@blogger.com http://www.blogger.com/profile/00220558155465947443 2009-08-15 22:02:06 2009-08-15 22:02:06 1 0
..but I also have a question..I've purchased Letters and Monogramms too and I am having some difficulty transferring detailed designs onto a corser, thicker linen (moderately see through if I hold up infront of a sunny window) so when I'm using carbon and trace my desings, it takes ages and the small details doesn't copy well either.
I've read this at the "Tracing" section of the above book: "Copy the letter precisely onto very fine tracing paper. Trace onto the fabric with the help of an embroidery pencil (the type that you find in a haberdashery)." I don't really understand how this works..would you let me know if you have a little bit of time? I'd also love to hear your suggestion on what would be the easiest way to copy detailed desings onto moderately thick, slightly coars linen. I'd really appriciate your advice!
..and thank you in advance! Ivett]]> 6623 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-14 18:23:04 2009-07-14 18:23:04 1 0 I followed Theresa Dillmonte, had no idea about satin stitching and did 3 terrible jobs.
One day, when this book is less exxy, I'll buy it and do him 3 *beautiful* hankies]]> 6657 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-07-10 20:50:36 2009-07-10 20:50:36 1 0
~Romilly
P.S. Don't miss the giveaway on my blog - only a couple days left!]]> 6663 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-07-10 09:54:33 2009-07-10 09:54:33 1 0 6666 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2009-07-10 09:14:38 2009-07-10 09:14:38 1 0 6670 Anonymous noreply@blogger.com 2009-07-10 08:28:20 2009-07-10 08:28:20 1 0 I enjoyed your book review and I would love to have this book. I'll have to start shopping around for the best price. I too enjoyed hearing about your travels, but Mary where is the Port wine from the Napa Valley? I am still waiting for my bottle :-) A big toast to you on a very successful trip and thanks for sharing your adventures with us.
Maria in Kansas]]> 6673 JudyinPittsburgh noreply@blogger.com 2009-07-10 03:49:02 2009-07-10 03:49:02 1 0 6676 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2009-07-09 21:51:01 2009-07-09 21:51:01 1 0
Thank you for the excellent review on this book. I must look out for it in Oz. It looks to be a must have for those of us who love whitework. Great to hear about your travels.

Elspeth.]]> 6677 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-07-09 20:04:52 2009-07-09 20:04:52 1 0 6678 Anonymous noreply@blogger.com 2009-07-09 13:18:00 2009-07-09 13:18:00 1 0 Ashley]]> 6681 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-07-09 08:26:13 2009-07-09 08:26:13 1 0
It sounds as if you have had a wonderful trip. It must have been lovely to spend so much time with your parents also, retracing the steps of ther life together.

I've been following your travels, and your reviews. I also appreciate the that you and your guest writers kept us entertained buring your break.

But it's great to have you back :-)]]> 6682 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-07-09 07:44:58 2009-07-09 07:44:58 1 0 http://www.needlenthread.com/2009/07/hand-embroidery-enthusiast-in-new-york.html Wed, 08 Jul 2009 13:12:00 -0500 Mary Corbet 291 2009-07-08 13:12:00 2009-07-08 13:12:00 open open Hand-Embroidery-Enthusiast-in-New-York-City?-Advise-Me! publish 0 0 post
It may not happen - it depends on some work-related issues - but if it does, I'd love to be able to combine business with pleasure and with blogging, if possible!

I'm looking forward to hearing your advice!]]> personal needlework and travel 6619 Anonymous noreply@blogger.com 2009-07-15 08:20:52 2009-07-15 08:20:52 1 0
Rita's is located on 79th Street off of Lexington Ave I don't know what her hours are.]]> 6637 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-07-12 16:50:19 2009-07-12 16:50:19 1 0
I'd recommend going to the Ukrainian Museum to see their beautiful examples of Ukrainian embroidery. Check first to see whether they have embroidery on display at the time, because that's not all that's in their collection. But they do have a fantastic collection of embroidery!

Yvette Stanton
Vetty Creations, Sydney Australia]]> 6640 Elizabeth noreply@blogger.com 2009-07-12 08:04:54 2009-07-12 08:04:54 1 0
The Mokuba showroom will sell very small amounts of ribbon and trim at what seems to be wholesale prices if you walk in off the street, even though the showroom is marked wholesale only. And you wouldn't believe how extensive the selection is -- the showroom is HUGE. They also have a small back room for sale merchandise; if you are not offered a chance to see it, just ask. When I have been there, the sales clerks have been extremely nice, and I have never spent more than $20 or so. (As you might guess, I'm not into ribbon embroidery -- I was feeding my sewing hobby).

hope this is useful to someone!]]> 6643 Lorena noreply@blogger.com http://www.blogger.com/profile/00898602865195128470 2009-07-11 18:56:44 2009-07-11 18:56:44 1 0
The teacher at a gold work class I took last summer recommended the previously mentioned Tinsel Trading Co and a place called Edwardian Needle in NJ http://www.theedwardianneedle.com/]]> 6658 Sewingmamusia nryng@comcast.net http://www.blogger.com/profile/18347885476735843788 2009-07-10 17:53:11 2009-07-10 17:53:11 1 0 6679 SMather noreply@blogger.com 2009-07-09 10:37:23 2009-07-09 10:37:23 1 0 6680 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-09 09:22:35 2009-07-09 09:22:35 1 0
Linda! Thank you - I got your e-mail with your kind offer and good advice! Unfortunately, when I replied, my reply bounced back. AOL doesn't like me, and generally bounces back all my e-mail!

Thanks again, all! I'm putting this on my list of definites-to-do, and have taken down all your suggestions in my notebook!

Best,
Mary]]> 6683 Laura Bullinger noreply@blogger.com 2009-07-09 07:27:15 2009-07-09 07:27:15 1 0 As a New Yorker / former "Jersey Girl" the answer to that question is, sadly, it's a dud place for the embroiderer. As everyone knows, NYC is THE place for the fashion world, so...the Garment District encompasses an area near Port Authority. This means industrial machine sewing. The fabrics of course are to die for, go window shopping here but even the Cooper Hewitt (which I once very briefly attended) does not produce much in the way of the Needle Arts. So enjoy the fabric stores which carry everything from designer silk jersey all the way to the most elaborately embroidered and sequined Sari style Indian chiffons and satins (you get the picture here, I'm sure) but very little for the embroiderer.
By the way, after you get your fill of the bright city lights, don't forget us "upstate" folk. We pride ourselves in the magic of the Catskills, the hippie Woodstock and New Paltz area, the quaint Applefests and lively Octoberfests. And if you have never visited this area before, please include a stop at Victorian Cape May in New Jersey. The "shores" of Jersey, (they're not called beaches here!) are the most stunning sands of the East Coast. Have fun!]]> 6684 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2009-07-09 06:56:43 2009-07-09 06:56:43 1 0 6686 Elizabeth noreply@blogger.com 2009-07-09 06:45:48 2009-07-09 06:45:48 1 0
What you might want to do, Mary, is contact the Metropolitan Museum ahead of time and see if you can look at their textiles, most of which are not on display. At the very least you could get access to the right library. I imagine you would like that!]]> 6687 Ginger noreply@blogger.com 2009-07-08 23:30:30 2009-07-08 23:30:30 1 0
M & J... http://tinyurl.com/nu54gj

TT ...http://www.tinseltrading.com/

Ginger]]> 6693 Vanessa P noreply@blogger.com http://www.blogger.com/profile/06152650868133830677 2009-07-08 19:00:07 2009-07-08 19:00:07 1 0 http://www.cooperhewitt.org/exhibitions/Fashioning-Felt/]]> 6694 LTuros41 noreply@blogger.com http://openid.aol.com/LTuros41 2009-07-08 16:33:16 2009-07-08 16:33:16 1 0 Linda]]> 6695 LTuros41 noreply@blogger.com http://openid.aol.com/LTuros41 2009-07-08 16:31:45 2009-07-08 16:31:45 1 0 Linda]]> 6696 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-08 16:16:11 2009-07-08 16:16:11 1 0 (we are planning a trip to NY this year...)]]> http://www.needlenthread.com/2009/07/last-needlework-stop-lacis-in-berkeley.html Wed, 08 Jul 2009 06:40:00 -0500 Mary Corbet 292 2009-07-08 06:40:00 2009-07-08 06:40:00 open open Last-Needlework-Stop:-Lacis-in-Berkeley publish 0 0 post Lacis (pronounced "Lah-cease") is, like I said yesterday, a weirdly wonderful needlework (and more) shop. It's somewhat difficult to explain this place. I would have liked to have spent much more time there, but alas, by the time we stopped, we were behind schedule already. I ended up missing some of the "definites" that I wanted to see (and buy!), and I took lousy photos in general. 3,000 miles or so later, I'm kicking myself for that!

But, still, I'll tell you what I can about this needlework-lace-museum-gift-book-and-antique-shop sort of shop. It's a strange mix, but it works!



Located on a very busy street in Berkely (is there a street in Berkeley that isn't very busy?), the shop has two parts to it: the shop, and the "lace museum." From what I could tell - and I didn't go through the whole thing - the lace museum is an ecclectic mix of collected laces, in a very casual venue. Unlike museums where pieces are kept behind glass, in climate and light-controlled settings, this museum is somewhat hodge-podge-ish, with the various displayed laces pinned to wall displays and draped hither and thither. Perhaps, behind the outside front, there are display cases and so forth, but I never quite made it to the museum proper.



In the shop part of the establishment, vintage clothing hangs from the ceiling, along with hats and bric-a-brac and all kinds of other stuff, taking up just about every display spot in the store.

Below, needlework goods fill the shelves and racks throughout the place.



In addition to needlework supplies, lace-making supplies, millinery supplies, costume-making supplies, and vintage books and patterns, you'll find, mixed in, racks of nostalgic greeting cards and prints and so forth.



Everywhere you turn, you'll find strange little gift and specialty items, like this wooden fish puzzle.



There are an abundance of threads. These are Edmar threads, used often in Brazilian embroidery. Besides the threads visible on display racks, there are drawers and drawers of different types of threads. One thing on my list for my visit to Lacis was to check out the whole range of floche that they have available on their website. I completely forgot! C'est la vie.



Threads for crochet, specialty yarns and lace-making threads - all kinds of threads take up the shelves and racks in the middle of the shop, as do spools of lace and ribbon and so forth.



Once you walk in, your attention may be first arrested by the clothes hanging above you and draped over everything, but it doesn't take long to forget about the stuff above while perusing the stuff below! I thought the vintage apron on this dress was quite sweet.



You can buy vintage lace and vintage handkerchiefs there, as well, although I have to admit, I saw one "wedding hankie" - very fine needlework, indeed! - for $125, and was a little surprised at the price, especially considering that there were about six or so of the exact same handkerchief there (which leads one to think they may have been mass produced?). I bought one similar, in pristine condition, on eBay last year for a mere $18. So with a little shopping around, if you're in the market for antique lace or vintage handkerchiefs or the like, I think you could probably find them at a more reasonable price elsewhere. However, as far as selection goes, Lacis seems to have a pretty vast selection of vintage goods to choose from!



Upon leaving the shop, I felt a bit flurried. It's definitely one of those places that, if you go, allot a good amount of time for serious, concentrated browsing - thought concentration is somewhat difficult, as the shop was crowded with all kinds of shoppers, the staff was all very busy either helping customers or seeing to a variety of different tasks (like ironing fabric, separating buttons, answering phones, and fluttering about), and in general, the place has an overwhelming feeling of "clutter." Weeding through the clutter, though, is fun.

One of my favorite aspects of the store was the back corner, which is filled with all kinds of needlework books on every kind of technique, many of which books are out of print or hard to find, and some of which are foreign. I liked the selection of vintage iron-on transfers for cutwork, as well as some interesting old magazines that I came across.

If you like a clean, tidy, and organized needlework shopping experience, Lacis may not be the place for you. Still, if you're looking for anything related to needlework - even obscure tools - chances are, you'll find it here. If you want a bit of adventure and you like exploring, then definitely put Lacis on your list of places to visit!

I'm still regretting the floche. But I know why it slipped my mind - there was just so much to see!

I didn't purchase much at Lacis - a few books and cutwork patterns and a couple greeting cards, and I think that was about it. I don't think I bought any thread at all. I know they have fabric there, too, but I don't even recall looking at any! It was, to say the least, a whirlwind stop at a whirlwind store! On the bright side, anything I missed, I know I can find on the Lacis website, if I really need it. This, by the way, is the place that I buy my cutwork threads. I didn't bother looking at cutwork threads, as I'm pretty fully stocked with them right now.

After leaving San Francisco, we headed south to Santa Clara, and then to Monterey and Carmel. Though we didn't find our old house in Monterey (there are new homes along the street there), we did see some beautiful places.



One of my favorite aspects of Monterey, and really the whole central coastal area of California, is the sunny-foggy days. The day begins with a heavy fog covering the coastal area, but this tends to burn off by mid-morning, and the sun shines until late afternoon, when the fog starts to creep back in. Here, the fog is moving back over Monterey Bay and wharf.



I'm kind of a sucker for seascapes, marine life, and birds. In Monterey, you can find all three in abundance.



The seagulls are huge and humorous.



Upon leaving the Monterey and Carmel area, we took the coastal road towards San Diego.



We stopped for a humorous interlude with some sea lions that were lounging on a beach. No, they aren't dead. They're just... lounging. I think it's what they do best.



We visited several of the old missions along the coastal route. San Juan Capistrano, famous for its yearly influx of swallows, is certainly a beautiful setting, but it was probably my least-favorite mission stop, as it is so commercialized. The mission itself seems to be overshadowed by the swallows!

We took the coastal road all the way to San Diego, to Coronado, where my folks also lived (before I was born), and where my older sisters went to school for a bit. We found the old school and the old house. The house is about five houses from the beach, on Pine Street. Prime property today, but back in the day, my parents thought $30K was too much for it!

After a quick stop in Coronado, we headed east again - finally - to the rural parts of the country. I longed for open road and reduced traffic! And boy, did we ever get both! Through the deserts of Arizona and New Mexico, there isn't much going on.



We went to the Grand Canyon - the southern and eastern rims - in Arizona. Hm. I'm not sure what to say about it. It's majestic - beautiful - awesome - but the height made me rather woozy. Still - it's something!



Finally, we went to Sante Fe, where we visited the Loretto Chapel to see the St. Joseph stairs, a very beautiful spot, with a very interesting story.

That was our last "tourist" stop on the trip - the rest was just returning to Kansas. To make the occasion of returning home memorable, we ended up in a massive thunderstorm that spawned at least one tornado within a mile of where we sat on the side of the highway, waiting for the storm to pass. Yes, Toto, we're back in Kansas!



The trip began and ended more or less where the red dot is there in Kansas. Not bad, for 14 nights, three of which were spent in Minnesota before really "striking out." It was a heap of fun! Still ... there's no place like home!

Now, that's the nitty gritty of the recent travels, but wait! There's more! Though I won't bore you with anymore road tripping details, I do want to show you some of the needlework loot I picked up along the way, especially the books and a few handy items and accessories for stitchers that I thought looked ... uh ... necessary.

I'll be sharing that with you over the next few days, while I'm trying to get together some upcoming tutorials and videos, and while I'm sorting through some projects and getting to work again. So, keep an eye out!
]]> supplies personal embroidery resources pictures needlework and travel 6652 Mary-Frances noreply@blogger.com http://www.blogger.com/profile/05348665962345432914 2009-07-11 08:43:28 2009-07-11 08:43:28 1 0 If you're like me, the website isn't the same - the eye candy and the ability to touch is amazing!

Great posts and fun trip! Thanks for sharing!]]> 6690 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-08 21:51:03 2009-07-08 21:51:03 1 0
Liz, I'm about 40 miles from Topeka. Whereabouts are you? It's supposed to be pretty warm here tomorrow! Summer Proper waited until I got home, I guess! *sigh*]]> 6691 Liz dolls4liz@yahoo.com http://www.blogger.com/profile/13313745653387343456 2009-07-08 20:19:40 2009-07-08 20:19:40 1 0
Liz in NE Kansas]]> 6697 Lisa noreply@blogger.com 2009-07-08 16:15:05 2009-07-08 16:15:05 1 0 That, and we all grew up hearing about the ghosts that haunt the mission still;-)]]> 6700 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-08 09:21:51 2009-07-08 09:21:51 1 0 I followed you by Google map to have an idea of distances you've travelled. I must confess I became a little tired - it was a long distance trip!
Thanks for sharing and I'm looking forward to see the needlework stuff you'd bought :))]]> 6701 irene noreply@blogger.com 2009-07-08 08:45:37 2009-07-08 08:45:37 1 0
I bought several skeins recently for a cross stitch project. Not a bright idea. I got through my little project and sent the floss on to someone else that can use it as intended. It is beautiful to look at though. Great colors and shine.

The gull you mentioned happens to be a Western Gull which is the largest of the gulls. (I work with wildlife) Too bad you didn't see a Mew Gull; they're very petit and seem to walk on their tippy toes like a ballerina. irene]]> 6702 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-07-08 08:44:54 2009-07-08 08:44:54 1 0 Now I can't wait to see what we brought home.
Tammy]]> 6704 Lauren in Connecticut noreply@blogger.com 2009-07-08 08:08:53 2009-07-08 08:08:53 1 0 http://www.needlenthread.com/2009/07/next-stop-needle-in-haystack-alameda-ca.html Tue, 07 Jul 2009 08:07:00 -0500 Mary Corbet 293 2009-07-07 08:07:00 2009-07-07 08:07:00 open open Next-Stop:-Needle-in-a-Haystack,-Alameda,-CA publish 0 0 post

Located on a busy street in Alameda, a town teeming with activity, shops, cafés, bakeries, farmer's markets, and so forth, Needle in a Haystack is a large, open, airy shop filled with all kinds of delightful things for the needleworker.



I'd say that, out of the four shops I visited, the Haystack has the largest space devoted solely to needlework supplies. It's probably comparable in size to Nordic Needle, but the floor area is not as broken up as Nordic Needle's is.



With lots of floor space and a very open layout, it is a very pleasant place to shop. In the front of the store, tables and chairs invite the stitcher to sit a bit to match threads or to flip through books and so forth. The area is used for classes and stitching groups.



Much of the wall space of the store is covered with threads - lots of threads!



Additionally, they've got drawer cases for Anchor, DMC, and other threads, as well as spinning racks hung with ... threads. Lots and lots of threads! (DId I mention they have a lot of thread?)



In addition to threads, you'll find shelves tastefully arranged with displays of accessories, books, and needlework-related items.



Above the threads along the walls, you'll find heaps of hand painted canvases for needlepoint, including some very enticing historical adaptations of tapestries and slips and whatnot.

What I really liked about Haystack was the variety of embroidery techniques represented by their merchandise. I found some beautiful crewel and needlepainting kits, many books / magazines on cutwork and whitework, fabric for surface embroidery of all types, as well as a vast selection of counted thread charts, historical samplers, blackwork, and needlepoint / canvas work supplies. There was more variety here, as far as specific stitching techniques are concerned, than in any other store I visited.

My overall impressions of the place:

Merchandise: a variety of merchandise is offered for stitchers interested in different techniques. They pretty much have everything, and if, by chance, there's something you want that they don't have, they'll order it. They have the full range of Au Ver a Soie products, by the way, if you're looking for silk, among other types of silks and blends.

Layout of the Shop: Most pleasant - open, airy, easy to find things and relaxing for casual browsing, even when the shop is busy with customers.

Prices: Well. I have to admit, their prices for things that can be bought elsewhere are slightly higher than many online or brick-and-mortar shops. However, it's always worthwhile to keep an eye out for their specials, by subscribing to their newsletter and frequenting their blog.

Service: Very good - the people working are friendly, knowledgeable, and talkative and can help you find anything or make decisions on thread choices, etc. They're also very helpful when it comes to local information, goings-on, and so forth.

So ... in a nutshell... yes, I loved Needle in a Haystack. They have a great online store, too, so if you can't make it to their shop, check them out online! As far as online shops go, they're layout is really nice, too. I like ordering from them, simply for the ease of ordering.

We did non-needlework-related stuff in the San Francisco Bay area, too, by the way. In fact, my family used to live in every place we visited on the West Coast! So, while we were up in the Seattle area, we found the house my folks lived in on Whidby Island. In Alameda, we used to live on Burbank Street, which is still lined with very tall palm trees. Also in the area, we lived in a "modern" Eichler home up on Phaeton Drive in Oakland (and the house still looks great!), and we also lived in Walnut Creek for a while, so we looked for that house, too, and the school we attended as children. We didn't always have luck finding our former homes - in Monterey, for example, the house is no longer there.



Driving into the city of San Francisco, we saw a blimp hovering overhead. I had to take a picture - as a kid, we always looked for the blimp! And it's still there!



Of course, at Fisherman's Wharf, we had to eat sourdough bread...



...and ice cream at Ghiradelli Square. Boudin's Sourdough Bread and Ghiradelli Ice Cream are San Francisco icons...

Before we left the San Francisco area, I did manage to make it to Lacis, which was my last needlework shop on the trip. It's a weirdly wonderful place, so I'll tell you about that one next!

]]> supplies personal embroidery resources pictures needlework and travel 6688 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2009-07-08 23:05:58 2009-07-08 23:05:58 1 0 Does any one know of such places in India too?]]> 6705 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-07 23:42:44 2009-07-07 23:42:44 1 0 6706 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-07-07 16:49:17 2009-07-07 16:49:17 1 0 Here's their website, if you want more info- I swear if I win the lottery, a cruise on this thing is my first purchase. We see it rather often when I'm taking my husband into work and it never fails to intrigue me.

http://www.airshipventures.com/?gclid=CP2xl6rHxJsCFSIuagodsSNiBA#

Needle in a Haystack is one of my favorite visited shops in the Bay Area. They seem to have just about everything including well-informed sales staff.
I'm looking forward to your observations on Lacis. I think I spent 4 hours in there on my first visit, didn't see everything there was on offer, and came away feeling a bit "stuffed".]]> 6708 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2009-07-07 15:10:00 2009-07-07 15:10:00 1 0 6709 irene noreply@blogger.com 2009-07-07 10:24:45 2009-07-07 10:24:45 1 0 http://www.needlenthread.com/2009/07/coton-broder-questions-floche-and.html Mon, 06 Jul 2009 13:40:00 -0500 Mary Corbet 294 2009-07-06 13:40:00 2009-07-06 13:40:00 open open Coton-a-Broder-Questions,-Floche,-and-Danish-Flower-Thread publish 0 0 post

#1: Does coton a broder come in colors?

Yes, it does. Technically, though, I've only seen #25 coton a broder available in a very limited range of colors.

However, if it is #16 and listed as coton a broder, chances are, it is "floche" that you want, if you want it in a range of colors. Floche, by both DMC and Anchor, comes in a wide range of beautiful colors, and can be used for the same applications as coton a broder. The only real difference between the two types of thread is that the thread that DMC calls "coton a broder" here in America is a 4-ply softly twisted thread, while floche is a 5-ply softly twisted thread. But they are completely compatible, more or less the same thing, so if you're looking for a #16 in various colors, what you need to look for is floche rather than what we call "coton a broder," which is more of a whitework and cutwork thread.

This is floche:



#2: What's the difference between Danish Flower Thread and coton a broder?

In America, coton a broder is actually a mercerized thread, which means it has a sheen to it. Danish Flower Thread is non-mercerized, or matte, and has no sheen. However, it seems that, in other countries (South Africa, Australia, New Zealand), coton a broder is actually a matte thread, the term used interchangeably with flower thread. However (again!), in America, what we buy as flower thread is definitely more tightly twisted than coton a broder or floche. You can see the individual twists in flower thread more distinctly than you can in floche or coton a broder. Look:



The top thread is mercerized (it has a sheen) and has a looser twist. It is floche. The bottom thread is not mercerized (it is matte) and the twist is a little tighter. It is flower thread.

#3: Where can I find coton a broder, for cutwork or for colored embroidery?

If you're looking for cutwork thread, coton a broder in white, you can find various sizes available through Lacis. Look under "materials," then "Needlework, DMC, etc." in their online catalog. They have sizes 16, 20, 25, 30, and 40.

You can also find floche in colors on the same page of the Lacis online catalog. However, I like to order my floche from Hedgehog Handworks, where you can order it in large hanks or smaller skeins, and where you can also order Danish Flower Thread, if you're looking for matte thread.

If you're looking for Danish Flower Thread (matte coton a broder, more or less), you can order that through Hedgehog, on the same page as the link in the above paragraph, or you can order it from Nordic Needle. Right now, it looks as if they don't have many colors listed on their website, but I saw a whole rack of the entire range of flower thread, so I'm sure you can probably call them with the colors you want.

For further information on these threads - floche, coton a broder, and flower thread - check out these articles:

Comparison between floche and other common DMC threads

Comparison between floche and Danish Flower Thread

I hope this helps answer some questions about these threads. I'm sorry I couldn't get through to a couple of those who e-mailed with the questions, but since it's useful information for needleworkers in general, I thought it worth a little write-up!]]> supplies whitework threads danish flower thread pictures embroidery tips and tricks floche 6675 ginger noreply@blogger.com 2009-07-09 22:32:59 2009-07-09 22:32:59 1 0
My understanding was that it was primarily marketed in
Eastern Europe for peasant type embroidery, hence all the bright colors. In fact, one of the few other shops that I knew of that had the whole range was in an ethnic neighborhood in NYC.

I loved it for needlepoint so kept it all when closed shop 10 years ago. Recently put over 200 skeins on Ebay and it went for about the old retail price, so there's someone else out there that likes to stitch with it.

Enjoyed your review of Lacis and Needle In A Haystack

Ginger]]> 6710 Cora coracards@yahoo.com http://www.blogger.com/profile/01396278632246589724 2009-07-07 10:11:10 2009-07-07 10:11:10 1 0 6712 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-07 07:06:26 2009-07-07 07:06:26 1 0
Thanks for that. I would think that the terms would be the same world-wide, but there seems to be a discrepancy in their meaning.

When I reviewed a book that was written in South Africa, I noted that there was a "mistake" in the book - that the author said that coton a broder is a matte thread, when it's really a mercerized thread.

I promptly heard from both a South African stitcher of note and an Australian stitcher of note. This is what the Australian said:

"In Australia and the UK both coton a broder and flower thread are matte, ie both are not mercerised and are totally dull..."

I think the difficulty arises essentially from the "generic-ness" of the term "coton a broder." Overall, I think most stitchers world-wide associate coton a broder with the 4 and 5-ply mercerized, non-divisible thread that you and I are talking about...

It'd be interesting to clarify this a little further or to get some insight into why some people call the different threads what they call them!

Again, thanks for the input!]]> 6713 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-07-07 04:45:51 2009-07-07 04:45:51 1 0
An Australian here who knows her coton a broder! In Australia too, coton a broder DOES have sheen. As an embroiderer of Mountmellick work, you must have thread that has no sheen. It means that we cannot use coton a broder, because though it does not have MUCH sheen, it does have sheen.

Welcome back from your trip!

Yvette]]> http://www.needlenthread.com/2009/07/threadneedle-street-in-issaquah.html Mon, 06 Jul 2009 08:30:00 -0500 Mary Corbet 295 2009-07-06 08:30:00 2009-07-06 08:30:00 open open Threadneedle-Street-in-Issaquah,-Washington publish 0 0 post stopping in North Dakota at Nordic Needle for some needlework shopping - yes, I admit it, I bought embroidery supplies at each of these shops! - we struck out west towards the Seattle area of Washington, via Glacier National Park and Coeur d'Alene, Idaho. On the way in to Seattle, very conveniently located off Interstate-90 in the town of Issaquah, is Threadneedle Street, a small needlework shop specializing predominantly in needlepoint and counted thread work.

On the way in to Washington, the scenery changes somewhat drastically after the mountains of Idaho and western Montana. The eastern part of Washington is rather desert-like and scrubby.



The Columbia River is an impressive site. There are a couple dams along the river in the middle part of the state, and one is in the vicinity of the highway, making for a nice scenic stopping point. So we stopped. And it was scenic.

Then we headed into the Seattle area, stopping at Issaquah. Really, when I say it's an easy stop, I mean it. If you're on I-90, you simply take the exit, drive into the town on the main street, and pull over to park. It's about that easy.



Of the four shops I visited, Threadneedle Street is certainly the smallest. In fact, if you weren't looking for it specifically, you might miss it altogether!



In case you're looking for the shop some day, though, the pink pig might help you find it. This gal sits at the end of the sidewalk on the same side of the street the shop is on... I didn't inspect her closely, so I'm not sure what she's all about. I suspect she's a grill...



Inside the shop, you'll find very closely arranged (as in, tight quarters!) merchandise - all kinds of threads, tools, accessories, beads, etc. - that are used in embroidery.



You'll find shelves of pre-cut fabric and racks of beads, buttons, and little items.



You'll find racks and baskets full of kits and charts and so forth. And tucked here and there, lines of neat books for sale. (I bought a terrific book here that I'm looking forward to showing you!)



You'll also find some walls devoted to painted canvases, from elaborate Christmas stockings to geometric designs, etc. They're very pretty and colorful!



But to me, the greatest appeal of Threadneedle Street is this. It's the Needlework System 4 stand and all its accessories and parts - and she stocks the pieces in the shop, instead of special ordering each time a customer wants the stand. This means that chances are, if you stop in, you'll be able to pick up a part right then and there. Every other needlework shop I've dealt with regarding this stand keeps a demo model, and then has to special order the pieces you want (and you end up with a 10 - 14 day wait). But here, you can buy the pieces you want, in stock. AND - she has the best prices in the country! If you buy the stand and frame clamp from Threadneedle Street, you're spending almost $50 less here than anywhere else. And you're not having to wait. What a deal!

I bought the extension piece, by the way, for my Needlework System 4 stand. This allows the stand to easily work from the side, over the arm of a couch. (Feel free to read my review of the Needlework System 4 stand, if you aren't sure what I'm talking about!)

So, my review of Threadneedle Street in a nutshell:

Merchandise: There's a vast quantity of merchandise in this little store! She carries all the popular threads for cross stitch and needlepoint, including wools and blends and so forth, as well as a few different hand-dyed threads that I had not seen before. Lots of little accessories are available, as well. There's a good collection of interesting needlework-related books that you won't find on the shelf of a typical bookstore, and a few that I had not seen before, one of which I bought. Seeing some Access Commodities merchandise there, I figure that the folks at Threadneedle Street can pretty much order anything that you want, if they don't have it in stock.

Shop Layout: As needlework shops go, I'd call this one "average" in size. Most needlework shops I've been to are relatively small in general. Threadneedle Street is no exception - the shop is small and seems somewhat crowded, but when you start to look around and see what's in there, you realize there's a pretty clever use of space going on. No space is wasted.

Prices: They actually seem a little bit less, overall, than in most places, though I can't be sure of that with everything there. Certainly, it's the case with the Needlework System 4 stand, but I also thought the threads were just slightly less expensive than in other shops. In any case, there wasn't anything that struck me as outlandish, price-wise, at all.

Service: This is the one shop I can say without reserve that I met with great service - that perfect balance between warm and friendly and open, capped with professional knowledge, and not overwhelming. Just a nice, friendly, open personality, ready to help and having no hang-ups about answering questions. It was, in short, very refreshing to go to a needlework shop and receive really genuine, sincere, niceness for a change. You just don't see that often in needlework shops, thought it's unfortunate to have to say so. Now, their online service may be a bit different - the website notes that they are often busy with customers in the store and therefore may have to call you back if you call to place an order. I have the impression the shop is worked by very few people (I only saw one!), so if you do call them to place an order, expect to be either put on hold or called back.

I liked Threadneedle Street. If I lived in the vicinity, I think it would be the kind of shop that I'd establish a good working relationship with. There's a real niceness and enthusiasm about needlework there that I haven't met at too many needlework shops.

I'd love to see the Threadneedle Street website updated into a regular shopping-cart type website. I think this would ease the ordering situation for out-of-town customers and it would probably make the job on the selling end easier, too.

After leaving Issaquah, we headed to the Seattle area. My folks used to live on Whidby Island, so we went there to see the old haunts and so forth.



Deception Pass is gorgeous! Well, ok - it's water! You'll find that I get overly enthusiastic about anything that looks like abundant water! We drove through Whidby Island, took a ferry to Seattle, stayed overnight, did some looking around the next day, and then headed to Oregon...



...where we saw Crater Lake...



...which is blue beyond belief, and still, and quiet, and cold. Snow still lined the roads up at the top of the mountain, with four-foot cuts of the white stuff in some places along the road. The mosquitoes up there, by the way, were huge and Really Hungry.



From Oregon, we headed into California, where we drove through the Napa Valley, stopping at a few wineries along the way. The contrast between green and lush and dry and sandy in the area is quite intriguing and really beautiful. I love the grape vines! They are something else - I'd love to see them when they are fully laden with grapes.



My favorite stop was at Peju Winery, which is a little boutique winery in the Napa Valley. I prefer boutique wineries to the Big-Wigs (like Berringer, etc.). They're more fun, more intimate, more interesting, and they do fun stuff with their wine. I bought, untasted, a bottle of zinfandel port (port-style wine, anyway) as a gift. They only make this every so many years, and they were down to six bottles left. It was a risk to pay the price without knowing for sure if it was good, but we weren't disappointed! Good Stuff Indeed!

This leg of the trip took us into the Bay Area, where I visited two extraordinary needlework shops... coming up!
]]> personal embroidery resources pictures needlework websites needlework and travel 6674 Needleworker noreply@blogger.com 2009-07-09 22:51:27 2009-07-09 22:51:27 1 0 6689 margaret c. noreply@blogger.com 2009-07-08 22:24:15 2009-07-08 22:24:15 1 0
I need to get that extender piece....]]> 6711 Love to Stitch 99 noreply@blogger.com http://www.blogger.com/profile/08717611751588945815 2009-07-07 08:39:19 2009-07-07 08:39:19 1 0
It was really nice to hear about how nice and friendly the shop was. I also wish they were close to me.

Nice to know about System4 that this shop has the pieces in store so when I need extra pieces I will keep them in mind as I have had to wait quite a bit of time before to get different components as that particular shop had to special order them for me.

Pierrette =^..^=]]> 6714 Anonymous noreply@blogger.com 2009-07-06 21:14:33 2009-07-06 21:14:33 1 0 6715 Anonymous noreply@blogger.com 2009-07-06 20:34:35 2009-07-06 20:34:35 1 0 I enjoyed your blurb on Nordic Needle have never been there but have done the occasional order from them. It was very interesting to actually see the amount of product they carry. I am lucky as I live in Richmond B.C. and we often take a trip to Threadneedle Street. As you said the shop is small but my friends and I have been known to arrive there at 10:00 shop until lunch time, then go back for another hour after lunch just to pick up the little treasurers that we forgot. It sure is a great store.
Joan from Canada]]> 6718 Janice Miller noreply@blogger.com 2009-07-06 12:57:56 2009-07-06 12:57:56 1 0 I am thrilled to see you show my part of the country in your blog. I live in a little town across the water from Seattle. And I am embarrassed to admit I have never been to the Issaquah store. And here I live 60 miles away. I surely will be trekking over there soon.
So pleased you found my home land as beautiful as I think it is.
Looking forward to more trip info.
Janice Miller]]> 6719 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-06 12:08:54 2009-07-06 12:08:54 1 0 Many, many thanks!]]> 6722 bobbletrop noreply@blogger.com 2009-07-06 10:50:12 2009-07-06 10:50:12 1 0 6724 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-07-06 10:17:44 2009-07-06 10:17:44 1 0 As always, thanks for sharing.
Tammy]]> http://www.needlenthread.com/2009/07/nordic-needle-in-fargo-north-dakota.html Sun, 05 Jul 2009 14:09:00 -0500 Mary Corbet 296 2009-07-05 14:09:00 2009-07-05 14:09:00 open open Nordic-Needle-in-Fargo,-North-Dakota publish 0 0 post Nordic Needle. Now, this is a shop I have always and forever wanted to go to! And since I was heading to Minnesota for a three days, I figured this would be a prime opportunity to visit Nordic Needle. This was the beginning of the Great Road Trip Plan that took me in a huge loop to the West Coast and back to Kansas. Really - I was just planning to add a couple hundred miles to the trip and jump up to Fargo! But Mom and Dad suddenly got the "bug" to travel, too, and so the three of us concocted this ever-changing journey that took us to some very interesting spots and some old haunts where my folks lived and raised their kids. So, without further ado, here's Nordic Needle and some other stuff...

We left Kansas on Thursday, June 18th and drove to Minnesota, where we stayed until Sunday morning, June 21st.



Minnesota is beautiful. The lakes that dot the state are especially enticing if you happen to be coming from the Kansas prairies, where water is not always abundant. One morning, we picnicked on the shore of a lake, in the company of a pair of ducks.

On Sunday, we headed north to Fargo, arriving in time to have dinner with some friends and put up for the evening. The next morning would be devoted to Nordic Needle. I didn't plan to spend a lot of time there - I didn't think it would be quite the thing to do to the Agéd P's - but a good hour, I thought, was reasonable.

Of course, it ended up being two hours.



The outside of the shop is rather mundane, but hey - it serves its purpose!



Inside Nordic Needle, you will find practically everything a stitcher's heart can desire, to some degree or another. This is a wall of beads and accessories and little things...



One section of the store is devoted to these rotating book stands that are filled with everything from charts for counted work, to a delightful variety of books (including many books self-published by different designers, that can't be had through Amazon, etc.), to kits of all sorts, including several of Tanja Berlin's embroidery kits (among others).



Being "Nordic" Needle, there is a goodly amount of stock devoted to Nordic embroidery techniques, including Hardanger, huck embroidery and so forth.



And then, there are threads. Oh, are there ever threads! All kinds of threads! This particular section in the photo above is their Brazilian embroidery section of threads, but behind it, on the wall, is the whole line of Treenway Silks pearl and ribbon -- among other threads.

You can imagine that in the midst of all these glorious goods, I was a bit unfocused at first. I just saw, but didn't really "attack" with any clear focus. My eyes went from one selection of goods to the next, without really honing in on my own particular interests.



I have seen huckwork in magazines and books, but have never tried it. Engrossed by the samples hanging on the walls, I took a look at some of their huckwork kits and decided they would be perfect for on-the-road needlework! So I bought a couple. I never touched them. I did not lift a needle (except when purchasing needles) once during the whole trip. *Sigh*



It's difficult to explain the quantity and variety of needlework goods available at Nordic Needle. The main floor of the shop is packed with aisles and shelves and displays filled with threads and tools and kits and designs, as well as display boxes, accessories, and anything you really could want, needlework-wise.



The threads are, of course, the most colorful things in the shop! Racks of them - everywhere! I would suppose that just about any type of thread you would want, you could get through Nordic Needle. Even if they don't regularly carry it, they can probably special order anything. While I saw a whole rack of Danish Flower Thread, for example, I didn't see any floche. But I bet, if you want floche, you could special order it from them. Of course, this doesn't mean they don't have floche - I may have just missed it.



They have a nice corner - much bigger than seen here - full of fabrics on bolts, and also cut fabrics. You can find linens, evenweaves of different types, and just about anything for regular embroidery in their fabric area. Anything they don't have, again, I am pretty sure they could special order!

Nordic Needle has a neat incentive for travelers, by the way. If you travel a distance to visit them, they take a certain percentage off your purchase. If you click the "How Far Will You Go" box on their home page, you can read about the incentive. The shop is less than 1,000 miles from me, so I received 10% off my purchase. BUT - I happened to be there on a Monday, and they have this "Monday Madness" thing they do, where you can draw for a discount on one item (or many - depending on what you draw). I lucked out - I was there on a Monday! - and got 50% off my most expensive item, which was one of Alison Cole's goldwork books.

All in all, by the time I left, I was a pretty happy camper!

Here's my review of the shop, in a nutshell:

Merchandise: Wow! They have a lot of great needlework merchandise. I would have loved to have seen more merchandise devoted to other surface embroidery techniques such as needle painting, crewel work, etc., or even cutwork and other forms of whitework (in addition to Hardanger). They had Trish Burr's books in stock, and some kits of Tanja Berlin's (though not her needlepainting kits - blackwork and shadow-work, basically). They also had a bunch of nice Brazilian supplies. And I'm sure that they could order just about any kind of needlework-anything you might want, so I'm not too taken a-back by the lack of other surface techniques. They have as well a terrific selection of accessories - the best I've seen anywhere - for the needleworker, from all the convenient tools and accessories a sticher needs, to many unique and beautiful stitching-related items, tools, notions, and so forth.

Shop Layout: As needlework shops go, I'd call Nordic Needle "really big." It's crowded and a bit confusing. When it comes to finding something specific, such as a design or a kit, if you aren't used to the layout, you'll probably need help. Still, good use is made of the space they have, and once you get the general feel of the shop, it's easy enough to find your way around or just to enjoy browsing. Never-ending browsing!

Prices: They seemed fair and equivalent to other shops I've been to, or to merchandise I've found online. Nothing seemed outlandish, as far as prices are concerned. Prices were pretty much what I expected them to be. I picked up a couple little bargain bits in their "discount" room, too, which was nice...

Service: Well, this is difficult. It depends on what you want in service. The people were polite enough, though not overly friendly, and they kept their distance. If I needed something, though, I had but to ask, and they directed me politely to it. There was no real "warmth" in any communications, but they weren't rude, either. It was just business. In a sense, this is a good thing. It allows the customer to browse a shop without being hassled or conversed with the whole time so that it's hard to concentrate. I would imagine that, in a shop this size, that's probably what most shoppers would desire. And when it came to my needing anything, I had prompt attention. So in that sense, the service was good - not warm and over-friendly, but there was no curtness or rudeness (which I have, believe it or not, experienced in other needlework shops, and it's one of my pet peeves!)

Nordic Needle is definitely an A+ shop, obviously built through the hard work of the owners into a thorough supply warehouse for needleworkers all over the world. If you get the opportunity to visit the shop, you won't be disappointed, I don't think! If you don't have the opportunity to visit in person, you can always visit their website.

I finished up at the shop before 11:00 am (so, actually less than two hours!) and we struck out west from there, across North Dakota, heading towards Glacier National Park in Montana.



There are some parts of North Dakota that are really beautiful! We stopped for coffee at a friend's house in Mandan, which is located on the Missouri River. Their back deck offered us this incredible view - and it was a perfectly beautiful day to enjoy it!



The majority of North Dakota looked pretty much like this, until we got to the very western edge of the state. The "Badlands" of the Theodore Roosevelt National Park in western North Dakota are surprising, to say the least! At one moment, you're driving along through the rolling green hills typical of the photo above, and then you round a curve in the highway, and there you are in the midst of rocky canyons and scrubby landscapes.

We made it through North Dakota and on into Montana, where we turned north to take the "scenic" route to Glacier.



It was .... sort of scenic, I suppose. We spent Monday night in a small town along the way - Glasgow, Montana - and then Tuesday, we headed to Glacier National Park.



Glacier is incredibly beautiful! It is majestic and awesome - and difficult to describe! Unfortunately, we only got to see "part way in," as the road through the pass was still considered too precarious for car travel (avalanche warnings, and so forth). No, we didn't get out to hike it! Instead, we had lunch in beautiful surroundings, saw as much as the park as we could from the eastern and southern parts of it, via road, and then headed to Coeur d'Alene, Idaho, where we spent the rest of the afternoon and night before heading to Seattle, where I stopped in at Threadneedle Street.

But we'll save that for the next installment!
]]> supplies personal embroidery resources needlework websites needlework and travel 6707 amphipodgirl noreply@blogger.com http://amphipodgirl.livejournal.com/ 2009-07-07 15:24:13 2009-07-07 15:24:13 1 0 6716 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-07-06 15:57:05 2009-07-06 15:57:05 1 0 6717 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-07-06 14:48:08 2009-07-06 14:48:08 1 0 6721 Mabel noreply@blogger.com 2009-07-06 10:55:15 2009-07-06 10:55:15 1 0 6723 Alice McClelland noreply@blogger.com 2009-07-06 10:36:59 2009-07-06 10:36:59 1 0 Alice]]> 6725 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-07-06 07:12:39 2009-07-06 07:12:39 1 0 6726 Nita noreply@blogger.com 2009-07-06 06:55:26 2009-07-06 06:55:26 1 0 6727 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-07-06 00:01:31 2009-07-06 00:01:31 1 0
Your photos are amazing. I enjoyed reading about your trip and am waiting for the segments to follow.Thanks for the inputs on the Nordic Needle. I am now learning huckwork from an old sampler and was thrilled to see some pictures here.]]> 6728 Marian noreply@blogger.com 2009-07-05 20:07:32 2009-07-05 20:07:32 1 0 6729 margaret c. noreply@blogger.com 2009-07-05 19:52:53 2009-07-05 19:52:53 1 0
Thanks also for the trip photos. Keep 'em coming!]]> 6730 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-05 18:35:37 2009-07-05 18:35:37 1 0
And thankyou for the photographic journey of your motor trip - some truly different scenery to anything I've ever experienced.]]> 6731 Love to Stitch 99 noreply@blogger.com http://www.blogger.com/profile/08717611751588945815 2009-07-05 18:10:45 2009-07-05 18:10:45 1 0
Enjoyed reading about your first segment of the trip and looking forward to read about following ones :-)

Have always wondered what Nordic Needles looked like and now I know (grinning)

Pierrette =^..^=]]> 6732 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-07-05 18:00:05 2009-07-05 18:00:05 1 0 http://www.needlenthread.com/2009/07/home-again-home-again-and-fireworks.html Sat, 04 Jul 2009 08:58:00 -0500 Mary Corbet 297 2009-07-04 08:58:00 2009-07-04 08:58:00 open open Home-Again,-Home-Again---and-Fireworks! publish 0 0 post
Today is the Fourth of July here in the States, a date usually celebrated with fireworks, picnics, and so forth. It's good to be back home for the Fourth - but nothing can compare with the fireworks display I saw last night! After 14 days of Perfect Weather in every place we went - from Minnesota and North Dakota, to Glacier National Park to the moutains of Idaho, to Deception Pass to Seattle, to Crater Lake to the orchards of Oregon, to the Napa Valley and the Bay area, to the coastline of California at Monterey and Carmel and the California Missions, to San Diego and to the Grand Canyon, and finally to Sante Fe, NM - we had a really ideally beautiful trip in every direction! The last hour and a half, though, as we moved east along I-70, we were accompanied by an incredible storm, stretching our last hour and a half in the car to about four hours! Stopping now and then along the way when the driving got too rough, we crept towards home while watching the most incredible lightning display I've ever seen (and I live in Kansas, where we get the stuff fairly regularly!)

Though it was rather a chuckle to see the trip end that way, it intensified the pleasure at finally arriving home!

So, here I am! I'll spend the day cleaning up from the trip, doing laundry, getting organized, going through my photos, and catching up with family and friends. Then, I'll be ready to show you some photos and display my needlework purchases, some of which I'll be sharing in a July give-away!

Thanks for the welcome home messages on yesterday's post! I'm glad you enjoyed the articles posted while I was away! I sure am eager to get back to regular blogging, so I'll see you soon!]]> personal needlework and travel 6733 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-07-05 15:30:31 2009-07-05 15:30:31 1 0 6734 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-07-05 10:17:31 2009-07-05 10:17:31 1 0 You are a nice person - this we all knew - but you are a nice blogger to your readers too.
Thanks for all these posts you have written along your way and those you have written before your leaving. You are superb, Mary!
Thanks a lot!]]> 6737 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-07-04 17:29:48 2009-07-04 17:29:48 1 0 6738 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-07-04 15:46:57 2009-07-04 15:46:57 1 0 6739 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-07-04 11:29:28 2009-07-04 11:29:28 1 0 6740 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-07-04 11:10:24 2009-07-04 11:10:24 1 0
Looks like you have had a great break and have loads to share with us. Thanks for the lovely updates along the way and it is great to have you back]]> http://www.needlenthread.com/2009/07/needlework-shops-along-way-trip-update.html Fri, 03 Jul 2009 07:12:00 -0500 Mary Corbet 298 2009-07-03 07:12:00 2009-07-03 07:12:00 open open Needlework-Shops-along-the-Way...-Trip-Update publish 0 0 post all. Truth is, I only made it to four! You might well say "You're not home yet," but the last leg, across the tip of the Texas panhandle, through the flatlands of the Oklahoma plains, and on into the prairies of Kansas, is not going to include any extra stops! It is time to get home!

The four needlework shops I made it to were Nordic Needle in Fargo, North Dakota; Threadneedle Street, outside of Seattle, Washington; Needle in a Haystack, in Alameda, California; and Lacis, in Berkeley, California.

I want to be Very Careful about the way I approach my review of these shops. I plan to write up an in-depth review of each shop, tell you what they're like, show you some photos, and so forth. (I may even throw in some "trip photos" along the way...) Believe it or not, I don't plan to gush, gush, gush over each shop. Rather, I'll just be telling you about the physical aspects of the shop, the type of merchandise carried, and the service I received.

You might be surprised at my evaluations, actually. You already know I have "favorite" online shops, and each of these four have been on my "favorites" list. But there are certain criteria I like to keep in mind when actually shopping in a brick-and-mortar store, so I'll be carefully looking at those criteria.

In the meantime, these are some of the things I've bought: some great books, a few threads I have never used before, some tulle for embroidery on net, some needles (well, you can never have too many, and why pay shipping?), a few accessories, some cutwork design transfers, a new type of Solvy I hadn't seen before, and ... wow, I'm not sure what else. I Wanted to buy a couple kits, but in the long run, I didn't, for the sake of conserving funds. But at least I know what shops have what, so if I ever want to order, I can. The books, though - yes, I love the books I bought!

So, on this last day (hopefully!) of the drive home, as I set out from Santa Fe, New Mexico, I'll be compiling and organizing my notes!

I still have a few more articles to share with you from other readers, too, by the way. Unfortunately, before I left, I didn't have time to put them all together. But never fear - we'll get to them after I get home!

I'll be seeing you soon, from Kansas! After all, there's no place like home!
]]> personal needlework and travel 6742 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-07-03 21:17:52 2009-07-03 21:17:52 1 0 After traveling there is "no place like home", especially where all your needle work supplies are, and easy to get at, and easy to just sit down turn on the light and stitch!.....and the next best thing to stitching is access to the internet...can't wait to see the rest that you have planned for us....we have enjoyed the adventure, and safe trip the rest of your way!
Thanks, Kathy K]]> 6743 Anonymous noreply@blogger.com 2009-07-03 19:39:38 2009-07-03 19:39:38 1 0 I never would have guessed from reading your blog that you are filled with wanderlust.
Safe journey.
Best wishes from Up North.]]> 6746 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-07-03 14:26:14 2009-07-03 14:26:14 1 0 I actually won't go to a shop south of Denver because of their horrible customer service. Instead I order from a teeny tiny little shop that just doesn't have the space, but is incredibly friendly and helpful.
Hope your trip was fabulous. Looking forward to seeing what you got.]]> 6747 Anonymous noreply@blogger.com 2009-07-03 09:58:08 2009-07-03 09:58:08 1 0
I hear you on the getting home thing - I did a trip about that mileage but in 30 days, and it was still pushing the limits of how much time we could stand to be in the car. Blech!]]> 6748 Natalia from Connecticut noreply@blogger.com 2009-07-03 09:52:50 2009-07-03 09:52:50 1 0 I can't wait to see your photos. Please be generous. I'm also looking forward to your reviews. How quickly time passes. I can't believe you're almost home. Thank you for all the wonderful posts and beautiful inspirations. Drive safely.]]> 6749 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-07-03 09:48:31 2009-07-03 09:48:31 1 0
There really aren't that many needle craft shops here. Breaks my heart for sure. We have a few that I know of but nothing really that amazing.

Hope you have a wonderful trip and thanks for driving through!

Ren]]> http://www.needlenthread.com/2009/07/ribbon-embroidery-on-linen.html Thu, 02 Jul 2009 07:00:00 -0500 Mary Corbet 299 2009-07-02 07:00:00 2009-07-02 07:00:00 open open Ribbon-Embroidery-on-Linen publish 0 0 post

I'll let Ashley tell you all about her first experience with silk ribbon embroidery...



I have never embroidered before and picked up Country Bumpkin's A-Z of Ribbon Embroidery while in a needlepoint store and found it simply irresistible! Knowing nothing about embroidery and especially ribbon embroidery, I typed the supply list into a search engine, ordered the products, and waited on bated breath to begin my new project!

The design is called "Desprez a Fleur" by Lynda Maker. The roses are a gathered ribbon rose with two ribbons (a 7mm yellow ribbon and a 4mm pale yellow) stitched together to give it some depth. In the center of the roses are little French knots out of gold Madeira silk floss. The rosebuds were made by covering a pearl bead with ribbon stitches. The design called from glass beads; however, I decided that was a bit impractical for a napkin, but then so is silk ribbon embroidery! These are definitely going to be "looky lu" napkins only!



Of course, after purchasing all of the supplies, I went on to read about the horrors of silk ribbon embroidery...the fraying, tearing, etc. I was beginning to think I was getting in over my head. Luckily, I didn't have any problems and it all went very smoothly and quickly. After doing needlepoint for the last 6 years, I love the
freedom, creative expression, and delicate femininity involved in embroidery. Needlepoint canvas can be rather limiting, even with all of the stitches that are available today. As my Mom says, needlepoint is earthenware, while embroidery is delicate fine china.

I think my next undertaking will be goldwork on a Bible cover. I have been needlepointing a Bible cover and I am just about finished, so I thought maybe I would try an embroidered cover after seeing one of your posts on them. I begin an internship as a hospital chaplain in the fall, so I figure there's no such thing as too many Bible covers!

I know I am probably being a little over ambitious to move straight to goldwork! But I have a touch of youthful hubris-- if others can do it, why can't I too?!

Thanks, Ashley! Um... I think if you launched this easily into silk ribbon embroidery, you should have no problems at all trying your hand at goldwork! Best of luck!
]]> ribbon embroidery readers embroidery 6744 LINDA noreply@blogger.com 2009-07-03 19:31:08 2009-07-03 19:31:08 1 0 6754 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-07-02 15:36:46 2009-07-02 15:36:46 1 0
love the colour choices as well.]]> 6755 Hema noreply@blogger.com 2009-07-02 11:17:01 2009-07-02 11:17:01 1 0 6756 Lauren in Connecticut noreply@blogger.com 2009-07-02 10:48:02 2009-07-02 10:48:02 1 0
Goldwork and ribbonwork seem to either be acquired tastes OR they must be so intimidating-appearing that some embroiderers tend to shy away from them and designate them as "hard," "difficult to master" or the kiss-of-death "way too tricky!" The truth - or secret - is, as you've discovered with those gorgeous napkins, that you get a whole lot of "bang for your buck" with fairly basic techniques.

So keep charging ahead - and make sure you keep reading Mary's blog. Not only the daily posts, but the past ones all related to goldwork. They'll REALLY keep you motivated!

Best of luck,

Lauren in Connecticut]]> http://www.needlenthread.com/2009/07/indian-embroidery-kasuthi.html Wed, 01 Jul 2009 06:53:00 -0500 Mary Corbet 300 2009-07-01 06:53:00 2009-07-01 06:53:00 open open Indian-Embroidery:-Kasuthi publish 0 0 post hand embroidered sari? Well, today she's sharing with us her tutorial on the embroidery technique called Kasuthi.

Jayashree's embroidered sari is worked in this technique, which is characterized by a geometric look:



Instead of re-typing Jayashree's tutorial here, I've saved it as a PDF file. Feel free to download it and give it a good read-through. It's got some great tips for embroidering over net (or scrim), and she even tells you where you can find the right fabric here in the States!

Kasuthi Embroidery Tutorial (PDF)

Thanks, Jayashree, for sending this along!
]]> needlework tutorials regional embroidery techniques 6574 Angelina noreply@blogger.com 2009-07-19 10:37:47 2009-07-19 10:37:47 1 0 6751 sujatha ramakrishnan noreply@blogger.com 2009-07-03 04:16:28 2009-07-03 04:16:28 1 0 sujatha.]]> http://www.needlenthread.com/2009/06/historical-embroidery-hand-embroidered.html Tue, 30 Jun 2009 07:19:00 -0500 Mary Corbet 301 2009-06-30 07:19:00 2009-06-30 07:19:00 open open Historical-Embroidery---Hand-Embroidered-Coif publish 0 0 post Oooooh, Silk!, though relatively new to embroidery, undertook to embroider, in Holbein stitch, a coif. She is going to tell you all about the adventure...

I was inspired by history to learn blackwork (Holbein stitch, double running stitch). I play in the SCA (a medieval/renaissance reenactment group) and have slowly come to dabble in the beautiful fashions that were present in the mid to late 1500s (about that time that Holbein was painting his lovely portraits featuring blackworked cuffs, collars, and clothing). I thought they were gorgeous pieces, but I didn’t really see myself doing it until I looked through Janet Arnold’s newest Patterns of Fashion book. Her meticulously researched book of patterns, illustrations, research, and pictures of 16th century costuming made me realize that if I ever wanted to take myself seriously as an Elizabethan enthusiast, I had to learn embroidery. The full color photos of blackwork, pulled work, and insertion lace beckoned to me, and I had to have some of my own.



The pattern was created by Laura Mellin, part of a series of headwear patterns from museum or other 16th century sources, usually dating between 1590 and 1620 (when Elizabethan and early Jacobean embroidery was most popular). While several of her patterns have beautiful and (to my eye) highly complicated botanical and animal designs, I was struck by the “Genevieve” pattern, a fairly simple grid work of lines and fleur-de-lis surrounding isolated flower motifs. Thinking that it would be a good starter piece, I purchased the pattern at a local SCA function.

For the fabric, I used a rather unusual source at our local thrift store. My husband and I are still going through our Poor Newlywed phase, so I really didn’t have the budget for the really expensive linens for the project’s ground, and I didn’t want to use the discount linen typically available through the internet, since it tends to be very low quality. Still, I couldn’t bring myself to spend so much time working on a project and end up with something substandard and incorrect to the time period I was going for. It was a magical day when $5 men’s shirt appeared in front of me at the local DI, and I was so impressed with the quality of the fabric (not perfect, but certainly better than I’d seen commercially) that I immediately knew it would be perfect for the coif.



After ripping out the seams, it was a simple matter to stabilize the fabric with wax paper (applied with a hot iron, another tip from Laura Mellin) and transfer the pattern using a micron pen. I congratulated myself for finding a garment that exactly fit the pattern, with just enough room for hoop space and seam allowances!

I am using two strands of RG Splendor silk floss for the embroidery, conditioned with beeswax. I find that the Splendor shreds a bit more than the DMC cotton floss I was used to so the wax goes a long way to keep it smooth and workable. The size of the coif meant I could not easily mount the project on a scroll frame, and while I would have loved to get a good slate frame and even tried to build a simple wood frame, in the end, a simple (and cheap) plastic hoop became the best and most economical option. I was worried at first that it would damage the blackwork or cause odd stretching, but so far it seems to be fine. It also makes it highly portable – I carry it in a gallon size zip lock bag with the thread, wax, scissors, and spare needles, so I can work on it any spare moment I have.



In working on it, I’ve come to love seeing the design appear as I work. The curlicues and loops of the flowers have become some of my favorite parts to work. The one thing I haven’t liked, I have to admit, is the grid work. I’ve found straight lines in double running stitch to be one of the hardest portions of this project, especially in places where my transfer might not have been the greatest (a ruler would not have been amiss in the transfer phase, I realize after the fact). It’s much easier to do the flowing naturalistic designs, and flaws in the stitching are far less noticeable. Sometimes I have to ‘reward’ myself with flowers after one or two passes at the grids. Couching might have been a better option, but by the time I realized that I was already committed to doing them in double running stitch (i.e. I didn’t want to pull out what I’d already done and start over).

Even with the difficulties, I’m really enjoying this style of embroidery. I love the idea of making a project better than the sum of its parts (in this case, about $15 in materials and a whole lot of time), and ending up with wearable, historical art. If I keep up my current progress, I hope to be able to finish it by the end of the year.

If anyone is interested in Laura Mellin’s embroidery patterns, they are available through Reconstructing History (reconstructinghistory.com).


]]> historical needlework readers embroidery pictures needlework pictures 6757 Ashley noreply@blogger.com http://www.blogger.com/profile/04810113070259398400 2009-07-01 09:35:48 2009-07-01 09:35:48 1 0
Thanks for the feedback!]]> 6758 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-07-01 06:03:19 2009-07-01 06:03:19 1 0 6760 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-06-30 21:05:40 2009-06-30 21:05:40 1 0
Thanks for sharing!

Lin Taylor]]> 6762 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-06-30 16:21:06 2009-06-30 16:21:06 1 0 Thanks for sharing.]]> http://www.needlenthread.com/2009/06/stitching-into-successful-etsy-venture.html Mon, 29 Jun 2009 07:18:00 -0500 Mary Corbet 302 2009-06-29 07:18:00 2009-06-29 07:18:00 open open Stitching-Into-A-Successful-Etsy-Venture publish 0 0 post No Matter Where I Go, I Always Meet Myself There, focusing mostly on crazy quilting and other textile ventures.

Jo's had some really good success with her latest Etsy ventures. Selling the products of one's creative ventures is vastly popular today, as popular sites such as Etsy and Artfire attest. I thought it would be of particular interest to readers on Needle 'n Thread to hear about Jo's adventures, since it isn't unlikely that there are many of you who do, or plan to do, something similar with your arts and crafts.

I think you'll enjoy Jo's article, her sense of humor, and her creativity! Here she is:



No Matter Where I Go…I Always Meet Myself There. This is a saying I heard many years ago, and it stayed with me. I am not sure why, but at the time, I was at a low point in my life, and I thought “Well, that’s it, then. It’s all up to me isn’t it”. I was responsible for me, my own happiness, or conversely, my own unhappiness; there was no one else who could ‘fix’ it , except me.

Over the years I have moulded this it fit the needs of my life at the time. To me now, older and wiser, it means I have to be happy with the end result. I feel it revolves a lot around integrity and doing what I feel is right, and being happy to live with the outcome. Looking at my blog title almost daily reminds me of this.

How am I going to lead this nicely into an article about my craft…I don’t think I am, to be fair (lol), but I don’t think I have ever told the story of my blog title before, and when Mary honored me with a “guest spot” while she is enjoying her down time, I had to think what to write about.

I have been blogging for a number of years now. I never dreamed it would lead me to where I am now. Many friends and acquaintances all over the world, with wide and varied interests that I get to experience and enjoy. I have Round Robined, Swapped, Exchanged, ROAKed, Moderated and Donated. My recent ventures, though, have taken me into the world of ‘retail’….



For a good while, and after a few suggestions from various quarters, I had been considering a book. Just considering, no formal plan (or even informal plan for that matter). It is difficult to know what people would actually want to read. It turned out, however, that words would be surplus to requirements in my foray into publishing. One night – I am a night owl, never in bed before midnight – I received a discount coupon in my email box from an online photo service. It was for a small, spiral bound photobook. I thought it was a good idea.



As a part of my ‘offline ‘life, I spend many hours in conferences. Although usually work is highly embellished with beads and ribbons, sequins and silk ribbon embroidery, my “conference box” has pre-pieced fabric postcards, and a selection of threads. Back to basics, and no plan, except to stitch and experiment. It keeps my brain engaged, and therefore able to listen.



So, I got my coupon, loaded up my photos - deciding to focus on layered seam treatments for Crazy quilting - picked a template, ordered 6, thinking I can give them away if nothing else, and waited for them to arrive. During this time I blogged about my “book” and people expressed an interest. “Great, I might actually be able to sell a couple of these!” I thought. I needed a venue to do this. I have been a member of ETSY for a while as a buyer, so I set about creating my shop and I listed 4 copies. You cannot imagine the thrill to open up my email box the next morning and see that two copies had sold. The other two copies had sold by the end of the day. Within 3 weeks I had sold 30 copies!!



This little venture has been successful beyond my wildest hopes. The reason for its success? Well, it all comes back to blogging, links and connections with people, finding common denominators. Joining yahoo groups, ning groups, facebooks (I haven’t embraced twitter yet…) building a network of likeminded and interested and interesting people, that, 20 years ago would have been next to impossible without the internet. In fact, I believe, next to impossible without a blogging presence online. I could have put this book out, but without those people who take the time to read my words and admire and comment on my work, who would my client base be? I am incredibly lucky and blessed to be part of this online community, and lucky to have been supported so well by its members.



With the success of my wee book, I added some bags I had made to my shop. Both of those sold and I am now working on custom orders for 3 more. I have added a range of Victorian inspired pedestal pincushions, beautiful and functional handmade pieces. They are slower to sell, but then I create “just because”. It helps keep me sane in a life busy with 3 young children!! I am also adding some postcards as I finish them, and I would like to invite you all to enter my monthly giveaway for a hand embroidered fabric postcard. Finally, to link back to my blog title, I strive to create well made, long wearing items, that I know I can be proud of, because no matter where I go…I always meet myself there.



I feel a bit like an advertorial, but when Mary suggested advertising an online shop, I felt it was a great opportunity. I hope that I have offered you some other insight along the way, not being too blatant with asking you "stop by." However, of course, I would love for you to “stop by”! You can find me here at my Etsy Shop and on my blog, No Matter Where I Go, I Always Meet Myself There.

]]> readers embroidery 6759 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2009-06-30 22:52:56 2009-06-30 22:52:56 1 0 Hope you are enjoying your holiday.]]> 6763 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-06-30 09:21:38 2009-06-30 09:21:38 1 0 6765 MichelleMermaid michellemermaid19@yahoo.com 2009-06-29 22:23:21 2009-06-29 22:23:21 1 0 I enjoyed it!
Dakotah]]> 6767 Marty52 mamatrahan@msn.com http://www.blogger.com/profile/13237461237107850391 2009-06-29 13:07:58 2009-06-29 13:07:58 1 0 http://www.needlenthread.com/2009/06/trip-update.html Sun, 28 Jun 2009 02:07:00 -0500 Mary Corbet 303 2009-06-28 02:07:00 2009-06-28 02:07:00 open open Trip-Update! publish 0 0 post personal 6761 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-06-30 20:40:12 2009-06-30 20:40:12 1 0 Funny old world]]> 6769 Anonymous noreply@blogger.com 2009-06-28 23:17:47 2009-06-28 23:17:47 1 0
Katrina]]> http://www.needlenthread.com/2009/06/beginners-goldwork-kit.html Sat, 27 Jun 2009 07:17:00 -0500 Mary Corbet 304 2009-06-27 07:17:00 2009-06-27 07:17:00 open open A-Beginner's-Goldwork-Kit publish 0 0 post Oak Hill Designs. While browsing their site, which features everything at 40% off right now (perhaps closing down?), I came across a section on goldwork. While most of the stock in the online store seems to be sold out or dwindled to one left (still worth taking a look!), I was happy to see that the goldwork section had four interesting looking kits in it. I bought two, and here's one of 'em.

According the goldwork section on the Oak Hill Designs website, which I double-checked while writing this post (June 17th), there are still four goldwork kits available on the site. I was a little disappointed to see that the Goldwork Rose kit (below) is listed as $22.95 on sale - when I bought it, it was $10.00, which was exciting. I thought it might be a really good opportunity for those of you who want to try goldwork to be able to do so affordably. I'm not sure, actually, if the $22.95 price is worth this little kit, but for $10, I didn't think you could go wrong. If you are looking for a goldwork kit, though, the Fishes from Bangalore is also $22.95, and I think it's (overall) a better kit - more color, kind of fun!

Anyway, should this little goldwork rose kit be reduced in price again, and if you're interested in trying your hand at goldwork, here's a little information about the kit. Maybe you'll be able to track down other similar kits by the same designer or company that produces this one.



The kit comes in a swell little gift bag. I thought that was kind of neat - everything packaged in a little bag, with a color photo of the finished project on the front.



Kit contents:

Moire fabric, on which the design is worked. I would personally back this with muslin, as I've stitched on moire before for goldwork, and without the muslin backing, there isn't enough support. The design is not printed on the fabric.

Needles in three different sizes for the various parts of the design.

Instruction booklet with design page.

Threads: Rajmahal art silk in pinks and greens for the colored threads that are used for couching and also for the embroidered details; gold-colored Rajmahal art silk for couching the gold threads; Imitation Jap gold; a fine gold thread; and two short length of purls (about 3 inches each), one check and one smooth.



The little instruction booklet covers everything from transferring the design, to setting the project up on a frame, to the various stitches used and where they're used, to color placement - in short, everything you need to know to complete the project.



Ut-oh! While the little gift bag packaging on the outside is fine, the packaging on the inside leaves a little to be desired. The purls were crushed by the other content in the kit. Not good, but this certainly doesn't mean that it would be the case in each kit. For $10, I still think the kit is worth it. For $22.95, I'd have second (and third) thoughts before buying it.

Overall, though, I think the concept is great, don't you? A small beginner's goldwork kit, all neatly packaged.

The concept is great - a small beginner's goldwork kit with a simple design at an affordable price. (Again, the $22.95 might be a bit steep for the contents herein!)

In any case, I thought it would make a great gift for a young needleworker who would be willing to give it a try!
]]> supplies goldwork embroidery resources pictures 6772 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-06-28 12:12:25 2009-06-28 12:12:25 1 0 6775 Ruth O'Leary noreply@blogger.com http://www.rutholearytextileart.co.uk/ 2009-06-27 10:35:12 2009-06-27 10:35:12 1 0 http://www.needlenthread.com/2009/06/nitas-aquatic-sampler-part-ii.html Fri, 26 Jun 2009 06:52:00 -0500 Mary Corbet 305 2009-06-26 06:52:00 2009-06-26 06:52:00 open open Nita's-Aquatic-Sampler,-Part-II publish 0 0 post

I really think there are few scenes in nature that provide such color and variety for the artist or embroiderer as the coral reef does. Though I can rarely look at such scenes anymore without automatically wondering where the heck Nemo is, I can't help being drawn to them! Perhaps it's because I live in Kansas, and the only water we ever see is a half-empty muddy river, or an occasional flooded, murky field. I grew up, though, on both coasts (West and East, chronologically), with my high school years being spent in Florida. We were never very far from the ocean wherever we lived, and this is the only thing I ever really miss living in Kansas. *Sigh* Water sure is likeable stuff.

Anyway, on with the aquatic sampler!



This big fishy fellow is worked in a foiling technique using Misty Fuse. He has that scaly irridescent look, doesn't he? What a perfect combination of techniques to achieve the fish look.



Here you've got some of Nita's gazillion French knots highlighting the green coral. Note the variety of colors of green and blue-ish green...



Stepping back a little so that you can get the effect of the stitching, notice the ripples in the water and the different types of bumpy coral.



Turkey work was used to create this bunch, which looks as if it's swaying in the water. The shading on this is perfect!



Woven picots are featured here in the front of this shot, and on the right, you can see the single feather stitch.



Here, felt beads are used to make clumps of coral. The felt has been sliced open to reveal the colorful insides.



Bullion knots add dimension to this piece of appliquéd coral.



And absolutely my favorite part of the sampler - the rippled water, created by a combination of cast on stitch (the ripples in the water) and beading (the edge of the water). Beautiful effect!



And finally, the masterpiece!

Thank you so much, Nita, for sharing all these gorgeous pictures with us and telling us about the techniques you used! It's a stunning piece!
]]> readers embroidery pictures needlework pictures 6575 Angelina noreply@blogger.com 2009-07-19 10:20:59 2009-07-19 10:20:59 1 0 6764 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2009-06-30 01:37:24 2009-06-30 01:37:24 1 0 Bravo Nita, and thanks Nita & Mary for sharing it with us.
Thanks,
Shrenika.]]> 6766 Lisa noreply@blogger.com 2009-06-29 19:29:58 2009-06-29 19:29:58 1 0 6768 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2009-06-28 23:33:32 2009-06-28 23:33:32 1 0 6773 Leela noreply@blogger.com 2009-06-27 19:46:19 2009-06-27 19:46:19 1 0 6776 Anonymous noreply@blogger.com 2009-06-27 09:01:48 2009-06-27 09:01:48 1 0 Cissie]]> 6777 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-27 08:51:28 2009-06-27 08:51:28 1 0 MC]]> 6778 Sally hodgson noreply@blogger.com 2009-06-27 07:08:13 2009-06-27 07:08:13 1 0 6779 leebee7 noreply@blogger.com http://leebee7.livejournal.com/ 2009-06-27 05:15:52 2009-06-27 05:15:52 1 0 6780 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-06-26 21:56:54 2009-06-26 21:56:54 1 0 6781 Anonymous noreply@blogger.com 2009-06-26 19:55:36 2009-06-26 19:55:36 1 0 6782 margaret c. noreply@blogger.com 2009-06-26 18:31:04 2009-06-26 18:31:04 1 0
Well done. Excellent work! Thank you for sharing.]]> 6783 Anonymous noreply@blogger.com 2009-06-26 15:23:52 2009-06-26 15:23:52 1 0 6784 Anonymous noreply@blogger.com 2009-06-26 14:43:00 2009-06-26 14:43:00 1 0
Katrina]]> 6785 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-06-26 14:26:18 2009-06-26 14:26:18 1 0 6787 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-06-26 07:52:11 2009-06-26 07:52:11 1 0 http://www.needlenthread.com/2009/06/readers-embroidered-and-appliqued.html Thu, 25 Jun 2009 06:32:00 -0500 Mary Corbet 306 2009-06-25 06:32:00 2009-06-25 06:32:00 open open Reader's-Embroidered-and-Appliqued-Aquatic-Sampler,-Part-I publish 0 0 post

I'm going to let Nita tell the story behind this textile sampler. I've divided the project into two posts in order to include all the pictures...



I used this project to practice embroidery stitches I wanted to learn as well as other techniques, eg. trapunto, foiling with Misty Fuse and Bonash, Angelia fibers and applique.

I started with a scrap of a fabric panel from Michael Miller, called "Scuba Time" which had various fish fussy cut out of it. My Mom got this piece from a scrap bin somewhere. I also used a fat quarter of the water bubble material that I got from the Sarasota Quilt show and a little over a yard of a beautiful batik fabric for the back and for water stripes that I got from my favorite fabric store in my area, Fiberologie, in St. Petersburg, FL.



I cut the fabric panel and reattached to eliminate the big holes, I also used some fish and coral sections to applique on to panel.



I started by using "Designs for the Needle" 6 strand cotton floss and then bought some "DMC" 6 strand floss and perle cotton. I used a yellow eyelash fiber and a red fiber I picked up somewhere along the way.



I used felt beads that I bought at Fiberologie and cut some in half to show the beautiful colors inside at the suggestion of Karrie Klement, owner of Fiberologie.



I experimented with a number of stitches, a gazillion french knots on the coral, bullion knots, feather stitch (wasn't 3-D enough) then I played with cast on stitches, drizzle stitch, turkey work, woven picot.

I used your video library of stitches for at least the turkey work if not other stitches. I used the stitch dictionary at In a Minute Ago for the drizzle stitches and cast on. I know there are other on-line resources I used but can't remember which!



I used the Pat Trott book I show in the photo for woven picot, among others. I used a lot of books from the library including Reader's Digest "Very Easy Crazy Patch Work" and Reader's Digest "Complete Book of Embroidery" among many other that have since been returned.



As a beginner embroider I found the laminated pocket guide that I picked up at the Tampa Sewing and Quilt Expo invaluable when I am mobile with my embroidery.

I also took a class with Marlene Glickman, a very talented fiber artist and great teacher at Fiberologie, in which she taught a collage class using various fusing methods such as the Misty Fuse and Bonash with foil. It was by far the most interesting and fun class I have taken. (I also took her silk dye class the same day, great class also)

Aren't you dying to see the completed project?! Well - check back in tomorrow!

Thanks so much, Nita, for the gorgeous photos, the interesting write-up, and the refreshing splash of inspiration!

]]> readers embroidery pictures needlework pictures 6685 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-07-09 06:55:04 2009-07-09 06:55:04 1 0 Thanks so much dear Mary! it's very beautiful!!

Hugs
Maria del Valle]]> 6786 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-06-26 09:14:00 2009-06-26 09:14:00 1 0 6790 Anonymous noreply@blogger.com 2009-06-25 11:06:08 2009-06-25 11:06:08 1 0 6791 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-06-25 09:20:46 2009-06-25 09:20:46 1 0
MGM]]> http://www.needlenthread.com/2009/06/taveling-travails-not-chance-to-stitch.html Wed, 24 Jun 2009 01:01:00 -0500 Mary Corbet 307 2009-06-24 01:01:00 2009-06-24 01:01:00 open open Taveling-Travails---Not-a-Chance-to-Stitch! publish 0 0 post
Just a quick update to let you know that I did indeed go to Nordic Needle in Fargo, North Dakota, and it was everything I had hoped it would be and more! I took pictures, so I'll be posting them as soon as we stop early enough at a hotel to do some real internet work. It's 11:02 pm Pacific time (1:02 am on "my time"!), and after days of driving long hours, I'm completely pooped! But the trip so far is fun and incredibly beautiful! Unfortunately, doing the driving has left me no time to do any stitching in the car. Not only did I bring along two feasible car projects, but I also picked up a couple new ones at Nordic Needle. Later in the journey, I hope to have a chance to at least do something with needle 'n thread!

Tomorrow, if all goes well, I'll be stopping at another needlework shop. If I don't make it there tomorrow, though, the next day is a definite. I'll keep you posted!

Thanks for all the recent comments you've left on the site, and for the good wishes for my trip!]]> personal 6796 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-06-24 12:32:17 2009-06-24 12:32:17 1 0 Hope you can make it to another needlework shop and can't wait to see all the pictures.]]> 6797 Lin noreply@blogger.com http://www.blogger.com/profile/06819194301967180593 2009-06-24 11:22:36 2009-06-24 11:22:36 1 0 Mary, I never comment, but wanted to tell you how much I enjoy your blog. One of the highlights of my morning routine is reading your blog!]]> 6798 Lin noreply@blogger.com http://www.blogger.com/profile/06819194301967180593 2009-06-24 11:21:36 2009-06-24 11:21:36 1 0 ==
Mary, I never tell you, but I enjoy your blog immensely! Thank you,

Lin in Phoenix, AZ]]> 6799 Lin noreply@blogger.com http://www.blogger.com/profile/06819194301967180593 2009-06-24 11:21:08 2009-06-24 11:21:08 1 0 ==
Mary, I never tell you, but I enjoy your blog immensely! Thank you,

Lin in Phoenix, AZ]]> 6801 Anonymous noreply@blogger.com 2009-06-24 08:14:12 2009-06-24 08:14:12 1 0 Sounds like you are having a lovely adventure. Can't wait to see what you bring back from travels afar.]]> http://www.needlenthread.com/2009/06/and-moral-of-story-is-embroidered-in.html Tue, 23 Jun 2009 06:32:00 -0500 Mary Corbet 308 2009-06-23 06:32:00 2009-06-23 06:32:00 open open And-the-Moral-of-the-Story-is...-Embroidered-in-Cutwork publish 0 0 post
But I want to tell you a story about another thematic line of embroidery, available online, and for free!

Once upon a time, a little girl sat on the stool outside her cottage, bent over her handwork. Along a came a fox (yes, that's the bad guy - for some reason, the fox is always the bad guy!) who tempted her away from her work, telling her about the grapes he couldn't reach over in the vineyard, and that he insisted were sour anyway.

As the little girl walked toward the vineyard, a mouse skittered by her feet, holding a spinter between its tiny mouse teeth! "Yikes! A mouse!" cried the little girl.

But the mouse was nothing compared to the lion that was lumbering away in the other direction, limping slightly from some sligh foot infection undoubtedly caused by the splinter that just skittered by. The light girl was mighty glad the lion didn't see her.

She continued toward the vineyard, neglecting her embroidery left on the stoop outside the cottage door. Naughty girl!

Arriving at the vineyard with the beguiling fox beside her, the little girl reached up for a bunch of grapes. The cunning fox licked his lips, knowing that finally, those grapes would be within his reach! Yum! Grapes! The girl plucked one from the bunch, popped it in her mouth, simultaneously holding out some for the fox, who gobbled a few in a gulp. And simultaneously, they both started sputtering.

"Unbelievable!" cried the fox, perturbed. "They really ARE sour!"

With her worst sour face, the dismayed little girl returned to her stoop in front of the cottage door, with every intention of picking up her handwork and plying her needle diligently.

At that moment, though, the rooster (there's always a rooster!) perched himself on the edge of the thatched cottage roof, right above the stoop upon which rested the little girl's beautiful handwork. With all his rooster might, the bird began to crow. As the little girl approached the stoop, the rooster stopped his infernal crowing, paused, and then did what roosters and chickens so readily do at any given opportunity. Splat! Right on the embroidery. He then strutted away.

The moral of the story is... Well, there are numerous morals, some of which I'm sure are too deep to attempt drawing out here!

Fables are brief stories involving the personification of animals and ending with a clear moral. Aesop's fables are the most famous fables in Western literary tradition, and they've been re-told and re-written and illustrated in numerous books down the centuries.

Now, how does this all tie in with needlework? Well, how about embroidered fables, in cutwork? Sure enough, at Antique Pattern Library, there's a terrific illustrated book of fables, and the illustrations are ---- wait for it! ---- cutwork patterns! Really and truly!



Above, for example, is the design for the The Rooster (told you so!), the Cat, and the Young Mouse, which ends with the terse moral, "Remember while you live, It is by looks that men deceive."

In its 73-page PDF, the book, an edition of Broderies & Ouvrages de Dames titled "Les Fables de La Fontaine," includes the illustration of the fable by way of an embroidery pattern, followed by a translation in English of the fable illustrated. It's entertaining to read and the pictures are perfect for illustrative embroidery. Don't think they're limited to cutwork, either! You can easily turn the designs into regular surface embroidery projects!

So stop by Antique Pattern Library and brush up on your fables while perusing the patterns presented in this fun little book!

And if the books sparks any creative ideas, drop back by and let the rest of us know!
]]> free embroidery patterns online needlework books 6788 Elspeth noreply@blogger.com http://www.blogger.com/profile/06874596703853522231 2009-06-25 23:26:19 2009-06-25 23:26:19 1 0 6792 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-06-24 19:56:26 2009-06-24 19:56:26 1 0 6793 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-06-24 17:12:06 2009-06-24 17:12:06 1 0 6802 Tracy G. noreply@blogger.com 2009-06-23 22:23:21 2009-06-23 22:23:21 1 0
I just started quilting and have always wanted to learn embroidery as well. You have inspired me to go shopping this weekend for some supplies! Your work is beautiful, and, after watching 5 of your videos, I feel like I can actually do it! Thank you so much for posting these - I will be a frequent visitor!
Tracy]]> 6806 Anonymous noreply@blogger.com 2009-06-23 10:51:23 2009-06-23 10:51:23 1 0 6808 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-06-23 09:21:06 2009-06-23 09:21:06 1 0 6809 wolfkit noreply@blogger.com http://www.blogger.com/profile/09439008831286419120 2009-06-23 08:26:59 2009-06-23 08:26:59 1 0 http://www.needlenthread.com/2009/06/readers-embroidery-lovely-quilt.html Mon, 22 Jun 2009 05:57:00 -0500 Mary Corbet 309 2009-06-22 05:57:00 2009-06-22 05:57:00 open open Reader's-Embroidery:-A-Lovely-Quilt publish 0 0 post

The "fancy" flowered hearts are embroidered on every other square on the front of the quilt, and in between each of those squares is a simpler square, with four hearts embroidered that meet in the middle of the square.



Mabel used one thread of DMC throughout, and stitched each heart differently.



I think the colors are really beautiful! I love the addition of that little word in each square - a perfect little touch for a little girl's blanket.



Every other square is embroidered with this motif of four hearts, meeting in the middle. The running stitch outline is perfect here - a nice, simple approach to contrast with the surrounding fancier squares.



This is the whole quilt - you can see the layout of the various embroidered squares.



The center square is the L-O-V-E in a Box embroidery pattern available here on Needle 'n Thread. Originally, Mabel worked the letters in running stitch, but she wasn't satisfied with the way they looked, so she laced a darker pink thread into the stitching. I like the somewhat "wavy" effect on the letters that this technique of lacing creates.



On the back of the quilt are embroidered certain inspirational verses. This one reads, "Dance like nobody's watching, Love like you've never been hurt, Sing like nobody's hearing, Live like it's heaven on earth." Mabel asked is I thought she should re-embroider those in darker thread. What do you all think? I tend to think that, if the thread color she has used corresponds well to the threads in the front of the quilt, to go ahead and leave the verses as they are. From up close, they can certainly be read, and that's what matters, anyway, because that's how her granddaughter will see it. But... what do you all think?



On the back of the quilt, what better signature than "Super Grandma"??



And, of course, there's the lucky recipient of this hand embroidered treasure, Sienna-Lee, who will be one in August and is reported to be a very fast crawler! She's cute as a button, that's for sure!

Mabel also mentioned that she has just started quilting, so this is a beginner project for her. The bumps on the quilt, she said, bear witness to this. I'm not a professional quilter, myself, but I have made quilts and went through a phase of reading a lot about quilting techniques. So, for all you quilters out there, here's my question: I'm wondering if, in the long-run, Mabel might be a bit happier with the finished product if she were to quilt the quilt a bit more with a neutral-colored (white) quilting thread, in order to help eliminate some of what she calls the "bumpy" spots. I foresee the filling shifting with use.... It would not take away from the embroidery at all, to quilt a little bit around the hearts, for example, or maybe just another quilted line half an inch in from the ribbons around each square? Even if she quilted, say, another small heart within the hearts, using white thread, that would help secure the batting and anchor everything in place.

I know that sounds like a lot more work to add to the project, but after all this gorgeous embroidery has been done on the quilt, I would hate to see it lump up after a bit of use!

Perhaps some other quilters out there might offer some advice on this point for Mabel?

The embroidery on this project is really gorgeous, and of course, the whole quilt is made with such obvious love! What a perfect gift for a gorgeous granddaughter, and I'm sure she will treasure it all her life (and hand it down to her own kids, hopefully!). Congratulations, Mabel!

]]> readers embroidery needlework pictures 6803 Anonymous noreply@blogger.com 2009-06-23 17:53:09 2009-06-23 17:53:09 1 0 6810 Marielle mariellesw@gmail.com http://www.blogger.com/profile/18158011891565911447 2009-06-22 22:29:14 2009-06-22 22:29:14 1 0
Beautiful and I adore the LOVE embroidery.]]> 6812 Nita noreply@blogger.com 2009-06-22 20:47:43 2009-06-22 20:47:43 1 0 6815 JoanB noreply@blogger.com http://www.blogger.com/profile/10229748897022277267 2009-06-22 09:39:56 2009-06-22 09:39:56 1 0
What a wonderful gift.

I agree with Mary about securing the batting.

I still have my baby quilt, and it has been around for a long time; sewn with love and strong stitches.]]> http://www.needlenthread.com/2009/06/nordic-needle.html Sun, 21 Jun 2009 21:24:00 -0500 Mary Corbet 310 2009-06-21 21:24:00 2009-06-21 21:24:00 open open Nordic-Needle! publish 0 0 post
After spending last Thursday evening, Friday, Saturday, and this morning in Winona, MN, I've headed northwest to North Dakota, where I plan to stop in at Nordic Needle in the next day or so. Then, I'm heading due west, and will keep you posted on anything interesting along the way, when I have the ability. Hotel internet connections are not always so certain!

So far, the trip has been a lot of fun! I'm afraid that this morning, I missed the exit to see the World's Largest Turkey. I'm trying to live with the disappointment!

I'll be in touch! I hope you're enjoying the daily posts! (OH NO - I just noticed they haven't posted. I fixed the problem, and now there should be a couple new posts on the website! Sorry about that!)]]> personal 6811 Nita noreply@blogger.com 2009-06-22 20:49:02 2009-06-22 20:49:02 1 0 6813 Anonymous noreply@blogger.com 2009-06-22 15:01:31 2009-06-22 15:01:31 1 0
Katrina]]> 6816 Anonymous noreply@blogger.com 2009-06-22 05:20:12 2009-06-22 05:20:12 1 0 Welcome to my neck of the woods, aka Up North. It's a bit murky this year with the rain. Hope you are enjoying your trip.

A Minnesota blog fan.]]> http://www.needlenthread.com/2009/06/have-you-tried-mulberry-silks-for.html Sat, 20 Jun 2009 06:40:00 -0500 Mary Corbet 311 2009-06-20 06:40:00 2009-06-20 06:40:00 open open Have-you-Tried-Mulberry-Silks-for-Embroidery? publish 0 0 post

The website is called Mulberry Silks, and it's located in the UK. It looks as if they carry a variety of types of threads, but for some reason, I seem to be drawn to the hand embroidery threads. Huh. I wonder why?!



The different palettes of color are really pretty! The silk is wound on spools, and the range of colors in all those lined-up spools just sets my thread-loving heart a-flutter!



Above is one of the brighter palettes...



... and this one, the Garden Palette, is by far my favorite (though it seems to be lacking yellow, doesn't it?)

I suppose I'm not actually recommending the threads, because I haven't tried them, so I don't really know what they're like. But they're somewhat intriguing, aren't they? I've added them to my Ever-Growing-List-of-Threads-I-Want-To-Try, though, so when I do, I'll let you know what I think of them.

In the meantime, since I haven't tried them, I thought I'd ask if any of you have? If you have tried Mulberry Silk hand embroidery threads, can you give the rest of us the low-down? Are they worth the investment, given shipping and exchange rate? I'd love to hear any opinions on them, especially before making that kind of investment in a thread purchase!

Thanks!


]]> embroidery resources threads silk 6805 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-06-23 15:20:40 2009-06-23 15:20:40 1 0
Pat was very helpful. I'll be up her way in October, and she says she can sometimes see customers by appointment, though she normally only does mail order.

Shinies!]]> 6814 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-06-22 10:37:19 2009-06-22 10:37:19 1 0
I have a few Mulberry Silks and I love them. The first pack I purchesed was a themed pack called 'Poppy' and I was attracted to the stunning colours. I used those on canvas to do a charted poppy. They worked really well. I aquired a few more (part used) at a bring and buy stall, again beautiful colours.

Most recently I made a special order for a pack of nutral colours in various weights and textures. I loved them all. I used some of them on Sharon B's Sumptuous Surfaces course with Joggles.

Some of my threads are quite heavy and knobbly so they are better for an open weave fabric (I've used them on linen) or canvas but there are also some finer threads. I think all are quite tightly twisted.

Lovely the colours, love the quality, love the sheen.

CA]]> 6818 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-06-22 02:45:12 2009-06-22 02:45:12 1 0 6820 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-06-22 00:01:47 2009-06-22 00:01:47 1 0 I too like the Garden Palette better than the brighter one... and yes it is lacking some good yellow tones and maybe some true reds.

I hope you are having lots of fun on your trip !!!]]> http://www.needlenthread.com/2009/06/great-needlework-pattern-source.html Fri, 19 Jun 2009 06:45:00 -0500 Mary Corbet 312 2009-06-19 06:45:00 2009-06-19 06:45:00 open open Great-Needlework-Pattern-Source! publish 0 0 post Antique Pattern Library. There, you'll find such an extensive list of books in the Library that it's impossible to get through them all! But there are some real gems in there (like the one mentioned below), so it's definitely worth exploring...

This particular publication is called La Brodeuse, a periodical published in France in the early 1900's, featuring plenty of embroidery patterns. Somewhere, I have at least one original La Brodeuse pamphlet, sent to me by an antique-crazy fiend... I mean friend... who lives just outside Paris. (Thanks, Suzette!) I don't know if it's the same one, but one of these days, I suppose I'll go bookshelf-diving to find out.

These publications are very similar to La Broderie Blanche, which is the publication from which the first monogram alphabet posted here on Needle 'n Thread came.

In the meantime, though, it's there in electronic form on Antique Pattern Library for all to enjoy!



You can download the PDF copy of La Brodeuse and save it to your computer for a ready resource. It isn't too long (only six pages), so printing it out is an easy proposition, too. To enlarge the designs, a photocopier comes in handy.

For tips and tricks on transferring designs, please visit my Tips and Tricks for Hand Embroidery list, where you'll find a section on transferring patterns.

Enjoy!
]]> free embroidery patterns embroidery resources online needlework books 6817 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-06-22 02:53:49 2009-06-22 02:53:49 1 0 http://www.needlenthread.com/2009/06/tutorial-mitred-corners-on-linen-square.html Thu, 18 Jun 2009 07:00:00 -0500 Mary Corbet 313 2009-06-18 07:00:00 2009-06-18 07:00:00 open open Tutorial:-Mitred-Corners-on-a-Linen-Square publish 0 0 post the embroidery on the main part of the pall, I made a small, square, detachable back for it, so that the back can be removed and washed without having to take the whole pall apart for cleaning. The detachable back of the pall is made from linen, and it is hemmed all around with a small hem with mitred corners. Then the center is embroidered with a tiny red cross.

For the embroiderer, it's handy to know how to mitre corners on a hem. Imagine making a long table runner with a drawn thread line running just inside the hem. Wouldn't it be nice to know how to finish the corners on that hem so that they looked professional? What about a fine hanky, where people will see the back of the work? Sloppy corners just wouldn't do, would they?

So, today I'm going to show you how I created a quarter-inch hem on a small piece of linen and mitred the corners. You can take the concept to any proportion hem around a piece with 90-degree corners.



I began with a square of linen one inch larger all around than the finished piece would be. This allows for half an inch extra on each side of the fabric, out of which the hem (two quarter inch turns) will be made.



Using a stiletto that doesn't have a super sharp tip (it's not like the tip of a needle, more like the tip of an ice pick) and a ruler, I marked off my folding lines by "scoring" the fabric. You can use any tool here to make marking lines on the fabric, though you probably wouldn't want to use scissors or anything that would cut the fabric.

I scored the fabric in two quarter-inch increments on all four sides of the square. Scoring is simply running that tool firmly over the fabric, along the edge of the ruler. It marks the path of the of your folding lines with a slight dent in the fabric, making folding along the measured line much easier.



After scoring two lines in quarter inch increments (from the edge of the fabric) all around on all four sides, I finger pressed the hem in.

First, I folded the fabric from the edge inward on all four sides at the first quarter inch line. Then, I folded these folds (on all four sides) one more time on the second quarter inch line.

I firmly pressed each fold as I made it, using my fingers (not an iron).



Unfolding the folds, this is what the fabric looks like. You can see two distinct quarter-inch lines where the fabric was folded and finger pressed.



Notice the intersections of the lines.



See how the green dotted line passes through the diagonal on the second square in from the corner?



Using the diagonal on that square, form a cutting line by laying your ruler across the square diagonally.



Cut the corner off. A rotary cutter is helpful here, but really, you can just eyeball the cutting line along the diagonal and use scissors just as effectively!



After cutting the four corners off, finger press the diagonal cut an eighth of an inch in. The fold will actually be as deep as the lower tip of the remains of the second square in from the corner (the top of which you just cut off). Finger press this small fold right across the corner...



...and then, using your previous fold lines as a guide, fold your first quarter-inch fold all along the outside hem and finger press it is firmly again...



... and then make your second quarter inch fold all around the hem, finger pressing the turned edge in, and aligning the corners so that they fit up as in the photo above.



Then, pin everything. Since my square is relatively small here (the finished size is 6.25 inches), I didn't use many pins. Pin through the mitred corners to hold them in place, and then pin down the edge of the hem.



You can then do whatever kind of stitching along the hem that you want to do. I just used a regular small whip stitched hem. When you get to the corners, you want to stitch them neatly, either using a blind stitch or even a regular whip stitch.



I stitched inside the fabric in a blind stitch fashion, and then I pulled the thread tightly, to form a slight ridge where the corners meet up. This is actually a mistake - the corner should be smooth and flat - but once I did it on one, I went ahead and did it on all four, so that they match. (That way it doesn't look so much like a mistake!) There shouldn't really be that rounded bulge at the edge of the corner. One of the reasons for this (besides butting up the corners too tightly there) is that the small quarter inch hem is rather thick, in a small space, so it's kind of tight in there when you're stitching. Still, I could have avoided that with looser stitching on the corner, so keep that in mind as you stitch up your mitred corners.

And that is how you mitre corners by hand on the edge of a squared hem!

Hope you find the technique handy!
]]> needlework tutorials finish work pictures needlework pictures 6800 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-06-24 09:57:02 2009-06-24 09:57:02 1 0
I'm being extra picky, and actually withdrawing a thread at my fold points as a guide line for the folding so that they'll be even. My piece is a "blackwork" (in red) and the corner motifs come quite close to the hem, so it needs to be very exacting :)]]> 6819 K noreply@blogger.com 2009-06-22 02:24:28 2009-06-22 02:24:28 1 0 Here's a photo (sorry for the bad quality, I finished it rather late last night!)]]> 6824 Anonymous noreply@blogger.com 2009-06-19 11:42:33 2009-06-19 11:42:33 1 0 Michèle]]> 6825 kat noreply@blogger.com 2009-06-19 09:33:39 2009-06-19 09:33:39 1 0 Kat]]> 6826 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-18 23:02:32 2009-06-18 23:02:32 1 0
Ok, Meri - you're right - on a larger piece, I would DEFINITELY use an iron. On a small piece, though, I find it much easier to finger press the seams in. You can also finger press, get everything situated, then iron for a nice sharp seem!

Thanks heaps for the comments!

Signing off again!

MC]]> 6827 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-06-18 17:26:19 2009-06-18 17:26:19 1 0 This is exactly what I am looking for right now. Thank you for making it looks so easy.]]> 6830 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-06-18 14:21:44 2009-06-18 14:21:44 1 0 6832 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-06-18 12:42:23 2009-06-18 12:42:23 1 0 But I'll like to know why you press with fingers and not an iron?
In a small piece this is easy but in a larger piece...]]> http://www.needlenthread.com/2009/06/needlework-give-away-winners-announced.html Wed, 17 Jun 2009 07:45:00 -0500 Mary Corbet 314 2009-06-17 07:45:00 2009-06-17 07:45:00 open open Needlework-Give-Away-Winners-Announced! publish 0 0 post

Each package will contain a selection of embroidery threads, some accessories, and a few little embellishments. I'm pretty sure the winners will like them!

Each winner needs to contact me with a mailing address, so that I can put the goods in the mail. However, since I'm going out of town tomorrow for vacation, the packages probably will not be mailed until I return. (Sorry!)

Without further ado, the winners of the Needle 'n Thread Third Anniversary Give-Away are:

Pierette (Love to Stitch 99)

Agne (who I believe is in Lithuania!)

Haley Shurtleff (which works out well, because she's a college student, and we all know what college students' budgets look like...!)

Congratulations, you winners, you! Please don't forget to contact me with your mailing address!

Now, for the nitty-gritty! Tomorrow, I'm off! But don't forget to check the website each day for several interesting articles that are coming up - among them, an aquatic sampler that will have you just bedazzled by the colors and stitching, a hand-embroidered coif (for you historical embroidery buffs), some first-hand discussion on stitching your way into a successful Etsy shop experience, a tutorial on a form of Indian embroidery, a beautiful quilt made by a grandmother and featuring one of the patterns here on Needle 'n Thread, a tutorial (from me) on mitering corners for finish work, several really nice free online book links, a new silk resource, finished photos of the pall, a review of a goldwork kit perfect for beginners (yes, well... I couldn't resist buying it, so I thought I better show it to you), and ... well, I'm HOPING to give you some updates of my journey and any stitchery shops along the way, but that depends a lot on hotel internet connections!

So, see, I won't be abandoning you! I'll do my best to keep comments moderated, but chances are, I won't be able to answer too much e-mail!

Wishing you the best in the next couple weeks! Keep stitching!

]]> website news personal stash contest 6833 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-18 06:33:13 2009-06-18 06:33:13 1 0
Thanks for your kind wishes!

I'm dreadfully sorry I couldn't make it to the PO yesterday, but ladies, I have your addresses saved and will see to it upon returning!

"See you" in a few weeks!

MC]]> 6834 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2009-06-18 02:43:44 2009-06-18 02:43:44 1 0 Wish you a joyful & fun trip Mary. We will be lurking around here, Stay safe and have fun !! Take care!
-Shrenika.]]> 6835 Martamadrid mmayuso@gmail.com http://www.blogger.com/profile/01586107230893202688 2009-06-18 02:30:51 2009-06-18 02:30:51 1 0 6841 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-06-17 15:03:15 2009-06-17 15:03:15 1 0 Congratulations to the winners! We all know you will really enjoy your gifts....
Keep Stitching....
Kathy K]]> 6842 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-06-17 14:26:28 2009-06-17 14:26:28 1 0 Hope you're trip is fun and safe.
Tammy]]> 6844 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-17 12:08:08 2009-06-17 12:08:08 1 0 Have a wonderful vacation:) We will wait you coming back with new great ideas which are just flowing from you when you are writting about your plans...]]> 6845 stitchenmylifeaway shaytoner@yahoo.com http://www.blogger.com/profile/05838186791953419293 2009-06-17 11:38:11 2009-06-17 11:38:11 1 0 Shay]]> 6846 Love to Stitch 99 noreply@blogger.com http://www.blogger.com/profile/08717611751588945815 2009-06-17 11:25:06 2009-06-17 11:25:06 1 0
Have a wonderful vacation and thanks a lot for the gifts :-)

Pierrette =^..^=]]> 6847 Anonymous noreply@blogger.com 2009-06-17 10:56:35 2009-06-17 10:56:35 1 0 Mary, Have a blessed vacation and thanks again for all you do!
Martha]]> 6849 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-06-17 10:46:51 2009-06-17 10:46:51 1 0 6850 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-06-17 09:45:39 2009-06-17 09:45:39 1 0
Thanks Mary for all the interesting stuff that you have waiting for us.]]> 6852 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-06-17 09:08:30 2009-06-17 09:08:30 1 0 http://www.needlenthread.com/2009/06/adding-texture-with-seed-stitch.html Tue, 16 Jun 2009 08:15:00 -0500 Mary Corbet 315 2009-06-16 08:15:00 2009-06-16 08:15:00 open open Adding-Texture-with-Seed-Stitch publish 0 0 post stitching all the lines on my current embroidery project, the next step was to add some seed stitching. I figured filling in certain areas in seed stitch would accomplish two things: it would add some texture and it would make the prominent parts of the design stand out. And so, I proceeded to stitch hundreds - perhaps thousands! - of tiny seed stitches.

There's nothing at all complicated about seed stitching! Some books show seed stitch as two tiny stitches stitched as a pair perfectly parallel to each other, randomly covering an area. I only use one stitch, personally, stitching tiny single stitches randomly to fill an area.



Above, you can see the beginnings of the seed stitching. I started in the diamond area on the right, which was probably a mistake. Actually, I'm sure it was a mistake! You can see one spot in the center of the diamond that's a bit crowded. See, the diamond is relatively small, so there's not a lot of room there to really get up a rhythm with the stitching and gauge distance and so forth. Once you get the feel for the spacing and all that, seed stitching is a breeze. But starting and stopping in a tiny area doesn't really do it.



Now, you might wonder why I didn't take out the seed stitching in the diamond area described above, and there you have one disadvantage of closely-worked seed stitch: it makes a jolly mess of the fabric if you decide to pick it out. Oh, and the picking! It just isn't worth it! I figured once the whole piece was stitched, that little crowded area in the diamond would not really be noticeable to anyone but me.

In the photo directly above, I've progressed a bit further with the seed stitching, and managed to take a picture in "natural" light as the sun slanted in.

Notice that I didn't seed stitch the main element of the design itself (that's the "M" in the center of the scalloped circle). I thought that seed stitching on the background, around the M, would actually take the background further back, and make the M stand out more, as in relief. That was my plan, anyway, and I think overall, it worked out.



You can really see the bumpy texture of the stitching here. For the outlines on the project, you may remember that I used #20 coton a broder. For the seed stitching, I used #25 coton a broder, for two reasons: 1. I ran out of #20 (which really narrows it down to one reason, I guess - it's not as if I had a choice!) and 2. I figured the finer thread would look better. I had planned on using #25 for the seed stitching, anyway. What's funny is that I ran out of #20 coton a broder for the outline exackitackily as I finished my last few stitches of the outline. I had about 4" of thread to spare when finished. I've never come that close to running out of thread before!



Here's the whole central medallion finished, and one crown (lower left).



My favorite part of the design are these scrolls and fleur de lys tips surrounded by the seed stitching. I think it looks ok, don't you? I mean, I don't want to say, "Golly, am I good, or what?" because that's not what I'm thinking! I'm just glad it came out looking pretty nice. There's quite a bit of chance involved in that, you see - I really had no idea that the seed-stitched background would be successful. It was just a hunch, and once I started, I knew I was in it, so I had to finish. I was glad that it worked out!



From a bit of a distance, here's the whole piece with the seed stitching done. Hm. At this angle and in this light, you do kind of lose the center image.



But this is more what you see without the bright light (Ott light), and here, the central M is pretty clear.



Another disadvantage of seed stitching... not to be negative here!... is the finger hole. The finger hole? The finger hole!

I ended up with one of those tiny little needle holes in my middle finger on my right hand, which is the finger I generally use to manipulate my needle. Oh boy - you know, one of those teeeny holes made by the eye of the needle, and which the eye miraculously finds, no matter how hard you try to avoid it! There's nothing quite like it when the back of your needle slides on into a little hole like that!

You know what my solution is? Oh - I know you're thinking, "Wear a thimble, dummy!" But no, no... Super glue. I put a dot of super glue over the little hole and let it dry. It works great!

Ok, so that's the seed stitching, done! Yippee. I've sewn the pall together already, and made the back - I'll show you that in a future post, along with the finished pall with the lace attached. I'm halfway through sewing the lace right now, and will have it done probably before you even read this post!

Thank you for your oh-so-nice comments on the Blogiversary Post of yesterday! If you haven't signed up for my three year blogiversary give-away, don't forget! It's over tomorrow morning, at 5:00 am CST. Thanks also for the insight into your likes and what you'd like to see more of on Needle 'n Thread. I've got a post planned that will have a permanent link for all 'tags' - which will help make things a bit more searchable, I hope.

And, on that note, I'm off to finish up the lace, then shopping in preparation for my trip (leaving Thursday morning!). Don't worry - I've got some Super Duper articles lined up for you while I'm going, and I hope to be blogging a bit along the journey, especially about any tidbits that might involve needlework shops!
]]> ecclesiastical embroidery whitework pictures needlework pictures 6636 Sewingmamusia nryng@comcast.net http://www.blogger.com/profile/18347885476735843788 2009-07-12 21:07:34 2009-07-12 21:07:34 1 0 I was wondering if you are going to show pictures of the completed pall. The one you did right before your cross country trip. I've been anxiously awaiting to see it.]]> 6836 Marian noreply@blogger.com 2009-06-18 00:15:31 2009-06-18 00:15:31 1 0 6837 Angie noreply@blogger.com http://www.squirrelsgolikethis.com 2009-06-17 19:53:39 2009-06-17 19:53:39 1 0 I tried a thimble and it just didn't do it for me. I then found some of those leather ones and they were still too loose and too much of an obstacle for me.

I think I'll give super glue a try for my next project!]]> 6840 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-06-17 17:30:40 2009-06-17 17:30:40 1 0 6851 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-06-17 09:39:23 2009-06-17 09:39:23 1 0 6853 Janice Miller noreply@blogger.com 2009-06-17 07:43:39 2009-06-17 07:43:39 1 0 Isn't it funny, you used very simple stitches and the outcome is really quite dramatic. And it also looks like you loved doing this design.
Thanks for the example that simple stitches can be elegant too.]]> 6854 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-06-17 07:26:39 2009-06-17 07:26:39 1 0 6855 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-17 05:07:21 2009-06-17 05:07:21 1 0
Thanks for the tip on the thimbles, Marmotte! I'll have to look those up!

Judy, you can use any light to medium weight linen with a higher thread count.

Thanks again for all your comments!]]> 6858 marmotte_stitch noreply@blogger.com http://marmotte_stitch.livejournal.com/ 2009-06-17 01:38:08 2009-06-17 01:38:08 1 0
As for the finger holes, I had the same problem when stitching sashiko (I am a great fan of this Japanese style of embroidery). A really painful thing. Now I've started using these self-adhesive thimbles (http://store.quilting-warehouse.com/082375.html), I usually cut them in halves, and they work great.]]> 6859 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-06-16 23:49:31 2009-06-16 23:49:31 1 0 This is just so pretty, you are truly an inspiration. I know you've mentioned you use Alba Maxima by Legacy for this piece. If I want to try this technique, what other kind of linen I can use? I am a beginner, hope the question I asked make sense.]]> 6867 Anonymous noreply@blogger.com 2009-06-16 19:52:44 2009-06-16 19:52:44 1 0 Celestine]]> 6878 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-06-16 16:19:26 2009-06-16 16:19:26 1 0 6885 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-06-16 15:03:41 2009-06-16 15:03:41 1 0 6891 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-06-16 13:11:42 2009-06-16 13:11:42 1 0 6899 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-06-16 12:03:57 2009-06-16 12:03:57 1 0
Your whitework project is simply amazing. I plan to try a small piece soon. Thanks for the inspiration]]> 6900 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-06-16 11:59:48 2009-06-16 11:59:48 1 0 6904 Anonymous noreply@blogger.com 2009-06-16 11:38:17 2009-06-16 11:38:17 1 0 The seed filling does make this pall look very beautiful. I like doing this stitch probably because I cannot get a nice look to my satin stitch. I did the seed stitch in a initial but found it to be a little tedious because I think the initial was too large. Thank you for sharing your progress on this project.I was hoping to see how it turned out. Maria in Kansas]]> 6908 Sewingmamusia noreply@blogger.com 2009-06-16 10:49:21 2009-06-16 10:49:21 1 0 You do exquisite work. This is breath taking beautiful. I can't wait to see it all done. I could stay here all day looking at all the beautiful pictures of all your work. Have fun on your vacation.]]> 6911 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-06-16 10:36:49 2009-06-16 10:36:49 1 0 Tammy]]> http://www.needlenthread.com/2009/06/blog-anniversary-three-years.html Mon, 15 Jun 2009 06:35:00 -0500 Mary Corbet 316 2009-06-15 06:35:00 2009-06-15 06:35:00 open open Blog-Anniversary!-Three-Years?!? publish 0 0 post

First, I'm going to gush. Bear with it! (You can always scroll to the end if you think I'm going Overboard!) I get so many kind e-mails and comments from readers who are always expressing their gratitude for my website, but do you know how much that is reciprocated on my part? I have, I think, the Best Bunch of Blog-Reading People in the Whole Blog Universe, right here on Needle 'n Thread. I'm sure there are bigger and better blogs out there, but I can't imagine that they have as much fun, or learn as much, or get such enjoyment from their readers as I do from you all. I just love keeping this blog up, and I love doing it, because of you, the audience.

It's a weird thing, you know. When I first started this website, I had no idea what kind of interest it would evoke, and it was a tentative, shaky start, as I had never done anything quite like blogging before.

I'm happy with the way it has grown, and I love the constant challenge of keeping up with it and trying to focus and fine-tune it. I love the possibilities my blog is always presenting to me - I think I'm a better embroiderer because of my website. I try harder and I try things I wouldn't necessarily ever try, if it weren't for the website. And that keeps my needlework life pretty exciting.

And... I only do all that because I have a great audience!

So, to celebrate - oh, let's - let's have a give-away! Let's have a 3-person give-away!

But, this is the hitch! I'm leaving Thursday, so it has to be a quick give-away. Besides, instead of having it published all over the web, where droppers-by jump in and sign up and we never hear from them again, I'd rather keep it among us - a quiet, closer-knit give-away. The only way to do that, methinks, is to make it a quick turn-around on the drawing...

So, with that in mind, three lucky readers will be drawn for this year's anniversary give-away, and I am going to send you a selection of nice threads, some thread rings and accessories, some embellishments, and whatever other neat things pop into my head. And I'd show you a picture of the goods, but... drat... I left my camera at my sister's house and won't be getting it until late Monday or early Tuesday (I'm typing this on Sunday!). Tuesday, if I can, I'll post a picture. Anyway, the point is to get the give-away started, and you'll just have to trust me on the loot!

My Great Three Year Anniversary Give-away ends on Wednesday morning, June 16th, at 5:00 am, at which time I will announce the winners. If I hear from the winners before the end of the day Wednesday, I can get the packages in the mail before I leave for vacation on Thursday morning. If not, they'll be mailed as soon as I get back!

To enter, answer the following question in the comments section on the website under this post only:

What feature do you like best on Needle 'n Thread, and what would you like to see more of? Your answer will help me improve the site and keep it interesting for you!

Thank you for a fun three years!!
]]> website news stash contest 6831 gaston noreply@blogger.com http://www.blogger.com/profile/09113384311512968092 2009-06-18 12:54:32 2009-06-18 12:54:32 1 0 I do a lot of needlework,and learn every day.I'm a man of 63 years and you're never to old to learn.
Thanks
all regards
Gaston USA]]> 6839 JoyAnna noreply@blogger.com http://www.blogger.com/profile/08111229688666742060 2009-06-17 18:44:34 2009-06-17 18:44:34 1 0 JoyAnna]]> 6848 Faye Bennett noreply@blogger.com 2009-06-17 10:55:39 2009-06-17 10:55:39 1 0
Faye Bennett]]> 6856 m_a_r noreply@blogger.com http://www.blogger.com/profile/18115980736045009420 2009-06-17 04:05:09 2009-06-17 04:05:09 1 0
The feature I love the most on Needle 'n Tread, though, is the frequency of updates. I personally prefer posts with updates on your work, especially in samplers, for it is inspiring to see the different techniques in a finished job. Maybe I'd like to see some projects with more implications from us, like a embroidery-along project, or something of the sort, in which we can all participate, maybe share photos, and so on.

Another feature I find really really nice is the embroidery for/with kids projects, useful to get ideas to do with the less-big ones!

But really, this is one of my favorite blogs, so many thanks for the work you put into it!]]> 6857 Judy H. noreply@blogger.com 2009-06-17 03:00:41 2009-06-17 03:00:41 1 0 Congratulation!! I start reading your blog one year ago, and most thing I love from your blog is Monogram pattern and see the finish Monogram work from you and other readers, hoping can see more of this in the future, well, actually, everything you post on your blog are all very interesting to me , I also love your humor , feel like reading your blog is just like talking to you in person.

Wishing you have wonderful vacation. Take care.
Judy H.]]> 6860 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2009-06-16 23:49:00 2009-06-16 23:49:00 1 0 6861 Lindi noreply@blogger.com 2009-06-16 22:52:01 2009-06-16 22:52:01 1 0 6862 Angie noreply@blogger.com http://www.squirrelsgolikethis.com 2009-06-16 22:16:23 2009-06-16 22:16:23 1 0
Here is hoping for many, many more years of web happiness!]]> 6863 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-06-16 21:46:40 2009-06-16 21:46:40 1 0 6864 Judy noreply@blogger.com http://www.blogger.com/profile/03248458769773024353 2009-06-16 20:25:16 2009-06-16 20:25:16 1 0 Congratulations!I want to say thank you to you. I am a beginner myself, but I have learned so much from your tutorials, photos and videos. I even finished my first monograme and whitework drawn thread embroidery all because of your blog. Thank you so so much and Happy Anniversary!!!]]> 6865 ledamewood noreply@blogger.com http://www.blogger.com/profile/09741893340014830055 2009-06-16 20:06:59 2009-06-16 20:06:59 1 0 1. Tutorials - they are the best
2. Progress on your own work - I love reading your descriptions, what you liked, didn't like, what worked and what didn't, what you changed and why.
3. Reviews of products and books for embroidery.

Lynn D]]> 6866 Anonymous noreply@blogger.com 2009-06-16 20:02:41 2009-06-16 20:02:41 1 0 I started stitching years ago, first some stamped patterns for crossstitch and embroidery, then on to crewel embroidery. When I found counted thread work, the rest was left behind. You have piqued my interest once more in embroidery and while I'm still hanging on the fringe and just watching your work, I have ambitions to start again. I love your instruction videos; they are very good! Your photos are also very instructive, so keep up the good work.
Liz in Tennessee]]> 6868 Marian noreply@blogger.com 2009-06-16 19:11:58 2009-06-16 19:11:58 1 0
My favorite part of the website is the video tutorials.

I know you have completed the one I asked for, but as yet I have not had time to watch and do any embroidery. My exam is tomorrow (16th June) and after that - well I will be stitching every day.]]> 6869 joannegledhill noreply@blogger.com 2009-06-16 18:49:20 2009-06-16 18:49:20 1 0 6870 undeadgoat noreply@blogger.com http://www.blogger.com/profile/13507897954077278765 2009-06-16 18:32:44 2009-06-16 18:32:44 1 0 6871 Kathryn Clark noreply@blogger.com 2009-06-16 18:21:56 2009-06-16 18:21:56 1 0 6872 LisaB noreply@blogger.com 2009-06-16 17:33:15 2009-06-16 17:33:15 1 0 LisaB]]> 6874 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-06-16 17:12:50 2009-06-16 17:12:50 1 0 6875 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2009-06-16 16:35:42 2009-06-16 16:35:42 1 0 6876 CarolynPhi CarolynLPhillips@msn.com http://www.blogger.com/profile/06561414352635851207 2009-06-16 16:25:08 2009-06-16 16:25:08 1 0
Congratulations on three wonderful years!!!!!!
Mary:

What I like best about your blog is YOU!!!

Whenever I've gotten myself all bumfuzzled and frustrated about any sort of embroidery stitch, etc, I come to you, because you always guide me in the right direction!!

I can't count how many times I've recommended your videos to others as bumfuzzeled as I!

My second most favorite thing would have to be the wonderful little chats we all have together when you send out the always informative newsletters. I feel like we are all members of a very special club! LOL!!!

Carolyn in California]]> 6877 CarolynPhi CarolynLPhillips@msn.com http://www.blogger.com/profile/06561414352635851207 2009-06-16 16:23:35 2009-06-16 16:23:35 1 0
Congratulations on three wonderful years!!!!!!
Mary:

What I like best about your blog is YOU!!!

Whenever I've gotten myself all bumfuzzled and frustrated about any sort of embroidery stitch, etc, I come to you, because you always guide me in the right direction!!

I can't count how many times I've recommended your videos to others as bumfuzzeled as I!

My second most favorite thing would have to be the wonderful little chats we all have together when you send out the always informative newsletters. I feel like we are all members of a very special club! LOL!!!

Carolyn in California]]> 6879 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2009-06-16 16:07:10 2009-06-16 16:07:10 1 0
My favorite thing - you choose designs and techniques that show the richness and breadth of embroidery techniques, which I really enjoy.

Just an FYI - I'm pretty sure Wednesday is the 17th. Don't know if that impacts your deadline.]]> 6880 Anonymous noreply@blogger.com 2009-06-16 15:50:35 2009-06-16 15:50:35 1 0 I have only been a member for the past few months and look forward to the various articles and information that comes in your daily newsletter. My favorite one was the “Framing of your mini embroidery” I loved the content, and how well you explained both in word and photo each step. You made it look so easy that I will take the plunge and try to frame a small piece that I have completed.
Thanks for such a wonderful and informative newsletter. As for your site what I enjoy the most are the stitching videos.
jet]]> 6881 Dianna Hamilton noreply@blogger.com 2009-06-16 15:48:24 2009-06-16 15:48:24 1 0 6882 tisme tisgingy@msn.com http://www.blogger.com/profile/08766742640496647829 2009-06-16 15:44:53 2009-06-16 15:44:53 1 0 I found you this year and really enjoy seeing your work. My favorite part is the links you provide for shopping. Some things are very hard to find in this small town of mine, so online shopping is my only alternative to some products.
Thanks so much for all you do.
Tammy]]> 6883 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-06-16 15:29:57 2009-06-16 15:29:57 1 0 6884 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-06-16 15:14:32 2009-06-16 15:14:32 1 0
It is hard for me to pick only one thing that I like best about your blog. From the information you provide, it would be the video library...a wonderful resource.

From the "blog" perspective, I really appreciate your honest, friendly and informative approach. I love reading your blog because it is excellent.

I love seeing your works in progress as they help me see what excellent work should look like. They also show me how to fix things. There are lot's of people showing off their work on the web, but not many at all show you how to deal with the unexpected. Thanks]]> 6886 Lori noreply@blogger.com http://www.blogger.com/profile/01552851724406901505 2009-06-16 14:37:03 2009-06-16 14:37:03 1 0 6887 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-06-16 14:03:52 2009-06-16 14:03:52 1 0 6888 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-06-16 13:45:48 2009-06-16 13:45:48 1 0 WendyBee]]> 6889 Laura Bullinger noreply@blogger.com 2009-06-16 13:17:14 2009-06-16 13:17:14 1 0 My favorite bits are the old embroidery books that you find and post for us. I also love that you connect with very skilled needleworkers who excel at their given area of stitching, and again, share it with us.
I'm sure most of us also enjoy the little dialect you have with us about your time management and frustrations while working on a project. You seem to bring us right to your work table to watch and learn from you. And it is very sweet to see how you whip up simple gifts that look perfectly hand-wrought.
Mostly, I love that you DAILY write to us. It is spiritually soothing to connect to a common soul.]]> 6890 Anonymous noreply@blogger.com 2009-06-16 13:13:22 2009-06-16 13:13:22 1 0 I really like the links on your newsletter to websites I would never have known about otherwise. I find myself surfing the net instead of houseworking - sounds good doesn't it.
Anyway thanks for the newsletter and I look forward to the next 3 years and onward.
Pru]]> 6892 Anonymous noreply@blogger.com 2009-06-16 12:51:29 2009-06-16 12:51:29 1 0 Karen S. in Milford, OH]]> 6893 Barbara Loe noreply@blogger.com 2009-06-16 12:49:49 2009-06-16 12:49:49 1 0 Have a great vacation. Barb L]]> 6894 Kate noreply@blogger.com http://www.blogger.com/profile/01960992802326856152 2009-06-16 12:41:31 2009-06-16 12:41:31 1 0
My favorite thing about your blog are the video library of stitches. I have used them over and over. Thank you for taking the time to make them and share them.]]> 6895 Marty52 mamatrahan@msn.com http://www.blogger.com/profile/13237461237107850391 2009-06-16 12:24:58 2009-06-16 12:24:58 1 0 6896 Sharon from Modesto noreply@blogger.com 2009-06-16 12:15:00 2009-06-16 12:15:00 1 0 The close ups of the stitching - larger than actual for detail and step by step. Your tutorial videos are very easy to follow.
I appreciate the stitching items that you tell us about - we may not otherwise know some of these wonderful things exist.
OK - what would I have you add to your blog.. maybe other types of needlework - there are so many. I know that is hard, when they are not your 'thing' but just an introduction or show what others may have done. Such as, Huck, Hardanger, Brazilian, Stump work
The last give-a-way... I think it wonderful that a 17 year old won. What inspiration for an upcoming stitcher to win a Trish Burr kit.
Thank you for your devotion, you inspire so many who look forwarad to hearing from you each day
Sharon - Modesto]]> 6897 Anonymous noreply@blogger.com 2009-06-16 12:13:12 2009-06-16 12:13:12 1 0 Wendy M]]> 6898 SF noreply@blogger.com http://www.blogger.com/profile/03196237902687979110 2009-06-16 12:12:42 2009-06-16 12:12:42 1 0 SF]]> 6901 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-06-16 11:52:44 2009-06-16 11:52:44 1 0
Congratulations on your Blog anniversary. You have inspired me to try a lot of new stitches and have even given your readers an opportunity to show our work. Love your video tutorials. Thanks so much.

What I would like maybe a section that would showcase the embroidery styles of different parts of the world that would highlight the similarities and differences of regional embroidery techniques.]]> 6902 mary noreply@blogger.com http://www.blogger.com/profile/01767083574494513127 2009-06-16 11:41:18 2009-06-16 11:41:18 1 0 6903 onafixedincome noreply@blogger.com 2009-06-16 11:38:20 2009-06-16 11:38:20 1 0
Seriously, it makes my day to come and see what you are enthused about today; the video tutorials are worth their weight in platinum; your photos are generally not only fun but useful...

I could ramble on, but it comes down to this:

Happy BlogBirthday! We love you!]]> 6905 Shari M sharimasson@gmail.com http://www.blogger.com/profile/09514748575422631885 2009-06-16 11:34:59 2009-06-16 11:34:59 1 0 What I like best is hard to pin down - I like everything about it, but I guess my favorite would be the tutorials and the library of stitches. I'm anxiously waiting for the long and short stitch adventure to start. You make learning fun. Thanks so much.]]> 6906 Lauren in Connecticut noreply@blogger.com 2009-06-16 11:21:27 2009-06-16 11:21:27 1 0 6907 Anonymous noreply@blogger.com 2009-06-16 10:51:00 2009-06-16 10:51:00 1 0
I LOVE your tutorials. The one featuring drawn thread work was such a help to me, I actually sat and did this!

I love how you introduce us to new kinds of embroidery and interesting people all over the world! I just HAD to order a few of Trish Burr's kits! I'm very much looking forward to your tutorial on the long and short stitch.

How a wonderful, fun-filled and relaxing vacation.

Marilyn R. in NJ]]> 6909 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-06-16 10:41:25 2009-06-16 10:41:25 1 0 Kathy in Kenai]]> 6910 Anonymous noreply@blogger.com 2009-06-16 10:38:27 2009-06-16 10:38:27 1 0 Alice McClelland]]> 6912 Anusuya noreply@blogger.com 2009-06-16 10:02:39 2009-06-16 10:02:39 1 0
Congratulations on your blog's anniversary. I like each and everything on your blog, however, the best part are the video tutorials and the posts with instructions.

In the future, i would love to see various embroidery techniques from various parts of the world.

With lots of love,
Anusuya]]> 6913 3 Girls &amp; A Guy rebolfamily@q.com http://www.blogger.com/profile/03384430044748782944 2009-06-16 10:00:28 2009-06-16 10:00:28 1 0 I have thoroughly enjoyed your blog. I believe your stitch library is the best anywhere on the web. I have only been stitching for about a year and wouldn't be if not for your library. It has helped me improve what I was taught(very little) by my grandmother at age 9, and also learn new technics, such as starting and endings. With your help I have great enthusiasm and pride in my work which has also renewed my mother-in-law's stitching as well. Thank You for all your hard work. Shelly R]]> 6914 Anonymous noreply@blogger.com 2009-06-16 09:54:42 2009-06-16 09:54:42 1 0
I love reading your daily postings. Friendly, encouraging and informative. It feels like I'm sitting down for coffee and a chat with an intelligent, enjoyable friend who has similar interests.

The editor's floss is a wonderful resource. It's a wonderful embroidery library at our fingertips.

Please continue to add to the tips and tricks. Using super glue to protect your finger -- that's a neat trick!

Katrina]]> 6915 sheila from CA noreply@blogger.com 2009-06-16 09:43:50 2009-06-16 09:43:50 1 0 Congratulations on 3 years! Where has the time gone. Your instructional videos are what I like the most of Needle n'Thread. I have learned a lot from them; especially when I was in the middle of a project and a new stitch jumped out at me with no warning. Searched through your videos and viola, there you were showing me how to do it. Thanks so much. Sheila from CA]]> 6916 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-06-16 09:38:42 2009-06-16 09:38:42 1 0 So I have to say that your Video Library of Stitches is what I like the most...followed by when you share the step by step process of your needlework progress.

I will love to see more of how to fill in shapes with simple embroidery stitches (for beginners like me!)

I know many needle enthusiasts out there that refer to your blog in search for answers and inspiration... my being one of them !!! So thank you sooo much for keeping and sharing your knowledge and wisdom on needlework with all of us through this blog !]]> 6917 Linda Caldwell noreply@blogger.com 2009-06-16 09:15:49 2009-06-16 09:15:49 1 0 6919 irene noreply@blogger.com 2009-06-16 09:13:54 2009-06-16 09:13:54 1 0 6920 kiran seth noreply@blogger.com 2009-06-16 09:11:29 2009-06-16 09:11:29 1 0
congratulations...........

like the video tutorials.......

honest comments on everything embroidery.......

looking forward to contests.......

have a great one.......

kiran seth]]> 6922 Anonymous noreply@blogger.com 2009-06-16 08:51:57 2009-06-16 08:51:57 1 0
The feature I like the most are the video tutorials,and your projects.

I would like to see more of your projects, more of new stitches and your tips and techniques.

Have a great vacation Mary!

regards, Radha.]]> 6923 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-06-16 08:49:18 2009-06-16 08:49:18 1 0
My favorite part is really hard to say---I love the vidoes, but the posts on your projects are great as are the new sites and techniques. I found Trish Burr through this blog and am eternally grateful!]]> 6924 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2009-06-16 08:48:43 2009-06-16 08:48:43 1 0 Karen in Breezy Point]]> 6925 Anonymous noreply@blogger.com 2009-06-16 08:47:10 2009-06-16 08:47:10 1 0
1. I love, love, love the stitches tutorials (videos). They are thorough and in the best detail I've ever encountered. I'm retired and finally getting the opportunity to satisfy my desire to do lots of needlework and your site has really helped broaden my skills. Your's is the first e-mail that I read in the morning!

2. It's hard to think of what else you might add to the site to improve it, as it's so good, but I would always enjoy lots of discussion on where's the best place to buy crewel yarn and threads online. I live in a town where there are no places to shop for supplies and rely on the internet for my purchases.

Have a nice vacation and keep bloggin!!!

Judy]]> 6926 Anonymous noreply@blogger.com 2009-06-16 08:46:11 2009-06-16 08:46:11 1 0 6927 Anonymous noreply@blogger.com 2009-06-16 08:38:34 2009-06-16 08:38:34 1 0 Kat]]> 6928 Vicki noreply@blogger.com 2009-06-16 08:38:31 2009-06-16 08:38:31 1 0 6929 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-06-16 08:20:57 2009-06-16 08:20:57 1 0 6930 Pat Salada noreply@blogger.com 2009-06-16 08:16:01 2009-06-16 08:16:01 1 0 amazed at the dedication you have
to come up with a terrific blog
EVERY day including Sunday. I guess the best aspect, for me, is
the variety of subject matter. I
would enjoy seeing a bit more on
vintage embroidery.]]> 6931 Melinda noreply@blogger.com http://www.blogger.com/profile/09243233372667683495 2009-06-16 07:57:13 2009-06-16 07:57:13 1 0 6932 Martha Mc noreply@blogger.com 2009-06-16 07:52:14 2009-06-16 07:52:14 1 0 6933 schomacker noreply@blogger.com http://www.blogger.com/profile/14967287058253320525 2009-06-16 07:49:18 2009-06-16 07:49:18 1 0 6934 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-06-16 07:48:56 2009-06-16 07:48:56 1 0
I like the video library of the stitches, and also the articles about projects (yours or readers' embroidery alike); they contain interesting techniques, tips and tricks I like to learn.]]> 6935 Anonymous noreply@blogger.com 2009-06-16 07:42:54 2009-06-16 07:42:54 1 0 6936 Nupur noreply@blogger.com http://www.blogger.com/profile/05054468154634601540 2009-06-16 07:42:43 2009-06-16 07:42:43 1 0 I really like the videos you've posted along with the designs - very well done.
I do find it difficult to find things I know I've seen on your blog again... sometimes keywords work, sometimes they don't. Perhaps having subject folders would make this easier?
In any case, keep up the good work!
Nupur]]> 6937 Deb in Idaho noreply@blogger.com http://www.blogger.com/profile/01016496676825054246 2009-06-16 07:38:59 2009-06-16 07:38:59 1 0 6938 Nancy noreply@blogger.com http://www.blogger.com/profile/15399656333025771710 2009-06-16 07:22:21 2009-06-16 07:22:21 1 0
There are so many things I enjoy.. lets see.. The videos are most enjoyable and definitely help me to "remember" how to do stitches. I hadn't done embroidery for many years until recently so the videos helped to remind me of just how to do the stitches.

What I would like to see more of are the supplies you use and the resource lists. For instance, recently I have been trying to find a way to mark my CQ without leaving marks.. Yor info on the Bohn mechanical pencils was just perfect! I have them now after following your link and they work great!

Keep up the great work!]]> 6939 Anonymous noreply@blogger.com 2009-06-16 07:16:53 2009-06-16 07:16:53 1 0 My favorite part of the site are the video tutorials. I love being able to go right to the stitch I need and watching it, over and over...My girls and I use this feature when we're stuck in a project.
I'd love to see more ways to fix the mistakes and "bumps in the road" we seem to encounter while stitching. Such as when you showed the slip knot last week. I know it's those little things that drive me nuts when stitching.
You are able to break things down so simply for us. Thanks!
Abby Ward in PA]]> 6940 Anonymous noreply@blogger.com 2009-06-16 07:12:48 2009-06-16 07:12:48 1 0 What I like best - your cheery, folksy style. It's like "come-on-in-" sit down and visit awhile. Your instructions are always clear as can be, and never intimidating. I have been inspired to resume my hand embroidery when I retired and wondered just what to do for a hobby. Thank you. Thank you.
Jean - Canada.]]> 6941 charlie noreply@blogger.com 2009-06-16 07:00:45 2009-06-16 07:00:45 1 0 And the tutorials,product news, links,information,and more, but without your boundless enthusiasm and generosity, it'd be a dry old place to visit!
All Thanks to You,Charlie.]]> 6942 Cindy Bonnell noreply@blogger.com 2009-06-16 06:53:40 2009-06-16 06:53:40 1 0
I love that you're from Kansas, where I lived all my life until about ten years ago. I know you're a teacher. You write a terrific blog because you know how to teach and because you have a real desire to share your knowledge.

I've learned a bunch of embroidery stitches over the last few years and I really like your videos of stitches. It's really helped several times when I was having trouble with one.

I also like it when you demonstrate how certain types of embroidery are done, like the white work sampler. Even if I'm not working on that kind of embroidery right now, I save it for later if it's something I know I'd like to try. Many times I've gone back to consult this information when I am working on something new.

Thank you.

Cindy]]> 6943 Lyn noreply@blogger.com http://www.blogger.com/profile/10038936530382284397 2009-06-16 06:43:22 2009-06-16 06:43:22 1 0 6944 Anonymous noreply@blogger.com 2009-06-16 06:38:59 2009-06-16 06:38:59 1 0
I wish I had known about this three years ago. I have missed out on the first two, but have loved the third.

What do I like best? All the great photos and instructions. I have been doing embroidery for more years than I care to remember, but am still learning. You remind me that there is more to embroidery than satin, chain, stem, and lazy daisy stitches. I have gotten very lazy over the years and need a reminder now and again. And what to I want to see more of? Less common stitches and ways to utilize them. Thanks for a great blog and newsletter. Lalah]]> 6945 Martamadrid mmayuso@gmail.com http://www.blogger.com/profile/01586107230893202688 2009-06-16 06:34:23 2009-06-16 06:34:23 1 0 I found your site about two moths ago, and love the variety of info you offer and the way you explain it, but what I like the most are your video tutorials. For a learner like me, they are just a treasure that makes you want to go straight to your needle!. So I find that more of these would just be a perfect idea!.
Kisses,
Marta.]]> 6946 berries01 berries01@gmail.com http://www.blogger.com/profile/01394647873976773654 2009-06-16 06:30:56 2009-06-16 06:30:56 1 0
I like all the photos of your beautiful work, also the instructions.Your blog is very inspiring and makes me want to sew! Nice to learn new techniques! Thankyou for a nice blog! :)Katarina.]]> 6947 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-06-16 06:29:25 2009-06-16 06:29:25 1 0 6948 Anonymous noreply@blogger.com 2009-06-16 06:18:52 2009-06-16 06:18:52 1 0 What I like most is that I always find whatever I am looking for. Your site is a really good encyclopedia for embroidery in general!
Personally, I think it could be interesting to read posts on South European kinds of embroideries...
Best regards,
Catalina Martin (Spain)]]> 6949 Anonymous noreply@blogger.com 2009-06-16 06:14:43 2009-06-16 06:14:43 1 0
I would love to see more needle painging and raised work.

Congratulations on three wonderful years of sharing.]]> 6950 Wendy Breezy1@gmail.com http://www.blogger.com/profile/06723942275341036308 2009-06-16 05:59:21 2009-06-16 05:59:21 1 0 6951 Ruut noreply@blogger.com 2009-06-16 05:26:23 2009-06-16 05:26:23 1 0
For myself, I like the video tutorials most, since they are the best way to learn and review stitches. Day-to-day, I like to read progress reports on projects, problem solving, tips, and, well, the stuff you do.

More? Hmm. Readers' embroidery, links to cool places like Tip.nut's kitchen proverb towel patterns or stitching cards etc. Guest bloggers/interviews - I don't go out looking unless I have a destination...

That's all I can come up with at the moment. Thanks for a great blog!]]> 6952 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-06-16 05:17:36 2009-06-16 05:17:36 1 0 In answer to your question - I found you because of the video library of stitches, I stayed for the blog and the embroidery you post..
Thank you!]]> 6953 karin noreply@blogger.com http://www.themrs.eu 2009-06-16 04:33:24 2009-06-16 04:33:24 1 0 6954 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2009-06-16 02:25:29 2009-06-16 02:25:29 1 0 Many congratulations on 3 years !! Wish many more years to needle n thread. :-))
I just love everything here - your project pictures, video library of stitches, book & floss reviews, readers embroidery, free patterns that you share & your superb give-aways ! I just like to see all of it. :-))
-Shrenika.]]> 6955 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2009-06-16 00:59:58 2009-06-16 00:59:58 1 0 Also please post some of the new stitches videos. That has helped me a lot.]]> 6956 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-06-16 00:35:52 2009-06-16 00:35:52 1 0
Although I use those reference videos, what really makes me come back again and again is the updates on what yo're working on. I find the ecclesiastical work inspiring, as well as being introduced to all sorts of types of embroidery I haven't tried before (whitework, drawn thread work, goldwork...)

I think it is this mix of how-to and eye-candy that really makes your blog

Keep up the good work :)]]> 6957 Haley Shurtleff noreply@blogger.com 2009-06-16 00:17:39 2009-06-16 00:17:39 1 0
I am a college student so seeing more of anything in the 'free' or 'sale' category would thrill me.

Thank you so much.
Haley S.]]> 6958 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2009-06-15 23:59:30 2009-06-15 23:59:30 1 0 I like your posts on the thread painting (something I aspire to do 'one day') I also enjoyed very much your gold work CQ block, and should i happen to win, and that little number is languishing in a draw somewhere, then I could certainly make use of it!
:)]]> 6959 Anonymous noreply@blogger.com 2009-06-15 23:03:28 2009-06-15 23:03:28 1 0
I love video tutorials the most and would like to see more of them.

I also love the updates of projects.

Resmi]]> 6960 Anonymous noreply@blogger.com 2009-06-15 22:53:33 2009-06-15 22:53:33 1 0 6961 Anonymous noreply@blogger.com 2009-06-15 22:23:29 2009-06-15 22:23:29 1 0 Congratulations on your 3 year anniversary! It is absolutely the best blog for hand sewing information, bar none. What I enjoy most is seeing your own work. Thanks for sharing.]]> 6962 Fireflyinva noreply@blogger.com http://www.blogger.com/profile/00340179175754159635 2009-06-15 22:01:08 2009-06-15 22:01:08 1 0 6963 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-06-15 21:42:30 2009-06-15 21:42:30 1 0 I love your works in progress especially your ecclesiastical projects and most of all I love how you point us in the right direction of what to use and also you give us the history behind the projects. You are keeping old arts alive thru your sharing. To be honest, I think in whatever you do, your talent as a teacher, your love of the art, will keep our interest, and as earnest students you have our undivided attention!
Congratulations on your three years, I am only sorry I have only been here for 6 months, although it feels like I have known you all my life!
thanks! again and again and again!
hugs, Kathy K]]> 6964 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2009-06-15 20:20:14 2009-06-15 20:20:14 1 0
Amber
phina47@netzero.net]]> 6965 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-06-15 19:55:04 2009-06-15 19:55:04 1 0
As for what I personally enjoy the most? Antique embroideries, ecclesiastical embroideries, whitework, goldwork, product reviews -- just keep doing what you're doing! It's working! And eat your Wheaties!! We need you to be around for a lot longer...
warm regards, Susan]]> 6966 dianne ladydi377@aol.com http://www.blogger.com/profile/01292769087215827768 2009-06-15 19:47:36 2009-06-15 19:47:36 1 0 6967 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-06-15 19:22:15 2009-06-15 19:22:15 1 0 6968 Anonymous noreply@blogger.com 2009-06-15 18:33:49 2009-06-15 18:33:49 1 0 I am grateful that you are so diligent about blogging. I love the tutorials, the pictures help immensely! The give-aways are so much fun too. I get excited for everyone that wins!
I really love seeing your work and would love to continue to see it. I would love to continue seeing the examples of other work that you educate us with (the Marian icon work, etc).
Keep up the great work and have a wonderful vacation! (Hope there is a needle and thread shop on the way!)
Martha]]> 6969 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-06-15 18:26:41 2009-06-15 18:26:41 1 0 6970 One Craft at a Time noreply@blogger.com http://www.blogger.com/profile/16635741175669565863 2009-06-15 18:14:41 2009-06-15 18:14:41 1 0 6971 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-06-15 16:50:29 2009-06-15 16:50:29 1 0 1.I love just getting up in the morning and looking to see what's new on needle'nthread
2.I love following your progress on whatever you are stitching
3. I love your clear - clear instructions and the videos
4. The book reviews
5. the generous giveaways - I was so lucky then!
I think I enjoy following your progress most of all . I feel like I am there looking over your shoulder.
When I come to write this all down I realise just how grateful I am for the time you spend each day on this blog - thankyou, thankyou from the bottom of my heart!]]> 6973 Laurie in Maine dognapper2@msn.com http://www.blogger.com/profile/06022126513010116196 2009-06-15 16:29:26 2009-06-15 16:29:26 1 0 More than a few times your video instructions have helped me figure out a stitch I couldn't do from a diagram in a book. I enjoy your "voice" as you write...always a pleasure to read how your projects are going or to explore places you've found for us to visit.
Safe trip!

(Blogger said it ate my 1st messages... sorry if it shows up more than once)]]> 6974 Yvonne aka sommeke sommeke@hotmail.com http://www.blogger.com/profile/07755225448427141353 2009-06-15 16:27:22 2009-06-15 16:27:22 1 0 I love the library of stitches and the videos!
I learned so much since I discovered your blog!
Thank you!]]> 6976 Lisa N noreply@blogger.com 2009-06-15 16:16:39 2009-06-15 16:16:39 1 0
My favorite part is your video library of stitches! So clear and easy to understand! I have learned how to do so many stitches from you alone and reading your blog has inspired me to do more than just the simple "safe" stitches, like backstitch and such and be a bit more adventurous:-)]]> 6978 Leah noreply@blogger.com 2009-06-15 15:52:42 2009-06-15 15:52:42 1 0 Keep up the inspiring blogging!
Leah
leahisspecial (at) yahoo.com]]> 6979 eagleswings noreply@blogger.com http://www.blogger.com/profile/01868162964988212985 2009-06-15 15:44:57 2009-06-15 15:44:57 1 0 6980 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2009-06-15 15:40:02 2009-06-15 15:40:02 1 0 6981 Nancy Anne noreply@blogger.com http://www.blogger.com/profile/02237114827879596130 2009-06-15 15:24:51 2009-06-15 15:24:51 1 0 6982 Meretricious Consideration noreply@blogger.com http://www.blogger.com/profile/13813914481226306776 2009-06-15 15:21:21 2009-06-15 15:21:21 1 0 6983 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-06-15 15:15:59 2009-06-15 15:15:59 1 0 Actually, I appreciate everything about Needle 'n Thread, and I check in every day. But I guess I especially like how you create community among us. And I love it when you discuss embroidery gear such as threads, needles, fabric, and other supplies. The tour through your embroidery box was my all-time favorite.]]> 6984 Anonymous noreply@blogger.com 2009-06-15 15:14:47 2009-06-15 15:14:47 1 0
My favorite part of your blog is your projects - it's fun to see such pretty embroidery, and watching you make progress inspires me to make progress on my own stuff. Most importantly, I love how you use your projects to teach techniques, whether it's a topic as large as drawn thread work or as simple as fixing a slip knot. Books are great for learning theory, but from reading your blog I can see how it works in practice - mistakes and all!

- Melissa VT

P.S. I suspect the people who show up for the give-aways aren't random nobodys who just want free stuff - I'll bet they're almost all regular readers who just don't have a reason to comment very often. For every comment on a typical entry, there are another 20-100 regular readers who didn't comment. There are more of us than you think!]]> 6985 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-06-15 14:31:21 2009-06-15 14:31:21 1 0 6986 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-06-15 14:26:33 2009-06-15 14:26:33 1 0 xoxo
Miss Bliss]]> 6987 Sherbear noreply@blogger.com 2009-06-15 14:12:36 2009-06-15 14:12:36 1 0
What I like about your blog is not just the tips, techniques, reviews etc. What I really like about your blog is that it's a blog about needlework and that's what you deal with. There's not a daily tale of trials with your neighbours, endless discussion (with gory details) of your attempts to get pregnant, or full disclosure of your each and every medical issue. You do bring up your family, your job and other outside issues...but it's not an ongoing negative saga about your rotten life with some needlework thrown in. When you do discuss 'other than' needlework, it's in a more positive vein and you make it a secondary part of your blog.
If you don't care for some of my phrasing, feel free to edit it or even to not put this into the comments. But I did want you to know (since you asked) that I do appreciate your blog and your focus. It's very refreshing.]]> 6988 Sarah or Semmy e4e823l@yahoo.com http://www.blogger.com/profile/04363149505686470485 2009-06-15 14:00:46 2009-06-15 14:00:46 1 0 6989 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2009-06-15 13:56:36 2009-06-15 13:56:36 1 0 For the future I'd say keep doing what you are doing!]]> 6990 Susan noreply@blogger.com 2009-06-15 13:51:19 2009-06-15 13:51:19 1 0 Susan]]> 6991 Sildah noreply@blogger.com 2009-06-15 13:50:08 2009-06-15 13:50:08 1 0 I love the pictures of your work with explanations of what you are doing as you go along.
The stitch videos are also an excellent resource, especially for the more complicated stitches that are difficult to illustrate with just line drawings.
It would be fun to have some more of your unique designs available, particularly the ecclesiastical ones. The key would be to keep the sidebar pages updated as you add new things.
As things are, it's hard to imagine an improvement on your work. Thanks for such a great resource and inspiration.]]> 6992 Anonymous noreply@blogger.com 2009-06-15 13:48:20 2009-06-15 13:48:20 1 0 This blog is great!
Rebekah D
walimai5@hotmail.com]]> 6993 Ruth ruthlane@montanasky.net 2009-06-15 13:38:34 2009-06-15 13:38:34 1 0 6994 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-06-15 13:26:52 2009-06-15 13:26:52 1 0 Jane C]]> 6995 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2009-06-15 13:21:40 2009-06-15 13:21:40 1 0 6996 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-06-15 13:17:29 2009-06-15 13:17:29 1 0 Thank you for all the hard work and I am sure enjoyable work to share your knowledge with us.
Annie]]> 6997 jdnrob noreply@blogger.com http://www.blogger.com/profile/05548555583798301556 2009-06-15 13:16:50 2009-06-15 13:16:50 1 0
I love the stitch library, it is so easy to find it on your site, rather than search thru my books. I know it will always be there, and it has helped me many times. By the way, thank you for that!

What to do in the future, just what you do now, keep us updated with new and interesting things!

I would love to have a chance to win something!.

Joanie R.
jdnrob@roadrunner.com]]> 6998 ravenrigan noreply@blogger.com http://ravenrigan.livejournal.com/ 2009-06-15 12:16:35 2009-06-15 12:16:35 1 0
I love your free patterns, and links to patterns. I'm not much of a drawer, so I use those all the time. I've done several Dillmont patterns, they are very much a favourite.

Now, because I've learned so much from you over the years, I'm going to celebrate your three year anniversary too, by starting a blog of my own on here.

http://silksandshinies.blogspot.com/]]> 6999 CC noreply@blogger.com http://www.blogger.com/profile/10014665817356312048 2009-06-15 12:14:01 2009-06-15 12:14:01 1 0
I'm still catching up with all the offerings here, but my favorites are those tips which don't appear in my stitch library: like how to handle loops at the back of your piece!

I think I love the ecclesiastical embroidery best, though I'm not ready to try any yet (and I'd have to find a church to donate it to.)]]> 7000 celeste noreply@blogger.com 2009-06-15 12:13:39 2009-06-15 12:13:39 1 0
Celeste]]> 7001 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-06-15 11:46:46 2009-06-15 11:46:46 1 0 You manage to keep your blog so interesting! You write about so many beautiful and different embroidery things that it's difficult for me tochoose what I like best!
I do love everything in your blog! Even those thing I think I should never make because I have the right skills.
As a beginner if you ask what's has been most useful for me I can say the video stitches, of course, and all tips and tricks you talk about, and all recommendations you do. I leanrt so much with you!
You white work is becoming a beauty.
I'll be back home when you leave to holidays so have a nice time! Enjoy this break!
xx
méri]]> 7002 Ashley noreply@blogger.com http://www.blogger.com/profile/04810113070259398400 2009-06-15 11:32:14 2009-06-15 11:32:14 1 0
(I'll be out of town on Wednesday until Sunday, I hope it doesn't disqualify me!)]]> 7003 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-06-15 11:27:02 2009-06-15 11:27:02 1 0
What I love about this blog is just the way you write. I love your enthusiasm for embroidery and your dedication to the craft. I appreciate the information you provide, but mostly I just come here to read what you are up to. It`s like visiting a friend for a cuppa and a chat!]]> 7004 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-06-15 11:26:19 2009-06-15 11:26:19 1 0
What I love about this blog is just the way you write. I love your enthusiasm for embroidery and your dedication to the craft. I appreciate the information you provide, but mostly I just come here to read what you are up to. It`s like visiting a friend for a cuppa and a chat!]]> 7005 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-15 11:26:09 2009-06-15 11:26:09 1 0 Happy birthday to You, happy bithday to You, kappy birthday dear Mary (and, of course, Your blog), happy birthday to You!!!!!
Thank You for this wonderful blog. Some time ago (maybe half a year) I was saying: noone is reading long text in the blogs. People only look the photos. I was doing the same. But I was wrong. Once I have found this blog and now I am reading and waiting for every new text.
I love your tutorials and use them wuite often. They are very useful. I also love the ecclesiastical stitching. And other stitching. I cannot imagine if it is possible to want something more. This blog is the most comprehensive I have ever found about stitching. Thank you for this wonderful world of stitching You show for us.]]> 7006 Carol R kazibear37@talktalk.net http://www.blogger.com/profile/10444503481095836578 2009-06-15 11:13:18 2009-06-15 11:13:18 1 0 7007 Lynn noreply@blogger.com 2009-06-15 11:12:07 2009-06-15 11:12:07 1 0 I love the ecclesiatical photos and the comparisons of threads. and of course the photos. Thank you for all your hard work, its a pleasure visiting your site every day.
Lynn C.]]> 7008 smoose003 noreply@blogger.com http://www.blogger.com/profile/10776468587656358584 2009-06-15 11:06:46 2009-06-15 11:06:46 1 0 7009 leebee7 noreply@blogger.com http://leebee7.livejournal.com/ 2009-06-15 11:06:14 2009-06-15 11:06:14 1 0 My favourite part is the wonderful balance you achieve between words and photos. Wether it's showing a stitch or pointing out parts of interest on a finished piece or presenting a product the photos always enhance it. I"m good at following writtern instructions but it's always a bonus to have a picture to compare to my attempt or for when I have trouble getting my head around something.]]> 7010 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-06-15 10:54:47 2009-06-15 10:54:47 1 0 I enjoy visiting your blog, as I find many useful informations, tutorials. Thanks to one of your article, I bought some greatful books on embroidery, and I love them.]]> 7011 Janice Miller noreply@blogger.com 2009-06-15 10:50:10 2009-06-15 10:50:10 1 0 I really can't think of a thing you could improve upon. Thank you for the hours of enjoyment you have provided me.]]> 7012 Dixie noreply@blogger.com http://www.blogger.com/profile/02634644167648237712 2009-06-15 10:44:03 2009-06-15 10:44:03 1 0 7013 Cheryl G. cheryl.gibbs3@gmail.com http://www.blogger.com/profile/11317363081940625235 2009-06-15 10:41:31 2009-06-15 10:41:31 1 0
I love seeing your projects!

What about more patterns.

Thank you for sharing your wonderful talent!]]> 7014 Christy S noreply@blogger.com 2009-06-15 10:41:04 2009-06-15 10:41:04 1 0
Christy Sanford]]> 7015 jjonesjr noreply@blogger.com http://twitter.com/jjonesjr 2009-06-15 10:39:46 2009-06-15 10:39:46 1 0
Now how about that DVD?]]> 7016 Sewingmamusia noreply@blogger.com 2009-06-15 10:34:17 2009-06-15 10:34:17 1 0 The best feature is the video tutorials on how to stitch the many different types of stitches. You do such a wonderful job explaining and showing exactly how to do it.
I would like to see more of the religious embroidery. It's absolutely exquisite. Maybe a small project that we could do along with you. That would be great. Congratulations once again and thank you for providing such a wonderful service.]]> 7017 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2009-06-15 10:28:20 2009-06-15 10:28:20 1 0
Favorite feature: the video library of stitches. They have been immensely helpful to this self-taught embroidery beginner. I appreciate the time and effort you take to record and post those videos.

What I'd like to see more of: Well, the more video stitches in the library, the better! I think it might also be fun to get more ideas of different ways to display/use finished embroidered pieces and creative ways to use embroidery.]]> 7018 Anonymous noreply@blogger.com 2009-06-15 10:13:44 2009-06-15 10:13:44 1 0 I really appreciate the video library -- it's great.
Marcy
qtlildawgs@aol.com]]> 7019 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-06-15 10:03:28 2009-06-15 10:03:28 1 0 7020 Laura Kathleen noreply@blogger.com http://www.blogger.com/profile/14304467170642717891 2009-06-15 09:44:05 2009-06-15 09:44:05 1 0 7021 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-06-15 09:37:10 2009-06-15 09:37:10 1 0 I guess it's all a blessing to me. Even though I'm not a shut-in I stay at home mostly during the week and outside of my sons during the day my people contact is all but deminished. You, I suppose unbeknown to yourself, are like a faithful friend that has a common interest. The fact that you post everyday is like having a friend over for coffee every morning with me so we can talk about anything stitchy. You do what you do all so well and I could never really point out just one thing about your site except maybe doing videos on other things such as how you remedied that slip knot the other day. Your stitching tutorials are so great, I would love to see anything in video that's related to your talents. You are my stitching hero. You have learned and studied this great talent and you have stuck with it and you have mastered it with the graceful heart to share with others. If only I could choose one thing and stick to it and bless others with what I've learned.
Thank you for being such a blessing and inspiring me to want to use my hands to construct beauty to share. It may not ever be like the elegant embroidery that you produce but even still through your site I am truly blessed and inspired.
Tammy]]> 7022 Kate mjrroland@yahoo.com http://www.blogger.com/profile/06395157955320659033 2009-06-15 09:36:30 2009-06-15 09:36:30 1 0 7024 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-06-15 09:36:19 2009-06-15 09:36:19 1 0 Thank you Mary...I look forward to reading your posts every day.]]> 7025 Pam noreply@blogger.com http://www.blogger.com/profile/06115757921248639285 2009-06-15 09:35:41 2009-06-15 09:35:41 1 0
What I like best are the work-in-progress pictures of your embroidery projects. What would I like to see more of? Perhaps more reviews of kits, threads, and useful tools. As a beginning embroiderer I appreciate this information.]]> 7026 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-06-15 09:33:42 2009-06-15 09:33:42 1 0 I love it when you just show different projects that you're working on. The tutorials are helpful, and the websites and references are spectacular, but I love seeing your projects. They always inspire me to try something new, or branch out a bit.
Thanks so much!
:)]]> 7027 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-06-15 09:28:37 2009-06-15 09:28:37 1 0 What I love about the site are -
a)project updates,
b)tutorials - both photo and video
c)book reviews
d)give aways( though I've never won any)

What I love most is the way you point out the pluses and minuses in a piece of work.I too am a teacher and I think all teachers think alike ( atleast a little bit)]]> 7028 stitchenmylifeaway shaytoner@yahoo.com http://www.blogger.com/profile/05838186791953419293 2009-06-15 09:19:02 2009-06-15 09:19:02 1 0 I seldom get to comment as I read you blog from work where they block so many things. Your blog inspires me to attempt things I would other wise just sigh and wish I could do. You lead me out of my counted stitch grove and into many other beautiful paths.
Thanks for opening up so may other opportunities.

Shay]]> 7029 Slack smartisport@gmail.com http://www.blogger.com/profile/13974581328067068775 2009-06-15 09:15:35 2009-06-15 09:15:35 1 0 7030 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-06-15 09:00:15 2009-06-15 09:00:15 1 0
I'd also like to mention that it is extremely rare I skip over one of your entries. Usually they are so thoughtful and well written, bursting with information and tips that I find myself looking forward to the next installment. You are one of my "must read/check" blogs.]]> 7031 Francesca noreply@blogger.com http://www.fuoriborgo.com 2009-06-15 08:49:10 2009-06-15 08:49:10 1 0 7032 marmotte_stitch noreply@blogger.com http://marmotte_stitch.livejournal.com/ 2009-06-15 08:46:10 2009-06-15 08:46:10 1 0
Congratulations on the third anniversary of your wonderful blog! I must tell you that it is very popular in Russia :)
I have been reading the Needle'nThread for only a few months, but I am always looking forward to reading your entries and articles. Thank for your sharing your thoughts and knowledge and for inspiring us!

Now, answering your question about my most favourite feature - I think I like your explanations and tutorials best of all. For example, I'd never heard about the whipped back stitch before, but now I am in love with it. I would also like to see more of your online lessons (I am really looking forward to the long and short stitch project), and I hope that one day you will probably launch a SAL for your readers. Please, please do! :)]]> 7033 Pam Paice noreply@blogger.com 2009-06-15 08:41:30 2009-06-15 08:41:30 1 0 Pam in the UK]]> 7034 Love to Stitch 99 noreply@blogger.com http://www.blogger.com/profile/08717611751588945815 2009-06-15 08:18:05 2009-06-15 08:18:05 1 0
That is a tough question to answer as it all depends on whether that is something of interest or not. Some things attract our attention and others less, but whether they do or not, there are always plenty there to inspire us one way or another, so thank you for putting the time and efforts to do this on a daily basis.

Pierrette =^..^=]]> 7035 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-06-15 08:14:43 2009-06-15 08:14:43 1 0 7036 Nita noreply@blogger.com 2009-06-15 07:59:18 2009-06-15 07:59:18 1 0 the feature I like best is probably the video library of stitches. I have found it extraordinarily helpful in learning hand embroidery.
I guess what I would like to see more of is pictures. You post so many pictures, I would like to see even more if possible!
Thanks,
Nita Carroll]]> 7037 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-06-15 07:57:54 2009-06-15 07:57:54 1 0
The features I like are the videos (of course) and the book and kit reviews as many things you mention aren't available here in the States until later or at all.

I'd love to see a way to find things quicker. Keywords don't often work that well in my experience (and that's what I do for a living, creating and implementing taxonomies).

Thanks for putting up with us for so long!
Jane, waving from Chilly Hollow]]> 7038 Elizabeth teldra@gmail.com http://www.blogger.com/profile/16112379793387963142 2009-06-15 07:40:32 2009-06-15 07:40:32 1 0 7039 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-06-15 07:34:22 2009-06-15 07:34:22 1 0 7040 Iris from Estonia noreply@blogger.com 2009-06-15 07:21:13 2009-06-15 07:21:13 1 0
Okay the feature I like the most are the video tutorials, they're really good and clear and have helped me a lot. So I would also love to see more of those. But I really like the whole blog, I'm really glad to see an unread post from you in my feedreader, always a promise of a good read ahead :)

So congratulations again and hope you have loads of inspiration for years to come!]]> 7041 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-06-15 06:58:51 2009-06-15 06:58:51 1 0 http://www.needlenthread.com/2009/06/needlework-technology.html Sun, 14 Jun 2009 08:17:00 -0500 Mary Corbet 317 2009-06-14 08:17:00 2009-06-14 08:17:00 open open Needlework-&-Technology publish 0 0 post

Over on Gizmodo, there's an interesting feature on needlework and technology, highlighting a recent article from Wired. It's kind of interesting, and certainly worth taking a look at, even if you don't plan to stitch a motherboard or electrify your latest embroidery project! Just think - a whole new use for metal thread embroidery!

The article on Wired highlights the fact that the first programmed machine was actually a loom, so the connection between the textile world and technology is nothing new, really. Much of the main focus of the Industrial Revolution was, after all, the textile industry.

Take a look at the two articles - the original on Wired and the overview and commentary on Gizmodo - to see a whole new take on technology and needlework...

Then stop back by and let me know what you think....! If you're any kind of a computer-oriented person or spend your "real job" working on computers, do you see connections between your needlework and your computer work?
]]> miscellaneous embroidery musings 6873 Raouken noreply@blogger.com 2009-06-16 17:19:56 2009-06-16 17:19:56 1 0
Though I think there could be done more with the concept than there is currently done. Imagine you could make pieces of embroidery light up to illustrate a certain part you would like to show, or to make it touch sensitive so people could actually play around with moving their hands on the piece and activate all kinds of movies and sounds and make it a true interactive, storytelling piece of embroidery! Not just have it hang on a wall, do something with it and let it be a special experience for everyone who plays with it, as if the maker of the emboidery tells you a story, not only through the embroidery but also with lights, touch and music..

I'd love to see more of this, I think it's a great combination. Maybe I should try it myself!]]> 7043 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-06-14 23:14:54 2009-06-14 23:14:54 1 0 7044 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-06-14 23:10:53 2009-06-14 23:10:53 1 0
Unfortunately the rest to me seems like pointless art. Nothing like the stunning pieces you create!!]]> 7045 Hippie Family... noreply@blogger.com http://www.blogger.com/profile/14416984179711198373 2009-06-14 20:10:52 2009-06-14 20:10:52 1 0 7047 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-06-14 17:13:35 2009-06-14 17:13:35 1 0
I have found that as my needlework improves, so does my attention to detail on the computer at work, particularly with reference to the layout of documents, databases and spreadsheets. My skills in the use of color and shading to create a document or screen that draws attention to pertinent details has improved. I think it's because my needlework is teaching me to think differently.]]> 7048 Lindi noreply@blogger.com 2009-06-14 16:14:40 2009-06-14 16:14:40 1 0 7049 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-06-14 16:03:57 2009-06-14 16:03:57 1 0 Annie]]> http://www.needlenthread.com/2009/06/thread-ridges-and-seed-stitch-to-come.html Sat, 13 Jun 2009 09:01:00 -0500 Mary Corbet 318 2009-06-13 09:01:00 2009-06-13 09:01:00 open open Thread-Ridges-and-Seed-Stitch-to-Come publish 0 0 post

On this piece, I'm using whipped backstitch to form the ridged outlines. I wanted a firm line with a little height to it, but I didn't want to work an overcast or trailing outline around the whole design, because that would've taken ten forevers! So whipped backstitch was the choice, as it's relatively quick to work and I do like the look of the lines created by the stitch.



You can see above the difference between the backstitching and the whipped backstitch - the crown part of the design at the top of the photo has already been whipped, and the line is much smoother than the backstitch line. It's funny - in these photos, which were taken under a bright light, I really like the look of the backstitch, too. Actually, I like to look at the contrast between the backstitched line and the smoother lines of the whipped backstitch.



A couple little warbly problems presented themselves in the whole backstitch-whipping endeavor. Why does this happen? Pretty much, it's because the working thread gets too twisted, and as it twists on itself, it stiffens as it wraps around the backstitches. The solution: drop your thread and let it untwist every so often. In fact, when whipping the stitch like this, depending on the direction you're working in, the thread will often become twisted very quickly, so it's a good idea to drop that needle and let it dangle from your work quite often, in order for the tread to untwist.



Overall, I like the design and the ridged line created by the stitch. My intention was to create a high enough line that it would cast a small shadow, making the design more visible from afar. I wasn't sure how well that plan would work, but at least, with a ridged line rather than a flat outline, I know it will be somewhat more visible from afar.



I tried photographing the piece at different angles in different light to see if I could get a decent shadow from the lines...



... but I'm no grand photographer, and I don't always "get it," when it comes to picture-taking!



But then, just as I was closing up shop for the day, for the first time all day, the sun came out. It was slanting in the western window in my studio, right across my work, and I said, "Wow. Now there's a shadow!"



The linen doesn't look as white here through the eye of the camera, I suppose. BUT ... the relief created by the stitching is much more obvious.

Yes, I'm satisfied so far with this part of the stitching. It's the look I wanted, anyway. Now, on to the seed stitching! I'm trying to optimistically think that I'll be finished with all the stitching by this evening, and able to assemble the pall tomorrow and put a hand-tatted edge on it. Um. Well, there's nothing wrong with optimism! I'll let you know if it happens!
]]> ecclesiastical embroidery whitework pictures needlework pictures 6829 lila noreply@blogger.com 2009-06-18 15:33:00 2009-06-18 15:33:00 1 0 6975 Lisa N noreply@blogger.com 2009-06-15 16:17:30 2009-06-15 16:17:30 1 0 6977 Žabacorporation zabacorporation@gmail.com http://www.blogger.com/profile/08672390582224414007 2009-06-15 15:56:22 2009-06-15 15:56:22 1 0 I love this piece and wonder how is it possible that something so fine can be created by a man :)
(I hope my level of English didn't prevent you from understanding of what I ment:-D )]]> 7046 Anonymous noreply@blogger.com 2009-06-14 18:50:41 2009-06-14 18:50:41 1 0 7050 Barbara noreply@blogger.com http://www.blogger.com/profile/12902246277787955338 2009-06-14 09:54:44 2009-06-14 09:54:44 1 0 7051 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-06-14 06:38:03 2009-06-14 06:38:03 1 0 7052 Marielle mariellesw@gmail.com http://www.blogger.com/profile/18158011891565911447 2009-06-13 21:30:45 2009-06-13 21:30:45 1 0 7053 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-13 21:23:43 2009-06-13 21:23:43 1 0
You can find Alba Maxima at any online needlework shop that carries Legacy linen, which I believe is imported by Access Commodities, so probably anywhere that carries Access Commodities supplies would be able to order linen from Legacy linen.

Hope that helps!

MC]]> 7054 onafixedincome noreply@blogger.com 2009-06-13 20:40:47 2009-06-13 20:40:47 1 0
Looks AWESOME!]]> 7055 Susan noreply@blogger.com http://www.blogger.com/profile/17842409196561932682 2009-06-13 18:53:59 2009-06-13 18:53:59 1 0 Your work is beautiful!
What kind of linen are you using and where do you purchase it?
Thanks -
Susan]]> 7056 Cheryl G. cheryl.gibbs3@gmail.com http://www.blogger.com/profile/11317363081940625235 2009-06-13 12:45:29 2009-06-13 12:45:29 1 0 7057 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-13 12:21:18 2009-06-13 12:21:18 1 0 7058 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-13 12:21:10 2009-06-13 12:21:10 1 0 http://www.needlenthread.com/2009/06/calling-all-needleworkers-picture.html Fri, 12 Jun 2009 08:58:00 -0500 Mary Corbet 319 2009-06-12 08:58:00 2009-06-12 08:58:00 open open Calling-All-Needleworkers,-Picture-takers,-Reader-Bloggers,-etc. publish 0 0 post

... except for a four-day weekend beginning the 18th, for a quick trip to Minnesota, where I hoped to throw in a really quick day-trip up to Fargo, North Dakota, to visit Nordic Needle. (Well, it's a four hour drive from where I'll be - but relatively speaking, that's pretty close!)

Other than that quick trip, my vacation time was to be spent filming videos and working entirely on this website, including the finishing touches on some long and short stitch lessons. Heh heh. Don't worry, I'm not abandoning my plans! But I have been convinced - cajoled - brainwashed - whatever you want to call it - into believing that a break is necessary. That it's time to get away for a bit. And I admit, I have come to believe it!

(It didn't take much convincing - I'm a sucker for traveling, I adore road trips, especially when they take me to places I've never seen before, and, after the school year, it is always nice to get a bit of rejuvenating, to refresh one's outlook, and so forth!)

To prepare for departure, I'm pre-publishing some articles here on Needle 'n Thread. I thought it would be a good time to ask you to help me out with some content!

Do you have an embroidery project I could feature here on Needle 'n Thread? How about an online needlework-related shop (whether supplies or goods you have made) that you might want to tell my readers about? What about your own needlework-related blog that you'd like to introduce (or re-introduce) to us? How about a trick or tip that you'd like to teach us? Maybe you teach online classes that you'd like to publicize a little bit, or maybe you just have your own needlework story that you'd like to share.

If you'd like to help me out with a little content by allowing me to feature something about you and your needlework-related ventures, will you drop me a line? If you send me a short e-mail via my contact form, I'll e-mail you back with some simple guidelines.

If you can help me out, you'd have my undying gratitude for life! (Ok, well... you know what I mean!)

The Fine Print

AOL Users: I can't seem to reply to AOL e-mails. My replies get bounced back. AOL apparently has a thing called a "white list" and "black list" and I'm on the latter - they read my e-mails as spam, which is crazy, because I have never used e-mail addresses that way and never will! Still, that is the case. So if you're an AOL user, if you have an alternate e-mail address, please use it instead. Sorry for the inconvenience, but the problem is actually on the AOL end, and there's nothing I can do about it.

I reserve the right to be discriminating (in the proper sense of the word) about content for my website. If you've been reading me for a while, you know I tend towards a more conservative approach in regard to language, photos, types of projects, etc. Anything I consider crass, lewd, vulgar, rude, or grotesque isn't quite the thing I'm looking for! Also, content that promotes any kind of "link farm" sites, etc., will not be considered. I've got a very high opinion, though, of the calibre of my readers, so I'm not too worried about this point - but I thought I better mention it, just in case.

In case there is an influx of content volunteers, I will probably have to do some picking and choosing. I'll let you know, either way!
]]> website news 7042 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-06-15 05:54:29 2009-06-15 05:54:29 1 0 Ciao,
Deepa]]> 7059 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-06-13 11:23:12 2009-06-13 11:23:12 1 0
Enjoy your well deserved break.]]> 7060 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-13 08:49:26 2009-06-13 08:49:26 1 0
I'm still going to Nordic Needle, too.... heh heh. So much for my summer resolution of "no needlework purchases" and working only from stash. I know I'm going to be besotted with certain things at NN! I suppose I'll just have to consider this part of the vacation budget!

MC]]> 7061 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-06-13 08:16:04 2009-06-13 08:16:04 1 0 Hugs, Kathy K]]> 7062 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-06-12 19:28:47 2009-06-12 19:28:47 1 0
'Happy vacation'

regards
lakshmi]]> 7063 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-12 18:51:16 2009-06-12 18:51:16 1 0 7064 Anonymous noreply@blogger.com 2009-06-12 14:30:53 2009-06-12 14:30:53 1 0 7067 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-06-12 11:39:35 2009-06-12 11:39:35 1 0 http://www.needlenthread.com/2009/06/embroidery-back-removing-and-repairing.html Thu, 11 Jun 2009 09:11:00 -0500 Mary Corbet 320 2009-06-11 09:11:00 2009-06-11 09:11:00 open open Embroidery-Back:-Removing-and-Repairing-a-Slip-Knot publish 0 0 post sneaky little slip knot. For some reason, they really irritate me! But they aren't that difficult to repair - I'll show you how I do it.

Slip knots generally form on the back of needlework when the working thread has become over-twisted during stitching. One way to help avoid slip knots is to drop your needle and thread straight down towards the floor every now and then, allowing the thread to hang until it untwists itself. Still, even if you do this fairly regularly, you are bound to encounter the slip knot at some point in your stitching career. We all do. It's inevitable.

To remain sane despite these irritating little intruders, the trick is to know how to deal with them.



Here's the slip knot in all its sneaky little glory. Right smack in the middle of a whole length of stitching, it quietly meandered in and took hold.

In some types of embroidery, a tiny slip knot here and there may not be a big cause for concern - especially in framed pieces that won't be handled much, as long as the slip knot has not caused an unsightly bulge, it can probably just be left there. Without regular jostling, laundering, and so forth, it is unlikely that it will loosen and cause any problems.

But on this particular piece, there is the danger of the slip knot loosening in laundering and regular handling. Also, because the embroidery will be stretched tight over a thin piece of mat board, it is likely that, over time, as the fabric becomes softer with use and washing, the knot may be visible from the front. Under these circumstances, I think it's important to go through the effort to get rid of it.



The first thing I did was insert my needle eye-first into the base of the knot, to loosen it and undo it. A slip knot will just "slip" back over the loop and undo itself, most of the time.



Then, using the needle, I pulled the loop out as far as I could from the fabric, to see how much thread was available. This is when I discovered that part of the knot had actually been stitched through, so I couldn't really just "slip" it off.



It was obvious that I would definitely have to cut the thread. I pulled the loop as far out from the fabric as the thread would allow, and cut the farthest distance away, so that I would have as much thread as possible on each side of the cut.

Now, had the knot just slipped over the loop, I wouldn't have cut the thread - I would have have simply continued on to anchoring the loose thread, without cutting.



Once the thread was cut, though, I could dislodge the stitched part of the knot. I was left with two tails of thread - short tails that could not be conveniently re-woven.



As much as I possible, I want to keep the bulk down on the back of this piece. So I threaded a needle with one strand of regular DMC floss, which I used to secure the tails. The single strand of DMC floss is much finer than the #20 coton a broder that I'm working with.



Folding the first tail on the left back to the left on top of the stitching already there, I whipped over it with the smaller thread.



Continuing along the line of stitches, I whipped over the other tail on the right, which I folded to the right on top of the stitches. The whole bit is looking a little messy at this point!



Then, I wove the smaller thread (the one strand of DMC) back under the stitches, pulling snuggly to tighten up the line on the back and pull all the stray bulk in.

There! The line is much neater, the knot is gone - I don't have to worry about the tails coming loose or about any little bump becoming visible on the front over time! And it really took very little time or trouble to accomplish the clean-up job. In fact, it took me a lot longer to explain how I fixed it than to actually do it!

If you notice that a slip knot has formed on the back of your work and you're still within a stitch or two of it, just take out the stitches and remove the knot! You'll be glad you did, even if it is a pain in the neck at the time. Another big problem with slip knots is that the loop of thread can get caught up in other threads as you work, causing an unsightly mess on the back of your work! So, if one sneaks in and you are still relatively close to it while working with the same thread, backtrack and remove it!

To avoid slip knots as you stitch, pay attention to your thread. If you pull through and you notice that your previous stitch doesn't show any sign of tension, chances are your thread is caught up on the back. Also, the more you stitch, the more aware you are of your thread length. If your thread seems suddenly to be much shorter, chances are you've got a knot!

How do you deal with these types of knots, discovered after you've finished a bunch of stitching? Do you just leave them there? Do you whip over them with another thread, leaving the knot in place (I do that, if the thread I'm stitching with is very fine!)? In short, how do you deal with unsuspected knots on the back of your work? Do share your tips and tricks with the rest of us!
]]> whitework pictures embroidery tips and tricks needlework pictures 2555 Anonymous noreply@blogger.com 2010-03-07 13:13:59 2010-03-07 13:13:59 1 0
I learned from my lesson and from then on I keep a hawk's eye on my thread. As soon as I see it twists on itself I bring my needle to the base of the thread against the fabric on the right side and undo the twist by running the thread 3 or 4 times between index finger and thumb while giving a bit of pressure.
Sometimes I get a knot anyway but I notice it right away and most of the time am able to pull it off with a little careful force, i.e. without breaking the thread. What a relief when this all it takes to get rid of it!
Brigitte]]> 6345 Anonymous noreply@blogger.com 2009-08-03 23:32:46 2009-08-03 23:32:46 1 0
I seem to add about one half-twist with each stitch, always (I'm working from memory here, so bear with me; I have a problem remembering which hand is left and which is right, LOL) clockwise. As soon as I notice that my thread is beginning to twist on itself as I work (usually every five or six stitches), I untwist the thread by rolling it counterclockwise.

This is so much easier to do than dropping the needle to let the thread untwist that I do it more often. Because I do it more often, I get fewer knots, but more importantly, I notice there is significantly less wear and tear on the thread, so longer pieces still result in less fuzzing.]]> 7066 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-06-12 12:21:51 2009-06-12 12:21:51 1 0 7068 SF noreply@blogger.com http://www.blogger.com/profile/03196237902687979110 2009-06-12 08:45:25 2009-06-12 08:45:25 1 0 7069 Anonymous noreply@blogger.com 2009-06-12 08:10:01 2009-06-12 08:10:01 1 0 I haven't done your method - I think I'll start as it's much neater. I usually remove the knot, but don't cut the thread. Then I put a regular sewing thread thru the loop, and thread a needle with both ends of the sewing thread and use that to pull the loop thru the stitches, like you would do when ending stitching normally. If it's something that may get a lot of handling, I weave the sewing thread back and forth a couple of times. If it's not clear, I could take some photos and put them .... somewhere (no blog and I have't yet gotten around to using a photo sharing site - might be time to???)
JustGail]]> 7070 CC noreply@blogger.com http://www.blogger.com/profile/10014665817356312048 2009-06-12 06:20:14 2009-06-12 06:20:14 1 0
Your method looks nicer though, so I'll probably be changing...]]> 7073 margaret c. noreply@blogger.com 2009-06-12 00:52:48 2009-06-12 00:52:48 1 0
What I do with knots is highly dependent upon where they occur and what kind of project I'm working on. If the back is going to be seen I take care of these little darlings by ripping them out, neatly tacking them down, or tucking them under other threads (and sewing them into place), etc. If the back isn't going to be seen I don't worry about them too much although I will probably tack down noticeably loose threads.

Ripping out stitching is my least favourite solution. I will do almost anything to avoid doing that!]]> 7076 Char / Stitchary! notochars-delving@yahoo.com http://www.blogger.com/profile/15226920395500889512 2009-06-11 18:41:47 2009-06-11 18:41:47 1 0 7077 appleseed noreply@blogger.com http://www.blogger.com/profile/15436461693763285963 2009-06-11 18:39:46 2009-06-11 18:39:46 1 0 7078 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-06-11 17:46:48 2009-06-11 17:46:48 1 0 7079 BJ noreply@blogger.com 2009-06-11 16:25:36 2009-06-11 16:25:36 1 0 BJ]]> 7080 onafixedincome noreply@blogger.com 2009-06-11 12:47:28 2009-06-11 12:47:28 1 0
I spend a lot of time unpicking those little buggers; around here, they're complicated by critter fuzz, so are even worse.

I'd BEEN doing the 'snip and restart' technique but I like yours so SO much better... Thanks!]]> http://www.needlenthread.com/2009/06/backstitch-ya-gotta-be-joking.html Wed, 10 Jun 2009 07:43:00 -0500 Mary Corbet 321 2009-06-10 07:43:00 2009-06-10 07:43:00 open open Backstitch?-Ya-Gotta-Be-Joking... publish 0 0 post little annoying slip knot, I have another problem to fix...

But, given a bit of limited time right now, I'm going to show you instead some of the stitching, and pretty much leave it at that!

Now, I suppose you are probably expecting something grandiose. Something so Complex and Time-Consuming that your sympathy will be aroused as you contemplate my sweating over a looming deadline while having to stitch some intricate technique...

Oh, golly. Please don't be too disappointed!



Yep. That's backstitch, all right!

But don't underestimate the backstitch - it has come through for me before, and I think it will this time, too.



That line on the right is really what I am going to achieve with it - whipped backstitch, to be precise. There are other more complicated ways to make a nice thin, firm line in embroidery, but the whipped backstitch is a fairly quick and painless way to do so while still achieving nice-looking results.

I've never considered backstitch a very "formal" or elegant stitch. At best, on its own, I'd call it clean-looking and sometimes even "cute." But elegant or formal is a bit of a stretch. Whipped backstitch, on the other hand, dresses the backstitch up a bit, smooths it out, and turns it into a precise line stitch that looks good on slight curves and even around tight corners.

Believe it or not, despite its simplicity, whipped backstitch can be a bit more time-consuming than other line stitches (such as stem stitch), only because whipped backstitch takes two steps - first the backstitching, then the wrapping. But the latter part goes fairly quickly.

A hint: when you finish your backstitching and are getting ready to whip the stitches, switch to a tapestry needle with a blunt tip. Much easier!

Once the backstitching is finished, I'll progress to filling up certain spaces with very tiny seed stitching and lots of it. That's the time-consuming part!

Today, I have to deal with an onslaught of high humidity that has taken its toll on the framed-up fabric! What was all smooth and tight yesterday morning is ripply and loose and warped-looking today. I'd turn on the AC to elminate the humidity, but Kansas being what it is, it's only 64 degrees out! Thank goodness for evertite frames. If tightening doesn't do it, though, stay tuned for Plan B!
]]> ecclesiastical embroidery whitework pictures embroidery tips and tricks needlework pictures 7082 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-06-11 11:09:25 2009-06-11 11:09:25 1 0 Your current project is looking so beautiful... Simplicity is the essence of beauty. I love the tips that you intersperse whenever possible. Thanks]]> 7087 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-06-10 23:31:25 2009-06-10 23:31:25 1 0 7088 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-06-10 22:28:21 2009-06-10 22:28:21 1 0 7093 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-06-10 10:49:55 2009-06-10 10:49:55 1 0 :)]]> 7094 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-06-10 10:49:20 2009-06-10 10:49:20 1 0 7095 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-06-10 10:48:48 2009-06-10 10:48:48 1 0 7097 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-06-10 09:31:13 2009-06-10 09:31:13 1 0
Swapping to a tapestry is a good tip, thanks. Kathy (shawkl)]]> http://www.needlenthread.com/2009/06/catching-up-with-stitching-and-my-day.html Tue, 09 Jun 2009 22:12:00 -0500 Mary Corbet 322 2009-06-09 22:12:00 2009-06-09 22:12:00 open open Catching-Up-with-Stitching-and-My-Day publish 0 0 post

I mean, really, what's the most irritating thing that can happen while you're engrossed in your embroidery, stitching along, making good progress, thinking all's going well?



Right. You turn it over to finish off, and you see that.

It's called a slip knot.

I hate them.

That's about how my day has gone! Fortunately, these are relatively easy to take care of. I'll show you how I remedy problems like this in an upcoming post!

I hope you have had a much more satisfactory day!
]]> ecclesiastical embroidery whitework pictures needlework pictures 6972 Laurie in Maine dognapper2@msn.com http://www.blogger.com/profile/06022126513010116196 2009-06-15 16:42:44 2009-06-15 16:42:44 1 0 Do you pull it or pick it? :)

Sometimes a little tug and poof it's out and other times a tug just made it tighter. What to do! Was wishing the other day there was a way to tell which one it was going to be...I guess NEVER TUG is the answer? :)]]> 7092 Laurie noreply@blogger.com 2009-06-10 11:28:51 2009-06-10 11:28:51 1 0 7098 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-06-10 08:35:31 2009-06-10 08:35:31 1 0 Tammy]]> 7099 coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-06-10 05:41:26 2009-06-10 05:41:26 1 0 7100 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-06-10 04:27:53 2009-06-10 04:27:53 1 0 7102 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-06-10 00:57:22 2009-06-10 00:57:22 1 0 Thanks again, Kathy K]]> http://www.needlenthread.com/2009/06/trish-burr-embroidery-kit-winner.html Mon, 08 Jun 2009 07:11:00 -0500 Mary Corbet 323 2009-06-08 07:11:00 2009-06-08 07:11:00 open open Trish-Burr-Embroidery-Kit-Winner! publish 0 0 post give-away of a Trish Burr Embroidery Kit, and today, I'm going to announce the winner!

Perhaps I haven't mentioned this before, but for those of you who read my website pretty regularly, you know I'm a fan of Trish's. So I was really excited when Trish finished them and released them! It's a huge undertaking, to prepare enough kits to be able to "go public" with them in the retail world. Trish said that her mom and dad and her own kids and their college friends helped her with the packaging. Can you imagine snipping all the thread, bundling the colors together correctly, making sure everything is in the right little bag, labeling everything correctly, and all the work it must take to package up embroidery kits? All done at home?! Just the instructions alone - making sure that all the colors are labeled, there are no glitches in the instructions with misnumbered colors, corresponding the instructions with the supply lists, with the pictures, and all that - I would imagine this is a painstaking, concentrated effort!

Why am I saying all this? I suppose so that we can better appreciate these kits. They aren't commercially produced by some large company like Dimensions or Leisure Arts. They're produced at home, with the help of family and friends, under the meticulous direction of one person overseeing, directing, working... all to achieve the goal of producing a kit for ... you. That's right! Yes, there's a small profit involved, but compared to to work that goes into the production, the profit is really minimal. Those who have ever set up kits for embroidery classes - or who have ever bought the supplies for a finished project - understand this.

The more I look over the kits, anticipating the moment when I can actually launch in, the more I am struck by the careful attention to detail and all the hard work that must go into making them! Thanks, Trish!

Now, on to the WINNER.

Triah asked if she could pick the winner, and I was ready to let her. I explained the process I use for selecting the winner, and she agreed rather to let me do it! It would be nice to be able to pick a winner on the merit of one's answer, but the fact is, so many answers are similar, so there's no real way to distinguish merit objectively! So the Random Selection Approach seems to be the only fair way to go about it.

This is what I do: I keep an ever-developing list of names of those who leave a comment that fulfills the directions of the contest. I fill out this list on a spreadsheet as I moderate the comments. I found it's a lot easier to make up the list as the comments are moderated than to have to go back at the end of the contest and grab all the names off the website!

I eliminate duplicates, and I don't include comments left on other posts or sent via e-mail. I'm sorry to have to be so "mean" on this point, but it's already a ton of work to run the contest fairly; I can't gather names from everywhere. Besides, it's in the directions!

Then, once I've moderated the stragglers - those are the comments that came in under the wire the morning of drawing - I mix up the names on the spread sheet. This is, in fact, kind of an electronic shaking-of-the-hat before drawing the name.

Then I use a random number generator and it gives me the number corresponding to the winner.

So, you see, there's a complicated process here, but I try to keep it entirely objective, strictly according to the rules, and completely based on chance. (I would prefer, I think, to do things based on merit, but I don't know how to accomplish that in these types of contests! Any suggestions?!?!?!)

OK - SORRY - I'm really gabbing a lot. Here it is. The random number was 84, and it corresponded, on the "mixed up" spreadsheet, with Clare-Anne from Wieser, Oregon, who answered the question thus:

What would I do with this? Why, frame it of course! I can't imagine needleworking something like this and putting it in a situation that it could get ruined in! I would frame it behind glass and hang it on the wall.

I'm 17, but I hope I am still eligible.

Apparently, you are still eligible! Congratulations! Please drop me an e-mail by Wednesday morning, Clare, with your mailing address so I can get this off to you as soon as possible.

Now, if you didn't win, and are dying to have one of Trish's kits, you can still purchase them via her website. While postage seems a bit high (it's been slightly reduced since the kits were first made available), keep in mind that they are coming insured airmail, and that you can order two kits for the same postage. Perhaps you can split the postage with a stitching buddy who wants to go in with you and get a kit, too.

Once more, Congratulations, Clare! I look forward to hearing from you soon.

Do keep an eye out, everyone! I'll be running a June stash contest later in the month!
]]> Trish Burr stash contest 7096 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-06-10 09:35:29 2009-06-10 09:35:29 1 0 7101 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-06-10 01:10:19 2009-06-10 01:10:19 1 0 once that stitching bug gets you, you are into this art for life!....
it doesn't matter how busy you and life get...you will always find peace with your stitching....
Mary is proof of that.... hope you will enjoy your special gift from Trish and Mary....
Thanks once again Mary for all that you do.... we are all eyes and ears to learn from you!
hugs, Kathy K]]> 7103 Anonymous noreply@blogger.com 2009-06-09 20:07:22 2009-06-09 20:07:22 1 0 adquirirlo ,era un sueño
bueno
felicidades a la ganadora
gracias Mary]]> 7104 BJ noreply@blogger.com 2009-06-09 16:44:45 2009-06-09 16:44:45 1 0 BJ]]> 7105 Martamadrid mmayuso@gmail.com http://www.blogger.com/profile/01586107230893202688 2009-06-09 06:38:48 2009-06-09 06:38:48 1 0 Marta.]]> 7107 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-06-09 04:25:31 2009-06-09 04:25:31 1 0 7108 Maryvonne noreply@blogger.com 2009-06-08 23:54:25 2009-06-08 23:54:25 1 0
Mary, you are a star. Don't know how you manage to fit all you do in one day. Fortunately for us!! I love your site and go look for things on there almost every day since I discovered your site. Thanks for being so generous.]]> 7112 Anonymous noreply@blogger.com 2009-06-08 15:03:31 2009-06-08 15:03:31 1 0 7113 Hema noreply@blogger.com 2009-06-08 14:11:14 2009-06-08 14:11:14 1 0 Thankyou Mary for letting all of us participate.]]> 7114 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-08 14:06:59 2009-06-08 14:06:59 1 0 And thank you, Mary, very much, you make so much for us, your readers...]]> 7115 Skye noreply@blogger.com http://www.blogger.com/profile/07313130856094132738 2009-06-08 12:06:17 2009-06-08 12:06:17 1 0 7116 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-06-08 11:38:56 2009-06-08 11:38:56 1 0 7117 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-06-08 10:52:02 2009-06-08 10:52:02 1 0 And thanks to you again Mary, it's still thriller fun just to join in.
Tammy]]> 7118 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-06-08 09:20:25 2009-06-08 09:20:25 1 0 http://www.blogger.com/ Sun, 07 Jun 2009 20:38:00 -0500 Mary Corbet 324 2009-06-07 20:38:00 2009-06-07 20:38:00 open open Embroidery-Project-Update draft 0 0 post

In liturgical usage, a pall can be one of two things: it can be the drape that covers the casket at a funeral, or it is also the name of the small square linen that covers the chalice during Mass, in both Catholic and Anglican churches.

I'm making the latter. I was asked to make this pall a looong time ago (January, I think!), and I'm a little ashamed that I have put it off for so long. A priest, when ordained, is often given his own set (or several sets) of small altar linens. These include the lavabo towel, the purificator, the corporal, and the pall. Often, they might include as well the amice, though this properly belongs to the category of "vestments" more than "altar linens." Other linens, such as the altar linen used to cover the altar, are very large and generally belong to the sacristy of a given church, but the "small linens" (those listed above) generally belong to the individual priest - though, usually, a sacristy will stock a selection of plain small linens.

The most decorated of the above small linens is the pall, and technically, it can be decorated in almost any way. I've seen palls that are embroidered in color, palls that are painted, palls worked in goldwork, and so forth. But it seems that the favored decoration on a pall, especially one intended for everyday use, is white-on-white embroidery.

Purists will insist that the pall must be made entirely of linen. However, I've been told by those in the know that the only requirement, actually, is that the part of the pall touching the chalice be made of linen. Hence, I've seen palls that are silk, which

]]> http://www.needlenthread.com/2009/06/last-change-to-sign-up-for-embroidery.html Sun, 07 Jun 2009 17:13:00 -0500 Mary Corbet 325 2009-06-07 17:13:00 2009-06-07 17:13:00 open open Last-Change-to-Sign-Up-for-Embroidery-Kit-Give-Away! publish 0 0 post beautiful embroidery kit from Trish Burr! If you haven't already done so, read the give-away post and follow the directions for the give-away. The winner will be drawn Monday morning, June 8th, at 5:00 am CST, so you still have a bit of time to sign up!]]> Trish Burr stash contest needlepainting 7109 Anonymous noreply@blogger.com 2009-06-08 23:28:32 2009-06-08 23:28:32 1 0 seria genial
saludos
rosaly]]> 7127 Marian noreply@blogger.com 2009-06-07 22:33:30 2009-06-07 22:33:30 1 0 http://www.needlenthread.com/2009/06/really-good-deal-on-z-needlework-books.html Sat, 06 Jun 2009 06:40:00 -0500 Mary Corbet 326 2009-06-06 06:40:00 2009-06-06 06:40:00 open open A-Really-Good-Deal-on-A-Z-Needlework-Books! publish 0 0 post

The A-Z needlework books usually run about $33 US per book, a price that is somewhat steep, especially considering that they're rarely available through discount outlets like Amazon. On the other hand, I have to admit that, for certain books in the series, I think the price tag is worth it. The A-Z of Goldwork, for example, is a must-have for anyone interested in metal thread embroidery.

Well, there's a good deal going at Wooly Thread right now on some excellent A-Z books, specifically:

A-Z of Stumpwork
A-Z of Wool Embroidery
A-Z of Embroidery Stitches 2
A-Z of Threadpainting
A-Z of Embroidered Flowers

Right now, through Wooly Thread, you can order any of the above for just $15. If you're interested in knitting, the paperback copy of A-Z of Knitting is available for $18.

Of the A-Z books listed above, the only ones I can't vouch for through personal experience are Embroidered Flowers and Knitting. The rest are in my library, and I have referred to them innumerable times - they are excellent! Based on the quality of all the A-Z books, though, I'm sure these two are equally as good.

So, hurry on over to Wooly Thread to build your stitching library with these good deals, while the sale's on!
]]> embroidery resources embroidery books 7111 Jan noreply@blogger.com 2009-06-08 19:47:10 2009-06-08 19:47:10 1 0 7128 Marian noreply@blogger.com 2009-06-07 22:23:28 2009-06-07 22:23:28 1 0
It's amazing how another mouth to feed can severely dent the personal spending budget - esp when he's a man mountain.]]> 7137 DAS noreply@blogger.com http://www.blogger.com/profile/00623118914187101482 2009-06-07 07:49:54 2009-06-07 07:49:54 1 0 7138 Brenda noreply@blogger.com http://www.blogger.com/profile/02932300582692498942 2009-06-07 06:50:13 2009-06-07 06:50:13 1 0 http://www.needlenthread.com/2009/06/readers-embroidery-dormition-icon-in.html Fri, 05 Jun 2009 10:54:00 -0500 Mary Corbet 327 2009-06-05 10:54:00 2009-06-05 10:54:00 open open Reader's-Embroidery:-Dormition-Icon-in-Silk-and-Gold publish 0 0 post

You will probably be amazed to know that this is Lynn's first attempt with goldwork!



The Theotokos (Blessed Virgin) was embroidered separately, then appliquéd to the veleveteen background, onto which the text and flowers are directly stitched. The finished embroidery measures 12" x 21".



The figure is worked in silk shading techniques, following the traditional color schemes and definition found in icons. The cloth on which the figure rests is worked in Or Nué and the gold background is made up of couched double gold threads.



The halo or nimbus is also couched gold - very neatly and well done, I'd say! The head of the Virgin rests on a very life-like pillow. You can also see here the neat stitching in red, and a close-up of the white stripes on the background cloth.



In iconography, the art is more two-dimensional. Unlike the realistic shading found in later art (Medieval, Renaissance, and beyond), the Byzantine art and icons tend to look flatter. This was done on purpose, to concentrate the viewer's thoughts on what the art is expressing, rather than on the art itself. (This is also one of the reasons why most iconographers in early history were anonymous, and the same holds true for church art in the West, even into the medieval era just before the Renaissance.) I think this icon tradition is reflected really well here at the base of the gown. It's just realistic enough to give the impression the artist wants to give, but not overly detailed - perfect shading for an icon.



Here are the hands, folded in repose. I wanted actually to draw your attention to the very fine gold line around the red robe. A nice touch!



Lilies are a symbol of the Virgin. These were stitched directly onto the velveteen background, along with the text:



Isn't this piece beautifully done? I think it's absolutely gorgeous. And to think that it is a "first attempt" at goldwork is astounding!

Thanks, Lynn, for sending the photo! Congratulations on a beautiful piece of art!
]]> ecclesiastical embroidery goldwork readers embroidery pictures silk needlework pictures 5897 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-09-02 08:07:29 2009-09-02 08:07:29 1 0
Beautifully done.]]> 7086 Angelina noreply@blogger.com 2009-06-11 08:22:46 2009-06-11 08:22:46 1 0 7141 Anonymous noreply@blogger.com 2009-06-06 20:38:08 2009-06-06 20:38:08 1 0 Mary and Lynn, this is what I want to do someday. What is the direction I move in to do this type of embroidery?
Karole King]]> 7146 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-06-06 07:34:45 2009-06-06 07:34:45 1 0 7147 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-06-06 02:51:43 2009-06-06 02:51:43 1 0 7150 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-06-05 21:04:27 2009-06-05 21:04:27 1 0 Thanks Mary for presenting this on your site...you are reinforcing our new learning experiences.......
Keep stitching!
Kathy K]]> 7152 Lynn noreply@blogger.com 2009-06-05 20:34:02 2009-06-05 20:34:02 1 0 7155 margaret c. noreply@blogger.com 2009-06-05 19:43:27 2009-06-05 19:43:27 1 0 7156 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-05 16:59:55 2009-06-05 16:59:55 1 0 7159 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-06-05 13:21:33 2009-06-05 13:21:33 1 0 Thanks for sharing this, Lynn and thanks, Mary for posting, AnneG in NC]]> 7160 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-06-05 13:16:51 2009-06-05 13:16:51 1 0 It's a beauty!]]> 7162 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-06-05 11:44:28 2009-06-05 11:44:28 1 0 http://www.needlenthread.com/2009/06/long-dog-sampler-update.html Thu, 04 Jun 2009 08:46:00 -0500 Mary Corbet 328 2009-06-04 08:46:00 2009-06-04 08:46:00 open open Long-Dog-Sampler-Update... publish 0 0 post Last time we visited the Long Dog Sampler that my niece and I have been plodding through together, I was saying good-bye to it for a time, due to this commissioned project that I needed to design, set up, and stitch. Well, you know... I'm always full of a million excuses (a negative characteristic that I'm trying to correct in myself!), but the fact of the matter is, I never did quite put the thing away like I was supposed to! A reader asked in one of the comments not too long ago how this project was coming, so I thought I'd show you an update...

Now that summer has arrived, my niece has launched into her sampler with a little more concentrated effort. I haven't seen her latest stitching endeavors yet, though. Hopefully, next week I'll be able to catch up with her on that. She told me she plans to listen to audio books (she's a great fan of Agatha Christie) and stitch away. Sounds like an ideal summer plan to me!

After I told you I was bidding farewell to this project for a time, I discovered that I could slip the whole project into a nice basket and keep it more or less available, regardless of other work to do. It's much easier to take this project out and put a few stitches in when I have a few minutes than it is to go out to the studio, where I'm working on the ecclesiastical piece! So I've kept this thing next to the sofa in the living room, and have managed a few sessions on it here and there, as time allowed.



I've managed to put in almost three whole bocks up there on the right.

Each of these little blocks is less than an inch square, but in each of those little squares, there are 729 little stitches, so they actually take a while to do.



The sampler is pretty colorful, and no two motifs are the same, which is nice. While the actual stitching may get a bit repetitive, the changes in pattern and color make the piece interesting to stitch. It's kind of fun, filling in those little blank squares with color and shape. There's no stress at all involved in this kind of stitching, so it really does make a good, relaxing summer project!



This is perhaps the oddest square I've stitched so far. It doesn't seem to fit the style of the other squares, and the colors are quite bright and almost garish. At first, I didn't like it. I didn't like the zig-zag pattern or the color arrangement. But what's strange is that, just as I was coming to the end of this square, I found I did actually like it, somehow. I liked the way it filled in so tightly, and how all the colors formed their little own zig-zaggedly neat little rows. Overall, I wouldn't call it "me-ish," but I like it!



This top half of the grey and pink square is perhaps one of my favorite elements so far. I like that "carnation" look, typical to 17th century petit point slips and other historical embroideries.

I'm glad we undertook the project. It's given me a better appreciation for counted techniques. And I still do intend to carry the whole project through to then end, which, for me, is a good sign that I'm enjoying it.

I haven't stitched on this for a couple weeks now, but I am still keeping it next to the sofa, awaiting the next 15 minute break that I can devote to it!

Now, this is the thing: two weeks from yesterday, the embroidery piece I (finally) got set up the other day is due. I bet you know what that means! It's the only thing I'll be stitching on now. I must get it done! I have so many other projects, too, that I want to start! I'm also going out of town in two weeks - before I go, I want to set up several "on-the-go" embroidery projects that I can work on while I travel. So, keep your fingers crossed for me, that I actually do get something accomplished! THANKS!

If you haven't signed up for the Trish Burr Embroidery Kit Give-away I posted yesterday, do take a minute to read the post and add your comment!

Enjoy the day!
]]> pictures sampler counted thread embroidery techniques needlework pictures 5989 Anonymous noreply@blogger.com 2009-08-23 19:03:15 2009-08-23 19:03:15 1 0 Daughter-in-law who helped me get
through a terrible experience. I
would love to be able to give her
something "nice"!
Gramby]]> 7164 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-06-05 11:18:11 2009-06-05 11:18:11 1 0 7169 Laura Bullinger noreply@blogger.com 2009-06-05 07:26:33 2009-06-05 07:26:33 1 0 7193 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-06-04 17:46:44 2009-06-04 17:46:44 1 0 7201 Violette noreply@blogger.com http://handquilting.blogspot.com 2009-06-04 15:44:42 2009-06-04 15:44:42 1 0 7207 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-04 14:30:55 2009-06-04 14:30:55 1 0 Your sampler is going very nice, I like following its progress. Some motives of it could become great cards. I love the bird on the left and blue ornament on the right the most. Bus I guess next time you will show some other great motives.
And speaking about UFOs, WIPSs etc., I have many of them. Before few weeks I have finished the stitching which was started by my grandmother about 60 years ago. Before that I was trying to minify my projects. But after this finish I said that I can start as many projects as I want. Next generations will have what to do...
Regards from Lithuania
Agne]]> 7233 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-06-04 09:57:06 2009-06-04 09:57:06 1 0 I'm so curious Mary, do you just enjoy working on a variety or is it something that breaks the monotany of viewing just one piece for so long or is it more like my reasoning. As soon as I start a piece I'm already thinking of the next and just can't seem to resist my urges and before ya' know it I'm getting it ready for that first stitch?
I really wish your pictures could click to enlarge so I could really get in there and see every little detail. But then I might stay on your blog all the live long day.
As always thanks so much for sharing.
Tammy]]> http://www.needlenthread.com/2009/06/im-giving-away-trish-burr-embroidery.html Wed, 03 Jun 2009 11:37:00 -0500 Mary Corbet 329 2009-06-03 11:37:00 2009-06-03 11:37:00 open open I'm-Giving-Away-a-Trish-Burr-Embroidery-Kit! publish 0 0 post Trish Burr's kits that arrived last week! Trish very generously sent along one that could be used as a give-away to my readers! If you've been wanting to try thread painting techniques, this is a great way to learn!

The embroidery kit that I'm giving away is the one titled "Flowers in Bloom," designed for beginner "plus" stitchers.



This project is suitable for anyone beginning needle painting, who has some knowledge of stitching in general. I think, given the clear and detailed instructions, a flat-out beginner who is interested could definitely work this project.



Here's a list of the kit contents...



The instructions include clear diagrams, written instructions, and step-by-step photos of the project as it is worked, to help guide the stitcher to a beautiful finished product.



The linen comes with the design pre-printed on it, so you don't have to transfer your pattern - in other words, you can launch right into the fun part, which is stitching!



There's even a nice practice cloth, so you can play with the different types of elements in the design before stitching them on the finished piece.



And, as a full kit, it comes with all the threads, clearly labeled, as well as two needles. All you need is your own hoop or frame and scissors, and you're ready to start stitching!

If you'd like a chance to win this kit, these are the instructions to join the give-away:

1. Leave a comment below, on this blog post (not via e-mail, or on any other post).

2. In your comment, answer the following question: Once you finish stitching this piece, what do you think you'd do with the finished embroidery?

3. Comments must be received by 5:00 am CST, Monday, June 8th. I'll announce the contest winner on Monday. Whoever wins must then contact me with a mailing address within 48 hours. If I do not hear from the first winner, I'll draw another name! Instructions for contacting me will be on the post announcing the winner!

Thanks for joining in! And thanks, Trish, for the extra kit!

]]> Trish Burr stash contest pictures 6741 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-07-04 10:10:00 2009-07-04 10:10:00 1 0
another great giveaway!

I am still trying to lean needlepainting, so this would bwe wonderful.

This I would frame and place in my entryway, so I couls see it daily.

ruth]]> 6750 Vijayalakshmi noreply@blogger.com http://www.blogger.com/profile/01031502811692084613 2009-07-03 07:51:19 2009-07-03 07:51:19 1 0
This will be my first kit ever tried... If I finish this stitch kit, I would love to frame it nicely and proudly hang it on the wall in reception area at my home and will boast about it whoever comes in.....!]]> 7110 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-06-08 21:42:34 2009-06-08 21:42:34 1 0
Then i give them away to everybody.. :)]]> 7119 feedestiroirs noreply@blogger.com http://www.blogger.com/profile/08940583366020249187 2009-06-08 09:14:03 2009-06-08 09:14:03 1 0 quel beau kit !
si je devais le réaliser, je pense que je l'associerais avec des tissus coorcdonnés et d'autres fleurs de Trish dans un grand panneau quilté

je ne parle pas bien anglais, veuillez m'en excuser

best regards]]> 7121 Anonymous noreply@blogger.com 2009-06-08 08:15:14 2009-06-08 08:15:14 1 0 Thank you for the giveway!!!!!!!!!!1]]> 7122 Anonymous noreply@blogger.com 2009-06-08 03:49:57 2009-06-08 03:49:57 1 0 Thanks for this fantastic give away

God bless u
Shiza]]> 7123 Anonymous noreply@blogger.com 2009-06-08 02:26:08 2009-06-08 02:26:08 1 0
first of all let me thank you for the video tutorials .Great job!!!(recently found your site)

second i would be very pleased to recieve something like this from you(Trish) and would be very proud to gift the finished work to my Mother(i am a beginner,and my mother loves embroidery and had done some when i was young).

Thankyou Mary.]]> 7124 himabindu noreply@blogger.com http://www.blogger.com/profile/10792975332373948130 2009-06-08 01:58:06 2009-06-08 01:58:06 1 0
First of all let me thankyou for the video tutorials.Great job!!!(recently found your site).

Second,i would be very pleased to recieve something like that from you(and Trish).

Winning is not final.Even if i won i should finish it(i am a beginner...so you know my confidence levels,however i learnt all the basic stitches from my Mother,a very sweet person,and my best friend).

i have never tried my hands on a whole project like this except for a few stitches here and there.But my mother loves to embroider, she did embroider my dresses and skirts when i was young (then i wasnt a bit interested but now i am not the same person,coz embroidery is highly addictive,and i love to talk to my mother about the threads,designs...etc)Once finished ,undoubtedly and proudly i would gift it to my Mother.

Thankyou Mary]]> 7125 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-06-08 01:02:15 2009-06-08 01:02:15 1 0 7126 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2009-06-07 22:48:45 2009-06-07 22:48:45 1 0 No doubt about it, this finished kit will be perfect to use with a length of pale pink dupioni I have stashed away - I'd make a pillow -with the embroidery centered on the front surrounded with a wide dupioni border and backed with the dupioni.
I love needle painting and have been dying to try a Trish Burr kit!]]> 7129 Pam noreply@blogger.com http://www.blogger.com/profile/06115757921248639285 2009-06-07 21:29:45 2009-06-07 21:29:45 1 0 7130 Anonymous noreply@blogger.com 2009-06-07 20:50:29 2009-06-07 20:50:29 1 0
I have just found your site, and am most impressed with your stitching. I have tremendous admiriation for those who are able to do beautiful embroidery.

I have done a small number of cross stitch pieces, but I think that it is time for me to branch out into different forms of embroidery.

This is a lovely piece by Trish Burr, and I think that I would frame the piece with something feminine and pink, since I live near the Chicago area, and winters here are way too long. I could dream of spring when looking at it in mid-January.

Thank you for the opportunity to stitch an item such as this because of your generosity and that of Trish Burr.

Brenda
amberpup2001@yahoo.com]]> 7132 Stafman97 stafman97@gmail.com http://www.blogger.com/profile/06928924038378477787 2009-06-07 18:49:25 2009-06-07 18:49:25 1 0 7133 Anonymous noreply@blogger.com 2009-06-07 17:13:25 2009-06-07 17:13:25 1 0 7134 Debbie noreply@blogger.com http://www.blogger.com/profile/04476913596666654124 2009-06-07 17:10:54 2009-06-07 17:10:54 1 0
That is how I envision it.

Thanks for the chance to win.

debbie peysen]]> 7135 Stef stephnie114@yahoo.com http://www.blogger.com/profile/01526120378132704588 2009-06-07 14:15:38 2009-06-07 14:15:38 1 0 7136 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-06-07 13:40:25 2009-06-07 13:40:25 1 0
Thanks for all your inspiration and for lovely give-aways!
Kathy]]> 7140 Anonymous noreply@blogger.com 2009-06-06 20:53:42 2009-06-06 20:53:42 1 0 I would frame the lovely piece and hang it on a wall in my sitting area.
Karole King]]> 7142 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-06-06 19:46:33 2009-06-06 19:46:33 1 0 7143 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-06-06 18:57:54 2009-06-06 18:57:54 1 0 7144 Anonymous noreply@blogger.com 2009-06-06 16:33:46 2009-06-06 16:33:46 1 0
I love this little ribbon and flower kit! I haven't done any long and short stitch (still waiting your online lessons! I hope you can still do that this year!). If it is possible to learn the technique for me, this looks like a good way to do it.

What would I do with this? Why, frame it of course! I can't imagine needleworking something like this and putting it in a situation that it could get ruined in! I would frame it behind glass and hang it on the wall.

I'm 17, but I hope I am still eligible.

Thank you!

Clare-Anne
Weiser, Oregon]]> 7145 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-06-06 10:40:25 2009-06-06 10:40:25 1 0 7148 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2009-06-05 23:45:46 2009-06-05 23:45:46 1 0 7149 Kathy K noreply@blogger.com http://www.blogger.com/profile/10263833746348205663 2009-06-05 21:21:46 2009-06-05 21:21:46 1 0 This piece upon completion would be framed and placed in a place of honor where everyone would see and enjoy and hopefully would give inspiration to my lil' Grandaughter,who sat with me last night sewing on her sewing cards stitching up and down.... need to keep her interest so I will have a stitching buddy....
Many thanks again Mary,
Kathy K]]> 7151 Kristin noreply@blogger.com 2009-06-05 20:36:29 2009-06-05 20:36:29 1 0 Kristin
kricketd@sbcglobal.net]]> 7153 Deb - Two Cheeky Monkeys twocheekymonkeys@live.com http://www.blogger.com/profile/12602532460901811274 2009-06-05 20:23:41 2009-06-05 20:23:41 1 0 7154 Anonymous noreply@blogger.com 2009-06-05 19:59:06 2009-06-05 19:59:06 1 0
Annie in Michigan]]> 7157 Kim R. nascar333fan@gmail.com http://www.blogger.com/profile/17758600733076361996 2009-06-05 15:50:34 2009-06-05 15:50:34 1 0 Thanks for a great giveaway!
kimberlybreid@hotmail.com]]> 7158 vgoldens noreply@blogger.com 2009-06-05 14:59:40 2009-06-05 14:59:40 1 0 7161 Slack smartisport@gmail.com http://www.blogger.com/profile/13974581328067068775 2009-06-05 11:45:02 2009-06-05 11:45:02 1 0 7163 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-06-05 11:26:47 2009-06-05 11:26:47 1 0
This is a beautiful kit that you have chosen for your giveaway.

If I get to work on this I would frame it as a stand frame and place it on my vanity table]]> 7165 Dhivya noreply@blogger.com http://www.blogger.com/profile/13030572870477096720 2009-06-05 10:51:11 2009-06-05 10:51:11 1 0
I'm an ardent fan of your Needle'nThread, ever since I came to know about it this January :). I'm inspired to try my hands at embroidery on reading your posts...

This month's give away is truly awesome - thanks to you and Trish for being so generous... :)

This thread painting kit is awe-inspiring. If I'm lucky to be chosen for the give away, this will be my first ever hands-on in thread painting. After finishing this embroidery, I'll frame it to decorate my living room. Currently I have adorned my living room with a fine flower basket done in Nib painting (the finishing looks similar to that of thread work). I had used pink, blue and green combination in that for the flowers and leaves. So I'm sure the embroidery will excellently complement my nib painted work :)

Dhivya.S]]> 7166 kreativeimagination noreply@blogger.com http://www.blogger.com/profile/11854200964091583944 2009-06-05 10:16:44 2009-06-05 10:16:44 1 0 thanks for the awesome giveaway!]]> 7167 Clyde noreply@blogger.com http://www.blogger.com/profile/08968046487042009494 2009-06-05 08:07:59 2009-06-05 08:07:59 1 0 7168 Anonymous noreply@blogger.com 2009-06-05 07:29:05 2009-06-05 07:29:05 1 0 This kit is very beautiful. I'm new and I've been reading pass & now present from your site. It’s very exciting because I will see new projects and learn new things. To be honest I've never done this type of project. I was not going to join at first because I was afraid if I won I would make mistakes. But I thought, "You know if I don’t try new things life would be boring!” As long as I take my time follow the instructions and believe I can do it. I will. If I won I would bring it to a store were I live, she frames all kinds of stitching projects. Then I would want to hang it so it could be seen. Every time I saw it I would say wow I did this!
I’m looking forward to the challenge.
Thank you for this chance.
Nicole L]]> 7170 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2009-06-05 07:10:52 2009-06-05 07:10:52 1 0 I would use this piece as a central motif for a CQed wallhanging.]]> 7171 Valquiria noreply@blogger.com http://qualquermotivo.blog.uol.com.br 2009-06-05 06:46:31 2009-06-05 06:46:31 1 0 I would like win this kit.It's so beautiful and I don't have nothing like this in Brazil,where I live.If I win,I frame it ,no doubt.
Hugs
Valquiria]]> 7172 Grace noreply@blogger.com http://www.blogger.com/profile/07145916177315695607 2009-06-05 06:45:29 2009-06-05 06:45:29 1 0
Grace]]> 7173 Lyn noreply@blogger.com 2009-06-05 06:36:38 2009-06-05 06:36:38 1 0 7174 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2009-06-04 23:25:14 2009-06-04 23:25:14 1 0 I would love to do that as it has clear instructions and step by step guide. That way i feel would make the work faster]]> 7175 Martha noreply@blogger.com 2009-06-04 22:51:00 2009-06-04 22:51:00 1 0 7176 creativeinstincts noreply@blogger.com http://creativeinstincts.wordpress.com/ 2009-06-04 22:14:51 2009-06-04 22:14:51 1 0 If i win this I would stitch it ontoa tunic and wear it around for everybody to see and marvel :-)]]> 7177 firesheep67 firesheep67@gmail.com http://www.blogger.com/profile/05896771343627956370 2009-06-04 22:04:26 2009-06-04 22:04:26 1 0
Thanks for another great giveaway! I'm sure the kit will find its way to the right spot. Good luck to everyone!]]> 7178 Angie noreply@blogger.com http://www.squirrelsgolikethis.com 2009-06-04 21:50:40 2009-06-04 21:50:40 1 0 Pillows are also a tempting choice...]]> 7179 Connie noreply@blogger.com http://www.blogger.com/profile/04325568385706817499 2009-06-04 21:47:06 2009-06-04 21:47:06 1 0 7180 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-06-04 21:23:22 2009-06-04 21:23:22 1 0 7181 cnuland blogcont@cnuland.com http://www.blogger.com/profile/12564202773870456587 2009-06-04 21:17:48 2009-06-04 21:17:48 1 0 7182 flowerthread noreply@blogger.com http://www.blogger.com/profile/05532188002008460907 2009-06-04 20:59:42 2009-06-04 20:59:42 1 0 7184 Mrs. Sew and Sew - Karen karlee@cableone.net http://www.blogger.com/profile/12632119234844075457 2009-06-04 20:30:27 2009-06-04 20:30:27 1 0 7185 lbaker1114 noreply@blogger.com http://www.blogger.com/profile/03775428400923095304 2009-06-04 20:29:00 2009-06-04 20:29:00 1 0 I am fairly new to stitching and having your videos and advice has been invaluable. If I were to win this kit, I would frame it for display in my home.
Thanks]]> 7186 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2009-06-04 20:14:02 2009-06-04 20:14:02 1 0 What a lovely kit! If I won it I would sit down with my granddaughter and teach her the art of needlework the same way my grandmother did with me over 40 years ago. I think it is extremely important to share times like these with family and to teach the next generation this art.
Thank you for your generosity.
Colleen Lim]]> 7187 joannestitches joannegledhill@yahoo.com http://www.blogger.com/profile/09188449516154615810 2009-06-04 18:49:30 2009-06-04 18:49:30 1 0 I have a Trish Burr book that I purchased after you had written so highly of her. I adore her work. Thanks for giving us the opportunity to possibly have this kit. joanne gledhill]]> 7189 Anonymous noreply@blogger.com 2009-06-04 18:39:24 2009-06-04 18:39:24 1 0
I would definitely frame this in a gold frame with burgundy matting, to show off how clever I am! (assuming I'm clever enough to finish my very first try at thread painting)

Alison in Sydney]]> 7190 Fran noreply@blogger.com http://www.blogger.com/profile/06731904587805205230 2009-06-04 18:06:00 2009-06-04 18:06:00 1 0
I've been reading the blog for about a month now - my mother passes it along as we share a common interest in all things needle-ish, and this piece looks knock out gorgeous!

As I was reading other comments, it came to me what I would do with this kit if I were to win - yes, I'd try my hand at a new skill, and yes, I'd definately enjoy it! - but once complete, I have a bit of a different spin for its eventual resting place.

Living in a large city, there are a number of women's shelters to volunteer at, to donate to, and to try and share a little light and joy to those coping with some very challenging situations. If I was the recipient, once completed, I would donate the completed, framed piece to a women's shelter in the hopes that it would brighten someone's day, bring a bit more joy in the world, and be proof that people do care.

Thanks for writing this blog - you inspire us all!]]> 7191 Ruby dixielee@intrstar.net http://www.blogger.com/profile/00846836871901554431 2009-06-04 18:00:48 2009-06-04 18:00:48 1 0
Ruby

dixielee@intrstar.net]]> 7192 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2009-06-04 17:53:52 2009-06-04 17:53:52 1 0 7194 Anonymous noreply@blogger.com 2009-06-04 17:32:16 2009-06-04 17:32:16 1 0 I'm very big on hamdmade items given to memorialize special events.
One of my daughters endured a very serious spinal cord surgery recently. When I looked at the kit and noticed some of the flowers still in the bud, I thought of her life.
She is so young, and her whole life has yet to unfold; much like the flower. This surgery has meant a whole new aspect of life can be possible for her to explore.
I would finish this kit, and place it in her hope chest, with a very long letter about why this piece seemed so significant.
Thank you for your generosity and wisdom shared through your messages.
Sincerely,
Abby W. in PA]]> 7195 Juli noreply@blogger.com http://www.blogger.com/profile/15149631404198378786 2009-06-04 16:45:50 2009-06-04 16:45:50 1 0 7196 Shari ladyjspice@aol.com http://www.blogger.com/profile/06756180452191304667 2009-06-04 16:41:31 2009-06-04 16:41:31 1 0 7197 tisme tisgingy@msn.com http://www.blogger.com/profile/08766742640496647829 2009-06-04 16:35:43 2009-06-04 16:35:43 1 0 I have been wanting to try out a kit form embroidery for awhile now. I generally just embroider on crazy quilt blocks.
I would finish the kit and add crazy quilt borders and hang it up in my sewing room, which is also my living room!! lol
SOOO pick me pick me!!
Tammy]]> 7198 Sheila noreply@blogger.com http://www.blogger.com/profile/09670417987332451311 2009-06-04 16:09:28 2009-06-04 16:09:28 1 0 7199 Meeta noreply@blogger.com 2009-06-04 16:02:55 2009-06-04 16:02:55 1 0
-Meeta V.]]> 7200 Sharon noreply@blogger.com 2009-06-04 15:47:38 2009-06-04 15:47:38 1 0 7202 Judy in Pittsburgh noreply@blogger.com 2009-06-04 15:32:15 2009-06-04 15:32:15 1 0 7203 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-06-04 15:31:41 2009-06-04 15:31:41 1 0 7204 Laura Bullinger noreply@blogger.com 2009-06-04 14:40:59 2009-06-04 14:40:59 1 0 Here's my answer.
I use shopping totes instead of plastic bags, different bags for different shops. This finished kit would go onto a linen bag in oatmeal color (with an embroidered oval frame around it)to be used when shopping for antique books or needlework supplies! This way, I could brag about the bag a little!]]> 7205 artistbooks noreply@blogger.com 2009-06-04 14:39:53 2009-06-04 14:39:53 1 0 7206 Anonymous noreply@blogger.com 2009-06-04 14:35:19 2009-06-04 14:35:19 1 0 7208 Anonymous noreply@blogger.com 2009-06-04 14:28:13 2009-06-04 14:28:13 1 0 Kat]]> 7209 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-06-04 14:22:06 2009-06-04 14:22:06 1 0 7211 Anonymous noreply@blogger.com 2009-06-04 13:51:03 2009-06-04 13:51:03 1 0
If I do...be sure I'd would like to have Mary's comments on my completed work. If found favourable by her I'd would like to present it to anyone whom I know who would like to have it.

Dorothy]]> 7212 Anonymous noreply@blogger.com 2009-06-04 13:49:04 2009-06-04 13:49:04 1 0
Sandy Nelson]]> 7213 Anonymous noreply@blogger.com 2009-06-04 13:41:19 2009-06-04 13:41:19 1 0 7214 mary noreply@blogger.com http://www.blogger.com/profile/01767083574494513127 2009-06-04 13:03:39 2009-06-04 13:03:39 1 0 7216 Surya noreply@blogger.com 2009-06-04 12:35:47 2009-06-04 12:35:47 1 0
If I'll win, then as soon as I finish stitching, it's sure gonna decorate my living room in an elegant frame.]]> 7217 Donna noreply@blogger.com http://www.blogger.com/profile/07167745960188805653 2009-06-04 12:24:15 2009-06-04 12:24:15 1 0 7218 Amy watuwando@comcast.net http://www.blogger.com/profile/16770165782997574538 2009-06-04 12:17:39 2009-06-04 12:17:39 1 0 7219 Anonymous noreply@blogger.com 2009-06-04 12:03:16 2009-06-04 12:03:16 1 0

I love learning new things. I have been working on needle painting techniques. I am almost done with a sampler I designed.

This would be cool to work with and refreshing asit is different materials.

I could really use something different to work with, am getting a bit burned out with the 'normal' materials.

Janie]]> 7220 Shari M sharimasson@gmail.com http://www.blogger.com/profile/09514748575422631885 2009-06-04 11:56:28 2009-06-04 11:56:28 1 0
Love your blog, Mary. It's the only one I read everyday, without fail.

Shari Masson
Regina, Sk,
Canada]]> 7221 sewinggranny kcdelight419@gmail.com http://www.blogger.com/profile/10243223999814564203 2009-06-04 11:49:20 2009-06-04 11:49:20 1 0 7222 sheila from CA noreply@blogger.com 2009-06-04 11:40:41 2009-06-04 11:40:41 1 0 How exciting is this! I would love to try Trish Burr's kit for free. What a nice lady to offer one that you can give away. One of my sisters just passed away and the husband of another sister also passed away 3 weeks later...I would definitely give the completed piece to this sister who has lost more than I. She needs anything to help her through this hard time.]]> 7223 Martamadrid mmayuso@gmail.com http://www.blogger.com/profile/01586107230893202688 2009-06-04 11:36:20 2009-06-04 11:36:20 1 0 If I won it, bearing in mind that it would be one of my first works, I would probably frame it, and give it as a present to my grandmother, who is 92, and still does some crafts!. Nobody would treasure it as she would do.
Thanks a lot,
Marta.]]> 7224 Skye noreply@blogger.com http://www.blogger.com/profile/07313130856094132738 2009-06-04 11:30:29 2009-06-04 11:30:29 1 0
What I would do with this picture? Easy, I would most likely make a lovely little pillow for my brand new bedroom...Skye]]> 7225 Lorraine noreply@blogger.com http://www.blogger.com/profile/14361267794837095507 2009-06-04 11:26:10 2009-06-04 11:26:10 1 0
So many times I give so many things away my home is wanting. So, again, I'd keep it to display.]]> 7226 Anonymous noreply@blogger.com 2009-06-04 11:23:52 2009-06-04 11:23:52 1 0 I have always wanted to try needle painting and would love to win this kit. What would I do with it, I would frame it and if it turned out really well I would donate it to the church bazaar as a raffle prize. So, wish me luck.
Jet]]> 7227 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-06-04 11:11:52 2009-06-04 11:11:52 1 0 Thanks again for all your wisdom, inspiration and generosity.
Candyce]]> 7228 Steffi noreply@blogger.com 2009-06-04 10:28:45 2009-06-04 10:28:45 1 0 Well, that said I'll give in to the little voice and state publicly that this probably would be the first piece of embroidery I'd be framing. Ever. And then decide wether I'd keep it (little greedy voice, you know...) or give it away to someone special how would appreciate it.]]> 7229 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-06-04 10:27:56 2009-06-04 10:27:56 1 0 7230 Anonymous noreply@blogger.com 2009-06-04 10:23:16 2009-06-04 10:23:16 1 0 7231 Debby P noreply@blogger.com 2009-06-04 10:04:45 2009-06-04 10:04:45 1 0 I would probably frame the piece and hang it in my kitchen with my most prized hardanger pieces. And then someday someone else in the family could have it to cherish as much as I did.]]> 7232 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2009-06-04 10:04:41 2009-06-04 10:04:41 1 0 7234 Catlady noreply@blogger.com http://www.blogger.com/profile/07045669719742611701 2009-06-04 09:53:25 2009-06-04 09:53:25 1 0 7235 Anonymous noreply@blogger.com 2009-06-04 09:50:36 2009-06-04 09:50:36 1 0
My first thought was to frame it also and give it as a gift to cheer someone who might need it. But I really wouldn't know until it was done. There are so many possibilities! It's absolutely beautiful! Hopefully it will still be if I end up with it - having never done needle painting I don't know how well it will come out but am looking forward to giving it a go one day!
Meg from Las Vegas]]> 7236 Anonymous noreply@blogger.com 2009-06-04 09:40:06 2009-06-04 09:40:06 1 0 If I win this kit, I would have to frame it and hang it in my office so my clients could see it.

Thank You
Pat H. of Mobile, AL]]> 7237 Anonymous noreply@blogger.com 2009-06-04 09:19:00 2009-06-04 09:19:00 1 0 If I win I will frame it and give it to my Mom who loves flowers!
Thanks again.]]> 7238 christy noreply@blogger.com 2009-06-04 09:09:59 2009-06-04 09:09:59 1 0
Thanks
Christy]]> 7239 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-06-04 09:09:27 2009-06-04 09:09:27 1 0
If I win this, I might actually frame it and hang it :) I never keep anything I make though, so if I don't hang it up for my family, I might give it to a family member (after taking tons of pictures of course).]]> 7240 Anonymous noreply@blogger.com 2009-06-04 09:03:59 2009-06-04 09:03:59 1 0 Rebekah
walimai5@hotmail.com]]> 7241 mommasue noreply@blogger.com http://www.blogger.com/profile/05304341641043663465 2009-06-04 09:02:00 2009-06-04 09:02:00 1 0
I really enjoy reading your blog every day. There is always something unique and interesting that I can learn. Thanks.

Sue Harris]]> 7242 mommasue noreply@blogger.com http://www.blogger.com/profile/05304341641043663465 2009-06-04 09:01:13 2009-06-04 09:01:13 1 0
I really enjoy reading your blog every day. There is always something unique and interesting that I can learn. Thanks.

Sue Harris]]> 7243 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2009-06-04 08:56:15 2009-06-04 08:56:15 1 0 7244 corvustristis noreply@blogger.com http://corvustristis.livejournal.com/ 2009-06-04 08:32:33 2009-06-04 08:32:33 1 0
corvus.melloriATgmailDOTcom]]> 7245 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2009-06-04 08:30:44 2009-06-04 08:30:44 1 0 7246 Anonymous noreply@blogger.com 2009-06-04 08:21:29 2009-06-04 08:21:29 1 0 7247 kiran seth noreply@blogger.com 2009-06-04 08:12:37 2009-06-04 08:12:37 1 0
it is very pretty....

it is really beautiful......

it is my most favorite thing to

do...needle painting....i've done

a bouquet of pansies...when i was

16.....now 60+ ...i'm thinking to

jump start again.....if i

win....?????.....i know i will do

a perfect job of it....i would

frame it/mount it.....and gift it

to someone who needs cheering....

family...or friend.....bec flowers

always cheer you up.....and

flowers are the love of my life...

my most favorite thing to

embroider...

dreaming of the finished work.....

thank you for the opportunity to

make this comment....

looking forward to......

kiran seth]]> 7248 justme noreply@blogger.com http://www.blogger.com/profile/10214850377946301041 2009-06-04 08:07:19 2009-06-04 08:07:19 1 0 Paula]]> 7250 Anonymous noreply@blogger.com 2009-06-04 07:56:52 2009-06-04 07:56:52 1 0 S L Breuer]]> 7251 Donna noreply@blogger.com http://www.blogger.com/profile/16590452473318118140 2009-06-04 07:35:08 2009-06-04 07:35:08 1 0 7252 Pat Salada noreply@blogger.com 2009-06-04 07:24:24 2009-06-04 07:24:24 1 0 framed and then hang it in my house. I have previously
been working on "smalls", such
as biscornus and scissor fobs. I am looking forward to branching out into new territory.]]> 7253 Anonymous noreply@blogger.com 2009-06-04 07:03:42 2009-06-04 07:03:42 1 0 I would frame it and hang it.

The challenge scares me to death since I have never tried this before ... but I would be game to make myself step up to the plate and try.
pegilee]]> 7254 Sarah noreply@blogger.com 2009-06-04 06:41:59 2009-06-04 06:41:59 1 0
I love that this comes with a practice cloth. If I win this, I will either make it into a pillow or a purse depending on how big it is.]]> 7255 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-06-04 06:15:14 2009-06-04 06:15:14 1 0 The finished piece would be framed and hanged beside my completed cross stitched flower pictures.]]> 7256 Anonymous noreply@blogger.com 2009-06-04 06:13:41 2009-06-04 06:13:41 1 0 This design is beautiful. There is not doubt I would frame it.
Best regards,
Catalina (Spain)]]> 7257 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-06-04 06:05:47 2009-06-04 06:05:47 1 0
The kit looks amazing - I love that there's a practice piece in there too!
As I generally frame things and give them away, if I won I'd want to make it up into a cushion, to go in our new living room :) - Fingers are crossed for this one!!]]> 7258 Maryvonne noreply@blogger.com 2009-06-04 05:36:31 2009-06-04 05:36:31 1 0
Anyway, I'd love to win this project and if I did and made a good job of it, I would put it on a Scrapbooking album for my daughter who is scrapbooking mad.

Thanks for all your tips and marvellous tutorials. I so look forward to your next newsletter.

Maryvonne]]> 7259 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2009-06-04 05:13:18 2009-06-04 05:13:18 1 0 This is such lovely kit. I have never had the courage to try needle painting and it really fascinates and intimidates me at the same time. I would definitely definitely frame this one.
Thanks
Shrenika.]]> 7260 Ruut noreply@blogger.com 2009-06-04 05:11:57 2009-06-04 05:11:57 1 0
Either way (no doubt), I'll brag. "Look what I've accomplished!"]]> 7261 marmotte_stitch noreply@blogger.com http://marmotte_stitch.livejournal.com/ 2009-06-04 04:26:31 2009-06-04 04:26:31 1 0
I think I'd choose traditional framing for this piece, as it looks very delicate and I wouldn't risk turning it into a pillow or a bag.]]> 7262 Anonymous noreply@blogger.com 2009-06-04 03:39:12 2009-06-04 03:39:12 1 0
I vll appreciate ur give away as usaual its fantastic.

If I vll get this kit then I vll surely first mail u its pictures n share my happiness with u coz i like needle painting n had never done before, and then framed it beautifully n hang it in my living room.
thanks Sweety]]> 7263 leebee7 noreply@blogger.com http://leebee7.livejournal.com/ 2009-06-04 03:25:09 2009-06-04 03:25:09 1 0 If I won I would use the finished piece as the cover on a needlebook/equipment folder as detailed in one of your previous posts.]]> 7264 Anusuya noreply@blogger.com 2009-06-04 01:42:39 2009-06-04 01:42:39 1 0
As soon as I saw the title of your post....I'm Giving Away a Trish Burr Embroidery Kit!....without even reading the complete post......I started praying........please God let me win this time.....

Your giveaways are always tempting. If I win this kit, then I would definitely frame and hang it in my room....and later try doing it in other colors as well.

With buckets full of love,
Anusuya]]> 7265 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-06-04 01:40:24 2009-06-04 01:40:24 1 0 7266 Iris from Estonia noreply@blogger.com 2009-06-04 00:59:37 2009-06-04 00:59:37 1 0
If by some insane chance I would win this kit, I have several thoughts about what to do with it. First thing that came to mind was to use it for something for my sisters baby. She just gave birth yesterday and I'm all baaaby! I'm now a proud aunt of a tiny girl :)

All your giveaways are really stunning, you're very generous and I love your blog. I'm not much of a blog reader but I do read yours. So thanks and take care!]]> 7267 Pam--in Estonia goodnewsfromafarcountry@gmail.com http://www.blogger.com/profile/16252189926255580444 2009-06-04 00:15:21 2009-06-04 00:15:21 1 0 When this piece of art is complete, I would treat it as such and have my husband frame it for display.]]> 7268 Judy noreply@blogger.com 2009-06-03 23:44:33 2009-06-03 23:44:33 1 0 7269 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-06-03 23:07:49 2009-06-03 23:07:49 1 0 7270 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-06-03 22:24:04 2009-06-03 22:24:04 1 0 If I get the kit deffinitely I will frame the finished project.. as the threads are unavailable here and I saw the pictures of finished products in the trishburr site..they are quite interesting..I was much fascinated by the beautiful colours and neat work..
Thank You Mary

Regards
Lakshmi]]> 7271 Emily noreply@blogger.com 2009-06-03 21:24:55 2009-06-03 21:24:55 1 0 7272 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-06-03 21:07:37 2009-06-03 21:07:37 1 0 7273 onafixedincome noreply@blogger.com 2009-06-03 20:47:40 2009-06-03 20:47:40 1 0
I think, should I manage not to make a total mess of it, that I would apply it as a central motif in a small quilt...and then do about nine more in different colors to complement, to make the quilt something thematic....]]> 7274 Missy Ann melissa.walker@gmail.com http://www.blogger.com/profile/02861791199270220392 2009-06-03 20:46:08 2009-06-03 20:46:08 1 0 7275 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-06-03 20:42:48 2009-06-03 20:42:48 1 0
I would love to stitch this into a pillow...with ribbon insertion lace around the outside...and a rose under-ruffle for my Mom's bed. She's 78...and really likes all the needle art I do.

Kathy (www.shawkl.com)]]> 7276 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-06-03 19:22:34 2009-06-03 19:22:34 1 0 7277 Love to Stitch 99 noreply@blogger.com http://www.blogger.com/profile/08717611751588945815 2009-06-03 19:21:03 2009-06-03 19:21:03 1 0
I have done a little bit of thread painting in the past and love it and would absolutely love the opportunity to win this kit.

I found it interesting that this one was chosen as the give away as that was my favorite of all, perhaps excluding the little bird but that would have been a bit too advanced for me, I think.

After stitching it, I would definitely have it framed and and somewhere in my house where I can see it all the time, a place with good lighting too :-)

Thanks!

Pierrette =^..^=
LovetoStitch99@comcast.net]]> 7278 Yvonne aka sommeke sommeke@hotmail.com http://www.blogger.com/profile/07755225448427141353 2009-06-03 19:14:45 2009-06-03 19:14:45 1 0 If I'm the lucky one who wins this beauty, I think I will use it as a little panel making borders around it, creating a mini quilt.
Thank you for this give away!]]> 7279 Anonymous noreply@blogger.com 2009-06-03 18:43:48 2009-06-03 18:43:48 1 0
I would make it into the front of a book cover and give it to a friend of mine. She is an artist and has a heart of gold.

Thanks,
Martha]]> 7280 cathymk noreply@blogger.com http://cathymk.wordpress.com/ 2009-06-03 18:40:04 2009-06-03 18:40:04 1 0
If I won and finished stitching the piece (the big if) I would finish it as a bolster pillow (maybe with a matching piece the other end). I would be so proud, it would have to go to work with me and around to my stitching friends places first before it took pride of place in my stitching nook.

Thanks for the opportunity to play!]]> 7281 Leah6891 noreply@blogger.com http://www.blogger.com/profile/00569386779523538412 2009-06-03 18:14:48 2009-06-03 18:14:48 1 0 7282 VA noreply@blogger.com http://taco.knowchaos.com 2009-06-03 18:02:30 2009-06-03 18:02:30 1 0
Then it seems that it would be the perfect embellishment for either a tea cozy, bread bag or summer dress. Something that would be seen and appreciated often, as mentioned by many before this. Flaunt your embroidery I say!]]> 7283 Marian noreply@blogger.com 2009-06-03 17:31:54 2009-06-03 17:31:54 1 0 7284 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-06-03 17:29:21 2009-06-03 17:29:21 1 0
Thank you so much Mary for all you do for all of us out here!]]> 7285 Lisa from Socal noreply@blogger.com 2009-06-03 17:29:14 2009-06-03 17:29:14 1 0 Having never done needle painting, but really longing to try my hand at it, I can't say for sure what I would do with the finished piece, but I think it be lovely as the framed center of a quilt! I might frame it though too. I have never done anything but give away any of the pieces I have stitched. It might be nice to keep something for myself;)]]> 7286 joey noreply@blogger.com 2009-06-03 17:13:51 2009-06-03 17:13:51 1 0 After stitching this little piece, I would like to incorporate it into a crazy quilt piece! I have been working on crazy quilt Christmas stockings.
Keeping my fingers crossed ...]]> 7287 Anonymous noreply@blogger.com 2009-06-03 16:48:23 2009-06-03 16:48:23 1 0 I think I would frame it and put it in my favorite room in the house so I could see it often. Kathleen kesiy@hotmail.com]]> 7288 Sarah W. Benson noreply@blogger.com http://www.blogger.com/profile/08653419888215920341 2009-06-03 16:28:30 2009-06-03 16:28:30 1 0
The completed project would make a nice framed piece for my apartment.]]> 7289 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-06-03 16:26:12 2009-06-03 16:26:12 1 0 Annie]]> 7290 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2009-06-03 16:15:35 2009-06-03 16:15:35 1 0 7291 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-06-03 16:12:38 2009-06-03 16:12:38 1 0 Melisa]]> 7292 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-03 15:46:47 2009-06-03 15:46:47 1 0 For some time I was thinking, That it is time to stitch not only cross stitch. And I really want to try thread painting. After my mother has seen stitching at Victoria and Albert museum, she said, that I do not know stitching. I promised her to learn... So I am learning. And this would be a good try.
I imagine this picture becoming some book cover or some part of very small and nice bag. But as I know myself, I would stitch some five motives on other material using simple cotton threads before starting stitching this kit. I should learn before...
Divya said, that the voice inside her was screaming after she saw this post. My heart is shouting "I want, you should try stitching such beautiful things too, you can do it, only try" few days, from the moment I understood, that one of this kits can be the gift of the next give away.
Thank you for your give away and for your blog. It inspires me so much...
Agnė]]> 7293 Melissa noreply@blogger.com http://www.blogger.com/profile/03123088409163215102 2009-06-03 15:38:11 2009-06-03 15:38:11 1 0
It's hard to tell how large it is from the pictures. If it's large-ish (6" by 6" or bigger), I'd frame it - my apartment walls have been way too bare for way too long.

If it's smaller than that, I'd use it as an accent on a small bag for needlework supplies. I really need something to contain threads, and it may as well be pretty!

- Melissa VT]]> 7294 Ashley noreply@blogger.com http://www.blogger.com/profile/04810113070259398400 2009-06-03 15:33:46 2009-06-03 15:33:46 1 0 7295 Susan noreply@blogger.com http://www.blogger.com/profile/17842409196561932682 2009-06-03 15:30:28 2009-06-03 15:30:28 1 0 This kit is wonderful and it's a technique I've been itchin' to try. I would mount it onto some kind of stitching accessory - say a needle book or thread keep.
Thanks for sharing -
Susan]]> 7296 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-06-03 15:20:34 2009-06-03 15:20:34 1 0
I'm a huge believer in using my needlework. Depending on the size, I think this perfect bloom would be great made into a patch pocket for a summer dress. If it's bigger, a book cover or mounted as an element on a pillow on my sofa (soon to be known as the sofa of many pillows....)

Kandy Fling]]> 7297 smoose003 noreply@blogger.com http://www.blogger.com/profile/10776468587656358584 2009-06-03 15:15:40 2009-06-03 15:15:40 1 0 7298 Laurie in Maine dognapper2@msn.com http://www.blogger.com/profile/06022126513010116196 2009-06-03 15:15:23 2009-06-03 15:15:23 1 0 7299 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-06-03 15:12:34 2009-06-03 15:12:34 1 0
Love needlepaintin, though I am still clumsy.

IF I won and IF the work turned out good--this would go to my niece out in California who is not looking forward to moving during her senior year =(

Ruth M]]> 7300 Elizabeth teldra@gmail.com http://www.blogger.com/profile/16112379793387963142 2009-06-03 15:12:29 2009-06-03 15:12:29 1 0 7301 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2009-06-03 15:09:31 2009-06-03 15:09:31 1 0 7302 Haley noreply@blogger.com 2009-06-03 15:02:56 2009-06-03 15:02:56 1 0
I would frame it in a green silk covered frame and give it to my grandmother who passed along her love of stitching to me more than 20 years ago.

Haley
haleys435@yahoo.com]]> 7303 Anonymous noreply@blogger.com 2009-06-03 15:01:41 2009-06-03 15:01:41 1 0 C Cubed]]> 7304 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-06-03 14:52:09 2009-06-03 14:52:09 1 0 The first thing I thought was to frame it, but I really don't know yet...
Next Monday I'll be arriving to Amsterdam - I hope I can read about the winner :)
Thanks, Mary!]]> 7305 palmetto noreply@blogger.com http://www.blogger.com/profile/11753382796027486552 2009-06-03 14:38:45 2009-06-03 14:38:45 1 0 7306 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-06-03 14:00:44 2009-06-03 14:00:44 1 0 I'm crossing everything I can cross. :)
I'm tempted to say a square envelope pillow case to sit pretty on my bed. But then, I DO have a toddler that has consistently dirty hands. I'm also tempted to say an absolutely gorgeous summer skirt. Although, the same reason for not doing the pillow would apply....
but in the end if I'm having a cowardly day, I would frame it. If I win it, I'll let you know what happens!]]> 7307 Melusine noreply@blogger.com 2009-06-03 13:15:57 2009-06-03 13:15:57 1 0 7308 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-06-03 13:10:08 2009-06-03 13:10:08 1 0 Hmmm, My first thought would be to frame the piece in lue of it being a needle painting. However, if I were successful in that it looked nice enough, I believe it would make a nice gift to someone that appreciates embroidery. In all honesty, I would rather see it first then finish it then make that decision 'cause I might would just keep it for myself.
Thanks for the fun Mary,
Tammy]]> 7309 Mrs Gibson noreply@blogger.com http://www.blogger.com/profile/06942519249642515819 2009-06-03 12:59:48 2009-06-03 12:59:48 1 0 7310 Kandra noreply@blogger.com http://www.siblingcraftery.com 2009-06-03 12:59:02 2009-06-03 12:59:02 1 0
Would love to try it - though it is a little intimidating!
Kandra]]> 7311 Andrea noreply@blogger.com 2009-06-03 12:48:44 2009-06-03 12:48:44 1 0
If I stitched this kit, I would frame it and give it as a gift to my mother-in-law. If it's a gift, I'd actually get it finished!

Andrea
avia28@hotmail.com]]> 7312 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-06-03 12:45:54 2009-06-03 12:45:54 1 0 This piece would look spectacular matted and framed and hung over my fireplace, but I suspect I would be more inclined to use it as the center back focus point of a deep sage green silk dupione jacket so that I could really show off my work. A few leaves and buds on the lapel and cuffs made from matching embroidered linen would make for a stunning presentation.]]> 7313 Divya noreply@blogger.com 2009-06-03 12:13:56 2009-06-03 12:13:56 1 0
When I saw this post and pictures of the kit, there was this voice inside my head screaming "I want, I want, I want!!!" As a result of that voice, here's my entry..

If I win this kit, and successfully stitch it, I'm sure it would turn out beautiful when the kit is accompanied with such elaborate instructions and pictures. I would love to either frame this piece or put it in a box (similar to this one)

I'd love to see the ideas that others have!

Love,
Divya]]> http://www.needlenthread.com/2009/06/resources-for-some-of-those-must-haves.html Tue, 02 Jun 2009 08:49:00 -0500 Mary Corbet 330 2009-06-02 08:49:00 2009-06-02 08:49:00 open open Resources-For-Some-of-those-Must-Haves publish 0 0 post

The first is the Bohin ceramic pencil that is great for transferring embroidery designs by tracing. It provides a hard, fine line for transfers, which is removable by erasing or rinsing.

There are a variety of colors of ceramic chalk refils available, and the pencil comes with white ceramic chalk refils, suitable for transfering on dark and medium fabrics, as well as light fabrics that are shiny, such as silk. I've used the greenish-blue ceramic chalk on this project, and I've got the grey and yellow as well, though I haven't used them yet.

When I wrote the first time about the Bohin pencil, I received many inquiries about where to find it, as well as some recommendations from readers about online shops that carry it.

Here's a short list:

Country Traditions - this is an online quilting shop. The pencil is $12.95, and it comes with white ceramic chalk. They mention that other colors of the refil chalks are available. I suppose you need to inquire about them. I haven't personally done business here, but it looks like a decent resource.

Berlin Embroidery - Tanja Berlin's company, located in Canada, sells the pencil with a package of white and grey chalks, for $17.95 (Canadian). She recommends the use of the pencil with the prick-and-pounce method of design transfer. I've ordered often from Tanja Berlin - she's an excellent resource.

At Ginger's Needleworks and Quilting, you can find the colored refil leads, the eraser refils, and the original blue pencil. The pencil is $11.50, the ceramic lead refils are $5.79, and the eraser refils are $4.69. I haven't shopped here, but it looks like a nice online resource.

The second nice accessory and organizational helpmate is the Mesh Zippered Project Bag that I featured in my May Give-Away. I've found these zippered bags to be very durable, they come in convenient sizes to house your projects (especially for on-the-go needlework), and they "breathe," unlike plastic zip-locks. I like the zipper closure and the convenient sizes.

You can find these bags online now at Threads in Bloom, where Sharon carries four sizes:

12" x 9" - perfect for toting a whole project around, including 8.5 x 11" instructional pages (I'm planning to separate my new Trish Burr kits into this sized bag, so I can transport them with me when I go on vacation this summer). I'll even be able to fit the framed up fabric (on stretcher bars) in the bag. They're $3.60 / bag.

10" x 8" - a medium-sized bag, for $2.75

8" x 5.5" - a medium-small bag, good for little projects, for $2.50

6" x 5" - a small bag, which I've found perfect for placing all the threads for a project in, along with sheathed scissors, for $2.00.

You might wonder what makes these mesh / plastic zipper bags so special, as opposed to using just a plain zip-lock. Welp... let's see. They're more durable than a regular plastic bag, because they're reinforced with mesh (which also allows them to breathe); they have a real zipper closing, which makes them very easy to use and re-use; they're also clear (you can see what's in them); and they tuck easily into larger bags. You can label the outsides of the pouches, too, with any low-tack label, masking tape, or what-have-you. Then, when you move on to a different project, just remove the label. I think they're great for organization and I like their reusability.

So, there you have a few good sources for accessories for your stitching! If you're planning on going anywhere this summer (I'm planning on a short little road trip), you can set up your stitching projects before you go, using the Bohin pencil, and then store them individually in the mesh bags.

It's questionable whether I'll actually ever be that organized before I hit the road at the end of June.... but.... that's my plan, anyway!
]]> supplies embroidery resources needlework tools 7315 margaret c. noreply@blogger.com 2009-06-02 21:01:39 2009-06-02 21:01:39 1 0
Hedgehog Handworks

They have the Bohin with one lead pack for $11.50 (US dollars). The lead refills are $5.80. Hedgehog has grey or white lead. It's not listed on the site, but I just asked the owner last week about these pencils and she sent me the info about pricing. (It looks like Tanja Berlin might still be a bit cheaper especially since I have to pay California sales tax.)

I believe the pencils are being sourced through Access Commodities so anyone who carries Au Ver a Soie, Gilt Sylke Twist, Hardwicke Manor hoops or any number of things available from Access Commodities should be able to order the Bohin pencils.]]> 7317 Yvonne aka sommeke sommeke@hotmail.com http://www.blogger.com/profile/07755225448427141353 2009-06-02 17:07:36 2009-06-02 17:07:36 1 0
The sewline pencil itself is pink but we can buy here refills in at least 4 colours : white, grey/black, green and pink
http://www.sewline.com.au/5501.html

I'm pretty sure they are almost the same as the Bohin pencils.

Thanks for sharing al your ideas!]]> 7318 onafixedincome noreply@blogger.com 2009-06-02 13:17:56 2009-06-02 13:17:56 1 0
I am drooling over the pencil, though--most of what I've tried to use (chalk type transfer stuff and pencils) simply vibrates right off the fabric as I work and then PooF! No more design all of a sudden.

So yep, I'm REALLY grateful for the 'where do I get..' information!]]> http://www.needlenthread.com/2009/06/china-all-way-from-south-africa.html Mon, 01 Jun 2009 10:07:00 -0500 Mary Corbet 331 2009-06-01 10:07:00 2009-06-01 10:07:00 open open China,-All-the-Way-from-South-Africa... publish 0 0 post

I like the man who delivers our mail on our street! He knows everyone and is very friendly - all very small-town-rural-ish, and that's great! Often, if he misses me in the morning but passes by later and notices I'm home, he'll stop to deliver a missed package. So on Friday, curious about "China," I waited. Alas, no postman.

Our post office keeps the screwiest hours in the world. They open after 8:00 a.m. (when everyone else in the world is already at work), and they close at 4:30 pm! Oh, but there's always lunch time to hit the post office, right? No, no - they close (completely) at 12:00 noon, until 1:30 pm, for their lunch. On Saturday, they're open from something like 8:30 - 9:45. Yes, it's all very small-town-rural-ish!

So I appreciate our postman and his kind efforts! I really do! BUT - on Friday - with "China" nagging me all afternoon, there was no sign of second delivery. WHAT WAS CHINA??? I knew I could not rest until I knew...

So, at 4:20 pm, I called the post office. The card said I could pick up the package the next day, and in the past, I've never had success trying to pick up on the same day I received that taunting card. But I thought it worth the effort to call "just in case," and... sure enough, I was rewarded! They had it in hand! They closed in 10 minutes! I rushed to the post office and got there just as they were coming out to lock the doors.

And there, in my hands, was placed a package. It didn't feel remotely like china. It didn't look as if it had come from China! Indeed, the return address was South Africa. And though I'll never quite know how China figured into the picture when the card was left at my door by the postman, I was thrilled and ecstatic that the package was from South Africa!

Because I knew what was in it! I had been waiting...



A mighty collection of Trish Burr's new embroidery kits!



The kits are professionally packaged in a sealed pastic sleeve, and the contents are tucked into a folded cover page that has a full-color photo of the project within on it.



On the title information, you'll find the intended skill level of the kit, and I believe each levels is further categorized by the color stripes on the side of the cover.



Inside each kit ordered with threads, you'll find the instruction pages, which include a supply list, a stitch glossary, a color guide, and step-by-step photos and instructions on completing the project. You'll also find the threads arranged in groups and marked clearly, separated either in bags or on hanging tabs. You'll find the fabric for the project, with the design clearly printed on the fabric. You'll find a needle. And finally, you'll find a most pleasant surprise - a practice cloth, with little design elements drawn out, for you to practice long and short stitch on! A very nice addition to each kit, I think!



The instructions, as you can see above, are accompanied by a photograph of the project developing at every step of the way. Very helpful!

I'm so excited to see these kits in person!!! And now that I've seen them, I can reiterate that this is a great way to learn needlepainting, or long and short stitch embroidery! The rosebud is absolutely perfect for beginners - clean instructions, simple design, and all the perfect little touches to bring the design to life.

I cannot wait to finish my currect project so I can launch into one of these kits!

You can find Trish's kits on her website, for those of you in the USA who want to try them. For readers in the UK or Australia, check the suppliers listed on Trish's site!

Also, keep an eye out this week for my Give-Away, which will include one of Trish's kits!!!

Enjoy your Monday!
]]> supplies Trish Burr embroidery resources pictures needlepainting 7131 Joan Jeffers noreply@blogger.com 2009-06-07 20:28:52 2009-06-07 20:28:52 1 0 Joan Jeffers]]> 7210 Carjoy noreply@blogger.com http://www.blogger.com/profile/11030087509090137731 2009-06-04 14:01:44 2009-06-04 14:01:44 1 0 7249 Anonymous noreply@blogger.com 2009-06-04 08:03:51 2009-06-04 08:03:51 1 0 Kingfisher, received it in rcord time, great kit; can't wait to
start stitchng.

Love the flower being offered as a
free kit, would love to stitch it
as well,I would use it as a companion piece to the Kingfisher.

If I win, I would frame it in a
shadow-box frame and find a special
place to hang it next to some beautiful pictures of flowers painted by my late Sister-in-law.

Thanks,

Teri]]> 7319 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-06-02 09:10:07 2009-06-02 09:10:07 1 0
CA]]> 7320 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-06-02 07:57:14 2009-06-02 07:57:14 1 0 7321 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-06-01 20:39:38 2009-06-01 20:39:38 1 0 I'm excited, but I don't know which one I want to do first!]]> 7322 margaret c. noreply@blogger.com 2009-06-01 19:01:37 2009-06-01 19:01:37 1 0
The kits seem to be nicely packaged and I am looking forward to stitching them. They will make good 'portable' projects so that I have something to carry with me when I'm out and about. I think the inclusion of the practise cloth is a great idea. I also noticed that there are thread listings for DMC or Au Ver a Soie included. (I'll probably use DMC.) In addition, the poppy came with some Eterna silk for the 'hairy bits' on the stems.

From what I've seen so far I would definitely recommend these kits, especially the simpler ones, to anyone who wants to try out soft shading. (Then you can work up to the more complex designs!) I hope Trish has great success with her kits. It's nice to have quality designs available in kit form (and I don't have to transfer anything..yea!).]]> 7323 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-06-01 17:59:48 2009-06-01 17:59:48 1 0 7324 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-01 16:11:16 2009-06-01 16:11:16 1 0 7325 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-01 16:09:20 2009-06-01 16:09:20 1 0
Oh, China! Sorry, Tammy! That was on the post office card, saying I had missed them for delivery. The "Sender's name" area read "China," which made no sense to me. Often, our post office will write the place of origin in that spot. I knew I hadn't ordered anything from China, nor had I ordered china (dishes or anything like that!), so I was puzzled... I still don't get why they marked "China" on the card?!!]]> 7326 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-01 15:10:04 2009-06-01 15:10:04 1 0 7327 nycstitcher noreply@blogger.com 2009-06-01 14:17:30 2009-06-01 14:17:30 1 0 7328 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-06-01 12:50:55 2009-06-01 12:50:55 1 0
Thanks for sharing!]]> 7329 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-06-01 12:29:19 2009-06-01 12:29:19 1 0 7330 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-06-01 12:22:53 2009-06-01 12:22:53 1 0 Tammy]]> 7331 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-06-01 11:02:10 2009-06-01 11:02:10 1 0
Thanks for the advice about working with rayon by the way! I'll probably give it a try.]]> http://www.needlenthread.com/2009/05/ecclesiastical-embroidery-project.html Sun, 31 May 2009 08:52:00 -0500 Mary Corbet 332 2009-05-31 08:52:00 2009-05-31 08:52:00 open open Ecclesiastical-Embroidery-Project-Underway publish 0 0 post

The design for this piece of embroidery comes from a book called Designs for Church Embroidery by Thomas Brown & Son. I'm lucky enough to have an old copy of the book - it was a catalog at one time, actually - but it has since been reprinted by Lacis, and you can find it in their online catalog. Just search the title, and it'll come right up.

I altered the original design a bit. It was originally just a circle with the "M" that you see in the middle. I added the tips and the little fleur de lys to it, to make it a bit more decorative.



The Bohin ceramic pencil came in really handy for the transferring of the design. I used the greenish-blue ceramic lead, and it worked quite well. The pencil gives a crisp, fine line. Before I used it, I tested it on a piece of scrap linen, writing with various amounts of pressure on the linen, then trying out the eraser - which worked fine on the light to medium pressure lines - and I also rinsed the fabric, which took out all but a trace of the heavier pressure lines. I was satisfied that it would work ok for white-on-white embroidery.

Ideally, when you're working white-on-white embroidery, it's a good idea to use blue for your transfer. The dressmaker's blue pencils work fine, for example, as does dressmaker's blue carbon, both of which are available in the notions section at most sewing stores. You see, white absorbs the blue, so even if a trace is left on the linen, it isn't normally noticeable, and with time, it goes away. When you use grey or red for a transfer in whitework, the thread will pick up the color and will be tainted grey or red. But with blue, even if the thread picks up the color, you don't see it - it absorbs into the white, making it seem brighter.

I don't really know why this is, but I'm sure there's some sort of scientific reason!

Anyway, I liked the Bohin pencil. I haven't started stitching yet, but I think the transfer will be fine for white-on-white.



Here's the design, transferred. The pall is a 6.25" square piece of linen, made like a pocket, with the top side decorated. I cut the fabric 16" long and 9.5" wide to give plenty of room for seams and for mounting on a stretcher bar frame. The fabric will be folded in half, to make the pocket, then the two sides of the pocket will be sewn up, and a 6.25" square piece of mat board inserted into it. Then the last side is hand stitched closed. Lace of some sort is generally applied to the edge by tacking it on after assembling the piece. I like to use hand-tatted lace, as I think it looks quite nice on a pall. Tacking the lace on allows for removal of the lace for cleaning purposes, in case of need.

One of the most frequent questions I get asked via e-mail is how to transfer an embroidery pattern after it is printed or drawn. I do have a list of links that deals with this question in various ways under the Tips and Tricks for Hand Embroidery section. For this project, I'm using a light box to trace the design. You can use a sunny window with equally good effect, though it is sometimes a bit harder on the arms if your pattern is complicated and takes time to transfer!

My next step after transferring was the frame up the piece, which I've already done, and then to pick out threads, which I've already done as well. Now, it's just a matter of stitching! I'm going to use #30 coton a broder on this, in white. I think. I'm oscillating between #25 and #30, actually, though I don't think there's that much of a difference between the two sizes to justify hesitation!

This will be the project I'll be stitching on for at least the next week, I figure. I hope to have it done by the end of the upcoming weekend, if all goes well. Once it's done, I have one more to do, too. Although I like doing this kind of work, I have to admit that I don't normally like making two of the same things in a row, so for the second one, I've chosen a design I've done before, but not for a while.

And then, once these two projects are finished, I can move on to something that involves color - and I can't wait to show you what that is! I'll tell you tomorrow!

Coming up this week on Needle 'n Thread: a special give-away. Once you see tomorrow's article, you'll probably be able to guess what the give-away is!

Now that the school year is officially over, I'll be able to devote a little more time to embroidery projects, tutorials for the website (in various forms), and some other projects, all of which I'll be keeping you up to date on!

I hope you've had a great weekend!
]]> ecclesiastical embroidery whitework pictures embroidery tips and tricks linen needlework pictures 7332 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-06-01 01:40:08 2009-06-01 01:40:08 1 0 7333 Janice Miller noreply@blogger.com 2009-06-01 00:40:11 2009-06-01 00:40:11 1 0
I will be very interested in seeing how you stitch this design. I always use a padded satin stitch but can see that would take a long time. Thanks for the step by step coming for this project. PS How's that 15 minutes a day working for you Mary?]]> 7336 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-05-31 13:45:49 2009-05-31 13:45:49 1 0 Would you please tell what a pall is for? Thanks!]]> http://www.needlenthread.com/2009/05/monogram-for-hand-embroidery-celtic-z.html Fri, 29 May 2009 15:55:00 -0500 Mary Corbet 333 2009-05-29 15:55:00 2009-05-29 15:55:00 open open Monogram-for-Hand-Embroidery:-Celtic-Z publish 0 0 post

I hope you like the monogram alphabets I've been posting - if you do, let me know, because I do have others that I still want to add to this online collection of monogram patterns. But sometimes I worry that I bore you to death with these repeated letters popping up every now and then!

Well, without further ado then, here's the large Z:



And here's the small Z:



You can find the rest of this alphabet, as well other monograms, on my Index of Monograms for Hand Embroidery. If you're looking for stitching suggestions for this particular alphabet, check out the Celtic A Monogram, where I went into a little detail on how you might stitch it.

Yippee! The END!
]]> free embroidery patterns monograms 6158 Anonymous noreply@blogger.com 2009-08-11 17:27:14 2009-08-11 17:27:14 1 0 7338 Laura Bullinger noreply@blogger.com 2009-05-30 22:29:54 2009-05-30 22:29:54 1 0 There is nothing, nothing, boring about any of it! And you are truly a dear to post these beautiful monograms for us "addicts".]]> 7339 Marian noreply@blogger.com 2009-05-30 19:07:07 2009-05-30 19:07:07 1 0
Thanks mary, and I have the perfect idea for the letter Z too.]]> 7343 Anonymous noreply@blogger.com 2009-05-30 07:29:56 2009-05-30 07:29:56 1 0 Thanks again -
Barbara in TN]]> 7344 Janice noreply@blogger.com 2009-05-30 07:16:02 2009-05-30 07:16:02 1 0 I love the monograms! My family is fond of monogramed pillowcases and now I have the whole alphabet to chose from. Thank you.
Janice]]> 7345 Anonymous noreply@blogger.com 2009-05-30 07:08:17 2009-05-30 07:08:17 1 0 7346 Anonymous noreply@blogger.com 2009-05-30 00:54:59 2009-05-30 00:54:59 1 0
By the way, you have a monogram A at http://www.needlenthread.com/2007/06/embroidered-monogram-pattern-letter.html . It would be helpful if you list that in monogram index. Thanks.

-Resmi]]> 7347 Anonymous noreply@blogger.com 2009-05-29 22:49:15 2009-05-29 22:49:15 1 0 todos tienen un detalle especial que los hace muy interesante
eres genial
rosaly]]> 7348 Anonymous noreply@blogger.com 2009-05-29 19:15:52 2009-05-29 19:15:52 1 0
I've enjoyed - and used - your monogram collections, and I for one would encourage you to post more of them. :-)]]> 7349 Yvonne aka sommeke sommeke@hotmail.com http://www.blogger.com/profile/07755225448427141353 2009-05-29 18:34:05 2009-05-29 18:34:05 1 0 Thank you!]]> 7350 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-05-29 18:19:08 2009-05-29 18:19:08 1 0 7351 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-29 18:17:37 2009-05-29 18:17:37 1 0 I've just embroidered The R and D - the smaller ones - I believe I can write a post tomorrow about it.]]> 7352 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-05-29 18:10:20 2009-05-29 18:10:20 1 0 7353 amphipodgirl noreply@blogger.com http://amphipodgirl.livejournal.com/ 2009-05-29 17:34:52 2009-05-29 17:34:52 1 0 http://www.needlenthread.com/2009/05/embroidered-l-o-v-e.html Thu, 28 May 2009 08:41:00 -0500 Mary Corbet 334 2009-05-28 08:41:00 2009-05-28 08:41:00 open open Embroidered-L-O-V-E publish 0 0 post Love, in a Box. I LOVE it when readers send photos of embroidery they've done with my patterns, and it just so happens that Janice worked Love, in a Box, and sent me photos. I thought I'd share those with you!

The pattern for this embroidery project is made up of letters from the flowered monogram series here on Needle 'n Thread. Janice worked the design in blue, on white, then quilted around the outside of the design with a very nice feather design.



She backed the pillow with a pretty blue flowered fabric, to make a really gorgeous finished project!



When I developed the pattern, I had in mind an embroidered pillow, so I was really happy to see this finished project from such a talented stitcher! And hey, I really admire anyone who finishes a project, and finishes it so well! (I'm not the best finisher in the world!) Janice is also the stitcher of the "To Market" embroidered waffle weave towel I posted a little while ago!

Thanks so much, Janice, for sending along the pictures! It's always really encouraging to know that people do like and use the embroidery patterns posted here on Needle 'n Thread!

]]> readers embroidery needlework pictures 7341 rand noreply@blogger.com http://www.blogger.com/profile/08820576752712416946 2009-05-30 11:15:34 2009-05-30 11:15:34 1 0 7342 rand noreply@blogger.com http://www.blogger.com/profile/08820576752712416946 2009-05-30 11:13:21 2009-05-30 11:13:21 1 0 7355 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-29 11:56:34 2009-05-29 11:56:34 1 0 7356 Laura Bullinger noreply@blogger.com 2009-05-29 10:04:00 2009-05-29 10:04:00 1 0 7360 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-28 18:18:16 2009-05-28 18:18:16 1 0
MGM - yes, a perfect little lovely (lovey) wedding gift!]]> 7361 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-28 18:16:51 2009-05-28 18:16:51 1 0
I believe it's regular hand quilting....

MC]]> 7363 karen contemporaryembroidery@hotmail.com http://www.blogger.com/profile/02735772003412266355 2009-05-28 13:46:36 2009-05-28 13:46:36 1 0 7364 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-05-28 13:20:52 2009-05-28 13:20:52 1 0 sigh. Someday.]]> 7365 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-05-28 12:54:00 2009-05-28 12:54:00 1 0 7367 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-05-28 10:31:30 2009-05-28 10:31:30 1 0
MGM]]> http://www.needlenthread.com/2009/05/drawn-thread-on-gingham-tutorial.html Wed, 27 May 2009 10:23:00 -0500 Mary Corbet 335 2009-05-27 10:23:00 2009-05-27 10:23:00 open open Drawn-Thread-on-Gingham:-Tutorial publish 0 0 post

A couple months ago, Laurie LaTour of Future Christian Homemakers contacted me about some chicken scratch (embroidery on gingham) aprons that she had collected, with a question on an embroidery stitch employed on one of the aprons. We've been exchanging interesting e-mails ever since, and wow - some of the chicken scratch aprons she's collected are really nice! One in particular caught my eye - a chicken scratch apron worked on cotton, with double drawn thread strips worked on the apron's front and the pockets. Laurie has this drawn-thread-on-gingham apron (PDF) in her gallery on her website - do check it out. It's meticulously worked and really pretty!

Discussing the different stitches with Laurie led me to working up a tutorial for drawn thread on gingham, to show how to twist groups of threads together for a decorative border.



I began with a simple gingham dish towel. This particular towel is available in different colors from All About Blanks. It's a soft cotton towel and hems are squared up with the gingham, so it's perfect for this kind of work. I've washed it once already, and you can see that the colors didn't run, which is great! It's a good towel!



When I first started, I was going to make the drawn thread area only as high as one row of checks on the towel, so I began by cutting a slit right next to the side hem, abotu six rows of checks up on the towel. (Later, I decided to make the drawn thread area twice as high, which you'll see below...)



About every three or four checks, I cut a vertical slit between two vertical threads, so that I wouldn't have to draw out long horizontal threads. When you cut your horizontal threads, you want to use nice sharp, small scissors. Fold the fabric over the blade of the scissors to that you can see the horizontal threads you are cutting and so that you avoid accidentally cutting any vertical threads.

With this weave, it was very easy to draw out the horizontal threads. I used a tweezer and just picked them out. Though it takes a little bit of time, it's not labor-intensive or stressful - the horizontal threads just pull right out, and removing the threads actually goes very quickly.



Once I was finished drawing out the threads, I hemstitched the base of the strip using a #5 white perle cotton, and dividing the threads into two groups per check on the fabric. I didn't count the threads - I just estimated the center of each check, which worked fine.

If you don't know how to hemstitch, check out my photo tutorial for the hemstitch. This is the exact technique I used, and it's really simple. I was working in hand (no hoop or anything) for this, and it went very quickly.



After getting to the end of the first row of hemstitching, at the base of the drawn thread area, I decided to go ahead and increase the height of the drawn thread area by removing the horizontal threads from the row of checks above. Then, I turned the work 180 degrees and hemstitched across the top of the area.



This is what the towel looked like with all the hemstitching done. You can see the two groups of threads for each check - two red, two white, two red, etc.



After I finished hemstitching, I decided to go ahead and buttonhole the edge of the hemstitched area. Up to this point, I had not done so, because the edge was on the seam and I didn't think it was really necessary. It probably isn't absolutely necessary, but in case it would fray, I figured I might as well finish the edge. I don't really like this buttonholing here. It's rather thickish and lumpy, but since the towel has a bit of a "rustic" look, it's ok. If I did this again, I'd probably finish the edges with a simple overcast stitch (like the satin stitch bars you can see in the hemstitch tutorial), and maybe even in a finer thread.



Now it's time to start twisting the groups of threads. This part is really easy, and it goes really fast! There's nothing to it.

First, you'll want to cut a length of thread about 5 or 6 inches longer than the width of the towel. Thread your needle (I'm using a tapestry needle with a large enough eye to accommodate the perle cotton), and then anchor your thread by running it under the stitches on the back of the buttonhole bar. You want your thread to emerge right in the middle of the drawn thread area, which is conveniently marked by the edge of the two checks.

The direction I'm working here is right to left, but to twist the thread groups, I'm taking my needle under the second group of threads from the edge, pointing back towards the edge. The needle goes under the second group and over the first group (which is the thread group right next to the edge.



Once the needle is in position - under the second group and over the first, pointing towards the edge - you're going to flip the needle so that the eye is now next to the edge, and the point is pointing down towards the far left edge of the towel. When you flip the needle, make sure you push the first group of threads underneath the second group.



Now you see that the needle is pointing in the direction that you're working - that is, from right to left. The twist is held in place right now by the needle...



... but once you pull your thread all the way through, the twist will be held in place by the thread.



Continue down the line in the same manner, pointing the needle backwards, under the second group of threads, then over the first, flipping the needle and pushing the first group under the second, then pulling the thread through.

When you get to the end of the drawn thread strip, take your needle to the back of the buttonhole bars right in the center, and anchor your thread by running it under the bars a couple times.



And that's what the finished towel will look like.



I like the way it turned out!

Now, on the apron that I mentioned above, the stitcher used each check as a group of threads, so that the twists were made up of two colors. You can do the same thing, or you can still divide the checks into two groups (using hemstitching) and alternate the twists to make a kind of diamond pattern, as I did below:



First, on this time around, I thought I'd try doing the twisting part with a bit of tension, to see if it made any difference. I used a Q-Snap frame, but left one edge "unsnapped."



Using the same method as above, I anchored my thread in the buttonhole bar and brought it to the front, working from right to left.



Because I wanted to use alternate colors, I had to anchor the first (out of two) group of red threads to the side of the towel. Then I proceeded to twist the threads as described above, but using one white group and one red group.

Pointing back towards the edge, the needle went under the first white group of threads, over the remaining red group...



... and then I flipped the needle to reverse its direction, pushing the red group under the white group with the tip of the needle.



I continued in that manner down the strip, ending by anchoring the last red group of threads against the edge of the towel.



This worked ok, and made an overlapping diamond pattern in the drawn thread area. But guess what? After trying that, I took it out and worked the first method on the towel again. I like the finished look of the first method better, personally. But at least you can see that there are options in the way you go about bunching and twisting your threads.

Concerning tension and hooping and so forth, I found this project very easy to work in hand, without a hoop or frame. For the twisting part, if you can lay your fabric down on a surface and smooth it out, you can work easily without a hoop. You just want to be careful that you pull the center thread firmly enough to keep things from sagging, but not too firmly to where it pulls on the end and makes the towel pucker. In fact, if you lay it out on a cloth surface - like an ironing-board cover (or the top of a footstool, like I did!), or even on your self-healing cutting matter, the friction will help hold the fabric in place (better than working on a slick surface!).

Now, if you really wanted to, you could decorate the towel further with other embroidery. But I like the simple drawn thread area, and I think it would be really nice on a summer picnic tablecloth, with matching napkins. In fact, wouldn't that make a great gift? A matching picnic set and hamper, or something? Hmmm.... I'm thinking summer wedding presents... summer birthdays... just something nice for the family gatherings...

Enjoy!
]]> needlework tutorials Embroidery for the Home pictures needlework pictures drawn thread embroidery 7335 Laurie Latour noreply@blogger.com http://www.futurechristianhomemakers.com 2009-05-31 17:07:10 2009-05-31 17:07:10 1 0 Blessings to you!
Laurie]]> 7354 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-29 11:58:53 2009-05-29 11:58:53 1 0 7357 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-05-28 22:53:03 2009-05-28 22:53:03 1 0 7359 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-28 18:19:24 2009-05-28 18:19:24 1 0 7362 Anitra noreply@blogger.com 2009-05-28 14:15:41 2009-05-28 14:15:41 1 0 7366 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2009-05-28 12:17:26 2009-05-28 12:17:26 1 0
Denise
http://needlework.craftgossip.com]]> 7368 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-28 08:24:00 2009-05-28 08:24:00 1 0
Great idea on the ribbon addition, Laura. I think I'll try that or something similar. I wonder what I have in my stash that would work....

MC]]> 7369 Laura Bullinger noreply@blogger.com 2009-05-28 07:18:44 2009-05-28 07:18:44 1 0 7370 Laura Bullinger noreply@blogger.com 2009-05-28 07:08:23 2009-05-28 07:08:23 1 0 7372 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2009-05-27 21:41:43 2009-05-27 21:41:43 1 0 7374 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-05-27 16:34:36 2009-05-27 16:34:36 1 0 http://www.needlenthread.com/2009/05/framing-mini-embroidery-step-by-step.html Tue, 26 May 2009 11:19:00 -0500 Mary Corbet 336 2009-05-26 11:19:00 2009-05-26 11:19:00 open open Framing-Mini-Embroidery-Step-by-Step publish 0 0 post miniature embroidery piece that I framed last weekend went together pretty well, so I thought I'd show you how I framed it, step-by-step. It was really simple, and very quick! Of course, I'm no professional framer or "finisher" - I've always thought it would be a worth-while thing to take a class in finish work. Either that, or to find someone who wanted to enlist as my "personal finisher." Ha ha. Anyway.... here's how I framed it.

The first step was finding something to mount the embroidery on. Ideally, a piece of archival mat board works great. And, as a matter of fact, I did have a little scrap of mat board left over from another project. I knew I wouldn't need much for this one, so it worked out really well.



Measuring the opening of the frame on the back, I subtracted one-eighth inch from the measurement to give me room for the fabric around the mat board. I cut the mat board to fit the opening perfectly, minus 1/8th of an inch. A regular utility knife or craft knife or X-acto knife works well for cutting mat board, and I just use my sewing / cutting mat for cutting mat board, too. The self-healing mats are great - not only do they serve as my base for cutting with a knife, but they serve as my ruler in practically everything!



To make sure the piece of board and the fabric would fit the opening in the back of the frame, I lined up the design on the little board and pushed it into the frame. It fit fine.



I finger-pressed the edges of the fabric around the mat board so I would know where to line it up as I worked. First, make sure your embroidery is exactly where you want it to be. Then, fold each edge of the fabric over the mat board, and run your finger along the edge, to make a crease in the fabric, marking the spot where you want the mat board to fit.

After doing that, I cut the excess fabric off the corners, straight across.



Then I folded two opposite sides over the mat board, making sure my embroidery was centered where I wanted it. With a double-threaded sharp sewing needle, I "laced" back and forth between the edges of the two sides of fabric, keeping the stitches fairly close together and pulling tightly so that the fabric was taut.

Then I folded over the two remaining opposite sides and repeated the lacing on those sides.



I didn't really like the way the corners turned out - they're so unfinished looking. I briefly thought of tucking in that little edge and re-sewing the whole thing with mitered corners, but then I remembered that no one would see it! There's a good quarter inch all around the embroidery that is hidden by the front lip of the frame. Besides, the tweaker you see there in the photo tucked to the back of the mat board just fine. So I left it.



Next, I fitted the embroidered piece into the frame, and when I was certain that all was lining up correctly, I started working on finishing the back. I should have filled the whole space in the back, but instead, I used a smaller square of mat board right behind the embroidered piece, and then one more square of mat board cut precisely to the size of the opening, so that it fit very snuggly into the frame opening on the back.



You can see there's still a good amount of space there. It would have probably been wise to go ahead and fill that with little mat board squares until the last piece was flush with the back of the frame. Probably, nothing will happen to it - but I still have visions of someone picking up the frame and giving the embroidery a good poke, which would dislodge it.



After fitting in the two pieces of mat board, I selected a pinkish piece of card-stock that matched the pink in the embroidery. It's an "ok" match, anyway - not perfect, but it's all I had on hand.

I cut a square of paper to the size of the back of the frame.



A tiny bit of glue fixed the decorative paper to the back of the frame to give it a finished look.



I suppose you can tell I went about this rather haphazardly, but the finished result is ok, I think. It's nice to have it done, anyway. I think I'd like to find a teeny tiny easel to put the frame on for display. At this point, it's just leaning against the base of a statue on the table in my entrance way. Kind of lost and small and dwarfed. But... I like it!

Now, it's time to move on to other things! I've been experimenting with something drawn-threadish, and I'm hoping to be able to show that to you tomorrow, depending on whether or not I get close-to-finished today! I'm also in the middle of trying to draw a design for an ecclesiastical project I'm supposed to be working on already. I can't quite get the drawing where I want it! Oh, where is my Muse??? And, then, once I get that going for real, I've got a couple other needlework-related ideas brewing (or at least half-way brewing - they haven't come to a complete boil yet!). Now, for the invention of the 36-hour day....
]]> needlework tutorials miniature embroidery finish work pictures needlework pictures 7340 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-05-30 15:53:06 2009-05-30 15:53:06 1 0 7376 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-05-27 06:36:21 2009-05-27 06:36:21 1 0
Your piece looks so beautiful and thanks for the framing instructions]]> 7377 Anonymous noreply@blogger.com 2009-05-27 06:06:17 2009-05-27 06:06:17 1 0 Cissie]]> 7378 onafixedincome noreply@blogger.com 2009-05-26 21:13:20 2009-05-26 21:13:20 1 0
It's very nicely done, Mary! When you wind up with a gap, try the stapler--whack a staple into the back interior frame, partway, then bend down against the backing. You can also make a diamond of spring-steel wire which will snugly secure the whole shebang.

Nice work!]]> 7379 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-05-26 18:43:24 2009-05-26 18:43:24 1 0
Have you ever tried the mounting board that has the adhesive/tacky side so the fabric doesn't wiggle around? The Pres-On brand says it is "acid free, chemically inert". I'm tempted to use it.]]> 7380 Anonymous noreply@blogger.com 2009-05-26 16:57:16 2009-05-26 16:57:16 1 0 7382 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-26 14:02:14 2009-05-26 14:02:14 1 0 It's a little beauty.]]> http://www.needlenthread.com/2009/05/miniature-embroidery-framed.html Mon, 25 May 2009 12:03:00 -0500 Mary Corbet 337 2009-05-25 12:03:00 2009-05-25 12:03:00 open open Miniature-Embroidery-Framed publish 0 0 post this little piece of miniature embroidery, and until this weekend, it's just been sitting around, waiting...

Earlier this month, when I went needlework shop hopping, one of the most exciting findings for me was a little square frame which I thought would be the "perfect size" for this miniature piece. It was $10, and, admittedly, I sort of cringed at paying $10 for a frame that was just barely two inches square...!

But... have you ever noticed that smaller things are sometimes pretty expensive?

And if you figure that miniature needlework can take just as much time - if not more - than regular-sized needlework, I think you'll discover a kind of value ratio there, somewhere.

Anyway, this past weekend, I did manage to put the miniature piece in the frame, and I had that little surge of satisfaction, knowing that I was actually right, that the frame was the perfect size.



The horizontal line running through the middle of the piece corresponds to a blank line in the middle of the flower and a slub in the fabric, just in case you're wondering.

After stitching on 28-count linen lately, I look at this piece (approximately 40 threads per inch - the whole piece is just about 1.5 inches square) and can't figure out how I saw those stitches without any kind of magnification...! Don't tell me my eyes are getting old, in just a few months' time!

I took this photo before finishing the back, and I've since slightly adjusted that lower right hand corner.

In a bit, I'll show you step-by-step how a framed the piece and finished the back of the frame. But for now, suffice it to say, I'm glad I've finally "finished" something! It always seems that anything I embroider these days gets put on hold and it never sees the finish line. I really need to stop doing that!

Happy Memorial Day!
]]> miniature embroidery finish work pictures needlework pictures 7383 Laura Bullinger noreply@blogger.com 2009-05-26 09:43:50 2009-05-26 09:43:50 1 0
Needlework always looks more beautiful when made ready for display. I think the only exception is lace-like or drawnwork items. They are so beautiful to touch and examine.]]> 7384 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-26 07:58:59 2009-05-26 07:58:59 1 0
Kandra, you're so right - there are lots of types of linen! It really depends on what type of embroidery you want to do. It's kind of hard to say "Buy this kind of linen" without knowing what the project is. What do you have in mind to stitch? Can you point me to a picture of something similar to what you want to do? That would help narrow down the linen choices.

In my experience, I've rarely - and I mean rarely - found linen suitable for needlework at a local chain fabric store. Oh, yes, it's true, they do sometimes have 100% linen, but it's usually for garments and can be pretty slubby. That's not to say you can't use it, but it's not generally needlework linen. That being said, I did find a bolt (and I wish I had bought the WHOLE BOLT!) of white linen sold as "handkerchief" linen in a fine fabric store, at $15 / yard. It was nice linen. It had good body, a nice weave and smooth hand, and was light and crisp, perfect for general surface work, cutwork, etc. But alas...

Anyway, if you can let me know what type of needlework you want to do, I can hopefully help you a bit better. You can contact me, using the link at the top right...

Thanks again, all!

MC]]> 7385 Kandra noreply@blogger.com http://www.siblingcraftery.com 2009-05-26 06:42:35 2009-05-26 06:42:35 1 0
Got a question - When I embroider it's usually on muslin or tea towels, etc. I'd like to buy linen to embroider on for napkins or even to hang on the wall or use in a quilt. When I went to buy linen.. well.. there's a lot of types of linen! LOL Can you help a gal out by letting me know what type of linen is suitable?

Thanks!
Kandra]]> 7386 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-05-26 06:42:32 2009-05-26 06:42:32 1 0 7388 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-05-25 20:39:28 2009-05-25 20:39:28 1 0 7389 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-05-25 19:49:17 2009-05-25 19:49:17 1 0
It is not just picture frames. Kids' clothes and shoes cost almost the same as adult versions. The labor involved, not the materials, must be dictating the cost to us consumers. Oh well. I'd buy the perfect frame, too.]]> 7390 Janice Miller noreply@blogger.com 2009-05-25 17:48:26 2009-05-25 17:48:26 1 0 How is the niece and auntie project coming along? And are you still doing the 15 minutes a day? This year my goal is to finish what I started. So far so good.
Thanks again Mary, for the entertaining and informative blogs. I always learn something new.
Janice]]> 7391 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-05-25 16:57:12 2009-05-25 16:57:12 1 0 7392 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-05-25 15:04:53 2009-05-25 15:04:53 1 0 7393 margaret c. noreply@blogger.com 2009-05-25 14:16:37 2009-05-25 14:16:37 1 0 http://www.needlenthread.com/2009/05/monogram-for-hand-embroidery-celtic-y.html Sun, 24 May 2009 08:24:00 -0500 Mary Corbet 338 2009-05-24 08:24:00 2009-05-24 08:24:00 open open Monogram-for-Hand-Embroidery:-Celtic-Y publish 0 0 post

If you would like suggestions for stitching these monograms, including what stitches and threads to use, please visit the "A" in this alphabet. There, you'll find some more detail on the monograms. You'll also see how the inside areas between the loose knotwork is supposed to be shaded with a kind of "stippled" effect (easy to accomplish using seed stitch or French knots).

Here's the small Y:



And here's the large Y:



For the rest of this alphabet or for other monograms, please visit my list of monograms here on Needle 'n Thread. You'll also find plenty of other hand embroidery patterns here, if you're looking for something more to do with your needle and thread!

Enjoy!



]]> free embroidery patterns monograms http://www.needlenthread.com/2009/05/another-great-needlework-tutorial.html Sat, 23 May 2009 12:02:00 -0500 Mary Corbet 339 2009-05-23 12:02:00 2009-05-23 12:02:00 open open Another-Great-Needlework-Tutorial! publish 0 0 post

Romilly, on Stitching with a Shimmy, has posted a very nice crewel work tutorial, which includes a design and stitching instructions. It's simple and perfect for getting your feet wet with crewel work. Whether you work it in wools or any other kind of thread, you can follow her perfect little tutorial to get the hang of the various ways stitches are used in crewel work. Also, the motif is small enough that you an work it up in a little time and have the satisfaction of a nice finished element that can be framed or used in other applications! It's great!

Hop on over to Stitching with a Shimmy and take a look at the Jacobean flower and tutorial for stitching it. You'll be glad you did!

]]> needlework tutorials embroidery resources needlework websites 7387 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-05-25 21:30:57 2009-05-25 21:30:57 1 0 http://www.needlenthread.com/2009/05/gift-from-portugal.html Fri, 22 May 2009 14:42:00 -0500 Mary Corbet 340 2009-05-22 14:42:00 2009-05-22 14:42:00 open open A-Gift-from-Portugal! publish 0 0 post the generosity of needleworkers! Yesterday, I was thrilled and speechless when I emptied my mailbox. There, inside, was a package all the way from Portugal, from Méri, of Agulhas da Méri fame. Inside the package - some gorgeous threads and a piece of Portuguese linen, woven at the textile mills of northern Portugal.

I just have to show you pictures of this thread and the fabric. Pictures won't do the linen justice, or the threads, for that matter.



First, the threads. There are two kinds of silk here - one is still on the market and available in Portugal.



It comes in very long skeins, and the thread is beautiful - it's a fine twisted silk, non-divisible. The sheen is hard to capture in a picture...



...but a close up serves to show the nice twist in the thread.

I can't wait to give these threads a try! I haven't seen anything like them here in the States. Buttonhole silk is usually a bit fatter and more tightly twisted. And stranded silk doesn't have this kind of sheen.



Now, these other threads have captivated me! This is a soft, thick, luxurious silk, no longer sold, and Méri estimates that these skeins are from the beginning of the 1900's, as they were passed down through family. They are typical of the embroidery from Castelo Branco in Portugal. They are unbelievable threads!



You can see that the thread has a very soft twist to it. Each strand is rather thick - I'd say at least as thick as a #3 pearl cotton, though not twisted tightly like pearl cotton.



To explain the sheen - and even to photograph it well (for me, anyway!) is almost impossible. How can I get across the idea of the sumptuous "fire" of these threads? They're incredible! I would imagine that they will make beautiful satin stitching, if worked in short lengths. I'm eager as well to try them with long and short stitch and with stem stitch.



And finally, the linen - a beautiful, durable, medium-weight linen with a nice hand, and a good, practically even weave. It looks like it will be a perfect linen for drawn thread work. I also think it would be perfect for crewel work or Jacobean embroidery in wools. It's really nice stuff! Méri said this linen is sold as what we call "seconds" - that is, not suitable for shops or exports, but still available at the source. She buys it by weight. I can't imagine that this is "second quality" linen. It's pretty nice!

Méri, how can I thank you for the wonderful package?! I'll try to do the supplies justice! Thank you so much for your generous gift!]]> supplies regional embroidery techniques pictures silk linen 6469 Anonymous noreply@blogger.com 2009-07-26 11:43:21 2009-07-26 11:43:21 1 0 Brigitte]]> 7398 joaninreno noreply@blogger.com 2009-05-23 13:03:01 2009-05-23 13:03:01 1 0 7399 Laura Bullinger noreply@blogger.com 2009-05-23 13:00:55 2009-05-23 13:00:55 1 0 Suggestions: Kimono designs/Oriental patterns. Why do you think small stitches are appropriate for this type of thread? Tell us what you have in mind after you decide.]]> 7400 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-05-23 11:06:43 2009-05-23 11:06:43 1 0
Meri it is just so incredibly generous of you to send Mary something which is a handed down through your family.]]> 7402 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-23 03:16:08 2009-05-23 03:16:08 1 0 Can't wait for your works with them!]]> 7403 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-05-23 00:03:06 2009-05-23 00:03:06 1 0 7405 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-05-22 21:12:13 2009-05-22 21:12:13 1 0
Meri, You're going to have to confess your source of Portuguese linen, please! I want to know! I loved my visit to Portugal last year - so much wonderful embroidery!

Yvette]]> 7406 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-05-22 19:55:13 2009-05-22 19:55:13 1 0 7408 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-05-22 17:53:41 2009-05-22 17:53:41 1 0 7409 BJ noreply@blogger.com 2009-05-22 17:15:26 2009-05-22 17:15:26 1 0
Kudos to you and so very thoughtful of her to give silk handed down from mum to daughter, or dad to son whichever is the case. I expect that none of these will go into a giveaway, just too nice to pass on. I would totally Bogart the threads or myself.

I look forward to any projects that you apply these wonderful items to. I will tell you that if these threads are like the Indian threads I have, you must have well moisturized hands, they will snag on the slightest hangnail. Plus they are very delicate I have to use very short lengths. Congrats on the great gift. I am so jealous.]]> http://www.needlenthread.com/2009/05/needlework-website-hopping.html Thu, 21 May 2009 08:27:00 -0500 Mary Corbet 341 2009-05-21 08:27:00 2009-05-21 08:27:00 open open Needlework-Website-Hopping publish 0 0 post

First off, on my May Give-Away, I included one of those vinyl mesh zipper bags that are great for toting needlework projects around in. Since posting the give-away, my most frequently asked e-mail question this week has been where to find those bags.

What you'd be looking for are vinyl mesh zipper pouches sold for organization of art supplies and so forth. You can sometimes find them at local needlework shops. I've seen them, too, I think at some craft stores in the needlework section, but mostly, I've seen them at smaller needlework shops. I bought mine at The Sunflower Seed in Topeka, KS. They don't have a regular "retail" area of the website, so you might have to contact them to find out if they sell their accessories retail online.

You can find them online at other places, too. For example, they have them at Silver Needle, if you scroll down that page. Speaking of Silver Needle, it looks like a pretty neat needlework / cross-stitch shop. It's located in Tulsa, OK - only 4.5 hours away from me. Worth a day trip? Mmmm.... maybe a weekend trip! I'm not quite sure if Tulsa is the weekend get-away spot I've been dreaming about... but...?

Ok, off to other spots... I think everyone should take a look at this photo of the Plimoth Plantation Jacket! You'll get a wonderful sense of the color, the gold, the sparklies, and so forth on the project. If you haven't visited the Embroiderers' Story blog on Thistle Threads lately, OH DO!

On a blog called Tenar's Cave, you'll find a nice photo tutorial on casalguidi stitch. This is a dimensional embroidery technique that involves stem stitching over a thick cord or bunch of cords. It's pretty neat; the resulting embroidery looks rather wormish-ropish-snakish.

If you're an A-Z Book fan (Country Bumpking Publications), and if you're interested in learning to sew or brushing up your sewing skills, you'll be happy to know that the A-Z of Sewing is now available at Wooly Thread, as announced on their blog. I'm (admittedly) no great seamstress, though I can sew straight lines pretty well. There are a couple basic sewing things I want to learn how to do better, and I think this book - if it is anything like the other A-Z books - will be a gem for teaching me. So I've got it on my wish list!

Speaking of wish lists, there's a new book by Jane Nicholas coming out in August here in the States, called Stumpwork Medieval Flora, and it's definitely on my list! Check out the grasshopper on the middle stem!



It is undoubtedly another beautiful and instructive book by Jane Nicholas, and I'm looking forward to it!

On the blog Meggiecat, meggiecat has posted some neat vintage embroidery patterns for the back of hoodies. I think they look kind of fun, don't you? They remind me of camping.

Over on Pintangle, Sharon has a nice photo tutorial on working the woven picot. This is a great little stitch for dimensional embroidery. It's perfect for leaves, for grass, for seaweed, for anything long and flat or short and flat that you might want to embroider, that can stand up from the fabric (or not - you can anchor it). It's a nice looking stitch! So check out her photo tutorial. If you like videos for stitches, I have a woven picot video tutorial, with pictures of it so you can see what it looks like. You'll also find a photo tutorial on how to stitch free-style woven bars over on Pintangle, so you might want to check that one out, too, while you're there!

Are you familiar with Kelly Fletcher's blog, Materialistic? On it, you'll find a nice selection of Jacobean leaves that she's developing. She's got five out of eight featured on her website so far. Check them out! They're a great introduction to Jacobean motifs.

Another blog featuring some intriguing needlework is Karen's blog, Contemporary Embroidery. She does some really pretty things with large eyelet-type motifs, touched with color. It's hard to explain - you really have to look at her blog to see what I'm talking about! While you're there, check out her post on embroidering trims! I love the colors and the little appliqued squares. Really neat stuff!

Allison Aller is always at it, with beautiful examples of crazy quilting popping up on her blog all the time. Check out her spring CQ post - it's really Springy! I love the colors, the flowers, the birds....

Megan of Emsley Rose sent me a link via e-mail of a magnificent example of Or Nué. This is something worth seeing! It's a coronet, embroidered entirely in gold Or Nué, and you can see it develop step-by-step. Amazing job by the stitcher!

Méri, over on Agulhas da Méri, as been stitching up a storm with monograms, drawn thread work, and all kinds of delightful things lately! I love the little pouch she made with lace scraps as an accent - it's so simple, beautiful, and very tastefully done! And - talk about cute - the little pouch with the sunshine, rainbow, and French knot sheep is really darling! While you're there, check out her drawn thread work and monogram on this towel - really exquisite!

It was really fun squizzing around visiting different needlework websites online - I haven't done that in a while. Work is keeping me pretty busy as the school year comes to a close! Summer is almost officially here! I've got heaps of plans for the summer - keep your fingers crossed for me that I can see at least some of them realized!

Have a terrific day!

]]> embroidery resources needlework websites embroidery books 6653 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-07-11 07:04:59 2009-07-11 07:04:59 1 0
Kirti]]> 7373 xena noreply@blogger.com http://www.blogger.com/profile/14673376815335830784 2009-05-27 18:05:58 2009-05-27 18:05:58 1 0 This is the first time i leave a comment.i hope i'm doing this right.Well here goes.I love to cross stitch. i love looking at my threads and metallic ones-love it. My problem is where i live i don't have a lot of choices. I really want to try silk and so i decided to go on the internet and do a search and i found your site.I saw some of the threads that you have, beautiful.I was wondering if you have a email newsletter i can sign up for? I would like to try canvas work. Is it difficult? I will enjoy looking through your site.I wish i new somebody where i lived that loved to cross-stitch!!
Well thank you for your site. I know i will get alot of good information.]]> 7401 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-05-23 11:02:26 2009-05-23 11:02:26 1 0
Thanks for the lovely links. Will browse through all of them over the weekend]]> 7404 rosaly noreply@blogger.com 2009-05-22 22:53:50 2009-05-22 22:53:50 1 0 aunque no si po aqui estan estos materiales ya llegaran
ers genial'''''
rosaly]]> 7412 karen contemporaryembroidery@hotmail.com http://www.blogger.com/profile/02735772003412266355 2009-05-22 13:53:01 2009-05-22 13:53:01 1 0 7413 Anonymous noreply@blogger.com 2009-05-22 11:46:38 2009-05-22 11:46:38 1 0 7416 margaret c. noreply@blogger.com 2009-05-21 22:16:51 2009-05-21 22:16:51 1 0 7419 meggiecat noreply@blogger.com http://www.blogger.com/profile/17908380074299822473 2009-05-21 18:27:09 2009-05-21 18:27:09 1 0
Thanks so much for the mention. I'm flattered.
Hugs,
Kathy aka meggiecat]]> 7420 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-05-21 18:06:20 2009-05-21 18:06:20 1 0 7421 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-05-21 18:05:58 2009-05-21 18:05:58 1 0 7422 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-05-21 17:14:28 2009-05-21 17:14:28 1 0 7423 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-05-21 16:51:29 2009-05-21 16:51:29 1 0
Jacobean leaves - cool!

And it's timely you mention all the learning resources for picots because that's what I have to learn next! For my Dusty Pink Rose!

I've smoked my last cigarette, and am getting Patterns of Fashion 4 in a few weeks as a 'giving up smoking' present to myself. Apparently PoF1-3 are all costume construction, but 4 has a fair few embroidery images :-)]]> 7424 M&amp;Co. noreply@blogger.com http://www.blogger.com/profile/05826472564396169120 2009-05-21 15:48:24 2009-05-21 15:48:24 1 0
They have a large section of those bags and purses and things in pretty colors from the woman whose name I can't remember now.

They had a very few painted canvases (I think it was the canvases from these x-stitch companies who are beginning to offer their line in painted canvas) and threads to die for.

They even had some of their samples for sale in the bathroom. I scooped up a couple of pieces for teacher gifts because the price was right.

It is certainly worth a whole Saturday.]]> 7425 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-21 13:29:19 2009-05-21 13:29:19 1 0 As I've already said to you I'm overwhelmed by your generosity!]]> http://www.needlenthread.com/2006/09/jacobean-era-revisited-pattern-with.html Sat, 16 Sep 2006 06:03:00 -0500 Mary Corbet 342 2006-09-16 06:03:00 2006-09-16 06:03:00 open open Jacobean-Era-Revisited---Pattern-with-Butterfly publish 0 0 post Jacobean Embroidery: Its Forms and Fillings including Late Tudor (a rather burdensome title) by Ada Fitzwilliam and A.F. Morris Hands which I picked up on Abebooks. (A note on that: you'd be surprised what you can find on Abebooks - it's a great place to pick up needlework books, especially "vintage" or antique!)

The book I have was published England in the early 1900's. It's in pretty good condition, and isn't a bad looking book, though the pages are discolored (but it's that super-smooth "hard" paper - I just love old books!) Come to find out, thanks to an e-mail, the same text (though I'm not certain if it's the same publishing date) is also available on Project Gutenburg. You will find it here.

If you're interested in Jacobean embroidery and want to read the text, I highly recommend it. Reading it online is not the same as browsing through an old book, but I think you'll enjoy parts of the book, nonetheless, if you have an interest in Jacobean embroidery.

So, when I was on a Jacobean kick (actually, I was playing with new threads - trebizond and soie ovale, among others), I decided to scan up some of the plates in that book and play with them, putting them together to see if I could come up with some neat combinations to practice with. Here's the second design of the only two I managed to do anything with.




Click on the image for a slightly larger version, then right click on that to save it to your computer. You can scale it up or down on a photocopier or in a photo editing program.

This type of design is for more advanced embroiderers, though I think a really focused beginner could play with it and manage some good results. You don't have to use traditional Jacobean stitches and filling!
]]> 13432 Anonymous noreply@blogger.com 2006-09-17 10:35:00 2006-09-17 10:35:00 1 0 13433 Anonymous noreply@blogger.com 2006-09-17 10:31:00 2006-09-17 10:31:00 1 0
Love your blog and the great work.
Christa]]> http://www.needlenthread.com/2009/05/needlework-stash-give-away-winner.html Wed, 20 May 2009 09:32:00 -0500 Mary Corbet 343 2009-05-20 09:32:00 2009-05-20 09:32:00 open open Needlework-Stash-Give-Away-Winner! publish 0 0 post

It was a long, laborious process this morning, arriving at the name of the winner of this package of embroidery threads and Other Various Good Things. Normally, I try to keep up with my "method" of picking the winners as the comments come in, each day adding the new names to an ever-growing list, which I finally number, then randomly sort. Then, I have the computer pick a random number, and there's the winner.

Well, it sure beats writing the names on paper, cutting it up, and drawing from hat, which is what I used to do when I first started doing little give-aways.

But with 155 comments, and not having kept up with them as I normally do, it took me quite a bit of time to manage the whole thing this morning! Top that with an 8:15 meeting at school, and there you have my excuse for the late announcement of...

THE WINNER!

Who happens to be....

Magpie's Mumblings! Magpie answered the question about thread organization thus:

To answer your storage question...my embroidery flosses are all wound on cardboard bobbins; my spools of pearl cotton are stored in a plastic container with a lid; and my silk ribbons are also in a plastic container. The containers I use are all the same and stack nicely on my shelves. Pretty much all my smaller needleworking supplies are stored that way.

When I begin a project I go through and pull out any threads I feel I might use and they, in turn, go into another plastic container or, if it's a smaller project, they go into a ziploc bag.

Hm. She sounds a lot like me! I had great fun reading all the comments and seeing how people organize their threads and projects differently. If you're feeling frustrated with your present organizational methods (or lack thereof!), take a look at the comments on the original post for the May give-away. You might find a technique that suits you and is easy and feasible to use!

Magpie, please contact me with your mailing address and I'll get this off to you in the next week! I'll be throwing in a couple little extras, which I hope you enjoy!

You know, each time I do this, I see many, many familiar names! I wish I could send you all a little something, but as a consolation, just know that we will be doing it again. In fact (oooooohhhhh....), I've got a good one coming up. Remember that I mentioned Trish Burr's new embroidery kits? I do believe I shall be giving one of those away soon! So... keep an eye out!

Thanks, everyone, for participating, and for all your helpful information on how you organize your thread stash!
]]> stash contest 7415 Skye noreply@blogger.com http://www.blogger.com/profile/07313130856094132738 2009-05-21 22:56:05 2009-05-21 22:56:05 1 0 7418 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-05-21 19:37:16 2009-05-21 19:37:16 1 0 7426 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-05-21 12:40:22 2009-05-21 12:40:22 1 0 No really, what a fun blessing. I went so far as to think, "oh no, if I win what if I don't do justice to such lovely threads and to the lovely gifter". Thanks again Mary. It's fun just looking and wishing and cheering.
Tammy]]> 7427 Laura Bullinger noreply@blogger.com 2009-05-21 07:55:36 2009-05-21 07:55:36 1 0 7429 Anonymous noreply@blogger.com 2009-05-21 00:03:13 2009-05-21 00:03:13 1 0 I hope you love the stash stuff. I will keep trying.
Oh, and when will you be over to organize my stuff? ha
Janice Miller]]> 7430 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-05-20 16:27:32 2009-05-20 16:27:32 1 0
ruth m]]> 7431 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-05-20 13:03:31 2009-05-20 13:03:31 1 0 7436 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-20 11:41:17 2009-05-20 11:41:17 1 0 :)]]> http://www.needlenthread.com/2009/05/hand-embroidery-stash-give-away.html Tue, 19 May 2009 16:30:00 -0500 Mary Corbet 344 2009-05-19 16:30:00 2009-05-19 16:30:00 open open Hand-Embroidery-Stash-Give-away-Reminder! publish 0 0 post May Stash Give-Away comes to an end! If you haven't had a chance to enter, please feel free to check out the original post, read the question posed at the end of the post, and answer the question in the comment section on the original post. As I mentioned in yesterday's article, I'll be including a few more goodies in the stash package that aren't shown there, including some silk threads and a nice piece of linen, thanks to BJ!

Do sign up if you haven't already done so!

Good luck!]]> stash contest http://www.needlenthread.com/2009/05/hand-embroidery-on-waffle-weave-it-can.html Tue, 19 May 2009 06:26:00 -0500 Mary Corbet 345 2009-05-19 06:26:00 2009-05-19 06:26:00 open open Hand-Embroidery-on-Waffle-Weave---It-Can-Be-Done! publish 0 0 post BJ's package arrived in the mail - replete with a bright yellow waffle weave tea towel - I decided to give waffle weave a try as a ground for hand embroidery.

I'll tell you right off the bat that my approach was simple and not too ingenious. The towel was yellow. I like yellow, red, and white. So - why not big white daisies with red centers? Nothing too extravagant - I planned on filling petals and centers with chain stitch. And that's what I set out to do.

BUT - then I got an e-mail from a reader who embroiders on waffle weave towels, and uses the weave as part of her design... and that's when I saw a much more exciting potential to waffle weave! I'll show you down below...

First, my dabbles with daisies on waffle weave:



Using a tiny micron art pen, I drew a line of random large daisies across the lower edge of the towel. Drawing on this particular weave with a tiny pen tip is somewhat difficult, as the pen snags on the longer threads in the weave. The best thing is to go slowly and to try drawing in smooth long strokes, rather than short sketchy strokes.



Once I had the daisies drawn on, I started foraging for thread. I wanted to use something a bit heavier than regular floss, with a bit of texture to it - but not as thick as #5 perle cotton. I happened to have some #8 perle cotton in both red and white, so that's what I decided to use.



Knowing that my stitching time would be a bit sporadic, I arranged everything in a bag for easy access - hoop, scissors, threads, needles and towel all fit into one of the mesh-like bags that's featured in this month's give-away.



The first time I had a moment, I started stitching. I'm using chain stitch as a filler - nothing too complicated here!



It works great! Waffle weave is easy to stitch on!

Now, this is the thing:

Janice Miller took embroidery on waffle weave to a different level of fun! She went all out, embroidering this design with a variety of stitches, and ingeniously using the waffle weave squares as part of her design. Here it is - her "To Market" towel:



This towel is amazing! It's not just the design, which I think is rather hilarious - the little lady with her perfect curls, sunny hat, breezy dress, carrying the fat chicken (which looks be-dazzled) to market - but it's the meticulous attention to detail in stitching that's really delightful!



Using the squares created by the waffle weave, Janice filled in the dress, hat, and chicken with a checkered pattern.



She filled in many places with chain stitch - the face and arms, the sash on the hat, the bow on the dress, etc. - and worked the hair in perfect bullion knots!



You can see satin stitch, straight stitch as a filling, French knots, running stitch, a buttonhole wheel for the eye... an amazing variety of stitches on a really cute design, all on waffle weave!

So, now you know! Hand embroidery works on waffle weave - and it not only works, but in the hands of some stitchers like Janice, it works great!

Go grab a waffle weave towel and see what you can do with it! You can find them in most stores that have a kitchen linen section, or online through various sources that sell embroidery blanks. BJ found the yellow set at All About Blanks, for example - the set includes a large yellow-and-white checker print, a small checker print, and the matching yellow waffle weave towel.

Just as an aside on waffle weave... my shower curtain is white waffle weave fabric, and I can't tell you how often, when in a position to contemplate the shower curtain, I have considered embroidering it. Hmmmm....

Thanks, Janice, for sending the photos! Thanks, BJ, for the towel!
]]> supplies embroidery resources Embroidery for the Home readers embroidery pictures needlework pictures beginner embroidery 7428 Carol carolalhansen@comcast.net http://www.blogger.com/profile/13352764994854290533 2009-05-21 06:31:55 2009-05-21 06:31:55 1 0 She is a fabulous, generous and very talented lady.]]> 7434 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-20 11:45:57 2009-05-20 11:45:57 1 0 Clever idea, Janice!

Once I embroidered one of yours monograms on waffle weave fabric - the worst was transfering the letter...]]> 7443 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-05-20 07:34:44 2009-05-20 07:34:44 1 0 Okay, next I want to say I love anything kitchen-y. No, I mean kitsch-y. Especially kitschy kitcheny.
And finally, are you sure you want to start with a shower curtain? I mean, that's a lotta waffle weave! Maybe not chickens anyway, huh?
Can't wait to see what you come up with next!
WendyBee]]> 7453 Mal* (turning*turning) mal@turningturning.com http://www.blogger.com/profile/06089616225966759897 2009-05-19 18:34:06 2009-05-19 18:34:06 1 0 7456 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-05-19 17:54:18 2009-05-19 17:54:18 1 0 http://www.needlenthread.com/2009/05/stash-building-with-online-friends.html Mon, 18 May 2009 08:43:00 -0500 Mary Corbet 346 2009-05-18 08:43:00 2009-05-18 08:43:00 open open Stash-Building-with-Online-Friends! publish 0 0 post

This weekend, the Theory of Needleworker Generosity was once again made manifest in my life by a package I received in the post on Saturday.



You know what it's like to receive a delightful and unexpected package in the mail that contains Just the Stuff you like? Well, that was me on Saturday - and it was such fun to open this package! In addition to the above items were two other yellow and white tea towels that match the yellow waffle-weave towel on the left - but they're out in the studio awaiting ideas already!



There were three beautiful tea towels in sunny yellow and yellow and white, three very nice-sized pieces of linen, one of which is the dyed linen in the background of the photo above, and a good sized piece of Aida cloth... as well as coton a broder in size 20...



...a goodly selection of Kreinik's silk mori, which I have never actually stitched with, but which I've wanted to try...



... some Gentle Art embroidery cotton, along with Anchor and DMC rayon...



... and a length of pearl purl!

Now, is that not all the stuff that I just love? Have you ever seen a package that hit the nail on the head so well?

There are a couple reasons I'm sharing this with you in such a public way, by the way! No... I'm not hinting for everyone reading to send me stuff! No... I'm not bragging... "Na na na - look what I got!" ... First, to thank BJ for her kind package, and second, to tell you that one of the reasons she sent it was a kind of "pay it forward" notion, in relation to my stash give-aways. So... some of this will be coming to you, too! That way, we can all be recipients of BJ's generosity!

I have to admit, though.... heh heh. I've been wanting to try out some hand embroidery on waffle-weave towels, so I have a feeling the sunny yellow towel will probably stay with me, at least for a bit. Once I stitch on it, I'll pass it on as a gift. And the tiny yellow and white check towel is going to get used, too, I'm afraid - I'm going to test a drawn thread theory on it!

So keep your eyes out for upcoming stash give-aways that will feature some of the goodies from BJ!

I'm also going to add a couple fibers and a piece of linen to the May give-away, which I posted this past Saturday. If you haven't signed up for it yet, please do by reading the original post and leaving a comment on the original post (answer the question posed in the give-away!).

A great big THANK YOU to BJ for the goodies and for the opportunity to pass them on to others!
]]> supplies stash contest pictures 7478 Laura Bullinger noreply@blogger.com 2009-05-19 06:36:00 2009-05-19 06:36:00 1 0 No one thinks such things when you post items, whether given or bought. It's all about the appreciation of your site to us fans.
Interesting idea about the drawn checkwork. And the waffle-weave: that is a real stumper for most of us. I mean what can a person really do with it?! Can't wait to see what you come up with since you are creative and talented enough to tackle that.]]> 7480 MichelleMermaid michellemermaid19@yahoo.com 2009-05-18 21:18:00 2009-05-18 21:18:00 1 0 michellemermaid19@yahoo.com
:)
Dakotah]]> 7484 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-05-18 15:40:00 2009-05-18 15:40:00 1 0
Speaking of towels, there are some awfully pretty brand new gingham tea towels hanging on the range handle just staring at me. Hmmmmm]]> 7486 Anonymous noreply@blogger.com 2009-05-18 13:49:00 2009-05-18 13:49:00 1 0 How cool is it to get such a gift in the mail! I have worked a waffle weave dish cloth in a unique way and would love to send it to you. Each year my sisters and I pick a pattern and we each use our specialty to produce it. Midge wool rug hooks it, Stevie quilts it and I embroider it. I used a waffle weave cloth to produce the "To Market" design picked for the second year.
It has become a tradition that our county fair looks forward to seeing. Keep having fun.
Janice Miller]]> 7487 BJ Pontalion noreply@blogger.com 2009-05-18 13:48:00 2009-05-18 13:48:00 1 0
I am so happy you enjoyed it so much. I felt like the package was a little light on the threads, so since I had 4 boxes of the Purl Pearl I threw it in. I had not expected this post. As I said in a prior post, you do so much and ask so little from us devoted readers.

You and others like Sharon B. do so much to enhance our art. I truly just wanted to say thank you. So your right I am paying it forward in a sense and cleaning out some excess at the same time.

Although I am super excited to find out what you are going to do with the towels. I bought the super sized set from All About Blanks and I already monogrammed a full set of 6 for my sis-in-law for her new kitchen. I just gave her the waffle towels blank. So if you do sew on it, and you have the time (and this is no way a request that I am expecting to be filled)please show pictures of how you do it. I have been hesitant to sew on waffle material.

Again, I am so glad you enjoyed it so much. Thank you. Devoted fan here, :-).
BJ]]> 7492 Kim Dellow kim.dellow@gmail.com http://www.blogger.com/profile/13603231253605096502 2009-05-18 10:55:00 2009-05-18 10:55:00 1 0 7499 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-05-18 09:42:00 2009-05-18 09:42:00 1 0
Thank you for sharing your package. It made happy to know, I'm not the only person who does things like that just because.]]> http://www.needlenthread.com/2009/05/may-needlework-stash-give-away.html Sat, 16 May 2009 10:30:00 -0500 Mary Corbet 347 2009-05-16 10:30:00 2009-05-16 10:30:00 open open May-Needlework-Stash-Give-Away! publish 0 0 post

I've mentioned a few times that I'm got this fiber infatuation thing going - I just love embroidery threads! Part of the fun of these stash give-aways is that you get the opportunity to perhaps try out some threads you've never used before. So I've put together a little collection of different threads here, hoping there's something new in the batch for your own needlework experimentation!



For threads, you'll find (left to right) two skeins of Silk 'n Colors by Thread Gatherer, Gloriana silk, Dinky Dyes silk,and two variegated cottons from Weeks Dye Works.



Two cards of Rainbow Gallery threads are also included.



And, for those who like storage solutions for beads or for needles, how about some needle tubes? These are sold as needle tubes, but I find them equally handy for seed beads. I've also used them for non-needlework-related stuff, like a small quantity of balm and olive oil mixed together. No leakage - perfect little tube for traveling.



There's the whole collection. You'll also notice a mesh zipper bag in the background, which is great for holding threads for a project. These mesh bags are sturdy, they don't snag on the threads, they actually have a real zipper (not ziplock), and they breathe.



That's the give-away for May!

To enter, leave a comment below (on this post on the website, not via e-mail), and in your comment, answer the following the question:

How do you store / arrange your threads for projects? Do you use little bags? Thread rings? Do you wind them on bobbins or cards? Do you loop them through holes on thread cards? What's your solution for keeping your threads together when you start a project?

If you comment anonymously, please make sure you sign a name to your comment!

I'll draw a winner Wednesday, May 20th, at 5:00 am CST, so get your comment in by then! The winner will also be announced on Wednesday - please make sure you check back to see if it is you!
]]> stash contest pictures 7410 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-22 14:41:47 2009-05-22 14:41:47 1 0 "Contact Us" form, and then I'll send you an e-mail so you have my e-mail address.

You'll have to let me know how your class goes!

I like the idea of your little treasure box from your grandmother! Good way to keep your things and to remember someone you love, all at the same time!

Drop me a line!

Best,
Mary]]> 7411 Nasreen noreply@blogger.com http://www.blogger.com/profile/07797918184360450514 2009-05-22 14:18:14 2009-05-22 14:18:14 1 0 I am only thirteen and live in England - Manchester - I have always been amazed with embroidery but never really took it to be my thing. However your website has encouraged me to such a great deal that I have persuaded my mother in letting me take embroidery classes very soon. I know that I have no chance in winning as I am only a beginner and stash all my (very few but greatly cherished and kept safe) threads in my mini pink box my grandmother once gave to me when she realized I liked to sew little bags (this was at the age of 6-7 and my grandmother is with us no more). However, although I will always use my grandmother's gift for my most beloved possessions, I am saving up for mesh bags, tubes for my sequins and much more. In the time being they are all individually rolled onto separate colours of card (matching the colour of the thread) that I cut out at home. I hope to hear from you personally as you are my role-model in embroidery.]]> 7432 linda martin noreply@blogger.com 2009-05-20 12:51:25 2009-05-20 12:51:25 1 0 7433 Alva noreply@blogger.com 2009-05-20 12:41:23 2009-05-20 12:41:23 1 0 Now that I'm into Brazilian Embroidery I use the 16 slot plastic tread organizer.

When I go to a Brazlian
Emb. meeting or class I carry my threads and other supplies in an old brief case which is great to place on a table and it opens up for easy access to my "tools".]]> 7435 Skye noreply@blogger.com http://www.blogger.com/profile/07313130856094132738 2009-05-20 11:44:28 2009-05-20 11:44:28 1 0 7437 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-05-20 11:35:11 2009-05-20 11:35:11 1 0
When I start a new project, I pull from my storage places and place all supplies in a plastic container with attached lid -- this keeps everything together until I'm finished with the project and then I can "re-file" it all...It's the re-filing that trips me up every time...]]> 7438 Pam noreply@blogger.com 2009-05-20 11:33:20 2009-05-20 11:33:20 1 0 Pam Paice UK]]> 7439 Surya noreply@blogger.com 2009-05-20 09:32:24 2009-05-20 09:32:24 1 0 7440 Anonymous noreply@blogger.com 2009-05-20 09:17:21 2009-05-20 09:17:21 1 0 Linda Sch.....]]> 7441 Anonymous noreply@blogger.com 2009-05-20 08:52:11 2009-05-20 08:52:11 1 0 7442 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-05-20 08:24:26 2009-05-20 08:24:26 1 0
I don't like to use bobbins because it can leave such creases in your floss. I avoid that if at all possible.]]> 7444 Barbara noreply@blogger.com 2009-05-20 07:07:53 2009-05-20 07:07:53 1 0 7445 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-05-20 07:01:04 2009-05-20 07:01:04 1 0 7446 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2009-05-20 04:50:44 2009-05-20 04:50:44 1 0 7447 Anonymous noreply@blogger.com 2009-05-19 23:54:29 2009-05-19 23:54:29 1 0
Katrina]]> 7448 creativeinstincts noreply@blogger.com http://creativeinstincts.wordpress.com/ 2009-05-19 22:51:57 2009-05-19 22:51:57 1 0 regards
Leena]]> 7449 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2009-05-19 22:03:31 2009-05-19 22:03:31 1 0 Colleen
usmcclim@yahoo.com]]> 7450 Anonymous noreply@blogger.com 2009-05-19 21:58:56 2009-05-19 21:58:56 1 0 What an interesting question. I normally wind my threads on cards and store them by brand until I need them for a project. Normally I would store all of the threads and pattern in a plastic envelope whilst I am compiling them, and then when ready to start work on a project I put them all into a plastic container, very similar to the one that you are giving away. Works for me. Thanks for the wonderful site, I really enjoy reading it.
Many thanks,
Jet]]> 7451 graperoof907 noreply@blogger.com http://www.blogger.com/profile/14331941170827894285 2009-05-19 19:13:34 2009-05-19 19:13:34 1 0 7452 Anonymous noreply@blogger.com 2009-05-19 18:50:38 2009-05-19 18:50:38 1 0
Thank you,

Nita Carroll]]> 7454 Corvus noreply@blogger.com http://corvustristis.livejournal.com 2009-05-19 18:26:33 2009-05-19 18:26:33 1 0
corvus.melloriATgmailDOTcom]]> 7455 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-05-19 17:59:27 2009-05-19 17:59:27 1 0
Somehow, though, it often doesn't work out that way, especially when I purchase the threads already kitted for the project (like a class piece or a canvas-of-the-month). In these cases, I rarely get my act together to put the threads in individual bags, and usually end up working from one larger plastic zip-top bag.

You know what they say about best intentions! :-)]]> 7457 Anonymous noreply@blogger.com 2009-05-19 15:58:00 2009-05-19 15:58:00 1 0 Martha]]> 7458 Lynn Stiglich noreply@blogger.com 2009-05-19 14:25:00 2009-05-19 14:25:00 1 0 7459 marthad noreply@blogger.com http://marthad.livejournal.com/ 2009-05-19 13:53:00 2009-05-19 13:53:00 1 0 7460 qiron noreply@blogger.com http://www.blogger.com/profile/15763024869747747483 2009-05-19 12:33:00 2009-05-19 12:33:00 1 0 7461 Anonymous noreply@blogger.com 2009-05-19 12:28:00 2009-05-19 12:28:00 1 0 These can be hung on thread hooks near my workstation. They are very organized and ready when I am! I hope this helps others too!
Sincerely,
Abby Ward in PA]]> 7462 monaz noreply@blogger.com 2009-05-19 11:29:00 2009-05-19 11:29:00 1 0 7463 Anonymous noreply@blogger.com 2009-05-19 11:13:00 2009-05-19 11:13:00 1 0
My favorite way to store threads is in those little floss bags. You can store your leftover floss so easily that way. Wrapping them around floss cards usually results in floss that's "kinked" where it turns the edge of the card. I store my floss bags in 2 cherry wood boxes made by Sudberry which I love, but they are no longer available. I've never really cared for thread palettes that you loop the thread through.

Marilyn R. in Ledgewood, NJ]]> 7464 fayebsewing noreply@blogger.com http://www.blogger.com/profile/06180893713853124142 2009-05-19 10:35:00 2009-05-19 10:35:00 1 0
I store my thread on the small cardboard squares you can purchase and mark them with the number and name. Recently I purchased a crafters notebook that enables me to carry thread, needles, and my work in a zipper case. I like this very much. I do recycle the plastic bags you get various things in also.
I would love to entererd in your "giveaway". It is such a joy to get "goodies" in the mail unexpectedly!

Thank you for sharing your knowledge and so many nice things with all of your "needling" friends!]]> 7465 3 Girls &amp; A Guy rebolfamily@q.com http://www.blogger.com/profile/03384430044748782944 2009-05-19 10:34:00 2009-05-19 10:34:00 1 0 7466 Johnny wizzette@gowizz.com http://www.blogger.com/profile/00055979798430264739 2009-05-19 10:26:00 2009-05-19 10:26:00 1 0 Thanks for the great giveaway!]]> 7467 Mary I noreply@blogger.com 2009-05-19 09:42:00 2009-05-19 09:42:00 1 0 When working on a project, I sort my threads by using a piece of cardboard that comes in clothing packages such as men's t-shirts. I punch a line of holes in the cardboard and write the color name and number under each hole and then just loop the thread through the holes.]]> 7468 Anonymous noreply@blogger.com 2009-05-19 09:32:00 2009-05-19 09:32:00 1 0 7469 June noreply@blogger.com 2009-05-19 09:32:00 2009-05-19 09:32:00 1 0 For now, I just use little bags the thread is shipped in. I have just become interested in CQ and embroidery. I do not have nuch of a "stash". I only have one project started, a CQ Christmas stocking. I plan to pursue learning embroidery, so storage and project bags will eventually become a problem. I do not have a total plan, but as for skeins and separating threads, bobbins, mesh bags I will have to research and find the best way for me. Thanks for having a give-away.

June Savoy]]> 7470 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2009-05-19 08:45:00 2009-05-19 08:45:00 1 0 http://dianesdecoratingdiary.blogspot.com dianematheson@hotmail.com]]> 7471 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-05-19 08:09:00 2009-05-19 08:09:00 1 0 7472 kat noreply@blogger.com http://www.blogger.com/profile/12369785235454313506 2009-05-19 08:09:00 2009-05-19 08:09:00 1 0 I had no clue there were so many different ways to store thread...I learn so much from this site..THANK-YOU Mary!! The only craft store here is Walmart so I look online but didn't even know some of these things existed! I really love the glass jar idea!!
Kat]]> 7473 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2009-05-19 07:46:00 2009-05-19 07:46:00 1 0 7474 Anusuya noreply@blogger.com 2009-05-19 07:02:00 2009-05-19 07:02:00 1 0 Your give-away always lure me….I hope one day I can get a chance to win them.
I loop my treads through holes as well as wind then on bobbins as per my convenience.

With lots of love,
Anusuya]]> 7475 Nancy noreply@blogger.com http://www.blogger.com/profile/15399656333025771710 2009-05-19 06:52:00 2009-05-19 06:52:00 1 0 7476 Anonymous noreply@blogger.com 2009-05-19 06:52:00 2009-05-19 06:52:00 1 0 I use the color card with the holes punched in them to begin with to get organized, and then I end up draping the threads on my cloth draped drawing board propped on an easel, sort of like an upright palette--works for me.

Love the photography on your blog.
Joan B]]> 7477 Gillian noreply@blogger.com http://www.blogger.com/profile/08398724553076514377 2009-05-19 06:49:00 2009-05-19 06:49:00 1 0
Hope I can be considered for your freebie offer.

Keep up the good work.

Gillian]]> 7481 Fireflyinva noreply@blogger.com http://www.blogger.com/profile/00340179175754159635 2009-05-18 20:05:00 2009-05-18 20:05:00 1 0 7482 Tracey R. noreply@blogger.com 2009-05-18 16:11:00 2009-05-18 16:11:00 1 0 7483 Phideauxanne noreply@blogger.com 2009-05-18 15:41:00 2009-05-18 15:41:00 1 0
Julie]]> 7485 Anonymous noreply@blogger.com 2009-05-18 15:02:00 2009-05-18 15:02:00 1 0 Judi]]> 7488 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-05-18 12:48:00 2009-05-18 12:48:00 1 0 Melisa B]]> 7489 a_white_rosebud noreply@blogger.com http://www.blogger.com/profile/02118956827372683771 2009-05-18 12:41:00 2009-05-18 12:41:00 1 0
When it comes to projects, if there is a card with a kit I will tend to use it but otherwise I use the LoRan cards that you can write on and reuse when done. Most of these are then layer in pretty storage boxes with the fabric and patterns until I get around to them. My WIP is usually in a project bag at the foot of my bed where it can glare at me and remind me to do some work on it.]]> 7490 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-05-18 11:15:00 2009-05-18 11:15:00 1 0 Thinking about this question, I am realizing that my methods have been changing. I store my threads in "floss-away" bags when I'm not using them. I have a lovely wooden cabinet that holds all the DMC threads perfectly.

I gather the bags I need into (usually) just a zip-lock bag for each project. I cut skeins and use the tag that came with the thread to loop them through so I can keep track of brands, colors, and dye-lots. I've also been using one of those "paco" orgaznizers to keep threaded needles for the project I'm stitching with silk. That way I don't waste a single length.

I've also been stitching Temari balls a lot, and for the pearl cotton for those, I don't cut the skeins; they use up thread so quickly that I like to use longer lengths. I loop them through the paper "rings" so I know what color I used.]]> 7493 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2009-05-18 10:37:00 2009-05-18 10:37:00 1 0 7494 Joan Jeffers noreply@blogger.com 2009-05-18 10:35:00 2009-05-18 10:35:00 1 0
Joan Jeffers]]> 7495 Christine owenjulesmommy@gmail.com http://www.blogger.com/profile/02561051451800953554 2009-05-18 10:32:00 2009-05-18 10:32:00 1 0
And then when I need them for a project, I put the colors I need on a ring.

Works great for me!

Christine]]> 7496 Anonymous noreply@blogger.com 2009-05-18 10:22:00 2009-05-18 10:22:00 1 0
Christy S.]]> 7497 Melinda noreply@blogger.com http://www.blogger.com/profile/09243233372667683495 2009-05-18 10:07:00 2009-05-18 10:07:00 1 0 Thanks again for the wonderful giveaway.]]> 7498 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-05-18 09:57:00 2009-05-18 09:57:00 1 0
When I did a lot with DMC (I use mostly silk and wool now), I had all the colors in individual bags marked and sorted in plastic drawer containers -- and when I pulled something for a project I put in a 3x5 card listing what project that color was pulled to.]]> 7501 Martamadrid mmayuso@gmail.com http://www.blogger.com/profile/01586107230893202688 2009-05-18 09:11:00 2009-05-18 09:11:00 1 0 first of all I want to thank you for your blog, and your more than kind help for those of us who have lately discovered the pleasures of embroidery. I just find your site fascinating, and I thank you for sharing all your knowledge with us.
Now, how do I store my stuff at stitching?. I place the flosses in different small and transparent bags. All of them have a post-it on them, with the floss number and the corresponding symbol. And then I attach them all with a safety pin. Sometimes I even have different needles, with their floss ready, so I can stitch whenever, even if I only have 15min for it.
Thanks to you and your informations, I bought a week ago The New Crewel book, and I am about to receive it, so these flosses you are offering would be great to start me off with the embroidery.
And even if I don't win, I'll be always happy just by visiting your site.
Thanks for everything,
Marta.
mmayuso@gmail.com]]> 7502 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-05-18 09:00:00 2009-05-18 09:00:00 1 0
On to your question:
I use the baggy system. I use the snack size plastic baggies. I use one per color and then clip them in to a notebook. This way I can see them clearly and they do not get tangled up.

I know, all too simple, but it works well for me.

Thanks again, Ren]]> 7504 Catlady noreply@blogger.com http://www.blogger.com/profile/07045669719742611701 2009-05-18 07:38:00 2009-05-18 07:38:00 1 0 7505 Ann noreply@blogger.com 2009-05-18 07:06:00 2009-05-18 07:06:00 1 0
I have all of the DMC colors. I keep them in the little plastic thread storage bags and have them in number order on large key rings. This amount of thread takes up 3 rings. All my other embroidery threads are kept in the same manner on another ring. I found another ring at Hobby Lobby that has a front and back cover - something like a school notebook. I love thread. The colors and feel of the threads are addictive.]]> 7506 m_a_r noreply@blogger.com http://www.blogger.com/profile/18115980736045009420 2009-05-18 04:21:00 2009-05-18 04:21:00 1 0
For storing my threads, I prefer both thread rings and cards. I have them wound around cards, though not too tight so as not to weaken the thread. Then I put them all in a small plastic box, transparent so I can always get the whole picture of colors and hue with just a glance.

When they're not part of a project, I store my threads in a couple of drawers, in the same fashion.]]> 7507 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2009-05-18 03:59:00 2009-05-18 03:59:00 1 0 I first select the colors of threads that I want to use for the current project and put it in a glass jar so that i can pick what I want. Also Keep papers of thread numbers etc in the same box along with the needles.]]> 7508 Anonymous noreply@blogger.com 2009-05-18 01:31:00 2009-05-18 01:31:00 1 0
I don't have a lot of threads yet, but most are on cardboard bobbins and the rest just nicely arranged in small cardboard boxes to fit my shelf. I must admit the threads for a project are often just bundled up together and wrapped up in the pattern I'm following. I really enjoy your videos and all the fun projects you've shown us. Thanks,

Alison in Sydney Australia]]> 7509 Stef stephnie114@yahoo.com http://www.blogger.com/profile/01526120378132704588 2009-05-18 01:30:00 2009-05-18 01:30:00 1 0 7510 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-05-18 00:37:00 2009-05-18 00:37:00 1 0 I do not use bobbins (I fear that they damage my floss).
When I begin a new project, I put the necessary flosses together in a ziplock bag, or - if the project is big - in a hobby box with several compartments. I use an excel file as floss management, and I write some remark after the floss number about where it is used now.
If two projects need the same floss, I try to finish all of that color in the smaller one, and I store that floss with the greater.
I hope it made sense.]]> 7511 MichelleMermaid michellemermaid19@yahoo.com 2009-05-18 00:31:00 2009-05-18 00:31:00 1 0 I use ziploc bags to store my threads by color and it works pretty well. I hadn't heard about the mesh bags, but will look for those next time I'm out shopping.
Dakotah]]> 7512 Grace B noreply@blogger.com 2009-05-17 23:41:00 2009-05-17 23:41:00 1 0 7513 Anonymous noreply@blogger.com 2009-05-17 23:17:00 2009-05-17 23:17:00 1 0 Sandy D]]> 7514 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-05-17 22:54:00 2009-05-17 22:54:00 1 0
Mary, thank you for these wonderful giveaways, for promoting community and good ideas, and for providing this website. You're the best.]]> 7515 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2009-05-17 22:01:00 2009-05-17 22:01:00 1 0 I'm sure whoever wins your draw will cherish and respect the threads and treat them kindly anyway.
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 7517 jdnrob noreply@blogger.com http://www.blogger.com/profile/05548555583798301556 2009-05-17 19:37:00 2009-05-17 19:37:00 1 0 My DMC floss is wound on bobbins and in 3 of the old DMC boxes found in needlework stores. I have a small amount of Kreinik threads on spools. They are just lying in one section of one of my Needlework cases (actually fishing box).
My Needlepaint threads are hanging numerically on a ring, on a nail inside my material cabinet. My Madeira threads are the same way.

My problem is the specialty threads. I don't want to damage them by winding on bobbins, so I have them just laying in a box and I have to search thru them when looking for something in particular.

Then my quilting threads are in wooden box by color.

I think i've touched on all of them.

Please include me in your drawing, I LOVE those mesh bags to help me keep projects organized by my chair.

Joanie R.
jdnrob@roadrunner.com]]> 7518 nlusk noreply@blogger.com http://openid.aol.com/nluskblusk 2009-05-17 19:34:00 2009-05-17 19:34:00 1 0 Nancy]]> 7519 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-05-17 19:29:00 2009-05-17 19:29:00 1 0 7520 Anonymous noreply@blogger.com 2009-05-17 17:40:00 2009-05-17 17:40:00 1 0 I started stitching in the early 80's and used cards to sort my thread. Then I won a thread tree at the local needlework shop and decided to put them all on plastic bobbins. I can pick the ones I need for a project, put them on a ring and they are easy to find. I do have some silk threads stored in plastic bags and I can put them on rings. I find the bobbins much easier to handle.
Liz in Tennessee]]> 7521 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-05-17 17:35:00 2009-05-17 17:35:00 1 0 Well since im a college student. I am usually pretty low on funds. So when i first took up Embroidery I would just buy the floss/threads by package and just keep them in the plastic packaging they come in. Or i would just rubberband them together.

Since then Ive bought those plastic three layer stackable boxes. Each project is divided into a layer with all the materials for that project. They are fabolous. I only buy threads when im planning a project. I hate having excess thread for no reason. When i do use the thread, i wind then on bobbins. On the bobbins i write the type of thread (DMC, DN, etc) the color name and the number. I keep my glass beads in a candy box.

So there you have it. How i keep my stash.. stashed..lol


Good Luck to everyone!!]]> 7522 ravenrigan noreply@blogger.com http://ravenrigan.livejournal.com/ 2009-05-17 16:52:00 2009-05-17 16:52:00 1 0
I've just organised them into freezer bags by colour group, they live in a CD box.

I've got all the spools for the project I'm working on separately in another freezer bag, which lives in my workbasket.

I got my workbasket from a friend who set up a women's co-operative in North Ghana to make fair trade goods which she sells. It's a lovely woven African basket in ivory and purple grasses, with a handle, and a Batik lining, with little pockets for your scissors and needles and other notions. It's big enough for my biggest embroidery hoop on top, which then gets covered by another piece of Batik. I can keep two or three projects on the go in it!]]> 7523 Carlie forevercrafty@gmail.com http://www.blogger.com/profile/14999249600544947675 2009-05-17 16:38:00 2009-05-17 16:38:00 1 0 7525 Anonymous noreply@blogger.com 2009-05-17 16:24:00 2009-05-17 16:24:00 1 0 Annie in Michigan]]> 7526 Anonymous noreply@blogger.com 2009-05-17 15:56:00 2009-05-17 15:56:00 1 0 7527 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-05-17 15:47:00 2009-05-17 15:47:00 1 0 7528 Sharon noreply@blogger.com 2009-05-17 15:30:00 2009-05-17 15:30:00 1 0 90% of my stash is EdMar rayon thread for Brazilian Embroidery.When beginning a project - I slip the skeins into a plastic thread organizer,made for BE thread. There is place at the top for label, to remind me of the color # and thread size/weight. Other thread or floss I am going to use goes into a zip lock bag with the fabric, needles and scissors. It is ready to pickup and go anywhere; to my chair, or to work on during lunch break or waiting for an appointment.
Put my name in for the May Stash drawing
Sharon S]]> 7529 tisme tisgingy@msn.com http://www.blogger.com/profile/08766742640496647829 2009-05-17 15:29:00 2009-05-17 15:29:00 1 0 Tammy]]> 7530 Sheila K from California noreply@blogger.com 2009-05-17 15:27:00 2009-05-17 15:27:00 1 0 I store my threads for projects on bobbin cards & sort colors into small plastic bags...either floss bags or Ziploc snack bags. 3 bobbin cards will fit nicely in a snack bag!]]> 7531 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-05-17 15:15:00 2009-05-17 15:15:00 1 0 I only use bobbins with cotton dmc or anchor embroidery floss.
When I do a project all items go in a larger baggie. Thread not on rings at that time will go into another baggie all together.
Thank you for you informative and fun site!

susan.robin81@yahoo.com]]> 7532 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-05-17 15:11:00 2009-05-17 15:11:00 1 0 7533 eva noreply@blogger.com 2009-05-17 15:00:00 2009-05-17 15:00:00 1 0 7534 prairiethistle noreply@blogger.com http://prairiethistle.wordpress.com/ 2009-05-17 12:59:00 2009-05-17 12:59:00 1 0
For storing my threads I use several methods. A binder with vinyl pages, like the ones used for collecting baseball cards, works well for threads that come on cards. Some of the cards may need a slight trim to fit.

I use inexpensive plastic cases, sold at Bass Pro for storing fishing supplies, to hold my pearl cotton balls. Each case will hold 40 balls.

I also use small storage cabinets with multiple small drawers for storing skeins of thread.]]> 7535 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-05-17 12:27:00 2009-05-17 12:27:00 1 0
Mary, this is another gorgeous collection. Thanks for the adventure of a chance to win a prize.
And thanks again for all your tips and inspiration.
Candyce]]> 7536 Bella noreply@blogger.com http://www.blogger.com/profile/04464603682050485056 2009-05-17 12:25:00 2009-05-17 12:25:00 1 0 7537 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2009-05-17 12:22:00 2009-05-17 12:22:00 1 0 7538 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-05-17 12:09:00 2009-05-17 12:09:00 1 0 7539 Anonymous noreply@blogger.com 2009-05-17 11:29:00 2009-05-17 11:29:00 1 0 Rebekah D. (walimai5@hotmail.com)]]> 7540 MarciS (the other KC one) noreply@blogger.com 2009-05-17 11:17:00 2009-05-17 11:17:00 1 0 7541 Anonymous noreply@blogger.com 2009-05-17 11:16:00 2009-05-17 11:16:00 1 0
thanks for putting my name in the hat!

Lorene H
qlt7scrap at cox dot net]]> 7542 Wood Violet kareno369@hotmail.com http://www.blogger.com/profile/01667153504205516607 2009-05-17 11:09:00 2009-05-17 11:09:00 1 0 Karen
kareno369(@)hotmail(dot)com]]> 7543 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2009-05-17 10:52:00 2009-05-17 10:52:00 1 0 Thanks for the daily emails--I have really been enjoying them!]]> 7544 FredaB fmbutler@hotmail.com http://www.blogger.com/profile/08000510495713705938 2009-05-17 10:52:00 2009-05-17 10:52:00 1 0
First may I say that your post on your Mother's needlework projects was a nice tribute to her. I loved the pink & blue needlepoint.

I have my threads handled different ways. My Brazilian embroidery ones are in plastic bags, marked with the color # and hung on a ring. they are seperated by type of thread.

My pearl silk threads are wound on cards and kept in a two sided casess bought in the men's tool dept. at big Lots. I have two thread containers like this.

I also have plastic boxes where I keep individual skeins of various threads.

Hugs

FredaB]]> 7545 Karole King noreply@blogger.com 2009-05-17 10:38:00 2009-05-17 10:38:00 1 0 Karole]]> 7547 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2009-05-17 10:23:00 2009-05-17 10:23:00 1 0 7549 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-17 10:03:00 2009-05-17 10:03:00 1 0 (thanks for the giveaway, Mary - thinking of your Family and you around your Mom :))]]> 7550 Beth noreply@blogger.com http://www.blogger.com/profile/04458033353089786624 2009-05-17 09:54:00 2009-05-17 09:54:00 1 0 Thanks for a wonderful website to encourage me to get back in to this wonderful art.]]> 7551 Mal* (turning*turning) mal@turningturning.com http://www.blogger.com/profile/06089616225966759897 2009-05-17 09:52:00 2009-05-17 09:52:00 1 0 7552 cad noreply@blogger.com http://www.blogger.com/profile/00377343993460837706 2009-05-17 09:15:00 2009-05-17 09:15:00 1 0
I must add...you amaze me Mary. You work full-time outside your home, and are busy with the daily routines and obligations we all have. In the meantime, you have produced and maintained this wonderful web site for all of us stitchers to learn from and enjoy.

Carol]]> 7553 Amy in Minn noreply@blogger.com 2009-05-17 08:59:00 2009-05-17 08:59:00 1 0 7554 Anonymous noreply@blogger.com 2009-05-17 08:37:00 2009-05-17 08:37:00 1 0
Wendy]]> 7555 Summer summerblues@gmail.com http://www.blogger.com/profile/13247477979560861388 2009-05-17 08:32:00 2009-05-17 08:32:00 1 0
At first I just tossed my tatting thread in the bowl with the rest, but it isn't as resilient as nymo or silamide:) Tangles galore! Right now I'm using an extra bead organizer I had lying around (the 8x10 milky plastic things with a dozen or so compartments inside).]]> 7556 Anonymous noreply@blogger.com 2009-05-17 08:14:00 2009-05-17 08:14:00 1 0 Cissie]]> 7557 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-05-17 08:06:00 2009-05-17 08:06:00 1 0
As for how I store my threads... I have a drawer system which houses all my DMC floss, Perle cotton and gold work supplies in little containers in different drawers. The threads are sorted according to the colours.

When I work on projects I have this jewellery pouch with little compartments to store different threads, scissors and my needle case. All of this goes into a wooden magazine holder which is meant only for my embroidery projects and can be carried through the house.]]> 7558 Victoria noreply@blogger.com http://www.boisdejasmin.com 2009-05-17 08:06:00 2009-05-17 08:06:00 1 0
I organize my threads by type and brand (floche, Danish flower, silk, etc.) I have been using my silk recently, so since my collection of silk has grown, it had to be further subdivided into colors.

I use thread rings for threads I use frequently.

When my collection was smaller, I did not use any labels, I could figure it out by touch. However, now I store skiens inside plastic bags (I bought several hundred of writable large jewelry ziplock bags on Ebay.)

I generally do not group threads by project, as my organizing system (in a large box) allows me to find everything I need quickly enough.

Victoria]]> 7560 Jaja tjlburke@gmail.com http://www.blogger.com/profile/11489511680363776804 2009-05-17 07:39:00 2009-05-17 07:39:00 1 0 7561 Anonymous noreply@blogger.com 2009-05-17 07:17:00 2009-05-17 07:17:00 1 0 7562 Anonymous noreply@blogger.com 2009-05-17 07:09:00 2009-05-17 07:09:00 1 0
Now the interior of the box - well, everything just gets tossed inside til I am finished.

The only problem some of the boxes have been filled for years. Some of the boxes have been raided for other projects, so when I do go back, I have created a small problem for myself, which I now consider a design opportunity.

It's a good thing I am not into perfection!!]]> 7563 Anonymous noreply@blogger.com 2009-05-17 07:01:00 2009-05-17 07:01:00 1 0 Diane]]> 7564 Anonymous noreply@blogger.com 2009-05-17 06:59:00 2009-05-17 06:59:00 1 0 7565 Diane noreply@blogger.com 2009-05-17 06:47:00 2009-05-17 06:47:00 1 0 7566 Anonymous noreply@blogger.com 2009-05-17 06:46:00 2009-05-17 06:46:00 1 0
Your give away is fantastic as always.

I use plastic storage boxes for my thread, put it neatly in them.
I never wind my threads on bobbins and cards but sometime I put them in little bags with zipper.
I put all the project items(threads, cloths, needles) in one small zipper bag to get all the stuff at once.
Thanks,
God bless u
Sweety]]> 7567 Kim Dellow kim.dellow@gmail.com http://www.blogger.com/profile/13603231253605096502 2009-05-17 06:46:00 2009-05-17 06:46:00 1 0 7568 Nancy noreply@blogger.com http://www.blogger.com/profile/15399656333025771710 2009-05-17 06:34:00 2009-05-17 06:34:00 1 0
For my projects I actually have a small plastic see-thru box that snaps shut that I put the bows of thread in.

In the past I had used the small bobbin cards but really didn't like those so I am hoping this works better for me. So far it has.]]> 7569 Melusine noreply@blogger.com 2009-05-17 06:33:00 2009-05-17 06:33:00 1 0
When I start a project I usually gather everything together and store it in a zip-lock bag or a plastic box - depending on the size of the project and whether I will be travelling with it a lot.

Happy stitching to the lucky winner.]]> 7570 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-05-17 05:48:00 2009-05-17 05:48:00 1 0 7571 tpdebbie noreply@blogger.com http://www.blogger.com/profile/05553266898691409173 2009-05-17 03:49:00 2009-05-17 03:49:00 1 0 cheerio. Debbie W. (UK)]]> 7572 Iris from Estonia noreply@blogger.com 2009-05-17 03:47:00 2009-05-17 03:47:00 1 0 As for me, I like to keep my threads on cards, labeled by number and in a plastic box with dividers, put there by color and brand. It's only possible to get DMC and Anchor here so basically they're divided into two and then by color. Plus a third batch of perle, though that comes in so few colors here it's just amazing, I only have four colors of it.
The small amount of thread available is good for organizing but it does really make me read your blog in awe, I've never even heard about most of the threads you use heh.
Anyway all in all, my thread stash is small and easy to organize :)]]> 7573 Janice Miller noreply@blogger.com 2009-05-17 02:16:00 2009-05-17 02:16:00 1 0 For years I used cards with holes in them for my threads. But just the last two projects I have made thread roll. I took some polar fleece, machine stitched channels in them, and using a bobbin threader,put each color of thread in a different channel. I usually make a little pocket on the end for instructions, etc.
I used some blue painters tape and run it across one long end and mark each color. This can be easily rolled up and each thread can be pulled out very easily, no more knots, frays, etc. that make me go crazy.
Jan Miller]]> 7574 onafixedincome noreply@blogger.com 2009-05-17 01:39:00 2009-05-17 01:39:00 1 0
So far, so good. All of them live in a nice little Sterilite shoebox, fabric etc lives elsewhere.]]> 7575 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-05-17 00:29:00 2009-05-17 00:29:00 1 0 7576 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-05-17 00:25:00 2009-05-17 00:25:00 1 0 7577 Anonymous noreply@blogger.com 2009-05-16 23:49:00 2009-05-16 23:49:00 1 0 well im pretty much im a beginer so i dont store any of my stuff hard out.
i have a box that has lots of plastic deviders making little squares. one color goes in each little square. I also have a slightly bigger box for beads and buttons and stuff.
i store pins and needles ect on a pin cushion in the corner of a box.

annette]]> 7578 Connie noreply@blogger.com http://www.blogger.com/profile/04325568385706817499 2009-05-16 23:10:00 2009-05-16 23:10:00 1 0 7579 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-05-16 22:50:00 2009-05-16 22:50:00 1 0 7580 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-05-16 22:38:00 2009-05-16 22:38:00 1 0 Thanks!
Jenny]]> 7581 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-05-16 22:19:00 2009-05-16 22:19:00 1 0
Please enter me in the contest, I've been itching to do some more embroidery again, but haven't had much inspiration yet :)]]> 7582 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-05-16 21:38:00 2009-05-16 21:38:00 1 0 I use stitchbows and organize different projects in empty cookie and candy tins. This may sound silly but I recycle the envelopes that come with junk mail. When I start a project I gather the threads I'm going to use and put them in the envelopes. The stitchbows fit in them perfectly and it keeps the thread from getting hooked up on the tools in the boxes.]]> 7583 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-05-16 21:34:00 2009-05-16 21:34:00 1 0
For a project, I use one of those storage boxes. it is about 4" high and about 15 x 10 or so. Everything fits neatly inside


Do you use little bags? Thread rings? Do you wind them on bobbins or cards? Do you loop them through holes on thread cards?

I use thread rings. I am cheap, so I have 1/4" washers, larks heard the threads on and use a sharpie to write what color or number it is. I the load all the rings onto a 2 or 3" clasp ring.

I use larger washers for thicker threads.

I wash them first so there is no hint of a residue. I like them because they are cheap, easy to find and use and have smooth edges



What's your solution for keeping your threads together when you start a project?

Everything in the box, LOL

Ruth M]]> 7584 Anonymous noreply@blogger.com 2009-05-16 21:27:00 2009-05-16 21:27:00 1 0 7585 Anonymous noreply@blogger.com 2009-05-16 21:25:00 2009-05-16 21:25:00 1 0
When I am working on a project I take out the colors I need and stash everything, including scissors, hoop, fabric, etc, in what I call my 'project bag'. So I can take my work with me. Great competition!]]> 7586 evangelines noreply@blogger.com http://www.blogger.com/profile/03434990605618362716 2009-05-16 21:12:00 2009-05-16 21:12:00 1 0
Also, since this is my first comment to your blog, I'd just like to let you know how helpful your video stitch library has been to me. I've learned a lot that I haven't been able to from just looking at a diagram in a book.

Angie
evangelines at gmail dot com]]> 7587 Penny B noreply@blogger.com 2009-05-16 20:38:00 2009-05-16 20:38:00 1 0 7588 Knittingand noreply@blogger.com http://www.blogger.com/profile/06232138760041771165 2009-05-16 20:05:00 2009-05-16 20:05:00 1 0
My embroidery projects are usually of the "I think I'll add a nice little something to that sewing project" so the mix of brands doesn't matter :)]]> 7590 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-05-16 18:37:00 2009-05-16 18:37:00 1 0 7591 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-05-16 18:14:00 2009-05-16 18:14:00 1 0 As far as my stash goes: I have a "Sterilite" (I think that is the name)3 drawer desk type organizer. One drawer houses my regular DMC just as it's bought and I pull from the skeins until I loose the tags or I just go ahead and wrap it on cardboard bobbins of which I have one of the plastic storage containers designed to store these in particular. The second drawer houses some #3 DMC, some DMC Linen, and other metallic and misc threads. The third drawer holds a few templates, various cloth and a few WIPs. And my many other WIPs or planned projects I keep in large ziploc bags, all but the needles. As you see, I have projects that or still WIPs from almost twenty years ago. On top of this, I have three on going projects at my work area and the strewn threads show how messy I can really get.
Thanks so much just for showing the pics, looking at eye candy is the next best thing to actually having it to hold, play with and finally getting around to putting it to use.
Thanks again,
Tammy]]> 7592 Linda noreply@blogger.com 2009-05-16 17:26:00 2009-05-16 17:26:00 1 0 I keep my threads in small zip locks, with similar colors together. I found a nice small (flat) wooden box where I can keep the threads I'm using. The best part is: on the inside of the lid of this box, I attached a very thin magnet (cut to fit the top). That's where I keep my needles. I don't have to dig for them. I usually leave one threaded, easy to reach for, from the magnet/lid.
Linda]]> 7594 Anonymous noreply@blogger.com 2009-05-16 16:47:00 2009-05-16 16:47:00 1 0 I keep my threads on card bobbins with extra holes punched in them. I store the bobbins in plastic bins. When I start a project I string the bobbins together trough the top center hole. I use the other holes for holding cut strands.
The threads in your giveaway look lovely.
Thanks
Christine in WI]]> 7595 M&amp;Co. noreply@blogger.com http://www.blogger.com/profile/05826472564396169120 2009-05-16 16:23:00 2009-05-16 16:23:00 1 0 7597 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2009-05-16 15:28:00 2009-05-16 15:28:00 1 0 7598 Shannon noreply@blogger.com http://www.anodynedesign.com/blog 2009-05-16 15:18:00 2009-05-16 15:18:00 1 0 7599 Sue noreply@blogger.com http://www.blogger.com/profile/18391494797925882818 2009-05-16 15:17:00 2009-05-16 15:17:00 1 0 I use the trusted zip lock bags or similar packaging from sheets, etc. I often take card stock or index cards, cut slits in edges and wind extra threads around and label.
All my threads are in boxes, in envelopes, labeled and in order.
Thanks,
Sue]]> 7600 Susie Q noreply@blogger.com http://www.blogger.com/profile/10287941961788239340 2009-05-16 14:54:00 2009-05-16 14:54:00 1 0 7601 Haley noreply@blogger.com 2009-05-16 14:51:00 2009-05-16 14:51:00 1 0
haleys435@yahoo.com]]> 7602 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2009-05-16 14:48:00 2009-05-16 14:48:00 1 0 Amber
phina47@netzero.net
http://phinasplace.blogspot.com]]> 7603 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-05-16 14:41:00 2009-05-16 14:41:00 1 0 7604 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-05-16 14:25:00 2009-05-16 14:25:00 1 0 Annie]]> 7605 Jackie noreply@blogger.com http://www.blogger.com/profile/02023666590463771461 2009-05-16 14:20:00 2009-05-16 14:20:00 1 0
Jackie]]> 7606 Slack noreply@blogger.com 2009-05-16 14:12:00 2009-05-16 14:12:00 1 0
However, when I'm working on a project I like having what I need (hooked on a smaller ring) at hand.]]> 7607 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-05-16 14:12:00 2009-05-16 14:12:00 1 0 When I begin a project I go through and pull out any threads I feel I might use and they, in turn, go into another plastic container or, if it's a smaller project, they go into a ziploc bag.]]> 7608 Elizabeth teldra@gmail.com http://www.blogger.com/profile/16112379793387963142 2009-05-16 13:16:00 2009-05-16 13:16:00 1 0 7609 Kim R. nascar333fan@gmail.com http://www.blogger.com/profile/17758600733076361996 2009-05-16 12:42:00 2009-05-16 12:42:00 1 0 Thanks,
kimberlybreid@hotmail.com]]> 7610 Laurie in Maine dognapper2@msn.com http://www.blogger.com/profile/06022126513010116196 2009-05-16 12:37:00 2009-05-16 12:37:00 1 0 What a mess! Back to the bullion stitch I'm trying to master. After I straighten up a little :)]]> 7611 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2009-05-16 12:33:00 2009-05-16 12:33:00 1 0 7613 Marjolein noreply@blogger.com 2009-05-16 11:57:00 2009-05-16 11:57:00 1 0 The threads for a project are stored in a drawer of a very little closet, each project has his own drawer. When I work at a project I just pull out the right drawer.]]> 7614 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-05-16 11:56:00 2009-05-16 11:56:00 1 0 7615 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-05-16 11:43:00 2009-05-16 11:43:00 1 0 7616 Anonymous noreply@blogger.com 2009-05-16 11:13:00 2009-05-16 11:13:00 1 0
Celeste]]> 7617 Kate mjrroland@yahoo.com http://www.blogger.com/profile/06395157955320659033 2009-05-16 11:13:00 2009-05-16 11:13:00 1 0 7618 Anonymous noreply@blogger.com 2009-05-16 11:13:00 2009-05-16 11:13:00 1 0
Celeste]]> http://www.needlenthread.com/2009/05/moms-needlework-adventures.html Fri, 15 May 2009 08:06:00 -0500 Mary Corbet 348 2009-05-15 08:06:00 2009-05-15 08:06:00 open open Mom's-Needlework-Adventures publish 0 0 post

Many folks are lucky enough to learn their needlework skills from their moms, grandmothers, aunts, etc. In my case, I'd say I learned the proclivity towards any kind of crafty-artsy stuff from Mom, but not necessarily specific needlework skills. My Mom, who turns 75 this weekend, was rather the artistic type when she was younger. She took up painting at some point in her eary married years, and even enjoyed showing her work at an art gallery at one point and selling it. She also taught art in a private school in the San Francisco Bay Area for a bit. She was dabbler in lots of things - sewing, painting, needlework, crochet, etc., and most of her kids have ended up being dabblers in one (or many) creative way or another. We dabble. We flit about. What can I say?



These are the pieces that instigated this post. They're needlepoint versions of Pinkie and Blue Boy, famous paintings by Thomas Lawrence and Thomas Gainsborough, respectively. They're not finished. In fact, I think Mom picked out the background stitching and never finished them.



I like them - they may be salvagable, though I don't know what I would salvage them into, except framed pieces.



They're worked in two sizes of stitches on Penelope canvas - the detailed faces are smaller stitches, and most of the rest of the figures are worked in larger stitches.



I always thought Blue Boy looked a bit jaunty.



I like his little shifty eyes. He's definitely checking out Pinkie...



My Mom has always had a penchant for Things Pinkie-and-Blue-Boy. These statues were with us in every house we lived in - and we lived in Many Houses, all over the country!

Studying the Pinkie and Blue Boy canvases led me to another work of my Mom's from her early married days:



I never knew a time when this wasn't on a wall of our homes growing up. It was made from a stamped cross stitch kit Mom bought two years after she was married (so that would have been in 1959, making the piece exactly 50 years old).



Let's see if I can get it right: the stamped fabric cost her 59 cents, and the thread for it cost 30 cents. An 89-cent project - 50 years old - not bad!



She paid $20 to have it framed four years later.

The year Mom got married, she made this baby quilt:



This was another kit - stamped embroidery, featuring Peter Rabbit and Company.



The piece features several stitches - mostly cross stitch, but also a good smattering of satin stitch, stem stitch and daisy stitch.



It's funny to look at this now, when these types of vintage embroidery patterns have become pretty popular once again.



There are a couple stains on the Peter Rabbit section. One of these days, I'll try to remove them!



Nice little watering can... The quilt top was pre-printed with the pattern when Mom bought the kit. She did the embroidery, then put the blanket together.... almost 52 years ago! She was expecting my oldest sister at that point.



I like the little bird...



...but the pink eyes are a bit freaky!



The cottontails are little cotton pom-poms that have held up really well for this many years and several babies' usage!

Later on in life, Mom took up counted cross stitch, and vestiges of her efforts can still be seen around her house.



Mom has always liked birds.



This was one of my grandmother's favorite prayers (my Mom's mom), and subsequently one of Mom's. Mom said she almost kicked herself when she finished the piece and realized she had not cut her fabric large enough for the type of framing she wanted. Still, this has been a nice piece in her house for the past 25 years or so.

Like Pinkie and Blue Boy, the St. Francis Prayer is a recurring theme in her house:



My grandmother gave my Mom and Dad this plaque (which is only about 4" x 6") as a gift many, many years ago - another thing I remember always being on a wall in our homes across the country.

Mom's present needlework pursuits involve crochet only, and she makes some pretty nice doilies, tablecloths, and filet crocheted lace for church use.



Mom didn't make this, but it was in among her needlework things - a souvenir from a one of her trips to Hong Kong many years ago:



She says it's a baby carrier. Her escapades on this trip to Hong Kong were pretty funny. It was her first time abroad, and she had no idea how money exchanging actually worked. When she exchanged money for the first time, she couldn't believe how much they gave her back! So she had fun shopping with it!



The embroidery is machine embroidery; I think it's kind of neat! This has seen several appearances on kids in school plays, costumes, and so forth. I don't think she ever actually used it as a baby carrier!

Mom's needlework adventures also included afghan-making, quilting, sewing children's clothes, making things for the house, and so forth. She's always been a project woman! And it's always heaps of fun, going through her old pattern books and needlework items!

Happy 75th, Mom!
]]> personal embroidery for children pictures crochet counted thread embroidery techniques needlepoint vintage embroidery needlework pictures 7407 Megan noreply@blogger.com http://www.blogger.com/profile/14099098944181387654 2009-05-22 19:11:19 2009-05-22 19:11:19 1 0
Thats a Mai Tai! They are great baby carriers. I didnt know that the "real" ones were so ornate. Try a search for them in some modern baby stores and they will be plain, sometimes ugly and always expensive!

BTW - Just had baby #4 here -Gabriel, born on Baby #3 (whitney) first birthday - hows that for Catholic? =)

Love to you and the family down there in OZ]]> 7479 shraddhaG noreply@blogger.com 2009-05-19 02:03:00 2009-05-19 02:03:00 1 0 Let me wish your mother heartiest belated birthday wishes and also thank her for giving us, her daughter Mary, who very thoughtfully has shared her treasures with all my friends all over the world.]]> 7503 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-05-18 07:40:00 2009-05-18 07:40:00 1 0
Those needlepoint figures you started with...of course my CQ mind would say to carefully cut them out and applique them onto a crazy quilt block....]]> 7524 Anonymous noreply@blogger.com 2009-05-17 16:30:00 2009-05-17 16:30:00 1 0 Treasure each and every moment with her...I know you are! What treasures she has done. I have some of my mother's work. She taught me many things when I was going up, which I in turn taught my daughters and now I hope to teach my grandchildren!
Annie in Michigan]]> 7559 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-05-17 07:55:00 2009-05-17 07:55:00 1 0 7589 Barb noreply@blogger.com http://www.blogger.com/profile/14853309505746913883 2009-05-16 18:44:00 2009-05-16 18:44:00 1 0 7593 Linda noreply@blogger.com 2009-05-16 17:18:00 2009-05-16 17:18:00 1 0 First: Happy Birthday to your MOM!
Her works are real treasures and it's times like these that you should be thankful that they were saved (and it such good condition!).
Now we can all see that needlework talent must be in your family's genes and you have taken it a giant step further. Thanks for sharing, Linda]]> 7596 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-05-16 16:18:00 2009-05-16 16:18:00 1 0 7621 BJ noreply@blogger.com 2009-05-16 08:46:00 2009-05-16 08:46:00 1 0 7622 Anonymous noreply@blogger.com 2009-05-16 08:34:00 2009-05-16 08:34:00 1 0 Cissie]]> 7624 Michelle Taylor noreply@blogger.com 2009-05-16 08:10:00 2009-05-16 08:10:00 1 0 I would love to see what you end up doing with your two pieces. If you come up with a pattern for them for regular embroidery, please post I would love to make that a new project! Beautiful work!]]> 7625 Laura Bullinger noreply@blogger.com http://www.blogger.com/profile/08151154110553301553 2009-05-16 06:10:00 2009-05-16 06:10:00 1 0 7627 MaryD noreply@blogger.com 2009-05-15 22:04:00 2009-05-15 22:04:00 1 0 7629 Marielle mariellesw@gmail.com http://www.blogger.com/profile/18158011891565911447 2009-05-15 19:04:00 2009-05-15 19:04:00 1 0
I love to read your blog as I slowly embark on emroidery. I'm a dabbler myself.]]> 7630 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-05-15 18:35:00 2009-05-15 18:35:00 1 0 7631 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-05-15 18:26:00 2009-05-15 18:26:00 1 0 Happy Birthday to your mom, AnneG in NC]]> 7632 margaret c. noreply@blogger.com 2009-05-15 18:12:00 2009-05-15 18:12:00 1 0 7633 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-05-15 14:24:00 2009-05-15 14:24:00 1 0
http://cest-chouette.blogspot.com/]]> 7634 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-15 14:23:00 2009-05-15 14:23:00 1 0 Have a wonderful weekend with your Family and enjoy your Mother's birthday!
Give your Mother a BIG HUG from Portugal!]]> http://www.needlenthread.com/2009/05/up-and-coming-on-needle-n-thread.html Thu, 14 May 2009 08:56:00 -0500 Mary Corbet 349 2009-05-14 08:56:00 2009-05-14 08:56:00 open open Up-and-Coming-on-Needle-'n-Thread... publish 0 0 post Needlework Shop Hop I participated in a couple weeks ago! So keep an eye out on Saturday for that! Tomorrow, I'll have a post up about some needlework artifacts my Mom dug up this week and a little bit about her needlework adventures (her 75th birthday celebration is this weekend!).

Do keep an eye out for the give-away on Saturday. I'm hoping it's something you'll find enticing!

Wishing you a delectable weekend ahead, with plenty of stitching, gardening, cooking, playing, or whatever you like to do on the weekend!]]> website news 7628 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-05-15 21:46:00 2009-05-15 21:46:00 1 0
Lin]]> 7635 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-15 13:23:03 2009-05-15 13:23:03 1 0
http://beadlust.blogspot.com/

Enjoy browsing - you'll be twitterpated!

MC]]> 7636 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-05-15 13:14:00 2009-05-15 13:14:00 1 0
lots projects to do< i started a big one for school> we are having an art show and im making 7 pieces for the show. Its gotten tiring and labor some rather than fun. but i dont wanna give it up, since worked so hard on it. so i know how you feel about the letter monograms. I look forward to finishing and the show. ill let you know how it goes.

The show has caused me to try new apects of the embroidery world: ive taken up adding beading. i love the look. do you know any sites that would have patterns? i wanna do a whole project in beads.... wow did i just say that????]]> http://www.needlenthread.com/2009/05/monogram-for-hand-embroidery-celtic-x.html Thu, 14 May 2009 06:35:00 -0500 Mary Corbet 350 2009-05-14 06:35:00 2009-05-14 06:35:00 open open Monogram-for-Hand-Embroidery:-Celtic-X publish 0 0 post

If you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small X:



And here's the large X:




For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms 7640 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-14 08:56:00 2009-05-14 08:56:00 1 0 http://www.needlenthread.com/2009/05/wooohoooo-exciting-needlework-news.html Wed, 13 May 2009 06:17:00 -0500 Mary Corbet 351 2009-05-13 06:17:00 2009-05-13 06:17:00 open open WOOOHOOOO!-Exciting-Needlework-News! publish 0 0 post

In fact, if you haven't read them yet, feel free to read the articles here on Needle 'n Thread about Trish Burr and her adventures in the needlework field. You'll find some gorgeous examples of her embroidery in those articles, and you'll also discover the many reasons why I admire her and her work.

And now... the news! Prepare yourselves to be delighted and excited!

TRISH HAS KITS! And they're on her website and ready for sale! For US customers, you can e-mail Trish if you're interested in a particular kit. She accepts Paypal. For customers in Australia and the UK, she has some shop listings there, through which you can purchase the kits.

You'll find four levels of needlepainting kits: beginner, intermediate, intermediate-advanced, and advanced, presented in five different needlepainting projects. You'll also find kits available for two monogram styles.

The prices of the kits are super reasonable. You can order them without threads - with the printed fabric, full instructions and thread list, for anywhere between ZAR 85 - 105 (US $10.07 - $12.45, according to the present currency exchange rates), or you can order them with threads (combination DMC and Soie d'Alger) for anywhere between ZAR 150 - 325 (about US $17.75 - $38.45) for the needlepainting kits. The monogram kits come with the full alphabet, fine linen, and specialty threads, for ZAR 175 - 185 (US $20.70 - $21.88). Remember, exchange rates fluctuate, so those prices are approximate, based on today's currency exchange rate.

These kits will be an excellent way - I am sure of it! - to learn needlepainting from Trish. You can rest easy knowing you have an accurate design transfer (the fabric has the design pre-printed on it) and no doubt her instructions are clear and easy to learn from. If you're familiar with her books, you know this is the case! If you're just starting to venture into needlepainting, the rose bud is a perfect beginner's kit. If you've done a little but want to improve your skills, try the intermediate to intermediate-advanced kits. And if you've done a bit of needlepainting and want a new challenge - oh, you must get the kingfisher!



I am completely twitterpated with this bird.

The link again: Trish Burr Long and Short Stitch Embroidery Kits. Get 'em while she's got 'em - they're definitely stash worthy, too, if you don't have time for them right now!
]]> Trish Burr embroidery resources embroidery kits needlepainting 6918 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-06-16 09:15:32 2009-06-16 09:15:32 1 0 7500 andrea noreply@blogger.com http://www.eurotailors.com 2009-05-18 09:38:00 2009-05-18 09:38:00 1 0 7623 Anonymous noreply@blogger.com 2009-05-16 08:19:00 2009-05-16 08:19:00 1 0
And the prayer of St. Francis was our family favortie too. What a magnificent prayer.

Judy]]> 7641 Angie noreply@blogger.com http://www.squirrelsgolikethis.com 2009-05-13 17:01:00 2009-05-13 17:01:00 1 0
I'm going to have to try really really hard to not purchase too much (or better yet, maybe I can get the new embroidery store in town to get a hold of all those kits?? hmmm)

BTW I agree with Tammy, you're definitely my embroidery role model!

Thanks again for posting the news!]]> 7644 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-13 12:07:37 2009-05-13 12:07:37 1 0
I think the shipping is fairly reasonable - remember, there's the currency exchange in your favor! You could always step from the beginner kit (the rose bud) to an intermediate. The rose bud is fairly small, I think: about 4" x 4.75" - so they aren't "huge" projects, and and the simpler ones should go fairly quickly.

I'd save the bird until you've gotten the whole long-and-short-stitch directional thing (and layering) down. It'll help to work the beginner and intermediate level pieces first, if you already know you might get frustrated! Besides, then the bird will give you something to look forward to!

Now, if you already know you're determined to work through the steps to learn this whole technique (which can then be adapted to other embroidery pieces that you want to do), you could always order one at each level and save on shipping that way. And then you'd have them ready to go when you're ready to move to the next step. Just a thought. I don't know how long Trish's kits will last, as I think she has made up only a certain number to test the market.

Also, if you order the kits without threads, you can pick up the colors you need fairly inexpensively here in the States. I think each kit comes with a DMC thread list. If I were ordering, I'd order the poppy and the bird with threads, but the others, I'd go through my stash and see what I have on hand, then fill out with a few skeins of DMC from a local store.

Thanks for the dubbing! I'm happy to be your online mentor!]]> 7645 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-05-13 09:20:00 2009-05-13 09:20:00 1 0 Oh, by the way, I have dubbed you my online mentor for my embroidery adventures. (wink, wink)
Thanks again for sharing,
Tammy]]> http://www.needlenthread.com/2009/05/monogram-for-hand-embroidery-celtic-v.html Tue, 12 May 2009 14:00:00 -0500 Mary Corbet 352 2009-05-12 14:00:00 2009-05-12 14:00:00 open open Monogram-for-Hand-Embroidery:-Celtic-V publish 0 0 post

If you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small V:



And here's the large V:




For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms http://www.needlenthread.com/2009/05/readers-embroidery-chair-seat.html Tue, 12 May 2009 06:40:00 -0500 Mary Corbet 353 2009-05-12 06:40:00 2009-05-12 06:40:00 open open Reader's-Embroidery:-Chair-Seat publish 0 0 post La Broderie Au Passé, she embroidered a piece of fabric to fit the seat of an antique chair, and the results are beautiful!

The embroidery for this chair seat is worked on cotton twill, using DMC threads. The design was a perfect fit for these chairs that belonged to her grandmother.



The colors chosen for the needlework are gorgeous - I agree with Pam that they compliment the wood of the chair really well.



Pam used a variety of stitches with two strands, and sometimes four strands, of DMC.



The majority of the filled areas are worked in satin stitch, though it looks like she also used some buttonhole-type filling or trellis stitch in parts.



Isn't the medallion a perfect fit? And far too pretty to sit on!

You can find this particular pattern in Therese Dillmont's book, La Broderie Au Passé, at Antique Pattern Library. The book comes in four parts, and this particular pattern is in Part 3, on page 4 of the PDF. (That link will take you straight to the PDF of Part 3). You can also see this particular pattern on the frame, in the first page of the introduction in Part 1 of Dillmont's book. (PDF link) Although the picture is in black and white, it's interesting because the pattern is being worked on a dark background. This is one of my favorite books at Antique Pattern Library - it has a really nice collection of designs for "flat" embroidery! The fourth PDF, by the way, is a scan of the German version of the book.

Thanks, Pam, for sending the photos, and congratulations on a beautiful job! Thanks as well for the inspiration.... maybe, maybe one of these days, I'll get up the guts to do a footstool or something! (But feet? On my embroidery? Hmm.....)
]]> readers embroidery pictures needlework pictures 7619 Angelina noreply@blogger.com 2009-05-16 10:04:00 2009-05-16 10:04:00 1 0 7648 margaret c. noreply@blogger.com 2009-05-12 17:29:00 2009-05-12 17:29:00 1 0 7652 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-12 08:54:00 2009-05-12 08:54:00 1 0 7654 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-05-12 08:31:00 2009-05-12 08:31:00 1 0 7655 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-05-12 08:04:00 2009-05-12 08:04:00 1 0 http://www.needlenthread.com/2009/05/readers-embroidery-icon.html Mon, 11 May 2009 07:44:00 -0500 Mary Corbet 354 2009-05-11 07:44:00 2009-05-11 07:44:00 open open Reader's-Embroidery:-Icon publish 0 0 post

Anne embroidered the piece as a gift. The completed size is 4.5" x 5.25", so quite small, but the space is used really well.



The design is from a book called A Brush With God, and the original picture is called "Peter's Mother of God." The original is by Peter Pearson, who kindly gave Anne permission to use it. The representation is of "Our Lady of Tenderness."



The embroidery is worked entirely in flat silks, on silk upholstery fabric, mounted on high count muslin. The halo, or nimbus, is worked in pairs of #8 Japanese gold - it's really beautiful!



And this is the framed piece. I think the framing is ingenious - it really sets off the embroidered piece well.

Thanks so much for sending the photos, Anne! It's always a pleasure to see you're work!
]]> readers embroidery pictures silk needlework pictures 7620 Angelina noreply@blogger.com 2009-05-16 10:02:00 2009-05-16 10:02:00 1 0 7649 Marian noreply@blogger.com 2009-05-12 15:05:00 2009-05-12 15:05:00 1 0 7651 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-05-12 09:35:00 2009-05-12 09:35:00 1 0 The flat silk of the veil is a Japanese technique called weft foundation. I used 2 strands of flat silk and pulled it tight, laying with a tekobari. As soon as I could in the process I did the holding with twisted silk karayori, couched down to hold the flat silk. Otherwise it gets the frizzies, like my curly hair. The rule is to go only 1 cm without holding of some kind in flat silk. I cheated a little on the top, as it is almost 3 cm, but since I held down the rest, it seems to be behaving. Since it is framed and not on a garment it should not be a problem. If it were going to be longer, I would have probably done a different technique called short stitch holding to keep it in place and shiny. Thanks again, Anneg]]> 7653 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-12 08:53:00 2009-05-12 08:53:00 1 0 7657 Anonymous noreply@blogger.com 2009-05-12 07:40:35 2009-05-12 07:40:35 1 0 CJ]]> 7660 Anonymous noreply@blogger.com 2009-05-11 20:47:22 2009-05-11 20:47:22 1 0
Sara K.]]> 7661 smg noreply@blogger.com http://www.blogger.com/profile/09083361873107903712 2009-05-11 10:40:00 2009-05-11 10:40:00 1 0 I have been wanting to embroider Our Lady of Czestochowa, but have never been able to figure out how to go about attacking it. I wonder if there is a pattern somewhere?]]> http://www.needlenthread.com/2009/05/oh-no-enticing-thread-sale.html Sat, 09 May 2009 07:47:00 -0500 Mary Corbet 355 2009-05-09 07:47:00 2009-05-09 07:47:00 open open Oh-NO!-An-Enticing-Thread-Sale... publish 0 0 post

Right now, Needle in a Haystack is clearing out some threads! They've got a really interesting selection of grab bags for Gumnut Yarns different lines of embroidery and needlework threads.



The grab bags are a really good deal! For example, you get 10 skeins of Gumnut stranded silk ("Stars") for $30 (regular price: $70). You don't have control over the color choices, but they've done their best to group the threads by color families, so that they aren't wild and weird mixes of color (thought sometimes, I like wild and weird mixes!)



Gumnut "Buds" (perle silk) grab bags are 10 skeins for $35 (regularly $85).

I like Gumnut threads. They're soft and beautiful and feel really nice. The only type of their thread I've ever stitched with, though, is "Buds" (perle silk). I liked it. I'd love to try their "blossoms" (crewel wool) and "daisies" (fine wool) and some of their blends. Unfortunately, they're very expensive threads, so the best way to get them, in my mind, is to get them on sale.

The names are a bit of an enigma, by the way. Here's the list of thread names and what they actually are:

Blossoms = crewel wool
Stars = stranded silk
Buds = perle silk
Poppies = 50% silk / 50% wool blend
Daisies = 1-ply fine wool (finer than crewel wool)
Tulips = kid mohair
Gemstones = variegated crewel wool (discontinued by the manufacturer)
Aztecs = variegated stranded silk (discontinued by the manufacturer)
Jewels = variegated perle silk (discontinued by the manufacturer)
Opals = variegated silk / wool blend (discontinued by the manufacturer)

To view the shade ranges on each of those, click on the links of the names, which will take you to the Gumnut Yarns website's color range pages. It seems all the variegated threads have been discontinued.

Anyway, back to the sale at Needle in a Haystack! Besides these magnificent grab bags, they've also got the remaining of their DMC Medici (discontinued by DMC) wool thread on sale for $.75 / skein, as well as the whole range of Danish Flower Thread on sale for $1.25 / skein. (The latter is listed on their sale page for $1.30 / skein, but if you visit the actual shopping page for Danish Flower Thread, you'll see it's $1.25).

So, some great deals there! I'm still sticking to my resolution (after last week's needlework shop hop loot!), so I won't be adding any of this to my stash! But if you have the opportunity to do a wee bit of stash building, then I figured you might as well know about the sale, too! Enjoy!
]]> supplies embroidery resources threads 7548 BORDADO DE LUJO noreply@blogger.com http://www.blogger.com/profile/15500220288699738687 2009-05-17 10:08:00 2009-05-17 10:08:00 1 0 I´m Paul Phillip Evans from stitchinfingers.
I hang my threads in a wood clothe hanger so I can see the shades together and rearrange them eventually while I make my embroidery project.
Have a great day,
Paul]]> 7667 Laurie in Maine dognapper2@msn.com http://www.blogger.com/profile/06022126513010116196 2009-05-10 06:38:00 2009-05-10 06:38:00 1 0 I'm following your bullion/rose videos this morning, working my 1st bullions using a free Brazilian Embroidery pattern I found online.

It calls for a cast-on stitch with 14 casts (7 pair). Would this be similar to needle tatting "pairs"? I know repeating the same 1st half cast-on in tatting is what gets the curving twist (which is what happened to mine) & by doing the 2nd half in pairs makes them lay flat. Same idea here?

I didn't see a cast-on video...did I miss it? The cast-on stitches actually came off the needle easier than wraps so far. Need to buy some correct needles - no labels left with anything I have on hand says Straw/Milliner.

Thank you again for the video tutorials. Enjoying these stitches I've been afraid to try for so long!]]> 7669 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-10 00:13:37 2009-05-10 00:13:37 1 0 7670 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-05-09 23:04:00 2009-05-09 23:04:00 1 0 7674 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-05-09 11:06:00 2009-05-09 11:06:00 1 0 Yes, I did order threads. I could not resist.
I hope the customs won't charge me with the taxes...]]> http://www.needlenthread.com/2009/05/embroidered-panel-from-thrift-shop.html Fri, 08 May 2009 09:56:00 -0500 Mary Corbet 356 2009-05-08 09:56:00 2009-05-08 09:56:00 open open Embroidered-Panel-from-a-Thrift-Shop publish 0 0 post

The embroidery on the panel looks to me as if it were worked by hand, but it has that kind of mass-produced look (sweatshop work, perhaps?). I could be wrong. I'd be happy to hear what you all think.



The frame is flimsy and cheaply made and painted. I think the embroidery is actually stuck on the board in parts. I'm going to take it apart, eventually, just to see what it's all about.

There are parts of the embroidery that I really like:



The shading on the water fowl is magnificently done!



The feathers and the layers of color are finely and perfectly stitched. There aren't any "carrying threads" that are typical to machine embroidery. I'm certain this is hand stitched.



The roses up close didn't really grab me at first. The contrasts are stark and the lines a bit angular...



But what's funny is that, from the side, they look entirely different! The silk has quite a sheen to it, too.



The clusters of flowers and leaves below the ducks are the best part of the foliage on the piece, I think.



And the grass and water on the pond in which the ducks are floating is really interesting. The two shades used to embroider the grass give the illusion of a reflection, and the pale grey horizontal stitches make the water look quite real.



This little bunch of hanging buds and flowers makes a nice cluster, and I like the silvery grey in the leaves.

There are some stains on part of the piece - mostly in the foliage hanging down from the roses - but other than that, it's pretty clean.

So, what do you reckon? Shall I take it apart? I was thinking there might be parts that would be fun to salvage, recycling it into something else. Any ideas?
]]> pictures needlepainting silk needlework pictures 7664 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-05-10 19:33:00 2009-05-10 19:33:00 1 0 Edo-shishū (Edo-style embroidery) - Video one shows inking the design near the end. Video 2 shows setting up 2 types of frames, and then after that is the embroidery itself. Hope it is of interest.]]> 7665 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-05-10 13:27:00 2009-05-10 13:27:00 1 0
IIRC, there was a big Chinese expo at the KS state fair a long time ago. (Carlin was still governor! Is my age showing?) There was a lot of fabrics, crafts, carved jade, etc available for purchase. Maybe it came from there?

I've seen things like this as a set, with a large design split into three or four panels. If the set is already broken up, it wouldn't be any further transgression to recycle this part into something to be used or loved.]]> 7668 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-05-10 02:50:00 2009-05-10 02:50:00 1 0 7671 FredaB fmbutler@hotmail.com http://www.blogger.com/profile/08000510495713705938 2009-05-09 20:07:00 2009-05-09 20:07:00 1 0
Hugs

FredaB]]> 7672 Anonymous noreply@blogger.com 2009-05-09 19:38:00 2009-05-09 19:38:00 1 0 las flores son rosas
que bien poder admirar
gracias maria
rosaly]]> 7673 rosaly noreply@blogger.com 2009-05-09 19:37:00 2009-05-09 19:37:00 1 0 las flores son rosas
que bien poder admirar
gracias maria
rosaly]]> 7675 charlie noreply@blogger.com 2009-05-09 10:34:00 2009-05-09 10:34:00 1 0 7676 Anonymous noreply@blogger.com 2009-05-09 10:11:00 2009-05-09 10:11:00 1 0 You might check with Pat Dalton (daltontours.com). She is an expert in Chinese embroidery. She has traveled there extensively and that is what her entire focus is on.

Blessings, North Idaho Connie]]> 7678 carol scheele noreply@blogger.com http://www.blogger.com/profile/17853814692596886838 2009-05-09 08:05:00 2009-05-09 08:05:00 1 0 7679 Mammym noreply@blogger.com 2009-05-09 07:28:00 2009-05-09 07:28:00 1 0 7681 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-05-08 19:39:00 2009-05-08 19:39:00 1 0 7682 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-05-08 19:11:00 2009-05-08 19:11:00 1 0 What a treat,
Tammy]]> http://www.needlenthread.com/2009/05/embroidery-project-update-sampler-and.html Thu, 07 May 2009 13:25:00 -0500 Mary Corbet 357 2009-05-07 13:25:00 2009-05-07 13:25:00 open open Embroidery-Project-Update:-Sampler-and-a-Hiatus publish 0 0 post

This is a project I started as a stitch-along with my niece, who is learning counted cross stitch in one of her classes. The sampler is called "Angel Pavement," and it's produced by Long Dog Samplers.



This is the progress so far. The outlines of all the "memory blocks" around the edge are complete, so now it's just a matter of filling the rest of them in. Each of those blocks is slightly less than one inch square.



These are my favorites so far. I love the colors and the designs of all three.

Now, onto the question of a hiatus. Wow - time really flies, doesn't it? For those of you who don't know, I am a teacher. I teach English at the high school level, and I also teach six hours' worth of college courses a week (two courses), in the field of education. It almost seems as if the school year just started. As the year comes to a close, things are getting hectic, to say the least!

On top of the end of the year activities, I'm faced with a project with a deadline. A few months ago, I agreed to embroider a pall (a small altar linen) for a woman whose grandson is being ordained a priest this summer. As yet, I still haven't started that - it's due in the middle of June. Heh heh. Oh sheesh. I do tend to procrastinate. I always claim I work better under pressure, and in some cases, I do. In other cases.... well.... The inspiration for this project just hasn't hit me, and the more pressure I feel over it, the more distant my Muse seems! Not a very good situation!

In addition to the above, my family is descending upon Kansas next week, to celebrate my mother's 75th birthday! There are eight children in my family altogether, and all but one will be here, along with some grandchildren, husbands, wives, etc. It'll be fun! Hectic, but fun!

Plans, plans, plans! So I'm planning on taking a hiatus from the sampler here for a bit, until I get all the upcoming major stuff out of the way! You may bid it farewell, then, until the (hopefully not too distant) future!
]]> personal pictures sampler counted thread embroidery techniques needlework pictures 5631 Anonymous noreply@blogger.com 2009-09-14 07:33:53 2009-09-14 07:33:53 1 0 Annie (beautiful weather in Michigan)]]> 7680 Anonymous noreply@blogger.com 2009-05-08 19:48:00 2009-05-08 19:48:00 1 0
Hope you have a wonderful time with your family & blessing to your mom on her 75th birthday.

Thank you so much for sharing your talents and your time with us through Needle 'N Thread.

Wishing you a wonderful Summer
and many hours of "Happing Stitching".
Kysis]]> 7685 FredaB fmbutler@hotmail.com http://www.blogger.com/profile/08000510495713705938 2009-05-08 10:47:00 2009-05-08 10:47:00 1 0
Happy 75th. to your Mother and wish her many more. It will be nice to have all the family together. That will please her far more then any birthday gift could.

Hugs

FredaB]]> 7686 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-05-08 02:38:00 2009-05-08 02:38:00 1 0 You'll be right busy in the coming weeks, wow! I hope you'll enjoy them though.]]> http://www.needlenthread.com/2009/05/stitching-some-greeting-cards-and.html Wed, 06 May 2009 10:54:00 -0500 Mary Corbet 358 2009-05-06 10:54:00 2009-05-06 10:54:00 open open Stitching-some-Greeting-Cards-and-Planning-in-Advance publish 0 0 post embroidered anniversary card a couple weekends ago, I got it in my head that it would be a good idea to make some cards for upcoming occasions - and, for a change, to make them ahead of time!

Through April, May, and June, my family is beset with - oh, just about everything: my parents' anniversary (52 years this year), Mother's Day, my Mom's birthday (75 this year!), graduation, a couple birthdays at the beginning of June, weddings, wedding showers, baby showers, and on and on. It's not as if I don't know these things are coming up. But they still tend to take me by surprise!

So I determined at least to prepare some nice cards in advance this year for the big Spring / Summer Onslought of Card-Giving Days.



It really doesn't take that much time to prepare the cards for stitching. I pierced about 8 cards in a little more than half an hour.

Then I took the pierced cards, selected thread colors, and made up little "kits" for each card by placing the card and selected threads in a little zip lock bag, along with the original pattern for the embroidery design on the card. I arranged all the packages in a little box, with a roll of tape, a couple needles, and a pair of scissors.



With everything ready, then, at my fingertips, it's just a matter of grabbing a few minutes here and there to stitch up parts of the cards. In fact, when I only have time for a 15-minute session, I can get at least half-way through simple designs, like this little bug and garden card.



This one took me even less time - very simple, but it will make a nice little card for an upcoming event.



This one took a little longer, only because I decided at the end to satin stitch the yellow centers on the flowers, and to do that, I had to pierce the paper with the needle as I went. (Note to self: satin stitch doesn't work that great on paper!) Still, they came out cute enough, and in the center of the one flower left blank (yes, I got sick of satin stitching on paper!), I'll stick a little rhinestone or something sparkly.

The finish work hasn't been done on any of those cards, and that's actually where most of the time will come in, if I end up doing anything "interesting."

I'm planning to put together several more card kits to have on hand for a bit of variety. It's really easy to chat and stitch on paper, but for some reason, I'm not good at chatting when doing "serious" embroidery! Pre-assembled little kits for fun things like this are also great to hand off to the kids when they're looking for something to do!
]]> embroider on paper pictures needlework pictures 7691 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-06 18:28:15 2009-05-06 18:28:15 1 0
Hi, Jill -

I mostly use scrapbooking cardstock (12 x 12), which I cut to the size I want. Sometimes, I'll use pre-made cards. You can use paper, but it's a lot easier on cardstock. Whatever the case, make sure that you either mount the embroidered piece onto a card (when the embroidered piece is separate, like the yellow bug one above) or cover the inside of the card with decorative paper, to cover the back of the embroidery (which is what I'll do with the white card and the blue dotted card).

Hope that helps!]]> 7694 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-05-06 16:03:00 2009-05-06 16:03:00 1 0 7696 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-05-06 14:19:00 2009-05-06 14:19:00 1 0
MGM]]> 7697 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-05-06 13:13:00 2009-05-06 13:13:00 1 0 http://www.needlenthread.com/2009/05/long-and-short-stitch-musings.html Tue, 05 May 2009 06:36:00 -0500 Mary Corbet 359 2009-05-05 06:36:00 2009-05-05 06:36:00 open open Long-and-Short-Stitch-Musings... publish 0 0 post long and short stitch project idea to get the whole gist of it.

I can offer a million and twelve excuses why this particular embroidery project never quite materialized, but it all boils down to the little particulars of life in general, as well as a rather sanguine approach to needlework. I tend to bounce around a bit, and I get caught up in new plans and ideas with a bit too much enthusiasm before old ideas have come to fruition! (Surely you've noticed that about me by now!)

Still, the idea for this particular series lingers in my head, simmering a bit and now and then even reaching a low boil. At one point, I even sketched up a design for the project!

The reason I bring this up now, though, is because I've received a slew of e-mail over the last couple weeks, asking about long and short stitch. I can't help wondering if something long-and-short-stitch-ish is going on out there in the needlework world - a new book I haven't seen, or a new design out, or something? Why the sudden interest, I wonder? Not to disparage the glory of the stitch itself - for anyone interested in surface embroidery, it would be a natural thing to want to get this beautiful stitching technique down.



This is a little flower worked in long and short stitch on a silk sampler I have yet to finish. Long and short stitch is one of the few stitching techniques that can really achieve a nice, realistic shading.



In fact, it was Tanja Berlin's needlepainting kits that really got me into long and short stitch. I love her needle painting projects!



Of course, Trish Burr's various embroidery books that feature long and short stitch enchanted me as soon as they hit the market! Trish has been a very encouraging correspondent, and I really enjoy her work! I've written about Trish Burr's works and books several times here on Needle 'n Thread, and I'm excited to say that there's more good stuff coming from her in the form of kits to be released soon. I'll keep you updated on that.

After working for a couple weeks now on a counted cross stitch sampler, I'm itching to get into some needle painting again. I think the e-mails about long and short stitch have served as a bit of a prod, too.

My plan, then, is to resurrect this long and short stitch project plan. I've started taking notes and organizing short lessons, but I wanted to poll the audience to find out what people would really like to see in a series of lessons focusing on long and short stitch? The way I see it is this: I could work from the very basic, for first-timers, through more complex forms, or I could just focus on the difficulties that people experience with the technique. What's your opinion?

It's necessary at this point to mention, too, that I'm not Trish Burr or Tanja Berlin - I'm no pro! But I have learned some tricks along the way that can reduce the intimidation that newcomers might feel when facing this technique.

With the summer coming up soon, I am hoping to have more free time to really focus on some instructive projects on Needle 'n Thread. In the next couple weeks, I'll be making some extensive lists of things I hope to focus on this summer. (This is the lot of the teacher - always looking forward to summer or the next break, in order to rejuvenate!)

With this in mind, then, I'd love to hear some feedback on the following:

1. What are your thoughts and preferences on this long and short stitch idea?
2. What type of instructive articles about embroidery would you be interested in seeing on Needle 'n Thread in the upcoming months?

Thanks for your input!
]]> Trish Burr pictures miscellaneous embroidery musings needlepainting needlework pictures 5942 Shari M sharimasson@gmail.com http://www.blogger.com/profile/09514748575422631885 2009-08-27 21:16:37 2009-08-27 21:16:37 1 0 5946 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-27 16:16:46 2009-08-27 16:16:46 1 0
I never said I don't do counted cross stitch - I think if you look around the website enough, you'll find that I have a counted project going right now. You'll also find that I promote certain types of counted work (especially antique samplers) with enthusiasm, and I've even been known to design some counted pieces myself (blackwork, in particular). It doesn't mean that I have to like all counted cross stitch, or even the majority of counted cross stitch. Everyone has his or her own tastes and enjoys different styles of embroidery more than others. For example, I'm not into fat snowmen in primary colors on 14 count aida cloth. I also don't like to spend long stretches of time on counted cross stitch - no matter how much I might like the design - because I find it monotonous. I don't think there's anything wrong with admitting this on my own website, but I am sorry if I offended you somehow.

MC]]> 5947 Anonymous noreply@blogger.com 2009-08-27 15:43:12 2009-08-27 15:43:12 1 0 6021 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2009-08-19 20:44:48 2009-08-19 20:44:48 1 0 6699 Anonymous noreply@blogger.com 2009-07-08 11:17:19 2009-07-08 11:17:19 1 0 7139 pema noreply@blogger.com http://www.blogger.com/profile/12484749633963778039 2009-06-06 23:02:50 2009-06-06 23:02:50 1 0 7516 lyria.lucille noreply@blogger.com 2009-05-17 21:31:00 2009-05-17 21:31:00 1 0 7690 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2009-05-06 20:52:00 2009-05-06 20:52:00 1 0 Diane]]> 7698 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-06 12:01:23 2009-05-06 12:01:23 1 0
I'm heading out the studio now, but if you do get a chance to do that, drop me another e-mail, and I'll be in touch as soon as I return to the Real World!

Thanks!

MC]]> 7699 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-05-06 11:47:00 2009-05-06 11:47:00 1 0
I understand because the same thing happens to me! when you say .."I get caught up in new plans and ideas with a bit too much enthusiasm before old ideas have come to fruition!",
With respect to your plan

I think, because I'm learning a lot in this way,that it would be great to follow a project with a kit, that can be a step by step with this technique. I think it is the best way to learn, because we'll can to see like you solved your work and do the same and especially :how do you make and apply this technique.

Whatever you decide,I will follow your project as usual, because your blog is like my book header!

All the best for you dear Mary

Maria del valle]]> 7700 Shari M sharimasson@gmail.com http://www.blogger.com/profile/09514748575422631885 2009-05-06 10:56:00 2009-05-06 10:56:00 1 0 I've been itching to do some thread painting for ages. I have Tanja B's Iris but am afraid to start it. I don't want to mess it up. I also love her birds. I also have all of Trish Burr's books.

My preference would be to start at the beginning, for the truly ignorant, like me and continue on as far as you will go.

I'm hoping that with your guidance and the opportunity to learn this with an online group of friends, that I can master this gorgeous technique.

Thanks so much for this chance to learn L and S. I can hardly wait.

Shari M
Canada]]> 7701 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2009-05-06 10:05:00 2009-05-06 10:05:00 1 0 I am a lurker on your blog. You are very inspiring to me. I would love any help on the long and short stitch as I am a beginner. You have done great so far so I am sure whatever you chose will be wonderful. I am about to embark on my first L & S stitch project, hopefully it will turn out nicely.]]> 7702 Anonymous noreply@blogger.com 2009-05-06 09:38:00 2009-05-06 09:38:00 1 0 lessons would love to do some "paintings" of my dog and horses
am looking forward to the lessons
eileen]]> 7703 Anonymous noreply@blogger.com 2009-05-06 09:08:00 2009-05-06 09:08:00 1 0
Cissie]]> 7704 Alice noreply@blogger.com 2009-05-06 08:52:00 2009-05-06 08:52:00 1 0 Alice McClelland]]> 7705 Anonymous noreply@blogger.com 2009-05-06 08:44:00 2009-05-06 08:44:00 1 0 I like long and short stitches and
this idea of stitch along from B-A BA to advanced is very pleasant .
Michèle]]> 7706 BJ noreply@blogger.com 2009-05-06 08:38:00 2009-05-06 08:38:00 1 0
I apologize for this. Thanks again Mary.
BJ]]> 7707 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-05-06 06:55:00 2009-05-06 06:55:00 1 0 You are so considerate to poll everyone for just the right tone and setting for your instruction. May I offer an observation? You are a natural teacher, and if you just do it as you see best, it will be perfect! In your 3rd paragraph, you mention the simmering and boiling and what appears to be erratic (on the surface) attention given to various other pursuits. I think it is simply "the creative process" at work, and I am confident that whatever you offer will be a gift and a blessing to all of us. I hope that encourages you. I know you've encouraged me. Thank you so much for all you do.
WendyBee]]> 7708 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-05 22:19:59 2009-05-05 22:19:59 1 0
BJ - Thanks for your e-mail! I received it, and responded, but an hour later I got a "failed" notice in delivery. For some reason, AOL does not like e-mail from my e-mail address. I don't know how to go about correcting the problem; my Internet Service Provider says the problem is on the AOL end. AOL says the problem is that Needle 'n Thread registers as "spam" mail, which I'm not! If anyone out there has suggestions on how to fix my perpetual AOL e-mail problem, I am all ears! (It's very frustrating!)

Thanks, BJ, for the kind offer! I'll be in touch as soon as I can get this silly e-mail situation rectified (I've been trying for months and months!)

Thanks again, everyone!

MC]]> 7709 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-05-05 18:00:00 2009-05-05 18:00:00 1 0 7710 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-05-05 17:46:00 2009-05-05 17:46:00 1 0
And some of the more complicated techniques as well.

Everything, in other words!]]> 7711 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-05-05 17:33:00 2009-05-05 17:33:00 1 0 If you ask I would like you go from the very beggining.
I have a little Trish Burr kit for long; I've begun but... not finished.

Today I am in troubles with the little circles in satin stitch of your letter F I'm embroidering in one of the linen towels you saw - I can't make a clean circle in satin stitch!!! I have everything embroidered but the circles. I've undone two times and decided try again tomorrow. I was linked to your blog almost all the afternoon looking for any tip.
I'll show you the result if you allow me to send a mail.
And thanks for the treasure you are.Really.]]> 7712 Anonymous noreply@blogger.com 2009-05-05 15:23:00 2009-05-05 15:23:00 1 0 Claudia in MO]]> 7713 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-05-05 14:52:00 2009-05-05 14:52:00 1 0 7714 Coeur de freesia noreply@blogger.com http://elena33.canalblog.com 2009-05-05 14:28:00 2009-05-05 14:28:00 1 0 I've never left a comment since now (I'd rather read English than write it). But I just wanted to tell you that I love your blog and all the knowledge that you share with us.
I would enjoy a stitch along, as you mean few months ago, with lessons from basics to more complicated. It would be so great to follow a whole project !]]> 7715 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2009-05-05 11:18:00 2009-05-05 11:18:00 1 0 I'd like to see the whole project from the beginning, even though I am experienced with long and short. What I'm really excited about is the project preparation you described! For many years I stitched from kits and have been struggling to 'master' the whole process of creating my own kit!
I'd love to follow along with your supply list, selections, etc. especially learning the reasons why one type thread or color/shade range was selected.
As for future articles - I'd like to learn more about what type of thread to use for what type of project - for example, which projects/techniques/stitches benefit from linen thread? Has anyone used bamboo thread and if so what were the pros and cons?
Just a few thoughts because whatever you decide to do with the project or write about in the coming months - I'll enjoy it!]]> 7716 Kandra noreply@blogger.com http://www.siblingcraftery.com 2009-05-05 10:42:00 2009-05-05 10:42:00 1 0
I like the idea of taking a project we can all follow along with - same design for beginner and advanced at the same time.

As always - I'll take whatever information I can get from you :D]]> 7717 BJ noreply@blogger.com 2009-05-05 10:17:00 2009-05-05 10:17:00 1 0
I think it is a fabulous idea, I have one of Trish's books, but it is always helpful to see it in action. I am very intimidated and I have 2 kits that I have worked with very little success. So please, please, please help us beginners.

2. What type of instructive articles about embroidery would you be interested in seeing on Needle 'n Thread in the upcoming months?

Mary, I would love the Long and Short stitch, but what I would really want is Goldwork! I am working the EGA CC Luck of the Irish shamrock. I am a bit frustrated. I have checked out your video tutorials, and all your Goldwork posts. They are so very helpful. I think a couple of video's on this topic would be very helpful.

I feel weird asking you to work more for us, you don't even ask for money to maintain your site. You are so very nice to continue this for us. Appreciation is not enough of a gesture. However, THANK YOU!

I would like to contribute to your giveaways. It is the least I can do to help out. I will be contacting you for a place to send my threads and fabric.
BJ]]> 7718 Tammy T. fortheloveofcolor@yahoo.com http://www.blogger.com/profile/09732745321927125939 2009-05-05 10:03:00 2009-05-05 10:03:00 1 0 Tammy]]> 7720 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-05-05 09:28:00 2009-05-05 09:28:00 1 0
I learnt this stitch a long time ago in school and would definitely like to refresh my memory. A stitch along is a great idea and please start from the basics.]]> 7722 Laura G noreply@blogger.com http://www.blogger.com/profile/07559375000800855287 2009-05-05 09:03:00 2009-05-05 09:03:00 1 0
I love the long and short stitch project idea. There is too much 'on the needles' right now to join along but I my attempt would fall in the beginner category. Could you do the same design for both beginner and advanced at the same time, to keep more people interested?

I like to see posts featuring finished objects, in addition to the lessons.]]> 7723 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-05-05 08:59:00 2009-05-05 08:59:00 1 0 Long and short from the basics would be wonderful. I've found that however much you progress,practising the basics always helps.]]> 7725 Slack noreply@blogger.com 2009-05-05 08:28:00 2009-05-05 08:28:00 1 0
I haven't really found any good tutorials/explainations on the long and short stitch so the more info you can provide would be a huge help!]]> 7727 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-05 08:19:39 2009-05-05 08:19:39 1 0
Oh - about birds - you'll be happy to hear, then, that one of the kits Trish Burr is currently preparing (to sell) is... a bird kit! I'm excited about that, too!

MC]]> 7728 Divya noreply@blogger.com 2009-05-05 08:13:00 2009-05-05 08:13:00 1 0
I'm very much interested in this project!

My opinion though, would be a bit biased. As I'm a novice here, I would love it if you would go really detailed on the project (like you mentioned in the post from last year). I would definitely stitch along and hopefully grow from counted cross stitch to surface embroidery (Yes, counted cross stitch - thats pretty much all I can embroider right now!).

I would really appreciate and enjoy stitch alongs, or patterns with stitch suggestions (like your grab and go project - the spring tea towel) which beginners (and i mean REAL beginners) like me would find useful.

Thank you so much for rekindling the love I had for embroidery! Hope to see loads more of fun stuff in the months to come.

Love,
Divya]]> 7729 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-05-05 08:06:00 2009-05-05 08:06:00 1 0
I'd love to hear about the tricks you use in doing long and short stitch to create realistic nature. That's my preference--more about how you approach this technique and the differences different threads bring to the technique.

Thanks!]]> 7730 Anonymous noreply@blogger.com 2009-05-05 07:40:00 2009-05-05 07:40:00 1 0 I love your blog. You've really inspired me over the last year or so to do more embroidery especially freestyle embroidery. I've dappled in counted thread techniques for several years but I never stick to it - I don't think I can count!
Since trying crewel and freestyle embroidery I'm hooked. I can't seem to put my needle down.

Long and short stitch is very confusing to me. I've been working a vintage Erica Wilson crewel kit and the areas that have long and short stitch are very small. I can't see show it matters in such small area with such a large thread!
I would love to work some lessons from your website. Any lessons. I'd prefer to use cotton floss since it's easier find here. There aren't any needlework shops within a hundred miles of me.
Thanks again for the inspiration and information.
Christine in WI]]> 7732 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-05-05 07:02:00 2009-05-05 07:02:00 1 0 Annie]]> http://www.needlenthread.com/2009/05/needlework-loot.html Mon, 04 May 2009 08:50:00 -0500 Mary Corbet 360 2009-05-04 08:50:00 2009-05-04 08:50:00 open open Needlework-Loot! publish 0 0 post Heartland needlework shop hop took place this last weekend, and I survived it! It was my first needlework shop hop - apparently they do this every year, and from what I hear, lots of areas around the country feature shop hops. So if this is something that interests you, check with your local needlework shop to see if they participate in anything similar each year! Though, if you're like me, at the end, you just might be sorry you found out! Let me show you the damage...

I generally budget for my needlework stuff - hobbies deserve budgeting, and I figure if I don't budget for hobby-related supplies (or if I go into debt for them!), I could not enjoy them. That dark cloud of "I Owe You" hanging over my head would certainly dampen any pleasure I had in my hobby! So, I budget. And I have spent my budget for the next... oh, several months! So, enjoy looking at the loot, because it'll be a while before I spend anything again on hobby-related supplies!



Depending on how you look at this pile, it can either look like a lot, average, or not much at all! For me, it was a lot to buy in one weekend! I console myself by saying that I got some really good deals on some stuff, and that I have prepared ahead with some gift-related items.



First off, I did get some Evertite Frames, which is really the only thing I convinced myself I needed. I need a variety of smaller (10" - 14") frames to set up fabric on for filming stitches, and if I'm going to spend money on frames, then I might as well get the ones I really like, that I can use for a variety of projects. That was my reasoning, anyway! And darn it, I'm stickin' to it! (Two the Point in Overland Park, Kansas, carries the whole range of Evertite Frames, and they were 15% off, and I didn't have to pay shipping! Yippee!).



I suppose I didn't need these threads from Gentle Art - their Simply Wool line, a very nice, fine wool for embroidery. But I've wanted to try them for a while, and I thought it would be fun to do a wool thread comparison for everyone, so, yes, I bought a few cards. I picked these up at Old Mill Stitchery in Liberty, Missouri. In fact, I'm kind of twitterpated with that shop.

Of the five shops I visited, two had "atmosphere" - Stitch On in Lawrence, KS, and Old Mill Stitchery in Liberty, MO. Of those two, Old Mill Stitchery is the more atmospheric. It's situated in what I think is perhaps an old mill (ingenious - I think that accounts for the name!), and connected to a few other shops and a restaurant inside the one old complex. It's roomy - with a fantastic project room overlooking an outside little tree area full of birds - and the floors are slightly uneven. The shops adjacent include a bead shop, a wool rug-hooking supply shop (neat stuff), an antique and gift store, and a nice little luncheon-type restaurant. I would definitely make the long treck there again, just for the fun of going, on a day trip to KC.



Now, I realize this doesn't look very exciting. But these are hanks of soie d'alger from Au Ver a Soie. That's 45 meters at One Time of the same color of one of my favorite threads! But that wasn't the appeal. The appeal was that they were 50% off. I use greens all the time, and I am certain I will have use for them as time goes by. The darker blue in the background is another question - but, one never knows...



I rarely buy threads from Rainbow Gallery. I don't know why - I suppose I don't often have use for them. They do have some weird, interesting, fun threads, though. And I bought a few. Each item in this photo, including that jolly spool of green Trebizond, was a dollar. What was I supposed to do? Besides, they'll be fun to include in give-aways. And a dollar? Really, what was I supposed to do?



Oh, it's another Bohin pencil, with all the lead colors available. I have come to really like this pencil for transfers. I bought the yellow, grey, and blue fills... and another pencil. I found this at a fabric store near one of the needlework shops through which I was cheerily hopping...



Now, this may not seem very thrilling to you. But it was the Only Thing I saw at one shop that really thrilled me to my toes! It's a frame! And not just any frame! It fits perfectly my little miniature embroidery piece. I'm going to frame that for the Agéd M for Mother's Day.



In this dark, dim picture you will see the only two things I ran into along the whole hop that were specifically surface embroidery items. I felt somewhat compelled to stand up for surface embroidery, so I purchased them. The fact that the table topper was reduced 50% helped - I wouldn't have paid full price for it. And the towel was 40% off, I think. They are simply ironed-on motifs from Aunt Martha-type iron-ons. In fact, the dish towel is definitely Aunt Martha. One is a butterfly motif on a 35" square table topper made out of 65% linen, 35% cotton, in a natural color, and the other is a vineyard motif on a striped dish towel. I'm admittedly not so impressed with them, but they are both something that the kids would enjoy stitching, so they won't go to waste.



This is the only "elaborate" thing that I bought - completely unnecessary, with no purpose that I could pin on it at the time, and rather a bit on the pricey side. It's a tray from Sudburry House (purchased at Two the Point). The bottom of the tray is glass, under which you can mount a piece of needlework. Truth is, it isn't the tray concept that sold me. It isn't that I even had a plan or idea for it. Quite simply, it's the square redness of it. It is Square Red Perfection. There was not even a decision-making process involved. I saw it. I picked it up. I never even considered not buying it. I didn't even try to justify it to myself. I still haven't tried to justify it. In fact, if I think about it too hard, the only thing that comes to mind is, "..." ... nothing. Of course I bought it. It's as if I had walked past the shelf it was sitting on, put my right hand on the shelf, then walked away, taking my right hand with me. I couldn't leave my right hand behind - I couldn't leave the red tray behind.

If they hadn't made it so very red, and so very square, with such perfect rounded edges and handles, I probably could have left it. But under the circumstances, what else could I do?

Oh, here comes some justification: it was 15% off. And it would look beautiful with a nice Jacobean something under that glass.... or something.

I bought a bit of floss - probably at least one kind in each store I went into, and in some stores, several. By the way, what's the difference between Weeks Dye Works sold in Topeka and Weeks Dye Works sold in KC? Thirty cents per skein! It's more expensive in KC! I liked coming across "discontinued colors" in different stores - I was able to pick up some skeins of different types of silk for 50% off. The only other interesting thing (to me, anyway) that I purchased was wool roving in bright colors and some felting needles. I'm thinking it might be fun to do some felting with the kids this summer.

So, that's the damage. I'll be enjoying all this for a while - which is good, because "fun spending" on needlework-related stuff just came to a screeching halt!

You'll also be seeing the benefits of my shop hopping in little upcoming give-aways, so keep an eye out!
]]> supplies embroidery resources pictures 7719 BJ noreply@blogger.com 2009-05-05 09:58:00 2009-05-05 09:58:00 1 0
I am glad you found the Evertits, and at such a great price. I frequent Two the Point and they are rarely on sale. I still think I get a reasonable price.

I understand about the budget. I was going to go to the hop, but changed my mind. I am saving to get the Country Bumpkin kit of the Mountmellick Tablecloth in Insp.62. So no extra money in he budget for me.

Where did you get the pencil, I have been looking all over for that?

Thanks for posting your finds.
BJ]]> 7721 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-05-05 09:20:00 2009-05-05 09:20:00 1 0
Wow! That has been a wonderful treasure hunt for you and you have come away with some great stuff. Wish we had similar hops arranged here.]]> 7726 Crazy Judyth noreply@blogger.com 2009-05-05 08:23:00 2009-05-05 08:23:00 1 0 I live close enuf to have joined in on the hop but couldn't this year. Maybe next year? I'll look forward to actually meeting you somewhere along the way.
Hugs from a HUGE fan!
Judyth in South Central KS]]> 7731 Anonymous noreply@blogger.com 2009-05-05 07:05:00 2009-05-05 07:05:00 1 0 Annie (in Spring has sprung Michigan)]]> 7733 Charlie noreply@blogger.com 2009-05-05 06:53:00 2009-05-05 06:53:00 1 0 Sadly my thumb tendons are still preventing me sewing, but I await with enthusiasm your future posts of how you've used all those bits and pieces!Charlie x]]> 7734 margaret c. noreply@blogger.com 2009-05-05 00:27:00 2009-05-05 00:27:00 1 0 7735 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-04 20:43:50 2009-05-04 20:43:50 1 0
I think it's fun to do something like this once in a while - maybe once a year (?!) but I know it'll limit me later on, when "something" comes up, especially if it's something new on the market.

The thing I'll do now is keep a list of things that interest me over the next several months, and then, when I can fit them in my budget, I'll revisit them to see if I'm still interested before I purchase them!]]> 7737 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-05-04 19:47:00 2009-05-04 19:47:00 1 0 Square redness. I knew I liked you. It would've come away with me, too. It is absolutely, perfectly Red. I Like Red.]]> 7739 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-05-04 11:23:00 2009-05-04 11:23:00 1 0 http://www.needlenthread.com/2009/05/needlework-shop-hopping-today-musings.html Sat, 02 May 2009 06:35:00 -0500 Mary Corbet 361 2009-05-02 06:35:00 2009-05-02 06:35:00 open open Needlework-Shop-Hopping-Today,-Musings publish 0 0 post needlework shop hopping and looking forward to it. I have a wee little list of embroidery supplies I need, and a great long list of embroidery supplies I want (but I'm afraid most of the wants will have to wait!). My biggest goal is to buy some sets of 12" and 14" Evertite Frames. Here's hoping at least one of the shops carry them and have them in stock!

Yesterday, by the way, I managed to hop through a couple of the shops on the list...

... and I found that I better go with a plan today, or I'll end up overspending on more embroidery stash goods than I could possibly need! On the bright side, yesterday I picked up a few things that I think'll be great for give-aways and whatnot here on Needle 'n Thread - some nice threads, a few little accessories, and so forth.

Before I head out, I want to apologize for the lack of a post yesterday (I wrote one, it just never published! The woes of websites... I just hope this one actually publishes today!) and point you to an interesting question:

Over on White Threads, Yvette Stanton has posed a very interesting question regarding leisure time pursuits...

Yvette notes that, despite the current economic trends, the sales in her needlework business are "chugging along" nicely, and she poses the question as to whether or not people's leisure time is changing to more tangible, long-lasting pursuits - for example, learning a hobby (such as needlework, etc.)

I love this question! It's something I've been thinking about for a while

If you're in the hand-made or crafting industry, you probably keep up with news about sites like Etsy, where people can sell their hand-made and vintage craft-related goods. Etsy continues to enjoy strong economic growth these days, despite the economic climate. While this is the "other end" of the question - the buying of hand-made goods as opposed to indulging in hobby and crafting supplies - still, I think it says something about where people's interests are.

If you've thought about this question, too, head on over to White Threads and read Yvette's post and add your thoughts!

Have a great weekend!
]]> embroidery resources miscellaneous embroidery musings 7745 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-05-02 17:27:00 2009-05-02 17:27:00 1 0
Thanks for linking to my post. I hope to see your comment there soon too! :-)

So... how was the shop hop?! And how is your credit card/wallet?]]> 7746 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-05-02 16:31:00 2009-05-02 16:31:00 1 0 7747 BJ noreply@blogger.com 2009-05-02 08:59:00 2009-05-02 08:59:00 1 0
2 The Point has the Evertite's in all sizes, and I think at a reasonable price. I got most of the smaller sizes up ti 14.
BJ]]> http://www.needlenthread.com/2009/04/needlework-website-with-new-look.html Thu, 30 Apr 2009 08:37:00 -0500 Mary Corbet 362 2009-04-30 08:37:00 2009-04-30 08:37:00 open open Needlework-Website-with-a-New-Look publish 0 0 post Tristan Brooks Design website. It's been around for a while, but lately has undergone a facelift!

Tristan Brooks Design is the place where folks in the US can find Pearsall's Silks and Heathway Crewel Wools. You can also find some beautiful crewel kits there, with several that are suitable for beginners.



If you're not familiar with crewel work, all you have to do is visit Tristan Brooks, and you'll immediately see how beautiful it can be! The website is built around the look of crewel work, and the picture in the banner (as well as the photos of the various kits) are really sumptuous!



My favorite aspect of the overhauled website is the shopping feature, though. Although not all the shopping aspects are functional (the fabric page isn't up yet, for example!), the threads section is Terrific! You can see the colors of the threads you're buying, and there's an easy drop down box for color, then you just click into your cart, and you're done. You don't have to write down product numbers and submit an order form or anything like that. This is very nice!

You can also find slate frames at Tristan Brooks. I haven't tried them from there (yet), but they look nice, though a bit pricey. A 10" frame is a whopping $63, but a 20" is only $69. (The latter isn't so bad...)

So if you're out and about looking for some crewel projects or embroidery accessories, stop in at the Tristan Brooks Design website to see what they have. I'm looking forward to watching the site develop a bit further! ]]> embroidery resources needlework websites crewel work 7753 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-04-30 13:24:00 2009-04-30 13:24:00 1 0 7754 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-04-30 12:45:00 2009-04-30 12:45:00 1 0 http://www.blogger.com/ Thu, 30 Apr 2009 08:01:00 -0500 Mary Corbet 363 2009-04-30 08:01:00 2009-04-30 08:01:00 open open Needlework-Books.-Lots-of-'em...-Everywhere! draft 0 0 post

]]> http://www.needlenthread.com/2009/04/angel-pavement-sampler-update.html Wed, 29 Apr 2009 09:42:00 -0500 Mary Corbet 364 2009-04-29 09:42:00 2009-04-29 09:42:00 open open Angel-Pavement-Sampler-Update publish 0 0 post I mentioned the Long Dog Sampler that I'm using to teach my niece how to do counted cross stitch. Here's an update on our progress...

The Long Dog Sampler, Angel Pavement, is proving fun to work, due to the variety of little motifs. I'm glad we chose 28 count linen to work the sampler on - it is ending up looking like little petit point squares, which is nice.

By the end of the weekend, we had both worked several of the designs within the squares on the sampler, leaving the backgrounds blank. I don't know if this is the "best" way to go about this kind of work. I was thinking it might be a better idea, stitch-wise, to have several working threads going at one time, and simply stitching in rows. If we did this, I think the stitches would end up much more precise.

However...........

It just seems more fun to work the design in the square first, then fill in around it with the background. Any avid counted cross-stitchers out there? Is there a "right" or "wrong" way to approach stitching completely filled areas? Let me know!



You can see in the first square at the top that the background has been filled in. In the subsequent squares, the design is being worked first, and then we're filling in the backgrounds.



So far, I haven't made any changes in the sampler, except on this square. On the original design, the date is 2007, but I thought it appropriate to change the 7 to a 9!

Last night, I did start stitching in the background on this purple bird fellow. The background is a pale yellow. It's amazing how the color of the background really changes the look of the motif, and I'm eager to finish the background so I can compare a before and after, with the yellow background stitched in.

On the third block down in this strip, the background is black. I think that will drastically change the look of that square.

Anyway, so far so good. That's pretty much where we are right now, though my niece may be a bit further ahead than I am at the moment! I need to meet up with her some time this week so we can compare results!

Other than that project going right now, I've been doing some studio cleaning and book organization, and planning another project which I will share with you soon. After a very rainy weekend, I was hoping for a sunny week to film two videos I want to make for you. Unfortunately, the rain lingers! But all the green things are growing - so when the sun does show itself next time, I'm sure it's going to be a brilliant spring world out there!

I'm still debating about this needlework shop hop for the coming weekend. Six hours of driving?! I'm not sure! Now, if I had a chauffeur and I could embroider the whole time, that would be decidedly different!

Enjoy your Wednesday!!
]]> pictures sampler counted thread embroidery techniques needlework pictures 7748 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-05-01 09:03:00 2009-05-01 09:03:00 1 0
Your sampler is looking so beautiful already. I am certain that your niece is really going to treasure this project of hers later in life. I really waiting to see the completed work]]> 7757 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-30 08:01:23 2009-04-30 08:01:23 1 0
For the squares around the border, we're doing small sections of them. So, this is the left hand side of the border, and now we're going across the top, then down the right side, then we'll do the double base rows, two at a time.

Thanks heaps for the input!!

MC]]> 7758 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-04-30 07:47:00 2009-04-30 07:47:00 1 0 7760 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-04-30 06:01:00 2009-04-30 06:01:00 1 0 7761 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-04-30 03:28:00 2009-04-30 03:28:00 1 0 Finishing off lots of filling at the end might not keep your niece motivated in finishing the piece..
Looking lovely!]]> 7763 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-04-29 23:07:00 2009-04-29 23:07:00 1 0 7764 laura-1215 noreply@blogger.com http://laura-1215.livejournal.com/ 2009-04-29 20:17:00 2009-04-29 20:17:00 1 0
If you are consistent with crossing every x the same direction, putting the needle in the hole (not splitting threads of the fabric or previous stitches), and keeping your tension the same the stitches should look precise no matter which technique you use. I think it does not make any difference. But I'm no expert. I can't do multiple working threads in a small area... to many tangles. ;)]]> 7765 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-04-29 17:54:00 2009-04-29 17:54:00 1 0 7768 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-04-29 11:33:00 2009-04-29 11:33:00 1 0 http://www.needlenthread.com/2009/04/piecework-magazine-needlelace.html Tue, 28 Apr 2009 06:54:00 -0500 Mary Corbet 365 2009-04-28 06:54:00 2009-04-28 06:54:00 open open Piecework-Magazine-&-Needlelace publish 0 0 post Sampler & Antique Needlework, a very nice needlework magazine published by Hoffman Media. There's another needlework magazine out there called Piecework, published by Interweave Press, and I wanted to bring it to your attention today because of a very nice article in the current issue.

Piecework Magazine calls itself the "leading historical needlework magazine." It's a nice magazine, and it focuses on such a wide variety of needlework interests that almost any needleworker will certainly find something appealling in it during the course of a subscription year.



It isn't a hefty magazine, though. Of all the needlework magazines to which I've subscribed over the years, Piecework is the lightest on content and projects. But their content is certainly quality content, and their subscription rate is very fair in relation to the quantity factor.

Piecework often focuses on a theme of sorts in each issue. In the current issue, "Amazing Lace," the theme is historical lace.



One of the projects featured in the magazine is this beautiful needlelace insert. I was really excited to see this project! You know I've set aside my whitework sampler for a little bit due to other projects that have come up - but I don't want my interest in the sampler to fizzle! I want to finish it! And seeing this piece of needlelace in Piecework rejuvenated my determination to get back to that project as soona s possible.



The project is laid out with step-by-step instructions, so it would be an excellent way for a beginner to try a piece of needlelace. The piece is small enough to be very manageable.

If you're interested in Piecework Magazine, you can check out Interweave's website, where you'll find their "new subscriptions" deal. And while you're visiting their website, take time to browse around a bit. They have some really excellent articles available, such as this one on the wooden spool industry in Maine (PDF), and their current edition of Textile Travels, which focuses on Mexico City and Oaxaca (PDF). I love articles like these! Interweave's website also features a free projects and articles section. Currently, under new projects, they are offering this beautiful little biscornu project (PDF), focusing on punto antico (antique stitch), an Italian drawnthread technique that features geometric embroidery patterns. It's quite pretty! They've also got a bunch of other embroidery projects available, as well as projects in other needlework techniques.

Interweave's website is one that keeps me lingering, especially the Piecework section. So if you're looking for somewhere to browse around for a while, give them a visit!
]]> historical needlework pictures needlelace needlework magazines 7656 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-12 07:45:01 2009-05-12 07:45:01 1 0
Mary]]> 7659 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-05-12 04:26:00 2009-05-12 04:26:00 1 0 7749 Anonymous noreply@blogger.com 2009-05-01 08:14:00 2009-05-01 08:14:00 1 0
JustGail]]> 7759 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-04-30 06:07:00 2009-04-30 06:07:00 1 0 By now I only subscribe Inspirations.]]> http://www.needlenthread.com/2009/04/weekend-stitching-card.html Mon, 27 Apr 2009 08:16:00 -0500 Mary Corbet 366 2009-04-27 08:16:00 2009-04-27 08:16:00 open open Weekend-Stitching:-A-Card publish 0 0 post

I like embroidering on paper - I think it's a great way to make a card that doubles as a simple gift. This weekend, I attended a 25th anniversary party ("no gifts, please") and took along this card:



Though simple enough, I'm always surprised that embroidering greeting cards takes longer than I initially think it will! I spent about 2.5 hours on this one. But the end results are worth it - most people I know are delighted by hand made cards, and this is a great way to make them!



For thread, I use machine embroidery thread (Sulky or whatever brand I happen to find that's not too expensive). Machine embroidery thread comes in a magnificent range of colors, and it's a perfect size for very delicate designs on hand embroidered cards, though it can easily be doubled if you want a bolder line. I doubled the thread for most of the elements on this card

Little accents like these silver beads add a nice touch to embroidered cards. These little adhesive half-beads are available in the scrapbooking section of most large hobby stores. Surprisingly enough, you may find a better supply of them at places like Michael's or Hobby Lobby than you would at specialty scrapbooking shops (that's my experience, anyway).



For metallic threads that have a nice sparkle, that are easy to stitch with, and that hold up well to passing through the paper, use machine embroidery metallic threads. They're much more supple than metallic threads (like the metallic stranded DMC) made for hand embroidery. They stand up to passing through the holes in the paper with nary a fray! For the "25," I used two strands of metallic silver (by Sulky, I think).

Design-wise, I generally scout through the books I have on the subject of embroidered cards. Sometimes, I might make my own design, but normally it's just quicker to find a nice pattern in a book and then combine it with other elements.

One of these days, I'd like to spend a week or so just making and embroidering cards. It'd be really nice to pre-make a bunch of cards for various occasions throughout the year instead of doing this last minute, I-need-a-card-now thing. It occured to me that a "workshop" over several days with youngsters (12 - 15 year-olds), concentrating solely on card-making, might be fun, too. I might consider that for one of my summer activities this year. Any suggestions or ideas for that kind of thing for kids?

I've got a few posts on embroidery on paper here on Needle 'n Thread, if you're interested in reading further. If you want to design your own card, check out this tutorial on designing your own embroidered cards. You can also check out any of the Erica Fortgens books listed in my bookstore, if you're looking for good design resources, idea books, or specific instruction on making embroidered cards.
]]> embroider on paper pictures needlework pictures 7766 Marian noreply@blogger.com 2009-04-29 16:14:00 2009-04-29 16:14:00 1 0 7770 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-28 19:32:24 2009-04-28 19:32:24 1 0
I used two different designs from one of Erica Fortgens's books. The designs are already printed in the books, and they are presented as 'dot' designs, where you prick the paper. So I scanned the two designs I wanted to use (one was the circle border, the other was the flower corners, and then I also scanned the '25'), and then put them together into one design, which I then printed out. Then, I layered the card, covered with the pricking pattern, on a pricking mat (you can buy these, specially made for card pricking, or you can just buy a really inexpensive sheet of craft foam, which works just as well!), and pricked the design, using the dots as a guide.

You don't have to scan and arrange designs, normally. The easiest way (and quickest) is just to photocopy the design you want, so that you have a pricking pattern for the card you want to make.

Simple! And fun!

Best,
Mary]]> 7772 Marian noreply@blogger.com 2009-04-28 18:32:00 2009-04-28 18:32:00 1 0
I have 2 questions. Did you pre-draw the design? and did you make the holes for the needle and thread before stitching?

I probably couldhave searched for more info, but I am supposed to be studying for a small exam this afternoon. I needed something to relax my mind while eating lunch, your site is the perfect place.]]> 7774 Barbara noreply@blogger.com 2009-04-28 07:20:00 2009-04-28 07:20:00 1 0 My daughter and SIL recently celebrated their 25th and I made the same card except I stamped and embossed the "25" in the center. I too find the machine thread desirable to the metallic emb. thread.

Barb]]> http://www.blogger.com/ Sun, 26 Apr 2009 06:16:00 -0500 Mary Corbet 367 2009-04-26 06:16:00 2009-04-26 06:16:00 open open How-do-you-Store-your-Needles? draft 0 0 post

I suppose I really started building a "needle stash" for embroidery needles when I started teaching children and adults several years ago. At first, I was keeping all those needle packets in a little plastic organizer basket, but without a lid, the basket wasn't the most practical solution.

Then, I started bringing home discarded stationery boxes from work. If you work in an office that requires letterhead, business cards, and nice stationery, you might be familiar with the boxes I'm talking about. (I use one of the stationery ones to store goldwork supplies in...) Well, I knew that someday, a business card box would come in handy, so I rescued it from the bin, and took it home.

It's a narrow, long box. I use it to store needles (and pins).

Thing is, there's no system here. I realize there doesn't always have to be a system, but I was thinking that I could, perhaps, arrange these by size and type, by using dividers - like a regular file cabinet system, more or less. Then I could make an inventory list that I could update each time I empty a needle packet, or even use a needle!

Then I started wondering if this might be just a bit on the side of overkill? Yes, there are many needles there - but in the scheme of things, considering all the needlework needles that exist in the Whole Wide World, there aren't really that many! Sometimes, organizing takes up more of our time than the actual stuff we use that has to be organized! When I started sorting out index cards to make dividers, I suddenly realized I'd rather be doing something - anything, practically! - different.

So I put the lid back on the box, and returned the box to the shelf.

The experience got me thinking about organization: the whole point of organization is to make us more time-efficient and to provide much-needed order in our lives, right? After all, when things are neatly organized, we get more done, and there's a certain peace of mind. When things are unorganized, on the other hand, I tend to get less done (because I'm facing a daunting task of organizing first), and I always feel as if I have a dark cloud hanging over my head.

But there's a definite line, methinks, in the whole organization thing. With the needles, I could make individual dividers for size and type of needle, on the assumption that, down the road, it might save me some time. Instead of looking through the envelopes, which are loosely arranged according to type, anyway, I would just go to that divided section, pull out the packet of needles I need, take a needle, and replace the packet. Right? Makes sense. But how much time does it really take me to find the needle I need, out of relatively few needles in the scheme of things?

]]> http://www.needlenthread.com/2009/04/heartland-needlework-shop-hop.html Sat, 25 Apr 2009 08:40:00 -0500 Mary Corbet 368 2009-04-25 08:40:00 2009-04-25 08:40:00 open open Heartland-Needlework-Shop-Hop publish 0 0 post

I love needlework shops - and I love supporting local needlework shops when I have the opportunity. I strongly encourage supporting your local needlework shop, by the way, because if you don't, some day, it may not be there, and supplies will become harder to find and more expensive. Also, there's something to be said for helping your local economy!

Anyway, enough soap boxing! About this needlework shop hop in the Topeka / Kansas City area... Do you realize how much trouble I could get into, going into FIVE needlework shops in one weekend? It would be a serious glut. It would also be a whole lot of fun!



The five shops are located along the purple path indicated above. All told, the circle is about 200 miles (specifically, 199.6 miles).

The Shop Hop begins on Thursday, April 30th, and lasts through Saturday, May 2nd, so there are three days in which you can make the journey to all five shops. This is the way it works:

In the first shop you visit along the route, you pick up a "passport," which you have marked for each shop you visit along the way. If you visit all five shops involved, then you can turn your passport in at the last shop, to be eligible for prize drawings (in this case, $250-worth of gift certificates). Along the way, the needlework shops also have their own "specials" going on, for people doing the shop hop. So it's an opportunity to become familiar with some local needlework shops and at the same time, to enjoy some special deals.

The shops participating in the Heartland shop hop are:

The Sunflower Seed - Topeka, KS
Stitch-On - Lawrence, KS
Old Mill Stitchery - Liberty, MO (I couldn't find a website)
C.C. & Co. - Blue Springs, MO
Two the Point - Overland Park, KS

I list them in the above order, because that's the route I'd travel. I live quite a bit west of Topeka, which adds a goodly amount of mileage on the above treck.

I've been to three out of five of the shops, and am keen to visit the other two. Still, it's quite a drive!

To hop, or not to hop - that is the question?

I'm definitely leaning towards "hop." If I go, I'll actually have to leave on Friday afternoon, visit the shops in Topeka and Lawrence before they close at 6:00, and then spend the night in the KC area. Then I could visit the shops around Kansas City in a more leisurely fashion, methinks, between 9:00 am - 5:00 pm on Saturday.

If you're in the Kansas City or Topeka area, venture out along the route, and maybe we'll meet up!
]]> personal needlework news 7767 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-04-29 15:42:00 2009-04-29 15:42:00 1 0 :)]]> 7784 BJ noreply@blogger.com 2009-04-26 11:31:00 2009-04-26 11:31:00 1 0 7785 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-04-26 08:01:00 2009-04-26 08:01:00 1 0 7788 margaret c. noreply@blogger.com 2009-04-25 23:17:00 2009-04-25 23:17:00 1 0 7790 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-04-25 15:56:00 2009-04-25 15:56:00 1 0 http://www.needlenthread.com/2009/04/bayeux-embroidery-kit.html Fri, 24 Apr 2009 06:35:00 -0500 Mary Corbet 369 2009-04-24 06:35:00 2009-04-24 06:35:00 open open Bayeux-Embroidery-Kit publish 0 0 post Bayeux kit I mentioned when I told you about the French Needle!

So, here I am, musing over this kit. The kit allows the needleworker to recreate a small section of the famous Bayeux tapestry - and I've since learned that there are many of these kits available, featuring different parts of the tapestry. I like the one I received, and I think I'd also like (eventually) one with ships on it. BUT - that remains to be seen! I'll let you know if those sentiments change after working this kit!



This is the kit I received. You can see at the top of the picture the design printed on the fabric. The fabric is a sturdy cotton, and all the lines of the design are printed on it in black. In fact, it's a lot like an almost-cartoonish-looking linedrawing of this section of the tapestry, and it looks strange in just lines - until you realize that it really is exactly what the tapestry looks like, minus the colors!



Besides the printed fabric, the kit contains wool for embroidering (seems about the weight of crewel wool, maybe slightly heavier) and a chart of the embroidery project, indicating what colors go where.

Note: there are no stitch instructions, really. The whole piece is supposed to be worked in Bayeux stitch, which is a laid and couched stitch. Even though there are no stitch isntructions, the kit should be pretty easy to work! Time consuming, but fairly simple.



What struck me as strange was the limit of browns. In fact, for the elements in the tapestry that seem "brownish," there is only one brown and one rust color. There's also a navy blue - apparently, some the horses are to be worked in navy blue.



See the dark horses? They look black to me, but apparently, they are navy blue. Check out their red legs!



Well, to get some better insight into the project before undertaking it, I thought I would drag out David Wilson's book on the Bayeux Tapestry. It's a nice book - besides getting the history of the tapestry and the story translated and explained, you also get very close up images of the entire tapestry.



And, in fact, in opening the book to the pages corresponding to my kit, I found a very helpful resource for working this kit. The individual threads and stitches are crystal clear! You can even see that the blue is really blue. Notice the color changes in the work. Apparently, the stitchers weren't too concerned about color changes. When their thread ran out, it is surmised, they merely took up another color.



And the colors didn't always match, even if they were the same.

Still, it seems to me that in this section, there is at least one more shade of a tannish brown color. I suppose that could have come about from fading and what-have-you, but even so, I'm thinking I might invest in one more color of thread before I work this kit.

In the original tapestry, no more than 8 colors are used throughout the whole piece. But I would imagine that dye lots would have provided slight variations within the colors, whether these variations were desirable or not.

I love the kit, and am looking forward to working on it ... some day! In the meantime, I'll keep an eye out for the opportunity to go thread shopping in person, to see if I can come up with one more compatible shade of tannish-brown.

If you want to see what the Bayeux Stitch is, you can check out Bayeux Stitch, Ancient and Modern (PDF), supplied by the Embroiderers' Guild of the UK.

If you're interested in these kits, you can find them at The French Needle - and if you want to order a different scene of the tapestry, you can contact The French Needle to find out what other scenes are available. Also, if you read my previous post about the French Needle, you can find out how to save 10% on any order during April.
]]> historical needlework embroidery resources embroidery kits pictures 6006 Michelle Patient noreply@blogger.com 2009-08-21 21:40:04 2009-08-21 21:40:04 1 0
Chantal has the wool made especially for her kits and she sells the hanks as well...

http://www.bayeux-broderie.com/

I am not sure if she sells the linen - would be a shame to stitch this work on cotton as it might not have the strength to carry the weight of the stitches...

Good luck
Michelle]]> 7750 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-30 17:35:10 2009-04-30 17:35:10 1 0
Best,
MC]]> 7751 Anonymous noreply@blogger.com 2009-04-30 15:31:00 2009-04-30 15:31:00 1 0 7776 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-04-27 20:45:00 2009-04-27 20:45:00 1 0
http://www.renaissancedyeing.com/ is where Racaire (who I mentioned last time) got her wool, however I haven't had experience with that seller and it is all naturally dyed so more prone to bugs eating the lovely threads.

If you find anything that weighs up against the DMC Medici I would love to know.]]> 7789 Racaire noreply@blogger.com http://www.blogger.com/profile/06550615506362714185 2009-04-25 16:46:00 2009-04-25 16:46:00 1 0
...btw. some of the colour changes inside a section are also the result of "repair work" done in later times - the book of David M. Wilson refers to the colours of light yellow, orange and light green for repair work.

Best regards from Vienna
Racaire]]> 7791 Corvus noreply@blogger.com http://corvustristis.livejournal.com 2009-04-25 08:58:00 2009-04-25 08:58:00 1 0 7795 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-24 14:06:30 2009-04-24 14:06:30 1 0
It's great to be able to order threads online, but for this, I'd really like to see the threads up close.

The kit is interesting, but it's rather simple. There are no instructions, really - just the assumption that the stitcher will know what to do.

I'm not sure what type of threads they are - it doesn't indicate the brand of wool. But they don't seem quite as "scratchy" as Appleton. I'm thinking they also seem just slightly thicker than Appleton. I need to take out a skein of Appleton in a similar color and compare, to see for sure, though.

I enjoyed reading the article, Elizabet - very interesting search for threads! And funny how each one is so decidedly different.

Thanks again for your help! I really appreciate it!]]> 7800 margaret c. noreply@blogger.com 2009-04-24 12:47:00 2009-04-24 12:47:00 1 0
As for DMC Medici alternatives, how about Heathway crewel yarn? Appleton is nice, but it always seems kind of 'furry' to me. I really liked Medici, it was smooth and there was certain 'cleanness' that I liked in the finished product. I just tried some Heathway on the Fair Maiden Sewing Purse from Sampler & Antique Needlework. It worked nicely and I really like how soft it is. (I don't know why, but I really like soft crewel yarn and Appleton doesn't do it for me on that score.) Heathway is being sold in the States by Tristan Brooks whose website is pretty much non-functional at the moment. I have yet to find another source for Heathway. I would like to see a shade card as I don't know the extent of Heathway's colour range.

The sewing purse project used a nice range of colours so I got to try a little bit of shading. I really liked working with the Heathway. I had no problems with shredding and I use fairly long lengths of thread/yarn when stitching. I also didn't find it 'furry'. I look forward to using it again.]]> 7801 Kandy/Elizabet KandyFling@gmail.com http://www.blogger.com/profile/04868443146717766238 2009-04-24 12:19:00 2009-04-24 12:19:00 1 0
The thread used would be a "crewel" weight, like the Medicis. I recently did a review of several threads to determine what else to use. I've placed a link to the paper I wrote on my "embroidery sharing" webpage: http://sites.google.com/site/elizabetembroidery/Home/research-paper

I'm also planning a large Bayeux inspired piece. For mine, I've used the Wilson book to select figures, but have rearranged them for my own picture. That goes on the slate frame soon...]]> 7803 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-24 08:38:05 2009-04-24 08:38:05 1 0
I have a project that makes use of the DMC medici threads, too, but now I need to find another thread that I can substitute. Any suggestions for a good substitution?

Thanks!
MC]]> 7804 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-04-24 07:22:00 2009-04-24 07:22:00 1 0 pdf by Racaire. You might also want to check out her embroidery using a similar technique in her blog. It is beautiful.

I also have that book and plan on doing my own version one day, drawing up the section I choose to do. I started collecting the DMC medici range of threads just before they stopped producing them. Such a pity!]]> http://www.needlenthread.com/2009/04/nice-magazine-for-historical-needlework.html Thu, 23 Apr 2009 06:30:00 -0500 Mary Corbet 370 2009-04-23 06:30:00 2009-04-23 06:30:00 open open Nice-Magazine-for-Historical-Needlework-Buffs---and-Everyone-Else,-Too! publish 0 0 post Sampler & Antique Needlework? It comes out five times a year - quarterly, plus one special holiday edition. The magazine is devoted, firstly, to historical samplers of a variety of types. Within its pages, you'll also find lots of informative articles, pictures, and insights to embroidery tools and techniques, and to the needlework trade in general throughout history.

I just recently began subscribing to the Sampler & Antique Needlework, because I was enchanted by an article I saw in a friend's copy. The article was about a specific historical sampler worked by a seven-year-old. The sampler was beautiful, and it amazed and inspired me that it was worked by a child seven years old! Wow! Flipping through the copy of the magazine, I found many interesting articles to read, some neat facts about different needlework tools, and plenty of patterns to recreate various historical pieces or try various techniques.

When I had the opportunity, I looked the magazine up and found that I could order a slew of back issues, too. In fact, Wyndham Needleworks carries many back issues and they detail on their website the contents of each issue - a very handy reference, if you have something specific you're looking for!

This is my collection of back issues of the magazine so far:



It's a goodly little stack of interesting and valuable needlework information! What I particularly like about the magazine is that it focuses on a variety of needlework techniques and samplers, beyond simply the "ABC" style samplers that we tend to associate with the word "sampler." That's not to say there aren't plenty of those, too, as there are - and I find them fascinating. Looking at them is like looking at a little clip of a needleworker's life long ago. I love that!



The focus project or sampler of each magazine is usually featured on the cover. This is a beautiful crewel work piece made into a needlebook. Inside the magazine are all the instructions to make the piece, using materials available today. (Oh, and don't worry - there are lots of other projects in there, too!)



Some issues of the magazine focus on a theme, such as the issue above, which explored birds in antique needlework. I'm a bit of a bird lover myself, so this issue was really fascinating for me.



The focal point of this issue is the sampler featured on the cover. Inside, you'll find the chart to recreate the sampler. You'll also find all kinds of information about this historical piece, from its creator to its conservation.



Each magazine features many projects, and some of the featured projects (like the one above) are relatively small, so they can be completed in a relatively short period of time, as opposed to some of the larger samplers that can take ten forevers to complete! So there's a nice variety of projects within the magazine...



All types of historical needlework find voice in Sampler & Antique Needlework - including beadwork!



Aha! Now we're arriving at the pieces that hooked me into collecting some back issues - this stumpwork sampler...



... and this little goldwork piece...



... and this fantastic piece of needle lace! Wow!



The inside of the magazine is nicely laid out, which beautiful pictures, plentiful articles, and clear instructions for the projects featured within the issue.



In some cases, the instructions are drawn diagrams; in other cases, they're photos.



Above in a section of instruction on the stumpwork sampler. You'll probably recognize the plaited braid instructions, and you can also see detached stitches and stitch direction and color change being demonstrated.



The articles on historical pieces, needlework tools, and so forth are scholarly and well-written, with citation of sources and insights from experts in the field of needlework and in other related fields. Clear and close-up photos abound!

I wanted to introduce you to this magazine, if you weren't already aware of its existence, in case you might find it as interesting as I do. I've subscribed to several needlework magazines over the years: Inspirations, which is the nonpareil of needlework magazines as far as projects, quality, & aesthetic appeal are concerned; Australian Smocking & Embroidery; Piecework; Stitch; Classic Stitches; Threads; Embroidery & Cross Stitch; and a variety of others. The only subscription that I have consistently kept is Inspirations. Content and quality-wise (for my interests, anyway), as long as Sampler & Antique Needlework maintains its present quality, it'll definitely be a magazine to which I consistently subscribe.

If you're interested in back issues of this magazine, I'm sure there are several online needlework shops that have them. I know Needle in a Haystack carries them. I ordered mine from Wyndham Needleworks. They're reliable, but don't expect fast service. If you want to subscribe to the magazine, you can subscribe through Hoffman Media. I'm not at all affiliated or anything like that - just passing on the information in case you're interested in the magazine, too! Right now, it seems that the "one year subscription" on their website is listed as "out of stock." I'm not exactly sure what this means, but I've inquired and should receive a reply soon. I sincerely hope it doesn't mean they're not publishing it anymore! (Wouldn't that be ironic?!)

Note: For those who might become twitterpated with any particular cover project featured above - for example, the stumpwork project - keep in mind that some larger projects (like the stumpwork one) are serial features in several issues, so you might want to check the contents of each issue before ordering back issues.

Enjoy!
]]> historical needlework embroidery resources pictures needlework magazines 7394 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-25 07:55:22 2009-05-25 07:55:22 1 0
http://www.wyndhamneedleworks.com/

and the subscription is available through Hoffman Media:

http://www.sanqmagazine.com/subscribe.htm

You'll also find both links in the article above, along with some other places that sell the magazine.

Hope that helps!

MC]]> 7396 Namitha Gulecha noreply@blogger.com 2009-05-25 01:27:00 2009-05-25 01:27:00 1 0 7802 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-04-24 10:46:00 2009-04-24 10:46:00 1 0
Anyway, my point is, yes! IMO, best needlework magazine EVER!]]> 7806 margaret c. noreply@blogger.com 2009-04-23 22:22:00 2009-04-23 22:22:00 1 0
I recently completed the stitching part of the crewel project (second photo). It was a good way to try out Heathway crewel yarns. (I like them, by the way.) I haven't decided yet whether or not I'm going to do the finishing.]]> 7808 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-04-23 12:49:00 2009-04-23 12:49:00 1 0 7810 Anonymous noreply@blogger.com 2009-04-23 12:04:00 2009-04-23 12:04:00 1 0 http://www.needlenthread.com/2009/04/what-are-q-snaps.html Wed, 22 Apr 2009 06:32:00 -0500 Mary Corbet 371 2009-04-22 06:32:00 2009-04-22 06:32:00 open open What-are-Q-Snaps? publish 0 0 post spring garden corner on the flour sack towel before Easter, I mentioned that I was using Q-Snaps. In the comments, a reader asked, "What are Q-Snaps?" I postponed answering (sorry!) until I could explain and show you what they are.

Q-Snaps = Embroidery Hoop, only different. Q-Snaps are frames made out of round plastic tubes, over which fit half-circular "snaps" of PVC-like plastic. The inside of the snaps have ridges that are supposed to grip the fabric.



Q-Snaps are square. The inside of the frame is made up of corner pieces (somewhat rounded) that attach to straight pieces, to make up the square.



On each of the four sides, a long, tight-fitting, half-circlular "cuff" of plastic, ridged on the inside, snaps into place. These are the "snaps." You can see in the photo above, the four snaps alongside the plastic frame.



To put the snaps on the frame, you just push them on. They hug the frame. In the photo above, the snap is not pushed all the way on yet - so you can see the ridges, and how they fit onto the frame.



You mount your fabric on the Q-Snap frame about the same way you do a hoop - laying the inside frame part down first, placing your fabric over it, and then snapping the outside half-circle plastic snaps over the fabric.

Then, you "roll" the snaps outwards, to establish the amount of tension you want on your fabric.



Here, I've mounted a cotton kitchen towel on the Q-Snap frame, and rolled the snaps outwards to make the fabric flush with the top of the frame and to tighten the tension on the fabric.



That's a corner up close...

So, that's a Q-Snap frame.

After using this 11" square Q-Snap frame for the spring garden towel, I tried it on various weights of linen and cotton to see how it worked, and decided that, although I like it for the flour sack towels, I'll probably stick with a hoop or stretcher bars for other fabrics.

What about you? Have you tried Q-Snaps? What is your experience with them? Do you have any tips or tricks for using them?
]]> needlework tools pictures 6165 Anonymous noreply@blogger.com 2009-08-11 13:05:12 2009-08-11 13:05:12 1 0 7775 Anonymous noreply@blogger.com 2009-04-27 22:38:00 2009-04-27 22:38:00 1 0
~Pam]]> 7794 Anonymous noreply@blogger.com 2009-04-24 16:30:00 2009-04-24 16:30:00 1 0 On the whole, the Q-snap is interesting but not perfect.
-Sandy]]> 7812 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-04-23 04:08:00 2009-04-23 04:08:00 1 0 Annie]]> 7818 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2009-04-22 13:57:00 2009-04-22 13:57:00 1 0 7819 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-22 11:39:34 2009-04-22 11:39:34 1 0
I was going to elaborate on my experiences with other cloth (besides the flour sack towels...), but then I thought it would be better to open it up to others for their input.

The reason I won't use Q-Snaps for other fabric (aside from the flour sack towels) is that they simply don't give good tension.

I did try felt between the fabric and the bottom frame, and then again between the fabric and the "snap." It was too complicated and bothersome to keep the felt in place, whenever I had to retighten or relocate the snaps. This sort of negates the whole "convenience" thing. That's why, for other fabric, I'd just as soon use a good hoop or stretcher bars. I probably wouldn't invest the $10+ for a medium to larger set of Q-Snaps - I'd rather spend a little more for a good hoop that will last and will give me the tension I like.

Still, for flour sack towels, they worked ok and really were convenient. I'd use them for those types of projects without a problem.]]> 7821 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2009-04-22 09:08:00 2009-04-22 09:08:00 1 0 7823 AverageJaneCrafter noreply@blogger.com http://www.blogger.com/profile/02629676781721905574 2009-04-22 08:07:00 2009-04-22 08:07:00 1 0
I like the *idea* of the Q-clip - being gentler on your fabric - but I've never been able to get my fabric quite tight enough for my taste. I like a pretty tight tension when I'm stitching, but I also warn that I have had one time where I actually put holes in my fabric at the screw area of the hoop because I tightened it so much.

Ooops! You only make that mistake once! :)

Great, informative post! Thank you!]]> 7824 stitchathome noreply@blogger.com http://stitchathome.wordpress.com/ 2009-04-22 08:02:00 2009-04-22 08:02:00 1 0 http://www.needlenthread.com/2009/04/bohn-ceramic-pencil-for-embroidery.html Tue, 21 Apr 2009 06:40:00 -0500 Mary Corbet 372 2009-04-21 06:40:00 2009-04-21 06:40:00 open open Bohn-Ceramic-Pencil-for-Embroidery-Design-Transfers,-Sewing,-and-Quilting publish 0 0 post Bohn Ceramic Pencil that I wrote about a year ago last February! I think someone must be recommending them for certain projects (besides me!) and so people are looking for them!

I use the Bohn Ceramic Pencil to transfer embroidery designs on darker fabrics, and even on white fabrics such as silk. The chalk, though white, is matte, and it shows up quite well on shiny white silk.



The pencil is pictured there on the right. It's a mechanical pencil, and fine enough for good lines for stitching over. I like it very much!

But, it is hard to come by! I don't know of any online sources for it, though Erica's does carry the yellow ceramic refils (but strangely enough, no pencil!).

I bought my pencil at Sarah's Fabrics in Lawrence, Kansas. While they don't sell notions on their website, I have heard from another reader that they were very gracious about selling it over the phone and mailing it to her. Their website is mostly in Flash, so I didn't link you directly to their contact information. You can find it by entering past the introduction.

I think the pencils are a nice tool and worth having in your toolbox. If you come across them anywhere while you're out shopping, pick one up! You'll be glad you did!

Hope that helps, Robbie, Kassandra, and Julie! And of course, everyone else looking for a good white transfer pencil!
]]> embroidery resources needlework tools 7738 Penny B noreply@blogger.com 2009-05-04 12:00:00 2009-05-04 12:00:00 1 0 7820 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-04-22 10:16:00 2009-04-22 10:16:00 1 0 http://www.cottonpatchquiltshop.com

It's made by Sewline. I've used it for marking on all kinds of fabrics with excellent results. The led refills come in black, white,yellow,green and pink.

Lin Taylor
Bradenton, Florida]]> 7827 margaret c. noreply@blogger.com 2009-04-21 23:21:00 2009-04-21 23:21:00 1 0
In the little bit of searching I've done on these pencils I haven't found one that comes with two colours of leads other than the one on Berlin Embroidery.

I've found 4 colours of lead refills on various sites. I think they were grey, white, yellow, and green. (It's been a while since I searched.)

http://www.berlinembroidery.com/prickandpounce.htm#bohinHer price seems fair ($17.95 Canadian) given that the pencil comes with two colours of leads.]]> 7835 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-21 18:21:30 2009-04-21 18:21:30 1 0
The sewline pencil looks just like the Bohin one, only in pink!

And it's good to have the original company website - thanks for that, Linda!

Best,
Mary]]> 7836 Anonymous noreply@blogger.com 2009-04-21 18:17:00 2009-04-21 18:17:00 1 0 Linda]]> 7842 Yvonne aka sommeke sommeke@hotmail.com http://www.blogger.com/profile/07755225448427141353 2009-04-21 16:17:00 2009-04-21 16:17:00 1 0 I think that the Bohin pencil is almost the same as this one :
http://www.sewline.com.au/5501.html
If it is hard to come by the Bohins maybe you can try a Sewline!
Byeee]]> 7846 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-21 13:13:01 2009-04-21 13:13:01 1 0
Actually, you draw directly on the fabric. It's not an iron-on pencil. I normally trace my designs, and occasionally, I'll use dress-maker's carbon. The ceramic pencil works for marking on fabrics that aren't white - it works, for example, on natural colored linen - and it also works on shiny white fabrics. The advantage is that it does brush or rinse off better than most transfer pencils. Plus, it's a nice, precise line produced by a mechanical-type pencil, so no sharpening required....

MC]]> 7848 Corvus noreply@blogger.com http://corvustristis.livejournal.com 2009-04-21 08:38:00 2009-04-21 08:38:00 1 0
I love turning my drawings into embroidery (I've even been having fun giving them away as free patterns on my blog), but have never found a method I was quite satisfied with to get them from the paper to the fabric. Right now I mostly depend on carbon paper.]]> http://www.needlenthread.com/2009/04/rather-rare-needlework-pursuits.html Mon, 20 Apr 2009 14:01:00 -0500 Mary Corbet 373 2009-04-20 14:01:00 2009-04-20 14:01:00 open open Rather-Rare-Needlework-Pursuits... publish 0 0 post

This project belongs to a category of needlework that is not so rare - in fact, I'd venture to say it is the most commonly worked type of needlework, as far as volume goes! Yes, it's true. I've taken up a counted cross stitch project.

I'll admit - and I mean no offense to any needleworker out there - that I'm a bit of an embroidery "snob." I am not a huge fan of counted cross stitch. In fact, if I were to nail down my feelings about counted cross stitch, I'd go so far to say this about it: I do not like counted cross stitch. Period. It is simply not my "thing."

My first ventures into any needlework as a kid in the 1980's began with counted cross stitch, and because of that, I do owe a certain debt to this type of needlework. Still, it wasn't long before I branched out into regular surface embroidery and got away from The Grid. I prefer - vastly - the variety offered by other surface embroidery techniques, and I find counted cross stitch rather boring!

Still, admittedly, counted cross stitch has changed quite a bit since the '80's - styles, types, looks, materials, etc., for counted cross stitch have become much more varied since those earlier years of Aida Cloth and DMC. And the resurgence of interest in "antique" needlework sampler styles adapted for counted cross stitch has a certain amount of appeal for me. Still... I'm not a counted cross stitch fan.

Oh, boy. Then why, you might ask, have I taken up a counted cross stitch project - and not just any counted cross stitch project, but a rather large and time-consuming one? Well, it's like this:

My niece is taking a home economics-type course in high school (9th grade) that has a needlework component. In the first semester, they focused on surface embroidery, and in the second they are focusing on counted cross stitch. And she was disliking the experience greatly! The 14-ct Aida cloth, the rather mundane '80's style pattern and colors were just not her. Also, it seems they were not instructed well on gridding up the design, centering things, and forming their cross stitches in consistently the same direction. She was frustrated! At first, I was inclined to smuggly think, "That's ok - I don't like counted cross stitch either!" but then I thought this was not a fair approach! Besides, knowing the ins and outs of working a charted design is helpful, so the knowledge would be good for her.

And so, the whole situation put me in mind to instruct her correctly on counted cross stitch techniques, and to show her the vast world of patterns and materials available so that she would not be left with a bad taste in her mouth over the experience. We started looking at samplers and so forth, and she got more and more interested in historical samplers and recreations. Eventually, we fell across a Long Dog sampler that she tought would be "really fun" to work. It is called "Angel Pavement," and it looks like this:



She liked all the little squares with different designs in them, the variety of motifs, and the colors.

Having piqued her interest in this type of design, even though it is a bit of a daunting undertaking for a beginner, I asked her if she wanted to work it. She was darned eager. I suggested that we both work through the sampler at the same time, to keep each other on track. She agreed enthusiastically, so I ordered the sampler charts, linen (28 count Cashel from Zweigart), and the threads (regular DMC - silk would be too expensive for something this large, and, to tell you the truth, I can't bring myself to use silk on counted cross stitch...)



We began by gridding out our fabric. With any counted cross stitch design, it is always desirable to at least mark the center of your fabric so that the design lines up properly in relation to the center point. In more complex designs, it is a good idea - and saves a lot of time and frustration later on - to mark off even intervals on the fabric as well. So we worked lines of running stitches over every ten threads on the fabric, to give us a graph on the fabric that would make referencing the chart a lot easier.



Often, 28-count linen is worked over two threads, but we're working over one, which will make the design small, but which also reduces a bit the "pixelized" look of counted cross stitch. The little individual squares are less than an inch square, which is small. However, their size doesn't really reduce the time it takes to work each square. The stitching is small and... well.... monotonous. Cross stitch. What can I say?



This is about as far as we've both gotten. But don't think this was only a few minutes of stitching! There are 729 of those tiny X's in each of those squares. It does take time!

We mounted our fabric on Evertite frames, and are using magnets to hold the part of the chart onto the fabric next to our stitching. To make the stitching go as quickly as possible, I use two hands - one above the work and one below.

Unfortunately, to be able to mount both samplers on frames, I had to dismantle my whitework project! Ugh! I gave up whitework for counted cross stitch? It almost seems sacrilegious! (Kidding, kidding!) But, I have another project I must start (a commissioned ecclesiastical piece), so I wouldn't be able to devote time to the whitework right now, anyway.

So that's what I'm up to! Don't worry - Needle 'n Thread is not changing into a counted cross stitch website! Aaaaack! But to be fair, counted thread techniques are certainly legitimate forms of needlework, and there are some aspects about this project that I really do like. I like working with colors, for example, and this project has plenty of color in it! And I like to see things develop. And I like the fact that it's giving my niece something to work on with enthusiasm.

There you have it, then! Any comments? Do you think I'm totally nuts?

I'm beginning to wonder, personally....

]]> pictures sampler counted thread embroidery techniques needlework pictures 7807 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-23 13:12:25 2009-04-23 13:12:25 1 0
Thanks!

MC]]> 7811 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2009-04-23 09:41:00 2009-04-23 09:41:00 1 0
I do enjoy needlepoint and cross stitch, but I've never gridded out a piece like you have. I want to ask, did you use regular thread? Do you remove the grid stitches as you stitch over that section? I can see how using a grid might make the work go faster.

That project is gorgeous, but it would take me forever. I have too many projects going at once. Can't wait to see how it turns out.]]> 7815 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-04-22 21:07:00 2009-04-22 21:07:00 1 0
I'm SO glad you're showing her how fun needlework can be though! I wish I'd had someone get me to evenweave fabrics so quickly!]]> 7822 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-04-22 08:44:00 2009-04-22 08:44:00 1 0 I must say that though I dont do a lot of CCS, I simply love the piece that you and your niece have picked. I am waiting for you to post the finished piece. Also, I really commend the patience with which you have marked out your grid.]]> 7825 Marian noreply@blogger.com 2009-04-22 05:56:00 2009-04-22 05:56:00 1 0
I am off to my first Embroiderers Guild meeting tomorrow night. I feel excited, but I would be more excited if I didnt feel so Yukky from a cold!!]]> 7826 Judy H. noreply@blogger.com 2009-04-22 02:54:00 2009-04-22 02:54:00 1 0 Just want to tell you that I am very enjoy reading your blog even so far I only know how to do count cross stitch ( I love to do the pattern from French cross stitch magazine “De fil en aiguilles”)! I never do an embroidery (kind of afraid though), but after read a lot of your articles, now I would like to try to do my first embroidery piece in Monogram stitching, your every article about monogram is like a Bible to me (especially the article of Monogram on Guest towel, and really wish you live here at L.A, so I have chance to take one of your embroidery class), again, thank you so much to have this wonderful blog for beginner like me to learn from.
B. Rgds/Judy H.]]> 7828 Sandy noreply@blogger.com 2009-04-21 22:28:00 2009-04-21 22:28:00 1 0
I still consider myself new to the world of stitching although I've done it off and on all my life. I also am not a big fan of cross stitch or needlepoint but on the other hand have learned from those enormously talented dear souls who have taken cross stitch to a higher level. With the variety of threads available and the ability to work with form and texture, a lot of cross stitch type projects I've done have in no way resembled the ones I did in the (gulp) 70s and 80s.

That being said, I love what's being said in terms of the bigger picture here. At times, for the greater good we take on something that we really don't want to do and learn in the process. Bless you for being a loving and engaged auntie. Your niece is a lucky girl. I love the sampler that was chosen.

Good luck with the ecclesiastical project. As an ecclesiastical type myself :) I love that someone is taking on these sorts of projects.]]> 7829 margaret c. noreply@blogger.com 2009-04-21 22:15:00 2009-04-21 22:15:00 1 0
This is Mary's blog, her personal needlework journey and, in my opinion, she's entitled to hers. If we all agreed about everything this would be a boring world indeed.]]> 7831 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-21 18:38:50 2009-04-21 18:38:50 1 0
Stitching techniques are certainly a matter of personal preference, and I am glad that people are passionate about what they love to do! I wouldn't want that to be any other way!

Best,
Mary]]> 7832 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-21 18:32:43 2009-04-21 18:32:43 1 0 7833 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-04-21 18:27:00 2009-04-21 18:27:00 1 0
Just remember...you can`t please all of the people all of the time...You certainly didn`t put me off reading your blog...yours is my favorite, it`s become my daily 'must read' with my morning coffee. Ta my dear!]]> 7834 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-04-21 18:26:00 2009-04-21 18:26:00 1 0
Just remember...you can`t please all of the people all of the time...You certainly didn`t put me off reading your blog...yours is my favorite, it`s become my daily 'must read' with my morning coffee. Ta my dear!]]> 7837 Anonymous noreply@blogger.com 2009-04-21 18:17:00 2009-04-21 18:17:00 1 0 7838 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-21 17:37:22 2009-04-21 17:37:22 1 0
And I am finding that I do like many aspects of counted cross stitch - and as we have explored the possibility of different projects, I have grown in appreciation for the technique and all its variables.

Please accept my sincere apologies for offending you - I did not realize anything in the post was particularly offensive, but in re-reading the post, I suppose I may have emphasized too much my aversion.]]> 7840 Anonymous noreply@blogger.com 2009-04-21 17:02:00 2009-04-21 17:02:00 1 0 7843 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-21 15:11:06 2009-04-21 15:11:06 1 0
I can see exackitackily what you mean about it being "comforting" and about the pleasure of watching the work take shape on the fabric! I'm enjoying that very thing right now, while working through this little project!

Thanks for your thoughtful and considerate comment!

Best,
Mary]]> 7844 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-21 15:07:49 2009-04-21 15:07:49 1 0
I can't share the pattern, as it is copyrighted, but you can purchase it! It's available through The French Needle, and through April, if you mention "Mary Sent Me" when you check out, you'll get a 10% discount on your purchase. Read my post on The French Needle for further details!

Best,
Mary]]> 7845 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-04-21 13:35:00 2009-04-21 13:35:00 1 0 7847 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-04-21 11:08:00 2009-04-21 11:08:00 1 0
There is just something about counted thread that is comforting. You are bringing order to a small corner of your life (or in my case, a large corner as I am somewhat obsessed with stitching). Seeing the pattern of the stitches emerge...and as all stitches(at least in some areas) are the same, a soothing rhythm develops. The sampler emerges on the cloth as if by magic...the thread and fabric bring comfort. I am fascinated by freehand embroidery though...it seems so brave to venture out with the thread not knowing exactly where your stitches will lead you. I have not been brave enough to attempt much along those lines yet, although your goldwork is really tempting me!

Anyway, i`ve blathered on long enough. I am looking forward to seeing your progress on the sampler...and stitching with your niece is a wonderful thing to do. Passing on love of needlework, no matter what kind we do, is very important.]]> 7849 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-21 07:44:53 2009-04-21 07:44:53 1 0
Gosh, I hope I didn't insult anyone or alienate anyone! Preferences in embroidery are really such a personal thing. I certainly don't mean any kind of insult to those who like ccs, when I say I don't like it or that I find it boring! That's just me! I know and love plenty of people who like it!

Thanks for the link, Pam! Wow, those are incredibly intricate pieces, aren't they? I imagine that working on them must be quite challenging! But I'm afraid that, for me, they're just the type of ccs product I don't like. They would drive me nuts! But I do admire anyone with the stamina and perseverence to work such projects! WOW!

As for the gridding and the larger project, one thing I should've made clear - I didn't realize I wrote the whole post without mentioning it! - is that my niece is actually proficient at surface embroidery, more so than most adults I know. I've taught her every summer for the past four years, and she's worked on more projects than I can count in between times. Right now, she's into heirloom sewing and does heirloom work on baby clothes, smocking, and whitework. So she's not new to embroidery.

We sure did look at all kinds of cross stitch designs available - yikes - it's a huge market with lots of different styles. The appeal to this sampler for her, I think (besides the multiple colors and motifs) is the "Here be Angels" line - she wants to make it for her little sister's nursury.

I just realized, when I re-read the post to make sure I didn't say anything blatantly insulting to cross stitchers, that I didn't clarify that she's not new to the needlework world! Sorry for the misconception!

Anyway, I hope people really aren't insulted by my own personal preferences in embroidery! I mean no offense, nor do I think "less" of people who prefer counted cross stitch, or anything like that!

And, heck - I'm having fun with the project! I admit it!! :-)]]> 7850 Barb noreply@blogger.com 2009-04-21 06:38:00 2009-04-21 06:38:00 1 0
Barb--NH]]> 7851 tintocktap tintocktap@yahoo.co.uk http://www.blogger.com/profile/00094138607680074432 2009-04-21 05:44:00 2009-04-21 05:44:00 1 0 7852 Anonymous noreply@blogger.com 2009-04-21 05:41:00 2009-04-21 05:41:00 1 0
Yvette]]> 7853 Misafir (Ruth) Geldi noreply@blogger.com http://www.blogger.com/profile/09170406331272601890 2009-04-21 05:15:00 2009-04-21 05:15:00 1 0
But I think counted cross stitch can be very beautiful, but, hey, it's not snobbery that I don't do it - I don't do it because it's too demanding on my eyes and patience!]]> 7854 Pat patricia.thornhill@btopenworld.com http://www.blogger.com/profile/15771378948765147509 2009-04-21 01:42:00 2009-04-21 01:42:00 1 0 7855 Pam--in Estonia goodnewsfromafarcountry@gmail.com http://www.blogger.com/profile/16252189926255580444 2009-04-21 01:29:00 2009-04-21 01:29:00 1 0 7857 LauraG noreply@blogger.com http://www.flickr.com/photos/10368360@N06/sets/72157610542539867/ 2009-04-20 21:29:00 2009-04-20 21:29:00 1 0
Counted cross stitch pet peeve - colored charts.]]> 7858 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-04-20 20:44:00 2009-04-20 20:44:00 1 0
And I don't want to talk about 'going off count and into strange directions of my own'. Been there.]]> 7859 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-04-20 20:42:00 2009-04-20 20:42:00 1 0
I'm dying to see what her original '80's type' project was.]]> 7860 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-04-20 19:07:00 2009-04-20 19:07:00 1 0 Thanks for the thoughts about the stuffed eggs; I'm going to have to try it.]]> 7861 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-04-20 16:22:00 2009-04-20 16:22:00 1 0
Wow... amazing work really.]]> 7862 Anna noreply@blogger.com http://www.justoneanna.com 2009-04-20 16:20:00 2009-04-20 16:20:00 1 0
How lovely!]]> http://www.needlenthread.com/2009/04/turkey-work-embroidery-stitch-video.html Sat, 18 Apr 2009 14:25:00 -0500 Mary Corbet 374 2009-04-18 14:25:00 2009-04-18 14:25:00 open open Turkey-Work-Embroidery-Stitch-Video-Tutorial publish 0 0 post video library of hand embroidery stitches! I finally managed to re-video (if that's a word) turkey work!

Turkey work, also called ghiordes knot, is an embroidery technique that creates a plush pile. It's great for dimensional embroidery, stumpwork, and the like. I've seen many a bumblebee embroidered using Turkey work, as well as thistle tops and other grass / flower motifs.

The term "Turkey work" has nothing to do with the bird, by the way. It's from Turkey, the country - it's a rug stitch commonly used there, and the technique has been adapted into surface embroidery. This is a fun technique - not so much in the stitching, which is rather bland (more or less, just a backstitching technique, where every other stitch is left in a loop), but the trimming and fluffing is Great Fun!



This is a clump of Turkey work from the top. It's four rows of loops. In the video, I only stitched two rows, to show you the technique.



This is the pile from the side. Pretty, fluffy stuff, isn't it? I used a whole piece - all six strands - of DMC stranded cotton. You can use any kind of thread for Turkey work, but I like stranded cotton, and as many strands as feasible, because it separates into a nice, thick carpet when fluffed.

A couple points:

1. The closer you work the rows and the smaller your "locking" stitches - and the closer together your loops are - the thicker your pile will be.

2. An eyebrow comb is a handy thing to use for fluffing, but if you don't have one, just run your needle through it until you get the fluffy look you want.

3. In the video, I worked both rows from left to right, but you can work the rows in either direction as you return on each row. Just reverse the way the stitch goes. Once you get the hang of the movement of the stitch, you'll be able to figure that out, no problem!

By the way, I'm back to considering whether or not I should script these videos before I actually open my mouth and start yammering...

Here's the video:



For more hand embroidery stitch videos, check out my Video Library of Hand Embroidery Stitches!
]]> video tutorials Hand embroidery stitches embroidery tips and tricks needlework pictures 5209 Nick noreply@blogger.com http://www.blogger.com/profile/06847880071849758533 2009-10-02 06:31:41 2009-10-02 06:31:41 1 0 6821 Anonymous noreply@blogger.com 2009-06-21 16:20:27 2009-06-21 16:20:27 1 0 I used your video to spark my recall on how to do this stitch. Thanks so much for putting it on your website.
Gratefully yours,
Naomi, Bendigo, Australia]]> 7417 Anonymous noreply@blogger.com 2009-05-21 21:19:55 2009-05-21 21:19:55 1 0
Nita Carroll]]> 7771 Marian noreply@blogger.com 2009-04-28 18:44:00 2009-04-28 18:44:00 1 0 7864 Alice McClelland noreply@blogger.com 2009-04-19 10:57:00 2009-04-19 10:57:00 1 0 Alice McClelland
bettytheloon@yahoo.com]]> 7866 theeema noreply@blogger.com http://www.blogger.com/profile/01537683268388116764 2009-04-19 03:23:00 2009-04-19 03:23:00 1 0 Thanks for the new video. I can't wait to use this Turkey Work idea. The look of the fluffy pile is wonderful and you explain it so clearly. Linda]]> http://www.needlenthread.com/2009/04/stuff-it-then-stitch-it.html Fri, 17 Apr 2009 09:56:00 -0500 Mary Corbet 375 2009-04-17 09:56:00 2009-04-17 09:56:00 open open Stuff-It---Then-Stitch-It publish 0 0 post

The Easter egg - which actually looked more like a football at first - is made out of some wool remnants I had lying around. I cut out four marquis-shaped sections, using two colors. Taking one of each color, I sewed them together, right sides facing, then I did the same with the remaining two colors, then placed the two sewn together pieces right sides facing, and sewed those together, leaving a little turning hole in the last seam. All this was done by hand - it would go a lot faster by machine and would look a heck of a lot better! Anyway, this was just an experiment.

Next time, by the way, I'll use six sections and hopefully the finished product won't remind me of a kid's stuffed football!



This is the egg, with a few layers of embroidery worked on it. Next time (next year?) I'll work a few more rows and do something more elaborate with the tips. The possibilities are really endless as far as the embroidery goes - you could get really elaborate with something like this! Beads, ribbon, a variety of stitches...



From top to bottom, I used fly stitch, double feather stitch, herringbone, daisy stitch and French knots, and buttonhole wheels.



Embroidering on a stuffed figure is pretty easy, actually. You begin with a knot in the end of your thread, take the needle in some distance away from where you intend to start...



...wiggle the needle around a bit in the filling, then pull the thread through, so that the knot catches inside the filling and secures the thread.



Work your stitches in a "sewing" method - that is, taking the needle in and out of the piece in one swoop - and then, when you get to the end of your stitching, anchor the end of the stitch as you normally would....



...bringing the needle either out in a seam, or out underneath a stitched area...



...and take a small securing backstitch, to anchor the thread. It's best if this can be done in a seam, where the backstitch can't be seen, or, again, inside some stitched area where it will be hidden.



Bring your needle out of the stuffed figure anywhere, and cut the thread close to the surface, pulling a bit on the thread so that, when it's cut, it is pulled into the inside of the stuffed thing.



See! It's gone. Wow. Those seams are really ugly. A sewing machine will eliminate that messy look, I think!



You can see here a view of the egg on a "corner." To ensure relatively straight paths along which to embroider, I first used regular white thread and basted a running stitch line around the egg. Once the line was embroidered, I cut the white thread and pulled it out. You could probably even use something like a fabric masking tape to mark the line and then baste, to get a really straight line.

I'm pretty sure I'll do this again, but next time, I'll make a pattern for a six-panel egg, and I'll use a machine to sew up the seams. I suppose any fabric would work - wool felt would probably work great!

Another option would be silks and brocades and fancy fabrics, for a dressier look. And, of course, you're not limited to egg-shapes. You could do spheres... think Christmas ornaments and so forth. I'm contemplating a similar project for my kids' embroidery classes this year.

So that was my stuffed egg adventure. I love the colors! But now that Easter is over, I think I'll move on to other needle 'n thread adventures!
]]> holiday stitching pictures embroidery tips and tricks wool felt needlework pictures 7868 RovingWeaver llala412@yahoo.com http://www.blogger.com/profile/14300929316981967018 2009-04-18 20:50:00 2009-04-18 20:50:00 1 0
I love embroidering on stuffed objects - to me, it's easier because you don't have to worry about the hoop. :-) I have some small dolls I've done embroidery and beadwork on. I love them! If I'm going to Easter eggs, I should go ahead and start now... lol.]]> 7869 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-18 16:59:10 2009-04-18 16:59:10 1 0
Jill! I think it's easier to embroider something like this when it's already stuffed, since the seams are so frequent. It'd be different if it were a larger stuffed piece, without so many seams. But it's really VERY easy to embroider on a stuffed piece like this - you just grip it in your hand and go at it! I enjoyed the fact that I wasn't (for a change) holding a flat piece of cloth!

Hope that helps!]]> 7871 Jill noreply@blogger.com http://www.blogger.com/profile/00512853386532396707 2009-04-18 11:29:00 2009-04-18 11:29:00 1 0 7872 Virginia noreply@blogger.com 2009-04-18 07:49:00 2009-04-18 07:49:00 1 0 I love the stuffed Easter egg.
I'm going to play with this idea for next year for my grandson. Maybe even personalize it with his name/year on it.

You smart cookie you! Why didn't I think of that. : )

That way he can always have one to keep to remind him of the special day.
Virginia]]> 7873 Marian noreply@blogger.com 2009-04-18 06:32:00 2009-04-18 06:32:00 1 0 7874 Teresa aka MarieSews mariesews@lorenzens.org http://www.blogger.com/profile/10633130424915637147 2009-04-17 23:24:00 2009-04-17 23:24:00 1 0
Marie]]> 7877 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-04-17 18:16:00 2009-04-17 18:16:00 1 0
Mary, your embroidered eggs also set the mind on fire with all the possibilities... Thanks so much for sharing!]]> 7878 Mal* (turning*turning) mal@turningturning.com http://www.blogger.com/profile/06089616225966759897 2009-04-17 12:30:00 2009-04-17 12:30:00 1 0 pysanky eggs. Gorgeous!]]> http://www.needlenthread.com/2009/04/interesting-goldwork-voided-butterfly.html Thu, 16 Apr 2009 15:00:00 -0500 Mary Corbet 376 2009-04-16 15:00:00 2009-04-16 15:00:00 open open Interesting-Goldwork-Voided-Butterfly-by-Jane-Zimmerman publish 0 0 post

Jane Zimmerman has a really beautiful goldwork project featured on her "what's new" page: a goldwork butterfly, only the butterfly is voided, and the goldwork surrounds it.



Jane describes the technique used to create this piece and offers an instructional booklet for it, too, if you want to check it out.

I love the circular patterns in the passing thread - really stunning!

From what I understand, this is a "limited offering," so the instructional booklet won't be available for long.

It's fun to squiz through Jane's website - there are some really beautiful projects on there, and lots of fun pictures to look at! If you have a chance, give her a visit!

]]> goldwork embroidery resources embroidery designers 7879 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-04-17 10:06:00 2009-04-17 10:06:00 1 0 7882 margaret c. noreply@blogger.com 2009-04-16 22:24:00 2009-04-16 22:24:00 1 0
(She has pictures with bunnies on her web site. Cool! :-)]]> http://www.needlenthread.com/2009/04/readers-embroidery-cutwork-and-needle.html Thu, 16 Apr 2009 09:29:00 -0500 Mary Corbet 377 2009-04-16 09:29:00 2009-04-16 09:29:00 open open Reader's-Embroidery:-Cutwork-and-Needle-Lace-Pillow-Cases publish 0 0 post

Elissa made the pillowcases herself, from an extra sheet from her bed set. The edge is stitched with a diamond quilting pattern that reflects the cutwork motif. The cases are made extra long, so that the edge of it can drape and show off the needlework.



The cutwork diamonds are taken from one of the Variety magazines that feature Italian cutwork. Elissa plans to work some surface embroidery around the cutwork diamonds.



She's adding a little scalloped trim worked by hand. This needle lace is really well done! The picots are made from bullions, and each scallop takes her about ten minutes to complete.

Gorgeous, isn't it? Doesn't it just make you want to make up a whole crisp set of gorgeous hand embroidered linens??!

Thanks, Elissa, for sending along the photos!! Beautiful work! Congratulations!

]]> readers embroidery pictures needlework pictures 7817 Goldberry noreply@blogger.com http://www.blogger.com/profile/15550897298140763183 2009-04-22 15:57:00 2009-04-22 15:57:00 1 0 7885 Shannon noreply@blogger.com http://www.anodynedesign.com/blog 2009-04-16 14:50:00 2009-04-16 14:50:00 1 0 http://www.needlenthread.com/2009/04/online-needework-show.html Wed, 15 Apr 2009 13:00:00 -0500 Mary Corbet 378 2009-04-15 13:00:00 2009-04-15 13:00:00 open open The-Online-Needework-Show.... publish 0 0 post Online Needlework Show, which opens for general viewing at 2:00 pm (EDT) today. Most of the offerings fall in the needlepoint and cross stitch categories, but there are a few thread vendors on there, as well as accessory-related people. For example, I like Kelmscott Designs - their thread rings and keeps are nice accessories and make great gifts for needleworkers. For those of you lucky enough to have a local needlework shop, you can make note of what you like at the show and ask your shop to order it for you. There are a couple online retail stores that will take orders directly from the show, too, and most of the vendors at the show have company websites you can order from. It's an easy way to browse from your home and create your wishlist for the year! Enjoy!]]> needlework news 7886 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-16 08:52:22 2009-04-16 08:52:22 1 0
Fact is, early samplers weren't worked in just cross stitch, although it often formed the basis for lettering and other motifs. All kinds of stitches were used, from other "canvas" stitches (that is, stitches used on even weave) to dimensional-type stitches (like those used in stumpwork) to plaited braid and other complex stitches to regular crewel work stitches (if you work a whole Jacobian / crewel work piece of the typical "tree of life" - and similar - variety, you are practically working a sampler...)

Samplers are fascinating, and they aren't relegated just to cross stitch! You could certainly take a cross stitch base or chart and turn it into a "varied" stitch sampler... which is what I'm doing right now. I'll show you in the upcoming days!]]> 7887 Anonymous noreply@blogger.com 2009-04-16 01:17:00 2009-04-16 01:17:00 1 0 http://www.needlenthread.com/2009/04/hand-embroidered-spring-thing-and-why.html Wed, 15 Apr 2009 07:07:00 -0500 Mary Corbet 379 2009-04-15 07:07:00 2009-04-15 07:07:00 open open Hand-Embroidered-Spring-Thing,-and-Why-You-Shouldn't-Hurry! publish 0 0 post "grab-and-go" embroidery project that materialized into a fairly nice Easter gift for my sister's family. The project was an embroidered flour sack towel, with a spring garden design on the corner. I ended up using it to line a matching basket, which I filled with Easter candy and took to the fam. Here's the completed project.

As Easter approached, I didn't think I was going to finish the embroidery on this. By Thursday, this was the extent of my progress...



...and I still had to work the tulip in the corner and the other side of the design.

The bulk of my stitching time actually came on Easter morning, when the world (at least at my house!) was relatively quiet. After going to church very early, I went home and started stitching. By 11:30 am, family and friends started popping in, but I was determined to keep stitching - I was too close not to finish!



The corner tulip ended up mostly purple, with pink highlights (opposite of the two end tulips)



I only finished the one corner. When I first set out on the project, I was wanting to stitch two opposite corners. Ha. Well, I'm perpetually an optimist on that kind of thing - I never gauge correctly how long it takes to embroider something!



I chose a rectangular woven basket in bright pink, to match the flowers. After finishing the towel, I washed it and, being in too much of a hurry, I only let it dry part way, then I tried to iron it dry the rest of the way!

Have you ever ironed something dry? I do it to linen all the time. But the strange thing about ironing something dry is that the thing can feel dry, when it isn't actually dry-dry.

Yep. That's what happened here. The towel was still just the slightest bit damp here and there when I arranged it in the basket. I know, because the jelly beans took on a kind of clammy skin after a bit. "Oh, that's just from kids rummaging through..." No, no! The m&m;'s - you know, those things that melt in your mouth and not in your hands? They melt on damp towels!

When I realized what had happened, I pulled the towel out of the basket! But not before I got a shot of it with this little fellow:



... and not before the towel was completely bespeckled with pastel-colored-candy-syrupy-sticky-splotchy-gunky mess!

Did I take a picture of THAT?

No.

Remember what your mother always told you: Haste makes waste! And learn from my experience! Rumor has it that the Laundry Queen at my sister's house (that would be my niece Julie, who likes doing laundry for some bizarre reason) has removed the stains, and all is well again with the towel.

Now, isn't that bunny just the cutest thing in the whole wide world?
]]> Embroidery for the Home pictures needlework pictures beginner embroidery 7792 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-24 18:52:57 2009-04-24 18:52:57 1 0
Spring Corner Embroidered TowelYou'll find the list right below the third picture down!

I hope you have fun stitching the towel - I did!

Best,
Mary]]> 7793 Anonymous noreply@blogger.com 2009-04-24 18:46:00 2009-04-24 18:46:00 1 0 tAKE CARE
madoue]]> 7809 meena noreply@blogger.com http://www.blogger.com/profile/12329884387685315540 2009-04-23 12:11:00 2009-04-23 12:11:00 1 0 meena]]> 7863 Lei B. lcbrown37@yahoo.com http://www.blogger.com/profile/18325162627170674749 2009-04-20 14:51:00 2009-04-20 14:51:00 1 0 7888 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-15 19:58:41 2009-04-15 19:58:41 1 0
I got this particular towel through EmbroiderThis.com - but I just ordered a couple dozen towels from
American Chair StoreI had a sample of their 30x30" deluxe towels, and they're quite nice. They run, right now, $15.90 per dozen. I like the fact that they're square, too. Many flour sack towels you find hither and thither are an inch or so shorter on two sides than on the other two sides, so not perfectly square. I don't like the flimsy gauzy flour sack towels - they're rotten for embroidering on.

The bunny! They belong to my nieces! They have two litters this age right now - really cute!]]> 7889 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-04-15 15:56:00 2009-04-15 15:56:00 1 0
MGM]]> 7890 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2009-04-15 13:03:00 2009-04-15 13:03:00 1 0 The bunny is adorable:-)]]> 7891 Goldberry noreply@blogger.com http://www.blogger.com/profile/15550897298140763183 2009-04-15 11:59:00 2009-04-15 11:59:00 1 0 7893 Ruth noreply@blogger.com 2009-04-15 10:24:00 2009-04-15 10:24:00 1 0 7894 Kandra noreply@blogger.com http://www.siblingcraftery.com 2009-04-15 10:22:00 2009-04-15 10:22:00 1 0
Glad the sticky mess was resolved! Just curious - but what type of flour sacks do you use? I've been looking for a good quality flour sack. The ones I found aren't hemmed nicely and are really really thin (and don't take nicely to satin stitches).

Thanks!]]> 7895 Mal* (turning*turning) mal@turningturning.com http://www.blogger.com/profile/06089616225966759897 2009-04-15 09:49:00 2009-04-15 09:49:00 1 0 7897 tintocktap tintocktap@yahoo.co.uk http://www.blogger.com/profile/00094138607680074432 2009-04-15 09:05:45 2009-04-15 09:05:45 1 0 http://www.needlenthread.com/2009/04/and-winner-is.html Tue, 14 Apr 2009 08:37:00 -0500 Mary Corbet 380 2009-04-14 08:37:00 2009-04-14 08:37:00 open open And-the-Winner-Is.... publish 0 0 post Birthday Give-Away.

The lucky winner is going to receive a nice little bundle of needlework and embroidery items, along with a few other pretty tidbits - and I'm dying to show you the collection, but that would ruin the surprise, wouldn't it?! I have to wait until she gets the box! I had fun putting it together!

Thank you all so much for the happy birthday wishes! I had so much fun reading your comments as they came in! Your views on gifts seem to fall into several categories, but most seem to focus around a few notable ideas: that it's often more fun to give than to receive; that the thought is what counts, more than the gift; and that some gifts are not "purchasable," but rather given from the heart - not necessarily things, if you get my drift.

Anyway, it was fun to read your comments! I wish I could send everyone a little package! I was actually wondering what it would be like to organize a large "little something" mailing, but I couldn't do it - it would break the bank! Never fear - there will be future opportunities to win other give-aways! Thank you for participating!

Without further ado, the winner is:

Emily B. from New Mexico...

Congratulations, Emily! Please contact me with your mailing address, and I'll get your little box of goodies on its way!

Today, I'm heading out to the studio to do some straightening and organizing, so that I can launch into the several things that I must do this week! Wish me luck!
]]> stash contest 7883 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-04-16 18:17:00 2009-04-16 18:17:00 1 0 Happy birthday Mary!!!!]]> 7896 Anonymous noreply@blogger.com 2009-04-15 09:45:00 2009-04-15 09:45:00 1 0 Alice McClelland]]> 7901 MichelleMermaid michellemermaid19@yahoo.com 2009-04-14 17:45:00 2009-04-14 17:45:00 1 0 And, again, Happy B-day Mary! :)]]> 7903 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-04-14 09:38:00 2009-04-14 09:38:00 1 0 and thanks for the chance to you, Mary!]]> http://www.needlenthread.com/2009/04/monday-morning-post-holiday-delay.html Mon, 13 Apr 2009 11:51:00 -0500 Mary Corbet 381 2009-04-13 11:51:00 2009-04-13 11:51:00 open open Monday-Morning-Post-Holiday-Delay! publish 0 0 post birthday give-away announcement will be a leeeeetle delayed! I'm off to a slow start after a weekend of company and family obligations! (Holiday weekends always end up this way....)

This week, I've got some neat stuff to show you - some birthday presents (!) that are needlework related and Really Exciting (I'm excited, anyway!) and photos of the spring gardern corner on the towel, which I did finally finish on Easter Sunday afternoon, just before giving it to my sister as a gift!

By the way, don't forget that the French Needle is giving a 10% discount to readers of Needle 'n Thread through April. To find out how to get 10% off your order, read my original post on The French Needle! I bring it up because (guess what??!), I got a pretty cool birthday present from there. It's nice when family members do actually read my website!

My needle and thread related work this week includes working on videos, studio organization, setting up a commissioned project that's due in June, and setting up a sampler with my niece. Those are the things I must get done - I have a whole list of things I want to get done, too, but we'll see! I'll let you know how I progress!

I hope everyone had a terrific weekend! I'll announce the give-away winner tomorrow, then, first thing. If you haven't had a chance to sign up, the deadline's extended to tomorrow morning at 5:00 am CST (Tuesday, April 14)!]]> website news stash contest http://www.needlenthread.com/2009/04/ecclesiastical-embroidery-elaborate.html Sun, 12 Apr 2009 06:30:00 -0500 Mary Corbet 382 2009-04-12 06:30:00 2009-04-12 06:30:00 open open Ecclesiastical-Embroidery:-Elaborate-Altar-Super-Frontal publish 0 0 post

In Catholic and Anglican churches, the altar in the front of the church would sometimes be adorned with an antependium, or frontal. If made of cloth, the frontal was usually embellished, either embroidered or appliquéd. In some churches, especially larger churches, a super frontal would also be used ("super" actually from "supra," meaning "above" the frontal) in addition to the frontal. The super frontal was a long decorated piece, not very high, but wide enough to span the width of the altar. Sometimes, it was "built into" the frontal (separated, for example, by trim, to mark off the super frontal area), but more often, especially in more elaborate churches and chapels, it was a separate piece. Think of it like a valance, almost, floating above the frontal.

This super frontal was embroidered by the Benedictines in Clyde, MO, before the 1950's. If you've been reading Needle 'n Thread for a while, you will probably recognize the look of it, as it was a source of inspiration for me when I embroidered an ecclesiastical piece a few years ago.



The piece is very long - I would guess at least 10 feet in length, perhaps longer. The center medallion is the Agnus Dei symbol. The Lamb with the banner is a representation of Christ, sacrificed and triumphantly risen from the dead. Around the central medallion are many colorful scroll designs featuring plenty of stylized pomegranates, which, in ecclesiastical embroidery, symbolize resurrection and new life.

The embroidery on the center medallion is worked on a dark gold-colored cloth. It's not shiny silk, though it might be silk. It has a kind of noticeable weave to it. When I first saw it, I thought it was a strange color for the background - but, in relation to the colors in the rest of the super frontal, I think it works really well.



From this side view, you can also see that there are banners with text embroidered on them.



Here, you can get a better view of the scrolls, acanthus leaves, and stylized pomegranates. The leaves and vines are worked in chain stitch.



The stylized pomegranates are worked mostly in long and short stitch, although the undersides of the turned up leaves are worked in satin stitch.



Across the entire length of the top of the super frontal, there is a goldwork strip, punctuated by lettering satin stitched in red. The gold background threads are evenly couched in a pattern, and on top of the gold, inside and around the lettering, are scrolls worked with a wavy gold thread, like rococco. I have heard that the Sisters at this convent, and at the (no longer functioning) convent in O'Fallon, MO - where the Benedictines also made elaborate ecclesiastical pieces - had machines that couched the gold background threads two at a time. I've never seen a couching machine, but I've heard from someone who was fortunate to receive one of the machines from O'Fallon before they disbanded their embroidery workshop, that the machines do indeed couch two laid threads at a time with precision, without damaging the threads. It'd be interesting to see that in action!



At the base of the Lamb is a book with the Alph and Omega on each page. I really liked this symbolism, so I was sure to include it in my Agnus Dei.

Here's the piece that I worked a few years ago, taking some inspiration from the super frontal featured above:



The lamb I drew is not as angular, and the banner is a bit less angular as well. The wool on the lamb on the super frontal above is what really caught my eye - it is the most realistic wool I had ever seen embroidered, so I wanted to imitate that. It was fun, figuring it out, and it turned out well. I'd love to do another piece like this - not the same piece, but similar - one day soon!

If you want to read about the progress of this piece from beginning to end, you can check out my gallery. It's near the top of the list, under ecclesiastical embroidery. You can also see close-ups of different elements in it, including the wool.

I wish you all a very joyful Easter!
]]> historical needlework ecclesiastical embroidery pictures needlework pictures 7881 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-04-17 08:02:00 2009-04-17 08:02:00 1 0 7904 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-04-14 08:45:00 2009-04-14 08:45:00 1 0 7905 Fireflyinva noreply@blogger.com http://www.blogger.com/profile/00340179175754159635 2009-04-14 07:11:00 2009-04-14 07:11:00 1 0
Mommablogger, I haven't done any vestment sewing, but I plan to make some stoles, since I have two friends in seminary--and I've been told that these are welcome gifts (at least in the Episcopal Church, ministers are responsible for their own stoles). You might want to check out Mary's post here about the Lucy Mackrille book. Also, I have heard that this woman here sells very nice patterns & materials (though I've never dealt with her). If you do decide to take on a project, before starting, you should check first with your altar guild. Churches can be picky about vestment styles. Also, generally, these items are bought as full sets--so they may want to team you up with others so they can get them done (or to replace/repair a random damaged piece).

Wendybee--I'm always impressed with those kneelers. I started stitching one for my church, got through a couple of motifs then handed it over to another stitcher. Night after night of tiny tent stitch just about drove me bonkers!]]> 7917 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-04-13 10:56:00 2009-04-13 10:56:00 1 0 7918 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-04-13 08:47:00 2009-04-13 08:47:00 1 0 Happy Easter!
WendyBee]]> 7921 Metanoia noreply@blogger.com http://www.costumewardrobe.com 2009-04-12 21:31:00 2009-04-12 21:31:00 1 0 7923 Deb noreply@blogger.com http://justenoughtime.wordpress.com 2009-04-12 17:10:00 2009-04-12 17:10:00 1 0 http://www.needlenthread.com/2009/04/ecclesiastical-embroidery-crucifixion.html Fri, 10 Apr 2009 06:19:00 -0500 Mary Corbet 383 2009-04-10 06:19:00 2009-04-10 06:19:00 open open Ecclesiastical-Embroidery:-Crucifixion,-Revisited publish 0 0 post ecclesiastical embroidery, a chasuble featuring the Crucifixion.

The work on this piece is stunning - if you haven't had a chance to look at it, you should! You'll find amazing detail in the faces, especially.



The color range used to embroider the faces is amazing - from regular flesh tones, to reds and greens. From far away, these blend together and are not discernable as separate colors.

You can read about the chasuble on the original article. It's worth looking at - such pieces of ecclesiastical needlework are quite rare.
]]> historical needlework ecclesiastical embroidery pictures needlework pictures 7946 Anonymous noreply@blogger.com 2009-04-10 12:01:00 2009-04-10 12:01:00 1 0 http://www.needlenthread.com/2009/04/embroidered-towel-spring-corner.html Thu, 09 Apr 2009 08:34:00 -0500 Mary Corbet 384 2009-04-09 08:34:00 2009-04-09 08:34:00 open open Embroidered-Towel:-Spring-Corner-Progress publish 0 0 post

I didn't plan out my stitching before I started - I pretty much worked whatever embroidery stitch came to mind as I got to any particular part of the motif. This has worked well overall, except in one area that I picked out. I'll tell you aaaallll about it...



Here we are so far - the colors are pretty bright and cheery...



Here's one of the "tulips" up close. I'm doing the two end tulips in pink for the outline, but the middle (corner) tulip has a purple outline.

Concerning the buttonhole scallops on the edge, I suggest penciling in the shape of the inside of the scallop - it'll help keep your scallops a bit more even. I didn't bother, but I probably should have.



In order from left to right, you'll see two backstitched rows in yellow, with a green running stitch between them.

The next line is a purple fly stitch following the zig-zags on the pattern, and between the zig-zags, three straight stitches kind of fanned out to fill the valleys of the zigs and zags.

The next line is chain stitch in yellow, interlaced with green.

Then you see another green running stitch - that line's not on the pattern, but I stuck it in there while I was stitching...

And finally, at the tip there, you'll see some buttonhole scallops worked far apart at the base (where the scallops are on the design), but closed at the top.



For this little guy, work the buttonhole wheel first, leaving a large-ish hole in the center. The center is filled with French knots. A chain stitch line is worked around the outside of the buttonhole wheel, and the little petals are daisy stitches.



This is the larger flower, and this is the one I tried something different on and then picked out. I was going to satin stitch the round petals, but it takes too long and it's too solid, and so I changed my mind. Start with the inside - the buttonhole wheel. The center is filled, again, with French knots, and outside the buttonhole wheel is another chain stitch circle. Next, work the petals, and then work the single French knots (they're the yellow ones) last.



I ended up working the petals in a chain stitch spiral, starting on the outside and spiraling in. I didn't work the spirals really close and tight - I didn't want it quite that solid.



Ok, this thing is really weird. I don't know what I was thinking, but this is what it ended up looking like. The easiest way to do this bud thing would be to work large daisy stitches for the flower buds and leave it at that. I worked bullion knots for the two side bud petals, then the middle one is fly stitch, worked vertically and close together. The stames are long straight stitches with a French knot at the end. I couched over the long straight stitch with the same thread, to secure it. On towels, it's not a good idea to have longish stitches floating about...

The green part of the bud is satin stitched in three sections. The two outside sections slant down towards the middle, and the inside section is stitched vertically.



The large leaf is worked in stem stitch, just like the rest of the stems. Stem stitch the longer parts of the leaf outline, but where the leaf juts in to the middle, just use a little straight stitch. The veins are also stem stitched.



All the other leaves are worked in fishbone stitch.

So there it is!

Thank you all for your very kind birthday wishes yesterday! I had a nice birthday, and your good wishes made it even better! Thanks! If you haven't signed up on my birthday give-away post yet, please check that out and join in the fun! I'm going to send one lucky commentor a surprise birthday package to help me celebrate!

Also, just a reminder that The French Needle is running a 10% off special for readers of Needle 'n Thread through April. Check out their kits and charts! They have some really beautiful stuff! (By the way, I'm not affiliated or paid by The French Needle - I'm just pointing out a good resource for embroiderers!)

Hope you have time for your needle & thread today!
]]> stitch along Embroidery for the Home Hand embroidery stitches pictures needlework pictures beginner embroidery 7919 Uma noreply@blogger.com http://www.blogger.com/profile/02046676640128674763 2009-04-13 08:19:00 2009-04-13 08:19:00 1 0
Wish you a very happy birthday.

Anyday, a surprise gift.

Uma]]> 7929 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-04-11 18:34:00 2009-04-11 18:34:00 1 0 7941 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-04-10 12:43:00 2009-04-10 12:43:00 1 0 7943 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-04-10 12:42:00 2009-04-10 12:42:00 1 0 7950 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-04-10 11:28:00 2009-04-10 11:28:00 1 0 I may have missed it but what type and size of threads are you using? If floss, how many strands?
The design and colors are so uplifting.

Thanks,
Susan]]> 7961 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-04-10 06:46:00 2009-04-10 06:46:00 1 0 Belated b'day wishes,Mary.
Hugs,
Deepa]]> 7986 Moxie noreply@blogger.com http://www.whymoxie.com 2009-04-09 18:00:00 2009-04-09 18:00:00 1 0 7987 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-04-09 17:59:00 2009-04-09 17:59:00 1 0 Can't wait to see the finished project! Can't wait to try it myself! Belated Happy Birthday!
WendyBee]]> 7994 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-04-09 14:56:00 2009-04-09 14:56:00 1 0 7998 Ruth, Istanbul noreply@blogger.com 2009-04-09 14:15:00 2009-04-09 14:15:00 1 0 8003 margaret c. noreply@blogger.com 2009-04-09 13:27:00 2009-04-09 13:27:00 1 0 8006 Mal* (turning*turning) mal@turningturning.com http://www.blogger.com/profile/06089616225966759897 2009-04-09 12:40:00 2009-04-09 12:40:00 1 0
Thank you so much for posting about your process on this project. In my own work, I'm trying to puzzle through the mystery of "when to use which stitches" and it really helps that you described everything. Thank you!]]> 8010 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2009-04-09 11:31:00 2009-04-09 11:31:00 1 0 http://www.needlenthread.com/2009/04/happy-birthday-to-me-give-away.html Wed, 08 Apr 2009 05:54:00 -0500 Mary Corbet 385 2009-04-08 05:54:00 2009-04-08 05:54:00 open open Happy-Birthday-to-Me-Give-Away! publish 0 0 post away the gift, I can get away with the title within the bounds of decent etiquette!

I've been chuckling over this give-away idea for a few days, wondering just how people would react to it. I realize I may get very little participation! But I can't help it - my curiosity has the better of me, and now that I'm locked in on this idea, I feel compelled to try it! Besides, it's my party, and I'll try if I want to!

Oh, gosh. I'm cracking up!

What is she babbling on so about, you ask?? Well, read on....

Here is my Happy Birthday to Me Give-Away:

The charm of birthday gifts is the surprise. What's the fun in telling your family or friends, "This is what I want for my birthday," and then getting it? Oh, there might be a mercenary comfort in doing that (we don't have to pay for something we want, and no one wastes money on something we don't want), but where's the delight and unexpected pleasure? Where's that tickling anticipation as the gift is opened up? In short, there's no surprise! The best gifts are the ones you don't expect, after all!

So, for my birthday give-away, I'm going to send a surprise gift to someone!

In the past, I've had some pretty good give-aways:



They often include some fibrous, thready assortment...



... and sometimes they include embellishments.



Sometimes, they have nice needlework accessories in them!



Sometimes, books...



... of various kinds.



Sometimes, they are rather elaborate...



...and other times, they are very simple.

Whatever the case, you can be assured that the package will contain enticing stuff for the needleworker, and a few little extras!

To enter the give-away, please do the following:

1. Here, at the bottom of this post (on the website, not in the e-mail newsletter, not by return e-mail, or not on another post), leave a comment answering the following question:

2. What's your notion of the best gift?

3. If you use the "anonymous" posting feature, please make sure to include a name on the post itself.

4. Check back Monday, April 13th, for the winner. The contest ends Monday, April 13th, at 5:00 am CST. If you win, you'll need to contact me by Wednesday, April 15, with mailing information. I'll post instructions on the winner's post on Monday.

Well, what do you think? Are you game to trust my taste in gifts?

Have a terrific day!
]]> stash contest 7546 kat noreply@blogger.com http://www.blogger.com/profile/12369785235454313506 2009-05-17 10:23:00 2009-05-17 10:23:00 1 0 7899 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2009-04-15 00:21:00 2009-04-15 00:21:00 1 0 7900 Jaja tjlburke@gmail.com http://www.blogger.com/profile/11489511680363776804 2009-04-14 18:08:00 2009-04-14 18:08:00 1 0 7902 leslie noreply@blogger.com http://www.blogger.com/profile/13775902902108612095 2009-04-14 12:40:00 2009-04-14 12:40:00 1 0 7906 Metanoia noreply@blogger.com http://www.costumewardrobe.com 2009-04-14 02:01:00 2009-04-14 02:01:00 1 0
For occassions I tell people around me multiple items I would like and when they buy me one it is a surprise to see which one I get :)

I also like things I can use because I am trying not to collect and horde too much.]]> 7908 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-04-13 19:52:00 2009-04-13 19:52:00 1 0
Happy Birthday...I have learned so much by reading your postings!]]> 7909 Julie noreply@blogger.com http://www.blogger.com/profile/02921143793404795735 2009-04-13 17:48:00 2009-04-13 17:48:00 1 0 By the way I really enjoy your blog. I am new to embroidery, but have been doing other forms of needlework for years, including cross stitch and needle point. I really like your video stitch library.]]> 7911 Anonymous noreply@blogger.com 2009-04-13 16:20:00 2009-04-13 16:20:00 1 0 The best notion is the one where you give something some has admired and gave it to them on the spot. The look on their face is great. I love giving spontaneously. I repeated the message because my other one did not show up.
Nora]]> 7914 Mal* (turning*turning) mal@turningturning.com http://www.blogger.com/profile/06089616225966759897 2009-04-13 14:43:00 2009-04-13 14:43:00 1 0
My idea of a best gift? Since I'm trying to de-stash/simplify/un-stuff/organize my life, I find that perishable or expendable gifts are best. Gift cards, money, ingredients, baked goods, supplies, and other things that can be used and then disappear are AWESOME gifts.]]> 7915 Colleen Lim noreply@blogger.com http://www.blogger.com/profile/05572894804708778009 2009-04-13 13:46:00 2009-04-13 13:46:00 1 0
Colleen Lim]]> 7916 Anonymous noreply@blogger.com 2009-04-13 11:51:21 2009-04-13 11:51:21 1 0
I love your blog. It's the first thing I read every morning, but I've been out of town for a week. I'm just now catching up and hope I'm not too late for your birthday giveaway!

My favorite kind of gift? Like you say, suprises are fantastic. The gifts you aren't expecting or have no reason to expect. But I like it when people do things or make things for me best. For example, my husband cleaned house and cooked on my birthday. He wouldn't let me do a thing! He "made me" go sit in the lounge and stitch while he cleaned, cooked dinner, and directed the kids to help. Then we went out for dessert and a movie. It was a great day and the nicest gift.

I hope you had a happy day!

Emily B.
Albuquerque, NM]]> 7920 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2009-04-13 00:45:00 2009-04-13 00:45:00 1 0 Wish you a very Happy birthday!! Sorry for being late, but I was away and had no internet access to check the blogs, hope I am not too late!
The best gift for me is which is unexpected..a surprise gift. Agree to as you said that there is not that joy in asking for the gift..the joy lies in the moments of anticipation when you open the gift.
Thanks.
-Shrenika]]> 7924 paula_lemos noreply@blogger.com http://www.blogger.com/profile/02209483815351012903 2009-04-12 16:20:00 2009-04-12 16:20:00 1 0 A perfect gift is something I can really use, be it fabric or threads or notions or, of course, books. Any of these would make me very happy! Thanks for the giveaway!]]> 7925 Anonymous noreply@blogger.com 2009-04-12 11:30:00 2009-04-12 11:30:00 1 0 Judi]]> 7927 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-04-11 20:42:00 2009-04-11 20:42:00 1 0
My idea of the best gift is a gift given in love, with no strings attached.]]> 7930 Anonymous noreply@blogger.com 2009-04-11 16:49:00 2009-04-11 16:49:00 1 0
Katrina M.]]> 7932 Laura Bullinger noreply@blogger.com http://www.blogger.com/profile/08151154110553301553 2009-04-11 11:13:00 2009-04-11 11:13:00 1 0 7933 Anonymous noreply@blogger.com 2009-04-11 07:10:28 2009-04-11 07:10:28 1 0
Reading all of your heartfelt comments already posted, I can add nothing except have a wonderful and happy Birthday. And YOUR reading the comments, surely has to be your best gift of all. Sharing fun, successes, foibles and laughter. Thank you so much for this site.


Judy in Pittsburg]]> 7935 annette noreply@blogger.com http://picasaweb.google.com/notjustbears 2009-04-11 04:40:00 2009-04-11 04:40:00 1 0
I have to say I just love seeing the close ups of the your embroidery work... it gives me so many ideas to utilise. am an obsessed crazypatch worker myself..have fun]]> 7936 Lynn noreply@blogger.com 2009-04-11 01:05:00 2009-04-11 01:05:00 1 0
Happy Birthday! I am thrilled to have found your website.

My notion of the perfect gift is the one that we give to ourselves. Lots of other folks will wish us birthday wishes throughout the day and give us goodies. But how we feel inside is what is special. It starts the morning that we wake up and remember that it is our birthday. There is a little thrill and an inner smile. We came into the world this day and it has taken us until now to realize how special that is. We can be kind to ourselves this day and be glad for who we are. It may be an empty day that we can fill in a manner of our choosing, but more than likely it will be a day in which we have to get a bunch of things done, or do something arduous or sad. We may laugh, or cry or have a perfectly awful day, but if there is a moment to breathe, reflect and be aware that we are here now and it is meaningful, that is my notion of the best gift. Sounds kinda Zen, I know, but this is what I hope for on my BD!]]> 7937 Anonymous noreply@blogger.com 2009-04-10 21:57:00 2009-04-10 21:57:00 1 0 karole king]]> 7939 JoyAnna noreply@blogger.com http://www.blogger.com/profile/08111229688666742060 2009-04-10 19:59:00 2009-04-10 19:59:00 1 0 Thank you for all your inspiration and teachings.
JoyAnna]]> 7942 LaurieK noreply@blogger.com 2009-04-10 12:43:00 2009-04-10 12:43:00 1 0 7945 Anonymous noreply@blogger.com 2009-04-10 12:06:00 2009-04-10 12:06:00 1 0 My notion of the best birthday gift is to give to someone you know and love, it could be something you know they want, or help, or just encouragement. In other words the gift of your time which to all of us is various precious.
Again, thanks for the wonderful site. Jet]]> 7947 mary anne noreply@blogger.com http://www.blogger.com/profile/09889577266435414862 2009-04-10 12:00:00 2009-04-10 12:00:00 1 0 7948 Michèle noreply@blogger.com 2009-04-10 11:43:00 2009-04-10 11:43:00 1 0 for me the best gift is something given with eart.
1 love your blog ,each day I read it with pleasure.it allows me to dream of what I could do and often give me a true help in stitching.
(Sorry for my poor english!!).
Michèle from Brittany]]> 7949 Anonymous noreply@blogger.com 2009-04-10 11:35:00 2009-04-10 11:35:00 1 0 I turned 60 on the 7th of April. The best birthday gifts for me are any thing having to do with stitchery, books, notions, patterns.
This year is my new favorite. My sister gave me a clip on light with a small magnifier attached. It is the best!
Now the needlepoint holes look much bigger and my old eyes can actually make the needle go in the right holes. She also gave me the CrabApple Hill pattern of the Embroiderer's Prayer. What wonderful new favorite gifts.
PS: Happy Birthday from another Aries baby.
Janice Miller]]> 7951 Anonymous noreply@blogger.com 2009-04-10 10:36:00 2009-04-10 10:36:00 1 0
Christy S.]]> 7952 Susuko susuko@arcor.de http://www.blogger.com/profile/00221095168200258263 2009-04-10 10:35:00 2009-04-10 10:35:00 1 0 I think the best gift is an unexpected gift - it hasn´t to be for birthday or christmas, maybe just because someone thinks of you - and knows what you like.
Thank you for this giveaway, I make hand-embroidery, like redwork, and I´m a regular reader of your blog/site.
Happy birthday to you and have a good year!
Susuko.]]> 7953 Anonymous noreply@blogger.com 2009-04-10 10:25:00 2009-04-10 10:25:00 1 0 7954 Marcia in PA noreply@blogger.com 2009-04-10 10:23:00 2009-04-10 10:23:00 1 0
My idea of the perfect gift is the sharing of knowledge and talents. Something you do very well, Mary.

Have a wonderful birthday.
Marcia]]> 7955 Anya hillscreekquilter@yahoo.com http://www.blogger.com/profile/18130352307824344517 2009-04-10 09:57:00 2009-04-10 09:57:00 1 0 7956 needleworknup noreply@blogger.com 2009-04-10 09:11:00 2009-04-10 09:11:00 1 0
The most precious gift for me is to know that by some luck/grace/genetic combination I have received so many things without even doing anything. Just to be able to wake up in the morning, live each moment without
too much pain, enjoy a profession I absolutely love, enjoy a hobby that challenges and nourishes my soul at the same time, in short, the best gift to me is how we are
all born with so much potential and inner strength and how we are surrounded by so much beauty. The gift of Life itself,
with all that it encompasses is something I am grateful for each and every day.
Take Care,
Nupur]]> 7957 Virginia noreply@blogger.com 2009-04-10 08:38:00 2009-04-10 08:38:00 1 0
Happy Birthday!

My best gift notion is one that is hand made. There is sooo much love put into the project whatever that project may be.

When I gift give I sit down and draw what I want to embroider for that particular individual. It's heart warming to see the smile(s) when my gift is opened.

Enjoy and thank you for sharing.
Virginia
vwilkinson@netscape.com]]> 7958 kreativeimagination noreply@blogger.com http://www.blogger.com/profile/11854200964091583944 2009-04-10 08:35:00 2009-04-10 08:35:00 1 0 Wishing you a very HAPPY BIRTHDAY!!!
thanks
syeda]]> 7959 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-04-10 08:02:00 2009-04-10 08:02:00 1 0 7960 Anonymous noreply@blogger.com 2009-04-10 07:03:00 2009-04-10 07:03:00 1 0 Sandy]]> 7962 charlie noreply@blogger.com 2009-04-10 06:37:00 2009-04-10 06:37:00 1 0 I liked William Morris's idea that you should have nothing in your house that isn't either beautiful or functional....(NOT that I can follow this dictum!Piles of papers are the joy and the bane of my life!,so when it comes to presents, it's hard to beat something that is both beautiful and functional....embroidery books, gardening books,.....and you'll know that extra frisson when you come across a tool you really need,that has been perfectly crafted itself!

Mary, could you bottle up some of your boundless energy??!! xx]]> 7963 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-04-10 06:26:00 2009-04-10 06:26:00 1 0 I like coss stitch, so anything in the subject is perfect gift to me. :-)]]> 7964 Sallie noreply@blogger.com 2009-04-10 05:13:00 2009-04-10 05:13:00 1 0 7965 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-04-10 03:49:00 2009-04-10 03:49:00 1 0 I agree with the others, that real gift should come from the heart. They could be very simple, but not the ones bought the last minute. I like hand made gifts (and of course I do not like the money...) I like small surprises, nice and unpractical things just to make me happy...]]> 7966 kiran seth noreply@blogger.com 2009-04-10 02:05:00 2009-04-10 02:05:00 1 0 many many many happy returns of the day......
to me the best gift comes ..hand made...no matter the size....or perfection... because it tells me that i have been in the persons heart and mind .... all the time that it took to plan...shop and implement the work of art.....every mothers day and fathers day our grandson(we have only one yet) makes us something...a pot of blooms with a pic of himself....a tee shirt with his handprint in the front and worlds best grandma painted on the back....for his grand dad a poster with glued on foam sport themes and saying ..i love you grand dad....he is now 6 years old...and we have very proudly displayed it in our living room...every year we look forward to see what will it be this time...we love him and cherish him so much...
i have also given every birthday to our three children,growing up and now our grandson...home made cards...my signature...rainbow colors as back drop...and name messages inside about their achievments,and qualities during the year...on their graduation i gave them a 21 star salute to their achievments and future expectations....
thank you , mary, for this opportunity to share the value of a gift....
have a wonderful day....
have a wonderful year...

kiran seth]]> 7967 LisaB72 LisaMB72@gmail.com http://www.blogger.com/profile/16570529767667623058 2009-04-10 01:30:00 2009-04-10 01:30:00 1 0
Well, I was always taught to give a gift which you would like to receive for yourself thereby putting a lot of thought into the gift. That's my notion of a best gift.

I've learned a few things from your blog and much appreciated the video tutorials for some of the stitches I had forgotten how to do.

LisaB72]]> 7968 onafixedincome noreply@blogger.com 2009-04-10 00:49:00 2009-04-10 00:49:00 1 0
Something that says "I really do care" or "I understand" or even just "I noticed".

Something that brings both giver and gifted joy and glee and delight in the gift and in the receipt of the gift.

Something that opens one heart to another, whether or not it is open in both directions.

The very happiest of natal celebrations, Mary!

PA]]> 7969 Susan Donn noreply@blogger.com 2009-04-10 00:07:00 2009-04-10 00:07:00 1 0 7970 Ellie noreply@blogger.com http://www.blogger.com/profile/17430083783255362708 2009-04-10 00:07:00 2009-04-10 00:07:00 1 0
My notion of a perfect gift is something that is given with a great deal of thought - reaching the receiver's deepest needs or desires. I love to see people well up with joy - it's my greatest pleasure.

Tears or leaking eyes are necessary :-)

I love your website; it serves as my daily motivation to see what can be done, what could be and maybe, just maybe, what will be.

Keep up the great work.

Ellie]]> 7971 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-04-09 23:46:00 2009-04-09 23:46:00 1 0 7973 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-04-09 23:45:00 2009-04-09 23:45:00 1 0
Next to that, anything home or hand made is awesome, although people who aren't into crafts and such don't always appreciate all the time (and love) that goes into such gifts.]]> 7974 Frances Elson noreply@blogger.com 2009-04-09 22:34:00 2009-04-09 22:34:00 1 0 7975 Carol noreply@blogger.com http://www.blogger.com/profile/10867693379552038999 2009-04-09 21:45:00 2009-04-09 21:45:00 1 0 7976 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2009-04-09 21:33:00 2009-04-09 21:33:00 1 0 7977 Nesa noreply@blogger.com http://www.blogger.com/profile/15902214339292636766 2009-04-09 20:24:00 2009-04-09 20:24:00 1 0 7978 Sheila K from California noreply@blogger.com 2009-04-09 19:34:00 2009-04-09 19:34:00 1 0 7979 Liz dolls4liz@yahoo.com http://www.blogger.com/profile/13313745653387343456 2009-04-09 19:31:00 2009-04-09 19:31:00 1 0 7980 Donna Widerquist noreply@blogger.com 2009-04-09 19:29:00 2009-04-09 19:29:00 1 0
My "notion" of the best gift, is the "Grace of God" and that Jesus Christ died for us.

I also have a birthday this month - on Saturday the 11th. After reading the posts, it looks like there are alot of us born in April.

DonnaW]]> 7981 hm noreply@blogger.com http://www.blogger.com/profile/02616663978947134732 2009-04-09 19:18:00 2009-04-09 19:18:00 1 0
Wishing you a wonderful and happy birthday!!]]> 7982 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-04-09 18:50:00 2009-04-09 18:50:00 1 0 The best gift is a tricky one...I've come to reasses my ideas on gift giving since marrying my husband who really hates buying gifts, including ones for me. He'd prefer that I choose something and then he'd buy it. Initally I saw this as terribly unromantic but now I see it for what it is - a genuine wish to get me something that I'd like. So the best gift? One that the recipient will like and the giver won't stress about.]]> 7983 AnnaCWarren noreply@blogger.com http://www.blogger.com/profile/16528659213573582160 2009-04-09 18:25:00 2009-04-09 18:25:00 1 0
I think the best gifts are those that show you really pay attention to what recipient enjoys and those that they may not buy for themselves.

Anna Warren]]> 7984 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-04-09 18:24:00 2009-04-09 18:24:00 1 0
CA]]> 7985 Sharon safischer1@comcast.net http://www.blogger.com/profile/03274461697914547387 2009-04-09 18:05:00 2009-04-09 18:05:00 1 0 7989 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2009-04-09 16:41:00 2009-04-09 16:41:00 1 0
Sally]]> 7990 Hillside Threads bonfieldjane@yahoo.com http://www.blogger.com/profile/05723222077662455117 2009-04-09 16:35:00 2009-04-09 16:35:00 1 0
Having just had a birthday myself I can say without doubt my notion of a perfect gift is one that shows thoughtfullness. Presents don't need to cost a lot but just need to show that the giver cares enough to think about what they are giving. Hope that makes sense.
Jane]]> 7991 Claire M. noreply@blogger.com 2009-04-09 16:11:00 2009-04-09 16:11:00 1 0
Socks. Underwear. Household appliances. Those aren't gifts. They're chores. (are you listening, dear? :))]]> 7992 meems noreply@blogger.com 2009-04-09 15:44:00 2009-04-09 15:44:00 1 0 7995 Anonymous noreply@blogger.com 2009-04-09 14:36:00 2009-04-09 14:36:00 1 0 grannyreba]]> 7996 Anonymous noreply@blogger.com 2009-04-09 14:25:00 2009-04-09 14:25:00 1 0 My notion of the perfect gift is simply one given with sincere love which truly comes from the heart. Be it a big gift or a small one. In your case, it would probably be something that you are interested in i.e. your needlework. I'm an ardent fan of your work and look forward to anything concerning needlework be it ideas or designs or needlework stuff. So here goes.... Happy Birthday/Happy Easter Mary and surprise....surprise....Dorothy]]> 7997 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-04-09 14:20:00 2009-04-09 14:20:00 1 0
You always ask the best question. To me, the best gift is the one that you ddn;t know you wanted, but is a perfect match for you.

A couple years ago my husband bought me an electric tea kettle. I did not even know they existed.

It was the PERFECT gift. I drink a tone of tea daily, and the electric kettle heats up 7 cups in less than 4 minutes!

Ruth M]]> 7999 Johnny wizzette@gowizz.com http://www.blogger.com/profile/00055979798430264739 2009-04-09 14:07:00 2009-04-09 14:07:00 1 0 Happy Birthday!]]> 8000 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-04-09 14:04:00 2009-04-09 14:04:00 1 0 8001 Steffi noreply@blogger.com 2009-04-09 13:33:00 2009-04-09 13:33:00 1 0
A perfect present, by the way, would be something I unwrap and realize I wanted all the time without knowing it existed. Not only for the delight of getting something nice, but also because this means that someone knows me as well (or better) as I do myself.

Hope you had a great Birthday,
Steffi]]> 8002 Carol noreply@blogger.com 2009-04-09 13:28:00 2009-04-09 13:28:00 1 0
Carol]]> 8004 terracota luzdeterracota@hotmail.com http://www.blogger.com/profile/00260150393724282247 2009-04-09 13:17:00 2009-04-09 13:17:00 1 0 8005 Grace noreply@blogger.com 2009-04-09 13:05:00 2009-04-09 13:05:00 1 0
I think the best gifts should reflect what the person needs/wants with some functionality. Granted, this can sometimes backfire, but it should always be a something that you took the time and effort to give.]]> 8007 Surya noreply@blogger.com 2009-04-09 12:08:00 2009-04-09 12:08:00 1 0
For me the best gift is something which is given with sincerity. If the gift is useful, then it'll be like 'forever'.]]> 8008 Miss Lorraine noreply@blogger.com 2009-04-09 11:34:00 2009-04-09 11:34:00 1 0
My notion would be to spend time with my God, Family, Friends and Embroidery.

I wouldn't be upset with winning the lottery either as I am on a fixed income.

Lorraine Connelly]]> 8009 Martha McSweeney noreply@blogger.com 2009-04-09 11:33:00 2009-04-09 11:33:00 1 0
Martha]]> 8011 Lorraine noreply@blogger.com http://www.blogger.com/profile/14361267794837095507 2009-04-09 11:31:00 2009-04-09 11:31:00 1 0
My notion of a best birthday would be spending time with God, Family, Friends and Embroidery.

I wouldn't be upset if I won the lottery either.

Lorraine Connelly]]> 8012 joannestitches joannegledhill@yahoo.com http://www.blogger.com/profile/09188449516154615810 2009-04-09 11:05:00 2009-04-09 11:05:00 1 0 I never expect a gift for my birthday, birthdays were never made a fuss over when I grew up. I had a friend many years ago who would go out of her way to make it special for me. I got so much joy from seeing her face in excitement when she would give me a gift that she took so much care in picking something she knew I would love, something I had mentioned during the year that I liked . she would be almost jumping up and down when she gave it to me. She taught me alot about giving. She received a gift to herself each time she gifted. We were in our 20's then and I remember everything she ever gave me. joanne g. charlotte, n.c.]]> 8013 Celeste noreply@blogger.com 2009-04-09 10:42:00 2009-04-09 10:42:00 1 0
My idea of a perfect gift is spending quality time with my family. I do like receiving surprises but special trips are like the icing on the cake. Memories of time spent together, like going to Muir Woods and walking slowly with my kids and husband under those towering redwoods, talking with them as we walk and enjoying the sound of the birds and the creek warms my heart more than any trinket I've ever received.

celeste]]> 8014 Anonymous noreply@blogger.com 2009-04-09 10:16:00 2009-04-09 10:16:00 1 0 Alice McClelland aka
bettytheloon@yahoo.com]]> 8015 Anonymous noreply@blogger.com 2009-04-09 10:14:00 2009-04-09 10:14:00 1 0
Cynthia Bonnell]]> 8016 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2009-04-09 09:53:00 2009-04-09 09:53:00 1 0 My Mother always told me to buy a gift for someone that I would like for myself. This advice has served me well, I usually buy two. So whatever is in the package will be well received because it is a gift of the heart. Thank you]]> 8017 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2009-04-09 09:48:00 2009-04-09 09:48:00 1 0 Happy Birthday Mary and may you have many more blessed and happy ones.]]> 8018 Anonymous noreply@blogger.com 2009-04-09 09:46:00 2009-04-09 09:46:00 1 0
Lorene H
qlt7scrap at cox dot net]]> 8019 Anonymous noreply@blogger.com 2009-04-09 09:39:00 2009-04-09 09:39:00 1 0 kdenyeart@cableone.net]]> 8020 steph743 noreply@blogger.com http://www.blogger.com/profile/15398634514983082377 2009-04-09 09:36:00 2009-04-09 09:36:00 1 0 8021 Anonymous noreply@blogger.com 2009-04-09 09:31:00 2009-04-09 09:31:00 1 0
'Course, having said that, I also like to get surprise gifts that I know someone really gave some thought to what I would like.

And that brings me to your give-aways which always are something I would like! You are such a very thoughtful person! Always doing for US!!

Hoping that you received some very thoughtful gifts this birthday and that you have a wonderful year ahead,
Marilyn R.]]> 8022 Catlady noreply@blogger.com http://www.blogger.com/profile/07045669719742611701 2009-04-09 09:20:00 2009-04-09 09:20:00 1 0 8023 Natalia noreply@blogger.com 2009-04-09 09:16:00 2009-04-09 09:16:00 1 0 My notion of a best gift would be receiving something that I probably wouldn't get myself. For example, some really nice linen or silk thread,or an exqusite embroidery kit or book. Something extravagant, but not necessarily expensive. Sometimes it hard to be nice to ourselves. I find that I tend to give to others those things that I would like for myself.
Once again. HAPPY BIRTHDAY]]> 8024 ledamewood noreply@blogger.com http://www.blogger.com/profile/09741893340014830055 2009-04-09 09:15:00 2009-04-09 09:15:00 1 0
My notion of the best gift is time. Giving time to help someone accomplish something they may have difficulty doing alone (a helping hand). Spending time with someone you love because you want to and they want to. Time with Mary and receiving a personal lesson, would be a tremendous gift to receive.

Lynn]]> 8025 Peggy Mathis noreply@blogger.com http://www.blogger.com/profile/02224297756047993276 2009-04-09 08:58:00 2009-04-09 08:58:00 1 0 8026 Barb Weber noreply@blogger.com 2009-04-09 08:48:00 2009-04-09 08:48:00 1 0 The best notion would be the one with the most thought behind it to challange me to try something new and different in my stitching.

Barb]]> 8027 Marty52 mamatrahan@msn.com http://www.blogger.com/profile/13237461237107850391 2009-04-09 08:17:00 2009-04-09 08:17:00 1 0 8028 linnyt noreply@blogger.com http://www.blogger.com/profile/17443140647392433828 2009-04-09 08:10:00 2009-04-09 08:10:00 1 0
I've never posted a comment here before, but I want to say, I love your site. Of all the e-mails I get each day (and I get A LOT), I look for your news letter first. I am most inspired by it and I find that when I search out the web for info for a project, I usually end up at your site.

As for the best notion for a gift, the best gifts are the ones that have especially delighted the giver. Most often they are hand-made, but can also be something that has to do with what the giver and I have in common. They always call me a step higher in that area. For example, a sticher friend might give a new notion that they know I haven't used before.

God Bless and thank you for all you do.

Linnyt]]> 8029 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2009-04-09 07:50:00 2009-04-09 07:50:00 1 0 By the number of comments here I think you've really got people thinking with your question. My notion of a perfect gift is someone visiting and talking the time to talk with me, not just spending time in the room watching TV etc. I think people's time is so precious that if someone chooses to spend some on me I feel very rich indeed.
And you thought no-one would be interested in answering your question, VBG.
Hooroo,
Christine McKenna]]> 8030 Liz Williams noreply@blogger.com 2009-04-09 07:24:00 2009-04-09 07:24:00 1 0
Liz]]> 8031 Anonymous noreply@blogger.com 2009-04-09 07:21:00 2009-04-09 07:21:00 1 0 Barbara in TN
saltillo3@yahoo.com]]> 8032 Anonymous noreply@blogger.com 2009-04-09 07:16:00 2009-04-09 07:16:00 1 0
The best gifts to me are ones that I can tell required a lot of thought. This can be anything from something handmade to a purchased, "just what I wanted" little thing.

Cissie]]> 8033 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-04-09 06:40:00 2009-04-09 06:40:00 1 0 8034 Anonymous noreply@blogger.com 2009-04-09 06:29:00 2009-04-09 06:29:00 1 0 8035 Anonymous noreply@blogger.com 2009-04-09 06:25:00 2009-04-09 06:25:00 1 0 Wishing you a lovely birthday!

Lyn]]> 8036 Thymedremr Thymedremr@aol.com http://www.blogger.com/profile/02913659117156499412 2009-04-09 04:11:00 2009-04-09 04:11:00 1 0 8037 marmotte-stitch noreply@blogger.com http://marmotte-stitch.livejournal.com/ 2009-04-09 02:36:00 2009-04-09 02:36:00 1 0
Happy Birthday to you! And thank you for giving us the chance to congratulate you and wish you all the best and many happy returns :)

The idea to give away gifts on your own birthday is a very good one - I am planning to do the same on my own birthday in November. I think I will invite my needlework friends to my home and give them some of my handmade soap, soapmaking being my second hobby :)

As for the notion of the best gift... for me, needlework supplies would be the best gift, especially if it is something chosen with love and care. Alas, most of my friends and relatives do not share my obsession with embroidery and needlework, so in most cases the best gift for me is what I buy myself :) Well, you probably know what I mean. And yet, gifts from my mother and boyfriend are always the best, because.. just because I know they love me, and I love them in return, and I always try to give them something very, very special.]]> 8038 Anonymous noreply@blogger.com 2009-04-09 02:07:00 2009-04-09 02:07:00 1 0 8039 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-04-09 01:16:00 2009-04-09 01:16:00 1 0
I love getting letters from overseas friends, and a home-bound copy of a short story/poem/whatever that someone has written or simply a handmade card is always appreciated. As is being taken out for coffee and a catch up. I love doing the same, making cards and sewing, writing, stitching or altering things to give away.

Happy Birthday!]]> 8040 ktdidhurry9 noreply@blogger.com http://www.blogger.com/profile/17847976257519716085 2009-04-08 23:42:00 2009-04-08 23:42:00 1 0
Oh my I think all gifts are so nice, unexpected ones even better. However, to me time well spent with loved ones is the very best gift. I use family birthdays to get all of us together. They (the kids) know my underlying motive but we all gain from the interactions and mostly everyone shows up. LOL I'm probably viewed as 'big mama'. I just found your site tonight and love it. I will return! Thanks for all the lovely things you share from instructions to patterns.]]> 8041 Shari ladyjspice@aol.com http://www.blogger.com/profile/06756180452191304667 2009-04-08 22:45:00 2009-04-08 22:45:00 1 0 8042 Andrea J. noreply@blogger.com http://www.blogger.com/profile/09319447475289414131 2009-04-08 22:41:00 2009-04-08 22:41:00 1 0 My favorite kind of gift is something I can create with: fibers, fabrics, embellishments, beautiful tools, etc.]]> 8043 Sangheetha noreply@blogger.com http://www.blogger.com/profile/06777497661003570501 2009-04-08 22:20:00 2009-04-08 22:20:00 1 0 Gifts as such bring so much happiness. Best Gift is a surprise gift from someone from whom we have not expected anything. :-)

Thanks,
Sangheetha.]]> 8044 Helen noreply@blogger.com http://www.blogger.com/profile/02241487967149388009 2009-04-08 22:10:00 2009-04-08 22:10:00 1 0 8045 marthad noreply@blogger.com 2009-04-08 21:50:00 2009-04-08 21:50:00 1 0
My idea of the very best gift is something I absolutely love but which I didn't know I wanted until I receive it. It's a pretty tall order, isn't it? But every so often the stars align and someone finds that perfect thing I didn't even know I wanted. But I remember it happening much more often when I was a child. Maybe that's why it's so much fun!]]> 8046 judi noreply@blogger.com http://www.homeschoolblogger.com/juditupp 2009-04-08 21:40:00 2009-04-08 21:40:00 1 0 8047 Fengate 1963jaci@gmail.com http://www.blogger.com/profile/17735638058001190831 2009-04-08 21:21:00 2009-04-08 21:21:00 1 0 Jaci E.]]> 8048 Lisa stitcher_lisa@hotmail.co.uk http://www.blogger.com/profile/08338579863039142091 2009-04-08 21:16:00 2009-04-08 21:16:00 1 0 Happy Birthday Mary! have a lovely day]]> 8049 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2009-04-08 20:41:00 2009-04-08 20:41:00 1 0 8050 rubberduckiemom rubberduckiemom@gmail.com http://www.blogger.com/profile/16626261468456365381 2009-04-08 20:39:00 2009-04-08 20:39:00 1 0
My favorite type of gift is based upon who I getting for. If it were my mother, it would be something to do with teapots or quilting, my dad's would be woodworking, ect... But it is the thought and emotion that goes into the final decision.

My name is Ren and I just love your stitch video library. It has helped me sooooo very much!

Thanks]]> 8051 Corvus noreply@blogger.com http://corvustristis.livejournal.com 2009-04-08 20:35:00 2009-04-08 20:35:00 1 0
The best gifts are the unexpected ones- the ones that aren't for a specific obligation, but rather because the giver wanted to make the reciever smile, or just found something so perfect they had to buy it as a present. That is to say, the best gifts are the ones that are less Birthday/Christmas and more "Hey look, I think about you."]]> 8052 Divya noreply@blogger.com 2009-04-08 20:33:00 2009-04-08 20:33:00 1 0
My notion of a great gift is one that catches you totally off guard and makes you all teary eyed that you're so loved and special to someone (the gift giver)

Example - You normally don't expect men to listen when you rattle on about how you love embroidery or any other "non-manly" stuff and when you receive a gift, it shows that not only did he listen, he remembered and loves you enough to buy you the gift he thinks you'll love.]]> 8053 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2009-04-08 19:55:00 2009-04-08 19:55:00 1 0 8054 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2009-04-08 19:54:00 2009-04-08 19:54:00 1 0
I will be away from tomorrow for a couple of weeks, so can't contact you if I am lucky enough to win.]]> 8055 Amy watuwando@comcast.net http://www.blogger.com/profile/16770165782997574538 2009-04-08 19:37:00 2009-04-08 19:37:00 1 0
Thank you for sharing all of your wonderful knowledge!]]> 8056 Leah noreply@blogger.com 2009-04-08 19:13:00 2009-04-08 19:13:00 1 0
My idea of the best gift is new technology that I would never buy myself... like the newest iPod or computer! I always say, well my old one works fine... but come birthday time, I love being the first to own the new touch screen!

-Leah]]> 8057 Anonymous noreply@blogger.com 2009-04-08 18:59:00 2009-04-08 18:59:00 1 0
Your site itself is gift enough, so I won't put myself forward as a possible recipient of your surprise birthday gift. I'm in Ireland and the postage would probably be horrendous; it would be a dirty trick to play on the birthday girl...!

I'm going to pass a link all my sisters (big Irish family..!) as I know they will love your site too. I wish you all the very best for your birthday, and thank you again.

Very best regards,

Rachel.]]> 8058 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2009-04-08 18:58:00 2009-04-08 18:58:00 1 0 8059 Trish noreply@blogger.com http://www.blogger.com/profile/17363114096139700440 2009-04-08 18:24:00 2009-04-08 18:24:00 1 0 8060 Anonymous noreply@blogger.com 2009-04-08 18:09:00 2009-04-08 18:09:00 1 0 Claudia]]> 8061 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-04-08 17:51:00 2009-04-08 17:51:00 1 0 Now, to answer the question...my first thought was chocolate but I decided that wasn't really the best gift. I would love someone to make something that is just for me (better yet would be making it WITH me). My friends all say they are too intimidated to make anything for me because they think I'm the ultimate handmade gift maker and they feel they can't compete. Little do they know how much I'd love it!
Happy birthday Mary!!]]> 8062 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-04-08 17:22:00 2009-04-08 17:22:00 1 0 MelisaB]]> 8063 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-04-08 17:10:00 2009-04-08 17:10:00 1 0
Of course, right now my best gift would be babysitting for few hours so I can stitch! :-)

And yes, I certainly trust you to put together a great gift!]]> 8064 acdavis1mcp noreply@blogger.com 2009-04-08 16:44:00 2009-04-08 16:44:00 1 0 8065 Kristin krispy_28@yahoo.com http://www.blogger.com/profile/07728277058088184684 2009-04-08 16:27:00 2009-04-08 16:27:00 1 0 8066 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-04-08 15:54:00 2009-04-08 15:54:00 1 0
I think the bestest gift is the one a person knws about yet has no idea what it will be. You can tell them im gonna do this for ex: im gonna creat an embroidery piece for them yet not tell them what your gonna do on it, what colors, or when they'll get it. Cuz the person knows its coming yet are anticipating when. When given the gift its genuine surpirse and joyful.]]> 8067 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2009-04-08 15:53:00 2009-04-08 15:53:00 1 0 Happy Birthday!]]> 8068 jdnrob noreply@blogger.com http://www.blogger.com/profile/05548555583798301556 2009-04-08 15:41:00 2009-04-08 15:41:00 1 0
Joanie R.
jdnrob@roadrunner.com]]> 8069 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-04-08 15:41:00 2009-04-08 15:41:00 1 0 Thanks for another great - and this time - very enticing give away.

My idea of a great gift is one that is unexpected and from the heart. A fistful of hand picked flowers can be the best. Another would be a good deed or a donation given with me in mind - God blessing others through us.

May you continue to be blessed because you are a blessing to your readers. And have a glorious birthday.
Candyce]]> 8070 Goldberry noreply@blogger.com http://www.blogger.com/profile/15550897298140763183 2009-04-08 15:38:00 2009-04-08 15:38:00 1 0 I agree with the others that the best gift is one that shows the giver knows what you like, one that maybe they saw and knew immediately should be yours. It reminds you how much they care about you.

Peace,
Elissa]]> 8071 Laura Kathleen noreply@blogger.com http://www.blogger.com/profile/14304467170642717891 2009-04-08 15:01:00 2009-04-08 15:01:00 1 0 8072 craftydabbler noreply@blogger.com http://www.blogger.com/profile/11092875761139023377 2009-04-08 14:43:00 2009-04-08 14:43:00 1 0
My notion of the best gift is to give or receive something mentioned once a long while ago and forgotten.]]> 8073 Dixie noreply@blogger.com http://www.blogger.com/profile/02634644167648237712 2009-04-08 14:39:00 2009-04-08 14:39:00 1 0 8074 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-04-08 14:29:00 2009-04-08 14:29:00 1 0 I'm excited! Hope I win!]]> 8076 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-04-08 14:19:00 2009-04-08 14:19:00 1 0
My favorite gifts to give are the ones that make me laugh with anticipation because the gift is so perfect for the person or is just so FUN. And when I get a gift that is especially thoughtful, I really appreciate that.]]> 8078 ravenrigan noreply@blogger.com http://ravenrigan.livejournal.com/ 2009-04-08 14:13:00 2009-04-08 14:13:00 1 0
To receive, I like something that is a total surprise, which I didn't know I REALLY needed! A good example was the perfectly sized embrodery box my mother in law gave me a couple of Xmases ago. It was my constant companion until I got more ambitious and needed something bigger.]]> 8079 Anonymous noreply@blogger.com 2009-04-08 14:13:00 2009-04-08 14:13:00 1 0 8080 MichelleMermaid michellemermaid19@yahoo.com 2009-04-08 13:45:00 2009-04-08 13:45:00 1 0 I think your "surprise" theme is funny because my boyfriend says I'm impossible to surprise. He's right in a way, because I tend to guess things. Still, I think the best gifts are the ones you don't expect!
Your giveaways are always fab. I'm sure whoever wins will be thrilled...and surprised! :)
Dakotah]]> 8081 Judith noreply@blogger.com 2009-04-08 13:20:00 2009-04-08 13:20:00 1 0 8082 JoeyJoJo exocush@hotmail.com http://www.blogger.com/profile/05661414584993238375 2009-04-08 13:07:00 2009-04-08 13:07:00 1 0 Let me tell you how glad I am to have found your blog. I have sore eyes from reading,reading, reading all your posts. Thank you.
exocush@hotmail.com]]> 8083 Chandra noreply@blogger.com 2009-04-08 13:02:00 2009-04-08 13:02:00 1 0 Happy Birthday grrl.]]> 8084 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-04-08 12:14:00 2009-04-08 12:14:00 1 0 8085 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-04-08 12:14:00 2009-04-08 12:14:00 1 0
My "notion" of the best gift is one that reflects the personality of the giver and the recipient. I love to stitch and play with fabric and threads and buttons and ribbon. I know any gift you would choose for me would reflect your choice of what you like that you think I would like. Does that make sense?]]> 8086 Natalija natalija.shkomare@gmail.com http://www.blogger.com/profile/06157583437320090608 2009-04-08 11:54:00 2009-04-08 11:54:00 1 0
Thank you for the giveaway! Please include me in the drawing.

stitchsavesnine (at) yahoo (dot) com]]> 8087 SC Lady noreply@blogger.com http://www.blogger.com/profile/10658952964455255589 2009-04-08 11:46:00 2009-04-08 11:46:00 1 0 8088 Anonymous noreply@blogger.com 2009-04-08 11:36:00 2009-04-08 11:36:00 1 0
(Oh, and he doesn't even mind my double standards - right now I have cross stitch stuff all over the floor! Gotta pick that up!)

- Melissa in Seattle]]> 8089 Ruth ruthlane@montanasky.net 2009-04-08 11:36:00 2009-04-08 11:36:00 1 0 8090 BJ noreply@blogger.com 2009-04-08 11:33:00 2009-04-08 11:33:00 1 0 My notion of the best gift is awaking in the morning with little to no pain. My children are happy and healthy. My friends and husband are happy and healthy. That I have more days that are filled with joy than sorrow.

Those are the best gifts I would ever want, anything else is just more iceing on the cake.
BJ]]> 8091 ms bookjunkie noreply@blogger.com 2009-04-08 11:29:00 2009-04-08 11:29:00 1 0 8092 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2009-04-08 11:29:00 2009-04-08 11:29:00 1 0 8093 ms bookjunkie noreply@blogger.com 2009-04-08 11:25:00 2009-04-08 11:25:00 1 0
But…But…I agree that some of the best gifts are total surprises, something I never would have thought about asking for, something I never knew existed, something I didn't know was necessary in my life. These hits are almost as rare as hens teeth, mostly what I get are misses. I hate the misses. Tchochkes, dust collectors, books I'm not interested in, clothes that are the wrong color/size/fabric, candles --I don't burn candles, I read and sometimes embroider and candlelight is not the best illumination for those activities!-- and whatnot.

I am very fond of people who ASK me what I want for a present, and follow my directions, instead of getting me what THEY think I should have. Year-round, I jot down what gift ideas pop into my head. (For myself and others--I use the back of my calendar.)

In short, there are many, many reasons why I like to receive money as a gift.

Ps. My notion of the best gift to GIVE…is BOOKS! My godchildren and their siblings always receive books from me. (Except I believe there was an educational puzzle in there once, which became a favorite of the two-year-old receiver. Score!)]]> 8094 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-04-08 11:12:00 2009-04-08 11:12:00 1 0
I think I'll be echoing a lot of the above posters, the best gifts are the thoughtful ones.

I also love surprises so couldn't resist this post :) I hope you blog what you're sending out to the lucky winner!]]> 8095 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-04-08 11:10:00 2009-04-08 11:10:00 1 0 Thank you if you can do it, and if you can't, I'll re-enter.
Thanks Mary, and thanks for your blog!
WendyBee]]> 8097 Iris from Estonia noreply@blogger.com 2009-04-08 11:01:00 2009-04-08 11:01:00 1 0
So I'm back again, jumping in on the giveaway heh. Okay I think the best gift comes from the heart and doesn't necessarily have to be material in any way. It can be words, a hug, whatever. Something that is exactly right on that moment and given with love.

Hope you have the greatest birthday ever!]]> 8098 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2009-04-08 10:56:00 2009-04-08 10:56:00 1 0
My notion( love the play on words!) of the best gift would something that comes from the heart. My favorite gift this past Christmas came from my 5 year old, who's in Kindergarten. It was a handmade picture frame with a picture of him in it:-) I always tell my kids, it's not about how much is spent on a gift. I would much rather have something that comes from the heart!

Lisa]]> 8099 Flora flora.flowers.boo@gmail.com http://www.blogger.com/profile/17836989715340857264 2009-04-08 10:45:00 2009-04-08 10:45:00 1 0
Happy birthday to you!

My notion of the best gift should be to share my love with others. Gifts always make people happy. I usually gift my friends with things handmade by me. I love the moment when they smile on seeing my gift. Gifts make people feel they are special and they are loved by others.

By the way, what gifts you received? :-)

Have a fun-filled day!]]> 8100 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2009-04-08 10:41:00 2009-04-08 10:41:00 1 0
Candy and flowers are nice, but I think the best gifts are the ones you can keep on enjoying year after year. They can be simple---a mug, a wall-hanging (especially embroidery!), a book, a knick-knack...but something that reminds us of the giver each time we look at it.]]> 8101 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2009-04-08 10:40:00 2009-04-08 10:40:00 1 0
My idea of the best gift is one that is handmade and somehow shows that the maker knows me. I don't care if it's just a greeting card made from typing paper. Handmade is best!]]> 8102 Melinda noreply@blogger.com http://www.blogger.com/profile/09243233372667683495 2009-04-08 10:36:00 2009-04-08 10:36:00 1 0 I have to agree with some of the other comments. I think the perfect gift is that of time spent with someone. This year, my mom is coming to spend my birthday with me, and we get the whole weekend together. She lives 12 hours away, so it really means more to me than anything that can be bought.]]> 8103 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-04-08 10:24:00 2009-04-08 10:24:00 1 0
Hope you are doing something extra special with extra special people today to celebrate your day.

MGM]]> 8104 JoanB noreply@blogger.com http://www.blogger.com/profile/10229748897022277267 2009-04-08 10:18:00 2009-04-08 10:18:00 1 0 Felicitations on your birthday!

In the roundabout way of things, the best gift is discovering yourself through others...

Thank you for an irresistible invitation to talk with you.

What do you think of the similarity between Norwegian rosemaling and Jacobean crewel embroidery?]]> 8105 Sarah S. noreply@blogger.com 2009-04-08 10:12:00 2009-04-08 10:12:00 1 0
Best gifts for me are ones that can really be enjoyed...not stuff. I'd much rather have a great dinner out, a lavish piece of cake, or an afternoon exploring a part of town I've never been to than some trinket. Though I do also enjoy a nice piece of jewelry too!]]> 8106 Ruth, Istanbul noreply@blogger.com 2009-04-08 10:09:00 2009-04-08 10:09:00 1 0 8107 Ruth, Istanbul noreply@blogger.com 2009-04-08 10:08:00 2009-04-08 10:08:00 1 0 8108 Ashley noreply@blogger.com http://www.blogger.com/profile/04810113070259398400 2009-04-08 10:07:00 2009-04-08 10:07:00 1 0 8109 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-04-08 10:03:00 2009-04-08 10:03:00 1 0 Mary Have a wonderful time on your birthday!
Happy Birthday to you!
Happy Birthday to you! tralala, tralala....]]> 8110 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-04-08 10:00:00 2009-04-08 10:00:00 1 0 The best gift depends on who gives or who receives.
I love to handmake myself the gifts because I can add something I kwnow the recipient would like.
For me the last best gifts were those which were made with my grand-daughters hands - designs! :))))]]> 8111 Sandi a::k::a KnitMyRhino knitmyrhino@gmail.com http://www.blogger.com/profile/10859612301560586290 2009-04-08 09:54:00 2009-04-08 09:54:00 1 0 8113 Kate mjrroland@yahoo.com http://www.blogger.com/profile/06395157955320659033 2009-04-08 09:46:00 2009-04-08 09:46:00 1 0 8114 smoose003 noreply@blogger.com http://www.blogger.com/profile/10776468587656358584 2009-04-08 09:38:00 2009-04-08 09:38:00 1 0 8115 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-04-08 09:29:00 2009-04-08 09:29:00 1 0 8116 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-04-08 09:15:00 2009-04-08 09:15:00 1 0 8117 Anonymous noreply@blogger.com 2009-04-08 09:12:00 2009-04-08 09:12:00 1 0
Discovered your site yesterday from Australia. Have had 2 late nights enjoying it. THANKYOU.

Alison
(alisonvonbibra@hotmail.com)]]> 8118 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2009-04-08 09:08:00 2009-04-08 09:08:00 1 0 I too share this wonderful day as my birthday with yours! Happy Birthday to us!!!
Heading out to a sewing meeting and dinner, so that is a wonderful gift too!
Annie]]> 8120 Sherri Acres noreply@blogger.com 2009-04-08 08:52:00 2009-04-08 08:52:00 1 0
p.s. your website is a gift to needleworkers.]]> 8121 Jane noreply@blogger.com http://www.worldembroideries.blogspot.com 2009-04-08 08:40:00 2009-04-08 08:40:00 1 0 I have been known to buy my own birthday present, and then thank people! LOL
Jane]]> 8122 brokenfairy noreply@blogger.com http://brokenfairy.wordpress.com/ 2009-04-08 08:37:00 2009-04-08 08:37:00 1 0 8124 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-04-08 08:06:00 2009-04-08 08:06:00 1 0 8125 Susan/CqLily noreply@blogger.com http://www.blogger.com/profile/06616092513936944943 2009-04-08 07:57:00 2009-04-08 07:57:00 1 0 I love your play on words...'notion' of the best gift.
Actually my notion of the best gift is simply one given with a sincere heart, expecting nothing in return. I love giving surprise and anonymous gifts. So I suppose that is my notion of the best gift.

I love reading your site and look forward every day. I only wish you were quadruplets so you could write more and more of your knowledge and expertise!

Thank you for sharing with all of us and have wonderful Birthday!

Susan Robinson
susan.robin81@yahoo.com]]> http://www.needlenthread.com/2009/04/free-hand-embroidery-design-spring.html Tue, 07 Apr 2009 15:32:00 -0500 Mary Corbet 386 2009-04-07 15:32:00 2009-04-07 15:32:00 open open Free-Hand-Embroidery-Design:-Spring-Garden-Corner publish 0 0 post "grab-and-go" embroidery project, a little Spring design for the corner of a towel that I'm going to use as a basket liner. Here's the embroidery pattern for that piece.

This embroidery design comes from a stack of hand embroidery transfers that I got at a garage sale. Most of the designs were loose; the few that were in booklets came from the 1950's, so I'm assuming this one is about the same time period. The original was a mess, so I scanned it and worked from the scanned image, cleaning it up into a vectorized image, which I've saved as a gif file (you can click on it to make it larger, then save it to your computer and resize it if you wish), and also as a PDF file, which you can also resize and print.

The design on my towel corner is about 8 inches wide - just wide enough to print on regular paper. The PDF should work out to about the same (hopefully!)



Here's the PDF:

Spring Garden Corner Design for Hand Embroidery

If you are interested in using the same colors I'm using, here's a list of DMC numbers:

Purples: 208 & 209
Green: 907
Yellow: 743
Bright Pink: 602

I have a blue, too (DMC 794) but so far, I haven't used it, and I'm not sure if I will. It doesn't seem "quite right" somehow.

Of course, you are more than welcomed to use any colors you want!

As I stitch, by the way, I'm just improvising. I'll try to finish enough of the design tonight so that each element is stitched, and then I'll explain which stitches I'm using.

In the meantime, if you want to stitch along, feel free. You can always get started with the leaves - they're all worked in fishbone stitch, except for the largest open one, which is outlined in stem stitch - and the stems, which are worked in stem stitch. The center of the flowers are worked in buttonhole wheels, then filled with French knots. You can see these up close on the introduction to this little project.

For a flour sack towel, I suggest using a better quality one, if you can find one. Some of the flour sack towels out there are very flimsy and seem almost like cheesecloth.

]]> stitch along free embroidery patterns Embroidery for the Home beginner embroidery 7865 Crazypatch mc.chasseraud@orange.fr http://www.blogger.com/profile/12833153179435090586 2009-04-19 05:13:00 2009-04-19 05:13:00 1 0 7926 feedestiroirs noreply@blogger.com http://www.blogger.com/profile/08940583366020249187 2009-04-12 06:15:00 2009-04-12 06:15:00 1 0 votre site est vraiment magnifique et c'est un réel plaisir d'y venir !]]> 7988 Rachel@oneprettything.com rachel@oneprettything.com http://www.blogger.com/profile/06250788078724611457 2009-04-09 16:52:00 2009-04-09 16:52:00 1 0 8075 Barbara Carlisle noreply@blogger.com http://www.blogger.com/profile/12689123898032593515 2009-04-08 14:24:00 2009-04-08 14:24:00 1 0
Thank you, I look forward to reading you every morning.]]> 8096 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-04-08 11:01:00 2009-04-08 11:01:00 1 0 The next time my mother came to visit, she brought a huge freezer bag of onions she had chopped herself. Inside the freezer bag were little zipper bags of chopped onion, in 1/2-cup and 1-cup aliquots, all labelled and ready to freeze. I hugged her and hugged her, and you guessed it *cried*. For months, I wept every time I reached into the freezer to start cooking for my family. What love went into that gift! thoughtfulness, ingenuity....
Since then, I've noticed bags of chopped onions with the frozen vegetables, and even bought one once, but they were really large chunks, and my mother used better onions, it just couldn't compare.
That's my Gold Standard for giving.....
WendyBee]]> 8112 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-08 09:48:53 2009-04-08 09:48:53 1 0
MC]]> 8119 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-04-08 08:54:00 2009-04-08 08:54:00 1 0 8127 Kandra Young noreply@blogger.com http://www.siblingcraftery.com 2009-04-07 21:34:00 2009-04-07 21:34:00 1 0 8128 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-07 20:13:03 2009-04-07 20:13:03 1 0
Glad you like the design! Lisa, you'll have to let me know how it goes!

Yes, Jules - you are correct! 2 threads.... I just tried one area with one thread, but it didn't look so good, so I picked it out and went back to two!

Best,
MC]]> 8129 Yvonne aka sommeke sommeke@hotmail.com http://www.blogger.com/profile/07755225448427141353 2009-04-07 17:58:00 2009-04-07 17:58:00 1 0 8130 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2009-04-07 17:53:00 2009-04-07 17:53:00 1 0
Lisa]]> 8131 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-04-07 17:35:00 2009-04-07 17:35:00 1 0
this i looking really cute, im glad you went with the bright coloras. love bright colors too< just haent had a project to use them in. i cant wait for you to work moreon this, i might folow along with.

i wanted o know how many thread did you use? im thinking you used two? am i right?]]> http://www.needlenthread.com/2009/04/grab-and-go-embroidery-project-spring.html Mon, 06 Apr 2009 13:47:00 -0500 Mary Corbet 387 2009-04-06 13:47:00 2009-04-06 13:47:00 open open Grab-and-Go-Embroidery-Project:-Spring-Towel publish 0 0 post

At first, the whitework sampler was providing ok 15-minute stitching "fixes," but the cutwork part is rather tedious, and since it's the same stitch over and over and over again, it does get a bit on the boring side.

For grab-and-goes, I like color and simplicity! I also like cheap materials! If I'm working on this type of project in the car, in waiting rooms, or outside on the front porch, I don't want to be using expensive linen and silk threads. So, cotton on cotton is great!

This particular Spring Towel is a flour sack towel to use as a basket liner for Easter. Flour sack towels make great liners for large baskets that you might serve bread in - or, in this case, that you might arrange Easter eggs and candy in. You embellish at least one corner (I think I'm going to do two on this one), and then you arrange the towel so that the decorative corner hangs over the edge of your basket. If you're putting bread in a basket to serve a crowd, you would arrange the towel so that the decorative corner folds over the top of the bread.

Because it is likely that the towel will come in contact with food and will need to be washed, use colorfast threads (DMC or Anchor work great).



Here's the corner. I've already started stitching. It's a rough and chunky design, and fun to work. I'm not shooting for "perfection" here as much as just a fun, colorful corner. The design extends about 8 inches from each corner.

I transferred the design by tracing it with a regular pencil. All the lines will be covered - and if they're not, that's ok. They'll wash out.



The embroidery pattern is mostly just a series of strange flowers and leaves. The design came from an old transfer I salvaged from some garage sale junque. I altered the design a bit to turn it into a corner pattern.



I was musing a bit over the colors - at first, I thought pretty pastels would be the thing for Spring, but they didn't seem to go with the bold design. So instread, I picked out a selection of colors reminiscent of bright Easter baskets.



I'm pretty sure I'm going to do all the leaves in fishbone stitch. I just love this stitch! I was going to work with two shades of green, but I have a feeling I'll reduce the whole project to as few colors as possible - just bright and bold. We'll see...

This is also my first complete adventure using Q-snaps. I'm a hoop person, personally, but so many people rave about Q-snaps that I thought I should give them a try. I did try them briefly on a piece of linen a while ago, but ... sheesh... no, I didn't like that! Thinking I didn't quite give them a fair trial, I decided to use them from start to finish on this project. I'll let you know my thoughts once I've given them a fair run!

Now, the question is - should we place bets? I'd like to finish this and the opposite corner (same design) by Easter. Do you think I'll get it done?
]]> Embroidery Projects Embroidery for the Home Hand embroidery stitches pictures needlework pictures beginner embroidery 7884 Mabel noreply@blogger.com 2009-04-16 14:52:00 2009-04-16 14:52:00 1 0 8132 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-04-07 15:34:00 2009-04-07 15:34:00 1 0 I hope to stitch along, too.
Mary, I finally posted my embroidery post and linked to your website...thanks for your comment. It meant a lot to me to have your encouragement.
WendyBee]]> 8133 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-04-07 15:25:00 2009-04-07 15:25:00 1 0 You're such an inspiration, Mary and generous to share with us. Thank you!
WendyBee]]> 8135 Raou noreply@blogger.com 2009-04-07 07:38:00 2009-04-07 07:38:00 1 0 8136 Anonymous noreply@blogger.com 2009-04-07 06:29:00 2009-04-07 06:29:00 1 0 From the pictures, it looks like crochet work, and I would really like to know what stitches you used.
And I also wonder what are 'Q Snaps'?
Thank you.
Jean]]> 8137 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-04-06 22:40:00 2009-04-06 22:40:00 1 0 'You can do'
i am eager to see the completed project. Design is so nice.]]> 8138 Lakshmi noreply@blogger.com http://www.blogger.com/profile/12011958965847943049 2009-04-06 22:39:00 2009-04-06 22:39:00 1 0 'You can do'
design is so good. I am so eager to see the copleted project.

Regards
lakshmi]]> 8139 Keri noreply@blogger.com http://www.blogger.com/profile/04309126252427273852 2009-04-06 19:52:00 2009-04-06 19:52:00 1 0
As a matter of fact, I came to this blog tonight looking for your stitch index to get some ideas for a vintage pattern I'm embroidering on tonight!]]> 8141 Melinda noreply@blogger.com http://www.blogger.com/profile/09243233372667683495 2009-04-06 17:30:00 2009-04-06 17:30:00 1 0 8142 MichelleMermaid michellemermaid19@yahoo.com 2009-04-06 17:23:00 2009-04-06 17:23:00 1 0 8143 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-06 15:34:23 2009-04-06 15:34:23 1 0
Well, I'll tell you what - I'll clean up the pattern and post it, then I'll note what stitches I'm working on it as I go, and if you want to stitch along, you're welcome to! It'll go kind of fast, if I get it done this week, but you can take your time doing it, just referring back to any posts on it. Once I tackle the bigger flower and the bigger leaves (I haven't figured out what I'm doing on those yet), I'll be able to clearly mark the stitches.

I'll list the DMC color numbers, too!

So, if I get a chance to clean up the pattern this evening, I'll get that up for you tomorrow (or shortly thereafter!)

Thanks!
Mary]]> 8144 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2009-04-06 15:24:00 2009-04-06 15:24:00 1 0 I love the pattern. Have you thought about doing a stitch-a-long? I think it would be fun and very informative, especially for newbies like me who have a hard time figuring out what stitches to do when. :-)
Lisa]]> http://www.needlenthread.com/2009/04/monogram-for-hand-embroidery-celtic-u.html Sun, 05 Apr 2009 09:39:00 -0500 Mary Corbet 388 2009-04-05 09:39:00 2009-04-05 09:39:00 open open Monogram-for-Hand-Embroidery:-Celtic-U---Almost-FINISHED! publish 0 0 post finished with the Celtic monograms for hand embroidery! After this one, I think only four more to go! You're probably just as glad as I am, because these monograms are getting kinda... well... old. But then, after all, they are old. :-)

Here's the long and really short of it on the Celtic monograms: for stitch suggestions, check the Celtic A!

Here's the small version of the Celtic U:



And here's the large version:



Now, today, if all goes well, I will at least manage two things: setting up a simple embroidery project (for a grab-and-go project), and stitching a bit on my whitework sampler! Keep your fingers crossed for me, that I get something accomplished, because otherwise, I just may go nuts!

But, before I can launch into that, I have to frost my own birthday cake to take to my sister's for a birthday party this evening. It's somewhat strange, to make one's own cake, but hey - it's just dessert! I'm thinking about doing something really bizarre so that my sister officially proclaims that I shall never make the dessert again! Something like... oh, Pink Mountain Icing on a chocolate cake. That'll gross her out (but the kids'll love it!).

And, by the way, it's not my birthday (yet) - that's Wednesday, the 8th, which will be the perfect day for a give-away! So stay tuned for that on Wednesday. You can help me celebrate!

Have a terrific Sunday!
]]> free embroidery patterns monograms 7724 Anonymous noreply@blogger.com 2009-05-05 08:33:00 2009-05-05 08:33:00 1 0
I have been following all your alphabets (even the one I had to go to another site to get) and I love doing quilts from them, but I also use them for fronts of purses and shopping bags I make for me and family, I love your site. Barb]]> 7741 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-04 08:07:38 2009-05-04 08:07:38 1 0
Sorry! I haven't had the opportunity to sit down and clean those up yet, and I'm afraid I haven't rushed them since there was no feedback! They are now on my list of things to do this week, and I will try my best to get at least one done before tonight. Thanks for the motivation!

An alphabet quilt is a Brilliant Idea, by the way!

MC

Best,]]> 7742 Anonymous noreply@blogger.com 2009-05-04 07:46:00 2009-05-04 07:46:00 1 0 7993 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-04-09 15:05:00 2009-04-09 15:05:00 1 0 8145 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-06 06:53:25 2009-04-06 06:53:25 1 0
Hi, Stacey - thanks for the resource link! Crewel Gobelin is a nice shop; good to hear they have such reasonable prices!

MC]]> 8148 Stacey Peasley noreply@blogger.com 2009-04-06 00:50:00 2009-04-06 00:50:00 1 0 8149 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2009-04-05 19:36:00 2009-04-05 19:36:00 1 0 An early HAPPY BIRTHDAY to you too! Have a blessed week!

Lisa]]> http://www.needlenthread.com/2009/04/hectic-stitch-free-saturday-and-some.html Sat, 04 Apr 2009 18:29:00 -0500 Mary Corbet 389 2009-04-04 18:29:00 2009-04-04 18:29:00 open open Hectic-Stitch-Free-Saturday...-and-some-Needlework-Links publish 0 0 post

Besides straightening up my studio, where I do the set-up work for all embroidery projects and where I store (sometimes rather haphazardly) all my supplies, I was supposed to get the following done today:

1. Catalog all my needlework books!
2. Set up two future embroidery projects!
3. Frame up four blank pieces of fabric for filming some videos!
4. Work up three technique tutorials: overcast stitch, trailing, and twisted bars for drawn thread work.

As far as cataloging the books are concerned, though it sounds like a mammoth project, I don't think it would have taken too long. I have a new book cataloging program and a scanner to help things along! I've got about 20 books in the database so far - all the needlework books inside the house right now. The rest would require toting in to the computer, then back out again to the studio. Hm. Doesn't sound so enticing, come to think of it! A laptop would come in really handy right now - unfortunately, mine has a dead backlight. I considered hooking it up to my digital projector and projecting on the wall, while I cataloged the books. But... that might be going a bit too far. (Though, come to think of it - it might be worth it!)

The funny thing about the two future embroidery projects... they're the two Inspirations kits I wrote about the other day. I've been an Inspirations subscriber for a long time. I know I had #50 (for the Summer Harvest stumpwork project). As luck would have it, it's the only one I can't find! Another good reason for cataloging books! I have leant many a book and many a magazine over the years, and lost several, so now I will keeping strict track of them!

I have four stretcher bar frames specifically to use for filming stitches in the next couple weeks. I wanted to set them up with four different types of fabric - white plain-weave linen, a good cotton muslin, a beige even-weave, and a white even-weave. I'm out of thumb tacks... they were on my shopping list for my quick trip into town early this morning - but more on that in a moment!

Finally, later this afternoon, my plan was to work on some photo tutorials, one of which was actually supposed to be this blog post.

Unfortunately (not for me, but for my Mom!), all plans went a bit askew this morning when my Mom and I were at our first shopping stop on our quick trip into town. Walking out of the store, poor Mom (she's 75) stepped on an uneven curb and fell. I took her to the emergency room with a broken foot, which will need to be further addressed on Monday morning by an orthopedic surgeon.

And so... you can see how my weekend will go! I hope to have something more interesting for you tomorrow, depending on how tonight goes! In the meantime, if you want to browse online through some interesting links, here's a list:

The Stitchin' Fingers Gallery - prepare to be inspired!

Allison Aller's blog - she's got some really bright, springy projects going, involving lace, embroidery, and crazy quilting - really flowery, cheery stuff!

Spring flowers and birds patterns - over at Stitchado, Claudia posted a nice page of flowery patterns.

Pinbroidery - a new stitching cards website, in the "spirograph" style. A few interesting flower designs on there for your spring cards, plus a couple free patterns.

The Embroiderers' Story - check out the lace for the Plimoth jacket - it's gorgeous - bobbin lace with metal threads and spangles!

Threads Across the Web - Carol-Anne has been embroidering some gorgeous cherry blossoms!

Completely unrelated to Embroidery! Silk-Dyed Easter Eggs - yes, I want to do this. It just looks cool.

Beadlust - Robin Atkins has a really pretty piece full of French knots and colonial knots.

Needle in a Haystack - they have some interesting weekly specials, including 40% off Gamnut threads!

Easter Egg Design - would be really cute embroidered - simple and sweet.

Wool Felted and Embroidered Easter Eggs - this look fun, and they're pretty! And heck, they'll last til next year, too!

From Old Books - lots of scanned images from out-of-copyright books... some neat illustrations that could serve as needlework inspiration.

Whew. That'll have to do! Until next time, enjoy your needle 'n thread!

]]> personal embroidery links embroidery resources miscellaneous embroidery musings 7931 Tris Binkley noreply@blogger.com 2009-04-11 11:57:00 2009-04-11 11:57:00 1 0 8146 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-06 06:50:15 2009-04-06 06:50:15 1 0
Oh, thank you, Paula, for the offer! I found a #50 online here in the States, and bought it at half price! I was pretty happy about that! But thank you so much for your generous offer!

MC]]> 8147 charlie noreply@blogger.com 2009-04-06 05:11:00 2009-04-06 05:11:00 1 0 8150 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-04-05 18:21:00 2009-04-05 18:21:00 1 0 8151 Paula Hewitt noreply@blogger.com http://www.blogger.com/profile/14420354497597866436 2009-04-05 15:45:00 2009-04-05 15:45:00 1 0 8152 Carol noreply@blogger.com http://www.blogger.com/profile/16145339876894805722 2009-04-05 14:08:00 2009-04-05 14:08:00 1 0
I hope your mom will be up and about again soon! Best wishes and lots of prayers for her.

Carol
PS Haven't started the Indian girl yet--maybe in May when I go to Kosovo, I should have some time then.]]> 8153 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-05 11:03:41 2009-04-05 11:03:41 1 0
Thanks, BJ! I'll pass your kind wishes on to me ole Ma... the Agéd P, as Dickens would say! Thanks for the prayer!

MC]]> 8155 BJ noreply@blogger.com 2009-04-05 09:46:00 2009-04-05 09:46:00 1 0
Thank you for the time you spent for our enjoyment. I hope your Mother has very little issues with her break, and I hope she will be up and walking with little issues in 6 to 8 weeks.

I am saying a little prayer for her, I know she must be in quite a bit of pain.

Take care,
BJ]]> 8157 Annabel noreply@blogger.com http://www.blogger.com/profile/10405549356232075454 2009-04-04 23:46:00 2009-04-04 23:46:00 1 0
I've been reading your blog for a while, but never had something useful to add as a comment :)
I am totally in love with an online cataloging service for books that I've been using for more than a year now. I started by putting there all my calligraphy books... by the time I finished I've been addicted :)))

It's http://librarything.com.

It is very handy and saves you a lot of time; to add a book to a catalog you need just to find it in the Amazon or in some other catalog hooked to the website (so having a book in hand it is as easy as typing the ISBN in the search field), click on the resulting link - voila! it is in your catalog, with a cover picture, full info about the authors, publishers, editions etc. I processed almost 100 books in 1 hour!
It also has all those social network features like "who owns same books as you" etc, but I usually don't use them, although the reviews that the readers post there can be very relevant sometimes.
Just thought this might be useful for you. Unfortunately they don't pay me for referrals, or I would earn some change for making most of my friends join the LT :)))

Yours,
Annabel
Boston]]> http://www.needlenthread.com/2009/04/needle-lace-easter-egg-free-pattern.html Fri, 03 Apr 2009 19:19:00 -0500 Mary Corbet 390 2009-04-03 19:19:00 2009-04-03 19:19:00 open open Needle-Lace-Easter-Egg---Free-Pattern publish 0 0 post

It seems there are many names for this kind of lace. I call it needlelace, which is a more general term. In some books, it's also called point lace or reticella, and I've even seen it called needlepoint lace.

Needlelace is worked independent of fabric. In fact, it can be worked over paper, removed from the paper, and then added to fabric. When I venture into needlelace like this, though, I generally work it over my fabric, then cut the fabric behind it in an X shape, then turn the fabric back to the edges before working the final buttonholing or overcasting around the motif, catching the fold of the fabric. Then I cut the excess fabric away.

Still, I have worked it on paper, and it works up fine! The last step when working it on paper is overstitching it to the fabric (buttonhole or overcast on the outside lines) and then cutting away the fabric beneath it.

Mostly, needlelace is worked in conjunction with whitework. That's not to say it has to be worked on a whitework piece - no way! You can make little pieces of lace to decorate anything you want, really!

A very long time ago, I featured a tiny sample of needlelace here on Needle 'n Thread. If you want to see some nicer examples of needlelace, check out Textile Dreams, especially the reticella heart. There's also a very nice needlelace tutorial on Textile Dreams!

An excellent online book on needlelace is Therese Dillmont's Needle-made Laces, which you can find in two PDFs hosted at the On-line Digital Archive of Documents on Weaving and Related Topics (that's a mouthful!) In the first PDF file, you'll find clear step-by-step directions for this type of needlelace. Here are the direct links to the PDFs:

Needle-made Laces, Part I
Needle-made Laces, Part II

This particular design is cleaned up from an old Variety magazine pattern. The original booklet was printed in 1926 by Carmela Testa & Company. If you come across any of these old booklets, they're really nice to have! (But they're not always in the best shape!) Still, snatch them up! They're worth it - a great addition to a needleworker's library. Keep in mind, though, that sometimes these old booklets - though full-up with wonderful little patterns like this - lack clear instruction, especially when compared to today's step-by-step photo books! They assume the stitcher has already achieved a certain level of skill.

Well, without further ado, the egg. Below it, you'll find a link to a PDF version.




Needlelace Egg (PDF)

Enjoy!

]]> free embroidery patterns embroidery resources whitework needlelace 8159 Anonymous noreply@blogger.com 2009-04-04 11:16:00 2009-04-04 11:16:00 1 0 Your needle lace site and drawing is the coolest site.
I belong to a yahoo group called Ladies of Steeles and we discuss hand embroidery only.
We had a block exchange recently that I coordinated and I recieved blocks from Saudi Arabia, Baghdad, Florence and Cornwall England.
The woman in Florence did the needle lace. I thought it was the best thing I ever saw. Now I am going to try and make my own attempt at this lovely technique.
By the way. The Doctor in Baghdad won all 18 blocks and she was thrilled. I have a picture of her and of the blocks if you would be interested in seeing them.
Thank you ,
Janice Miller
Silverdale, Washington USA]]> http://www.needlenthread.com/2009/04/french-needle-embroidery-kits-supplies.html Thu, 02 Apr 2009 06:45:00 -0500 Mary Corbet 391 2009-04-02 06:45:00 2009-04-02 06:45:00 open open The-French-Needle---Embroidery-Kits-&-Supplies,-and-a-Special-Discount! publish 0 0 post
I call it trend-mapping. The trend I'm currently mapping is interest in the traditional, or classic, surface embroidery kit. There aren't a lot of them available, you know. Classic surface embroidery kits are not the most popular of needlework-related kits. Compare the number of surface embroidery kits you see available on the market with the number of cross stitch kits, and you'll understand what I mean!

But I have noticed in the past few years an increase in interest in regular surface embroidery kits, and, answering that increase in interest, suppliers are beginning to include surface embroidery more frequently among their selections.

So, I like it when I find another place that offers what look to be nice surface embroidery kits!

Do you know about The French Needle? Mostly, they specialize in cross stitch kits and charts, but Lisa of The French Needle is "on a mission" to push surface hand embroidery, and is now offering some interesting hand embroidery kits.

If you go to her Boutique page, you'll see she has a page of surface embroidery kits that feature, predominantly, monograms - and they are really beautiful monograms! I'd love to work all of these 7x7 monograms - I love the A, the V, the W, and the Y, especially! These would make terrific gifts for weddings, anniversaries, and birthdays (already worked and framed, or as kits for your needle-working friends). Note that they don't come with thread - they come with the design stamped on linen, instructions, and suggested color lists for different thread manufacturers.



But besides the monograms, it's the Bayeaux Tapestry kit that caught my eye! Now, I think this would be fun! If you like historical embroidery, you might be especially interested in this kit, and if you don't like historical embroidery, I think it would be a neat framed piece for a home - a conversation piece! It'd also make a great gift, finished and framed, for a lover of history, art history, literature, and so forth.



Besides the monograms and the Bayeux kit, you'll find a couple really nice floral pieces - a very bright one on a dark background, a pillow sham with flowers and bugs and garden creatures on it, and a couple more natural-looking flower pieces, like these Graminees. There are also a couple fun alphabet samplers, too, for surface embroidery, which is nice. Normally you see alphabet samplers in cross stitch, so it's fun to see a few in surface embroidery for a change! The ABC Fruits looks fun!



Besides surface embroidery offerings, The French Needle has a long list of popular cross stitch designers' charts, such as Long Dog Samplers, Rouge du Rhin, and others - lots of Quaker-look samplers, many European designs, some sampler reconstructions, and other pretty offerings. I especially like the sampler kit, Dutch Beauty. If I were going to work a cross stitch sampler, that would interest me.

I like the Long Dog Samplers a lot, too. In fact, I'm getting ready to work Angel Pavement with my 13-year-old niece on 28 count linen (over 1). Sound strange? You bet! (I'm not a cross stitcher!) Well, she wants to learn on something "fun," so that's what she picked out! Charts at the French Needle are reasonably priced, too - at least $1 below other places, from what I can tell. And I paid $3 more elsewhere for Angel Pavement!

Discount for Needle 'n Thread Readers! (For April!)

Lisa is generously offering a discount to Needle 'n Thread readers! For the month of April, you can get a 10% discount on all kits and charts, by typing "Mary sent me" in the special instructions box at checkout. Lisa will adjust your order on her end at the time of processing, taking off 10% from your purchase! Isn't that great? The discount's only available for this month (April, 2009), though - so if you're in the market for a new project and any of her kits, charts, etc., appeal to you, now's a good time!
]]> embroidery resources needlework websites counted thread embroidery techniques 7786 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-26 05:55:36 2009-04-26 05:55:36 1 0 Best,
MC]]> 7787 Dzithendo noreply@blogger.com http://www.blogger.com/profile/11630224317473281810 2009-04-26 00:11:00 2009-04-26 00:11:00 1 0 I've been meaning to leave a comment for ages and this is the perfect post! When I was in Bayeux years ago I picked up a kit of Harold riding his horse with his falcon and finally finished it 6 years later in college. I need to take a picture so I can show you.
I've been printing out patterns from your site for months now, and someday will get pictures up.
Thanks for such a wonderful site!]]> 7944 LaurieK noreply@blogger.com 2009-04-10 12:25:00 2009-04-10 12:25:00 1 0
And, Happy Birthday Mary!]]> 8161 WendyBee wendybee03@gmail.com http://www.blogger.com/profile/07171619702536045694 2009-04-03 11:42:00 2009-04-03 11:42:00 1 0 Your blog posts never cease to inspire me! Soooon, I will embroider something...that is something besides running stitch initials on the toes of men's socks. (How else can I evenly distribute socks from the laundry to a husband and 3 teenage boys, can you imagine?) I'm actually starting to monogram socks in the manner of old-fashioned clocks, but I'm trying to keep the project simple, so I can get it done with already, and move on to something actually pretty. Anyway, thanks for all your instruction and inspiration. I'm working on a little stitching post for my blog, and hope to link back to your beautiful blog and the French Needle website. (Just waiting on a photo permission...) Hope you'll visit.
WendyBee
www.wendysbees.blogspot.com]]> 8166 margaret c. noreply@blogger.com 2009-04-02 11:13:00 2009-04-02 11:13:00 1 0
I really like the dark background piece with vivid colours and bird (birds are always good). It reminds me of what I think of as Hungarian-style embroidery.

Isn't the Bayeux kit cool? I think that's the one I bought last year. (It was the only one I could find with horses; the horses are my favourite part of the Bayeux tapestry.) It's really BIG and I haven't had the right mindset to start it yet. It has a lot of the same stitch over and over and over so I have to really talk myself into working that kit, but I will....someday. :-)]]> http://www.needlenthread.com/2009/03/back-to-trestles-revisiting.html Tue, 31 Mar 2009 07:28:00 -0500 Mary Corbet 392 2009-03-31 07:28:00 2009-03-31 07:28:00 open open Back-to-Trestles---Revisiting-the-Embroiderer's-Workstation publish 0 0 post first post introducing the embroiderer's workstation / trestles from a couple weeks ago! Brian kept an eye on the comments and took them into consideration, and is working on some tweaking. In the meantime, I wanted to show you some other pictures of trestles after I moved them out to the studio....

One of our bigger concerns about the trestle stand is the manner in which the frame is attached to the trestles. Anything too "permanent" (such as lashing, which was often used on old convent embroidery workstations) impedes the flipping of the frame. So we've tried a couple things, and the one that has worked best so far is a ratchet clamp.



Here, I've got the trestles set at a pretty good slant, and I've used a ratchet clamp to attach a Q-snap frame to it. The point is, you can attach anything this way - hoop, frames, even heavy slate frames. Ratchet clamps are easy to use - they release with the flick of the lever, and they don't require any heavy squeezing to tighten them. But... still... it's not "ideal." If you're working with a large frame, that reach to the back to undo the clamp if you want to flip things is a bit inconvenient.

This question of securing the frame is the main element of the workstation that has Brian going back to the drawing board, and I think he's come up with a solution! Haven't seen it yet, but when I do, I'll show you what it is!

In the meantime, though, I have to admit, for regular sized project, I like the ratchet clamps. Maybe it's just because they're tools, and I feel so universally capable when I use tools with names like "ratchet clamp"! But seriously, I think it's just because they really hold things on well. I don't know why I never thought of this kind of clamp for other needlework applications. (Actually, I wasn't aware of the existence of these until now...)



This is the other little table for the trestles, and in fact, the whole workstation can be populated with these, as they fit in a variety of places.

Brian and I discussed the lip on the table suggestion... I see his reasoning on this: it is easier to pick something up off a table or to brush something off into your hand (and even, if it falls on the floor, to pick it up) than it is to try to work something out of a lipped corner on a piece of furniture (something like a needle or a bead or something small...) He is right about that! But the idea is still there, stewing. So we'll see where that goes.

Rounded corners on things (like the tables and feet) were suggested... good idea...



This is the whole thing on a slant, from the side. The present adjustments being made would actually eliminate some of the bulk from the slanted supports there, where the dowels fit. In fact, the dowels probably won't be used for the actual frame support. I like the dowels because they're universal - if you wanted to add another support, you just run to the hardware store and pick up a 1" dowel. Besides wanting another way for the frame to stay on the stand without a clamp is the whole question of rolling dowels. Should you clamp something heavy to the dowels (like a light), the dowel tends to roll, unless the item being clamped is perfectly balanced - and a bump can upset the balance pretty easily. So Brian's frame-holding solution should also solve the rolling dowels. It'll also streamline the look of the sides there.



This is the workstation, on a slant, with a larger piece being held by one clamp. It works great, and the clamp is within easy reach.



And this is the workstation horizontal. And this is my favorite position! It is so nice to work sitting there, with the piece resting horizontal, perfectly secure, no bouncing, no feeling of unstable support - it's as if your embroidery work has become your table. You have perfect access underneath, can easily flip the needlework, and it's actually a very comfortable way to sit and stitch!

I've sat at a frame propped between to tables before, lying horizontal. It was "ok" but not very comfortable because the tables were regular-height tables. The frame was just too high to work on comfortably, but I didn't realize that was the problem until I set this up horizontally. It's slightly lower - not low enough to have to bend over, but low enough to be easily on top of the work. It's perfect!



Now I understand the horizontal workroom situations of old! And, when horizontal, another advantage is that a second stitcher can sit on the other side...

So, we're still open for suggestions or questions or anything. Any thoughts on this set-up? Any points of improvement that may have occurred to you since introducing the workstation? We're all ears!
]]> trestles needlework tools hobby room pictures 8169 Anonymous noreply@blogger.com 2009-03-31 20:00:00 2009-03-31 20:00:00 1 0 8170 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-31 14:15:00 2009-03-31 14:15:00 1 0 I know just what you mean and it's a great phrase for it.]]> 8171 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-31 13:21:10 2009-03-31 13:21:10 1 0
Sara - Thanks for visiting! I loved visiting your blog this morning, and I was REALLY excited to find the frosting recipe, which is just what I was looking for! Hopefully, this weekend, I'll give it a go, and let you know what happens! I may even try the coconut first, so if it works out, I'll send you the lowdown on it! Thanks!

MC]]> 8172 Ruth noreply@blogger.com 2009-03-31 13:18:00 2009-03-31 13:18:00 1 0 8173 Sara @ Our Best Bites noreply@blogger.com http://www.blogger.com/profile/15055507062883968596 2009-03-31 11:44:00 2009-03-31 11:44:00 1 0
I just wanted you to know that I replied to you question about frosting- I didn't know if you'd see it and I couldn't find an email for ya, so here's what I said:

Oh Mary Mary Mary, you have no idea. I just made this a few weeks ago and I added 1t of lemon extract in (along with the vanilla) and it was to DIE for. Seriously I could have eaten it all with a spoon! I put it in between little mini lemon cakes and it everyone was asking me what the heck was in there because it was so yummy. I'm actually concocting a dessert right now to post that uses it. So yes- flavor it up! I've wanted to try coconut, and also peppermint (on a chocolate cupcake, can you imagine?)

(and now if you want to delete this food related comment from your site, you're more than welcome to- I won't be offended! lol) Happy Cooking (and crafting!)

-Sara]]> 8174 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-03-31 11:43:00 2009-03-31 11:43:00 1 0 I use tape to pick up dropped beads, and needles which are dropped near my chart usually have thread attached, which makes them easier to find and pick up.
This really is a lovely workstation.]]> http://www.needlenthread.com/2009/04/speaking-of-embroidery-kits.html Wed, 01 Apr 2009 06:40:00 -0500 Mary Corbet 393 2009-04-01 06:40:00 2009-04-01 06:40:00 open open Speaking-of-Embroidery-Kits... publish 0 0 post embroidery kits...

... and here's another designer whose kits I would add to the list! Helen Stevens has embroidery kits on Fritillary now!



Check out these kits, featuring the four seasons. I like them! And they'd be a great way to familiarize yourself with Helen's beautiful techniques.

I like the Autumn and Spring best - I love the birds!

While you're there, check out the bunnies on the Fritillary homepage. If that were a kit, that's actually the one I'd go for!

Her greeting cards, by the way, look beautiful, too! They'd be great to have on hand for special birthdays, Mother's Day, and so forth.

Enjoy browsing Fritillary!

And thanks, Margaret, for the heads-up on the updates!
]]> embroidery resources embroidery kits embroidery designers needlework websites 8168 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-04-01 08:07:00 2009-04-01 08:07:00 1 0 Champagne Rose to try silk embroidery. I confess that I began but it is not finished yet...I don't like very much the design but it is very useful to learn something new - I face it as an exercise/ sampler.]]> http://www.needlenthread.com/2009/03/what-inspires-your-needlework.html Mon, 30 Mar 2009 06:35:00 -0500 Mary Corbet 394 2009-03-30 06:35:00 2009-03-30 06:35:00 open open What-Inspires-your-Needlework? publish 0 0 post

When it comes to embroidery and needlework, looking around at all the brilliant designers and stitchers out there, I often find myself somewhat dissatisfied with my comparative lack of inspiration. But there are a few things that do inspire me, and occasionally, there are those little moments when something bursts upon the eye and lights up the brain, screaming, "You want to embroidery me!" The fat robin outside my window right now... the frozen tulip in the corner of the yard, encased in late-season ice... the twiggy branch covered with pale green buds that's scratching on my window; the design in the carpet at my feet; the colorful engravings on a piece of foreign currency... these things catch my eye, and I think they would make interesting subjects for embroidery.

But, to tell you the truth, that's about as far as they go. They catch my eye, they spark my interest, they suggest a design. But they rarely materialize.

Why not, I wonder... Part of the answer lies in my lack of drawing ability. I would like to be able to draw better than I do. Stylized patterns and motifs are fine, but realistic sketching is not a skill I've remotely perfected. Another part of the answer (and probably the greater part) lies in a lack of concentration or focus on creating, due to the lack of time and the overabundance of other responsibilities. Without the "leisure" required to attend to artistic pursuits, it is difficult to hone in and take perception to fruition in a completed project - or at least to do so while the inspiration is vivid. In fact, it's often difficult just to take the time to really see things and get inspired!

But inspiration doesn't have to come from the "raw," and, in fact, as far as actually working a project goes, I take more inspiration from other pieces of art - already done, already realized in another medium - than I do from nature or other raw sources.

I'd like to show you an example of what I mean. Lately, I've been musing and stewing over stumpwork. Do you know what it's like when an idea, technique, or project begins to gnaw away at your imagination and consume all your thoughts? That's how I've been about stumpwork lately. You've actually seen some of the consequences of this stumpwork obsession in my recent posts - my re-awakened interest in the Plimoth Plantation jacket project; the kits I posted the other day; the links to Thistle Threads (with that beautiful museum-licensed box project!); Jane Nicholas's Stumpwork Embroidery book review; the book review on Embroidered Flora & Fauna - all of these posts are related to my recent stewings!

More than anything else, though, two books that are not embroidery books have occupied my mind. I'm not writing a book review here! Rather, I want to show you how one art form can directly inspire ideas for another.

This isn't a new connection, though. Illumination (painting or drawing to embellish a written work) and embroidery have developed side-by-side throughout history. But take a look at these two books on illumination, and you'll see where my thoughts are going as far as stumpwork is concerned.



The first book here is Beasts Factual and Fantastic by Elizabeth Morrison. This is a beautiful little book full of colored photographs of different illuminated works throughout history. The author concentrates on the animals (both the realistic and the fantastic) in illuminated manuscripts and books. From bunnies to bears to gargolyes and strange mixed breeds, somehow, they all found their way into illumination.



This picture in particular captures my embroidering fancy. The bear is a study for padding and French knots. The hives, for couched gold on felt padding. The monster bees, perfect for turkey work and wire wings. Further additions of flowers and grasses could cheer the scene up a bit. While there's something about the picture that borders on grotesque - the long claws of the bear, the more "human-like" form of his body, the insanely disproportioned bees - there's also something charming about it, and it could be made really charming with the addition of a little brightness. I like it! It's morphing about in my mind! Will it result in anything finished? I don't know yet!



The second book is The Medieval Flower Book by Celia Fisher. This book explores in particular flowers as embellishments of manuscripts and books.



The close association between illumination and stumpwork can certainly be seen here. I love this dragonfly and the bright red poppies.



Again, another illumination that begs for a stumpwork interpretation! The blue flowers, the thistles, the butterflies, and the little hairy petals that surround the painted pearls are all perfect for interpretation in embroidery.



It's funny how, when looking at the page on slant, the butterfly is so perfectly rendered that its wings seem to be lifted up off the page!

These two books have provided my night-time reading lately, as well as my lunch-time book browsing. When I see something I particularly like, I note it down or put a marker in the book, so I can come back to it later and consider it from the point of view of the embroiderer.

Inspiration can come from anywhere, really. Right now, mine is definitely coming from a variety of books that I've been reading. As the weather warms up, perhaps there will be more of an opportunity to get inspired outside, but in the meantime, I'm completely besotted with these two books and the ideas they're fueling in my head!

What inspires you?




]]> historical needlework book review embroidery resources pictures miscellaneous embroidery musings stumpwork embroidery books 8175 Ruth noreply@blogger.com 2009-03-31 08:29:00 2009-03-31 08:29:00 1 0 8180 Andrea J. noreply@blogger.com http://www.blogger.com/profile/09319447475289414131 2009-03-30 16:30:00 2009-03-30 16:30:00 1 0 8181 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-30 13:52:03 2009-03-30 13:52:03 1 0
Sweet P, I'm glad I'm not the only one! :-)

Yep, Google images is a good place to find interesting pictures - that's how I find photos, for example, of flowers that I want to check the shading on, etc.

Thanks for your comments and insights, everyone!

MC]]> 8182 ravenrigan noreply@blogger.com http://ravenrigan.livejournal.com/ 2009-03-30 13:11:00 2009-03-30 13:11:00 1 0
When I find an image I like I either Gimpshop it to the right size, print it out and trace it (even a fairly dodgy image will normally do, as the original is normally just the starting point).

Or, more recently I have discovered it is easier to simply tape the tracing paper to the monitor, enlarge or reduce the image to the size desired, and then transfer to the fabric.

I figure that by the time it has been turned into an embroidery it is sufficiently different from the original to circumvent any copyright issues especially as these are one off pressies.

My current project is a silk shading rendition of a 50s tattoo design of a swallow.]]> 8183 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-03-30 11:32:00 2009-03-30 11:32:00 1 0 8184 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-30 10:47:00 2009-03-30 10:47:00 1 0 (Hi Mary - this comment became an e-mail and have so many links ...as you'll read it before editing please don't and consider it an e-mail:)

I'm a basic embroiderer, as you know. I use to see some magazines and the inspiration comes from them, more or less.
The few things I've embroidered usualy are not simetrical and have simple shapes (i'm not good at drawing); as you can see here:

http://www.flickr.com/photos/92287635@N00/2249201996/

I began without plan and stopped when I thought it was enough: sometimes I adjust a magazine design:
http://www.flickr.com/photos/92287635@N00/3337854771/

But since I found your blog the fact is I look at things around me in a different way even in museums, art exhibitions but one thing that catches my eye is cast iron work(?) used in gates, doors, balconies (there are lots of them the place I live)- a while ago you have talk about, I think - and art nouveau make me dream too :)

Thinking about this I think that under your influence I've progress (?) improve(?) from this:

http://www.flickr.com/photos/92287635@N00/2680030460/ to this

http://www.flickr.com/photos/92287635@N00/2809264244/

Thanks, Mary! Thanks a lot!]]> 8185 onafixedincome noreply@blogger.com 2009-03-30 10:35:00 2009-03-30 10:35:00 1 0
And I do. It's not as exact or true to life as many folks' work may be, but it's fun and comes out looking more or less as I had in mind, and isn't that the point?

Anything can be an inspiration. A pattern, a memory, a slight tweak on reality, or just the thread I happen to have on hand!

I'd never have associated the pictures you cite with stumpwork, though I can see how it might work for someone so inclined... :)

Oh, well. Now that it's summer, I'm pretty much gardening and spinning--and my hands will be too rough for even that soon!]]> 8186 Anonymous noreply@blogger.com 2009-03-30 09:14:00 2009-03-30 09:14:00 1 0 http://www.needlenthread.com/2009/03/excellent-embroidery-resources-free.html Sun, 29 Mar 2009 06:35:00 -0500 Mary Corbet 395 2009-03-29 06:35:00 2009-03-29 06:35:00 open open Excellent-Embroidery-Resources---Free-Designs-&-Instruction publish 0 0 post

The last couple days, I've been mentioning Tricia Wilson-Nguyen's website, Thistle Threads, first in conjunction with the embroidered jacket at Plimoth Plantation, and second, when I was discussing needlework kits yesterday.

If you haven't perused her website deeply yet, you may have missed a couple real gems on there. The website, by the way, is newly over-hauled, so if you were familiar with her website, Thistle Threads, before but haven't been in a while, it's worth taking a look at it!

On the new Thistle Threads website, you'll find a section called Web Instructions, under which you will find two categories, projects and stitch diagrams.



Under projects, you'll find three little free projects, with thorough stitching instructions.



Under stitch diagrams, you'll find 8 PDFs for different stitches, and each one is detailed and easy to follow.

So, if you haven't visited Thistle Threads, you might want to take a look at these excellent offerings from Tricia!

Enjoy!
]]> free embroidery patterns embroidery resources needlework websites 8187 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-03-30 00:06:00 2009-03-30 00:06:00 1 0 8190 Marian noreply@blogger.com 2009-03-29 17:44:00 2009-03-29 17:44:00 1 0 8198 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-03-29 10:46:00 2009-03-29 10:46:00 1 0 I don't comment much, but I am right here enjoying your blog all along the way....terrific!]]> http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-q.html Sat, 28 Mar 2009 19:00:00 -0500 Mary Corbet 396 2009-03-28 19:00:00 2009-03-28 19:00:00 open open Monogram-for-Hand-Embroidery:-Celtic-Q publish 0 0 post

If you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small Q:



And here's the large Q:




For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms http://www.needlenthread.com/2009/03/on-embroidery-kits-some-rambling.html Sat, 28 Mar 2009 16:03:00 -0500 Mary Corbet 397 2009-03-28 16:03:00 2009-03-28 16:03:00 open open On-Embroidery-Kits---Some-Rambling publish 0 0 post
I belong to the 3rd category - yes, but selectively.

I have a couple embroidery kits on hand that I want to work, and I'll show some of them to you here.



My favorite kits so far in my needlework life have been Tanja Berlin's needlepainting kits. Through them, I've learned a lot about needlepainting! I haven't worked a kit in ages, but I've got a few of hers in my stash, awaiting the day, specifically the squirrel and a bird or two...



Country Bumpkin needlework kits are also among my favorites. One of my Christmas gifts this year was an order from Country Bumpkin, and included in that were two kits: a little "Summer Harvest" stumpwork kit and a needlepainting kit called "True Love" that I find downright hilarious and that I'm planning to use as a future wedding gift.



The differences between Tanja Berlin's kits and Country Bumpkin's kits are notable. I thought I'd point some of the differences out to you, in case you're looking for a new project to work or a new technique to learn and are thinking about starting with a kit.

Country Bumpkin Needlework Kits:

1. Country Bumpkin relies upon your owning the magazine in which the project is featured. Kits are an off-shoot of their magazine, Inspirations. The purpose of CB kits is simply convenience: the kit includes all the supplies you need to complete a project featured in one of their magazines, but it doesn't include the design or the instructions. It is simply a materials kit. If you don't subscribe to the magazine, you have the option, when you purchase the kit, of purchasing the copy that coincides with the kit. The articles in the magazine have very detailed stitch instructions, diagrams, up-close pictures, and so forth. Each magazine has many beautiful projects in it, so when you buy one magazine, you're actually getting excellent instruction on many projects, not to mention all the other interesting stitching tidbits and stories. It's a great magazine!

2. The kits (in my experience) always have PLENTY of fibers to work the project. I've never felt as if I would run out of the required thread. Whole skeins and spools of most threads are included, rather than partial skeins or bits of threads. Also, any notions required in the project are also included (buttons and so forth), as well as supplies such as interfacing, wire, etc. In short, all materials! (Note: some blanket kits do not include the fabric backing; this is always noted in the kit contents.)

3. The design is not transferred onto the ground fabric. This is something you have to do, using the design in the magazine. I was a little surprised by this at first, because when I am working from a kit, I do like to launch right in (and forego the pre-work of transferring, which is not my favorite part of a project!). However, it makes sense. Country Bumpkin's first focus is their magazine. If they sold kits with instructions and designs, it would be somewhat of a conflict of interest! On the bright side, if you are out to really learn embroidery, then knowing the ins and outs of transferring designs is an essential part of the process, so it's good for the learning curve!

4. Country Bumpkin kits ship from Australia. For those of us in the States, anything we save in exchange rates is definitely eaten up in shipping. In this regard, the kits are somewhat expensive... and shipping tends to be a bit slow. But, if you want the kits, that's part of the package!

Tanja Berlin's kits:

1. Tanja's kits come with everything you need to complete the project: instructions, design, colored photo of finished project, all diagrams, detailed stitching instructions and troubleshooting guide, all fibers, fabric, needles. She also has the option on her website of on-going consultation for stitchers working her kits, so if you run into a trouble spot, you can contact Tanja and she'll help you through it.

2. Tanja's kits contain just the amount of fibers you will need to complete the project, with a little leftover. So you don't normally get full skeins of floss or spools of threads. She organizes the threads on a color card, with each color number marked clearly next to the thread.

3. In her surface embroidery kits, the designs are already transferred on the fabric for you.

4. Tanja is located in Canada. Depending on the exchange rate (which has fluctuated quite a bit in the last couple years), if you're in the US, the kits may be slightly more expensive or slightly less expensive than the actual listing on her site. Shipping, too, is somewhat pricey, but she has lots of shipping options, so you can choose the least expensive one (though you'll probably wait a little longer for your order). Tanja ships very quickly if she is not out of town teaching (she always leaves a notice on her website if she is out of town, and tells you exactly when she'll be back...)

So those are the two kinds of kits that I have primarily indulged in over the years.

Other Types of Embroidery Kits



I've also worked kits from Roseworks Designs. They're located in South Africa, and have some pretty kits available through retailers or ordered directly through Roseworks Designs. Their kits include fabric with the design on it, detailed stitching instructions, and a color key for Anchor and DMC colors, but they don't always include the threads. These kits were more widely available in the US, but now I can only find one online retail shop that sells them here. The other shops I knew of that sold them have since gone out of business.

Another type of kit that I've purchased but haven't worked is an Anchor Fleur de Lys teacloth. Margaret Cobleigh, however, persevered through the finish of the same kit, and graciously wrote up a whole document on how she altered the kit to make it more interesting. To see what these kits look like, you can check out her Spring Teacloth and her Strawberry Teacloth here on Needle'nThread. I have never quite gotten back to the Spring Teacloth. It has just never "grabbed" me, though I think Margaret did an absolutely stunning job on hers!

Embroidery Kits I would Like to Work

Now, there are other kits offered out there that I'm interested in, but have not had the opportunity to try.



First, Alison Cole's kits. One of these days, I may indulge in a couple of those, including her Illuminated Floral stumpwork and goldwork kit (which I've mentioned before) and some of her mini Or Nué kits (the frog, gecko, and strawberry, to be precise). Though I haven't worked her kits, I assume they come with excellent instructions - her books are certainly excellent.



Then, there's Tricia Wilson-Nguyen, the lady behind Thistle Threads, known for her expertise in historical needlework and her current work on the Plimoth Plantation 17th-century embroidered jacket. Did you know she offers kits? They're mostly of an historical nature, and some are quite elaborate. Besides her exquisite licensed museum adaptations (part of the proceeds go towards the museums that host the original studied object), Tricia offers some limited edition kits that are neat, and many "regular" kits that are also enticing. The kits that I'm really interested in of hers are a bit out of my range, but it's inspiring to look at them, nonetheless!

Trish Burr is also working on putting together some kits, and if and when that happens, those will definitely be something I'm interested in. Her books are greatly instructive, so I'm sure her kits will be, too.

My Embroidery Kit Philosophy is pretty much this: A kit can be an excellent way to learn or polish an embroidery technique. If the kit appeals to me in some way, I am not adverse to working a kit, and actually can find great pleasure and freedom in working one. I like buying kits from specific designers (as opposed to mass-produced commercial kits such as those found on the needlework aisles in chain stores). It's a lot like making the effort to shop at a local needlework shop. Embroidery designers, writers, instructors, etc., keep the art of needlework alive - and many of them rely upon their designing and teaching for their livelihood. I don't mind supporting that at all! (when I can afford to!)

That's pretty much the way I look at kits. Do you like kits? Why or why not? Do you have favorite kit designers that you would recommend? In general, what are your experiences with kits? Please share!

Now, having said all that, I bet you think I'm heading off to get started on one of those kits. Nope - I've got "real" work (school work) to do all weekend long! No needlework for me this weekend (unless I can sneak in a wee session here and there when no one's looking!)

Have a great weekend!
]]> historical needlework goldwork embroidery resources embroidery kits miscellaneous embroidery musings stumpwork needlepainting 7913 Lorena noreply@blogger.com http://www.blogger.com/profile/00898602865195128470 2009-04-13 14:57:00 2009-04-13 14:57:00 1 0
I would absolutely love to pick up a few of Alison Cole's kits but I'm not thrilled by the payment options available for US buyers. She does not accept international checks or online payment, which doesn't leave you with much in the way of secure payment options.]]> 8193 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-29 15:54:00 2009-03-29 15:54:00 1 0 8194 Anonymous noreply@blogger.com 2009-03-29 14:28:00 2009-03-29 14:28:00 1 0 Cissie]]> 8195 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-29 13:34:00 2009-03-29 13:34:00 1 0 But... (as you use to say)
you have been showing so many beautiful kits that I'm "adjusting my budget" (you have writte about some time ago)for some I have in my favourites :)]]> 8196 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-03-29 12:43:00 2009-03-29 12:43:00 1 0
Thanks for the tips

Ruth]]> 8200 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-03-29 07:25:00 2009-03-29 07:25:00 1 0
I have the advantage of being the manager in our store who does the price changes on products. I know when I go into work today I will be marking down some embroidery kits. One is for learning to stitch flowers and will be priced at 50 cents. I will pick one up just for the lesson.]]> 8201 margaret c. noreply@blogger.com 2009-03-28 23:24:00 2009-03-28 23:24:00 1 0
However, if a really good one comes along I will break my 'no kits' rule. Tanja Berlin has a bunny design that is not yet ready for publication as a kit, but when it is I want to do that piece. (I also want to check out her instructions.)

I am also tempted by the same Alison Cole kit as Mary and so far I've been able to resist!

We won't talk about the drawer-full of 'Inspirations' kits that I have waiting for me...sigh...and I have a few other commercial kits that I may or may not do. I like to keep them around in case I need something mindless to do.

One thing I miss about my kit days was how easy it was to just pick one out and start stitching. I also really like having the design pre-printed because that should be one of the advantages of a kit. The main reason I haven't done my 'Inspirations' kits is because I don't like transferring designs. (If I have to transfer a design I prefer to do my own and use a printer! :-)

I don't think anyone should feel bad about stitching a kit (and I hope no one does). In my opinion anything that gets someone to put needle and thread to fabric is OK by me.]]> http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-p.html Thu, 26 Mar 2009 17:30:00 -0500 Mary Corbet 398 2009-03-26 17:30:00 2009-03-26 17:30:00 open open Monogram-for-Hand-Embroidery:-Celtic-P publish 0 0 post

If you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small P:



And here's the large P:




For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms http://www.needlenthread.com/2009/03/17th-century-embroidered-jacket-info.html Thu, 26 Mar 2009 08:32:00 -0500 Mary Corbet 399 2009-03-26 08:32:00 2009-03-26 08:32:00 open open 17th-Century-Embroidered-Jacket-Info publish 0 0 post
The new Embroiderers' Story blog is being hosted by Tricia, and you can find it at Thistle Threads:

The Embroiderers' Story blog at Thistle Threads

Plimoth Plantation has suffered a bit from the present troubled financial climate, so they've had to make some changes in plans for the jacket, which will still be completed. They'll be announcing the plans for the jacket soon, as the exhibition at Plimoth has been cancelled.

Anyway, to catch up on all the news surrounding this masterpiece, visit the Embroiderers' Story at Thistle Threads, where you will see more progress on the jacket! Oh, and they've started the birds, and they are GORGEOUS! So don't miss it!]]> needlework websites needlework news 8230 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-03-26 09:56:00 2009-03-26 09:56:00 1 0
MGM]]> http://www.needlenthread.com/2009/03/tiny-beads-for-miniature-embroidery.html Thu, 26 Mar 2009 06:35:00 -0500 Mary Corbet 400 2009-03-26 06:35:00 2009-03-26 06:35:00 open open Tiny-Beads-for-Miniature-Embroidery publish 0 0 post miniature embroidery piece a while ago, I ran into a little dilemma. The piece called for beads speckled here and there on the original design. I was going to sew some on... but...

... I forgot that the miniature embroidery piece was so much smaller than the original design was intended to be! The beads called for were Mill Hill Petites, which are size 15/0. They're relatively small, but they look huge on a miniature piece.

Not knowing too much about sizes of beads (I've not done a lot of bead embroidery - just used them as embellishments here and there...), I wrote off the beads entirely.

One day, though, I was perusing Robin Atkin's site, Beadlust, where you can see some drop-dead-gorgeous examples of bead embroidery. I left a comment mentioning my lack of teeny tiny beads, and Susan Elliott of Plays with Needles kindly responded and recommended Beadcats, an online bead store that features vintage beads that are ... well... tinier than I ever thought beads could be!

Look. I am a downright weird-o when it comes to embroidery supplies. I was on a kick of sorts. I felt I lacked beads, that beads were something suddenly essential to any embroidery that I was ever to do again in my life, and that I had to have beads. Beads! LOTS of beads.

And now I have exactly that - lots of beads.



The sizes range from 16/0 - 24/0. Remember that Mill Hill Petites are 15/0. The higher the number, by the way, the smaller the bead (like needles... and wire).

Not knowing much about beads - that they are actually classified beyond just color, in jolly categories such as "greasy" or something to that effect - I felt obliged to try all different types and descriptions. Greasy beads, by the way, look eerily greasy. And little bags of teeny tiny black beads look eerily like tiny caviar. Opening the package and exploring the beads was an interesting experience!

But what amazed me, and what I want to get across to you, is the size of these beads. Mill Hill Petites, the common "little" seed bead you can buy at any bead-carrying craft store, hasn't got anything on these when it comes to being "petite"!



It's really hard to get across sizes online. In the photo above, the metallic pink bead looks remarkably large, and yet it is a 15/0 Mill Hill Petite. The blue is a 16/0 vintage bead. The black is a 23/0 vintage bead.

That black bead can get lost under your fingernail. It could be mistaken for a speck on a table. A speck of something really small, that is. Horton Hears a Who comes to mind here!



The black bead practically fits in the hole of the Mill Hill Petite. I'm pretty sure it would've fit, with a little manipulation.



Guess what? It was really hard to stack those little guys up and get them to stay put. They had some sort of serious static charge running through them that made them want to dance around a bit!

Anyway, that was my adventure with teeny tiny itsy bitsy super-dee-duper small beads. Have I actually done anything with them yet? No. I'm not exactly sure what one does with such things that small. But I am sure they have a purpose, or they would have never been made! I look forward to the discovery of that purpose some day. I suppose I better do it while I'm still in my 30's... or my eyes may revolt!

Do you embroider or embellish with beads? If so, have you ever used beads in sizes 16/0 - 24/0? What do you use them for? Can you recommend any books? Can you recommend any websites with photos and ideas? I'd love to hear something about these intriguing tiny things!]]> embellishments embroidery resources pictures beads 3053 Seryna noreply@blogger.com http://www.blogger.com/profile/17066930200644629061 2010-02-21 03:42:36 2010-02-21 03:42:36 1 0 ~Anne]]> 8197 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-03-29 10:50:00 2009-03-29 10:50:00 1 0 I love Beadcats...they are in my area, too, and have an "open house" (literally, one of the owner's houses is turned into a store) with all their inventory out for sale every year before Thanksgiving. (Otherwise, they are mail order and bead show sellers only.)
They are the nicest, most talented people...and their service and prices are the best!]]> 8203 MichelleMermaid michellemermaid19@yahoo.com 2009-03-28 11:24:00 2009-03-28 11:24:00 1 0 To attach my petite beads I used a very thin quilting needle that's only an inch long and my thinnest Nimo bead thread. I chose the short needle rather than the longer beading needle which I felt would have been awkward to use with those tiny beads. It went just fine.]]> 8208 MichelleMermaid michellemermaid19@yahoo.com 2009-03-28 00:18:00 2009-03-28 00:18:00 1 0
Well, I made another paisley tonight and just happened to use my tiniest beads on it. Here's a link: http://stitchinfingers.ning.com/photo/very-berry-paisley-309?context=latest

I have about four packages of Mill Hill petite beads. "Petite" is the closest they come to a size on these packages. The larger beads are fatter, a size 6, and the largest seed bead I have, about the same as a pony bead, I think.

I think these smaller beads look like dew drops.

Dakotah]]> 8209 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-03-27 20:10:00 2009-03-27 20:10:00 1 0
You can use thinner thread than DMC. I use invisible thread most of the time. It's plastic, but clear.]]> 8211 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-03-27 16:39:00 2009-03-27 16:39:00 1 0 8213 Rabid noreply@blogger.com http://www.blogger.com/profile/13906942094798181337 2009-03-27 14:40:00 2009-03-27 14:40:00 1 0
I started using them in my needlework a couple of years ago. I don't often use them, but I have a considerable collection at this point of beads of different sizes/shapes. Some really, really tiny ones too. There's a local bead shop that has some beautiful stuff, and I like to go in there and see if I feel inspired by any of their beads. Sometimes I do and I bring them home. I love getting inspiration from weird places.

I particularly like using them in hardanger. You can use some larger ones in the bigger windows, or you can thread tiny ones over/around the lace you've made inside.]]> 8214 MichelleMermaid michellemermaid19@yahoo.com 2009-03-27 12:48:00 2009-03-27 12:48:00 1 0 I'm afraid I can't offer anything helpful. Just wanted to say I enjoyed the blog about beads and that I really love Mill Hill beads. They are a very good quality bead and the colors are very nice.
I've looked at those tiny beads before, wondered about them, and my reaction has always been instant intimidation. I'm just not ready for that yet!
Thanks for the info! It was fun to read.]]> 8220 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-03-27 04:24:00 2009-03-27 04:24:00 1 0 8222 Ginger noreply@blogger.com 2009-03-26 22:53:00 2009-03-26 22:53:00 1 0
Doing a bunch of bead embroidery now with Crazy Quilting. See books by Nancy Eha.

Long time fave though is to bead entire design elements on needlepoint canvas. Yep, one stitch at a time. If you ever want to try that, use number 11's on 13 mesh and number 14's on 18 mesh, one bead over each canvas thread intersection. Beautiful.

Ginger]]> 8223 LollyChops lollychops@gmail.com http://www.blogger.com/profile/17965880109441857257 2009-03-26 21:06:00 2009-03-26 21:06:00 1 0
Thanks for sharing the tiny bead resource link too!]]> 8226 Marian noreply@blogger.com 2009-03-26 16:41:00 2009-03-26 16:41:00 1 0 8227 Kate mjrroland@yahoo.com http://www.blogger.com/profile/06395157955320659033 2009-03-26 12:30:00 2009-03-26 12:30:00 1 0 8229 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-03-26 10:28:00 2009-03-26 10:28:00 1 0
I rarely do cross stitch but when I do, like to do it small so that it looks like a painting -- in fact, old berlinwork patterns are fabulous for that -- anyway, when you reduce your thread count down to 40 count or smaller -- the ONLY beads that will work are those super small ones.

I have also used many, many of the tiny gold ones on some finer embroidered ornaments where the motifs were small. I found two antique purse frames in Paris once and I have a dream of knitting my own one day -- the problem is finding a source for these teeny-tiny beads -- they just aren't available in large quantities anymore because they're not being produced. Oh well, keep me in mind if you ever run into an old storehouse somewhere with loads of teeny-tiny beads -- I'll be right there on the next flight.

Thanks for the post. Can't wait to see what you do with them...]]> 8231 Mary maryehub@aol.com http://www.blogger.com/profile/17404733719240130292 2009-03-26 09:10:00 2009-03-26 09:10:00 1 0 8232 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-26 08:20:27 2009-03-26 08:20:27 1 0 8233 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-03-26 07:55:00 2009-03-26 07:55:00 1 0 8234 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-03-26 07:54:00 2009-03-26 07:54:00 1 0
http://fairy-crafts.blogspot.com/2009/03/beads-and-painted-canvas-again.html

Jane/Chilly Hollow]]> http://www.needlenthread.com/2009/03/back-to-goldwork-iris-and-shading.html Mon, 23 Mar 2009 14:01:00 -0500 Mary Corbet 401 2009-03-23 14:01:00 2009-03-23 14:01:00 open open Back-to-the-Goldwork-Iris-and-Shading publish 0 0 post goldwork iris in a while, and I left everyone hanging with the last post about it, when I asked what you thought I would do for embroidery thread! I never did answer that question, so now I will bat around the ideas in my head about this piece.

First, I'll admit right upfront that I haven't given this little piece of goldwork embroidery a chance! I have worked on it in fits and starts, usually in 15-minute (or shorter) increments.

The 15-minute sessions are great when you have a project set up and you know exactly where you are going with it. I have found that, in such cases, short sessions are useful in making progress. The drawbacks to short embroidery sessions like that, though, are that you can't always get a good rhythm going with your stitching, and you can't make enough progress to know exactly whether or not something is working out, if you are "feeling your way through" a project in the first place.

And that's kind of my situation with the goldwork iris.

This is as much as I've progressed on the project:



I really only have three full threads couched. I went with the Soie d'Alger because that's the silk thread I had on hand in the right colors, but of course, the whole time I was stitching, I was bemoaning the fact that I didn't have the silk I wanted! However, I made a firm resolution that I would not buy anymore threads until the middle of April, and I am sticking to that! So I told myself the Soie d'Alger would work for this test piece.

And it does work! It's fine. It's not necessarily what I would have preferred, but it's a good thread, and it does work.

I received a lot of good advice on the project from other stitchers who have tried this technique, and I'm really grateful for that! I wish I hadn't started stitching already when some of the advice came in. For example, I wish I hadn't made so much of the outline (especially the dark green) so solid, and had left some space for the gold to show through. I did towards the top, but now I'm dissatisfied with that, because it is inconsistent with the rest.



There's not enough stitching done here to really tell how it will look, and I'm more and more convinced that, with this technique, the whole picture develops slowly and you really need to give it a chance! So I haven't given up on it - I need to make greater progress to see how things are going to go with this piece.



There's one part of the design so far that I really do like about it, and that's the purple. In fact, I like the purple so much that I'm completely glad I didn't order the Piper's silk (or TESS), or didn't pick a not-quite-right color.

So, right now, that's where I am on this project. Truth to tell, I've put it away for a little bit - it's packaged up, threads and all, until I can devote some serious time to it. While it sat among my present embroidery tasks, I felt pretty anxious about it. Better to put it away for a little bit, until I can devote more time to it!

I am still plugging away on my whitework sampler - the cutwork section has a few bars worked in, and that's about all I got done with needle and thread this past weekend!

And now, as I'm in the midst of a very busy time at school, it looks as if it'll be a little while before I can get back to some serious stitching! I'll have to rely on 15 minutes of whitework here and there if I want to make any progress.

I hope you all had a chance to get in some stitching this past weekend and that the week promises some good opportunities to you for the same!

]]> goldwork pictures silk needlework pictures 8252 Lauren in CT noreply@blogger.com 2009-03-24 11:34:00 2009-03-24 11:34:00 1 0 8254 margaret c. noreply@blogger.com 2009-03-23 20:43:00 2009-03-23 20:43:00 1 0
Additionally, I have also found that I like to have a decent amount of time to do any sort of goldwork as you do indeed get into a rhythm.

Keep going! I'm really looking forward to seeing this piece develop.]]> http://www.needlenthread.com/2009/03/book-review-19th-century-embroidery.html Sun, 22 Mar 2009 16:52:00 -0500 Mary Corbet 402 2009-03-22 16:52:00 2009-03-22 16:52:00 open open Book-Review:-19th-Century-Embroidery-Techniques publish 0 0 post 18th Century Embroidery Techniques which I reviewed previously, has written another book. Let me tell you about it...

19th Century Embroidery Techniques by Gail Marsh presents to the reader the popular embroidery techniques of the 19th century.



Marsh focuses on six particular technique categories of the 19th century needleworker: canvas work, surface embroidery, whitework, patchwork and applique, fancy work, and learning to sew. In each category, she presents a case study, with pictures of historical pieces and information on materials used, method of work, and so forth.



Among the case studies are beautiful photos of pieces complete and incomplete, demonstrating different embroidery techniques from the era. Along with the photos is a detailed explanation of the history of the technique, with bits of information about the history of the different pieces in the case study.



In presenting the different popular techniques of 19th century embroidery, Marsh also offers excellent line drawings and instructions on different stitches commonly employed.



In the section on surface embroidery, she discusses silkwork and other surface techniques. The silkwork photos are gorgeous! She also talks about the history of supplies, the development of popular embroidery shops, the development of pattern printing, and so forth.



Under canvas work, you'll find a windfall of information on the sampler.



The pictures of the various pieces in the book are sumptuous and inspiring! and sometimes, daunting. The small section of a flounce of the petticoat pictured above is worked entirely in eyelets, by hand. Whooweeee, that's a lot of eyelets!

The book also has a nice section on the needleworker's tool box and a good glossary of terms, as well as a thorough index.

Pros of the book:

Oh, no. Here we go again - too many to list, but these are the things I like particularly:

1. Engaging writing on the history of embroidery during this time period. The author supplies good insight to the time period through the discussion of needlework. In fact, I'd say the book would be intriguing to anyone interested in history, especially the history of the 19th century and the Industrial Revolution.

2. The case studies are splendid and her analysis is clear and engaging.

3. The book is riddled with quotes from letters and works of the times, which make the era come alive. They're also often worth a good chuckle!

4. Her explanation of techniques and her stitch diagrams are excellent, as are her line drawings of different motifs.

5. I love reading about the development of different types of threads, dyes, fabrics, and embroidery supplies during the time period. Very interesting stuff!

Cons:

Haha. Only one:

The book is too short! I want more!

As far as readability and interest are concerned, I find both of Gail Marsh's books extremely engaging. They're tops on my favorites list. They're not written like some weighty tomes on art or needlework (which have their place, but which I don't find as entertaining), but they are thorough, appealing, and instructive. And while you get a sense of the era in reading her books, there are no commentaries on social mores, or judgmental prose. The focus is the needlework.

19th Century Embroidery Techniques is available through Amazon:



And you can also find Gail's other book, 18th Century Embroidery Techniques, through Amazon, too:



Both are great additions to any embroiderer's library!
]]> historical needlework book review pictures 8256 Ingrid Mida artismylife@mac.com http://www.blogger.com/profile/03609389355426171504 2009-03-23 11:36:00 2009-03-23 11:36:00 1 0 Thanks for letting me know that this book existed. I'm still nervously contemplating actually trying embroidery instead of just admiring it. Maybe 19th century would be an easier place to start.]]> 8257 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-23 11:11:54 2009-03-23 11:11:54 1 0
Yes, it does - in some respects, I like it better!

MC]]> 8258 margaret c. noreply@blogger.com 2009-03-23 10:40:00 2009-03-23 10:40:00 1 0
I really like the author's 18th century book. Does this volume measure up to that one?]]> http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-o.html Sat, 21 Mar 2009 16:20:00 -0500 Mary Corbet 403 2009-03-21 16:20:00 2009-03-21 16:20:00 open open Monogram-for-Hand-Embroidery:-Celtic-O publish 0 0 post

If you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small O:



And here's the large O:




For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms 8260 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-03-22 15:21:00 2009-03-22 15:21:00 1 0
MGM]]> http://www.needlenthread.com/2009/03/day-in-studio-bookish-dilemma.html Sat, 21 Mar 2009 09:38:00 -0500 Mary Corbet 404 2009-03-21 09:38:00 2009-03-21 09:38:00 open open A-Day-in-the-Studio-&-a-Bookish-Dilemma publish 0 0 post trestles for slate frames used in hand embroidery that I told you about yesterday, organizing some supplies, taking photos, and maybe, if all goes well, filming some stitches. And one other thing that needs desperate attention...

... and the difficulty is... how do I catalog a whole library of needlework books? I've been trying to do this for a while, but making little progress. Well, it's just daunting, that's all. I love my books. I just don't like the idea of having to go through every single one, noting down ISBN numbers, or titles, or what have you! It's time, you know - time I could be stitching! Or anything, besides shuffling around stacks of books.

The strange thing is, if you gave me a cabinet of embroidery threads that needed to be organized by colors or types of threads, I would be in heaven and love doing it. Combine that with the fact that I'm seriously a book nut - I love books, I love reading - why is it that the thought of organizing and cataloging books is such a major turn-off?

Well, I cannot figure it out. But, as with most things, attitude is 95% of the battle, so I suppose I should just set my mind straight and get to it!!

But on that note, you may wish to know that Wooly Thread has announced that they've got a source for two very good A-Z books: A-Z of Thread Painting and A-Z of Embroidered Flowers for less than half price! That's a very good deal! Both are excellent books. I like them for different reasons. If I wanted to learn thread painting, though, I'd go for the thread painting book, specifically. It's really good!

If you're interested in adding those two books to your library, then do check out the announcement on the Wooly Thread blog. You can contact Jan at Wooly Thread via e-mail and let her know you want them. They offer great service and shipping is reasonable, so don't pass up this opportunity to pick up two really good books at a really good price!
]]> organization miscellaneous embroidery musings embroidery books 8259 Barb Weber noreply@blogger.com 2009-03-22 16:25:00 2009-03-22 16:25:00 1 0
Barb----NH]]> 8263 Laura Bullinger noreply@blogger.com 2009-03-22 10:29:00 2009-03-22 10:29:00 1 0 8265 Ruth noreply@blogger.com 2009-03-22 08:40:00 2009-03-22 08:40:00 1 0 8267 firesheep67 firesheep67@gmail.com http://www.blogger.com/profile/05896771343627956370 2009-03-21 19:22:00 2009-03-21 19:22:00 1 0 8268 margaret c. noreply@blogger.com 2009-03-21 17:47:00 2009-03-21 17:47:00 1 0
I've entered all of my media into the database and I look up things all of the time to see if I have something. (Readerware also catalogs cds and dvds.)

You also don't have to have some fancy barcode reader. I bought the version with a cuecat barcode scanner which just works great for me.

The software is available for a 30 day free trial. One criticism that I've read about the software is that the display is not very slick. It is something like a spreadsheet with sortable columns, but you can search and include whichever columns you like in the display. I find it quite adequate for my needs.

For the geeks out there: I have the client/server edition and run the server on linux with a bunch of xp clients and it is very cool. Also, the data is stored in a SQL-based database so there should be ways of extracting the data for other purposes (I want to put the data out on my home web server at some point) and you can also create formatted data reports in various formats (HTML, Excel, etc.) which I've found to be very handy.

I thought it was expensive when I bought it, but it has saved me so much time and effort that I am delighted that I spent the money.

If you're interested here's the URL:

http://www.readerware.com/]]> 8269 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-03-21 14:39:00 2009-03-21 14:39:00 1 0 8270 Meretricious Consideration noreply@blogger.com http://www.blogger.com/profile/13813914481226306776 2009-03-21 13:31:00 2009-03-21 13:31:00 1 0 8271 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-21 12:51:42 2009-03-21 12:51:42 1 0
I have a database set up. It's the data entry thing and just the organization of the books that's turning me off at the moment. Actually, they make great software for book organization - just stick in the ISBN, and all the info is there. They even have them with wands, so you can scan the ISBN! But I don't really want to invest in that. In fact, what it boils down to is that I don't want to go through bookshelves right now!

OH - I'm such a WHINER!!!

Instead, I'm working on the trestles, setting up the slate frame, and hopefully filming. Now that my lunch break is over, I better get to work!!

Thanks!

MC]]> 8272 Ruth noreply@blogger.com 2009-03-21 12:17:00 2009-03-21 12:17:00 1 0 http://www.needlenthread.com/2009/03/trestles-for-slate-frames-used-in-hand.html Fri, 20 Mar 2009 13:25:00 -0500 Mary Corbet 405 2009-03-20 13:25:00 2009-03-20 13:25:00 open open Trestles-for-Slate-Frames-Used-in-Hand-Embroidery publish 0 0 post
So, here I am again, looking for a good source for frames, and realizing that it might be necessary to find someone again who can make them! In the meantime, though, I want to talk to you about another aspect of the slate frame - trestles.

There are few professional embroiderers who don't agree that the best possible way of achieving tension for hand embroidery - and especially for more complex techniques such as goldwork - is to use a slate frame. In days of yore, the slate frame was widely used, and it was used in a variety of sizes - from small to really quite large. In some books, you can find illustrations of slate frames with more than one person at the frame.

In 18th Century Embroidery Techniques (see my review), Gail Marsh shows a massive slate frame supported across the back with a stabilizing bar, on which frame the embroiderer could lay out a large project - like several pattern pieces for a jacket - on one stretched ground fabric.

In several of the old books on ecclesiastical embroidery, the guild workplace is shown with large frames on which whole banners, chasubles, etc., are stretched. Large works, indeed! At the beginning of Church Embroidery and Church Vestments (PDF - scroll to page 12), you can see a photo of ladies in the guild room, two of whom are sitting up to one slate frame, working.

Today, the slate frame is still used - it is not defunct! Despite the convenience of hoops, of stretcher bar frames, of plastic Q-snaps, and so forth, the slate frame is still employed by serious stitchers. Its revival in popularity is certain to continue growing, as more people take interest in historical needlework, and as the interest in techniques such as goldwork also continues to grow.

I've used a slate frame. I have a large one, so I don't use it as often as I would like! I would like a medium-sized slate frame and a small one, but there will be time for that in the future - if I can find a supplier! There is nothing so nice as the perfect tension one can achieve with the slate frame, and the unpuckered, immaculate results when the piece is removed from the frame. It's wonderful!

The most difficult thing I've found about a slate frame is how to support the thing. Especially if you are working on a medium or large-sized frame, it is impossible to support the frame with one hand while stitching. At the same time, the slate frame tends to be heavier than other frames (stretcher bars, for example), and so commercial stands cannot support large frames, and cannot always support medium frames - or can "just" support them. Of course, there's always the two-table set-up, where the frame is rested horizontal, between the edges of two tables. But that has its drawbacks, I assure you!

In the past, the slate frame was generally supported by a pair of trestles. Originally, these were saw-horse type trestles, so that the frame rested perfectly horizontal, parallel to the floor, like a table, and the needlework sat up to the frame on a stool, and worked in that manner. Then, trestles began to develop a bit. You can see in the turn of the century book Church Vestments, mentioned above, that the "trestle" is actually an adjustable support, where the frame is placed between the body of the trestle and a top board, which is tightened down on top of it.

I've seen other set-ups of trestles, specifically some left over from convents that used to make embroidered vestments. These trestles were even a little more complex, and their adjustability allowed for the frame to be supported completely vertically (as is seen on the front of the book, Embroiderers from the Medieval Craftsmen series), at various angles, or flat.

While I was considering the whole dilemma of the elusive slate frame and pondering the notion of trestles, it so happened that a friend's dad volunteered to do some designing and building of a set of trestles - an embroiderer's workstation, actually, which could accommodate a slate frame (from small to very large), stretcher bars, and even hoops.

The concept developed by considering different types of trestle set-ups of the past (especially those found in convents before the 1960's), and understanding what the embroiderer today would want in a workstation.

Last week, the protype trestle workstation arrived. I want to show it to you and ask for your feedback.



They arrived in a box custom-made for shipping them.



Everything needed was included in the box. The carpenter (Brian) was very meticulous in the packing of the crate and in the assembly of all the pieces of hardware.



The prototype is made out of rough wood - not cleaned up or "beautified" yet. It's for testing purposes. Still, for being "rough," it's really nice. All the pieces were sanded and clean, easy to handle for assembly. The whole assembly process required me to use only a phillips head screwdriver to place 20 screws in the correct (pre-drilled) holes. (Good thing - I'm not so great with larger tools!)



Those are all the pieces, leaning up against the furniture. It looks complicated, but every piece went right together as the instructions indicated. It took me less than twenty minutes to put the whole workstation together for the first time.



These are the main pieces, though the leg braces are not attached yet.



This is a shelf support.



This is the whole set-up, almost completely extended. On the sides, you can see that there are, front and back, adjustable vertical bars. Into those vertical bars are placed the supports for the dowels, which in turn support the frame. The dowel supports can be angled a variety of ways. I'll show this in more detail later, after I have played with the set-up a bit more.



Here's the set-up with a stretcher bar frame resting on it. The trestles have been moved closer together than they are in the previous photo.



This is an attached table, and the workstation actually has a variety of options for attached supply tables, clamped lighting and magnification, etc.

So here is the initial introduction to the trestle workstation. I'll be taking more detailed pictures of it this weekend, in "action." I've since moved it out to my studio, where I will be able to work better with it. I have a very small living room (smaller, I think, than most people's closets...) so the workstation tends to look larger than it is in the photos above (I'll measure it for an accurate "footprint"). When the dowels are removed, the two trestles can nest together to conserve space.

What I've learned about it so far: it is sturdy. It's like sitting down to a piece of furniture. This is the real thing! It goes together very easily. In concept and design, it makes good sense. There's a myriad of possibilities for extension and accesorization, but more on that later.

Brian, you are a wood-working wonder! Thank you!

Now, dear readers, do you have any thoughts on this? Do you see any glitches right off the bat? Does it raise any questions in your mind? Do you have any ideas that you think would make sense concerning the workstation?

I would really appreciate your input on this! You are, after all, embroiderers. You know what you would like, or what you think would make sense, in this type of equipment. How can this become the ultimate embroiderer's workstation?

I'll be sharing more details on this as I work with it, and let you know more detailed discoveries.

Thanks for taking the time to read and to respond, if you want!
]]> historical needlework trestles needlework tools pictures slate frames needlework products 6443 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-27 16:35:59 2009-07-27 16:35:59 1 0
If it ever gets going again, I'll definitely let you know!]]> 6444 Anonymous noreply@blogger.com 2009-07-27 16:16:09 2009-07-27 16:16:09 1 0 6753 Anonymous noreply@blogger.com 2009-07-02 16:11:18 2009-07-02 16:11:18 1 0 7797 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-24 13:59:26 2009-04-24 13:59:26 1 0
Thanks,
MC]]> 7799 caroline_mcuk noreply@blogger.com http://www.blogger.com/profile/07990887246430393815 2009-04-24 13:08:00 2009-04-24 13:08:00 1 0 Caroline]]> 8266 Melissa noreply@blogger.com 2009-03-21 20:03:00 2009-03-21 20:03:00 1 0
needleartworks.com is advertising slate frames from Tristan Brooks here: http://www.needleartworks.com/dsgnr/tbd/tbd9.htm I haven't tried to order from them, so I don't know if they are actually delivering them right now or not. Might be worth a shot if you're looking for one currently.]]> 8274 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2009-03-21 09:38:00 2009-03-21 09:38:00 1 0
When I began goldwork, I searched for trestle or trestle-like stands to hold my frames. I corresponded with Tonie Evans, a high-level Japanese embroiderer and teacher, about what she used. Given that I live in one room, I just have to content myself with the wonderful floor stand you introduced me to. For the small works I do, stretcher bars and that stand work just fine. But I can see what a magnificent appliance your custom-made trestle stand is.

I'm looking forward to the next installment on your use of it.]]> 8275 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-21 09:12:30 2009-03-21 09:12:30 1 0
For the stretch on reaching the middle of the piece, you are right - it would be a stretch. That's the nice thing about slate frames, that you can roll the work on the top bar if necessary, though that doesn't really work with large pieces of goldwork... But, in any case, yes, I'll demonstrate. The difficulty of the stretch is somewhat allayed with the vertical position of the frame. The trestles can certainly be moved further apart and can accommodate a frame as wide as the dowels can handle - in fact, the dowels can be longer, to accommodate wider frames, and two people can sit up to the frame easily, one on each side.

For the clamps, this is a situation we are trouble-shooting. Right now, I'm using ratchet clamps, which are very easy on the hands and quick to release and re-tighten. I'm also testing the lashing and rubber band theories, and discussing different possibilities regarding the stabilizing of the frame. So far, the ratchet clamps have worked really well. I'll demonstrate and explain more about flipping frames later...

The term "slate frame" has been around for hundreds of years; there are several theories on why it is called a slate frame, though no one has pinned down the exact etymology to my knowledge. But the end of it all is the fact that it is called a slate frame. That's what it's always been called, and so that's what it is. I promise (cross my heart!) I'm not calling it something other than what it is, or making up a name, or misspelling the name (from "slat" to "slate"). The best sources for information on the origins of the slate frame and its uses would be any book on historical needlework, needlework of the late medieval era and beyond, etc.

I think it would be difficult to have the entire set-up on rollers, unless the wheels had a locking mechanism. And that would counteract the point of having it on rollers because they would have to be unlocked to move it. It's not really a set-up that works well with a living room chair, though I'll verify that further as I work with it. I've found so far that an office-type wheeled chair works well with it, as does a regular dining room chair, a piano-type bench or stool, etc.

Thank you again for all your input - I'll certainly demonstrate and discuss the details with better pictures and so forth as I play with the trestles!]]> 8276 carol scheele noreply@blogger.com http://www.blogger.com/profile/17853814692596886838 2009-03-21 08:10:00 2009-03-21 08:10:00 1 0 8277 Anonymous noreply@blogger.com 2009-03-21 07:09:00 2009-03-21 07:09:00 1 0 Thanks
Jean]]> 8278 Ruth noreply@blogger.com 2009-03-21 06:52:00 2009-03-21 06:52:00 1 0 Perhaps if the side bars/mid bars on the trestle were a little higher this would allow the user the option to sit at the side of the frame to work (for those of us with so little spatial awareness that we don't much like working on our motifs "upside-down" so to speak....:). And also allow two people to work on it. But only the carpenter would know whether that would wreck the balance of the whole set-up.
However, if my Dad weren't in another country, I would be pushing these pictures under his nose (son not really up to making something as good as this - but might also have it shoved under his nose as mild reproach....).]]> 8279 Christine noreply@blogger.com http://www.blogger.com/profile/11812223278446037862 2009-03-21 01:34:00 2009-03-21 01:34:00 1 0 8280 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2009-03-21 00:11:00 2009-03-21 00:11:00 1 0
My hubby of course would sensibly ask where I'd put the thing... and he would be right. :(

I plan to live vicariously so please post a LOT of pics.

Chris]]> 8282 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-03-20 19:01:00 2009-03-20 19:01:00 1 0
I think a beneficial reason of why medieval frames started flat is so that multiple people can work at the same time. I have seen a video of a chinese silk embroiderer at work with a long length of silk stretched and two people either side of the piece working on the emberoidered design.

It is hard to say whether you will find any problems at the moment. My thought is that the table extending that far to the inside might be a problem for reaching the embroidery there, banging a knee... but it looks like you could extend the frame wider if needed. Maybe a cantilevered table would be better than one with the hole through the middle though?]]> 8283 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-20 18:12:22 2009-03-20 18:12:22 1 0
Hi, Goldberry - I'm glad to hear you're addicted! ;) As for frame holders, hooks, and such items - good ideas. There's a lot of room for accessorizing here, so that, too, is something I'll be playing with.

Thanks all!

MC]]> 8284 Goldberry noreply@blogger.com http://www.blogger.com/profile/15550897298140763183 2009-03-20 17:40:00 2009-03-20 17:40:00 1 0
That is very impressive. Not being experienced with large frames, my only 'brainstorm' is to have a little flat wooden arm that would swing out from one side or the other, with hooks on it. Then you could hang your scissors, floss organizers, etc. from it. It would lie flat against the side unless you swung it out to face you. I hope this makes sense. I suppose there could be another similar arm that would swing out to hold charts, papers, etc. on a clip or rack.

By the way, I came across a seller on Etsy who makes her own sit-on frame holders, the kind you sit on in a chair- rhondasstitches. They're more affordable than anything else I saw, but I haven't seen one in person. She or someone else who does woodwork on Etsy would probably be up for a custom order or a challenge.

I'm rather addicted to your blog, by the way. It's inspiring me no end. The scanned books you gave a link to helped me design the cut-work/needlelace pillowcases I'm working on, and I'm also inspired to try some crewel. Thanks for your amazing videos!]]> 8285 Claire M. noreply@blogger.com 2009-03-20 17:38:00 2009-03-20 17:38:00 1 0
And as for do-dahs, I'd add a small cloth bag hanging from the shelf edge. Good for thread ends and other bits of fluff. Let's all pretend it'll stay off the floor!

FYI I'm still drooling. My husband, on the other hand is sighing in resignation... :)

Claire]]> 8286 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-20 16:33:44 2009-03-20 16:33:44 1 0
Thanks for the link to the stand that Evan made. A long while ago, we had communicated about trestles, but nothing ever came of it. He said he was designing something, but then we fell out of contact.

Regarding the chair, yes, out in my studio (wood floor) I have a rolling chair! I am constantly up and down and in and out when I work out there, so a rolling chair is great - esp. moving from drafting table to cutting board, to embroidery frame, etc!

Thanks again!

MC]]> 8287 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-20 16:26:27 2009-03-20 16:26:27 1 0
Good point on the feet edges...

Yes, the wood and the expense need to be taken into consideration!

Thanks again!

Mary]]> 8289 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-03-20 16:19:00 2009-03-20 16:19:00 1 0
Did you mean "which in turn supports the slate frame"? Otherwise, I'm having a little trouble figuring out what supports the work.

This is a beautiful piece of work. It's similar to the stand I have for my hammered dulcimer, which I love for its sturdiness and portability.
The only suggestion I have is that the support feet might be better made round or oval rather than angled. I'm constantly stubbing my toes on "things with corners".
I can also see where this might be quite expensive, especially made from a more exotic wood than pine. That said, I'd be willing to shell out some serious cash for one made in burled oak and tiger maple, because in my home it -would- be a piece of furniture.
Many kudos to Brian, who seems to have understood perfectly what's needed.]]> 8290 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-20 15:18:10 2009-03-20 15:18:10 1 0
Thanks!

Mary]]> 8291 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-03-20 15:17:00 2009-03-20 15:17:00 1 0
You probably will want to see the Evertite trestle stand that Evan Burroughs can make to order. It's on Blog (address below). Evan loaned me pictures. I forwarded a link to your article to him so he knows you are hunting for him.

http://chillyhollownp.blogspot.com/2009_02_28_archive.html

Jane/CH]]> 8292 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-20 15:16:45 2009-03-20 15:16:45 1 0
Hi, Claire - Yes, it is height adjustable. You can adjust it to a relatively "low" position, perfect for sitting, even for a small person. For a taller person, you can move it up a notch or two to sit at, or, if you want to stand, or use a taller stool, you can adjust it higher.

Thanks for your input!

Keep the questions and suggestions coming!!

MC]]> 8293 Claire M. noreply@blogger.com 2009-03-20 15:11:00 2009-03-20 15:11:00 1 0
*drooling with envy*

And is it height adjustable, too, as well as angle-able?

It's a great idea.

Claire]]> 8294 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-20 15:06:00 2009-03-20 15:06:00 1 0 8295 Laura Kathleen noreply@blogger.com http://www.blogger.com/profile/14304467170642717891 2009-03-20 15:03:00 2009-03-20 15:03:00 1 0
LauraKathleen
http://laurakathleenstitches.blogspot.com/]]> http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-n.html Thu, 19 Mar 2009 17:30:00 -0500 Mary Corbet 406 2009-03-19 17:30:00 2009-03-19 17:30:00 open open Monogram-for-Hand-Embroidery:-Celtic-N publish 0 0 post

If you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small N:



And here's the large N:




For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-k.html Wed, 18 Mar 2009 18:11:00 -0500 Mary Corbet 407 2009-03-18 18:11:00 2009-03-18 18:11:00 open open Monogram-for-Hand-Embroidery:-Celtic-K publish 0 0 post

If you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small K:



And here's the large K:




For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms 8306 Anonymous noreply@blogger.com 2009-03-19 05:28:00 2009-03-19 05:28:00 1 0 found an old post from 2007 of your silk threads stash . Is it possible you do an update on your stash of silk threads with some photos , thank you.]]> http://www.needlenthread.com/2009/03/whitework-embroidery-sampler-monogram.html Wed, 18 Mar 2009 06:45:00 -0500 Mary Corbet 408 2009-03-18 06:45:00 2009-03-18 06:45:00 open open Whitework-Embroidery-Sampler:-The-Monogram publish 0 0 post whitework embroidery sampler. I haven't gotten tooooo far, but I did manage some stitching last weekend. I'm still working on my 15 minute sessions, and I haven't forgotten the goldwork iris, either! Juggling two projects at a time has its drawbacks - but more on that later!

The last time we visited this project, I was doing some drawn thread embroidery in the scrolls, in a 15-minute session. I haven't finished the scrolls. Come to think of it, I haven't finished the Schwalm pomegranate motif, either. Don't worry! I will. That's part of the fun, perhaps, of a sporadic embroidery sampler - you can pick up and leave off different parts, moving around hither and thither as the creative spirit moves you, reinvigorating your interest in the piece if need be.

So, this past weekend, I placed a monogram:



It's a large monogram. I chose the "M" for unusual reasons, actually! It has nothing to do with the letter itself - I would have chosen any letter that fit my plan. See the last downward stroke on the "M" on the right? It's perfect for demonstrating a satin stitch technique called trailing. Hence, the "M."

I like this monogram style, by the way. I think it's really pretty. It's from an early 20th century ladies' magazine, too, so eventually, I'll clean up this set and share them with you. (First, I will finish the Celtic monograms, though!!)

To transfer the design, I'm using tacking stitches and tissue paper, as I demonstrated before with a photo tutorial. I would like to have used regular tissue paper - the kind you use for wrapping gifts - but I didn't have any on hand, so I stuck with this yellowish stuff.

After using large stitches around the monogram to hold the tracing paper in place, I turned the frame around to work the tacking stitches.



It was easier to reach the top of the design that way. I suppose I could have re-adjusted my frame and stand, but I didn't. I just turned the frame... After stitching the tacking stitches all over the design, I took a sharp needle and ran it over all the stitches to split the paper and make it easier to remove. It came off great!



So, here's the transfer. It's nice and clear. This time, I worked the stitches in white (rather than green, as in the tutorial on transferring patterns this way.) MUCH better in white, methinks. Whatever possessed me to use the green, I shall not know. Anyway, the white worked great, and I don't have any worries, in case I can't remove some of the tacking stitches. They'll work right in to the embroidery.



Farther away, you can't see it so well, but you can get a hint of the size of the monogram placed on the sampler. You can also see all the little bits I haven't finished!!

I've found a nice cutwork design from another early 20th century magazine, too. It's a fairly complex design, but complete in itself (not the edge of a tablecloth or runner or anything). It's not too big - perhaps 4.5 inches tall and about 3.5 inches wide. I'll be transferring that on, right above the Schwalm pomegranate somewhere. Those will be the last two "large" motifs on the sampler, and everything else I do will fit between and around everything that's there, I think... though there is that upper left corner that could accommodate something a bit larger. Hmmmm...

So, that's where I am. Keep your fingers crossed that I can squeeze in some 15(0)-minute sessions and make some progress on this thing, will you?

Have a terrific Wednesday! (Halfway there!)

Here's my "further information" blurb:

More Drawn Thread and Whitework Embroidery

Drawn Thread - Securing Edges with Re-Weaving
Drawn Thread - Securing Edges with Satin Stitch
Drawn Thread - Hemstitch Tutorial
Drawn Thread - Chain Loop Bunches
Sampler Update with Schwalm Embroidery
Online Book on Drawn Thread Techniques
Diamond Stitch in Drawn Thread Work
Coral Knot Bunches in Drawn Thread Embroidery
Zig-Zags in Drawn Thread Embroidery
All Whitework Articles on Needle 'n Thread

You can find more tips and tricks for hand embroidery - including all the above tutorials - indexed on my Tips and Tricks for Hand Embroidery page.
]]> whitework pictures embroidery tips and tricks sampler monograms needlework pictures drawn thread embroidery 8302 Anonymous noreply@blogger.com 2009-03-19 14:04:00 2009-03-19 14:04:00 1 0 I'm so glad you included the tip about taking a sharp needle and tracing around the design to "release" the paper better. I'll definately have to try it. I often use the tissue paper and stitches way of transferring a design, but then have the task of carefully removing the paper without messing up the stitches and the design. This sounds like it would make the job a whole lot easier and safer.
Thanks!
Tess]]> 8309 margaret c. noreply@blogger.com 2009-03-18 19:33:00 2009-03-18 19:33:00 1 0 A-Z of Embroidery Stitches close at hand in case I need to look up a stitch. I don't always remember how some of the stitches 'work' especially if I haven't used a particular stitch in a long time. There are other good references available, but I really like this book especially the photos. I think I learn best visually rather than by description.

I also keep a little notebook that has notes about projects that I have designed or am working on. I take the same notebook with me to needlework classes so I have all of my reference notes in one place. (I don't know what I'm going to do when the notebook fills up. I like having a single source. :-)

Mary, I look forward to seeing your 'M' (good letter choice, by the way, for any reason! :-) and the cutwork.]]> 8310 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-18 16:39:00 2009-03-18 16:39:00 1 0 For now I decided to make a sampler following your video stiches - some of them I've never tried - and I am addicted! Tomorrow I'll post about it.
And Ruth and your's comment arrived just in time - I never thought of writing about threads...thsnks for speaking about.]]> 8313 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2009-03-18 12:30:00 2009-03-18 12:30:00 1 0 8315 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-18 09:57:45 2009-03-18 09:57:45 1 0
I have a friend - Christiana, who sends me photos of her work, etc. - who keeps a notebook and actually draws out the stitches and locations and everything as she works different projects. She writes down things on what she should have done, compared to what she did, or visa-versa. She's pretty faithful about it!

I have a small notebook in my sewing stuff, and if I need to remember something that I might forget - like the color or size of a thread in a particular motif, I'll write it down. For example, in the Schwalm pomegranate up there, I used several different sizes of coton a broder, and it's been a while since I've gone back to it, so I'm glad I jotted down the sizes I used for the different elements of the design.

If I'm timing how long it takes to stitch a project (esp. commissions), I also note times on stitching sessions in my notebook.

But, you know, I don't note types of stitches. I've never looked back at anything (so far) and wondered how I did it or what stitch I used. The memory of the thing is the stitch, if that makes any sense. I think in terms of stitches. It's kind of weird to analyze, but that seems to be the best way to explain it. When I think of a project, I automatically think of the stitches I used.

I'd be interested to hear how other readers answer this question!]]> 8316 Ruth noreply@blogger.com 2009-03-18 07:25:00 2009-03-18 07:25:00 1 0 http://www.needlenthread.com/2009/03/book-review-stumpwork-embroidery-by.html Tue, 17 Mar 2009 06:35:00 -0500 Mary Corbet 409 2009-03-17 06:35:00 2009-03-17 06:35:00 open open Book-Review:-Stumpwork-Embroidery-by-Jane-Nicholas publish 0 0 post Stumpwork Embroidery, for a long time. It was worth the wait...

For beginner embroiderers, you might think I'm nuts if I told you that you CAN do this stumpwork stuff. Yes, it generally falls under "intermediate" or "advanced" techniques, but if you find you are getting the hang of beginning stitches and you're liking your new-found embroidery hobby, don't think you have to wait years, practice your fingers off, and relegate yourself to backstitch for the rest of your life because you consider yourself a "beginner." Not so, not so! If you understand how a needle works (you stick thread in it and use it to manipulate the thread in and out of fabric), then you really can enjoy this type of embroidery. All it takes is a little gumption and some commitment to trying it!

I only bring this up because I think this is the typical reaction of relative newbies to this type of embroidery. In fact, the first remark a friend - who is just getting into surface embroidery - made upon seeing the book was, "I could never do that." When I protested, she insisted it would take "years" before she was good enough to do stumpwork! So we talked over the book, read some of the instructions, looked at the diagrams, and eventually she said, "I could probably make that bee..." followed by, "I think I'll try that bee, and the hive, too..." And now, she's sold, and determined to do it! (I told her to buy her own book!)

As we were growing up, my Mom always said, "I Can't is a sluggard too lazy to work." I don't know if that's always true. There are some things I know I can't do - I can't ski, I can't run a 25K marathon (not even a 10!), and I can't eat bananas raw without gagging. True, I haven't tried the first two, but I'm pretty sure I'd be putting my life seriously on the line! Lazy? Perhaps! I suppose I could eat a banana raw if I were hungry enough... but I know I can't do it without gagging.

The fact is, I'm not really interested in taking up skiing or running a 25K marathon. Niether is something that I'd put my mind to or energy into. But if you have a genuine interest in something, especially something like needlework of this kind, if you put your mind to it, despite your current skill level, I think it's something you can do! Yes, it may take a little practice - like skiing or long-distance running - but you can do it!

So if this grabs your attention - if it makes you say to yourself, "Wow - I'd love to do something like that!" don't be inhibited by thinking you're "not good enough yet."

That's my pep talk (it's the teacher in me - sorry!). Here's the book. I'll show it to you and then discuss my personal pros and cons.



The cover is beautiful. It's a hard-bound book and looks well made. It's one of the Milner Craft Series books, and they generally do a very nice job on their books, I think. The cover reminds me a lot of Celia Fisher's books on illumination, if you've ever seen those...



When you open the book, you're met with this Jane Nicholas masterpiece on the endpapers of the book. I've seen this piece on the Jane Nicholas Stumpwork Embroidery website - in her gallery - but on there, you can't really get upclose to the piece.



But in the book, you can see such beautiful detail. You can linger over each little motif in the picture. I almost think the endpapers are worth the cost of the book, I got so much pleasure from looking at them!



About half-way through the book, you start to run into color plates. The first half of the book is black and white instruction, with line drawings and so forth - but the last half of the book is definitely the icing! Colored projects are depicted in their glory - simply, on white pages, some of which just have a little 4" x 4" colored photo smack in the middle. But what a photo!



The projects featured in the book include a supply list, instructions on working the project, a color plate of the finished project, and a line drawing of the pattern. The instructions are titled "Order of Work," which is nice. They take you step-by-step through completing the project, cross referencing Chapter 3, "Individual Elements."



In Chapter 3, "Individual Elements," the author instructs on creating each type of technique. This is where you learn to work each element featured in the projects - from grasshoppers to flower petals to leaves to bees to hives to caterpillars, and so on.



The last chapter of the book is a stitch glossary. From the simple backstitch to turkey work to needleweaving to trellis stitch, every type of stitch you need for the projects in the book is explained. The stitches are illustrated with line drawings, usually several per stitch.



And the book ends with the same picture with which it begins.

All in all, it is a beautiful and useful book for the embroiderer interested in stumpwork and raised embroidery techniques.

Like most good embroidery books, the first chapter is dedicated to materials and equipment. Here, you'll find information on the threads, wires, hoops and frames, needles, etc. needed for stumpwork. The majority of threads used throughout the book are DMC, though the author does list several other useful types of threads, which you will also find required in some of the projects.

The second chapter is devoted to general instructions about stumpwork - methods for stitching over wire and attaching separate elements to a motif, how to stitch a leaf without a central vein, how to use felt with small pieces of different elements (using fusible interfacing), using organza, and so forth. You'll also find a nice section in this chapter on finishing techniques, from mounting work on a box lid to making a paperweight & brooch, to lacing embroidery to a board before framing. All in all, a nice, thorough chapter of general, useful information.

Chapter 3 is discussed above. Chapter 4 contains all the projects in the book: four types of brooches; a rose, pomegranate and strawberry piece; a rose and bee; acorn thistle and bee; acorn, thistle, and butterfly; butterfly and berries; Christmas rose and dragonfly; pomegranate and gooseberries; Christmas acorn and berries and Christmas acorn and pomegranate; dragonfly and berries; hellebore, berries, and dragronfly; Christmas rose, berries, and dragonfly in white; and two Medieval mirror frame patterns.

Chapter 5 - the stitch glossary - is mentioned above. The book closes with a bibliography and suggested further reading, a thorough index of the book, and, finally, information on ordering stumpwork supplies, kits, etc., from Jane Nicholas.

Pros:

Wow, the pros are almost too many to mention:

The book is clear, clean, bright, and crisp - a nice, quality book with excellent content. The pictures are gorgeous, though there aren't a lot of them. The layout of the book is functional and pleasing: the cross-referencing in the projects page to the individual elements and stitch glossary is effective. The fact that the reader is instructed on many different individual elements is conducive to further creative endeavors with stumpwork - you certainly aren't limited to just the patterns in the book.

Cons:

I would like to have seen more elaborate stitch instructions. Two or three diagrams don't always do it. But they're not "bad" stitch instructions - they're good and thorough. By reading and referencing the diagram, anyone should be able to accomplish the stitches explained in the glossary. I was also initially surprised by the lack of color throughout the book. Don't get me wrong - there are many beautiful color plates of the projects in the last half of the book. As previously mentioned, each project has a color plate that corresponds with it. My initial surprise gave way to admiration, though, for a nice, clean, clear book. There's nothing "cluttered" here - the book seems enticingly simple in all regards, though dealing with a much more complex form of embroidery.

This is one of those books that I'd put on the "highly recommended" list. It is fascinating to read, a pleasure to browse through. I like it a lot!

You can find the book used through Amazon right now, for under $12. New, it runs around $23.



If you have the book, what are your thoughts on it? Do you like it? Have you found it a helpful and instructive reference?
]]> book review stumpwork embroidery books 6002 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-22 09:29:35 2009-08-22 09:29:35 1 0 6011 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-21 18:06:20 2009-08-21 18:06:20 1 0 8311 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-18 12:39:43 2009-03-18 12:39:43 1 0
Thanks for your comments! I really find I like this book a lot and am itching to work one of her projects. I have another little stumpwork project, though, that I'll probably work first.

Donna, yes, eventually, I'd like to show some stumpwork techniques. The next video I have coming up features a stumpwork technique, if I could only get the video together!

Thanks again for the comments!

MC]]> 8312 donna noreply@blogger.com 2009-03-18 12:33:00 2009-03-18 12:33:00 1 0
Donna]]> 8318 margaret c. noreply@blogger.com 2009-03-17 21:34:00 2009-03-17 21:34:00 1 0
I use her books for inspiration and ideas as her design sense really appeals to me. These books also caused me to fly across the country to take a class with Jane which was a terrific experience.

I highly recommend Jane Nicholas's books and her classes. If you ever get the chance to take a class with her do it! Also, don't worry if you don't think you're ready. The experience is definitely worth it and you'll learn a lot.]]> 8320 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-03-17 17:55:00 2009-03-17 17:55:00 1 0 8322 Laurie in Maine dognapper2@msn.com http://www.blogger.com/profile/06022126513010116196 2009-03-17 12:30:00 2009-03-17 12:30:00 1 0
Like Cissie I've only admired mine (a very long time as well) while I work up the courage. Almost ready?
Maybe we need a Stump-A-long Challenge :)

Right now I'm on the hunt for Hardanger Picot tutorial...they'll be my first ones I think.]]> 8323 Dr. J noreply@blogger.com http://www.blogger.com/profile/00883989564098450521 2009-03-17 12:16:00 2009-03-17 12:16:00 1 0
This was the first stumpwork book I bought all those many moons ago and I must admit I found it confusing. The instructions weren't as detailed as I needed at that point and I spent longer battling with comprehension than I did with the needle. I would recommend total beginners to start with kits, or patterns from Inspirations etc first.

That said it is a beautiful book and I often pull it out just to peruse again. I also have the follow-ups: Stumpwork Designs and Projects; the beetle collection; and the dragonfly collection. Even if you never do a project from them, they're worth their weight in drool value.]]> 8324 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-17 11:24:00 2009-03-17 11:24:00 1 0
As it is, you have to flip through looking for the project a specific motif is in and get the reference from there, or hope to happen upon the pages explaining the motif itself.]]> 8325 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-17 10:26:00 2009-03-17 10:26:00 1 0 And you are so optimist and supportive to the begginners like me - you make me dreaming i can do such a work!
In fact since I read you I've tried so many new stitches and made things I've never thought to make, so ... who knows? :)]]> 8326 Anonymous noreply@blogger.com 2009-03-17 10:20:00 2009-03-17 10:20:00 1 0
celeste]]> 8327 Cissie noreply@blogger.com http://www.blogger.com/profile/14970869611784889847 2009-03-17 08:03:00 2009-03-17 08:03:00 1 0 Cissie]]> http://www.needlenthread.com/2009/03/top-ten-most-popular-needlework-books.html Mon, 16 Mar 2009 06:42:00 -0500 Mary Corbet 410 2009-03-16 06:42:00 2009-03-16 06:42:00 open open Top-Ten-Most-Popular-Needlework-Books... publish 0 0 post

It's always interesting to look at the reports to see what's "hot" on the needlework book list. When I perused them this weekend out of curiosity, it was kind of fun to see what was popular.

Keep in mind that any books I recommend (or sell through Amazon) on Needle 'n Thread, I own myself, and I like each one for one reason or another - there is, to me, some definite value for embroiderers in the book, or I wouldn't recommend it.

Here they are, then - the top ten most popular selling needlework books on Needle 'n Thread so far in 2009, from 10 being the least popular to 1 being the most popular, out of 74 needlework titles that were looked at by readers:

10. Redoute's Finest Flowers in Embroidery

9. 4000 Flower & Plant Motifs: A Sourcebook

8. Beginner's Guide to Silk Shading

7. Embroidered Monograms & More, Book 2 (Leisure Arts #4366)

6. Long and Short Stitch Embroidery: A Collection of Flowers (Milner Craft Series)

5. Mary Thomas's Dictionary of Embroidery Stitches

4. White Work: Techniques and 188 Designs (Dover Needlework Series)

3. The Embroiderer's Handbook

2. The Embroidery Stitch Bible

1. Beginner's Guide to Crewel Embroidery

Those are all really good titles! I ordered some books myself the other day - after a long hiatus from book ordering, and I'm looking forward to reviewing them carefully. One is the book 'Twixt Art and Nature , which has already been reviewed a number of times online. The others, though, I haven't really seen reviewed. One I'm particularly looking forward to is 19th Century Embroidery Techniques by Gail Marsh, who also wrote 18th Century Embroidery Techniques, which I've reviewed here already. I liked that book a lot, so I'm looking forward to seeing if the subsequent century is as delightful and informative.

And a couple others on the list are stumpwork-related and design-related. If they are as good as I hope they are, I'll tell you about them!
]]> embroidery books 8319 Marian noreply@blogger.com 2009-03-17 20:58:00 2009-03-17 20:58:00 1 0 8328 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-16 19:27:00 2009-03-16 19:27:00 1 0 8329 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-03-16 11:40:00 2009-03-16 11:40:00 1 0
The one nice thing that I did get out of the book, was the ability to work outside of a pattern. I learned to be less dependent upon patterns for everything, and have started moving into making my own out of simple drawings. It's freed me to do what I always wanted to do, which was more sketchy cutesy stuff, which was very nice.

It's a great beginner's book for a gift though :)]]> http://www.needlenthread.com/2009/03/satin-stitching-with-metal-threads.html Sun, 15 Mar 2009 10:28:00 -0500 Mary Corbet 411 2009-03-15 10:28:00 2009-03-15 10:28:00 open open Satin-Stitching-with-Metal-Threads:-Reader's-Work publish 0 0 post

Christiana embroidered this fleur-de-lis in satin stitch, using #1 silver Jap. The design she's using is from Tanja Berlin - one of the elements on her goldwork sampler. But Christi says she doesn't like filling with purl, so she wanted to try satin stitching instead, using the #1 silver Jap, which is a very fine metal thread.

She chose a blue silk ground, which sets off the silver beautifully.

In communicating over this project, we sent pictures back and forth and discussed the methods and so forth, and she took notes on what she was doing, which she subsequently scanned and sent along, too. So what I've done here is put together her project so that you can see how she did it, and maybe pick up some tips and tricks along the way.



Christi was working on her goldwork feather and the fleur-de-lis at the same time, so both projects were set up on a slate frame. Notice that the slate frame is dressed with linen, then the ground fabric (blue silk in this case) is basted onto the linen, so that she is working through both the linen and the silk. This is normal for most ecclesiastical work - and goldwork in general - that, behind the ground fabric, there is another layer of supporting fabric. Specifically, in ecclesiastical work, it is typical to set up a slate frame with a piece of linen, then mount the finer ground fabric on the linen. Often, when several small motifs are being worked, they'll be set up on one frame to save time and linen.



She used tissue paper to tansfer the design, tracing the design onto the tissue paper then using dark blue thread to stitch over the design to transfer the pattern. Using the dark blue (same color, more or less) as the ground fabric eliminates problems later, if the tacking threads can't all be removed. They aren't as noticeable!

For the top part of the fleur-de-lis, thin felt is used to pad the shapes. Christi stitched over the felt with a fine white thread to secure the felt to the fabric. This method of securing the felt differs from person to person and technique to technique. When I secure felt, I generally stitch very tiny stitches along the outside of the felt. This causes the felt to stand up a bit in the middle. Stitching over the felt as Christi has done helps minimize the height of the felt, which is what she wanted.

Instead of using felt on the arms of the fleur-de-lis, which are narrow and spindly, she discovered something: when removing the tissue paper from transferring the pattern, she noticed that the tacking threads held the tissue paper pretty firmly in place on the arms of the fleur-de-lis. She wanted the arms to be less padded than the top part of the design, and she thought that perhaps the tissue paper would serve to barely lift the thread off the fabric, to provide a white background behind the silver, and to give her a sharp edge for satin stitching. Maybe she didn't have to use felt on the arms after all, and this could save her a step!



And that's what she did - she left the tissue paper from the transfer on the pattern and stitched over it. She said it worked really well and it's a technique she'll use again. You can see in the photo above the tissue paper still attached to the fabric...



Here are the two arms and the base completed. Funny how the cameral makes the threads look more gold than silver... but really, it's silver!

Now, with the base of the design, Christi said she had some problems deciding how to stitch it, and here are her notes on the subject. You can click on them to see a larger version.



When satin stitching different shapes, it's important to take into consideration the length the stitches will cover in the longer parts of the shape. Stitches that are too long can loosen over time. Also, they don't always lie well. So this was good thinking, to split up the design!



You can see here the base of the design. I think it looks good, but I understand why it would have been better to split the design into three, instead of two, stitching areas.



Satin stitching around curves can be tricky, and one of the most common problems is keeping "perfect" stitch direction. Christi didn't like her shifting stitch direction in the areas marked, so she noted that for future improvement. Um.... well, the truth is, we always look at our own work more critically. I think this looks good.



After finishing the satin stitching, she outlined the main part of the design with silver pearl purl.



And here's the finished piece - really beautiful!

Thanks, Christi, for sending the pictures along and the explanation of work!

I hope you enjoyed seeing this project, and that you picked up some ideas from her experiences working it!

Feel free to ask any questions...
]]> goldwork readers embroidery pictures embroidery tips and tricks silk needlework pictures 8332 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-03-15 23:23:00 2009-03-15 23:23:00 1 0 8333 Marian noreply@blogger.com 2009-03-15 22:30:00 2009-03-15 22:30:00 1 0
This post above all others really does make me wish this website was around 17 yrs ago. I began a project (which is still ongoing) which entailed stitching over a printed design. The idea was to quilt the design, but using colours of the pattern to edges the flowers and leaves.

Sadly, I used foam to back the piece of material, discovering 15 yrs ago, I should have used needle punch. Which is why it is still ongoing. but I have had this out over the last week (funny what you find when turning out) and I have been doig more work as I am nearly finished.

I am not taking the needle all the way through the foam (I had done too much to start again with needle punch) but I am still getting a 'quilted' look. Taking the needle aall the way through the foam was too hard on my fingers - and using a thimble was no help at all.

I will take photos tonight of what I have done and write notes, then send it later this week.]]> 8334 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-15 22:21:00 2009-03-15 22:21:00 1 0 And thankyou for the great commentary, Mary]]> 8337 margaret c. noreply@blogger.com 2009-03-15 16:24:00 2009-03-15 16:24:00 1 0 8338 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-15 14:09:00 2009-03-15 14:09:00 1 0 Thanks for sharing]]> http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-l.html Sat, 14 Mar 2009 19:50:00 -0500 Mary Corbet 412 2009-03-14 19:50:00 2009-03-14 19:50:00 open open Monogram-for-Hand-Embroidery:-Celtic-L publish 0 0 post

I'm almost finished with this monogram alphabet!! Yippee! The funny thing is, I've got several more alphabets I wanted to clean up and post! This is turning into a never-ending project!

Again, you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small L:



And here's the large L:




For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms http://www.needlenthread.com/2009/03/free-hand-embroidery-pattern-another.html Sat, 14 Mar 2009 07:19:00 -0500 Mary Corbet 413 2009-03-14 07:19:00 2009-03-14 07:19:00 open open Free-Hand-Embroidery-Pattern:-Another-Scrolly-Medallion publish 0 0 post you can work one for the fun of it!

One of these days, I'm actually going to embroider one of my embroidery patterns first, before posting the pattern. Ideally, I'd be posting "finished" pictures with each pattern, but truth to tell, I haven't the time! I need a ... what's the word? An assistant stitcher? (But then the assistant stitcher would get all the fun! Forget that!)

This design is somewhat like the scrolly medallion embroidery pattern I posted last week. Again, I think it'd make a neat design on a pillow, or on the outside pocket of a tote, or something to that effect. It could be worked in a single color, or it could be worked in multiple colors - it just depends on what you want!

For stitching ideas, I'd use line stitches of some sort - chain, heavy chain, Portuguese knotted stem, stem stitch, coral stitch, split stitch, Palestrina stitch, etc., (or a combination) for the lines. For the dots, though I know it would take ten forevers and require some precision, I have to admit, I'd go with satin stitch. I'd at least try it, anyway!

Click on the design below for a larger image you can save to your computer (you can then resize it as you wish) ... or use the PDF file below.



Scrolly Medallion #3 (PDF)

For more free hand embroidery patterns, visit my Index of Hand Embroidery Patterns.

Tomorrow, I'll show you a really pretty piece of reader's embroidery that's worked in silver threads on a blue background - really nice!

Today, I'm setting up my slate frame again, so I can experiment next week with a new piece of equipment that I can't wait to tell you about (but I'll wait, until the prototype is here!). I need to set up a project on my slate frame, but I haven't decided what project yet!

I hope you have a terrific weekend!
]]> free embroidery patterns 3485 Spippi noreply@blogger.com http://www.lovelyspippi.splinder.com 2010-01-23 02:21:41 2010-01-23 02:21:41 1 0 It is not perfect because I started to embroidery only two or three years ago... Thank you Love Giovanna]]> 7805 Kat meetingivory@yahoo.co.uk http://www.blogger.com/profile/10254467834044268269 2009-04-24 01:39:00 2009-04-24 01:39:00 1 0 I would love to do this with beads were the small circlets are! Lovely pattern, thanks for this and for all your excellent teaching!]]> 8262 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-22 11:56:42 2009-03-22 11:56:42 1 0
Best,
Mary]]> 8264 ***Jon**** jonyusoff@gmail.com http://www.blogger.com/profile/15457269449603084653 2009-03-22 10:06:00 2009-03-22 10:06:00 1 0
I am not an embroider (is there such a word?) but passionately into tatting. I keep looking at this pattern tyring to figure out if it can be reproduced in tattinglace. And I am keen enough to give it a try.

May I have your permission to try and tat the design?]]> 8343 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-14 11:33:59 2009-03-14 11:33:59 1 0 8344 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-03-14 10:46:00 2009-03-14 10:46:00 1 0 http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-w.html Fri, 13 Mar 2009 15:28:00 -0500 Mary Corbet 414 2009-03-13 15:28:00 2009-03-13 15:28:00 open open Monogram-for-Hand-Embroidery:-Celtic-W publish 0 0 post

Again, you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small version of the W:



And here's the large version:



For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!


]]> free embroidery patterns monograms http://www.needlenthread.com/2009/03/silk-mill-trying-out-new-silk-threads.html Fri, 13 Mar 2009 06:35:00 -0500 Mary Corbet 415 2009-03-13 06:35:00 2009-03-13 06:35:00 open open The-Silk-Mill:-Trying-Out-New-Silk-Threads publish 0 0 post The Silk Mill? It's a company in the UK that produces silk thread for needlework. It's a nice company - professional, friendly, and... silk producing. What more could you want? I had the opportunity to try out some of their threads this week, and so I thought I would introduce them to you.

The Silk Mill produces an amazing color range of silk threads for hand embroidery and other needlework techniques. They have over 500 colors, and it looks as if they are producing new colors with regularity.



Along with the packet of threads came a very nice brochure with all the colors (with corresponding names and numbers) illustrated. I'm just weird enough to really enjoy spending time looking at these types of brochures. I read them. Yes, I do! Like a book. There isn't a lot of information in the brochure, but I read the names of all the colors and look at the colors. I am sure this is a result of my fiber infatuation, but at the same time, I think it's also an attraction to color. I find the variety of names we give to colors fascinating!



The brochure groups the colors according to... well, colors! So in the yellow group, you'll find great names like Tiger Flower Yellow, Golden Sultana, Corn-on-the-cob, Saffron Crocus, Yellow Wagtail, and so forth. In the Orange list, some of the colors are Glazed Carrots, Firecrest, and Mexican Sunset. In the pink list, try Salmon Mousse and Popsicle Pink!



Besides individual skeins of colored silk, the Silk Mill packages skeins in different "theme" colors. For example, the package I'm reviewing here is titled "Winter at the Beach," and the colors correspond to a wintery beach. There are color packs (they call them mini-sets) titled enticing names such as "Moonlight and Champagne," "Summer Dress," "Winter in the Woods," and so forth. And all the colors work for the names! I love that!



You can purchase The Silk Mill threads individually, but they are more cost effective if purchased in groups of ten, or in mini-sets or full sets.



Here, you see my first set of Silk Mill silk, "Winter at the Beach." It's a five-skein set. The sheen on the silk is quite nice! This is monofilament silk, so the sheen is much higher than that of spun silk (like Soie d'Alger).



The skeins are actually a twist that, when untwisted, come apart into a large circle.



To untwist the skein, just find the knot that holds the bunch together. Once you find the knot, hold onto it and take the twist out, until you have a large circle. I'll show you below how I prepare this type of thread for stitching, in order to avoid frustration from tangling...



The silk is stranded - 6 strands in a bunch, like DMC floss.



After I opened the skein into a large circle, I cut the point where the knot was, so that I had a bunch of very long strands of silk. I divided the bunch into three equal lengths. You can divide it just in half, but I think the stitching length would be too long, for reasons mentioned below.

After cutting the threads to my stitching length, you can see that I had a rather boingy mass of silk... which would be a pain in the neck if it were left just like this - destined to knots and disorder... Plus, I don't like the boinginess of some silks. I prefer, if possible, to calm that down a bit.



Here, you can see that the thread is significantly "calmer." How did I manage it? I put the kettle on for a cup of tea, of course! I didn't think it right to play with silk from the UK without enjoying a good cuppa!

As soon as the tea kettle was whistling, I took the silk bundle in my hands, holding one end in one hand and the other in the other, and moved it back and forth in the steam coming out of the whistling tea kettle. I do this with a lot of different types of threads and have never had any adverse effects. I don't leave it soaking in the steam - I just pass it through. It goes straight immediately.



Once the thread was straight, I let it sit while I found something to hold it with. I used a key tab, as demonstrated in my previous article on thread organization and key tabs. Using the method shown in that article and the article on preparing coton a broder, I looped the silk onto the key tab ring and loosely braided it. I secured the end of the braid with a slip knot made out of soft cotton thread, gently and loosely secured. Now, I can pull one individual strand at a time from the braid.



At last! The comparison: on the left, one strand of DMC. On the right, one strand of Silk Mill silk.

Do you notice something? Look closely at the twist. I didn't notice this until I lined these two threads up for the picture. DMC is an S-twisted thread. The Silk Mill is a Z-twisted thread. If you are already familiar with rayons and some other silks (I believe Trebizond is also Z-twisted), you have stitched with Z-twisted threads. It doesn't make much of a difference in stitching, except with a few specific types of stitches. For example, if you work a stem stitch with a Z-twisted thread, it will look more like outline stitch (the stitches will roll around each other and be less distinguishable). If you want your stem stitch to look like a stem stitch, with the "rope" look and more noticeable separation in stitches, when stitching with a Z-twisted thread, you have to actually work an outline stitch. Also, with bullions, you twist the thread around the needle in the opposite direction. But for most stitching, the difference is minor, if not at all.

Back to the strands themselves: you can see that one strand of DMC is slightly smaller than one strand of Silk Mill silk.



Looking at a thread is never enough to tell you whether or not you will like it. You need to stitch with it! Put the thread through some paces and see how it feels. The thing is, I can never really "know" a thread until I stitch with it quite a bit. Still, a little bit of stitching should tell you right away if it's likely you'll like it.

So I stitched a few small bits. First, I stitched a little satin stitch swash. I also worked the chain stitch using two strands together.



I worked some cross stitches, stem stitch, Holbein stitch (double running stitch) and back stitch, and some split stitch.



Conclusions:

1. The silk is beautiful! It feels good in the hands - it doesn't snag or anything like flat filament silk is prone to do. It's smooth and luxurious feeling. The colors are vibrant and consistent. The thread is soft and fine.

2. I found it requires short lengths for stitching. As I neared the end of lengths of thread I was playing with, the thread started to exhibit some definite fuzziness. In short lengths, it performs fine (14 - 15").

3. It stitches beautifully. The sheen is nice, and thread, though boingy at first, behaves ok. In this regard, I would classify the ease of managing the thread somewhere between managing regular cotton and managing rayon (which I always find to be more persnickity than other threads). The stitches looked nice, and the sheen is exceptional.

4. Would I buy the thread? The brochure I received says the skeins are £2.75 each, or £2.50 for 10 or more. Mini-packs (5 skeins) are £8.50 each, and larger sets range from 11 skeins in a certain color group at £19.50 each, up to 27 skeins for £39.50. On the brochure, there's also a sticker that indicates that all skeins are £2 each, so perhaps there's a price reduction thing going on there? Also, on the website, you can see deals such as 10 skeins for £17.50...

With the current exchange rate, £17.50 ends up to be about $24.35 - $24.50. So one skein of silk would be $2.43 - $2.45US. And you know what? That's not a bad price! Of course, there's shipping to consider, but even with shipping, if I were ordering a larger order, I still think the silks would be a good price. This all depends, of course, on the fluctuation in the exchange rate, but right now, it's not bad! If the skeins are £2 each, the work out to about $2.70... I think the economical way to go is to buy them in packs.

So... would I buy Silk Mill silks? I think I would! In fact, I think I will! I like them! I like the threads - especially the feel and the sheen; they have a magnificent color selection; and they are reasonably priced.

Just for the sake of comparison:

Treenway Silks: 10 yards - $5.00
Soie d'Alger: @ 5.5 yards - $3.75 - $4.00 (it's got seven strands in each length, though)
Caron Waterlilies: 6 yards - $5.75 - $6.35
Needlepoint, INC: 5.5 yards - @$4.00
Thread Gatherer Silk 'n Colors - 7 yards - @$6.50 - $7.00 (12 strands per length)

So, if you're looking for silk, and you want to try something new, try the Silk Mill silk threads! If you order from them, tell them I sent you!

And let me know how you like the threads... I'd like to hear other people's opinions on them! Have you tried them already? Do you like them? What type of needlework do you use them for?

And, finally, just so you know - I'm not affiliated, this isn't a paid advert or anything like that! It's just my review and my opinion... you may have a different opinion - if you do, don't hesitate to share!

Ahhh. It's Friday - enjoy the weekend!
]]> embroidery resources threads pictures embroidery tips and tricks silk needlework pictures 8176 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-31 07:03:02 2009-03-31 07:03:02 1 0
If it doesn't say on the brochure that it's a filament silk, then it must say it on the website. That's a specific bit of info I sought for high and low!

AVS's Soie d'Alger is a spun silk - which is often the case with a twisted, stranded silk. Needlepoint INC silk is spun, Caron Waterlilies is spun silk, Dinky Dyes is spun silk, etc., etc. Just because it's made from the scraps doesn't make it necessarily "bad" or "poor quality" silk - in fact, I would imagine the process takes an extra step or two to create the spun silk. It is true that spun silk is not as strong as filament, and it doesn't have as high a sheen, but this look is somewhat desireable, I think, on many needlework projects. So spun silk definitely has its place and advantages, and is still a very worthy silk to use!

I'm glad you like the Silk Mill silk, though! To tame the thread, you can use Thread Heaven (I don't know if it'll effect the sheen - you might try it to see if it does). The steaming does straighten it somewhat, but in comparison to other types of thread, even after steaming it lightly, it still has a bit of boing.

Enjoy it! (I still need to place an order with them, but I've sworn off ordering new threads until the end of April!)

MC]]> 8177 tpdebbie noreply@blogger.com http://www.blogger.com/profile/05553266898691409173 2009-03-31 03:39:00 2009-03-31 03:39:00 1 0 thks, happy stitching
debbie]]> 8330 Lisa N noreply@blogger.com 2009-03-16 09:47:00 2009-03-16 09:47:00 1 0 8331 Anonymous noreply@blogger.com 2009-03-16 05:22:00 2009-03-16 05:22:00 1 0 8340 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-03-14 20:18:00 2009-03-14 20:18:00 1 0 8342 margaret c. noreply@blogger.com 2009-03-14 14:04:00 2009-03-14 14:04:00 1 0
I was mostly interested in the sheen and how you liked working with the thread. Did it catch at all on your fingers, etc.]]> 8345 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-14 06:39:49 2009-03-14 06:39:49 1 0
Well, if you don't count the period of time I embroidered as a little kid, when I used DMC because that's what everyone used and was widely available (80's), it was actually silk that catapulted me into serious embroidery. My first real project as an adult was worked on $80 / yard linen using the finest silk! And that project made me take embroidery seriously and say, "Yes, this is the hobby for me."

I never really had any serious interest in embroidery until I discovered the extended world of fibers.

But then, I never considered embroidery as something that I had to practice for years before I actually did something "big." I saw what I wanted to do one day, said, "I can do that," and leapt in to it, testing, experimenting, and learning as I went.

If you have the interest in embroidery - if you are sure you like the notion of this kind of needlework - then don't be shy about your level of "expertise." Find something that catches your interest and that you think you would love to do (or at least that you look at and love the finished product), and launch in. If you can read and trouble-shoot, and if your will is in it, you can do it!

Sometimes, the medium helps the artist improve, methinks!]]> 8346 Ruth noreply@blogger.com 2009-03-14 04:08:00 2009-03-14 04:08:00 1 0 8347 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-13 20:07:17 2009-03-13 20:07:17 1 0 8348 Anonymous noreply@blogger.com 2009-03-13 18:57:00 2009-03-13 18:57:00 1 0
Thanks for yet another wonderful comparison! These are perhaps my favorite aspect of your site, thought I LOVE it all!!!!!
-Christiana]]> 8349 MichelleMermaid michellemermaid19@yahoo.com 2009-03-13 16:58:00 2009-03-13 16:58:00 1 0 8350 Beryl noreply@blogger.com http://www.blogger.com/profile/18186913651517761986 2009-03-13 13:58:00 2009-03-13 13:58:00 1 0 Silk Mill just what I was looking for beautiful colours !!]]> 8351 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-13 13:47:30 2009-03-13 13:47:30 1 0
I think it's easier to compare the sheen of the silk to another twisted silk, like Soie d'Alger, because it's twisted. In that case, the Silk Mill silk has a higher sheen. Is it as "shiny" as flat silk? Well, it's close, anyway. The light plays on it differently, because it's twisted, but it has a very high sheen for a twisted silk.

It seems to have a higher sheen than Trebizond, which (I think) is also a filament silk (and twisted)...

Hm. Well, I hope that's not as confusing as it sounds!

MC]]> 8352 margaret c. noreply@blogger.com 2009-03-13 12:06:00 2009-03-13 12:06:00 1 0
Questions: How would you compare the sheen of Silk Mill to other flat silks? Can you rank it in terms of your preference to other flat silks that you have tried?

Note to anyone who might be interested in these threads:

I don't know if the Silk Mill is still doing this, but when I ordered their colour chart (which is completely free including shipping and arrived very quickly in California) I also received a sample skein of the silk. So, if you're interested in a real life example you might try ordering the colour card to see if you get a free sample.]]> http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-i.html Thu, 12 Mar 2009 15:30:00 -0500 Mary Corbet 416 2009-03-12 15:30:00 2009-03-12 15:30:00 open open Monogram-for-Hand-Embroidery:-Celtic-I publish 0 0 post

Again, you're looking for embroidery stitch suggestions, please visit the Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the small version of the I:



And here's the large version:



For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!


]]> free embroidery patterns monograms 8355 Anonymous noreply@blogger.com 2009-03-12 20:21:00 2009-03-12 20:21:00 1 0
Sara Wisdom]]> http://www.needlenthread.com/2009/03/15-minutes-on-drawn-thread-embroidery.html Thu, 12 Mar 2009 06:40:00 -0500 Mary Corbet 417 2009-03-12 06:40:00 2009-03-12 06:40:00 open open 15-Minutes-on-Drawn-Thread-Embroidery publish 0 0 post

A couple weeks ago, I introduced the topic of setting aside 15-minute needlework sessions, grabbed here and there during the day, to at least make some progress on embroidery (or other) projects. My point, I suppose, was that you can actually get a lot done in 15 minutes, and those 15-minute sessions do add up to real progress!

Admittedly, sometimes those 15-minute sessions can be a bit of a wash, like my last 15 minutes with my goldwork iris! Argh. I still haven't recovered from that one! But at least I learned something!

Here's a 15 minute session with my whitework sampler.



I mentioned the story behind these large curly things on my whitework sampler the other day. So, here, I am finishing the filling work inside this curl. The stitch is an un-named mistake, but would be called reversed wave stitch, if I had done it correctly! Heh heh.

So, I set the timer, and with great enthusiasm, I picked up my camera, snapped the above photo, and then grabbed my needle, and the race was on!

Wait! Wait!!

Stop!

Racing won't do!!

I found I have a tendancy to want to race in these 15-minute sessions. "How much can I accomplish in 15 minutes?!" But that's not the point. The point is 15 minutes of regular stitching, not rushed stitching! Besides, when rushed and feeling pressured, mistakes are sometimes more likely!

So, I snapped a picture, took a deep breath, sat back, picked up my needle, propped my feet up (on the couch!) and just ... sttiiiiitched with nice, normal pacing until the timer turned off.

In the back my head, I was sure I could finish filling in this curl, and, while I was controlling the urge to really rush, I still figured I had it in the bag. Surely I could finish this filling...



But alas! No! I was just beginning to stitch the first stitch on the bottom of the second to the last row there, when the timer went off. Oh... I could've cheated. I could've kept going! I wanted to, that's for sure! But with other things pressing (like my first class starting in 10 minutes!), I thought it wise to stop!

So there's a 15-minute session. As usual, I was excited and fired up to get home and finish the filling! But as luck would have it, I haven't had a chance to get back to it yet! (Maybe tonight?!) I'll let you know!
]]> whitework pictures 15 minutes needlework pictures drawn thread embroidery 8360 littlebirdhouse noreply@blogger.com http://littlebirdhouse.wordpress.com/ 2009-03-12 09:03:00 2009-03-12 09:03:00 1 0 http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-h.html Wed, 11 Mar 2009 14:29:00 -0500 Mary Corbet 418 2009-03-11 14:29:00 2009-03-11 14:29:00 open open Monogram-for-Hand-Embroidery:-Celtic-H publish 0 0 post

If you're looking for embroidery stitch suggestions, please visit Celtic A monogram, where you'll find several ideas for stitching up the monograms in this series.

Here's the large version of the H:



And here's the smaller version:



For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms 8365 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-11 22:05:33 2009-03-11 22:05:33 1 0
Satin stitch wouldn't normally be worked horizontally - it would be worked at an angle, and fanned around the curves. The cross-overs and cross-unders would have a distinguishing "line" that would break them from the twist, if you know what I mean.

You can see the method of embroidering a monogram like this at this post:

Satin Stitch around a tight curve

These monograms print rather large for monograms - if they were smaller, satin stitch would be somewhat easier to work on them.

Aside from satin stitch, if you look under the "A" monogram in this alphabet (the monogram index is mentioned above), I do have some other stitch directions. You can always outline the monogram and fill with seed stitch... you can use stem stitch as a filling even. Lots of possibilities!

I hope that helps!

Best,
Mary]]> 8369 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-03-11 14:56:00 2009-03-11 14:56:00 1 0 http://www.needlenthread.com/2009/03/goldwork-iris-threads.html Wed, 11 Mar 2009 06:36:00 -0500 Mary Corbet 419 2009-03-11 06:36:00 2009-03-11 06:36:00 open open Goldwork-Iris-&-Threads... publish 0 0 post the goldwork iris project, I was befuddled over what threads to use for couching. I went out to the studio, then, and decided to end my befuddlement.

I went through my selection of silk threads to see if I had anything I'd like better to use as the colored couching threads. While out there, I also dug through all my other threads, and happened upon - shock! horror! - some Sulky machine embroidery threads.

So I brought everything I found inside to the iris to do some pondering.

I pondered thus:



I like the fineness of TESS silk. This is Helen Stevens's silk thread line, made by the same folks who make Piper's Silk. But alas, as you may already be guessing...



... I don't much care for the colors I have on hand. The greens are ok - in fact, I like them! But the purples leave a lot to be desired, as does the closest color I came to "coral."



Pondering further, just for the fun of it, I lined up the Sulky threads. Oh - you have to admit - the colors are really nice! But something.... something.... just grates against the thought of using a polyester machine embroidery thread. *Sigh* Am I a fiber snob? I don't think that's exactly it. It's more a matter of the combination. Silk and gold just belong together!



But wow. I do like the colors. I like the purples especially...

I furthered my pondering by stitching over the gold with all three threads, the Soie d'Alger I originally started with, the TESS silk, and the Sulky machine embroidery thread.



The Soie d'Alger is on the left, followed by the TESS in the middle, and the Sulky on the end.

My heart longéd for the right colors in the TESS! I love the look of that fine, flat silk over the gold! And it stitches well over the gold - very nicely! And the fineness of the thread is most excellent for the couching of the gold, varying the distance between the stitches and so forth.

Alas and alack, without the right colors, though, I knew I would not be happy.

I didn't much like stitching with the Sulky threads. I sort of knew I wouldn't. It looked ok, but not that great.

What do you suppose my conclusion was?

]]> goldwork threads pictures silk needlework pictures 8353 Anonymous noreply@blogger.com 2009-03-13 04:33:00 2009-03-13 04:33:00 1 0 8354 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-03-12 21:17:00 2009-03-12 21:17:00 1 0 8356 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-03-12 20:18:00 2009-03-12 20:18:00 1 0 8361 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-03-12 08:45:00 2009-03-12 08:45:00 1 0 Candyce]]> 8364 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-03-11 22:40:00 2009-03-11 22:40:00 1 0 8366 Claudia noreply@blogger.com 2009-03-11 18:02:00 2009-03-11 18:02:00 1 0 8367 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-11 17:06:00 2009-03-11 17:06:00 1 0 8368 Anonymous noreply@blogger.com 2009-03-11 16:13:00 2009-03-11 16:13:00 1 0 http://www.needlenthread.com/2009/03/access-commodities-they-import.html Tue, 10 Mar 2009 08:24:00 -0500 Mary Corbet 420 2009-03-10 08:24:00 2009-03-10 08:24:00 open open Access-Commodities:-They-Import-Needlework-Stuff publish 0 0 post

Since long before I started Needle 'n Thread, I've been a fan of certain embroidery materials and accoutrements. If you've been following along with me for a while, you probably know that I like Legacy Linen, Au Ver a Soie silk, Hardwick Manor hoops, Gilt Sylke Twist, and real metal threads. In fact, I think that's a fair assessment of my Favorite Things.

Several years ago - in the days before Needle 'n Thread - I sought information on these favorites and found out that they are all imported by the same company: Access Commodities. I tried to find out stuff about the company, to contact them, to get information on where to buy, regular suppliers, etc. At the time, I was actually considering a small needlework shop... ha ha.

Anyway, I did happen on their website, which was just the bare bones of a website, and hard to find - it didn't come up with any ranking on the search engines. I had to dig. But I was only able to contact them by post, and I let the matter lag.

Oh, guess what? They're now visible online, and I'm so glad to see them! On top of it, they have... (wait for it!) ... they have.... a BLOG! Funny how things change....

So, check out the Access Commodities product list, if you want to see what they import. You'll find pictures of goldwork threads there!

If you want to read a bit of very useful information and see some interesting how-to's and so forth (with a promise of more information coming) do check out the Access Commodities Blog. There's a really neat article on there about using a silver melore, among other things.

I'd like to see more of an interactive blog, but I realize that they are probably pretty busy importing things and distributing them to all our favorite shops around the traps. I suppose I'll just be happy that I found them online. It's not as if I can order anything from them. But it's just nice to know they're there!]]> embroidery resources needlework websites silk linen 8374 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-03-11 07:05:00 2009-03-11 07:05:00 1 0 8380 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-10 19:14:44 2009-03-10 19:14:44 1 0
Hi, Marian! I bet the Jane Austen piece is beautiful! I'd love to see it! Lucky you! Well, admittedly, I'm a JA fan... her books, anyway. There are only a few movies that I really think are exceptional, though today, most of them are at least gloriously costumed! My favorite as far as films are concerned is the 6-hour adaptation of P&P; with Colin Firth and Jennifer Ehle. I thought it was really well done, and the costuming was terrific! Thanks for telling me about that! Yes, I find aida cloth "chunky," too. That's the perfect word for it!]]> 8381 Marian noreply@blogger.com 2009-03-10 18:15:00 2009-03-10 18:15:00 1 0
Also, I have been attending a short at university on Jane Austen, mainly looking at theatricality in Pride and Prejudice and mansfield Park. Last Monday, one of the other participants bought in 2 pieces of needlework that are JA inspired. One completed - a triptych of Elizabeth Bennet to the left and Mr Darcy to the right, I can't remember the centre panel, but it was a minitature piece. The other was an 18thC party scene. The lady was stitching in cross stitch on laguna cloth (even the background) - and it was so fine, I could not see the stitches without my glasses.

She said she has never worked on aida, and after looking at her work, I am thinking of switching as sometimes aida looks too 'clunky'.]]> 8386 Lauren in CT noreply@blogger.com 2009-03-10 13:47:00 2009-03-10 13:47:00 1 0
BTW: as a humorous aside, claiming my mellore from the Royal School of Needlework last summer netted me a conversation with a U.S. Customs agent at Kennedy who had no idea what the word meant. I guess I should have just claimed "asst embroidery equipment!" I'd have saved at least 45 minutes getting out of the airport.]]> http://www.needlenthread.com/2009/03/cleaning-house-on-needle-n-thread-and.html Mon, 09 Mar 2009 08:06:00 -0500 Mary Corbet 421 2009-03-09 08:06:00 2009-03-09 08:06:00 open open Cleaning-House-on-Needle-'n-Thread---and-Your-Druthers? publish 0 0 post

Strangely enough, keeping up a website with any regularity can seem rather daunting now and then. I appreciate so much you dear loyal readers who keep me motivated to continue growing this website! Without motivation.... well, it's easy to let things lag a bit.

Sometimes, the website goes through a content growth bubble. These are the times when I'm adding a lot of content, but not necessarily doing the behind-the-scenes work of linking up to various indexes, so the content is easier to find later.

So, this weekend, I did a little backtracking to index some content. I still have a little more to do (hopefully today!) so that you can see the results on a much more organized Needle 'n Thread!

First, I updated my Hand Embroidery Patterns Index. There, you'll be able to find the free hand embroidery patterns available on Needle 'n Thread listed and described.

Then, I updated the Tips and Tricks for Hand Embroidery page, where you can find all "tips and tricks" articles - usually tutorials, how-tos, various ideas on organization, stitches, techniques, etc. - listed.

I began, but didn't finish, updating the Gallery, where you'll find links to posts with pictures of specific projects, embroidered works, etc. This is quite a time-consuming job! It's the first thing I want to finish up today.

Squizzing through the site a bit, I started looking for broken links and so forth. I found out that I have several on my Embroidery Patterns around the Web list, so that's going to take some attention this week, too! At the same time, I'll be updating my links page with new resources and with new information sites.

Making lists is an inevitable part of my life. Lists help with general organization, and, at least for a while (until I lose the list!), they help me get things done. I've made up a long list of other things that need updating - like my bookstore (I've got a tremendous hand embroidery library that I've wanted to catalog for a long time and share with you some reviews, but ...!!), the "editor's floss" section in the top right column (I want to make some adjustments there), and my contact info form.

So much to do, so little time!!

In the meantime, there's the ever-present question of new videos to be added to the Video Library of Hand Embroidery Stitches. Well, never fear, there are some coming. I've found, though, that with time, I've become a bit more persnickety about the quality of the videos. When I first started making them, video was still somewhat of a novelty online - certainly not as widely used as it is now. I wasn't too familiar with the whole filming-editing thing, and I didn't have any decent equipment. Now, I look back on my earlier videos and tend to cringe a bit at their quality. Eventually, I'll remake all of them. In the meantime, though, I'm trying out new techniques and some new equipment and will be adding to the library as soon as I can. I'm in the throes of deciding whether to invest in a new camera, too - a video camera, as opposed to a regular snapshot camera that has a video function. For close up filming, the cameras become a bit more complex, though, which means they're a bit more expensive. So I'm fooling around with that idea a bit... As things develop in the video line, you'll be the first ones to hear about it!

Finally, I'm also contemplating a new format for the website. This, I undertake with trepidation. I know how difficult it can be to re-adjust to a website after you've become used to the format. But it's an idea I'm playing with, nevertheless, always keeping in mind that I want the website to be reader-friendly.

And here's my question:

I'd love to know what kind of content you'd enjoy seeing more of on Needle 'n Thread. Often, I'm not sure what readers really like. This would probably be a good place for a poll, but polls are rarely specific enough. How about, instead, you leave a comment below, letting me know what you like on Needle 'n Thread and what you'd like to see more of? That would help give me a better sense of direction!

As my mom would say, what are your druthers? ("Druthers," Mom? Is that even a word?)

Thanks for your input! Enjoy your Monday!
]]> website news miscellaneous embroidery musings 8377 Francesca noreply@blogger.com http://www.fuoriborgo.com 2009-03-11 00:48:00 2009-03-11 00:48:00 1 0 8379 MichelleMermaid michellemermaid19@yahoo.com 2009-03-10 23:08:00 2009-03-10 23:08:00 1 0 8383 Marian noreply@blogger.com 2009-03-10 18:02:00 2009-03-10 18:02:00 1 0
Thank you for a great place to come for help.

Marian]]> 8390 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-10 06:59:57 2009-03-10 06:59:57 1 0
Great! I have some really good ideas here!

And druthers is a word! I think I'll spring it on my students as the word of the day....

Thank you all so much!]]> 8391 Anna noreply@blogger.com http://www.blogger.com/profile/01829980941759537188 2009-03-10 06:29:00 2009-03-10 06:29:00 1 0 as to content I have always enjoyed your chatty but informative style and wouldn't change it , its very you.I must say I personally love seeing what you are working on as it goes along its like watching a series and hearing about how you teach etc I love when you show other peoples work too...But I would add more history but thats cos I love the whys and where fors love anna]]> 8392 Crazypatch mc.chasseraud@orange.fr http://www.blogger.com/profile/12833153179435090586 2009-03-10 06:29:00 2009-03-10 06:29:00 1 0 I love your blog and learning all I can do, I see your work progress and the dictionary items and videos are so helpful. thank you for everything.]]> 8393 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-03-09 23:11:00 2009-03-09 23:11:00 1 0 8395 margaret c. noreply@blogger.com 2009-03-09 22:04:00 2009-03-09 22:04:00 1 0
I would agree with the other comments that request more information on threads and fabrics. I think that would be helpful. Sometimes it seems like knowledge in these areas is just assumed and it can often be difficult to suss out what is what due to terminology, etc. (I think this is one area where counted embroiderers definitely have an advantage over surface embroiderers.)

I sometimes wish there was a way to keep a discussion going on some of the topics you present, but I'm not a big fan of forums.

I know it's a lot of work to keep all of this going, but long may you post and share!]]> 8396 laura-1215 noreply@blogger.com http://laura-1215.livejournal.com/ 2009-03-09 21:38:00 2009-03-09 21:38:00 1 0
If it ain't broke, don't fix it. :) But if you are looking for something new to include, how about an occasional picture of Kansas? I miss Kansas. Or maybe organize a small swap or tea towel tour based upon skill level?

btw, druthers is a real word, circa 1895, according to etymonline.com]]> 8399 Anonymous noreply@blogger.com 2009-03-09 19:31:00 2009-03-09 19:31:00 1 0
So all I can say is keep it up! We are all so lucky to be the recipients on this end. You are tireless and inspiring, Mary. And I'll bet you are just as good in the classroom!

Cissie]]> 8400 Susan noreply@blogger.com 2009-03-09 16:18:00 2009-03-09 16:18:00 1 0 So I dwell here on your site a lot. I love the how-to's and also the tips. The advice on equipment has been great too, especially when you are so honest about what is really needed and what is not.
I, too, could use a great deal more information on threads.
Another area would be what type of projects a beginner should start with. I am not exactly a kid. In fact I would say, over middle-age! :)
Fabrics, cloth, etc., and their uses (especially with the thread types) would be a beneficial for me.
Your links to others sites are awesome and also all the patterns/designs etc.
I hope some of my comments pertain to others as well.
Thank you for providing us with so much,
Susan]]> 8401 Anonymous noreply@blogger.com 2009-03-09 15:03:00 2009-03-09 15:03:00 1 0 8403 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-09 12:29:00 2009-03-09 12:29:00 1 0 But I thank you so very much for everything you has been teaching me! There still so many things I want to do because of the content of your blog that I can't answer your question.
By the way druthers is in my pc English-Portuguese dictionary, oh! yes it is, teacher!]]> 8404 Slack noreply@blogger.com 2009-03-09 10:46:00 2009-03-09 10:46:00 1 0
On your site I really look for two things...the how-tos and inspiration. So really, that's everything.]]> 8407 Ruth noreply@blogger.com 2009-03-09 09:31:00 2009-03-09 09:31:00 1 0 8408 Ruth noreply@blogger.com 2009-03-09 09:29:00 2009-03-09 09:29:00 1 0
You are famous webwide for your superb videos, and while your reservations about the quality of the early ones is just a reflection of your personal development, may I say that to me at least the content is more important than the other production values? A bit like teaching in a classroom. Some teachers use all the latest gizmos, but the students learn little because the content of the lesson is pitched wrong or there just isn't enough of it, or the teacher doesn't relate it to their needs and interest or some other fault. Meanwhile some teachers are more "low-key" in their use of aids but the lesson is pitched right, staged right and paced right.... an students see its "use".

Of course, to have both qualities is good, as long as the technology doesn't become the point of the lesson....

So, no need to redo your old stuff. It's perfectly serviceable, for me. But yes, I would like to see more stitch videos..... Oh how I love your stitch videos.... Perhaps one thing you could add to them is links to the picture/s in your gallery where you hav eused the stitch concerned. It's always good to see it in a design as opposed to isolated. (Generally, I'm not wild about samplers for that reason).

I love to see your WIPs too - that is endlessly fascinating. They have given me such a long list of "Oh, I want to try thats"!

Personally, I still need to know more about thread and how thread behaves.... And a lot ore about fabrics and how to choose and use them. what are the differences, etc. This is partly because I am not American and we use different terms in British English and then I don't even live in the UK so I have to be able to describe what I want to get it (I can't just go and say "x amount of Belfast linen, please." I have to find the local equivalent.) Here may I say that I love the super-close-ups of thread and fabric - very useful!

I love to see your "embroidery in use', ie, on towels, bags, purses, etc., and framed for walls. I think a "finish" should ideally be out there, not hidden in a box or rolled up under the bed! It's not a vice! It's a virtue!

Your reviews are useful and your gallery is a dream = inspiring!

Only one thing - the web is drowning in crazy quilting weblogs. While it clearly has an addictive effect on its practitioners, I visit your blog every day because it stands out as "pure embroidery". Please, please, please, don't shift to CQ blogging. I do not want to offend CQ'ers, but equally I don't plan to join them. They are well-served already! There is really not enough on surface embroidery the way you do it. In fact, there's no one like you!

I don't leave a comment every day, but honestly every day I am out here, radiating approval toward you.....]]> http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-t.html Mon, 09 Mar 2009 06:45:00 -0500 Mary Corbet 422 2009-03-09 06:45:00 2009-03-09 06:45:00 open open Monogram-for-Hand-Embroidery:-Celtic-T publish 0 0 post

If you're looking for stitching suggestions, check out the Celtic A monogram, where you'll find stitching recommendations. But don't just rely on my recommendations! Feel free to experiment!

Here's the large version of the Celtic T:



And here's the smaller version of the monogram:



For more hand embroidery monograms, check out my Index of Monograms for Hand Embroidery. If you're looking for other hand embroidery designs in general, check out my Index of Hand Embroidery Patterns, where you'll find an updated list of hand embroidery designs here on Needle 'n Thread.

Enjoy!
]]> free embroidery patterns monograms 8406 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-09 09:43:00 2009-03-09 09:43:00 1 0 I've tried the M, remember? but on the wrong fabric.
Surely I'll tried again on linen.
Thank you so much!
Have you any special programe for design!
and thank you so much for your visit - I'm not completly glad with my first satin stitch, I have to try again and again...]]> http://www.needlenthread.com/2009/03/monogram-for-hand-embroidery-celtic-j.html Sun, 08 Mar 2009 14:15:00 -0500 Mary Corbet 423 2009-03-08 14:15:00 2009-03-08 14:15:00 open open Monogram-for-Hand-Embroidery:-Celtic-J publish 0 0 post

You'll find suggestions for embroidering these monograms under the Celtic A. You'll also notice, on the Celtic A, that the area inside the loops formed by the knots are seeded with little dots. To cut down on the time spent cleaning up the monograms, I skipped the dots, but you can certainly add them into your embroidery, using seed stitch or French knots, if you wish!

Here's the large version of the J:



And here's the smaller version of the J:



For more monograms - in this alphabet and one other floral alphabet - please visit my Index of Monograms for Hand Embroidery. You'll also find a bunch of free embroidery patterns here on Needle 'n Thread under my Index of Hand Embroidery Patterns.

Enjoy!
]]> free embroidery patterns monograms 8382 Marian noreply@blogger.com 2009-03-10 18:05:00 2009-03-10 18:05:00 1 0
Thanks for attempting the turkey work, I look forward to seeing it.

Marian]]> 8409 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-08 23:01:14 2009-03-08 23:01:14 1 0
Thanks! I love monograms! :)

The turkey work video is sitting here, waiting for editing and voice. I'm debating over it. I don't like the video itself - the lighting is bad and the stitch itself is sparce and ugly (I only worked two lines, with the stitches rather large, so the motion of the stitch can be seen). I need to revisit the video and see what I can do with it. I've had really poor luck with filming lately. I think I'm expecting more now. I look back at some of the earlier videos and cringe at their quality!

Anyway, I'll get back to it soon. If nothing else, I could just take this raw one and convert it to something that'll play on quicktime or windows media and send it to you, so you can get the gist of the stitch. I'll see what I can do!

Thanks again,
Mary]]> 8410 Marian noreply@blogger.com 2009-03-08 21:27:00 2009-03-08 21:27:00 1 0
How is the video for Turkey Work coming?? I know you caught a cold and were not able to do the voiceoverat the time.

Take care.]]> http://www.needlenthread.com/2009/03/these-would-make-terrific-embroidery.html Sun, 08 Mar 2009 06:30:00 -0500 Mary Corbet 424 2009-03-08 06:30:00 2009-03-08 06:30:00 open open These-Would-Make-Terrific-Embroidery-Designs... publish 0 0 post
You see, I just love daffodils, and I don't go outside this time of year without seeing them, and thinking, "Golly. I just love daffodils." I've never embroidered daffodils, and in fact, I've never seen them in any needlepainting kits or books... Why not, I ask! The daffodil is the Cheeriest Flower of All! And it is the harbinger of that happy season, Spring! Woe is me! Why hath the poor daffodil been overlooked??!

With such thoughts bouncing around in my head, I began to think of the daffodil as a subject for embroidery. Needle painting, of course! Sure, it could be cross stitched, it could be needlepointed - but needlepainting would do it justice!

I'm not an artist, when it comes to good sketching of realistic things. Oh, yes - I try, but ... wow. Never mind! That's one skill I'd love to have - to be able to sit down, whip out a sketch book, and produce something that looks real, with the correct proportions, shading, and so forth. Some people say it just takes practice. I think it probably takes a wee bit of specialized talent.

So, I jumped online and started looking for images, which brought me to the popular site, How Stuff Works. I don't get how this fits under the heading of "how stuff works," but they do have a section on there on "how to draw a ___ in 5 easy steps."

I bet you're thinking I sat right down and taught myself to draw a realistic daffodil in five easy steps, right? WRONG!

It's the finished product on the "how to" pages that caught my eye.



The finished product of the five easy steps is supposed to resemble these daffodils. Well, there they are! I figure you can print out these black and white drawings, make some adjustments if you like, play around a bit with color using pencils or watercolors, then match threads and there's a good needlepainting project!

Now, to make things really exciting, I started roving through the list of "how to" drawings and found the following plants, flowers, and fruits, all of which would make nice embroidery patterns:

Grapes

Daffodils

Irises

Poinsettias

Lily of the Valley

Daisies

Flower Arrangement

Orchid

Cacti Scene

Wheat Field

Geraniums

Lilacs

Lily

Marigolds

Palm plant

Pansies

Plant Arrangement

Poppies

Pumpkin on a vine

Roses

Strawberry and Blossoms

Tulips

African Violets

I especially like the grapes, daffodils, tulips, lilies, and strawberries. The cacti scene and the wheat field could be the beginning of a highly textured landscape piece.

All in all, it was a successful search for the daffodil. I'm afraid I probably won't be paying homage to the chipper little flower any time soon by setting it down in thread, but some day, some day...

I hope you find these drawings useful for your own embroidery projects!

In the meantime, I'm still plugging away on my goldwork iris, as well as the whitework sampler. I'll show you a bit of both of those this week!
]]> free embroidery patterns embroidery resources needlepainting embroidery design 8411 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-08 14:19:42 2009-03-08 14:19:42 1 0
Hi, Yvonne - they're nice, aren't they? I love the fact that they're shaded! I think they could possibly work for goldwork, esp. Or Nue. Argh. Don't get me started! I don't need another project right now!! Or maybe I do... >:-)]]> 8412 Yvonne noreply@blogger.com 2009-03-08 13:36:00 2009-03-08 13:36:00 1 0
Once again you have come up trumps. The "how to" drawings are fantastic. Not being much of an artist myself, the shading on each drawing will make them wonderful for needlework. Perhaps Goldwork?]]> 8413 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-03-08 09:12:00 2009-03-08 09:12:00 1 0
I have some shadow applique patterns marketed some time back...before my divorce. Now, just in my garage. I would love to send you the daffodil if you'd like it...no charge, just one less thing to hold on too.

You can see it on my flicker page at www.flickr/photos/shawkl it's in the shadow applique folder...with several other flowers.

If you like it...or any of them, just let me know where to mail it to.

Love your site, it's a favorite...and I check it out all the time. Thanks for all you do to share and promote the craft!!

You're a very special lady!!]]> http://www.needlenthread.com/2009/03/free-hand-embroidery-design-scrollies.html Sat, 07 Mar 2009 13:09:00 -0600 Mary Corbet 425 2009-03-07 13:09:00 2009-03-07 13:09:00 open open Free-Hand-Embroidery-Design:-Scrollies publish 0 0 post scrolly medallion for hand embroidery, here's a scrolly design that can be hand embroidered as a corner, an edge, the top of something - you name it.

This type of scrolly design is a good way to practice line stitches, especially stitches such as stem stitch, coral stitch, Palestrina stitch, and chain stitch. The design itself would be easy to embroider, and you can add a bit of variety to it by varying your stitches or your threads, or by working different types of stitches side by side.

Think placemats, table cloths, cloth napkins, towels, aprons, dresser scarf, pillow cases ... You can even create a mirror image of the pattern to fill up a square area for pillows, etc.

This is actually a take-off from a sconce on my sister's wall in her living room, with a bit of elaboration to it.

Here's the design. You can click on it for a larger version and resize however you wish. A PDF version follows.



Scrolly Design (PDF)

If you're looking for more hand embroidery designs, check out my Index of Hand Embroidery designs - you'll find all kinds of stuff there, including a long list of patterns available at other websites. Feel free to recommend a website, too, if you know of anyone offering hand embroidery designs...

Enjoy!
]]> free embroidery patterns beginner embroidery 3804 Amanda noreply@blogger.com http://www.blogger.com/profile/04439031396045492415 2010-01-06 13:19:40 2010-01-06 13:19:40 1 0 5760 Jennifer noreply@blogger.com http://www.blogger.com/profile/11554795175520128524 2009-09-05 09:11:29 2009-09-05 09:11:29 1 0 8415 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2009-03-07 19:10:00 2009-03-07 19:10:00 1 0 Since you asked and I just posted my first embroidery pattern on my blog. It is Babushka dolls or Matryoshka. They are simply done and can be used in a variety of ways. I got inspired by blogs such as yours.
http://homespunquilts.blogspot.com/2009/03/very-merry-blogaversary-to-me.html]]> http://www.needlenthread.com/2009/03/browsing-through-needlework-websites.html Sat, 07 Mar 2009 06:30:00 -0600 Mary Corbet 426 2009-03-07 06:30:00 2009-03-07 06:30:00 open open Browsing-Through-Needlework-Websites publish 0 0 post

For those of you interested in drawn and pulled thread embroidery, you might enjoy looking at Broderibloggen, a website in Swedish that has some really nice embroidery on it! I like this post especially titled Hopdragssommar, which has a pretty little pulled thread sampler featured on it. There are quite a few other really nice projects on the site - scroll through! You're sure to find some inspiration there!

Yvette Stanton (of White Threads) posted a nice thanks to her textiles teacher from high school - something that every teacher does love to hear now and then!! Check out the photo of the Hardanger piece! It's really gorgeous!

On Craftstylish this week, there's a Dorset Button tutorial. I like Dorset Buttons. I made a couple to match a whitework pouch a while back, and the one I chose worked out really well. I reviewed my favorite tutorial for Dorset Buttons a while ago, which is where I originally learned how to make them. Dorset Buttons make great additions to sweaters and totes, by the way!

Sharon on Pintangle has been documenting the development of her band sampler, line by line. If you haven't seen any of these posts, do check them out! They're great for stitch variation inspiration! It's fun to see each line on the sampler upclose!

Speaking of Sharon, I mentioned earlier that one of my other online haunts is Stitchin' Fingers. There's been some pretty interesting conversations going on in the pulled thread group, and also in the goldwork group. I haven't had a lot of time to spend interacting in the past couple weeks, but I hope to catch up there soon! If nothing else, though, have a look at the photo gallery on Stitchin' Fingers! It's a collection of amazing needlework from talented stitchers around the world, and really fun just to browse through!

JoWynn of Parkview 616 posted some magnificent photos of goldwork bonnets used in traditional Austrian costumes. Very nice! I don't know if I'd ever be able to make, by hand, something like that, and to have it be fully functional! They're gorgeous! (And, oh - the kids are really cute!!)

Megan posted some neat Elizabethan embroidery links on her blog recently. I love the butterfly wing that stands up from the fabric! Nice!

Di van Niekerk has been adding a lot of stuff to her website lately - don't miss her little downloadable lessons on embroidery and silk ribbon embroidery. I think I may have mentioned these already, but they're worth mentioning again. I like the idea of these small, manageable projects that help stitchers learn techniques! And the projects are attractive and colorful, and very reasonably priced.

The Victoria & Albert museum have these nice designs for embroidery, available to print.

I was completely twitterpated (yes, that's a Thumper-ism) when I visited Robin's site, Beadlust, and saw these darling beaded rabbits. I can't help it. I think they are so adorable. I like bunnies, by the way. I'm not really a "cuddly pet person," but for some reason, I've always had a penchant for bunnies.

My visit to Robin's site corresponded with my seeking tiny beads to use in my miniature embroidery project. Susan Elliot (of Plays with Needles) very kindly responded to my comment about miniature beads, and directed me to Beadcats, where I was able to find vintage beads all the way down to (or up to, depending on how you look at it!) size 24/0. I ordered some little beads, TINY beads - and I'll share those with you a little later. Nice colors, and ... did I mention TINY?

Check out this little cross-stitch jousting knight on Maria del Valle's website! He makes me chuckle! Such a valiant little fellow!

In response to my miniature embroidery project, I got several recommendations for places to purchase silk gauze in high counts (up to 100! oh yes! I am!!). One of the shops recommended was Micro-Stitchery. I haven't ordered from them personally, but I couldn't help mentioning that I'm enamored by (with?) some of their projects - little tapestries and so forth for miniature embroidery. Check out their "kits" link and just take a look at some of those tiny things! I kind of want to do one of those wee medieval tapestries on 100 ct gauze. I don't know why. I don't know when. But some day...

Speaking of Medieval, have you seen this website called Reconstructing History? They have an embroidery section with patterns available for purchase. Though the patterns aren't free, they are certainly interesting and worth looking at! If you're into historical costuming, this is a neat resource! (No, I'm not making a coif. Could you see me in a coif? Me neither!) Thanks, Margaret, for sending the link!

I have been watching Allie's Cottage CQ develop since she started it, and I've really enjoyed the process of development - the piece has blossomed into something really amazing. Allie recently posted a photo with the center complete - so do take a look at it! I love the trees and the grasses and the look of the sky glinting in. She says she still has work to do on the water section --- ooooooooh. Fun! Can't wait to see it!

Ok, completely unrelated to embroidery, but one of the "cross over" areas of inspiration, I have to admit that I spent some time looking and looking and looking at these mosaics of the Galla Placidia Mausoleum. Embroidery inspiration can come from a lot of places, you know!

I've also spent far too much time trolling around Alison Cole's website. Have you looked at her goldwork kits? Have you ever worked one? I'm dying too! I especially like Alison's mini-goldwork kits (scroll down). If you click on those - the strawberry, frog, gecko, etc., you can see a larger version that will enchant you. The gecko - I want to work the gecko! I love the gecko. And I'm quite partial to the frog. I think part of the reason I find them so enticing is that I would have never thought of working a gecko or a frog in Or Nué! They are whimsical and darling. I've got them on my "list." I have a most expansive list.

Speaking of Most Expansive Lists, I think I am done for the day! I've run out of typing time, and you've probably run out of reading time!

Enjoy the links - I hope there's something in here somewhere that appeals to you, too!
]]> embroidery links embroidery resources needlework websites 8357 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-12 13:20:35 2009-03-12 13:20:35 1 0 8359 Helena Ericsson noreply@blogger.com http://www.brodera.nu/blogg 2009-03-12 10:16:00 2009-03-12 10:16:00 1 0 Best regards,
Helena Ericsson
Sweden]]> 8394 Sangheetha noreply@blogger.com http://www.blogger.com/profile/06777497661003570501 2009-03-09 22:30:00 2009-03-09 22:30:00 1 0 Great.


Sangheetha.]]> 8416 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-03-07 18:16:00 2009-03-07 18:16:00 1 0 8417 Susan noreply@blogger.com 2009-03-07 17:48:00 2009-03-07 17:48:00 1 0 8421 Anonymous noreply@blogger.com 2009-03-07 07:21:00 2009-03-07 07:21:00 1 0 -Christiana]]> http://www.needlenthread.com/2009/03/glasses-vs-magnifiers-for-needlework.html Fri, 06 Mar 2009 14:01:00 -0600 Mary Corbet 427 2009-03-06 14:01:00 2009-03-06 14:01:00 open open Glasses-vs.-Magnifiers-for-Needlework publish 0 0 post miniature embroidery project, here's an excellent article from Nordic Needle on using optical aids for needlework. The article covers the 'glasses vs. magnifiers' question quite well, and introduces several products that might be useful for stitchers who need some extra help seeing their work.

Also, thanks to all who contributed sources for higher count silk gauze. If you're looking for silk gauze for needlework, check out the comments on the last miniature embroidery post.

Enjoy!]]> miniature embroidery embroidery resources needlework tools 8428 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-06 16:25:00 2009-03-06 16:25:00 1 0 http://www.needlenthread.com/2009/03/free-hand-embroidery-design-scrolly.html Fri, 06 Mar 2009 06:00:00 -0600 Mary Corbet 428 2009-03-06 06:00:00 2009-03-06 06:00:00 open open Free-Hand-Embroidery-Design:-Scrolly-Medallion publish 0 0 post

Lately, I've been looking at all things from the point of view of potential embroidery designs. I live close to a beautiful historical site, where the old buildings, built in brick and some in native limestone, are adorned with wonderful little bits of art - from wrought iron railing to caps on buttresses, to little stonework designs over windows. It's funny how I never really thought in terms of embroidery whenever I saw these buildings - but now, I do! (In fact, I think of so many things I see daily in terms of embroidery, that it's starting to worry me!)

So, here's a design that can be used for anything - you can size it up or down. I think it'd be great in multiple layers of stitches. For example, you could "bolden" up some lines - like the parallel lines in the center - with a nice line of Palestrina stitch, then, right next to it, a tiny line of chain stitch or backstitch (as is done in Schwalm work, with coral stitch and chain stitch right next to each other for the bold lines). Then you could work the other scrolly bits with lighter lines, for a good contrast and to give interest and dimension to the design.

The dots (center and tips) can be filled or outlined. If you're not up to satin stitch on dots, just outline them!

Here's the design. You can click on it for a larger version, which you can save and resize as you wish... or you can pick up the PDF version below and resize before printing.



Scrolly Medallion Hand Embroidery Pattern (PDF)

I think this would look really pretty in white, by the way, on a natural linen background - perhaps on the outside pocket of a bag? Or on a square journal cover? Hmmm... lots of possibilities!

For more free hand embroidery patterns, I've got an Index of Hand Embroidery Patterns that includes those here on Needle 'n Thread, as well as free embroidery patterns online. And, if you're wondering how to stitch, feel free to check out my Video Library of Hand Embroidery Stitches!

Have a terrific Friday, and have fun with the new pattern! (Hey, if you do anything with it, let me know!)
]]> free embroidery patterns 8429 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2009-03-06 15:25:00 2009-03-06 15:25:00 1 0
Please feel free to use one of our buttons, if you like, to let folks know we're talking about you on CraftGossip: http://craftgossip.com/link-to-us/

All best,
Denise
http://needlework.craftgossip.com]]> 8432 margaret c. noreply@blogger.com 2009-03-06 14:08:00 2009-03-06 14:08:00 1 0
I don't know when the next version will be out. (I'm waiting very impatiently.) I got a development version to try to play with spiro, but the interface didn't match the tutorial and I haven't had a chance to go back and see what's going on.]]> 8433 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-06 13:29:39 2009-03-06 13:29:39 1 0 8434 margaret c. noreply@blogger.com 2009-03-06 11:01:00 2009-03-06 11:01:00 1 0
So, you're hooked on Inkscape, eh? I know the feeling! It's a wonderful little application and I can't wait for the spiro-enabled version.]]> 8435 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2009-03-06 09:43:00 2009-03-06 09:43:00 1 0 http://www.needlenthread.com/2009/03/crewel-work-company-kits.html Thu, 05 Mar 2009 08:35:00 -0600 Mary Corbet 429 2009-03-05 08:35:00 2009-03-05 08:35:00 open open Crewel-Work-Company-Kits... publish 0 0 post Wooly Thread is carrying Crewel Work Company kits. These are exceptional crewel embroidery kits from Phillipa Turnbull in the UK. The kits are nice - and the selection Wooly Thread is currently carrying is quite suitable for beginners. If you've wanted to try real crewel work, this would be an excellent introduction. You can find the kits carried at Wooly Thread listed on the Wooly Thread blog, but if you want to see the designs up-close, you should go to the Crewel Work Company website, where you can click on the photos to enlarge. Also, you'll see all the supplies listed for each kit on the Crewel Work Company Website.

I'm not sure what price Wooly Thread is asking for the kits, but I do know that they only have one of each! So stake your claim soon!]]> embroidery resources needlework news crewel work 8438 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-05 22:19:46 2009-03-05 22:19:46 1 0
Best,
Mary]]> 8439 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-03-05 22:08:00 2009-03-05 22:08:00 1 0 They're lovely, aren't they?]]> 8444 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2009-03-05 16:02:00 2009-03-05 16:02:00 1 0
Please feel free to use one of our new buttons if you'd like to let folks know we're talking about you over on CraftGossip: http://craftgossip.com/link-to-us/

Warm regards,
Denise
http://needlework.craftgossip.com]]> http://www.needlenthread.com/2009/03/15-minutes-goldwork-embroidery-with.html Thu, 05 Mar 2009 06:30:00 -0600 Mary Corbet 430 2009-03-05 06:30:00 2009-03-05 06:30:00 open open 15-Minutes:-Goldwork-Embroidery-with-Color publish 0 0 post setting up the goldwork iris, I began embroidering it in one 15-minute needle and thread session. The first embroidery session was, admittedly, a wash...

When beginning a needlework project - and this is true of any type of needlework for me, whether surface embroidery, counted cross stitch, goldwork, drawn thread work, crochet, even sewing - I find that my initial moments with the project are always the most important. In the first minutes of actually working with needle and thread, I get a real sense of what the project is going to be about. No more theory, no more vague picture in my head - now I know what must be done to make the project develop toward the picture which I imagined for it.

It's also in the first session of stitching that I tend to make mistakes while I feel the project out.

With the goldwork iris, I realized a few things right off the bat.



Here are the supplies I initially wanted to start with: #5 smooth passing thread (2% gold), Tire silk for couching the gold areas, and the darkest green soie d'alger, which would make up the first colored stitches.



Because this was a 15-minute session, I set the timer before cutting threads and threading needles.



I began couching the gold in the lower left corner, working up toward the swirly base of the iris. This looks positively terrible! Anyway, Tire silk is extremely fine thread. I do like it for couching the gold, but...



... compared to the soie d'alger, it is really too fine. I think I'd rather use a thread closer to the size of the soie d'alger. Otherwise, I'm afraid that, down the road, I'll have a warping problem with the piece - the colored threads will take up more space over the gold and push the design out.



Another thing I didn't like: in my first section of dark green over the outline, the green silk is bulging here and there. Soie d'alger is a 2-ply twisted thread, much like DMC cotton. As the thread works in and out of the fabric, the twist can become tighter or looser, and the plies can lay on top of each other (twisting over each other) just as the stitch is settled into its place. In most surface embroidery techniques, this isn't really a problem. It's the natural way the thread works. But in this technique, I don't want any extra bulges! I'll need to pay closer attention to that. A laying tool will help, but... I don't really want to use one!

I'm thinking about going back through my threads to see if I might have some flat silk that I can use instead. I do have a collection of Helen Stevens's TESS, but I don't know if it includes any purples.



In any case, this is the 15 minute session! Whoo-hoo! Doesn't seem like much, does it? I don't like the "angular" look of the gold, and I don't like the stitching.



So guess what I did the next time I had 15 minutes? Right! I'm starting again, with some wiser (hopefully!) decisions. If I can switch to flat silk, I'll continue to work with the Tire thread for couching the gold. If I don't have suitable colors in the flat silks, I'll probably switch my gold couching thread to something thicker - maybe soie 100/3.

I'm pretty sure, so far, that Or Nué is something you have to give a chance. One gold thread couched isn't going to reveal impressive results. Still. I want to make some changes before going any further!

Any advice or suggestions?

For more information on different silk threads, you'll find a few articles that compare different types of silks under Tips and Tricks for Hand Embroidery.
]]> Embroidery Projects goldwork pictures silk 15 minutes needlework pictures 8423 Anonymous noreply@blogger.com 2009-03-06 20:23:00 2009-03-06 20:23:00 1 0 8443 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-05 16:56:09 2009-03-05 16:56:09 1 0
But rather get it right now, then be irritated with it as it progresses!

Thanks!
MC]]> 8448 Anonymous noreply@blogger.com 2009-03-05 13:29:00 2009-03-05 13:29:00 1 0
I agree with Margaret, leave a little tiny gap between stitches. It should make the whole piece shinier and prevent such drastic build-up of thread.
I love this design so much!!! It is going to be fabulous!
-Christiana]]> 8450 margaret c. noreply@blogger.com 2009-03-05 12:08:00 2009-03-05 12:08:00 1 0 blue flower or nue thingy I decided that I didn't like the solid areas and that next time I tried this I would have no areas that are totally solid. It looks to me like you have some bits where the green is (or rather was, eh?) very dense and the stitches look like they are possibly overlapping. Perhaps you can try to ensure that you have no overlapping stitches and let just the tiniest sliver of gold show through even in the areas where you want the most coverage.

Also, I thought you were going to couch in circles. Is that correct or did I just imagine it? :-)]]> 8452 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-05 10:17:00 2009-03-05 10:17:00 1 0 8454 Lauren in CT noreply@blogger.com 2009-03-05 09:34:00 2009-03-05 09:34:00 1 0
Lauren]]> http://www.needlenthread.com/2009/03/can-you-embroider-with-your-feet.html Wed, 04 Mar 2009 19:09:00 -0600 Mary Corbet 431 2009-03-04 19:09:00 2009-03-04 19:09:00 open open Can-you-Embroider-with-Your-Feet? publish 0 0 post

From threading a tiny needle with fine silk to stitching (from front to back of the hoop), this lady does everything with her feet. This is definitely worth watching! The embroidery comes in the second half of the video...

Prepare to be amazed!

[youtube=http://www.youtube.com/watch?v=5GNzBFnUAdo]

]]> regional embroidery techniques miscellaneous embroidery musings 8376 Marie Alton sredeluxe@rogers.com http://www.blogger.com/profile/06701433382557929101 2009-03-11 00:56:00 2009-03-11 00:56:00 1 0 I've added a link to your blog of it on mine ... just so more people could see how incredible it was!
I have decided that I should never complain again about things that I cannot do!

Would appreciate if you could send me the direct link to the YouTube video of this ... my DD would like to share it with some friends...and I think that it would be inspirational to show some of the younger generation how easy they have it. E-mail is
sredeluxe@rogers.com . Thanks!]]> 8385 Lisa N noreply@blogger.com 2009-03-10 15:00:00 2009-03-10 15:00:00 1 0 8414 Melusine noreply@blogger.com 2009-03-08 04:48:00 2009-03-08 04:48:00 1 0
Thanks for having such a great and inspirational blog.]]> 8419 Anonymous noreply@blogger.com 2009-03-07 11:33:00 2009-03-07 11:33:00 1 0 I am so glad I sent you the video of this amazing woman. Things like this have to be shared.
By the way your latest newsletter gave me a brilliant idea. I am making a crib quilt for my grand child with squares of embroidered hearts. I was going to leave the squares between, plain. I have now decided to embroider scroll patterns in white.

Your newsletters inspire me and have given me so many ideas.

Thanks Mary

Mabel]]> 8446 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-03-05 14:21:00 2009-03-05 14:21:00 1 0 8447 Anonymous noreply@blogger.com 2009-03-05 14:04:00 2009-03-05 14:04:00 1 0
Also, I'm loving this blog, and following it daily. I've done counted cross stitch since forever, but I'm getting bored with it and want to try something different - your advice and examples are priceless for that!]]> 8449 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-05 13:04:43 2009-03-05 13:04:43 1 0 8451 margaret c. noreply@blogger.com 2009-03-05 11:39:00 2009-03-05 11:39:00 1 0 8453 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-05 10:12:00 2009-03-05 10:12:00 1 0 I would wish to post it in my blog - can I?]]> 8458 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-05 07:04:14 2009-03-05 07:04:14 1 0
Hi, Moriah! Welcome aboard! Oh, yes - false starts! That's what my post today is about, again (the new 15 minute post on goldwork and color...)

The way I look at it is this: you probably won't be happy with the project if you continue working on it, once you know you should start over! So, why not start over now, rather than continuing... because if you continue, there's a stronger chance you'll never finish the project! Also, if you get the "start over" done (it's such a pain to start over!!), then you can get on to the real work, faster!

Anyway, I feel for ya! I know exackitackily how it is!!

Best,
Mary]]> 8459 Anonymous noreply@blogger.com 2009-03-05 06:52:00 2009-03-05 06:52:00 1 0
I'm a first time commenter but becoming quite the groupy of your site -- thanks for all the great posts and the wealth of information. My most favorite recent post of yours is "False Starts" -- I guess we all sooooooo relate -- I am at this moment wrestling with myself about starting over one of my projects. I know I need to, and will eventually (I think, haha), but it's the thought of re-doing all that work that kills me. So reading that pretty much everyone goes through the same thing from time to time, in both embroidery and life, is taking the sting out of it somewhat!

Thank you again for all you do,
Moriah]]> 8460 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-03-05 05:29:00 2009-03-05 05:29:00 1 0
... just wow. Fun when you don't understand a word, too :D]]> 8462 theeema noreply@blogger.com http://www.blogger.com/profile/01537683268388116764 2009-03-05 04:20:00 2009-03-05 04:20:00 1 0 Thank you so much for posting this. I am truly amazed! After seeing this, I feel like no one can really find a good excuse to NOT do anything! We are truly blessed! Linda]]> http://www.needlenthread.com/2009/03/miniature-embroidery-completed.html Wed, 04 Mar 2009 06:30:00 -0600 Mary Corbet 432 2009-03-04 06:30:00 2009-03-04 06:30:00 open open Miniature-Embroidery-Completed! publish 0 0 post

For this little piece, I used 48 count Alabaster Angel from Legacy Linen. The design comes from a Sweetheart Tree kit I picked up while on vacation a couple years ago. In the original kit, the fabric was a 28 count pink checkered linen, which was to be stitched over 2 threads. If the piece were stitched by the kit directions, the final project would be between five and six inches square.

I used one thread of DMC in the colors recommended for the kit. Unfortunately, the beads included with the kit (Mill Hill Petites) were too large to include!



The finished size of the embroidery is just barely shy of 1.5" x 1.5". I used the tent stitch (half cross stitch) for the whole piece.



In needlepoint, which generally makes regular use of tent stitch, the stitches are generally always worked in one direction. However, I found that, when adapting a cross stitch design - especially one with different parts pointing in four different directions in the corners - it is acceptable, wise, a good idea, necessary even, to change the direction of the tent stitch... I figured that out a bit late with some parts of the design.



In the original kit, the inside of the parallel lines that make up the central diamond is filled with Algerian Eye stitch worked in white. I suppose I could have been a bit adventurous and filled in the diamond thus, but I liked it better as it is. I though the filling stitches would crowd the piece too much.

Now, for another treat, here's a photo Ginger sent of a miniature coverlet, stitched in surface embroidery stitches. She took the photo at a museum, where the curator allowed her to. The silver stitching and the silver lace on the edge are really nice, and I love the fact that it is all regular surface embroidery! What fun! Imagine the time that went into this tiny thing...



Thanks, Ginger, for sending the photo. I've replied in the usual place...! Sorry! I'm looking into getting that problem fixed!

I suppose most miniature embroidery is done for doll houses. I, on the other hand, intend to frame and hang this little piece, along with Christiana's sampler!

Speaking of framing miniature embroidery, here's an excellent tutorial by Larry at Wood'n Bits on making miniature frames for embroidery. He takes you step-by-step through making tiny frames which you can then mount silk gauze onto, and stitch, and, when you're finished stitching, you have a framed piece. It's a great tutorial. He continued it with another post on more miniature frames, which he sells - take a look!

And finally, speaking of silk gauze, once upon a time, I thought I had a link to somewhere online that offers 72 gauge silk gauze. Of course, I've lost the link... but to wonder if I imagined it? Does silk gauze come in such a fine mesh? Anyone know? and if so, would you happen to know where I can find some? I think I like this little stuff - not for looooong term, on-going embroidery, trust me! But for fun little projects, I like going micro!
]]> miniature embroidery embroidery resources pictures counted thread embroidery techniques needlework pictures 5185 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-05 09:06:39 2009-10-05 09:06:39 1 0
I'm pretty sure that's the case!

Best regards,
Mary]]> 5186 Kraftwurker kraftwurks@gmail.com http://www.blogger.com/profile/08106784986824399334 2009-10-05 06:44:42 2009-10-05 06:44:42 1 0 8420 Anonymous noreply@blogger.com 2009-03-07 09:41:00 2009-03-07 09:41:00 1 0
I love miniatures! But I'm doing between 1/3 and 2.54 scale. Still small but easier on my eyesight!

Paula]]> 8422 Crazypatch mc.chasseraud@orange.fr http://www.blogger.com/profile/12833153179435090586 2009-03-07 01:26:00 2009-03-07 01:26:00 1 0 8425 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-03-06 18:54:00 2009-03-06 18:54:00 1 0 8436 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-05 22:23:32 2009-03-05 22:23:32 1 0
Thanks, Christi - it was fun to work, though it does have its rough spots...!!

Michelle, I'm glad you like my website! Thanks for the compliment - of course, the coverlet... now THAT is great! I'd love to try something like that one day. Hmm... I'll just put it on my ever-expanding list!

MC]]> 8440 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-03-05 22:07:00 2009-03-05 22:07:00 1 0 8463 Laurie in Maine dognapper2@msn.com http://www.blogger.com/profile/06022126513010116196 2009-03-05 03:56:00 2009-03-05 03:56:00 1 0 8465 Anonymous noreply@blogger.com 2009-03-04 20:26:00 2009-03-04 20:26:00 1 0 Gorgeous.
-Christiana]]> 8466 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-03-04 19:01:00 2009-03-04 19:01:00 1 0 What meticulous work...

Doesn't Kreinik carry silk gauze?
Go to their website and see....]]> 8468 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-04 15:34:38 2009-03-04 15:34:38 1 0
It's actually in the design - the blank line in the flower - but strangely enough, it corresponds with a slub in the linen, so you can see the continuation of the line across the left side of the diamond. I think, if there were some stitching in the middle of the center flower there, instead of a blank line, the eye wouldn't be drawn to follow the slub. But alas, it is.

It bugs me, too, actually. Rinsing the linen in water and ironing may adjust the stitches on the slub (over to the left) may help tweek them into a regular position... we'll see.....]]> 8470 Kathy noreply@blogger.com http://www.blogger.com/profile/04839641446078503080 2009-03-04 14:03:00 2009-03-04 14:03:00 1 0 I've really been enjoying your blog. Drawn thread and goldwork are two techniques I've just recently tried so it's been nice to read your more in-depth coverage of the topics.]]> 8471 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-03-04 13:02:00 2009-03-04 13:02:00 1 0 What a delicate little piece! As for silk gauze, I've always intended to order a small piece of each of the counts (24, 32, 40, 48, 54, 64, 72, 90, 100!) on this site: http://www.micro-stitchery.com/shop/enter.html. Click on "Supplies". I've never ordered from them, but good luck!]]> 8472 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-03-04 12:25:00 2009-03-04 12:25:00 1 0 8473 ginger noreply@blogger.com 2009-03-04 11:59:00 2009-03-04 11:59:00 1 0 7" x 7", yes for a dollshouse.

Yes, 70 mesh is still available, also 84. And, would you believe, the ladies in England of the Miniature Needlework Society go with 120!!! Goodness knows what sort of needles and thread they use!

I saw a classic looking floral done on 120 and it truly looked like a painting. Also clothing for a Queen Eliz doll and, I have to say, it's the only time in my long life of stitching that I truly coveted someone else's work.


For silk gauze in high numbers, try micro-stitchery.com
needlestack.com
also CrissCross Row(not sure of address so Google it)

Stitch on, Ginger]]> 8475 onafixedincome noreply@blogger.com 2009-03-04 10:41:00 2009-03-04 10:41:00 1 0
I do have one question though--what is that light line that runs through the center flower and to each edge?

Thanks! You do so much to broaden my horizons...]]> 8476 Mal* noreply@blogger.com http://www.turningturning.com 2009-03-04 09:24:00 2009-03-04 09:24:00 1 0 8479 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-04 08:22:00 2009-03-04 08:22:00 1 0
Speaking about eyes: i remember you have written about good lamps but I can't find the post.Are you so kind to give me a track?

and thanks so much for your kind words - the recipe is already in the air :)]]> http://www.needlenthread.com/2009/03/do-you-use-visual-journal.html Tue, 03 Mar 2009 19:40:00 -0600 Mary Corbet 433 2009-03-03 19:40:00 2009-03-03 19:40:00 open open Do-You-Use-a-Visual-Journal? publish 0 0 post Scriptorium's free Little Guide to Bookbinding (PDF). It's quite nice, and worth looking at. Besides the obvious applications to making your own visual journal for your needlework related doodlings, I was thinking it's a nice method if you wanted to make a book and cover it with a nice piece of embroidery. Anyway, check out the link and overview on the Scriptorium website, if you're interested!]]> bookbinding 8426 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-03-06 18:52:00 2009-03-06 18:52:00 1 0 8486 MichelleMermaid michellemermaid19@yahoo.com 2009-03-03 20:09:00 2009-03-03 20:09:00 1 0 I usually just wing it when I'm putting together a book. It's nice to see this guide.
Thanks so much for bringing it to our attention!
Dakotah]]> http://www.needlenthread.com/2009/03/goldwork-iris-underway.html Tue, 03 Mar 2009 06:40:00 -0600 Mary Corbet 434 2009-03-03 06:40:00 2009-03-03 06:40:00 open open Goldwork-Iris-Underway publish 0 0 post

The gold in this goldwork project will be gold passing thread. If you're not familiar with what gold passing thread is, feel free to look at a few previous articles: gold passing thread up close, the Agnus Dei project, the golden pomegranate, or my goldwork Christmas ornament from this past Christmas - all of them make liberal use of gold passing thread.

In this technique, which is called Or Nué, the gold passing thread will be couched with colored silk to form a picture. I've recently run a couple articles on Or Nué techniques (Margaret's goldwork flower and Christiana's goldwork peacock feather) if you want to get more of a sense of what the technique is all about.

Here, I'll be going step-by-step through the process of Or Nué embroidery, and I'll tell you up-front, I've only worked the technique a few times, on simple projects. This little iris is more complicated than any Or Nué I've done before, and I will undoubtedly be troubleshooting along the way!

I'm off to a bad start, anyway. Let me show you what I mean...



Here's the design, traced onto tissue paper. It's from 4000 Flower & Plant Motifs: A Sourcebook by McCallum - an excellent book for little motifs perfect for embroidery. I modified the design slightly.



After laying in some (really sloppy!) color using prismacolors and centering up the design, I added in that swashy looking line, because I'm thinking I'll work the gold thread in some other pattern besides just a straight line. I don't think this particular swash is going to be my gold thread guide, though....



The next thing to do was to consider colors of silk. Actually, the next thing was to consider TYPES of silk. I wanted a fine thread, to ensure that I didn't end up with too much bulk over the gold threads, which could distort and push them out if I didn't space them correctly. It was at this point that I noticed that none of my finer threads were available in the same colors - or in any extent of color - compared to my rather haphazard collection of Soie d'Alger. Now, Soie d'Alger is my favorite thread for needle painting (long and short stitch - like this needlepainted iris, which is actually worked in DMC cotton). I found as I was planning out this goldwork project that I was thinking too much in terms of needlepainting. This may pose a problem later - we'll see!



Anyway, I had a good collection of purples and greens in the Soie d'Alger, so that's what I decided to go with.



I selected a palette. I think these are way too many shades of color!! (And I know you're probably wondering about that coral. So am I!)



I'll probably end up using these two purples...



... and these two greens predominantly.



So, colors selected and pattern more or less messily prepared, I headed to my light box to transfer the pattern onto the fabric.

And here comes Mistake #1:



I outlined in black, using a micron art pen. Oh dear. It didn't occur to me until later that I really don't want those harsh black lines on the surface of the fabric. I know that there will be some space between the gold threads - not a lot of space, but some, nonetheless. I don't want any vague black outline peeking through...



And this could be Mistake #2, but I don't know yet. I used prismacolors (soft lead colored pencils) to lay the color in on my fabric. Normally, this would be done with watercolor paints, but .... mine are packed away, and I was over-eager. I tend to think it'll be ok.

Regarding the black line, I'm planning on couching stitches long that black line, so I'm hoping they will be sufficient cover up. We will see!

After I finished transferring the design, I mounted the linen on an Evertite Frame, which have fast become my favorite frames. (I don't have a slate frame that's small enough for this project). Now, my next step is to prepare all my supplies and put everything together in one basket for easy access. Then, I'll set up my Needlework System 4 stand with the frame in it, and have that ready for those 15 minute moments when I can take a few stitches during the week!

So that's my current colored project! I'm still working on the whitework sampler, though not regularly. I'll be dividing up a few days a week for whitework, a few days a week for goldwork now. I did finish my miniature embroidery piece, and will show you some photos of that tomorrow.

What are you up to? Do you have any projects going? Are you blogging progress on any projects? Feel free to share a link to your blog, flickr account, etc., below, so that we can see what you're up to, too!
]]> goldwork pictures embroidery tips and tricks silk needlework pictures 8469 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-04 15:28:00 2009-03-04 15:28:00 1 0 8474 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-04 11:16:38 2009-03-04 11:16:38 1 0
Hi, Carol -

you can send me the design, if you wish! mary (at) needlenthread (dot) com

Oh Noooo! Just what I need!! Another project! But - who knows! If it grabs me, I may abandon all else!!

Thanks!
Mary]]> 8477 Carol noreply@blogger.com http://www.blogger.com/profile/16145339876894805722 2009-03-04 09:11:00 2009-03-04 09:11:00 1 0
I've been following your blog for a while now and I'm really impressed with your work! Used to do quite a bit of embroidery, counted cross, etc. (I prefer embroidery), but when I went back to school all my time was taken up with other things.

Now I am starting up again and I'm fascinated by goldwork, which I've never done. I have a design I would LOVE to do, but I figure I'd better start small first. What would you recommend for someone who has never done goldwork before?

Thanks
Carol
PS. I would love to send you the design I have and get your recommendations on how to go about working it. It's super ambitious, but I think it would be a knockout.

PPS My daughter wants the pomegranate, and the pansy.]]> 8478 Shariub noreply@blogger.com 2009-03-04 08:26:00 2009-03-04 08:26:00 1 0 I am currently working on a Maginel Wright Enrigh Bo-peep image and posted progress this AM. http://www.flickr.com/photos/10248177@N08/
-Shariub
P.S. I've a couple vintage patterns listed too if anyone is interested :)]]> 8480 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-04 07:42:47 2009-03-04 07:42:47 1 0
The ground fabric is linen, alba maxima by legacy, I think - could be alabaster angel. It was a "scrap" in my legacy pile...

Yes, I didn't need to use the black pen. Normally, I use these pens when I know I'll be covering theh lines, because they don't smudge or disappear or anything like that - they give a nice, permanent line, which is great, if you're sure to be covering it up. If I had thought ahead, I would have merely used the colors of the design as the design markings....

Still, it seems to be covering up fine...

Thanks!

MC]]> 8481 Anonymous noreply@blogger.com 2009-03-04 07:38:00 2009-03-04 07:38:00 1 0 And why use the black pen instead of say pencil?
Thanks,
Cissie]]> 8483 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-03-04 07:04:00 2009-03-04 07:04:00 1 0
But all that being said---I want to be you Mary when I grow up--you just flat out amaze me!

Ruth M]]> 8487 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-03-03 18:11:00 2009-03-03 18:11:00 1 0 8488 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-03 18:05:25 2009-03-03 18:05:25 1 0
Mal & Laurie - sounds like you're both having fun learning! Glad you like the tutorials!]]> 8489 Mal* noreply@blogger.com http://www.turningturning.com 2009-03-03 17:10:00 2009-03-03 17:10:00 1 0 cross stitch section in my band sampler. Excited to use your tutorials to learn new stitches!]]> 8490 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-03 17:01:00 2009-03-03 17:01:00 1 0 8492 Laurie in Maine dognapper2@msn.com http://www.blogger.com/profile/06022126513010116196 2009-03-03 11:33:00 2009-03-03 11:33:00 1 0 I bought a light since my last go at Hardanger. I'm thinking textured surface embroidery must be what I'm striving for. I clicked on a comment left for you by Maggie's Textile. I'm stalking --- I mean --- linking you both now with my latest blog entry :)]]> 8493 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-03 09:39:00 2009-03-03 09:39:00 1 0
After a (more or less) long absence, today I've post my work in progress - and I have to say that I've tried satin stitch for the first time (always with your blog opened...)i hope in a few days to show the complete project.

http://avomeri.blogspot.com/2009/03/estou-de-voltadevagarinho-im-backslowly.html]]> 8494 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-03 08:43:03 2009-03-03 08:43:03 1 0
YES!! Alison's my inspiration! I love the way she does that with the gold backgrounds on these projects!

Thanks for your comment!]]> 8495 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-03 08:42:48 2009-03-03 08:42:48 1 0
YES!! Alison's my inspiration! I love the way she does that with the gold backgrounds on these projects!

Thanks for your comment!]]> 8496 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-03-03 08:26:00 2009-03-03 08:26:00 1 0 Jane/CH]]> 8497 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-03-03 08:24:00 2009-03-03 08:24:00 1 0 Jane/Chilly Hollow
http://blog.360.yahoo.com/chillyhollow
with mirror blog at http://chillyhollownp.blogspot.com]]> http://www.needlenthread.com/2009/03/15-minutes-miniature-embroidery.html Mon, 02 Mar 2009 06:45:00 -0600 Mary Corbet 435 2009-03-02 06:45:00 2009-03-02 06:45:00 open open 15-Minutes:-Miniature-Embroidery publish 0 0 post 15 minute session with my needle and thread, I managed to accomplish a tiny bit of embroidery on a tiny embroidery project. As luck would have it, this 15-minute embroidery experience was nowhere nearly as productive as the last one!

Miniature embroidery has its drawbacks. The most noticeable one, for me, is the fact that it's miniature! Now, don't get me wrong - I like this project. It's fun! But on such a small scale, once the stitches are in, it's actually hard to see which direction the stitches are going. This wouldn't be a big deal, except for the fact that the four corners point in four different directions, and I quickly found that the design looked better if the tent stitches were altered to point in a certain direction, depending on the corner.



You can definitely see the problem with the center of the motif - I should have changed the direction of my stitching on the the right-hand leaf! I may take that out and fix it. (Then again....)

So, once again, here's a 15 minute segment of stitching. I took the above photo after setting the timer for 15 minutes, and when the timer went off, I stopped stitching.



I managed to get in the top of all the flowers in the light pink! I was so happy!

But then I realized that the stitching on the bottom right corner was done in the wrong direction! I didn't take it out at that point - I figured that would make a good job for another 15-minute segment!

Anyway, the little motif is coming along. I'll show you finished photos of it later on - with a ruler to give you a sense of size...

In the meantime, I've got a lot of work to do to catch up on a weekend that was insanely busy! I hope you had a chance to check out the goldwork peacock feather, which I didn't get a chance to post until later Sunday night. It's quite a beautiful piece of work!

Enjoy your Monday! And I do hope you get in a good 15 minutes (or more - lots more!) of stitching today!
]]> miniature embroidery pictures counted thread embroidery techniques 15 minutes needlework pictures 8464 Marie Alton sredeluxe@rogers.com http://www.blogger.com/profile/06701433382557929101 2009-03-04 22:08:00 2009-03-04 22:08:00 1 0
Prioritizing ... factors in. I'd rather stitch than do housework ... and often simply delegate it to the kids. I need ... yes need creative time...especially when the ideas are flowing...vacuuming & dusting become less important...or at least can be done by someone other than me.]]> 8484 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-03-03 23:40:00 2009-03-03 23:40:00 1 0
I have been making a few mins at a time everyday to stitch...it`s surprising what you can do in just a little time!]]> 8498 Larry Marshall larry@woodnbits.com http://www.blogger.com/profile/02211549672565037525 2009-03-02 19:39:00 2009-03-02 19:39:00 1 0
Cheers--- Larry]]> 8500 margaret c. noreply@blogger.com 2009-03-02 10:17:00 2009-03-02 10:17:00 1 0 http://www.needlenthread.com/2009/03/readers-embroidery-goldwork-peacock.html Sun, 01 Mar 2009 21:46:00 -0600 Mary Corbet 436 2009-03-01 21:46:00 2009-03-01 21:46:00 open open Reader's-Embroidery:-Goldwork-Peacock-Feather! publish 0 0 post

The project is a type of goldwork called Or Nue´ in which colored threads are used to couch gold passing thread to form a picture. The gold that isn't couched in color is couched with regular gold couching thread. Christi worked the design from a grid, rather than on a painted surface, using the lines of the gold to form the "grid" for the picture. I believe the original design was one by Michael Cook, who made it for weaving.



Here's the piece in progress. You can see the grid on the left. Working over the gold threads, the grid got a bit "squished" so that the feather ended up a bit shorter and wider - but it doesn't in any way diminish the beauty of the piece!



Here it is! Isn't it amazing? I think it's really beautiful! The "hairy" threads on the end still need to be plunged...



This is the design the threads made on the back of the fabric. Neat, eh?



Here you can see a distance shot of the feather, set up on a slate frame with another project (a fleur de lys worked in Japanese silver #1, on a blue background - more on it later!).

I really love this piece, and it, and Margaret's Or Nue´ flower, have done gone and inspired me! I set up an Or Nue´ project this weekend between bouts of company (it's the only embroidery-related thing I accomplished!) I'll chronicle my progress on it, and hopefully be able to share some tips and tricks as I go along. You can learn from my mistakes, for I'm sure to make some!!!!

Thanks, Christiana, for sending along the photos! Congratulations on finishing a really beautiful project!

]]> goldwork readers embroidery pictures needlework pictures 8339 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2009-03-15 12:48:00 2009-03-15 12:48:00 1 0 http://www.wormspit.com/images/Ribbons/threestraps4.jpg

Michael]]> 8499 Anonymous noreply@blogger.com 2009-03-02 18:48:00 2009-03-02 18:48:00 1 0 Thank you,
Annie in "Where is Spring?" Michigan.]]> 8501 margaret c. noreply@blogger.com 2009-03-02 10:14:00 2009-03-02 10:14:00 1 0 8502 littlebirdhouse noreply@blogger.com http://littlebirdhouse.wordpress.com/ 2009-03-02 07:16:00 2009-03-02 07:16:00 1 0 8503 Lisa noreply@blogger.com http://www.blogger.com/profile/11137272371773363323 2009-03-02 06:10:00 2009-03-02 06:10:00 1 0 8504 Francesca noreply@blogger.com http://www.fuoriborgo.com 2009-03-02 02:04:00 2009-03-02 02:04:00 1 0 8505 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-03-02 00:06:00 2009-03-02 00:06:00 1 0 http://www.needlenthread.com/2009/02/15-minutes-with-needle-and-thread.html Sat, 28 Feb 2009 11:47:00 -0600 Mary Corbet 437 2009-02-28 11:47:00 2009-02-28 11:47:00 open open 15-Minutes-with-Needle-and-Thread publish 0 0 post

The truth is, I'm no genius when it comes to time management. I'm not nearly as organized as I'd like to be! But I do keep working on getting there! One thing that helps me make progress on anything - and especially on my needlework projects - is "chunking off" pieces of time. I mentioned before that needlework is my carrot; I use it as a kind of reward. I tell myself that, if I finish this chore or that project, I get 15 minutes (sometimes more!) with my needle and thread. I also make sure that, on most days, I do get at least 15 minutes to embroider. Of course, there are some days when this doesn't happen because life is too hectic! But on most days, if I plan right, I can get in at least 15 minutes of stitching or more, even if it's late at night.

Now, you may (and rightly) think that not a lot can be accomplished in 15 minutes. This is true! But 15 minutes here and 15 minutes there do eventually add up to real progress on a project.

To illustrate the point, here's a piece I worked on this week. It's the miniature embroidery that, early this week, I mentioned I wanted to start. I did start it, in a rather haphazard sort of way - I just plunged on in. (Plunging in has its disadvantages sometimes, but more on that later!)



With today's article in mind ("15 Minutes with Needle and Thread"), one morning before work, when I had everything ready for the day and still had 25 minutes before I had to leave for work, I set the timer for 15 minutes. Once the timer was set, I took out my embroidery basket. I got my camera and took the above photo of the piece. Then, I began stitching. When the timer went off, I stopped and took another photo.



Nope, I didn't get a LOT done, but I got something done. I finished the pink backstitching on the inside diamond and began the green, which I was pretty close to finishing.

Working under the 15-minute time constraint, I had to moderate myself in one regard: when working against the timer, I found I wanted to rush the stitching. But I controlled the urge, and stitched at a normal, comfortable pace, purposely ignoring the fact that the timer was running.

When the timer went off, I was sorely tempted to finish the last green edge on the diamond. Since I had to step out the door in ten minutes, though, to head for work, I put the work down. And this had a funny effect on me. I was super eager to get back to the piece - more eager and more enthusiastic about wanting to embroider than I usually am! This, in turn, had a positive effect throughout the day. I had something to look forward to that kept my interest vitalized in everything I was doing. It forced me to get things I needed to get done, done - and in an efficient way. No dawdling on the computer, no lingering over the mail wasting time at lunch, or anything like that. I wanted to get to my next 15 minutes, so I could finish that green line!

I often hear from other stitchers who say that needlework is a kind of "therapy" for them. I agree that needlework is indeed a balm for troubled spirits in this hectic world. I think that taking 15 minutes a day (or more, if you're blessed to have more time for it!) to climb out of ourselves and focus on being creative is a good practice. No, you won't start and finish a project in 15 minutes, but you will make progress towards the finish, and at the same time, you may find you've landed 15 minutes of relative peace and happiness!

So if you're frustrated by never having time to stitch, try to establish at least a 15-minute rule. Plan ahead and block out 15 minutes to stitch - whether it's in the morning before heading to work or in the evening before calling it a day. Maybe it's in the middle of the day on your lunch break at work, or right after you've put the kids down for a nap. Maybe it's while your dinner's in the oven. Just 15 minutes! I think you'll be surprised how much progress you can make on your stitching with just 15 minutes!

And now that I've been a good girl and written my blog post for the day, guess what? Right! I get 15 minutes with my needle 'n thread! Bye!
]]> miniature embroidery pictures organization miscellaneous embroidery musings needlework pictures 8427 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-03-06 18:52:00 2009-03-06 18:52:00 1 0 8491 LiEr lier.koh@gmail.com http://www.blogger.com/profile/13022645291278425282 2009-03-03 16:23:00 2009-03-03 16:23:00 1 0
http://ikatbag.blogspot.com/2008/10/fabric-buckets-and-stitched-art.html

Lorraine]]> 8508 Lenna Green noreply@blogger.com http://www.stitchingcow.com 2009-03-01 17:38:00 2009-03-01 17:38:00 1 0 Warmly Lenna]]> 8509 Flora flora.flowers.boo@gmail.com http://www.blogger.com/profile/17836989715340857264 2009-03-01 11:01:00 2009-03-01 11:01:00 1 0 8510 Francesca noreply@blogger.com http://www.blogger.com/profile/01316361078052416731 2009-03-01 00:45:00 2009-03-01 00:45:00 1 0 PS hope you got to finish that green line:)]]> 8511 Leena noreply@blogger.com http://creativeinstincts.wordpress.com 2009-02-28 23:40:00 2009-02-28 23:40:00 1 0 Leena]]> 8513 Slack noreply@blogger.com 2009-02-28 16:02:00 2009-02-28 16:02:00 1 0
Thanks for the inspiration!]]> http://www.needlenthread.com/2009/02/oh-glories-of-thread-painting.html Thu, 26 Feb 2009 06:30:00 -0600 Mary Corbet 438 2009-02-26 06:30:00 2009-02-26 06:30:00 open open Oh,-The-Glories-of-Thread-Painting! publish 0 0 post

Throughout the later history of embroidery - I'd say 17th c. and onwards - realistic shading in embroidery has been here, enjoying bouts of popularity. Of course, crewel embroidery employs techniques of long and short stitch shading. Then there's the "society silk" style of embroidery typical of the Victorian era through the early 20th century - a style that was all the rage, super popular, and employed similar shading techniques that we see in long and short stitch "thread painting" today. And here we are, now, in what I think is another bout of popularity in this embroidery technique.

If you've been reading along with me for a while, you know that I'm a big fan of Trish Burr's needlework and her books. Well, for those of you who are interested in the glories of thread painting, you'll be happy to know that Trish Burr has been really busy lately. Check out the following projects:



These rosebuds are a beginner's exercise in thread painting.



This daisy spray is also suitable for beginners. The style of the piece is reminiscent of Trish's latest book, Crewel and Surface Embroidery: Inspirational Floral Designs.



For beginners as well, here in an amaryllis! And finally, my favorite:



... a red poppy, a project more suited to intermediate level embroiderers who have already tried thread painting. I love the flower on this piece - the depth of color is lovely! And I also love the stem, made up of a very fine strand of Chinese silk, almost the size of a hair!

Aren't they beautiful pieces? I think they are, and I think they're perfect for learning the technique of long and short stitch shading. Trish apparently agrees, for it seems that, in the near future, she will be releasing kits for different levels of long-and-short-stitch stitchers! I'm really very excited about this! Kits like this are a great way to learn a technique!

While I haven't yet seen any of the kits in person, I can imagine that they will be very thorough in instruction, if Trish's books are anything to go by!

So there's your sneak peek on some upcoming needlework excitement! In the meantime, if you want to try your hand at needlepainting, why not take a look at Trish's website? She has a free little introductory project on there that you might have fun with.

So there's a nice little tidbit of needlework news for you! I hope you find it as exciting as I do!
]]> Trish Burr pictures needlework news needlepainting needlework pictures 8512 Slack noreply@blogger.com 2009-02-28 16:04:00 2009-02-28 16:04:00 1 0
On your give away post I said I only had one book, "Doodle Stitching". I happened to pick that back up and found the answer to my previous question (How to do the long and short stitch).

I still would like to see a video tutorial someday but now I at least have a little idea about how to do the stitch! :)]]> 8520 Melusine noreply@blogger.com 2009-02-26 11:37:00 2009-02-26 11:37:00 1 0 8521 Anonymous noreply@blogger.com 2009-02-26 11:33:00 2009-02-26 11:33:00 1 0 8522 Slack noreply@blogger.com 2009-02-26 09:38:00 2009-02-26 09:38:00 1 0
I am a beginner but would like to work my way up to thread painting. I've watched a number of your videos; they have been so helpful.]]> 8523 margaret c. noreply@blogger.com 2009-02-26 09:17:00 2009-02-26 09:17:00 1 0
Trish's book, Long and Short Stitch Embroidery: A Collection of Flowers is still my favourite thread painting book. (I also think that Beginner's Guide to Silk Shading by Clare Hanham has good instructions for beginners.)

If you have any interest at all in this technique, do try it! It's not that difficult....really....I promise! :-) It might take some practise, but anyone can do this.]]> http://www.needlenthread.com/2009/02/embroidery-stash-give-away-winner.html Wed, 25 Feb 2009 07:15:00 -0600 Mary Corbet 439 2009-02-25 07:15:00 2009-02-25 07:15:00 open open Embroidery-Stash-Give-away-Winner-Announced... publish 0 0 post

Someone out there is going to get this very nice collection of 12 different types of embroidery thread...



Did the usual - filtered the names into a numbered list (making sure there were no duplicates and that everyone had followed the directions!), scrambled the list, and drew a random number....

Speaking of the directions, I was struck by the number of repetition in everyone's favorite books. I didn't keep exact numbers, but the Country Bumpkin publications really seemed to have the lead, it seems. I saw a lot of you like Trish Burr, and then there's a lot of mention of Mary Thomas's dictionary, Therese Dillmont's Encyclopedia, and the Reader's Digest Guide to Needlework. There are some books on the list that were new to me, so I'll probably check some of them out! Thanks!!

Ok, the winner is ....

Ruth M., who signed her post "rut" - She has quite a few faves, but often turns to the basics, so she put "The Complete Illustrated Stitch Encyclopedia" (Crafter's Choice Publication) as her favorite.

Congratulations, Ruth! Please send me your mailing address through the contact form, and I'll send the loot out to you as soon as possible!

Thank you all very much for participating. I'm always sorry when it's over, because I enjoy reading everyone's comments, and of course, it would be nice if everyone could win something!

Never fear - there's always a chance next month!
]]> stash contest 8519 jojo noreply@blogger.com http://www.blogger.com/profile/06494820576079261398 2009-02-26 16:24:00 2009-02-26 16:24:00 1 0 8524 Anonymous noreply@blogger.com 2009-02-26 09:15:00 2009-02-26 09:15:00 1 0 Happy for you Ruth!!!]]> 8526 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-26 07:34:00 2009-02-26 07:34:00 1 0
Mary, I so appreciated your question for this give-away.
I started collecting some embroidery books MANY years ago and never knew if they were any good in the eyes of those who actually DID embroidery. Now that I am venturing into things other than crewel and crazy quilt stitches, it's wonderful to know I have some great resources already at my finger tips...and of course, this site :)

Thanks. Marlon]]> 8527 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-02-26 06:38:00 2009-02-26 06:38:00 1 0
And I agree with the comments; your contest benefit everyone--I found quite a few new books from this contest I will be looking for at the library or Paper Back Swap.


THANKS AGAIN

RUTH --with the H this time, LOL]]> 8529 MichelleMermaid michellemermaid19@yahoo.com 2009-02-25 15:38:00 2009-02-25 15:38:00 1 0 Thanks anyway and Congratulations, Ruth!
Have fun with those threads.
I, too, enjoyed reading about everyone's favorite books.]]> 8533 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-02-25 11:59:00 2009-02-25 11:59:00 1 0
and Mary: thanks a lot for all these chances, all the lessons, all the things you share, your sympathy!
I've found your blog about a year ago - and how many things I've learnt how many whishes you make in my mind! You are really precious!]]> 8535 brokenfairy noreply@blogger.com http://brokenfairy.wordpress.com/ 2009-02-25 11:36:00 2009-02-25 11:36:00 1 0 8537 Mal* noreply@blogger.com http://www.turningturning.com 2009-02-25 09:05:00 2009-02-25 09:05:00 1 0 http://www.needlenthread.com/2009/02/going-micro-with-needle-thread.html Tue, 24 Feb 2009 07:19:00 -0600 Mary Corbet 440 2009-02-24 07:19:00 2009-02-24 07:19:00 open open Going-Micro-with-Needle-&-Thread publish 0 0 post whitework embroidery sampler! Exploring the different drawn thread techniques has been fun, and I'm itching to start on some other techniques, such as satin stitch over trailing. But, as with every long, slow project, a break is a good thing! So I'm going micro...

A while ago I showed you this unbelievable miniature embroidered sampler, remember?



I've really fallen in love with the little thing - the more I see it, the more I like it. I'm planning on having it framed in a regular frame, with a tiny hole in the mat...

So, here I've been, mulling this idea of miniature embroidery over in my head.

I know it isn't anything new - some people apparently do miniature embroidery for the fun of it, with no distinct purpose. They like it, like I like goldwork. Others create little miniature projects for doll houses. Still others like the notion of petit point on silk gauze (which I'm dying to try - on 72 gauge!). There are plenty of miniature embroidery books on Amazon.... though some are apparently just "small" motifs stitched on regular fabrics. So I know I'm not talking novelty here.

But for my 'break' from the whitework sampler, I decided to go micro, and see about this miniature embroidery thing. This has forced me into an area of needlework that is not necessarily my favorite - I don't particularly care for (sorry!) counted cross stitch! Oh, don't get me wrong - there are some counted cross stitch items these days that I find really attractive and that I think would be great fun to work. I like the historical samplers, and the Quaker look, and I really like some of the Long Dog samplers - they're pretty neat. But my stitching preference isn't counted thread techniques. (I suppose you probably already know this if you've been reading my blog for a while!)

Still, I think it's worth venturing in for a try. First, I'll try counted. Then I wonder what it would be like to go micro with regular surface embroidery. Teeny tiny - super-duper-tiny - surface embroidery stitches on a wee sampler might be something worth trying.

But, for now, I'm counting. I selected a design that I have from a Sweetheart Tree kit I bought a few years ago when I was on vacation. Then, I picked out some linen. The choice was between two linens: Legacy's shadow work or Legacy's alabaster angel. Alabaster angel is 48 threads per inch. Shadow work runs around 56 threads per inch (I counted approximately 7 threads per 1/8 inch). I stuck with the alabaster angel for this first project. The shadow work linen doesn't have much "body" in the individual tiny threads - it's a relatively sheer linen with space between the weave. This is nice, but I wanted to make sure the stitches were duly supported. Plus... well, truth is, on the very sheer fabrics, you really have to be concerned with the back as well as the front, and I will admit it - I didn't want to bother so much about the back! (Tsk, tsk! Shameful, I know!)

With this miniature embroidery stuff, especially on fabric that's 48 threads per inch, a full cross stitch is too much when working with one strand of regular cotton floss. So the half cross stitch is what I'm using - tent stitch.

I've run into a couple little problems:

1. My needle is very small. Tiny needles have a tendancy to sink into the side of my thumb and cause the skin to split. *sigh* And it hurts like the dickens. Perhaps I should consider a "thumble" of sorts.

2. Tent stitch normally works pretty well when translating from a cross stitch desigh, but it doesn't always work. Because of the one-way direction of the stitches, certain parts of the pattern become a bit disjointed, when they shouldn't be. In some areas of the design, this is easily resolved with stitching in the opposite direction, though I realize this just "isn't" done in petit point, from what I understand! In fact, the design has quite a few half cross stitches indicated, as well as the direction in which they should be worked. So it does help to change the direction of the stitching to fit more with the design.

3. The design relies heavily on beads for accents. I don't think they make beads small enough! The Mill Hill petite glass beads loom over the stitching like giant doughnuts!

4. I made the funniest (most ridiculous) stitching mistake ever. Well, I think it's funny! Perhaps most people won't notice it, though, so I'm not going to mention it now. I'll wait for the photos. Even then, I might leave you to guess!

The design itself is normally over 5" square, when stitched according to directions on the little kit it came in. With the fabric I'm using, it's just barely 1.5" square.

Now, the nice thing at this point would be a photo.... but not yet! Look for it later this week. I'd like to finish the whole piece first.

Other than this, I'm DEFINITELY setting up a little (little, but not this little) goldwork project this week. Christiana sent me some photos of a beautiful little piece of goldwork (Or Nué) that she's been working on, involving a peacock feather, and I just can't stand it anymore! I must set up a project! And so I shall. I might even do a feather of sorts, too. Maines des Merveilles has a beautiful issue full of feathers, and I've never had a chance to do anything with them. Christiana's is really beautiful, and as soon as she gives me the okeedokee (she made it as a gift...), I'll post the pictures.

All that being said, I'm still enjoying the whitework sampler.

Don't forget to sign up for this month's embroidery stash give-away if you haven't already - 12 different types of embroidery threads to try out! I'll announce the winner tomorrow.

Enjoy the day - hope you have time to get some stitching in!
]]> miniature embroidery Embroidery Projects sampler counted thread embroidery techniques 8485 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-03 20:39:57 2009-03-03 20:39:57 1 0
I love the coverlet. Do you suppose the silver lace was handmade? The tulle peeping out makes me think it might have been? The stitching is magnificent! Tiny... and surface embroidery! I want to do that! But it comes off as "full sized" in scale. It's great!

I want to see the exhibit in NYC, too, but don't think I ever will. I was contemplating a road trip this summer, either to the east coast or the west coast, but... we'll see if it develops. I've heard the book is nice - Twixt Art and Nature, right? I've got it on my wishlist!

Ok, sorry for the reply here. How... pathetically impersonal!

Thanks again for the picture, and if I get the aol situation cleared up, you'll be the first person to hear about it!

Best,
Mary]]> 8530 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-25 15:03:32 2009-02-25 15:03:32 1 0 8531 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-25 15:00:37 2009-02-25 15:00:37 1 0
My address is mary (at) needlenthread (dot) com ...

Sorry for the hassle! What a pain, eh?

Thanks!

Mary]]> 8542 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-25 07:07:43 2009-02-25 07:07:43 1 0
Thanks for your comments! I'm making progress - so I'll show you some photos before the week is out, I hope. At least by Sat., surely!

Ginger, if you want to drop me a line using the "Contact Us" link at the top of the page. Fill that out, and I'll return an e-mail to you. If you use AOL for your primary e-mail, though, there may be a problem. Normally, they bounce when I try to reply to them. So if you do use AOL and have an alternate e-mail address, please use the alternate... All that being said, I'm DYING to see the photos!! That would be great.

Thanks heaps, everyone. Stay tuned for updates!

Best,
MC]]> 8544 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-02-25 00:55:00 2009-02-25 00:55:00 1 0 8545 Ginger noreply@blogger.com 2009-02-24 23:50:00 2009-02-24 23:50:00 1 0
Looks to me like a major challenge and I plan to try something similar one of these days. Is there a way I can let you see this?

Ginger]]> 8548 Anonymous noreply@blogger.com 2009-02-24 21:30:00 2009-02-24 21:30:00 1 0
So sorry about your wound! That must be a real distraction.
-Christiana]]> 8550 Anonymous noreply@blogger.com 2009-02-24 18:14:00 2009-02-24 18:14:00 1 0
Jacqui
(in Auckland, New Zealand)]]> 8554 Kirsty kootoyooblog@gmail.com http://www.blogger.com/profile/05628893711657037244 2009-02-24 16:00:00 2009-02-24 16:00:00 1 0 8560 Kandy Fling noreply@blogger.com 2009-02-24 14:43:00 2009-02-24 14:43:00 1 0
When I was at 'Twixt Art and Nature last month with friends, we were enjoying the fact that in a lot of the canvas work that was done in tent stitch they DID go opposite directions if the design needed it.

We've been so heavily trained by modern cross stitch (mostly) values that we think it has *always* been done the same way, but when we study earlier pieces, we learn that's not necessarily so.

So, go opposite directions when you need to!

Can't help on the beads though.]]> 8569 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2009-02-24 12:06:00 2009-02-24 12:06:00 1 0 8573 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-24 11:10:28 2009-02-24 11:10:28 1 0
I should've mentioned that in the post. Most drawn thread is definitely counted, and I do like drawn thread work! I also like blackwork, which is often a counted thread technique, though it doesn't have to be. I like petit point as well, especially in historical applications. I suppose, specifically, I wouldn't list "counted cross stitch" as a favorite technique, although, like I said, there are several counted cross stitch styles today that I do like a lot.

I was a kid in the 80's, when counted cross stitch became "the thing" and it was my first introduction to needlework, really. When I broke away from counted cross stitch into surface embroidery, I found that I couldn't be enticed back into the counted cross stitch arena. However, so much has changed since then - different styles, different materials, different threads....

Thanks for the comment!

MC]]> 8578 Ruth, Istanbul noreply@blogger.com 2009-02-24 08:29:00 2009-02-24 08:29:00 1 0 http://www.needlenthread.com/2009/02/olive-oil-sugar-and-needlework.html Mon, 23 Feb 2009 07:28:00 -0600 Mary Corbet 441 2009-02-23 07:28:00 2009-02-23 07:28:00 open open Olive-Oil,-Sugar,-and-Needlework publish 0 0 post

This is a needlework tip!

I'm suffering from "winter hands" right now. No matter what I put on them - I slather them with lotion several times on a daily basis - I can't eliminate some of the chapped areas. Part of the chap comes from working with my hands, whether it's doing dishes, doing other daily chore-ish tasks, writing (with pens), writing on a chalk board (oh, horror! I hate chalk this time of year!), or even developing needlework calluses. But part of it is just simply the time of year. It's winter. The heat in the house dries things out, and the lack of humidity in the air outside, along with the cold and the wind, doesn't help!

And so, now and then, I find myself getting lizardy.

And when it comes to working with threads, lizardness isn't pleasant! I can't stand the snagging. Cotton is bad enough, but try working with flat silk! Aaaack! The frustration is endless.

And that brings me to this tip - an easy way to smooth up your hands using ingredients you probably have in your cupboard: olive oil and sugar.



Pour a tablespoon of olive oil in a dish - a small bowl works best (much better than a little measuring cylinder).



Add about a tablespoon of sugar. The mixture doesn't have to be precise, or anything. You just want to create a wettish pumice, really.



It's amazing how yellow olive oil looks with sugar in it. Mix the oil and sugar together well....



... and glop the stuff into your hands. MMMmmmmm. Doesn't that just look - oh, nasty? This consistency works great for me - most of the mix stays together, but there is enough liquid in it that a little bit oozes its way through the fingers.

Now, scrub your hands. You can do both sides, and while you're out it, concentrate on the finger tips, giving them extra attention.

Once you've worked the mix around on your hands for a while, use soap and warm water to wash your hands thoroughly, then pat them dry on a towel. They're feel great!

It doesn't necessarily eliminate every bit of roughness on the hands, but it certainly minimizes the snagging. A daily treatment while the hands are really rough will make a difference, too.

Any tips for hand treatments when dealing with winter skin? Do share!
]]> embroidery tips and tricks 3743 Anonymous noreply@blogger.com 2010-01-10 18:33:26 2010-01-10 18:33:26 1 0 8553 Susan D noreply@blogger.com 2009-02-24 16:07:00 2009-02-24 16:07:00 1 0 8556 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2009-02-24 15:16:00 2009-02-24 15:16:00 1 0
I learned about this stuff looking for help for an odd skin condition I have....every year during the warm months my right thumb begins a process of peeling and healing. This has gone on for about 10 years--only my right thumb and only during the warm months! Weird, huh? Anyway, I've tried Vaseline, lanolin, and other various moisturizers, but nothing really kept it from peeling. Until I discovered Bag Balm, that is--a salve originally designed to soften cow udders! I get mine from Drugstore.com. It doesn't smell very pleasant but it does the job.]]> 8574 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-02-24 10:58:00 2009-02-24 10:58:00 1 0 8575 BJ Pontalion noreply@blogger.com 2009-02-24 09:23:00 2009-02-24 09:23:00 1 0 I use a bee’s wax mixture bar made by Koelzer Bee Farm. It is a bar made of bee’s wax, shea butter, coco butter and coconut oil. I use the oil scrub you use once a week, and the bar every day. It not only moisturizes but it protects my hands from splitting. Since I have found it, I never have issues with snagging threads. I also invested in a paraffin tub. I dip my hands after the scrub and it seems to seal in the moisture. This system works very well for me. The bar works well on feet too but I have a separate bar or that.
BJ]]> 8577 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-24 08:48:00 2009-02-24 08:48:00 1 0 I ran into the skin problem and was told to go and get sugar scrubs at the spa OR purchase some and do at home. Well... I'd much rather spend the money on stitchy stuff!
BUT, I fiddled around and created my own using the olive oil and sugar idea....only I used the turbonated brown sugar...much larger crystals.
It worked fine, but the large crystals weren't always comfortable. I had assumed that the table sugar was too fine to use.
Well, after your tip, I am going to keep on doing it but will switch to the finer sugar :)

Thanks Mary for such a great tip.

Hugs, Marlon]]> 8581 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2009-02-24 06:29:00 2009-02-24 06:29:00 1 0
It is wonderful!]]> 8584 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-02-24 04:31:00 2009-02-24 04:31:00 1 0
During the winter I wear gloves when outside and apply hand cream before my gloves. I do the same with cotton gardening gloves, slap on loads of hand cream then the gloves and rubber gloves, if my hands are going in detergent. When your hands warm up in the gloves the hand cream is really absorbed.

At the moment I have dry heals, before bed I am applying cracked heal creams and rubbing a bit into my finger tips especially around the cuticles which get a bit rough.

I know that I am a bit fanatical about my hands but it is worth it when working with flat silks.

CA]]> 8588 Sandi a::k::a KnitMyRhino knitmyrhino@gmail.com http://www.blogger.com/profile/10859612301560586290 2009-02-23 22:24:00 2009-02-23 22:24:00 1 0 8589 Marie Alton sredeluxe@rogers.com http://www.blogger.com/profile/06701433382557929101 2009-02-23 21:57:00 2009-02-23 21:57:00 1 0 8601 Shari from Big Yellow Farmhouse OnThisVerySpot@gmail.com http://www.blogger.com/profile/17818529606739972919 2009-02-23 18:30:00 2009-02-23 18:30:00 1 0
I've never heard of this treatment. Can't wait to try it - thanks!!]]> 8607 Anonymous noreply@blogger.com 2009-02-23 17:25:00 2009-02-23 17:25:00 1 0 Huh, you must read too many classics. I thought only Ancient Greeks bathed with oil!
;-)
-Christiana]]> 8608 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-02-23 17:16:00 2009-02-23 17:16:00 1 0 8610 Yoyo yoyo_9203@yahoo.com http://www.blogger.com/profile/14230651257160627560 2009-02-23 17:03:00 2009-02-23 17:03:00 1 0 8615 Jenny noreply@blogger.com http://www.blogger.com/profile/15313502220068651587 2009-02-23 16:06:00 2009-02-23 16:06:00 1 0 8617 Fengate 1963jaci@gmail.com http://www.blogger.com/profile/17735638058001190831 2009-02-23 15:08:00 2009-02-23 15:08:00 1 0 8623 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-02-23 13:27:00 2009-02-23 13:27:00 1 0
I tried it for a few weeks and it really was marvelous...except I smelled a little like a salad!]]> 8624 Christine noreply@blogger.com http://www.blogger.com/profile/11812223278446037862 2009-02-23 13:05:00 2009-02-23 13:05:00 1 0 8634 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-02-23 09:35:00 2009-02-23 09:35:00 1 0 8635 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-02-23 09:31:00 2009-02-23 09:31:00 1 0 I do the same thing, but don't bother pre-mixing it. I just put a teaspoon of sugar in one hand and pour the oil over it, then scrub! Nothing to wash except your hands!]]> 8636 littlebirdhouse noreply@blogger.com http://littlebirdhouse.wordpress.com/ 2009-02-23 08:06:00 2009-02-23 08:06:00 1 0
As a knitter and hand spinner, I also have to add a pitch for lanolin. You can spin grease wool or just buy some and rub it on, if you don't spin.]]> http://www.needlenthread.com/2009/02/give-away-embroidery-threads-by-dozen.html Sat, 21 Feb 2009 14:59:00 -0600 Mary Corbet 442 2009-02-21 14:59:00 2009-02-21 14:59:00 open open Give-Away:-Embroidery-Threads-by-the-Dozen publish 0 0 post your embroidery stash - and the perfect opportunity to try a variety of needlework fibers! I'm giving away a dozen embroidery threads, each a different type.

All twelve threads are full skeins, never used before. They're new! And they're fun!



Here's the whole give-away....



Half the give-away is comprised of silk. There's Gloriana, Dinky-Dyes, Silk 'n Colors from Thread Gatherer, Needlepoint Inc Silk, Empress Silk, and a whole spool of Japanese Silk from the Japanese Embroidery Center.



The other half of the give-away is made up of synthetics, cotton, wool, and soy.

There's Needle Necessities Cotton, Overdyed Rachel, Charleston (the sparkly stuff), and wool, plus a skein of Soy Luster, and a skein of Caron Watercolors.



The hues in this half of the stash are pretty much purples and pinks.

So, if you're a fiber fanatic or a thread junkie, you might enjoy picking up 12 new skeins of a variety of threads, to dabble with! If you're new to the whole needlework field, this is the perfect opportunity to give some different threads a try, for the fun of it. If you're a crazy quilter - well! What couldn't you do with these threads? And maybe there's just one thread in there you're dying to try - if that's the case, go for it! You can always pass the rest on to someone else to play with! And, if nothing else, this would make a nice little package for you to share with another needlework friend - you can always make a little gift out of parts of it (or all of it!).

Now, the fine print - the contest rules:

1. Leave a comment on this post. To do so, you must be reading this post on the website. If you're reading the e-mail newsletter, just click the title in the newsletter to go to the website. Scroll down to the end of the text here (on the website) and find the line that begins "Posted by." Right underneath the date, you'll see a link that reads "Click to Comment." Click that link and leave a comment. You can comment without signing in by clicking "anonymous."

2. Answer the following question:

What's your all-time favorite embroidery book? (If you don't have one, tell us what embroidery book you'd like to have... If you don't know what's out there, you can browse books under my needlework book reviews or in my bookstore...)

3. Make sure you sign your name to the comment!

4. Check back on Wednesday, February 25th, when I post the winner, which is drawn by random number. If it's you, you'll need to contact me with your address.

The contest ends Wendesday, Feb. 25th, at 5:00 am CST. International readers are welcome to comment, too. I'll ship the package via the least expensive air-mail option, should an international reader win it.

Feel free to let your stitching friends know about the give-away, too!

Good luck!
]]> stash contest 8261 Anonymous noreply@blogger.com 2009-03-22 14:28:00 2009-03-22 14:28:00 1 0 8528 Anonymous noreply@blogger.com 2009-02-26 01:11:00 2009-02-26 01:11:00 1 0 8534 3 Girls &amp; A Guy rebolfamily@q.com http://www.blogger.com/profile/03384430044748782944 2009-02-25 11:38:00 2009-02-25 11:38:00 1 0 8536 Julie noreply@blogger.com http://www.blogger.com/profile/08246920104302594345 2009-02-25 10:00:00 2009-02-25 10:00:00 1 0 8538 Anonymous noreply@blogger.com 2009-02-25 08:39:00 2009-02-25 08:39:00 1 0 like painting a picture only with thread
which is just what i am trying to do
to create a picture of my graden flowers in silk thread]]> 8539 Anonymous noreply@blogger.com 2009-02-25 07:50:00 2009-02-25 07:50:00 1 0 I love your choice of colors this month, simply beautiful!
Abby W. in PA]]> 8540 Jaja tjlburke@gmail.com http://www.blogger.com/profile/11489511680363776804 2009-02-25 07:48:00 2009-02-25 07:48:00 1 0 8541 charlie noreply@blogger.com 2009-02-25 07:12:00 2009-02-25 07:12:00 1 0 I love World Dress by Frances Kennett...not an embroidery book as such,but full of inspiring pictures....Charlie x]]> 8543 Tracey R. noreply@blogger.com 2009-02-25 06:33:00 2009-02-25 06:33:00 1 0
Tracey R.]]> 8546 SJohnson noreply@blogger.com http://www.blogger.com/profile/08383676107801383093 2009-02-24 21:41:00 2009-02-24 21:41:00 1 0
And because I have a new fixation on monograms, my wish list includes, "Compendium Of Ancien Artistic Initials For Vintage Style Monograms" by JF Shepard.

I've never used any of these threads so this would be a real treat. Thank you so much for the offer.]]> 8547 Sangheetha noreply@blogger.com http://www.blogger.com/profile/06777497661003570501 2009-02-24 21:30:00 2009-02-24 21:30:00 1 0 I liked the book you gave away last month.The Book whch had all (Helen Stevens Embroidered Gardens)Flowers theme.I participated in that, but no luck.Let me try this time. :)

Thanks,
Sangheetha.]]> 8549 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2009-02-24 18:30:00 2009-02-24 18:30:00 1 0 Amner Rutz
Phina47@netzero.net]]> 8551 Anonymous noreply@blogger.com 2009-02-24 18:11:00 2009-02-24 18:11:00 1 0 8552 AMBER noreply@blogger.com http://www.blogger.com/profile/03454248477239066903 2009-02-24 18:05:00 2009-02-24 18:05:00 1 0 8555 Carojo noreply@blogger.com 2009-02-24 15:28:00 2009-02-24 15:28:00 1 0 8557 Lisa noreply@blogger.com 2009-02-24 15:14:00 2009-02-24 15:14:00 1 0 8558 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2009-02-24 15:05:00 2009-02-24 15:05:00 1 0 Video Library of Stitches--my all time favorite embroidery resource!]]> 8559 Janet Watt noreply@blogger.com 2009-02-24 14:52:00 2009-02-24 14:52:00 1 0 8561 Anonymous noreply@blogger.com 2009-02-24 14:40:00 2009-02-24 14:40:00 1 0 8562 Paula noreply@blogger.com 2009-02-24 14:06:00 2009-02-24 14:06:00 1 0 8563 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-02-24 13:47:00 2009-02-24 13:47:00 1 0 I just got a new embroidery book, and I can't wait to try the projects. It's called Kyuuto! Woolly Embroidery (Japanese Crafts).
Jenny T.]]> 8564 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-02-24 13:24:00 2009-02-24 13:24:00 1 0 Currently my favorite book is Trish Burr's Long and Short Stitch. It is my bible as I stitch a clergy stole as a gift.
Mary, thank you for all your wonderful tips and insights. You are an inspiration and a blessing.
Candyce]]> 8565 Ellie noreply@blogger.com http://www.blogger.com/profile/17430083783255362708 2009-02-24 12:30:00 2009-02-24 12:30:00 1 0
I flip through this book almost nightly and see new details that I never noticed before. The way she explains the technique makes it sound so simple - she takes the mystery out of thread painting.]]> 8566 Pollydo2003 noreply@blogger.com http://www.blogger.com/profile/15225398638294939827 2009-02-24 12:14:00 2009-02-24 12:14:00 1 0
Arlene]]> 8567 Laurie in Maine dognapper2@msn.com http://www.blogger.com/profile/06022126513010116196 2009-02-24 12:10:00 2009-02-24 12:10:00 1 0 8568 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-02-24 12:10:00 2009-02-24 12:10:00 1 0
Can't pick a favourite I love them all and want so many more. I asked myself "if I could only keep one book, which would it be?". Answer: The Techniques of Japanese Embroidery by Shuji Tamura. I use it nearly every day and can't bear the thought of being without it.
CA]]> 8570 Sandy noreply@blogger.com 2009-02-24 11:56:00 2009-02-24 11:56:00 1 0 Sandy]]> 8571 maruclare noreply@blogger.com 2009-02-24 11:36:00 2009-02-24 11:36:00 1 0 8572 Anonymous noreply@blogger.com 2009-02-24 11:18:00 2009-02-24 11:18:00 1 0
Gorgeous threads -- someone is going to be very fortunate!

Thanks,
SF]]> 8576 BJ Pontalion noreply@blogger.com 2009-02-24 09:02:00 2009-02-24 09:02:00 1 0 8579 Angie noreply@blogger.com http://multicrafty.wordpress.com 2009-02-24 07:37:00 2009-02-24 07:37:00 1 0 8580 Carolr noreply@blogger.com http://www.blogger.com/profile/06529441760279001123 2009-02-24 07:23:00 2009-02-24 07:23:00 1 0 8582 Gina ginab6@yahoo.com http://www.blogger.com/profile/17127914310809216760 2009-02-24 05:57:00 2009-02-24 05:57:00 1 0 8583 quilterbyheart noreply@blogger.com http://home.myspace.com/index.cfm?fuseaction=user 2009-02-24 05:45:00 2009-02-24 05:45:00 1 0 8585 ravenrigan noreply@blogger.com http://ravenrigan.livejournal.com/ 2009-02-24 02:07:00 2009-02-24 02:07:00 1 0 8587 Trish noreply@blogger.com http://www.blogger.com/profile/17363114096139700440 2009-02-23 23:07:00 2009-02-23 23:07:00 1 0 Embroidery book? Don't have one, but would love to see one doing not-so-usual things with thread of all kinds.

Trish]]> 8590 JoyAnna noreply@blogger.com http://www.blogger.com/profile/08111229688666742060 2009-02-23 21:32:00 2009-02-23 21:32:00 1 0 JoyAnna]]> 8591 P. Salada noreply@blogger.com 2009-02-23 21:03:00 2009-02-23 21:03:00 1 0 that I have in my small collection
is "Stitch Sampler" by Lucinda
Ganderton. It has a good variety
of well illustrated stitches.']]> 8592 Joann Mendoza noreply@blogger.com http://stitchinfingers.ning.com/profile/JoannMendoza 2009-02-23 20:56:00 2009-02-23 20:56:00 1 0 8595 Anonymous noreply@blogger.com 2009-02-23 20:20:00 2009-02-23 20:20:00 1 0
Fran Johnson]]> 8596 Anonymous noreply@blogger.com 2009-02-23 19:27:00 2009-02-23 19:27:00 1 0 Robert Kent, northern Iowa.]]> 8597 tisme tisgingy@msn.com http://www.blogger.com/profile/08766742640496647829 2009-02-23 19:24:00 2009-02-23 19:24:00 1 0 My favorite book so far is And Encyclopedia of Crazy Quilt Stitches and Motifs by American School of Needlework. I think the next book I buy will be the Encyclopedia of Stumpwork.
Tammy]]> 8599 cassandrah noreply@blogger.com http://www.blogger.com/profile/07321083215272272593 2009-02-23 18:50:00 2009-02-23 18:50:00 1 0 8600 Anonymous noreply@blogger.com 2009-02-23 18:34:00 2009-02-23 18:34:00 1 0 8602 Laura Bullinger noreply@blogger.com 2009-02-23 18:24:00 2009-02-23 18:24:00 1 0 8604 MaryAnn noreply@blogger.com http://www.blogger.com/profile/00977254950477796044 2009-02-23 18:04:00 2009-02-23 18:04:00 1 0 8605 Anonymous noreply@blogger.com 2009-02-23 18:01:00 2009-02-23 18:01:00 1 0
Christy]]> 8606 Anonymous noreply@blogger.com 2009-02-23 17:28:00 2009-02-23 17:28:00 1 0
Winnie]]> 8609 Jenn noreply@blogger.com http://www.blogger.com/profile/01429043495270253042 2009-02-23 17:12:00 2009-02-23 17:12:00 1 0 8611 Amber Rutz noreply@blogger.com 2009-02-23 17:01:00 2009-02-23 17:01:00 1 0 Amber Rutz
phina47@netzero.net]]> 8612 Terry noreply@blogger.com http://www.blogger.com/profile/04198987390035175182 2009-02-23 17:00:00 2009-02-23 17:00:00 1 0
Painting with a Needle
By Young Yang Chung followed by
Chinese Embroidery: Traditional Techniques by Josianne Bertin-Guest and all the Helen M Stevens books and hope that I get a new embroidery book for my birthday which is tomorrow as a girl can never have too many embroidery books or too many embroidery threads]]> 8613 Johnny wizzette@gowizz.com http://www.blogger.com/profile/00055979798430264739 2009-02-23 16:43:00 2009-02-23 16:43:00 1 0 8614 aztel2000 noreply@blogger.com http://www.blogger.com/profile/01311537739389592954 2009-02-23 16:33:00 2009-02-23 16:33:00 1 0 8616 firesheep67 firesheep67@gmail.com http://www.blogger.com/profile/05896771343627956370 2009-02-23 15:34:00 2009-02-23 15:34:00 1 0
Love your blog! =:)]]> 8618 joannestitches joannegledhill@yahoo.com http://www.blogger.com/profile/09188449516154615810 2009-02-23 15:03:00 2009-02-23 15:03:00 1 0 I have all of her books and this book has techniques , ideas, motifs, it seems to cover it all.
joanne gledhill]]> 8620 Susan noreply@blogger.com 2009-02-23 14:41:00 2009-02-23 14:41:00 1 0
My favorite embroidery book is my copy of Heritage Embroidery, 1st ed. 1967 by Elsa S. Williams.

Thanks!]]> 8621 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-02-23 14:17:00 2009-02-23 14:17:00 1 0 (The 25th is my birthday!)
Jane]]> 8622 Joan Jeffers noreply@blogger.com 2009-02-23 14:03:00 2009-02-23 14:03:00 1 0 8625 Meg Berg noreply@blogger.com 2009-02-23 11:38:00 2009-02-23 11:38:00 1 0 I've already commented once, so don't care if this ends up on your website and I'm not trying to get into the contest again, but had to say...after reading posts from other readers, now I not only want go buy more project material, but I want to go to a book store also!!! I've never heard of lots of these books so now I want to add to my book collection. Looking into - is it "Mellmount embroidery"??? (something like that) and Japanese embroidery. Those both look fascinating to me. But then so does gold work and quilting. I am formulating designs for quilts to give to my grown children for next Christmas. In fact, most of my gifts next year will be hand made. You've really got me started on something here! Thanks for all the time you put into your website and your blog. I probably couldn't finish all the ideas I've already got in a life time - and they just keep coming!!! Meg from Las Vegas]]> 8626 Donna noreply@blogger.com http://www.blogger.com/profile/07167745960188805653 2009-02-23 11:07:00 2009-02-23 11:07:00 1 0 8627 Lisa N from So Cal noreply@blogger.com 2009-02-23 11:03:00 2009-02-23 11:03:00 1 0 8628 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-02-23 10:31:00 2009-02-23 10:31:00 1 0
But then 'The Art of Embroidery: Inspirational Stitches, Textures and Surfaces' byFrançoise Tellier-Loumagne is also really good - some amazing textures in there..]]> 8629 MichelleMermaid michellemermaid19@yahoo.com 2009-02-23 10:22:00 2009-02-23 10:22:00 1 0 Lovely stash you've got there!
Let's see, favorite embroidery book...well, after a little thought I'd have to say I've used Judith Baker Montano's Elegant Stitches the most, although I have a couple others too. This book is spiral bound, full of great photos and has nice stitch instruction.
I recently got the Embroidery Stitch Bible, and one similar on beading, that I'm just beginning to peruse at length.
I just ordered the A-Z of Bullions and it's in the mail to me! Bullion is one of my favorite stitches and I'm looking forward to learning how to do more with it.
As for the next book on my list, well, it's not really a book. It's Carole Samples' set of stencils! I've been looking everywhere for stencils and can't find what I'm looking for, just simple designs and shapes. And her new batch of stencils has yet to be put together as her machine is kaput, so I'm still waiting. But those stencils are next on my list!
I enjoyed reading about everyone's faves.
Dakotah]]> 8630 Anonymous noreply@blogger.com 2009-02-23 10:05:00 2009-02-23 10:05:00 1 0 by Francoise Tellier-Loumagne

I bought this in Oxford, England when I was over there last summer at the Royal School of Needlework. I always turn to it when I've got a stitching block or am at a loss for design or texture. The pictures are fabulous and never fail to make my fingers itch to stitch again!

Lauren Orr]]> 8631 Shari ladyjspice@aol.com http://www.blogger.com/profile/06756180452191304667 2009-02-23 09:57:00 2009-02-23 09:57:00 1 0 8632 Marty52 mamatrahan@msn.com http://www.blogger.com/profile/13237461237107850391 2009-02-23 09:57:00 2009-02-23 09:57:00 1 0 8633 Lisa stitcher_lisa@hotmail.co.uk http://www.blogger.com/profile/08338579863039142091 2009-02-23 09:42:00 2009-02-23 09:42:00 1 0 I have a few books on cross stitch,hadanger, pulled thread, but not any on embroidery but I would like to own a copy of The Embroider's Handbook by Margie Bauer as I think this would be a great one to start with
Lisa from Scotland]]> 8637 Steffi noreply@blogger.com 2009-02-23 07:40:00 2009-02-23 07:40:00 1 0 Thanks for your great work here - it's been an inspiration ever since I stumbled over the video-tutorials. I'll probably hold you responsible for me starting drawn-thread-embroidery when people start complaining of me not having time anymore ;-)
Greetings from Germany, Steffi]]> 8638 Anonymous noreply@blogger.com 2009-02-23 07:28:00 2009-02-23 07:28:00 1 0 8639 Anonymous noreply@blogger.com 2009-02-23 05:33:00 2009-02-23 05:33:00 1 0 Cissie]]> 8640 Meg Berg noreply@blogger.com 2009-02-23 01:43:00 2009-02-23 01:43:00 1 0 8642 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-02-23 01:21:00 2009-02-23 01:21:00 1 0 8643 lekshmi noreply@blogger.com http://www.blogger.com/profile/15148728626778088576 2009-02-23 00:23:00 2009-02-23 00:23:00 1 0 8644 Anonymous noreply@blogger.com 2009-02-23 00:00:00 2009-02-23 00:00:00 1 0 Another amazing give-away. Lovely threads ! :-)
I dont yet have much collection of books, but have few Ondori books of patterns. I would love to have The Embroidery Stitch Bible by Betty Barnden. It surely looks good in your reviews.
Thanks.
Shrenika]]> 8645 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2009-02-22 23:24:00 2009-02-22 23:24:00 1 0 I have several needlework books, both for instruction and inspiration. My first book was Kooler's Encyclopedia of Needlework and I still find it a quick, well illustrated reference. For depth, variety and stimulation, Therese Dillmont's book is excellent. I also find the online books that you have linked to on occasion, to be great sources of inspiration.]]> 8646 Anonymous noreply@blogger.com 2009-02-22 22:56:00 2009-02-22 22:56:00 1 0
Kelley P, Illinois]]> 8648 Marian noreply@blogger.com 2009-02-22 21:32:00 2009-02-22 21:32:00 1 0 8649 ledamewood noreply@blogger.com http://www.blogger.com/profile/09741893340014830055 2009-02-22 21:28:00 2009-02-22 21:28:00 1 0
Lynn D.]]> 8650 Michelle C. noreply@blogger.com http://www.blogger.com/profile/14150474473134127066 2009-02-22 21:27:00 2009-02-22 21:27:00 1 0 My favorite is The Embroiderer's Handbook by Margie Bauer. While looking at it in a bookstore, I saw page 37 "Cast-on Stitch Rose," and I knew I had to buy the book. It is informative, clear, and full of good ideas.
Michelle C]]> 8651 Anonymous noreply@blogger.com 2009-02-22 21:04:00 2009-02-22 21:04:00 1 0 Thanks for doing this -
Barbara Mars
saltillo@yahoo.com]]> 8652 Anonymous noreply@blogger.com 2009-02-22 20:14:00 2009-02-22 20:14:00 1 0 My favourite book of the moment has just this hour arrived in my letter box from my daughter, for my birthday. It is "Beginner's Guide to Goldwork" by Ruth Chamberlin.]]> 8653 Heather noreply@blogger.com http://www.blogger.com/profile/17188002198879523397 2009-02-22 19:55:00 2009-02-22 19:55:00 1 0 8654 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-22 19:50:31 2009-02-22 19:50:31 1 0
Thanks for your comments and for participating in this month's give-away!

Laura Bullinger - nope, didn't get the comment, that I know of. I don't normally reject comments, unless they're obviously spam or contain something un-publishable! Please do post again - I'm curious about Rose Wilder!

Thanks,
Mary]]> 8655 graperoof907 noreply@blogger.com http://www.blogger.com/profile/14331941170827894285 2009-02-22 18:50:00 2009-02-22 18:50:00 1 0 jan russell indiana]]> 8656 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-02-22 18:28:00 2009-02-22 18:28:00 1 0 8657 Laura Bullinger noreply@blogger.com 2009-02-22 18:08:00 2009-02-22 18:08:00 1 0 It seemed like my comment "got bumped!"
from Laura Bullinger]]> 8658 Anonymous noreply@blogger.com 2009-02-22 18:06:00 2009-02-22 18:06:00 1 0 That said and out of the way, my current favorite is Woman's Day Book of American Needlework by historian Rose Wilder Lane who writes like a novelist about the past world of women stitchers.]]> 8659 Kathy ttime18@gmail.com http://www.blogger.com/profile/02070679712767699936 2009-02-22 17:43:00 2009-02-22 17:43:00 1 0 8660 -Agnes- noreply@blogger.com http://www.blogger.com/profile/07885357966362752479 2009-02-22 17:40:00 2009-02-22 17:40:00 1 0 8662 shreedevi noreply@blogger.com 2009-02-22 17:13:00 2009-02-22 17:13:00 1 0
Thanking you
Regards
shreedevi]]> 8663 Sarah D noreply@blogger.com 2009-02-22 16:41:00 2009-02-22 16:41:00 1 0 8664 theeema noreply@blogger.com http://www.blogger.com/profile/01537683268388116764 2009-02-22 16:35:00 2009-02-22 16:35:00 1 0 Dictionary to Over 200 Classic Stitches by Lucinda Ganderton. I hope it's as good as it looks! In the meantime, I use "Stitches with Variations , a Handbook of Basic Stitches by Jacqueline Enthoven. It's a great little spiral that is easy to follow. I have heard that it is out of print...
Thanks Mary for a great question because your readers have given me more ideas of good books on the topic.
Linda D.]]> 8665 changelingthings noreply@blogger.com http://changelingthings.wordpress.com/ 2009-02-22 16:13:00 2009-02-22 16:13:00 1 0
Those threads look absolutely beautiful. What a gorgeous giveaway.]]> 8667 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-02-22 16:07:00 2009-02-22 16:07:00 1 0
Right now, though I guess I'd have to say my copies of the facsimile's of Weldon's Practical Needlework along with Weldon's Encyclopedia of Needlework.

Though I do find myself going back to the Stitch Sampler by Lucinda Ganderton constantly when I need a stitch I don't use all the time...]]> 8668 Anonymous noreply@blogger.com 2009-02-22 16:03:00 2009-02-22 16:03:00 1 0 Alice McClelland aka
bettytheloon@yahoo.com]]> 8669 Linda McL noreply@blogger.com http://www.blogger.com/profile/04522540769200992757 2009-02-22 15:54:00 2009-02-22 15:54:00 1 0
Linda]]> 8670 Raphaela raphaela-e@live.de http://www.blogger.com/profile/16659932175462062737 2009-02-22 15:24:00 2009-02-22 15:24:00 1 0 8671 Susan Donn noreply@blogger.com 2009-02-22 14:58:00 2009-02-22 14:58:00 1 0 Susan Donn]]> 8673 Anonymous noreply@blogger.com 2009-02-22 14:15:00 2009-02-22 14:15:00 1 0 8675 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-02-22 13:42:00 2009-02-22 13:42:00 1 0 8676 Pikselka noreply@blogger.com http://www.amber.blox.pl 2009-02-22 13:34:00 2009-02-22 13:34:00 1 0
I have many polish embrodery books & magazins. When I look et your list of books, I think I want to have "Variety Magazines: Italian Cut Work and Filet Lace".

Best wishes from Poland! :-)]]> 8677 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-02-22 13:14:00 2009-02-22 13:14:00 1 0 One of my favorite books is
"Royal School of Needlework - Embroidery Techniques"
Text by Sally Saunders, designs by Anne Butcher & Debra Barret

All the best
Maria del Valle]]> 8678 Anonymous noreply@blogger.com 2009-02-22 12:45:00 2009-02-22 12:45:00 1 0 Karole K.]]> 8679 reba noreply@blogger.com 2009-02-22 12:18:00 2009-02-22 12:18:00 1 0 THANK YOU SO MUCH FOR THE VIEDO TUTORIAL..
Your site was the first that I looked into when I searched for embroidery online. And I am happy that I did. It has given me the inspiration to make my own blog.
www.threadymaze.blogspot.com
I have just started and hope to put up more of my projects with time. After goign through your tutorial i ahve gone through afew books and the one thta i like as of now is
THE COMPLETE ILLUSTRATED STITCH ENCYCLOPEDIA by STERLING PUBLISHING, NEW YORK
It is really nice bbok with Illustrated stitiches and also projects that one can do..
I liked it..hope others do to..

REBA

The book that i like q]]> 8681 Anonymous noreply@blogger.com 2009-02-22 11:40:00 2009-02-22 11:40:00 1 0
Lorene
qlt7scrap at cox dot net]]> 8683 Deepti noreply@blogger.com 2009-02-22 11:10:00 2009-02-22 11:10:00 1 0 8684 Anonymous noreply@blogger.com 2009-02-22 11:09:00 2009-02-22 11:09:00 1 0
Celeste]]> 8685 Kim Dellow kim.dellow@gmail.com http://www.blogger.com/profile/13603231253605096502 2009-02-22 11:08:00 2009-02-22 11:08:00 1 0 I've blogged your candy here
thanks for letting us have a go at it :)
Kim]]> 8686 Anonymous noreply@blogger.com 2009-02-22 11:05:00 2009-02-22 11:05:00 1 0 the Embroidery Academy in Williamsburg, Va. I had the pleasure of assisting a lovely lady, Jan Vaine.
She does the most wonderful embroidery and stumpwork on Baltimore album quilts. I had never even heard of stumpwork before this. The thought of putting wonderful insects and bugs on the quilts with 3-d wings was amazing to me. The book I would love to have is Ribbon Embroidery and Stumpwork by Di van Niekerk.
Dianna]]> 8687 Catlady noreply@blogger.com http://www.blogger.com/profile/07045669719742611701 2009-02-22 11:03:00 2009-02-22 11:03:00 1 0 8688 jdnrob noreply@blogger.com http://www.blogger.com/profile/05548555583798301556 2009-02-22 10:59:00 2009-02-22 10:59:00 1 0 It has many pages marked for special stitches I love.
Joanie R.
jdnrob@roadrunner.com]]> 8689 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-02-22 10:48:00 2009-02-22 10:48:00 1 0
My favorite book?? Just one???

hmm, I have quite a few, and O often go to my basics: "The complete illustrated stitch encyclopedia" a crafter's choice publication

it has everything from how to handle different threads, storage, fabrics, tons of stitches, illustrated at each step, and finishing info for various types of project types.

rut]]> 8690 Marihette noreply@blogger.com http://www.blogger.com/profile/11966324333948314955 2009-02-22 10:42:00 2009-02-22 10:42:00 1 0 8691 Kandra Young noreply@blogger.com http://www.siblingcraftery.com 2009-02-22 10:34:00 2009-02-22 10:34:00 1 0
Thanks for the giveaway - I'd love to play with new threads! I currenlty just stick to DMC...]]> 8692 Joan JoanOH@cinci.rr.com 2009-02-22 10:33:00 2009-02-22 10:33:00 1 0 8693 Marihette noreply@blogger.com http://www.blogger.com/profile/11966324333948314955 2009-02-22 10:29:00 2009-02-22 10:29:00 1 0 8694 Sheila in CA noreply@blogger.com 2009-02-22 10:03:00 2009-02-22 10:03:00 1 0 8695 JammieG noreply@blogger.com http://www.blogger.com/profile/02182157063327127832 2009-02-22 09:50:00 2009-02-22 09:50:00 1 0 The Threads & Crafts book of Ribbon Embroidery and Stumpwork.
I have been colleting laces and fabrics for a crazy quilt. I would love to try all kinds of embroidery on it. I love all kinds of hand needle work.
Jammie]]> 8696 Anonymous noreply@blogger.com 2009-02-22 09:46:00 2009-02-22 09:46:00 1 0 The Threads & Crafts book of Ribbon Embroidery and Stumpwork.
I have been colleting laces and fabrics for a crazy quilt. I would love to try all kinds of embroidery on it. I love all kinds needle work by hand
Jammie]]> 8697 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2009-02-22 09:40:00 2009-02-22 09:40:00 1 0 Whaat a wonderful array of threads. Last March when I discovered CQ I had DMC 6 strand floss only! Since then I have discovered Perle, silk, rayon, fancy fibres and many more. I would love to experiment with more.]]> 8698 Mandie noreply@blogger.com http://www.blogger.com/profile/14491215533817163272 2009-02-22 09:39:00 2009-02-22 09:39:00 1 0 8699 Martha McSweeney noreply@blogger.com 2009-02-22 09:25:00 2009-02-22 09:25:00 1 0 8700 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-02-22 09:21:00 2009-02-22 09:21:00 1 0 8701 Karen of Bethany georgiesmom@live.com http://www.blogger.com/profile/09200675517890769588 2009-02-22 09:06:00 2009-02-22 09:06:00 1 0 8702 Sandy noreply@blogger.com http://www.blogger.com/profile/13298224474638722453 2009-02-22 09:02:00 2009-02-22 09:02:00 1 0 Sandra]]> 8703 Rebecca clouseta@hotmail.com http://www.blogger.com/profile/10369258723580994711 2009-02-22 08:50:00 2009-02-22 08:50:00 1 0
I enjoy your blog, it has given me a lot of inspiration!]]> 8705 moggi noreply@blogger.com http://www.blogger.com/profile/02157545450750205643 2009-02-22 08:45:00 2009-02-22 08:45:00 1 0 8706 Gail P mizriley2003@yahoo.com http://www.blogger.com/profile/05293864952417365250 2009-02-22 08:36:00 2009-02-22 08:36:00 1 0 8707 Anonymous noreply@blogger.com 2009-02-22 08:35:00 2009-02-22 08:35:00 1 0
Maureen Pinwill
www.jerseyisland.net]]> 8708 Cynthia Bonnell noreply@blogger.com 2009-02-22 08:34:00 2009-02-22 08:34:00 1 0
Since I started embroidering again by doing crazy quilting, I have many more CQ books than embroidery books. I love to find books that have stitches that I haven't tried yet. The one I use most now is The Embroidery Stitch Bible, by Betty Barnden, but I would love to have some of the A-Z series to add to my library. I also use the notes from my classes with Sharon B. quite a bit, too.]]> 8711 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-22 08:16:00 2009-02-22 08:16:00 1 0
I actually got this book by accident. I learned my stitching by purchasing small kits and following the diagrams, so I thought I had no need for a stitch guide type book.
I was going to return it....until I actually took a look through it!
Now it's close by where I can grab it at anytime :)

Hugs, Marlon]]> 8712 Marvis B noreply@blogger.com 2009-02-22 08:10:00 2009-02-22 08:10:00 1 0 8713 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-02-22 07:48:00 2009-02-22 07:48:00 1 0 8714 LauraJill noreply@blogger.com 2009-02-22 07:48:00 2009-02-22 07:48:00 1 0
As a quilter, cross stitcher and hardanger addict - time is going to be the tough part!

Keep up the good work.

LauraJill]]> 8715 Shari/shariub noreply@blogger.com 2009-02-22 07:45:00 2009-02-22 07:45:00 1 0 by Diana Lampe and Jane Fisk. I love to look at this book as well as to use it for reference. It is one of the most visually interesting books I know of and it is very informative to boot :)
Shari/shariub]]> 8716 Shari/shariub noreply@blogger.com 2009-02-22 07:42:00 2009-02-22 07:42:00 1 0 by Diana Lampe and Jane Fisk. I love to look at this book as well as to use it for reference. It is one of the most visually interesting books I know of and it is very informative to boot :)
Shari/shariub]]> 8717 kidletsmum noreply@blogger.com http://www.blogger.com/profile/03812472199510321224 2009-02-22 07:40:00 2009-02-22 07:40:00 1 0 8718 Ruth noreply@blogger.com 2009-02-22 07:27:00 2009-02-22 07:27:00 1 0
I love it because it covers so many types of needlework and when you want to combine two, it's brilliant to have one book to look techniques in. Also it somehow makes the idea of designing your own stuff much more accessible.

So I need that variety of threads!]]> 8719 Anonymous noreply@blogger.com 2009-02-22 07:11:00 2009-02-22 07:11:00 1 0 My favourite embroidery book is not about embroidery as such; it is more to do with patchwork and redwork. It is "Living the Dream" by Leanne Beasley. Is is a very fresh and full of life book. I love it.
Catalina
cmartincalzada@yahoo.es]]> 8720 Anonymous noreply@blogger.com 2009-02-22 07:08:00 2009-02-22 07:08:00 1 0 by Judith Montano - this is a book I'd love to have - it combines beautiful hand embroidery stitches with the art of patchwork. Love your newsletter and your contests. Great stash!
Jean]]> 8721 Sandi in SD noreply@blogger.com 2009-02-22 07:01:00 2009-02-22 07:01:00 1 0 8722 Cboldwoman noreply@blogger.com http://www.blogger.com/profile/03999484192194607164 2009-02-22 06:37:00 2009-02-22 06:37:00 1 0 Thanks for the opportunity!
Carol Boldman]]> 8723 Anonymous noreply@blogger.com 2009-02-22 06:23:00 2009-02-22 06:23:00 1 0
My fave in books has to be the first one I ever bought. Erica Wilson's Embroidery Book. It's still a classic if you can find one out there in the used book market. I liked it so much I gave one to my mom for Christmas and another to a friend's daughter who was learning to stitch. Anything to encourage needlework in a young person!

Thanks for the opportunity to win this!

Marilyn]]> 8724 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2009-02-22 06:13:00 2009-02-22 06:13:00 1 0 8725 onafixedincome noreply@blogger.com 2009-02-22 05:43:00 2009-02-22 05:43:00 1 0
For future acquisition? Hm...gee, I gotta CHOOSE? Hmmmmm....Did you know that 'encyclopedia of embroidery' gets you 279 results on Amazon?....AH! there it is!

The Encyclopedia of Embroidery Techniques: A Comprehensive Visual Guide to Traditional and Contemporary Techniques (Paperback)
by Pauline Brown

Saw this while browsing at the local Barnes & Noble and about had to be evicted several hours later for drooling over the darn thing. :)]]> 8726 Divya noreply@blogger.com 2009-02-22 05:23:00 2009-02-22 05:23:00 1 0
I went through your recommendations only now and have absolutely fallen for Embroidery Techniques and Patterns written by Marie-Noelle Bayard. Another one that beginners like me will find EXTREMELY useful is The Embroidery Stitch Bible. I would most definitely love to own both of them.]]> 8727 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-02-22 05:05:00 2009-02-22 05:05:00 1 0 http://plays-with-needles.blogspot.com/2008/05/point-de-croix-book-review.html
Fingers crossed xxxxxxxxx]]> 8728 Cathi cathiquilts@gmail.com http://www.blogger.com/profile/02531639422553980153 2009-02-22 04:18:00 2009-02-22 04:18:00 1 0 8729 Sadie sleepback@yahoo.co.uk http://www.blogger.com/profile/06717035931219671476 2009-02-22 04:13:00 2009-02-22 04:13:00 1 0 It is a great book with clear instructions, it's also great for browsing through with a cup of coffee in a quiet moment.
Thanks,
Sadie x]]> 8730 michelle in scotland noreply@blogger.com http://www.blogger.com/profile/13302639388459797963 2009-02-22 04:10:00 2009-02-22 04:10:00 1 0 8731 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-02-22 03:52:00 2009-02-22 03:52:00 1 0
Jane]]> 8732 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-02-22 03:50:00 2009-02-22 03:50:00 1 0 The book that get me hooked is the Treasury of Crazy Quilt Stitches by Caroll Samples, and I get back to it quite often, so I consider it is my favorite.
And your posts keep the inspiration growing...]]> 8733 jojo noreply@blogger.com http://www.blogger.com/profile/06494820576079261398 2009-02-22 03:13:00 2009-02-22 03:13:00 1 0 Joanne]]> 8734 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-02-22 02:56:00 2009-02-22 02:56:00 1 0 8735 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-02-22 00:36:00 2009-02-22 00:36:00 1 0 8736 Nupur noreply@blogger.com 2009-02-22 00:31:00 2009-02-22 00:31:00 1 0 Nupur]]> 8737 Anonymous noreply@blogger.com 2009-02-21 23:02:00 2009-02-21 23:02:00 1 0
Jyothi]]> 8738 Melinda noreply@blogger.com http://www.blogger.com/profile/09243233372667683495 2009-02-21 22:42:00 2009-02-21 22:42:00 1 0 My absolute fave book is Therese de Dillmont's "Encyclopedia of Needlework. I actually just got this book as a christmas gift, and I just can't put it down. I refer to it all the time, and it has great eye-candy in it.]]> 8739 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-02-21 22:41:00 2009-02-21 22:41:00 1 0
The book that I would love to own and have been trying to source through the craft store here is Dictionary of Embroidery Stitches by Mary Thomas. I have been looking for this based on your review. At the moment I refer to 100 Embroidery Stitches by Anchor and 50 Canvass embroidery stitches by Anchor]]> 8740 Anonymous noreply@blogger.com 2009-02-21 22:41:00 2009-02-21 22:41:00 1 0 8741 Emily noreply@blogger.com 2009-02-21 22:20:00 2009-02-21 22:20:00 1 0 8742 Ruth B ruthrberke@yahoo.com http://www.blogger.com/profile/14400087983714963996 2009-02-21 21:59:00 2009-02-21 21:59:00 1 0 8744 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2009-02-21 21:17:00 2009-02-21 21:17:00 1 0 I don't have any firm faves with books, but I would love to own something by Trish Burr- thread painting, Di Van Niekerk- ribbon embroidery, and a squizz at Carole Samples Treasury of Crazy Quilting would not go amiss either.]]> 8746 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2009-02-21 20:55:00 2009-02-21 20:55:00 1 0 For sheer artistry however, there is a newer book out called "The Art of Embroidery: Inspirational Stitches, Textures, and Surfaces
by Francoise Tellier-Loumagne. this book relates stitches to beautiful nature scenes. Very creative for those who want an embroidery book presented in a very different artsy way.]]> 8747 Ruth ruthlane@montanasky.net 2009-02-21 20:42:00 2009-02-21 20:42:00 1 0 8748 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-02-21 19:43:00 2009-02-21 19:43:00 1 0
Having said that, I had a look at the embroidery bookstore, and I'm intrigued by "Painting with a Needle" by Young Yang Chung, as I hear a lot about "thread painting" and still don't know exactly what it's about :)]]> 8749 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-02-21 19:37:00 2009-02-21 19:37:00 1 0
I love the "Bible" books published by Krause Publications. I have the Quilter's Stitch Bible and the Sewing Stitch and Textile Bible. The Embroidery Stitch Bible would be an excellent addition to my library. The threads would also make a great addition to my stash.]]> 8750 Karen South southka@yahoo.com http://www.blogger.com/profile/17651249815534672364 2009-02-21 19:18:00 2009-02-21 19:18:00 1 0
I also like the A to Z Embroidery books.
Karen]]> 8751 CrazyKwilter crazykwilter@yahoo.com http://www.blogger.com/profile/00467809965188623065 2009-02-21 18:55:00 2009-02-21 18:55:00 1 0
One of my most inspiring books is Embroidered Garden Flowers by Diana Lampe.

it's part of my library series at
http://crazykwilter.blogspot.com]]> 8752 Laura noreply@blogger.com 2009-02-21 18:47:00 2009-02-21 18:47:00 1 0
Laura
dollfinii @ gmail.com]]> 8753 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-02-21 18:21:00 2009-02-21 18:21:00 1 0 Melisa b]]> 8754 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-02-21 17:47:00 2009-02-21 17:47:00 1 0 To answer the question...I can't pick just one because I like both 'The Magic of Crazy Quilting' by J. Marsha Michler and 'The Crazy Quilt Handbook' by Judith Baker Montano. I refer to both of them over and over.
There are also two new books in my collection I know I will be using a lot: 'Embroidery & Crazy Quilt Stitch Tool' by Judith Baker Montano and also 'Crazy Quilting - The Complete Guide' by J. Marsha Michler.
As you can see, these are my favourite authors AND my favourite techniques!]]> 8755 RobynE noreply@blogger.com http://www.blogger.com/profile/13770257481297321902 2009-02-21 17:40:47 2009-02-21 17:40:47 1 0
Robyn]]> 8756 Anonymous noreply@blogger.com 2009-02-21 17:14:00 2009-02-21 17:14:00 1 0 8757 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-02-21 17:14:00 2009-02-21 17:14:00 1 0 8758 Iris from Estonia noreply@blogger.com 2009-02-21 16:55:00 2009-02-21 16:55:00 1 0 8759 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2009-02-21 16:55:00 2009-02-21 16:55:00 1 0 8760 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-02-21 16:53:00 2009-02-21 16:53:00 1 0
It was the beginning of my real obsession with needlepoint, something that has brightened my light and challenged my mind for 20 years now.

Jane, waving from Chilly Hollow]]> 8761 beefranck noreply@blogger.com http://www.blogger.com/profile/14379782805381261625 2009-02-21 16:50:00 2009-02-21 16:50:00 1 0 8762 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2009-02-21 16:35:00 2009-02-21 16:35:00 1 0 Melissa]]> 8763 Sarah Slack noreply@blogger.com 2009-02-21 16:25:00 2009-02-21 16:25:00 1 0
As a beginner, I've really appreciated your videos. Thanks!]]> 8764 Rachael fushiafairy@msn.com http://www.blogger.com/profile/08486522750431462605 2009-02-21 16:21:00 2009-02-21 16:21:00 1 0 It is mainly basic stitches, But I bought it to try and make a band sampler of my own, still need to get round to it!]]> 8766 Claire M. noreply@blogger.com 2009-02-21 15:43:00 2009-02-21 15:43:00 1 0 http://www.needlenthread.com/2009/02/my-online-haunts-feel-free-to-look-me.html Fri, 20 Feb 2009 08:17:00 -0600 Mary Corbet 443 2009-02-20 08:17:00 2009-02-20 08:17:00 open open My-Online-Haunts:-Feel-Free-to-Look-Me-Up publish 0 0 post

If you happen to use other online media tools, you can catch some of my embroidery musings, general craft goings-on, and a bit about embroidery now and then at a couple other places online. Here's my contact information, if you want to look me up:

Twitter - Great for posting links and bits of info I come across that I don't have a chance to blog about

Stitchin' Fingers - This is a huge community of online needleworkers, and you'll find groups for just about any technique you might be interested in! It's a pretty active group and a lot of fun!

If you want to contact me directly, the best way is via the contact form here on Needle 'n Thread, since this is my "hub"!

Hope to see you around!
]]> website news personal 8666 Anonymous noreply@blogger.com 2009-02-22 16:13:00 2009-02-22 16:13:00 1 0 8765 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2009-02-21 15:53:00 2009-02-21 15:53:00 1 0 8768 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-20 19:15:24 2009-02-20 19:15:24 1 0
And now, you've inspired me. I'm off for coffee....]]> 8769 Lisa noreply@blogger.com http://www.blogger.com/profile/11137272371773363323 2009-02-20 14:49:00 2009-02-20 14:49:00 1 0 http://www.needlenthread.com/2009/02/free-hand-embroidery-pattern-medallion.html Fri, 20 Feb 2009 06:30:00 -0600 Mary Corbet 444 2009-02-20 06:30:00 2009-02-20 06:30:00 open open Free-Hand-Embroidery-Pattern:-Medallion-Frame publish 0 0 post

This little design is typical of the "frames" that encase a hand embroidered monogram. You can put anything in the middle, really, but, back in the day, it was often common for little embroidered monograms to be surrounded by a frame such as this one.

I think this will print around 4" square. You can save the design straight to your computer (in gif format), or you can use the PDF of the design below. To enlarge it or shrink it, you can play with it in a photocopy machine or on your computer, or you can simply reset the PDF settings for a different print size.



Medallion Frame for Hand Embroidery (PDF)

The piece could always be worked in satin stitch, but I think it would look better with the lines stitched in Palestrina stitch (or something similar), and then either the square frame or the shaped frame to be filled with seed stitches, to enhance the distinction and the intertwining.

I think the design would be very pretty, worked small, in the corner of a fine handkerchief - white on white, with delicate threads (perhaps white YLI silk?) - with a tiny initial in the middle. Perfect for a bride, or for mom for Mother's Day...

Those are just ideas, of course! I'm sure you can come up with plenty of stitching ideas for the design!

For more hand embroidery patterns, please visit my Index of Hand Embroidery Patterns here on Needle 'n Thread. If you're looking for stitch suggestions or directions, try the Video Library of Hand Embroidery Stitches. And if you need a monogram for the middle of the medallion frame, try the Monograms Index!

Check back this weekend for my stash giveaway for February! I've got all kinds of weird ideas milling around in my head for this one, thanks to a cleaning bout in the studio. I'm organizing threads with a new thread rack - and it's about time, let me tell ya!

Enjoy the weekend!
]]> free embroidery patterns monograms http://www.needlenthread.com/2009/02/beautiful-hand-embroidered-indian-sari.html Thu, 19 Feb 2009 06:40:00 -0600 Mary Corbet 445 2009-02-19 06:40:00 2009-02-19 06:40:00 open open Beautiful-Hand-Embroidered-Indian-Sari publish 0 0 post

The embroidery technique used on Jayashree's sari is called Kasuthi. It's a technique that originated in the Hubli Dharwad region in North Karnataka around a thousand years ago, and is quite similar to blackwork.



The geometric designs embroidered on the dark silk in vivid colors are stunning! The sari is 5.5 meters long and 45 inches wide, with designs embroidered all over it. The entire sari, including the pallu (scarf portion) has 125 motifs worked over it!



You can see here the intricacy of the main motif, repeated above the striped area - imagine (I can't!) the time and diligence involved in adorning the magnificent piece of silk. I love the gold edges, too, which are just visible on the outside edges of the photo. The striped area is really stunning - a magnificent display of color!



Here, you can see closer up some of the individual motifs. The embroidery is worked without a hoop, over net, so that the individual fabric threads in the ground fabric are not counted.



A maximum of four colors are used in the embroidery, and only four stitches: double running stitch (also called Holbein stitch), cross stitch, diagonal stitch, and weaving stitch.

And, finally, most amazingly - the work is reversible, so that the image on the back is as clear as the image on the front.

Jayashree has put the instructions for working Kasuthi embroidery on the IndusLadies forum, if you would like to check them out. You must be registered to view the attachments.

Beautiful, isn't it? What a superb piece of clothing! Thanks, Jayashree, for sending along the pictures!

If you'd like to share your embroidery with Needle 'n Thread readers, please don't hesitate to contact me! It's always a pleasure to see what people all around the world are doing with their needle & thread!
]]> readers embroidery regional embroidery techniques pictures needlework pictures 5210 Poornima noreply@blogger.com http://www.blogger.com/profile/06035901788969829223 2009-10-02 00:10:40 2009-10-02 00:10:40 1 0
Great work. The important thing to note in Jayashree's work is the implementation of the traditional and ethnic 'Kasuthi hand embroidery style'(i mean the motifs). Getting this Kasuthi styles perfect is the key. Just as an Info, the only place in India perhaps to learn these Traditional Indian embroidery which is becoming esoteric today is at Mridulas' school of Embroidery in chennai (www.mridulas.com), I am a student of this school and hence can appreciate Jayashree's work a lot. You can see some of my Kasuti works here as a part of my project work at http://www.flickr.com/photos/43119178@N02/show/

Cheers!
Poornima]]> 6393 Anonymous noreply@blogger.com 2009-07-31 00:05:06 2009-07-31 00:05:06 1 0 hats off .But still India has many more works like this which is not brought into light.We also see a master piece called kaudige if Iam correct which is a patch work with bits of sarees and bedspreads made into shawl .Kasuti work is done all over the saree blouse to cover the entire area.]]> 7395 Veena noreply@blogger.com http://www.blogger.com/profile/09729508304917660826 2009-05-25 04:41:22 2009-05-25 04:41:22 1 0 7907 Preeti noreply@blogger.com http://www.blogger.com/profile/16530157108564198921 2009-04-14 00:44:00 2009-04-14 00:44:00 1 0 8424 Kamala Rajagopalan noreply@blogger.com 2009-03-06 19:55:00 2009-03-06 19:55:00 1 0 8647 Sujatha noreply@blogger.com http://www.blogger.com/profile/01224380173356718363 2009-02-22 22:49:00 2009-02-22 22:49:00 1 0 WOW!
am proud to say that the creator of this sari is my friend!
kudos to you jayashree, you managed to finish the whole sari in a month!!
Am also feeling inspired to start a sari with kantha/ kutch / kasuti work!
keep creating more masterpieces like this!
Sujatha.]]> 8770 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-02-20 08:28:00 2009-02-20 08:28:00 1 0 8771 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-02-20 08:20:00 2009-02-20 08:20:00 1 0 8772 jayashree venkat noreply@blogger.com http://www.blogger.com/profile/10081232470482981933 2009-02-20 06:23:00 2009-02-20 06:23:00 1 0 Was in for a surprise when i clicked the mail from Needle'n'Thread.You have made the fraternity from INDIA proud by posting this saree work-Kasuthi.Congratulations and Wishing to see more works from you in Here!]]> 8773 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-02-20 00:02:00 2009-02-20 00:02:00 1 0 Words fail me...]]> 8774 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-02-19 21:56:00 2009-02-19 21:56:00 1 0 8775 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-19 19:05:46 2009-02-19 19:05:46 1 0
Actually, I can answer that for you! She made it for her son's valedictory function, and it took her exactly one month to make it! WOW!!!

MC]]> 8776 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-02-19 17:08:00 2009-02-19 17:08:00 1 0 8778 margaret c. noreply@blogger.com 2009-02-19 13:18:00 2009-02-19 13:18:00 1 0 8779 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-02-19 13:06:00 2009-02-19 13:06:00 1 0 8780 Deepti noreply@blogger.com 2009-02-19 11:01:00 2009-02-19 11:01:00 1 0 http://www.needlenthread.com/2009/02/excellent-drawn-thread-embroidery-book.html Mon, 16 Feb 2009 22:07:00 -0600 Mary Corbet 446 2009-02-16 22:07:00 2009-02-16 22:07:00 open open Excellent-Drawn-Thread-Embroidery-Book---Free-Online publish 0 0 post drawn thread embroidery on my whitework technique sampler, I thought it worthwhile to look around online for some good resources for technique and design ideas. As usual, one of my first stops when looking for needlework instructional books online is Antique Pattern Library. I love this website! And I could spend many long, lingering hours there!

I was happy to find Therese Dillmont's Drawn Thread Work (DMC Library). Typipcal of these Therese Dillmont books (there's a whole list of them on Antique Pattern Library), there's heaps of information, diagrams, and so forth in the book.

While many of the Dillmont books listed on the APL index are in French, the drawn thread book is in English. No matter what language you speak, though, the diagrams are clear enough to follow, if you have at least a little understanding of drawn thread embroidery.



I like the choice of colors in the project on the front cover!



The book is in PDF format, in two parts. The first part addresses mostly the different types of drawn thread work, with pictures of how to work out different bunching techniques, as well as decorative corners, needle lace accents, and so forth.



The second part features some really beautiful ideas for drawn thread projects.

If you're looking for some inspiration for your own drawn thread embroidery, do check out Therese Dillmont's book:

Part I - Drawn Thread Embroidery by Therese Dillmont (PDF)

Part II - Drawn Thread Embroidery by Therese Dillmont

And if you're just longing to spend some time browsing some old needlework books, pop in at the Antique Pattern Library and enjoy lingering for hours over some of the wonderful books available there!
]]> book review embroidery resources whitework online needlework books embroidery books drawn thread embroidery 8791 margaret c. noreply@blogger.com 2009-02-17 21:54:00 2009-02-17 21:54:00 1 0 8793 Fengate 1963jaci@gmail.com http://www.blogger.com/profile/17735638058001190831 2009-02-17 16:38:00 2009-02-17 16:38:00 1 0 Jaci]]> 8795 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-02-17 10:59:00 2009-02-17 10:59:00 1 0 And now I remember why I had an urge to buy a book about whitework :-)]]> http://www.needlenthread.com/2009/02/thread-organization-tip-key-tabs.html Sun, 15 Feb 2009 08:18:00 -0600 Mary Corbet 447 2009-02-15 08:18:00 2009-02-15 08:18:00 open open Thread-Organization-Tip:-Key-Tabs publish 0 0 post needlework thread organization that a trip to the office supply store inspired an idea for organizing threads. Here's the story.

It all started with shoppig that had nothing to do with needlework or embroidery of any kind! I went to Office Depot a while back to pick up one thing (transparencies for my classroom), and walked out with a selection of completely unrelated items. (Can you relate?!) While I was meandering down the paperclip aisle, my attention was arrested by a package of colored key chain tabs. I had some of these at work. It struck me funny that they were available at an office supply store. I always thought they came from hardware stores.

While this thought was flitting through my mind, I noticed two convenient things about the tabs that I had never noticed before. The first was that they have a relatively large hole on the end opposite the ring. The second was that they have a clear plastic cover over the small rectangular name plate thing.

Thoughts of embroidery, needlework, fabric, thread - anything and everything related to this addiction of mine - are never far from my mind. Holding the package of little key chain tabs (8 for $2), I found my mind constructing them into thread organizers, not key chains. And so I added it to my cart...



This may not at all be even remotely original. I would imagine that, out there somewhere, other people have used these types of things for thread organizers.



What I like particularly about using them is that you can slide the label off the thread, cut it in half so that you have the size indication there (or color indication, depending on the thread), place the clear plastic cover over the label, and slip both into the keychain, where they remain, undamagable for the most part, until you are finished with the thread.

On the plaited-around-the-label threads that I showed you the other day, over time it is not unusual for the label to tear a bit, especially if the threads are pulling on it as you pull them out. With this whole keychain doohickey, the label is forever intact.



The hole on the end opposite the key ring is a perfect place to loop your threads. If you want to braid them, you can. Or, you can simply fold the length of thread in half, feed it through the hole at the fold until you have a few inches through the hole, then stick your finger into the loop and grab the rest of the thread hanging out of the other side of the hole, pull it through the loop, and tighten it a bit to secure it. Now, when you want a thread, you just take one individual thread and pull it off. Braiding will keep the whole skein in a little better order, but it also takes more time. On the bright side, with that key ring on the other end, it's easy as pie to braid, because you can secure that ring over something and braid very quickly.



Now, the metal key ring comes in handy on two accounts. If you like to keep your threads on a larger ring, you can easily thread all those rings onto a larger ring and slip the whole lot of them into a larger bag for transport.

As for me... well, I'm a magnet freak. Not a decorative magnet freak. A utilitarian magnet freak. I like magnets - they come in handy for needlework, and I have a superfluous amount of the stronger ceramic types (not craft magnets, but rather the kind you buy at electronic stores, etc.) dotting the pole on my light. The key rings stick right to the magnets, making it very convenient to line up a few types of thread within easy reach on my light pole.

What I'd really like to do, though, is make a little dowel rack of some sort - one that could sit on a table or clamp to a stand or frame, or stick on a light pole (with strong magnets). The dowels, according to the plan in my head, would be thin enough to accommodate the center holes in the Access Commodities threads, and they would serve as a perfect place to slide a bunch of key chain rings, too. Well, if that ever materializes, I will surely let you know!

So that's my latest way of keeping my whitework threads at my fingertips while I'm stitching. At the end of a session, I simply gather them up and slip them into my basket, so that they aren't collecting dust while hanging on the lamp post.

If you were going to go with the key tabs for organizing a large number of threads, I think I'd look for a place where they could be purchased in bulk for a lot less. The 8 / $2 thing was a special - I think they run normally about $3 for a package of 8, which is kind of ridiculous if you're planning on organizing a lot of thread. But for a project with a limited range of threads, it's a neat way to keep them all marked and together.

So here endeth the lesson... and I'm off to spend some quality time with my needle 'n thread! Updates on the whitework sampler, coming up...
]]> 8586 Miriam Klaassen noreply@blogger.com http://borduurblog.blogspot.com 2009-02-24 00:56:00 2009-02-24 00:56:00 1 0 8704 Anonymous noreply@blogger.com 2009-02-22 08:46:00 2009-02-22 08:46:00 1 0 I´d love to have the Metal Thread Embroidery book by Jane lemon.
Thanks,

Paul Phillip Evans
bordadodlujo@yahoo.com]]> 8709 Anonymous noreply@blogger.com 2009-02-22 08:32:00 2009-02-22 08:32:00 1 0 8743 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-21 21:32:45 2009-02-21 21:32:45 1 0
Well, I think I would embroider first on the pillow case, then turn it and hem it. That way, the back of the embroidery is covered - which is good for a couple reasons: 1. it's protected, and 2. no one can see it!!

I haven't tried the Mettler threads. They sound interesting - I wonder if anyone else out there has used them? I'll ask... My guess, off the bat, is that it probably isn't as thick as coton a broder. Hand "sewing" thread is usually fairly fine thread.

Best of luck on your pillow cases! And welcome aboard - I'm glad you've found my website!

Mary]]> 8745 Goldberry noreply@blogger.com http://www.blogger.com/profile/15550897298140763183 2009-02-21 21:12:00 2009-02-21 21:12:00 1 0
I found your site today and was so thrilled about the free tutorial videos. I've been bad at embroidery for years because of not watching anyone do it.

One of my upcoming projects is some pillowcases, which I'm thinking about doing whitework (well, natural-work) on. I have two questions. First, is it necessary to embroider on one layer, or could it work to make a normal hem on the case first and then embroider it? Or if I make a hem, is it better to embroider it first and then fold it over and sew it?

Second question- I bought some Mettler silk-finish mercerized cotton thread a little while ago, which was advertized as good for handsewing. Is it also good for embroidery, or is it not as thick as something like the coton a broder?

Any suggestions would be greatly appreciated... Thanks for the great site and the free patterns!
-Goldberry]]> 8783 Metanoia noreply@blogger.com http://www.blogger.com/profile/05585001609565808750 2009-02-18 20:32:00 2009-02-18 20:32:00 1 0 8803 Yvonne aka sommeke sommeke@hotmail.com http://www.blogger.com/profile/07755225448427141353 2009-02-16 14:18:00 2009-02-16 14:18:00 1 0 I always admire your work!]]> 8808 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-16 09:43:00 2009-02-16 09:43:00 1 0 I love silks and find that the best way for me to store them and not get them tangled, is to hang them. This makes a great alternative to keeping them on their original hang tags - which tear and also snag.
Thanks so much!

Off to the office supply store :)

Hugs, Marlon]]> 8809 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-02-16 07:44:00 2009-02-16 07:44:00 1 0 8810 Anonymous noreply@blogger.com 2009-02-15 19:20:00 2009-02-15 19:20:00 1 0 -Christiana]]> 8812 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-02-15 16:38:00 2009-02-15 16:38:00 1 0 http://www.needlenthread.com/2009/02/thread-organization-tips-for-embroidery.html Fri, 13 Feb 2009 09:02:00 -0600 Mary Corbet 448 2009-02-13 09:02:00 2009-02-13 09:02:00 open open Thread-Organization-Tips-for-Embroidery-Threads publish 0 0 post

Coton a broder is a specialty DMC thread, used for whitework, cutwork, etc. It's perfect for use in monogramming. It makes beautiful satin stitches. Coton a broder isn't widely available. Even most specialty needlework shops don't carry it, or if they do, it's in the larger sizes (#12 or #16) only. You can purchase coton a broder in size 12 (largest) through size 40 (smallest), in strange increments that make little sense to me. They go 12, 16, 20, then by 5's. #16 coton a broder is about the same size as floche, but they have a different number of plies that make up the thread - coton a broder is a 4-ply thread, floche is a 5-ply thread. I order my coton a broder from Lacis. Sold as "cutwork thread" or coton a broder (you'll find it called both on the Lacis website), it comes in white and ecru in most sizes, and in size 25, it comes in a variety of other colors, too. I just buy white. If I want this type of thread in color, I go with floche, as it has a wider range of colors and shades.

Ok, so that's the thread.

The thread comes in a skein, but it isn't a pull skein, like the kind regular stranded floss comes in. It's a loop that is looped again back on itself.



The higher count threads make up shorter, fatter skeins, while the lower count (larger threads) make up longer, skinnier skeins.



On the label, you'll see the size of the thread marked, as well as the length of thread in the skein.



To prepare the skein for working with, slide both labels off (there's a small "DMC" label on there, which I don't find necessary to keep). Save the label with the thread number on it, because you'll use that for identification of the thread.



When the labels are off, look for the little tied-up area, where part of the bundle is tied perpendicular to the rest of the skein.



Hold the skein at the little tied area (just holding the bunch that is tied), and give the skein a gentle shake. It will fall out into a long loop.



Cut the skein where it is tied, and remove the little tying thread. I also cut the skein a second time, just opposite of the first cut, so that I have perfect lengths of threads for working with. Now, you don't have to do this - some people like working with longer lengths of thread. I personally can never stand working with a thread more than 16" - 18" long, and 20" is pushing it for me! Why? Well, for one thing, I can stitch faster with shorter lengths of thread. For another, after a while of stitching, threads start to fuzz up. Using shorter lengths ensures that I don't get fuzzy threads. I'd rather go through the rigmarole of starting and stopping a thread than put up with fuzzy threads!



There's the nice clean cut. Use sharp scissors, by the way! Using dull ones to cut this bunch of threads will make it harder for you to thread your needle later on - or at least, will require you to trim up before you do.



Now you have the long label with the thread size on it, and your skein, cut to working-sized threads.



Thread the skein back into the label.



Then separate three sections of thread and work a soft braid with the three sections, so that the label is at the top.



Selecting a thread from the top near the label, pull one side out of the braid, then pull the other side out, and you're ready to stitch.

This is a nice way to organize threads, especially threads that come on looped skeins, like coton a broder and perle cotton.

Incidentally, I have another way I'm organizing my whitework threads right now, too - it is a combination of this method and another, and was the result of stopping in at an office supply store the other day. I'll have to show you my weird set-up one of these days!

Do you have any thread organization tips? Feel free to let the rest of us know how you prepare your thread and organize it for a project!



]]> needlework tutorials threads pictures embroidery tips and tricks organization 8445 Susan noreply@blogger.com http://www.blogger.com/profile/17842409196561932682 2009-03-05 15:53:00 2009-03-05 15:53:00 1 0 8813 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2009-02-15 14:47:00 2009-02-15 14:47:00 1 0 8816 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-02-14 15:08:00 2009-02-14 15:08:00 1 0 8818 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-14 12:17:00 2009-02-14 12:17:00 1 0
You won't find it on the DMC USA website, methinks. I think it comes from DMC France.

Hope that helps!

MC]]> 8819 Anonymous noreply@blogger.com 2009-02-14 11:59:00 2009-02-14 11:59:00 1 0 -Christiana]]> 8820 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-02-14 11:55:00 2009-02-14 11:55:00 1 0 8824 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-02-13 13:47:00 2009-02-13 13:47:00 1 0 In my town I can't find that coton a broder DMC...]]> 8825 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-13 13:19:26 2009-02-13 13:19:26 1 0 8826 Anonymous noreply@blogger.com 2009-02-13 12:49:00 2009-02-13 12:49:00 1 0 8828 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-02-13 12:39:00 2009-02-13 12:39:00 1 0 http://www.needlenthread.com/2009/02/transferring-embroidery-pattern-using.html Thu, 12 Feb 2009 07:26:00 -0600 Mary Corbet 449 2009-02-12 07:26:00 2009-02-12 07:26:00 open open Transferring-an-Embroidery-Pattern-using-Tracing-Paper publish 0 0 post Tips and Tricks for Hand Embroidery (under Editor's Floss, always at the top of the right column on each page of Needle 'n Thread!). I've never actually written about this particular method of design transfer because I don't use it often. That may change - thought it takes slightly more time than tracing, it's accurate, lasting, and easily visible.

I think most embroiderers have their favorite way of transferring designs, which they probably stick to pretty regularly. Of course, the manner of transferring a pattern is going to change with choices of fabric and thread.

If you're stitching, for example, on dark fabric, it isn't likely that a regular pencil is going to help much for tracing the design onto the fabric. Neither would a water-soluble fabric marker, really. If you're stitching on white fabric with white threads, you can run the risk of discoloring your threads if you use too soft a pencil and too heavy a hand when tracing your design! Prick and pounce takes a long time - and it's a multi-step process: first you have to prick the design carefully, then you have to pounce the powder on (and sometimes that includes making a felt roll to do so - or even making your own pounce!), and finally, you have to use a tiny paintbrush and paint in all your lines. Oh, then there's the dressmaker's carbon method - which works ok, but what if you end up with a super messy line that you can't cover with your stitches, and you hadn't intended to wash the piece? Or you can't wash the piece easily because you're using non-color-fast overdyed specialty floss? Oh, the options go on and on... and there are many of them.... but they don't all work in all circumstances (except for maybe prick and pounce, but golly - it can be a tedious job to pounce a whole pattern!).

Transferring your embroidery design using tissue paper actually does work in most circumstances. I can't think of any circumstance in which it wouldn't work, really. This is how you go about doing it.

First, you need some supplies: tissue paper, a fine tipped pen, thread, a sharp needle (crewel needles or sharps are fine), and some other miscellaneous things that are nice to have on hand but not necessarily essential.

When deciding what thread to use, I suggest a regular sewing thread that's the same color as the embroidery floss you're using, more or less.



The first thing I did was trace the design I'm using onto the tissue paper. Now, this paper is a bit weird, and I don't exactly know what it is. It was lying around the office - a big roll of it - forever, and my boss finally told me I could take it home if I wanted it. It's a very lightweight yellowish-brown paper, a bit like pattern paper but slightly crisper and very sheer. It's used in our school maintenance and building department to do overlays on building projects, apparently. I use it for everything that requires pattern tracing - mainly because it was really cheap (as in, free)... You can use regular wrapping paper tissue for this part - one thin sheet.

Using my magnetic needleminder and a few refrigerator magnets, I positioned the tissue paper on my embroidery frame.

Now, keep in mind I made a pretty big mistake in this whole process, but it doesn't really change the process - hopefully, it will just serve as a deterrent to you, so you don't make the same mistake!



As you can see, I'm using a green thread to transfer the design. This is the mistake I made! I could have very easily used white thread, and it would not have been as noticeable in this piece (which will be stitched in white). Using green thread requires me to do some very serious (and tedious) thread picking as I go. If I had used the same color that I would be stitching in, then any residue would not be noticeable - but green has an uncanny way of making itself visible on white! That was one of those forehead slapping moments. I used the green because I thought it would look better in photos! I didn't even think about the ease of stitching! Rats!

Using small regular running stitches, stitch over the entire design. The stitches can be fairly widely spaced on open, longer lines, but as you work into detailed and curvy areas, keep your stitches a little smaller and close, to make sure the details can be seen when the tissue paper is removed.

Don't use knots in your sewing thread! Just anchor it as you would if you were basting. You want to be able to pick the design threads out easily.



Make sure that you cover every line in the design, unless there are parts that you know you can "eye-ball" as you stitch. Those little hairy dashes in between the elements of the design are where I anchored my basting thread, by just taking two or three small straight stitches into the paper and the fabric.



Once you've finished stitching, it's time to remove the tissue paper. Gently, pull the paper up and back, away from the stitching. Don't pull it too high in the "up" direction - I find it better just to kind of pull it back low on itself. This keeps the stitches from pulling up out of the fabric.

You'll notice that some bits of tissue still stick in the fabric - that's ok, you can deal with them after you've gotten the majority of the paper off.



The tissue paper will be easier to remove in the larger, open spaces of the design. Still, don't just tear and yank off! Take it easy as you remove the paper.



Once the paper's more or less gone, take your tweezers from your tool box and pick out any remaining little shreds. Once you're finished, you'll have a good representation of your design on your fabric, and it won't smudge, it won't rub off, it won't disappear - you can work with confidence at any pace you wish, without worrying about your embroidery design!



I can't help reiterating a word of warning here, now that the green is so visible! You can imagine how easy it would be, if this were stitched in a fine white sewing thread, to stitch right over that sewing thread with my white embroidery cotton (coton a broder), covering it up for the most part, but not worrying if I don't quite get it. I would, of course, still remove as much as the white sewing thread as possible as I stitched - but if I didn't get it all, I wouldn't have much to worry about as far as visibility is concerned.

I used one strand of green floss. This is a huge mistake! Not only can I not leave a shred of it - it would be too obvious - but because it's floss and not sewing thread, it fuzzes more when being picked out.

So - don't make my mistake! It served well for the pictures - the white sewing thread would not have shown up as well - but it won't be as easy to stitch as it would have been if I had used the white sewing thread!

Give tissue transferring a try, if you're inclined! It's perfect for transfering a pattern especially to dark fabric. There are plenty of ways - tracing being the easiest - to transfer a design to light fabric, but with dark fabric, we often get stuck. This method works great for dark fabrics!

What method do you use to transfer your embroidery designs? Do you see any pros and cons of trying tissue paper? Would you personally bother with this method of transfer, or not? Beginners would especially benefit from input from other embroiderers, so if you have time, drop a comment about the way you transfer your designs! Thanks!
]]> pictures embroidery tips and tricks embroidery design beginner embroidery 1746 Anonymous noreply@blogger.com 2010-03-25 15:42:16 2010-03-25 15:42:16 1 0 6335 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-05 02:00:34 2009-08-05 02:00:34 1 0 6610 heather bernard noreply@blogger.com http://www.blogger.com/profile/04353646782437991617 2009-07-15 14:40:42 2009-07-15 14:40:42 1 0 8811 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-02-15 19:10:00 2009-02-15 19:10:00 1 0 8822 Anonymous noreply@blogger.com 2009-02-13 19:38:00 2009-02-13 19:38:00 1 0
I've never done the tissue paper transfer, but I use a lot of paper for designs. I order from a medical supply house -- the type of paper used on the examining tables. It is wonderful for tracing designs and patterns.

Also, when transferring designs onto white fabric for whitework, I usually use a fine blue pencil. The blue seems to enhance the brilliance of the white thread.

Cissie]]> 8823 Anonymous noreply@blogger.com 2009-02-13 13:59:00 2009-02-13 13:59:00 1 0 8827 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-02-13 12:46:00 2009-02-13 12:46:00 1 0 I happen to use the tissue transfer method often in japanese embroidery and now it's my favorite method for motif transfer on crazy quilting as well.

I use a very fine couching thread and have found, through much trial and error, that I prefer a line of held thread stitch -- I seem to get a smoother line. I find tracing paper too thick but I have found a higher grade tissue paper that comes away the cleanest. I loved Dhivya's idea of slightly dampening the cloth. That wouldn't work on silk but it sure would on cotton.

For designs that I have digitized, I will print out the design directly on the tissue paper by running it through my inkjet printer. I tape a piece of tissue paper to another sheet of paper and they both go through the printer with no problems. This saves the time of tracing the design and you may be grateful on something more intricate.

Thanks for the "LOVE" pdf !! and happy heart day to you! Susan]]> 8829 Dhivya Dilip noreply@blogger.com http://www.blogger.com/profile/16389910838227460959 2009-02-13 06:20:00 2009-02-13 06:20:00 1 0 I usually follow this prodecure. I haven't learnt it from somewhere, but somehow this idea caught-up my mind. I do it with one difference. When I have to remove the tissue, I make the paper little bit wet, using a wet cloth or so. By doing this, the paper loses its strength little bit, and it tears off easily without distorting the threads. This method gives a very good outline especially for satin stich. And I hope it works well even for other stitches.]]> 8830 margaret c. noreply@blogger.com 2009-02-12 22:16:00 2009-02-12 22:16:00 1 0
I think the tissue paper method is quite good and definitely a really clean way to transfer. I was taught it in a class. If I remember correctly (it's been a while) we lightly basted the tissue paper down first. Then we traced each motif in its actual floss or covered the tracing lines with split stitch (where appropriate) in the real floss so there was no need to remove the traced 'lines'. Also, we didn't trace the entire piece all at once which was interesting. We traced a section, removed the tissue paper, worked the embroidery, and then moved on to the next area. I don't know if we did it in pieces because of time limitations, but it certainly worked.]]> 8831 Anonymous noreply@blogger.com 2009-02-12 21:41:00 2009-02-12 21:41:00 1 0
I've found that tracing paper works well; it is easier to trace or draw the design onto, but slightly tougher to remove. I always use Coats & Clark's fine polyester thread for tacking as it is tough and doesn't ever fray.

What a pretty design, Mary!
-Christiana]]> 8833 onafixedincome noreply@blogger.com 2009-02-12 16:28:00 2009-02-12 16:28:00 1 0
You can also 'perforate' your paper prior to pulling by pricking in the intricate areas (ah, gotta love those alliterations!).

Thanks, Mary! Great illustration! :)]]> 8835 beard5 noreply@blogger.com http://www.blogger.com/profile/04005181542051113220 2009-02-12 15:08:00 2009-02-12 15:08:00 1 0 (I use something like photoshop to make the duplicates, and line them up so they'll fit in my frame/hoop)

As another tip, I baste the paper in place before doing the stitched outline. And I find that reversed chainstitch (like double chain, but just single) works beautifully through the paper.]]> 8839 Ruth noreply@blogger.com 2009-02-12 11:49:00 2009-02-12 11:49:00 1 0 I can't tell you how much I love you for this post. I am a relative newbie and so far have done counted work with charts or surface embroidery on white muslin or linen for which I have used a pencil or washable pen to transfer. I have been contemplating moving onto colored backgrounds and musing on how to do the design transfer. You evaluation of all the methods and your clear demo of this method has saved me lots of time, error and effort. Thank you, thank you, thank you.]]> 8840 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-02-12 11:34:00 2009-02-12 11:34:00 1 0
Jane]]> 8841 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2009-02-12 10:23:00 2009-02-12 10:23:00 1 0
Denise
http://needlework.craftgossip.com]]> http://www.needlenthread.com/2009/02/more-complex-hand-embroidery-pattern.html Wed, 11 Feb 2009 06:38:00 -0600 Mary Corbet 450 2009-02-11 06:38:00 2009-02-11 06:38:00 open open A-More-Complex-Hand-Embroidery-Pattern:-Psuedo-Original-Love publish 0 0 post

It all started around Christmas, when I was playing with my monogram alphabets, wanting to put them together into "tiles" that made up words. For example, I was kind of excited about messing around with N-O-E-L... but then I realized that had been done before (in cross stitch, myriad times), and wasn't really that original, and the monograms weren't that Christmassy, and so I dropped it.

I went back to it the other day, playing with L-O-V-E. I'm not sure what inspired it - perhaps it was the over-abundance of Valentine stuff floating around on the internet, or perhaps it was the idea of my folks' 52nd wedding anniversary in a few months, perhaps it was the idea that I needed to post a free pattern for "something" soon and I wanted something larger than usual, or perhaps it was just that urge to do SOMETHING with those blasted monograms that I cleaned up but have never bothered using.

Whatever the case was, I decided to go back to the word-tile concept with a nice four letter word (! no - really - a nice one !), L-O-V-E.

I played and fiddled and had fun with it - making it more complex, then less complex. I had vines running hither and thither, filling stitches between the tiles, and so forth... but it was too much. Finally, I simplified, and is the result of all the tinkering:



If you click on the image above, you'll get a very-much-larger (in the realm of huge) image, which you can scale to a smaller size, or slice up to make a large pattern.

You can also have the PDF of the pattern:

Free Hand Embroidery Design: Love

I liked the design when I was first playing with it, but then my sister looked at it. And do you know, she told me it looked like a counted cross stitch pillow. Then she told me she has seen it as a counted cross stitch pillow. L-O-V-E, in four tiles like this.

"Oh, surely," said I, "you cannot have seen this design in counted cross stitch."

"Well, maybe not that design, but it's the same idea."

She just wasn't impressed. Sheesh. Some people...

So, out there somewhere, in counted cross stitch land, there is a design with the same idea behind it. But this, my friends, is surface embroidery. And it can be made into a pillow - or something for the wall - or the center square of a quilt - or what-so-ever you wish to make out of it. It can be traced for paper crafts, painted on wood, made into a wall mural, or etched onto your front door. You can do whatever you want with it!

I'd like to work it in white, on a colored linen - not necessarily red! - to give as a gift.

It would make a great anniversary gift, wedding gift, Valentine, Mother's Day gift, birthday present, et cetera, et cetera, et cetera.

But not for my sister...

In the meantime, I hope you enjoy it!
]]> free embroidery patterns 3888 Lyra noreply@blogger.com 2009-12-30 20:20:35 2009-12-30 20:20:35 1 0 Good thing you decided to post it cause i have never come across this design.]]> 8821 Quilting Kim nickis327@yahoo.com http://www.blogger.com/profile/17705092296629069956 2009-02-14 11:38:00 2009-02-14 11:38:00 1 0 8836 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-12 14:57:00 2009-02-12 14:57:00 1 0
I think it's a great idea and I have never seen it done up as surface embroidery, only in cross stitch and needlepoint.

I am doing my guest/craft room in vintage/cottage style and am going to use this for that room.

Thanks, Mary.

Hugs, Marlon]]> 8845 margaret c. noreply@blogger.com 2009-02-11 23:30:00 2009-02-11 23:30:00 1 0
(Isn't inkscape fun?)]]> 8848 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-02-11 22:00:00 2009-02-11 22:00:00 1 0 8852 Kirsten noreply@blogger.com 2009-02-11 16:14:00 2009-02-11 16:14:00 1 0
http://www.postalhistorycovers.com/featured/love-american-style]]> 8854 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-11 13:12:47 2009-02-11 13:12:47 1 0
Actually, can I save face and chalk it up to a typo?

No, it was definitely a spelling mistake!!

THANK YOU FOR THE CORRECTION! I completely appreciate it!

(Unfortunately, because it's in the heading, I can't change it, without losing the link to the post. Darn...)

aaaargh.

Don't let my students see this!]]> 8855 Anonymous noreply@blogger.com 2009-02-11 13:03:00 2009-02-11 13:03:00 1 0 8856 Raspberry rae_sunshine4@yahoo.com http://www.blogger.com/profile/17951500465174845096 2009-02-11 10:21:00 2009-02-11 10:21:00 1 0 8860 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-02-11 08:02:00 2009-02-11 08:02:00 1 0
(I think almost every 4-letter word that's fit to print has been done as cross stitch tiles.. and some that aren't fit to print, too... Tiles like that were very popular in the late 80s.) This is a WONDERFUL twist on it, though.

I may design cross stitch, but I love freestyle embroidery with no crosses visible! :)]]> 8861 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-02-11 07:52:00 2009-02-11 07:52:00 1 0
Still I like your design better.

MGM]]> http://www.needlenthread.com/2009/02/improving-hand-embroidery-kit.html Tue, 10 Feb 2009 06:40:00 -0600 Mary Corbet 451 2009-02-10 06:40:00 2009-02-10 06:40:00 open open Improving-a-Hand-Embroidery-Kit publish 0 0 post

Not long ago, I received an e-mail from a reader regarding working kits. She asked if she was allowed to change the stitches or the threads, if she wanted. At first, I assumed she might mean that she was using the kit for instruction in a group or guild project, so I suggested she contact the designer. But it turns out, she just wanted to know if it was right to make a change from what the designer or publisher intended. (She didn't like the threads or colors and she wanted to try some different stitches).

To all such questions, I send out a resounding YES!

If you're working a project from a design or kit that you purchased, and you're working the project for your own personal pleasure, it stands to reason that you can make adjustments that you will find pleasing. In fact, many of the embroidery kits found on the retail market are indeed sub-quality, in my experience. I'm not talking about kits by designers such of Tanja Berlin or Trish Burr, or even specialty kits found in local needlework shops. I'm talking about those "brand name" kits (Bucilla, Leisure Arts, etc.) that are widely found in hobby, craft, and sewing stores, and that often leave the stitcher feeling a bit stunted when it comes to creativity. Sometimes, too, such kits - especially put out by lesser-known companies - will offer threads that are not the best quality. I remember, for example, getting a crewel kit years ago that had "crewel wool" included in it. Now, Appleton crewel wool is fine. And it's not expensive. But the stuff in this particular kit was bound with a white band that read "wool" - nothing else - and the wool itself was over-fuzzy, and within few a few stitches began to fray apart. It was awful! Needless to say, I changed it!

Don't be stunted by the limited scope of a kit. If you see a kit you like and you want to try it, go for it! But if you find it isn't meeting your expectations - either in choice of color, materials, stitch suggestions, etc. - feel free to make some changes! In that way, you personalize your work, too.

Margaret made some vast changes on this particular tea cloth, which is a Fleur d'Lys kit from Anchor, titled "Spring." I have the same kit, but when I first got it, I had a really hard time getting into it, because I didn't like the color and stitch choices. Well, Margaret had the same difficulty, and she overcame it.

It's difficult to tell you the thought processes that go on when making changes in a piece of embroidery, so with this in particular, to show you the specific changes Margaret made, I'm sharing with you (with her permission) the PDF file that she sent me, taking me through all the changes she made (with photos!).

This is the finished cloth:



You can click on that to get a larger version. Compared to Margaret's finished piece, the original is flat and really boring! Margaret added real depth and life to the whole thing by changing the stitches, adding more stitches in some motifs, and by adding more shades of color. The whole piece has really come to life!

If you'd like to read about the changes that she made in working the kit and see some interesting before and after photos, here's the PDF:

Spring Tea Cloth - Fleur de Lis kit stitched by Margaret Cobleigh

Margaret mentions in her article another tea cloth from the same company - the Strawberry Tea Cloth. Do check out her photos of that piece, too - it's really pretty!

Thanks, Margaret, for sending along the information!

I hope everyone enjoys it, and I hope it gives you some creative motivation to make changes in your embroidery pieces if they aren't measuring up to your expectations!
]]> readers embroidery pictures embroidery tips and tricks embroidery design needlework pictures 8834 Marian noreply@blogger.com 2009-02-12 16:18:00 2009-02-12 16:18:00 1 0
thank you both for your kind words of encouragement. I think boredom, and the pressure to finish, was a large part of why the picture is stil not done. I am now hoping for rain on Sunday, so that I can get on with it.

I will post pictures when I'm done.]]> 8837 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2009-02-12 12:49:00 2009-02-12 12:49:00 1 0
I seldom buy kits. I can never seem to follow a pattern so buying a kit is a waste of money for me. I love to take a pattern and make it with my own interpretation.]]> 8843 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-02-12 00:13:00 2009-02-12 00:13:00 1 0

would it be possible to do an instructional article with pictures on shading? i have seen some many fantastic results on different projects yet i dont know how to attempt it.]]> 8844 margaret c. noreply@blogger.com 2009-02-11 23:43:00 2009-02-11 23:43:00 1 0
You might also try starting small. By that I mean don't try to do too much at first. Keep it simple. Also working on a physically small piece might be easier than attempting a large project.

As for boredom, I usually work on 2-3 pieces at a time so I stay interested. I also give myself permission to not finish a project that I don't like or am not enjoying. Life's too short!

Thank you to everyone for their kind words about the teacloth. I enjoyed 'messing' with this kit and I'm really pleased with the results.]]> 8846 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-11 22:39:00 2009-02-11 22:39:00 1 0
Oh, I think this is a question of temperament. I like that part of the process! I like stitching better, once everything's worked out, but I like the figuring out part, too. Now, if something is too repetitive, I get bored with it, and I like projects that I can see fairly quick progress on, or that have various different things to stitch (or stitches, or threads, or colors) to use. If something is really repetitive - same thread, same stitch, same motif - I have to put it aside and go to something else, then go back to it, then take a break, etc....

It's always good to step away from a piece of work that's tedious, just to get a different perspective and to come back with a fresh outlook....

But as for color selection, stitch selection, and so forth, I find that part kind of fun!

Hope that helps! Good luck on the finish!! (And just think how good it will feel!!)

MC]]> 8849 Marian noreply@blogger.com 2009-02-11 19:51:00 2009-02-11 19:51:00 1 0
I'll clarify this. Some years ago, 7 years to be exact, I decided to do an embroidered picture for my baby niece. But trying to decided what to put in, and which stitches to use really wore me out and made me tired to the point I kept putting it away. It is nearly finished, as I only have 1 section of flowers and leaves to finish.

My question is, how do you stave off the boredom and mental fatigue that comes with trying to work out which stitches, threads and colours to use??]]> 8851 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2009-02-11 17:01:00 2009-02-11 17:01:00 1 0 8857 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-11 10:00:00 2009-02-11 10:00:00 1 0 What a fantastic piece it is now.
Congratulations Margaret.
Thanks also for reminding me that if I can't find exactly what I want...I can make it so :)]]> 8862 Ruut noreply@blogger.com 2009-02-11 04:55:00 2009-02-11 04:55:00 1 0 8863 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-02-10 17:03:00 2009-02-10 17:03:00 1 0 8864 ~ Phyllis ~ spinknitandlife@gmail.com http://www.blogger.com/profile/12469317811031836145 2009-02-10 16:33:00 2009-02-10 16:33:00 1 0 8865 Susan noreply@blogger.com 2009-02-10 15:23:00 2009-02-10 15:23:00 1 0 8867 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2009-02-10 13:29:00 2009-02-10 13:29:00 1 0 http://www.needlenthread.com/2009/02/hemstitch-in-drawn-thread-embroidery.html Mon, 09 Feb 2009 06:40:00 -0600 Mary Corbet 452 2009-02-09 06:40:00 2009-02-09 06:40:00 open open Hemstitch-in-Drawn-Thread-Embroidery---Photo-Tutorial publish 0 0 post

Now, hemstitch is a strange name for the stitch, you might think, but before drawn thread work was done for mere decoration, the hemstitch served a very practical purpose. It... hemmed. By withdrawing one thread from a piece of linen near the edge of the fabric, the sewer could turn up the remaining bit of linen and catch it in the hemstitching, which was pulled slightly to create a small decorative edge above the hem, thus accomplishing the utilitarian aspect of hemming and the decorative aspect of pulled thread. Sometimes, no thread would be withdrawn from the fabric - the hemstitcher would rely on the pull of the hemstitching to create a small pulled thread line just above the hem.

Hemstitch is an easy stitch! Before delving into it with drawn thread work, you need to secure your edges of the drawn thread area, either by re-weaving them or by using satin stitching, and you need to withdraw the horizontal threads from the band. Then, you're ready to hemstitch.

In the following photos, I'm using #25 coton a broder on 36 count linen, with a size 24 tapestry needle.



Begin by bringing your needle up in the fabric two threads down below the last empty line next to your satin stitch band or your re-woven edge. You're one space over from the edge and two threads down.



If you're grouping two threads together, you'll take your needle behind the two threads and out again to the front.



Pull the thread through...



Then take your needle back behind the same two threads (so that your working thread wraps around the two threads), angle the needle down, and bring it up into the fabric two threads down from the edge, positioning the needle for the next stitch.



Pull the needle through, and tighten the stitch around the bunch of fabric threads. You can see here that I switched to a photo of four threads being bunched together, to give you a better idea of bunching. If you do not pull the thread firmly, you won't get nice bunches, which is what you want.

Now, continue working the hemstitch towards the end of the band, then run your needle and thread under the satin stitching at the end of the band to secure it.

Ta dum! You did it. Simple, isn't it?

If you are hemstitching around a square, as I was in the last piece where I'm bunching four threads together, when you get to the end of the band, don't end your thread. Instead, do this:



Turn your work over... (the photo above is the back of the work). Take your needle under the satin stitch band that runs horizontal, like the line of hemstitch you just finished...



... then up through the next satin stitch edge, which positions you to continue hemstitching along the next side of your square.

And that is the hemstitch. It's a very simple stitch, don't you think? There are other variations of hemstitch, actually, but this is the basic hemstitch, most commonly used in this type of embroidery.

I hope you try it, and I hope you like it!

Enjoy!
]]> needlework tutorials whitework pictures embroidery tips and tricks sampler needlework pictures drawn thread embroidery 1309 Kate noreply@blogger.com http://www.blogger.com/profile/04421052779506652929 2010-04-20 11:47:24 2010-04-20 11:47:24 1 0
http://www.vintagesewing.info/19th/1892-sn/sn-03.html]]> 1310 Kate noreply@blogger.com http://www.blogger.com/profile/04421052779506652929 2010-04-20 11:44:21 2010-04-20 11:44:21 1 0 7779 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-27 07:29:40 2009-04-27 07:29:40 1 0
Yes, that's right. The hem is turned up to the base of the line of withdrawn threads, then the stitch is worked as shown, picking up the folded edge of the hem. Normally, the corners are mitered before you actually begin the hem stitching. No, with "real" hem hem-stitching, I would use a regular crewel, chenille, or sharp as far as the needle goes...

Hope that helps!

MC]]> 7781 dottyeb noreply@blogger.com http://www.blogger.com/profile/00640874238832895635 2009-04-26 21:06:00 2009-04-26 21:06:00 1 0 8370 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-11 14:23:44 2009-03-11 14:23:44 1 0
I'm not sure if I can picture exactly what you're talking about. It sounds like hemstitching, but with some sort of decorative something above it? Does the technique have a name?

Hmmm... Thinking, thinking... Can you post a link to a picture of the technique?

Thanks!

MC]]> 8378 joey noreply@blogger.com 2009-03-10 23:26:00 2009-03-10 23:26:00 1 0 Thanks!]]> 8847 Laura Bullinger noreply@blogger.com 2009-02-11 22:04:00 2009-02-11 22:04:00 1 0 8866 Anonymous noreply@blogger.com 2009-02-10 14:31:00 2009-02-10 14:31:00 1 0
Marilyn]]> 8868 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-02-10 09:56:00 2009-02-10 09:56:00 1 0 I make it in a different way: from left to right on wrong side, don't ask me why... is this bad???
I learn by myself, looking at magazines and some old pieces, so I'm not sure about my way...:)
and thanks for your tutorial]]> 8870 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-02-09 16:49:00 2009-02-09 16:49:00 1 0 http://www.needlenthread.com/2009/02/free-hand-embroidery-pattern-valentine.html Sat, 07 Feb 2009 06:45:00 -0600 Mary Corbet 453 2009-02-07 06:45:00 2009-02-07 06:45:00 open open Free-Hand-Embroidery-Pattern:-Valentine! publish 0 0 post

Just so I wouldn't seem too entirely cold-hearted, I decided to get into the spirit and make up a tiny little simple heart pattern for hand embroidery that I could set up for my eight-year-old niece, who is needling me to embroider with her. So, here's the little design we're going to use (she's going to use!), and I thought I'd pass it on to you, if you want it.



And here it is in a PDF: Little Heart Design for Hand Embroidery

It's not super-complicated. For an eight year old, it will be well worked in back stitch, French knots, and daisy stitches. You could dress it up a bit - making the scallops half buttonhole wheels so they show up better, or what-have-you. Emma's going to work hers on a red cloth napkin, in white. I'll show it to you if she ever actually finishes! And, who knows, maybe I'll stitch one along with her, to keep her going.

If you do decide to go with a red towel or cloth napkin or something of that sort, make sure you pre-wash the fabric first! (Several times, even, if necessary!) I like to rinse darker colored fabrics (like the red cloth napkins we'll be using) with either vinegar, or with salt if I don't have vinegar on hand. This is something my sister does when she buys fabric to make children's clothes. She says it fixes the color, and I believe her. I've never actually tested the theory by doing any comparisons, but maybe some day I will...

I wrote a Valentine's poem, once upon a time and as a bit of a jest, for a fellow I worked with a while ago - and all this heartsy stuff just makes me feel like sharing it with you. (It actually surprises me that I do things like this, and still come back to face you the next day!)

Will You Be Mine?
(by me)

I thought I'd ask
If you'd be mine,
Could you be
My Valentine?

There's no one else,
This much is true...
So I'll have to settle,
And just take you.

I want no hearts,
I don't eat candy,
But flowers are nice,
And jewelry's dandy.

You have no money?
You can't buy flowers?
No jewelry either?
My heart sours.

On second thought,
If you don't mind,
To be your sweety,
I'm disinclined.

Yes, it's true. I'm sorry. I tend to be a bit of a cynic sometimes.

Well, I hope the pattern comes in handy, anyway!

Enjoy your weekend!
]]> free embroidery patterns embroidery tips and tricks miscellaneous embroidery musings 8850 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2009-02-11 17:03:00 2009-02-11 17:03:00 1 0
The poem made me chuckle.]]> 8874 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-08 09:58:00 2009-02-08 09:58:00 1 0
Not during courtship of course...then everything is sweet and dandy.
It's after the "I do" and a bit of time.... romance seems to take a second seat to....
hhhmmm....everything...

For Valentine's this year it's four new tires and a new rim.

Hugs, Marlon :)]]> 8877 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-02-07 17:15:00 2009-02-07 17:15:00 1 0 8880 Yvonne aka sommeke sommeke@hotmail.com http://www.blogger.com/profile/07755225448427141353 2009-02-07 08:14:00 2009-02-07 08:14:00 1 0 http://www.needlenthread.com/2009/02/another-goldwork-thread-gimp-cord.html Fri, 06 Feb 2009 06:45:00 -0600 Mary Corbet 454 2009-02-06 06:45:00 2009-02-06 06:45:00 open open Another-Goldwork-Thread:-Gimp-Cord publish 0 0 post flatworm, it has a weird name!

Gimp is a goldwork cord. I can't bring myself to call it a thread - it's pretty large! It fits in the goldwork category because it is metal; it's made up of a thread core that is wound with gold wire. I'll show you the anatomy of gimp cord in a bit, but for starters, let's look at it and then compare it to another twisted goldwork thread.



Now, if you like goldwork, when you take a look at gimp cord, you won't be able to help liking it, too! It's beatiful. It's heavy and rich, a beautiful three-ply cord. Unlike other goldwork threads, there isn't much "sparkle" to it. Gimp gleams. It almost has a matte-like look to it.



When you look at it up close, you can see that it's made out of some kind of wrapping that seems to divide a bit. The camera really helps here - to the un-aided eye, the cord simply looks golden.



Compared to gold twist, gimp suddenly doesn't look as "metal" looking. The gold twist - also a three-ply twisted goldwork thread - reflects the light differently, because it's made differently.



Size-wise, this is a #6 (so, relatively large) twist in the front, with the gimp behind it. Gimp is bigger, and it is more tightly twisted.



If you measure them under a ruler, you can see that gimp is practically an eighth of an inch wide, compared to the twist, which is certainly less than half that wide.



When you buy gimp, it comes with the edges taped or clamped, for a Very Good Reason. Because of the tight twist, once the ends are unbound, the whole cord very quickly starts to unwind. To solve this, bind the cord where you plan to cut it, and leave the ends bound until it's sewn onto the fabric! Anyway, for the photo above, I unbound the end before I realized what would happen, and the gimp began to furiously untwist. I caught it before it went too far - about three inches - but still, three inches is a lot, when you're talking about a thread that costs $18 / yard... That's $1.50-worth of unwinding. I learned my lesson!



This is the fascinating thing about gimp cord. It doesn't look as metal-like, but it is truly just as much a metal thread as smooth passing or twist. You see, twist, is made up of what looks like three strands of smooth passing twisted together. Smooth passing is made from a core (cotton or other fiber) wound with a wire that is wide and flat, kind of more like a very tiny tape of gold. Gimp cord is made with a core of threads, around which is wound teeny tiny gold wires - they're about the size of a hair. Three of the wires are grouped together and wrapped around the core. If you pull on the wire end, the core will unwrap (just as it does with passing thread) but the gold that comes off is entirely different stuff!



It was difficult to get a decent photo of them, but there they are. Three gold wires! WOW - those tiny wires are the rich coating that makes gimp cord so gorgeous! Amazing!



Gimp cord is a heavier, more supple thread than twist. It is really lovely stuff!

I can see it used in a lot of ways, but primarily, I could see it outlining stitched areas on ecclesiastical work or used as thick vines or stems on goldwork pieces. I'm eager to try working with it!

Have you used gimp cord before? Or have you seen it in use? Any pointers or observations about it?? Let me know by leaving a comment below!
]]> supplies goldwork embroidery resources threads pictures 8878 Laura Bullinger noreply@blogger.com 2009-02-07 10:58:00 2009-02-07 10:58:00 1 0 8883 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-02-06 16:15:00 2009-02-06 16:15:00 1 0 Annie]]> 8884 Dee noreply@blogger.com 2009-02-06 11:34:00 2009-02-06 11:34:00 1 0 http://www.needlenthread.com/2009/02/help-considering-fabric-choice.html Thu, 05 Feb 2009 10:16:00 -0600 Mary Corbet 455 2009-02-05 10:16:00 2009-02-05 10:16:00 open open HELP!-Considering-a-Fabric-Choice... publish 0 0 post

Receiving a fabric order isn't the worst problem in the world. In fact, I was happy to see the package arrive! But it had this fabric in it - this 36 count natural Edinburgh linen, which is exackitackily the color I wanted to work my whitework sampler on.

Now do you see the problem?

Let me show you the difference...



The linen I'm presently using is a 32 count Belfast linen in flax (that's the color). The new linen I recently ordered is 36 count Edinburgh linen in natural. It's the top linen in the photo above.

The natural Edinburgh linen is definitely darker than the flax Belfast linen, and it's the color I had in mind when I set about contemplating the whitework sampler. But, see, I had the Belfast linen. And I didn't know what the difference would be in the two colors - I actually thought the natural would be lighter. But in my head, the color I wanted was the color that arrived this morning!



Now, you may be tempted to ask what the heck? What's the big difference? And, to a degree, you're right. But there are some pros and cons to switching fabrics...

The advantages of switching to the darker fabric:

1. Better photos - it'll be much easier to see the white threads and the patterns they form, etc., on the darker fabric.
2. Higher count and smoother hand - the Edinburgh linen seems to have a smoother hand, and it definitely has a higher count thread, which is good for non-counted, non-drawn-thread whitework techniques, such as regular surface embroidery. The higher the count, the easier (I think) it is to work trailing designs, satin stitching, and so forth.

The disadvantages of switching:

1. OHHHH - it's SWITCHING!!! I probably don't need to explain this one!! I've already made some progress, I'd have to rinse and iron and re-frame the fabric... you know the drill. Argh! We could almost include wasting the other fabric in here, but I don't really consider it a waste, and it isn't that much fabric. UGH! The set-up of a project is not my favorite part, needless to say!

2. The higher thread count also poses a con, when working drawn thread techniques. It's just downright easier to do drawn thread work on a lower count fabric. Also, in the Ukranian drawn thread stuff, I wonder if 36 count might be a wee bit too high? I'll have to contact Yvette on that one....

So ---- HELP!!!

Whadyareckon? What are your thoughts? What should I do?

To switch, or not to switch - that is the question!
Whether 'tis nobler to suffer with discontent of color,
Or to take scissors against this framed-up pale stuff,
And by cutting and unframing, end it?
]]> whitework pictures fabric for embroidery miscellaneous embroidery musings linen drawn thread embroidery 8882 Laura Bullinger noreply@blogger.com 2009-02-06 19:08:00 2009-02-06 19:08:00 1 0 8885 Anonymous noreply@blogger.com 2009-02-06 09:32:00 2009-02-06 09:32:00 1 0 I think you'll be much happier with the sampler done up with the darker fabric, but I can think of a few things to do with that little bit you've already done on the lighter fabric. It's almost a square, so what about backing it with a pretty pastel shade .... blue maybe, so it will show up nicely, and making it up into the cover of a little needle book for a gift for a friend? Or just put it in one of your next monthly giveaways. I'm sure someone would be delighted to have it.
Tess]]> 8886 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-02-06 09:07:00 2009-02-06 09:07:00 1 0
Hmmmm. Take a deep breath, grab a cup of tea, contemplate the pretty, smug camels and then do what your heart tells you. (From reading your post, I'm suspecting it's going to be switching, but I'm just guessing here.) The imperative: don't do something you won't love doing.]]> 8887 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-06 08:21:00 2009-02-06 08:21:00 1 0 I always consider this: Will I be happy with the piece when it is finished or regret having gone ahead with it forever?

I suspect you already know the answer :)

Hugs, Marlon]]> 8888 Anonymous noreply@blogger.com 2009-02-06 06:51:00 2009-02-06 06:51:00 1 0
I'm thinking you should stay with the white for your lessons for us. On the lower count fabric it is easier to see the individual threads. I do agree that there would be more contrast with the darker fabric. Best shot would be the darker fabric in a lower count! Uh oh, now I've opened another can of worms!

Whichever you decide to do, I'm with you all the way and am anxiously awaiting more instructions on decorative stitches.

Marilyn]]> 8889 Anonymous noreply@blogger.com 2009-02-06 06:30:00 2009-02-06 06:30:00 1 0 Just finish the one you're doing - mail it to me - then begin again.

Call this one practice. or whatever you want. The other will still be there waiting for you.]]> 8891 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-02-05 23:02:00 2009-02-05 23:02:00 1 0 8893 Marian noreply@blogger.com 2009-02-05 18:03:00 2009-02-05 18:03:00 1 0
Congrats to Melissa for the prize.

Also, I found a copy of Inspirations 61 in my book store. Yup, bought it! Read it! the pomegranate has gone to "the list", but I was delighted to find instructions for a/an Etui. I have wanted to make one for ages years, but no-one had a pattern for me.]]> 8894 Marian noreply@blogger.com 2009-02-05 18:02:00 2009-02-05 18:02:00 1 0
Congrats to Melissa for the prize.

Also, I found a copy of Inspirations 61 in my book store. Yup, bought it! Read it! the pomegranate has gone to "the list", but I was delighted to find instructions for a/an Etui. I have wanted to make one for ages years, but no-one had a pattern for me.]]> 8896 Anonymous noreply@blogger.com 2009-02-05 14:41:00 2009-02-05 14:41:00 1 0 Jaci]]> 8897 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-02-05 14:21:00 2009-02-05 14:21:00 1 0
I'm guessing Mary Corbet is an English Lit teacher by profession. Just a hunch though. I could be wrong !

MGM]]> 8899 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-02-05 13:47:00 2009-02-05 13:47:00 1 0
Yvette Stanton here! You called?!

You asked about working Ukrainian drawn thread embroidery on 36 count. There should be no problem with that. You will have to adjust your thread thickness accordingly.

When I was at the Ukrainian museum in New York, I did see one piece that was done on about 38 count. So it should work fine. It will just be very fine!

Keep in mind as well, that the design will shrink a little further, if you are taking the fabric count from 32 count down to 36 count.

I have done a little hardanger on 40 count, and while it was fine (and exquisite at such a small size) it was ok to work. Its not the sort of thing that I would ever put in a book though, because its way too fine for most stitchers. Don't strain your eyes doing it - use good lighting and take breaks by regularly looking up and refocusing in the distance.

As for the colour of the fabric, I like either. The paler one will be better for your Mountmellick section (I'm assuming you ARE having a Mountmellick section!) as it really should be white on white. But I think for your drawn thread, Hardanger, Schwalm etc, the darker colour with the white thread will be just lovely.

But of course, its up to you!!

Personally, I wouldn't let the fact that you've already started on the other one put you off. If you keep going and regret it, you'll probably never finish it. If you REALLY want to use the Edinburgh linen, then you must swap over to it, otherwise you just have disappointment and a UFO in the making.

I once worked a whole hardanger project and then decide that the thread for the needleweaving was wrong. I undid it all, redid it with the new thread, and was MUCH happier with it. I would never have been happy with it if I had just left it.

I actually think you've already made your decision. You just need the courage to act on it. :-) Go for it!!]]> 8900 Yoyo yoyo_9203@yahoo.com http://www.blogger.com/profile/14230651257160627560 2009-02-05 11:36:00 2009-02-05 11:36:00 1 0 http://www.needlenthread.com/2009/02/embroidery-stash-winner-announced.html Wed, 04 Feb 2009 08:52:00 -0600 Mary Corbet 456 2009-02-04 08:52:00 2009-02-04 08:52:00 open open Embroidery-Stash-Winner-Announced... publish 0 0 post

The give-away includes several nice threads to play with and Helen Stevens's book, Embroidered Gardens.

To select a winner, I transfer the names to a spread sheet and mix them up, then use a random number generator to pick a number. The name corresponding to the number is the winner.

And the lucky winner is..... (I'm trying to build suspense, but I know it isn't working)...

Melissa with the Mr. and Mrs. pillowcases. This is her story, in response to the question posed.

Question: Do you have a needlework project that you pine over, that you don't have anymore, for whatever reason (you gave it away, it got lost in a move, it got damaged, etc.)? And if so, what was the project and why do you wish you still had it?

Melissa's Answer: Hmm this one is a difficult question because in some ways every project I give away I wish I could keep. I think it's because I pour so much of myself into them which makes me want to keep it but at the same time it's what makes it a gift worth giving. I recently found out that a pillowcase set I gave as a gift isn't used and loved and that really made me wish I had kept them since I loved the set it was a Mr & Mrs set, but most of the time if someone really really loves the gift then I'm happy they have it.

Congratulations, Melissa! Please contact me with your shipping address and I'll get that little package off to you as soon as possible!

Now, to play fair, I'll answer the question, too...

Like Melissa, I find the question difficult. When we pour so much effort into a project and finally see the finished result and like it, well... I find it hard to part with. But gift-giving is gift-giving. And that's the whole point. What's the "merit" in giving a gift away that I don't like?? "Eeew. This turned out yucky. I think I'll give it to my sister..." We don't really do it that way, do we? If it turns out yucky, normally we don't give it away. (I generally hide the things that turn out below expectations!) Still, I do find it hard to part with my needlework, but the payoff is seeing the pleasure it gives others. It would hurt pretty badly if the piece were neglected or disliked (and my heart goes out to those of you who have had that experience!). All that being said, I really hated parting with the Golden Pomegranate I recently finished for a niece's wedding gift. If I ever find out that she doesn't really like it, or that she hasn't bothered to hang it in her new house, I might have to hit her over the head with it - right before I take it back home! Heh heh... kidding, kidding....

(Sort of...)

Do stick around for the next give-away, which will be some time in February. I'll try to make it worth the wait!
]]> stash contest 8832 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2009-02-12 19:02:00 2009-02-12 19:02:00 1 0 I'm just checking in to make sure you got the email with my address. Let me know!
Hugs,
Melissa]]> 8892 Laura Bullinger noreply@blogger.com 2009-02-05 19:27:00 2009-02-05 19:27:00 1 0 8905 Anonymous noreply@blogger.com 2009-02-04 18:45:00 2009-02-04 18:45:00 1 0 Cissie]]> 8909 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2009-02-04 13:44:00 2009-02-04 13:44:00 1 0 8910 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-04 10:24:00 2009-02-04 10:24:00 1 0 And thank you, Mary :)

Your Goloden Pemegranate IS beautiful and I think I would have had a very difficult time giving it up also :)

Make another one?????
Personally I never make more than one of anything....not a long enough attention span, I guess :)

Hugs, Marlon]]> 8911 Anonymous noreply@blogger.com 2009-02-04 09:34:00 2009-02-04 09:34:00 1 0 Janice]]> http://www.needlenthread.com/2009/02/new-gold-thread-flatworm.html Tue, 03 Feb 2009 11:52:00 -0600 Mary Corbet 457 2009-02-03 11:52:00 2009-02-03 11:52:00 open open A-New-Gold-Thread:-Flatworm publish 0 0 post goldwork and silk Christmas ornament and working on the goldwork embellished crazy quilt square, I found that I was low on 2% gold threads. With plans for a bit of ecclesiastical embroidery this year, I wanted to stock up on some (yeah, yeah - excuses! excuses!!)... Anyway, when placing my order with Tanja Berlin (which is where I buy my 2% gold threads), I purchased a couple "new" metal threads - new to me, anyway. Read on, and I'll tell you about one very attractive gold thread with a really unattractive name!

I've been curious about "flatworm" for a while. Admittedly, it's the name that caught my eye in the first place. Imagine being in the company of gold threads with names like "pearl purl" - names that evoke notions of beauty and richness - and having to own up to a name like "flatworm."

"I'd like to buy some flatworm, please..." (Bait shopping?!)

"Hey, I want to embroider something beautiful. I think I'll use flatworm." !!!

The name is curious. Once I saw the thread, though, I realized it's just a name. A rose by any other name would smell as sweet, and I suppose a gold thread named "flatworm" can still be ... a gold thread.



This is 2 yards of gilt #6 flatworm. Pretty, isn't it? It shines!



If you look at the thread close-up, the thread looks as if it is made just like smooth passing thread - it has a core of thread, around which is wrapped the gold thread. This is gilt, so it's only about 1/2% gold (as opposed to 2%). Unlike smooth passing thread, which is rounded, flatworm is flat, but it has a kind of gradual twist in it - it isn't like broad or whipped plate, either, which is completely flat, without a thread core, and is more like a metal ribbon.



Here, you can see the gilt flatworm (in the background) and #4 smooth passing thread (2% gold - which has a higher content, and a deeper color).



Next to each other, the threads are decidedly different. The #4 passing thread looks tiny. The flatworm looks almost leather-like and supple, as opposed to wire-like look of the smooth passing. The flatwork isn't really supple, though - it's stiffish, too. Perhaps not as stiff as the smooth passing, but pretty stiff, nonetheless.

I haven't worked with flatworm before. From what I've read about it, it's a couched thread, like smooth passing, but I'm curious about the way one would couch it. Can it be couched as a filling, in lines? Do you straighten it as you couch it? If not, how well does it sit on the fabric and actually "fill"? Is it used as a more randomly worked thread? Does it fit in with traditional goldwork techniques, or would you take a more contemporary approach to the way it is used? These are the questions that have come to my mind about this thread. I'll enjoy experimenting with it to discover some of the answers.

Have you ever used flatworm? Or have you seen it on any goldwork pieces? Do you have any ideas about how you would use it if you were going to play with it? I'd like to hear your take on this intriguing thread!

There were a few other new-to-me threads in my recent order - I can't wait to show them all to you! I'd rather be showing them to you in some kind of goldwork piece that could employ all of them, but my brain hasn't yet concocted a reasonable plan for one! When it does, I'll let you know!

If you haven't signed up for my January give-away, please take the opportunity to do so before tomorrow (Wednesday) morning at 5:00 am CST. I'll pick a winner first thing tomorrow morning! If you want to sign up, visit the original post, where you'll find the directions for signing up towards the end of the post. Thanks for participating in it!

If you want to make sure you don't miss anything on Needle 'n Thread, you might take the opportunity to sign up for my e-mail newsletter. Just enter your e-mail in the box provided in the right hand column, and the newsletter will be delivered to your inbox daily. You'll need to verify your subscription, so keep an eye out for the verification e-mail. I don't use e-mail addresses for anything else except the e-mail newsletter, I assure you! Keep in mind that the daily newsletter you receive features the article from the previous day.

If you have a feedreader, you can sign up for my RSS feed if you prefer. You'll get the latest news from Needle 'n Thread on the day that it's posted!

Hope your week's going well so far, and that you have at least a little time to enjoy some stitching!
]]> goldwork embroidery resources threads pictures 8904 Anonymous noreply@blogger.com 2009-02-04 18:51:00 2009-02-04 18:51:00 1 0
However, your mention of Tanja Berlin inspired me to get her a "shout out". I have ordered several of her kits over the past couple of years. Her instructions are detailed and easy to follow, her kits are impeccable, and she is extremely generous with supplies. There is plenty for screw-ups and then enough leftover for experimentation. She is a real pro -- and a great resource for anyone interested in these gentle arts -- no matter your level. She is also helpful, but encouraging, in critiquing work.

Cissie]]> 8914 margaret c. noreply@blogger.com 2009-02-03 23:07:00 2009-02-03 23:07:00 1 0
I found this on Wikipedia:

Flat Worm or simply Oval thread is a thin plate wrapped around a yarn core and flattened slightly. This is used like plate, but is considerably easier to work with.]]> http://www.needlenthread.com/2009/01/becoming-crazy-quilter-part-i-as-long.html Thu, 08 Jan 2009 10:42:00 -0600 Mary Corbet 458 2009-01-08 10:42:00 2009-01-08 10:42:00 open open Becoming-a-Crazy-Quilter,-Part-I:-As-Long-as-There's-Gold! publish 0 0 post I am not a crazy quilter. Today, as I finish putting the final touches on this article I'm writing for CQMag Online, I have re-thought that. I could become a crazy quilter.... under certain circumstances.

The first circumstance that would convert me to crazy quilting would be this: that someone out there, somewhere, would take it into their entrepreneurial heads to sell pre-made crazy quilt blocks from fine fabrics, with choices of color scheme. Hahahahha. Yeah, the fabric piecing. My block turned out a mess. Oh, yes - I know. I know what you're going to say! That's the wonder of crazy quilting! You get to cover the mess up! Still. It would be nice to have a confidently well-made block! I'd be a faithful customer...

By the way, on that note, I think it does matter whether or not you cut on the bias, even on crazy quilt squares that rely on wonky-shaped pieces.

The second circumstance that would convert me is that I could embellish with gold all the time, forever and ever.

And the third circumstance hinges on the second a bit: that I had a specific use or end product for each piece. Obviously, a quilt isn't an option. No one would want to sleep with large quantities of bright check purl.....

Anyway, all that being said, here's another seam treatment for you:



This is rather a little and simple treatment of two seams - but it shows off the metal threads to good effect, methinks.

If you want to see the rest of this square and read some tips and tricks about using goldwork in crazy quilting, check out my article in CQMag Online, titled Goldwork and Crazy Quilting.

Ok. I have to finish!

Bye!





]]> crazy quilt goldwork pictures needlework pictures 9168 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-01-17 08:02:00 2009-01-17 08:02:00 1 0 9220 cq4fun noreply@blogger.com http://cq4fun.livejournal.com/ 2009-01-09 14:08:00 2009-01-09 14:08:00 1 0
And an Ozzie http://www.kalikokottage.com/cgi-bin/kaliko/kal.pl?section=bom I've gotten several of the blocks and they are beautifully pieced. She will do custom things, too, if you want a different size.]]> 9227 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2009-01-09 10:07:00 2009-01-09 10:07:00 1 0 9233 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-08 17:03:55 2009-01-08 17:03:55 1 0
Pam - the finished project will be in the upcoming issue of CQMag Online. I'll notify everyone when it's online.

Marian - OHHHH - I've got it on my list! I have just haven't had a chance to do any filming yet. I want to before Monday, but keep in mind it will still take a while to edit and publish the videos! But it's definitely on my list!

Thanks again for the nice comments about the seam treatment. It was really fun! I'll be trickling bits and pieces out to you, along with some goldwork how-tos, in upcoming days....

MC]]> 9234 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-08 16:53:00 2009-01-08 16:53:00 1 0 9235 Marian noreply@blogger.com 2009-01-08 16:35:00 2009-01-08 16:35:00 1 0
I can see that you dont have much time to make a turkey stitch tutorial video (see http://www.needlenthread.com/2009/01/revisiting-breath-of-spring-embroidered.html ), so I will do something else.

Marian]]> 9237 onafixedincome noreply@blogger.com 2009-01-08 14:45:00 2009-01-08 14:45:00 1 0
Humph. :)

So when do we get to see it ALL!?!??

PA]]> 9240 Crafty Mama craftylittlemama@yahoo.com http://www.blogger.com/profile/08227910414497410337 2009-01-08 12:02:00 2009-01-08 12:02:00 1 0 I'm with you too, I'd love to try crazy quilting but the piecing scares me a bit! :-)]]> http://www.needlenthread.com/2009/01/more-goldwork-on-crazy-quilt-square-and.html Sun, 18 Jan 2009 09:14:00 -0600 Mary Corbet 459 2009-01-18 09:14:00 2009-01-18 09:14:00 open open More-Goldwork-on-a-Crazy-Quilt-Square...-and-the-P.O.M. publish 0 0 post CQMag online issue that is going to be available soon, I thought I'd give you another peek at my crazy quilt square embellished with goldwork...

I suppose I should be perfectly frank with you.

I didn't have anything else to write! Aaack. For the first time in a long time, I sat down at my computer this morning and .... nothing. Completely blank. I knew I should at least resort to a photo, since most people like pictures!

So here's combination of corners on the crazy quilt square:



Ever since I finished this square, I've started paying closer attention to pictures of seam treatments and so forth. And I have learned something! On the square I embellished, very few of the seams actually have the embroidery crossing the seams! My embellishment mostly floats on top of the seams. But it seems, in most of the pictures I've persued, that the majority of seam embellishments in crazy quilting actually cross over the seams.

Well, live and learn. And, of course, as a salve for my ignorance, I reminded myself of The Rule of crazy quilting: that there are no rules.

(Still, one does like to look as if one knows what one is doing....!)

If you want to see the rest of this project, you can read my article on CQMag Online, titled Goldwork and Crazy Quilting.

The P.O.M. - do you know what this stands for? It stands for "The Plan of the Month." When I was growing up, we would always hear in our household, "What's the P.O.D.?" (Plan of the Day) I suppose that must've come from my dad, who was a Navy pilot. We learned lots of stuff like that from him, but the two things I remember most clearly are "P.O.D." and the call letters Alpha, Bravo, Charlie, Delta, Echo, Foxtrot, and so forth.

Anyway, that is irrelevant. Back to the P.O.M.

One of the reasons I don't have something ready at my fingertips to write about this morning is because I do not have one project underway. Shocking, isn't it!!???!!! You cannot be more shocked than I am! I am fairly aghast at the situation! So this afternoon, I shall remedy it.

Lately, I've been doing a lot of writing on goldwork. For those of you who are not goldwork fans, please bear with me! There is a little more goldwork in the near future, but you'll be happy to know that the Next Project I'm starting (this very afternoon) is whitework. The down-side is that whitework is so difficult to photograph well!

My plan for the rest of the month is to explore some whitework techniques. I had discusssed this idea with Yvette Stanton a few weeks ago: a whitework sampler - rather random - that incorporates different techniques of whitework in it. So, Schwalm, Hardanger, Mountmellick, drawn thread, pulled thread, cutwork, needle lace, blackwork, (did I just say blackwork? on whitework? I'm so confused - but yes, I have a plan regarding that)... all kinds of techniques. And regular surface embroidery in white. Just random and exploratory and fun.

At first, I thought it might be a silly idea; then, I visited Stitchin' Fingers (where I'm a member), and I noticed they had set up a group on Pulled Thread work, which I readily joined! Within the ongoing discussion right now, someone posted a link to a blog called Pins and Needles. And there I saw that someone else was already doing something akin to what I want to do, though slightly different. You have GOT to see the work on this whitework sampler by Jocelyn! It's AMAZING. It made me realize the idea isn't so silly, after all, and I solidified my determination to do it.

I've been a little hesitant about starting the whitework, though, for a couple reasons: whitework is hard to photograph, and of course, I'd like to blog the techniques, instructions, tips, etc.; "random" can sometimes be troublesome... and "too random" can be downright frustrating, once you get into it - it seems to me that working with some kind of plan is better; I was a bit stitched out, and really bogged under with real work (school work!) the last week or so. But today, I'm ACHING to start something again; and finally, I'm waiting for a fabric order from Nordic Needle (grrrr - it's taking ten forevers!), in which I have some natural-colored (oatmeal-ish) linen in a higher count - I thought the natural linen might solve the photography probs. But I'm not waiting anymore!

Therefore, the P.O.M. begins with setting up this project this afternoon.

Further ahead, in the details of the P.O.M., you will find exciting things like editing stitch videos, filming more videos, setting up a Very Big and Exciting Project that I'll tell you about as it progresses (it's one of those "this is going to take a long time - like, months" sort of projects), and the development of other little ideas that are brewing. You might wonder how all this is to come about, given the fact that January is half way over and I work full time! Well, the fact is, I have a five day weekend coming up, and I'm determined to plan it thoroughly, so I can make the most of it!

So that's what I'm up to. What are YOU up to? Anyone have a project going on that they're blogging about? Leave a link below! If you don't have a blog, drop me a line so you can send me some photos!
]]> website news crazy quilt goldwork pictures miscellaneous embroidery musings needlework pictures 9156 Laura Bullinger noreply@blogger.com 2009-01-19 19:11:00 2009-01-19 19:11:00 1 0 Whitework is considered the 'creme de la creme' of embroidery. I say go for it, lady! And keep us posted!]]> 9157 laura-1215 noreply@blogger.com http://laura-1215.livejournal.com/ 2009-01-19 14:38:00 2009-01-19 14:38:00 1 0 very tempting to try a new (to me) kind of needle work. I've had a bit of cross stitch and crochet start-itis but will look out for reasonably priced kits. Thanks for all your inspirational posts.]]> 9158 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-01-19 11:55:00 2009-01-19 11:55:00 1 0
I have a blog, http://samplerstitcher.blogspot.com/

It is nowhere near the scale of your projects, but I am altering a sampler and blogging about some of the stitches. I would love to have your comments!]]> 9163 Anonymous noreply@blogger.com 2009-01-18 16:27:00 2009-01-18 16:27:00 1 0 I am currently trying to finish the unfinished projects. I am working on the dresser scarves for my two daughters. One of them is almost done but the monogram,which I am currently taking out because of the terrible choice of color. I have found the more I embroider the more I think I can see what colors go well together and those that do not. I think I'll try the palestrina stitch with the seed stitch as my filler. Your crazy quilt is very pretty. Something like this would be sort of fun to do with my girls.
Maria in Kansas]]> 9164 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-01-18 10:42:00 2009-01-18 10:42:00 1 0 http://www.needlenthread.com/2009/01/goldwork-on-crazy-quilt-square-several.html Tue, 20 Jan 2009 06:54:00 -0600 Mary Corbet 460 2009-01-20 06:54:00 2009-01-20 06:54:00 open open Goldwork-on-a-Crazy-Quilt-Square:-Several-Photos publish 0 0 post Good embroidery scissors. (Did I ever tell you how much I love embroidery scissors?) But I'll save that for tomorrow. Today, you get Pictures!! Actually, I was flipping through some of my photos from the goldwork / quilt square project, and I started thinking I may as well show some with "real" seam treatments.

I've gotten a bunch of e-mails - thank you! - from crazy quilters who have said not to worry about not crossing over all the seams, and that often, only one half of a seam is treated, when lace or ribbon is used, etc. Thanks for your encouragement! As one pro crazy quilter commented, "Crossing the seams is not what typifies crazy quilting anymore. Unique and beautiful embellishment is!" Well, the truth is, I wasn't really kicking myself too much over it! I did cross some seams...



Here's a herringbone stitch worked in green Trebizond over the seam. Over the herringbone stitch, I stitched long pieces of check purl (in the manner of bugle beads) in a "V" design, alternating with the herringbone. I topped the tip of the "V" in French knots with dark green silk ribbon. In retrospect, I should have used a contrast there - but I didn't want to use red, as it would look to Christmassy, and I didn't want to use blue, as it would look too "preppy," (I don't know why those colors of green and blue always make me think "preppy" - but they do!). So I stuck with the green. Anyway, I topped the tips of the herringbone with spangles held on with off-white, pearly-colored beads, some of which had shifted about. Remember: always check your beads before you take the photos!



Oh, dear. This one doesn't go over the seam. But it's one of my favorite shots, because I like the red flower thing (which I've already shown you) and I like the ribbon in the foreground. And the blue and gold seam that stretches up the piece from here is actually my favorite seam...



This is tiny fly stitch over the edge of a seam. I had to work in some Gilt Sylke Twist! And the seam was just a small stretch that ran into two already heavy-looking seams. So I went with something... well, tiny. The GST is such a fine little thread, but it's so very pretty!



Now, this seam is a bit heavy! It's worked with pearl purl in scallops, with the red spokes worked in long straight stitches, and then little sprays of check purl, and a bead and spangle treatment.



And here's another seam that crosses over. It's made up of half buttonhole wheels worked in red buttonhole twist, between which are worked three daisy stitches out of purl situated around a very large spangle attached with a bead.

You can find more detailed explanations of each seam treatment, along with how-to's and so forth, in my CQMag Online article, Goldwork and Crazy Quilting.

Tomorrow - scissor talk! I'll tell you a bit about scissors and show you some comparative photos....

I'm finishing up a school term this week and getting ready for the next one - so if I slip out unnoticed, it's only to do a little "real world" work!

Enjoy your Tuesday!
]]> embellishments crazy quilt goldwork Hand embroidery stitches pictures needlework pictures 6752 qwerty knittingdivine@hotmail.com 2009-07-02 20:31:53 2009-07-02 20:31:53 1 0 8879 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-07 09:22:45 2009-02-07 09:22:45 1 0
Thanks for your kind comment and your questions...

No, the quilt square is not the result of a course or anything. Actually... it's the first crazy quilt square I ever made. All my needlework skills are self-taught, through books, (lots of books!), research, and trial-and-error (lots of that, too!).

I don't presently have any online courses as such. Pretty much, I just pass along tips and tricks that I've learned over the years, with a few specific tutorials along the way. I've got my video library of embroidery stitches here, which people seem to like pretty well....

Thanks for following along with my work!

Best regards,
Mary]]> 8881 Gillian noreply@blogger.com http://www.blogger.com/profile/08398724553076514377 2009-02-07 07:35:00 2009-02-07 07:35:00 1 0
Keep up the good work.

Gillian Gonzalez]]> 9130 Leigh noreply@blogger.com http://www.blogger.com/profile/16107295414753495622 2009-01-21 23:29:00 2009-01-21 23:29:00 1 0 This would look lovely as a Christmas Stocking and the more I look at your pictures the more I think I have to add it to my To do list.
Thank you for sharing them with us.]]> 9146 Ana anagusmao88@gmail.com http://www.blogger.com/profile/15976891363071609344 2009-01-21 09:01:00 2009-01-21 09:01:00 1 0 THANK YOU .

ANA GUSMAO
(PORTUGAL)]]> 9152 Ginger noreply@blogger.com 2009-01-20 22:13:00 2009-01-20 22:13:00 1 0 http://www.needlenthread.com/2009/02/whitework-embroidery-sampler-drawn.html Mon, 02 Feb 2009 08:18:00 -0600 Mary Corbet 461 2009-02-02 08:18:00 2009-02-02 08:18:00 open open Whitework-Embroidery-Sampler:-Drawn-Thread,-Continued publish 0 0 post do two embroidery-related things. I'll tell you about those and show you some photos of a little bit of drawn thread embroidery that I worked last week.

First, the embroidery-related things I managed to accomplish:

1. I played quite a bit with the plaited braid stitch. This does not by any stretch of the imagination mean I created anything beautiful with it. In fact, what I have to show for any efforts along these lines is just a mess. I simply worked with it. I'll tell you about that when I can take better photos.

2. I managed to film ONE video for my video library of hand embroidery stitches, and actually put it together, though it's not edited completely and there's no sound on it yet. I've got some delightful bronchial sore throat thing going on, so I sound like a frog.... and yes, Marian - it's for Turkey Work. (I think it was Marian??!)

I don't know about you all, but does it seem as if the weekends go faster the more you look forward to them? I've determined to stop looking forward to weekends, in the hopes that they will last longer if I don't anticipate them! Sheesh. I accomplished no "real" stitching this weekend.

But here are a few photos of some drawn thread stuff I managed playing around with last week.



Actually, all I really got done was the inside of that top piece. The rest was finished weekend before last!



I kind of like the inside of this - it was spontaneous, and it just happened to work out evenly spaced. I counted off threads in the fabric as I went, and decided to add one more little eyelet here or there to make it even. I'm using #20 coton a broder, and the fabric is 32 count linen.



Besides the inside square eyelets up there (it's actually Algerian Eye stitch, pulled tight to open the middle hole), I stitched one edge on what will be a Ukranian drawn thread motif.

I'm working this little bit straight from Yvette Stanton's Ukranian Drawn Thread embroidery book. Wow. Talk about a good book! If you're at all interested in Drawn Thread embroidery, you should look this one up! Her instructions are so precise - I don't think I've seen their equal in any other needlework book. She takes you step-by-step (with photos and diagrams) through each practice motif. So I'm going to work one of her little practice motifs here.

And that, my friends, is all I have to show for this past weekend! Maybe the week will go better? Let's hope so!

Don't forget to sign up for my January stash give-away, if you haven't done so already. Read the original post carefully, follow the directions in answering the question, and leave a comment on the original post!

Have a great Monday!!

]]> whitework pictures needlework pictures drawn thread embroidery 8898 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-02-05 13:51:00 2009-02-05 13:51:00 1 0
Yvette
http://www.white-threads.blogspot.com]]> 8936 Marian noreply@blogger.com 2009-02-02 19:03:00 2009-02-02 19:03:00 1 0
I understand what you mean by 'no real stitching done this weekend'. I picked up a piece that only needs about 2 hours to finish before framing, but became sidetracked by a small piece of aida clooth - just big enough for a book mark and began a 'free-hand' pattern. *sigh*

And as for the mending pile - lets not talk about that!!

Take care of that throat, Mary. A scratchy throat is n ot nice to endure.

Marian]]> 8937 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-02 19:01:06 2009-02-02 19:01:06 1 0
32 count means 32 threads per inch. It is an evenweave fabric, so if you measure either horizontally or vertically (warp or weft), you'll count about 32 threads per inch.]]> 8939 Anonymous noreply@blogger.com 2009-02-02 15:54:00 2009-02-02 15:54:00 1 0 Thanks,
Cissie]]> 8941 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2009-02-02 13:46:00 2009-02-02 13:46:00 1 0
Yes, weekend days go so much quicker than week days. It seems to me that their speed is related to the number of things that I plan to do. The more I plan, the less time there is. Go figure!

CA]]> http://www.needlenthread.com/2009/01/give-away-helen-stevens-embroidered.html Sat, 31 Jan 2009 10:03:00 -0600 Mary Corbet 462 2009-01-31 10:03:00 2009-01-31 10:03:00 open open Give-Away:-Helen-Stevens-Embroidered-Gardens-and-Some-Great-Needlework-Threads! publish 0 0 post

Mostly, the items included in these little give-aways come from my own needlework stash or my own library. Sometimes, though, I include a neat little something I've picked up new that I thought would be a fun addition to the give-aways. And, in today's case, part of the give-away comes from someone else! A very generous reader wrote to me to say she had an extra copy of the book featured today and of one of Trish Burr's books. Would I like to have them? I could pass them on to someone else, if I wanted. And of course I said, "Yes, please!" (THANK YOU!)

Well, let me get on with it, then. This is this month's loot, up for grabs!



A nice little stack!



The book is Helen M. Stevens' Embroidered Gardens (this will take you to a more detailed description of the book at Amazon). It's a fantastic and beautiful hard bound book that's part of the Helen Stevens "Masterclass Series."



To go along with the book, some fibers and embellishments - and not just any fibers! Some really nice ones! Gloriana Ribbon, Baroque Silk, Charon Watercolors, Silk 'n Ivory, and a spool of TESS - the silk that Helen Stevens uses in her embroidery. Also, there's a little package of frosted glass Mill Hill beads, and a little heart charm.

Just think, all of this wonderful stuff could be yours! Just leave a comment below, answering the following question:

Do you have a needlework project that you pine over, that you don't have anymore, for whatever reason (you gave it away, it got lost in a move, it got damaged, etc.)? And if so, what was the project and why do you wish you still had it?

You can thank Laura Bullinger for that question! I pulled it off the comments on the August stash give-away, where I asked people to submit questions that I could use for stash contests.

Make certain you leave a name with your comment! If you post "anonymously," sign the comment with a name.

NOTE: Please leave your comment on this post on the website. You need to be actually on the website, not in the e-mail newsletter. Below, you will see a link that says "Click to comment." It's right under the text of this article, under the "Posted by Mary Corbet" line. Click on that link, and you'll be able to leave a comment.

The contest ends Wednesday, February 4th, at 5:00 am CST. I'll post the winner on Wednesday, and the winner will need to contact me with a shipping address. The contest is open to anyone, anywhere.

Good luck!
]]> stash contest 8908 Anonymous noreply@blogger.com 2009-02-04 13:45:00 2009-02-04 13:45:00 1 0

Dorothy]]> 8912 Kristin krispy_28@yahoo.com http://www.blogger.com/profile/07728277058088184684 2009-02-04 09:25:00 2009-02-04 09:25:00 1 0 8913 Emily noreply@blogger.com 2009-02-04 01:02:00 2009-02-04 01:02:00 1 0 8915 Lisa noreply@blogger.com http://barncat-alwayshome.blogspot.com/ 2009-02-03 22:52:00 2009-02-03 22:52:00 1 0 8916 Carol noreply@blogger.com http://www.blogger.com/profile/06408286637282919111 2009-02-03 21:36:00 2009-02-03 21:36:00 1 0 8917 Catherine Sarah noreply@blogger.com 2009-02-03 20:56:00 2009-02-03 20:56:00 1 0 8920 Judi noreply@blogger.com 2009-02-03 18:39:00 2009-02-03 18:39:00 1 0 Judi]]> 8921 Amber Rutz noreply@blogger.com 2009-02-03 18:04:00 2009-02-03 18:04:00 1 0
Amber
Phina47@netzero.net]]> 8922 SC Lady noreply@blogger.com http://www.blogger.com/profile/10658952964455255589 2009-02-03 16:58:00 2009-02-03 16:58:00 1 0 Libby]]> 8924 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2009-02-03 16:38:00 2009-02-03 16:38:00 1 0 8926 mary anne noreply@blogger.com http://www.blogger.com/profile/09889577266435414862 2009-02-03 09:54:00 2009-02-03 09:54:00 1 0 8927 Anonymous noreply@blogger.com 2009-02-03 09:49:00 2009-02-03 09:49:00 1 0 My Mother made a cross-stitched quilt and it was stolen shortly after she died....the house was full of "friends" and "family", so who knows where it ended up.
Thanks again for doing this!
Barbara
saltillo3@yahoo.com]]> 8928 Anonymous noreply@blogger.com 2009-02-03 08:44:00 2009-02-03 08:44:00 1 0 8929 Gary noreply@blogger.com http://www.blogger.com/profile/09318478360060204704 2009-02-03 08:04:00 2009-02-03 08:04:00 1 0 8931 kate revell noreply@blogger.com 2009-02-03 01:37:00 2009-02-03 01:37:00 1 0 Regards,
Kate Revell]]> 8932 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2009-02-03 01:00:00 2009-02-03 01:00:00 1 0 Helen Stevens is my FAVORITE designer - I love animals and flowers and she does them so beautifully!
Kathy in Kenai]]> 8933 Debbie debbiesther@gmail.com http://www.blogger.com/profile/03713471729920822720 2009-02-03 00:01:00 2009-02-03 00:01:00 1 0 What a great question. Nothing I gave away or lost, though. In the early days (I started when I was 6 or 7) I used to do a lot of Erica Wilson kits. I haven't done kits in a long time, so when a few years ago I came across a sealed Erica Wilson kit in one of my cabinets, I saw there was a market for it on Ebay and got a pretty good price for it. Now, I'm kicking myself for selling it, as it's something that would be good just to have, even if I would never make it!]]> 8934 Joan in Reno noreply@blogger.com 2009-02-02 20:32:00 2009-02-02 20:32:00 1 0 8935 Laura Bullinger noreply@blogger.com 2009-02-02 20:02:00 2009-02-02 20:02:00 1 0 I made a pair of flower pillows combining crochet (deep red velvet chenille rose) attached to hand made and purchased frothy and dainty laces, and added some embroidery in varied shades of dusty deep pinks and roses. The second pillow was golden ovals petal rings set on chocolate velvet and black trimmings. They were so pretty that people actually covered their mouths, one person lost their balance when I displayed it to them!So pretty it hurt! I gave it to my sister-in-law because she drools over my handcrafts. I miss looking at them, such eye-candy.]]> 8938 Liz dolls4liz@yahoo.com http://www.blogger.com/profile/13313745653387343456 2009-02-02 17:23:00 2009-02-02 17:23:00 1 0 very long time ago!) and I've often wished I had some of that. Just to prove I did it, I guess.]]> 8940 Sandy noreply@blogger.com 2009-02-02 15:16:00 2009-02-02 15:16:00 1 0 8943 anabeau noreply@blogger.com http://www.blogger.com/profile/05433676656664860861 2009-02-02 13:08:00 2009-02-02 13:08:00 1 0 8944 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2009-02-02 13:02:00 2009-02-02 13:02:00 1 0 Mom]]> 8945 anabeau noreply@blogger.com http://www.blogger.com/profile/05433676656664860861 2009-02-02 13:00:00 2009-02-02 13:00:00 1 0 8946 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2009-02-02 12:53:00 2009-02-02 12:53:00 1 0 8948 charlie noreply@blogger.com 2009-02-02 10:36:00 2009-02-02 10:36:00 1 0 I would SO love that book!Charlie x]]> 8949 Anonymous noreply@blogger.com 2009-02-02 09:58:00 2009-02-02 09:58:00 1 0 8950 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2009-02-02 09:41:00 2009-02-02 09:41:00 1 0 The other is the portrait I did of my sister-in-law and her younger son. She loved it and I don't at all regret her being able to enjoy it but it was a beautiful piece of work.]]> 8951 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-02-02 09:33:00 2009-02-02 09:33:00 1 0 Jane
jcompeau at tblusa dot org]]> 8952 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2009-02-02 08:58:00 2009-02-02 08:58:00 1 0
Well now that I think of it, there was another one that I did a long time ago that I wasn't able to finish. It was a beautiful peacock that came in a whole kit, and I wasn't quite as skilled as I thought way back when. It was so pretty, and I ended up having to get rid of it because I messed it up so horribly. I wouldn't mind finding that one again. I know I could do it now.

shanawoodman (at) hotmail (dot) com]]> 8953 kreativeimagination noreply@blogger.com http://www.blogger.com/profile/11854200964091583944 2009-02-02 08:50:00 2009-02-02 08:50:00 1 0
syeda_lubabah@hotmail.com]]> 8954 Barbara Weber noreply@blogger.com 2009-02-02 08:28:00 2009-02-02 08:28:00 1 0 8956 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-02-02 07:26:00 2009-02-02 07:26:00 1 0 8957 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2009-02-02 06:37:00 2009-02-02 06:37:00 1 0 8958 Savitha Sambath Kumar savi.velu@gmail.com http://www.blogger.com/profile/02224495227358217319 2009-02-02 06:19:00 2009-02-02 06:19:00 1 0
Savitha.]]> 8959 debbie B noreply@blogger.com 2009-02-02 04:27:00 2009-02-02 04:27:00 1 0 8960 Anusuya noreply@blogger.com 2009-02-01 23:55:00 2009-02-01 23:55:00 1 0
When I was in school, we used to have handwork classes and we were asked to embroider handkerchiefs and table-cloths. Although at that time I knew very basic stitches, I did them with great passion and made sure that mine were the best. But the worst part was that we had to submit our embroidery projects to our teachers and were never returned back again. I still wish I had them because no matter how they came out, they would have been great keepsakes. However, no regrets….]]> 8961 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2009-02-01 23:51:00 2009-02-01 23:51:00 1 0 Once again an amazing give-away. Thanks for that. :-)
I really pine for one of my initial projects, a set of 3 handkerchiefs, edges crocheted by my grandma. I gave it away to my cousin sister and she lost them all. I do always feel, I shouldnt have given those away..
-Shrenika.]]> 8964 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-02-01 21:24:00 2009-02-01 21:24:00 1 0 8965 Mary noreply@blogger.com http://www.blogger.com/profile/15034672216397746224 2009-02-01 21:12:00 2009-02-01 21:12:00 1 0 8966 Anonymous noreply@blogger.com 2009-02-01 20:39:00 2009-02-01 20:39:00 1 0
I made several Christmas ornaments
this year and one was a Woodpecker
with added beading. The pattern
was taken from a previous year's
Just Cross Stitch Christmas Orn.
issue. I made it as a gift for a
very good friend who always gives
us an original watercolor, so I have no regrets at giving her the
ornament. But I really fell in love with that Woodpecker, so I am
determined to make one for myself]]> 8969 ruthrberkeatyahoodotcom noreply@blogger.com 2009-02-01 19:48:00 2009-02-01 19:48:00 1 0 8970 Anonymous noreply@blogger.com 2009-02-01 19:43:00 2009-02-01 19:43:00 1 0 Alison in Sydney]]> 8971 Peggy noreply@blogger.com 2009-02-01 18:50:00 2009-02-01 18:50:00 1 0 8974 Grace Bader noreply@blogger.com 2009-02-01 15:27:00 2009-02-01 15:27:00 1 0
gracebader@hotmail.com]]> 8975 Anonymous noreply@blogger.com 2009-02-01 15:08:00 2009-02-01 15:08:00 1 0
I started a project while studying at the Royal School but abandoned it when I returned home. I keep hoping it will turn up so that I can complete it and have it as a memento of a wonderful week.

Cissie]]> 8977 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-02-01 14:45:00 2009-02-01 14:45:00 1 0 8978 Marian noreply@blogger.com 2009-02-01 14:41:00 2009-02-01 14:41:00 1 0 8979 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2009-02-01 14:15:00 2009-02-01 14:15:00 1 0 8980 Sharon K. Lozano noreply@blogger.com 2009-02-01 13:58:00 2009-02-01 13:58:00 1 0 8983 Anonymous noreply@blogger.com 2009-02-01 11:34:00 2009-02-01 11:34:00 1 0 kris]]> 8984 Susie noreply@blogger.com 2009-02-01 11:33:00 2009-02-01 11:33:00 1 0 It is one of my favorite pieces and I know it blesses her.
I have been practicing stitches so I can make another piece worth keeping or giving away. I have decided to put away knitting needles and take up embroidery needles instead. It has been my passion for many years. Thank you for your daily posts.
Susie]]> 8985 fox noreply@blogger.com 2009-02-01 11:29:00 2009-02-01 11:29:00 1 0 8986 prairiethistle noreply@blogger.com http://prairiethistle.wordpress.com/ 2009-02-01 11:23:00 2009-02-01 11:23:00 1 0
It's not a finished project, but I still pine over a cross stitch project that I started in the early 80's. It is Jim Harrison's "Rural Americana" and measures 355 stitches X 302 stitches on size 18 aida. Managed to get about 2/3 of it done. I would really like to see it finished but doing cross stitch just doesn't appeal to me anymore.]]> 8987 sonalee noreply@blogger.com http://www.blogger.com/profile/14533440312243579451 2009-02-01 11:23:00 2009-02-01 11:23:00 1 0 Leena]]> 8988 pegsplace noreply@blogger.com http://pegsplace.wordpress.com/ 2009-02-01 11:02:00 2009-02-01 11:02:00 1 0
Thanks for doing a give-away. I am now into embroidery, falling in love with it and just at the first teetering, tottering steps.

Peggy]]> 8989 eileen morgan noreply@blogger.com 2009-02-01 11:01:00 2009-02-01 11:01:00 1 0 in shades of purple and light pink.
the matching napkins were done in dark colours and just to lovely

my emberoidery never was as good as her work]]> 8990 joanie noreply@blogger.com http://quilterbyheart.spaces.live.com/ 2009-02-01 10:31:30 2009-02-01 10:31:30 1 0 8991 Dawn noreply@blogger.com http://www.blogger.com/profile/10958202015501519300 2009-02-01 10:29:00 2009-02-01 10:29:00 1 0
- Dawn]]> 8992 Melinda noreply@blogger.com http://www.blogger.com/profile/09243233372667683495 2009-02-01 10:13:00 2009-02-01 10:13:00 1 0 I also have a project that I miss dearly. It was a Bonnie Bonnet pre-stamped pillowcase that I worked on with my great-grandmother. It was her project, but she let my little 8 year old hands go crazy as she patiently taught me stitches. The combination of my uneven, awkward stitches next to her perfectly formed beautiful stitches is something that will always stand clear in my mind, but I desperately wish I still had it.]]> 8993 Reba J, noreply@blogger.com 2009-02-01 10:12:00 2009-02-01 10:12:00 1 0 8994 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2009-02-01 09:51:00 2009-02-01 09:51:00 1 0
Love the Helen Stevens book - I bought one of the others for my mum for her birthday..]]> 8995 Sister Rose noreply@blogger.com http://www.blogger.com/profile/12649327048901112097 2009-02-01 09:44:00 2009-02-01 09:44:00 1 0 I have never commented here, but I do check you blog almost every day. You have so many ideas i'd just love to try sometime.
I can't think of any finished projects that I pine over or wish I still had. The one that bother me are the ones I'd like to do but haven't had time to start. My fingers are just itching to try some different things.
Thanks for having this blog. I've gotten another of our sisters hooked on it too.]]> 8996 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-02-01 09:29:00 2009-02-01 09:29:00 1 0
27 years passed ... I got pregnant with my dear daughter, and a strong desire and determination to hand embroider came back to me, , so I have being teaching myself to hand embroider for 4 years now very slowly , and I'm teaching my dear daughter as well :-D , she is 3 now.

So I wish I still had my very 1st hand embroidered flower attempt master piece :-) , I tried asking my Mom for it, but she can't remember what she did with it... she can not even remember very well how to hand embroider... she suffers from Alzheimer's disease and she is only 60.

Thanks for your kindness and generosity in offering this wonderful give away and for the world of information on the beautiful art of hand embroidery !]]> 8997 Janice Marie noreply@blogger.com 2009-02-01 09:27:00 2009-02-01 09:27:00 1 0 I lived in Anchorage Alaska for a year with my husband. While shopping he found this Bucilla Endangered Species Wool Crewel kit and asked me to make it for him. It took me all year as it was a 24 by 30 inch design with much detail. I think it was my best work. I had it framed and gave it to him. It was beautiful. A week later he asked for a divorce. I wasn't able to bring my picture home because I had gifted it to him. I still feel like I left one of my children behind when I had to leave that piece.
Jan]]> 8998 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-02-01 09:19:00 2009-02-01 09:19:00 1 0
Great question too.

We have had to move quite a few times since I married.... It's a follow-the-job thing.
In our latest move I lost "Dutch Beauty"
It a sampler in the Dutch style and I just loved it! (I was born in Amsterdam and now live in the USA).
It was completely kitted up with silks and a huge piece of linen...and I planned on starting it as soon as we settled in to the new house.
Well, that particular box disappeared .
I still want to cry every time I think of it....
To kit it up cost quite a bit. Since I was working at the time, it was my treat to myself....
I don't work now so can't afford to treat myself in that way....

I hope the kit wound up in the hands of someone who appreciates it and will do it justice.

Hugs Marlon]]> 8999 CrazyKwilter crazykwilter@yahoo.com http://www.blogger.com/profile/00467809965188623065 2009-02-01 09:19:00 2009-02-01 09:19:00 1 0
My project would be the cross stitch picture I made for my MIL after my first daughter was born. It was of a couple kewpie dolls reading a book entitled "Notes on Grandmas"

My girls were her first grandkids. She was such a good grandmother to them, unlike my own mother.

I actually have the project back in my possession. What I no longer have is my MIL, and that is what makes me sad.

Yeah, I'm crying...]]> 9001 CraftyAngie noreply@blogger.com http://www.squirrelsgolikethis.com 2009-02-01 08:51:00 2009-02-01 08:51:00 1 0
It was a simple design, nothing complicated it but I really liked it and wished i still had it.

One week later I couldn't take it any more. I had to make myself one...it wasn't the same fabric but it was still pretty good :-)]]> 9002 Anonymous noreply@blogger.com 2009-02-01 08:28:00 2009-02-01 08:28:00 1 0
As to the question - yes, I did have a project that I wish I still had, but it's gotten away - I don't know where - but I'm sure it's gone forever. It was a lovely cross stitch angel that was given to me as a gift. It would have been beautiful if I had finished it. I started it, but life just got in the way. We moved several times and I have no idea what happened to it. I didn't realize then how much pleasure and stress relief I got from doing needlework. Live and learn, I guess.

Cindy Bonnell]]> 9003 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2009-02-01 08:09:00 2009-02-01 08:09:00 1 0 9004 Barbara D. noreply@blogger.com 2009-02-01 08:05:00 2009-02-01 08:05:00 1 0 9005 Marylyn noreply@blogger.com 2009-02-01 06:29:00 2009-02-01 06:29:00 1 0 damaged in storage.]]> 9006 Creative Clutter noreply@blogger.com http://www.blogger.com/profile/09722288066583467725 2009-02-01 06:25:00 2009-02-01 06:25:00 1 0 9007 Anonymous noreply@blogger.com 2009-02-01 06:13:00 2009-02-01 06:13:00 1 0 I haven't given away any project I didn't want to, I'm afraid...
Catalina]]> 9008 wolfkit noreply@blogger.com http://www.blogger.com/profile/09439008831286419120 2009-02-01 05:55:00 2009-02-01 05:55:00 1 0
wolfkit]]> 9009 Ruut noreply@blogger.com 2009-02-01 03:17:00 2009-02-01 03:17:00 1 0 9010 theeema noreply@blogger.com http://www.blogger.com/profile/01537683268388116764 2009-02-01 03:11:00 2009-02-01 03:11:00 1 0 9011 Iris noreply@blogger.com 2009-02-01 02:55:00 2009-02-01 02:55:00 1 0 9012 onafixedincome noreply@blogger.com 2009-01-31 23:56:00 2009-01-31 23:56:00 1 0
I would like to be as proficient as she..and to finally finish the Christmas stockings she left undone when she died, only now for her great-grandhildren and great-great grandchildren (none of which are mine).

In the meantime, now I know what book I'll be drooling over until I can get it--and man, I hope I win it!! :) It's just glorious, and very very much what I've been pining to do.

Thanks for doing these great stash giveaways--they give me the neatest ideas!

PA]]> 9013 MichelleMermaid michellemermaid19@yahoo.com 2009-01-31 23:33:00 2009-01-31 23:33:00 1 0 Well do I have a piece I pine over? Not really although I wish I knew what happened to that first tea towel I embroidered. Mostly I wish I had taken pictures of all the things I have made and given away. Would be nice to have an album of those. I'm going to use flickr to try and do just that from now on.
Dakotah]]> 9014 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2009-01-31 23:29:00 2009-01-31 23:29:00 1 0 The only piece I've given away is a brazilian embroidery work conceptualised and designed by me-and I don't repent it coz it went to my Inlaws and they treasure it :)
As long as the giveaways are treasured,I believe no one should repent.Make sure you give it to someone who values it.]]> 9015 Amanda noreply@blogger.com 2009-01-31 23:23:00 2009-01-31 23:23:00 1 0 9017 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-01-31 22:32:00 2009-01-31 22:32:00 1 0 Mary, this is such a gorgeous stash!! Thank you for your generosity and wisdom.
Candyce]]> 9018 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2009-01-31 22:20:00 2009-01-31 22:20:00 1 0
The one piece I lost in a move (we were military) was the very first crewel I learned to do. I was just flowers in a narrow slightly curved path, but the mat that laid over it was in the shape of a cat looking sideways--I LOVED that piece. it was from one of those craft party things, kind of like Tupperware for stitching. What I wouldn't give to have that one back.

Ruth m]]> 9019 lekshmi noreply@blogger.com http://www.blogger.com/profile/15148728626778088576 2009-01-31 21:28:00 2009-01-31 21:28:00 1 0 9020 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2009-01-31 21:14:00 2009-01-31 21:14:00 1 0 It was such a happy fun piece, that when my daughter moved 2000 miles away I found myself really missing it!
Cheryl]]> 9021 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-01-31 20:53:00 2009-01-31 20:53:00 1 0
Although I don't do much cross-stitch anymore, I'd like to find it because the pattern was gorgeous and I know a few little kids that it would make a great present for if it were ever finished.

Plus I don't like the idea of unfinished objects floating around, especially not mine :D]]> 9022 Nancy quilt@CENTURYTEL.NET http://www.blogger.com/profile/02263122218181506913 2009-01-31 19:59:00 2009-01-31 19:59:00 1 0 9023 Marty52 mamatrahan@msn.com http://www.blogger.com/profile/13237461237107850391 2009-01-31 19:30:00 2009-01-31 19:30:00 1 0 9024 Cathi cathiquilts@gmail.com http://www.blogger.com/profile/02531639422553980153 2009-01-31 18:59:00 2009-01-31 18:59:00 1 0 9025 BJ Pontalion noreply@blogger.com 2009-01-31 18:54:00 2009-01-31 18:54:00 1 0 It was my first design project and it earned me a purple ribbon for 3rd place in the art fair.
I miss it so.
Mary, thank you for the giveaway, they are such a sweet treat for us, still learning to be as accomplished as you are.]]> 9026 Catherine catbenedict@gmail.com http://www.blogger.com/profile/03592150210486047721 2009-01-31 18:35:00 2009-01-31 18:35:00 1 0 9027 Shari from Big Yellow Farmhouse OnThisVerySpot@gmail.com http://www.blogger.com/profile/17818529606739972919 2009-01-31 18:26:00 2009-01-31 18:26:00 1 0
Now Mom's been gone 20 years. I still use the dresser every day (and no longer fret over scratches!) but the dresser scarf somehow disappeared in one of my many moves.

I'd love to have it back. But what I'd really love is to have my mom back, sitting here and stitching with my daughter and me.]]> 9028 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2009-01-31 18:10:00 2009-01-31 18:10:00 1 0 9029 Paula Hewitt noreply@blogger.com http://www.blogger.com/profile/14420354497597866436 2009-01-31 18:04:00 2009-01-31 18:04:00 1 0 i think this is a wonderful giveaway. I have never regretted giving away anything, but i dont know if this counts!]]> 9030 Karen South southka@yahoo.com http://www.blogger.com/profile/17651249815534672364 2009-01-31 17:27:00 2009-01-31 17:27:00 1 0 9031 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-01-31 15:35:00 2009-01-31 15:35:00 1 0 9032 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-01-31 15:06:00 2009-01-31 15:06:00 1 0 9033 FASHi0N PHEEN noreply@blogger.com http://www.blogger.com/profile/17608538966828454755 2009-01-31 14:47:00 2009-01-31 14:47:00 1 0
Amanda S. T.]]> 9034 Merryann noreply@blogger.com http://www.blogger.com/profile/06729348908156943980 2009-01-31 14:47:00 2009-01-31 14:47:00 1 0
I really hated to part with that!!! The last time I saw it, she was keeping kids' pictures in it, but it was starting to show its age. Maybe I'll make another for me.......someday.]]> 9035 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2009-01-31 14:16:00 2009-01-31 14:16:00 1 0 9036 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-01-31 14:15:00 2009-01-31 14:15:00 1 0 9038 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-31 13:47:00 2009-01-31 13:47:00 1 0 I wish I had it back! It'd show how far I've come - plus I remember really liking it at the time, and being really proud.]]> 9039 Anonymous noreply@blogger.com 2009-01-31 13:47:00 2009-01-31 13:47:00 1 0 Jaci]]> 9040 annie noreply@blogger.com http://www.blogger.com/profile/00527600502641734750 2009-01-31 13:04:00 2009-01-31 13:04:00 1 0
Annie]]> 9041 Ratmomma / Carolyn carolynmccomas@yahoo.com http://www.blogger.com/profile/16133466311631303616 2009-01-31 12:55:00 2009-01-31 12:55:00 1 0 9044 Allie noreply@blogger.com 2009-01-31 12:25:00 2009-01-31 12:25:00 1 0 http://www.needlenthread.com/2009/02/needlelace-tutorial-excellent-step-by.html Sun, 01 Feb 2009 10:31:00 -0600 Mary Corbet 463 2009-02-01 10:31:00 2009-02-01 10:31:00 open open Needlelace-Tutorial---Excellent-Step-by-Step-Instructions! publish 0 0 post plaited braid stitch. I was about 10 pages into google's images under "plaited braid stitch" - long past the point where plaited braid stitches were showing up! - when my attention was arrested by the image of a most intriguing piece of needle lace.

Needle lace - or "needlepoint lace" (as it is called on the website I was viewing) is lace that is really made by a series of embroidery stitches worked between couched thread outlines of shapes. There are a variety of different styles of needle lace, and a variety of ways of going about setting up the foundation to work the stitches that make the lace.

But one thing most needle laces have in common is the use - in some variety or another - of the buttonhole stitch.

For example, take this tiny sample of needle lace I worked up about a year ago, when I was fiddling with Italian cutwork. The fill stitches in the triangle parts of the center are all buttonhole stitch, as are all the stitches covering the lines and the outline. It's not the most well-executed piece of needle lace in the world, but I recall thinking it was really fun to do at the time!

Anyway, to get to the link!

So there I was, looking for images of plaited braid stitch, when I came across a picture, which led me to this website:



The fact that the photo I came across (featured there on the website image above) was needle lace was the first thing that arrested my attention. When I clicked on the photo and enlarged it, without knowing at all where it came from, I was furthered intrigued by it because it looked like....

What?

What does it look like to you?

Well, childhood memories came into play here. It looked to me like a pile of "helicopters." Did you call them "helicopters"? Those seed pod things with the wings, that circled around and around as they fell? We called them helicopters, and I said to myself when I saw the needlelace, "Oh. Helicopters."

Guess what? I went to the source of the photo, a website called Textile Dreams - Fibery Wake-up, and found an excellent tutorial on making needle lace, from beginning to end - making the pattern, setting up, laying the foundations threads (with hints and tips along the way), filling the sections with different lace stitches, finishing the edges, and removing the piece from the pattern. An excellent, thorough tutorial! And I was really excited! Someone went to a lot of trouble to put that together, and it's really well done!

The other thing that excited me - silly as it may sound - is that I was right!



They were helicopters!

If you you'd like to see a great tutorial on making needlepoint lace, do stop in and check out the nine steps posted on Textile Dreams! I think you'll enjoy the thorough tutorial! I know I did.

Don't forget, by the way, to sign up for my January stash give-away if you're interested in a chance to receive a really nice book and collection of new threads. To enter the drawing, read the original post, follow the directions, and leave a comment on the original post before Wednesday morning, February 4th.

Have a great Sunday!
]]> embroidery links embroidery resources whitework needlework websites needlelace 8919 Laura Bullinger noreply@blogger.com 2009-02-03 19:37:00 2009-02-03 19:37:00 1 0 8930 onafixedincome noreply@blogger.com 2009-02-03 03:02:00 2009-02-03 03:02:00 1 0
But yes, we also called them helicopters--they're one of the world's great cat toys, too, especially when the breezes blow and you fall over laughing at the cats trying to swat them as they fall....]]> 8942 Anonymous noreply@blogger.com 2009-02-02 13:44:00 2009-02-02 13:44:00 1 0 Annie (Michigan is in the midst of a heat wave...33 degrees!)]]> 8962 Iris noreply@blogger.com 2009-02-01 23:15:00 2009-02-01 23:15:00 1 0 8963 Kirsten noreply@blogger.com 2009-02-01 22:33:00 2009-02-01 22:33:00 1 0 8981 Anonymous noreply@blogger.com 2009-02-01 13:43:00 2009-02-01 13:43:00 1 0 Jaci]]> 8982 Dianna noreply@blogger.com http://www.blogger.com/profile/13644893162276855763 2009-02-01 12:46:00 2009-02-01 12:46:00 1 0 When I was carrying my daughter I made an embroidered birth announcement for her. It was my first real committment to embroidery and motherhood. We moved several time during that period of time and as she grew I stopped hanging the birth announcement on the the wall. I kept it because it was very important to me. Then it was lost in a move. Even
though it was hung on the wall anymore I kept it in a drawer. Then the movers lost some of the boxes and it was among the lost. I hadn't thought of the little, bedraggled piece of embroidery for a long time. Thanks for the memmories.
Dianna]]> http://www.needlenthread.com/2006/11/gallery-posts-with-pictures.html Tue, 07 Nov 2006 06:59:00 -0600 Mary Corbet 464 2006-11-07 06:59:00 2006-11-07 06:59:00 open open Gallery---Posts-with-Pictures publish 0 0 post

Here's my effort to recategorize my gallery! The problem is that many categories overlap. Still, I hope it's easier to filter through the various photo posts of interest.

Ecclesiastical Embroidery & Goldwork
Photos of church related embroidery - many include examples of goldwork

• Silk on Silk and Satin Stitch: A stole embroidered in silk threads on Italian silk. Part I - close ups of each section of the stole. Part II - an image of the whole stole.



• Embroidered linen pouch with linens: a lined pouch, with initials and embellishment. Includes photos of linen pall.



• Goldwork on Blue - this includes a photo of gorgeous goldwork on blue velvet.



• Italian Stitch - an article on stitching in flat silks, couched over with gold passing thread.



• Textile and Embroidery Photos from Rome - some photos of different textile and embroidery tidbits from Rome.



• Agnus Dei Church Embroidery, part I - The beginnings of a work of church embroidery, with written steps on setting up a major project. Photos of stem stitch used as a filler.



• Goldwork Up Close - some upclose photos of a beautiful piece of cloth of gold embellished with goldwork.



• Agnus Dei Church Embroidery, Part II - an update on an ecclesiastical embroidery project which employs a variety of stitching techniques including needlepainting and goldwork.



• Agnus Dei Church Embroidery, Part III - another update on this ecclesiastical embroidery project, with the flat silk laid in for the sky.



• Agnus Dei Update #4 - half the sky (worked in flat silk) is couched with gold passing in this photo.



• Agnus Dei Embroidery Project - Update #5 - the halo and banner are completed.



• Agnus Dei Embroidery Project - Update #6 - The lamb is finished. Close-ups on the wool.



• Agnus Dei Embroidery Project - Completed - Close ups on the hill, flowers, and goldwork edge.



• Annunciation Cope - a magnificent example of needlepainted figures, with close-up photos.



• Crucifixion Chasuble - another gorgeous example of historic church embroidery. The needlepainting in this one is exquisite! Lots of close-ups.



• Cloth of Gold Stole - here are some close-ups on a cloth of gold stole that needs repair. The stole is beautiful, but unfortunately quite damaged.



• Embroidered Angel - a sample of ecclesiastical embroidery.



• Litany of Loreto Embroideries - ecclesiastical embroidery - some images of these embroidered panels that are both beautiful and interesting.



• Mantle of the Virgin - another image of a piece of historical ecclesiastical embroidery - the beautiful hood of a cope, worked in gold and silk on a linen ground.



• Image of the Sacred Heart worked in Goldwork and Silk - with some close-up examples of goldwork background, silk shading, etc.



• Hand Embroidered Prayerbook Cover - a cover I embroidered on linen for my niece's prayer book for her First Communion. The article is in three parts, so you can see the progress on the piece. Shading techniques, etc. Beginning the project - includes setting up, framing the piece, and transferring the design. The Embroidered Crown - examples of raised work, and working with Gylt Silk Twist. Finally, the finished book cover, with close-ups of each element and commentary on how the cover was assembled.



• Pelican Altar Frontal - upclose pictures of an altar frontal, with shading techniques, plenty of goldwork, etc.



• Cope Hood with Goldwork and Shading - this includes figure embroidery, shading techniques, and goldwork.



• Last Supper Chasuble - lots of photos of figure embroidery, shading, and goldwork on a beautiful ecclesiastical piece.



• Processional Canopy - lots of photos of this piece of ecclesiastical work, which features some decorative medallions, angels, and lilies. The piece is in a sad state of disrepair, but the embroidery is still worth seeing!

Embroidery Supplies - Threads, Etc.
Photos of thread comparisons, embroidery supplies or accessories, product reviews, etc.

• Comparing Flat Silks - close up photos of two kinds of flat silk: Au Ver a Soie's Soie Ovale and Eterna Silk.



• Comparing Silks, Part II - A comparison of flat silks: Eterna, Soie Ovale, and Japanese Silk.



• Needlework Stash - Ok, this isn't exactly a project. It's a bunch of photos of different types of threads used for hand embroidery. The colors are pretty!



• Twisted Silk Comparison - close-up photos of four different types of twisted silk threads.



• Twisted Silk - Close-up stitch examples in twisted silk threads.



• Needlework Stash Expansion - some photos of trims and such added to my needlework stash - includes photos of Mokuba trim and sari silk.



• Gilt Sylke Twist Testing Project - Strawberries! This could be placed under goldwork or even shaded techniques, but the purpose of the project was to test the new Gilt Sylke Twist. A project in several parts: The project underway - playing with Gilt Sylke Twist; update on strawberry stems and leaves - with examples and explanations of some "stumpwork" type techiques; satin stitched strawberry; couched lattice work across the strawberry; the first embroidered leaf; the completed embroidered strawberry - up close photos of different elements.



• Gilt Sylke Twist Strawberry Revisited - pondering the finish work: pictures of a possible setting for my Gilt Sylke Twist Strawberry project.

Whitework
Photos of embroidery featuring whitework techniques, including monogramming

• Simple Stitches: Beautiful Results - whitework on linen, in very simple stitches (whipped backstitch, seed stitch, and satin stitch).



• White on White Hand Embroidery Revisited - white embroidery on white linen in simple stitches.



• Wheat Stitch - a video tutorial, but there's a close up picture of wheat stitch worked on linen with white silk.



• Whitework - photos of some whitework pieces, some worked by me, some antiques I've collected.



• Hand Embroidered Monogram on Linen Guest Towel - so far, in three parts: Part I, Part II, and Part III. This is an oatmeal colored guest towel with a white monogram, so not properly "white work" (not white-on-white), but the techniques for this type of stitching are the same!



• Vintage Linen with Whitework Embroidery - here's a pretty sample of a piece of vintage linen, with whitework embroidery and a very pretty crocheted lace edge. Also discussed is cleaning vintage linens.



• Needle Lace for Whitework - a small sample of needlelace, which is often featured in whitework, cutwork, etc.



• Finished Monogrammed Guest Towel - photos of the completed monogrammed guest towel.



• Needlework Frustrations - taking out some whitework mistakes. (It was a bad weekend of stitching - what can I say?)



• Drawn Thread Tutorial - a photo tutorial on securing the edge of a drawn thread area with satin stitching.



• Drawn Thread Tutorial - a photo tutorial of securing the edges of drawn thread work by re-weaving the withdrawn threads back into the fabric.

Historical Needlework, not Ecclesiastical
Photos of historical needlework techniques or reproductions, etc., that would not fall under the category of ecclesiastical embroidery

• Traquair House Needlepoint - some photos of a painted needlepoint canvas - not yet worked, but on my project list!

Embroidery Stitches, Patterns, or Photo Tutorials on Techniques
Photos showing specific embroidery stitches or demonstrating specific techniques for hand embroidery

• Satin Stitch - photos of satin stitch in goldwork and white work.



• Working with Solvy - Picture tutorial



• Embroidery Pattern Index - a selection of embroidery patterns for your personal use.



• Herringbone Stitch in the Round - an experiment with working herringbone stitch in circles on plain weave fabric.



• Chevron Stitch Mini-Sampler - a small sampler of chevron stitch, showing various ways of layering, etc.



• Lattice Work Sampler - a small lattice work square worked in flat silks for the background, along with the lattice work video.



• Algerian Eye Variation - Snowflakes - a tiny sample of a snowflakes in white silk on blue silk shantung, worked in a variation of Algerian Eye stitch.



• Seed Stitch - up close photos of seed stitch on the butterfly wings for a quilt square.



• Doodle Embroidery Designs - just some doodles that could work into fun embroidery sampler patterns.



• Transferring An Embroidery Pattern - photos of the prick & pounce method of transferring an embroidery design onto fabric. This is part of the Beetle Wing and Goldwork Embroidery project mentioned below in Embroidery for Fun.



• Rope Stitch - an up-close picture of the rope stitch, on the same page as the video tutorial.



• Detatched Buttonhole Stitch - upclose pictures of the detatched buttonhole stitch, along with a video tutorial.



• Woven Picots - upclose photos of the woven picot, along with a video tutorial.



• Roumanian Couching - up-close photos of Roumanian couching, along with a video tutorial.



• Bokhara Couching - upclose photos of Bokhara couching, along with a video tutorial.



• How to Frame Up an Embroidery Piece - a small photo tutorial on framing up a finished piece of embroidery.



• Photo Tutorial for Iron-on Transfers - ironing on a repeat pattern.



• Dressing a Slate Frame - an extensive photo tutorial for preparing a slate frame for hand embroidery.



• Setting Up Stretcher Bars - with a review of the Evertite Embroidery Frames - photos on setting up stretcher bars for embroidery work.

Embroidery for Fun
Photos of miscellaneous projects worked just for the fun of it, either to learn something or just to play

• Christmas Stocking - a blackwork design worked in gold on red velvet. A bit of a "tutorial" on a work in progress.



• Needlebook Project - this project is shown in progress over various stages: Stage 1, Stage 2, Stage 3... and it's not completed yet, so more pictures to come!



• Embroidered Faces Pillow Cases - this was a fun project. Here, it's not quite complete, but there are some close-ups.



• Completed Opposite Faces Pillow Cases - here are photos of the whilte embroidered pillowcase.



• More Pillow Case Shots - here are some close-ups on the black pillow case.



• Beetle Wing and Goldwork Embroidery, I - photos of the set-up of the project.



• Preparing Beetle Wings for Embroidery - the next step in the goldwork and beetle wing embroidery project.



• Goldwork Underway - the stitching begins on the beetle wing project.



• Beetle Wings and Goldwork - here, you'll see most of the gold complete and the wings attached.
• 
  
  
• Goldwork and Beetle Wings - finishing touches are added to the goldwork and beetle wing embroidery project.



• Silk Ribbon Embroidery on Small Storage Box - this was a kit project that I worked up one weekend. You can read about the pros and cons of this particular kit brand.



• Embroidery Kit from Country Bumpkin - striped linen bag - this is the beginning of a project I'm working on as a gift. It's a beautiful embroidered garden scene, with butterflies and bugs. A work in progress.



• Canvas Work Sampler - a practice piece I worked up to try different canvas stitches and threads. This is in several parts: the beginning of the project - I didn't like it at first, but it grew on me; another update; the (almost) finished piece.
  

Hand Embroidery on Paper
Photos of hand embroidery work done on paper

• Beaded Embroidered Greeting Card - embroidered greeting card using beads and thread, with design resources.


• Embroidered Embroidery Sign - - pictures of the sign I used to announce my summer embroidery classes; embroidered on paper with designs from Erica Fortgens embroidery on paper books. Part I - getting started. Part II - the finished sign.



• Designing Your Own Embroidered Cards - a simple tutorial on designing your own embroidered greeting cards.



• Quick and Easy Embroidered Birthday Card - a hand embroidered birthday card worked with stem stitch and ribbon embroidery.

Thread or Needle Painting, Shading Techniques
Photos of embroidery involving different types of shading

• Embroidered Eyes - a series on embroidered eyes using needlepainting techniques: Article 1 (human eyes), Article 2 (human eyes), Article 3 (stylized animal eyes).



• Needle Painting Sample - Close up photos of a completed needlepainting kit from Berlin Embroidery Designs - the Red Poll kit (bird).



• Silk Work Embroidery Sampler - the beginnings of our summer guild class project (Summer, 2007)



• Silk Work Embroidery Sampler Update - some progress photos on a silkwork sampler.



• Thread painting Peony-Type Dahlia - the beginning of the project.



• Thread Painting Dahlia Update - some more progress on this needle painting project.



• Peony-type Dahlia Needle Painting - completed flower, with close-ups.



• Embroidered Iris - another needle painting project underway.



• Complete Embroidered Iris - the finished flower!



• Trish Burr's Embroidery - Part I and Part II - some samples straight from designer and author, Trish Burr. Gorgeous examples of her beautiful shading techniques. Also, information on book publishing and so forth.

Embroidered Flowers, not shaded
Photos of embroidered flowers that are not worked in thread painting techniques (see thread painting above for those!)

• Hollyhocks - embroidered flower garden elements worked with simple stitches (buttonhole and satin).



• French knot flowers - an example of flowers from French knots, suitable for an embroidered garden.



• Embroidered Daisies - samples of flowers worked with the daisy stitch.



• Embroidered Flowers using Buttonhole Stitch - a variety of different, tiny flowers worked with buttonhole stitch.

Embroidery for Children
Photos of embroidery either done by children or done for children

• Basic Embroidery Stitches Sampler - a sampler made up to teach basic embroidery stitches to children and adult beginners.



• Embroidered Quilt Square - close ups of an embroidered quilt square for a baby quilt. Pattern is a little Dutch girl (in pink) with tulips. Simple pattern with basic embroidery stitches, and cute results!



• Sunbonnet Sue in a Garden - the completed square, worked on flannel, in a variety of stitches.



• Sunbonnet Sue in a Garden - Close ups on the Sunbonnet Sue quilt square I did for our guild quilts.



• Completed Embroidered Baby Quilts - these were a spring guild project this year (2007). We raffled the quilts to raise money for the guild.



• Embroidered Notebook Cover - Working up a sample of the notebook cover the kids are going to make in my classes this summer; these photos are the beginnings of the project.



• Completed Embroidered Notebook Cover - photos of embroidered notebook cover worked on wool felt, as a sample for this summer's (2007) children's embroidery project.



• Children's Embroidery Projects - photos of embroidered notebook covers in progress during summer embroidery classes.



• More Children's Embroidery Projects - some more photos from summer classes.



• Children's Embroidery Projects - and still more photos of children's embroidered notebook covers. A fun and easy project for beginners at any age!



• Summer, 2007 Embroidery Projects on Display - some photos of the display tables for this summer's embroidery projects.



• Setting up a Children's Embroidery class - not properly needlework photos, but still, some pictures of the set up I use for children's embroidery, including some photos of foam thread organizers.



• Embroidered Felt Bookmark Sample - this is sort of a tutorial for making the felt bookmarks I used in the 2008 summer kids' classes. The sample was stitched by my 7-year old niece.



• Hand Embroidered First Communion Dress - this is not exactly embroidery for children to do, but it is embroidery for a child's dress. A gorgeous hand embroidered dress, made by my sister.



• Kids' Embroidery Projects from Summer Classes, 2008 - Some photos of embroidered dishtowels, flour sack towels, and hankies from a summer embroidery class for children.



• Hand Embroidered Bookmarks on Felt - another children's class project from summer, 2008.

Reader's Embroidery
Photos of needlework submitted by readers of Needle 'n Thread

• Reader's Embroidery - some photos of a reader's embroidery peice: a flower medallion.



• Embroidered Crazy Quilt Piece from a Reader - some photos of another reader's work: a crazy quilt postcard with an embroidered fuschia on it.



• Reader's Embroidery: Embroidered Quilt - some photos of some beautiful embroidered quilt squares from a reader.



• Embroidered Strawberries on a Tea Cloth - a gorgeous strawberry tablecloth stitched by a reader from an Anchor / Fleur de Lys kit. Very nice!



• Two Hand Embroidered Tablecloths - photos of two beautiful hand embroidered tablecloths, both with flower patterns. They're very colorful!



• Goldwork Rose - an exquisite example of goldwork in different techniques, including Or Nue.



• Cat at the Pond - embroidered with a mixture of threads, including floche; Rowandean Embroidery Kit.



• Japanese Pansies - beautifully worked in flat silks. Another stunning example of a reader's project!



• Crewel Work Kit - Enchanted April - here's a huge project of flowers and leaves and a big white bird, worked in crewel wools. Really pretty!



• An embroidered and embellished skirt - a hand embroidered skirt, embellished with beads and sequins!



• Embroidered Bookmark - this is an example of embroidery on paper, with resources.



• Embroidered Book Cover - a nice example of embroidering a book cover, using a variety of historical stitches and techniques.



• Needlework Kit Makeover - a reader re-makes a needlework kit, and does a better job!



• Small Study in Or Nue - this is a tiny piece of Or Nue, a goldwork technique in which gold threads are couched with colored threads to form a picture.



• Goldwork Pansy - a beautiful pansy worked in gold, featuring many goldwork techniques.

]]> pictures needlework pictures gallery 3435 Anonymous noreply@blogger.com 2010-01-27 10:31:56 2010-01-27 10:31:56 1 0 If you live in Delhi, you can try ordering a table somewhere in Jail road furniture market, if you have a picture. those guys are good with custom orders.]]> 4742 Shraddha noreply@blogger.com 2009-10-30 11:25:46 2009-10-30 11:25:46 1 0 Ur website is the best that could happen to handembroiderers!I enjoyed it! Could u tell me any site u know which could give the details of the work table fitted with a light source and a magnifying glass. I embroider a lot and am finding long hours of embroidery tiring for my posture and specially my eyes.Here in India I could not find such a work table.
urs,
Shraddha ( India)]]> 8384 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-03-10 17:07:00 2009-03-10 17:07:00 1 0
it's jules,

i was just looking through the sumbittd by users of Needle n'thread section and didnt find my pheniox, i hope to see it up here (fingers crossed). it would mean alot to me if it was >

thanks]]> 11544 Anonymous noreply@blogger.com 2008-06-22 09:54:00 2008-06-22 09:54:00 1 0 11551 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-21 14:04:00 2008-06-21 14:04:00 1 0 13170 Gina E. gandkwil@hotmail.com http://www.blogger.com/profile/07532527261977368083 2007-04-16 08:29:00 2007-04-16 08:29:00 1 0 I have just discovered your website via someone else's stitching blog, and I've just spent half an hour browsing. This is one of the best embroidery websites I've ever seen - I just love your videos on how to do individual stitches! I'll be revisting those soon, with threaded needle and linen in hand to practice while viewing. I'm going to mention your site on my little blog, so I do hope you get lots more visitors as a result - you're too good a resource to be overlooked!
Cheers,
Gina
(Patra's Place)]]> http://www.needlenthread.com/2009/01/january-embroidery-stash-give-away-i.html Fri, 30 Jan 2009 14:21:00 -0600 Mary Corbet 465 2009-01-30 14:21:00 2009-01-30 14:21:00 open open January-Embroidery-Stash-Give-Away??-I-almost-forgot... publish 0 0 post
Tomorrow, I'll announce the January give-away. (Sorry - seems cheap to title the post that and then not announce it now...) But I wanted to let you know before the weekend, so that you are sure to check back.

The stash contest will include a beautiful embroidery book from one of the UK's top designers, as well as some nice threads, and whatever else I can gather together this evening that will make a good, interesting, and coherent package. After all, we may as well kick off the new year with a good one!

For those of you new to Needle'nThread lately, do check out my past embroidery stash contests, so you can see what kind of stash items I give away each month. I've also given away several nice embroidery books over the past year.

Don't forget to take the opportunity to check back in over the weekend to see what I'll be giving away to a lucky winner!

Have a great weekend!]]> website news stash contest Book Give-Away 5805 Anonymous noreply@blogger.com 2009-09-04 14:46:03 2009-09-04 14:46:03 1 0 what a beautiful give away. I have done some stumpwork and have 1 of Jane Nicholas's books which I just love. I think that what I like most about stumpwork is the raised effect which really makes the needlework come to life. Thanks again for giving us all a chance to win such a beautiful book.
Joan from Richmond B.C.]]> 8925 Eva ecsnyder75@comcast.net http://www.blogger.com/profile/00786610871905876390 2009-02-03 11:22:00 2009-02-03 11:22:00 1 0 8955 Anonymous noreply@blogger.com 2009-02-02 08:10:00 2009-02-02 08:10:00 1 0 9037 Anonymous noreply@blogger.com 2009-01-31 14:04:00 2009-01-31 14:04:00 1 0 Rosalie]]> 9042 3 Girls &amp; A Guy rebolfamily@q.com http://www.blogger.com/profile/03384430044748782944 2009-01-31 12:37:00 2009-01-31 12:37:00 1 0 9043 ledamewood noreply@blogger.com http://www.blogger.com/profile/09741893340014830055 2009-01-31 12:34:00 2009-01-31 12:34:00 1 0
I've always had a love of embroidery and anything hand made. Time has been a big factor, however, you show me how a lot can be accomplished when dividing a project into bite size pieces, and even how beautiful a small project can be when matted and framed. I look forward to your blog every morning. It helps me wake up with my coffee and then get ready for work. I'm less than a novice, but I need to start somewhere and quit procrastinating. Someday, when you have a 'beginners' give-away, I would hope to win. For now, I hope someone wins that will make somthing magical from your items you share with such generosity. In the mean time, I will keep reading and learning.

Lynn Damewood]]> 9045 Marlon noreply@blogger.com http://www.blogger.com/profile/08072758298196059223 2009-01-31 08:29:00 2009-01-31 08:29:00 1 0 I've done sme embroidery - mostly crewel and some silk ribbon and redwork, but I've mostly done counted thread work.
I had no idea of the variety and richness of hand embroidery out there.
I want to dive right in and try everything!
And to top it off, you GIVE things away!
Heavenly :)
I'm hoping to become VERY accomplished.

Thanks so much for all the wonderful info and photos.
Blessings, Marlon]]> 9046 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-30 22:34:50 2009-01-30 22:34:50 1 0
Please check back tomorrow and leave a comment on tomorrow's post!

Best regards,
Mary]]> 9048 Ratmomma / Carolyn carolynmccomas@yahoo.com http://www.blogger.com/profile/16133466311631303616 2009-01-30 20:18:00 2009-01-30 20:18:00 1 0 http://www.needlenthread.com/2009/01/or-nue-goldwork-in-color.html Fri, 30 Jan 2009 06:20:00 -0600 Mary Corbet 466 2009-01-30 06:20:00 2009-01-30 06:20:00 open open Or-Nue:-Goldwork-in-Color publish 0 0 post To much to do, not enough time!" I'm sure, to an extent, every fanatic needleworker is in the same boat. There are so many projects I want to do - so many little tips and techniques I'd like to show you - but, regretably, so little time.

Here's one technique that I'd really love to dabble and experiment with, and convince others to try their hands at. It's called Or Nué - it's a goldwork technique involving couching gold threads with colored threads to produce a painted-like picture with a gleaming gold foundation.

This particular example of embroidery over gold threads comes again from Margaret Cobleigh, who faithfully sends me pictures of her projects so that I can drool and grumble and glow green with envy! Truthfully and seriously, she's a great source of inspiration for me and has become a great correspondent on all things embroidery-related! And, on top of it, she generously provides me with pictures of her projects for Needle'nThread, so I can pass on some neat stuff to you!

Last year, Margaret participated in a workshop that had as one of its projects this little Or Nué flower. It's a small piece, only 1.5 inches square, but it took many hours of what I think was probably rather meticulous stitching to complete it.



This is the work in progress. You can click on that photo for a larger version, so you can see it a little better. The gold thread is the same size as Japanese gold #8, and for this project, she used imitation gold. The threads used are DMC stranded cotton which have been waxed. The gold thread is wound on a wooden spool (called a koma, used in Japanese embroidery), and all the threads you see are the different colors that are used to couch the gold. You have to have the threads all working in the project at the same time, so that you can switch from one color of couching thread to the other.

The technique works this way: on the ground fabric is painted the design to be embroidered. Over that, the gold is couched. In the places the gold does not pass over the design, it is couched with gold-colored couching thread. Wherever the gold passes over the design, it is couched with colored floss. When couching with the colored floss, care is taken to space the couching stitches in such a way that the gold is not completely covered, so that it does, here and there, shine through.

Shading can be achieved in Or Nué a couple ways: you can use darker and lighter shades of color to couch the gold, or you can also vary the distance between your couching stitches. In the latter technique, to achieve a darker shading of color, your couching stitches would be closer together (often touching and covering up the gold completely). As the design moves to a lighter shade, the couching stitches move farther apart, and the thread may even be changed to a lighter color.

In this design, the shading is achieved by the color of the floss. In its finished state (below), the colors are somewhat muted. I don't know for sure, as I haven't seen the piece in person, but I think that the muted colors can be attributed to a few things: the nature of the technique, with the spacing here and there between the stitches; the fact that, next to the gold, the thread is bound to look a little muted; and, finally, the waxing of the thread probably dulls it down a little bit, too.



I think this is a beautiful little project, and beautifully stitched!

I was trying to think of a way for beginners to try Or Nué without spending a lot on real gold threads, and without having to paint a canvas. The thought occurred to me that a small, simple flower printed on fabric (you can buy sheets of fabric that pass through a bubble jet printer) would suit for a foundation to try the technique on. Then, instead of real metal threads, you could invest in one of the less expensive metallic cords put out by companies like Kreinik, and use DMC for your colored couching threads. If you're eager to see how the technique works, this would be a relatively inexpensive and accessible way to try it out!

I couple tips to keep in mind, if you do decide to pursue a testing project: gold passing thread (which is what the gold is here) is normally couched in pairs. That's how Margaret did it here. I've seen Or Nué worked over one passing thread at a time, which would allow the stitcher to achieve meticulous detail. When couching the colored threads, often the build-up of thread between the gold causes the piece to bulge as it fills out. Some books recommend a hair of a space between the gold threads - not enough to show a lot of fabric or anything. But just enough to make the colored couching threads fit comfortably. Playing with the technique a bit will give the stitcher a sense of the right spacing between the gold to avoid bulging.

Finally, if you've been hanging around Needle'nThread a while, you probably recall that I've written about this whole subject before. I've got one article in particular on Or Nué with good links and resources in it, if you're interested in reading up any further on the subject.

Well, once again, I shall leave you as I moan the same old song....

All I need is Time. Doo da doo da doo. All I need is time, time. Time is all I need....

Or maybe it's that other song...

Oh give me time, lots of time, with my Ott light up above.
Please fence me in!
Let me spend every minute on the stitching that I love.
Please fence me in!
Let me be by myself in the evenings, please!
In linen, and gold and silk threads up to my knees!
Send me off forever so I can stitch at ease...
Please fence me in!

It's really amazing to me that I'm about to hit the "publish" button and make such an utter fool of myself......... Seriously, though. I suppose we do what we can, when we can. Thank goodness for weekends!

Have a Happy Friday! May you find plenty of time on the weekend to enjoy some stitching!

]]> goldwork readers embroidery pictures embroidery tips and tricks needlework pictures 8918 margaret c. noreply@blogger.com 2009-02-03 20:23:00 2009-02-03 20:23:00 1 0
Do try this technique. It's not difficult, but I must admit it can be tedious.]]> 9047 Anonymous noreply@blogger.com 2009-01-30 20:36:00 2009-01-30 20:36:00 1 0
This technique must demand a lot of precision in the placement of the stitches!]]> 9049 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2009-01-30 13:56:00 2009-01-30 13:56:00 1 0
Denise
http://needlework.craftgossip.com]]> 9050 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-01-30 10:08:00 2009-01-30 10:08:00 1 0
http://www.caron-net.com/designerfiles/desaugfiles/augchrt.html]]> 9051 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-01-30 09:07:00 2009-01-30 09:07:00 1 0 9052 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-01-30 09:06:00 2009-01-30 09:06:00 1 0 http://www.needlenthread.com/2009/01/free-hand-embroidery-design-motif.html Thu, 29 Jan 2009 08:11:00 -0600 Mary Corbet 467 2009-01-29 08:11:00 2009-01-29 08:11:00 open open Free-Hand-Embroidery-Design:-Motif-Suitable-for-Goldwork publish 0 0 post

This design is originally from an old church embroidery book that's now in the free domain. The book is called Church Vestments by Anastasia Dolby, and it's available on Google books. She's the same one who wrote Church Embroidery, Ancient and Modern, where I found this embroidery design and cleaned it up.

This little design in the book is actually a black and white line drawing that's rather small. I took a screen shot of it and exported it into Inkscape, where I enlarged it then traced it. The original was really unsymmetrical, with each swashy leaf area being completely different from the other - fat arms on the scollies, skinny arms on the scrollies, etc. So I tried evening it up a bit, just in one quarter, and then I repeated the quarter, mirroring it around the image. I like Inkscape!

Here's the embroidery design. You can click on it for a larger image.



And here's a link to the same design in PDF format:

Hand Embroidery Design suitable for goldwork or other surface embroidery

Now, to speak of the design itself, I'd really like to work this one. Do you have so many ideas rattling around in your head, but absolutely no time to execute them? That's the situation I'm in right now! Anyway, I'd love to do the arms of the design in gold passing thread. The rest of it, I haven't really thought about...

I hope you like the design as much as I do!

Enjoy!
]]> goldwork free embroidery patterns embroidery design 9054 Anonymous noreply@blogger.com 2009-01-29 22:04:00 2009-01-29 22:04:00 1 0 -Christiana]]> 9055 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-29 17:43:00 2009-01-29 17:43:00 1 0
I can see the leaves being done in shaded satin stitching, in rich colours, and darker versions being used in the middle. There was some lovely shaded acanthus you put up awhile ago that had a lot of purple in it....

Those cross over lines in the middle being in gold too - perhaps an ornate chainstitch.

The "clovers" being done in gold too - perhaps some pearl purl.]]> 9059 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-29 08:59:04 2009-01-29 08:59:04 1 0
But I just squinted and looked at the design, and I realized that the "arms" could (and are probably suppoed to!) extend behind the leaf, finishing at the scrolly thing on the other side of the leaf.

Do you see it?

Hm. Why didn't I think of that before. And oh - all the more reason for doing the arms in a solid gold, with passing thread or something....

TTFN!]]> http://www.needlenthread.com/2009/01/drawn-thread-embroidery-another-way-to.html Wed, 28 Jan 2009 05:56:00 -0600 Mary Corbet 468 2009-01-28 05:56:00 2009-01-28 05:56:00 open open Drawn-Thread-Embroidery:-Another-Way-to-Secure-the-Edge publish 0 0 post re-weave the threads withdrawn from the fabric in order to produce a "clean" edge for drawn thread embroidery techniques. Here's a little easier way to finish the edge of a drawn thread area.

This is perhaps the most commonly used technique for making an edge around a drawn thread area or an area of cutwork in embroidery. At the edge of the area where you want to withdraw threads, satin stitch over three or four threads to block the threads from being able to unravel from the fabric.



For the satin stitching, you want to use a thread that covers well. If the thread's too thin, the fabric will show between the stitching and the edge will look really ratty. If it's too thick, it'll end up distorting the fabric. Here, I'm using a #12 perle cotton in 32 count linen. It worked ok.



Your satin stitches should be worked one stitch beyond the withdrawn threads. In the photo above, the arrows point to the hole after the last thread along with the withdrawn area.



If you're withdrawing horizontal threads, your satin stitch blocker will be vertical. If you're withdrawing vertical threads, your satin stitch blocker with be horizontal. If you're withdrawing both horizontal and vertical threads, you work the satin stitches on a corner, as shown above.



Once you have your blockers stitched, you cut the threads heading into the blocker, right next to it, using a pair of fine, sharp scissors. You can cut the threads at the opposite blocker and withdraw straight across the strip, but I prefer to cut in the middle of the strip as well, to shorten the threads that will be withdrawn. It's just easier to withdraw shorter pieces of thread!



In fact, if the threads are short enough and loose enough in the fabric, you can simply grab each thread individually with a pair of needlework tweezers and pull it straight out of the fabric without having to pry the thread at each weave. It makes a nice zipping sound, and, in a wink of an eye, it's done!

The little fuzzy ends of the cut thread that are sticking out can be "wiggled" into the satin stitch area by running your needle under the satin stitching and moving it back and forth. I kind of "roll" the stitches towards the edge, and that helps pull the little cut edges in.

The advantages to satin stitching the edges like this are several:

1. Golly, it's easy compared to re-weaving the threads! It takes a lot less time.

2. There's something decorative about it.

3. The satin stitch blockers provide a great place to run your threads under for anchoring.

Now you've learned two ways to finish the edges for drawn thread work - re-weaving the drawn threads or using satin stitch blockers. Either way works. Which one you use depends, I suppose, on the look you want.

Enjoy!

]]> needlework tutorials whitework pictures embroidery tips and tricks needlework pictures drawn thread embroidery 8923 Robin noreply@blogger.com http://www.blogger.com/profile/01481520484587690947 2009-02-03 16:52:00 2009-02-03 16:52:00 1 0 9056 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-01-29 14:26:00 2009-01-29 14:26:00 1 0
Besitos
Maria del Valle]]> 9058 alice m noreply@blogger.com 2009-01-29 09:52:00 2009-01-29 09:52:00 1 0 9060 onafixedincome noreply@blogger.com 2009-01-29 01:46:00 2009-01-29 01:46:00 1 0
Cheerfully showing my ignorance again...]]> 9063 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-28 13:06:23 2009-01-28 13:06:23 1 0
The satin stitching is perpendicular to the threads withdrawn...!

MC]]> 9064 onafixedincome noreply@blogger.com 2009-01-28 12:54:00 2009-01-28 12:54:00 1 0
Why not use a buttonhole type stitch instead?

Just askin'.... Thanks!

PA]]> http://www.needlenthread.com/2009/01/monogram-for-hand-embroidery-celtic-g.html Tue, 27 Jan 2009 07:00:00 -0600 Mary Corbet 469 2009-01-27 07:00:00 2009-01-27 07:00:00 open open Monogram-for-Hand-Embroidery:-Celtic-G publish 0 0 post

To speed up the process of cleaning up this set of letters, I've not put the little shading dots in. You'll see where they fit if you check out the first monogram in this alphabet - the A. You'll also find some ideas there for stitches to use.

Here's the small version:



And here's a larger version:



For other patterns that can be used for hand embroidery, please check out my index of hand embroidery patterns, and, for more monograms, you can check out my index of monograms for hand embroidery. Enjoy!


]]> free embroidery patterns monograms 9072 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2009-01-27 10:32:00 2009-01-27 10:32:00 1 0 9073 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-01-27 10:15:00 2009-01-27 10:15:00 1 0 http://www.needlenthread.com/2009/01/drawn-thread-tutorial-on-reweaving.html Sat, 24 Jan 2009 08:17:00 -0600 Mary Corbet 470 2009-01-24 08:17:00 2009-01-24 08:17:00 open open Drawn-Thread:-Tutorial-on-Reweaving-the-Edges publish 0 0 post whitework, but it is typically seen in whitework, and many types of whitework involve drawn thread techniques. I started my whitework sampler very simply, then, by drawing out threads...

A little information on this whitework sampler: it isn't a "planned" sampler. I have some ideas in my head concerning where I want to go with it, but there's no grid or design I'm going by. My point is to work out various whitework techniques and photograph them along the way. Different types of whitework techniques may seem rather daunting, but I want to wipe away that idea and hopefully pique people's interest in trying out new embroidery techniques.

For the sampler, I'm using a 32-count Belfast linen in a natural color, cut 18" x 20", and mounted on an Evertite stretcher bar frame.

Concerning the count of the linen, for newbies to certain techniques, it might be best to start with a lower count, such as 28 or even lower. For most of these techniques, Aida fabric (commonly used for counted cross stitch) is not really a choice. Linen is the fabric of choice for most whitework, though there are some decent linen blends or cotton that can also be used.

For threads, I have a line-up of quite a variety of white threads in various types and sizes: coton a broder, perle cotton, cordonnet, cebelia, floche, some silk (soie 100/3, soie perlee, soie gobelin, soie d'alger), Mountmellick threads, and regular stranded white DMC cotton... and I've probably forgotten some. Seems like a mish-mashy sort of mix, and it is! You don't need this variety to undertake any of these techniques! Some perle cotton #8 and #12, along with white floss, will serve fine for starters.

For tools, I've got my tiny Dovo scissors (they're 3.5 inches, by the way, for those of you who asked), tweezers, a tiny crochet hook (#12 - I find this handy when withdrawing threads), a needle threader, and several sizes of tapestry needles.

Drawn Thread Work - Reweaving the Edge

The first step in this sampler is to work with some drawn thread techniques, so I began by withdrawing some threads and re-weaving the withdrawn threads back into the fabric so that I would have a clean edge. This process is a bit more complicated than other ways of finishing the edge of drawn thread work, but I figured I'd at least do it once to show you.

To make the whole drawn thread process easier, think ahead. To keep it simple, I started with an even number of vertical threads to work over, since I'll be bunching my threads either in groups of two or four. So I wanted my first drawn thread strip to be over an even number of vertical threads divisible by 4. I picked 80.

I basted in blue around a strip on my fabric that was 80 threads wide and 8 threads high - or 2.5 inches long and a quarter inch high.

Basting should never be underestimated in drawn thread work - it can save you from accidentally cutting threads that will take you ten forevers to repair. So do baste!

Once my first strip was basted, I starting cutting and drawing out threads. Here we go:



You can see where I basted off my strip for withdrawing the threads.

First, snip the top two horizontal threads inside your drawn thread area, at about the half-way point in the strip. I'm going to re-weave the second thread into the holes left by the first beyond the edge of the basting, so it's easiest to work with a pair of threads at a time, rather than to cut all the horizontal threads at once.

Second, withdraw your first thread to about an inch past your basting line.

Third, withdraw the second thread up to the basting line.



To withdraw the threads, you snip the horizontal threads at the halfway point in the strip or area you're withdrawing from. Then, using a tapestry needle (they have a blunt tip), run it under the thread you're withdrawing and pull the thread out of the weave. Try to be careful with the threads - you don't want to fray them up too much - but keep in mind that they will soften as you take them out of the weave.



Here you have the first two threads withdrawn to the place they should be. Now, to re-weave...



Take your tapestry needle and weave it in and out of the spaces where the first thread was withdrawn. Make sure you are following the same path the first thread took, alternating up and down over the threads. Once you have the tapestry needle worked into the fabric correctly, use a needle threader to pull the second withdrawn thread into the eye of the tapestry needle.



Now pull the tapestry needle through, so that the second thread fills up the empty path of the first withdrawn thread.



Thread the first withdrawn thread into your tapestry needle, then take it to the back so that the weave matches.



Continue working with the threads, two at a time, in this manner until all the drawn threads are rewoven and sunk to the back.

Then... move over to the other side of your drawn thread area, and do the same thing there!

Securing and Finishing Rewoven Threads

Methods of re-weaving drawn threads vary from book to book. For example, in the old Reader's Digest Complete Guide to Needlework (I have the 1979 edition that I picked up at a used book sale many years ago, and I love it!), they show every thread rewoven (not every other thread as I showed you above). This creates a rather crammed, tight look on the edge of the drawn thread area. I prefer re-weaving every other thread because of this. In Beginner's Guide to Drawn Thread Embroidery by Patricia Bage, the author demonstrates the every-other-thread method. But in neither book do they go into detail about how to secure your threads after re-weaving. They basically just say "trim the threads on the back."

Well, I do secure my threads, in a way, before trimming them on the back. This is what I do.



To demonstrate here, I picked the first thread back out again (kind of messy!). You can see the first thread in the photo above (I have a magnet holding it back for photo purposes) and you can see where the second thread (already rewoven) ends. There's a little gap there, with a vertical thread still in place. The first drawn thread needs to pass over that vertical thread, then back down into the fabric, for it to look finished.



Take your tapestry needle, and, working from left to right (from the first thread towards the second re-woven thread) weave the needle over the one vertical thread that's showing, under the next vertical thread, and then over the next thread (now you're working into the end of the second withdrawn thread) and to the back of the fabric. You will have one intersection of fabric threads that has two horizontal threads in it, but it won't be noticeable.



This isn't the best photo in the world, I suppose, but the arrow points to the finished area for this thread. It's very fuzzy because I over-worked the first withdrawn thread in order to get the photos! But notice in the red circled area below the arrow. This is where the other threads were rewoven, and it looks fine.



The photo above is of the back of the work. Turn your work over, and you will find a long, hairy mass of thread on the back of your fabric where all the threads have been sunk. Trim them.

.... And that's how you secure and finish the threads on the back.



There's the strip with only the vertical threads remaining. It doesn't look too impressive, does it? But if you patiently worked that far, you did a good job! The sides are a bit fuzzy from working with the withdrawn threads, but that cleans up significantly once the stitching is started.

Withdrawing and re-weaving threads in this manner to get ready for the fun part (decorative stitching and bunching of the remaining threads) is, admittedly, somewhat tedious. But it is the only way to provide a finished fabric edge on your drawn thread work. I'll show you other ways of securing the edges later, but they involve a patch of stitching on the edge, whereas this technique gives you a clean edge that matches the rest of the fabric.

So, after the first venture in drawing out threads and getting into this project, I've noticed a couple things: 1. Natural colored linen - it's a bit darker than a golden wheaty color - doesn't photograph well, either. I should have picked something darker, like the oatmeal color of my monogrammed towels; 2. an 18 x 20 piece of linen might be a bit too adventurous, if I'm really planning on filling the whole thing up....!

Actually, I'm having fun so far - I've managed to stitch a few areas of drawn thread work, which I'll share with you (along with how-to's) in upcoming days!
]]> needlework tutorials whitework pictures embroidery tips and tricks needlework pictures drawn thread embroidery 7491 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-05-18 11:06:00 2009-05-18 11:06:00 1 0 9074 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2009-01-27 07:27:00 2009-01-27 07:27:00 1 0 regards]]> 9077 Anonymous noreply@blogger.com 2009-01-26 23:49:00 2009-01-26 23:49:00 1 0
Elizabeth]]> 9086 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-01-26 14:28:00 2009-01-26 14:28:00 1 0 x
méri]]> 9087 alice m noreply@blogger.com 2009-01-26 13:32:00 2009-01-26 13:32:00 1 0 9089 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-01-26 09:50:00 2009-01-26 09:50:00 1 0 9090 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-25 21:33:47 2009-01-25 21:33:47 1 0
I picked out one of the threads today and took pictures of how I end it. I'll edit this tomorrow and add the photos. Once the threads are sunk and secure, though, I just trim the backs.]]> 9092 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-01-25 16:20:00 2009-01-25 16:20:00 1 0 9096 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-01-25 11:15:00 2009-01-25 11:15:00 1 0 9098 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-25 08:57:34 2009-01-25 08:57:34 1 0
Ah - good point on the last thread - I'll write something up on that and take some photos....

MC]]> 9101 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-01-25 08:18:00 2009-01-25 08:18:00 1 0 The explanations of your work are clear, I will follow you!
The last year I saw your monogrammed towels;and
I tried to do..so..I understood that I have much to learn, LOL!

Hugs
Maria del Valle]]> 9106 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-01-24 12:09:00 2009-01-24 12:09:00 1 0 Sometime ago I tried to explain to my readers how I do the linen towels and I were soooo in trouble in translation to English. I learn to make this reading magazines and trying and trying but I think I always make lots of wrong things...
One thing I couldn't understand : what happens to the first thread after being taken to the back you don't have any more an empty path.
Thanks again, Mary
xo méri

PS: if you want and have time please take a look http://avomeri.blogspot.com/2008/10/pode-se-chamar-isto-um-tutorial-can-we.html]]> 9107 alice m noreply@blogger.com 2009-01-24 12:06:00 2009-01-24 12:06:00 1 0 http://www.needlenthread.com/2009/01/cqmag-online-volume-8-issue-1-available.html Sun, 25 Jan 2009 11:09:00 -0600 Mary Corbet 471 2009-01-25 11:09:00 2009-01-25 11:09:00 open open CQMag-Online---Volume-8,-Issue-1-Available-Now publish 0 0 post Volume 8, Issue 1 of CQMag Online is out now - it's got a huge line up of really good articles! Among them, yep, you'll find the (really insanely long) article I wrote on goldwork and crazy quilting. If you're not up to reading the whole thing, you can scroll down to the last photo for the complete block. Click on it for a larger version....

Enjoy!]]> crazy quilt goldwork needlework news 9091 Anonymous noreply@blogger.com 2009-01-25 19:57:00 2009-01-25 19:57:00 1 0 -Christiana]]> 9094 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-25 12:59:00 2009-01-25 12:59:00 1 0 http://www.needlenthread.com/2009/01/securing-re-woven-threads-in-drawn.html Mon, 26 Jan 2009 09:06:00 -0600 Mary Corbet 472 2009-01-26 09:06:00 2009-01-26 09:06:00 open open Securing-Re-woven-Threads-in-Drawn-Thread-Embroidery publish 0 0 post tutorial on withdrawing and re-weaving threads in preparation for some drawn thread embroidery, several readers asked how to secure the withdrawn and re-woven threads on the back of the drawn thread work. Instead of writing a separate tutorial on securing the threads, I've edited the first tutorial and included a few pictures and instructions on securing the threads on the back of the work. I figured it was better to keep the whole tutorial together in one spot!

So if you want to see my method of securing the withdrawn and rewoven threads, please visit the original tutorial.

Thanks for asking the question - sorry I didn't clarify that step! (Now I know - you really DO read my posts!!)]]> whitework drawn thread embroidery http://www.needlenthread.com/2009/01/readers-embroidery-goldwork-pansy.html Sun, 25 Jan 2009 09:09:00 -0600 Mary Corbet 473 2009-01-25 09:09:00 2009-01-25 09:09:00 open open Reader's-Embroidery:-Goldwork-Pansy publish 0 0 post

The project is worked on a background of silk dupoini woven in purple and red. Predominantly, the purple shows up, but you can see the reddish highlights in the photo. It's a gorgeous fabric!



I think the whole piece is beautiful, but the part of the piece that intrigues me the most is the bold leaf on the lower left, which is made out of gold kid leather. Rather than try to explain it myself, here's Margaret's description of the technique:

What was interesting was that we had a basic outline for the leaf and a piece of leather that was larger than the outline (at least at the top). Starting at the bottom we tacked down the leather to hold it in place. Then at the top we manipulated the oversized piece to fit within the design lines. This let us create the veins. So, everyone's leaf was different, of course.

I love the leaf, with it's bulging gold veins - and my hat's off to anyone who would stitch it and not scream before it was over! Yeeeeesh. I don't particluarly like stitching kid leather, but I'd like it even less if I had to manipulate it and squeeze it into an area! I think it turned out so pretty, though, that it's sort of tempting to want to try something similar.

Here's the finished project, framed up:



Isn't it gorgeous?

Thanks, Margaret, for sending the photos! Margaret, by the way, is the one who designed the Golden Pomegranate project I stitched last fall.

When Margaret sent me these photos, I came to the realization of something that I find rather funny, and I'd love to hear what others have to say about the same subject! It went like this: Margaret sent me photos of her frame jobs on three gorgeous pieces of embroidery: the Golden Pomegranate (hers is matted in greens, with a gold frame), her goldwork rose, and this goldwork project featured here. When I saw the three framed, I thought, "WOW - wouldn't those make a gorgeous set to hang together on a wall??!" And that's when I realized something...

And this is what I realized: in my house, I have one tiny bird I embroidered that's framed and hung. Other than that, I don't have one finished thing that I've embroidered. Everything else I've done has been given away, or was made at the request of someone else.

Ok, wait - with the exception of my silly pillowcases and my goofy felt needlebook thingy. And, no, I don't use the pillow cases myself.

My question is this: do you retain your work, or give it away? Are you fortunate enough to have nice embroidered things around your house? I just realized how nice that would be.

But how does one remedy that? I can't exactly go snatching up the things I've given away. And I wouldn't, anyway. Deep down, I wouldn't want to. (Or wait - maybe deep down, I do want to....!)

I was thinking that a resolution of some sort could help solve this: each year, I could make at least one nice project for the house. It doesn't have to be a big project or a major deal - just one nice something to be finished and framed.

Well, now that I'm thinking along those lines, I suddenly want to make another pomegranate or grab a silk shading project and ditch the whitework sampler!

Yeah. Thanks a lot, Margaret! ;-)
]]> goldwork readers embroidery finish work pictures needlework pictures 9062 Marian noreply@blogger.com 2009-01-28 19:28:00 2009-01-28 19:28:00 1 0
This pansy is beautiful, thank you, and Margaret, for sharing. I think I would rather use a couching stitch for the leaf, but it does look nice in the gold kid leather.]]> 9065 NCPat noreply@blogger.com http://www.blogger.com/profile/05815138815552708153 2009-01-28 07:23:00 2009-01-28 07:23:00 1 0 9071 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2009-01-27 11:14:00 2009-01-27 11:14:00 1 0 9078 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-26 21:17:00 2009-01-26 21:17:00 1 0 Every couple of years I say "whoa - I have nothing myself to show what I've been doing", and decide to do a piece just for me.
That was part of the reason behind me doing my sampler - no way am I going to decide to give that away, since it's going to take such a long time to make!]]> 9083 Anonymous noreply@blogger.com 2009-01-26 18:32:00 2009-01-26 18:32:00 1 0 Cissie]]> 9085 Anonymous noreply@blogger.com 2009-01-26 16:08:00 2009-01-26 16:08:00 1 0
I also enjoyed your CQ Mag article. I saved it for later so I can consult it, as I haven't tried goldwork yet.

I have two things hanging on my walls that I made and a few CQ pillows. But my family and friends have lots of things that I've made. I figured out that the joy I get is from doing the project and once it's done, I don't mind giving it away, however, I have learned to document - take pics - of the things I do before I give them away. I didn't even used to do that.

Cindy B]]> 9095 margaret c. noreply@blogger.com 2009-01-25 12:25:00 2009-01-25 12:25:00 1 0
Once I started doing goldwork I found that I *had* to frame the finished works because they don't store easily and they tarnish if you don't get them behind glass or at least out of the air. I am somewhat mindful of this before I start a goldwork piece. If I don't think there's a reasonable chance that I will want to frame it I don't do it.

On a side note: I figured out a way to protectively store the golden pomegranate while I was teaching it last year. Notice that the pomegranate in Inspirations is not framed. It is what I'd call 'temporarily mounted' on one of those sticky mounting boards with some batting underneath. I then used an archival quality book dust jacket cover, covered the pomegranate and taped it up very well on the back in order to keep as much air out as possible. I just recently framed my first pomegranate (the one in Inspirations is the second one I stitched). It had no signs of tarnish at all and it was in the dust jacket cover for a year.

The pomegranate worked well with the dust jacket cover. Unfortunately, the purple pansy and the goldwork rose would be problematic because they have crushable elements (especially the smooth purl). So, although you could cover them carefully in the dust jacket it would be difficult to store them unless you made sure that nothing would press up against them.]]> 9097 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-01-25 11:02:00 2009-01-25 11:02:00 1 0 I remember very well your post with her goldwork rose - it was because of that I begun following your blog...

I have very few things at home made by me - but my nieces and nephews have lots of them, and my sisters and my daughter and son.
I have to begin doing more things for my grand daughters.

And Mary congratulations - I have just read your articli on CQMag online! It is fascinating and seems so simple! :) and a big thank you!
xo
meri]]> http://www.needlenthread.com/2009/01/goldwork-silk-project-golden.html Fri, 23 Jan 2009 11:02:00 -0600 Mary Corbet 474 2009-01-23 11:02:00 2009-01-23 11:02:00 open open Goldwork-&-Silk-Project:-Golden-Pomegranate publish 0 0 post Inspirations Magazine issue 61 is officially out, I wanted to share with you the finish on this goldwork and silk embroidery project that I showed you last October.

Before the photos, the background information: this project was designed by Margaret Cobleigh, who used it as a guild project to teach some silk shading and goldwork embroidery techniques. After preparing the kits for her guild, she had a couple left over, and I am ever-so-grateful that I had the opportunity to procure one!

Margaret also submitted the project to Inspirations Magazine. It's being published in issue #61, which is just out now. You can see a preview of Inspirations 61 on the Country Bumpkin website right now, and you can also see that the kit for The Golden Pomegranate is available for sale. (US readers, if you look at the kit, make sure to change the currency options to US dollars - it makes quite a bit of difference!) If you don't subscribe you Inspirations magazine, you can buy an individual copy of this issue if you want (through Country Bumpkin, and probably through some US suppliers, like Wooly Thread, for instance). If you already subscribe to Inspirations, then you know that you'll receive the complete instructions, photos, and the pattern within the magazine. If you decide to buy the kit and you don't have this issue of the magazine, you'll also need to buy the issue in order to have the instructions.

So that's how that works.

I was first attracted to the pomegranate design when Margaret sent me a photo to show me what she had designed, with the understanding that I couldn't publish the photo, as she was submitting the project to Country Bumpkin. Well, I was besotted! I love everything about this design - I love the colors (the reds are fantastic, and the greens are perfect), I love the goldwork, I love the way the goldwork is arranged and the variety of goldwork techniques, I love (LOVE) the trellis center on the pomegranate, with the beads and spangles... well. Like I said, when I first saw the photo of the project, I was besotted.

Another point that I liked about it - it's not a huge project. It's small (about 6" x 6", I think), so it's manageable in a reasonable amount of time. Margaret's instructions are crystal clear and perfect for someone who wants to try goldwork for the first time. The project is interesting and varied enough for seasoned goldworkers, too.

Anyway, I was happy to get one of Margaret's "leftover" kits... and I started to work on the pomegranate pretty quickly. All told, it didn't take 3 weeks (maximum) to complete it. Keep in mind, that's stitching in the evenings and a bit on weekends - I have a full time job and a life, so I wasn't stitching day in and day out! It was a nice, pleasurable, non-pressured stitching situation.

I had decided before I embarked on the project that I would make it as a gift for my niece, who was married in the middle of November. The pomegranate has been a symbol for ages upon ages of new life - so I thought it an appropriate gift.



I like angle shots - this isn't perhaps the best angle shot, but one of my favorite elements of the design is the pomegranate "crown" filled with chip work.



Here's the pomegranate itself. I love the fact that the stitching is shaded with the understanding of a light source from the top left. Notice how the pomegranate, on the top left, is lighter, and on the bottom right side, the top edge is also lighter? The top left leaf is couched in a lighter green as well. Nice, isn't it?



The trellis interior is really my favorite part. I love the pomegranate seeds (beads), and I'm a sucker for trellis couching. I think it's a beautiful interpretation.



The only part that I had real difficulty with was the vein on the leaves. I didn't remember until after I couched the pearl purl on that it was supposed to be wavy. So I pinched it into a little wave, but it doesn't look nearly as nice as the leaves on the prototype in the magazine!



Finally, here's the frame job. I had it framed in a custom frame, with all archival materials... the frame is slightly over 11 inches square. It's black with a gold crackle (in tiny veins) working through it, but that doesn't show up so well in the photo. It's triple matted, in green, then gold, then a velvet red mat. The triple matting holds the glass well away from the raised gold and the beads.

I was so happy with the way the project turned out that I was loathe to part with it! Apparently the bride loved it, though, so I'm glad did!

And thus ends the story of The Golden Pomegranate.
]]> goldwork finish work pictures Inspirations Magazine silk needlework pictures 3183 Anne noreply@blogger.com http://www.annekleinberg.com 2010-02-14 11:30:56 2010-02-14 11:30:56 1 0
The pomegranate piece is exquisite! How can I get one???? It may take me forever to learn how to embroider this, but I would love to try.

Great work!]]> 8976 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-02-01 14:47:00 2009-02-01 14:47:00 1 0 9082 Anonymous noreply@blogger.com 2009-01-26 18:34:00 2009-01-26 18:34:00 1 0 Cissie]]> 9093 terracota luzdeterracota@hotmail.com http://www.blogger.com/profile/00260150393724282247 2009-01-25 13:04:00 2009-01-25 13:04:00 1 0 9104 Anonymous noreply@blogger.com 2009-01-24 16:55:00 2009-01-24 16:55:00 1 0
This piece is just phenominal.

Janie]]> 9109 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-24 07:37:01 2009-01-24 07:37:01 1 0 9110 berries01 berries01@gmail.com http://www.blogger.com/profile/01394647873976773654 2009-01-24 07:27:00 2009-01-24 07:27:00 1 0 9112 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-24 00:56:00 2009-01-24 00:56:00 1 0 9113 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-24 00:54:00 2009-01-24 00:54:00 1 0 9114 margaret c. noreply@blogger.com 2009-01-23 23:59:00 2009-01-23 23:59:00 1 0 9115 Anonymous noreply@blogger.com 2009-01-23 20:09:00 2009-01-23 20:09:00 1 0
In awe,
-Christiana]]> 9116 Joey noreply@blogger.com 2009-01-23 17:46:00 2009-01-23 17:46:00 1 0 9117 shawkl noreply@blogger.com http://www.blogger.com/profile/14303018876968056901 2009-01-23 17:03:00 2009-01-23 17:03:00 1 0 http://www.needlenthread.com/2009/01/free-blackwork-pattern-for-my-whitework.html Thu, 22 Jan 2009 13:25:00 -0600 Mary Corbet 475 2009-01-22 13:25:00 2009-01-22 13:25:00 open open Free-Blackwork-Pattern-for-My-Whitework-Sampler publish 0 0 post

I just couldn't chase away this idea, and it probably isn't all that original. But this is it: I like the look of blackwork. I love whitework. I was thinking that a band of blackwork (the counted kind) done in white would actually be pretty. You'd think you wouldn't be able to see it, but on the contrary, if it were worked on a very fine linen with a somewhat heavy white thread, the white on white would probably look subtly lace-ish, in a way.

In the long-run, the whole question of whether or not it would work on white became rather moot. I'm working the sampler on natural colored linen, which means I won't be doing whatever type of whitework pops into my head. I'll be limiting it those appropriate to natural colored, even-weave linen. Well - who knows what else may develop?

In the meantime, this is the blackwork whitework pattern I drummed up:



That's it without the graph behind it....



Here it is, with the grid, if you want to print it as a .gif. I don't know how it will turn out, actually - I don't have a printer to test it on right now!

You can take the design and move the individual motifs around, or eliminate the top row, or whatever you want. I'll be duplicating the motifs into a longer row on my sampler.



You can even take each motif and move them closer together.

And, finally, I saved it as a PDF as well, so that you can print a much cleaner copy than the one provided with the .gif file, if you want. When you print the PDF version, you can rotate the piece, shrink it to fit, or print the present view (if you've enlarged it on your screen)... Again, I haven't printed it, so I'm not sure quite how it looks in print, but still... here's the PDF file:

Blackwork Embroidery Design #1 (PDF file - you'll need Adobe Acrobat to read it.)

I'm going to be working this in Holbein stitch, which looks like backstitch from the front, but is actually running stitch worked back on itself. I'll be using a #40 white coton a broder, I think, on an even-weave, natural colored linen (it's either 32 or 36 count linen - I'll let you know when I start playing with the fabric). I may decide on a different thread. I'll also be stitching a border of some sort above and below the design.

I'm hoping (I keep saying this) to get this next project set up today! I plan to spend tomorrow filming new stitches for the Video Library of Hand Embroidery Stitches (if you have a request, leave a comment...)

In the meantime, I hope you enjoy the pattern and can find some use for it!
]]> free embroidery patterns whitework counted thread embroidery techniques 4195 Luna noreply@blogger.com http://www.blogger.com/profile/09837994984719362285 2009-12-16 03:27:32 2009-12-16 03:27:32 1 0
My father stitched one of the trees in red, on to a white napkin for me for our Christmas table. It looks stunning!]]> 9119 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-22 23:17:12 2009-01-22 23:17:12 1 0
I thought of a Christmas tree, too. It would make a great ornament!

My original intention was to create a wedge-shaped design that could be stacked on top of each other as you see here. After I finished doodling up the "tree," I realized it looked a lot like a tree, too...

I tried half of it in white this evening, on a natural linen, but the white didn't show up on the linen very well, unless I turned OFF the light. In semi-darkness, I could see the white very well. I found that a bit annoying, so I went on to another technique. I'll get back to the whitework-blackwork a bit later... I think I'll need to play with it a bit to get it to really show up. I should have chosen a much darker natural linen, I suppose!]]> 9121 Marian noreply@blogger.com 2009-01-22 20:56:00 2009-01-22 20:56:00 1 0
re: video stitch tutorial - Turkey stitch please.

I know I have asked before, but I just wanted to make sure it didnt get lost in the request pile.

It is really hot in my town, so sitting at uni, in the airconditioned comfort, would be great. I dont have broadband (or ac) at home.

re: blackwork chart. Worked in green on cream or white evenweave and then with red, gold or other beads to imitate a Christmas tree, this would make a nice present or parcel topper, or just a new decoration for the house.]]> 9122 Yoyo yoyo_9203@yahoo.com http://www.blogger.com/profile/14230651257160627560 2009-01-22 20:07:00 2009-01-22 20:07:00 1 0 9125 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2009-01-22 14:58:00 2009-01-22 14:58:00 1 0
I'm looking forward to seeing this project as you work it!]]> 9126 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2009-01-22 14:47:00 2009-01-22 14:47:00 1 0 I look forward to following this sampler- I love white one white or cream on cream. And what a great idea white 'blackwork']]> http://www.needlenthread.com/2009/01/sharp-and-small-scissors-for-hand.html Wed, 21 Jan 2009 07:00:00 -0600 Mary Corbet 476 2009-01-21 07:00:00 2009-01-21 07:00:00 open open Sharp-and-Small:-Scissors-for-Hand-Embroidery publish 0 0 post

There are scissors for embroidery... and then there are Scissors for embroidery!

What are the most basic criteria for embroidery scissors? That they be small and sharp. Beyond that, people have different preferences in scissors: different styles they look for, different price ranges they can afford, and so forth.

I like scissors that reflect quality workmanship, that perform well (the blades fit together, the mechanical opening and closing is smooth and easy), that are comfortable, and that will stand up to the ravages of time and hard work.

I've not spent a real fortune on scissors, though I have collected a few over the years. You can purchase good quality scissors, actually, without spending a fortune. A decent pair of Gingher (made in Germany and very widely available) embroidery scissors run from $15 - $30, depending on the type and where you find them.

I have a total of 6 embroidery scissors, three of which are used for goldwork and three for threads. I also have a pair of sewing shears and a pair of applique scissors, which are handy for cutwork. All except one pair are Gingher - this isn't so much due to preference as it is to affordability and availability. Most of my scissors, I bought on sale at local needlework shops or sewing shops.



However, I don't use them all most of the time! Here's the array of scissors presently inhabiting my tool box. They're all Gingher, except for the greyish pewter looking pair, which I'll talk about in a second.



These two scissors are my favorites. Notice that they are both the same size as far as length goes. The shiny pair is by Gingher and the pewter-looking pair is by Dovo. They both have decent-sized finger holes. I've never had big hands (they're more like... paws), but I can't stand forcing my phalanges into small-holed scissors, especially the ones that have decorative nobby lumps all over them!



Of the two scissors, the Dovo scissors are by far my favorite scissors ever! They are finer than the Gingher scissors, they are light and comfortable, sturdy, the movement of the blades is smooth and exact, the tips are perfectly pointed, and the blades are quite thin.



When the two are stacked on top of each other, it's obvious that they are the same length, but notice that the blades on the Dovo scissors are smaller. I always feel as if I have more control with the Dovo scissors and can be more precise, and I think this has to do with the size of the blades. (And it might just be because I'm infatuated with these scissors, so I imagine every good thing about them!)



Here's a close-up on the blades, with the Dovo on the left. If you compare the thickness of the blades, you can see that they are close, but the Dovo scissors are just a bit finer than the Gingher.



Strangely enough, if you take the ever-popular gold-handled stork embroidery scissors by Gingher (among their smallest scissors) - pictured on the left - and compare their blades to the Dovo blades (on the right), you can see that the Dovo blades are significantly finer than the Gingher stork's blades. (My stork scissors have been through it! They need to be sharpened!)

I love Dovo scissors, and this pair especially. They are excellent for small detail work. They're perfect when cutting out stitching (oh, yeah - I do that!). I love them for any kind of work where one or two threads in the fabric must be cut (for drawn thread work, for example), and they're great for cutwork and needle lace.

The Dovo scissors are a bit more expensive than Gingher, though, and hence, I only have one pair! This pair runs around $40 - $45, depending on where you find them.

I'm convinced, though, that if you are going to spend time and effort and money on a hobby, then you should have the right tools. At least one good pair of embroidery scissors is really essential! And they don't have to be Dovo, necessarily! Your budget will most likely dictate your options. But, here's an idea! If you have a birthday coming up, or some other occasion to receive a gift (um.... I wouldn't necessarily want scissors as a Valentine gift or a wedding anniversary present - the message could be wildly misconstrued!), consider dropping a subtle hint for good scissors if you don't already own a pair.

So what's your favorite brand of scissors? Do you have a faithful, favorite pair that you would be loathe to lose? If you were recommending scissors to another stitcher, which would you recommend, and why? Please tell us! C'mon - there's nothing quite as fun as talking about tools!
]]> embroidery resources needlework tools pictures 6823 stitches noreply@blogger.com http://www.blogger.com/profile/09326035712994253560 2009-06-20 09:51:16 2009-06-20 09:51:16 1 0 8255 kkhull noreply@blogger.com http://www.blogger.com/profile/06466190676475586639 2009-03-23 16:15:00 2009-03-23 16:15:00 1 0 9066 Anonymous noreply@blogger.com 2009-01-28 07:22:00 2009-01-28 07:22:00 1 0
Angelina]]> 9067 Linda from Broken Arrow, OK noreply@blogger.com 2009-01-28 03:47:00 2009-01-28 03:47:00 1 0 9120 Judy noreply@blogger.com 2009-01-22 22:41:00 2009-01-22 22:41:00 1 0 Many thanks for all the information that you give so generously. I look forward with great anticipation your wonderful posts. Up until today I have never really given scissors much thought other than some are pretty, and I have been embroidery for years self taught. After todays post I have decided to shout my self a pair of Dovo scissors. But am unsure as to what lenght your scissors are. Could you please let us know what lenght in your up and coming posts. Many Thanks Judy]]> 9123 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-22 19:23:48 2009-01-22 19:23:48 1 0
Tess - A while ago, Michael Cook was in touch with a supplier of pony needles. He sent me some samples of the 10, 11, and 12 gold eye embroidery needles - they're super nice. They're shorter than most needles and very fine. I'd like to find a US supplier, too. If I come up with one, I'll let you know....

MC]]> 9124 Anonymous noreply@blogger.com 2009-01-22 18:18:00 2009-01-22 18:18:00 1 0 What Jayashree said is correct and applies to knives, too. I gave my dear BIL a most beautiful set of carving and chef's knives for his birthday (he's the family barbecue chef par excellence!), but he said that was bad luck and had to give me a penny to "buy" them from me. Then he proceeded to use them to carve up and grill a most delicious chicken....Indian style.
My favorite scissors are all Gingher and I own probably a dozen different varieties for sewing, embroidery and applique, but I will have to look into the Dovo brand. Those blades look deliciously thin and fine. I wish we could get Pony scissors and needles here in the US as I've heard very good reports about them. Does anyone know of a US source?
Tess]]> 9127 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-01-22 14:11:00 2009-01-22 14:11:00 1 0 9128 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-22 08:14:25 2009-01-22 08:14:25 1 0
Thanks for the input, Michael and Jayashree, on the cultural customs associated with giving scissors or needles as a gift!

Cissie - I go to a rather "generic" scissor-sharpening-fellow who has a little shop for sharpening things (scissors, knives, ice skates, etc....) Maybe you could find such a service through a local sewing center?

MC]]> 9129 Anonymous noreply@blogger.com 2009-01-22 06:10:00 2009-01-22 06:10:00 1 0
The Gingher factory in Greensboro, NC, sharpens their scissors for $7 a pair but I have yet to find a source for sharpening Dovos. Do you know of one, Mary?

Cissie]]> 9131 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-01-21 22:34:00 2009-01-21 22:34:00 1 0
I am very fond of my Pony embroidery scissors and also love the pair of embroidery scissors from Singer.

I agree with Micheal. In Indai it is customary not to give any needles or scissors as gifts as it might sever relationships]]> 9140 Miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2009-01-21 11:57:00 2009-01-21 11:57:00 1 0 9141 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2009-01-21 11:26:00 2009-01-21 11:26:00 1 0 9142 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2009-01-21 11:14:00 2009-01-21 11:14:00 1 0
My favorite pair (and I have a couple of these) is Henckels' Twinox Nail Scissor. They're not only *wickedly* sharp, they're pointy beyond all reason - I guess that's to get into tiny hangnail crevices with, but it works GREAT for snipping a single stitch.

My favorite trick - I get scissors from Ebay that have been abandoned at the airports. There are a couple of sellers who carry them. I've gotten some *fantastic* scissors, all different kinds, for pennies on the dollar. I used to have a horrible time losing them, but now I have scissors in every project bag, every convenient drawer. And I have plenty to pass around at workshops, in case people didn't bring their own.]]> 9143 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2009-01-21 10:54:00 2009-01-21 10:54:00 1 0 9144 onafixedincome noreply@blogger.com 2009-01-21 10:43:00 2009-01-21 10:43:00 1 0
Choose carefully but these are nice tools. You can also pick up amazing scissors in some of the 'airport screening' scissor auctions. Wow. Talk about a lot to choose from... hehehe...

For goldwork, look at the serrated very small bandage scissors. They have grip and leverage as well as light weight and easy use.

PA]]> 9145 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2009-01-21 09:52:00 2009-01-21 09:52:00 1 0
Still, I love them and have two pairs. I'd tell folks to watch for scissors that fit this description and try a set if the shop allows. Nothing tells you what scissors work for you better than handling them.]]> http://www.needlenthread.com/2009/01/brazilian-embroidery-anyone.html Mon, 19 Jan 2009 08:11:00 -0600 Mary Corbet 477 2009-01-19 08:11:00 2009-01-19 08:11:00 open open Brazilian-Embroidery,-Anyone? publish 0 0 post begin a whitework embroidery sampler yesterday, to delving into Brazilian Embroidery instead! But it isn't unlikely that I would take up a Brazilian embroidery project, under certain circumstances...

One circumstance would be that the project would be small and affordable. Have you seen the Threads in Bloom website? Sharon of Threads in Bloom is an experienced Brazilian embroiderer who has gone into designing her own Brazilian embroidery projects and selling them as reasonably priced instructional packages. When I happened upon her website, I noticed right away her Bird of Paradise design. I have a penchant for these flowers - but I've never seen one in dimensional embroidery. Pretty fascinating!

I haven't tried any of Sharon's kits, actually. But they apparently come with the design printed on the fabric, instructions for the project and the stitches in it, and wire and extra fabric for different dimensional parts of the project. You provide the thread...

The thing that I like about Brazilian embroidery - I've played with it a few times in the past (I bought my first Brazilian embroidery book about 16 years ago - it was one of my first embroidery books that I bought with my own money!) - is the dimensional aspect. It incorporates many of the same techniques as stumpwork, so it's a good way to get a taste of stumpwork. Overall, I find that supplies for Brazilian embroidery (especially kits, like the ones here, or instructional books) tend to be less expensive than those for stumpwork.

One notable difference between Brazilian embroidery and regular embroidery is that, with Brazilian embroidery, rayon threads are the threads of choice. They're z-twisted threads, so you'll probably notice in most stitch instructions that some of the stitches that depend on the twist of the thread are backwards, compared to other embroidery books. The bullion knot comes to mind - it's widely used in Brazilian embroidery, and with rayon threads, to get a nice looking knot, you wrap the thread the opposite way you normally would around the needle.

Anyway, for those of you interested in Brazilian embroidery - or if you're keen to try dimensional embroidery in general - take some time to check out Threads in Bloom. You might find a nice starter project to get you going!

Enjoy!



]]> embroidery resources regional embroidery techniques needlework websites 9151 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-01-20 23:06:00 2009-01-20 23:06:00 1 0
Thanks for your prompt response. I will look out for the alternatives that you have mentioned.]]> 9154 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-20 06:16:46 2009-01-20 06:16:46 1 0
Do they have what is called "art silk" in India? I've seen it on eBay, and the source is usually India. Art silk is rayon, or viscose, or a combination of silk and rayon. You might try that. I'm not sure if the twist is the same as rayon...

Maybe, instead of milliner's needles, look for "straw" needles. They're the same. If you can't find those, try sharps. They're not the same, but they'll work in a pinch. Hope that helps!

Best,
Mary]]> 9155 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-01-20 00:14:00 2009-01-20 00:14:00 1 0
I have developed this new interest in Brazilian embroidery but we do not get the rayon threads ot the Milliners needles in India. Can you suggest some alternatives till I can get hold of the actual materials? Are there any equivalents?]]> 9159 Flora flora.flowers.boo@gmail.com http://www.blogger.com/profile/17836989715340857264 2009-01-19 09:32:00 2009-01-19 09:32:00 1 0
What a coincidence! I was also thinking of doing a Brazilian embroidery project. However I am not a great embroideress like you. Your works are awesome. You give importance to even the minute details. The goldwork you posted yesterday was very lovely. It reminds me of the goldwork embroidery which my mom, my sis, and I did on the border of a skirt 10 years before. I could still remember, it was a dark violet skirt on which we embroidered gold flower petals. The work was very tedious. It took almost one month to complete. But everyone liked the end result. Sadly I don't have that piece with me now.

At present I am doing a long and short sweet pea project. I have applied the tips you share on this website. Your website has been an inspiration for me. Thanks for helping us through your website. This is my blog, www.florascolors.blogspot.com, where you could see the progress of my work.]]> http://www.needlenthread.com/2008/09/beginning-and-ending-threads-photo.html Tue, 23 Sep 2008 16:15:00 -0500 Mary Corbet 478 2008-09-23 16:15:00 2008-09-23 16:15:00 open open Beginning-and-Ending-Threads:-Photo-Tutorials-on-Common-Methods publish 0 0 post photo tutorial on using a waste knot, the most common question I receive via e-mail is "how do I begin (or end) my thread withough using a knot?" To answer that question, I've worked up several photo tutorials.

I'll be listing all these photo tutorials here so that they're easy to locate. I'll have a permanent link to them on the side bar under "Editor's Floss," in a new category that will be called "Tips and Tricks for Hand Embroidery," where you find all such posts on embroidery tips and tricks indexed.

I hope you find this list of photo tutorials on beginning and ending threads helpful!

Beginning

• The Waste Knot



• The Away Waste Knot



• Anchor Stitches on a Line

Ending

• Pulling It Through

If you have any suggestions for other methods you think would be useful to readers, please leave a comment below. Thanks!
]]> needlework tutorials embroidery tips and tricks beginner embroidery 6613 Judy jwkittles@cox.net http://www.blogger.com/profile/14059454522337423829 2009-07-15 13:12:34 2009-07-15 13:12:34 1 0 9431 dark horse noreply@blogger.com 2008-12-17 14:05:00 2008-12-17 14:05:00 1 0 Thank you so much! That's so useful, and something I've been curious how to do. (Just wondering, is my computer playing up or is the part on endings still to come? I get links to the first three, Waste Knot, Waste Away Knot and Anchor Stiches on a Line ,but not the others listed.) Anyway, thank you again for your amazing work here!

Best wishes!]]> 10406 Marian noreply@blogger.com 2008-09-23 16:43:00 2008-09-23 16:43:00 1 0 http://www.needlenthread.com/2009/01/art-of-elizabethan-embroidery.html Sat, 17 Jan 2009 12:00:00 -0600 Mary Corbet 479 2009-01-17 12:00:00 2009-01-17 12:00:00 open open The-Art-of-Elizabethan-Embroidery publish 0 0 post online needlework resource that was new to me - Jane Zimmerman's website, where you'll find all her embroidery books, instructional CDs, and a variety of kits and instructional booklets for embroidery and needlework projects. Well, I heard from Jane, and here's some good news!

During her Christmas sale, Jane had a very special instructional packet available for a gorgeous embroidery project. The project was her Art of Elizabethan Embroidery piece, which incorporates 20 historical embroidery stitches, variations, and techniques.



The instruction packet, replete with color photos and all the details on how to finish this piece, was only available for a very short time.

The good news is that Jane is making this available for purchase again right now! If you are interested in learning the art of Elizabethan embroidery, you will want to take advantage of the availability of this instructional packet from one of today's great masters of historical needlework!

You can read all the details about The Art of Elizabethan Embroidery on Jane Zimmerman's website.

Don't delay - it won't be available forever!
]]> historical needlework embroidery resources http://www.needlenthread.com/2009/01/tools-for-metal-thread-embroidery.html Fri, 16 Jan 2009 06:45:00 -0600 Mary Corbet 480 2009-01-16 06:45:00 2009-01-16 06:45:00 open open Tools-for-Metal-Thread-Embroidery publish 0 0 post

I only have one "specialty" tool for metal thread embroidery. I think the experts must have other tools that they use, but perhaps not. Most books I've seen don't have too many items beyond these. And again, they're not all tools, technically...



The background of this photo is a velvet board - a thin piece of mat board with velvet mounted on it, used for cutting metal threads and keeping them in place while they're being cut and while you're using them. I've heard that beading boards work ok, too - they apparently have some kind of nappish surface of sorts, I suppose. It's the velvet nap that keeps the metal threads in place, and keeping them in place is a good thing, especially when you pre-cut several pieces of purl for chipwork.

I have two things I use for cutting and holding the metal threads, actually - this red board and a piece of black velvet as well. The black velvet is not mounted on a board, and while I don't use it for cutting, I've found it's handy for resting the cut threads on, especially when I may have to pack up a project while it's still underway. With the loose black velvet, I can fold it up carefully over the pre-cut threads and put it in a box. When I unfold it, the threads are still there...

From left to right, the rest of the tools, most of which many stitchers probably have in their needlework basket:

1. A decent pair of tweezers

2. A sterling silver mellore - This tool is used specifically for goldwork. Its main purpose is to help with manipulating gold threads without damaging them. It can also be used as an awl, to widen the plunging holes for the metal threads. You can find mellores made from other material besides sterling, and, incidentally, the mellore is not absolutely essential to goldwork. I've manipulated threads with the back of my tweezers....

3. Beeswax, used to strengthen couching thread

4. A plunging needle or plunging lasso - This is just a large eyed needle that you can either thread your metal threads into, to pull the ends to the back of the fabric, or you can string a piece of cord through the large eye and use that as a lasso to pull the metal threads to the back of the fabric. This is a #22 chenille needle, which seems to work ok in most cases.

5. A pair of scissors specifically for goldwork. I have three pairs of scissors specifically for goldwork, actually - and the other two I like much better than this pair! The scissors should be small and very sharp, and nice pointed tip is helpful. It's good to have a pair that is specifically for goldwork and that can be distinguished from your regular embroidery scissors. One of these days, I may invest in a pair with a fine serrated edge, but so far, the scissors I have (which are all typical embroidery scissors by gingher) have served me well.

6. A selection of couching threads, which I already explained when discussing where to find silk couching threads.

So that's it! Nothing really out of the ordinary is essential for goldwork, except the metal threads themselves. I like the fact, by the way, that Tanja Berlin gives the option on her website of ordering sample sizes of all her gold threads. The sample sizes are 9" each, and they vary in price according to the type of thread. But 9" is a good size to play with, and will go a fairly long way with most of the metal threads, except maybe passing thread. Remember as well that gilt metal threads are less expensive than the 2% threads, so if you're planning to play and practice, choose gilt.

Enjoy!

]]> goldwork embroidery resources needlework tools pictures embroidery tips and tricks 9118 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2009-01-23 14:35:00 2009-01-23 14:35:00 1 0
Denise
http://needlework.craftgossip.com]]> 9165 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-17 21:29:52 2009-01-17 21:29:52 1 0 9166 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-17 21:29:07 2009-01-17 21:29:07 1 0 9167 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-01-17 20:26:00 2009-01-17 20:26:00 1 0
Do goldwork 'threads' tarnish? I would be heartbroken if after all that work the lovely gleam disappeared...]]> 9170 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-16 15:36:00 2009-01-16 15:36:00 1 0 9171 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-01-16 10:14:00 2009-01-16 10:14:00 1 0 http://www.needlenthread.com/2009/01/needlework-around-traps.html Thu, 15 Jan 2009 07:30:00 -0600 Mary Corbet 481 2009-01-15 07:30:00 2009-01-15 07:30:00 open open Needlework-Around-the-Traps publish 0 0 post

There are different types of needlework and embroidery websites and blogs online that will cause me to pause, look, and read. Some, I pause to read because I enjoy the writer's work and find the writing itself informative, fun, or refreshing. Others strike me because the pictures grabe me right away - there's something unique or beautiful to look at. I'll linger over others because they're introducing me to a good idea or inspiring me with something new. And sometimes, I even stop to look because I find something that's just ... well, too far out. Whatever the case, there's endless variety in browsing needlework websites. A good browse is like one of those vacation road trips, where I enjoy the regular route and the side trips, and I don't even mind getting lost!

Katy of Kathryn Estelle made a darling monogrammed pillow recently. It's embroidered in red on a white background, and has a little hanging ribbon attached. This isn't really "shameless schilling" here - it's true that she used one of the monograms from my monograms pattern page - but I just thought the red monogram on the white was so perfect! I love the idea of the hanging pillow, too - a perfect accent that would make a nice little gift for someone special.

I know I already mentioned Yvette Stanton's Elizabethan Embroidery project, but I have to mention it again, because I keep going back to it. I think ... I think.... I think I want to do something similar! Now that the holidays are over, I'm in a quandary over what project to start next. I'm not quite sure this type of broject will be the thing... but I keep going back to look at it and drool a bit...

Carol-Anne of Threads Across the Web has been working on some gorgeous beading. She's working on a red background, with blue and goldish beads... I'm a sucker for red. And of course, her work is always gorgeous. I love the flowers, too - especially the fact that the petals are pointed. Nice!!

Sharon Boggan on her blog Pintangle has been documenting her band sampler and all the various stitches used in it. You'll enjoy browsing each section of the band sampler so far, but the one that really caught my eye was Band 10, on lacing running stitches. I love the effect of this, and I think it would make a great fill pattern. While you're visiting Pintangle, notice in the right hand column that Sharon teaches online classes. Her Personal Library of Stitches class begins March 4th. If you're interested in really learning a variety of stitches and developing overall stitch know-how, this would be a terrific class! It's offered through Joggles, for only $60, which is more than reasonable for a class like this. If you're a crazy quilter, or just getting into crazy quilting, she's also offering an Encrusted Crazy Quilting class beginning at the end of February. Either class would be terrific - I've heard heaps of happy comments on them! So if your New Year's Resolutions included expanding your horizons a bit in the stitch world, you should check these classes out!

Gosh, I meant to point this one out ages ago! I may have mentioned them? But, if I didn't, here they are - Romilly embroidered the camels I love. I keep going back to these, too. They're on my list for this year. How soon? I don't know - but I keep going back to Romilly's blog, Stitching with a Shimmy, and contemplating them!

Have you seen Allie's Cottage Crazy Quilt? This link is a little outdated - she's made more progress on it since then - but it's one of my favorite run-downs on the progress on this project! I love it! When she first started the cottage, I had no idea how such a piece would come together, but as she progresses with the embellishment, I find myself completely enchanted with the whole piece! Check out the waves and bubbles while you're there, too.

For those of you who like counted thread techniques, cross stitch, and blackwork, you should check out Maria del Valle's New Year's Greetings post, where she includes a beautiful counted thread pattern for free. It's a filigree heart, which would make a wonderful Valentine project. The chart is available in a PDF download below the colored graphic design of the piece. I was thinking about making a tiny version on 40 count linen, in pinks and reds.... I haven't done any counted work in a long time, but I do love the filigree on this pattern! It would be fun for a little something different, don't you think?

Megan on Elmsley Rose recently published a comprehensive post on Elizabethan embroidery stitches, listing several sources for information on Elizabethan embroidery. Included in the post, she has charted the different stitches she's been experimenting with on her historical sampler. If you like Elizabethan embroidery, or historical embroidery techniques in general, you'll find the resources Megan lists very interesting and informative!

And speaking of Elizabethan embroidery, Jeanne on Just String has made beautiful progress on an Elizabethan motif that includes plaited braid stitch. This is one stitch I'm determined to master this year, and in fact, early this year. I especially like the look of Jeanne's stitch, which is slightly different from other varieties I've seen. Notice the center of the vine, and how it has a kind of openwork pattern to it. I really like that!

Speaking of Valentine's Day (I seem to be jumping around!), there's a pretty little heart and bird embroidery pattern available for free on Andrea Zuill's blog, Badbird's.

Before she left to go camping (hard to believe, when I'm sitting here in Kansas shivering my teeth out), Jo in NZ posted some really nice samples of her crazy quilt post cards for this year. Having only briefly ventured into crazy quilting recently, I am prone to stop and ponder all seam treatments lately. These seam treatments on Jo's crazy quilt postcards are so precise and pretty! My favorite's the second one down....

Deepa on This and That recently posted a picture of a beautifully embellished Indian outfit (skirt and top). It's stunning - I love the fabric, the colors, and the embroidery. Do look at it! While you're there, check out Deepa's various stitch tutorials - she's got some excellent Indian embroidery stitch tutorials on her website, including this one on the Chinese knot used in Indian embroidery.

Pat Winter, on Pat Winter Gatherings, recently made beaded Kumihimo cords (bracelets) that are fascinating. I'm a big fan of kumihimo, but I don't take the marudai out often enough to become proficient at making cords. I use it here and there for smaller projects that need a touch of cord on them, but I've yet to make cord for cord's sake... The beaded cords here are pretty neat!

For those of you who like canvas work, check out Barbara Bergsten's Create Needlepoint! website, where you'll find a nice glossary of needlepoint stitches with clear diagrams and photos of the finished stitches. I recently discovered this blog and added to my RSS feed right away! I thought her latest post on Nobuko stitch was really interesting, as I hadn't seen this stitch before.

Di Van Niekerk has a new book out called Flower Fairies. For those of you who enjoy silk ribbon or dimensional embroidery and sweet little fairies and flowers, you're certain to enjoy this book! It looks like a lot of fun. Along with the book, you can order thread and ribbon packs for the various projects in the book. Don't be put off by the prices - they're listed by South African rands, so the exchange rate is about 10 to the US dollar. Incidentally, Di van Niekerk also offers downloadable ribbon embroidery lessons on her website. The first lesson that's available features little chickens in a barnyard. If you've ever seen any of her books, you know that the author is very thorough in instructional techniques - the lessons are bound to be a terrific way to learn silk ribbon embroidery.

And, finally, I couldn't help it. I paused on this one! The Wooly Thread blog is the blog connected with Wooly Thread, which is a great resource for Country Bumpkin's A-Z books, all kinds of wool for needlework and sewing, and satin ribbon binding for blankets, among lots of other things. The blog is used to update readers on specials and current events at Wooly Thread. Well, I just couldn't help chuckling over the heading "Needle and Nibble," announcing a needlework gathering that centers around... well, chocolate. If you live in the area (Seattle, Washington, and Surrounds) and you like needlework and chocolate, you just might want to look up this event! It sounds kind of fun! (I mean, really. What's not to like?)

Well, that's not exactly an exhaustive list, but those were my website wanderings this week. It was an exercise in procrastination. I don't really need a lot of practice in the fine art of procrastination, but now and then, I do like to make sure I'm still in shape! Now, I must get back to work. I hope you enjoy wandering as much as I did!



]]> embroidery links embroidery resources 9160 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2009-01-19 05:54:00 2009-01-19 05:54:00 1 0 9172 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-01-16 09:15:00 2009-01-16 09:15:00 1 0 Thank you very much for your mention!, I am glad to know you like! also by these wonderful sites!!

Hugs :)
Maria del Valle]]> 9173 Deepa noreply@blogger.com 2009-01-16 06:14:00 2009-01-16 06:14:00 1 0 By the way,when I first saw the gaghra with the goldwork I thought about you and the "Pearl purl".I seem to connect anything gold with you now-that is the effect of your goldwork.]]> 9174 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-15 20:52:37 2009-01-15 20:52:37 1 0 9175 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2009-01-15 17:51:00 2009-01-15 17:51:00 1 0 Thanks for sharing all of these wonderful sites, and for including mine in them!

Please note: I only used plaited braid in the leaves at the top of the peapods. The vine is open Ceylon (also known as ladder stitch) with a backstitch line running through the center that works to bunch the rungs together in groups of two.]]> 9176 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2009-01-15 15:59:00 2009-01-15 15:59:00 1 0 http://www.needlenthread.com/2009/01/great-needlework-resource-jane.html Wed, 14 Jan 2009 07:00:00 -0600 Mary Corbet 482 2009-01-14 07:00:00 2009-01-14 07:00:00 open open Great-Needlework-Resource:-Jane-Zimmerman-Online publish 0 0 post

Jane Zimmerman's website hosts some really valuable information for the embroiderer, and, because the site is relatively new, you can be sure that the future will bring much more of the same quality information, so it's a site you probably will want to bookmark and come back to over and over again.

For starters, there's a section on the website titled Needlework History. Here, you'll find an index of articles on different aspects of historical needlework. The first three articles are already available as PDFs. They cover the following topics: The Medieval Embroidery Technique of Or Nue, English Medieval Embroidery, and The Art of English Blackwork. If you like the historical aspects of needlework, don't miss these articles! They're well-written - and they're packed with pictures!

On the how-to side of things, don't miss Jane's Needlework Techniques page. The first two chapters on techniques are available as PDFs. The first chapter focuses on instruction in traditional Or Nue techniques (gold threads couched with colored silk), and the second focuses on adapting Or Nue to canvas work. Both are detailed "how to" articles, with instruction and photos. They're wonderful resources!

Besides the historical and instructional side of things, you'll find on Jane's site two nice galleries: one features guest artists, and the other features her own students' work. Definitely worth browsing if you like to look at photos of fine needlework!

In addition to information and photos, you can also purchase some of Jane Zimmerman's self-published needlework books, needlepoint kits, and instructional charts and booklets for different projects.

I hope you enjoy browsing her site as much as I did. If you have the time and the opportunity, do read her articles! They're well worth it!
]]> historical needlework hand embroidery information canvas stitches goldwork embroidery resources embroidery designers silk 9177 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-01-15 15:16:00 2009-01-15 15:16:00 1 0 9178 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2009-01-15 15:15:00 2009-01-15 15:15:00 1 0 9180 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-01-14 21:41:00 2009-01-14 21:41:00 1 0 9183 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-01-14 18:26:00 2009-01-14 18:26:00 1 0 9184 Anonymous noreply@blogger.com 2009-01-14 09:52:00 2009-01-14 09:52:00 1 0 Maria in Kansas]]> http://www.needlenthread.com/2009/01/goldwork-tip-stretching-pearl-purl.html Tue, 13 Jan 2009 06:40:00 -0600 Mary Corbet 483 2009-01-13 06:40:00 2009-01-13 06:40:00 open open Goldwork-Tip:-Stretching-Pearl-Purl publish 0 0 post how to use pearl purl, here's another option for this beautiful real metal thread. It still involves couching, but for this technique, you use a colored embroidery thread.

When you stretch pearl purl, the coils open and it looks even more like a spring. The gold thread (I always have a problem calling goldwork threads "threads" for some reason!) has nice spaces between the coils for couching, and if you couch in every other coil, you can achieve a different and interesting effect.



Although I already showed you this little motif when I was discussing goldwork on a crazy quilt square, I thought it worth while to bring it up again, to demonstrate what you can do with stretched pearl purl, and to show you how it looks next to regular pearl purl.

In the photo above, the last inside circle at the base of the motif is stretched pearl purl, couched in every-other-coil with red silk buttonhole twist. Directly above the stretched pearl purl is pearl purl #3, and above that, pearl purl size #F1.

To use stretched pearl purl, cut about half the length you need for the line you want to cover.

To stretch, grip each end of the pearl purl with your fingernails (well, I find it easiest to use my nails between the last coil or two). Pull gently with consistent pressure from both hands until the pearl purl has doubled in length.



If you have coils on the end that are still closed, either stretch them or cut them off. Make sure that your length of pearl purl covers the line you want to cover, though, before you cut!! Once you've determined that you have the right length (or a little longer, even) than you need, you can thread your needle and get ready to couch.

Silk buttonhole twist worked really well here. You can use heavier threads, too, like Trebizond, or you can use regular stranded floss - but you'll probably need three strands or more for the color to show up well. Thread your needle and anchor it (either using a waste knot, or running it under threads already there). Bring your needle to the front of your fabric at the point you want your line to begin, and stitch over the first "valley" after the first coil. Then skip a valley, and stitch in the next. Continue stitching in every other valley between the coils until you reach the end of the line. Try to end with a couching stitch.

If you need to snip your gold to fit the line, snip it, then take your couching thread to the back and run it under the stitches on the back to secure it.

This is a very simple technique, and makes a really pretty line of gold, accented by whatever color you choose for a couching thread.

Another tip: though I usually will always wax a regular couching thread when I'm working with pearl purl, when I'm using the floss as a decoration (as in this technique) I don't wax the thread. The thread just looks better when it isn't waxed!

So, if you're game for goldwork, here's an easy technique to try!

Have fun with it!
]]> hand embroidery information goldwork Hand embroidery stitches embroidery tips and tricks silk http://www.needlenthread.com/2009/01/free-pattern-for-hand-embroidery-or.html Mon, 12 Jan 2009 07:00:00 -0600 Mary Corbet 484 2009-01-12 07:00:00 2009-01-12 07:00:00 open open Free-Pattern-for-Hand-Embroidery-or-Goldwork:-Stylized-Pomegranate publish 0 0 post online needlework book on church embroidery. In the book, there are some nice embroidery patterns, but they aren't very clear and they require some adjusting if you want to use them for your own embroidery patterns. One in particular struck my fancy, so I cleaned it up and here it is...

In the book, Church Embroidery, Ancient and Modern, this particular embroidery design is shown as a sample showing how to frame up a piece. It's on page 125 of the actual book (plate 18) and 178 of the PDF.

In looking at the original drawing, the piece looks as if it is worked in silk shading (on the leaves) and goldwork on the undersides of the leaves, outlining the leaves, and on the main body of what appears to be a stylized pomegranate-type design. I don't know what else to call these types of designs - I've seen them listed under pomegranates in different books of design, such as 4000 Flower & Plant Motifs: A Sourcebook by Graham McCallum. If you happen to know if designs like this have a particular technical name, please let me know!

If you click on the design below, you'll get a larger version. I've also included below a PDF link for those who are interested in a PDF version of this pattern.



Free Hand Embroidery Pattern for Surface Embroidery or Goldwork: Stylized Pomegranate (PDF)

Truth is, I really like this little design. I'm itching to start another project, and I think this would be a fun way to combine goldwork with a tiny bit of silk shading here and there. In fact, it could just be a fun goldwork design, without any silk shading... better yet, it would work well in goldwork with some of the couching done in colored silks. Oooooh - the possibilities!

We'll see if this one works into my list of "smaller" projects for this year! In the meantime, if you can find a use for the pattern, I hope you really enjoy it!


]]> goldwork free embroidery patterns silk 9188 Anonymous noreply@blogger.com 2009-01-12 19:07:00 2009-01-12 19:07:00 1 0 I like fatter pomegranates (like the last one you worked) myself, but this one is beautiful in a different way.
-Christiana]]> 9190 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-12 18:36:44 2009-01-12 18:36:44 1 0
I don't know if artichokes have a place in ecclesiastical needlework, though. The pomegranate is used widely in church symbolism, after Easter (or Pentecost). Stylized, they have these little flourish things on the sides (which I don't quite understand, as far as pomegranates go) and some sort of crown-ish tip. The "flowers" in the stole I did (that are also featured in my header) are considered pomegranates, too. They are William Morris like, too, and to tell you the truth, I'd be more inclined to call them "flowers" or some other leafy, flowery, thingamabob, rather than a pomegranate or an artichoke!

I was thinking, to pull out more of the pomegranate look, gold passing couched with red in a kind of basket-weave in the center might be an interesting approach, with the sides worked in gold passing, too, only couched more closely in a darker red to give the effect of the skin....

In any case, I do believe I am going to play a bit with this design and maybe work something up! I'm going to get rid of the little arm things sticking up on each side towards the top, though. They remind me of Lowly Worm!]]> 9191 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-01-12 18:04:00 2009-01-12 18:04:00 1 0
My first thought (apart from what a beautiful design) is that it looks like an artichoke to me. It reminded me very much of one of Anna Scott's designs (after William Morris) in Inspirations 44.

I've looked everywhere for an online photo, and below is the best I can do:
Go to: http://www.ericas.com/embroidery/magazines/inspirations.htm
Scroll down to find Issue 44, then click on the cover and it will take you to a view of the contents page. There are 8 small previews of the projects from that article, and the blackish one, second from the bottom on the right, is Anna's Artichoke design.

Yvette]]> 9192 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2009-01-12 15:14:00 2009-01-12 15:14:00 1 0 http://www.needlenthread.com/2009/01/where-to-find-silk-couching-thread.html Sun, 11 Jan 2009 08:00:00 -0600 Mary Corbet 485 2009-01-11 08:00:00 2009-01-11 08:00:00 open open Where-to-Find-Silk-Couching-Thread publish 0 0 post

There are a variety of threads I use for couching metal threads. Which one I use is determined by a couple things: what's easily on hand without having to dig through supplies, what type of thread I'm couching and what it's made out of, and finally, what I want the finished product to look like. I sadly admit that often, convenience plays a big role in what couching thread I happen to use! Normally, I keep a spool or two in my work basket, but sometimes, I have to dig for the right thread!

Kreinik silk couching thread: This is a gold-colored thread, size 0. It's a smoother thread than Soie 100/3, and has more of a shine to it. I like it because, when I'm couching smooth passing thread, the color and shine blend in with the thread.

You can find the Kreinik silk couching thread online at the Kreinik mall. Kreinik's regular website is no longer used for retail sales, so you have to go to their shopping website, which is called the Kreinik Mall. It's kind of a strange set-up - you're required to select a store listed, then browse their inventory! But anyway, here's a link for Kreinik silk couching thread through the Kreinik mall.

Soie 100/3 in light gold or dark gold: this is an excellent couching thread, but it's a bit thicker than the Kreinik, and it isn't as shiny. It comes in a variety of colors, but for couching gold, I like the light gold or the dark gold. The dark gold looks best, I think, with 2% gold threads, while the light gold looks better with gilt threads. Because it's a bit thicker than Kreinik, I don't use it for finer sizes of pearl purl (it tends to show, and sometimes, it really moves the pearls apart), and I don't use it for finer sizes of twists (like Elizabethan twist...)

For Soie 100/3, you can purchase it at any fine needlework shop that carries the Au Ver a Soie silk threads. Online, the following places carry this silk: Hedgehog Handworks, Berlin Embroidery (in all the colors for couching metal threads), Needle in a Haystack, etc.

Tire Silk: this is a new thread for me, but after using it a bit on the latest samples of goldwork, I really LIKE it a LOT! I think it may end up being my favorite thread for couching! It's called "Machine Twist (50 weight)," and it comes in a nice darkish gold. You can also find even a finer weight Tire Silk (100 weight), which I'd like to try for the really fine gold threads, like Elizabethan twist. I've put it on my wishlist.

If you want to try Tire Silk, visit Silk Things, where you can see the different types of silk they offer, and purchase whatever kind you want. On the link there, you'll need to scroll about halfway down the page to find the 50 wt Machine Twist. Besides machine threads, they carry some hand embroidery threads, which I'd also like to try.... one of these days!

So those are the types of silk couching thread I use and some of the places you can find them. I've used polyester for couching as well. There's a yellow one that looks just like the Soie 100/3, but a little brighter. But I've found I prefer the silk. And a little goes a long way, so it isn't that much of an investment.

On a final note, vacation is over - real work begins again. I had so much I wanted to accomplish these past three weeks, and, although I accomplished quite a bit, I didn't get nearly the amount of work done on the website that I wanted to! Well, it isn't the end of the world. After all, that's what weekends are made for, right?!!
]]> goldwork embroidery resources silk 9195 Anonymous noreply@blogger.com 2009-01-11 17:01:00 2009-01-11 17:01:00 1 0
Tire silk even finer than 50 weight??!! Wow. I'd like to see that! I've noticed that, as f
ilament silk, tire is considerably stronger than other couching threads. (Didn't you posted once about spun vs. filament silk?)

I have some Soie 100/3 that came in a goldwork kit, but it looked so very FAT that I used Gutermann instead.
I've found that Gutermann #488 (dark) and #855 (light)work pretty well. They're just polyester, but they feel and act like cotton. I use them with the thicker Japanese threads or waxed when the couching thread doesn't show - i.e. sewing purl chips.

-Christiana]]> http://www.needlenthread.com/2009/01/free-needlework-book-online-church.html Sat, 10 Jan 2009 08:00:00 -0600 Mary Corbet 486 2009-01-10 08:00:00 2009-01-10 08:00:00 open open Free-Needlework-Book-Online:-Church-Embroidery,-Ancient-and-Modern publish 0 0 post

The name of the book is Church Embroidery, Ancient and Modern, by Anastasia Marice Dolby. Typical of older church embroidery books, while there are some black and white drawings - and some little patterns that can be elaborated upon or adapted - the book is mostly text.

In it, you'll find instruction on older forms of church embroidery, so if you've ever looked at old church vestments and vesture and wondered "how they did that," this might be a book that answers those questions.

There are also plenty of tips in the book on goldwork, embroidery on linen, applique techniques, and so forth. Of course, since the book was written quite a while ago (1867), some of the instructions are a bit dated. For example, Mrs. Dobly's instructions on making a paste made me chuckle:

To make a needlework paste. - Paste which is sure to bind, and will never come through on the surface of the material, is shoemaker's paste; two pennyworth of which may be had from any adjacent shoemaker.

But supposing a shoemaker be not always adjacent, we give our receipt for an excellent paste, which may be made at home.

Take 3 table-spoonfuls of flour, and as much powdered resin as will lie on a shilling; mix them smoothly with half a pint of water, pour into an iron saucepan, and stir till it boils. Let it boil 5 minutes; then turn it into a basin, and when quite cold, it is fit for use.

Since I don't have an adjacent shoemaker, I suppose I would have to go for the home-made recipe!



Some of the little patterns in the book are nice, and would adapt well to individual motifs for goldwork or silk shading, even for secular use. I may play around with some of them to see if I can work them into clean images to use as patterns. If I do, I'll certainly share them with you!

The book is available on Google Books: Church Embroidery, Ancient and Modern, by Anastasia Dolby.

I don't know about you, but I really love these nice old needlework books that are generously being made available by those who take the time to digitize them.

Feel free to check out my list of free online needlework books to see some similar books available online.

Enjoy your weekend!
]]> book review free embroidery patterns online needlework books embroidery books 9196 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-01-11 14:55:00 2009-01-11 14:55:00 1 0 9197 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-01-10 19:58:00 2009-01-10 19:58:00 1 0 9198 Anonymous noreply@blogger.com 2009-01-10 19:43:00 2009-01-10 19:43:00 1 0 -Christiana]]> 9204 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-10 11:52:26 2009-01-10 11:52:26 1 0
In many ecclesiastical projects, though, the ground fabric for the completed project could be a Very Large Piece - not conducive to working the whole at one time. For example, an altar frontal can be 10 feet or wider, by more than 4 feet high. Vestments are rarely worked on the whole piece of cloth, because often just the orphreys or the central medallions are embroidered. So even today, in church embroidery, it normal to work a smaller motif and attach it to the larger ground, then decorate the edge with cording to hide the edge.

I love reading the old instructions on making things like pounce or paste. I guess next time I need pounce, I'll just grab a piece of coal from the bin!]]> 9205 Laura Bullinger noreply@blogger.com 2009-01-10 11:05:00 2009-01-10 11:05:00 1 0 I have read in the past that cardboard was used to create perfect sharp edges and precise shapes. Here, too, that procedure is used.
I am mostly amazed at the instructions telling us to create appliques of much of the designs and attach them with cording to be embroidered with monograms and center designs. I suppose that is how the pst needleworkers created such beautiful and perfect work.
"Nowadays" we mostly transfer onto linen the entire design and work up the whole piece at once.]]> 9206 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-10 09:08:14 2009-01-10 09:08:14 1 0
MC]]> 9209 charlie noreply@blogger.com 2009-01-10 09:04:00 2009-01-10 09:04:00 1 0 http://www.needlenthread.com/2009/01/favorite-real-metal-thread-pearl-purl.html Fri, 09 Jan 2009 09:26:00 -0600 Mary Corbet 487 2009-01-09 09:26:00 2009-01-09 09:26:00 open open Favorite-Real-Metal-Thread:-Pearl-Purl publish 0 0 post

You've probably already caught on to the fact that I love goldwork. I think it's such a gorgeous form of surface embroidery - it would be hard to top, actually, when considering beautiful surface embroidery techniques. In history, goldwork was reserved for the very wealthy or for ecclesiastical use. But today, as metal thread embroidery becomes very popular once again, it is an accessible technique for many stitchers, thanks to excellent instructional books that are available (you can read some of my needlework book reviews, which include several on goldwork), thanks to the fact that more specialty needlework shops are beginning to carry goldwork supplies, and thanks to the internet, which makes finding and ordering needlework supplies a lot more convenient than it used to be!

There are several different metal threads that I would classify as favorites: smooth passing thread, check purl, and pearl purl. Out of those three, if I had to narrow it down, I'd say that pearl purl is my favorite metal thread of all, for three reasons: it's awfully pretty (!), it's versatile, and it's relatively quick to work with.



Pearl purl is made out of a thickish metal wire that is coiled like a spring. It comes in long lengths that you cut to fit whatever line or curve you're embellishing. It's one of the harder metal threads, but it is flexible. In its unstretched state, it takes both gentle and tight curves quite well. It also takes corners and angles well - a firm pinch with the tweezers will square off the pearl purl, or bring it to a sharp point.

If you want to practice with pearl purl, you'll need a couple simple supplies: a length of pearl purl, couching thread (I use Kreinik gold colored silk couching thread in size 0), a small needle (size 10 crewel works well), beeswax, and small sharp scissors to use for cutting metal threads. If you are going to venture into metal thread embroidery, it's a good idea to have at least one pair of small sharp scissors to use solely for metal threads. Real metal threads can be pretty rough on a pair of scissors, so don't use your best embroidery scissors to play around with them, unless you don't mind making your best embroidery scissors your metal thread scissors!

Here's how I used pearl purl to create a simple vine-like motif.



I began by drawing out a pattern on my fabric. Any line design of a flowy nature works well for practicing with pearl purl. I used a fine tipped art pen and just drew some scrolly things that fit in the corner of this block.

The ink bled a bit due to the type of fabric, but I'm using a large pearl purl (#3), so it will cover the lines just fine.



Run your couching thread over a cake of beeswax a couple times, then run it through your fingers a couple times to distribute the wax and make your thread smooth.

Lay your pearl purl on your vine motif to measure approximately how much you'll need to cover the first scroll. Cut it a little longer than you think - it's always better to have to snip off a few extra coils at the end, rather than running short!



To cut the purl, snip it between two coils. Here, I'm cutting a pearl purl #2, just for the sake of this demonstration. You can snip closer to the point of your scissors if you wish, but pearl purl #2 and #3 are rather tough metal - I find I need more leverage when I cut them!



You can clean the cut ends up with your scissors if you need to. Sometimes, a little shard will stick up - you want to remove anything like that, either by snipping a bit off with scissors, or by pinching the shard down with tweezers. In any case, the side of the cut on the coil gets turned down next to the fabric when you couch it, so that a full coil is showing on top.



I find it easier to begin by couching in the second coil, then couching in the first coil. Bring your needle up in your ground fabric at the beginning of the line you want to cover. Then take your needle back down over the gold, and pull through until a small loop of your couching thread remains. Sometimes, it's easier to make the loop, then stick your gold thread into the loop. Pull down on the thread gently until it's snug on the pearl purl.




You want the thread to rest between the coils, not on top of a coil, because you're going to tug it down into the coils so it isn't visible.



Give the thread a good little pull from the back. You don't have to yank it. A quick tug will pop the thread down between the coils, where it will disappear. Usually, you'll even hear a popping sound, but not always. I find it's better to give a pressured pull from the back, than to really yank on the couching thread. A "tug" is better than a "yank."

Once you couch the first and second coils of the pearl purl down onto the beginning of your line, proceed to couch the rest of the metal thread until the line is covered. Couch the thread in every third or fourth coil on straight lines or very gentle curves. As the curves become tighter, couch in at least ever other coil, so that the purl takes the curve smoothly.



As you come to the last coils to cover your line, couch in each coil for the last two or three coils. Snip any extra coils that extend beyond the line, then use tweezers to pinch down any shards, and to turn the coil (if possible - it's not always possible) so that the least amount of the cut is visible. In fact, in the two ends showing above, the coils should have been turned better, so that the whole cut wasn't face up!



These two ends are a bit better, since the coils at the very end are complete.

Once you get your vine couched, you can embellish it however you wish! I used spangles around mine.

Pearl purl is a relatively easy type of metal thread to work with, and you can vary the look of the pearl in several different ways.

In the meantime, if you're game to try metal threads, you can find them through specialty shops listed at the end of this article on goldwork supplies. The larger sizes of pearl purl (2 and 3) are more expensive than the finer pearl purl, because of the quantity of metal and gold used to produce them. But even if you just buy a little bit, it'll go a pretty long way. In fact, Tanja Berlin sells sample pieces of all the goldwork threads she carries, which is a nice way to get introduced to them.

If you have any questions about pearl purl - or if anything was unclear in this little tutorial - don't hesitate to ask!
]]> needlework tutorials goldwork pictures embroidery tips and tricks needlework pictures 9201 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-10 15:49:00 2009-01-10 15:49:00 1 0
Love the Church book - some *gorgeous* designs in there. Just organizing Nick to print it out for me :-)]]> 9202 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-10 15:42:48 2009-01-10 15:42:48 1 0 9203 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-10 15:19:00 2009-01-10 15:19:00 1 0 9207 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-10 09:06:58 2009-01-10 09:06:58 1 0
Best,
Mary]]> 9210 charlie noreply@blogger.com 2009-01-10 09:02:00 2009-01-10 09:02:00 1 0 9212 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-10 07:56:42 2009-01-10 07:56:42 1 0
I haven't had any knicks on my scissors from the metal threads. I would imagine the pliers would work fine, if they're thin enough to get between the coils.

MC]]> 9213 Sojourner Design SojournerDesign@gmail.com http://www.blogger.com/profile/06771679118636379649 2009-01-10 05:48:00 2009-01-10 05:48:00 1 0
Diane]]> 9214 Leigh noreply@blogger.com http://www.blogger.com/profile/16107295414753495622 2009-01-09 23:34:00 2009-01-09 23:34:00 1 0 9216 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-09 16:42:49 2009-01-09 16:42:49 1 0
Well, for regular surface embroidery, I don't generally use a backing fabric. Unless you're stitching on fabric that's super loose, and you're using heavy thread, a backing fabric isn't normally necessary, I find. However, with goldwork, I always line my fabric. In the project above, I used a lightweight linen as a lining. Normally, with goldwork, I use a good muslin behind my ground fabric, or a good linen (muslin is a less expensive alternative and works just as well).

As for stitches, usually that comes with practice... if you have a good stitch dictionary, they are often arranged according to types of stitches: filling stitches, line stitches, etc. If you can see the stitch first, you can probably get a good idea of what the stitch can be used for...

Hope that helps!

MC]]> 9217 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-01-09 16:31:00 2009-01-09 16:31:00 1 0 9218 MK noreply@blogger.com http://www.blogger.com/profile/15505119398527697955 2009-01-09 14:26:00 2009-01-09 14:26:00 1 0
Im a beginner and am slowly teaching myself to embroider. I have come across a lot of different stitches that I would like to use but can't decide what stitch would be best for which design.

Another question. Is there any kind of "backing" that is recommended behind your stitches? just to make sure things dont slip out?

thanks,

mk]]> 9219 MK noreply@blogger.com http://www.blogger.com/profile/15505119398527697955 2009-01-09 14:25:00 2009-01-09 14:25:00 1 0
Im a beginner and am slowly teaching myself to embroider. I have come across a lot of different stitches that I would like to use but can't decide what stitch would be best for which design.

Another question. Is there any kind of "backing" that is recommended behind your stitches? just to make sure things dont slip out?

thanks,

mk]]> 9223 cq4fun noreply@blogger.com http://cq4fun.livejournal.com/ 2009-01-09 13:48:00 2009-01-09 13:48:00 1 0 9224 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2009-01-09 12:53:00 2009-01-09 12:53:00 1 0 Jane
www.worldembroideries.blogspot.com]]> 9225 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-09 12:48:37 2009-01-09 12:48:37 1 0
Best of luck!

Mary]]> 9226 BJ Pontalion noreply@blogger.com 2009-01-09 12:14:00 2009-01-09 12:14:00 1 0
Thank you for this timely post. I am getting ready to work with #2 pearl purl for the first time. This explanation is extremely helpful to me.

I have been a regular reader of your site for a long time now. It is your posts that have helped me branch out into varying threads and gold’s. I am taking the EGA class on gold work.

Thanks again.
BJ]]> http://www.needlenthread.com/2009/01/im-not-crazy-quilter-part-ii.html Wed, 07 Jan 2009 11:03:00 -0600 Mary Corbet 488 2009-01-07 11:03:00 2009-01-07 11:03:00 open open I'm-Not-a-Crazy-Quilter,-Part-II publish 0 0 post

I blame this solely on Allison Aller! (Well, "blame" probably isn't the right word! I thank her for the idea and the opportunity!) I can now see precisely why crazy quilting can be addictive. I've never quite done anything like it. And it was fun. It was lots of fun. Frustrating at moments, because I don't have a bunch of experience in creative crazy quilty ideas floating in my head... but perhaps that was part of the fun.



Anyway. Just a little snippet. This is for an article for CQMag Online. Rissa is patiently waiting for the article. I'm impatiently editing photos.

Yes, Jo. I ventured over to the crazy side....
]]> crazy quilt goldwork CQMag Online pictures needlework pictures 8858 Pat Winter angell100@comcast.net http://www.blogger.com/profile/13059339623003211397 2009-02-11 09:25:00 2009-02-11 09:25:00 1 0 Pat]]> 9215 Marie Alton sredeluxe@rogers.com http://www.blogger.com/profile/06701433382557929101 2009-01-09 20:44:00 2009-01-09 20:44:00 1 0
Resistance is futile...you will be assimilated!

What I've found over the years ... is that each of us developes our ow CQ style ... and that is the beauty of it.

I first tried CQ after seeing Maureen Greeson's work. It had a simple elegance...you could see the fabric and each seam had room to shine with its' own merit ... unlike many I'd seen where the pieces were packed to the max ... and just too busy for my liking.

If goldwork is your thing...then by all means add as much of it as you desire. The bits you share here are awesome! Look forward to reading you article in CQ Mag.!]]> 9221 cq4fun noreply@blogger.com http://cq4fun.livejournal.com/ 2009-01-09 13:55:00 2009-01-09 13:55:00 1 0 9228 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-09 07:37:35 2009-01-09 07:37:35 1 0
Thanks very much for the comments! It was really quite fun, and I'm glad that parts of the finished product turned out pretty well. There are some parts I like less than others, of course....

Jo! Thanks for the offer. Careful - I just may take you up on it some day! >:-)

Oh, you SHOULD try the goldwork! This is the thing - you can purchase just small pieces, sample size - 9" to 18" of a type - and they would actually go pretty far on a quilt square, because generally the seams are fairly short. It depends on what you do on the seam, but overall, you can get away with pretty small pieces to try the technique out!

Doooooo try it!]]> 9229 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2009-01-09 05:08:00 2009-01-09 05:08:00 1 0
I think I am going to like this block very much, and I think I am going to dislike you very much for creating yet another thing that I HAVE to try, and therefore, buy....]]> 9236 FredaB fmbutler@hotmail.com http://www.blogger.com/profile/08000510495713705938 2009-01-08 15:27:00 2009-01-08 15:27:00 1 0
Maybe the CQ conference in Omaha may be in your future. How nice that would be.

Hugs

FredaB]]> 9238 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-01-08 13:46:00 2009-01-08 13:46:00 1 0 9242 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-01-08 09:22:00 2009-01-08 09:22:00 1 0 Mary this is so exquisite I could just swoon!!!!]]> 9243 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2009-01-08 07:22:00 2009-01-08 07:22:00 1 0 9244 Ruut noreply@blogger.com 2009-01-08 04:57:00 2009-01-08 04:57:00 1 0 9246 Paularay noreply@blogger.com http://www.blogger.com/profile/02847200666369055570 2009-01-07 21:23:00 2009-01-07 21:23:00 1 0 9247 Ginger noreply@blogger.com 2009-01-07 20:45:00 2009-01-07 20:45:00 1 0
ginger]]> 9248 JenMeister jenmeisterswaps@gmail.com http://www.blogger.com/profile/17044302728214730094 2009-01-07 18:32:00 2009-01-07 18:32:00 1 0 9250 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-07 15:34:00 2009-01-07 15:34:00 1 0 9251 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-01-07 14:45:00 2009-01-07 14:45:00 1 0 I would like so much to make something very little for my eldest sister!!! A while ago she gave me so many precious things I immediatly "saw" those things in Allison Aller's hands as a crasy quilt :)]]> http://www.needlenthread.com/2009/01/another-needlework-sale-notice.html Tue, 06 Jan 2009 14:30:00 -0600 Mary Corbet 489 2009-01-06 14:30:00 2009-01-06 14:30:00 open open Another-Needlework-Sale-Notice.... publish 0 0 post

Needle in a Haystack is extending their end-of-year sale on needlework supplies that include fabric, threads, charts, accessories, etc. The sale is in effect until January 11th. Here's the information from their newsletter:

All in-stock holiday items are 30% off (e.g. Christmas, Valentines, Halloween, etc)., all books and magazines are 10% off and everything else is 20% off (charts, thread, fabric, accessories, etc.). The sale is good only on in-stock items and excludes classes, finishing, items on Hold, Gift Cards and special orders. If the item is already on sale, you still get the additional savings during this sale. If you missed it last week be sure to join in the retail fun this week!

Visit the Needle in a Haystack online catalog to see if they have what you need for this year's projects...

I'm ordering several pairs of Evertite Frames. I love those things, and I can't wait to have a few in the larger sizes!
]]> embroidery resources 9239 Anonymous noreply@blogger.com 2009-01-08 12:48:00 2009-01-08 12:48:00 1 0
Marilyn]]> http://www.needlenthread.com/2009/01/yvette-stanton-on-whitework-and-book.html Tue, 06 Jan 2009 08:43:00 -0600 Mary Corbet 490 2009-01-06 08:43:00 2009-01-06 08:43:00 open open Yvette-Stanton-on-Whitework-and-Book-Publishing publish 0 0 post

Yvette's specialty is whitework of different types - specifically, Mountmellick embroidery, Hardanger, and Ukranian drawn thread embroidery. She's published three books on those subjects, all of which are available on her website, Vetty Creations, where you can also buy whitework supplies and learn about these types of whitework.

So here's a bit about Yvette's ventures in the needlework book publishing field, in her own words. Fix a cup of coffee, sit back, and enjoy!

Mary has very kindly invited me to write about my publishing experiences. I have read her features on both Trish Burr and Alison Cole, and have to say that my experiences are different again!

I'm an Australian, living in Sydney. We are fortunate in Australia to have a wonderful stitching heritage - nothing that is particularly Australian though, because we are too young as a country to have developed something that is uniquely ours. However, here in Australia, we have some excellent needlework magazines that focus on a wide range of needlework styles, and some really excellent publishers of embroidery books. All these things mean that Australians are quite adventurous embroiderers, happy to look for something new to try.

My mum tells me that even as early as Year 10 at school I had expressed a desire to be a book designer. After school I went off to study graphic design at university, and forgot about my desire to be a book designer, until my final year. I must have decided it was a good idea again, because I that's what I did for my final year major project.

After uni I worked for a number of years as a book designer for a major international publisher. I travelled about half an hour on the train each day, to and from work. I filled the journeys with stitching - usually hardanger embroidery. It was interesting to note how many men used to ask me 'Is that tatting?' Somehow tatting seems to have seeped into the Australian male's consciousness, though they have no idea what it is. Something to do with thread, I guess!

One of the projects I spent a lot of time working on was a major hardanger embroidery piece. I had designed it with the express purpose of entering it in the Nordic Needle Hardanger Contest. I entered, and was fortunate to be one of the winners in 2000. It was scary posting off the precious embroidery for judging, and such a relief to have it safely back in my hands again at the conclusion.

Somehow I got the idea in my head to send out press releases announcing my win. I sent some off to local Australian publishers of embroidery books in the hope that they might want to include a project or two of mine in a book that they already had going. I was completely surprised when two of them suggested that I might like to write a book for them.



As a result, 'Elegant Hardanger Embroidery' was published in 2002. I enjoyed the process of writing it, and then was casting around for a subject for a second book. Being passionate about whitework embroidery, I really wanted to do something along those lines. It was suggested to me that Mountmellick Embroidery would be a worthwhile subject. So in 2002, I went to Ireland to research the beautiful floral whitework embroidery that originated from the town of Mountmellick.

I invited my identical twin sister, Prue Scott to do this book with me. Prue is also an accomplished embroiderer, with the added advantage of being a trained botanical artist. In many ways, for a book on floral embroidery, she was the perfect partner.



Our book 'Mountmellick Embroidery: Inspired by Nature' was published in 2004, and has enjoyed great success. Someone wrote to me even just this morning and said it was 'the bible' on the subject, which was lovely to hear.

After some years, my book on Hardanger went out of print, and the publishers decided that they did not want to reprint. Having already had some experience both in the publishing and authoring sides of books, I considered self publishing. I knew it would be a huge learning curve, but as I believed in my book, I decided to give it a go. I redesigned the book, adding some new material, and released the self-published revised edition of 'Elegant Hardanger Embroidery' in 2005.

My next subject was Ukrainian drawn thread work. I had done a basic class on this at my local guild, and saw that there was definitely potential for a book on it. I considered it for quite some time, began working on it, and then put it aside. I decided that it was too niche to work. Some time later I re-evaluated the book, and decided to go ahead.

We did not feel confident going to Ukraine as a family, for me to research the book, because of the language barrier - I don't speak Ukrainian! So instead we headed to New York (which my husband was just itching to visit anyway!) where there is an excellent Ukrainian Museum. I spent some wonderful days trawling through their collection of merezhka embroidery, and through the personal collection of the textile curator.

The resulting book, 'Ukrainian Drawn Thread Embroidery: Merezhka Poltavska' was self-published in 2007. It has continually pleased me with its success. For such a terribly niche subject, it is now in its third print run.



Around this time, I was surprised by the fact that our Mountmellick book went out of print. As 'only' the author, no-one had thought to tell me that its stocks were about to run out. But run out they did, and the publishers decided that the rights could be returned to us. Almost as soon as it disappeared from the shelves around the world, people started emailing me to find out if I had any stock. I didn't because it had caught me completely unawares.

The demand impressed upon me the need to get the book back in print as soon as possible though. I knew the book was good, but I was determined to make it even better. I revised the stitch instructions, adding more variations and changed them all into colour. I also added close-up photos of every stitched motif in the projects. I re-did the knitting instructions to be much more comprehensive, and added another even more authentic knitted fringe method. Two new projects were added. The fully revised and expanded edition was released at the end of 2007.

Probably one of the main differences between me and other self-publishers is that because I did graphic design at university and am also a stitcher, I do pretty much everything for my books myself. (Although Prue and I worked on the first edition of the Mountmellick book together.) So when I do a book, I write it, I design the embroideries, I stitch the embroideries, I do all the illustrations, I take all the pictures, I draft the patterns, I design the book internals and the cover. These are all the parts I feel completely confident in handling myself. I always get several other people to proof-read everything though. My biggest learning curve has been the selling and distribution side of the business. I think I will always be learning new things in this area, which doesn't worry me in the slightest. It means I can always improve upon what I do.

I have my books printed overseas, so have gotten used to dealing with shipping agents and the like. It is wonderful to have excellent distribution in Europe, America and Australia. As time goes on, I'll work on expanding into other markets. I have already had one enquiry about translation rights, so probably further down the track I'll look more into that area.

So what have I been doing since the Mountmellick book revision? Several things! I began work on another book, but had to put it aside due to health issues. I have also completed the initial research on another book, which I am just so impatient to write! But because I am limited by health, I am working on a left-handed stitch dictionary which fits better with my current capabilities. I am so enjoying exploring stitches! And the book keeps getting bigger than Ben Hur because I keep finding more to put in it - more stitches and more detail.

Life could change a little this year, as my youngest child is beginning school. It will mean that its very quiet at home. I could either go mad with the quietness, or relish the solitude and get lots more work done. We'll have to see how things pan out! I just consider myself extremely fortunate to be able to do something that I love so much, as a job. I'll never get rich (publishing never makes anyone except the most famous authors rich) but I'm certainly having fun!

If you're interested in whitework, you'll find that Yvette's three books are excellent sources of how-to information. I've heard her book on Mountmellick embroidery described as "THE book" on Mountmellick, as well as the "bible" when it comes to this type of needlework. It's an excellent resource! Besides ordering through the book page on Vetty Creations, if you live in the States, you can order her books through Nordic Needle.

Yvette also has a blog called (appropriately!) White Threads. Here, she keeps us up to date on her work, her embroidery projects, book publishing plans, and various other tidbits. Yvette doesn't just do whitework - check out her post on her completed Elizabethan embroidery piece. It's stunning!

Right now, Yvette's exploring the possibility of publishing a stitch dictionary for left-handed embroiderers! I find this really exciting, not because I'm left-handed (I'm not), but because I teach a lot of left handed children and adults. If her other books are anything to go by, I know this is going to be a wonderful resource! So I'm looking forward to that with my fingers crossed!

Thanks, Yvette, for the fun and informative article!
]]> embroidery resources Yvette Stanton whitework embroidery designers needlework pictures 9222 Patrice Marcks, Riverside, CA noreply@blogger.com 2009-01-09 13:54:00 2009-01-09 13:54:00 1 0 9241 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2009-01-08 09:28:00 2009-01-08 09:28:00 1 0 What a talented woman! Thanks, Mary, for this wonderful peek into her world.]]> 9252 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2009-01-07 14:28:00 2009-01-07 14:28:00 1 0
That's very amusing about the left-handed instructions for plaited braid stitch! I don't think right-handers have any idea what we left-handers have to put up with! (big wink!)

Glad you enjoyed the profile. :-)

Yvette]]> 9255 margaret c. noreply@blogger.com 2009-01-07 00:17:00 2009-01-07 00:17:00 1 0
Yvette, bless you for putting together a stitch guide for lefties. I recently took a class that included plaited braid and the instructions were actually written for lefties (unintentionally, I think). It was kind of fun watching the righties try to reverse the instructions on-the-fly! I must say that I took a tiny bit of delight in listening to their grumbling.]]> http://www.needlenthread.com/2009/01/revisiting-breath-of-spring-embroidered.html Mon, 05 Jan 2009 09:41:00 -0600 Mary Corbet 491 2009-01-05 09:41:00 2009-01-05 09:41:00 open open Revisiting-Breath-of-Spring-Embroidered-Garden:-It's-now-a-Pocket publish 0 0 post embroidering this garden titled "Breath of Spring," which was a project featured in one of last year's Inspirations Magazine. I have to admit, this was one of the Most Enjoyable Projects I've worked on. Perhaps that's a retrospective view - I do remember having a few frustrating moments while working on it. For example, I got quickly tired of working the bullions for the wheat. But when we're satisfied with the outcome of a project, it's easy to remember the whole project with intense pleasure, rather than to try recalling what we didn't like about it, isn't it?

A few days before Christmas this year, I set about turning this embroidered garden into its intended purpose, which, according to the original project, is as a pocket on the outside of a tote bag. I wanted to make the tote bag for my Mom for Christmas, so I gathered all my supplies, read (and re-read, and re-read again) the assembly instructions, cut the fabric, and set myself to constructing the tote bag.

Right away, I ran into a snag. The project called for a heavy fusible interfacing for the pocket, and in the assembly instructions, it said to fuse the interfacing to the pocket panel. Now, there are two pieces to the pocket, the embroidered panel, and the pocket lining. Since the instructions said to fuse the interfacing to the pocket panel, I automatically assumed they meant the embroidered panel. And they may have. I still, to this day, don't know.

Whatever the case, I fused the heavy (very heavy - as in, stiff-like-a-board heavy) interfacing to the back of the embroidery.

You know that nagging little voice that tells you that you should probably double-check with someone before you take an irrevocable step? I heard it that day. But I didn't heed it. Hmmm.....

After fusing the interfacing to the back of the embroidery, I trimmed the embroidered panel to size, leaving a seam allowance, and I trimmed the lining (a piece of natural linen the same color as the background of the embroidery) to size, and then I sewed both pieces together, right sides together, as instructed, leaving a four inch opening for turning it right-side-out.

And this is what I wanted to show you. I was thinking I'd allow you to experience my anxiety. Oh, we've all been there, I'm sure - what IF? What if I ruin it? What if the whole thing flops? ...



This is the beginning of the process of turning the piece right sides out. It took forever, just to get it into a position where I could start pulling the insides out, without snagging the embroidery or pinching that fused fabric into a permanent crack...



Finally, a leaf is peeking through.



Most of the garden is out.



All of the garden is out, in one big crumpled mass.



Semi-ironed again, it's lying on the fabric for the tote bag.



There was nary a pucker in this project when it came off the frame - that was part of its beauty. It was so crisp looking. So solidly straight and flat, even without ironing. I LOVE IT when embroidery comes out like that.

Now, no matter what I do to iron the piece, the fabric among the embroidered leaves, flowers, and grasses is ripply and bumpy....

I weep to think on it!



Ok, I don't really weep to think on it. But it wasn't one of my most pleasant finishing experiences, working on this.

I'm not a great lover of finishing, by the way. I think I may have mentioned this fact once or twice or ten thousand times.

This experienced confirmed it! Still, undaunted, I did continue in the construction of the bag, until I ran out of top stitching thread. My sister was out shopping that day, so a quick call was all it took to guarantee the arrival of more top stitching thread by nightfall.

With nothing else to do on the tote until then, I moved on to the next logical project:



...and I still haven't finished the tote bag!
]]> 9256 Laura Bullinger noreply@blogger.com 2009-01-06 20:12:00 2009-01-06 20:12:00 1 0 I am assuming that you already own and use a teeny-tiny iron wand. Use a small firmly stuffed and slightly rounded cushion. Place it face down on the top side of the embroidery. On the underside of the embroidery (the back side) use the wand iron but only on the wrinkled spots and pressing against the cushion. This will prevent the nooks and crannys from interfering in the flattening process. If you need further details of this explanation, let me know. Good luck.]]> 9261 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2009-01-06 03:30:00 2009-01-06 03:30:00 1 0 9264 Yoyo yoyo_9203@yahoo.com http://www.blogger.com/profile/14230651257160627560 2009-01-05 23:13:00 2009-01-05 23:13:00 1 0 9265 Marian noreply@blogger.com 2009-01-05 20:00:00 2009-01-05 20:00:00 1 0
It's summer here and I need something to do on those few days when the rain comes (and saves me from standing outside with the garden hose) so I thought I might get back to my embroidery and all those bits and pieces my sister keeps finding in junks stores and garage sales for me. One piece in particular I am keen to finish is the Siamese cat picture.

This is supposed to be done in Turkey stitch. I don't know how to do this properly, so Mary, could you make this you next video library entry??

Thnak you so much.

Marian]]> 9266 Anonymous noreply@blogger.com 2009-01-05 19:24:00 2009-01-05 19:24:00 1 0 It doesn't look too wrinkled. . .
I love the bright garden colors on the oatmeal-colored fabric.
-Christiana]]> 9268 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-05 14:43:52 2009-01-05 14:43:52 1 0
The nice thing about linen is that, even if you wash it, you will easily be able to bring it back to a crisp state. Just don't dry it. Rinse it in hot, hot water, then cold water, then hot water, then cold water, to shrink it. Then let it dry a little bit, but not all the way. While it's still damp, iron it. It'll iron crisp and immaculate.

Although you don't intend the stole to be laundered, if the linen background is showing (if the whole piece is not entirely covered in embroidery), you never know if someone will wash it or not in the future. Better to pre-shrink, just in case.

Ahhh. Linen. I love linen.

MC]]> 9269 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2009-01-05 14:19:00 2009-01-05 14:19:00 1 0 I have a question and I don't know who else to ask. I have designed a liturgical stole to be embroidered and wanted to do it on some white linen that I inherited when my mother died (she loved great fabrics!) I have read that the fabric should be washed and dried first, but this is so beautifully crisp that I hate to do that. Since the finished stole will never be laundered - is this necessary? The better question would be is it advisable to wash it first. Thanks for your help. I'm itching to get started, but don't want to regret a decision made early on.
Thanks also for your great posts. You are an inspiration.
Candyce]]> 9270 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-01-05 12:13:00 2009-01-05 12:13:00 1 0
The cookies look good too. They remind me of a sugar cookie recipe my own grandmother used to make every year and we would all decorate. Yum!

Finish the bag. I'm dying to see it complete.

MGM]]> 9271 Love to Stitch 99 noreply@blogger.com http://www.blogger.com/profile/08717611751588945815 2009-01-05 11:44:00 2009-01-05 11:44:00 1 0
Pierrette =^..^=]]> 9272 Katie hilltopkatie@gmail.com http://www.blogger.com/profile/08169620638518265423 2009-01-05 11:29:00 2009-01-05 11:29:00 1 0 http://www.needlenthread.com/2009/01/needlework-sales.html Sun, 04 Jan 2009 08:45:00 -0600 Mary Corbet 492 2009-01-04 08:45:00 2009-01-04 08:45:00 open open Needlework-Sales... publish 0 0 post

Hedgehog Handworks has a 15% off everything sale going on. You'll see some lower-than-anywhere-else prices on Gilt Sylke Twist, at $16.83 / spool. It might be a good time to pick up some of their more recent colors! Also, if you like floche, you can get the 32 yard twists for only $1.06 right now. I am sssoooooo tempted to build up a good stash on this thread....

Dora's Southern Heirlooms is having a moving sale. Right now, you can get 50% off all silk ribbon. I think the plan is to switch sale items each week, so it might be a good site to keep an eye on.

Country Bumpkin is having a sale through January 9th - 50% off select items. I'm actually really excited about this one, and I will admit I ordered a kit I've been hankering for! With the exchange rate and the cheapest possible shipping, it was a pretty good deal. They've got magazines, books, selected kits, gift packs, and other stuff on sale. If you're visiting their site from the States, make sure you switch the currency (on the left side bar) - it makes quite a bit of difference as you're looking through the sale items!

So, if your New Year's resolutions included trying out some new needlework techniques, maybe you'll find something in the above stores to help you out on that. Of course, if your resolution was to resist building more stash... uh.... well. Just ignore this post!
]]> embroidery resources 9257 Linda noreply@blogger.com 2009-01-06 11:07:00 2009-01-06 11:07:00 1 0 Good luck getting back to "real life" after your vacation.
I really enjoy receiving your e mails. Thanks from Linda in Israel
PS: did you get my pictures?]]> 9278 Wendy noreply@blogger.com http://www.blogger.com/profile/00823543583907747767 2009-01-05 00:33:00 2009-01-05 00:33:00 1 0 Big Hugs,
Wendy]]> 9283 Anonymous noreply@blogger.com 2009-01-04 12:26:00 2009-01-04 12:26:00 1 0 I only wish I could justify getting some of the GST . . .
-Christiana]]> http://www.needlenthread.com/2009/01/thread-painting-tips-follow-up.html Sat, 03 Jan 2009 09:32:00 -0600 Mary Corbet 493 2009-01-03 09:32:00 2009-01-03 09:32:00 open open Thread-Painting-Tips---a-Follow-Up publish 0 0 post thread painting with one thread as opposed to two or more, showing you the difference in the way the finished project looks. Here's a follow up tip for you...

After writing yesterday's post, I heard from Trish Burr, who is well known for her many books on long and short stitch shading techniques. She is, in my mind, one of the real masters of long and short stitch shading, and, if you're familiar with her books, you will probably agree with me on that!

Trish wanted to add a suggestion. Her tip is a new idea to me, but it makes a lot of sense, and I am looking forward to trying it out on my next thread painting project, which hopefully won't be too far distant.

Anyway, here's the tip:

If the shape you are filling is large enough - try using 2 strands of thread in the first row and changing to one strand in subsequent rows. This enables you to fill the first row closely which is important because you need to have substantial stitches to work back into - but still create a fine (one strand) effect overall. I do this on all my needle painting now; it saves a lot of time.

Thanks, Trish! I can't wait to try this out!

This weekend, I'm finishing up a "little" project that I'll be sharing with you in "little" stages, as soon as I can get the finish work and final photography done. Then, I have plans! BIG PLANS! Well, the truth is, I have one more week of vacation before the school year kicks in. During that week, I'll be doing the following:

1. School work - yes, it is inevitable. I must. I've scheduled a chunk of time each day to devote to my real job, in preparation for the next semester and to finish off the last semester.

2. Stitch videos - yes, I will. I will spend at least two filming sessions next week on the list of stitches that I've compiled, in order to expand my Video Library of Hand Embroidery Stitches. The filming takes time, but the editing takes even more time for each stitch, so please don't expect a sudden onslaught of videos, though I do plan to be trickling in some new ones over the next couple months. One of them will certainly be that long-awaited long and short stitch video, if all goes well!

3. Project set up - any time I have time off, I like to set up at least one major project that I can devote time to in the following months. I'm planning on setting up a large-ish project that involves needlepainting and goldwork on a somewhat overdone and grand scale. Probably biting off more than I can chew, as usual. In addition, I have three small projects to set up, but no immediate deadline on any of them, so - life is good!

4. Blog catch up - I need to index a lot of new stuff on the website from the last couple months, so I'll be devoting a bit of time to re-organizing Needle 'n Thread. I'll let you know what I accomplish!

So those are my plans, which of course must be mixed in with regular real-life, daily activities. Think I can do it all? Well - you will be the first to know if I do, and even if I don't!

Have a terrific weekend!
]]> Trish Burr website news embroidery tips and tricks miscellaneous embroidery musings needlepainting 9267 Wendy noreply@blogger.com http://www.blogger.com/profile/00823543583907747767 2009-01-05 18:32:00 2009-01-05 18:32:00 1 0 Wendy]]> 9284 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-04 08:25:12 2009-01-04 08:25:12 1 0
Thanks for your comment! It's always very encouraging to hear that people find Needle 'n Thread so useful!

I popped in over at Wandering Rose and saw the monograms. I love the way you combined the two letters, and I think the ribbon embroidery for the flowers was a brilliant idea - it looks great! I hope your brother and sister-in-law really like the pillow (I'm sure they do!).

Thanks again!

Best wishes for the New Year -
MC]]> 9285 Wendy noreply@blogger.com http://www.blogger.com/profile/00823543583907747767 2009-01-03 21:41:00 2009-01-03 21:41:00 1 0 I just wanted to let you know that I love your blog. Quite a while ago you posted some beautiful letters and I wanted you to know that I appreciated it immensely. I made a monogram pillow for my brother Daniel and his lovely wife Stephanie with a D and S from the ones that you posted. I substituted the flowers for silk roses. If you would like to see it just click over to the blog but it is a few pictures down on my last post. Thanks again from the bottom of my heart.
Wendy]]> 9288 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-03 13:19:00 2009-01-03 13:19:00 1 0 http://www.needlenthread.com/2006/06/embroidery-links-great-sources.html Fri, 16 Jun 2006 22:29:00 -0500 Mary Corbet 494 2006-06-16 22:29:00 2006-06-16 22:29:00 open open Embroidery-links---great-sources! publish 0 0 post
Here are some great embroidery links - find fabric, patterns, threads, accessories, and more!

Find Needlework (& Related) Supplies Online

Lacis - this is probably the most thorough supply house for any kind of needlework. Lacis is located in California. They have a great online catalog. Their shipping rates are reasonable, but expect to wait a bit if you order with standard shipping, especially if you live in the Midwest or on the East Coast. But don't let this deter you! Some stuff, you won't find anywhere else - and you certainly won't find such an array of embroidery goodies in one spot! Have fun browsing - but for a handy reference, pay the mere $5 for their paper catalog.

Needle In A Haystack - Located in Alameda, California, this store has a great online catalog with a wonderful selection of everything, especially threads. Anything I've ordered from them, they've either had, or acquired very quickly. The service is friendly and knowledgeable, the prices are good, and their selection is great! Check out especially their large selection of Au Ver a Soie. They have a photo catalog of all the Soie d'Alger online, which is nice when you're selecting colors. If you're looking for flesh tones in silk, this is the place to order it, as they have them marked clearly, and the ordering process is really easy!

Berlin Embroidery Designs - Here you'll find embroidery designs, kits, instructions, and supplies all put together by Tanja Berlin. When I first got into goldwork, this is where I started. Her beginning goldwork kits (the goldwork sampler) are fun to work and really beautiful. The instructions are clear and easy to follow. If you like needle painting, check out her designs. They're exquisite! She's in Canada, so whatever we in the US might save on the exchange rate, we pay in shipping. But it's worth it!

Sage Stitchworks - A neat site for vintage paper embroidery mottoes. These make great gifts for friends and family, and are quick and easy to work up.

Hedgehog Handworks - this is a great site for harder-to-find supplies. They actually specialize in costuming stuff, it seems, but they carry authentic threads, real metal threads, historical books on needlework, plenty of technique books (some that I haven't come across elsewhere - including a good selection of foreign books), neat tools, fabric, costuming supplies, and the list could go on. It's an easy-order website, and the service is good and the prices reasonable. And, to top it all off, their logo's great!

Country Bumpkin - The editors of the A-Z series books and Inspirations Magazine. They have gorgeous stuff! Enjoy browsing their site. If you're looking for back issues of Inspirations, you can find them here - but beware, overseas shipping can be expensive!

Wendy Shoen Design - a great website for heirloom embroidery. You'll find children's clothes patterns and lots of heirloom embroidery projects and kits. Her needle packs are perfect, if you're looking for a variety pack of needles for general fine embroidery.

Nordic Needle - another thorough supply source, Nordic Needle has been around since the '70's. Here, you can find heaps of stuff on hardanger, counted cross stitch, ribbon embroidery, and many other embroidery techniques. They have a great "free pattern" page (mostly hardanger), and they offer a great selection of embroidery kits. Mostly, I use Nordic Needle as a resource for fabric - they carry all kinds of excellent linen. I also purchase harder-to-find tools and accessories here.

Thread Express - This website has a great selection of threads, as well as other accessories and supplies. They "specialize" in Eterna silk, but they have other makers as well, including Au Ver a Soie (limited), Charon collection, Kreinik, Madeira, and plenty of cottons, wools, etc. Their prices are pretty good - they seem to run a couple cents less than other places on the good stuff.

Embroider This! - a great site for pre-finished items ready to embroider. They cater primarily to machine embroidery, but most of the stuff on the site is great for hand embroidery, too. You can find linens, aprons, hankies, dresser scarves, and a slew of other goods here. Looking for baby bibs and receiving blankets? Their interlock stuff is nice. (Yes, you can hand embroider on interlock!) Items are reasonably priced, service is good, and shipping is quick. Look for their specials - you'll get better deals for things that can be made into good gift items.

Yesterdays Charm - Another site where you can buy pre-finished items, ready to embroider. This shop caters to hand-embroidery, and you will find a bunch of designs for sale here. They also specialize in quilting supplies, mostly for kids' quilts. You can find very nice towels ready to embroider (under ready-made linens). There's a little stitch lesson on-line as well, which is great! Browsing through this site is fun, and it shows how easy it can be to personalize the perfect gift.

Mary Brown Designs - Goldwork Supplies in Australia - Mary Brown is an Australian, so if you order from her, you're ordering from overseas, but the postage is very reasonable, and so are her prices on the metal threads and supplies. Her kits are really beautiful! Check out her website and browse her gallery and her selection of kits. You'll be impressed! And don't forget to convert currency when looking at her prices.

Alison Cole Embroidery - Alison Cole is another Australian embroiderer. She specializes in goldwork and stumpwork. Her site includes full kits that you can order (for US customers, remember to convert currency, and don't forget postage rates!). Her kits are gorgeous! She also has an impressive gallery that's fun to scroll through. Check out her Or Nue work.

Wooly Thread - If you're looking for Appleton wool for crewel work, or wool fabrics for blankets, this is the place to look. They have the full range of Appleton wools, at $1.10 per skein, or you can join their Appleton Crewel Club, and receive a selection monthly, until you've collected all the colors. This way, they average only 85¢ per skein. Check out their site, and if you're a wool enthusiast, sign up for their newsletter, which gives advanced notice of specials. Their wool felt, by the way, is Really Nice - thick, firm, and easy for embroidering "in hand" (without a hoop).

Japanese Embroidery Center - This is a great resource for flat silk and for goldwork supplies (imitation and real Jap for couching and embroidery). The website is interesting - lots of photos of magnificent work of embroidery in the finest of Japanese needlework traditions. For folks who live in the Atlanta, Georgia area, classes in Japanese embroidery are offered throughout the year. The JEC is a non-profit educational organization. Their shipping is reasonable and pretty quick, and the people are really nice and accommodating.

Jane Nicholas: Stumpwork Embroidery - Besides being a stunning website to stroll through (it's like going for a walk in a beautiful garden on an ideal day), this site is packed with supplies for the stumpwork enthusiast. If you haven't tried stumpwork and are interested in doing so, this might be the very place you've been looking for! Jane has 5 beautiful stumpwork books published, all available on the site, but best of all, she offers kits for the projects in the books! (Great idea!) Check out this site! Even if you aren't into stumpwork, you'll enjoy the beautiful stuff! (Make sure to check out her gallery - only three works shown, but wow!) US Shoppers: this is an Australian site, so you're looking at a lot on shipping. Also, you can find better prices on silk threads here in the States, even with the currency exchange.

Embroidery Informational Websites

Pin Tangle - A great place for browsing through marvelous examples of embroidery and reading interesting embroidery stuff. Check this site out! It's so much fun. Sharon Boggan's crazy quilts are works of art, and her embroidery samples are fantastic. The stitch dictionary on her site should be on every embroidery-enthusiast's list of favorites.

Needlecrafter - Neat website! Whoever runs it has a great embroidery pattern library for surface embroidery projects. They're pdf files, so easy to print and trace.

Or Nue - Ever wonder how to do this type of shaded goldwork? Here, you'll find good beginner's instruction. You won't find supplies here, but the instructions are clear and easy to implement if you want to try this technique.

Netting - If you like filet embroidery (filet guipere, filet lace, etc.) and you'd like to make your own netting, here's a website with easy step-by-step instructions. She doesn't get into any embroidery techniques, but you can learn to make the netting ground by hand here.

The Embroiderer's Guild of America - Yep, I'm a member. If you don't have a local chapter nearby, you can become a "member at large" and still take advantage of their workshops and correspondence courses. Their Needle Arts magazine is worth the yearly fees. There's always something fun in it.

Filet Lace by the Sea - Here's a great site for learning filet lace and for purchasing knotted filet netting. If you're interested in filet lace but have never tried it, Filet Lace by the Sea offers beginner kits. You'll find all the tools to get started with your filet lace project available at this website.

Embroidery Patterns - this link will take you to the embroidery patterns page here on Needle 'n Thread! I've got quite a few patterns available on my site, but also a good list of online pattern sites that are worth browsing.

Much more to come, but have fun with these!]]> supplies embroidery links embroidery resources 8872 M noreply@blogger.com http://www.blogger.com/profile/07096943774174712542 2009-02-08 20:27:00 2009-02-08 20:27:00 1 0 10321 Nikki noreply@blogger.com http://nikkidwright.wordpress.com 2008-10-02 12:50:00 2008-10-02 12:50:00 1 0
Thanks.]]> 11311 Anonymous noreply@blogger.com 2008-07-24 09:15:00 2008-07-24 09:15:00 1 0 www.dicraft.co.za]]> 12164 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2008-03-25 16:10:00 2008-03-25 16:10:00 1 0 Really I enjoy all post of your web!!! Thanks you very much for sharing.
A kiss]]> 13395 Anonymous noreply@blogger.com 2006-11-05 23:20:00 2006-11-05 23:20:00 1 0 13402 Anonymous noreply@blogger.com 2006-10-29 05:28:00 2006-10-29 05:28:00 1 0 13437 Sarah E. txstitchermom1959@yahoo.com http://www.blogger.com/profile/11138054078888274705 2006-09-06 17:16:00 2006-09-06 17:16:00 1 0 13446 Anonymous noreply@blogger.com 2006-08-16 07:12:24 2006-08-16 07:12:24 1 0 http://www.needlenthread.com/2009/01/when-less-is-more-in-thread-painting.html Fri, 02 Jan 2009 10:43:00 -0600 Mary Corbet 495 2009-01-02 10:43:00 2009-01-02 10:43:00 open open When-Less-is-More-in-Thread-Painting-and-Shading-Techniques publish 0 0 post

These are two versions of the same needlework kit, and both versions were stitched by Margaret Cobleigh, who kindly sent along the photos. I had mentioned her improvement of this pansy kit a while ago, but since she's getting ready to teach a class in thread painting, she dug out both photos to show her embroidery group the difference between the two projects. I thought it would be interesting to line them up together in one post, to demonstrate why, as Margaret put it, two threads are not always better than one!



Here's the first version, worked according to the kit instructions, which called for two threads in the needle while embroidering. Notice especially the lower petals of the pansy, the light shades on the outside and the black on the inside. I wouldn't look at it and call it "bad" - but it certainly isn't as smooth and blended as I expect thread painting to be. It's thick and heavy-looking and the color breaks are rather chunky.



Here's the second attempt. The only difference is that Margaret used one thread, instead of two. To see the point clearly - that one thread works better than two when you're trying to shade using long and short stitch - look especially at the middle petal on the right side of the pansy. I think it illustrates the point best. In fact, all the lower petals show very well a smooth blending of shades. Overall, the blending in the whole piece is much smoother, not nearly as chunky or heavy looking.

So there's a tip for those of you who are thinking about venturing into thread painting this year... better results are achieved with one thread! It's always tempting to double your thread when you're covering space in embroidery. After all, you'll cover twice as much space in the same stitching time if you're using twice as much thread! Well.... even if that is true, you may not be as pleased with the results! This holds true with long and short stitch shading (shown here) as well as with satin stitch. You can get a far smoother satin stitch with one thread than you can with two or more.

On another note, I realized I forgot to wish everyone a Happy New Year yesterday! But then, New Year's Day is never really the day I start the "new year" - resolutions and all that. It's still a holiday, after all! So, on this Second Day of January, 2009, please be assured of my sincere wishes for a very happy New Year to all of you. May you fulfill all your plans for this year in health and happiness.

Thank you as well for all your very kind comments on my recent weekend stitching marathon. A couple questions crept up in the comments - I'll answer those there soon.

Have a great Friday, enjoy the weekend, and I'll keep you posted on this weekend's project as I finish it! It's a fun one!
]]> pictures embroidery tips and tricks needlepainting needlework pictures 5870 Anonymous noreply@blogger.com 2009-09-04 06:24:36 2009-09-04 06:24:36 1 0 9280 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-01-04 16:27:00 2009-01-04 16:27:00 1 0 Hope you'll have a very very good 2009.]]> 9289 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-01-03 13:16:00 2009-01-03 13:16:00 1 0 9293 Anonymous noreply@blogger.com 2009-01-02 20:07:00 2009-01-02 20:07:00 1 0
Pansys are so cute.

Thanks for the pointers,
-Christiana]]> 9296 BJ noreply@blogger.com 2009-01-02 14:00:00 2009-01-02 14:00:00 1 0
Thank you for this info I only wished I had it earlier to prevent my mistake.]]> http://www.needlenthread.com/2009/01/unbelievable-embroidered-sampler.html Thu, 01 Jan 2009 09:34:00 -0600 Mary Corbet 496 2009-01-01 09:34:00 2009-01-01 09:34:00 open open Unbelievable-Embroidered-Sampler publish 0 0 post not going to believe this thing!" And then shown it off, to find that your reaction isn't an isolated one?

Well, that's exactly how things went when I opened this amazing embroidered sampler sent as a Christmas gift from a friend. You might be tempted, at first glance, to say "Oh, it's another sampler," but I think once you see it in context, you can't help but say, "WOW...!"

So here it is, for your first delightful glance:



And here's the back of the sampler, which is neat and tidy:



Here's a side shot:



And, finally, here's the sampler in perspective, next to a postage stamp, a quarter, and an inch ruler:



That's right - this tiny little detailed sampler is 1 3/8" x 1 3/4" - not a whole lot bigger than a postage stamp!

Christiana embroiders miniature things. She uses kitchen towels (flour sack towels) for her ground fabric, stitching over one thread in the towel. The stitches are half cross stitches (or tent stitch), and I think she uses one strand of embroidery floss - but it's so incredibly tiny, that she might be using regular thread. She'll have to enlighten me on that!



Now can you understand my reaction? I was awe struck! I never considered doing miniature embroidery like this, but I can see how it would be perfect for a number of little applications - doll houses, for example, come to mind. But there are other uses, too: a little special pendant or to adorn the lid of a little tiny box... I haven't decided what I'm going to do with it yet. I'd like to find the perfect small frame for it, so I can display it.

I willingly and profusely admit that I love this little sampler! It was such a surprise gift! It came in a great little package:



Along with the sampler were some other treats: a spool of Tire Silk, some Japanese snippers, and a nice little package of Glorianna threads and ribbons!

Thank you, Christiana, for the sweetest of little Christmas presents!
]]> readers embroidery pictures sampler Christmas needlework pictures 3399 wakeful dreamer noreply@blogger.com http://www.blogger.com/profile/16211174854914288573 2010-01-29 16:36:06 2010-01-29 16:36:06 1 0 9200 Dena noreply@blogger.com http://www.blogger.com/profile/16132898800557036456 2009-01-10 18:12:00 2009-01-10 18:12:00 1 0 9292 its_me_aanie noreply@blogger.com http://www.blogger.com/profile/06207258748244608529 2009-01-02 23:32:00 2009-01-02 23:32:00 1 0 Annie in very very cold Michigan]]> 9295 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2009-01-02 18:17:00 2009-01-02 18:17:00 1 0 9299 Debra debraspincic@yahoo.com http://www.blogger.com/profile/14959081275116311853 2009-01-02 10:24:00 2009-01-02 10:24:00 1 0 9304 Sandy noreply@blogger.com http://www.blogger.com/profile/17636145300645284075 2009-01-01 20:36:00 2009-01-01 20:36:00 1 0 Like Charlie, I signed in to comment on the maniturgia (d'you mind if I say twice that I appreciate it?) but had to comment on this too . . . I'm on (vveerryy ssllooww) dial-up so I read the text before looking at pictures, but I think it would have been "what IS that?!" even if I'd seen the pics first. That is amazing. I 2nd the postage-stamp-box cover.]]> 9308 Nancy noreply@blogger.com http://www.blogger.com/profile/00351853508098882334 2009-01-01 19:53:00 2009-01-01 19:53:00 1 0 9309 Yoyo yoyo_9203@yahoo.com http://www.blogger.com/profile/14230651257160627560 2009-01-01 17:09:00 2009-01-01 17:09:00 1 0
TO MG McNamara: Mag-eyes makes a 5x magnifying glass that attaches beautifully to your eye glasses, so it's hand-free! I use it on 32 and 40 count fabric and it's fabulous.]]> 9311 charlie noreply@blogger.com 2009-01-01 13:53:00 2009-01-01 13:53:00 1 0 Mary, I SO LOVE your site!Thank You!
With Every Best Wish for 2009!Charlie.x]]> 9312 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2009-01-01 13:16:00 2009-01-01 13:16:00 1 0
I just thought of a real bonus for doing samplers this small...they probably wouldn't cost a week's salary to have them professionally framed!

MGM]]> 9314 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2009-01-01 12:14:00 2009-01-01 12:14:00 1 0 http://www.needlenthread.com/2008/12/hand-embroidered-maniturgia.html Wed, 31 Dec 2008 12:57:00 -0600 Mary Corbet 497 2008-12-31 12:57:00 2008-12-31 12:57:00 open open Hand-Embroidered-Maniturgia---Ecclesiastical-Embroidery-in-a-Hurry publish 0 0 post

A maniturgia is a long strip of linen that is wrapped around the hands of a priest during the ordination ceremony. The strip is often embellished - either embroidered or painted - and, after the ceremony, it's given to the priest's mother and normally buried with her.

The strip of linen can be different sizes, but customarily, it's about 3 inches in width and about 5 or 6 feet long. The embellishment is not really essential, but it's nice. At its simplest, the maniturgia can be left blank. But then it just looks like a long strip of linen...

So, after the phone call on Friday night that I already told you about, it came to pass that I undertook to make, in a weekend, a maniturgia. It shouldn't have been any big deal, really - in an hour, I could have cut the strip of linen and folded it, sewn a seam, hemmed the short ends, and called it done. But nooooo. Noooo... I just had to get into my ridiculous head that I Must Embellish. At first, I thought painting would be quicker, but actually, since I'm more familiar with the needle, I settled on embroidering it.

Often, on a maniturgia, what you will see is text - either some sort of Biblical reference, or a snippet from a prayer, or something of the sort. Often, the text is a Marian reference; that is, it refers in some way to the Blessed Virgin Mary, Mother of God. I learned all this, by the way, in the space of about an hour, consulting with people, making phone calls, and having them make phone calls. I didn't know anything about a maniturgia before the fateful phone call Friday night...

I went to bed Friday night with a clear idea of what the maniturgia is and what it looks like, but without any idea of what I would do.

Saturday morning, I started playing with texts. The quickest way to layout any text for embroidery is, without a doubt, by using the computer. Sure, it's nice to pen your own, but when you're pressed for time, All Hail the Computer! I found a font that I liked that had decorative filigree capital letters, and then I took different texts and printed them out, word by word, in letters three inches high.

I had one phrase - Ave Maria - that was two words and would've worked fine.

I had another phrase - can't remember what it was - that was about 14 words long. Um. Yes. I can't believe I even considered it.

Finally, I settled on this phrase: "O clemens, O pia, O dulcis Virgo Maria" - I liked the phrase itself, I liked the amount of coverage on the linen, and I liked the layout of the decorative capital letters.

I should've stuck with "Ave Maria."

Anyway.... first thing I did was space the words correctly, taping together the words as printed out on separate sheets of paper. You know, sometimes it's good to have to work under pressure. I took a lot of short cuts I would not normally take, and learned that some steps in working up a design can absolutely be done away with.

Then, I found, among my collections of ecclesiastical patterns, a decorative cross to go on each end of the phrase. I made photocopies and taped them onto the same sheets of paper the letters were on.

Next, I cut my linen strip 12 inches wide and 60 inches long (well, it was 60" fabric - so I just had to cut a 12 inch strip). I made the strip 12" wide to accommodate a hoop easily. I dampened and ironed the linen, and then I was ready to go.



I marked off the 3.25" inch strip that would be the front of the maniturgia, using a blue dressmaker's pencil. Centering the linen over the center of the text, I pinned the linen to the paper.



You can see that the linen was sheer enough to see the pattern quite well. I used Legacy Linen's Ecclesiastical linen, which is a beautiful, fine linen with a close weave and a super-smooth hand.



This is a blue dressmaker's pencil, which I used to trace the pattern. An electric pencil sharpener comes in handy for quickly achieving a sharp tip on the pencil. It unfortunately tends to waste a bit of the pencil in the process, but time was my biggest concern, so I used the electric sharpener!



After tracing the whole design out onto the linen, I gathered together threads - two shades of gold, two shades of blue - needles, hoop, and the linen strip, and was ready to start stitching! By this time, it was around 4:00 pm on Saturday.



Stitching from left to right, this is what I finished on Saturday night. (That rhymes!)

Whoa. Not Much, in the scheme of things...



The entire piece is worked solely in stem stitch. As it worked out, I didn't use four shades of color - only the darkest blue and the darkest gold, with the exception of the middle of the crosses, where you can see the lighter blue.



On Sunday, I stitched all day, practically.... until midnight! By the time midnight rolled around, I had finished "O clemens, O pia, O dulic Virgo..." and I only had "Maria" and one cross left. I hit the sack!



The last thing I did Sunday night was the gold filigree on the V. It was a lot of fun - I like all those little scrollies...



To start my threads on this project, I used a series of backstitches worked towards the starting point on each part of the motif, away from a knot on the top of the fabric. As I worked back towards the knot, covering up the backstitches, I snipped the knot.

But as I continued towards the last half of the project, and saw that I was running out of time, I elminated as many steps as possible - I started using (gasp, horror!) knots on the back of the fabric!

But I never carried threads from one letter to another - that would have made too obvious of a blue shadow. So, while there were some places I was willing to take shortcuts, there were other places I simply wasn't! I don't like the look of carried threads!



Monday morning, I got up and launched right in to the last word. My family from Florida was going to be in town all day, arriving around 11:00, so I wanted to try to finish the whole thing before noon.

But, no luck. It took so much longer than I thought it would!



I finished embroidering the piece by 5:00 pm on Monday. Here it is, across the couch. It doesn't seem very long, does it?



Even from this angle, it still doesn't seem like much! But gosh. It seemed interminable when I was working on it!



And here it is, on the ironing board, after it's been sewn up.

And, in sequence, here's the finished piece:



"O Clemens"



"O Pia, O dulcis"



"Virgo"



"Maria"



And then I tried a side shot, to show you the gleam of the silk on the linen, but it doesn't look that great. I'm using Soie d'Alger from Au ver a Soie, by the way - it's a spun silk, so it doesn't have as high a sheen as the filament silks. Still, it's nice!

And that was my marathon embroidery project!

I'm needled out....






]]> ecclesiastical embroidery pictures linen needlework pictures 7777 Anonymous noreply@blogger.com 2009-04-27 19:18:00 2009-04-27 19:18:00 1 0 God bless you.
Regards, Radha.]]> 7778 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-27 07:34:17 2009-04-27 07:34:17 1 0
Thanks for your comment!

The font is called "Parchment" and I probably got it from Scriptorium (FontCraft). I've gotten several font packages from them.

Hope that helps!

MC]]> 7782 Anonymous noreply@blogger.com 2009-04-26 20:10:00 2009-04-26 20:10:00 1 0 Thanks ,
Regards, Radha.]]> 8794 Susan noreply@blogger.com 2009-02-17 12:51:00 2009-02-17 12:51:00 1 0 Good to learn about an Maniturgia
Congratulations and thanks]]> 9281 Žabacorporation zabacorporation@gmail.com http://www.blogger.com/profile/08672390582224414007 2009-01-04 13:44:00 2009-01-04 13:44:00 1 0 It must be a great feeling having this amount of work behind you and see this in front of you:-)]]> 9294 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2009-01-02 19:19:00 2009-01-02 19:19:00 1 0 9298 Anonymous noreply@blogger.com 2009-01-02 12:20:00 2009-01-02 12:20:00 1 0
Angelina]]> 9300 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2009-01-02 03:44:00 2009-01-02 03:44:00 1 0 I have one question: do you know, how it is called in latin. I wanted to read about maniturgia more, but my Dictionary of Christian Iconography (in lithuanian) has no article about it...]]> 9302 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2009-01-01 22:20:00 2009-01-01 22:20:00 1 0 9303 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2009-01-01 20:51:00 2009-01-01 20:51:00 1 0 9305 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2009-01-01 20:30:00 2009-01-01 20:30:00 1 0 9306 Sandy noreply@blogger.com http://www.blogger.com/profile/17636145300645284075 2009-01-01 20:30:00 2009-01-01 20:30:00 1 0 9307 MichelleMermaid michellemermaid19@yahoo.com 2009-01-01 20:08:00 2009-01-01 20:08:00 1 0 It looks great Mary. What did the people who received it say?]]> 9310 charlie noreply@blogger.com 2009-01-01 14:06:00 2009-01-01 14:06:00 1 0 9313 Debra debraspincic@yahoo.com http://www.blogger.com/profile/14959081275116311853 2009-01-01 12:18:00 2009-01-01 12:18:00 1 0 9315 nikkidwright noreply@blogger.com http://nikkidwright.wordpress.com/ 2009-01-01 11:47:00 2009-01-01 11:47:00 1 0
I am a frequent reader, but I admit I the sometimes skim the words quite a bit and head right for the images. I just love to look at your work. But I am so glad I slowed down to read the full post today. What a great story to start a new year with.

My best to you in 2009!]]> 9316 IdahoConnie noreply@blogger.com http://www.blogger.com/profile/14244678979192270917 2009-01-01 11:22:00 2009-01-01 11:22:00 1 0 Blessings in this new year, North Idaho Connie]]> 9317 Anonymous noreply@blogger.com 2009-01-01 08:59:00 2009-01-01 08:59:00 1 0 9318 Anonymous noreply@blogger.com 2009-01-01 08:04:00 2009-01-01 08:04:00 1 0 Cissie]]> 9319 Melusine noreply@blogger.com 2009-01-01 03:44:00 2009-01-01 03:44:00 1 0 9320 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2009-01-01 03:02:00 2009-01-01 03:02:00 1 0 9321 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2009-01-01 02:01:00 2009-01-01 02:01:00 1 0 9322 PA noreply@blogger.com 2008-12-31 20:05:00 2008-12-31 20:05:00 1 0
Utterly amazing. "Not much", she says....looks AWESOME to me.

Let us know when your fingers grow back... :)]]> 9323 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-12-31 19:02:00 2008-12-31 19:02:00 1 0
You are to be absolutely congratulated in finishing such a piece of work under such pressure.

The priest (and the priest's Mum) are lucky people!]]> 9324 Ramme alvor noreply@blogger.com http://www.blogger.com/profile/01569192184742864709 2008-12-31 18:53:00 2008-12-31 18:53:00 1 0 U are the best!

Happy new year!

Britt]]> 9325 Anonymous noreply@blogger.com 2008-12-31 18:46:00 2008-12-31 18:46:00 1 0
It is inspiring how you wouldn't settle for "good enough". It shows.

By the by, thanks for the new vocabulary word: manitugia. I guessed what it was when you were describing the dimentions, but I didn't know what it was called. Wow! cool word.

Yours in awe,
-Christiana]]> 9326 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2008-12-31 17:27:00 2008-12-31 17:27:00 1 0
Didn't know you were a stitching angel but I think you can claim that title officially now.

Jane, wishing you a Happy New Year from Chilly Hollow]]> 9327 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-12-31 16:36:00 2008-12-31 16:36:00 1 0
Did you go to the ordination yourself?

MGM]]> 9328 Anonymous noreply@blogger.com 2008-12-31 16:27:00 2008-12-31 16:27:00 1 0 9329 margaret c. noreply@blogger.com 2008-12-31 16:26:00 2008-12-31 16:26:00 1 0 9330 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-12-31 15:39:00 2008-12-31 15:39:00 1 0
It seems to me that this "call to duty"...in the highest possible realm...gave you the opportunity to use everything you know.

You should be proud!!!!!!! It is beautiful. (I think Mary will love it, too....)]]> http://www.needlenthread.com/2008/12/you-know-what-im-doing.html Mon, 29 Dec 2008 08:28:00 -0600 Mary Corbet 498 2008-12-29 08:28:00 2008-12-29 08:28:00 open open You-Know-What-I'm-Doing! publish 0 0 post
If you read my post yesterday, you know what I'm doing today! You can see a short update in the comments section of yesterday's post (written at midnight, before hitting the pillow). Normally, I have "back up" posts for just such occasions, but, as luck would have it, the holidays have drained me!

So, instead of boring you with my prattle, I've decided to challenge myself in a different way today, and make this the shortest post ever in the history of Needle 'n Thread!

I'll update you soon on my crammed project - maybe even by the end of today? - and this week I also want to share with you the Most Incredible Little Christmas Present I got in the mail yesterday. It's hand stitched, and simply blows my mind. Also, I'll have some photos of another project to share with you, among other little juicy tidbits.

Darn. This isn't as short as it was supposed to be!

See you soon!]]> website news miscellaneous embroidery musings 9332 Elva Gordon noreply@blogger.com 2008-12-31 02:34:00 2008-12-31 02:34:00 1 0 9334 Patti patreeshal@gmail.com http://www.blogger.com/profile/01747595273484731811 2008-12-30 17:01:00 2008-12-30 17:01:00 1 0 9335 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-12-30 11:39:00 2008-12-30 11:39:00 1 0 http://www.needlenthread.com/2008/12/cramming-another-embroidery-project.html Sun, 28 Dec 2008 08:46:00 -0600 Mary Corbet 499 2008-12-28 08:46:00 2008-12-28 08:46:00 open open Cramming-Another-Embroidery-Project publish 0 0 post

Without going into lots of details right now - time is scarce, and I can't format photos, anyway - suffice it to say that on Friday night, a friend of the family called, in desperate need of a certain liturgical piece of linen about 5 or 6 feet long by 3 inches... and she needed it by Tuesday. In the ceremony for which it is used, this piece of linen is usually ornately decorated, with embroidery or with paint. (I've seen some absolutely gorgeous painted ones!) The decoration usually includes text - biblical verses, etc. - and embellishment.

My mother took the call. "Don't worry about it," I heard her say. "Don't you worry a thing about it. I'm sure she has linen, and she will be happy and honored to take care of this."

The Exclamation Point went off in my head. There was no Question Mark. I knew exactly what had just happened. I had been volunteered!

It's true that I don't mind. But the time contraints (this was Late Friday Night!) were a bit daunting.

Now, I could - and I should have - simply cut a piece of white linen in the required size, added a small center cross (stress is on small), sewn it up, and called it done.

What did I do? OH GOLLY!! I worked up an eight-word text, with elaborate initials on the capitals, and added a filigree cross at each end of the text, and a filigree cross at each end of the long strip of linen. The decorative text is centered in the middle of the linen.

And I have until tomorrow.

The letters are calligraphy, but they are only outlined - nothing in the piece is filled. Everything (practically) is done in stem stitch. I might have a few (very few) satin stitch dots on the filigree, but that will be last, if there's time.

I'm only using two colors, blue and gold, with two shades of each. Fortunately, I had an excellent piece of linen exactly five feet wide, so that worked out. I also had at least 4 skeins of each color I wanted in Soie d'Alger. So that worked, too.

In fact, I had everything - it all worked so easily - the design was easy to transfer (first thing Saturday morning ... until, actually, 3:00 pm, when I finally started stitching)... that I figured it was Meant To Be.

Sure, whatever! I think I've made a mistake, trying to do something this complex in this short of time! But this is my plan: I will stitch diligently all day, and tonight, I will see where I am. If I know by tonight it will be impossible to finish by Monday night, then tomorrow (Monday), I will cut a new strip of linen, put a small, simple cross in the middle, and sew it up and call it done.

Now, your job is to cheer for me, to "wish" it done.... !!! To keep your fingers crossed for me! (Well, ok, not literally - none of us would get much done that way!) I really want to be able to present the more elaborate piece!

And I will keep you posted, probably after the fact!

Wish me luck!

]]> ecclesiastical embroidery miscellaneous embroidery musings linen 9338 cindy b noreply@blogger.com http://www.blogger.com/profile/03343098156867548599 2008-12-29 12:20:00 2008-12-29 12:20:00 1 0
I want to take this opportunity to tell you how much I look forward to your posts every day. Thanks to your recommendation I received the Trish Burr Flower book for Christmas and can't wait to learn more about thread painting.

Also just took another look at your video library. Thanks for adding all the stitches. There are several there that I want to do more work on.

Happy New Year!

Cindy]]> 9339 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-12-29 06:24:00 2008-12-29 06:24:00 1 0 Hugs

Maria del Valle]]> 9340 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-29 00:23:02 2008-12-29 00:23:02 1 0
So I'll definitely be able to finish the whole thing - the more ornate design - hopefully before noon tomorrow - that's what I'm aiming for. If I fall short and don't finish until 3:00 pm, I'll still be super happy, and still have plenty of time for the finish work - a few seams on the sewing machine, turning, rinsing (no serious washing - no time), and ironing carefully. I need to have it ready to leave with my sister's family tomorrow night - I think they'll head to the city by 7:00 pm....

I'm not planning on doing any familial socializing tomorrow, needless to say! No worries - I get to spend Tuesday with them in Kansas City... yippee.

Whew! Busy day. It's midnight, I've been stitching since around 9:30 am. BED!!!

Thank you again for your encouragement, one and all!]]> 9341 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-12-28 23:02:00 2008-12-28 23:02:00 1 0
God Speed your fingers!]]> 9342 Anonymous noreply@blogger.com 2008-12-28 20:37:00 2008-12-28 20:37:00 1 0 Cissie]]> 9343 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-12-28 18:44:00 2008-12-28 18:44:00 1 0
Now brew yourself a pot of coffee and let those fingers fly!]]> 9344 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-12-28 16:50:00 2008-12-28 16:50:00 1 0 And enjoy your unexpected company and events!]]> 9345 RobynK noreply@blogger.com http://www.blogger.com/profile/13363052010272253678 2008-12-28 15:58:00 2008-12-28 15:58:00 1 0
How nice to know that your family think you can do ANYTHING. I am sure that their faith is justified. How many people out there actually have on hand a piece of linen that wide? Not many I'm sure of that at least here in New Zealand. It was meant to be. I'll have my fingers and toes crossed for you.
RobynK. New Zealand]]> 9346 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-12-28 15:17:00 2008-12-28 15:17:00 1 0
Mary, my hat is off to you. There is no way I'd be able to do something like that in that amount of time. Ever.]]> 9347 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-12-28 15:03:00 2008-12-28 15:03:00 1 0
Best of luck with your speed stitching! I'm sure it will turn out lovely.]]> 9348 Ramme alvor noreply@blogger.com http://www.blogger.com/profile/01569192184742864709 2008-12-28 13:14:00 2008-12-28 13:14:00 1 0
All of luck from me in Norway!
Britt]]> 9349 margaret c. noreply@blogger.com 2008-12-28 12:00:00 2008-12-28 12:00:00 1 0 9351 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-12-28 10:55:00 2008-12-28 10:55:00 1 0 9352 Anonymous noreply@blogger.com 2008-12-28 10:53:00 2008-12-28 10:53:00 1 0 May the Stitching Angles sit on your shoulder and ease yours hands and help speed your stitches. Val]]> http://www.needlenthread.com/2008/12/learn-new-embroidery-technique-or-brush.html Sat, 27 Dec 2008 09:13:00 -0600 Mary Corbet 500 2008-12-27 09:13:00 2008-12-27 09:13:00 open open Learn-a-New-Embroidery-Technique---or-Brush-Up---or-Just-have-Fun! publish 0 0 post

You also know, if you've been hanging out with me for a while, that I have a great admiration for the work of Trish Burr - and this little thread painting project comes straight from her. You can find it on her website, Trish Burr Long and Short Stitch Embroidery. If you haven't seen her beautiful website - oh, do take the time! It's just a pleasure to spend time browsing there!

If the holiday crunch has let up for you, now might be the time to take up a wee little project, just for the fun of it, and perhaps to learn a new technique. Trish's free long and short stitch project is just the perfect size - it's a beautiful little pansy, and it comes with a pattern, all the supplies you'll need listed, as well as step-by-step photos as the piece is completed.



Isn't it pretty?

Just for the sake of relaxation and something different, I thought this would be a fun weekend project - maybe something I could work on with my niece, who wants to learn the ins and outs of thread painting. But low and behold, a little needlework emergency came up on my end, and I have a "volunteer" project I must complete by this Monday night. I'll show you that, but not right now, as I've got to plan it, transfer a design and get stitching. I think the next three days will be spent embroidering - very simple line stitches of text - but I'll show it to you as I make progress on it and tell you what it's about.

Other than that, I've got another project on the books, due January 4th, that's been heaps of fun so far, but now I'm getting into the nitty gritty details, which would be fine without the Tuesday deadline hanging over my head - but that's ok. I think I work best under pressure! I'll be sharing this other project with you, too!

So that's what's going on in my life, now that the holiday crunch is over - it's just a different kind of crunch!

I hope you have a chance to enjoy the weekend and relax a bit with friends and family - Christmas isn't entirely OVER yet, you know! Now's the chance to enjoy it, really!

Have a great weekend!

]]> Trish Burr free embroidery patterns embroidery resources needlework websites needlepainting 9350 Debra debraspincic@yahoo.com http://www.blogger.com/profile/14959081275116311853 2008-12-28 11:32:00 2008-12-28 11:32:00 1 0 9355 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2008-12-27 15:20:00 2008-12-27 15:20:00 1 0 PS Mary, Your Christmas projects are fabulous!]]> 9356 Ratmomma / Carolyn carolynmccomas@yahoo.com http://www.blogger.com/profile/16133466311631303616 2008-12-27 13:56:00 2008-12-27 13:56:00 1 0 http://www.needlenthread.com/2008/12/merry-christmas.html Thu, 25 Dec 2008 08:00:00 -0600 Mary Corbet 501 2008-12-25 08:00:00 2008-12-25 08:00:00 open open Merry-Christmas! publish 0 0 post

This is the Nativity Scene I set up here at home this year. My Mom made it (hand poured porcelain) about 45 years ago.



It's out of the box for the first time in about 13 years, when it was resigned to the attic because some of us kids got the hair-brained idea of investing in a new Nativity Scene for Mom for Christmas. A store-bought-multi-charactered-various-buildings-and-accessories sort of scene.



But this year, I wanted to take out the "old" scene and set it up in the entrance of my home.



It's simple: White, smooth, hard porcelain set on red velvet, with a small string of holly and lights and a couple poinsettias - nothing fancy at all.

My Mom made it. I like it best. I love everything it represents.



It's a good reminder of what Christmas is about.

Thanks for all your encouragement and support over the year! I look forward to spending another year in your company - to me, it's like hanging out with a great group of friends!

To one and all, I wish you a very happy Christmas full of many blessings!]]> personal Christmas 9354 Paularay noreply@blogger.com http://www.blogger.com/profile/02847200666369055570 2008-12-27 18:34:00 2008-12-27 18:34:00 1 0 9358 Anonymous noreply@blogger.com 2008-12-26 22:34:00 2008-12-26 22:34:00 1 0 Thank you for this past year...I have enjoyed your site more then you could ever know. I hope Santa has filled your stocking with good health and happiness for the coming year! Your porcelain set is beautiful.
Annie (in now it's raining cats & dogs, Michigan...what next?)]]> 9360 FredaB fmbutler@hotmail.com http://www.blogger.com/profile/08000510495713705938 2008-12-26 16:16:00 2008-12-26 16:16:00 1 0
I assume you are feeling better and hope you had a great Christmas day.

Thanks for all your sharing throughout the year and look forward to the year ahead.

Hugs

FredaB]]> 9363 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-12-26 08:43:00 2008-12-26 08:43:00 1 0 9364 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-12-26 07:38:00 2008-12-26 07:38:00 1 0
Hugs
Maria del Valle]]> 9366 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2008-12-26 07:11:00 2008-12-26 07:11:00 1 0 9367 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-12-25 23:08:00 2008-12-25 23:08:00 1 0 Wish you and all other readers a very very Merry christmas !!! Have a great time. :-)
Best wishes,
Shrenika.]]> 9368 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-12-25 22:31:00 2008-12-25 22:31:00 1 0 9370 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2008-12-25 17:08:00 2008-12-25 17:08:00 1 0 9371 islandgirlA/alicia in Hawaii noreply@blogger.com http://www.blogger.com/profile/01171284857998132410 2008-12-25 15:03:00 2008-12-25 15:03:00 1 0 Those pieces are beautiful.
I've always loved the 'old stuff' that my mom has made in the past. We put her stuff out this year and she was surprised to see some of the things that she thought she didn't have anymore...lol.
Thanks for sharing the porcelain scene.
smiles,
alicia in Hawaii]]> http://www.needlenthread.com/2008/12/christmas-eve-update-on-needlework.html Wed, 24 Dec 2008 14:08:00 -0600 Mary Corbet 502 2008-12-24 14:08:00 2008-12-24 14:08:00 open open Christmas-Eve-Update-on-Needlework-Projects publish 0 0 post would have been accomplished!

First, for embroidered towels that I wanted to give as basket liners: I finished one. ONE! Not the original planned six. Not even three. Just ONE. If you've been following my latest embroidery projects, you'll recall this embroidered flour sack towel. It's the only one I finished! I still plan to finish the berry and greenery towel - but more on that in a bit.

I planned on embroidering all my Christmas cards by hand. I succeeded in completing ten cards, which isn't that bad, considering that I don't really send out a lot of cards each year. The bad thing is that I haven't mailed any yet, and it's Christmas Eve. And I won't mail them today. But more on that later, too!

I planned to embroider a set of cloth napkins for my sister. I managed the design - a little scroll for one corner of each napkin. Nothing at all fancy, just an "accent." I didn't do any of them! But I'm still giving her the cloth napkins for Chrismtas!

I planned on finishing my Breath of Spring tote bag to give to my mother. I've gotten halfway through sewing the bag together - I got to the halfway point on Monday afternoon! But I haven't gone back to finish it yet, and I won't until after Christmas. So Mom is getting a rain check, plus a few little "fun" things I bought for her.

I even planned - way back in the distant past - to embroider a tie for my dad. I saw a tutorial for that online somewhere, and I bookmarked it, intending to go back to it and glean some ideas. Just a small motif. Nothing too fancy. Something suitable to him. But... I never even got around to looking at ties! No worries. My dad's a history buff (he's a history teacher - at the ripe old age of 78, he's still going!), so I got him a gorgeous book that I know he will like a lot. And a war movie! Nothing hand made there, eh?

So, here I stagnate, with projects unfinished. Monday was a banner day, though! Not only did I get the tote bag halfway finished, but I cut out tons of Christmas cookies with my nieces and nephews, and decorated half of them. We also got a lot of decorating and cleaning up done at my sister's house while she and the hub were out shopping. Granted, the kids did most of that work! But it was a banner day, from early morning, until about 8:00 pm.

At 8:00 pm, I looked at the clock, simultaneous with the thought that "something was wrong." "Something is not right, something is quite wrong..." Like Miss Clavel in Madeline. And indeed, something was wrong. I was taken quite sick Monday night. Tuesday was a wash. This morning, I went to the doctor in hopes of revival before tomorrow, but alas! It looks like I'll be the odd woman out tomorrow! Ugh. But you know, in the scheme of things, I have nothing to complain about. I'm simply sick. There are so many people in the world who are really seriously ill, and what a hardship that must be this time of year! So I shall count my blessings, instead of sheep...

On that very bright note, I wish you a happy Christmas Eve! I do have a little post for tomorrow planned, but I'll be taking a break from "serious" (am I ever really serious?) writing until the weekend!

You have my best wishes for a very happy Christmas!
]]> Embroidery Projects Christmas 9357 MichelleMermaid michellemermaid19@yahoo.com 2008-12-26 22:42:00 2008-12-26 22:42:00 1 0 I also had a tote bag for my mom that had been in the works since summer...I got it back out and fiddled with it, but there is still beading to do...then the cutting out...then the stitching together...then the...well, you get the picture. Her birthday's in March so I'll save it until then. Won't that be great to have a hand made present ready to go???
BTW, cayenne is the #1 cure for a sore throat, followed by apple cider vinegar (with the Mother) to nip a cold in the bud.
Feel better :)]]> 9372 Dixie noreply@blogger.com http://www.blogger.com/profile/02634644167648237712 2008-12-25 10:03:00 2008-12-25 10:03:00 1 0 9374 Nora noreply@blogger.com 2008-12-25 06:21:00 2008-12-25 06:21:00 1 0 Have a very Merry Christmas and a Happy New Year. Sometimes we just have to take a break.
Nora]]> 9375 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-12-24 22:54:00 2008-12-24 22:54:00 1 0 I've loved your blog all year and look forward to following your inspiration in 2009.
Get well soon!]]> 9376 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-12-24 17:58:00 2008-12-24 17:58:00 1 0 Many thanks for the post - good to know I'm not the only one with unfinished Christmas gifts!
Best wishes for a speedy recovery!]]> 9377 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-12-24 16:43:00 2008-12-24 16:43:00 1 0 http://www.needlenthread.com/2008/12/historical-needlework-display-article.html Tue, 23 Dec 2008 05:52:00 -0600 Mary Corbet 503 2008-12-23 05:52:00 2008-12-23 05:52:00 open open Historical-Needlework-Display:-Article-Online publish 0 0 post embroidered jacket at Plimoth Plantation, you may have missed this article in the New York Times about the historical needlework exhibition at the Bard Graduate Center in NYC. Even if you don't live in NYC and don't plan to visit before the exhibit closes in April, 2009, the article is still worth reading! Great photos, too!

I'm running a bit short on time (surprise, surprise!), but I hope to get a chance to show you later today what I (hardly) accomplished yesterday...

In the meantime, have a terrific day - and go read that article (or at least look at the photos!)]]> historical needlework 9378 Anonymous noreply@blogger.com 2008-12-24 11:36:00 2008-12-24 11:36:00 1 0 9385 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-12-23 08:21:00 2008-12-23 08:21:00 1 0 http://www.needlenthread.com/2008/12/put-up-your-needlework.html Mon, 22 Dec 2008 08:56:00 -0600 Mary Corbet 504 2008-12-22 08:56:00 2008-12-22 08:56:00 open open Put-up-Your-Needlework! publish 0 0 post

The fact is, I'm still far behind on my needlework gifts. In fact, it is not likely that I'll be finished with the berry and pine cone towel, though I am on the second pine cone now and I have finished the first bunch of berries. (There are three pine cones and two bunches of berries, not to mention all the pine needles - but those go super fast...).

It was an interesting proposition: if I put up my needlework, would I be more inclined to take care of the Christmas decorating? So I tried it.

I decided that I was not going to put my needlework "UP" (as in, permanently AWAY). Rather, I wanted it accessible but organized, and tuck-away-able.

The first thing I did was take stock of what I was putting away. Now, there's nothing worse than making a bigger mess when you're cleaning up than you had before you started cleaning up! But that's usually the way of it with me when I start "organizing." I didn't really take photos of everything, because I wasn't (by a long shot) intending to write about my present state of general disorganization!



There was this pile of threads and projects that were actually tucked in a bag on the far side of the sofa, where no one really sees it, unless they come all the way into the living room.



Then, on the sofa, in a complete state of disarray, were the projects I'm currently working on.

And then there were three packages of various supplies that I have ordered recently, all still in their envelopes, also tucked on the far side of the couch.

Yes, I agreed with my sister. "Put Your Needlework AWAY!!!" The living room, where the tree goes each year, is just too small for inordinate amounts of clutter. I don't like clutter - I don't like knick-nacks and things like that. When things get cluttered, I just want to sell the house and move somewhere empty. But in my frenzy to get gifts finished, stuff was piling up.

It was time.

To put my needlework away, I required two things: a box of gallon-sized zip-lock bags and a larger something to put the bags in. Fortunately, in my recent goldwork order from Hedgehog, the Hedgehog people were very kind to include a handy-dandy free tote bag. Perfect!

I took each project and all the threads and other supplies (sometimes even hoops) related to it, and put it in a zip-lock bag.

And then....



...I tucked all the zip-lock bags tidily into the tote, which I stowed away in the studio, ready to pull out in the evening when there's time to stitch. I can take one project out at a time, and, when stitching time is up, put it back in the zip-lock, back in the tote bag, and back out in the studio. No clutter, and all is ready to decorate.

So here it is, Monday morning, three days until Christmas! And what do I have to show for it? My tree is up and decorated, the nativity scene is up (well, I did that a week ago), there's one pathetic string of greenery around the top of the porch, with white lights in it and too many red bows (and no extension cord, so it doesn't work, anyway!), and... now it's time to get to work!

Gifts to wrap, some finish work to do on the sewing machine, laundry to do, some baking and ... baking, and .... baking.

I still plan to get some stitching in this evening, if all goes well. I hope to show you a finished berry / pine cone towel by tomorrow evening!

Oh - and I have a last minute Christmas tutorial for you. Well, I bought these very nice red cloth napkins for the table. It was a great bargain. And they actually had 18! So I bought them. But they clamored for embellishment. I'll show you what I did.... tomorrow? Hopefully!

In the meantime, I hope your preparations for the holidays are going well! Enjoy your Monday!

(Did I mention I'm on vacation? It's G-R-R-R-E-A-T!!!)
]]> pictures organization Christmas 9381 Kirsten noreply@blogger.com 2008-12-23 17:37:00 2008-12-23 17:37:00 1 0 9382 MichelleMermaid michellemermaid19@yahoo.com 2008-12-23 17:26:00 2008-12-23 17:26:00 1 0 Your tote bag looks exactly like my tote bag that I bring with me to work. My tote bag is huge and a prize I won at my local library for participating in a summer reading program. It has worked perfectly for carting my thread and projects to work. Recently I sorted all my threads by color and put them in ziplocs. This has been a great way to get this part of my stitching life in order.
I'm still working to get projects done, the ones I started early and thought would finish early but that have suddenly become very last minute! My boyfriend hasn't actually told my to "put it away" but it's written all over his face!
Merry Christmas!]]> 9383 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-12-23 13:30:00 2008-12-23 13:30:00 1 0
Merry Christmas to you!]]> 9384 IdahoConnie noreply@blogger.com http://www.blogger.com/profile/14244678979192270917 2008-12-23 08:39:00 2008-12-23 08:39:00 1 0 In recent years, I've decided that there just isn't enough time in the holiday rush and so have taken a stand for the health and welfare of me, my family and our friends. Baking has left the list!
I sit too much during this time anyway, none of us need the added calories and I figure, they receive healthier, beautiful handmade gifts instead!
It is a relief to know that all those hours of cookies and temptations are not looming in front of me and I can panic over..er...uh...enjoy my other labors!
A blessed Christmas to you and yours, North Idaho Connie]]> 9386 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-12-22 17:13:00 2008-12-22 17:13:00 1 0
Congrats on getting your Christmas decorating done. I make it a habit to do all my decorating the weekend of the first Sunday in Advent--that way when the Christmas rush really hits it's already done. Plus I get to enjoy it longer.

Hope you get all your other holiday to-do's scratched off your list soon!]]> 9387 Yoyo yoyo_9203@yahoo.com http://www.blogger.com/profile/14230651257160627560 2008-12-22 13:10:00 2008-12-22 13:10:00 1 0
Merry Christmas, keep the wonderfully entertaining blog coming.]]> 9389 Anonymous noreply@blogger.com 2008-12-22 12:04:00 2008-12-22 12:04:00 1 0 The problem will come when I try to find it all after the holidays!
Cissie]]> http://www.needlenthread.com/2008/12/needlework-toolbox-my-version-anyway.html Sat, 20 Dec 2008 15:07:00 -0600 Mary Corbet 505 2008-12-20 15:07:00 2008-12-20 15:07:00 open open The-Needlework-Toolbox...-My-Version,-Anyway publish 0 0 post needle roll made out of felt sparked a couple questions about what I keep in my needlework toolbox. I never really considered carefully what should be kept in a needlework toolbox; instead, my collection of tools has grown pretty much out of need. It's an eclectic bunch of little things, all of which I have found use for in varying degrees of frequency. No doubt, the ideal contents of a toolbox will vary among embroiderers.

This is my stash of tools that I keep encased in a box in my embroidery basket.



Upon first opening the box, this is what you see - a more or less generally cluttered disarray of stuff.



There are, of course, scissors. I have eight pairs of scissors, but only three that I use regularly. One is used exclusively for goldwork, and the other two are used interchangeably for snipping threads and bits of fabric.



There are three measuring instruments: a small retractable tape measure (courtesy of Hedgehog Handworks), a 6" x 1" quilter's ruler, and a hem measurer (for lack of the correct name of that thing). I use them all pretty frequently, but probably the hem measurer and quilter's ruler most often.



You'll also find some... well, tools, for lack of a better categorical name. From top to bottom: tweezers, a laying tool, a tiny crochet hook, and a mellore all get used pretty frequently. I use tweezers to manipulate goldwork thread, to pick up tiny things, to pull out thread bits, and so forth. The laying tool (with a sharp tip that can be used as an awl) is used to keep threads in line. The crochet hook comes in handy for pulling threads through in tight spots. And the silver mellore is used to manipulate metal threads.



I keep some very large needles on hand - these are upholstery needles. I don't use them much, but they come in handy for lacing up fabric and so forth. The needlethreader is rarely used, but I do admit that in a tight spot, for teeny tiny needles (minute beading needles and sometimes a #12 crewel), I use it if I need to. And you can also see a bunch of cotter pins that anchor the slats on my slate frame.



This is a leather thimble. I never use a thimble, normally, but sometimes, if I'm working on something that's tough to get a needle through, I do slip this on for extra protection on my middle finger, which is the finger I generally use for pushing my needle. I have a permanent callus on that finger from my needles, but if I'm using a smaller needle, it often has the uncanny ability to find the one weak spot in the calloused area, where it decides to slip eye-first into my finger. That can be painful. So now and then, and leather thimble can be helpful.



I keep three types of pencils and pens in my toolbox: two are micron art pens, one is a mechanical pencil, and the other is a white chalk pencil for marking on darker fabric. You just never know when you might need to make an adjustment in a pattern or draw something on a piece of fabric. I use all three of these fairly often.



This is a spool of silk couching thread that I use for goldwork. I don't know why I keep it in the box, but I do. I think it's just so that I have some thread in there.



This is a magnetic needleminder. All my metal tools in the box find it at one point or another. I use this on larger projects where I might have several threaded needles going at once. Right now, I'm not working on any large projects, so it's in the box!



This is a brick of beeswax for waxing threads, especially for goldwork. You never know when the urge to wax your thread might strike! But when you're working with metal threads, most of your couching thread will need a nice coat of wax on it. I love beeswax. I like the smell of it!



This beautiful tool was treat. I bought it when Twining Thread was still in business. I miss Twining Thread! This is called a Soldier's Friend. It's made out of the slickest, smoothest, prettiest wood. Around the notches, you can wind extra lengths of thread, and the end comes off the handle to provide a storage place for needles. I don't "use" it a lot, but until the other day, I did have thread wound on it. Isn't it pretty? It's probably the most decorative of my tools, and the least used. But I do like it, and I have used it, so it's not really just a decorative, non-functional tool.



This is a mother of pearl thread ring. I usually have six or so of these floating in the bottom of the box, either in the large size or the small size. But right now, I've got the rest of them trussed up with thread.



And, finally (you might find this odd!), I keep fingernail clippers and an emery board in there, too, for smoothing or clipping fingernails when they become snaggy. I don't like sitting down to embroider, only to discover a chipped nail before I start, and then having to go find these two items! So I bought a set specifically for my tool box, and you'd be surprised how often I actually DO use them! They're great to have right on hand!



Along with all this is my needle roll, and it all tucks very nicely into this box with a little silk ribbon embroidery on the lid. The box has a pretty firm magnet seal. It holds the lid closed even upside-down with all that stuff in it, so if it tips over or is knocked off the couch, or whatever, it usually stays tightly closed.

I have other tools that aren't kept in this box. In fact, I have two more similar boxes, but I don't use them much, and the tools I have in them aren't as serviceable as those shown here.

So that, my friends, is what I keep in my box. What do you keep in yours? Is there any item you're surprised I don't have? Or anything here you think particularly odd? Out with it! Let's talk tools!
]]> needles readers questions needlework tools pictures embroidery tips and tricks 9390 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-12-22 10:21:00 2008-12-22 10:21:00 1 0 I use my emory board in my box all the time too...
My additions are more specific to crazy quilting...Tiger Tape...small plastic stencils for marking seams...pliers for pulling fat needles through areas where there are many seam layers...a blue vanishing ink marker...
...and my camera!]]> 9391 threeundertwo noreply@blogger.com http://litandlaundry.blogspot.com 2008-12-22 10:12:00 2008-12-22 10:12:00 1 0 9393 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-12-22 07:58:00 2008-12-22 07:58:00 1 0
I love the design of your box. It is very pretty.]]> 9395 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-12-21 18:25:00 2008-12-21 18:25:00 1 0 The hem thingamy is a hem guage, and is useful for all sorts of repeated measures. I tend to use marked up bits of cardboard from tea packets though, as I can iron over them and they don't stay hot enough to burn your fingers while in use. My other 2 favourite tools are a long pair of overlocking tweezers, which can be used to turn through points in hard to reach places, and a bamboo satay skewer. I use that to hold down bits I don't want to pin while I sew them down with the machine. The bamboo may shatter if a needle hits it, but no damage really done, and no sewn fingers !

I have a couple of different thimbles for hand sewing and embroidery, but like you I don't often wear them. And yes, I can confirm that being continually punctured by the eye of a needle HURTS. At least I'm not taking Warfarin anymore, which used to result in a spurt of blood getting on the work. I learned pretty fast to chew some cotton thread to make a cleaning ball!

I think this subject might need some more exploration on my personal blog in the near future. Thanks for starting me thinking,
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 9396 Ruth noreply@blogger.com 2008-12-21 15:58:00 2008-12-21 15:58:00 1 0
That was really kind of you to lay out the contents of your toolbox for inspection! I was one of the people who asked about it because I have started embroidering in the last year (some thirty years after I learned the basics at my grandma's knee) and as I go along I am starting to ask myself what I really need to spend (ie how little) to get serious enough for it to be satisfying. Also what tools would an experienced needlewoman prioritise? So this was really helpful to me - and comforting - it doesn't look too expensive, amd I have already got quite a lot of that stuff (bar the metallic tools, i.e. mellore, etc). But I must get a nice box now! My tools are all over the place! Thanks a lot for this inspiring tour of your toolbox!]]> 9397 Sallie noreply@blogger.com 2008-12-21 14:58:00 2008-12-21 14:58:00 1 0 9398 FredaB fmbutler@hotmail.com http://www.blogger.com/profile/08000510495713705938 2008-12-21 12:50:00 2008-12-21 12:50:00 1 0
Years ago at a quilt show I found a very handy bag. It was made from a placemat (navy blue) with a multi ribbon handle. It had 3 or 4 of the zip lok bags sewn down the middle. It closes with velcro. I have used this bag constantly and it is packed full with all my stuff. Needles of all sizes, pins in felt, scizzors,every tool I have is inside there. It is actually bulging. Probably should be cleaned out now I think of it. I grab it when we leave for Florida or back to Illinois. Right now it is in Florida patiently waiting for me.

Enjoy your vacation. It is time well earned for any teacher and a very Merry Christmas with your family and friends. I can imagine the oohs and aahs when they see their gifts from you.

Hugs

FredaB]]> 9400 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-21 09:20:58 2008-12-21 09:20:58 1 0
MC]]> 9401 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-21 09:19:05 2008-12-21 09:19:05 1 0
Hi, Laura - I got the thread rings and the needle minder from Stitching Bits and Bobs... you can find them online! I think they were one of the lesser expensive suppliers, and their service is really good. I know, plain sheaths. Who woulda thunk it? I like them plain! The scissors are seldom in them, anyway. I always forget, unless I'm putting the scissors in a bag....

Chilly H - Oh, we use the same laying tool - the BLT. I have two of them! I love them! I also have two others that I never ever use. The BLT does everything I need it to do! It's a wonderful tool, smooth, strong, sharp - everything I want in a laying tool...

MJ - oh, I do have a box of pins, but they are all occupied, pinning pattern pieces to the tote bag I'm making my mom for Christmas. In fact, I never have enough pins! The box I have holds 75 small glass head pins, and their all quietly waiting to be removed from the linen fabric for that bag that I guess I better sew up this week some time! But yes, you're right. Pins. I forgot to mention them, but they're usually there! Thanks for reminding me!

Thanks, all, for the comments! Glad to hear from you - and I'm Really glad I'm not the only one "into" tools!

MC]]> 9402 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2008-12-21 08:48:00 2008-12-21 08:48:00 1 0 9403 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2008-12-21 08:29:00 2008-12-21 08:29:00 1 0
I also carry a metal thimble and my guild membership pins so I can put them on just before meetings.

Except for my laying tool obsession and my membership pins, our toolboxes are very similar!]]> 9404 Laura Bullinger noreply@blogger.com 2008-12-21 07:47:00 2008-12-21 07:47:00 1 0 9406 Yoyo yoyo_9203@yahoo.com http://www.blogger.com/profile/14230651257160627560 2008-12-20 21:21:00 2008-12-20 21:21:00 1 0
Did you know the Solider's Friend was actually used as a sewing kit and included in their gear by soliders in both WW1 and II, and the Civil War and at least as far back as the Spanish American War? Back then each solider was responsible to keep his uniform stitched up and buttons sewn on himself.

Happy Holidays]]> http://www.needlenthread.com/2008/12/not-quite-needlework-fabric-but.html Fri, 19 Dec 2008 06:15:00 -0600 Mary Corbet 506 2008-12-19 06:15:00 2008-12-19 06:15:00 open open Not-Quite-Needlework-Fabric,-But... publish 0 0 post

I have a niece who likes to sew, and she makes all kinds of things: aprons, totes, wallets, clothes for her baby sister... For her Christmas present, I decided to have some fabric printed for her from a doodled design.

I doodle a lot, but I don't usually scan or photograph the things I doodle! However, since I had a few scans in my photo folder, I thought I'd see what they would look like as fabric. I chose this design:



Then I went to Spoonflower, where you can have custom fabric printed on demand. You can choose the layout repeat of your design, so I chose a mirrored image, and ordered a yard of fabric. It's a bit pricey for a yard - $18 - but since it's a Christmas present, since it's custom-made, and since it's my design, I really think my niece will enjoy receiving this! So I plunged, and ordered.



I received the yard of fabric today. It's printed on a nice weight cotton, about a typical quilter's weight. The design came out pretty well! I am really pleased with it! In the future, if I ever venture forth into this type of purchase, I'll make sure I touch up the design and the photo so that the lines where the patterns join are not so visible. Still, I like how it came out!



Here's the mirrored image a bit closer. The fabric is draped over my embroidery stuff on the couch - hence, the bulging here and there.

I'm really hoping my niece likes this gift! I'm pretty sure she will, and I hope she makes a few interesting "somethings" out of it. Well, it's only a yard... but perhaps a small tote, or some little wristlets, or something....

If you're looking for a unique gift, you might have something of yours printed into fabric. I was thinking it would be kind of fun to touch up a photo of an embroidered motif - extracting the embroidery from the rest of the image (in Photoshop or another graphics program), and then see how that would look repeated on fabric. It could be interesting! If nothing else, it's kind of fun to play around on Spoonflower to see what types of designs you can come up with from your own photo or graphics collection!

I have one more major Christmas present to finish, by the way. I'm making the tote bag from the Breath of Spring embroidery project I finished last summer, and giving that to my mom. I want to sew that up this afternoon. Considering it will be the first tote bag I've ever made, I'll need all the luck I can get!

I hope you enjoy your Friday!
]]> gift ideas embroidery resources pictures fabric for embroidery 7626 April noreply@blogger.com 2009-05-16 02:56:00 2009-05-16 02:56:00 1 0
April]]> 9353 Paularay noreply@blogger.com http://www.blogger.com/profile/02847200666369055570 2008-12-28 00:24:00 2008-12-28 00:24:00 1 0 9392 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-12-22 08:01:00 2008-12-22 08:01:00 1 0
I like your design! Have fun with it.]]> 9399 Debra debraspincic@yahoo.com http://www.blogger.com/profile/14959081275116311853 2008-12-21 12:06:00 2008-12-21 12:06:00 1 0
I am sure your niece will love this fabric--probably won't want to cut it.]]> 9410 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-12-19 19:58:00 2008-12-19 19:58:00 1 0 9412 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-12-19 19:09:00 2008-12-19 19:09:00 1 0 9414 Ratmomma / Carolyn carolynmccomas@yahoo.com http://www.blogger.com/profile/16133466311631303616 2008-12-19 17:09:00 2008-12-19 17:09:00 1 0 9415 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-12-19 14:34:00 2008-12-19 14:34:00 1 0 9418 margaret c. noreply@blogger.com 2008-12-19 10:49:00 2008-12-19 10:49:00 1 0 9419 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-12-19 10:44:00 2008-12-19 10:44:00 1 0 Your doodle looked to me like a design for a "cheater" crazy quilt...but when it was mirrored it took on a whole new character.
This would be so fun to color with Tsukineko inks.....hope she has a blast with it and I know she will really appreciate it, too.]]> 9420 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-12-19 10:05:00 2008-12-19 10:05:00 1 0 http://www.needlenthread.com/2008/12/shelving-needlework-project.html Thu, 18 Dec 2008 07:14:00 -0600 Mary Corbet 507 2008-12-18 07:14:00 2008-12-18 07:14:00 open open Shelving-a-Needlework-Project publish 0 0 post

This is a spring tea cloth from Anchor (a Fleur de Lys kit), worked in a variety of surface embroidery stitches. On its own, when considering the various recommended stitches, it's not anything too elaborate - the stitches are simple, and the interpretation of the individual motifs is equally simple.



The garden image goes all around all four sides. And I think it's pretty enough, but every time I sit down to work on it, I am not particularly "grabbed" (as in, enchanted, delighted, interested, and so forth!).

I'm having a heck of a time deciding on how to stitch those blue bell thingies. The pattern calls for satin stitch, using three strands of floss. Well, that just looks ridiculous! So I tried all different kinds of stitches, from split stitch filling (I think that's what's on there right now) to long and short stitch (I'll probably revisit that one - it was a bit too poofy with three strands, but I'll take Margaret's advice and try it with two), to satin stitch with three threads, then two threads, then even padded and the top worked with one thread. None of the latter satisfied!



I've had this kit, actually, for about two or three years, and I took it out for the first time about a year ago. I worked the round pink things in the front and some of the stems at the time, but then put it away. The next time I took it out, I worked the yellow flowers and then put it away.

So here I am, putting it away again. I thought, about a month ago, that I might be able to finish the piece up for a Christmas present. So I took it out and worked a few stitches.

I'm not sure why this project doesn't grab me. It should be a rather relaxing embroidery project, simply because it's relatively simple. I picture it being fun to work on. Yet every time I take it out, I barely manage a few stitches before I toss it aside for something else! Why?

By the way, Margaret's stitching the same project, only she's almost finished with hers, and she made Vast Improvements on the kit as she went, shading and adding different colors and stitch types, etc. I can't wait to see her finished version - maybe it will inspire some determination in me to take this up again and really finish it!

Do you have any ongoing projects that you regularly set aside for other things? If so, why do you shelf them? And is there any "trigger" that causes you to take them out again and determine to finish them?
]]> Embroidery for the Home pictures needlework pictures beginner embroidery 9132 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-21 21:29:30 2009-01-21 21:29:30 1 0
Most floss comes in 6 strands... if you look at the floss closely (assuming you're using DMC) you'll see that it divides into 6 strands. Hold only the tip of one strand in your finger, and while holding the rest of the bundle, pull the one strand out. This is called "Stripping your floss" - pull each strand out of the bunch individually, then put as many strands as you want back together. Stripping the floss helps keep your threads smooth and makes them lie better when you stitch.

When patterns call for three strands, they mean three from one piece of floss, and they expect you to pull them out by stripping them, then put them back together to start stitching.

Do check out the tips and tricks for hand embroidery page - you'll find a few articles on there for beginners!

Good luck....

MC]]> 9135 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-01-21 18:35:00 2009-01-21 18:35:00 1 0 9380 MichelleMermaid michellemermaid19@yahoo.com 2008-12-24 00:55:00 2008-12-24 00:55:00 1 0 Do I have plans to finish that towel? No way! Life is too short to work on something that doesn't thrill!
Mary, I suggest you give this ufo to Margaret. She obviously is enjoying hers. You should move on to bigger and brighter things!]]> 9411 Laura Bullinger noreply@blogger.com 2008-12-19 19:56:00 2008-12-19 19:56:00 1 0 9413 Susan Vasquez noreply@blogger.com 2008-12-19 17:54:00 2008-12-19 17:54:00 1 0 9421 Heidi in MN noreply@blogger.com 2008-12-19 08:08:00 2008-12-19 08:08:00 1 0
For some reason, Mary this project, while very lovely, just doesn't scream your name at me. I guess I can see why you might shelve it for a while. Give yourself a break. You do such beautiful and challenging work. This just may not be the project for you right now. This seems mindless compared to what you normally tackle. I might think of this as a take along project that you could do on a trip, in a car, away from home, at the lake, in a lodge, in a plane. Something that only requires floss, needle and scissors. You can use what ever colors you wish where ever and whatever stitches you desire on the fly. Don't sweat it. It will find it's rightful place in your schedual, eventually.]]> 9424 B.T.Carolus noreply@blogger.com 2008-12-18 14:12:00 2008-12-18 14:12:00 1 0 9425 Anonymous noreply@blogger.com 2008-12-18 08:51:00 2008-12-18 08:51:00 1 0
Cissie]]> http://www.needlenthread.com/2008/12/keeping-my-embroidery-needles-all.html Wed, 17 Dec 2008 05:54:00 -0600 Mary Corbet 508 2008-12-17 05:54:00 2008-12-17 05:54:00 open open Keeping-My-Embroidery-Needles-All-Rolled-Up... publish 0 0 post

I've always wanted to make a Really Pretty Needlebook, one that looks nice but is comfortably functional and can hold a lot of needles and take up minimal space. I haven't done it yet. I made that felt tool / needlebook thingy, but that's not really what I had in mind, and that whole project was a bit of an accident, anyway. I was thinking more along the lines of something a bit more upscale, like the needlebook patterns you often see in Inspirations Magazine, or something along those lines.

Instead, my needle storage is a little... well. Haphazard, if you can call it that.

Just for reference, I'm referring to the needles I use daily - the ones I reach for when I sit down to embroider. One day, about a year ago, I was cleaning up. You know how it is when you're cleaning up? Well, when I clean up, I get into a kind of organizing frenzy, and I generally find that I am dissatisfied with the way something or another is organized (or not organized) in the mess I'm trying to clean up! On this particular clean-up day, I was cleaning up my needlework basket. I didn't like my needle receptacle, which was a plastic case called a Needle Safe, which has a magnetic base. All my needles invariably got dumped in there, only to become mutually attracted to each other and settle into various lumps of Magnetic Bliss. They didn't lay out where I could see them well. No, no. I just didn't like it.

So I improvised a little needle roll, telling myself it was only temporary, until I made my Ideal Needlebook.

For a year I've used this little Thirty Second Improvisation Job, and I realized the other day that I like it a lot! It has served me well.

If you're looking for a handy way to store your daily needles, you might try it, too. This is a super-easy way to make a needle roll, it'll take you about thirty seconds to make it, and, if you have some scraps of wool felt on hand, it won't cost you anything - not even time!

Here it is:



I took two scraps of wool felt in contrasting colors. I had some scraps of dark green and some scraps of a kind of cranberry color that were pretty nice, so I figured they'd do. They were both long rectangles.

The green felt is about 3.5 inches high and 8.5 inches long, but you can make it higher or longer or shorter or whatever size you wish, as long as its height is enough to accommodate the length of your longer needles. The cranberry felt is about half an inch smaller all around than the green felt.



I then cut two little slits in the green felt for a ribbon (the plaid strip in the diagram above). There's one slit on one end of the green felt, and one slit about two inches from the first slit, towards the middle of the green felt. They're just tiny slits, for a quarter-inch ribbon. I didn't stitch around the slits or anything. I just snipped them and ran a ribbon through them as illustrated, and that was it.

Then I placed the cranberry felt on top of the green felt. I didn't sew it on or anything.



The way I figured it was that the friction between the cranberry and the green felt would hold the cranberry felt in place. Actually, as I stuck needles in, the needles helped secure the cranberry felt to the green by passing through a bit of the green, too, but the felt is thick enough that the needles don't pass through the outside of the green felt.



I rolled it up from the right side of the needle roll, towards the sides with the slits, and tied the ribbon around the roll.

And my needles have been happily encased in this makeshift needleroll for a year now. It's a convenient, user-friendly roll that took about 30 seconds to put together.



It fits perfectly into my little tool box, which fits perfectly into my needlework basket!

So, how do you store your daily needles? If you're looking for a convenient way to store them and you have some scraps of felt lying around, try this! You might like it, too!
]]> needles needlework tutorials needlecase pictures embroidery tips and tricks organization 9359 Constanza noreply@blogger.com http://www.bentpinprojects.blogspot.com 2008-12-26 18:31:00 2008-12-26 18:31:00 1 0 9423 Angi @ Peakmore Academy noreply@blogger.com http://www.homeschoolblogger.com/PeakmoreAcademy 2008-12-18 19:32:00 2008-12-18 19:32:00 1 0 9426 Anonymous noreply@blogger.com 2008-12-17 19:00:00 2008-12-17 19:00:00 1 0
I stockpile needles, probably because I live in a small town where you can't buy a straight pin. My favorite way of storing all of my favorite needles is a trick I learned from a fellow stitcher. I keep them in a leather notebook which was designed to hold business cards. The plastic sheets are just the right size to hold a packet or two or three of needles. I made labels for each of the pockets and it is easy to flip through when I need to replace the needles that I use every day.
Cissie]]> 9428 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-12-17 16:43:00 2008-12-17 16:43:00 1 0 This is a great and easy idea, indeed.
I use a small needlebook (handmade by me)made with Portuguese linen and cotton you can see here
http://avomeri.blogspot.com/2008/05/mini-porta-agulhas-mini-needle-book.html - the one on the right. I also use it as little pincushion.]]> 9429 Cindy in Oregon noreply@blogger.com 2008-12-17 15:05:00 2008-12-17 15:05:00 1 0 9430 Ruth noreply@blogger.com 2008-12-17 14:48:00 2008-12-17 14:48:00 1 0 9432 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-12-17 10:24:00 2008-12-17 10:24:00 1 0 9433 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-12-17 07:46:00 2008-12-17 07:46:00 1 0
Thanks!

MGM]]> http://www.needlenthread.com/2008/12/readers-embroidery-embroidered-doll.html Tue, 16 Dec 2008 07:00:00 -0600 Mary Corbet 509 2008-12-16 07:00:00 2008-12-16 07:00:00 open open Reader's-Embroidery:-Embroidered-Doll-Dress-&-Some-Reminiscing... publish 0 0 post

When I saw this dress that Cissie made for her granddaughter's doll, I couldn't help doing a wee bit of reminiscing. Two of my most memorable childhood Christmasses include dolls with handmade accessories.

In my family, we had seven girls. That's shocking to most people today, I know! But it was great! (And, uh, still is, you guys. Really. Honestly!) The four oldest were the "Those Four Big Guys," divided from the three youngest ("Us Three Little Guys") by a break of a few years in Motherly Production. Us Three Little Guys often got variations on the same theme for Christmas. One year, my mom made the three of us Holly Hobby dolls, replete with wardrobe and accessories. Oh, those Holly Hobby bonnets! And braided hair! They were great!

The second doll-memorable Christmas had to have followed shortly thereafter, or we would have been out of the Doll Appreciation Years. And perhaps the oldest of Us Three Little Guys didn't actually get a the same doll that year! Poooooor Sarah! Because that was the best Doll-bearing Christmas ever! Madame Alexander baby dolls - you know, the kind with the heavy bodies and the eyes that closed when you put them to bed! And if you tilted them stomach-side down, they cried! Mom (and an older sister) made at least two of Us Little Guys a whole set of bedtime accessories - mattress, eyelet-lined blankets, pillows - all neatly fitted into a wide slatted, handled basket. They were the Best Dolls Ever. I was eight years old at the time, I think. Do eight-year-olds receive dolls for Christmas anymore?! I loved my dolls to death!

I think Cissie's granddaughter is going to be equally enchanted with her doll's dress! Here it is:



I think (but I could be wrong!) that this is either Molly or Samantha, of the American Girl Doll line. My nieces have these dolls, and they love dressing them up! But I have yet to see as sweet a dress as this on their dolls!



The little collar is embellished with a red flower, dots, and leaves matching the dress, and then edged with Palestrina stitch, a perfect stitch for outlining a collar.

The doll is also receiving a new wool challis coat, which I'm sure will be precious. Lucky, lucky little four-year-old!

I wonder if people would notice if I ... you know.... took up playing with dolls again? Possibly, that's a bad idea. But making their clothes and embellishing them would be heaps of fun! Nice job, Cissie!

Thanks for sending along the picture and for drumming up good memories of ages past.

It's beginning to feel a lot like Christmas.....
]]> embroidered clothes readers embroidery pictures Christmas 9438 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-12-17 02:43:00 2008-12-17 02:43:00 1 0 9439 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-12-17 01:56:00 2008-12-17 01:56:00 1 0
I progressed to making my own clothes, and my mums in my teens, and now make period inspired costumes (usually with embroidered embellishments or accessories) in my spare time.]]> 9441 Cissie noreply@blogger.com http://www.blogger.com/profile/14970869611784889847 2008-12-16 19:46:00 2008-12-16 19:46:00 1 0
Like you, I remember so fondly the dolly wardrobes that my great-grandmother, grandmother and maiden aunt made for my dolls. Wish I still had these treasures.

Cissie]]> 9442 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-12-16 14:21:00 2008-12-16 14:21:00 1 0
I remember getting a Madame Alexander baby doll for Christmas with a wicker basket for her clothes. Mom embroidered the name I gave her onto her back so she wouldn't get mixed up with the dolls my sisters got the same year!

MGM]]> http://www.needlenthread.com/2008/12/goldwork-supplies-plenty.html Mon, 15 Dec 2008 07:00:00 -0600 Mary Corbet 510 2008-12-15 07:00:00 2008-12-15 07:00:00 open open Goldwork-Supplies-A-Plenty! publish 0 0 post

When you order real metal threads from Hedgehog, they generally come in little plastic boxes of various sizes. For shipping, I suppose this is nice, because it keeps the threads intact. But if you order an abundance of types of threads, when you open the box, you may find that you have ... well.... LOTS of little plastic boxes!



Right now, I don't mind the boxes so much, since the gold threads are nesting safely within them. But I know I'm a bit of a packrat when it comes to those types of packaging containers. Once the gold thread is gone, I will feel obliged to save them for "something else," and the next thing I know, I'm going to have little plastic boxes multiplying in my cabinets, until I'm overrun with little plastic boxes!

But I suppose I'll face that dilemma later!



Once the supplies were taken out of the shipping box and stacked up, they didn't look quite so abundant, but still, it's a nice stock of threads for the project I have in mind.

Mostly, I ordered pearl purl, smooth purl, matte purl, check purl, twist, smooth passing, and rococco, along with some different sizes of spangles.



I also ordered these two specialty threads.



This is a frieze / bullion twist, a combination of a check purl (frieze brilliant) and a smooth purl or bullion, in silver (check purl) and gold (smooth purl). It's kind of a thickish metal thread, heavy looking and very rich. I'm not sure if I'll use it soon or not. I'll have to play with it a bit!



This metal thread is called Sadi Twirl, and it's a bit different. It's two coiled springs made out of metal wire in different colors, twisted together. The coils are not smooth and tightly coiled like smooth purl, which is limp and very supple, but rather this stuff is coiled with space between the coils, and the actual coils are somewhat stiff. They aren't as stiff as pearl purl, but the thread is fairly stiff overall.



You can see the tip of the thread here and get a better sense of the coils and the wire used to make them.



It was heaps of fun going through the new goldwork supplies. Once I sifted through the order, I had to figure out how to store them. Rummaging through my cabinets, I came across a couple empty stationery boxes that I had brought home from work for just this type of situation! One of them was perfect - I stacked all the little boxes inside, and had room for a bag of goldwork "scraps" left over from various projects.



Ahhhh. I feel so smug and organized! I put the lid on the box, labeled it "Goldwork Supplies," and resigned it to the project shelf until I can get this one started. I'm hoping to launch into it this week - so I'll spring it on you soon!

Where to Find Goldwork Supplies

In the US: Hedgehog Handworks, Japanese Embroidery Center (Japanese Threads)

In Canada: Berlin Embroidery

In Australia: Alison Cole Embroidery, Mary Brown Designs, Jane Nicholas Stumpwork Embroidery

In the UK: Benton & Johnson, Golden Threads

If you know of any other goldwork supply resources, please do let me know and I'll be happy to include them on my list!
]]> goldwork embroidery resources pictures 9427 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-12-17 16:54:00 2008-12-17 16:54:00 1 0 9434 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-17 05:54:10 2008-12-17 05:54:10 1 0
Annie - You are absolutely correct - any package is a source of pleasure and excitement! I'm sure you've had your snow storm by now... hope all is well up your way!

Heidi.... thanks for the kind words. Yes, I'll work on. Unfortunately, right now many things are pressing, and it seems few things are getting done!

Meri - nope, I don't think any of them are silk ribbon carriers. You might try Treenway Silks in Canada - they have some GORGEOUS silk ribbon!

Hi, Pamela! Um... well, I couldn't hire you, I'm afraid! Isn't that the pits of it? Most of us are not fortunate enough to be paid to do our hobby... and, at least for me, my hobby is probably the most expensive thing I do with my regular income! Aaack.

Megan - sorry to set you drooling! I thought of you when I wrote this post! I prefer ordering from Tanja Berlin as well, when I need (and can afford) the 2% gold, for special (and long-lasting) projects. But I like the supplies from Hedgehog, and it's a lot less expensive as shipping goes!

Magpie - Margaret's answer on tarnishing is pretty thorough... I've not had a problem with threads tarnishing, actually, yet, and I'm probably not as careful with them as I should be (as you can see from the ziplock bag in the box!) I usually keep them stored, though, in the original packaging they came in. The 2% gold doesn't tarnish as fast, from what I understand, and there are some imitation metal threads that are supposed not to tarnish at all... so I suppose it depends on the thread.

Thanks for the comments, all!]]> 9436 Heidi in MN noreply@blogger.com 2008-12-17 05:38:00 2008-12-17 05:38:00 1 0 9444 Anonymous noreply@blogger.com 2008-12-16 07:38:00 2008-12-16 07:38:00 1 0 Annie... in waiting for a snow storm Michigan]]> 9448 margaret c. noreply@blogger.com 2008-12-15 18:25:00 2008-12-15 18:25:00 1 0
Yes, gold metal threads will tarnish when exposed to the elements. As I understand it (and welcome corrections if I am wrong) there is silver under the gold which is what causes the tarnish. From what I can tell, if you frame a goldwork piece behind glass you can avoid tarnish for a longer time. I haven't found any definitive information on how long it takes for gold metal threads to tarnish when they are or aren't exposed to the elements. I have also read that there is some sort of coating on the gold to retard tarnish.

I have a framed piece that I did about 5 years ago and see absolutely no signs of tarnish. On the other hand I have another recent piece that I put down for about 6 months and it wasn't well protected. I think I see a little bit of darkness (tarnish?) in the chipping. As soon as I noticed this I kept the piece carefully covered in plastic while I finished it and then I sealed it in a ziploc until I was ready to frame it.

In a Royal School of Needlework (RSN) goldwork class we were told to store metal threads in a metal box because they said that plastic would hasten tarnishing. While I wouldn't want to contradict the RSN, I have been keeping my metal threads in plastic bags (and those miserable little boxes! :-) and also in a metal box. I haven't yet seen a problem with the plastic storage, but perhaps the threads haven't been kept in plastic long enough. By the way the RSN provided their metal threads in small acid-free paper envelopes. (Does anyone know where to buy these?)]]> 9449 onafixedincome noreply@blogger.com 2008-12-15 13:58:00 2008-12-15 13:58:00 1 0
I'm thrilled to see the topic arise, Mary--I keep wondering what the heck these various things are and how they're made, and....]]> 9450 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-12-15 13:49:00 2008-12-15 13:49:00 1 0 Those supplies are gorgeous!
Do you think those links are good for buying silk ribbons? I want to try some ribbon embroidery next year...
Have a nice week!]]> 9451 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-12-15 12:18:00 2008-12-15 12:18:00 1 0
got to stock up after my first buy up of goldwork supplies soon! How exciting! (from Tanya Berlin, whom I've found to be great)]]> 9452 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-15 11:19:38 2008-12-15 11:19:38 1 0
Aren't they fun? I can't wait to get started with them.... so much to do, so little time!

Angie, some are couched. Others are sewn on as you would beads after the metal is cut. I'll be covering this in a little more detail soon!

MC]]> 9453 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-12-15 10:42:00 2008-12-15 10:42:00 1 0 ;-)]]> 9454 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-12-15 10:21:00 2008-12-15 10:21:00 1 0 9455 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-12-15 10:00:00 2008-12-15 10:00:00 1 0 http://www.needlenthread.com/2008/12/monogram-for-hand-embroidery-celtic-r.html Sun, 14 Dec 2008 07:00:00 -0600 Mary Corbet 511 2008-12-14 07:00:00 2008-12-14 07:00:00 open open Monogram-for-Hand-Embroidery:-Celtic-R publish 0 0 post

I gave stitching suggestions for this set of monograms under the Celtic A, if you want some tips on how you could hand embroider something with a monogram like this. You can also use the monograms for other applications... a reader sent me an e-mail and said she was using them to etch beer mugs as Christmas gifts! What a terrific idea! (If you know how to etch beer mugs....)

Anyway, here's the R, in a smaller format:



And here it is, a bit larger:



If you're looking for something to stitch, check out the other free hand embroidery patterns on Needle 'n Thread.

Enjoy!


]]> free embroidery patterns monograms 9408 Firelily noreply@blogger.com http://www.blogger.com/profile/04087100289406161548 2008-12-20 04:51:00 2008-12-20 04:51:00 1 0
I would BEG you for the letters J and K. Please please grace us with some more Celtic letters.]]> http://www.needlenthread.com/2008/12/free-hand-embroidery-pattern-carnations.html Sat, 13 Dec 2008 09:35:00 -0600 Mary Corbet 512 2008-12-13 09:35:00 2008-12-13 09:35:00 open open Free-Hand-Embroidery-Pattern:-Carnations publish 0 0 post A Treatise on Embroidery with Twenty Color Illustrations from Original Models. Art Needlework Series No. 8 by M. Heminway & Sons Silk Company.

In the original book (which you can find online), the carnations are worked in silk in long and short stitch or thread painting techniques. The colors are gorgeous! It would be an exciting embroidery project to work on!

Margaret took the image of the carnations and traced it as a vector image (in Inkscape), so that you could view it with the outline and the colors, or just with the outlines. So I'm going to give it to you both ways here, but in jpg format, so that you can save it to your computer and print it if you like.

It's nice to have the color version as well, if you plan on stitching this project, since it gives you a good guideline for color choices and shading.

You can click the following images for slightly larger versions, and if you want them bigger or smaller, you can resize them on your computer or on a photocopier.

The first one here is the image with the color, though you can also see the outline around the image, and the addition of a few leaves.



And here is the line drawing to trace for a pattern.



Many thanks to Margaret for the pattern!

Enjoy!
]]> free embroidery patterns needlepainting silk 4429 REKIA noreply@blogger.com 2009-12-01 04:00:44 2009-12-01 04:00:44 1 0
Quel travail extraordinaire c'est très jolie MERCI POUR TOUS LES POSTS]]> 9416 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-12-19 14:13:00 2008-12-19 14:13:00 1 0
Denise
http://needlework.craftgossip.com]]> 9457 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2008-12-14 22:43:00 2008-12-14 22:43:00 1 0 9460 cq4fun noreply@blogger.com http://cq4fun.livejournal.com/ 2008-12-13 17:15:00 2008-12-13 17:15:00 1 0 http://www.needlenthread.com/2008/12/hand-embroidery-on-paper-christmas.html Fri, 12 Dec 2008 06:02:00 -0600 Mary Corbet 513 2008-12-12 06:02:00 2008-12-12 06:02:00 open open Hand-Embroidery-on-Paper:-Christmas-Cards-Assembled-and-Decorated publish 0 0 post said that? What I'm wondering is whether or not I actually meant it. Perhaps I was joking when I said it... or perhaps I was just a little naive. (Maybe just plain stupid?!) It sure seemed like a possibility at the time, but as the days tick onwards and I keep making cards and embroidering on that riffemrackemfrickemfrackem Christmas greenery towel, I must admit that I'm beginning to wonder....!

Still, the challenge is fun, and I have actually managed to complete a few more embroidered Christmas cards. Tonight, I assembled them and put the finishing touches on them.

You might wonder what you'd have to assemble on a hand embroidered paper card. Isn't, after all, the embroidery enough by itself? I suppose it would be, but I have a tendancy to go overboard on some things. More is not always better. I need to learn that.

There are a few elements of the embroidered card that require assembly, though, depending on how you make the card.

First of all, if you embroider on a separate little decorative piece of card stock, you have to situate that piece onto the folded card. Then, if you want, you can continue to decorate the card... and decorate it.... and decorate it some more. Take, for example, the snowflake card and the wreath card.

First, the snowflake card. I like this embroidery pattern, and it's really very easy to stitch - it goes pretty quickly. The pattern can be found in Erica Fortgens "Merry Christmas" book, I think, though I've been using several different books for patterns lately. I used regular textured card stock, and Sulky rayon machine embroidery thread in white.



It took me about an hour and fifteen minutes to prick the card and stitch it.



Then I started decorating it further, just on a whim. And then I decorated a little more. And a little more.



I added little rhinestone accents and punched out snowflakes. And I went, as I am often want to do, a bit overboard. Still, it was fun.

Then there's the wreath card.



The embroidery on this one took a bit more time - all told, about an hour and forty five minutes. I should have left well enough alone, and mounted the little white square with the pretty wreath onto the red card and just left it. But there were these strange cutout little flowers floating around in my stuff. Scraps, really. And I found I could cut them in half. And in cutting them in half, I realized I could line them across the top of the card. But then I realized they looked lonely, so added a paper strip.



And of course, the wreath needed some "bling," too, so I added a few red rhinestones. And.... sheesh. I did it again.

So that's one kind of assembly when you're embroidering paper cards.

Sometimes, instead of stitching on a cut-out piece of card stock, you might want to stitch directly onto the card itself. I had a plethora of red cards that I bought for practically nothing ages ago (before Christmas preparations were even thought of), so I decided to use those up. I pricked designs on a bunch of them and set about embroidering them.

These cards are simpler. This holly card, for example, is stitched straight onto the card, with no extras to adorn it:



The snowman is also stitched directly onto the card, though the "Merry Christmas" sign at the top is separate.



His little scarf is made out of perle cotton #5 twisted together.



(I hate to admit this, but the whole time I was working on him, he reminded me - and still does - of the Stay Puft Marshmallow Man from Ghostbusters!)

This is a very simple white-on-red snowflake card that took around 40 minutes total to make:



This little swirly Christmas tree is also stitched directly onto the card, too:



After stitching directly onto the card, you still have to do a little bit of assemblage, because the inside of the card, covered with bits of tape securing the threads, is most distressingly messy, and that needs to be covered up!



To cover the inside, I choose a matching decorative paper, cut it to fit (sometimes with a straight edge, sometimes with a decorative, depending on my mood - or whether or not I want to mess with changing blades on my cutter), and glue it into the inside of the card.

For the holly card above, I chose a gold holly card stock.



It doesn't always have to be card stock, though. For the inside of the swirly tree card, I used a decorative paper, in a green holly pattern.



If you don't have decorative scrapbooking paper, I've found that wrapping paper works great, too!

If you're going to add any extra touches (like the gold beads on the swirly Christmas tree), do that AFTER you've covered up the inside of the card with decorative paper, because it's much easier to glue the inside paper down smoothly when you don't have bumps on the front of the card.

I use strip adhesive, by the way. It's so easy, it's worth the cost of the adhesive. When you can get the stuff on sale, it's worth picking up refils!

I still have a few more cards in the works, like this sparkly bauble card that still needs a few more baubles and a message.



At the rate I'm going, though, I don't think I'll be sending hand made cards to my whole list! Still....



It's not a bad collection. Maybe I could do the whole list. A few late nights... early mornings... enough spiked egg nog...
]]> embroider on paper pictures Christmas needlework pictures beginner embroidery 4305 Vasilis noreply@blogger.com http://www.blogger.com/profile/10324474154844507531 2009-12-07 13:29:58 2009-12-07 13:29:58 1 0 I like especially the snowman card...
How did you fill the snowman hat? Did you color it or is it a colored paper?]]> 9437 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-12-17 02:46:00 2008-12-17 02:46:00 1 0 9456 Crochet noreply@blogger.com http://www.blogger.com/profile/07480770467203093360 2008-12-14 23:54:00 2008-12-14 23:54:00 1 0 9459 cq4fun noreply@blogger.com http://cq4fun.livejournal.com/ 2008-12-13 17:26:00 2008-12-13 17:26:00 1 0 9461 Tommy noreply@blogger.com http://www.sewingmachinereviewer.com/ 2008-12-13 02:22:00 2008-12-13 02:22:00 1 0 9462 Christy noreply@blogger.com http://www.blogger.com/profile/14883406740096780758 2008-12-12 18:54:00 2008-12-12 18:54:00 1 0 9463 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-12-12 16:27:00 2008-12-12 16:27:00 1 0 9464 Anonymous noreply@blogger.com 2008-12-12 10:30:00 2008-12-12 10:30:00 1 0 How cool are those!!!!
Annie in now really cold Michigan]]> 9468 Debra debraspincic@yahoo.com http://www.blogger.com/profile/14959081275116311853 2008-12-12 09:27:00 2008-12-12 09:27:00 1 0 9469 Anonymous noreply@blogger.com 2008-12-12 08:04:00 2008-12-12 08:04:00 1 0
BJ]]> 9470 Anonymous noreply@blogger.com 2008-12-12 06:05:00 2008-12-12 06:05:00 1 0 Cissie]]> http://www.needlenthread.com/2008/12/some-free-stuff-and-some-stuff-on-sale.html Thu, 11 Dec 2008 07:29:00 -0600 Mary Corbet 514 2008-12-11 07:29:00 2008-12-11 07:29:00 open open Some-Free-Stuff-and-Some-Stuff-on-Sale... publish 0 0 post

First, there's a sale at Colonial Patterns, where you can find a Holiday Assortment of Aunt Martha pattern transfers for 20% off. Read the Christmas Pattern Assortment list for the details of which packets are combined here. They range from Sunbonnet Christmas to Snowmen and Angels and Holly and Santa and all that Christmassy stuff.



Iron on transfer patterns can help you make quick gifts for Christmas. Just iron on your favorite motif onto a towel or an apron or something similar, choose your favorite line stitches from the Video Library here on Needle 'n Thread (if you need a refresher), and stitch away!

I was thinking the assorted pack would also make a great little Christmas present for friends who stitch and who like these types of patterns, or for kids who are just getting into embroidery. I was thinking about adding something like this to the little basket I'm making up for my 7 year old niece...

If you'd rather create your own iron on transfer, Colonial Patterns also has their embroidery pattern transfer pad and pencils on sale this week for 10% off. I've never used these products, but if they work well, the concept is grand! Anyone else use them? I'd love the hear the results!

How about some embroidered greeting cards? You still have time to put together some simple cards, gift tags, and whatnot using your needle 'n thread! Stitching Cards has a few freebies on their Prick & Stitch blog, if you're looking for patterns.



For example, there's this snowflake border - it's a very simple little border, but it's great, because you'd never quite believe how hard it is to evenly space those 6 arms of a little straight-stitch snowflake and get them to look really even. I'd probably pick a different color pattern than the one in the sample.... I think the pattern would look great stitched in white on blue, or in white on red.



You'll also find a free pattern for this Christmas bauble, which would stitch up into a cute gift tag or card.

I'm still plugging away on the berry and greenery towel I showed you a week or so ago! And I'm working on Christmas cards... and I'm setting up five little towels I want to finish before Christmas, too. I'd like to do two monogram towels and three casual towels as gifts. Well. Like I said, there's nothing wrong with planning! I think the casual ones will probably come off ok, but the monograms are another story.

I'm also in the middle of preparing another larger project involving goldwork, and I'll show you a little bit about that soon, I hope. I did manage to clean up my goldwork supplies, which was a big deal!

And somewhere in there, I think I have a tree to put up and stuff like that. Baking. Gingerbread houses with the kids. (Hmmmm..... Rather Scrooge-like, but I may scratch the gingerbread houses with the kids!)

A snow day would come in really handy in the next week and a half!

Hope you're enjoying your holiday preparations as much as I am!
]]> embroidery resources Christmas 9474 Tommy noreply@blogger.com http://www.sewingmachinereviewer.com/ 2008-12-11 10:30:00 2008-12-11 10:30:00 1 0 http://www.needlenthread.com/2008/12/december-embroidery-stash-winner.html Wed, 10 Dec 2008 06:00:00 -0600 Mary Corbet 515 2008-12-10 06:00:00 2008-12-10 06:00:00 open open December-Embroidery-Stash-Winner! publish 0 0 post

It was kind of hard at first to commit to giving away the two spools of Gilt Sylke Twist in this month's give-away! I admit it!! Deep down, there was this nagging voice saying, "If you're going to give them away, you should give them to a friend - to someone you know." But then this other nagging voice said, "It doesn't matter. Someone, somewhere, will surely be really happy to win this...." and then there was this other nagging voice...

... but I better not mention what that one said, because it would probably ruin my image! I try to ignore it, but it does creep in now and then! >:-)

ANYWAY, I'm glad I committed to the give-away, as I hope it does make someone, somewhere pretty happy, in a stitchy sorta way! And heck, detachment is a good thing!

I know, I know. On with the winner. Cut the babble and get on with it!

I did the whole draw thing, like I've done for the past however many months, so I'll skip the explanation.... and the winner is....

Heidi in MN!

Do contact me, Heidi, by Friday, with a mailing address!

Thank you all for participating! I enjoyed reading your comments, and for those of you with the real "itch" for this thread, I wish I could afford to send some world-wide to you! That's actually the hardest part about a give-away: not being able to give away to more people who I know are really, sincerely longing to win!
]]> stash contest 9476 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-12-10 19:29:00 2008-12-10 19:29:00 1 0
Viva la Heidi in MN...
no offense, Heidi, but man....]]> 9478 MichelleMermaid noreply@blogger.com 2008-12-10 12:02:00 2008-12-10 12:02:00 1 0 Cheers!]]> 9479 onafixedincome noreply@blogger.com 2008-12-10 09:05:00 2008-12-10 09:05:00 1 0
Congrats, Heidi!]]> 9480 Tommy noreply@blogger.com http://www.sewingmachinereviewer.com/ 2008-12-10 07:33:00 2008-12-10 07:33:00 1 0 http://www.needlenthread.com/2008/12/treenway-silks-hand-dyed-silk-ribbon.html Tue, 09 Dec 2008 07:13:00 -0600 Mary Corbet 516 2008-12-09 07:13:00 2008-12-09 07:13:00 open open Treenway-Silks---Hand-dyed-Silk-Ribbon-and-Thread publish 0 0 post

Treenway Silks is a kind of "cottage industry" (as they describe it) located in British Columbia, Canada. They dye silk and produce all different types of silk products for the fiber artist, from silk yarn to silk ribbon to silk embroidery thread. You can read about their products on the Treenway Silks website, which is quite an informative site to peruse!



I came across Treenway Silks through Nordic Needle, actually, and when I saw the colors of their "fine silk cord," I just had to order one skein. Just to try! But then, as those nefarious shopping carts often do, sure enough, they showed a matching photo of the hand-dyed silk ribbon that coordinated with the thread I had just added to my cart!



*Sigh* I am so weak. But it is really beautiful stuff! I can't wait to stitch with it and see how I like it. I'll definitely let you know how it goes.

Besides these ribbons and threads for hand embroidery, Treenway has several other kinds of fibers for needlework. You can read all about them (and even purchase them) on their Embroidery Threads and Ribbons page on their website.

Today's the last day to sign up for my December give-away: Two beautiful spools of Gilt Sylke Twist, along with a few other delightful little needlework items of the season. If you haven't signed up yet, do read the original post and leave your comment (according to the instructions)! I'll announce the winner tomorrow!
]]> ribbon embroidery embroidery resources threads pictures silk 9443 Anonymous noreply@blogger.com 2008-12-16 09:00:00 2008-12-16 09:00:00 1 0 9494 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-12-09 14:01:00 2008-12-09 14:01:00 1 0 http://www.needlenthread.com/2008/12/beaded-angel-swap-ornament-received.html Mon, 08 Dec 2008 06:00:00 -0600 Mary Corbet 517 2008-12-08 06:00:00 2008-12-08 06:00:00 open open Beaded-Angel-Swap-Ornament-Received! publish 0 0 post goldwork and silk embroidered Christmas ornament for the swap that I joined a month or so ago. I've never actually joined an oline swap. Being a newbie, one of my readers was very nice to mention that there's a list somewhere online that gives a bit of information on how to go about preparing items for a swap, but I can't find the link! (If anyone knows where that article is, I'd love to see it again!)

There are apparently two exciting elements to a swap: 1. doing the embroidery and planning the "package" to send (I love planning packages!), and 2. anticipating, like a kid at Christmas, what the post will bring. I enjoyed the creating process best - I'm looking forward to wrapping up the ornament in pretty paper, preparing a few little embroidery trinkets to send along with it, picking out one of my embroidered cards and adding in a few blank ones for use - you know, just making up a Fun Package to Open! I love doing that! I'm going to use a plethora of curling ribbon!

I actually never found myself thinking about the other end of the swap or anticipating anything in the mail. But on Saturday, the mail arrived, and in it, there was a letter addressed to me from someone I didn't know. I thought it a bit strange - the envelope was hand-written, from Australia, and had something kind of flat and bumpy in it. Weird. I wasn't expecting anything from Australia...

So I opened it, not even remotely considering the ornament swap, because I had forgotten the "other end." (I felt rather stupid, actually...) I fingered the little ziplock bag, trying to think what I had ordered that was feathery... who did I know?... what could this be??.... (I wasn't alone at lunch, either, so I had an audience of witnesses to my air-headed reaction!)

I unzipped the ziplock carefully, trying (unsuccessfully) to avoid catching a bit of fluffy feather in it. Finally, I got it open, and ...



And this is what I received: a little cross stitch and beaded angel, worked on perforated paper, with white feathers for the wings. The skirt is made out of clear bugle and seed beads, and gold beads, which are carefully hung to create a pattern. I hung her on the light there, to take the photo, to give it a kind of angelic effect. Actually, I thought the beads might sparkle a bit more!

The ornament is stitched on two pieces of perforated paper, so that the back of the angel is also the finished back of the head, halo, and top of the angel. Then the wrong sides of the finished pieces are stitched together, with the feathers for the wings secured between the two pieces of perforated paper.



Isn't she cute? I have the perfect tree to hang her on, and I know the little kids will love looking at her.

Once my swap stuff is in the mail (I think I have to send it global priority at this point!), I'll be finished with this year's ornament swap. Though overall this was a positive experience for me, I'm still not quite sure of the whole swap thing. I suppose it's a good way to reach out to others across the globe. Have you ever joined an online swap of any kind? If so, what kind? What did you like about it? Were there any drawbacks? If you've never done one, what makes you hesitate to join one? I'd love to hear about your swap experiences! Anyone??

And, finally, another reminder about this month's embroidery stash give-away - two full spools of Gilt Sylke Twist, plus some other fun needlework stuff, are just waiting for you to win them! If you haven't joined yet for this month and are interested, do take a look at the original post for details on joining!
]]> counted thread embroidery techniques Christmas needlework pictures 9477 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2008-12-10 13:38:00 2008-12-10 13:38:00 1 0
I did an ornie exchange through the Needle And Thread bb a few years ago...I recieved a beautiful hand stitched ornie along with some sweets, chocolates, and other goodies. I had great fun putting together my package bound for Australia...spent weeks stitching and finishing an ornie and picking out some hand made chocolates and specialty coffee packs...mailed it off.......and it never arrived! I waited hoping for weeks it had just been delayed, but it was never seen again. So somewhere out there is a pretty hand stitched xmas ornie with sailing ships on it...I can only hope it didn`t get thrown in a trash bin somewhere.

If you are mailing to Australia, my advice is don`t include any foods or organic goods at all...no lavender stuffing or scented flowers. Aussie has VERY strict rules on importation of food stuffs and plants, and I have a suspiscion it was the food in my parcel that was the problem, and it is languising in custome somewhere on a shelf...or has been burnt.

Of course, if you live in Aussie, ignore above advice *big grin*]]> 9505 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-12-08 21:43:00 2008-12-08 21:43:00 1 0 I've just started swapping some cloth dolls with an international online group. My swap to my partner has not yet been reciprocated due to her heart attack !! I understand and we have been emailing back and forth. The other swap was not one to one, I received from the person above me on a list and sent to the next person below me. Will be interesting to see what my partner thinks of my first efforts painting a moulded face, LOL. I sent an Australian photo postcard in the package as well, hope she likes it.

Interesting that some people have had negative experiences with stashe swaps (your link), perhaps in this economic climate it's a huge ask, but ATCs and Postcards and little dollies seem more achievable (apart from international postage, sheesh!) Perhaps you just have to pick smaller swaps in the beginning, and work up to larger ones. Try local ones, where postage is not so dear, and then when you are more confident try some international ones.

Thanks for an interesting topic,
Hooroo
Christine
http://missmuffettwo.blogspot.com/]]> 9510 onafixedincome noreply@blogger.com 2008-12-08 18:21:00 2008-12-08 18:21:00 1 0
I'm always afraid to join a swap unless I have something that is already finished and done...so afraid I won't get it done in time, or that the recipient will be disappointed that I have yet to get in on a swap of any kind.

Glad you're having fun!

PA]]> 9511 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-12-08 18:12:00 2008-12-08 18:12:00 1 0 Re the swap question...I've only been in two and both were rousing successes in my mind. One was art techniques and the other had a theme of chocolate (which included recipies!!).]]> 9518 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-08 09:38:06 2008-12-08 09:38:06 1 0
Thanks for the link. Actually, that's one article, but I saw another one online that was a little more practical, as a list. But I can't find it now. I found it helpful when I first considered entering this swap.

Yes, I like the beaded skirt - I think that's very cleverly done! She's going to look very sweet hanging on the tree!]]> 9519 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-12-08 09:20:00 2008-12-08 09:20:00 1 0
This is a link to a "swap etiquette" article...rather lengthy, but has some good points.

I have been in two swaps and both were excellent for giving and receiving. I have heard of a few "bad angels" out there who make it very disappointing for others. I guess you never know unless you try.

I like the idea of the beaded angel skirt.

MGM]]> http://www.needlenthread.com/2008/12/goldwork-silk-ornament-how-i-finished.html Sun, 07 Dec 2008 07:42:00 -0600 Mary Corbet 518 2008-12-07 07:42:00 2008-12-07 07:42:00 open open Goldwork-&-Silk-Ornament:-How-I-Finished-It,-Several-Times publish 0 0 post

First, I gathered all the supplies I'd need to finish the Christmas ornament: threads, batting (which I didn't use after all), fabric, scissors, etc.



I wasn't quite sure about which fabric to use for the back. I had some cranberry colored silk shantung, some burgandy velvet, and a dusty pink striped fabric. The ornament actually has quite a bit of pink in it!



Next, I took the ornament off the frame and cut off the excess linen.



Next, I measured and cut out two pieces of acid-free mat board. I planned to cover one with the fabric for the back of the ornament, and the other I would mount the front on. Stay tuned, though - I changed my approach on this much later!



Then I cut out the corners on the linen, so that I could fold the linen more easily onto the mat board. I wasn't exactly sure about this whole part, which kind of bugged me.



I didn't want bulk corners, so I trimmed out little triangles, thinking that would help reduce the bulk. Well, of course it didn't work - there was an overhang - so I cut squares out of the corners instead.

I folded the edges under, using a strip adhesive sold for scrapbooking (archival and permanent) to hold the fabric securely to the mat board. To do this part, I put the ornament face-down, and placed the mat board over the back of it. I put the adhesive on all four sides of the back of the mat board, then pulled one side of the ornament up and smoothed it onto the sticky strip on the back of the mat board. Then I did the opposite side, making sure to pull the ornament enough to give good tension, but not too much. Then I did the remaining two sides opposite each other.



It "worked" ... but I wasn't quite happy with it. The point was just to adhere the fabric so that it would remain in place while I stitched the front and back together. But I didn't like the thickness of the top piece, and I really didn't like the fact that the white linen was slightly visible on some sides. I tried to console myself with the fact that the edge would be covered with cording. But it was a lame attempt at consolation. I had to backtrack later. So stick with me, here...



At that point, the front was mounted, though not quite to my satisfaction, and it was time to move on to the back. I debated over fabrics and finally decided on a burgandy-ish scrap of something sort of resembling velvet but feeling more like a stretchy velveteen. Whatever. It worked - the color was right, and though it doesn't have the shine of silk, I think it was more important that the color was right!

Now it was time to go through the same process of mounting the backing fabric.



I cut out the square to the right size, placed the other piece of mat board on it, and glued the edges as I had done for the top of the ornament. I liked the thick back with the mat board much better.



When I put the two pieces together, I was still concerned about the thickness of the top. I just didn't like it. But I forged on! I should've taken a break at that point and thought about it!

My next step was to consider what to use for cording and trim. This, of course, is where the thickness of the piece started to bother me even more. I would have liked to just put a cord around it and cover up the place where the front and back were joined, but golly, that would have to be a huge cord!



I went through my stash to pick out possible threads for cords. I was sure I would have all manner of types of thread and colors suitable for this project. Not so, not so. This is what comes of working from stash. You have to take what you can get! I had a silk chenille (on the right) that looked about right; a soie gobelin that looked about right, and two colors of soie d'alger that are in the ornament.



I tried making individual cords from all of them. I even tried making one big fat cord from several combined, with a gold colored Trebizond thrown in for the fun of it.



But none of it really worked, and I settled, instead, for a plain soie d'alger that I used to couch some of the gold passing on the ornament front.



Then I turned my thoughts to tassel making. For a small tassel, the soie gobelin was really the only suitable thread. The chenille was too thick, and the soie d'alger would end up really fuzzy. The resulting tassel, by the way, stunk, so I improvised something else, which you will see later.

Next, I sewed the front and back of the ornament together, using a regular slip stitch, since I'd be covering that up with a cord, anyway. I didn't like the thickness, especially of the front. I didn't like the fact that so much of the white linen was showing, especially because I knew the cord probably wouldn't cover that up all the way around. Aaaargh! SO...



At this point, I took the ornament apart, took the front off, took the mat board out, and mounted the ornament on a smaller cut piece of white (archival) card stock. The resulting edge of white was still there, but much thinner. That was much better. I sewed it up, then started with the cording.



You can see my silly tassel hanging off here just to the right. I didn't take a full picture of it - I should have, then you would understand better. For one thing, it was just too "pinky-orange" - just a shade off from the colors in the ornament. For another thing, it was having a terribly bad hair day. Soie gobelin is probably not the best thread choice for making a small tassel - it might work better on a larger tassel, where length would give some weight to the threads. On a small tassel, the thread ends flipped all over the place and looked messy and awful. Couple that with the slightly off color, and... well. It just didn't work. I got rid of it.



Here's the cording, after the first round of slip stitching just to get it attached. I used a little piece of gold Trebizond at the top for the hanger, which I ran through between the front and ornament backing, and secured in place as I stitched the cording on.

Next, I addressed myself to the problem of the tassel. I didn't want to leave the soie d'alger twist hanging there - though I probably could have knotted it and left it. It didn't look bad. But I wanted more than that! I actually wanted a Big, Fat, Pretty Tassel!!! (Note to self: plan ahead!!)



Instead, I opted for a tiny tail of little gold beads.

Once I had the beads on, I finished off the threads from the cord by running them individually into the cording (up the sides) and then, I gave the cording one more round of slip stitching to secure it and pull it a little bit more over the white.



My tree's not up yet, so no tree shot!



I suppose that, despite the strange tail of gold beads, she'll do ok! I would have liked a heavier tassel for the finish. This picture above was taken from a weird angle, but the ornament actually does hang ok. I though the tassel would be essential for balance, but I could've left off a tail altogether. The beads look a little... well... I don't know. They look kind of dorky. They have a nice gleamy sparkle to them that goes with the goldwork, but perhaps I should've left them off?

Overall, though, I was pleased with the final result, though I do think I'm going to have to make a concerted effort this coming year to polish up my finishing skills!

I hope the recipient likes it!

If you haven't signed up for this month's stash give-away, you might want to take a look at it. I've giving away two spools of Gilt Sylke Twist, along with a few other little goodies (not pictured!). The deadline for that is next Wednesday morning, December 10th. If you want to enter, please read the original post!
]]> goldwork finish work pictures silk Christmas needlework pictures 9466 Mandie noreply@blogger.com http://www.blogger.com/profile/14491215533817163272 2008-12-12 10:06:00 2008-12-12 10:06:00 1 0 9484 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2008-12-09 21:43:00 2008-12-09 21:43:00 1 0
Also will let you in on a secret - I found a place to use the plaited braid stitch: on my Christmas ornament!

:-) Yvette]]> 9485 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2008-12-09 21:40:00 2008-12-09 21:40:00 1 0
I came to you today via Needlecraft Gossip where I saw the picture of your GORGEOUS ornament. Then I realised that it was for the CB swap - the one I am also signed up for and haven't YET received mine from... So here I am, sitting here wondering if the "global priority mail" that you're sending it by is winging its way to here... or somewhere else.

Whoever gets it - what a treat!!

Yvette]]> 9507 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2008-12-08 21:14:00 2008-12-08 21:14:00 1 0
The finished product is really worth all the time and care and thought that goes into it.]]> 9512 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-12-08 17:49:00 2008-12-08 17:49:00 1 0
I've scheduled a link to this post to go live on my blog tomorrow morning (Central USA time). I hope it brings you a few extra visitors.

Denise
http://needlework.craftgossip.com]]> 9514 Anonymous noreply@blogger.com 2008-12-08 17:24:00 2008-12-08 17:24:00 1 0 -Kirsten]]> 9516 Anonymous noreply@blogger.com 2008-12-08 11:55:00 2008-12-08 11:55:00 1 0 I'm really special so can I have it? lol
Annie in frozen Michigan]]> 9517 Freda Butler noreply@blogger.com 2008-12-08 10:44:00 2008-12-08 10:44:00 1 0
This has been a wonderful piece to watch you work right from the beginning.

I think any piece of embroidery from you would be treasured. I agree it is too pretty to just hang on a tree. Would look great hanging on its own somewhere where it would show it off. I like the little bead tassel - good choice.

Either way I am sure she will love it.

Have a great Christmas and many thanks for all the time you spend to show the rest of us how it is done.

Hugs

FredaB]]> 9529 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-12-07 18:52:00 2008-12-07 18:52:00 1 0
Hooroo,
Christine.
http://missmuffettwo.blogspot.com/]]> 9531 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-12-07 18:23:00 2008-12-07 18:23:00 1 0 9534 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-12-07 16:54:00 2008-12-07 16:54:00 1 0
Your giveaway looks great this month, as it does every month! Mine is not quite as fancy, but it's Christmas-y anyway. Deadline is Dec 18.

MGM]]> 9535 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2008-12-07 15:24:00 2008-12-07 15:24:00 1 0 9539 onafixedincome (PA) noreply@blogger.com 2008-12-07 12:00:00 2008-12-07 12:00:00 1 0
Thank you!

The tassel, I think, I probably would have made about half again the current length, but then I'm a real tassel-lover. :)]]> http://www.needlenthread.com/2008/12/revisiting-orts-or-cleaning-up-heap-o.html Sat, 06 Dec 2008 10:33:00 -0600 Mary Corbet 519 2008-12-06 10:33:00 2008-12-06 10:33:00 open open Revisiting-Orts,-or-Cleaning-up-a-Heap-o'-Little-Threads-while-I-wax-Poetic publish 0 0 post this is the home of a needleworker.

My mind turns to orts - to all trailing, clinging embroidery threads - especially in winter. In winter, orts show their power of perseverence, their determination to adhere to all things, in any place, at every opportunity. And they don't always show themselves right away, once they've found a host. No, often they wait, secluded, then rear their little heads at the workplace, or in company...

You always know when The Ort has materialized upon the scene: your co-worker, in earnest conversation with you, suddenly loses eye contact. The eye flits from you, to your shoulder. Then back to you. Then back to your shoulder. Suddenly, the focus of the conversation is gone. You try to revive it and redirect it; finally, the cause is revealed: "Uh.... you have a thread...." as your co-worker gingerly removes the offensive Ort from its transient throne.

In winter, The Ort has two accomplices in its parasitical work: warm and fuzzy clothes, and that energetic little wonder called Static Cling. The latter is perhaps the more irritating. I am not a great fan of Static Cling, yet I live in a dry, cold climate in winter, I'm prone to wearing skirts and sweaters to work, I use a dryer, and so Static Cling is, at least to some degree, inevitable. To best express my feelings about Static Cling, I wrote a poem about it a while ago, which I'll share with you here so that you have no doubt where I stand on the subject:

On Static Cling
by Mary Corbet

I dislike, despise, truly disdain
Abhor, detest, find quite inhumane
That horrid, despicable, bothersome thing...
That great irritation we call Static Cling.

In my sheets, my skirt, my socks, my shirt
On rugs, on wood, on vinyl, on dirt --
No matter how calm, no matter how hectic,
I hate to encounter this cling that's electric.

That about sums it up!

So, in winter, we have at least one more big reason to be wary of orts and to make an extra effort to tame them.

Yesterday, I tamed mine, and we're all a lot happier for it.

I was dealing with a bit of static in my sweater, and I noticed that, after sitting in my favorite spot to stitch, a small army of Orts were attempting a foray on my arm. Odd, since I have a handy Ort Bin hanging from the arm of the chair, into which all Orts are unceremoniously stuffed once used to their potential.

I made this little bin from two placemats I picked up for very little on clearance at Target. If you haven't seen my little article on constructing a thread catcher, you can check that out, if you wish. It's nothing fancy-schmancy, and there are no extras to it, but it works. This is what it looks like:



Well, it wasn't working yesterday! And I discovered why. The Orts were full up! So I emptied the pouch, and this is what I had:



The whole heap was about the size of a volleyball, when taken out of its compressed state in the Ort Bin. No wonder they were venturing forth to habitate my arm! There was no breathing space!



Oh. Do you see what that is?



Now, do you see? It's a length of pearl purl - 2% pearl purl - with some silk wrapped around it.

I suppose those dear Orts could tell us a lot about ourselves! But though I'm in the mood to wax poetic, I am not up to waxing philosophical or psychological right now. I'll leave that for you to think about!

This is the thing: I started picking over that little pile of offensive, instrusive Orts, and I could connect almost all the threads, or clumps of threads, to a particular project I've worked on that I enjoyed. And some pieces I rescued altogether, because I knew I could use them for something. Like the pearl purl - what a waste, to resign it to the Ort Bin.

By the time I was finished, I realized that The Orts are not quite so offensive, after all. Intrusive, maybe... but not offensive!

So the ort bin is empty, back in its place, awaiting new threads.

And while I was at it, I decided to remove all the pins and needles from one of those really expensive pin cushions, also known as "the couch":



Yes, this is the home of a needleworker. But it's time to be a bit less obvious about it!
]]> threads pictures organization miscellaneous embroidery musings 9465 Mandie noreply@blogger.com http://www.blogger.com/profile/14491215533817163272 2008-12-12 10:09:00 2008-12-12 10:09:00 1 0 9498 MichelleMermaid noreply@blogger.com 2008-12-09 13:17:00 2008-12-09 13:17:00 1 0
I, too, sometimes dig through my little baggies full in search of enough thread for a stitch or two. And, ah, some little orts are peeking up at me now as I type...how sweet...

Tess, I have a cookie tin I've been wondering what to use for and now I think I'll put my little thread scraps in there. Great idea.
And Laura, I love the idea of that murder mystery! LOL!

As for other uses for orts, I went to a fiber fusion class last spring and it's the perfect use for orts! All you need are scraps of whatever to turn them into yet another piece of thread art. That's kindof what I've had in mind for my little pieces of this and that.

As for using the arm chair as a pincushion, I haven't done that since I was a kid and got excited about a football game and slammed my fist right down on a needle. Oh such fun trying to yank that thing out of my hand! I vowed never again! :)]]> 9521 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2008-12-08 09:00:00 2008-12-08 09:00:00 1 0 9528 Laura Bullinger noreply@blogger.com 2008-12-07 19:48:00 2008-12-07 19:48:00 1 0 Anyway, it is suggested in the story that the needleworker keep a small glass jar to fill, then cover with a pretty cap.]]> 9536 Paula Hewitt noreply@blogger.com http://www.blogger.com/profile/14420354497597866436 2008-12-07 14:30:00 2008-12-07 14:30:00 1 0 9540 Anonymous noreply@blogger.com 2008-12-07 10:56:00 2008-12-07 10:56:00 1 0 I, too, have a hard time parting with anything from my stash ....even orts. Just when I throw them into the bin and the trash man has hauled them away to the landfill, I find I could have used this bit or that. So an ort has to be mighty minuscule or downright irretrievably tangled to infinity to escape my house. I have an old fruitcake tin that all possibly retrievable orts of say 4" or more go into... until I find a place to use them. They're all hopelessly tangled up in there, but I have often found just the right length of some weird bit of floss, cording or whatever to use up for some small bit of embroidery like a single french knot that I wasn't going to start a whole new skein...just to get 4" for.
Orts are handy to have on hand sometimes. I have a few orts dangling from every pincushion and needle case in the house, since I don't like to poke just an unthreaded needle into anything....I need that bit of thread/floss to make it easier to see and retrieve it by.
Tess]]> 9541 Anonymous noreply@blogger.com 2008-12-07 10:53:00 2008-12-07 10:53:00 1 0
I quit using the furniture as a pincushion when we bought a SelectComfort mattress, filled with air. DH caught me before it was too late! Now I have a little biscornu pincushion attached to my scissors. ~ Laura]]> 9543 Anonymous noreply@blogger.com 2008-12-07 10:20:00 2008-12-07 10:20:00 1 0
Also your Orts should be put outside on your deck rail or a bush and birdies will pick them up to help in making their nests.

Barbara]]> 9545 Anonymous noreply@blogger.com 2008-12-07 08:23:00 2008-12-07 08:23:00 1 0 Annie in bitter cold Michigan]]> 9558 B.T.Carolus noreply@blogger.com 2008-12-06 12:59:00 2008-12-06 12:59:00 1 0 http://www.needlenthread.com/2008/12/december-embroidery-stash-give-away-my.html Fri, 05 Dec 2008 08:48:00 -0600 Mary Corbet 520 2008-12-05 08:48:00 2008-12-05 08:48:00 open open December-Embroidery-Stash-Give-Away:-My-Favorite-Things publish 0 0 post

The month's give-away is geared towards those who love embroidery, whether you're at the beginner, intermediate, or advanced level. For the beginner, though, the prize requires you to take your embroidery to another level. That is, go beyond "craft." Move towards art. If you have fallen in love with embroidery, then you probably want to take your needlework a bit beyond basic. To do this, materials make all the difference. And, in embroidery, the primary material used is thread.

So I'm giving you some thread in this give-away, but not just any thread.

Gilt Sylke Twist is a relatively "new" thread on the market, brought about by the folks at Plimoth Plantation who are recreating a 17th-century embroidered lady's jacket. If you haven't read about this project, you may wish to visit the Plimoth Plantation blog, The Embroiderers' Story, to see what's going on there. It's fascinating.

Gilt Sylke Twist is a unique thread in today's thread market. It's made up of a core of flat silk wound with a real gold wire. It's a very fine and tiny thread. And it's beautiful! It is suitable for all kinds of embroidery applications. I've worked chain stitch, satin stitch, buttonhole stitch, and others with it, and it's worked fine. So whether you are interested in historical embroidery, crazy quilting, or just regular decorative surface embroidery, you will find this thread versatile enough to suit your style of stitching.

In case you haven't seen it in use, here's my Gilt Sylke Twist Strawberry, which was my practice piece when the thread first came out:



(I blogged about this piece in detail - you can read about it, and the different uses of Gilt Sylke Twist in it - on the Completed Gilt Sylke Twist Embroidery Sample post.)

It's also rather dear, ranging in price from just short of $20 / spool (35 meteres) to about $22 / spool, depending on who's selling it. The cost of the thread may well prohibit some who would like to play with it from giving it a try. The cost certainly limits most stitchers from building a stash of this gorgeous thread.

So whether you've tried Gilt Sylke Twist and just want more, whether you've wanted to try it and simply haven't had the opportunity to purchase any, or whether you have never heard of it, but are a serious budding embroiderer, this stash give-away is for you.

I'm giving away two spools in red and green. Both are the original "redde" and green that came out when the thread first went public. This is the forest green, not the Lincoln Greene available now. I don't know if this green is available anymore. I had heard that it isn't, but that's "needlework gossip," and it may not be accurate.



In addition to these two spools, which are the feature elements of the give-away, I'll include a few other little things, typical of previous give-aways.

But I'm not going to show them to you!



Do you know why?



Because next to this thread, most other embroidery supplies look pretty mundane!

I'm gearing this give-away to stitchers who would actually use this thread seriously - who have a keen interest in embroidery as an art, and who have developed or are developing their skills beyond the basics. That's not to say that beginners can't participate! Sure you can! But if you're really not interested in this type of thread, then do leave the drawing for those who really are, so they have a better chance of winning. Thanks!

This is what you have to do to enter:

Leave a comment on THIS post (on the website, not through the e-mail newsletter), answering the following questions:

Why do you want to win this giveaway? Do you have specific plans for the thread?

PS - (added Friday Evening!) Please be sure to leave your name if you post anonymously!! Thanks!

I'll select the winner on Wednesday, December 10th, at 5:00 am CST, and announce the winner that morning here on Needle 'n Thread. The winner must then contact me to give me a mailing address. If I don't hear from the winner before Friday morning, I'll draw a new winner on Friday.

Participants are welcome from all over the globe - I don't mind international mail!

Thanks for participating!
]]> Gilt Sylke Twist stash contest goldwork silk 4194 KMK noreply@blogger.com http://www.blogger.com/profile/16732473057394666852 2009-12-16 09:19:19 2009-12-16 09:19:19 1 0 9481 Faye noreply@blogger.com 2008-12-10 07:32:00 2008-12-10 07:32:00 1 0 9482 Morna noreply@blogger.com http://www.blogger.com/profile/14434374580665010849 2008-12-10 00:44:00 2008-12-10 00:44:00 1 0 I love the way the metallic thread looks in that piece and so I want to use metallic threads more, more, more! I do not have a specific plan. But that doesn't mean I won't make something beautiful! :-)]]> 9483 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2008-12-09 22:08:00 2008-12-09 22:08:00 1 0 9486 Anonymous noreply@blogger.com 2008-12-09 21:14:00 2008-12-09 21:14:00 1 0 9487 aparna noreply@blogger.com 2008-12-09 20:49:00 2008-12-09 20:49:00 1 0
Out here in India, we have some fine embroidery threads, but nothing as luxurious as these. And if you think it is expensive, try converting it into rupees! This draw is probably my only chance to ever use something as special as these threads.

If I do win, I would use it to embroider a cotton summer top in a pattern using lots of satin and long and short stitching :)]]> 9488 Anary noreply@blogger.com http://www.anary.com 2008-12-09 20:14:00 2008-12-09 20:14:00 1 0 9489 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2008-12-09 19:03:00 2008-12-09 19:03:00 1 0 Like many others here, this beautiful thread is otherwise outside of my needleworking budget. It would be a real treat to have the opportunity to work with it.]]> 9490 Anonymous noreply@blogger.com 2008-12-09 18:20:00 2008-12-09 18:20:00 1 0
Sonja
sonrenfr@frontiernet.net]]> 9491 Sheila L noreply@blogger.com 2008-12-09 17:18:00 2008-12-09 17:18:00 1 0 Sheila L
Rio Vista, Texas]]> 9492 Paula noreply@blogger.com 2008-12-09 16:39:00 2008-12-09 16:39:00 1 0 9493 Kristin krispy_28@yahoo.com http://www.blogger.com/profile/07728277058088184684 2008-12-09 15:02:00 2008-12-09 15:02:00 1 0 9495 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-12-09 13:56:00 2008-12-09 13:56:00 1 0 9496 Debbie changedbygrace@mvn.net http://www.blogger.com/profile/08065396414352678219 2008-12-09 13:55:00 2008-12-09 13:55:00 1 0
Thanks a bunch,

Debxoxo]]> 9497 Anonymous noreply@blogger.com 2008-12-09 13:19:00 2008-12-09 13:19:00 1 0
// DD]]> 9499 theeema noreply@blogger.com http://www.blogger.com/profile/01537683268388116764 2008-12-09 11:28:00 2008-12-09 11:28:00 1 0 I'm working on a lovely embroidery now with pomegranates and the red would be great. There are also lots of leaves where the green would be beautiful (not sure if as outline or filler). Beautiful threads! Thanks for the site, especially the videos and pictures of your amazing work. Linda in Israel]]> 9500 Courtney noreply@blogger.com http://www.blogger.com/profile/13475318662505589743 2008-12-09 09:13:00 2008-12-09 09:13:00 1 0 9501 NCPat noreply@blogger.com http://www.blogger.com/profile/05815138815552708153 2008-12-09 07:49:00 2008-12-09 07:49:00 1 0 What a generous thing to do! I would love to win your drawing as I am an avid fan of silks in needleart.
I love doing stumpwork, silk and metal, and all things stitching. I can't promise what I would use the threads for as I would like to be able to see it and feel it before deciding what piece it would enhance. I would definately use it on the blog stitching to help increase awareness.
Pat
http://needleartnut.blogspot.com]]> 9502 charlie noreply@blogger.com 2008-12-09 05:48:00 2008-12-09 05:48:00 1 0 9503 Dakotah Davis noreply@blogger.com 2008-12-09 00:51:00 2008-12-09 00:51:00 1 0 I credit landing upon two websites - www.stitchinfingers.ning.com and www.needlenthread.com - and the wealth of artisanship found within them for expanding my stitching prowess by leaps and bounds. Over the past six months my mind has been flooded with a wealth of stitching instructions along with an advanced tutorial on specialty threads I never new existed. A meager budget has forced me to increase my own thread supply at a snail's pace, slowly traveling beyond the realm of DMC cotton floss to pick up a dab of silk buttonhole twist or French wool here, a snippet of Lola rayon or Sassa Lynne cotton there.
While my thread variety has increased like the gradual blooming of flowers in a garden, my stitch repertoire has exploded in growth, not unlike the bounty of a fall harvest: reverse chain, woven picot, colonial knot, oyster stitch, detached buttonhole, thread-covered buttons (aka anemonies), french knot roses (SRE), bullion cording, cast-on stitch (a personal favorite) and the list goes on... I don't think I'll ever stop learning, and I'm having so much fun!
I've used every scrap of spare time this holiday season to churn out nearly two dozen completed ornaments, ATCs and fabric postcards (a number of these can be viewed here: http://stitchinfingers.ning.com/profile/MichelleMermaid) and many have been given away in swaps. In the next ten days or so I'll continue whipping together more ornaments, as well as some cq tote bags and crocheted flower button broaches to be given as gifts this Christmas.
I could not have learned and achieved what I have without the generosity of these stitchers-crafters-artists located around the globe, who give of themselves and their experience so willingly. Learning (and practicing!) so much has dared me to consider myself a budding fiber artist, but I know I have a long way to go.
Mary, please consider me for your fabulous giveaway. Your threads would definitely be put to good use.
Blessings and Happy Holidays!

Dakotah
"MichelleMermaid"]]> 9504 Elva G. New Zealand noreply@blogger.com 2008-12-08 22:42:00 2008-12-08 22:42:00 1 0 9506 Sangheetha noreply@blogger.com http://www.blogger.com/profile/06777497661003570501 2008-12-08 21:14:00 2008-12-08 21:14:00 1 0
I started embroidery seeing your website.
It is very informative for beginners as well as for people who need more challenges.
I am enjoying the card embroidery patters, making similar ones.
I would like to get the threads and try a goldwork piece.

Thanks,
Sangheetha.]]> 9508 Arenia noreply@blogger.com 2008-12-08 20:49:00 2008-12-08 20:49:00 1 0 9509 Pat Salada noreply@blogger.com 2008-12-08 18:47:00 2008-12-08 18:47:00 1 0 beautiful threads you are offering
in the stash giveaway will go a
long way to making my own ornament.

Pat S.]]> 9513 Anonymous noreply@blogger.com 2008-12-08 17:34:00 2008-12-08 17:34:00 1 0
Joyce]]> 9515 Sallie noreply@blogger.com http://www.blogger.com/profile/14133957414618050442 2008-12-08 16:01:00 2008-12-08 16:01:00 1 0 Thank you for this opportunity Mary.]]> 9520 carol scheele noreply@blogger.com http://www.blogger.com/profile/17853814692596886838 2008-12-08 09:04:00 2008-12-08 09:04:00 1 0 9522 Anonymous noreply@blogger.com 2008-12-08 08:37:00 2008-12-08 08:37:00 1 0
Wishes
Dhivi]]> 9523 Karen South southka@yahoo.com http://www.blogger.com/profile/17651249815534672364 2008-12-08 05:52:00 2008-12-08 05:52:00 1 0 9524 Suzi noreply@blogger.com http://www.suzical.co.uk 2008-12-08 04:19:00 2008-12-08 04:19:00 1 0
They would work really well for the advent calendar I'm planning to make. A friend and I designed and made an advent calendar using cross stitch when we were about 15 and it got lost somewhere along the line - since then I've explored embroidery techniques and hopefully have developed and want to repeat the project..]]> 9525 Joan Jeffers noreply@blogger.com 2008-12-08 00:45:00 2008-12-08 00:45:00 1 0
Joan in Reno]]> 9526 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-12-08 00:16:00 2008-12-08 00:16:00 1 0 So gracious of you to give these away !! I would definitely love to win it because I have never used this thread before, nor have I had the chance to experiment much with variety of threads. It surely would be amazing to get to use these. Dont have any specific ideas in mind abt it yet.
Thanks.
Shrenika.]]> 9530 Rebecca noreply@blogger.com http://www.blogger.com/profile/14905898918439736120 2008-12-07 18:31:00 2008-12-07 18:31:00 1 0
Thank you for considering us all! I love your monthly giveaways. They are each a treasure! Congrats to whomever wins, though I dearly hope to be the one.

--Rebecca.]]> 9533 Anonymous noreply@blogger.com 2008-12-07 17:14:00 2008-12-07 17:14:00 1 0 First of all, thanks for being so fastidious in posting your trials and tribulations in the world of needle and thread.... it is good to see someone else's experiences and I love to read your comments on varied topics.
Now, as far as December's giveaway... I'd love to win this thread. I am an avid needleworker and my passions include japanese embroidery, needle painting, hardanger, samplers etc. I have been asked to design and teach some pieces and would love to try this thread. Also, I'm currently enrolled in EGA's 9 class Silk and Metal Correspondence Course with Kay Stanis and two MasterCraftsman programs and would love to use this thread!

Could you comment on the sheen and the twist of this thread? Is the gold thread "bumpy" like a japanese katayori thread? I'd love to get your impressions on thread thickness (Pearl cotton #8?), texture etc. or better yet, please send it my way ;).

Nupur]]> 9537 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-12-07 13:06:00 2008-12-07 13:06:00 1 0
MGM]]> 9538 Gayle noreply@blogger.com http://www.blogger.com/profile/06568908015032137400 2008-12-07 12:27:00 2008-12-07 12:27:00 1 0 Even if I don't win, an early congrats to the LUCKY person that does!!]]> 9542 Sheila in CA noreply@blogger.com 2008-12-07 10:34:00 2008-12-07 10:34:00 1 0 9544 Melusine noreply@blogger.com 2008-12-07 10:04:00 2008-12-07 10:04:00 1 0 9546 Elaine K. Brown noreply@blogger.com 2008-12-07 01:09:00 2008-12-07 01:09:00 1 0 Many thanks for your great blog
Elaine K. Brown]]> 9547 Anonymous noreply@blogger.com 2008-12-06 22:48:00 2008-12-06 22:48:00 1 0 Annie in snow bound Michigan]]> 9548 Anonymous noreply@blogger.com 2008-12-06 22:09:00 2008-12-06 22:09:00 1 0
Angelina]]> 9549 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2008-12-06 21:54:00 2008-12-06 21:54:00 1 0 I am a threadaholic and I have not seen nor worked with the Gilt Sylke Twist yet,and am anxious to work with some.
I am doing a DYB Round Robin on Crazy Quilting International, and will end up with six 6" blocks. It is made with vintage Christmas ties, velvets, and such. I would love to use these threads in the border of the crazy quilt to really set it off! I don't know if I would couch it or needle it...I'd have to play with it first!
Thanks for the opportunity to win such an exciting giveaway!]]> 9551 Anonymous noreply@blogger.com 2008-12-06 20:21:00 2008-12-06 20:21:00 1 0
Margo.]]> 9552 Laura Bullinger noreply@blogger.com 2008-12-06 19:53:00 2008-12-06 19:53:00 1 0 It would be used to show off the surface appearance of the thread laid out and used as a bead enhanced embellishment. I would have to order a set for each pupil, using the "winning set" to produce the first sampler.]]> 9553 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-12-06 18:26:00 2008-12-06 18:26:00 1 0 9554 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-12-06 17:58:00 2008-12-06 17:58:00 1 0 9555 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2008-12-06 16:40:00 2008-12-06 16:40:00 1 0
Thanks for sharing in your blog - I enjoy your tips and you inspire me to work on my projects!
Kathy in Kenai]]> 9556 Sandy Nelson noreply@blogger.com 2008-12-06 16:23:00 2008-12-06 16:23:00 1 0
Sandy Nelson]]> 9557 Anonymous noreply@blogger.com 2008-12-06 15:50:00 2008-12-06 15:50:00 1 0
CAROL]]> 9559 Catlady noreply@blogger.com http://www.blogger.com/profile/07045669719742611701 2008-12-06 12:17:00 2008-12-06 12:17:00 1 0 9560 Heidi in MN noreply@blogger.com 2008-12-06 12:13:00 2008-12-06 12:13:00 1 0
If I get the gilt thread, I would love to design another stumpwork piece for the Christmas holiday. I have developed a love for stumpwork and I am playing with the idea of creating a wreath. I believe it will be a ridiculously tedious project, but I love the process sometimes more than the end product. I imagine the green as a special ornamentation, like green and gold Christmas balls in the wreath, the red as ribbon, some attached to the base fabric and part to raise off the surface of the design. Could also be berries! Ooooooh, ooooh, the possiblities.... the gears are spinning.

Thank you for the opportunity to share my thoughts with you.
Heidi in MN]]> 9561 Anonymous noreply@blogger.com 2008-12-06 11:44:00 2008-12-06 11:44:00 1 0 S. L. Breuer]]> 9562 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2008-12-06 10:02:00 2008-12-06 10:02:00 1 0
I have been avidly following the Plymoth Jacket project since I found it on-line a year or so ago. I have been drooling over this thread since it first appeared...the lovely shiny glittering dazzle of it! I want to draw some elements of the jacket on some linen and embroider them. I have wanted to order some of this thread, but I just can`t justify the expense right now. I am so hoping I win...*crosses fingers*]]> 9564 Anonymous noreply@blogger.com 2008-12-06 09:18:27 2008-12-06 09:18:27 1 0 i would like to win it to embroider a far east jacket i am making and quilting
the clours would be perfect accent for the jacket
that is made up of fabric that i put together of far east prints
thank you

Eileen Morgan]]> 9565 Anonymous noreply@blogger.com 2008-12-06 07:01:00 2008-12-06 07:01:00 1 0 Cissie]]> 9566 Anonymous noreply@blogger.com 2008-12-06 06:50:00 2008-12-06 06:50:00 1 0 I don't know what I would do with the threads but I'd love to know what they are like! Here in Spain we have DMC, Anchor and that's about it!
Best regards,
Catalina]]> 9567 Sue noreply@blogger.com 2008-12-06 06:37:00 2008-12-06 06:37:00 1 0 Sue in Mo]]> 9570 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-12-05 23:42:00 2008-12-05 23:42:00 1 0 Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 9571 Cathi cathiquilts@gmail.com http://www.blogger.com/profile/02531639422553980153 2008-12-05 23:19:00 2008-12-05 23:19:00 1 0 I would use it on Christmas ornaments and on a Christmas wallhanging I'm planning.]]> 9573 Leigh noreply@blogger.com http://www.blogger.com/profile/16107295414753495622 2008-12-05 22:50:00 2008-12-05 22:50:00 1 0 What I am planning is to do a headcloth and coif (I collect crowns and thought this a worthy addition) in the same style and ultimately want to do a second set in the same style but with New Zealand flora and fauna. I have sourced the 50count linen and silk threads needed in New Zealand but have not found the GST thread or a suitable replacement.]]> 9575 Sommer noreply@blogger.com http://www.blogger.com/profile/01677835522573541445 2008-12-05 19:28:00 2008-12-05 19:28:00 1 0
thanks]]> 9576 Anonymous noreply@blogger.com 2008-12-05 18:32:00 2008-12-05 18:32:00 1 0 9577 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-12-05 18:06:00 2008-12-05 18:06:00 1 0 9578 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-12-05 15:59:00 2008-12-05 15:59:00 1 0 after watching you stitch your beautiful strawberry, I have searched high and low for this thread; here in Baltimore and in San Francisco -- I hear the same thing...they never can predict what and when they will get it. I have been waiting to find the red and green....so, maybe I'll just get lucky... If I do, I promise to be just as generous and pay the love forward on my blog. A wonderful idea, Mary...]]> 9579 Melissa noreply@blogger.com http://www.littlethingsgiftshop.com 2008-12-05 15:25:00 2008-12-05 15:25:00 1 0
Living on limited income due to disability doesn't help life in general, winning something such as this would be a cheerful event for a smile and change of luck.

What would I do with the thread?
I would make our almost 2 year old a holiday themed 2008 ornament for our tree or if that doesn't turn out...something festive while using his favorite color in his name to symbolize 2008 b-day just 5 days after x-mas.]]> 9580 cj noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2008-12-05 15:06:00 2008-12-05 15:06:00 1 0 9581 Paula Hewitt noreply@blogger.com http://www.blogger.com/profile/14420354497597866436 2008-12-05 13:55:00 2008-12-05 13:55:00 1 0 paula]]> 9582 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-12-05 13:18:00 2008-12-05 13:18:00 1 0 Though I'm a begginner I wish deeply to win because I would like so much use those threads.
BUT... if I win surely I'll write you asking for advise and suggestions how to use them. Are you so kind to help? If not don't post my comment. Seriously!
I'll feel sick of thinking I could damage such beautiful treasure...]]> 9583 Ratmomma / Carolyn carolynmccomas@yahoo.com http://www.blogger.com/profile/16133466311631303616 2008-12-05 12:55:00 2008-12-05 12:55:00 1 0 9584 Jane Jane.Compeau@gmail.com http://www.blogger.com/profile/13651495016849228263 2008-12-05 12:50:00 2008-12-05 12:50:00 1 0 www.worldembroideries.blogspot.com
Jane]]> 9585 Susan dezertsuz@gmail.com http://www.blogger.com/profile/09159163720029661287 2008-12-05 12:10:00 2008-12-05 12:10:00 1 0 9586 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2008-12-05 11:49:00 2008-12-05 11:49:00 1 0 Thank you for your wonderful giveaway :)]]> 9587 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2008-12-05 11:45:00 2008-12-05 11:45:00 1 0
I'd use the red on an ornment that has a red and gold Chinese dragon. The green would go on the companion ornament-which has a palm tree and a palm bark-type fabric pattern. And of course I'd blog the heck out of my experience and probably share the thread. I don't think either project would take more than a couple of yards as this is more an accent thread than something to use all over an item.

Hummm.... Maybe that dragon does need red Gilt Sylke Twist all over it? I'll have to think about this and see if I can do red scales with it. Whether I win it or not, perhaps you've given me the impetus to buy myself a spool in red.

Bad Mary!

Jane, laughing in Chilly Hollow where Temptation is normally MY middle name]]> 9588 Iris from Estonia noreply@blogger.com 2008-12-05 11:39:00 2008-12-05 11:39:00 1 0 9589 BJ Pontalion noreply@blogger.com 2008-12-05 11:20:00 2008-12-05 11:20:00 1 0
I would love to see this on thread for the red portion because I wanted to see if the gold in this would supplement the gold metal pearl purl I was thinking about using for the outline. I was going to use this as a satin stitch.

I am not new to embroidery, I am an old hat. However, I am looking to take my hobby further, and devote more time to it. I just became a member at large with the EGA, I just sent the check for a correspondent course in gold work. I am a member of National Academy of Needlearts, and have registered for the assembly in Kansas City in March. I plan on taking the 4 day class in design, as I have not branched out from transfers but am craving to do so.

Thanks for doing this. BJ]]> 9590 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-12-05 11:19:00 2008-12-05 11:19:00 1 0
But I wanted to comment and say what an extremely generous lady you are to give this away. I don't think that I could bear to part with mine. I'm saving mine for something 'special' which is a bad thing. This georgous thread does not deserve to be locked away in a tin. I hope the lucky winner will use it and share with us what they do with it.

Good luck everyone.]]> 9591 Pamela Alley noreply@blogger.com 2008-12-05 10:49:00 2008-12-05 10:49:00 1 0
I'm in the middle of trying to do a really *nice* centerpiece for my brother's family and just can't get it to the level of 'ooh-ahh' I want...and I think you just showed me the way.

I can think of a dozen patterns that would just 'pop' with this thread--please, please pick me!!

I LOVE embroidery--it's addictive, it's beautiful, and it's such a kick to watch something emerge that didn't exist outside my head a day or two before.

Can you imagine an orchid in that glorious sparkling red and green? I sure can. A lovely bloom with spears of gorgeous, perfect, sparkling green leaves...

Oh, do send it my way. Now I'm starting to gibber!]]> 9592 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-12-05 10:48:00 2008-12-05 10:48:00 1 0 9593 Anonymous noreply@blogger.com 2008-12-05 10:47:00 2008-12-05 10:47:00 1 0
celeste]]> 9594 Nancy quilt@CENTURYTEL.NET http://www.blogger.com/profile/02263122218181506913 2008-12-05 10:39:00 2008-12-05 10:39:00 1 0 http://www.needlenthread.com/2008/12/hand-embroidery-for-lefties-attention.html Thu, 04 Dec 2008 06:00:00 -0600 Mary Corbet 521 2008-12-04 06:00:00 2008-12-04 06:00:00 open open Hand-Embroidery-for-Lefties!-Attention-Left-Handed-Stitchers! publish 0 0 post

Yvette Stanton of Vetty Creations is planning to put together a left-handed stitch dictionary. There are a couple stitch dictionaries available (I think they're both out of print, but you can find them through used book sources), but, in my opinion, having taught a lot of left-handed students to embroider, the ones presently available fall a bit short of the mark when it comes to a good stitch dictionary.

Yvette, whose expertise in embroidery are apparent in her needlework books, her needlework instruction, and her website, will certainly bring to the embroidery world a good stitch dictionary for lefties!

Right now, you can answer her query on her blog, White Threads, where she's asking the stitching world which stitches to include in a left-handed stitch dictionary.

If you're left-handed, what stitches would you like to see in such a stitch dictionary? Or, if you teach lefties to embroidery (either children or adults), what stitches do you think would be particularly useful to see illustrated? Think about it, and then let Yvette know by leaving a comment on her post on left handed stitch instructions!

It isn't that often that we have the opportunity to influence the content of a needlework book - so here's your chance! And it isn't that often that left-handed stitchers get the attention and direction they want in stitching - so, here's your chance! Don't pass up the opportunity! Post a response on her blog today!

Wow. That was a sell job, wasn't it? I have a pretty keen interest in the subject. It would be great to have a good stitch dictionary to recommend to left-handed stitchers! So I'm pretty excited about the prospect!

Thanks, Yvette!
]]> embroidery resources whitework Hand embroidery stitches beginner embroidery 9550 Anonymous noreply@blogger.com 2008-12-06 21:51:00 2008-12-06 21:51:00 1 0 9572 Mia noreply@blogger.com http://owlishly.typepad.com 2008-12-05 23:10:00 2008-12-05 23:10:00 1 0 9596 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-12-04 21:28:00 2008-12-04 21:28:00 1 0 9598 Miri milkandhoneyquilts@gmail.com http://www.blogger.com/profile/01245963180065978054 2008-12-04 17:39:00 2008-12-04 17:39:00 1 0 two crazy quilt stitches: feather and herringbone.]]> 9600 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2008-12-04 15:11:00 2008-12-04 15:11:00 1 0
Yvette Stanton
Vetty Creations
http://www.vettycreations.com.au
Publishers of fine needlework books]]> 9606 margaret c. noreply@blogger.com 2008-12-04 08:31:00 2008-12-04 08:31:00 1 0 http://www.needlenthread.com/2008/12/hand-embroidery-on-christmas-card-not.html Wed, 03 Dec 2008 07:27:00 -0600 Mary Corbet 522 2008-12-03 07:27:00 2008-12-03 07:27:00 open open Hand-Embroidery-on-a-Christmas-Card:-Not-Quite-as-Frustrating! publish 0 0 post embroidered towel frustrations. I like embroidering on towels, don't get me wrong! It's fun. It goes quickly (usually) and even though I know the towels will not be as gently used as heirloom linen, I still think they make great little gifts. Most of yesterday's post was written tongue-in-cheek: yes, a little frustrated over the amount of time and effort, but really, I'm just laughing at myself for getting into the situation in the first place! Today, a much simpler embroidery project....

Perhaps you don't really get into the whole "embroidery on paper" scene, or the card-making scene. You may even think that hand embroidery on paper isn't really the same thing as Hand Embroidery. You know what? I agree with you! Embroidering your Christmas cards isn't really what I would classify as the "art" of embroidery, so much as the "craft" of card making. This type of embroidery on paper involves crafting techniques... it doesn't really involve the skill and artistry we associate with a proficient embroiderer!

But, hey. It's still a needle. And it's still thread! And it's a simple way to do something creative involving both. And it's a great way to kick up your Christmas card to the level of "small gift."

With all these excuses in mind, I present yet another card:



This card features an "ornament." The ornament is really just a circle cut out of a goldish-tan-and-white decorative paper. I tried to cut the circle so that the design on the paper was centered.



The ornament "hangs" from a little gold half-bead stuck onto the paper.



The embroidery design is worked in red, mostly, over the decorative paper. I'm using Sulky machine embroidery thread here. The outline around the ornament is worked in gold, as is the ornament string.



I added little red gemstones and gold beads to the tips of the star. Unfortunately, they don't quite sparkle in the photo as they do in person. I like sparkly things on Christmas stuff... so I bought these little tiny stick-on gems and beads found in the scrapbooking supplies at a craft store. They come in handy! I find myself sticking them on just about every card I can. If you use these types of embellishments (that stick up off the surface of the card), remember to "pad" your envelope before you seal it, by inserting another piece of cardstock over the face of the card.

Well, time is ticking! With Thanksgiving over, I have a feeling Christmas is going to hasten my way before I can say boo. Before the week is out, two things will happen in my needlework life:

1. I will do the finish work on my ornament.
2. I will post the December stash give-away, so that it's feasible that you'll get it before Christmas! (And maybe even be able to use it!)

Surely other stuff will happen, too... but you'll just have to wait to see what does!

Enjoy the day!
]]> hand embroidered cards embroider on paper pictures Christmas needlework pictures 9467 IdahoConnie noreply@blogger.com http://www.blogger.com/profile/14244678979192270917 2008-12-12 09:48:00 2008-12-12 09:48:00 1 0 Wish me luck!]]> 9472 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-11 15:53:25 2008-12-11 15:53:25 1 0
Thanks very much for your kind and enthusiastic words!

The pattern is from Erica Fortgens "Merry Christmas" book, which is full of designs for embroidered cards. The paper was from the scrapbooking section at Hobby Lobby. If you don't have a Hobby Lobby nearby, I would imagine you could find similar paper at any craft or hobby store that has scrapbooking supplies. I picked up the red cards in the stamping section at Hobby Lobby or Michael's, I don't remember which!

I hope that helps!!

Mary]]> 9473 IdahoConnie noreply@blogger.com http://www.blogger.com/profile/14244678979192270917 2008-12-11 12:20:00 2008-12-11 12:20:00 1 0 I'm new to your site and I am just completely blown-away by your skills, imagination, wit and EVERYTHING!
I'd like to get my hands on the materials and design for the ornament in this article. Did you do the design? Where did you get the perfect paper?
Any information you could give me would be appreciated!
Thanks so much! Merry Christmas and many, many blessings, Connie in North Idaho]]> 9605 Anonymous noreply@blogger.com 2008-12-04 09:27:00 2008-12-04 09:27:00 1 0 Annie in frozen Michigan]]> 9607 Lori Northon noreply@blogger.com 2008-12-04 07:20:00 2008-12-04 07:20:00 1 0
Hugs!
Lori]]> 9614 onafixedincome noreply@blogger.com 2008-12-03 12:16:00 2008-12-03 12:16:00 1 0 9615 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-12-03 12:06:00 2008-12-03 12:06:00 1 0 http://www.needlenthread.com/2008/12/hand-embroidery-on-christmas-towel-how.html Tue, 02 Dec 2008 06:00:00 -0600 Mary Corbet 523 2008-12-02 06:00:00 2008-12-02 06:00:00 open open Hand-Embroidery-on-a-Christmas-Towel:-How-to-Successfully-Frustrate-Myself-for-No-Good-Reason publish 0 0 post

Originally, I was supposed to be embroidering regular cotton towels with regular cotton thread in regular outline stitches for regular easy embroidered gifts. But darnit, if I didn't start filling in on this one, and now, it's taking me ten forevers to get it done!

Remember the embroidered towel I finished last week? That piece took me less than three hours of stitching. I figured at that rate, I could do (easily) two towels a week and still have time for finish work on other little projects.

But no. I had to start filling in on this one! Did you ever realize what a difference it makes, time-wise, when you start to fill in areas of stitching?

I have duly frustrated myself, but I don't want to give the project up!

So let me show you how far along I am, and then I'll tell you what really frustrates me about the whole endeavor.



The satin stitching on the berries is done - at least, on this clump of berries (there's one more further down the design) - and all the little green satin stitch things are finished, and I've managed only one pine cone so far.



Now, the pine cone was an interesting dilemma. It's worked in long and short stitch. Originally, I was just planning on outlining it, but once I started filling in the berries with satin stitch, it was silly to have an only-outlined pine cone! So I started experimenting with filling. I was going to work a stem stitch filling. Then I thought about a split stitch or even chain stitch filling - something that could be worked fast and somewhat loose, so it wasn't a "full" filling.

Ugh. None of those looked right.

So I resorted to long and short stitch. Then the colors became a problem. If you're just outlining something, shading isn't that important, really. But once you move into long and short stitch, colors become important, and the shading achieved by the stitching and color choices together is what makes long and short stitch look ok.

When I started, I thought I better take a look at some pine cones. What I noticed on larger, older, opened pine cones was that the tips were almost a white-ish grey, curved up, and the rest of the cone was a darker brown, and some almost blackish-brown. But on the small, closed pine cones, they're really brown - a nice brown. Not a lot of color difference in them. Just a nice woody-looking brown.

So I stuck with three shades of brown, to give the cone a bit of depth. I don't like the connection area - I guess it's the stem - up top, but that's the way the pattern was, so I ended up stitching it with two small areas of satin stitch for highlights, surrounded by a split-stitch filling in dark brown.

And that's the pine cone. Two more pine cones, one more bunch of berries!!! Remind me never to FILL IN on a TOWEL. Yes, as I mentioned yesterday when I was talking about the obvious merits of machine embroidery thread for paper embroidery, sometimes, I'm a bit slow lately!

But this is what really frustrates me - and perhaps it's just a problem with the way I'm looking at the stituation. You can tell me what YOU think:

I'm putting all this embroidery time and effort into a cotton flour sack towel.

It's not a linen table runner.

It's not a linen table cloth.

It's not even a pretty little crisp, white cotton Christmas apron.

It's a FLOUR SACK TOWEL!!!

:-) Ah, well. I'm in. So I may as well finish it! But, sheesh. Really. What was I thinking?
]]> gift ideas Embroidery for the Home Hand embroidery stitches needlepainting Christmas 9068 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-27 19:07:57 2009-01-27 19:07:57 1 0
I don't mind stitching on towels - it's easy, fun stitching, free of the worry of messing up on expensive supplies!]]> 9069 Jules noreply@blogger.com http://www.blogger.com/profile/10496039187159668965 2009-01-27 18:10:00 2009-01-27 18:10:00 1 0 9595 M. Gutmann noreply@blogger.com http://www.blogger.com/profile/08307603763444561845 2008-12-04 21:41:00 2008-12-04 21:41:00 1 0
beeautiful work!]]> 9597 Laura Bullinger noreply@blogger.com 2008-12-04 19:19:00 2008-12-04 19:19:00 1 0 9603 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-12-04 11:45:00 2008-12-04 11:45:00 1 0 inevitably make things more complicated and fussy than they need, or even ought to be! I've filled in my share of flower sack towels... yes. Multiples. I am sheer stupidity incarnate sometimes!

It is a lovely towel, though. :P]]> 9613 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-12-03 16:22:00 2008-12-03 16:22:00 1 0 9617 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2008-12-03 05:39:00 2008-12-03 05:39:00 1 0 I hope the recipient will understand all the love you have put in it :-)
It will be beautiful.]]> 9620 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-12-02 21:42:00 2008-12-02 21:42:00 1 0
This is coming out beautifully.]]> 9622 charlie noreply@blogger.com 2008-12-02 18:09:00 2008-12-02 18:09:00 1 0 I couldn't understand why you were sounding off about this design...couldn't wait for yr next mail, so I went on site....and, along with no doubt countless other readers, I love this piece!what on earth does it matter if it's 'just' a towel...it will be a loved towel! It's the daring,and the exploring,and the pure love of the journey that marks out artists from craftspeople...however....we don't HAVE to make individual treasures for absolutely everyone we know!!Charlie x]]> 9624 BJ Pontalion noreply@blogger.com 2008-12-02 13:12:00 2008-12-02 13:12:00 1 0
I have done the same and I usually feel so happy when it is noticed, even if it is unnoticed, it is done and gone and out of my hair. Who knows maybe they will frame it.

This is really amazing work for something that may get tossed into the bleach laundry load. Your work is so beautiful, even on a 10 for a dollar flour sack towel. :-)

If I were in this situation, I would only continue if I had an opportunity work into the design a way to outline the rest. Like maybe hazy snows type image or a distance image or a mirror image. I have done that before when I did not want to finish something I worked in a pond (not the full thing but you could tell it was a reflection and the mirror image was outlined). I can't tell if that is an option, but it is a thought if a set is what you had in mind but you don’t want to go to this extreme.

Good luck, and I totally sympathize with you.

BJ]]> 9626 margaret c. noreply@blogger.com 2008-12-02 11:38:00 2008-12-02 11:38:00 1 0
Now, get back to work, um, filling in that towel.

I share your pain. :-( I think you should tell the recipient that they can't actually use the towel. They can just look admiringly at all that filled in stitching.]]> 9627 Anonymous noreply@blogger.com 2008-12-02 08:51:00 2008-12-02 08:51:00 1 0 beautiful.

Knitters are famous for giving gifts still on the needles. That could be an option. lol

Laura]]> 9628 MixPix noreply@blogger.com http://www.blogger.com/profile/17462300340336057514 2008-12-02 08:07:00 2008-12-02 08:07:00 1 0 9629 Heidi in MN noreply@blogger.com 2008-12-02 07:49:00 2008-12-02 07:49:00 1 0
Holiday blessings and your heart is in the right place!

Heidi in MN]]> http://www.needlenthread.com/2008/12/wee-bit-of-christmas-embroidery.html Mon, 01 Dec 2008 10:03:00 -0600 Mary Corbet 524 2008-12-01 10:03:00 2008-12-01 10:03:00 open open A-Wee-Bit-of-Christmas-Embroidery-Accomplished publish 0 0 post

Here's the extent of my hand embroidery endeavors this weekend. I know it's not that impressive! But still....



I managed the embroidered elements of two cards, plus the beginnings of a third, and I put in the rest of the berries and one pine cone on that blasted towel!

Cards first....



This card pattern comes from Erica Fortgens' book, Merry Christmas Embroidery on Paper - that's an Amazon link, if you want to read more about it. The design stitched up pretty quickly. In fact, it stitched up really quickly - the whole thing took less than an hour, including piercing the paper. I have some other ideas for this design. I think it would make a great snowflake, on blue, worked in white or pale silver, with tiny crystals attached. So I may try that later on. I'm going to cut this in a more interesting way, add a few little red crystals to it, put it on a printed background and affix it to a card, with a little ribbon at the top. Whatever... eventually, I'll show you what I mean!



This little heart-wreath-thingy took less than an hour as well, including piercing the paper. I used the wrong sized piercing tool for the thread. I should have used an extra-fine tip, but I used the medium one. Still, it'll pass muster, I suppose, once incorporated on a card with other distracting stuff attached! I'll add some little red crystals in the middle of the open red spaces.



This one's in progress. It's a wreath, so there'll be some greenery between the red balls. And of course, some little crystals in there, too. I like sparkly things on Christmas stuff! I can't help it!!! This card is a little more complicated. I estimate it'll take a little longer to stitch - so, all told, maybe an hour and a half.

Something I learned about embroidering on paper, or at least, about this type of embroidery on paper. It helps TREEEE MENDOUSLY to have the correct materials. All the Erica Fortgens books recommend Anchor Alpaca (edit: it's Anchor Alcazar - sorry!) for the most part, which is a machine embroidery thread. Since I didn't have any, in the past I've just used regular rayon embroidery floss. It works ok, in very short strands, and it gives a very pretty coverage. But it does get frustrating to work with! First of all, you have to work with short pieces; otherwise, the embroidery floss frays, and that's a pain in the neck. Another thing is the nature of rayon embroidery floss - it's cranky!

Well, finally I figured that it doesn't actually have to be Anchor machine embroidery thread! Machine embroidery thread in general works great on these paper projects because it is supple, it stands up to abuse, it's fine, and, depending on the type you get, it's very pretty and shiny stuff, perfect for Christmas cards. You can also get it in metallics, which are much easier to use on paper than regular metallic embroidery floss. MUCH EASIER. I couldn't believe the difference.

Anyway, I found I could stitch a lot faster with the right materials, once I took out a few spools of machine embroidery thread.

Sheeesh. I was a bit slow on that discovery, wasn't I??

I'll talk about the towel later - I'll show you that pine cone up close. I really don't want to talk about the towel right now. Aaargh!!

Finally, it's December, so I will have my monthly stash give-away coming up this week. It's a rather special give-away. Not quite the same type of loot as before, but ... loot, nonetheless! Some people will be excited about it, but I realize there will be some who say... "?!?" It won't interest every stitcher, I'm afraid.... !!! Yes, yes, enough enigmatic talk. Wait for it!

Hope your Monday is terrific!
]]> supplies hand embroidery information hand embroidered cards embroider on paper threads Christmas 9133 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-21 21:26:04 2009-01-21 21:26:04 1 0
I use pencil often. If you transfer the design lightly with pencil, you shouldn't have a problem washing it off when you're finished!

Another thing you can do is use Solvy or another water soluble stabilizer. Draw your design on the solvy with a fine tipped Sharpie, place the solvy over the fabric and hoop the fabric and solvy up together, with the solvy on top. Stitch through the solvy, then rinse until the solvy disappears. I've got a couple tutorials on that under the tips and tricks index:


Here's the link:

tips and tricks for hand embroidery

MC]]> 9136 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-01-21 18:26:00 2009-01-21 18:26:00 1 0
what do you recommend to use for when you need to place a drawing on fabric, so that you dont have to do it freehand?

because i used pencil on my fabric and it looks bad because i often varyl slightly from what i drew on the fabric and i get get the pencil markings off the fabric afterwards...

HELLLLLPPPPP!!!!!!!]]> 9618 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-02 23:23:20 2008-12-02 23:23:20 1 0
Princy - I'm using textured cardstock, sold for scrapbooking. For the thread, I'm using Sulky machine embroidery thread. They make several different kinds - I'm using their shiny rayon thread and their metallic machine embroidery thread. It works really well!

MC]]> 9619 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2008-12-02 22:18:00 2008-12-02 22:18:00 1 0 9625 Anonymous noreply@blogger.com 2008-12-02 13:12:00 2008-12-02 13:12:00 1 0 Annie in Michigan]]> 9630 margaret c. noreply@blogger.com 2008-12-02 00:21:00 2008-12-02 00:21:00 1 0 9632 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-12-01 16:48:00 2008-12-01 16:48:00 1 0 9633 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-01 16:38:13 2008-12-01 16:38:13 1 0 http://www.needlenthread.com/2008/11/time-sensitive-building-your-needlework.html Sun, 30 Nov 2008 08:51:00 -0600 Mary Corbet 525 2008-11-30 08:51:00 2008-11-30 08:51:00 open open Time-Sensitive:-Building-Your-Needlework-Stash? publish 0 0 post

Evening Star Designs is the place I recently purchased a heap o' stash stuff - some fabric packs, some fun threads to play with, some hand-dyed silk ribbon, the silk buttonhole twist I wanted to try out, some ribbon samples, some bead packs, and on and on and on...



Evening Star Designs is a great place to pick up sample packs of different things - from fancy fabrics perfect for crazy quilting and other applications (I'm using a few pieces from my new stash to back embroidered Christmas ornaments) to bead mixes to trims - as well serious quantities of supplies for special projects. For example, if you're making a Christmas dress for a little one and you want some nice lace, you might find that the selection of laces (which can be purchased by the yard) is just right for your project. You can also find some fabrics by the yard, as well as a good selection of embroidery threads and silk ribbon.



It's a great place to shop any day, BUT... for those of you reading this post today, Sunday, November 30th, if you're not on the mailing list for Evening Star Designs, you might not know about the sale going right now!



Until midnight tonight (Sunday, November 30th), you can get 25% off most everything in her shop (it doesn't include already discounted merchandise).

This is a pretty good deal! But if you want to take advantage of it, you have to do so before midnight, Sunday, November 30th.

I found it a good opportunity for trying out some other threads.



By the way, at Evening Star Designs, you'll find Needle Necessities threads (they've gone out of business, but she has a pretty good stock of them still on hand) deeply discounted. The Needle Necessities overdyed cotton floss, for example, is only $1.67 / 20-yd skein. That's a great price, and there are still some beautiful colors left. (Note: Because it's already so deeply discounted, the Needle Necessities thread is not included in the 25% off sale.)



I hope you get a chance to check out the sale today at Evening Star Designs. Even if you miss it, though, you can still find some good deals on the website, and you will certainly enjoy browsing her stock of STUFF.

Enjoy!
]]> supplies crazy quilt embroidery resources threads needlework websites fabric for embroidery 9635 Tommy noreply@blogger.com http://www.sewingmachinereviewer.com/ 2008-12-01 09:33:00 2008-12-01 09:33:00 1 0 9636 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-12-01 09:27:00 2008-12-01 09:27:00 1 0
It's really a temptation to profit the discounts...but this month no more shopping is possible!!!
Surely next year I'll order some silk ribbons for more brooches and embroidery - that one is for my sister, her Birthday next December 8 - my problem is to choose colours on-line...
Have a great week!]]> http://www.needlenthread.com/2008/11/goldwork-silk-ornament-er-almost.html Sat, 29 Nov 2008 10:27:00 -0600 Mary Corbet 526 2008-11-29 10:27:00 2008-11-29 10:27:00 open open Goldwork-&-Silk-Ornament-...-er,-Almost-Finished publish 0 0 post not finished. I did manage to finish the top of the goldwork and silk Christmas ornament yesterday - and with a sense of silly, premature exaltation, I convinced myself it was finished.

The fact of the matter is, no one would hang a Christmas ornament on a tree while it's still framed up for embroidery. In fact, I think we could safely say it isn't even a Christmas ornament yet.

I still have to assemble this piece into an ornament. That will involve stuffing and backing it (not really stuffing it, but there will be a layer or two of something in there that'll give it some fill), finishing around the edge with a cord (which I still have to make) and adding a tassel (which I still have to make) and something with which to hang it. All of this, I hope, can be accomplished in a couple hours.



Here's the whole front. Finishing off the gold passing was rather a pain. On future similar projects, I will certainly remember to couch the passing thread first before putting the pearl purl outline down. The gold passing couched with the gold (the innermost part of the border) ended up being fairly even all the way around, with the exception of one side, where I found I had to work one extra little bit of passing in to fill the space.

After I put the ornament together, I'll go over it really well with the mellore (a small silver tool used for prodding gold threads) to make sure all the threads are well situated.



I used gold spangles and a red bead in the blank spaces on the inside of the design, to add a bit of sparkle and to fill up the interior space a little bit. I love the way the gold spangles gleam. They really catch the light, but it's hard to catch that on the camera.



The spanges on the ornament are actually two different sizes, though I don't think it's obvious from far away. To fit one up in the corner above the green shapes, I had to use the smallest ones I had (I think a size 18). The corner spangles, then, are pretty small. All the other spangles are a size 14.

I'm going to try to finish this up today, if all goes well. I was supposed to film video stitches today, but two things prevent me: a dark, dismal day (I need sunlight to get good results) and company for dinner tonight. But I should have an hour or so this afternoon that I can devote to the finish work on this project. It always makes me nervous when I cut the piece from the frame, so keep your fingers crossed that all goes well!

Enjoy your Saturday!
]]> goldwork pictures silk Christmas needlework pictures 9631 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-12-01 16:50:00 2008-12-01 16:50:00 1 0 9638 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-12-01 02:24:00 2008-12-01 02:24:00 1 0 9640 Anonymous noreply@blogger.com 2008-11-30 18:24:00 2008-11-30 18:24:00 1 0 Cissie]]> 9643 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-30 10:32:29 2008-11-30 10:32:29 1 0
Laura - nope, not too inquisitive. I don't mind questions! I don't have the finished dimensions yet, since it isn't finished - but this part is about 3" square. I'll crunch the numbers and let you know what I estimate the cost was when I finish the whole thing up. I still need to make cording (which will be out of silk) and a tassel. I'm hoping I don't have to actually purchase anything for the finish work, but I might have to get something suitable for a filling.

I made it for a swap - it's the first swap I've ever joined, actually. I hope the recipient likes it!

MC]]> 9644 Laura Bullinger noreply@blogger.com 2008-11-30 09:36:00 2008-11-30 09:36:00 1 0 The "finishing" that you mention is sometimes tedious.That is why there are professional Finishers that contract with needlework shops. Most people enjoy the creative beautiful process but the actual non-creative work part is not as treasured. Actually, Mary, I like finishing personally because I love slipstitching invisibly. Good job, as usual. Will it hang on your tree? Or is it a gift?]]> 9646 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-11-30 02:27:00 2008-11-30 02:27:00 1 0 (the finishing of the work is the worst for me...)]]> 9648 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-11-29 20:28:00 2008-11-29 20:28:00 1 0 9650 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-11-29 16:23:00 2008-11-29 16:23:00 1 0
I managed to 'finish' my ornament a couple about 10 days ago, then a few days later, I finished it :) I think I may be able to put it on my blog after Monday.

Lucky lady, who ever yours is going to, I would be so receive this.

CA]]> 9651 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-11-29 15:15:00 2008-11-29 15:15:00 1 0
MGM]]> 9652 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-11-29 14:56:00 2008-11-29 14:56:00 1 0 http://www.needlenthread.com/2008/11/turkey-revisited-embroidery-projects.html Fri, 28 Nov 2008 10:55:00 -0600 Mary Corbet 527 2008-11-28 10:55:00 2008-11-28 10:55:00 open open Turkey-Revisited---Embroidery-Projects-Combined. publish 0 0 post

The turkey is a combination of several embroidery projects. I opened the photos of those projects in Photoshop, and just played around with them, layering different elements, erasing parts, using layer masks, and so forth, until I came up with something vaguely resembling a turkey:



If you want to read about the projects, threads, and techniques involved in each element, you can look at each project page. Here's a list of the projects combined to make the turkey:

Goldwork and Beetle wings (tail)
GST Strawberry (body)
Christmas Chicken (large part of wing)
Red Poll (lower grey wing tips)
Golden Pomegranate (front breast and crown)
Felt Needlebook (head, breast, and foot)
Book cover (leg)

If you haven't seen those particular projects here on Needle 'n Thread, I hope you have fun perusing them! Some of them were quite an adventure.

On this day after Thanksgiving, I refuse to join the holiday shopping crush, despite the great deals that I'm sure must be abounding. Often, I think people shop on this day just to enjoy the challenge!

I'm planning on spending a relatively quiet day straightening up, organizing some upcoming projects, finishing some near-complete projects, and so forth. I know it all won't happen in one day... but it's nice to plan as if it will, anyway!

Enjoy your weekend!
]]> Embroidery Projects needlework pictures 9647 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-11-30 02:22:00 2008-11-30 02:22:00 1 0 9654 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-11-29 09:49:00 2008-11-29 09:49:00 1 0
Enjoy your four-day weekend.]]> 9657 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-11-28 13:10:00 2008-11-28 13:10:00 1 0 and embroidery skills!]]> http://www.needlenthread.com/2008/11/turkey-n-thread-or-what-have-you.html Thu, 27 Nov 2008 12:02:00 -0600 Mary Corbet 528 2008-11-27 12:02:00 2008-11-27 12:02:00 open open Turkey-'n-Thread...-Or-What-Have-You! publish 0 0 post


Happy Thanksgiving to All!]]> pictures needlework pictures 9642 Tommy noreply@blogger.com http://www.sewingmachinereviewer.com/ 2008-11-30 12:51:00 2008-11-30 12:51:00 1 0
I would not exactly call that a lame attempt ! that turkey is looking great. Why is it that I cant see, to whip up great things like that :) The colours work a treat.]]> 9645 Peach Blossom Hill joraines@gmail.com http://www.blogger.com/profile/07912647662913307938 2008-11-30 08:23:00 2008-11-30 08:23:00 1 0 9655 Laura Bullinger noreply@blogger.com 2008-11-28 20:21:00 2008-11-28 20:21:00 1 0 9658 onafixedincome noreply@blogger.com 2008-11-28 11:04:00 2008-11-28 11:04:00 1 0
(Whether or not you consider that a deadly insult is up to you. *grin*)

It actually looks like he's nibbling on the flowers down on the breast...LOL!

Happy Holidays to you too... :)]]> 9659 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-28 10:55:28 2008-11-28 10:55:28 1 0
Sorry! I probably should've clarified. I took a bunch of images of different projects I've worked on and wrote about here on Needle 'n Thread over the years, and using Photoshop, combined them into a rather shoddy looking turkey!

The projects are:

Goldwork and Beetle wings (tail)
GST Strawberry (body)
Christmas Chicken (large part of wing)
Red Poll (lower grey wing tips)
Golden Pomegranate (front breast and crown)
Felt Needlebook (head, breast, and foot)
Book cover (leg)

In fact, I may edit the post and add that list...!

Thanks!]]> 9661 Anonymous noreply@blogger.com 2008-11-28 10:28:00 2008-11-28 10:28:00 1 0 Cissie]]> 9662 margaret c. noreply@blogger.com 2008-11-28 01:48:00 2008-11-28 01:48:00 1 0 http://www.needlenthread.com/2008/11/hand-embroidery-on-corner.html Wed, 26 Nov 2008 12:19:00 -0600 Mary Corbet 529 2008-11-26 12:19:00 2008-11-26 12:19:00 open open Hand-Embroidery-on-a-Corner publish 0 0 post

I made a mistake on part of the embroidered design - can you find it?



Unfortunately, I tend to be the type of stitcher who gets caught up in the mistakes on my work. I really see them! And perhaps that's the case with most stitchers and crafters. But sometimes, I think it's quite alright to let a mistake go, and that's absolutely what I'm doing in this case!! But I'd be interested to know what you would do... would you take it out and re-do it?



Have you found it yet? Here's a hint:



And here's the other hint:



Would you re-do the little circles? I'm not. If nothing else, they make it characteristically hand stitched. A machine would not have made the mistake of stitching a mirror image using a completely different stitch!

I'm making a series of these towels, with similar, simple corner designs, for my sister for Christmas. She's a cook and an entertainer - she has large crowds at her home often for big meals. In fact, I think her daily meals for her family (and friends - there always seem to be guests at her table) would be considered "fancy" meals for most people. She's the Queen of Hospitality, and a great cook. She always sets a nice table, not just on formal occasions, but for casual daily dinners as well. One of her signature items is bread. A day doesn't go by that she doesn't have bread going - rising, baking, rising, baking - the smell permeates the house. She makes artisan loaves of naturally leavened bread; she makes French and Italian breads; she makes great crusty dinner rolls and melt-in-your-mouth soft rolls and fruit and nut breads; she grinds her own wheat and makes a wonderful, nutty wheat bread as a regular staple for the family. With crowds at the table, she uses large baskets lined with flour sack towels for bread. I thought a set of nicely embroidered flour sack towels to use solely for lining bread baskets would be a good gift.

So, let's see - how far away is Christmas? I've finished one towel. I have a Christmas-themed one in the works. I intended to make six towels altogether. I figured I could make two a week, and still stitch on other necessary items, if I stuck with Really Simple Designs, like the one featured here. But the Christmas one is slowing me down! I wasn't supposed to fill in the designs, but satin stitch seemed perfect for the berries, and the pine cones look better in long and short stitch than they do merely outlined. Aaargh. Six might be a bit ambitious at this rate!

Anyway, I'm still trying to dig up some simple corner patterns. The one I used on this towel above was a lot of fun - I may do it again, in a different color scheme. I may draw up a wheat pattern to use, too, if time allows! I'd like to share this pattern with you, but it isn't mine. I need to check the source (it's from a huge envelope of older patterns that a friend dropped off one day) to see if it's copyrighted.

And, finally, speaking of time - I'm out of time for the day! I hope all you Americans have a great Thanksgiving weekend. Teaching has its advantages - I've got a four day weekend, during which I plan to get some serious embroidery done and I hope to devote a lot of time to the website, too. I've scheduled a filming session for Saturday mid-morning, so keep your fingers crossed for me! If I have sunshine and a relatively quiet day, I should be able to actually finish some of those hanging video tutorials of more embroidery stitches!

For now - I must go bake pies!
]]> Embroidery for the Home Hand embroidery stitches pictures Christmas needlework pictures beginner embroidery 9373 Linda noreply@blogger.com 2008-12-25 07:15:00 2008-12-25 07:15:00 1 0 "Wasn't that a nice dinner party by _____? The food was tasty and the company even better. But... did you see those leaves on the embroidered towel? It was not the right color (stitch, direction...). Did you ever?"
I rest my case.
Happy Chanuka from Israel!]]> 9660 Anonymous noreply@blogger.com 2008-11-28 10:32:00 2008-11-28 10:32:00 1 0
I know what you mean about always looking at your own work with too critical an eye. If I absolulely cannot look at the piece without seeing the mistake, I usually end up taking it out. But in your case, I would consider the use and leave it!

By the way, how does one go about getting inviting to your sister's for a meal!!

Cissie]]> 9663 heidi in mn noreply@blogger.com 2008-11-28 00:56:00 2008-11-28 00:56:00 1 0
I love reading your threads, thank you for sharing your thoughts and works.]]> 9664 Anonymous noreply@blogger.com 2008-11-27 23:41:00 2008-11-27 23:41:00 1 0
And, as a suggestion, if you are planning to use a satin stitch; I would use the American Satin. Because, you don't want a lot of loose threads in the back to catch. You are making them for every day use.

I know because I have been working on tea towels and I have wanted to put in fancier stitches but have held back because they will be used and you don't want any snagging.

Looking forward to your next towel.]]> 9666 Anonymous noreply@blogger.com 2008-11-27 10:03:00 2008-11-27 10:03:00 1 0 9667 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2008-11-27 08:56:00 2008-11-27 08:56:00 1 0 9668 Nora noreply@blogger.com 2008-11-27 07:51:00 2008-11-27 07:51:00 1 0 9669 charlie noreply@blogger.com 2008-11-27 06:46:00 2008-11-27 06:46:00 1 0 It's a lovely piece!Charlie.]]> 9670 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-11-26 18:01:00 2008-11-26 18:01:00 1 0 http://www.needlenthread.com/2008/11/embroidery-on-paper-few-new-books.html Tue, 25 Nov 2008 06:49:00 -0600 Mary Corbet 530 2008-11-25 06:49:00 2008-11-25 06:49:00 open open Embroidery-on-Paper:-A-Few-New-Books publish 0 0 post

Our little embroidery guild has been working on embroidered cards the last two times we met (last night and a month ago). I thought it would be fun to introduce the ladies to embroidery on paper, in case they wanted to make their own cards, gift tags, ornaments, etc. - and it would make a welcome break from the on-going saga of the silk sampler!

I had a few books on the subject of paper embroidery - but after a while, they all seemed kind of ho-hum since I had seen the patterns so often before. I decided to spice things up by adding a few more books to the collection before last night's meeting.



The first book book is Basics of Embroidery on Paper
by Erica Fortgens. I really like Erica's books, primarily because of the patterns in them. She's got a huge variety of patterns in this one, and a nice selection of new Christmas patterns. As far as explanations of techniques are concerned, her books lack a bit, but the basics are there, and the abundant amount of really pretty patterns make up for the lack of technical discussion.



The second book is Embroidery on Paper for Every Occasion
by Joke and Adriaan de Vette. In this book, there's a little more discussion on technique, and some very nice patterns, including holiday patterns. In fact, there's even a Madonna and Child pattern in this one, if you like religious themed cards. The lamp on the front of the books is typical of the ornate and delicate style of the patterns in here.



The third book is Embroidery on Paper (A Passion for Paper)
by Cynthia Rapson. I bought this book particularly because it focuses a LOT on original finishes for paper embroidered items. In fact, it focuses mostly on finish work, which is nice. The drawback is that it doesn't focus that much on the embroidery itself - there are no patterns in this book for the actual pricking of the paper. The author relies on brass stencils, which is nice and all, but if you don't have the stencils, it ends up costing beginners considerably more to get into paper embroidery if they start with this book. But again, she really goes into some interesting and unique finishing techniques for cards and other paper products (including paper boxes, little paper memory books, paper purses, etc.). Since I had books that focused on the embroidery, I thought this was a worthwhile investment to show how an embroidered piece of paper could be finished into all kinds of things. One other shortcoming with this book is that the author gives stencil numbers for the embroidery and embossing stencils she uses, but she never says who makes the stencils. Not very helpful!

Each of these three books has its own merits. If I were getting started with paper embroidery, I'd pick one of the first two; if I were looking for finishing ideas after already knowing the basics of embroidering on paper, I'd consider the third book.

So, if you've got the bug to create your own greeting cards this year - and, hey, maybe you could make it a New Year's Resolution, to make all your own cards throughout the year - you might want to check out these three books. They're fun! I like all three (even if I do list a few disadvantages of them!) I think if I had to pick my Absolute Favorite in this batch, it would be Embroidery on Paper for Every Occasion (the second one listed). They've got some great little patterns in there!

If you want to check them out through Amazon, you can use any of the links above or these links below. I do the affiliate thing through Amazon - in truth, it doesn't make that much! But if you do shop through Amazon, it would be Really Nice if you went through my links, since I get a small (minute) kickback, and every wee little bit helps! Thanks!


]]> book review embroider on paper embroidery books beginner embroidery 2585 Anonymous noreply@blogger.com 2010-03-04 23:28:01 2010-03-04 23:28:01 1 0
Just searching google for embroidery on paper and came across your site which is very helpful. Thought I would mention though, that I have the Embroidery on Paper book by Cindy Rapson and the templates are listed as available from any Kars stockist, www.kars.nl or from the author's website www.ginghambuttons.com. This might be helpful if anyone has the book. Thanks for all the info. S. Sellens]]> 9671 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-26 16:25:59 2008-11-26 16:25:59 1 0
Fixed Income - I used to think the same thing, until I started making little cards here and there and people liked them so much! Most cards take, at most, an hour to stitch (except for my "Christmas Chicken," which took far too long and won't be repeated!)... I minimize the time on assembly by pre-cutting pieces several at a time, which helps.

Mary Grace - I'm sure your daughter would like any of the above books if she's the crafty sort. To get started in paper embroidery, I think the first two are better than the last one.

Thanks, all!

MC]]> 9672 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-11-26 14:39:00 2008-11-26 14:39:00 1 0
Denise
http://needlework.craftgossip.com]]> 9675 onafixedincome noreply@blogger.com 2008-11-25 11:08:00 2008-11-25 11:08:00 1 0 9676 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-11-25 10:24:00 2008-11-25 10:24:00 1 0
MGM]]> http://www.needlenthread.com/2008/11/ordering-needlework-supplies-this-week.html Sun, 23 Nov 2008 06:26:00 -0600 Mary Corbet 531 2008-11-23 06:26:00 2008-11-23 06:26:00 open open Ordering-Needlework-Supplies-This-Week? publish 0 0 post Nordic Needle is offering free shipping on orders of $75 or more, until November 20th. Nordic Needle's website has undergone a huge overhaul in the last year, making it really easy to navigate through their extensive online store.

If you're looking for Soie d'Alger or other Au Ver a Soie threads, you'll find they carry Soie d'Alger, Soie Perlee, and Soie 100/3 in most colors, and at more reasonable prices than many other online stores. They carry a nice line of embroidery fabrics, especially even weave fabrics, and a terrific section of books (though you can find most of the books they offer - though not all - through Amazon for less). For example, they've go the line of A-Z books from Country Bumpkin available.

To get free shipping, you have to place your order through now and November 30th, you have to spend $75 or more (not hard to do!), and you have to enter the code SHIPDISCOUNT in the coupon field when you check out.

If you want to take advantage of free shipping, now would be a good time to stock up on needed supplies or pick out some Christmas presents for your favorite stitchers!

PS - A little editing here ... Forgot to mention: unfortunately, the free shipping option is for US mail addresses only.]]> embroidery resources needlework websites http://www.needlenthread.com/2008/11/art-of-embroiderer-museum-exhibit.html Sat, 22 Nov 2008 14:57:00 -0600 Mary Corbet 532 2008-11-22 14:57:00 2008-11-22 14:57:00 open open The-Art-of-the-Embroiderer-Museum-Exhibit publish 0 0 post

The exhibit features embroidered textiles from around the world, from different eras. The embroidery on some of these pieces is really exquisite - if you get a chance, you must see them!

Here's a description of the exhibit, according to the museum's press release:

Over 80 dazzling garments and textiles from across the world spanning over 200 years of creativity and innovation are featured in the Kent State University Museum's exhibition, The Art of the Embroiderer. From haute couture gowns to Japanese kimono and Saudi Arabian caftans, the exhibition captivates through colors, materials and sheer beauty.

All of the pieces are exquisite, but a few really caught my attention and caused me to linger a while.

This early 19th century Regency period evening dress in ivory silk with goldwork and a detachable train is stunning:



This evening dress, with silk shaded embroidery on ivory satin. The embroidery is not abundant, but I think it's pretty, and I like the beadwork on the back of the dress:



This blue cape, "made in China for western markets" in the late 19th century, which caught my eye because of the color combinations:



This is the first piece displayed in the online exhibit - it's stunning! The red is beautiful, and the embroidered apron is really exquisite. The apron is apparently from England, early 18th century, but the whole "outfit" comes from a combination of different origins - worth reading about!



If you are interested in historical embroidery or costuming and you have a chance this weekend to browse the Kent State Museum Exhibit, "The Art of the Embroiderer," do take some time to look at these gorgeous pieces of embroidered clothing. Make sure to enter the exibition to see the individual artifacts in the collection. If you click on them, you'll be able to see certain parts of each display up close.

Better yet, if you're passing through Ohio - or if you live close to Kent (northeast of Akron) - it might be worth stopping in to see the exhibit in person. It runs until August, 2009.
]]> historical needlework embroidered clothes needlework websites 9680 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-11-23 10:24:00 2008-11-23 10:24:00 1 0 9681 charlie noreply@blogger.com 2008-11-23 07:20:00 2008-11-23 07:20:00 1 0 Thanks to your site, I've an order with Eastern Threads for some gold....I had a lovely chat with Valmai as her e-mailing daughter was away,wonderful to have such worldwide links! Huge Thanks Mary,Charlie.]]> 9682 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-11-23 00:18:00 2008-11-23 00:18:00 1 0 9684 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-11-22 21:08:00 2008-11-22 21:08:00 1 0 Hooroo
Christine
http://missmuffettwo.blogspot.com/]]> 9685 margaret c. noreply@blogger.com 2008-11-22 20:37:00 2008-11-22 20:37:00 1 0 http://www.needlenthread.com/2008/11/some-notes-on-satin-stitch.html Fri, 21 Nov 2008 08:24:00 -0600 Mary Corbet 533 2008-11-21 08:24:00 2008-11-21 08:24:00 open open Some-Notes-on-Satin-Stitch publish 0 0 post

First, the problem: The berries are not huge, but they're a decent size at their widest point (perhaps three quarters of an inch on the larger ones, at most). Satin stitch is not meant to be used on very wide spaces - I'd say an inch to an inch and a half should be the longest span of satin stitch, and even that might be a bit too much, depending on the thread and what you do underneath the stitching.



Here are the berries in question, relatively close-up. I'm not so keen on those darker centers, but since they aren't the issue, let's just ignore them for now!

So far, three berries are fully satin stitched. The top left is outlined and padding stitches have been worked perpendicular to the direction of the top satin stitched layer that will be worked next.



The arrows point to the berries in question, which, from far away, don't look so bad.



But, when you get really close to the one on the lower right, you can see here some ridges in the stitching. Not too attractive. Besides being ridged, the stitches seem a bit loose. On the berry to the left of this, you can also see a bit of ridging in the satin stitching.



This berry, however, is fine. And it has the longest length satin stitching. Longer lenghts of satin stitch are usually the cause for ridging in stitches - because the stitches are longer, the tension cannot be maintained as well, especially if the fabric loosens in the hoop. And once the fabric is out of the hoop, with long satin stitching, you really risk your stitches flopping apart altogether.

So how is that solved? What's the difference between the two berries on the bottom where ridging is evident and the longer berry on the top, where the stitches lie perfectly smoothly?

The difference is in the padding. For most satin stitching, at least one layer of padding is essential, especially if the stitch is half an inch or longer (using regular floss). The more space the stitch needs to cover, the thicker the padding should be. The padding not only provides lift underneath the satin stitch, but it also provides friction for the satin stitching threads and a stable base for them to rest on.

In the lower two berries, I used one strand of floss for the split stitch outline underneath the satin stitching, and one strand of padding, worked inside the split stitch outline, perpendicular to the satin stitched layer.

One strand on the padding was not enough; it was a weak, skimpy foundation for the satin stitches.

On the top berry, I switched to two strands for the padding stitches, and the increase in density underneath the satin stitches helped them lie better and filled the space in undereath, so that, once the tension is removed (that is, the hoop is taken off), the satin stitching will still look terrific. On the other berries, the satin stitches will shift, because they aren't well padded.



On very small areas of satin stitching, like the light green pod in the midst of these evergreen needles, little or no padding is required. In fact, I did outline the little pod, and I worked a scant filling with one strand of floss longwise down the pod, then satin stitched over it. But on a tiny space like that, I could've gotten away with not filling it at all.

Another tip on the satin stitching: use one strand of floss. Yes, it takes longer, but the secret to nice satin stitch is zero ridges - a perfectly smooth surface. If you use two or more strands of floss, they'll twist on each other and then won't lie perfectly flat, parallel to each other. You could use a laying tool, which would help smooth two or more strands out, but even then, you get a slight bunching in the hole where the threads emerge. Satin stitch generally just looks better when one strand of floss is used.

Many stitchers are intimidated by satin stitch. "I can't get mine to look smooth." "My edges are messy." I hear this a lot! It's not a difficult stitch; generally, it's just a matter of practice while following a few tips:

1. Stitch the outline of the area you are satin stitching in split stitch. When you stitch your satin stitch, take your satin stitches just over the split stitch line. This split stitch line will help keep your edges straight, and will barely lift the satin stitch up off the fabric. Don't angle your needle back under the split stitch line before going back into the fabric. Just go straight down into the fabric just on the other side of the split stitch line.

2. Pad your satin stitches at least lightly. Work the padding stitches perpendicular to the direction of the top layer of satin stitches. If you are doing two layers of padding, stitch the first layer in the same direction as your satin stitch, stitch the second layer perpendicular to the first, and then your final layer (the satin stitch) will be perpendicular to the second layer of padding.

3. Use more padding layers or thicker thread for padding (or even felt, depending on what you're embroidering!) for larger spaces of satin stitch. When you pad the area, you don't have to take the thread all the way across the back - you can come up right next to where you went down in the fabric. However, when you do your satin stitching, the satin stitch should carry all the way across the back of the area you're covering, in order to keep the correct tension on the thread.

4. Use only one strand of floss for the final satin stitching layer. Make sure you carry your thread across the back of the area you're covering.

I hope these tips come in handy for you. Satin stitch is worth practicing! It really is a beautiful stitch!
]]> Hand embroidery stitches pictures embroidery tips and tricks needlework pictures beginner embroidery 4149 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-20 19:53:39 2009-12-20 19:53:39 1 0
Yes, Soie d'Alger is stranded - there are 7 strands in each thread, and yes, they can be (and usually are, for surface embroidery) separated. One strand (made up of 2 plies twisted together) is about the same size as one strand of regular DMC embroidery floss (which has 6 strands per thread). The cost is quite a bit more for the silk, once you figure the yardage and the coverage. One strand of Soie d'Alger will not cover as much ground as an equal length of floche.

Yes, I have done that before - used a similar shade of DMC floss for padding, and stitched over that with the silk. It works fine, and there's nothing wrong with doing that at all. It is quite common to see less-expensive padding under more expensive outer layers.

Hope that helps!

MC]]> 4150 Emily D. noreply@blogger.com 2009-12-20 18:30:08 2009-12-20 18:30:08 1 0
I've never worked with Soie D'Alger. It seems that it comes in 5 meter skeins and is 7 ply. Can those plies be separated? I'm just trying to figure out how many skeins of Soie D'Alger would be equal to one 150 yd. skein of DMC Floche and I'm having some difficulties. If the Soie D'Alger can be separated, then I could get 35 meters [38 yards] per skein and so, yardage-wise, I'd need about 4 skeins of Soie to equal one skein of Floche, but how does the coverage differ?

I think that I'll probably use Floche for a project that I'm planning, but I'm wondering how much of a cost difference there would be if I used DMC stranded cotton for the padding stitches and Soie D'Alger for the satin stitch. I know that there's no way for you to answer that, although if you could tell me if that would even be kosher, that would be great.

Any advice would be much appreciated!

Thanks again!]]> 4157 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-19 20:40:27 2009-12-19 20:40:27 1 0
Thanks for your comment!

Well, when price is no object, and when the piece isn't going to go through the washer (this flour sack towel would probably be washed...), I like Au Ver a Soie's Soie d'Alger for satin stitch. It's a stranded (spun) silk. But there are LOTS of other threads that work magnificently for satin stitch - from coton a broder, to buttonhole silk, to various wools. But I do like working with Soie d'Alger!

Best regards,
Mary]]> 9674 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-11-25 13:36:00 2008-11-25 13:36:00 1 0
Denise
http://needlework.craftgossip.com]]> 9678 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2008-11-23 22:17:00 2008-11-23 22:17:00 1 0 9683 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-11-23 00:13:00 2008-11-23 00:13:00 1 0 9686 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-11-22 20:26:00 2008-11-22 20:26:00 1 0 9687 Charlie noreply@blogger.com 2008-11-22 19:04:00 2008-11-22 19:04:00 1 0 9688 Anonymous noreply@blogger.com 2008-11-22 09:46:00 2008-11-22 09:46:00 1 0
Cissie]]> 9690 Anonymous noreply@blogger.com 2008-11-22 07:43:00 2008-11-22 07:43:00 1 0
thanks for the tip!

Gail]]> 9691 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-22 07:38:05 2008-11-22 07:38:05 1 0
Thanks for the excellent questions. In fact, I may have to edit the post to address one of them: Yes, I always start my satin stitching in the middle of the area to be stitched, work to the edge, then go back to the middle, and work to the next edge. It isn't always necessarily the widest part of the design... Starting in the middle helps establish your stitch direction. I think it also allows you to distribute your stitches more evenly as you approach the edge.

Concerning the padding --- coton a broder is actually a relatively low twist thread. It works great for padding, but I wouldn't normally use it to pad an area that I'm stitching with DMC stranded cotton, simply because I wouldn't waste my coton a broder that way - stranded cotton is a lot cheaper! But if I were stitching with coton a broder, I'd pad with it, too - although sometimes, if I'm short on coton a broder, I'll pad with the same color of regular stranded floss and do the satin stitch in coton a broder over that!

I probably wouldn't pad with a really high twist thread if the thread were any larger than the top satin stitching thread. For example, I wouldn't pad my stitches with perle cotton #5 or #8, and then satin stitch with one strand of stranded cotton. It probably wouldn't make that much of a difference, but somehow, I picture bumps from the twisted thread. I haven't tried it - but I might, just to see!!

Anyway, stranded cotton is pretty inexpensive, so I usually use it to pad under silk (stranded silk, like Soie d'Alger) and under regular stranded cotton, and occastionally under floche or coton a broder. But I've never used any of the higher-twist threads as padding underneath any of the above listed threads.

Hope that answers your questions!

Thanks for the comments, all! Meri, don't be intimidated by satin stitch - just try it!! I think you'll like it!]]> 9692 Anonymous noreply@blogger.com 2008-11-22 07:23:00 2008-11-22 07:23:00 1 0
Have you ever tried thread with a high twist (maybe coton a broder) for padding? I haven't but was wondering if this type thread might not flatten out as much as floche or floss.

Also, do you recommend beginning your satin stitch at the widest part of the design?

And btw, I think you "thingamabobs" looked gorgeous!

Cissie]]> 9699 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-11-21 11:28:00 2008-11-21 11:28:00 1 0 Yes it's a beautiful stitch, but I have never tried it intimidates me...perhaps now I'll try taking into account your advices.
Once more, thanks! You are unique]]> 9700 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-11-21 11:27:00 2008-11-21 11:27:00 1 0 Yes it's a beautiful stitch, but I have never tried it intimidates me...perhaps now I'll try taking into account your advices.
Once more, thanks! You are unique]]> 9701 Love to Stitch 99 noreply@blogger.com http://www.blogger.com/profile/08717611751588945815 2008-11-21 10:28:00 2008-11-21 10:28:00 1 0
Pierrette =^..^=]]> http://www.needlenthread.com/2008/11/silk-buttonhole-twist.html Thu, 20 Nov 2008 14:05:00 -0600 Mary Corbet 534 2008-11-20 14:05:00 2008-11-20 14:05:00 open open Silk-Buttonhole-Twist publish 0 0 post embroidery supplies a couple weeks ago were these little packets of silk buttonhole twist.

Silk buttonhole twist looks like a perfect thread for "fun" embroidery. It's the kind of stuff that I know I will like using on projects like my felt needlebook. I purchased these particular packets for an upcoming venture in crazy quilting, and, in general, just to add to my stash and to use when the mood strikes.



This particular brand comes on cards, in 20 meter lengths. The colors are nice, aren't they? They look a bit better and brighter in person, and when you see the threads up close - when you can see the twist - you might even tend to say "oooooo" and "aaaaaah," like a kid in a candy shop window!



I haven't tried stitching with these yet. Size-wise, they look like they might be equivalent to a #8 pearl cotton, or somewhere between a #8 and a #12.



I think these four colors may work pretty nicely together on a Christmas project that I have in mind, too.

The thread reminds me of a smaller, tighter Trebizond (twisted in the other direction), or a little bit thicker Soie Perlee. It looks like the kind of thread that I'd like to have every single color of!! (But then, come to think of it - well. Is there any thread I wouldn't like to have every single color of?)

Have you stitched with silk buttonhole twist? If so, what techniques do you use it for? Do you like it? I'd love to hear what others have to say about this particular thread - and I'm eager to try it myself! I'll let you know what I think of it when I do!
]]> threads pictures silk 5398 Fabulist noreply@blogger.com http://www.blogger.com/profile/12975097806204463062 2009-09-26 15:42:21 2009-09-26 15:42:21 1 0 9677 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-11-25 09:10:00 2008-11-25 09:10:00 1 0 9689 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-22 07:55:38 2008-11-22 07:55:38 1 0
Hi, Susan! Thanks for the information on the threads - I haven't tried the vintage buttonhole silk - but it sounds intriquing! But I don't want you giving up your vintage silk! Do they still make the corticelli? In different packaging, perhaps? I've seen the thread show up on e-bay before, but I've never bothered to bid on any of it.

Thanks heaps for the information!]]> 9693 Anonymous noreply@blogger.com 2008-11-22 00:21:00 2008-11-22 00:21:00 1 0
Kelley]]> 9694 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-11-21 20:18:00 2008-11-21 20:18:00 1 0 9695 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-11-21 20:14:00 2008-11-21 20:14:00 1 0
Still, if you can get your hands on it, vintage buttonhole silk is the best, IMHO. Send me your addy and I'll send you a spool or two to play with...tell me which two colors to send...Have a great day, Susan]]> 9702 Jane noreply@blogger.com http://www.worldembroideries.blogspot.com 2008-11-21 07:44:00 2008-11-21 07:44:00 1 0
Jane]]> http://www.needlenthread.com/2008/11/readers-embroidery-charlies-jacket.html Wed, 19 Nov 2008 06:26:00 -0600 Mary Corbet 535 2008-11-19 06:26:00 2008-11-19 06:26:00 open open Reader's-Embroidery:-Charlie's-Jacket---a-Satin-Stitch-Wonder publish 0 0 post
Usually, though, when I see satin stitch, or when I work something in satin stitch, it's in combination with other stitches, and in small quantities of spaces. That's one of the reasons I am in absolute awe of Charlie's embroidery. To understand, you have to see the pictures - words aren't enough for this project!

A little background - Charlie sent the photos in response to my comments on the creative process that often involves picking things out, and how we learn from picking out as well as from putting in stitches, and from experimenting as we go.

Charlie got back into embroidering when she worked a quilt square for a commemorative quilt in honor of a good friend who died young. The quilt is for her friend's daughter, and each square incorporates a scrap of fabric from her friend's clothes. When she set out on this project - it's amazing in itself - she was using six strands of DMC all at once, not realizing that she could reduce the number of strands!! But it doesn't matter - the outcome is fantastic. Take a look at this quilt square!



Then Charlie set out on her Jacket Journey, working on a completely hand embroidered jacket covered in satin stitch. She's designing it as she goes. By the time Charlie launched into the jacket, she realized she could reduce the number of strands of floss, and is working the whole thing in 3 strands of DMC, in satin stitch.



This is the first photo of the jacket that she sent me. I couldn't believe it! It's fantastic... I wanted more photos!



So she sent me more, showing the front sides - how she began them in one pattern (in the picture above) and then changed her mind, picked that out, and ....



... restitched the side in a smaller, more random block pattern. I love the vibrant colors - especially the various blues.



She's started on the jacket back as well - here you see the beginnings, in the pinks, which are surrounded by little quilt-looking squares in various shades of browns.



Then she's worked this yellow and brown motif along the sides of the back. Still, she's unsure whether or not she likes it here... so it'll be interesting to see if she keeps it or tries something else!

Now I have a whole new respect for satin stitch! The fun thing about this project is that Charlie makes it look and sound so fun! I think she's enjoying the journey! She's done an amazing job, and I can't wait to see what new elements get added, what gets taken away, and where the whole project goes. And I REALLY can't wait to see it sewn up! It'll be incredible - and what fun to wear and show off!

Thanks, Charlie, for sending me the photos all the way from rural Ireland! Good luck on the project and keep going!!
]]> readers embroidery pictures needlework pictures 9703 Carou noreply@blogger.com http://www.blogger.com/profile/18032357114414733022 2008-11-21 01:27:00 2008-11-21 01:27:00 1 0 une raison de plus pour découvrir l'Irlande j'aimais déjà leur dentelle et leur broderie blanche ...]]> 9706 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-11-20 12:55:00 2008-11-20 12:55:00 1 0
Charlie, your jacket is awesome. As much as I love SS, I can't imaging attempting to cover an entire jacket in it. Your quilt square is delightful. It is a wonderful way to commerate someone and I am sure your square was very much appreciated.

Waving to you from the other side of the Irish Sea. (oh I visited your island for the first time this year and loved it)

CA]]> 9707 Anonymous noreply@blogger.com 2008-11-20 09:39:00 2008-11-20 09:39:00 1 0 I can hardly wait to see the finished jacket. Love everything about it!!! My husband's family is from County Cork, Ireland so it really touched me.
Annie Sullivan (Michigan)]]> 9708 Anonymous noreply@blogger.com 2008-11-20 07:56:00 2008-11-20 07:56:00 1 0 Cissie]]> 9709 charlie noreply@blogger.com 2008-11-20 07:26:00 2008-11-20 07:26:00 1 0 Living isolated in Ireland,it means such a lot to get encouragement from others...I'm SO grateful for your site!!Charlie.]]> 9710 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-11-20 07:25:00 2008-11-20 07:25:00 1 0 9711 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-11-20 00:12:00 2008-11-20 00:12:00 1 0 Many congratulations to Charlie, its simply stunning work !!!
Shrenika.]]> 9714 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-11-19 14:11:00 2008-11-19 14:11:00 1 0 9716 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-11-19 13:13:00 2008-11-19 13:13:00 1 0 9717 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-11-19 12:46:00 2008-11-19 12:46:00 1 0 ABSOLUTELY GORGEOUS!!!
Do convey this to her,Mary!
Deepa]]> 9719 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-11-19 11:46:00 2008-11-19 11:46:00 1 0 Please, congratulate Charlie, Mary!]]> http://www.needlenthread.com/2008/11/november-embroidery-stash-winner.html Tue, 18 Nov 2008 07:37:00 -0600 Mary Corbet 536 2008-11-18 07:37:00 2008-11-18 07:37:00 open open November-Embroidery-Stash-Winner-Announced! publish 0 0 post embroidery stash give-away drew a larger response than usual - 167 comments altogether at the time of the deadline! I'm ultra curious to know what the draw was that encouraged people to leave a comment. I suspect it was the Sublime Stitching book, but perhaps it was the threads... I'll have to ponder that one.

This is how I went about drawing a winner for the embroidery stash:

First, I filtered all the comments into a table. This sounds like a pain, but it's really not that big of a deal usually - I just add the names as they come in. If the names are something that might be duplicated (for example, the post is signed with a common first name), I'll add with the name a salient word or two from the comment. This step was a little more time consuming this time, given the number of entries, but worth it still!

Then, I mix up the order of the cells.

Then I go fetch a random number from random.org.

And, finally, I match the random number to the number on the table, and there's the winner!

I'm always surprised at the winner, for some reason. I don't know why that is...

Anyway, to get on with it, this winner has something in common with me (if you stitch, of course, you all have something in common with me!) - but this one hits a bit close to home! That's because she is close to home, relatively speaking, I suppose!

The number that I drew was....

157 ....

and #157 was next to the name....

Maria in Kansas! Strange to think there are people in Kansas who read my website!

So, Maria, please contact me and let me know where to send your new stash stuff! Maria says she's embroidering two dresser scarves for her daughters and doing some needle painting, and looks forward to trying goldwork and whitework some day. Well, now she has some dish towels to add to her to-do list, and, with the new fibers, some other stuff to concoct. I hope she enjoys it!

Thanks to all for participating in this month's embroidery stash contest! I've got something a little special planned for the December give-away, so keep an eye out for that next month!
]]> stash contest 9673 Anonymous noreply@blogger.com 2008-11-26 08:43:00 2008-11-26 08:43:00 1 0 Maria from Kansas]]> 9718 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-11-19 11:48:00 2008-11-19 11:48:00 1 0 9720 Nora noreply@blogger.com 2008-11-19 06:32:00 2008-11-19 06:32:00 1 0 Congratulations Maria from Kansas. I liked and wanted all of it to try out. Have fun stitching.
Nora]]> 9727 Slack noreply@blogger.com 2008-11-18 13:07:00 2008-11-18 13:07:00 1 0 9730 lewmew noreply@blogger.com http://www.blogger.com/profile/03023336645678251618 2008-11-18 08:45:00 2008-11-18 08:45:00 1 0
Linda]]> http://www.needlenthread.com/2008/11/weekend-stitching-didnt-do-much-but.html Mon, 17 Nov 2008 05:51:00 -0600 Mary Corbet 537 2008-11-17 05:51:00 2008-11-17 05:51:00 open open Weekend-Stitching:-Didn't-Do-Much,-But... publish 0 0 post

I'm stitching up a few sets of flour sack towels for Christmas presents. The designs are varied. Some I drew, some I copied, some I adapted. In every case, I tried to keep the designs relatively bold, with clean lines, for quick stitching in a variety of line stitches.



After ironing a couple towels and tracing the designs on to them using a light box and pencil, I selected no more than six colors (but in truth, I think four colors are sufficient), and put the threads and the folded towel into a handy-dandy zip-loc bag. Now, when I have time to devote to this kind of embroidery, I've got everything on hand to start one of these projects. I'm glad about that, because I only have a gazillion more projects to complete before the holidays!!



I had a bit of time later Saturday evening for some focused stitching, so I set out on one of the towels.



I'm just using four colors (two shades of green, a darker burnt red, and a reddish-orange) and two stitches - stem stitch and chain stitch.



I was going to throw two shades of blue in with these colors, but I'm glad that I didn't!



I'm about two-thirds of the way finished on this one. I'm only doing one corner - enough for a splash of color.

Here's hoping that this week presents a few more opportunities to make some headway on Christmas gifts! I'm under a little crunch at work, so we'll see what develops on the home front in the evenings. I still have the front of the goldwork and silk ornament to complete - just a tiny bit more to go! Keep your fingers crossed for me that I can finish it this week!

If you haven't signed up for this month's stash give-away, don't miss your opportunity to win some really good threads and stuff!

That about covers my weekend as far as embroidery goes - I hope you had the opportunity to spend more time with your needle 'n thread and were able to accomplish everything you wanted to!

Enjoy your Monday!
]]> Embroidery for the Home Hand embroidery stitches pictures Christmas needlework pictures beginner embroidery 9712 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-11-19 23:52:00 2008-11-19 23:52:00 1 0 9715 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-11-19 13:15:00 2008-11-19 13:15:00 1 0 9732 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2008-11-17 21:43:00 2008-11-17 21:43:00 1 0 9748 Anonymous noreply@blogger.com 2008-11-17 07:46:00 2008-11-17 07:46:00 1 0
Thanks for all of your effort.

Cissie]]> http://www.needlenthread.com/2008/11/goldwork-and-ecclesiastical-embroidery.html Sat, 15 Nov 2008 18:44:00 -0600 Mary Corbet 538 2008-11-15 18:44:00 2008-11-15 18:44:00 open open Goldwork-and-Ecclesiastical-Embroidery-Up-Close publish 0 0 post

This cope is one of the vestments of the Order of the Golden Fleece, housed in a museum in Vienna. This particular cope is called the Mantle of the Virgin, about which I wrote a wee little bit a while back.

This vestment is worked in Or Nue - silk over gold threads. The great thing about this online "exhibit" of the Mantle of the Virgin is that you can zoom in on the various sections of the cope.



Check out the folds in the sleeve - and the pearls on the pillar! It's really something else to be able to see these relatively upclose. Of course, I'd rather see the piece in person - but in the meantime, I suppose I'll settle for this way of viewing the vestment!

Thanks, MC, for the link!
]]> ecclesiastical embroidery goldwork needlework websites silk 9741 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-11-17 14:15:00 2008-11-17 14:15:00 1 0 http://www.needlenthread.com/2008/11/goldwork-silk-embroidered-christmas.html Fri, 14 Nov 2008 00:27:00 -0600 Mary Corbet 539 2008-11-14 00:27:00 2008-11-14 00:27:00 open open Goldwork-&-Silk:-Embroidered-Christmas-Ornament-Update publish 0 0 post

I had to change my mind on one idea because I was short on the metal thread I wanted to use - I'm running short on check purl... you'll see what I mean...



The area between the green and gold twist and the pearl purl (the inside area of the border) was the problem. I wanted to cover the yellow felt there with check purl, like the middle diamond shape. Unfortunately, I didn't think I'd have enough to get around the whole edge, so I reverted back to the idea of the passing thread couched in gold.



I think the gold passing thread couched with the gold silk gives the ornament a nice beveled look, but I really wanted a few more sparkly areas on the ornament. The other disadvantage is that I had already couched the pearl purl - the one wrapped in green silk and the one that lines the inside of the square. It's not the normal order to use when couching passing thread, methinks. The green and gold pearl would've been ok, but having the other edge of pearl purl makes it quite difficult to couch the passing thread. I'm going to have to sink some threads.



You know, I think I might be back to that dilemma - do I want it on point, or square? Oh - don't worry - we won't start that again! It's funny how different it looks in photos. I don't see it from far away when I'm working on it, and can't really get an eye for it, but when I see it in photos, I think I can be a bit more objective.

Maybe. Can we ever really be objective about our own work?
]]> goldwork pictures silk Christmas needlework pictures 9770 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-11-15 10:20:00 2008-11-15 10:20:00 1 0 9778 margaret c. noreply@blogger.com 2008-11-15 00:37:00 2008-11-15 00:37:00 1 0 9806 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-11-14 09:03:00 2008-11-14 09:03:00 1 0 I don't know if we can ever be objective DURING the creation of an intense project...only afterwards!]]> 9809 Nora noreply@blogger.com 2008-11-14 08:30:00 2008-11-14 08:30:00 1 0 This is beautiful. I hope I get as good as you one day.
Nora]]> 9811 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-11-14 07:22:00 2008-11-14 07:22:00 1 0 9814 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-11-14 03:45:00 2008-11-14 03:45:00 1 0 http://www.needlenthread.com/2008/11/november-embroidery-stash-give-away.html Wed, 12 Nov 2008 20:08:00 -0600 Mary Corbet 540 2008-11-12 20:08:00 2008-11-12 20:08:00 open open November-Embroidery-Stash-Give-Away...-Another-Good-One! publish 0 0 post

This month's embroidery stash contest has something in it for everyone, basically. It's kind of a hodge-podge collection, with a little bit of a theme, but not much of one!



First, the embroidery threads:



There are two skeins of Caron Collections threads - Watercolors and Wildflowers. Both are cotton threads in different sizes, and both are overdyed. They're in kind-of autumn-ish colors.



You'll find three skeins of silk in this contest: one Dinky-Dyes and two Needlepoint Inc Silk.



There are 2 skeins of DMC perle #5, one autumn-ish and the other will get you ready for the holidays.



There are two blank cotton kitchen towels. These are long, narrow towels with a looser weave, good for using with perle cottons or three strands of DMC stranded cotton.



And some embellishments: a piece of tiny red and green ric-rac (perfect for a Christmas ornament, perhaps), as well as ---



... gold colored ribbon floss...



... a pretty little snowflake charm...



... and some icy-sparkly antique glass beads from Mill Hill.



The book is one of Jenny Hart's Sublime Stitching books - a compilation of iron-on transfers in simple "hip" designs. If it doesn't suit your style of stitching, it would make a great Christmas gift for an up-and-coming embroiderer. The book includes information on tools, threads, stitch directions, etc. - all the basics to get started embroidering. To read a more thorough description, you can read Amazon's description here, and even look inside the book: Sublime Stitching: Hundreds of Hip Embroidery Patterns and How-To

So, in order to be included in this stash give-away, all you need to do is the following:

1. At the end of this post (underneat the "posted by" information) you'll see a little link that says "click to comment." Click to comment! (You have to be on the website - not reading the e-mail newsletter!)

2. In your comment, answer the following question:
"What type of needlework do you currently do, and what type would you like to try?" (Thanks, Jo! That was one of your questions in the August stash give-away!)

3. Check back on Tuesday to see who won - and if You happen to be the winner, you must contact me with a shipping address within two days.

The contest deadline is Tuesday, November 18, at 5:00 am CST. I'll announce the winner on Tuesday. Anyone may enter, from anywhere. I'll ship the package the least expensive way.

Don't be shy, now! Even if you've entered (or even won) another, you can still enter again. And please do feel free to spread the word about the contest among your stitching buddies! The more the merrier (though I realize it reduces the odds...)

I'll be doing this again in December, by the way, with a very special package which I picked out the same time I put this one together! When I finally made up my mind to part with the December goods, I got pretty excited about it... so that's something to look forward to!

One more bit of website information: my feed account was recently migrated by Google, so if I'm not showing up in your feedreader or in your inbox (for e-mail subscribers), do let me know by using the contact us form. It'll take a few days for my feed stats to get back to normal, apparently. I'm hoping 1,000 readers haven't abandoned me in one day...! ]]> stash contest pictures 4633 Priya priaraj5@gmail.com http://www.blogger.com/profile/05897172802570508639 2009-11-13 16:05:28 2009-11-13 16:05:28 1 0 9725 Dawn Newsome noreply@blogger.com http://www.blogger.com/profile/14528687431663507145 2008-11-18 16:35:00 2008-11-18 16:35:00 1 0 Thanks.
Dawn]]> 9726 meem noreply@blogger.com 2008-11-18 13:15:00 2008-11-18 13:15:00 1 0
Jacci G]]> 9728 katia katitagrossi@gmail.com http://www.blogger.com/profile/04059098631173410768 2008-11-18 10:54:00 2008-11-18 10:54:00 1 0 Abços ^.^]]> 9729 novice noreply@blogger.com 2008-11-18 09:21:00 2008-11-18 09:21:00 1 0 9731 Childfree Trophy Wife noreply@blogger.com http://flickr.com/people/childfreetrophywife/ 2008-11-17 22:09:00 2008-11-17 22:09:00 1 0
Good luck to everyone and congrats to the winner.]]> 9733 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2008-11-17 21:41:00 2008-11-17 21:41:00 1 0 I am not good at satin stitch and so would like to try my hands at that.]]> 9734 myrna noreply@blogger.com http://www.blogger.com/profile/15748378610140920142 2008-11-17 21:17:00 2008-11-17 21:17:00 1 0 9735 Gayle noreply@blogger.com http://www.blogger.com/profile/17489938599407251825 2008-11-17 20:36:00 2008-11-17 20:36:00 1 0 9736 52X52 noreply@blogger.com http://www.blogger.com/profile/01977653186786832742 2008-11-17 20:19:00 2008-11-17 20:19:00 1 0
Thanks Mary!]]> 9737 Jennifer noreply@blogger.com http://www.blogger.com/profile/07236912060992623539 2008-11-17 19:34:00 2008-11-17 19:34:00 1 0
I am new to needlework so I have only managed to embroider a few tiny things, but I am looking forward to doing some cross stitch work now. I am actually working on a little design of my own. Wish me luck with that. :D]]> 9738 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2008-11-17 19:09:00 2008-11-17 19:09:00 1 0 9739 Jenne jenne_girle@yahoo.com http://www.blogger.com/profile/17885254780188100205 2008-11-17 15:48:00 2008-11-17 15:48:00 1 0
I currently do the very kind of embroidery in Jenny's book. outlines of mostly-modern designs. I mainly stitch baby shirts, although I do a tea towel here and there as well. I just tried chicken scratch on a project, my first branching out. I think ribbon embroidery is beautiful and think I might try that some day.]]> 9740 naeherin noreply@blogger.com http://www.blogger.com/profile/15344315601746173035 2008-11-17 14:38:00 2008-11-17 14:38:00 1 0
Currently I do embroidery and cross stitch table cloths, mostly kits from Rico design.
I like modern embroidery designs, but like to see them worked with more intricate stitches to distinguish them from machine embroidery.
I'm attempting to make all my Christmas gifts this year and learn more stitches. Hardest right now is trying to design a corner motif for napkins that will match a busy paisley design on kitchen curtains and incorporate some new stitches (lattice, knots and bullion)]]> 9742 erica ericared@insightbb.com http://www.blogger.com/profile/13259533708355889797 2008-11-17 11:13:00 2008-11-17 11:13:00 1 0 9743 Victoria noreply@blogger.com 2008-11-17 10:29:00 2008-11-17 10:29:00 1 0 9744 meshaliu noreply@blogger.com http://meshaliu.wordpress.com/ 2008-11-17 10:21:00 2008-11-17 10:21:00 1 0 9745 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2008-11-17 10:13:00 2008-11-17 10:13:00 1 0 9746 Linda linda.boudreau@gmail.com http://www.blogger.com/profile/15715321609008622071 2008-11-17 08:12:00 2008-11-17 08:12:00 1 0 9747 Katherine kagr@telus.net http://www.blogger.com/profile/01576487047505755889 2008-11-17 07:52:00 2008-11-17 07:52:00 1 0
I mostly sew, but I also have knitting, needlepoint and embroidery projects on the go. I would love to learn to tat at some point.]]> 9749 howgreatisthat noreply@blogger.com 2008-11-17 06:54:00 2008-11-17 06:54:00 1 0 9750 mkj noreply@blogger.com 2008-11-17 06:42:00 2008-11-17 06:42:00 1 0 my usual embroidery has been outline type work for pillow cases, table runners and so on, from patterns. This site has inspired me so much, I would like to try freestyle - maybe even design my own wall hanging.
j.]]> 9751 sweetgift noreply@blogger.com 2008-11-17 06:35:00 2008-11-17 06:35:00 1 0 I m new to comment but i m addicted to your site. Really u r doing a wonderful Job.I always thinking that how u r doing all the stuff all together.
At Present i m working on one my gift( embroidery cum ribbon work) which i want to give to my sister on his 1st wedding Anniversary and i would to like to try shading work n goldwork.]]> 9752 Lady Miss Tiff room3designs@yahoo.com http://www.blogger.com/profile/03634276663805551785 2008-11-17 00:39:00 2008-11-17 00:39:00 1 0 ahhh...the possiblities are endless]]> 9754 james noreply@blogger.com 2008-11-16 20:21:00 2008-11-16 20:21:00 1 0 9755 Anonymous noreply@blogger.com 2008-11-16 19:51:00 2008-11-16 19:51:00 1 0 Annie in Michigan]]> 9757 Anonymous noreply@blogger.com 2008-11-16 15:17:00 2008-11-16 15:17:00 1 0 Maria in Kansas]]> 9758 BJ Pontalion noreply@blogger.com 2008-11-16 12:25:00 2008-11-16 12:25:00 1 0 Great giveaway, I LOVE your blog! It is super fun to read and very informative.

I like you, have been stitching since I was little. I started with what they used to call Candlewicking embroidery, I am sure it is called white work now, learning French knots first. I moved on to surface embroidery and then traditional ribbon embroidery.

I am reading up on the thread painting and I am working through a class on stump work. I am trying different threads in silk and rayon, the rayon is giving me fits.
What

I would LOVE to try is gold work. I just think your pieces are so very beautiful.

Thank you Mary for this site, I read it every chance I get and always go back to read anything I miss.

BJ Pontalion]]> 9759 Anonymous noreply@blogger.com 2008-11-16 09:34:00 2008-11-16 09:34:00 1 0 9760 Melusine noreply@blogger.com 2008-11-16 04:16:00 2008-11-16 04:16:00 1 0 9761 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2008-11-16 03:07:00 2008-11-16 03:07:00 1 0 I am knitting wristlets now. One pair after another... And cannot stop :D Will be presents for Christmas...
And I wish to try goldwork one day. I understand, that I need only to start, but how to do that?...]]> 9762 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-11-16 02:55:00 2008-11-16 02:55:00 1 0 9764 Anonymous noreply@blogger.com 2008-11-15 23:44:00 2008-11-15 23:44:00 1 0 What a great give away...so very kind!! I like to do cross stitching, hardanger, and am learning some basic embroidery. Also love to tat!!
~Kim]]> 9765 shawlette noreply@blogger.com http://www.blogger.com/profile/12258757515964195586 2008-11-15 16:13:00 2008-11-15 16:13:00 1 0 Jacquie]]> 9768 trillium noreply@blogger.com http://www.blogger.com/profile/01288186328670452121 2008-11-15 12:45:00 2008-11-15 12:45:00 1 0
You can delete my earlier post, as I'm answering both required questions here. I'd love to win these materials!

I do counted cross stitch on linen (samplers & smalls), as well as crewel embroidery on cotton dish towels. I'd like to learn punchneedle embroidery. Marie W.]]> 9769 Slack smartisport@gmail.com http://www.blogger.com/profile/13974581328067068775 2008-11-15 11:46:00 2008-11-15 11:46:00 1 0 9771 deepti noreply@blogger.com 2008-11-15 10:06:00 2008-11-15 10:06:00 1 0 9772 kate noreply@blogger.com http://www.blogger.com/profile/00279390553845740881 2008-11-15 10:00:00 2008-11-15 10:00:00 1 0 9773 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-11-15 09:58:00 2008-11-15 09:58:00 1 0
Thanks for yet another generous giveaway!

I do mostly needlepoint and cross stitch. I am learning blackwork, and my dream is to learn how to do needlepainting as well as Tanja Berlin or you.]]> 9774 Rosi Klarolu@web.de http://www.blogger.com/profile/14087013855817881980 2008-11-15 09:36:00 2008-11-15 09:36:00 1 0 At the moment I have not that much time to do embroidery, but when, it is mainly free embroidery.
What I would love to try is redwork and stumpwork.]]> 9775 Sommer noreply@blogger.com http://www.blogger.com/profile/01677835522573541445 2008-11-15 09:28:00 2008-11-15 09:28:00 1 0
thanks]]> 9776 sonalee noreply@blogger.com http://www.blogger.com/profile/14533440312243579451 2008-11-15 05:51:00 2008-11-15 05:51:00 1 0
I am starting with a bit of surface embroidery. The first project was a sampler in green and red-holiday season colours :) where I learnt and experimented with stitches like cross stitch, chain stitch, stem stitch,button hole, a bit of crewel embroidery and some other surface stitches.

thanks and regards
Sonalee]]> 9777 javede javede@hotmail.com http://www.blogger.com/profile/05037326046977802135 2008-11-15 03:24:00 2008-11-15 03:24:00 1 0 9779 Torina torina.busyintersection@yahoo.com http://www.blogger.com/profile/00992090842674056507 2008-11-14 22:48:00 2008-11-14 22:48:00 1 0
I posted my recent works on my blog: http://busyintersection.blogspot.com/2008/11/tote-bags-and-tagged.html]]> 9780 Herb Smith smith.herb@gmail.com http://www.blogger.com/profile/06098842821479303875 2008-11-14 22:26:00 2008-11-14 22:26:00 1 0 Thanks.
Dawn]]> 9781 ***Jon**** jonyusoff@gmail.com http://www.blogger.com/profile/15457269449603084653 2008-11-14 18:20:00 2008-11-14 18:20:00 1 0
Appreciate what you are doing, thank you.]]> 9782 Loie noreply@blogger.com 2008-11-14 17:30:00 2008-11-14 17:30:00 1 0 Here I am at the age of 60 , reading and seeing all the wonderful things here reminded me of my grandmothers embroidery skills, you couldn't tell the front from the back she was so neat and tidy , so skilled, I've spent many years embroidering most everything I could lay hands to and have been qulting and just rediscovered punchneedle.
I make my own designs many ducks as I have been a Decorative Duck Decoy Designer and hand painter for many many years and I like primitive as well so have made several designs suitable for country cottage and rustic home decor..
Thank you for a lovely visit and so much inspiration.
Loie in Maine]]> 9783 Grace noreply@blogger.com 2008-11-14 17:05:00 2008-11-14 17:05:00 1 0
Grace Bader]]> 9784 Peach Blossom Hill joraines@gmail.com http://www.blogger.com/profile/07912647662913307938 2008-11-14 15:43:00 2008-11-14 15:43:00 1 0 9785 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-11-14 15:25:00 2008-11-14 15:25:00 1 0
What I'd like to try:

1. Some shading techniques and projects in Trish Burr's "Crewel & Surface Embroidery."

2. Goldwork

3. Designing my own pattern to stitch (as opposed to using a kit)]]> 9786 Tamara Lush noreply@blogger.com 2008-11-14 15:19:00 2008-11-14 15:19:00 1 0 9787 Pam noreply@blogger.com http://www.blogger.com/profile/06115757921248639285 2008-11-14 14:51:00 2008-11-14 14:51:00 1 0 9788 Anonymous noreply@blogger.com 2008-11-14 14:01:00 2008-11-14 14:01:00 1 0 9789 Wendie noreply@blogger.com 2008-11-14 13:42:00 2008-11-14 13:42:00 1 0 9790 Anonymous noreply@blogger.com 2008-11-14 13:13:00 2008-11-14 13:13:00 1 0 I am using a piece of black "faux fur" and embroidering the word "dance" in large pink letters, using pink satin ribbon whipstitched on, and outlined with silver braid couched.
Thanks.
Jean]]> 9791 Anonymous noreply@blogger.com 2008-11-14 12:03:00 2008-11-14 12:03:00 1 0
I regularly visit your blog. Your articles/posts/tutorials are my inspiration. Nice of you to do such beautiful give away contest.

I like to experiment with different embroidery stitches. Currently working on silk (tunic) embroidery with some embellishments. I would like to learn goldwork and traditional Japanese embroidery.

Sang]]> 9793 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2008-11-14 11:55:00 2008-11-14 11:55:00 1 0 9794 Suzanne Gwynne noreply@blogger.com 2008-11-14 11:54:00 2008-11-14 11:54:00 1 0 Thanks again, Suzanne G in NC]]> 9795 Funky Finds info@funkyfinds.us http://www.blogger.com/profile/02084603720075779758 2008-11-14 11:25:00 2008-11-14 11:25:00 1 0 9796 Melody noreply@blogger.com http://www.blogger.com/profile/09136222564933396828 2008-11-14 11:13:00 2008-11-14 11:13:00 1 0 9798 trillium noreply@blogger.com http://www.blogger.com/profile/01288186328670452121 2008-11-14 10:49:00 2008-11-14 10:49:00 1 0 Marie W.]]> 9799 terracota luzdeterracota@hotmail.com http://www.blogger.com/profile/00260150393724282247 2008-11-14 10:24:00 2008-11-14 10:24:00 1 0 I would like to keep learning. Thank you!!]]> 9800 lewmew noreply@blogger.com http://www.blogger.com/profile/03023336645678251618 2008-11-14 10:17:00 2008-11-14 10:17:00 1 0
I love surface embroidery - my first and biggest love. I also cross stitch, do crewel work and needlepoint. I've also made a few really easy-peasy quilts, but I think that is what I'd like to learn to do more of - especially crazy quilting!

Linda (lewmew @ hotmail.com)]]> 9801 Alli (One Pearl Button) alli@onepearlbutton.com http://www.blogger.com/profile/10322032386239200642 2008-11-14 09:56:00 2008-11-14 09:56:00 1 0
Thanks for the chance to win!]]> 9802 Jess jessica.tupper@gmail.com http://www.blogger.com/profile/15511518543272780127 2008-11-14 09:55:00 2008-11-14 09:55:00 1 0 9803 Pat Salada noreply@blogger.com 2008-11-14 09:41:00 2008-11-14 09:41:00 1 0 stitch Christmas ornaments and
am looking forward to learning
Hardanger.

Pat S.]]> 9804 Kristin krispy_28@yahoo.com http://www.blogger.com/profile/07728277058088184684 2008-11-14 09:32:00 2008-11-14 09:32:00 1 0 9807 nikkidwright noreply@blogger.com http://nikkidwright.wordpress.com/ 2008-11-14 08:49:00 2008-11-14 08:49:00 1 0
I am self taught in all my crafting. (needlework, beading, knitting, crocheting, etc.) So I have no real technique. I do free-form embroidery often with beaded accents. I specialize more in embroidering with beads to make custom jewelry. But I have been reading sites like yours so I can combine to better needlework techniques with my bead work to give depth to my projects.

I would very much like to learn how to read and follow a pattern. So I guess I could use a getting started book.

Thanks for the great site and the chance at neat free stuff :)]]> 9808 Brenda Arcane noreply@blogger.com http://www.blogger.com/profile/14216882774865053321 2008-11-14 08:49:00 2008-11-14 08:49:00 1 0 9810 A Quilter noreply@blogger.com http://www.blogger.com/profile/01192528125865347239 2008-11-14 08:04:00 2008-11-14 08:04:00 1 0 9812 Sheila noreply@blogger.com http://www.blogger.com/profile/11367123936571205589 2008-11-14 07:19:00 2008-11-14 07:19:00 1 0 Thanks]]> 9813 ❦TattingChic noreply@blogger.com http://www.blogger.com/profile/13569720420483740487 2008-11-14 07:12:00 2008-11-14 07:12:00 1 0 9815 jennifer noreply@blogger.com http://www.blogger.com/profile/08897265133969768229 2008-11-14 03:22:00 2008-11-14 03:22:00 1 0 9816 Mo noreply@blogger.com http://www.blogger.com/profile/06122844656878512033 2008-11-14 02:04:00 2008-11-14 02:04:00 1 0
Mo]]> 9817 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-11-14 00:41:00 2008-11-14 00:41:00 1 0 One more amazing stash !! It is just great !
I just do "ordinary" surface embroidery and cross stitch at times, mostly on any household articles. But I would love to try somthing in silk or gold work or even long-short stitch. These simply look lovely. Havent yet had the courage to try them :)
Thanks,
Shrenika.]]> 9818 HollyBoBolly A.Bright.Kind.Of.Sparkle@gmail.com http://www.blogger.com/profile/12495250219940934898 2008-11-13 23:19:00 2008-11-13 23:19:00 1 0
"What type of needlework do you currently do, and what type would you like to try?"

I knit, crochet, sew, and hand embroider. I'm happy with these three but I would love to get better ^_^

I'm also considering getting into needle felting :)]]> 9819 firesheep67 firesheep67@gmail.com http://www.blogger.com/profile/05896771343627956370 2008-11-13 21:28:00 2008-11-13 21:28:00 1 0 As for my current needlework - I'm knitting and crocheting. I also cross stitch, do some embroidery and sewing.
I really want to try Stumpwork. I bought two (yes, two!) kits from Inspirations magazine over a year and a half ago, and have yet to start...

=:p]]> 9820 Kirsten noreply@blogger.com 2008-11-13 21:16:00 2008-11-13 21:16:00 1 0 9821 Carol Davis noreply@blogger.com 2008-11-13 21:12:00 2008-11-13 21:12:00 1 0 Carol Davis]]> 9822 Diane noreply@blogger.com http://dianesdecoratingdiary.blogspot.com 2008-11-13 20:45:00 2008-11-13 20:45:00 1 0 9824 Anonymous noreply@blogger.com 2008-11-13 20:16:00 2008-11-13 20:16:00 1 0 9825 joaniemendenhall@hotmail.com noreply@blogger.com http://quilterbyheart.spaces.live.com/ 2008-11-13 19:59:00 2008-11-13 19:59:00 1 0 9826 grann616 noreply@blogger.com http://www.blogger.com/profile/18425043206724373662 2008-11-13 19:16:00 2008-11-13 19:16:00 1 0 9827 cat noreply@blogger.com http://changelingthings.wordpress.com/ 2008-11-13 19:02:00 2008-11-13 19:02:00 1 0 9828 Laura Bullinger noreply@blogger.com 2008-11-13 19:01:00 2008-11-13 19:01:00 1 0 Want to try Maltese knotting, making Chenille surface, want to try out formal Berlin Work and casual frayed-edge applique work and the look of Medieval "Winged Lion" stuff.
Crazy Mad over Florentine design in silk Needlepoint. And LOVE Shisha and Passimenterie. Thanks for letting me vent!]]> 9829 Anonymous noreply@blogger.com 2008-11-13 18:40:00 2008-11-13 18:40:00 1 0
KelleyP in Illinois]]> 9830 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-11-13 18:15:00 2008-11-13 18:15:00 1 0 To answer the questions: I currently love crazy quilting, with some crochet and knit thrown in. As for what I'd like to learn (the list is long!)..stumpwork, hardanger, goldwork, bobbin lace to name a few.
Cheers
Mary Anne]]> 9831 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-11-13 18:09:00 2008-11-13 18:09:00 1 0 9832 Anonymous noreply@blogger.com 2008-11-13 18:05:40 2008-11-13 18:05:40 1 0 however that isn't that big a deal computers and i don't seem to get along
as for my needlework have several sets of pillows cases to finish and a baby quilt to do for my youngest granddaughter
would like to do a bedspread all in white silks.

Eileen Morgan]]> 9833 Anonymous noreply@blogger.com 2008-11-13 18:02:58 2008-11-13 18:02:58 1 0 My passion is Brazilian Embroidery, second is Huck; I have done a little canvas, cross stitch, etc - but 75% is Brazilian Embroidery ~
What would I like to try - well I have done Hardanger and Tatting - want to get better at both of those; oh and pulled work
Thanks again ~ Sharon Shetley]]> 9834 Anonymous noreply@blogger.com 2008-11-13 18:00:59 2008-11-13 18:00:59 1 0
Susan Vasquez]]> 9835 kirti noreply@blogger.com http://www.blogger.com/profile/02510074494132555903 2008-11-13 18:00:00 2008-11-13 18:00:00 1 0 9836 Anonymous noreply@blogger.com 2008-11-13 17:59:23 2008-11-13 17:59:23 1 0
Rosalie]]> 9837 Samantha hall noreply@blogger.com http://www.samhallife.wordpress.com 2008-11-13 17:59:00 2008-11-13 17:59:00 1 0
Thanks so much for the opportunity. Also, thanks for the shop link the other day. I registered and don't know how long I can hold out.]]> 9838 gracie7557 noreply@blogger.com 2008-11-13 17:53:00 2008-11-13 17:53:00 1 0 9839 Gail galynn92347@yahoo.com http://www.blogger.com/profile/14240381173653268463 2008-11-13 17:34:00 2008-11-13 17:34:00 1 0 Thank you for this generous gift for whomever is the lucky winner.]]> 9840 DaiseyB noreply@blogger.com http://www.blogger.com/profile/07965901145083087976 2008-11-13 17:20:00 2008-11-13 17:20:00 1 0 9841 Sallie noreply@blogger.com 2008-11-13 16:22:00 2008-11-13 16:22:00 1 0 Thanks again Mary, for another great giveaway!]]> 9842 Ruth ruthlane@montanasky.net 2008-11-13 15:59:00 2008-11-13 15:59:00 1 0 9843 molly noreply@blogger.com http://www.blogger.com/profile/13929399077623748720 2008-11-13 15:17:00 2008-11-13 15:17:00 1 0 9844 Anonymous noreply@blogger.com 2008-11-13 15:03:00 2008-11-13 15:03:00 1 0 campmoxie@yahoo.com.au]]> 9845 MarthaD noreply@blogger.com http://www.blogger.com/profile/16610159288243869896 2008-11-13 15:01:00 2008-11-13 15:01:00 1 0 9846 SarahIsabella noreply@blogger.com http://www.blogger.com/profile/06186847978975692970 2008-11-13 14:50:00 2008-11-13 14:50:00 1 0
I would really like to do a traditional embroidery sampler for a gift or my own home.
This will not happen until the new year. My Christmas gifts have the priority right now!]]> 9847 lunavalse noreply@blogger.com http://www.blogger.com/profile/06126326922975456739 2008-11-13 14:37:00 2008-11-13 14:37:00 1 0
I would like to try more complicated embroidery. (The most recent I did was a hand-drawn W on the corner of a kerchief 16 times in a row. Got boring.) I would also like to try cross stitch and really everything in the Michael's Needlework book that my grandma gave me.]]> 9848 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-11-13 14:08:00 2008-11-13 14:08:00 1 0 9849 Candyce noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2008-11-13 13:55:00 2008-11-13 13:55:00 1 0 9850 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-11-13 13:38:00 2008-11-13 13:38:00 1 0 9851 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-11-13 13:35:00 2008-11-13 13:35:00 1 0
I dabble in all kinds of needle arts - crochet, lots of variations of hand-embroidery, bead embroidery, some quilting. I've tried nearly everything, but I'm not an expert at anything! Right now, my stitching fingers are itching to try out the new 14-count plastic canvas for dimensional projects.]]> 9852 Sailaja noreply@blogger.com http://www.blogger.com/profile/16373218213341207045 2008-11-13 13:20:00 2008-11-13 13:20:00 1 0 >I read your posts regularly. You are doing a great job of sharing your knowledge and expertise with us.I refer to your stitch library a lot too.
>I embroider my sarees, dresses and blouses and also bed linen, cushion covers and kitchen linen with all types of hand embroidery stitches-free hand-chain, running, herringbone, basque etc. But I like Indian technics of Kanta, Kasuti, Kutch, Aari, Zardosi etc.
>I am now going to learn Brazilian embroidery and stumpwork which fascinate me.
>Boy I love your stash-specially all the floss. I would pray to win them (for using in BE) as we don't get them in India and I cannot afford to buy them from overseas.

>Oh God! Let me win please!

Sailaja from India]]> 9853 lross318@embarqmail.com noreply@blogger.com 2008-11-13 13:10:00 2008-11-13 13:10:00 1 0
Must tell you I love you newletter and your website. Love your videos on different stitches. Always look forward to your newsletter. Thank you very much.]]> 9854 Iris noreply@blogger.com 2008-11-13 13:02:00 2008-11-13 13:02:00 1 0
I'm doing ethnic Estonian embroiders mostly, quite archaic and mostly in satin stitch. I would love to try out all sorts of embroideries and freeform definitely.

Thank you!]]> 9855 Dana noreply@blogger.com http://www.blogger.com/profile/13047113776956073647 2008-11-13 12:58:00 2008-11-13 12:58:00 1 0 9856 Will willknit@gmail.com http://www.blogger.com/profile/10195285656493156258 2008-11-13 12:28:00 2008-11-13 12:28:00 1 0 9857 shannon noreply@blogger.com http://shannonmillercreative.com/blog 2008-11-13 12:16:00 2008-11-13 12:16:00 1 0
Right now, I'm dabbling in a few little things. I do a lot of sequined/beaded embroidery on felt, which comes in handy during the holidays, but I've also recently been delving into punchneedle embroidery. That has been a lot of fun. I bought the book Doodle Stitching not too long ago, and I would really like to try one of the projects in there or something in the Sublime Stitching vein - I haven't completed a true surface embroidery project on something truly usable (linens, clothing, etc.) and I would really like to get into that.]]> 9858 Mel, Foxtail Farm noreply@blogger.com http://www.blogger.com/profile/12262226666614908638 2008-11-13 11:58:00 2008-11-13 11:58:00 1 0
I'd really like to learn needle painting techniques. I think I'll take a break from knitting and crocheting after I finish Christmas presents, and spend some time working with embroidery instead.]]> 9859 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-11-13 11:50:00 2008-11-13 11:50:00 1 0 Annie]]> 9860 Anonymous noreply@blogger.com 2008-11-13 11:39:00 2008-11-13 11:39:00 1 0
Dene]]> 9861 Teresa S. kiddlady@yahoo.com http://www.blogger.com/profile/04322223964358223971 2008-11-13 11:34:00 2008-11-13 11:34:00 1 0 9862 Misafir (Ruth) Geldi noreply@blogger.com http://www.blogger.com/profile/09170406331272601890 2008-11-13 11:32:00 2008-11-13 11:32:00 1 0 9863 Paularay noreply@blogger.com http://www.blogger.com/profile/02847200666369055570 2008-11-13 11:17:00 2008-11-13 11:17:00 1 0 I used to embroidery in my teen years on my jeans and bags, I recently have been revisiting my love for the needle and threads, with a quilt for my kids and granddaughter. I have only worked with DMC floss and rayon, it would be a nice sampling to widen my horizons.]]> 9865 AnnaCWarren noreply@blogger.com http://www.blogger.com/profile/16528659213573582160 2008-11-13 10:04:00 2008-11-13 10:04:00 1 0
I've been a cross stitcher for almost twenty years and have recently fallen in love with embroidery in it's many shapes and forms. I am currently working on a study piece where I'm trying out a number of stitches in random colours and designs. My lifetime goal is to attempt each type of embroidery out there. A very lofty goal I know, but a girl's gotta have something.]]> 9867 Barb noreply@blogger.com http://www.blogger.com/profile/14853309505746913883 2008-11-13 09:59:00 2008-11-13 09:59:00 1 0 9868 Miss Nancy npagequilts@gmail.com http://www.blogger.com/profile/08174818350022498794 2008-11-13 09:39:00 2008-11-13 09:39:00 1 0 9869 PJTM noreply@blogger.com 2008-11-13 09:20:00 2008-11-13 09:20:00 1 0
I'd like to try silk shading. It looks so beautiful!

Paula from Oregon]]> 9870 Dixie noreply@blogger.com http://www.blogger.com/profile/02634644167648237712 2008-11-13 09:13:00 2008-11-13 09:13:00 1 0 I use Google and have not experienced any problems with your feeds.]]> 9871 Sheila in CA noreply@blogger.com 2008-11-13 09:10:00 2008-11-13 09:10:00 1 0 9872 Hope Mitchner noreply@blogger.com 2008-11-13 09:02:00 2008-11-13 09:02:00 1 0 9873 Kathy ttime18@gmail.com http://www.blogger.com/profile/02070679712767699936 2008-11-13 08:54:00 2008-11-13 08:54:00 1 0 9874 Anonymous noreply@blogger.com 2008-11-13 08:51:00 2008-11-13 08:51:00 1 0 I`m delurking for the first time to see if I can win! I`ve been making prick-n-stitch cards and would like to broaden my horizons by learning to do some traditional embroidery. I`ve seen some beautiful things on your site and you`ve inspired me to give it a go. I imagine that book could teach me.]]> 9875 Marjolein noreply@blogger.com 2008-11-13 08:49:00 2008-11-13 08:49:00 1 0 I would like to try blackwork, I already have bought a kit, but no time to stitch yet.]]> 9876 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2008-11-13 08:39:00 2008-11-13 08:39:00 1 0
I love doing cross stitch, which led me to a crewel kit, which led me to learning as many hand embroidery stitches as I could find to make a crazy quilt for my mom. Right now I am about to get started on a little baby blanket for my friend.

I would love to work with ribbon embroidery. I've tried a little bit, and now I want to learn more :)]]> 9877 Alison noreply@blogger.com http://www.blogger.com/profile/04074494922179463057 2008-11-13 08:38:00 2008-11-13 08:38:00 1 0 9878 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2008-11-13 08:36:00 2008-11-13 08:36:00 1 0
Thanks!]]> 9879 Nancy quilt@CENTURYTEL.NET http://www.blogger.com/profile/02263122218181506913 2008-11-13 08:34:00 2008-11-13 08:34:00 1 0 9880 ANNIE1955 noreply@blogger.com 2008-11-13 08:27:00 2008-11-13 08:27:00 1 0 9881 Anonymous noreply@blogger.com 2008-11-13 08:20:00 2008-11-13 08:20:00 1 0 I'm a beginner in embroidery and practically learning from your tutorials.
I like to do some silk work in the near future.
Wishes,
GD]]> 9882 Anonymous noreply@blogger.com 2008-11-13 08:07:00 2008-11-13 08:07:00 1 0 9883 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-11-13 08:06:00 2008-11-13 08:06:00 1 0 Melisa]]> 9884 Glorious Hats glorioushats@gmail.com http://www.blogger.com/profile/11823049237183212920 2008-11-13 08:03:00 2008-11-13 08:03:00 1 0
My answer: Current needlework is mostly wool on wool in penny rug style, so the embroidery tends to be on and around applique bits.

Would like to do satin stitches with shading using some of the smoother, lovely floss on velvet - thinking small drawstring bags.

So enjoy your articles and videos.

Jane]]> 9885 Martha McSweeney noreply@blogger.com 2008-11-13 08:03:00 2008-11-13 08:03:00 1 0 9887 barbobbi noreply@blogger.com http://www.blogger.com/profile/00935990355282427368 2008-11-13 07:44:00 2008-11-13 07:44:00 1 0
Currently I have been helping my daughter with some plain old embroidery; she has learned outline, chain and satin stitches so far and has embroidered two shirts for her boyfriend's birthday. Is there a place here I could post pictures if you would like to see them? Myself, I am working on embroidering a couple of kitchen towels and a potholder, making a needle case and pincushion for a young friend whose parents gave her a sewing machine for her high school graduation and very slowly knitting a scarf for myself. So many irons in the fire!

I would like to learn crewel work and have a tool for the miniature needlepunch embroidery but have not had satisfactory results so far--maybe I am not doing it right! Finally, I saw some wonderful felted ball ornaments at a fair and would love to know how to make those.

Even if I don't win that tempting stash, I am happy to part of such a wonderful community.]]> 9888 Spool {} joybug@aol.com http://www.blogger.com/profile/09567571812305584006 2008-11-13 07:40:00 2008-11-13 07:40:00 1 0
I currently do cross stitch (the English way, one block at a time), but I would love to do stumpwork!

Joy]]> 9889 Nora D noreply@blogger.com 2008-11-13 07:29:00 2008-11-13 07:29:00 1 0 I am hooked on Brazilian embroidery (bullions). I think they look so beautiful. My next project I would like to do some satin shading. I tried it before but like you have said it is an not an easy stitch but I am willing to try. Thanks for all your help. I would not gone beyond the basics without your website.
Nora]]> 9890 Anonymous noreply@blogger.com 2008-11-13 07:27:00 2008-11-13 07:27:00 1 0 9891 Valquiria noreply@blogger.com http://qualquermotivo.blog.uol.com.br 2008-11-13 07:24:00 2008-11-13 07:24:00 1 0 At the moment I'm making drawn thread and others techniques that I don't know how to translate to english.Here in Brazil,we call something like "striped huck" or "vagonite riscado".Also I have made a work with ribbons and sequins and "crivo".I would like to experiment needle painting and of course I would like to win this stash because in november 29 is my birthday.Oh Lord, 50 years,can you imagine?Who knows if this time I win this beautiful gift?
Hugs
Valquiria]]> 9892 Marysia noreply@blogger.com http://www.blogger.com/profile/12684871888644268957 2008-11-13 07:19:00 2008-11-13 07:19:00 1 0
What a lovely stash, and good luck to everyone.

The embroidery I do at the moment is simply smocked stitches on the smocked dresses I make, bullions, trailing vines and beading. I also do some monogram work on bedding for my 12 year daughter, oh and wool embroidery on a teddy bear I made, mainly bullion roses.

I hope to eventually get up the courage and rise to the challenge of stumpwork and also goldwork.

The stash would be wonderful as I live abroad and find it difficult to get supplies locally, the threads are stunning and the book would be perfect to tempt my 12 year old to get "into" stitching. I think the right up that says it has "hip projects" just might swing it!!]]> 9893 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-11-13 07:19:00 2008-11-13 07:19:00 1 0
MGM]]> 9894 Treasuresofjoy treasuresofjoy@gmail.com http://www.blogger.com/profile/11120383428445174012 2008-11-13 07:00:00 2008-11-13 07:00:00 1 0 I would love those kitchen towels. I am planning on something like this
http://turkeyfeathers.typepad.com/turkey_feathers/2008/11/thanks-for-the.html I hope!]]> 9895 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-11-13 06:47:00 2008-11-13 06:47:00 1 0
Currently I am actively embroidering a crazy quilt piece, knitting a sweater, slowly slugging my way through Japanese embroidery (that doesn't sound very zen does it?), and working on November's bead journal piece which is bead embroidery.

I would love to learn ecclesiastical embroidery so I could make my cousin who is a priest, a stole.]]> 9896 jenni jenni.simplebeans@gmail.com http://www.blogger.com/profile/00385400502092186947 2008-11-13 06:39:00 2008-11-13 06:39:00 1 0 9897 Karen South southka@yahoo.com http://www.blogger.com/profile/17651249815534672364 2008-11-13 06:37:00 2008-11-13 06:37:00 1 0 9898 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2008-11-13 06:33:00 2008-11-13 06:33:00 1 0 9900 Deborah W. noreply@blogger.com 2008-11-13 06:20:00 2008-11-13 06:20:00 1 0 9901 Ruut noreply@blogger.com 2008-11-13 06:19:00 2008-11-13 06:19:00 1 0
I hope to do some embroidered Christmas cards, to try to embroider a small (handkerchief-sized) tablecloth (I couldn't resist the ready-printed flower-and-leaf design) and most importantly to test my sewing skills by making three aprons with -if there's time!- the recipients' names embroidered on the pocket. Starting tomorrow. *nervous swallow* Wish me luck!

(Why do I need luck? Because starting the projects shouldn't be too difficult but FINISHING them is a whole different ball game... How long is it till Christmas, again?!)]]> 9902 Anonymous noreply@blogger.com 2008-11-13 06:14:00 2008-11-13 06:14:00 1 0
I definetly would love to learn Japanese embroidery.

Thank you for your wonderful site.
Catalina]]> 9903 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-11-13 06:02:00 2008-11-13 06:02:00 1 0 I'm a basic embroiderer, so I employ the easiest stitches; long ago I've made cross stich but sincerly I don't like much.
Now I have the pretention (!)of trying the use of ribbons! :)]]> 9904 carmen noreply@blogger.com http://www.blogger.com/profile/18217932660530867874 2008-11-13 05:51:00 2008-11-13 05:51:00 1 0 9905 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-11-13 05:38:00 2008-11-13 05:38:00 1 0
The next one that I would love to do is also a painting. In that i would like to embroidery nature.]]> 9906 Nancy noreply@blogger.com http://www.blogger.com/profile/04593052489885762225 2008-11-13 05:11:00 2008-11-13 05:11:00 1 0 9907 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2008-11-13 04:30:00 2008-11-13 04:30:00 1 0
I'm busy exploring lots of different embroidery styles at the moment - so a little of alsorts, I'm currently doing a project from Trish Burr's lovely Flowers book which you reviewed not too long ago..

I've been playing with a bit of blackwork and I'm looking forward to a course on silk shading this weekend at the Royal School of Needlework..]]> 9908 onafixedincome noreply@blogger.com 2008-11-13 03:26:00 2008-11-13 03:26:00 1 0
Beyond that...well, I lust to work in gold and silver. :) Which is all your fault, you and your pomegranate... *grin*

Thanks for showing me that yes, I CAN DO this neat stuff. It's awesome!]]> 9909 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-11-13 03:14:00 2008-11-13 03:14:00 1 0 9910 Anonymous noreply@blogger.com 2008-11-13 03:12:00 2008-11-13 03:12:00 1 0
I'm new to commenting on blogs! I do a little bit of cross-stitch, needlepoint etc.. and am teaching my 9 yr old daughter the basics of embroidery. I love your stitch demos. My most adventurous work so far was or nue. If I had the resources, I'd love to do some more gold work and I also like the look of crazy quilting but think that might be a bit ambitious!

Regards,

Alison in Sydney, Australia]]> 9911 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-11-13 02:23:00 2008-11-13 02:23:00 1 0
I am currently doing lots of silk shading, but I bought some gorgeous coloured wools recently, and am thinking of trying some Crewel work next. I'm also interested in getting better at Silk Ribbon embroidery, as it's so quick, and ideal for gifts.]]> 9912 Kak Ani noreply@blogger.com http://www.blogger.com/profile/00773373549981982680 2008-11-13 02:00:00 2008-11-13 02:00:00 1 0 right now i'm doing redwork embroidery, cross stitch....

i've never done handanger...it looks nice...and i'll try it one day...]]> 9913 Katie hilltopkatie@gmail.com http://www.blogger.com/profile/08169620638518265423 2008-11-13 01:39:00 2008-11-13 01:39:00 1 0 9915 Anonymous noreply@blogger.com 2008-11-12 23:04:00 2008-11-12 23:04:00 1 0 Jaci]]> 9916 Anonymous noreply@blogger.com 2008-11-12 22:17:00 2008-11-12 22:17:00 1 0 9917 Aparna noreply@blogger.com http://www.blogger.com/profile/03215814717454265776 2008-11-12 22:00:00 2008-11-12 22:00:00 1 0
right now i am experimenting with different embroidery stitches.. i would love to perfect this and gift hand embroidered items to family & friends..]]> 9918 Yoyo yoyo_9203@yahoo.com http://www.blogger.com/profile/14230651257160627560 2008-11-12 21:13:00 2008-11-12 21:13:00 1 0
Again, thanks for hosting such a terrific giveaway.
Leigh]]> http://www.needlenthread.com/2008/11/online-needlework-books-with-really.html Tue, 11 Nov 2008 09:24:00 -0600 Mary Corbet 541 2008-11-11 09:24:00 2008-11-11 09:24:00 open open Online-Needlework-Books-with-Really-Pretty-Pictures publish 0 0 post Antique Pattern Library is a real gem of a site when it comes to free online needlework books - it's an on-going effort of many to preserve old needlework books that are in the public domain. If you haven't visited the Antique Pattern Library lately, you might want to take a look at some of their new offerings, some of which I wanted to highlight here.

The books I'm looking at today are compiled by M. Heminway & Sons Silk Company. They're collections of needlework patterns and color plates. In the first book, A Treatise on Embroidery with Twenty Color Illustrations from Original Models. Art Needlework Series No. 8., published in 1910, you'll find in the first PDF a run-down on embroidery in general, with stitch instructions and so forth.



As you move through the four PDF files that make up the whole book, you'll come across patterns for a variety of heirloom-type embroidery projects, as well as some gorgeous color plates of exquisite embroidery.



I love, for example, this box of strawberries! Wow. You'll find instruction on working these projects, too, though the color instructions are directed towards Heminway silks, which can't be had today.



As you continue to browse through this book in the different PDFs, you'll come across one beautiful piece of embroidery after another.

In the other book, Treatise on Embroidery, Knitting and Modern Lace Work, with color illustrations from original models. Art Needlework Series Number 6., you'll not only find some beautiful color plates, but you'll also find the patterns and color / stitch keys for the different pieces of embroidery featured in the book.



So if you've got the time, check out these PDFs. You can download them straight to your computer if you like and browse them later!

A Treatise on Embroidery with Twenty Color Illustrations from Original Models. Art Needlework Series No. 8. by M. Heminway & Sons Silk Co., in four parts:
Part I
Part II
Part III
Part IV

Treatise on Embroidery, Knitting and Modern Lace Work, with color illustrations from original models. Art Needlework Series Number 6. by M. Heminway & Sons Silk Co., in five parts:
Part I
Part II
Part III
Part IV
Part V

You can also find them on the Catalog Listing on Antique Pattern Library (scroll down to the M's). While you're there, take time to browse all the other offerings - or at least bookmark the page so you can visit it frequently when you're in the mood for inspiration!

Thanks, Margaret, for the heads-up on these discoveries!
]]> pictures needlepainting silk online needlework books 9767 Joan J noreply@blogger.com 2008-11-15 14:58:00 2008-11-15 14:58:00 1 0 9864 sherren noreply@blogger.com 2008-11-13 10:39:00 2008-11-13 10:39:00 1 0 9899 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-13 06:22:01 2008-11-13 06:22:01 1 0
Margaret, I don't really know, but here's a picture of a box of their embroidery silks:

Heminway Silks

I think Eterna would work well for these, but I tend to prefer long and short stitch worked with stranded (spun) silk, like soie d'alger, for some reason - I guess because it isn't quite as shiny but still has a beautiful sheen. It's a different kind of sheen, if you know what I mean. But that's just me, and I think it would be fun to play with it to see how it would turn out!]]> 9914 margaret c. noreply@blogger.com 2008-11-13 00:23:00 2008-11-13 00:23:00 1 0
I just received an order of Eterna silk (Thread Express sells colour stash packs of the stranded floss, i.e., flat). I think I may have just the right colours for the carnations..... :-)

I wonder what kind of silk Heminway sold. Was it flat, twisted, ????]]> 9925 Anonymous noreply@blogger.com 2008-11-11 14:35:00 2008-11-11 14:35:00 1 0
There is also a craft Bookshelf at Project Gutenberg which includes the needle arts.
www.gutenberg.org/wiki/Crafts_(Bookshelf)

And Google Books has a staggering 2,840 needlework books available for full view & download, not to mention all the others available to preview!
books.google.com/books?q=needlework&as;_brr=1

Love your site. :-)
Laura]]> http://www.needlenthread.com/2008/11/confessions-of-needlework-fanatic.html Mon, 10 Nov 2008 06:53:00 -0600 Mary Corbet 542 2008-11-10 06:53:00 2008-11-10 06:53:00 open open Confessions-of-a-Needlework-Fanatic publish 0 0 post

My dilemma was this: I needed a variety of fabrics to make (oh, yes, here we go again) a pieced foundation for a small crazy quilt adventure. Now, if you've read my past history of crazy quilting attempts, you know I'm not a crazy quilter. There's something in me that would like to be, to a degree, but ... there's also something in me that doesn't like piecing together fabric, which seems to be an essential part of crazy quilting.

BUT - never say die - I'm determined to try again. The difficulty is that I don't really have a stash suitable for crazy quilting - nothing really interesting. I am just not a fancy-fabric hoarder (though I can see how attractive it would be to be one!).

I resorted to a website I've ordered from before - Evening Star Designs - and, for very little output, I was able to get a variety of fabric pieces perfect for crazy quilting.

You may remember that I mentioned a while back my resolution to refrain from purchasing any more embroidery supplies for a six-month span. I hang my head in shame. I have succumbed. In fact, I've succumbed all over the place in the last few days.... but, these were needs, not wants (the voice of the Justifier). I had to have the fabric for an upcoming project!!

I probably shouldn't mention the fact that, while I was fanatically exploring every nook and cranny of the Evening Star Designs website with that sense of starvation that comes from not having purchased embroidery supplies for the last almost-three-months, I happened to linger a bit too long over the Embroidery Threads section... where I happened to study too closely the Sassa Lynn threads... and happened to buy some. I probably shouldn't mention the silk buttonhole twist, either. All six spools of it.

My conscience seems to be nagging me: I feel inclined to mention that I also had to binge a bit at Hedgehog, in order to replenish my depleated metal thread stash.

I feel like the cat that swallowed sixteen-million-five-hundred-and-fifty-two-thousand-three-hundred-and-twelve canaries.

And darn, gosh, and golly - I am so looking forward to the mail in the next few days!

I have glutted. And I am satiated.

But all that being said - HEY! I can't wait to show you the STUFF!!
]]> crazy quilt goldwork embroidery resources miscellaneous embroidery musings 9926 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-11 08:04:18 2008-11-11 08:04:18 1 0
I agree, Three - dangerous vow - better never to make it in the first place...

Angie, good point on fasting. So maybe it is a good thing to make the vow!

Yes, I will step over for a bit, Jo - but it might be a bit too crazy for me! I'll let you know! Thanks for the tip on etsy - I'll look the threads up there.

Magpie, your limit is three weeks? I'm so glad there's someone else out there with the same problem!

Charlie - YES - I got the photos of the jacket - they're gorgeous! I need to play e-mail catch-up this morning or this afternoon, but you'll be hearing from me soon! Thank you!! As for the gold threads ----- they would make a most Excellent Christmas present for yourself! Take the plunge!

Thanks again, all -
MC]]> 9927 charlie noreply@blogger.com http://www.blogger.com/profile/13044804950942983081 2008-11-11 07:06:00 2008-11-11 07:06:00 1 0 I wonder if you got the jacket photo's??all the best,charlie]]> 9928 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-11-10 17:49:00 2008-11-10 17:49:00 1 0 9929 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-11-10 13:27:00 2008-11-10 13:27:00 1 0 mwaahhhhaaahhaaahahahaaaaa...

you are just gonna love the Sassa Lynne threads. I buy them buy the bucket load off etsy.]]> 9931 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2008-11-10 09:15:00 2008-11-10 09:15:00 1 0
Sounds like a fun binge. Can't wait to see.]]> 9932 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-11-10 08:19:00 2008-11-10 08:19:00 1 0
Same with buying needlework supplies. :-)]]> http://www.needlenthread.com/2008/11/link-to-beautiful-embroidery-and-news.html Sun, 09 Nov 2008 06:27:00 -0600 Mary Corbet 543 2008-11-09 06:27:00 2008-11-09 06:27:00 open open A-Link-to-Beautiful-Embroidery---and-News publish 0 0 post National Czech & Slovak Museum & Library in Cedar Rapids, Iowa.

Unfortunately, the media kit titled "Embellished Textiles - Absolutely Art!" announcing the exhibit of the same name, is rather out of date - the exhibit closed in October of 2006. Still, I'm glad that the article is still online!

It looks like the exhibit was accompanied by several textile classes, many of which sound terrific! Did anyone out there attend? If so, how was it?

The biggest attraction about the article is the collection of pictures at the end of it! Wow - some stunning works of art there!



Don't miss the high resolution images of this lace cuff accented with goldwork. It's really unusual to see goldwork applied like this to lace. They wrapped leather with the gold, then applied the design to the lace, removing the goldwork for laundering and then re-applying it!

You'll probably want to take a look at the colorful embroidered headscarf right below the goldwork, with its strangely obvious carried threads here and there throughout the piece.



The whitework embroidered scarf is worth taking a close look at, too - it's only half done. The site surmises that the unfinished half was folded under the finished half, and since it wasn't seen anyway, why put the time into the embellishment? Sounds reasonable to me!!! To me, what's amazing on this piece is not just the beautiful bobbin lace around the edge, but the variety of techniques included in the whole thing - some filet lace, some cutwork, some eyelets, satin stitching and other whitework stitches, and the bobbin lace to boot! Nice!

So, if you have the time, do check out these exquisite works of textile art - they're worth looking at!

Upcoming Events on Needle'nThread

This week, the November stash contest will be posted, so keep an eye out for that! I'm planning on a book and supplies again. I'm debating between two books, though. I have a spiral bound huge volume of Sublime Stitching transfers that I will probably never get around to using. Or... should it be something more instructive like the Anchor embroidery book I gave away last summer?

Also, before the week is completely over, I hope to have the front of my goldwork and silk Christmas ornament finished. Here's hopin'! Keep your fingers crossed that I don't run out of thread!!! I'm also going to move on to working on a couple decorative towels and a tea cloth (small table cloth). I hope to get those all decently underway so I can show them to you.

And, finally, I'm hoping to get some filming time in on videos this week! Keep your fingers crossed on that one, too! I've got a list of 28 stitches I want to do. A little otpimistic, but optimism never hurt anyone!

Hope you've had a great weekend!



]]> regional embroidery techniques needlework websites 6333 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-05 02:18:44 2009-08-05 02:18:44 1 0
I think the scarf is finished. it is the design and done with the intention.
thanks for sharing!!
vince]]> 9934 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-11-09 20:57:00 2008-11-09 20:57:00 1 0 9936 Anonymous noreply@blogger.com 2008-11-09 18:52:00 2008-11-09 18:52:00 1 0 9937 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-11-09 10:21:00 2008-11-09 10:21:00 1 0 http://www.needlenthread.com/2008/11/readers-embroidery-embroidered-hat.html Sat, 08 Nov 2008 08:29:00 -0600 Mary Corbet 544 2008-11-08 08:29:00 2008-11-08 08:29:00 open open Reader's-Embroidery:-Embroidered-Hat-Label publish 0 0 post

Here's the embroidered label applied to the hat! "Contraptioneer" is a long word to fit on the front of a hat, but I think she did a great job!



The title is super-duper appropriate, because Pat's contraptioneer really is just that. He made her a yarn winder:



... as well as other amazing things, like a loom with heddles made from flattened coat hangers, an apple peeler and corer, an electric spinner, and on and on.

Now, who wouldn't want a Contraptioneer like that around??!

Good work, Pat!!

Thanks for sending the photos, and I hope your Contraptioneer really enjoys the hat!
]]> readers embroidery pictures http://www.needlenthread.com/2008/11/diy-has-got-to-be-cheaper-wee-little.html Thu, 06 Nov 2008 06:34:00 -0600 Mary Corbet 545 2008-11-06 06:34:00 2008-11-06 06:34:00 open open DIY-has-GOT-to-be-Cheaper...-A-Wee-Little-Rant? publish 0 0 post lot cheaper!"

The "Do It Yourself" mentality is nothing really new, but in the past decade, I think the drive to get creative and make things has gained greater impetus. For those on limited budgets, the urge to Do It Yourself may be initiated by the desire to have certain types of items found in the retail world that exceed the limits of the purse strings. For others, the DIY mentality is a way of life - a principled stand against some facet of manufacturing or commercial enterprises. For some, they do it themselves because they know they can do it better.

When the DIY urging inevitably overtakes me this time of year, I have to remind myself of a few things .... so I tell myself the following:

1. You can't always DIY less expensively, but you can usually do it yourself better, simply because you can pay attention to quality of materials and workmanship that are often overlooked by commercial enterprises. So if you are going to put the time in to make it, then don't do a rush job, don't waste materials, use good materials, and make something that will last.

2. You can DSY (do something yourself) less expensively, if you pay close attention to your needs and your wants. If you don't Neeeeed it, you don't need it. So don't make it. Make something else! If you must "create," then create something you can afford to create. Re-use, dig into stash, etc. Forget the catalog ...

3. When you set about to improve upon something you've seen or to imitate it, add your own twist - at least take the source of inspiration up another notch to make it more "your own." If I'm going to imitate something and make it myself, I'd rather people not equate it automatically with something bought from a retailer.

Ok, all that being said... this DIY idea has GOT to be cheaper.... It's a good source of inspiration that I think could be adapted a bit and even improved upon.

The catalog was Williams-Sonoma, and the items are a table runner, placemats, and a tree skirt made from a red felt blend (read that correctly: probably 20% wool, 80% acrylic ... it was on sale at the local fabric shop off the bolt last week for $6.99 / yard) backed by white fabric. There's a cut out design in the red felt so that the white shows through.



These cutwork felt items from Williams-Sonomoa are rather striking, I think. I'm not exactly sure I would decorate my Christmas table with felt, especially at $60 for the equivalent of less than a yard of fabric for the runner (you'd probably have to buy more than that, to get the length in one piece, if you wanted it in one piece - unless you'd settle for a 72-inch runner as opposed to a 90-inch).



Zooming in on the pieces, they're just cut out ... there's no re-inforcement or anything on the cut edge. It's a clean cut - felt is great for that. A little template, a craft knife or small sharp scissors (I prefer the latter when working with felt), and you're all set.



There's also a 56-inch circular tree skirt for $89. Let's see... 72" wide on that felt blend from the local fabric store... so, two yards to make a 56" circle.

I suspect the white fabric is nothing too fancy-schmancy. Just cotton or a cotton-poly blend.

Anyway, this is, surprisingly, the only thing I've seen in any of the hyper-abundant, unsolicited magazines filling the mailbox lately that strikes me as something worth imitating. I'd probably change the cut-out pattern. And I probably wouldn't make a table runner and placemats. But little Christmas stockings for the tree or for gift-giving? Little gift bags? Ornaments? Yep. But you do realize there's something missing? Oooooh yes.... I'd definitely add some embellishment - just a touch of embroidery, in the right spots. It might take away from the clean-cut look. But, done right, it just might add the perfect touch.

So my mind is chewing on ideas for that. I may have already mentioned that this year is entirely a hand-made Christmas on my part, for three reasons: 1. I think it means more, though I may have a hard time convincing my younger nieces and nephews of that! 2. the budget; 3. I thought it would be, somehow, an interesting challenge for myself. Yes, well. I may regret #3 eventually!

My questions for you.... What are your thoughts on the DIY approach?

Do you consider yourself a Do-It-Yourselfer? (I know some very creative people who are not remotely DIYers!) Where do you take your Do It Yourself inspiration? Do you find it's less expensive to DIY (not taking into account the time spent)? If you are a DIY-er, why do you Do It Yourself? Any thoughts?
]]> gift ideas wool felt Christmas 9721 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-18 22:46:57 2008-11-18 22:46:57 1 0
Kirsten - those are REALLY cute! They'd be so fun and festive on a holiday table! I've bookmarked the site so I can contemplate the possibilities!

MC]]> 9722 Kirsten noreply@blogger.com 2008-11-18 20:02:00 2008-11-18 20:02:00 1 0 http://www.surlatable.com/product/zoom.do?productID=193097

They are cute....]]> 9866 barbobbi noreply@blogger.com http://www.blogger.com/profile/00935990355282427368 2008-11-13 10:03:00 2008-11-13 10:03:00 1 0
I feel strongly that DIY ought to be less costly than store-bought and it is sad that it often is not.

I became disabled ten years ago and because I could no longer work, I had a huge cut in my income, with "disposable" income, as often as not, nonexistent. Because of this, I have found that the best thing I can give as gifts to my children and friends is my time, labor and skills put into something I have done myself. With the help of a sizable stash left from more prosperous times and a delight in reusing beautiful things I find at thrift shops in innovative ways, I can satisfy my desire to create and give nice things to those I care for by DIY.]]> 9919 Nikki noreply@blogger.com http://nikkidwright.wordpress.com 2008-11-12 16:20:00 2008-11-12 16:20:00 1 0 Every few years I swear off DIY, and two years later, there I am, making the gifts again. I can't help it. I MUST make things. I do get disappointed sometimes when people don't seem to notice or care that it is handmade, or assume it takes me no effort because I am "good at this stuff" (these are the years that I swear it off again.) But it brings me joy to think about the people I am making gifts for.

I am slowly starting to think of my need to create as less of a gifting opportunity and more of a business potential. It has taken years but I now see the things that I make as worthy of more than being gifts, they can be worth money. And that has made DIY much more interesting to me...because now I get to buy in bulk.

And if you thought making stuff was fun, it is nothing compared to the joy of buying fun stuff in bulk. The shear happiness of opening that package when it arrives makes everything in life good.

Oh, and the extras then make the DIY projects cost effective again. A beautiful life circle.]]> 9938 Sallie noreply@blogger.com 2008-11-07 16:40:00 2008-11-07 16:40:00 1 0
We have nephews and a niece in their 20s raised in the consumer generation who recognise the value of something only because of it's designer label and it saddens me because I believe they are missing so much from life. I was recently told that "only poor people" grow vegetables (my other passion), yet I rarely hear the same complaint around the table when they are tucking to to pesticide-free, non-GM food!! In my world DIY rocks!
Sallie]]> 9939 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-11-07 15:37:00 2008-11-07 15:37:00 1 0 really more expensive if your quality handmade item outlives the storebought one (which they generally do)?]]> 9940 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2008-11-07 11:12:00 2008-11-07 11:12:00 1 0
I'm making a lot of gifts this year, including shopping bags (see my post today), and coffee cozies for my starbucks possee. Just google coffee cozies to get patterns to knit/crochet/sew these little sleeves.

I think handmade gifts show you care, as long as you don't get too invested in whether the recipient loves the item or not.]]> 9943 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-11-07 03:57:00 2008-11-07 03:57:00 1 0 Any other idea for DIY man gift??? besides camera case, ipod case, keyholder,...

And I really think that I save money and everybody appreciates much more the gifts.]]> 9945 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-11-06 19:08:00 2008-11-06 19:08:00 1 0
He was so nervous and "vulnerable", he said, in giving it to me...but it is a gift I will cherish for the rest of my life.

So it doesn't even have to be fiber related! *VBG*]]> 9947 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-06 16:41:32 2008-11-06 16:41:32 1 0
Your comment cracked me up! Thanks for the laugh!

Bubba's Mom - I think, you know, you are quite right. There are very few DIY projects that I save money on, unless I'm taking stuff out of my stash, which is the case this year. I thought about a nice Irish Linen whitework tablecloth for my sister, but the linen (if I used good linen) would have broken the bank. So ... I'm using cotton towels that I already have in my stash, and making her several "tea cloths" (or she can also use them as big breadbasket liners - she entertains large groups of people often). I'm still stuck on what to do for the kiddos, but I'm thinking, I'm thinking....

Verobirdie - yes, I think that's the biggest attraction to me - better quality and customized to my exact liking. What could be better?

Thanks for the comments!]]> 9948 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-11-06 16:25:00 2008-11-06 16:25:00 1 0
Then when my kids were little, I was a SAH mum, so poor again. Christmas sewing was a tradtion in this house, and I often made gifts for the extended family too. One year I tried homemade sweets. After I purchased the raw ingredients, thermometer, sealable jars etc. I think I actually spent more money. But gosh I had FUN!!

Now we can afford store bought gifts, but I'm starting to make a few small gifts for friends who appreciate them.

And there's the whole point I think! There are certain people in my family I KNOW will look at my hand created gifts and say "that's NICE" through a false smile. Then there are fellow crafters who LOVE getting a piece of my handmade work. I always try to create something unique so it's obvious I made it. I get a bit miffed when I see ready made quilts on sale in the department stores which say "handmade"! You just know they've been made production line fashion in a foreign 3rd world country and paid a pittance for them.

I envy people who start their Christmas gift and decor sewing straight after the previous Christmas when all the fabrics are still on sale!! In this house I'm often still sewing on Christmas morning for gifts to give later in the day!!!! It's a TRADITION, don't you know? LOL!!

Hooroo,
Christine.]]> 9949 Anonymous noreply@blogger.com 2008-11-06 15:58:00 2008-11-06 15:58:00 1 0 9950 Heather Sitarzewski noreply@blogger.com http://hsitarzewski.blogspot.com 2008-11-06 10:52:00 2008-11-06 10:52:00 1 0
As far as expense, yes, I feel on the whole you can do it yourself for less. Unless you have to invest a lot of money initially in equipment or supplies. However even that cost seems nominal if you use them and create lots of things with them. If you can use things on hand, recycle and repurpose it's just a matter of your time. And sometimes that can be a little costly due to trial and error if you are figuring out how to do something. Either way you learn and end up creating something wonderful. Which to me is a big reward.

I DIY because I am a maker of things. I love the process of creating. Coming up with an idea or modifying something that exists and the pure joy of actually watching it unfold and become something beautiful and/or useful.

Good luck with your handmade Christmas!]]> 9951 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2008-11-06 10:12:00 2008-11-06 10:12:00 1 0 http://www.needlenthread.com/2008/11/goldwork-and-silk-christmas-ornament.html Wed, 05 Nov 2008 14:08:00 -0600 Mary Corbet 546 2008-11-05 14:08:00 2008-11-05 14:08:00 open open Goldwork-and-Silk-Christmas-Ornament-Progress publish 0 0 post

Last time we touched upon the embroidered Christmas ornament, I was not liking (and then I was liking) the orientation of the center design, especially the red satin-stitched areas with the lattice work on them. Many good people gave my heaps of great suggestions on how to improve it. I think, before all is over, I will take up the suggestion of changing the orientation of the lattice work.

At this point, I'm just pluggin along on the couching around the outside edge. I'm using #5 gold passing (2%), and working around in a bricking pattern, using shades of a cranberry red silk.



The most tedious part of the ornament so far has been this outside edge. Oh, woe is me. Never, ever start a project without enough of the needed supplies on hand. My original intention was to work this entirely from stash, and so far, I have been able to keep that resolution! But it's been hard! I'm taking every tiny measure I can think of to conserve thread as I go, including not carrying to the next area of the same shade. I'm using tiny stitches to anchor each piece of thread... and it's getting... really.... t-e-d-i-o-u-s.



This is a very wobbly looking corner. Dang.



The other way I managed to stretch my thread stash in these colors was actually to use more shades than I intended. Originally, I was going to use two shades of this silk, but as I ran out of the darkest shade, I moved to one shade lighter. Then, as the second darkest shade started dwindling, I moved to one shade even lighter, and used less of the dark shade. So I'm ending up, in all, using four shades of cranberry, which may actually end up being five shades by the time I'm finished!



The bricking goes from dark and close together in the corners to lighter and farther apart towards the middle stretch on each side. Some of my bricking isn't perfect. Oh, wait. Most of my bricking isn't perfect!! But don't try to talk me into taking it out.... Please....



I think I have about three more double lines of couching to do to fill this area. Here's hoping the thread lasts. If it doesn't, I'll come up with "something," though I haven't the foggiest idea what.

My plan is to continue with the gold passing, even on the yellow felt (we'll see - I'm having second thoughts), but to couch that in gold thread so that the gold looks brighter. I would divide the two areas of passing with a wrapped pearl purl (a new technique I learned when working on the goldwork pomegranate), which I would like to sit up above the passing area a bit, so I'll work that on top of the lines, I think.

Then, there's chipwork to add still, and sequins and beads and then I'll think about the back. But right now... I gotta get that edge finished!!!

You'd think, knowing that I have to get that edge finished, I'd just go finish that edge, right? Right!

Wrong. Right now, I'm heading to the studio to lay out some designs for towels-turned-tea-cloths-and-basket-liners that I'm making as Christmas gifts. One design I'm going to use is this corner embroidery pattern of leaves and flowers that I'm going to blow up to make about a 3" or 4" deep edge. That'll be fun. The other design I want to work on today I'm adapting from a book - it needs to be enlarged and repeated and elaborated upon. I hope to be able to share it with you, once I figure it out! It's kind of "folky" in an Italian-pottery sort of way.

That's what I'm up to - the rest of the world seems rather quiet. What are YOU up to these days as far as needlework goes? Are you preparing holiday projects? Doing any finish work? Just having fun with your needle and thread? If you've got pictures online - on a blog or flickr or whathaveyou - feel free to post a link to your current project and tell us something about it!
]]> goldwork pictures silk Christmas needlework pictures 9823 Anonymous noreply@blogger.com 2008-11-13 20:32:00 2008-11-13 20:32:00 1 0
Mabel

Mabel]]> 9886 Martha McSweeney noreply@blogger.com 2008-11-13 07:59:00 2008-11-13 07:59:00 1 0 I am not currently doing needlework, but I've a bargello project in the works. I would love to try some of the lovely flowers (especially the peonies) I saw in the post about the free patterns website, I would like to work in silks. Thanks for the time you give us all. How do you ever find time to teach, grade papers, do your needlework, peruse the wonderful websites you tell us about, and write the daily posts? And you sleep too?
Martha McSweeney]]> 9942 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-07 07:39:08 2008-11-07 07:39:08 1 0
Agne, thanks. I'm glad you like the blog!

Carol-Anne! Where have you been? I was wondering about that, as I hadn't seen you post anything for a little bit, since your last twisting post! You know, my ornament's for a swap, too, but I figure with all the thousands upon thousands (dare I say millions) of people out there who engage in hand embroidery and do these kinds of swap thingies this time of year, chances are, my swapee is not reading my website! (much as I'd like to think everyone reads it!)

Anyway, I'd love to see your Christmas ornament, as I have no doubt it's positively exquisite. So don't forget to take pictures and blog about it when you've sent it....

Thanks, all, for the comments and compliments...

MC]]> 9946 margaret c. noreply@blogger.com 2008-11-06 19:04:00 2008-11-06 19:04:00 1 0 very partial to the colours you are using. :-)]]> 9953 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2008-11-06 04:58:00 2008-11-06 04:58:00 1 0 9954 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-11-06 03:42:00 2008-11-06 03:42:00 1 0
I too am making a silk and goldwork Christmas ornament, very different from yours, but can't blog it yet as it is for a swap.

Other than that I'm plodding on with my Japanese Embroidery and some fun beaded tassels.

By the way, I was thinking how good your bricking looks, as does the whole ornament.

CA]]> http://www.needlenthread.com/2008/11/alison-cole-on-publishing-needlework.html Tue, 04 Nov 2008 06:35:00 -0600 Mary Corbet 547 2008-11-04 06:35:00 2008-11-04 06:35:00 open open Alison-Cole-on-Publishing-Needlework-Books publish 0 0 post introduction to Alison Cole, stumpwork and goldwork artist, designer and book author, here's the rest of Alison's article. It's not surprising that the next step in Alison's busy needlework career was to write a book... and then another book. What I think is interesting is how she went about doing it, and how her determination paid off in the end by giving her exactly what she wanted her books to be. You'll also find, at the end of this article, a picture of two fantastic embroidered panels.

Alison Cole on Writing Needlework Books

Writing a book is the easy part - getting it published was going to be as well - until the unthinkable happened.

Over the period of a couple of years, I had had three publishers ask me when I was going to write a book on Goldwork and Stumpwork. To them I replied 'one day soon'.

I know another tutor that had told me of her experiences in producing a book - and how the publisher wanted 20 projects so that they could select 12. And how the publisher contacted her to get another project whipped up - needing it immediately and not realizing how long it takes to embroider a piece of work. So when I decided to sit down and write my book, I decided to have the book partially complete before contacting the publisher that I had chosen, to eliminate some of the stress of the deadlines that they give.

This seemed fine. I told the publisher of the estimated completion date of the manuscript and projects, and the publisher was happy. The publisher was going to send me the contracts - which never arrived. But it didn't bother me, as I knew the publisher well and knew that they would in time come. I went on with the writing and promoting of the book. But the contract never eventuated.

When the book was complete, I sent off the manuscript. When I called to find out when they required the pieces for photography, the publisher then told me that they weren't able to produce the book this year - or maybe even the next - but did like the book. This absolutely flattened me. I had been promoting the book the whole time that I was writing it. In every class when someone asked when I was going to write a book, I told them that it was coming and would be out next year. Now it was all at a halt.

I decided that my book was still going to come out when I said that it would - and looked into self-publishing it. This was the best decision that I have ever made - although it worried my husband somewhat. Publishing means footing the bill - taking all of the risk but also taking the profits. I knew that the book that I wanted to produce would sell, as there were no other project-based Goldwork books on the market at that time and in every class I was asked what project-based books were out there. I knew that if the book was laid out well and had lots of photographs that showed off the embroidery and its richness, it had to work.

I contacted a company that specializes in helping authors self publish and when they took my call they were skeptical as to how ready I was to get it published. They told me that for every 20 authors that contact them, only one has a manuscript that is really ready. I arranged a meeting with them and left the meeting feeling happy that this was the way to go.

I contacted a photographer that I had worked with before and asked him if he would take the photos for me - he was surprised to hear that I had already worked out what photos were required and that I had already done the styling and organized the props. The shoot was done and dusted in a single day - a long day - but still only one day.

The production company that I was using had me sit down with the layout designer, whom I briefed in exactly how I wanted the book to look and be laid out. He made some suggestions which I liked and then laid the book out to my instructions.

Next I had to cut out a couple of projects as the book was too long, which was followed by inserting the photos and the diagrams. I then had to re-arrange some of the project layouts to accommodate the number of pages. Spelling and grammar edits and technical edits came next and then the print-ready proofs arrived. It was amazing seeing it all laid out and ready to go to print.

When the first air-freighted, hand-bound copies arrived, I could hardly believe it. All the work that had been done up until this, it still had not looked like a book. The end was getting closer. Finally, the truck arrived with the books. By the time the books arrived, I had arranged two Australian distributors and shortly after had arranged a UK distributor as well. I had enjoyed the whole process so much that I had also started on the second book which was to become 'The Midas Touch'.

Since then, 'All That Glitters' has gone into reprint and has been picked up and distributed outside of Australia and New Zealand by Search Press - throughout the UK, Europe, USA and South Africa.

'The Midas Touch' has also now gone into reprint, and is being distributed in the UK by Golden Hinde and in the USA by Nordic Needle.

While I have started work on the third book, it is going to be quite different than its predecessors. It is still featuring Goldwork - and has two projects already completed - but will take longer to complete. I am hoping that it will be released around 2011. Next year (2009), I have three commissions lined up on top of my usual teaching commitments.

Alison Cole has two panels on display at the Warrnambool Art Gallery in Victoria. The following photo was taken when the panels were unveiled. You can click on it for a larger image.



I like reading about the successes of teachers, authors, and designers in the needlework world. Alison's book publishing ventures are a good lesson in determination, and good insight into what it takes to prepare a book for publication.

I hope you enjoyed this article, too, and thanks so much to Alison for sending it and the photos of her work along!

If you're interested in any kits or designs by Alison Cole, be sure to check out her website, Alison Cole Embroidery, where you'll find all her currently available kits offered, as well as a fantastic gallery of Alison's stumpwork and goldwork projects. You can also order your own embroidery, goldwork, or stumpwork supplies from Alison.

All That Glitters and The Midas Touch are both available here in the States. You'll find All That Glitters through Amazon, and The Midas Touch through Nordic Needle.
]]> goldwork pictures embroidery designers stumpwork needlework pictures 5583 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-17 20:54:57 2009-09-17 20:54:57 1 0
I am sick with envy! Australian stitchers have access to so much incredible stitchery. What is it about Australian designers and Australian needlework? Why is it so much more advanced (at least in my opinion) than what's available to us in the U.S.? What little I know about Australian history and geography makes it seem an unlikely breeding ground for inventive needlework.

Anyway, I thought I'd share this site in case you hadn't seen it -- or in case you have a theory about Australian needlework!]]> 9957 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-04 22:46:17 2008-11-04 22:46:17 1 0 9958 margaret c. noreply@blogger.com 2008-11-04 19:20:00 2008-11-04 19:20:00 1 0
Country Bumpkin's web site:
http://www.countrybumpkin.com.au/]]> http://www.needlenthread.com/2008/11/designer-spotlight-alison-cole.html Mon, 03 Nov 2008 07:00:00 -0600 Mary Corbet 548 2008-11-03 07:00:00 2008-11-03 07:00:00 open open Designer-Spotlight:-Alison-Cole publish 0 0 post Alison Cole's embroidery and stumpwork, so just as I did with Trish Burr, I made a pest of myself and asked Alison for a little information on her experiences in the needlework world! I think it's neat to hear about the adventures of needlework designers and book writers, and it gives (to me, anyway!) a whole new perspective on the needle arts. So, without further ado, here's a bit about Alison, and I'll follow this up with her book-publishing experiences.

Alison Cole's Background in Needlework

The pictures below are recent projects that are not yet on the Alison Cole Embroidery website. I've left some of them larger so you can click on them to see the details upclose. Instead of paraphrasing, I'll let Alison speak for herself here!

I was born, educated and married in Ballarat, Victoria, Australia. I have always been around embroidery, as my mother was a professional seamstress. I have fond memories of sorting her threads and swapcard collection into colourways. I moved to Melton in January 2003 with my husband Stephen and two children.

It was when I was eight years old that my mother first put a needle in my hand and taught me to mend my teddy bear. From there she taught me to make a patchwork pillowcase which went on every school camp, but it was not until I was 12 that I took up embroidery. It became a passion for me - I used to stitch on the school bus to and from school, in my free periods and at lunch and recess. My friends used to laugh at me - always carrying around some piece of work.

Even when I starting dating - if my boyfriend wanted to sit beside me on the couch – he had to have my tapestry frame over his legs while I was working on it (one of my frames was over four feet long and took up the entire couch).

I worked in an office - working my way up to administration manager - and always stitched in my breaks. One time - while at lunch and stitching at my desk - some smart man said to me 'you have a good job'. Over the years, this became something that I heard regularly - sometimes, if I didn't want to be bothered with the smart remarks, I would stitch in the boardroom if it wasn't in use.

I joined the local branch of the Embroiderers' Guild and maxed out on classes - from Crazy Patchwork to Schwalm and everything in between.

After leaving work to have children, I started part time work at one of the local embroidery shops, where I was encouraged to teach and pass on my skills. I was told that I was already teaching - helping the customers with any problems that they had with their embroidery was teaching. And so I designed and taught classes in basic stitches, Stumpwork and Goldwork and loved every minute of it - as I still do to this day.

The more people that I taught, the more that word got around. I taught at my branch of the Embroiderers' Guild and then at other branches and at Guild Headquarters. I was asked to teach at conventions and seminars and find myself these days fully booked almost two years in advance, teaching all around Australia and New Zealand.

Through the years I have furthered my studies in embroidery, gaining an Intermediate Certificate through the Embroiderers' Guild in Melbourne and completing numerous other courses including Train the Trainer Adult Education Course and Art for the Stitch - a design and colour course for embroidery artists. I am currently working on a long term research project that I started some years ago, which will culminate in another book.

I have been the recipient of a local Embroiderers' Guild Branch Scholarship and the prestigious Ethel Oates Scholarship, of which I used part to research the history of metal thread embroidery. I have also been the recipient of the Florence Monod Award for Excellence - the top prize awarded at the Royal Melbourne Show - judged over 150 categories. These days I am a sponsor of the Melbourne Show, supplying an award for the Best Piece of Stumpwork or Raised Embroidery.

I am a regular contributor to Embroidery and Cross Stitch Magazine and, to a lesser extent, Australian Country Craft Magazine. I have also had projects appear in Handmade Magazine and UK Publication Stitch with the Embroiderers' Guild. For three years I provided Christmas decoration projects for the Country Womens' Association Magazine.

Achievements in 2005 included receiving a Commendation for Stitching Excellence from the Embroiderers' Guild United Kingdom for their 'Picture This' competition and the People's Choice Award at the Embroiderers' Guild Victoria Annual Exhibition for the piece Jacobean Elegance. I also created a three dimensional floral arrangement of Goldwork Liliums for display at the Johnston Collection's exhibition 'Taking Tea with English Bodies' and I am also represented in their collection of decorative arts.

During 2006, I was a featured artist at the Craft and Quilt Fairs, touring Sydney, Melbourne, Canberra, Brisbane and Adelaide, exhibiting, teaching and promoting the art of Goldwork. It is amazing how many people said to me 'Oh, this is new', only to have me cheekily reply 'Yes, these techniques are only about four hundred years old!' To the people that told me Goldwork was too difficult for them to try, I asked if I could borrow their grandchildren, and invited the kids to apply some purl in an area of chipping on my work.

2007 saw me participating as Artist in Residence for a group project with the South Western Branch of the Embroiderers' Guild of Victoria, creating two panels 30 cm x 75 cm in memory of two of their members that are local benefactors. 2007 also saw me being commissioned to embroider a piece of Goldwork for the front cover of the UK magazine 'Stitch with the Embroiderers' Guild' for their 50th issue. This was also the year that I had my new studio built. A purpose-built studio with work room, store room, wet area and toilet - and more cupboards and shelf space than in my house!

2008 has seen another People's Choice award at the Embroiderers' Guild Victoria Annual Exhibition with the piece Gloriosa Lily and the release of my second book 'The Midas Touch'. My first book 'All That Glitters' was released in 2006.

Alison is one of the foremost teachers of stumpwork and goldwork in Australia, and from what I've heard from readers who have taken her classes, she is a delightful teacher. Her books are excellent - if you haven't seen them or added them to your collection, you may want to put them on your list! You can get All That Glitters through Amazon, but for The Midas Touch, in the US, you'll need to look at Nordic Needle.

If you haven't perused Alison's website, you really should! Her projects are stunning! And, well... for US readers, if you've been hankering after one of her kits, now would be a good time to purchase, with the exchange rate (at the time of writing this) at about $.67 on the dollar. So, a kit that you would normally buy for $100 you can pick up for about $67 right now (plus postage). Not a bad deal!

Have you seen, for example, the Illuminated Floral project you can see on this page? It mesmerizes me. I could eat the blackberries!

Alison's book publishing adventures are a little different from Trish Burr's, so it'll be nice to hear another perspective on needlework book publishing. I'll have that up for you tomorrow, along with a photo of two panels Alison worked that are hanging in the Warrnambool Art Gallery in Victoria.

]]> goldwork pictures embroidery designers stumpwork needlework pictures 8225 rwgp noreply@blogger.com 2009-03-26 17:28:00 2009-03-26 17:28:00 1 0 9634 Anonymous noreply@blogger.com 2008-12-01 13:45:00 2008-12-01 13:45:00 1 0
Thanks, Mary!

Jeanette]]> 9959 Valquiria noreply@blogger.com http://qualquermotivo.blog.uol.com.br 2008-11-04 04:36:00 2008-11-04 04:36:00 1 0 Mary,please check my blog for to see my little bullion stitches poodles.
I love your website.
kisses
Valquiria]]> 9960 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-11-03 09:21:00 2008-11-03 09:21:00 1 0 http://www.needlenthread.com/2008/11/it-came-together-on-embroidery-framing.html Sun, 02 Nov 2008 08:08:00 -0600 Mary Corbet 549 2008-11-02 08:08:00 2008-11-02 08:08:00 open open It-Came-Together!-On-Embroidery-&-Framing publish 0 0 post goldwork & silk pomegranate that I've only written about in bits and pieces. Still, I'm just so thrilled with it, that I must show you a picture of sorts!

I'm still bound by the fact that this project hasn't been published yet, so I can't show you the full finished piece. But I'm so darned excited that the framing came out so well that I can't help giving you another snippet of this goldwork and silk pomegranate designed by Margaret Cobleigh.

Do you ever take your work to the framers and just flounder on choices? Sometimes, I know exactly what I want and it all comes together in a matter of seconds. But other times, I take forever to decide, and then I leave with a kind of buyer's remorse, certain that the choices were all wrong.

But this came together quite well. I went for a triple mat and I framed the piece under glass. The frame is a nice frame. It's black and smooth and clean, but it has tiny veins of gold working through it. You can't really see the gold in the photo, though... but it's there - it's subtle, just "enough" to really tie into the pomegranate piece.



The inside mat next to the embroidery is a perfect shade of green to go with the leaves. I like having a dark outline around a piece, especially when the fabric is lighter. The middle mat is gold. The top mat is a fabric mat in a deep cranberry-ish red, matching the pomegranate. It's linen-like in texture.

I really was a bit nervous about the choices on this one, but I was pleased as punch when I picked the piece up. It's a wedding gift for my niece (less than two weeks away!), so I'm glad the frame job came out so well!

After picking up the project, I had to duck into the grocery store. Right in front of me as I headed towards the produce section was, ironically, a magnificent display of pomegranates. Oh, yes! I found one with the crown still intact, and brought it home to celebrate.

Don't they just look swell together?!
]]> goldwork finish work pictures silk needlework pictures 9963 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-11-02 09:24:00 2008-11-02 09:24:00 1 0
Great display with the pomagranite (sp??)


ruth M]]> http://www.needlenthread.com/2008/11/readers-embroidery-cleverly-combining.html Sat, 01 Nov 2008 10:35:00 -0500 Mary Corbet 550 2008-11-01 10:35:00 2008-11-01 10:35:00 open open Reader's-Embroidery:-Cleverly-Combining-Styles-&-Color publish 0 0 post

The piece of embroidery is a set of monograms - two S's - for his brother and his fiancee, both of whose names begin with S. It seems that Marika's soon-to-be sister-in-law likes her whitework, while her brother likes her colored embroidery. So Marika cleverly combined the two color options in a double monogram set.



Using the monogram pattern for the letter S here on Needle 'n Thread, Marika designed the piece so that the two letters were joined by a central flower combining both whitework (on the petals) and color (the center). The whitework monogram is entwined with colored flowers and the colored monogram is entwined with whitework flowers. I don't think I would have ever thought of doing that - I think it's really cleverly done, especially considering it's an engagement gift.



She worked the monograms and flowers with a split stitch outline, then filled them with long straight stitches, over which she worked satin stitch, using one strand of DMC stranded cotton for the white, and the color is worked in Chameleon Threads space dyed Soie de Paris for the colored threads. (More on this thread later - I'm intrigued by it, as I hadn't heard of it before. Anyone? I wonder if it's available in the US...)



I really like the blue with the whitework flowers - I love the contrast! It reminds me of my grandmother's Wedgewood Jasperware. Notice as well that she embroidered the date of the engagement just below the S, a very nice personal touch.



But I think my favorite is the white S with the colored flowers. It looks light and colorful. I want to try this combination.

Congratulations on a job well done, Marika - I'm sure the happy couple will love the gift!

Thanks, Marika, for giving us a new take on combining different styles of embroidery! I think I may have to try this whitework / color combination on an oatmeal colored towel... I've added it to my ever growing list of things I want to do...

If you have a project you'd like to share with the rest of us, please drop me a line and I'll send along my e-mail address to you. It's always fun to see what the rest of the creative world is up to!

I hope you're all having a pleasant weekend. For me, I've got heaps of school work to do (for my real job, I'm a high school English teacher...), so I'll be busy with that most of the weekend. But I do plan to get in a wee bit of stitching on my Christmas ornament later tonight! Here's hoping!
]]> readers embroidery pictures monograms needlework pictures 9956 Anonymous noreply@blogger.com 2008-11-04 23:17:00 2008-11-04 23:17:00 1 0 Its a brilliant piece. Very well thought and also very well embroidered. It is looking just lovely !!
Though, I just wanted to ask you , what article are you going to convert it into? Are you going to frame it?

Mary,
Thanks a lot for sharing it with all of us. Its really lovely.

Love,
Shrenika.]]> 9962 Marika noreply@blogger.com 2008-11-02 10:55:00 2008-11-02 10:55:00 1 0 9964 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-11-02 02:33:00 2008-11-02 02:33:00 1 0
Well done.

CA]]> 9966 margaret c. noreply@blogger.com 2008-11-01 14:52:00 2008-11-01 14:52:00 1 0
I think you colour selection is wonderful and the design is nicely balanced.]]> http://www.needlenthread.com/2008/10/little-embroidered-pumpkins.html Fri, 31 Oct 2008 06:00:00 -0500 Mary Corbet 551 2008-10-31 06:00:00 2008-10-31 06:00:00 open open Little-Embroidered-Pumpkins publish 0 0 post

Both of these fellows came from a set of pillow cases I embroidered last year - they were called "Opposite Faces Pillowcases." The awake pillow case is full of laughing faces, and the asleep pillow case if full of sleeping faces.



Here's the wide-awake fellow - somewhat shocking to the little guy next to him.



And the snoozer.

Have you ever seen such a peaceful pumpkin?! Completely out of character...!

So there's my contribution to the day's doings. I'm not sure if I should say "trick or treat" or "boo"....

Or boo hoo.

It's been quite a hectic week on my end of things, but never fear. I'll catch up this weekend! I think yesterday (Thursday) was the first daily post I've missed in a while! Sorry!!

Have a great weekend!
]]> Hand embroidery stitches embroidery for fun needlework pictures 9965 Anonymous noreply@blogger.com 2008-11-01 20:29:00 2008-11-01 20:29:00 1 0 annie (michigan)]]> 9970 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2008-10-31 09:33:00 2008-10-31 09:33:00 1 0
Happy Halloween!]]> http://www.needlenthread.com/2008/10/dazzling-ornaments-make-great-gifts-for.html Wed, 29 Oct 2008 06:03:00 -0500 Mary Corbet 552 2008-10-29 06:03:00 2008-10-29 06:03:00 open open Dazzling-Ornaments-Make-Great-Gifts-for-Embroiderers publish 0 0 post

Now, by "accessorized" embroidery tools, I'm talking about those kinds of tools that serve a utilitarian purpose while at the same time being unique, attractive, or just fun. Can you embroider without these tools? Certainly. Can you enjoy your needlework with out them? Of course! But are they nice to have? Definitely! "Accessorized" needlework tools are for the embroiderer who has the basics but is avid enough about stitching to go beyond the basics in outfitting a work basket.

Dazzling Ornaments is a small individually-owned business that specializes in tools and accessories for the stitcher, and having had the opportunity to look at some of these accessories up-close, I think they would make great gifts for the stitchers in your life (or for you, if you don't have any other stitchers around!). They'd make great little additions to guild ornament swaps or holiday gift swaps, and they'd be perfect as stocking stuffers.

The tools I've seen up close are the scissor fob sets (with the "Little Helper" tool string) and the laying tools.



The scissor fob set includes a scissor fob and a little tool chain. The tool chain includes two different needle threaders, a tapestry needle strung on the end (perfect for moving thread aside, counting beads or threads, etc.), and a small, very strong magnet on the end, to mount needles on while stitching, or to mount to your own needle-minder - or to help you find needles (it found one on my living room carpet!)



There's a hook (like a French wire earing hook) on one end of the chain, too. The hook is perfect for hanging the tool string on canvas, as it loops easily over stretched canvas so that you can have the string right on hand. Even on linen, though, I can hang it right on the edge of my work, by catching the hook in the edge of my fabric. That way, when I need a tool like a needle threader, it's right there, within easy reach.



The scissor fob itself has a metallic elastic loop on one end for attaching your scissors. The elastic loop was developed in answer to lobster claw hooks that can scratch the finish on the handles of fine scissors.



On the other end, the fob has three little off-shoots, where you can connect more tools if you want, or you can use one of them to attach your scissor fob to a chatelain, which are also offered at Dazzling Ornaments. The chatelains, in fact, are quite beautiful. I've never used one, but these are created for the modern needleworker - they don't attach to your clothes as they used to in the past. Instead, they hang around the neck, so you can keep your tools right with you while stitching. This is a great concept, I think, for the traveling stitcher - in the car, or on the plane (depending on the tool), or even when you go to needlework gatherings where you're working in a group - a great way to keep your tools handy, without having to lay them down and risk losing them.



Dazzling Ornaments also makes laying tools. These tools are carved from either bone or wood, and then finished with layers of acrylic, then polished and buffed to get the smooth surface necessary for the laying tool. The top of each tool is finished with a bead display. They have a whole line of different laying tools, each one unique.



With the tool I handled, I liked the overall feel of it, and the ornamental top was firmly attached. The only thing I would be sort of wary about was the glitter finish. There were a couple tiny spots towards the top where I could feel the glitter through the clear acrylic outer layer.... and, if I were working with flat silk, that could be disastrous. With regular stranded thread, though, it didn't pose a problem. If you work with flat silk, you could forego the glitter finish for one of the other finishes. If you don't work with flat silk, I don't think any slight (very minor) imperfections in this area would cause any difficulties.

The laying tools are actually a wonder. I was perusing the Dazzling Ornaments blog, and I thought the color selections were amazing and the amount of work that goes into creating the tools is really quite incredible!

I think the concept behind this company is really neat! For the stitcher who has everything, these types of tools are a fun addition to the work basket. They may not be used all the time, but at stitch outings and so forth, it's nice to have a tool display that is unique. Plus, I like the idea of supporting small businesses that make unique tools for the stitcher.

So if you've got stitchers on your gift-giving list this year, do take a look at the Dazzling Ornaments website to see what unique accessorized tools are available!
]]> gift ideas needlework tools pictures http://www.needlenthread.com/2008/10/needle-book-finish-at-long-last.html Tue, 28 Oct 2008 06:00:00 -0500 Mary Corbet 553 2008-10-28 06:00:00 2008-10-28 06:00:00 open open Needle-Book-Finish---At-Long-Last! publish 0 0 post

I didn't know exactly what I wanted to do with this bit of embroidery. Really, I couldn't picture it as any certain thing! When I wrote about the piece a few weeks ago, I got a lot of excellent suggestions for how it could be used. I ended up going with a large-ish needle case / tool holder.

The reason I dug the piece out recently to finish is that I had some threads and needles to test. If you read my posts on the Spiral Eye Needles and on Soy Luster thread, you saw parts of the finish work for the piece.

The first thing I did was determine how I wanted to make a cover. Fortunately, when I cut the felt, I left long sides that would turn in to back the two finished panels. This worked out well. After trimming, I folded the felt to the back of the embroidered panels and fused them closed.



And yes, the back is MESSY!!!!

I trimmed a little more, then buttonholed the edge of the cover all the way around.



Then, I had to think out how I would finish the inside. I cut out a piece of left-over blue wool felt to cover the inside, and then started laying tools on the piece to find out how I could arrange things.



I noticed that, with scissor or tool slots, I would have to either put a loop or a flap on them to hold the tools in, should the book be turned upside-down. So instead, I decided to face the tool openings towards the inside fold of the book.

I made two tool holders - one for scissors and the other for either another pair of scissors, or tweezers and a laying tool (I haven't really decided what, exactly). I figured I could put three flaps for needles on the other side, using some other scraps of felt. The whole inside of the book, in fact, is done in felt scraps. I had to rummage a bit to find pieces that would work.

There was still a bit of room between the needle flaps and the center fold, so I decided to attach a large thread ring there. The mother-of-pearl thread ring doesn't really match the "rustic" look of the book, but it'll do.



I cut out the shapes of the tool holders - a V-ish shape for scissor (in the sheath) and a rectangle for tweezers and laying tool. Incidentally, the rectangle was a scrap from this past summer's bookmark project in my kids' embroidery classes, and it worked out just fine.



Then, I began embellishing the tool holders.



I stitched free-hand, whatever occurred to me as I went.



I used a combination of threads - perle cottons, DMC stranded, Soy Luster, floche, and silk. Most were taken straight from a tub of stashed threads that are somewhat disorganized, with the exception of the Soy Luster and Baroque Silk, which were both new and which I was trying for the first time.



I had fun embroidering these little things. Because they are small, I wasn't stuck doing any one thing for very long, and because they were completely free-handed, I could do whatever came to mind.



I liked working with the variety of stitches and threads.



After finishing the tool holders, I attached them to the blue felt using buttonhole stitch all around, facing the openings (as previously mentioned) towards the inside fold to keep the tools from falling out.



Then I embroidered on the needle flaps, using a few different stitches to secure the flaps - herringbone stitch is on the top flap, chain stitch on the middle flap....



And fly stitch is used to attach the last flap.

I attached the thread ring using a tiny scrap of ribbon I just happened upon in my floss box.

Once I had everything attached to the blue felt that would serve as the background to the inside of the needlecase, I attached the blue felt to the book cover using buttonhole stitch all the way around. I found that the blue felt needed to be attached to the cover in the middle of the case as well, to help it fold better, so I ran two lines of running stitch down the center. I worked these through all the layers of wool felt (three, total), so that they are visible on the outside cover as well, just at the border of the embroidered panels.

Unfortunately, I didn't draw the lines and measure things out before I started stitching, so the lines are actually not quite parallel. They run away from each other towards the bottom! After working the running stitches, I whipped them to give the line a more finished look. Anyway, with the stitched lines in the middle and the and the top and bottom edges secured with the buttonhole stitching, I was left with an unstitched edge on the outside of the blue felt, which created the perfect opening for pockets that can hold extra thread or other flattish things:



In fact, it's nice having these two pockets on both sides of the case.



Then, once all was done, I had to have a way to close the case. I was out of ribbon, so using two strands of a coordinating perle cotton #5, I twisted the threads until they were suitable for a cord, and then made little ties out of them, which I attached at the edge of each cover.



In retrospect, if I were doing something like this again, I would not make a needlebook or tool case that closes in this manner - I'd make a flap that can button over the whole thing. The one thread in the middle seems somewhat chintzy, but, still, it ties the thing closed, and for this project, that will do.



Overally, I had a lot of fun working on this little project, though after a while, my fingers were killing me from working through multiple layers of wool felt and a layer of fusible interfacing.

I actually don't know if I'll ever USE the case. I'm thinking about giving it to one of my embroidering nieces for Christmas.

It was a fun project, so I'm not opposed to making another modified version with a different closure and a different layout on the inside. We shall see, we shall see! What think you about it? Any suggestions for a better way to close the thing up? I'm all for pointers, so point away!
]]> Embroidery Projects needlecase Hand embroidery stitches threads pictures wool felt needlework pictures 6478 Cheryl G. cheryl.gibbs3@gmail.com http://www.blogger.com/profile/11317363081940625235 2009-07-25 09:54:05 2009-07-25 09:54:05 1 0 6488 Kate mjrroland@yahoo.com http://www.blogger.com/profile/06395157955320659033 2009-07-24 13:38:40 2009-07-24 13:38:40 1 0 9275 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-05 08:32:31 2009-01-05 08:32:31 1 0
Best,
Mary]]> 9276 Sandra sandhuf@gmail.com http://www.blogger.com/profile/11866651039277276650 2009-01-05 06:20:00 2009-01-05 06:20:00 1 0 9961 Elizabeth noreply@blogger.com 2008-11-02 11:35:00 2008-11-02 11:35:00 1 0 9972 Threeundertwo noreply@blogger.com http://www.blogger.com/profile/07841404786048246834 2008-10-31 06:48:00 2008-10-31 06:48:00 1 0 9974 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-30 08:01:28 2008-10-30 08:01:28 1 0
I think I'm going to adapt the concept to a case for crochet hooks for my mom for Christmas. But don't tell her! nd if my sister is reading this, it was My Idea First!

I'll certainly let you know how that goes!

Thanks again!]]> 9976 Catrina Bradley noreply@blogger.com http://www.blogger.com/profile/15357023811727624584 2008-10-29 19:26:00 2008-10-29 19:26:00 1 0 9977 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-10-29 18:22:00 2008-10-29 18:22:00 1 0 9978 Anonymous noreply@blogger.com 2008-10-29 14:23:00 2008-10-29 14:23:00 1 0 Annie (Michigan)]]> 9979 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-10-29 14:09:00 2008-10-29 14:09:00 1 0 9980 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2008-10-29 02:22:00 2008-10-29 02:22:00 1 0 9981 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-10-29 01:58:00 2008-10-29 01:58:00 1 0 9983 cat noreply@blogger.com http://changelingthings.wordpress.com/ 2008-10-28 17:02:00 2008-10-28 17:02:00 1 0 9984 CC noreply@blogger.com http://lacenribbonroses.blogspot.com/ 2008-10-28 16:34:00 2008-10-28 16:34:00 1 0 9985 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-10-28 16:06:00 2008-10-28 16:06:00 1 0 9986 R Kirk noreply@blogger.com 2008-10-28 15:36:00 2008-10-28 15:36:00 1 0 I think this is lovely as it is and your family member who receives it is sure to prize it as a future family heirloom. I wish my family had the forethought to keep my Grandmothers stitched treasures.You discussed closeures and I would love to see you show 'the fans' some Dorset type buttons please.
Robyn Kirk
New Zealand]]> 9987 Paularay noreply@blogger.com http://www.blogger.com/profile/02847200666369055570 2008-10-28 15:19:00 2008-10-28 15:19:00 1 0 9988 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-10-28 13:42:00 2008-10-28 13:42:00 1 0
I think you're onto something with having a flap over. If you used a slightly longer piece of felt next time, you could fold it into thirds instead of halves to get the flap. Wouldn't even need to be thirds really, just enough that you'd have a nice overlap and you could close it with a pretty button.]]> 9989 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-10-28 13:33:00 2008-10-28 13:33:00 1 0
MGM]]> 9993 Sojourner Design SojournerDesign@gmail.com http://www.blogger.com/profile/06771679118636379649 2008-10-28 10:45:00 2008-10-28 10:45:00 1 0 9994 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-10-28 10:15:00 2008-10-28 10:15:00 1 0 Anything you touch turns into gold.
It looks just the way I had imagined when you wrote about it some time back.]]> 9995 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-10-28 10:13:00 2008-10-28 10:13:00 1 0 9996 52X52 noreply@blogger.com http://www.blogger.com/profile/01977653186786832742 2008-10-28 10:06:00 2008-10-28 10:06:00 1 0
And, as for making more of these, please do - they are so inspiring and are a beautiful example of your needlework.]]> 9997 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-10-28 08:55:00 2008-10-28 08:55:00 1 0 http://www.needlenthread.com/2008/10/heirloom-embroidery-book-winner.html Mon, 27 Oct 2008 06:27:00 -0500 Mary Corbet 554 2008-10-27 06:27:00 2008-10-27 06:27:00 open open Heirloom-Embroidery-Book-Winner-Announced... publish 0 0 post give-away for Jan Constantine's book, Heirloom Embroidery. And now it's time to announce the winner!

If you haven't taken a look at the original post on Heirloom Embroidery, you might want to, in case you find it's a book that strikes your embroidery fancy. If you didn't win the book, don't be discouraged - you can order it online from Amazon for $18.96, which I think is a good deal for this hard cover, beautiful book.



(By the way, this would also make a great Christmas gift for stitching friends!)

Soon after rising this morning, I moderated the last of the comments for contest entry, then added those names to my spread sheet where they are numbered automatically, mixed them all up, then went to random.org, where I generated a number between 1 and 68, inclusive. And this is the funny thing: talk about squeeking in under the line! Mub was the last entry. She also ended up winning! That's a first, in this whole random drawing thing!

So the winner is Mub, who commented, "This looks like it has so many good gift ideas in it! I love those little heart snowflake ornaments! I think the stitch explanations would be mega useful too =)"

Congratulations, Mub! Please contact me with your name and mailing address, and I'll get that in the mail to you at some point this week.

Stay tuned for future book give-aways. I'm planning a couple for November, along with the regular monthly stash contest. So do keep an eye out for those in the upcoming weeks!

I hope you all have a great Monday, and a really good week!
]]> Book Give-Away 9982 jenniferofthejungle noreply@blogger.com http://www.blogger.com/profile/06789180573833662995 2008-10-28 21:25:00 2008-10-28 21:25:00 1 0 10003 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-10-27 12:58:00 2008-10-27 12:58:00 1 0
It seems the older I get the more heirloom pieces mean to me.]]> 10005 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-10-27 11:55:00 2008-10-27 11:55:00 1 0 10006 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-10-27 10:43:00 2008-10-27 10:43:00 1 0 http://www.blogger.com/ Thu, 30 Oct 2008 21:06:00 -0500 Mary Corbet 555 2008-10-30 21:06:00 2008-10-30 21:06:00 open open Ecclesiastical-Embroidery-Memoirs-of-a-Workroom-Madam---Book-Review draft 0 0 post

]]> http://www.needlenthread.com/2008/10/last-chance-for-heirloom-embroidery.html Sun, 26 Oct 2008 18:22:00 -0500 Mary Corbet 556 2008-10-26 18:22:00 2008-10-26 18:22:00 open open Last-Chance-for-Heirloom-Embroidery-Book publish 0 0 post drawing for the Heirloom Embroidery book ends first thing tomorrow morning! So tonight's your last chance to sign up. Read the original post for details of this book give-away. It's a great little book, and the more I look at it, the more I like it!]]> Book Give-Away 10001 Anonymous noreply@blogger.com 2008-10-27 14:49:00 2008-10-27 14:49:00 1 0 Annie (Michigan)]]> 10008 swarna noreply@blogger.com 2008-10-27 10:06:00 2008-10-27 10:06:00 1 0 http://www.needlenthread.com/2008/10/soy-luster-embroidery-thread-made-from.html Sun, 26 Oct 2008 07:08:00 -0500 Mary Corbet 557 2008-10-26 07:08:00 2008-10-26 07:08:00 open open Soy-Luster:-Embroidery-Thread-made-from-...-Soy?? publish 0 0 post

Soy Luster is Colorful Thread!

Soy Luster is a thread produced by The Pure Palette, and it comes in some pretty incredible - beautiful - colors. The line comes in solids and "shadows," which are a kind of variegated thread. Well, it's not variegated like some other threads - it's actually three shades of the same color in one thread, combined in such a way that you can cut the threads and stitch with three separate shades, or you can stitch with a cut that has all three shades on it for a kind of heathered effect.



To view the color palette for the Soy Luster threads, you can visit the Pure Palette website, where you can scroll over each thread name and see a big ball of each color, or you can visit Needle in a Haystack, where they have all the colors of Soy Luster on one wonderful page.

It Really Is Thread Made from Soy!

The thread is indeed made from 100% soy. The thread itself is not made in America, but the dying is done here. The Shadows threads (variegated) are dyed to match the solids, which is a nice way to get a range of shades of the same color for different effects in your needlework.

On the Soy Luster website, you'll find a description of the thread:

Soy Luster™ loves to be stitched. It responds to your hands, becoming softer and more luxuriant with each stitch. With no tangling, twisting, snagging or fraying, it is the ultimate fiber.

Earth friendly? Yes. 100% Soy Silk® and Formaldehyde Free. We all want to do something green for this earth. Now we can, in 82 delicious colors.

Personally, I'm always eager to try threads for myself to see if they are really all that the manufacturers claim them to be. When I first read the description, I kind of thought it might be a bit much - and, after all, soy "silk" seemed a bit of an oxymoron to me.

Well, I tried the thread. And here's what I found...

They are pretty - I like the colors that I've tried so far. The Shadows threads are really very nice, and I like the fact that they have that heathery look to it.

The thread does have a nice subtle sheen to it, but it isn't like silk in that regard. In fact, the thread is a bit fuzzy - more so, even, than cotton, though not as much as wool. Overall, Soy Luster has a "wooly" feel to it, though not as fluffy, and, unlike wool, it has a bit of a sheen to it.



You can see the fuzzies protuding from the dark purple thread in the photo above. Keep in mind that this photo is Really Up Close. From far away, the thread doesn't look fuzzy, but these little fibers contribute to the "wool" feel.

Size-wise, Soy Luster measures up to somewhere between a #8 perle cotton and a #12 perle cotton. The #8 perle is slightly thicker thread, I think, but the #12 may be just a tad finer - but it's very close to the #12.



Unfortunately, I didn't have a #12 perle cotton on hand, so what you see above, to give you a sense of the thickness of the thread, is a size comparison between common threads, from the #5 perle cotton on top (thickest) to one strand of DMC stranded cotton on the bottom (finest).



Above, you can see the Soy Luster (top dark purple) lined up right next to a single strand of DMC. LIke the DMC cotton, Soy Luster is two-ply twisted thread, but the plies are a bit "rounder" compared to the longer plies of the DMC stranded cotton.



This is what the thread looks like when you cut open the twist (it comes in small tight twists). The thread seemed really boingy when I first cut the twist, and I couldn't help thinking it was going to be a real pain to stitch with. But then I pulled out a single thread to try, gave the thread a tug from both ends, and it straightened right out.



I wondered about that description on the manufacturer's website: "...becoming softer and more luxurious..." "no tangling, no twisting" - it seems like a lot to promise in a thread. So I set about stitching with it, trying it with French knots - always difficult to stitch when using a temperamental thread - and buttonhole stitch, which tends to get twisty while working it.

Guess what? It really is a nice thread to stitch with! It was easy and smooth, no tangles, and it looks very pretty when stitched.

Finally, I also did a very basic color-fast test on it. Now, the smart thing to do when testing for color-fastness is to take a good clump of the thread and soak it, then leave it to dry on some white fabric. It's also nice to know what the thread is like for stitching after being wet and dry - especially if you decide you want to treat it for colorfastness with salt or vinegar. But, anyway, I didn't do that. I used a single strand and soaked it for a while in warm-ish water, on a little piece of white cloth.



I took it out and let it dry on another piece of white cloth, and there was no color residue either in the water on the damp cloth or on the dry cloth. Red is usually the best color to test when you want to know if a thread is colorfast, because reds are often prone to bleeding, even in threads described as colorfast. Since I didn't have red, though, I used the purple - and I was still pleased that there wasn't a hint of purple color left behind.

Soy Luster in Summary

1. The color schemes are great - lovely solid colors, with matching variegated colors.

2. Though on first impressions, it seems as if it will be "springy" and difficult to stitch with, it is really nice to stitch with. The thread straightens up with a good tug.

3. The look of the thread is interesting - kind of like wool, with the sheen of cotton. I like that. I'm eager to try it on crewel-type projects. I think it would be very pretty. I can't help wondering how it will take to long and short stitch, so I may have to try that and let you know!

Buying Soy Luster

You can find Soy Luster at Needle in a Haystack, where it runs $3.95 for a 36 yard skein. You can also find it at The Stitching Post, where it's only $3.60 a skein. The price range is basically $3.60 - $3.95, depending on where you buy it.
]]> embroidery resources threads pictures 9941 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-11-07 10:28:00 2008-11-07 10:28:00 1 0 10013 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-10-26 20:28:00 2008-10-26 20:28:00 1 0 http://www.swicofil.com/soybeanproteinfiberproperties.html
probably more information than you want, but it's interesting!]]> 10014 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-10-26 20:27:00 2008-10-26 20:27:00 1 0 10021 Sojourner Design SojournerDesign@gmail.com http://www.blogger.com/profile/06771679118636379649 2008-10-26 14:42:00 2008-10-26 14:42:00 1 0 http://www.needlenthread.com/2008/10/spiral-eye-needles-for-embroidery-and.html Sat, 25 Oct 2008 13:19:00 -0500 Mary Corbet 558 2008-10-25 13:19:00 2008-10-25 13:19:00 open open Spiral-Eye-Needles-for-Embroidery-and-Hand-Sewing publish 0 0 post Spiral Eye Needles. The point behind them (no pun intended!) is that you don't have to "thread" them the same way you do regular needles. So let's take a look at the Spiral Eye needle and see what it's all about.

There are two sizes of Spiral Eye needles - SE1 and SE2. SE1 is apparently suited for hand sewing and is similar to a sharp, size 4, and shaft-wise, equivalent to about a size 22 tapestry needle. SE2 is similar to a size 6 embroidery (or crewel) needle.



From left to right, you can see the SE1 (sharp, size 4), the SE2 (embroidery, size 6) and a regular size 7 crewel needle (Richard Hemming, I believe...)

The Spiral Eye needles are significantly larger, overall, than a regular embroidery needle:



You can see there the size of the needle shafts. The shafts are made from surgical quality stainless steel, unplated. The advantage to the unplated stainless steel is that you can sharpen them and they clean up well, so you don't have to pitch them when they've been over-used! Also, on the website for the Sprial Eye needle, they point out that most needles are coated with nickel, which some people are allergic to, so the stainless steel needle eliminates the question of nickel allergies.



This is the SE2, upclose. I didn't experiment with this particular needle. I notice that they are not presently available through the Spiral Eye website. I'm hoping they're working out some kinks in this needle. I like the size of it - it's not too big - but on both SE2s that I had, minor problems popped up. On one, the problem was threading and on the other, there was a burr in the eye - something you definitely don't want when you pay $5 for a needle! So I think perhaps the makers are working out those problems right now.

I tested and worked with the SE1 quite a bit, though.



It holds up to three strands of DMC cotton. It's super-easy to thread the needle - you just pinch the thread and slide it up the shaft and it pops right into the eye. If you're working with several strands of stranded cotton at a time, you have to thread each strand individually. All three together are too thick for the side opening on the needle. It doesn't take any time at all, really. They just slide right in.



This is a stitch in process here. I half-way expected the needle to catch on the fabric on the way back up, but it doesn't. It passes through the fabric very easily.



It occurred to me that an needle with an opening on the side might cause some difficulty with stitches like French knots, so I set about testing it with some of those.



It pulled through easily, without any hang-ups...



...resulting in nice French knots.



So I put the needle to work on a little piece of felt, anywhere I used stranded cotton. And it worked just fine!

Spiral Eye Needles in Summary

1. The little difficulties I experienced with both SE2 needles probably need to be straightened out before they are marketed too widely!

2. The SE1 is great for stitching with stranded cotton, up to three strands.

3. They really are easy to thread, and the thread does not come unthreaded like the calyx eye (top threading) needles do.

4. But, if you're using more than one strand of floss, you have to thread each strand individually.

5. But it doesn't take any time to do so - and if your strip your floss, anyway, I don't think this is any big deal.

6. The real advantage to these needles, I think, is for people who have a hard time threading regular needles because of eye sight problems or arthritis. The website suggests their use for children, which I suppose could be true, too, but I find, with teaching children, that heavier threads are better to use, and these needles won't accommodate heavier threads.

7. No, they won't work for heavier threads, such as crewel wool or even pearl cotton #12. They're great with any sewing or even heavy quilting thread, and they work great with one strand of DMC threaded at a time. But the heavier threads won't fit in the side opening. So, in this sense, they have a limited use.

I like the feel of the needles - they're smooth and tough. They're absolutely strong - bending them with your fingers is almost out of the question. It's quite obvious that they're made out of high quality material, with attention to detail, and made to last.

If you're looking for a Spiral Eye needle - a needle that's easy to thread and well-made - check out the Spiral Eye Needles website, where you can get the low-down on the company and their products.

While you're there, note their little motto: "A stitch in time saves nine ... but you still have to thread the needle!" Funny!

If you've tried these needles - or other "non-threading" needles (like the calyx needles) - please do let the rest of us know your thoughts about them! I'd like to hear what others have to say.


]]> needles gift ideas embroidery resources needlework tools pictures 10004 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-10-27 11:57:00 2008-10-27 11:57:00 1 0 10007 PamTurner noreply@blogger.com http://www.blogger.com/profile/13115995033567994219 2008-10-27 10:21:00 2008-10-27 10:21:00 1 0 10020 LollyChops noreply@blogger.com http://www.lollychops.com 2008-10-26 16:46:00 2008-10-26 16:46:00 1 0 http://www.needlenthread.com/2008/10/ending-embroidery-thread-pull-it.html Fri, 24 Oct 2008 09:05:00 -0500 Mary Corbet 559 2008-10-24 09:05:00 2008-10-24 09:05:00 open open Ending-Embroidery-Thread:-Pull-it-Through publish 0 0 post

I stitched a line of broad stem stitch to demonstrate this, using a waste knot to anchor my thread before starting. This method of ending threads, though, will work with practically any kind of stitch.

Once you're ready to end your thread, take your needle to the back of the fabric (with the last stitch) and turn your work over.



Run your needle under the back of two or three stitches.



I like to "anchor" my ending thread by taking the needle back under the last stitch - it's like making a backstitch over back of the last stitch you went under. This "locks" your working thread and makes it a little more secure. So, backstitch over the last thread you went under in step #1, and then continuing threading your needle under the line of stitches, until you've about covered your needle. Then pull the needle through.



Snip your working thread.



You can see here with the "anchor" stitch is. With finer threads, it won't be as obvious, but here, I'm working with a #5 perle cotton, so it's a wee bit bulky. Still, I use them even with cotton perle. It doesn't make enough of a bump to be felt or seen from the front.

So that's one way to end your threads, and perhaps the easiest way!

If you're new to embroidery, you may want to check out the other tips and tricks on beginning and ending your threads found here on Needle 'n Thread.

Enjoy your stitching!
]]> pictures embroidery tips and tricks beginner embroidery 10022 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-10-26 11:43:00 2008-10-26 11:43:00 1 0 http://www.needlenthread.com/2008/10/opus-anglicanum-english-medieval.html Thu, 23 Oct 2008 09:09:00 -0500 Mary Corbet 560 2008-10-23 09:09:00 2008-10-23 09:09:00 open open Opus-Anglicanum:-English-Medieval-Embroidery publish 0 0 post strawberry tea cloth, for example, is hers, as is the goldwork rose. Incidentally, so is the design for the pomegranate I recently finished as a wedding gift for my niece. This design will be featured in January's Inspirations Magazine, and I'm really looking forward to seeing it in print. Needless to say, I was thrilled when she sent photos of her class project from the Opus Anglicanum workshop. With her permission, I'll share those here.

Opus Anglicanum is a style of embroidery that's easily recognizable. The embroidered figures are worked in split stitch, in silk, and are often surrounded by backgrounds of gold, worked in a technique called undersided couching.



Here, you can see the beginnings of the piece. The thread Margaret used is Soie Platte from Kreinik, a thread which has been discontinued. The gold is Japanese gold #2 or Benton & Johnson's 341. Notice the zig-zag lines behind the figure - that's where the thread will be couched, in order to create a design and texture in the gold.



Brave woman! She sent a photo of the back of the work!! This is to show the undersided couching - you can see the little dots of gold coming through the back. The way undersided couching works is this: you take your couching thread up to the front of the fabric, pass over the gold, and go back down into the fabric in the same hole you can out of. Then you give a little tug and pop the gold to the back of the work. This forms a ridge in the gold, and it makes the goldwork backgrounds less stiff, which was important for the work during that era, since much of it was done on items of clothing, particularly ecclesiastical vestments.



Margaret said the instructor taught them to take their scissor handles and rub the gold after stitching it, to relax it so that it lays better and fills in well. This is one reason I think it must be great to go to workshops with good teachers - those little tricks you wouldn't necessarily learn from a book! Margaret really praised the SCA instructors.... and it made me (ok, I admit it!!) a bit greeeeen with envy! I'd love to take one of these workshops! They just sound fun!



Here's the finished little fellow. This picture shows off the gold background design well - you can see the ridges from the undersided couching quite clearly.



And in this photo, you get a good view of the sheen on the silk. Nice!! You can also see the circular stitching on the cheeks - also typical of this style of embroidery - and, of course, there are those bulbous eyes that really crack me up. The exaggerated eyes were also typical of the technique.

I've read a little bit on Opus Anglicanum, and I've had the pleasure of briefly perusing A.G. Christie's book on English Medieval Embroidery, but not enough to say anything with any certitude on the development of the "look" of Opus Anglicanum. I would imagine that the look of the eyes and facial elements came about two ways (and I'm well open to correction on this!): 1. I think the figures mimic a bit the icons prevalent at the time; and 2. because the figures were worked on ecclesiastical garb (which would be viewed from afar), it would make sense that certain aspects of the figures would be exaggerated so that they could be seen from a distance. Just a shot in the dark.... anyone?

Anyway, I thought you would enjoy seeing these photos of this technique! Thanks, Margaret, for sending them along!

Guess what I just added to my list of "Things I Want to Play With if I Could Just Find the Time"? Right - Opus Anglicanum!

And just a note - Don't forget to sign up for this week's book give-away, if you haven't already. The book is Heirloom Embroidery, and it's a good one!
]]> 10032 Lori Northon noreply@blogger.com 2008-10-24 13:44:00 2008-10-24 13:44:00 1 0
Hope this helps a little.
Lori Northon]]> 10034 Sandy noreply@blogger.com 2008-10-24 11:59:00 2008-10-24 11:59:00 1 0
The couching was fun. Another thing about using the scissors handles and rubbing the gold: It also burnishes it and you get a nice soft reflective effect.

Mary, I think your reason #2 about the motifs being designed to be viewed from afar is correct. Even today most ecclesiastical garmets have outsized motifs or elements within the motifs.

Right now, I'm working toward being a licensed pastor and I'm trying to talk Margaret into making me a stole. I think an Opus Anglicanum stole would be lovely, don't you? :}

Thanks for the great work you've done with this blog. It's a treat!]]> 10035 margaret c. noreply@blogger.com 2008-10-24 11:43:00 2008-10-24 11:43:00 1 0
The fabric is linen (2 pieces in fact), but I don't know the count. Being a surface embroiderer, I'm woefully ignorant about fabric counts. To me it's just a garden variety of linen, but not super dense.

The couching thread that came in the kit was something used for making lace I believe. I never did find out for sure what it was. I ran out midway through the piece and finished with some Gutterman's upholstery thread which was almost exactly the same size and worked just fine.

Do try this technique. It really isn't terribly difficult. I'm looking forward to trying some more.]]> 10037 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2008-10-24 09:28:00 2008-10-24 09:28:00 1 0 10038 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-10-24 08:46:00 2008-10-24 08:46:00 1 0
CA]]> 10044 Angelina noreply@blogger.com 2008-10-23 23:25:00 2008-10-23 23:25:00 1 0 10051 margaret c. noreply@blogger.com 2008-10-23 19:39:00 2008-10-23 19:39:00 1 0
I just want to add that I am not an SCA member, but they allowed non-members to participate in the symposium. The classes were held in Southern California, but I think they may hold next year's gathering in Northern California. I had four classes in two days. They were well-organised, the teachers were very knowledgeable, and we had a lot of fun! I would urge anyone interested to attend and, no, they didn't make the non-members wear costumes although we could if we wanted. :-)]]> 10053 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2008-10-23 17:37:00 2008-10-23 17:37:00 1 0 10054 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-23 17:33:12 2008-10-23 17:33:12 1 0 10058 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-10-23 14:15:00 2008-10-23 14:15:00 1 0 What is SCA? Just curious!
Thanks!]]> http://www.needlenthread.com/2008/10/heirloom-embroidery-book-give-away.html Wed, 22 Oct 2008 11:51:00 -0500 Mary Corbet 561 2008-10-22 11:51:00 2008-10-22 11:51:00 open open Heirloom-Embroidery-Book-Give-Away! publish 0 0 post Heirloom Embroidery by Jan Constantine is a pretty book, and it's packed full of projects for the hand embroiderer. Here's your opportunity to add this book to your collection for free, with my book give-away. Let me tell you a little about the book and show you some photos...

Heirloom Embroidery isn't quite the book you might think it is when you read the title. When I hear "heirloom embroidery," I think of vintage linens, Victorian whitework and lace, embroidered christening gowns, and so forth - embroidery projects that are certainly gorgeous, but technically more difficult and time consuming.

When you see the cover of the book, you'll realize this isn't quite the type of heirloom embroidery we're talking about!



The book is full of great little (and some big) projects taht are accessible to any level of embroiderer.



For example, here's a colorful fleece scarf pattern - what a great gift this would make for the upcoming holidays! The author provides a list of materials, clear instructions, and all the finishing techniques.



Inside the book, you'll find the instructions for the strawberry sachet featured on the cover.



Speaking of Christmas and the holidays, you'll find several Christmas-oriented embroidery projects, from these snowflake hearts...



... to appliqued and embroidered reindeer and dove pillows...



...to a cozy Christmas stocking.



But don't think all the projects focus on winter. There are plenty of projects perfect for spring decor, like this tablecloth.

You'll also find plenty of seashore scenes - lighthouses, shells, boats. You'll find dragonflies and bugs and flowers and even a trout worked in a style reminiscent of free-style blackwork.

Besides thorough instructions for each project, a materials list, finishing techniques, and so forth, you'll find a stitch glossary in the back of the book.



In short, the book has everything you need (except the actual supplies and your own stitching time!) to create many projects that are certain to be family heirlooms.

It's a nice book - I like it a lot! And the projects are, again, accessible to all levels levels of embroiderers.

I thought I'd give you the opportunity to enjoy the book, too - so, to enter this give-away, leave a comment below! Tell me why you'd be interested in having the book, and include a name in your comment! I'll draw a winner by random number on Monday morning, October 27th, at 5:00 am CST.

The give-away is open to anyone, anywhere! Thanks for participating!


]]> Book Give-Away 9920 Anonymous noreply@blogger.com 2008-11-12 15:27:00 2008-11-12 15:27:00 1 0 9998 grandma susie noreply@blogger.com http://www.blogger.com/profile/03019087879608040295 2008-10-28 00:00:00 2008-10-28 00:00:00 1 0 9999 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-10-27 20:47:00 2008-10-27 20:47:00 1 0 Thanks
Sharon]]> 10000 georgia noreply@blogger.com http://www.blogger.com/profile/03210168285078264208 2008-10-27 18:30:00 2008-10-27 18:30:00 1 0
Georgia]]> 10009 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-10-27 03:33:00 2008-10-27 03:33:00 1 0 10010 Gentleman John noreply@blogger.com http://www.blogger.com/profile/15913558559403898895 2008-10-26 22:23:00 2008-10-26 22:23:00 1 0
I'd love to be able to present her with your book.

John E. Shimko]]> 10011 april noreply@blogger.com http://www.blogger.com/profile/10444041058214345018 2008-10-26 21:30:00 2008-10-26 21:30:00 1 0 10012 Torina torina.busyintersection@yahoo.com http://www.blogger.com/profile/00992090842674056507 2008-10-26 21:08:00 2008-10-26 21:08:00 1 0 10015 Trudy noreply@blogger.com http://www.blogger.com/profile/05186236807045797600 2008-10-26 20:27:00 2008-10-26 20:27:00 1 0
Please count me in for the givaway and I'll be crossing my fingers that you pick me:)

Wooly hugs,

Trudy]]> 10017 Nancy quilt@CENTURYTEL.NET http://www.blogger.com/profile/02263122218181506913 2008-10-26 19:58:00 2008-10-26 19:58:00 1 0 10018 Sojourner Design SojournerDesign@gmail.com http://www.blogger.com/profile/06771679118636379649 2008-10-26 19:07:00 2008-10-26 19:07:00 1 0 10019 LollyChops noreply@blogger.com http://www.lollychops.com 2008-10-26 18:59:00 2008-10-26 18:59:00 1 0 10026 Gail galynn92347@yahoo.com http://www.blogger.com/profile/14240381173653268463 2008-10-25 10:01:00 2008-10-25 10:01:00 1 0
Hugs
Gail]]> 10027 sonalee noreply@blogger.com http://www.blogger.com/profile/14533440312243579451 2008-10-25 06:44:00 2008-10-25 06:44:00 1 0 Sonalee]]> 10028 Doris S noreply@blogger.com 2008-10-25 03:10:00 2008-10-25 03:10:00 1 0 I would love to do.
Thanks for the give-away and thanks for your website ~~its the
BESTEST!!!
Doris]]> 10029 Mandy noreply@blogger.com http://www.blogger.com/profile/16285675253456501573 2008-10-24 20:45:00 2008-10-24 20:45:00 1 0 10030 Pru noreply@blogger.com http://www.blogger.com/profile/15469988754767981825 2008-10-24 15:52:00 2008-10-24 15:52:00 1 0 10031 Rebecca noreply@blogger.com http://www.blogger.com/profile/14905898918439736120 2008-10-24 14:31:00 2008-10-24 14:31:00 1 0 Rebecca.]]> 10033 ssrdw noreply@blogger.com 2008-10-24 13:26:00 2008-10-24 13:26:00 1 0 I would love to have this book, to enjoy reading as well as working the projects in it.
Sandy]]> 10036 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2008-10-24 09:34:00 2008-10-24 09:34:00 1 0 10039 Anonymous noreply@blogger.com 2008-10-24 08:33:00 2008-10-24 08:33:00 1 0 as gifts for my 5 daughters.
they have very busy lives and no time for crafts for their homes.]]> 10040 misskittyJean noreply@blogger.com http://www.blogger.com/profile/16066805317964154988 2008-10-24 06:59:00 2008-10-24 06:59:00 1 0 Thank you.
Jean in canada]]> 10041 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-10-24 00:34:00 2008-10-24 00:34:00 1 0 Every good embroidery book is such a wonderful treasure in itself. This book surely looks very good , with great ideas, and like everyone else, I would also LOVE to have this book.
Many Thanks to you for coming up with so many Give-aways and Stash contests. Its amazing !!
-Shrenika.(India)]]> 10042 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-10-23 23:43:00 2008-10-23 23:43:00 1 0 10043 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2008-10-23 23:35:00 2008-10-23 23:35:00 1 0 10045 Sangheetha noreply@blogger.com http://www.blogger.com/profile/06777497661003570501 2008-10-23 23:13:00 2008-10-23 23:13:00 1 0 I would love to have this book, I am impressed by the embroidery and stitching projects shown in the blog.I would like to have it to try out them. As doing a complete project always gives immense pleasure of accomplishment.]]> 10046 craftydabbler noreply@blogger.com http://www.blogger.com/profile/11092875761139023377 2008-10-23 23:02:00 2008-10-23 23:02:00 1 0 10047 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2008-10-23 22:23:00 2008-10-23 22:23:00 1 0 b) I am a needlework book junkie
c) I can always use new inspiration
and
d) I need to make some Christmas ornaments! Now that it gets dark at night here in Alaska, I have time to work on it!
Kathy]]> 10049 Laura Bullinger noreply@blogger.com 2008-10-23 21:15:00 2008-10-23 21:15:00 1 0 10050 Candyce noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2008-10-23 20:48:00 2008-10-23 20:48:00 1 0 10052 Anonymous noreply@blogger.com 2008-10-23 19:30:00 2008-10-23 19:30:00 1 0 Looks great, would love to have it!
Annie (Michigan)]]> 10055 cat noreply@blogger.com http://changelingthings.wordpress.com/ 2008-10-23 17:23:00 2008-10-23 17:23:00 1 0 10056 Anonymous noreply@blogger.com 2008-10-23 16:49:00 2008-10-23 16:49:00 1 0 10057 Anonymous noreply@blogger.com 2008-10-23 14:17:00 2008-10-23 14:17:00 1 0 Jaci in Iowa]]> 10059 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2008-10-23 13:55:00 2008-10-23 13:55:00 1 0 10060 Anonymous noreply@blogger.com 2008-10-23 13:55:00 2008-10-23 13:55:00 1 0 pegilee]]> 10061 Lori Northon noreply@blogger.com 2008-10-23 13:31:00 2008-10-23 13:31:00 1 0
Your blog is just amazing. I always look forward each day to reading your entry and to the eyecandy you include whether its's your own work or someone elses.

Thank you so much for making my day a little better.

Hugs!
Lori Northon]]> 10062 Marilyn R. noreply@blogger.com 2008-10-23 13:30:00 2008-10-23 13:30:00 1 0
Marilyn R.]]> 10063 Anonymous noreply@blogger.com 2008-10-23 13:04:00 2008-10-23 13:04:00 1 0 Karen in OH]]> 10064 Sheila noreply@blogger.com 2008-10-23 11:26:00 2008-10-23 11:26:00 1 0 I would love to have this book...I belong to a needlework group & am always looking for small items to make for the members. The heart ornaments are especially nice.
Sheila in CA]]> 10065 Pamela noreply@blogger.com http://www.blogger.com/profile/04708767246122734221 2008-10-23 11:26:00 2008-10-23 11:26:00 1 0 10066 Mayté magicXstitch@gmail.com http://www.blogger.com/profile/09031486818730881428 2008-10-23 10:48:00 2008-10-23 10:48:00 1 0 10067 Yoyo yoyo_9203@yahoo.com http://www.blogger.com/profile/14230651257160627560 2008-10-23 09:56:00 2008-10-23 09:56:00 1 0 Leigh]]> 10068 amaloney noreply@blogger.com http://www.blogger.com/profile/10551750623787855297 2008-10-23 09:50:00 2008-10-23 09:50:00 1 0 10069 deep noreply@blogger.com 2008-10-23 09:02:00 2008-10-23 09:02:00 1 0 10070 amypardo noreply@blogger.com 2008-10-23 08:58:00 2008-10-23 08:58:00 1 0 10072 Anne noreply@blogger.com http://www.blogger.com/profile/13612057513713284242 2008-10-23 06:20:00 2008-10-23 06:20:00 1 0 10073 Treasuresofjoy treasuresofjoy@gmail.com http://www.blogger.com/profile/11120383428445174012 2008-10-23 06:09:00 2008-10-23 06:09:00 1 0 Renee]]> 10074 Pam--in Estonia goodnewsfromafarcountry@gmail.com http://www.blogger.com/profile/16252189926255580444 2008-10-23 04:40:00 2008-10-23 04:40:00 1 0 10075 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2008-10-23 03:21:00 2008-10-23 03:21:00 1 0 10076 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-10-23 01:41:00 2008-10-23 01:41:00 1 0 10077 Sheila noreply@blogger.com 2008-10-23 01:06:00 2008-10-23 01:06:00 1 0 Sheila]]> 10078 jenniferofthejungle noreply@blogger.com http://www.blogger.com/profile/06789180573833662995 2008-10-23 00:28:00 2008-10-23 00:28:00 1 0 10080 neeldeworknup noreply@blogger.com 2008-10-22 22:49:00 2008-10-22 22:49:00 1 0 10081 Sommer noreply@blogger.com http://www.blogger.com/profile/01677835522573541445 2008-10-22 21:35:00 2008-10-22 21:35:00 1 0 10082 MarySue noreply@blogger.com http://www.blogger.com/profile/02490101224935084950 2008-10-22 21:26:00 2008-10-22 21:26:00 1 0 10083 Julie sewjules@gmail.com http://www.blogger.com/profile/12379526202960056956 2008-10-22 21:23:00 2008-10-22 21:23:00 1 0 10084 shannon noreply@blogger.com http://shannonmillercreative.com/blog 2008-10-22 20:04:00 2008-10-22 20:04:00 1 0
LOVE your blog, have been following you for a few months now and it is always so inspiring!]]> 10085 Anonymous noreply@blogger.com 2008-10-22 19:55:00 2008-10-22 19:55:00 1 0
Tina]]> 10086 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-10-22 19:14:00 2008-10-22 19:14:00 1 0 10087 Anonymous noreply@blogger.com 2008-10-22 18:17:00 2008-10-22 18:17:00 1 0
celeste]]> 10088 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-10-22 18:04:00 2008-10-22 18:04:00 1 0 Your blog posts are always so interesting, I really enjoy coming here.

I'd like to own that book too. As others have said, you can never have TOO MUCH inspiration. But seriously, I think we should all consider doing at least one piece of stitching to leave as our legacy for future generations. Imagine if all those samplers created in the 18th and 19th centuries hadn't been worked and then kept? We'd all be a lot poorer for that. I have some of my paternal grandmothers stitching, but none of my mother's or her mother's unfortunately. My family will have some of mine to cherish in the future if I have my way.

Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 10089 Rosalie noreply@blogger.com 2008-10-22 17:53:00 2008-10-22 17:53:00 1 0
Rosalie]]> 10090 Ramme alvor noreply@blogger.com http://www.blogger.com/profile/01569192184742864709 2008-10-22 16:30:00 2008-10-22 16:30:00 1 0 First i have to get ridd of my fear of writhing in English, been some years since last time...;)

Second, the book looked lovley. I tried to, what do you call it..embroider? we call it "brodere" last night. Used to be able to do it one hundred years ago, but i had to surrender and admit that i needed som patterns and some kind of help....your book looks like something like that :)
Love your blog!

Britt]]> 10091 Ellie noreply@blogger.com 2008-10-22 15:59:00 2008-10-22 15:59:00 1 0
I enjoy your blog immensely, Ellie]]> 10092 Mo noreply@blogger.com http://www.blogger.com/profile/06122844656878512033 2008-10-22 15:41:00 2008-10-22 15:41:00 1 0
Mo]]> 10093 Claire M. noreply@blogger.com 2008-10-22 15:40:00 2008-10-22 15:40:00 1 0
Claire]]> 10094 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-10-22 15:24:00 2008-10-22 15:24:00 1 0 10095 Ratmomma / Carolyn carolynmccomas@yahoo.com http://www.blogger.com/profile/16133466311631303616 2008-10-22 15:19:00 2008-10-22 15:19:00 1 0 Carolyn]]> 10096 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-10-22 14:13:00 2008-10-22 14:13:00 1 0 I stand so much in need of ideas for little (and two or three not so little...) Christmas gifts ... I think this book would help a lot!]]> 10097 jenni jenni.simplebeans@gmail.com http://www.blogger.com/profile/00385400502092186947 2008-10-22 14:01:00 2008-10-22 14:01:00 1 0 http://www.needlenthread.com/2008/10/readers-embroidery-modern-icon-using.html Tue, 21 Oct 2008 06:00:00 -0500 Mary Corbet 562 2008-10-21 06:00:00 2008-10-21 06:00:00 open open Reader's-Embroidery:-Modern-Icon-using-Japanese-Embroidery-Techniques publish 0 0 post

The original picture that inspired Anne's embroidery is found in the John Paul II Center. The icon is a modern rendition of the Good Shepherd. The bold lines and bold colors are really enhanced by the techniques used in stitching. In fact, I can't imagine the picture painted. The embroidery just "fits" it, if you know what I mean.



Here, the piece is still mounted on the frame. The colors are so vibrant, aren't they? I love the red and the blue background.



Here, you can see the work a little closer. The two stitched elements that really grab me are the red robe (the honeycomb stitching in flat silk) and the wool on the lamb. Now, I would try to explain how the wool is done, but the truth is, although Anne described the process to me, I can't figure it out yet because I haven't had the opportunity to play with it. But I want to! I love that wool. While you're looking at it, check out the expression on the lamb - startled, to say the least. He's caught!



And here's the piece, in a very nice frame job.

The piece is certainly brilliantly stitched, isn't it? The stitching is so precise, the bold lines are so perfectly caught, and the colors are so vibrant - overall, a pleasing combination of technique and color.

Thank you so much, Anne, for sending along the photos!

If you have a project you want to show us, do feel free to contact me, and I'll send you my e-mail address so you can send pictures of your masterpiece along. Personally, I like seeing what others are doing out there in the needlework world, and it sure serves as inspiration for the rest of us!
]]> readers embroidery pictures silk needlework pictures 10098 Candyce noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2008-10-22 08:56:00 2008-10-22 08:56:00 1 0 10099 Anonymous noreply@blogger.com 2008-10-22 07:01:00 2008-10-22 07:01:00 1 0 10100 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-10-21 22:06:00 2008-10-21 22:06:00 1 0 http://www.needlenthread.com/2008/10/thread-and-needles.html Mon, 20 Oct 2008 14:10:00 -0500 Mary Corbet 563 2008-10-20 14:10:00 2008-10-20 14:10:00 open open Thread-....-and-Needles! publish 0 0 post mail. I don't get a lot of mail, so when I do, it's rather exciting. Today, I received two little packages - one with thread, and the other with needles. What else in the world could be more appropriate, I ask you! Would you like to see?....

New Embroidery Threads to Try!

The first little package contained two types of embroidery thread, Soy Luster and Baroque Silk, from The Pure Palette.



They're Really Pretty Threads! The two purples are Soy Luster, made from (right!) soy. One is solid and the other variegated. The red is Baroque silk, which is 100% silk. It's so pretty. The picture can't do it justice!

I haven't used either thread yet, but I'm going to, and I'll write up a comparison so you can see what they're like lined up to other familiar threads. I'll also give you the low-down on the threads, where you can find them, and so forth. I can't wait to try this stuff out!

And New Needles, Too!

Now, the needles are funny. Not ha-ha funny, but peculiar funny. They're called "Spiral Eye" needles, and they're made for easy threading, because you don't have to "thread" it in the same way. I haven't tried stitching with one of them yet - or even threading them! - but I will, and when I do, I'll tell you all about them and what I think of this nifty invention. They aren't calyx needles, in case you're wondering. Here's what the Spiral Eye needle looks like:



The needle is actually very small. Close-up photos always make things look much larger than reality! I'm eager to try this and to let you know what it's like. It looks like it will be a great option for those who have a hard time keeping their needles threaded.

So that was my Monday mail! And both packages have given me plenty to do! I like testing threads and tools...

Coming Up This Week on Needle 'n Thread

Coming up this week, I'll continue with information for the very beginning beginners on beginning and ending threads. Actually, I think this kind of information is also good for those of us who have been stitching for a while. I love hearing how other people do the basics, just in case there's a better way!

I've also got a book review coming up on a unique ecclesiastical embroidery book. And speaking of books, I'm going to do a book giveaway on a nice book called Heirloom Embroidery.

I've started couching the gold around the outside of my Christmas ornament, so I'm sure I'll be able to share that with you before the end of this week! I also helped my niece set up a needlebook that she's going to embroider for her Home Ec class assignment, and it's kind of cute - bulky, but cute. She's coming over Wednesday for studio time, so I'll get photos of it then. (Hopefully, she's made progress on it!)

I have a gorgeous reader's embroidery to post for you, too, and who knows what else?

This coming weekend, I'll be helping out with my family at a local international cultural festival, so I'll be pre-writing several posts in order to fit in all the weekend events. We're doing a Welsh exhibit, and cooking for... oh.... 1,500 or so. Should be fun!

Busy week! I'm looking forward to it, and I hope you are, too!
]]> needles website news needlework tools threads pictures 10103 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-21 07:47:43 2008-10-21 07:47:43 1 0
I haven't had a chance to use the needle yet, but I do think the eye is probably too small for crewel work. It's a pretty small eye. But once I try it (this afternoon), I'll know better!

Glad you like the couch caddy - it was really simple to make. I'm still using it! My orts bag is gathering much thread!!

MC]]> 10109 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-10-20 15:38:00 2008-10-20 15:38:00 1 0
By the way, I had fun browsing your website for a long time last night. I came across your ort-catcher-post. I didn't even realize those things had a name! I may try making something like your couch caddy. Great idea.

Have fun with your new acquisitions!]]> http://www.needlenthread.com/2008/10/silk-and-goldwork-christmas-ornament.html Sun, 19 Oct 2008 09:02:00 -0500 Mary Corbet 564 2008-10-19 09:02:00 2008-10-19 09:02:00 open open Silk-and-Goldwork:-Christmas-Ornament-Progress publish 0 0 post hanging direction of my Christmas ornament, I finally realized I wouldn't know for sure whether it would look better square or on point until I finished the green shading. So I finished the green shading, and started the goldwork, then made one of those Moaner Mistakes...

My original concept for this ornament, as mentioned before, was to hand embroider a diamond-shaped Christmas ornament that would hang from the tip of the diamond, and be finished at the base with a tassel. You can see the original drawing of the pattern in the post where I was musing over different projects in planning stages.

Though I didn't plan much beyond the initial design, I had in mind an ornament that would combine silk shading and goldwork.

Thinking Through the Embroidery Design

Originally, the four diamond shapes around the center of the ornament were to be silk shading in deep reds, raised on felt. But when I started, I discovered I liked satin stitch better for those. Then, once I got the satin stitch in, I found I liked the ornament turned as a square better. So I polled readers about it, asking which direction they liked better, and I think the majority said they liked the ornament hung on point - but many also agreed that the inside diamonds looked better turned. Well, it was too late to re-design the layout, so I decided to forge ahead through the green silk shading to see if it would make a difference in the look of the ornament.



Once the green was in, I was back to liking it on point, as a diamond shape overall, despite the direction of the little red diamonds within. I think it all panned out ok.

I suppose this isn't the most "professional" way to go about working up a project - this trial-and-error, not knowing where you're going for sure before you start, type approach. But I like undertaking projects this way, because there's more discovery along the way. I really had no idea how the red and greens would look together in the design. But I find I like them!

Haste Makes Waste

Once the greens were finished, I was itching to start couching on the pearl purl around the green shapes! I couldn't wait (I thought) to see what the whole effect of the gold around the green would look like!

BUT - perhaps it was the late hour... perhaps it was my overeagerness... perhaps it was mere carelessness...

I made a mistake. One of those "ooooooooh nooooooooo" mistakes. Just as it happens, you realize exactly what you've done, but it's all so quick, in such an instant, that the fact and the realization of the error all come into being at the same split second...



There it is. In trimming the gold purl pearl, my scissors grazed the edge of my satin stitching, and (I thought) cut through several threads.

In fact, it grazed the threads, and cut halfway through two of them, but not all the way through either. Still, it wouldn't do - that needed to be repaired before I could rush into the rest of the gold.



I examined from all angles, and realized the mistake wasn't really noticeable. But the problem was actually the threads - they wouldn't survive the test of time if they began Life on an Ornament already damaged. So ... on to the repairs.

Repairing the Satin Stitching

The first thing I did was carefully snip off the lattice.



Then, using the eye of the needle, I separated the threads that were damaged, to see if there was any way I could pull just one or two threads to the back, and fill in with a couple new stitches.



As I pulled the threads carefully out, though, I realized it would be a matter of complete removal.

On the top of the work, I ran my scissors carefully under all the satin stitches on this one diamond, perpendicular to the direction of the stitches, and cutting the diamond right in half.



On the back, I did the same thing, but I had to be much more careful, because I had ended and begun threads from other parts of the motif in the threads on the back of the diamond. After snipping just the red diamond threads, I carefully plucked out the satin stitching with tweezers.

Tweezers, by the way, are a necessary tool in any embroidery work basket!



I managed to get all the threads out with minimal damage to the felt. The front looked ok, but...



... the back was a Whole Nuther Question!

These were the threads that were anchored in the back of the satin stitching, and it was important that they return to their anchored state, so I was pretty careful with them!



It didn't take too long to satin stitch the diamond again.



Once I got the lattice back onto the diamond, I charged into couching the rest of the pearl purl. Once the gold outline was on, I was sold again on the notion of the diamond shaped ornament!



I love the look of the gold with these colors of silk!

A Lesson for Hand Embroiderers All

What have I learned so far on this project?

1. Don't try to make decisions on a design until you get it to the point where you can really "see" it.

2. Haste makes waste. I was dying to get to the next step of the project, and, because I wasn't as careful as I should have been, I had to pick part of the stitching out and start over again, using up valuable thread and valuable time. Take things slowly and pay attention to detail - in the long run, it'll save you time!

3. But - everyone makes mistakes. As Shakespeare put it, "Roses have thorns, silver fountains mud. Clouds and eclipses stain both moon and sun, and loathsome canker lives in sweetest bud. All men make faults..." At some point, we all have to take out stitches! So instead of dreading taking out the stitches - or allowing a mistake to hault us in our tracks so that we don't go back to the project (that's hard to overcome - I find I'm always put off a project when I make a major mistake!), consider the picking out just part of the project. Picking out is, in a sense, an integral part of embroidery - at some point, even the best needleworkers pick out their stitches and re-do. It's all part of the process... and mistakes are part of being human.

Heh heh. That's the philosophical me - but don't think that, at the time, it didn't irk the heck out of me!



NOW - what do you think about the diamond / square question at this point? Do you think the diamond works better overall now? What's your take?


]]> goldwork pictures silk Christmas needlework pictures 10101 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-21 13:08:06 2008-10-21 13:08:06 1 0
Laura had suggested the same thing - to expand the square back into a diamond, by adding points on the square sides. It's a good idea. I drew that out on the original pattern, to see if I would like it, and two problems arose: 1. the ornament would be really large, or at least a lot larger than I would want it; 2. I'm working completely off stash and already running short on the colored silk and on the gold, so I think it wouldn't be prudent!

I'll keep you posted on the progress!

Thanks again for all the helpful suggestions!]]> 10104 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-10-21 07:44:00 2008-10-21 07:44:00 1 0 10105 Anonymous noreply@blogger.com 2008-10-21 07:02:00 2008-10-21 07:02:00 1 0 Thank you for allowing us to make suggestions and comments on what is such a personal process.]]> 10106 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-20 23:21:03 2008-10-20 23:21:03 1 0
Thanks very much for your input. I still seem to think that the orientation of the inside is more pleasing on the square, but the outside diamond shape is better than the outside square shape. Still, now that the green and gold are on, I can live with inside orientation of the reds. I will definitely try the suggestion of changing the direction of the lattice, as I think the squareness of it is one of the things that bugs me.

This is the thing: when I squint and look at both, I like the inside of the square shaped ornament, and the outside of the diamond shaped ornament.

I suppose I'll stop squinting, and just go forward with the plan as it is - the finished product may tell a very different story! Right now, the outside goldwork is tedious, so it will take some time.

Yes, and definitely a tassel at the base!

Thank you all again for your kind words and good ideas! It's so nice to have stitching friends to bounce these things off, isn't it??]]> 10107 Laura Bullinger noreply@blogger.com 2008-10-20 20:31:00 2008-10-20 20:31:00 1 0 10110 Grace B noreply@blogger.com 2008-10-20 15:32:00 2008-10-20 15:32:00 1 0 10111 Anonymous noreply@blogger.com 2008-10-20 15:28:00 2008-10-20 15:28:00 1 0 Annie (Michigan)]]> 10112 firesheep67 firesheep67@gmail.com http://www.blogger.com/profile/05896771343627956370 2008-10-20 14:24:00 2008-10-20 14:24:00 1 0 10113 Freda butler noreply@blogger.com 2008-10-20 12:22:00 2008-10-20 12:22:00 1 0
Lucky the tree that will have this ornament hanging on it.

Hugs

FredaB]]> 10114 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-10-19 23:51:00 2008-10-19 23:51:00 1 0 Hooroo,
Christine.]]> 10115 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-10-19 19:55:00 2008-10-19 19:55:00 1 0 10116 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-10-19 17:56:00 2008-10-19 17:56:00 1 0 10117 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-10-19 17:40:00 2008-10-19 17:40:00 1 0 10119 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-10-19 16:06:00 2008-10-19 16:06:00 1 0
If you really can't live with the squareness of the squares, you only need remove the gold lattice and rework that at 45 degrees, as long as you work perpendicular to the foundation stitches first.

CA]]> 10120 Žabacorporation zabacorporation@gmail.com http://www.blogger.com/profile/08672390582224414007 2008-10-19 15:25:00 2008-10-19 15:25:00 1 0 I keep my fingers crossed for your next efforts, I wish you not to have to repair anything else on your work, as this repairing damage's work that scares me:-)]]> 10123 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-10-19 14:21:00 2008-10-19 14:21:00 1 0
MGM]]> 10124 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-10-19 13:46:00 2008-10-19 13:46:00 1 0 10125 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-10-19 12:34:00 2008-10-19 12:34:00 1 0 You make us feel soooo better! Well then! Even Mary Corbet makes mistakes!!!! :))
You are a very, very good teacher!
Thanks for the lesson, and the way you gave it]]> 10126 Nancy Anne noreply@blogger.com http://www.blogger.com/profile/02237114827879596130 2008-10-19 12:26:00 2008-10-19 12:26:00 1 0 10129 Cindy in Oregon noreply@blogger.com 2008-10-19 10:15:00 2008-10-19 10:15:00 1 0 http://www.needlenthread.com/2008/10/flat-silk-and-twisted-silk-from-flat.html Sat, 18 Oct 2008 06:00:00 -0500 Mary Corbet 565 2008-10-18 06:00:00 2008-10-18 06:00:00 open open Flat-Silk-and-Twisted-Silk-from-Flat-Silk... publish 0 0 post

You Can Twist Flat Silk and Embroider With It!

Yesterday, Carol-Anne of Threads Across the Web posted a magnificent article on using flat silk. She shows us what the Japanese flat silk looks like in its original state, and then doubled thicker. And then - oh, wonderful! - she shows us how the Japanese silk looks when you twist it with different numbers of strands.

She's got the silk all lined up there, so we can enlarge the photo and look at the different threads created from the original flat silk.

Then, she takes the whole post further, by showing us what the twisted threads look like when stitched.

As I commented on her post, I'm going to suffer from Thread Distraction until I can play with some Japanese silk and make up some of that glorious twisted thread to stitch with. I'm just twitterpated with the whole idea!

Types of Flat Silk and Where to Find It

I buy my Japanese flat silk from the Japanese Embroidery Center in Atlanta, Georgia. They have a nice website and online shop that you should visit if you're interested in these threads. You can also find handmade needles there, and different types of Japanese golds.

Besides Japanese flat silk, I've worked with Eterna, which is a Chinese flat silk with a little (barely noticeable) twist to it. I don't know if you could twist it like you do with the Japanese flat silk, but I'm keen to try. I've also worked with Helen Stevens's silk - which is the same as Piper's silk - and with Soie Ovale by Au Ver a Soie (the flat silk that I used on the wool on the Agnus Dei project). Additionally, I've used Kreinik's soie platte, which is very similar to the Au Ver a Soie flat silk. Overall, so far, I like the Soie Ovale best, because it seems to have more body.

But... with this new information from Carol-Anne, you can bet your little boots I'm going to play with the Japanese silk and try to come up with a nice twist to stitch with.

Strangely enough, when looking up close at some old ecclesiastical pieces, I've noticed that sometimes, there are threads that look just like a softly twisted flat silk. I can't help wondering if perhaps the same technique was used. I can't wait to play and find out!

I'll be sure to let you know how my efforts pan out.

Progress on Silk and Goldwork Christmas Ornament

Other news: I did, in fact, get the green shading done on my Christmas ornament. For those of you who expressed an opinion on the direction of the ornament, thank you! I'm taking it all into consideration!

But - WOE IS ME - you know what I did? I started couching on some pearl purl, and in snipping a piece of it, I cut straight into one of the satin stitched red diamonds. I just grazed about three threads with the very tippiest tip of my goldwork scissors. How forlorn was I, I cannot begin to say!! Tomorrow, I'll give you a few photos of the green shading with the beginning of the goldwork, along with a view of the snipping tragedy, and I'll tell you what the remedy is in a situation like that!

Enjoy your weekend!
]]> hand embroidery information goldwork embroidery resources needlework websites silk 10128 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2008-10-19 11:38:00 2008-10-19 11:38:00 1 0 10133 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-10-18 08:41:00 2008-10-18 08:41:00 1 0 Yesterday while I was reading Caroll-Anne's post I was thinking of you, Mary, really!]]> http://www.needlenthread.com/2008/10/embroidered-christmas-ornament-which.html Fri, 17 Oct 2008 06:54:00 -0500 Mary Corbet 566 2008-10-17 06:54:00 2008-10-17 06:54:00 open open Embroidered-Christmas-Ornament:-Which-Direction? publish 0 0 post

When I first designed this Christmas ornament, my plan was that it would hang on point, so it would be diamond-shaped. Then I started stitching, and a lot of things happend.



First, the embroidered red things - originally, they were going to be shaded long and short stitch, raised on felt. But I started that, and I thought... you know, I'm going to see what satin stitch looks like first. I have a real thing for satin stitch - I just like it a lot. So I tried the satin stitch, and I found I liked it, so I stuck with that. The red diamonds will be outlined with an edge of gold, to finish them off.

Then, I thought a lattice might look nice over the top of the satin stitch, in a lighter shade of the same colors. These colors will be repeated on the border, in an Or Nue bit. So, I did the lattice couching. I like sparkly Christmas ornaments. There's going to be stuff on here, aside from the embroidery - and in the middle of the red things, I want to put a little gold pailette. So that lattice forms the framework for a tiny pailette. If it looks ok, I'll leave it. Who knows, I might change my mind!

Now, in the longer, petal-looking areas (where the green shading has been started), I was originally going to trim down some beetle wings to fit right in there, and surround them by pearl purl.

But - I didn't like the color of the beetle wings with the color of the reds. So I scratched that altogether, and decided to do the green shading. I think I'm going to like it better!

This is the dilemma, though. On point - diamond-shaped, that is - see the direction of the red diamonds and the lattice? It's looking rather square, isn't it?

But if I turn the ornament to be hung squarely, look what happens to the red diamonds and lattice:



I think I like the red diamonds better this direction!

So here's my question: Which direction should the ornament hang? Perhaps it's a little early to decide - maybe it will be easier to decide once all the green shading is finished. But I want to make a "final" decision on this dilemma before I begin the layers of goldwork around the outside, since I think the direction the ornament is to be hung will change the approach I take to the various colors....

What do YOU think? Any preference? Any insight to the look of the design, or to the way it will hang if hung as a square instead of a diamond?? Let me know your thoughts!!

I hope you have a terrific weekend!
]]> goldwork Hand embroidery stitches pictures needlepainting Christmas needlework pictures 10108 Heidi in MN noreply@blogger.com 2008-10-20 15:57:00 2008-10-20 15:57:00 1 0 10118 Susan Vasquez noreply@blogger.com 2008-10-19 16:12:00 2008-10-19 16:12:00 1 0 10121 Anonymous noreply@blogger.com 2008-10-19 15:08:00 2008-10-19 15:08:00 1 0 RobynK New Zealand]]> 10122 Anonymous noreply@blogger.com 2008-10-19 15:05:00 2008-10-19 15:05:00 1 0 10127 Anonymous noreply@blogger.com 2008-10-19 12:02:00 2008-10-19 12:02:00 1 0 10130 Laura Bullinger noreply@blogger.com 2008-10-18 20:25:00 2008-10-18 20:25:00 1 0 10131 Odette noreply@blogger.com 2008-10-18 12:56:00 2008-10-18 12:56:00 1 0 10132 Anonymous noreply@blogger.com 2008-10-18 10:11:00 2008-10-18 10:11:00 1 0
Annie (Michigan)

I started out in college as an art major but was strongly discouraged to continue and ended up in the mental health field...ha ha maybe my comment is why.]]> 10134 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-10-18 08:37:00 2008-10-18 08:37:00 1 0 10140 Candyce noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2008-10-17 17:13:00 2008-10-17 17:13:00 1 0 Either way, it is gorgeous and beautiful word. It will be magnificent however it gets finished.]]> 10142 firesheep67 firesheep67@gmail.com http://www.blogger.com/profile/05896771343627956370 2008-10-17 15:29:00 2008-10-17 15:29:00 1 0
I like it better as a diamond too... I see a tassel at the bottom perhaps? (Although that could be overkill.) Fabulous work! Can't wait to see it progress =:)]]> 10144 Nancy noreply@blogger.com http://www.blogger.com/profile/00351853508098882334 2008-10-17 11:16:00 2008-10-17 11:16:00 1 0 10145 Cindy in Oregon noreply@blogger.com 2008-10-17 10:45:00 2008-10-17 10:45:00 1 0 http://www.needlenthread.com/2008/10/royal-school-of-needlework-is-back-in.html Thu, 16 Oct 2008 07:32:00 -0500 Mary Corbet 567 2008-10-16 07:32:00 2008-10-16 07:32:00 open open The-Royal-School-of-Needlework-is-Back-in-the-US! publish 0 0 post

I knew that the Royal School of Needlework had established a new venue in San Francisco and that they would be offering their certification courses there, beginning this fall. The certification courses are the more expensive, time-intensive (three weeks, I think) courses. Since they had an RSN graduate in CA, in the San Francisco area, once they found a venue, they were able to offer these certification courses again.

But for those of us who can't afford the time or investment for the certification courses, the day classes offered by the RSN are more ideal. It took some coordinating on their part, but it looks as if they're planning to offer day classes from April 29 through May 15 this coming spring! Isn't that exciting??!!

If you want to find out what types of day courses the RSN offers, you can check out the Royal Schol of Needlework website, where you'll find all kinds of information on what they offer.



Specifically, you may want to take a look at this PDF brocher that outlines the courses offered by the RSN. Right now, they haven't published the information on the day courses being offered in San Francisco, but at least, with the brochure, you can get an idea of the quality and subject-matter of the different classes.

If you want to receive information on the course offerings in San Francisco in the spring, there's contact information on the RSN site for Gill Holdsworth, who is the head of education at the Royal School of Needlework. Drop her a line to let her know you're interested, so that you can be put on the list when the information goes out. It's also a good idea to let her know that there is an interest over here for these courses, so that they know it's worthwhile to go to all the effort it must take to coordinate such an event!

Thanks, Margaret, for the info, and thank you, RSN teachers, tutors, and coordinators, for making the effort to restore these classes in the US!
]]> Royal School of Needlework embroidery resources needlework classes needlework news needlework and travel 10147 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2008-10-17 05:02:00 2008-10-17 05:02:00 1 0
I think the course tutor in San Fransisco is Lucy Barter, she taught our very first RSN course on Goldwork and was really good! :-)]]> 10148 Anonymous noreply@blogger.com 2008-10-16 20:10:00 2008-10-16 20:10:00 1 0 -Christiana]]> http://www.needlenthread.com/2008/10/readers-embroidery-monogrammed-towels.html Wed, 15 Oct 2008 06:32:00 -0500 Mary Corbet 568 2008-10-15 06:32:00 2008-10-15 06:32:00 open open Reader's-Embroidery:-Monogrammed-Towels publish 0 0 post

These little towels were hand embroidered by Queenie. The first set is from the flowered monogram I posted earlier this year.



This second set, though, is my favorite! I love the W - I think it's so pretty, and the stitching is so neat. And I love the little locked hearts with the Mr. and Mrs. on them! Very nice! Those would be a great set to give as a wedding present!



Queenie also sent this picture of another project:



Funny, eh?

Thanks heaps for sending the photos along, Queenie! It looks as if you're having fun with embroidery!

If you've made something recently that you'd like to share with readers, do send along a photo! Just drop me a line, and I'll send you my e-mail address. I'd love to see what you're up to with your needle 'n thread!
]]> readers embroidery pictures 10135 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-10-18 08:33:00 2008-10-18 08:33:00 1 0 I double appreciate it because I'm doing several embroidered towels with different monograms for a friend and I have to join two letters!!! Sometimes it is difficult...]]> 10149 Anonymous noreply@blogger.com 2008-10-16 19:13:00 2008-10-16 19:13:00 1 0 Annie (Michigan)]]> http://www.needlenthread.com/2007/08/library-of-needlework-books-online.html Fri, 17 Aug 2007 09:26:00 -0500 Mary Corbet 569 2007-08-17 09:26:00 2007-08-17 09:26:00 open open Library-of-Needlework-Books-Online publish 0 0 post

So the purpose of this post, which will be available in the left side bar under "Online Needlework Books" is to help reduce the hours of searching for specific books online. I'm just going to create a casual "catalog" of online books devoted solely to needlework of various types that may be of interest to the hand embroiderer. I'll include a short description, so that you can see if you'd be interested before you spend too much time browsing.

I'll update the list as I sort through my links. If you know of any online books that are favorites of yours, feel free to let me know so I can add it to the list!

• The Encyclopedia of Needlework
  by Therese Dillmont
  Made available by Project Gutenberg
  Description: A comprehensive book on needlework, covering a whole range of techniques. You'll find photos of stitches and techniques, with text describing how they are worked. Some of the topics covered: surface embroidery of all types, crochet, knitting, lace-making, etc. If it's needlework, you're bound to find a reference for it in this book!



• Jacobean Embroidery
  by Ada Wentworth Fitzwilliam and A.F. Morris Hands
  Made available by Project Gutenberg
  Description: This is a wonderful book for anyone interested in crewel work, needlepainting, or, of course, Jacobean embroidery. It includes a brief history, followed by plenty of information on techniques and a whole slew of designs that provide inspiration for the embroiderer.



• Beeton's Book of Needlework
  by Isabella Beeton
  Made available by Project Gutenberg (HTML format) and Antique Pattern Library in PDF form (links below)
  Description: This is another comprehensive needlework book. It contains instructions and pictures of different techniques, as well as patterns and - the part I like best - some very nice monogram alphabets. The Antique Pattern Library supplies the book in PDF format (from Project Gutenberg), in three files: Part I, Part II, Part III. I like the 3rd file best, as it contains very nice coverage of needlelace techniques, including embroidered net (guipure), as well as the extensive index, which will help you find other stuff throughout the complete work. You'll find the section on monograms in the second file, starting on page 118 of the PDF.



• Art in Needlework (PDF - 24MB)
  by Lewis F. Day
  Available on American Libraries Internet Archive
  Description: Another comprehensive resource, this one is made up of a good bit of text, but has some nice illustrations in it. There are some good descriptions of technique, but what I like about it is the dated commentary that runs through the book. "Linen is a worthy ground-stuff...Cotton is hardly worth embroidering." I like the section on "A Word to the Worker," starting on page 250 of the PDF. Much of what is said in this short chapter still holds true, and there are some very good tips for the embroiderer.



• The Needles Excellency
  by John Taylor, published in 1631
  Made available by Godfrey's Bookshelf
  Description: The first part of the book is a long poem called "The Praise of the Needle," after which you'll find a bunch of samples of patterns that can be used for petit point, cross stitch, filet, etc., and then heaps of needle lace designs which are very nice and would be easy to use, as they would simply require enlarging or tracing. As a very old needlework book, it's fun to browse through.



• The Art of Modern Lacemaking
  Published by Butterick in 1891
  Made available by Project Gutenberg
  Description: People who like to embroidery don't necessarily like the idea of making lace, admittedly - just because you like the one art doesn't mean you like the other! - but it's true that lace making and embroidery cross boundaries once in a while. Browsing through this book, you'll find some great patterns and some techniques that can be used in surface embroidery as well as lace making. Note the section on darning, for example. In the patterns, you'll find some really pretty inspirational pieces. The point lace butterfly pattern could be easily adapted to surface embroidery.



• Assisi Embroidery
  by Therese Dillmont
  Made available by the On-Line Digital Archive of Documents on Weaving and Related Topics (hereafter, Digital Archive)
  Format: Two PDF Files: Part One & Part Two
  Description: Added at the beginning of August, 2007, this contribution to the digital archive will interest anyone who likes counted thread techniques and historical embroidery. The booklet has numerous magnificent examples, in color. The first part of the work is where you'll find the technique explained, and the second part is devoted primarily to color plates.



• Church Embroidery and Church Vestments
  by Lucy Vaughn Hayden Mackrille
  Made available by Digital Archives
  Description: This is an excellent resource for anyone interested in ecclesiastical textiles - whether you're interested in making them yourself, or you just like historical needlework, etc. While some of the terminology and materials are a little outdated, the majority of the book is priceless when it comes to technique, design, etc. It's an enjoyable book just to flip through, to see some inspiring needlework. The separate links to the PDF files are listed in my brief blurb on the book.



• Embroidery and Tapestry Weaving
  by Mrs. Archibald Christie
  Made available by Project Gutenberg
  This is a great book covering embroidery techniques, with plenty of pattern and design ideas. Fun to browse through!

I've still got a few more links to add, so check back for updates! And please don't hesitate to suggest additions!
]]> online needlework books 6591 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-17 09:10:29 2009-07-17 09:10:29 1 0
Excellent tip - thank you! I like the Google "library" feature, though so far I've only used it specifically for needlework books. Now I'll be sure to look around for other books, too - the Victorian era ones sound like they would be great!

Thanks again!

MC]]> 6592 Quilternyc noreply@blogger.com http://www.blogger.com/profile/08208627838281984582 2009-07-17 08:32:37 2009-07-17 08:32:37 1 0
I've been searching on Google books and have found some really great children's books (school readers, etc.) as well as others that have images that could be used/adapted for embroidery. If you filter the search for "full" view books only you've find lots of victorian era books that you can download. I googled "garden fairies" and found a ton of stuff. Not sure what to do with it yet but I'll figure out something. There are a lot of images of insects, animals, etc., too. Clearly, they had a much more accepting view of insects than people do today! Another nice thing about Google books is that you can just save to your library rather than downloading the large files, then go back when you have time and select what you really want to download. Just thought I'd pass this tip along in case you haven't looked there yet.

Helen]]> 9263 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-01-05 23:20:00 2009-01-05 23:20:00 1 0
I would like to thank you for the books links. I have been searching for such books for a while now.

I practice various Indian embroidery styles and am amazed at the similarities that I find between the Kasuthi from South India (Karnataka) and the Blackwork of Europe. The difference is perhaps in the number of colours used in both styles. This is just a case to point]]> 9921 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2008-11-12 12:16:00 2008-11-12 12:16:00 1 0 11021 Anonymous noreply@blogger.com 2008-08-12 01:36:00 2008-08-12 01:36:00 1 0 I am a Chinese,my English is not good,but I just wanna say that I like your webside.
^_^]]> 12301 Sita noreply@blogger.com http://www.blogger.com/profile/15874827165185726459 2008-02-27 22:38:00 2008-02-27 22:38:00 1 0 12426 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-01 07:05:18 2008-02-01 07:05:18 1 0
You can use the prick and pounce method - or you could buy iron-on transfer paper and iron-on pens / pencils - but I don't personally like the iron on stuff, and the prick and pounce takes a lot longer than tracing in the window takes. You can find details on prick and pounce in the FAQ in the top menu (look under transferring a design).

Hope that helps!]]> 12427 Anonymous noreply@blogger.com 2008-02-01 00:31:00 2008-02-01 00:31:00 1 0 I found this website is very useful for me as a beginner. I want to know how to trace a design on a cloth. Please help me.
Deepa.]]> 12792 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-11 14:13:21 2007-11-11 14:13:21 1 0
I'm glad you found the links useful!]]> 12793 Dominique noreply@blogger.com http://www.blogger.com/profile/09677977705607183678 2007-11-11 11:48:00 2007-11-11 11:48:00 1 0
Dominique from Belgium]]> 12932 Anonymous noreply@blogger.com 2007-09-23 08:33:00 2007-09-23 08:33:00 1 0 http://www.quiltersmuse.com]]> http://www.needlenthread.com/2008/10/embroidery-stash-giveaway-announced.html Tue, 14 Oct 2008 07:04:00 -0500 Mary Corbet 570 2008-10-14 07:04:00 2008-10-14 07:04:00 open open Embroidery-Stash-Giveaway-Announced... publish 0 0 post

I know you're just dying to find out who the winner is, but before I venture into telling you who the lucky person is who gets the abundance of embroidery threads (12 skeins altogether - that's pretty good!), I feel like waxing loquacious for a moment!

Needlework Teaches You... about Yourself!

First of all, there's this whole question of "favorites" among the many things we already love... I tried to narrow down the piece that gave me the most pleasure to stitch, and it was HARD! I was thinking I was a real meany for asking that question.

Then I realized I was looking at it the wrong way! The question wasn't "What was your favorite embroidered work that you created..." It was "which one gave you the most pleasure to do and why?" There's a difference, you know. The first question can be based solely on the outcome (whether you liked the journey of getting there or not); the second concentrates on the journey - the actual stitching itself, regardless of outcome.

Once I realized that, I thought it would be easier to decide, but it wasn't! It seemed the problem of making that decision increased a hundred fold. I found out that, for me, the pleasure found in working a piece of embroidery is a combination of the journey and the outcome. It's funny when you learn something about yourself that way.

It's like this: I can intensely enjoy working a piece of embroidery, but if I finish it and find that I don't like the overall finish, the journey ends up rather soured in retrospect. On the other hand, I can dodgedly plod through a piece that I am finding less than captivating, gritting my teeth in determination just to finish... the journey, you see, is not so pleasant under those circumstances... but if the finish is splendid, the journey, in retrospect, can seem a whole lot sweeter than it actually was.

So journeys and outcomes are pretty intimately connected for me. I think needlework teaches us a lot about ourselves, especially when we reflect on likes, dislikes, whys and wherefores, as we did with this question.

Anyway, if I had to pick just one, I suppose it would be the Agnus Dei project I did a couple springs ago. This is my favorite picture of it, though I do like seeing it head-on as well:



Why did I like it so much? Well, there are a couple reasons. I noticed these reasons among many of the answers you gave, too: 1. The purpose - who did I stitch it for? 2. The project itself - the challenge, the captivating qualities of it; 3. the outcome.

So there you have my reflections on that question. I hope you don't mind being subjected to that!

By the way, along the same lines of tough questions, one of my students asked me the other day, "So far in your life, what was your happiest moment ever?" Try that one on for size!

Ok - enough about tough questions!

Embroidery Stash Winner

I did the name scramble, pulled a random number, and the winner ended up being Susan who stitched the Hobbit in the 70's.

Susan, please contact me with your mailing address, and I'll be happy to get all that stuff in the mail to you this week!

Thank you, everyone, for your participation in the give-away! It was a lot of fun reading your answers. Next month, I'll try to come up with something equally enticing as far as the give-away is concerned (and maybe equally as daunting as far as the question is concerned!) Thanks, Su J, for the question.
]]> stash contest miscellaneous embroidery musings 10102 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-10-21 10:29:00 2008-10-21 10:29:00 1 0 10155 margaret c. noreply@blogger.com 2008-10-14 22:34:00 2008-10-14 22:34:00 1 0 and the outcome. There are a handful of pieces that I have stitched where I didn't want the experience to end and I would gladly do again.

Mary, the Agnus Dei is one of my favourite pieces of yours!

Congratulations to Susan. Make something pretty and send pictures! :-)]]> 10158 Paula Hewitt noreply@blogger.com http://www.blogger.com/profile/14420354497597866436 2008-10-14 15:44:00 2008-10-14 15:44:00 1 0 10159 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-10-14 14:14:00 2008-10-14 14:14:00 1 0
My fav journey is the Historical Sampler I mentioned.

My favourite piece is the Bargello cushion I did when I was 16 and it was compulsory at school to do a semester of "Fashion". I was in the Science stream, and never did anything else 'arty' at school - and look at me now!! Nothing but!

(My cushion lives on my couch)]]> 10160 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-10-14 12:48:00 2008-10-14 12:48:00 1 0 10161 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-10-14 09:37:00 2008-10-14 09:37:00 1 0 http://www.needlenthread.com/2008/10/october-needlework-stash-give-away-last.html Mon, 13 Oct 2008 19:45:00 -0500 Mary Corbet 571 2008-10-13 19:45:00 2008-10-13 19:45:00 open open October-Needlework-Stash-Give-Away---Last-Chance-to-Sign-Up! publish 0 0 post October needlework stash give-away is quickly drawing to a close! Do sign up in the next nine hours (by 5:00 am CST, Tuesday, October 14) for a chance to win. You'll find all the details on the original post.]]> stash contest http://www.needlenthread.com/2008/10/resurrecting-sunbonnet-sue-resource-for.html Mon, 13 Oct 2008 07:15:00 -0500 Mary Corbet 572 2008-10-13 07:15:00 2008-10-13 07:15:00 open open Resurrecting-Sunbonnet-Sue:-a-Resource-for-Embroidery-Patterns publish 0 0 post

This is my original embroidered quilt square, which I called Sunbonnet Garden:



I've blogged about it previously, so if you've been around for a while, you might find this redundant. I really enjoyed doing this piece! I'm not really die-hard Sue fan, though I do like these "baby Sue" drawings better than the other Sues that have developed over the years. Still, I really enjoyed stitching this particular piece, despite the fact that I'm not that much of a Sue follower. Well, I wouldn't say I dislike Sue - I like Sue ok - but I'm not a Sue-a-holic, if you know what I mean!

These Sue patterns belong to the earliest origins of Sunbonnet Sue, drawn by Bertha Corbett who was later Bertha Corbett Melcher. She's the "mother of the sunbonnet babies." Her pictures that illustrated primers at the beginning of the 1900's have been popular every since, and they've taken on all kinds of different looks. But the characteristic thing about Sue is that generally she has a large bonnet on (sometimes a hat, as she developed later), and you can't see her face. This larger, floppier bonnet in my garden version above and the puffy sleeves and simple arms are characteristic of Mrs. Corbett-Melcher's original Sunbonnet Babies, and they're the style of Sue that I like best.

Thanks to Denise at Needlework News, I discovered another great needlework blog out there called Lace 'n Ribbon Roses, where you can find several of these Sunbonnet patterns available for free.

Right off, if you visit Lace 'n Ribbon Roses, you'll notice that CC's header is the same Sunbonnet Sue as mine above. The difference is the garden. I think in the original pattern I had, Sue's apron was actually full of chicken eggs and she had chickens scratching around her. I just made a few minor adjustments!

If you're looking for these old-fashioned Sue patterns, you might want to start, then, with CC's website. You'll find Sue and Hannah playing with a kitty, Sue and Hannah feeding the chickens, and Sue and Friends dancing in a circle. All three are sweet little patterns of this old-fashioned Sue. While there, check out her embroidered Sue pillowcases, too - really cute!

On a different note, you'll also find this old pamplet on chicken scratch embroidery (embroidery on gingham) on Lace 'n Ribbon Roses, so if you like chicken scratch, check that out, too!

News 'n Such

If you haven't signed up yet for my October Stash Give-Away, called Autumn Abundance, don't forget to do so some time today! The give-away ends tomorrow morning (Tuesday, October 14, at 5:00 am CST). All the details are on the original post.

I intend to get some serious stitching done this week! I'll keep you abreast of anything I accomplish. I hope you have a great Monday, and plenty of time this week to enjoy your needle 'n thread!
]]> embroidery for children free embroidery patterns embroidery resources needlework pictures 10136 Anonymous noreply@blogger.com 2008-10-18 07:25:00 2008-10-18 07:25:00 1 0 addition of the stitching on the sleeve has inspired me to actually do one! Thank you for this wonderful website; I am an avid lurker.
CQMadhatter]]> 10172 Nanette Merrill and daughters fredashive@gmail.com http://www.blogger.com/profile/05734358126338038553 2008-10-13 09:52:00 2008-10-13 09:52:00 1 0
nanette]]> http://www.needlenthread.com/2008/10/false-starts-when-do-you-stop.html Sun, 12 Oct 2008 09:42:00 -0500 Mary Corbet 573 2008-10-12 09:42:00 2008-10-12 09:42:00 open open False-Starts:-When-do-You-Stop? publish 0 0 post

A "false start" is the experience of beginning that isn't really a beginning, and that really requires you to begin again!

For example, I have a ritualistic false start about two times (out of five) a week, when I leave my classroom after my last class of the day. Amidst the "See you tomorrows" and "Have a good afternoons" and "Don't forget to reads," I close the windows and curtains, I straighten stray things on my desk, and I head out of my classroom with that peculiar eagerness of ending that part of the day. (Yes, it's true, teachers often look forward to the last bell just as much as the students do - especially when that last bell comes right before lunch, as mine does!)

I close my door and lock it, and head down the hallway. If I'm lucky, about halfway down the hallway is when my false start ends. I realize, inevitably, that I forgot something. I must go back to the classroom, dig out my keys, unlock the door, and find and retrieve the forgotten item.

Sometimes, though, my false start doesn't end until I've gone down two long hallways and two flights of stairs, traversed an outdoor walkway, and arrived at my car in the distant corner of the parking lot. The realization strikes that I forgot something, and I stop, turn around, and head back to the classroom.

In embroidery, I make similar false starts. But the more I embroider, the more I realize when the false start must end - and, if I know when to stop, then I save myself a lot of time, trouble, and grief, not to mention conserving precious supplies.

You might be inclined to think that a false start is a mistake. No, no, dear reader! It's not a mistake! It's a learning experience! False starts can actually be a very good thing.

I've had quite a few false starts lately. There's the whole baby bootie experience that you've already heard about. Then there's last night's table cloth experience:



This is a pre-printed tablecloth kit from Anchor - I think it's called "Spring Garden" and it's a Fleur de Lis kit. Overall, these kits are pretty nice, and I like working on them for a "casual" project that can be done in the living room. But sometimes, I don't like their stitch suggestions. On this particular table cloth, they call for these satin stitched blue-bell type flowers, worked in three strands of floss. After the first two (out of six) flowers on the stalk, I knew I didn't like it, so I picked out the stitches. Was it a mistake that I worked them in the first place? No. It was simply a false start! How would I have known how much I didn't like the satin stitched flower, if I didn't try it?

That was a small false start - like getting halfway down the hallway.

But yesterday, I had the pleasure of a Big false start. This wasn't just reaching the car in the far corner of the parking lot. It was like walking all the way home! Let me show you.



When speaking about designing a project yesterday, I showed you my plan for a hand embroidered Christmas ornament that incorporates silk shading and goldwork. During the afternoon I concentrated on this project! I started by sifting through supplies and tools and seeing what I had to work with.



Then I started the actual work. I traced the design elements that would be padded with felt onto fusible interfacing. This is a great tip that I actually learned from Margaret Cobleigh, when I was working her pomegranate. Normally, under goldwork (such as couched gold passing or chipwork), there's a layer of yellow felt over which the gold is worked. The felt accomplishes two things: it lifts the embroidery and it provides a background color that blends with the gold, in case the background peeks out behind the gold.

To cut out the appropriate shape of felt, you can trace the pattern pieces on fusible interfacing, then iron the piece to your felt, then cut out the shape, and place the interfacing-side down on the ground fabric. You don't fuse it on; you just stitch it on as you normally would. The fusible web left on the base of the felt is handy, because it supplies a bit more friction, so the felt stays put until it's tacked down.



You can see here that I've fused the interfacing to red felt, which will be underneath the silk shading. I wanted the stitching to be a bit padded and raised, so, again adopting the idea from Margaret's pomegranate, I cut out red felt to work the shanding on.



My red and yellow felt ready, it was time to tack the felt onto the design. My plan was to make the ornament out of white satin silk, so I transferred the design onto the white silk (which, because it's satin, is really rather thick) by using a light table and tracing. I used a tailor's white chalk pencil to do the transferring. After the design was transferred onto the silk, I mounted the silk, lined with muslin, on an embroidery frame.



I was ready to start tacking the felt pieces on. As I added the first little center piece, I noticed that the design looked somewhat lopsided. I thought I could fix this by touching up the lines with the chalk pencil. It worked a wee bit, but still, the design just didn't look right to me.

I went back to the drawing board to determine why the design would look crooked. Having drawn the design on graph paper, measuring out all distances and curves, I could see the problem wasn't the actual design. I considered that it could have been the frame - maybe I pulled the fabric to taut in one direction, causing distortion in the fabric and design. Or maybe I was just careless when tracing with the chalk pencil. I finally concluded it was the latter, as the silk had probably shifted in the transfer process.



Still, I pressed on. I began tacking down the other pieces of yellow felt. But I didn't feel too good about the whole situation. I kept envisioning a finished product that looked just slightly skewed. I tacked on one yellow felt edge, then the other. And one of the yellow felt edges came out looking warped! I lined up the red felt with the yellow felt...



And that is when my false start ended!

I learned a couple things:

1. I don't like this satin silk for this kind of stitching (and obviously not for this kind of transferring). I've used this fabric before, and I like it fine for regular delicate surface embroidery. But I don't like it for a Christmas ornament. Besides, the whole time I was working with it, I was thinking ahead to the pain it would be to finish the ornament.

2. Keep your transfer pencils (tailor's chalk pencil in this case) sharp! It really helps with precision tracing!

3. Double check straight edges on the felt before cutting. If necessary, use a ruler and rotary cutter to straighten and cut an edge. I don't know why I didn't think of the rotary cutter and ruler in the first place!

4. With a geometrically shaped object like this - when it isn't clear which is the top of the design - mark the top on your fabric, outside the design area, so that you know which end is up. You'd think it doesn't matter, but I think it somehow does. The whole movement of the piece - stitch direction, etc., will be determined by which end is up.

So that was yesterday's false start. I'm glad of it, actually, because I learned a lot from the experience. I also realized what the kinks or difficulties would be in this pattern, so I've been able to address those (at least in my head). This means that, when I go for the "real" start (today), I will be better equipped to make a go of it.

I'm going to stitch the piece on linen, instead of the silk. That was my original, original plan, but somehow, early, the silk idea crept in. Linen takes a transfer better, anyway. On the silk, the micron pen (.005 tip) bleeds into a thick line. I've ever had that happen on the linen, and on this type of project, the micron pen is my preferred choice for transferring a design.

False starts are just a step in the journey - and they're quite alright with me. Besides, they give us the opportunity to make fresh starts, and would we ever know the pleasure of making a fresh start if we didn't know what it's like to make false starts?
]]> pictures embroidery tips and tricks Christmas needlework pictures 10166 margaret c. noreply@blogger.com 2008-10-14 00:19:00 2008-10-14 00:19:00 1 0 10174 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-10-13 01:02:00 2008-10-13 01:02:00 1 0 I take it you would use it whenever you are using multiple threads of purl together as well? (I can't think of any other cases)]]> 10182 margaret c. noreply@blogger.com 2008-10-12 13:05:00 2008-10-12 13:05:00 1 0 http://www.needlenthread.com/2008/10/projects-in-planning-stages.html Sat, 11 Oct 2008 11:38:00 -0500 Mary Corbet 574 2008-10-11 11:38:00 2008-10-11 11:38:00 open open Projects-in-Planning-Stages publish 0 0 post

If you're like me, designing your own needlework project is a bittersweet sort of adventure. The sweet side is the satisfaction - it's nice to design and execute your own work, from scratch to finish.

The bitter side is that it can be somewhat intimidating. First, there's the question of "What"? I often suffer from writer's block at the designing table. That's why I think it's a good idea to doodle, and even to keep track of your doodling in a sketchbook or journal. Before doodling, you might want to get the juices flowing. You can flip open books and take some inspiration from what you see, or you can go outside and see what's weird and wonderful in Nature. Somehow, you want the juices to flow, but at some point, you have to get it down on paper.

If you were taking a writing course, you'd be told to "brainstorm" or "list" - just plain start writing down anything that comes to mind, in order to get ideas out. For designing a project, the equivalent is doodling. Start doodling.

Once you have an idea, there are other intimidating factors to designing your own piece of needlework. There's the question of "acceptability." Sure, I like it - but will anyone else? Then there are the "professional" questions to take into consideration, too: form, order, line, color, texture - all that kind of stuff. For some people, that comes second nature. For people who are artistic, those questions may not pose a problem. For me, they do pose a problem, so I generally end up ignoring them, at least at first. My work probably suffers for that...!

If you're interested in designing your own embroidery piece, you might want to check out a helpful article titled "Taking the Fear out of Designing" by Sue Stause. I think it's a helpful, interesting, and informative article, though I probably don't do everything she suggests. (My work probably suffers for that, too...!)

I'm not a professional designer - as I've mentioned before, I'm a hobbyist, not really an "artist." I'm not formally trained for designing, drawing, color selection, and so forth. So, being the average Jane Doe when it comes to this type of thing, I just sort of work out things that I think will work out. And then I tweak and polish, just like a writer does with a rough draft.

After various doodles, this is what I've come up with for a long and short stitch sampler.



I suppose it looks a little more complicated than it is supposed to be. That's another fault of mine, when it comes to designing. I tend to go overboard instead of adhering to the KISS - Keep it Simple, Stupid - rule.
The concept was to arrange, in seven stages, different levels and approaches to long and short stitch shading, progressing from geometric shapes to natural elements, following in order of level of difficulty. The whole thing is 8" x 8", and each element is generally within the 1 - 1.5 inch range, so small enough to stitch in (hopefully) one sitting.

The next project I'm working on is a Christmas ornament. I oscillated between using someone else's design and making up my own, but the latter finally won out. This was a project that drew a blank for me for a long while. I knew the look I wanted, but couldn't figure out how I wanted it to come across. Many doodles later, I think I've settled on an idea, but I think there will be a lot more tweaking to come.



The ornament will be a combination of goldwork and silk shading. There's still a bit of tweaking to do there.

The next step on the Long and Short stitch sampler is to work on color ideas. This particular project is not really a "wing it" sort of project since I want to use it for instruction. It'll take a lot more time at the design table.

For the Christmas ornament, though, with the basic shape in place, I'm actually ready to set it up for stitching. I know that sounds rather silly, considering I haven't exactly figured out what I'm going to do where, but... that's ok. I have enough of an idea that I can wing on this small project.

Do you like to design your own embroidery projects? Or would you prefer for someone else to do the designing for you? If you do like coming up with your own designs, how do you go about doing it? What's your favorite designing medium?

Any suggestions and tips are always welcome - not just for me, but for others out there who may have that deep down desire to design, but who are too intimidated to go for it! Maybe you know something that will help the rest of us!!
]]> goldwork pictures needlepainting embroidery design silk Christmas 10168 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-10-13 22:59:00 2008-10-13 22:59:00 1 0
I rarely manage to get a complete design on paper or in my head before I start - I will begin a the basic outline and play with it as I progress. Sometimes I scan the work I have already stitched a couple of times and then make cutouts of sections I might want to repeat and push them around on an uncut scan until I get a pleasing (well, to me) composition.

Interestingly I find loose, abstract ideas easier to work with than say the design on a biscornu - Your ornament design is interesting.]]> 10185 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-10-12 07:58:00 2008-10-12 07:58:00 1 0 ante todo, Diseñar, q1ue es, es la combinacion de artistico y tecnico, por ello, lo primero es dominar la tecnica, conocimientos basicos forma color, textura, composicions. espacio, fin para ser utilizaco, materiales, acabadodo, en fin cosas que se pueden aprender, pero el componente mas importante es la parte artistica, esto a veces es algo de la persona, puedes llegar a obtenerlo, pero algunas personas les falta el toque de genialidad.
cunado quiero diseñar, busco una fuente de inspiracion yo tengo un cuaderno de diseño, en el tomo las notas o elementos que seran mis determinantes del diseño, y luego voy a la forma geometrica bi y tridimencional, la funcion, donde va estar, para quein, costo materiales, como acabarrlo todo esto es algo que empieza a engranar poco a poco y leugo a empezar, puede suceder que una vez terminado el trabajo se hagan ajustes y es valido.
Si me permites decir de tu diseño. veo 3 figuras geometricas simples en cada esquina, la cuarta no coresponde,,, asi que veo algo pasa.. en vez de ondas podria ser pentadonos, pues tienes una linaea que da un circulo, tres lineas con triangulo, cuatro figura paralelepidedoas, y ondas? no see... me encantaria que el cuadro superior fuera la continuacion del inferor, ahora que tiene que ver las flores con las figuras geometricas....-
saludos nela]]> 10188 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-10-11 13:59:00 2008-10-11 13:59:00 1 0 http://www.needlenthread.com/2008/10/embroidery-for-kids-class-project.html Fri, 10 Oct 2008 13:57:00 -0500 Mary Corbet 575 2008-10-10 13:57:00 2008-10-10 13:57:00 open open Embroidery-for-Kids---a-Class-Project! publish 0 0 post
I have a friend who is a teacher's aid for a fourth grade class of 29 students. She thought it would be fun for the kids to do a little embroidery project for art class, so the other night we met and bounced around some ideas, using scraps of felt and bits of thread leftover from last summer's classes.

Since she's thinking the project would be good for the last three weeks before Christmas break, we migrated towards the idea of little individual tree ornaments made out of felt.

I didn't have a lot of felt on hand, since we used it up last summer, but I did have a length of dark brown wool felt that served for mucking about on. This is what we managed to stitch up while we were discussing possibilities:



The colors are not, overall, too appealing for fourth graders, but that can be adjusted. But the concept is there: basic embroidery on the front in a cute design (not necessarily this one!) backed by a second piece of felt, and buttonholed all around. Simple enough.



We only used three stitches, really: whipped running stitch, daisy stitch, and buttonhole or blanket stitch around the edges.

But this is the thing...

My friend has never (that's right, never) embroidered before! So ... not only will this be a crash course in simple embroidery (she won't have a problem with that), but also a bit of a crash course in how to organize for such a project and how to teach it in a logical and ordered way to a class of 29.

These are some of the pointers I've given her:

1. Limit their options. As we were talking and enthusiasm was abounding, we came up with all kinds of possible shapes for ornaments: gingerbread folk, houses, trees, hearts, ornament shapes, simple bird shapes, simple flower shapes, etc., etc., etc. Oh, I agree they'd all be cute... but with 29 students on a first-time project, limiting the students' choices will help minimize confusion.

2. Limit the number of stitches for instruction, and keep the stitches simple. I suggested instructing on no more than four basic stitches.

3. Limit the number of colors for the projects - again, I'd limit them to four.

4. Pre-design the ornament, drawing out the design on it. This is where there can be some variation - draw different designs on the ornaments, so that they aren't all exactly the same. This will give the students a sense of individuality, but it won't leave the burden on them for deciding "what to do" on their ornament. If the designs are pre-printed on the fabric, they can start on the projects a whole lot faster!

5. Plan everything well in advance. Make sure all supplies (felt cut-outs, threads, plenty of needles, etc.) are all on hand, and divide up a little package or kit for each student. Use zip-lock bags, so they have something to keep the project in. Plan the instruction out in step-by-step increments, allocating enough time to each step.

6. Print out a picture diagram for each stitch, and give a photocopy of each to the students. Maybe even make blown-up copies of the diagrams to use while instructing on the stitch. If they can look at the diagram as you walk them through it, then they'll be able to understand the diagram better and can refer to it for help on their own (whether at home or in the classroom).

7. Plan for small group instruction. While the whole group is occupied with a task, break off into small groups to give more individualized instruction.

8. Make sure to plan in enough quiet stitching time, in which you can circulate and help individuals, and in which the students can get the "rhythm" of the stitch down.

9. Although there will be two instructors in the room, perhaps consider finding one other assistant to help out. 29 first-time little stitchers will have lots of unthreading needles!

So those were my recommendations. I'll be teaching her the basics of embroidery over the next couple weeks, and we'll narrow down ideas and make supply lists for this series of embroidery classes.

My question to you: Any other suggestions for this venture? Or any alterations on my suggestions above that you think would be helpful?

I'll keep you posted on how it goes!

Other news:

If you haven't signed up for my October stash give-away, don't forget! The deadline is Tuesday morning, 5:00 am my time. See the details on the original post.

In Country Bumpkin's e-mail newsletter that I received this morning, they also mentioned the advantage for overseas shoppers that I mentioned yesterday. A year's subscription to Inspirations is averaging just over $50.... much better than $70 and higher, so it really is a good deal!

Enjoy the weekend!
]]> embroidery for children pictures wool felt needlework pictures beginner embroidery 10194 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2008-10-11 08:28:00 2008-10-11 08:28:00 1 0 10195 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-11 06:38:29 2008-10-11 06:38:29 1 0
Thanks very much for your comment and input. We discussed using a decorative button or something along those lines - I wonder if a fancy bead or two might be better. We have to keep the cost as low as possible...

Good point about the left-handers. That's something that took me by surprise the first time I taught kids. I had forgotten about that little difference, which is actually a mammoth difference to the kids! I invested in a couple books on left-handed embroidery, just to have them available for reference and diagrams, and they were a great help last year. I'll have to touch on that point! Thanks for the reminder!

MC]]> 10199 Anonymous noreply@blogger.com 2008-10-10 22:33:00 2008-10-10 22:33:00 1 0
Have you considered adding one or two sparkly beads - nothing complex - to the design? It might be a way to add personal expression without creating too much trauma for the instructors, and 4th graders do like the 'bling' factor.

And I'm sure you already know this, but please advise your instructor to be ready for the left-handed child. A tiny difference in the overall picture, but to a young child it can seem huge.

Thank you again -- I learn something every time you post.

SF]]> 10200 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-10 21:52:02 2008-10-10 21:52:02 1 0
Thank you! Good suggestions!

Yep, we'll be using pearl #5, and I prefer, for the kids, a #3 needle. Threaders are handy tools, and I've got a few we use in our summer classes, so I'll definitely suggest having those on hand. Perhaps it would be best to go with two design options and two color scheme options, each color scheme option having a range of four colors in it. Something like that....

Thanks again!

MC]]> 10201 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-10-10 20:17:00 2008-10-10 20:17:00 1 0 A couple of extra suggestions, learned from experience!

Have a couple of sturdy needle threaders available, I use a metal one with hooks on both ends and put it on a lanyard around my neck.

Definitley go with pearl threads to start, and I'd pre-cut a few lengths for their kits. I like kits, but I always have some extras available for that child who always says "but my favourite colour is pink!" when the kit only contains red, green and yellow.

I usually go with crewel size 6 or 7 needles, sometimes 5's if the thread is thicker. Bigger eyes mean less furstration threading (usually!)

Hope this was helpful,
Hooroo,
Christine.
http://missmuffettwo.blogspot.com/]]> http://www.needlenthread.com/2008/10/in-market-for-embroidery-kit-or-special.html Thu, 09 Oct 2008 15:37:00 -0500 Mary Corbet 576 2008-10-09 15:37:00 2008-10-09 15:37:00 open open In-the-Market-for-an-Embroidery-Kit?-or-a-Special-Project? publish 0 0 post
I love their magazine, Inspirations. It's always filled with great information, sources of inspiration, and detailed instructions to complete the featured projects --- not to mention, great photography, nice stories, and so forth. It's the ideal magazine for someone who loves fine needlework.

Their kits are excellent, too. With their kits, you get all the materials you need to finish the project in the magazine - fabrics, threads, needles, embellishments, finishing goods, etc.

The biggest drawback to ordering from Country Bumpkin is the postage, which can often be steep even if you're just ordering a "little" something. BUT - this is my point of this post - if you keep up with international exchange rates, you may have noticed that, at the moment, the Australian dollar is somewhat low - I think the exchange rate right now is about .068 on the US dollar, and .50 on the Euro, which can add up to significant savings if you're ordering outside Australia.

That being said, it might be a good time to check out Country Bumpkin's online shop, or, if you subscribe to their magazine, it may be a good time to renew a subscription. If you have a special someone in your life who loves needlework, a subscription would make a great Christmas gift, too.

So, if you're in the market for any of the above, do check out Country Bumpkin's online shop (make sure you switch to your country's currency so you can see the price difference), or their Subscriptions page.

On another note...

I've been spending time on the Long and Short Stitch lessons I've mentioned, and am about ready to reveal the pencil sketch of a sampler that I think I'll call "The Long and Short of It." That's probably a really trite name. I don't know what else to call it. I thought about "Shaded Stuff," but that just doesn't ring, you know? I'm not ready to launch into the lessons, yet, though. I have to stitch ahead on those, film and edit the tutorials, and so forth, all of which takes a lot of time. I don't see those coming about until mid-November-ish, unless I have a blessedly free weekend before then! I'll keep you posted as that develops.

Don't forget to sign up for this month's Autumn Abundance Stash Give-Away, if you haven't already! It's a good one!
]]> website news embroidery resources Inspirations Magazine 10186 Laura Bullinger noreply@blogger.com 2008-10-11 19:29:00 2008-10-11 19:29:00 1 0 10206 Valquiria noreply@blogger.com http://qualquermotivo.blog.uol.com.br 2008-10-10 09:27:00 2008-10-10 09:27:00 1 0 I do not see the hour of this video to be launched because I am going crazy trying to make a composition of colors to create a simple shade.I use Anchor Stranded Cotton because here in Brazil we do not have many options of thread.I have many doubts about Long and Short stitch because in a web site (http://www.victorian-embroidery-and-crafts.com/embroidery-stitches.html)the shown technique is one in the book of Mary Webb the technique is another one.I am confused.And also has the shade.I would like a tip to create a shade,with regard to the colors.You know if exists some program that I place the draw and it makes the conversion of the colors for the number of the threads?Sorry about my english,but I am trying to make this technique of embroidering without much success and have seen so pretty things in your web site.Please,check my blog and you will understand what I want to say.
Kisses
Valquiria]]> 10209 Tammy Tutterow noreply@blogger.com http://www.blogger.com/profile/01828660896311832813 2008-10-10 08:09:00 2008-10-10 08:09:00 1 0
Thanks again!
Off to shop now. . .]]> 10219 Anonymous noreply@blogger.com 2008-10-09 20:30:00 2008-10-09 20:30:00 1 0
I LOVE your site. I am so happy I found it. I just ordered from the CB site and I get Inspirations. Thank you for steering me in that direction. I am bummed that CB discontinued the Hakau's Dream kit. I just saw it last week, and it is gone this week, I guess in this case, you snooze you lose.

Thanks again for promoting traditional embroidery, I feel like a duck out of water when looking for supplies for hand embroidery. Everything seems geared for counted cross or needlepoint. I am so happy you’re diversified.

Thanks again! Keep it coming.

Your big fan in Missouri,
BJ]]> 10221 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-10-09 19:53:00 2008-10-09 19:53:00 1 0
Lucky I ordered my embroidery supplies and many books a couple of months ago - or I'd be paying almost double now!

"The Long and Short of It" sounds good.]]> http://www.needlenthread.com/2008/10/autumn-abundance-october-stash-give.html Wed, 08 Oct 2008 12:29:00 -0500 Mary Corbet 577 2008-10-08 12:29:00 2008-10-08 12:29:00 open open Autumn-Abundance:-October-Stash-Give-Away! publish 0 0 post

The Loot - threads, trims, and embellishments!



I found, among my thread boxes, an Autumn pack of Appleton crewel wool. I know it had a purpose when I purchased it. Since then, I've "inherited" about 300 skeins of Appleton. This little handy package, then, is just perfect for a give-away.



There are ten skeins of Appleton crewel wool here. Nice colors, aren't they? If you haven't stitched with wool before, this is a good way to try it out!



This probably doesn't look that impressive, but let me tell you about this little piece of ribbon. It's a little less than half a yard of the softest, silkiest, velvety-smooth shiny ribbon, deep golden orange on the side with the nap, and brown on the other side. It would be pretty on a crazy quilt, or it would even make nice trim, I think, on a greeting card. The ribbon is about a half inch wide. It's very limp and soft. I love this ribbon!



These are two little charms - a fox and an adorable tiny owl with big eyes.



The trim on the left is a multi-colored braided trim that's kind of funky but fun. I'm pretty sure there's well over a yard there, and maybe closer to two. The ric-rac is tiny ric-rac in yellow, accented with orange - another embellishment for greeting cards, quilts, doll clothes, anything... There's half a yard.



And finally, aaaaaaaahhhhh. Silk! You know I have a thing about silk threads. I love them! On the left is almost a whole skein of Caron Collection Waterlilies. The skein has already been cut in stitchable lengths. On the right is a skein of Eterna mini twist. It's a nice soft twisted, overdyed silk.

What You Have to Do to Win

In my August stash give-away, I asked readers to give ideas for future stash contest questions. So many great ideas for contest questions were submitted!!

Su J offered three really good questions, and I'm going to use one of hers this month. So, this is what you do: read the question, click on the "click to comment" link at the bottom of this post (you have to be on the website at this post, not on the newsletter), and submit your answer as a comment at the base of this post.

I'll make a list of the comment names, shuffle them and number them, then pick a random number to choose the winner. Please make sure to sign your post with your name or nickname, if you post anonymously.

Here's the topic for your comment:

Tell me about the piece of embroidery that gave you the most pleasure to do, and why?

The contest is over on Tuesday, October 14th at 5:00 am my time (CST, USA). I'll announce the winner on Tuesday, and the winner will need to contact me with a mailing address. The contest is open to anyone, anywhere.

Have fun! Good luck! Don't be shy!
]]> stash contest 10162 Beth noreply@blogger.com http://www.blogger.com/profile/06481082314401053598 2008-10-14 08:59:00 2008-10-14 08:59:00 1 0 10163 anna Bergin noreply@blogger.com 2008-10-14 07:20:00 2008-10-14 07:20:00 1 0 10164 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-10-14 04:39:00 2008-10-14 04:39:00 1 0 Lucky to have got in - missed it almost this month. The time difference saved me. :)
The piece I enjoyed most was a set of 3 oval shaped mats made on Organdy cloth. I made the scallop edges and 8 similar bunch of flowers around the perimeter on each. Each tiny bunch about 2 inches in size. It is my most cherished piece of embroidery, because of the hard work and care that went into it. :)
Thanks.
Shrenika.]]> 10165 Suzi noreply@blogger.com http://www.suzical.co.uk 2008-10-14 03:28:00 2008-10-14 03:28:00 1 0 10167 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2008-10-13 23:32:00 2008-10-13 23:32:00 1 0 10169 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-10-13 22:44:00 2008-10-13 22:44:00 1 0 10170 ruthrberke@yahoo.com noreply@blogger.com 2008-10-13 20:50:00 2008-10-13 20:50:00 1 0 10171 Craftyangie noreply@blogger.com http://www.squirrelsgolikethis.com 2008-10-13 20:32:00 2008-10-13 20:32:00 1 0
Besides, since it is an open design that I continue working things into, I've been learning more and more about stitches and color shading!]]> 10173 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-10-13 09:23:00 2008-10-13 09:23:00 1 0
MGM]]> 10175 Princy noreply@blogger.com 2008-10-13 00:51:00 2008-10-13 00:51:00 1 0 10176 Lakshmi noreply@blogger.com http://www.blogger.com/profile/08063997779137013076 2008-10-12 22:37:00 2008-10-12 22:37:00 1 0 10183 Pam noreply@blogger.com 2008-10-12 12:34:00 2008-10-12 12:34:00 1 0 I put on her and my name and the date of doing...and Megan treasures it still which is heart warming.
Thank you for letting me take part in this fun.
Best wishes from Pam UK]]> 10184 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-10-12 11:27:00 2008-10-12 11:27:00 1 0
you are amazing;once again another awesome giveaway.

My favorite piece that I have worked on is the Bear I made my son. He hasalways had a thing for real bears and finding one that was not cutsey was tough. He is 16, and has the framed cross-stitch bear on his bookcase in his room.

Ruth M]]> 10187 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2008-10-11 15:54:00 2008-10-11 15:54:00 1 0 10189 berbmcg noreply@blogger.com http://openid.aol.com/berbmcg 2008-10-11 13:20:00 2008-10-11 13:20:00 1 0 10190 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-10-11 13:02:00 2008-10-11 13:02:00 1 0 you spoil us!, Iwould love to win this stash, and thank you for these Kathyinozarks]]> 10191 Anonymous noreply@blogger.com 2008-10-11 11:13:27 2008-10-11 11:13:27 1 0
queenie]]> 10192 JammieG noreply@blogger.com http://www.blogger.com/profile/02182157063327127832 2008-10-11 10:36:00 2008-10-11 10:36:00 1 0 I love making the pieces that I can add my touches to it like beads and such. I also quilt and on my applique I will use embroidery to make the touches that makes he mine.
I love ribbon embroidery. I haven't done much put I want to. I have been collecting all kinds of stuff for a crazy quilt. That will be one thing that will be created by me.
Jammie]]> 10193 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-10-11 09:17:00 2008-10-11 09:17:00 1 0 10198 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-10-11 03:30:00 2008-10-11 03:30:00 1 0 10202 Liz dolls4liz@yahoo.com http://www.blogger.com/profile/13313745653387343456 2008-10-10 19:11:00 2008-10-10 19:11:00 1 0
The stash giveaway is gorgeous - and all my favorite colors. Hope I win!]]> 10203 Kate noreply@blogger.com http://www.blogger.com/profile/01960992802326856152 2008-10-10 16:15:00 2008-10-10 16:15:00 1 0
I did the embroidery on a nice linen towel. It was practically my first embroidery project and looked pretty good to my newbie eyes. :)

Kate]]> 10204 Anonymous noreply@blogger.com 2008-10-10 14:14:00 2008-10-10 14:14:00 1 0 10205 Anonymous noreply@blogger.com 2008-10-10 09:32:00 2008-10-10 09:32:00 1 0 Annie (Michigan)]]> 10207 Glorious Hats glorioushats@gmail.com http://www.blogger.com/profile/11823049237183212920 2008-10-10 08:43:00 2008-10-10 08:43:00 1 0
My favorite piece is a wool jacket I made in Penny Rug Wool on Wool style back in 2002 or so, titled "Rise and Shine." It was my own design and used buttons from Grandmother and Great Grandmother's button boxes. A chicken and sun rise theme - Grandmother raised chickens and sold eggs, Mother always woke us each morning with the call "Rise and Shine" -- so the jacket was a tribute to women of the family. Still wear it often.

So enjoy your blog.
Jane]]> 10208 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-10-10 08:20:00 2008-10-10 08:20:00 1 0 10210 Pat noreply@blogger.com 2008-10-10 07:36:00 2008-10-10 07:36:00 1 0 admiring stump work for several
years I finally joined an EGA group in hopes of learning that
technique. An added bonus was
meeting a gal that was happy to
teach me and we now are good friends.]]> 10211 Bear noreply@blogger.com http://www.blogger.com/profile/00096238770410460175 2008-10-10 07:19:00 2008-10-10 07:19:00 1 0 lovely stash you so generously give away every month thank you for your generosity.
Anyway the piece of embroidery I di was for my late Mum our granddaugher {Her Great granchild}We had some studio photos taken of Caitlin when she was about 6 months old- I took the photo and converted it onto a piece of silk fabric and then put on some lovely silk ribbon roses and also some embroidery on it. Mum was so happy to receive it she cried for quite some time- This then was my all time favourite as it gave her much pleasure to have the silk picture]]> 10212 selveiin noreply@blogger.com http://www.blogger.com/profile/11030215756141000827 2008-10-10 06:43:00 2008-10-10 06:43:00 1 0 One of my favourite project is my quilted bag. On the centre of the front it has two fishes embroidered on linen (an embroidery, not cross stitch). It's a pattern from DMC embroidery book by Melinda Coss.
About two years after I finished this embroidery I needed a bag to carry books. I layed down linen with fishes on my desk and I was matching pieces of fabric. I made my bag of strips on the filling I used polar (jumpers are made of this) and I gave cotton lining.
It gave me a lot of fun because I created it all by myself. An embroidery is from a book (I used other threads - less DMC, more Polish and Slovakian mouline), on the back I quilted sun from quiltmaker.com but I created quilt pattern and I choosed the fabric. Nobody has a bag similar to mine. I was repairing her a few times but still I like my bag.
Bye
selveiin

P.S. My previous post was anonimous. I don't know why.]]> 10213 Anonymous noreply@blogger.com 2008-10-10 06:40:00 2008-10-10 06:40:00 1 0 The embroidery project I enjoyed doing so much , many year ago, was making a 21 st birthday card for my now husband.
I embroidered a celtic cross, with the lakes of Kilarny through it on the material cover of the "card". I also made a pale blue lined envelope for it from cotton and embroidered a stamp in the corner and his address in Old english script. It took me five months to complete.
I was so much in love, every stitch was a pleasure.

Bridie in Ireland]]> 10215 amaloney noreply@blogger.com http://www.blogger.com/profile/10551750623787855297 2008-10-09 23:32:00 2008-10-09 23:32:00 1 0 10216 Anonymous noreply@blogger.com 2008-10-09 23:15:00 2008-10-09 23:15:00 1 0
Sara Wisdom]]> 10217 Anonymous noreply@blogger.com 2008-10-09 22:19:00 2008-10-09 22:19:00 1 0
My enjoyment came from using suggested colors and improvising with added colors and stitches (Chain, Fly, Spiderweb, Bouillon, Satin. And, finishing a 4 month session (meeting once a week).

If you would like to see some of my blocks, I can send them to you, and then you can return them.]]> 10218 Rhonda quiltingdoxies@gmail.com http://www.blogger.com/profile/07161833256604099231 2008-10-09 21:57:00 2008-10-09 21:57:00 1 0 My favorite project is a crazy quilting bag that I made for a swap. It was very difficult to give away.]]> 10220 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-10-09 19:55:00 2008-10-09 19:55:00 1 0 And I think it's kinda pretty.]]> 10222 joanie noreply@blogger.com http://quilterbyheart.home.services.spaces.live.com/default.aspx 2008-10-09 19:47:00 2008-10-09 19:47:00 1 0 10223 Lori Northon noreply@blogger.com 2008-10-09 18:05:00 2008-10-09 18:05:00 1 0
Hugs!
Lori]]> 10224 Laura Bullinger noreply@blogger.com 2008-10-09 17:47:00 2008-10-09 17:47:00 1 0 10225 Hillside Threads bonfieldjane@yahoo.com http://www.blogger.com/profile/05723222077662455117 2008-10-09 16:09:00 2008-10-09 16:09:00 1 0 10226 Hope noreply@blogger.com 2008-10-09 15:25:00 2008-10-09 15:25:00 1 0 10227 Anonymous noreply@blogger.com 2008-10-09 15:00:00 2008-10-09 15:00:00 1 0 Barbara]]> 10228 Anonymous noreply@blogger.com 2008-10-09 14:30:00 2008-10-09 14:30:00 1 0 10229 Sheila noreply@blogger.com 2008-10-09 14:04:00 2008-10-09 14:04:00 1 0 Sheila in California]]> 10230 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-10-09 12:51:00 2008-10-09 12:51:00 1 0 because i decided to make both a suit for the first time, entirely sewed by me. And the pants have an embroidery all around the bottom and I succeeded in finishing both suits in time for a family celebration!]]> 10231 Marjolein noreply@blogger.com 2008-10-09 12:40:00 2008-10-09 12:40:00 1 0 I just love those little sprays. They look so simple and perfect at the same time, and they can be finished in about an hour.]]> 10232 Anonymous noreply@blogger.com 2008-10-09 11:12:00 2008-10-09 11:12:00 1 0
~ Dene]]> 10233 prairiethistle noreply@blogger.com http://prairiethistle.wordpress.com/ 2008-10-09 10:08:00 2008-10-09 10:08:00 1 0 10234 Catlady noreply@blogger.com http://www.blogger.com/profile/07045669719742611701 2008-10-09 09:15:00 2008-10-09 09:15:00 1 0 10235 Donna noreply@blogger.com 2008-10-09 09:14:00 2008-10-09 09:14:00 1 0 10236 Valquiria noreply@blogger.com http://qualquermotivo.blog.uol.com.br 2008-10-09 09:09:00 2008-10-09 09:09:00 1 0 The piece of embroidery that gave me the most pleasure to do was little bags that I made like gifts for my son birthday.I embroidered in punchneedle the Spider Man and it was a chalenge for me,because his web is very dificult to do and his face has many web wires.The bags were small and the drawings had that to be small to.It was so fun and the children loved.
Kisses
Valquiria]]> 10237 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-10-09 09:06:00 2008-10-09 09:06:00 1 0
Thanks for doing these give-aways!

And now to your question...I'm a beginner, so I've only done two projects so far. I took up embroidery a few months ago with a fairly simple project (using satin stitch only), then moved on to another. Not knowing much about needlepoint, I hadn't realized the second one, a crewel embroidery kit, was quite a bit more involved. The second kit used seven different stitches--six of which I didn't know how to do. I probably would have given up if I hadn't come across your video library of stitches to which I referred constantly!

So I guess my favorite would have be my second project...I realized just how much fun embroidery could be and I've started another. Here's a picture of my recently-finished project. Don't look too closely...I'm just figuring out this stitching stuff! :-)]]> 10238 Grace B. noreply@blogger.com 2008-10-09 08:46:00 2008-10-09 08:46:00 1 0 10239 Anonymous noreply@blogger.com 2008-10-09 08:10:00 2008-10-09 08:10:00 1 0
Deborah]]> 10240 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-10-09 07:21:00 2008-10-09 07:21:00 1 0 10241 Courtney noreply@blogger.com http://www.blogger.com/profile/13475318662505589743 2008-10-09 06:59:00 2008-10-09 06:59:00 1 0 10242 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2008-10-09 06:43:00 2008-10-09 06:43:00 1 0 It was about 270x350 stitches, a colorful bouquet with lots of interesting detail.
Another favourite is a needlepoint pillow made with speciality stitches.
(I stitched this two pieces simultaneously, the first on 36 count evenveave, the second about 5 count canvas. The switch always was weird...)]]> 10243 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2008-10-09 06:40:00 2008-10-09 06:40:00 1 0
Sally]]> 10244 Anonymous noreply@blogger.com 2008-10-09 06:30:00 2008-10-09 06:30:00 1 0 10245 Karen South noreply@blogger.com http://www.blogger.com/profile/16077758537788880135 2008-10-09 06:03:00 2008-10-09 06:03:00 1 0 10246 Kim Dellow kim.dellow@gmail.com http://www.blogger.com/profile/13603231253605096502 2008-10-09 04:34:00 2008-10-09 04:34:00 1 0 10247 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2008-10-09 02:33:00 2008-10-09 02:33:00 1 0 And another work, which pretends to be one of my favourities, is the sampler, which I am creating at the moment using the ornaments of weave.]]> 10249 breedasong noreply@blogger.com http://breedasong.livejournal.com/ 2008-10-09 00:03:00 2008-10-09 00:03:00 1 0 I had been going into the hospital for a right heart catheter and took the project with me. when I was checking in and getting ready for the proceedure there was two older ladies also checking in. They smiled at me very nicely but didn't say anything. Later when I got out my sister told me that they ladies had asked to see the project while I was in the exam. She said they oohed and ahhed over it. After a really unhappy bout in the hospitial that really made my day. apparently the one older woman told my sister that it was nice to see simple traditions carried on.]]> 10250 pinsneedles noreply@blogger.com http://pinsneedles.wordpress.com/ 2008-10-08 22:42:00 2008-10-08 22:42:00 1 0 Jocelyn]]> 10251 Alek noreply@blogger.com http://www.blogger.com/profile/01187414151830875527 2008-10-08 22:41:00 2008-10-08 22:41:00 1 0
She was, of course, working on this amazing cross stitched landscape of her own design with BEAUTIFUL silks and it was so big she had to use a floor stand. I felt so pretty with my little plastic hoop and my little project of my own.

I don't think I ever finished that project, but my grandma have bonded over crafts since then. My mom and dad are divorced and my mom got custody, since she is my dad's mom I never got to see her much, but now every time I knit or sew or embroider, I think of my grandma sitting next to me on the couch stitching away quietly into the night, and i feel connected to her in a way that i can't explain.

So that silly little flower was my most important and loved project. It started a beautiful relationship with my grand mother that I might not have had other wise.]]> 10252 Andrea J. noreply@blogger.com http://www.blogger.com/profile/09319447475289414131 2008-10-08 22:14:00 2008-10-08 22:14:00 1 0 10253 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2008-10-08 21:39:00 2008-10-08 21:39:00 1 0
Thanks for this opportunity!]]> 10256 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-10-08 18:31:00 2008-10-08 18:31:00 1 0 10257 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-10-08 17:05:00 2008-10-08 17:05:00 1 0 I think the piece of embroidery that's given me the most pleasure to do recently was the decoration of a "Roses from the Heart" bonnet destined for a VIP. I was commissioned to commemorate his female convict ancestor who was 12 when transported to Australia. I researched the Victorian language of the flowers and stitched in silk threads. I'm so pleased with it despite being extremely nervous at the same time. After all, it's not everyday you get to send your work to the Prime Minister is it? See my blog at TIF September first thoughts if you'd like to see the outcome.
Hooroo,
Christine
http://missmuffettwo.blogspot.com]]> 10258 Anonymous noreply@blogger.com 2008-10-08 16:41:00 2008-10-08 16:41:00 1 0 I am glad you asked about a piece of embroidery that I had pleasure in doing and not the biggest headache or unfinished projects and why they are still unfinished. When I saw the wool in your stash give away I thought of a wool kit I did when I was about 16 or 17 years old. I enjoyed this kit even though it was quite a large project for one who never sewed with wool. It measures 16" by 7 1/2". I just found it a half a year ago needing to be washed, laid out and framed.I remember the wonderful evenings I spent on it and saw it come to life with all the colors. It is a wooden post of a fence with four birds scattered about. Blue morning glories climbing the post. Some kind of wild flowers around the post and some grass blades. Sorry for a long comment but I just had to share this with you. Thanks Maria P.]]> 10259 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-10-08 16:40:00 2008-10-08 16:40:00 1 0 10260 52X52 noreply@blogger.com http://www.blogger.com/profile/01977653186786832742 2008-10-08 16:19:00 2008-10-08 16:19:00 1 0 10261 Lisa noreply@blogger.com http://www.blogger.com/profile/11137272371773363323 2008-10-08 16:11:00 2008-10-08 16:11:00 1 0 10262 carmen noreply@blogger.com http://www.blogger.com/profile/18217932660530867874 2008-10-08 15:48:00 2008-10-08 15:48:00 1 0 10263 the wife noreply@blogger.com http://www.blogger.com/profile/17530961375327115420 2008-10-08 15:41:00 2008-10-08 15:41:00 1 0 10264 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-10-08 15:35:00 2008-10-08 15:35:00 1 0 10265 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-10-08 15:11:00 2008-10-08 15:11:00 1 0 10266 Anonymous noreply@blogger.com 2008-10-08 14:58:00 2008-10-08 14:58:00 1 0 10267 jenni jenni.simplebeans@gmail.com http://www.blogger.com/profile/00385400502092186947 2008-10-08 14:54:00 2008-10-08 14:54:00 1 0 10268 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-10-08 14:43:00 2008-10-08 14:43:00 1 0 Melisa B]]> 10269 Nikki noreply@blogger.com http://www.blogger.com/profile/04889835236361582323 2008-10-08 14:43:00 2008-10-08 14:43:00 1 0 10270 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-10-08 13:55:00 2008-10-08 13:55:00 1 0
I know I posed it, but it's a toughie this one. The two projects that are vying for it are like from the sublime to the ridiculous

It's a toss up between the Family Tree Embroidered in Couched Goldwork on Silk Satin for my Parent's Golden wedding. I loved doing that because of the anticipation of the reaction when I presented them with something really special, but it was a really hard project to do, and a bit stressfull.

So the accolade goes to one of my little meme of making projects for a friend of mine who is going through a tough time. It was a loose reproduction of an 18th century pocket from the Fashion Museum in Bath, in lovely rich coloured silks, done in chain-stitch. It was such a pretty fun little project, I loved the colours, and I loved thinking of Sarah's surprise when I presented her with something so small and perfect.]]> 10271 crossstitcher noreply@blogger.com http://www.blogger.com/profile/11043843975784619606 2008-10-08 13:45:00 2008-10-08 13:45:00 1 0 10272 Marty52 mamatrahan@msn.com http://www.blogger.com/profile/13237461237107850391 2008-10-08 13:42:00 2008-10-08 13:42:00 1 0 http://www.needlenthread.com/2008/10/monogram-for-hand-embroidery-celtic-d.html Tue, 07 Oct 2008 17:31:00 -0500 Mary Corbet 578 2008-10-07 17:31:00 2008-10-07 17:31:00 open open Monogram-for-Hand-Embroidery:-Celtic-D,-and-News publish 0 0 post

I should apologize for the time it's taking to get this whole alphabet on! I hope no one has an embroidery project awaiting a specific letter! If you do, leave a comment below, and I'll put that letter at the top of the list!

For stitching ideas, you may wish to check out the Celtic A monogram. I mentioned a couple ideas in that post on how you might want to stitch these letters. Of course, you can stitch them any way your imagination prompts you to do so!

Without further ado, then, here's the D.

The small version:



And the larger version:



Enjoy!

Coming up this week: an October stash give-away. I've been scrounging for some goodies to put together as a nice stash give-away, so keep an eye out for this month's stash contest as the week progresses!



]]> free embroidery patterns monograms 10254 Laura Bullinger noreply@blogger.com 2008-10-08 20:53:00 2008-10-08 20:53:00 1 0 http://www.needlenthread.com/2008/10/readers-treasure-embroidered-footstool.html Tue, 07 Oct 2008 07:02:00 -0500 Mary Corbet 579 2008-10-07 07:02:00 2008-10-07 07:02:00 open open Reader's-Treasure:-An-Embroidered-Footstool-in-Crewel publish 0 0 post

Stephi's mom dabbled in antiques, and now Stephi has ended up with many of the treasures her mother collected. Among them was this footstool, which she'd like to know something about. I told her the most basic information that I could gather from the picture - specifically, it is crewel work, it looks like it's embroidered on linen twill out of wool. I'm positively no expert on this type of thing, but I did make some suggestions on where she could take it for more accurate information!

In the meantime, the piece is a pleasure to look at - and I like the story it tells (or at least, the story I think it tells!)



I like the simple scene - the horseman at a run, through flowered fields and trees, the house in the background... perhaps a young suitor rushing to his sweetheart?

The base of the picture is not really noticed at first glance, but it is the base of the picture, I think, that's most impressive, with the subtle long-and-short stitch shading, and the inset flowers.



I like the little red house on the hill, with the strange-looking trees looming over it. The smoke curls up in a welcoming way; supper, perhaps, is being readied? Or the hearth prepared for an evening of good company?



An apple tree? Or an oversized rose bush? The variety of shades of pink might point to a rose tree... the roundness of the fruit might point to an apple tree. In any case, it's a splash of color that balances very nicely the red house on the other side of the piece. I'm inclined towards roses, because of the layered look of the pink flowers.



Also, the proportion of the blue flowers seems to suggest the previous photo is one of a rose bush. The blue flowers dwarf the rider, just as the rose bush is somewhat grand in size.

Perhaps the rider's going to pass behind the blue flowers, and the large flowers are meant to give a sense of depth to the scene. But if that were the case, the horse's feet would not be showing so far down into the grass in the front.

Perhaps the flowers are just oversized. Maybe in his perfect world, the flowers grow larger than life.



There he is, rushing along on his strangely pale horse with the strange rump. As he rushes along, the horse's tail and mane stream out behind (and so does the rider's pony tail, in a stumpy sort of way). The horse's legs gallop, and the rider's posture - leaning forward in anticipation - indicate his eagerness to get wherever it is he's heading. It must be to his sweetheart!

Thanks, Stephi, for sending me the photos! Sorry I can't be of further help on the piece, but perhaps there's a reader out there somewhere who has seen something similar and could share some information about it, or would know of a way to go about getting information on it.

I hope you all enjoyed the photos, too!
]]> readers questions pictures needlework pictures 4681 birdhousebooks noreply@blogger.com http://www.blogger.com/profile/10075857846666114496 2009-11-08 10:43:44 2009-11-08 10:43:44 1 0 10274 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-10-07 23:29:00 2008-10-07 23:29:00 1 0 Hooroo,
Christine.
http://missmuffettwo.blogspot.com/]]> 10275 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-07 18:56:39 2008-10-07 18:56:39 1 0
Thank you so much for your informative comment. This is really helpful. So much for my romantic sweetheart!

I'll direct Stephanie to your comment!

MC]]> 10276 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-10-07 17:57:00 2008-10-07 17:57:00 1 0 I don't believe this footstool is an antique. Rather, it appears this is a "vintage" Elsa Williams crewel kit from the 70's - the title of the kit is "Paul Revere Footstool or Picture." The catalog description reads:
"If you'd like to create a memento of America's Bicentennial, this design portraying Paul Revere's famous ride is an excellent choice. Included in the kit is everything you'll need to complete your footstool, like screws and padding materials. The wooden sections are unpainted so you can choose a color you like. The design is printed on linen twill. The finished footstool size is 7" x 15", KC235, $20.00. The same design is available as a picture. Its dimensions are 7" x 15" on 13" x 20" linen twill. KC235A, $12.00
This kit was probably available in 1975 as well as 1976 (the date of my Elsa Williams catalog).
I'll try to send a picture from the catalog soon. Elsa Williams
founded a needlework company and ran a needlework school, the Elsa Williams School of NeedleArt, in West Townsend, Mass. She wrote several needlework books
and her kits were popular -probably at least in part because of the quality materials. Her catalog states, " Our crewel yarn is offered in 129 shades, dyed to match museum embroideries. It is made from strong fibers of 100% wool twisted many times for durability."
The company was sold to JCA when Elsa Williams retired. Vintage Elsa William kits are highly prized on eBay -some sell for over $100.00.
I hope this helps!]]> http://www.needlenthread.com/2008/10/scratching-needlework-project-at.html Mon, 06 Oct 2008 06:50:00 -0500 Mary Corbet 580 2008-10-06 06:50:00 2008-10-06 06:50:00 open open Scratching-a-Needlework-Project-at-the-Halfway-Point! publish 0 0 post

You probably know how it is: you've set out on a needlework venture, excited to get going and see how the project works out, but unfortunately unhappy with your materials, or color choices, or threads.... Something is Not Quite Right, but you're determined to get going on the project, because you're excited about it!

And you know what happens, don't you? You stitch with slight misgivings, never Quite Comfortable with the project, but still pushing to a point where you can at least see it - that point where you know, for sure, that you were right and no matter how much optimism to try to pour into it, you aren't going to like it, and it just isn't going to work! You realize, at that point, that it isn't worth putting in the time and effort on the other half of the project.

I arrived at that point this weekend with the baby booties. I pushed to finish one booty, so I could sew it up and see for myself.



In fact, I didn't even "finish" the bootie. I just quickly stitched the seams (and did a rather poor job on the easing around the toe) so I could see it put together. On the turned-down sides, I did not do the buttonholing to finish the edges, and I didn't put the eyelets in for the little cord and bow.

I like the concept of the embroidery (though perhaps I'd modify the abundance).

I like the shape of the shoe. In fact, I can safely say I love the shape of the shoe - I think it's cute, and it looks so darling on Adele's foot.

I like the accents - the eyelets and the buttonholing on the edge.



But I just can't stomach the color problem.

Or the overkill. If I had stuck with straight pink, I'd be in Baby-Bootie-Maker's Heaven right now. But oh good golly, Miss Molly. The mismatched color, the polka dots, all the embroidery - on something barely 2.5 inches long? No, no. It won't do. It suffers from OMSS. Overabundant, Mismatched Sugar Shock.



But in concept, it's a sweet little bootie. So I'm going to start completely over and fulfill my Bootie-Making-Dreams before Adele decides to sprout farther.

This is what I've learned:

1. If I'm going to line it, I'm going to line it after I've done the embroidery, and in either the same color or a very subtle color, with no print on it, that I can easily match to available thread colors.

2. I'll use a larger awl for piercing the front eyelets.

3. Floche is perfect for embroidering on flannel like this. I like it a lot.

4. Before stitching the shoe up on the machine, baste the toe ease, then set the stitch length on the machine for very small stitches, and pivot every few stitches to get a smooth curve on the toe. In any case, take time with the sewing part!

Please understand I'm not crying over this!!! I'm glad I got to this point so I could see it, so I would know whether or not I wanted to put effort into the second bootie, or just start over. I'll just start afresh! And I'm a lot happier about that!

When you're in a similar situation (do you ever find yourself in such stitching situations?), how do you handle it? At what point do you scrap it? Or do you never scrap it, persevering to the end? Any pointers you want to share on this?

Happy Monday!
]]> baby booties Hand embroidery stitches pictures needlework pictures 10255 Laura Bullinger noreply@blogger.com 2008-10-08 20:51:00 2008-10-08 20:51:00 1 0 10278 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-10-07 13:10:00 2008-10-07 13:10:00 1 0
My philosophy is that I can't fail. For me, there is no such thing as failure. There are only learning opportunities. I'll bet you think the same way.]]> 10281 Anonymous noreply@blogger.com 2008-10-07 09:09:00 2008-10-07 09:09:00 1 0 If it's too much embroidery for a baby bootie, what about making a cute pincushion out of it? That would at least save all that work. I really like most of it... just don't like the polka-dot lining. I'd have done it in another solid... same pink or if it has to be "different", probably just white. Linings shouldn't compete with the outside for attention.
Tess]]> 10282 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-07 08:39:04 2008-10-07 08:39:04 1 0
Lori, thanks for your input. I know what you mean by placing colors to break up the pieces, like piping around the sole or something, in green, to separate the colors. My sister suggested piping...

My niece took the bootie home with her last night. She said she's going to "save it in case she ever needs it." I can only imagine she means when one of her dolls loses a leg or something????

Thanks again, all!

MC]]> 10283 Lori Northon noreply@blogger.com 2008-10-07 07:24:00 2008-10-07 07:24:00 1 0
By the way, if you don't want the bootie, I would love to have it! I think it would make a fabulous pincushion.

You were right in the beginning of the project when you realized the two purples weren't harmonious colors; they clash just enough to really cause a problem. And purple can be a hard color to match.

I'm anxious to see the next bootie to see how you resolve the problem. I really like how meticulous you are, and I am amazed by your attention to all the small details. I believe this is what makes your work really stand out.

Hugs!
Lori N.]]> 10284 Anonymous noreply@blogger.com 2008-10-07 04:43:00 2008-10-07 04:43:00 1 0 Projects like these are a real problem for me.When I cant stand a project I (obviously) cant work further on it. I am also too greedy to let go of all the thread, fabric and effort used on it so I just hold on to it(onto eternity) until i find some use for it...its painful and constantly stays at the back of my mind like a sore spot.
Also, I quickly go and get material to start a new one with a very different colour combination.
All the very best to you.
Leena]]> 10285 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-10-06 19:15:00 2008-10-06 19:15:00 1 0 10286 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-10-06 15:18:00 2008-10-06 15:18:00 1 0
i am at the ditching point mark 2 of one embroidery project. I started it and due to technical difficulties got half way and started again. Sorted out the techincal stuff but now i am *almost* finished I realise that it isnt going to work - the size is too small to add the details i want, but too big to leave them out. My vision for the piece has not been realised. its been a good learning experience, but oh what a waste of time and silk thread :)]]> 10287 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2008-10-06 13:15:00 2008-10-06 13:15:00 1 0 http://www.needlenthread.com/2008/10/artists-touch-long-and-short-stitch.html Sat, 04 Oct 2008 11:47:00 -0500 Mary Corbet 581 2008-10-04 11:47:00 2008-10-04 11:47:00 open open The-Artist's-Touch:-Long-and-Short-Stitch-Shading publish 0 0 post

Much to my delight and suprise, a package arrived for me halfway through the week. Can you imagine how excited I was to see an envelope arriving from Trish Burr in South Africa? She sent me one of her own works of art!

I want to show it to you up close.



This is the piece. You can be that I'm going to frame it and hang it in a prominent place of honor!

What particularly amazes me about the finished piece is how the contrasting colors work together to make the whole piece come alive. The colors in the piece, on each element - whether flower petal, leaf, or bud - are really amazing.



The flower moves from a bright white on the tips to a deep purple in the center, but that depth of color is achieved not just with the plum colors. Looking closely, you can see browns interspersed that give shadow and dimension to the petals.



If you look in the lower right corner of the above photo, you can see the brownish greys in there, shadowing the petal above.



In the leaves, you can see the same - the turnings on the leaf are made real by the masterstroke of the artist's 'brush' (a needle and thread, in this case), placing just the right color at just the right spot.



Look at the perfect stitch direction in every element!



Each row of stitches works perfectly into the next, blending the colors together.



All the details - the little white flower accents, the sprays of tiny leaves and bullion knots, the round buds - are fascinating.



These tiny buds have no less than four colors in that small space! The edge of the embroidery is smooth and slightly raised.



The white flowers with their little golden centers seem to pop up from the picture.



Step back and look at the whole piece - the artist's touch brings the embroidery to life!

Oh boy. I don't grow tired of looking at pieces like this, do you? I look in wonder, and then I remind myself that I have a heck of a lot to learn!

Thank you, Trish, for your gift! It's a treasure!

If you're interested in learning long and short stitch shading from a master, do check out Trish Burr's books on the topic. She has three of them: Long and Short Stitch: A Collection of Flowers; Redoute's Finest Flowers in Embroidery; and her latest, Crewel and Surface Embroidery: Inspirational Floral Designs (in which you will find the project for the piece I've shown you above).

]]> Trish Burr readers embroidery pictures needlepainting needlework pictures 10288 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-10-06 06:05:00 2008-10-06 06:05:00 1 0 10289 Lory creative_little_me@yahoo.com http://www.blogger.com/profile/09287646186137786342 2008-10-05 21:20:00 2008-10-05 21:20:00 1 0
Hugs,
Lory]]> 10290 Freda Butler noreply@blogger.com 2008-10-05 14:45:00 2008-10-05 14:45:00 1 0
Thank you again for my gift of Trish,s newest book.It arrived this week but I have been sick with a bad sinus infection and headache but am on meds now and hopefully on the mend.

I leafed thru it but when feeling better will sit down and spend a few hours looking at it.

How beautiful Trish's gift to you is and you certainly deserve it for all you do to promote needlework and give help to so many of us.

Thanks again

Hugs

FredaB]]> 10291 Anonymous noreply@blogger.com 2008-10-05 13:53:00 2008-10-05 13:53:00 1 0 Verry nice!]]> 10292 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-10-05 12:34:00 2008-10-05 12:34:00 1 0 From Trish Burr!... WOWWW!
Is a beautiful piece of art that has come to you Mary, I think If I'll receive something like this, fainted me !!!!!
Really an amazing piece, like the paint, I see reflected the color of the flowers in the leaves, I like very much her work.
Congratulations Mary by receive something so beautiful, you deserve it!!
Maria del Valle]]> 10293 margaret c. noreply@blogger.com 2008-10-05 12:10:00 2008-10-05 12:10:00 1 0
To all who are hesitant to try shading: TRY IT! You have nothing to lose and you will only get better with practise. Start with something simple so you don't get overwhelmed and move on to more complicated pieces as you gain confidence. It really isn't very difficult. If you know someone who is good at shading ask them to help if you are having problems.]]> 10295 Anonymous noreply@blogger.com 2008-10-05 10:17:00 2008-10-05 10:17:00 1 0 No more need be said!

Annie in Michigan]]> 10298 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2008-10-04 22:24:00 2008-10-04 22:24:00 1 0 10299 Meeta V. noreply@blogger.com 2008-10-04 20:38:00 2008-10-04 20:38:00 1 0 10300 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-10-04 19:00:00 2008-10-04 19:00:00 1 0
You deserve it, as Joey said.]]> 10301 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-10-04 15:09:00 2008-10-04 15:09:00 1 0
Jane]]> 10302 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-10-04 13:37:00 2008-10-04 13:37:00 1 0
Ruth]]> 10303 joey noreply@blogger.com 2008-10-04 13:23:00 2008-10-04 13:23:00 1 0 http://www.needlenthread.com/2008/10/goldwork-project-finished-and-ready-to.html Wed, 01 Oct 2008 11:28:00 -0500 Mary Corbet 582 2008-10-01 11:28:00 2008-10-01 11:28:00 open open Goldwork-Project:-Finished-and-Ready-to-Frame publish 0 0 post

...but unfortunately, no "complete" photos! I'm dying to show you the whole piece, but, as I mentioned before, we need to wait until the design is published in January!

I hope you understand and will enjoy instead these little up-close "mystery" photos.



Here's a close-up on some chipping inside an outline of pearl purl. A friend commented the other day that the close-up photos always make the piece seem as if it is much larger than it really is; then, when you actually see the piece in real life, you're surprised that it's much smaller and delicate looking. So, even though this looks large, it isn't - it's about half an inch wide, and half an inch high at the tallest point.

I think my chipping is a little too crowded. I need to work on that. When I do chipwork, I either end up with chipping that is too spaced, or chipping that's too crowded.



This project includes a little bit of everything - I think that's one of the reasons I liked it so much! Here are some beads and pailettes for you.



And another bit of chipwork.

I love finishing a project. But I don't love the "let down" at the end. There's nothing quite like finishing and stepping back to look at a piece. It's so satisfactory! But then... gosh. The end is bittersweet, because now the fun's all over!

To avoid the let-down, I moved very quickly into the baby booties, but it isn't quite the same, you know! On the bright side, I am planning an ornament for a swap, and I do believe it will include many of the techniques on the project I just finished.

So, here's a question: can you guess what the goldwork design depicts, just from the photos you've seen so far? You can find a couple more pictures of this project here. Just curious!!
]]> goldwork pictures needlework pictures 10315 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-02 18:15:10 2008-10-02 18:15:10 1 0 10316 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-02 18:13:46 2008-10-02 18:13:46 1 0
Within minutes of posting this article this morning, I moderated Michael's "I think it's a pomegranate" comment. And I had the same sensation as when someone steals a punchline! But I won't hold it against you - it was a very observant piece of logic there. It IS a pomegranate!

I'll post completed pictures in January - I promise! And that means you even get to see it matted and framed!]]> 10317 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-10-02 17:49:00 2008-10-02 17:49:00 1 0
But I would like to know what thread you used for the red silk embroidery. It looks like silk and it's a stunning colour.

Beautiful work, as usual.

CA]]> 10324 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2008-10-02 08:02:00 2008-10-02 08:02:00 1 0 10325 AnnaCWarren noreply@blogger.com http://www.blogger.com/profile/16528659213573582160 2008-10-02 07:45:00 2008-10-02 07:45:00 1 0 10326 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-10-02 06:31:00 2008-10-02 06:31:00 1 0 10327 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-10-02 05:05:00 2008-10-02 05:05:00 1 0 10330 Anonymous noreply@blogger.com 2008-10-01 18:15:00 2008-10-01 18:15:00 1 0 10331 Anonymous noreply@blogger.com 2008-10-01 16:43:00 2008-10-01 16:43:00 1 0
Awesome symbolism for a wedding present!!

This looks absolutely incredible. How on earth can you keep your stitches so perfect?!! The chipping looks great, just a different look than if it were less "crowded" (as you say). Wow and yum.

What is the thread and color number of the pomegranite color?

Christiana]]> 10332 Žabacorporation zabacorporation@gmail.com http://www.blogger.com/profile/08672390582224414007 2008-10-01 15:56:00 2008-10-01 15:56:00 1 0 But I must admit that pomegranate's more probable:-)]]> 10333 Alek noreply@blogger.com http://www.blogger.com/profile/01187414151830875527 2008-10-01 15:31:00 2008-10-01 15:31:00 1 0 10335 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-10-01 14:19:00 2008-10-01 14:19:00 1 0 10337 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-10-01 13:27:00 2008-10-01 13:27:00 1 0
MGM]]> 10338 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-10-01 12:25:00 2008-10-01 12:25:00 1 0 http://www.needlenthread.com/2008/09/little-project-embroidered-baby-booties.html Tue, 30 Sep 2008 07:39:00 -0500 Mary Corbet 583 2008-09-30 07:39:00 2008-09-30 07:39:00 open open Little-Project:-Embroidered-Baby-Booties publish 0 0 post

I've got the embroidery finished on half a baby bootie - it's not really very complex embroidery, as you can see! Just lazy daisy stitch, French knots, and tiny straight stitches.



They look Humungous, don't they? More like whomping Baby Boots! Keep in mind that the cuff on top folds down (see below), and all the area that isn't stitched (around the base and up the back) is the seam allowance. I kept folding the seam allowance in, because I had to convince myself they were little, teeny tiny booties, not massive toddler whomping moon boots.



This is the cuff pinned down, so you can see the contrast. The red dots will be eyelets.

Ok, what I did about the violet:

I didn't like the match of the purples - I thought the floche was just "off" - so I matched and bought a skein of DMC that I thought I would like better. It seemed ok in the store. I picked out all the violet flowers. I started stitching with the new DMC color.

I cringed.

I picked out all the new DMC color.

I started stitching again with the floche.

And in the scheme of things, I like it much better, even if it's not quite the same color - it's close enough!

My favorite part so far, though:



I'm quite taken with the little eyelets. They look like nostrils.
]]> baby booties Hand embroidery stitches pictures needlework pictures 10328 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-01 19:26:12 2008-10-01 19:26:12 1 0
Lori - Yes, the edges will be worked in a buttonhole (closed) in white and I'm thinking of doing a needlelace scallop along the buttonhole. That may be a bit ambitious, though, for something so small. We'll see.

I blogged about the pattern here:

Needlework Carrot. You can see a picture of the pattern and the number there. I think it's McCall's, but I don't remember the number!

There are also plenty of patterns online, if you google "baby booties embroidered" or something to that effect. I think I also linked up to an online pattern in the post mentioned above!

Thanks! Can't wait to give an update that shows serious progress!

MC]]> 10329 Anonymous noreply@blogger.com 2008-10-01 19:02:00 2008-10-01 19:02:00 1 0 10334 Lori Northon noreply@blogger.com 2008-10-01 14:55:00 2008-10-01 14:55:00 1 0
Hugs!
Lori]]> 10336 laura-1215 noreply@blogger.com http://laura-1215.livejournal.com/ 2008-10-01 14:17:00 2008-10-01 14:17:00 1 0 10339 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-01 11:21:25 2008-10-01 11:21:25 1 0
Nelapx - the fabric is actually two layers of flannel, fused together with a very fine fusing bond called Mistyfuse. I'll show you the finished pair of booties soon!

Hi, Annie - sorry about your password! - I think felt is good. In fact, most of the patterns I've seen call for felt, but I noticed that people have had luck with flannel, so I thought I'd give flannel a try since it's softer. But then, in fusing the two flannels together, I found that, though the hand is definitely softer, the fabric itself is now pretty stiff.

I think the felt would work great. And if you're concerned, for example, with the "scatchiness" of felt, my sister duly reminded me that that's what socks or tights are for - especially in cooler weather!

I'll post the finished product - actually, I plan to post a step-by-step on sewing them up. We'll see how that goes. I'm no wonder on the sewing machine.

Thanks again!
MC]]> 10341 Anonymous noreply@blogger.com 2008-10-01 11:15:00 2008-10-01 11:15:00 1 0 10347 Anonymous noreply@blogger.com 2008-10-01 08:19:00 2008-10-01 08:19:00 1 0 Thank you again for this wonderful site. It makes my day!
Annie in Michigan I forgot my password]]> 10348 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-10-01 07:15:00 2008-10-01 07:15:00 1 0 10349 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-01 06:42:18 2008-10-01 06:42:18 1 0
Thanks for the comments about the booties -they're really quite fun to make. (So far - I haven't started the sewing part yet, which might end up being rather a bear!)

Christine, I'm using two relatively light flannels that I've fused together with misty fuse. It's working out well so far, but I am not sure how well it'll work with the sewing up. I figure, though, that together the two pieces of flannel are about the weight of a good wool felt, which is what the pattern called for in the first place. Hopefully, you'll be able to track down the right fabric for yours. I suppose that just about anything can be used, with a little tweaking! Good luck!

MC]]> 10350 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-09-30 21:55:00 2008-09-30 21:55:00 1 0 Hope I can still find some fleecy fabrics in our stores, we're heading into Summer fabrics instore already!
Thanks for sharing your progress,
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 10351 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-09-30 14:27:00 2008-09-30 14:27:00 1 0 10352 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2008-09-30 10:29:00 2008-09-30 10:29:00 1 0 I think the mum will be delighted. Not every baby will have such pretty shoes]]> http://www.needlenthread.com/2008/09/needlework-shop-information-source-and.html Mon, 29 Sep 2008 06:52:00 -0500 Mary Corbet 584 2008-09-29 06:52:00 2008-09-29 06:52:00 open open Needlework-Shop,-Information-Source,-and-Free-Patterns publish 0 0 post Nordic Needle, located in North Dakota. Yep, they're great for special ordering tools, supplies, and so forth, but did you know they also have general information about embroidery-related topics on their website?

I subscribe to the Nordic Needle newsletter - and lately, they've run some good information articles in there. For example, you'll find three thorough articles on the different types of threads in some of their past issues: Threads 1, Threads 2, Threads 3. You'll find all kinds of information about the various embroidery threads available on the market in those articles. Conveniently enough, you'll also find links to the same threads on their website, in case you're looking for any particular threads.

Under the Resources section of Nordic Needle, you'll find some interesting stuff in the column on the left, including conversion tools (I'd like to see this category expand a bit), stitching tips and tutorials, and a whole slew of free needlework patterns.

I like the new look of Nordic Needle's website. They recently revamped it, and I think, overall, it looks better and is easier to get around on, though I'm still "finding my way," after being used to the old site for a while.

If you haven't signed up for their newsletter, you might want to. It's often full of useful information for the needleworker. I think, one of these days, they'll probably change the purple background on the newsletter, too!

Anyway, when you have time to browse about, check out Nordic Needle - they've been around in the business for a long time, and they're a good resource for information and supplies.

I hope your weekend went well and you were able to accomplish all that you wanted to accomplish! I managed finishing my current goldwork project and embroidering half of one baby bootie (a quarter of the way through the pair). Pictures soon!

Enjoy your Monday!
]]> free embroidery patterns embroidery resources needlework websites 10296 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-05 07:39:47 2008-10-05 07:39:47 1 0
They're handy articles for tidbits of information, aren't they? I like ordering from Nordic Needle - they have practically everything, and if they don't have it in stock, they can get it. Their service is always very good, too!

MC]]> 10297 ~mj~ mjstitches@gmail.com http://www.blogger.com/profile/08539840287964685499 2008-10-05 00:46:00 2008-10-05 00:46:00 1 0 http://www.needlenthread.com/2008/09/monogram-for-hand-embroidery-celtic-c.html Sun, 28 Sep 2008 16:00:00 -0500 Mary Corbet 585 2008-09-28 16:00:00 2008-09-28 16:00:00 open open Monogram-for-Hand-Embroidery:-Celtic-C publish 0 0 post

I posted stitching ideas for this alphabet with the letter A, if you're looking for any ideas on how to embroider these letters.

Here's the small version of the C:



Here's the large version:



For more monograms for hand embroidery, visit my index of monograms, which can be found under Free Hand Embroidery Patterns here on Needle 'n Thread.

Enjoy!

]]> free embroidery patterns monograms http://www.needlenthread.com/2008/09/starting-your-thread-anchor-stitches-on.html Sun, 28 Sep 2008 07:48:00 -0500 Mary Corbet 586 2008-09-28 07:48:00 2008-09-28 07:48:00 open open Starting-Your-Thread:-Anchor-Stitches-on-a-Line publish 0 0 post start and end your threads in hand embroidery, this picture tutorial shows you how to use anchor stitches when embroidering a line. If you're not familiar with this method of starting threads, you might find it a bit strange, but bear with me! Read through the tutorial, and you'll see why it's useful to know how to do this.

Using this technique for starting your threads only requires you to work from the front of the fabric. You don't have to turn your fabric over to run your threads under anything, and you don't have to keep a finger on the back of your threads to make sure you're crossing over the thread on the back. This is straight-forward, front-of-the-work stuff. Knowing how to start a thread working solely from the front of your work - and still not using a knot - can be very handy...

This works best with a thicker line stitch. If you're working a very fine stem stitch line, or a back stitch line, you might prefer a regular waste knot. Still, you'd be surprised how invisible you can make these anchor stitches, even on relatively fine lines.

I'm going to be stitching this line with the heavy chain stitch.

Method of Work

Begin by placing a knot near the end of your thread. Here, I've left a tail that's unnecessarily long. You don't have to have a long tail - the closer your knot is to the end of your thread, the less thread you use. However, you do want enough of a tail after the knot to be able to pull up on your thread before you cut it.



Within an inch (or even half an inch) of your starting point, take your needle from the front to the back of your work so that the knot is on the top of your work.



Between the knot and your starting point, take one tiny backstitch. Here, because this is a loosely woven fabric, I can easily take a stitch over one thread. In a fine, tightly woven fabric, you might pass over two threads. But you're aiming for a relatively tiny back stitch, in any case - over one or two threads of the fabric, depending on the weave of the fabric.



Working away from the knot and towards your starting point, bring your needle back up to the front of the work just on the other side of the tiny backstitch.



Now take your needle down into the middle of the backstitch, splitting it. As you pull this stitch, you want to apply enough tension to sink the stitch into the first backstitch. Don't pull so hard that you distort your fabric or stitches - just enough to pull the second stitch well into the first.



Still working away from the knot and towards your starting point, bring the needle back up to the front of your work, just on the other side of your second stitch...



...and take it back down into the stitch before. Essentially, you've just made three split stitches, only you're splitting your stitches from the top, rather than from underneath.



Pull that third stitch enough to bring it down into the second. Here, you can see it's sitting up a bit.



Pull up firmly on your thread tail, and snip off the knot, right above the fabric. The thread will boing down to the other side of your fabric.



And now you're ready to stitch. Looks bulky, doesn't it? Hard to believe it can be covered and not noticeable...?



Here's the beginning of that petal, worked in heavy chain, covering up those stitches. You'd be surprised, actually, how well these anchor stitches can be covered up with a line stitch, even line stitches finer than the heavy chain. I've used this method for regular stem stitch and the anchor stitches have been invisible.

Pros of Using Anchor Stitches on a Line

1. The technique doesn't require much thread, so there's very little waste.

2. You can work solely from the front of the fabric. This is especially handy when you're working on a larger piece that's a pain to turn over.

3. It's fast - there's no turning over, running under, or anything like that. You jump straight in to stitching.

Cons of Using Anchor Stites on a Line

1. On the very finest lines, they could be visible. But ... you can make them fairly invisible with a little practice.

2. I can't think of any other ones. Can you?

]]> needlework tutorials threads pictures embroidery tips and tricks beginner embroidery 6138 Ana Vergara vergara.aninha@gmail.com http://www.blogger.com/profile/02771011686560685293 2009-08-12 11:34:47 2009-08-12 11:34:47 1 0
I start my embroideries in two other different ways:

1. I insert the two tails of the thread in the needle hole, making a loop with the thread. I insert the needle into the fabric on the front, come up with the needle and thread leaving the loop on the front making a tiny stitch ; then I slip the needle into this loop making a "knot".

2. I pull one thread through the needle hole making one "leg" longer than the other. Insert the needle on the front under two threads of fabric and pull the thread almost to its tail (the long one), leaving just a tiny bit of it up. Now I have the needle and thread on the fabric.Then I create an "O" (a circle -taking the thread and needle up and down), insert the needle under the two previous threads of fabric (the same two I used to make the first stitch), from the bottom to the top, making a "cross", being sure that the previous stitch is couched behind the fabric. I then pull the needle through this circle making a knot.

Well, I hope you understood! I will try and make a video of both ways to show you.
aninhavergara@uol.com.br
Ana Vergara]]> 10354 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-29 13:34:35 2008-09-29 13:34:35 1 0
I, too, make smaller stitches farther apart for narrow lines - I prefer this method of starting a thread, since it's worked solely from the top. It's amazing how just a couple tiny stitches do the trick to anchor a thread - and it sure saves a lot of thread!

Thanks again!

MC]]> 10356 Anonymous noreply@blogger.com 2008-09-29 10:56:00 2008-09-29 10:56:00 1 0 Tess]]> 10359 margaret c. noreply@blogger.com 2008-09-28 17:03:00 2008-09-28 17:03:00 1 0
I have started trying a slight variation, however. I start a little farther away (down the line) from where I am going to be starting my actual stitching and I try to put the tiniest amount of thread on top of the fabric as possible (I like to challenge myself to see how little I can put on top--yeah, I'm weird!). I also put extra space between the two anchoring stitches. I have found that this works better for me on stem stitch, especially single lines that have nothing on either side where there's no room for error.

I found I was having a problem when I had the two anchoring stitches close together and I would get a thicker stitch at the beginning of the stem stitched line. Additionally there was often competition for the place where the needle would go into the fabric.

I also try to anticipate where the stem stitch stitches are going to go and then place the anchor stitches in between these places so the stem stitches merely cover the anchor stitches instead of sharing 'holes' with them.

I hope this makes sense. I've been working on the spring flowers teacloth and there is a lot of stem stitch 'out in the open' so I've been getting lots of practise hiding my anchoring stitches.]]> http://www.needlenthread.com/2008/09/saturday-play-resurrecting-random.html Sat, 27 Sep 2008 12:27:00 -0500 Mary Corbet 587 2008-09-27 12:27:00 2008-09-27 12:27:00 open open Saturday-Play:-Resurrecting-a-Random-Sampler publish 0 0 post random sampler that I began on a road trip. Lost in the labyrinthine oblivion of my website, I didn't even have the post available in my gallery. But you know, I liked this piece.

I remember the pleasure I had working random stitches all over the place, doing whatever occurred to me, using whatever thread. There's a real pleasure in that. It's just so... random.



I also remember having specific plans for the piece. Hahhahahaha.



It has nestled, neglected, in a basket of other neglected scraps, trials and errors.



But today, I'm resurrecting my Random Sampler! I'm going to go look at it again. I'm going to see if I can make something of it. I'm going to decide if I like it as well in person as I think I remember. And then... if I do, I'm going to finish it into something.

I have no idea what.

Along with that plan, I've got a list of to-dos about half a page long. Six of them are needlework & blog related. Seventeen of them are not. I'm not sure why Saturdays are so short...

Some of the needlework and blog related activities:

I'm planning the long and short stitch "classes" or lessons still. I have decided to take Joey's advice, and work an individual motif at a time, rather than a whole project. And in fact, I'm arranging individual motifs into a sampler of sorts, so I'll be showing you that soon.

I've got to edit a few videos. I don't even want to think about it!

I have to clean up the studio and get it ready for a guild meeting Monday evening. In the process, that's when I'll pull out the Random Sampler.

I will be planning my Saturday afternoon sessions - I'm going to do some Christmas card sessions with the kids on Saturdays over the next couple months, and I'd like to get that going next weekend. I can't do that without proper planning. So I plan to properly plan today. Besides using designs I already have from books and online sources, I have several card patterns (embroidered cards, you know!) bouncing around in my head. They need to come out on planning paper, and then they need to be tested. So that's something I'll be writing up.

I must, today, finish the goldwork project I'm working on. I've got to get it in for framing, since it's a wedding gift and I want it finished on time. So I will finish that today. And take photos....!

I must clean, organize, line up - all the related activities associated with getting ready for upcoming projects. For example, I have to pick out the stitching on the baby booties and get the supplies put together for those and packed into a bag, so I can work on it when time allows and everything will be at hand. I need to assemble all my threads for the Pelican (and that's a good thing, because I have them scattered hither and thither).... oh, bother. This is going to be my "junk drawer" category for the day.

Ok. You're right. I need to face reality: What can I actually accomplish today? I suppose we'll have to see!

.... I'm thinking I should skip doing laundry ...... and do I really neeeeed to vacuum? Heh heh heh.

Have a great weekend!
]]> pictures sampler wool felt needlework pictures beginner embroidery 10340 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-01 11:15:08 2008-10-01 11:15:08 1 0
But I know what you mean about adding something new to your routine. It takes a while to get everything back into coherent swing, if you know what I mean!

Glad to see you still sticking around!]]> 10344 Anonymous noreply@blogger.com 2008-10-01 11:04:00 2008-10-01 11:04:00 1 0
I am so in love with this sampler of yours here! It sort of reminds me of some of the wild paisley prints of the sixties. I just love it!
-Jeannine]]> 10355 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-29 13:31:55 2008-09-29 13:31:55 1 0
Thanks very much for your comments and good ideas! As luck would have it, I didn't pull the sampler out this weekend. I got swamped with other things, and then, when I finally had time to devote to stitching, I didn't feel quite like rummaging. I'm hoping to rummage this afternoon!!

Thanks again! I'll keep you posted on what comes of the whole thing!

Best regards,
Mary]]> 10357 Meeta V. noreply@blogger.com 2008-09-29 10:46:00 2008-09-29 10:46:00 1 0
Have a great week!

-Meeta]]> 10360 Carol in SW IN noreply@blogger.com 2008-09-28 13:00:00 2008-09-28 13:00:00 1 0 Not sure why I pictured all of that in my head but that is what comes to mind. Have a great week.
Hugs
Carol in SW IN]]> 10362 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-09-28 11:26:00 2008-09-28 11:26:00 1 0 Thank you very much for everything you do for us, your readers.
All that I know I owe people like you, who share your knowledge in: blogs, websites, books, classes, etc..
But, you are special!! for your generosity.
A hug
Maria del Valle]]> 10363 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2008-09-28 09:56:00 2008-09-28 09:56:00 1 0
I don't think it is random at all--it's paisley!

Congratulations on something really pretty. I know you'll do great things with it.

As for the laundry, I think that can wait until Tuesday. Isn't Tuesday laundry day?

Jane, the bad influence of Chilly Hollow]]> 10365 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-09-28 04:53:00 2008-09-28 04:53:00 1 0 10368 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-09-27 21:46:00 2008-09-27 21:46:00 1 0 The random sampler looks great inspite of so much neglect- why not turn it into a journal cover or a padfolio-atleast that's what I think whenever I see it.
Cheers,
Deepa]]> 10370 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-09-27 16:47:00 2008-09-27 16:47:00 1 0 As far as the housework goes at my place, I take off my glasses. If I can still see the dust/streak/stain I get to work. If not, well it's just not THAT urgent, LOL.

My kids class SO enjoyed the stitched paper cards I trialled after you last posted about them that I'm doing some Christmas themed ones next meeting too. Great minds think alike, hey?
I thought I'd look at some candlewicking designs to use, or make up a couple inspired by some simple applique designs in a recent patchwork magazine. These will be for the kids to give as gifts to teachers, parents etc.
Thanks for sharing, I really appreciated it.
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 10371 Anonymous noreply@blogger.com 2008-09-27 16:44:00 2008-09-27 16:44:00 1 0
Good luck with your list and I hope your consience is disturbed by the thought that you are preventing others from checking things off theirs!!!! ;-)

Christiana]]> http://www.needlenthread.com/2008/09/thread-conversion-anchor-dmc-soie.html Sat, 27 Sep 2008 06:00:00 -0500 Mary Corbet 588 2008-09-27 06:00:00 2008-09-27 06:00:00 open open Thread-Conversion:-Anchor,-DMC,-Soie-d'Alger publish 0 0 post

Around here, I don't have access to Anchor threads, without special ordering them. But I'm not ordering any embroidery supplies for a while (my Resolution - hold me to it!). On the bright side, I do have a couple gift certificates that I've never used to Michael's and Hobby Lobby, both of which carry DMC. The question, then, is ... can I convert the required colors from Anchor to DMC?

To figure that out, I set about look for thread conversion charts. A while ago, I posted an article about thread conversion charts, but in checking those links, I've found that most of them are now defunct. The woes of relying on specific websites for needful information!

In the meantime, though, here's a good color conversion chart from Crosstitch.com. It's an Anchor-to-DMC conversion chart (or visa-versa), and the fun thing is, you can select the thread numbers, click a button, and get an image of the color as well as the corresponding DMC number.



You can select multiple color numbers by holding the control key down, and then you convert them, and get a nice chart indicating both DMC numbers and JP Coats numbers. If there isn't an exact match, they'll give multiple close matches.



One other conversion chart that I think is handy is this DMC to Soie d'Alger chart. I'm a huge fan of Soie d'Alger, so this is a great chart to have, especially for designs that call for DMC, but that you'd like to kick up a notch to silk.

And finally, the resource of resources - Needlepointers.com has a huge list of color conversion charts around the web. There are several color charts for rather obscure threads on there, and there are a few links that don't work, but it's a terrific list and a great resource to have! Add it to your favorites for future use!

Few color conversions are exactly accurate - you'll probably never get the Exact Same Color in a different brand of thread - but they're often close enough that no one would be able to tell. If, perchance, they aren't close enough for this particular project, I have absolutely no problem picking out what I've done so far and starting over. I've got about one-eighth of one side finished. No biggie.

What do you think about converting threads? Do you cross over between brands when you stitch? Do you have any good resources for thread conversion? Speak up!! Help the rest of us out! Thanks!!
]]> embroidery resources threads embroidery tips and tricks 9935 Anonymous noreply@blogger.com 2008-11-09 20:38:00 2008-11-09 20:38:00 1 0 10358 KerGiz noreply@blogger.com http://www.blogger.com/profile/05096750175954764446 2008-09-29 05:48:00 2008-09-29 05:48:00 1 0 The second entry on the page.
http://www.agr.unideb.hu/~kergiz/cross/index_atvaltok.htm
You enter the Dimensions, DMC, Anchor or Puppets color code, and you get the converted codes for DMC, Anchor and Puppets. Also get the little color samples, and (if you filled the "stash" worksheets) the amount of floss you have in that color. Very useful, I can print it and use as a shopping list. :-)]]> 10373 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-27 11:21:00 2008-09-27 11:21:00 1 0 Now I onlt have this
http://www.allcrafts.net/projects/dmc-to-anchor-floss-chart.htm
but it's not good if you compare with your link! There were others but as you say they are defunct.
Thanks again!]]> http://www.needlenthread.com/2008/09/readers-question-stitching-applique-and.html Fri, 26 Sep 2008 19:01:00 -0500 Mary Corbet 589 2008-09-26 19:01:00 2008-09-26 19:01:00 open open Reader's-Question:-Stitching-Applique-and-Using-DMC publish 0 0 post

There are two points I'd like to admit about myself before I launch into this: 1. I don't know the answer to every needlework question, though I will generally make an effort to find an answer if anyone e-mails me for help; 2. My answer may not be the best answer, or the only answer - there are lots of ways to approach embroidery and needlework and not everyone uses the same techniques.

So that's my blanket statement, and I realize it sounds a lot like a bad excuse just to cover myself. And perhaps it is! Hmmmm.....

Ok, here's Twyla's e-mail:

Hello, I'm thankful for your videos. I like to make quilts and so I ordered a quilt kit called the Catnip Quilt. I live in Japan so I can't just go to a store. Anyway, I ordered all my things on-line and I needed DMC floss for the kitty's whiskers, and stuff like that. I'm using a fusible webb to put on all my cats and I don't want to use my sewing machine to do the applique; I want to do them by hand. That's where your videos have been helpful. I don't know much about embroidery. I decided to use a buttonhole stitch to go around all my applique. I don't know what DMC floss is. I ordered floss; it is 100% cotton and comes in 6 strands but it seems really cheap. So, what is DMC floss compared to other flosses out there?

Also, out of all your videos of stitches, what would be the ones you recommend for going around applique on quilts by hand? Also, how do you know how many strands of floss you use for different ones?

Thanks for any help you can give!

And here's my response:

DMC stranded floss (cotton, 6 strands) is the most widely-available floss here in the US. It's mercerized cotton, so it has a sheen to it, it's fairly strong, and it's fine for stitching. Like any cotton floss, it may pill or fray if you're stitching with long strands through several layers of fabric and fusing. Make sure you stitch with short lengths of floss (no more than 16 inches, I'd say).

The best stitch for around an applique is buttonhole or blanket stitch. The spokes of the stitch go towards the inside of the applique, while the rope-like edge that forms ends right on the applique line. You can vary the width of the stitch, so that the spokes are farther apart or closer together (in fact, you can stitch them right next to each other if you wish), as you choose. It depends on the look you want. Alternately, you can also use an overcast stitch. I don't have a video for overcasting, but essentially, it is just stitching a satin-stitch-type line over the edge of the applique and the ground fabric.

The number of strands you choose for your floss depends upon the size of the applique, and how much is required for the floss to be visible. If the appliques are a regular size (nothing miniature), I'd guess you'd need two strands at least. If they are big appliques, you might go for three strands. Anyway, try both - and then decide what looks best. You'll want to make sure you have a needle with a big enough eye to accommodate the number of strands. A needle that's too small, on this kind of work, will hurt your hands and will cause your thread to pill and fray.

Make sure as well that you strip your floss first. That is, after you cut the length you're going to use, you separate one strand at a time from the piece of floss, until you have the number you're going to use. So, if you're going to work with two threads, you separate two threads from the rest of the floss (individually pulling one thread out at a time), and then you put the two threads back together. This keeps your floss from looking twisted and not giving full coverage.

The best way to strip your floss is to grip about an inch away from one end of the floss with one hand, holding the floss up in front of you so that it's falling towards the floor, with the inch of floss sticking out above your two fingers. Then, with the other hand, pick out one strand from the bunch (above your fingers), and pull straight up out of the group - the rest of the floss hanging below your fingers will pull up as you pull the piece out, but fall again, once the piece is out. If you try stripping your floss just by pulling it straight apart, you'll end up with a knotted mess.

If you have any advice that you want to add to help Twyla with her project, don't hesitate to post a comment down below! Thanks!
]]> readers questions threads 10376 Tyann noreply@blogger.com 2008-09-26 23:57:00 2008-09-26 23:57:00 1 0 10377 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-26 23:12:12 2008-09-26 23:12:12 1 0
I'd definitely use a crewel needle (or sometimes they're just sold as "embroidery" needles). These have a sharp point and a long eye. If you are using 2 strands, I'd look for a #7. If 3 strands, you can use a #5, I think.

Good luck!

MC]]> 10378 Tyann noreply@blogger.com 2008-09-26 22:55:00 2008-09-26 22:55:00 1 0 I will be going through a cotton print and a piece flannel. Do you have any suggestions?]]> http://www.needlenthread.com/2008/09/starting-thread-away-waste-knot-photo.html Thu, 25 Sep 2008 20:28:00 -0500 Mary Corbet 590 2008-09-25 20:28:00 2008-09-25 20:28:00 open open Starting-a-Thread:-Away-Waste-Knot-Photo-Tutorial publish 0 0 post

I call this an "Away Waste Knot," to distinguish between it and the waste knot I described earlier. "Away Waste Knot" doesn't have a very good ring, though, does it?

The Away Waste Knot: Method of Work



I'm going to stitch around that curly shape on the right. Start with your fabric up, a knot in the end of your thread, and take your needle down into your fabric from the top a few inches away from the point you intend to start stitching, so that your knot is on top of your fabric (as shown above).

Now, it will make things a whole lot easier if you take your thread down into your fabric at least three inches (and possibly more) away from your starting point. It is also wise to make sure your thread isn't crossing the design, if there are "blank" areas in the middle of the design. To eliminate any difficulty of catching your thread with your stitches after your thread has crossed over a blank area (risking visibility on the front), make sure the path between the knot and where you're starting isn't in line with your stitching.

I didn't do that, and you'll see what happens here - but it isn't a big deal on a design this small...



Well, that was easy enough, wasn't it? Stitch whatever you intended to stitch....



... and then pull up on your knot, and snip it close to the fabric. You need to pull up a bit on these knots before you clip them close to the fabric - you want the tension from pulling up on them to "boing" the thread back under the fabric for you.



This is the back of the work. You can see that I've cut the knot off, and the thread is just hanging there, waiting. It isn't stitched over (except for one tiny stitch, where it crossed over the design).



Thread the thread back onto your needle. With the limited length of your thread here, a needle threader would come in really handy.

I suppose you've probably noticed that my thread here is really too short for much manipulation with the needle. If your length of thread is longer, then at this point, you would simply take your threaded needle, and, passing under the back of the stitches, you'd wrap your threads on the back of the stitches to secure them.

I don't like using a super long length of thread with this type of knot. Well - I take that back - it depends on the thread. But if I'm working with a more expensive thread, or a specialty thread that I don't have much of, I don't want to waste a lot of it.

But, if the thread is too short, you're not going to be able to manipulate your needle... and you won't be able to wrap around the back threads. So what do you do? I have two different approaches.



The first approach is to take the needle eye first through the back of the stitches. But this can be really incovenient, because it means you have to un-thread and re-thread in order to move your needle around.

So, in comes the tool....



I use a tiny crochet hook that I keep in my tool box, just for this. It's a #12, so it's small enough to slide under (hook face down) behind the back threads, grap the thread, and pull it through beneath the stitches. You can very quickly pass your short thread underneath 5 or 6 stitches with ease this way.

They make tools for this, too - specialty tools. But I crochet hook will cost about a dollar, and it comes in handy for lots of little things, so it's nice to have one on hand. The disadvantage of the crochet hook is that it graduates in size up the handle, so it isn't suitable for passing under a long row of stitches. But it works great for passing behind one or two stitches.

Ok, so, last step: Trim up the little tails of your threads to neaten.

Pros of the Away Waste Knot:

1. It's easy. You don't have to mess with anchoring the beginning thread right away, so you can launch straight into stitching. You also don't have to worry about crossing over the thread as you stitch, as with the regular waste knot.
2. It is a good way to secure threads neatly, after you're finished stitching with that thread.
3. It works great when you're stitching something on a tight curve, where a regular waste knot wouldn't work.

Cons of the Away Waste Knot:

1. It can make you a lazy stitcher. I do know people who riddle their work with these kinds of knots, planning to cut them at the end. Unfortunately, in the meantime, they've stitched over the crossing threads on the back.... and over them again... and so forth, until the back of the work is a mess. I think, in their eagerness to keep stitching, they don't stop to think that, at the end, they're going to have to take probably even more time to finish off threads, since they have a clean-up job to do, too. It's just better not to be lazy about starting and ending threads correctly. You'll be much happier with the finished results of your work if you take the time to run your threads under with each thread, or at least with each section or motif of a larger work.

2. It can be very wasteful! It uses up more thread than most methods of starting your threads. If you want to use this waste knot the easy way, you'd allow yourself a minimum of three inches (and really, for ease, probably more like four) to work with at the end. Considering there are ways of starting a thread that take up less than an inch of thread, this approach comes off as pretty wasteful. Now, if you're working with a thread that's inexpensive and readily available, and in fact you have a surplus of it yourself, it's not a big deal. But when you're working with a thread that costs $3 - $5 (or more!).... well. Three or four extra inches every time you start a thread can really add up!

3. It can be inconvenient if the knot is not far enough away. If you don't have a tool to pull that thread under, it can be a regular pain in the neck. You could use the eye of your needle just to "scrape" the thread under if you had to, but that really is a pain, and you can distort your stitches on the front, doing so.

But, though the cons seem to outweigh the pros, the away waste knot has its place and can be quite convenient to use. So ... try it! See what you think! And let me know how you liked it, if you do give it a try!

You can find more ways of starting and ending your threads under Tips and Tricks for Hand Embroidery, in the article titled Starting and Ending Threads.
]]> needlework tutorials threads pictures embroidery tips and tricks beginner embroidery 10369 Anonymous noreply@blogger.com 2008-09-27 17:11:00 2008-09-27 17:11:00 1 0 Tess]]> 10372 Patrice noreply@blogger.com 2008-09-27 12:10:00 2008-09-27 12:10:00 1 0 http://www.needlenthread.com/2008/09/online-needlework-show-is-live.html Thu, 25 Sep 2008 15:00:00 -0500 Mary Corbet 591 2008-09-25 15:00:00 2008-09-25 15:00:00 open open Online-Needlework-Show-is-Live... publish 0 0 post Online Needlework Show this weekend. It closes Monday, September 29th at midnight. I'll tell you a little bit about it here...

It's great fun to browse all the vendors to see what's being offered in the world of needlework out there. Many vendors focus on counted cross stitch and needlepoint, but there are thread vendors, accessory vendors, lots of "European" flavor designers, etc. And, part of the fun - many of the designers / vendors offer "door prizes" - you can see on their individual pages what the door prizes are. Generally, you have to send in an e-mail to the vendor, answering a question or what-have-you, to get included in the drawing. While it may seem like a lot of effort, there are some vendors that would most certainly be worth trying for!

For example, Dinky-Dyes is again giving away a whole line of their silk! Worth the effort of browsing, I'd say.

They ask a specific information question about their silk line, so make sure you go take a look at their silk line at their website for yourself (the link is available on the Needlework Show page).

Some other fun stuff to do while there, besides door prizes: try their treasure hunt. It's on The Fun Page.

The purpose of the show, by the way, is for retailers and customers to see what's available in the needlework line - and some retailers (check your local needlework shop) will carry many of these newly available items. Some may even allow you to submit a list of things you (the general viewing public - not a retailer) see on the site that you like, that they will order for you. If you're looking for an online retailer that will order items you see for you, check out the Happy Stitcher website. Mary Kathryn is usually happy to do that for customers - you may want to drop her an e-mail to see if she's still doing it (she doesn't usually answer her comments section on her blog, so that's not the route to go...)

So, enjoy the upcoming weekend - I know it's only Thursday... *sigh* (it feels like Monday)... and if you have time, stroll through the booths at the Online Needlework Show!
]]> supplies embroidery resources needlework websites http://www.blogger.com/ Wed, 24 Sep 2008 20:59:00 -0500 Mary Corbet 592 2008-09-24 20:59:00 2008-09-24 20:59:00 open open Thread-Conversion-Charts draft 0 0 post Thread Conversion Charts ***



]]> http://www.needlenthread.com/2008/09/great-tutorial-for-smockers.html Wed, 24 Sep 2008 14:33:00 -0500 Mary Corbet 593 2008-09-24 14:33:00 2008-09-24 14:33:00 open open Great-Tutorial-for-Smockers! publish 0 0 post terrific tutorial for honeycomb smocking on Tumbling Blocks. It's an excellent picture tutorial for a really neat smocking technique. It makes it look really easy and fun! I hope you enjoy it!]]> needlework tutorials embroidery links embroidery resources Hand embroidery stitches smocking needlework websites 10393 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-24 19:40:21 2008-09-24 19:40:21 1 0 that kind of tutorial...!

Yep, MGM, I like the neat, crisp look, too.]]> 10395 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-09-24 18:34:00 2008-09-24 18:34:00 1 0 10397 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-09-24 16:39:00 2008-09-24 16:39:00 1 0
MGM]]> http://www.needlenthread.com/2008/09/baby-booties-are-cute-but.html Wed, 24 Sep 2008 05:45:00 -0500 Mary Corbet 594 2008-09-24 05:45:00 2008-09-24 05:45:00 open open Baby-Booties-are-Cute---but... publish 0 0 post needlework carrots? One of them is embroidered baby booties. I started them, and this is what I've done so far. Some parts I'm happy about. Some, I'm not.

First off, I decided to use flannel. I had some scraps of pink flannel, and some scraps of a periwinkle-ish-purple with white polka dots. I decided that the polka dots would be the inside lining, and the polka dot sole would be on the outside, for the fun of the contrast.



You can see the turn-down there on the cuff. I used mistyfuse to fuse both pieces of flannel together, and it worked really well. Still, they may be a bit stiff. I don't know yet!



I started with a lot of colors - but I narrowed it down to predominantly white and purple and green, with yellow French knots.



I'm not drawing out any pattern - I'm just going to randomly cover the whole thing with white and purple flowers (mostly white, with a few purple and little tiny purple accents). I'll be throwing in a few little green specks for leaves.



Unfortunately, I didn't have the right color of purple, and that's kind of bugging me. I went through every kind of thread in my stash (every kind) to find a matching color... but nary a match.

So I went ahead with the purple I had. And. I. Don't. Like. It.

But - I keep telling myself it's just a sample... it's just a test! Unfortunately, I haven't had a chance to get back to them for about 5 days now - and I have a nagging suspicion it's because I don't like the purple. I keep telling myself it's because I haven't had a chance, but deeeeeep down, I think I would have made a chance if I liked the purple!

I'm going to machine-sew the soles on, then stitch over the seam. I'll let you know how the finish goes on this!

So there's another carrot underway! Anyone ever make baby booties? How 'bout sharing some ideas or advice?
]]> baby booties embroidery for children embroidered clothes pictures needlework pictures 10384 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-25 19:20:04 2008-09-25 19:20:04 1 0
I happened to have to run into town yesterday afternoon and stopped at Michael's to see if I could do a color match on that, with regular DMC - and I found the right color. For 33 cents, I figured what the heck? So I bought it, and I'm going to... uh ... start over on the booties. Either that, or pick out the purple. I'll probably just pick out the purple!!

Thanks!!

MC]]> 10387 Laura Bullinger noreply@blogger.com 2008-09-25 17:25:00 2008-09-25 17:25:00 1 0 Relax! It's cute! Just add a satin ribbon around ankle that matches the darker purple. And trim with purple grosgrain as a welt around sole or as a reverse edge all around top cuff.
And you can always add some pre-made satin flowers that are pale in color. Cluster three tiny ones together. This will make the darker shade look terrific.
Remember, there are no mistakes - just happy accidents!]]> 10392 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-09-24 19:52:00 2008-09-24 19:52:00 1 0 Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 10396 delilah noreply@blogger.com http://www.make-your-own-baby-stuff.com 2008-09-24 17:03:00 2008-09-24 17:03:00 1 0 10400 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-24 13:07:00 2008-09-24 13:07:00 1 0
What sort of green? Light Leaf green?]]> 10401 Candyce noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2008-09-24 10:44:00 2008-09-24 10:44:00 1 0 This is a lovely purple, but you are right that it doesn't match. I suspect that would only bother other needle workers. That is a hard color to match. Good luck. They look lovely.
Candyce]]> http://www.needlenthread.com/2008/09/starting-your-thread-waste-knot-photo.html Tue, 23 Sep 2008 06:15:00 -0500 Mary Corbet 595 2008-09-23 06:15:00 2008-09-23 06:15:00 open open Starting-Your-Thread:-Waste-Knot-Photo-Tutorial publish 0 0 post waste knots. But sometimes, it's better to see it in pictures, so...

I worked up a series of photo tutorials on starting threads when you embroider. There are several ways to begin your embroidery thread, and I'll be covering my favorite ways with these tutorials over the next week or so. I'll also categorize them in an easy-to-find index.

The Waste Knot

We'll start with the easiest one (in my opinion...), the waste knot, which is great to use when you're stitching along a line. It's very convenient to use when you're beginning a thread that is not adjacent to any other embroidery stitches, although I sometimes like to use a waste knot even if I am adjacent to other stitches, too.



You begin on the front of your fabric, and yes, you do use a knot! Put a small knot at the end of your thread. Then, with the top of your work facing up, take your needle down into your fabric about an inch or so down the line from where you will begin stitching.

You want to head towards the waste not as you stitch. I'm going to use a stem stitch here.

Take your first stitch forward, then turn your work over:



I'm turning the work over here, so you can see the back. Usually, when I use a waste knot, I don't turn the work over. I use a finger to move the thread on the back up and down, to make sure I'm crossing over it. Once you get used to the whole concept of a waste knot, you'll also get used to manipulating the thread on the back up and down, so that you don't have to turn your work over.

Each time you come up to the front of your work from the back, you want to cross over that thread that's lying across the back of the line you're stitching, so that you are, in a sense, couching that thread down.

Alternately, some stitchers like to pierce through the line of thread on the back, rather than cross over it, stitching through the back thread down the line. I don't really like doing that, especially if I'm using a thread that has any "fuzz" to it, because the fuzz can pull back up with your stitching. Also, I think on some threads, splitting the thread tends to weaken it or fray it, which would make this whole concept somewhat useless!



On the front of the work, you want to stitch up to the knot, checking the back to make sure that you're crossing the thread (or using your finger on the back of your work to move the thread up and down so you can cross over it).



When you're within a stitch of the knot, pull up on the tail of the thread to lift the knot off the fabric, then snip the thread right under the knot, close to the fabric.



On the back of the work, you will have a neatly couched line, and your thread is now secured without leaving a knot in your work. Simple, isn't it?

Pros of the Waste Knot

1. It's very easy to use for straight lines and gentle curves, and it works great for surface embroidery, needlepoint, cross stitch, and other counted techniques.
2. It conserves thread, compared to some other ways of starting threads. At the most, you lose around an inch and a half of thread in the anchoring process and in the knot.
3. Once you get used to it, you can manage a waste knot solely from the front of the fabric, which is convenient.
4. It's a great way to start a new thread when you're not working adjacent to any other embroidery stitches (or even if you are, if you want).

Cons of the Waste Knot

1. To work it efficiently, you need to get used to it. Until you can manipulate your thread without turning your work over, it'll take time and it'll be a bit of a pain to have to turn your work over to make sure you're stitching over the back thread.
2. There are other ways of starting your threads that do not use as much thread as the waste knot.

If you've never used a waste knot, go ahead and try it out! Let me know what you think!
]]> needlework tutorials pictures embroidery tips and tricks beginner embroidery 3348 Anonymous noreply@blogger.com 2010-02-03 12:58:24 2010-02-03 12:58:24 1 0 8219 Anonymous noreply@blogger.com 2009-03-27 06:05:00 2009-03-27 06:05:00 1 0 10385 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-25 19:17:30 2008-09-25 19:17:30 1 0
Aanie... I'm back. Not quite pink. But back! Getting pinker...!

Thanks!
MC]]> 10386 Anonymous noreply@blogger.com 2008-09-25 17:50:00 2008-09-25 17:50:00 1 0 10388 its_me_aanie noreply@blogger.com http://www.blogger.com/profile/06207258748244608529 2008-09-25 16:51:00 2008-09-25 16:51:00 1 0 10398 Katy kathrynestelle@gmail.com http://www.blogger.com/profile/04119219365983102790 2008-09-24 14:01:00 2008-09-24 14:01:00 1 0 http://www.needlenthread.com/2008/09/banner-day.html Mon, 22 Sep 2008 18:20:00 -0500 Mary Corbet 596 2008-09-22 18:20:00 2008-09-22 18:20:00 open open A-Banner-Day! publish 0 0 post

First, the telling:

You know my embroidery stash contests and book give-aways? Well, I recently fell behind on mailing. So, if you are waiting for something in the mail from Needle 'n Thread, guess what? It's finally on its way! Our post office has strange hours. It is never open when I'm not at work. But today I was off early, so ... I finally made it! I was one of those last-ten-minutes-of-the-day customers with-lots-of-packages-to-mail, all of which had to be fit-into-the-right-sized-mailer and then addressed-at-the-counter, after which I had to fill out customs forms. Oh boy. I kind of felt bad. But if they would change their hours.....!!!!! However, in a spirit of great congeniality, I chatted with the lady behind the counter, and all got safely posted. I feel as if the burden of the world has been lifted from my shoulders (a slight exaggeration, but it is nice to have that off my mind!)

And the showing:

The day after I went thread shopping for the first time in eons, I placed an order for some threads, and today, they arrived! Now, you may be thinking that's a heck of a long time to await an order, but in all fairness, most of the order was made up of special orders. So once they were all in, Needle in a Haystack sent the order out in good time, and here is what will be my Last Purchase of Embroidery Goods for a Very Long Time.

And because of that, I shall revel and rejoice and enjoy my socks off with this shipment of goods. So let me show you what came today that has me all Giddy with Excitement.



This is the whole shipment. Ok, ok. So it doesn't look that thrilling. Well, let's look individually at the items, and see what they all mean.



This is a heap of white thread. Cordonnet and Cebelia in a vast variety of sizes, along with several sizes of coton a broder. For whitework? Well, some of it, yes. For needlelace? Well, yes, some of it. For filet lace? Oh, yes. That's the exciting part. I'm going to rope my dear mother into following through on her initial interest in "perhaps trying" filet guipure. And since I have the threads - and I have a goodly supply of netting of the knotted and unknotted variety - she will just have to succumb.

Needlework in the company of others is always fun, I think, don't you? So I'm looking forward to that. We'll probably argue quite a bit. I can't wait!!



Then there are these few new threads to try, which I will tell you more about later, after I try them. I don't want to horn-honk on any thread until I try it, but I sure do like the colors! Behind the thread, you see - yes - Q-snaps. I have succumbed to peer pressure here. Generally, I like wood. I know people out there may think that's really rather narrow-minded, but I like wood frames, wood hoops (the good ones), wood slate frames, wood stretcher bars, wood scroll frames... wood. Using plastic for tension does not tickle me. BUT - peer pressure won. So many people have recommended and raved over Q-snaps that I decided to give a set a try. I'll try them and let you know what I think of them. I don't want to offend anyone, but the truth is, if I don't like them... I'll probably say so! But that sounds so negative. As Alfred P. Doolittle would say, I'm willing to try them. I'm wanting to try them. I'm waiting to try them.



And then... aaaaaah.... see that pile of blue? That, my friends, is a pile of blue Impressions, for the background of the Pelican. I ordered larger hanks, all the same dye lot. And once my current goldwork project is finished, I launch into the Pelican for a good bit. Joey - if you're reading - no, I haven't tried them yet, but I will soon!



And finally, this is the Needle in a Haystack Stitching Has Its Rewards card. Oh, golly. How long have I been ordering from them, and I never knew about this? I finally started reading their newsletters and blog, and low and behold... I got a card. This means that I can build up rewards points that equal cash off my next order. Unfortunately, I won't be placing another order for a while. But hey. Some day I will. And gosh, I just feel really good about being an official card-carrying stitcher.

So that was my banner day.

It was un-banner day in the fact that I didn't get a post published this morning (sorry), and I didn't get the write-up finished about my concept of long-and-short stitch lessons, and I didn't get the face transferred. But I did dig out this:



It's my flesh tone package of Soie d'Alger. Did you know you can order a whole set of only-flesh-tones of Soie d'Alger? I've had these for two years. I'm finally going to use them!

Thank you all for your good advice on the face. I will take each bit of advice and try it out, and let you know what actually ended up working out best!

I hope your Monday was a banner day, too! See you tomorrow!
]]> supplies embroidery resources threads pictures needlework products 5620 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-14 20:01:45 2009-09-14 20:01:45 1 0
I've been using 5 & 8 perle for my practice piece on 6 ct. mesh (the 5 is couched). I guess I'll go ahead and invest in the cone of ecru Cordonnet 100 I found on craigslist, just in case. Maybe I can use it for needle lace, too.

Thanks again!]]> 5623 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-14 19:12:34 2009-09-14 19:12:34 1 0
Well, I never did rope my mom into that. But yes, I have done some filet guipure. In fact, that is the only ever "embroidery" or needlework class I've ever actually taken - and I quit after the first lesson and a half. I'm afraid the instructor wasn't quite what I expected. It was just a bad experience. I had done some filet work before that class, and I knew the basics, so I figured I could learn a whole lot more from books than I could pulling my hair out through six weeks of that class.

Anyway, it really depends on the size of netting, the types of stitches and so forth, when it comes to what threads you choose. 100 is pretty small, but it is good for some stitches on a small net ground.

Perle cottons in 5, 8, and 12 are good for larger net grounds, I think - changing the thread for the type of stitching.

Hope that helps!

MC]]> 5626 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-14 16:54:39 2009-09-14 16:54:39 1 0
One, which threads do you intend to use for this? I'm using two sizes of perle, but I've stumbled on a really good deal for Cordonnet size 100. Is that one of the sizes you bought intending to use it for filet?

Second, I've encountered a difficulty with going around corners using the blanket stitch. I know how to do corners with buttonhole or blanket in Hardanger or another technique in which the thread travels over several meshes of fabric. But I've looked in every source I can find and nothing that addresses this stitch when used on netting.

I guess I have a third question, which is what sources or patterns you intend to use to teach yourself. I've been gathering up every source I can. I'm starting with a simple practice piece to work on the darning and blanket stitch, and then plan to adapt one of the filet samplers in The Open Canvas.

Thanks -- Janice]]> 10405 Anonymous noreply@blogger.com 2008-09-23 20:36:00 2008-09-23 20:36:00 1 0
Christiana]]> 10408 Anonymous noreply@blogger.com 2008-09-23 14:50:00 2008-09-23 14:50:00 1 0 Sallie]]> 10411 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-23 08:35:00 2008-09-23 08:35:00 1 0 I love that blue....]]> 10412 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-09-23 07:52:00 2008-09-23 07:52:00 1 0 10414 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-22 23:48:00 2008-09-22 23:48:00 1 0 10415 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2008-09-22 23:31:00 2008-09-22 23:31:00 1 0
All those threads are very exciting! I love Soie d'alger. Enjoy yourself.]]> 10416 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-22 22:56:09 2008-09-22 22:56:09 1 0
Megan - I think I got them at Needle in a Haystack. If you look at their Soie d'Alger page (where they have all the individual skeins listed by color number, with pictures), towards the end of the list, you'll find a group called "Flesh Tones." I don't remember if this is where I bought them, but I'm pretty sure it is. I think they may have been selling them in a pack back then - two years ago - as "Flesh Tones" but now you'd have to check off each color and order them individually.]]> 10417 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-22 22:07:00 2008-09-22 22:07:00 1 0 I've just had a quick Google with no luck - and I looove the colours]]> 10418 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-09-22 21:42:00 2008-09-22 21:42:00 1 0
MGM]]> http://www.needlenthread.com/2008/07/dressing-slate-frame-for-embroidery.html Sat, 05 Jul 2008 07:24:00 -0500 Mary Corbet 597 2008-07-05 07:24:00 2008-07-05 07:24:00 open open Dressing-a-Slate-Frame-for-Embroidery:-Photo-Tutorial publish 0 0 post
I mentioned yesterday that I found a source for hand-made embroidery slate frames here in the US... if you're looking for a slate frame, do check out that post!

Slate frames have been around forever - well, certainly since the Middle Ages, and anyway. They're made up of four parts - two rollers (top and bottom) and two stretchers (sides, with peg holes).

The advantage of a slate frame is that, with them, you can achieve and maintain perfect tension for stitching. In fact, of all the methods I've used of mounting any fabric for embroidery, nothing compares to the excellent and even tension you can achieve with a slate frame.

Now, that being said, and as I mentioned yesterday, setting a project up on a slate frame (or "dressing the frame") takes a wee little bit 'o work. And the larger the frame, the more work. Normally, you should be able to accomplish dressing a frame in a couple hours, if your fabric's prepared and you don't run into any hitches along the way. I'm going to go step by step through the whole process, including preparing the fabric.

I started by preparing the fabric. I'm using Alba Maxima linen from Legacy, a nice medium-weight, sturdy, smooth linen. The first thing I did was shrink the linen. (I've already posted on preparing linen for embroidery - scroll down to the shrinkage section!).

Then, I sat down and did some figuring. I hate figuring...



The project I'm preparing is about 22 inches long, and about 13 inches wide. But I'm taking advantage of the width of the frame and killing the two proverbial birds with one frame-dressing job: I have another project that I can work on the same piece of linen. The second project is about 7.5 inches wide and 14 inches long. So I will situate them both on the same piece of linen. And that means I have to stitch both of them before I can cut either of them off the frame.

I determined exactly what size linen I would need to accommodate both pieces, and decided that using the frame to its full capacity, without having to roll the top rollers, would be fine. I decided to set up a piece that's 23 inches wide and about 26 inches long. That gives me plenty of room for seam allowances on both finished pieces, as well as some "doodle room" on the fabric itself.

Next, it was time to cut the fabric out. I laid out the linen and the requisite tools.



Don't get any ideas about that rotary cutter! It's not that easy!

I measured the linen and marked my cutting spot with a pencil. I measured an extra inch on each side and an extra half inch top and bottom, for the turn-overs on the fabric edges.



So - 25 inches wide (with an inch on each side to turn in) and 27 inches long (with a half inch, top and bottom, to turn in). I actually cut 28 inches long, to compensate for a sloppy cut (more on that below).

At this point, it would be nice to lay out a ruler and slice the piece with a rotary cutter - so quick, so easy. But this is the thing: You need your fabric cut exactly on the thread. If you do everything right from the very beginning of this process, you will have no regrets later (after all the hard work). So cut your fabric on the thread.

There are several ways to go about cutting your fabric on the thread. When working with linen, many needleworkers say to draw a thread out, creating a cutting line, and then cut your fabric.

On the Alba Maxima linen, drawing a thread out of the middle (especially after shrinkage) is a Royal Pain in the ... Fingers. So I do it this way:



I make a small cut at the pencil mark, then pull up on the thread to the left of my scissor blades. I keep this thread pulled up from the fabric as I cut, and it provides a nice cutting guide. Relatively quick, and sure beats drawing one thread out of the whole piece to mark a cutting line.

At this point, you may well be thinking "This is already too much effort..." but hold on! It really gets much worse!

Still, persevere! It is honestly worth it in the end.

Once your fabric is cut, make sure that all sides are on the thread. For this piece of fabric, to get the size I wanted, I had to cut two sides on the thread, one side was selvage, and the fourth side was jagged from a previous sloppy cut. This fourth side needed to be straightened out. The easiest way to do this is to pull off all the stray side threads, until you can pull one long thread from the entire width of the fabric. Let me explain with a photo:



See the wispy threads sticking off the side in the background? Those can be pulled out, until you've got a straight edge visible on your fabric.



You'll end up with a bit of fringe, but that gets trimmed off.



So there's the straight cut on the thread as a remedy to a sloppy cut.

Now, iron the fabric. Purists may not do it this way, but I'll admit that I use starch and steam on my linen. I wouldn't necessarily use the starch, except that I'm planning to put my design directly on the linen with pencil, and I find the pencil washes out better when I use starch. I really like the Niagara starch in the pump bottle (rather than the aerosol kinds, which tend to flake). I'll wash the whole piece before I do the finish work on it (sewing up the project), so the starch will be rinsed out, anyway.

Now, it's time to fold the edges of the fabric to prepare it for lacing. The top and bottom edges of the fabric will be folded in half an inch. These will be sewn to the canvas strips on the rollers of the frame.



I fold up the top edge half an inch and finger press it along the thread of the fabric (as best as possible), then run the iron over it, then pin it, starting from the center point out.

For the sides of the fabric (they'll attach to the stretcher slats with the peg holes), I turn it up an inch, finger press, then turn in half an inch (into the fold, to make a kind of casing), iron it, and pin it from the central point outwards.



Above, you can see the top edge of the fabric (the pinned edge in the photo) and the one of the sides, folded in to form the half inch casing.



Cut a piece of string a little longer than the length of your sides - not much longer, about an inch - and tuck the string into the casing formed by the double turn on the fabric. The string will help support the fabric when it comes to pulling it with the lacing.

For the lacing string, by the way, I use regular 2-lb weight string found at the hardware store.

Now that your fabric's ready, it's time to attach it to the frame. Gather your supplies and pull a chair up to a table that will easily accommodate the size of your frame. Just like in cooking, the whole process is a lot easier if you have all your "ingredients" on hand first!



At this point, your frame is in four pieces: the two top and bottom "roller" bars and the two side "stretcher" bars (with the peg holes in them).

You'll need the following:

Scissors
Thread - I use topstitching thread, doubled.
String - regular 2-lb weight string from the hardware store
A stiletto or awl - you have to put some serious holes in the side of your linen; this tool is essential!
Various needles, including a very large tapestry needle and a smaller sewing needle or crewel needle
A ruler
Cotter pins or pegs that came with your frame


The fabric is attached to the top and bottom bars (roller bars) first. These slate frames from Evan Burroughs come with a strip of canvas attached, and with the center point marked on the bar.



Line up the center of the top of your fabric with the center point on the canvas strip attached to the top bar. (Top and bottom bars are the same thing...)



Pin the center point of the fabric to the center point of the canvas strip.



Working from the center out to one edge, pin the fabric to the canvas, every couple inches. Then repeat this, going from the center out to the other edge.



Oversew the center point to the canvas. Again, I'm using a topstitching weight thread, doubled.



And oversew both of the ends.



Then, stitching from the center point to the outside, and removing the pins along the way, use a herringbone stitch to sew the linen to the canvas strip. If you've pinned everything carefully, you shouldn't have any buckles at all.



When you're finished sewing it on, and you flip it over, it looks like this.

Now, repeat the whole process on the opposite roller bar, so that both top and bottom edges of your fabric are attached to the rollers.



Lay out the frame so far on the table, with the top of your fabric facing down. You're ready to lace up the sides.



Mark the undersides of the side casing in one inch intervals, and get your stiletto out. Pierce the fabric with the stiletto, making good-sized holes.



Really good-sized holes!! If you have an awl, you might be better off using it. A stiletto is great for the initial piercing, but I really had to work it to get adequate sized holes.



Slide the stretcher sides into the holes on the roller bars...



...get your cotter pins and the plastic guards that came with them out...



... and stick the cotter pins in to hold the frame together. At this point, you aren't stretching the fabric from top to bottom (or obviously from side to side). You're just sticking the pins in to hold the rollers in place while you do the lacing.

Stretching comes later...

If you've persevered to this point, this is the beginning of the "fun" part, the part that characterizes the slate frame.

You're going to pull out a good length of string from your ball of string. I would say you want at least five or six times the length of the side stretcher bar. Remember - it's always better at this point to have TOO MUCH string than too little. You don't want to get to the end of the lacing and find out that you're out of string. Aaaaaaaaaagh.



Start with a slip knot at the top of the stretcher bar. It's important to use a slip knot!! You want to be able to adjust the tension on this string, so you'll need to be able to loosen or tighten that knot easily.



Thread your Very Large Tapestry Needle with the end of the Very Long String, and start lacing. Take the needle down into the linen, underneath the side slat of the frame and up around the slat, then back down into the linen - do this moving down the line of holes.

You may find that you need to revisit the holes in the linen with your stiletto here and there.

At this point, your aren't concerned so much about tension. Just get the sides laced. As you lace, try to keep the edge of your fabric parallel with the stretcher bar. This is a bit hard on the first bar, since you don't have anything you're pulling against, and it's easy to pull the fabric towards the bar. But resist the temptation, and keep the fabric parallel to the bar as much as possible.

When you reach the end of your lacing - arriving at the opposite roller bar - tie your string off with another slip not.

Now, in exactly the same manner, lace the other side!



Now, you're all laced up. But you're not finished. Notice that the linen looks a bit wavy and rippled? That's because nothing's been tightened up yet.

At this point, if your project is being stitched on silk or damask or some other very fine fabric and being backed with linen or muslin, then you've only just added the backing to the frame. You need to now add the fine fabric. To do this, you tighten the frame "a little bit" - enough to remove noticeable ripples - but not all the way with the final stretch. Take your fine fabric (which you have already cut on the thread and that's already ironed and ready to mount), and situate it on the lining that's stretched on the frame. The ground fabric (the fine fabric) and the lining (the muslin or linen) must match up with their grains. Match up the grain, pin the ground fabric onto the lining all around, and then sew it onto the lining, from center points out on each side, smoothing it as you go and making sure there are no wrinkles or buckles in it. Use herringbone stitch to sew it, crossing over the lining onto the ground fabric, and so forth. Once all four sides are sewn down, you're ready for the last step, which is the final stretch...

So, on my frame here, I'm not using a different ground fabric lined with linen. I'm embroidering the linen. So I don't need to add ground fabric. I'm ready for the final stretch.

Because this is a large frame, I'm going to use a combination of hands and feet here - which was really impossible to photograph!

Stand the frame on the floor. You'll have the ends of the stretchers (which pass through the rollers) touching the floor. You've got your cotter pins in the side slats already. Rest your foot on the protruding edge of one side of the bottom rollers, and then, using the heel of your hand, push down on the top end of the side slat, and with your fingers of the same hand, pull up on the roller.



The top of that side slat is really pushing into the heel of my hand, because I'm using the top of the slat for leverage to pull the roller up.

If necessary, use both hands - but remember, you need one to move the cotter pin!

Pull the roller up as high as you can, holding onto the bottom of the frame with your foot. When you've stretched it as much as you can, replace the cotter pin below the roller, and put the plastic sleeve on the back of the cotter pin.

Now do the other side, lining it up in the corresponding hole exactly opposite on the other side slat.

Turn the frame over, so that what was the top roller is now the bottom roller, and double check your pins and holes on the sides slats. Make sure all is lined up well.

Now, adjust your lacing one last time, pulling each side tight by working down the lacing and then adjusting the slip knots. Do both sides.



And there it is!!

If you've persevered to the end and done it right, you're ready to embroider on the best surface ever! A lot of work, but worth the effort!

The whole process took me about four hours, but I had to prepare fabric, and the frame is a large one, which increases the time for hand stitching and the lacing.

That reminds me - I forgot to mention the obvious. You can use your sewing machine to sew the linen to the top and bottom rollers. I prefer to do it by hand, but some people use their machines. It would save some time!

So, would you go to the trouble to set up a slate frame? Or do you think it's just too much? It'd be interesting to hear readers' opinions on this one!

Enjoy the weekend!
]]> historical needlework needlework tutorials pictures embroidery tips and tricks slate frames needlework pictures 1279 Lia de Thornegge noreply@blogger.com http://www.blogger.com/profile/03392249063874192867 2010-04-22 14:45:09 2010-04-22 14:45:09 1 0
Thank you!]]> 4905 alexandra noreply@blogger.com http://www.blogger.com/profile/10994847010938264228 2009-10-16 13:16:16 2009-10-16 13:16:16 1 0 4909 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-16 12:40:42 2009-10-16 12:40:42 1 0
Hope that helps!

MC]]> 4911 alexandra noreply@blogger.com http://www.blogger.com/profile/10994847010938264228 2009-10-16 11:59:44 2009-10-16 11:59:44 1 0 5628 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-14 13:20:29 2009-09-14 13:20:29 1 0
Then, remove whatever lacing you need to, to roll the fabric up - or, or unroll whatever you need to unroll, and then lace or relace just the sides that are parallel to the vertical slats and tighten them (and the horizontals) up again.

Yikes. I hope that makes sense! Kind of confusing, but perhaps it is a bit clearer?

Let me know!

MC]]> 5632 Orlythe noreply@blogger.com http://www.blogger.com/profile/04414265091777897945 2009-09-14 06:40:43 2009-09-14 06:40:43 1 0
One end of the linen is stitched to each of the horizontal members.

The vertical members pass through holes in the ends of the horizontal members.

The only way I can see to roll the linen onto one of the h.m.'s is to slide the horizontal member completely off.

How can you do this without removing ALL the lacing?

(I'm grateful for your patience with a senior citizen, Mary!)]]> 5638 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-13 07:30:00 2009-09-13 07:30:00 1 0
Well, you don't have to undo all the lacing. You just have to undo the part that's getting rolled - unless you don't have enough leftover lacing on the other end, if you have to lace newly unrolled fabric. It's useful to lace with plenty extra on each end, which can be tied up. But yes, the method you describe is how you move on to the next section, if your piece is longer than your frame.

MC]]> 5640 Orlythe noreply@blogger.com http://www.blogger.com/profile/04414265091777897945 2009-09-13 06:24:28 2009-09-13 06:24:28 1 0 6822 Anonymous noreply@blogger.com 2009-06-21 07:55:40 2009-06-21 07:55:40 1 0
I have acquired an old-style slate frame on eBay from a Goodwill type of vendor. The stretcher bars are threaded like screws and at each end there are two large wood "nuts" about 2" in diameter. The roller bars are placed between these 2 nuts so that by turning the nuts the roller bar is either pushed up or released. This is easier on the hands but I haven't dressed this frame yet. I'm still studying how to do it.
Your site is a gold mine of advice. No enclopaedia could ever come close to explaining all these important details. Thank you. Brigitte in Paris]]> 11378 Karla (ThreadBndr) threadbndr@cox.net http://www.blogger.com/profile/15069952972112949772 2008-07-14 19:23:00 2008-07-14 19:23:00 1 0
I find that I can get a close approximation of the tension of a slate frame this way. The budget just couldn't swing an English frame, but I'll have to look into the source you recommend, because I'd LOVE to have the real deal.

I agree that spending a bit of time up front getting your linen just right, basting the working area, etc will make the whole project just run so much smoother.

I plan on one "round" of my rotation - up to five hours - for the set up and prep. Framing up the linen, organizing the threads and materials, basting, getting my working copies made and put into a binder - etc, etc. If I start stitching on that first round, all the better, but I don't stint on the first and last.

Prep and finishing/framing can make a decent project into a great one, or totally ruin a good project.

Off to add you to my blogroll......]]> 11433 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-07-07 19:20:00 2008-07-07 19:20:00 1 0
I always rest my frame against the edge of a table with a weight (I have dressmaking hams which are quite heavy) to conterbalance it. Otherwise, I've seen old photos and drawings of 18th and 19th century using stands not unlike saw horses used by carpenters to support the frames at the sides.
I'd definitely endorse the HB pencil idea for marking up whitework embroidery, using a very light touch to mark in as little as you can.

Can't wait to see your results,
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 11445 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-06 11:12:00 2008-07-06 11:12:00 1 0 11447 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-06 06:15:30 2008-07-06 06:15:30 1 0
Funny you should ask. I'll have a post on that either later today or tomorrow...

If I were doing a needlepainting project on that piece of linen, I'd use the prick and pounce method, because I would have no worries about covering up my paint lines. But since I'm doing a whitework design, and part of it is only outlined, I needed to have lines that would wash out, so I used pencil...

MC]]> 11448 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-06 06:12:22 2008-07-06 06:12:22 1 0
I used scroll bars on the silk stole project - I always had to adjust them...

MC]]> 11449 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-06 03:21:00 2008-07-06 03:21:00 1 0 11450 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-05 23:05:00 2008-07-05 23:05:00 1 0 I find that I need to occasionally roll a scroll bar a tiny bit, because the tension on the material is loosening.
Would you know why? (Something obvious I've done)

I did do it on the grain :-)]]> 11451 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-05 22:32:40 2008-07-05 22:32:40 1 0
Well, it's more or less the same thing. I suppose one doesn't have to be too meticulous about cutting exactly on the thread, but you'd certainly want your cloth mounted and laced more or less on the grain of the fabric - otherwise, if you've got a "tilt" in it, you'd be working slightly on the bias, which makes it stretchy, and lends to warping the fabric... so the finished results could indeed end up wavy or slightly warped. Better to be careful in the mounting, than to regret it later. I'd definitely lace the sides of your scroll frame - otherwise, you get good tension only right in the middle of the piece.]]> 11452 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-05 21:27:00 2008-07-05 21:27:00 1 0 - me with my goldwork, stumpwork and silkwork project coming up would love to know.
I do have a method I found, but nothing about 'on the thread' or many other details you've mentioned.]]> 11453 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-05 20:40:19 2008-07-05 20:40:19 1 0
But I kinda figured it had to do with the word "slat" - as it was originally made out of four slats. (Traditionally, I think the top and bottom bars were flat, like the side bars...)

But who knows?

Anyone else?]]> 11454 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-07-05 19:42:00 2008-07-05 19:42:00 1 0
I am curious as to why these stretcher frames are called "slate" frames. When I first heard you mention slate frames, I imagined frames made out of slate like what is used on old roofs here in New England. That stumped me. But now that I see what a slate frame is and how it works, I'm really stumped. Am I missing something obvious?

MGM]]> 11458 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-05 14:08:34 2008-07-05 14:08:34 1 0
Good Question! I just finished transferring my design, and this very question occurred to me, since I was working with the frame set up between two tables, using them like trestles. The middle of this frame is "just" within my reach, with a stretch. Fortunately (and on purpose!), the entire stitchable area of the design is on the outer edges.

I've seen different equipment to hold slate frames, so that one can reach better the middle of a larger frame without sacrificing posture. The best by far is at a convent which inherited the old stitching equipment from an older convent. They made vestments, and the newer convent apparently still does. They used to have pictures online, but unfortunately, they're no longer on their website.

The equipment they used were a pair narrow tables with arms that reached upwards from the center inside edge of the table. To these arms was attached a piece of some kind of equipment to which the slate frames are attached. The frames "hung" rather than laid flat, and it looked like they could be rotated and adjusted at various levels of tilt, as well as various heights. It looked, to me, like an ideal set-up. The side table things with the arms extending upwards from them sported a narrow surface with grooved areas for tools, as well as what looked like bars (or dowels) fitted on part, on which threads could be hung.

For the very, very large frames that were used for clothing - pictures of which I've seen in some old, old books - I have no idea how they would have reached the center if the full width of the fabric were left exposed.

However, this is where the rollers (top and bottom bars) come in handy. The piece can be rolled up so that the stitcher can reach the middle and stitch there first. As the center sections are finished, the outer roller bars are unrolled gradually, exposing the rest of the design, and the piece readjusted, the area stitched, and then more unrolled, until the whole piece is finished.

So I suppose that's how it's usually done!

If anyone knows of any other way, do please share!

Cindy - I'm embroidering a kind of pouch made out of linen, as a gift. As much as I would like to say that it's going to be covered with silk and goldwork, I'm afraid it's actually going to be plain old whitework. I wanted to do golds and silks, but it happens that the recipient is rather partial to simplicity. Also, as the pouch will certainly get use, it needs to be washable!

I'll post pictures along the way!

Thanks for your comments!

Best,
MC]]> 11459 Cindy in Oregon noreply@blogger.com 2008-07-05 12:13:00 2008-07-05 12:13:00 1 0
I know Evan's mother, she was a member of our needlepoint guild when she lived in Toledo, Oregon. We got to see their first ideas for the Perfect Tension Stretcher bars. Glad her son is doing slate frames too now.]]> 11460 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2008-07-05 11:20:00 2008-07-05 11:20:00 1 0 Could you please comment on how one embroiders in the middle of such large pieces of linen? It doesn't take the project to be too large at all (for me, at least) before I feel my posture is sacrificed.]]> http://www.needlenthread.com/2008/07/evertite-stretcher-bar-frames-for.html Sat, 12 Jul 2008 07:07:00 -0500 Mary Corbet 598 2008-07-12 07:07:00 2008-07-12 07:07:00 open open Evertite-Stretcher-Bar-Frames-for-Embroidery-and-Canvas-Work publish 0 0 post

First of all, it helps to know what stretcher bars are and how they are used. Essentially, they're just four sides of a wooden embroidery frame that have interlocking corner joints, kind of like straight dove-tail joints (if you'll excuse the oxymoron!). They're sold in pairs, so that you can mix and match the sides to suit the size of your project. For example, if you have a project that's 12 x 14 inches, you would buy one pair of 12" stretcher bars and one pair of 14" stretcher bars.

Stretcher bars, in general, are great! They give you the taut surface necessary for certain techniques - or for embroidery in general - without the fuss of setting up anything more complicated. It takes about 20 minutes to set up a project on a stretcher bar frame.

Stretcher bars come from a variety of manufacturers, apparently, reflecting different quality of workmanship. The stretcher bars you find, for example, at chain craft stores like Michael's - while they work ok in a pinch - are not my favorites at all. For one thing, the edges of the frame are sharply square, as opposed to rounded. The wood itself is not finished in any way, and can often be splintery. The corner joints are not always reliable - I've bought some at Michael's that had mis-cut joint notches, so that the corners slipped out and wouldn't stay together. And, lastly, the wood is rather hard, with streaks of "really hard" that run through it, making it difficult to sink the tacks. The quality of the workmanship is reflected in the price of these frames - the longest length pairs are no more than $3 / pair.

Then there are the nicer stretcher bar frames that you'll find at your local needlework shop. They're slightly more expensive (but still not that expensive), they're made of a softer wood (which takes the tacks better), and they have rounded corners. They're sanded smooth. These are nice frames. I've seen them run anywhere from $3 / pair for the smaller sizes up to $6 / pair for the longer length sides. And sometimes, you can find them on sale.

And then... then there are Evertite Stretcher Bars - technically called Slimline Tension Adjusting Stretcher Bars.

My first impression is that they are "meaty" frames - slightly thicker than even the nice stretcher bars. They are smoooooothly sanded, with rounded edges.



The Evertite frames have a few unique features:

First, they're marked with center points on each bar (this is where you begin tacking your fabric).



The bars fit together snuggly. They take a bit of pushing and working, in fact, to get them together - which can be better done with a small mallet. But I managed without one, so it's not too difficult.



On each end of each side of the frame, you'll see the little apparatus that makes Evertite frames so unique. There's this little bolt thing set into the frame, and this bolt can be loosened or tightened, according to the needs of the stitcher. When it's tightened, the head of the little bolt pushes against the inside of the other bar, forcing the frame apart and making the fabric mounted on it tighten up. When it's loosened, a space develops between the head of the bolt and the adjoining bar, so that the frame pieces can be pushed together slightly, loosening up the fabric.



This handy-dandy little tool makes loosening and tightening the bolts a cinch. I'm not sure what this kind of tool is called - I call it the Yellow-handled Tool Thing, which seems to suffice. You can buy the Yellow-handled Tool Thing separately when you purchase your Evertite frames.

Now, how do you set up one of these things, and what are the advantages of using them?

First, the set-up. Gather your tools and supplies.



For me, this consists of my piece of fabric and my tack stuff, which I store in a glass jar. I have one of those E-Z Tack-it kits, with the magnetic pusher and the little matching tack remover - and these, along with all my tacks, reside in an old Hershey's chocolate sauce jar.



A note about tacks: when your E-Z Tack-it tacks start to break up (and they will - the heads come off fairly easily), I recommend picking up regular brass tacks from your local hardware store. I think they work better, and why wait around to special order something as common as brass tacks?? In the photo above, the E-Z Tack-it tacks are on the left, the everyday brass tacks from the hardware store are on the right. They're not that different - the EZ tacks have a perfectly flat head, while the hardware store tacks are slightly rounded. That's it.



Mark the center point of your fabric, and line it up with the center mark on the frame.

With needlepoint canvases, you would probably tack your project onto the top of the frame bars. I tack my fabric on the sides, for three reasons: One, it gives me more finishing room around my project - a good inch more on all sides. Two, I don't like having my fabric edges on top of the frame, where my thread can catch on them. Three, I use the Needlework System 4 floor stand with the stretcher bar clamp, and having the tacks on top reduces the efficient functionality of the stand. It just doesn't grip as well when the tack heads are running interference.

Ok, so, you've lined up your fabric. Tack the center point of one side of the fabric onto the frame.



Moving out from the middle, tack across to one side, then go back to the middle, and tack across to the other.

Here's a very nice point about the Evertite frames - you don't need the magnetic tack pusher, unless you have problems with your hands or fingers (arthritis, etc.). I used my thumb and pushed the tacks into the frame with relative ease, and that saved time.



When tacking, keep in mind that you need to leave the corner joints accessible. Normally, I'd fold down these edges and secure them, to keep them out of my way, but I have to be able to get to the bolts, so I'll leave the corners like this.

After tacking the first side, tack the side opposite it. Then tack the other two sides in the same manner as the first. It's when you're tacking the second and fourth sides that you apply a bit of tension to the fabric or canvas - but you don't have to pull it hard - just tight enough, without any warping to the fabric.



So the four sides are done, and the fabric is open for the Yellow-handled tool thing.

And this is where the fun part comes - tighten the bolts. Your fabric will get downright hard with the tension. Then, if you want to loosen the fabric up, you loosen the bolts and push the frames in.

It's easier to tighten your fabric than to loosen it, I thought.

Overall, what do I like about the Evertite frames?

1. They do what they say they do - provide a stretcher-bar frame that can be tightened and loosened without having to remove your work from it or reposition the tacks.

2. The quality of workmanship - every detail is thought of, from the smooth edges to the center markings on the sides, to the length of each bar being "branded" on the end, so you know at a glance what size bar you're grabbing.

3. They provide a (relatively) affordable, effective, and easy option for framing up a piece of embroidery, canvaswork, or goldwork. Especially if you're going to do goldwork, you want the kind of surface these frames supply - taut and level. (Slate frames provide the same kind of surface, but are a heck of a lot more labor-intensive!)

4. They are re-usable, and you can mix and match the sizes of pairs, relatively affordably.

5. Relative affordability - they aren't as expensive as a slate frame or as most roller bar frames, etc. They are more expensive, though, than other stretcher bar frames.

What are the cons to the Evertite frames?

1. Availability - they don't carry them at any local needlework shops around here... BUT they are available online... Here are some sources:

Needle in a Haystack - (scroll down the page) Recommended - absolutely reliable shop, thought slightly more expensive than many others. I think this comes from having a brick and mortar store on the west coast...! Higher overhead...

Stitcher's Paradise - where they run approximately $1 less all around, compared to Needle in a Haystack - and if you have any questions about anything you want to order, they do have contact information at the bottom of their home page. [I apologize for this oversight - I had mentioned previously that they don't.] I heard from Peter and Janet, the purveyors, and they were very kind and interested in making it clear that they do value their customers and strive to provide them with excellent service. You'll also find heaps of other goodies on their website, so if you haven't seen it before, do take a look at it.

In Canada, Traditional Stitches carries them - I've never ordered from them, but at least they have contact information and the site looks friendly and the shopping set-up is convenient.

Tristan Brooks (in the States) also carries them. Althought their shopping set-up is not so convenient, I've always received very good response from them when I've contacted them. So they've got it at the customer service end...

Homestead Needlearts - I've never ordered from them, but there they are, nonetheless. Their prices are about $1 less than Tristan Brooks and Needle in a Haystack, and they're located in Michigan, which is a bit more central, so shipping could be faster, if they're efficient in filling their online orders.

2. They are more expensive than regular stretcher bars (even the nicer stretcher bars). Example: regular stretcher bars that are 15" long cost around $3 - $3.50/ pair. The 15" Evertites cost around $16 - $17 / pair. NOW - that being said - you're paying for two things: one, the ability to tighten and loosen your fabric without removing it from the frame; two, hand craftsmanship. Is that price difference worth it? I think it depends on your individual circumstances. By the time you buy the whole frame, you're looking at about a $30 price difference.

My personal opinion on the price difference? I like the Evertite frames, and I think the tension feature is worth it, for the right kind of project. I wouldn't buy them for play stitching, but for the right kind of project, yes, it would be nice to have a few sets on hand! And finally, I'm a fan of hand craftsmanship. I like supporting local folks who work with their hands to produce a quality product. So when I have the opportunity to do so, I do so.

Evertites are produced by Evan Burroughs, the same fellow who made the slate frame I reviewed. If you're interested in contacting him, or if you want to read more information on the Evertite frames, visit the Evertite webpage.

I've got some larger sets of the Evertite frames written into my hobby budget... and once I achieve them, I know exactly what projects I'm going to set up on them!

If you've used the Evertite frames, what's your experience with them? Do you like them? Are they worth the price difference? Would you recommend them to other stitchers?
]]> needlework tools pictures embroidery tips and tricks slate frames needlework products 11380 Anonymous noreply@blogger.com 2008-07-14 13:43:00 2008-07-14 13:43:00 1 0
Given all of the above, I am still happy with the tightness of the canvas on my (cheaper) slate bars. This project is a preprinted canvas that comes in a kit - so there is no extra fabric. Plus, I have to agree with you -- get the Everritte Slate Frames for the "nicer projects".

Thank you, again, Mary. I enjoy your blog. Linda K]]> 11385 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-13 12:47:16 2008-07-13 12:47:16 1 0
I've used the Alabaster Angel Legacy (it's listed under their "Dower" linens). I love it! But there hasn't been a Legacy linen yet that I haven't liked. My favorite all-around Legacy linen is Alba Maxima, and for finer (white) linen, their Ecclesiastical linen is excellent (perfect for whitework / cutwork).

I've been trying to figure out how exactly to review linens... Photographs (even up-close photos) of fabric are not really adequate when it comes to getting a feel for what it's really like. Any ideas?!

MC]]> 11386 Laura Bullinger noreply@blogger.com 2008-07-13 11:26:00 2008-07-13 11:26:00 1 0 11390 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-12 18:25:00 2008-07-12 18:25:00 1 0 11392 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-12 16:54:47 2008-07-12 16:54:47 1 0 11395 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-07-12 15:56:00 2008-07-12 15:56:00 1 0 11398 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-07-12 11:12:00 2008-07-12 11:12:00 1 0 11400 Anonymous noreply@blogger.com 2008-07-12 09:38:00 2008-07-12 09:38:00 1 0
I feel I could tackle this easily enough. Honestly, I find the idea of dressing the slate frame a bit daunting.

A Michael's craft store has just been built quite close to where I live. I can't wait for it to open! I have great hopes that they'll carry a good variety of embroidery supplies. I have no idea what they're like, I've never been in a Michael's before. But it sure would be nice not to have to drive 40 minutes there and back again to AC Moore, for DMC thread and such. - Jeannine]]> 11401 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-12 08:56:00 2008-07-12 08:56:00 1 0 http://www.needlenthread.com/2008/09/goldwork-project-i-learned-new.html Thu, 18 Sep 2008 06:44:00 -0500 Mary Corbet 599 2008-09-18 06:44:00 2008-09-18 06:44:00 open open Goldwork-Project:-I-Learned-a-New-Technique publish 0 0 post carrot post that, among my present line-up of needlework projects, I've got a small goldwork project I'm working on as a wedding present for my niece.

I can safely mention the wedding present thing, by the way, because no one in that branch of the family would ever even think of looking at my website....! So don't worry that I'm giving away a surprise!

Back to the project...

As I mentioned before, I'm not able to blog about the whole goldwork project right now, or even show you complete pictures. But I wanted to show you a technique that I've never used before, that I learned while working on this particular project. I think the resulting look is really beautiful - perhaps you'd like to try the technique, too.



See the edge on the embroidered area there? Nice, isn't it? This is a "non-traditional" goldwork technique. I've seen it before, but never used it, and didn't really know what it was all about. But it's simple, and I think it's ever-so-pretty - but then, I'm a sucker for gold and for anything that looks like a twist!



Incidentally, I was already working on this project when the A-Z of Goldwork arrived. They describe this technique in detail in the book, and some variations on how to work it. I'm just going to cover one here.



You start with a piece of pearl purl - this is a hard metal thread wound in a tight spring. Usually, when you couch it, you couch with gold-colored couching thread, slipping the thread between the coils in the spring. Pearl purl makes a beaded-looking outline, and it's very pretty. It's also very stiff and very hard, so make sure you're using scissors assigned only to cutting metal threads! This is pearl purl #1.



Stretch the pearl purl to about twice its length. Now, pearl purl won't return to its original twist once its stretched - you can't un-stretch it. To stretch it, grasp the two outermost beads on the cut of pearl purl you're stretching, and pull with an even tension.



Here, you can see the two pieces next to each other - the original pearl purl on top, and the stretched pearl purl below it.



Then, take your floss. Here, I'm using four strands of Au Ver a Soie's Soie d'Alger. Strip the floss in the normal method and put it back together.



Leaving a length (about an inch) of floss hanging off the end, wind the floss around the stretched pearl purl, so that it tucks in between the gold. This part's actually really easy - it just slips right into where it belongs as you turn the thread. It may be tempting to just hold the pearl purl in your finger and roll it, allowing the thread to work into the grooves of the twist, but I noticed this twists up the thread quite a bit. It looks better if you do the twisting with the actual thread, not with the gold.



Continue wrapping the thread around the gold until the whole piece of wire is wrapped, and leave a tail of your floss at the end. I actually just left the whole length of floss at the end. It gave me something to hold onto while couching, so I didn't have to touch the gold much.

Couch the pearl purl / floss combo onto your project using the same thread used to wrap the coils. Use one strand. I couched at each wrap, so that the thickness and look of the wraps was even all around.

Alternately, you could use the large bundle of thread as your couching thread (or one piece of perle silk or cotton), and couch between each stretched wrap on the pearl purl. But I tried that, just for kicks. It's easy enough, but it seemed easier to me to get full coverage - a complete "look" - around the pearl purl by wrapping it first.



So - there's an easy and really pretty edge treatment for your future goldwork projects. I'm sure lots of embroiderers out there into goldwork already knew about it, but, for those that didn't - like me, you can delight in a new technique!

Don't forget that tomorrow morning, I'm drawing a winner for Trish Burr's book. If you haven't commented on that post yet and would like the opportunity to win a book on needlepainting by one of today's foremost designers in threadpainting / crewel embroidery techniques, do check out the book give-away and leave a comment answering the question posed in the post.
]]> goldwork pictures embroidery tips and tricks needlepainting silk needlework pictures 10420 margaret c. noreply@blogger.com 2008-09-22 18:53:00 2008-09-22 18:53:00 1 0
Wrapping the stretched pearl purl with floss is what hooked me on goldwork and it's absolutely one of my favourite techniques.]]> 10423 Freda Butler noreply@blogger.com 2008-09-22 09:39:00 2008-09-22 09:39:00 1 0
Thank you for your reply. This did make sense to me. I knew you couldn't sink both ends of thread in same place or you would have a double hunk. I never thought of the couching thread just to tie it in. will have to buy some pearl and play with it.

Hugs
FredaB]]> 10434 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-21 16:19:23 2008-09-21 16:19:23 1 0
I just wanted to reply to your question about finishing a full circle with pearl purl. Normally, you do just butt the ends together, but it's best if the cut on both ends is at the bottom of the thread, so a full "pearl" is on top of the threads. So sometimes you have to turn the metal thread a little to manipulate the way they meet. With this technique, though, since you have the thread wrapped in between, you'd want either one end or the other to be a "pearl" and the other end to be the thread, to keep the pattern of the twist. I didn't work this in a circle, so I'm not sure how easy it would be, but I suspect it would actually be easier than working plain pearl purl into a circle. You could sink the wrapping thread, but I think you'd have to take them right behind the pearl to do it - not to the side, if you can picture that. I didn't sink the wrapping threads on the piece here - I merely wrapped them with the couching thread, to hold them, and cut them flush with the pearl. It worked fine - no stray threads or anything.

Thanks for the question!

Best,
MC]]> 10451 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-19 15:00:45 2008-09-19 15:00:45 1 0
Thanks for letting me know. I've contacted Google to have some work done (moving the feed accounts and so forth), so I wonder if that has something to do with it? But in the meantime, please do go ahead and re-register.

I'm looking into another newsletter service (a paid one that I have more control over, and that glitches less), so hopefully, in the near-ish future, that will be put in place...!

Thanks for letting me know.

Best,
Mary]]> 10452 mary48 noreply@blogger.com http://www.blogger.com/profile/11030271859979539724 2008-09-19 13:37:00 2008-09-19 13:37:00 1 0 10456 Anonymous noreply@blogger.com 2008-09-19 09:46:00 2008-09-19 09:46:00 1 0
I saved one of your shots to my "embroidery pictures" file on my computer to remind me to try it on my next sampler. . . do you mind? I always rename pics to include the name of the embroideress, if I know who worked it.

Christiana]]> 10457 Freda Butler noreply@blogger.com 2008-09-19 09:41:00 2008-09-19 09:41:00 1 0
This is a very pretty edging and I can see where this could be used in a lot of ways. I do have a question. I have never worked with the gold threads and I wonder how you would finish this when it meets as in a circular section. Would you just butt the metal ends and take the floss thru the fabric? Maybe you could explain how you would finish this.

Thanks again for all the hints and good advice you give us/

Hugs

FredaB]]> 10460 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-09-19 06:38:00 2008-09-19 06:38:00 1 0 10466 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-09-18 14:46:00 2008-09-18 14:46:00 1 0
I don't think I've told you that I've nominated your blog for an award. See my blog. www.jowynn.wordpress.com.

No strings attached!]]> 10467 Anonymous noreply@blogger.com 2008-09-18 14:33:00 2008-09-18 14:33:00 1 0 -Jeannine]]> 10473 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-18 09:38:57 2008-09-18 09:38:57 1 0
Thanks for your comment! I'm sorry there was a glitch in the newsletter - it'll probably come later today? As soon as I can afford to, I'm going to subscribe to a full-service newsletter service, so there won't be glitches, and so I can offer extra articles to subscribers. But that's in the future...!

In the meantime, the way the newsletter works is that you receive the post for the day before, the day you get your newsletter. So in today's mail, you would get yesterday's post (I posted two articles yesterday) and in tomorrow's mail, you'll get today's post, which is this post on goldwork.

I'm so glad you are enjoying your needlework library. It's amazing how quickly one's library expands! I have to say, though, I have very few books in my library that I don't use, so I LOVE my books!

Nice technique, isn't it? I think it's going to become a favorite with me - I can already think of a dozen applications in upcoming projects!

Best,
Mary]]> 10474 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-18 09:35:00 2008-09-18 09:35:00 1 0 10476 marilyn noreply@blogger.com 2008-09-18 08:53:00 2008-09-18 08:53:00 1 0
For some unknown reason I didn't receive your e-mail newsletter this morning, so went looking on your website and I'm so very glad I did! Don't know about e-mail these days, what the glitch was.

What a marvelous technique! It looks extraordinary and you make it sound so easy to do! If this is described in the A-Z book, I guess I'm gonna' have to get hold of it! Since I've been subscribed to your list, my needlework book library is growing by leaps and bounds. And they're all great books, too! Thanks very much.

Marilyn]]> http://www.needlenthread.com/2008/09/i-want-to-embroider-face.html Sun, 21 Sep 2008 09:25:00 -0500 Mary Corbet 600 2008-09-21 09:25:00 2008-09-21 09:25:00 open open I-want-to-Embroider-a-Face publish 0 0 post

I'm working on (or getting ready to work on) an ecclesiastical piece of fairly largish proportions. It's riddled with faces. In fact, yesterday I sat for about half an hour, chin in hand, staring at the thing, and contemplating which faces to erase. There are just too many, and I've never embroidered a face.

But I want to embroider a face!

I mean, really! How hard can it be???! And why does it intimidate me?

Take a look at this picture below. It's a close-up on an embroidered face on an ecclesiastical piece. The face itself, in the context of the piece, is probably 2.5 to 3 inches long. I've left it large, so you can click on it to see a much bigger image.



Up close, it's interesting, isn't it? Check out the stitch direction, the color changes, the outlines around the eyes, the chin, the lips, etc.

But if you're looking at it the large size, it may not really strike you as "quite right," as it doesn't look smooth or even beautiful, really. The eyes look kind of bulby, the bottom lip looks kind of square, the face (especially on the left) looks flat ..

But look at it from farther away:



And from even farther away:



The shading around the eyes is nice, isn't it? And the lips look right, now, don't they? And the left side of the face, which looks so flat and linear in the close-up, looks fine. The chin line and the neck shading blend to look dimensional.

I want to embroider a face like this!

This is my problem: I sit down to work out the picture, and it ends up looking like a cartoon. Somehow, I can't bring myself to transfer the drawning - I don't want to embroider a cartoon!

I wasted a lot of time yesterday trying to figure out how to approach this. Finally, I gave up and went back to my goldwork, which couldn't keep my interest because I was still engrossed in the face thing. So I pitched the goldwork (well, not literally), and didn't do anything needlework related the rest of the day.

Do you ever have a needlework idea or plan that eats away at you? This one eats away at me - I've been toying with it for years, thinking seriously about it for months, and obsessing over it for weeks. Yesterday was to be the day. But I quit! What does that say about me????

I finally came to this conclusion:

So what if it looks cartoonish? So what if the colors aren't "just right"? So what if it actually flops and looks like... garbage? So what?! What's the big deal? Wasted time? No - I'd be learning. Learning is never a waste of time. Waste of materials? Have you seen my stash cabinets? That's not even remotely an excuse!

Oh, dear! Could it be.... fear of failure? Heh heh. Wellllll...

You don't know, until you try! And that holds true not just for any embroidery technique or needlework project - that holds true for anything. You don't know, until you try.

So with renewed determination, I will begin this afternoon.

I am going to embroider a face.



Um....


if it turns out great, you'll be the first to know!






If it flops,


I might admit it... some day...

maybe....

]]> ecclesiastical embroidery pictures needlepainting needlework pictures 6770 Anonymous noreply@blogger.com 2009-06-28 17:20:19 2009-06-28 17:20:19 1 0 10407 Gigi noreply@blogger.com http://www.blogger.com/profile/16446421268922755314 2008-09-23 16:17:00 2008-09-23 16:17:00 1 0 Good Luck on your learning curve and have fun!]]> 10419 Laura Bullinger noreply@blogger.com 2008-09-22 21:19:00 2008-09-22 21:19:00 1 0 Why not use photos from a magazine for example, such as a parent/baby book, or something with gentle expressions? Transfer it just as you would anything else. And follow your own sage advice for intricate thread painting so that you don't end up with "bulb" eyes! Good luck, Mary.]]> 10421 Anonymous noreply@blogger.com 2008-09-22 17:15:00 2008-09-22 17:15:00 1 0
Actually, I usually do very well on my first try and then completely bomb the second through sheer cockiness.

What I want to know is how do figure embroiderers predict what the face will look like at a distance? They look so different up close!
Good luck and have FUN!
Christiana]]> 10422 Anonymous noreply@blogger.com 2008-09-22 10:01:00 2008-09-22 10:01:00 1 0
Don't hold yourself back, Mary. Jump in head first! Reckless abandon! Reckless abandon! :)
-Jeannine]]> 10424 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-09-22 09:09:00 2008-09-22 09:09:00 1 0
Are you going to use split stitch, as in opus Anglicanum?]]> 10425 Anonymous noreply@blogger.com 2008-09-22 08:58:00 2008-09-22 08:58:00 1 0 When I have a piece like this, this is how I approach it.... do the darkest parts and the outlines first... even if you have to go over them again later to add depth and clarification. In this case, it's the brows, eyes, mouth and it's shadow, outline of the nose, outline of the face, neck and check shadows. I do the lightest and largest areas (your basic "face" colors) last.
Notice that even though the lines of embroidery on the face seem slanted on the majority of the face, they're almost straight up and down to the picture....which gives that bent down face a bit of a "lift" and catches the light just right.
Well, good luck with your faces. They're really not as difficult if you follow the darkest to lightest plan. And remember, you can always "undo" a stitch (or several stitches) and do over. No one but you is going to know!
Tess]]> 10426 Anonymous noreply@blogger.com 2008-09-22 07:45:00 2008-09-22 07:45:00 1 0 I'm new to embroidery but I am an artist. To get over the fear of faces I suggest this: go to the craft store and purchase charcole pencils in skin tones and some charcole paper. Trace the face onto the paper then use the pencils in short strokes using the same angle as the picture. Take note of the colors you are using and then see if you can find the embroidery thread to match the pencil colors.
Good Luck, Patricia]]> 10427 Anonymous noreply@blogger.com 2008-09-22 07:35:00 2008-09-22 07:35:00 1 0 10428 Anonymous noreply@blogger.com 2008-09-22 06:58:00 2008-09-22 06:58:00 1 0 10429 Siri noreply@blogger.com http://www.blogger.com/profile/10563990510319296798 2008-09-22 04:35:00 2008-09-22 04:35:00 1 0 10431 Anonymous noreply@blogger.com 2008-09-21 17:57:00 2008-09-21 17:57:00 1 0 10432 pinsneedles noreply@blogger.com http://pinsneedles.wordpress.com/ 2008-09-21 16:51:00 2008-09-21 16:51:00 1 0
But I would love to see the results of your first face embroidery, whether you like it or not. As you have so cleverly shown with the example in you blog, it is all in perception, and what looks a mite odd in some circumstances, looks great in others.
Jocelyn]]> 10433 Mary Grace McNamara hookedonneedles@gmail.com http://www.blogger.com/profile/04994668228832105911 2008-09-21 16:46:00 2008-09-21 16:46:00 1 0
MGM]]> 10435 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-09-21 15:28:00 2008-09-21 15:28:00 1 0 10436 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-21 13:16:00 2008-09-21 13:16:00 1 0 10437 joey noreply@blogger.com 2008-09-21 11:54:00 2008-09-21 11:54:00 1 0 Hey, here's a thought regarding Trish Burr's next book ... how about needlepainting with specific regards to the human figure? Surely you have seen the embroidered bust in her web site's gallery http://www.trishburr.co.za/gallery.htm
I have not seen this specific topic a subject of a technique book.

P.S. have you started stitching with the wonderful Impressions fibers yet - can't wait to see the progress of the Pelicans needlepoint]]> http://www.needlenthread.com/2008/09/monogram-for-hand-embroidery-celtic-e.html Sat, 20 Sep 2008 15:29:00 -0500 Mary Corbet 601 2008-09-20 15:29:00 2008-09-20 15:29:00 open open Monogram-for-Hand-Embroidery:-Celtic-E publish 0 0 post

I've posted some stitching suggestions for this alphabet with the letter A, if you are interested in checking those out. You can also see what letters are currently available for this alphabet by checking the Monogram Index.

If you have a particular letter you'd like to see in this alphabet, just leave a comment below, and I'll move that letter to the top of my list!

Here's the small E:



And here's the larger version:



Enjoy!
]]> free embroidery patterns monograms 10394 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-24 19:28:56 2008-09-24 19:28:56 1 0
I use Inkscape. It's free...!

MC]]> 10399 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-09-24 13:18:00 2008-09-24 13:18:00 1 0 10438 verobirdie noreply@blogger.com http://www.blogger.com/profile/12968111905760607177 2008-09-21 00:03:00 2008-09-21 00:03:00 1 0 Thanks for your comment on my belt!]]> 10441 Cam noreply@blogger.com http://www.sculpin.com 2008-09-20 21:47:00 2008-09-20 21:47:00 1 0
Thanks!]]> http://www.needlenthread.com/2008/09/message-from-trish-burr-to-book-give.html Fri, 19 Sep 2008 15:01:00 -0500 Mary Corbet 602 2008-09-19 15:01:00 2008-09-19 15:01:00 open open A-Message-from-Trish-Burr-to-the-Book-Give-Away-Participants publish 0 0 post Book Give-Away this past week....

The idea for this particular give-away came about because Trish e-mailed me to ask about a topic for her next book, to see if I could "poll" readers to find out which of two topics they would be more interested in. You can read all about those two prospective topics on the original post, if you didn't have a chance to catch it earlier. Besides just polling the audience, I thought it would be a good idea to have a drawing for a copy of Trish's last book, since I have two copies on my shelf.

So it worked out well for both of us - I could do another reduction contest, and Trish could find out what needleworkers out there thought of her two subjects.

Here's Trish's message to all who participated:

Hello everyone!

Thank you all so much for taking the time to respond to the book question, I really do appreciate all your valued input and am overwhelmed with the response. I have had a wonderful time this week reading your sincere and interesting responses, and the suggestions and advice will all be taken into consideration when I make my final decision. This will have to be a surprise (hopefully a good one)!!

When I completed the last book I said "no more, this is the last", but as a result of your enthusiasm I feel encouraged to get going again! It is important to me that each publication is something that is needed and helpful - being self taught from books myself I understand how essential it is to have clear and complete instructions. I will certainly do my best to put myself in your shoes and that which ever book gets published will incorporate some of the subject matter that you would like to see.

Congratulations to Freda Butler for winning the book give away, I hope that you enjoy it. I would love to give you all a free book but would probably end up in the poor house!

Happy stitching to you all.
Trish Burr

Thanks, Trish, for the opportunity to let people pitch in with their thoughts!

Enjoy the rest of your Friday and have a great weekend! I have a couple project plans this weekend, so I'll keep you up to date on those. I'm also reading a good book (on needlework) that I thought I'd tell you about. But I need to read a little more of it to be able to really tell you about it!
]]> Trish Burr Book Give-Away needlepainting 10413 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-09-23 04:14:00 2008-09-23 04:14:00 1 0
Maria del Valle]]> http://www.needlenthread.com/2008/09/trish-burr-book-winner-announced.html Fri, 19 Sep 2008 06:00:00 -0500 Mary Corbet 603 2008-09-19 06:00:00 2008-09-19 06:00:00 open open Trish-Burr-Book-Winner-Announced! publish 0 0 post Trish Burr's newest book, Crewel and Surface Embroidery, in a give-away, and this morning, I drew for a winner...

The purpose of the give-away was two-fold: I'm continuing to reduce my stash and library, and I wanted to post a question on Trish's behalf concerning her next book.

Now, I know you might think it's crazy to reduce one's needlework library - and I agree! But this is actually a duplicate book on my shelf!

Trish was asking what people would rather see, out of two topics, in a new book from her: a book on general needlepainting techniques that could be applied to any needlepainting project, or a book on color selection, and why. Many excellent responses were given - if you're interested in reading them, they're at the end of the original article.

And now, on to the drawing. I numbered the entries and mixed them up, then went to a random number generator, and came up with a winner....

FredaB (Freda Butler), who said:

I would buy any book that Trish would write but of the 2 options I would go for option 2. The shading is probably the hardest part for me. I have Trish's other 2 books and just love to look at them. Plan on working with them this winter in Florida.

Congratulations, Freda!

In order to claim the prize, please contact me before the end of the day on Monday with your address, so I can mail it to you!

Thanks, everyone, so much for participating. Trish e-mailed and said she's been keeping up with the comments, and she would like to respond, so keep an eye out!
]]> Trish Burr Book Give-Away 10444 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-20 15:59:00 2008-09-20 15:59:00 1 0 10455 Anonymous noreply@blogger.com 2008-09-19 09:49:00 2008-09-19 09:49:00 1 0 I'm very curious.

Christiana]]> http://www.needlenthread.com/2006/06/free-hand-embroidery-patterns-index.html Fri, 16 Jun 2006 10:11:00 -0500 Mary Corbet 604 2006-06-16 10:11:00 2006-06-16 10:11:00 open open Free-Hand-Embroidery-Patterns---Index publish 0 0 post Many of these come from out-of-print, old catalogs. They are in the "copyright free" category. I want to make them available to you so that you can enjoy creating beautiful embroidered goods.

I'll be updating the list as I get the graphics ready, so check back often! Add yourself to the site feed via e-mail or via feedreader, for easy notifications of updates.

• Hand Embroidery Patterns (General Categories)



• Monograms for Hand Embroidery - Free patterns for decorative initials from vintage publications



• Ecclesiastical Embroidery Patterns Patterns for church-related embroidery.



• Online Resources - links to sites with free embroidery patterns

]]> free embroidery patterns 1222 Laura noreply@blogger.com http://rklm1959@yahoo.com 2010-04-28 12:53:48 2010-04-28 12:53:48 1 0 2716 Sarah noreply@blogger.com 2010-02-28 22:56:49 2010-02-28 22:56:49 1 0 I am sarah.The articles are very helpful foe me to make the designs. I used to make individual designs and I am interested to make blankets.Thanks to needlenthread to improve my financial support.]]> 3216 NYAMATHULLA noreply@blogger.com http://www.blogger.com/profile/10611661092353325952 2010-02-13 03:24:22 2010-02-13 03:24:22 1 0 4492 Linda Graeber noreply@blogger.com http://www.blogger.com/profile/00233828056766642710 2009-11-30 09:16:52 2009-11-30 09:16:52 1 0 4856 asma noreply@blogger.com http://www.blogger.com/profile/02368591939018236361 2009-10-25 08:47:00 2009-10-25 08:47:00 1 0 4920 Muincat noreply@blogger.com http://www.blogger.com/profile/03811988963304071193 2009-10-16 01:45:34 2009-10-16 01:45:34 1 0 5701 karmicraft friend3951@charter.net http://www.blogger.com/profile/10786038846692052378 2009-09-08 19:00:22 2009-09-08 19:00:22 1 0 6487 Amie noreply@blogger.com http://www.blogger.com/profile/01286113724603282106 2009-07-24 14:05:56 2009-07-24 14:05:56 1 0 6735 Anonymous noreply@blogger.com 2009-07-05 01:04:09 2009-07-05 01:04:09 1 0 Does any one know what stitch was used to make the fine strands on the peacock feathers used on marie antoinettes dress or other similar period pieces.
The stitches seem to be extremely tiney ...I c, only guess]]> 7084 Vicki noreply@blogger.com 2009-06-11 09:58:19 2009-06-11 09:58:19 1 0 7663 Anonymous noreply@blogger.com 2009-05-10 19:43:00 2009-05-10 19:43:00 1 0 this can be either pressing your paper and fabric against the window with the sunlight behind it...(needs manovouring, but great for emergencies),
or a torch under a glass table, with the fabric once again over the design, which is ofcourse on a single sheet of paper, NOT THE BOOK, so the light can shine through...
I use a find ball point pen, to draw the outlines..does not smug or leave traces. but needs accuracy, as it is not washable!
you can also make a lightbox, for those who are transfering alot...
a bulb built into a wooden box, with a glass or perspex cover. be sure to provide ventilation holes!
have fun!
(remember lady Di's dress against the sunlight, when she was 19, and posing for the photographers for the first time at her work....well, that is the general idea. using light to outline.
so, in tribute to Lady Di, I wish you wonderful creative moments.)]]> 8358 Anonymous noreply@blogger.com 2009-03-12 11:32:00 2009-03-12 11:32:00 1 0 ( it could be like some flowers)
can any one help me please..
TC.
Regards,
Aisha Iqbal]]> 8430 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-06 15:11:09 2009-03-06 15:11:09 1 0
Another thought, too - Clip Art, Etc. has a nice searchable feature. You may be able to search "fern" and "violet" and come up with some images you can combine.

Hope that helps!

MC]]> 8431 Simply_Suzy noreply@blogger.com http://www.blogger.com/profile/07873900475558211112 2009-03-06 14:21:00 2009-03-06 14:21:00 1 0 8594 Anonymous noreply@blogger.com 2009-02-23 20:40:00 2009-02-23 20:40:00 1 0 9169 Anonymous noreply@blogger.com 2009-01-16 15:40:00 2009-01-16 15:40:00 1 0 9333 Anonymous noreply@blogger.com 2008-12-30 23:10:00 2008-12-30 23:10:00 1 0 11652 Jana noreply@blogger.com http://www.blogger.com/profile/13054476095519788048 2008-06-09 20:37:00 2008-06-09 20:37:00 1 0 11946 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-24 20:09:12 2008-04-24 20:09:12 1 0
Have fun with it!!

Mary]]> 11947 Dawn - ilovedobermans! noreply@blogger.com http://www.blogger.com/profile/06236458143053585267 2008-04-24 19:23:00 2008-04-24 19:23:00 1 0
I also wish there was a way to take a cross stitch pattern and change it to freestyle, y'know?

Thanks!

Dawn - ilovedobermans!]]> 11974 Deb debbie.poli@gmail.com http://www.blogger.com/profile/14708577030325544751 2008-04-18 23:14:00 2008-04-18 23:14:00 1 0 11977 Dee in Oklahoma noreply@blogger.com http://www.blogger.com/profile/16819160770997923334 2008-04-17 14:12:00 2008-04-17 14:12:00 1 0 12457 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-25 18:38:03 2008-01-25 18:38:03 1 0 Praying hands]]> 12460 Anonymous noreply@blogger.com 2008-01-25 13:44:00 2008-01-25 13:44:00 1 0 I am looking for angel hand patterns.Please can you mail it to me at alicia_amith@yahoo.com ?

Thanks in advance
Regards
Aly.]]> 12544 Anonymous noreply@blogger.com 2008-01-15 03:41:00 2008-01-15 03:41:00 1 0 13017 lisa noreply@blogger.com http://www.blogger.com/profile/13824734837784260340 2007-08-12 23:31:00 2007-08-12 23:31:00 1 0 13087 Anonymous noreply@blogger.com 2007-06-22 14:50:00 2007-06-22 14:50:00 1 0
I appreciate so much finding patterns that aren't copyrighted, and I enjoy these historical motifs. I'd love to know when and where they came from, and what source. Could you please consider letting us know these on future patterns?

This is a great website. I'll be checking back! :D

Blessings]]> 13118 Anonymous noreply@blogger.com 2007-05-24 19:00:00 2007-05-24 19:00:00 1 0 13261 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-02-25 07:03:15 2007-02-25 07:03:15 1 0 13265 Anonymous noreply@blogger.com 2007-02-23 15:57:00 2007-02-23 15:57:00 1 0 13307 Trish Lovato noreply@blogger.com 2007-02-01 14:39:00 2007-02-01 14:39:00 1 0
Thanks,
Trish
Arvada, CO]]> http://www.blogger.com/ Sat, 20 Sep 2008 06:10:00 -0500 Mary Corbet 605 2008-09-20 06:10:00 2008-09-20 06:10:00 open open Chipping-Away-with-Goldwork draft 0 0 post

]]> http://www.needlenthread.com/2008/09/monogram-for-hand-embroidery-celtic-m.html Wed, 17 Sep 2008 13:57:00 -0500 Mary Corbet 606 2008-09-17 13:57:00 2008-09-17 13:57:00 open open Monogram-for-Hand-Embroidery:-Celtic-M publish 0 0 post

You can find stitching ideas on the post for the letter A of this alphabet, and you can also find more monograms for hand embroidery on the index page for the monograms available here on Needle 'n Thread.

Here's the smaller version of the M:



And here's the larger version:



Enjoy!



]]> free embroidery patterns monograms 10480 Marian noreply@blogger.com 2008-09-17 23:30:00 2008-09-17 23:30:00 1 0
thank you for the Celtic M. Now I can 'play' if it's raining on the weekend.]]> http://www.needlenthread.com/2008/09/video-tutorial-vandyke-stitch.html Wed, 17 Sep 2008 06:15:00 -0500 Mary Corbet 607 2008-09-17 06:15:00 2008-09-17 06:15:00 open open Video-Tutorial:-Vandyke-Stitch publish 0 0 post

The Vandyke stitch can be worked vertically or horizontally (I'm working it vertically in the video) between two parallel lines, and it can also be worked on gentle curves. The characteristic look of the stitch is long horizontal arms, with a raised chain-like stitch down the middle, on top of the bars. You can vary the look of the stitch by changing the length of the arms, or by increasing or decreasing the space between the side lines, even while working down the line.


Vandyke Stitch

Here's the video:



For more hand embroidery stitch videos, visit my Video Library of Hand Embroidery Stitches Index, where you'll find instruction for over 50 hand embroidery stitches presented in video format.

Also, just a little reminder: I'm giving away one of Trish Burr's books this week. If you haven't joined the drawing, it's not too late! Just add a comment to the post announcing the drawing, answering the question posed about YOUR topic preference for Trish's next book.

Enjoy!
]]> video tutorials Hand embroidery stitches beginner embroidery 10430 Marian noreply@blogger.com 2008-09-21 18:32:00 2008-09-21 18:32:00 1 0
thanks for your input, I guess it is never a waste of time to try something new.

I am getting to the end of my university paper and my exam is in 3 weeks and 2 days from now, so all my efforts are going into that, but when I attempt the Vandyke stitch in the Celtic letters, I'll let you know the outcome.]]> 10478 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-18 06:32:59 2008-09-18 06:32:59 1 0
I think it would be somewhat difficult to work the tighter curves with it, but ... maybe... there's also the question of the round ball / curly things on each of the letters. I'm not sure how they would be treated. It's something that might be worth playing with, just to see....]]> 10479 Marian noreply@blogger.com 2008-09-17 23:36:00 2008-09-17 23:36:00 1 0
Could the Vandyke stitch be used for the Celtic intials?

Maybe as the filling stitch?

Thanks again for the tutorial video.]]> 10490 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-09-17 12:01:00 2008-09-17 12:01:00 1 0 http://www.needlenthread.com/2008/09/musing-about-lace-making-and-link-that.html Tue, 16 Sep 2008 06:19:00 -0500 Mary Corbet 608 2008-09-16 06:19:00 2008-09-16 06:19:00 open open Musing-about-Lace-Making-...-and-the-Link-that-Got-Me-Going publish 0 0 post

BibliOdyssey recently posted photos from old Lace Modelbuchs (Pattern Books). You'll find some beautiful examples of needlelace patterns, as well as some grid patterns that can be used for filet lace or adapted into cross stitch or needlepoint patterns pretty easily. I like old books like the ones featured here. They're exquisite.

I think I've mentioned before that I'm not a lace maker, though I have delved into different types of needle lace, including filet lace (the real stuff, not the crochet), cutwork (can it properly be called lace? probably not), drawn thread work (again, would you call it lace? perhaps not, though it can sometimes look pretty lacy) and traditional needle lace for inserts to whitework projects and so forth.



My picots stink in that piece. I've improved the technique somewhat since then. It takes some doing, working picots that size with a needle and tiny thread. I think in that piece I was working with size 100 linen thread.



I haven't worked much on my cutwork techniques. But someday, when I go back into whitework (I'm still glutting on color), I'll take it up again.

I like the idea of lace making - and golly, I'd love to learn how to make bobbin lace. Have you seen the bobbin lace at Plimoth Plantation that they're making for The Jacket? It's seriously stunning stuff!

I did sally forth into one bobbin lace venture many years ago. It was after visiting my sister in Washington, DC. We went to one of the Smithsonians (I think it was the National Museum of American History). There, I saw a fantastic example of embroidery - it was worked by sailors of yore, on old sails, with all kinds of fibers from their shirts and clothes and stuff. It was fantastic!

But what caught my eye and completely captivated me was the lady sitting across from the exhibit - an exhibit unto herself - with her lace pillow and some 180 (or some such number) bobbins that she was flipping about, flipping some more, her fingers flying hither and thither, with a twitch of the wrist and swift cross movement of her hands, shifting the bobbins until they looked like they were moving on their own accord across the pillow, inserting pins, and on and on ... all while chatting with people! And there, before her, a delightful pattern of airy lace was forming with practically no effort (so it seemed to me!). I was astounded, captivated - in short, really impressed. I just Had to Learn to Do That.

It so happened that there, or at another museum close by (somewhere along the journey), I was accosted by a beginner's bobbin lace making kit. It beckoned me, and I heeded its call! Ok, so the "pillow" was a kind of styrofoam board thing. But - I was game. I invested.

Yes, so anyway. As I said, I'm no lace maker. But gosh, don't you love the stuff?

I'd like to embroider on net - you know, the fine, sheer netting that bride's veils were made of back in the days before puffs of tulle? Not your typical tulle. No, no, no! The stuff that drapes and hangs beautifully and is ever-so-lovely as it falls about the shoulders limply. I have looked for such netting. I've bought samples from Lacis, from Martha Pullen, and from several other sources that advertise netting for veils. But it's always ... tulle. It's stiff, even after washing the sizing out. I don't want to make a tutu. I want to make a drapey, light, spilling veil! Alas, I haven't found the stuff yet. Or maybe I just don't know what to look for!

But I did buy a book. And some day, I'll find what I'm looking for. And then - look out, world! I will become a Maker of Lace!

Either that, or this will all go the way of the bobbin lace kit.... !

Enjoy the link to BibliOdyssey. He's got a bunch of other resources listed on there, too. If you ever become a maker of lace (or if you are a maker of lace) and come across that mysterious drapey netting, I'd love to hear about it!
]]> embroidery resources cutwork whitework pictures needlelace needlework pictures 7740 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-04 08:11:25 2009-05-04 08:11:25 1 0
Best regards,
Mary]]> 7743 Janis Fontecchio noreply@blogger.com http://www.facebook.com/home.php?ref=home#/home.php?ref=logo 2009-05-04 01:14:00 2009-05-04 01:14:00 1 0
When I was in Hong Kong I saw fabrics they don't have over here in the US.

Expensive though.

You need silk netting or silk gauze.
Gauze is thin and if your doing a lot of needlework, you need silk netting to hold the weight.

I think silk gauze is made of shorter fibers of silk and netting is make of full cocoons. This does make quite a difference in how strong the material is.

You could also make your own net out of silk thread, This was the way they did it in the old days.

FYI: The kind of fine threads that a lot of handworkers need aren't made anymore. In the past, thin threads used for netting among other things, out of wool or cotton, was spun by children.

Smaller fingers equals finer thread. Since children don't do this anymore there is no fine thread here in the west.

This is a problem for crocheter of old time patterns. We can't get the fine thread that used to be available this is also so for embroiderers who want fabric with high thread count, such as 48 count threads per inch, or higher count fabrics.

Here is a link to a place that sells all sorts of silk items.
This page shows "Samples of Embroidered Silk Netting + Tulles."

You can see various examples of other hand embroidery/beading under "embroidered silks", "embroidered bridal veils", "silk pictoral gallery", "beaded silks". We embroider on cotton tulle, nylon illusion tulle and silk tulle. They are available in:

* Silk tulle
* Nylon illusion tulle
* Cotton tulle

http://www.anjooriansilks.com/gallery/thumbs.asp?iCat=14


I think you could look at what they make and figure out what you need. They seem to say they will sell you plain net or gauze as well.

If that doesn't work, here is a another woman with the same problem.

"so i went to the fabric store a few weeks ago to get some fabric for a trial veil and all they had was bridal illusion tulle, which is pretty stiff, and i wasn't a huge fan of. i did a little poking around online and decided that i wanted silk tulle for my cathedral length veil, so that it would be more flowy (plus, i can't imagine 108 inches of stiff tulle being all that beautiful). but now i can't find silk tulle for sale anywhere! not in stores, not online (that isn't sold in bulk), not anywhere"



This reply may help you!

"Fabric.com has two widths of what looks like a softer tulle available:

54" Wide

http://www.fabric.com/ProductDetail.aspx?ProductID=92f919a0-ebc2-4003-8671-3493f86987c4

108" Wide

http://www.fabric.com/ProductDetail.aspx?ProductID=5d9a503b-9876-46cb-b4a4-858516f4aecc

You can order a swatch from them to feel it yourself, or just call them up and have one of the sales associates go check it out for you. I've ordered from them a bunch of times and they are super great."


***

An odd bit of trivia, The women
s collective in Kazakhstan. If you look up the spelling you can search the web for the women who knit shawls with 1 strand wool and 1 or 2 strands of silk. These are the women the old fairy tale stories are about. Their shawls will pull through a wedding ring. These people uaed to make dresses this way that could fit inside a walnut shell.

I mention them because they may have a source of strong silk you could use for netting or know the kind of netting that you need.

Hope this helps,
Janis

I'm on Facebook if you want to reach me. I've tried to add the URL below.]]> 10481 Anonymous noreply@blogger.com 2008-09-17 23:28:00 2008-09-17 23:28:00 1 0 10482 Ann in Maine noreply@blogger.com http://www.blogger.com/profile/04730666887190566419 2008-09-17 23:24:00 2008-09-17 23:24:00 1 0 Ann in Maine]]> 10487 Anonymous noreply@blogger.com 2008-09-17 14:36:00 2008-09-17 14:36:00 1 0 10489 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-17 12:53:00 2008-09-17 12:53:00 1 0 Fun!Last month I've bought a little old book in a second-hand bookseller: La Dentelle Renaissance. (you can take a look at it on my blog, i have just posted about it)]]> 10500 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-09-16 20:19:00 2008-09-16 20:19:00 1 0
Also, I think picots are one of THE most difficult things in needlelaces to get consistently good. I fail so far, VBG, but I have a very occasional decent one. I recently tried some Lefkara, a Cypriot style of needlelace, at a workshop and got about 1 out of 5 picots half way decent. Guess I need a LOT more practise! Thanks for sharing,
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 10510 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2008-09-16 08:27:00 2008-09-16 08:27:00 1 0
Jane, the silk gauze fan of Chilly Hollow]]> 10511 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-09-16 08:00:00 2008-09-16 08:00:00 1 0
Of course now I had to go looking again and found this site: It specifies SOFT tulle, also 100% silk. They also have the stuff that has more body, but this might be what you're looking for. It's definitely spendy enough: http://www.victorianfashions.com/silktulle.html]]> 10513 Romilly noreply@blogger.com www.stitchingwithashimmy.com 2008-09-16 07:54:00 2008-09-16 07:54:00 1 0
Of course, I haven't been able to find it in yardage, but just knowing it's out there somewhere has sustained me. Grin.

Of course you could always get out your bobbin lace pillow and use silk sewing thread to make it. You might have enough for a veil in a about 30 years! :P]]> http://www.needlenthread.com/2008/09/great-goldwork-technique.html Mon, 15 Sep 2008 13:57:00 -0500 Mary Corbet 609 2008-09-15 13:57:00 2008-09-15 13:57:00 open open Great-Goldwork-Technique! publish 0 0 post

Now, this is something that everyone in the world may have already known, but when I first started goldwork, I did not know this technique. When I learned it, it changed the way I looked at couched threads.

Carol-Anne of Threads Across the Web wrote up a great post on plunging threads using a plunging lasso, or what she calls a "sinking needle."

If you haven't read it or are not familiar with this idea, check out her post! The concept is simple, and it makes couching techniques a whole lot more palatable!

While you're there, check out her latest finished goldwork project - it's stunning!
]]> goldwork embroidery tips and tricks http://www.needlenthread.com/2008/09/long-and-short-stitch-project-idea-what.html Mon, 15 Sep 2008 07:10:00 -0500 Mary Corbet 610 2008-09-15 07:10:00 2008-09-15 07:10:00 open open Long-and-Short-Stitch-Project-Idea---What-do-You-Think? publish 0 0 post video library of hand embroidery stitches is "when are you going to post a long and short stitch video?" And I think that's a very good question... and here's my answer!

I've tried to make a good video on long and short stitch - actually, I've tried it several times. But I haven't been very satisfied with the results. The way I see it is this: long and short stitch is more than just a stitch. It's a technique. And there's quite a difference, you know!

For example, right now I'm editing two stitch videos (well, right now, I'm typing a blog post - but you get my drift...). In less than four minutes each, with a slow-moving, up-close video of the embroidery stitch, I can explain to you all the moves in the stitches, and then I can repeat them for you several times, so that you get it. No biggie.

But with long and short stitch, it's a bit different. It's more than "moves" - stitch angle, length, depth, color change, etc. are all important when considering long and short stitch. And to get this across in a video alone is somewhat difficult. And long and short stitch is not usually isolated - it's usually combined with other stitches to make the whole design or picture. Needle painting, thread painting, soft shading techniques - whatever you want to call it - uses more than just long and short stitch.

Sooooooooooooooo.... to make the long story short....

What I was thinking about doing is a kind of stitch along lesson or project, only you don't have to stitch along if you don't want to - and once the lessons are posted, they'll always be here, so you can always pick them up or put them down whenever you want.

But my thought was to take a simple pattern from here on Needle 'n Thread, repost it in a cleaned up version as "step one," and then to go from pattern to completion, with all the steps in between - coloring the pattern; marking stitch direction, shading spots, etc.; deciding on stitches, selecting supplies and making a list; preparing materials (including pattern transfer), and then the stitching - through the whole project - step-by-step - accompanied by several videos, and lots of photos, to work through the whole technique.

The individual lessons would be far enough spaced (not posted every day - I'm thinking once a week) that anyone who wanted to stitch along would have time to gather supplies, catch up on each step, etc., without having to really break your regular routine much. And we'd work in small-ish increments.

It would not be a complicated project - something simple and not too dimensional, to show how the basic techniques of thread painting work.

And finally, I'd post a photo gallery of the finished projects, if people wanted to share them.

But I thought I'd poll the audience for your thoughts on this:

1. Is it something stitchers would be interested in?

2. Is it something that people would actually stitch along with simulataneously? Or do you think people would prefer to watch the lessons unfold, just to see what they're like, and then take them up if it grabs their interest?

3. Is it something other readers who aren't interested in the technique might get bored with, when they see the lessons popping up regularly?

4. Do you see any pitfalls or anything that I might be missing? My personal biggest pitfall will be the time involved, but that's something I can overcome with planning and organization. But is there anything else I'm missing?

Let me know you're thoughts - are you interested?!!
]]> stitchalong lessons miscellaneous embroidery musings needlepainting 6423 Maryvonne noreply@blogger.com 2009-07-29 01:06:52 2009-07-29 01:06:52 1 0
I would certainly love to join in in your stitch project, I have already got the threads out, including the "Ecru" and am still humming and haaing about which material it will go on. Can't wait for the first instalment.

Thank you so much for your generosity in sharing your fantastic skills with us.

Your most enthusiastic fan]]> 10364 its_me_aanie noreply@blogger.com http://www.blogger.com/profile/06207258748244608529 2008-09-28 09:39:00 2008-09-28 09:39:00 1 0 10446 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-20 13:11:45 2008-09-20 13:11:45 1 0
For example, I think Joey suggested doing one element of a design, rather than a whole project, and this point certainly makes sense.

I'm writing up a series of lesson plans right now, and I will keep you posted on the direction in which this will go.

Thanks again for all your feedback!]]> 10447 Anonymous noreply@blogger.com 2008-09-20 12:00:00 2008-09-20 12:00:00 1 0 I would like to partake in this class of the long and short stitch project. I believe I could stitch along with you. I currently have two projects I am working on that are long and short stitch, but I am doing them to get the experience. One of the projects is a silk sampler. Because I spent more money on this project I would like it to look nice and to be satisfied with the finished project when it is done. So, yes, put me on your list for this class. Maria P.]]> 10462 Shobha Nagendran noreply@blogger.com www.samkrut.com 2008-09-19 03:55:00 2008-09-19 03:55:00 1 0 10472 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-09-18 09:39:43 2008-09-18 09:39:43 1 0 I am very interested!! and I would love to see long and short stitch, so I like very much this project!! if it outside every 15 days, better I think, it is my opinion of course!
Anyway I will follow closely!
A hug

Maria del Valle]]> 10486 Candyce noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2008-09-17 15:00:00 2008-09-17 15:00:00 1 0 Here is another hand waving wildly. I am self taught (altho self-teaching as it is a continuous project is a better description) and would love to get your insight. Your stitch videos have helped me through several stitches I couldn't grasp from a book. Since I live far away from any instruction it would be most appreciated. I would love to stitch along and think once a week would be a nice balance. Like another I have never attempted gold work, but I enjoy your posts on it. Thank you in advance.]]> 10499 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2008-09-16 22:48:00 2008-09-16 22:48:00 1 0 Also please save the videos that can be used later]]> 10502 Marian noreply@blogger.com 2008-09-16 16:35:00 2008-09-16 16:35:00 1 0
Your idea sounds great. I am definitely interested but I would watch the video first, then watch again stitching with the video.

Two reasons for this: I am a visual learning and I like to see techniques explained before I start so I know what I am supposed to be doing; and, I live in a time zone that is about 17 hours ahead of you.

But dont get me wrong, I would still love to join in.

I am guessing that a person's long and short stitch technique gets better with practise.

I have not attempt this technique before because I didnt have the patience to keep trying, not even with a pre-printed canvas/linen picture.]]> 10503 Nora noreply@blogger.com 2008-09-16 15:25:00 2008-09-16 15:25:00 1 0 I would really like to instructions on a project of the long and short stitch. I do not promise I could keep up but would appreciate seeing it done. I avoid stitches such as these because they are very unforgiving and frustrating. If you have time and can do such an extensive project, I would appreciate it. You are so blessed for giving us all the gift of your knowledge and time. Thank you so much for all you have done for us. Look forward to any thing that you decide you can handle time wise.
Nora]]> 10505 Annie M noreply@blogger.com 2008-09-16 14:39:00 2008-09-16 14:39:00 1 0
It would be so cool to be part of a project beginning to end. I always learn so much from people who are willing to share the way they do things start to finish. Usually, there are steps in the process that would never cross my mind. I think weekly would be just about right...you'd keep us moving forward and those of us who wish to participate would have time to practice between sessions.]]> 10506 Marilyn noreply@blogger.com 2008-09-16 13:19:00 2008-09-16 13:19:00 1 0
Marilyn]]> 10507 Anonymous noreply@blogger.com 2008-09-16 12:36:00 2008-09-16 12:36:00 1 0
What a fantastic idea for long and short stitch. I am always fasinated by this technique and will really like to know how it is done. I will surely participate in this online class.

Thank you for sharing your knowledge with us.

Dora.]]> 10508 Freda butler noreply@blogger.com 2008-09-16 10:42:00 2008-09-16 10:42:00 1 0
I would really enjoy doing this with you. I have been trying to get started with Trish's books so this would be a great help. Also, do not believe a once a week post would be objectionable to people who are not interested. I am not into goldwork but still enjoy reading your words on it.

Hugs

FredaB]]> 10509 Anonymous noreply@blogger.com 2008-09-16 10:32:00 2008-09-16 10:32:00 1 0 Jaci]]> 10514 smoose003 noreply@blogger.com http://www.blogger.com/profile/10776468587656358584 2008-09-15 21:40:00 2008-09-15 21:40:00 1 0 10515 Anonymous noreply@blogger.com 2008-09-15 20:03:00 2008-09-15 20:03:00 1 0 Sallie]]> 10516 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-09-15 16:51:00 2008-09-15 16:51:00 1 0 Your idea sounds great to me. I've done the stitch alot but have never taken lessons and I love the idea of seeing how you blend the colors, select the colors, type of threads, etc.
I'll try to keep up and stitch along with you!]]> 10517 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-09-15 16:48:00 2008-09-15 16:48:00 1 0 10518 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-09-15 15:38:00 2008-09-15 15:38:00 1 0 10519 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-09-15 15:14:00 2008-09-15 15:14:00 1 0 10520 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-15 13:17:00 2008-09-15 13:17:00 1 0 Surely I'm very much , completly etc, etc interested!
I'll make every effort to stitch along, I'll do my best!
A weekly class will be just right, I think!]]> 10521 Hetty noreply@blogger.com 2008-09-15 13:06:00 2008-09-15 13:06:00 1 0 I'm delurking to tell you I would be really interested in such a series of lessons.]]> 10522 AmphipodGirl noreply@blogger.com http://www.blogger.com/profile/06713968079060622222 2008-09-15 12:05:00 2008-09-15 12:05:00 1 0 10523 Joey noreply@blogger.com 2008-09-15 10:53:00 2008-09-15 10:53:00 1 0 By the way, your sketch of the lifetime ecclesiastical embroidery project is phenomenal, ambitious, impressive and, once finished, I'm sure it will be something admired for generations to come!
Joey]]> 10524 Anonymous noreply@blogger.com 2008-09-15 10:52:00 2008-09-15 10:52:00 1 0 -Jeannine]]> 10525 Anonymous noreply@blogger.com 2008-09-15 10:12:00 2008-09-15 10:12:00 1 0
Cheers, Marilyn]]> 10526 Meeta V. noreply@blogger.com 2008-09-15 09:52:00 2008-09-15 09:52:00 1 0 10527 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-09-15 09:21:00 2008-09-15 09:21:00 1 0 10528 The Chilly Hollow Needlepoint Adventure noreply@blogger.com 2008-09-15 08:35:00 2008-09-15 08:35:00 1 0
I think a weekly class would be just right--not too often to bore those not interested but close enough in time that folks can stitch along and not lose interest.

So go for it!

Jane, waving like mad from Chilly Hollow]]> 10529 CrazyKwilter crazykwilter@yahoo.com http://www.blogger.com/profile/00467809965188623065 2008-09-15 08:06:00 2008-09-15 08:06:00 1 0
Patricia]]> http://www.needlenthread.com/2008/09/thank-you-oh-thank-you-thank-you.html Sun, 14 Sep 2008 09:21:00 -0500 Mary Corbet 611 2008-09-14 09:21:00 2008-09-14 09:21:00 open open Thank-You!-Oh,-Thank-You,-Thank-You! publish 0 0 post

It's the Inspirations magazine #33 that Wooly Thread announced for sale last week!



Two very kind (anonymous) readers ordered a copy from Wooly Thread and had Jan send it to me.



Look! It's the CAMELS! Aren't they lovely? And so... smug, in a camel-ish sort of way. Can I add one of them to my carrot list? I think perhaps I can!

I don't know how I can thank you, whoever you may be! It was a very kind and generous of you, and you can bet I do appreciate it!

When I tackle the camels, you'll be in my thoughts!
]]> personal Inspirations Magazine 10512 Jess noreply@blogger.com 2008-09-16 07:58:00 2008-09-16 07:58:00 1 0 10532 Bernice Kopp noreply@blogger.com http://www.blogger.com/profile/01577048006848594494 2008-09-14 22:39:00 2008-09-14 22:39:00 1 0 10533 Marian noreply@blogger.com 2008-09-14 18:35:00 2008-09-14 18:35:00 1 0
what a lovely gift to give.

I will have to check out the bookshops on the way home.]]> 10535 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-09-14 15:59:00 2008-09-14 15:59:00 1 0
Can't wait to see what you do with them, and the rest of your carrot list. The ecclesiastical embroidery looks very ambitious but I know you are up to the challenge.

CA]]> http://www.needlenthread.com/2008/09/monogram-for-hand-embroidery-celtic-f.html Sun, 14 Sep 2008 06:28:00 -0500 Mary Corbet 612 2008-09-14 06:28:00 2008-09-14 06:28:00 open open Monogram-for-Hand-Embroidery:-Celtic-F publish 0 0 post

If you're looking for embroidery ideas for this particular alphabet, check out the post for the Celtic monogram letter A.

You can save these letters directly to your own computer and resize them as you wish, either in a photo editing program or by printing them out and using a copy machine.

Here's the small version of the F:



Here's the larger version of the F:



For more letters in this alphabet, or for other monogram alphabets, please check out my Index of Monograms for Hand Embroidery.

Enjoy!

]]> free embroidery patterns monograms 9379 Anonymous noreply@blogger.com 2008-12-24 11:34:00 2008-12-24 11:34:00 1 0 10541 Flora noreply@blogger.com www.florascolors.blogspot.com 2008-09-14 09:53:00 2008-09-14 09:53:00 1 0
Thanks so much for the Celtic "F" monogram.

I love it. I will start stitching it on my hand kerchief in a day or two.

Thanks a lot!]]> http://www.needlenthread.com/2008/09/needlework-is-my-carrot.html Sat, 13 Sep 2008 06:47:00 -0500 Mary Corbet 613 2008-09-13 06:47:00 2008-09-13 06:47:00 open open Needlework-is-my-Carrot publish 0 0 post Breath of Spring," and with the busy school year underway, I want to line-up my next needlework projects so that I don't have to focus so much on set-up, and so that I always have a "carrot." You do use needlework as a carrot, don't you?

For me, needlework is absolutely a carrot - it is my inducement to get myself to perform (whether household tasks, job-related activities, whatever) so that I can embroider with a clear conscience. Basically, I do what I have to do so that I can do what I want to do. That's not to say that everything besides needlework is drudgery; on the contrary, I like my job and I like doing other necessary things that relate to normal living. I always find, though, that if I have a goal (get this done now so I can do that later), I work with more energy and focus.

Do you want to know what my carrots are right now? Well - here they are:

First, I'm working on a goldwork project - a small project that's a lot of fun so far. I'm giving it to my niece for her wedding in November. I would like to have it finished by the end of next week, which isn't impossible. I've done all the silk shading, and now it's just a matter of the goldwork.



This is a picture of part of the project. I can't blog the whole thing right now, as the project isn't really "mine." Once it's published, I'll show you my finished work and tell you about it at length. But don't you love the colors so far?



Here's a little shot showing you how a vine is narrowed using gold passing thread. The vine is originally two pairs of passing thread (gold passing thread is generally couched in pairs). Then, about halfway around, I plunged one thread (half of a pair), and then a bit later, another thread, to narrow the vine to only one pair of passing threads. I think the designer was ingenious with this little touch.

After this is finished, I'll move on to beginning my Pelican.



This is the piece that I bought the threads for on my recent shopping venture. It's painted on 18 ct. canvas and the whole thing will be worked in tent stitch. The canvas was designed and painted by Judy of Possibilities, etc. I've had it for a while, and had every intention of starting it last spring, but, amazingly enough, I never had a chance to go shopping for threads until just a few weeks ago.



I don't plan to stitch the whole piece in one sitting. (Oh, no kidding??) Actually, it's going to be an on-and-off piece, for something to stitch on now and then, between projects and whenever I'm on a needlepoint roll. I don't think I would enjoy glutting myself entirely on tent stitch for months until this is finished. I'm looking forward to working it.

My next little project is going to be BABY BOOTIES. I'm excited about this one!!!! I'm going to make a couple sets of little baby booties out of wool felt (I think I'll try some different lining ideas, though - like lining them with flannel, or, for cold weather, perhaps fleece?). They'll be embroidered, of course, and I hope they turn out cute. I've got a pattern set from McCall's (pattern #2867).



I've also found some cute patterns online. I especially like this Bitty Booties pattern from Heather Bailey Designs (PDF). You'll find it on her blog Hello My Name is Heather.

I've also been in the process of designing a really ambitious project.



It's ecclesiastical embroidery and will feature mostly silk shading and goldwork. The design is still in the works, and it's really l-a-r-g-e. I still have some sketching to do on it, like finishing the angels in the arm of the cross:



My plan is to break the design down into workable elements that will be appliqued together onto the main ground fabric. This is a whole new adventure for me - at least on this scale. I'll definitely be keeping you posted on this project's development. If I flop or just give up, you'll be the first to know!

For light work this winter, I've got a couple of Tanja Berlin's kits still - the squirrel and a bird, I think. So it's likely I'll set those up for stitching.

And between these projects, for more immediate purposes, I'd kind of like to make a stack of Christmas cards before the end of November rolls around. I'm thinking about getting some kids together - or at least a couple of my nieces - and doing a kind of group card-making session or four on Saturday afternoons.

All this is fun stuff and really exciting to me. But the reality is that, as much as I'd like to have all these projects underway with a certitude that I could finish them this winter, I know it will not be likely that I'll get them all done. Oh, the ecclesiastical piece will take years, I know. But it's nice to have stitching goals for the fall and winter months, even though I know that my real job is going to be taking the bulk of time. Still, I do plan to stitch, and stitching always makes a Really Good Carrot for me. If I do my work like a good girl, then I can settle into some serious needlework!

Is embroidery your carrot? Do you make up stitching goals for yourself? If you do, how many projects do you have on the burner? (Or at least stewing in your head?) In short, how do you go about planning and executing your stitching adventures? Maybe if we share ideas on this, we can all become more efficient with our time and our approach to our projects!
]]> ecclesiastical embroidery personal goldwork pictures organization needlepoint needlepainting silk needlework pictures 7780 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2009-04-26 22:09:00 2009-04-26 22:09:00 1 0 10463 Anneg noreply@blogger.com http://www.blogger.com/profile/12858120820470784593 2008-09-18 17:28:00 2008-09-18 17:28:00 1 0 Thanks for the inspiration, Anneg]]> 10483 Anonymous noreply@blogger.com 2008-09-17 22:15:00 2008-09-17 22:15:00 1 0
(i figured the days of those kind of panels died off in conjunction with the cloisterd sisters who made them)

how long do you expect this project to take?

and, of course, thank you for trying to put such a beautiful piece of art into liturgical use]]> 10537 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-14 13:58:36 2008-09-14 13:58:36 1 0
I can certainly sympathize! Space restriction is probably one of the most inhibitive features of any hobby -- well... that, and lack of TIME.

Jeanne, whose blog is called Just String, rotates her projects, and I think she does an amazing job of getting projects finished. Maybe a project rotation would help: certain days of the week get certain projects, or something of that nature. I was thinking of subscribing to Jeanne's rotation idea myself, though first, I absolutely must finish the goldwork project, as it's a gift.

Well, best of luck with your move! Tell the hubby it could be worse - 8 sterlite boxes isn't as bad, as, say.... 80! ;-)

Best,
Mary]]> 10538 Anonymous noreply@blogger.com 2008-09-14 13:13:00 2008-09-14 13:13:00 1 0
Last evening when I had achieved only a fraction of what I set out to do, I considered using a kitchen timer to help organise my stitching time into bite sized pieces on different projects, perhaps allocating an hour at a time - not sure whether that one will work but I will try it and see. For myself I find that I have to have definite deadlines to be able to actually finish projects so I tend to take evaluated courses, however I often find myself prevaricating and then having to rush - what a hopeless case!

I do try and get conscience cleansing chores out of the way but right now I am supposed to be in the final stages of packing for a move and I am having difficulty deciding on my immediate stitching needs (much of our stuff is going into storage for an indeterminate period as we will initially be space restricted) - this has resulted in my two traveling Sterilite boxes turning into eight - DH is having fits.

Sallie]]> 10545 Anonymous noreply@blogger.com 2008-09-13 21:45:00 2008-09-13 21:45:00 1 0
I wish I was as good as you about finishing chores, etc to move on to embroidery. I skip the chores so as to do the embroidery! Not a good plan.

Keep us posted on all these projects; I am bursting with curiosity to know more (and more, and more). Very, very exciting.

I didn't know you needlepointed? I've not seen a previous piece you've stitched with that technique, I think. I is easy to loose track with all that you do!!!!

Christiana]]> 10550 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-09-13 16:18:00 2008-09-13 16:18:00 1 0 10551 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-09-13 15:42:00 2008-09-13 15:42:00 1 0 10553 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-13 13:46:00 2008-09-13 13:46:00 1 0 (Picking up on my points of interest)

I think it's a good idea to have an 'easy, non-thinking' project in the back ground (like your Pelican).

I expect my current project to take about a year, and I already know what I want to do after that!]]> http://www.needlenthread.com/2008/09/book-give-away-and-question.html Fri, 12 Sep 2008 07:45:00 -0500 Mary Corbet 614 2008-09-12 07:45:00 2008-09-12 07:45:00 open open Book-Give-away,-and-a-Question! publish 0 0 post

The book is Trish Burr's recently published Crewel and Surface Embroidery book, which I've reviewed here on Needle 'n Thread.



This is a gorgeous book! And if you've wanted to tackle long-and-short stitch shading but are perhaps intimidated by the techniques, this book will help you overcome your intimidation. The floral projects are arranged in order of ease, from beginning to advanced. For more details on the book, feel free to read my review.

Now, to be eligible to win, you have to answer a question in the comment section below. To do this, you scroll down to the bottom of this post (on the website, not on the newsletter) and click the link that says "Click to Comment" under the "Posted by" information.

The question is posed by Trish Burr this time, not by me. It isn't too often that, as a consumer, you get a chance to give input on what you'd like to see in a book, but here's your opportunity. Trish is gearing up for a new book, and she's exploring two options:

1. Needle Painting Basics:
This would be a guide to stitching flowers, birds, animals, people etc. How to direct your stitches for the different type of motifs, how to choose the right picture for reproduction etc etc. It would be aimed at the beginner and beyond but might also be helpful to the advanced needleworker.

OR

2. Color blending for Embroidery:
This would help the reader to choose color combinations for shading in embroidery. It would be made up of sections on each color e.g. red, blue, yellow etc and each section would show a number of combinations that could be used for each color scheme from the color chart. The idea behind it would be that the reader would learn to enhance their needle painting (or any other needlework projects) by the correct use of color. The color combinations would be visual and listed by number so that they could refer to it for future projects, and the book would contain sample projects worked in various color combinations. The book would apply to long and short stitch, but also to other techniques where shading and color blending are required.

The question is: which would you prefer, and why? or which do you think general audiences would prefer and why?

Leave a comment below, and your name will be entered for the drawing, which will take place next Friday (September 19) at 4:00 am (the deadline). The drawing is open to all readers around the globe.

It's probably not too often that you can give input on a book and voice your preference! So speak up - don't be shy.
]]> Trish Burr Book Give-Away needlepainting 10308 Anonymous noreply@blogger.com 2008-10-04 00:44:00 2008-10-04 00:44:00 1 0 10448 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-09-20 07:39:00 2008-09-20 07:39:00 1 0 I think I arrived late because today received the news, however votes for the second point, because I think the choice and combination of color is very important for the work. I see from my expericencia in the embroidery contemplating the literature that I know personally, and also because it's what I would choose if I could write a book
Thank you very much to you and Trish Burr

Maria del Valle]]> 10450 Heather noreply@blogger.com http://independentneedleworknews.com 2008-09-19 21:49:00 2008-09-19 21:49:00 1 0
Either book would be of interest to me, personally. However, I would recommend (and personally prefer) option #2 because I think a good discussion of color is of use to all needleworkers, and even extends well outside needlework. Option #1 is much more specific to those who do crewel and needle painting work -- which, I admit, I love to look at but do not do much of myself (primarily because of the focus on using wool or wool-blend threads, as I am allergic to wool).]]> 10453 Patrice in Riverside, CA noreply@blogger.com 2008-09-19 13:02:00 2008-09-19 13:02:00 1 0 I'd be interested to see how this art can be taught from a book...it sounds like a huge challenge for the author!]]> 10458 martha mc noreply@blogger.com 2008-09-19 07:20:00 2008-09-19 07:20:00 1 0 10464 a_white_rosebud noreply@blogger.com http://www.blogger.com/profile/02118956827372683771 2008-09-18 16:56:00 2008-09-18 16:56:00 1 0
[wolfkit on lj]]]> 10468 sobti noreply@blogger.com http://www.blogger.com/profile/03275387984888184720 2008-09-18 13:36:00 2008-09-18 13:36:00 1 0 10469 Sarah noreply@blogger.com http://www.blogger.com/profile/05727234811174883846 2008-09-18 12:10:00 2008-09-18 12:10:00 1 0 10470 smallfarmer noreply@blogger.com http://www.blogger.com/profile/17446499005536295685 2008-09-18 11:52:00 2008-09-18 11:52:00 1 0 10471 Kshema Prakash noreply@blogger.com http://kshema-distancelibraryservices.blogspot.com 2008-09-18 09:56:00 2008-09-18 09:56:00 1 0 Coming to the colour combinations, the idea of Option#2 is very good. No doubt about it. But, once a person gets interested in the art and learns it fairly well, she is the best judge of her own colour combinations. Sure, the intended project would provide good help in making choices. Yet, I think colour combinations are a matter of sheer creativity and imagination for which guidance in available in nature abundantly.
These are my personal opinions. Please keep up your wonderful work. I have linked your NeedlenThread blog to mine (http://kshema-distancelibraryservices.blogspot.com) for my distance learners. I am sure they love it.
Kshema]]> 10475 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-09-18 09:23:00 2008-09-18 09:23:00 1 0
I've been working on trying to adapt photographic images to something I could stitch, and definitely finding that I could use some guidance.]]> 10477 grandma noreply@blogger.com http://www.blogger.com/profile/03139931429526853888 2008-09-18 06:47:00 2008-09-18 06:47:00 1 0 10484 Kathy ttime18@gmail.com http://www.blogger.com/profile/02070679712767699936 2008-09-17 17:10:00 2008-09-17 17:10:00 1 0 Kathy]]> 10485 Anonymous noreply@blogger.com 2008-09-17 15:16:00 2008-09-17 15:16:00 1 0 Sandy Breuer]]> 10491 kirti noreply@blogger.com 2008-09-17 11:24:00 2008-09-17 11:24:00 1 0 10492 Anonymous noreply@blogger.com 2008-09-17 06:54:00 2008-09-17 06:54:00 1 0 Beginner's Guide To Silk Shading or the Country Bumpkin A-Z of Thread Painting and of course the Sally Saunder's Royal School of Needlework: Embroidery Techniques. What I think is lacking is a good explanation and "how to" of color shading/blending particularly with the color challenged in mind!.
Sallie]]> 10493 Courtney noreply@blogger.com http://www.blogger.com/profile/13475318662505589743 2008-09-17 06:39:00 2008-09-17 06:39:00 1 0 10497 Ruut noreply@blogger.com 2008-09-17 04:12:00 2008-09-17 04:12:00 1 0
Long explanatory story:
When I began embroidering a year ago, the owner of a small independent crafts/yarn store helped me pick out thread colors for two separate projects. That lady had a real eye for color! She would take our choices outside into natural light and go through the threads color by color and shade by shade until I had the best combination for the project. Those combinations were stunning! (As were the colors from the leftover pile, the ones that were just a shade wrong for the project. She said that she was often inspired to start a project with someone else's color rejections.) Unfortunately, she moved her business online soon after I met her - there was not enough business for her to pay rent downtown. :-( (And nowhere else have I found her level of customer service, nor her eye for shades!)
Anyway, I realized how much I missed her help when buying a bunch of threads half a year later. I spent two hours going through colors and ended up with a cross-eyed headache! Nor was my selection anywhere near the delight and perfection of the lady's picks.

So anything to help with color blending would be greatly appreciated. I myself have not the patience or any natural talent for it.]]> 10530 Suzi noreply@blogger.com http://www.suzical.co.uk/blog 2008-09-15 07:54:00 2008-09-15 07:54:00 1 0
There are books out there that cover the basics and it would be great to see how to take this further!

I love the technique and have just signed up for a course at the Royal School of Needlework :)]]> 10531 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2008-09-14 23:11:00 2008-09-14 23:11:00 1 0 10534 Marian noreply@blogger.com 2008-09-14 18:28:00 2008-09-14 18:28:00 1 0
I would pick option #2, as I often try to visulaise how a project would look if I changed colours from those listed in the project sheet. But then I get a huge wave of indecision washing over me and don't start the project, just in case it looks 'wrong' and I dont like the finished piece.

Thanks to Trish for even thinking a book such as this would be useful.]]> 10539 Wendy Breezy1@gmail.com http://www.blogger.com/profile/06723942275341036308 2008-09-14 11:59:00 2008-09-14 11:59:00 1 0 10540 deep noreply@blogger.com 2008-09-14 10:54:00 2008-09-14 10:54:00 1 0 10542 AmerAmy noreply@blogger.com 2008-09-14 07:30:00 2008-09-14 07:30:00 1 0
I have a suggestion for the drawing. Number the posts in the order they are received and keep a container with numbers and draw a number each time then match it up with the number on the post.

Good luck everyone--this book looks awesome!]]> 10543 Anonymous noreply@blogger.com 2008-09-13 22:16:50 2008-09-13 22:16:50 1 0
Although a book on Color blending for Embroidery would be a great tool for us less than advanced embroiders - and who better to teach us than Trish Burr - doesn't your heart quicken just a bit when you hear the words "needle painting." Frankly, that's why I started embroidering recently - and why I've already joined my local embroiders' club, a club in the next county and the ANG and EGA chapters 45 miles away in Nashville. I want to create art and I truly believe you can do that through "needle painting.." Birds, flowers, animals........oh, I just can't wait! Trish Binkley]]> 10544 Laura Bullinger noreply@blogger.com 2008-09-13 22:14:00 2008-09-13 22:14:00 1 0 Hope you are fine and fully recovered.
To sell many books, Trish should publish #1 for beginners. It is, after all, newbies that purchase most technique books.
Color can be "shared" but not taught as a technique in the same way that stitching can be taught and practiced to perfection. Love of color is more of a gift and a talent. Besides all that, I have found it to be true that "taste" in color becomes refined as one climbs in age. Yes, that's right! The older we get, the better our color choices. As a Certified Color Consultant who thoroughly examines needlework, I can usually guess the age of the stitcher by the colors chosen for the project. The second book may have a limited readership as compared to the first book.]]> 10546 joanie mendenhall noreply@blogger.com http://quilterbyheart.spaces.live.com/ 2008-09-13 21:41:00 2008-09-13 21:41:00 1 0 10547 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-09-13 17:57:00 2008-09-13 17:57:00 1 0
However, since I am still new to needlepainting, I wold choose book #1, then search out a book like # 2 once I was comfortable with the basics.

How about a series?

ruth m.]]> 10548 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-09-13 16:53:00 2008-09-13 16:53:00 1 0
Of course, book 1 would also be very beneficial but I vote for book 2.

(and have all my fingers and toes crosses that my name comes out of the hat).

CA]]> 10552 Lori Northon noreply@blogger.com 2008-09-13 15:31:00 2008-09-13 15:31:00 1 0
Lori]]> 10554 breedasong noreply@blogger.com http://breedasong.livejournal.com/ 2008-09-13 13:26:00 2008-09-13 13:26:00 1 0 I think the first option would be best for me. I have a hard time with long and short stitch, I think a book like this will be good inspiration to keep practicing.

And also the second book is basic color theory, which can be found in a lot of basic art books. It isn't hard to apply the same info from paint color selection to thread color. sorry, that sounds kinda mean but its true.

Breeda]]> 10555 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-09-13 13:16:00 2008-09-13 13:16:00 1 0 What a wonderful surprise contest in the middle of the month. :-)
I would also vote for #2, because it can be used by all various forms of embroidery. And being visual, it can be referred to easily at any time.
Thanks, Shrenika.]]> 10557 JammieG noreply@blogger.com http://www.blogger.com/profile/02182157063327127832 2008-09-13 12:14:00 2008-09-13 12:14:00 1 0 Jammie VT]]> 10558 JammieG noreply@blogger.com http://www.blogger.com/profile/02182157063327127832 2008-09-13 12:09:00 2008-09-13 12:09:00 1 0 Jammie in VT]]> 10559 Anonymous noreply@blogger.com 2008-09-13 12:09:00 2008-09-13 12:09:00 1 0 but as a beginner I would probably buy no1 first just to see how it is done... and then find a way to give hints to get no2 as a gift !
Odette]]> 10560 georgia noreply@blogger.com http://www.blogger.com/profile/03210168285078264208 2008-09-13 12:02:00 2008-09-13 12:02:00 1 0 10561 Needleworker noreply@blogger.com 2008-09-13 11:46:00 2008-09-13 11:46:00 1 0 10562 Anonymous noreply@blogger.com 2008-09-13 11:15:00 2008-09-13 11:15:00 1 0 Sheila in CA]]> 10563 Marilyn noreply@blogger.com 2008-09-13 11:05:00 2008-09-13 11:05:00 1 0
Marilyn]]> 10564 Anonymous noreply@blogger.com 2008-09-13 10:37:00 2008-09-13 10:37:00 1 0 Pru (England)]]> 10565 Freda Butler noreply@blogger.com 2008-09-13 10:32:00 2008-09-13 10:32:00 1 0
Thank you Mary.

FredaB]]> 10566 Anonymous noreply@blogger.com 2008-09-13 10:01:00 2008-09-13 10:01:00 1 0 But my vote is for book one.]]> 10567 Anonymous noreply@blogger.com 2008-09-13 09:24:00 2008-09-13 09:24:00 1 0 10568 its_me_aanie noreply@blogger.com http://www.blogger.com/profile/06207258748244608529 2008-09-13 08:02:00 2008-09-13 08:02:00 1 0 Annie (Michigan)]]> 10569 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2008-09-13 07:26:00 2008-09-13 07:26:00 1 0 10570 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-09-13 07:20:00 2008-09-13 07:20:00 1 0 Annie]]> 10571 Anonymous noreply@blogger.com 2008-09-13 07:16:00 2008-09-13 07:16:00 1 0 10572 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-09-13 06:55:00 2008-09-13 06:55:00 1 0 10573 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2008-09-13 06:44:00 2008-09-13 06:44:00 1 0
I have bought a number of highly-rated color books, and I look at their suggested colors combinations and hate them all. What is wrong, I don't know. I love color, and some of the suggested color combinations in kits are wonderful, but when I try, I can't find the exact -whatever - to go with something else.]]> 10574 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-09-13 02:04:00 2008-09-13 02:04:00 1 0 10575 52X52 noreply@blogger.com http://www.blogger.com/profile/01977653186786832742 2008-09-12 22:09:00 2008-09-12 22:09:00 1 0 10576 CJ in KY noreply@blogger.com 2008-09-12 21:55:00 2008-09-12 21:55:00 1 0 Thanks for your great posts.]]> 10577 Debby noreply@blogger.com http://www.blogger.com/profile/15553586938135524416 2008-09-12 21:08:00 2008-09-12 21:08:00 1 0 10578 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-09-12 21:07:00 2008-09-12 21:07:00 1 0
Deepa]]> 10579 Pam noreply@blogger.com http://www.blogger.com/profile/06115757921248639285 2008-09-12 20:56:00 2008-09-12 20:56:00 1 0 10580 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-09-12 18:56:00 2008-09-12 18:56:00 1 0 I'm in favor of the second book on color. I think it would appeal to most because it is applicable to all sorts and types of stitching. I'm moving away from kits and find that after achieving an acceptable transfer of a design, the color choices are overwhelming. I'd also like suggestions on the type of thread best used to achieve optimal color blending, different threads for different effects, etc.
Thanks for the opportunity to weigh in!]]> 10581 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-09-12 16:20:00 2008-09-12 16:20:00 1 0 Both books seem to appeal to different skill levels, so I think Trish could keep herself busy for quite a while.]]> 10582 Paula Hewitt noreply@blogger.com http://www.blogger.com/profile/14420354497597866436 2008-09-12 16:10:00 2008-09-12 16:10:00 1 0 10583 Sarah noreply@blogger.com 2008-09-12 15:44:00 2008-09-12 15:44:00 1 0 10585 Romilly noreply@blogger.com www.stitchingwithashimmy.com 2008-09-12 14:32:00 2008-09-12 14:32:00 1 0 10587 Anonymous noreply@blogger.com 2008-09-12 14:09:00 2008-09-12 14:09:00 1 0
Option 2, please! and quickly! I can execute stitches fairly well but am overwhelmed by color choices. And it appears to me that the difference between a good project and great one---no matter how complex---is the color choice. So, yes, please teach me how to choose color. I've been wanting something like this and haven't found it, whereas I've got several books on stitches and have a sense of when to apply them.]]> 10589 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-12 12:55:00 2008-09-12 12:55:00 1 0
The skill was offered to be done in a custom manner by Tanya Berlin but she no longer seems to be offering it, and that was to do it herself, not teach you how to do it.

There is a quilt book that seems very popular for colour management (10 Sumptuous Quilts????? um) that has recently come out, and so Trish might find the fabric colour enthusiasts momentarily satisfied with that one (tho of course it takes awhile to write a book!)]]> 10590 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-09-12 12:33:00 2008-09-12 12:33:00 1 0
The Needlepainting Basics would help new enthusiasts,(like me with one project nearly finished, from a Dillmont design, colours all selected by myself, doesn't look too bad) and would probably also be bought by more experienced stitchers, so I think it would have wider appeal, and if I had to choose between the two, I think I would go for the Needle Painting Basics.

Of course if both were available, I would probably be tempted to abuse the Card of Credit and get both!

Just my 2p

Su (UK)]]> 10591 AmphipodGirl noreply@blogger.com http://www.blogger.com/profile/06713968079060622222 2008-09-12 11:52:00 2008-09-12 11:52:00 1 0 10592 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-09-12 11:52:00 2008-09-12 11:52:00 1 0 10593 Anna noreply@blogger.com 2008-09-12 11:24:00 2008-09-12 11:24:00 1 0 10594 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-12 09:00:00 2008-09-12 09:00:00 1 0 Color blending, later perhaps...

(i would like ask a question: what is the meaning of the word "crewel"? That word is always appearing in front of me!Dictionaries I have doesn't mention that word, only "crew" as old use the past tense of "crow" or people working on a ship...- this I already knew! Thanks!:)]]> 10595 Anonymous noreply@blogger.com 2008-09-12 08:51:00 2008-09-12 08:51:00 1 0 10596 jenni jenni.simplebeans@gmail.com http://www.blogger.com/profile/00385400502092186947 2008-09-12 08:09:00 2008-09-12 08:09:00 1 0 http://www.needlenthread.com/2008/09/it-came-it-came-and-wow-what-book-z-of.html Thu, 11 Sep 2008 06:48:00 -0500 Mary Corbet 615 2008-09-11 06:48:00 2008-09-11 06:48:00 open open It-Came!-It-Came!-And-WOW-What-a-Book!-A-Z-of-Goldwork-Review publish 0 0 post A-Z of Goldwork with Silk Embroidery recently published by Country Bumpkin! So excited, in fact, that just thinking about it gives me goose bumps! I want to tell you all about it, and tell you what I especially like about it!

This past summer, Country Bumpkin released a new book in the A-Z needlework series: A-Z of Goldwork with Silk Embroidery. I have lots of goldwork books - lots and lots, actually - but this one catapulted itself to the top of the list with the first read-through. When I first saw it, I was infatuated with it - but after reading it thoroughly twice, I think it's True Love!



First of all, like the other books in the A-Z series, this book is full of photos - over 650 step-by-step photos on different goldwork techniques and silk embroidery techniques. The bulk of the book is goldwork, and the instructions are written and photographed in a way that makes what is a more complicated embroidery technique accessible to practically any level of embroiderer.



What I especially like in the book:

1. The section on starting and finishing: there's a thorough going-over of different techniques for applique. The book details how to work the embroidery (for example, on a linen ground) then cut it out and apply it to ground fabric. This is really helpful, especially if you're interested in historical needlework or ecclesiastical embroidery. The photo instructions clarify different ways of achieving a professional finished edge.... very, very nice! I love this section.

2. The book covers thoroughly different methods of padding - another area of great use to the historical or ecclesiastical embroiderer. Padding over card, felt, and other material (such as string) is covered thoroughly.

3. Step-by-step pictures of S-ing with purls over pailettes... and S-ing in general.

4. Clear photos (and options) for couching twists.

5. And wow - a pretty thorough section on Or Nue, with side boxes of excellent tips for mastering this exquisite technique.

6. A thorough section on goldwork filling techniques.

7. A thorough section on different ways of working with purl - including all types of fillings and different stitches that can be worked with purl.



The book is full of information besides the above points, but those are the topics in the book that I like best.

There's a section at the front of the book that covers the different types of metal threads, as well as the tools necessary for goldwork. I've found this information in other books, too, but hey - it's nice to have all the needful information in one book!

Scattered throughout the book (in true Country Bumpkin fashion) are stunning examples of goldwork - photos that will make your mouth water!



In the back of the book, there's a nice design gallery, with instructions for the various projects featured there, from a beautiful golden butterfly, to a strawberry pincushion, to the gorgeous flower border that's featured on the cover of the book. There are several other designs and projects featured here, and they all have patterns, supply lists, and instructions. It's a great section for finding a good goldwork project if you're just delving into goldwork, or for getting the inspirational juices flowing, if you want to design you own project.

There's also a nice index in the back of the book, which is always helpful.

The section on silk embroidery covers the basics of silk work as it would be combined with goldwork - so you get individual stitches (reminiscent of stitch instructions found in other Country Bumpkin publications), and you also get techniques, such as silk shading. This is just a small section of the book, though, so don't expect in-depth information on techniques like thread painting. You'd find better information on that subject, for example, in the A-Z of Thread Painting, or in Clare Hanham's Beginner's Guide to Silk Shading. Still, the section in this book is useful, and it fits, because it addresses the typical types of silk embroidery often found with goldwork.



A little glitch in the book: on pages 10 and 11 there's a little editing problem. The instructions for making a velvet board (for cutting your metal threads) are repeated under the heading "how to prepare a sling" (for plunging threads). So the sling instructions aren't there, but Country Bumpkin has posted the instructions for making a sling for plunging threads on their website, if you're looking for them.

Final analysis: Golly. I love this book. It's at the top of my Favorites List! If you're considering venturing into goldwork for the first time, this is the book to have. If you've ventured into goldwork, but want to expand your knowledge of the art, this is the book to have. If you're an expert at goldwork... ok, fine, maybe you don't need it! But... it's a pretty darned good book for reference, I think.

Where can you find it?

You can find it through Country Bumpkin, but if you're in the States, the shipping is a bit pricey. Look for it in States through Wooly Thread. I'm sure there are other local needlework shops that will carry it, too, so ask your needlework shop if they have it or can order it for you.

I think this book is a good investment, if you have even the slightest interest in this type of embroidery. If I could combine all the enthusiasm that I've ever felt for individual books all together into One Big Gush of Enthusiasm, this would be the book I'd do it for!

If you don't have it yet, get it - or put it on your Christmas list!
]]> book review goldwork embroidery resources Inspirations Magazine silk 10588 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-09-12 14:04:00 2008-09-12 14:04:00 1 0 10599 Anonymous noreply@blogger.com 2008-09-11 20:28:00 2008-09-11 20:28:00 1 0
Thanks for the review!

-Christiana]]> 10600 Ginger in PA noreply@blogger.com 2008-09-11 19:26:00 2008-09-11 19:26:00 1 0
Didn't take long to arrive either

Ginger]]> 10601 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-11 19:20:00 2008-09-11 19:20:00 1 0 10603 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-09-11 16:23:00 2008-09-11 16:23:00 1 0 10604 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-11 15:28:27 2008-09-11 15:28:27 1 0
I do! I do like it!

(How did you ever guess?)

I suppose I may have overgushed on this one. But I DO like it!]]> 10605 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-09-11 15:08:00 2008-09-11 15:08:00 1 0 http://www.needlenthread.com/2008/09/breath-of-spring-embroidery-project-fun.html Wed, 10 Sep 2008 06:46:00 -0500 Mary Corbet 616 2008-09-10 06:46:00 2008-09-10 06:46:00 open open Breath-of-Spring-Embroidery-Project:-Fun-and-...-Done! publish 0 0 post

So here's the whole garden. The embroidery stitches employed in this project were all straightforward, easy stitches. The most difficult stitch was the bullion knot; otherwise, the project is worked predominantly in stem stitch, with lots of French knots (lots and lots of French knots), some blanket stitch, some long-and-short stitch, fly stitch, and straight stitch. That's about it, actually!



The whole project is relatively wide - about 16" wide, actually. It's supposed to make up the outside pocket of a large linen tote bag. Everyone who's seen it, though, seems to think it should be framed, and that it would only get ruined on a tote bag. I, on the other hand, am determined to finish the tote bag!



Racing towards the finish line this weekend, I had heaps of fun embroidering this little guy! He's a terrific grasshopper.



He's mostly worked in long and short stitch (the wings, the head, the lower body), and the front, jumpy parts of his back legs are long bullions. The skinny sections of the back legs are straight stitch, but because they were such long straight stitches, and since this is meant to be the outside pocket on a usable tote bag, I decided to anchor the straight stitches.

It is, in fact, the bugs that make this garden come alive, I think. Oh, don't get me wrong - I love the colorful grasses and flowers - but the bugs are the lively element.



There's this fellow, that I already wrote about at length. I love this little guy!



Then there are the little ladybugs, worked in fly stitch, satin stitch, straight stitch, and French knots.



I never did fix the one with the wonky dots. Should I? Methinks.... I probably won't.



Then there's the bee, that actually has really widely spaced eyes. I read somewhere (I think it may have been a Snapple fact!) that bees have 5 eyes. Mine just has two eyes, far apart.



Then there's this water-bug mosquito-eater thing. You can tell my entomological skills are rather lacking - I have no idea what this one is. It reminds me of those bugs that I used to see, as a kid, skidding across the top of Parker's Pond on frong-catching expeditions. It also reminds me of those really big mosquito-looking bugs that aren't mosquitos that we grew up calling mosquito-eaters, because they were such big mosquitos that we figured they ate small mosquitos. Hm.



This splash of brightness is probably the focal point of the garden - it certainly is the first thing you see. It's worked in a variegated thread, except for the markings, in long and short stitch.



This is the svelte side-view butterfly (I do like the white wings on the natural colored linen - they stand out!).



And this is the slightly overweight side-view butterfly, with the big head.

So those are the bugs - and here are some of my favorite garden views.



I like the combination of the cheery yellow, the bright green, and the blue flowers in this clump of flora.



And I like the thistle climbing the buttercup that points to the big butterfly...



And though it didn't receive much attention in the blogging of this project, I like the wispy grasses that fill out the garden.



I also like my garden from the side. The caterpillar looks ripe and pudgy, and I like all the wavy grasses.

So that's the project - 'twas great fun. If I can bring myself to tackle the construction of the tote it goes on, I'll be amazed. And you'll be the first to know!

But what do you think, really? Should it go on the tote, or should it go on the wall? Maybe everyone else is right...

My next project, already underway, is a small goldwork project that I'm giving to my niece as a wedding present. The wedding is in November, but I won't be there. Still, I'll send along a little symbolic something in goldwork. I'll show that to you eventually, but there's a story behind the piece, so I can't blog the whole thing right now. I think I can blog snippets, though, that don't show the whole design. I'll find out if I can, and if I can... welp. You'll be the first to know!

So - tote? Wall hanging? or tote? or wall hanging? Decisions, decisions...
]]> Breath of Spring pictures Inspirations Magazine needlework pictures 6464 Kirti noreply@blogger.com http://www.blogger.com/profile/12503740044107557069 2009-07-27 03:45:57 2009-07-27 03:45:57 1 0 9407 Anonymous noreply@blogger.com 2008-12-20 13:38:00 2008-12-20 13:38:00 1 0
Penny]]> 10449 crazypatch noreply@blogger.com http://carrementcrazy.zumablog.com 2008-09-20 07:28:00 2008-09-20 07:28:00 1 0 10459 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-19 07:05:46 2008-09-19 07:05:46 1 0
Shobha, Thanks for stopping in and for your comments, and also for the link to your art gallery. I enjoyed looking at the pieces! You're welcome to send along photos of your work. Just drop me an e-mail using the "contact us" link at the top of the website, and I'll write back. Then you can attach photos.

Thanks heaps, everyone!!! I'll give you a tote update in the future!

Best,
Mary]]> 10461 Shobha Nagendran noreply@blogger.com www.samkrut.com 2008-09-19 04:03:00 2008-09-19 04:03:00 1 0 10536 mcpheedes noreply@blogger.com http://www.blogger.com/profile/12539999390862912264 2008-09-14 14:00:00 2008-09-14 14:00:00 1 0 10607 Meeta V. noreply@blogger.com 2008-09-11 12:48:00 2008-09-11 12:48:00 1 0 10608 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-11 09:11:50 2008-09-11 09:11:50 1 0
I'm so glad you like the finished piece! I like it, too!! It was great fun to work.

Just a reminder - the pattern for this piece is in Inspirations Magazine, #56. I've had a couple requests to post the pattern - but it's not my pattern, so I can't help you out there. Your best bet, if you want to work this project, is to purchase the magazine. You can find it here:

Inspirations #56 You may also be able to find it through sources here in the US, such as Wooly Thread, or even on eBay.

Thanks for understanding!

Thanks, again, for the rave review. I'm still debating on the whole tote bag thing. I agree - I want to show it off. On the other hand, my sewing skills are not so hot, so I could end up with a lopsided, ugly tote bag!! Aaack.]]> 10609 Miss Nancy npagequilts@gmail.com http://www.blogger.com/profile/08174818350022498794 2008-09-11 08:37:00 2008-09-11 08:37:00 1 0 10611 Anonymous noreply@blogger.com 2008-09-11 07:41:00 2008-09-11 07:41:00 1 0
I knew I would fall in love with that grasshopper! He's fabulous!
-Jeannine]]> 10612 Flora flora.flowers.boo@gmail.com http://www.blogger.com/profile/17836989715340857264 2008-09-11 07:34:00 2008-09-11 07:34:00 1 0
I found this Web site very interesting.

http://handembroiderygroup.blogspot.com/

Am not sure if u knew this link already. It has lovely pictures of embroidery projects done by many embroiderers. Please follow through the "older posts" link at the bottom of the page to see more embroidery and crazy quilt works. works.

Thanks]]> 10613 Romilly noreply@blogger.com www.stitchingwithashimmy.com 2008-09-11 07:33:00 2008-09-11 07:33:00 1 0
So anyway, I vote tote bag. :)]]> 10614 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-09-11 07:08:00 2008-09-11 07:08:00 1 0
When the Japanese masters began to teach their embroidery to the West, they were bemused that we wanted to put everything into a frame. Their embroidery is done on kimono and obi and worn.

I love the bugs, they are all wonderful.

CA]]> 10615 backstitch noreply@blogger.com http://backstitch.wordpress.com/ 2008-09-11 05:43:00 2008-09-11 05:43:00 1 0 10617 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-09-11 01:22:00 2008-09-11 01:22:00 1 0 Congratulations on completing the project..its just gorgeous. I simply love everything about it - the bugs, the flowers and the wavy grass. :-)
Good to know that you are doing better now. Wish you good health.
Shrenika.]]> 10618 Judy noreply@blogger.com 2008-09-10 21:55:00 2008-09-10 21:55:00 1 0 10619 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-10 21:04:00 2008-09-10 21:04:00 1 0
One of my fav modern embroideries ever!]]> 10621 Anonymous noreply@blogger.com 2008-09-10 19:19:00 2008-09-10 19:19:00 1 0
It looks really great.

How long did it take you to work, beginning to end?

Can't wait to see more goldwork, and pieces with special meanings are always particularly wonderful.

Glad you're feeling better!
Christiana]]> 10623 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-09-10 18:20:00 2008-09-10 18:20:00 1 0 10624 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2008-09-10 18:02:00 2008-09-10 18:02:00 1 0 10625 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-09-10 16:47:00 2008-09-10 16:47:00 1 0 10626 Nancy noreply@blogger.com http://www.blogger.com/profile/04593052489885762225 2008-09-10 15:55:00 2008-09-10 15:55:00 1 0 10627 Paula Hewitt noreply@blogger.com http://www.blogger.com/profile/14420354497597866436 2008-09-10 15:38:00 2008-09-10 15:38:00 1 0 10628 aneri_masi aneri.masi@gmail.com http://www.blogger.com/profile/08363429426292603118 2008-09-10 15:27:00 2008-09-10 15:27:00 1 0 10629 52X52 noreply@blogger.com http://www.blogger.com/profile/01977653186786832742 2008-09-10 15:16:00 2008-09-10 15:16:00 1 0 10630 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-09-10 14:52:00 2008-09-10 14:52:00 1 0
Seriously, it turned out so beautiful and the bugs really do make it come alive.

Whatever you end up doing with it will be stunning I am sure. Can't wait to see how it ends up.

MGM]]> 10631 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-09-10 13:19:00 2008-09-10 13:19:00 1 0 10632 Flora flora.flowers.boo@gmail.com http://www.blogger.com/profile/17836989715340857264 2008-09-10 11:44:00 2008-09-10 11:44:00 1 0 http://www.needlenthread.com/2008/09/readers-question-on-using-scroll-frame.html Tue, 09 Sep 2008 13:19:00 -0500 Mary Corbet 617 2008-09-09 13:19:00 2008-09-09 13:19:00 open open Reader's-Question:-On-Using-a-Scroll-Frame-for-Ribbon-Embroidery publish 0 0 post

Nean left a comment under Embroidery Hoops and Frames Review, asking the following:

I am new at using scroll frames and am hoping someone can help me, as the frame I just purchased came with no instructions. My project really called for a 14 x 24-inch frame, but I could only find a 9 x 24 scroll frame. It has slitted dowels at the top and bottom. These are the 24-inch long pieces. The side bars are attached via wing nuts. I have slipped my linen into the top and bottom, revealing the middle of my project; however it never seems to tighten sufficiently and I'm also wondering if the split dowels won't snag my ribbon embroidery as I move it along? How do you attach your fabric? How do you keep scrolling it along? Any tips would be most appreciated! Thank you.

This is my answer (besides letting Nean know I would be asking you, too!):

My scroll frames have a canvas tape across the top (scrolling) bars. I attach my fabric to the tape, and then roll it as I progress. I use the wing nuts (which are usually more like three-pointed large plastic knobs for easy turning) to tighten the scroller bars after rolling the fabric.

I don't think we're using the same type of scroll frame, so I was hoping someone could help her out?

If you've used this type of scroll frame and can help us all out with a good tip, please leave a comment below!

Thanks heaps!
]]> readers questions needlework tools embroidery tips and tricks 10633 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2008-09-10 11:05:00 2008-09-10 11:05:00 1 0 10635 Sarah noreply@blogger.com http://www.blogger.com/profile/05727234811174883846 2008-09-10 07:48:00 2008-09-10 07:48:00 1 0 10637 Kim noreply@blogger.com http://www.blogger.com/profile/08691076996741336291 2008-09-09 17:09:00 2008-09-09 17:09:00 1 0
My grandmother showed me how to use the kind that just has a split in from the edges.

It requires you to use some sturdy cotton thread. Size 10 crochet cotton (aunt lydia from walmart worked for me). roll the fabric around the dowel ONE time in the opposite direction of what you intend to roll. You want the edge of the hem to touches the wrong side of the fabric. Then you run your cotton thread lengthwise, along the dowel and catch it through the slits and tie the ends together with a good knot, then roll your fabric back the other way. until you find the proper working surface and secure it with the wing nuts. This creates a crease in the fabric near the edge, and provides you with enough tension to get close to the edge.


I've also used the kind with the split dowel. Basically, that's pretty much the same method except no need of extra crochet thread/yarn. I sandwich the top hem of the fabric between the dowel sides, then roll the dowel sandwich over the top and toward me (basically the wrong side of the fabric will be over the top of the dowel. Then I roll until I get near where my work will be, secure it with the wingnuts, do the same with the bottom hem only turn it so the wrong side is on the outside rolled up toward and secure that side as well.

Just be sure you're able to get enough of the hem in the slit to essentially "catch" the fabric. The tightness of that first roll will be enough to keep the fabric secure on the dowels.

I really hope that makes sense.]]> 10638 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-09-09 16:46:00 2008-09-09 16:46:00 1 0
Although I have not uses a scroll frame like the one Nean describes, the Japanese embroidery frames have split dowels that sound the same.

When the fabric is passed between the dowels it is not pulled taught, you leave enough slack fabric to rotate the dowels so that the fabric wraps around the dowels and itself. This is what helps the dowels grip the fabric.

In Japanese embroidery we stitch cotton ends onto the silk and thread this through the dowels, this is so we do not have to uses more of the expenses silk than necessary and, second, so that the dowels do not damage the expensive silk.

I don't think that the smaller frame will be suitable for Nean's SRE unless the SRE is confined to the centre of the design. If the SRE is threaded through the dowels and wrapped around them it will be crushed.

I hope this helps.

CA]]> http://www.needlenthread.com/2008/09/monogram-for-hand-embroidery-celtic-b.html Tue, 09 Sep 2008 06:30:00 -0500 Mary Corbet 618 2008-09-09 06:30:00 2008-09-09 06:30:00 open open Monogram-for-Hand-Embroidery:-Celtic-B publish 0 0 post

If you check out the post on the celtic A monogram, you'll find some stitching suggestions for this set of monograms.

Here's the small version of the B:



And here's the large version:



For more monograms for hand embroidery, feel free to visit my Index of Monograms.

Enjoy!
]]> free embroidery patterns monograms 10602 Allie noreply@blogger.com 2008-09-11 18:11:00 2008-09-11 18:11:00 1 0
I just stitched the A on a piece that's going to end up a pillow-Goldwork on a red fabric-and I'd appriciate the E sometime soon...thank you so much!

Thank you!]]> 10616 Marian noreply@blogger.com 2008-09-11 01:43:00 2008-09-11 01:43:00 1 0
Thank you for the Celtic Alphabet, I am eagerly awaiting the letter M, or course but I am happy to wait.]]> 10646 Flora noreply@blogger.com www.florascolors.blogspot.com 2008-09-09 08:08:00 2008-09-09 08:08:00 1 0
I have downloaded all the monograms u have provided on your web site. Thanks for giving suggestions on stitches to be used to embroider the monograms. I have planned to stitch "F" on my handkerchief. Waiting for it. :-)]]> 10647 Flora noreply@blogger.com www.florascolors.blogspot.com 2008-09-09 06:47:00 2008-09-09 06:47:00 1 0
Am an ardent follower of your website. I love all your embroidery works. As a lover of embroidery I feel drawn to your embroidery. Looking forward to see more and more of your works. Your website looks very organized. Love your writing too....]]> http://www.needlenthread.com/2008/09/needlework-inspiration-or-inspirational.html Mon, 08 Sep 2008 06:49:00 -0500 Mary Corbet 619 2008-09-08 06:49:00 2008-09-08 06:49:00 open open Needlework-Inspiration---or-Inspirational-Gluttony? publish 0 0 post

These are in completely random disorder. About halfway through my glut on needlework sites, I started keeping a brief list of sorts, to see where things took me!

I always like to pop in at Jeanne's blog, Just String, and this week - oh boy oh boy - she's got some photos up of some gorgeous embroidery, including whitework, drawn thread, shading techniques, and even ecclesiastical embroidery. I was thrilled to see her post on Marion Scoular's Royal School of Needlework experience. If you haven't seen these photos yet, do stop in and look at them. You'll be impressed.

Last week, Maria del Valle posted a link to a website called Randa - Handmade Lace. Now, I like lace. I do - I admit it - and I love netting. Filet lace, filet guiperre - oh, they make me shiver. I'm not a "lacer" myself by a long shot, but I'd like to be. I particular like this white point lace (hand-made netting) with the filet flowers. I can't wait to see what it turns into. The flowers, if you look close, are worked in two different techniques of filet (which is more like weaving than embroidery). The middle is the simple over-under-over-under type of filling that doesn't cross back into itself, as "real" filet filling does. The two on the sides are the "original" filet filling technique. I need to show this to my mom! She's bent on taking up filet lace (the real stuff - not crocheted), but I keep trying to explain specifically these two different techniques to her. I prefer the flowers on the sides. She thinks all filet lace is worked as the flower in the middle!

While you're visiting Maria's blog, if you haven't seen it yet, you absolutely must take a look at this masterpiece - her Angel in blackwork. I never visit her website that I don't go look at that. I think it's an amazing piece of work, and ever-so-enchanting.

Allison Aller is possibly the busiest needleworking gardener (gardening needleworker?) I've ever seen. If you aren't familiar with her blog, Allie's in Stitches, you should be - it's a source of inspiration for the needleworker in every regard. Her focus is generally crazy quilting, but even if you aren't a crazy quilter, you will appreciate her use of color, stitch variety, tutorials, and all else. And then... there's her garden. I don't know about the rest of you, but to this Kansas corn-dweller, that garden looks like something akin to Paradise. If you haven't seen Allie's Spring CQ, you need to take a look at it - it's vibrant and colorful and really detailed. Squiz through her posts on that piece to see up close the various details. Um... I wasn't quite sure about the whole burner bag thing, but... ok. I'm kinda glad to see you spring back to the flowers, there, Allie!

Elmsley Rose has been plugging away at a sampler using historical embroidery techniques and elements. The whole sampler has a 16th / 17th century look to it, and she's using all kinds of exciting threads and such to work the piece. It will be fun to watch this develop! I loved the recent snail photo she posted, and the link to the tutorial, which comes from the Floss Box, via Paula Hewitt's website, The Beauty of Life. Paula has an excellent list of stumpwork tutorial links on her site - if you haven't seen all these resources, you should check them out! They're a grand source of inspiration and a great place to get started if you've ever wanted to give stumpwork or dimensional embroidery a try.

While you're at the Floss Box, if you have an inclination towards counted thread techniques and like biscornu, do check out Emily's biscornu pattern page - there are some neat ones on there, in PDF, for download.

I love following the goings-on at Plimoth Plantation! The jacket is really coming along, and if you haven't seen the post about Playing with Sparkle, you should! The combination of lace, gold, and color is mesmerizing. And it doesn't help when they post links about handy-dandy organizers and such. Via the Embroiderers' Story at Plimoth Plantation, I ended up looking at this Travis Case at Creative Imaginations - a really perfect-looking storage box for needlework supplies. While I was squizzing around looking at sources for this box, I came across a dressed-up version of the Travis case. This one is perhaps a bit too dressed up for my tastes, but it's nice to know the box can be embellished.

Though I'm a bit perturbed with Wooly Thread right now because I still haven't received my goldwork book (I know it isn't their fault! They actually have very good service and are an excellent shop!), I must mention that I was excited to see that they have some back issues of Inspirations on sale right now, particularly Inspirations # 33. This is a "rare" issue, selling through CB at $60 / copy. Wooly Thread's selling it for $8 + $2 shipping. This is the issue that has Jenny McWhinney's gorgeous camels in it. I want this issue. But I can't have it right now. It's really weird to think that I can't even spend $10 on embroidery goods right now. (Daunting medical bills... I mean, I gave them my gall bladder - you'd think they'd pay ME!) But you know, denial is actually a good thing sometimes! It builds character, I think. We can't always have what we want, and that is a-ok. But I hope someone else can buy it and enjoy it! And if you ever make the camels, I want photos!

Sharon Boggan at the In A Minute Ago blog has posted another list of links to other great textile-related blogs. These lists of blogs get me in trouble. I could spend lots of time meandering through them all! She's already done A through J, so if you're looking to spend some really long hours online, check out her blog lists. Better yet, though, check out her Diamond Block crazy quilt and her tips for finishing projects. Even better yet, though, I clicked under one of the diamond blocks and ended up at Sharon's picasa photo page, where... well... yes. I got a bit lost looking at detail after detail after detail of some really pretty stitching. This particular embellished block is really pretty - I've seen it often, but if you haven't seen it, you should! And finally, best yet, Sharon offers online classes. I've never taken one, but I've heard from people who have, and they say they learn so much, and they really love them. One of the classes she offers is called Sumptuous Surfaces, which is a perfect name. When I think of Sharon's embroidery, that is precisely what I think of. If you want to see what they do, Sharon provided a link to her students' needlework projects on Flickr.

Alicia in Hawaii is doing crewel work! Yippee!! She's got a stash of medici wools she's putting to good use, and I can't wait to see how her Tree of Life design develops. If you haven't seen her various wristlet projects, you might want to check those out - they're neat step-by-steps on creating this little wrist bag that is just so cute. I love the one made with the pinks and greens in the middle picture. *Sigh* I have got to learn to sew better.

Mary Grace McNamara at Hooked on Needles has been posting lots of video tutorials on knitting. I don't knit. I might try some day, though, and when I do, I know where to go for tutorials. The one that caught my eye this past week was on adding seed stitch to your knitting. I'm probably knot saying that right. (Yes, that was on purpose...) Anyway, I'm a huge fan of seed stitch in embroidery, and I think I rather like the look of it in knitting, too. Some day, I might learn to knit. Maybe I'll put that on the list, after learning to sew better. Anyway, MGM has a whole list of video tutorials developing - I like the ones on knitting and crocheting especially. Some day, I may take up those kinds of needles and threads...

JoWynn at Parkview 616 always has something pretty to look at on her website. Lately, she made a card for her friend Gina, and it's stunning! On Gina's card, JoWynn laid down a background of gold lattice, and then, in the monogram "G", she worked a colorful selection of embroidered flowers. Take a look! This is no "Hallmark" card - it's a real, true, sincere, meaningful, and beautiful greeting masterpiece!

I was sad to hear about Carol-Anne's recent mishap, and I hope she's stitching again soon. At Threads Across the Web, you will run into some of the most delightful goldwork and Japanese embroidery and other kinds of embroidery and neat needlework stuff and other interesting pictures and ... and... well. It's a favorite stopping point for me! I'm closely monitoring Carol-Anne's Karahana project. What could be more stunning than goldwork worked on a red background? It's so beautiful! If you're new to the needlework blogging scene and haven't seen Carol-Anne's Flutterbies, you might want to check them out. Even if Japanese embroidery isn't your particular fancy, these butterflies will impress you! I remember the first time I happened upon Threads Across the Web - Carol-Anne was working on the first blue butterfly. It's been a heap of fun watching her projects progress!

Another stop I made yesterday was Hooroo Christine's blog, Lady Jane's Journal. I know that's not really your name, Christine, but for some reason, that's how I think of you! Christine recently ventured into this piece of cutwork and needlelace, and I like it. I like it A LOT. I love the colors, the stitches, the design of the needlelace. My prob is that I see things like this and it makes me say, "Oh. Yes. I want to do some of that..." There isn't TIME to do everything I see that I like!

See what happens when you spend time squizzing around like this? Inspirational Gluttony can be rather hard on the system, you know.

But I'm not quite finished....

Where else did I go on my binge? Let's see...

I visited Deepa's blog, This and That, where I scrolled through her various tutorials on different techniques of Indian embroidery. I especially like this Pachis work, and the tutorial on kamal kadai. I think, in both techniques she demonstrates, it's the red that gets me. I love the flower in the kamal kadai tutorial!

And I jumped over to Wormspit, to finally look at those silk reeling videos. Neat stuff! It blows my mind how silk is spun and dyed and everything else, just so that I can enjoy stitching with my favorite fiber.

Finally, to top off my gluttonous overload, I ended up at Stitchin Fingers. I started off at my page on Stitchin Fingers (I have no idea what my page looks like when I'm not me looking at it)... then I moved on to everyone else's - and all the interesting discussions - and looking at everyone's photos. I ended up seeing too much. I had to shut down. It was like over-indulging on a super-rich dessert! To state the obvious: there are heaps of super-dee-duper talented people out there!

Creativity is a great gift! While I'm an advocate of the rule "moderation in all things," I think creativity is something worth indulging in! So, thanks, all you creative people out there, for the hours (H-O-U-R-S) of indulgence! 'Twas fun, and just what the doctor ordered. I'm heading back to work today. I finished Breath of Spring, by the way, so I suppose I may as well go back to work! I'm looking forward to getting back into a productive routine (of sorts)...

Enjoy the week!
]]> embroidery links needlework websites 10643 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-09 09:09:34 2008-09-09 09:09:34 1 0
Thanks for the comments, all!]]> 10644 Carou noreply@blogger.com http://takateferunblog.canalblog.com/ 2008-09-09 08:28:00 2008-09-09 08:28:00 1 0 10645 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-09-09 08:20:00 2008-09-09 08:20:00 1 0 This is a "rare" issue, selling through CB at $60 / copy. Wooly Thread's selling it for $8 + $2 shipping. This is the issue that has Jenny McWhinney's gorgeous camels in it. I want this issue.

Hey! I actually STITCHED those camels... twice! Made the blanket for my bellydance troupe director, and an individual camel each for the troupe members... Unfortunately the photos were a casualty of my sister's divorce, and most of the troupe is no longer together... but maybe I can get new photos of parts of it... :( They really ARE beautiful, though.]]> 10648 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2008-09-09 00:13:00 2008-09-09 00:13:00 1 0 10649 Adriana Ortiz aortizroes@gmail.com http://www.blogger.com/profile/13577943938327362819 2008-09-08 21:36:00 2008-09-08 21:36:00 1 0 And a special thank for your words about my lace randa.
Regards,
Adriana]]> 10650 Colleen formerly of South Africa colleeneskridge@hotmail.com http://www.blogger.com/profile/07642449499720643720 2008-09-08 20:48:00 2008-09-08 20:48:00 1 0 10651 Anonymous noreply@blogger.com 2008-09-08 20:43:00 2008-09-08 20:43:00 1 0 Well, days anyway.

Yippee!

Thanks for the treasure map!!!

-Christiana]]> 10652 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-09-08 19:48:00 2008-09-08 19:48:00 1 0
Thanks for all the great links. It will be fun to peek into each one and see what everyone's doing. And thanks so much for the mention of my site too. I know you'd be a good knitter. Maybe when you come out to visit the Plimoth jacket, you could stop in for a one-on-one knitting lesson! It would be my pleasure.

MGM]]> 10655 cq4fun noreply@blogger.com http://cq4fun.livejournal.com/ 2008-09-08 18:01:00 2008-09-08 18:01:00 1 0 10658 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-09-08 10:11:00 2008-09-08 10:11:00 1 0 A kiss

Maria del Valle]]> 10659 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-09-08 07:46:00 2008-09-08 07:46:00 1 0 Thanks for the mention - you are my inspiration for the tutorials.
Regards,
Deepa]]> 10660 Anonymous noreply@blogger.com 2008-09-08 07:43:00 2008-09-08 07:43:00 1 0 -Jeannine]]> http://www.needlenthread.com/2008/09/monogram-for-hand-embroidery-celtic-s.html Sun, 07 Sep 2008 06:25:00 -0500 Mary Corbet 620 2008-09-07 06:25:00 2008-09-07 06:25:00 open open Monogram-for-Hand-Embroidery:-Celtic-S publish 0 0 post

You can find stitching ideas for this monogram pattern on the page with the "A" on it. If you have any ideas for good embroidery stitches for this monogram set, please don't hesitate to share them!

Here's the small S:



And here's the larger version:



For some reason, I really like the smaller version of this alphabet better, but in case you have some project that requires a Really Large Celtic letter, there you have one!

For more monograms, please don't hesitate to visit my Index of Monograms for Hand Embroidery!

Enjoy!



]]> free embroidery patterns monograms 8598 SB&amp;C noreply@blogger.com http://www.blogger.com/profile/04415560552340929182 2009-02-23 19:13:00 2009-02-23 19:13:00 1 0 10662 its_me_aanie noreply@blogger.com http://www.blogger.com/profile/06207258748244608529 2008-09-07 19:07:00 2008-09-07 19:07:00 1 0 I hope you had a wonderful day! Thank you so much for the S...it's beautiful. I so appreciate your site and all you do!
God Bless You,
Annie (Michigan)]]> 10663 Edna noreply@blogger.com http://www.blogger.com/profile/12226701086606628322 2008-09-07 17:35:00 2008-09-07 17:35:00 1 0
One Hundred Thirty Antique French Embroidery Alphabets by J.F. & F.A Shepard

http://www.amazon.com/Hundred-Thirty-Antique-Embroidery-Alphabets/dp/1439206007/ref=sr_11_1?ie=UTF8&qid;=1220132833&sr;=11-1]]> http://www.needlenthread.com/2008/09/embroidered-bugs-perfect-touch.html Sat, 06 Sep 2008 11:16:00 -0500 Mary Corbet 621 2008-09-06 11:16:00 2008-09-06 11:16:00 open open Embroidered-Bugs---The-Perfect-Touch publish 0 0 post

I've managed to add a few more stitches to my Breath of Spring project - and among them is this little fellow. He cracks me up.



After I stitched him, I was pretty pleased, though some of the bullions are a bit wonky in the middle. But he is just too cute. I love his little legs.

His body is made up of bullion knots in alternating yellow and red, and his head is satin stitched in black, with French knots for the (rather large) eyes. His legs are little black straight stitches.



I was observing with pleasure his colorful addition to the garden, when my sister stopped in. After expressing her approval, she told me a story. You see, my sister is a kitchen-garden-fresh-food-and-veggies fanatic, and each year, she plants an elaborate kitchen garden. To keep fresh herbs handy for cooking, she has a line of small clear vases on her kitchen counter, in which she places bundles of fresh parsley, basil, and whatnot from the garden.

She noticed a small caterpillar on some of her inside parsley one day, but decided to leave it there to see what it would do. While I pictured caterpillars in her soup, she continued to tell me how the thing, over several days, molted, then molted again, getting bigger, changing colors, and on and on.

The very day of her visit, she had been working at the sink when her gaze fell on her vase of parsley. It was moving and shaking! Low 'n behold, the caterpillar (which had originally been the size of a tiny inch worm and now was progressing towards finger-sized) was wriggling about in great consternation. Then - bam!

It's skin popped off and hit the counter! (I don't really mind my inanimate caterpillar...)

Within a short time, it had worked itself into a kind of question-mark shape, and had formed around itself a chrysalis - the recognizable chrysalis of a swallowtail butterfly. I thought that was pretty neat.

I know my caterpillar can't compare with the swallowtail that will eventually emerge on the salad on my sister's counter - and in fact, unless the colors run, my caterpillar won't morph into anything else...



...but I still think, as caterpillars go, he's pretty swell.
]]> Breath of Spring pictures Inspirations Magazine needlework pictures 10620 Anonymous noreply@blogger.com 2008-09-10 19:22:00 2008-09-10 19:22:00 1 0
Your sister sounds just like my aunt. Just the other day she tricked me into holding a chrysalis with the inhabitant writhing vigorously. EWWWW!

I like my bugs better embroidered.
:-)
Christiana]]> 10664 Anonymous noreply@blogger.com 2008-09-07 14:28:00 2008-09-07 14:28:00 1 0 Jaci]]> 10665 Laura Bullinger noreply@blogger.com 2008-09-07 13:07:00 2008-09-07 13:07:00 1 0 10666 Anonymous noreply@blogger.com 2008-09-07 09:39:00 2008-09-07 09:39:00 1 0 -Jeannine]]> 10667 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-09-07 01:36:00 2008-09-07 01:36:00 1 0 10669 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-09-06 16:02:00 2008-09-06 16:02:00 1 0 Also, I think the thistle looks quite realistic and more natural stitched randomly as you have done it.]]> 10671 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-06 15:27:24 2008-09-06 15:27:24 1 0
Sorry to hear about your mishap, and I hope you're back on your feet and threading up soon!]]> 10672 Meeta V. noreply@blogger.com 2008-09-06 14:20:00 2008-09-06 14:20:00 1 0 Lots of hugs!
-Meeta]]> 10673 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-09-06 12:41:00 2008-09-06 12:41:00 1 0
I love your caterpillar and your sister's story especially the bit where bam! - It's skin popped off and hit the counter!

This and 'content in all his bullion-knot-pudginess' made me smile. If I can't stitch, I can at least enjoy hearing what my cyber friends are up to thanks to blogging.

CA]]> http://www.needlenthread.com/2008/04/embroidering-with-purpose-and-more-gilt.html Fri, 18 Apr 2008 19:13:00 -0500 Mary Corbet 622 2008-04-18 19:13:00 2008-04-18 19:13:00 open open Embroidering-with-Purpose-and-More-Gilt-Sylke-Twist publish 0 0 post

I'm making a gift for my sister, and I've been so slow about it. I can't seem to concentrate on the piece, because I'm in the middle of doing heaps of bullion knots. I know when I get the bullions done, I'll be more enthused about it!

The current project I'm working on is called "Breath of Spring" - it's a large striped linen bag with an outside pocket that's embroidered, and it was featured in Inspirations Magazine #56. If you follow the link there, you can "flip" through the magazine and find the striped linen bag. Strangely enough, in the photo, it looks like there are blue flowers on the piece, but there aren't!

This is the first Inspirations project I've ever done as a whole. I like to take ideas or patterns from Inspirations and use them on little things, but I've never actually worked a whole project. So this is a first, and I have a month to finish it.

That's what I'm up to, project-wise. Here are some photos of the parts I've finished, which, as you can see, isn't a whole lot. I've taken liberties on some parts...



Some embroidered butterflies...



Some embroidered bugs...



And some shamefully MESSY bullion knots...

Aside from "embroidering with purpose" tonight, I'm also reveling in the fact that I got the rest of the Gilt Sylke Twist colors: dark blue, purple, and yellow.

Hedgehog Handworks carries all colors (but they don't have the green in stock right now), and they're charging $19.80 / spool, which is the least-expensive price I've seen so far. Admittedly, they get you a bit on shipping (almost $15 for 6 spools of thread?), so it all evens out.

The yellow is actually a VERY nice, mellow gold, and with the gold wrapped around it, it really gleams. It will be perfect for ecclesiastical embroidery. I'm generating ideas and will probably be turning them over in my head the whole time I'm stitching. I'm thinking wheat. And that brings to mind the bullion knots I must finish tonight. Aaack.

I wonder how GST will do, stitching bullions?
]]> Breath of Spring ecclesiastical embroidery Gilt Sylke Twist personal Embroidery Projects pictures Inspirations Magazine needlework pictures 11007 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-13 13:58:01 2008-08-13 13:58:01 1 0
It's the project I just pulled out last night - so I'm still working on it! It's very pretty. I'm definitely planning on making the bag, since I bought the kit and have the stuff!

MC]]> 11008 Meeta V. noreply@blogger.com 2008-08-13 13:50:00 2008-08-13 13:50:00 1 0 11965 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-19 15:58:47 2008-04-19 15:58:47 1 0 11967 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-19 15:56:09 2008-04-19 15:56:09 1 0 11969 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-19 14:32:00 2008-04-19 14:32:00 1 0 11971 marjo noreply@blogger.com http://www.blogger.com/profile/09967479588496745534 2008-04-19 13:38:00 2008-04-19 13:38:00 1 0 11973 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-18 23:34:20 2008-04-18 23:34:20 1 0
I just realized when I sat down to embroidery with purpose that there IS blue in the design - and actually quite a bit. Little clusters of blue forget-me-nots!

Funny I never noticed them before!]]> 11975 EmbroideryMachinesForSale noreply@blogger.com http://embroiderymachinesforsale.net/ 2008-04-18 23:03:00 2008-04-18 23:03:00 1 0 http://embroiderymachinesforsale.net/]]> http://www.needlenthread.com/2008/08/breath-of-spring-surface-embroider.html Sun, 17 Aug 2008 08:58:00 -0500 Mary Corbet 623 2008-08-17 08:58:00 2008-08-17 08:58:00 open open Breath-of-Spring---a-Surface-Embroider-Sampler-of-Sorts? publish 0 0 post finishing the whitework on the linen pouch, and doing whitework monograms on the embroidered guest towels this summer, I decided it was time to dig out something colorful to embroider! Better yet, something colorful that was already set up...

So, I took out "Breath of Spring," a project from Country Bumpkin's Inspirations Magazine, issue #56. I mentioned this particular project previously, when I was planning to finish it as a gift. But, you know, time just got away from me! So I've picked it up now, to (hopefully) finish relatively soon (boy, doesn't that sound non-commital!!??)



There are lots of things I like about this project!! For one thing, it's Colorful. Some of threads, when seen in isolation, might not strike you as Super Colorful, but when taken as a whole project, the colors are pretty varied, and very pretty!

Another thing I like is that the project employs a variety of stitches, so you never really get bored doing the same old stitch over and over again.

Finally, each separate element in the design is small enough to handle in one sitting, more or less. And once I near the completion of one little element, the excitement builds to move on to the next!

Overall, the piece is easy enough - I'd think any moderately advanced beginner could work it, as long as you had a good stitch dictionary (although I think the stitches are covered in the issue of the magazine...) But there are no really "advanced" techniques - the hardest stitch in it is the bullion knot. But this isn't to say I'm not learning anything as I work the project, because I am! Let me show you some close ups here, and tell you a couple things I've learned along the way.



This is the left side of the piece - the bell-shaped flowers are supposed to be foxglove. The butterfly is a duplicate of one on the right side of the piece. I like the one on the right side Much Better. Now, you might wonder how that could be, if they are duplicates...



This is the one on the left side (seen in the photo above). It's the second of these twin butterflies that I worked. I followed the directions on this one to the "T" - and I used 4 strands of floss on the bullion body and French knot head. For the most part, the whole design is worked in one strand of cotton. But this butterfly's bullion body called for 4 strands.



On the first one I worked, I didn't think 4 strands was quite the thing, so I worked the bullion in one strand - and I tapered the end, down to a longer straight stitch. As far as butterflies go, I think this one looks quite a bit more delicate and butterfly-ish. The one above (on the left side of the design) looks chunky and bulky and thick. I may go back and alter that, but I'm not sure if I dislike it that much!



The parts of the piece that catch the eye first, I think, are the buttercups. They're two shades of yellow.



They're worked in a closed buttonhole on the outside of the petal, and then long-and-short-stitch filling, to add the darker shading in the middle.



I like the side-view buttercups, too. There's just something about bright yellow flowers that's so cheeeeeery.



Ok, I love the lady bugs. But I really flubbed this one up! I'm definitely going to take out the French knots and re-work them. I have no excuse - just sloppy stitching at that point. Three of them look all cock-eyed and silly. I'll take those out and re-work them.

The ladybug bodies are stitched in closely worked fly stitch, which forms a seam down the body between the wings. I like that! Clever thinking on the designers part, methinks. The little head is just a few satin stitches.



I'm a little confused about these fellows.



And the more I work of them, the more confused I get. I like them.... but on the instructions, they are listed as "white flowers," and I checked and double-checked my labeling on my threads to see if I made a mistake. They aren't really what I'd call "white flowers"! I think the colors are pretty. But they sure aren't white. They remind me of baby shower butter mints.



And finally, worked here and there among the flowers are these clusters of forget-me-knots. I jumped in to work a few, so I could see how the blue sets things off. I like them! They'll have a little French knot in the middle of them when they're finished.

I'm really enjoying working this piece! The only drawback I've encountered so far is some of the thread used in it. I purchased this as a kit from Country Bumpkin, so all the threads came with it, although they did make some substitutions for threads they didn't have on hand. The substitutions were ok, and I have no problem with tje idea of substitutions at all. But I didn't like some of the threads in the kit, which is unusual.

This piece calls for some over-dyed threads from House of Embroidery (of South Africa). I have never used their silks (they hand-dye silk and cotton), but I'm not very impressed with their cottons! I love the colors - they're really nice. But the thread itself - a 6-stranded embroidery cotton - pills, snags, frays, and knots a lot. After using about a 16 inch length, I finally cut back to 12 inch lengths, because the thread was just falling apart. Strangely enough, though, not every color did so. The foxgloves (the bell flowers on the left) didn't, but they were worked in larger stitches, and not small stitches that required a lot of passing through the fabric, so perhaps this made the difference. But the the thread used on the wheat and the grasses definitely did. I don't like cotton threads that pill up and shred apart. But maybe I'm just being picky?

I'd love to know if anyone else has used this particular brand of thread, and if so, if you've had similar experiences - or if maybe I'm just doing something wrong. I switched to a larger needle, too, so that there wasn't as much contact between the fabric and the thread. That helped a little bit, but not much.

So that's my colorful project right now. I've got it set up on a stretcher bar frame, and I'm using my Needlework System4 floor stand. When I have time after work, it's all there, just waiting... a perfect palette of colored embroidery bliss! Ahhhhh......

I have two more projects I'm dying to set up before Labor Day weekend, so that I have projects to work on during the first semester of the school year without having to set aside large chunks of time for design and set-up work. So ... here's hoping! I'll keep you posted!

Enjoy the rest of the weekend!
]]> Breath of Spring Embroidery Projects threads pictures Inspirations Magazine needlework pictures 10940 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-08-19 01:45:00 2008-08-19 01:45:00 1 0 10943 Laura Bullinger noreply@blogger.com 2008-08-18 17:16:00 2008-08-18 17:16:00 1 0 10945 Anonymous noreply@blogger.com 2008-08-18 15:41:00 2008-08-18 15:41:00 1 0
One of my favorite things about hand embroidery is the diversity. You can never get bored!

Are you enjoying stitching the bugs? I haven't stitched a bug yet, but I want to try. I think I'll start with your ladybug. She's so cute!
Christiana]]> 10951 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-18 07:21:01 2008-08-18 07:21:01 1 0
Maybe!

Funny, Ruth! You can be me when you grow up, if you want...! I think, actually, you might have to grow "down" a little bit, rather than up! But it's not necessarily always as fun as it looks!! ;-)]]> 10953 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-08-18 06:39:00 2008-08-18 06:39:00 1 0

As always--a wonderful job. I want to be you when I grow up! Think I can make it? I am only 4 (decades!)

Ruth M]]> 10959 Marian noreply@blogger.com 2008-08-17 18:10:00 2008-08-17 18:10:00 1 0
I think the flowers referred to as 'white flowers' maybe Queen Anne's Lace also known as Cowslip in England.]]> 10961 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-08-17 16:45:00 2008-08-17 16:45:00 1 0 This is lovely and the stitching and colours are wonderful. I can imagine stitching time on htis piece has you feeling revitalised. Every so often one needs a good injection of colour.
I have a few Inspirations mags and must go see if I can find the article.]]> 10962 Anonymous noreply@blogger.com 2008-08-17 16:40:00 2008-08-17 16:40:00 1 0
Anywho, I like the piece a lot and I can't help but feel better at knowing that even you flub a French knot or two now and again, Mary. :)
-Jeannine]]> 10963 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-17 15:55:00 2008-08-17 15:55:00 1 0 10964 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-08-17 15:30:00 2008-08-17 15:30:00 1 0 I havent used HofE stranded cotton, but i have used their perle cotton which I found good to use (and great colours) - no problems with it. maybe you got a bad batch - Id let Country Bumpkin know - because their kits arent cheap so., non I dont think your being picky at all!.
ps - i liked you last white on white project, but never got around to commenting, sorry!]]> 10965 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-08-17 15:03:00 2008-08-17 15:03:00 1 0 http://www.needlenthread.com/2008/08/few-more-stitches-on-breath-of-spring.html Thu, 21 Aug 2008 06:00:00 -0500 Mary Corbet 624 2008-08-21 06:00:00 2008-08-21 06:00:00 open open A-Few-More-Stitches-on-Breath-of-Spring publish 0 0 post

When I last posted photos for this project called "Breath of Spring," I hadn't quite finished the French knot flowers that look like butter mints. But I finished those up late last night, and you know what? I really like them!!

I'd say I'm a little more than half finished with the piece:



The little blue forget-me-nots stand out a lot more than I realized they would. I'm not quite so keen on the really dark undersides of the foxglove (the bell-shaped purple and yellow flowers on the left), because they Really seem to stand out. But ... I still like them!



This is my favorite section so far - I like the butter mint flowers and the angelica (the other "white" French knot flower burst on the right of the photo).



Over all, the angelica looks white, but you can see that it, too, is worked in a variegated thread of pastel colors. I'm glad - if they really were white, they'd be too stark. I like the subtle shades of color.



A new ladybug - I like this one better than the first, but he's got a little antenna thing going on there, like the tip decided to disconnect. Funny, it took an up-close photo to make this clear. I didn't notice it until I saw the picture!



Here are the "butter mint" flowers. I don't know what else to call them, because I don't know what they're supposed to be! They are worked in slightly darker shades of pastel than the angelica. I like them, after all. I didn't think I would, but I really do!



And this is where I'm going next - the thistle and the caterpillar. I can't wait! That thistle looks fun.



And then, after that, the grasshoper. I'm kind of getting into this bug thing. Embroidering bugs is great fun. Kind of weird, but really fun. "I'm going to go embroider a bug, if you'll excuse me." Not something you say every day, you know?

So that's my progress so far. I can't tell you how wonderful it is to be able to sit down later in the evening, after long days at work, and just stitch for a half an hour or so before going to bed. It's great relaxation. I'm so thankful to have stitching as a hobby, aren't you? It's just... the Best!

]]> Breath of Spring Embroidery Projects pictures Inspirations Magazine needlework pictures 10779 Linda linda.boudreau@gmail.com http://www.blogger.com/profile/15715321609008622071 2008-08-28 07:02:00 2008-08-28 07:02:00 1 0
My favourites are the buttermints as well as they add a touch of grace and beauty to the design.]]> 10780 Linda linda.boudreau@gmail.com http://www.blogger.com/profile/15715321609008622071 2008-08-28 07:00:00 2008-08-28 07:00:00 1 0 Linda]]> 10898 Anonymous noreply@blogger.com 2008-08-22 11:54:00 2008-08-22 11:54:00 1 0
The Queen Anne's Lace that I've always seen growing around here produces a very compact, flat topped to slightly mounded shape flower head like this:
http://z.about.com/d/healing/1/0/F/S/feg_queenanneslace.jpg

The Angelica seems to produce a flower head that is less compact and overall is more globe shaped like this:
http://www.beautifulbotany.com/STOCK%20A-B/Angelica%20archangelica.jpg

The leaves seem quite different in the two pic's as well. I like'em both! :)
-Jeannine]]> 10909 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-08-21 23:06:00 2008-08-21 23:06:00 1 0 Is angelica and Queen Anne's Lace the same-
http://biology.missouristate.edu/Herbarium/Plants%20of%20the%20Interior%20Highlands/Flowers/Angelica%20venecosa.JPG]]> 10910 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-21 22:48:27 2008-08-21 22:48:27 1 0
Thanks for the comments!

I think you could be right - I googled Queen Anne's Lace, and this picture came up:

Queen Anne's Lace

Doesn't look quite like buttermints, does it?]]> 10912 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-08-21 18:07:00 2008-08-21 18:07:00 1 0 I agree with Lesley that those flowers just might be Queen Anne's Lace.]]> 10913 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-08-21 17:13:00 2008-08-21 17:13:00 1 0 I didn't think this would be my sort of piece - but it's gorgeous!]]> 10914 Needleworker noreply@blogger.com 2008-08-21 15:54:00 2008-08-21 15:54:00 1 0 10916 52X52 noreply@blogger.com http://www.blogger.com/profile/01977653186786832742 2008-08-21 09:01:00 2008-08-21 09:01:00 1 0 10917 Romilly noreply@blogger.com http://www.stitchingwithashimmy.com 2008-08-21 08:01:00 2008-08-21 08:01:00 1 0 10918 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-21 08:01:00 2008-08-21 08:01:00 1 0 10919 Anonymous noreply@blogger.com 2008-08-21 07:37:00 2008-08-21 07:37:00 1 0
You know, that's an invaluable piece of information you've offered to a novice embroiderer, Mary; about how plain white thread would have made the angelica flowers look stark and that the variegated soft pastels still offer an overall impression of white. I just know I would have used a bright white thread, which would not bring those flowers to life nearly so well!
-Jeannine]]> http://www.needlenthread.com/2008/09/breath-of-spring-embroidered-thistle.html Thu, 04 Sep 2008 11:57:00 -0500 Mary Corbet 625 2008-09-04 11:57:00 2008-09-04 11:57:00 open open Breath-of-Spring:-Embroidered-Thistle publish 0 0 post any stitching) for the past week, but last week, I managed the thistle on the Breath of Spring project I'm working on.

I like the thistle. It's worked with simple stitches - the base of the flower is long and short stitch in a dark green, crossed with a lattice of light green, and the thistley part of the thistle is stitched in various lengths of daisy stitches.



I like the variegated purple selected for this flower - it ranges from very, very pale, to a medium-dark.



Most of the detached chain stitches that make the head of the thistle shoot upwards, but there's a little skirt of stitches pointing down, overlapping the base of the flower (is a thistle a flower or a weed?) that add a bit of depth and reality to the look of the flower.

I should have layered my detached chain stitches a little better, starting first with very long ones, and then building shorter ones on top of that. Instead, I worked in a rather random way until I had the head of the thistle filled up. I'm not quite inclined to take the stitches out and do it over, though - overall, I think it looks ok.

One thing I might do over on this is the lattice work. On the pattern, it's drawn out in very evenly spaced rows, but I think it almost looks too even for such a haphazard, wild looking garden! We'll see.

So there's the thistle. Today, I just might tackle that caterpillar....

]]> Breath of Spring pictures Inspirations Magazine needlework pictures 10606 Anonymous noreply@blogger.com 2008-09-11 12:50:00 2008-09-11 12:50:00 1 0 Bless you,
Annie (Michigan)]]> 10681 Feed Dog noreply@blogger.com http://www.feeddog.net 2008-09-05 20:22:00 2008-09-05 20:22:00 1 0 10682 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-05 16:11:25 2008-09-05 16:11:25 1 0
Sue - can you e-mail me? Use the "contact us" form at the top of the page. Off the top of my head, the definitive resource on medieval textiles, especially church textiles, is A.G. Christie's English Medieval Embroidery. It's a pretty thorough book - I've had a chance to browse through it once - but you can only find it in special collections at big city libraries. I had to wear gloves when I looked through it! If you found a copy to purchase under $1,000, it would be a "steal." Anyway, if you want to contact me via e-mail, I can try to help out with some snippets of information, though I'm no expert!

Thanks,
Mary]]> 10686 Anonymous noreply@blogger.com 2008-09-05 09:09:00 2008-09-05 09:09:00 1 0 -Maria]]> 10687 its_me_aanie noreply@blogger.com http://www.blogger.com/profile/06207258748244608529 2008-09-05 09:02:00 2008-09-05 09:02:00 1 0
Hope you are feeling a tad better with each new day!

Annie (Michigan)]]> 10688 GenKnit noreply@blogger.com http://www.blogger.com/profile/12968867557397120634 2008-09-05 08:10:00 2008-09-05 08:10:00 1 0
My daughter, a metalsmith, is in grad school. She's taking a Medieval Architecture class (this is relevant, so please keep reading!). The prof assigned a research paper, and included some very vague suggestions for ideas. Rachel decided that she would like to investigate Medieval altar linens and paraments. But there seems to be very little information available "out there." I know, from my background in a liturgical church, that such linens and paraments are often hand-embroidered, and I know that there are "rules" for how the pieces are assembled, folded, stored, what symbols are acceptable, etc. The prof thought this would be ok, provided Rachel build something like a scale model to show how the linens etc. would have been used in a medieval church. She said to Rachel, "Well, you need to research how fabric was made in the Middle Ages, and then how it would drape. Maybe you could actually weave some fabric." (Never mind that Rachel has never woven anything in her life, and has three other classes besides this one!)

So here's my question: in your acquisition of a library and other information, as you've taught yourself embroidery skills, have you run across any information specifially about Medieval altar linens and/or paraments?

I took a quick look at your links and didn't see anything at a glance. I've found a few books (several of which were in the bibliography on cloth-of-gold in the weaving article about that). Rachel can utilize interlibrary loan for the books--if we can find any. I'm afraid her topic may be too narrow. I'm tempted to suggest that she change to researching cloth-of-gold, which I find fascinating!

Thanks for any advice you may have. And I apologize for the length of this query.

Sue.]]> 10689 Anonymous noreply@blogger.com 2008-09-05 06:22:00 2008-09-05 06:22:00 1 0
Little wonderful nuggets of info like finding out what stitches were used to create that thistle are one of the things I love about visiting Needle'nThread. Thanks, Mary!
-Jeannine]]> 10692 Anonymous noreply@blogger.com 2008-09-04 14:16:00 2008-09-04 14:16:00 1 0
We had a big thistle we left to flower by the barn this summer just for the goldfinches to enjoy. Their glorious gold and black plumage with the royal purple flowers were stunning.

Do you think it would be possible to stitch a goldfinch in gold thread?

I like your thistle, it looks properly thistle-y!

Christiana]]> 10693 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-09-04 14:06:00 2008-09-04 14:06:00 1 0 10694 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-04 13:21:00 2008-09-04 13:21:00 1 0
I think that it looks lovely

:-)]]> 10695 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-04 13:06:00 2008-09-04 13:06:00 1 0 Isn't that a grasshopper??]]> http://www.needlenthread.com/2008/09/monogram-for-hand-embroidery-celtic.html Fri, 05 Sep 2008 14:03:00 -0500 Mary Corbet 626 2008-09-05 14:03:00 2008-09-05 14:03:00 open open Monogram-for-Hand-Embroidery:-Celtic-A publish 0 0 post

I like this alphabet a lot - there are many embroidery options for the letters. The original alphabet, from Journal des Demoiselles, features a specked area inside the curves of the knotwork. These areas can be filled with tiny seed stitching, or left empty. The shape of the letters can be satin stitched or simply outlined. You could also try a variety of different types of fillings that would take curves well. For a lighter look, you could try feather stitch, or fly stitch. You could also work the letters in chain stitch or any variations - rope stitch, heavy chain, etc.

I thought I'd offer two sizes of the monogram here, to make it easier for saving and printing. The original alphabet was small - about an inch and a half to two inches high.

Here's the small version of the Celtic A:



Here's the large version of the Celtic A:



You'll find more free monograms for hand embroidery on my Monogram Index. Just click on the letter you're looking for!

I'm a bit slow cleaning up the individual letters for the monogram alphabets, so if you have a particular letter you'd like soon, just leave a comment and let me know. I'll try to do popular letters first.

Enjoy!

]]> free embroidery patterns monograms 9563 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-12-06 09:34:00 2008-12-06 09:34:00 1 0 10273 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-10-08 03:38:00 2008-10-08 03:38:00 1 0 10668 Ruut noreply@blogger.com 2008-09-06 18:21:00 2008-09-06 18:21:00 1 0 10674 Laura Bullinger noreply@blogger.com 2008-09-06 11:48:00 2008-09-06 11:48:00 1 0 Thanks for this monogram set. I will for sure make this in my favorite medium - Soutache Passementerie - which I mentioned in a previous giveaway of favorite stitches!
Keep getting better, dear.]]> 10675 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-09-06 11:43:00 2008-09-06 11:43:00 1 0
Glad to read that you are making a good recovery. I'll race you back to the frame :)

CA]]> 10677 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-06 10:00:46 2008-09-06 10:00:46 1 0
Thanks for the comments! I will try to have the S up tomorrow, Annie!]]> 10678 its_me_aanie noreply@blogger.com http://www.blogger.com/profile/06207258748244608529 2008-09-06 09:09:00 2008-09-06 09:09:00 1 0 I hope you are well today. I love the celtic letters...I would love to have the letter S posted. My last name is Sullivan and my wedding anniversary is coming up in November. I would love to embroider this on a pillow case for my husband.
Again,
I love your site!
Annie (Michigan)]]> 10683 Anonymous noreply@blogger.com 2008-09-05 16:10:00 2008-09-05 16:10:00 1 0 http://www.needlenthread.com/2008/09/goldwork-threads-specifically-sadi.html Wed, 03 Sep 2008 09:45:00 -0500 Mary Corbet 627 2008-09-03 09:45:00 2008-09-03 09:45:00 open open Goldwork-Threads:-Specifically,-Sadi publish 0 0 post JoWynn's generosity, I'm going to show you some upclose photos of Sadi thread.

I haven't had a chance to actually work with these threads, although I have handled them, examined them, stretched some a bit, and lined them up next to other gold threads in my stash.

Sadi threads are metal threads that are very much like some of the European goldwork threads. Specifically, the Sadi threads available on the market now are similar to smooth purl, check purl, and pearl purl.

If you aren't familiar with metal threads, there are two really good sources of information out there that will help you distinguish types of metal thread: Tanja Berlin's metal thread glossary, and the Benton & Johnson website.

So let's take a look at the Sadi threads available. These are distributed by Rajmahal, out of Australia, who also produce Rajmahal Art Silk, which is a thread made up of silk and viscose.



Rajmahal produces several types of Sadi threads. We're looking at their check, smooth, and pearl. The threads come (from what I can tell) in only two sizes, fine and broad.



This is a pile of fine check - you get this much in one of those little cannisters. It's quite a bit of metal thread!



And this is broad check. The broad and the fine are actually both the same color - the camera picked them up differently. The stuff certainly sparkles!



You can see here the two sizes side by side. If you're familiar with European metal threads, this thread would be somewhat like check purl, but not exactly like it. The shape of the metal thread is definitely different, but the effect achieved in stitching would be similar.



These are the two side by side in a heap - when you purchase the threads in the pre-packaged cannisters, you receive less, length-wise, of the broad check.



Like similar European metal threads, Sadi threads are hollow in the middle. To use them, you cut them and pass your needle and thread through the center and sew the gold on as you would a bead. Notice the shape of the hollow tube - it's five-sided, and the points alternate with each layer of the metal



Here, I've placed a piece of European check purl in front of the Sadi thread, so you can see the difference in the way the thread is twisted. The Sadi is much more like a straight tube, which the European metal thread twists around.



Here, I've stretched out both threads so that you can see the shape and twist.



Sadi is also available in smooth (purl), which is much like the European smooth purl, although I think the wraps are a little more visible on the Sadi thread than on the European thread. Smooth purl is like a closely wound spring, and, when you hold a quantity in your hand, it is limp and kind of "wormy." It's neat stuff!



Like the check Sadi, the smooth said comes in two sizes - the photo above is broad smooth Sadi, and the one above that is fine smooth Sadi.



You can see them both side by side here - the broad is really fat and worm-like!



Like the check Sadi and purl above, the smooth is a hollow tube that you cut and sew on as you would a bead, though it is much more flexible than a bead!



In fact, you can see how flexible it is here - this came out of the cannister this way!



And finally, here's the pearl Sadi. This thread is a whole lot stiffer than the other two. Pearl is used as an outline, normally, and it has a "beaded" or bumpy look to it, unlike smooth purl.



When you stretch it out, it looks like a telephone cord. (Do they make telephones with cords anymore?)

The pearl Sadi is a different color, compared to the other two threads, which surprised me. It's really yellow, as opposed to gold-metal-looking.

So those are the three types of Sadi thread similar to European check purl, smooth purl, and pearl purl.

Here are some of the differences I noticed between the Sadi and the European metal threads I've worked with:

1. There are only two sizes of each type. With the European threads, a whole range of sizes is generally available within each type.

2. The check Sadi seems to me to be much lighter than the European check purl in weight. I think this definitely has to do with the way it is twisted. I think there's more metal used in the European, and the Sadi has a much larger "hollow" in the middle of it.

3. The Sadi threads vary a bit in color among themselves, so I don't think they're all made out of the same materials. The smooth and check are pretty close in color, but the pearl is not. I don't know what the gold content is in the Sadi threads, or if they actually have any gold in them. The label does warn that they tarnish (as do European real gold threads), but the tarnish can come from a silver base, or even from some other metal. So I don't know what they are precisely made of, and neither the label nor the Rajmahal website clarify this.

4. The Sadi threads work the same way that similar European metal threads would work. Although you might be limited in what you do with them because of size availability, they are slightly less expensive than European metal threads (even less expensive than gilt as opposed to 2% gold), so it seems to me that they would make very good practice thread, if you want to try goldwork.

I was really happy to be able to look at these threads up-close (thanks, JoWynn!). I would like to stitch with them a bit before I offer any firm opinion on whether I like them, or to what degree I like them compared to the gold threads I'm used to.

But I do know this - if you want to give goldwork and metal thread embroidery a try, you couldn't go wrong practicing with the Sadi thread.

Where can you find Sadi threads? Here are some sources online:

In the US:

JDR Brazilian Elegance. Located in North Dakota. Though I haven't ordered from them personally, this is where my threads came from, and it seems that they are very nice and efficient, with good service. Each cannister is $6.50. A cannister of broad Sadi has 1.5 meters in it, and a cannister of fine Sadi has 3 meters in it. They also carry variety pack cannisters, so you can try the different types of threads.

Erica's. Located in Indiana. This is primarily a machine-oriented sewing / embroidery center, but they do carry some hand embroidery supplies, including the Rajmahal Sadi threads, at $5.90 a tube. I've ordered once from Erica's (two books) and received ok service, but it didn't remind me of the "local needlework shop" experience.

In New Zealand, there's a shop called Eastern Threads that looks as if it carries a pretty wide range of Sadi threads. I don't think they're made by Rajmahal - they have a wider range of colors and it seems they also have a "medium" size available.

If you've had any experience with these threads, or know of other resources, I'd love to hear about it!

Whew! That was a long one. On a personal note, things improve daily, slowly but surely... thank you again for your on-going encouragement and kind words.
]]> goldwork embroidery resources threads pictures 10670 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-09-06 15:59:00 2008-09-06 15:59:00 1 0 http://www.flickr.com/photos/jowynnj/2494073465/

Thanks for another excellent teaching post.

I'm glad to hear that you are making progress.]]> 10676 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-06 10:25:33 2008-09-06 10:25:33 1 0
I know exactly what you mean about using the right materials, even for the first time, as it helps one push ahead to the finish. I find when I'm working with materials I don't particularly like, I tend to lag when it comes to finishing (or sometimes, I just chuck the whole thing!).

The cannisters these arrived in were sealed, so the threads were in very good shape. I'm thinking with that really THICK smooth sadi that one would have to use a very thick thread (waxed yarn, maybe - even two strands of yarn?) to couch it. Otherwise, in its hollow state, if just a thin thread is passing through, I think it would be really prone to crushing, shifting, or cracking...

Anyway, they are sparkly, aren't they, Jeannine?

Thanks, MGM - I'm getting there...]]> 10680 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-09-06 02:42:00 2008-09-06 02:42:00 1 0 I've only used the Rajmahal Sadi threads once, as usually the stock at my local shop has been damaged by people opening it and stretching it out to look at it. I prefer to use the Japanese or English metal threads which our Embroiderers' Guild shop stocks for us. I like to buy the best I can afford in materials even when trying something for the first time, or I don't tend to finish that project. I'm very lucky that I can afford to do that I suppose.

Thanks for showing the variety of threads though, my local shop only stocks a couple.

Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 10696 Anonymous noreply@blogger.com 2008-09-04 07:49:00 2008-09-04 07:49:00 1 0 -Jeannine]]> 10697 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-09-03 20:21:00 2008-09-03 20:21:00 1 0
Keep getting better ;)

MGM]]> http://www.needlenthread.com/2008/09/some-shaded-embroidery-what-do-you.html Tue, 02 Sep 2008 19:14:00 -0500 Mary Corbet 628 2008-09-02 19:14:00 2008-09-02 19:14:00 open open Some-Shaded-Embroidery---What-Do-You-Think? publish 0 0 post

These two pictures are both from the same wide decorative band down the front of a cope. The embroidery is done by hand, probably in silk, with a bit of gold thread in there, too, I think.

So here are the pictures:



Above this part of the motif, there are some green leaves. I missed them in the cropping, but they're the same colors as in the photo below:



Instead of concentrating on the stitching here (though you're welcome to comment on that, too, if you wish), I wanted to ask you to look at the colors. What do YOU think of the color scheme / combinations here? I'd love to hear your opinion!

I'm ever-so-slowly coming around, but it's taking a bit longer than I thought to feel quite up to par! Don't give up on me! I'll be back in "full swing" soon!
]]> ecclesiastical embroidery pictures needlework pictures 10494 jean noreply@blogger.com http://blessedvirginmarysbower.blogspot.com/ 2008-09-17 04:49:00 2008-09-17 04:49:00 1 0 I'm not an embroiderer yet... but I have used this approach to colour in display work of various types and it seems to work.]]> 10661 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-07 22:40:22 2008-09-07 22:40:22 1 0
The stitching is nice, and the colors of the embroidery aren't soooo bad, in my opinion. I don't "love" them, and I probably would never pick them in this combination (completely), but they're ok. It's the background fabric that just does me in. I cannot look at this piece and like it much, when I see the background. I think, if I could take the embroidery and put it on a different background, it would look much better.

I may play around with that digitally, for the fun of it.

I'm also not so keen on the satin stitching in the top photo, at the top of the flower. It's too crowded looking, I think, and it makes it look somewhat distorted and too top-heavy, in a thickish sort of way.

I'll play around with it and let you know if I ever come up with anything!

Thanks for your comments!!]]> 10691 Anonymous noreply@blogger.com 2008-09-04 14:54:00 2008-09-04 14:54:00 1 0
Certainly hope you will be feeling better soon but you are wonderful to even get out something every day which is always so interesting.

Thank you and God Bless!]]> 10698 Lori Northon noreply@blogger.com 2008-09-03 18:51:00 2008-09-03 18:51:00 1 0 10699 Anonymous noreply@blogger.com 2008-09-03 17:52:00 2008-09-03 17:52:00 1 0 Sandy B]]> 10700 Anonymous noreply@blogger.com 2008-09-03 16:33:00 2008-09-03 16:33:00 1 0
Neither the priest to whom the cope belongs, nor the parishioners and I have any idea where it came from, or when. The priest found it in a basment closet.
Unless Mary can shed some light on the subject, it will stay a mystery!!
I'm curious to know whether it was a group effort or an individual. . .
Christiana]]> 10703 Lavenia Boswell noreply@blogger.com 2008-09-03 11:27:00 2008-09-03 11:27:00 1 0 Although I personally love the purple/peach/pink colors in the main Jacobeanian type florals, they are a bit feminine for many priests. :-) Purple and pink (unless on a purple vestment) are not usually the favorite colors to be used for those I know.
However, I can not see anyone rejecting these no matter the colors. I so wish I had such skill.
For the first time in my elder life I'm making our priest a set of vestments and am going to machine embroider parts and hand embroider the rest. You've given me so many lovely ideas. Many thanks!
Lavenia Boswell, Jax, FL]]> 10704 Anonymous noreply@blogger.com 2008-09-03 11:24:00 2008-09-03 11:24:00 1 0
Any idea how old it is, or where it was embroidered?

And on the cope-hood Christiana is restoring (posted last week) - does she know when/where it was done?

Surger is, after all, an invasion of your body - take it easy!

Sandy]]> 10705 FredaB noreply@blogger.com 2008-09-03 10:41:00 2008-09-03 10:41:00 1 0 lower flower colors on the second pic did not seem to go with the rest.

Please take it easy - surgery is surgery and you need time to recoup.

Hugs & better days ahead.

FredaB]]> 10706 its_me_aanie noreply@blogger.com http://www.blogger.com/profile/06207258748244608529 2008-09-03 10:37:00 2008-09-03 10:37:00 1 0 Thanks again for your daily posts.
Annie (Michigan)]]> 10708 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-09-03 09:22:00 2008-09-03 09:22:00 1 0 10709 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-09-03 07:52:00 2008-09-03 07:52:00 1 0
No way I'd ever give up on you, Mary. You've become a centerpiece to my needling life!]]> 10710 Anonymous noreply@blogger.com 2008-09-03 07:25:00 2008-09-03 07:25:00 1 0
I think I have to disagree with Megan on using a darker green...I love that chartreuse in combination with the other colors used in the second flower.
-Jeannine]]> 10711 Joyce Foss noreply@blogger.com 2008-09-03 06:50:00 2008-09-03 06:50:00 1 0
The cope is wonderful. I do agree with Elmsley that the green should be a different shade, but I feel that I am not nearly talented enough to judgesuch great talent.]]> 10712 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-09-03 06:44:00 2008-09-03 06:44:00 1 0
Glad to see you are improving!

MGM]]> 10713 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-09-03 06:31:00 2008-09-03 06:31:00 1 0 Annie]]> 10716 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-09-03 01:48:00 2008-09-03 01:48:00 1 0
And you are bloody marvellous, blogging away like a good 'un after surgery! Put your feet up, we'll get by for a little while!]]> 10717 Cindy in Oregon noreply@blogger.com 2008-09-03 00:55:00 2008-09-03 00:55:00 1 0 10718 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-09-02 20:52:00 2008-09-02 20:52:00 1 0
Sooooooo gorgeous.

And I love the colour scheme.

Might use a darker green than the one shwon on the calyx of the flower in the second photo tho.]]> 10719 Anonymous noreply@blogger.com 2008-09-02 20:01:00 2008-09-02 20:01:00 1 0 We wouldn't give you up if we all had to come in a body and nurse you back to health!!

I don't know anything about color or color design, but I think the color scheme here is, well, different. Something is just not quite right. . . Perhaps the chartreuse and the gold?

How does this piece look from a distance? Does it "work" better that way? I know distance can have a huge effect on the way colors look.
Christiana]]> http://www.needlenthread.com/2008/09/embroidery-book-online-higgins-handbook.html Mon, 01 Sep 2008 10:00:00 -0500 Mary Corbet 629 2008-09-01 10:00:00 2008-09-01 10:00:00 open open Embroidery-Book-Online:-Higgin's-Handbook-of-Embroidery publish 0 0 post
But, to move on to Much More Exciting Topics, let's get back to needlework! Here's a pretty nice little online book you might want to browse through, when you have time.

Project Gutenberg offers L. Higgin's Handbook of Embroidery for readers interested in needlearts. It's a relatively simple book that includes information on different embroidery techniques, stitch information (with simple diagrams), and tips on finishing and so forth.



As you can see, the diagrams are relatively simple - but don't be deceived by them! The book contains really good information for beginners to advanced embroiderers.

So if you have time, do take a peek!

Tomorrow, if all goes better, I'll be showing you some photos of gold threads. Keep your fingers crossed!

Thank you again for your kind support and good wishes! See you tomorrow!]]> online needlework books 10715 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-09-03 01:56:00 2008-09-03 01:56:00 1 0
With that and the inspirational use of purples in your last post, I should need no more inspiration!

Though I am going to force myself to finish the stomacher (based on one of the Dillmont designs you linked to) first, even though it's too late to wear it with the dress I made, it's so nearly done!

I'm not a great commenter, but I read your journal faithfully through LJ, and have found inspiration in it for more than one project, so thanks for all your good work!]]> 10720 Anje noreply@blogger.com 2008-09-02 19:48:00 2008-09-02 19:48:00 1 0
My family is not into arts and crafts but I LOVE to sew and I wanted to embellish the caps I make for my daughter (she is autistic so no lace, buttons or such) and embroidery is a great way to add beauty and personality for her.

I searched every craft store in my area and found only 1 book on embroidery. I am a visual learner and your page is a GODSEND.

Thank you very very much.

Anje]]> 10721 Marian noreply@blogger.com 2008-09-02 18:21:00 2008-09-02 18:21:00 1 0
so sorry to hear that you are unwell. I hope your recovery is fast and painless.

{{{hugs}}}]]> 10723 its_me_aanie noreply@blogger.com http://www.blogger.com/profile/06207258748244608529 2008-09-02 08:15:00 2008-09-02 08:15:00 1 0 Thanks so very much.
May God bless you and keep you!
Annie (Michigan)]]> 10724 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-09-01 20:53:00 2008-09-01 20:53:00 1 0 I am sorry to hear that you have had a problem and hope that your recovery continues to proceed rapidly. Thinking of you]]> 10725 Anonymous noreply@blogger.com 2008-09-01 18:32:00 2008-09-01 18:32:00 1 0
I hope you're perfectly well as soon as can be.

Christiana]]> 10726 zetor noreply@blogger.com http://www.blogger.com/profile/05912433866457968555 2008-09-01 16:59:00 2008-09-01 16:59:00 1 0 10727 mjc noreply@blogger.com http://www.blogger.com/profile/06927885822012118748 2008-09-01 15:32:00 2008-09-01 15:32:00 1 0 10728 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-09-01 13:56:00 2008-09-01 13:56:00 1 0 Hope you are feeling better and have a speedy recovery!
Terry]]> 10729 Anonymous noreply@blogger.com 2008-09-01 11:24:00 2008-09-01 11:24:00 1 0
I've posted all over your site since I discovered it yesterday and I can predict a new addiction. (Tough time to learn about stash give-aways; I'd've tried for that one!)

Know you'll mend quickly. Your fans are praying for you.

Bubba's Mom]]> 10732 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-09-01 10:57:00 2008-09-01 10:57:00 1 0 Take care
xx]]> http://www.needlenthread.com/2008/08/day-or-two-off.html Sat, 30 Aug 2008 10:29:00 -0500 Mary Corbet 630 2008-08-30 10:29:00 2008-08-30 10:29:00 open open A-Day-or-Two-Off? publish 0 0 post
First things, first...

Do enjoy the weekend for me!]]> personal 10707 Anonymous noreply@blogger.com 2008-09-03 10:05:00 2008-09-03 10:05:00 1 0 Best wishes
Jaci]]> 10730 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-09-01 11:05:00 2008-09-01 11:05:00 1 0 Y por favor no hacer esfuerzos....
y a hacer terapias respiratoprias...
y mis deseos que te recuperes muy pronto...
besos]]> 10734 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-09-01 09:07:00 2008-09-01 09:07:00 1 0 10735 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-09-01 03:42:00 2008-09-01 03:42:00 1 0 I was away for 3 days and checked the blog today only to find this news !! It is such a shock... I really hope that you are doing well and recovering fast.. please do take very good care of yourself. Hats off to you for posting and responding to comments on the blog, the next day of surgery !! Please do take care !!
Loads of good wishes,
Shrenika.]]> 10736 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-09-01 00:47:00 2008-09-01 00:47:00 1 0 10737 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-09-01 00:40:00 2008-09-01 00:40:00 1 0 Take care...

Love,Luck and sunshine,
Deepa]]> 10739 princy noreply@blogger.com http://www.blogger.com/profile/14701833611514089315 2008-08-31 22:50:00 2008-08-31 22:50:00 1 0 10741 Laura Bullinger noreply@blogger.com 2008-08-31 13:19:00 2008-08-31 13:19:00 1 0 My best wishes for a speedy recovery. We all hope you get well very soon.
With love and good thoughts,
Laura B.]]> 10742 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-08-31 11:30:00 2008-08-31 11:30:00 1 0 10743 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-31 10:47:57 2008-08-31 10:47:57 1 0
You see... the honest truth is this... there are SOME threads in the world that don't thrill me the same way as others!

I'll be back around soon!

Thanks again!]]> 10745 Nora noreply@blogger.com 2008-08-31 08:33:00 2008-08-31 08:33:00 1 0 Take care of yourself and get better soon. We will be here when you are.
Nora]]> 10747 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-08-30 20:46:00 2008-08-30 20:46:00 1 0
MGM]]> 10748 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-08-30 20:15:00 2008-08-30 20:15:00 1 0 Hope all went well. Get well soon.]]> 10749 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-08-30 18:11:00 2008-08-30 18:11:00 1 0 10750 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-08-30 17:23:00 2008-08-30 17:23:00 1 0
Get well soon, sweetie]]> 10751 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-08-30 15:56:00 2008-08-30 15:56:00 1 0 10752 RobynK noreply@blogger.com http://www.blogger.com/profile/13363052010272253678 2008-08-30 15:48:00 2008-08-30 15:48:00 1 0 Robyn Kirk New Zealand]]> 10753 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-30 15:16:00 2008-08-30 15:16:00 1 0 10754 Anonymous noreply@blogger.com 2008-08-30 14:12:00 2008-08-30 14:12:00 1 0
What a lousy way to spend labor day weekend! I hope you get well SOON!!!
Hugs and prayers,
Christiana]]> 10755 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-08-30 13:40:00 2008-08-30 13:40:00 1 0
Will pray that you have a quick recovery.]]> 10756 zetor noreply@blogger.com http://www.blogger.com/profile/05912433866457968555 2008-08-30 13:34:00 2008-08-30 13:34:00 1 0 10757 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-08-30 13:10:00 2008-08-30 13:10:00 1 0
I hope you get to feeling better soon! I had my own emergency surgery last week!

Feel better soon!

Ruth M]]> 10758 Cindy in Oregon noreply@blogger.com 2008-08-30 12:25:00 2008-08-30 12:25:00 1 0 10759 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-08-30 12:22:00 2008-08-30 12:22:00 1 0 Big hug
Take care!]]> 10761 Anonymous noreply@blogger.com 2008-08-30 11:53:00 2008-08-30 11:53:00 1 0 -Jeannine]]> 10762 Ginger noreply@blogger.com 2008-08-30 11:06:00 2008-08-30 11:06:00 1 0 10763 joey noreply@blogger.com 2008-08-30 11:00:00 2008-08-30 11:00:00 1 0 What on earth are you doing posting on your blog the day after surgery??!!! Please, take good care and we'll look forward to hearing from you when you are healed.]]> 10764 Katie hilltopkatie@gmail.com http://www.blogger.com/profile/08169620638518265423 2008-08-30 10:56:00 2008-08-30 10:56:00 1 0 10765 Meeta V. noreply@blogger.com 2008-08-30 10:51:00 2008-08-30 10:51:00 1 0 http://www.needlenthread.com/2008/08/more-threads-this-isnt-building-stash.html Thu, 28 Aug 2008 06:18:00 -0500 Mary Corbet 631 2008-08-28 06:18:00 2008-08-28 06:18:00 open open More-Threads:-This-isn't-Building-Stash---No,-You-Can't-Have-It! publish 0 0 post stash contests," I'd refrain from adding anything else to it, right? Last week I went shopping.

And I bought THREADS!! Whoooohooooooo!

But I don't consider them stash. I'll tell you why...

I define stash - needlework stash, fabric stash, crafting stash - any kind of "stash" - as those supplies that build up from years of collecting because Someday I will use them.

Stash is essential to serious hobbyists who indulge frequently in their hobbies. Stash can be a source of inspiration; it can also be a source of innumerable headaches.

"Where do I store all this?!"

"I'm running out of space!!"

"I've got to Get Organized!!!"

I bet you know what I'm talking about!

Stash is build up. It is stuff we buy that we don't need "right now," (but we might some day). It's that new silk on the market we just want to try. It's the book that catches our fancy that we might work a project from [later]. It's that gorgeous piece of fabric that would be perfect for _______ (when I get around to it). It's that little accessory that isn't entirely necessary, but gosh, wouldn't it be nice to have? It's also that leftover thread from that little project... you know, the one where you bought enough thread to wrap around Texas, just in case they ran out of that dye lot?

Stash, I think, makes the hobbyist feel secure. Isn't there a certain sense of ownership when you think of your stash? And don't you like the idea of knowing that, at a moment's notice, you can pull out something that will give you the delight of creativity in the midst of the travails of everyday life?



Oooh. Loooooook. Threeeeaaaad.

I went shopping on Saturday and I bought some threads. The bulk of these threads are not stash - they are for immediate use on a current project, and it is likely that there won't be any leftovers to add to the growing mountains in my cupboards. So you can't have any of these threads! ... yet.

When I thread shop, I'm at a huge disadvantage, and I think a lot of readers have this same problem. For specialty embroidery supplies, most of my shopping is done online. I can't see the threads or feel the fabric. Colors are rarely accurate when seen through a monitor. Thread weight, size, twist, sheen - these are things you can't determine while sitting at your desk staring at a screen. So when I do venture the two hours one way to the closest needlework shop, I take my time and sort out threads, matching them to my fabrics and project design. But I also end up buying threads that I "hope" are what I want for the project at hand, because at least with these threads, I've felt them.



The time I spend in the shop may get annoying for shop owners (I would hope not, because I also spend a lot of money in their shops!), but it is really important to me in those circumstances to spend the time well, to make sure I get what I need, and not to feel pressured into buying the wrong stuff.



Sometimes, I buy one color of two different types of threads (like I did with the blue you see above). I take both home and try the different choices, actually stitching them on my project or on a scrap. I pick the one I like best and then I place the order online....

And that brings me back to stash. Guess where the thread that didn't work ends up?

Eventually, I will show you this project. I think there's only one person out there in Needlework Land who could guess exactly what project these threads are for - and I don't know if she's reading this!

Oh, yes. Before I forget. I did buy some other stuff. You know, they had this silk I just had to try.... and one of those pretty magnets that I just knew I'd use... someday. Oh, and that Ever-tite frame. Not the one for any particular project - you know, the one for just in case?
]]> canvas stitches threads pictures needlepoint silk wool 10744 Charlene ♥ SC csogle@yahoo.com http://www.blogger.com/profile/09356543817696065946 2008-08-31 10:27:00 2008-08-31 10:27:00 1 0 10766 Lori in Auburn, WA noreply@blogger.com 2008-08-29 14:31:00 2008-08-29 14:31:00 1 0 10767 Anonymous noreply@blogger.com 2008-08-29 12:12:00 2008-08-29 12:12:00 1 0 10768 Anonymous noreply@blogger.com 2008-08-29 12:11:00 2008-08-29 12:11:00 1 0 10769 Anonymous noreply@blogger.com 2008-08-29 09:16:00 2008-08-29 09:16:00 1 0
Sweet P, I was looking for a place in NH too, and Mary Grace, who sometimes leaves comments here, kindly told me about Keepsake NeedleArts. If you Google the name you'll find their website. I've still not made a trip there yet but I will someday!
-Jeannine]]> 10770 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-28 23:56:00 2008-08-28 23:56:00 1 0 10772 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-08-28 18:30:00 2008-08-28 18:30:00 1 0 10773 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-08-28 18:10:00 2008-08-28 18:10:00 1 0 The colors of the threads are really a nice combination. Can't wait to hear about this project!
Glad you had a successful shopping trip.
Terry]]> 10774 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-08-28 14:55:00 2008-08-28 14:55:00 1 0
I would love to know where you (or others) shop for thread. I have yet to find a good needlework store here in New Hampshire. I don't use DMC floss. I prefer Presencia Finca thread. I'd love to try some other threads. Any suggestions? Oh, why didn't I think of that question for the contest? Darn!]]> 10775 anais-pf noreply@blogger.com http://anais-pf.livejournal.com/ 2008-08-28 12:10:00 2008-08-28 12:10:00 1 0 10778 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-08-28 08:00:00 2008-08-28 08:00:00 1 0
Cant wait to see the poject you are putting all this gorgeous thread to work on


ruth m]]> http://www.needlenthread.com/2008/08/and-winner-is-august-needlework-stash.html Wed, 27 Aug 2008 06:34:00 -0500 Mary Corbet 632 2008-08-27 06:34:00 2008-08-27 06:34:00 open open And-the-Winner-Is-....-August-Needlework-Stash-Contest publish 0 0 post

First, I read through each and every comment carefully. As I read, I typed each commentor's name in an Excel list - I eliminated repeat postings (people who posted more than once, keeping their names in, of course, once!) and also any comments that didn't fulfill the instructions.

I also eliminated my comment (sorry, that's a bit obvious) ...

And then I took the Excel list and sorted it alphabetically. (I used to really despise alphabetical order when I was in school...) and then I split it in three and resorted each list manually, just moving people randomly around (shuffling, in a way).

And then I put the list back together into one long list of 72 names.

And then I went to random.org and got a number, and the number was....

27.

Now, I know that means nothing to you! And it didn't really mean anything to me, either, until I looked at the Excel list, and found the name. Then I went to the list of comments to see what the person said, so I could repeat it here.

And this is it:

Melisa B (crazyqsis) said she would like to know about taking pattern markings out of embroidery, especially with iron-ons - or are they just meant to stay?

So Melisa, congratulations - I hope you like your new book and threads, and I'm sure you'll find plenty to do with them while creating and crazy quilting! Please contact me by the end of the day on Friday with your address! (PS - if you have an AOL e-mail address, it is unlikely that I will be able to e-mail you back. For some reason, my e-mails always bounce back from AOL...)

And dear everyone who participated.... thank you! So many really excellent questions that I will certainly make use of in the future! And if you didn't win this one, don't give up. I do this pretty consistently every month, and have other goodies you'll like, too!
]]> stash contest 10771 Marian noreply@blogger.com 2008-08-28 20:57:00 2008-08-28 20:57:00 1 0 10781 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-08-28 04:20:00 2008-08-28 04:20:00 1 0 Do share with us what uses you put your stash to. Enjoy needle-working !! :)]]> 10788 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-08-27 11:38:00 2008-08-27 11:38:00 1 0 I've been 12 hour later!!! Icame back home yesterday night and I read the August contest at 4 pm today! Not even the time difference saved me!! Next time, maybe]]> 10791 Anonymous noreply@blogger.com 2008-08-27 07:40:00 2008-08-27 07:40:00 1 0
Mary, I so wanted to add a second question that I'd thought of, but I didn't because I knew I would be adding to you having to weed through comments. But I can tack the question here! :P

What or whose work or works of art, from another medium, would you like to see interpreted with needle and thread?

I would love to see a work or two by Joseph Stella done by a master embroiderer. Here's one of my favorites...
http://www.brooklynmuseum.org/research/luce/object.php?id=22797

There! Whew! Glad I got that off my chest! lol! - Jeannine]]> http://www.needlenthread.com/2008/08/last-chance-on-this-months-stash-give.html Tue, 26 Aug 2008 21:22:00 -0500 Mary Corbet 633 2008-08-26 21:22:00 2008-08-26 21:22:00 open open Last-Chance-on-this-Month's-Stash-Give-Away! publish 0 0 post Read the whole post for directions.]]> stash contest http://www.blogger.com/ Thu, 28 Aug 2008 13:45:00 -0500 Mary Corbet 634 2008-08-28 13:45:00 2008-08-28 13:45:00 open open Embroidery-on-Paper---Various-Resources-for-Inspiration draft 0 0 post embroidery on paper a few times in the past, and although I don't spend a lot of time on this particular craft, at certain times of the year, I find it grabs my interest and occupies my needle 'n thread.

Truthfully, right now is not one of the times that embroidery on paper has grabbed me - but I know, just as sure as I'm sitting here, that pretty soon, the bug will bite. If I were a super-duper organized, work-ahead sorta person, I'd be preparing Christmas cards right now. But I'm not. That doesn't mean that other people aren't, and to this end, I thought a little line-up of links and resources might be handy for those interested in taking up this fun craft.

First off, one of the easiest place to buy patterns for immediate embroidered greeting cards is Stitching Cards. The patterns are downloadable. There are also a bunch of freebies on the site, so it's worth looking into.



I picked up the pattern for this beaded card at Stitching Cards. It's super-convenient to be able to download the patterns. You know how it goes - you suddenly realize one afternoon that you have a birthday coming up (or worse yet, a party later that day) and you didn't get a card. In about an hour, you can whip up your own this way, just using stuff on hand out of your stash. (I've done that often, actually!)

Stitching Cards also has a blog now, called Prick and Stitch is My Craft. On the blog, you can find hints and ideas for card stitching, along with a few freebies, which is always nice. For instance, you'll find a free flower design on there for download, as well as a nice scrolling design for corners.

Form-A-Lines is another website that offers a variety of patterns for embroidered greeting cards. Just as with Stitching Cards, you'll find a selection of a few free patterns on Form-A-Lines as well. There's a forum on Form-A-Lines with quite a bit of information on it. One topic I found interesting, especially, is the topic on selling greeting cards. If you've ever wondered about pricing and so forth, you might want to check that out.

Now, you may have noticed to this point that the cards mostly have the look of that game... what was it called... spirograph? That's what they remind me of! But I do like that look for simple cards - and it's an easy way to make cards. You can always dress up the embroidery a bit, too - you aren't limited to following the exact stitching directions on the pattern.

If you want to take your embroidery up a step, there are other resources out there. Erica Fortgens has a series of Wonderful Books on embroidered greeting cards, for example. Her work is really stunning!

And then, of course, you can always design your own embroidered cards.

]]> http://www.needlenthread.com/2008/08/silk-and-goldwork-cope-hood-photos.html Tue, 26 Aug 2008 06:21:00 -0500 Mary Corbet 635 2008-08-26 06:21:00 2008-08-26 06:21:00 open open Silk-and-Goldwork-Cope-Hood-Photos publish 0 0 post

Christiana has undertaken the formidable task of repairing this cope hood so that it can be used again. I thought I'd show you some photos she sent along. I never tire of studying this type of work up close - the details always amaze me!

So this is a hand-embroidered element mounted on the back of the hood of a cope, which is a garment (like a cape) used in liturgical ceremonies. The image on the back of the cope is a representation of the Trinity - God the Father, the Holy Ghost (the Dove), and God the Son (the Lamb of God, or Agnus Dei).



Here's a view of the whole piece of embroidery.



This is a close up on the face. I love examining faces. Look at the difference between the face from far away (in the first photo above) and the face close up. Who would've ever guessed there was a red line down the side of the nose and above the eyes?



Here's a close-up on the crown and nimbus. It looks like the goldwork here is in very good repair, as you can see in the photo below:



But as you travel downwards in the design, the need of repair becomes more obvious, as seen below:



You can see the loose gold threads around the feet of the lamb, and the red cording hanging down (visible in the first picture above as well). You can also see in this photo - if you look in the colored folds of the garment - that some of the line stitching is loose there.



Here's the face of the lamb up close. I have to agree with Christiana - I love the way they did the wool! You can see on the left side of the nimbus (halo) one of the threads tweaking off.



And I think this is great! This is Christiana's set-up for repairing the cope hood. First, she had to separate the hood from the lining, picking out by hand all the little stitches in the fabric around the hood (which is cloth of gold - not an easy task!). Then she had to contrive a way to mount the piece so that she had both hands free to work, without mounting it in anything that would damage the fabric or the embroidered piece. She's using a frame her dad made for her, which she's wrapped in fabric to protect the cope hood and also, I imagine, it provides a bit of friction to keep the work in place. She clamped the sides of the frame together to hold the piece while she works, keeping an even tension on the piece, but not so tight that it's pulling anything that's already stitched.

By the way - yep, she's stitching through the cloth of gold on which the piece is mounted. Talk about sore fingers!!

Keep up the good work, Christiana! I can't wait to see the finished product! (I wish I could see it in person!)]]> historical needlework ecclesiastical embroidery goldwork needlework care pictures silk needlework pictures 10790 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-08-27 07:50:00 2008-08-27 07:50:00 1 0
Quick question, though. Do you know when it was originally made, and where? It's gorgeous, and I'm curious. :)]]> 10799 Anonymous noreply@blogger.com 2008-08-26 19:39:00 2008-08-26 19:39:00 1 0
It's been a fascinating thing for me to me to discover, through your entries here on Needle'nThread, that what you see in a piece like this from a distance, (the point of view that most will see it from) is often so different than what you will see when you're up as close as the person who crafted the piece needed to be, or in this case, as close as Christiana will need to be to work her repairs.

I'm in awe of those who are able to figure this all out to begin with!

Thanks so much to both of you for sharing the progress of this project. It's exciting to see! Good luck with your work, Christiana!
-Jeannine]]> 10801 Marian noreply@blogger.com 2008-08-26 19:11:00 2008-08-26 19:11:00 1 0
My maternal Grandfather won the shawl in a fundraising raffle in late 1930's early 1940's. It once belong to a vaudeville actress who donated it to the hospital where Grandad worked. he gave it to my mother, who was the only girl in the family.

The silk is old and heavily embroidered, much like the flowers illustrated on the website of Helen Stevens that you showed us yesterday. Sadly, the embroidery is too heavy for the silk and the silk is showing signs of are in that the woven silk threads are parting company. It has been like this for sometime (Mum wore it often in the 1970's when she went out).

I spoke to a conservator a couple of years ago at a free assessment clinic set up at the beginning of his tenure at our Museum and we sorted out a plan that I could do, but not sure of the specific items I should use. He is too expensive to consult now.

We thought about using another piece of silk, of a similar weight, and tacking the shawl to it through the edges of the flowers and then sewing the lining silk to the shawl around the edges of the shawl, but I feel that some kind of fusible tape (such as hemming tape) could (should?) be used for extra strength, but is fusible hemming tape acid free??

Do you have any other suggestions??

Thanks in anticipation]]> 10806 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-08-26 10:53:00 2008-08-26 10:53:00 1 0 http://www.needlenthread.com/2008/08/helen-stevens-website-updated-and-fun.html Mon, 25 Aug 2008 06:29:00 -0500 Mary Corbet 636 2008-08-25 06:29:00 2008-08-25 06:29:00 open open Helen-Stevens-Website---Updated-and-Fun-to-Browse publish 0 0 post little blurb about Helen Stevens and directed readers to her two websites, one which offered online classes in thread painting and the other, called Fritillary, which offered a variety of goods for the embroiderer or anyone who appreciates beautiful embroidery and fabrics...

Just recently, Helen's two websites have combined into one: Fritillary and True Embroideries. So now you can browse through the different goods Helen offers to those interested in really fine needlework goods, or you can glean information and instruction - all at the same site.

If thread painting (aka needlepainting, long and short stitch shading, etc. etc. etc.) interests but intimidates you, perhaps you should take a look at Helen's online classes. She offers a basic class on the Champagne Rose for free. The classes include the pattern and instructions, suggested materials (you can buy a materials pack for each course), and video instruction.

While you're squizzing around the site, stop in at the virtual exhibition page, where you can enjoy a slideshow of Helen's work.



There are two items on Helen's website that I really do drool over - the bobbin joe and the cabinet for silks. You can find them on the furnishings page. Both are slightly out of my accessory price range, though, especially considering the exchange rate! But if you have a dear friend who's a stitcher, or a mom, or someone very close to you who loves to embroider, I would imagine that either of those would make an excellent Christmas or birthday gift, if they're within your price range!



This autumn, I'm planning (and hopefully executing - but that's a Whole Nuther Story!) to work a piece of figure embroidery. I have the collection of Helen's silks, and will be using some of them for the eyes and other elements. They're the only flat silks I've found that are really tiny, and really flat. I think they'd be perfect for doing a small set of human eyes. I'll let you know how that goes!

I hope you enjoy browsing Helen Stevens's new website - there's lots there to inspire, that's for sure!
]]> embroidery resources embroidery designers 10808 Anonymous noreply@blogger.com 2008-08-25 19:58:00 2008-08-25 19:58:00 1 0 Could you please write one of your awesome thread comparisons of the flat silks you mentioned? Also how and when to use them?

Your comparisons are always sooo helpful!
Christiana]]> 10809 Anonymous noreply@blogger.com 2008-08-25 19:48:00 2008-08-25 19:48:00 1 0
Thanks for sharing this site!

Christiana]]> 10811 Anonymous noreply@blogger.com 2008-08-25 19:11:00 2008-08-25 19:11:00 1 0
I'm head over heels for the "Autumn Leaves" mini cushion in the Furnishings section!]]> 10812 Marian noreply@blogger.com 2008-08-25 17:11:00 2008-08-25 17:11:00 1 0 10813 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-08-25 14:48:00 2008-08-25 14:48:00 1 0 10815 Anonymous noreply@blogger.com 2008-08-25 13:37:00 2008-08-25 13:37:00 1 0
Why do I enjoy and recommend the A-Z series for elegant embroidery at all levels?]]> 10820 Whitaker noreply@blogger.com 2008-08-25 10:41:00 2008-08-25 10:41:00 1 0 10823 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-08-25 08:52:00 2008-08-25 08:52:00 1 0 cool solution - but it's not nearly as elegant as hers.]]> http://www.needlenthread.com/2008/08/oh-no-needlework-shopping.html Sat, 23 Aug 2008 11:53:00 -0500 Mary Corbet 637 2008-08-23 11:53:00 2008-08-23 11:53:00 open open Oh,-NO!-Needlework-Shopping! publish 0 0 post Real Live Needlework Shop. It's been a while! Though I don't have time to be gone for the Whole Day, it's pretty exciting. (Doesn't take much to excite me, does it??)

If you haven't read this month's Needlework Stash Give-away post, do read it and sign up! It's a good book and some nice threads!

Also, coming up tomorrow, I've got a book review on a nice book I received yesterday as a gift!

I'm off to shop - I'll show you what I come up with later!]]> stash contest miscellaneous embroidery musings 10834 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-24 20:56:51 2008-08-24 20:56:51 1 0
It didn't end up being "that" interesting of a trip, and I was kind of disappointed with the selection, but I did get most of what I needed!]]> 10837 Laura Bullinger noreply@blogger.com 2008-08-24 18:14:00 2008-08-24 18:14:00 1 0 10875 Cindy in Oregon noreply@blogger.com 2008-08-23 13:31:00 2008-08-23 13:31:00 1 0 http://www.needlenthread.com/2008/08/august-embroidery-stash-give-away-its.html Fri, 22 Aug 2008 06:00:00 -0500 Mary Corbet 638 2008-08-22 06:00:00 2008-08-22 06:00:00 open open August-Embroidery-Stash-Give-away!-It's-a-Good-One! publish 0 0 post better than all that!

For those of you new to concept, during 2008 I decided to reduce bits and pieces of my needlework stash and little odds and ends useful to the embroiderer, and to do this, I've established a kind of monthly "contest." Oh, it's not much of a contest - you don't have to do tooooo much hard work to have a chance to win!

This month, there are a few threads in the give-away:



From left to right, there's some yellow floche, followed by some blue floche and some blue Danish flower thread. I compared the floche and Danish flower thread a few days ago, if you aren't familiar with either of them.

Then, on the right, screaming at you in Really Bright Pink, is a nice skein of Au Ver a Soie's Soie d'Alger. This is absolutely my favorite stranded silk to stitch with - ok, maybe not in that color, but golly - I love this thread.



Then, for the fun of it, some embellishments - some Mill Hill frosted glass beads in a dark red (very pretty), and a little heart-shaped-lock-sort-of-charm thingy.

But here's the icing, and the whole cake, too -----



Yes, your very own copy of A-Z of Embroidery Stitches 2, wherein you will find step-by-step photo instructions for about 145 stitches, in true Country-Bumpkin style. It's an excellent book...



...packed with photos of stitches and tips and tricks for working them, as well as nice pictures of inspirational embroidery stuff. Oh yes. There is nothing you won't love in this book.



The book features more of the "unusual" or uncommon stitches, and a lot of composite stitches (which are stitches comprised of two or more kinds of stitches). It's a fun book, and would be a great resource for anyone into any kind of surface embroidery. To buy the book new here in the States, it's anywhere from $25.00 - $33.00. This book is new - I pulled the sticker off when I got it, but haven't used the book itself. It's been sitting on a shelf.



So there's the little heap.

Now, to win this, you have to do something...

(My brain is actually running dry on ideas right now!)

SO, this is what I want you to do:

Comment below, and suggest a needlework-related question that would be suitable to these stash contests. That way, you're helping me a little bit by setting me up for the next contest!

The nitty-gritty:

Your comment must be made on the website, not replied to via e-mail or the newsletter. To leave a comment, click on the heading of this article. You'll end up on the article's page on Needle'nThread. Scroll to the very bottom of the article, and find the link that says "Click to Comment." Click it. You may choose to comment "anonymously" (that way, you don't have to have an account), but in your comment, please leave some sort of identifying name or initials or something, so that I can count you in!

Suggest a needlework-related question in your comment - if you need ideas of the types of questions I ask, check out the other stash contests I've had on needle'nthread. You'll notice the questions aren't all that original - maybe you can come up with something really clever and exciting! I like questions that elicit information or ideas for other needleworkers, the answers of which would provide helpful information, instruction, or inspiration.

The contest is open to all readers, regardless of your location. I will ship overseas via the least expensive airmail method. I've shipped to several countries - Hungary (I never heard if that one arrived?), Germany (never heard back from that one, either), Australia several times (always heard back from the Australians!), and around the States. I'm really open to shipping anywhere, so don't be shy!

And the contest ends next Wednesday morning, August 27th, at 4:00 am Central Time (US), because I usually post by 6:00 am. I will pick the winner using a random number picker.

I'll announce the winner on Wednesday, at which point, the winner has to contact me. If I don't hear from the winner within two days, I'll draw another name.

I'm actually very excited to give this book away because I like it so much. I have a duplicate copy that was given to me, so I'll keep the given one and give away the bought one!

Good luck!
]]> stash contest pictures 9000 Anonymous noreply@blogger.com 2009-02-01 09:08:00 2009-02-01 09:08:00 1 0 9753 graperoof907 noreply@blogger.com http://www.blogger.com/profile/14331941170827894285 2008-11-16 21:06:00 2008-11-16 21:06:00 1 0 The book your are offering looks cool. another question, what threads do you like best for which stitches and what fabric do you use for what
jan in indiana]]> 9756 Anonymous noreply@blogger.com 2008-11-16 16:34:00 2008-11-16 16:34:00 1 0 I am currently on different projects some of which are for framing. They include cross-stitch - a bouquet of flowers, embroidery on a child'spillow-cover. My major projects are embroidery for framing which includes a lot of filling work with long and short,chain, split and stem stitch. I found myself getting more and more fascinated with filling in long-n-short...Dorothy]]> 10214 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-10-10 04:32:00 2008-10-10 04:32:00 1 0 10783 Anonymous noreply@blogger.com 2008-08-27 20:05:00 2008-08-27 20:05:00 1 0
I'd also like to see more information on dimensional stitches for embroidery.

Thanks! Your website is great and I love your e-mail messages.

Rosalie]]> 10785 GiGi noreply@blogger.com http://www.blogger.com/profile/06631696284314570628 2008-08-27 12:32:00 2008-08-27 12:32:00 1 0
I don't have a question but there are some books that I would like you to check. Here is the site http://www.fluffbuff.com/2007/11/tiny_garden2.html.

Gloria]]> 10787 Anonymous noreply@blogger.com 2008-08-27 11:54:00 2008-08-27 11:54:00 1 0 It is always fun doing something you love.
pegilee]]> 10789 Anonymous noreply@blogger.com 2008-08-27 11:11:00 2008-08-27 11:11:00 1 0 Jaci E]]> 10792 jammie noreply@blogger.com 2008-08-27 07:38:00 2008-08-27 07:38:00 1 0 10793 Heather noreply@blogger.com http://independentneedleworknews.com 2008-08-27 01:08:00 2008-08-27 01:08:00 1 0 10794 Susan noreply@blogger.com http://www.blogger.com/profile/03853484593347916090 2008-08-26 22:40:00 2008-08-26 22:40:00 1 0
My suggestions for questions:
1. What technique would you like to learn next?

2. What is your favorite take-along project (one that can be easily transported and worked on while waiting for kids, etc.)?]]> 10795 Sommer noreply@blogger.com http://www.blogger.com/profile/01677835522573541445 2008-08-26 22:32:00 2008-08-26 22:32:00 1 0
My question....
I am a procrastinator...what inspires you to start one of the million projects i have ready to start?]]> 10800 Diane noreply@blogger.com 2008-08-26 19:30:00 2008-08-26 19:30:00 1 0 Do you think I could teach myself to embroidery?
I did it yearssssssssss ago but have forgotten how. I didn't even know they had different threads.
Diane
DPQuilter@aol.com]]> 10802 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-26 18:59:46 2008-08-26 18:59:46 1 0
I wanted to let you know that there is such a forum - it's called "Stitchin' Fingers," begun by SharonB, and you can find it here:
http://stitchinfingers.ning.com/

It's an excellent community site!]]> 10803 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-08-26 18:59:00 2008-08-26 18:59:00 1 0 10804 DonnaC donnac368@aol.com 2008-08-26 17:56:00 2008-08-26 17:56:00 1 0 10805 Kirsten noreply@blogger.com http://kissycross.twoday.net 2008-08-26 12:05:00 2008-08-26 12:05:00 1 0 Kirsten]]> 10807 Joan in Reno noreply@blogger.com http://www.blogger.com/profile/15494265725689820056 2008-08-26 10:07:00 2008-08-26 10:07:00 1 0 I love the site and find it full of useful information for "newbies" like me. I would love to know what type of projects would be appropriate for the different stitched in the A to Z book. Also, how does one go about choosing the appropriate thread for a particular project. Thanks!]]> 10810 Sharon safischer1@comcast.net http://www.blogger.com/profile/03274461697914547387 2008-08-25 19:39:00 2008-08-25 19:39:00 1 0 10814 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2008-08-25 14:36:00 2008-08-25 14:36:00 1 0 Melissa]]> 10816 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-08-25 13:23:00 2008-08-25 13:23:00 1 0 10818 Anonymous noreply@blogger.com 2008-08-25 13:02:00 2008-08-25 13:02:00 1 0 Dawn R.]]> 10819 Grace Bader noreply@blogger.com 2008-08-25 12:36:00 2008-08-25 12:36:00 1 0 10821 lewmew@hotmail.com noreply@blogger.com 2008-08-25 09:48:00 2008-08-25 09:48:00 1 0 10822 Sarah noreply@blogger.com http://www.blogger.com/profile/15213423776956991893 2008-08-25 09:12:00 2008-08-25 09:12:00 1 0
Great site -- I just discovered it.
My question to readers would be what why do they use embroidery in unique ways -- For example, I'm very interested in embroidering paper and using it to make books.

Sarah]]> 10826 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-08-25 02:44:00 2008-08-25 02:44:00 1 0 Clever question for the stash contest this month ! ;) :)
My question would be - What all finished goods (Frames, pillowscases etc) you create from your embroidered pieces? Or if I rephrase the question - What are the various articles you use embroidery on?
Thanks.
Shrenika(India)]]> 10827 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-08-24 22:20:00 2008-08-24 22:20:00 1 0 10828 Anonymous noreply@blogger.com 2008-08-24 22:14:00 2008-08-24 22:14:00 1 0 10830 Marian noreply@blogger.com 2008-08-24 22:08:00 2008-08-24 22:08:00 1 0
Okay, to the questions. Here are a couple:-

1. Why did you take up embroidery?
2. What is your favourite completed a project?]]> 10831 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-08-24 22:06:00 2008-08-24 22:06:00 1 0 10832 annie (aka scooter) noreply@blogger.com http://www.blogger.com/profile/17208865987486965643 2008-08-24 21:45:00 2008-08-24 21:45:00 1 0 How much do you spend on supplies and where do you buy them?
annie]]> 10833 annie (aka scooter) noreply@blogger.com http://www.blogger.com/profile/17208865987486965643 2008-08-24 21:43:00 2008-08-24 21:43:00 1 0 What is your favorite way to organize or transport projects for on-the-go stitching?
How many projects do you have going at one time, and how do you organize / store them when you're not working on them?
annie]]> 10835 Danielle Haas noreply@blogger.com 2008-08-24 20:21:00 2008-08-24 20:21:00 1 0 I'm new to your site, so sorry if this has been asked before, but...
"What is your least favorite stitch, and why?"
You could use this to discuss problems and how to fix them, rescuing us from our least favorite stitches! Yay!
Email: bambi_raptor@hotmail.com]]> 10839 jan russell noreply@blogger.com 2008-08-24 17:16:00 2008-08-24 17:16:00 1 0 recently I joined a site where I take a stitch on tuesday and it is so much fun....I'm so new at this.
My question is what type of background fabric do you use with dmc threads..... what tools do you use for measuring marks on the background.............do you wash the fabric first before embroidery.....do you ever wash the thread before embroidery graper]]> 10840 graperoof noreply@blogger.com 2008-08-24 17:09:00 2008-08-24 17:09:00 1 0 10841 carmen noreply@blogger.com http://www.blogger.com/profile/18217932660530867874 2008-08-24 17:07:00 2008-08-24 17:07:00 1 0 10843 Karen South noreply@blogger.com http://www.blogger.com/profile/16077758537788880135 2008-08-24 15:50:00 2008-08-24 15:50:00 1 0
I'd love to win the A to Z book as it looks like a good one!]]> 10845 crystal noreply@blogger.com 2008-08-24 15:23:00 2008-08-24 15:23:00 1 0 cyclona66@aol.com]]> 10847 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-08-24 14:29:00 2008-08-24 14:29:00 1 0 By visiting the website, I see many blogs crafts and embroidery, but few like yours and Sharon, where people actually share their ideas.
Not to be asked because it is easier to learn and teach some people and others?
For that there zeal to teach tricks?
As you would like him to teach the web embroidery?
That methodology of teaching and learning is best placed to teach embroidery? See doing ...
Thank you for working so beautiful love your books. and thanks for your videos
veo todo los meses su concurso.. y bueno este mes dije si,,, solo por el libro que si es tan bueno como el numero 1. lo quiero.. a ver uso traductor, hoy casualmente alguien preguntaba sobre cual aguja era la mejor para pegar beads, y son pocas las personas que responden a una pregunta tecnica, por que no responde la gente a preguntas tecnicas?
Al visitar la web, veo muchos blogs de manualidades y bordados, pero pocos como el tuyo y Sharon, donde la gente realmente comparte sus ideas.
No se a preguntado por que es mas facil aprender y enseñar a unas personas y otras?
Por que existe celo en enseñar los trucos?
Como le gustaria le enseñaran por la web a bordar?
Que metodologia de enseñanza aprendizaje es la mas indicada para enseñar bordado? Ver haciendo...
Gracias por tan bello trabajo amo sus libros. y gracias por sus videos

Thanks
nela]]> 10849 Imaya A Nallusamy noreply@blogger.com http://www.blogger.com/profile/00733786200280568763 2008-08-24 13:32:00 2008-08-24 13:32:00 1 0 am new to embroidery...tell about ur first needle work?where did u get the intrest??
whats is the recently finished project?What difficutly did u face..like which stitch do u find very difficult???
Imaya]]> 10850 Expadriata noreply@blogger.com 2008-08-24 13:28:00 2008-08-24 13:28:00 1 0
What one thing do you wish you had known at the start of your needlework career that you would pass on to a beginner or child just starting out?

Regards
Expadriata]]> 10852 Sharon K. Lozano noreply@blogger.com 2008-08-24 12:56:00 2008-08-24 12:56:00 1 0 10853 Anonymous noreply@blogger.com 2008-08-24 11:06:00 2008-08-24 11:06:00 1 0 I think questions as to what people do with their finished projects and the type of fabric used would be great info along with the threads/emblellishments.
Pat S.]]> 10854 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-08-24 10:24:00 2008-08-24 10:24:00 1 0
another lovely contest, and of course I would love to win it.

Now, as to the crux of this contest: needlework-related question that would be suitable to these stash contests.

1. favorite type of needle, fabric, floss/threads and why--benefits or advantages etc

2. Suggestion of new or different stitches to video for the tutorial

3. where does yor work end up? finished? given away? sitting in a box?

4. Favorite finishing methods. Framing, turning into a useful object like a biscornu, pinkeep ect.

5. One if you are feeling brave: if you owned the site, what changes would you make?

6.What should I (as in you Mary, LOL)publish first: A wonderful book full of all the insight and instructions from the website, or a video DVD of the same. The one woth the lesser amount of votes should be published the following year. =)

I think that is it for now

ruth M]]> 10855 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2008-08-24 10:23:00 2008-08-24 10:23:00 1 0 Where do you get designs and ideas? How much prep work do you put into the design (sketching, rearranging pieces, etc.)?
What other forms of handwork do you find inspiring?
What stitches do you find work better with some threads than others?]]> 10857 Kim noreply@blogger.com http://www.blogger.com/profile/08867168837858287757 2008-08-24 09:19:00 2008-08-24 09:19:00 1 0
How did you first get started in needlework or who introduced you needlework - and how old were you?

Do you have motivation advice for finishing UFOs?

What magazines or books have been most inspiring for your needlework?]]> 10858 Tom and Donna Traill noreply@blogger.com http://www.blogger.com/profile/11435035730759264737 2008-08-24 08:51:00 2008-08-24 08:51:00 1 0
I have not embroidered in a very long time and would love the book to help me remember how to do all those beautiful stitches.

My question is on storage. I live in an RV full-time and am traveling the US from coast to coast. While a normal person with a real closet and such can stash stuff away to await the next project, I am really limited on space. I have to be careful on weight as well.

Do you have some secrets on how to store the most 'stuff' in the least possible space?

I have not embroidered in a very long time and would love the book to help me remember how to do all those beautiful stitches.]]> 10859 Beto Fae noreply@blogger.com http://www.blogger.com/profile/01897525734221027868 2008-08-24 07:42:00 2008-08-24 07:42:00 1 0 10860 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2008-08-24 04:21:00 2008-08-24 04:21:00 1 0 with so much choice out there how do people narrow down the projects they actually do?

and thinking of those projects that are started and then left by the wayside, what made you put them down and pick up something else??

Suzi]]> 10861 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-08-24 00:37:00 2008-08-24 00:37:00 1 0
Melisa B]]> 10862 I am Arizona; a person, not a place. azlag@comcast.net http://www.blogger.com/profile/18162117959024394009 2008-08-23 23:27:00 2008-08-23 23:27:00 1 0 10863 Trudy noreply@blogger.com http://www.blogger.com/profile/05186236807045797600 2008-08-23 22:04:00 2008-08-23 22:04:00 1 0 I have a little giveaway going on at my blog if your interested in primitive penny rugs.

I am just learning some new embroidery stitches, and would really like to know what everyone's fav book for reference is? You know, the kind of book you would take if you were stranded on a deserted island:)

Love your blog so much, that I have spent many hours reading, and to few hours stitching.

Thanks,
Trudy]]> 10864 graperoof907 noreply@blogger.com http://www.blogger.com/profile/14331941170827894285 2008-08-23 21:34:00 2008-08-23 21:34:00 1 0 10865 Sandy noreply@blogger.com http://www.blogger.com/profile/05413629575356026809 2008-08-23 21:32:00 2008-08-23 21:32:00 1 0 Mary, you have given me a lot of very useful information like fabric, threads, stitches, etc. This has been extremely helpful.

My question is how do you attach beads to the embroidery work??

What is the best thing to use to mark or draw the design on the fabric???

When designing your own pattern, how do you decided what stitches to use???]]> 10866 Sandy noreply@blogger.com http://www.blogger.com/profile/05413629575356026809 2008-08-23 21:31:00 2008-08-23 21:31:00 1 0 Mary, you have given me a lot of very useful information like fabric, threads, stitches, etc. This has been extremely helpful.

My question is how do you attach beads to the embroidery work??

What is the best thing to use to mark or draw the design on the fabric???

When designing your own pattern, how do you decided what stitches to use???]]> 10867 graperoof907 noreply@blogger.com http://www.blogger.com/profile/14331941170827894285 2008-08-23 21:27:00 2008-08-23 21:27:00 1 0 10868 Anonymous noreply@blogger.com 2008-08-23 20:41:00 2008-08-23 20:41:00 1 0 I was wondering what stitch/project would you offer a friend just starting out with embroidery? What is your best idea for introducing them to the art without overwhelming them?
I'd love to hear your thoughts!
BTW, there are some great questions posted here!]]> 10869 Kelley Poulos noreply@blogger.com 2008-08-23 19:15:00 2008-08-23 19:15:00 1 0
Some possible questions
-what are you working on now
-what was your first project
-what was your favorite project
-what was project did you hate
-what project has/had you stuck

KelleyP]]> 10870 Sarah noreply@blogger.com http://www.blogger.com/profile/05727234811174883846 2008-08-23 17:38:00 2008-08-23 17:38:00 1 0 10871 Sommer noreply@blogger.com http://www.blogger.com/profile/01677835522573541445 2008-08-23 16:22:00 2008-08-23 16:22:00 1 0
What do you like to embroider? cats, owls, mushrooms, dogs, etc...]]> 10872 Anonymous noreply@blogger.com 2008-08-23 14:45:00 2008-08-23 14:45:00 1 0
My question is:
When you're not working from a kit with predetermined stitches, how do you decide what stitches to do? For example, why use seed stitch rather than satin stitch or French knots to fill in a space?
Is there any rule of thumb or is it strictly designer's choice?
Kris in Michigan]]> 10873 Anonymous noreply@blogger.com 2008-08-23 14:18:00 2008-08-23 14:18:00 1 0 Liz S.]]> 10874 Anonymous noreply@blogger.com 2008-08-23 14:08:00 2008-08-23 14:08:00 1 0 Thanks alot,
Lisa Mitchell]]> 10876 Beth adagecat@gmail.com http://www.blogger.com/profile/00734326566763419375 2008-08-23 12:47:00 2008-08-23 12:47:00 1 0
Tension has been an issue, but I've finally got the hang of it and come to the point where I really enjoy holding the fabric in hand and working the stitches that way.

What I'm wondering, though...is it possible to do the type of embroidery you do (surface embroidery? crewel? I'm not even sure what to call it!) without stretching the fabric taut in a hoop or q-snap? I would love to venture out into new techniques, but this is what's holding me back right now.

Thanks for the opportunity to participate in the giveaway!]]> 10877 52X52 noreply@blogger.com http://www.blogger.com/profile/01977653186786832742 2008-08-23 10:14:00 2008-08-23 10:14:00 1 0
Lesley]]> 10878 Catrina Bradley... catrina@faithwriters.net http://www.blogger.com/profile/04759918426263780732 2008-08-23 10:01:00 2008-08-23 10:01:00 1 0 Question suggestions: How old were you when you started stitching? What was your first project? Did you have someone teach you, or did you plow in on your own?
Love your blog!!]]> 10879 KerGiz noreply@blogger.com http://www.agr.unideb.hu/~kergiz/cross/ 2008-08-23 09:55:00 2008-08-23 09:55:00 1 0
I was the winner of the March stash contest, from Hungary. Unfortunately the package did't arrive. I think it is lost, forever... :-( I would like to try again...

As I have a cross stitch web page of my own, I have many questions. I list some of the general questions, which are applicable to regular needlework, too.
- What kind of fabric do you prefer?
- What color of fabric do you prefer?
- How many projects do you stitch simultaneously? (one, two, many - I usually stitch two projects, a big, intricate piece and one small, relaxing one)
- Do you go to stitcher's meeting?
(I have a small cross stitcher group, we meet about every other month)
- What theme do you like to stitch? (Flowers, animals, people, landscapes, nonfigurative, etc.)

I love the other questions, very much... :-)

Regards,
KerGiz, Hungary]]> 10880 Laura Bullinger noreply@blogger.com 2008-08-23 09:03:00 2008-08-23 09:03:00 1 0 10881 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2008-08-23 07:48:00 2008-08-23 07:48:00 1 0 10882 Anonymous noreply@blogger.com 2008-08-23 07:42:00 2008-08-23 07:42:00 1 0
I have several questions:

- What design process do you use for creating an original work?

- When a project goes sour, where do you go for help?

- Do you practice your stitches or do you just plow into your project?

- How does one go about marking the fabric for particular stitches. I am a Crazy Quilter and I look for seam treatments. Is there a particular marking tool to help you get your stitches even?

- Motifs used in CQ blocks - likewise, how does one mark the stitches?

- If I had to depend on one resource for my embroidery - what would it be - internet, book, dvd?

Thanks,

Deborah aka Quilteddiva]]> 10884 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-08-23 07:06:00 2008-08-23 07:06:00 1 0 Which embroidery thread and what stich would you use to attach embelishments? Kathyinozarks]]> 10885 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-08-23 06:59:00 2008-08-23 06:59:00 1 0 I love embelishments, however I am very new to embroidery.
My question is What embroidery stitch from this book would you use to secure the little locket embelishment, and also which of these embroidery threads and what stitch from the book would you use for the seed beads.
thanks so much again for these wonderful stashes Kathyinozarks]]> 10886 Ghea noreply@blogger.com 2008-08-23 03:37:00 2008-08-23 03:37:00 1 0 I love your site, it's so usefull. And thank you about the bit of international shipment, it couraged me to answer.

These are my questions:
* Why do you do embroidery?
* How you started to do it?]]> 10887 Rhonda quiltingdoxies@gmail.com http://www.blogger.com/profile/07161833256604099231 2008-08-23 01:19:00 2008-08-23 01:19:00 1 0 I just discovered your site a few days ago and love it.
My question is how do you decide what thread to use where, and what is the best needle to use?]]> 10888 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-08-22 19:32:00 2008-08-22 19:32:00 1 0 hmm...question
* what has been the most challenging stitch for you to learn
* what kind of needlework do you currently do, and what do you want to try

You could pick a type of needle work and make us research its origins. Make us sing for our supper. (that sounds like hard work doesn't it!)]]> 10890 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-08-22 18:25:00 2008-08-22 18:25:00 1 0 So...my question...
Where is your favourite place to stitch and when do you stitch?
Cheers
Mary Anne]]> 10891 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-08-22 16:53:00 2008-08-22 16:53:00 1 0 My ideas:
favourite book, and most used book - for 1. technique and 2. inspiration
favourite thread type
favourite way to finish embroidery - what d you use it for.
what do you use as inspiration, if you dont follow patterns or use kits]]> 10892 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-08-22 15:38:00 2008-08-22 15:38:00 1 0 10893 Debby noreply@blogger.com 2008-08-22 15:37:00 2008-08-22 15:37:00 1 0
Since my daughter and I took your embroidery classes this summer,I'm trying to come up with some ideas for projects that would be fun, but not too difficult.

Ergo my question: What are some fun and easy projects to do for a beginner who really wants to make some progress in embroidery skills?]]> 10895 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-08-22 14:36:00 2008-08-22 14:36:00 1 0 * How do you keep your unfinished and long pending embroidery projects nice and clean? (Yeah,u guessed it right, I have some stashed somewhere deep inside my cupboard)]]> 10896 jenni jenni.simplebeans@gmail.com http://www.blogger.com/profile/00385400502092186947 2008-08-22 13:41:00 2008-08-22 13:41:00 1 0 10897 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-08-22 12:02:00 2008-08-22 12:02:00 1 0
Or
"Tell me about the piece of embroidery that gave you the most pleasure to do, and why?"

or
Your worst embroidery horror story? the piece that fought you all the way?]]> 10899 Anonymous noreply@blogger.com 2008-08-22 11:26:00 2008-08-22 11:26:00 1 0
What is your favorite sort of embroidery project? Do you like to create utilitarian pieces such as tablecloths, pillowcases or tea towels? Or is creating an art piece that will hang on a wall more to your liking? Or do you prefer repairing and restoring and antique piece of embroidery? Do you prefer a kit where all the components needed are included and at hand? Or would you rather pick out the types and colors of threads, the fabric and the designs to be used, to create a project from scratch?

-Jeannine]]> 10900 Anonymous noreply@blogger.com 2008-08-22 11:10:00 2008-08-22 11:10:00 1 0
I'm also curious to know what happens to the finished project. Do they keep their stitching or do they give it away?

celeste]]> 10901 deep noreply@blogger.com 2008-08-22 11:02:00 2008-08-22 11:02:00 1 0 10902 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-08-22 09:49:00 2008-08-22 09:49:00 1 0
But, since it's about the conteSts -

"What is your favorite non-embroidery-related inspiration for your work? Do you like to stroll through the flower market, or look through bulb catalogs for ideas? Maybe it's architecture, or found objects - what do you find yourself looking to for design ideas?"]]> 10903 Whitaker noreply@blogger.com 2008-08-22 09:49:00 2008-08-22 09:49:00 1 0
Love your blog (some shameless flattery going on here). :-D

My suggestion would be to ask readers what embroidery advice or tip has been the best or most useful they've received (and it mustn't be something that you've given in your blog).]]> 10904 Carolyn noreply@blogger.com http://www.blogger.com/profile/01692253598316457154 2008-08-22 09:38:00 2008-08-22 09:38:00 1 0 10905 Angie B. noreply@blogger.com http://angie.k.brennan.googlepages.com 2008-08-22 07:50:00 2008-08-22 07:50:00 1 0
* Ask blog readers what sort of project they might use the stash giveaways for (example: with this month's goodies I thought of decorating a little handbag with beads along the bottom of the outer flap & embroidering flowers above them, with the heart charm dangling outside a snap in the center.)

* Ask readers what stitch they would like to see added to the video library.

* Ask readers for needlework questions you can feature in a monthly "Ask Mary" blog post using several questions you've collected (which you could answer by linking to previous posts if you've already discussed the topic.)

* Ask readers to help you come up with a clever name for an "Ask Mary" column using some type of embroidery terminology! :-)]]> 10907 Ruut noreply@blogger.com 2008-08-22 06:54:00 2008-08-22 06:54:00 1 0
Question: How do you psyche yourself to start a project that's been waiting around for a while and the passion for it is no longer fresh -or even there?]]> http://www.needlenthread.com/2008/08/readers-embroidery-quilt-blocks-of.html Wed, 20 Aug 2008 06:00:00 -0500 Mary Corbet 639 2008-08-20 06:00:00 2008-08-20 06:00:00 open open Reader's-Embroidery:-Quilt-Blocks-of-the-Month publish 0 0 post

One reason I like these types of hand embroidery projects is because they are filled with a variety of stitches, and you have pretty much an unlimited choice of colors. I think these types of blocks are excellent for beginners, and are a great way to make something that can be treasured by family or friends for a long time to come.

Here are her blocks:



I love the seed stitching in the flowers, and the variety of leaves, don't you?



Again, the seed stitching is great for filling! I can't decide what I like best on this one - I think I like the sand!



It's easy to pick a favorite aspect of this block - I love the turkey's feathers!

Good job, Jeannine! These are great - what a lot of fun! And it's wonderful to be able to see what others are doing out there in the embroidery world... seeing other people's work is a great way to get inspired!

If you've been working on something lately and want to send along a progress report, I'd love to see your current project. Contact me, and I'll e-mail you back, so you can send an attachment!

I hope everyone's having a great week - I, personally, am work-swamped. But this, too, shall pass!
]]> readers embroidery pictures needlework pictures 10829 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-08-24 22:13:00 2008-08-24 22:13:00 1 0 10906 Anonymous noreply@blogger.com 2008-08-22 07:33:00 2008-08-22 07:33:00 1 0
To the person who asked if I could share where I got the patterns...I got the stamped blocks in an ebay auction. They didn't come in any packaging that indicated where they originated from. They just came in an old plastic supermarket bag.

I believe they have some age to them but I couldn't say exactly when they were made. I'm always looking high and low for quilt blocks and quilt block patterns, but I've not seen these particular BOM designs being offered again either as stamped blocks or as iron on transfers. I wish I could be of more help, sorry. :-/
-Jeannine]]> 10911 Laura Bullinger noreply@blogger.com 2008-08-21 19:53:00 2008-08-21 19:53:00 1 0 10915 Anonymous noreply@blogger.com 2008-08-21 09:39:00 2008-08-21 09:39:00 1 0 10920 Anonymous noreply@blogger.com 2008-08-21 07:08:00 2008-08-21 07:08:00 1 0
I learned a good lesson with these blocks though. I learned that if you really don't care for a design element on a pattern before you've stitched it, you probably won't like it any better after you've stitched it.

I didn't care for the lettering used for the names of the months before I stitched them and I cared for them a lot less afterward. It was silly not to find a font that I liked to replace what was on the pattern. I'll know better next time and not be afraid to alter whatever I wish on a pattern if I think I can make it more to my liking. -Jeannine]]> 10921 Marian noreply@blogger.com 2008-08-20 23:34:00 2008-08-20 23:34:00 1 0 10923 rubyfig noreply@blogger.com www.rubyfig.etsy.com 2008-08-20 20:26:00 2008-08-20 20:26:00 1 0 10924 Anonymous noreply@blogger.com 2008-08-20 19:48:00 2008-08-20 19:48:00 1 0
Oh the colors are so nice!! Mary - thank you for sharing. Linda K.]]> 10926 zetor noreply@blogger.com http://www.blogger.com/profile/05912433866457968555 2008-08-20 09:16:00 2008-08-20 09:16:00 1 0 http://www.needlenthread.com/2008/08/readers-embroidery-saxon-and-norman.html Tue, 19 Aug 2008 06:00:00 -0500 Mary Corbet 640 2008-08-19 06:00:00 2008-08-19 06:00:00 open open Reader's-Embroidery:-Saxon-and-Norman?? publish 0 0 post Ivanhoe, you'll know why I was thinking in terms of opposites...

First of all, here's a pretty cool piece of Celtic knotwork that Christi stitched for her brother. He found the design somewhere and liked it, so she decided to convert it into an embroidered piece. He calls them "Saxon Dogs," and if you follow the intricate lines of the knotwork, you can finally arrive at the part that looks like a dog! Click on the image for a larger version, if you want to see it up close. It's worked in satin stitch and (I think?) stem stitch on muslin, with black DMC stranded cotton.



I love the knotwork - I think it looks great in black. I especially like the way the design flows so smoothly.

So that's the Saxon part of the post...

The "Norman" part of the post is a little fleur de lys that I think is really pretty:



I like the seed stitching for the shading, and I love the colors!

Christiana is in the process of repairing a piece of ecclesiastical needlework right now - the hood of a cope, worked in gold metal threads and silk. I think she was rather valiant to take the job on, and I hope she's surviving it!
]]> readers embroidery pictures needlework pictures 9608 Anonymous noreply@blogger.com 2008-12-04 06:39:00 2008-12-04 06:39:00 1 0 10922 Laura Bullinger noreply@blogger.com 2008-08-20 21:11:00 2008-08-20 21:11:00 1 0 10925 Anonymous noreply@blogger.com 2008-08-20 14:39:00 2008-08-20 14:39:00 1 0
I'm glad they're such a hit; they were sooo much fun to stitch.

Thank you all for your wishes of luck on the cope hood project. I certainly need it! I'm afraid I'm in a little over my depth. :-)

Christiana]]> 10929 AmyBP noreply@blogger.com 2008-08-20 08:01:00 2008-08-20 08:01:00 1 0 10930 Anonymous noreply@blogger.com 2008-08-20 07:51:00 2008-08-20 07:51:00 1 0 -Jeannine]]> 10931 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-08-20 00:29:00 2008-08-20 00:29:00 1 0 Thanks a lot. I will definitely try it out. It sounds so much fun ! :)
The blackwork is amazing and the fleur de lys is very cute. Well done Christiana. Thanks Mary for sharing with us. :)]]> 10932 Marian noreply@blogger.com 2008-08-19 21:01:00 2008-08-19 21:01:00 1 0 10936 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-19 09:39:00 2008-08-19 09:39:00 1 0 http://www.needlenthread.com/2008/08/cotton-floche-vs-danish-flower-thread.html Mon, 18 Aug 2008 06:00:00 -0500 Mary Corbet 641 2008-08-18 06:00:00 2008-08-18 06:00:00 open open Cotton-Floche-vs.-Danish-Flower-Thread publish 0 0 post

I've talked a bit about floche before, and have already written up a comparison between floche, perle cotton, and stranded cotton. This time, I'm throwing Danish flower thread into the mix.

First, let's take a look at the two types of threads in pictures...



Above, a pile of floche....



... and here's a (smaller) pile of Danish flower thread.



And here are the two together. Right off, you can see a difference between the two threads. The Danish flower thread is in the foreground. Notice that that there's no real sheen on it like there is on the floche.

Floche is mercerized cotton, so it has a nice shine to it. Danish flower thread is matte cotton, so there's no shine to it.



There are two similar blues as far as colors go - but they look distinctly different, for two reasons. One is the sheen from the mercerization on the floche. The other is the twist of the individual thread. If you look at the floche, in this picture you can see that the individual threads (each ply that makes up the strand) are not too tightly twisted. On the Danish flower thread, the plies are twisted relatively tight, compared to the plies on the floche. The twist definitely has a lot to do with the reflection of light on a thread, so it isn't just the shine of the mercerization that makes floche and flower thread different.

But twist and finish (matte vs. mercerized) aren't the only differences in the two threads.



Here, I've lined the two threads up next to a #8 pearl cotton. Actually, a #12 would have been closer in size - but I only have white in #12, and it didn't show up as well.

If you look at the construction of the threads, you can see that the pearl and the flower thread look alike, but the floche looks a lot smoother. This is because the pearl and the flower thread are only two plies twisted relatively tightly, while the floche is five plies, and the twists that hold the plies together are much longer than the twists on the other two threads. I'm sure there's a technical name to the length of a twist... but... I don't know it!



I stitched two petals on a flower on a tea towel, each with a different thread.



Now, to test your attention span and observation skills so far, here's the quiz:

Which petal is floche, and which is flower thread?

If you said the top one is the flower thread, you're right. When you see them side-by-side, it's really easy to tell the difference between the two threads. Besides the obvious sheen on the floche, it is a "softer" looking thread.

Danish flower thread is a non-divisible thread (that means you don't separate it into smaller threads to work with), equal to about 2 to 3 strands of regular stranded cotton. As mentioned before, it's not mercerized, so it's got a matte finish, which makes it look, in a sense, "dull." To me, it almost feels like crewel wool, but with a tighter twist and not as much "fuzz." It feels sort of dry, if that makes any sense! Flower thread has been around for a while - the original Danish thread was produced in the early 1900's, when the thread was dyed to mimic plant dyed threads used in Scandinavian needlework. DMC eventually picked up the idea, and produces a flower thread as well, but the "original dyed" flower thread is Danish flower thread.

You may wonder what Danish flower thread is used for - why would a matte finish thread be popular enough that DMC would decide to produce a line of it, for example? The matte threads are wonderful for creating the look of historical embroidery - if you want a really old look to your work (if you're creating an historical sampler, for example), Danish flower thread is great for that.

Also, the contrast you can achieve in stitching with a matte finish thread now and then adds interest to a project. Imagine if you're stitching on a crazy quilt seam, for example, and you're using a fabric with a high sheen to it. A matte finish thread would stand out well on it. Think Mountmellick embroidery - it's the same concept. The contrast between the matte threads and the cotton sateen is characteristic of Mountmellick embroidery, and really very beautiful.

So there's yet another cotton thread to consider giving a try! You can find the original Danish flower thread through Hedgehog Handworks, where it's $1.20 per 21-ish-yard skein. I also get my floche through Hedgehog. It's beautiful stuff, isn't it?

Well, stay tuned this week - the August stash contest will feature both of these threads, along with... oh, a really good book!
]]> threads danish flower thread pictures floche 9952 Sleeper Springs noreply@blogger.com 2008-11-06 07:02:00 2008-11-06 07:02:00 1 0 9971 Scylla noreply@blogger.com http://www.blogger.com/profile/07750454407480216423 2008-10-31 07:45:00 2008-10-31 07:45:00 1 0 10933 Marian noreply@blogger.com 2008-08-19 20:59:00 2008-08-19 20:59:00 1 0 10935 backstitch noreply@blogger.com http://backstitch.wordpress.com/ 2008-08-19 12:05:00 2008-08-19 12:05:00 1 0 10937 Anonymous noreply@blogger.com 2008-08-19 07:33:00 2008-08-19 07:33:00 1 0 10938 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-19 06:47:35 2008-08-19 06:47:35 1 0
Welcome aboard!

Actually, I don't have a pattern for those. I took a bottle cap from a vitamin bottle and drew the circles, overlapping them and setting some forward and some back, then I just free-handed the faces with whatever came to mind!

Maybe I should work up a pattern for those one of these days, since several people have asked.

In the meantime, though - try your hand at it. You might find it's kind of fun to make up silly faces!

Margb - welcome back! I know life gets extra ordinarily busy now and then. But I'm glad you checked back in!

I'm glad you all like the thread comparisons... Jeannine, I compared the floche to DMC in the earlier post - I suppose I should have thrown it into the mix here. But you should get a good idea of it. I also mentioned that the flower thread is equal to 2 or 3 strands of stranded cotton... but that doesn't make much sense, I suppose, as there's quite a difference between 2 and 3 strands (well, at least one-third)... so I'd put it closer to 2 strands!

Susan. Yes. It's seems we have similar addictions! But hey, in the world we live in, it's not THAT bad of an addiction, relatively speaking!]]> 10939 Shrenika Kasera noreply@blogger.com http://www.blogger.com/profile/02207728816842040701 2008-08-19 04:30:00 2008-08-19 04:30:00 1 0 Many congratulations for the excellent site !
I am a newcomer to your site and saw many of your works in the Archives. Very beautiful work. Specially liked the "Asleep-Awake" pillowcases in November 07 posts as my next project is pillowcases. :) Would you be able to provide me with the pattern for those lovely faces?]]> 10942 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-08-18 17:52:00 2008-08-18 17:52:00 1 0 Thankyou for that comprehensive description of floche and flower thread. I tend to use mainly cotton and then mainly floss and perle but will need to track down some of the above. I quite like the little coton a broder I inherited - it stitches nicely.
Thanks again for a wonderful blog - I missed reading it for a while - too busy - and now I am back I have catching up to do!]]> 10944 Anonymous noreply@blogger.com 2008-08-18 15:47:00 2008-08-18 15:47:00 1 0
I also would like to thank you for these thread comparisons, Mary, they are very helpful and interesting.

Christiana]]> 10947 Anonymous noreply@blogger.com 2008-08-18 08:46:00 2008-08-18 08:46:00 1 0
I've seen the Danish flower thread and the now discontinued DMC flower thread on ebay and wondered about them. I was going to bid on an auction for the DMC flower thread but it turned out that lots of folks were bidding and the price went quite high, so I left it alone.

I did end up getting a batch of Anchor #5 pearl, and tho' I loved the colors in the batch, I didn't know what #5 guage (or any other guage for that matter) would be like, and it turned out it was a good bit heavier than I'd hoped.

Actually the various guages of thread, as compared to the only thread I really know, 6 strand DMC, is what has me most confused. The same could be said of the thickness of various types of thread, floche compared to coton a broder compared to 6 strand DMC for instance.

What would the most helpful thing ever for me, in trying to understand what these various threads may look like size wise, is if they could be compared to 6 strand DMC as the standard.

Know what I mean, jelly bean?...Like if you could say a strand of floche is equal to X number of strands of DMC. Coton a broder is equal to this number of strands. #8 gauge ='s this. #12 ='s this number of strands, etc.

I think if I had a better understanding of the sizes of threads I could get rid of the fright of ordering online. I don't want to get another big batch of threads that aren't really what I want to use, like the #5 pearl.

Thank you so much for this show 'n tell explaination on these threads, Mary! It really does help a lot!

And I'm sorry to press on your time with my confusion regarding various threads but I figured it couldn't hurt to tell you what has me baffled. I thought maybe somewhere down the line, you know, like if you trip over a big pile of spare time or something, you might be able to do some sort of size comparison dealie.
-Jeannine]]> 10948 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-08-18 08:31:00 2008-08-18 08:31:00 1 0 The floche is on the right because it has the sheen.]]> 10949 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-08-18 08:19:00 2008-08-18 08:19:00 1 0 10950 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-18 07:54:31 2008-08-18 07:54:31 1 0
Thanks for your comment!]]> 10952 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-08-18 07:04:00 2008-08-18 07:04:00 1 0 http://www.needlenthread.com/2008/08/good-lighting-for-needlework-boy-what.html Sat, 16 Aug 2008 17:13:00 -0500 Mary Corbet 642 2008-08-16 17:13:00 2008-08-16 17:13:00 open open Good-Lighting-for-Needlework---Boy,-What-a-Deal! publish 0 0 post

I have a couple lights I use for needlework - one is an Ott Light Plus, that can either sit in a heavy base on the table or can clamp to a table. It was my first needlework light purchase, and I've used it too many hours to count. I keep it in the 'garage-gone-studio' in the back of the house.

I also have in the living room one of the "decorative" variety of Ott lights that looks ok (when it's off). I'm not particularly keen on the blue-ish-bright glow that comes from Ott lights, as they aren't very "decorative" or warm looking when they're on. From outside looking in, they make the room look kind of cold. But still - for stitching under, the decorative ones like this are ok. They don't have the same "light coverage" as the long, wide, functional ones, though. The light shines in a pretty direct circle right where it's pointed, and that's it. Still, it's ok!

Now, for a good light, you're bound to spend quite a few bucks, right? Those links are all to Ott lights at Joann Fabric and Craft stores. When they're on sale for 40% off, you can get an ok deal on them.

But check out this light:



Though it looks like the Ott Light with the flexible arm, this is actually an Ultralux 55W floor lamp, by Full Spectrum Lighting. It differs from an Ott light in a couple ways, but the most notable way in my mind is that it has a dimmer. With Ott lights, you can either turn them on, or turn them off. With this Ultralux, you can adjust the range of brightness.



Now, the Ultralux floor lamp is rather expensive, too - this unit sells for around $180. The replacement bulbs are about $30.

It just so happens that a friend of mine was ducking into thrift stores last week, though, and she came across this Ultralux floor lamp... for a whopping whole $2. It didn't work but she bought it, thinking I might interested in it (thanks, Irene!), and realizing it could just be the matter of the bulb.

At first, when I realized the replacement bulb (it's that 4-tube bulb in the picture up there) was $30, I hesitated about buying one. After all, what if it wasn't the bulb? What if it was the lamp? I found a place with a good return policy, and decided to take the risk. To invest a little bit in shipping would be worth it, after all, if the light works.

Guess what?

It does!! And it's wonderful!

The moral of the story, then, is this: shop around! If you're looking for a good light for stitching, drop in regularly at well-stocked, well-frequented second-hand stores. You never know what you'll find!

And that brings me to the final question: What kind of lighting do you use for stitching, and why do you like it? I'd love to hear some reader resonse on this subject!

A little note on this week's book give-away: I'll be posting that later next week, combined with the August Monthly Stash Contest. I'm going to give away the A-Z of Embroidery Stitches 2, plus some threads and such. So keep an eye out for that!

And now, finally, after a busy week and a busy Saturday - I'm going to go spend some time with my needle 'n thread!

Have a great weekend!
]]> embroidery resources needlework tools pictures lighting 10883 Anonymous noreply@blogger.com 2008-08-23 07:18:00 2008-08-23 07:18:00 1 0 Martha McSweeney]]> 10954 Laura Bullinger noreply@blogger.com 2008-08-17 20:31:00 2008-08-17 20:31:00 1 0 Other than that I use sewing machine light and a small green flip-up tabletop Ott.]]> 10956 Marian noreply@blogger.com 2008-08-17 18:21:00 2008-08-17 18:21:00 1 0 10966 Cindy in Oregon noreply@blogger.com 2008-08-17 14:35:00 2008-08-17 14:35:00 1 0 10967 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-08-17 14:10:00 2008-08-17 14:10:00 1 0
As for other visual aids for stitching...I purchased a clip-on magnifying glass from Joann’s Fabrics that I've found very useful. It clips right on my embroidery hoop. Here it is.]]> 10970 Sandy noreply@blogger.com http://www.blogger.com/profile/05413629575356026809 2008-08-17 11:20:00 2008-08-17 11:20:00 1 0 Sandy]]> 10971 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-08-17 08:01:00 2008-08-17 08:01:00 1 0 on Ebay for a tenner. And not only that, I had an Ebay voucher worth a tenner which I used to pay for it, so technically free!

Well actually it was a bit more complicated than that, as a friend in Norfolk had to pick it up for me, and bring it to London the next time he was down, which involved me treating him and his wife to a damn fine pub lunch to say thank you, but still only £30, with pub lunch and catching up with old friends thrown in, so bargain!

It's not that strong a light, but because it's low energy and doesn't chuck out stupid amounts of heat and bendy, you can position it quite close, the magnifying glass is great if eyes are feeling tired, and I find the chart holder is more than strong enough to double as a clamp to hold the work! And it looks attractive.]]> 10972 Anonymous noreply@blogger.com 2008-08-17 07:01:00 2008-08-17 07:01:00 1 0 http://www.needlenthread.com/2008/08/monogram-for-hand-embroidery-letter-z.html Fri, 15 Aug 2008 14:25:00 -0500 Mary Corbet 643 2008-08-15 14:25:00 2008-08-15 14:25:00 open open Monogram-for-Hand-Embroidery:-Letter-Z publish 0 0 post

I still have a little tiny bit of work to do on the monogram alphabet. Thanks to Margaret, I've got the first half of the alphabet traced in vectors, so they'll have the same smooth lines. I just need to replace the fuzzier letters - so I'll be doing that in the next couple days!

I have a Celtic-like alphabet I'm thinking of doing next. The letters are smaller than these, and a little more intricate, but I like the alphabet! I've got it on my list of Things to Do... you know the list - the kind that keeps growing!

Here's the Z:



And for the rest of this particular alphabet, you can visit my Index of Monograms for Hand Embroidery, and you'll find them all there!

]]> free embroidery patterns monograms 4542 Anonymous noreply@blogger.com 2009-11-28 22:00:08 2009-11-28 22:00:08 1 0 10957 Marian noreply@blogger.com 2008-08-17 18:16:00 2008-08-17 18:16:00 1 0
A Celtic alphabet would be very nice.]]> 10973 Anonymous noreply@blogger.com 2008-08-17 06:31:00 2008-08-17 06:31:00 1 0 - J.]]> 10976 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-16 07:07:53 2008-08-16 07:07:53 1 0 10977 Anonymous noreply@blogger.com 2008-08-16 06:36:00 2008-08-16 06:36:00 1 0 - Jeannine :)]]> http://www.needlenthread.com/2008/08/wool-felt-book-winner.html Fri, 15 Aug 2008 07:36:00 -0500 Mary Corbet 644 2008-08-15 07:36:00 2008-08-15 07:36:00 open open Wool-Felt-Book-Winner! publish 0 0 post

Last Saturday, I posted a give-away for the book Wool Felting Workshop. It's a cute book - it doesn't get into the nitty-gritty of real felting, but rather it concentrates on working with wool felt in a variety of ways. Felting, I think, is touched on, but it isn't the focus. The focus is stuff you can make with felt.

This time, I tried something different. I counted the number of posts that were entries, and went to a random number generator, took the generated number and counted down the number of comments that were entries (so, I had to skip one comment, as it wasn't an entry.)

This is the number that was generated (no comment on ill luck!):



Yep, it's a 13. If you count down 13 entry comments, then, you'll see that the winner is... Mary Grace McNamara (MGM)!! And so, MGM, congratulations - please contact me with your shipping address, and I'll send that book to you!

I'm thinking about a stitch dictionary this weekend - I haven't quite convinced myself to let it go, as I could reasonably give it as a gift.... or just keep it, and hoard it, because I like it so much.... BUT.... I have duplicate copies of A-Z of Embroidery Stitches 2, and I was thinking..... aaaaack.

Isn't it hard to part with things we Really Like? Even if we have more than one of them? But I think it would make an appropriate give-away for a book on here! And of course, there's always the argument that the gift means more when it's harder to give.

But there's that little wicked selfish side of me that's saying "nooooooooooo, it's Mine...." I guess you'll have to check tomorrow to see what side wins out!
]]> Book Give-Away 10958 Marian noreply@blogger.com 2008-08-17 18:14:00 2008-08-17 18:14:00 1 0
A-Z have a second book of embroidery stitches??!! Oh, my fingers are itching to take me to a book shop :)]]> 10978 Anonymous noreply@blogger.com 2008-08-16 06:28:00 2008-08-16 06:28:00 1 0 -Jeannine]]> 10979 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-08-15 18:18:00 2008-08-15 18:18:00 1 0
Thanks so much for being so generous and for your great website!

MGM
www.HookedOnNeedles.com]]> http://www.needlenthread.com/2008/08/beautiful-embroidery-website-you-wont.html Thu, 14 Aug 2008 06:00:00 -0500 Mary Corbet 645 2008-08-14 06:00:00 2008-08-14 06:00:00 open open Beautiful-Embroidery-Website-you-Won't-Want-to-Miss! publish 0 0 post

Trish Burr has published a website - but it's not just "any" website. It's really pretty!



The site promises a free project, too - so that's something to keep an eye on while it's being developed.

What's really nice is Trish's gallery. You can see thumbnails of her work and click on them for larger versions. The larger versions are wonderful - you can see the individual stitches, which is great for developing an understanding of stitch direction and color combinations.



If you want to know a little bit more about Trish, you can read the article I posted on her and her book publishing adventures. The article is in two parts: Trish Burr, part 1, and Trish Burr, part 2. You'll see some of her works in the articles, too, but you can see them Even Better on her website!

Trish is a master at the whole long-and-short stitch / thread painting technique. Her works are featured in Country Bumpkin's Inspirations Magazine, and she's published four books, three of which are on long and short stitch techniques. If you're interested in this form of embroidery, but have perhaps been intimidated by its look of complexity, you may just be inspired enough by looking at Trish's work to plunge on in!

While you're browsing about, then, do check out Trish Burr online - you're bound to be impressed!
]]> Trish Burr embroidery resources needlepainting 10941 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-08-18 17:56:00 2008-08-18 17:56:00 1 0 10969 Sandy noreply@blogger.com http://www.blogger.com/profile/05413629575356026809 2008-08-17 11:26:00 2008-08-17 11:26:00 1 0 Sandy]]> 10981 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-08-15 10:40:00 2008-08-15 10:40:00 1 0 Thank you so much for this link I really love and enjoy your magnificent work on your blog!
A hug
Maria del Valle]]> 10982 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-08-15 08:23:00 2008-08-15 08:23:00 1 0
CA]]> 10988 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-08-14 21:33:00 2008-08-14 21:33:00 1 0 Thanks for the link
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 10991 Marian noreply@blogger.com 2008-08-14 18:51:00 2008-08-14 18:51:00 1 0 10993 Meeta V. noreply@blogger.com 2008-08-14 11:09:00 2008-08-14 11:09:00 1 0 10995 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-14 07:48:57 2008-08-14 07:48:57 1 0
Enjoy browsing - lovely stuff!!]]> 10996 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-08-14 06:46:00 2008-08-14 06:46:00 1 0 http://www.needlenthread.com/2008/08/finishing-linen-pouch-what-joy-what.html Wed, 13 Aug 2008 06:35:00 -0500 Mary Corbet 646 2008-08-13 06:35:00 2008-08-13 06:35:00 open open FInishing-the-Linen-Pouch---What-Joy,-What-Bliss! publish 0 0 post

After getting all the pieces together - the embroidery was finished, the piece was ironed, the cord, tassel, and button made, and the lining cut - it was time to put the pouch together. Unfortunately, I didn't take pictures at every single step, but I'll do my best to explain it!

First of all, the lining is the same as the outside piece of fabric, so I don't suppose you would actually call it a "lining." It's just two pieces of linen (Alba Maxima by Legacy), the outside piece being embroidered.

I turned the embroidery to the inside of the two pieces, and pinned together the part of the pattern that comprised the flap (where the embroidery is) and the very base of the pattern - but not the actual sides that comprised the bag. At the center point of the flap, underneath the tip of the embroidered cross (so they lined up), I pinned in the cord and tassel and left them between the two layers of fabric.



So right there, you're looking at the back of the embroidery. Notice that the flaps of the pouch have angled corners. That was a last minute decision, but I think it improved the looks of it.



This is the base of the pattern. Think of the pattern as just one looooong rectangle, with the flap at one end - with the embroidery and angled corners - and this straight edge at the other end. I pinned the base together, but didn't sew the whole thing, as I needed a turning hole. So the red line in the photo above represents the turning hole.



I sewed the base together (except the turning hole - and the top flap together (wrong sides facing). Now, refer to the diagram above, and I'll explain what I did next:

I pinched together the outside layer of the bag at the folding line between sections B and C, so that sections B and C of the outside layer were now folded with the right sides of the fabric together for that piece of linen (not the lining) only. Then I did the same with the lining linen, creasing it at the folding line between sections B and C, and putting the right sides of the fabric of the lining face-to-face.

I pinned those carefully, up the point where they met the end of the seam of the flap (section A), which was already sewn together. So the base line of the fabric (where the turning hole is) was now meeting just below the seams on the flap.

Then I sewed up the folded sides, almost to the seam on the flap, but not sewing into it.

Then I turned the whole darn thing inside out through the turning hole, which was no small accomplishment! Next time, larger turning hole!!! In fact, I wonder if the base actually needs to be sewn together at all, until the rest of the seams are sewn up - that's for further experimentation later.



But, it wasn't that much worse for wear after turning.

Then, once turned out, I pressed the seams and pushed the lining down into the bag (which turned it "inside out" again, but only now it was "right side out, going inside.") So the seams on the inside of the bag are completely finished. You don't see any turned-in fabric edges or anything inside the bag.



So there it is, ready to iron out...



...which I did, and then I decided to add a little knotted detail along the inside seam, in Palestrina stitch...



...which I did. I took the stitch horizontally and extended the leg, to overlap the seam. Actually, the way the stitch was worked, it becomes the "knotted pearl stitch," which is exactly the same (in movement) as the Palestrina stitch.



And you can see there the back of the flap on the right side of the picture, and the bag itself on the left side, with the detail of where the seams meet to form the bag, and the decorative stitching.



And that's the seam on the right side of the bag, with the Palestrina stitch.



And now you know which button I picked - the mother of pearl one. I just couldn't see using plastic on this! (Though I liked the stitching on the other button better!)



The finished piece is 10" wide and 8" high.

So that was a fun project, in a way, but a little tense, as I wanted it to be "perfect." It isn't, though. There are definite flaws, which is always good because: 1. it keeps me realistic, as it's a bit humbling, and 2. it marks it as handmade by me! I've never made anything that's "flawless"!!!!

But I'm glad it's finished. Not only am I looking forward to working with color again, but I'm also looking forward to working on something that's not got a pressured deadline on it. After I rumage around a bit, I'll let you know what I came up with!
]]> ecclesiastical embroidery whitework pictures linen needlework pictures 10983 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-08-15 08:16:00 2008-08-15 08:16:00 1 0
CA]]> 10986 Anonymous noreply@blogger.com 2008-08-15 07:37:00 2008-08-15 07:37:00 1 0
You know, after we are all long gone your beautiful needlework will still be loved and admired by others. It's a very beautiful legacy you're leaving, Mary. *hugs* - Jeannine]]> 10989 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-14 19:10:13 2008-08-14 19:10:13 1 0
Linens Pouch]]> 10990 Marian noreply@blogger.com 2008-08-14 18:55:00 2008-08-14 18:55:00 1 0 10992 Laura Bullinger noreply@blogger.com 2008-08-14 18:44:00 2008-08-14 18:44:00 1 0 10997 sewsewsimple noreply@blogger.com http://www.sewsewsimple.co.uk/blog 2008-08-14 03:12:00 2008-08-14 03:12:00 1 0 11000 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-13 18:45:57 2008-08-13 18:45:57 1 0
Thank you for your comments and compliments! I'm glad you like the pouch!

Christiana - the button and cord doesn't hold it as securely, say, as a snap would, but yes, securely enough. The pouch is usually just kept on a shelf or in a drawer in a sacristy - it doesn't generally get flung about much, though it may be carried for traveling, at which point, it would be packed with other items. So the twisted cord around the button holds the pouch closed, to keep linens from sliding out, but it isn't a "tight" close. It seems to be a well-liked method for these types of pouches, and I think it's attractive (more so than a snap, or velcro! Agh!)]]> 11005 Anonymous noreply@blogger.com 2008-08-13 15:22:00 2008-08-13 15:22:00 1 0 Does it close securely?
So pretty.
Christiana]]> 11006 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-08-13 14:59:00 2008-08-13 14:59:00 1 0
I think maybe it's harder to have something perfect when it's all white, because the eye isn't distracted by colour? (a humble theory)]]> 11009 Tracey traceycraig5@yahoo.com http://www.blogger.com/profile/04682641204566454521 2008-08-13 12:05:00 2008-08-13 12:05:00 1 0 11010 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-08-13 10:17:00 2008-08-13 10:17:00 1 0 I understand very well you have a strong wiil to embroiderer with color!]]> 11011 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-13 09:11:00 2008-08-13 09:11:00 1 0 http://www.needlenthread.com/2008/08/childrens-embroidery-project-butterfly.html Tue, 12 Aug 2008 06:19:00 -0500 Mary Corbet 647 2008-08-12 06:19:00 2008-08-12 06:19:00 open open Children's-Embroidery-Project:-Butterfly-Towel publish 0 0 post

The towel below is embroidered with perle cotton #5. The kids picked out their own colors, though some had a little help with coordinating colors, if they tried to get a little too ... whacky!



I like the bright colors that Josephine chose! On the towel, the kids worked six kinds of stitches: stem stitch (around the butterfly), backstitch, French knot, chain stitch, daisy stitch, and straight stitch.



She did a perfect job with her stem stitch around the butterfly. On the lines inside the butterfly, I had them work backstitches to cover the lines, rather than longer straight stitches, which would have been the normal choice for the lines. I was afraid that, if the towels were used, long straight stitches might catch on things.



The petals on the flowers were worked with daisy stitch, and then filled with a straight stitch in a contrasting color. Adding a straight stitch helps hide the pattern marking. On this pattern, which I traced on each towel using a light box and micron art pen, the petals for the flowers were marked with a straight line. The daisy stitch "surrounds" the straight line, leaving it visible - hence, the straight stitch! Besides, I like the "full" look of the petals with the contrasting color inside, don't you?! And, right smack dab in the middle - a French knot! The kids did a good job with French knots!



My favorite part of the towel is probably the base of the design here, because I associate it with a remark made by one of the kids in the class: "They look like cacti." Cacti? You're 8, and you're pluralizing cactus into cacti? I thought it was funny! And she was right, they do, in a thickish sort of way!

BUT - check out her chain stitch! Isn't it nice? It's so even and snuggly fitted!

Excellent job on the towel, Josie - now.... what's your NEXT project?
]]> embroidery for children pictures needlework pictures beginner embroidery 10927 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-20 08:16:06 2008-08-20 08:16:06 1 0
I don't think 4 is too young, but you might start with something very simple, like plastic canvas work, along with blunt tapestry needles. Another thing that is great for little kids is felt. If you mark out a design on felt, using dashes for running stitches and solid lines for back stitch, I've had four year olds stitch things like that. Use pearl cotton rather than stranded floss, and larger needles (like a #1 crewel needle).

You'll have her going in no time!

Good luck!]]> 10928 amybp noreply@blogger.com 2008-08-20 08:08:00 2008-08-20 08:08:00 1 0
amybpardo@yahoo.com

I love your blog and I am a subscriber. It is so inspiring!]]> 10984 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-08-15 08:03:00 2008-08-15 08:03:00 1 0
Well done
Carol-Anne]]> 11014 Marian noreply@blogger.com 2008-08-12 18:44:00 2008-08-12 18:44:00 1 0 11016 Anonymous noreply@blogger.com 2008-08-12 14:57:00 2008-08-12 14:57:00 1 0 11017 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-12 12:13:00 2008-08-12 12:13:00 1 0 11019 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-08-12 08:22:00 2008-08-12 08:22:00 1 0 http://www.needlenthread.com/2008/08/making-cord-tassel-and-button-for.html Mon, 11 Aug 2008 06:01:00 -0500 Mary Corbet 648 2008-08-11 06:01:00 2008-08-11 06:01:00 open open Making-a-Cord,-Tassel,-and-Button-for-the-LinenPouch publish 0 0 post

What I didn't like about most of the cords and tassels at local craft / sewing / hobby shops was that the tassels were either too big, or the cord was too short - and the white looked "off" next to the linen. I hunted high and low for just the right tassel while in town last week, but all to no avail, though I did bring three home, just to try.

Besides, I find that the little 99-cent tassels from places like Hobby Lobby fall apart pretty quickly.

So - I decided to make my own, which led me to pulling out some little-used equipment from the cabinet - my marudai, bobbins, and chopstick. I don't have warping pegs -- I need to get a set! -- so I resorted to 2-liter filled bottles, which worked ok.

I needed a thin cord that would wrap around a small button. You can see the cord and button concept in this photo, which I've posted previously:



I didn't want to do a covered button for this project, though, so I had to come up with a different idea. But first - the cord.

Kumihimo is a Japanese weaving technique worked on a marudai - which is a stand with a circular top (called the mirror) and four legs. The mirror has a hole in the middle of it. A woven cord is formed by working the warp threads, which are wrapped on weighted bobbins, in a certain pattern of movement, crossing them, interchanging them, etc. It's a fun technique, and, although I haven't mastered it by a long shot, it's a great way to make nice looking cords, ropes, or flat straps. Normally, these are worked in silk, but I used cotton to match the pouch.



Here, you can see the bobbins threaded up and hanging over the mirror in the starting position. The counter weight on the cord is hung in the middle - in that little drawstring bag. The bobbins are 70 grams each, but I have no idea how many weights I put in the bag! I know I only put about half the quantity that I have, and it weighted less than all the bobbins, because the bobbins pulled the bag up slowly until I got underway. I didn't want to use a lot of weight, because I didn't want the cord to end up too thick and loose. The more weight you add in the counterweight bag, from what I can tell, the fatter and looser your cord will be.



Here's the top of the mirror. I'm using a #12 perle cotton, and only two warp threads per bobbin (so 16 threads in all). I started (I'm a moron) with 8 threads per bobbin, and realized the cord would be far too thick. Then I reduced it to 4, but luckily only wrapped 1 set of warp threads and loaded the bobbin. I knew it would still be too thick! So I reduced it to two, attached my lead threads using a Japanese knot, and set up all the bobbins.



I wanted a tassel set into the end of the cord. Normally, with a Kumihimo cord, you can arrange a tassel at the end, anyway, by tying off a portion of the rope and cutting the length you want for the tassel. Then you just unweave the rope to form the tassel. But I wanted a tassel with a "head," so I wound the #12 perle around a 3" wide quilting ruler, until I had enough for a full tassel. I ran a thread under the top and bunched it up, then cut at the other side, and had this bunch of white threads, which I placed between two of the warp threads below the mirror.

This way, as I wove the cord, the two warp threads would hold the top of the tassel in place, and then I could finish off the tassel when the cord was finished.



I put the marudai on the floor, and started weaving. I used just a basic "honeycomb" pattern. In my head, the rhythm was basically this: "North & south, east & west, north & south, east & west, corner, corner" then repeat. If you're not familiar with Kumihimo, this might not mean much to you! But I find I have to keep the rhythm in my head while I go; otherwise, I lose track of where I am!

When I came to a stopping point, to check the length, I slid a chopstick between the threads and under the mirror to hold everything in place. I wanted to weave about 16 - 18 inches.



So you can see here that it's getting pretty long (this is after about 35 minutes of weaving). The weight bag is about to hit the base of the marudai, so it was time to move it up.



The cord is nice and small, but not as small as a cord made with a single thread of the #12 on a lucet (which is what I tried before resorting to the Kumihimo cord). A lucet is a little horned "tool" (mine's made out of wood) that's shaped kind of like a "Y." It's great for making cord. I tried to make the cord for this on the lucet, because it's only one little hand-held tool (as opposed to winding the bobbins and everything for the marudai). I realized about two inches into the lucet cord that it would be too small, and I didn't have a larger white perle cotton to use. So ... back to the marudai....



When I finished the cord on the marudai, I sewed up the tassel and trimmed it - and voila - a nice cord and tassel, ready to go.

You can also see the button choices there...



These are Dorset buttons of a sort - hand-made buttons out of thread wrapped around a ring.



This one - you can see that it's smaller than an inch - is wrapped around a small mother-of-pearl ring. The sides are squared off. The inside is filled with a basket-weave, working in a kind of stem stitch around the spokes. I used a #12 perle cotton on it. You can see kind of a golden rosy glow on this button, because the mother of pearl ring underneath shows through a tad, and it's streaked with rosy-gold color. Next to the white linen, the button has a bit of a shine to it, with just a hint of rosy-goldness behind it.



This button is just slightly larger (not enough to be noticeable), and is worked around a plastic ring, with #16 coton a broder. The spokes are covered in the same manner as a ribbed spiderweb stitch.



I hesitated about which one to use at first, but then, I considered the materials involved and the usage and the looks, and I chose... the ....

Well, can you guess????

Next, I'll show you the finish work.

You can see the progress of this project in the following articles:

Transferring the design the first time, and setting up the pattern
Starting over - transferring the design (again) and stitching
Embroidery Completed
Ironing the embroidered linen
]]> passementerie whitework pictures Kumihimo needlework pictures 10985 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-08-15 07:57:00 2008-08-15 07:57:00 1 0 CA]]> 10994 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-08-14 08:23:00 2008-08-14 08:23:00 1 0 11015 Marian noreply@blogger.com 2008-08-12 18:41:00 2008-08-12 18:41:00 1 0
Thank you for introducing another way to make a cord and a better way to make a tassel.]]> 11022 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-11 22:41:57 2008-08-11 22:41:57 1 0
Thanks, Meeta, and everyone! Stay tuned for the finish product...!]]> 11026 Meeta V. noreply@blogger.com 2008-08-11 20:24:00 2008-08-11 20:24:00 1 0
As always you deserve a pat on your back!]]> 11028 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-08-11 17:03:00 2008-08-11 17:03:00 1 0 11029 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-08-11 16:34:00 2008-08-11 16:34:00 1 0 11030 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-11 15:28:00 2008-08-11 15:28:00 1 0 11035 Anonymous noreply@blogger.com 2008-08-11 07:51:00 2008-08-11 07:51:00 1 0 - Jeannine]]> http://www.needlenthread.com/2008/08/ironing-your-needlework-projects-linen.html Sun, 10 Aug 2008 07:04:00 -0500 Mary Corbet 649 2008-08-10 07:04:00 2008-08-10 07:04:00 open open Ironing-your-Needlework-Projects---Linen-Pouch-Progress publish 0 0 post

That's certainly all the case with the linen pouch I'm making. Not only did I have to wash it (quite a bit!) after finishing the embroidery, but I had to iron it several times during the sewing and turning process.

So the question is, how do you iron a piece of needlework that has embroidery on it, especially when the stitches are somewhat dimensional. Remember, I used the Palestrina stitch on this pouch? The beauty of the stitch is in its raised knots - to crush those with ironing would be a shame.



First thing I do is lay out two flannel pads, both made of 4 pieces of soft flannel, which I cover with either a clean sheet or pillow case, or (saved Just for Ironing), a flour sack towel. Good flour sack towels are perfect for this - in fact, if you have a small embroidery piece, you could just fold up a clean flour sack into about four or so folds and use it.

I place the flannel pads on my ironing board and cover them with the flour sack towel.

And then I put my needlework piece face down on the flour sack towel. Iron on the wrong side - the back of the needlework.



I iron using the setting for the fabric, but taking into consideration the thread used for embroidery. For example, here I used cotton thread, so all's well - cotton and linen work well together. But a fine silk probably wouldn't take the heat as well - had I worked this in silk, I would have been a little more cautious.

Iron over the back of the work - including over your embroidery - until you've removed the wrinkles. I usually don't use steam at this point, unless the linen is really wrinkled!



That's the impression mirrored in the background. The embroidery withstood the ironing really well - nary a knot crushed.

That's the embroidery for the pouch, all ironed up and ready to sew. Next, I'm going to show you how I made the cord and tassle, and talk a bit about buttons. Yes, buttons.

Hope you're weekend was a pleasant one! For me, I've got a couple little touches left on the pouch today, then I need to clean up the studio - which is a Royal Mess - and then I plan to revisit an unfinished project that has some COLOR in it, or at least get it out and ready for stitching when I can snatch time after work hours this week. Ahhh... COLOR - I can't wait!
]]> whitework pictures embroidery tips and tricks needlework pictures 11023 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-11 22:40:37 2008-08-11 22:40:37 1 0
Yep, I have a tiny iron - it's on a wand of sorts. I think it was only around $15 or $20, and it is handy, though I don't take it out much. I suppose I should!

I'd like to see a super-adjustable tiny iron come onto the market, where you can move the iron into any position on the wand. That would be handy!

Thanks for the tip on the cut pile towels!]]> 11025 Laura Bullinger noreply@blogger.com 2008-08-11 20:48:00 2008-08-11 20:48:00 1 0 11031 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-11 13:08:37 2008-08-11 13:08:37 1 0 11033 Anonymous noreply@blogger.com 2008-08-11 09:08:00 2008-08-11 09:08:00 1 0 11042 Marian noreply@blogger.com 2008-08-10 18:46:00 2008-08-10 18:46:00 1 0 http://www.needlenthread.com/2008/08/wool-felting-workshop-book-give-away.html Sat, 09 Aug 2008 07:02:00 -0500 Mary Corbet 650 2008-08-09 07:02:00 2008-08-09 07:02:00 open open Wool-Felting-Workshop---Book-Give-Away! publish 0 0 post

Wool Felting Workshop by Vivian Peritts looks like a fun book for anyone interested in making all kinds of things with wool felt. There are heaps of projects featured in the book, from penguins out of wool felt, to sweaters, to pillows, to fish pot holders. The neat thing about any of the projects is that you can personalize them by adding your own touches pretty easily. Felt is fun to work on, takes stitches well, and, in general, is a pretty hearty fabric.



Here's the cover. The book is brand-spanking new - never used, except for browsing through it. If you look up Wool Felting Workshop on Amazon, you'll see it sells for just over $10 new.



I have to admit, I think the penguin is Pretty Darned Cute.



And here's the fish pot handle holder, but I think it could be adapted to all kinds of purposes.... maybe, with a little creativity, it could be made into a pencil case. (I have pencil cases on my mind right now - part of the reason is that school's coming up again, and the other part is that my niece and I are working on a pattern). Anyway, the fish is embroidered - all the accents and the edges are done with different embroidery stitches.

So, that's the book, and here's the deal on the give-away. Like I mentioned last week, I'm trying to reduce my bookshelf content. I have too many books that I just don't use - and probably never ever will. Many of them were given to me (not purchased by me), and the ones I'm passing on, for the most part, are brand new. I have no more room for books! And my shelves are bowing. Argh.

SO - one lucky winner, picked by random draw, will get this book! All you have to do is leave a comment below, on the subject of wool felting.

The contest ends at 4:00 am on Thursday, August 14 (Central Time, US).

Overseas readers are welcome to participate - I'll send the book the cheapest air rate possible. For domestic mail, I'll send it book rate. If you do leave a comment, do be sure to check back on Thursday for the winner. If I don't hear from the winner by the end of the day Friday, I'll draw another name. Please make sure you leave a name with your comment!

How to comment: scroll to the bottom of this page (on the website - not on the newsletter!) and click on the "click to comment" link. You can choose to post anonymously, but please sign a name to the comment!

If you win, please contact me with your mailing address...!

I mailed out all kinds of stuff today - one of the quilt books from last week's book give-away, July's stash contest (A little late! Sorry, Chrissy!), and some GST. Trips to the post office are not as fun as receiving mail, I guess, but... still, it's good to get the things on their way. I hope the recipients find them delightful!

Have a great weekend!
]]> Book Give-Away 10974 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-16 12:06:18 2008-08-16 12:06:18 1 0
I always post comments, unless they are obvious spam comments (or unless they are unsuitable, because of language or something!). So yours may have come one of the other ways, or, somehow, in posting, maybe there was a glitch and it just never got through. I don't think that happens too often, but I think it could happen.

I'm sorry about that - if you ever post something and you notice it isn't showing up on the post (by the end of the day - I don't usually moderate comments while I'm at work), do feel free to drop me an e-mail (under "contact us" at the top of the page), and I'll take care of it... or add a comment for you, with your name on it.

Thanks for letting me know!
MC]]> 10975 Annie M noreply@blogger.com 2008-08-16 11:10:00 2008-08-16 11:10:00 1 0 11012 bonbon momma noreply@blogger.com http://www.blogger.com/profile/12866745245853822324 2008-08-12 22:34:00 2008-08-12 22:34:00 1 0 11018 Kathy ttime18@gmail.com http://www.blogger.com/profile/02070679712767699936 2008-08-12 08:31:00 2008-08-12 08:31:00 1 0 11024 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-11 22:37:30 2008-08-11 22:37:30 1 0
I like 100% wool felt, although the blends are good, too - they hold up to "vicious" handling! Still, I'm a fan of 100% wool. You can find it online in several places - I usually shop through wooly thread (www.woolythread.com)

Hope that helps!]]> 11027 Anonymous noreply@blogger.com 2008-08-11 20:10:00 2008-08-11 20:10:00 1 0 11032 mywebworld noreply@blogger.com http://www.blogger.com/profile/01845575892185461223 2008-08-11 12:44:00 2008-08-11 12:44:00 1 0 11036 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-08-11 00:31:00 2008-08-11 00:31:00 1 0 11037 Cathy B. noreply@blogger.com 2008-08-10 22:10:00 2008-08-10 22:10:00 1 0 God Bless and THANKS!
Cathy]]> 11038 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2008-08-10 20:05:00 2008-08-10 20:05:00 1 0 11039 Amy Boz noreply@blogger.com 2008-08-10 19:44:00 2008-08-10 19:44:00 1 0 11041 Anonymous noreply@blogger.com 2008-08-10 18:48:00 2008-08-10 18:48:00 1 0
Elva G.]]> 11043 Astonishing customerservice@shop-astonishing.com http://www.blogger.com/profile/15547540678444030031 2008-08-10 18:43:00 2008-08-10 18:43:00 1 0
Jeannette]]> 11044 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-08-10 15:17:00 2008-08-10 15:17:00 1 0
MGM]]> 11045 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2008-08-10 10:44:00 2008-08-10 10:44:00 1 0 11046 Laura Bullinger noreply@blogger.com 2008-08-10 10:26:00 2008-08-10 10:26:00 1 0 11047 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-08-10 10:24:00 2008-08-10 10:24:00 1 0 I love anything wool, and I have been collecting wool from sales and felting and taking apart for projects.
I have also needle felted wool roving for fabric postcards and such.
Thank you so much for sharing your treasures.
Kathyinozarks]]> 11048 Spool {} joybug@aol.com http://www.blogger.com/profile/09567571812305584006 2008-08-10 08:25:00 2008-08-10 08:25:00 1 0 11051 trinisu noreply@blogger.com http://www.blogger.com/profile/11991175926827482627 2008-08-10 07:36:00 2008-08-10 07:36:00 1 0 I really want to compliment and encourage you for your generous spirit. I am an overseas member who has been looking for projects to do with my kids aged 10,8 and soon to be 6. The wool felting book looks quite encouraging.
Suzanne Williams (T&T;)]]> 11052 Valanteena noreply@blogger.com http://www.blogger.com/profile/14218381116192227145 2008-08-10 05:40:00 2008-08-10 05:40:00 1 0 and I lovvvvvvvvvvvvve to be your next winner in your contest to get that book ,since i can learn another new art of woolfelting(who wud not be) and that penguin and fish,they are pulling me to take part in this contest and you are so generous and good hearted to do all this.thank you soooooooo muchhhhhhhh.]]> 11053 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-10 03:08:00 2008-08-10 03:08:00 1 0 11056 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2008-08-09 11:57:00 2008-08-09 11:57:00 1 0
Thanks for the blog. The tutorials are immensely helpful.]]> 11057 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-08-09 11:48:00 2008-08-09 11:48:00 1 0 11058 liz noreply@blogger.com http://perspicacious.org 2008-08-09 11:44:00 2008-08-09 11:44:00 1 0
Also, thank you for your wonderful tutorials. I recently started embroidering again after a LONG lapse, and appreciate the ideas and help.

Thanks!
Liz]]> 11059 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-08-09 11:41:00 2008-08-09 11:41:00 1 0 btw...thank you for all your wonderful instructions you give us. Ilove reading your blog to see what's new and I can count on learning something each time.
Cheers
Mary Anne]]> 11062 Josette noreply@blogger.com 2008-08-09 08:28:00 2008-08-09 08:28:00 1 0 11063 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-08-09 07:44:00 2008-08-09 07:44:00 1 0
your truely the most generous person! I am amazed at all you do for everyone.]]> http://www.needlenthread.com/2008/08/whitework-completed-for-linen-pouch.html Fri, 08 Aug 2008 07:20:00 -0500 Mary Corbet 651 2008-08-08 07:20:00 2008-08-08 07:20:00 open open Whitework-Completed-for-Linen-Pouch publish 0 0 post

As mentioned earlier, the cross is outlined in Palestrina stitch. I decided to fill it with seed stitching. Thanks for all the suggestions, by the way! A couple of them were really appealing, but I had already moved into the seed stitching, and there's NOTHING worse to pick out, in my opinion! So I stuck with the seeding.



In this photo above, you can barely see the blue of the outline of a crown that I was going to embroidery there, but I decided against it for a number of reasons. I've washed the linen already, but there's still a faint blue line at the base of that, which is making me rather nervous. I'm going to have to work on getting it out somehow...!



This photo came out pretty well. My favorite part of the design is the satin stitched sword handles. My least favorite part is the hand guard above the handle, with the seed stitching in it. I wish I had worked that differently - perhaps in a stem stitch filling, following the curves. Too late now!!



Yep. I like the tiny handles.

The handles are worked in #25 coton a broder. The outline of the cross and the shaft of the swords are worked in #16. The seeding etc., is done in #20.

I need still to arrange a way of closing the pouch. I want to do a tassle and button kind of thing, where the tassle strings are wrapped around "something" to hold it loosely closed. But I can't figure out the "something." I made a few Dorset buttons the other night, to try that concept, and I may have to go with that.

I still have to braid the cording for the tassles, make the tassles, and sew up the pouch. I suppose that's what Friday nights and Saturdays are for!!! Whatever it takes, I'll be finished with this before Monday!
]]> ecclesiastical embroidery whitework pictures needlework pictures 11054 Anonymous noreply@blogger.com 2008-08-09 14:15:00 2008-08-09 14:15:00 1 0 - Jeannine]]> 11061 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-09 08:55:35 2008-08-09 08:55:35 1 0
Yep, Megan - it's gone.]]> 11064 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-08-09 02:33:00 2008-08-09 02:33:00 1 0 11065 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-08-08 20:40:00 2008-08-08 20:40:00 1 0 This is just beautiful! Are the sword handles stitched with satin stitch? It doesn't look like satin stitching in the picture - maybe I'm looking at a different part of the design than the part that is your favorite?
I like the seed stitching as the filler!]]> 11066 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-08 19:37:40 2008-08-08 19:37:40 1 0
Christiana - I finally got it out, pretty much. I think only I can see it - no one else seems to be able to, so I'm wondering if I'm just seeing where I know it is, if you know what I mean!

I resorted to soaking it for a while, then taking a tiny bit of BIZ (I know, I know!) on my finger, working it into a paste, and working it into the blue line. I let that sit for about a minute or so, then rinsed it really well, then really well again, and really well again and again. And then one more time.

It's gone.]]> 11068 Anonymous noreply@blogger.com 2008-08-08 19:24:00 2008-08-08 19:24:00 1 0 I LOVE the look of this piece. It looks marvelous! Congrats for going through with it!
-Christiana]]> 11072 Agne noreply@blogger.com http://www.blogger.com/profile/16158616516878638326 2008-08-08 11:50:00 2008-08-08 11:50:00 1 0 11074 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-08-08 10:01:00 2008-08-08 10:01:00 1 0 http://www.needlenthread.com/2008/08/and-winners-are-quilt-book-give-away.html Thu, 07 Aug 2008 07:40:00 -0500 Mary Corbet 652 2008-08-07 07:40:00 2008-08-07 07:40:00 open open And-the-Winners-Are....-Quilt-Book-Give-away publish 0 0 post quilt book give-away that I posted last weekend.

I've been thinking I need to do some "random number generator" thing, because typing out the names and cutting them up and drawing them from the box - well, it takes time. Surely I can "efficient-ize" this somehow!!

ANYWAY - I'm sure you're not reading this to hear me whinge, so, who won the quilt books?

The first name I drew was Kathy in the Ozarks, and the second name was Appleseed.

Please do contact me with your mailing address so I can get those out to you!

Thanks, everyone, for participating! This coming weekend, I'm going to give away another book - one on Wool Felting. So, if you like give-aways, and you like wool felting, you're in luck! And so am I, because I need to clear out these books. This is rather slow way of doing it, though, isn't it??!!
]]> Book Give-Away 11067 Laura Bullinger noreply@blogger.com 2008-08-08 19:33:00 2008-08-08 19:33:00 1 0 11073 Miss Nancy npagequilts@gmail.com http://www.blogger.com/profile/08174818350022498794 2008-08-08 10:22:00 2008-08-08 10:22:00 1 0 Miss Nancy]]> http://www.needlenthread.com/2008/08/all-embellishing-fun-of-crazy-quilting.html Tue, 05 Aug 2008 13:07:00 -0500 Mary Corbet 653 2008-08-05 13:07:00 2008-08-05 13:07:00 open open All-the-Embellishing-Fun-of-Crazy-Quilting...-without-the-quilting! publish 0 0 post

Carol of Chickadee Hollow Designs combines the fun of "crazy quilt" embroidery, the variety and quirkiness of the Primitive embroidery look, and the personalization of color choice and embellishment in her array of projects available on her website. When I saw them, I thought - "That's funny. It's all the fun of crazy quilting embellishment... without having to do any piecing and quilting!"



Now, keep in mind these aren't properly crazy quilt design, as they aren't made out of pieced fabric. When Carol designs a piece, she sketches it out, draws in the embroidery stitches and "seam" treatments, colors the piece in with watercolors and colored pencils, and then, through a scanning and printing process, transfers the colored design to fabric. What you receive from her when you order one of her designs is the printed fabric, ready to embellish. You can personalize your project by varying your stitches, adding beads, and selecting the colors of your threads. Each project comes with stitch instructions and thread color recommendations, to keep it easy on the stitcher --- but... if you want to be a bit more creative, you can play around with color and thread choice and so forth.



I think Carol's projects would be a great way for someone to get into embroidery. The Christmas ornaments she features, for example, would be an excellent project for teaching embroidery to a youngster. It's always fun to work on something colorful, that requires a variety of stitches!

Her Christmas stockings, too, are cute - and I love the little scenes within the bigger piece. It's not the kind of embroidery project you'd get bored with!

And, outside the realm of Christmas, she also features some pillows and other objects for home decorations.



I think the concept is interesting - I'm not a crazy quilter (I keep thinking I'm going to go back and try to redeem myself from my first crazy quilting blungle!), but I do like this idea of working up the "look" of crazy quilting in another form. Jeannine's hearts kind of remind me of this idea - they're a great way to sample all kinds of stitching. The other place I've seen the concept at work - where you get the pleasure of crazy quilt embellishing, but where you aren't actually quilting - is Judy's work on Possibilities, Etc., where she "crazy quilts" on needlepoint. She makes really pretty pieces this way!

If this type of stitching looks fun to you - or if you have a youngster in the family who's ripe for learning embroidery stitches - you should stop by Chickadee Hollow to see if Carol's got just the project for you. You never know - it could be a whole new type of stitching addiction....
]]> embellishments crazy quilt embroidery resources beginner embroidery 11060 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-08-09 10:44:00 2008-08-09 10:44:00 1 0
Denise
http://needlework.craftgossip.com]]> 11079 Anonymous noreply@blogger.com 2008-08-06 18:47:00 2008-08-06 18:47:00 1 0 11080 MaryGrace McNamara noreply@blogger.com http://www.hookedonneedles.com/ 2008-08-06 15:53:00 2008-08-06 15:53:00 1 0
MGM]]> 11081 Susan dezertsuz@gmail.com http://www.blogger.com/profile/09159163720029661287 2008-08-06 14:15:00 2008-08-06 14:15:00 1 0 http://www.needlenthread.com/2008/08/video-tutorial-trellis-stitch.html Tue, 05 Aug 2008 06:30:00 -0500 Mary Corbet 654 2008-08-05 06:30:00 2008-08-05 06:30:00 open open Video-Tutorial:-Trellis-Stitch publish 0 0 post detached buttonhole, but it makes a fuller filling than the buttonhole. It can be worked closely packed, with a firmer tension on your stitches, or you can pull the stitches out a little bit to give your embroidery the trellis look, with larger open holes between the stitches.

The trellis stitch is used in stumpwork quite a bit. It's a good stitch for adding dimension, especially when stitched in a circle. An excellent example of trellis stitch worked in a circle (spiral trellis stitch) can be found on Just String, where Jeanne worked up a gorgeous photo tutorial, using an amazing sampler she's working on, to show you how to do the spiral trellis. She even shows you how to make your circle stand up from your fabric, or lay flatter. It's really a terrific tutorial and her stitching, as always, is minutely perfect, so do check that out when you get a chance.

Another great source of information on the trellis stitch can be found at The Embroiderers' Story, the blog associated with the recreation of a 17th-century embroidered jacket at Plimoth Plantaion. There, you'll find several posts about the trellis stitch, and if you take time to stroll through the website, you'll probably find even more, as there are lots of photos of motifs worked with trellis stitch. You'll also find, in PDF form, some photo instructions for trellis stitch, worked out by Tricia Wilson Nguyen. The stitch method is slightly different from the method I'm showing you below, although it is the same stitch. If you check out Tricia's directions and look at her up-close photos, you'll see a difference in the way the threads set up - the loop on mine stays more or less vertical, while hers cross into each other a little more. They look more distinctly like a trellis. But you'll notice on the lower right hand section of her finished trellis stitch photo (in the PDF) that the stitches look vertical there. I think it has to do with the wrapping and pulling of the thread. I lay my thread on the fabric and pull the stitch down. In the Plimoth Plantation directions, the needle points upwards, and the working thread is wrapped around the needle for each stitch.

I learned the trellis stitch through Erica Wilson's Embroidery Book, which is no longer in print, but can be found used through Amazon and other used book sources. Although the book is mostly in black and white (including the illustrations), it is an excellent resource for learning stitches, especially if you are interested in historical embroidery. The stitches are shown through drawn diagrams, but they are very clear, and have lots of good explanations along with them. I think this is one of my favorite older stitch dictionaries. BUT - be warned - it doesn't have the same kind of "eye candy" as the new books today have.

Here are some photos for you - they're super-up-close...



This is the little rectangle worked in the video. The stitches are kept pretty close together, and you can see the vertical direction on the loop.



These stitches are pulled a little apart, so you can see more of the ground fabric, as the holes between the stitches are bigger.



Here, I started building a circle. The "wall" goes pretty much straight up at this point, because I hadn't begun to decrease, by leaving out a stitch. If you vary where you begin your decreasing, you can get different dimensional effects.

Before you watch the video, a few notes:

1. Let it buffer a bit before playing. The video is almost 10 minutes long (sorry)! And ... yes ... I do manage to prattle most of the time (sorry!). Oh, and do ignore the end - "That's pretty good!" What was I thinking?? But having just managed to record almost 10 minutes of audio instructions off the cuff (well, ok - it was about the fifth time through it, after making all kinds of silly blunders and starting over!), I just couldn't re-do it, just because I sound like a dork at the end.

2. Try to ignore my ever twisting thread. The disadvantage of filming, especially long sequences, is that I can't drop my thread to let it untwist!

3. I'm using perle cotton #5. Trellis stitch works well with all kinds of threads, though, and the results can be a lot finer and "airy" looking if you use a lighter thread - it just depends on the look you want.

4. It's not a hard stitch, and it works along pretty quickly once you get the rhythm going. Don't be intimidated by it!

5. Have fun with it!

Here's the video:



For more video tutorials of hand embroidery stitches, please feel free to visit my Video Library of Stitches, where you'll find about 54 stitches listed now!

Enjoy!

]]> video tutorials Hand embroidery stitches pictures 8307 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-18 22:53:27 2009-03-18 22:53:27 1 0
Yep - it works fine for increasing and decreasing. You just ... well! You decrease into the shape, by skipping a stitch (or two - if two, skip one at the beginning of the row and one at the end - depends on the "incline" of the decrease). To increase, you add stitches - an extra one in the same loop at the end of a row, or one at the beginning and one at the end. I find (personally) that it's easier to decrease and keep the stitches looking right than it is to increase, but they both work!

Hope that helps!

Best regards,
MC]]> 8308 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-03-18 22:49:00 2009-03-18 22:49:00 1 0
i have a new cool project im doing (more like planning) and i want to use really cool stiches besides the regular ones i use (stem stich and satin) so i was thinking of using the trellis stich. I love the way your version comes out. Its easy on the eyes and quick to learn. I was just worried about how to use it for odd shapes....decreasing one row and increasing the next???? could you please explain that to me????

i and i would say everyone who uses this website appriciates the time and effort u take to create these tutorials

....hope to hear from u soon

jules]]> 8336 Craftygirl noreply@blogger.com http://www.blogger.com/profile/02329532031115676466 2009-03-15 19:01:00 2009-03-15 19:01:00 1 0
And that "That's pretty good!" comment? I love it. That's exactly how I feel when my embroidery turns out right. :-)]]> 8787 MichelleMermaid michellemermaid19@yahoo.com 2009-02-18 12:14:00 2009-02-18 12:14:00 1 0 Thank you for the tutorial. I saw trellis stitch on the pintangle but didn't feel I could try it until I saw your video, which she mentions. I'm one of those visual people so seeing how the stitch is made in a moving film helps a lot.
I'm going to give it a try!
Thanks!]]> 10684 Mom/Grama noreply@blogger.com http://www.blogger.com/profile/13957779642268199226 2008-09-05 15:37:00 2008-09-05 15:37:00 1 0 11013 Annie M noreply@blogger.com 2008-08-12 20:21:00 2008-08-12 20:21:00 1 0 11050 crazypatch noreply@blogger.com http://carrementcrazy.zumablog.com 2008-08-10 07:42:00 2008-08-10 07:42:00 1 0 11084 Anonymous noreply@blogger.com 2008-08-06 09:38:00 2008-08-06 09:38:00 1 0 11086 margaret c. noreply@blogger.com 2008-08-06 00:34:00 2008-08-06 00:34:00 1 0
Yeah, right.....

hee hee hee]]> 11090 Anonymous noreply@blogger.com 2008-08-05 16:13:00 2008-08-05 16:13:00 1 0 -Jeannine]]> 11098 MaryGrace McNamara noreply@blogger.com http://www.hookedonneedles.com/ 2008-08-05 07:28:00 2008-08-05 07:28:00 1 0
What a pretty filling stitch that is. I've referred my embroidery students to your site and they love it! One of them finished her piece between the second and third classes by looking up the stitches on your site. I'll post pictures of the finished projects on my site after tonight's class.

Thanks for all the great embroidery information you share!

MGM]]> http://www.needlenthread.com/2008/08/my-needlework-photos-not-all-but-many.html Mon, 04 Aug 2008 08:00:00 -0500 Mary Corbet 655 2008-08-04 08:00:00 2008-08-04 08:00:00 open open My-Needlework-Photos---Not-All,-but-Many... publish 0 0 post

But, in the meantime, since someone else has already done the technical work, I thought I'd take advantage of Flickr and add some of my needlework pictures there. I haven't added "all" my photos - just some highlights. For example, I didn't add a lot of step-by-step photos - usually, just the finished products.

So, if you want to go photo-squizzing (I don't know if "squizzing" is really a word, but it sounds about right!), you can check out Needlenthread on Flickr.

If you have any good advice about how to set things up there or organize them better, or if you have any particular photos you've seen on Needle'nThread that you think should be over there, let me know, and I'll see what I can do!

]]> website news pictures 11093 kirti mishra noreply@blogger.com 2008-08-05 12:36:00 2008-08-05 12:36:00 1 0 i saw your all needlework photo.they all are very beautifull.
but i like specially -twisted strawberry .iris purpul flower,duhlia & most of all that stole.oh my my stole is superb.its looking absolutly wonderfull.thanks for sharing your needlework project.and that iris flower i can not forget .]]> 11103 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-08-04 18:05:00 2008-08-04 18:05:00 1 0
It was great because (I admit) I haven't looked at all of the posts of the videos, and I got to see what had been done with each stitch.

And some items I'd never seen before, like the needlepainted iris.

And old friends of course :-) :-)]]> 11107 Anonymous noreply@blogger.com 2008-08-04 10:43:00 2008-08-04 10:43:00 1 0 - Jeannine]]> http://www.needlenthread.com/2008/07/video-tutorial-coral-stitch.html Mon, 21 Jul 2008 06:03:00 -0500 Mary Corbet 656 2008-07-21 06:03:00 2008-07-21 06:03:00 open open Video-Tutorial:-Coral-Stitch publish 0 0 post

The coral stitch is worked from right to left. It's a kind of "self-couching" technique, because you are "couching" or tying the working thread down with the working thread by forming knots over the thread.

You can work the coral stitch on straight or curved lines, and you can space the knots close together or farther apart. The stitch looks best, I think, when the knots are evenly spaced.

Strangely enough, you can also use the stitch as a filling, by working rows of coral stitch close together within the area to be filled. To do this, you stagger the position of the knots, so that they fit between the knots on the line before.

Here's the video:



For more video tutorials for hand embroidery stitches, visit my Video Library of Hand Embroidery Stitches, where you'll now find 50 video tutorials for 50 different embroidery stitches or techniques! Enjoy!
]]> video tutorials Hand embroidery stitches beginner embroidery 1730 sandynette noreply@blogger.com http://sandynette.over-blog.com/ 2010-03-26 16:59:58 2010-03-26 16:59:58 1 0 je viens de trouver votre site ou je n'ai vu que de belles choses pour m'instruire !
il n'y a pas longtemps que j'ai appris quelques points de broderie,mais souvent dans les livres c'est difficile de comprendre.
et là avec vos vidéos c'est magique on comprend tout de suite ce qu'il faut faire,même si il faut recommencer plusieurs fois avant de faire le point parfait !
alors merci mille fois,je vous met dans mes favoris,et je reviendrai vous voir.
bon week-end à bientôt
sandynette]]> 3676 http://ga-liswelt.blog.de gabyweeke@t-online.de http://www.blogger.com/profile/04028151277167739680 2010-01-13 11:29:37 2010-01-13 11:29:37 1 0 Thanks, thanks, thanks and regard from Gaby

http://www.flickr.com/photos/meine_patchworkwelt/]]> 4236 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-13 10:45:25 2009-12-13 10:45:25 1 0 4238 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-12-13 08:53:39 2009-12-13 08:53:39 1 0
thanks for all the tips Mary.]]> 4242 dixiea noreply@blogger.com http://www.blogger.com/profile/08769740358825551307 2009-12-12 15:10:40 2009-12-12 15:10:40 1 0 6024 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-18 19:35:14 2009-08-18 19:35:14 1 0
As a filling, you work the stitch in close rows, alternating the placement of the knots. Hope that helps!

MC]]> 6028 Zenia noreply@blogger.com http://www.blogger.com/profile/08972164568636082028 2009-08-18 14:44:23 2009-08-18 14:44:23 1 0 It is a great video but how can we use this stitch as a filling]]> 8188 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-03-29 22:01:00 2009-03-29 22:01:00 1 0 Occurred to me that you might have a video on it, and voila! And I understand now!

Look out for it's appearance in my sampler shortly. I'm going to use it as a filling, as well as a leaf vein.

Yay Mary!]]> 11259 Anonymous noreply@blogger.com 2008-07-27 08:46:00 2008-07-27 08:46:00 1 0 -Jeannine]]> 11315 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-23 13:03:31 2008-07-23 13:03:31 1 0 11317 Joey noreply@blogger.com 2008-07-23 10:30:00 2008-07-23 10:30:00 1 0 11330 Anonymous noreply@blogger.com 2008-07-22 06:59:00 2008-07-22 06:59:00 1 0
I like this stitch. Not long ago I, in order to practice various stitches, created quilt blocks with large heart shapes, and then filled in the hearts with all sorts of different stitches, in a crazy quilt sort of fashion. This was a great stitch for outlining the hearts. I love the chain of little triangle shapes it creates. - Jeannine]]> 11331 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-22 06:34:58 2008-07-22 06:34:58 1 0 11332 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-07-21 14:48:00 2008-07-21 14:48:00 1 0
Denise
http://needlework.craftgossip.com]]> 11333 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-21 12:57:34 2008-07-21 12:57:34 1 0 11335 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2008-07-21 10:26:00 2008-07-21 10:26:00 1 0 http://www.needlenthread.com/2008/08/replay-on-coral-stitch-testing-new.html Sun, 03 Aug 2008 10:23:00 -0500 Mary Corbet 657 2008-08-03 10:23:00 2008-08-03 10:23:00 open open Replay-on-the-Coral-Stitch:-Testing-a-New-Video-Host... publish 0 0 post

This is the thing: My coral stitch video that I uploaded a little while ago is not playing.... and it's not the only one - the split stitch video refuses to play, too. I need to re-upload them to Google to see if they will "take." Both videos played fine when they were first uploaded, but now...? Who knows.

Anyway, I'm still searching to see if I can find a better way to host the videos.

Today, I'm testing vemeo. So here's the coral stitch on vemeo - the problem right now is that you can't watch a comparison on the other one, because, as far as I can tell, it isn't playing. I'm going to try to fix that, though, in the next few minutes!

If you mouse over the video, the controls show up so you can adjust volume or pause.

http://www.vimeo.com/moogaloop.swf?clip_id=1458500&server=www.vimeo.com&show_title=0&show_byline=0&show_portrait=0&color=9854cc&fullscreen=1

If you have any feedback on preferences, don't hesitate to leave a comment! Thanks!
]]> video tutorials Hand embroidery stitches beginner embroidery 11113 alicia in Hawaii noreply@blogger.com http://curiosities808.wordpress.com/ 2008-08-04 00:45:00 2008-08-04 00:45:00 1 0 Vimeo: Much better video quality than Google's. Buffering time did not lag the video. (a BIG plus with me!) Audio seemed clear enough...I knew what you were saying.
Google: Much LOUDER audio, not necessarily CLEARER, just louder. Video was much more fuzzy than the Vimeo...Google's seemed blurry. The audio had to buffer before playing, there was a initial lag and the video stopped a few times to catch up to the buffering.
That was my experience.
smiles,
alicia in Hawaii]]> 11114 Cindy in Oregon noreply@blogger.com 2008-08-04 00:24:00 2008-08-04 00:24:00 1 0 11116 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-08-03 21:18:00 2008-08-03 21:18:00 1 0 11117 Anonymous noreply@blogger.com 2008-08-03 19:37:00 2008-08-03 19:37:00 1 0 11122 Anonymous noreply@blogger.com 2008-08-03 17:02:00 2008-08-03 17:02:00 1 0
The real difference in the sound for me is that the Google video is louder than the Vimeo video, loud enough that I have to turn the volume down. With the volume up a bit I have no trouble hearing and understanding all that's being said in the Vimeo video.

As far as picture quality goes, hands down the picture is clearer and the details show up better on the Vimeo. - Jeannine]]> 11123 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-08-03 14:12:00 2008-08-03 14:12:00 1 0 whereas Google was fine, and your voice was faster, clearer and louder.
(a good speed)
I've not had the burbling thing on any other video I've played, but I've never played a Vimeo before]]> 11124 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-08-03 14:02:00 2008-08-03 14:02:00 1 0
The sound quality is better with Google, but if I had to pick one, I'd rather have the higher res picture. The mouseover video controls are fine with me.

Nice stitch, by the way. I hadn't watched that one before!]]> 11126 margaret c. noreply@blogger.com 2008-08-03 13:59:00 2008-08-03 13:59:00 1 0
Google: better sound. I played both at maximum volume and google is louder for some reason. (?)

I'm not wild about all the stuff at the end of the vemeo video either, but it does look better than google.

I'll be curious to see what others say.]]> 11127 liz noreply@blogger.com http://perspicacious.org 2008-08-03 12:55:00 2008-08-03 12:55:00 1 0 11128 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-03 12:05:39 2008-08-03 12:05:39 1 0
What other features between the two are good or bad??]]> 11129 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-03 12:03:15 2008-08-03 12:03:15 1 0
One thing I don't like about the vimeo video is all the colored links and stuff at the end...]]> 11130 margaret c. noreply@blogger.com 2008-08-03 11:48:00 2008-08-03 11:48:00 1 0
I tried the Google version of this video around 9.40 AM Pacific time (Sunday 3 Aug). The browser is 'Waiting for video.google.com' and nothing happens. Oh, the wonders of technology! :-|]]> http://www.needlenthread.com/2008/08/readers-embroidery-free-style-hearts.html Sun, 03 Aug 2008 06:00:00 -0500 Mary Corbet 658 2008-08-03 06:00:00 2008-08-03 06:00:00 open open Reader's-Embroidery:-Free-Style-Hearts publish 0 0 post

If you've been hand embroidering for a long time, or even if you're just now getting into needlework as a "newbie," you've probably already discovered there are hundreds of embroidery stitches! In fact, this is one of the great things about surface embroidery - you can really work with a variety of stitches, and create a whole, almost limitless range of looks, just by altering your stitch choice. With all the stitches out there to try, I swear, embroidery is just one of those hobbies you could never get bored with!

Jeannine is relatively knew to embroidery - but I think she does a terrific job on her work, and I love the idea of these "sampler" hearts that employ a whole bunch of different stitches. It's a great idea to try out stitches, and using the squares for a quilt is a great way to make use of the sampler, without just stashing it away.

So, here they are - a whole series of sampler hearts:













Nice, aren't they?? I'm quite taken with that bunny in the last one! He's hilarious! I like the "primitive" look to the blocks. But most of all, I like the variety in the stitches!

Great job, Jeannine! It looks like you're having a BLAST with your needle 'n thread!
]]> readers embroidery pictures needlework pictures 11049 crazypatch noreply@blogger.com http://carrementcrazy.zumablog.com 2008-08-10 07:44:00 2008-08-10 07:44:00 1 0 11087 papel1 noreply@blogger.com http://www.blogger.com/profile/17857244375483965314 2008-08-06 00:06:00 2008-08-06 00:06:00 1 0 Judy]]> 11089 Anonymous noreply@blogger.com 2008-08-05 16:17:00 2008-08-05 16:17:00 1 0 -Jeannine]]> 11104 Marian noreply@blogger.com 2008-08-04 18:01:00 2008-08-04 18:01:00 1 0 11110 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-08-04 06:47:00 2008-08-04 06:47:00 1 0 11121 Anonymous noreply@blogger.com 2008-08-03 17:18:00 2008-08-03 17:18:00 1 0
Then I guess I'll have to learn how to put a quilt together! LOL! I've never made one in my life. But I'm all set to learn...I met this lovely lady who lives pretty close by, she makes beautiful quilts and she said she'd be happy to give me some pointers. I think it sounds like a great winter project. I promise I'll take a pic of the results. - Jeannine]]> 11131 margaret c. noreply@blogger.com 2008-08-03 11:21:00 2008-08-03 11:21:00 1 0 http://www.needlenthread.com/2008/08/blue-ribbon-quilts-im-giving-away-two.html Sat, 02 Aug 2008 14:30:00 -0500 Mary Corbet 659 2008-08-02 14:30:00 2008-08-02 14:30:00 open open Blue-Ribbon-Quilts---I'm-Giving-Away-Two-Books! publish 0 0 post

The book featured this week is called Blue Ribbon Quilts by Linda Causee and Rita Weiss. If you like quilting, methinks you might like the book! They're both brand-spanking new.



As you can see, I have two copies! So, I'm giving both away, to two winners.



The book features full-sized quilts and wall hangings. The projects include a photo of the finished piece, patterns for cutting, and information on assembly techniques.



There are some really neat projects in the book. I kind of like the oceanic one. This might have something to do with the fact that it's 102 degrees here and I haven't seen a large body of water in over a year!

So - the details -

Leave a comment below, on this post, answering the question "Why do you want this book?" To leave a comment, you need to be on the Needle 'n Thread website (not in the feedreader or daily newsletter). Click on the link below this post, where it says "Click to Comment."

The give-away ends Thursday morning at 4:00 am US Central Time. If you haven't commented by then, I won't be able to draw your name!

I'll announce the winners on Thursday, at which point the winners must contact me with a mailing address. If I don't hear from the winners within two days, I'll pick other names.

The books will be mailed the least-expensive rate. For overseas readers, I will mail them air mail, if possible - it depends on the weight of the book. In most cases, they should go airmail, but if not, I'll notify you.

I plan to run these give-away posts as secondary articles on Needle 'n Thread, until I've dispersed all the books I don't want. The give-aways won't replace regular content, I hope! It'll be a bit challenging to keep up the pace, but - who doesn't like a challenge now and then? If I fold under the pressure, I suppose you'll know right away!

Have a great weekend!
]]> Book Give-Away 9990 ladyilene noreply@blogger.com 2008-10-28 11:06:00 2008-10-28 11:06:00 1 0 10782 Mickey noreply@blogger.com http://www.blogger.com/profile/04423290398748868666 2008-08-27 21:20:00 2008-08-27 21:20:00 1 0 11083 Sheila Keeling noreply@blogger.com 2008-08-06 10:22:00 2008-08-06 10:22:00 1 0 I would love this book to share with my Wednesday afternoon quilting group...we are always looking for new ideas. I've been quilting since 1976 and can always learn something new...like embroidery! Thanks for doing this.
Sheila]]> 11085 jjsweep jjsweep@yahoo.com http://www.blogger.com/profile/17220082326910556816 2008-08-06 08:33:00 2008-08-06 08:33:00 1 0 11092 bookworm bookworm1414@yahoo.com http://www.blogger.com/profile/01838303393064162826 2008-08-05 14:20:00 2008-08-05 14:20:00 1 0 11094 ihchicky ihchicky@gmail.com http://www.blogger.com/profile/09715041507937908621 2008-08-05 12:29:00 2008-08-05 12:29:00 1 0 11097 MaMa mistyfuji@yahoo.com http://www.blogger.com/profile/05940325487761132677 2008-08-05 09:40:00 2008-08-05 09:40:00 1 0 Lisa]]> 11100 A Frye noreply@blogger.com http://www.blogger.com/profile/13958661597795914544 2008-08-05 03:24:00 2008-08-05 03:24:00 1 0 tina frye

waseca9@yahoo.com]]> 11102 Delores noreply@blogger.com 2008-08-04 18:52:00 2008-08-04 18:52:00 1 0 11105 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-08-04 14:57:00 2008-08-04 14:57:00 1 0
Denise
http://needlework.craftgossip.com]]> 11106 Anonymous noreply@blogger.com 2008-08-04 13:10:00 2008-08-04 13:10:00 1 0
Thanks

Dorothy]]> 11111 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-08-04 06:44:00 2008-08-04 06:44:00 1 0 So I buy alot of books. I am doing alot of quilting now-have since retirement about 5 years now. I do not hve this book. so yes please add me to the give away drawing Kathy]]> 11119 Marian noreply@blogger.com 2008-08-03 18:55:00 2008-08-03 18:55:00 1 0
Why DO I want this book?? I ask myself this in the hopes that I can get some inspiration - and to try to forget that I do have a few quilt books on my book shelves, but then, with all those books, I dont have a quilt book that tells me how to make a picture quilt.

Aha!! So, I would like this book because it would tell me how to make a picture quilt as opposed to making a pieced or a whole cloth embroidered quilt.]]> 11132 Nancy Page noreply@blogger.com 2008-08-03 10:01:00 2008-08-03 10:01:00 1 0 11133 Anonymous noreply@blogger.com 2008-08-03 09:35:03 2008-08-03 09:35:03 1 0 For the sake of my poor fat quarters....

Katie]]> 11134 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-03 09:25:59 2008-08-03 09:25:59 1 0 she quilts for others and has given hundreds of quilts away
i search for sewing and quilting things that i hope she doesn't have to say thank you for her giving heart what a treat that book would be and a sure bet she didn't all ready have

Eileen Morgan]]> 11135 Anonymous noreply@blogger.com 2008-08-03 09:22:41 2008-08-03 09:22:41 1 0
M-E Crichton]]> 11136 Ruut noreply@blogger.com 2008-08-03 09:12:00 2008-08-03 09:12:00 1 0 11141 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2008-08-02 22:10:00 2008-08-02 22:10:00 1 0 Cheryl]]> 11144 appleseed noreply@blogger.com http://www.blogger.com/profile/15436461693763285963 2008-08-02 16:10:00 2008-08-02 16:10:00 1 0 Thanks for all the great work and give-a-ways!
Jennifer]]> http://www.needlenthread.com/2008/08/hand-embroidered-baby-pillowcase-kid.html Sat, 02 Aug 2008 10:08:00 -0500 Mary Corbet 660 2008-08-02 10:08:00 2008-08-02 10:08:00 open open Hand-Embroidered-Baby-Pillowcase---A-Kid-Did-This! publish 0 0 post

This is a baby pillow case hand embroidered by a 13-year-old. I have to admit, I think she did a really nice job.

The last project for the 12-14 year old class was a "pick your own," and among the blanks I had (some of which were meant more for the adult class!) were some very nice linen baby pillowcases, which I got from All About Blanks. They have a little drawnthread (hem stitched) edge.

So, this student picked her own blank (the pillowcase, for a new baby sister), her own design (which she transferred by tracing it with a light box, using a pencil), and her own colors of thread. When she was finished, she wanted an "A" in the middle of the design and asked me to draw it in for her. That's the only thing I did on this whole piece - everything else was left up to the student!

Here's the pillowcase:



And here's a bit of detail:



The stitches she used are French knots, daisy stitch, satin stitch, bullion knots, and stem stitch.



I think she did a good job on everything, but I was particularly impressed with the bullions (and there are lots of them!) - bullion knots don't generally fall in the "easy" category.



There's the center motif with the initial. Her satin stitching looks good, too - she worked some French knots on top of the satin stitch on the side flourishes (blue satin stitch, yellow French knots).

The whole design was embroidered with two strands of DMC stranded cotton.

Nice job, Anna!
]]> embroidery for children Embroidery for the Home pictures needlework pictures beginner embroidery 11096 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-08-05 10:49:00 2008-08-05 10:49:00 1 0
Thank you for sharing this with us.

CA]]> 11112 Anonymous noreply@blogger.com 2008-08-04 03:54:00 2008-08-04 03:54:00 1 0
Let this be the begining of your journey with the needle and thread.

It will take you along many roads to a new shop for just that special thread. Then through many wallets that hold the money that you will scrimp on other day to day expenses so you can buy just the right linen or beads for your new project. It will keep you happy when there is not always lots of reasons to smile and give you a good reason to keep the daily grind going, and Anna I pray that you will only ever lay awake at night thinking through how you can improve that section of your design or how the twist of your thread will make that stitch lay just so.

Such a lovely habit to nurture and cherish. Bless you Mary for starting this adventure.

Rosalie]]> 11115 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-08-03 21:26:00 2008-08-03 21:26:00 1 0 11118 Marian noreply@blogger.com 2008-08-03 19:10:00 2008-08-03 19:10:00 1 0
Thank you, and thanks to Anna.]]> 11137 Ruut noreply@blogger.com 2008-08-03 09:06:00 2008-08-03 09:06:00 1 0 11138 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-08-03 08:45:00 2008-08-03 08:45:00 1 0 11139 MaryGrace McNamara noreply@blogger.com http://www.hookedonneedles.com/ 2008-08-03 08:27:00 2008-08-03 08:27:00 1 0
MGM]]> 11140 Anonymous noreply@blogger.com 2008-08-03 07:46:00 2008-08-03 07:46:00 1 0 - Jeannine]]> 11142 Anonymous noreply@blogger.com 2008-08-02 18:52:00 2008-08-02 18:52:00 1 0 11145 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-08-02 16:05:00 2008-08-02 16:05:00 1 0 11146 Anonymous noreply@blogger.com 2008-08-02 14:27:00 2008-08-02 14:27:00 1 0 -Christiana]]> http://www.needlenthread.com/2006/10/split-stitch-video-tutorial-for-hand.html Mon, 30 Oct 2006 06:13:00 -0600 Mary Corbet 661 2006-10-30 06:13:00 2006-10-30 06:13:00 open open Split-Stitch-Video-Tutorial-for-Hand-Embroidery publish 0 0 post

The first method covered in the video is the "sewing method" of embroidery, where your hands work on the front of the fabric and do not pass to the back. The second method is the "stab" method, where your working hand passes from the front to the back of the fabric to move the needle.

Each method is correct, depending on how you like to embroider. Personally, I think the "stab" method produces a consistently better-looking stitch, but there isn't that much difference between the two. Once you get the hang of the stitch, it's a very quick stitch to work.

Applications: it's great for outlining, lines, and curves, as well as for filling, when worked in rows right next to each other.

Please excuse the shaky video! It can be somewhat difficult to embroider while hugging a camera! New tripod coming soon!

Here's the video:



For more tutorials on hand embroidery stitches, visit the Video Library of Stitches.

]]> video tutorials Hand embroidery stitches beginner embroidery 4611 Judy in Pittsburgh noreply@blogger.com http://www.blogger.com/profile/01490015941525310478 2009-11-17 07:31:42 2009-11-17 07:31:42 1 0 7769 swarna noreply@blogger.com 2009-04-29 07:06:00 2009-04-29 07:06:00 1 0 This stich is very useful.before i dont know about this stich. After this i got an idea, i did this stich in combi of two colour it is good.]]> 12548 Deepalakshmi noreply@blogger.com http://www.blogger.com/profile/15226750076829534258 2008-01-12 14:10:00 2008-01-12 14:10:00 1 0 This is very useful and whatever I expected as a beginner,it is there.Thanq so much.
Deepa]]> http://www.needlenthread.com/2008/08/goldwork-article-interesting-bit-on.html Fri, 01 Aug 2008 07:22:00 -0500 Mary Corbet 662 2008-08-01 07:22:00 2008-08-01 07:22:00 open open Goldwork-Article---Interesting-Bit-on-the-History-of-Goldwork... publish 0 0 post

I have never failed to get ooooooos and aaaaaaahs and wows and all kinds of exclamations when I've shown off even the little scraps of practice goldwork. And I admit, that's always my reaction, too. When I see goldwork, I'm like the crow or whatever it was in that movie I saw when I was a kid - he was always completely mesmerized by "sparklies." (I think I just dated myself, and demonstrated that I have a pretty foggy memory when it comes to movies from childhood!)

I rank goldwork among my favorite needlework techniques, but the silly thing is, I really haven't done that much of it! I can count eight goldwork projects I've done. That's it. Eight. That's not much!

Anyway, one of the reasons goldwork appeals to me, I think, is its rich history. If you've never read anything about the history of this opulent form of needlework, but you'd like to, you're in luck - Country Bumpkin has published a nice, concise article on the History of Goldwork.

When Margaret sent me the link, she commented that the article was probably a result of the recently published A-Z of Goldwork book, and I suppose she's right. The book hasn't been distributed in the US yet, but we're waiting anxiously. I pre-ordered mine through Wooly Thread, and was disappointed to find out that it seems we won't get them until the end of August (!!). I suppose that's what I get for saving on shipping and not pre-ordering through Country Bumpkin!

Although I'm anxious to see the book and to compare it with other excellent goldwork books I have - like the Beginner's Guide to Goldwork by Ruth Chamberline - the truth of the matter is, it's probably better not to get distracted with a book that's going to make me want to start Yet One More Project!

Since this post comes without photos, I'll reference you to this post of a magnificent piece of goldwork...

Enjoy the article!
]]> ecclesiastical embroidery goldwork 11095 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-08-05 11:00:00 2008-08-05 11:00:00 1 0
Christiana: gold naturally come is differing shades from very yellow golds to the warmer red golds and even in white! The shade will depend on where the gold was sourced as well as the amount of pure gold in the thread.

CA]]> 11147 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-02 11:36:04 2008-08-02 11:36:04 1 0
Remember, the piece is photographed, and my color may not be 100% true (though, actually, it looks right - so I think it is!). And age certainly changes the color, too!

Hi, Tess-

I think the date on it is the late 1800's, if I remember correctly. I believe there's a tag inside it, with the name of the place that made it, and the date, but... I didn't photograph that, unfortunately!]]> 11149 Anonymous noreply@blogger.com 2008-08-02 07:40:00 2008-08-02 07:40:00 1 0 Any idea as to the date of that gold chasuble? And in what country was is made?
Tess]]> 11150 Anonymous noreply@blogger.com 2008-08-01 22:32:00 2008-08-01 22:32:00 1 0
This is a truly incredible work. It blows my mind to see the quality and perfect marriage of the stitching and the techniques/design. Wow.

-Christiana]]> http://www.needlenthread.com/2008/07/july-embroidery-stash-winner.html Thu, 31 Jul 2008 08:10:00 -0500 Mary Corbet 663 2008-07-31 08:10:00 2008-07-31 08:10:00 open open July-Embroidery-Stash-Winner! publish 0 0 post

The first thing I do when the embroidery stash giveaway is over is type a list of entry names - for the "anonymous" commentors, I put "annon" plus a key word from their post (it's much easier if you leave a name!) - and then I print and cut the names into small scraps and stick them in a box or bag. This morning, it was a box.

I shake them up...

And I pick one piece of paper from the box...

And the name I picked this morning was....

Chrissy, who likes French knots. Chrissy, please contact me with your shipping information, and that package will go in the mail tomorrow!

Thanks, all, for participating! I think I'll have to calculate the total number of French knot and chain stitch fans - they seemed to be the dominant favorites!

In August, I hope to do something special for a stash give-away - well, something "special-er" in a Specialty type way. I'm waiting for some information from a couple retailers that I keep in touch with, about a product that I believe is no longer available. But I have extra... so I might it give it to you! We shall see.

I'm still plugging away on my current project, and will post some pictures when I finish the final bits of the part I'm working on now. I've also got another whitework project set up that I have to make fast progress on this week. (Looks like I'll be a slave to the needle for many hours this weekend. Gee. Isn't that tough?) AND - my mind is jumping ahead about two weeks, when these two projects will be done and delivered, and I can start something COLORFUL and ... well, with goldwork on it. At least a sampler of sorts, because....

JoWynn very kindly sent me some Sadi threads to try, and I am going to try them! I'll show you those a bit later, lined up next to the typical "English" metal threads (2% gold from Benton and Johnson), in a goldwork supplies comparison, with some information on different suppliers around the traps - all in anticipation of receiving my copy of the new A-Z of Goldwork, which I hope to review for you soon (whenever it shows up).

Oh, gosh. And I'll also finish the monogram alphabet - only a Z left - and start cleaning up the next round of patterns and monograms.

Lots to do over the next couple weeks! Anybody have any particular embroider subject or question you'd like to see discussed as well? Leave a comment and let me know!
]]> stash contest miscellaneous embroidery musings 11153 Nora noreply@blogger.com 2008-08-01 07:18:00 2008-08-01 07:18:00 1 0 Nora]]> 11154 Anonymous noreply@blogger.com 2008-08-01 07:06:00 2008-08-01 07:06:00 1 0 11157 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-31 23:45:17 2008-07-31 23:45:17 1 0
Kim, I'm glad you're finding stitches to fill up your repertoire!

Susan - I don't know if there are other techniques for "folk art" embroidery. I would imagine the stitches are the same, but the color choices and thread choices might be the difference.

Thanks for your comments!

Best,
Mary]]> 11161 Kim noreply@blogger.com http://www.blogger.com/profile/08691076996741336291 2008-07-31 18:30:00 2008-07-31 18:30:00 1 0
Thanks for the contest!! It's given me inspiration to try a few new stitches! It seems I was pretty plain jane with my stitch repertoire!]]> 11162 Marian noreply@blogger.com 2008-07-31 17:44:00 2008-07-31 17:44:00 1 0
I promised to bring my guide book from Hastin Castle and the duplicate Bayeaux Tapestry, but the scanner is not working today. I will leave the book in my bag and try next week.]]> 11166 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-07-31 12:57:00 2008-07-31 12:57:00 1 0 http://www.needlenthread.com/2008/07/needlework-stash-give-away-for-july.html Wed, 30 Jul 2008 16:38:00 -0500 Mary Corbet 664 2008-07-30 16:38:00 2008-07-30 16:38:00 open open Needlework-Stash-Give-away-for-July---Last-Chance! publish 0 0 post needlework stash give-away here on Needle 'n Thread. All you have to do is leave a comment on the original post, explaining what your favorite embroidery stitch is and why... and you can even feel free to leave in any tips about working the stitch, that you've picked up along the way!

I'll draw the name first thing in the morning, so leave your comment tonight!]]> stash contest 11163 Dorothy noreply@blogger.com 2008-07-31 14:30:00 2008-07-31 14:30:00 1 0 http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-y.html Wed, 30 Jul 2008 07:10:00 -0500 Mary Corbet 665 2008-07-30 07:10:00 2008-07-30 07:10:00 open open Monogram-for-Hand-Embroidery:-Letter-Y publish 0 0 post

All that's left to give you to complete this whole monogram alphabet is the "Z." I'll be updating the first half of this alphabet with the cleaner patterns made from vector drawings (thanks to Margaret, who traced the first half of the alphabet for me!)

And then, I've got some letter combinations and a smaller alphabet I was thinking about cleaning up next...

Here's the Y:



For the rest of this alphabet, please visit my Index of Monograms for Hand Embroidery.

Enjoy!

]]> free embroidery patterns monograms 11101 Priscilla aggggh1@yahoo.com http://www.blogger.com/profile/03379672865165112895 2008-08-04 19:36:00 2008-08-04 19:36:00 1 0 http://www.needlenthread.com/2008/07/make-your-own-bayeux-tapestry.html Tue, 29 Jul 2008 06:00:00 -0500 Mary Corbet 666 2008-07-29 06:00:00 2008-07-29 06:00:00 open open Make-your-own-Bayeux-Tapestry! publish 0 0 post animated Bayeux Tapestry post of last year, although you might have a little more creative fun with this one!

Here's your chance to take your place in needlework history by making your own Bayeux Tapestry!



The Historic Tale Construction Cit is a drag-and-drop, make-your-own virtual tapestry website. It's hilarious, and really clever!



You can choose from a variety of folc, brave (people, horses), beasts, buildings, and miscellaneous items, drop them on your tapestry, re-arrange them, and add text as you go, until you have a whole historical tapestry account of whatever Important Event you want to record!



The characters and images are diverse - from a kid with a sheep, to the fallen and slain, to the cook, the dogs, the donkey, birds, kings, buildings, ships, and trees - and you can add scenes as you go (because of course you've got to use every possible image on your tapestry!)



Your masterpiece can be as clever as you want it to be, or as mindless...

When you're finished with your masterpiece (it won't take nearly as long as the original took, I'm pretty sure!) you can save it to the gallery or e-mail to a friend.



If you're a fan of historic needlework (with a sense of humor), check out the Historic Tale Construction Cit!

And have fun with it!

Thanks, Margaret, for the fun link! (...where I've whiled away how much time now??!)
]]> historical needlework embroidery resources miscellaneous embroidery musings 11186 Aline noreply@blogger.com 2008-07-30 06:44:00 2008-07-30 06:44:00 1 0
thanks !]]> 11188 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-29 21:31:35 2008-07-29 21:31:35 1 0 11190 Marian noreply@blogger.com 2008-07-29 18:57:00 2008-07-29 18:57:00 1 0
I visited Hsting Castle as a child, but of course the duplicate tapestry wasn't there at that time. I have a guide book at home and will come back tomorrow to tell more about the history of the duplicate.]]> 11201 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-07-29 09:26:00 2008-07-29 09:26:00 1 0 11203 Anonymous noreply@blogger.com 2008-07-29 07:39:00 2008-07-29 07:39:00 1 0 http://www.needlenthread.com/2008/07/trial-run-on-diamond-stitch-video-you.html Mon, 28 Jul 2008 07:46:00 -0500 Mary Corbet 667 2008-07-28 07:46:00 2008-07-28 07:46:00 open open Trial-Run-on-Diamond-Stitch-Video---You-Decide! publish 0 0 post

This morning, I posted the Knotted Diamond Stitch video tutorial, going about it the same way I have for all my hand embroidery videos. The reason I use Google is simple: You Tube has little "ads" for more videos at the bottom of each video, and, since I don't think I can control those, I am wary of using them! But I found out (yes, I'm slow) I could post video through blogger, thanks to my brother, who pointed that out to me. Since I haven't used blogger before for this, I want to do a test run, and, if you see a big difference on your side of the screen, I'd love some feedback! So the purpose here is a kind of comparison, between this video below, and the knotted diamond stitch I posted this morning.

You can check out the original post, where you'll find tips and tricks on working this stitch, as well as a photo of what it looks like when completed.


http://www.blogger.com/img/videoplayer.swf?videoUrl=http%3A%2F%2Fv17.nonxt5.googlevideo.com%2Fvideoplayback%3Fid%3D4a91d28c86f49f46%26itag%3D5%26begin%3D0%26len%3D86400000%26app%3Dblogger%26et%3Dplay%26el%3DEMBEDDED%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1274691136%26sparams%3Did%252Citag%252Cip%252Cipbits%252Cexpire%26signature%3D7F8FAFD5E154DDB696AE39BA5AA6C79A3665A3EB.177238463CD0785492475D1666DB961B1133A0AB%26key%3Dck1&thumbnailUrl=http%3A%2F%2Fvideo.google.com%2FThumbnailServer2%3Fapp%3Dblogger%26contentid%3D4a91d28c86f49f46%26offsetms%3D5000%26itag%3Dw320%26sigh%3DwuVlEcWfeTbEb6G4RD55-cCUpEw&messagesUrl=video.google.com%2FFlashUiStrings.xlb%3Fframe%3Dflashstrings%26hl%3Den&nogvlm=1

I really value your opinions, so don't be shy! Let me know what you think! If it's clearer, and it looks like blogger might be a better option, I may convert.]]> video tutorials Hand embroidery stitches 11156 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-31 23:49:40 2008-07-31 23:49:40 1 0
Thank you again - I'm glad to know how to adjust that!

Best,
Mary]]> 11158 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-07-31 22:46:00 2008-07-31 22:46:00 1 0
If you'd like to see an example of this (in a 30 second video I took this evening at an event for my son) go here.]]> 11193 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-29 17:50:28 2008-07-29 17:50:28 1 0
Thanks for the suggestion! Yep, I have used a curved needle. It takes some getting used to, but for certain types of stitching - or especially for stitching through the top of a piece that has a backing on it that I don't want to go through (when repairing something that is already assembled, for example) it comes in handy. But it isn't my "needle of choice," even when working such stitches as the one here. I prefer a straight needle - usually, I use shorter needles (I like small, small needles), and I like them straight, with the exception of a few favorites that have developed a bend from use. I can always pick out my favorite needles, thanks to the bend!

I haven't really figured out why I don't like the curved needle. It may simply be because I haven't used one enough to fall in love with it. .... ?

With the video tutorials, I like to stick to the readily-available tools, threads, etc., because I think that's what most readers have on hand, too. Throwing in a curved needle could give the impression that it is "the" type of needle required for the stitch...

I may have to fish a couple curved needles out and give them a try again. I know I'll need some for an upcoming repair project, anyway - so it would be good to play around and get used to using one again.

Thanks, Laura! You have GREAT suggestions!

I was going to e-mail you about needle lace, by the way.... I have a question!

Best,
MC]]> 11194 Laura Bullinger noreply@blogger.com 2008-07-29 17:22:00 2008-07-29 17:22:00 1 0 11199 Anonymous noreply@blogger.com 2008-07-29 11:19:00 2008-07-29 11:19:00 1 0 11200 Anonymous noreply@blogger.com 2008-07-29 10:24:00 2008-07-29 10:24:00 1 0 I hadn't seen this one before--very pretty!
Patrice]]> 11202 Nora noreply@blogger.com 2008-07-29 09:12:00 2008-07-29 09:12:00 1 0 I like the google video. I agree with Cindy and Jeannie and putting it in full screen which I do not seem to be able to do with the old videos. But whatever you decide is easier as long as you continue to make videos which are wonderful.
Nora]]> 11207 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-07-28 21:40:00 2008-07-28 21:40:00 1 0 Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 11211 Cindy in Oregon noreply@blogger.com 2008-07-28 16:02:00 2008-07-28 16:02:00 1 0 11214 Anonymous noreply@blogger.com 2008-07-28 10:44:00 2008-07-28 10:44:00 1 0
If I HAD to choose I would probably vote for the Google video. Only because, for me and my eyes, bigger is better, even if it's just a little bit bigger. But I can live with either one.

Cool stitch!
-Jeannine]]> 11215 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-07-28 10:44:00 2008-07-28 10:44:00 1 0
As for comparing your Blogger vid to the Google one--the sound quality seems about the same, as does the resolution. The Google video is a little larger (though not necessarily clearer) which may make it slightly easier to see what you're doing.

You might want to upload the same Diamond stitch video to YouTube (with keywords) and compare the quality with the other two.]]> 11220 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-28 09:17:00 2008-07-28 09:17:00 1 0 I think that the choice must be yours - which is easier for you - because for us, better for me ( I'm nobody spokesperson!) both are great tutorials!!]]> 11221 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-07-28 09:03:00 2008-07-28 09:03:00 1 0 11222 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-28 08:13:53 2008-07-28 08:13:53 1 0
Hmmm. ....

Hmmmm....

What was really weird was that I opened both videos in different browsers, put them side-by-side, and aligned them so that I could watch them at the same point. One was trailing about a milisecond behind the other, so I was listen to my voice echoing.

You know, it's bad enough having to listen to your own voice! But having to listen to it twice... sheesh.

:-)

MC]]> http://www.needlenthread.com/2008/07/video-tutorial-knotted-diamond-stitch.html Mon, 28 Jul 2008 06:00:00 -0500 Mary Corbet 668 2008-07-28 06:00:00 2008-07-28 06:00:00 open open Video-Tutorial:-Knotted-Diamond-Stitch publish 0 0 post video library of hand embroidery stitches! It's a decorative band stitch that's easy and quick to work, and looks great!

The knotted diamond stitch makes a decorative band of diamond shapes between two parallel lines. It can be worked horizontally or vertically. It would make a great seam treatment in crazy quilting, it could be used as an edge treatment on a towel, or for lines in band samplers. I was thinking it would make a neat edge border around the outside of a card, for paper embroidery, but I haven't had a chance to try that yet!



You can build on the stitch, too, by adding other elements to it - like French knots or colonial knots in the centers of the diamonds, or daisy stitch petals coming off the points of, or placed in the "V" between, the diamonds.

Some hints which I touch on briefly in the video:

I find the stitch faster to work if you lay your thread on the fabric in the correct arrangement, rather than wrapping the thread around the needle for each knot.

When you work from the right to left (forming two knots, one on each side - you'll see it in the video), lay your thread down in the shape of a "C" (equivalent to wrapping your thread over and around the needle counter-clockwise).

When you work the center knot coming back (from left to right), lay your thread down in the shape of a "G" (again, you'll see this in the video) - this is equivalent to wrapping your thread over the top of the needle, and back around, clockwise.

It also helps at first to mark off even spacing for the "X" that's formed by the stitch, until you can judge it by eye.

I'm using perle cotton #5 in the video (and in the photo above). It's a nice thread for this stitch, although it works well with other threads, too.

Here's the video:



You can find more videos (51 of them!) in my Video Library of Stitches, as well as a link for solving playback issues, if you have trouble viewing the videos on your computer.


]]> video tutorials Hand embroidery stitches beginner embroidery 4678 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-08 14:14:45 2009-11-08 14:14:45 1 0
MC]]> 4679 paintinglemonjane noreply@blogger.com http://www.blogger.com/profile/14997694105507318285 2009-11-08 12:12:01 2009-11-08 12:12:01 1 0 5031 Anonymous noreply@blogger.com 2009-10-09 13:16:25 2009-10-09 13:16:25 1 0 7650 Anonymous noreply@blogger.com 2009-05-12 12:29:00 2009-05-12 12:29:00 1 0 Thanks a lot .With god grace long life with good health to do this service.
Ranee.J]]> 11125 Susan dezertsuz@gmail.com http://www.blogger.com/profile/09159163720029661287 2008-08-03 13:59:00 2008-08-03 13:59:00 1 0 11165 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-07-31 13:18:00 2008-07-31 13:18:00 1 0
Denise
http://needlework.craftgossip.com]]> 11208 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-07-28 21:38:00 2008-07-28 21:38:00 1 0 Hope this is a helpful comment,
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> http://www.needlenthread.com/2008/07/hand-embroidered-linen-pouch-earwig.html Sun, 27 Jul 2008 06:00:00 -0500 Mary Corbet 669 2008-07-27 06:00:00 2008-07-27 06:00:00 open open Hand-Embroidered-Linen-Pouch:-Earwig publish 0 0 post embroidery mistakes and needlework frustrations? It's underway once more - so, here we go again...

I'm making a linens pouch. This is an ecclesiastical piece of embroidery - the pouch itself will hold small altar linens. I wouldn't normally make a linens pouch out of linen, but that's what was requested, so I wanted to conform the project to the tastes of the receiver of the gift! I posted photos of a similar embroidered pouch for linens before - you can take a look at that to get an idea of what the finished piece will look like, construction-wise.

On this one, I have a cross, swords, and crown design on the front. When I initially drew the design on the initial fabric (set up on the slate frame), I used a pencil and was not pleased with the fact that the thread seemed to picking up some grey from the pencil. Rather than stitch the whole thing and risk the grey not coming out, I started over!

So this is the front so far:



Notice that the design (you can barely see it) is in blue now. I used dressmaker's carbon to transfer it. Here and there, I did have to barely touch up a line with the lightest touch of a pencil. I haven't gotten very far on it, have I?



This is the cross a little closer. Oh, golly. While I would prefer doing this piece in colored silks and real gold threads, I felt obliged, again, to try to match the recipient's tastes. So I'm working in coton a broder. Since the linen is a good, solid medium-weight linen (Alba Maxima by Legacy), I'm using a heavier sized thread. This is #16 coton a broder.

But despite the fact that I'd might like to be working with other materials, I will admit that I do LOVE working with the coton a broder on the Alba Maxima linen. And - I LOVE Palestrina Stitch. This is a great stitch, and I think it looks really pretty in this thread on white. The stitch is fun to work - once you have the steps down, it moves at a nice rhythm. I really do love it. (Did I mention I like Palestrina Stitch?)

I want to fill the middle of the cross, I think. Since it's the central focus of the design, I'd like to have it a little heavier than the rest of the piece. I could achieve focus on it two ways - by making all other elements filled, and leaving this "voided," which would make it stand out. But instead, I'd rather fill the cross, so the "heavier" looking part is also the central focus.

The problem is, I don't know what stitch to fill it with. Normallly, I suppose you'd do the filling first (if it's something beyond seed stitch, anyway), but I wanted to get it outlined to see if I'd like it filled or empty.

Any brilliant ideas for a filling? Of course, satin stitch would be beautiful - it is a gorgeous stitch, when worked right - but the wider parts of the cross are just bordering on "too" wide for the satin stitch. I don't want loose threads. I also don't want to pad it, as I don't want a padded look to the piece.

Nope. Still no clue as to what to fill it with. I keep thinking something brilliant will pop into my mind, but ... nothing yet!



That's a bit closer on the Palestrina stitch there - and you can see where I did some touching up with pencil. Rrgh.



And a little closer on the Palestrina stitch there. Gosh, I love that linen. Gosh, I love that stitch! Yet...

... despite loving the linen and loving the stitch, I will admit that overall, I'm not that pleased with the project itself. I spent 2 hours yesterday stitching on it (beyond what you see here), and almost as long removing all the stitches I had just put in. The piece simply isn't coming together as I want it to.



Here's a little teaching moment for you - this is the back. See the long strings carrying over to the sides? I started with "away waste knots." That is, I started with a knot in the end of my thread, and took my needle and thread down into the fabric far away from where I was going to start stitching. Then, when I had finished the length of the thread, I snipped the knot off, re-threaded the needle, and ran the long tail underneath the stitches to secure the beginning of the thread. This is an easy way to start a line of stitching when there aren't any other stitches close by to secure your thread under.



Oh, yeah. I do love the Palestrina stitch!

Any ideas on filling it?
]]> ecclesiastical embroidery whitework pictures needlework pictures 11155 Anonymous noreply@blogger.com 2008-08-01 06:38:00 2008-08-01 06:38:00 1 0 bises Pat]]> 11191 Marian noreply@blogger.com 2008-07-29 18:49:00 2008-07-29 18:49:00 1 0
Butthe design is lovely.]]> 11209 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-28 21:22:58 2008-07-28 21:22:58 1 0
I decided to fill it in with tiny seed stitches, so it matches the other linen piece I'm making to go with it.

I wish I had thought about Carol-Anne's suggestion for the satin stitch, leaving space between the satin stitched areas and the palestrina stitch edge. That is a splendid idea!

I tried a lattice kind of filling, but it didn't look quite right, since the cross isn't perfectly square.

I also tried a kind of bargello stitch filling, but it was too thick.

So I stuck with seed stitching, very tiny, and it looks ok. I'll post photos of it as soon as I finish the embroidery.

I'm thinking of washing the crown out and not doing it. It's too big, I think, for the rest of the pattern, and when I transferred it, one side is slightly "off" - besides, being crunched for time, I think I need to Keep it Simple! So I probably will forego the crown and the lettering on the underside of the cover.

I'll keep you posted!

Best,
MC]]> 11213 Patricia noreply@blogger.com 2008-07-28 14:42:00 2008-07-28 14:42:00 1 0 I'm new to embroidery in fact I've only done the stem stitch and french knots. My suggestion is to use white seed beads or tiny pearls along with another stitch to fill it in.
Thank you for sharing.
Patricia]]> 11216 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-07-28 10:27:00 2008-07-28 10:27:00 1 0
CA]]> 11243 Anonymous noreply@blogger.com 2008-07-27 17:13:00 2008-07-27 17:13:00 1 0 BTW if you do that you need to tie down at the joints to keep the lattice in place, but it really goes in quickly and looks very neat.]]> 11245 Anonymous noreply@blogger.com 2008-07-27 16:23:00 2008-07-27 16:23:00 1 0
Elizabeth]]> 11251 Cindy in Oregon noreply@blogger.com 2008-07-27 12:54:00 2008-07-27 12:54:00 1 0 11252 Meeta V. noreply@blogger.com 2008-07-27 12:51:00 2008-07-27 12:51:00 1 0 11255 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-07-27 10:41:00 2008-07-27 10:41:00 1 0 11257 Anonymous noreply@blogger.com 2008-07-27 09:19:00 2008-07-27 09:19:00 1 0
I wouldn't presume to suggest what filling stitch you might use. I can only say that I fell in love with seed stitching the first time I saw it, which was here on Needle'n Thread; the white on white leaf that you show on the Seed Stitch tutorial page.
-Jeannine]]> 11262 Žabacorporation zabacorporation@gmail.com http://www.blogger.com/profile/08672390582224414007 2008-07-27 06:44:00 2008-07-27 06:44:00 1 0 http://www.needlenthread.com/2008/07/july-embroidery-stash-give-away-simple.html Sat, 26 Jul 2008 18:39:00 -0500 Mary Corbet 670 2008-07-26 18:39:00 2008-07-26 18:39:00 open open July-Embroidery-Stash-Give-Away---Simple,-but-Fun publish 0 0 post

The contents of the package this month include a white kitchen towel awaiting your embellishment, four colors of perle cotton #5, an English needle (crewel size 1), and a book - the old Anchor freestyle embroidery book.



For advanced embroiderers, this might seem a mundane package, but you know what? I like the simple, fun embroidery that comes with these types of threads, a blank towel, and some new stitches and patterns from a good book. This brings embroidery to the level of ultimate relaxation for me, and the product is always something that is thoughtful, colorful, and fun as a gift.



It's true that the least exciting thing in the package is probably the needle, but by including it, you're saved a trip out, if you want to start a project right away and you don't have the right sized needle on hand!



I stuck with some brightly colored, pretty perle cottons - three are DMC, the purple is Anchor. This will give you the opportunity to feel the difference between the DMC thread and the Anchor - there is one, you know! The Anchor perle feels "dry" to me, compared to the DMC. It seems a little less soft, too. But it stitches really well! They both do.



The towel is a 100% cotton white kitchen towel. It has a tag across one corner for hanging.



The best part is the book, of course. I like this Anchor book better than the new one. This is the "old" version, which has since been republished by Anchor. In the book, you'll find stitch diagrams for a variety of stitches, and next to each new stitch, you'll find a picture of a stitched piece utilizing the stitch featured in the diagram. This is always a great feature - it's nice to see the finished stitch in a real embroidered work. The photos of the pieces featuring the stitch are also echoed in the patterns provided in the back of the book - and there are a lot of nice little, clear patterns that can be traced onto the towel (or anything else you want to embellish!).



The patterns provided are in bold lines, easy for tracing, and they're mostly what I'd call "fun" patterns, that you can mix your stitches on.

And, conveniently, this is a little book - it's not a full-sized book, which means it will fit in my shipping envelopes!

So that's the give-away for July... and this is what YOU have to do!

Leave a comment below, answering the following question:

What's your favorite embroidery stitch and WHY? You can also include any tricks you have for working the stitch, that make it easier or give it a better finish. That way, everyone can learn something from your comments!

On Wednesday, July 30th, the contest ends. I'll draw a name Thursday morning and post the winner, at which time the winner can contact me with a shipping address. Overseas readers are welcome to join - if you win, I'll mail the parcel the least expensive air mail option!

So - answer away!

And even if you're not so keen on perle cotton or kitchen towels or needles or small books - think of it as an opportunity to get a postcard from me! Chuckle, chuckle....

]]> stash contest pictures 11120 pegilee noreply@blogger.com 2008-08-03 18:47:00 2008-08-03 18:47:00 1 0 you. So I don't have a favorite stitch yet but am working on it. pegilee]]> 11151 kirti noreply@blogger.com 2008-08-01 12:12:00 2008-08-01 12:12:00 1 0 i think i m little late.i just checked your mail & got to know about stash contest.iwant to take a part in this. just give me a chance.i am a hand embroider.i love mirror work [india].& ican do very nicely.imade lots of item with that
& get lots of lots of appriciation.it gives stunning look to any project.i also like petal stitch very much.when mirror and petal stitch comes together oh they looks very very beautiful.]]> 11159 Winnie noreply@blogger.com 2008-07-31 21:41:00 2008-07-31 21:41:00 1 0
I love the french knot. My grandmother taught me when I was little. I love how it looks like a tiny rosebud or a seed bead.
I love your website, and am so glad to have stumbled across it. I had not embroidered much for years and it is such a lovely, rhythmic thing to do. I thank you so much for all of your inspiration.
Winnie]]> 11160 Michele noreply@blogger.com http://www.blogger.com/profile/03634128251683290003 2008-07-31 20:49:00 2008-07-31 20:49:00 1 0
Michele]]> 11164 Anonymous noreply@blogger.com 2008-07-31 13:19:00 2008-07-31 13:19:00 1 0 11167 Amy A noreply@blogger.com 2008-07-31 12:17:00 2008-07-31 12:17:00 1 0 11168 Angelena appalachian@citlink.net http://www.blogger.com/profile/04002727192262980990 2008-07-31 10:06:00 2008-07-31 10:06:00 1 0 11169 Pat noreply@blogger.com http://www.blogger.com/profile/01386894726252670385 2008-07-31 08:39:00 2008-07-31 08:39:00 1 0 stitch. It was also my grandmother's favorite stitch and
she was my inspiration for learning to embroider. Every time
I use the satin stitch I think of
her with fond memories.]]> 11170 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-07-31 07:29:00 2008-07-31 07:29:00 1 0 11171 Nora noreply@blogger.com 2008-07-31 07:21:00 2008-07-31 07:21:00 1 0 Why my post didn't come up is a mystery. I am not sure what I said, but I think it was the oyster and rope stitch right now. I can make them an outline and also use the oyster to make small flowers. The oyster is difficult but very pretty. The rope can be a thin, thick line or straight or turned slightly.
Nora]]> 11172 crazypatch noreply@blogger.com http://carrementcrazy.zumablog.com 2008-07-31 06:19:00 2008-07-31 06:19:00 1 0 For me, the favorite stich is the buttonhole stitch ,
Buttonhole can also be worked in freeform manner with rows stacked to create texture and on my crazy patch.. There are many other stitch in this family.bonnet stich, feather stitch, closed buttonhole stitch... but "le choix" is difficult....I love all the stitches]]> 11173 Ferrin noreply@blogger.com 2008-07-31 00:45:00 2008-07-31 00:45:00 1 0 11174 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2008-07-30 22:36:00 2008-07-30 22:36:00 1 0 11175 Gail galynn92347@yahoo.com http://www.blogger.com/profile/14240381173653268463 2008-07-30 22:12:00 2008-07-30 22:12:00 1 0
The feather stitch is my favorite, it seems to end up on all my projects. I like to add to it with other stitches and embellishments. It dresses up very nicely.]]> 11176 Swtlilchick CharlieGurl57@aol.com http://www.blogger.com/profile/10163899483960028158 2008-07-30 22:09:00 2008-07-30 22:09:00 1 0 easy looks nice and is a common stitch.Also easy to fix if you mess
up.Thanks for the giveaway

CharlieGurl57@aol.com]]> 11177 Gail galynn92347@yahoo.com http://www.blogger.com/profile/14240381173653268463 2008-07-30 22:05:00 2008-07-30 22:05:00 1 0 11178 Chrissy hicketypicketyhandmade@gmail.com http://www.blogger.com/profile/04744607374240351455 2008-07-30 21:07:00 2008-07-30 21:07:00 1 0 11179 sudukc noreply@blogger.com http://sudukc.wordpress.com/ 2008-07-30 20:58:00 2008-07-30 20:58:00 1 0 11180 Kim noreply@blogger.com http://www.blogger.com/profile/08691076996741336291 2008-07-30 20:47:50 2008-07-30 20:47:50 1 0 11182 MaryGrace McNamara noreply@blogger.com http://www.hookedonneedles.com/ 2008-07-30 19:46:00 2008-07-30 19:46:00 1 0
MGM]]> 11183 Anonymous noreply@blogger.com 2008-07-30 18:21:00 2008-07-30 18:21:00 1 0 mcpheedes@hotmail.com]]> 11184 samplerknn noreply@blogger.com 2008-07-30 17:09:00 2008-07-30 17:09:00 1 0
Karen]]> 11185 Anonymous noreply@blogger.com 2008-07-30 16:56:00 2008-07-30 16:56:00 1 0 11187 cpullum cpullum@yahoo.com http://www.blogger.com/profile/13899177735002720423 2008-07-30 01:22:00 2008-07-30 01:22:00 1 0 11189 snulfers snulfers@hotmail.com http://www.blogger.com/profile/12947640907287562649 2008-07-29 19:22:00 2008-07-29 19:22:00 1 0


snulfers@hotmail.com]]> 11192 calgirl pwhite98270@yahoo.com http://www.blogger.com/profile/12871800199544952008 2008-07-29 18:17:00 2008-07-29 18:17:00 1 0 11196 Carolyn cbdileo@rock.com http://www.blogger.com/profile/08501679372111439104 2008-07-29 14:26:00 2008-07-29 14:26:00 1 0 11197 Sarah noreply@blogger.com http://www.blogger.com/profile/17294707996548135064 2008-07-29 14:21:00 2008-07-29 14:21:00 1 0 11198 kaylee8 noreply@blogger.com http://www.blogger.com/profile/02886112073633161404 2008-07-29 12:10:00 2008-07-29 12:10:00 1 0 11205 Princy noreply@blogger.com 2008-07-28 22:38:00 2008-07-28 22:38:00 1 0 Chain stitch as it is very simple and if worked with different lengths would give different look and neat one]]> 11210 Kathy ttime18@gmail.com http://www.blogger.com/profile/02070679712767699936 2008-07-28 19:44:00 2008-07-28 19:44:00 1 0 11212 Heather noreply@blogger.com http://www.blogger.com/profile/18037171813401869053 2008-07-28 15:14:00 2008-07-28 15:14:00 1 0 11224 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-28 07:54:00 2008-07-28 07:54:00 1 0
(Wednesday I'm travelling to Lisbon... I hope I can get a pc to know the winner on Thursday!!!)]]> 11225 Courtney noreply@blogger.com http://www.blogger.com/profile/13475318662505589743 2008-07-28 06:53:00 2008-07-28 06:53:00 1 0 11226 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-28 06:34:22 2008-07-28 06:34:22 1 0
I love Palestrina stitch (just thought I'd mentione that again!)]]> 11227 Lori Northon noreply@blogger.com 2008-07-28 03:09:00 2008-07-28 03:09:00 1 0 11228 Carol in SW Indiana noreply@blogger.com 2008-07-28 02:49:00 2008-07-28 02:49:00 1 0 I still have the dresser runner that she taught me on. It had a lot of different stitches and was perfect for a beginner. Of course, my hand work back then was far from award winning, but it was decent because she had me take many stitches out and redo them to her satisfaction. I truly miss those moments with Grandma even at 45 years old. Thank you for giving me a reason to remember those lessons.]]> 11229 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-07-28 00:16:00 2008-07-28 00:16:00 1 0 11232 margaret c. noreply@blogger.com 2008-07-27 23:35:00 2008-07-27 23:35:00 1 0
In Mary's post today she is using Palestrina stitch which looked very familiar to me. I looked up Palestrina and it turns out that Palestrina is the same stitch as twilling! So, I think my favourite stitch is really called Palestrina.

I also must really like long and short (for shading) because I find myself doing a lot of that.]]> 11233 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-07-27 23:17:00 2008-07-27 23:17:00 1 0 11234 I am Arizona; a person, not a place. azlag@comcast.net http://www.blogger.com/profile/18162117959024394009 2008-07-27 22:50:00 2008-07-27 22:50:00 1 0 11235 Allie noreply@blogger.com 2008-07-27 22:11:00 2008-07-27 22:11:00 1 0 11236 Crazy In Pieces noreply@blogger.com http://www.blogger.com/profile/01668684817035583968 2008-07-27 21:47:00 2008-07-27 21:47:00 1 0 11237 anabeau noreply@blogger.com http://www.blogger.com/profile/05433676656664860861 2008-07-27 20:41:00 2008-07-27 20:41:00 1 0 11239 Marian noreply@blogger.com 2008-07-27 18:43:00 2008-07-27 18:43:00 1 0
It was a church school and if there was afuneral at the church - we were not allowed to play inthe palyground at recess or lunchtime, sothe boys were allowed to play cricket or soccer in the one half of the school hall and the girls had to do their embroidery. I lost count of the number of times my teacher put the scissor blades through my stitching and cut because some of my stitches were uneven - in spacing or length down from the edge of the pj case I was attempting. Sometimes the stitches would be only 1 or 2 millimetres different!! But it did teach me patience and a willingness to do better - regardless of her opinion.]]> 11241 breedasong noreply@blogger.com http://breedasong.livejournal.com/ 2008-07-27 18:04:00 2008-07-27 18:04:00 1 0
Breeda]]> 11242 breedasong noreply@blogger.com http://breedasong.livejournal.com/ 2008-07-27 17:59:00 2008-07-27 17:59:00 1 0
Breeda]]> 11244 sharon lozano noreply@blogger.com 2008-07-27 16:54:00 2008-07-27 16:54:00 1 0 11246 Laura Bullinger noreply@blogger.com 2008-07-27 16:11:00 2008-07-27 16:11:00 1 0 The Buttonhole technique is used when Tatting, too (another favorite hobby) both by shuttle and by needle. I think I now qualify for Ambassadorship of Buttonhole
StitchMania!]]> 11248 Cherylann c_marois@sympatico.ca http://www.blogger.com/profile/06306615228611397161 2008-07-27 14:31:00 2008-07-27 14:31:00 1 0 11249 Eva noreply@blogger.com 2008-07-27 13:50:00 2008-07-27 13:50:00 1 0 11250 joanie mendenhall noreply@blogger.com http://quilterbyheart.spaces.live.com/ 2008-07-27 13:06:00 2008-07-27 13:06:00 1 0 11253 hondaray6 hondaray6@hotmail.com http://www.blogger.com/profile/06377910897202639074 2008-07-27 12:02:00 2008-07-27 12:02:00 1 0 11254 KelleyP noreply@blogger.com http://www.blogger.com/profile/12270967022714175562 2008-07-27 11:53:00 2008-07-27 11:53:00 1 0 11256 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-07-27 10:22:00 2008-07-27 10:22:00 1 0
I really satin stitch--boring, but really pretty. I use a laying tool to make sure any double threads or specialty threads lay flat.

I like the Cretan stitch, just becasue it is a fun stitch.

Lastly, I like long and short stitch, because of the wonder effect it has. I use a laying tool on this one too if needed.

Ruth M]]> 11258 Sommer noreply@blogger.com http://www.blogger.com/profile/01677835522573541445 2008-07-27 08:57:00 2008-07-27 08:57:00 1 0
Thanks!]]> 11260 Anonymous noreply@blogger.com 2008-07-27 08:43:00 2008-07-27 08:43:00 1 0
You can make the stitches very small, packing them together tightly, graduating them in size, and make sweet little teeny tiny leaves. You can make larger farther apart stitches and quickly fill in large leaf shapes on a pattern. Worked vertically, using just a few stitches graduating them in size and spreading them apart a bit, they make great little stems with leaves, waiting to be topped with flower heads. Or, my favorite use for this stitch so far was on a block I did for an old block of the month set that I found. I used it to create feathers on the turkey for the November block. I think it came out kinda cool!

But that was a few weeks ago! After that I went on a Seed Stitch kick. The June BOM had a sailboat sailing under a sunny sky. Using one strand of bright orange and one strand bright yellow thread together, I filled the sun and its rays with seed stitches. I think using the two colors together offered a perfect sunny effect. :) I want to fill everything up with seed stitches right now, but next week, who knows?

Eep! I got long again, Mary. Sowwy! :-/ -Jeannine]]> 11261 Ruut noreply@blogger.com 2008-07-27 08:25:00 2008-07-27 08:25:00 1 0 11263 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2008-07-27 06:42:00 2008-07-27 06:42:00 1 0
Sally]]> 11264 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-07-27 06:39:00 2008-07-27 06:39:00 1 0 My favorite so far is the back stitch-as I am still learning to perfect it so it looks nice.
I had a hard time getting my stitches to be even, I am getting better it as I have been working on my first hand quilting project Kathy]]> 11265 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-07-27 06:36:42 2008-07-27 06:36:42 1 0 11266 Anonymous noreply@blogger.com 2008-07-27 06:12:00 2008-07-27 06:12:00 1 0
Thanks,
Michele]]> 11267 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-07-27 05:55:00 2008-07-27 05:55:00 1 0 http://deepashome.blogspot.com/search/label/Chain%20Stitch]]> 11268 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-07-27 05:47:00 2008-07-27 05:47:00 1 0 11269 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-07-27 04:11:00 2008-07-27 04:11:00 1 0
For me the trick to chain stitch is in the tension. Not too loose, not too tight, to get that slightly soft loop.]]> 11270 appleseed noreply@blogger.com http://www.blogger.com/profile/15436461693763285963 2008-07-26 23:35:00 2008-07-26 23:35:00 1 0 I'm a big fan of colonial knots. I just could never get the hang of french knots and thought I would have to just pass on patterns including them, until I discovered the colonial...
Now I use it everywhere!
I just got proficient at the cast on stitch and try to use it everywhere I can!]]> 11271 margaret c. noreply@blogger.com 2008-07-26 23:13:00 2008-07-26 23:13:00 1 0 11272 Beulah noreply@blogger.com http://www.blogger.com/profile/03495787156228210376 2008-07-26 22:53:00 2008-07-26 22:53:00 1 0 11273 52X52 noreply@blogger.com http://www.blogger.com/profile/01977653186786832742 2008-07-26 22:44:00 2008-07-26 22:44:00 1 0 11274 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-07-26 21:18:00 2008-07-26 21:18:00 1 0 11275 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-07-26 21:14:00 2008-07-26 21:14:00 1 0 11276 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-07-26 20:54:00 2008-07-26 20:54:00 1 0 11277 carmen noreply@blogger.com http://www.blogger.com/profile/18217932660530867874 2008-07-26 20:50:00 2008-07-26 20:50:00 1 0 11278 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-07-26 19:59:00 2008-07-26 19:59:00 1 0 11279 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-07-26 19:47:00 2008-07-26 19:47:00 1 0 http://www.needlenthread.com/2008/07/before-today-is-over.html Sat, 26 Jul 2008 09:59:00 -0500 Mary Corbet 671 2008-07-26 09:59:00 2008-07-26 09:59:00 open open Before-Today-is-Over... publish 0 0 post Last month's contest was the "anniversary" give-away, and the recipients liked their packages very much, methinks! I may not quite top that one, but I'll certainly have something good up for you. I'm debating between threads (floche? silk? gold threads?) or a book.... or a combination.... hmmmm.....so make sure you check back in today or later in the weekend!]]> stash contest 11223 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-28 08:00:00 2008-07-28 08:00:00 1 0 11240 Kathy East noreply@blogger.com 2008-07-27 18:22:00 2008-07-27 18:22:00 1 0 My favorite embroidery stitch is hard to say...depends on what I am making. I like chain stitching because you can make so many different textures with it and it looks cool for plants, trees, under sea scenes, clothing and many other things where you want a 3 d effect.
Kathy East]]> http://www.needlenthread.com/2008/07/gilt-sylke-twist-strawberry-box-yep-i.html Fri, 25 Jul 2008 06:00:00 -0500 Mary Corbet 672 2008-07-25 06:00:00 2008-07-25 06:00:00 open open Gilt-Sylke-Twist-Strawberry-Box---Yep,-I-did-it! publish 0 0 post musing over whether or not I'd apply my Gilt Sylke Strawberry sample piece to the lid of a box, and after reading all the comments and advice on it, I figured what the heck. I took the plunge. Here it is!

One of my concerns about putting this piece on the unprotected cover of a box was the question of "dirt." I was thinking that a piece of good linen and these relatively expensive threads would not fare so well exposed to everyday use. I answered my hesitation on this point with the reality that dirt exists, and things may get dirty, but if you take extra care of your Good Stuff, then it really shouldn't be that big of a deal, right? Besides, at least for me, my hands are never cleaner than when I'm doing needlework. I always wash them well before approaching my needlework supplies. The box itself is kept inside a basket when not in use. How badly could it really get soiled?!

So I positioned the piece of linen on the box lid, put the "window" piece over it, and marked out the outline of the outside of the lid. I cut the fabric away, and pulled off the paper covering the glue strips on the lid. These strips don't really hold the fabric or the "window" piece well enough, so I applied a light coating of glue. I stretched the fabric gently on the glue, and then pressed the window piece over the fabric piece. After wiping off any excess glue, I stuck a stack of heavy books on top of the box and left it to dry.

Here's my new supply box:



I like it, you know, I do!!



Right now, I've got threads in the box. In fact, I think I will use it as a thread box, exclusively, for threads of whatever current project I'm working on.

I've since emptied the box, picked out all the whitework threads I'm using on my current project, bagged up the spare skeins, and filled up the box very tidily. I keep all my good thread rings and keeps in the bottom of the box, too.

The only disadvantage to the box itself (which comes with a Bucilla silk ribbon embroidery kit for the lid) is the magnet. The box is magnetized so it shuts securely (I like that feature), but the magnet is so strong that I find I have to get my fingernails in there to pry the thing open! My scissors come out magnetized, which is great when it comes to picking up needles - but rather annoying when you don't want to pick up needles!

But I'm not complaining, really, because once the thing was assembled, I was Really Happy with it. And I still am! So - I suppose I'll go use it!


]]> Gilt Sylke Twist pictures organization needlework pictures 11204 Princy noreply@blogger.com 2008-07-28 22:43:00 2008-07-28 22:43:00 1 0 11238 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-27 18:49:26 2008-07-27 18:49:26 1 0
Hi, Laura! Yeah, I didn't think there was a perfect match there, either, but I think it looks better in person than it does in photos - though the white of the linen is too white for the box. But I figured I may as well have it used and be able to see it now and then, then stuck in a closet in a box, to take out just for "show and tell" for classes! I have one more box, and I thought it was green and white, so I rummaged around for it, thinking it would do better. When I finally found it, it was mostly yellow and pink - pink roses and ribbons. Not quite what I was looking for.

I'm find these boxes actually very convenient for tools and threads. If I ever run across them anywhere - with different designs - I may invest in a few.... and a bigger basket to put them in! Chances are, though, I won't. So I suppose I shall enjoy the ones I have!

Margaret - thanks for the heads up on vacuuming!]]> 11247 Laura Bullinger noreply@blogger.com 2008-07-27 15:19:00 2008-07-27 15:19:00 1 0 11280 margaret c. noreply@blogger.com 2008-07-26 17:21:00 2008-07-26 17:21:00 1 0
As for future dirt you might be able to vacuum the embroidery if you feel the threads are very well secured. I have been vacuuming my crewel pieces for years because they are not behind glass. I use the vacuum's brush attachment (which greatly reduces the amount of suction from the vacuum) and sometimes a soft paintbrush to gently brush dust off the the embroidery towards the vacuum nozzle. The crewel pieces seem to be in good condition after years of this treatment.]]> 11285 miekenoor noreply@blogger.com http://miekenoor.web-log.nl 2008-07-26 03:35:00 2008-07-26 03:35:00 1 0 11289 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-07-25 16:13:00 2008-07-25 16:13:00 1 0 11290 Anonymous noreply@blogger.com 2008-07-25 13:41:00 2008-07-25 13:41:00 1 0 -Christiana]]> 11292 Anonymous noreply@blogger.com 2008-07-25 11:58:00 2008-07-25 11:58:00 1 0 -Jeannine]]> 11293 Anonymous noreply@blogger.com 2008-07-25 11:46:00 2008-07-25 11:46:00 1 0 11296 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-07-25 08:58:00 2008-07-25 08:58:00 1 0
I'm glad you have done it, it looks as if it belongs there. Enjoy it.

CA]]> http://www.needlenthread.com/2008/07/thread-comparison-cotton-embroidery.html Thu, 24 Jul 2008 06:15:00 -0500 Mary Corbet 673 2008-07-24 06:15:00 2008-07-24 06:15:00 open open Thread-Comparison:-Cotton-Embroidery-Threads---Floche,-Perle,-&-Stranded publish 0 0 post

For the sake of comparison, I selected two relatively common cotton embroidery threads - DMC stranded cotton and DMC Perle Cotton #5. The floche in the photos is also DMC (imported, I believe, from France).



First of all, the terminology: a "ply" is part of a "strand" - the plies twist together to make the strand. So when you look at your regular DMC stranded cotton that you buy locally (the green floss above), you will have 6 "strands" that you separate to use. Each one of those strands is relatively small, and it is made up of two "plies" that are twisted together to form the thread that you embroider with. "Non-divisible" means that you normally don't separate the thread into strands to use it, so perle cotton, for example, comes straight off the skien as it is, you cut the length you want, and start stitching with it.



Looking at the familiar DMC stranded cotton first, you'll notice the 6 strands there, and, if you look closely, you can see the distinct twist of the two plies that make up the strand. That's important - the two plies are very visible, and, small as they are when you're looking at one strand of cotton, they make a difference in what your thread looks like on your embroidery projects. There's texture there - more so than in the floche, discussed below. Notice, too, that the twist on the plies is not as tight as it is on the perle cotton in the photo below.
The texture from the plies twisting together make a difference in the way your project looks - not just because of the "texture" (as we think of it - rough or smooth, etc.) but also because of the way the light plays off the thread.



Here's #5 perle cotton. You can distinctly see the two plies twisting tightly together. They look more like a cord than the twisted plies in the stranded cotton above. Like the stranded cotton, there's a texture in the overall thread - the bumps formed by the twist of the plies. You don't normally think of it, but it is one of the features that distinguishes this thread from, for example, floche. The light reflects off those bumps, and you see them pretty clearly.



Here's the floche close up. The plies are a little harder to see, aren't they? The twist is a little looser than the perle cotton, certainly, and the long twist and the number of plies (5) make the thread a lot smoother looking. You don't see as clearly the individual "bumps" from the plies. Now, on a close-up photo like this, it looks like floche is a really fuzzy, hairy kind of thread. It's actually a very smooth thread.

Size-wise, floche is larger than a single strand of DMC, but not nearly as large as the #5 perle cotton - it's somewhere in the middle between the two. Floche is a mercerized cotton (just like the stranded cotton and the perle, which means it's been chemically treated to give it a shine), but it doesn't look as shiny as the perle cotton, and in a finished project, it tends to give a kind of subtle "gleam" - more so than the stranded cotton.

Now, what can you use floche for? Well, what can't you use it for? If you can embroider something with two or three strands of stranded cotton, you can probably embroider it with floche! One strand of floche is equivalent to about 2 strands of DMC stranded cotton. Floche, I think, gives better coverage and a smoother finish. It isn't always desireable to use, though. For example, I wouldn't use it in something like my needlepainted bird or iris - the detail would not be the same at all. But I would use it on monograms, and I'd use it on embroidered baby clothing or for smocking. I would use it in whitework (though I prefer the coton a broder - which is kind of like 4-ply floche - for whitework), and I'd definitely use it in projects that call for satin stitching (floche works up wonderfully in satin stitch) in cotton. And I'd use it for long-and-short stitch work in bolder designs, for the fun of it. I think it would be wonderful in crazy quilting - it works up very nicely in all kinds of stitches. So the possibilities, really, are only limited to your stitching imagination!

Where can you find floche? I order mine through Hedgehog Handworks. You won't find it at your local chain craft store. I like the options on the floche at Hedgehog. A large hank of floche (168 yards) costs $5.25 right now, but you can buy smaller "sample" skeins that are 32 yards total, made up of 21 strands that are 55" each, and these smaller twists are $1.25, which I think is a reasonable cost for trying out the threads. And the colors - oh, the colors are beautiful!

So there's a little bit about floche, compared to some more familiar cotton threads. I hope it helps you know what it is, and maybe encourages you to give a new thread a try, if you haven't used it before!

If you use floche, what do YOU use it for? And where do you buy it? It's always nice to have options on prices and ordering - so if you know of a source, don't hesitate to share it with us!
]]> embroidery resources threads pictures 11109 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-08-04 09:31:00 2008-08-04 09:31:00 1 0
Denise
http://needlework.craftgossip.com]]> 11281 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-26 17:17:01 2008-07-26 17:17:01 1 0
I get my coton a broder from Lacis, where you can find it under cotton threads in their online catalog. They have all the sizes. Be aware that most of the coton a broder they sell is DMC, but the #40 (which is the smallest) is by Anchor, and it is a different white - it's a brighter white than the DMC. It doesn't look "bad" if mixed with the other DMC sizes in a piece, but it is noticeable. I prefer not to mix them, because I think it makes the DMC look almost dingy - though others haven't noticed it, so I think it's just me, being picky!

Floche, I get through Hedgehog.]]> 11282 Anonymous noreply@blogger.com 2008-07-26 17:03:00 2008-07-26 17:03:00 1 0 -Christiana]]> 11286 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-25 17:55:02 2008-07-25 17:55:02 1 0 11287 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-25 17:50:46 2008-07-25 17:50:46 1 0
Well, I suppose it depends upon the type of thread and the method of storage. The other night, a friend took out a packet of wools that she had from her grandmother, and that had been in storage for a while, and they were not in good shape - looks like moths got to them and perhaps water or moisture. If threads are stored for a long time in the wrong kind of packaging - something with a high acid content, for example - they aren't going to last very long. But then there are examples of folks who find cotton threads from the middle of last century & earlier that are still usable. So I suppose it all depends. I'm not really an antique textile expert, or a restoration specialist, so I couldn't give you a definite answer, but I think the variables (storage, type of thread, type of dye used, etc.) all bear on the question.

Hope that helps!

MC]]> 11288 Eva noreply@blogger.com 2008-07-25 17:09:00 2008-07-25 17:09:00 1 0 About threads ow long do they last? I have a large box of different threads from a friend and some seem to be falling apart. Is there a life time for thread. If any one will know its you. some strands seem weak. thank you Mary, Eva]]> 11291 Anonymous noreply@blogger.com 2008-07-25 13:36:00 2008-07-25 13:36:00 1 0
Just one question. I bought some floche (5 ply) to try out and the tag says "coton floche a broder.' What then is coton a broder (4 ply) sold as?
-Christiana]]> 11297 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-07-25 08:54:00 2008-07-25 08:54:00 1 0
CA]]> 11298 Anonymous noreply@blogger.com 2008-07-25 08:10:00 2008-07-25 08:10:00 1 0
Hello, Mary Grace McNamara! Mary Grace was my mother's name. :) Thank you sooo much for the information about Keepsake Needlearts! I'm about 1.5 hours away from Boston, and about 2 hours away from Center Harbor, but Center Harbor would surely make for a nicer drive!

I think I'll for sure plan a nice day trip to check out Keepsake Needlearts. Even though I'm sure I will continue to buy most of what I'm looking for online, it would be nice for a novice like myself to be able to check out a large selection of threads in person and then I'll have a better idea of what it is I'd like to get more of later.

Thanks again, Mary and Mary.
-Jeannine]]> 11299 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-07-24 22:34:00 2008-07-24 22:34:00 1 0
MGM
webmaster@HookedOnNeedles.com]]> 11300 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-07-24 20:43:00 2008-07-24 20:43:00 1 0 This is a great explanation of different threads and their use. I'm confused by the Article number on DMC products - is there a 'key' anywhere online showing what kind of thread Articles 89, 107, etc. are?
I haven't found a store in the Atlanta area that carries everything either-most stores are chains or totally devoted to either cross stitch, needlepoint or knitting. Thank goodness for the excellent online vendors you recommend!
Terry]]> 11301 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-24 19:24:40 2008-07-24 19:24:40 1 0 11302 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-24 19:23:25 2008-07-24 19:23:25 1 0 11305 Anonymous noreply@blogger.com 2008-07-24 19:01:00 2008-07-24 19:01:00 1 0
Although I do love the convenience of online shopping I sure do wish there were someplace to go to see all sorts of different types of embroidery thread up close and personal. There must be some specialty stores out there, devoted to needlecrafts, that would offer more than the usual DMC 6 strand thread that the chain craft stores carry. I'd probably have to go into Boston for such a thing. - Jeannine]]> 11307 Susan dezertsuz@gmail.com http://www.blogger.com/profile/09159163720029661287 2008-07-24 17:10:00 2008-07-24 17:10:00 1 0 http://www.needlenthread.com/2008/07/tips-on-stem-stitch-another-embroidered.html Tue, 22 Jul 2008 06:44:00 -0500 Mary Corbet 674 2008-07-22 06:44:00 2008-07-22 06:44:00 open open Tips-on-Stem-Stitch-&-Another-Embroidered-Towel... publish 0 0 post

I want to make it Really Clear that I'm not "picking on" the embroidery on this towel. Who could deny that, whether for a semi-beginner (this is done by one of the girls who has taken embroidery class before) or one who's been stitching a lot longer, this towel is really well done? The stitching is very nice, the color choices are great, and I like the way she alternated the colors on the flowers in pairs.



I should have taken a photo of the back of this towel, because it was really impressive - very neat, no straggling threads, very tight lines that kept the threads from showing from the front.



I think she did a great job on the towel! Still, in looking at it, I found a "teaching point" to demonstrate something about the stem stitch. If you ask the embroiderer what stitch she used to embellish the towel, she would tell you "stem stitch." But between you and me... she didn't! She used a combination of the stem stitch and the outline stitch!

And here's the teaching point: stem stitch and outline stitch are not the same stitch - but they're easy to get confused, especially when you're working around curves, or changing directions on your lines.

Take a look at the embroidery a little closer - I wish I had a better shot, but this'll do to make the point!



The red arrows point to the stem stitched lines in this piece. Notice how they retain the visibility of the separate threads, while creating that rope-like overlap of the stitches? That's the signature of stem stitch. Just about all the other lines and curves you see in the towel in that photo are outline stitch. The individual "S's" are not clear - the line is a bit more "solid" looking as far as the thread goes.

So, how do you achieve the "signature" stem stitch - what is required to produce that look? Here are some tips:

Assuming you're working with S-twisted thread (that's just about any standard cotton floss, and most twisted silks)...

1. If you are moving from left to right along your path, always keep your working thread below your needle.

2. If you are moving from right to left along your path, always keep your working thread above your needle.

3. Turn your hoop as you stitch, to keep the direction consistent, so you don't get confused on the whole left-to-right, right-to-left thing. If you turn your work, you can pretty much always work from left to right (for right-handers) and right to left (for left handers).

4. When you take curves, it doesn't matter so much if the working thread is on the inside of the curve or the outside - what matters is the direction in which you're stitching and where your working thread is, in relation to where your needle comes up. So make sure you're applying the rules above - and, if you're worried about the stitch moving into the curve because you don't have the working thread to hold it back (because you're coming up above your stitch), take smaller stitches, and you'll be able to take the curve fine.

So othere are a few quick pointers on stem stitch. The stitcher who worked the towel above just confused the "above the working thread" or "below the working thread" thing as she changed directions stitching. It's funny how such a small difference in placement can change the finished look of a stitch, isn't it? ... well, that all goes back to thread twists (S-twist vs. Z-twist).... but we'll save that for another day!

To see the stem stitch worked out, check out the Stem Stitch Video Tutorial in my Video Library of Stitches, where you'll now find a whopping 50 stitches to learn!
]]> needlework tutorials Hand embroidery stitches pictures embroidery tips and tricks 11310 patrice noreply@blogger.com 2008-07-24 11:17:00 2008-07-24 11:17:00 1 0 11319 Anonymous noreply@blogger.com 2008-07-23 07:10:00 2008-07-23 07:10:00 1 0
Christine, I'm in the states, the New England area, and I often work stitches the way you do, the line of stitches more up and down rather than sideways, working the stitches away from me.
- Jeannine]]> 11320 Anonymous noreply@blogger.com 2008-07-22 21:02:00 2008-07-22 21:02:00 1 0
I finally came up with this rule: in stem stitch, the stitches ALWAYS form overlapping or linking z's (zzzzz) regardless to the direction you are looking at the stitching. I don't know if that makes sense to read, but the pic with the red arrows shows this phenomenon pretty clearly. Outline stitch shows s's (ssss). . . if you can see the individual stitches at all.

I guess that doesn't sound so simple when I write it down, but it has worked very well for me and helps me tell the stitches apart even when they are under different names like (crewel, cord, narrow satin stitch, etc)
-Christiana]]> 11324 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-22 19:15:00 2008-07-22 19:15:00 1 0 11325 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-07-22 19:00:00 2008-07-22 19:00:00 1 0
Another little thought, was the stitcher of the beautiful towel left handed? I have a few left handed "students" who have difficulty with stitches, even though I have an reference book for left handed stitchers with illustrations showing hand and hoop positions.

Thanks for sharing this lovely work,
Hooroo,
Christine in Sydney Australia
http://missmuffettwo.blogspot.com/]]> 11326 Whitaker Lim noreply@blogger.com 2008-07-22 10:31:00 2008-07-22 10:31:00 1 0 11329 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-07-22 08:35:00 2008-07-22 08:35:00 1 0
You mentioned in this post and others about the importance of keeping the back of the fabric neat. Why is this important? Any chance of your posting pics of "good" and "bad" examples of this at some point?]]> http://www.needlenthread.com/2008/07/needlework-embroidery-and-craft-news.html Wed, 23 Jul 2008 08:19:00 -0500 Mary Corbet 675 2008-07-23 08:19:00 2008-07-23 08:19:00 open open Needlework,-Embroidery,-and-Craft-News-Resource... publish 0 0 post

Craftgossip.com is a site dedicated to craft news, and it includes a lot of needlework and embroidery topics - and links - and information - and links to projects - and links - (get the point?). It's one of those sites that you could browse around for quite a while.

I especially like the section on Needlework News, which Denise Felton edits. (Yes, she links to my tutorials ....!) But that's not the only reason I like it. She finds other great tutorials and idea sites online, which makes for great browsing when you've got time just to browse!

I like the idea of a place to find "needlework news." A while ago, for example, I received an e-mail from a reader, who asked if I had heard that DMC was no longer going to be producing floche. Now, I would have liked to have had a "news hub" to go to, to search to see if there was an article or news release that mentioned this. But no luck. (There is the "Independent Needlework News" network that focuses on some of these types of issues...) Instead, though, I went to my floche source (Hedgehog Handworks) and asked Joady, who said no, it wasn't true to her knowledge, as she was still being supplied and hadn't heard that.

Anyway, I like to keep an eye on what's going on in the needlework world, for a number of reasons. First, it's a good industry to watch develop (and sometimes contract), since it gives you an insight, I think, into what people's thoughts and habits are turning to; second, it's good to know where to find information in order to be able to find supplies and increase one's own knowledge of the trade and of the art; and third, deep down I think I have some kind of "retirement dream" germinating - a little needlework business of sorts - not necessarily a retail shop (in fact, not likely), but something - and it's good to know what people are interested in, and where the trends are going in the art, craft, and needlework world...

In case you'd find the link interesting, then, I thought I'd point you to the needlework section of Craft Gossip.

I think it'd be interesting to know if other people like to keep up with information in the needlework trade world. Do you like to know what's going on behind the scenes of the needlework trade, or would you rather remain happily oblivious, as long as you can still get your supplies?

What say you?
]]> embroidery resources miscellaneous embroidery musings 11313 Anonymous noreply@blogger.com 2008-07-24 06:35:00 2008-07-24 06:35:00 1 0 11314 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-07-23 17:56:00 2008-07-23 17:56:00 1 0 I love this link - yes, I like to keep up with what is going on behind the scenes - thank goodness floche is still around; it seems DMC makes a lot of changes in their products and it will be nice to have this link to keep up with it all!
Thank you!]]> 11316 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-07-23 11:26:00 2008-07-23 11:26:00 1 0
Denise
http://needlework.craftgossip.com
needlework@craftgossip.com]]> 11318 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-23 09:18:00 2008-07-23 09:18:00 1 0 Thanks, Mary!]]> http://www.needlenthread.com/2008/07/ecclesiastical-embroidery-processional.html Sun, 20 Jul 2008 06:35:00 -0500 Mary Corbet 676 2008-07-20 06:35:00 2008-07-20 06:35:00 open open Ecclesiastical-Embroidery:-Processional-Canopy-in-Disrepair publish 0 0 post

This piece is a processional canopy, once used for outdoor processions. A combination of age, use, storage, and probably some kind of weather damage have all made the canopy unusable for liturgical purposes. The embroidery and the designs on it are nice, though, and it's a good source of ideas on design and technique.



To give you an idea of what the canopy looks like overall, it's set up here over a large office table. All four of the side panels are embroidered with a round center medallion, which is surrounded by angels and lilies.



You can see here the overall design of the side panels - the center medallion, an angel kneeling on each side of it, and a branch of lilies entwining itself behind the angels and up towards the center medallion.



The piece is worked on gold colored silk, and the top edge of each panel is red silk, embroidered with wheat ears.



Around each center medallion is a grape motif embroidered in shades of gold. The Agnus Dei in this center piece is rather simple - notice that there's not a whole lot of shading. It's more or less an "outline" piece, filled in with appropriate colors to make the overall picture.



You can see some shading on the hooves and on the bottom of the belly on the lamb, and that's it. The wool is worked in Chinese knots.



This is the green side angel. The colors are very soft.



The wings are the boldest part of the angels.



Here you can see two signs of deterioration: the obvious deterioration of the fabric, and the lack of stitching in the hands, which are fading away somewhat!



The faces of the angels (and the hands) were painted apparently, and then lightly stitched over at the chin line and hair line. The hair is worked in split stitch.



On the left side of this panel, the pink angel (with surrounding fabric) is in much better shape.



The halo (or "nimbus") is worked in very long straight stitches, somewhat far apart. The whole halo is lined with two layers of cording, the inside one in a coral color and the outside one much darker in brown. This contrast on the outside of the piece makes the whole image more visible from a distance.



One of the lilies on the vine - with a good indication of the poor state of the ground fabric.



As far as images worked on the piece, this one is in the worst state. The thread is wasted away, and the whole image looks as if it is washing away. The overall shading of the image is very nice, though, with the lighter inside area, rather than seeing it embroidered solidly in red.



The lettering around the outside is embroidered in satin stitch.



The lilies are not stiff and formal, but rather loosely conceived. They remind me more of the tiger lily than a regular lily, except in their color.



The lilies are outlined in a pinkish-coral color, with a very little bit of soft shading in green, and the rest of the inside is worked in white.



Each panel is topped with an edge of red silk, on which are embroidered single (large) wheat ears.



The wheat is very simply embroidered in satin stitch for the kernels, and long straight stitches for the "hairy" tips. The shaft is couched twisted cord.



Each medallion has a "frame" of grapes embroidered in shades of gold. The stitching is worked in satin stitch and a long and short stitch on the leaves that is reminiscent of crewel work. The thread used on the grapes around the medallions, on the wheat at the tops of the panels, and on the lettering around the medallions is all of a heavier stuff than the threads used on the angels and other images.



In the close-up on the lily, you can see that the embroidery doesn't actually fill the shape. Instead, long lines of long split stitches are worked in twisted silk, with spacing enough between the lines to see the ground fabric. The spacing is not there due to disrepair. It's the way it was embroidered!



The stamens on the lilies are satin stitched at the tips of the couched gold cord (which is the same gold cord used on the wheat shafts).



This is another one of the four images inside the medallions on each side of the canopy. Note the green leaf at the base of the medallion, on the left.



Here's another one of the same green leaves.

At some point in the canopy's history - before it was absolutely not usable - someone obviously tried to cover up the deteriorating fabric by adding these little embroidered leaves to the ground fabric, trying to work them into the design as best as they could. They don't really fit the design, though, as they are too bright. The leaves were probably themselves salvaged from another larger piece of ecclesiastical embroidery!

You can also see, in the lower left of the photo, that a piece of fabric was attached somehow over the original ground silk. I'm familiar with ecclesiastical fabrics available on the market today, and that particular pattern is about the least-expensive, most widely available synthetic church fabric. I don't know what the person was thinking! But I suppose it was just a desperate attempt to try to keep something that was beautiful in use for as long as possible, before it was time to shelf it completely! *Sigh*



And another shot of those leaves....

So, there's the canopy. I'm glad to have it - it's given me some good ideas for embroidery, and being able to examine it very closely has given me a little insight into the needlework and assembly techniques used on these types of pieces.

If you have any questions about anything in the pictures, don't hesitate to ask!


]]> historical needlework ecclesiastical embroidery pictures silk needlework pictures 3549 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-19 14:56:28 2010-01-19 14:56:28 1 0 3556 Anonymous noreply@blogger.com 2010-01-19 10:26:27 2010-01-19 10:26:27 1 0 10968 peonylane noreply@blogger.com http://www.blogger.com/profile/15584294523754169861 2008-08-17 13:27:00 2008-08-17 13:27:00 1 0 11195 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-07-29 14:37:00 2008-07-29 14:37:00 1 0 11304 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-24 19:15:33 2008-07-24 19:15:33 1 0
-- the wings are stitched in long split stitches, with the ground fabric showing between them, like the lilies

-- As for who stitched it, it could be either a professional shop or a convent of nuns, or a guild job - I don't know.

-- When it was stitched: I'd guess some time around the end of the 1800's through the 1940's. The style is typical of vestments I've seen in that range, and also books written on ecclesiastical needlework from the early 1900's.

-- My plans for it: no, I have none right now, besides keeping it, studying it, copying parts of the designs. It is in very bad repair, and although it looks pretty in pictures, the majority of it isn't necessarily display-worthy. There are parts that could be cut and framed, like some of the medalions, or even used on small banners, which is an idea. But right now, I have no plans forumlated for it. But we'll see - who knows? I've had some ideas about it, but don't have time to execute any of them, so for now, it's just stored carefully.]]> 11309 Sandy noreply@blogger.com http://www.blogger.com/profile/15618870163498448527 2008-07-24 14:18:00 2008-07-24 14:18:00 1 0 11321 Anonymous noreply@blogger.com 2008-07-22 20:41:00 2008-07-22 20:41:00 1 0
Just three questions to start with:
1) When do you think this was stitched?
2) repeating Christine's question, who stitched it?
and 3) Do you have any particular plan for it? I mean, are you going to 'recycle' the best parts to stitch onto other vestments or to frame, or something?
-Christiana]]> 11322 Marian noreply@blogger.com 2008-07-22 20:26:00 2008-07-22 20:26:00 1 0
I love the angels. Is the body and wings of the angels worked in stem stitich; long/short stitch or closely worked chain stitch?]]> 11328 Gina E. gandkwil@hotmail.com http://www.blogger.com/profile/07532527261977368083 2008-07-22 09:35:00 2008-07-22 09:35:00 1 0 11334 Anonymous noreply@blogger.com 2008-07-21 12:33:00 2008-07-21 12:33:00 1 0
I glad you showed a close up of the lily and explained it. I thought at first that it was filled with stem stitches.

The first thing I thought of when I saw those green leaves is that they looked like marijuana leaves. They sure do seem odd and out of place! - Jeannine]]> 11336 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-07-21 03:05:00 2008-07-21 03:05:00 1 0 Hooroo
Christine in Sydney
http://missmuffettwo.blogspot.com/]]> http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-x.html Sat, 19 Jul 2008 06:19:00 -0500 Mary Corbet 677 2008-07-19 06:19:00 2008-07-19 06:19:00 open open Monogram-for-Hand-Embroidery:-Letter-X publish 0 0 post

If you're looking for the whole alphabet for the hand embroidery monograms, check out the Index of Monograms that you'll find on my Free Hand Embroidery Patterns Page.

Here's the X:



If you ever do anything with any of the monograms, I'd love to hear about it, and even to see photos! Just drop me a line, and I'll get back to you with an e-mail address!

Enjoy!

]]> free embroidery patterns monograms 7215 Marrynelax noreply@blogger.com http://www.blogger.com/profile/17488909761539783007 2009-06-04 13:03:38 2009-06-04 13:03:38 1 0 http://www.needlenthread.com/2008/07/gilt-sylke-twist-strawberry-revisited.html Fri, 18 Jul 2008 07:05:00 -0500 Mary Corbet 678 2008-07-18 07:05:00 2008-07-18 07:05:00 open open Gilt-Sylke-Twist-Strawberry-Revisited:-Pondering-the-Finish-Work publish 0 0 post Gilt Sylke Twist Strawberry piece out during embroidery class the other day for a "show and tell" sort of session. I like to drag out different needlework projects or samplers to show the kids, hoping maybe to fuel a real desire to pursue needlework beyond dishtowels. Well, this piece has just been sitting around, waiting for me to do something with it (or not...).

There I sat, after class, prior to clean-up, absorbing the silence for a moment and staring at the scraps of embroidery threads, the snippets of fabric and felt, the thread boxes that had been foraged through by some kid, the stack of ironed towels equally burrowed through.... and getting ready for the inevitable clean-up that comes from two large classes in a row on the same day.

But still, I just sat there.

My eyes rested on my GST strawberry. I really enjoyed doing that project, and I found myself thinking, "It's really a shame I don't do something with that."

Absently, my brain wandered to the next item in sight.

It was a box - one of those boxes just like the quick silk ribbon embroidery box project I did a few weekends ago - except it was gold and cream instead of purple and white, and it was unfinished.

And I picked up my GST Strawberry, and I thought:


Hmmmmmmmmmmmm.....

And then I opened the purple box, and I thought:


Ahhh..... Toooooools..... I love toooools.

And then I put both boxes together, and this is what I thought:


Uhhh...? Hm. Ugh. Oh, maybe.

And then I put them next to my basket, and this is what I thought:


They fit nicely in there...

And now, I'm sitting here thinking to myself:

Do I, or don't I? Not just tools and accessories, but tools and accessories in a pretty box....

But then there's this other side of me, grumbling that it might be a shoddy way to finish that piece...

But then there's this other side of me, answering the grumbling side, insisting that at least it would be finished....

And then there's this other side of me whining about .... dirt.

What think you?
]]> Gilt Sylke Twist needlework tools finish work pictures 11337 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-07-19 21:33:00 2008-07-19 21:33:00 1 0 11340 Anonymous noreply@blogger.com 2008-07-19 11:01:00 2008-07-19 11:01:00 1 0 11341 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-19 07:20:41 2008-07-19 07:20:41 1 0
I've got a lot of stitching-related work to do this weekend, so we'll see what happens when I'm in the workroom again! I'll let you know what I finally do with it.

The box does have its appeal.]]> 11342 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-07-19 07:16:00 2008-07-19 07:16:00 1 0
MGM]]> 11343 Laura Bullinger noreply@blogger.com 2008-07-19 07:07:00 2008-07-19 07:07:00 1 0 That cream box could use other silk ribbon flowers in pale gold, creams & mint green. You'll start a collection of ribbon flower boxes!]]> 11344 cowgirl53 noreply@blogger.com http://cowgirl53.wordpress.com/ 2008-07-18 21:01:00 2008-07-18 21:01:00 1 0 11346 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-18 18:10:00 2008-07-18 18:10:00 1 0
I vote yes.]]> 11350 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-07-18 14:39:00 2008-07-18 14:39:00 1 0 11351 Anonymous noreply@blogger.com 2008-07-18 12:04:00 2008-07-18 12:04:00 1 0 I've been visiting your site almost every day, but I haven't been posting comments for the simple reason that there are only so many incredulous, excited, admiring exclamations in the English language.

That being said, I LOVE your GST strawberry! It looks really good with the gold and cream box. . .is there some way you could cover the embroidery to protect it?
-Christiana]]> 11353 Anonymous noreply@blogger.com 2008-07-18 08:08:00 2008-07-18 08:08:00 1 0 - Jeannine]]> http://www.needlenthread.com/2008/07/kids-embroidery-projects-photos-and.html Thu, 17 Jul 2008 19:00:00 -0500 Mary Corbet 679 2008-07-17 19:00:00 2008-07-17 19:00:00 open open Kids'-Embroidery-Projects:-Photos-and-a-Recap publish 0 0 post

For the 2008 Summer Embroidery Classes for Children, we worked the following projects, divided into groups by age:

Group A: Children 7 - 9 years old (mostly - there were a couple 10-year-old newbies in there, too) worked the following projects:

• Two stitch samplers - a butterfly and a flower, both filled with lines for practicing different line stitches
• An embroidered felt bookmark
• A white towel, embroidered with a butterfly and flower scene (no photos of that one, yet! Hopefully, next Monday we'll see some completed towels!)

Group B: Children 9 - 10 years old (with a 7 year old thrown in for good measure!) worked:

• A stitch sampler - the lined butterflies
• Embroidered felt bookmark
• Embroidered checkered dish towel (pictures below)
• Embroidered greeting card

Group C: Children 11 - 14 years old (with some younger ones thrown in for good measure here, too!) worked:

• Embroidered Flour Sack Towels
• Embroidered Greeting Cards
• Embroidery project of their choice - linen handkerchiefs, bookmarks, or pillow cases

The kids picked out their own threads and colors for the various projects, with the exception of the stitch samplers, the check towels, and the felt bookmarks.

In all the groups, there were several stitchers who finished all their projects by the end of the last class, but most of the students still had a little bit left to do on their final project, so they were able to pick out enough thread to finish up the projects and take them home to finish during the slow summer days.

Here are a few photos of projects that came in this week:



This is one of the blue checkered dish towels. Originally, they were going to work chicken scratch embroidery on the checked towels, but the checks were bigger than I thought they would be. Still, I like this little design. It reminds me a bit of the Pennsylvania Dutch look.



And here's one of the red checked towels. These towels are Really Nice quality towels. I got them from All About Blanks.



Here are three of the kids' flower sack towels that came in. This was another great find in good towels - these particular flour sack towels came from Embroider This. The designs are the Java Break and Wine Country patterns from Aunt Martha, which you can find at Colonial Patterns. Most the stitching was done in simple line stitches: back stitch, whipped back stitch, stem stitch, and some chain stitch.



This is a larger photo of one of the more complex ones! I was so happy to see them finish these, as they were bigger projects than the Java Break designs, but they seemed to like doing them and were proud of the finished results.



This is one of the select-your-own projects from Group C, done by a 12 year old. These handkerchiefs (from All About Blanks) make really pretty monogrammed hankies. And I think she did a great job, using simple stitches and nice colors. Her tiny stitches, actually, are really perfect.



She used French knots and backstitch - I was really impressed with her even backstitches!

I'm still eagerly waiting the butterfly towels done by Group A, some of which should be done when the come to class on Monday! There are also a few of these towels out:



This is one of the class samples I made up, but didn't finish stitching before the classes started.



I think a reader asked previously about this pattern - it's found in the Repeats and Borders book I reviewed earlier. It's a fun pattern to work, and I'm looking forward to seeing some of the kids' results with it.

I was really very happy with this summer's embroidery classes. We had five two-hour sessions for each group, and I think they had fun, I know I had fun, and although it's a lot of work, I really think it's worth it! If you have the opportunity to instruct children in needlework of any kind, grab it! It's a wonderful chance to pass on to the next generation a love of handwork. You also have the opportunity to give children a hobby that will make them happy for years to come, if they keep up with it! And you never, never know what they'll do with it.

If you are interested in teaching children, but you don't know how to go about establishing a venue or getting the word out, I suggest contacting your local library to see if they have any summer programs for youth that they're looking for volunteers for.

If the other projects show up on Monday, I'll share some photos of those, and then that's it for the kids' classes until next summer! Though I was thinking it might be fun to take a day over Christmas vacation and do an ornament class or something... I'll have to muse a bit over that one!
]]> Embroidery Projects iron-on embroidery transfers embroidery for children Embroidery for the Home embroider on paper pictures embroidery for fun needlework pictures beginner embroidery 7755 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-30 09:36:06 2009-04-30 09:36:06 1 0
Here's the link to the monograms I have here on Needle 'n Thread:

MonogramsHope that helps!

MC]]> 7756 aisforamy noreply@blogger.com http://aisforamy.wordpress.com/ 2009-04-30 09:21:00 2009-04-30 09:21:00 1 0 11306 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-24 17:54:45 2008-07-24 17:54:45 1 0
You can click on the "embroidery for children" tag at the end of the post, and it will take you to any posts I've done on kids' embroidery. This it the link:

Embroidery for Children

The posts will be arranged from most to least recent.

Thanks!
MC]]> 11312 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-07-24 08:27:00 2008-07-24 08:27:00 1 0
Is there a way to see all your kids' teaching posts? I can't find a Category or any other listing to click on to bring up all of them.

With lots of grandchildren, I'm eager to collect ideas.]]> 11347 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-18 18:07:00 2008-07-18 18:07:00 1 0 11348 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-07-18 17:54:00 2008-07-18 17:54:00 1 0 11354 Anonymous noreply@blogger.com 2008-07-18 08:02:00 2008-07-18 08:02:00 1 0 11355 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-18 01:28:00 2008-07-18 01:28:00 1 0
(did you know Embroider This only sells inside USA? what a pity!)]]> 11356 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-07-18 00:39:00 2008-07-18 00:39:00 1 0 11357 margaret c. noreply@blogger.com 2008-07-18 00:23:00 2008-07-18 00:23:00 1 0 11358 Žabacorporation zabacorporation@gmail.com http://www.blogger.com/profile/08672390582224414007 2008-07-17 23:29:00 2008-07-17 23:29:00 1 0 http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-w.html Wed, 16 Jul 2008 14:25:00 -0500 Mary Corbet 680 2008-07-16 14:25:00 2008-07-16 14:25:00 open open Monogram-for-Hand-Embroidery:-Letter-W publish 0 0 post

Oh, what is the letter we love? What sound are we extra-fond of? It's not any trouble, you know it's a "W" when you hear wuh, wuh, wuh, wuh... (or something along those lines... I couldn't resist.) I didn't grow up with Earnie and Bert, but I had a niece who used to listen to that tape over and over and over again!

I think it would be fun to embroider the "W" - lots of curves and smooth long lines.

Here's the letter:



You can find the rest of this alphabet (it's almost complete) at the Index of Monograms for Hand Embroidery.

Enjoy!

]]> free embroidery patterns monograms 11359 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-17 19:01:00 2008-07-17 19:01:00 1 0 11364 Anonymous noreply@blogger.com 2008-07-17 06:50:00 2008-07-17 06:50:00 1 0 - Jeannine]]> http://www.needlenthread.com/2008/07/embroidery-mistakes-needlework.html Wed, 16 Jul 2008 06:00:00 -0500 Mary Corbet 681 2008-07-16 06:00:00 2008-07-16 06:00:00 open open Embroidery-Mistakes---Needlework-Frustrations... publish 0 0 post

Remember the embroidery project I set up on my slate frame?



Have you ever had a weekend like that? Ugh!

I've almost lost my determination to overcome this one. Starting over can be really painful!

I'm ripping out (picking out, I should say) my stitching I accomplished this weekend. I just didn't like it At All. There are a number of reasons, I suppose - one of which is that the pencil - for the first time ever, for me - picked up all over the white threads. I tried to tell myself it would wash out in the end, but I couldn't get over the sick feeling of "What if it doesn't?" Rather stop at this point, than finish the whole thing and find out the pencil markings wouldn't quite come out of the coton a broder! And so, I pick away...

My plan is this: I will pick out all the stitching, and set this piece of linen aside. I'll set up a new project on Saturday, and stitch it double-time fast, as I'm already behind on this one. I probably won't use a slate frame. In fact, I may just settle for a hoop. And I will transfer the design using blue dressmaker's carbon. It's always safest to use blue when working with white, anyway, because the white absorbs the blue. I should've known that. I DID know it. But for some reason, I just didn't put enough weight on that thought ahead of time.

Oh, the woes of the imprudent stitcher....
]]> whitework pictures needlework pictures 10312 Anonymous noreply@blogger.com 2008-10-03 07:51:00 2008-10-03 07:51:00 1 0 11345 Anonymous noreply@blogger.com 2008-07-18 18:29:00 2008-07-18 18:29:00 1 0 11362 Carolyn McNeil noreply@blogger.com http://www.blogger.com/profile/03709494177158323583 2008-07-17 09:45:00 2008-07-17 09:45:00 1 0 Carolyn
http://www.stitchopedia.com
An encyclopedia of needlepoint stitches…]]> 11365 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-16 17:59:00 2008-07-16 17:59:00 1 0
Thankyou for your candour from me too - and an "arrrrgh" for you from me, as well.]]> 11366 nicole noreply@blogger.com 2008-07-16 13:07:00 2008-07-16 13:07:00 1 0 Im an expert Frogger... ( rip it.. rip it.. )LOL
I have used the blue wash out "mark be gone" fine point for years. I have marked entire quilt tops with feather designs. Just remember never to apply heat on the marks before removing them with cold water. A small spray bottle works great. You would have to use a light box to mark the design.
Nicole]]> 11367 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2008-07-16 11:49:00 2008-07-16 11:49:00 1 0 For all aspiring embroiderers, your candor is admirable and oh so helpful and inspirational!]]> 11368 Anonymous noreply@blogger.com 2008-07-16 08:22:00 2008-07-16 08:22:00 1 0 -Jeannine]]> 11369 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-16 07:28:10 2008-07-16 07:28:10 1 0
I've used pencil in the past for whitework without a problem like this. There was just a slightly greyish color developing on the edges of the threads - and especially on the padding threads (not as much on the top satin stitching) - but I just didn't want to risk it. I also wasn't satisfied, overall, with the way the letters were turning out.

So... snip, snip, snip...]]> 11370 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-16 07:01:00 2008-07-16 07:01:00 1 0 I DID not know that such a thing could happen!!!
I'm a perfect ignorant! The main problem is that "ignorance is too bold" we used to say... i suspect that some day something like that or other big problem will happens with me
Can I conclude we must NOT use pencil with white threads? Only BLUE dressmaker carbon?]]> http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-u.html Tue, 15 Jul 2008 13:08:00 -0500 Mary Corbet 682 2008-07-15 13:08:00 2008-07-15 13:08:00 open open Monogram-for-Hand-Embroidery:-Letter-U publish 0 0 post

I figure "U" is probably not the most commonly used letter for monograms, but I know that someone out there is bound to want it, at some point! So, without further ado, here is the U... (I'm such a poet...)



For more monograms from this alphabet, please visit my Index of Monograms for Hand Embroidery.

Have fun with it!

]]> free embroidery patterns monograms 4661 Anonymous noreply@blogger.com 2009-11-10 14:01:22 2009-11-10 14:01:22 1 0 6029 Zenia noreply@blogger.com http://www.blogger.com/profile/08972164568636082028 2009-08-18 12:53:22 2009-08-18 12:53:22 1 0 Thankyou for the monogram.It is wonderful.
From,
Zenia.]]> http://www.needlenthread.com/2008/07/gilt-sylke-twist-new-colors-out.html Tue, 15 Jul 2008 09:02:00 -0500 Mary Corbet 683 2008-07-15 09:02:00 2008-07-15 09:02:00 open open Gilt-Sylke-Twist:-New-Colors-Out! publish 0 0 post

I am so HAPPY to see the three new colors of GST that have been released and are now available to the public. The colors are Lincolne Green, Sable, and Black.



I love the bright green - and the sable is a deep dark brown, which looks lovely. Black, of course, is black - but with the gold!! Imagine how this could be incorporated into surface blackwork! Oh gosh. I am just in love with these threads, and these new colors are G-R-E-A-T. I think the two greens out so far will mix well together, too. Just think - leaves, stems... aaah. What bliss!

So - where can you get them? Well, Joady from Hedgehog Handworks e-mailed me earlier, to let me know they had them coming in. All three new colors are up on their website, but it looks like the sable is temporarily out of stock. Of all the online stores I've found so far carrying this thread, Hedgehog is the least expensive. They charge $19.80 / spool. You can find Gilt Sylke Twist online at other spots, though, too - like Needle in a Haystack, where it runs $22 / spool. It looks as if they don't have the new colors, though. Both stores provide excellent service and quick shipping.

I'm pretty excited to see the color options expanding on this gorgeous thread, and I hope to see the growth in selections continue!
]]> historical needlework supplies Gilt Sylke Twist goldwork threads 11375 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-15 10:57:00 2008-07-15 10:57:00 1 0 Thanks again!]]> http://www.needlenthread.com/2008/07/video-tutorial-mountmellick-stitch.html Mon, 14 Jul 2008 05:00:00 -0500 Mary Corbet 684 2008-07-14 05:00:00 2008-07-14 05:00:00 open open Video-Tutorial:-Mountmellick-Stitch publish 0 0 post

Mountmellick stitch is named after Mountmellick embroidery, a form of whitework originating in Ireland. Mountmellick embroidery is traditionally worked on cotton sateen, a heavier cotton fabric with a nice sheen. The stitches are worked in a matte cotton thread, which contrasts with the sheen of the fabric. What characterizes Mountmellick embroidery, besides the fabric and threads, is the textured nature of the whitework. The motifs are generally taken from nature (leaves, vines, berries, flowers, etc.), and are worked in different types of textured stitches, with a good splash of satin stitching as well. For more information, you can read my previous article on Mountmellick embroidery.



The Mountmellick stitch is a decorative line stitch, made up of little pointed triangles. It takes curves very well and is, in all respects, a very pretty stitch. It stitches up quickly, too, once you get the hang of the method.

Enjoy the video!



For more embroidery video tutorials, visit Needle 'n Thread's Video Library of Hand Embroidery Stitches!

Have fun with it!
]]> video tutorials Hand embroidery stitches 3382 Dolly noreply@blogger.com http://www.blogger.com/profile/04489889986735267678 2010-01-31 01:16:21 2010-01-31 01:16:21 1 0 4292 Darla noreply@blogger.com http://scientificquilter.wordpress.com 2009-12-08 15:33:44 2009-12-08 15:33:44 1 0
This mountmellick stitch is my absolute favorite stitch of all your embroidery stitches. I showed a veteran embroiderer this stitch and she was very excited about the stitch. Posting links back to this stitch and others on my blog. Thanks for posting!]]> 4300 donnarae johnsondonna5@gmail.com http://www.blogger.com/profile/05566535756563798050 2009-12-07 21:31:12 2009-12-07 21:31:12 1 0 Donna]]> 4879 EmilyA noreply@blogger.com 2009-10-20 22:18:08 2009-10-20 22:18:08 1 0 8140 KHendry noreply@blogger.com 2009-04-06 19:31:00 2009-04-06 19:31:00 1 0 9623 Leona noreply@blogger.com 2008-12-02 17:01:00 2008-12-02 17:01:00 1 0 9766 Anonymous noreply@blogger.com 2008-11-15 15:05:00 2008-11-15 15:05:00 1 0 Kathy K]]> 9968 Anonymous noreply@blogger.com 2008-10-31 11:36:00 2008-10-31 11:36:00 1 0 11374 Anonymous noreply@blogger.com 2008-07-15 14:20:00 2008-07-15 14:20:00 1 0 What a wonderful stitch to learn. I keep backing up the Video and you make it all seem so easy. Thank you for the Videos I have them on my desk top just to keep them close. Thanks for your work Ive become one of your older students. Eva]]> 11381 Carou noreply@blogger.com http://www.blogger.com/profile/18032357114414733022 2008-07-14 10:49:00 2008-07-14 10:49:00 1 0 11383 Anonymous noreply@blogger.com 2008-07-14 08:02:00 2008-07-14 08:02:00 1 0 11384 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-07-14 06:36:00 2008-07-14 06:36:00 1 0 Thanks you so much for this wonderful video, really I enjoy each one of them!!
A hug
Maria del Valle]]> http://www.needlenthread.com/2008/07/free-hand-embroidery-pattern-decorative.html Sun, 13 Jul 2008 08:11:00 -0500 Mary Corbet 685 2008-07-13 08:11:00 2008-07-13 08:11:00 open open Free-Hand-Embroidery-Pattern:-Decorative-Corner publish 0 0 post

I could see this embroidered (reduced in size) across the corner and sides of a hankie - with tiny satin stitched leaves, or fishbone stitch leaves, it would make a very pretty corner setting for any fine linen, handkerchief, towel, pillow case - you name it. It would also make a pretty motif around the edge of a quilt block or on a handbag. In fact, you could probably come up with more ideas for it than I can, so I'll leave it to your imagination!

I saved this one rather large, in case you want a "big" version. You can click on it for the larger version before saving it to your computer!

Here's the pattern:



You can flip it in any graphics editing program, if you want a different corner! Or, heck, you could duplicate it four times for all four corners!

The original pattern came from the old French publication (turn of last century), Journal des Demoiselles.

Cleaned up, it isn't bad, is it?!

Have fun with it!
]]> free embroidery patterns whitework 11327 Gina E. gandkwil@hotmail.com http://www.blogger.com/profile/07532527261977368083 2008-07-22 09:38:00 2008-07-22 09:38:00 1 0 11382 Anonymous noreply@blogger.com 2008-07-14 08:08:00 2008-07-14 08:08:00 1 0 http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-t.html Sat, 12 Jul 2008 13:21:00 -0500 Mary Corbet 686 2008-07-12 13:21:00 2008-07-12 13:21:00 open open Monogram-for-Hand-Embroidery:-Letter-T publish 0 0 post

The T is a little different from the other monograms patterns so far - it has slight points at the top of each arm. It makes the whole thing look a bit more angular than the rest of the alphabet, although it still has the curves on the stems and the base. I like it!



If you want other letters in this particular alphabet, check out the list of monograms - which is slowly but surely filling up!

Enjoy!
]]> free embroidery patterns monograms 11387 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-07-13 08:09:00 2008-07-13 08:09:00 1 0 Just wanted to let you know there are two names for that tool! One is a "Hex Wrench" and the other is a "T Handled Allen Wrench" So now you can pick what you want to call it.(lol's)
Annie]]> 11389 CrazyKwilter crazykwilter@yahoo.com http://www.blogger.com/profile/00467809965188623065 2008-07-12 19:32:00 2008-07-12 19:32:00 1 0 http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-p.html Fri, 11 Jul 2008 14:34:00 -0500 Mary Corbet 687 2008-07-11 14:34:00 2008-07-11 14:34:00 open open Monogram-for-Hand-Embroidery:-Letter-P publish 0 0 post

I'm still playing with these embroidery patterns in vector format. Has anyone tried printing them yet? Just curious - I (ahem) don't have a printer right now! Bad situation, I know!

There are quite a few areas I'd like to straighten up on this, but anything that is too worbly, I think you can straighten up in the transfer... but if you think it's just impossible, let me know! I neeeeeed to perfect this whole graphics thing!

Here's the P - any feedback would be wonderfully appreciated!



For more monograms in this alphabet, check out the monogram list!

]]> free embroidery patterns monograms 11391 Odette noreply@blogger.com 2008-07-12 18:24:00 2008-07-12 18:24:00 1 0
I think the monogram letters are great. I will be tracing them so it will depend more on my ability to follow the line !lol!

Thankyou very much for all the wonderful information you put on your blog, I am learning a lot from you... and it is much appreciated !]]> 11402 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-12 08:05:16 2008-07-12 08:05:16 1 0
I think both the P and the C were drawn as vectors - probably the pixel sizes of the lines were slightly different, and the C was done in a dark red, while the P was done in black. They may have been worked in different programs, as Margaret did the clean up on the C (I think she uses Corel Draw) and I did the P in Inkscape.

I'm glad to know they print out ok! Thanks for your comment.

I hope, by the way, that you get over your Post-Project-Depression soon!!!!!

Best regards,
Mary]]> 11403 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-07-12 06:41:00 2008-07-12 06:41:00 1 0
Hope this is useful for you. Lovely monograms btw, I think I'll use the C now I have printed it, but I may have to reduce it slightly/]]> http://www.needlenthread.com/2008/07/bookmarks-hand-embroidered-on-felt.html Fri, 11 Jul 2008 08:27:00 -0500 Mary Corbet 688 2008-07-11 08:27:00 2008-07-11 08:27:00 open open Bookmarks-Hand-Embroidered-on-Felt publish 0 0 post

These bookmarks are embroidered on wool felt, which is great for kids to work on. It's sturdy stuff - more so than your typical craft felt. Wool felt withstands a lot of abuse, and still looks great!

I get my wool felt from Wooly Thread, usually, although many of these colors I picked up from Twining Thread before it went out of business. I'm glad I did! The variety of colors was half the fun! But you can find good wool felt at Wooly Thread, in heaps of colors, and in pre-cut sheets. You can also buy sample packs from them, which are great for small projects.

I've already gone through the basic instructions for making these bookmarks, so you can check those out if you want. I won't bore you with the repeat information!

To finish the bookmarks, I used Pellon "wonder under" fusible web, cut to the size of the embroidered part of the bookmark and fused to this part first, then peeled and fused to the back of the bookmark. The back of the bookmark, by the way, was cut on my paper cutter, with the scalloped wheel attached. I'm sure there's a reason I shouldn't use my paper cutter that way, but it worked fine. I suppose the corners could be set up a bit better...?? How does one align scallops when cutting with a rotary cutter?



It didn't take too long to finish these up - about a half an hour all told - but I was relieved once they were done, because I know the kids are eager to take them home!



Pretty! Most of the designs are the same. When I was setting up the bookmarks, I free-handed the design on it, and pretty much, it was whatever popped into my head. I stuck with the wavy flower design for the majority of them, because it was easy and because it would give them the opportunity to practice the first five stitches: running stitch, backstitch, whipped stitch, daisy stitch, and French knots.



I just think the kids did a great job on these, don't you?

More photos of more projects soon!
]]> embroidery for children pictures needlework pictures beginner embroidery 4570 Anonymous noreply@blogger.com 2009-11-24 01:11:04 2009-11-24 01:11:04 1 0 10999 Anonymous noreply@blogger.com 2008-08-13 23:56:00 2008-08-13 23:56:00 1 0 11394 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-07-12 15:58:00 2008-07-12 15:58:00 1 0 11404 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-11 17:00:00 2008-07-11 17:00:00 1 0 11406 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-07-11 13:30:00 2008-07-11 13:30:00 1 0 11407 kathysews krockey@mtaonline.net http://www.blogger.com/profile/15465371545591900894 2008-07-11 13:12:00 2008-07-11 13:12:00 1 0 11408 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-11 12:30:00 2008-07-11 12:30:00 1 0
Beautiful works and colourful. Congratulations for your work.]]> 11410 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-07-11 10:28:00 2008-07-11 10:28:00 1 0 11411 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-07-11 10:10:00 2008-07-11 10:10:00 1 0 http://www.needlenthread.com/2008/07/transferring-your-embroidery-pattern.html Thu, 10 Jul 2008 16:53:00 -0500 Mary Corbet 689 2008-07-10 16:53:00 2008-07-10 16:53:00 open open Transferring-your-Embroidery-Pattern-onto-a-Dressed-Slate-Frame publish 0 0 post roundabout way.

with the piece of linen that's stretched on my frame, I'm making a kind of bag - it's more of a pouch, I suppose - kind of like a large, lined fabric envelope (only the back of the "envelope" is the front of the pouch). On the front cover, I'm embroidering a design, and on the inside of the front of the pouch (after you lift up the flap), I'm embroidering a sentence.

The first thing I did was draw out the whole pattern for the pouch itself onto graph paper, so I could test its size and how well it would fold up. Then I drew the design for the front flap and the letters for the sentence on the inside.

Have you ever used Swedish tracing paper? It's a sewable, sturdy fabric / paper that feels a bit like interfacing, but softer. It's drapable and sewable, so you can make master patterns out of it, or trial pieces (which you can then sew up and adjust). I drew out my pouch pattern on the Swedish tracing paper first.



That's what a roll of it looks like.

There are a couple reasons I wanted to use this stuff in particular on this project, the foremost being that it is nice to baste on and use as a fabric protector while you're stitching, cutting away the areas that require stitching as you get to them. I've used regular tissue paper for this before, but I don't really like tissue paper.

Anyway, I basted the Swedish tracing paper on, basting around the actual seam line (I'll cut further out when I'm finished with the stitching), and basting a half an inch in, where I intend to stitch a decorative line.



That's the pattern for the pouch, traced onto the tracing paper and laid on top of the linen on the slate frame.



I basted the tracing paper on, and also basted down the middle of the front flap of the pouch, so I could center my design with ease. Then I cut out the tracing paper on three sides of the pouch and on each side of the middle basting line, so I could lift up two flaps on the front.

I can lift the flaps up and down and lay them on the fabric when I want it covered, so I can work on the linen without getting it dirty when I rest hands or arms on it.



You can see both sides of the flaps lifted back.



Then, propping the frame on a couple stacks of books in the back (level with my light table), I traced my design onto the middle of the front flap, using a hard pencil and a relatively light touch.

The design, you can see, is towards the front edge of the frame. The sentence that'll be embroidered on the inside front of the pouch is traced on the back edge of the frame. All of this works out well, because I don't have to stretch to reach the inside of the frame, as there's no embroidery there.

And then I set the frame up on my handy-dandy slate frame stand - an amazing apparatus that does the job quite well!



Yep, it's chair on top of a table. The frame hangs perfectly on the edge of the chair. I can rest the front edge of the frame on a small stack of books to lift it up, or I can just rest it on my arm - either work just fine!

A couple points: you can transfer your design on your fabric before you mount it on the frame, but I like the taut fabric for drawing on. You can also transfer the design a bunch of different ways, without having to use a light table - you can use dressmaker's carbon, prick and pounce, etc. I did it this way because it seemed to be the easiest approach at the time!

And now I need to get the stitching done. It was supposed to be finished by July 20th. Think I can manage? It's mostly simple whitework, though a lot of it is satin stitch, which seems to take longer!

I better get to it!
]]> ecclesiastical embroidery whitework pictures embroidery tips and tricks slate frames 11352 Anonymous noreply@blogger.com 2008-07-18 11:57:00 2008-07-18 11:57:00 1 0 Who needs embroidery frame trestles?! Your gizmo seems to do the job just as well!!
:-)
Christiana]]> 11412 Miss 376 loopylou1966@hotmail.co.uk http://www.blogger.com/profile/07473367240638223881 2008-07-11 01:56:00 2008-07-11 01:56:00 1 0 11415 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-10 19:20:31 2008-07-10 19:20:31 1 0
MC]]> 11416 Wendy noreply@blogger.com http://www.blogger.com/profile/00823543583907747767 2008-07-10 17:50:00 2008-07-10 17:50:00 1 0 I just wanted to let you know that I nominated you as one of my favorite blogs on my blog. I am so grateful to you for the monograms.
Wendy]]> http://www.needlenthread.com/2008/06/free-pattern-monogram-for-hand_27.html Fri, 27 Jun 2008 18:22:00 -0500 Mary Corbet 690 2008-06-27 18:22:00 2008-06-27 18:22:00 open open Free-Pattern:-Monogram-for-Hand-Embroidery---The-Real-C! publish 0 0 post big blunder yesterday! If you want to embroider a "C" on something, here's the design for the monogram!

In case you're debating how to transfer your monogram to your fabric before embroidering it, there are a number of ways to do that. For the oatmean colored guest towel I embroidered, I used an iron-on transfer, so I didn't really have to deal with that issue. When you're printing a design, though, you do.

I find the most accurate way to get a pattern down for a project is to trace it. If you don't have a light box, use a sunny window, taping your pattern to the window and your fabric on top of your pattern. Use a regular #2 pencil and trace it lightly. If you're sure the design will be completely covered by your stitching, after you've traced it with the pencil, you can go over it with a fine-tipped micron art pen.

The pencil will wash out! I generally starch my fabric and iron it well before tracing on it with a pencil, and the pencil always washes out. The pen will not wash out.

And, as I've mentioned before, if you don't want to trace, you can always use dressmaker's carbon - or turn your design over and trace it with pencil on the wrong side, place the pattern on your fabric (pencil-traced side down), and, using a ball point pen or a stylus, trace over the pattern. In effect, you're just making your own carbon paper...

Anyway, I know I harp on the design transfer point a lot. It's one of those questions I get asked a lot!

Here's the C - yes, it's the C!! This design was pretty messy, so you can probably tell where I've reconstructed some of the lines. I probably should have just reconstructed (redrawn) the whole thing!

For other monograms, check out the Index of Monograms for Hand Embroidery!

Enjoy!



]]> free embroidery patterns embroidery tips and tricks monograms http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-g.html Fri, 11 Jul 2008 06:27:00 -0500 Mary Corbet 691 2008-07-11 06:27:00 2008-07-11 06:27:00 open open Monogram-for-Hand-Embroidery:-Letter-G publish 0 0 post

For more letters of this monogram alphabet, please visit the Index of Monograms for Hand Embroidery.



]]> free embroidery patterns monograms http://www.needlenthread.com/2008/06/free-hand-embroidery-pattern-monogram-c.html Thu, 26 Jun 2008 06:08:00 -0500 Mary Corbet 692 2008-06-26 06:08:00 2008-06-26 06:08:00 open open Free-Hand-Embroidery-Pattern:-Monogram-C---and-Avoiding-Satin-Stitch! publish 0 0 post list of monograms and go to the "real" G! Thanks for understanding!

I'm sure I'm stating the obvious when I tell you that monograms don't have to be white, and they don't have to be embroidered in satin stitch! If satin stitch intimidates you, try other stitches! For example, a simple stitch combination is the whipped backstitch as an edge, and seed stitch as a filler. Although I've shown it before, here's a leaf worked in that combination:



These are two very easy stitches, and the nice thing is that the whipped backstitch can be a very precise stitch, so it takes curves and points very well.

But for some of you, it may not be Intimidation by Satin Stitch that inhibits you from embroidering monograms. It may be that the satin stitch just doesn't thrill you.

If this is the case, you have GOT to check out Paule's website, where you will see a gorgeous variety of stitches used on monograms, in beautiful shades of roses and reds. They are stunning, and so perfectly stitched. Look, for example, at the "B" and "T" worked in feather stitch, or the outlined "O." Aren't they pretty? If you take the opportunity to browse through the images of Paule's sampler, I think you'll find some very inspiring ideas for working monograms!

So it's pretty feasible to embroider a monogram and completely avoid the satin stitch altogether. If nothing else, you could have fun experimenting with all kinds of stitch combinations!

Here's the "C," then:



Once the clean up work is done on the "M," I'll post it - and the "S" seems to be a popular request, too. If you haven't seen it yet, you can find the "A" here.

I'm also going to make up a monogram index page to make finding them a lot easier! I'll list that under my index of hand embroidery patterns, which probably needs the same kind of attention I gave my gallery last week!

Enjoy!

For more monogram patterns, please visit my Index of Monograms for Hand Embroidery.
]]> free embroidery patterns whitework pictures monograms needlework pictures 11441 PAULE noreply@blogger.com http://www.blogger.com/profile/06254014461416518120 2008-07-07 07:51:00 2008-07-07 07:51:00 1 0
I've finished my embroidered alphabet. Thanks for all your support.

http://patchworkbroderieetcetera.blogspot.com/search/label/Marie%20Suarez

Paule-Reunion Island]]> 11472 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-03 23:09:20 2008-07-03 23:09:20 1 0
Thanks for bringing that fix to my attention!]]> 11473 Edna dena789@hotmail.com http://www.blogger.com/profile/09386607700449297473 2008-07-03 21:39:00 2008-07-03 21:39:00 1 0 I love these letters!! I'm waiting for the "E" and the "R" but I realize these things take time. I have noted a problem with the letter "G" - it seems that it is the same as the letter "C" and even the download says: "monogram_1_c" Would you please check into this?
Many thanks,
Edna]]> 11498 PAULE noreply@blogger.com http://www.blogger.com/profile/06254014461416518120 2008-06-30 23:53:00 2008-06-30 23:53:00 1 0
Thanks for linking my blog. It's a great honour for me.
Paule]]> 11517 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-06-27 01:10:00 2008-06-27 01:10:00 1 0 Free monograms from Godey's Lady's books
http://deepashome.blogspot.com/2007/08/free-pattern-from-godeys-ladys-books.html
Do continue to add to your index of monograms.Its going to be an absolutely fantastic resource.
Deepa]]> http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-r.html Thu, 10 Jul 2008 13:00:00 -0500 Mary Corbet 693 2008-07-10 13:00:00 2008-07-10 13:00:00 open open Monogram-for-Hand-Embroidery:-Letter-R publish 0 0 post

I mentioned earlier today in my post on the O and Q monograms that I was working on cleaner versions of these monogram patterns, thanks to Margaret's tutorials she sent me on how to trace a design as a vector image. So here's my first attempt! There are little points that are a bit more wobbly than I like, but overall the lines are smoother and clearer, and I think they will print a lot clearer on your printer!

Anyway, what do you think? Do you like them better this way? I thought I'd poll readers to hear your impressions. What do you like better, since the patterns are here for you, after all!

Here's the R:



For the rest of the alphabet, please visit my Index of Monograms for Hand Embroidery!

And let me know what you think about the different look of the letters!

Thanks!

]]> free embroidery patterns monograms 11405 Anonymous noreply@blogger.com 2008-07-11 15:06:00 2008-07-11 15:06:00 1 0 -Jeannine]]> 11413 margaret c. noreply@blogger.com 2008-07-10 23:49:00 2008-07-10 23:49:00 1 0
I vote for the vectors! I really don't like transferring designs onto fabric; it's my least favourite part of embroidery. The beauty of vector-based images is that you can print them directly onto things like iron-on transfer paper and fabric from your computer. (Now, if I could only figure out a way to print on dark fabrics my life would be complete!)

By the way, I loved Melissa's comment and Mary gets an A for her fabulous 'R' conversion!]]> 11417 Ruut noreply@blogger.com 2008-07-10 16:43:00 2008-07-10 16:43:00 1 0
On screen, I like the sleeker feel of the R compared to some of the other letters but I think that the proof is in the pudding. In other words, it's only after the letter has been printed out and it's time to transfer onto fabric that you can really tell. Or so I imagine.

Ruut]]> 11418 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-10 15:43:00 2008-07-10 15:43:00 1 0 You have got a precious tool!]]> 11419 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2008-07-10 15:09:00 2008-07-10 15:09:00 1 0 Thanks for giving these out! I love them!]]> http://www.needlenthread.com/2008/07/monograms-for-hand-embroidery-letters-o.html Thu, 10 Jul 2008 06:44:00 -0500 Mary Corbet 694 2008-07-10 06:44:00 2008-07-10 06:44:00 open open Monograms-for-Hand-Embroidery:-Letters-O-and-Q publish 0 0 post

Since these are the same letters, I thought I'd post them in the same post. The only difference between the two is the "tail" on the "Q."

I hope you enjoy these! If you embroider anything with them, let me know! I had an e-mail from someone yesterday who said she was going to embroider a whole quilt with the whole alphabet! I can't wait to see the restults of that!

Here's the O:



And here's the Q:



If you're looking for a specific letter, check out the rest of the alphabet at my Index of Monograms for Hand Embroidery.

EXCITING NEWS: Ahhh - breaking news. I'm very excited about this! Thanks to Margaret C. (the other MC!), who developed and sent me an excellent series of video tutorials on using Inkscape (free software for creating vector images), I can now give you a Much Cleaner Version (no comparison, really) of these letters! I'm hoping to show you what I mean when I post the "R," which still needs a lot of tweaking, but which will be up soon! THANK YOU, MARGARET!!
]]> free embroidery patterns monograms http://www.needlenthread.com/2008/07/conducting-embroidery-class-for.html Wed, 09 Jul 2008 15:30:00 -0500 Mary Corbet 695 2008-07-09 15:30:00 2008-07-09 15:30:00 open open Conducting-an-Embroidery-Class-for-Children publish 0 0 post set up a children's embroidery class, and today, I want to go a little more into detail on how I conduct my embroidery classes for kids.

First, I want to thank everyone for their insight and ideas about conducting a children's embroidery class, including dealing with stitchers of various levels of ability and age, as well as with what I call "Lagging Stitchers." If you haven't read the comments, you can find them on last week's photo update of embroidery class projects. Lots of good ideas there, and good advice! I also received several e-mails with further ideas, so I wanted to thank everyone for taking the time to discuss teaching children!

What I want to give you here is just a run-down of how I conduct children's classes, in case you are ever in a situation where you can volunteer in your own community to teach a class, or even if you are simply tutoring your own child, or a relative, or even another adult. You'd be surprised how many people out there would like to embroider! So go teach someone!!

In the first classes, I set up the individual "place settings" for each student, so that when they arrived to class, all new materials were in front of them. As the classes progress, I prepare for each class by laying out supplies. This is really important if you want the class to run smoothly. To have to stop in the middle of instruction, or to hold up individual questions, while trying to cut open skeins of thread or find another needle is a pain in the neck. Always prepare in advance by having your class supplies ready.



We're at the point where the children have their projects and now, as far as class supplies are concerned, it's just a matter of needing extra threads or new needles. I cut all my threads to stitching length and lay them out next to my teaching area. The older children can help themselves. With the little kids, I distribute the threads as they need them. For one thing, it helps conserve thread, and for another, it keeps the thread a bit neater.



A typical class session goes like this:

Once everyone's in a seat and settled - projects and sampler cloths out - I begin with the "instruction" portion of the class.

[A little teacher point: take a short pause before you begin to teach, to make sure you have everyone's attention. This moment of focus is essential - it's a waste of time to repeat yourself six times during the beginning of the instructional period, and it causes frustration for yourself and for your attentive students. Do that "effective pause" thing until you have everyone's attention... and usually, in classes like this, it's pretty easy to get and hold their attention!]

Ok, you have their attention. Begin by telling your students the goals of the day. Today, we're going to learn two new stitches, and you're going to be able to add them to your sampler, and then add them to your project. The stitches are...

We'll take chain stitch for the example here. First, I pass around a sample or two (towels or whatever) that have the chain stitch worked on them, and I point out that this is the stitch we're going to learn. They feel it, look at it, turn it over...

I begin the instruction period with whole group instruction. I ask them to listen and watch me while I work the stitch twice. I work the stitch facing them, with my hoop in front of me, also facing them (so I'm looking over the top of the hoop, and, in essence, I'm working the stitch backwards, but they are seeing it as if they would see it in front of them). As I work the stitch, I talk through the stitch with a kind of rhythmic phrase that condenses the progress of the stitch into a few key steps.

With the chain stitch (after the initial stitch), I'd use words like this:

"Up in the new loop, pull it forward, down in the same hole. Up in the new loop, pull it forward, down in the same hole..." If they get accustomed to hearing this, they keep the steps in their heads while they stitch.

So once I've instructed through the stitch twice, with their attention on me - not doing the stitch themselves - then we try it "together." They bring their needle to the front of the fabric, and I talk them through the stitch the same way, still working it out so they can look up and see it. I do that a few times, and then tell them to complete the line on their sampler.

While they're working the line on their sampler, I give individual instruction, going around the room to see that they're getting it. Some, I just have to pass behind and say "Very Good!" Others, I'll stop and help a bit. By the time I've seen everyone's, most are finished with a row on their sampler cloth. Then I tell them to work another row, concentrating this time on making their stitches a little smaller, or a little more even.

While they're working the second row, anyone who needs help will come up to my spot, or those who finish really quickly will come and ask if they did it right, or what they could do better, or "Does this look good?" etc.

After they've worked two rows on their sampler cloths (these are the little butterfly or flower shapes I prepared before the first class), they transfer to their project and start adding the chain stitch to the chained stitched areas on their projects.

Now, they have "chatter time" while they're stitching. I help with any trouble-shooting that needs to be done with individuals, but for about 15 minutes they get a chance just to gab, giggle, and stitch.

Then, I call up their attention, and we move back to the sampler cloth, and I introduce the second stitch. I go through the same process with the second stitch. This all takes about an hour. The classes are two hours long...

So at the end of an hour, we have a break:



With cookies and something to drink (ice water! - it's summer!!), they head outside for five or so minutes. There's a small swing-set in the back yard and some picnic tables where they can play or visit. They can also take advantage of the time for a bathroom break in the house! While they're outside, I'll do any straightening up that needs to be done.

For the group A class (7 - 9 year olds) I have two very helpful mothers who are there the whole time - they thread needles and help give individual instruction - so often during the break, this is our chance to chat a bit, too. In the other kids' classes, it's just me, so I use the short time to "refocus" and clean up.

In the second half of the session, we work on projects. This is their time to put some concentrated effort into their individual projects and make headway on them. They also might pick out new colors for the new stitches on their project, or they might come up for individual help on a stitch that they didn't quite get right, or whatever. It's a good time for trouble-shooting with individuals and for everyone to relax and stitch and be social.

In the last 10 minutes of the class, I recap - I ask them to tell me the names of the stitches they've learned so far, can they describe them ("up in the new loop, pull it forward...") Then we cover what they should work on to make progress during the week until we meet again, and I tell them what we'll be doing next time.

And that's pretty much how the classes are conducted. It works pretty well, actually. The occasional Lagging Stitchers usually get caught up in the second half of the class.

This week, I'll show you some good progress on the kids' projects... and I'll show you how I'm managing the project I set up on the slate frame last weekend - I rigged an amazing frame stand! It's oh-so-ingenious... and I've got another monogram towel I'm working on, with a new little monogram design that's really pretty. I'm also planning (if all goes as planned in the last two days of my vacation!) to get some new video stitches done! I had to crack down and purchase a new hard drive (750 G should be helpful!) and dock, some new video editing software, and a gorgeous new microphone (called a Snowball!) - all of which will hopefully help me produce some better quality videos. Oh, and some new lighting. Also, there's the July Stash contest to announce.... So, some exciting things coming up!

In the meantime, back to my needle 'n thread!
]]> embroidery for children pictures 11420 Anonymous noreply@blogger.com 2008-07-10 07:17:00 2008-07-10 07:17:00 1 0
I'm positively dizzy when I look at how busy you are, but it sure is a treat to be a part of it through your blog! *hugs*
- Jeannine]]> 11422 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2008-07-09 18:13:00 2008-07-09 18:13:00 1 0 http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-n.html Wed, 09 Jul 2008 06:05:00 -0500 Mary Corbet 696 2008-07-09 06:05:00 2008-07-09 06:05:00 open open Monogram-for-Hand-Embroidery:-Letter-N publish 0 0 post

Because of the turns on the N, if you're planning to satin stitch this monogram, you should think in advance of your stitch direction. When you embroider a letter, you want the stitch direction to make sense - that is, you don't necessarily want to change the direction of your stitching on each different "leg" of the embroidery. Try to keep an overall consistent stitch direction in the main parts of the monogram.

When you start thinking about stitch direction on something like this letter, things can start getting confusing. I suggest marking in your stitch direction lines before you begin to embroider, using a very light pencil.

Of course, monograms are not relegated to satin stitch only - you can use all kinds of stitches to fill, including long and short stitch, stem stitch used as a filling, chain stitch, split stitch, and so forth.

Well, here's the "N" - I hope you like it!



Check out the rest of the available letters of this monogram alphabet, which you'll find listed in the Monogram Index.

And, next up is the O and the Q, which are incidentally the same monogram - you have to remove the tail for the Q - which I may do in advance for you, just to avoid the confusion!

Have fun with it!
]]> free embroidery patterns monograms http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-l.html Tue, 08 Jul 2008 13:50:00 -0500 Mary Corbet 697 2008-07-08 13:50:00 2008-07-08 13:50:00 open open Monogram-for-Hand-Embroidery:-Letter-L publish 0 0 post

Slowly but surely, the monogram alphabet is filling up! Before you know it, I'll reach "Z." I wonder if there will be any takers for the "Z"??!! More likely than "X," I suppose....

In the last few days, I've received four requests for the "L," so I'm glad to get it out here for you all. I responded to all the e-mail requests, but two of them failed in delivery (I think AOL users need to add me to their address book, or something, before I can get through!).

Ok, without further ado - here 'tis:



For more letters of this alphabet, please visit my Monogram Index!

Have fun with it!

]]> free embroidery patterns monograms 11425 CrazyKwilter crazykwilter@yahoo.com http://www.blogger.com/profile/00467809965188623065 2008-07-08 15:02:00 2008-07-08 15:02:00 1 0 http://www.needlenthread.com/2008/07/embroidery-designer-spotlight-alison.html Tue, 08 Jul 2008 06:03:00 -0500 Mary Corbet 698 2008-07-08 06:03:00 2008-07-08 06:03:00 open open Embroidery-Designer-Spotlight:-Alison-Cole publish 0 0 post embroidery resources and links page for a long time, but now's a really good time to bring her to your attention specifically, since she has a new goldwork book on the market AND some new releases on her website.

Alison Cole is an Australian specializing in goldwork and stumpwork, and her embroidery business is located Down Under (a fact you have to take into consideration when ordering!) Her website is Alison Cole Embroidery, and if you do nothing else there, you must at least scroll through ALL the pictures of her work! You will be amazed by her artistry!

Alison has produced two books now on goldwork, one that was released last month (June, 2008). The first one is All That Glitters, and the new one is called The Midas Touch. Right now, All That Glitters is available through Amazon here in the States. I'm hoping The Midas Touch will show up soon! It promises to be an excellent book of stumpwork and goldwork projects.

And speaking of stumpwork and goldwork projects, you must check out her new stuff on her website. She offers kits, by the way, and her newly released kits look beautiful and fun. While I haven't worked any of her kits, you know by virtue of the quality of her own work that they're bound to be really nice.

I've got my eye on the Illuminated Floral. Some day, some day... when the budget allows it, I suppose! It's stunning, though, isn't it? I think it would be a blast to work!

I can't help thinking, when looking at Alison's work - her kits, her books, her gallery of projects - that she must really love her job!

If you want to check out her book All That Glitters through Amazon, you'll find it's less than $20 right now, new... I'll let you know when the new one shows up!


]]> goldwork embroidery resources embroidery designers stumpwork 11423 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-09 16:30:00 2008-07-09 16:30:00 1 0 I still don't know how it is named in Portuguese. I'm looking for.]]> 11426 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-08 14:21:00 2008-07-08 14:21:00 1 0
The brocade box, the wisteria?]]> 11427 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-08 08:38:43 2008-07-08 08:38:43 1 0
Stumpwork is a kind of 3-dimensional embroidery. See how the flower petals stick up off the finished pieces? That's characteristic of stumpwork...

Hope that helps!

MC]]> 11428 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-08 06:59:00 2008-07-08 06:59:00 1 0 Something unattainable for me!

And, sorry my ignorance, I couldn't understand what is "stumpwork" not even looking at her kits...]]> http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letters-i.html Mon, 07 Jul 2008 13:30:00 -0500 Mary Corbet 699 2008-07-07 13:30:00 2008-07-07 13:30:00 open open Monogram-for-Hand-Embroidery:-Letters-I-and-J publish 0 0 post

If you want to check out the rest of this monogram alphabet, visit my index of monograms for hand embroidery. I think I'm a good half-way finished now on this particular alphabet!

Here's the "I":



And here's the "J":



Enjoy!
]]> free embroidery patterns monograms 11431 Anonymous noreply@blogger.com 2008-07-07 21:59:00 2008-07-07 21:59:00 1 0 - Jeannine]]> 11434 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-07-07 16:53:00 2008-07-07 16:53:00 1 0 ~Susan]]> 11436 Wendy noreply@blogger.com http://www.blogger.com/profile/00823543583907747767 2008-07-07 15:22:00 2008-07-07 15:22:00 1 0 Wendy]]> http://www.needlenthread.com/2008/07/slate-frames-for-hand-embroidery-yippee.html Fri, 04 Jul 2008 20:42:00 -0500 Mary Corbet 700 2008-07-04 20:42:00 2008-07-04 20:42:00 open open Slate-Frames-for-Hand-Embroidery!-Yippee! publish 0 0 post

Before I launch into this, I also have a tutorial on how to dress a slate frame for hand embroidery - if that's what you're looking for, rather than a source.

On with the news!

Mr. Evan Burroughs, located in Salem, Oregon, makes slate frames for the hand embroiderer! This was such an exciting piece of news for me, because, for the longest time, I couldn't find a source in the US. Sure, slate frames can be ordered from Britain, but - combine the exchange rate and the shipping, and they are expensive!

When Evan fell out of the sky into my e-mail account one day, I was really thrilled and eager to try his frames.

He makes three sizes of frames. The smallest frame accommodates a piece of embroidery about 10" x 10", without having to roll the work. The medium size accommodates a piece from 16" - 20" wide, with stretchers that will accommodate a piece about 16" long before having to roll the work. And the largest size accommodates a piece about 24" wide by about 28" long, before you'd have to roll it.

The frames are made out of beech, which is strong wood. The pins are stainless steel cotter pins (rather than the traditional wooden pegs), which allows the pegs on the side stretchers to be placed in 1/4" increments, giving you really good control on the stretching.



If there were some way to allow you to feel what you're looking at in that photo, you would understand my infatuation with slate frames! The fabric is perfectly smooth, perfectly taut all around, and oh-so-ready for my next project! Isn't it just beautiful??

The frames run $59 (small), $69 (medium), and $89 (large). Remember, they are hand made, and they will last you a life time - and then some! As far as the workmanship goes, my experience with mine is this:

I LOVE IT. The wood is smooth as glass, the frame feels in all respects sturdy, everything fits together really well, and... wow. It's just really nice! When you're working with it, you know it's "real" - it's not cheaply made, plastic, or flimsy. I think it's a work of art!

Evan is also the fellow behind the Evertite Slimline Tension Adjusting Stretcher Bar frames - which I hope to try soon. I've got one set that I want to mount a bird project on; as soon as I do, I'll let you know what I think of the Evertite frames.

If you want to take your stitching to the next level and invest in a slate frame - or if you're like me, and you've been looking high and low for ages for a source for slate frames - do contact Evan. You can visit his Evertite webpage, where he has his contact information listed. When I arranged for my frame, he said he generally has a few sets of each size of slate frame on hand; if not, his production time runs about a month. It's worth the wait!

Now, after all the gushing, I have to add a little glimpse of reality for you. A slate frame is not an "easy" option for the embroiderer. It takes much time to dress a frame, and it's hard work. The end results are worth it, no doubt, but before you delve into a slate frame, do understand that it takes some effort to set up the frame. (I'm typing with sore thumbs...)

That having been said, I think it's the best way to set up a large project, especially one that will take you some time. The tension lasts forever, and can be adjusted repeatedly without having to take the frame apart. Read "Dressing a Slate Frame" to see how the whole process of setting up a slate frame works.

And finally, just so you know, Evan Burroughs and I are not affiliated - I'm just a very, very happy customer who is so pleased to be able to tell you about his handiwork! Do check him out - and tell him I sent you!
]]> goldwork embroidery resources slate frames needlework products 10079 etostudio noreply@blogger.com http://www.blogger.com/profile/17095663920567325345 2008-10-23 00:00:00 2008-10-23 00:00:00 1 0 Slate frames are definitely the way to go! I customized mine with help from a friend..to be about 39" X 39". It was for a competition and definitely a life saver though it does take time to lace!... We used simple everyday items to put it together and in fact was even light enough for me to use in Paris! Thinking of selling them...?]]> 11001 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-13 18:13:07 2008-08-13 18:13:07 1 0
The thing is, slate frames were used much earlier than the advent of "slates" for writing on. Slates for writing were made popular, I think, with the advent of schooling children in reading and writing, which really didn't happen until after the Renaissance - and really didn't go full fledged until quite while after that, even. Of course, MAYBE the frames weren't called "slate frames" back then. Hmmm.... Well, it's something to think about, anyway!

Thanks for your comment!]]> 11003 sterlingspider noreply@blogger.com http://sterlingspider.livejournal.com/ 2008-08-13 16:52:00 2008-08-13 16:52:00 1 0 11360 Robin noreply@blogger.com http://www.blogger.com/profile/01481520484587690947 2008-07-17 13:04:00 2008-07-17 13:04:00 1 0 Recently I saw one from www.spanishpeacock.com and have one on order. They are made to order so must wait to see/feel it. Glad you found another source. These are such a must for serious embroidery.
- Robin (bayrose.org)
broider-baroness.blogspot.com]]> 11455 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-05 19:34:49 2008-07-05 19:34:49 1 0
Thanks for the link!

MC]]> 11456 rectangularcat noreply@blogger.com http://rectangularcat.livejournal.com/ 2008-07-05 19:30:00 2008-07-05 19:30:00 1 0
They also sell a stand.

Link here http://www.historicworkshop.com/

Go under "Sewing and Knitting"

Mona]]> 11457 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2008-07-05 14:40:00 2008-07-05 14:40:00 1 0
I've read a lot about the Evertite frames and when I ran into them recently in this lovely needlework shop when we were vacationing in the St Petersburg area in FL (Silk Road Needle Arts -- the proprietor was such a nice man!), well, I just had to try them out.

I am using them on the first time on a medium sized project (16 x12 frame) and I like them. It is nice to just tack your project on once and just adjust the frame tension as needed, e.g. relaxing it when you are working on bullion knots.

I am jealous over your slate frame though and I think Mr. Burroughs is likely to hear from me in the near future.:)

I am looking forward to hearing about your progress,a s well as what you think about the Evertite frames.

Best regards,
Chris]]> 11461 Margaret noreply@blogger.com http://www.blogger.com/profile/01182634416071817358 2008-07-05 08:22:00 2008-07-05 08:22:00 1 0 11462 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-07-05 07:54:00 2008-07-05 07:54:00 1 0 This is wonderful news! The only other place I knew to order them from in the US is from Tristan Brooks, through needleartworks.com. Unfortunately, those only come with 21" vertical slats. I haven't ordered them because they would be really difficult to flip over in my lap stand (which I use constantly). I'm so glad to hear of another source so I can finally try a slate frame.

Thank you for sharing!]]> http://www.needlenthread.com/2008/07/chemanthy-work-indian-embroidery.html Mon, 07 Jul 2008 06:27:00 -0500 Mary Corbet 701 2008-07-07 06:27:00 2008-07-07 06:27:00 open open Chemanthy-Work---an-Indian-Embroidery-Technique:-Tutorial-Link publish 0 0 post This and That, and on it, she is presently featuring a very interesting embroidery technique from India called Chemanthy work. I've never seen this stitch before, so I thought I'd point the post and the tutorial out to you, so you could take a look at it and add it to your stitching repertoire, too.

The stitch itself is worked in several steps, and it makes a really neat looking filler for shapes. I can see this being added to my embroidered flowers samplers! It would look great in an embroidered garden!

For a look at the stitches, check out Deepa's post with pictures of Chemanthy work, and then step over to her photo tutorial on Chemanthy work, which features more pictures of the completed technique, as well as a very clear step-by-step on how to do it.

Thanks, Deepa, for the clear tutorial and the introduction to this technique!
]]> embroidery links Hand embroidery stitches regional embroidery techniques 10361 Minmini noreply@blogger.com 2008-09-28 11:36:00 2008-09-28 11:36:00 1 0
The Chemanthy Stitch is very pretty. It is just like the one I use for fixing mirrors, except that in this the stitches radiate from a central point, whereas in the mirror, it radiates from and proceeds around the frame work of thread which is worked on the mirror.
Instead of going into the fabric at the centre, the thread goes above and comes down under the thread of the framework, so it is above the mirror, and then goes into the fabric beyond the edge of the mirror, comes out and then again above and under the framework, and so on around the mirror.
I would say that this stitch is a combination of cretan at the centre and herringbone outside. Very pretty.
One can use other combinations for the outer stitches, like half chain or cretan again.
Iam not sure if I have made myself clear. Let me see if I can post a picture.]]> 11439 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-07 08:45:00 2008-07-07 08:45:00 1 0 11440 Anonymous noreply@blogger.com 2008-07-07 08:03:00 2008-07-07 08:03:00 1 0 http://www.needlenthread.com/2008/07/readers-embroidery-monogrammed-guest.html Sun, 06 Jul 2008 14:43:00 -0500 Mary Corbet 702 2008-07-06 14:43:00 2008-07-06 14:43:00 open open Reader's-Embroidery:-Monogrammed-Guest-Towel! publish 0 0 post monograms from the alphabet I've been posting recently! Meeta sent photos of her recent hand embroidery project - a guest towel made from dark brown linen, with the "K" on it worked in white....

Meeta used a nice combination of embroidery stitches - seed stitch for the filling on the K, stem stitch around the outside, and the flowers are satin stitched.



I really like the effect of the embroidery in white on the darker fabric! I find it very striking!



I like it!!! Thanks for sending along the photos, Meeta! Congratulations on a job well done!
]]> whitework readers embroidery pictures monograms needlework pictures 11438 Meeta V. noreply@blogger.com 2008-07-07 10:51:00 2008-07-07 10:51:00 1 0 11442 Anonymous noreply@blogger.com 2008-07-07 07:28:00 2008-07-07 07:28:00 1 0 11444 alicia in Hawaii noreply@blogger.com http://curiosities808.wordpress.com/ 2008-07-06 22:14:00 2008-07-06 22:14:00 1 0 Do visit.
Alicia in Hawaii
www.curiosities808.wordpress.com]]> http://www.needlenthread.com/2008/07/monogram-patterns-for-hand-embroidery.html Sun, 06 Jul 2008 06:30:00 -0500 Mary Corbet 703 2008-07-06 06:30:00 2008-07-06 06:30:00 open open Monogram-Patterns-for-Hand-Embroidery:-Letters-E-and-F publish 0 0 post

For more free monogram patterns for hand embroidery, please visit my Free Embroidery Patterns page, where you'll find the link for an index of monograms here on Needle 'n Thread.

Here's the E:



And here's the F:



]]> free embroidery patterns monograms http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-d.html Sat, 05 Jul 2008 15:59:00 -0500 Mary Corbet 704 2008-07-05 15:59:00 2008-07-05 15:59:00 open open Monogram-for-Hand-Embroidery:-Letter-D publish 0 0 post

I just received an e-mail from a reader who sent pictures of her latest embroidery project - she used one of the monograms on a dark guest towel, stitched in white with seed stitching and satin stitch. It's really beautiful. Once I have permission, I'll post it for you to see, too!

In the meantime, here's the letter D:



For more monograms from this alphabet, please visit my Index of Monograms for Hand Embroidery.

Enjoy!

]]> free embroidery patterns monograms http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-b.html Thu, 03 Jul 2008 14:04:00 -0500 Mary Corbet 705 2008-07-03 14:04:00 2008-07-03 14:04:00 open open Monogram-for-Hand-Embroidery:-Letter-B publish 0 0 post

This whole alphabet of monograms for embroidery is filling out ok, but it seems like a slow process at this pace! I keep forgetting that, at one letter a day, it will take 26 days to finish one alphabet. I shall pursue a solution to that!

But in the meantime, enjoy the B:



For the rest of the alphabet, please visit my Index of Monograms for Hand Embroidery!

]]> free embroidery patterns monograms 6089 sharise noreply@blogger.com 2009-08-13 20:58:02 2009-08-13 20:58:02 1 0 10657 Laura at Laura's Glass Art noreply@blogger.com http://www.blogger.com/profile/01105443541721140666 2008-09-08 12:52:00 2008-09-08 12:52:00 1 0
Laura]]> 11437 Anonymous noreply@blogger.com 2008-07-07 15:04:00 2008-07-07 15:04:00 1 0 I just printed out the letter B to put on pillowcase.What stitches should I use.
thanks in advance for your advice.
roberta]]> 11474 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-07-03 18:52:00 2008-07-03 18:52:00 1 0 11477 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-03 13:11:00 2008-07-03 13:11:00 1 0 http://www.needlenthread.com/2008/07/embroidery-class-update-with-photos.html Thu, 03 Jul 2008 06:17:00 -0500 Mary Corbet 706 2008-07-03 06:17:00 2008-07-03 06:17:00 open open Embroidery-Class-Update---with-Photos publish 0 0 post not to do that next year??!! I've got a few photos here of some of the class projects that have been finished...

With five embroidery classes going for different age levels - and different levels of ability - all crammed into the first three days of the week (Mon - Wed), by Wednesday evening's class, I'm mixing up embroidery threads, fabrics, projects... In my Wednesday evening class, for example, half the class is working with DMC stranded floss on flour sack towels, the other half is working with DMC Satin Floss (rayon) on embroidered greeting cards, and one younger youngster is working with pearl cotton on a felt bookmark.

Now, you may rightly wonder why things aren't more organized, but there are a couple little difficulties:

The first obvious one is that the children tend to work at entirely different speeds, with entirely different levels of enthusiasm. Some go home and stitch their hearts out and finish each new project before the next time we meet. These fast little stitchers - who are usually the enthusiastic and meticulous kids with real interest and talent - are ready for a new project each week practically!

Then there are what I call The Lagging Stitchers - the kids who don't do anything on their projects during the week. They come into class forgetting what they learned in the last class, because they haven't picked up their needlework at all. This requires me to "reteach" some of the students in every class, which is inconvenient for me and for the other students, and hampers the progress we could make otherwise. I haven't figured out how to handle this yet, and yet, I've faced this every year.

And finally, in some classes, there's a real disparity in age. Some of the children come from Really Rural Kansas, and to make the extra drive into town each week is a hardship on the parents. So if there's an older and younger child from the same family signed up, they often come to the same class, despite their age difference. The disparity in age is reflected in the disparity in development - there is a vast difference between the level of physical development (think fine motor skills!) of a 10 year old and that of a 7 year old. Which means I have to have the Little-Little Kids' projects going in the Medium-Little Kids' classes and in the Big-Little Kids' classes as well. Take, for example, the Wednesday class. There are 11 students, and their age range is supposed to be 12 - 14, but it's really 10 - 14, with a 7-year-old thrown in for good measure!

Whew.

But - really - it's a blast! And there's nothing better than seeing the results start to come together. Here are some needlework developments from the classes so far.

First, an embroidered dish towel. This is stitched by an 11-year-old. The towel's already been laundered, hence the wrinkles.



These are the Aunt Martha designs from the set called "Java Break." She worked the whole piece in stem stitch.



And she does a really nice job on her stem stitch!



Her stitches are even and neat.



Three embroidered cards were finished last night... the embroidery was finished on several more, but the cards haven't been assembled yet.



The pattern for these three cards was selected from one of Erica Fortgens's books on embroidered greeting cards. I've got all her books on my shelves, so the kids flip through to see what they like when it's time to delve into a project. They're super-terrific books!



And here, one of the kids from the 7-9 year olds' class is showing off her embroidered butterfly towel as it progresses.



And here's another kitchen towel... actually, I stitched it. It's a project sample. A couple of the kids are working on this design right now (in the Medium-Little Kids' class - ages 10 & 11). I'm looking forward to seeing the results on this one!

So, there's progress for you!

As each summer passes, I learn something new about teaching these classes. This year, my reflection is going to include trouble-shooting the age / level disparity problem and figuring out once and for all how to handle Lagging Stitchers.

Any ideas on those subjects??
]]> embroidery for children Embroidery for the Home pictures needlework pictures 11443 Anonymous noreply@blogger.com 2008-07-07 01:02:00 2008-07-07 01:02:00 1 0 11464 Laura Bullinger noreply@blogger.com 2008-07-04 16:30:00 2008-07-04 16:30:00 1 0
Try this- instead of dividing classes by age, sort them by level of ability such as beginner needlepoint, intermediate cross stitch, 1st level advanced, 2nd level advanced, etc. This way, the slower ones don't feel pressured to keep up when they really can't.
The siblings that arrive together- try this- have the "waiting" one complete her work or repeat her work in different color or on different fabric so that you can concentrate on the others. You can also ask if that student would help sort through thread colors or some other fun chore that they wouldn't mind doing.When an older child is waiting, this is your helper, since any child would love to be a teachers helper rather than wait idly by. It is okay to have waiting students if they are kept busy and safe.]]> 11466 queenie noreply@blogger.com http://www.blogger.com/profile/10787244881765852425 2008-07-04 09:13:00 2008-07-04 09:13:00 1 0 11467 Anonymous noreply@blogger.com 2008-07-04 08:11:00 2008-07-04 08:11:00 1 0
Everything I'm thinking of with regard to suggestions for kids lagging behind is turning into three page essays. Bleh, I'm wordy! I feel an email coming on. LOL!

Mary, I love that border you've done on the towel in the last pic! - Jeannine]]> 11470 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-04 07:18:25 2008-07-04 07:18:25 1 0
Thanks for your comments!

I'll be posting again on this subject!

Best regards,
Mary]]> 11471 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-07-04 00:15:00 2008-07-04 00:15:00 1 0
I don't know what your expectations are of the kids, but in our Group we are trying to get the kids started on the road to a lifetime of enjoyment of the needle and thread. We don't emphasise perfect stitching, or even completed projects so much as experiencing a little of several different techniques, working with different threads and learning the basics. Some of the Clubs within the Group have short formal stitching lessons, but my own group tries to do a small project each month within the 3 hour time frame. Sometimes they DO complete it, and I try to design projects that are achievable for the youngest and slowest stitcher. The more dexterous and olders stitchers often work a little more into the project or take home the materials to add a little something extra.

On the whole, the Club works well. There are always the ones who turn up at the end of a lesson with untidy work but so proud of having finished it. There are students who undo uneven stitches, re-stitch and fuss over their work. I'm just happy that they do their best, whatever it is, and enjoy the experience. I often hear from adults that they were taught to stitch years ago at school where they were made to undo and restitch so many times that they created holes in the fabric. They now HATE stitching with a passion. Our policy at the YTFG is to have FUN with stitching, and build the foundation for the future.

I'm fortunate to have parent and grandparent helpers at my Club who stay and help with re-threading needles and encourage the kids. There is no answer to the disparity in skill levels, flexibility is the only answer and yes, I often come home at the end of the day EXHAUSTED from teaching. I often think if I'm NOT tired that the lesson did not go so well, LOL. We mighn't be producing exhibition quality work yet, but the kids are enjoying their experience with fibre and threads and hopefully will continue on into adulthood.

In fact, in the past 13 years since the YTFG began in New South Wales several of our "graduates" have gone on to take Textiles at High School level with stunning results. They credit their start at YTFG for giving them the edge.

You can see some of our projects etc. at
http://ytfgmembers.blogspot.com/

Hooroo,
Christine in wintry Sydney]]> 11475 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-07-03 14:06:00 2008-07-03 14:06:00 1 0 I don't have any suggestions for you, but I have to hand it to you. This is wonderful! To see such progress from young stitchers must be so satisfying to you.

Keep up the good work. You are an inspiration! :-)]]> 11476 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2008-07-03 13:52:00 2008-07-03 13:52:00 1 0 11479 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-07-03 10:38:00 2008-07-03 10:38:00 1 0 11480 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-03 08:44:00 2008-07-03 08:44:00 1 0 I only read your class description and I am tired! :)

But you got good results. Congratulations!]]> http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-h.html Wed, 02 Jul 2008 14:10:00 -0500 Mary Corbet 707 2008-07-02 14:10:00 2008-07-02 14:10:00 open open Monogram-for-Hand-Embroidery:-Letter-H publish 0 0 post

To get down to business and keep this post somewhat short, here's the free embroidery pattern for the letter H:



For those of you using a PC, you can right click that and save it to your computer, then do whatever you want with it!

For more letters in this alphabet, please visit my Index of Monograms for Hand Embroidery.

Enjoy!



]]> free embroidery patterns monograms http://www.needlenthread.com/2008/07/new-goldwork-embroidery-book-out-in.html Wed, 02 Jul 2008 06:30:00 -0500 Mary Corbet 708 2008-07-02 06:30:00 2008-07-02 06:30:00 open open New-Goldwork-Embroidery-Book-Out-in-July---and-a-Needlework-Resource publish 0 0 post previously that Country Bumpkin was releasing a new goldwork book this summer - and, July finally being here, the book should be out soon. This is the thing, though: Country Bumpkin's prices have jumped a bit....

In the past, the A-Z series of embroidery and needlework books (they also have knitting, crochet, smocking...) have been consistently $29, if purchased new. Welp... for the first time in ages, the price has jumped $4. Now, if you want a new A-Z series needlework book, it'll cost you $33.00!

Before you plunge into the Goldwork book, I thought I'd let you know that I have a copy coming. I'll give it a good perusal and let you know what's in it and how it compares to less expensive books on the market.

Speaking of less expensive goldwork books, my favorites are still Ruth Chamberline's Beginner's Guide to Goldwork and Mary Brown's Goldwork Embroidery Designs and Projects. For beginners, Ruth Chamberline's book is really excellent. Mary Brown's book is good for beginners, but I think it's best for someone who has dabbled a little bit in goldwork already. Both of these books can be had through Amazon for less than half the price of the A-Z of Goldwork....

Buuuuuutttt..... I have to admit there are differences in the types of books! I know that without having seen the new one yet, based on the other A-Z books. This particular A-Z book promises over 650 step-by-step photos!

Anyway, I'm eager to see the new book, and I'll let you know all about it when I get it. I ordered mine from Wooly Thread, by the way, since I had to order some other stuff from them anyway. I thought I may as well at least save on shipping! The story from Wooly Thread is that the book may not arrive until closer to the end of July, perhaps even the beginning of August. In this country, they'll be among the first to receive the book, though, so I'll certainly let you know when it gets here!

And, finally, speaking of Wooly Thread, did you know they have a blog? The Wooly Thread blog is not a super-active blog, but they use it to announce good deals, private sales, shop news, and things like that. Several weeks ago, for example, they announced that they have the A-Z of Embroidery Stitches 2 on discount for a mere $15. I don't know if they've run out of them yet, but that's an excellent price on a really good book. Anyway, you might want to add the Wooly Thread blog to your feedreader, so you can be kept abreast of any good deals that pop up!




]]> book review goldwork embroidery resources Inspirations Magazine 11469 Anonymous noreply@blogger.com 2008-07-04 07:50:00 2008-07-04 07:50:00 1 0 11481 margaret c. noreply@blogger.com 2008-07-02 20:46:00 2008-07-02 20:46:00 1 0 Mary reviewed it a while back.

I can't wait to see the A-Z goldwork book. I have it on order and am impatiently awaiting its arrival.

Also, I just received the A-Z embroidery stitches volume 2 within the last couple of days. It is terrific and I highly recommend it. There are some weird and wonderful stitches in there.]]> http://www.needlenthread.com/2008/07/monogram-for-hand-embroidery-letter-v.html Tue, 01 Jul 2008 14:04:00 -0500 Mary Corbet 709 2008-07-01 14:04:00 2008-07-01 14:04:00 open open Monogram-for-Hand-Embroidery:-Letter-V publish 0 0 post

I'd love to hear if anyone is planning on doing anything in particular with these monograms. I suppose they could be used for other applications besides hand embroidery, but when I think monograms, I automatically think hand embroidery. And, well... this is an embroidery website, after all!

For more monograms, please visit the Index of Monograms for Hand Embroidery, where I'm trying to fill in this whole alphabet!

Here's the V:



Enjoy!

]]> free embroidery patterns monograms 11486 Meeta V. noreply@blogger.com 2008-07-02 09:19:00 2008-07-02 09:19:00 1 0 11491 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-01 19:31:00 2008-07-01 19:31:00 1 0 http://www.needlenthread.com/2008/06/hand-embroidered-monogram-on-linen.html Sat, 14 Jun 2008 06:28:00 -0500 Mary Corbet 710 2008-06-14 06:28:00 2008-06-14 06:28:00 open open Hand-Embroidered-Monogram-on-Linen-Guest-Towel publish 0 0 post

This is an embroidered guest towel. It's an oatmeal-colored linen-cotton blend with a drawn thread edge, from All About Blanks. You'll notice the note on the page there - to pre-wash before embroidering. These do shrink quite a bit, but I still like them, and I like them smaller!

I wanted an oatmeal colored towel to monogram in white for two reasons: I love the look of the white on natural-colored linens (I think it's pretty!), and I think, when it's the first time monogramming something, it's easier to work on a color with white than to work white-on-white. The fabric has been really easy to stitch on, but it's not crisp like a 100% linen fabric would be. It's soft, and it does have a bit of a fuzz to it - I like it a lot, and I think one of the reasons is the softness and the fuzz and the ease of stitching on it (or is that three reasons?).

I started by ironing the towel after laundering it and drying it. I folded the towel in half, long ways, to mark the center.



Then I unfolded it, but I noticed that the crease would probably cause difficulties placing the monogram!



I like the wide drawn thread hemstitching there, don't you? Anyway, I pressed the crease out lightly - just enough to still see where it was!



For the first time ever, I am using iron-on transfers. I don't think I've ever actually used one myself, though I've seen lots of people use them and I know lots of people like them. I figured it would be a huge time-saver for me, to have a good selection of iron-on transfers on hand, instead of our having to hand-transfer all the designs, which takes up a whole class period in itself!

So I centered the initial - I'm using a "B" - and followed the pressing directions.



And that's what I got. It's there, more or less - there's some kind of streaky thing going on there, but that's ok. That's the fastest I've ever put a design on a peice of fabric. I was elated!



But I found the blank streaks a bit distressing.



So I took a fine-tipped Micron art pen and drew in the missing lines. No big deal!



I hooped it up. I use Hardwick Manor hoops, made in Germany. They're an excellent embroidery hoop - very firm, very stable-feeling, and the hardware on them is solid brass and very sturdy, so you can use a screw driver and really tighten the hoop. They hold fabric quite well, and even better if you bind the inside ring, which I didn't on this hoop!

I hooped right over the drawn thread hemstitching - the towel is sturdy, and I'm not worried about damaging it. I don't keep my work on the hoop when I'm finished stitching for the day (always take your work off the hoop when you're finished for the day!), so I am pretty confident that this will be just fine!

It's nice to work on a hoop for a change. I usually have my work set up on a frame (stretcher bars, generally), which I clamp in my floor stand (I have the greatest floor stand ever!). But now and then, I think it's really nice to be able to sit on the couch or even at the table visiting, without dragging out my floor stand or a larger frame.



So, the fabric ready, it's time to pick out threads. Ahhh. I love Lacis (Incidentally, they now have free shipping). Here's my box of coton a broder and white floche. I have several skeins of each size, from 16 up to 40.



I originally thought that size 40 would be the way to go. So I began stitching with it, but it really got lost in the towel fabric. I wanted something that would sit up on the fabric!



Soooo... I split it in half, and tried size 20 instead, which I found to be just right. I want the monogram to sit up off the fabric, and there are a couple ways you can achieve this with monograming. One is to use a technique called trailing, where you satin stitch over bunched string. Whenever you need to narrow your design, you sink one or more of the strings in your bunch to the back of your fabric. But trailing is a technique you have to get a feel for - you want to sink your threads so that the change in size is gradual and smooth.

Since this is for more or less a beginner's class, and since the design itself doesn't really come to a tip anywhere (trailing is great for lettering that comes to a tip), I'm sticking with outlining, padding, and then satin stitching.

For the outline, I'm using backstitch. You can also use split stitch to outline under satin stitch. It doesn't really matter which one you use, except I kind of think split stitch might create a smoother line. In any case, I used backstitch.



After backstitching the outline, a worked the padding in long straight stitches, occasionally splitting them to fit a thread in, working down the length of the letter. My satin stitching will be worked on top of this, perpendicular to the padding.



Wow! All those pictures, just to show you an inch of real work! So there's the beginning of the "B."

Quick overview:

Ground fabric: Oatmean colored linen / cotton blend guest towel from All About Blanks.
Thread: DMC Coton a Broder #20, cut in 14" lengths
Needle size: #8 crewel
Stitch: Padded Satin
Stitching Time to this Point: 30 minutes
Thread: 3 14" inch lengths

So that's the beginning of my monogrammed guest towel sample. I'll show you an update soon!

By the way, any good recommendations for iron-on transfer books? I've found a few I really like, but I'd love to hear of others!

This project was written up in four separate articles. If you'd like to view the progress of the project, please follow the links below:

Part I - (That's this article!)

Part II - Continuing stitching, discussion of stitches, some trouble-shooting

Part III - Taking the Curves with Satin Stitch - discussion of stitch direction and working around curves using the padded satin stitch

Part IV - the finished guest towel!
]]> gift ideas Embroidery Projects Embroidery for the Home whitework pictures monograms linen needlework pictures 5763 Anonymous noreply@blogger.com 2009-09-05 05:36:05 2009-09-05 05:36:05 1 0 10181 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-10-12 13:35:00 2008-10-12 13:35:00 1 0 I will try to do my "M"

Hugs!
Maria del Valle]]> 11595 Marian noreply@blogger.com 2008-06-16 20:16:00 2008-06-16 20:16:00 1 0 11602 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-15 21:18:02 2008-06-15 21:18:02 1 0
No, it's not. It depends on the look you want - if you want something flat and smooth, practically flush with the fabric, you wouldn't pad it, and if you still outline it, you would use a very fine thread.

I wanted the raised look, so I went with padded satin stitch....

MC]]> 11604 Marian noreply@blogger.com 2008-06-15 17:33:00 2008-06-15 17:33:00 1 0
Q. is it necessary to lay down padding stitches under satin stitch??

Have a great day. :)]]> 11607 Anonymous noreply@blogger.com 2008-06-15 08:11:00 2008-06-15 08:11:00 1 0
It was really difficult to justify putting in an order for myself with Amazon.com on Father's Day weekend. In fact I really couldn't justify it, so I've decided to just live with the guilt instead.

I ordered a couple of books -Embroidered Monograms & More (Leisure Arts # 1984) looked like a good start for monogram transfers, so I ordered it. It is temporarily out of stock but there are copies available in the used book section, and for just a few dollars. I've had great luck ordering through Amazon's used book selections. I do let feedback guide my choice in sellers.

This ebay seller in on my favorites list, though I haven't ordered anything yet, I sure want to. The merchandise is located in France but they ship worldwide.

http://stores.ebay.com/AU-FIL-DU-TEMPS

Check out the Alphabets and Monograms! Some are so fancy that they're a bit over the top for me. But some of the more simple designs are just fabulous! - Jeannine]]> 11609 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-14 13:27:32 2008-06-14 13:27:32 1 0
The micron markers are permanent, very fine-tipped pigment markers. They don't wash out, but on this type of project, it doesn't matter, as they are covered. They wash fine - they don't run or anything (behind the thread) when the piece is laundered. I use them often, and I like them a lot for this type of transfer!

Glad you like it, Susan!

Have a great weekend!]]> 11610 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-06-14 13:14:00 2008-06-14 13:14:00 1 0 ~Susan~]]> 11611 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-06-14 11:07:00 2008-06-14 11:07:00 1 0
Is the micron marker water soluble? Or does it not matter because the lines are covered up?]]> http://www.needlenthread.com/2008/06/hand-embroidered-monogram-on-linen_18.html Wed, 18 Jun 2008 06:30:00 -0500 Mary Corbet 711 2008-06-18 06:30:00 2008-06-18 06:30:00 open open Hand-Embroidered-Monogram-on-Linen-Guest-Towel,-Part-II publish 0 0 post hand embroidering a monogram on a linen guest towel, where you'll get details of supplies and technique, I thought I'd show you progress on the monogram and discuss the importance of precision in the outline.

After I finished the tip of the B, I continued backstitching the outline of the letter.



Now, this is the thing: when you're stitching your outline, it is best, on the long stretches, to work with relatively longer stitches, so that you get a smooth, flowing line. As you work into the curves, your outlining stitches can shorten up a bit, in order to take the curves well.

My stitches here could have been a little longer. The difficulty is that, with shorter stitches, you tend to focus more on the fabric than on the smooth flow of stitches. And when you're focusing closely on the fabric, you end up naturally wanting to stitck your needle into the holes corresponding with the threads in the fabric, rather than sticking faithfully to the sweep of the line. So the result can end up a bit bumpy.

In the long run, you'll be much happier if you take your time with the outlining steps - make sure that your lines are nice and smooth, because you'll be using them to hold the edge of your satin stitch. A messy satin stitch on a monogram is never desirable, so take good care while you're outling - it will save you frustration later!



When you look up close at the backstitching, you can see where the line jiggles in and out a bit. In the long run, the slight variation in the line didn't bother me too much, but I kept an eye out for it and compensated with my satin stitches.

The white little blob inside the lines of the letter (upper left of stitching) is where I ended my threads. Since that area is going to be covered anyway, I began my stitching by taking about three tiny little stitches into each other, inside the lines of the letter.



And here you see the back of the stitching so far.



When you see even more of the backstitching, you can see the jiggling of the line. Tsk tsk!



And, the back of that - a combination of stem stitch and split stitch show up on the back. These stitches on the back will be mostly covered up by the satin stitching, although often you'll get a little border of half-stitches along the satin stitch line on the back, because the stitches tend to be split as you pass your needle to the back.



The purpose of this photo is two-fold: 1. you can see the height on the embroidery; and 2. to show you again how I'm ending my threads - you can see the white marks inside the letter lines again. These are just little tiny stitches taken into each other; they serve to anchor the thread very well. As long as you're covering up the area with other stitches, this is a great way to begin or end your threads.



The outlining on the whole "B" is almost finished!



Ah, I like this! See the thread ring? Those are great for hitching up your whitework threads. Coton a broder, when left in the skein form, doesn't operate like regular stranded floss - it doesn't "pull" out of the skein. To make it easy to take a length of thread, I precut the skein in two pieces, to make about 14" - 15" lengths of thread, which I hitch up on a large thread ring. (This is a mother of pearl thread ring, large size, from Kelmscott Design). Then you can just pull your thread straight from the front cross over on the ring, without untying the bunch (the same way I did with the kids' threads and the craft foam mentioned yesterday).



And, the back of the "B."



With the complete outline finished, it's time to put the padding stitches in!



Here's a close-up on the padding stitching - long stitches filling in the centers of the letter lines.



And, finally, satin stitching over the padding, from the base of the B up. I also added some of the vine and flowers, so I could see what it would look like when finished. Notice that when you outline your satin stitch area and pad it, then satin stitch it, you end up with a slightly larger sized design. The little petals on that inside flower sure didn't look that big before they were stitched. Still, I like them.

So there's the progress on the monogram - what think you so far?? You'll hopefully see the grand finale on this one before the week's up! Holy cow! I better be finished by then!

This project was written up in four articles, including this one. You can view the progress on the whole project through the following links:

Part I - setting up, transferring design, discussion of materials, beginning stitching

Part II - (that's this one)

Part III - taking the curves with satin stitch - stitch direction and working around tight curves with satin stitch.

Part IV - the finished project!
]]> whitework pictures embroidery tips and tricks monograms needlework pictures 11549 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-21 15:03:41 2008-06-21 15:03:41 1 0
I haven't finished the long and short stitch video - it's a bit of a bear, and I need to do more filming....]]> 11552 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-21 13:54:00 2008-06-21 13:54:00 1 0 I thought you'd already done a vid on L&S; stitch, Mary

I also forgot that you'd done a review of Clare Hanham yourself and so pointed Jeannine to my blog.

Bad Megan! Sorry - I hafs no brain!]]> 11556 Anonymous noreply@blogger.com 2008-06-21 09:48:00 2008-06-21 09:48:00 1 0 11557 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-21 08:14:14 2008-06-21 08:14:14 1 0
I've also got a pretty thorough review of Clare Hanham's book, Beginner's Guide to Silk Shading, if you want to look at both reviews.

In fact, on my book review page, you can other long-and-short stitch books already reviewed. Another good one on that list is Ruth Chamberline's goldwork book. Even though it concentrates primarily on gold work, it gets into silk shading, and her diagrams and explanations are good.

Now, if I could only find --- somewhere --- some recording time, I'd finish up that video tutorial and splice it together! Alas...!]]> 11558 Anonymous noreply@blogger.com 2008-06-21 07:53:00 2008-06-21 07:53:00 1 0
Hmm...I do see the Long and Short stitch included in Mary's video list of stitches, but there is no actual working link leading to a video that I can find. Am I crazy? You don't have a video of that stitch yet, do you Mary?

Mary, you'll just have to stop all that lollygaging and dillydallying! I'm totally kidding! *hugs* - Jeannine]]> 11566 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-19 18:34:00 2008-06-19 18:34:00 1 0
It happens that I've reviewed some Long and Short stitch books for beginners at http://elmsleyrose.blogspot.com/2008/02/learning-silk-shadinglong-and-short.html
- that might help you a bit. A couple of other embroiderers commented, so we had a bit of discussion.

And also don't forget to search through here, because Mary does a video on long and short stitch as well - and also mentions it quite a lot on this site! Do a search "NeedlenThread long stitch" and that should bring it all up :-)]]> 11574 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-19 07:00:18 2008-06-19 07:00:18 1 0
You're right about the surface of the stitch. Backstitch sort of makes hills and valleys with the stitches, while split stitch is "flatter."

Under padded satin stitch, though, I've not found much of a difference between the two. The padding is higher than the outline stitching, so the "bumps" in the backstitches become a kind of moot point.

Since this is for a beginner's class, I figured backstitch is the quicker option, and on padded work, it works fine. It takes beginners a while to pick up the split stitch with ease. They tend to agonize over the perfect split!

Once they're comfortable with stitching in general, we'll use the split stitch under an edge to mark the smooth edge.

I should've mentioned the difference between the two stitches in the post - good thinking, Margaret!]]> 11575 margaret c. noreply@blogger.com 2008-06-18 23:36:00 2008-06-18 23:36:00 1 0
I have a question about the outlining. Is there a reason you used backstitch instead of split stitch? It seems to me that split stitch would give you a more even 'surface' (not the word I'm looking for, but I am half asleep :-) to stitch over. Backstitch has 'ups and downs'.]]> 11578 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-06-18 14:57:00 2008-06-18 14:57:00 1 0 11580 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-18 09:54:00 2008-06-18 09:54:00 1 0 Beautiful work. I've finished my first monogram some days ago - I'll be happy if you take a look.

I've found you only some days ago!
I'm reading slowly your blog.
Actually i love to embroider,but I'm not so perfect as you.:)
I also love to work with linen, but my greater difficulty with this kind of linen is the design transfer ... Yesterday I've already read your posts about tranfers and now i'm waiting for a special pencil...
(sorry my English)
Thanks for all this information!!!]]> 11581 Anonymous noreply@blogger.com 2008-06-18 09:41:00 2008-06-18 09:41:00 1 0
I sure wish I could improve upon my Long and Short stitch. The stitch dictionary that I have doesn't offer very good instruction on it at all. The sense of any sort of repeated pattern to follow is quickly lost for me and it all turns into some sort of helter skelter, just filling it in as best I can sort of mess. Aargh! - Jeannine]]> 11583 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-18 08:16:00 2008-06-18 08:16:00 1 0
I monogrammed 3 handkerchiefs for a friend a couple of years ago - I so wish that I'd had this then!

I had terrible problems with the size changing as I stitched the outline, then padded then did the top. They somehow ended up much smaller than I planned.]]> http://www.needlenthread.com/2008/06/hand-embroidered-monogram-taking-curves.html Fri, 20 Jun 2008 08:17:00 -0500 Mary Corbet 712 2008-06-20 08:17:00 2008-06-20 08:17:00 open open Hand-Embroidered-Monogram:-Taking-the-Curves-with-Satin-Stitch publish 0 0 post first article on setting up the guest towel and the second article with an update on the stitching.

These are photos of the curves on the "B" monogram. Satin stitch takes curves - even tight curves - well, if you keep in mind the concept of "fanning" your stitches. I want to show you two things in this post: 1. the pictures without any markings, so you can see the stitches; and 2. the pictures of the embroidery with lines showing the change in direction on the stitching.



Here's the curly-que tail on the back of the "B."



Here's the base of the back of the "B."



Here's the tight loop on the inside of the front of the "B."



And the inside of the front of the "B," from a different angle.



And this is the curl at the top of the front of the "B."

The curly-que on the back tail of the "B" and the inside loop on the front of the "B" are the tightest curves. The principles are the same, whether you're working on a tight curve or a gradual curve, so we're going to look at the tight curves, since they are usually the more difficult to work around!



When you're working around a curve - whether tight or gradual - your stitch direction changes. You want to ease your way around the curve, but in tight spots, that easing has to be done a little more dramatically!

So as you work around a curve, you fan your stitches. The stitches on the inside of the curve need to be a lot closer than the stitches on the outside. But the trick is to not overlap the stitches, no matter how close they are on the inside; otherwise you'll lose the smooth effect of the satin stitching.



This photo shows a bit better the dramatic change in direction. The outside of the curve (especially when working a padded satin stitch, as the padding helps hide the fabric underneath) can even be spaced a bit further apart than normal, in order to compensate as you work around the tighter curve. However, if you aren't padding your stitches, you'll want to make sure there is complete coverage of the ground fabric.

The trick to making tight loops look good is keeping your stitches as close as possible on the inside of the loop, without allowing them to overlap, and spacing them "just far enough apart" on the outside to allow them to fan properly and to get your stitches going in the direction you want them to go!

Satin stitching on a curve is not hard - it just takes practice. One thing that might help is trying your stitches from different directions. Try coming up on the inside and going down on the outside of the loop. If this doesn't work well for you, turn it around - go up on the outside and down on the inside. Stick with what works best for you. I bring my needle to the front of the fabric on the inside of the loop and take it down on the outside, because I think it's easier to see exactly the stitch direction.

Another helpful trick, if you're not padding your satin stitches, is to mark your stitch directions in pencil inside the lines. This will help guide you around the curve. If you are padding your satin stitches, you could use a contrasting color of thread - just regular sewing thread works! - and baste in some directional lines that can be pulled out when you're finished with the curve.

Ok, I'm going to finish this project today, so I'll post photos of the completed monogrammed towel, washed and pressed and ready for display as a class sample, soon!

If you're taking up a monogramming project, feel free to send me a photo! I'd love to see other people's work!

This project is in four articles, besides this article. You can find the other parts of the project through the following links:

Part I: setting up the project, transferring the design, discussion of threads

Part II: stitching, information on padded satin stitch and other stitches employed, some trouble shooting.

Part III: that's this article!

Part IV: The finished guest towel!
]]> needlework tutorials whitework pictures embroidery tips and tricks monograms linen needlework pictures 9080 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-26 21:00:11 2009-01-26 21:00:11 1 0
You stitch over the outline!

Hope that helps!

MC]]> 9081 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-01-26 20:43:00 2009-01-26 20:43:00 1 0
always thanks for your help. Your website is fantastic!!!.]]> 11545 Crazypatch noreply@blogger.com http://carrementcrazy.zumablog.com 2008-06-22 02:18:00 2008-06-22 02:18:00 1 0 Good morning of France]]> 11546 Anonymous noreply@blogger.com 2008-06-22 00:56:00 2008-06-22 00:56:00 1 0 11554 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-21 11:08:49 2008-06-21 11:08:49 1 0
The problem with going back and filling when you're doing satin stitch is that usually the space isn't large enough for a "whole" thread. If it is, by all means, fill it. But usually, you'll end up with an overlap or crowded spot, which detracts from the smoothness of the finish on satin stitch.

Now, there are other techniques that going back doesn't really make that noticeable of a different - for example, that's why long-and-short stitch is a pretty forgiving filling technique. You can take sneaky little stitches to fill in, and it's usually not noticeable at all!]]> 11555 Anonymous noreply@blogger.com 2008-06-21 10:12:00 2008-06-21 10:12:00 1 0
I have to assume that going back over areas where you've already been, trying to neatly fit additional stitches inbetween stitches from your first pass, is a no no? Is it always a no no to go back, even if you're only going back a stitch or two? If you need to do that it must mean you're not getting it right the first time, eh? - Jeannine]]> 11560 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-20 18:36:00 2008-06-20 18:36:00 1 0 11561 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-06-20 17:59:00 2008-06-20 17:59:00 1 0 11562 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-20 12:56:00 2008-06-20 12:56:00 1 0 Thanks again!]]> 11563 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-20 12:36:35 2008-06-20 12:36:35 1 0
Everyone else - do check out Paule's blog! The monograms are really beautiful!]]> 11564 PAULE noreply@blogger.com http://www.blogger.com/profile/06254014461416518120 2008-06-20 10:21:00 2008-06-20 10:21:00 1 0
Thanks for sharing your embroidery experience.
A few months ago, I enrolled an online embroidery class. Progress on my blog :
http://patchworkbroderieetcetera.blogspot.com/search/label/Broderie%2Fembroidery

Paule - Reunion Island]]> http://www.needlenthread.com/2008/06/hand-embroidered-monogram-finished.html Mon, 23 Jun 2008 07:23:00 -0500 Mary Corbet 713 2008-06-23 07:23:00 2008-06-23 07:23:00 open open Hand-Embroidered-Monogram---Finished-Guest-Towel publish 0 0 post

Time-wise, it took me about 8 hours and 15 minutes to embroider the monogram. A little bit of that time was taken up in removing stitches (I started with the wrong sized thread, for example, and at another point, I didn't like the shape of some of the petals on the ornamentation, so I took those out, too). The majority of the time was just regular stitching, though. I didn't rush, really, and, looking back on the project now, I think I could've sped it up a bit if there had been any real pressure to get it done faster.



After I finished the embroidery, I filled a glass bowl with cool water and rinsed the piece. I let it soak about 10 minutes, and then smoothed it onto a towel to dry.

Before it was completely dry (still a little damp), I ironed it, wrong side up, on several layers of flannel covered with a pillow case. It's important, especially with any raised embroidery like this, to place the piece on something well-padded when you iron, in order to avoid crushing the stitches.

Now, keep in mind that, as a guest towel, it is reasonable that this thing will have to be washed. So I didn't treat it with any kind of ginger care or anything. I treated it like a household linen that would go through a regular washing and ironing process! The only exception is padding the surface of the ironing board really well, and ironing on the wrong side of the work.

After it was all ironed and ready to show off, I took it outside to photograph it, since the light was pretty good!



And there's the completed piece. I do like the natural colored linen. I was thinking I might touch up that drawn thread edge with white stitching, just to set it off, but perhaps not. It might look too "accented," if you know what I mean! What do you think?



And here's a close up.

Overall, I'm pleased with the way it turned out. It's always a good thing to work through a project that you're going to be teaching, so that you can know what points will need careful instruction and so forth. So I'm glad I managed to work up the whole sample. It isn't perfect, which is good - so I know the pitfalls when I teach the monogram!

By the way, I used about 35 strands of #20 coton a broder, and the strands were about 14" long, so about 13.6 yards of thread (I think that's about half a skein, maybe...)

Now, I'm off to prepare for my Monday morning class, which is the youngest group of children. I spent days and days last week (it seemed like years and years) tracing designs on towels, ironing, separating threads, and on and on. And here it is, Monday morning, and guess what? I'm not ready! Aaaack!

I'll be showing you some other samples and classwork along the way. Hope you enjoyed the monogram!

You can follow this project step by step with the following links:

Part I - Setting up, transferring design, discussion of supplies, and beginning the stitching.

Part II - Continuing the stitching, discussion on working padded satin stitch, stitches used, and some trouble-shooting.

Part III - Discussing taking the curves with satin stitch: how to work around the tight curves in a monogram, stitch direction, and so forth.



]]> whitework pictures monograms linen needlework pictures 3335 Anonymous noreply@blogger.com 2010-02-04 12:31:19 2010-02-04 12:31:19 1 0 9070 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2009-01-27 16:30:00 2009-01-27 16:30:00 1 0
Hugs
Maria del Valle]]> 11523 Laura Bullinger noreply@blogger.com 2008-06-24 18:54:00 2008-06-24 18:54:00 1 0 It is very lovely. Very padded. I doubt it will be used! It is too pretty. Why don't you try adding some oatmeal knots at the long side of the letter and in groups of three below the hemstitch to really tie it in. Otherwise, simplicity of the piece is quite beautiful , too.]]> 11524 Nora noreply@blogger.com 2008-06-24 18:00:00 2008-06-24 18:00:00 1 0 It's beautiful. I would have a hard time using them too, but we do have to show off our accomplishments and love positive feedback. I hope at my age I can get this good. But I sure do enjoy seeing your finished works. I hope you had a good day with the youngsters.
Nora]]> 11526 Marian noreply@blogger.com 2008-06-24 17:15:00 2008-06-24 17:15:00 1 0
The letter I am sewing is on red velvet that has interfacing on the back, and I am using DMC metal effects in Gold (stranded). I can only use 10cm of thread at a time as it splits and frays, so I didnt pad it out.

When I have finished my cushion cover I will send a photo.]]> 11527 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-24 14:10:00 2008-06-24 14:10:00 1 0
Maybe just a few of the flowers repeated near the border to 'tie' the B to the border?

I don't think they are necessary, but an option if you wanted to do such a thing :-)]]> 11531 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-06-24 08:09:00 2008-06-24 08:09:00 1 0 11533 Meeta V. noreply@blogger.com 2008-06-23 21:37:00 2008-06-23 21:37:00 1 0 11534 Meretricious Consideration noreply@blogger.com http://www.blogger.com/profile/13813914481226306776 2008-06-23 20:55:00 2008-06-23 20:55:00 1 0
I wouldn't add any white thread to the hemstitched border -- I think that would draw too much attention away from the monogram itself.]]> 11535 Meretricious Consideration noreply@blogger.com http://www.blogger.com/profile/13813914481226306776 2008-06-23 20:53:00 2008-06-23 20:53:00 1 0 11536 PAULE noreply@blogger.com http://www.blogger.com/profile/06254014461416518120 2008-06-23 11:43:00 2008-06-23 11:43:00 1 0 I was looking forward to this post. Exquisite embroidery... Bravo !]]> 11538 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-06-23 10:48:00 2008-06-23 10:48:00 1 0 11539 Anonymous noreply@blogger.com 2008-06-23 09:49:00 2008-06-23 09:49:00 1 0
I hope you had a great Monday morning class with the little'ns! -Jeannine]]> 11540 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-23 08:55:00 2008-06-23 08:55:00 1 0 And I can't believe you are not ready!! Good luck

(I could'nt understand what you mean with "ginger care" - is it those products to help ironing? - and get lost with "#20 cotten a broder" :) I always lost myself with thethickness threads. I think you have some previous posts about threads, but i haven't yet reached them)]]> http://www.needlenthread.com/2008/07/embroidered-dish-towel-class-project.html Tue, 01 Jul 2008 06:16:00 -0500 Mary Corbet 714 2008-07-01 06:16:00 2008-07-01 06:16:00 open open Embroidered-Dish-Towel---Class-Project-Sample publish 0 0 post

First of all, keep in mind that flour sack towels can be a delight to embroider on, or they can be a pain. Good flour sack towels take hand embroidery very well! I bought the towels for this year's embroidery classes from Embroider This! - you can see the ad for the company in the right hand column. They were very generous in helping me with the endeavor, and I did get a cut for the bulk order. In exchange, I'm running an ad for them for a month.

I bought the Ultra Premium Flour Sack towels from them, and I'm really, really glad I did! They are super smooth and super sturdy - not the flimsy, filmy, wrinkly kind sported by Walmart and Target. The only reason I bring this up is because I did go buy some from Walmart and Target - and they were thin and flimsy. At $2.99 each from Embroider This (that's their retail price), it's not a bad deal for a good towel!

The towels are huge, by the way. I've read on some blogs that embroiderers will often cut the flour sack towels in half and hem up the fourth side (where the cut is) to make two towels. I suppose that's a good idea, if you want a smaller towel.

Anyway, on with it...

My original intention, as I noted before when I was introducing you to my monogrammed guest towel sample, was to use iron-on transfers for most of our projects this summer, so that we could save some time on setting up projects. But that changed as I prepared my sample for stitching!

I purchased a few sets of Aunt Martha transfers - Wine Country and Java Break - but the transfers were bigger than I liked. I wanted them just slightly smaller! So I reduced them on the copier and traced them.

Yeah. That's right. I traced 20 towel designs - and that was just the flour sack towels! I've also ended up tracing designs on 20 other towels for the younger kids. They aren't flour sack towels, though. They're gingham towels and smaller kitchen towels. That was a lot of tracing! I used a light box, and a micron art pen on the gingham towels and smaller kitchen towels. On the flour sack towels, I used a #2 pencil.

For stitching, the students are using two strands of DMC and a variety of stitches. I kind of saw the whole towel project as a sampler, in a sense. That is, it would give the kids practice on their line stitches (I'm emphasizing even stitches and smooth lines), but at the same time, it would give them a finished, colorful project that they could keep or give to Mom or Grandma, or whatever. (Kids like finished projects!)

Here's my class sample, which is from the Java Break collection:



I had to pick the pattern with the cupcake. I wanted to stitch pink frosting for some reason!



Here's the cherry, worked in whipped backstitch for the fruit and chain stitch for the stem. There are three reasons I like to use whipped backstitch with the kids: 1. it creates a relatively smooth line, compared to plain backstitch; 2. It's easy; and 3. It's like learning two stitches in one, since they have to learn the backstitch, anyway!



I worked the letters in chain stitch in dark brown, and, in light brown, I worked a line of stem stitch right next to the chain stitch, to give the letters a little depth (or something!)... just to set them off a bit.



The cup and saucer and the dessert plate are worked in chain stitch, in a bright yellow and red.



And the decoration on the cup - the red grid - is worked in backstitch. The coffee inside the cup is worked in rows of stem stitch (used as a filling), and the steam rising from the coffee is also worked in stem stitch.

So, overall, the towel gives the students the opportunity to practice some common line stitches - especially chain stitch, stem stitch, and backstitch - and (hopefully!) to perfect their spacing and sizing of their stitches. That's my plan, anyway - I'll let you know if the idea was successful!

You know what? I had fun stitching this towel! I'm thinking about doing the other three corners, so the thing can be used as a little "coffee cloth" (as opposed to tea cloth). Really, the towel is big enough to spread as a tea cloth on your table. It's not super fine linen, that's true, but it would be fun to spread out for a coffee break when your pals stop by for a cup!

Other ideas: great wedding gifts for coffee drinkers, fixed in a basket with other coffee supplies (some special cups or whathaveyou).... or, do a bread / wheat motif in all the corners, and use it as a liner for a large basket of bread when company's coming, or when you're having a cookout and you want to put the hamburger buns in a basket and cover them. So many ideas... so little time!
]]> iron-on embroidery transfers Embroidery for the Home pictures needlework pictures beginner embroidery 5887 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-02 15:31:57 2009-09-02 15:31:57 1 0
The secret to no puckering is using a hoop with good tension on the fabric, then being careful about your tension in your stitches as you embroidery.

Hope that helps!

MC]]> 5895 Kate from Astoria, Oregon noreply@blogger.com 2009-09-02 08:30:47 2009-09-02 08:30:47 1 0 10640 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-09 13:16:10 2008-09-09 13:16:10 1 0
I used two strands for the whole thing. You could use three, if you want a bolder line, but I found 2 to be sufficient.

Hope that helps!]]> 10642 Anonymous noreply@blogger.com 2008-09-09 11:21:00 2008-09-09 11:21:00 1 0 11488 Anonymous noreply@blogger.com 2008-07-02 08:09:00 2008-07-02 08:09:00 1 0 11490 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-01 19:33:00 2008-07-01 19:33:00 1 0 11493 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-07-01 15:17:00 2008-07-01 15:17:00 1 0 I've just posted its picture some days ago - redwork - telling about my intention. I only didn't know what kind of fabric may I use.
You just gave me the answer! Once more Thanks, Mary!
(you welcome to correct my comment, :))]]> 11494 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-01 09:07:19 2008-07-01 09:07:19 1 0
Susan, I don't mind at all!! Thank you! Cupcakes - coffee - I agree. What could be better? A goooood cup of coffee sounds just about right, right now!]]> 11495 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-07-01 07:42:00 2008-07-01 07:42:00 1 0 Susan]]> 11497 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-07-01 07:15:00 2008-07-01 07:15:00 1 0 http://www.needlenthread.com/2008/06/monogram-for-hand-embroidery-letter-s.html Mon, 30 Jun 2008 14:23:00 -0500 Mary Corbet 715 2008-06-30 14:23:00 2008-06-30 14:23:00 open open Monogram-for-Hand-Embroidery:-Letter-S publish 0 0 post

I think I may have given the impression previously that monograms can only be hand embroidered using specialty threads, like coton a broder. Not so, not so! In the next couple weeks, one of my summer embroider classes will begin monogramming a hankie. They're using DMC stranded cotton, and I'm sure it will turn out just fine! I'll post photos of the class sample as soon as I work it up!

For the rest of this monogram alphabet, please visit my Index of Monograms for Hand Embroidery. You'll also find it listed on my Free Hand Embroidery Patterns page!

And so, here's the S - Enjoy!



]]> free embroidery patterns monograms 3063 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-20 07:09:13 2010-02-20 07:09:13 1 0 3066 Sarah noreply@blogger.com 2010-02-19 22:27:23 2010-02-19 22:27:23 1 0 Thank you so much for posting these!]]> 5655 somya noreply@blogger.com http://www.blogger.com/profile/14632876397668659719 2009-09-11 12:51:22 2009-09-11 12:51:22 1 0 thank u once again...]]> 11489 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-02 06:27:25 2008-07-02 06:27:25 1 0
Hi, Joey! Good question about the tail of the S. For satin stitch, I can see the difficulty, as it seems that any direction would necessarily end up with a long coverage at some section there in the tail. But unless the monogram is stitched "very" large, I think it could still quite easily be managed. I would start with a top left to lower right slant on the lower narrows of the tail, and keep that slant going all the way through the base of the S, and start to compensate around the lower curve of the S around the first vine crossing, going up. The longest section, then, of the satin stitching would be just above the little "bite" in the tail.

Does that make sense? I think at that point, you'd end up with maybe a half inch length on the satin stitch, above the bite, maybe a bit longer. If the stitch is padded, it shouldn't be a problem at all, as the padding will give the satin stitches something to stick to, and something that helps them lie well.

Did I explain that ok???!!]]> 11496 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-07-01 07:39:00 2008-07-01 07:39:00 1 0
MGM]]> 11501 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-06-30 20:33:00 2008-06-30 20:33:00 1 0 Susan]]> 11502 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2008-06-30 17:44:00 2008-06-30 17:44:00 1 0 11503 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-30 15:53:00 2008-06-30 15:53:00 1 0 How nice of you to share! Thanks]]> http://www.needlenthread.com/2008/06/english-embroidery-online-book.html Mon, 30 Jun 2008 06:36:00 -0500 Mary Corbet 716 2008-06-30 06:36:00 2008-06-30 06:36:00 open open English-Embroidery---Online-Book publish 0 0 post English Embroidery, interesting and informative. Keep in mind, though - it's not a how-to. I'll tell you a bit about it...

English Embroidery by A. F. Kendrick can be found online in PDF format through the American Libraries Internet Archive. The book is one of those photographed PDFs, so you really get the sense of its age!

You'll find in the book a sort-of history of English embroidery. What the author sets out to do is to describe the trends in embroidery over the ages that mark works of embroidery as "English embroidery."

Again, keep in mind it's not a how-to book. You won't find information on stitching or assembly or anything like that - nothing about how to go about doing the types of embroidery discussed! Instead, Kendrick's intention is to define a type of embroidery ("English embroidery") by showing the reader, with pictures and descriptions, what exemplifies this type of embroidery.

The book spans the early Middle Ages through the 18th century, and treats each era in a brief way, slotting typical existing pieces into the era in which they belong. He describes some pieces in fairly good detail. The first half of the book is dedicated primarily to ecclesiastical embroidery. You'll be able to see photos of different pieces, mostly in black and white - although there are several color plates throughout the book.



About half way through the 125-page book, you'll arrive at secular embroidery of the 16th and 17th century. You'll find some plates displaying embroidered bags, as well as several plates on embroidered clothing. The book ends with the 18th century.



This plate, and the discussion of embroidered jackets, reminds me of the work going on at Plymoth Plantation on the 17th century embroidered jacket!

The book also has an extensive reference list and a good index.

Not long ago, I had the opportunity to explore A. G. Christie's book, English Medieval Embroidery, in the rare books section at a city library. Kendrick's book is a lot like it, but on a much (much!) smaller scale, covering a broader period of time. So if you've been interested to see what Christie's book is like, but haven't had the opportunity to visit a library to see it, you could take a look at this book to get a sense of it.

If you want to peruse the book at your leisure, download the PDF of English Embroidery by A. F. Kendrick, and enjoy!
]]> historical needlework book review online needlework books 11487 Anonymous noreply@blogger.com 2008-07-02 08:31:00 2008-07-02 08:31:00 1 0 Kris in Michigan]]> 11504 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-30 13:04:00 2008-06-30 13:04:00 1 0 Thankyou for the review :-)]]> http://www.needlenthread.com/2008/06/monogram-for-hand-embroidery-letter-k.html Sun, 29 Jun 2008 14:19:00 -0500 Mary Corbet 717 2008-06-29 14:19:00 2008-06-29 14:19:00 open open Monogram-for-Hand-Embroidery:-Letter-K publish 0 0 post

In the previous articles featuring these free embroidery monograms, I've gone on at some length about techniques, so if you haven't read those, you might want to check out the posts on the letters A, C, G, and M. You can also visit my Index of Monograms for Hand Embroidery, which you'll find listed on my embroidery patterns page.

Without further ado, here's the K:



I tried cleaning this one up a little differently, scanning it first as a bmp, then cleaning it up and saving it as a gif. The others I worked on as jpgs, which allowed me a little more leeway in smoothing up the lines and filling in the gaps. I may have to go back to jpgs for the clean up...

But, whatever the case, enjoy the monograms!!

]]> free embroidery patterns monograms 11492 -M- noreply@blogger.com 2008-07-01 16:17:00 2008-07-01 16:17:00 1 0 -M-]]> 11506 Anonymous noreply@blogger.com 2008-06-30 08:30:00 2008-06-30 08:30:00 1 0 11507 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-29 18:39:59 2008-06-29 18:39:59 1 0
I've also seen linens for weddings with just the bride's initials - the initial of the couple's last name, and her initials (first name on the left and middle name on the right).

They usually entwine the letters a bit, too, crossing them over and under to make one design out of all three letters.

Hope that helps!]]> 11510 -M- noreply@blogger.com 2008-06-29 16:47:00 2008-06-29 16:47:00 1 0
Is it acceptable to use the bride & groom's first initials to monogram towels, linens etc., or does one use the bride's initials? The groom being my brother I would feel weird using only the bride's initials, although traditionally linens and such were what the bride brought into the marriage. (And the amount and quality of the linens showed how rich and worthy the bride was.) Luckily we live in the 21st Century.]]> http://www.needlenthread.com/2008/06/vintage-vogart-embroidery-transfers.html Sun, 29 Jun 2008 06:37:00 -0500 Mary Corbet 718 2008-06-29 06:37:00 2008-06-29 06:37:00 open open Vintage-Vogart-Embroidery-Transfers---The-Cute-Kind... publish 0 0 post

There are many resources online about vintage Vogart embroidery transfers, but the nicest resources are the ones that provide cleaned up versions of the patterns, with a good index. By far the best one I've seen online is Floresita's "Hoop Love" page. The index includes mostly Vogart patterns, and some Walker's as well. Not all the patterns are cute little animals - floral motifs for bedroom linens can be found in there as well.



Here, you'll find vintage Vogart transfers cataloged by number and name, with a link to the website that hosts the design.

I've discussed these kinds of embroidery patterns with many embroiderers over the years - and what it boils down to, it seems to me, is that there are two schools of thought on them. They're either loved, or they're hated!

Perhaps I should say there are three schools of thought, because I fall somewhere in between. While I don't normally use the designs myself for my own projects, I do like them. I like their simplicity. I like the fact that they make embroidery accessible to beginners and that they give beginners and beyond a fun way to embroider something light.

I like the fact that kids LOVE these designs. They do! My little students in the summer really go for these, and it's so fun to see them get excited over them!

I like the fact that you can go a little further with them - you can embellish them beyond their original design. For example, I took a similar old Sunbonnet Sue pattern (not necessarily Vogart, but the concept's the same) and embellished her to the gills for a baby quilt, adding a garden and a bee and decorating her dress and bonnet. It was fun.

So I think it's a great thing that the patterns are collected and made available to you and me through the generous efforts of people like Floresita!

Think of all the people over the past decades who have really enjoyed stitching those patterns! Think of all the embroiderers who have developed a life-long love of stitching because they started on these patterns when their fingers were just learning to hold a needle! Think of all the grandmas who have stitched quilts for their grandchildren using the Vogart patterns, or the expectant moms, making their first Embroidered Something for their Little On-coming Offspring!

Yep. I belong to the third camp. And I like them.

Now, talk about controversy... what do YOU think? Are you first camp (love them), second camp (hate them), third camp (like me - you see something valuable in them, but don't necessarily stitch them for your own pleasure or purposes), or... are you completely and entirely indifferent to them???

I'd love to hear your opinion, your thoughts, your feelings, your observations, your experiences, and your reasons....!

And remember, you can always comment anonymously! ;-)
]]> embroidery for children free embroidery patterns embroidery resources miscellaneous embroidery musings embroidery for fun vintage embroidery 9713 Ellie noreply@blogger.com 2008-11-19 21:59:00 2008-11-19 21:59:00 1 0
I am a collector of Vogart and Workbasket and the OOP Aunt Martha's because some of the designs are brilliant. They can be embellished and reworked into something stunning. I'm thinking peacocks :-)


I also find value with them when I want to whip up a tea towel or a hankie gift - I can design simply with pre-fab motifs. Very time saving.

So, I guess I'm in the third camp.

Ellie]]> 11468 Ruut noreply@blogger.com 2008-07-04 08:02:00 2008-07-04 08:02:00 1 0 :-) Ruut

http://tipnut.com/kitchen-proverbs-embroidery-patterns-complete-set/]]> 11482 marjo noreply@blogger.com http://www.blogger.com/profile/09967479588496745534 2008-07-02 17:28:00 2008-07-02 17:28:00 1 0 I appreciate them for their vintage appeal but I wouldn't stitch them. Usually I prefer to make my own designs.]]> 11509 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-06-29 16:49:00 2008-06-29 16:49:00 1 0
But I'm certainly game for expanding my horizons, especially as a needlepoint beginner, so thanks for sharing them!]]> 11513 Sheryl noreply@blogger.com 2008-06-29 09:39:00 2008-06-29 09:39:00 1 0
I love the vintage transfers. My grandmother embroidered and she used them all the time. One of the reasons that I wanted to learn to embroider was so that I could make some days of the week towels for my kitchen like the ones she made for my mom.

My first project was a clothespin bag using a "Mr. Clothespin" transfer from Floresita's site - I believe it was a Vogart. It makes me smile when I see it hanging in my kitchen. :-)

I plan to make some pillowcases soon too - the designs just take me right back in time to my grandma's house.]]> 11514 Anonymous noreply@blogger.com 2008-06-29 09:16:00 2008-06-29 09:16:00 1 0
I think the appeal, for me, of the Days of the Week types of transfers, with all the ad nauseam kittens, puppies, ducks and bunnies etc., is that the artwork is entirely reminiscent of my old coloring book and crayons days.

A favorite childhood memory of mine is what was often the early morning routine for my mother and me. Up before the birds, mom would be getting the ironing done while I would lie on the floor in front of the ironing board with my coloring books and crayons. I remember everything about it, the rhythmic sounds created; water swishing around in the bottle with the sprinkler top, the soft thud then a light hiss when the iron first came down on the damp fabric, the smell of the steam released into the air, the soft zipping sound of the iron moving back and forth over the fabric, my mom softly humming a little tune now and again. I would give a lot to hear that symphony again. Anywho, all those silly kitschy little Vogart animals bring me back to my wonderful world of color under the ironing board.

But I dig the other sorts of patterns too. I think old kitchen kitsch, with the dancing fruits and veggies and dishware is kinda cool! I think retro can be fun and look good if it's not overdone.

And lastly, it's all really simple stuff to embroider, which is great practice for a beginner like me.

Oh, looky! http://search.ebay.com/laundry-sprinkler_W0QQfsooZ1QQfsopZ1QQssPageNameZWLRS

I was curious so I did a search. Ha! You can still get those laundry sprinklers. *sigh*
- Jeannine]]> http://www.needlenthread.com/2008/06/monogram-for-hand-embroidery-m.html Sat, 28 Jun 2008 14:50:00 -0500 Mary Corbet 719 2008-06-28 14:50:00 2008-06-28 14:50:00 open open Monogram-for-Hand-Embroidery:-M publish 0 0 post

This was another messy monogram - when I scanned it, despite the resolution, I ended up with lots of broken or absent little line fragments, lots of fuzz, and there was also a slight wrinkle in the page, so a there was some creasing. Anyway, I think it's ok now to use for an embroidery pattern! It's no perfect graphic, but it will certainly serve for transferring an embroidery design, don't you think?

I'm slowly cleaning up the whole alphabet. In the order of "most wanted," the "S" will be up next. Then the "K" and the "V." So keep an eye out!

Here's the "M"...



Feel free to check out my Index of Monograms for Hand Embroidery for other letters.

Enjoy!
]]> free embroidery patterns monograms 2169 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-19 07:37:30 2010-03-19 07:37:30 1 0
You can find some stitching suggestions under the "A" in this monogram alphabet. Here's the link:

http://www.needlenthread.com/2008/06/free-pattern-monogram-for-hand.html

Hope that helps!

MC]]> 2170 Anonymous noreply@blogger.com 2010-03-19 07:00:44 2010-03-19 07:00:44 1 0 Thanks
Mercedes
Argentina]]> 11499 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-30 22:57:34 2008-06-30 22:57:34 1 0 11500 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-06-30 20:38:00 2008-06-30 20:38:00 1 0 Susan]]> 11511 Anon noreply@blogger.com 2008-06-29 16:18:00 2008-06-29 16:18:00 1 0 11512 -M- noreply@blogger.com 2008-06-29 16:15:00 2008-06-29 16:15:00 1 0
-M-]]> http://www.needlenthread.com/2008/06/book-review-floral-interpretations-for.html Sat, 28 Jun 2008 06:30:00 -0500 Mary Corbet 720 2008-06-28 06:30:00 2008-06-28 06:30:00 open open Book-Review:-Floral-Interpretations-for-Silk-Ribbon-Embroidery publish 0 0 post Floral Interpretations for Silk Ribbon, by Helen Dafter. I've just had the pleasure of perusing the book, which is a great resource for embroiderers interested in silk ribbon embroidery. So here's a review, with indications of what's in it, and what I like about it.

Whether you like silk ribbon embroidery for accenting crazy quilts, or you use silk ribbon flowers to embellish paper embroidery, or you dabble with silk ribbon to make articles for home decoration, the book Floral Interpretations for Silk Ribbon would be right up your alley.



True to the format of the Milner Craft Series books, you'll find all the useful background information on essential embroidery supplies, techniques, pattern transfer, and so forth at the beginning of the book. For the stitcher new to silk ribbon, there's a good bit of information on different types and sizes of ribbon and what they can be used for. You'll also find a good stitch dictionary for the various silk ribbon stitches employed in the book, as well as for regular embroidery stitches that accent a silk ribbon piece.



But, as usual, what I find most enticing are the projects! In this book, they are arranged according to flower. You'll find projects for all kinds of flowers: lavendar, violas, grape hyacinth, gardenias, daffodils, gerbera daisies, camellia sasanqua (new one to me...), cornflower, flannel flower, roses, crab apple, and daisies.



In each project section, you'll find a general blurb about the flower, as well as a watercolor interpretation of it. The watercolors are very handy, because it gives you a sense of the shading, position, placement, growth pattern, and artistic look of the flower.

You'll also find information on what stitches are used to produce a realistic flower using silk ribbon.



You'll also get a photo of the finished project. I love seeing photographs of finished pieces when I'm working on something - they give an invaluable guideline for producing what you're trying to produce!



And, of course, you'll also find the pattern for the piece, in a black and white line drawing suitable for tracing.

Again, the projects are arranged according to flower, rather than according to ease of work. I think that's ok, though. The book is thorough enough to give the beginner a good resource to learn the techniques, and at the same time, it's diverse enough to enchant the expert with inspirational material!

Even though I don't use silk ribbon too often, I'm always thrilled when I finish a silk ribbon project. My most recent venture in silk ribbon was this little box decorated with silk ribbon embroidery, and other than that, I've done several greeting cards and other little pieces over the years. I've also used silk ribbon as accents on different embroidery pieces, like notebook covers and whatnot.

Do you want to know what I like best about silk ribbon embroidery, though? (Besides the fact that I think it's really pretty?) ... it's the fact that silk ribbon works up fast! With relatively few actual stitches, you can produce the item you're embroidering and see very quickly a finished piece coming together. A whole petal, or a stem, or a leaf, might just take one stitch! I love that!

What I like about this book is that it takes silk ribbon beyond just the basic quick stitching to a whole new level of realistic and beautiful interpretations of flowers - perfect for filling out any stitcher's repertoire!

So, if you like the idea of playing around with silk ribbons and trying out some pretty stitches for pretty results, take a look at Floral Interpretations for Silk Ribbon by Helen Dafter. The book is distributed in the US by Sterling Publishers, who produce a wonderful array of craft and needlework books. You can pick up the book through Amazon for less than $15, which is about $5 less than the publisher's price.

Enjoy!


]]> ribbon embroidery book review beginner embroidery 11515 Anonymous noreply@blogger.com 2008-06-28 17:09:00 2008-06-28 17:09:00 1 0 Then you will really like Helen Dafter's "Embroidered Silk Ribbon Treasures". I have both books
M]]> http://www.needlenthread.com/2008/06/great-new-embroidery-resource-for-free.html Fri, 27 Jun 2008 06:11:00 -0500 Mary Corbet 721 2008-06-27 06:11:00 2008-06-27 06:11:00 open open Great-New-Embroidery-Resource---for-Free! publish 0 0 post Inspirations Magazine published by Country Bumpkin, you are missing one of the greatest needlework publications ever! I really LOVE their magazine! It is one of the few superfluous indulgences I allow myself. It is, admittedly, rather pricey, but each issue is really such a joy to read, browse through, and linger over. So I do subscribe to Inspirations. If you can't afford the subscribe to the magazine, though, they do have some nice little offerings on their website. Read on, and I'll tell you about them!

Before I venture too far in singing the glories of this Pinnacle of Embroidery Perfection that I tend to think Inspirations is, I should note (in case you're suspicious of my motives!) that I'm not at all affiliated with Country Bumpkin, except for being a loyal customer for many years! I get such pleasure out of the magazine, that I can't help telling other people about it...

Anyway, on with it...

Country Bumpkin is always trying to improve their website and build a really excellent resource for hand embroiderers and smockers. Working towards this goal, they've recently added some free "e-books" to their website.

E-books are electronic books that you download in PDF format. Country Bumpkin is presently offering two free e-books: one on Bullion Roses and one on Picture Smocking for Beginners. The hitch is, you have to become a member - but membership is free. And as a member, you can participate in their forum, where you can find inspiration and advice from other stitchers, and you can receive notification of sales and events. You can also go to their My Designs page and download several free embroidery designs created by expert needlework designers. So all in all, it's a really good deal!!

If you're passionate about embroidery, I think you'll find at least a few things on the Country Bumpkin website that please you. And if you'd like a taste of Country Bumpkin quality, but are hesitant to swallow the price tag of their publications, do at least take advantage of their free offerings. As their site expands and they continue in their endeavors to create and maintain this wonderful online resource, I bet they'll probably be offering more good stuff!

Enjoy!]]> free embroidery patterns embroidery resources Inspirations Magazine online needlework books 11516 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-27 06:44:00 2008-06-27 06:44:00 1 0 http://www.needlenthread.com/2008/06/g-or-c-apology.html Thu, 26 Jun 2008 12:18:00 -0500 Mary Corbet 722 2008-06-26 12:18:00 2008-06-26 12:18:00 open open G-or-C---An-Apology! publish 0 0 post
It's a "G." I was cleaning up another monogram and flipping through my scanned images... wishing they weren't quite so messy... when I came across the C. They look a little bit alike, with the exception of the appendage on the front and the longer tail!

I'll clean up the C and post it, hopefully today to make up for my error! And I'll fix the index, too.

Ah me. Sometimes I wonder....]]> monograms http://www.needlenthread.com/2008/06/free-pattern-monogram-for-hand.html Tue, 24 Jun 2008 07:33:00 -0500 Mary Corbet 723 2008-06-24 07:33:00 2008-06-24 07:33:00 open open Free-Pattern:-Monogram-for-Hand-Embroidery publish 0 0 post

Here's the first letter! This is taken from an old publication (1912) called La Broderie Blanche, an old French magazine that sported lots of embroidery patterns. The image is not as clean as I would like, but it does suffice for a pattern!

You can enlarge the monogram or reduce it either on your computer or on a photocopier. An easy way to transfer the monogram onto white fabric is to use a sunny window. Tape the monogram onto a sunny window, tape your fabric over it, and trace it. If you have a light box, it may save your arm a bit!

You can also trace the monogram onto good tracing paper (use red ink), then turn the paper over and trace over the design with either a regular #2 pencil or with a white dressmaker's pencil (if you're transfering onto darker fabric). Place the monogram red-ink side up on your fabric where you want it, and use a ball point pen (don't break through the paper!) and trace back over the monogram. This should transfer your design clearly enough to see it, and then you can go back and touch up if needed.

Anyway, here's the A. I'll post the rest of the alphabet as I get it cleaned up.



Ain't it perty? I love this alphabet! I like it a lot better than the one I used on my guest towel project; it just lacks the convenience of an iron-on.

As far as embroidering, and what stitches to use, it really depends on your project. If you're doing something large, like a pillow case or sheets, or something medium-sized like a guest towel, you could outline the letter and fill in with tiny seed stitches, then satin stitch the flower petals and leaves, which would give a nice, light effect, and good contrast in texture and so forth. If you're doing something small, like a hanky, I'd probably go with overcast (barely padded, if at all) satin stitch. For hankies, the monogram needs to be pretty small, so in reducing this, I think you'd get to the point where you wouldn't have double lines on some parts of the letter. I think overcasting would work well in areas like that.

If anyone's positively antsy for a specific letter, let me know! I'll skip ahead.

For more monogram patterns, please visit my Index of Monograms for Hand Embroidery.
]]> free embroidery patterns whitework monograms 11432 hillbillary1125 noreply@blogger.com http://www.blogger.com/profile/10603752740679997791 2008-07-07 20:25:00 2008-07-07 20:25:00 1 0
keep up the wonderful work!
~Hilary]]> 11519 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-25 21:26:00 2008-06-25 21:26:00 1 0 on reaching over 1000 RSS feeders! :-)

(That was sneaky - it went up over 1000 quickly, didn't it!)]]> 11520 Anonymous noreply@blogger.com 2008-06-25 16:30:00 2008-06-25 16:30:00 1 0 -Jeannine]]> 11522 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-06-24 19:35:00 2008-06-24 19:35:00 1 0
Thanks for all the great ideas and inspirations!]]> 11525 Anonymous noreply@blogger.com 2008-06-24 17:19:00 2008-06-24 17:19:00 1 0
I will wait until all the letters are done.]]> 11528 Meeta V. noreply@blogger.com 2008-06-24 12:27:00 2008-06-24 12:27:00 1 0 The letter 'A' looks so simple and yet dainty. I would love to have the patterns for letters 'M', 'V' and 'S' if it's not too much of a problem. Greatly appreciate your work!]]> 11529 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-06-24 12:20:00 2008-06-24 12:20:00 1 0 ~Susan]]> 11530 PAULE noreply@blogger.com http://www.blogger.com/profile/06254014461416518120 2008-06-24 09:20:00 2008-06-24 09:20:00 1 0 http://www.needlenthread.com/2008/06/needle-n-thread-little-bit-of.html Sat, 21 Jun 2008 10:52:00 -0500 Mary Corbet 724 2008-06-21 10:52:00 2008-06-21 10:52:00 open open Needle-'n-Thread:-A-Little-Bit-of-Organization! publish 0 0 post

When I started the Gallery: Posts with Pictures index, I had every intention of adding all needlework photos to a long list, so that you could browse through it at your leisure.

I quickly realized it was turning into an ungainly, unsightly mess, but I didn't have time to really sort it out. So, slowly but surely over the last couple weeks, I've been sorting, updating, and cleaning up that list! I'm kind of happy with the effort, though I must admit it's hard to decide what goes in what category!

Anyway, if you haven't noticed it, at the top of the right hand column on each page, there's a section called "The Editor's Floss" (that's a take-off, by the way, on the term "editor's gloss," which is a summarization that an editor might make of a more complicated subject!). Under the Editor's Floss, you'll find indexes of the major categories on Needle 'n Thread.

If you haven't visited my Gallery recently, do stop in! I never realized I'd have quite so many photos on Needle 'n Thread, but the funny thing is, that's not all of them! I've just included major articles!

You can also browse through pictures on Needle 'n Thread by clicking on the label "pictures" or "needlework pictures" at the bottom of posts with pictures (or with needlework pictures).

So even though today's post isn't full of photos, you'll find plenty just waiting for you if you browse through the gallery! Have fun and have a Terrific Weekend!
]]> needlework pictures gallery 11541 Anonymous noreply@blogger.com 2008-06-22 17:09:00 2008-06-22 17:09:00 1 0 Love this feature of your site.
-Christiana]]> 11547 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-21 18:22:00 2008-06-21 18:22:00 1 0 I'll try it.
It is a specisl work according to a Portuguese writer sketch design she used to make in her note-books.
She passed away last March.
And I just want to join a sentence written by her.
When finished I'll send you a photo.

You help at lot, thank you so muuuuuch!]]> 11550 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-21 15:02:24 2008-06-21 15:02:24 1 0
I suppose it depends on how large the embroidered lettering is and what kind of thread you are using. If it's at least a medium-ish size, I would think stem stitch or outline stitch would be suitable. If it is very small, perhaps split stitch would work better?

I embroider on heavier weight linen often - you can still use fine thread for fine lines. Just split the threads in the linen weave!

If you want something smooth and very precise, you could always use an overcast stitch, but it would take a long time!

Hope that helps!]]> 11553 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-21 12:55:00 2008-06-21 12:55:00 1 0 You have lots of interesting posts, I have been browsing up and down; with the Gallery it can be easier.
I should like to know your opinion about which stitch may I use to embroider a someone's simple sentence in his real handwriting.
The main problem I have is that I'm using a thick linen. I think it would be much easier if it was on a fine linen.
I hope I'm not bothering you,Mary, and you can understand my English.
XO]]> http://www.needlenthread.com/2008/05/embroidery-sign-complete.html Thu, 22 May 2008 10:10:00 -0500 Mary Corbet 725 2008-05-22 10:10:00 2008-05-22 10:10:00 open open Embroidery-Sign---Complete publish 0 0 post

A friend was visiting the other day while I was trying to make some progress embroidering it (it has to be posted tomorrow), and he said, "What it that? Baby embroidery?" My reaction: "I'd like to see you do it!"

The funny thing about embroidery on paper is that it seems to be rather "baby-ish" in concept (you poke holes and run the thread through the holes, after all), but in reality, it can be somewhat difficult. My fingers hurt a whole lot more after working on paper than they do after working on fabric! Paper just doesn't "give" like fabric does, so it can be a chore to pull the needle through. Granted, you can always make bigger holes... You also have to think more carefully about the placement of those holes than you would first expect. You can't just randomly punch holes and expect your design to look 'right.' Especially if you're doing a picture of something specific (as opposed to geometric designs embroidered on paper), you want to get all the intersections of lines in the exact place, or your picture will end up askew.

Anyway, for this sign, I used ideas and snippets from some of Erica Fortgens' books - the bird from one, and idea for the flower border from another. Her books, if you're interested in embroidery on paper (especially for cardmaking or scrapbooking), are an inspirational delight. Most of them, from what I can tell, seem to assume some knowledge of technique already. Not that the concepts are difficult, because they aren't. In that sense, yes, you probably could call it "baby embroidery." The whole concept of piercing holes from a pattern in order to stitch a design on a piece of paper is a simple concept, and the stitches used are basic stitches. But it rises above the level of "baby" when you consider design, color choice, placement, combinations, and so forth. And that's what Erica's books are great for - overall, they present a sophisticated approach to creating beautiful things.

Enough about that - here's my sign!



It's not quite that small! It's 11 inches wide and about 3.5 inches high.



I like the little birds. I added some color to the birds and the letters using prismacolors. I'll probably go back and touch in a little more color now that the stitching is done. The letters, for example, need something inside them to make them more noticeable as the title of an announcement on a bulletin board.

I used DMC Satin Floss for the whole thing, and I stitched it on regular everyday white cardstock. I'm going to back it with a border of red and put the class information below it.

So that's my plan. And I better go get it done, or I'm going to be stuck working on it late at night, when things start to fuzz up!

If you're looking for good books for paper embroidery inspiration, check out Erica Fortgens' books on Amazon - they're much more reasonably priced there than they are in your local craft stores!


]]> embroider on paper pictures needlework pictures 11779 Margaret C. noreply@blogger.com 2008-05-24 11:03:00 2008-05-24 11:03:00 1 0
I love the colours. They remind me of some embroidered pillow cases that I had as a child. Unfortunately, I didn't know that they were hand embroidered and they are long gone. :-(

When I think of paper embroidery I often think of the classic Victorian embroidered 'Bless this House' type of sign. I found the following web site a few months ago. They sell paper embroidery kits for making your own Victorian style sign:

http://www.vintageneedleworks.com/

I have not ordered from these people, but I do like their designs.]]> 11782 Anonymous noreply@blogger.com 2008-05-23 08:52:00 2008-05-23 08:52:00 1 0
You know what I can't help but wonder at too? How do you create such perfect lazy daisy stitches? Each of your stitches has substantial width, is wide open and laying flat!

For me, if I try to leave enough thread for the "petal" to have some width it ends up looking too loose and won't lie as flat as I'd like. And if I create a tight enough stitch, that will lie flat, then the petal shape ends up more narrow and closed than I would like.

Such a newbie stitch and I can't get it perfect! :-/ And now to top it all off I don't know whether stitches lie or lay! :P
- Jeannine]]> 11784 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-22 22:31:31 2008-05-22 22:31:31 1 0
Angie, I'm glad you like the video library! I'm expanding it with some techniques this summer, and hopefully with better filming and sound ... aaargh.

Smoose! Lunch break is a great time for checking blogs! I hope I can keep you entertained!

And Kim - yep, originally someone had suggested I embroider my sign for my classes - on linen! I thought about it (very briefly), then concluded that paper was the better path!]]> 11785 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-05-22 15:36:00 2008-05-22 15:36:00 1 0 11786 smoose003 noreply@blogger.com http://www.blogger.com/profile/10776468587656358584 2008-05-22 12:46:00 2008-05-22 12:46:00 1 0 11787 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-05-22 12:27:00 2008-05-22 12:27:00 1 0
I recently came across your site while trying to figure out how to do some simple embroidery stitches. I'm a beginner and trying to teach myself, but my printed instructions for various stitches didn't make sense to me. Then I found your video library...now I understand! The videos are very helpful.

I'll look forward to visiting often. Thanks for providing this resource.]]> http://www.needlenthread.com/2008/06/using-iron-on-embroidery-patterns.html Thu, 19 Jun 2008 07:46:00 -0500 Mary Corbet 726 2008-06-19 07:46:00 2008-06-19 07:46:00 open open Using-Iron-On-Embroidery-Patterns:-Ironing-On-a-Repeat-Pattern publish 0 0 post

The first embroidery project that I mentioned using an iron-on pattern was the monogrammed linen guest towel. Putting the pattern on the guest towel as a pretty simply endeavor - it was just one letter, after all.

But I wanted to iron on a repeat patter, to decorate the edge of a kitchen towel. So I contemplated how to line things up and get the pattern on the towel in such a way that the design - a straight line of flower-like motifs - began and ended with the same figure.



This is the pattern - it begins with the 8-pointed spoke, and ends with the four-petaled flower thing. If you transfer it once, then repeat it, your beginning motif and ending motif won't be the same... you could flip the pattern, but then you'll end up with two of the same figures in the middle. So that's something I had to take into consideration.

I knew that the design had to be centered, and that it had to be lined up with the base of the towel. To mark the center of the towel and the line along which to transfer the pattern, I thought about using a pencil. However, I didn't want to risk leaving a residue that might not disappear, especially considering that the heat from the iron might set the pencil marks. I also thought about a water-soluble pen, but this presented the same problem - you shouldn't iron over water-soluble ink, because it sets with the heat.

Soooooo. This is what I did.



First, I laid the towel out to measure it and to check how the repeat pattern would fit. I figured it would take two patterns, plus one of the single motifs. Then I measured up my towel and prepared to mark it.

Instead of using anything that leaves an actual mark on the fabric, I decided to use a little bone folding tool. These are tools that are usually sold in the paper crafts area of craft stores. They're used to score paper to make a folding line. Alternately, you can use a piece of sanded, smooth wood with a tip on it, or a burnisher used in other art forms, or probably even the back of a kitchen knife (not the serrated edge!).



I lined up the towel on a straight edge, then measured up a couple inches, where I wanted the top of my design to be. In measuring, I noticed that the fabric was not exactly cut on the grain. It's just slightly off. I was tempted to follow the grain of the fabric, but that would've made the design slightly crooked. So I measured from the base of the hemline on the towel and kept the line even.

I used a ruler as a guide, and drew the bone paper scoring tool firmly across the line which would mark the top of the design.



This left a definite crease in the fabric.



Then I measured the center point, and used the same tool to mark the center of the towel. Now I had my positioning marks in place, without using anything that actually marked the fabric.



After this, I took my pattern and carefully measured it, marking on the back side (the un-inked side) a quarter inch line. This is what I used to line up the design with the mark on the towel.



I pinned the iron-on transfer ink-side down onto the towel in the correct position.



Pinning the pattern is essential for ironing on a repeat embroidery design! If you eyeball it without pinning it, and you apply the iron, you risk not getting a transfer and having to re-apply the iron-on, which is virtually impossible.



Whenever I'm ironing anything for embroidery, I always use an old pillow case underneath the piece. The instructions recommend putting something over your ironing board cover, anyway, in case the ink bleeds through.

So I applied the iron to the back side of the pattern for about 10 seconds, as prescribed in the instructions in the iron-on transfer book. When you do this, it's important to place the iron directly on the transfer, apply firm pressure, and don't move the iron back and forth.

And this is what I got for the first transfer:



The picture is partly blurry (out of focus), but so is the design on the fabric. The ink, especially with the first transfer, seemed to fuzz out a bit - not actually bleed in an irreparable way, but just "spread" in a kind of fuzzy way. This may very well be the quality of the transfer. I did not notice anything like this on the monogram.

Anyway, after you've held the iron on for the prescribed amount of time, unpin one corner of your design and check the transfer. You want to make certain it transfers! And if you take the pattern off, and only part of the design transferred, you're pretty much sunk, as it's really hard - if not impossible - to place the design in the exact same spot. And if you don't, you end up with duplicate lines (like double vision!).



Now it's time to line up the next repeat. By the way, I suggest using pins with a steel head or a glass head, because it is likely the iron will have to rest on the pins.

With the second application of the transfer, you will need to hold the iron on a bit longer.



You can see that the transfer is not nearly as dark the second time. But I prefer it like this! It's visible enough to embroider over, but not dark enough (and the lines aren't wide enough) to worry about not being able to cover it up.



Still, part of the repeat didn't transfer, so I applied the iron for a few more seconds - and I ended up with a sort-of dark pattern in some areas.



Now there's the question of the "balance" of the design. I wanted the whole line to begin and end with the same figure, the 8-spoke little design. So I cut my transfer, and isolated that one figure. I measured the distance from the center of the flower to the center of the spoke design, and lined up the isolated piece.



And I ironed it and checked it - very pale on the third application, but that's ok! I like it that way. So I left it.

In some of the books I was using, they suggest placing aluminum foil under your fabric before ironing on a used transfer, to increase the strength of the pattern. I don't know if this technique works - I should try it! - and I don't know if it's applicable to just a certain type of iron-on pattern. If anyone's tried that, I'd love to hear about how it works!



So that's the extra motif...



And that's the center of the towel. You can definitely see the difference between the first transfer and the second!

The whole process was somewhat time consuming, but not that bad, actually. If I were doing a stack of towels, I'd do each step at the same time on all the towels, then move on to the next step. That might speed the process up!

If you have any input or advice on ironing on a pattern, or a repeat, do share!
]]> needlework tutorials iron-on embroidery transfers pictures embroidery tips and tricks 11568 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-19 16:30:00 2008-06-19 16:30:00 1 0 11569 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-19 12:32:02 2008-06-19 12:32:02 1 0
Meri - very good point. Thank you! Yes, you expressed yourself perfectly!]]> 11571 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-06-19 11:10:00 2008-06-19 11:10:00 1 0 Thanks, Mary!]]> 11572 Anonymous noreply@blogger.com 2008-06-19 10:54:00 2008-06-19 10:54:00 1 0 MichelleAZ]]> 11573 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-19 09:57:00 2008-06-19 09:57:00 1 0 did I express myself correctly?]]> http://www.needlenthread.com/2008/06/setting-up-kids-embroidery-class-and.html Tue, 17 Jun 2008 06:30:00 -0500 Mary Corbet 727 2008-06-17 06:30:00 2008-06-17 06:30:00 open open Setting-Up-a-Kids'-Embroidery-Class---and-Thread-Organizers publish 0 0 post

My preparation for my summer embroidery classes began weeks ago, as you know. I've talked a lot about it (I hope I'm not boring you to death!), and I've done a lot of thinking, stitching, writing notes, ordering materials and all the stuff that goes with getting ready to get ready. And that's just it - that was just the background work. Then the real work comes!

As the first class date approached, it was time to actually put everything together for a smooth beginning. So this is what I was looking at this past weekend:



I spent a couple days cutting fabric, separating threads, and putting together each "kit" project for the first class of the first week (I have three kids' classes I'm doing this summer - this is only one of them!) for the first group (ages 7 - 9 years old).



Yeah. The front view wasn't so bad - it's the side view across the room that becomes a bit discouraging!

But no worries!! All the background work is absolutely worth it. After the felt, threads, needles, and everything were sorted, pieces cut, designs drawn, everything was cleaned up and put away, the floor swept, and each child's place set up.

When the children came in this morning, they were met with this:



Nine chairs for nine children - each place with a sampler cloth and a bookmark kit.



Here you have the "place setting."



To the top right, the blue square is a piece of 3 mm. craft foam, cut in a small rectangle. This has one threaded needle stuck in it, ready to go.



The red square to the top left of each place setting is also 3 mm thick craft foam. I used a single hole punch, and punched out about a 6-hole hole. In that hole, I looped their sampler threads. You may be familiar with thread rings, thread keeps, and so forth. Well, this is thread foam. I made it up, but it does work! I wanted some way to keep their threads more organized than just stuffing them in a plastic bag, so, modeling the foam on the idea of thread cards and thread keeps, I tried it, and I liked it! More on this concept, up close down below.



Above the place setting is the bookmark kit, ready to go. It contains the felt front, with the design drawn on, the felt backing already cut with the scalloped edge, a needle, and coordinating threads.



The sampler is a piece of medium weight (clothes quality) linen (I picked up 5 yards on sale for practically nothing!), with a butterfly outlined on it, and the butterfly has lines across the wings. I'll give you specifics on these little practice pieces when I have some finished ones to photograph! As they are here, they're rather plain.



And finally, just to go back to my thread foam a bit... this is a great way to keep thread ready for class use. After punching the holes in the foam, I folded the collection of threads in half and stuck the half fold in the hole, forming a loop. Then I put the ends of the thread "rope" through the loop and hitched it to the foam.

You might think that every time you want a thread off such an apparatus, you have to undo the loop, but not so!



You simply select the thread you want from the front of the looped threads, and pull it straight out. You don't have to undo your loop - you just pull it out, and there it is!

I know it's a simple concept, but I'll tell you why it thrills me. I've lost more money on threads over the years, because kids tend to stuff them in bags or just put them in their sewing box, where they automatically mix up, generally into a knotted mess. This way, I have quantity control over the threads, and the kids are more careful with them, too.

Using the craft foam to make these thread keeps was a last minute idea. Craft foam can be puchased at any craft store for about 79 cents a sheet. The sheet can be cut into multiple small rectangles - and it's much sturdier than regular poster board or card stock for holding threads this way. I had a bunch of the foam on hand, because I'm using it as paper-piercing mats (for embroidered cards) with the older class. While I was setting up the place settings, I mused over how to solve my thread dilemma - and the idea of the foam popped into my head. I had so much fun setting these little things up, and I really think the kids like them, too!

So there's a cheap way to organize threads for a project. I haven't tested the colorfast qualities of craft foam, nor do I know the long term effect it might have on threads, but for this short term use, it seems like a great idea.

So that's the set up for classes. The first day, the kids learn three stitches: running stitch, whipped running stitch, and backstitch. They practice all three on their butterflies, and then they apply what they learn to their bookmarks.

The two hour session today went really well, and I think that goes back to organization. The kids made good progress. Alas, I took no photos! Next week, next week.... Now, if I could only get the next classes that ready, I'll be really happy!

If you've got any nifty organizational ideas or anything that you think would be useful to know in classroom situations, please share! I'm all ears!

See you tomorrow!
]]> embroidery for children hobby room pictures embroidery tips and tricks organization needlework pictures beginner embroidery 11537 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-06-23 10:57:00 2008-06-23 10:57:00 1 0 11576 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-18 21:16:19 2008-06-18 21:16:19 1 0 11577 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-06-18 17:36:00 2008-06-18 17:36:00 1 0
Thanks for a very informative post,
Hooroo,
Christine in wintry Sydney
http://missmuffettwo.blogspot.com/]]> 11582 Anonymous noreply@blogger.com 2008-06-18 09:18:00 2008-06-18 09:18:00 1 0
Thanks for the tip on how to draw one thread out of a looped bunch. Honestly, that never would have occurred to me!

Best of luck with the class, I'll bet it's going to be great! - Jeannine]]> 11584 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-18 06:54:07 2008-06-18 06:54:07 1 0
The floss on the needle problem is funny. I was just noticing it today - you forget that it's just not second nature to hold the thread: kids tend to hold only the middle of the needle! Anyway, I try to show how to pinch the thread at the back of the needle - and you're right, some get it right away, and others don't. I tend to think that those who get it right away are "naturals" with a needle, and it does seem as if they are. Their stitching is less awkward!]]> 11585 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-17 19:09:00 2008-06-17 19:09:00 1 0 You are absolutely to be congratulated, and held on a small pedastal for your organization, and for holding these classes!

It all looked just wonderful. I bet the kids had a great time!]]> 11588 Average Jane Crafter averagejanecrafter@gmail.com http://www.blogger.com/profile/00168205669262927385 2008-06-17 08:45:00 2008-06-17 08:45:00 1 0
Yes, the floss separation is only because it's an adult class. When I've done embroidery with my daughter and her friends, we never mess with that. (speaking of, do you have tips on helping the kiddos keep the floss on the needle? Some get the thumb/finger pinch right from the start, and other pull the needle right off on every other stitch! ;)

If you Google "ceramic block magnets" you can click on the shopping results and see what they are. I usually get them at the home improvement store, and they are useful for all kinds of stuff. They are super heavy duty!]]> 11590 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-17 07:47:27 2008-06-17 07:47:27 1 0
The kids take home the red craft foam (the thread foam), but they leave the little blue square for the next class. In their bookmark "kit," I included a small square of felt to stick their needles in for carrying.

It's a good thing to teach stripping the floss right at the beginning. The little ones aren't ready for that yet - we're using perle cotton for the first 2/3 of the course, then we'll venture into a leeeetle bit of regular stranded cotton for the last project.

Thanks again for your input, and for the great magnet idea!

Where do you get your magnets, by the way??]]> 11591 Average Jane Crafter averagejanecrafter@gmail.com http://www.blogger.com/profile/00168205669262927385 2008-06-17 07:28:00 2008-06-17 07:28:00 1 0
One thing we've done in the past is use a block magnet for holding threaded needles. We teach separating the floss right at the beginning of class, and the students prep a needle for each color and stick them on the magnet. It's a similar idea to the foam, except they lay down instead of standing up. :)

Thank you!]]> http://www.needlenthread.com/2008/06/interesting-needlework-site-and.html Mon, 16 Jun 2008 06:49:00 -0500 Mary Corbet 728 2008-06-16 06:49:00 2008-06-16 06:49:00 open open Interesting-Needlework-Site...-And-a-Question! publish 0 0 post

Hooked on Needles is a site dedicated to knitting and crochet. The name - which may conjure up images that aren't quite related to homey arts - implies that there's more to it than just crochet and knitting, though, as needles are used in --- well, seems obvious to say --- other kinds of needlework, too. And in scrolling through the site, I did see some samples of embroidery (on an Irish dancing dress) and a crocheted lace collar.

But what really hooked me (SORRY! I couldn't help it!) are the photo tutorials on the baby's crocheted hat (looks very simple - like I might even accomplish it!) and changing color in crochet.



Back in the day, for a needleworker to be considered "trained" (and I think the same holds true, actually, today in some professional courses!), they had to know the basics of more than just the kind of needlework they were passionate about. To be a well-rounded textile artist, being familiar with other elements of the textile world is a good thing.

I don't claim to be a "textile artist" - embroidery is my hobby - but I do like the idea of a well-rounded education. I bet that even the best painters who work in oil have at least an understanding of how water-colors work, don't you think?

So I started looking into polishing up my crocheting, with the end in mind of doing some tiny crocheted trim for an embroidered piece. And then I landed at this particular website and liked, especially, the hat tutorial and the one on changing colors. I started thinking that you could put the two tutorials together, and make a Really Cute and Colorful baby hat!

Don't get me wrong, though! I'm not going to yarn! My needle 'n thread will continue to be occupied (obsessed, even) with embroidery! But what do YOU think? Do you think it's useful for the embroiderer to be at least somewhat aware of other needlework techniques, such as knitting and crochet? Or do you think that, for embroiderers to become Really Good at what they do, they should focus solely on embroidery and not get distracted by other possible needlework interests? I'd love to hear your thoughts on that!
]]> needlework tutorials knitting and crochet yarn miscellaneous embroidery musings 11559 Anonymous noreply@blogger.com 2008-06-20 19:14:00 2008-06-20 19:14:00 1 0 For some of us, it is a necessity to do different kinds of creative endeavors. While doing cross stitch I'm thinking about a quilt top. While working on the quilt top, I'm thinking about what to crochet next (yarn or thread). Or maybe my hubby took some good pictures and I want to paint them on canvas or linen etc etc. I have this drive to keep creating but I get tired of just one thing. Some times they overlap like knowing about shading in my painting helps with shading in my embroidery. Learning about color in quilting again helps with putting the right colors together in embroidery and crocheting.]]> 11586 Marian noreply@blogger.com 2008-06-17 18:30:00 2008-06-17 18:30:00 1 0 11589 Crazy Judyth noreply@blogger.com 2008-06-17 08:00:00 2008-06-17 08:00:00 1 0 So, yes. Having knowledge of different skills and methods of needlework is a huge plus in my book.
However, I'm in my comfort zone by knowing how to knit, crochet and embroidery. At my age I have no desire to venture out into other areas. I know how to do what I love and I'm going to stick with that. Things like bobbin lace, hardanger, mac...., maq..., oh the knotting of baler twine to make plant hangers for the front porch... I'll leave these for others.
Love this blog as I've learned so much here, Mary.]]> 11592 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-06-17 07:26:00 2008-06-17 07:26:00 1 0
Thanks again for the review!

MGM]]> 11596 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-16 18:43:00 2008-06-16 18:43:00 1 0
Practising related skills can cause feedback into your original skill. (that sounds a bit technical, but I only just woke up!) sometimes in ways you'd never think of.

I know my calligraphy has helped my embroidery design skills hugely. Sometimes it's just tiny things- like knowing where to find customized graph paper on the Net, as well as the 'big thoughts']]> 11597 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-06-16 15:44:00 2008-06-16 15:44:00 1 0 11600 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2008-06-16 11:33:00 2008-06-16 11:33:00 1 0
A perfect example is my dancer daughter. She loves Swing and various other partner dancing. However, as a dance major at university she has been forced to study ballet as well as modern dance. Now when she goes out to partner dance, even though partner dancing takes a back seat during the academic year, she consistently gets compliments on her dancing - her balance, her connections, her all around skill. Being exposed to and learning other complementary techniques makes one more proficient in their favorite technique.

Although I have it in my head to knit all immediate family members a scarf for Christmas, I sincerely hope that Needle’n Thread will continue to be my source for threaded needle inspiration.]]> 11601 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-06-16 09:05:00 2008-06-16 09:05:00 1 0
My grandmother taught me how to do many types of handwork: crocheting, needlepoint, embroidery, beadwork, cross stitch, quilting and sewing clothes. Over the years my focus has moved from technique to technique. Without the basic instructions from my grandmother, I probably would have never enjoyed so many hobbies.

Now I focus on quilting and stitcheries for my quilting projects. I find myself often referring to other techniques I learned when I am working on projects now.]]> http://www.needlenthread.com/2006/06/embroiderers-handbook.html Sun, 18 Jun 2006 09:35:00 -0500 Mary Corbet 729 2006-06-18 09:35:00 2006-06-18 09:35:00 open open The-Embroiderer's-Handbook publish 0 0 post

The Embroiderer's Handbook - a step-by-step illustrated guide to beautiful stitches. If you're familiar with the Country Bumpkin publications and you like them, you will love this book! If you aren't familiar with them, that's ok! You'll still love this book! You'll find all the common stitches, and many uncommon stitches, illustrated in this book. Interspersed among the stitching techniques, you'll find gorgeous photos of great projects. The description on the back of the book reads: "The essential guide to over 150 creative stitches and a comprehensive reference book for the embroiderer." The book includes clear instructions and photos of every stage of the stitch, along with practical tips on different threads, fabric, and equipment. There are also some trouble-shooting hints spattered throughout, covering the more complicated stitches. Whether you are a beginner or an expert, this is a great book to have in your library. The only drawback to it, for me, is that it is not spiral bound like the A to Z books put out by Country Bumpkin. However, the book is "floppy," so it does lay flat enough to stitch and read at the same time. This is a treasure of a book that will always serve as a good reference or just as an enjoyable browsing book - or you could put it on a coffee table just for looks! It's gorgeous.


]]> book review embroidery books 12931 Anonymous noreply@blogger.com 2007-09-24 13:35:00 2007-09-24 13:35:00 1 0
-Andie]]> http://www.needlenthread.com/2007/01/book-review-new-release-beginners-guide.html Thu, 18 Jan 2007 08:08:00 -0600 Mary Corbet 730 2007-01-18 08:08:00 2007-01-18 08:08:00 open open Book-Review:-New-Release---Beginner's-Guide-to-Goldwork publish 0 0 post

Published in December of 2006, Beginner's Guide to Goldwork is a practical guide not only for the newcomer, but also for the experienced embroiderer. Ruth's book is full of magnificent color photos of gorgeous goldwork projects - they are a real source of inspiration for any needleworker. But better than that, the step-by-step instructions are all illustrated. All kinds of goldwork techniques from simple couching to Or Nué, as well as embroidery techniques such as shading (in long and short stitch), as all worked out right before your eyes in great photo tutorials.

I've got quite a collection of goldwork books, and when I first saw that this one was coming out, I thought it would be "just another book" with the same stuff in it. But when it arrived in the mail, I couldn't put it down until I'd read through the whole book and examined every photo. It's possibly the clearest book on goldwork embroidery that I've seen.

It's hard to say what I like best about the book. I can really appreciate the instructions (including photos) on setting up a project, choosing threads, transferring the design, starting and ending threads - all those details that, when I first started stitching, I had no idea about, but which make a finished project so much more professional. All the details are here, mapped out perfectly for the beginner. But I think, overall, I like the author's direct approach and clear explanations. And, of course, the lavish photos, which are all close-up enough to see the details and get the gist of the techniques used.

If you're a fan of goldwork and silk embroidery - or of needlework in general - I think you'll like having this book in your library.

I ordered mine from Amazon (significantly cheaper than the $19 tag I saw on it through a retail shop), and although it said up to two weeks for delivery, it arrived in two days. Check it out!



]]> book review goldwork silk embroidery books beginner embroidery http://www.needlenthread.com/2007/05/needlework-book-online-great-learning.html Fri, 04 May 2007 07:21:00 -0500 Mary Corbet 731 2007-05-04 07:21:00 2007-05-04 07:21:00 open open Needlework-Book-Online---Great-Learning-Tool publish 0 0 post Encyclopedia of Needlework by Thérèse de Dillmont is hosted online by Project Gutenburg. Thanks to Sharon for the link - it's a great learning tool for any level of embroiderer. What will you find in the book?

There are about 600 pages in the Encyclopedia of Needlework by Thérèse de Dillmont, and within those pages, you'll find just about any technique related to needlework. Some techniques are covered more thoroughly than others, and, like many old books, the author assumes familiarity with the basics. However, this isn't to deter the modern needleworker! You'll find fantastic patterns, ideas, and inspiration that will enhance your future projects.

Take, for example, the section on Venetian Lace.



While Venetian lace may not be part of your embroidery repertoire, the design is certainly adaptable to other embroidery styles, such as Jacobean or crewel work.

If you like blackwork and other counted thread techniques traditionally worked on linen, you will love the section on patterns for linen embroidery. You'll find an array of patterns that can be modified for all kinds of projects!



The encyclopedia even has step by step instructions on knitting and crochet.

If you haven't perused the Encyclopedia of Needlework by Thérèse de Dillmont yet, take some time to browse through it, and add it to your favorites! It's a great resource for any needleworker! Enjoy!
]]> historical needlework book review embroidery resources Hand embroidery stitches embroidery books 6804 Anonymous noreply@blogger.com 2009-06-23 16:41:37 2009-06-23 16:41:37 1 0 Brigitte in Paris]]> http://www.needlenthread.com/2007/08/new-book-goldwork-embroidery-designs.html Fri, 10 Aug 2007 08:03:00 -0500 Mary Corbet 732 2007-08-10 08:03:00 2007-08-10 08:03:00 open open New-Book!-Goldwork-Embroidery:-Designs-&-Projects publish 0 0 post Goldwork Embroidery Designs and Projects by Mary Brown hit the market this year (2007), and if you're into surface embroidery and goldwork, it's an essential edition to your library! Even if you've never dabbled in goldwork yourself, this book is great for information, wonderful photos, good techniques, and lots of inspiration. Better yet, even if you don't intend to dabble in goldwork, but you're a textile enthusiast or a history buff, you'll find a lot of information in this book for you.

Goldwork Embroidery Designs and Projects is, from the outside, already a stunning book. It's heavy (it's 208 pages on glossy, high quality paper), and it's got a gorgeous cover in dark burgundy displaying a stunning piece of goldwork. Once you open the book.... you're stuck! At least I was.

Mary Brown begins the book with acknowledgements to the Royal School of Needlework where she received her training. (I always love to see people acknowledge their teachers!) Section I of the book covers a rather thorough and fascinating history of goldwork embroidery punctuated with photos from the various eras (a real treat!), then proceeds to talking about metal threads, materials, and the techniques of metal thread embroidery. Here, you get great up-close, clear photos of the techniques, which are really essential if you don't have a face-to-face instructor. The instructions are clear, the photos are great. It's a perfect learning tool for the beginner and beyond.

But then, here's the great thing. Section I of the book covers about 90 pages. They're great pages. I didn't find one that I could skip with the "same-old-stuff" attitude. Sure, you see most of the same techniques in other goldwork books, but her photos and her precise instructions are good, so it's useful to read them and study them. BUT - (this is what I was getting at) - what comes next is 100 pages devoted to projects. There are 15 projects detailed in the book, all with design, supply list, step-by-step instructions, illustrations, photos of the steps along the way, and photos of the finished project. Talk about thorough. And the projects are absolutely gorgeous. All levels are well-represented.

This is a gem of a book! Thanks, Mary Brown, for the hard work that certainly went into it. It's a masterpiece!

You can visit Mary Brown's website Mary Brown Designs to see her work. You can also order goldwork supplies through her, but if you live in the US, beware that shipping is pricey, as she's in Australia!

You can find the book through Amazon, where it's $16.47. If you're ordering $25 worth of goods from Amazon, you'll get free shipping. At Barnes and Noble online, it's $19.96, unless you're a member, then it's $17.96.


]]> book review goldwork embroidery books http://www.needlenthread.com/2007/09/embroidery-book-review-18th-century.html Thu, 20 Sep 2007 17:06:00 -0500 Mary Corbet 733 2007-09-20 17:06:00 2007-09-20 17:06:00 open open Embroidery-Book-Review:-18th-Century-Embroidery-Techniques publish 0 0 post

18th Century Embroidery Techniques is written by Gail Marsh and published by Guild of Master Craftsman Publications, first in 2006 and then reprinted in 2007.



What intrigues me most about the book, which I purchased recently and have only now had a chance to give it a brief look, is that it focuses on the embroidery of clothing. Not too many of us take a lot of time to embellish our wardrobes, and even if we do, no one does it to the extent that it was done in the 1700's for those who could afford it. It's not so much the subject of the clothing that grabs me - it's the answer to that ever-present question that haunts when I visit museums or see certain elaborately embellished textiles... "Hmm...now, just how did they do that?" I'm the type who would like to get behind the glass, touch the stuff, and even "pick at it" a bit to see exactly how it was put together!!

Gail Marsh outlines quite clearly how embroidery on textiles was accomplished. She gives you the directions to do it yourself, if you really wanted to! There are heaps of color photos of museum pieces throughout the book, as well as line drawings of various types of fashion from this time period.

Within the book you'll also find line drawings of the designs used on the clothing so that, if you were game, you could certainly adapt them into patterns for your own use.

Obviously, this is great stuff for the costumer and the textile or fashion student. But for the every-day home-hobby embroiderer, it's still a great opportunity to have access to some really exquisite patterns that can be used as is, or even adapted and simplified.

As for the techniques in the book - right off the bat, I opened the book and my eyes fell upon the section devoted to embroidery on velvet. What could be richer than silk threads on velvet, or goldwork on velvet? But when embroidering on velvet, the embroiderer faces the problem of pile: stitches (especially for silk work) sink into the pile, and may be lost. Gail tells you how this was avoided - by using silk gauze, which was torn or cut away after the embroidery was complete. And she goes into the various details of using silk gauze or paper or anything else underneath stitches to keep them from getting lost in the pile of the fabric. Useful information!

She also includes interesting, readable stuff - this isn't a dry and boring technique book or history book (ok, admittedly, I generally don't find technique or history books boring!) but this one has some neat little lumpets of "curious" information in it.... for example:

On page 39, there's a little blurb on "drizzling, parfilage, or ravelling." This was the practice of snipping off gold threads from clothing or uniforms, separating the gold from the silk core, and hoarding it, to eventually have it weighed and sold to a gold dealer. It was a "hobby of the rich," and not performed merely on worn-out clothing. Women would even carry around with them a small bag of tools so that they could engage in their hobby during theater performances, unbeknownst to the wearer who was engrossed in the play, or during parties! "Excuse me, my dear, while I snip off your embellishment..."??? Pretty funny! She makes the statement that "it is a wonder that there is any 18th-century metal thread embroidery left for us to admire today," given this fashion for picking it apart and selling it.

So the book is pretty interesting and entertaining!

If you're looking for a Christmas present for someone who likes historical textiles, this would probably make a good one! I'd also classify it under "interesting coffee-table books." It's less than $18 through Amazon.


]]> historical needlework book review embroidery books 6000 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-22 09:31:34 2009-08-22 09:31:34 1 0 6009 vincent valiente noreply@blogger.com http://www.blogger.com/profile/07546939236611882265 2009-08-21 18:54:03 2009-08-21 18:54:03 1 0 http://www.needlenthread.com/2007/10/book-review-beginners-guide-to-silk.html Mon, 29 Oct 2007 19:16:00 -0500 Mary Corbet 734 2007-10-29 19:16:00 2007-10-29 19:16:00 open open Book-Review:-Beginner's-Guide-to-Silk-Shading publish 0 0 post Guide to Silk Shading is just such a book.

Written by Clare Hanham, graduate of the Royal School of Needlework, and published by Search Press, this is an excellent book for the beginner who wants to get into silk shading techniques (also called "needle painting," among other things).

The book is just out this year - in fact, it was delayed in printing and wasn't due until December, but I pre-ordered my copy through Amazon this summer and it arrived last week.

It's not a huge or extensive book, but within its pages, you will find everything you need to know about shading with long and short stitch. The author also includes several simple patterns for the beginner and takes you through them step-by-step, showing you what they should look like as they progress.

She includes also the useful information for starting an embroidery project: what tools to use, determining colors and such for your project (and where to put them), transfering your pattern, setting up your hoop (or ring frame, as she calls it), types of fabric (including how to mount finer fabrics on cotton backing). Then she takes you from start to finish through several projects, which include a couple types of flowers (tulip, dog rose, and some little stylized blossom-thing), leafy vines, and butterflies. All of them are geared towards the beginner, and the results for the projects are simply stunning. They're nice!

I especially like her treatment of the long-and-short stitch. She tells the reader right off the bat that, to achieve a natural look, you have to be relaxed while you're stitching, and a bit free in the placement of your stitches. She doesn't go with the "exact" alternating long-and-short stitch lengths, but rather varies the lengths of all the stitches without being rigid in keeping all the long stitches the same length and all the short stitches the same length. She even tells you that, when working with one strand of floss, it doesn't really matter if you split the stitch when you come up through it! If your previous row is worked closely together, then it will look fine whether you split the stitch or not. I have to admit, I like her approach because it's exactly how I do it! It's always nice to be assured from a professional that the way you're doing it is quite ok!

The book's a reasonable price through Amazon (less than $11.00), so if you're interested in developing your shading techniques, check it out!



]]> book review needlepainting embroidery books beginner embroidery 12851 Anonymous noreply@blogger.com 2007-10-29 21:39:00 2007-10-29 21:39:00 1 0 http://www.needlenthread.com/2007/11/embroidery-book-review-redoutes-finest.html Thu, 29 Nov 2007 13:17:00 -0600 Mary Corbet 735 2007-11-29 13:17:00 2007-11-29 13:17:00 open open Embroidery-Book-Review:-Redoute's-Finest-Flowers-in-Embroidery-by-Trish-Burr publish 0 0 post Elmsley Rose, whose enthusiasm for embroidery has "recharged" me - now I'm all fired up for some upcoming projects! (Oh, if she only knew what she has started!!) This book is perfect for anyone who loves embroidered flowers and who is interested in learning needlepainting techniques.

Redouté's Finest Flowers in Embroidery by Trish Burr is essentially a book on needlepainting flowers originally painted by Pierre-Joseph Redouté, a French painter of Flemish background famous for his botanical artwork.



Besides being an excellent resource for producing some gorgeous embroidered flowers, the book covers all the essentials of good needle painting techniques - those little nuances that make en embroidered work look positively realistic. The book begins like most other embroidery books that focus on projects: materials such as fabric, threads, hoops and frames, needles, and so forth are briefly discussed, as well as transferring techniques. "Briefly" is the operative word - Trish's book doesn't go into a lot of detail on the background information for getting started on a project, but the essentials are all there.

Then, you get a break down of the various stitches used in the projects in the book, with an extensive focus on long and short stitch as well as an adequate look at all the other stitches that help bring a needle painted project to life. The stitches are illustrated, some with drawings, some with photographs. The explanation of the stitches is good - not elaborate, but again adequate, especially for those already familiar with embroidery. She focuses as well on important aspects of stitching, such as direction and shading techniques.



To get you familiar with the stitches and how they work, Trish follows the stitch glassary with a starter sampler which covers all the basic stitches. It's an attractive piece in itself and would make a fun and varied embroidery project.



Then, Trish launches into "The Projects." This is surely the best part of the book! Seventeen of Redouté's flowers are drawn out and broken down into really "doable" projects. There are three good-sized, nicely laid-out pages devoted to each project. Each project includes a list of materials required, a line drawing, a photograph of the completed embroidered flower, a list of DMC thread suggestions, and - what I really like - a pencil-shaded drawing of the piece, so that you can see exactly where the shades change. In addition to this, on each project there is usually another line drawing of the flower, with certain areas shaded to show you what areas should be padded and how.

Stitch directions are not indicated on the flower patterns (this is where she falls short of Tanja Berlin's instructions), but the photographs of the embroidered piece are close-up and very clear, so that you can see the stitch directions on the finished piece. Very handy!



In addition to the material lists, the patterns, and the photo of the embroidered piece, you also get general instruction on how to work each section of the pattern.

The book is quite stunning, and for the intermediate embroiderer is a great way to launch into needle painting. The directions are clear, the pictures are fantastic, and Redouté's art looks fantastic in thread!

(It would make a Great Christmas Present, too!!!)



]]> book review pictures needlepainting embroidery books 12126 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-30 13:25:58 2008-03-30 13:25:58 1 0
I heard from Trish, announcing her new book which should be coming out early summer (May / June). I'll definitely be reviewing it!

I like both of her books so far, very much. They both have a lot to offer anyone interested in long and short stitch, thread painting, and general embroidery technique and design.

I'm really looking forward to the next one!]]> 12127 Odette noreply@blogger.com http://www.blogger.com/profile/06241090716335870197 2008-03-30 05:36:00 2008-03-30 05:36:00 1 0 12690 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-02 19:16:00 2007-12-02 19:16:00 1 0 12691 Margaret C. noreply@blogger.com 2007-12-02 17:05:00 2007-12-02 17:05:00 1 0 Long and Short Stitch Embroidery: A Collection of Flowers. In my opinion, these two books, have the best examples of thread painting in print, at least the type of thread painting that I prefer doing myself. I also like the newish book Beginner's Guide to Silk Shading by Clare Hanham. I think it has really good instructions especially for beginners. However, I am not that taken with the examples. I would much prefer stitching the projects in Trish Burr's books.]]> 12695 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-29 20:45:00 2007-11-29 20:45:00 1 0
mwa ha ha ha ha ha ha]]> http://www.needlenthread.com/2008/01/great-online-embroidery-book.html Thu, 31 Jan 2008 18:26:00 -0600 Mary Corbet 736 2008-01-31 18:26:00 2008-01-31 18:26:00 open open Great-Online-Embroidery-Book! publish 0 0 post English Medieval Embroidery. I haven't been able to lay my paws on it - but there are other good A. G. Christie embroidery books online. Here's a sample of one.

Embroidery and Tapestry Weaving by Mrs. Archibald Christie (also known as Grace Christie) is a nice information and design book for embroidery. It's got clear diagrams for stitches, and, better yet, it has great designs in it!



You can find plenty of designs like the one above - designs for crewel work, blackwork, all kinds of surface embroidery (including historical and ecclesiastical work), and counted thread and canvas work. The book is packed with useful information!

Although I haven't tried my hand at "real" tapestry weaving, I think it's interesting to read through the information on weaving, too! Her style is really easy.

So, if you feel like browsing an online book and you're looking for inspiration do check out A. G. Christie's Embroidery and Tapestry Weaving on Project Gutenberg. I think you'll find it a great little gem for your library!

Feel free to check out my other reviews of free online embroidery books!

Thanks, Megan!
]]> book review online needlework books embroidery books 12421 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-01 23:08:29 2008-02-01 23:08:29 1 0
And thanks for the tip on the Yarn Barn connection, Judy. I'll follow up on that!!]]> 12422 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-02-01 20:30:00 2008-02-01 20:30:00 1 0 12423 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-02-01 19:04:00 2008-02-01 19:04:00 1 0
I followed the link which I gave to you yesterday. It put me to the main Gutenburg page for the book.

I could download it, or read on-line. I noticed that the read on-line version had a note "200 illustrations not included in the text only version"

I got the illustrations + easily scrollable pages at

http://www.gutenberg.org/files/20386/20386-h/20386-h.htm
( http://tinyurl.com/3bbgcm )

It might just be me. I've just had to re-boot coz a PDF killed my machine and now my "l" is sticking. My computer doesn't like me today! :-)]]> 12428 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-01-31 19:39:00 2008-01-31 19:39:00 1 0 http://www.needlenthread.com/2008/02/video-tutorial-for-ribbon-embroidery.html Mon, 25 Feb 2008 18:30:00 -0600 Mary Corbet 737 2008-02-25 18:30:00 2008-02-25 18:30:00 open open A-Video-Tutorial-for-Ribbon-Embroidery:-Gathered-Flower publish 0 0 post

The following video tutorial is for a gathered flower - the finished product is a flower made up of petals of gathered ribbon, with beads or French knots in the center. The teacher on the video is Di van Niekerk, who wrote the book Ribbon Embroidery and Stumpwork, which I've reviewed.

If you haven't seen Di van Niekerk's website, Crafts Unlimited, you should take a look at it. She's got heaps of beautiful stuff on there. For example, there's a whole page of royalty-free downloadable images perfect for all kinds of craft applications. They would make a great starting point for embroidery pieces, either with ribbon or thread or both. You can also print the designs on paper or on fabric and stitch over them, or use them for greeting cards and so forth. I think my favorite downloadable image is "Mother Goose."



The images aren't free - they are about US$13.08, according to today's conversion rates. The investment would be worth it for a royalty free image that you can use over and over again in different applications, especially if you're looking for a starting point for some ribbon embroidery or stumpwork!

Probably the most tempting thing on her site, for me, is her book A Perfect World, which is another panel embroidery featuring small motifs in stumpwork and ribbon work, much like the one featured in her previous book, Ribbon Embroidery and Stumpwork. The finished product looks fantastic, and each of the little motifs could be worked individually in smaller projects.



While you're looking at the book, be sure to click on the "Glimpse of A Perfect World" underneath the book image, which will take you to a flash preview of the book that you can flip through. Nice! You can pick up the book through Amazon right now for just over $17 new, which is a good deal!



Here's Di van Niekerk's video tutorial for a gathered ribbon flower. Enjoy!

[youtube=http://www.youtube.com/watch?v=THMCM94nRzo]

For more video tutorials of hand embroidery stitches, be sure to visit my Video Library of Hand Embroidery Stitches, where you'll find video tutorials for about 46 stitches!
]]> ribbon embroidery book review video tutorials stumpwork embroidery books http://www.needlenthread.com/2008/04/book-review-long-and-short-stitch.html Wed, 16 Apr 2008 11:46:00 -0500 Mary Corbet 738 2008-04-16 11:46:00 2008-04-16 11:46:00 open open Book-Review:-Long-and-Short-Stitch-Embroidery-by-Trish-Burr publish 0 0 post Redoute's Finest Flowers in Embroidery, a while back, but perhaps I should have preceded that with her book, Long and Short Stitch Embroidery, A Collection of Flowers, since it focuses more on the method of long and short stitch needle painting. Well, as I've been getting my library in order, I've been pulling out favorite books for easier access, and this just happens to be one my faves. So I thought I'd tell you about it!

If you haven't seen Trish's Long and Short Stitch Embroidery: A Collection of Flowers, you should look it up and at least see the cover. It's a work of art. Featured on the cover is a flaming lily, a gardenia and some other blossoms, all worked in needle painting (or thread painting) techniques. The cover is gorgeous, and it's hard to believe that the flowers on it are indeed embroidered and not painted.

The primary stitch used in this kind of work is long and short stitch. The key to making the work look so realistic is the direction of the stitching and the shading achieved by the color selection and the stitching.



In Long and Short Stitch Embroidery, Trish takes the embroiderer (whether beginner, novice, or advanced) through the basics of long and short stitch. She has an excellent section titled "Tips for Improving your Long and Short Stitch," which any embroiderer interested in this technique would find useful. Perhaps the best tip is something that I figured out only after quite a bit of this type of stitching, but you'd get better results from the very beginning if you knew it in advance: the concept of drawing extra guidelines for stitch direction, then stitching a directional stitch along each guideline, and then going back between the directional stitches and filling in. This helps your stitches move gradually along the angle you want them to turn. It's a great tip, and nice to know when you first set out! Besides this, she covers other useful hints to make your stitching look perfect.



Besides covering the basics of materials and set-up, Trish takes the embroiderer through excercises in getting used to long and short stitch - filling in, for example, a simple petal shape. Then she takes you step-by-step through slightly more complicated shapes, showing how to effectively place your stitches and shade the shape. From there, she launches into smaller flower motifs, and then - wow! - a terrific selection of gorgeous flowers!

Each larger flower project includes a line drawing of the flower to use as a pattern; another line drawing that shows the angle or direction the stitches should flow in; a full color, close-up photo of the finished project already stitched; and, in most of the larger flowers, close-ups of different parts of the flower so that you can see it actually stitched and compare it to what yours should look like. And these pictures are INCREDIBLE! Really beautiful stuff!

She also includes a list of DMC and Anchor thread numbers, which makes it really easy to assemble the threads needed for any project in the book - you don't have to color-match!



My favorite flower in the book is the Protea. It's amazing! It reminds me of an artichoke, but so beautiful, with vibrant pinks, whites, and greens. Actually, there isn't any project in the book I don't like!

The projects would be suitable for any finishing that you would work surface embroidery for - household decor, book covers, whatnot - but they make such a striking finished piece that I would be inclined to frame them! They would make beautiful accents on the walls around the house, and anyone who saw them would look at them in wonder. "That's embroidered??!!" (I love it when people say that!)

So if you're not familiar with Trish's book, take a gander! You're bound to be impressed! If this is your type of technique, you'll be glad to have the book in your library. You can pick it up through Amazon for less than $13!

Incidentally, rumor has it (although I haven't received my copy yet) that this month's Inspirations magazine features a project by Trish. I'm really looking forward to that!

She's also coming out with a new book this summer. I believe it's on crewel work, and it should be fantastic. If it's the quality of her other books, we have something great to look forward to!



If you're looking for other embroidery book reviews, check out my list of needlework books I've reviewed here on Needle 'n Thread. You can also check out my bookstore link (Amazon affiliate program). I own every book that I review on Needle 'n Thread or that I have listed in my bookstore. If you have any questions about any of them in particular, just contact me!
]]> book review embroidery designers needlepainting embroidery books 11949 e carwile noreply@blogger.com 2008-04-23 15:59:00 2008-04-23 15:59:00 1 0 http://www.needlenthread.com/2008/05/goldwork-anyone-new-book-coming-out.html Fri, 02 May 2008 17:12:00 -0500 Mary Corbet 739 2008-05-02 17:12:00 2008-05-02 17:12:00 open open Goldwork,-Anyone?-New-Book-Coming-Out-Soon! publish 0 0 post

Country Bumpkin Publications produces an excellent line of embroidery books covering all kinds of techniques, and the books are great for beginners and experienced embroiderers alike. Their books feature step-by-step photographs of the stitches and techniques covered, which is wonderful when you're just learning (well, I think it beats the black and white diagrams, anyway!).



A-Z of Goldwork with Silk Embroidery is due for release in July of this year, and it can be pre-ordered now through Country Bumpkin. I would also guess you could pre-order through retailers here in the US that carry the CB A-Z books (for example, Wooly Thread or Needle in a Haystack). The shipping for Australia to America is pretty pricey!

The Goldwork book promises over 500 step-by-step photos and 10 projects covering 96 techniques of goldwork and silk embroidery. Check out the pre-order information on the A-Z of Goldwork and Silk Embroidery on Country Bumpkin's website for detailed information.

I've been waiting for this book for a while, actually - not that I knew it was coming, because I didn't! I just figured it was inevitable. I'm sure it'll be a good, quality book, and when I get my hands on it, I'll certainly let you know the nitty-gritty details!
]]> book review goldwork Inspirations Magazine silk embroidery books 11899 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-03 13:41:00 2008-05-03 13:41:00 1 0
I think Mary C will be able to give me a character reference.]]> 11901 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-02 18:46:37 2008-05-02 18:46:37 1 0
I thought of you when I wrote this post, you know! I figured you'd definitely have your eye on this book!

I'm looking forward to seeing Trish's projects. I'm also looking forward to her new book, which should be coming out soon!]]> 11902 Margaret C. noreply@blogger.com 2008-05-02 18:31:00 2008-05-02 18:31:00 1 0
I sure wish they had a flash version on-line of the goldwork book that we could flip through like they do for upcoming 'Inspirations' issues.

Oh, that reminds me, I just got my issue of 'Inspirations' (no. 58) this week. It's really, really good! I think it's going to cost me a lot of money....sigh. (I was trying so hard to stay away from kits--darn!)

Here's a link to the flippy version of the current issue of 'Inspirations':

http://www.countrybumpkin.com.au/product_info.php?cPath=2_72&products;_id=434963

I don't think the on-line photos do justice to Trish Burr's trio of pillows, beautiful as they are. They are absolutely gorgeous in the magazine. Trish Burr is the author of the fabulous thread painting book that Mary recently reviewed.]]> http://www.needlenthread.com/2008/05/trish-burr-needlework-publishing-and.html Thu, 08 May 2008 06:39:00 -0500 Mary Corbet 740 2008-05-08 06:39:00 2008-05-08 06:39:00 open open Trish-Burr,-Needlework-Publishing,-and-More,-Part-2 publish 0 0 post the first half of her story or seen the photos of her work, do check them out! In the meantime, on to Part 2 of Trish's story.

I'm going to let Trish do the "talking" here and keep my big mouth shut! Enjoy!

The next book was Long and Short Stitch Embroidery: A Collection of Flowers, published in 2006. In 2004, we decided to make the move to Cape Town, so along with packing boxes and the new school uniforms came the plans for the next book! I decided to do a book on the technique of long and short stitch. I had begun a master craftsman course with the EGA so that I could teach when we got to South Africa, and it became apparent from my students that people were nervous of long and short stitch, so I resolved to make it plain. The publishers were not keen on text books; they wanted another project book, so I decided to combine the two.

I remembered how frustrated I had felt with the instructions in the books that I had learnt from. They give you the basic outline but left out those vital tidbits like how to achieve a smooth blending or what to do when working a difficult shape, so I spent the next two years researching this technique. I got onto my e-mail and contacted experts from all over the world who were kind enough to pass on their pearls of wisdown.

I tried to put myself in the shoes of someone who would be trying to learn from this book and decided to cover every aspect of long and short stitch from beginning to advanced.

There seemed to be a lot of confusion in the different interpretations, such as silk shading, soft shading, needle painting, etc. The Chinese used the hidden stitch method for hundreds of years, but the Western world has adapted this by splitting the yarn, and this is the commonly used technique today.

Long and short stitch is used to fill a shape with softly blended colours. If you are using it for Jacobean work or decorative surface stitching, it is usually used to shade from, say, pale pink to dark pink, but if you are using it in needle painting for a realistic effect, it is quite different and becomes more like staggered satin stitch.

When I was doing Redoute, I used padding to give a realistic 3-D effect, but I have changed my thoughts on this and now use contrast in color to give the same effect. This is a much simpler and faster way to work.

The first 50 pages of this book [Long and Short Stitch] tells you everything you need to know about the technique with step-by-step guidelines and a troubleshooting section, and then there are 21 projects from beginners to advanced. The paintings for the projects were used with permission from various Botanical artists. The book was reviewed and endorsed by Sally Saunders of the Royal School of Needlework before it was published and is now the text book for my classes.

The last book was Crewel and Surface Embroidery: Inspirational Floral Ideas. When the publishers asked me to come up with another title, I was lost for ideas - I supposed you could say I had writer's block. My long suffering family supported my efforts as I ploughed through books, paintings, and the internet trying to come up with novel ideas.

By now I had joined the Helderberg embroidery guild and became aware of all the wonderful ways that embroidery could be expressed...

Space dyed and variagated threads were becoming very popular, but I was convinced that these could not be used for long and short embroidery... However, I proved myself wrong and found a way of incorporating some of the softly blended space dyed threads into long and short stitch.

I came across some decorative painting pictures of floral sprays by Gretchen Cagel in the US and with her permission based my designs on these. The result was a mix of thread painting and Australian wool embroidery. I combined wools, silks, and cottons together and created semi-realistic floral bouquets. The designs are fun to do and not too taxing!

There are three sections [in the book], one for beginners, intermediate, and advanced. Each section has step by step instructions and lists DMC and Appleton wool alternatives for all the threads used. This book has just been released...

A Bit on Book Publishing: Publishing has advanced dramatically in the last few years and I have had to keep up with these demands by learning computer illustrating and photographic editing. Books have become more visually oriented with enlarged photographic details and computer drawn illustrations that are lifelike. The reader wants fewer words and more pictures. Fortunately, the publishers have a professional who photographs the finished stitching because I am hopeless at taking photographs - I generally chop off people's heads or shoot the background instead!!

Editing: There is a specialist editor who proof reads my work and goes through the project instructions with a fine tooth comb, so I don't need to know how to spell! I do all the stitching and instructions myself and am required to do a minimum of 17 projects for a book. I am given advance payment which covers the cost of my materials. The entire process from start to delivery of the manuscript takes about a year and then another 6 months for editing and printing.

Sales: I have nothing to do with the sales of the book. The publishers distribute the book worldwide through their agents - although we do seem to have some problems in this regard to South Africa. If an author is lucky enough to go into a reprint in the first three months, it is considered to be selling well and there is always a chance that it could be translated into other languages, in which case the book exceeds its estimated print life. My last book was translated into Russian and Polish (not the upper scale of the market, but nevertheless....)

Royalties: I get a token royalty on each book that is sold. It is hard work and the returns are modest: it certainly doesn't pay the bills, but there is something to be said for seeing all that hard work in print and knowing that what you set out to do has been achieved and will hopefully benefit others.

I would like to conclude by saying that books are a wonderful way of sharing your knowledge with others. We need to keep hand embroidery alive, and if we can't share our ideas, if we hug them to ourselves, then they become lost and are worthless in the future.

If I give you a present, then I no longer have the gift - you do. But if I give you an idea, then we both have it - and if you give it to someone else and they share it with others, we have multiplied that idea.

If any of you have an idea to share, consider writing a book - you never know where it might lead you!

And there you have Trish's words on where she's been and how she got there! I hope you enjoyed reading her take on publishing needlework books, her tidbits of information on techniques, and her beautiful project samples as much as I did!



]]> Trish Burr book review needlepainting embroidery books crewel work needlework pictures 9973 NorseArcher noreply@blogger.com http://www.geocities.com/NorseArcher 2008-10-30 12:18:00 2008-10-30 12:18:00 1 0 NorseArcher, MA, USA]]> 11768 Love to Stitch 99 noreply@blogger.com http://www.blogger.com/profile/08717611751588945815 2008-05-27 19:49:00 2008-05-27 19:49:00 1 0
I still need to find the time to make at least one of Trish's projects.

Pierrette =^..^=

Pierrette =^..^=]]> 11869 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-05-09 00:37:00 2008-05-09 00:37:00 1 0 really tried, but these books might just spur me on to have a go.
Thanks for sharing, and
Hooroo,
Christine.]]> 11870 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-08 15:57:00 2008-05-08 15:57:00 1 0 Thankyou so much for this,]]> 11871 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2008-05-08 09:56:00 2008-05-08 09:56:00 1 0 Thank you so much!! by this complete article, that I like very, very much!
A kiss]]> http://www.needlenthread.com/2008/05/crewel-and-surface-embroidery-book.html Mon, 26 May 2008 08:29:00 -0500 Mary Corbet 741 2008-05-26 08:29:00 2008-05-26 08:29:00 open open Crewel-and-Surface-Embroidery-Book-Review publish 0 0 post Crewel and Surface Embroidery: Inspirational Floral Designs, and I've had a chance to look it over carefully and absorb some good tips and insights about thread painting (long and short stitch) techniques. So here's my review of the book...

Crewel and Surface Embroidery by Trish Burr is one of three books she's written on the subject of long and short stitch techniques. This third book is exquisite in a number of ways: first, the presentation - it's a beautiful book, with clear photos and diagrams and a nice print layout.



Second, the projects are exquisite: stunning flower arrangements in various color schemes that would suit any embroiderer's preferences for color.

Third, the detailed explanations and directions, as well as the tips and tricks before beginning and along the way, are perfect for any level of embroiderer. Even if you've never worked any long and short stitch techniques or done any soft shading, you will be able to with this book. If you've been intimidated by thread painting techniques, your trepidation will melt away if you read Trish's tips and follow her advice while working through the project.



Fourth, whether you like floral designs or not (some embroiderers might not be "into" floral motifs), the information in this book will translate to any kind of thread painting project - whether figure embroidery (people and their clothes) or scenery, or even animals. Really, the book is about shading and how to add dramatic and subtle contrasts with different colors and shades in order to produce a realistic and appealing picture.

Some of the best points of the book:

1. The section on tips for working the designs. This comes at the beginning of the book, and is an itemized list of pointers for executing the designs. The points, however, apply to all kinds of needlework projects. You'll find advice about transfering your designs, the order of embroidery, thread choice, etc.

2. The section called techniques, where Trish covers everything from the grain of the fabric to completion of a project (that dreaded finish work!) - blocking, mounting, and so forth. Again, all this information is applicable to any embroidery project.

3. The section on practice motifs, step-by-step. This is a gem of a resource for anyone interested in thread painting. Trish takes the reader step-by-step through common motifs from the simple petal, to the petal with a turned edge, to the simple leaf, to the leaf with highlights. She gives details on working each motif, along with pictures showing the development of the motif.

4. The projects themselves: These are arranged from smaller and simpler to larger and more complex (beginner to advanced). Each project is accompanied by a thread key, a color photo of the completed project, an outline drawing (to use as your pattern), a line drawing with directional lines marked in (to use as a guide), and a watercolored sketch-up to help see clearly where the shades change. In the first several projects, very detailed instructions are given for every step of the way. Later in the book, the instructions are still detailed enough, but not as detailed. As you become more proficient with the basic techniques of shading and so forth, the minute details are not as necessary.



Comparing this book to her other two on similar subjects (Long and Short Stitch Embroidery: A Collection of Flowers and Redoute's Finest Flowers in Embroidery), I like this one best as far as information goes. I think I prefer the style of flowers in Redoute and Long and Short Stitch (they are more "natural" in their presentation, rather than arranged in sprays) over the style of flowers in this book. Yet, despite that preference, this book the best of the three (in my opinion) as far as teaching the technique is concerned. Everyone's tastes differ, though - you may prefer these projects to those presented in the other books. Certainly, the projects in this book are more suitable for a "whole presentation" effect. They would look complete, for example, on a pillow cover or framed. The flowers in the two previous books are somewhat isolated.

If you want to see some of Trish's work - including projects in this book - check out Part I and Part II of my recent interview information from Trish.

So that's the book! You can pre-order it through Amazon, or, if you can't wait to get it, you can order it now through Sterling Publishers.




]]> book review needlepainting online needlework books embroidery books crewel work 5518 Anonymous noreply@blogger.com 2009-09-24 08:04:57 2009-09-24 08:04:57 1 0 1. I would follow the author's instructions if I was new to needle crafting. But most of the time I do my own thing, I choice my on color choices and so forth.
well if I was new then I would have to follow the author, because you are learning something new and really don't know how to do it.
I would be one that tried my own thing because I might like the design and not the colors or something else might look better with it.
Lila Morris]]> 5530 Lynn S noreply@blogger.com http://www.blogger.com/profile/07121601159151533469 2009-09-24 07:11:30 2009-09-24 07:11:30 1 0 5533 Bobbi Pohl rj.pohl@verizon.net http://www.blogger.com/profile/00971467142314900997 2009-09-24 06:45:52 2009-09-24 06:45:52 1 0 8515 elsa corrales noreply@blogger.com 2009-02-27 19:37:00 2009-02-27 19:37:00 1 0 elsa8805@hotmail.com]]> 10549 Anonymous noreply@blogger.com 2008-09-13 16:52:00 2008-09-13 16:52:00 1 0 10556 AK Kathy noreply@blogger.com http://www.blogger.com/profile/13974489547205801044 2008-09-13 12:36:00 2008-09-13 12:36:00 1 0
AK Kathy]]> 11349 crewel Al sur de Chile lanascrewel@gmail.com http://www.blogger.com/profile/07137758217263492532 2008-07-18 17:05:00 2008-07-18 17:05:00 1 0 We are prepared to export to any country.
http://crewelalsurdechile.blogspot.com/]]> 11766 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-05-28 09:58:00 2008-05-28 09:58:00 1 0
Maria del Valle]]> 11772 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-26 13:12:00 2008-05-26 13:12:00 1 0
And that she's got "Each project is accompanied by a thread key, a color photo of the completed project, an outline drawing (to use as your pattern), a line drawing with directional lines marked in (to use as a guide), and a watercolored sketch-up to help see clearly where the shades change. "

She had a different mixture of these in the other books, and it's great that they are all together. I really think that you need all of these types of presentations of the project.

Gotta get, gotta get, gotta get

Thanks for the review :-)]]> http://www.needlenthread.com/2008/05/needlework-books-bestsellers.html Fri, 30 May 2008 06:36:00 -0500 Mary Corbet 742 2008-05-30 06:36:00 2008-05-30 06:36:00 open open Needlework-Books---Bestsellers publish 0 0 post

While I was shuffling through my needlework books this past weekend, I became curious about the books people buy. This, in turn, led me to checking my reports to see what the "top sellers" were from the bookstore here on Needle 'n Thread. I thought I'd share the results of my perusal with you!

According to my reports, here are the top eleven needlework books that people have bought through Needle 'n Thread in the last few months, arranged from least popular to most popular. I've linked them up to my reviews of the books listed.

10. Beginner's Guide to Crewel Embroidery - actually, many clicks and many copies ordered, but this one has been listed on the site for only a little while!

9. Whitework: Techniques and 188 Designs (Dover)

8. Painting with a Needle: Learning the Art of Silk Embroidery

7. Goldwork Embroidery: Designs and Projects

6. Compendium of Ancien Artistic Initials for Vintage Style Monograms

5. Beginner's Guide to Goldwork

4. The Embroidery Stitch Bible

3. 18th Century Embroidery Techniques

2. Beginner's Guide to Silk Shading

1. The Embroiderer's Handbook and Mary Thomas's Dictionary of Embroidery Stitches (tied for #1 spot)

I'd be curious to find out what peoople look for in a needlework book. I have my own criteria, which can be summarized, as I said above, with "a good presentation of good information." But that's rather general, isn't it? What do you consider necessary to make the book "good"?
]]> book review online needlework books embroidery books 11749 Anonymous noreply@blogger.com 2008-05-31 20:09:00 2008-05-31 20:09:00 1 0
Oooh! I'm loving the look of The Embroidery Stitch Bible! I love that it's a spiral-bound book. I could use that feature for sure!

I went with this one for my first...
http://www.amazon.com/Stitch-Sampler-Ultimate-Dictionary-Stitches/dp/0789446286/ref=pd_bbs_sr_1?ie=UTF8&s;=books&qid;=1212281976&sr;=1-1

I do like it and am using it every day. But I'd love to get a dictionary that I don't have to find creative ways to prop open while I'm trying to follow directions and use my needle at the same time.]]> 11751 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-31 14:48:00 2008-05-31 14:48:00 1 0
I was recently in the position of needing a stitch dictionary as well, and not knowing many embroidery stitches.
And like you, wanted step by step colour photographs.
I recommend that you read Mary's reviews of
http://www.needlenthread.com/2007/12/book-review-embroidery-stitch-bible.html

and

http://www.needlenthread.com/2006/06/embroiderers-handbook.html

I have the second one, and just love it - it's so clear!]]> 11754 Anonymous noreply@blogger.com 2008-05-31 05:59:00 2008-05-31 05:59:00 1 0
I'm taking baby steps. :) I keep putting little bits and pieces into the designs I'm creating on quilt blocks where I force myself to practice satin and long and short stitches. Aaargh! lol! I'm never fully happy with the results. But I'm going to keep trying! -Jeannine]]> 11756 Margaret C. noreply@blogger.com 2008-05-30 17:21:00 2008-05-30 17:21:00 1 0
I have a handful of these and they do indeed have nice little motifs and designs. I would definitely recommend them if you are looking for pretty, but nice designs that are not too complicated.]]> 11757 Margaret C. noreply@blogger.com 2008-05-30 17:11:00 2008-05-30 17:11:00 1 0
What I look for in books is inspiration and technique. I don't think I've ever found a single book on a technique that answers all my questions or meets all of my needs for that technique--and I don't expect that either. I hope to pick up tips and tricks here and there and then funnel that information through my, um, brain to see what comes out on the fabric.

The other thing I find in books is that I either don't necessarily care for the projects, but the text is good and vice versa. Either way I get something from the book.

Jeannine: don't be intimidated! It's only embroidery. :-) Start simple and move forward when you're ready. If you see a book such as Trish Burr's that you are attracted to, buy it. Use it for inspiration and goal setting. I have been doing that with goldwork. I have seen pieces/effects that I like and I want to be able to do that! It does take practise; none of this stuff happens overnight or necessarily on the first try. If it's important to you then the journey will be worth it.]]> 11760 Anonymous noreply@blogger.com 2008-05-30 11:28:00 2008-05-30 11:28:00 1 0
For me, as new as I am to embroidery, there are a plethora of stitches that I'm just discovering and have not tried yet. I had no idea there were so many to learn!

I need lots of practice, so I'm creating my own quilt blocks from scratch, using a water erasable marker to create simple line drawings to embroider. This allows me to decide which new stitches I want to practice and apply to the blocks.

So what I needed was a stitch dictionary. And what I needed in a stitch dictionary was lots and lots of colorful photographs showing all the steps of how a stitch is created.

I'm just no good with black and white how-to illustrations. If I stare at it long enough I'll figure it out, but not without feeling as though I've bruised my brain! :P

Thus far, I'm intimidated by what, to me, seems like advanced embroidery techniques, so I haven't purchased any books such as Trish Burr's and alike. I don't want to get frustrated by not being able to produce something as beautiful and complex as what I find on those pages.

For now I'm trying to keep it simple and fun, and I'm looking for books that lean that way too. I've recently discovered Ondori books on embroidery. They can be hard to find. Many seem to be out of print now. But the ones I have found contain very simple embroidery designs. It's sort of like embroidering a kid's drawing, or doodle stitching embroidery. Not sophisticated but fun! - Jeannine]]> http://www.needlenthread.com/2008/06/embroidery-book-reviews-iron-on.html Sun, 15 Jun 2008 06:02:00 -0500 Mary Corbet 743 2008-06-15 06:02:00 2008-06-15 06:02:00 open open Embroidery-Book-Reviews:-Iron-on-Transfers publish 0 0 post the beginning of a monogrammed linen guest towel) that, to make my embroidery classes a little easier this summer, and to eliminate the time for transferring designs, I decided to go with iron-on transfers. I think there's a knack to ironing on a transfer - you'd think it wouldn't be that big of a deal, but I'm finding that it actually is.

As I started looking for suitable iron-on transfer books for the embroidery classes, I concentrated on monograms first. We're embroidering a selection of different household linens, and monograms always work great for any kind of linen in the home, I think. Even kitchen towels are suitable for a monogram! (Like this monogrammed kitchen towel my mom received for her wedding 51 years ago, hand embroidered by a friend - and it's still being used!)

I started searching, and I came up with several iron-on monogram books that I purchased, to add to a few books I already have.

First off, are two books by Leisure Arts, called Monograms & More, and Monograms & More, Book 2.



I like both books a lot - there's quite a variety of styles of monograms in both books.



If I were selecting one or the other, between the two books, I think I like Book 2 best. I took the "B" from the sample I'm working from an alphabet in Book 2. I'm glad I got the first one, though, too, because now I have a wide variety of alphabets.

I also picked up Repeats and Borders, by Dover Publications.



This is a great book, chockful of iron-on designs for borders, with corners and everything. They range from simple borders to much more complex ones, like the one pictured on the cover. There are "cutesy" little borders (animals, fish, etc.) and sophisticated, stylized borders.

I haven't tried ironing on a repeat pattern yet. That seems like a complex undertaking, if you want to get it just right. Most of the items we're working, though, don't require a long border. I'm thinking more in terms of small designs in corners.

Finally, I also picked up this Fun and Funky Embroidery Designs, also published by Leisure Arts. The designs are just that - fun, and a little funky in some parts. There are a few alphabets included as well.



Besides the above books, I also have in my own stash several of the Mains et Merveilles magazines, which are French publications full of iron-on transfers of neat designs. Hedgehog Handworks used to carry a larger selection of these, but I notice they are down to offering just one issue now. They are beautiful and excellent magazines, if you can get your hands on them. In fact, that's a magazine I'd love to subscribe to, but my limited French can't assist me in finding out how to do so! I can't seem to find out if they are still being published - anyone know??

And finally, I've got another tiny little French-published book of iron-on monograms that are small, perfect for hankies.

So that's basically what we're using for patterns for this summer's classes, with the exception of a few projects which are hand drawn, and a few embroidered greeting cards (also hand-drawn).

If you're looking for iron-on transfers for your own monogrammed or decorated stuff, you might want to check out the books available from Leisure Arts. They're fun and pretty, and economical (well, they'll save you a lot of time, anyway!).

Back to playing catch-up with my needle 'n thread!





]]> book review monograms embroidery books 11542 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-22 12:31:16 2008-06-22 12:31:16 1 0
I personally wouldn't use it under embroidery, but other people might - and maybe they've had good results from it. I'd love to hear about it, if so! I think quilters use it to transfer a whole image (like a vintage photo or something on a crazy quilt).]]> 11543 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-06-22 11:49:00 2008-06-22 11:49:00 1 0 I found a link to short video clips describing the process and it looks promising, but it mentions the "elasticity" of the design - could be the fabric used but it caused me to wonder if it would work for embroidery?
Here is the link:
http://www.expertvillage.com/video-series/4148_iron-ons.htm]]> 11579 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-18 11:36:00 2008-06-18 11:36:00 1 0 http://www.edisaxe.com/broderie/grilles-modeles-abecedaires/indexbroderie.php?cPath=23&osCsid;=0eec46c1867008ec6df8c4a9bed29396

You can order Mains et Merveilles
and here
http://www.journaux.fr/revue.php?id=101866]]> 11603 Anonymous noreply@blogger.com 2008-06-15 21:15:00 2008-06-15 21:15:00 1 0
There are quite a few to be found here...

http://www.violarium.com/index.php?main_page=index&cPath;=14_77

The site above sort of leads me to believe that one would be able to subscribe still, because they say they are selling a "current" issue. Or they were, it's sold out now.

Perhaps if you wrote to the folks at Violarium.com they could tell you how to subscribe.

It's odd too, if the magazine is still running, that Amazon.fr doesn't show anything when you do a search.

And although Ebay.fr has a handful of Mains et Merveilles items, I can't really tell what the issue dates are. I can't tell if they ship to the states either. :-/

-Jeannine]]> 11606 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-15 08:53:34 2008-06-15 08:53:34 1 0 really tricky part to iron-ons.... in fact, that was the biggest blunder!

But thanks for pointing it out, and I promise a follow-up post soon, with tips about iron-ons.]]> 11608 eydie noreply@blogger.com http://shebrews.com 2008-06-15 07:29:00 2008-06-15 07:29:00 1 0 http://www.needlenthread.com/2008/06/kids-embroidery-felt-bookmark-sample.html Fri, 13 Jun 2008 06:30:00 -0500 Mary Corbet 744 2008-06-13 06:30:00 2008-06-13 06:30:00 open open Kids'-Embroidery:-Felt-Bookmark-Sample publish 0 0 post

Actually, except for the first two stitches of each new embroidery stitch, and a couple "fix ups" here and there, my niece did the whole thing on her own, which was good because I saw that it is an easy enough project for my youngest group of kids (8 & 9 year olds).

Now, it isn't going to go quite this way in class! We started by selecting colors - but the bookmarks with designs already on them and coordinating threads will be ready for the kids when then get to class. They won't have to labor over choices of colors of felt or thread, or over design! I know it sounds a bit restrictive, but trust me. The slowest process of teaching kids is not actually teaching them to stitch. It's helping them make choices on colors or designs. To move the classes along this year, this decision-making has more or less been eliminated. On their last project that they work, the kids will have some lee-way, but by then, they'll know what stitches they like and their little hearts will already be set on their favorite color schemes.

This is how our little test session went:

First, we picked out two coordinating colors of felt: pink and periwinkle. Emma wanted pink and green, since they are her "favorite" colors, but the green just didn't go. So she "settled" for the periwinkle, which is actually a very pretty color.

Then we picked out four colors of thread: periwinkle, light blue, yellow, and green.

Then "we" decided on a design. Emma wanted an "E" for Emma ("It should be in cursive!") and some flowers.



So that's the design we settled on. The running stitch border is marked out in even stitch spaces, which is a good thing to do for children who are just beginning to stitch. It takes more time to mark out the stitches, but they get the hang of even stitches much better if they begin with specific stitch markings.



The running stitch border was worked first.



We're using #5 perle cotton for all the stitching. It's much easier, when working with kids, to use embroidery threads that are one strand, that don't have to be stripped and put back together again.



She worked stem stitch for her flower stems, and I was rather impressed! I showed her only two stitches, and she did the rest. When I showed her the stem stitch, I didn't pull the thread all the way through, but I left a big loop hanging down, so that she could see where to put the needle in, and so that the working thread remained below the needle. I told her to make sure her thread hung in a Big Smile, and that's how she'd know it's in the right place. And it worked - she remembered, and I didn't have to correct anything on those lines. Good job!



Yep, it took concentration!



The "E" was worked in backstitch in periwinkle and whipped over with light yellow. There's a bit of wobbly stuff going on there. Kids get uptight when stitching, and will often compensate for their awkward motor skills by making their stitches too small. It takes a while for them to get the hang of spacing, and even then, it isn't necessarily easy. Some of the backstitches were too small and a little cock-eyed here and there, which led to a wobbly whipped backstitch. But you know what? She's 7 years old, and it's the first time she's ever done this! So under the circumstances, I was pretty pleased!



You can see the wobbles a bit better here.



The leaf was worked in plain backstitch. I was duly reminded, "Don't forget to draw a line in the middle of the leaf." Of course! Every leaf has a line in the middle!



The lazy daisies took a little more work (by the time she was working on those, she wasn't saying, "This is SOOOO easy!"). Missed loops and a couple knots on the back slowed it down a bit, but the end result was very good! She stitched the petals in blue with a yellow straight stitch in the middle.



All in all, the back is not bad! She got the hang of starting and stopping threads without knots without a problem, but the wrapping and weaving through the back threads did cause a little bit of build up. Still, not bad!



Perhaps I should skip my trimming story. It was not meant to be trimmed quite so close to the running stitch border, but... well, I'm a lot like my dad when he goes out to trim the hedges. A little more here, a little more there, a touch here, a snip there, until the hedges are gone! I didn't have my rotary cutter and mat available, so I just eye-balled it. Remind me to get the cutter and the ruler out!

We had a good time, actually - I told her stories from books I had read when I was a kid, and she told me stories from books she's reading now. And we both persevered for four hours. Close to the end of the four hours, I tried to teach her the French knot, but that was pushing it! So we called it a day!

I'll be taking Joey's advice and fusing this to the second layer of felt, then using scalloped scissors, if I can find some, for a decorative edge.

This is a nice project to work with a little kid, so if you're looking for something fun to do this summer with one of the kiddos, try it!
]]> embroidery for children pictures needlework pictures beginner embroidery 11605 Marian noreply@blogger.com 2008-06-15 17:27:00 2008-06-15 17:27:00 1 0
I agree, periwinkle is such a lovely shade of blue but I'm biased as it's my favourite colour :)]]> 11615 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2008-06-13 13:27:00 2008-06-13 13:27:00 1 0 I also noticed the premarking stitches helps too, in fact I had done it on a 6/7 year old and when she moved on to not needing them she had nice even (for a 6/7yr)stitches than the older sibling (10) who didn't get the marked stitches! LOL
Oh and I agree on having premarked and selected threads for faster time too, very smart, and I'll have to remember that next time I'm going to teach a kid.]]> 11616 Miss 376 noreply@blogger.com http://loopylousadventuresintohandicrafts.blogspot.com/ 2008-06-13 12:59:00 2008-06-13 12:59:00 1 0 11618 Meeta V. noreply@blogger.com 2008-06-13 09:35:00 2008-06-13 09:35:00 1 0 11619 Anonymous noreply@blogger.com 2008-06-13 09:20:00 2008-06-13 09:20:00 1 0
That bookmark came out great! Kudos to Emma! -Jeannine]]> http://www.needlenthread.com/2008/06/weekend-embroidery-project-silk-ribbon.html Thu, 12 Jun 2008 06:30:00 -0500 Mary Corbet 745 2008-06-12 06:30:00 2008-06-12 06:30:00 open open Weekend-Embroidery-Project:-Silk-Ribbon-Kit publish 0 0 post

This is a Bucilla ribbon embroidery kit. A friend gave me a slew of these kits (well, three or four), in case I wanted to use them for my summer embroidery classes. They actually do make great prizes - I gave one as a prize last year. But I thought, for the fun of it, I'd work one up to see how thorough Bucilla kits are.

Bucilla is a well-known name in needlework kits, simply because they're everywhere. You can find them at any local hobby or craft store. But I don't know much about their actual quality, as I've never used one of their kits. So this was an adventure (in a low-key kind of way!), and it was something to do late at night, without having to dig out a big project.

This is the finished product - a fairly sturdy keepsake box, topped by a little silk ribbon embroidery design.



The pros of the kit:

1. I like the idea of the box. It's pretty, it's sturdy, it has a magnetic closure, and it's useful.

2. The stitches are super-duper simple stitches, accessible to any beginner, and the stitch diagrams in the instructions are clear.

3. The project is small enough to be completed in one evening.

4. The overall finished product is attractive.

5. The kits are relatively inexpensive. In fact, for me, they were free (thanks, Amy!). They were bought on clearance, which is always a good way to pick up little projects inexpensively.

The cons of the kit:

1. The fabric is too small, and it's kind of cheapy fabric. If it is supposed to be hooped up, as directed, the beginner might wonder how to accomplish that. You'd have to sew extra fabric around it if you wanted it to fit in a hoop, unless you had a three inch hoop. A four inch hoop is too big, even. I worked it in hand, which isn't so easy with ribbon embroidery, French knots, and so forth.

2. The print of the design was a little off center. This is noticeable when the piece is finished and mounted on the box.

3. There wasn't enough light purple ribbon, but there was enough dark purple, so I just substituted that.

4. They used simple stitches, I guess with the beginner in mind. But there are ribbon stitches that are equally simple that would have been more attractive for some of the flowers. The bunches on each side of the spider web (pale yellow) rose are ok, but not that attractive. But I will grant that they are simple - they are cross stitches with a French knot in the middle.

5. For the spider web rose, they specified the light yellow ribbon, with the spokes worked in the same color floss. Strangely enough, there was only dark green and dark purple floss. No pale yellow in the kit. I could have used the dark green - and probably should have - but instead, I used the ribbon for the spokes.

6. Mounting problems: they supply on the box two borders of double-sided sticky tape (already on the box - you just remove the top strip). The inside border is where you mount the fabric, and after you've stretched it and mounted it on this sticky tape, you are supposed to trim the fabric straight along the edge of the tape. This would be done easily with a ruler and a rotary cutter (carefully - you don't want to slice the box through). But they didn't specifiy that. I started with scissors, but it was a messy job. Then, the outside mounting strip is for the window covering of the top of the box. It doesn't work. The top would not stay stuck, even when I piled some heavy books on top of the box to press it down. So I resorted to Elmer's glue, and glued it on. For good measure, I also glued the edges of the fabric. Then I wiped any excess off with a damp towel, and I piled books on top of the box overnight for it to dry. That worked.

7. Finally, you can see the pattern of the box behind the fabric when it's mounted. If you're expected to put a lining behind that, they should specify!



That's the inside of the box.

Despite the longer list of cons, I think it was a good Quick Project. I'm happy to have the box and the other kits, which I'll work up over a couple evenings. They'll make great prizes for the kids' classes!
]]> Embroidery Projects ribbon embroidery pictures needlework pictures beginner embroidery 11612 Marian noreply@blogger.com 2008-06-13 18:01:00 2008-06-13 18:01:00 1 0
Many years ago, an English company broguht out the Needlework collection - a series of partworks that build to a complete collection of needlework skills and projects. Each partwork had a small kit on the front with materials and threads. Ih ave to say, I learned that utilising the material provided was not a good idea, for some of the same reasons you found with your kit here. Not enough thread length or threads; missing colours and inferior material that wasnt large enough. Now I am very careful buying kits and usually buy larger amounts of the same material - just in case!!]]> 11620 Anonymous noreply@blogger.com 2008-06-13 09:05:00 2008-06-13 09:05:00 1 0
I don't have much experience with kits. Most of the stamped pieces that I've gotten are old enough that if they ever did come with measured quantities of floss, the floss is now long gone.

I have gotten a few brand new stamped linen pieces from Fairway and from Dimensions. I was disappointed to find that compared to vintage stamped pieces, the fabric used for these newer pieces is so thin and flimsy. It's such a shame that quality is just not as much of a priority as it used to be. :(
-Jeannine]]> 11621 Marlena noreply@blogger.com 2008-06-13 02:21:00 2008-06-13 02:21:00 1 0 11622 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-12 22:02:44 2008-06-12 22:02:44 1 0
Margaret - the box is about 7 x 4 maybe, and about 2" deep. It's a good size for storing some threads, or maybe embroidery scissors...]]> 11623 margaret c. noreply@blogger.com 2008-06-12 21:11:00 2008-06-12 21:11:00 1 0
How big is the box (just approximately)?]]> 11624 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-06-12 20:25:00 2008-06-12 20:25:00 1 0 http://www.needlenthread.com/2008/06/june-embroidery-stash-contest-winners.html Wed, 11 Jun 2008 08:21:00 -0500 Mary Corbet 746 2008-06-11 08:21:00 2008-06-11 08:21:00 open open June-Embroidery-Stash-Contest-Winners... publish 0 0 post June's embroidery stash give-away!

This month, as you know, was a special stash contest, the likes probably not to be repeated again (well, I'll come up with something interesting for July, surely!). In celebration of turning two years old (my website - not me), I drew two names, and asked two questions.

The answers you gave to my questions were So Helpful! I don't know if you realize how much it takes to keep the juices flowing when writing daily (or practically daily), and not knowing what it is that actually tickles your audience's fancy. I probably should've asked those questions a long time ago! You've given me heaps of great ideas and good advice, much of which I will take advantage of over the next few months!

Yeah, yeah... you want me just to get on with it, don't you? I was chuckling as I drew names this morning, because the names are similar in a lot of ways, and they rhyme. I don't know why I thought that was funny, but I did. Perhaps it was just the long hours without electricity!

OH - let me explain how I do this. I write out the names on paper (or type a list - easier to write this morning), cut them up, and draw. Those who left multiple comments only went in once, and the one or two Anonymous commentors still got in there as well, with "Anonymous" as the name, followed by keywords from their post.

I fold all the little scraps up really small and shake them up in a box, and... I draw the names.

And the winners are....

Meeta V. and MargeB.

If you would please contact me with your snail mail addresses, I'll get the packages in the post!

I wish I could send EVERYONE a little something, but I'm afraid that would do me in! So stay tuned for July's stash contest, which will include Something Nice, I promise!
]]> stash contest 11625 Anonymous noreply@blogger.com 2008-06-12 08:28:00 2008-06-12 08:28:00 1 0
Ooh, I so need an Ott light or some sort of set up where I can see the true colors of my thread. Another item on the wish list!

The lamp I use in the living room isn't too horrible. But with this heatwave we've had, I've been hiding in the bedroom with the AC for a couple of days. The light in there is so bad I can't even recognize the threads I've been using, they look so different.

I'm so glad the storm damage missed you and yours, Mary. We were lucky here too, but folks just south of us were hit hard by damaging high wind storms brought on by this heatwave. - Jeannine]]> 11626 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-12 07:47:12 2008-06-12 07:47:12 1 0
I'm not sure how people managed stitching in candlelight! Their eyesight probably didn't last too long! I can't live without my ott light.

We've had a few bouts of bad storms nightly for a while now - last night the tornado sirens wailed until they woke me up and I realized what was going on. As soon as reality struck, they went off again! Whew! We're blessed not to have any really serious damage.]]> 11627 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-12 07:41:31 2008-06-12 07:41:31 1 0
Once you get the hang of working a tambour needle, it's actually a very quick way to fill an area or work a line with even chainstitching. You can find tambour needles and frames at Lacis.com.

Hope that helps!

MC]]> 11630 gpiazza noreply@blogger.com 2008-06-12 07:18:00 2008-06-12 07:18:00 1 0 11634 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-06-11 18:02:00 2008-06-11 18:02:00 1 0 I too thank you from the bottom of my heart. I feel so lucky this morning. I have written to you but would like to reiterate how much I really appreciate the time and energy you put into this blog. I find it almost impossible to come up with a weekly entry, much less a daily one. Also it is not just an entry, it is something really meaty each day. So thankyou again for this blog and many happy returns again.
Smiling on the other sid e of the Pacific.

I was sorry to hear about your nasty storm - hope there was no other damage than the inconvenience of no electricity. How did our grandmothers stitch in candlelight?]]> 11635 Meeta V. noreply@blogger.com 2008-06-11 13:22:00 2008-06-11 13:22:00 1 0 http://www.needlenthread.com/2008/06/vintage-embroidered-linen-with.html Tue, 10 Jun 2008 06:15:00 -0500 Mary Corbet 747 2008-06-10 06:15:00 2008-06-10 06:15:00 open open Vintage-Embroidered-Linen:-with-Whitework-and-Crocheted-Lace-Edge publish 0 0 post

I'll be testing a new cleaner on this piece - I purchased a product called Restoration, which is supposed to restore vintage linens (or new ones, too, I guess) that are beset with stains, age discoloration, fold lines, etc. I can't wait to give it a try! If you've every seen the website, Cynthia's Linen Room, you'll find she recommends it highly in her tips on laundering antique linens.

In any case, on this piece, you'll see some nice, simple whitework and a very well done crocheted lace edge on a round linen accent piece.



This is the whole piece. It is stained from age and has definite fold lines on it. The embroidery on it is not super fancy, but I think it's ok. By far the prettiest part of the piece, in my mind, is the crocheted edge.



I like the pattern - the way it criss-crosses, and the little picots on the edge of the scallops.



Here's a close up on some of the embroidery. There's a scallop design that circles the piece, and then two repeated motifs that alternate with each other around the piece.



This motif cuts in three times around the piece, into the center. It's kind of a strange pattern - a sort of little off-set scalloped cut into the center, with those two half-moon things and some vines. I love the use of the seeding in the background.



Here's another close-up on the crochet. I have no idea what the little string is that runs through the crocheted squares. It runs about half-way around the whole piece. Any idea?

If you have any vintage linens or stained linens, how do you clean them? I'd be interested to hear. I'll let you know how the Restoration stuff works - I have high hopes for it!]]> whitework needlework care pictures linen vintage embroidery needlework pictures 11594 Sandy noreply@blogger.com 2008-06-16 21:20:00 2008-06-16 21:20:00 1 0 I buy old linen doilies that have crochet on the edges. Most of the time the linen part is in bad shape not suitable for embroidery. I soak all in cold water and Biz. Sometimes they soak for 24 hours and then I really really really rinse them well. So for I have gotten every stain. These I paint flowers on and then frame behind glass. I think the needle work of another generation should be preserved and these types of linens are usually thrown away. I did do some beginning Hardanger on a one piece that I found.]]> 11613 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-06-13 16:04:00 2008-06-13 16:04:00 1 0
I subscribe to Martha Stewart Living and in that magazine she has a question and answer segment. I think I recall recently that she talked about old linens and fold lines. I will have to look back and see what I can find. I'll post whatever I come up with.]]> 11637 Freda Butler noreply@blogger.com 2008-06-11 09:55:00 2008-06-11 09:55:00 1 0
Thanks for the link to Cynthias. I just finished reading her cleaning tips and there are some great helps in there. I prchased 4 very large antique hand towels with 6-8 of fringe. I washed 2 and spent hours with a metal hair pick combing thru the fringe. Her way sounds so much better. I do have them hanging in our guest bathroom against a pair of black terry towels and they are striking.

Thanks for all yor wonderful articles. I read every one.

I also agree with you re Trish burr. Love her books.]]> 11640 Margaret noreply@blogger.com http://www.blogger.com/profile/01182634416071817358 2008-06-11 08:53:00 2008-06-11 08:53:00 1 0 Catherine Jordan, one of the people who recommended it to me, sells small amounts on her web site and gives the description "pH neutral detergent; no phosphates/bio-degradable. Safe for fine linens." http://www.catherinesdesigns.net/Dyes.htm She sells 3 oz. containers - I purchased a 120 oz. container since I had the 5 chair seats to do but even after them and some felting and a few other delicate things, I still have well over half of the container. It goes a long way.
Margaret H.]]> 11641 Anonymous noreply@blogger.com 2008-06-11 07:56:00 2008-06-11 07:56:00 1 0
I'm not 100% sure, Mary, but I thought that the pattern lines might very well disappear if I tried to wash the linens first. I think I'll solve the problem by taking the pieces to my local copy shop (scanner for Christmas pleeease). I'd like to preserve the designs on paper regardless of how things go with cleaning up and embroidering the vintage linens.

If I have copies at the ready, I can go ahead and see how the clean up goes and if the patterns disappear in the process I'll be able to hand draw them back on. - Jeannine]]> 11642 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-10 20:56:49 2008-06-10 20:56:49 1 0
So much to do.... !!]]> 11643 margaret c. noreply@blogger.com 2008-06-10 20:24:00 2008-06-10 20:24:00 1 0
It'd be really interesting if someone did a comparison of the various cleaning products for needlework....hint, hint. (I know, that's a lot of work! :-)]]> 11647 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-10 08:36:11 2008-06-10 08:36:11 1 0
Jeannine! I think this stuff is supposed to work well... but I wonder what would happen if you washed a stamped piece before embroidering it?! I wonder if the lines would disappear? I was cracking up over your Martha Stewart line!

Thanks for your comments!
Mary]]> 11648 Anonymous noreply@blogger.com 2008-06-10 08:16:00 2008-06-10 08:16:00 1 0
But once I had them all sitting in front of me I realized I didn't really want to invest the time embroidering them if I was never really going to be able to use them because of the extremely noticeable fold line stains.

Do you know, I even wrote Martha Stewart to ask advice about how to remove fold lines from linen. She never answered. We're not as close as I thought we were. lol! I can't wait to see what you think of this product! - Jeannine]]> 11650 Margaret noreply@blogger.com http://www.blogger.com/profile/01182634416071817358 2008-06-10 07:01:00 2008-06-10 07:01:00 1 0 and many need a cleaning.
That thread is a bit of an enigma - very odd.
Margaret]]> http://www.needlenthread.com/2008/06/where-to-find-free-embroidery-patterns.html Mon, 09 Jun 2008 06:24:00 -0500 Mary Corbet 748 2008-06-09 06:24:00 2008-06-09 06:24:00 open open Where-to-Find-Free-Embroidery-Patterns,-Ideas,-Tips,-Tricks-and-all-kinds-of-Other-Stuff publish 0 0 post Inspirations - I can't get enough of that publication!) But even if you aren't a subscriber to craft or needlework magazines, they can still come in handy. I'll show you what I mean...

Take, for example, Cross Stitch and Needlework Magazine. They have a website, and if you visit it, you'll notice something:



Freebies! Now, doesn't that just make your heart flutter?? It's needlework stuff, and it's free!

On this particular website, you'll find good information - various tips and tricks for the hand embroiderer. For example, they have an very nice selection of PDF articles in their archives. Three that I find most interesting are: Introduction to Hardanger, an excellent article on hemstitching, and a great idea for organization - notebook pages for keeping track of your stitches, your embroidery threads, and your embroidery projects.

Besides the PDF articles with pictures and so forth, you'll also find a good section of tips, with information on things like how to strip your floss, how to calculate design fabric counts, and why it's sometimes good to use a larger needle.

So even if you don't generally subscribe to magazines, it's always a good idea to check out websites of craft and needlework magazines - you never know what little treasures you'll find... for free!
]]> embroidery links embroidery resources embroidery tips and tricks 11633 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-06-11 18:06:00 2008-06-11 18:06:00 1 0 Do you get "Stitch" the Embroiderers' guild publication? I love that one - I only buy 2 that and Inspirations and probably Stitch wins my vote. It is very inspirational and my only complaint is that there should be more in it and that is only because I am greedy!! There is really so much in each issue.]]> http://www.needlenthread.com/2008/06/fabric-embellishment-or-embellishment.html Sun, 08 Jun 2008 06:28:00 -0500 Mary Corbet 749 2008-06-08 06:28:00 2008-06-08 06:28:00 open open Fabric-Embellishment---or-Embellishment-with-Fabric? publish 0 0 post

Umpteen years ago, my Mom went to Hong Kong to see my Dad, and while they were there, they went to Gaddi's Restaurant in the Peninsula Hotel, where the menus were embellished with a fabric applique of a Chinese lady. I thought I'd show it to you for two reasons: 1. it's fabric applique; and 2. I think it's pretty!



The cover of the menu is very simple, in fact. The lady stands in the middle, adorned in her silk native-looking costume, and holding a menu. A really large turquoise tassel dangles down the left side, and a little bit of script indicates the name of the restaurant and its location.



I suppose the face is probably silk screened, but I don't know for sure, so I stand to be corrected by anyone who might know! The silver embellishment on the lapel and the gold in the hair look like some kind of foil.



The fabric of the costume is shot through with silver in a floral design, and a red cord hangs down the lady's side, arranged carefully and pinned neatly with another gold foil ornament.



Simple red script names the restaurant and location.



The inside is not quite as pretty as the outside!

I think this lovely little figure would be fun to copy, either as an embroidery pattern or as an applique. It'd probably be neat to fix it in another setting, too, combined with stitches and other embellishment.

But I don't really have the heart to take the menu apart!
]]> personal embellishments pictures miscellaneous embroidery musings silk 11658 Miss Nancy noreply@blogger.com 2008-06-09 09:12:00 2008-06-09 09:12:00 1 0 11676 Anonymous noreply@blogger.com 2008-06-08 10:15:00 2008-06-08 10:15:00 1 0
Yeah, doesn't seem right to take it apart. Especially because it seems like such a romantic memento.

She sure would look great surrounded by any number of other backgrounds tho' eh? A willow tree, or chrysanthemums, or cherry blossoms. - Jeannine]]> 11685 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-06-08 08:45:00 2008-06-08 08:45:00 1 0 http://www.needlenthread.com/2008/06/june-embroidery-stash-give-away-happy.html Sat, 07 Jun 2008 15:11:00 -0500 Mary Corbet 750 2008-06-07 15:11:00 2008-06-07 15:11:00 open open June-Embroidery-Stash-Give-Away:-Happy-Birthday,-Needle'nThread! publish 0 0 post

In fact, this if the first time it sort of "hurt" to do the embroidery stash give-away! It's awful of me to admit that, isn't it? I wanted to include something special, so I decided to include a Kelmscott Needle Minder in each one. I have three of these - they're brand new, and I've been itching for them for a long time! I almost thought, "Nooooooo, I'll keep them for me," but then I thought, "Noooooo. I won't!" I'll keep one, and give the other two away. These are handy little items for the embroiderer.



You place the needle minder on the top of your fabric, and put the connecting magnet on the back of your fabric. The magnet holds your needle on top of the decorative piece. Usually, I like to have something to stick my needle on when I've finished stitching with a color, but am not ready to end the thread. I bring it to the front of my fabric and stick the needle somewhere convenient, until I need to use that thread again.



Each package will contain a bunch of embroidery goodies! 6 types of thread, a packet of beads, a nice charm for embellishment, and the needle minder.



It also contains two mother-of-pearl thread rings, which you can see on the green Vineyard Silk thread and the two colors of purple floche.



To mention the fibers in particular, in one package, there's a metallic floss, a twist of "Dragon" thread, which is an over-dyed cotton, a silk floss (in this package, a dark green Gloriana silk), some lengths of Vineyard Silk (kind of a wool-like thread, but it's made of silk and has a beautiful sheen), and two shades of purple cotton floche.



The second package is exactly the same, but with a different shade of Dragon thread and instead of Gloriana silk, there's a skein of dark green silk from Needlepoint, Inc.



In one package, there's also a little enameled silver filigree heart charm and a package of green Mill Hill glass beads.



In the other package, the charm is a very pretty iris, along with a package of frosty purple Mill Hill glass beads.

So there's what I'm giving away, to celebrate my website's birthday!! Calculating it all up, I think it's safe to say there's over $30 worth of merchandise in each package! Wow. Well, they were fun to put together!

BUT - to get one - you have to do something!

The way it works is this: I'll pose two questions below, and you post your answers in the comment section below this article. Next week, I'll draw from the names of those who post comments, announce the winners who will then contact me with a mailing address. I'll ship anywhere in the world, via least expensive air mail, but am not responsible for any customs fees, lost mail, or anything like that. I'll post the winners on Wednesday, June 11th, so you have until Tuesday night to comment.

Here are the questions:

1. What is your favorite feature of Needle 'n Thread?
2. What would you like to see more of on Needle 'n Thread?

I'm sure your answers will help me improve the website, so don't be shy!

Enjoy the weekend!
]]> stash contest pictures 11636 sonalee noreply@blogger.com http://www.blogger.com/profile/14533440312243579451 2008-06-11 11:36:00 2008-06-11 11:36:00 1 0 Congratulations and celebrations!! YOU COMPLETED 2 years and I cant believe I have been following you for that long ;)
The best thing I like about your site is the variety you offer. Its not just concentrated into difficult projects or easy ones. There is something for everyone and I specially like how you write about expanding each design or trying it in a different environment. That really gives my creative instincts a push with a basic idea to start on.
What I also like is that you are very regular and there is always something new.

'What I would like' more is to see how each piece of work is done. So when you review a crewel work book or write up on blackwork maybe a small tutorial with a design could take us through the methods of doing it thus learning the new methods of embroidery.]]> 11638 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-06-11 09:24:00 2008-06-11 09:24:00 1 0
Congratulations on your 2 year blogiversary. I hope I haven't missed the deadline like I usually do!

1. What do I like most about the blog - can I pick two things? I love the thread experiment/reviews/comparisons. I don't have a tremendous variety in my stash but I'm adding to it :) and it is great to know someones experience and how it compares to other threads. I love following your projects and seeing how they progress. Your stitching is beautiful and the information you share is wonderful.

2. What would I like to see more off? Well, more of the same really, lots of lovely eye candy and great information.

Great blog, long may it continue :))

CA]]> 11639 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-06-11 09:06:00 2008-06-11 09:06:00 1 0 11644 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-06-10 17:02:00 2008-06-10 17:02:00 1 0
To improve, I would like it if it was easier to find things in the archives. While the topics show basic stuff, I know there is more excellent material that does not seem to relate to the categories given. Maybe some sort of tagging system?]]> 11645 Kim noreply@blogger.com http://www.blogger.com/profile/08867168837858287757 2008-06-10 12:15:00 2008-06-10 12:15:00 1 0
I love your videos - my 10 year daughter likes them too and would like you to put on more of the basic stitches.

I love the variety of your blog posts. Most of us are interested in a variety of crafts and needlework...

I would like to see even more of your evaluation of fibers and fabrics.]]> 11646 Anonymous noreply@blogger.com 2008-06-10 09:48:00 2008-06-10 09:48:00 1 0 11649 Eunice Carwile noreply@blogger.com 2008-06-10 07:51:00 2008-06-10 07:51:00 1 0 11651 Rosi Klarolu@web.de http://www.blogger.com/profile/14087013855817881980 2008-06-10 05:51:00 2008-06-10 05:51:00 1 0
What I like best are your tutorial videos. They are really very helpful, especially when descriptions in books are not clear enough.
I also enjoy reading your book reviews and the sections on threads.

I really would like to see more photos in your blog.]]> 11653 Rebecca noreply@blogger.com http://www.blogger.com/profile/14905898918439736120 2008-06-09 16:24:00 2008-06-09 16:24:00 1 0
1. There are actually two things I love most about your site. As many previously have said, I love your video tutorials. So much so, that I have refered many to your site. Not just my friends and colleagues, I moderate a craft website and tech edit the accompanying online magazine called The AntiCraft. (No, it's not against Craft, it's a tongue-in-cheek take on craft, and a site for people who would like a source for projects that tend to be a bit more daring or off-the-wall than what is available in the average store.)

Here is the site in the forums where I cited your site: http://theanticraft.com/forum/index.php?topic=298.0

The other feature I love about your blog is something you may not even consider a feature! I love that you share your personal stories. I feel very strongly that needle arts should always be connected to the human story. Handmade and the heartbeat -- how many times have I jabbed myself with the needle and left just a tiny bit of my DNA behind. Well, it's the same with the stories we collect or tell during or are inspired as a result of the process of creating these works. It's a small part of history, and that's no small thing.

2. Which brings me to what I'd like to see more of. I love textile history. I appreciate it when you have 'history of' features. It's nice to put works and techniques in perspective, to use an old process in a new way, employ irony, to learn something new.

Keep up the marvelous work! I admire your stamina and dedication.]]> 11654 Meeta V. noreply@blogger.com 2008-06-09 14:32:00 2008-06-09 14:32:00 1 0
Do you really want to know what I would like to see more??? I would love to see your current projects more often. I don't like to be in suspense. I love your creativity and your embroidery.]]> 11655 Kristinia - Loving Heart Mommy kristinia@lovingheartmommy.com http://www.blogger.com/profile/09138310231864779525 2008-06-09 13:21:00 2008-06-09 13:21:00 1 0
Also what do you suggest for a beginner like myself? What's a simple project and what all would I need to start? I have a Michaels near me and I love their store but when i ask their employees for help on stuff they seem clue less..]]> 11656 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-06-09 11:46:00 2008-06-09 11:46:00 1 0
My answers:
1. Like so many others, the video library has been my favorite feature so far. Extremely helpful.

2. I don't know that I've a been a Needle 'n Thread reader (or an embroiderer) long enough to make any informed suggestions of what you should add, but here's one idea: a monthly Q. and A. feature with readers' embroidery questions and your replies. You could create an e-mail address for people to send questions from which you could choose each month.]]> 11657 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-06-09 11:06:00 2008-06-09 11:06:00 1 0
1. I like seeing your work. I like seeing your work with children. I appreciate your information and critiques such as the review of the System 4 floor stand that got me mine, and of threads, etc. I've used your stitch videos. And I value your literate writing.

2. More of your own work.]]> 11659 Anonymous noreply@blogger.com 2008-06-09 07:28:00 2008-06-09 07:28:00 1 0
2. I would like to see more beginner/simple embroidery technicles and samples.

Mary Jane]]> 11660 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-06-09 07:08:00 2008-06-09 07:08:00 1 0 first question-what brought me to your site was your videos-I love them the best I think. I have a hard time sometimes understanding just reading how to do something in a book, but your videos are like you are here with me.
and to improve the site-I would just say I look forward to my email and reading your posts-you inspire me, and enlighten me on things I didn't know before. so I would say to keep stimulating us with anything new, or different in embroidery world Kathy in ozarks]]> 11661 Bear noreply@blogger.com http://www.blogger.com/profile/00096238770410460175 2008-06-09 02:32:00 2008-06-09 02:32:00 1 0 congratulations on the big 2nd birthday celebrations and may there be many more for yours is a blog that entertains, educates and leads me to places I normally wouldn't even look at. What do I like especially well I love it when you do a piece on goldwork and you do it fairly often but could we have it a little bit more?? I love the fact you do your educating in such a way that even old timers can learn more and I have and Mary - you appear to love Purple colour as much as I do and even though I probably wont win your blog provides great enjoyment for me to see the different threads you have on your side of the world for a start I have never heard of Dragon thread and am about to go look it up on my search engine- Thank you Mary you have a terrific blog and I really hope it goes for many many years to come - Happy Birthday
love n hugs bear xoxoxoxoxoxxo]]> 11662 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-06-09 01:52:00 2008-06-09 01:52:00 1 0
Showing labels would be good.

Congratulations on almost reaching 1000 RSS readers, too. You'll have to have another celebration!]]> 11663 Laura Bullinger noreply@blogger.com 2008-06-08 21:37:00 2008-06-08 21:37:00 1 0 As a true lover of hand needlework, I can't get enough of the details about handwork. So, all of the photos, all of the close-up shots and all of the minute details of explanations and directions are so valuable to us readers. That is why we love you so, Mary! You have always provided us with all of the juicy details that we feed off of!
There is no such thing as too much information when it comes to stitching. The majority of us that subscribe to your blog really love all of the old techniques of needlework, because the past carries samples of perfection in the art that may never be seen again if we ourselves don't create it. My suggestion, then, is to add more of the old examples with notes on how to duplicate it with current threads and fabrics. Congrats on making the 2 year milestone, and many, many more years of success to you, Mary.]]> 11664 Anonymous noreply@blogger.com 2008-06-08 20:59:00 2008-06-08 20:59:00 1 0
Q1: I absolutely love when you include pictures, especially the close ups of your work or others, along with your commentary. It's almost like holding the items in my hand as I read along, and makes it so easy for me to really understand the points you are trying to make.

Q2: Because I am such a visually oriented person, I would love to see pictures in each and every blog you post. As the old saying goes, "A picture is worth a thousand words." In my case and those like me, this is so true. I have to admitt I am often somewhat disappointed when there are no pictures in your daily blog.

Keep up the great work. Your blog is so enjoyable, and I have learned so much from it. All your work is so very motivating.

Thanks so much!
Lori]]> 11665 Marian noreply@blogger.com 2008-06-08 18:27:00 2008-06-08 18:27:00 1 0 2nd anniversary. I am loving the needle minders - esp the green one with the Lily of the Valley on it. I can spot a Lily of the Valley a mile away ;).

Q1. I love the video tutorials - and that I can access them at anytime of the day, any day of the week. I also love the assistance that is given to anyone with a question or problem, either by yourself or fellow bloggers. *(see below)

Q2. I would love to see you celebrate a 3rd (and subsequent) anniversaries.

* I spoke to my niece about having another try with cross stitch (this is the one with a cataract onher retina). She is very enthusiastic and wants to start this weekend, so we will be off to the store on Saturday for the canvas and threads. Thanks]]> 11666 Anonymous noreply@blogger.com 2008-06-08 17:50:00 2008-06-08 17:50:00 1 0
The only thing you could do to improve, make the site 3-D. So many times there are projects that you are featuring and I just want to touch them. Naturally this would come from someone who is a tactile learner.

Actually your sight is just lovely and it is one of very few blogs that I read faithfully.

Thank you for your time and effort and for all the beautiful lessons you have shared.

Best wishes.

Deborah W.]]> 11667 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2008-06-08 16:06:00 2008-06-08 16:06:00 1 0
Wishing you a wonderful coming year.

My answers:
1. My favorite feature is, of course, your videos. I'm left-handed and I seriously struggled with so many stitches before finding your blog. I was able to quickly understand what I needed to do. And without having to use a mirror, or watch upside down, or walk away in tears. THANK YOU!

2. I can't imagine how you might be able to improve on what you're doing now. You already provide such a wide variety of topics that there is always something fun and interesting.

I do want to mention that I am vert please to be receiving your newsletter. I love the way it's set up so that I can read it, save it, refer back to it, etc. Wonderful job!]]> 11668 Anonymous noreply@blogger.com 2008-06-08 15:53:00 2008-06-08 15:53:00 1 0
loomingatlarge@yahoo.com]]> 11669 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-06-08 15:47:00 2008-06-08 15:47:00 1 0 11670 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-06-08 15:45:00 2008-06-08 15:45:00 1 0 I learn a tremendous amount from your video stitch tutorials - your book reviews and your projuect descriptions - just about everything on your blog sings to me so it is difficult to pick the "most favourite". Thankyou.]]> 11671 Suzi noreply@blogger.com http://www.blogger.com/profile/10791336772869294624 2008-06-08 14:09:00 2008-06-08 14:09:00 1 0
I particularly like following you through projects..]]> 11673 Kjesta noreply@blogger.com http://kjesta.wordpress.com/ 2008-06-08 11:25:00 2008-06-08 11:25:00 1 0
What I like most is the variation in your posts, there's so much different to learn and see here! I also like the explanations of stitches. This page made me brave enough to finally pick up embroidery, and it's so much fun!

And what I would like to see more of... Hm, maybe explanations of special techniques? Or useful little tips for beginners? I don't know so much yet about embroidery, so it is difficult for me to give specific tips. Anyway, keep going the way you do, it's great!]]> 11674 S Frye noreply@blogger.com 2008-06-08 10:22:00 2008-06-08 10:22:00 1 0 I love the video library - it is so helpful to SEE how to do something, but I think my favorite thing on the site is when you are showing an ongoing project and sharing the thought processes that go into it. More, please!

Thanks again for all the posts,
S Frye]]> 11675 Robin noreply@blogger.com 2008-06-08 10:22:00 2008-06-08 10:22:00 1 0 Your discussions of historical needlework are always interesting--perhaps a look at some old oriental work, examining their techniques? "Achieving perfection" is a subject I would like to read about, too.]]> 11677 Sheila K. noreply@blogger.com 2008-06-08 10:13:00 2008-06-08 10:13:00 1 0 11678 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-06-08 09:56:00 2008-06-08 09:56:00 1 0
Ok my first comment seems to be lost in cyber space. (or moderated, LOL).

What do I love about this site--whats not to love??? Specifically the videos are EXCELLENT!! As a beginning embroiderer after years of cross stitching I really appreciate having my own teacher available to me at the click of a mouse.

What to see more of? The editorials, and especially the old books!!! WOW. I LOVE< LOVE< LOVE old books, so finding the treasure trove listed here was great (and led to a long stint at the Gutenberg site.

LOVE it all, and congrats on the two years.]]> 11679 Anonymous noreply@blogger.com 2008-06-08 09:50:00 2008-06-08 09:50:00 1 0
There is a feature that I'd love but I don't think it's possible on a blog site. Mind you, I don't know for sure because what I know about websites, blog sites, and all things internet related, wouldn't even half fill a thimble.

But it would be really cool if there were some way to know when new questions or comments pop up on older blog entries.

I know I've left questions and gotten great information on entries of old. I bet others have too. But there's no way to know if new info has been added. That's not doable, right? - Jeannine]]> 11681 Sweet P pford130@comcast.net http://www.blogger.com/profile/06051024938738245495 2008-06-08 09:29:00 2008-06-08 09:29:00 1 0
I don't think I would change anything.

Happy blog birthday!]]> 11682 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-06-08 09:24:00 2008-06-08 09:24:00 1 0 11683 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-06-08 09:18:00 2008-06-08 09:18:00 1 0 HAPPY BIRTHDAY!!!
Annie]]> 11684 Anonymous noreply@blogger.com 2008-06-08 09:03:58 2008-06-08 09:03:58 1 0 Please don't change a thing about it. I have saved every one and it is amazing how often I go back to review one that has particular significance to what I am working on at the moment.
Anne B]]> 11686 Nora noreply@blogger.com 2008-06-08 08:26:00 2008-06-08 08:26:00 1 0 I like all the tips which are easy to understand. I have started to embroider after 30 years thanks to you. I have learned more stitches than I could ever imagine. I would like to see more of what you have embroidered and others. Your site is the best I have come across, so there is not much you can improve. I love you site. I also like that you teach children and show all the projects good or bad.
Congratulations and Happy Birthday!!
Nora]]> 11687 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-06-08 08:24:00 2008-06-08 08:24:00 1 0 And what I'd like to see more is posts and descriptions of ongoing projects.The strawberry project was really awesome.]]> 11688 carmen noreply@blogger.com http://www.blogger.com/profile/18217932660530867874 2008-06-08 08:19:00 2008-06-08 08:19:00 1 0 11689 carmen noreply@blogger.com http://www.blogger.com/profile/18217932660530867874 2008-06-08 08:10:00 2008-06-08 08:10:00 1 0 11690 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-06-08 07:32:00 2008-06-08 07:32:00 1 0 I don't know that you could improve on what is already a good site for me to come to but maybe just an area that newbies could go to when they click on your site would be helpful. Thank you for many hours of good information and detailed help!!!!!!! I hope you have many more birthdays.]]> 11691 uma noreply@blogger.com 2008-06-08 06:19:00 2008-06-08 06:19:00 1 0
Would love to see some Indian embroidery videos.There is a great variety and not too many resources one can learn from.

Uma]]> 11692 Anonymous noreply@blogger.com 2008-06-08 06:17:00 2008-06-08 06:17:00 1 0
But without a doubt your blog entries are my favorite feature, Mary. I love that there is always some new thing to discover; a new book to check out, some new and wonderful finished piece of embroidery to see, a new project that is in the works, some great new site that you've discovered and shared with us, and much more.

I love the ripple effect that your blog entries offer me. One cool discovery that I'll find in a piece that you've written will often lead me to a bunch of other discoveries. Here's an example:

Your recent entry on your bookmark project got me thinking about felt. That led me to wonder whether I could incorporate colorful bits of felt into my embroidered quilt blocks. If laundered would the felt shrink and make a mess of the blocks? I had a blast looking up information on felt fabric and I learned a lot.

In the process I found way cool books on felting and other fiber arts. And somewhere along the line of searching for felt info', I stumbled across a crafter's message board site that I'd never seen before.

On that crafter site I found a needlework forum where I found a message thread that offered How-To information on tinting, to be embroidered fabric, with crayons of all things! How cool is that; finding a reason, at my age, to buy a brand new fresh box of 64 bright shiny pointy Crayola Crayons?! Oh, bliss!

Your one entry on bookmarks led to more discoveries too but I'll stop there. :) I'll have to put on my thinking cap and come back later to answer the question of what I would like to see more of on Needle'n Thread. - Thanks for everything, Jeannine]]> 11693 uma noreply@blogger.com 2008-06-08 06:13:00 2008-06-08 06:13:00 1 0

I would love to see some Indian embroidery videos.There is a great variety and very few resourcess to learn from.]]> 11694 Valquiria noreply@blogger.com qualquermotivo.blog.uol.com.br 2008-06-08 06:00:00 2008-06-08 06:00:00 1 0 My favorite feature:videos tutorials with no doubt
What I want to see more of:patterns and tutorials of satin stitch(it could be photos)]]> 11695 Gina E. gandkwil@hotmail.com http://www.blogger.com/profile/07532527261977368083 2008-06-08 03:53:00 2008-06-08 03:53:00 1 0 I'm with everyone else here, my favourite feature is the video tutorials. As for what I'd like to see more of...well you have an excellent balance of everything, so it is very hard to think of something else. Just one thing perhaps...could you give some instructions on how to actually start stitching, i.e. waste knot, back stitch, etc. I'm never sure what method is the best, as some ways are more suitable to some stitches than others. Sorry if this is a dumb thing to ask :-(]]> 11696 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-06-08 03:15:00 2008-06-08 03:15:00 1 0
My very most favorite thing about this blog is that it covers such a broad range of things! I like that there are simple ideas for kids projects and more dainty complex things. And I love the free patterns you post! Even if I don't use many of them, they're certainly inspiring and I get so many ideas from them.

There's nothing specific I'd like to see more of, just more of what you're doing right now because I think it's just right!

Cheers- Kim]]> 11697 Cheryl cherandysews@gmail.com http://www.blogger.com/profile/12308777896105436025 2008-06-08 02:55:00 2008-06-08 02:55:00 1 0 http://cheryls-chatelaine.blogspot.com/
Cheryl]]> 11698 Vicky~ stichr ~ stichr1@comcast.net http://www.blogger.com/profile/02398784887410187456 2008-06-08 01:48:00 2008-06-08 01:48:00 1 0
2. More pictures of threads. Ok, I really like looking at threads.

and the latest pix are very yummy!]]> 11699 Amy noreply@blogger.com http://www.blogger.com/profile/15340625480167557572 2008-06-07 19:46:00 2008-06-07 19:46:00 1 0 My favorite feature: video tutorials--awesome!
What I want to see more of: patterns, patterns, patterns! You have such great taste in the free patterns you offer.]]> 11700 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2008-06-07 18:59:00 2008-06-07 18:59:00 1 0 Chris]]> 11701 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-07 18:57:52 2008-06-07 18:57:52 1 0
The DMC I was going to test - and I still am! - is the new "satin floss." It's a rayon thread, but a little more substantial than other rayons I've tried. I used it on a few projects alread - my embroidered embroidery sign and a couple embroidered cards - but I want to test it on fabric, too, and post photos and pros and cons and whatnot.

So far, though, I like it a lot! It looks great for what I've used it for, and it's relatively easy to stitch with, even though it's rayon.

Hope that helps!

MC]]> 11702 Sharon noreply@blogger.com 2008-06-07 18:12:00 2008-06-07 18:12:00 1 0 11703 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2008-06-07 16:36:00 2008-06-07 16:36:00 1 0 What would I like to see more of? Well, more vids is always nice, and as always eyecandy, but I really enjoy the ideas for kids you've been giving and I will for sure use felt for 1st timers thanks to your recommendation! Maybe some tips for teaching kids would be great too.]]> 11704 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-06-07 16:32:00 2008-06-07 16:32:00 1 0 11705 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-06-07 16:30:00 2008-06-07 16:30:00 1 0
Melisa B]]> http://www.needlenthread.com/2008/06/needle-n-thread-is-two-today-lets.html Fri, 06 Jun 2008 08:43:00 -0500 Mary Corbet 751 2008-06-06 08:43:00 2008-06-06 08:43:00 open open Needle-'n-Thread-is-Two-Today---Let's-Celebrate! publish 0 0 post

What would you like me to do first? Reminisce? Ok! Two years ago today, I started up my little website here, Needle 'n Thread. I started with a really lame post on hand embroidery in general. Going back to look at that post, I began to wonder if I fulfilled any, or all, or just a few of the objectives I started with. I think perhaps I have fulfilled some, but not all - which is a good thing, because that means I'll stick around for a bit!

My website was inspired by my darling little brother, who is my internet and computer guru. He is all wise and knows all things computer. Or so he thinks! For my purposes, he certainly does, anyway. So I owe him a huge thanks for helping me out generously these two years.

I will candidly admit that my reason for starting the site was to help me finance the summer embroidery classes that I was teaching each year to youth in our rural community. The classes cost me heaps of money the first few years - the layout was all on my side, for the most part, since I charged $5 per child for 8 weeks of instruction, to help "defray the cost of supplies." (Supplies for 30+ children cost a lot!) They had to bring a hoop, a box, and some transfer pens. I supplied the rest! But on my budget, it was rather crippling. So my brother suggested that I participate in blogging to help supplement those classes. So I did.

Mercenary, I know! At first, I was skeptical, and I didn't like the idea of starting something like this for mercenary reasons. And I still don't! Fortunately, though, the experience of blogging and building the site - and the interaction with thousands of people over two years - and the idea of helping people learn embroidery basics ... well, those grew on me fast, and so I stuck with it, despite some pitfalls along the way.

I started with the Ugliest Template Ever and I hated the look of the site. It took a while, but last December, I was able to integrate the whole blogging set-up into a static template with other features that I could customize so that Needle 'n Thread would look a little more appealing. While I like the look a lot better, there are some things I'd like to brush up a bit! I have an on-going, ever-growing list of improvements, brilliant ideas, and so forth - which means I suppose, God willing, I'll stick around!

The first post, I think, on the website that caught any real attention "out there" was my silk-on-silk satin stitch post. I couldn't believe that THE Sharon Boggan noticed it! It was flattering. I really never showed my needlework to any other real needleworkers. It's easy enough to impress people who don't do needlework. But to be complimented by someone who does - who's a pro in the field - that was something! Besides, I think Sharon's been online with needlework, and blogging about needlework, as long as personal websites, and then blogging, have been around. I was familiar with her site, and so thankful for her coompliment, because it really motivated me!

Then, let's see... the video library of hand embroidery stitches. They were in my head from the very beginning, but it was all a matter of figuring out how to do them. I'm still figuring that out! And wow, when I go back to look at the earlier ones, I cringe. Especially with improvements in video technology for the internet, I am gearing up to fine tune my approach on the videos. In fact, I just sunk a small investment into audio hardware, because the sound really stinks on the videos, doesn't it??

People like the videos, and I'm glad. They're a great way of extending the concept of teaching beyond just a little rural community in the middle of Kansas.

One of the greatest things about doing this website is that I've really met some terrific people! Joey, formerly of Twining Thread, has been a mainstay as far as sound advice, encouragement, and great insight to the whole world of embroidery. Megan in Australia is a terrific encourager, experimenter, and Finder of Information, Michael is a silk genius, Trish Burr is generous and inspirational, Judy of Possibilities paints incredibly beautiful canvases, Jeannine is a terrific commentor, Allison Aller makes gorgeous stuff in general, JoWynn Johns is patient and so artistic, Carol-Anne over there in England, Jeanne of Just String, Maria del Valle over there in Spain... Valquiria... oh, golly. Such talented people! The list could go on and on and on and on. There are heaps of generous, interesting, talented and fun people in the world, and needlework is a great catalyst for bringing them together!

Enough reminiscing and background jabber....

Let's celebrate!!

Needle 'n Thread is two years old today! And so I'm going to do two stash give-aways this month, and both include a special little gift (a magnetic needle-minder from Kelmscott Designs), and threads and embellishments!

But this post is already way to long, and my camera battery is still charging, so I'm going to post the stash giveaway for June tomorrow. I'm excited about it, since it's an extra-nice one, and I think you'll like it, too. Of course, you have to do something for it - I'm going to pose two questions for you in tomorrow's post, so keep an eye out!
]]> website news miscellaneous embroidery musings 11565 corina noreply@blogger.com http://corinaj.wordpress.com 2008-06-20 08:24:00 2008-06-20 08:24:00 1 0 11680 Katiemom noreply@blogger.com http://www.blogger.com/profile/10631024545179285964 2008-06-08 09:31:00 2008-06-08 09:31:00 1 0
Mary C.]]> 11706 Anonymous noreply@blogger.com 2008-06-07 15:11:00 2008-06-07 15:11:00 1 0 11708 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2008-06-07 09:51:00 2008-06-07 09:51:00 1 0
You have done a fantastic job with it all. Here's hoping you have a lovely day of celebration. And another fun and exciting year!]]> 11709 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-06-07 09:13:00 2008-06-07 09:13:00 1 0
Thank you for all your items. You're a charming person and is for me a pleasure to know about you, friend, and your blog. Also was thinking that almost agree with the birthday of our blogs!(AlarTTex june 9)

Maria del Valle]]> 11710 Anonymous noreply@blogger.com 2008-06-07 08:12:00 2008-06-07 08:12:00 1 0
Mary, I won't hear of any twinges of guilt over your endeavors at Needle'n Thread. Your generosity of spirit shines brightly! Never doubt that you are giving more than you are taking here.

It is not an exaggeration when I tell you that your site is enriching to my life. And I do not believe I am alone in that sentiment.

I learn something new every time I visit, which is every day! You teach, you inspire, you are always introducing me to new ideas, and you help me to think outside the box. What could be better than that?

Thank you for your efforts here, Mary. Please keep on keepin' on!

-Jeannine]]> 11712 Angie noreply@blogger.com http://www.blogger.com/profile/06621773842071448180 2008-06-06 22:31:00 2008-06-06 22:31:00 1 0 this recent post of yours!)

Keep up the good work.]]> 11713 Mary Grace McNamara noreply@blogger.com http://www.hookedonneedles.com 2008-06-06 17:24:00 2008-06-06 17:24:00 1 0 11715 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-06 11:02:08 2008-06-06 11:02:08 1 0 11716 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-06-06 11:02:00 2008-06-06 11:02:00 1 0 11718 Linda lindaronne@yahoo.com http://www.blogger.com/profile/04757554177443434903 2008-06-06 11:00:00 2008-06-06 11:00:00 1 0 11719 Gina E. gandkwil@hotmail.com http://www.blogger.com/profile/07532527261977368083 2008-06-06 10:29:00 2008-06-06 10:29:00 1 0 Happy Birthday/anniversary! I found you on Stitchin Fingers, and have just spent the last half hour reading through your blog. It is absolutely fantastic, there is so much useful information as well as interesting posts and beautiful photos. You'll be on my blog sidebar shortly!
Cheers,
Gina in Melbourne.]]> http://www.needlenthread.com/2006/06/hand-embroidery-where-to-start.html Thu, 15 Jun 2006 11:49:00 -0500 Mary Corbet 752 2006-06-15 11:49:00 2006-06-15 11:49:00 open open Hand-embroidery---where-to-start?!? publish 0 0 post
If you're one of those people who've said to yourself, "Wow, I'd like to learn to do that," but aren't sure where to start - start here.

The point of this site is not to instruct the reader on every tiny nuance of embroidery. Rather, the point is to supply you with a resource base, and to discuss various techniques, pitfalls, troubleshooting, and all the joys and frustrations that come with hand embroidery.

To embroider, you really only need three things: fabric, needle, and thread (and, in some cases, you don't even need fabric - but more on that later).

The fiber-arts market is heavily laden with all kinds of enticing goodies, and if you're not careful, you'll end up making a massive investment in materials that you don't necessarily need. But perhaps that's half the fun of embroidery - the abundant sources of inspiration... and the fun accessories!

If you're like me and millions of others, though, all that inspiration stuff can lead to a closet full of unfinished projects, to bookshelves packed with books not quite what you had in mind, to a lack of storage space, to a lack of clear purpose, and perhaps even a disorganized mess.

So what do you want to do? Do you want to get started on basic embroidery? Do you want to learn how to make those beautiful old cutwork linens? You want to decorate your children's clothes? Your clothes? Do you want to adorn your house with fine linens and things? Do you want to make things to sell? Or perhaps market your own skills and become an instructor?

Bookmark Needle 'n Thread, and look for regular updates on resources, tips, techniques, and all kinds of ideas for the needleworker.

And do feel free to leave comments and suggestions for other readers and to join in with advice or whathaveyou!

See you soon!]]> miscellaneous embroidery musings 9609 Anonymous noreply@blogger.com 2008-12-04 04:13:00 2008-12-04 04:13:00 1 0
Lena]]> 13365 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-29 19:53:20 2006-11-29 19:53:20 1 0 13435 Anonymous noreply@blogger.com 2006-09-16 10:55:00 2006-09-16 10:55:00 1 0 Eve]]> 13479 Anonymous noreply@blogger.com 2006-06-16 09:47:39 2006-06-16 09:47:39 1 0 http://www.needlenthread.com/2008/06/embroidery-on-felt-other-people-like-it.html Thu, 05 Jun 2008 05:46:00 -0500 Mary Corbet 753 2008-06-05 05:46:00 2008-06-05 05:46:00 open open Embroidery-on-Felt---Other-People-Like-It,-Too! publish 0 0 post embroidered notebook covers on wool felt. I learned a lot during those classes which I'm implementing in this year's classes. For a couple projects, we'll be using the felt again.

Wool felt is nice for embroidery - for kids or adults - for at least a couple reasons: 1. it is stiff enough to be held in hand, without a hoop; 2. In most cases, even with lighter yellows or greens, you can still get away with some thread carriage. For kids, this is important. While you do want to teach them from the very beginning the importance of keeping the back of their work neat, on small spaces if they have to start and stop a lot, they get easily frustrated or bored.



So, for example, when a kid is embroidering a purple lazy daisy daisy, carrying the purple thread from one petal to another is no big deal. On a light fabric like muslin or linen, it could very well be unsightly. On felt, not really! Who would know?!

This year, we're making two items out of embroidered felt: a bookmark and a little coin purse. They are both very simple concepts - no sewing machine is required or really any "extra" finishing. They are also small enough to be managed in a couple classes.

The coin purse is simply a tri-fold piece of felt, with angled corners on one end (for the flap). We'll use either a snap or velcro catch (I don't really like the idea of using velcro with felt or embroidery), and the pouch will be lined with a coordinating calico that is fused onto the felt. The edges are stitched up with a close buttonhole stitch or overcast stitch. I'm started making the sample and it's coming along ok - I'll post pictures when it's finished.

The bookmark is another question: it's extremely simple, as there's no folding involved, and edge stitching is not required (but could be done, if desired). The bookmarks, finished size, are about 3 inches wide and 7 inches long. Only the simplest pattern will be worked - I've got a couple very basic patterns that I'll have already on the felt before the classes begin.

The problem I was running into was the backing and how to apply it. It seemed to me that an extra layer of felt made the bookmarks really thick. But if I wanted fabric beyond the edge of the embroidered front of the bookmark, it had to be something stiff, and felt seemed the only option - after all, the edges don't require finishing. All I knew was that there absolutely had to be something to cover up the back of the booksmarks! So these were the original questions besetting me as I prepared these projects.

You can imagine how delighted I was, then, to come across an embroiderer who is actually testing the making of felt bookmarks in different ways! If you have not checked out Alicia's blog, Curiosities 808, you really should! There are a couple things I really like about it: 1. She does some things the way I do them - like tracing a bottle cap from eye drops for circles on her fabric! 2. Her photography is really nice. And 3. She's exploring thoroughly this question of felt bookmarks. She begins with her plan for making felt bookmarks to try out different stitches, and then she progresses through the making of them. She'll be testing out different suggested backings, too. So that will be really interesting to me.

I've already decided on my mode of backing, but I'm always open to new and better ideas!! If any of you are familiar with making bookmarks on felt, what do you use for a backing? Heck, even if you're not familiar with it, do you have any ideas?

As you can tell, my biggest preoccupation right now is the summer instruction. I hope it doesn't bore you too much! To break the monotony, I promise something Monumentaly Interesting (!! maybe a bit of an exaggeration !!) in the next couple days. And I'll be taking a bit of time off work shortly, so that will give me more time for photos and progress reports!

Have a terrific Thursday!
]]> embroidery for children pictures fabric for embroidery embroidery for fun needlework pictures 11508 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-29 18:35:54 2008-06-29 18:35:54 1 0
Thanks! I'm glad to hear you like the videos!

When I work on felt, I usually free hand the design with one of those fine tipped micron art pens (.005). It's permanent ink, but very tiny, so it's easy to cover up the marks. I've also used pencil.

You can easily iron-on a design, too, if you have an iron-on transfer that you like. Felt takes iron-ons really well!

Hope that helps!

MC]]> 11707 RF noreply@blogger.com http://www.blogger.com/profile/13594022118169388627 2008-06-07 13:12:00 2008-06-07 13:12:00 1 0
If you're looking for another idea: I make handkerchiefs out of bleached muslin with lace around the edges. I embroider a spray of flowers in the corner and a Bible verse. I keep one in my purse for the unexpected joys (and sorrows and sneezes)of life. They make wonderful gifts for weddings, Mother's Day, moving, etc. I recently gave one to a friend whose husband passed away. I think a gift embroidered by hand expresses much more than a printed card ever could.]]> 11717 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-06 11:00:55 2008-06-06 11:00:55 1 0
Thank you!]]> 11721 Anonymous noreply@blogger.com 2008-06-06 08:17:00 2008-06-06 08:17:00 1 0 What about using something like grosgrain ribbon glued on with a fabric glue or ironed on with double sided "stitch witchery" for the back of the bookmarks? It wouldn't have to be edge to edge... a bit narrower than the width of the bookmark is better. I've made embroidered bookmarks with a scalloped edged aida cloth strip and finished the backs and bottoms of the bookmarks that way. The bookmarks weren't 3" wide though...more like 2". Wide grosgrain is available, but not cheap.
Another idea? What about cutting the edges of the bookmarks with either a wavy or scalloped rotary blade? A bit "fancier" than just a straight edge...and for no more work....just a new blade.
Tess]]> 11722 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-06 07:43:33 2008-06-06 07:43:33 1 0
JoWynn - I'm sure you're granddaughter will learn heaps under your tutelage! Glad you liked the goldwork! I'll see if I can dig up some more for you...

Denise, "forgiving" is a good word for it! On the sample I messed up yesterday, though, I wasn't very forgiving to the felt. Rrgh.]]> 11723 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2008-06-05 10:25:00 2008-06-05 10:25:00 1 0
Using "Felt Wee Folk" by Salley Mavor for inspiration and in particular the owl applique pattern included in the book. The children first embellished (with fly-stitch, straight stitches, buttons for eyes) the owl shape before practicing a buttonhole stitch to attach that piece to the base piece of felt. On the base/main piece of felt was more embellishment - they stitched a squiggly line around the perimeter in chain stitch adding simple leaves, some stitched a branch on which the owl sat, some stitched lazy daisy flowers. To finish, I fused (using WonderUnder or some similar product) the embroidered piece to a larger piece of felt and trimmed the bottom piece of felt with scallop edgining scissors close to the edge of the embroidered piece - totally cute.

This might sound complicated, but we had children ranging in ages from 7 on up, some with attention issues, some who had never done any kind of crafts. Everyone was happy with their finished bookmark.

I had our class sample for the longest time, but in our last move it has gotten shuffled to some unknown place, otherwise I would have sent a photo. However, I hope you can picture this and hope it helps.]]> 11725 Denise Felton denfelton@hotmail.com http://www.blogger.com/profile/00522609479897075942 2008-06-05 09:26:00 2008-06-05 09:26:00 1 0
Denise
http://needlework.craftgossip.com]]> 11726 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-06-05 09:01:00 2008-06-05 09:01:00 1 0
Also, thanks for the ecclesiastical goldwork post. Magnificent work. I couldn't tell it wasn't the highest quality. I, too, love ecclesiastical embroidery, especially goldwork.]]> http://www.needlenthread.com/2008/06/coton-broder-for-whitework-embroidery.html Tue, 03 Jun 2008 17:18:00 -0500 Mary Corbet 754 2008-06-03 17:18:00 2008-06-03 17:18:00 open open Coton-a-Broder-for-Whitework-Embroidery---Resources publish 0 0 post

This thread is my favorite thread for whitework, and it's excellent for monogramming. This summer, with my adult embroidery class, we'll be working some simple monogram designs on guest towels. But we won't really call it whitework, because the towels are natural, oatmeal-colored linen. Have you ever seen a "natural" colored linen embroidered with white? It's quite stunning!

I got the idea from Country Bumpkin, to tell you the truth! The first source of inspiration was their book, Monograms, by Susan O'Connor. I fell in love with the cover of this book, which prompted me to buy it. Although we aren't supposed to judge books by their cover, I did judge this one right - it's a wealth of information and good techniques for hand embroidering monograms.



Then there was a project called "A Fine Tradition" (also by Susan O'Connor) in Inspirations issue #55. While our monograms will not be quite of this caliber, my plan is a simple, tasteful design like this one, which bespeaks such elegance in my mind!

So I've got the supply of natural linen towels all washed and ready to go, which is only the minutest step towards preparing for this class. Next, I've got to get the designs ready, and pick out an alphabet.

But before I do that, I just realized that I am chock out of coton a broder, and so I've placed various orders.

Here are some resources if you're looking for this thread, which I think is really indispensible for anyone who likes whitework.

The first source is Lacis. Check under "materials" in their online catalog, under cotton cords and threads. Coton a broder in sizes 16, 20, 25, and 30 are all $1.50 a skein (anywhere from 23 - 40 meters per skein). #40 (which I believe is supplied by Anchor) is $4.00 / skein.

You can also find coton a broder #40 (Anchor) from Wendy Schoen Designs, for $4.00 / skein. If you have other goods to purchase from her, it might be worth your while to check out her shop. For example, she sells floche (similar to coton a broder, but 5-ply instead of 4). She even sells it in very nice sample packs!

So if you've got any monogramming on your list for summer embroidery projects, now you have some resources for just the right threads. Incidentally, I'm working on a personal project (a gift) right now as well, and it will be white-on-white. I've got a deadline on this one, so it's a darned good thing I realized I needed thread! Phew!

That's what I'm up to, then. Not too exciting! But at least each day I get a little closer to having my classes solidified and everything ready to go. Then, we can have some real fun! I'll definitely share pictures with you along the way!
]]> 11728 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-06-04 08:42:00 2008-06-04 08:42:00 1 0
I've had an especially difficult time trying to find coton a broider, so this post is extremely welcome. Now I'm going to want to spend money!!! :)]]> 11730 Anonymous noreply@blogger.com 2008-06-04 06:55:00 2008-06-04 06:55:00 1 0
Can't wait to see pics of the class projects. Your students are lucky ducks, Mary! - Jeannine]]> 11731 Linda linda.boudreau@gmail.com http://www.blogger.com/profile/15715321609008622071 2008-06-04 06:35:00 2008-06-04 06:35:00 1 0 Linda]]> 11732 PAULE noreply@blogger.com http://www.blogger.com/profile/06254014461416518120 2008-06-04 05:37:00 2008-06-04 05:37:00 1 0
Thanks for those links. I'm learning white embroidery and was looking for some online resources.

Paule - Reunion Island]]> http://www.needlenthread.com/2008/06/readers-embroidery-strawberry.html Sun, 01 Jun 2008 15:46:00 -0500 Mary Corbet 755 2008-06-01 15:46:00 2008-06-01 15:46:00 open open Reader's-Embroidery:-A-Strawberry-Tablecloth publish 0 0 post

Margaret sent along the photos of this pretty little tea cloth made from a Fleur de Lis kit, featuring Anchor threads. The strawberries are just gorgeous!



Margaret shared the following information about the kit:

• Size: approximately 32" x 32"


• Brand: Anchor/Fleur de Lis (European) - I bought it from a UK site.


• Floss: Anchor (I really like Anchor floss)


• Availability: It's still out there


• Problems with the kit: not enough floss. I am a very thrifty stitcher so if I run out, then there wasn't enough thread in the kit. I expected to run out of yellow because I changed the kit, but I ran out of some of the reds and greens as well.

Here's a close up on the motif:



And here's a little more information from Margaret on stitching the piece:

Stitching: I stitched with two threads except for the bees which I did with single strands. If I remember correctly, I think the kit called for 3 strands. I followed the kit except that I changed the seeds on the strawberries. Where you see light yellow (as opposed to gold) the instructions said to use white. I thought the white was too stark.

One thing that was a challenge was the stitching direction on the three leaves in the middle. (They are satin stitched with a stem stitch edge, not buttonholed.) Normally, I would have followed the angles of the leaves with longer stitches. Since this was not going to be a framed piece I needed to keep my satin stitches shorter and sacrificed the direction. I couldn't have really long stitches on a tablecloth as they would be floppy.

I love the Fleur de Lis tea cloth kits - I've got one in progress as well, but haven't gotten back to it in ages. You can find them at various online shops in the UK, and you can view the range of Fleur de Lis kits on the Anchor / Coats website.

I found one source here in the US for the kits - Arts Crafts USA - but I've never ordered from them. It makes me a bit nervous that they list the Fleur de Lis kits as "stamped cross stitch," when they aren't cross stitch at all! But it may be worth trying them out, to avoid shipping costs and currency exchange rates from the UK! Incidentally, this Spring Flower kit is the one I have.

Well, Marlena's tablecloth I posted yesterday and Margaret's strawberry tea cloth have inspired me to dig out mine as well to see just where I left off on that!

Thanks, Margaret, for the photos and the information!
]]> readers embroidery pictures needlework pictures 8859 Diane dianematheson@hotmail.com http://www.blogger.com/profile/02649543737183491722 2009-02-11 08:53:00 2009-02-11 08:53:00 1 0 11720 Gina E. gandkwil@hotmail.com http://www.blogger.com/profile/07532527261977368083 2008-06-06 10:16:00 2008-06-06 10:16:00 1 0 11736 Marlena noreply@blogger.com 2008-06-03 02:49:00 2008-06-03 02:49:00 1 0 11738 margaret c. noreply@blogger.com 2008-06-03 00:44:00 2008-06-03 00:44:00 1 0
Mary, I just got 'Spring Flowers' out and started working on it a week ago. It's going to be my travelling companion when I go on vacation this year.

By the way, I bought my tablecloth kits from here:

http://www.stitcher.co.uk/index.asp?Category=537&KitName;=Fleur%20de%20Lis%20Embroidery

(The prices are really painful with the exchange rate, but the pictures are decent.)]]> 11740 Anonymous noreply@blogger.com 2008-06-02 17:16:00 2008-06-02 17:16:00 1 0 11742 Anonymous noreply@blogger.com 2008-06-02 11:19:00 2008-06-02 11:19:00 1 0 http://www.needlenthread.com/2008/06/readers-embroidery-flowered-tablecloths.html Sun, 01 Jun 2008 12:10:00 -0500 Mary Corbet 756 2008-06-01 12:10:00 2008-06-01 12:10:00 open open Reader's-Embroidery:-Flowered-Tablecloths publish 0 0 post

The first embroidered table cloth Marlena completed, she framed! Because she has little kids, she figured it was a good way to preserve it from paint and dirt.



I love the colorful ring of flowers, don't you? Daffodils have always been a favorite of mine!



Here's the piece framed up. I would have never thought of framing a tablecloth to preserve it - it's a good idea, since she still plans to use it in the future. In the meantime, she doesn't have to pack it away in a box and can still enjoy it.



Here's the second flowered tablecloth. I love the shades of blue! I meant to ask what type of floss she's using (sorry!) and how many strands, so Marlena, if you read this, do let us know!



Here's a close-up on the embroidered flower. Very nice!



And the work progressing in the hoop!

I was really happy to receive these! Thank you for sending the pictures, Marlena!

One of the reasons I find it delightful to see embroidered table linens right now is because I am STILL in the throes of preparing my summer classes. I hope to take a few days off work before they start, so that I can devote some concentrated effort to patterns and stitch directions. We'll be working on some household linens, too - the kiddos are doing kitchen towels at one point, and the adults have some monogrammed guest towels on their list.

The way things are turning out, I may end up with a theme of posts this week on embroidered household linens! Margaret sent along a tablecloth embroidered with strawberries, which I'll have up for you to admire, too.

Thank you again, Marlena! Congratulations on your very fine work!
]]> Embroidery for the Home readers embroidery pictures needlework pictures 11672 Anonymous noreply@blogger.com 2008-06-08 13:42:00 2008-06-08 13:42:00 1 0 11737 Marlena noreply@blogger.com 2008-06-03 02:43:00 2008-06-03 02:43:00 1 0 11744 Anonymous noreply@blogger.com 2008-06-02 07:02:00 2008-06-02 07:02:00 1 0
That motif would work really well for embroidering something special in the middle of it, like a birth or marriage announcement, or a favorite quote.

Well done, Marlena!]]> 11746 Marlena noreply@blogger.com 2008-06-02 01:28:00 2008-06-02 01:28:00 1 0 11747 Miss 376 noreply@blogger.com http://loopylousadventuresintohandicrafts.blogspot.com/ 2008-06-01 16:23:00 2008-06-01 16:23:00 1 0
All the best for the summer schools]]> 11748 margaret c. noreply@blogger.com 2008-06-01 14:57:00 2008-06-01 14:57:00 1 0
I'd be interested to know if these are kits or transfers or ??? Also, how big are the tablecloths?]]> http://www.needlenthread.com/2008/05/ecclesiastical-embroidery-goldwork-and.html Fri, 30 May 2008 13:11:00 -0500 Mary Corbet 757 2008-05-30 13:11:00 2008-05-30 13:11:00 open open Ecclesiastical-Embroidery:-Goldwork-and-Silk publish 0 0 post

These are two examples of different representations of the Sacred Heart, worked in gold metal threads and silk. The embroidery is perhaps not the finest ecclesiastical embroidery I've seen, but there are some notable points to both pieces.



A front view of this image does not show it off well, in my opinion, but there are elements of it that I think are really exquisite. For example, the effect of "light" around the Sacred Heart is very nice. Also, I like the gold on the robes. But the image looks better, I think, when seen from the side, which is curious.



This is the same image from the side. I think the face is more appealling from this angle.



I think the eyes are beautifully worked. Close up, they are even more impressive.



The image is set on cloth of gold, which is enhanced by a pattern worked in gold purl.



This is a different image of the Sacred Heart, and it is, in my opinion, not quite as nice as the one above. But the techniques are completely different. In the image above, the robes - in fact, the entire figure - is embroidered. In this image, the figure is made of appliqued fabric, which has been stitched over where shading is desired, to give the "look" of embroidery without the labor-intensiveness of hand embroidering the entire image.



The face on this image is solid flesh colored fabric. The shading is achieved by stitching darker flesh tones only where shading is desired. Sometimes, such pieces would actually be painted. The details of the face, for example, would be painted onto silk. The shading was then achieved primarily by the paint, and lines of stitches would be added to enhance the shading. But on this particular piece, the background of the face is flesh-colored silk which is not painted.

Anyway, I like looking at pieces like these to determine techniques and to get ideas. I hope you enjoyed seeing the photos!

Have a great weekend!
]]> historical needlework ecclesiastical embroidery goldwork pictures silk needlework pictures 11724 Anonymous noreply@blogger.com 2008-06-05 09:38:00 2008-06-05 09:38:00 1 0 11727 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-04 18:33:22 2008-06-04 18:33:22 1 0
I think the purl is sewn on in a normal bead fashion, from what I can tell, with the exception of the following:

1. around the orange centers, where it is sewn on like a long bead in two pieces, starting at the top or bottom point of the diamond shape, and couched on the side to pinch and turn it around the corner.

2. perhaps the vertical bar on the middle cross shape, which on some, looks like it is couched on each side of the horizontal bar it passes over - although on others, it is a smooth long purl that just lays over the horizontal bar - no kinks or anything that makes it look couched through.

The lattice connections between the diamond shapes are a smaller sized purl, extending from each diamond's edge. The lattice pieces are crossed over in the middle by the fatter purl that divides the half-way break in the pattern. From zooming in on the close-ups, it doesn't look to me as if the purl for the lattice extends in long lengths, but rather that they end and begin at the edge of each diamond shape.

You're right about the background - it is certainly not cloth of gold! Whoops! That's what I get for assuming. I just took a better look, zooming in on a close-up. It looks to me like a line of couched gold-colored silk (the couching makes the bundle of flat silk a little poofy) alternating with lines of couched passing thread.

Wow. Funny when you starting looking up close at these things - it's like putting together a little "whodunnit" - only it's a "howdunnit."]]> 11729 Anonymous noreply@blogger.com 2008-06-04 07:52:00 2008-06-04 07:52:00 1 0 11750 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-31 14:54:00 2008-05-31 14:54:00 1 0
Thanks for a lovely post]]> 11752 Anonymous noreply@blogger.com 2008-05-31 07:44:00 2008-05-31 07:44:00 1 0
What are the orange centers in the purl pattern?
And what are the rays on the second Sacred Heart made of?

-Christiana]]> 11753 Anonymous noreply@blogger.com 2008-05-31 06:26:00 2008-05-31 06:26:00 1 0
The fourth picture down, the small crosses and the bits that look like set jewels? Are the cross shapes, and the "settings" for the satin stitch jewels, examples of couching?

The halos on both pieces blow my mind...Sure would love to see them up close!

Thanks for sharing, Mary. -Jeannine]]> 11758 Margaret C. noreply@blogger.com 2008-05-30 16:56:00 2008-05-30 16:56:00 1 0
I, too, like the glow around the Sacred Heart in the first and the background patterning. The halo has a nice quality as well.

Where did these come from?

Thank you for sharing!]]> 11759 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-05-30 16:51:00 2008-05-30 16:51:00 1 0 http://www.needlenthread.com/2008/05/thanks-for-threads.html Wed, 28 May 2008 07:07:00 -0500 Mary Corbet 758 2008-05-28 07:07:00 2008-05-28 07:07:00 open open Thanks-for-the-Threads! publish 0 0 post mailbox! It's always a thrill to come home from work to find something waiting, and yesterday, I received some embroidery threads! Well, combine the whole notion of Real Live Mail with Embroidery Threads, and you can imagine how delighted I was!

Paula Hewitt sent me along a wonderful little card of samples of embroidery threads. They included threads manufactured by Colourstreams, Cascade House, and EdMar. And they're all gorgeous! Thank you, Paula!



The first thing that struck me about the Colourstreams was - strangely enough! - the colors! They are really beautiful, vibrant colors!



All the threads on the left side of the card are by Colourstreams. They have names like seascape, Marrakesh, water nymph, Monet, faded rose, nasturtium, verde, and meadow - and all the names fit!



Water nymph, for example, features tones of stunning ocean blues.



Some of the Cascade House threads are stranded silks. The stranded silks remind of YLI embroidery floss in size and twist. They are soft, with a nice sheen. There's also a Lamé silk - it's a pearl silk with a small filament of gold running through it.

The EdMar threads are a twisted rayon used often for Brazilian embroidery, but suitable for other methods as well. They have a nice sheen to them, and are characterized by the "boingy-ness" of rayon.

Colourstreams and Cascade House are produced in Australia. While Colourstreams has a few US distributors listed, Cascade House seems to be sold solely in Australia.

I haven't stitched with any of the threads yet, but I'm excited to try them! It's true, and you all know it, so I'm not ashamed to proclaim it - I have an infatuation with fibers. One of my upcoming Big Projects is to work up some photo comparisons of different threads, similar to my comparison of twisted silks and flat silks. However, one thing I'm going to do first is procure a better set-up for photographing threads up-close. I also want to provide stitch samples using the threads I compare.

I think it's nice to see a thread before buying it - and to get opinions on how well it stitches up. But really, when it gets down to it, the touch is always the sell point for me!

Thanks again, Paula, for feeding my "fiber infatuation"!

I'll keep you all posted on what I do with these! In the meantime, I hope to have some serious needle 'n thread time this evening, so I can give you an update on my current projects - a couple underway, and the initial stages of a big needlework project with a short deadline.
]]> embroidery resources threads pictures silk 11743 Anonymous noreply@blogger.com 2008-06-02 07:50:00 2008-06-02 07:50:00 1 0
I also Googled "Sri Lanka book source" and I found this site:

http://www.dkagencies.com/

I didn't have much luck on the dkagencies site finding the titles on Mary's list but there are other embroidery books to be found.

There is also yesasia.com

I had more luck with yesasia.com. I only looked for Betty Barnden's The Embroidery Stitch Bible and Mary Thomas's Dictionary of Stitches and I was able to find both.

You'll have to see which sites offer you the best prices on the books and on shipping. Amazon is cheaper for me than the other sites. But it might be just the opposite for you, in your part of the world.

Good luck! - Jeannine]]> 11745 Angel noreply@blogger.com http://www.blogger.com/profile/00256401359596699631 2008-06-02 02:49:00 2008-06-02 02:49:00 1 0 I am so curious to see what you are doing and look forward to your daily e-mail update. i am also a very frequent visitor to your website.
the book review where you stated the bestsellers dated 30th may. Please be good enough to advise whether these woudl be avilable in Sri Lanka. In SL it's ver hard for me to find nee embriodery books, Please help.]]> 11761 Margaret C. noreply@blogger.com 2008-05-29 18:23:00 2008-05-29 18:23:00 1 0 Thank you again, Mary, for all the effort you take in helping folks who are thirsty to learn about embroidery. I appreciate it so much!

May I just say, 'I second that'...and make it a great big second! :-)]]> 11763 Anonymous noreply@blogger.com 2008-05-29 08:41:00 2008-05-29 08:41:00 1 0
I'm totally confused by the choices of thread out there and the various results they'll yield.

I've wanted to try DMC Pearl/Perle thread. And just this morning I've been looking for online auctions offering good deals.

But right away I was confused as to whether or not the thread sold in 80m balls is the same thread you'd get in a skein. And I don't really know how much difference there is in the sizes and how the size used may change the appearance of your work.

I mean, I assume there has to be a significant difference between a skein of #3 and a ball of #8, but I don't know for sure!

I don't know my perle from my coton a broder from my cotton floche. If I win the lottery I'm going to buy some of everything so I can see the differences! :P

Thank you again, Mary, for all the effort you take in helping folks who are thirsty to learn about embroidery. I appreciate it so much! - Jeannine]]> 11765 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-05-28 16:29:00 2008-05-28 16:29:00 1 0 http://www.needlenthread.com/2008/05/trish-burr-on-embroidery-books-more.html Wed, 07 May 2008 06:25:00 -0500 Mary Corbet 759 2008-05-07 06:25:00 2008-05-07 06:25:00 open open Trish-Burr-on-Embroidery-Books-&-More,-Part-1 publish 0 0 post

First, let me explain how this came about:

I reviewed Redoute's Finest Flowers in Embroidery here on Needle'nThread, and Trish kindly e-mailed and thanked me for the review. We exchanged a couple e-mails about her upcoming book, Crewel and Surface Embroidery: Inspirational Designs, and I asked if I could interview her for my readers. Well, she went beyond that, and sent me photos of her work and a list of notes she was using for a class, which includes her background, commentary on her different books, and her story of "getting published."

This is interesting stuff! It's a lot of information, so I'm splitting it into two parts.

I hope you enjoy it!

From Trish:

It all started in about 1990 when I was living in Zimbabwe. My introduction to embroidery came from humble beginnings..... I did not learn at my grandmother's knee, I did not learn from my Mother (she is here today and will confirm), I did not do domestic science at school; in fact, everything I learnt was from a book - however, I did enjoy art, so perhaps the creative leanings were there. It was not until I got married that I tried my hand at various crafts including sewing - this began a series of home industries where I sold my wares at craft fairs hoping to get rich quick from the proceeds. Then I learnt to do cross stitch and was hooked.

In 1993, an opportunity arose to take on the DMC agency in Zimbabwe which would prove to change the course of my life. This little agency was a great success and eventually we were providing every needlework shop in Zimbabwe plus some of the neighboring countries.

We imported the threads direct from France and then distributed them to the shops. There was a chronic shortage of foreign currency in Zimbabwe so I had to borrow from my Dad's currency allocation for the farm. If I remember correctly, we had to put the threads down as tractor spares or tobacco twines or something like that!

At this time, I became interested in thread painting and spent many hours pondering the techniques in books and trying them out on little pieces of scrap fabric. I would copy little pictures from cards, books, or wrapping paper in an effort to reproduce the original as closely as possible. I was not aware of any embroidery guild in Zimbabwe and certainly did not know of anyone who did this type of embroidery who could help me, so I just developed my own style of thread painting.

In 1999, we went on a trip to the DMC factory in France. They saw some of my work and asked me if I would like to publish a book for them, but when the contract came through, I noticed it was to be published in French.

So I sent the synopsis out to some English speaking publishers and in 2000 I was offered a contract by Sally Milner Publishing in Australia. Their contract stated that I had to give them first offer of any new book titles and so I have continued to publish with them to this day.

Since then, I have published four books, approximately one every two years - three on thread painting and one on cross stitch. The cross stitch book was compiled from a number of kits I had done previously and was published in 2003.

The first [thread painting] book was Redoute's Finest Flowers in Embroidery, published in 2001 - I had bought a book in the London art gallery on Redoute's flower paintings and felt compelled to stitch them. I thought it was my job to send them a complete layout of the book, page for page. Computers didn't do what you wanted them to do in those days and I spent many frustrated hours trying to get pictures in the right place on the page, only to be told that was the designer's job!

I found out I was pregnant at the age of 43 (I have two grown up daughters) and... moved out of our house into a small cottage while they were doing major alterations to our house - didn't think I would finish the book. My family pushed me to get it finished and about four months before Katie was born, the book went off to Australia.

I remember well the arrival of this first book. Katie was about 2 months old and I had tears in my eyes. When I saw the book in print, it was an amazing feeling.

This little book exceeded all my expectations, going into a reprint within the first three months - I didn't even know what a reprint was... since then, it's been reprinted four times. The whole thing was a bit overwhelming: not only was I trying to get to grips with motherhood in my latter years, but the publishers were already asking for a second title.

Wow! What a journey, and what an achievement. The second part of Trish's article concentrates on her other two thread painting books, the nitty-gritty on publishing (editing, sales, royalties), and some very inspiring concluding remarks. I'll have that, and a couple more gorgeous photos, up for you tomorrow.

Thanks so much, Trish, for "talking" to us so candidly. I can't really speak for everyone reading this, but I've read your notes several times over, and I find them fascinating! So a Great Big Thank You!

If you want to pre-order a copy of Trish's new book, Crewel and Surface Embroidery Inspirational Designs, you can do so through Amazon. I've contacted the publishing company here in the US to get an accurate date on release of the book, but I haven't heard back. I'll let you know when I find out!

Read on to Part II of Trish Burr's Needlework Adventures...


]]> Trish Burr pictures embroidery designers needlepainting crewel work needlework pictures 11217 Moira noreply@blogger.com http://www.blogger.com/profile/01538272879969746712 2008-07-28 10:22:00 2008-07-28 10:22:00 1 0 Moira b]]> 11218 moira noreply@blogger.com 2008-07-28 10:19:00 2008-07-28 10:19:00 1 0 Moira]]> 11872 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-08 07:16:56 2008-05-08 07:16:56 1 0
Smoose, I recommend the long-and-short stitch book mentioned above (by Trish Burr) and also her new book. Both of those are good for learning how to do shading well. You can also check my book review list (link in the list at the top right of the page) for other books on crewel work and shading techniques.]]> 11873 smoose003 noreply@blogger.com 2008-05-08 07:02:00 2008-05-08 07:02:00 1 0
I have been doing needlework since I was 7. I have been very interested in Needlepainting are there any books that you would recommend?]]> 11874 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com 2008-05-08 06:40:00 2008-05-08 06:40:00 1 0 Truly is magnificent, your article on Trish (I have "Long and Short Stitch Embroidery" by Trish Burr). I will continue step by step this article that I liked as much as all the topics on which you write Thank you very much, for sharing, also thank you Trish!
I am truly inspired!
Maria del Valle]]> 11875 Margaret C. noreply@blogger.com 2008-05-07 19:15:00 2008-05-07 19:15:00 1 0
Looking forward to part two.]]> 11876 Meeta V. noreply@blogger.com 2008-05-07 17:24:00 2008-05-07 17:24:00 1 0 11877 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-05-07 15:31:00 2008-05-07 15:31:00 1 0 11878 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-07 14:45:00 2008-05-07 14:45:00 1 0 http://www.needlenthread.com/2008/05/free-stumpwork-pattern-crimson-chat-by.html Sun, 25 May 2008 09:49:00 -0500 Mary Corbet 760 2008-05-25 09:49:00 2008-05-25 09:49:00 open open Free-Stumpwork-Pattern:-Crimson-Chat-by-Jean-Fletcher publish 0 0 post Kreinik website offers several free hand embroidery projects, but the most interesting one - and the most detailed - is a little stumpwork bird pattern by Jean Fletcher. Guess what I like about it?

Well, besides the fact that it's stumpwork, it features a bird! And I'm really fond of birds. Besides the bird, though, there are very pretty blue flowers - what more could you want?!



When I first saw the pattern, I was, admittedly, a little distressed by the bird itself, as it wasn't familiar to me and I didn't much like the colors. But then I looked up the crimson chat, a bird native to Australia, and it grew on me! It's a great little bird!

This stumpwork freebie includes a full list of supplies, and detailed instructions for the Crimson Chat in PDF format.

The project features Kreinik's Silk Mori, a thread that I haven't actually used. I was turned off Kreinik silk a while ago, when there was some kind of strange cuffuffle in the Soie d'Alger line from Au Ver a Soie - about six years ago, the Soie d'Alger was sold with a Kreinik lable. The Kreinik threads did not match the Soie d'Alger color-wise (just slightly off) and they seemed stiffer and duller to me. So I gave Kreinik a miss for a while.

However, I've heard very good things about this thread from other stitchers and have added it to my "List of Threads to Try This Year."

If you've wanted to try stumpwork, this is an inexpensive way to venture into it: there's no kit fee. I suppose that you could substitute threads in your stash - which would be an economical way to experiment.

Enjoy!
]]> free embroidery patterns threads stumpwork 10746 Anonymous noreply@blogger.com 2008-08-31 02:31:00 2008-08-31 02:31:00 1 0 11764 Bear noreply@blogger.com http://www.blogger.com/profile/00096238770410460175 2008-05-29 06:30:00 2008-05-29 06:30:00 1 0 many years back when I was a newby to the web and all it entails I blundered onto A Brazillian and Stumpwork group, and one of the many contributors was this wonderful lady Jean Fletcher- I learnt a lot from her and believe me she was very very generous with anyone trying to make out how to do this Newer type embroidery. I hope that those who are taken with this little Red Chat bird will source some of Jeans books (as sadly Jean died on her way to a workshop she was to run that day) but we do have her books to continue her love of Australian birds and stumpwork.
love n hugs Bear xoxoxoxoxoxo]]> 11767 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-05-28 09:53:00 2008-05-28 09:53:00 1 0
Thank you for the link friend. It's the beautiful embroidery. Not yet tried the silk thread, I imagine it will be special!

Maria del Valle]]> http://www.needlenthread.com/2008/05/something-new-on-needle-n-thread.html Fri, 23 May 2008 12:46:00 -0500 Mary Corbet 761 2008-05-23 12:46:00 2008-05-23 12:46:00 open open Something-New-on-Needle-'n-Thread! publish 0 0 post

All About Blanks is a company that provides beautiful blanks (linens, cottons, etc.) for embroidery. They've been very kind in helping me out with my summer embroidery classes, so I want to return the favor as best as I can!

I've contacted several companies for assistance, and people have been very generous! All About Blanks was the first to respond, so I've placed them here first. Their ad will be part of the side column for a month!

I want to encourage you to see what they have to offer for embroidery. I love working with blanks, because once you've finished stitching, you are --- well, finished! You'll find at their website all kinds of household goods and specialty items. For our classes, we're using their gingham towels and their oatmeal colored guest towels, among other little things. The oatmeal colored linens are wonderful for monogramming in white, by the way.

Feel free to check out their website! Especially if you're looking for goods to embellish as gifts or for your own house, you're sure to be pleased with what you find!



]]> website news embroidery resources 11770 Marian noreply@blogger.com 2008-05-27 16:53:00 2008-05-27 16:53:00 1 0
I am having fun cross stitching miniture quilts and making lavender bags for presents. I am also stitching a Paula Vaughan design for my sister's 24th wedding anniversary in August.]]> 11771 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-26 13:15:00 2008-05-26 13:15:00 1 0 11773 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-25 18:09:21 2008-05-25 18:09:21 1 0
Marian, thanks for your comment! I do have instructions for turkish stitch. I'll add it to my list of stitches to film!]]> 11774 Marian noreply@blogger.com 2008-05-25 17:39:00 2008-05-25 17:39:00 1 0
I would also like to say that the video tutorials is a great idea and is perfect for me as I am a person that learns by watching/seeing. Written instructions make me nervous especially if I can't ask someone "who knows" if I am doing things right.

The stitch I am most nervous about right now is Turkish stitch. It is a looped stitch and I need to know this so that I can complete a chart/picture that my sister found for me at a garage sale.

If you don't have the written instructions let me know and I will write them out for you.]]> 11780 Anonymous noreply@blogger.com 2008-05-24 09:01:00 2008-05-24 09:01:00 1 0 11781 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-23 18:21:00 2008-05-23 18:21:00 1 0 http://www.needlenthread.com/2008/05/readers-embroidery-goldwork-rose.html Wed, 21 May 2008 06:22:00 -0500 Mary Corbet 762 2008-05-21 06:22:00 2008-05-21 06:22:00 open open Reader's-Embroidery:-Goldwork-Rose publish 0 0 post

There's quite a variety of goldwork threads (real metal) used in the project: there's purl, pearl purl, gold passing, check purl, and rococco, as far as I can tell.



The petals of the flower are worked in Or Nué and surrounded by pearl purl. Or Nué is a couching technique, where colored thread is used to couch gold passing threads. To achieve a shaded look, the couching threads are placed close together, and when you want more gold to show through (and the area to be less shaded), the threads are spaced further apart. This is so nicely done! The base of the petals are shaded really well!



You can see here a beautiful example of s-ing. This is a technique accomplished with purl, which are stitched on in a manner similar to stem stitch. When stitching purl, you cut it to the size you want and then sew it on like you would a bead, except that the purl "bead" is maleable, so it bends and curves easily. It's a difficult technique, because purl tends to "crack" sometimes, leaving kinks in the gold. The s-ing here is so nice and even, and it looks terrific!

The shape of the leaves is accomplished with couched passing thread (a double row), and then the leaf is outlined in rococco, which is a kind of kinked and wavy passing thread.



At the base of the flower, you see a technique called "chipping" or "chipwork." That's what's filling the inside of the sepals, which are outlined with pearl purl. The chipwork here is done with check purl, which is made like regular purl, but faceted, so it glints and sparkles. The check purl is cut into small "beads" and sewn down randomly to fill the area.

You can also see, in the photo above, gold leather which is probably padded underneath then sewn down. Margaret said this was really difficult - and I can imagine she's got holes in her fingers from it!

You can also see the stem covered with purl - again, cut like long beads and sewn over the stem area, which is probably padded with a bundle of waxed yarn, couched onto the fabric. The purls are sewn over the waxed yarn at an angle. This is another tricky technique - if the purls are too short, they don't go flush down to the ground fabric; if they're too long, when you pull your thread through, they "crack."



And, finally, the masterpiece! Isn't it beautiful? I was so pleased that Margaret sent the photo along! The project is a testimony to perseverence and precision! Very, very nice!

Thanks, Margaret!

I'm always keen to see what everyone else is up to! If you want to send photos along, don't hesitate to contact me, and I'll e-mail you back. AOL users: My return e-mail always bounces back, so if you have an alternate e-mail address, please send it! Thanks!
]]> readers embroidery pictures needlework pictures 11788 Margaret C. noreply@blogger.com 2008-05-21 22:34:00 2008-05-21 22:34:00 1 0
I really enjoyed stitching this piece. It was a challenging and engaging effort and I learned a lot! I was both relieved and sad when I finished. :-)]]> 11790 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-21 14:37:00 2008-05-21 14:37:00 1 0
Congratulations, Margaret C, on a stupendous piece of work!]]> 11791 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-05-21 11:53:00 2008-05-21 11:53:00 1 0
Margaret, this is stunning work. I was impressed just looking at it, but when Mary explains what is involved, double that!

CA]]> http://www.needlenthread.com/2008/05/looking-for-embroidery-supplies-and.html Tue, 20 May 2008 07:41:00 -0500 Mary Corbet 763 2008-05-20 07:41:00 2008-05-20 07:41:00 open open Looking-for-Embroidery-Supplies-and-Accessories? publish 0 0 post

Stitching Bits and Bobs specializes in mostly counted work and needlepoint. They have an amazing range of charts, primitive designs, old world samplers, and so forth. For example, you'll find Giulia Punti Antichi designs available, as well as Long Dog Samplers. They also carry Legacy linen, which is my favorite linen for needlework, and a wide range of needlework threads.

But what I like about Bits and Bobs are their bits... or are they the bobs? I like the accessories they offer. They carry Kelmscott Designs thread hoops and rings and threadkeeps, as well as their decorative magnetic needle minders. These are little bits and bobs that would make great gifts, prizes, or just keepers for yourself!

Stitching Bits and Bobs is running a Five-Year Anniversary Sale, where "just about everything" is 20 - 25% off. They also have a little drawing thing going for "stash pack" prizes. So now might be a good time to shop for yourself, family, or friends! Christmas shopping in May, even! The sale ends tomorrow morning at 10:00 am EST, Wednesday, May 21st.
]]> embroidery resources 11794 Susan of Pink Portuguese Roses mrsfish_94@hotmail.com http://www.blogger.com/profile/05382644526423090464 2008-05-20 10:47:00 2008-05-20 10:47:00 1 0
My mother was a wonderful embroiderer. I recently started to do it myself. My mother & grandmother both have passed away and I am trying to teach myself. I had the chance to learn earlier in life but, did realize how much I would love it.

I just want to thank you for this blog/web site. I just found you today and I LOVE that we learn the same way (having someone there to SHOW us how to do it) I too learn better in that manner.

THANK YOU...THANK YOU...THANK YOU!

Susan]]> http://www.needlenthread.com/2008/05/embroidery-stash-contest-results.html Mon, 19 May 2008 18:16:00 -0500 Mary Corbet 764 2008-05-19 18:16:00 2008-05-19 18:16:00 open open Embroidery-Stash-Contest-Results!-&-Embroidery-Class-News publish 0 0 post this month's embroidery stash give-away, and the winner is...

... Andrea, who wrote about Chikan/chicken/chikankari/chikan work - an Indian embroidery technique similar to shadow work. Congratulations, Andrea! Please drop me a line with your mailing address. If you don't live in the States, please make sure the address is written out exactly as the envelope should be addressed!

I thought that was a fun stash contest! Reading the comments and checking out the links was entertaining and informative! I'm planning to compile a list of techniques and definitions in the near future, so stay tuned for that. I'll include links and resources, if possible.

I've been working on my embroidered sign, announcing my kids' classes for this summer. I'm planning on posting some files for any readers interested in kids' classes. I'll include lesson plans, materials, and resources. It'll be another week or so before I finish those up, though. I've started ordering supplies, but haven't had time to work samples or finalize the lessons.

For those of you who don't know, each summer I offer kids' classes in our rural community to different age groups. I don't charge for instruction, though I do charge a small fee to help cover the cost of supplies. The prices of supplies have escalated over the years, so I've been seeking some business sponsors and help, as well as budgeting carefully throughout the year so that I could afford the layout! One of the reasons I started this website a couple summers ago (coming up on my two-year anniversary here!) was to help cover the costs of those classes, with advertising (sorry, I know some people don't like it!) and with affiliate sales (hence, the bookstore). I also wanted to extend instruction, with tutorials, tips, and so forth. I didn't know how pleasurable the whole blogging experience would be - I've enjoyed keeping the site going, and I hope you've enjoyed it, too!

This year, we'll be embroidering on blanks for some of the projects. I'm very excited about that! I've learned a lot since I first tackled teaching embroidery to children. One important lesson is that the projects need to be completely "finishable." Children like to see the results of their work in something that is complete! That sense of finished accomplishment is really important.

In addition to children's classes, I'm going to offer one adult beginners' class, and get our guild meeting again --- so, if I've got any guild ladies checking in now and then, I hope you're looking forward to it as much as I am!!! We need to finish our silk sampler we started last summer and move ahead with some plans.

I'm excited to get back into the swing of group stitching!

Ahhhh. The "lazy" days of summer... they can't get here soon enough!

Does anyone have any suggestions for a two-year anniversary stash contest in June? What would YOU like to see in a stash contest??! More embellishments? Threads? More ribbon? Fabric scraps? Methinks it should be something extraordinary for June.

And finally, coming up - a reader's embroidery project! A stunning example of goldwork (thanks, Margaret), my completed sign, some interesting linkage, and whatever else I can drum up for your information and entertainment!

(...and I might even tell you about my ducks...)
]]> stash contest embroidery for children miscellaneous embroidery musings 11795 Anonymous noreply@blogger.com 2008-05-20 06:42:00 2008-05-20 06:42:00 1 0
Congrat's on your blog anniversary. It's a great site! - Jeannine]]> 11797 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-19 23:24:03 2008-05-19 23:24:03 1 0
Thanks for the anniversary wishes! I started in June, 2006. Going back and reading the old posts, I find myself rather changed. It takes a while to find one's "voice," if you know what I mean! And gosh, I've come across several mistakes! Aargh!]]> 11798 Margaret C. noreply@blogger.com 2008-05-19 22:00:00 2008-05-19 22:00:00 1 0
Ducks, eh? Oh, I definitely want to hear about the ducks. I have always had a secret wish that I could have a couple of ducks, but it's not really possible where I live. Too many zoning and critter problems (coyotes, foxes, etc.)]]> http://www.needlenthread.com/2008/05/hand-embroidered-birthday-card-quick.html Sun, 18 May 2008 14:53:00 -0500 Mary Corbet 765 2008-05-18 14:53:00 2008-05-18 14:53:00 open open Hand-Embroidered-Birthday-Card---Quick-and-Easy publish 0 0 post

And this is where silk ribbon embroidery came in handy! When you're embroidering a flower with embroidery floss, and you want the flower to be the focus, it can take some time to execute a decent representation of a flower. But if you use silk ribbon, you can manage an ok flower in one stitch - a flower that's colorful, big enough to be noticed, and, best of all, very quickly managed!

There are tons of ways to make silk ribbon flowers or roses, but I stuck with something really simple. In fact, I just did whatever I had to do to get an ok-looking blob (I admit it) where a flower should be.

On paper, when using ribbon to make flowers, you need to pierce two medium-to-large sized holes in close proximity. You come up through the first hole, tie a loose knot in your ribbon right next to the paper, then go down in the second hole. You can also make a French knot with the ribbon, keeping the wraps loose, and, depending on the size of the flower, wrapping the ribbon around the needle three or four times, even. Then you take the ribbon to the back through the second hole.



So, my first shortcut was to use ribbon to make the flowers. My second shortcut was to use a "gate-fold" card - that is, a card folded in two places, so that, when standing up, normally it would open like double doors. Why is this a shortcut?

Instead of embroidering on a separate piece of paper and having to size it and line things up, I embroidered on one half of the front gate. If I left the card so that the left-hand door still could swing open, you'd be able to see the threads on the back of that part of the card (not too attractive). I didn't want to spend time sizing paper and cutting and so forth, so I just glued that side of the card down. This left me a narrow space for writing on the inside of the card - perfect for a short birthday message.



These are the flowers up close. Admittedly, they aren't so realistic looking, but I was happy enough with the results! Some of them are single knots tied in the ribbon before passing it through the second hole; some of them are French knots, wrapped four or more times; some of them are a combination of both!



In retrospect, if I had a little extra time, I would have filled in with some quick white French knots out of a couple strands of floss. Or some lazy daisies. But I didn't have time! So this sufficed. I used a vellum envelope and embossed the tip of the flap - a quick way to dress up an envelope and make the whole thing into a decent enough presentation!

From start to finish, including getting out the supplies and cleaning up, the card took me a little over 30 minutes... and I'd rather spend 30 minutes making my own card out of my own needle 'n thread than spend $4 or more at the local drugstore for a Hallmark card that wouldn't quite say the right thing!

I'd like to say I'm going back to my handwork right now (*sigh*), but now it's time to get back to Real Work!

Don't forget the embroidery stash give-away for this month! I'll select a winner (by drawing a name) tomorrow morning, so get your comment in on that post while you still have time!

Enjoy the rest of the weekend!
]]> embroider on paper pictures needlework pictures http://www.needlenthread.com/2008/05/free-embroidery-patterns-fortune.html Sat, 17 May 2008 07:49:00 -0500 Mary Corbet 766 2008-05-17 07:49:00 2008-05-17 07:49:00 open open Free-Embroidery-Patterns:-Fortune-Cookies?-And-News publish 0 0 post what it is...

I was playing around, trying to come up with a simple pattern for embroidering on paper for kids to do. I'm not sure why, but all I can see when I look at this is fortune cookies!

Anyway, it isn't quite what I wanted it to be, but I'll put it here anyway, because one never knows...

It's usable: cards, corners, shirt pocket, something! I don't know! What do YOU think? Any ingenius ideas for this pattern??

Here's the pattern:



News

Don't forget that this month's stash give-away ends tomorrow, Sunday, May 18th!

If you're looking for a neat "hub" for online needlework contacts, you may want to check out Sharon Boggan's new venture in social networking: Stitchin Fingers. I tend to shy away from social networking, because on many sites there's a lot of stuff I just don't want to run into, but this site is all needlework oriented, and very clean and tidy. So if you want to check it out, do! You'll find me on there now and then, so feel free to look me up.

If the fortune cookies just aren't your thing, and you're looking for more embroidery patterns, here's my index for free embroidery patterns that you'll find on this site and online.

Over the next two weeks will be the end-of-the-school-year CRUNCH for me, so if I manage to post daily, I will be amazed. Bear with me if I'm sporadic over the next 10 days!

With summer just around the corner, I'm gearing up for my kids' embroidery classes. You may remember that last summer we made wool felt notebook covers and embroidered draw string bags. This summer, I've got some new projects lined up that I think will be really fun! I'm taking youth up to 15 years old this summer and beginner adults, so I'll have 4 classes going each week, but the class sizes will be rather limited (8 students in each class). Well, that's assuming I get full enrollment! I'll be sharing my class plans and projects with you eventually. Actually, I'm considering putting together a coherent package of lesson plans / ideas for kids' projects, if anyone's interested?

Enjoy the weekend!
]]> free embroidery patterns 1635 Pamela noreply@blogger.com http://www.blogger.com/profile/12689148127290221546 2010-04-04 16:49:20 2010-04-04 16:49:20 1 0 11800 Laura Bullinger noreply@blogger.com 2008-05-18 11:47:00 2008-05-18 11:47:00 1 0 11806 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-17 13:59:14 2008-05-17 13:59:14 1 0 11807 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-05-17 12:50:00 2008-05-17 12:50:00 1 0 http://www.blogger.com/ Fri, 16 May 2008 19:58:00 -0500 Mary Corbet 767 2008-05-16 19:58:00 2008-05-16 19:58:00 open open Embroidery-Thread-Review:-Satin-Floss,-Part-I draft 0 0 post

]]> http://www.needlenthread.com/2008/05/designing-your-own-embroidered-cards.html Thu, 15 May 2008 06:15:00 -0500 Mary Corbet 768 2008-05-15 06:15:00 2008-05-15 06:15:00 open open Designing-Your-Own-Embroidered-Cards-Tutorial publish 0 0 post

Keep in mind that embroidery on paper should be done on at least cardstock weight paper. With the interest in handmade greeting cards these days, you can find beautiful paper available at almost any crafting center. I'm going to use just a standard piece of "parchment" (in green) card stock, bought in a pre-sized package.

Assemble your supplies first. You'll need the following:

Ruler, pencil, pen (I use macron art pens in various sizes), graph paper (especially if you're doing a geometric design), paper (if you're not doing a geometric design, you can use regular paper to doodle out a design), a piercing tool, a piercing pad, and scotch tape.

Some shortcuts if you don't have the specific supplies on hand:

Graph paper: if you don't have any on hand, print it. You can print your own graph paper in different sizes right off the internet. Incidentally, that site also lets you print hexagon graph paper, which could be very handy for this type of project.

Piercing pad: Do you have any craft foam on hand - the kind that you use for kids' crafts, that you can cut letters and so forth from? That's inexpensive and perfect for this. If not, a couple layers of regular craft felt will work.

Piercing tool: I actually use the handle to my tambour needle, and I replace the tambour needle with a fine eyeless needle. You can also use a regular crewel needle that you embed in a cork (the eye goes into the cork).

Now for the fun part. What do you want your design to look like? I'm going for something a bit bold and larger, and geometric, since I'm exploring possibilities for smaller hands.

Measure out and mark the size of your note card (or project, whatever it may be).



Decide on the width of the edge around the design and mark it off.



Originally, I was going to have a half inch all around, but I decided to reduce it to a quarter inch.



I left the original line there, because ... well, because I was too lazy to start over! So I'll just incorporate it into my design!



Daisy stitch works great on paper, and it's a favorite stitch for kids, so I started with evenly-spaced daisy-stitch flowers. I could've stuck with just a decorative edge, but that's kind of boring.



So I added some evenly spaced diamonds. These will be stitched with straight stitches.



And since the card doesn't have any text on the front, why not cover the whole thing? It's still looks kind of plain, so...



I added dots and connected some lines.



Cut your pattern paper to size (I made a mistake and cut mine a little short on one end, but that's ok). Line up the edges with your card, and lightly tape a couple edges onto your piercing mat or felt or whatever you're using...

Then, holding your piercing tool - or cork and needle - or tambour hook - vertically, pierce the pattern in each place where the graph paper lines converge with the pattern. Those are the starting and stopping points for your stitches.

To make this easier to see, I would suggest drawing your design with a lighter black pen, or with a pencil, and then using a red pen to put dots on the paper wherever you're going to need a hole.

Make sure you put the dots (or pierce the paper) where the graph paper intersections are - not necessarily where your design is drawn. The graph paper intersections will keep the design symmetrical. In some parts of my design, I didn't quite hit the intersections on the graph paper.



After you've pierced the card, hold it up to the window or a light to check your piercing. You can see I missed some spots on the left there. The paper pattern and the card stock will stick together, so don't worry about the pattern shifting. If you haven't peeled off the paper pattern, the holes are still stuck together.



Once it's all pierced, peel off your paper pattern. It'll be nice and bumby on the underside.



When you start a thread, you tape the tail to the back of the card. I cut up a bunch of tiny little tape squares and line them up on the edge of the table so that I don't have to stop and cut every time I start a thread.

Remember that paper is harder on thread than fabric is, so you may have to change your thread out more often than you would with fabric. In fact, it's best just to cut shorter lengths if you don't want to waste thread.



Keep your pattern close by while you stitch, so you can remember what the holes are for!

I used one strand of Satin Floss by DMC for the green lines, and two strands of the same for the pink and yellow. In the middle of each yellow diamond, I'm putting a little green seed bead.

Well, there you have it. It's simple, and really, you can let your imagination go when you're playing with this type of project. If you want to do something more "flowy," like scrolls and vines and so forth, just remember that wherever a line of your embroidery project intersects another line of embroidery, you want to have a hole. I find it easiest to pierce the beginning, ends, and intersections of scrolly lines first, then to go back and pierce the wholes between those points, spacing them evenly.

I'll be exploring this a little more as I prepare for the kids' summer embroidery classes, so I'll cover scrolly patterns and fonts a bit down the road!

I hope you find the tutorial handy! Have fun with it!
]]> needlework tutorials embroider on paper pictures needlework pictures 6642 JEL noreply@blogger.com http://www.blogger.com/profile/10052507426251725027 2009-07-11 20:10:51 2009-07-11 20:10:51 1 0
thanks for such a great site full of practical help for beginners.

JEL]]> 6646 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-11 17:37:35 2009-07-11 17:37:35 1 0
The stitch that's "curved" is actually a lazy daisy stitch, so it's got an anchoring stitch at the top of the loop.

Yes, I've designed some non-geometric things. It's just really a matter of sketching out a little design here and there. For paper embroidery, sketch out the design you want, and then pierce it evenly along the lines of the design, so that you have a place to stitch.

For most cards, I admit, I use patterns from Erica Fortgens's books, or different brass templates that I've picked up here and there.

Hope that helps!

MC]]> 6648 JEL noreply@blogger.com http://www.blogger.com/profile/10052507426251725027 2009-07-11 14:19:31 2009-07-11 14:19:31 1 0 #1- how did you get the floss to curve in the pattern you used as an example? it doesn't look like you pierced in-between. is it just loose? ..not pulled tight like a regular stitch?
#2- Have you tried making non-geometric designs? if so how do you create patterns for these?

Like i said i am just starting this journey so any appropriate links and help would be appreciated.

THANKS
JEL]]> 9336 DivaLea noreply@blogger.com http://www.blogger.com/profile/09777712092222499616 2008-12-30 10:33:00 2008-12-30 10:33:00 1 0
Google macro pen and you'll get lovely close-up photography of pens. ^_-

I prefer Zig Milleniums for this sort of work, the ink is better than the Microns, and the tips don't split and they're not rigid. Less hand stress!]]> 11811 Anonymous noreply@blogger.com 2008-05-16 12:10:00 2008-05-16 12:10:00 1 0 11816 Anonymous noreply@blogger.com 2008-05-15 15:42:00 2008-05-15 15:42:00 1 0
Ruut]]> 11817 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-05-15 10:53:00 2008-05-15 10:53:00 1 0 11822 Valquiria noreply@blogger.com qualquermotivo.blog.uol.com.br 2008-05-15 07:34:00 2008-05-15 07:34:00 1 0 Thanks for the tutorial.It's very useful for me.Thank you so much!
Valquiria]]> http://www.needlenthread.com/2008/05/embroidery-stash-give-away-for-may.html Wed, 14 May 2008 17:30:00 -0500 Mary Corbet 769 2008-05-14 17:30:00 2008-05-14 17:30:00 open open Embroidery-Stash-Give-Away-for-May! publish 0 0 post

There are a couple types of needlework threads here, a bit of silk ribbon, some buttons (not just any buttons, mind you...) and a snippet of waste canvas!



That's the little heap. It's all bagged up and ready to mail.



Here are the buttons. They're tiny little hand-painted buttons. Cute, aren't they?

Waste canvas is used over a plain weave ground fabric. It helps you manage even stitches in counted techniques (cross stitch, blackwork, petit point, etc.) or on lines of surface embroidery stitches (like herringbone or fly stitch or whathaveyou.) You stitch over the waste canvas, then carefully pull the canvas out from behind your stitching, strand by strand.



These are the threads. There's Rachelette, which is a kind of sparkly gold meshy thick thing, with a gold cord running through it, that makes a kind of bunched-up looking stitch. You can use it for couching funky designs, for ribbon techniques with a twist, or for needlepoint. Actually, I'm not really sure what it's used for - but I imagine it could be used in those ways. I bought it on a whim when I was at a little shop in Florida. I'm not sure what possessed me at the time. But it's kind of neat stuff. I'm sure there are ingenious people out there who know exactly how to use it!

Then there's a skein of Caron Watercolors - multi-colored and pretty. There's a spool of silk in orange. This is Helen Stevens's TESS silk, which is the same as Piper's silk. It's flat silk, and very fine. If you haven't stitched with this kind of silk, it can take some getting used to, but once you try it, I think you'll like it! There's nothing like flat silk for shine. You can use several strands at once to thicken it up a bit.

Next are two skeins of Anchor cotton, in shades of purple.

Next to that is a skein of Soie d'Alger, which is Au Ver a Soie's stranded spun silk. It's great stuff to work with, and has a beautiful soft sheen to it.

Finally, there's a little bag with a leftover, good-sized length of Glorianna silk ribbon, in a forest green.

Now, what do you have to do to be a part of the contest? You have to follow the "question" directions below, leaving your answer in the comments section on this post. If you use the "anonymous" feature to leave a comment, please sign a name, so when I draw names I know who's who.

The give away is open to anyone, anywhere. I'll ship via least expensive air mail. You'll have to be responsible for any customs or anything like that (if that's an issue), and I'm not responsible for lost or damaged packages. I hate having to say that. But that's that.

Question:

Ok, it's not really a question. Pick one technique from this list of embroidery techniques (that's a link, click it to get to the list), define it, and give one online resource (other than my site!) for that technique. You can use the list in the post, or pick a technique listed in the comments below the post!

I know, I know... it's work... but this way we can all learn something!

Don't think of it as work - think of it as fun! (I sound like my mother!)

Have fun!

(I'll post the winner on Monday, May 19th).
]]> stash contest pictures 11796 Carol noreply@blogger.com http://www.blogger.com/profile/00639671983695689550 2008-05-20 00:47:00 2008-05-20 00:47:00 1 0
http://www.needlework-tips-and-techniques.com

Carol]]> 11799 georgia noreply@blogger.com http://www.blogger.com/profile/03210168285078264208 2008-05-18 13:25:00 2008-05-18 13:25:00 1 0
Chicken Scratch:
Chicken Scratch embroidery technique is usually work on any color gingham fabric. Using the squares on the fabric as a guide, work either straight stitch, cross stitch (X), a double cross stitch ( a X with a + over it) or a circle ( thread woven through four straight stitches to form a O)to create beautiful patterns, such as the heart patterns noted on: www. pegasusoriginals.com

The effect is both lacy and delicate. And can be used for aprons or baby clothes or anywhere you want a pleasant and gentle design.

Enjoy.

Georgia]]> 11801 Rosi Klarolu@web.de http://www.blogger.com/profile/14087013855817881980 2008-05-18 11:07:00 2008-05-18 11:07:00 1 0 http://langenadel.de/
I also love the stitch site of the Embroiderers' Guild, where you can find all kinds of stitches. And of course I enjoy your blog and those wonderful videos, which helped me to learn the oyster stitch and the different ways of couching.]]> 11802 andrea noreply@blogger.com 2008-05-18 09:36:00 2008-05-18 09:36:00 1 0
To make up for that :) , here's another Indian embroidery definition.

Chikan/chicken/chikankari/chikan work

This originated in Bengal, but is now associated with the city of Lucknow in Uttar Prudesh (in central India).

Fairly coarse white thread is used to embroider on muslin cloth that is most frequently white or in pastel shades. Various stitches are used, but the most frequent are stem stitch, herringbone stitch done as shadow work, and back stitch. Meshlike designs (jaali) are also made, with the embroiderer using the needle to tease apart threads of the cloth and then embroidering between them.

Motifs are usually Muslim inspired, and are highly detailed. Common motifs are vines and flowers.

Finding a tutorial was impossible. The best I could find was a close-up of a couple of typical motives:
http://www.webindia123.com/craft/needle/chicken/chicken.html

And a name this time round!
Andrea]]> 11803 Anonymous noreply@blogger.com 2008-05-18 08:03:00 2008-05-18 08:03:00 1 0
Boy did I have a hard time finding one that showed technique. This one has the picture and if you click on the different highlighted areas it show you the stitches to use and how to do them. The other links are links for pay downloads, just wanted to share the pictures some are stunning. I think my first project when I get back into embroidery here soon will be something mauve/pink on a chocolate brown background.

http://www.embroiderersguild.com/stitch/projects/crewel/crewel.html

I looked for years for a bed set that I liked and found one at a company call Domestications that was gorgeous , I went to purchase it and they were out of queen size, I was devastated. I have been hooked on the brown/pink combo since, but alas, am having no luck finding a bed set with these colors.

This one has kits that will show you the technique and I thought was a good one:

http://www.berlinembroidery.com/traditonaljacobean.htm

This one has some beautiful designs to purchase for download, but you may be able to incorporate them into hand embroidery. I just had to share because I think these designs are absolutely beautiful!

http://www.berlinembroidery.com/traditonaljacobean.htm

Thanks for doing this little give away! It gave me something to challenge my mind while having my morning coffee!
Michelle]]> 11804 Anonymous noreply@blogger.com 2008-05-18 07:50:00 2008-05-18 07:50:00 1 0
I've chosen Kutch work because it's something I've just learned more about and want to try out soon.

Kutch work comes from the Kutch region in Northern India. Specifically, Kutch is in the state of Gujarat, bordering onto Pakistan.

In Kutch work, one embroiders an outline, frequently a herringbone or Maltese cross shape, and then fills this in by means of interlacing between the outline, working only at the front of the cloth.

Interestingly, it is identical (or almost identical?) with Armenian embroidery from Marash, which is in present-day Turkey. It's not really known if there is actually a historical connection between the two, or whether the similarity is coincidental.

Here is a tutorial on Kutch work:
http://kutchwork-tutorial.blogspot.com/2006/06/lesson-iii.html

And here is a tutorial on Marash embroidery:
http://armenianembroidery.tripod.com/sketches.htm]]> 11808 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-17 07:49:35 2008-05-17 07:49:35 1 0
Wow, there's heaps of good information building up here!!

The give-away doesn't end until Sunday's over (May 18), so feel free to keep adding!!

Thanks, all, for participating and sharing such a wealth of information!]]> 11809 Laura Bullinger noreply@blogger.com 2008-05-17 07:43:00 2008-05-17 07:43:00 1 0 Some links are http://www.1860-1960.com/xa3130p0.html which shows an example of soutache surrounded by an echo design of beads.
Another link is http://vintagesewing.info/1920s/26-fcm/fcm-13.html
and http://chloesplace.blogspot.com/2006/12/can-anyone-name-this-technique.html
where I learned that the meandering of cord; when used as icing on a cake is called Cornelli Lace! So , Mary , does this entry to your list qualify my for the May Giveaway? Say yes!]]> 11810 Dawn noreply@blogger.com http://www.blogger.com/profile/10958202015501519300 2008-05-16 14:20:00 2008-05-16 14:20:00 1 0
I'm trying to make more homemade cards ahead of time... I'm exploring embroidery on paper and it is fun!

How to begin: http://sharyl64.blogspot.com/2008/04/latest-trend-in-embroidery-embroidery.html

a few basic patterns: http://handcraftedgreetings.com/embrinst.html

LOVED your paper embroidery pattern!!]]> 11812 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-05-16 08:44:00 2008-05-16 08:44:00 1 0
Opus Anglicanum is a style of embroidery that was practiced most intensely during hte 13th and 14th centuries in Europe. It's characterized by silk embroidery worked in split stitch to create detailed figures, with a background of goldwork embroidered in an underside couching technique. Very very pretty.

Websites:
OK. Blatant self-promotion, though it's still an unfinished article 10 years later. Gotta fix that and move it to my current site:

my article

Other people's articles


" REL="nofollow"> More For Technique
St Florians posts about it
Wikipedia article
Split stitch Embroidery ]]> 11813 Lourdes noreply@blogger.com http://www.blogger.com/profile/00971678737950816871 2008-05-16 08:27:00 2008-05-16 08:27:00 1 0
I chose Bargello because I've never heard of it as a technique and wanted to learn something new.
Bargello, also known as Florentine embroidery, is needlework where typically only straight stitches are used, often in geometric shapes. It is generally very colorful.
A useful resource is:
http://hal.ucr.edu/~cathy/barg/barg.html with a page of links to patterns across the Internet. Very informative!]]> 11814 carmen noreply@blogger.com http://www.blogger.com/profile/18217932660530867874 2008-05-16 04:54:00 2008-05-16 04:54:00 1 0 http://www.white-works.com/stumpwork.htm]]> 11815 Penny Batchelor noreply@blogger.com http://www.blogger.com/profile/12636802275418531040 2008-05-15 18:40:00 2008-05-15 18:40:00 1 0
I found mention of a website on your site Mary, that ha lots of free assisi patterns. It is called Embroidery and Embroider, and may be found at http://www.stitchstitch.info/index.htm

I love your site Mary and have found immense pleasure reading the articles and studying the pictures - especially the ecclestiastical ones!

Best wishes,
Penny]]> 11818 Susan hsm56@sbcglobal.net http://www.blogger.com/profile/08776600970535540800 2008-05-15 10:32:00 2008-05-15 10:32:00 1 0 11819 berbmcg noreply@blogger.com http://openid.aol.com/berbmcg 2008-05-15 08:24:00 2008-05-15 08:24:00 1 0 11820 Anonymous noreply@blogger.com 2008-05-15 07:58:00 2008-05-15 07:58:00 1 0
Redwork, so named because it is embroidery worked using only red thread; some say goes as far back as 14th century Spain. I the U.S. its hay day was late 19th - early 20th century. During this time it was popular to embellish useful household items such as quilt tops, tea towels, dresser scarves, et., with simple designs, using very basic embroidery stitches, done in redwork.

You'll find lots of sites if you Google "redwork". Here are two...

A good bit of info here; a book list; a number of links - some are broken tho' :( ...
http://www.prettyimpressivestuff.com/redwork.htm

Lots of free patterns here...
http://www.ladiesinred.org/designs.html

- Jeannine]]> 11821 Loló noreply@blogger.com http://www.blogger.com/profile/15917472238698210286 2008-05-15 07:43:00 2008-05-15 07:43:00 1 0 Despite their differences, all share the identifying characteristics of white threads stitched onto white fabric, the texture of the titches crating wonderfully subtle patterns acrosss the surface of the fabric.

More information here:
http://en.wikipedia.org/wiki/Whitework_embroidery

http://www.needlework-tips-and-techniques.com/whitework-embroidery.html

http://lacismuseum.org/whitework.html

http://www.white-works.com/whitework.htm


http://lacismuseum.org/exhibit/catalogs/Whitework%20Catalog.pdf]]> 11824 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-05-15 06:38:00 2008-05-15 06:38:00 1 0
History: http://www.caron-net.com/featurefiles/featmay.html

Silk Ribbon:
http://www.threadart.com/shop/

Ideas:
http://www.antiquepatternlibrary.org/completelist.htm

http://cqmagonline.com/
http://gatherings100.blogspot.com/
http://honeybeesbliss.blogspot.com/
http://inaminuteago.com/index.html
http://nzjo.blogspot.com/]]> 11825 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-05-15 03:16:00 2008-05-15 03:16:00 1 0
I define it as a counted stitch technique, usually worked in (Duh) black thread on evenweave white fabric, in Holbein (double running) stitch so it looks the same from both sides, though various fill stitches are also used. Scarlet or Redwork is closely related, but is worked in (Duh) red thread. Some designs incorporate both colours. It first became popular in Tudor and Elizabethan times where it was used to embellish clothing, particularly undergarments and personal linens. Modern Blackwork can be used to create monochrome pictures of astonishing complexity.

OK, on with the linkage!

A short history of Blackwork
http://www.blackworkarchives.com/bw_cost.html

From a site with lots of free patterns!
http://www.blackworkarchives.com/index.html

An article on blackwork
http://www.skinnersisters.com/stitch/issue1/index.html

Blackwork eyecandy
http://www.extremecostuming.com/reproductions.html]]> 11827 Marian noreply@blogger.com 2008-05-14 22:08:00 2008-05-14 22:08:00 1 0
Technique - using satin stitch blocks (Kloster blocks) 5 stitches on a 4x4 thread measurement, the embroidery can be completed in many variations. Gaps between the embrodered threads maybe cut out to give a cutwork appearance.

It can also be known as white work, but to avoid confusion with the 'other' whitework (classic embroidery stitches worked with white stranded cotton over cotton material) it is generally referred to as Hardanger.

this link will give you more info (incl history) and a picture:

http://en.wikipedia.org/wiki/Hardanger_embroidery

This link will give you tips, tutorials and more history and info:

http://www.nordicneedle.com/tips/har101.shtml]]> 11828 Margaret C. noreply@blogger.com 2008-05-14 21:06:00 2008-05-14 21:06:00 1 0
Goldwork is a form of embroidery that uses metal threads. Goldwork does not necessarily have to be worked in gold. There are other metals available (copper and silver) as well as some coloured metal threads.

Typically, the metal threads are laid on top of the fabric and couched down with some sort of sewing thread. Some types of metal thread are cut into pieces and sewn onto the ground fabric like beads. Goldwork has been used in the past to adorn ecclesiastical pieces and specialty garments for wealthy patrons including royalty.

Give it a try; it's a lot of fun!

Now for a web site... well, I couldn't settle on just one so here are a handful:

Berlin Embroidery
Alison Cole Embroidery
Royal School of Needlework
Benton and Johnson
Golden Threads
Goldwork Guild
Hedgehog Handworks]]> 11829 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-05-14 20:40:00 2008-05-14 20:40:00 1 0 http://lace.lacefairy.com/International/Turkey.html

Melisa]]> 11830 Plays with Needles playswithneedles@verizon.net http://www.blogger.com/profile/18094024834053351944 2008-05-14 20:24:00 2008-05-14 20:24:00 1 0 11832 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-05-14 19:25:00 2008-05-14 19:25:00 1 0 11833 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-05-14 18:22:00 2008-05-14 18:22:00 1 0 Cheers
Mary Anne]]> http://www.needlenthread.com/2008/05/heres-your-embroidery-sign.html Tue, 13 May 2008 06:15:00 -0500 Mary Corbet 770 2008-05-13 06:15:00 2008-05-13 06:15:00 open open Here's-Your-(Embroidery)-Sign! publish 0 0 post

This summer I'm teaching kids' embroidery classes again - 3 classes for different age groups. I'll tell you all about them once I finish getting them together. In the meantime, I'll start advertising them on the bulletin board, so I thought I'd dress up the sign.

Here's my sign!



The photographic quality isn't so good - I'll give you a better picture when I make some progress on it! (Too busy - or is that lazy? - to set up the equipment for pictures right now...)

Coming up this week, I'll have the May embroidery stash give-away (lots of reasons why I haven't done it sooner), and I'm going to review a new floss from DMC, Satin Floss, which I mentioned a couple weeks ago. I'll also tell you about making your own paper embroidery patterns (for cards, gift tags, scrapbooks, etc.).

I'm facing a hectic two weeks, so bear with me!

]]> embroidery for children embroider on paper pictures needlework pictures 11826 Marian noreply@blogger.com 2008-05-14 22:24:00 2008-05-14 22:24:00 1 0
Now she has glasses, which are similar to mine, she may have better luck, but I will also buy a magnifying glass and tell her I use it when using 22 count Aida and that she can 'borrow' it.

Thnaks for your help.]]> 11831 Laura Bullinger noreply@blogger.com 2008-05-14 20:17:00 2008-05-14 20:17:00 1 0 11837 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-13 23:36:34 2008-05-13 23:36:34 1 0
Are you talking about stopping HER bad temper when she can't get it right, or YOUR bad temper? If the former, if she's having a temper fit, perhaps another hobby would be more suitable. Embroidery isn't the best hobby in the world when one has an eyesight problem, although there are some ways to overcome the difficulty. There are some helpful magnifying tools out there, for example, that could help her with seeing the holes - you might want to look for a needlework magnifying glass for her. If she has a temper fit because she can't get it right, but she still wants to learn, you should probably teach her the necessity of practicing patience and self-control. Mistakes are all part of the learning process. The students I teach make mistakes. They know that when it isn't right, they have to take it out and do it again - and instead of seeing that as "bad," or as "impeding" their progress, they understand that it's just part of embroidery. What does a child do when learning to play the piano? Go back and play the piece again and again... and again... and even again, until it's right. Same thing with an embroidery stitch....

If the case is the latter and you are afraid of losing your patience, since you are an adult, it is up to you to practice patience and teach patience to her by your example. As adults, we teach best by example. Self-control and the deliberate practice of patience in adversity is good for the adult as well as the child. Children learn valuable lessons through the good example of the adults in their lives!

I'm not exactly sure how else to answer that question. I don't mean the answer to sound blunt - I encourage you to try with her. You can but try -- and if either of you has a problem with patience, think of it as an exercise in self-control and a good learning experience for both of you!

The monthly stash contest is open to anyone. I will ship the package to the winner via the least expensive airmail method. Two winners so far have been from overseas - one to Australia and one to Hungary. I don't mind sending packages overseas - I think it's kind of neat, actually...

Hope that answers the questions!]]> 11838 Marian noreply@blogger.com 2008-05-13 19:23:00 2008-05-13 19:23:00 1 0
"Betty asks about the age of a child to begin embroidery. I have a niece with a congenital cataract in one eye (retina, I think) and she has asked many time for me or her mother to teach her cross stitch, but she is just not able to 'see' the holes in the Aida cloth properly.

She now wears glasses, and I have yet to suggest another go, but what can I do to stop any bad tempers when she can't get it right?

I think that for the forseeable future (no pun intended), and operation to correct the defect is not likely, although it was suggested, many times, that this might be an outcome, but the doctors deferred because she was so young. She is now 10.

I look upon this as a challenge as I have previously taught a girl with intellectual disabilites (and her teacher's aide at the same time). The girl in turn taught her mother and both women now cross stitch and this craft has bought mother and daughter closer together."]]> 11839 Marian noreply@blogger.com 2008-05-13 19:17:00 2008-05-13 19:17:00 1 0
The internet is a lovely thing for teaching and reaching out to others, but so often the websites that are not located in the same country as the user restrict the participants in a competition to residents of the country in which the website is located.]]> 11840 Anonymous noreply@blogger.com 2008-05-13 09:12:00 2008-05-13 09:12:00 1 0 11841 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-13 07:53:32 2008-05-13 07:53:32 1 0
It's actually on paper! I'll be covering that later this week. I'll show you how to turn a font into a paper embroidery pattern for cards and so forth, as well as how to make simple paper embroidery patterns, with variations limited only by one's imagination!

Well, ok. That's promising a lot - I'm going to show you the basics, anyway, and let you go from there!

Thanks for the comment!

Mary]]> 11842 Anonymous noreply@blogger.com 2008-05-13 07:35:00 2008-05-13 07:35:00 1 0
Oh, I wish I could be a fly on the wall at your house, Mary! I just can't imagine how you create your pattern so flawlessly straight and so properly and symmetrically placed. - Jeannine <-- in awe as usual.]]> http://www.blogger.com/ Mon, 12 May 2008 21:21:00 -0500 Mary Corbet 771 2008-05-12 21:21:00 2008-05-12 21:21:00 open open Embroidery-Projects-Galore!-Getting-Organized-and-Thinking-Outloud draft 0 0 post

First, this week, I'm going to post the May needlework stash give-away. Why haven't I done it yet? First, I've been busy. Second, I have the darndest problem getting to the post office (Michael - who's waiting for some GST I was going to send him, and Christiane, who's waiting for a couple books I'm sending her - will both attest to this! SORRY!). And I don't want to end a stash contest without definite ability to get to the post office. And third - I like to blame it on the new project room. Now that I'm so incredibly organized, it's harder to grab a bunch of random, fun items. You thought it would be the opposite, didn't you? So did I! Getting organized is supposed to make things easy! But it doesn't work that way when you're trying to be Random. I'll have that up by the end of the week.

Second, I'm planning my summer kids' embroidery classes. This summer, I'm taking kids in three age groups, each group for a 2-hour session, one day a week, for five weeks - all in the new studio! So all in all, that's 30 hours of instruction time with the kids. I've planned out three projects that I want to work with each age group - this time, shorter projects worked hopefully on blanks (I'm trying to work the financial side of that out right now), so that when they have finished their embroidery, they will have a finished project.

Over the last few years, I've learned a couple things about teaching youth a skill like hand embroidery. One major lesson is that the younger they are, the more difficult it is to motivate them to persevere to the finish. They like to see a complete "something" coming along, rather than something that still needs to be finished after they've finished! So I've got some plans worked up in that regard.

If any of you have ever taught specific projects to kids, I'd love to hear your suggestions for quick projects. I'm always on the look out for better ideas.

I'm also doing a separate adult beginner's class this summer, with three projects, and getting our guild group up and going again for the summer. Hopefully, they haven't lost complete interest! We haven't met since before Christmas! Before we meet, I have to make some serious progress on my silk sampler. I haven't touched it in a while!

And so my current project right now is my advertisement for my embroidery classes: a sign for the bulletin board, announcing the classes. Doesn't sound too complex, does it? Here's the hitch: I'm embroidering the sign. Why I start these things, I don't know!

But that brings me to another upcoming thing I'll share with you this week - yes, the embroidered sign, but also my tests on a new thread. I've received the DMC Satin Floss (from DMC - thanks!) to test and review. I'm going to be rather persnickety about my review. I'm stitching my sign with it, but I want to run it through the loops (hoops?) on fabric and take some photos, and draw up my list of pros (and cons, if necessary). So far, I do like it. The colors are brilliant, the shine is the kind of shine that only rayon produces (it's a rayon thread), but it doesn't strike me as a cranky rayon thread, like others I've used in the past. So I'll get the results of my playing up, too.

And finally, who needs to buy patterns for embroidery on paper? You don't! I'm going to show you how to adapt a computer font to paper embroidery, and how to use graph paper to make patterns for cards. I'll also show you how simple it is to take a free embroidery pattern - any old pattern, really - and make it suitable for paper embroidery.

All these things coming up - but I'm afraid that, until Wednesday evening (or even Thursday), I'll be lying low, catching up on school work.

Any ideas for kids' embroidery projects, do share!
]]> http://www.needlenthread.com/2008/05/readers-embroidery-cat-pond-flowers-in.html Mon, 12 May 2008 19:07:00 -0500 Mary Corbet 772 2008-05-12 19:07:00 2008-05-12 19:07:00 open open Reader's-Embroidery:-Cat,-Pond,-Flowers-in-Floche publish 0 0 post floche for embroidery several weeks ago, Margaret was very kind to send along a sample of a piece, part of which she worked with floche.

The floche really changes the look of the piece. I guess that's so when you're talking about any thread, really - the thread you choose to embroider with is going to have an effect on the outcome of the piece. The neat thing about floche, which is one strand of mercerized cotton, is that it's thicker than regular stranded cotton, and a little... oh... mmmm.... well, in a sense, it's "looser," which seems to make it softer, and it's smoother, which gives it a great sheen. Does that make sense? Some day I need to develop the correct vocabulary for these things, I guess! In short, it's nice stuff to work with!

Enough, enough. On to Margaret's piece. This is a kit - specifically, a Rowandean kit. The cat itself is stitched in floche. The rest is stranded cotton.

I've left the picture large, so you can click on the image below and get a much bigger version. That way, you can see the threads a bit closer.



This is the original kit photo:



I like Margaret's color scheme for her cat. She wanted to match the colors and style more to her own cat, so she adjusted it. The results are great!

The size of the actual piece is smaller than the large version of the photo: it's only about 4" x 2.75" - so really little! Nice, isn't it? And when you realize how small it is, it's even more amazing!

Thanks, Margaret, for sending the photo along!
]]> readers embroidery pictures needlework pictures 11843 Anonymous noreply@blogger.com 2008-05-13 07:17:00 2008-05-13 07:17:00 1 0
It's beautiful, Margaret! I'm expecting that kitty to sweep a paw into the water any second. :)

Mary, I was sitting here yesterday thinking of emailing you to ask if there is a blog entry where you have specifically discussed and compared various types of embroidery thread.

It's a topic that's still confusing to me. I'd love to see a list of names and descriptions of the threads aspects if there is such a thing to be found.

Oh! It would be very cool to see pics of the same subject embroidered repeatedly but using various types of thread. Is there a book that you can think of that might show such a thing? - Jeannine]]> http://www.needlenthread.com/2008/05/how-many-hand-embroidery-techniques-are.html Sun, 11 May 2008 09:09:00 -0500 Mary Corbet 773 2008-05-11 09:09:00 2008-05-11 09:09:00 open open How-Many-Hand-Embroidery-Techniques-Are-There,-Anyway? publish 0 0 post lots of hand embroidery techniques. Lots and lots. More than I know, I'm pretty sure!! I'm going to attempt to develop a list here, hopefully with input from readers around the world!

First, though, let's define some things, starting with the term hand embroidery. Embroidery is the embellishment of a ground (fabric, paper, leather, whatever...) using thread made out of various materials. Generally, embroidery implies using a needle and thread to embellish something. Hand embroidery is this kind of embellishment done without the aid of a machine - by hand, in other words!

Techniques are specific ways of doing things - in this case, types of hand embroidery. Some types overlap - for example, drawn thread work, and cutwork, and whitework are different types or techniques of embroidery, but often, in whitework, you'll find elements of cutwork or drawn thread work. Hmmmm. Perhaps I'm biting off more than I can chew?

How many hand embroidery techniques are there?

Here's my first un-alphabitized, uncategorized list right off the top of my head. I'm going to allow myself no more than 2 minutes to type, at which point, I'll stop and see what's there. See if you can supply techniques I miss!

Whitework
Cutwork
Drawn Thread
Canvas Work (or needlepoint)
Assisi work
Blackwork
Cross Stitch (counted)
Redwork
Goldwork
Thread or Needle painting (soft shading)
Hardanger
Needle lace
Klosterstitch (embroidered tapestry)
Crewel Work
Jacobian
Bargello
Petit Point
Bead Embroidery
Paper Embroidery
Crazy Quilting
Free Style Embroidery
Candlewicking
Filet Lace
Stumpwork
Punchneedle Embroidery
Chicken Scratch
Ribbon Embroidery

Times up. I'm scratching my head. Some of these need categorizing! And some I'm laughing at because I'm not sure why they would pop in my head right now. Chicken Scratch? I know I wrote a post about it once upon a time, but I've never actually done any!

Anyway - how about it? What am I missing? Or what have I listed incorrectly? What about regional embroidery techniques?
]]> Hand embroidery stitches regional embroidery techniques miscellaneous embroidery musings 6337 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-05 01:34:08 2009-08-05 01:34:08 1 0 I guess, there should be like, a list of main categories, based on the stitch techniques(and not color, materials used or geographical origin). Under the stitch techniques, all kinds of embroidery names.
...Or Vice Versa. The embroidery names (based on location and name the design is famous for) then description what stitches were used.

For ex. Blackwork is backstitches. or Schwalm is a kind of whitework, using such and such stitches.

I don´t know. lol! somebody should be out there doing this. I am so in love with embroidery techniques I need a list :)]]> 11823 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2008-05-15 06:46:00 2008-05-15 06:46:00 1 0 11834 Anonymous noreply@blogger.com 2008-05-14 16:01:00 2008-05-14 16:01:00 1 0
Also, the Royal School of Needlework's goldwork technique uses a LOT of chipping, or cut peices of hollow gold threads, whereas the other (non-RSN and Japanese) goldwork I've seen usually uses mostly Japan or passing thread and very little chipping. I am tempted to put those two down as different catagories.

What other sub-catagories have I missed? I know there are some...
-Christiana]]> 11844 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-05-12 20:01:00 2008-05-12 20:01:00 1 0 Temari (you didn't say it had to be a flat surface!)
Teneriffe (needle lace on a loom)

Some specific types of whitework:
Richielieu embroidery (sp?)
broderie anglais

I'll keep thinking!]]> 11846 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-05-12 09:49:00 2008-05-12 09:49:00 1 0
Or nue
smoking

Then of course there is Japanese Embroidery although I would say that is a style rather than a technique. It does however include a couple of techniques that I have not come across in other styles

Fuzzy effect, were silk threads are couched into the valleys of the weft threads in a fabric.
Superimposed, where motifs are stitched onto a background of laid stitches.

Oh, I have just remembered bayeux work.]]> 11847 Freda butler noreply@blogger.com 2008-05-12 09:13:00 2008-05-12 09:13:00 1 0 11848 Anonymous noreply@blogger.com 2008-05-12 07:11:00 2008-05-12 07:11:00 1 0
I had fun looking them up and finding pics that showed examples of finished works. It's impossible for me to pick a favorite. In skillful hands they all produce something beautiful.

Thanks for the list! - Jeannine]]> 11849 Anonymous noreply@blogger.com 2008-05-12 06:54:00 2008-05-12 06:54:00 1 0 Chikankari, ordinary stitches used in extraordinary ways with superb skill. Usually white matte, heavy thread on white lawn or batiste or organdy. From Lucknow, Uttar Pradesh, India.
Zardosi, or Zari, embroidery done with a crochet hook using fine wire thread and looks like chain stitch. India.
Mirrorwork, again from India, from Rajasthan, incorporating mirrorwork and ordinary stitches such as buttonhole, satin and cross stitches, all executed in brilliant colours.
Kashmiri, again from Indian, again ordinary stitches as listed for Rajasthan with the addition of herringbone, darning stich, knots (doorl), all depicting things found in nature and exquisitely rendered.
Sitara, where sequins are incorporated into the embroidery.
I could go on and on about stitchwork from India. Always ordinary stitches used in superbly crafted ways. Each region has its own speciality. A fascinating area of study.
AnnJ]]> 11850 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-05-12 03:29:00 2008-05-12 03:29:00 1 0 Casalguidi
Deerfield
Sashiko
Schwalm
Wessex stitchery
Chikan
I've only tried Deerfield and Wessex, but enjoyed them both immensely.
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 11851 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-05-12 00:07:00 2008-05-12 00:07:00 1 0 Kutch work,
chicken work,
Shadow,
zardozi
kantha]]> 11852 Anonymous noreply@blogger.com 2008-05-11 21:47:00 2008-05-11 21:47:00 1 0 11856 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-11 14:28:47 2008-05-11 14:28:47 1 0 11857 Anonymous noreply@blogger.com 2008-05-11 13:42:00 2008-05-11 13:42:00 1 0 mountmellick
naverson
long stitch
pulled thread
reticella
Japanese Rozashi
shadow work
trapunto (though that's subject to interpretation)
hedebo
tambor]]> http://www.needlenthread.com/2008/05/hand-embroidered-first-communion-dress.html Sat, 10 May 2008 06:38:00 -0500 Mary Corbet 774 2008-05-10 06:38:00 2008-05-10 06:38:00 open open Hand-Embroidered-First-Communion-Dress publish 0 0 post

The Victorians were avid embellishers of children's clothing - fine embroidered baby items were worked with loving hands (or by hired hands) to dress up the baby for grand occasions, and even for every day. With the advent of cotton mills and of mercerized cotton, fine items could be made for a lot less money, making fancy work more accessible to those other than the very rich.

Momentous occasions were celebrated with fine clothing - whether christening gowns, First Communion dresses, graduations, or marriages. Dresses and gowns were passed down from child to child, carefully packed away after the event, to resurface again for cleaning and pressing when the time came for the next in line to wear the piece.

Have we lost these traditions a bit, with the "ready-made" Instant Society we live in? Overall, I think we have. But not everywhere, with everyone. Certainly, companies like Wendy Schoen, Martha Pullen, and Country Bumpkin (with their smocking and christening gown angle) attest to a remaining thread of interest in hand-made, special occasion clothing.

If you'll allow me to brag a bit about my sister, I'll say I'm glad to see that these traditions continue in her family, just as they did in our family. We all (seven of us!) wore the same christening gown and the same First Communion dress, and my older sister has managed the same with her own girls.

She made this at the beginnings of her ventures into heirloom sewing, and it has withstood the test of time - worn this year for the sixth time, over 16 years of use, and looking just as perfect as when it was new!

So that's the history, and here are the photos:



The dress is made of Swiss batiste, with inset lace on the bodice, the skirt, and the sleeves.



The embroidery design is made up of white roses in bullion stitch and a pale green vine and leaves, highlighted with tiny pearls.



The embroidery motif can be found on the back of the shoulders, too...



...and is even repeated on the covered buttons down the back of the dress.



This is the lower part of the front of the skirt, situated between scallops formed by inlaid lace.



Somehow, it loses a bit, looking at it like this on a hanger! The sash is not original - this is a substituted organdy and satin ribbon. Originally, it was a plain white satin ribbon, I think.



This is the front of the bodice. The batiste, you can see, is pretty sheer.



A close-up on the above - the vines are worked in stem stitch and the leaves in satin stitch. All the stitching is done with floche.



And that's the center of the front of the bodice.

Ain't it perty?

My sister's my hero! Golly.

Do you have any clothing traditions in your family? Do you think hand-making special occasion clothing is a dying tradition? I'd love to hear your thoughts!]]> personal heirloom sewing embroidered clothes pictures needlework pictures 3904 sonu noreply@blogger.com http://www.blogger.com/profile/16452640918154379422 2009-12-30 04:14:29 2009-12-30 04:14:29 1 0 11845 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-05-12 10:26:00 2008-05-12 10:26:00 1 0 11854 Anonymous noreply@blogger.com 2008-05-11 17:15:00 2008-05-11 17:15:00 1 0 The story by the grandmother who's one grandson was too big for the Christening outfit was familiar.
When I first got married and was expecting my first child I decided I wanted to make the Christening gown. I happened to go into the needle shop that my aunt frequented and saw a pattern for a smocked ensemble. I was nineteen almost 20. The only sewing I had ever done was really in Home-Ec and doll clothes. But I LOVED the smocking. So I thought, "I can learn to do that." And I taught myself on that first Christening gown.
I knew nothing about fine fabrics and laces. I knew nothing about smocking. I chose whatever 100% cotton that Hancocks carried, and whatever lace that was the designated size that they carried.
It was bleached muslin I chose! And polyester laces.
Well, like I said, I taught myself to smock - rather tight stitching...but luckily the baby was early and tiny - a 5 pounder. And the next 3 after that were also in the 5-6 lb range. In the meantime, I learned so much about heirloom sewing and smocking and fabrics and drooled at the thought of making a proper Christening gown out of SWISS BATISTE, of all things and french laces, etc. Well, when #5 was born - the first boy - he was a whopping 71/2 pounder and I couldn't get his fists in the sleeves! I just cut up the seem, for a temporary fix.
Then a couple at our church had a very premature baby who didn't live, and they didn't really have the means for a nice gown and asked if I had anything at all they could use to bury their baby in. I gave them my gown with the intention of making the exact same set in the proper fabric and laces with the proper tensions and everything else. Which is good because the rest of the babies have all been in the 7 lb range and would not have fit in that first attempt at heirloom sewing!
I love your site. I hope to get to spend a bit more time on handwork in the future - you are so inspiring!]]> 11855 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2008-05-11 16:25:00 2008-05-11 16:25:00 1 0 11858 Laura Bullinger noreply@blogger.com 2008-05-11 13:07:00 2008-05-11 13:07:00 1 0 11859 Freda Butler noreply@blogger.com 2008-05-11 09:50:00 2008-05-11 09:50:00 1 0
As the grandmother of 6 - 5 boys and 1 girl I too made their Christening outfits. I made a boys smocked romper and bonnet for the first boy and then a christening gown for his sister. His little brother wore the same romper when he came along.
My daughter has 3 boys so a similar romper minus hat (she didn't want a hat) was made and as each boy wore it I embroidered their initials and date on the back belt. The funny one was when her last son was born and ready for his christening he was so fat she couldn't get his arms in the romper so down to Florida she mailed it and I had to open up the armband and put a gusset in each sleeve so he could use it. I brought it back to Chicago in time for the event.

In her husband's family they have a tradition and it is a baby scale that has been used by their parents and now by all the nieces and nephews. It gets mailed to whoever has a new baby. Little different but nice.

Have a great day and love your blog.

Hugs

FredaB]]> 11860 Anonymous noreply@blogger.com 2008-05-11 08:43:00 2008-05-11 08:43:00 1 0
When I was a very young girl I remember my mother telling me that all young ladies should know how to use a needle and thread. And sitting by her side I did learn a few sewing basics. She taught me how to stem stitch, backstitch, satin stitch, and how to create lazy daisies and French knots; how to mend a seam and how to sew a button on.

Other than finishing the small crewel kit that my mother gave me at this time, which she had framed and kept over all the years, and mending a few seams, attaching a few buttons here and there along the road, I've never, until recently, done anything creative or useful with needle'n thread. Still, I'm so grateful for the rudimentary sewing skills I learned, and I cherish the memories that my mother created while she taught them to me.

Maybe I'm just being cynical, and I hope I'm wrong, but I don't imagine as many mothers nowadays tell their daughters that all young ladies should know how to use a needle and thread. Somehow I get the feeling people have decided that saying something like that wouldn't be politically correct. And aside from that, people would probably say there isn't enough time in the day for things like teaching or learning how to sew. More is the pity and I don't think either of those things is true.

If my mom, an attentive mother of five, fulltime working nurse, strongly independent and resourceful woman, had time to teach her girls a little bit about sewing, surely there's still time in the day to pass this kind of knowledge on.

Said in my best Tyra Banks: My mother was fierce! America's Next Top Model, now there's some politically incorrect shiznit, sending a bad message, if you ask me. But people don't seem to mind. And I'd bet there is plenty of mother and daughter time shared watching it every week. What the heck?

Ack! Sorry for the tangent, Mary! I'm going to go sit with my coffee and quilt blocks and wait to be beamed up! LOL! - Jeannine]]> 11861 Anonymous noreply@blogger.com 2008-05-10 19:27:52 2008-05-10 19:27:52 1 0
Your sister is very talented! Would love to see the christening gown.]]> http://www.needlenthread.com/2008/05/readers-question-embroidery-display.html Fri, 09 May 2008 06:37:00 -0500 Mary Corbet 775 2008-05-09 06:37:00 2008-05-09 06:37:00 open open Reader's-Question:-Embroidery-Display-Boxes-...-&-E-Mail-News publish 0 0 post

Nordic Needle has a great section of finishing accessories. The reader wanted somewhere in the US, and somewhere with good, quick service. Those of us who have dealt with Nordic Needle, I think, can vouch for excellent service.

You can find several types of boxes at Nordic Needle for displaying your finished embroidery project: lead crystal, porcelain, and wooden.

I hope that the reader who e-mailed me the question comes back to find the answer!

That brings me to the subject of e-mail communication:

I get a lot of e-mail through the website, and I really appreciate it and enjoy getting it. I think those of you who e-mail me with questions or whatever will vouch for the fact that I generally reply pretty promptly!

If you don't hear from me, generally it's because I can't get through to you - on a couple e-mail "domains" (and especially on AOL), I get delivery failure notifications. Upon inquiring about this, I found that it may have to do with spam filters.

So... if you e-mail me and I don't reply, and especially if you happen to be an AOL user, do check to make sure your spam filter will accept my e-mail (which is different from receiving the e-mail newsletter). After you've checked your filter and permitted e-mail from me, contact me again, and we'll try once more.

Thanks!

Enjoy the resource!
]]> website news embroidery resources 11864 Anonymous noreply@blogger.com 2008-05-10 08:53:00 2008-05-10 08:53:00 1 0 11865 Jonni noreply@blogger.com http://web.mac.com/jonniva/iWeb/JonniVA/Ramblings/Ramblings.html 2008-05-09 21:12:00 2008-05-09 21:12:00 1 0 11868 Margaret C. noreply@blogger.com 2008-05-09 11:26:00 2008-05-09 11:26:00 1 0
Olde Colonial Designs:
http://www.oldecolonialdesigns.com/

Sudberry House:
http://www.sudberry.com/

I have not ordered from either of these sites, but they have many nice boxes and other items for displaying needlework, especially Sudberry House. A few years ago I bought a tea tray via 'The Stitchery' and I think it is from Sudberry. It's very nice. I guess someday I'll have to actually put a piece of needlework in it! :-)

This page from the Tristan Brooks site shows off products from Olde Colonial (some of the boxes are designated as such):

http://www.tristanbrooks.com/Crewel/crewel.html

Country Bumpkin has some nice round satin covered boxes (non-wood) with tops for your embroidery. Search on 'satin box' on their site. (Another project awaiting my attention!) I would like to know if there's a source for these in the US. I haven't been able to find one.

Now, I digress...this has nothing to do with boxes, but I did run across it when I was searching for satin boxes and thought it was a really spectacular piece of needlework:

http://www.windflowerembroidery.com/blog/?p=26]]> http://www.needlenthread.com/2008/05/hand-embroidery-pattern-little-motif.html Fri, 09 May 2008 06:16:00 -0500 Mary Corbet 776 2008-05-09 06:16:00 2008-05-09 06:16:00 open open Hand-Embroidery-Pattern:-A-Little-Motif publish 0 0 post

This little motif could be embroidered on the top of a square pincushion, it could be used for whitework in the corner of a table runner or on a guest towel - the only limitation is ... well, your imagination!

I think it's nice pattern suitable to simple outline stitching, using stem stitch, although you could always satin stitch the fleur de lys.

Whatever you do with it, have fun!

Here's the pattern - you can resize it as you wish to suit your needs.



For more free hand embroidery patterns, visit my index of hand embroidery patterns. You'll find lots of them on Needle'nThread, as well as a good list of online resources where you can find more!

]]> free embroidery patterns http://www.needlenthread.com/2008/05/complete-embroidered-book-cover-cross.html Tue, 06 May 2008 06:35:00 -0500 Mary Corbet 777 2008-05-06 06:35:00 2008-05-06 06:35:00 open open Complete-Embroidered-Book-Cover:-Cross,-Crown,-and-Flowers publish 0 0 post embroidery project I started last Saturday.

This is an embroidered prayerbook cover I made for my niece for her First Communion, which she made on Sunday. I also posted the pattern for the embroidery, if you are interested in adding it to your pattern collection.



The bud is worked in a light and medium coral-pink. I used silk (Soie d'Alger by Au Ver a Soie) for all the embroidery, with the exception of a little bit of Gilt Sylke Twist around the cross and on the crown.



The flower is worked in three shades of purple, in long and short stitch, with French knots for the centers. (Emma picked out the general colors, by the way. "I think the flower should definitely be.... PURPLE!")



Three shades of green were used on the leaves, also worked in long and short stitch.



This is the complete cross with the flowers. I worked the vine in stem stitch - two rows, one dark and one medium. The little dots at the ends of the curls are worked in satin stitch.



The date is worked in tiny stem stitch - it's smaller than it looks here. The largest letters are about half an inch high. In order to keep your stem stitches looking neat on text this small, you need to make very small stitches, and it really helps to use a laying tool to hold the thread up and ease it in place, especially when working tricky spots like tight corners.



Here's the finished, assembled cover. It's assembled just exactly like your typical text-book covering technique: folding the long sides in, then the short sides, and slipping the cover into the sleeve that's formed. Then I used white thread to stitch the edges together, so that it fit snug on the book.



I was going to make a hand-made twisted cord out of matching floss, but I didn't have enough floss, and it was too soft, anyway. I was afraid a loop of the cord might get snagged, with would pull the whole thing out of whack. So instead, I used buttonhole stitch all the way across the top, creating a kind of stem-stitch looking line right on the outside edge.



At first, I thought buttonhole would look a bit casual, but I like the look of it. You can see the sewing on the flap. Not ... so ... neat!



And the little kiddo herself (minus her head - gosh, I wonder what I was focusing on?), in her hand-embroidered First Communion dress. Speaking of floche (well, we were a few days ago, weren't we?) the embroidery on this dress is worked in floche, with little pearls as accents. The dress has been used now by 5 girls in the family over 16 years - it's just as beautiful as ever, and the embroidery is flawless! I'll give you some close-ups later on, if you're interested.

So, there it is. Success. Now, onto other projects.... as soon as I catch up on incidentals! It's amazing how much can slip when we get engrossed in an embroidery project, isn't it?!
]]> Gilt Sylke Twist pictures needlepainting silk needlework pictures 3781 Loved and Cherished by God noreply@blogger.com http://www.blogger.com/profile/05730285162820042650 2010-01-08 09:36:35 2010-01-08 09:36:35 1 0 Linda]]> 11836 corina noreply@blogger.com http://corinaj.wordpress.com 2008-05-14 02:46:00 2008-05-14 02:46:00 1 0 11866 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-05-09 20:37:00 2008-05-09 20:37:00 1 0 11879 Freda Butler noreply@blogger.com 2008-05-07 11:21:00 2008-05-07 11:21:00 1 0 Your long and short stitches are done so well.

Thank you for showing this to us.

Hugs

FredaB]]> 11880 Anonymous noreply@blogger.com 2008-05-07 10:03:00 2008-05-07 10:03:00 1 0
The dress is very beautiful too! I'll bet your niece was a lovely vision to see! Thanks for sharing!

- Jeannine]]> 11883 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2008-05-06 19:08:00 2008-05-06 19:08:00 1 0
I have been following your blog for a while and was particularly inspired by an earlier post of yours on embroidered book bindings.

I recently finished my first book cover using the Ecclesiastical Embroidery Pattern: Crown & Wheat from your site. It is a book cover for my niece's first bible: a gift for her First Communion this Saturday! My stitching is nowhere as exquisite as yours, but I am glad to be able to give her something that I made myself to help commemorate this special day.
Thanks again!


Chris]]> 11884 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-06 18:18:00 2008-05-06 18:18:00 1 0 11885 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-05-06 16:03:00 2008-05-06 16:03:00 1 0 11886 Joe noreply@blogger.com http://www.blogger.com/profile/09332322518982315177 2008-05-06 10:04:00 2008-05-06 10:04:00 1 0 ;-)
Joe]]> 11887 Meeta V. noreply@blogger.com 2008-05-06 08:37:00 2008-05-06 08:37:00 1 0 11888 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-05-06 06:58:00 2008-05-06 06:58:00 1 0 Your a genius with a needle
XX]]> http://www.needlenthread.com/2008/05/embroidered-crown-raised-work-and-seed.html Mon, 05 May 2008 06:07:00 -0500 Mary Corbet 778 2008-05-05 06:07:00 2008-05-05 06:07:00 open open Embroidered-Crown:-Raised-Work-and-Seed-Stitch publish 0 0 post cram in this embroidery project and complete it with fairly good success! Mind you, it took all blinking day Saturday to get it finished, but, come 9:00 pm, it was actually delivered! I take back the comment I made about wishing I had done something more complicated. Uh. No. My new motto: the simpler, the better.

Today, I'm going to show you how I embroidered the crown - I left my camera behind at the festivities yesterday, so I can't unload the finished photos yet. (It was one of Those Weekends. I'm lucky I didn't leave my head behind...)

When I started thinking about how to do the crown, my first thought was to fill it in like I did the cross, with long and short stitch in various shades of gold. But that didn't seem very interesting, so I did this instead:



First, I fetched a ball of yarn from my goldwork supplies. I use this yarn to couch gold purl over when doing goldwork. I ran a piece of the yarn through a cake of beeswax a few times, then I ran the yarn through my fingers to smooth it out and distribute the beexwax.

One string of yarn, by the way, was a perfect fit between the two lines on the crown. I was glad and rather pleased with myself for coming up with the idea! But don't worry - I still managed to make a mistake! Mistakes keep one humble, and they're the best of learning tools!



I took a Very Large Needle with a Very Large Eye, and threaded an end of the waxed yarn into it, then sunk the yarn ends at each edge of the crown.



And then, oh joy! oh bliss! I took out the GST (in the yellow - which is a beautiful soft gold, really) and started satin stitching over the yarn, which created a very nice raised band across the crown.



But as you can see, it isn't so smooth. Rats! In stitching down the sunk piece of waxy yarn end on the back, I didn't realize how badly it would tug things on the front. I did what I could to prod the stitching back into smoothness, but it never did look quite the same again.



After overcasting the yarn with the Gilt Sylke Twist, I outlined the crown in a dark gold (the same dark gold I used on the cross) using heavy chain stitch. I used the light gold that runs down the middle of the cross on the inside of the crown, stitching tiny seed stitches in there to add a dusting of color and a slight hint of texture.

A couple very good lessons I learned on this little crown: 1. Be conscious of what's going on on both sides of your fabric when tacking down loose ends; and 2. do the raised work last, after finishing the other stitching around it. I really had to manipulate my needle to get the stitches in around the GST without jabbing it. I jabbed it quite a bit!

I'll share the rest of that project later!

Coming up, I've got some super interesting information from Trish Burr! She's the author of Redoute's Finest Flowers in Embroidery and Long and Short Stitch Embroidery, and she has a new book coming out this summer in the US (already out in the UK and Australia, apparently!). She's also featured in this month's Inspirations Magazine. She sent me some notes on the path to publishing her books, along with some personal insights on her books, some gorgeous (and I mean STUNNING) photos of her work, and some information about her upcoming title. So I'll be putting that together into a worthy article this week! Look for it!

Have a wonderful Monday!
]]> ecclesiastical embroidery Gilt Sylke Twist goldwork pictures silk needlework pictures 11889 Margaret C. noreply@blogger.com 2008-05-05 20:47:00 2008-05-05 20:47:00 1 0 11890 Anonymous noreply@blogger.com 2008-05-05 19:49:00 2008-05-05 19:49:00 1 0
Did you ever post close up pics and description of the GST? I want to know why you can stitch through the fabric with it so easily.

You mentioned on a previous post an embroidered First Communion dress. Did you embroider it?

Thanks soooooo much for sharing all this with us, and congrats on cramming successfully!!!
-Christiana]]> 11891 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-05 19:35:02 2008-05-05 19:35:02 1 0
I'm posting the rest shortly...!]]> 11892 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-05-05 18:12:00 2008-05-05 18:12:00 1 0 11893 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2008-05-05 10:07:00 2008-05-05 10:07:00 1 0 11894 Mary Grace McNamara noreply@blogger.com http://www.blogger.com/profile/17567652848633222963 2008-05-05 07:59:00 2008-05-05 07:59:00 1 0
Did you notice the ads that Google put into this article? Mostly ads for dentists who do crown work! I thought that was funny. Speaking of which, I broke a tooth over the weekend and must give my dentist a jingle.

Keep us the inspiring work!]]> http://www.needlenthread.com/2006/06/ecclesiastical-church-embroidery.html Mon, 26 Jun 2006 07:50:00 -0500 Mary Corbet 779 2006-06-26 07:50:00 2006-06-26 07:50:00 open open Ecclesiastical-&-Church-Embroidery-Patterns publish 0 0 post you will get a full-size image. Right click on the full-sized image and save it to your desktop. You can then edit it in any graphic program.

The patterns below come from an old, out-of-print ecclesiastical pattern catalog. There is no copyright on it. To my knowledge, it has not been reprinted or digitally enhanced by anyone.

I'll be adding the patterns regulary, so check back often!

This is a nice medallion that would look great in goldwork or in silks, especially in couched designs. The whole motif could be worked in colored silks, and then outlined in a very fine gold twist (Elizabethan twist is nice and tiny). The central ring could be worked out of gold passing thread. Or the whole thing could be done in a mixture of goldwork threads - passing thread for the cross and ring, purls for the wheat, pearl purl for the stalks and lines, and rococo for the squiggles at the end of the arms of the cross. The lilies could be embroidered in a fine gold-colored silk. Click on the image for a larger version.

Here's another medallion for use on vestments or linens. It would look excellent on a linen pall, worked in white silk in a variety of stitches to give it some texture. Work the IHS in a slightly padded satin stitch, with the lines on the "S" worked in a whipped running stitch or whipped back stitch. Use one thread to keep the work delicate. The crowns could be lined with a whipped back stitch, with the insides filled with evenly spaced seed stitch filling, all worked in one direction, in an alternating brick pattern. Work the remaining lines in stem stitch, and the leaves in satin stitch. In this manner, the design would be worked very quickly, but with simple and elegant results.

Other ecclesiastical embroidery patterns found on this site:

• Thistle & Star Image with IHS


• Crown & Wheat IHS emblem


• Crosses - twelve patterns for different crosses to embroider


• Cross, Crown, and Flowers - a nice design for a book cover or a banner

]]> ecclesiastical embroidery 9194 terry noreply@blogger.com http://www.blogger.com/profile/16445383440610216100 2009-01-11 17:32:00 2009-01-11 17:32:00 1 0 10403 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-24 06:56:28 2008-09-24 06:56:28 1 0
Best of luck!

MC]]> 10404 LB noreply@blogger.com 2008-09-24 05:53:00 2008-09-24 05:53:00 1 0 I`d like to do a book covering with a little gold work to be used at mass. Is there a particular book ,with some clear designs to transfere, that you would recomend.
LB]]> 10636 Brooke noreply@blogger.com http://www.blogger.com/profile/18064462252062515133 2008-09-09 17:35:00 2008-09-09 17:35:00 1 0 11465 Anonymous noreply@blogger.com 2008-07-04 10:34:00 2008-07-04 10:34:00 1 0 http://www.needlenthread.com/2008/05/free-embroidery-pattern-cross-crown.html Thu, 01 May 2008 11:15:00 -0500 Mary Corbet 780 2008-05-01 11:15:00 2008-05-01 11:15:00 open open Free-Embroidery-Pattern:-Cross,-Crown,-Flowers publish 0 0 post book cover I'm embroidering this week, in case you want to add it to your collection, too! I received a couple e-mails asking for it, so here 'tis.

I'm embroidering this design primarily in long and short stitch - the cross and the flowers are done, and I think, with the crown, I'll be using the same stitch, although I'll touch it up with something (I'm not sure what, yet!) for texture. I don't want it to look cheezy at all, so I want to be pretty careful with the crown! All the vines are worked in stem stitch, and the lettering will be done either in stem stitch or in a tiny whipped backstitch.

But you could use anything, really, with this design, as far as stitches go. You could outline instead of fill, using any variety of chain stitches. Or you could fill in with split stitch (in an Opus Anglicanum kind of way) or chain stitch or stem stitch.

If you go with a filled-in design, the design will stand out boldly - if you go with an outline design, it will look more delicate.

So, here's the design. I'll be adding it to my list of other hand embroidery patterns, too, so you'll be able to find it there.

Click on the design for an even larger version, then resize as you wish.

I took the bottom line off the crown, by the way, in my project...

Enjoy!



]]> ecclesiastical embroidery free embroidery patterns 11881 Marian noreply@blogger.com 2008-05-06 20:21:00 2008-05-06 20:21:00 1 0
She now wears glasses, and I have yet to suggest another go, but what can I do to stop any bad tempers when she can't get it right.

I think that for the forseeable future (no pun intended), and oepration to correct the defect is not likely, although it was suggested, many times, that this might be an outcome, but the doctors deferred because she was so young. She is now 10.

I look upon this as a challenge as I have previously taught a girl with intellectual disabilites (and her teacher's aide at the same time). The girl in turn taught her mother and both women now cross stitch and this craft has bought mother and daughter closer together.]]> 11900 Anonymous noreply@blogger.com 2008-05-02 22:08:00 2008-05-02 22:08:00 1 0 Betty]]> 11903 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-02 17:12:08 2008-05-02 17:12:08 1 0
In my experience, 4 years old is somewhat young - at least, for most 4-year-olds today. BUT - that isn't to say you couldn't try!

What about trying a plastic canvas project, with cross stitches? That way, you can use a plastic needle and yarn instead of floss.

You could try regular surface embroidery, too, if you're really intent on trying it with her. I'd use cotton twill, a plastic hoop, large needles, and #3 or #5 cotton perle. In fact, you could have her draw her own picture, then you could trace it on the fabric, and show her how to stitch it with simple stitches, like running stitch and back stitch.

Anyway, anything's worth a try! At that age, fine motor skills are not all the way developed, so I wouldn't try finer work, with stranded floss and smaller needles, which could just lead to frustration and her losing interest fast.

Best of luck!]]> 11904 Anonymous noreply@blogger.com 2008-05-01 22:36:00 2008-05-01 22:36:00 1 0 Betty]]> 11908 Susan noreply@blogger.com http://www.plays-with-needles.blogspot.com/ 2008-05-01 12:38:00 2008-05-01 12:38:00 1 0 http://www.needlenthread.com/2008/05/great-online-source-for-free-embroidery.html Thu, 01 May 2008 09:47:00 -0500 Mary Corbet 781 2008-05-01 09:47:00 2008-05-01 09:47:00 open open Great-Online-Source-for-Free-Embroidery-Patterns publish 0 0 post online sources for Free Embroidery Patterns. So here's a fun site - you could get lost in it, as it's got All Kinds of Stuff besides embroidery on it: tips for just about ... well, anything!

TipNut has a categorized list of tips and tricks and shortcuts and saving solutions and craft projects and embroidery patterns and crochet information and do-it-yourself projects ... and... and... and the list goes on and on! It's a fun site, and a super-duper clever idea for organizing all those interesting tips one builds up over the years - whether online or in writing. Whoever's behind TipNut is brilliant! (Well, if nothing else, you've got to love the name!)

There are plenty of embroidery pattern links on TipNut - lots of vintage ones. You'll also find a good page of links to various sites for organizing your sewing and needlework area. But what drew me to the site was the list of tutorials for needle books and needle cases.

Browse about the site for a bit - you will probably enjoy it. My tip: don't spend tooooo much time browsing, or you'll forget to get back to your needle 'n thread!

Back to cramming!

Enjoy!
]]> embroidery links free embroidery patterns embroidery resources embroidery tips and tricks http://www.needlenthread.com/2008/04/on-cramming-embroidery-project.html Wed, 30 Apr 2008 08:40:00 -0500 Mary Corbet 782 2008-04-30 08:40:00 2008-04-30 08:40:00 open open On-Cramming-an-Embroidery-Project publish 0 0 post

The project is an embroidered book cover for my niece's prayer book. She makes her First Communion this Sunday. (I'll show you her hand-embroidered dress once it's pressed and ready...) I thought I'd whip up a little book cover for her prayer book before this coming Saturday evening - after all, it's just a little book, with a little cover.

The only possible obstacle that I may have overlooked was ... the work week!?!

I started by finding a design. I could draw one - takes time - or I could flip through the designs I have. I flipped. I quickly realized I would need something long and narrow as opposed to short and wide, so I limited my looking to the overall shape of the design, and then eliminated choices from there. I needed something relatively simple that I could stitch relatively quickly, and that would appeal to my niece.



The fabric of choice - should it be white Italian silk (thick silk - satin), or linen? I settled on linen for washability. I'm using a piece of Alabaster Angel by Legacy - NICE stuff!

Then I pre-shrunk the fabric. While it was going through the stages of pre-shrinking linen, I took out graph paper and the prayer book and drew up the pattern for the cover.

I sought a piece of white cotton for a lining behind the linen, as the prayer book has a black cover, and I didn't want that to show through. I pre-shrunk the cotton as well.

Then while the fabric was drying, I transferred my embroidery design to tracing paper. I drew the design with a fine micron pen, then turned it over and traced the back of it with a pencil.

When my fabrics were almost dry, I ironed them to crisp (as in, stiff and wrinkle-free, not burnt!!). I added a couple layers of starch on the linen to make removing any pencil marks easier.

I removed a thread on each side of the linen to mark the size of the pattern (makes cutting easier and square when finished) and basted in the width of the cover of the prayer book.



I took the embroidery design (on the tracing paper), centered it up, and used a ball-point pen on the right side of the design, pressing hard enough to transfer the pencil lines on the back of the design onto the fabric. It worked perfectly. Then I took an extra-fine (.005) micron art pen, and drew in the lines on the linen with the pen.

I framed up both the lining and the linen - but I didn't frame it super-tight. Just enough to give a little tension without pulling on the linen.



I picked out my colors - the cross and crown will be gold, the vines green, the flower will be a range of purple, and the bud will be a light and medium shade of salmon-pink.



And then I started stitching. I had a good chunk of time on Saturday evening to stitch (it took me a couple hours to get the project set up), a little bit of time on Sunday afternoon, and a few hours late Sunday night. I managed a little stitching on Monday evening, and a couple hours on Tuesday. The picture below shows progress through Sunday afternoon (a few hours of stitching).



Will I finish before Saturday? I do believe I will! Now I wish I had chosen a more complicated pattern! It's going pretty fast, actually.

I was glad to find a use for the gilt sylke twist on the project - but then I remembered I chose linen for washability. Ut oh. The GST will most likely get wet. I outlined the cross in the gold GST, which helped even up some of the lines (cheating, I know!) and I'm contemplating using it on the crown as well.

I'll keep you posted with finished pictures. I'm going to make a matching corded trim, so I'll show you how I do that. It'll either be kumihimo, or I'll just make a twisted cord by hand. And I'll try to take sensible and instructive photos on assembling the piece over the book!

Have you ever crammed a project? Do you perform better or worse when you're embroidering under pressure?

Wish me luck!
]]> ecclesiastical embroidery pictures needlepainting silk needlework pictures 11862 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-10 11:20:41 2008-05-10 11:20:41 1 0
I got my original colors (not the whole range) from Plimoth Plantation, but now you can get them from Hedgehog Handworks, which is the least expensive place I've seen them so far. They have all the colors right now except green, I believe!]]> 11863 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-05-10 10:49:00 2008-05-10 10:49:00 1 0 11905 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2008-05-01 19:23:00 2008-05-01 19:23:00 1 0 11907 FredaB noreply@blogger.com 2008-05-01 13:36:00 2008-05-01 13:36:00 1 0
What a wonderful gift and it will last a lifetime.
Your work is superb and I look forward to reading your posts.

Hugs

FredaB]]> 11909 berbmcg noreply@blogger.com http://openid.aol.com/berbmcg 2008-05-01 07:35:00 2008-05-01 07:35:00 1 0 11910 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-30 19:59:00 2008-04-30 19:59:00 1 0
I'd like to hear more about putting on the stretcher frame tight 'but not too tight" if possible. (I'm about to put my Poppies on my frame)

And it's gorgeous. I wish you waz my auntie!]]> 11912 Meeta noreply@blogger.com 2008-04-30 17:09:00 2008-04-30 17:09:00 1 0 11913 Cindy in Oregon noreply@blogger.com 2008-04-30 14:04:00 2008-04-30 14:04:00 1 0 11914 Anonymous noreply@blogger.com 2008-04-30 09:32:00 2008-04-30 09:32:00 1 0 http://www.needlenthread.com/2006/07/embroidery-pattern-pretty-daisies.html Sat, 29 Jul 2006 07:20:00 -0500 Mary Corbet 783 2006-07-29 07:20:00 2006-07-29 07:20:00 open open Embroidery-Pattern:-Pretty-Daisies publish 0 0 post line stitches. It could be outlined in one color, or several colors. This would be a good pattern for beginners to get some practice outlining around curves. Try a variety of line stitches - stem stitch, couching, whipped back stitch or running stitch - to create a textured look, as well as to get in some good practice on a pretty pattern. This would look nice centered in the middle of a hand towel. Any other ideas on how to use it? Feel free to share!



Click on the design for a larger image. Then right click on the larger image to save it to your desktop.

Do you like this pattern? Would you like to see more of the same? What types of patterns are you particularly interested in? Please let me know!

For more hand embroidery patterns, please click here.

]]> 7188 Anonymous noreply@blogger.com 2009-06-04 18:47:25 2009-06-04 18:47:25 1 0 10156 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-14 19:55:56 2008-10-14 19:55:56 1 0
MC]]> 10157 Anonymous noreply@blogger.com 2008-10-14 19:42:00 2008-10-14 19:42:00 1 0 10998 Anonymous noreply@blogger.com 2008-08-14 00:01:00 2008-08-14 00:01:00 1 0 11755 Anonymous noreply@blogger.com 2008-05-30 19:27:00 2008-05-30 19:27:00 1 0 13236 Anonymous noreply@blogger.com 2007-03-10 22:12:00 2007-03-10 22:12:00 1 0 13324 Anonymous noreply@blogger.com 2007-01-15 12:19:00 2007-01-15 12:19:00 1 0
Anna M.]]> 13451 Anonymous noreply@blogger.com 2006-08-12 21:58:19 2006-08-12 21:58:19 1 0 http://www.needlenthread.com/2008/04/readers-embroidery-redwork.html Tue, 29 Apr 2008 08:48:00 -0500 Mary Corbet 784 2008-04-29 08:48:00 2008-04-29 08:48:00 open open Reader's-Embroidery:-Redwork! publish 0 0 post

The embroidery pattern is from Needlecrafter, where you can find some nice vintage embroidery patterns, all cleaned up and ready to go. For the first time in ages, it looks like Needlecrafter is busy again! There have been new additions, and, although there are some broken links in the photos (and the pictures in the new gallery don't display yet?), I'm excited to see that there may be life on the site again! So check that resource out for online patterns!

But first, check out Jeannine's redwork square:



This is a closer-up on the top half of the design - the stitching is nice and delicate.



And here's the whole thing! I love the feet and slippers, and the pretty dress!

I think the stitching is really well done on this! It's nice and neat and tidy, and just the right delicacy for the design. Jeannine used DMC 814, which is a deep, rich red. I think it was a good color choice!

Congratulations on your first redwork, Jeannine, and thanks for sending the pictures along!

I've got a few other readers' projects coming up soon. If you have pictures to share of your recent projects, drop me an e-mail and I'll reply!

And in the meantime, I'm crunching an embroidery project this week - I started it Saturday afternoon, and it has to be finished this Saturday. I'll show you photos tomorrow!
]]> free embroidery patterns embroidery resources readers embroidery beginner embroidery 11915 Anonymous noreply@blogger.com 2008-04-30 06:06:00 2008-04-30 06:06:00 1 0 I was going through the site magicembroidery.com where there are some nice designs. The stitches used are mentioned there but not sure which one is what. It will be nice if you can post some designs mentioning which stitch is to be used where. I am wanting to design a frock for my 4-year old daughter.
Regards
Mrs Nagesh, India]]> 11916 Anonymous noreply@blogger.com 2008-04-30 05:16:00 2008-04-30 05:16:00 1 0
Paula, it is a very good thing that you didn't bet money on how the back looks! lol! - Jeannine]]> 11921 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-04-29 14:55:00 2008-04-29 14:55:00 1 0 11922 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-29 14:43:00 2008-04-29 14:43:00 1 0 http://www.needlenthread.com/2008/04/embroidered-clothing-vintage-from-new.html Mon, 28 Apr 2008 08:25:00 -0500 Mary Corbet 785 2008-04-28 08:25:00 2008-04-28 08:25:00 open open Embroidered-Clothing:-Vintage-from-the-New-York-Times publish 0 0 post

Anyone interested in costuming, in vintage textiles, or even in general surface embroidery may find this "Message to Women" interesting. What's the message? "Gold Thread to be Used Lavishly in Many Fabrics this Season" with explanations on "Honeycomb Stitchery." Read the gold thread article if you get a chance - you can pick up some interesting instruction on how to work the techniques discussed. If nothing else, I think it's amusing!



Speaking of embroidery on clothing and vintage textiles, another interesting source of embroidery designs is The Costume Galler's Online Library of Vintage Publications, in particular the free page of McCall's Magazine Self Transferable Embroidery Patterns, from May of 1908.



The nice thing about the patterns offered on the McCall's page (there are five embroidery patterns altogether) is that you could easily modify the pattern for something other than the bodice of that dress you're making for your summer tea parties.... you could take just one section of a motif and use it on linens or whatever!

Enjoy!
]]> historical needlework embroidery links goldwork free embroidery patterns embroidery resources vintage embroidery 11920 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-29 17:20:58 2008-04-29 17:20:58 1 0
They're great patterns, aren't they?]]> 11923 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-29 14:40:00 2008-04-29 14:40:00 1 0 I'm stealing your 'monogram in the middle idea' to put in my design notebook. Hope that's ok *grin*]]> 11925 Margaret C. noreply@blogger.com 2008-04-28 20:01:00 2008-04-28 20:01:00 1 0 11927 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-28 13:14:00 2008-04-28 13:14:00 1 0 http://www.needlenthread.com/2008/04/pretty-embroidered-pincushions-with.html Sun, 27 Apr 2008 07:38:00 -0500 Mary Corbet 786 2008-04-27 07:38:00 2008-04-27 07:38:00 open open Pretty-Embroidered-Pincushions-with-Basic-Stash-Stuff publish 0 0 post how to make embroidered pincushions with felt and a few basic items from around your house and in your embroidery stash. They are so darned cute!

My dilemma is this: I'm thinking about using the idea for my summer children's classes - but the questions, what age group?? To small for 7 - 9 year olds?? Anyway, check out the tutorial, which comes via Taunton Press.

Enjoy the rest of the weekend!]]> embroidery for children embroidery for fun 11924 Anonymous noreply@blogger.com 2008-04-29 07:31:00 2008-04-29 07:31:00 1 0 11926 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-28 19:38:13 2008-04-28 19:38:13 1 0
I was watching my 7-year old niece playing with a bottle cap the other day while we were sitting at the table, and I do believe 7-9 would be too young, unless they made bigger ones, as Jeannine suggested (good ideas on the home items to use - thank you!).]]> 11929 Anonymous noreply@blogger.com 2008-04-28 08:11:00 2008-04-28 08:11:00 1 0
What if you enlarge the scale of materials they might work with?

I took a quick look around the house for items that might work well. How about the caps off aerosol products?

The Pam cooking spray cap looked like a perfect size to me. I found the cap on a can of hairspray, a can of furniture polish, a can of waterproofing spray for boots, all around the same size.

Not too tiny in the hand but not so outrageously big that the finished pin cushion would look peculiarly large.

Maybe use a bit of glue to help secure the fabric that raps around the cap, just to make it less slippery and apt to get away from them as they start to stitch?

What a fun project!

J. Mosley]]> 11932 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-04-27 13:29:00 2008-04-27 13:29:00 1 0 11933 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2008-04-27 12:27:00 2008-04-27 12:27:00 1 0
While I was over at Amazon adding a pincushion book to my shopping list ... I noticed a book that might be appropriate for the young beginning embroiderer. The title is: Doodle Stitching. I have not seen the book in person, but it looks promising for your purpose. Also, I know that Caron Threads has projects on their web site for children http://www.caron-net.com/kidcornr.html. When I was teaching young folks embroidery, I contacted them for permission to use them as class projects. They graciously granted that permission.]]> http://www.needlenthread.com/2008/04/embroidering-on-old-linens.html Sat, 26 Apr 2008 09:31:00 -0500 Mary Corbet 787 2008-04-26 09:31:00 2008-04-26 09:31:00 open open Embroidering-on-Old-Linens publish 0 0 post

I was considering the question of doing some hand embroidery - specifically, whitework - on vintage linens because I had the opportunity to acquire a couple vintage pieces that I liked.

One piece is a table runner or dresser scarf with a hand-crocheted edge all around it, and a very elaborate crocheted design with tassels on each end.



The crocheted edge needs to be pressed and re-situated, but you can see that it's a rather complex edging which could propose a problem for the embroiderer: I wouldn't want to mar the crochet with a hoop or snag it or anything like that! So that could be an "in-hand" job, if necessary.



The edging all around the linen is very pretty, and a bit simpler. I love the picot at the tip of each scallop.

The other is a buffet cloth - long and narrow, scalloped on three sides, with a straight edge that would run along the back of a buffet. The scallops are finished in an overcast stitch, and then a crocheted edge is added for a nice finish.



The linen on the piece is exceptional - a smooth hand, and a crisp finish. It's so nice! It's not slubby at all. It reminds me of Legacy's Ecclesiastical Linen - a perfect weight for whitework.



The edge is nicely done. The only flaw in the piece is a tiny whole at one point on the linen. I was thinking that, if I did do some whitework on this piece, I could use a pattern with eyelets and get rid of the hole by turning it into one!

These were offered as vintage linens from a reputable seller, and you can tell they aren't new, but I don't know enough about vintage textiles to approximate when they were made - they're not that old, anyway. The sheen of both is nice, but the second piece is certainly finer linen. It's a brighter white, while the first piece is slightly ecru and the linen itself is more coarse.

So, that is what I am contemplating - should I or should I not add further embellishment with some whitework on either linen? What do you think? Have you undertaken such a project before? Any tips?
]]> whitework fabric for embroidery linen vintage embroidery 6338 Anonymous noreply@blogger.com 2009-08-04 23:40:36 2009-08-04 23:40:36 1 0
I think it's important to distinguish between historical vintage items and items that have aged and developed problems in the process.

I have a number of family pieces that I would not dream of changing as I know their histories and care about preserving exemplary pieces of artwork.

I have also come to acquire pieces of unknown heritage that had stains that did not succumb to cleansing (or had out-and-out holes, like yours). In these cases, I have had absolutely no compunction about "darning" the problem areas in a decorative fashion.

I strongly believe that surface embellishment followed methods of repair in the history of needlework. In our modern era, we tend to think of embellishment first, and repair as a final, desperate measure. This, in my eyes, is merely a sign of how disposable objects have become in the modern world.

Once, however, fabrics were both scarce and precious. They required tremendous labor from production of the original fiber, to spun thread, to woven fabric to....

Making eyelets over holes, then balancing them within a design makes perfect sense to me in an earlier age, when nothing was disposable. Over time, skilled needleworkers may have conveyed their "cunning" to people with more wealth, and the "art" of needlework was born. But, today, if you want to take a piece that would otherwise be viewed as "imperfect" and make it beautiful and useful, I see that as a historically valid "repair" -- and I think the maker would have approved!]]> 11930 Laura Bullinger noreply@blogger.com 2008-04-27 14:26:00 2008-04-27 14:26:00 1 0 11931 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-04-27 13:44:00 2008-04-27 13:44:00 1 0 11934 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-26 17:20:00 2008-04-26 17:20:00 1 0 I think it's a good idea - bringing new life to pieces of lovely material and decorated edging that would otherwise probably just sit in a linen cupboard somewhere.]]> 11936 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-04-26 12:39:00 2008-04-26 12:39:00 1 0 11937 Margaret C. noreply@blogger.com 2008-04-26 12:17:00 2008-04-26 12:17:00 1 0
Also, with regard to hoop marks on the edging perhaps you could use a very small hoop and/or an oval. I guess it depends upon how close to the edge you wish to stitch. You might also be able to attach the linen to another piece of fabric and mount that in a slate frame.

I was once told in a cutwork class that old linen fabric is potentially better quality than any fabric we can buy today. If I remember correctly it had something to do with the flax plants of the past producing better quality source material for the linen. The flax plants of today don't (or can't) produce the high quality flax of the past. I remember being really sad to learn this.]]> http://www.needlenthread.com/2008/04/new-embroidery-thread-from-dmc.html Fri, 25 Apr 2008 08:59:00 -0500 Mary Corbet 788 2008-04-25 08:59:00 2008-04-25 08:59:00 open open A-New-Embroidery-Thread-from-DMC! publish 0 0 post

For example, have you ever tried DMC floche? Floche is a non-divisible, long-staple, 5-ply cotton thread with a beautiful sheen. It's used for all kinds of applications, especially cutwork and surface work where heavy coverage is desired. It's the same thing as coton a broder (sometimes it's called floche a broder or cotton floche or floche coton a broder... ), except that you can usually special order coton a broder in a variety of sizes, all the way up to 40 (the finest). Coton a broder in other sizes than 16 usually comes in white or ecru. Floche comes in a good range of colors. If you want to see a really lovely example of a piece stitched with floche, check out Jeanne's post with her completed soft shading project on Just String. The project was worked with floche!



These buttonhole flowers were also worked with floche. Although floche is technically non-divisible (meaning you use the whole thread, you don't strip it into separate smaller strands like you do with regular stranded embroidery floss), with care, you can actually divide the plies, then blend them with another divided strand. Check out the pansies in the photo below. You can see a kind of creamy yellow blended in with the purple if you look closely!



Floche and regular stranded cotton are standard threads in my stash, and I use DMC stranded cotton pretty regularly. When I teach children's embroidery in the summers, I use DMC stranded cotton solely, because of its easy availability, its affordability, and the wide range of colors. With the kids, I also use DMC perle cottons (especially #5) regularly, since the thicker, non-divisible thread is easier for children to work with.

Finally, though, the news: DMC is coming out with a new thread, and I'm looking forward to trying it! It sounds enticing! It's a new specialty thread called Satin Floss, and it's supposed to be a nice smooth thread with a nice sheen. They're producing a 36-color palette, and the colors are nice! The thread is 100% rayon, but it doesn't look like the finicky rayon - it looks a bit more substantial. I haven't tried it yet, but I'm hoping to soon - at which time, I'll review it and give you some comparisons.

DMC is a tried-and-true embroidery company. It seems they're trying to "come of age" with embroiderers today by offering some more trendy projects and so forth to their repertoire. You can see some of these in local craft stores: the Linea projects that were popular a couple years ago, and other clothing / accessory embellishment projects. I'm rather more keen on the "old country" (France) DMC offerings! For example, I'd like to see certain threads become more widely available or easier to order here in the US - like the floche, which can only be found through some specialty shops.

Hedgehog Handworks is a good source for floche. You can order two different sized hanks from them, which is nice: a 32-yard twists made up of 21 strands 55" long ($1.25 each) or the standard 168-yard hank ($5.25 each).

DMC has a good website here in the US - DMC Creative World - which, from what I've heard, will be expanding with more informational and instructional items. I'm hoping to see more of their products on their DMC shopping pages some day, too, especially their specialty threads.
]]> embroidery resources threads pictures beginner embroidery 11919 Anonymous noreply@blogger.com 2008-04-29 17:36:47 2008-04-29 17:36:47 1 0 A few years ago I contacted DMC to see if they had any plans to re-release those wonderful pattern booklets of different nationalities' embroideries. The lady I contacted talked like she had no idea of what I was referring to and that DMC had no plans of EVER republishing. That is a real shame as they are so interesting.
I am lucky enough to have two. Scandinavian and Yugoslavian I think. I haven't looked at them in several years. Gonna' do that today!
Thank you for reading.
Again, I enjoy your newsletter. Please keep it going.
Hugs,
Judyth Lutt
Cedar Point, KS]]> 11938 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-04-26 05:42:00 2008-04-26 05:42:00 1 0
As you implied, one of the problems with floche is the fact that they generally only come in the 168yd hanks. It's nice that some shops are breaking them down. Marion Scoular also sells smaller bundles of 1/2 or 1/4 hank through needleartworks.com .

The other unfortunate problem with floche is that it has a fairly limited color range. There are so many wonderful colors that it doesn't cover!

I'm looking forward to trying it in other projects!]]> 11941 Cindy in Oregon noreply@blogger.com 2008-04-25 12:15:00 2008-04-25 12:15:00 1 0
I'd like to see the 6 strand cotton made again with the same quality it had before the 1980's. They did something to it's manufacturing when it started getting sold to the discount stores.]]> http://www.blogger.com/ Tue, 22 Apr 2008 17:24:00 -0500 Mary Corbet 789 2008-04-22 17:24:00 2008-04-22 17:24:00 open open Gilt-Sylke-Twist-and-Bullions-as-Wheat:-Trials-and-Errors! draft 0 0 post

The other day, I questioned whether or not Gilt Sylke Twist would work for bullions. The yellow is such a perfect gold for wheat! I like the bullion knot, but if it were the only hand embroidery stitch in the world, I wouldn't embroider for fun, that's for sure!

When it comes to making a nice wheat shaft on a piece of embroidery, the bullion knot comes in pretty handy.

In embroidering wheat, two parts of the plant are usually addressed: the stem (or rachis) and the head, which is made up of two parts - the kernels and the "beard" (or the hairy looking stuff).

Bullion knots make really good kernels! For the embroiderer, the thing you have to consider is the size of the kernel in relation to the beard. If the kernel and the beard are the same size more or less, you lose the look of the wheat.

Ideally, the rachis (stem) will be thicker than the beard, and the kernels will be the most textured element in the design. The kernels grow upwards out of the rachis in a kind of layered flower look, and it's good if they can terminate in a slight point, although in embroidery this isn't always possible. They should be plump looking, and then the beard should be whispy and light looking.

So that's the ideal "look" of a wheat ear (or wheat head, or wheat spike).

The question is, can that be achieved with the Gilt Sylke Twist? That's what I set out to discover. Wheat is a common theme in church embroidery, and I think the GST would look great on ecclesiastical work. So I wanted to see if I could, in fact, create a good looking piece of wheat with the GST.


]]> http://www.needlenthread.com/2008/04/rope-stitch-hand-embroidery-video.html Thu, 24 Apr 2008 06:46:00 -0500 Mary Corbet 790 2008-04-24 06:46:00 2008-04-24 06:46:00 open open Rope-Stitch-Hand-Embroidery-Video-Tutorial publish 0 0 post Video Library of Hand Embroidery Stitches. I wanted to see it get to 50 stitches long before this - but I'm almost there! I'm going to have a celebration when it hits 50 stitches. Some sort of big ... something. You can all join me!

The rope stitch is a nice hand embroidery stitch, perfect for a thick, corded look, and a member (believe it or not) of the chain stitch family. It looks like overcast stitch on a slant, or trailing on a slant. It's a great stitch for curves, so I worked it over the beginning of a curve in the video. It takes gradual curves really well, and it will take tighter curves well if you shorten your stitches and work carefully around the curve.



So there's an up-close photo of the stitch for you. You can see at the base how the chain stitch is evident.

To begin the rope stitch, you start with a variation of twisted chain stitch. When you begin the stitch, the needle is going down into the fabric to the right of where you emerged, with your thread behind your needle, then you cross over your needle with the working thread (that's the twisted chain part), then take the thread under your needle, and then pull through. Now, here's the thing - from that point out, the stitch is really just a regular chain stitch! So it's easy.

It's a pretty strong stitch, too, as long as you aren't taking the thread too long across the top, so that it loosens up too much. In older embroidery books (from the 1800's), you'll see that the stitch is often recommended in the place of cording, if the area being stitched is going to get a lot of use.

Enjoy the video! The sound's still a bit crackly. I need new equipment!



For more hand embroidery videos, please visit my Video Library of Hand Embroidery Stitches, where you will find, as of today, 48 embroidery stitch videos! Getting close to 50...!
]]> video tutorials needlework pictures beginner embroidery 1458 Annet noreply@blogger.com http://www.blogger.com/profile/06938803180320247229 2010-04-15 10:37:00 2010-04-15 10:37:00 1 0 10488 swarna noreply@blogger.com http://www.blogger.com/profile/02607566524895769924 2008-09-17 13:18:00 2008-09-17 13:18:00 1 0 11935 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-26 17:11:00 2008-04-26 17:11:00 1 0 11945 Margaret C. noreply@blogger.com 2008-04-24 21:01:00 2008-04-24 21:01:00 1 0 http://www.needlenthread.com/2008/04/free-hand-embroidery-pattern-leafy.html Tue, 22 Apr 2008 09:05:00 -0500 Mary Corbet 791 2008-04-22 09:05:00 2008-04-22 09:05:00 open open Free-Hand-Embroidery-Pattern:-Leafy-Border publish 0 0 post

Whenever I see an embroidery pattern like this, the first thing I think of is guest towels or pillow cases or something similar. White on white, or even a subtle color (green?) would look good.

It's a nice pattern for easy stitching, anyway - stem stitch would work, but I think chain stitch would look great!

Another thought just occured to me: what about the bottom edge of a skirt? And then that opens up a lot of possibilities - dressy or casual!

[When playing with patterns, it's fun thinking of hundreds of different ways they can be used. But I seem to have a problem finding time just to try one of those hundreds of ways.....!!!]

Click on the pattern below for a larger size, which you can resize as you wish.



For more hand embroidery patterns, check out my hand embroidery pattern index!

On another note altogether, I have an update on bullion knots with Gilt Sylke Twist coming up. That is, if it works out well! Even if it doesn't, I suppose you could learn from my mistakes!

Back to my needle 'n thread!
]]> free embroidery patterns 8767 Anonymous noreply@blogger.com 2009-02-21 12:53:00 2009-02-21 12:53:00 1 0 Thanks for such wonderful patterns. Me being a beginnner, found des patterns very much helpful to give a start. Just planning to make one soon n will surely send u the photo, if i can make one.
Bye, n keep updating ur site]]> 11950 Jill noreply@blogger.com www.plimoth.org/embroidery-blog 2008-04-23 15:01:00 2008-04-23 15:01:00 1 0 11951 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-23 06:13:55 2008-04-23 06:13:55 1 0 11952 Margaret C. noreply@blogger.com 2008-04-22 21:27:00 2008-04-22 21:27:00 1 0 11953 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-22 21:18:52 2008-04-22 21:18:52 1 0 11954 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-04-22 16:19:00 2008-04-22 16:19:00 1 0 http://www.needlenthread.com/2008/04/free-hand-embroidery-pattern-corner.html Mon, 21 Apr 2008 08:16:00 -0500 Mary Corbet 792 2008-04-21 08:16:00 2008-04-21 08:16:00 open open Free-Hand-Embroidery-Pattern:-Corner,-Diamond,-or-Square! publish 0 0 post

This is a simple embroidery pattern that I think would look great on household linens: towels, table runner, cloth napkins, etc.

It would be quick to work - so it would be great for making a gift! What about a linen basket-liner (for a bread basket or something?), with this stitched in the corners?

As far as fabric goes - well, anything's fair game. If I had more natural-colored linen, I'd like to make a basket liner with this, and stitch it in white coton a broder, in stem stitch for all the lines, and the dots, leaves, and little tulip shapes on the sides would be worked in satin stitch. I think it'd be pretty - just a simple motif, but enough to mark it as hand-made and elegant.

Come to think of it, this would also make a fun exercise in gold couching.

So here's the pattern. Click on it for a larger version!

Personally, I'd keep it somewhat small - three inches square, maybe? You can resize it on your computer or on a copy machine.



For more hand-embroidery patterns, check these out:

Hand Embroidery Patterns available here on Needle 'n Thread
Ecclesiastical Patterns available here on Needle 'n Thread
An index of websites that offer free embroidery patterns online.

Have fun with it! And if you stitch something with it, do let me know!!!!! I love sharing readers' adventures in needlework!
]]> free embroidery patterns 9604 MommaBlogger shanawoodman@yahoo.com http://www.blogger.com/profile/09207900813763379752 2008-12-04 11:15:00 2008-12-04 11:15:00 1 0
I thought you'd like to see what I did with it, so here is a link to the album. The first several pictures are just of the embroidery, the rest are of the corset.

http://s70.photobucket.com/albums/i114/shanawoodman/Crafty%20Examples/Embroidered%20Short%20Stays/]]> 11446 corina noreply@blogger.com http://corinaj.wordpress.com 2008-07-06 07:48:00 2008-07-06 07:48:00 1 0 http://www.needlenthread.com/2008/04/different-kind-of-needle-n-thread.html Sun, 20 Apr 2008 16:02:00 -0500 Mary Corbet 793 2008-04-20 16:02:00 2008-04-20 16:02:00 open open A-Different-Kind-of-Needle-'n-Thread publish 0 0 post a photo of the embroidered paper card I made for her. Well, when my parents returned from Alabama, they brought with them something for me from my Auntie, so... I thought I'd show it to you!

Granted, this isn't embroidery. It's a different use of needle 'n thread (or hook, anyway). It's crochet! My Aunt Margaret (affectionately called "Auntie" by everyone), though 90 (and now pushing 91!) is a master with a crochet hook. She's made all her nieces and grandchildren and children and probably all her friends and their children (and on and on) crocheted afghans, sometimes full-sized and sometimes throws.

Auntie's crocheting is always perfect. You can't find a flaw in it if you wanted to! Here's the red-and-white throw she sent home to me:



I love it! It's the perfect size for everything - reading on the couch, even embroidering in the winter - and it doesn't have the extra bulk and length of a regular full-sized afghan.

I like the pattern on it as well - kind of checkered, but not really:



When I graduated from high school, Auntie made me a dark pink and cream full sized afghan. I took it with me to college, which was a good thing! I had a drafty dorm room, and that afghan, I'm sure, saved my life. I slept under it many a winter! I still have it and use it, too, thought it's now stored away for next winter.

My mom tells me funny stories about growing up "in the old days." My mother crochets as well, but she only learned because my Aunt forced her to. The story goes like this:

Margaret's a good 16 years older than my mom. At some point or another, Auntie got married and moved from Florida to Quonset Point, Rhode Island, where Uncle George was stationed in the Navy. Her little sister Laura Ann (my mom) eventually got married to my dad, a Navy pilot, and they were stationed at Quonset Point, as well.

Laura Ann could manage simple crochet, but not like Auntie, who made beautiful doilies. She visited Margaret's house one day and decided she wanted doilies for her house, too! And Laura Ann, the new bride, asked her sister to make her one. Mom was a bit "spoiled" (and perhaps a little demanding), so she probably didn't expect the answer she got! Well... being the Wise Older Sister (or just being ornery, I'm not sure which!), Margaret told her no, to make her own. But Laura Ann said she couldn't read the pattern. Margaret told her to figure it out!



My mother's reaction: "I'll show her. I'll make BETTER doilies." She charged out and bought a book and figured it out herself. Whether or not my mom makes Better Doilies is not the issue! Thanks to Auntie's refusal to oblige the new bride, my mom can make beautiful doilies, among other things. Her obsession now is crocheted filet lace for church use.



But isn't that the way it should be? Teach others - or at least encourage them to learn - how to do some handwork, and they'll have something that will give them pleasure for the rest of their lives!

Thanks for the throw, Auntie!! I love it!
]]> personal crochet needlework pictures 11955 Anonymous noreply@blogger.com 2008-04-21 17:29:00 2008-04-21 17:29:00 1 0
Clara Barker]]> 11956 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-21 06:14:29 2008-04-21 06:14:29 1 0
Hi, Arlene! Somehow, I feel like you ARE part of the family! There have been people in the past who felt just as you do - so they married into the fam, and it wasn't long before they discovered how kooky we really are!! Hope all's well in Alabamer!

Megan - you're right!

Amy - you're right, and I do, too!

And MargB - I haven't heard them called rugs since I was Down Under! That gave me a chuckle. I think rug's a better name for it. We call it a "throw" - as if we should be playing baseball with it or something!]]> 11958 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-04-20 22:55:00 2008-04-20 22:55:00 1 0 11959 Anonymous noreply@blogger.com 2008-04-20 22:28:00 2008-04-20 22:28:00 1 0 I'm really IMPRESSED! WOW!
What a talented family.... :)

I'd love to have a family like yours. You are all very blessed!

Your loyal fan...
Arlene in Alabama]]> 11960 Amy noreply@blogger.com http://www.blogger.com/profile/15340625480167557572 2008-04-20 18:21:00 2008-04-20 18:21:00 1 0 11961 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-20 17:03:00 2008-04-20 17:03:00 1 0 http://www.needlenthread.com/2008/04/dinky-dyes-silk-line-door-prize-at.html Sat, 19 Apr 2008 15:20:00 -0500 Mary Corbet 794 2008-04-19 15:20:00 2008-04-19 15:20:00 open open Dinky-Dyes-Silk-Line-Door-Prize-at-the-Needlework-Show publish 0 0 post

The majority of the needlework featured at The Needlework Show are from designers or vendors who supply counted-thread designs. There are very few free-style surface embroidery techniques featured.

You've probably guessed my forte is not counted thread work, although I do love to look at historical samplers and I am quite enchanted by certain types of counted thread designs. For example, I like this chart from The French Needle:




I also like blackwork, the Quaker style samplers that are popular right now, the European / French-look designs that have a hint of historical and Provencial charm to them, Hardanger embroidery (there are some nice projects featured on the J. Design page), and some of the embellished biscornu designs that implement more than just cross stitch. If you, too, like these styles of counted thread techniques, you'll find plenty of designers' work to browse through at The Needlework Show.

Some of the vendors feature accessories for needlework, such as Kelmscott Designs, which offers mother-of-pearl thread winders and keeps, and those pretty magnets for holding extra needles on your projects while you stitch.

Some thread vendors feature their wares at The Needlework Show as well. For example, you'll find a Needlepoint Inc Silk page promoting their threads.

One thread vendor in particular that caught my eye was Dinky-Dyes. Dinky-Dyes is an Australian company that offers a vast range of dyed cottons and silks. I knew Dinky-Dyes offered cotton threads, but I didn't know they had such a fantastic line of dyed silks. The colors look really stunning, and I love the names! The exciting part about the Dinky-Dyes booth at The Needlework Show is that they are offering a really nice door prize: a full line of their silks to a lucky winner!! WOW! You probably realize I have a thing for thread. I love embroidery floss, I love silk especially, I love beautifully colored silks - and if you do, too, well... here's another source for thread and maybe you should check out their line. I'm going to!

Better yet, perhaps you should register for the door prize. Check out the Dinky-Dyes booth at the Needlework Show to register - by MONDAY, April 21st, at midnight!

Enjoy browsing through The Needlework Show, but get there before midnight, Monday, April 21st, or it'll be gone - until next fall.
]]> embroidery links embroidery resources counted thread embroidery techniques 11962 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com 2008-04-20 14:01:00 2008-04-20 14:01:00 1 0 A kiss]]> 11966 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-19 15:58:02 2008-04-19 15:58:02 1 0
I was going to link to a source, but I figured the Dinky Dyes people might want us to "work" for it!! ;-)]]> 11970 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-04-19 13:57:00 2008-04-19 13:57:00 1 0 http://www.amonline.net.au/geoscience/gemstones/australian.htm#sapphire]]> http://www.needlenthread.com/2008/04/free-hand-embroidery-patterns-with.html Thu, 17 Apr 2008 10:49:00 -0500 Mary Corbet 795 2008-04-17 10:49:00 2008-04-17 10:49:00 open open Free-Hand-Embroidery-Patterns-with-Thorough-Instructions-from-the-EGA publish 0 0 post Embroiderers' Guild of America website. Let me tell you what they have...

First, for general surface embroidery techniques, which could be adapted to crewel work, to silk, or to cotton, you'll find a nice PDF pamphlet on Basic Techniques for Surface Embroidery. Here, you'll learn about setting up a design as well as the techniques for basic stitches used in the pattern. It's kind of a Jacobean motif, and it looks like it would be fun to work!

Next, if you're interested in trying out blackwork, you might take a look at their PDF pamphlet on Technique Basics for Blackwork. It's a very simple motif. You'll be shown how to set it up and work it.

Finally, if you like the idea of stumpwork but haven't tried it yet, there's a nice little pattern for Wild Cornish Fuchsia that's very pretty. The directions are detailed and will guide you easily through the project.

You'll also find Technique Basics for Counted Cross Stitch and some cute patterns for little embroidered name tags on their free embroidery projects page.

The EGA is a great place to start for all kinds of embroidery information, classes, and so forth, so while you're looking at their free patterns, you might want to take a thorough look around their website and consider joining. Even if you don't connect yourself to a local guild, and sign up instead as a Member at Large, you'll have access to the Members Only section of the site (which is filled with all kinds of good information) and you'll also be able to sign up for correspondence courses in all kinds of techniques!
]]> free embroidery patterns embroidery resources counted thread embroidery techniques stumpwork beginner embroidery 11964 Anonymous noreply@blogger.com 2008-04-19 18:02:00 2008-04-19 18:02:00 1 0
I'd love to join an embroidery site with message boards for exchanging ideas and chit chatting.

I'm going to have to save my pennies before I can sign up on one of those sites. That would be easier if someone would change my eBay password and not let me know what it is! I can't stay away from all thing embroidery on eBay! Ack!

J.Mosley]]> 11978 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-17 12:03:07 2008-04-17 12:03:07 1 0
That's an excellent idea and a wonderful community resource! Especially for those of us who live "in the boonies"!!]]> 11979 Anonymous noreply@blogger.com 2008-04-17 11:56:00 2008-04-17 11:56:00 1 0
celeste]]> http://www.needlenthread.com/2008/04/fabric-for-surface-and-tips-on-linen.html Tue, 15 Apr 2008 09:48:00 -0500 Mary Corbet 796 2008-04-15 09:48:00 2008-04-15 09:48:00 open open Fabric-for-Surface-and-Tips-on-Linen publish 0 0 post

First of all, there's the primary question: what are you planning to stitch? Are you just practicing, or are you preparing a major project for yourself or for someone else? Your answer to this question will help determine the quality and type of fabric you're planning to use.

Right off the bat, I prefer to use natural fibers. For some reason, they're just better to stitch on: linen, 100% cotton, or, for fancy stuff, 100% silk are my choice fabrics.

If you're a beginner and you want to practice an embroidery technique such as needle painting or just some simple surface embroidery with regular embroidery floss, I'd say to go with something less expensive, such as a good quality muslin in white or cream. Southern Belle is a nice brand of muslin and is available in quilt shops or online. I use Southern Belle muslin for needle painting projects and as backing for goldwork projects that are done on silk.

If you're already confident in your needlework skills and you're launching into a major surface embroidery project as a gift or for yourself, and if you have the funds to use for it, I'd go with linen of some sort.

Linen is my favorite choice for general surface embroidery projects. If I'm doing anything that has goldwork on it, I go with a medium weight linen. If I'm doing whitework, I go with a lighter linen with a higher thread count. If I'm doing crewel work or surface work in silks, I'll use a medium weight or even a linen twill. (For crewel work, linen twill is the norm, I believe.)

As far as brands of linen, this is the thing: some linen can be just awful for stitching on, because there is "cheap" (as in, poor quality) linen out there. For major projects that I intend to withstand the test of time, my favorite brand of linen is Legacy linen. It's a European linen imported by Access Commodities, and, from what I know of linen (which is not necessarily exhaustive!), it's the best linen out there. Legacy linen has great body - which, unlike the case with some linens, is not the result of added starch. It keeps its body after washing. It has a smooth surface and nice hand (feel to it), and it isn't slubby. It's not coarse or brittle, either. Legacy makes even-weave and plain weave linens in various counts. But whether even or plain weave, the horizontal and vertical thread counts in Legacy linen are pretty closely the same. The linen is woven with warp and waft threads that are close in size, if not identical. I use Alba Maxima for a lot of my surface work (like this strawberry or my silk shading sampler, as well as for the Agnus Dei project from last year). For cutwork or whitework, Legacy's ecclesiastical linen is excellent. It is crisp and firm and beautiful! And, for really light stuff, Legacy makes an equally beautiful shadow-work linen.

I don't always buy Legacy linen, though, since it's not always in the budget! It's pricey. When I want a good linen that isn't as expensive, I at least make sure I'm buying linen from northern Europe, where the best flax crops produce the best linen. Belgium, Sweden, Ireland, and northern France all produce beautiful linen.

You're best off buying linen from needlework suppliers rather than fabric outlets, although occasionally your local fabric store may stock a relatively good linen. Make sure you look at it first, though. "Medium weight" linen sold on websites such as Fabric.com tend to look really good price-wise, but keep in mind that this type of linen is for clothing: it's not super-attractive up close and it's usually slubby and loose, intended for blazers and so forth. "Shirt" linen from such sources generally has a tighter weave, but can often be so irregular upclose as to be unsuitable for stitching. Any body to it washes out on the first go, too, leaving you with a flaccid linen with a proclivity towards stubborn wrinkles.

As far as silk goes, I like silk with body. Italian silk is beautiful and when I need a firm, buttery silk with good body, I generally will look for Italian silk. (I used a golden Italian silk as the ground fabric for this stole.) But there are different types of silk from all over the world available - depending on your project, you'll want to select the right weight of silk for what you intend to do. Even if I'm using a heavier weight Italian silk, I back my silk with muslin before I stitch, framing up both the muslin and the silk at the same time and stitching through both layers. This is especially necessary with lighter, crisper silks, such as shantung and dupion.

Some further tips on fabric preparation:

If you are planning to wash your project before doing the finish work, it's a good idea to pre-shrink your linen. Linen shrinks. If you're making something like a table cloth or a book cover or anything measured, wouldn't it be the pits to make the thing, wash it, and find it's smaller than you intended? Anyway, I like to pre-shrink my linen to ensure that I'm not going to end up with puckers afterwards. There's usually still enough shrink left (even after pre-shrinking) to account for any thread shrinkage (if there is any). But if you haven't pre-shrunk, you can count on noticeable shrinking when you wash the piece at the end.

Here's my shrinking formula for linen:

Lay your folded piece of linen in a clean bucket or shallow tub in your sink (sometimes, I use a clean glass bowl, depending on the size of the piece). Boil a kettle of water and pour the water on the linen. Swish the tub to get the water to move through the linen and heat it all up. Then rinse the linen under the coldest tap water, until it's cold all over. In the meantime, have the kettle boiling again, so that you can repeat the process. Pour on the boiling water the second time and swish the tub to make sure the water penetrates through the layers of your folded linen. And then again, rinse with cold tap water. For the last soaking, boil the kettle, pour it on, and leave the linen to sit in the water until the water is room temperature. Rinse with cold water. The change in cold-hot-cold-hot is what shrinks the fabric.

Take the linen out of the water. It'll be really stiff. Lay it on a clean towel and gently press the excess water out of it. Then you can either hang it or lay it to dry.

While it's still damp, you can iron it, but don't iron it to dry it. Iron it just to remove wrinkles. (You can wait until it's completely dry, too, and then mist it with a spray bottle.) If you iron it to dry it, you risk overdoing it with the iron and scorching the damp linen!

If you're working with a small piece of linen, consider taking a clean mirror and spreading your damp linen onto the mirror. Smooth it out over the clean mirror and leave it to dry. When it's dry, you can peel it from the mirror and it will have nary a wrinkle in it!

So that's a little bit about fabrics that I use for embroidery.

I would love to hear what you use - what's your favorite fabric to work on?
]]> fabric for embroidery 11976 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-04-17 16:14:00 2008-04-17 16:14:00 1 0 Usually not a problem for large items but can be for small ones!]]> 11981 Lanie noreply@blogger.com http://www.blogger.com/profile/04083848463070608880 2008-04-16 20:53:00 2008-04-16 20:53:00 1 0 11982 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-16 16:46:00 2008-04-16 16:46:00 1 0 11983 Anonymous noreply@blogger.com 2008-04-16 08:35:00 2008-04-16 08:35:00 1 0
For my newbie embroiderer purposes, creating quilt blocks, embellished with simple iron on transfer patterns to be embroidered, I'm recycling cotton fabrics from various sources.

For instance, I've had six very large panels of old Croscill drapes stored away for years and years. They're 100% cotton, lightweight but not flimsy, a nice ecru color that I think is perfect for lending a vintage look to the quilt blocks.

I deconstructed the panels, undoing all the hems and separating the drapes from their lining, soaked them in hot water and OxiClean to remove the yellowing that had developed on the exposed folded edges, washed and rinsed them well in a big old lobster pot, then popped them in the dryer.

Avoiding the areas that I could not sufficiently whiten and areas that were previously sewn, I can still salvage enough material for around 15-20 ten inch blocks from each panel.

This past weekend I hit the local flea market, specifically looking for embroidery supplies and totally lucked out when I found a stack of various white and off white cotton fabrics. Someone else's abandoned sewing projects were my windfall. I walked away with yards and yards of fabric for just 3 dollars! Perfect for quilt blocks! Yay, flea markets! J.Mosley]]> 11987 Margaret C. noreply@blogger.com 2008-04-15 23:42:00 2008-04-15 23:42:00 1 0
I would like to add a little note... When you are going to be embroidering through two pieces of fabric such as silk on muslin make sure that the grains of the fabrics match.]]> 11988 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-15 20:33:00 2008-04-15 20:33:00 1 0
YES, actually, I do freeze damp linen until I'm ready to iron it.

For readers who have never heard of doing this, here's what you do:

Take your damp linen, roll it in a towel, and place the towel in the freezer. You can leave it there until you have time to iron it (handy if it's a big piece that will take ironing time). When you take it out, be careful with it - let it sit a few minutes before you start unrolling it. While I've never had any crack, a friend of mine did. She took a piece out of the freezer and was rather rough with it in opening it up, and actually BROKE the linen! But that's the only time I've ever heard of that happening.

The advantage of freezing it is not merely to save it until you hve time. When I freeze it then iron it, I notice that the shine of the linen seems to be better. Now, admittedly, this may just be me, because I like the process... but perhaps there's something to that!

Thanks for the comments!

Yes, Paula - crewel embroidery really works best on a medium-weight fabric. If the cost of linen is a factor, try cotton twill!]]> 11989 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-04-15 18:05:00 2008-04-15 18:05:00 1 0 My favourite is definitely linen;26count and Danish, I think.
The'vintage' linens I inherited with cutwork and surface embroidery were mostly on Irish linen - very fine with beautiful body. Have you tried putting damp linen in the freezer until evenly moist and them pressing? Definitely a must for my damask serviettes and tablecloths.]]> 11991 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-04-15 15:18:00 2008-04-15 15:18:00 1 0 http://www.needlenthread.com/2008/04/and-winner-is-and-favorite-embroidery.html Mon, 14 Apr 2008 06:40:00 -0500 Mary Corbet 797 2008-04-14 06:40:00 2008-04-14 06:40:00 open open And-the-Winner-Is....-and-Favorite-Embroidery-Technique publish 0 0 post

First point - the winner of the Gilt Sylke Twist is BaileyGirl5. Yippeeee! If you would please contact me with your address, that would be great. I'll get the package in the mail by the end of this week. Please use the "contact us" feature - don't post personal information in the comment section! Thanks! And I hope you like the thread!

Second point - KerGiz? I never did hear from you about receiving the March stash package! I hope it arrived in Hungary safe and sound. If it didn't, let me know!

And finally, Meeta asked what my favorite embroidery technique is. I had to laugh at her question - I didn't mind asking readers, but when I turned it around to myself, I thought "Gosh. That's just too hard."

I can tell what techniques I don't like more easily than what techniques I like best!

But anyway, here are my favorites (note the plural!) & not necessarily in order of preference:

Surface embroidery, including needlepaiting, crewel work, general free-style stuff, and so forth (right - not very narrow).

Gold work and metal thread embroidery.

Ecclesiastical work - which is just a specific application of the types above.

And historical embroidery that focuses on, again, any of the points above, as well as historical counted thread and canvas work techniques.

But I really do like anything, or at least will try anything. I don't really tend towards abstract designs; I prefer more traditional patterns. I best like working on projects that I draw up myself, but I enjoy working kits, too, as long as the kits are tasteful, incorporate good quality materials, and will help me learn. For example, Tanja Berlin's kits and occasionally (when I can afford it!) some of the kits from Country Bumpkin are the types of kits that entice me.

So there's my two-cents' worth.

Every time I do the drawing for these stash contests, I end up feeling really happy for the person I drew, but really disappointed for the rest! But I do want you all to know that I appreciate your input and your indulgence of my embroidery ramblings! May is coming up - keep an eye out for the next embroidery stash contest!
]]> stash contest miscellaneous embroidery musings http://www.needlenthread.com/2008/04/inspriational-birthday-present-for.html Sat, 12 Apr 2008 09:41:00 -0500 Mary Corbet 798 2008-04-12 09:41:00 2008-04-12 09:41:00 open open Inspriational-Birthday-Present-for-the-Embroiderer! publish 0 0 post

I have an older sister who likes to embroider as well, and in the earlier years of Inspirations Magazine, she was a subscriber. She kept the issues, of course... and now....

THEY'RE MINE!!



I haven't had a chance to pour over them slowly, but it's a nice supply for lunch-break magazine perusals.

Isn't she nice?!

There's one project that did catch my eye right off the bat. One of the magazines has an Or Nué (goldwork and silk) strawberry design in it. I feel another strawberry brewing...! Oh no!
]]> gift ideas personal pictures embroidery books 11996 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-04-14 08:26:00 2008-04-14 08:26:00 1 0 11997 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-04-13 21:49:00 2008-04-13 21:49:00 1 0 11998 eristell-neko noreply@blogger.com http://eristell-neko.livejournal.com/ 2008-04-13 20:35:00 2008-04-13 20:35:00 1 0
Erin]]> 11999 Meeta V. noreply@blogger.com 2008-04-13 11:41:00 2008-04-13 11:41:00 1 0 12003 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-12 16:53:00 2008-04-12 16:53:00 1 0
Paula, you and me both - I've used the magazines for ideas and partial projects, but I've never completed one FULL project out of any of the magazines. I'm just launching into one now, though, and I'm determined to finish it. And the next project up behind that is an embroidered blanket that I'd like to use either as a gift or a fundraiser for our guild. We'll see.

I'll keep you updated!]]> 12004 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-12 16:48:10 2008-04-12 16:48:10 1 0
What cracks me up about right now is that I JUST noticed the typo in the title... it should read "InSPIRAtional" ....

My dear mother pointed that out!

Three cheers for the English teacher.]]> 12006 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-04-12 15:53:00 2008-04-12 15:53:00 1 0 12007 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-12 13:03:00 2008-04-12 13:03:00 1 0 I'm so glad that you got a lovely present. I sent you one in my thoughts]]> 12009 Meeta V. noreply@blogger.com 2008-04-12 11:44:00 2008-04-12 11:44:00 1 0 http://www.needlenthread.com/2008/04/embroidery-techniques-and-patterns.html Fri, 11 Apr 2008 10:36:00 -0500 Mary Corbet 799 2008-04-11 10:36:00 2008-04-11 10:36:00 open open Embroidery-Techniques-and-Patterns publish 0 0 post recommendations for beginner embroidery books for youth, ages 15 or under, with a price limit of $15. I got some good suggestions, and in looking some of the suggestions up, I came across a neat book that I wanted to review in case it could fit the bill for some readers who are just getting into embroidery, or for those who want some interesting, planned projects.

The book is called Embroidery Techniques and Patterns. It's written by Marie-Noelle Bayard. I really like it! I wish, in fact, I had come across it sooner, as I have had several friends ask for recommendations, and the types of projects in Marie-Noelle's book are right up their alley!



The book begins with good instructions on getting started in embroidery: materials, preparation, and so forth. It is then divided into types of stitches, which are then broken down into stitch "families" within the types. Within each section on types of stitches, the author gives instructions on how to complete various projects which are pictured in the book.



So, for example, under filling stitches (types of stitches), she has Ceylon, cross stitch and variations, satin stitch, and so forth.



The types of projects presented in the book range for useful household decor - pillows, curtains (Really Beautiful Drawn Thread Curtains), picture frames, and so forth - to pretty wardrobe accessories (purses and stoles) - to practical needlework accessories (pincushions) - to family holiday items (like a reindeer Advent calendar). They are tasteful projects accessible to the beginner.



The stitch directions in the book are step-by-step photographs, which is really handy for the beginner.



And the patterns for the projects are clear line drawings that can be photocopied and enlarged or traced as is.

The book also features a picture index of the stitches, which I love to see in how-to embroidery books!

The pros of the book: 1. it's comprehensive - stitch directions, projects, finishing tips, etc., are all available inside the covers of the book; 2. the stitch directions are clear and there are plenty of them; 3. the projects are tasteful; 4. the book is attractive; 5. the price is right - under $11 through Amazon for a very nice book - you get a lot of instruction and inspiration for the price!

The cons: 1. it's a heavy book, making it difficult to use while actually stitching; 2. the binding is typical paper-back glue binding, which, coupled with the weight of the book, makes it even more difficult to use while stitching - a spiral binding would have been much more effective. But those are really the only two draw-backs I can see to it, and they aren't major. The book does lay open on the table, so you wouldn't really have any problem stitching, even if it isn't quite as convenient as a spiral binding is on a how-to book.

I'm really glad I came across this little gem. I think it will be perfect for those who want "something to embroider" that would look good used in the home or on the person, but who don't want anything too complex or expensive as far as supplies go.

Age-wise, I'd say it would be a good book for beginners, age 15 and up.

So, if you're looking for a nice how-to book that has a lot in it for the price, do check out Marie-Noelle Bayard's Embroidery Techniques and Patterns! I think you'll like it!


]]> book review embroidery books beginner embroidery 11896 Anonymous noreply@blogger.com 2008-05-04 09:46:00 2008-05-04 09:46:00 1 0 11897 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-04 09:12:41 2008-05-04 09:12:41 1 0
I have both books, and I like both of them. I've reviewed Mary Thomas's book here:

Mary Thomas's Dictionary of Embroidery Stitches

Either one are good, and in fact, they're both very much the same. The Stitch Sampler book may have more stitches in it, but they're pretty much both stitch dictionaries, with diagrams of the various stitches.]]> 11898 Anonymous noreply@blogger.com 2008-05-04 08:54:00 2008-05-04 08:54:00 1 0
Just looking at the covers, I’m leaning toward “Stitch Sampler…” because it appears to be, as it says right in the title, devoted to exactly what it is I’m looking to do. Also, the photos from it, that I’m able to see on Amazon, show nice, clear close ups of various stitches.

But maybe Thomas’s Dictionary is just as good or better at showing off various stitches. I don’t know! Thanks for any opinions offered! - Jeannine]]> 12016 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-11 13:22:16 2008-04-11 13:22:16 1 0 12018 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-04-11 08:12:00 2008-04-11 08:12:00 1 0 http://www.needlenthread.com/2008/03/playtime-embroidering-with-gilt-sylke.html Mon, 31 Mar 2008 10:58:00 -0500 Mary Corbet 800 2008-03-31 10:58:00 2008-03-31 10:58:00 open open Playtime!-Embroidering-with-Gilt-Sylke-Twist publish 0 0 post

First, I mused about what to embroider. I didn't want to work random stitches. The thread is a bit dear to use on random stitching. But then, I didn't want to spend a lot of time thinking up or sketching out a design, either. I just wanted to get to the stitching!

I had a piece of good linen already framed up that I was "trying" a different failed experiment on (more on that later), so I salvaged a corner of that, took a pencil, and drew whatever came to mind straight on the linen.



There's nothing too naturally accurate here - stylized leaves, an attempt at some sort of blossom, and a strawberry. Spring must be coming - I've had strawberries on my mind lately!

My plan was to embroider the strawberry in red GST, in satin stitch, with a lattice over it in pink GST. That's still my plan. I just didn't do the strawberry first, but I'm thinking I should have.



To get familiar with the GST, I thought I'd stitch a line of stem stitch. I began with a #7 hand-made Japanese needle, but I think it was too small. I switched to a #10, which seems a little big, especially when working the stitches in the picture below. But it was ok for the stem stitch.

You can see that the stem stitch is a bit on the wobbly looking side. It took me a bit to get used to the thread. It's quite stiff. I should have been a little more careful and a little more patient.

One you get used to the thread, though, it's great to work with. I don't suggest a "sewing method" with stem stitch. Take your thread all the way to the front, all the way to the back ("stab" method). I like the noise the thread makes passing through the fabric, actually. It's a barely there kind of zipper sound!



I'm pretty sure I'm working this out of proper order. But I wanted to lift the strawberry leaves above the strawberry itself, and to do that, I figured I'd have to stitch the leaves, leaving part of them detached, lift them up, and stitch the strawberry underneath. I now wonder if I've left enough room to manage that, but we'll see.

The middle leaf may be abandoned altogether. We'll see on that, too!



Here's a close-up, so you can see the sparkle. The Japanese #10 is not ideal for the detached buttonhole in a tiny space - it's too fat, in my opinion! I outlined the leaves in backstitch in a matching dark green, and couched the area of the outline of the leaf where I wanted to lift it up from the ground fabric. You can see the red couching stitches in the leaf outline on the right. After filling the leaves with the GST, I took a barely lighter green - one strand - and stem-stitched around the leaves to give them a finished edge. I whip-stitched the part of the outline that was couched, so that I could still lift the leaf off the ground fabric.



And that's a little bit of an angled close-up so you can see the dimension.

My plan from this point: finish the leaves, then do the strawberry (in padded satin stitch with a lattice over it). Some of the leaves will be long-and-short stitch with regular stranded silk, but I will probably edge them and add veins with the GST.

I haven't quite decided what to do with that ridiculous-looking "blossom" yet. I'm open to suggestions!

And the stems and vines will be worked in different line and chain-type stitches. The main stem, I think, will either be worked in chain stitch or in heavy chain stitch - or perhaps just a wider band of stem stitch worked as a filling, so that I can add some shading. We'll see!

More updates later - back to my needle and thread!
]]> Gilt Sylke Twist goldwork threads pictures silk needlework pictures 6046 Jeanine in Canada noreply@blogger.com http://www.blogger.com/profile/04846336931938366326 2009-08-16 12:54:25 2009-08-16 12:54:25 1 0 6051 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-15 19:20:28 2009-08-15 19:20:28 1 0
Heavy Chain Stitch

Enjoy!

MC]]> 6054 Jeanine in Canada noreply@blogger.com http://www.blogger.com/profile/04846336931938366326 2009-08-15 15:26:16 2009-08-15 15:26:16 1 0 I can find where you were musing about what stitch to do the main stem in but I can't find what you ended up using... can you tell me?
Thanks so much,
Jeanine in Canada]]> 12108 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-02 07:08:40 2008-04-02 07:08:40 1 0
Laura, I thought about tent stitch - I may work that in somehow!

Megan - Good book choice!!

Margaret - yeah, I don't know what the thing is with strawberries lately. I noticed some on Just String this week, too!

It worked out "ok" with satin stitch. Close ups later!

I'll try to do a step-by-step on the dimensional part, though I don't think I took pictures at every step. But I can write it up when I post the next set of pics!

Thanks for the comments!

MC]]> 12109 Anonymous noreply@blogger.com 2008-04-02 05:35:00 2008-04-02 05:35:00 1 0 12110 Margaret C. noreply@blogger.com 2008-04-02 00:45:00 2008-04-02 00:45:00 1 0
Keep going! I can't wait to see what you come up with.

I just recently did a tablecloth with strawberries and the flowers were mostly white with touches of lavender on the edges and yellow in the centres.]]> 12114 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-01 12:28:00 2008-04-01 12:28:00 1 0
I got Jane Zimmerman's Art of Embroidery yesterday, so I actually understand all the methods you are talking about! :-) :-)

It looks lovely.

I've decided that I want some green, to use on leaves so it gets spread everywhere, and I wonder how it'd go on canvas if I were to use some on my central slip, in tent stitch??? (I was thinking purple there)

And some Japanese needles.

Thankyou SO much for experimenting with this. The needle issue alone would have stopped me in my tracks when I tried to use it.]]> 12115 Laura Bullinger noreply@blogger.com 2008-04-01 12:21:00 2008-04-01 12:21:00 1 0 12116 Anonymous noreply@blogger.com 2008-04-01 08:06:00 2008-04-01 08:06:00 1 0
Looks good so far!]]> http://www.needlenthread.com/2008/04/embroidered-strawberry-with-gilt-sylk.html Wed, 02 Apr 2008 12:06:00 -0500 Mary Corbet 801 2008-04-02 12:06:00 2008-04-02 12:06:00 open open Embroidered-Strawberry-with-Gilt-Sylk-Twist:-Progress-Report publish 0 0 post

I embroidered the strawberry leaves in detached buttonhole using the green Gilt Sylke Twist. I'll try to explain verbally how I detach the leaf, since I didn't actually take step-by-step photos. Sorry!



I decided I would do the center leaf after all. I was debating about this at first, as I mentioned in the first steps of the Strawberry Project.

I want the center leaf to stand up above the berry, so it has to be separate from the ground fabric. The outline I used for the detatched buttonhole is just a simple backstitch where it's attached to the ground fabric, and a couched line where it will be separated from the ground fabric.

You can see the red couching stitches in the photo above. Once the buttonhole filling is complete, the couching stitches are snipped away, so that the leaf can stand up from the fabric. The only place I actually worked through the fabric on the outline of the leaf was at the very top of the leaf, where I stitched through the other leaves already there. Get it?

It was a leeeetle bit hard working the detached buttonhole in the area above the other leaves. I just had to be careful not to catch the stitches in the leaves below.



So that's the leaf, finished. I whip stitched the edge in a lighter green. I wanted the leaves to have the sort of crinkly look typical to strawberry leaves, but I don't know how well that comes across.



Then I started filling in the padding on the strawberry. For the padding, I'm working with two strands of a dark red DMC cotton. When padding something with multiple layers of padding, you start in the center with a satin stitch padding over a small part of the center. Then you work the padding in layers, changing the direction of your stitches. You want the last layer of padding to run perpendicular to your topmost layer (the visible layer) of satin stitch.

When working the padding stitches, I didn't carry my thread across the back of the area, because I didn't want the back to build up, too. Instead, I jumped sideways for each stitch.



I kept working the padding in layers, until the shape was filled up. Here, there are three layers underneath the layer you see on top.

In both of the above photos, you can see the center leaf turned up. The GST is pretty stiff, so the elements worked with it are somewhat bendable.



For the final layer of padding, since the GST is going to be stitched down the length of the berry, I stitched the padding (using one strand of DMC now) horizontally across the berry. I also worked a split stitch outline around the shape.

Then, for the exciting part!!



I began the satin stitching in the GST. Some things I did differently from normal satin-stitching, because of the stiffness (and the expense) of the thread:

I didn't carry the thread across the back. I emerged at "A" at the top of the berry, went down at "B" at the base of the berry over the split stitched line, and then, jumping sideways, I came up at a point "C" to the right of "B" (at the base of the berry) and then went down at a point "D" to the right of "A" at the top of the berry. After the first two stitches, I didn't like the way that was working.

To come up right next to the previous satin stitch was difficult, because of the stiffness of the thread. It caused the stitches on top to arch away from each other. I gave them a little pinch on the back to rectify this, but for subsequent stitches, I moved from one side to the other of the previous stitches.

So, here's a diagram of where I went up and down for the satin stitching:



Up at A, down at B, up at C, down at D, then jump to the other side of A, and go up at E, down at F, then jump to the other side of C and go up at G and down at H.

This seemed to work better, but it required more thread to pass across the back. Still, it was a lot less thread than carrying the whole stitch up the back, and it turned out looking ok!

The next update will be the completed satin stitch on the strawberry, with lattice couching over the satin stitching. I'm doing the lattice in the pink GST. I'll couch the lattice down with regular embroidery floss, but I'm not sure what color to couch it with?? Green?
]]> Gilt Sylke Twist goldwork pictures silk needlework pictures 12099 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-03 18:45:00 2008-04-03 18:45:00 1 0 12101 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-04-03 09:02:00 2008-04-03 09:02:00 1 0 12102 Rosemary noreply@blogger.com http://www.blogger.com/profile/15398658214441163182 2008-04-03 08:30:00 2008-04-03 08:30:00 1 0
Rosemary]]> 12105 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-04-03 05:48:00 2008-04-03 05:48:00 1 0
Speaking of needles, I started with a #8 Japanese needle but switched to a #9 which seems to be better especially as I like to half hitch the thread to the needle if it is one that comes unthreaded easily. Also this allows me to have a tiny tail. I was doing reverse chain stitch through satin. I'm going to be doing detached button hole so I don't think that I will use the Japanese needles for that part, I'll try a tapestry needle. There shouldn't be too much strain on the thread if I'm not stitching through the fabric. I also like the sound the thread makes going though the fabric. It reminds me of our camping trips when I was a child. I loved the sound the zipper of the tent door made.

I've ordered this kind of backwards, I should have said first that I have my first cone of GST - YIPEE. I have redde and guess what I thought I would stitch? Strawberry fever seems to be going around at the moment.

I think I would have stitched the leaves after the strawberry but I can see why you did them first. You wouldn't want to couch the outline through all that padding and GST. I think I will do mine separately and attached them later.

Looking forward to seeing more. The lattice should look great. How about couching with #1 gold? I'm interested to see what you decide for the flower. I loved the suggestion for the spiral trellis. White petals and yellow center sound right.

Sorry this is sooo loooong but I'm so excited about the GST.

CA]]> 12106 Anonymous noreply@blogger.com 2008-04-03 00:31:00 2008-04-03 00:31:00 1 0
Deepa]]> 12107 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-04-02 15:22:00 2008-04-02 15:22:00 1 0 http://www.needlenthread.com/2008/04/embroidered-strawberry-completed.html Thu, 10 Apr 2008 09:58:00 -0500 Mary Corbet 802 2008-04-10 09:58:00 2008-04-10 09:58:00 open open Embroidered-Strawberry-Completed publish 0 0 post

First, I learned about embroidering with Gilt Sylke Twist - some things work, and some things don't. Well, I should qualify that: they didn't work for me. They might work better for someone with a little more skill and a little more patience!



For example, long and short stitch and variations, worked on an arch, are probably not ideal with this thread. For one thing, the thread can't be split, so you have to come up between the previous stitches - which nudges them aside. Because of the stiff nature of the GST, they tend to stay nudged aside...



It doesn't look horrible, but it doesn't look that great, either!

For the blossom, I settled on long and short stitch in ecru and pink, with some highlights of the pink GST in the middle.



I like the way the blossom came out. I used some slightly darker brownish-pink in there, too, and between the petals for a bit of separation.



The leaves behind the blossom are worked in three colors of green: I satin stitched the whole leaf in a medium green, then I embroidered a few "shoots" of dark green up from the edge of the petal. Finally, I worked in a very light green at the tips, using just two stitches over each tip, in stem stitch, to give it a kind of curled look.



Another thing I learned: oh, yes, we all know it, but do we do it??? Think things through before beginning to stitch. I wasn't thinking when I stitched this stylized leaf (right - that's my excuse: it isn't supposed to look real!). I meant to do the long and short on the edge, exactly as it is done, and I meant to stitch the green GST on the edge as well. I even meant to work a stem stitch filling on the top section of the leaf. However, I did not mean to break the stem stitch scallops where I did! I should have drawn a line, slanting down in the direction of the scallops on the edge, and broken my scallops of stem stitch filling along slanted lines, so that those lines followed the direction of the long and short stitch.

But I wasn't really paying attention, and I didn't notice it until I was finished!

Another way I could have avoided those scallop-lines in the stem stitch filling altogether would have been to alternate the placement of the stitches in each row, not ending at a point each time I came down the scallop hill.

But like I said, I wasn't paying attention!



I also learned another thing I already know, but it served as a good reminder: line up your threads and the quantities thereof before you stitch. I ran out of the green I was using. You can't really tell, but it made the little turn-over at the tip look a bit different than I intended.



But, despite all the lessons, I'm still pretty happy with the way it turned out.

Oh - I learned one more thing. I will no longer be a fanatic over not wanting people to touch my embroidery. Usually, as a finger approaches, I spaz out - "Don't Touch!" When people see something like this strawberry, with the raised leaves and the sparkle of the GST, they can't resist it. They MUST touch it. So I learned that, sometimes, you just have to sit back and not get weird over people wanting to touch your embroidery. After all, they're learning, too!

Hope you liked my GST Strawberry Adventure! Now, on to other projects!
]]> Gilt Sylke Twist goldwork pictures needlepainting silk needlework pictures 6428 joannestitches joannegledhill@yahoo.com http://www.blogger.com/profile/09188449516154615810 2009-07-28 09:56:25 2009-07-28 09:56:25 1 0 Love the strawberry. can't wait to start the lessons. joanne g.
Again thank you so much for sharing your skill with us.]]> 11339 Ruth M. ruth.molenaar@gmail.com http://www.blogger.com/profile/18222414733903236554 2008-07-19 12:32:00 2008-07-19 12:32:00 1 0
Wonderful work and thanks for sharing--your blog updates are the staple of my workday coffe break return to sanity program.

Ruth M]]> 11992 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-14 21:39:39 2008-04-14 21:39:39 1 0
Thanks! My brother is the biggest offender when it comes to touching my needlework! Does that surprise you!

I sent Auntie a letter and a picture of the strawberry. I hope she likes it!

Hope all's well down in Alabama!]]> 11993 Anonymous noreply@blogger.com 2008-04-14 21:05:00 2008-04-14 21:05:00 1 0 My pride would be out of control....lucky for me that with the talent I have, it is easy to hold on to humility regarding hand work! :)
A fan of yours...
Arlene in Alabama]]> 12013 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-11 18:54:32 2008-04-11 18:54:32 1 0
You can find GST through Needle in a Haystack, Hedgehog Handworks, and Fireside Stitchery. The latter is in PA, and the two former are in CA. You can find links under my "Links" page in the top menu. There are probably more vendors, but those are the three I know of off the bat. If Tricia (on the Plimoth Plantation website) still has any, you can purchase it from her as well.

As far as finishing is concerned... argh. I'm not the world's best finisher. I generally end up framing my stuff, or, with some smaller projects, putting it into my binder pages (in a sleeve) as a sample to show students, so that they can see different embroidery techniques. For the most part, I frame. But I do want to make a needlebook or a little "hussif" (tool roll made out of fabric), so this might work as part of a cover. I'm not sure!

Unfortunately, when I finish stitching a piece, I'm always dying to start the next project, so that I can have something going to stitch on. I need to discipline myself on finish work!

Maybe that should be one of my goals this year!

Thanks for the comment!]]> 12014 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-04-11 18:35:00 2008-04-11 18:35:00 1 0 12019 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2008-04-11 07:43:00 2008-04-11 07:43:00 1 0 12021 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-11 06:55:30 2008-04-11 06:55:30 1 0
Megan... ?? I'm not quite sure what you're talking about concerning the chain stitch and scallops? I didn't chain stitch anything on the leaves...

I can only suppose you mean the stem stitch in the GST along the edge of the larger leaf - but I don't know what you mean by an "acceptable" method. I just did whatever I wanted. I wasn't following anyone's "rules" on what to do or not to do on any of it.

If I missed what you meant, let me know and I'll try to answer your questions better!

Thanks again, all!]]> 12024 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-04-10 23:11:00 2008-04-10 23:11:00 1 0 12025 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-10 21:14:00 2008-04-10 21:14:00 1 0
Thankyou SO much for the information on the GST used - it's invaluable.
L&S; - it doesn't split, but you have to push aside! Well, that's just saved me a few hours of agony, I'm sure!

Adore the blossom

You talk about the chain stitch on the scalloped edge of the large leaf as is if this is an accepted method to edge a scalloped edge.
I always have problems with my scallops disappearing. So should I be using the chain stitch to get a better, more visibly scallop-y result?]]> 12030 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-04-10 17:47:00 2008-04-10 17:47:00 1 0
CA]]> 12031 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-10 17:26:17 2008-04-10 17:26:17 1 0
Alicia, it's Legacy linen - they're a company out of Belgium, I believe, and it's imported into the States through Access Commodities. The particular type for this project is Alba Maxima, a sturdy white linen, not really "even weave" but on Legacy's linen, the warp and waft threads are generally very close in size, so this ends up to be about a 40 or 50 ct linen, I think.]]> 12033 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-10 17:15:14 2008-04-10 17:15:14 1 0 12034 Anonymous noreply@blogger.com 2008-04-10 16:03:00 2008-04-10 16:03:00 1 0 12035 islandgirlA/alicia in Hawaii noreply@blogger.com http://www.blogger.com/profile/01171284857998132410 2008-04-10 15:20:00 2008-04-10 15:20:00 1 0 12038 Meeta V. noreply@blogger.com 2008-04-10 14:03:00 2008-04-10 14:03:00 1 0 12039 Cindy in Oregon noreply@blogger.com 2008-04-10 13:31:00 2008-04-10 13:31:00 1 0 12040 Wendy noreply@blogger.com http://www.blogger.com/profile/00823543583907747767 2008-04-10 13:21:00 2008-04-10 13:21:00 1 0 Wendy]]> 12046 Sara noreply@blogger.com http://www.blogger.com/profile/00668661473260475342 2008-04-10 10:22:00 2008-04-10 10:22:00 1 0 12047 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-04-10 09:49:00 2008-04-10 09:49:00 1 0 12049 terri noreply@blogger.com 2008-04-10 09:23:00 2008-04-10 09:23:00 1 0
great job!!
terri]]> http://www.needlenthread.com/2008/04/april-embroidery-stash-give-away.html Wed, 09 Apr 2008 15:39:00 -0500 Mary Corbet 803 2008-04-09 15:39:00 2008-04-09 15:39:00 open open April-Embroidery-Stash-Give-Away! publish 0 0 post

How would like some Gilt Sylke Twist? I know many have probably already acquired some, but I also know that lots of people out there who would try the thread are deterred by the price for a full 35 meters. So, this month, I'm giving away a meter of each of the colors I presently have: red, green, cream, pink, and light blue.



In case you haven't figured it out yet, I really love this thread!

My question for this give-away is this:

What's your favorite needlework technique and why?

I'll draw names On Sunday, April 13th, from those of you who respond to the question in the comment section on this post. Please use a name in the comment, to make drawing names easier.

International readers are welcome to participate!! I'll send the package by the least expensive air mail option.

So, comment away!!
]]> stash contest 12011 Marjo bynars2@gci.net http://www.blogger.com/profile/15177576997394270951 2008-04-11 21:35:00 2008-04-11 21:35:00 1 0 12015 Vicky~ stichr ~ stichr1@comcast.net http://www.blogger.com/profile/02398784887410187456 2008-04-11 16:10:00 2008-04-11 16:10:00 1 0
I have done all sorts of other stitching, of course, but I really love the look of filled in work done with thread. My dad painted with a brush [on canvas, not houses], mom painted with pen and ink, I paint with needle and thread.

I also do my hand quilting with embroidery thread, and big stitches, because I want it to show up!

Interesting looking thread, I must google this....]]> 12017 Sharon safischer1@comcast.net http://www.blogger.com/profile/03274461697914547387 2008-04-11 11:30:00 2008-04-11 11:30:00 1 0 12020 Suzi noreply@blogger.com www.suzical.co.uk/blog 2008-04-11 07:11:00 2008-04-11 07:11:00 1 0 I also love crewel work - elizabethan patterns and amazing wools..]]> 12022 Anonymous noreply@blogger.com 2008-04-11 01:48:00 2008-04-11 01:48:00 1 0
Michelle P]]> 12023 eristell-neko noreply@blogger.com http://eristell-neko.livejournal.com/ 2008-04-11 00:04:00 2008-04-11 00:04:00 1 0 Hi! I just discovered your site and I love it!
Anyways, I think my favourite technique, even though I haven't been able to do it myself yet, is lace work. It's so pretty and delicate. I'm just afraid I'd destroy it if I tried. One of my friends is undertaking a lace work project and it's so beautiful!]]> 12026 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-10 20:52:00 2008-04-10 20:52:00 1 0
I'm more into historical work - 16th-18th Century. Goldwork, Stumpwork, and the surface embroidery used then.

I've been reading all the comments and seen lots of people commenting that have the same interests as me.

I don't know if you all have "following comments" switched on, or come back and read, and see this comment - and this is naughty of me because it's Mary's blog, not mine .....

If you are from a 'foreign' blogger, or can't be clicked through to from the comment you've left here for some reason - I'd love to meet you, and see the work you are doing, if that's ok.
You could always put the information in my blog, to save poor Mary getting "double comments", tho she may very well be interested too!]]> 12027 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-04-10 19:40:00 2008-04-10 19:40:00 1 0 Hooroo,
Christine in sunny Sydney Australia
http://missmuffettwo.blogspot.com/]]> 12028 Anonymous noreply@blogger.com 2008-04-10 18:21:00 2008-04-10 18:21:00 1 0
I love all types of embroidery that involve my crazy quilting. This is what led me in the embroidery direction. I also like Brazilian Embroidery and have a few pieces in the works.

I am a big fan of your blog and could not do some stitches until I saw them on your videos. Thank you for spending so much of your time helping others.

Freda Butler]]> 12029 BaileyGirl5 mbailey16@rochester.rr.com http://www.blogger.com/profile/14559827964109050348 2008-04-10 17:56:00 2008-04-10 17:56:00 1 0 12032 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-10 17:19:43 2008-04-10 17:19:43 1 0
Meeta, that's a great question! I think I'll save the answer for when I announce the winner! It's actually kind of a hard question, so I need time to think about it. Of course, I didn't seem to mind putting readers on the spot! ;-)]]> 12036 islandgirlA/alicia in Hawaii noreply@blogger.com http://www.blogger.com/profile/01171284857998132410 2008-04-10 15:13:00 2008-04-10 15:13:00 1 0 I've been thinking of sending a most generous "thank you" to you...you have no idea how you have influenced my newest love for embroidery. I am Alicia, a fellow school teacher by profession, a die hard artist by true Self! I first found your site by searching for the ever dreaded "french knot"...and watched your video....over and over again...I needed the french knot for some crochet dolls. Since then I have french knotted my way around the current Inspirations magazine and have worked bullion roses and french knots until my heart's content! I have since abandoned All patterns and have decided to stitch my own creations! I absolutely LOVE LOVE LOVE surface embroidery! Any thread...any surface...any stitch...the world through thread! An artists dream! I will send you another email at my next chance to write to let you know how much you have truly inspired me to pick up the needle and thread to culminate all my art endeavors into One presentation. Thank you so much for your time and dedication to this site. You've changed my life! smiles, Alicia in Hawaii]]> 12037 Meeta V. noreply@blogger.com 2008-04-10 14:14:00 2008-04-10 14:14:00 1 0 Mary, I'm curious to know what your favorite needlework technique is and why :))]]> 12041 Anonymous noreply@blogger.com 2008-04-10 12:02:00 2008-04-10 12:02:00 1 0 12043 Alicia noreply@blogger.com http://www.blogger.com/profile/10354799782326087097 2008-04-10 11:13:00 2008-04-10 11:13:00 1 0 Greetings.
Alicia.]]> 12044 Anonymous noreply@blogger.com 2008-04-10 10:32:00 2008-04-10 10:32:00 1 0
celeste]]> 12045 melisa noreply@blogger.com crazyqsis.blogspot.com 2008-04-10 10:23:00 2008-04-10 10:23:00 1 0 Melisa Bakos]]> 12048 Anonymous noreply@blogger.com 2008-04-10 09:27:00 2008-04-10 09:27:00 1 0
Mary Jane]]> 12050 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2008-04-10 09:09:00 2008-04-10 09:09:00 1 0 My favorite needlework technique is the Blackwork. Because with this techniques I may put together two things that I love most to do. Needlework and paint.
After finishing a job, on this technique that I'm doing; I would like to make portraits, figures and landscapes using Blacwork and color too.
Also I say that you are very generous.
A Kiss from Alicante Spain]]> 12051 ckk noreply@blogger.com http://www.blogger.com/profile/11160482366340856377 2008-04-10 07:33:00 2008-04-10 07:33:00 1 0 12052 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-04-10 06:14:00 2008-04-10 06:14:00 1 0 12053 Anonymous noreply@blogger.com 2008-04-10 01:38:00 2008-04-10 01:38:00 1 0 12054 Margaret C. noreply@blogger.com 2008-04-09 22:34:00 2008-04-09 22:34:00 1 0 and stumpwork at some point in the future.

Susan in Maryland: Your work is spectacular! The precision you have achieved is exquisite. I can't wait to see more.]]> 12055 Amy noreply@blogger.com http://www.blogger.com/profile/15340625480167557572 2008-04-09 21:37:00 2008-04-09 21:37:00 1 0
I'm a semi-beginner (but with high ambitions!), so I haven't done a lot of different techniques myself, but I really love needlepainting. It is just so stunning when done well. Although my few attempts at it have been, well, a little frustrating. So maybe it's my favorite technique when it's finished, but not so much while it's being worked. :) I also echo Su's comment on 18th century and Arts & Crafts. In terms of style, there is nothing more beautiful!

Thanks for such a wonderful, instructive, useful, and fun blog!]]> 12056 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-09 21:29:20 2008-04-09 21:29:20 1 0
I'll look forward to your blog returning to "up and running" status!]]> 12058 Plays with Needles noreply@blogger.com http://plays-with-needles.blogspot.com/ 2008-04-09 19:42:00 2008-04-09 19:42:00 1 0 I've just found your blog and was loving your posts on the Gilt Silk Twyst!! My blog has been dormant for the past year and a half as I nursed my Mom who just passed away from leukemia. I will be starting my blog up again in the next few weeks and I hope you'll come visit then.

My favorite embroidery technique this week is couching japanese gold and goldwork. Here is a URL to a piece I finished...http://www.flickr.com/photos/playswithneedles/161884628/in/set-72057594077660439/

I am currently doing more on another piece which I'll feature on my blog in the coming weeks. I hope I win this great new thread because I can't wait to PLAY with it. It reminds me of a thread we make in Japanese Embroidery, twisting metallic thread and flat silk together. Love your blog!
Susan in Maryland]]> 12060 Magpie's Mumblings noreply@blogger.com http://www.blogger.com/profile/09852241848575954128 2008-04-09 17:45:00 2008-04-09 17:45:00 1 0 Cheers
Mary Anne]]> 12061 Ferrin noreply@blogger.com www.deviantart.com/helldeamon69 2008-04-09 17:08:00 2008-04-09 17:08:00 1 0 12062 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-04-09 16:41:00 2008-04-09 16:41:00 1 0
But overall I enjoy making colourful pieces of embroidery where there is a certain amount of "make it up as you go along".

I particularly enjoy working on designs from the 18th Century and from the Arts and Crafts movement. My stomacher is actually an adapted version of one of the Dillmont designs, as I couldn't find an 18th century design I liked as much.]]> 12063 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-04-09 16:29:00 2008-04-09 16:29:00 1 0 This is a difficult question - I am absolutely fascinated by blackwork and how one can use it for tonal variations e.g. Maria del Valle's angel - I first saw this kind of work in book by Pat Langford. Sharon Boggon's Sumptuous Surfaces incline me towards contemporary surface embroidery with its incredible contrast and richness of texture. Then there is pulled thread work that is mostly so very precise - the manner in which one can alter a simply woven piece of fabric just by carefully placing the stitches and pulling tight is amazing! So I may I nominate three as I can't choose between them (I can't get bored!) please?
Cheers Marg]]> 12064 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-04-09 15:31:00 2008-04-09 15:31:00 1 0 12065 rectangularcat noreply@blogger.com http://rectangularcat.livejournal.com/ 2008-04-09 14:46:00 2008-04-09 14:46:00 1 0
I am appreciating all the work on the Plimouth jacket and thinking of try that more colourful style of embroidery. I sent out for one of their embroidery kits!

Mona]]> http://www.needlenthread.com/2008/04/first-embroidered-leaf-on-my-gst.html Tue, 08 Apr 2008 09:00:00 -0500 Mary Corbet 804 2008-04-08 09:00:00 2008-04-08 09:00:00 open open The-First-Embroidered-Leaf-on-my-GST-Strawberry publish 0 0 post heavy chain stitch.

I've actually progressed a lot further on this little embroidery adventure, but I've fallen behind with taking pictures. The good thing is I'm almost finished. The bad thing is I haven't taken step-by-step photos of every part of the process as I planned. I need to remember to store my camera in my embroidery basket!

Anyway, I really like working the heavy chain stitch with the Gilt Sylke Twist. I think the stitch and the thread go together perfectly for creating thicker stems.

This is the main branch of the strawberry project:



I mentioned before that I re-worked the stem stitch on the original little branch running left of the strawberry down through the first leaf. Here 'tis:



The stem stitch works fine with this thread! I worked it up the middle of the leaf to the main branch, and it came out much better than the first time I worked the stem stitch with the thread.



The leaf is worked in long and short stitch, except the turn-over, which is worked in satin stitch. I'm not so keen on the leaf. I think it was a mistake to outline the whole thing in the dark green stem stitch. I wanted it to stand out a bit. Well, the turn-over's too big and thickish looking, anyway. But oh well - it was practice... and overall, I like the whole piece.

It's kind of weird to see three different-looking leaves on one stem! But I guess that's part of the fun of embroidery - you can pretty much do whatever you want!

So that's the latest on the strawberry, but I'll get some shots of the finished piece as soon as I complete that top leafy thing that doesn't look like a leaf.

As far as the blossom goes, I tried three different approaches. I did manage to take a photo of the attempt at a kind of long and short variation with the GST on the blossom - right before I clipped it out! Then I thought I'd use a padded satin stitch and work the petals in coton a broder, like you would for white work. It looked terrific - if it were on a piece of whitework, that is! It just didn't blend with the rest of the motif. So I snipped that out, too (I don't think I photographed that...) I finally settled on typical long and short stitch with regular stranded floss, in ecru and pink, with some shoots of pink GST up the center of each blossom. That turned out better! So, photos of that later!

And, finally, today is my birthday, and I got the greatest gift from my dear, darling sister.... which I will photograph and tell you about as well! Of course it's embroidery related!

I hope you all have a jolly day, and that you get a chance to spend some quality time with your needle 'n thread. I intend to!
]]> Gilt Sylke Twist pictures needlepainting silk needlework pictures 11985 Anonymous noreply@blogger.com 2008-04-15 23:51:00 2008-04-15 23:51:00 1 0 -Christiana]]> 12057 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-09 21:26:01 2008-04-09 21:26:01 1 0
Margaret!! I use regular embroidery scissors that I have reserved just for goldwork. All my embroidery scissors look slightly different, so I can tell which ones are which. I like fine, sharp-tipped, little scissors for goldwork, because I can get pretty accurate with them when I snip purl.]]> 12059 Laura Bullinger noreply@blogger.com 2008-04-09 19:31:00 2008-04-09 19:31:00 1 0 Happy Birthday to You!
HAPPY--BIRTHDAY---DEAR---MAAARRRYY!!!
HAPPY BIRTHDAY TO...YOOOOOO!!]]> 12067 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-04-09 10:28:00 2008-04-09 10:28:00 1 0
I love your strawberry. Thank you for writing up your trials with GST. Since it is a new thread to us all, it is great to share our experiences with it.

CA]]> 12069 Margaret C. noreply@blogger.com 2008-04-08 20:51:00 2008-04-08 20:51:00 1 0
I am enjoying your GST adventure. When you cut the GST are you using regular scissors or metal thread scissors?]]> 12070 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-04-08 16:28:00 2008-04-08 16:28:00 1 0
Also, have a very happy birthday!]]> 12071 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-08 13:16:13 2008-04-08 13:16:13 1 0 12072 Romilly noreply@blogger.com http://stitchingwithashimmy.com 2008-04-08 12:13:00 2008-04-08 12:13:00 1 0
So, Happy Birthday to us, Mary! Many happy returns.

Your strawberry looks lucious. Must get myself some of that gylt twist. :)]]> 12073 Meeta V. noreply@blogger.com 2008-04-08 11:19:00 2008-04-08 11:19:00 1 0 Best Regards,

-Meeta]]> 12074 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-04-08 08:08:00 2008-04-08 08:08:00 1 0 May you live loooong..(so that we can learn lots more from you :))
Regards,
Deepa]]> http://www.needlenthread.com/2008/04/embroidery-video-tutorial-raised-chain.html Mon, 07 Apr 2008 09:55:00 -0500 Mary Corbet 805 2008-04-07 09:55:00 2008-04-07 09:55:00 open open Embroidery-Video-Tutorial:-Raised-Chain-Stitch-Band publish 0 0 post

This is a composite stitch. There are two embroidery stitches here put together to make the raised chain: the simple straight stitch which forms the bars on which you stitch the chain stitch.

If you wanted to use this stitch as a filling, you would work wider bars (straight stitches) across the area you want to fill and then work multiple lines of chain stitches to fill up the shape.

It's a neat stitch, with good texture and a bit dimensional since it's raised. I'm working it from top to bottom here, but you can work it from right to left (right handed stitchers) or left to right (left handed stitches), or from bottom to top, and along curves.



There's a close-up photo of the stitch, which I worked in two colors so that it would be easier to see. You can work it in a single color, or in two shades of the same color, for things like vines and stems and so forth.

I must apologize for the crackly sound in the video! I'm going to discover what I can do to rectify that (perhaps a new mic) and, when time allows, rework the sound on these. But in the meantime, here's the video:



For more hand-embroidery videos, visit my Video Library of Stitches, where you'll find some 47 videos.
]]> video tutorials Hand embroidery stitches beginner embroidery 5206 Anonymous noreply@blogger.com 2009-10-02 14:13:26 2009-10-02 14:13:26 1 0 6430 gauri noreply@blogger.com 2009-07-28 05:21:29 2009-07-28 05:21:29 1 0
I loved this stitch. i am going to add this to my collection. very beautiful stitch and i did not know about this one.

thank you very much for this stitch.

Gauri]]> 11628 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-12 07:37:42 2008-06-12 07:37:42 1 0
Glad you like the tutorial. I think this is a great stitch!

Best,
Mary]]> 11631 JudyMarie noreply@blogger.com http://www.blogger.com/profile/10217431617798338969 2008-06-12 02:39:00 2008-06-12 02:39:00 1 0 12068 Anonymous noreply@blogger.com 2008-04-09 00:41:00 2008-04-09 00:41:00 1 0
Elizabeth]]> 12075 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-07 14:34:00 2008-04-07 14:34:00 1 0 http://www.needlenthread.com/2008/04/beginners-guide-to-crewel-embroidery.html Sun, 06 Apr 2008 11:19:00 -0500 Mary Corbet 806 2008-04-06 11:19:00 2008-04-06 11:19:00 open open Beginner's-Guide-to-Crewel-Embroidery publish 0 0 post

Embroidery that mimics crewel work but is worked in threads other than wool fits in the category of surface embroidery, but it's crewel wool that makes crewel work what it is. If you're unfamiliar with crewel work, there's an excellent little book on the market that will introduce you to this beautiful art. It's the Beginner's Guide to Crewel Embroidery by Jane Rainbow, and it's published by Search Press as part of their Beginner's Guide needlework series.



If the cover alone doesn't captivate you - the shading, the textures, the beautiful colors - the inside will. Even if wool is not your primary choice when it comes to threads, you will learn much that is useful and beautiful for any surface embroidery technique from this book.

The author gives detailed instructions on common stitches and techniques used in crewel work: stem stitch, chain stitch, split stitch, satin stitch, fly stitch, buttonhole stitch, detached buttonhole, spider's web stitch, French knots, laid filling, soft shading, and bullion knots. She doesn't just give them to you as a dictionary, though. Along with giving you step-by-steps on each technique, she gives you a project that incorporates the technique.



The book begins with the basics of embroidery - materials and tools, starting and ending threads, and so forth. Then it moves into the various stitches addressed. The stitching section is divided by project, and the projects incorporate the best of crewel embroidery traditions. They are beautiful!



Scattered throughout the book are embroidered examples of different motifs worked in crewel.



At the end of the book, you'll find an excellent detailed instruction on blocking embroidery work. While you may often see "finish work" in a book, I think this is one of the best overviews of finishing that I've seen in this kind of book.



You'll also find a gallery and some patterns. The book has patterns throughout, but at the end, you'll find three fairly large patterns that incorporate the techniques covered in the book.

The "Beginner's Guide To" series by Search Press is really excellent. I'm excited to see it expanding regularly. They haven't yet produced a general "Beginner's Guide to Hand (or Surface) Embroidery," but I hope they do some day!

Besides being books of excellent quality by artists who know what they're talking about and how to make their topic accessible and exciting, the Search Press books are reasonably priced. You can pick many of them up new through Amazon for less than $13.00. You can't beat that!

And, on a final note, even if you aren't interested in crewel work and wool, the patterns and stitches can be worked in other mediums. But don't tell any crewel aficionado that I said so!







]]> book review embroidery books 12076 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-07 13:41:36 2008-04-07 13:41:36 1 0
Laura - Berlin work omitted in the series, or in this book? Search Press has a beginner's guide to Berlin woolwork - you can find the whole list of their beginner's guide to (needlework) series here:

Search Press Beginner's Guide series on needlework]]> 12077 Laura Bullinger noreply@blogger.com 2008-04-07 10:30:00 2008-04-07 10:30:00 1 0 12081 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2008-04-06 15:35:00 2008-04-06 15:35:00 1 0 http://www.needlenthread.com/2008/04/needlework-book-dilemma-calling-on.html Sat, 05 Apr 2008 08:03:00 -0500 Mary Corbet 807 2008-04-05 08:03:00 2008-04-05 08:03:00 open open Needlework-Book-Dilemma!-Calling-on-Readers-for-Help! publish 0 0 post

Here is the question: If you had to recommend a beginner's embroidery book to someone who had only $15 and the book was for someone 15 years old or YOUNGER, what book would you recommend and why?

I have a friend whose company wants to promote "how to" books for different crafts and hobbies for youth. As far as embroidery goes, they want to start with a basic beginner's book.

I hate to give "just any" recommendation! And so many books have so many angles I like, but not all books have all the angles I like to see in a beginner's book.

For example, I love the A-Z on Embroidery Stitches (ok, we've exceeded the $15 range here, obviously). I like them for beginners because of the step-by-step photos. Same with the Embroiderer's Handbook (Country Bumpkin as well). The latter is closer to the $15 range. But neither of those have projects in them. For beginners - and especially youth - it's nice to have a pool of projects to choose from.

Then there are the Anchor books. The Freestyle Embroidery book has projects in it, but I don't know if the "New" one has diagrams in it or photos. I just bought a copy of the new one to review, but it hasn't arrived yet. The old one had diagrams only, but I like the way they provide a picture of a small motif completed with the stitch. I also like the variety of designs for stitching provided in the old book. But the diagrams are just your typical diagrams. Some kids just don't get stitch diagrams.

Then there are the various "Beginner's Guide To" books by Search Press, all of which are excellent in their own technique, but there isn't one overall "Beginner's Guide To Embroidery" by Search Press.

And then there are the individual, non-series type books out there on beginning embroidery...

So the question is: WHICH BOOK?

Any input? I'd love to hear what you would recommend!
]]> 11895 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-05-04 21:10:00 2008-05-04 21:10:00 1 0 (although this may be an old issue by now)

~ START EMBROIDERY ~
all you need to know to start stitching
by Betty Barnden

This is an English book from 2005 that is an essential guide to embroidery. It starts with which threads and fabrics to use and then helps you master different stitches and more complicated techniques. From cross stitch to applique, more than 30 stitches are examined with step-by-step photos and easy-to-follow diagrams. The book includes 12 lovely projects to allow you to practise your skills - a great book for beginners.

Condition: this is a new pictorial hardcover book in excellent condition.
Publisher: Apple Press, U.K., 2005.
ISBN: 1-84543-050-6 / 1845430506.
Size: 22.1 by 28.7cm : 8¾ by 11¼ inches.
Pages: 128.
Weight: 880g.]]> 11980 Sarina noreply@blogger.com 2008-04-17 01:59:00 2008-04-17 01:59:00 1 0 11986 Anonymous noreply@blogger.com 2008-04-15 23:44:00 2008-04-15 23:44:00 1 0
I definately recommend Klutz Embroidery. It covers most of the basic suface techniques. The designs and colors are very fun and there are iron-on transfer patterns and floss included. It is very clear and easy enough for kids as young as 7. But I think older girls would enjoy it just as much because it is contemporary: with a stong emphasis on clothing decoration.

I'll try to think of others; I know there must be some that I can't think of right now. . . It is after midnight. . .
-Christiana]]> 12066 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-09 14:40:28 2008-04-09 14:40:28 1 0
Hey, Paula - talk about expensive! The second book you mention (Joynes) is available here in the States, used, for a mere $89.00!!!! I was intrigued by the description, but I think it's out of the price range!! Thank you, though, for taking the time to make some really good suggestions!]]> 12079 Anonymous noreply@blogger.com 2008-04-06 20:40:00 2008-04-06 20:40:00 1 0 how to embroidert. she put the iron on picture on a old dish cloth
and it was a very easy picture.
That was the easy way to show some
body to emboidery and do all kinds
crafts qulting and that was the
best book I ever had and we did it with all 7 of us girls by quilting
and keeping in touch with each other,]]> 12080 Anonymous noreply@blogger.com 2008-04-06 15:55:00 2008-04-06 15:55:00 1 0 12082 Anonymous noreply@blogger.com 2008-04-06 10:12:00 2008-04-06 10:12:00 1 0 12086 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-04-05 16:46:00 2008-04-05 16:46:00 1 0 the first is The stitches of Creative embroidery by Jaqueline Enthoven. She wrote this with beginners in mind, particulalry children/teenagers. it has a good intro, lots of stitches, with diagrams, rather than photos, and some examples of work/samplers. It is focused on making a sampler of stitches, rather than projects like 'embroider a baby bib' style of thing, but the samplers can be a picture, rather than lines of stitches. ISBN: 0442110871
The other book is Stitches for embroidery by Heather Joynes. This has 20 basic stitches, but lots of ideas for how to use them - leaves, flowers, sky, trees, houses, water etc. The stitch directions are photos, not diagrams. and is in colour (my version on Enthoven is B&W;) ISBN: 0864173717
The other book i would consider is the Constance Howard book of stitches (i dont own this one) but it is in B&W; and I dont think it would appear accessible to teenagers.
Unless book prices are cheaper in the US, i cant imagine any book under $15 being suitable - most reasonable new books cost twice that much in Aust.
hhhmmm - maybe there is a market for a new book.....]]> 12087 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-04-05 12:43:00 2008-04-05 12:43:00 1 0 http://www.needlenthread.com/2008/04/couched-lattice-across-strawberry.html Fri, 04 Apr 2008 08:00:00 -0500 Mary Corbet 808 2008-04-04 08:00:00 2008-04-04 08:00:00 open open Couched-Lattice-across-the-Strawberry publish 0 0 post

I couched the lattice with green embroidery stranded embroidery floss, using one strand and a #11 needle. The lattice is worked in pink Gilt Sylke Twist.



I tried to take photos that would catch the sparkle... side shots work really well, and you can't see the flaws as well, either!!



I like the pink GST with the red. The colors work well together.



This is a head-on shot of the strawberry. The left leaf there is bent up, but it does sit down over the edge of the top, so that white isn't visible.

And that's the strawberry worked in satin stitch with Gilt Sylke Twist. I'm going to remove the stem stitch line I worked first on that leaf stem, then work the leaf to the left of the strawberry, and work the stem stitch up the vein of the leaf and to the main stem. The main stem will be worked in heavy chain stitch. Then I'll figure out the blossom...

But in the meantime, I've got a couple videos to edit, so I hope to post a stitch or two this weekend for the video library, and I have the April embroidery stash contest coming up. I'm going to offer a meter of each of the colors of GST that are currently available (red, green, light blue blue, cream, and pink) and another goodie or two. So keep and eye out for that, and have a wonderful weekend!
]]> Gilt Sylke Twist goldwork pictures silk needlework pictures 12083 Anneg noreply@blogger.com http://www.blogger.com/profile/04264774791030984339 2008-04-06 09:13:00 2008-04-06 09:13:00 1 0 12084 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-06 08:47:43 2008-04-06 08:47:43 1 0
Yep, I've tried twisting flat silk and stitching with it. It takes getting used to the technique. I've not done it with gold, though, although I've twisted gold with twisted silk before - but I made a real mess of it when passing it through the fabric. Another technique that takes getting good at, methinks, if it is to come out looking nice! I have a book or two on Japanese embroidery techniques - I'll take a look at how they recommend twisting threads! Thanks for the suggestion!]]> 12085 Anneg noreply@blogger.com http://www.blogger.com/profile/04264774791030984339 2008-04-05 17:09:00 2008-04-05 17:09:00 1 0 12088 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-04 13:18:33 2008-04-04 13:18:33 1 0
I was looking at one of AG Christie's books online recently, and I noticed that she has this thread type listed for certain types of work, and even has a line drawing of the thread - silk core with gold wraps showing the core. I had never noticed before!]]> 12089 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-04 13:15:24 2008-04-04 13:15:24 1 0
Thanks for the comments! It really has been fun to work with this thread. The strawberry, by the way, is only about an inch long from top to tip.

As far as fabric goes, I've only worked on linen so far. I wanted to try it on an Italian silk I have, which is a heavy silk with a relatively tight weave. With the right needle, I think it'll work fine, but I don't know if the holes from the needle will close up as well as they do with the linen.

I'll let you know as soon as I try it!!]]> 12091 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-04-04 10:03:00 2008-04-04 10:03:00 1 0
Do you have any difficulty with the metal-wrapped thread shredding the fabric as you stitch, or vice-versa?]]> 12092 Margaret C. noreply@blogger.com 2008-04-04 09:58:00 2008-04-04 09:58:00 1 0
Mary, now that you've been able to work with the GST, do you have any words of wisdom about good fabrics for GST? Also, which fabrics would you avoid?]]> 12093 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com 2008-04-04 09:50:00 2008-04-04 09:50:00 1 0 I like so much the red thread and the Gold!! Thanks for sharing it.]]> 12095 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-04-04 08:56:00 2008-04-04 08:56:00 1 0
I doesn't look as if the threads were seperated too much by the couching stitches. I woundered if you would couch in the same direction as the red threads or perpendicular to them couching over the redde threads.

It is so exciting to see your close up pictures. The Embroiderer's Story Forum has a thread for Gilt Sylke Twist where we can share our experiences and pictures of stitching with GST.

Thanks for these detailed posts. As soon as I have something to show of my strawberry, I will blog about it.

Have a great weekend]]> http://www.needlenthread.com/2008/04/gilt-sylke-twist-strawberry-all-filled.html Thu, 03 Apr 2008 13:29:00 -0500 Mary Corbet 809 2008-04-03 13:29:00 2008-04-03 13:29:00 open open Gilt-Sylke-Twist-Strawberry---All-Filled-Up publish 0 0 post

I'm hoping to stitch the lattice work couching on tonight. I laid the pink Gilt Sylke Twist on to see how it would look, and I think it'll look pretty good!

My fear is that I will finish the strawberry and loose interest in finishing the rest of the little design!

Here's the satin stitching in progress and finished:



Working across the strawberry did pose some difficulties in the way the thread lays. I like Carol-Anne's suggestion about using two needles threaded with the GST, and taking turns. Although this looks a bit bumpy there in the middle, it turned out ok, and the warbly parts will be stroked into submission before I lay the lattice work on. Actually, the lattice, I think, will help hold the threads in place.



Here's the finished satin stitching. I'm wondering what will happen when I stitch between the GST to couch the lattice threads on. Will it separate noticeably? We shall see. I'll use a very fine needle and only one strand of thread.



I think this thread is really gorgeous! From even a small distance, you can't really make out the individual gold wraps. You end up with a sense of the gold, in the way that it picks up the light, sparkles here and there, and gives off an overall "shimmeriness" (if that's even a word!).

So, that's where I am right now. I'd love to know who else is stitching practice pieces with the GST and if you have any pictures posted... Do share!!
]]> Gilt Sylke Twist goldwork silk needlework pictures 12094 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com 2008-04-04 09:43:00 2008-04-04 09:43:00 1 0 Also thank you very much for sharing the technique.]]> 12097 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-04-04 05:07:00 2008-04-04 05:07:00 1 0 This is beautiful - definitely good enough to eat! Thankyou for the remarkable detailed method of stitching.]]> http://www.needlenthread.com/2008/04/japanese-embroidery-center-announces.html Tue, 01 Apr 2008 09:00:00 -0500 Mary Corbet 810 2008-04-01 09:00:00 2008-04-01 09:00:00 open open Japanese-Embroidery-Center-announces-New-Online-Store publish 0 0 post Japanese Embroidery Center online store!

For those of you new to the idea of silk, or who were struck with the sheen on Anne's pansies and e-mailed to ask about the thread, this is the place to find Japanese flat silk. You can also find hand-made Japanese needles here, which is what I'm using on my strawberry experiment. Under the tools section of the website, you can also find other handy stuff for hand embroidery, including Japanese frames, needle felt (for storing needles), and acid-free tissue paper for covering your work or for tracing and transferring. These items are useful for any type of hand embroidery, so take a look!]]> embroidery resources silk 12113 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-04-01 12:33:00 2008-04-01 12:33:00 1 0 http://www.needlenthread.com/2008/03/readers-embroidery-japanese-embroidery.html Sat, 29 Mar 2008 11:39:00 -0500 Mary Corbet 811 2008-03-29 11:39:00 2008-03-29 11:39:00 open open Reader's-Embroidery:-Japanese-Embroidery---Pansies! publish 0 0 post

Anne has been working through the phases of Japanese Embroidery. These pansies are her Phase VII project, and now she's moving on to Phase VIII.

I think you'll agree with me that this is another stunning example of what's going on out there in the needlework world! The pansies are gorgeous, and the silk - wow, it shines!



It would be really, really hard to pick a favorite flower out of that bunch. I love the blue and white one!

Check out the edges on the flowers - although the photo isn't a close-up, you can see how perfectly smooth the edges are.

Nice job, Anne, and I'm so glad you sent the photo. Pansies are cheery flowers - perfect for this greyish day that needs a bit of sunshine!

I love seeing reader's work. It's great for inspiration, and it's also just plain nice to know that embroidery and the needle arts are still very much alive today. If you have a photo of your work, do send it along! Contact me to let me know if you have something you'd like to show the rest of us!
]]> readers embroidery pictures silk needlework pictures 12118 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-31 10:31:37 2008-03-31 10:31:37 1 0
If you use the contact us feature on the website and drop me an e-mail, I'll e-mail you back so you can send photos.]]> 12119 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2008-03-31 09:40:00 2008-03-31 09:40:00 1 0 12122 Angel noreply@blogger.com http://www.blogger.com/profile/00256401359596699631 2008-03-31 06:15:00 2008-03-31 06:15:00 1 0
I am a new subscriber and it was very nice to see all these new designs,
I too have some needlepoint cushion covers that i did all by meslf and would like to share with you, Please give me the e-mail address to forward my creations and shre with you all.]]> 12123 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-03-31 04:33:00 2008-03-31 04:33:00 1 0 12124 Anneg noreply@blogger.com http://www.blogger.com/profile/04264774791030984339 2008-03-30 14:38:00 2008-03-30 14:38:00 1 0 PS THank you for all the nice comments. I really am happy with this piece and it makes me feel good to have others appreciate it.]]> 12125 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-30 13:28:50 2008-03-30 13:28:50 1 0
There are other types of silk as well that fall into the "flat silk" range - Soie Ovale by Au Ver a Soie, Eterna stranded silk, etc.

Needle in a Haystack carries Soie Ovale, as does Fireside Stitchery, both of which have online shopping options (Needle in a Haystack is a little more convenient, since they have a "cart" option on their website, but Fireside Stitchery is slightly less expensive, I believe).]]> 12128 Sharon safischer1@comcast.net http://www.blogger.com/profile/03274461697914547387 2008-03-29 23:24:00 2008-03-29 23:24:00 1 0 12129 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-03-29 18:31:00 2008-03-29 18:31:00 1 0
As you say, you can hardly pick a favourite. Each of these stitches blooms has the same individual personality that real pansies have.

Great job Ann.

CA]]> 12132 Margaret C. noreply@blogger.com 2008-03-29 17:04:00 2008-03-29 17:04:00 1 0 12133 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-03-29 16:07:00 2008-03-29 16:07:00 1 0 http://www.blogger.com/ Sat, 29 Mar 2008 10:18:00 -0500 Mary Corbet 812 2008-03-29 10:18:00 2008-03-29 10:18:00 open open My-Embroidery-Library draft 0 0 post

All of these books have something to do with hand embroidery or other needlework techniques, in some way. If they aren't books on embroidery technique, they may be books that are useful for design ideas or that contain general information on embroidery and the needle arts.

If you see a book you like and plan to purchase, if you buy books through Amazon.com, please consider entering Amazon through my bookstore or through the link in the list below. It's an affiliate program, so I do get a (small!) percentage of the purchase, which helps me afford my summer embroidery programs for kids and the cost, time, and effort to keep Needle'nThread going. What can I say? I'm a school teacher!

I'm happy to give you details about the books listed below to help you make an informed decision about purchasing your own copy. As I write up reviews of my Very Favorite Books, I'll link them in here, too. Some already have links to my reviews.

The books are in alphabetical order according to title. The links, where possible, take you to Amazon, where you can get the ISBN and read other owners' reviews. A few of the books are rare or out-of-print. In such cases, if you want to purchase it, I suggest ABE Books (no affiliation).

• 4000 Animal, Bird and Fish Motifs: A Sourcebook (McCallum)
  
  
  
  
  

]]> http://www.needlenthread.com/2008/03/readers-embroidery-crewel-work.html Fri, 28 Mar 2008 10:11:00 -0500 Mary Corbet 813 2008-03-28 10:11:00 2008-03-28 10:11:00 open open Reader's-Embroidery:-Crewel-Work-Enchanted-April publish 0 0 post

Margaret works with an embroidery group that focuses primarily on counted work, but she likes surface embroidery best. This particular piece was voted to represent her embroidery guild at the EGA national headquarters display this year. She was also asked to send a photo for possible inclusion in NeedleArts, the publication put out by the Embroiderers' Guild of America.



It's a lovely piece, with many hours of work put into it! Margaret said she got a little tired of working on it (it's quite large), which makes the finished piece even more impressive! To persevere to the finish line on a piece of embroidery when you're weary of it is reason enough for congratulations! But really - look at this close up! What a beautiful job!



The bird looks so wispy and white and stately, and the shading is incredible. I love it!

Thanks, Margaret, for sending it along! And really, you should feel pretty darned good about it! I hope to see it in an issue of NeedleArts this year!

I'm always happy to receive pictures of readers' embroidery. If you have a piece you'd like to share, do send it! Contact me, and I'll send you an address for sending along photos.
]]> readers embroidery pictures needlework pictures 4667 Anonymous noreply@blogger.com 2009-11-09 12:56:59 2009-11-09 12:56:59 1 0 12130 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-03-29 18:26:00 2008-03-29 18:26:00 1 0
Fabulous, thank you for showing it to us.

CA]]> 12134 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-03-29 16:06:00 2008-03-29 16:06:00 1 0 12139 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-03-28 22:44:00 2008-03-28 22:44:00 1 0 This is amazingly stunning! Thankyou and thankyou Mary for sharing.]]> 12141 Margaret C. noreply@blogger.com 2008-03-28 20:13:00 2008-03-28 20:13:00 1 0
http://www.rebeccascrafts.com/detail.cfm?ID=1071

You can find other retailers by searching on something like:

"enchanted april" crewel kit]]> 12142 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-03-28 15:46:00 2008-03-28 15:46:00 1 0 12143 Meeta V. noreply@blogger.com 2008-03-28 14:54:00 2008-03-28 14:54:00 1 0 12145 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-03-28 10:14:00 2008-03-28 10:14:00 1 0 http://www.needlenthread.com/2008/03/on-threading-needle.html Thu, 27 Mar 2008 11:24:00 -0500 Mary Corbet 814 2008-03-27 11:24:00 2008-03-27 11:24:00 open open On-Threading-a-Needle publish 0 0 post To lick, or not lick, that is the question... but I won't bother! Whether you thread your needle by licking your thread or not, at least you ARE threading a needle! But in case you didn't know that there are (easy) options to licking your embroidery floss, I thought I'd present a couple tips on how to thread an embroidery needle without wetting your thread.

The first thing to consider when getting ready to thread your needle is the size of your thread and your choice of needle. They should correspond. You don't want to use a needle that's too BIG for your thread, as it will leave visible holes in your ground fabric. On the other hand, you don't want to use a needle that's too SMALL for your thread, either - you'll cause yourself undue difficulty in stitching, having to tug with effort to get the needle and thread through the fabric.

Catherine Bracken, on Discount Needlework, has written a nice, comprehensive article on choosing the right needle for your embroidery. If you get a chance, read it. It's informative and covers all the right considerations.

After doing a bit of needlework, you'll probably get the hang of what's right and what's not for your needle and thread. An easy rule of thumb is that the thickness of your needle should match the thickness of the thread.

Now, about threading.

If you lick your thread, I'm not one to say "Oh shame on you, you thread-licker, you!" I sometimes lick (as in barely moisten) my thread, too. But generally, I don't. There are four ways I thread my needle, and here they are, in order of common-to-least usage:

1. The Fold-and-Pinch Method: Margaret mentioned this in the comment on one of my needle reviews this week. (I reviewed Pony brand needles and hand-made Japanese needles earlier.) You take your thread and fold it around the shaft of your needle. Slide it off, pinch the fold, and stick it in the eye. Pull it through so that the folded over part is all the way through, then situate the length of the tail however you like it. You might have to hold the pinched fold close between your finger and thumb and lay the eye on the folded thread and gently "saw" the needle down onto the thread. This method works great with size 10 and larger needles. It also works with size 11, depending on the thread you're using. It's a bit tough with #11 with one strand of DMC, but it works fine with one strand of YLI stranded silk.

2. The Pinch-and-Saw-the-Tip Method: For needles smaller than #10, snip the very end of your embroidery floss or thread so that it isn't puffy and frayed. A clean cut is necessary for this method. Pull the thread between your thumb and forefinger, so that the tip of the thread is barely visible between the two. Lay the eye of your needle up on the tip of the thread, and, using a gently sawing motion, move the needle down between the skin of your thumb and forefinger. You will "saw" the thread into the eye of your needle. If this doesn't work, consider this: On regular, machine made needles, one side of the eye is bigger than the other. Turn your needle over and try the other side.

3. The Gotta-Have-Help Method: Get a fine needlethreader and use it. There are many brands available - you can find them in the needlework section of most hobby, craft, and sewing places. But if you can, invest in a fairly good one. They aren't expensive. Clover makes one that has a longer wire, and has two sizes, one on each end. The little tin ones you commonly see in multipacks don't seem to last long for me. I've got a Clover one, and I've also got two extra-fine threaders that I found at a little shop. They have larger plastic tabs on the end, and one has a thread cutter set into the tab. They also have tiny magnets on the back. They both work great.

4. The If-All-Else-Fails Method: (Well... what can I say?) Lick the tip of your thread. But barely. You don't have to saturate it! I'm pretty sure the children I teach in the summer work their saliva glands into Mass Production Mode just for the joy of soaking the ends of their threads. No, no! This isn't necessary. If you must do this, then the tiniest bit of barely moist contact will do the job. Major water run-off is not at all necessary or desirable!

My reasons for not licking thread are mentioned in my review of Pony brand needles. But... if you have to, you have to. I think if you practice with the first two methods, you'll find that you don't have to rely on the last two that much!

So, grab a needle and thread and practice dry threading! You'll be the envy of thread-lickers world wide!
]]> needlework tools embroidery tips and tricks 8890 Mandy noreply@blogger.com http://www.blogger.com/profile/16841692173078159758 2009-02-06 01:48:00 2009-02-06 01:48:00 1 0 12144 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2008-03-28 11:49:00 2008-03-28 11:49:00 1 0
For a big needle and thread (I do crewel with wool), you can loop the double wire end into a bigger loop and still get a better threader than any I have found for wool.

The only problem is finding it. I put a piece of colored tape in the middle of the wire.]]> 12146 Laura Bullinger noreply@blogger.com 2008-03-28 08:31:00 2008-03-28 08:31:00 1 0 12147 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-03-28 08:22:00 2008-03-28 08:22:00 1 0 12150 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-28 06:56:43 2008-03-28 06:56:43 1 0
Jeanne, funny! I think that's the best technique yet!]]> 12151 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-03-28 05:30:00 2008-03-28 05:30:00 1 0
In a beading class a few years ago, the instructor gave a list of ways to thread a needle. She combined your methods 1 & 2, and listed one other: Hand your needle and thread to a friend - "can you thread this for me?" :-)]]> 12153 Margaret C. noreply@blogger.com 2008-03-27 18:49:00 2008-03-27 18:49:00 1 0 12154 Anonymous noreply@blogger.com 2008-03-27 16:13:00 2008-03-27 16:13:00 1 0 12156 Meeta V. noreply@blogger.com 2008-03-27 08:59:00 2008-03-27 08:59:00 1 0 12157 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-03-27 08:52:00 2008-03-27 08:52:00 1 0 http://www.needlenthread.com/2008/03/embroidery-inspiration.html Wed, 26 Mar 2008 13:17:00 -0500 Mary Corbet 815 2008-03-26 13:17:00 2008-03-26 13:17:00 open open Embroidery-Inspiration! publish 0 0 post

Maria del Valle's websites focus on needlework and her other creative interests, which include drawing and painting. Her main site, AlarTTex, is in Spanish, but she runs a parallel site in English and French, AlarTTis, and she also has the option to translate on her main site.

Her embroidery and needlework are really inspirational - but what caught my eye, and has been floating around in my head ever since I saw it, is her Da Vinci angel, in blackwork.



It's not uncommon to see embroidered faces, but usually we see them worked in long and short stitch, split stitch, and so forth. But when you see one like this in shades of crimson, done in blackwork, with such detail, you can't help being mesmerized by it!

If you view the picture at AlarTTex, you can click on the image for a larger version. The eyes are amazing!

The angel is taken from DaVinci's painting, the Madonna of the Rocks.



The Madonna of the Rocks is a beautiful paiting! If you want to click the link to see it at ARC (Art Renewal Center), please be aware it's a large file and takes a while to load. I have never looked very closely at the angel, but Maria's needlework prompted me to do so. It is really a lovely face!

Visit Maria's websites to enjoy other beautiful works of art! She is amazingly talented, and I think you'll really enjoy your visit.
]]> embroidery links readers embroidery 12120 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-03-31 09:09:00 2008-03-31 09:09:00 1 0 12131 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-03-29 18:05:00 2008-03-29 18:05:00 1 0
Maria, I am very excited to see your future projects but first I would very much like to see you finish this angle. I check back frequently to see how you are progressing.

I'm coming over to comment directly on your blog right now.

CA]]> 12155 Hinke noreply@blogger.com www.sudsandsoda.com 2008-03-27 11:01:00 2008-03-27 11:01:00 1 0
Well maybe i should just ask her myself :-) Thanks for showing it to us.

But ofcourse the biggest compliment goes to you, Maria!]]> 12158 Fabiola noreply@blogger.com http://sheylaluzdeindia.blogspot.com/ 2008-03-26 23:26:00 2008-03-26 23:26:00 1 0 12159 Anonymous noreply@blogger.com 2008-03-26 23:15:00 2008-03-26 23:15:00 1 0
Thank you also Mary for the wonderful link to ARC. I have just spent the past hour looking at the paintings.]]> 12161 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2008-03-26 16:27:00 2008-03-26 16:27:00 1 0 I am really excited to read this post, very excited, that someone like you, that makes much for the embroidery, and mentioned to me of that way on your website.
I have not words!, simply thank you very much. This encourages me to continue becoming more and face new works that are already in my mind.
A kiss]]> http://www.needlenthread.com/2008/03/hand-made-japanese-embroidery-needles.html Tue, 25 Mar 2008 09:28:00 -0500 Mary Corbet 816 2008-03-25 09:28:00 2008-03-25 09:28:00 open open Hand-Made-Japanese-Embroidery-Needles publish 0 0 post

Although I have several books on Japanese embroidery, I have never formally studied the techniques, so my hand-made needles aren't actually used in Japanese embroidery. These unique needles come in handy for working with real metal threads, with any smaller cord-like threads, and even just with your regular embroidery floss.

The advantage of hand-made needles is all in the eye. Because they are hand bored and not punched out by a machine, there is no "crimp" or ridge on the inside of the needle. The holes are nice and smooth.

This smooth round hole helps reduce the wear and tear on threads from the eyes of regular needles. With goldwork, this is important. You see, if you use a regular needle in goldwork (especially with gold-wrapped threads that you are planning to pass through the ground fabric), the ridge inside the edge of a regular needle can cut through the outside wrapping of gold on the core thread. When you pull the needle through the ground fabric, if your gold has split from the core, you risk the gold bunching up as you pull the thread through. Hand bored needles help you avoid this dilemma.

As for hand made needles being bulky or large, it depends on the size. The tiny #3 hand-made Japanese needle is so small that you can't stitch one strand of DMC with it. If you split your strand of DMC in half (single strands of DMC are made up of a two-ply twisted thread), you can manage one ply (half the strand) in the eye, if you can see it to thread it! In other words, the #3 is a pretty small needle. So the hand made needles can be very tiny, but they can also be pretty large - able to accommodate gold passing thread easily.



Here, you can see the sizes of the hand-made needles I own. They are laid out on 8-square-per-inch graph paper. The #13 is large and has a bulky look to it. (It's the one on the far right, with the number cut off.) The #3 on the left is pretty darned tiny!



This is the #7 needle, threaded with Gilt Sylke Twist. A #5 is too small for this thread, and I don't have a #6 to try. I haven't tried the thread yet with this needle, so I can't say exactly how well it works! Once I get caught up with my regular work, I'm going to be testing different techniques with the GST. I figure the #7 needle will work fine for it. The #10 seems too big - as if there would be too large a whole left in the fabric after the needle and thread passed through. We shall see!!



Good things come in small packages! This is the dark green GST here - the "dusty" look on it is actually the sparke from the gold. Very nice color! And amazingly fine stuff!

You can find hand-made Japanese needles through the Japanese Embroidery Center in Atlanta. They are a valuable and reliable resource, and, if you do order from them, I think you'll be pleased both with the products and the service.

I'm looking forward to playing with these needles and thread soon and posting the results for you! If you have any questions or any suggestions about any testing you'd like to see with the GST ("What kind of embroidery can you do with this thread?") just let me know! I'll be happy to see if I can accommodate any specific requests for trials.

]]> needles needlework tools pictures 12162 Anneg noreply@blogger.com http://www.blogger.com/profile/04264774791030984339 2008-03-26 15:49:00 2008-03-26 15:49:00 1 0 You should not use an emery strawberry to sharpen or clean them because it wears them down since they are soft. Mine have been very durable. They are about 8 years old (you tend to try to keep track of them at $8 each). I now use them for all surface embroidery I can. To thread them, I use a very fine threader I got from a fly fishing store. It is also Japanese, the wire is firmly attached and large enough and strong enough to pull through the eye of the needle. I hope this is all correct. It is mostly what I've been taught. Really enjoy the blog, Anneg]]> http://www.needlenthread.com/2008/03/embroidery-needles.html Mon, 24 Mar 2008 12:01:00 -0500 Mary Corbet 817 2008-03-24 12:01:00 2008-03-24 12:01:00 open open Embroidery-Needles publish 0 0 post

Normally, I use "fine English needles" for my embroidery projects. Richard Hemming, John James, Mary Arden, and S. Thomas & Sons are pretty much the brands I've stuck with over the years. They're reliable and fairly easy to come by. You sometimes can find them in hobby and craft stores (in a very limited range), but you will find a better range at your local needlework shop. You can also find them online through almost any needlework or fabric shop, or through one of my favorite needle sources, Colonial Needle. I also have a marvelous selection of very fine needles from Wendy Schoen Designs, but I don't use them as often because they're wrapped up and my supply is limited. (But I do love those needles!) So that's my plug for the needles I typically use.

Recently, though, Michael Cook of Wormspit.com e-mailed me about some needles that he had come upon and finally tracked down. The manufacturer is Pony, from India, and the needles are used by the Chinese in their fine and detailed hand embroidery. After some contact with the company, he received a shipment of the needles to try. He kindly sent me a selection of #10, #11, and #12 - three each with gold eyes, plus one fully gilded needle in each size.

It was a while before I could work with the needles, but finally, yesterday I took out a small project and used the needles on it. It's a thread painting project, worked in one strand of DMC in a high count cotton muslin.

I generally use a #10 needle on these projects, but mostly because I'm too lazy to go through my supplies and get other needles out. I always have #10 on hand!

Instead, I decided to try the #11 Pony, and they were perfect. They made those meticulously placed little stitches easy, and they are slightly finer than #10, which seemed to make a difference on the split stitching in the long and short stitch in tiny, detailed areas. In short, I liked the #11! I had all four threaded and working on the project at once. There is a slightly different feel to the fully guilded needle, but I can't really place or describe what's different about it. It passes through the threads and the fabric easily, but it "feels" as if there's a coating on it, because there is. It's not a bad feeling, and in fact, I like working with the needle. But there is a slightly different "something" about it.



Here are the needles, two of each, one of which is the gilded one. I've laid them on 8-square-per-inch graph paper so you can get an idea of the size.



Here they are again, with a #10 Richard Hemming needle (left). The #10 Pony and the #10 Richard Hemming are the same length, as far as I can tell, even though the Pony looks longer (it's the placement on the paper).

I threaded both #10s (R.H. and Pony) with one strand of DCM and stitched with them, one needle right after the other, to see if I could tell a difference in size or feel. The Pony needle feels slightly finer than the Richard Hemming, which is what Michael found as well.



One strand of DMC also fits well in the #12 Pony - BUT... it doesn't work well on tightly woven or high count fabric, as it takes a pit of a tug to get it through. It works fine on something a little looser, though.

Michael has some photos of the Pony needles really close up, so you can get a good look at the eyes.

The long and short of it:

I like the Pony needles. I'm going to keep using them on my present project to see how they stand up. They bend slightly - I don't know how they will wear over a little more use - but I don't mind a needle that bends. In fact, I like it! It gets "comfortable."

The #10 Pony seems slightly finer than the #10 Richard Hemming.

The #11 Pony works well with 1 strand of DMC on a high count quality muslin.

Most people will probably need a needle threader for the #12 with a strand of DMC.

To find Pony needles, contact Hedgehog Handworks. Michael spoke to Joady about carrying them, and they will be apparently getting in the gold-eye variety.

One Final Note: On Threading Needles!!

Don't lick your thread or wet your needle eye to thread your needles! Ok, if you have an endless supply of needles and you don't mind switching out, fine - lick away. I've heard lots of reasons why "you shouldn't lick your embroidery thread" - the ones are important and cause for concern are:

1. The Main Reason: Wet thread through the eye of a needle can cause the needle to "rust" (in a very tiny way) right inside the eye of the needle, which can cause little burrs that are hard on your threads, cause waste of thread, and can even cause damage to your project without your really realizing what is happening.

2. The habit of wetting thread can work against you the one time you're playing with a thread that has been unfortunate enough not to hold on to its dye. In these days of hand over-dyed thread, risking a mark on clean fabric is not really worth it.

3. If you work with silk embroidery threads, I'm pretty sure that licking silk is something akin to sacreligious. Silk also weakens when it's wet.

Tomorrow, I'll show you some photos of hand-made Japanese needles. And to top off the whole needle discussion, I'd love to hear how all you non-lickers out there thread your needles! I'll cover how I do it, too.
]]> needles needlework tools pictures 9193 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-01-12 04:44:00 2009-01-12 04:44:00 1 0
I have been using #10 for Kasuthi embroidery that is done with a single strand of the Anchor skein and I swear by their quality.]]> 12166 Margaret C. noreply@blogger.com 2008-03-25 12:02:00 2008-03-25 12:02:00 1 0
A comment on using #12 crewels (vicious little things that they are!).... I took Royal School of Needlework goldwork classes last year in Iowa where we used both #10 and #12 crewels. Although we primarily used #10 crewels, the #12s were used to tack down leather (it was easier to pass the smaller needles through the leather than the #10s) and for sewing bright check purl #6 chips (#10 won't fit through the chips).

On threading.... (no licking, of course...oooooo, germs! :-)

#10 - I fold the thread/floss over the needle eye, pinch it tightly, slide it off the needle and then thread the pinched 'point' into the needle.

I can also thread the #10s just by sticking the end of the floss in the needle eye, but I find the 'pinch' method works better for me.

I learned another method a few years ago where you kind of rub the eye of the needle over the floss and it just kind of picks up the floss for you. Then you can pull the floss through. This is kind of fun, but I find I have to practise doing it and my other methods work fine for me so I don't do it this way very often.

#12 - I can't thread these with the 'pinch' method, but can thread them by sticking the end of the thread in the eye. However, I now have a couple of fine needle threaders and they do make life easier. I tried using a garden variety needle threader with a #12 and the threading wire ripped right out of the threader! Also, the threading wire was really too big for the needle so it wasn't a good working relationship. :-)

I bought a fine threader from Lacis and it works great. The other threader, which I kind of like better, is by Clover and it is a double ended threader, one side being finer than the other. I like it better, I think, because it's a little longer than the one from Lacis and I just feel that I can get a better grip on it. I bought the Clover threader at a local craft store. There's a picture of it here: http://www.shopatron.com/product/part_number=462%20NV/181.0

I really like #10 crewels, but I now want to try #11s. I am not a fan of #12s because I got stabbed by the eye end several times using one to attach gold leather to a project.]]> 12167 Anonymous noreply@blogger.com 2008-03-25 09:37:00 2008-03-25 09:37:00 1 0 Very interesting on the needles. I would love to try some.
I guess we should all get used to running our thread through some Thread Heaven before we put it through the needle. Thanks for the info!]]> 12168 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2008-03-25 08:39:00 2008-03-25 08:39:00 1 0 12170 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-03-24 17:25:00 2008-03-24 17:25:00 1 0 12171 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-03-24 15:45:00 2008-03-24 15:45:00 1 0 OK, I'll get a needlethreader.
Thanks]]> http://www.needlenthread.com/2008/03/ecclesiastical-embroidery-pelican-altar.html Sat, 22 Mar 2008 14:52:00 -0500 Mary Corbet 818 2008-03-22 14:52:00 2008-03-22 14:52:00 open open Ecclesiastical-Embroidery:-Pelican-Altar-Frontal-(Superfrontal) publish 0 0 post

This particular piece is quite long. It has the Pelican embroidered in the center, motifs with text evenly spaced on each side, as well as medallions depicting the four evangelists. Because it was in a display case, I was only able to photograph the visible parts.



This is the whole piece, folded in the display case. I love the red and gold on white.



Here's the central image. If I recall correctly, the pelican and nest were embroidered, then appliqued onto the red background, and then the whole piece is appliqued to the white fabric.



One of the embroidered medallions of the Evangelists - St. Matthew, I believe.



Another symbol for one of the Evangelists - St. John, I think. Well, if that's an eagle, anyway! It's not an ox or a lion...



Getting a little closer on the pelicans, you can see the long lines of split stitch.



And yet a little closer...



And closer, still...



A close up on the couched gold in the halo - it looks like imitation Japanese gold again.



This is from some of the lettering on the rectangular motifs you can see in the first picture. The text is from the hymn "Tantum Ergo."



A close up on some of the cording used as edging around the appliqued areas.



This is a close up on the rectangular motifs, over which the text banners kind of float. Beautiful padded satin stitch.



And here is the corner of one of those rectangles, from a little farther away so you can see how the design works.



And a close up on what I think must be gilded leather in the center of those little designs around the rectangles.

And I think that about does it for ecclesiastical embroidery for a bit! I don't know if you enjoy looking at these photos, but I sure do find the work amazing. The techniques are certainly transferrable to secular embroidery as well, so maybe you'll be able to glean some ideas or find some inspiration in the photos!

I hope you enjoyed them!

I wish you all a very happy Easter, and I'll be back on Monday with a needle comparison and a great find in (really nice) embroidery needles.
]]> historical needlework ecclesiastical embroidery pictures needlework pictures 11917 Anonymous noreply@blogger.com 2008-04-29 22:34:00 2008-04-29 22:34:00 1 0 12175 Anonymous noreply@blogger.com 2008-03-23 20:54:00 2008-03-23 20:54:00 1 0
I really like the lattice on the gilt leather. The leather tends to have an overpoweringly sheen, but the lattice breaks that up pretty effectively and adds interest.

Thank you so much for sharing your pictures and information with us!
-Christiana]]> 12176 Laura Bullinger noreply@blogger.com 2008-03-23 15:34:00 2008-03-23 15:34:00 1 0 12177 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-23 09:33:10 2008-03-23 09:33:10 1 0
Judy!! I haven't even had a chance to go thread shopping yet! But I'm going to write up a post about the project as SOON as I do! So many things have come up in the last three weeks, that the 3 hour trip to the needlework shop has been out of the question. :-(

SOON!!]]> 12178 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-03-23 08:35:00 2008-03-23 08:35:00 1 0 12179 Margaret C. noreply@blogger.com 2008-03-23 08:29:00 2008-03-23 08:29:00 1 0
Years ago there was an exhibition at a local museum of works from the Vatican that were simply unbelievable. The fineness of the stitching and goldwork was exquisite. It's too bad the names of the nuns who did the work are unknown.]]> 12181 Joey noreply@blogger.com 2008-03-22 21:19:00 2008-03-22 21:19:00 1 0
It looks to me that some of the shading is achieved by the ground fabric having been painted before embroidering. This has been a common practice in the past. As to yesterday's comment regarding padding, there very well might be some padding such as we do under satin stitch or even under gold work, but a good deal of the texture (in my humble opinion) is probably achieved by expert embroidering skills - manipulating the stitches to begin and end in such ways to achieve that padded and shaded look.

However, PieceWork May/June 2006 has an article titled "The Art Needlework of the Sisters of the Order of Saint Benedict". Listed in the stitches used for St George and the Dragon tapestry featured in the article is "padding" (along with french knots, couching, satin and free-form).]]> 12182 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-03-22 21:10:00 2008-03-22 21:10:00 1 0 Thanks so much for all the great detail shots, especially.
Happy Easter, Mary!]]> http://www.needlenthread.com/2008/03/ecclesiastical-embroidery-cope-hood.html Fri, 21 Mar 2008 11:07:00 -0500 Mary Corbet 819 2008-03-21 11:07:00 2008-03-21 11:07:00 open open Ecclesiastical-Embroidery:-Cope-Hood publish 0 0 post Last Supper chasuble I posted yesterday and the Crucifixion chasuble I posted photos of last year, this is relatively "modern" work - first half of the 1900's sometime.

The embroidered image on the cope hood is God the Father, holding Christ in His arms, with the Holy Ghost over the right shoulder. Around the figures are the choirs of angels. The cope hood would be approximately two feet long, and a little less wide.



The majority of the work is done in long and short stitch or split stitch shading techniques.



The individual angels representing the choirs of angels are probably about 3 or 4 inches high. I regret that I didn't take accurate measurements when I photographed these! The detail and the color are quite nice.



There are nine choirs of angels depicted, each one represented by the wings or by what is held in their hands. I don't know the precise symbolism.



The dove that represents the Holy Ghost caught my eye on this piece, as the outlines are embroidered in red, rather than the typical black or dark grey.



Because the piece was in a glass-covered drawer, I couldn't get a direct shot of the crown or face details here. You can see gemstones (probably glass) and pearls worked on the crown.



The shading on the face of Christ is really very nicely done. It looks better from far away than it does close up, in my opinion (as does the whole piece). This is often the case in ecclesiastical work - the pieces are embroidered and shaded according to how they will look from a distance, since one of the reasons they are made is for the edification of the faithful, who would be viewing them from the distance in the congregation, rather than close up in the sanctuary of a larger church.

The clasp on the cloak of God the Father is set with gemstones and pearls as well. You can see drill marks in the glass stones when the image is enlarged.



The goldwork on the embroidered part is done in imitation Japanese gold. You can see the wide wraps around the core thread. The gold on the fringe, though, is undoubtedly real gold which has tarnished over the years. The fringe was more than likely purchased complete rather than prepared by those who worked the embroidery.

Again, another quick meditation on the type of work that must have gone into such pieces! Ecclesiastical embroidery for vestments was usually done either by convents with many hands involved in the embroidery, or by guilds, who also had several ladies who would take part in creating a piece. A work like this would be a major long-term project for one individual!
]]> historical needlework ecclesiastical embroidery goldwork pictures silk needlework pictures 12185 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-22 10:40:27 2008-03-22 10:40:27 1 0
The whole piece was stitched first on linen then appliqued, so you can see a little bit of depth where the figures meet the ground fabric.

On the chasuble I posted yesterday, I'm really not entirely sure what's stitched under the evenly spaced split stitch lines that cover the faces and hair and that give it shading. But it's flat, too.

On the pelican I will post later today, it's definitely padded and stitched over, then stitched over again with long lines of split stitch. I have no idea how the padding's done, but I would LOVE to know. Do you know of a source, Laura??

Thanks!!!]]> 12187 Laura Bullinger noreply@blogger.com 2008-03-22 08:02:00 2008-03-22 08:02:00 1 0 http://www.needlenthread.com/2008/03/ecclesiastical-embroidery-last-supper.html Thu, 20 Mar 2008 11:24:00 -0500 Mary Corbet 820 2008-03-20 11:24:00 2008-03-20 11:24:00 open open Ecclesiastical-Embroidery:-Last-Supper-Chasuble-(with-many-photos!) publish 0 0 post

The chasuble itself is not embroidered - the motifs (as is often the case) were originally embroidered on separate pieces then appliqued together and fitted onto a chasuble. This whole piece looks to me like a bit of a salvage job: I think the embroidered cross and bands were probably on a different vestment originally. The vestment itself was probably too worn for church use, so the embroidery was salvaged and put onto a different chasuble.

The embroidered part is probably not old, though. I would say it's no older than the early - mid 1900's. The gold is certainly worked in imitation Japanese gold.

Apology in advance: these are not my clearest photos! I didn't have my new camera when I took them.



The image of the Last Supper is on the back of the chasuble, centered in the cross section of the cross.



Below the Last Supper is an embroidered image of Melchisedech, the high priest in the Old Testement. The allusion is to Christ, the High Priest, "after the order of Melchisedech."



Here you can see both images positioned on the chasuble. I guess I couldn't get in the whole cross. There is a motif below Melchisedech as well:



The Pelican is used as well as an image of Christ, as it was thought that the pelican would feed its young from its own flesh.

And some close ups (as best as I could get them) from a few of the scenes on the back of the chasuble:



The shading on these is nice. They're about 2" square.



A close-up of one of the apostles - note the detail in the eye. Even though the photo's a bit blurry, the eye really is amazingly detailed.



Two other apostles. I always find it funny, when you look at these pieces up close, how strange the eyebrows look!



On the front of the chasuble is the sacrifice of Isaac, another image from the Old Testament.



Above the sacrifice of Isaac is this little embroidered angel. I like it. I like the way the lifted wing fits in the arch!



And below the sacrifice of Isaac is the image of a ram, also an allusion to sacrifice.



And here's a close up of another one of the decorative medallions. Nice satin stitch!



And here's a relative close up of one of the acanthus-type designs that set off the arches around the figures. Really, the padded satin stitching is exquisite.

Imagine - just imagine! - the work that went into these pieces. I'd love to re-create something similar to this... maybe not the same theme, but on the same scale! How many years do you suppose it would take one person to manange that? !!!
]]> ecclesiastical embroidery goldwork pictures silk needlework pictures 12174 Anonymous noreply@blogger.com 2008-03-23 21:41:00 2008-03-23 21:41:00 1 0 I LOVE split stitch. It is my favorite embroidery stitch so far.
-Christiana]]> 12189 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-21 17:15:48 2008-03-21 17:15:48 1 0
On this particular piece, it looks as if they lay a foundation of long long-and-short stitch, slightly off angle to the split stitch lines on top. The lines on top are long, even split stitches, with the lines spaced evenly apart from each other so that the foundation shading shows through. I think in some pieces (not necessarily this one) that foundation is worked in a rougher cotton thread that's got a tighter twist to it, then the top split stitched lines are worked in silk, which pick up the light. I have some photos of a pelican motif that I'll post tomorrow that shows this a little bit better.

But in this piece, it looks like the foundation stitches are also worked in silk - soft stuff, rather than the rougher looking threads on the pelican.

Hope that helps!

I'd love to see a picture of your icon! I have a pattern for an icon that's supposed to be worked entirely in split stitch. Some day I'll get to it!]]> 12190 AnneG noreply@blogger.com 2008-03-21 14:56:00 2008-03-21 14:56:00 1 0 12193 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-03-20 16:31:00 2008-03-20 16:31:00 1 0
I'm in love with the second last photo - the gold flower with silver 'leaves'. Going to have to do that somewhere, sometime!]]> 12194 Wendy noreply@blogger.com http://www.blogger.com/profile/00823543583907747767 2008-03-20 13:10:00 2008-03-20 13:10:00 1 0 I sure would love to be able to claim this kind of work.
Wendy]]> http://www.needlenthread.com/2008/03/organizing-project-room-for-needlework.html Mon, 17 Mar 2008 08:46:00 -0500 Mary Corbet 821 2008-03-17 08:46:00 2008-03-17 08:46:00 open open Organizing-a-Project-Room-for-Needlework-(and-everything-else!) publish 0 0 post

I live in a tiny house with very little storage space, so this room is not merely for my needlework supplies, books, and so forth. It is designated space for all household storage, from off-season clothes, to paper goods, to beer and wine for company, to games and puzzles, to Christmas decor, to wrapping paper, blankets, linens - you name it, if it's not in immediate use in the house, it will be out here.

And all that being said, the room doesn't seem nearly so big and luxurious!



It's not a super-wide room. That space where the window and door are now used to be the garage door. The cabinets that line each side of the room are 24" deep, with 18" adjustable shelves.



And that's the other end, looking out into the (dead and winter-looking) backyard.



The cabinets are pretty roomy. The shelves are adjustable (I already said that) - they're not continuous down the line, though. They are split, so that in each cabinet, if more space is needed on one shelf, the whole wall of shelves doesn't have to be adjusted.



Saturday was a day of toting, toting, toting. Except for the bag and the storage containers at the end of the table, it's filled with solely needlework books. My ten-year-old nephew helped me tote books and stuff most of the morning! (I paid him at the end - two handfuls of change! It worked out well for him - and even better for me!)



Oh. I forgot to mention those books, too.



And things going onto the shelves! Ah. Yes. That does make me happy!

I'm cataloging my books before I put them on the shelves - that will be a fun project, and then I can post my library here. Then, if you are looking for a book and want to know what it's like before you buy it, if I have it, you can ask!

Once all is packed neatly and happily into the cabinets (that may take a while, because there's still a whole storage unit downtown to go through - can you say BIG GARAGE SALE???!), I will put a drafting table under the larger window, a large table in the middle, and sewing machine cabinet. Those, and some chairs, will be the only furniture. And then it's done.

Wow. I discovered a few muscles this weekend that I had forgotten about!
]]> pictures organization 12195 Anonymous noreply@blogger.com 2008-03-20 07:32:00 2008-03-20 07:32:00 1 0 12196 Margaret C. noreply@blogger.com 2008-03-19 23:00:00 2008-03-19 23:00:00 1 0 12197 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-03-18 20:35:00 2008-03-18 20:35:00 1 0 your project room is an inspiration to me to clean up and organize my projects.
Terry]]> 12198 Anonymous noreply@blogger.com 2008-03-18 14:20:00 2008-03-18 14:20:00 1 0
BTW - Miss your work on Craftster.]]> 12201 Anonymous noreply@blogger.com 2008-03-17 20:20:00 2008-03-17 20:20:00 1 0 The white walls are great, I LOVE white rooms, and this one looks like it will be a joy to work in.
-Christiana]]> 12203 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-03-17 11:36:00 2008-03-17 11:36:00 1 0 ...and thanks in advance for cataloging all those books!]]> 12204 Joey noreply@blogger.com 2008-03-17 11:19:00 2008-03-17 11:19:00 1 0
Good luck with your garage sale. We just had one two weeks ago - what an experience! We were successful netting over $1000, but I will never do it again. We had people leaving without paying for things and we were practically giving stuff away anyway!

So, what to do with the left overs? We made a list and posted it in various places (work, selected e-bulletin boards). Instead of selling it, we are asking for donations that will be sent to RAM Remote Area Medical http://www.ramusa.org/

Love your blog!]]> 12205 Alberta noreply@blogger.com http://www.blogger.com/profile/11718361742552725745 2008-03-17 09:31:00 2008-03-17 09:31:00 1 0
Looking forward to photos of a more complete set up.]]> 12206 rectangularcat noreply@blogger.com http://rectangularcat.livejournal.com/ 2008-03-17 09:16:00 2008-03-17 09:16:00 1 0
http://www.librarything.com/cuecat

Love your blog!]]> 12207 terri noreply@blogger.com 2008-03-17 07:35:00 2008-03-17 07:35:00 1 0
:-)]]> http://www.needlenthread.com/2008/03/gilt-sylke-twist-available-to-public.html Sun, 16 Mar 2008 09:22:00 -0500 Mary Corbet 822 2008-03-16 09:22:00 2008-03-16 09:22:00 open open Gilt-Sylke-Twist-Available-to-the-Public! publish 0 0 post

Tricia Wilson-Nguyen announced on The Embroiderers' Story of Plimoth Plantation that she will be selling some surplus GST. The colors available are red, pink, cream, light blue, and green (Redde, Carnacion, Bisse, Graie Blewe, and Grene). If you want some of this thread now, then it would be a good idea to order it through Tricia. It's $25 for 35 meters, and $5 of each is donated to the Plimoth Plantation jacket project.

However, if you can hold on to your hat a bit, Access Commodities will be distributing as soon as they have a quantity in to distribute (they're saying six-ish weeks or more, from what I have heard, and which is also explained on the announcement).

Well, I heard the thread hit the "open market" about a week and a half ago. Access Commodities sent "sample" packages of it to different needlework shops around the country that would be carrying it. From what I understand, six shops got a little bit. One shop owner told me that she received two spools each of four colors, and that they could now take orders from customers. She also explained that the threads would be somewhat slow in coming, as the process is time-consuming, and the thread is made by one person (well, assembled - the gold is placed on the silk core). If you've been following the Plimoth Plantation story, then you already know a bit about how the thread is made.

Another shop owner explained that Access Commodities has it in, but that the shops are taking orders for it and ordering what they "pre-sell." This, I don't think, is entirely accurate. I'm under the impression that AC only has some colors in, and very few spools of those colors (from two other shopkeepers).

As far as prices go, it looks as if some shops will be selling the GST for $20 / spool while others are selling it for $22 / spool.

I don't know if the thread will only be sold by "certain" needlework shops - I don't know much about the way needlework shops work, but I would guess that if a shop carries products distributed by Access Commodities (the Au Ver a Soie line, certain embroidery hoops, Trebizond, and so forth), then the shop can probably special order the thread for you, even if they don't carry it in their regular retail stock.

Do check out the post on The Embroiderers' Story if you're interested in ordering some now. I'd actually be really interested to know (just out of sheer curiosity about the way these things work!) how many people are planning to, or have already, ordered!
]]> historical needlework goldwork silk 12208 Margaret C. noreply@blogger.com 2008-03-16 21:58:00 2008-03-16 21:58:00 1 0
I can't decide if I should buy some from Tricia or just wait until my order from Needle in a Haystack comes in. I am thinking about trying sanity for once and waiting for the original order to show up. Surely I can find something else to do in the meantime while I await the GST. :-)]]> 12209 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-03-16 12:34:00 2008-03-16 12:34:00 1 0
I don't know what I will do with it yet, I just know that I HAVE to have some :)

CA]]> http://www.needlenthread.com/2008/03/free-hand-embroidery-pattern-scroll.html Fri, 14 Mar 2008 19:20:00 -0500 Mary Corbet 823 2008-03-14 19:20:00 2008-03-14 19:20:00 open open Free-Hand-Embroidery-Pattern:-Scroll-Design publish 0 0 post

This particular embroidery pattern is from Therese Dillmont's books from the DMC collection - it's in French, and the title is La Broderie au Passe. You can find the same book on the Antique Pattern Library, in four parts in PDF format. (Section 2 & 3 are the sections with patterns. Section 1 has black and white plates of finished embroidery from which the patterns were taken.)

The book focuses on regular surface embroidery in shaded techniques - so, lots of long and short stitch, stem stitch filling, and so forth. Even though it isn't packed with patterns, there are some very nice ones in there, some of which are elaborate, but small motifs could certainly be separated from the overall pattern. When there's a repeat, generally you only get one section - the duplication is up to you and your tracing paper (or, in this case, scanner, tablet, and Photoshop).

Here's the pattern. You can click on it for a slightly larger image. To resize, you can play with it in a photocopy machine, or in your favorite graphics program.



I'd love to work this pattern in silks on linen, but I'd have to find a use for it. I can't imagine using such a pattern on a tablecloth - not after all the work! Any ideas how it could be used?

For more hand embroidery patterns, you can visit my list of free hand embroidery patterns here on Needle'nThread, a short list of church embroidery patterns, or my list of free hand embroidery patterns around the web.


]]> free embroidery patterns 4933 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-15 06:17:31 2009-10-15 06:17:31 1 0 4935 Juliana verch Hoell noreply@blogger.com http://www.blogger.com/profile/14035054846662634648 2009-10-14 23:01:23 2009-10-14 23:01:23 1 0
Silk threads on gross grain ribbon.]]> 7647 Dawn P. noreply@blogger.com 2009-05-12 20:41:00 2009-05-12 20:41:00 1 0 11995 Anonymous noreply@blogger.com 2008-04-14 13:29:00 2008-04-14 13:29:00 1 0 12202 Anonymous noreply@blogger.com 2008-03-17 12:49:00 2008-03-17 12:49:00 1 0 12211 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-03-15 17:02:00 2008-03-15 17:02:00 1 0 12212 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-03-15 15:06:00 2008-03-15 15:06:00 1 0 12213 Meeta V. noreply@blogger.com 2008-03-15 12:59:00 2008-03-15 12:59:00 1 0 I'm thinking narrow patterns can be used as a border around a small simple motif and frame as a wall hanging, or make a book cover. Another idea is to embroidery the center of a twin size bedspread with an all over pattern. What do you think? Thank you so much for sharing this with us.]]> 12214 Anonymous noreply@blogger.com 2008-03-15 10:23:00 2008-03-15 10:23:00 1 0 12215 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-14 23:52:32 2008-03-14 23:52:32 1 0 12216 Anonymous noreply@blogger.com 2008-03-14 22:07:00 2008-03-14 22:07:00 1 0 http://www.needlenthread.com/2008/03/march-embroidery-stash-give-away-winner.html Thu, 13 Mar 2008 19:48:00 -0500 Mary Corbet 824 2008-03-13 19:48:00 2008-03-13 19:48:00 open open March-Embroidery-Stash-Give-Away:-The-Winner-Is... publish 0 0 post March Embroidery Stash Give-Away. Whenever I'm getting these things ready, I always worry about repeat names, so next to the names (if I think there could be confusion or a repeat), I put a little key word from their posts. I really didn't have to worry about it this time, as it is a unique name!

I hope that KerGiz from Hungary enjoys the little package of linen, wools, cotton, beads, and silk threads!! Please contact me with your contact information, and I will get this in the post!

Stay tuned for next month's contest - I have my fingers crossed that I'll be able to offer something pretty special. If I can't... well, I'll come up with SOMETHING!
]]> stash contest 12200 KerGiz noreply@blogger.com http://www.agr.unideb.hu/~kergiz/cross/ 2008-03-18 06:43:00 2008-03-18 06:43:00 1 0 I sent you my postal address. :-)]]> 12210 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-03-16 02:12:00 2008-03-16 02:12:00 1 0 You are very generous - I didn't win but enjoyed the expectation.
Thankyou again]]> http://www.needlenthread.com/2008/03/readers-embroidery-embellished-skirt.html Wed, 12 Mar 2008 06:18:00 -0500 Mary Corbet 825 2008-03-12 06:18:00 2008-03-12 06:18:00 open open Reader's-Embroidery:-Embellished-Skirt! publish 0 0 post

Bead embroidery, which often includes pailettes or sequins or spangles (I'm never absolutely sure what the difference is - they are all defined the same way in some sources and differently in others), is a great way to embellish anything, but when you embellish clothes with beads and so forth, you can really make a statement!

Maria put together a somewhat simple A-line skirt in what appears to be a kind of light wool, in a warm brown color. She picked out a motif that is somewhat paisley-ish, turned it into a repeat design, transferred it with dressmaker's carbon (I think that's what she said), and stitched on the shape in a lighter goldish-brown embroidery floss. Once the shape was embroidered on, it was a matter of embellishing the shape with sequins and bugle beads, then doing the finish work on the skirt!

So here's the skirt:



Nice, isn't it? She alternated between gold colored spangles and silver colored ones. These are the round, flat "sequins" - no bumps or ridges in them (spangles?). They look like the spangles I use for goldwork, only they aren't gold.



Here's a bit of a close-up on the repeat.



And here it is, even closer up, so you can see the difference in colors on the spangles and on the bugle beads.



And there's the corner flower.

Fun skirt!! I think she did a great job! It was time-consuming, but I think it was worth the effort, don't you??

Thanks, Maria!
]]> readers embroidery pictures needlework pictures 12219 Laura Bullinger noreply@blogger.com 2008-03-14 18:49:00 2008-03-14 18:49:00 1 0 12220 Aussie Jo jobritt@datafast.net.au http://www.blogger.com/profile/11520718297781896214 2008-03-14 02:47:00 2008-03-14 02:47:00 1 0 12227 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-12 12:17:05 2008-03-12 12:17:05 1 0 12229 Margaret C. noreply@blogger.com 2008-03-12 08:41:00 2008-03-12 08:41:00 1 0 http://www.needlenthread.com/2008/03/readers-embroidery-embroidered-bookmark.html Tue, 11 Mar 2008 06:27:00 -0500 Mary Corbet 826 2008-03-11 06:27:00 2008-03-11 06:27:00 open open Reader's-Embroidery:-Embroidered-Bookmark publish 0 0 post hand embroidery on paper - making embroidered greeting cards and so forth - my sister decided to try it out, too.

Using a free embroidery pattern from Stitching Cards, she improvised some tools: for the paper piercing mat, she used a mat she has for bobbin lace, and for the paper piercing tool, she used a crewel needle with the eye stuck in a cork. (Hey, it works!)

For embroidery thread, she used regular stranded cottons, and I like the way it looks!



I like the idea of making these bookmarks - I've been planning for my summer embroidery classes for kids, and I think I'll venture in this direction for one of the projects. Quick and satisfying (kids like that!).

If you wanted to fill up the whole bookmark, you could flip over the design and pierce the blue flower out again below the pink.

Speaking of bookmarks, Nordic Needle has recently introduced this year's Bookmark Challenge. Each year, together with other stitchery stores throughout the country, they encourage stitchers to stitch a bookmark (or two, or three...), coordinating the turn-in time for the challenge with Children's Book Week. The bookmarks are donated to local libraries as rewards to encourage children to read. As an incentive to participate in the Bookmark Challenge, Nordic Needle will draw from the participants' names, and the lucky winner will receive a $100 gift certificate to Nordic Needle.

If you're interested, take a look at the details of the Bookmark Challenge in their most recent newsletter.

Thanks for sending a picture of the bookmark, Susie!
]]> readers embroidery pictures needlework pictures 12010 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-12 00:07:54 2008-04-12 00:07:54 1 0 pattern if you flip it over and use only part of the pattern to make a repeat on the paper you're embroidering.

You cannot take their designs, alter them, and sell them, calling them your own design (thereby creating a derivative work - a "new" pattern).

While the idea of a derivative work is to take part of something and build another work from it, the conditions set for making derivative works with patterns are based upon making patterns (or derivative works) that one uses for profit. The pattern isn't changing.

Common sense would dictate that, if you purchase an embroidery pattern, you can use that pattern on the item you're embroidering in any way you want to use the pattern, as long as you aren't altering the pattern and reselling the derivative.

So if I want to put the pattern in the left hand corner of my paper and then turn the pattern over and put only half of it in the right hand corner of my paper, the part of the copyright that forbids making a derivative work would not be violated.

But thanks for the comment! It's an interesting notion, but it's not a violation of copyright, because another pattern is not being made.]]> 12012 Anonymous noreply@blogger.com 2008-04-11 20:33:00 2008-04-11 20:33:00 1 0
"If you wanted to fill up the whole bookmark, you could flip over the design and pierce the blue flower out again below the pink."

But doing so would violate the Terms and Conditions set by the owner of the StitchCards Website.]]> 12230 Elizabeth Braun noreply@blogger.com http://www.blogger.com/profile/04067860880479674275 2008-03-12 06:22:00 2008-03-12 06:22:00 1 0 12232 Susie noreply@blogger.com 2008-03-11 08:01:00 2008-03-11 08:01:00 1 0 http://www.needlenthread.com/2008/03/embroidery-thread-trails.html Mon, 10 Mar 2008 09:00:00 -0500 Mary Corbet 827 2008-03-10 09:00:00 2008-03-10 09:00:00 open open Embroidery-Thread-Trails? publish 0 0 post

Building into a good-sized, loose ball by the end of an evening, my embroidery thread left-overs will inevitably cling to the arms of my clothes. From there, they trickle off onto the floor... the living room floor, the kitchen floor, the bathroom floor. I'm forever leaving little trails.

When I think about it, I put a zip-lock bag in my sewing basket, but it's too much bother to dig for it when I'm engrossed in stitchery! Besides, once it's full, I toss it - and then I forget to add another to the basket... until I've got another thread ball building on the sofa.

Well, I finally decided it was time to do something about this! And so this is what I did:

About a month ago, I mentioned that I bought a couple placemats on clearance. I had this particular project in mind at the time, but just now had the chance to see my plan fulfilled:

A Couch Caddy!!!

I'm so excited about it. It isn't pristinely done, but I like it! I'm the first to admit I'm not an expert on the sewing machine! Patterns just aren't my thing, so this project was really perfect. It took me a whole 30 minutes. I had no plan - I just cut some rectangles from one placemat and its liner, and I sewed the stuff together.

Here 'tis:



[Oh dear. Pictures never lie.]

The first thing I did was take one placemat (less than $2 at Target on clearance) and separate the top fabric from the liner using a seam ripper.

Then, with the top fabric on the table just like you'd place a placemat, I cut it in half straight up from bottom to top. I took one half, folded from bottom to top, right sides together, and sewed up the sides. Then I measured 1.5 inches from the corner at the fold, and sewed a little triangle, so that the bag rounded out a bit, instead of laying flat like an envelope. Then I did the same thing with the liner, only backwards, and stuck the liner inside, and top stitched around the edge.



I still had half a placemat, so I cut out another rectangle and made a longer, narrower tube to put scissors and pencils in.



I still had a quarter of the placemat left, so I cut out tabs to attach the two pockets to the base, which was an in-tact placemat.

I didn't line the narrower tube, except by leaving the interfacing that was inside the placemat. In fact, that one came out rather sloppy - functional, but sloppy!



I made sure I sewed the tabs well into the outside half of the base so that I would have plenty of placemat on the inside arm of the couch to weight the thing properly and keep it from sliding.

I still have a little bit of the placemat left - I'm thinking about looking for a heavy-duty magnet I can cover with fabric and put on the top for needles and my embroidery scissors.

The whole thing worked rather well, took me about 30 minutes, cost me less than $4.00, and now I have somewhere to put those stray threads!
]]> needlework tools pictures organization 12221 Anonymous noreply@blogger.com 2008-03-13 11:24:00 2008-03-13 11:24:00 1 0
And this is a good place to tell you how much I enjoy your posts -- thanks!

SF]]> 12226 dustydawn555 noreply@blogger.com http://www.blogger.com/profile/06356932172074161691 2008-03-12 16:57:00 2008-03-12 16:57:00 1 0 12231 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-03-11 13:36:00 2008-03-11 13:36:00 1 0 There was one in my bed yesterday

Using a magnet for needles is a great idea - I've glued a couple of flat fridge magnets backwards onto my lap table.]]> 12235 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-03-10 21:07:00 2008-03-10 21:07:00 1 0 12237 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-03-10 15:51:00 2008-03-10 15:51:00 1 0 http://www.needlenthread.com/2008/03/embroidery-stash-give-away-for-march.html Sun, 09 Mar 2008 10:00:00 -0500 Mary Corbet 828 2008-03-09 10:00:00 2008-03-09 10:00:00 open open Embroidery-Stash-Give-Away-for-March! publish 0 0 post

To be eligible to receive this little collection of embroidery goods, just leave a comment on this post. Generally, I ask a question, hoping for some input that readers will find useful. This month, you can answer the question, or you can just leave a comment, whichever is easier!

The question: what's your favorite thread for hand embroidery (or any needlework technique) and why?

If you can't muster up an answer, no worries! Just leave a comment! On Thursday, March 13th, I'll draw a name from the list. Please make sure you leave your name with your comment!

Here's this month's ebmroidery stash give-away:



There's a piece of Belfast Linen, 32 ct, in lilac. It's a little over 12" x 12" - give or take on one side (it isn't square... it's rectangular).



Beads are always fun to have! This package is a mix-up of bugle beads and seed beads, all glass, in springy colors: pink, greens, golds, light blue.



A card of Encore! by Rainbow Gallery. This is a variegated stranded cotton in pastel colors. I've never actually used this thread, so I'm not sure how it stitches. But it's pretty...



Aaahhhh. No stash is complete without silk. Here's a skein of a beautiful pink Needlepoint Inc. silk, and a skein of Eterna stranded (nearly flat) in a pretty light blue. I like both threads - the Eterna can be tricky to stitch with if you haven't used a flat silk before, but it's worth the effort of trying.



And here are some Appleton wools in brighter spring colors. I didn't have a paler yellow...! Appleton is great for crewel work or long and short stitch shading techniques. If you like working with wool, it's a good wool to work with.

So that's it. They're all bagged up and ready to go to the lucky winner! And just in time, perhaps, for a little Easter sampler or something.

I'm happy for overseas participants to participate as well - I'll mail anywhere, via the least expensive air-mail option.

Please, comment away!
]]> stash contest pictures 7898 Vixis noreply@blogger.com 2009-04-15 04:58:00 2009-04-15 04:58:00 1 0 8341 Shariub noreply@blogger.com http://twitter.com/Shariub 2009-03-14 17:15:00 2009-03-14 17:15:00 1 0 Could you write a letter to my DH about why I need MORE threads.... :)]]> 12192 Sunny N noreply@blogger.com http://www.blogger.com/profile/08452329651618056682 2008-03-20 18:53:00 2008-03-20 18:53:00 1 0 12222 Vanessa noreply@blogger.com http://www.blogger.com/profile/16813964524164021165 2008-03-13 08:57:00 2008-03-13 08:57:00 1 0
penessa@gmail.com]]> 12223 Anonymous noreply@blogger.com 2008-03-13 06:11:00 2008-03-13 06:11:00 1 0
Janice K.]]> 12225 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-03-12 22:18:00 2008-03-12 22:18:00 1 0 12228 Kim noreply@blogger.com http://www.blogger.com/profile/08867168837858287757 2008-03-12 11:03:00 2008-03-12 11:03:00 1 0 12233 Anonymous noreply@blogger.com 2008-03-11 06:20:00 2008-03-11 06:20:00 1 0
Melody]]> 12234 Laura Bullinger noreply@blogger.com 2008-03-11 01:45:00 2008-03-11 01:45:00 1 0 12236 Anonymous noreply@blogger.com 2008-03-10 16:08:00 2008-03-10 16:08:00 1 0 12238 Anonymous noreply@blogger.com 2008-03-10 14:40:00 2008-03-10 14:40:00 1 0 I just bought my first DMC metallics. I like the glittery look to them. I use a 14" length because it does fray easily. I use it for card embroidery. Thanks. Maria P]]> 12239 Mia noreply@blogger.com http://www.blogger.com/profile/08640308257305494076 2008-03-10 12:50:00 2008-03-10 12:50:00 1 0
Right now I am trying to get a head start on some holiday presents and am working on a set of dish towels for a friend. So, I am using DMC floss since it will hold up going through the washer and dryer.

I am also getting to start teaching my niece to do embroidery since she has finally expressed an interest in it. We will start with cotton floss since it is the least expensive and perfect to teach with. Hopefully she will enjoy embroidery and move on and be willing to try toher threads.]]> 12240 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-03-10 11:59:00 2008-03-10 11:59:00 1 0 Explicome. creo que la selccion del hilo esta deacuerdo a muchjas varieantes, es decir en base al tipo de bordado, tela donde vas a bordar, que va a suceder con el trabajo es decir para que sera, que tipo de puntada usaras.. en fin son mucjas variables.
Yo amo bordar dmc floss para punto de cruz en un jobelan .
Lo demas es decauerdo a los trabajos ha realizar.
saludos
nelapx]]> 12241 Lori Northon noreply@blogger.com 2008-03-10 11:47:00 2008-03-10 11:47:00 1 0 12242 sal noreply@blogger.com http://www.blogger.com/profile/00212970796680922403 2008-03-10 10:45:00 2008-03-10 10:45:00 1 0
But if I had to choose one thead, it would be Caron Waterlillies. It is lovely silk and the color combinations are enough to base a whole new project on. I also like the similar Gloriana variegated silk for the same reason, but it is not easy to find. You really need to see the thread in person; online just isn't the same.

sallybru]]> 12243 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-10 07:38:12 2008-03-10 07:38:12 1 0
I republished your comment without the contact information on it...

I'll draw names, and then I'll post who the winner is, and then you can e-mail me your contact information. That keeps things a bit more secure!

Avoids spam, etc.!

MC]]> 12244 Anonymous noreply@blogger.com 2008-03-10 07:35:13 2008-03-10 07:35:13 1 0 Sis and I are starting a couple of recycled wool projects in Crazy Quilting. I love the feel of fulled wool. I find that some of the wool yarns seem a little harsher than others. A friend gave us some Elsa Williams Needlepoint yarn and it's so soft to the touch. I've not used it yet, but think that I'm going to love it.

For special embroidery on seams and motifs, I like the Rajmahal 1000. It's a little thicker than the Art Silks and I find that it doesn't kink as much as some others. Otherwize, depending on the project I like Perle cottons in different sizes.

Thank you! This is so nice.
Crazy Judyth
aka Judyth in Kansas
Am I supposed to send my address and all? Now? Well, here it is.
I also enjoy reading your blog and am so happy that you made it easier to get to.]]> 12245 KerGiz noreply@blogger.com http://www.agr.unideb.hu/~kergiz/cross/ 2008-03-10 07:18:00 2008-03-10 07:18:00 1 0 I modify every piece of pattern I stitch, and put a little bit of my shiny treasures into them. :-)

KerGiz, Hungary]]> 12246 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-03-10 07:02:00 2008-03-10 07:02:00 1 0 Annie]]> 12247 Anonymous noreply@blogger.com 2008-03-10 06:20:00 2008-03-10 06:20:00 1 0 12248 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-03-10 03:53:00 2008-03-10 03:53:00 1 0
Every time I go in there I buy a few more colors.

But I've just discovered a supplier of Goldwork threads who manufactures them in the UK using traditional methods, called Benton and Johnson, and I fear I might be on the cusp of a gold habit as well......]]> 12249 Anonymous noreply@blogger.com 2008-03-10 01:17:00 2008-03-10 01:17:00 1 0 12250 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-03-09 21:18:00 2008-03-09 21:18:00 1 0 12251 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-03-09 21:06:00 2008-03-09 21:06:00 1 0 12252 Chris noreply@blogger.com http://www.blogger.com/profile/05752243541563395295 2008-03-09 20:15:00 2008-03-09 20:15:00 1 0 12253 Anna ML noreply@blogger.com avatars.imvu.com/Guest_Dragonnippy 2008-03-09 20:12:00 2008-03-09 20:12:00 1 0 12254 BaileyGirl5 mbailey16@rochester.rr.com http://www.blogger.com/profile/14559827964109050348 2008-03-09 20:09:00 2008-03-09 20:09:00 1 0
I would LOVE to try silk and wool!!

I'm with Karin on the DST too! Let's end it already!!!]]> 12255 Karen threadstory@yahoo.com http://www.blogger.com/profile/02166011380454448476 2008-03-09 19:34:00 2008-03-09 19:34:00 1 0 12256 Karin karin56381@gmail.com http://www.blogger.com/profile/04569402238933872772 2008-03-09 17:39:00 2008-03-09 17:39:00 1 0 On the bright side my coffee is sure tasting good today....but I still don't know if I'm coming or going!]]> 12257 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-03-09 16:08:00 2008-03-09 16:08:00 1 0 12258 Margaet C. noreply@blogger.com 2008-03-09 15:54:00 2008-03-09 15:54:00 1 0
I can say that I enjoyed working with DMC Medici wool on a crewel piece. I am sad that it has been discontinued. I've tried Appletons and it's OK and they have a nice range of colours, but I found it to be a bit rough. I am very much looking forward to trying Renaissance Dyeing Wool (I have a sampler pack). The colours are gorgeous, if limited, and the wool is very soft.

I like silk floss (Au Ver a Soie, Soie d'Alger) and am looking forward to trying the Piper's silks that Helen Stevens uses (I have a kit for one of her designs from 'Inspirations' that's on my to-do list).

I really like Anchor floss, but I don't know why. I like DMC, too, but there's just something about Anchor that I like a little better.

Something I like to do to challenge myself is to see how good a job I can do with soft shading with the horrible crewel yarn that comes in commercial kits! :-)

My favourite threads at the moment are goldwork metal threads. Also, I really, really like the Au Ver a Soie silk thread that I've been using for couching. It feels so nice as it runs through my fingers.]]> 12261 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-03-09 15:36:00 2008-03-09 15:36:00 1 0 12262 Chris Davis csicodavis@gmail.com http://www.blogger.com/profile/14104654294034442051 2008-03-09 13:59:00 2008-03-09 13:59:00 1 0 12263 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-03-09 13:15:00 2008-03-09 13:15:00 1 0 12264 Lori Seaborg noreply@blogger.com http://loriseaborg.com 2008-03-09 12:52:00 2008-03-09 12:52:00 1 0 12265 Lori Seaborg noreply@blogger.com 2008-03-09 12:51:00 2008-03-09 12:51:00 1 0 12266 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2008-03-09 12:15:00 2008-03-09 12:15:00 1 0 Melissa]]> 12267 Meeta Vats noreply@blogger.com 2008-03-09 12:10:00 2008-03-09 12:10:00 1 0 I enjoy needle painting and the wide variety of colors makes my project look realistic.
Secondly, it's inexpensive and readily available in stores.]]> 12269 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-03-09 11:18:00 2008-03-09 11:18:00 1 0 http://www.needlenthread.com/2008/03/plaited-braid-stitch-revisited-from.html Sat, 08 Mar 2008 06:48:00 -0600 Mary Corbet 829 2008-03-08 06:48:00 2008-03-08 06:48:00 open open Plaited-Braid-Stitch-Revisited,-from-the-Experts publish 0 0 post the Plaited Braid Stitch, a rather intricate looking embroidery stitch found on historical pieces, usually as vines and scrolls and so forth. Dissatisfied with the basic instructions found for this stitch in regular stitch dictionaries, I wanted to figure it out so that I could work it with ease...

Thanks to a friend, I was able to get my hands on a copy of an article from Fine Lines magazine by Leon Conrad. Then I went in search of the gold thread - Mr. Conrad suggests the #371 imitation gold. I found the gold first at a shop called Criss Cross Row, the service was bad and I never received my order!

Tanja Berlin, however, was able to order it from her supplier, and now she carries it: Standard Lurex Thread No. 371.

But what I'm really getting at is this: Plimoth Plantation! If you want to check out the plaited braid and their exploration of it, there's a great post on plaited braid stitch with photos of the stitch worked in different metal threads.

The Gilt-on-Silk and the Gilt-on-Synthetic both look G-R-E-A-T. And the 2% gold passing doesn't look bad, either. In fact, I'm not that impressed with the 371, but I'm still going to try that thread! Click on the pictures for close-ups.

While you're there, read their post on goldwork needles as well. Hand-made needles work best for gold threads. If you're looking for a source, I got mine through the JEC.

Anyway, I was really excited to see that post on the plaited braid stitch!

Coming up this week: March Embroidery Stash giveaway! and a stitch video... and some pictures of my latest projects. And.... a reader's embroidery! Yes, busy week! Time to get the camera out!
]]> historical needlework goldwork Hand embroidery stitches 11055 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-08-09 12:32:00 2008-08-09 12:32:00 1 0 12260 Margaret C. noreply@blogger.com 2008-03-09 15:38:00 2008-03-09 15:38:00 1 0 http://www.needlenthread.com/2008/03/embroidered-cap-with-gilt-sylke-twist.html Wed, 05 Mar 2008 19:13:00 -0600 Mary Corbet 830 2008-03-05 19:13:00 2008-03-05 19:13:00 open open Embroidered-Cap-with-Gilt-Sylke-Twist publish 0 0 post Gilt Sylke Twist being used on the jacket at Plimoth Plantation. If you haven't seen this embroidered cap, do check it out! It's stunning! Be sure to click on the first photo for a really nice close-up. Enjoy!]]> historical needlework embroidery links 12268 Apex noreply@blogger.com http://www.apexembdesigns.com 2008-03-09 11:51:00 2008-03-09 11:51:00 1 0 12273 Sophia noreply@blogger.com http://www.blogger.com/profile/02801496647311595468 2008-03-06 13:22:00 2008-03-06 13:22:00 1 0 http://www.needlenthread.com/2007/03/vintage-needlework-books-patterns.html Sun, 18 Mar 2007 10:22:00 -0500 Mary Corbet 831 2007-03-18 10:22:00 2007-03-18 10:22:00 open open Vintage-Needlework!-Books,-Patterns,-Stamped-Linen publish 0 0 post

At Vintagecat Sewing Patterns, Needlework, and Fashion Pages, you're not going to find "free" patterns, but don't let this deter you from having a good look at the site. What you will find is lengthy pages full of vintage sewing and needlework patterns and even stamped items for sale, with excellent descriptions of the pattern or item.



On their vintage sewing pattern page, for example, you'll find pattern that date from the 1890's through the 1950's and a little later. You're able to view a row of pattern photos, followed by a lettered title and description corresponding to the individual patterns. Just as with any used goods or antique dealer, the condition of most items are clearly indicated. There are further vintage clothing patterns that any costumer would likely love to browse through!

But here's the find for embroiderers who like vintage stuff! The Embroidery Transfer Patterns, Stamped Linen, and Books Pages.



This page is full of embroidery patterns, transfers, and even pre-stamped linens - all vintage, with conditions clearly marked. The descriptions are detailed and lengthy.

One more page that I really like is the Crochet, Knitting, and Needlework Patterns page - not just because of the patterns (she's got lots of the Priscilla books, lots of edgings books, etc.), but because it's headed with this darling picture, which sums up one of the greatest aspects of most needleworker's lives.



So check out the extensive Vintagecat pages! Their ordering process looks pretty simple: you email them what you want off the site, they double-check inventory, then they send you an invoice. You can either pay online or send a check. If anyone's enjoyed ordering from Vintagecat, feel free to let the rest of us know about their service!]]> historical needlework embroidery resources pictures 6365 Anonymous noreply@blogger.com 2009-08-02 08:18:52 2009-08-02 08:18:52 1 0 Thought you might like to know.
karen hilinski]]> http://www.needlenthread.com/2008/03/embroidery-patterns-online-resource.html Mon, 03 Mar 2008 20:48:00 -0600 Mary Corbet 832 2008-03-03 20:48:00 2008-03-03 20:48:00 open open Embroidery-Patterns:-Online-Resource-with-Free-Patterns publish 0 0 post Homeberries.

Homeberries is a neat little website devoted to hand embroidery, and the patterns available are a cross between primitive, cute, fun, and even sorta funky. If nothing else, check out the website's look - the use of ric-rac is really well done!



But while you're there, be sure to check out Jennie's free embroidery pattern page. You're bound to find something on there that will be perfect for embellising that little "something" - whether a baby gift, a housewarming gift, kitchen towels - you name it. When I saw her patterns, I immediately started thinking in terms of the hand embroidered greeting cards I've been playing around with lately. I'm working up my kids' summer workshops, and planning to do some embroidery on paper. A lot of these patterns would be great for that!

Jennie also has a page of my embroidery videos on her site... which made me realize that I was not consistent in using the same color for the background of the introduction! Darn. I would have never realized how bad they look if I hadn't seen them lined up on one page! (Noted for future revisions!)

So, when you get the chance, check out Homeberries - it's sure to be a fun visit!
]]> embroidery links free embroidery patterns embroidery resources embroider on paper embroidery for fun 12274 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-05 14:17:28 2008-03-05 14:17:28 1 0
That's what I was thinking of using them for, too. I think they're darling for cards!

Best,
Mary]]> 12278 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-03-03 22:45:00 2008-03-03 22:45:00 1 0 Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> http://www.needlenthread.com/2008/03/embroidered-initials-and-monograms-must.html Sun, 02 Mar 2008 17:12:00 -0600 Mary Corbet 833 2008-03-02 17:12:00 2008-03-02 17:12:00 open open Embroidered-Initials-and-Monograms---a-Must-Have-Resource publish 0 0 post

The book is called Compendium of Ancien Artistic Initials for Vintage Style Monograms - a hefty title for an equally hefty book. It's a collection of 3,400 letters ready to use on your craft projects or your finest embroidered gifts. The collectors are J.F. and F.A. Shepard, and they've put together a book that spans initial monogramming styles from 1840 through 1930 (with some attention given to any interesting styles as late as 1950).

It's not a how-to book. There's no text (except a lot of letters!). But the variety and the clarity of all the initials is a real sight to behold!

I purchased the book because of a love for vintage linens that are embroidered or monogrammed. The level of artistry that went into household linens and personal linens in days of yore fascinates me! And I like initialing personal gifts.



The nice thing about this book is that it isn't limited to embroidery (not that I consider embroidery a "limitation"!!). If you make your own greeting cards, if you are into wood burning, if you paint boxes or whatever - this book would come in handy.



There are pages and pages for each letter of the alphabet. Some of the letters are surrounded by decoration, and some aren't.

So, if you're looking for a source for initials and monograms, this is it!

You can purchase the book through Amazon. It's just under $30, and well worth it. You will never have to look further for another initial pattern, that's for sure!



]]> 12259 Margaet C. noreply@blogger.com 2008-03-09 15:40:00 2008-03-09 15:40:00 1 0 12277 Margaret C. noreply@blogger.com 2008-03-03 23:33:00 2008-03-03 23:33:00 1 0 http://www.needlenthread.com/2008/03/im-not-crazy-quilter-sequel.html Sat, 01 Mar 2008 16:04:00 -0600 Mary Corbet 834 2008-03-01 16:04:00 2008-03-01 16:04:00 open open I'm-Not-a-Crazy-Quilter,-The-Sequel publish 0 0 post Allison Aller, Sharon Boggan, Jo in New Zealand -- all these ladies have fantastic websites full of gorgeous photos that attest to their skill and artistry in embellishing crazy quilts. And there are more - heaps more - people out there who do fantastic things with Crazy Quilts! And it is all most inspiring!... But....

I reiterate that I am not a crazy quilter.

I had one of those moments this morning. One of those life-shaping moments. After attacking (oh, I do mean that literally!) my first crazy quilt square last night, I achieved nothing short of non-success. I used beautiful silk ribbon - periwinkle, white, gold, and green Gloriana silk ribbon - some very nice stranded silks in greens, and some gold and green and blue beads, and I achieved... nothing. It was so ugly.

Now, you would think that I would post a picture of it. But let me tell you what I did first. I stitched from about 7:30 pm - 11:00 pm. I'm not "dumb" when it comes to stitching, but last night, I felt dumb. Nothing looked right - I didn't like any of it. And I make a pretty darned good ribbon rose, if I do say myself. But oh GOLLY. It was not grabbing me.

I figured it was the hour, and the fact that it was a long week. So I quit and went to bed. This morning, I looked at it and thought "It's not sooo bad. It's actually kind of good." And Jo in NZ had left a comment on my original post about this square which encouraged me to try it again. And so, with housework done, and all quiet on the homefront .... I did.

And that's when I had one of those life-shaping moments. After 45 minutes of plodding, I realized I was doing something with my needle that I was not enjoying, and it was really a first in my life.

I'll have to explore later exactly what I didn't enjoy about the whole thing. Maybe it's just a mood. Maybe it's the fact that I wasn't pleased with the square in the first place. Maybe it's simply not my thing. I haven't bothered to think much about it, yet. But I will later.

One of the most satisfying things about the experience was taking the square off the frame, putting all my little tacks neatly back in the jar, folding the square into a nice little, tiny, unrecognizable lump... and turfing it.

I did. I pitched it.

Berate me if you wish. I enjoyed the experience!

Will I try it again? Perhaps. And when I do, you all will be the first to know!
]]> crazy quilt miscellaneous embroidery musings 12281 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-03-03 08:13:00 2008-03-03 08:13:00 1 0 12282 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-02 17:12:07 2008-03-02 17:12:07 1 0
I really SHOULD have sent the block to someone who could've done something magnificent with it! I didn't think of that - though it may have been rather an imposition... "Why is this crazy gal sending me her rejects??!!"

Well - stay tuned. One never knows if the bug will bite again!]]> 12284 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-03-02 13:32:00 2008-03-02 13:32:00 1 0 12285 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-03-02 07:01:00 2008-03-02 07:01:00 1 0 12286 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-03-02 05:54:00 2008-03-02 05:54:00 1 0 12287 Wendy noreply@blogger.com http://www.blogger.com/profile/00823543583907747767 2008-03-02 01:47:00 2008-03-02 01:47:00 1 0 Wendy]]> 12288 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-03-01 22:30:00 2008-03-01 22:30:00 1 0 Good on you for making the choice you did. No judgement here. I was afraid you'd be better than me anyways, so I'm happy...LOL]]> 12289 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-03-01 21:29:00 2008-03-01 21:29:00 1 0 I thank you for putting me in such good company as Sharon and Jo...that is quite an honor.
Meanwhile, you lead the way in what you do best...the rest of us are so much the richer for it!]]> 12291 Cindy in Oregon noreply@blogger.com 2008-03-01 18:01:00 2008-03-01 18:01:00 1 0
I haven't been satisfied with my attmepts at crazy quilting either. I felt overwhelmed by the infinite possibilites and my efforts looked forced somehow.]]> 12292 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-03-01 18:00:00 2008-03-01 18:00:00 1 0 Good on you! although it would have been good to see it before you chucked it - i bet it wasnt as bad as you thought! I always thought of myself as a crazy quilter - although what i do is very different to the current CQers. I think the work Jo, Allison etc do is lovely -but when I do it it looks a mess, and like you Im not sure why. My CQ is more random, not around a central piece, and i do rather plain seams, no ribbons and lace - when I add embellishment it just looks messy to me. I think my brain prefers to do something more ordered. at this stage I am happy to admire CQ from afar.... and I think there are rules for CQ, no matter what they say...]]> 12293 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-03-01 17:28:00 2008-03-01 17:28:00 1 0 http://www.needlenthread.com/2008/02/embroidery-tour-announced.html Wed, 27 Feb 2008 19:04:00 -0600 Mary Corbet 835 2008-02-27 19:04:00 2008-02-27 19:04:00 open open Embroidery-Tour-Announced! publish 0 0 post Marie Yolande website, where you can take a "virtual tour" of the tour. I posted some pictures from Marie Yolande's Italian tour, which looked fantastic. I think the Paris one will be equally so! It looks like the "trip of a lifetime" to me!

The tour will take place October 24th - November 1st. I'm not in any way affiliated - I just like the whole idea of combining needlework and travel, and getting into "The" embroidery places around the world. What a treat that would be, eh?]]> needlework and travel 12296 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-02-29 10:04:00 2008-02-29 10:04:00 1 0 I hope you were able to find things of interest from the links I sent you. The web is just full of inspirations.

I have been tagged to share 7 ramdom things about myself and then pass the tag on to 7 other people. If you will play I'm passing it on to you. Check my blog for the rules.

God Bless,]]> 12298 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-02-28 17:16:00 2008-02-28 17:16:00 1 0 12299 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-28 06:48:10 2008-02-28 06:48:10 1 0 12302 Anonymous noreply@blogger.com 2008-02-27 21:18:00 2008-02-27 21:18:00 1 0 Sara Wisdom]]> http://www.needlenthread.com/2008/02/hand-embroidered-greetings-embroidery.html Sun, 24 Feb 2008 19:51:00 -0600 Mary Corbet 836 2008-02-24 19:51:00 2008-02-24 19:51:00 open open Hand-Embroidered-Greetings:-Embroidery-on-Paper-is-FUN! publish 0 0 post

Admittedly, I did it the "lazy" way. I let Stitching Cards do the design work for me. They have a nice selection of pretty little designs, and you can pay per design or you can buy a value pack of several designs. Once you pay, you can download your patterns and print them (PDF), which is great if you're behind the gun on time.

I probably overdid it on buying several designs, but I didn't know what I wanted, and I didn't know what I had in my stash to create the cards, and I was going about the whole thing in a rather unorganized way!! (This is what happens when I procrastinate!) But I like the designs I got (some bead medallions and some bead flowers)... and I found that I liked poking the little holes in the paper... and so I ended up setting up about 15 cards(!!!!). Well, it's neat - I found out that you can easily stack 3 pieces of card stock and prick them all at the same time.

I had on hand some small pre-cut pieces of parchment card stock, in soft natural colors. So I picked out a pale green for the first card, and I worked a beaded flower on it.



I didn't put any lettering on the outside - I'll save the writing for the inside. The directions call for a fine Kreinik cord, but I used DMC metallics, and it worked just fine.

I added a little back stitch around the leaves (didn't call for it in the instructions) because the leaves looked a little too light and airy compared to the heavier flower.

I love these blue bugle beads. This isn't actually my favorite pattern, though - it was just the first one I happened to put together today. The whole card took me about an hour and twenty minutes from start to finish (with a couple brief interruptions).



I would classify this type of stitching as embroidery "craft" rather than art. It's super simple, you just follow the directions - it doesn't take any real level of embroidery skill - and it's a lot of fun! It was a relaxing project, perfect for a Sunday afternoon.

Nordic Needle has several good books on hand embroidered cards. I've got two or three of them in storage.... I could have saved myself the cost of these patterns if I had only planned ahead!!

If you know of any other resources for embroidery patterns for cards, do share!
]]> embellishments embroider on paper 12186 Anonymous noreply@blogger.com 2008-03-22 09:09:00 2008-03-22 09:09:00 1 0
Valquiria - Thanks for mentioning the freebies at www.stitchingcards.com! They got me started.

Mary - Love the stitching cards. That bead flower is gorgeous! Love the blog!!! Thank you!

Ruut]]> 12280 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-03-03 08:19:00 2008-03-03 08:19:00 1 0 12306 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-26 18:43:07 2008-02-26 18:43:07 1 0 12307 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-26 18:41:54 2008-02-26 18:41:54 1 0 12308 Anonymous noreply@blogger.com 2008-02-26 14:26:00 2008-02-26 14:26:00 1 0 Have a great day!
A fan of yours,
Arlene]]> 12309 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-02-26 00:11:00 2008-02-26 00:11:00 1 0
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 12311 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-25 13:24:37 2008-02-25 13:24:37 1 0
Yep, Megan, it's rather fun - very relaxing, nothing complicated...

Mary Jane,

Hi! I don't do machine embroidery, just hand embroidery. I'm sure there are some threads that could be used for machine embroidery, but whenever I'm talking about threads and so forth, I'm talking about hand embroidery applications!

Thanks for asking!]]> 12312 Anonymous noreply@blogger.com 2008-02-25 09:33:00 2008-02-25 09:33:00 1 0 are the email articles for hand embroidery or machine embroidery. are the threads discussed for hand embroidery or machine? I only do hand embroidery

mary jane]]> 12313 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-02-25 09:17:00 2008-02-25 09:17:00 1 0 12314 Valquiria noreply@blogger.com http://qualquermotivo.blog.uol.com.br 2008-02-25 05:06:00 2008-02-25 05:06:00 1 0 I love this craft.It's really easy and fun.In my fotoblog I have photos of cards that I make.
http://qualquermotivo.fotoblog.uol.com.br
The patterns are freebies that I found in www.stitchingcards.com and others links over there
Kisses
Valquiria]]> 12315 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2008-02-25 02:26:00 2008-02-25 02:26:00 1 0 http://www.needlenthread.com/2008/02/gilt-sylke-twist-i-have-sample-and.html Sat, 23 Feb 2008 16:35:00 -0600 Mary Corbet 837 2008-02-23 16:35:00 2008-02-23 16:35:00 open open Gilt-Sylke-Twist---I-have-a-Sample-and-a-Photo! publish 0 0 post Plimoth Plantation 17th century jacket project. All I can say is ---- WOW.

This embroidery thread is exquisite. I could never have been prepared for the surprise, though, when I actually saw it. It's much, much tinier than I expected! It is an absolutely fine thread, tiny, about the size of a heavy duty quilting thread. I don't know how to measure the actual size of a thread, so that's the best I can do in comparison.

The Gilt Sylke Twist is a bit stiff (because of the gold) but not super-stiff. The red is gorgeous - really beautiful. This is the thing: I wound a snippet around a little stick to see how it might look satin stitched. I think... I think it would look stunning!

Although I was taken a-back at the fineness of the thread, I have to admit that I think I like it even more, having seen it, than I did just having seen close-up photos.

Here's a shot of the Gilt Sylke Twist next to a single strand of DMC cotton, so you can get an idea of the size.



I've already got a little "savings fund" set up for purchasing some of this thread when it comes available to the general public. I'm looking forward to its release! (In case you couldn't tell!)
]]> historical needlework threads pictures silk 12272 Jill noreply@blogger.com http://www.plimoth.org/embroidery-blog 2008-03-06 19:38:00 2008-03-06 19:38:00 1 0 Jill]]> 12297 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-02-29 09:02:00 2008-02-29 09:02:00 1 0
Ohh, lucky you to have a sample. I'm amazed at how thin it is, I expected a similar wieght to the soie perlee that is being used on the jacket.

Being greedy, I had thought I'd like a set of the GST but now that I know the cost I shall have to think carefully which colours to choose or start a BIG savings fund :-O

CA]]> 12303 Margaret C. noreply@blogger.com 2008-02-26 22:39:00 2008-02-26 22:39:00 1 0 12317 Cindy in Oregon noreply@blogger.com 2008-02-24 14:50:00 2008-02-24 14:50:00 1 0 12318 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-02-23 18:26:00 2008-02-23 18:26:00 1 0 12319 Anonymous noreply@blogger.com 2008-02-23 17:28:00 2008-02-23 17:28:00 1 0 http://www.needlenthread.com/2008/02/im-not-crazy-quilter.html Thu, 21 Feb 2008 20:42:00 -0600 Mary Corbet 838 2008-02-21 20:42:00 2008-02-21 20:42:00 open open I'm-Not-a-Crazy-Quilter! publish 0 0 post

I decided that, for small embroidery projects this year, I would challenge myself to try, once a month or so, to work a technique I've never done before... or at least one I need more practice with. So this month, I decided to try a crazy quilt square for the heck of it. I've never pieced one before.

First, I assembled some fabrics. I have some blue shantung, some other blue stripey kind of silkish stuff, some dark blue velvet, a blue cotton with a flower pattern on it, and some gold silk damask.

How hard could this be? I realized that you obviously have to start in the middle and build out. So I started with the dark blue velvet. But I wasn't sure if I was supposed to stitch it to the ground fabric. Instead, I fused it on with misty fuse.

Then, I built around that. But I didn't really know the concept of building around it. So I just went with strips. Unfortunately, I didn't understand the whole overlapping concept (duh - it really shouldn't have been that hard). So I made a mistake. And since I was hand stitching while standing at the ironing board, I was not really inclined to take the mistake out. I figured, in the course of piecing further, the mistake would certainly end up getting covered.

But it didn't.



Look at that silly-looking blue block! (The dark fabric on the top is the same dark blue velvet in the center...)



It's a pretty fabric, but it's in there all wrong!

On the bright side, I have heard (or read somewhere) that mistakes in piecing can be covered up with embellishment. So my next step is to make that disappear by embroidering over it somehow. Or perhaps it needs a piece of ribbon. Although I think you're supposed to add ribbon in the piecing process!

Ah well - like I said, live and learn. I think overall this thing is pretty ugly right now. I hope it improves upon acquaintance! It is a completely knew sensation to have to "make" my ground fabric. I'm sure the next step should be to consider the overall design of the embellishment - but I think shall just "go at it" and see what results.

Ok, all you expert crazy quilters out there! Any suggestions for a solution to my mis-pieced square? Any ideas for a cover-up job??!
]]> crazy quilt pictures needlework pictures 12294 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-01 08:32:19 2008-03-01 08:32:19 1 0
Funny timing! I started to put some embellishment on the square last night - got frustrated - determined that I would not do it after all, since I certainly wasn't enjoying it and it looked downright awful. I awoke this morning and realized it doesn't look as bad as I thought.

So, I'll go back to it and see what happens with it today...

Thanks!
MC]]> 12295 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-03-01 00:58:00 2008-03-01 00:58:00 1 0 XX
ps I sent the postcard with your flower design on it to a friend, and that was the very thing she commented on "love the flower"...]]> 12320 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-22 23:28:30 2008-02-22 23:28:30 1 0
Thanks for the CQ Magazine tip! I visit the site often, so I will be sure to look more carefully at that article!!]]> 12321 Anonymous noreply@blogger.com 2008-02-22 22:16:00 2008-02-22 22:16:00 1 0 I love CQ because it can be used as a showcase for all the other embroidery that I know how to do as well as a "sampler" for new stuff I want to try.

Keep with it, you just might love it,

Ginger]]> 12322 The Sporadic Packrat noreply@blogger.com cowgirl53.wordpress.com 2008-02-22 15:51:00 2008-02-22 15:51:00 1 0 12323 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2008-02-22 15:31:00 2008-02-22 15:31:00 1 0 One of the reasons I like the style is becuae it can present such interesting design challenges

As for cover ups - fudging it etc I think Lace can hide a multitude of sins LOL]]> 12324 appleseed noreply@blogger.com http://www.blogger.com/profile/15436461693763285963 2008-02-22 09:59:00 2008-02-22 09:59:00 1 0 Although I have to say i just pieced a block and it took lots of time turning and pinning to get a floating square just like that on purpose!
You just saved your self some time in getting to the fun part, that's all!]]> 12325 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-22 07:00:44 2008-02-22 07:00:44 1 0
Thanks for all your input and encouragement and good ideas. In fact, I just finished publishing these and I glanced down at a piece of fabric... the motif on the fabric caught my eye... and I said "Hey - embroider that, it would be the perfect cover up..." So I've got a plan.

I will let you know how the "drama" develops!

Best,
Mary]]> 12326 Anonymous noreply@blogger.com 2008-02-22 06:57:00 2008-02-22 06:57:00 1 0 I thought it would be the easiest of quilt tops to put together...how wrong I was. I'd rather cut and piece a zillion blocks of any other pattern..hehe
I do agree that with plenty of floss, lace ric-rac or whatever else, any 'mistake' can be covered with this type quilt top.
Sorry I don't have any suggestions other than to embellish the devil outta it :) I enjoy reading what everyone else has to say about it....
Jackie C]]> 12327 Anonymous noreply@blogger.com 2008-02-22 06:56:00 2008-02-22 06:56:00 1 0 12328 pinsneedles noreply@blogger.com http://pinsneedles.wordpress.com/ 2008-02-22 02:27:00 2008-02-22 02:27:00 1 0 Of course there is no such thing as a mistake in crazy quilting - that's why some of us like to do it. LOL.
OK, that jutting out bit - you could plonk a lace motif on it, add some beads to the motif and bingo - gorgeousnes guaranteed. And no, you don't have to add ribbons, braids or lace while pieceing the block - you can if you want to, or leave it till later if you want to.
Ok, once again after me... I created a design element, and there will be no more talk of mistakes.
Jocelyn]]> 12329 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-02-22 00:50:00 2008-02-22 00:50:00 1 0 http://missmuffettwo.blogspot.com/2007/11/wood-quilt.html
Perhaps a piece of lace might be used, with some beading and embroidery if you have to, but in the antique styles only simple embroidery stitches were used. I think people like Judith Montano Baker brought back the style and added their own touches to give us what we see today. Good luck, I'm sure you'll work something out.
Hooroo,
Christine
http://missmuffettwo.blogspot.com/]]> 12330 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-02-21 23:27:00 2008-02-21 23:27:00 1 0
Your block looks just fine. Congrats on venturing out of your comfort zone! I'll enjoy watching this drama unfold... ;-)]]> 12331 The Sporadic Packrat noreply@blogger.com cowgirl53.wordpress.com 2008-02-21 23:02:00 2008-02-21 23:02:00 1 0
I do a lot of crazy quilting, and I do 99% of my piecing by hand. I enjoy it so much more than using the machine, and I can be a lot more creative with my piecing.

If you go to my blog, you can scroll down and see some links to Take a Stitch Tuesday w/a list of cq-ers that should provide some inspiration.

also, be sure to check out Sharon B's blog InAMinuteAgo, http://inaminuteago.com/

and have fun! don't worry about errors... really, you can't make mistakes because there's no pattern to follow!
Edie]]> 12332 explorer0713 noreply@blogger.com 2008-02-21 22:58:00 2008-02-21 22:58:00 1 0
Then I would go through your bits of lace and trims and attach one and perhaps some a flowery vine 'wrapped' around and/or through the trim/lace.

Perhaps, it is stating the obvious, but why not do an image search for crazy quilts for inspiration and to see what sorts of things are usually done.]]> http://www.needlenthread.com/2008/02/photo-update-of-canvas-work-and-space.html Tue, 19 Feb 2008 16:51:00 -0600 Mary Corbet 839 2008-02-19 16:51:00 2008-02-19 16:51:00 open open Photo-Update-of-Canvas-Work...-and-Space! publish 0 0 post

But I've come pretty much to the stopping point - I'm going to fill in one more tiny section, touch up the flaws, embroidery a tiny border around it, and call it finished.



It's a little... much! And all packed in to about 4" x 5.5" But the advantage to working on something like this is that you don't have time to get bored before you switch to another color and stitch.



I think this little section is my favorite part. I like the diamond pattern on the right side of the paisley, and the gold filling on the left side.



In fact, here's the gold filling up close. I probably used too many strands of floss - the stitches look pretty packed and pudgy. I used 3 strands of Soie d'Alger, in two colors of gold. The stitch is actually upright cross stitch, although with the dark gold, the top stitch of the cross is horizontal, and with the light gold, it's vertical. (I did that on purpose, just to see what effect it would have on the whole filling.)



I also like this little guy sticking up - an afterthought. Too many afterthoughts can spoil the look, but this one, I like!



And I like the little shaded curl. The backgrounds are half cross stitch, in alternating colors of light gold / dark gold, and light purple / dark purple. They also go in different directions. The golds are silk Soie d'Alger; the purples are stranded cotton (DMC); the greens on the curl are Eterna flat silk.

So that's that project, almost finished. I should be able to fill in that empty space tonight and put an edge on it.

And the hobby room is coming along well - should be finished by the middle of next week (I hope!). It was a single car garage on the back of the house. But I live in a small house, which has little interior storage space, so the garage is being converted into storage space for household stuff as well as for hobby stuff, and an area for working projects. There will be a large table out in the middle of the room and, eventually, a sewing machine and so forth.

So this is what it looks like:



Over on the right wall, those are floor-to-ceiling cabinets - there will be adjustable shelving in there.



That's the same wall of cabinets, looking in the other direction.



And that's the wall opposite the cabinets - which will also be lined with the same floor-to-ceiling cabinets. So the only wall space will actually be below the big window, really - a sewing table would fit there. The freezer is also out there, so it's not a LOT of space, but it is space, nonetheless!

I'm still troubling over a good organizational method - bins, or cubby-hole type small shelves - for fabrics, threads, and whatnot. Any suggestions are most welcome!
]]> canvas stitches hobby room pictures organization needlework pictures 12334 Margaret C. noreply@blogger.com 2008-02-20 17:11:00 2008-02-20 17:11:00 1 0
Congratulations on the soon-to-be space. That must be exciting for you.

I hope to buy some map chests at some future time (for paper in my case). I didn't think the prices at Home Decorators were too bad compared with art suppliers. Here's a link:

http://www.homedecorators.com/search.php?search=map+storage&x;=0&y;=0

(If the link doesn't work, go to http://www.homedecorators.com and search on 'map storage'.)

I hope you are feeling better!]]> 12335 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-02-20 13:38:00 2008-02-20 13:38:00 1 0
wahoo!]]> 12336 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-02-20 01:12:00 2008-02-20 01:12:00 1 0 Those curved sections appeal to me considerably and the colours are so much fun.
What a great space you will have!]]> 12337 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-19 18:45:28 2008-02-19 18:45:28 1 0
Right now, I'm using plastic tool drawer boxes - they work pretty well, but the drawers are very small, so I have to open lots of little drawers to find what I want. It gets annoying!]]> 12338 Cindy in Oregon noreply@blogger.com 2008-02-19 18:26:00 2008-02-19 18:26:00 1 0 http://www.needlenthread.com/2008/02/embroidery-news-and-musings-and-some.html Sun, 17 Feb 2008 12:13:00 -0600 Mary Corbet 840 2008-02-17 12:13:00 2008-02-17 12:13:00 open open Embroidery-News-and-Musings...-and-some-Disappointment publish 0 0 post

First, if you like ribbon embroidery, crazy quilting, and so forth, do check out some very nice tutorials that were put online this week.

Allison Aller of Allie's in Stitches posted a tutorial on really interesting ribbon leaves (more like neat, soft-looking branches of leaves - they remind me somewhat of crepe myrtle - long branches of greenery with pink flowers at the tip). Also, check out the finished block while you're there.

Sharon of In a Minute Ago posted a tutorial on a 5-pointed ribbon flower, which makes an attractive single flower (or I suppose it could be worked in clusters...) for embellishment. Check out her beautiful quilt square decorated with the same flower (the dark purple ones).

And a little news...

I received a nice e-mail from a friend who recently had the pleasure of working with the Gilt Sylke Twist from Plimoth Plantation. In case you haven't heard it yet, this gorgeous thread, when released for retail purchasing (if released!), will cost somewhere between $22 - $25 per 35 meter spool. Now, I know it sounds like a lot, but let's put it in perspective: a yard of Mokuba ribbon can cost anywhere from $10 - $40. For ONE YARD. Granted, ribbon covers more space, but not that much more! ... Anyway, even at that cost, I think embroidery enthusiasts (especially historical embroidery enthusiasts) will indulge in a spool or two. Considering the expense of having to recreate this specialty thread, I think the price is absolutely justifiable. It'll make a good thread for embroidery buddies to go in on...

And a little disappointment...

And finally, after well over a month of waiting for some kind of response or acknowledgement from Criss Cross Row, I am, for the time being, withdrawing my recommendation for this shop. I've ordered from them once in the past and did not have a problem, but since I recommended them for the gold #371 (for plaited braid stitch) last month and placed an order myself, I received only a confirmation e-mail, and have not heard from them since. I called several times to only get an answering machine (left one message on it) and have e-mailed innumerable times. I know that sometimes personal problems may interrupt the normal course of a small business, and I grant that may be the case here (although they certainly have updated their site several times recently, and especially this past week with new products from a trade show).

Anyway, I realize there may be extenuating circumstances, but eventually, someone should have responded to the various e-mails and the phone call. That's just good business sense. And since I feel somewhat responsible for recommending the shop to readers who have also placed orders recently and been disappointed (according to email received), I wanted to apologize for the recommendation.

Generally, I do not endorse a shop I'm not sure of, but, as I said, I have ordered from them in the past and been pleased with their service... hopefully, it's some kind of glitch and it will be worked out.

It's rather embarrassing to even have to bring it up. But there you have it. I'm happy to hear any news or anything that would change my mind on this subject, so if anyone out there is familiar with Criss Cross Row and knows what's going on, do let me know.

For the rest of life - I'm recovering from the flu (thanks for all the get-well wishes!), I haven't done a whole lot of stitching lately but I have made some progress on my canvaswork sampler, which I really must draw to an end at some point (I'll post pictures of it soon), and ... the garage is Almost Finished! Work Space. Yippee! (Pictures of that coming soon, too!)
]]> embroidery resources miscellaneous embroidery musings 12339 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-02-19 09:06:00 2008-02-19 09:06:00 1 0
I do hope you fully recover soon, and can't wait to see your workspace, and new stitching too. ;-)]]> 12343 Anonymous noreply@blogger.com 2008-02-17 17:24:00 2008-02-17 17:24:00 1 0 we all wish the family the very best! However, when one notices that there is web site activity, a simple explanatory email would be nice to receive. Have you tried Needle In a Haystack for this thread? They list it as a special order item. Or Thread Needle Street? Even if you don't see it on a web site, inquire. It is distributed by Access Commodities, so anyone who carries the Au Ver a Soie products should be able to get the passing thread easily enough.

J]]> 12344 Heidi Kaisand noreply@blogger.com http://www.blogger.com/profile/01072960059265001804 2008-02-17 16:03:00 2008-02-17 16:03:00 1 0 http://www.needlenthread.com/2008/02/february-embroidery-stash-contest.html Fri, 15 Feb 2008 10:47:00 -0600 Mary Corbet 841 2008-02-15 10:47:00 2008-02-15 10:47:00 open open February-Embroidery-Stash-Contest-Winner publish 0 0 post original post - you might pick up a great little tip.

So once again I went through the process to draw a winner - and this time, the winner is Sarah Wisdom! Sarah uses different canvas bags for her works in progress, so that they are portable for business road trips.

Again, thank you to EVERYONE for your great tips and for taking to the time to comment! I'll be doing it again in a couple weeks - I'm thinking fabric pieces for the next one - so keep an eye out!

One underlying theme I noticed in everyone's "time management" tips is that most of them are based on organization of supplies and so forth. I think that's absolutely true - the better organized you are, the easier it is to use time well. Sometimes, I'm afraid I don't follow that rule... aargh.

Sarah, please e-mail me your address, and I'll get that off to you as soon as I'm "alive" again! Flu season is not my favorite time of year!
]]> stash contest 12347 Jackie C noreply@blogger.com www.violetgypsy.spaces.live.com 2008-02-16 22:41:00 2008-02-16 22:41:00 1 0 Hope you're feeling better this evening, Mary.
Jackie C.]]> http://www.needlenthread.com/2008/02/quick-little-update-on-embroidery-stash.html Thu, 14 Feb 2008 15:56:00 -0600 Mary Corbet 842 2008-02-14 15:56:00 2008-02-14 15:56:00 open open A-Quick-LIttle-Update-on-Embroidery-Stash-Give-away publish 0 0 post this month's embroidery stash giveaway contest. I was actually going to draw names this afternoon, but I probably won't do so until tomorrow. Fact is, I'm down and out with whatever prevalent flu / bronchial infection / fever thing is going around! So you still have a chance if you want to get in on the drawing for this month!]]> stash contest 12349 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-02-15 16:01:00 2008-02-15 16:01:00 1 0
I'm off to my birthday lunch today *grin*]]> 12351 sandy s noreply@blogger.com http://www.blogger.com/profile/07490940586958025009 2008-02-15 09:35:00 2008-02-15 09:35:00 1 0 12352 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-15 09:26:43 2008-02-15 09:26:43 1 0
CA, I saw the picture of your thumb the other day! Eeew ouch! I hope it's better soon and you're back to easy and painless functioning!

Thanks again!]]> 12358 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-02-15 05:31:00 2008-02-15 05:31:00 1 0
CA]]> 12360 Anonymous noreply@blogger.com 2008-02-14 23:02:00 2008-02-14 23:02:00 1 0 I hope you shake that stuff off pretty quick. Seems like it sure hangs on this winter once it hits.
I don't use many medicines but I did with the flu (whatever it was) seemed like it helped to knock out the worst of it in the beginning. I used Tylenol Cold and Flu or Fever and Flu..anyway, it was a liquid. Still have a cough but all the other is finally gone.
Jackie C.]]> http://www.needlenthread.com/2008/02/great-embroidery-pattern-resource.html Tue, 12 Feb 2008 18:57:00 -0600 Mary Corbet 843 2008-02-12 18:57:00 2008-02-12 18:57:00 open open Great-Embroidery-Pattern-Resource! publish 0 0 post

The website is actually named after an old embroidery stamping catalog, the J. F. Ingalls pattern catalog from 1886. The J.F. Ingalls website is an initiative of John Governale, who has scanned in more than 250 pages of the original 1886 catalog.

You can visit the scan index to see all the different embroidery patterns (there are heaps of them - each page has many be-sprinkled about on it!). They're all in jpg format and can be downloaded.

John also has two excellent tutorials on cleaning up images and converting them to vectors so that you can enlarge them without losing clarity.

So, if you're looking for some design ideas, you might want to take a minute (or ten, or twenty...) to check out the J.F. Ingalls website! (After all, you can never have too many patterns!)
]]> free embroidery patterns embroidery resources 12364 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-02-13 04:51:00 2008-02-13 04:51:00 1 0 12368 Margaret C. noreply@blogger.com 2008-02-12 20:17:00 2008-02-12 20:17:00 1 0 http://www.needlenthread.com/2008/02/embroidery-stash-give-away-want-some.html Sun, 10 Feb 2008 11:59:00 -0600 Mary Corbet 844 2008-02-10 11:59:00 2008-02-10 11:59:00 open open Embroidery-Stash-Give-Away---Want-Some? publish 0 0 post

There are a couple options for embellishment of your embroidery projects (whether regular surface embroidery, canvas work, or crazy quilting)... and some of them are a little bit "Valentine's-ish" since it's February!



First of all, there's some glittery gold stuff! You can add a little sparkle to your projects with these.



From left to right, there's a spool of Sulky metallic (can be used for hand embroidery or machine), a spool of Kreinik blending filament (that you add to any color of your own floss), and a spool of Kreinik gold braid (medium, #16). The latter is good for couching and for some canvas work applications. It also makes great cords for Christmas ornaments, or great decoration for cards and so forth.



This is a little Valentine heart printed on cotton, good for crazy quilting or for card-making, or for anything your little heart can come up with!



And, finally, a tiny box of little things: three red jade heart beads, teeny tiny, and really pretty; a clear flower-shaped button (acrylic, I think), and some beetle wings. About the beetle wings: even if you think you'd never ever be interested in embellishing with these things (which can be trimmed and cut into different shapes and sizes), you should at least see them in person, as they are quite beautiful!

So that's the loot. Here's the deal:

Leave a comment here and let me know something about how you manage your time for needlework - or for anything else that allows you time to indulge in needlework. Time management tips are always appreciated, and I think other readers would like to hear what YOU do. So, for example, what do you do to make sure you're using your embroidery time efficiently? Or, what do you do during the day to make sure you have time for embroidery? Anything like that!

(If you're absolutely stuck and have no time management ideas, you can post your thoughts on "time and needlework" or "taking time to do needlework"!)

If you don't have a blogger account, please make sure you leave your first name (and last initial is helpful, too!) in the post, so that the drawing is a bit easier.

On Thursday, I'll draw names from among the commentors. I'll post the name of the winner, and then you can contact me via e-mail with your snail mail address.

Thanks, Paula, for the idea for this month's contest. Paula won last month's contest, and her loot arrived in Australia less than two weeks after mailing! I thought that was pretty good, considering I mailed it first class, not priority!

The contest is open to anyone. I'll mail overseas mail the cheapest possible airmail option.

(By the way, the reason I title these things "Want Some?" is because that is the only half-way clever phrase my silly parrot can utter. He says it whenever he sees something he wants - food, water...shiny buttons... )

Don't be shy! And thanks for participating!
]]> stash contest 12348 Anonymous noreply@blogger.com 2008-02-16 21:46:00 2008-02-16 21:46:00 1 0 12350 Anonymous noreply@blogger.com 2008-02-15 09:52:00 2008-02-15 09:52:00 1 0 12353 sandy s noreply@blogger.com http://www.blogger.com/profile/07490940586958025009 2008-02-15 09:19:00 2008-02-15 09:19:00 1 0 Sandy S]]> 12354 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-02-15 08:59:00 2008-02-15 08:59:00 1 0 Thanks for the opportunity
Sharon
stash4stitch@bellsouth.net]]> 12355 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-02-15 08:51:00 2008-02-15 08:51:00 1 0
Melisa Bakos]]> 12356 andrea noreply@blogger.com http://www.blogger.com/profile/06008930267987838006 2008-02-15 07:52:00 2008-02-15 07:52:00 1 0
I recently read that the average person spends 14 hours per week watching TV. No TV means an extra 14 hours for embroidery. And one is left with something far more tangible at the end of that time, as well.

About those beautiful beetle wings - years back I saw them in a museum in Japan. They had been used in inlay work in a table that was several hundred years old. They had lost most of their irridescence due to age, but were still intact.]]> 12357 Anonymous noreply@blogger.com 2008-02-15 06:37:00 2008-02-15 06:37:00 1 0 12361 jcmend2 noreply@blogger.com http://etatters.ning.com/profile/joanie 2008-02-14 22:13:00 2008-02-14 22:13:00 1 0 12366 Anonymous noreply@blogger.com 2008-02-12 22:09:00 2008-02-12 22:09:00 1 0
Thanks

Sara Wisdom]]> 12370 jennyflower jennyflowerblue@gmail.com http://www.blogger.com/profile/16724655266500430873 2008-02-12 14:28:00 2008-02-12 14:28:00 1 0 12371 Sarah noreply@blogger.com http://www.blogger.com/profile/05727234811174883846 2008-02-12 12:22:00 2008-02-12 12:22:00 1 0
BTW, those beautiful beetle wings look like halves of jalapeno peppers...!!!]]> 12372 Gail galynn92347@yahoo.com http://www.blogger.com/profile/14240381173653268463 2008-02-12 04:56:00 2008-02-12 04:56:00 1 0 12373 Kim noreply@blogger.com 2008-02-12 00:42:00 2008-02-12 00:42:00 1 0
I get lonely when my husband is out of town. I find myself watching TV too much or reading junk books. So this time, I put together a couple cross stitch projects, borrowed a couple of good books on tape from the library, and after I get the kids to bed, I listen and stitch until I get sleepy.]]> 12374 heidilee noreply@blogger.com 2008-02-11 19:54:00 2008-02-11 19:54:00 1 0 12375 Anonymous noreply@blogger.com 2008-02-11 19:12:00 2008-02-11 19:12:00 1 0 I have more time on my hands these days so I can stitch about anytime of day or night (and I do :) )
I keep my threads in those little crayon boxes that the kids use in grade school. I found tons of them on an end-cap at Wal-Mart for 50 cents each and stocked up. I put address labels on the ends of them so I know which threads are in them.
When working on a particular project, I place all the threads, beads or whatever in one of the boxes and keep it by the sofa so when I sit down, I can just grab it and stitch away.
Jackie C.]]> 12376 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2008-02-11 18:53:00 2008-02-11 18:53:00 1 0 I take the time that is spent commuting on the bus to either stitch or plan out designs and projects. Lunchtime with my other crafty coworkers provides another few minutes to make incremental progress.
I set aside any stitching time that is available on Sundays for either larger, non-portable projects or church-related stitching.
I also put all of my supplies for the current portably sized project in a nicely covered slide box (roughly 8x5x1 1/2 inches). This prevents the threads from getting tangled and everything getting crushed as I put it in and out of my bag a dozen times a day. If it is small enough, the project can even stay on the hoop inside the box.
The biggest time-saver is my project journal, however. Because the design phase is always the most time-consuming part for me, I carry it around to wherever I go and any spare moments when stitching isn't possible for whatever reason, I can whip it out and sketch away.]]> 12377 Cindy noreply@blogger.com 2008-02-11 17:29:00 2008-02-11 17:29:00 1 0 12379 Anonymous noreply@blogger.com 2008-02-11 15:40:00 2008-02-11 15:40:00 1 0
Hugs!
Lori N
Auburn, WA]]> 12380 Anonymous noreply@blogger.com 2008-02-11 13:26:00 2008-02-11 13:26:00 1 0 12381 Bear noreply@blogger.com http://www.blogger.com/profile/00096238770410460175 2008-02-11 08:00:00 2008-02-11 08:00:00 1 0 I dont know if you want an Aussie posting to get in on the great stash giveaway but as soon as I saw those beetle wings I though I gotta have a go
so my tip always carry a small bag with something tiny and when yo have a break from the dull jobs ie housework or going to the Drs oe any appointments- have this wee stash bag with you (its gotta have scissors and needles and the fabric and threads etc in your zip lock baggie) drag it out and spend a few minutes stitching. You have no idea how this will make those minutes/hours spent waiting flying and of course the comments and chat from others in the waiting room will introduce more men / women to our wonderful needlwork lives. Even a cuppa and a few minutes at home with a stash baggie will while away the minutes/hours happily,( after all I have found the housework will be there tomorrow if I get carried away on my stash baggie LOL)
love n hugs Bear xoxoxoxoxo]]> 12382 kathyinozarks kathyinozarks@hughes.net http://www.blogger.com/profile/01644138355524729156 2008-02-11 07:51:00 2008-02-11 07:51:00 1 0 When I organize my needlework, I keep a current project in a big bag (I collect all kinds) and put all my supplies in one pocket and my project and hoop in the other.
For time management, after supper and dishes are washed, my husband and I enjoy a tv program together, share our day, and I grab my bag and work on my needlework then.
also if it is a bad day-very cold or rain etc, I grab a few hours in the afternoon with a hot cup of tea or cocoa and work on my needlework too.
Kathyinozarks]]> 12383 berbmcg noreply@blogger.com http://openid.aol.com/berbmcg 2008-02-11 07:47:00 2008-02-11 07:47:00 1 0 I absolutely LOVE your site! Here is my tip:
Set your timer for 15 minutes and do as much as you can quickly. You will be amazed at how much you can really get done. Do this twice a day. Then you can be in embroidery heaven with the time "saved"!]]> 12384 Anonymous noreply@blogger.com 2008-02-11 03:12:00 2008-02-11 03:12:00 1 0 Here are my time-saving tips.
I use an excel table for floss storage management. When I collect the flosses needed for my next project, I write the name of the design after the color code and amount, so if I'm searching for the elusive Anchor 352 floss, I know it is in the "Squrrel" project right now. I use small craft boxes for storing my many threaded needles as a needle organizer. :-)
Regards,
KerGiz, Hungary]]> 12385 Deepa noreply@blogger.com http://www.blogger.com/profile/14196651887074374890 2008-02-10 20:41:00 2008-02-10 20:41:00 1 0
Last time I did not comment coz I didn't want you to spend whole lot of money in shipping.This time too no compulsions from my part to include me in the lot (Iam from India ).
As for time mgmt,whatever I decide doesn't happen always since my 2 year old daughter insists on my giving her company all the time.Usually,when she sleeps I start with my stitching.My resolve for this year was whatever happens,everyday I would spend atleast half an hour for the same.Nothing else could pull me away from my needle'n thread for that half hour.]]> 12386 Anonymous noreply@blogger.com 2008-02-10 19:33:00 2008-02-10 19:33:00 1 0 12387 Andrea J. noreply@blogger.com http://www.blogger.com/profile/09319447475289414131 2008-02-10 18:35:00 2008-02-10 18:35:00 1 0 12388 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2008-02-10 17:51:00 2008-02-10 17:51:00 1 0
In fact, in general sitting down time is embroidery time. I favour smallish projects, which can all fit in my embroidery box, and it travels around the house with me. I also take it visiting (to frock friendly firends only) like a lady of old would do.

Currently I'm embroidering lapels and a yoke for an Artistic Reform Teagown.]]> 12389 appleseed noreply@blogger.com http://www.blogger.com/profile/15436461693763285963 2008-02-10 17:27:00 2008-02-10 17:27:00 1 0 This keeps everything together and I can easily switch from one project to another. The only thing I have to transfer about is scissors.
This also keeps my projects portable so I can work on them on car trips, in the Dr.s' waiting rooms, or during naptime!
Mostly I get my time for needlework during naptime and bathtime ( my Husband's job to bathe the boys!) and some on the weekends if there is nothing planned. It's a good thing I work fast, or I would have more projects lined up than I could handle. Currently I only have 3 backed up, but hundreds *slight exaggeration* floating around in my head at any given time...]]> 12390 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-10 14:55:28 2008-02-10 14:55:28 1 0
I got them from a fellow on eBay. I have a post about them here, with the source in it, I think:

Beetle Wings for Embroidery

Hope that helps!]]> 12392 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-02-10 14:18:00 2008-02-10 14:18:00 1 0 My time managment tip: I get up at 5.30am for computer time, I race around doing everything before school starts, so I can do an hour or so of needlework during naptime. During this time I do NOT turn on the computer.

As I won the last comp - if you happen to draw my name again, you can do a redraw!

I was very attracted by the beetle wings- I was reading about them only yesterday - I was wondering where you purchased them?
cheers
Paula]]> 12393 Mary Grace McNamara noreply@blogger.com 2008-02-10 13:16:00 2008-02-10 13:16:00 1 0 http://www.needlenthread.com/2008/02/canvas-work-embroidery-sampler-update.html Sat, 09 Feb 2008 13:25:00 -0600 Mary Corbet 845 2008-02-09 13:25:00 2008-02-09 13:25:00 open open Canvas-Work-&-Embroidery-Sampler-Update... publish 0 0 post the beginnings of my excursion into canvas work (or needlepoint). My plan was to make a little sampler, just to play with some stitches and threads. I haven't made a lot of progress on it, but the little I've done has been a lot of fun and a good learning experience.

I'm work on 24 count soft congress cloth, and using a variety of threads - really, anything I pull out of my stash that looks remotely like it might belong to a general color scheme! I've been playing with all kinds of stitches, but nothing too magnificent. There are quite a few more stitches and combinations that I'm looking forward to trying!



As you can see, there are lots of blank spaces to fill in, and a bit more growing room on the top. I'm not quite fond of that curl on the top right. I was trying to play with shading, but I'm not too keen on the results!

The paisley-looking thing in the middle is not very well or precisely done! I drew it straight onto the fabric with a pen, then stitched the outline first in stem stitch in several strands of floss, then filled in with tent stitch. I think that might be cheating!



That zig-zag area is not quite true to color. I should have played with the photo a bit to get it more realistic. The greens are more yellow and less blue. Anyway, the fun thing about that area: I worked it in Eterna stranded silk, which is an almost-flat Chinese silk with a nice sheen. It can be a grouchy thread to work with in regular surface embroidery. I thought it would be a bear in canvas work, but I was pleasantly surprised! I like it!



The background bluish-purple in the squares is worked with Soie d'Alger, and I think it is, so far, my favorite thread to work with on this canvas. I may very well be using too many strands (4, I think - but it may have only been 3!) on 24 count, but it was still really buttery-soft and easy to work with. The gold crossing over the purple is also Soie d'Alger. The camera doesn't catch the soft sheen of the floss, but it does shine (not as much as the flat silk, but with a soft kind of glow).

The gold underneath the brighter green zig-zag is rayon ribbon floss. Interesting stuff to work with.



I like to look at things from an angle.



This photo shows the Rhodes stitch and tent stitch strip. The Rhodes stitch squares were rather randomly placed - I didn't count them out or mark them first. You can also see, in the front leaf of the paisley-thing, how messy the bottom rows look. I think two things were happening: my thread was wearing out, and I changed direction in my stitching.

So, that's the sampler so far. I am looking forward to hopefully a weeeeee bit of stitching time for it this weekend.... if the planets line up in my favor, anyway!


]]> canvas stitches needlework tools needlework pictures 12369 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-02-12 16:48:00 2008-02-12 16:48:00 1 0 12391 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-10 14:43:56 2008-02-10 14:43:56 1 0
Thank you for the resource! I appreciate it!

MC]]> 12394 Anonymous noreply@blogger.com 2008-02-10 12:50:00 2008-02-10 12:50:00 1 0 Beverly again]]> 12395 Anonymous noreply@blogger.com 2008-02-10 12:48:00 2008-02-10 12:48:00 1 0
Your sampler so far looks good - and makes me want to try some needlepoint!

Beverly in CA]]> 12396 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-10 12:43:19 2008-02-10 12:43:19 1 0 12397 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-02-10 12:37:00 2008-02-10 12:37:00 1 0 12403 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-09 18:23:39 2008-02-09 18:23:39 1 0 12405 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-02-09 16:06:00 2008-02-09 16:06:00 1 0 http://www.needlenthread.com/2008/02/interested-in-dimensional-embroidery.html Fri, 08 Feb 2008 18:54:00 -0600 Mary Corbet 846 2008-02-08 18:54:00 2008-02-08 18:54:00 open open Interested-in-Dimensional-Embroidery? publish 0 0 post

The Brazilian Dimensional Embroidery International Guild has a very informative website with a lot of interesting embroidery goodies on it.

First of all, there's a good information section on the site. I found the page on thread comparisons and embroidery supplies very informative! Basic stitches are an important part of any embroidery endeavor, and you'll see some good diagrams here. They also supply photos of the finished stitches, which is really handy.

Finally, since it's a technique-specific site, it's great that they have some free Brazilian embroidery designs for practice. I love the one called Rhapsody - it's really nice (and I like the vibrant colors).

So, if dimensional embroidery is your thing, do check out the The Brazilian Dimensional Embroidery International Guild! You'll be glad you did!

I'm still trying to concoct an idea for a stash give-away contest. I need a good question I can ask people to share information on! Any ideas???

And now, for the first time in AGES - I'm going to go pick up my own needle 'n thread and make some progress on my little canvas work sampler. Tomorrow, I'll show you some photos! (It's not turning out as badly as I thought it would!)
]]> embroidery links free embroidery patterns 12401 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2008-02-09 23:20:00 2008-02-09 23:20:00 1 0 http://www.jdr-be.com/
alli si se suscribe a el grupo de yahoo puede obtener clave para clases son excelentes....]]> 12402 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-09 18:24:50 2008-02-09 18:24:50 1 0
Thanks, Paula!]]> 12404 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-02-09 16:27:00 2008-02-09 16:27:00 1 0 12407 Anonymous noreply@blogger.com 2008-02-08 20:49:00 2008-02-08 20:49:00 1 0 Jackie :)]]> http://www.needlenthread.com/2008/02/i-went-shopping-for-embroidery-stuff.html Sun, 03 Feb 2008 10:12:00 -0600 Mary Corbet 847 2008-02-03 10:12:00 2008-02-03 10:12:00 open open I-Went-Shopping-for-Embroidery-Stuff... publish 0 0 post

It was not the most fruitful trip in the world. I remembered Why I shop online for my embroidery supplies! Deep down, when I set out, I knew it would be that way - but the fact is, after a very busy 2 months, I realized I hadn't gone anywhere in a long time (besides work), and I needed to get out. So I talked myself (and my sister) into going shopping for some particular needlework needs - after all, what could be more fun?!?...

There comes a point when DMC becomes irritating. I did manage to go to one shop that sold (besides the full range of DMC floss) Caron Collection threads - a whole 7 skeins of them, in three different colors. Seven. Not a range. Not seven types of Caron Collection. Seven skeins. I felt obliged to buy one of each color - they ended up being 2 Waterlilies and 1 Wildflowers.



I also found a place that carries heaps (and heaps) of quilting fabric - cottons and so forth - but in the back of their place, they have all kinds of dress fabrics and... Trim. Trim Galore. The kind of trim that makes you want to just Buy Trim! Not for any purpose, but just because it's really nice Trim.... ribbons, braids, bands and weird stuff - lots and lots of Trim.



I only bought two snippets. The blue sheer pleated ribbon is Mokuba ribbon (see why I didn't buy much - that stuff is deadly expensive) and the rust color is... another kind, but I don't remember what. It's a very soft ribbon - velvety feeling, but it's very limp and light and fine. I like it.

Joy, bliss - they also had a wall of notions, on which I found needles in my favorite sizes and a little pack of needle threaders. I've never uesed needlethreaders before, but in doing canvas work lately, I realized how handy one would be for those shorter lengths of thread. So I got needlethreaders.



They had several different types of pencils for marking fabric. So I got one fine lead pencil (sold for "quilters and crafters"), with lead that apparently erases right off the fabric without leaving marks (I figured why not, I'd pay that much for a regular mechanical pencil), and one is made by Bohn (of France), and it has white ceramic leads for marking on dark fabric - and also guaranteed to erase right off. So we'll see how those work - I'll let you know. They both claim to be fine enough to fit in stencil lines (I suppose for quilter's stencils?). My beeswax cakes are falling to crumbs, so I got a handy one encased in plastic. Less mess and crumble? We shall see.



Did I mention they had a great selection of Trim? I had this weird idea when I saw the pleated ribbon that it would be fun to smock. I'm pretty sure I will do no such thing.

I bought some fabric scraps, although nothing thrilling, and I called that my Big Day Out. OH - no, I bought one more thing (three, actually)....



These are placemats from Target. They were on clearance for less than $2 each. I'm going to do something with them that I hope is ingenious. Can you guess what?

This afternoon, I plan to edit some embroidery stitch videos for you and this week, I'll be posting at least one. I'll also be posting my stash contest (want some?), so stay tuned!
]]> 9286 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-03 16:30:33 2009-01-03 16:30:33 1 0
Best,
Mary]]> 9290 Peggy noreply@blogger.com http://www.blogger.com/profile/11787005551419028977 2009-01-03 12:53:00 2009-01-03 12:53:00 1 0 12409 Cindy in Oregon noreply@blogger.com 2008-02-07 13:26:00 2008-02-07 13:26:00 1 0 12410 Chelle noreply@blogger.com http://www.blogger.com/profile/00591712058338153577 2008-02-06 15:27:00 2008-02-06 15:27:00 1 0 12413 Laura Bullinger noreply@blogger.com http://www.blogger.com/profile/08151154110553301553 2008-02-04 10:23:00 2008-02-04 10:23:00 1 0 12414 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-03 23:26:33 2008-02-03 23:26:33 1 0 detached buttonhole...]]> 12415 Anonymous noreply@blogger.com 2008-02-03 22:10:00 2008-02-03 22:10:00 1 0 12419 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-02-03 14:02:00 2008-02-03 14:02:00 1 0 I like the trim - at least the trip was a total waste of time. As for the placemats.....embroidered over and turned into book covers?]]> http://www.needlenthread.com/2008/01/tif-challenge-needlepoint-sampler-in.html Wed, 30 Jan 2008 16:53:00 -0600 Mary Corbet 848 2008-01-30 16:53:00 2008-01-30 16:53:00 open open TIF-Challenge---Needlepoint-Sampler-in-Progress publish 0 0 post TIF Challenge posed by Sharon, I thought I'd challenge myself to dabble in areas of needlework and embroidery into which I don't normally venture. Hence, the idea of a needlepoint sampler this month.

Needlepoint (or canvas stitching) is not necessarily my "thing." As Margaret, a faithful reader, put it, "I like to stitch on a curve!" And I do, too. Still, I wanted to explore outside my normal embroidery range, and so I thought I'd try playing around with canvas stitches.

Without much of a plan beyond just a "sampler" of stitches blocked out in one-inch squares, I set about stitching. I gathered together whatever threads looked remotely similar to the palette presented by Sharon for January. They range from wools, to wool and silk blends, to silk, to cotton. Watercolors by Caron, Waterlilies by Caron, Soie Gobelin, Soie Perlee, Trebizond, DMC stranded cotton, DMC perle, rayon ribbon floss - I just pooled a bunch of threads out of my stash and started.

The fabric is soft congress cloth, 24 ct. I framed it up in a 6 x 9 frame, and drew a row of four one-inch blocks to start with.

And this is all I've accomplished so far:



Now, all you Expert Eyes and Expert Needlepoint Needlers out there will undoubtedly see what I see here: bad tension, wrong thread choice, and a lack of attention to detail... (not to mention the deplorable lack of a scheme or plan!!)



The green square on the right was the first square I worked. I used Silk & Ivory (50% silk, 50% Merino wool) - a whole 3-ply strand. Needless to say, it's a tight fit in 24 ct congress cloth! The stitch is a basketweave tent stitch, and I varied the length of the stitch in certain places, going over two threads as opposed to just one. I completely messed up the lower corner of the thicker ridge in the middle. The wonderful warping of this square is not normally what one desires in a needlework project, either! It looks, to say the least, dreadful.

But I did learn a lot stitching it. The first obvious lesson was to pick a thread that fits the canvas. The second was to go easy on pulling the thread through. I liked the hard look as the stitches developed, until I realized I was pulling the whole thing into a warped mess. The next thing I learned is to pay attention!! I had it in my narrow mind that this stuff is "brainless" stitching. I was just stitching along, paying attention to every other thing around me - and then - voila! I found out that you DO have to plan ahead, especially when it comes to compensating stitches. The lower right hand corner of the square taught me that lesson!



This is my favorite square so far. It's an upright cross stitch. The top is worked in DMC perle #12, which fits really well on this canvas for this stitch. The middle is 2 strands of DMC cotton, and the bottom alternates the two. I like the firmness of the finished stitches. The thread was better to work with: there was no fraying for two reasons - the type of thread, and the fact that it fit in the holes!



I hate this square. There's nothing about it I like. I don't even want to talk about it! The top half is herringbone as a filling, alternating medium and light greens (Silk & Ivory again), and golly. That was just dumb. I must not have learned the first lesson very well, actually. The thread was too thick for this - for the canvas, for the stitch - it was just all wrong. I finally gave up and went to Hungarian filling, which is kind of an alternating cross pattern. It looks lousy, too! Oh, and let's not mention the compensating stitches that are missing On Every Side! I'm laughing....



Now, this little square is not very impressive right now, but I like the thread! This is Caron Watercolors - a 3-ply overdyed cotton, which I stripped and used just one ply. It's nice to stitch with, and I like it. The results here don't look so marvelous. It's no particular "stitch," to my knowledge. I just wanted to work rows, leaving one little place open, which I'm going to go back and fill with something else. The stitches are just straight up-and-down stitches, alternating between over two and over one.

And that is my latest dabbling. Oh, for heaven's sake. It's bad. But I'm not finished!! NO - I'm determined to keep playing (and probably making it worse!)

The reason I decided to take up the TIF challenge was simple: I wanted to have a kind of structure for forcing myself to play with different techniques or supplies that I don't normally play with. To fiddle around alone is not so fun, but to join in with other people (who are actually producing NICE stuff) and to have the loose constraints of the Take it Further challenge makes it a little more fun to dabble about.

Next month, despite my sorry attempt here, I'm going to venture into ... a Crazy Quilt square. Wow. New for me, anyway.

My plan with each little challenge episode was to produce something that I could finish somehow, rather than just scraps to store in a notebook. This piece, though... it yearns for the inconspicuous sleeve in an inconspicuous notebook. But who knows - I may save it yet.

Unless you have any ideas of what I could do with this "thing"?!
]]> canvas stitches TIF sampler stitch challenge 12429 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com 2008-01-31 13:18:00 2008-01-31 13:18:00 1 0 I also participated in TIF and also my work still do not finished.
A kiss]]> 12430 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-01-31 05:41:00 2008-01-31 05:41:00 1 0
Take one needle, one simply gorgeous thread and keep going, they'll go away of their own accord.

In the mean time, know anyone who needs a new bookmark? Looks like you have one nearly made :)

CA]]> 12432 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-01-30 20:10:00 2008-01-30 20:10:00 1 0 12434 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-30 19:31:21 2008-01-30 19:31:21 1 0
Thanks again!! MC]]> 12435 Jeanne noreply@blogger.com http://www.blogger.com/profile/08749487038590434145 2008-01-30 19:11:00 2008-01-30 19:11:00 1 0
If nothing else, your difficulties with canvas make those of us who struggle with surface work (and admire yours) feel better! :-)]]> http://www.needlenthread.com/2007/09/needle-painting-again-new-little.html Sun, 16 Sep 2007 15:48:00 -0500 Mary Corbet 849 2007-09-16 15:48:00 2007-09-16 15:48:00 open open Needle-Painting-Again---A-New-Little-Project publish 0 0 post

Tanja Berlin is certainly a favorite. I've worked a couple of her kits, including this little needle painted bird, and I've got a couple more waiting to tackle. I thought, in fact, that three of them - two birds and the current flower I'm working on, if framed to match, would make a nice Christmas present for my folks. So that's my plan.

I'm working on the Peony-type Dahlia from Berlin Embroidery Designs right now. I'm going to follow it up with the Robin on a Berry Branch, if time allows.

So, here's the beginning of the dahlia:



Actually, that's not a very impressive photo. I just took the shot so you could see the concept of the stretcher-bar frames, which I elaborated upon when telling you about one of those handy-dandy gotta-have embroidery tools, the EZ Tack-it Kit.



Here's the photo of the kit, and the buds underway in the background. One thing I did absolutely notice in this particular kit of Tanja's is that the greens on the cover photo of the kit and the greens inside the kit (the actual color of the floss provided) do not really correspond. The floss is much darker, and the contrast between the shades of green is not as obvious. Still, it looks good.



And here they are up close.

So that's what I'm working on casually. My silk work sampler is still getting attention, though I still have an ugly mistake to pick out. I'm just not in the mood for that this weekend, though!

]]> pictures needlepainting 12946 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-09-17 20:12:00 2007-09-17 20:12:00 1 0 I am in my early fifties I have only been doing embroidery for about 12 years now, mostly self taught but I love doing it
Thank you for your help
Have a great day
Regards Joyce]]> 12947 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-17 17:27:53 2007-09-17 17:27:53 1 0
The creepy-crawly-crud is slowing crawling and creeping away! Thanks!

I've been embroidering since I was a kid, pretty much. I'm in my (gasp) mid-30's.

The frame is a stretch bar frame - but I see you found that info...

Feel free to e-mail the picture of the sweetpea project, and I'll see if I can give you hand! You can e-mail me at mary[at]needlenthread.com

When trying to decide on colors, it's super-helpful to have access to real-thread color charts for different lines of threads. Let me know what line of threads (DMC, Anchor, etc.) you plan to use.

Be in touch!

MC]]> 12948 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-09-17 16:24:00 2007-09-17 16:24:00 1 0 Regards Joyce]]> 12949 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-09-17 14:50:00 2007-09-17 14:50:00 1 0 Can you tell me what sort of frame is that you have your work on, I have never seen one before. Also Mary I have a cloth I would like to do of sweetpeas but am not sure on the colours to do it in is there any way I can send you a picture of it and maybe you could help me with the colours for it if you have the time
Many thanks and happy stitching
Joyce]]> 12953 explorer0713 noreply@blogger.com 2007-09-16 19:48:00 2007-09-16 19:48:00 1 0 12954 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-16 17:12:09 2007-09-16 17:12:09 1 0 12955 explorer0713 noreply@blogger.com 2007-09-16 16:33:00 2007-09-16 16:33:00 1 0 http://www.needlenthread.com/2007/12/needle-n-threads-new-look.html Sat, 08 Dec 2007 17:59:00 -0600 Mary Corbet 850 2007-12-08 17:59:00 2007-12-08 17:59:00 open open Needle-'n-Thread's-New-Look publish 0 0 post

For Needle 'n Thread, I wanted to get away from the standard blog template that I was using previously, but keep a template format for ease of publishing.

Some Things That Have Changed:

Many of the accidentals have changed: background color, font style, frames on photos, etc. The font size especially on the comments has changed - I thought it important to make the comments really visible, since many readers contribute excellent and useful information in the comments.

The most obvious change, which can be somewhat disorienting, is the second column: it's moved from the left side of the page to the right, and some of the content in that column has been eliminated or streamlined. I retained "The Editor's Floss," which has the same links to the most-used sections of the website. The "Previous Posts" section and the "Archives" section are still available, but the "Archives" section is only available on the main page. The Feedburner has remained, but some "sponsor" links are gone.

The header is not clickable. It used to be clickable only in one small spot, and if you didn't know where that spot was, you couldn't click on it to return to the home page, anyway! Instead of a clickable header, there is a "home" link in the top menu, which will take you back to the current "front page" of the site.

There is a contact page. The content still needs to be added (it will be an e-mail form), which will be done soon.

The Bookstore page will include Amazon links to books that I have personally reviewed, which have a review written up on Needle 'n Thread. Yes, I am signed up as an Amazon affiliate - the proceeds help maintain Needle 'n Thread.

The "Links" link in the top menu will take you to an organized page of links that will include the following: online embroidery retail shops (not affiliated, but shops that I have found are excellent in service, quality, and selection); embroidery information websites, including blogs; and free resources around the web, such as free tutorials, patterns, etc.

Eventually, there will also be a Frequently Asked Question link in the top menu.

And finally, there will be a little "About" blurb, in case you've ever wondered who the heck Mary Corbet is!

Things That Have Not Changed:

The content links are the same, so if you have any particular pages bookmarked, you can still access the same page with the same link.

The content of the site has not changed - you'll find the same content under the same links, the most popular of which are included in the Editor's Floss, in the column now on the right side, at the very top.

The use of ads and placement have not changed.

Please be patient! There is still some tweaking to go!! In the meantime, I hope that you find Needle 'n Thread just as useful to you, and that, despite the slight changes, you still feel at home here!
]]> website news 12615 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-16 21:21:31 2007-12-16 21:21:31 1 0
Hope that helps....]]> 12618 Anonymous noreply@blogger.com 2007-12-16 19:52:00 2007-12-16 19:52:00 1 0 The only trouble I've had with your site is trying to find where I was last time, so I've been bookmarking every page I want to go back to!
-Christiana]]> 12652 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-09 18:10:09 2007-12-09 18:10:09 1 0
Thanks for all the constructive comments! I'm still tweaking. (I'm beginning not to like that word!)

The search feature will be replaced soon, too...

and I'll work with fonts and ads still...

Thanks again!]]> 12654 sally noreply@blogger.com 2007-12-09 17:29:00 2007-12-09 17:29:00 1 0 12656 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-09 16:16:00 2007-12-09 16:16:00 1 0
A line between each one? You have heaps of room on the right there.

A humble comment,]]> 12657 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-09 06:52:37 2007-12-09 06:52:37 1 0
Yes, still some tweaking to do, Margaret - the search feature will be back soon!]]> 12659 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2007-12-09 06:11:00 2007-12-09 06:11:00 1 0 12661 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2007-12-08 20:09:00 2007-12-08 20:09:00 1 0
Thanks so much for all of the really useful and fun items you post.]]> 12662 Margaret C. noreply@blogger.com 2007-12-08 18:50:00 2007-12-08 18:50:00 1 0
Also, I don't see all the Google ads in Firefox (with adblock extension) and I don't miss them! :-) In fact, I think the site looks better in firefox than in IE.

Just my two cents....

Nice job!]]> http://www.needlenthread.com/2007/02/needle-painting-embroidery-technique.html Mon, 19 Feb 2007 08:53:00 -0600 Mary Corbet 851 2007-02-19 08:53:00 2007-02-19 08:53:00 open open Needle-Painting-Embroidery-Technique-Sample publish 0 0 post

The Red Poll kit from Tanja Berlin is suitable for beginners on up. It includes the fabric with the design on it, the thread, needles, and a very complete set of instructions with a color photo for reference.

So this is the whole image of my finished piece:



My Red Poll didn't come out quite as nicely as the photo! I didn't think to refer to the color photo until the end. The feet and the beak make this really clear. I have a bird myself - I should have realized that the feet didn't look remotely like bird feet! But other than the feet and the beak, I was pretty satisfied with this attempt at a "realistic" (as opposed to stylized) animal.

My favorite part of the image is the branch, actually:



I like the pine needles, and the variation in dark and light.



I also like the wings on the bird! The precision in Tanja's kits, when it comes to detail, is incredibe! And I think it really shows in the wings of the bird.

And here's a close up on the face. I can bear the slightly wrong look of the beak, but I cannot bear the really WRONG look of the feet! So here's the face, and no close-up on his swollen feet!!



Aw, he's a cute little bird!

I was a little off on my stitch direction on the body as well. The other thing I had a problem with was remembering to take the stitches longer than I thought. I tend to go shorter on my long and short stitches, when I should be going longer. I'm too "mechanical" in this sense when I embroider. You can definitely see the effects of this in the first photo above, where the dark shadowed area in the middle of the body doesn't look quite as natural as it should.

This kit was HEAPS of fun to work. The directions are step-by-tiny-step. Tanja takes the stitcher through each element of the piece, one step at a time, so that even a beginner can work this kit. After completing it, I ordered a couple other kits to work on throughout this upcoming year for "fun" - and also because I think, framed up, they would make great little gifts. So that's my plan as the year progresses.

Now, if you want to get the hang of needle painting techniques and working with long and short stitch, you absolutely cannot go wrong with one of Tanja's kits. Even if you've never done this kind of work before, don't worry!! You'll catch on quickly with her easy directions, color-coding, and tips. Start with one of her beginner kits (such as this Red Poll or one of the pansies), and before you know it, you'll master this technique! You can find Tanja's kits online at her website: Berlin Embroidery Designs. She's in Canada, so if you're in the US, you'll pay a little bit extra on shipping, and you'll have to wait a little bit longer - but it's worth it! On the bright side, if the dollar's strong, you'll get a good exchange rate that will make up for the difference in shipping. Tanja is also my source for goldwork supplies such as metal threads, so if you're interested in 2% gold for goldwork, you'll find it on her site.
]]> gift ideas embroidery resources pictures needlepainting beginner embroidery 12945 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-09-17 23:20:00 2007-09-17 23:20:00 1 0 Joyce]]> 13223 Tom noreply@blogger.com 2007-03-18 23:13:00 2007-03-18 23:13:00 1 0 13284 Jennifer noreply@blogger.com http://www.blogger.com/profile/10423993292607882820 2007-02-19 18:49:00 2007-02-19 18:49:00 1 0 13287 Charlene ♥ SC csogle@yahoo.com http://www.blogger.com/profile/09356543817696065946 2007-02-19 12:01:00 2007-02-19 12:01:00 1 0 http://www.needlenthread.com/2007/05/any-suggestions-for-needlework-tour-in.html Mon, 28 May 2007 10:10:00 -0500 Mary Corbet 852 2007-05-28 10:10:00 2007-05-28 10:10:00 open open Any-Suggestions-for-Needlework-Tour-in-the-Southeast? publish 0 0 post

I'll be in Chattanooga, Tennessee for a short stay, then in Atlanta, Georgia, where I'll visit the Japanese Embroidery Center to see the place and do some shopping. Anyone know of any good needlework stops in either area?

How about in the Cocoa Beach, Florida area? I'll be there for a couple days. Then on to Charleston, South Carolina for a few days - I have my eye on some textile exhibits at some art museums, and I've heard of (only) one needlework shop in Charleston so far. I'd love to know if any readers know of any out of the way places in the area, or if anyone knows of any good exhibits of textiles, needlework, quilts, or whatever at local galleries and museums.

Then - we're headed into the Smokey Mountains (Smokey Mountain National Park, in particular), and out of the Smokeys, heading towards Louisville, Kentucky, where I'll definitely visit the headquarters of the Embroidery Guild of America (of which I'm a member). Any ideas for needlework stops along that route? We'll be passing through Lexington, Kentucky as well.

Then on to St. Louis, and heading towards home.

I'm all open for suggestions of any embroidery or needlework places anyone knows of in those areas, even if they're off the beaten path - and I'm always happy to do a write up about any exceptional spot I find hither or thither around the country. So, if you've got any ideas for places to go and things to see in the textile world, I'm all ears!
]]> needlework and travel http://www.needlenthread.com/2007/06/chicken-scratch-embroidery-on-gingham.html Sat, 23 Jun 2007 15:39:00 -0500 Mary Corbet 853 2007-06-23 15:39:00 2007-06-23 15:39:00 open open Chicken-Scratch---Embroidery-on-Gingham publish 0 0 post

"Chicken scratch" embroidery is a lacy-like embroidery technique worked on gingham. It's called a number of other things besides "chicken scratch" - depression embroidery (as in "Depression era"), tenneriffe lace, snowflake embroidery or lace, gingham lace, or Amish embroidery.

It involves only about three or four types of stitches - the running stitch, the cross stitch, the double cross stitch, and (if you want to consider it a separate stitch), the threaded running stitch.

I found a couple websites that have quite a bit of information on it and instructions as well. The clearest set of instructions for chicken scratch embroidery that I found were hosted at University of Kentucky. You'll need Adobe Acrobat Reader to download them.

You can find free chickent scratch embroidery patterns around the web, too, if you're interested in trying the technique. Here's a chicken scratch embroidered heart, and here's a chicken scratch "angel" (I think?).

The nicest samples of chicken scratch I saw were on a blog called "feeling stitchy" (hilarious name!), where some photos of aprons worked in chicken scratch embroidery are displayed. What I like in the sample close-up is the "stepped" edge of the apron and the use of rick rack. The site refers viewers to a flickr site where you can see a magnificent photo of the whole chicken scratch apron - it's quite nice!

I also found an illustration of the stitches used in chicken scratch embroidery online at Future Christian Homemakers.

It was actually this idea of cloth napkins and tablecloths worked in chicken scratch embroidery that prompted me to write about this technique. I thought, with summer here, what a great and quick gift this would make - or what a cool way to dress up a table for Fourth of July.... just a thought!

I was thinking that this technique of embroidery would be an excellent way to get kids "into" needlework. The grid in gingham makes spacing simple - and spacing is often the hardest thing for kids to get the hang of.

Another thing to add to the "idea list" for future kids' embroidery classes. Now I'm off to prepare for another class!
]]> gift ideas embroidery for children free embroidery patterns beginner embroidery 11853 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-05-11 21:28:00 2008-05-11 21:28:00 1 0 http://www.needlenthread.com/2007/09/embroidery-tools-best-laying-tool.html Mon, 17 Sep 2007 09:13:00 -0500 Mary Corbet 854 2007-09-17 09:13:00 2007-09-17 09:13:00 open open Embroidery-Tools:-The-Best-Laying-Tool publish 0 0 post

A laying tool can be used, though, with any kind of embroidery thread - even your every-day stranded cotton. If you're using more than one thread of stranded cotton, the laying tool will help ensure that you get smooth coverage and no "overlapping."

I've tried several different types of laying tools - and they do come in all kinds! My favorite one is Shay Pendrays "Best Laying Tool."



There are two things I like about it: it's perfect smoothness and it's sharp point. It doubles as a great little stiletto to enlarge holes while doing goldwork (for plunging your threads) or while doing whitework (for creating nice little eyelets). The square end of the BLT helps you maintain a firm hold on it so it doesn't turn in your fingers as you're using it - or so you can control the turning better, if you like to turn your laying tool when you use it.

Here's an article on how to use a laying tool. Included are photos of stitches made with one and without one so that you can see the difference between using one and not using one! It does take extra time to use one, and, to be quite frank, I don't use one often - but when I need to ensure that my threads are perfectly flat, it's the best way to accomplish that.

You can find the Best Laying Tool at Nordic Needle, if they don't sell them in your local embroidery shop. They run about $17.00.
]]> needlework tools http://www.needlenthread.com/2007/10/needlework-show-website-take-look.html Sat, 20 Oct 2007 09:38:00 -0500 Mary Corbet 855 2007-10-20 09:38:00 2007-10-20 09:38:00 open open The-Needlework-Show-Website---take-a-look-before-Monday! publish 0 0 post The Needlework Show is like an online "trunk show" with a bunch of companies participating. The interesting thing about it for the average needlework consumer is that you can get a good look at what the different design companies are offering to your favorite needlework shops this year.

So, for example, if you like the little tiny kits from the Sweetheart Tree and you want to see what the Sweetheart Tree has out this year, you can check The Needlework Show. Find The Sweetheart Tree on their list of vendors, click on the link, and voila! There you are at the Sweetheart Tree "display" on The Needlework Show website.

It's not just vendors of needlework kits that you'll find - you'll find thread vendors such as DMC, Dinky Dyes, Thread Gatherer, Needlepoint, Inc. Silks (under NeedleXpress), and others. Many of the vendors carry accessories, too - neat thread winders, scissor fobs, and so forth.

But this is the thing: The show is only open to the general public (that's you and me) until this coming Monday, October 22nd. So if you want to take a look at what the various designers and vendors are offering this time of year (so that you can see if your local needlework shop carries the things or if you can order them... or so that you can find them online....) you have to browse the show this weekend!

If you have time, browse through The Needlework Show this weekend - if nothing else, you'll probably find some great sources for inspiration!
]]> embroidery links embroidery designers 12870 Meeta noreply@blogger.com 2007-10-20 14:20:00 2007-10-20 14:20:00 1 0
This show gave lot of ideas and inspiration (did not go through all the vendors). Most of all, I found names of two needlework stores in my area which I'm very excited about. I'll check them out for kits from the Sweetheart Tree. Thanks for posting the link.]]> http://www.needlenthread.com/2007/12/take-it-further-needlework-textile.html Mon, 10 Dec 2007 22:06:00 -0600 Mary Corbet 856 2007-12-10 22:06:00 2007-12-10 22:06:00 open open Take-It-Further-Needlework-/-Textile-Challenge publish 0 0 post

If you read her blog, you know that this year, she ran the challenge called "Take a Stitch Tuesday," where each week, she posted a new embroidery stitch and readers spent the week practicing and interpreting the stitch, then posted photos on their sites and linked back to the challenge. Those who stuck with the challenge all year long are certainly worthy of admiration!

Well, for 2008, Sharon proposes a "Take it Further" challenge. This will be a monthly (rather than weekly) challenge. The idea is that on the first of each month, Sharon will post a concept or a color or shape scheme, and stitchers around the globe will have a month to interpret the concept or the scheme, or both, in some kind of work: embroidery, crazy quilting, other textile or fabric arts, visual journal pages, and so forth - practically any medium creative and textile-related goes. The participants then post photos of their work on their websites or photo-hosting accounts.

I hope to keep up with the 2008 challenge (the 2007 Take a Stitch Tuesday challenge moved too fast for my other workload!). From what I've seen, the challenges end up being a great source for inspiration, and really fun to keep up with!

I thought some readers here might also be interested in taking a look at the challenge - and signing up.

The information about the challenge can be found on Sharon's blog, under Take it Further Challenge.
]]> website news stitch challenge http://www.needlenthread.com/2008/01/needlework-doldrums.html Wed, 30 Jan 2008 00:57:00 -0600 Mary Corbet 857 2008-01-30 00:57:00 2008-01-30 00:57:00 open open The-Needlework-Doldrums... publish 0 0 post still can't sail at all). The Needlework Doldrums, in my 'umble opinion, can be a combination of all of the above!

First of all, there's the Low Spirits Needlework Doldrums: These can spring from a number of circumstances. First of all, there are those times when nothing you do needlework-wise satisfies you. When any project begun doesn't measure up to what you thought it would be.... When your normal excitement over having a few minutes to stitch in the evening before bed turns into a sort of Uncharacteristically Mournful Hum-drumness. (*Sigh*)

The Low Spirits Needlework Doldrums can also come from the simple fact that you're dying to do something - you've got your heart set on the project and all the different angles bouncing around in your head, just waiting to burst forth in Creative Activity ---- but.... you can't get to it, because you're inhibited by some other responsibility or some physical shortcoming (such as house space!) And so you slip into Uncharacterstically Mournful Hum-drumness.

Then there's the No Wind Needlework Doldrums: You have a lot of plans, and a lot of needlework that needs to get underway (and actually get finished!), but, because of your Uncharacterstically Mournful Hum-drumness, your sails are flat, and you just can't make yourself drag everything out to start another project. So, to assuage your guilty conscience, you slip into the....

Finicky Needlework Doldrums: You pick up this little project or that little project, just to have "something" to do with your hands - after all, needlework is a habit - but you abandon each little project as soon as you pick it up, thinking that you'd rather try This Thing or That Thing, or This Technique or That Technique, because, in your Uncharacteristically Mournful Hum-drumness, nothing satisfies. But you feel compelled to keep searching, to keep going forward, to keep trying to break through - knowing without a doubt that Something is Out There that will reignite the flame!!!

All three Doldrums are intrinsically related... My first approach to overcoming them and setting sail in the direction I want to go is to reorganize (or, in some cases, to re-reorganize!)...

Have you ever been in the Doldrums? If you have, how do you Get Out??

]]> miscellaneous embroidery musings 12416 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-03 16:55:16 2008-02-03 16:55:16 1 0
I agree with "good books" - they are my major source of inspiration!

MC]]> 12417 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-02-03 15:33:00 2008-02-03 15:33:00 1 0 12418 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-02-03 14:41:00 2008-02-03 14:41:00 1 0 Thankyou for your comment on my blog.

I do so enjoy reading what you have written. How well you described the symptoms! I am not sure I have a cure except, like most doldrums, time and some good books will eventually improve the situation.

I am finding Sharon's challenges each month produce the"I have so many ideas - how can I possibly choose one of them?" feeling. Mostly they are much too ambitious, so it is often back to the drawing board.]]> 12431 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-01-30 22:08:00 2008-01-30 22:08:00 1 0
There is the thing I'm experiencing at the moment - near the end of the project doldrums. It feels like forever til I'll be finished, but I can count the tasks on my fingers. I can see things I'd like to change, but I can't change them.

The only answer is to power on til the finish - I've set the deadline to my birthday next month! :-)]]> 12433 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-30 19:33:11 2008-01-30 19:33:11 1 0
Maybe I should get a dog....!]]> 12436 Edie noreply@blogger.com cowgirl53.wordpress.com 2008-01-30 14:52:00 2008-01-30 14:52:00 1 0 I also will limit myself to just 15 minutes of sewing a day. If that's all I do, fine; but usually I get excited about the project all over again and work for at least an hour.
When a project isn't coming out right, I find that putting it away for awhile helps me figure out how to make it right. Or I may take it apart and use the parts for something else, or it might sit on the shelf for years.
For the seasonal affective disorder that Melisa mentions, I take chewable Melatonin at bedtime, and I work from noon til 8 p.m. so I can walk with the dog in the daylight, but not all of us are so lucky to have such an accomodating boss!
P.S. I really enjoy your blog and read it on a regular basis!]]> 12437 Anonymous noreply@blogger.com 2008-01-30 10:58:00 2008-01-30 10:58:00 1 0
Just recently, I have been snatched out of a major stitching doldrum by joining an on-line friend in a Stitch-A-Long. We are both working on the same project - comparing notes, giving tidbits of advice, suggestions, and encouragement. Starting this project has gotten me re-energized for other projects!

J]]> 12438 swtncgram noreply@blogger.com 2008-01-30 08:34:00 2008-01-30 08:34:00 1 0 12439 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-01-30 08:30:00 2008-01-30 08:30:00 1 0 12440 Melisa noreply@blogger.com crazyqsis.blogspot.com 2008-01-30 07:33:00 2008-01-30 07:33:00 1 0 12441 Christine c_mckenna50@hotmail.com http://www.blogger.com/profile/16363036334664983388 2008-01-30 04:01:00 2008-01-30 04:01:00 1 0 Hooroo from hot and humid Sydney Australia
Christine
http://missmuffettwo.blogspot.com/]]> 12443 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-01-30 00:56:00 2008-01-30 00:56:00 1 0 when the doldrums strike, I pack everything away and do something completely different for a while - then after a while (a few days usually) of doing no needlework, I get the urge to fiddle again - I reorganise my stash and usually get inspired again pretty quickly. I find if I persvere with stitching when I am not in the mood I mess it up no end.
If this doesnt work, I win prizes on great blogs to give me inspiration!!]]> 12444 Margaret C. noreply@blogger.com 2008-01-30 00:15:00 2008-01-30 00:15:00 1 0
I recently worked on a piece and I just wasn't happy with the quality of my stitches. When I finished I put it away for a few weeks, then took it out and it looked pretty good. I couldn't figure out why I had been so unhappy.

Sometimes, I think the doldrums are primarily in my head and I am just being too hard on myself.

One thing I know for sure about the doldrums is that they will eventually pass. I try not to give in to them!]]> http://www.needlenthread.com/2008/01/embroidery-resources-and-musings.html Sat, 26 Jan 2008 05:37:00 -0600 Mary Corbet 858 2008-01-26 05:37:00 2008-01-26 05:37:00 open open Embroidery-Resources-and-Musings... publish 0 0 post

If you're looking for - or like to collect - needlework books, you might try the Mad Samplar Book Company. They specialize in used and new needlework books. There are a couple gems on there worth noting. If you are looking for something specific that isn't listed, you can always let them know what you want to see if they can find it. I love used book services! (Thanks for the link, Megan!)

If you want to see an interesting combination of canvas work (needlepoint) and surface embroidery, check out Judy's January TIF Challenge post. Imitating the look of crazy quilting, she's made her "fabric" out of canvas stitches, and is treating the "seams" between the different canvas stitches with surface embroidery. Clever idea, and really very pretty and elegant.

My latest forays into casual embroidery have been in the area of canvas stitches. Strangely enough, I've never ever ever liked needlepoint, until now. I don't know what has suddenly attracted me, but, generally, it's "historical" needlework that catches my eye, and I think this is what happened in this case. In short, I believe it was the concept of the "slip" that first snagged me - the popular 16th / 17th century decoration worked on linen in tent stitch, then cut out and fixed to a background fabric. In fact, I mentioned before this needlepoint canvas that is based on historical slips from the Traquair House in Scotland. I think that's what caught my interest in the first place.

So I've been exploring canvas stitches, and I wanted to mention a few (perhaps obvious) points about them: 1. They don't have to be worked on needlepoint canvas. They can be worked on even weave linen just as easily; 2. I think it's easier to work them (especially if you're working on a softer cloth, rather than a stiff canvas) in a frame or hoop; 3. You should have a proclivity towards squares.

Anyway, if you're interested in giving your embroidery a different look and want to check out some canvas stitches, there are plenty of places online that can help you. Keep in mind that some of these stitches can be worked in isolation, so they aren't necessarily just for canvas or even weave fabric.

First of all, there's the Needlepoint Now online classroom. This is a handy place to learn about the three different types of tent stitch. You can find a nice tutorial on the same thing at Threadneedle Street.

If you want to get a look at a variety of canvas stitches in different applications, you should check out the American Needlepoint Guild's stitch of the month index. You'll find variations on all kinds of different canvas stitches.

For interesting articles on historical slips, you might check out Jane Stockton's page, In Prayse of the Needle, where, if you scroll down, you'll find a PDF on Elizabethan slips.

Now, in case you think I've gone off my surface embroidery rocker - don't worry! My upcoming serious projects (they're stuck still in the designing stage, but will be progressing into the working stage soon!) are all surface embroidery, including several liturgical projects on the plate for this year.

And - joy, bliss - next week, the garage begins undergoing reconstruction, so I should have a normal workroom space within a few weeks! And that means I can actually make better progress on serious stuff.

The demands of my job are keeping me exceptionally busy right now, but by the middle of this coming week, I should have some breathing room - then I'll entertain you with some photos! In the meantime, though, I plan to post a couple new video tutorials.

Enjoy the weekend with your needle 'n thread!
]]> canvas stitches embroidery resources miscellaneous embroidery musings counted thread embroidery techniques needlepoint 12412 Laura Bullinger noreply@blogger.com http://www.blogger.com/profile/08151154110553301553 2008-02-04 10:29:00 2008-02-04 10:29:00 1 0 For a more Midnight look use accents of deep purple and black (shiny jet or real beads) in equal amounts to the royal blue. This may look if]]> 12424 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-02-01 13:25:48 2008-02-01 13:25:48 1 0
Well, this one came through! Glad to see you again.

You can always use the contact information in the top menu, if you want.

I still haven't finished repairing that cloth of gold stole! It's on my list for this year, though!]]> 12425 Anonymous noreply@blogger.com 2008-02-01 11:58:00 2008-02-01 11:58:00 1 0 From Laura Bullinger]]> 12446 Meeta V. noreply@blogger.com 2008-01-28 09:58:00 2008-01-28 09:58:00 1 0 12447 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-27 22:45:21 2008-01-27 22:45:21 1 0 12448 Anonymous noreply@blogger.com 2008-01-27 22:08:00 2008-01-27 22:08:00 1 0
I found your site very interesting and useful. I am trying to start some embroidery on a royal blue saree. Can I know what all colors would go well with this color?

Thanks]]> 12450 Leonor noreply@blogger.com http://fiberarts.wordpress.com 2008-01-27 14:13:00 2008-01-27 14:13:00 1 0
Plus I like my embroidery to be both historical and useful, and bookcovers and cushions and sweet bags are all very useful projects, well suited to needlepoint techniques.]]> 12453 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-01-26 14:28:00 2008-01-26 14:28:00 1 0 http://www.needlenthread.com/2008/01/needlework-stash-and-winner-is.html Wed, 23 Jan 2008 11:11:00 -0600 Mary Corbet 859 2008-01-23 11:11:00 2008-01-23 11:11:00 open open Needlework-Stash---And-the-Winner-Is... publish 0 0 post needlework stash contest for January. There were also a couple good tips left on the Last Chance reminder I posted yesterday, if you want to check them out! I really appreciate all the input, and I'm sure other readers do, too...

So who won the needlework stash contest?

First, though, here's how I set up the drawing: I took all your names and typed them up in a list. The "anonymous" people who left needlework tips were also included - I just typed "anonymous" and a key word from their tip. I printed these, cut them out, folded them, and put them in a ziplock bag...

which I shook with all my might!!

Then I stuck my hand in and drew out....

Paula Hewitt!

Her tip: she keeps an empty film canister with her needlework stuff to store broken or old needles in so that she doesn't mix them in with her good needles.

For future contests, I hope people aren't too shy to participate. Think about it - the odds that you'll win something here are much better than the odds that you'll win, say, the lottery!

Paula, please contact me with your snail mail address, and I'll mail that out by this Friday!

Thanks, everyone, for participating - and we'll do it again soon!
]]> stash contest 12442 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-01-30 01:00:00 2008-01-30 01:00:00 1 0 12456 Anonymous noreply@blogger.com 2008-01-25 20:42:00 2008-01-25 20:42:00 1 0 12458 spiceweasel noreply@blogger.com http://www.blogger.com/profile/01482214437645039595 2008-01-25 18:06:00 2008-01-25 18:06:00 1 0 http://www.needlenthread.com/2008/01/last-chance-for-needlework-stash.html Tue, 22 Jan 2008 13:12:00 -0600 Mary Corbet 860 2008-01-22 13:12:00 2008-01-22 13:12:00 open open Last-Chance-for-Needlework-Stash-Contest!! publish 0 0 post needlework stash contest post, before midnight tonight! I'll draw names tomorrow. The deal is: leave a comment with a good needlework tip, and I'll add your name to the drawing. I'll announce the winner tomorrow. After I announce the winner, it's up to the winner to contact me with a snail mail address, so I can send you a jolly little package of great stuff!]]> stash contest 12468 Deeps noreply@blogger.com 2008-01-23 02:25:00 2008-01-23 02:25:00 1 0 12469 Anonymous noreply@blogger.com 2008-01-22 18:08:00 2008-01-22 18:08:00 1 0
If I am working with a hoop I always remove the hoop at the end of the day to prevent marking the fabric.]]> http://www.needlenthread.com/2008/01/detatched-buttonhole-filling-video.html Sun, 20 Jan 2008 18:05:00 -0600 Mary Corbet 861 2008-01-20 18:05:00 2008-01-20 18:05:00 open open Detatched-Buttonhole-Filling-Video-Tutorial publish 0 0 post

In detached buttonhole filling, you don't pass through the fabric as you work the buttonhole filling. In attached, you do. Attached buttonhole filling gives you more scope, I think, for varying the placement of stitches, so that you can create effective filling patterns. The detached buttonhole, though, gives you a bit more room for dimensional effects, since you can take out part of your foundation fillings and fold the buttonhole area back on itself - or make petals or leaves that stand away from the fabric.



Here's a photo of the filling. I worked the edge and the filling in contrasting colors for the sake of clarity.

And here are some in-progress photos of a leaf-shaped area filled with the buttonhole filling.



First you start by outlining the shape.



Then you begin to fill it from the wide part to the narrow part.



You have to decrease the number of stitches in the rows as you work towards the tip.

The stitch begins with outlining your shape to be filled, using either a reversed chain stitch, like I do in the video, or you can regular chain stitch, split stitch, or even backstitch. The advantage of the reverse chain is that it provides you with the loops to catch your buttonhole stitch in, and it tends to be a bit rounder or fuller than a regular chain.

The stitch is not so complicated, but if you aren't familiar with how buttonhole stitch works, you might want to take a look at the buttonhole video tutorial. This will help you get the knack for buttonhole, especially where the working thread goes in relation to the needle.

Here's the video:



For more video tutorials, please visit my Video Library of Stitches.

Have fun with it!
]]> video tutorials Hand embroidery stitches pictures needlework pictures 12461 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-01-24 19:32:00 2008-01-24 19:32:00 1 0 I know you know the blog well, Mary :-)]]> 12467 Anonymous noreply@blogger.com 2008-01-23 03:55:00 2008-01-23 03:55:00 1 0 12471 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-01-22 16:06:00 2008-01-22 16:06:00 1 0 12473 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-22 13:11:08 2008-01-22 13:11:08 1 0
Well, off the top of my head, nothing. I would automatically have said "long and short stitch" - needlepainting, and so forth, but you're right - that's not really dimensional embroidery. I'll ponder it a bit!

MC]]> 12477 Anonymous noreply@blogger.com 2008-01-22 03:51:00 2008-01-22 03:51:00 1 0
Deepa]]> 12478 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-21 21:53:16 2008-01-21 21:53:16 1 0
Actually, you'd be couching down only part of the outline. The part that remains fixed to the fabric could still be, for example, chain stitch.

The part that you want to be be free of the fabric, you'd use a couched line as your outline. You'd catch the couched thread with the buttonholes. When you're finished with your filling, you'd turn the work over, and cut the couching threads, so that the couched thread is no longer attached, leaving that area of the buttonhole filling detached from the fabric.

Hope that helps!]]> 12479 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-01-21 20:50:00 2008-01-21 20:50:00 1 0
- in Stumpwork technique work, I learnt to do buttonhole stitching around the edge, and cutting (very) carefully around that to detach it.

Couching is a new idea for me. You'd have to be awfully careful not to cut the couching stitches.
You say "so the petal picks up off the fabric" - do you mean fully detached on that side? And still on the fabric on the other side with the chain stitch edging.
Even tho you are overlapping the petals, aren't you going to get partial holes in your background fabric?
I need words of one syllable, I'm afraid!!! It sounds neat, but I don't quite get it!]]> 12482 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-21 09:23:16 2008-01-21 09:23:16 1 0 12483 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-21 09:16:55 2008-01-21 09:16:55 1 0
It would have to be a very plain looking hibiscus - You couldn't achieve, for example, the nice shading that makes a hibiscus so beautiful - or the ruffly edge of the petals. Also, the petals overlap.

If you were looking for a stylized hibiscus, you could probably use it. You can change your thread while using the buttonhole filling, so you could get some different shades in there, but I don't think you'd get a realistic looking hibiscus.

You're specifically wanting to do a dimensional stitch? I'll have to look around to see if there's anything else I could recommend.

On the bright side, like I said, you can overlap these - it would take a little work, and you'd have to use an outline that's chain on one side, and couching on the other (so you can cut the couching stitches away so the petal picks up off the fabric). Then you could fold that back, work the next petal underneath the previous, and so on around the flower.

Hope that helps!]]> 12484 Mary Grace McNamara noreply@blogger.com 2008-01-21 08:03:00 2008-01-21 08:03:00 1 0 12487 Anonymous noreply@blogger.com 2008-01-21 02:17:00 2008-01-21 02:17:00 1 0 Do you think detached buttonhole filling would look good for hibiscus petal for a dimensional look? I've been thinking about it and your opinion would be helpful.

Deepa]]> 12488 Anonymous noreply@blogger.com 2008-01-20 19:36:00 2008-01-20 19:36:00 1 0 http://www.needlenthread.com/2006/07/embroidery-tools-accessories.html Sun, 16 Jul 2006 13:15:00 -0500 Mary Corbet 862 2006-07-16 13:15:00 2006-07-16 13:15:00 open open Embroidery-Tools-&-Accessories publish 0 0 post

Here's my list so far of accessories and organizational tools for embroidery. The list will undoubtedly expand:

• Floss Organization and Storage, Part I


• Floss Organization and Storage, Part II


• Sewing Baskets, Boxes, and Totes


• Hoops and Frames Review


• Needlework Stands


• Needlework System 4 Review (needlework stand, with photos)


• Embroidery & the Eyes


• Embroidery Needles


• Embroidery Tools

]]> needlework tools 10586 Anonymous noreply@blogger.com 2008-09-12 14:17:00 2008-09-12 14:17:00 1 0 Bubba's Mom]]> 10654 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-08 18:17:50 2008-09-08 18:17:50 1 0
Traquair House historical canvaswork slip

I'm also in the midst of getting ready to start another one - supplies are gathered; it's just a matter of finishing a goldwork project first.

For painting your own canvas, I think the best resource would be Judy at Possibilities, etc.

Here's her link:

Possibilities, etc.

Judy paints beautiful canvases - I have one of hers that she custom painted for me. On her shop, she has some books that she self-published, and I believe one of them is on painting canvases.

I know she uses oil paints, but aside from that, I don't know much about painting your own canvas, so the best I can do is refer you to the expert!

Good luck!]]> 10656 Anonymous noreply@blogger.com 2008-09-08 15:26:00 2008-09-08 15:26:00 1 0 10817 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-25 13:02:53 2008-08-25 13:02:53 1 0
It depends on what I'm working on. Usually, I'd say "no." But if I'm working on a fine silk or velvet or something like that, doing goldwork, which requires good support, or another "heavy duty" embroidery technique, I do - but not "stabilizer" per se. I generally just use a lining of linen or muslin underneath the ground fabric. So, a layer of muslin would be put behind the fabric for the project, and both layers would be framed up.

Hope that helps!

MC]]> 10824 Carolyn noreply@blogger.com http://www.blogger.com/profile/01692253598316457154 2008-08-25 08:28:00 2008-08-25 08:28:00 1 0
I am new to embroidery and quilting and have learned so much from your site. Thank you so much. Carolyn.]]> 11078 shel noreply@blogger.com http://www.blogger.com/profile/03290581200852059562 2008-08-07 14:52:00 2008-08-07 14:52:00 1 0 thanks!]]> 13316 Anonymous noreply@blogger.com 2007-01-21 19:00:00 2007-01-21 19:00:00 1 0 13336 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2006-12-29 19:55:05 2006-12-29 19:55:05 1 0 13337 Anonymous noreply@blogger.com 2006-12-29 19:31:00 2006-12-29 19:31:00 1 0 http://www.needlenthread.com/2008/01/im-reducing-my-needlework-stash-want.html Fri, 18 Jan 2008 09:41:00 -0600 Mary Corbet 863 2008-01-18 09:41:00 2008-01-18 09:41:00 open open I'm-Reducing-My-Needlework-Stash---Want-Some? publish 0 0 post

This is the deal: I'd like to hear your favorite needlework tips and tricks. What do you do when you stitch (or before or after you stitch), that helps you get the job done with better results?

I'll take the legitimate tippers (threading your needle, for example, is not what I'd call a legit tip), put the names in hat, and draw a name. I'll let you know who won, and you can contact me with a name and address for mailing.

If this goes over well, I'll revisit the idea every now and then this year - I'm thinking once a month. For the kickoff, I've put together the following little lump of stuff, all neatly stuffed into a ziplock bag and ready to mail:



There are lots of goodies in there...



Some little pieces of trim, including about 3.5 inches or so of Mokuba ribbon. You can read about how I bought the ribbon, and learn from my mistakes, if you want!



I've thrown some great threads in, since this is the "kickoff" and I wanted it to be something above average. There's a spool of coral Japanese silk from the JEC, a hank of Caron Collection watercolors, a spool of Piper's silk (same thing as the True Embroideries silk that Helen Stevens recommends), two skeins of DMC color variations, a skein of Rajmahal art silk (combination silk and viscose), a skein of Eterna silk, and two skeins of Appleton crewel. If you've wanted to try some different threads and haven't had a chance to get your hands on any - here's your opportunity!



And everyone likes embellishments - so there's a little pack if tiny Mill Hill beads in a beautiful deep coral-ish red, some little sparkly heart buttons (Valentine's Day is around the corner!) and some wire things that can be used as either stames in flowers or buds in a spray.

So, go on - don't be shy - leave your tips in the comment section below!

I should set a deadline - how about next Tuesday, January 22, at midnight my time (CST)?

Let the tipping begin!

(Yes, I'll ship overseas - the least expensive air-mail possible.... note: not responsible for mail delivery difficulties, customs, or any misadventures...)
]]> stash contest pictures 12445 articfire69 noreply@blogger.com 2008-01-29 23:11:00 2008-01-29 23:11:00 1 0 1. I wrap my embroidery hoop in white wool yarn, it keeps the fabric put better then any thing else i have tried.
2. when I finish a book mark that I don't want to line, i iron it to wax paper then when it cools peel off the paper, no fray and no hard edges.]]> 12466 Kim noreply@blogger.com http://www.blogger.com/profile/08867168837858287757 2008-01-23 12:04:00 2008-01-23 12:04:00 1 0
After I cut my 18" piece of 6 stranded floss, I hold both ends up. The end that is more splayed (spread out) is the end to start pulling the thread from. If you can't tell, tap on each end gently and see which one fans out a bit.

Pull one thread at a time (I pull straight up while letting the rest of the floss hang down) and let the remaining threads fall back down before pulling the next thread.

Before I learned this, half the time I'd pull from the wrong end and get a big, tangled mess.

Probably everyone knew this but me... oh well, too soon old, too late smart!]]> 12470 spiceweasel noreply@blogger.com http://www.blogger.com/profile/01482214437645039595 2008-01-22 17:20:00 2008-01-22 17:20:00 1 0
When I know I will be working with one color spooled thread I like to save time by threading many needles directly on the spool.

Another tip: When transferring a design for beading or embroidery, I often draw out the design with pen onto a sheet of clear dissolvable fabric. Then I place this over my ground fabric and put in a hoop. It's easy to sew right through both. When finished, just rinse under running water and only your embroidery remains.]]> 12472 ravenqueen noreply@blogger.com 2008-01-22 14:53:00 2008-01-22 14:53:00 1 0
I also like to find historical projects on the internet, and trace the design off the downloaded image by drawing around the outlines on the back of the print with a transfer pencil, and then ironing it on to white linen. I'm currently working on an 18th Century pocket, which is a nice combination between the original design, and my own inspiration in terms of colour choice, and enlarging the design and adding elements to make it bigger.

Finally, allow you to introduce you to my meme of making, which is a really fun way to keep a variety of projects on the go. In your blog, offer to make something for the first five friends who comment. ~something uniquely tailored to that person, as long as they post the same and pass it on to the next five people (You can do swapsies as long as you bring some new people in, my meme, my rules). You can also offer people the opportunity to declutter instead if they are not feeling creative, but still would like one of your originals. then really think about your friend, and what they would like in an embroidery from you, that reflects their interests and what they would use.

Cheers
Su]]> 12474 Anonymous noreply@blogger.com 2008-01-22 09:19:00 2008-01-22 09:19:00 1 0
Judy]]> 12480 Jen noreply@blogger.com http://www.blogger.com/profile/09524607431704119975 2008-01-21 16:04:00 2008-01-21 16:04:00 1 0 My best tips are:
1. have my materials ready to go, since my time is very limited once I get all three kids to bed
2. keep everything in my sewing bag when we travel.This is one of my best times to do handwork. I get a lot done!!
3. have good lighting at all times.
4. stop when I'm tired. If I push myself, I make stupid mistakes.

These aren't expert sewing tips because I'm very much a beginner, but they save me a lot of frustration.
Thanks!!
cheeseinmyshoe@gmail.com]]> 12481 rebecca noreply@blogger.com http://www.blogger.com/profile/08704979110868101865 2008-01-21 11:43:00 2008-01-21 11:43:00 1 0 I can work continuously without having to rethread!]]> 12485 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-01-21 06:17:00 2008-01-21 06:17:00 1 0
2. I also like to start a stitch knot free, using one strand and threading the ends through the eye start the stitch and insert needle through the loop to complete the stitch.]]> 12486 Suzical noreply@blogger.com www.suzical.co.uk/blog 2008-01-21 05:45:00 2008-01-21 05:45:00 1 0
My tip is to bing both rings of your embroidery hoop before starting a project. Run double sticky tape around the hoop and then wrap with calico/bias binding until all the wood is covered and secore the end with a coule of stitches..]]> 12489 Christine noreply@blogger.com http://www.blogger.com/profile/11812223278446037862 2008-01-20 18:01:00 2008-01-20 18:01:00 1 0 12490 Christine noreply@blogger.com http://www.blogger.com/profile/11812223278446037862 2008-01-20 17:47:00 2008-01-20 17:47:00 1 0
1. I use velcro to attach my scissors case to my lap frame (peel and stick velcro). The scissors sit nicely in the case.

2. My lap frame has extra holes (for changing lengths, etc). I put a nut/bolt in the extra holes and hang things there - e.g. my thimble/trolley needle, carabinier clip with floss in plastic baggies.

3. I use flexible bandage material (veterinarians have used this for years) to wrap around the outer edge of stretcher bars. This keeps anything from snagging on the edges and provides a spot for parking needles easily.

4. When I'm having trouble threading a needle, I put a little saliva on the end of the thread, and also on the eye of the needle (just put it in your mouth for a sec). This seems to make the needle eye and thread 'move' towards each other.

5. Glade 'Scented Oil' candle bases are magnetic, and make great needle/tool parks on a table.

6. (this may have been posted already). When staying at a hotel, I save the shower caps, and use these as a protective cover over projects on hoops/stretcher bars. (these caps can also be used to cover shoes when you travel)]]> 12491 Karen in Breezy noreply@blogger.com 2008-01-20 12:49:00 2008-01-20 12:49:00 1 0 12492 Kate noreply@blogger.com http://www.blogger.com/profile/04144028962869633342 2008-01-20 08:24:00 2008-01-20 08:24:00 1 0
Another thing I use is the old AOL tins they sometimes used to mail their CDs in. I glued felt in the bottom of one and use it for beading. If I have to put the project down, I can just put the lid on and not worry about tipping all the beads out of an open tray.]]> 12494 quilteddiva noreply@blogger.com 2008-01-19 21:06:00 2008-01-19 21:06:00 1 0 12495 mcstitchin noreply@blogger.com http://openid.aol.com/mcstitchin 2008-01-19 19:49:00 2008-01-19 19:49:00 1 0
I've been doing a bit of mini needlepoint, doll house size on #42silk gauze. Umpty-ump colors, each with its own threaded needle, all sitting there on the pin cushion with all the threads getting terminally tangled.

All of a sudden, a "eureka" moment. The arm on my Daylight lamp is 1/2" wide and 19" long, so I put a strip of self-stick Velcro there. And now all those needles have plenty of room to spread out and keep their threads to themselves]]> 12496 mcstitchin noreply@blogger.com http://openid.aol.com/mcstitchin 2008-01-19 19:43:00 2008-01-19 19:43:00 1 0
I've been working on a bit of mini needlepoint i.e., doll house size on #42 silk gauze. It has umpty-ump colors, each threaded into its own needle. There they sat, all cozy and close together on the pin cushion, getting their threads all tangled up with each other. Terrible mess.

Suddenly, a "eureka" moment. the arm on my Daylight lamp is 1/2" wide and 19" long. So I put a strip of self-stick Velcro on it and there sit those needles, room for all to spread out and keep their threads to themselves]]> 12498 jcmend2 noreply@blogger.com yahoo.com 2008-01-19 14:37:00 2008-01-19 14:37:00 1 0 12499 jcmend2 noreply@blogger.com http://www.yahoo.com 2008-01-19 14:27:00 2008-01-19 14:27:00 1 0 12500 Nolene noreply@blogger.com http://www.blogger.com/profile/05668786044598327058 2008-01-19 12:44:00 2008-01-19 12:44:00 1 0 At the same time I am working on a project that the pieces are all fairly large so I am using back basting on it. I have tried back basting on smaller projects but I have not been satisified with the results. Since I am self taught, I am probably doing something wrong.
On another project, I am using a blanket stitch with the thread matching the fabric/needleturn combination because it is a very large complicated project--for me anyway--and since it is for a Christmas wall hanging. I don't want to put all the extra hours in needleturning.
After rambling on I guess my answer is I have no favorite. I love them all. I just decide with each project what I think will work the best.
Take care,
Nolene]]> 12502 Anonymous noreply@blogger.com 2008-01-19 10:55:00 2008-01-19 10:55:00 1 0 12503 Annie noreply@blogger.com http://www.blogger.com/profile/12666188634731613719 2008-01-19 10:32:00 2008-01-19 10:32:00 1 0 Then when I am ready to start that project I have everything together and "whew" no searching! While the projects are waiting to be worked on they have a nice place to hang in a closet.]]> 12504 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-01-19 06:32:00 2008-01-19 06:32:00 1 0 12505 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2008-01-19 06:28:00 2008-01-19 06:28:00 1 0 stash4stitch@bellsouth.net]]> 12506 Valquiria noreply@blogger.com http://qualquermotivo.blog.uol.com.br 2008-01-19 04:01:00 2008-01-19 04:01:00 1 0 One of my bigger concerns when I embroidering is transfer the design to the fabric.I use dressmaker's carbon paper to do that.Always remain some lines appearing after embroidering.Well,I discovered that common alcohol removes completely without leaves vestiges of the lines made with this method.I use a swab absorbed in alcohol and rub carefully over the lines that remain.The advantage of alcohol is that it evaporates and it doesn't leaves smell.Try it and proves.
Sorry about my english.I hope you have understood.
Valquiria]]> 12507 Louisiana Momma cshortprudhomme@yahoo.com http://www.blogger.com/profile/15502840368357947903 2008-01-19 00:22:00 2008-01-19 00:22:00 1 0
Tip#2 - when I am running low on inspiration and it seems all my combination stitches look the same - I browse the CQ yahoo groups I belong to (and blogs of CQ'ers) to get some new ideas

Tip#3 - I am going to try this but haven't done it yet - keep a stitch diary - either the actual stitch on a scrap fabric or a simple sketch to refer to while deciding what seam treatments to use on a block

I bet all sorts of people come out of the woodwork when you have a giveaway.. I did something similar recently - half the people I didnt even know.. all your goodies look great and I would be pleased to get any of them :-)]]> 12508 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2008-01-19 00:10:00 2008-01-19 00:10:00 1 0 12509 Anonymous noreply@blogger.com 2008-01-18 22:45:00 2008-01-18 22:45:00 1 0 12510 paulahewitt noreply@blogger.com http://paulahewitt.wordpress.com/ 2008-01-18 16:01:00 2008-01-18 16:01:00 1 0 12512 Cindy in Oregon noreply@blogger.com 2008-01-18 13:34:00 2008-01-18 13:34:00 1 0
THEN, I put a plastic sandwich bag inside the ort bag and it's much easier to empty out!]]> 12513 crazyqsis melbakos@gmail.com http://www.blogger.com/profile/07247621699848937434 2008-01-18 10:46:00 2008-01-18 10:46:00 1 0 12515 Meeta Vats noreply@blogger.com 2008-01-18 09:53:00 2008-01-18 09:53:00 1 0 12516 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-01-18 09:36:00 2008-01-18 09:36:00 1 0 I also always interface each crazy quilt block, after it is pieced, on the back before I start stitching. This give more stability and is not an issue for ease of stitching.

That is a nice looking stash there!]]> 12517 sunshine sunshine_harbaugh@juno.com http://www.blogger.com/profile/06612487318509998428 2008-01-18 08:41:00 2008-01-18 08:41:00 1 0 http://www.needlenthread.com/2008/01/woven-picot-another-embroidery-video.html Thu, 17 Jan 2008 11:58:00 -0600 Mary Corbet 864 2008-01-17 11:58:00 2008-01-17 11:58:00 open open Woven-Picot---another-Embroidery-Video-Tutorial publish 0 0 post

The woven picot that I'm going to show you in the video, and that you can see in the photos below, is the "typical" shape and size, but don't limit yourself! You can play with this stitch for a lot of different effects. Take, for example, the seaweed in this piece on Valquiria's blog, Qualquer Motivo. She has elongated the woven picot and turned it and tacked it down, to make a really nice interpretation of underwater vegetation.



You can do all kinds of things with this stitch - flowers come to mind right off the bat, as does any kind of leafy greenery. If you like to build up stitches for a dimenstional effect, this is a great stitch for that. If you're into stumpwork, you're bound to come across the woven picot.



I think it's a fun stitch!

In the video, I'm using a tapestry needle and #5 perle cotton. You can use practically any kind of thread with this, but it does really well with thread that has a little more "body" to it.

Without further ado, here's the video:



To learn more hand embroidery stitches, please visit my Video Library of Stitches. You'll find video tutorials for 45 stitches here at Needle 'n Thread --- and more coming!

Enjoy!
]]> video tutorials Hand embroidery stitches pictures needlework pictures 1317 Jensters noreply@blogger.com http://www.blogger.com/profile/18082734018728041118 2010-04-19 16:17:27 2010-04-19 16:17:27 1 0 6421 Amie noreply@blogger.com http://www.blogger.com/profile/01286113724603282106 2009-07-29 02:16:09 2009-07-29 02:16:09 1 0 7773 jeannie noreply@blogger.com 2009-04-28 18:25:00 2009-04-28 18:25:00 1 0 8158 Home Making 4 U noreply@blogger.com http://www.blogger.com/profile/06262007250343868120 2009-04-04 22:57:00 2009-04-04 22:57:00 1 0 8228 SisterDG noreply@blogger.com http://www.blogger.com/profile/02210339859168266767 2009-03-26 11:17:00 2009-03-26 11:17:00 1 0 9262 Ellen noreply@blogger.com http://www.blogger.com/profile/17246719210314650710 2009-01-05 23:51:00 2009-01-05 23:51:00 1 0 11762 val wright noreply@blogger.com http://www.blogger.com/profile/06488241991496726255 2008-05-29 11:34:00 2008-05-29 11:34:00 1 0 12501 Gail galynn92347@yahoo.com http://www.blogger.com/profile/14240381173653268463 2008-01-19 12:40:00 2008-01-19 12:40:00 1 0 12514 PuReAnGeL noreply@blogger.com 2008-01-18 10:04:00 2008-01-18 10:04:00 1 0 12519 Žabacorporation zabacorporation@gmail.com http://www.blogger.com/profile/08672390582224414007 2008-01-17 18:05:00 2008-01-17 18:05:00 1 0 http://www.needlenthread.com/2008/01/needlework-system-4-floor-stand-review.html Wed, 16 Jan 2008 17:19:00 -0600 Mary Corbet 865 2008-01-16 17:19:00 2008-01-16 17:19:00 open open Needlework-System-4-Floor-Stand-Review publish 0 0 post

The Needlework System 4 is everything I hoped it would be: it's uncomplicated, durable, easy to use, versatile, and provides firm "hold" on my embroidery frames.

When I began to consider a new floor stand, I asked myself some questions:

1. Where do I plan to use it?
2. What do I want it to do?
3. How long do I expect it to last?

#1 - Where do I plan to use it?

If I'm going to invest in a floor stand, I want to be able to use it ANYWHERE (with the exception of the car!) For in-home use (or to take to guild meetings and so forth), a floor stand should be portable and versitile - I should be able to use it wherever I would want to stitch: a living room chair, an upright table chair, or even comfy on the couch - depending on the project, these are the places I stitch.



It fits easily up a living room chair. The height is adjusted by moving the main length of the stand forward. After adjusting the height, it is just a matter of adjusting the slope of the frame in the clamp.



It works just as easily at a regular upright kitchen chair. When I sit in an upright chair to stitch (for those "intense" projects where I need a good-sized table close at hand), I put the main bar of the stand straight up at a 90 degree angle to the floor. The frame and clamp can be adjusted for slope, or left flat (parallel to the floor).



And at the couch, it's great. I can pull the stand forward, with the long front foot of it under the couch (the front foot is long - only about half of it showing there - and just over an inch high - so there's good balance, and it can fit under just about any furniture).



So, yep, the stand works wherever I would sit to stitch.

#2. What do I want the stand to do?

When I embroider, I use stretcher bars for the most part, so I want the stand to hold my stretcher bar frame firmly, without any instability, and without constant shifting in position while I stitch. I do not want to have to adjust the slope of the frame continually, or re-tighten the clamp on the stretcher bars! The Needlework System 4 stand is the only floor stand I've ever tried (out of many!) where, once everything is set and tightened, I don't have to readjust, even after a long time of stitching, moving, turning the frame, and so forth.





The clamp is a simple vice set-up, made out of thick plastic, with a large screw on the top. The stretcher bars fit between the two layers of thick plastic, and, to tighten, you just turn the large screw on top.



On the neck of the clamp, there's an place to adjust the slope of your frame. There are metal teeth in this adjustable joint, so that, once you tighten the clamp in the position you want, it doesn't move. In the photo, the joint where the teeth are is unscrewed, so that's why it looks uneven where the teeth meet. When the joint is screwed tight, the teeth fit together evenly.



I also want to be able to turn my work while it's on the stand, without having to readjust screws or anything like that. I can!! I can turn my work 360 degrees, without any part of the stand impeding the turn. I can even turn it one-handed, while holding a camera, as you can see in this video:



The turning mechanism doesn't loosen up, either, so wherever you position your frame horizontally along that turn, it's going to stay there!

#3. How long do I expect it to last?

Well, if I'm going to invest $300 in the two components - the floor stand and the frame clamp - it better last a LOOOOOONG time! The Needlework System 4 has a lifetime guarantee. I spoke to three shop owners before selecting one to purchase from. Out of the three, all of whom have sold many of these stands, only one had a return for paint rubbing off. The company apparently replaced the stand.

Other features I like:

There's a scroll frame component available (I don't use scroll frames often, but...)

You can use the stand sideways, slipping the front foot under the side of a chair or couch, and clamping your work on the side rather than the top.

It's super-duper light, and, by unscrewing one screw, it disassembles into an easily carried package. (They also make a travel stand, which folds into a smaller package and fits in carry-on luggage).



You could buy two stands for Really Big Projects, and clamp one stand to one end of the project and the other stand to the other. But....! Well, you can use sawhorses or tressles for the same effect, and a bit cheaper!

So that's the stand. I do like it! It's been a pleasure to use, every single time I've used it. I haven't had one instance of it feeling insecure or unstable. I haven't had any problems getting it to adjust to "just the right place."

All that being said, it is a rather hefty investment as needlework stands go, but if it lasts through my stitching days, I know I'll be glad I got it!

If you have a NWS4, drop a comment and let me know if you have had equal success with it, or not! If you have a different type of floor stand, why did you select it and what do you like best about it?

]]> needlework tools pictures 1263 Vicki in CO vmossman2@comcast.net http://www.blogger.com/profile/07229659192847201890 2010-04-24 22:09:43 2010-04-24 22:09:43 1 0 3225 Ericille noreply@blogger.com 2010-02-12 10:35:26 2010-02-12 10:35:26 1 0 3302 Vicki in CO vmossman2@comcast.net http://www.blogger.com/profile/07229659192847201890 2010-02-06 22:47:12 2010-02-06 22:47:12 1 0
Thanks so much for the reply! It really sounds like this system is the one for me; I just need to find the $$ to order it!

Happy Stitching!

Vicki in CO]]> 3303 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-06 21:16:07 2010-02-06 21:16:07 1 0
The back spine of the stand - from the floor to the frame clamp - is 34". If you're sitting in a regular chair, up straight, and you keep the stand upright and pulled towards you, your work will end up rather high. You can also buy the arm extension, which can then be adjusted quite a bit higher, so there's plenty of room there for height. If you were sitting on a couch using it, unless you're very very tall, if you had it upright, your work would probably be around your chin or nose, I think....

It's a great little stand!

MC]]> 3305 Vicki in CO vmossman2@comcast.net http://www.blogger.com/profile/07229659192847201890 2010-02-06 18:55:31 2010-02-06 18:55:31 1 0
I have to use very strong glasses in order to stitch and need the stitching 8-10" from my face. I'm currently using an old lap stand and still have to bend over so far to see the stitching properly that I can only stitch for a couple hours before I have a terrible neck/shoulder ache from bending over to see!]]> 3515 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-21 06:27:54 2010-01-21 06:27:54 1 0
Hope that helps,
MC]]> 3517 Ericille noreply@blogger.com 2010-01-20 22:43:57 2010-01-20 22:43:57 1 0 4763 Carol noreply@blogger.com 2009-10-28 15:19:52 2009-10-28 15:19:52 1 0
Thanks again,
Carol]]> 4770 carol noreply@blogger.com http://www.blogger.com/profile/18373921054389201826 2009-10-28 00:03:19 2009-10-28 00:03:19 1 0
Happy stitching,
Carol]]> 4777 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-27 17:00:33 2009-10-27 17:00:33 1 0
I've actually been able to use a fairly larger stretcher bar frame on it - 30" x 18" is the largest I've tried, but I'm sure it would accommodate larger. It's kind of a reach, though, when they get really large, so I find I have to sit in a regular (kitchen-type) chair, not on a low couch, to be able to reach comfortably to the middle of the project. Alternately, I've also used the stand sideways, which works well for larger pieces.

I really like the extension piece, too, and runs for less than $20. It's a useful bit of equipment, if you're planning to invest in the stand.

Eventually, I'm going to get a q-snap holder and a scroll frame one, too....

Hope that helps!

MC]]> 4778 Carol noreply@blogger.com 2009-10-27 15:52:18 2009-10-27 15:52:18 1 0
Thanks in advance and happy stitching,
Carol]]> 5575 Stephanie noreply@blogger.com http://www.blogger.com/profile/05710350010239390066 2009-09-19 12:51:06 2009-09-19 12:51:06 1 0
http://search.creativecommons.org/?q=hug+me+co&sourceid;=Mozilla-search

The original-sized bag holds my original-sized NS4 stand, the clamp head (in an inside pocket w/ velcro closure), & the scroll bar "jaws" head with room to spare. The bag is double zippered so the clamp head of the scroll frame can protrude through the bag opening in the center where the zipper sliders meet.

When I'm home, I use the bag to store my travel NS4 stand and whichever head I'm not using.

I have a second tote bag that accommodates the scroll bar/side bars set-up without having to disassemble it (sorry I'm traveling & don't have it with me to check the brand-name; will post later if you're interested). Both bags were purchased at Stitches by the Bay in Monterey CA, a couple years ago when June McKnight owned the shop. I would think that Colleen Greenlee, the present owner, would be pleased to assist you.]]> 5577 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-18 21:51:49 2009-09-18 21:51:49 1 0
I'm looking forward to getting a couple sets of the scroll frames in the upcoming months. Mostly, though, I use the clamp with stretcher bars, and gosh, I love it!

Thanks again for stopping in!

MC]]> 5578 AJ Reese noreply@blogger.com http://www.blogger.com/profile/05393599712189446055 2009-09-18 17:42:25 2009-09-18 17:42:25 1 0
Mine is in great shape. Maybe a bit of paint scuffed off of it. I use it about every three days for a couple of hours. (I'm a time-starved working mom)

One thing that I will note is that when I first got it, I worked on my older pieces that are already attached to scroll bars that worked with my old stand. HOWEVER, after a few months of being on the NS4 stand, those old scroll bars began cracking the wood at the threading posts. The older EZ Frame scroll bars that I own are thinner in thickness than the NS4 ones are. The NS4 scroll rods are about 1/2"-5/8" thick. Very sturdy indeed.

Once the older bars cracked, it became hard to keep the tension in the fabric. In one case, I was about 3/4 of the way finished with a very large project, so I've taken it off the old bars and mounted it on the new ones.

K's creations scroll bars also work with the NS4 stand and do come in a wider range of widths. I'm purchasing more scroll rods, and getting ready to package up my old ones with the old stand for sale. I did love the old stand, but I haven't used it enough to justify having two since I got the NS4. I do love the way the NS4 stand rotates. The most striking thing about it is that the stand is so light in weight!

I did just put a new project on it this week on the 30" scroll bars --the first time I've used them. Did I also mention that I drag this frame to EGA meetings to stitch? The stand folds without a hitch and can pack in a canvas tote that I made for it, but the head with scroll bars is more unwieldy. I've made a bag for the head unit with 24" scroll bars attached (my most common project size) so that I can just slip it in, fold up the stand, and go. I made the bag after a vacation trip that I took it on. Even if you take the scroll bars off the head, it's still a bit large. It would fit in a carry-on without the bars (though my favorite size bars wouldn't), but I'd probably just take it apart and pack it in a suitcase.]]> 5688 My 1st Bambina! noreply@blogger.com http://www.blogger.com/profile/14431740226166803645 2009-09-10 04:12:42 2009-09-10 04:12:42 1 0 It was of great help reading your feedback on it on a previous post, taken a look at the video and reading everyones coments on it. I was searching for a stand but was very confused and overwhelmed by the many kinds and brands out there. Search is over, received mine 2 days
ago (got the lap/table stand -wich by the way has been upgraded with a sturdier base than the one on the picture on their site-with the stretcher bar clamp).
After comparing prices, got mine from www.stitchersparadise.com , great customer service , was shipped straight from the manufacturer. I'm sooo looking forward to using it this weekend for continuing with the Long and Short stitch lessons !
I see myself using it everywhere. Went for this style instead
of the floor one because I have a very busy pre-schooler and the lap/table style will be completely out of her way ! :)]]> 9232 Anonymous noreply@blogger.com 2009-01-08 21:26:00 2009-01-08 21:26:00 1 0 Cissie]]> 9249 Miss Bliss noreply@blogger.com http://www.blogger.com/profile/08278662978242206276 2009-01-07 17:23:00 2009-01-07 17:23:00 1 0 9258 c5nest noreply@blogger.com http://www.blogger.com/profile/07492260997231212131 2009-01-06 09:17:00 2009-01-06 09:17:00 1 0
I've hated my articulated wooden stand for years: even with the addition of extra wing-nuts and sandbags, it's unstable.

Now I won't have to try to build a better stand myself!]]> 9417 Stephanie noreply@blogger.com http://www.blogger.com/profile/05710350010239390066 2008-12-19 13:52:00 2008-12-19 13:52:00 1 0
Like you, I particularly like the ease of turning my stitching without having to having to adjust the frame clamp, stand or scroll frame setup. In fact, I had hand surgery 2 years ago on my left hand to remove bone spurs and regraft the thumb ligaments and NEVER had to stop stitching. My rehab therapist even credits my full recovery of range of motion and flexibility to my continual stitching and, of course, her good care.

During the past 6 years, I've only encountered 1 minor problem, which Darrell quickly fixed (within 10 days?) at no additional cost other than shipping. What could be more reasonable?

I'm so happy with his products that last year I also got the travel stand. It fits into my rolling duffel & I avoid withdrawal trauma while away from home!

Happy stitching everybody!]]> 11303 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-24 19:19:31 2008-07-24 19:19:31 1 0
You could also contact the manufacturers - they're pretty communicative, and could let you know.

I hope it works out - it's a gem of a stand!]]> 11308 Nancy noreply@blogger.com http://www.blogger.com/profile/08940920531967318517 2008-07-24 15:51:00 2008-07-24 15:51:00 1 0 Today I received a Needlework System 4 Travel Floor Stand and Frame Clamp. For some reason, I am not able to turn the frame to end threads. I don't know if I am missing a part, if I should adjust a part, or if I should do something else. I hoped you could help. I am sure it is something simple I am not doing.
Thank you.
Nancy]]> 11598 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-16 12:22:10 2008-06-16 12:22:10 1 0
Alexis! Happy early birthday - what a great gift! You'll love it, I'm sure!]]> 11599 leeni1176 noreply@blogger.com http://www.blogger.com/profile/04943184566893455117 2008-06-16 12:15:00 2008-06-16 12:15:00 1 0 11614 Alexis noreply@blogger.com 2008-06-13 14:51:00 2008-06-13 14:51:00 1 0
I'm now convinced that the System 4is the one for me. I plan to order it today, and I'm ordering the extension part and the Q-snap frame as well.

This is an early birthday present to myself . . . . whooopieeee!]]> 11629 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-12 07:34:34 2008-06-12 07:34:34 1 0 11632 leeni1176 noreply@blogger.com http://www.blogger.com/profile/04943184566893455117 2008-06-11 23:15:00 2008-06-11 23:15:00 1 0
Arlene]]> 12042 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-04-10 12:02:00 2008-04-10 12:02:00 1 0 12111 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-04-01 16:12:00 2008-04-01 16:12:00 1 0
Thanks so much for all the information.]]> 12112 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-04-01 16:04:00 2008-04-01 16:04:00 1 0
Thanks.]]> 12511 Margaret C. noreply@blogger.com 2008-01-18 15:24:00 2008-01-18 15:24:00 1 0
Side note: They also carry Hardwicke Manor hoops (the best!) and the prices aren't bad.]]> 12518 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-17 18:41:22 2008-01-17 18:41:22 1 0
Yep, they have a table clamp, and they also have a lap stand, although I have no idea how comfortable the lap stand would be.

You can see all their products and accessories here:

Needlework System 4 Website and I bought mine through Needlepoint Alley in FL, because their website is one of the few that has a regular shopping cart feature, so it was easy to order. The websites I had seen to that point were all similarly priced.

However, they don't have them in stock - they have them drop shipped from the company. So it takes about 10 days to 2 weeks to get them.

Since then, I realized that Threadneedle Street carries them as well, and they also have all the components available on their website. Their order form is not as "easy" - BUT - this is the clincher - they sell the stand and clamp for $247 as opposed to (I almost went into shock) $310.

So - I would DEFINITELY go through Threadneedle Street. Even if they don't have them readily in stock, I'm sure they can have them drop-shipped to the buyer, and for $60 bucks, it's REALLY worth the wait. $60.

$60 is half the cost of the table accessory!

Anyway, live and learn! I was going to make this "mistake" the topic of a whole new post - and I still might, since people don't read the comments as often as they do the posts!

Needless to say, in the future, I will be much more inclined to scour before buying. I don't understand that big of a price difference!

I saw the stand in a shop in KC, which is a little over 2 hours from me, and it was $300 for both components (the stand and the clamp). It wasn't worth the $10 to drive to KC to buy it, but had it been $247, I certainly would have!]]> 12520 Margaret C. noreply@blogger.com 2008-01-17 15:48:00 2008-01-17 15:48:00 1 0
So, now, where did you buy yours?]]> 12521 Margaret C. noreply@blogger.com 2008-01-17 15:45:00 2008-01-17 15:45:00 1 0
Do you have a feel for how big of a frame the stand will support?

I've done some cursory checks on Lowery stands. Can you compare the NS4 and Lowery? One thing I like about the Lowerys (I think) is that there's a table clamping version. Is there something comparable with the NS4?]]> 12522 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-17 07:30:55 2008-01-17 07:30:55 1 0 I'm going to provide a list of online shops where you can find it...

Well, Ginger, all I can say is - we must have good taste!!!]]> 12523 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2008-01-17 07:19:00 2008-01-17 07:19:00 1 0
You have the same kitchen chairs that I do. :-)]]> 12526 Alberta noreply@blogger.com http://www.blogger.com/profile/11718361742552725745 2008-01-16 17:38:00 2008-01-16 17:38:00 1 0
I'd love such a system and with your help I may just be a bit closer to getting one!]]> http://www.needlenthread.com/2008/01/goldwork-thread-for-plaited-braid.html Tue, 15 Jan 2008 09:23:00 -0600 Mary Corbet 866 2008-01-15 09:23:00 2008-01-15 09:23:00 open open Goldwork-Thread-for-the-Plaited-Braid... publish 0 0 post

Granted, there are lots of embroidery stitches that aren't about the thread. You can do chain stitch, for example, with practical anything - including plastic cord! Or rope. I've even worked the chain stitch with human hair. But with this plaited braid stitch that has me all worked up - the thread IS important.

So I set about looking for the right gold. I know that, over at The Embroiderers' Story (the blog is a bit skewy these days - something going on with the html or what-have-you!), they're working with manufacturers to come up with the right gold.

But I'm not recreating anything - I just want to get the blasted stitch down! I had no idea what I was getting into when I began searching for methods to work this stitch well with relative ease!

Well, I searched for the right thread. I found that Leon Conrad recommends a certain type of gold for the stitch, because of the gold thread's flexibility. I contacted the people who supply me with gold - Tanja Berlin, and the JEC. Tanja contacted the manufacturer she orders from and found out that the stuff I was looking for is available, and she could order some for me. (Tanja is always SO helpful!) Problem: almost $20-worth, and then shipping (from Canada). I contemplated, thinking it might be worth it, but still hesitant because, after all, it's pricey for a mere experiment.

Then I received an e-mail from Leon Conrad. He mentioned that the thread he recommends (#371) is manufactured in the US. He recommends the thread because it's more supple than the gold passing, though apparently about the same size as #5. The 371 has a synthetic core, which makes it more flexible.

Well, from there, I decided to search high and low in the US through different specialty embroidery stores to find gold #371.

I am a brainless dunderhead! I didn't even check my own embroidery links page!

Criss Cross Row carries gold 371 on 15 meter spools for a reasonable price.

I placed an order.

I will conquer this stitch. And when I do, you all will be the first to know!]]> goldwork embroidery resources 12527 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-01-16 06:57:00 2008-01-16 06:57:00 1 0 I am pleased to read you are still trying that most horrible stitch. LOL! I don't know how many times I tried that stitch it seems like all the thread just falls together and you can't sort it out to complete the steps. It is all those pretzel shapes.(smile) This is probably as clear as mud.
Good luck, and I hope to learn this stitch as well.]]> 12528 Dom MC noreply@blogger.com http://petites-mains.over-blog.com/ 2008-01-16 02:16:00 2008-01-16 02:16:00 1 0 12530 Cindy in Oregon noreply@blogger.com 2008-01-15 22:23:00 2008-01-15 22:23:00 1 0 12531 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-15 18:32:40 2008-01-15 18:32:40 1 0 12533 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-01-15 18:00:00 2008-01-15 18:00:00 1 0
CA]]> 12534 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-01-15 17:56:00 2008-01-15 17:56:00 1 0 12537 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-15 12:47:08 2008-01-15 12:47:08 1 0
Here's the link:

Gold 371 at Criss Cross Row

It's under "Metal and Metallic Threads." The first time I looked through their metal threads, I couldn't find it, either. But then I did a google search for "metal thread gold 371" and it came right up!

Enjoy!]]> 12539 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-01-15 08:57:00 2008-01-15 08:57:00 1 0 Thanks...

...and it is so much fun reading about your thread lust!]]> http://www.needlenthread.com/2008/01/needlework-blog-i-forgot-to-mention.html Mon, 14 Jan 2008 08:18:00 -0600 Mary Corbet 867 2008-01-14 08:18:00 2008-01-14 08:18:00 open open A-Needlework-Blog-I-...-Forgot-to-Mention!! publish 0 0 post Qualquer Motivo, you should!! I knew there was another needlework blog out there that I check with irregular regularity! Thanks to the commentor on the ladder stitch, for reminding me. In fact, this certainly a "Make my Day" blog, because I never go there that I don't see something bright and beautiful. The towels she's working on right now have beautiful woven edging - and interesting! But if you scroll down the main page, that fish scene is just perfect. I love the use of the elongated woven picots for the sea weed! (I've got a video on woven picots coming up later this week...) So check out that blog, and consider it officially added to my list of blogs that make my day!]]> embroidery links embroidery resources 12188 Cross Stitch Fan noreply@blogger.com http://www.juliesxstitch.com 2008-03-21 20:01:00 2008-03-21 20:01:00 1 0 Thanks for such a great resource of links and ideas. Wonderful Blog!!

-Julie]]> 12536 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-15 12:53:08 2008-01-15 12:53:08 1 0 Free Translation from Portuguese to English. You can also use the Google Translator Tool - scroll down to "translate a web page" and drop the url in there, and choose Portuguese to English. The problem with this option (at least in my browser) is that the photos don't come up in the translated web page!]]> 12538 Anonymous noreply@blogger.com 2008-01-15 10:27:00 2008-01-15 10:27:00 1 0 never cease to amaze & delight me. This was on of the best, but how do you get it in English? I want to read every word!]]> 12540 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-15 08:17:45 2008-01-15 08:17:45 1 0
Best of luck!
MC]]> 12541 Modern Country vinterhvitt@online.no http://www.blogger.com/profile/10002515402843289460 2008-01-15 07:36:00 2008-01-15 07:36:00 1 0 I am so so very happy!!
I just made my first french knot! Haha...completely mad to be so excited about a little embroidery stich. But I have been trying to make one of those for ages now, and finally I managed it. I used one of your tutorial videos to guide me through it, it was perfect.
Now, finally maybe I can make something as beautiful as those little cute Lavender pillows from Caroline Zoob?

Many kisses from Aina :))]]> 12545 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-01-14 09:06:00 2008-01-14 09:06:00 1 0 http://www.needlenthread.com/2008/01/embroidery-video-ladder-stitch.html Sun, 13 Jan 2008 13:31:00 -0600 Mary Corbet 868 2008-01-13 13:31:00 2008-01-13 13:31:00 open open Embroidery-Video:-Ladder-Stitch publish 0 0 post

Although the ladder stitch involves several steps to get it going, it's not a hard stitch at all. The most important thing to remember if you want your embroidery to look really good is to be careful with your tension! I'll tell you up front, in the video here, the tension is not exactly what it should be - you'll see that for yourself at the end of the video. The right side of the ladder seems to pull a bit inwards. But the technique is there, and, in watching the video, you'll learn to do the stitch with ease.

The ladder stitch works ok on gentle curves, but it's not a stitch that's well suited for circles or tight curves.

You can vary the distance between the sides of your ladder to get a dimensional effect - to set a perspective, for example. You can start small at the top of your ladder and go wide at the bottom (or visa-versa). You can even vary the distance (gradually) between the two sides of the ladder, all the way down (like an hour glass). The changes have to be gradual, though, over several stitches. If you try to change the distance between the sides of the ladder too quickly, you'll lose the look of the chain stitched edge and pull it out of whack.

Here's a photo of the finished sample that's worked in the video:



The left hand side looks fine, but the right hand side is pulling inward and it looks a little whacky! This is just a slight tension problem and is easily remedied by be careful with your tension as you go.

Here's the video:



For more video tutorials for hand embroidery stitches please visit the Video Library of Hand Embroidery Stitches index. With the ladder stitch, there are 44 videos available on Needle'NThread! When I hit 50, we should do something to celebrate!
]]> video tutorials Hand embroidery stitches 2163 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-19 13:18:03 2010-03-19 13:18:03 1 0
Melissa - I have a video for ceylon stitch, but I haven't formatted and edited it. One day... hopefully soon....

MC]]> 2164 Teresa noreply@blogger.com http://www.blogger.com/profile/17992383809127659388 2010-03-19 12:38:10 2010-03-19 12:38:10 1 0 3027 Melissa noreply@blogger.com http://www.blogger.com/profile/06525383270971001142 2010-02-23 12:24:24 2010-02-23 12:24:24 1 0
(Any chance you might make a video for ceylon stitch at some point?)]]> 7870 Anonymous noreply@blogger.com 2009-04-18 14:05:00 2009-04-18 14:05:00 1 0 8968 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-02-01 19:57:00 2009-02-01 19:57:00 1 0 10016 Phantime noreply@blogger.com http://www.blogger.com/profile/04276776659433800953 2008-10-26 20:21:00 2008-10-26 20:21:00 1 0 Simple steps, and easy to do. Thanks.]]> 12547 Anonymous noreply@blogger.com 2008-01-14 04:52:00 2008-01-14 04:52:00 1 0
The ladder stich video is really good, I have tried all the stiches in the video library, i would like you to have a video on the stich that you had mention about in from the blog Qualquer Motivo]]> http://www.needlenthread.com/2008/01/needlework-blogs-thoughts.html Fri, 11 Jan 2008 20:32:00 -0600 Mary Corbet 869 2008-01-11 20:32:00 2008-01-11 20:32:00 open open Needlework-Blogs-&-Thoughts.... publish 0 0 post Threads Across the Web for the "Make My Day" award, which gives me an excuse to write about Needlework Blogs. This topic scares me a bit, as I am not as fluent in the blogging world as most people in it are! Strangely enough, a reader requested just yesterday that I write about my website and give some information on it and how I run it and all that technical stuff. So I'm going to combine the topics and I might even go a bit "off topic" from needlework and embroidery, which is something I don't do too often...

First of all, thank you, Carol-Anne! The "Make My Day" award is something you pass on to 10 people whose blogs make your day. And it makes my day, to think I'd make someone's day!

I'm not an avid blog reader, I will admit, but I do visit certain (usually needlework) blogs with irregular regularity. They don't necessarily all focus on the the techiques that interest me most; nevertheless, there is always something valuable in them that I can learn or that I find creative or inspirational. So, in thinking about blogs that I would tag as "making my day," and coming up with ten of them, this would be the list:

1. Sharon Boggan's blog, In a Minute Ago. Her website is the first embroidery website I ever visited with frequency. In fact, it is the first "personal" embroidery website I remember ever seeing.

2. Threads Across the Web - Carol-Anne's Japanese Embroidery hooked me in, and I love watching her works progress! She does gorgeous work ... enviously gorgeous work!

3. Jo in NZ's blog-with-the-long-title, No Matter Where I Go, I Always Meet Myself There. While I'm not a crazy quilter, her stitching is fantastic and she has a relaxed, easy style of writing that amuses me!

4. Allie's in Stitches - if you haven't seen her work or browsed through her archives, you probably should, for the sheer enjoyment of seeing beautiful stuff! Allie is another one whose progress reports engage me! She gets the award, I think, for "doing." She does a lot! And she gets it done!

5. The Happy Stitcher - I'm not a counted thread technique person. Mary Kathryn is, and she does beautiful work. What I like most about her whole stitching work is her threads. I like seeing the colors she works with. And she makes beautiful fobs! And she lives in the mountains, and I love her mountain photos!

6. Elmsley Rose - The majority of Megan's work on her blog is related to calligraphy & illumination, although she has recently gotten into embroidery, and it's fun to watch her embroidery progress! We share the same tastes in eras of historical embroidery and in calligraphy & illumination. She's amazing at illumination! A real artist...

7. The Embroiderers' Story - well, I've been writing about this one a lot lately. I came across it last fall and have been following it fairly regularly! The whole Plimoth Plantation jacket project fascinates me.

8. Possibilities, Etc. - Judy's blog concentrates on canvas work. Even if you aren't into needlepoint, you'll find a lot of colorful inspiration on her site. The two things that attracted me right off the bat to Judy's site are her Pelican design for church needlepoint and her section on Talevera designs in needlepoint. Really beautiful stuff!

9. This one's not a needlework blog - not even close - it's a food blog! Everybody Likes Sandwiches has some really good recipes on it and some interesting food inventions (though I don't think I'll touch the chai oat bran!). So I check in now and then to see what's up in this gal's world of food, and I usually find it rather entertaining. I have a sister who's an amazing cook and who teaches culinary arts. I came across this site when I was looking for something for her. And so I bookmarked it, and I like perusing it when I have the time.

aaaaaagh....

Ten. Ten??? Where are you? I know there are heaps of needlework blogs out there that are excellent sites, but, like I said, I'm not an avid daily blog reader!! The truth is, I don't have time for it. As you can see from the deplorable lack of website content this week, I barely have time for adding things to my own site, let alone surfing around to other sites with any regularity! If I felt as if I "had" to get online and surf embroidery sites, I wouldn't find any pleasure in doing it when I finally had time to look around. That's the way I see it, anyway!

Ok, here's ten...

10. Happy Things - I came across this site when I was looking for a pattern for a drawstring bag for my summer embroidery classes. I didn't use her pattern, after all, but I like her site. The writer seems to be a quilter overall, and she has a cute kid she writes about, she has a great sense of humor, and she takes magnificent photos. There's nary a negative post on the site, as the name reflects. I like visiting her site!

As for my own website, to answer a couple questions about it, Needle'NThread was the idea of my brother - not mine. I was surprised, actually, when I realized that people actually found it and liked it! The embroidery videos are probably the biggest draw on my site, along with my embroidery patterns pages. I liked the idea that I could extend teaching embroidery to a larger audience by making the videos, and I have fun producing them. I still have a bunch lined up for editing and many more planned beyond those. So that's part of the site that will continue to expand, hopefully consistently!

As for the technical side of things, I host the site with a local ISP, and I use blogger as my publishing platform. The site is set up on a customized template, and I use regular html to edit the static pages, like the bookstore, the links, and the about page. To add content to the Frequently Asked Questions section, I use a little database program. I do any required graphics work myself, in Photoshop.

As for equipment, I have a nice computer with lots of room on it, a flat screen monitor, an external hard drive, a wacom tablet, no printer (!), and that's about it.

I have a good little camera: an Olympus Stylus 800.

The rest of my equipment is content related - lots of embroidery stuff!

I work on my computer in my bedroom, where I have a little desk that's cluttered with books, camera, and electronic stuff. I do my recording of video stitches in the living room, which is also where I do my embroidery. Soon (this month), the garage will be transformed into a work room and storage room, so I'll have a lot more space to work on big projects. I'll eventually have a drawing table, a light box area, and a place to set up a sewing machine, as well as a large table for cutting out and so forth.

And that's about it, when it comes to my "blogging set-up."

Thanks again, Carol-Anne, for the kind compliment!
]]> 12346 Possibilities, Etc. noreply@blogger.com http://www.blogger.com/profile/00301188397987608400 2008-02-17 10:08:00 2008-02-17 10:08:00 1 0 http://www.needlenthread.com/2008/01/new-thread-coming-gilt-sylke-twist.html Mon, 07 Jan 2008 08:13:00 -0600 Mary Corbet 870 2008-01-07 08:13:00 2008-01-07 08:13:00 open open New-Thread-Coming:-Gilt-Sylke-Twist publish 0 0 post The Embroiderers' Story of Plimoth Plantation, you'll see there's a new thread that's apparently going to be released to the public market some time soon. The thread is called Gilt Sylke Twist, and it looks positively gorgeous! There are a couple things I like about the idea of this thread...

First of all, if you haven't noticed, I'm a thread "junkie." I love the various threads used in embroidery - from the common DMC stranded to the flat silks of Japanese embroidery, from wools to synthetics, you name it, I like it. Ok, I'm not as keen on synthetics like rayon, but ... I do like them. In fact, if I were to nail down what I like best about embroidery - whether design, or process, or materials in their various forms - I'd say without hesitation, "I like the thread!"

This gilt sylke twist that they've been developing for the embroidered jacket over at Plimoth Plantation excites me because:

1. There's nothing more beautiful, in my opinion, than silk and gold combined.
2. The colors so far (there are eight "limited edition" colors to start with) are fantastic.
3. It seems to me that the thread will be usable in all kinds of applications, some perhaps not even thought of yet. Off the bat, besides the detached surface embroidery for which it was developed, I suspect it would work well for needlepoint, for couching techniques, for fine crocheted lace (they've already mentioned that one), for tassel-making and trims... and on and on.

I suspect that it's probably not suited to regular surface embroidery, unless great care were taken in passing through the fabric - making sure the needle holes correspond with the size of thread so that the gold doesn't get stuck up in passing. Since I haven't stitched with it, I have no idea, though, if it would work well in regular surface techniques. If it would, could you imagine the beautiful results you'd get in something like satin stitch?

The base silk for the Gilt Sylke Twist is Au Ver a Soie's Soie Ovale, which is an absolute favorite silk of mine. I've been writing about it practically ever since I started this website. It's a rich silk thread, mostly flat, with good body, wonderful sheen, and a nice (but limited) range of colors.

Anyway, I had to write about it, simply because I'm really excited about it! I'm eager to see when it will be released to the public and how.

I'd love to hear from others who have stitched with the thread - what are your impressions, what kind of techniques will it be suited to, etc.

And in the meantime, thanks, Plimoth Plantation, for all the incredible work you all are doing!!
]]> historical needlework embroidery resources silk 12532 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-15 18:32:09 2008-01-15 18:32:09 1 0 12535 Jen noreply@blogger.com http://pinkleader.livejournal.com/ 2008-01-15 14:06:00 2008-01-15 14:06:00 1 0
I've only seen and dabbled with one of the lovely hand made Japanese style needles for working with gold, and while the feel was lovely, the gauge was off for this project. Of course they probably come in a variety of sizes, so pardon my ignorance if they do.

I've got some pictures up on Flickr (http://www.flickr.com/photos/jenthies/sets/72157600455293915) and accounts of my experiences at Plimoth Plantation up on my blog: http://pinkleader.livejournal.com/tag/plimoth

Short answer, this thread is a joy to work with and I can't wait to have at least a spool of every color.

Jen]]> 12549 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-12 09:12:58 2008-01-12 09:12:58 1 0
The "good idea" is in reference to the needle in the second post!!

Thanks, Carol-Anne, for your tag! I need to get back to this - in fact, I hope to today!]]> 12550 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-09 17:53:08 2008-01-09 17:53:08 1 0
I had a hand-made needle years ago, but lost it! I haven't replaced it yet, but I was just looking at them online at the JEC the other day. I think one of the reasons people don't opt for them is the cost. For people who lose needles, that's a hefty investment. But now when I have a "favorite" needle, I am very careful with it and don't lose it - I learned a good lesson!

I plan to invest in a couple sizes to use for goldwork. With the growing interest in Japanese embroidery, I hope there will be an increase in demand for them, and the industry will revive.

Once I get mine, I'll write up a little review and take some photos, so people can see them up close in action.

Thanks, CA!]]> 12551 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-01-09 17:47:00 2008-01-09 17:47:00 1 0
CA]]> 12552 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-01-09 06:47:00 2008-01-09 06:47:00 1 0
I heard once that hand made needles are rare because fewer people are making them, because fewer people are buying them.

Perhaps we should keep telling everyone how wonderful these needles are so that they will buy them and hopefully revive this dying industry.

CA]]> 12554 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-01-07 21:46:00 2008-01-07 21:46:00 1 0
I was reading, somewhere in the Embroiderer's Story (the Plymouth blog) re the thread breaking, (aha! a quick search on "burr") that

"? Almost all the breaks happened at the needle eye and not where the thread was pulling tight at the stitch.

At the time the jacket was made, there were needles made with bored holes (round or egg-shaped eye). Bored needle eyes are smooth inside.

You can still get this type of needle from the Japanese Embroidery Center in Georgia.

I use them for goldwork as they make the gold go through the linen so easily. But they are expensive as they are handmade and rare. "

this is quoted from Tricia, at
http://www.plimoth.org/embroidery-blog/index.php?mode=viewid&post;_id=203]]> 12555 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-07 17:43:10 2008-01-07 17:43:10 1 0
It's funny how deceiving pictures can be - the thread looks like it might be the size of the Soie Perlee or of Trebizond, but then I remember how fine Soie Ovale actually is when you stitch with it (it looks thicker unstitched than it actually is, stitched, once tension is put on it) - and I guess the gilt sylke twist must be that fine.

Well, thank you again - I can't wait to see the stuff!]]> 12556 Margaret noreply@blogger.com http://www.blogger.com/profile/01182634416071817358 2008-01-07 14:37:00 2008-01-07 14:37:00 1 0 I plan on getting at least one spool of every colour as soon as they make it available, and maybe 2 spools of the darker colours since those are the most spectacular looking.]]> http://www.needlenthread.com/2008/01/embroidery-video-tutorial-roumanian.html Sat, 05 Jan 2008 14:09:00 -0600 Mary Corbet 871 2008-01-05 14:09:00 2008-01-05 14:09:00 open open Embroidery-Video-Tutorial:-Roumanian-Couching publish 0 0 post

If you want to read about this type of self-couching embroidery technique, please see my post on Bokhara couching, where you will find photos of both Bokhara and Roumanian couching, and more information on different types of couched filling.

Here's a photo of Roumanian couching, with one couching stitch:



And here's a photo of Roumanian couching, with two couching stitches:



Here's the video for Roumanian couching:



For more hand embroidery video tutorials, please visit my Video Library of Hand Embroidery Stitches.

]]> video tutorials Hand embroidery stitches pictures needlework pictures 7856 Mary Neufeld noreply@blogger.com 2009-04-21 01:03:00 2009-04-21 01:03:00 1 0 12557 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-06 15:03:21 2008-01-06 15:03:21 1 0 12558 Allison Ann Aller aaller@gmail.com http://www.blogger.com/profile/13158390991360498378 2008-01-06 12:00:00 2008-01-06 12:00:00 1 0 You are going straight onto my RSS...

Happy Stitching,
Allie]]> http://www.needlenthread.com/2008/01/bokhara-couching-embroidery-video.html Wed, 02 Jan 2008 15:43:00 -0600 Mary Corbet 872 2008-01-02 15:43:00 2008-01-02 15:43:00 open open Bokhara-Couching-Embroidery-Video-Tutorial publish 0 0 post couching, Bokhara couching uses only one thread, which serves as both the laid thread and the couching thread. Here's some information on the stitch, as well as a video tutorial to help you with it.

First of all, there are heaps of variations that can be worked with Bokhara couching. It's a great couching stitch for forming patterns in your couched threads. Some embroiderers demonstrate Bokhara couching with a horizontal straight stitch couched down by vertical tiny straight stitches; others show the couching stitch alternating placement row by row (to form a bricking pattern). The point is, you can really work out any kind of overall pattern to your couching stitches - there's no "one look" to Bokhara couching.

There are other types of "self couching" techniques (where the couching stitches are worked back over the laid thread, using the same thread) - Roumanian couching and Klosterstitch come to mind.

The difference between these couching techniques are subtle. The principle difference between Bokhara couching and Roumanian and Klosterstitch is that the couching stitches are generally small and very visible, forming a pattern. In Roumanian couching, the couching stitch is meant to work back into the design, making a subtle textured difference, but not highly noticeable. With Klosterstitch, the couching thread is meant to be as invisible as possible - yes, it necessarily forms a kind of smooth texture overall, but Klosterstitch is meant to fill a solid area without creating any kind of secondary pattern on top of the couching.

All of this is rather difficult to explain without pictures, so...



This is Bokhara couching. Notice the small couching stitches, and the diagonal pattern being formed by them.



Here's another shot of Bokhara, with a different pattern worked up. The design is being worked in an inch square, with #5 perle cotton. Not a very good choice of design with that thread in such a small space, but just so you have an idea.



Here's Roumaniann couching. Notice that the couching stitch (that's the middle "wave") is much longer, and it doesn't really serve to form as visible a pattern, although there is a noticeable wave and a difference in texture (it isn't a smooth line, like satin stitch).



Here's Roumanian couching with two couching stitches across the laid thread.

A note on the three forms of couching: According the Historical Needlework Resources website, all three names - Bokhara, Roumanian, and Klosterstitch - are used interchangeably. I don't want to be argumentative about it, but for the most part, it seems to me that they are subtly different. Klosterstitch is even "less visible" than Roumanian couching - and, from what I've seen looking hither and thither about the place, Klosterstitch is more often worked on the vertical rather than the horizontal. I suppose this is a matter of the stitcher's preference, though.

In any case, I'd put Klosterstitch and Roumanian couching a bit closer in looks than I would Bokhara, because it seems to me that Bokhara couching is always described using small couching stitches that form a pattern on top of the laid threads. The other two don't.

All that having been said, if you're looking around, trying to figure out how to do Bokhara couching, you probably don't care about the differences and similarities! So I'll get on with the video!



For more embroidery stitch videos, please visit my Video Library of Stitches index, where you'll find over 40 embroidery stitch videos!

Have fun with it!
]]> video tutorials pictures needlework pictures 8853 Ruth noreply@blogger.com 2009-02-11 14:13:00 2009-02-11 14:13:00 1 0 9599 Anonymous noreply@blogger.com 2008-12-04 16:34:00 2008-12-04 16:34:00 1 0 11429 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-08 06:55:16 2008-07-08 06:55:16 1 0
I think this is a nice looking handout. This woman has apparently worked quite a bit of klosterstitch:

http://www.sca-austria.org/as/projekte/raca/Klosterstich_v1-00.pdf

And if you click on the Klosterstitch tag, you'll be able to see the progress on this piece she's doing:
http://racaire.blogspot.com/search/label/Klosterstich

Kinda neat.]]> 11430 coral-seas carol.conway@gmail.com http://www.blogger.com/profile/08876196936807771078 2008-07-08 05:54:00 2008-07-08 05:54:00 1 0
These comparisons always fascinate me. Do you have any samples of Klosterstitch, or instructions for how to work it?

CA]]> 12569 Anonymous noreply@blogger.com 2008-01-03 09:05:51 2008-01-03 09:05:51 1 0
Thanks!
--Karen]]> 12572 HSG noreply@blogger.com http://www.blogger.com/profile/07320618230154223528 2008-01-02 15:25:00 2008-01-02 15:25:00 1 0 http://www.needlenthread.com/2008/01/some-special-embroidery-deals.html Fri, 04 Jan 2008 08:59:00 -0600 Mary Corbet 873 2008-01-04 08:59:00 2008-01-04 08:59:00 open open Some-Special-Embroidery-Deals... publish 0 0 post Hedgehog Handworks 15% off everything sale for the month of January. If you're looking for goldwork supplies, now might be a good time to get a better deal through Hedgehog Handworks. They also have some wonderful books on their site! Some are harder-to-find (you won't find them at Amazon, usually!), while others are more common and can be found cheaper elsewhere. Hedgehog carries Lanto Synge's book, The Art of Embroidery, which is on sale right now for $76.00 ($13.00 less than Amazon if bought new). They also have some great European monogramming books and so forth that you won't find readily available in the States, as well as some excellent resources on historical samplers.

Anyway, if you decide to check out Hedgehog Handworks January sale, they require a coupon code at check out. It's Jan08 (it's in the top banner of the website).

Enjoy!]]> embroidery resources http://www.needlenthread.com/2008/01/in-search-of-elusive-plaited-braid.html Thu, 03 Jan 2008 22:04:00 -0600 Mary Corbet 874 2008-01-03 22:04:00 2008-01-03 22:04:00 open open In-Search-of-the-Elusive-Plaited-Braid-Stitch! publish 0 0 post embroiderer!?" That may be a bit of an exaggeration, but - still - it is a stitch that I have a heck of a time trying to get "right." So I'm exploring it, searching for resources, help, information, tips, and whatever anyone wants to add to my explorations...

The plaited braid stitch shouldn't be confused with the braid stitch - although they are similar in their beginnings. The braid stitch is rather simple, though, and relatively easy to stitch. The braid stitch looks like this:



The plaited braid stitch is a stitch that was used in 17th and early 18th century to provide heavier scrolling patterns on textiles. It was worked in metal-wrapped silk thread (much like Japanese gold) or stiffer cord-like thread. Unlike the stitch above, which is completed in two steps for the first stitch and one step on the repeats, the plaited braid stitch takes five steps to execute the first stitch, and then the repeats require two steps if you use a "sewing" method of stitching, and three steps if stabbing. So far, I've found stabbing to work better, especially with metal threads.

What piqued my curiosity about plaited braid stitch recently is the awesome project going on at The Embroiderers' Story. This is a blog devoted to the re-creation of a 17th century lady's embroidered jacket at Plimoth Plantation. I've poured over the whole blog and read with delight about their work in recreating this beautiful piece of clothing. Their process of finding thread, their progress on the embroidery - all of this really thrills me! I'm anticipating the information on how they are going to recreate the scroll pattern in the jacket, and what thread they are going to use. Are they going to use the plaited braid stitch (which, after looking closely at their model jacket, seems to be the stitch used for the scroll), and, if so, what kind of thread are they going to use to work the stitch? I'm sure they've got this all figured out, but I can't help thinking that, if they have found the embroidery time consuming so far, how much more time consuming will it be with the plaited braid stitch? It seems to me that all the other stitches used on the jacket work up relatively quickly - detached buttonhole and trellis stitch can go pretty fast once you establish a rhythm. But plaited braid - wow! It's slow, and that's a lot of scroll work!

This is the thing: clear directions for the plaited braid stitch are really (Really!) hard to come by! If you want to find it in a current embroidery book, you'll be hard-pressed. The only book I've found it diagrammed in so far is Mary Thomas's Dictionary of Embroidery Stitches. True, I don't have every book on the market, but I pulled out my collection of standards, and Mary Thomas is the only one who covers it.



Online, there are a couple sites that have the same type diagram for the stitch. The diagram looks like this:



It's the same diagram that's found in Mary Thomas's book, shown here:



On some websites, I've noticed that some alternate names are given to the stitch, such as "plaited stitch" (nope - it's not), "braid stitch" (no, it isn't!), and "rosette chain stitch" (nope, not that either).

I also ran across a website with step-by-step photos of something entitled "plaited braid stitch." But it isn't "the" plaited braid stitch here - it's missing a step, and the braid, if worked following the directions given, looks heavier on one side than on the other. That's because one of the plaiting steps is missing.

The site is Victoria Clayton's Hand-Dyed Fibers, a good site for some interesting and useful information for stitchers (she has a good articles on finishing a needlebook, for example).

It's her fourth and fifth step that pose the problem with her version of the plaited braid:



If your work up her stitch a little more carefully, this is more or less what you end up with (working with perle cotton):



It certainly works up faster, but it isn't the right look - notice that one side (in the photo above, the right side) has a plaited look to it, but the other side is just the loop that you find in the regular braid stitch.

In the "real" plaited braid stitch, the sides are even - there's a "plaited look" to both sides of the stitched band. Here's a close up of the blaited braid stitch worked on an antique:



Notice how comfortably the threads fit together - they look almost supple in their twists and turns. Of course, the piece is old and the threads have been there for a while. But still - the stitch is tight and neat and even, and the threads look comfortable with their situation!

Here's a close up of one of my attempts at the plaited braid stitch, following the diagram above for the stitch, and using a size 5 imitation Japanese gold and a really big needle:



You can see the strain on the gold already, even though it was passing through a large needle hole. The gold also looks stiff and uncomfortable. The stitch doesn't close up on itself very well, either - although perhaps that's part of the nature of the stitch when worked with stiff threads.

There are some noticeable differences between my sample and the older work above - for one thing, in the thread I used, the gold strip wrapped around the core thread is a lot wider than the strip on the older piece. I think this has a lot to do with the stitches in the top photo looking more supple.

My stitches look decidedly stiffer and "rounder" than the those in the top photo. Notice the obvious downward direction of the stitch line in the top photo - the interior stitches (the "plait" part of the stitch) - angle downward in the stitch direction (especially the ones on the left). In my sample, every part of the stitch seems to keep a rounded, stiff look. In the older piece, these stitches are closer together, too.

Here's a shot of the plaited braid worked with cord, from Mary Thomas's book:



In playing with the stitch, I've learned that once you get the hang of the order of the steps for the plaited braid stitch, it isn't that hard to follow the steps. The tricky part of the stitch is to keep it even and to get into a working rhythm so that you can make progress on your stitching. As mentioned above, when working with a wrapped metal thread (like Japanese gold), I found it easier to use a stab method (that is, taking the needle all the way to the back, pulling the thread through - at least to the point of creating the next loop, and then bringing the needle back to the front).

Now, what I'd like to know from all the embroiderers out there who are familiar with the plaited braid stitch is this:

What kind of gold or metal thread works best for this stitch? What size needle works best - and what kind (sharp or blunt?) - and are there any tips or tricks you've learned while working the stitch that you can share?

If readers have any information on the stitch, or can direct me to further resources, I'd love to hear from you!

]]> historical needlework goldwork Hand embroidery stitches 9179 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2009-01-15 08:58:00 2009-01-15 08:58:00 1 0 12559 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-04 17:32:17 2008-01-04 17:32:17 1 0
Here's Leon Conrad's piece on the plaited braid stitch:

Leon Contrad on Plaited Braid Stitch

Yippee!]]> 12560 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-04 17:27:51 2008-01-04 17:27:51 1 0
Megan!! I can't seem to access that link right now - looks like a server problem. But I'll check it out as soon as it will come up for me!

Thanks again!]]> 12561 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-01-04 13:08:00 2008-01-04 13:08:00 1 0 http://www.bayrose.org/AandS/handouts/Plaited.pdf]]> 12562 Anonymous noreply@blogger.com 2008-01-04 10:05:00 2008-01-04 10:05:00 1 0 Fine Lines magazine (the publication of the now defunct Historic Needlework Guild) published an article in two installments titled "A Treatise on the Plaited Braid Stitch" by Leon Conrad of the U.K.
The issues in which these articles appeared are Vol 8 No 1 and Vol 8 No 2 (Summer 2003 and Fall 2003 respectively).

To give you some perspective, this is a very difficult stitch to master. I know of at least one needlewoman, who has had the opportunity to study antique embroideries in various collections in the U.K., who has not deciphered it to her satisfaction. She has even questioned Leon Conrad's treatise.

J]]> 12563 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-04 08:03:26 2008-01-04 08:03:26 1 0
I'll go page-by-page to see....

Thanks!]]> 12564 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-04 08:01:01 2008-01-04 08:01:01 1 0
Your stitches look fantastic. I'll give it a try later today when I get home from work!

Thank you, thank you, thank you!]]> 12565 Kathy krmttlr@gmail.com http://www.blogger.com/profile/15024323286720028127 2008-01-04 06:53:00 2008-01-04 06:53:00 1 0 Readers Digest Complete Book of Embroidery includes the Plaited Braid Stitch. It looks the same as you pictured from Mary Thomas's book. In addition it also says, "This stitch requires practice bt is very effective as a decorative border. Work from the top down and use a heavy thread. Pinning the loops will help you to practice."]]> 12567 Žabacorporation zabacorporation@gmail.com http://www.blogger.com/profile/08672390582224414007 2008-01-04 06:03:00 2008-01-04 06:03:00 1 0 here. The other think is that the metal plaited braid is a bit different to the Mary's one. When threading under the cross on the right you can notice they went under three threads - the cross and the one they were working with. Here you can see as I tried the Mary's and this way. Excuse my stitches, I've done this for the first time today :-D]]> http://www.needlenthread.com/2007/12/making-embroidery-stitch-videos-what.html Sun, 30 Dec 2007 16:19:00 -0600 Mary Corbet 875 2007-12-30 16:19:00 2007-12-30 16:19:00 open open Making-Embroidery-Stitch-Videos---What-a-Hoot. publish 0 0 post embroidery video tutorials.

The first thing I do is make a list of what embroidery stitches I want to get done during the recording session. I'm always Really Optimistic when I make this list! I end up with a list of 25 or 30 embroidery stitches that I'm just Sure I'll be able to record. Um... well, suffice it to say, optimism is always a good thing at the beginning of a project, but it's even better in the middle!

Next, I gather up supplies and frame up a piece of fabric suitable for the stitches I want to do. In this weekend's recording session, I used all perle cotton, and so far, I haven't changed my fabric yet (which indicates rather clearly how few stitches I've accomplished!)

Then, I make space to set things up. But it's Christmas still, and I have a tree to contend with.



In the miniscule living room, I set up a straight chair, my embroidery stand (more about that later! It's new, and it's a gem!), a light, a small portable table to hold things, and my tripod set-up for the camera.



I make sure the light and the camera are as well situated as they can be. Usually, I have the light from the window as well, to balance things out, but there's a Christmas tree in the way this time.



As you can see, the couch and the tripod tend to vie for space.



Once the furniture part of the endeavor is situated, I move the camera aside while I put lines and squares and such on my fabric, planning out the first video - what stitch, where on the fabric, and so forth. This weekend, I decided to mark very clear lines on the fabric, to help ease the stress of lining things up properly while stitching with a camera in front of my nose.



This is my view as I stitch. The item that I'm recording is located right smack under the camera there. Now you know why some of the stitching seems rather slow and awkward! It's a matter of getting my hands in and out and around that camera, without knocking the whole set-up over!

After I've recorded the stitches on my camera - starting over, clipping, stopping, starting, deleting, trying one more time, shifting positions, deleting again, and starting and stopping a few more times for good measure - I take the camera to my computer and unload everything, and recharge the battery if necessary.

Opening Nero Vision Express, I make a movie - only not the whole movie. In Nero, I blend together any clips and make any cuts in the clips. Then I export the whole movie as an .avi file, and take it into Windows Movie Maker, where I add the title clip and closing clip, and the transitions between those and the video. I mute the sound on the video (be thankful!), and then I save the whole thing as a "test" of the movie.

Then, I watch the test several times, thinking my way back through the stitching, and recalling what I was saying in my head as I went (sometimes, not a good thing... riffemrackemfrickemfrackem comes to mind quite often!). Now's the time to open up Audacity, and, while I'm watching the test video, I record the voice instructions. I hate that part. I don't like hearing my own voice!

Next, I take the audio clip into Windows Movie Maker and insert it into the video, and run through it once to make sure it's in the right position, and the audio and video are synchronized.

Once the sound and the video are situated, I save the whole thing in "best quality" on my computer. I watch it again to make sure it's not too horrid... and then I upload it to Google video, where all my hard work gets compressed and somewhat muddled, but is still clear enough to make a lot of people happy with the videos!

Finally, when time allows, I unleash the thing on the public by writing a post here about the stitch.

And that, my friends, is how I make the embroidery stitch videos!

So far this weekend, I filmed the following stitches:

Bokhara couching
Roumanian couching
Buttonhole filling - detached and ... un-detached? attached!
Rope stitch
Raised chain
Raised stem
Coral stitch
Scroll stitch
Ladder stitch
Pistol stitch (elongated French knots)

(Ooooooh - so much for my list of 30!)

Well, tomorrow is another day!]]> video tutorials pictures 4684 Isangel noreply@blogger.com http://www.blogger.com/profile/03212864823086898390 2009-11-07 10:47:01 2009-11-07 10:47:01 1 0

Mil gracias

Isangel]]> 6156 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-08-11 20:54:47 2009-08-11 20:54:47 1 0 I have learned many easy ways to stitch through your blog. Especially the Twisted Trellis stitch.
Thank you.
Maureen]]> 6620 Anonymous noreply@blogger.com 2009-07-15 05:08:05 2009-07-15 05:08:05 1 0
PS: who likes their own voice recorded? My thought, prior to reading your comment, was "she's got a confident, smooth tone to her voice." That goes a long way and is very helpful.

Roger]]> 8815 Sarah D noreply@blogger.com 2009-02-14 17:38:00 2009-02-14 17:38:00 1 0
Thanks so much for the time and effort you take to do these tutorials on video. It is so much easier to see it and understand the instructions over reading instructions. I appreciate it as I know everyone does and it helps me to teach my granddaughter.]]> 11099 Valanteena noreply@blogger.com http://www.blogger.com/profile/14218381116192227145 2008-08-05 05:29:00 2008-08-05 05:29:00 1 0
Wonderful,Marvellous,Fascinating what not to say,U r doing a very much excellent job,
that too on the part that u cannot see the stitching bcoz of cam,V shud really appreciate u for ur creativity,technical side and thinking of helping others by making a library and posting it ,
Thanks and keep it up

Valanteena]]> 12574 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-31 20:17:22 2007-12-31 20:17:22 1 0 12576 Anonymous noreply@blogger.com 2007-12-31 19:55:00 2007-12-31 19:55:00 1 0 12578 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-31 10:32:33 2007-12-31 10:32:33 1 0 12579 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-12-31 09:01:00 2007-12-31 09:01:00 1 0
Ginger]]> 12582 Pat patricia.thornhill@btopenworld.com http://www.blogger.com/profile/15771378948765147509 2007-12-31 01:18:00 2007-12-31 01:18:00 1 0 12583 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-30 21:46:50 2007-12-30 21:46:50 1 0
Cindy, 12 x 16 sounds palacial!! about 10 x 12 here. It's a tiny little house; the living room's in the original part, which was built around 1900, apparently! So, yes, small!!

Megan, I'm looking into your video prob!! I think it's a cross between connection, computer, and google video.

Ah, marybeth, I must credit my brother for teaching me the technical side of things!

Thanks, again, for the nice comments ---- I'll be recording more video tomorrow. Who knows? Maybe I will get up to 30!!

Hahahahahaaaahhahahaohohohohha.

G'night!]]> 12584 MaryBeth noreply@blogger.com 2007-12-30 21:04:00 2007-12-30 21:04:00 1 0 12585 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-30 19:48:00 2007-12-30 19:48:00 1 0
What I'd like to know is this - and it's for other readers of Mary's blog.

I get the video streaming for about 2 seconds, then a 5 second delay ... and repeat.
It makes them about impossible to watch.

My broadband speed is midrange (I forget exactly what) and my computer isn't top of the range, but is only a year old.

Are there any tips and tricks to force the video to be cached, and then played all at once?

That would make me a very happy woman,

Megan]]> 12586 Anonymous noreply@blogger.com 2007-12-30 17:43:00 2007-12-30 17:43:00 1 0
I consider our living room pretty small at 12 by 16 feet, how does yours compare?

Cindy in Oregon]]> http://www.needlenthread.com/2007/10/drizzle-stitch-grandma-hair.html Wed, 24 Oct 2007 06:23:00 -0500 Mary Corbet 876 2007-10-24 06:23:00 2007-10-24 06:23:00 open open Drizzle-Stitch-Grandma-Hair publish 0 0 post embroidery video tutorial for drizzle stitch, I thought you might be interested in a few photos of the drizzle stitch "in action."

This is a little project I'm working on which may very well develop into a Christmas present. On it, there's a Grandma whose hair is worked in drizzle stitch.

I never realized what a difference there is in working on black fabric, until I was doing so with predominantly white thread, by the way!



So here's a full shot, and you can see how the drizzle stitch works pretty well for producing curly hair.



And here's a closer shot of the stitches. They're a blue-ish grey, by the way.



I tried to get a photo at a decent angle where you could see the three-dimensional aspect of the stitch.

So there's my Drizzle Stitch Grandma so far. I'll share the rest of the project with you later!

]]> Hand embroidery stitches needlework pictures 12866 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-24 13:38:15 2007-10-24 13:38:15 1 0 12867 Anonymous noreply@blogger.com 2007-10-24 08:31:00 2007-10-24 08:31:00 1 0 http://www.needlenthread.com/2006/12/embroidered-gift-idea-wine-bag.html Sun, 31 Dec 2006 20:28:00 -0600 Mary Corbet 877 2006-12-31 20:28:00 2006-12-31 20:28:00 open open Embroidered-Gift-Idea---Wine-Bag publish 0 0 post


We have even been known to give gifts yet again on that day - "Little Christmas" it is called in some traditions. Even if your holiday gift-giving is over, since it's the New Year, you may be taking stock of what's ahead - birthdays and anniversaries are bound to show up throughout the year, so it's not a bad idea to keep on hand some gift-giving ideas.

So, with that in mind, I'm going to pop up occasionally with a "home made" gift idea throughout the year.

The first one is this template for a wine bag. I came across the template on a machine embroidery website, but it can very easily be embellished with hand embroidery. I was rather excited to find it, as I have a few major anniversaries coming up this year in the family, and I thought it would make a great presentation for a celebratory bottle of bubbly or a nice wine. It would also be great for a house warming gift, or for that "What-Should-I-Get-Him-For-Father's-Day?" gift.

You'll find the template here.

Ideas for embellishment might include a monogram, a family crest, wedding bells, a favorite type of flower or pet, a bunch of grapes, a favorite quote or saying, etc. For fabric, I'd look for something limp, with a drapey kind of lining. Crushed velvet comes to mind for the outside, with a nice cord for the neck (cording can be found at any sewing or hobby store - look in the drapery / upholstery section - or you can make your own following this little practical tutorial).

I would draw the template out on paper first, to make a pattern, then I would cut my fabric large enough to accommodate the shape of the bag and to fit on a hoop or frame. I'd mount the fabric first, then I'd trace my pattern template for the shape of the bag. Then I'd center my design and transfer it onto the fabric to embroider it. If using a washable fabric, I'd use Solvy to transfer my design, but if not, I'd use dressmaker's carbon or pounce.

After stitching, I'd sew the bag together according to instructions - and voila! a pretty nice gift.
]]> gift ideas http://www.needlenthread.com/2007/12/book-review-embroidery-stitch-bible.html Fri, 28 Dec 2007 09:52:00 -0600 Mary Corbet 878 2007-12-28 09:52:00 2007-12-28 09:52:00 open open Book-Review:-The-Embroidery-Stitch-Bible publish 0 0 post needlework book reviews, I try to give you enough information to make an informed decision so that you're not disappointed. There's nothing worse than getting all excited about a new embroidery book, then getting it and finding it lacking! If you're looking for an embroidery stitch dictionary - one of those handy reference books on how to do this stitch or that - here's a review for The Embroidery Stitch Bible.

You can be assured, when I review an embroidery book, that it's a book I own. I try to give the pros and cons of the book, and specify what's different about it that makes it especially useful to the embroiderer.

The Embroidery Stitch Bible has a couple great features, the primary one being a section at the front of the book called the "Stitch Selector." This is a pictorial guide to each stitch in the book. If you don't know the name of a stitch, you can browse through the Stitch Selector to identify it.



In the Stitch Selector section, you get little photos of each stitch as it really looks - it is worked, not just sketched. The stitches are arranged by types - satin stitches, couching stitches, laid filling stitches, etc.



Set in each little picture is the reference number for the embroidery stitch so that you can flip right to the instructions.



Each category of stitching is pretty thoroughly covered, as you can see by this page of the Stitch Selector showing drawn thread stitches.

This pictorial "table of contents" at the front of the book is perhaps my favorite feature of the book!



When you want to learn a stitch, there are three aspects to each instructional page or spread of pages in the Embroidery Stitch Bible: 1. a photo of the stitch worked in several variations; 2. a chart of how to work the stitch (this is a drawn diagram); and 3. text that takes you through the stitch and some variations step-by-step.



Techniques besides strictly "embroidery" are covered, such as sewing sequins and other embellishments on.



You can see here on the bullion knot page the three elements of instruction - at the top, the photo of the real stitching, then the diagrams (there are two two-part diagrams), and then the text. You can also see the variation on the stitch, which, in this case, is a bullion rose.

The one element that some may consider a "disadvantage" to this book is that the stitches are demonstrated in drawn diagrams, often in two diagrams, but sometimes only in one diagram. Compared to other books such as the A-Z series on Embroidery published by Country Bumpkin, or their Embroiderer's Handbook, this can be seen as a bit chintzy in a way. Country Bumpkin generally gives you a step-by-step series of photographs of each stitch as it is being worked. But in a book that covers over 200 stitches (as the Embroidery Stitch Bible does), it would be quite a feat to fit that many stitches into one book with step-by-step photos!

So you have to weigh what you want: a lot of stitches, with a visual representation of the actual stitch worked and a diagram to show you how, OR fewer stitches, with step-by-step photos of the stitch in progress.

A word on diagrams: in this book, I think they're pretty clear. In some older pamphlets for embroidery, or in older books, the diagrams are not as well done, so don't judge "diagrams" in general by older publications. The diagrams here are clear, and if you are even just a little bit familiar with embroidery, you shouldn't have too much of a problem working them out.



Another nice feature: most embroidery books begin with a section on basic materials and setting up a piece of embroidery. This book does, too. But most books don't include finishing tips. You will find a short section on basic finishing tips in the back of the Embroidery Stitch Bible. They are illustrated, not photographed, but still very clear.



This, to me, is one of the finest features of any how-to book, whether it's needlework or any other craft: A SPIRAL BINDING! I wish publishers would take this aspect into consideration more often! When you're teaching yourself from a book, it's great to have a book that lays flat on its own! So the spiral binding on the Stitch Bible is a huge plus!



I like the cover, but don't let the background photo or the majority of stitches on the front throw you off - it looks like it focuses primarily on canvas or counted work. It's not the case, really. Yes, canvas work is covered. But so is everything else!

I like this book, and I think it's good for beginners and beyond.

The Embroidery Stitch Bible can be had through book retailers around the globe. Country Bumpkin sells it for $36.95 Austrian, or US$31.41. (US residents beware: shipping is high!) Barnes and Noble has it for $29.95, or $26.95 for members. The cheapest you can find it on ABE Books (used) is $18.30. Right now, you can get The Embroidery Stitch Bible new through Amazon for less than $20.


]]> book review embroidery books beginner embroidery 3467 wingslapped noreply@blogger.com http://wingslapped.livejournal.com/ 2010-01-24 12:27:25 2010-01-24 12:27:25 1 0 12590 Alarttex noreply@blogger.com 2007-12-29 06:47:00 2007-12-29 06:47:00 1 0 Really I enjoy each article that you write
A hug from Alicante Spain]]> http://www.needlenthread.com/2007/12/art-embroidery-in-silk-ladys-book.html Thu, 27 Dec 2007 10:45:00 -0600 Mary Corbet 879 2007-12-27 10:45:00 2007-12-27 10:45:00 open open Art-Embroidery-in-Silk---A-Lady's-Book publish 0 0 post A Lady's Book on Art Embroidery in Silk with Engraved Patterns was published by M. Heminway & Sons Silk Company some time last century or the century before! (How's that for accuracy?!) It's a neat little booklet with a lot of information in it.

First, as promised, it has some embroidery patterns in it. Second, it has some embroidery technique in it. And third, since it's published by a silk manufacturing company, it has a lot of nice information about silk in it.

If you haven't come across it on the Antique Pattern Library yet, do give A Lady's Book on Art Embroidery in Silk with Engraved Patterns a look. It's a PDF, and it was added to the library in November, 2007.



Also, if you haven't stopped by the Antique Pattern Library lately, you might want to take a look at it - there have been a few new additions, which you will find highlighted in red in the left-hand column. You may end up browsing a while! Enjoy!
]]> online needlework books http://www.needlenthread.com/2007/12/happy-christmas-to-all.html Tue, 25 Dec 2007 12:14:00 -0600 Mary Corbet 880 2007-12-25 12:14:00 2007-12-25 12:14:00 open open Happy-Christmas-to-All! publish 0 0 post Lucy Mackrille's Church Embroidery and Church Vestments. The description reads:

It is a marvel how much beauty can be put in outline stitch, also called stem stitch as seen in this lovely pall. The features of Joseph and the Virgin Mother are perfect, even exhibiting humility in every line. The figures are done in the finest split gray filo. The circle and lovely entwining scrolls are done in the finest gold metal thread - I think they call it cordonnet. It has been washed three times; and though the gold has lost some of its brilliance, it is yet gold. The star with its rays is gold, and also the rays around the blessed Child. The flowers in the corner are done in white filo in satin stitch and seeded.

]]> ecclesiastical embroidery http://www.needlenthread.com/2007/12/finish-work-how-to-frame-piece-of.html Sat, 22 Dec 2007 06:29:00 -0600 Mary Corbet 881 2007-12-22 06:29:00 2007-12-22 06:29:00 open open Finish-Work:-How-to-Frame-a-Piece-of-Embroidery publish 0 0 post
With Christmas looming, I've been cramming in some simple frame jobs for gifts. So I thought I'd take you through the steps of a simple frame job for a piece of embroidery. It's a long one with lots of photos, so grab your coffee...

First of all, you need to find frames. When you frame embroidery, if you decide to put the piece behind glass, you should plan on double matting or putting spacers in to keep the glass off the front of your work. Or, you can do like I did, and find frames that have a "shadow box" effect, where a space of half an inch or more is intentionally left between the glass and the object to be framed.

You can always choose to make the frame yourself, by the way, but this is a "simple" frame job, done in a relatively short amount of time!

After you've assembled all your supplies, the first thing to do is prepare the piece for framing. If you need to wash it, now's the time to do that! How do you know if you need to wash your embroidery? If there are any obvious marks on it, if there has been an opportunity for dust build-up, if you weren't particularly careful with clean hands while you worked (even if you can't see specific marks, hand oil can show up over time!)... probably you should wash it. Certain types of thread are not conducive to washing in water - overdyed silks, etc., shouldn't be just dunked into a bucket of water. But I used DMC on these projects, and it's pretty color-fast, so I wasn't worries about color running.

You can avoid having to wash a project by being super-careful with it, and by covering it with tissue or other cloth while you work, and only exposing the part you're working on. But that's a different story...

Prepare a bowl of lukewarm water and a little ivory liquid soap. I use a stainless steel bowl. I placed the embroidery piece in the water and moved it around, but I don't squeeze it or rub it all over or anything like that. I just gently swish it in the bowl. If there's a specific spot on fabric, I'll treat it first, and I might rub that one spot on the fabric, but you're not doing heavy-duty laundry here - just rinsing the piece.



After the gentle washing (I let it soak for 5 or 10 minutes), I rinse the piece thoroughly under running water. Don't wring it - just let the water rinse over the work, until it runs clear and there's no evidence of suds, and then a little longer for good measure. Turn it over, too - rinse front and back.

Then lay the piece face down on a clean towel, and gently press another towel on top of it to remove excess water.



Once all three pieces were washed, I took them to my ironing board, where I already had a clean white pillow case ready. For ironing embroidery, I use a clean white pillow case folded in half, with a flannel pad inside the fold. The flannel pad is made of four layers of soft, thin flannel.

After hand blocking (that is, arranging the pieces by gently pulling them and squaring them up), I left the pieces on the ironing board to dry a little bit on their own.



When I'm ready to iron, I iron the piece upside-down, with the right side on the pillow case with the flannel underneath it. This helps cushion the embroidery and keeps the stitches from getting flattened.

I iron the piece when it's still damp. Iron it gently, not pushing on the iron to try to dry the thing and get every wrinkle out. Just gently iron, blocking the piece into a square as you go, and being very aware of the temperature of the iron and the fabric. I always lift the iron after moving in one direction - I don't just go back-and-forth and back-and-forth with it. I move in one direction, lift, put it back down, move, lift, put it back down.



After ironing the piece from the back, I turn it over and look at the front. If there is any area on the front of the ground fabric that I want to iron, I do so carefully, without touching the stitches.

In the photo above, you can see two circled areas where there are wrinkles on the piece. This comes from faulty tension when I worked the piece. It could also come from the drying process of the fabric and the thread, but both were dry when I took the photo, and I suspected there would be some tension problems in these areas once the thing was off the embroidery frame and blocked.

Never fear - those slight wrinkles will be significantly (if not completely) reduced by the time the whole framing process is finished.



Now that the pieces are ironed and ready to frame, it's time to give some attention to the frames. This is the back of the frame - notice the octagon-shaped back cover. The board on which the embroidery is mounted is the same shape. I used an acid-free white mat board and cut it to fit the inside of the frame; it's a rectangle shape with the corners snipped off.



You can see here the space between the glass and the place where the embroidery will rest. It's about half an inch. I admit, the frames are a bit cheap - that's a plastic edge - but for 50% off 11.99, they were in my budget!



And here you can see clearly the shape of the mat board and how it fits in the opening.



Position the embroidery over the mounting board, centering it carefully, then turn the embroidery over, placing it face down on your work surface. I use a pencil and lightly draw the position of the mounting board on the back of the embroidered piece. That way, if anything gets knocked or the work slides about, it's no big deal.



After folding the embroidery over the board (it's inside there), I realized it needs to be trimmed. Since I marked the position of the mounting board, it's easy enough just to trim off a couple inches.



There. Remember that the front of the embroidery (the right side) is face down on my work surface. The mat board is positioned over the piece, and then the sides are wrapped around the mat board. There needs to be some space between the two sides of the fabric, as you can see here, because you're going to lace them, and the lacing will supply tension.



I used a #12 DMC cotton string (it comes in a ball, and is usually used for tatting or crochet) and a #7 crewel needle to do the lacing.

Make sure you cut a Long Length of string when you're ready to start lacing. It's no fun to stop, tie off, and start again. I used about a yard.

I folded the edges of the fabric and finger pressed them, then started lacing. This is done by catching the edge of the fabric (about an 1/8 of an inch or so in) and crossing back and forth between both sides.



Because the mat board isn't square, but rather the corners are cut off, I had to do some extra trimming, and I just sort of played that by ear. I didn't want a lot of bulk on the back of the mat board.



I folded the corners neatly, finger pressed, and tacked them down with a new length of #12 thread.



Then I folded the opposite ends down - not quite as neat as it could be - and laced them, pulling the lacing fairly tight as I worked. I was skimpy with the thread!! Learn from my mistake and make sure you start with a long enough length.

In any case, it still worked out fine.



Then, I put the mounted embroidery into the frame, and you'll notice that there's a bit of "wiggle room" here. I cut the mat smaller, since the fabric would take up some space, but it was a bit too small. This poses the problem that the piece might shift in the frame.



To remedy that, I cut a piece of foam to fit inside the back of the frame, to help hold everything in place.

The back of the frame was very well fitted, though, so everything was good and snug.



And here you see two framed up and ready to go.



And here's the iris - there's only the slightest bit of puckering between the petal and leaf on the left. Most of the puckering that was there was really reduced by the tension provided in the mouting process. No one else seems to be able to see the puckers except me! But if you look close enough...

So that's a simple framing job...

Hope it was helpful!
]]> finish work pictures needlework pictures 1522 Badecca noreply@blogger.com http://www.blogger.com/profile/02941527008744983738 2010-04-09 21:45:49 2010-04-09 21:45:49 1 0 2273 Badecca noreply@blogger.com http://www.blogger.com/profile/02941527008744983738 2010-03-11 09:10:26 2010-03-11 09:10:26 1 0 4659 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-10 16:10:58 2009-11-10 16:10:58 1 0
I'd leave at least two inches on each side (so add 4 inches to the length and 4 inches to the width).

Good luck!

MC]]> 4660 Anonymous noreply@blogger.com 2009-11-10 15:44:16 2009-11-10 15:44:16 1 0 I am about to start an A4 sized embroidery for my friends new baby. I was wondering how much extra material I should leave around the actual design for framing purposes?
Thanks!]]> 4683 Anonymous noreply@blogger.com 2009-11-08 06:09:48 2009-11-08 06:09:48 1 0 5791 Anonymous noreply@blogger.com 2009-09-04 17:26:06 2009-09-04 17:26:06 1 0
Thanks again. Have a great day.

Cindy]]> 6703 CRAFTS FROM THE HEART noreply@blogger.com http://www.blogger.com/profile/13358353170591779724 2009-07-08 08:30:13 2009-07-08 08:30:13 1 0 6807 Ginny noreply@blogger.com http://www.blogger.com/profile/00787943864033798784 2009-06-23 10:20:27 2009-06-23 10:20:27 1 0 8298 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-03-19 22:42:00 2009-03-19 22:42:00 1 0
this is the perfect utorial, i had seen this months and months ago... its fabu that i can come months and months later and still be able to use these.

fyi

i finally finished my bird( the pheonix)... not the greatest in my opinion..:(..... it has alot of puckering> i dont know why this happened... i used a 5 or 7" hoop and just moved it up ad i worked... hmmmmm... do u have any idea why that would have happened??? do you think if i apply lots of tension when i frame it tha this might go away?? welll im off to wash my fabric..lol]]> 8405 Megan noreply@blogger.com http://www.blogger.com/profile/02926691882641619945 2009-03-09 10:44:00 2009-03-09 10:44:00 1 0
Do you have any advice for how to prepare a piece for hanging in something like that? Would I do a mat board and lacing the back, or some other procedure?

Thanks for your help,

Megan]]> 11069 Anonymous noreply@blogger.com 2008-08-08 15:45:00 2008-08-08 15:45:00 1 0 11076 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-07 17:29:08 2008-08-07 17:29:08 1 0 11077 Anonymous noreply@blogger.com 2008-08-07 15:08:00 2008-08-07 15:08:00 1 0 11570 Kim noreply@blogger.com blog.spoonflower.com 2008-06-19 12:16:00 2008-06-19 12:16:00 1 0 12596 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-22 21:17:08 2007-12-22 21:17:08 1 0
Alternately, you can use tissue paper.]]> 12597 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-22 20:48:00 2007-12-22 20:48:00 1 0
But jeez- think what a bother they'd be working with needle and thread!]]> 12598 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-22 20:45:00 2007-12-22 20:45:00 1 0
You're psychic.

I was looking at my book cover yesterday and noticed how filthy the background material (not the patterned brocade, but the big piece of plain muslim behind it than the embroidery is tacked onto) has become.

So washing instructions are highly useful.
Is there anything to add given I've used a lot of gold thread? Just DMC - not any real gold.

Being primarily a calligrapher, I'm *very* aware of how dirty even 'clean' hands are. I always wash my hands before starting work on a calligraphy piece, and if it involves more than a few hours of work, it *will* still end up with a slightly grey patina from hand oils.

One thing I do is make a paper mask and cover over the part of the work that I'm not currently working on. It often ends up in an L shape, or maybe even a large square with a smaller hole in the middle, just to expose that bit that I want.

I wonder if that would work - tacking over some muslim over finished/not yet to be worked parts? Would it affect the tension somehow? (It shouldn't if the tension of the piece is tight). Or - given you can wash the piece afterwards (unlike calligraphy/illumination pieces!) it isn't worth it. *musing*]]> http://www.needlenthread.com/2007/12/readers-embroidery-embroidered.html Thu, 20 Dec 2007 22:51:00 -0600 Mary Corbet 882 2007-12-20 22:51:00 2007-12-20 22:51:00 open open Reader's-Embroidery:-Embroidered-Bookbinding publish 0 0 post gorgeous embroidered book bindings. Well, a reader has undertaken embroidering her own book cover, so I thought I'd send you for a peek!

Elmsley Rose has been working on a very nice embroidered book binding, and she's been blogging her progress. Every time I check out the new additions, I get the stitching itch - I want to delve into the same type of project! But I'll have to satisfy myself right now by just watching her work develop.



This is the cover so far. At first, when she started, I wondered if the background fabric might take away from the design, but as the embroidery progressed, I found I liked the background more and more. The embroidery pattern seems to move with the pattern in the fabric. Megan was inspired in the designing of her cover by a variety of historical sources, which she tells you about on her blog.

Take a look at all her posts on the embroidered bookbing - she takes you from the conception of the design up to her current point of accomplishment, unfolding her reasons for changes, and the whole thought, experimentation, and stitching process along the way.

Thanks to Megan's enthusiasm for these bookbindings and historic embroidery, I found myself looking more and more into them, and getting more and more enthusiastic about embroidered book bindings, their history, and the variety of designs, techniques, and materials used to adorn books throughout the ages.

Besides the great collection at the British Library, you can find quite a few interesting resources about the subject on-line.

For example, on Project Gutenberg, you'll find the book English Embroidered Bookbindings, which is full of excellent historical information, as well as plenty of plates in both black and white and color. This, for example, is plate 16 on page 54 - but don't be deterred by the black and white photo! Think of the possibilities of the design!



If you like plate 16 on pg 54 of English Embroidered Bookbindings, you'll be happy to know that you can find the pattern for this bookbinding online, or at least, something very similar to it - the central panel (with the circle around the initials) is different, for example. Oh, the embroidery possibilities! For example, I'm a fan of velvet with goldwork on it - and I think this pattern would look great in that combination!

If you want to read up on embroidered bookbindings, a good place to start is the British Library's Guide to English Embroidered Bookbindings in the British Library, a brief article that covers history, materials, and a good list of resources.

You can find a smattering of other articles on the subject here and there around the internet. For example, Prose, Poems, Points & Purls: Embroidered Book Covers is an SCA article the focuses on embroidered bookbindings in brief, with several nice pictures, and the pattern mentioned above.

If you know of any other resources on the topic, feel free to share them with us! Also, if you're working on anything similar, I'd love to see it. Feel free to post a link to your project photos, or e-mail and send a photo!
]]> historical needlework Jacobean embroidery pictures needlework pictures 12163 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-03-26 15:26:00 2008-03-26 15:26:00 1 0 12165 Margaret C. noreply@blogger.com 2008-03-25 13:57:00 2008-03-25 13:57:00 1 0 English Embroidered Bookbindings today at the following location:

http://www.archive.org/details/englishbookbindings00davenuoft

Here's a direct link to one of the PDF versions:

http://www.archive.org/download/englishbookbindings00davenuoft/EnglishBookBinding-enriched.pdf

I think some of the images are better than the ones on the Project Gutenberg site. In some cases I see a little more detail.

It's great having access to both versions!]]> 12600 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-21 08:22:57 2007-12-21 08:22:57 1 0 12601 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2007-12-21 07:41:00 2007-12-21 07:41:00 1 0
All these articles about ancient embroidery is a real treasure for me. This post is so complete.
Thank you and Merry Christmas and new year better!!!

Maria del Valle]]> 12602 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-20 21:28:53 2007-12-20 21:28:53 1 0 12603 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-20 16:01:00 2007-12-20 16:01:00 1 0
A couple of articles on how to make book covers (with your embroidered panels stitched on)

are
http://tinyurl.com/298rhe

and another, by Lady Martel (both of these are SCA articles).

I prefer the Lady Martel one - but can't find it on-line.
In case anyone has a hankering for it, I'll put it in my blog.]]> http://www.needlenthread.com/2007/12/running-out-of-time-for-gifts-for.html Tue, 18 Dec 2007 07:52:00 -0600 Mary Corbet 883 2007-12-18 07:52:00 2007-12-18 07:52:00 open open Running-out-of-Time-for-Gifts-for-Embroiderers? publish 0 0 post

I'm going to make it really easy for her, and for me, and for others out there suffering the same dilemma. It's an awful "plug," but here it is:

You've probably noticed that I do the Amazon affiliate thing - it helps support this website and the stuff I do to keep the website going, as well as helping with the children's embroidery classes I teach during the summer.

If you buy Amazon gift certificates though Needle 'N Thread, I do get a small percentage.

Now, who doesn't like Amazon for books? And you can find GREAT needlework books on there! I have a list of four or five on my wishlist right now, but they're not in the budget!

So, for my Mom, and for all you out there who are looking for a last minute gift - whether for a needleworker or not (think books, music, and everything else you can get at Amazon) - maybe you could try a gift certificate!

Here's a link, if you're interested! And thanks for your support!





]]> gift ideas http://www.needlenthread.com/2007/12/goldwork-technique-or-nu-resources.html Tue, 18 Dec 2007 06:14:00 -0600 Mary Corbet 884 2007-12-18 06:14:00 2007-12-18 06:14:00 open open Goldwork-Technique:-Or-Nué-Resources-&-Pictures publish 0 0 post

First, I should clarify: I'm not talking about the half-way hazy "Or Nué" kits, where you get to work cotton threads over DMC metallics, and produce a vague image of something, but you're not quite sure what.

While these projects do introduce the concept of Or Nué, they aren't what fascinates me! It's the historical stuff that I can't get enough of!

So I wanted to share with you a couple resources on this technique, so that you can see what it is, maybe dabble in it yourself, or just delight in the historical pieces that reflect an unbelievable level of craftsmanship with needle and thread.

First of all, there's this article that Megan sent me a link to, although (grin) I did already have it! But she reminded me of it, and that's what counts! The article is titled "Classnotes on Or Nue Embroidery," and it's a 3-page PDF file with two nice, clear black and white photos. The article contains some useful information about the technique, and a good desicription of what it's all about. The article comes from an SCA site that actually has a whole index of articles on metal thread.

Then there's this post about Or Nue on Needle 'n Thread from not-too-long-ago, within which you will find some good resources and a picture of the Mantle of the Virgin.

Speaking of that incredible piece of embroidery, if you like this kind of stuff, consider spending a few moments looking at this page featuring close-ups of the Mantle of the Virgin from several different angles - and yes, they are clickable and zoomable! So you can get pretty close to examine the details. Here's a screen shot of one little area zoomed, so you can see what I mean:



The sparkle of the gold through the silk is lovely. And the shading on this piece is INcredible! And of course, I love the pearls! You can pan the image while it's zoomed, which is a nice feature.

One of these days, I want to work up some tutorials that cover goldwork! Here's hoping it will happen over Christmas break.

In the meantime, do enjoy the links above! ]]> historical needlework ecclesiastical embroidery goldwork 12606 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-18 22:09:37 2007-12-18 22:09:37 1 0
I like the first link - they're gorgeous... the second link is kind of that "hazy" or nue look I meant. I don't like it so much... but you've got to admit, the mantle in the link above outshines them all! (I have to say that, because it's a favorite piece of mine!)

If I could ever undertake a "reproduction" project, it would be on something like that. But I don't think I quite have the skill, or the years left...!

Thanks, E-R!]]> 12607 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-18 19:38:00 2007-12-18 19:38:00 1 0
But what is your opinion on

http://www.alisoncoleembroidery.com.au/kits/goldwork/page2.html

especially vs the or nue kit on the page before
http://www.alisoncoleembroidery.com.au/kits/goldwork/index.html

which mentions DMC thread.

I do wonder if the articles I send you are useful, because you've been involved so long and I'm discovering stuff. I just hope to be useful and enjoy sharing what I've found. I hope some of the stuff I've sent is new *grin*]]> 12609 Christine Argyle noreply@blogger.com 2007-12-18 09:38:00 2007-12-18 09:38:00 1 0 http://www.needlenthread.com/2007/12/online-needle-lace-book-with-lots-of.html Mon, 17 Dec 2007 14:49:00 -0600 Mary Corbet 885 2007-12-17 14:49:00 2007-12-17 14:49:00 open open Online-Needle-Lace-Book-with-Lots-of-Patterns publish 0 0 post in Italian cutwork, needle lace, and reticella, and thought that others interested in the same topic might like this book.

This particular needle lace book is hosted, in PDF format, by the Online Digital Archive of Weaving and Related Topics. The book is in Italian, but if you don't read Italian, it doesn't matter, because there's only a brief introduction and the rest of the book is made up of patterns:



This is the thing, though - even if you aren't interested specifically in needle lace, the patterns are striking, and in looking at them, you might glean some inspiration for whatever type of embroidery or craft you do. I could see these patterns somehow adapted to other types of needlework: blackwork, couching designs, assisi embroidery, whitework even.



When I start looking at patterns like this, I can't help thinking of "all the ways" the same pattern could be adapted to other things!



Unfortunately, I share the common woe of many stitchers: so many ideas, so little time!



And I'm not sure why calligraphy and illumination come to mind when I see this one, but... they do!

Anyway, if you want to browse through a neat book, you'll find Giardinetto novo di punti tagliati et gropposi per exercito e ornamento delle donne, by Matthio Pagano (1550) at University of Arizona's Digital Archives.

]]> needlelace online needlework books 12608 Maria del Valle noreply@blogger.com 2007-12-18 11:40:00 2007-12-18 11:40:00 1 0
Just in recent days was reading about: Italian cutwork, needle lace, and reticella. So dear friend, thank you very much by your article that helps very much to me, in the search.

Maria del Valle
http://alarttex.wordpress.com/]]> 12610 Jocelyn in NZ noreply@blogger.com 2007-12-17 14:48:00 2007-12-17 14:48:00 1 0
I have always had an interest in needlelace, reticella etc and have dabbled in them - I think I am going to have to look more seriously at them too.]]> http://www.needlenthread.com/2007/12/readers-embroidery-opposite-faces.html Sun, 16 Dec 2007 07:12:00 -0600 Mary Corbet 886 2007-12-16 07:12:00 2007-12-16 07:12:00 open open Reader's-Embroidery:-Opposite-Faces-Pillowcases! publish 0 0 post embroidered a set of pillowcases. Well, imitation being the best form of flattery (excuse the cliché!), I was really thrilled to see Meeta's completed pillowcases. She sent along pictures, and so I thought I'd share them.

Meeta's embroidered pillowcases look almost just like mine, with a couple exceptions: 1. She says there aren't as many faces; 2. Hers are worlds NEATER and more carefully stitched than mine are! They're so cleanly and crisply done. Mine are sloppy fuzzy messes in comparison! Meeta was smart - she used a hoop, and you can really tell the difference on the tension of the fabric. Also, she was obviously very careful about her thread length and avoided the fuzzy fraying that comes from over-use of the same thread. I, on the other hand, was rather lazy in that regard, and it does show in the work!! And her stitches are nice and precise!

Meeta also made her black pillow case herself. On the white one, she took apart the "cuff" at the edge and put an extra lining of white inside so that no background thread (which is predominantly black) shows through.

I think you'll agree she did a great job!

Here are the photos:



Both pillow cases...



Close-up on the white...



And the other half of the white...



And the left half of the black pillow case...



And the right half! Yep, the drooly guy is still my favorite!

Nice job, Meeta! I'm glad you had fun with it, and can't wait to see what you work up next!
]]> readers embroidery pictures needlework pictures 12611 Meeta noreply@blogger.com 2007-12-17 11:22:00 2007-12-17 11:22:00 1 0
Have a Merry Christmas and a very Happy New Year!!!

-Meeta]]> 12613 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-17 07:32:40 2007-12-17 07:32:40 1 0 12614 Maria del Valle noreply@blogger.com 2007-12-17 05:35:00 2007-12-17 05:35:00 1 0 Also many thanks for all your articles that I enjoy!!!
A kiss

Maria del Valle
http://alarttex.wordpress.com/]]> http://www.needlenthread.com/2007/12/nice-example-of-stumpwork-interesting.html Sat, 15 Dec 2007 11:13:00 -0600 Mary Corbet 887 2007-12-15 11:13:00 2007-12-15 11:13:00 open open Nice-Example-of-Stumpwork!-&-Interesting-Stitch! publish 0 0 post

I think I was on Sharon B's embroidery / textile blog, In a Minute Ago, actually, but I'm not sure! Anyway, the comment was written by the writer of a blog written in Portuguese, called Qualquer Motivo, where I found some really nice examples of colorful embroidery. The one that really catches my eye is the fourth sample down, with the owl and sunflower. Very nice! But what really intrigues me is the stitch illustrated right below that.

It's an interesting stitch - it looks like a combination of a chain stitch and turkey work, resulting in something similar to a granito, linked to another granito. Anyway, I've never seen it, and I thought it was neat! Have you ever seen the stitch, and do you know what it's called? I'm curious!

Anyway, Valquiria has some really nice examples of needlework on her website, Qualquer Motivo, so if you get a chance, do check it out. If you scroll down the page, you'll come to another example of stumpwork, with a buck, a castle, a tree, and a lady on it, among other things... take a look at it! If you like stumpwork, you'll probably like it!
]]> embroidery links stumpwork 12621 Margaret C. noreply@blogger.com 2007-12-15 13:01:00 2007-12-15 13:01:00 1 0
I ran the page through Google's translator to give me a sense of what the text says. There might be an easier way, but I simply searched on "qualquer motivo" (it was the first hit for me on the results page) then clicked on 'Translate this page'.]]> http://www.needlenthread.com/2007/12/natures-lace-found-in-ice-storm.html Fri, 14 Dec 2007 07:31:00 -0600 Mary Corbet 888 2007-12-14 07:31:00 2007-12-14 07:31:00 open open Nature's-Lace-Found-in-an-Ice-Storm publish 0 0 post

Regardless, I thought I'd share some quick photos of the ice storm that hit the Plains this past week. I received several e-mails from readers, hoping that all was well with me and my family. Thank you! Indeed, we were relatively lucky! Although I live in a rural town, it is still a town, and our loss of power only lasted about 12 hours. Neighbors out in the country are still living without power, with an estimated two-week wait! On top of it, the forecast says there will be more snow tonight.



Back yard photo - the woods are congested with trees - from red buds to elm and oak. In the winter, it looks bare and cold and stark. In the spring, a green and purple haze begins to form, the harbinger of new life. In summer, it's thick and relatively lush, and in autumn, it's actually just a dullish yellow. There are few things prettier in nature than ice coating trees. I love the lacy look.



From the front porch, looking up the hill. The trees are bowing quite a bit under the ice.



Bush in front of the porch. I love the red through the ice!



A little bit of a problem with a downed power line right in front of the house...



...and no wonder. This side-yard tree surprisingly didn't cause any damage, though it looks as if it's hanging for support on every power line available!



A little bit of a lacy fringe on a power line...



When the sun came out, things really began to look up! The finest silks, embellished with lace and diamonds, would look dull in comparison to this!



Thanks for your inquiries and good wishes. As you see, all is well on my end!
]]> personal 12612 Gail galynn92347@yahoo.com http://www.blogger.com/profile/14240381173653268463 2007-12-17 11:01:00 2007-12-17 11:01:00 1 0 12620 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-15 17:38:00 2007-12-15 17:38:00 1 0
What a wonderland!

The only thing I've ever seen hanging off power lines are magpies and rosellas.]]> 12626 Logan noreply@blogger.com http://www.blogger.com/profile/14190306276373818087 2007-12-14 16:07:00 2007-12-14 16:07:00 1 0 http://www.needlenthread.com/2007/12/fascinating-historical-embroidery.html Thu, 13 Dec 2007 11:58:00 -0600 Mary Corbet 889 2007-12-13 11:58:00 2007-12-13 11:58:00 open open Fascinating-Historical-Embroidery-Project-Underway publish 0 0 post

In November of 2006, the Colonial Wardrobe & Textiles Department at Plimoth Plantation conceived the plan to re-create a piece of 17th century clothing to display in an upcoming exhibit highlighting the "personal adornment" of folks way back in the 1600's.

The plan developed into creating, entirely by hand, a faithful reproduction of a 17th century embroidered jacket. After much research and fine-tuning, the folks at Plimoth Plantation put the plan in action, inviting embroiderers from all over to participate in the work. And what a work!

They have been faithfully blogging the process since May, 2007, and their blog, The Embroiderers' Story, is full of fascinating reading and delightful images, inspiring to anyone interested in historical needlework. It is a story, really, of seeking and discovery, driven by the motivated members of the textile department at Plimoth Plantation. To follow the progress from its beginning to now, visit the May archives of the Embroiderers' Story and scroll to the bottom of the page here. The post titled "In the Beginning" sets the stage for the rest of the story.



The pattern for the body of the embroidered jacket is the Laton Jacket, on display at the Victoria and Albert Museum in London, which they have "cross referenced" with another jacket at the museum, item 1359-1900 (at the V&A;).



The second jacket is the one from which they adapted the embroidery design. It's very pretty!



The textile department made up sample embroidery kits which were made available to embroiderers from all over, the costs of which helped finance the project. Taking the samples that were worked and sent back to them, the textile department matched up embroiderers of similar skills to work together on the jacket. The embroiderers meet at the Plimoth Plantation and work on the jacket.

Some excellent pictures of the nature and progress of the work can be found on flickr, where one of the embroiderers has posted heaps of pictures from her visit to Plimoth Plantation to work on the jacket. You can see some gorgeous close-ups of the embroidery, as well as some great shots of the whole work set-up at the Plantation.

The predominant stitch used on the jacket seems to be buttonhole filling, worked inside a foundation of reversed chain. In addition, there's a swirling motif of what looks like braid stitch worked in gold thread. A little trim of metal bobbin lace tipped with spangles adorns the jacket, and spangles speckle the whole jacket - some 2,000 of them! You can see excellent instructions in PDF files for the reversed chain and the buttonhole filling, as well as the trellis stitch, if you go through the July Archives of the blog. This is also where you'll find the bulk of the story about drawing and transferring the embroidery design to the pattern pieces - WOW. What a work!

Finding needlework supplies that are available today and similar to the ones used in the 1600's cannot be easy! The search is chronicled in The Embroiderers' Story.

The Embroiderers' Story is an exciting story, I think! It leaves the reader in awe of the coordination and work that must be going into this magnificent project! I'm definitely going to be keeping an eye on the progress of the piece, and hopefully, someday, see it in person!
]]> historical needlework Jacobean embroidery silk 12623 Margaret C. noreply@blogger.com 2007-12-14 16:36:00 2007-12-14 16:36:00 1 0 12627 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-14 13:05:54 2007-12-14 13:05:54 1 0 12628 JC noreply@blogger.com 2007-12-14 12:45:00 2007-12-14 12:45:00 1 0 12630 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-13 18:30:45 2007-12-13 18:30:45 1 0
JC, I'd love to be able to work on the project! You're really lucky! And I'd love to see the gilt sylke twist upclose and try it. Is it a "specialty item" just for this project, or is it something available on the market for others as well? Anyone know? It looks like beautiful thread!]]> 12631 J.C. noreply@blogger.com 2007-12-13 11:58:00 2007-12-13 11:58:00 1 0 12632 christine noreply@blogger.com 2007-12-13 11:26:00 2007-12-13 11:26:00 1 0
Thomasina Beck has a few wonderful historical needlework books out, one of which is titled "The Embroiderer's Story" I have spent literally hours taking in the sumptuous pictures and authoritative text. I believe the jacket is featured in that book.]]> http://www.needlenthread.com/2007/12/needle-lace-whitework-small-sample.html Tue, 11 Dec 2007 09:12:00 -0600 Mary Corbet 890 2007-12-11 09:12:00 2007-12-11 09:12:00 open open Needle-Lace-&-Whitework---a-Small-Sample publish 0 0 post
I love needle lace! I especially like the types that adorn linens. Italian cutwork is perhaps my favorite! I thought I'd just share a couple photos of a practice piece of needle lace that I pulled out of my sample binder today when I was cleaning up.

Italian cutwork is a technique that embodies whitework, cutwork, and needle lace techniques. It's worked on linen, and the design that is to become the inset needle lace is created by laying a foundation of threads in the pattern of the design, then cutting carefully away the linen and folding it back, stitching over the folded edge. Then, over the foundation threads that mark out the lace pattern, stitches are worked - usually buttonhole stitch, worked close together. Triangles, arches, and so forth can all be worked in geometric designs within cut out squares or other shapes.

The linen is further embellished with white embroidery. Some pieces of Italian cutwork are extrememly intricate, and really, really beautiful! Reticella, another Italian needle lace, had its origins in cutwork, but the technique for reticella lace eventually migrated to working the lace over threads, completely free of the ground fabric. Italian cutwork makes use of the ground fabric (linen) to anchor the foundation threads of the design (although, technically, you can make the same type of needle lace designs on paper, so that you have a separate piece of lace...)

Ok, enough! If you want to read further about Italian cutwork, I suggest the Priscialla Italian Cutwork book - you can buy it "new" and revamped from Iva Rose Reproductions. If you follow that link, you'll see a preview of the book, with some good photos of Italian cutwork.

Here's a little piece of needle lace I worked up as a sample a couple years ago. I was fiddling with Italian cutwork, and this was one of the little needle lace designs in the book.



The piece is a little short of two inches square. You can see that my picots are not so well done! It took a little practice to get those right! Also, the edge is not complete.



You can see the back here, with the linen cut and folded back. After the edges are stitched over (either with buttonhole or with an overcast stitch), you cut away the excess of the triangles.

So that's a little needle lace sample!

If you want to look further into needle lace online, here are a couple links:

Needle Lace - this has a nice introduction to needle lace, some patterns, pictures and descriptions of stitches.
Needle lace identification - here, you'll find some photos of different types of needle lace. Follow the links to see different types.
Beeton's Book of Needlework - hosted by Project Gutenburg, an excellent book of all kinds of needlework, with pages dedicated to needle lace.
The UK Lace Guild - good general information on needle lace - check the side menu for links to a few different types.
Antique Needlelace - some beautiful samples from the collection of Marla Mallett. You can click on the links for close up images, and the descriptions are good. This is not necessarily "cut work" lace - most samples are needle lace worked on net grounds.
Victoria & Albert - Here, you can type "needle lace" into the search feature, and view their online photos of different types of needle lace. There are some beautiful examples of cutwork & needle lace available - one handkerchief in particular is just stunning!

If you have any other resources on needle lace, feel free to share by leaving a comment! Thanks!
]]> whitework pictures needlelace needlework pictures 12637 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-12 10:37:14 2007-12-12 10:37:14 1 0
I love the Italian cutwork, too! I'd like to find more samples of it and more resources, but these are good for starters. I really like the Priscilla book on it - it's got good patterns and clear explanations, especially if you're already familiar with embroidery.]]> 12638 Alarttex noreply@blogger.com 2007-12-12 10:00:00 2007-12-12 10:00:00 1 0 Thanks you very much Mary also for the book and links!!

Maria del Valle
alarttex@gmail.com]]> http://www.needlenthread.com/2007/12/readers-embroidery-needlework-kit-make.html Sun, 09 Dec 2007 14:35:00 -0600 Mary Corbet 891 2007-12-09 14:35:00 2007-12-09 14:35:00 open open A-Reader's-Embroidery:-A-Needlework-Kit-Make-over publish 0 0 post

A reader recently sent me two photos of embroidery - one is a photo of the cover of a kit, and the other is a photo of her rendition of the embroidery after she completed the kit.

Gaze in wonder at the difference between these two photos:



This is the photo on the front of the kit. It's what the finished piece is supposed to look like, after you've worked the kit. It's "cute," but it's really blocky and paint-by-number looking. The overall idea of the kit is great, though - I like pansies, and I like embroidered flowers. An embroidered pansy kit would probably be something I'd consider purchasing. But the recommended outcome isn't exactly my style, so I would pass this up!



When Margaret stitched the kit, she put into practice her knowledge of shading techniques and improved the finished look 100-fold! If I saw a kit with this picture on the front of it, I'd be inclined to get it. The flower is simply more beautiful. It looks like a flower. She did such a pretty and perfect job!

So the moral of the story is, when you see a kit you "kind of" like, look beyond the recommended finished product! You're the one who is going to work it - who says you have to slavishly follow the absolute directions? If you think you can produce a better finished product, go for it! It will make what was a "mass-market" product more uniquely your own.

Speaking of kits, what do you think about them? Do you use kits? Do you prefer kits? Or do you avoid kits? Do you think using a kit indicates something about the embroiderer? Do you react differently towards a piece of needlework when you find out it was worked from a kit? I'd love to hear what readers think about embroidery kits - if you use them and why, if you don't and why not, and if you alter them, etc...
]]> readers embroidery pictures needlework pictures 12624 Margaret C. noreply@blogger.com 2007-12-14 16:34:00 2007-12-14 16:34:00 1 0
The best thing about this kit was that I had the opportunity to teach it to two different groups trying to expose them to surface embroidery (with shading). The kit included a matte, glass, and a little stand so you have a truly completed piece when you finish. I was pleased with the results of the classes and I now have people interested in trying some other non-counted work pieces.

Regarding kits....

I think kits have their place and if that's the only way someone will pick up a needle and apply thread to fabric, that's good enough for me. I'm not a big fan of doing counted work and most kits are either cross stitch or needlepoint. Finding kits that I want to do has been a challenge, but I've done some fun things. Also, the 'Inspirations' folks have put out some fabulous kits over the years for which I am really grateful. There are some good designers on-line that have put out some nice designs as well.

I agree that kits are wonderful for learning technique. I think they also have a place in making some needlework supplies available in stores. For example, if there weren't cross stitch kits with the need to buy floss, you wouldn't be able to run into a Michael's and grab some DMC when you need it.

Another thing I like about kits is that I like to have one to take with me when I travel because it's just so easy!

On the other hand, I am quite tired of kits, especially the commercial ones. I have done a lot of crewel kits and I really don't like the yarn as supplied; it's just awful. Also, as was mentioned above, the floss is often of poor quality. I hope to move into 'doing my own thing', but won't rule out a kit if it catches my eye.]]> 12644 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-10 14:27:00 2007-12-10 14:27:00 1 0 It looks like the (linen?) was scrunched up and then dyed with coffee.

(Tho you should never dye material or paper with coffee/tea for anything but a temporary fun project, because they are not acid free. In a few years, terrible things will happen to the threads, the metallic ones in particular I think since they tarnish if they aren't stored in acid free packaging). The alternative is walnut dye.

Anyway, does anyone recognise this backing fabric? I just love it.

Apologies for the babbling - I've just done 12 hours straight of embroidery and I can't quite see straight! *grin*]]> 12645 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-10 14:20:00 2007-12-10 14:20:00 1 0
I intend to buy a GoldWork Kit to start with, - maybe even 2 - because the goldwork supplies are so expensive.

I'd like to get my hands on some representational purl, plate etc and gain a little experience in using them, before investing in a small stash so I can work up my own (or historical) designs.

I feel that you can read about the techniques in books but it's not the same as working with the actual materials yourself.]]> 12649 Debra debraspincic@yahoo.com http://www.blogger.com/profile/14959081275116311853 2007-12-09 19:17:00 2007-12-09 19:17:00 1 0
I think they are an excellent way to introduce a person to needleworks. I would rather a young person work a kit than master a video game.

I think eventually everyone who stays with the needleworks moves away from kits for her own designs or more advanced designs. But, they can be a start to a long love affair with a needle and thread.]]> 12651 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-09 18:11:32 2007-12-09 18:11:32 1 0
I really think Margaret did an excellent job with this one!]]> 12653 pamela noreply@blogger.com 2007-12-09 17:49:00 2007-12-09 17:49:00 1 0
Most of the pictures and popular themes right now are not to my taste AT ALL. I'd elaborate but can't think of how to put it without offending a bunch of people.

I also think most kits are severely overpriced. I have made up kits for our embroidery guild projects, so I know what is involved as far as work and cost - and even if you triple the actual price - to account for manufacturer and designer and distributor and retailer profits - the cost is still only a fraction of what they usually charge. I'm all for letting everyone who worked on it make a reasonable profit, but some are completely unreasonable.

Some brands of kits are also notorious for not providing enough thread, even for frugal stitchers and since they don't use a commonly marketed thread much of the time, you can't just go in your stash and make up the difference. To their credit, some of these companies will try to work with you if you contact them, but who needs the hassle and the waiting around for them to do so. They should have made a proper kit to begin with.

As for do I judge stitchers differently who use kits? Well, I do when judging or voting in a show. I will always vote for an original above a kit because choosing your own fibers and colors and stitches takes a heck of a lot more skill and effort than matching '+ to yellow' and '* to green'.

Needless to say, I make most of my own designs or adapt public domain images and designs and freebies (I never sell my work or adapted patterns).]]> http://www.needlenthread.com/2007/04/crucifixion-chasuble-historical.html Fri, 06 Apr 2007 12:00:00 -0500 Mary Corbet 892 2007-04-06 12:00:00 2007-04-06 12:00:00 open open Crucifixion-Chasuble:-Historical-Needlework-Sample---Gorgeous! publish 0 0 post

This piece is housed at the Benedictine Convent in Clyde, Missouri, which I explained about previously when displaying photos of an embroidered cope. The vestments on display at this convent are all behind glass - some in drawers, with a couple exhibits in large, walk-around display cases. This particular piece was lying in a drawer behind glass, so only the back was available for viewing and photographing.



This is as full a shot of the chasuble as I could take. To give you the basic layout, underneath the crucifix is Our Lady of Sorrows (Mary, the mother of Jesus), and underneath her is St. Mary Magdalene. The vessel in Mary Magdalene's hands is indicative of the oil she annointed Christ's feet with when she washed them with her tears and dried them with her hair. At the right arm of Christ crucified (so, on the left side of the photo) is St. John, the "beloved" apostle, present at the crucifixion along with Mary, the mother of Christ, and Mary Magdalene. On the left arm (so, on the right in the photo) is .... ? I don't know - perhaps St. Peter. It could also be, perhaps, St. Benedict, as it's a Benedictine convent. At the top of the Crucifix is God the Father and the dove symbolizing the Holy Ghost.

Design-wise, this chasuble is lovely. The color schemes are pleasing, the symbolism is thought-provoking (as it should be), and the embellishment of the embroidery (with the goldwork) enhances, not detracts, from the needleworked scene. It's quite stunning work!



This is amazing - it's the coloring and shading that capture the eye. The gold and blue work together so well! The realistic folds and shadows are stunning!



Here is a close-up on the face, where you can really get a good idea of the gold and blue shading. Note also the eyes, the smooth stitching on the face, the two tones in the mouth (so the lower lip is shaded).



The smaller insert of Mary Magdalene is not as exquisite as the one above, but some details - especially the expression on the face - are not to be missed. A lovely smaller piece.



Here is a close-up on the face of Mary Magdalene. Note the stitch direction in the face, the eyes, the eyebrows, and all the details that contribute to the "painting."



If you look at the crucifix from a distance (above), and then look at the photo below - the close up on the face of Christ - you will see that "impressionist" appearance in the needlepainting. If you've ever looked at an impressionist painting up close, you see the strokes and rather a jumble of color, but when you step back, the effect is much smoother.



Look at how many colors are used to produce the face! These people really knew the art of needlepainting! Check out the rose, the red, the yellows, the greenish-browns - all work together to create a very "smooth" face from a distance - perfectly placed shadows, and very realistic.



This is the image of St. John. I'm not sure why the snake in the cup - undoubtedly an image of temptation of sorts, but I don't know the details of the story behind it. The flash really reflected on the glass here, so the photo isn't as nice as I could wish!



The dove symbolizing the Holy Ghost is incredibly detailed for something so small - approximately 2.5 - 3 inches across, tops. Note how the goldwork is couched on the halo - it's not "bricked," but rather creates a "sweeping" circular movement.



Again, the color selection for the face is amazing. Also, the detail in the hair and beard is exquisite. Note the stitch direction in the cheeks - the horizontal stitches create the shadow.



And finally, here's a close-up on the goldwork that embellishes the whole piece.
I hope readers enjoy seeing this stitching close-up! It really is amazing work! Imagine the understanding of colors and the artistic sense that each needleworker who contributed to this had to possess. What an art!
]]> historical needlework ecclesiastical embroidery pictures needlepainting 3317 Anonymous noreply@blogger.com 2010-02-05 11:36:21 2010-02-05 11:36:21 1 0 7081 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-06-11 12:13:34 2009-06-11 12:13:34 1 0
Thanks for your comment.

Well, I really don't have any idea what the time frame would be on a piece like this, with a whole convent of nuns working on it. Actually, I suppose the whole convent probably didn't work on it. Work was divided up, so while this may have been the way some of the nuns occupied their work time, others may have been... milking cows, making cheese, doing laundry, whatever. Jobs were also assigned according to one's talents and interests. But, when convents were fully packed, there were certainly more hands available for this type of work. Still, I would imagine this would have been at least a year-long project, when you consider the other pieces in a set of vestments...

Chances are, the individual elements of the design - like the Virgin, and the three characters in the medallions, would most likely have been worked on separate frames, on linen, then applied to the vestment, then the background worked. So more people could be involved that way, too.

I don't have a list of places that still house such works. I wish I did!]]> 7083 Karen noreply@blogger.com http://www.blogger.com/profile/12558266597118583761 2009-06-11 10:45:05 2009-06-11 10:45:05 1 0 Do you know how long a piece like this usually took with a whole band of nuns working on it? Do you have any information on where other needlepainting pieces are in the US, or in Europe, for that matter?
That is just lovely. I had no idea that that amount of detail was possible!
Karen from TN]]> 7928 Lorraine noreply@blogger.com http://www.blogger.com/profile/14361267794837095507 2009-04-11 18:49:00 2009-04-11 18:49:00 1 0
Someone's smiling down on you and it probably isn't the Easter Bunny.

Lorraine Connelly]]> 7940 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2009-04-10 18:23:00 2009-04-10 18:23:00 1 0 12616 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-16 21:17:54 2007-12-16 21:17:54 1 0
I guess it isn't technically "impressionist" - it just reminds me of that because close up, it isn't as clear as it is far away, because you see the various stitches.

It is a beautiful piece, isn't it? Undoubtedly, it is the work of a group - Benedictine Sisters, actually.]]> 12619 Anonymous noreply@blogger.com 2007-12-16 19:39:00 2007-12-16 19:39:00 1 0
This is an unbelievable piece. Is it the work of a single artist or a group, do you think? I've never seen impressionistic needle painting before; is it usual? Thank you so much for making these available to us.
-Christiana]]> 13114 Anonymous noreply@blogger.com 2007-05-30 07:32:00 2007-05-30 07:32:00 1 0 13176 Anonymous noreply@blogger.com 2007-04-09 10:15:00 2007-04-09 10:15:00 1 0 13179 alicem noreply@blogger.com 2007-04-08 11:51:00 2007-04-08 11:51:00 1 0 13180 Linn noreply@blogger.com http://www.blogger.com/profile/10207701302518493390 2007-04-08 10:21:00 2007-04-08 10:21:00 1 0 13181 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-04-08 08:39:00 2007-04-08 08:39:00 1 0
JoWynn]]> 13182 Helen noreply@blogger.com http://www.blogger.com/profile/02241487967149388009 2007-04-07 21:28:00 2007-04-07 21:28:00 1 0 http://www.needlenthread.com/2007/12/needle-n-thread-website-news.html Sat, 08 Dec 2007 09:30:00 -0600 Mary Corbet 893 2007-12-08 09:30:00 2007-12-08 09:30:00 open open Needle-'n-Thread-Website-News publish 0 0 post website news 12663 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-08 17:58:05 2007-12-08 17:58:05 1 0 12665 Anonymous noreply@blogger.com 2007-12-08 17:30:00 2007-12-08 17:30:00 1 0
But hopefully, there is still more fine-tuning to come and those issues will be corrected.]]> 12666 Logan noreply@blogger.com http://www.blogger.com/profile/14190306276373818087 2007-12-08 12:04:00 2007-12-08 12:04:00 1 0 http://www.needlenthread.com/2007/12/awesome-embroidery-design-resource.html Fri, 07 Dec 2007 21:23:00 -0600 Mary Corbet 894 2007-12-07 21:23:00 2007-12-07 21:23:00 open open Awesome-Embroidery-Design-Resource! publish 0 0 post

Keep in mind, this site is not specifically an "embroidery" website - rather, it's a clip art and image site, but it is chock full of perfect images that can be adapted for embroidery. The site is hosted by the University of South Florida, and it's called Clipart ETC. At Clipart ETC you will find a searchable database of all kinds of images, which are presented in three sizes - small, medium, and large. You can also download a printable tif file for each image.



When you go to Clipart ETC, click on the "search database" link. Here, you can perform a keyword search, or you can search by category. The first search I performed was on the word "butterfly." There are 161 records, most of which have clear images of nice butterflies which would translate easily into embroidery designs.



Some of the butterflies are more complex than others. They are all black and white, which might pose a problem for choosing correct colors for embroidering.



But even if you were to pick a not-so-real color scheme, you could end up with a great embroidered butterfly, thanks to the clarity of the images.



I'm a fan of this particular butterfly, which is the Papilio Machaon - a swallowtail. If I were going to embroider it, though, I'd want to be pretty precise with the color scheme, and there's really nothing easier than coming up with the colors of the butterfly - simply do a Google image search. I came up with a pretty good image, which I then modified in PhotoShop.



If I wanted to translate this into a pattern for embroidery, I'd take my line drawing in black and white, trace it on good tracing paper, then go at it with colored pencils. I'd then thread match, and I'd be set to reproduce the swallowtail in thread.



Christmas is coming up. I seached the Clipart ETC database for holly, and here is a beautiful specimen that could be embroidered a number of ways - by outlining, or by filling with long and short stitch shading. Whatever way you want to reproduce it in thread, it's a lovely pattern!



I'm a fan of historical needlework, so I searched "Bayeux Tapestry" on a whim, and... here's a great image of one of the boats!! Perfect for reproducing a little bit of Bayeux.



On a whim, I searched the word "border." I came up with some beauties!



And, I'm a huge fan of daffodils, so I tried that term, too. Voila!

Clipart ETC hosted by the University of South Florida is an absolute gem of a source for embroidery design inspiration! Bookmark it!!
]]> free embroidery patterns embroidery resources embroidery design 12660 Debra debraspincic@yahoo.com http://www.blogger.com/profile/14959081275116311853 2007-12-08 20:36:00 2007-12-08 20:36:00 1 0 12667 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-08 07:47:54 2007-12-08 07:47:54 1 0
Kathy, thanks for the links! They're excellent! If you want to send more along for readers, you can e-mail me at mary[at]needlenthread[dot]com - I'll add them to my list of online embroidery patterns!

Thanks again!
MC]]> 12668 Kathy noreply@blogger.com 2007-12-08 06:12:00 2007-12-08 06:12:00 1 0 http://www.fs.fed.us/r6/uma/urban/flower_tz.htm
http://www.fs.fed.us/r6/uma/urban/flower_tz.htm
http://www.copyrightfreeimages.ca/cultural.htm
http://www.nps.gov/plants/color/northwest/com.htm
http://www.4to40.com/activities/artcraft/html/coloringbook11.htm

I have more if interested, just email.]]> 12670 Gail galynn92347@yahoo.com http://www.blogger.com/profile/14240381173653268463 2007-12-07 21:46:00 2007-12-07 21:46:00 1 0 http://www.needlenthread.com/2007/12/embroidery-pattern-snowflake.html Thu, 06 Dec 2007 15:09:00 -0600 Mary Corbet 895 2007-12-06 15:09:00 2007-12-06 15:09:00 open open Embroidery-Pattern:-Snowflake publish 0 0 post

On this particular embroidered snowflake, I want to work beads, so the dots all over the place represent different sized beads. Also, the hairy tips of the beaded branches are just there to give an idea of extra icy embellishment that could be added to the design.

I'm thinking of working a pale blue silk satin stitch on the double-lined branches, and all the rest in a small strand of silver metallic. If I can't get the silver metallic to work satisfactorily, I may switch to white for the double branches and a pale blue for the beaded branches. In any case, I want to work it on a darker fabric, if I have one in my scraps. The beads will probably be clear. Again, another "we'll see."

Well, anyway, it's not the best or cleanest pattern in the world, but I thought I'd share it with you nonetheless. Here 'tis:



You can click on it for a larger version. Once you save it to your computer, you can scale it down to a reasonable size.

Have fun with it!
]]> free embroidery patterns 12672 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-07 07:23:11 2007-12-07 07:23:11 1 0 12673 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2007-12-07 05:36:00 2007-12-07 05:36:00 1 0 http://www.needlenthread.com/2007/12/free-embroidery-pattern-pretty-design.html Wed, 05 Dec 2007 08:11:00 -0600 Mary Corbet 896 2007-12-05 08:11:00 2007-12-05 08:11:00 open open Free-Embroidery-Pattern:-A-Pretty-Design publish 0 0 post

This embroidery pattern (which I'd like to play with on white silk with gold and beetle wings and perhaps some color) is a cross between ... oh, I don't know - a flower, a somewhat paisley-ish thing, and a fleur de lys? In the long run, I may do away with the scale-like scrolly things in the middle "leaves" and do something different there, and I'll touch up the scrolly "vines" on the edges a bit - dress them up with something. When I get a chance to play with it, the shell-looking areas will be wings, as well as the tulip-shaped flower below the tip of the design. Then I'll use chips of wings here and there as well as accents. Of course, I've got it all in my head - if it comes to fruition, it'll probably change 100 times!

There are lots of possibilities with this one - the whole design could be simplified by erasing the interior filigree elements and just keeping the basic shape.

Here's the pattern:



You can enlarge or reduce it on a copy machine, or by playing with it in a graphics program.

Hope you like it! Have fun!
]]> free embroidery patterns 12674 Margaret C. noreply@blogger.com 2007-12-06 22:07:00 2007-12-06 22:07:00 1 0 12677 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-06 05:37:10 2007-12-06 05:37:10 1 0
Let's see... Not in toto. I took the inspiration from an 18th c. panel design, and modified it. I don't think it could be called designing it!

By the way, I vectorized it! Not on my software, though - online. I should drop the vectorized graphic on here!

MC]]> 12679 Margaret C. noreply@blogger.com 2007-12-05 23:00:00 2007-12-05 23:00:00 1 0 http://www.needlenthread.com/2007/12/out-of-ordinary-gift-idea-for.html Tue, 04 Dec 2007 13:21:00 -0600 Mary Corbet 897 2007-12-04 13:21:00 2007-12-04 13:21:00 open open An-Out-of-the-Ordinary-Gift-Idea-for-the-Needleworker! publish 0 0 post

When you embroider or work on your needlework projects – quilting, knitting, crocheting, and so forth – where do you sit and how comfy do you like to get? I know some people like to go at their needlework in a serious, studio-like, formal environment, where they sit in a regular chair (as opposed to on the couch), and where they go at their needlework with a business-like sense of purpose. I admire that!

But I also know there are many others out there who like to curl up in their most comfortable spots and work on their hobby. I hear this a lot from friends I correspond with – “Last night, I curled up on the sofa and finished embroidering my bookmark.”

Well, whether you like to curl up and get comfy when you do your needlework, or whether you like to sit in a more formal setting, there are probably times when it would be nice to ward off the chill of the winter months. But to cover up with a blanket can be counter-productive!

Well, guess what? There’s now a blanket that seems perfect for the needleworker! It has arms, so you aren’t inhibited by the actual blanket. It’s called the Slanket. If you have a stitcher in your family who likes to get cozy and stitch, you might find that this would make a good gift!

Check out the Slanket – I haven’t tried it for stitching (yet), but I did get my Aged P’s each one for Christmas, so my dad can read and my mom can crochet and they can both still enjoy the comfort of a blanket during the winter evenings. After the 25th, I’ll do a test run to see how they work with embroidery (and I suspect it will work great!) For formal set-ups, it might not be ideal, but for those casual projects, it might be just the thing!
]]> gift ideas 12680 Anonymous noreply@blogger.com 2007-12-05 06:02:00 2007-12-05 06:02:00 1 0
I like to curl up on the couch and do my handwork with my slanket.

Good idea!]]> http://www.blogger.com/ Mon, 03 Dec 2007 15:38:00 -0600 Mary Corbet 898 2007-12-03 15:38:00 2007-12-03 15:38:00 open open The-Needleworker-Gift-List draft 0 0 post

Thank you to all who contributed ideas for gift suggestions for embroidery enthusiasts, by the way! Your ideas are included here.

First of all, to clarify, I noticed that a lot of the "Christmas list" articles out there are lists of what the crafty person can make to give to others, and this is a great idea - I'd like to compile one of those lists, too, although I figure it may be an overdone topic!

But this list is the opposite. The majority of questions I've received weren't "What can I make that's crafty and cute for my sister for Christmas?" (a perfectly good and legit question), but rather more along the lines of, "What can I get for my sister who likes to do needlework and other crafty things?"

This is a complicated consideration for people who don't do needlework, and it says a lot about the person who asks! It means that he or she wants to give a gift that the recipient will like! And that's a big deal in the ritual of gift-giving! In fact, that is the key to being a thoughtful, unselfish gift-giver. If you really want to give a gift from the heart, give one that you know the recipient will enjoy, whether you understand it or like it yourself! It's true - it's much easier for me to select something that I like, or to make something that fits my style, to give to my sister or brother for Christmas. But when I go to the effort to find something they like, to fit their style, whether I like it or not, then there's a little more effort and a little more generosity in giving the gift.

Imagine, for example, that you have a techy brother, and he loves every single gadget that comes down the road. You, on the other hand, aren't so technologically oriented. You like hand-made, rustic stuff. You and your brother traditionally exchange gifts on Christmas, even though, say, you live far apart and live completely different lives. Each Christmas, the latest technotoy arrives on your doorstep - something you would never use or even display (long term) in your homey little rustic log cabin. Each year, you send to his high-rise city apartment a matching set of corn-husk dolls or quilted pillows, neither of which really go with his trendy decor. You observe the ritual, and there's something to that, of course. The mere fact that you spent time making something for his place is commendable - nay, more than that - downright admirable. The fact that he took time to drop-ship you a digital photoframe is also commendable. He did, after all, remember you. And this is all Very Good. But couldn't it be better?

What if, one Christmas, in the post arrived a little package from your brother. You open it. It's a little antique needle case that caught his eye as he passed the window of a city antique seller. He thought of you in particular at that moment, and the fact that you love to make home-made crafty things with your needle 'n thread. And on that same day, when he stopped at the post office to pick up the package he received notice of, he opened up a small framed piece of, yes, needlework - but for this one, you stepped out of your type of needlework and tried something a little more modern, and little more suited just to his decor, and - voila - he had just the right spot for it on his wall! Wow. You really thought of each other that time!

That's how gift-giving should be. We shouldn't just give gifts because we "have" to give them - because they're "expected" - and not really care about what we give. A gift should say something about the person giving it - it should say "I thought of you, and I thought of what you like and what interests you, because I care about you." All the other types of gift giving ("Oh just send anything - send food, send flowers, it doesn't really matter, just so we send something") - that's all a bunch of hogwash, and it doesn't mean anything. It's just part of the rat-race of spending and tinsel and glitz and commercial holiday ho-ho-ho's. They send a gift, we send a gift. We don't think about it, they don't think about it... it doesn't mean anything!


]]> http://www.needlenthread.com/2007/12/embroidery-resource-stitch-guide-free.html Mon, 03 Dec 2007 10:15:00 -0600 Mary Corbet 899 2007-12-03 10:15:00 2007-12-03 10:15:00 open open Embroidery-Resource:-Stitch-Guide,-Free-Pattern,-Inspiring-Designs publish 0 0 post free embroidery patterns around the web for a while. But sometime pretty recently, Windflower Embroidery has had a facelift! The new look on the website is very clean and neat and bright and sunny, which goes well with the stumpwork designs by Jan Kerton.

Jan Kerton specializes in stumpwork. On Windflower Embroidery, she features kits and designs for various types of stumpwork, embroidered blankets, and other projects. Right now, her products aren't currently available, but when they do become available, the site promises to be a good resource for kits, if you like working with kits.



The site hosts excellent information for the needlework enthusiast. You'll find a free stitch guide in PDF, which can be downloaded and printed. Better yet, you'll find some tutorials on finishing techniques for mounting your embroidery work in different settings, including wooden boxes, jar lids, and paperweights. While Jan concentrates on stumpwork, the techniques she covers for mounting are adaptable to all kinds of needlework. Jan also has a great tutorial (with good pictures) on making applique animals to use on blankets. And finally, you'll find a tiny berry garland free design, which is sweet.

So, if you're browsing about the web, stop in and give Windflower Embroidery a look. It looks like a site with a lot of potential - it will be fun to see how it develops!
]]> embroidery links free embroidery patterns embroidery resources 12646 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-09 21:42:04 2007-12-09 21:42:04 1 0 12650 Martha jbroyles01@earthlink.net http://www.blogger.com/profile/14642210833712724301 2007-12-09 18:24:00 2007-12-09 18:24:00 1 0 http://www.needlenthread.com/2007/12/looking-for-christmas-embroidery.html Sat, 01 Dec 2007 10:13:00 -0600 Mary Corbet 900 2007-12-01 10:13:00 2007-12-01 10:13:00 open open Looking-for-Christmas-Embroidery-Designs? publish 0 0 post

Coloring book images make great patterns for embroidery, especially if your intention is just to stitch a simple outlined design on something like a dish towel, a quilt square, or even a Christmas card. I recently came across a website that has a pretty extensive collection of Christmas-themed coloring book pages, some of which are "cutesy," while others (such as the snowflakes, angels, and some of the holly patterns) could be dressed up into pretty nice embroidery designs.

If you're looking for something to stitch up that has a Christmas theme, then, check out God's Little RugRats Christmas page.

I thought it was a pretty good collection to add to my list of online embroidery patterns.


]]> free embroidery patterns http://www.needlenthread.com/2007/11/can-you-help-with-needlework-gift-ideas.html Mon, 26 Nov 2007 12:36:00 -0600 Mary Corbet 901 2007-11-26 12:36:00 2007-11-26 12:36:00 open open Can-You-Help-with-Needlework-Gift-Ideas? publish 0 0 post

Here are a few samples from e-mail inquiries. Some of them made me chuckle!

Hey, my mom likes stuff like you write about and she has two dogs and a cat. Can you give me any ideas for Christmas? Help!

Or this one:

I gotta get my sister something this year and she likes sewing. What should I get her? I'm clueless!

Some are rather generic, some are more specific:

What do you get someone who has everything for Christmas who likes hardanger embroidery and cross stitch embroidery?

But I like this one best - it's sweet!

My aunt whose old has this sewing thing thats round and sits in front of her and she sews designs on it. It sticks out on a arm thing infront of her with cloth in it. She makes pretty things for presents for people and at church. I want to get her something nice for Christmas and that's what she likes! Can you send me some ideas? I have $16, but I can spend a little more maybe if its a lot. My brother found your website on google for me. Thanks. (Signed by an 8-year old!)

I've been waiting for the Muse to strike before answering these questions and a couple more like them. But then I had a brilliant thought! If you read this website regularly, chances are you're a needleworker, and if you're a needleworker, you have some "favorite" toys, or you've probably run across little accessories and so forth that you'd like to have.

Would you please share some ideas? If I compile a list from your input, it will be much more interesting and diverse than one that I come up with on my own! Thanks!
]]> gift ideas 12655 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-09 16:55:00 2007-12-09 16:55:00 1 0
http://www.hedgehoghandworks.com/catalog/books_index.shtml

"hard to find needlework supplies"

another one for the list]]> 12694 spiceweasel noreply@blogger.com 2007-11-30 12:53:00 2007-11-30 12:53:00 1 0 12701 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-29 07:58:29 2007-11-29 07:58:29 1 0
I've responded to the queries I've received and referred them here for ideas, as well as sending some links to shopping places and some ideas for "local" shops where gifts could be found. They're very appreciative of the input!

Keep the ideas coming!]]> 12702 Laura Bullinger noreply@blogger.com 2007-11-28 18:29:00 2007-11-28 18:29:00 1 0 12703 carolyn noreply@blogger.com http://www.blogger.com/profile/17732058393601133754 2007-11-28 15:58:00 2007-11-28 15:58:00 1 0
Here a few things off the top of my mind that your young writer might consider:

scissors case

needle case (I saw some small wooden ones that can be decorated)

embroidery scissors (you can never have too many scissors can you?)

A necklace, chain, or leash for attaching scissors and needle cases.

an assortment of floss from Weeks Dye Works

That's a few things from my wish list.

carolyn]]> 12704 appleseed noreply@blogger.com http://www.blogger.com/profile/15436461693763285963 2007-11-28 14:45:00 2007-11-28 14:45:00 1 0
Also lacetales.com has some really cute vintage and vintage inspired patterns...
I just finished one with a cat washing birds in a washtub and hanging them out on a line to dry! It's supposed to be sweet, but I thought it was hilariously gruesome!]]> 12709 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-27 18:59:00 2007-11-27 18:59:00 1 0
I *need* the magnetic frog pin keep and most of the celtic designs.

Useful for you in that it has a whole section of gift ideas. Maybe a bit expensive for your 8 year old applicant tho. :-)]]> 12710 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-27 18:39:00 2007-11-27 18:39:00 1 0
If you google eowynsartifacts
you'll find another calligrapher/illuminator/embroiderer.

He/She is working on a big shield with dragon heads with satin stitch etc, atm.]]> 12711 Anonymous noreply@blogger.com 2007-11-27 13:16:00 2007-11-27 13:16:00 1 0
A friend of mine gave me a wooden holder for scraps of threads, called a soldier's friend as a gift. It has a place in the core to store needles. This might make a good special gift!

--Karen]]> 12712 Mary Grace McNamara noreply@blogger.com http://www.blogger.com/profile/17567652848633222963 2007-11-27 07:04:00 2007-11-27 07:04:00 1 0
http://www.keepsakeneedlearts.com/

It's a great place to get new ideas and poke around for that perfect little new gadget for the needle artist.

A gift certificate to Keepsake Needlearts would make a nice gift.]]> 12713 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2007-11-27 06:31:00 2007-11-27 06:31:00 1 0 Lace, cutwork type old and antique with cross stitch, hardanguer.
A design with a little snow-houses, some lady, tree .. on linen fabric, count 32, in soft colors ...
Some ideas for my dear friend Mary
A big kiss]]> 12714 Anais noreply@blogger.com http://anais-pf.livejournal.com 2007-11-26 22:19:00 2007-11-26 22:19:00 1 0
An antique needle case.

Colorful magnifiying eyeglasses.

A small gift bag full of all different colors of DMC embroidery floss, including some of the variegated and other specialty ones.

A small cross-stitch kit, perhaps a Christmas design with the fittings to make an ornament out of the finished piece.

A set of eight placemat-sized pieces of Aida.]]> 12715 explorer0713 noreply@blogger.com 2007-11-26 20:23:00 2007-11-26 20:23:00 1 0

For the financially challenged with some time on their hands - you could make a cd of all the different freebie patterns you can find - organized by technique (cross stitch/hardanger/blackwork....) and category (historical/whimsy/ sampler...).]]> 12716 Anonymous noreply@blogger.com 2007-11-26 19:35:20 2007-11-26 19:35:20 1 0
What about a gift certificate to a favorite needlework store?]]> http://www.needlenthread.com/2007/11/another-beetle-wing-embroidery-update.html Sun, 25 Nov 2007 09:12:00 -0600 Mary Corbet 902 2007-11-25 09:12:00 2007-11-25 09:12:00 open open Another-Beetle-Wing-Embroidery-Update publish 0 0 post does look like a peacock on stick!

The tops of the "petals" of the main goldwork flower needed something. Digging through my scraps and such, I found a small bag of little spangles (or paillettes). I put these above the petals that don't have the scrolly pattern at the top.



I took these photos outside, hoping that the color would be a little more "true to life." I still can't capture the look of the wings with the camera!

Paillettes (spangles) are often sewing onto a goldwork project using purl or another type of "bead" to hold down the spangle. If you use something in the center, like a bead, you don't have to couch the spangle from both sides. You'll see this up close in photos below. Close up, you do see the yellow thread holding down each side of the spangle, but from far away, it really isn't that noticeable.

You'll also often see spangles overlapping in a line, sewn down by purl worked in what almost looks like a stem stitch. This is called S-ing. I would have liked to overlap the spangles, but I had a limited supply. I counted them out and laid them on the piece, determining exactly how many I would need so I would be certain to have enough. I had two left over!



Here they are, up close. Just like you do when working with metal threads, you wax your thread when you attach spangles. I reeeallly wanted to overlap the spangles here and sew them down with S-sing. But oh well! Pacman, anyone?



Here, you can see the spangles decorating the smaller flower. I'll get back to this one below...



Just to show you the way the light plays on the wings - here, they ALL look blue!



And from this side, the beetle wings look blue, too! The spangles, by the way, really gleam in the light. They are lovely with goldwork!



Here's the whole thing from above - I think you can get a better idea of the blue and green hues in the alternating petals on the flower. Well, at least a little bit, anyway!



Back to this fellow, up-close. There are two things in this flower that are different (and unfinished!) First, around the two side beetle wings, I've worked some S-ing in purls, alternating smooth and rough purl. S-ing looks a lot like stem stitch. The difference is, you work from the top of the line, laying your first purl the length of the stitch. Then you come up into your fabric, half a stitch-length below the end of the first purl. Thread the next purl on your needle, and take your needle down at the half-way point of the previous purl, taking your needle underneath the first purl, on the stitch line. Pull through, firmly but not too firmly, so that the first purl curves. Mary Brown, in her book "Goldwork Embroidery Designs and Projects" gives an excellent instruction on S-ing. In fact, if you're at all interested in goldwork, I've found that this really is, so far, the best book on the subject (in my opinion). I have many books on goldwork - this is comprehensive!

Ok, back to that flower - you can see where my S-ing is far from perfect. Some of the purls cracked. This can happen when they are cut too long for the stitch you're taking. You can avoid it by cutting your purls with more care! The other cause of the cracking (and this is the case here) is poking them with your needle while you're stitching!! I was using a very long, thin beading needle (Mary Arden, #13), which I was unused to weilding. It went everywhere - mostly in the places I didn't want it to go. I needed the smallest needle I had on hand, because I was using a rather small purl. A #12 sharp wouldn't fit through the rough purl. I'm not sure what size purl it was, because I stupidly didn't label the bag when I put away the scraps last time! Good lesson!

The other (unfinished) thing going on in this flower is some seeding with real gold Jap, size #1. It's stitchable or couchable, very fine stuff. I cut small lengths and started trying it as a seeding stitch. It works "ok" although the more you work it through the fabric, the more you risk losing the gold off the core thread. Also, it's probably not the best choice of stitch and thread on velveteen - the stitches tend to get lost in the pile. So I had work pretty carefully with it. I wanted something to add a bit of fill on the two side petals, without being at all bulky. I just wanted it to barely show, like a dusting of gold. So it's working for that, but it takes a long time. It's like having a shimmery layer of gold dust in there - a little sparkly, but not too much, with plenty of the red still showing.

Still a bit more to go on embellishing this, so I'm off to thread my needle again!
]]> beetle wing embroidery goldwork pictures needlework pictures 4561 Vidya noreply@blogger.com http://www.blogger.com/profile/06713587979000110062 2009-11-26 06:25:47 2009-11-26 06:25:47 1 0
Vidya]]> 10838 Sharon noreply@blogger.com http://www.blogger.com/profile/05148946190808702953 2008-08-24 17:40:00 2008-08-24 17:40:00 1 0 12699 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-29 13:13:47 2007-11-29 13:13:47 1 0 12700 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-11-29 08:47:00 2007-11-29 08:47:00 1 0 12718 Margaret C. noreply@blogger.com 2007-11-25 17:20:00 2007-11-25 17:20:00 1 0 http://www.needlenthread.com/2007/11/embroidery-work-from-reader-embroidered.html Sat, 24 Nov 2007 18:29:00 -0600 Mary Corbet 903 2007-11-24 18:29:00 2007-11-24 18:29:00 open open Embroidery-Work-from-A-Reader:-An-Embroidered-Quilt publish 0 0 post

So far, Joyce has embroidered fourteen cream colored squares and sixteen colored squares. She sent along photos of a selection of the squares - it's obvious that she has put a lot of time, effort, and love into this work! So let's take a look at some of the squares so far:



Can you imagine the amount of time this iris took?! It's worked entirely in French knots! Amazing work!



I love these two dragonflies. It looks like the wings are worked in a metallic thread, and the bodies in two tones of floss. Nice!



The purple and yellow pansies look like they were worked in either buttonhole stitch, or satin stitch outlined by another stitch. Whatever the case, they are really pretty!



Another French knot grouping - these, I think, are lilacs. I like the combination of the different purples, the white, and the green.



I recognize this butterfly pattern! I used the same one on an embroidered baby girl's quilt that we raffled last spring! I thought it was a fun pattern to work, although we both interpreted the design differently.



The swan gliding under the willow is beautifully embroidered in all white - I am a huge fan of white work, and I think this works really well for this pattern! Pretty! It reminds me of a piano piece I had to learn when I was a kid. The words to the piece went something like: "Stately as princes the swans... something something... and glide under the willows. Are they enchanted men soon to be free again here, under the willows? Oh, how I'd like to be there when a fairy wand touches the leader and changes his looks. Will he be handsome and brave as the heros I find hidden in my storybooks?" (The "something something" is as close as I can get to the missing words!) Funny - I haven't thought of that in years. But that's just exactly the picture of it!



This is a super-nice whitework basket. The contrast between the flowers, the leaves, the bow and the basket is really nice!



Very pretty little wreath, dove, and heart!



These intertwining hearts and bullion roses are so pretty! Working them in white was a great idea, I think.



And finally, Joyce also sent a long a shot of the finishing fabric - the colors are her granddaughter's favorites. Purples and greens are a great combination!

Thanks, Joyce, for sending the photos along! Congratulations on your amazing work! Your granddaughter will have quite an heirloom! I hope we can see the finished product!
]]> readers embroidery pictures needlework pictures 4158 Anonymous noreply@blogger.com 2009-12-19 18:24:26 2009-12-19 18:24:26 1 0 8362 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-11 22:57:56 2009-03-11 22:57:56 1 0
No, I never did see the finished project, but I do love the quilt blocks - they're fantastic. My favorite is the first one, too.

Kay - thanks for the comment! Funny! What scene in Cranford prompted the memory??! I love that movie!

Thanks, all, for commenting!

MC]]> 8363 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-03-11 22:52:00 2009-03-11 22:52:00 1 0

i hope to attempt such a project one day!!]]> 8372 Kay in PA kayinpa@gmail.com http://www.blogger.com/profile/15300405315779805406 2009-03-11 09:19:00 2009-03-11 09:19:00 1 0 9458 Anonymous noreply@blogger.com 2008-12-14 19:41:00 2008-12-14 19:41:00 1 0
"Stately as princes the swans part the lilies and glide, under the willows.

Are they enchanted men soon to be free again, here under the willows?

Oh I would like to be here when a fairy wand touches the leader and changes his looks.

Would he be handsome and brave as the heroes that live, hidden in my fairy books."]]> 10177 Anonymous noreply@blogger.com 2008-10-12 19:09:00 2008-10-12 19:09:00 1 0
I think that's the part you were missing. =D]]> 10740 Anonymous noreply@blogger.com 2008-08-31 19:55:00 2008-08-31 19:55:00 1 0 11393 Dawn noreply@blogger.com 2008-07-12 16:19:00 2008-07-12 16:19:00 1 0 11463 Taunnya noreply@blogger.com 2008-07-04 22:58:00 2008-07-04 22:58:00 1 0 12706 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-11-28 00:42:00 2007-11-28 00:42:00 1 0 Have a great day]]> 12717 Anonymous noreply@blogger.com 2007-11-25 19:58:00 2007-11-25 19:58:00 1 0 12720 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-25 11:36:00 2007-11-25 11:36:00 1 0 12721 nuts 4 needlework noreply@blogger.com http://www.blogger.com/profile/10725008291277166376 2007-11-25 09:57:00 2007-11-25 09:57:00 1 0 12722 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-25 08:12:44 2007-11-25 08:12:44 1 0
Yes, I agree - lots of patience and love!]]> 12723 Anonymous noreply@blogger.com 2007-11-25 07:58:00 2007-11-25 07:58:00 1 0 12724 Anais noreply@blogger.com http://anais-pf.livejournal.com 2007-11-25 00:08:00 2007-11-25 00:08:00 1 0 http://www.needlenthread.com/2007/11/goldwork-embroidery-outline-complete.html Fri, 23 Nov 2007 16:13:00 -0600 Mary Corbet 904 2007-11-23 16:13:00 2007-11-23 16:13:00 open open Goldwork-Embroidery-Outline-Complete,-Wings-Attached publish 0 0 post

I still have some work to do on my goldwork and beetle wing project, but in these photos, you can see that all the major embroidery is done - it's now just a matter of embellishing it a bit further and putting on the finishing touches.



This is the main part of the design - the big flower. I outlined the petals in #5 gold passing thread, alternated with Elizabethan twist. (The petals with the little scroll tips are done in the twist.) Passing thread is a bit stiffer, I think, than the twist, but it's also finer. Gold passing is couched onto the ground fabric. It makes a wonderful filler. For example, you can take a look at it around the edge of my Agnus Dei project from last spring. Normally, passing thread is worked two at a time, couching perpendicular to the gold thread over two strands.

The wings are actually slightly different colors. I had the blue hues separated from the yellow / green (keep in mind the wings overall are green, but some reflect blue or yellow or copper more than others). So I alternated the colors every other petal as well. I'll try to get a clearer picture of that eventually! Perhaps taking the pictures outside on a sunny day will help.



This is the little paisley leaf on the left of the design. I split the beetle wing in half and trimmed one half smaller, to get them to fit in the base of the paisley leaf. I'll put something between the two wings up the middle of the paisley.



This is the smaller flower on the right. The petals are outlined in #5 passing and in Elizabethan twist as well, just as on the larger flower. On this smaller flower, I put the wings at the base of the petals. I figured, since it's more of a bud than a full-fledged flower, I wanted it to look slightly different. I used half wings on the outside petals, and on the inside petal, I trimmed the middle wing to have more of a point. I'm also going to add some filler or something to the petals on the "bud."



And here's the whole design so far! Overall, I do like it. I've had fun working with the gold! In fact, given the hectic holiday yesterday and company this morning, I haven't had a chance to get back to it lately - soooo... I hope you enjoy your Friday evening! As for me, I'm going to go thread my needle!
]]> beetle wing embroidery goldwork pictures needlework pictures 12669 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-07 22:06:38 2007-12-07 22:06:38 1 0 12671 Anonymous noreply@blogger.com 2007-12-07 21:34:00 2007-12-07 21:34:00 1 0 -Christiana]]> 12705 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-11-28 00:47:00 2007-11-28 00:47:00 1 0 12725 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-11-24 08:36:00 2007-11-24 08:36:00 1 0 12726 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-23 20:30:00 2007-11-23 20:30:00 1 0 12727 Anonymous noreply@blogger.com 2007-11-23 17:13:00 2007-11-23 17:13:00 1 0
(My mind went completely blank on 'peacock'. lol. It actually took several minutes to think of the name of that bird.)]]> http://www.needlenthread.com/2007/11/goldwork-embroidery-part-begins.html Wed, 21 Nov 2007 19:32:00 -0600 Mary Corbet 905 2007-11-21 19:32:00 2007-11-21 19:32:00 open open The-Goldwork-Embroidery-Part-Begins... publish 0 0 post

After selecting which metal "threads" I would use on the project and jotting them down on my pattern, the real fun began!

I started with the main stem of the design, and worked it in Elizabethan twist. This is three strands of gold, twisted together to make a nice, sparkling twisted "wire" (only it isn't as stiff as wire). With twist, you couch it on, and normally, you slightly untwist the twist when you couch, and pass your couching thread between the twists so you can't see it. Then, of course, you let them twist back together again. Elizabethan twist is the smallest of the twists - it's pretty fine - and I can't for the life of me get my couching thread to disappear between the twists without distorting them - I think I may have to find a finer silk!



I worked up the stem, around the triangle at the base of the flower, and back down the stem with the Elizabethan twist. To couch goldwork, you use yellow or gold-colored thread (I use silk), which you run through a cake of beeswax. I run the thread through about three times, and then pass it through my fingers a couple of times to smooth the wax on. The beeswax gives strength to the couching thread. Working with the twist, you should couch in the direction of the twists, so that you see as little of the couching as possible.



The triangle at the top of the stem is filled with what is called "chip work." This is usually done over felt padding (yellow felt, if you're working with gold). The metal here is called "check purl." It's a hollow, faceted, tube-like coil of very fine gold wire. You cut little pieces from it and sew them down like beads. Chip work can be packed very closely together (and the felt helps this process), or it can be randomly scattered over the ground fabric. This is kind of a cross between the two. The chips are worked directly on the ground fabric, and they are "tight," but not super tight.



On the little stem, the chip work is even looser - but I have since gone back and filled in a little bit! You can see on the top left side of the photo above where my couching thread does not match the twist of the Elizabethan twist. It's important to keep the couching thread even with the way the twists twist on this type of twist - since it's difficult to hide the thread, you want it to at least "blend in." If it's going against the grain of the twist, it won't blend in very well!



For the outline of the paisley-looking petal on the left side of the design, I used what is called "pearl purl." Unlike the hollow wire of the check purl, the pearl purl is a thicker, nobbier spring. You couch it on using waxed thread, scooting the couching thread between the little "pearls" on the coiled wire. I like this stuff! It works wonderfully around curves and makes a nice decorative line. It looks very rich! It's also much stiffer than most of the other metals (with the exception, I'd say, of the flat, ribbon-like metal called "plate"). Pearl purl also takes corners really well. You can pinch it into a nice square at the joints of the "pearls."

After outlining the left leaf thingy, I cut lengths of smooth and rough purl. Like the check purl, these are hollow coils of very fine gold. In a long strand, they are limp and snake-like - really neat stuff! You cut it and sew it on like beads, the thread passing through the hollow core. I wanted a decorative edge around the leaf, so I took a shorter stitch length than the length of the purl, so that it looped out. Then I couched the middle of the loop, "splitting" the purl and making what looks like little zig-zag triangles around the edge of the top edge of the leaf. I alternated between smooth (very shiny) and rough (matte) purl, so that the light would play differently on the different golds.



This is that whole shape from afar. You can see how the shiny purls gleam while the matte (or rough) purls do not. Notice that you can see a wee bit of the paint line under the pearl purl outline. That is less noticeable with the purl zig-zag finished and the pearl purl outline tweaked a bit.

That's it! The beginning of the fun part of the project!! I'm off again to thread my needle!




]]> beetle wing embroidery goldwork pictures needlework pictures 12687 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-02 22:31:11 2007-12-02 22:31:11 1 0
If you go to lacis.com and search their online catalog for "Kumihimo" it'll show up in the list.]]> 12688 Margaret C. noreply@blogger.com 2007-12-02 20:48:00 2007-12-02 20:48:00 1 0
By the way, the Au Ver a Soie sewing thread that I am using is the 100/3. I found some Gutterman silk sewing thread in a local store; I might try some of that next.]]> 12732 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-22 08:31:53 2007-11-22 08:31:53 1 0
I'm using the Au Ver a Soie (100/3)to couch all the gold - once waxed, I found it a bit thick to "invisibly" couch it with the small twist. I do have a very fine silk thread used for Kumihimo that's gold. I should've used it, but I didn't want to dig through storage to find it! (That's what I get!)

I used nylon thread to sew the wings on - oh golly. You're right, Margaret! It's really bizarre working with thread you can hardly see! Actually, I found it irritating, and I just wanted to hurry to finish with it!]]> 12734 Anonymous noreply@blogger.com 2007-11-22 00:55:00 2007-11-22 00:55:00 1 0 12736 Margaret C. noreply@blogger.com 2007-11-22 00:02:00 2007-11-22 00:02:00 1 0
I don't know if you're using floss or sewing thread, but sewing thread would be nominally thinner. (I've been using Au Ver a Soie silk sewing thread for goldwork couching; it feels wonderful.) I don't think it would disappear all that easily, however.

I had a goldwork class once where we used clear thread (like really small fishing line). It was a rather bizarre experience trying to manage thread you pretty much couldn't see. You definitely had invisible couching, though! :-)]]> http://www.needlenthread.com/2007/11/preparing-beetle-wings-for-embroidery.html Tue, 20 Nov 2007 18:48:00 -0600 Mary Corbet 906 2007-11-20 18:48:00 2007-11-20 18:48:00 open open Preparing-Beetle-Wings-for-Embroidery publish 0 0 post

Goldwork usually photographs ok, but the beetle wings actually don't. I can't seem to get across the beauty of these little things in a photograph! Keep in mind that they aren't predominantly black, as they look in some of these photos - they are a bright jewel green - like an emerald - with all kinds of hues reflecting in them (blues, purples, yellows, coppers). They really are lovely, even if they seem rather flat in the photos!



Thanks to Michael Cook of Wormspit, I knew in advance how to prepare the wings and didn't have to go through much of a trial and error process. Before trimming the wings up, they need to be steamed for 5 minutes, in order to soften them just a bit for cutting. I started with just a few, since I figured if I had too many, they'd dry out again anyway before I could get to them all. I put a tiny bit of water in the bottom of a regular pot, put in a metal steaming basket (from which I removed the center ring), and inside this, I put a coffee filter, since I didn't want to have to pick the wings off the steaming basket. With the filter, I could just lift the paper right out.



While the wings were steaming, I laid out all my tools: goldwork scissors, paper piercing tool, regular embroidery scissors, fingernail clippers, tweezers, and stiletto. I wasn't exactly sure what I would need here, although Michael had mentioned that he had better luck with the clippers at first, so that's one tool I knew I'd need. I thought I'd use the paper piercing tool to pierce the holes in the wings, and then, if I needed to, the stiletto to enlarge them.

The first thing I did was use the fingernail clippers to clip around the top, rounded part of the wings, which are thicker and curved. Once the tougher edges were off, I found that my goldwork scissors worked fine, trimming the wings into more regular shapes (for this pattern, petal shapes and half-petals).



Guess what? The paper piercing tool didn't work for very long! Those wings are tough, and they have a grip! The tool stuck in them, and eventually, even though I was being very gentle, the tip came off the tool.



The stiletto (which is actually my laying tool - it's stainless steel with a very sharp point) didn't work, either, because the taper at the point goes from tiny to too large too quickly! The holes ended up too big. So, luckily, I have a tambour needle handle and a pack of eyeless needles which I found worked just great for piercing the wings.



I trimmed the wings to petal shapes, working with wings approximately the same size so that the petals came out relatively even.



And this is the left-over beetlewing "carnage." You can get a better sense of the colors in this picture, although, relatively speaking, they still look rather "flat"!



Once I finished preparing the beetle wings, I went into my storage closet and dug out my goldwork supplies. I found that I had a good bit of metal "scraps" for this - purl, pearl purl, check purl, passing threads, twist, about three inches of milliary wire, and even some spangles. I doubt I'll work every type of gold into the piece, but I'm set for a good variety, anyway!

And now for the fun part! I'm off to thread my needle!
]]> beetle wing embroidery goldwork pictures needlework pictures 12728 Hinke noreply@blogger.com http://www.sudsandsoda.com 2007-11-22 17:07:00 2007-11-22 17:07:00 1 0 a look.]]> 12729 Logan noreply@blogger.com http://www.blogger.com/profile/14190306276373818087 2007-11-22 14:53:00 2007-11-22 14:53:00 1 0 12737 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-21 19:27:11 2007-11-21 19:27:11 1 0 12740 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-21 16:22:00 2007-11-21 16:22:00 1 0
You'll need some binder as well (eg Gum Arabic) to mix with it before using it.

Would you like some info on it's use?]]> 12741 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-21 16:18:14 2007-11-21 16:18:14 1 0
Thank you so much for the link, too! I've been looking for shell gold - and they carry it!]]> 12742 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-21 15:31:00 2007-11-21 15:31:00 1 0 Maybe one would be good for beetle wings?]]> 12743 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-21 12:53:36 2007-11-21 12:53:36 1 0
I'm glad to hear that you all like the step-by-step and the low-down on how things work. It's good to know!! I'll keep you posted on the progress!

Thanks for the comments!]]> 12744 Anonymous noreply@blogger.com 2007-11-21 12:07:00 2007-11-21 12:07:00 1 0 12745 Anonymous noreply@blogger.com 2007-11-21 06:58:00 2007-11-21 06:58:00 1 0 12746 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-21 05:20:17 2007-11-21 05:20:17 1 0 12748 Margaret C. noreply@blogger.com 2007-11-20 22:51:00 2007-11-20 22:51:00 1 0 http://www.needlenthread.com/2007/11/transferring-hand-embroidery-design.html Mon, 19 Nov 2007 13:22:00 -0600 Mary Corbet 907 2007-11-19 13:22:00 2007-11-19 13:22:00 open open Transferring-a-Hand-Embroidery-Design:-Prick-&-Pounce publish 0 0 post I began the project last week, and I thought the design transferring process might be interesting or helpful to you, so I took pictures. Here's a "how to" on transferring a hand-embroidery design onto the fabric, using the prick and pounce method.

Prick and pounce is an old, old method for transferring embroidery designs. It's not really necessary (of even ideal) for transferring every kind of embroidery, but it's great on certain types of fabric - though even then, there are alternatives!

But I like using the prick and pounce method, as it is accurate and it gives you a chance to make corrections before your embroidery design is set in stone (or at least paint).

So, here's what I did to transfer this goldwork and beetle wing design onto red cotton velveteen.

After finalizing my pattern, I traced it onto tracing paper. I didn't do a great job tracing it, but I figured I could make corrections as I went. Then, I got out the tools I use to prepare the paper: a paper piercing tool and a foam pad (also for paper piercing).



Both of these tools are really handy! You can find both of them at Nordic Needle. Alternately, you can use a couple layers of craft felt and a needle with the eye-end stuck in a cork. The tool is nice, though - easier on the hands! The method for piercing the paper is simple: just pierce all around the design, in close increments (about 1/8" apart). Make sure you don't miss any lines in your pattern (like I did!) by holding it up to a sunny window or a light to check it.



Once you've pierced the pattern all over, you pin it or tape it to your fabric, which is already framed up and ready to go. I admit - I use scotch tape. I just find it easier than pinning the pattern on the fabric, and, if you go gently, you don't have to worry about the pattern moving about.



Then I lay down a paper towel and carefully open up my pounce container and get out my pouncer. I never open that stuff until the design is pricked and ready to go! It's dusty, and, if spilled, not only would it be wasted, but it would be a jolly mess to clean up. White pounce is made out of ground cuttlefish bone (like the cuttlefish things you hang in a bird cage!) Dark grey powder is cuttlefish bone and charcoal mixed. I think you could make your own pounce out of a cuttlefish bone from the pet store, but I have tried it out of regular ground chalk, but it doesn't work well, as it doesn't grind to that nice, soft dustiness. You can purchase pounce and the pouncer from Lacis. But you can make your own, and instead of the pouncer, you can just roll up a small strip of craft felt and use it.



Gently pounce all over your design, using the powder rather liberally, although it really doesn't take that much. It seems like you're using a lot, but I've had this stuff for years, and have hardly made a dent in it! Pounce gently over each line in your design. With the pouncer, the nice thing is that the weight of it (it's light, but not as light as a piece of felt!) will do just the right pouncing for you. Hold it right above your pattern, close, and sort of drop it on. And that's all there is to it. After you've pounced your first area of the design (preferably near a corner), gently lift the corner and look underneath the paper to make sure the design is transferring. But don't move the whole pattern! Just lift and peek! When you're finished, your project will look like the photo above.



Then you gently lift the paper off - and there's your pattern! Notice that I missed pricking one of the lines in the large flower (the right side of the fourth petal on the left). I will fill that in during the next step.



The next step requires a fine-tipped paintbrush (I use a small liner) and watercolor paint. I used yellow for this. Connect all your pounce dots with the watercolor, using a light hand and keeping the line as fine as possible! The paint will actually have to be rather wet, so use water to dilute it. Velveteen seems to absorb more than linen does, so I had to get used to that and work on getting the right consistency. Draw the brush lightly over the fabric, barely touching it. You will find that the pounce gums up the brush a bit, so rinse your brush often.



This is the fabric with the design painted, and with the pounce still on it.



And here's a close up of the painted lines and the pounce.

After you finishing painting in your lines, pick up your project and, holding it in one hand, click it on the back with your fingers, like you're flicking something. Do this until the pounce is gone.



And here's the design with the pounce flicked off. If any remains (you can see some white still in the design, sort of stuck to the paint), take a soft brush and gently brush it away. Now I don't have to worry about smudging my lines or my pattern fading off over time, or anything like that.

And that's how you transfer an embroidery design using the prick and pounce method!It actually took me only about half an hour to do this - but the design is relatively small, and my fabric was already framed up. What think you? Worth the trouble?
]]> beetle wing embroidery goldwork pictures needlework pictures 10382 etostudio noreply@blogger.com http://www.blogger.com/profile/17095663920567325345 2008-09-26 08:49:00 2008-09-26 08:49:00 1 0 So a tip from the Famed Lesage broiderie in Paris:
Use a combo of resin powder mixed w/ chalk.. Pounce then spray with denatured alcohol...done.
saw them do this in 5 min flat.
et]]> 12696 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-29 20:42:00 2007-11-29 20:42:00 1 0
http://tinyurl.com/yv9bb6

piccies of the process using charcoal dust

animated lessons on couching and satin stitch, but I just get blank pages with "Done".]]> 12747 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-21 05:19:20 2007-11-21 05:19:20 1 0 12749 Margaret C. noreply@blogger.com 2007-11-20 22:47:00 2007-11-20 22:47:00 1 0 12750 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-20 18:48:07 2007-11-20 18:48:07 1 0
I sometimes use pencil, too, for tracing designs, either with a light box or a sunny window. I only use it, though, when I'm working a project in colored thread. If it's all white thread, I'll usually use a blue pencil. But on certain fabrics, or for certain "big" projects, I like the prick & pounce & paint method!

A lot of people tell me that transferring the design is the worst part of a project for them. I always see the transferring part as a hurdle, but once I get going on it, I love doing it! It's the finishing work that I have the worst time with!]]> 12751 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-11-20 18:32:00 2007-11-20 18:32:00 1 0 Have a great day Joyce]]> http://www.needlenthread.com/2007/11/great-site-for-embroidery-inspiration.html Sun, 18 Nov 2007 11:59:00 -0600 Mary Corbet 908 2007-11-18 11:59:00 2007-11-18 11:59:00 open open Great-Site-for-Embroidery-Inspiration! publish 0 0 post

The Victoria & Albert Museum has a marvelous textile collection - perhaps the best in the world. Search the collections at the V&A;, typing in "embroidered" for a keyword search, and you will find page after page of magnificent images of historical embroidery.



You can then click on the thumbnails of the embroidery you'd like to see up close. At that point, you'll get all the "vital statistics" on the piece - what it's made out of, where it was worked, who embroidered it, what it was used for, and so forth - as well as some interesting little tidbits. For example, I clicked on a fantastic piece of beetle-wing embroidery, and was treated to this image, only larger:



... along with some historical information about beetle-wing embroidery:

Dress fabrics embroidered with pieces of beetles' wing-cases, often cut into leaf shapes, were popular with Western women (those based in India and in Europe) from the mid-19th to early 20th century. The iridescent pieces of beetle-wing gave a lustre and sparkle to evening dresses that emulated applied gemstones. The pieces of beetle-wing were attached by piercing them with a needle and sewing them directly onto the ground fabric, in this case black net, but often fine cotton muslin. Because of their extreme fragility, they were usually used only around the edges of garments (hems, necks and sleeves) to minimise crushing. (Taken from the V&A; Museum Website.)

Since I'm right in the middle of a beetle wing & goldwork embroidery piece, I was thrilled to be able to take a look at this!

You can do all kinds of keyword searches through the link above, so if you're wanting to browse about for some inspiration, or you just want to glory in some gorgeous art, visit the V&A; today!

Thanks, Margaret, for the link!
]]> historical needlework beetle wing embroidery embroidery links goldwork embroidery design 12738 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-21 19:23:39 2007-11-21 19:23:39 1 0 12739 Hinke noreply@blogger.com www.sudsandsoda.com 2007-11-21 18:22:00 2007-11-21 18:22:00 1 0 a very special sampler. I hope some day i will be able too anyway, in the meantime i just bought the book.

(and lots of compliments for your website!)

Hinke]]> http://www.needlenthread.com/2007/11/embroidered-iris-completed-needle.html Sat, 17 Nov 2007 09:37:00 -0600 Mary Corbet 909 2007-11-17 09:37:00 2007-11-17 09:37:00 open open Embroidered-Iris---Completed-Needle-Painting-Project publish 0 0 post

This was a fantastic kit to work - I do love Tanja Berlin's kits! They are great for practicing needle painting techniques without the ho-hum part of deciding what to do - the designs are already transferred on the fabric, the threads are all laid out neatly, and I don't even have to search for the right needle. So, now and then, I like working on these types of kits! Besides, with every design I work of hers, I learn a new aspect of painting with a needle!

When I last posted photos of the iris, it was pretty much complete, but don't you think that the yellow really brings the flower to life?



Here's the completed piece. I haven't yet decided what to do with it - any thoughts?



I love the yellow!



There are two colors of yellow here - the knots are actually elongated French knots.



The color selection on this particular project was really fantastic. I had a lot of fun working it!

Now.... what to do with it??
]]> pictures needlepainting needlework pictures 12758 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-18 16:47:14 2007-11-18 16:47:14 1 0
I wasn't able to follow your link - it just took me to a yahoo log in page! I'd love to see your work!

Thanks again for your comment!

MC]]> 12760 Vianna SweetOrange54@gmail.com http://www.blogger.com/profile/15545445167156444241 2007-11-18 15:07:00 2007-11-18 15:07:00 1 0 http://tinyurl.com/2cjo39
If u care to poke around the Flickr pictures I have, there are some other similar pillows. Hope to hear from you,
Vianna (in Florida)
SweetOrange54 at Gmail dot com]]> 12762 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-18 12:24:43 2007-11-18 12:24:43 1 0
Now, depending on what the Canadian dollar is doing, sometimes, the kits will be a little less in US dollars, and sometimes a little more. Right now, they're almost even.]]> 12763 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-18 11:37:53 2007-11-18 11:37:53 1 0 12764 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2007-11-18 09:25:00 2007-11-18 09:25:00 1 0 I also love the designs of Tanja Berlin and their kits.
This work is precious, lovely, congratulations!
The deserves a frame and hang it on a wall special.

alarttex@gmail.com]]> 12766 Anonymous noreply@blogger.com 2007-11-17 13:16:00 2007-11-17 13:16:00 1 0
I'm curious to know how much do these kits run with shipping in dollars?

Keep up the good work!]]> http://www.needlenthread.com/2007/11/beetle-wing-embroidery-project-underway.html Fri, 16 Nov 2007 09:19:00 -0600 Mary Corbet 910 2007-11-16 09:19:00 2007-11-16 09:19:00 open open Beetle-Wing-Embroidery-Project-Underway publish 0 0 post

I'm afraid you won't see any goldwork or other embroidery actually worked yet! Instead, I'll just chronicle how I'm starting out, and then I'll give you updates as I go.



I started by considering the type of fabric I wanted to work on. I have an upcoming project that I was considering working on velvet or cotton velveteen, so I thought this would make a good opportunity to practice a bit working on velveteen, just to get comfortable with it. It's not the most luxurious fabric - I'd rather be working on silk velvet, and perhaps for something grander, I will. But in the meantime, I didn't want to buy stuff I didn't have on hand or make an investment in fabric for a practice piece.

The design was conceived on a paper towel while I was sitting at the kitchen table drinking tea and doodling. I liked the paper towel scrawls, so I snatched a piece of paper and the bag of wings, and I laid out the wings in the general pattern so that I could see what size the pattern should be overall. Then I just sketched around them with a pencil, and, when I got to where I liked it ok, I drew over it with a black pen.



My next step was to pick out three wings that were relatively consistent in color and size. They look good on the red velvet! (At least, I think they do!)

Then I framed up my fabric.



I tacked the fabric to 8" x 10" stretcher bar frames. I do love those frames! They are a quick way to frame up a project squarely and securely.



You can see here the back of the project. I'm probably going to grumble a bit over the raw edges, which will surely shed little bits of red all over the place. I could take care of that and brush the edges with fray check to prevent future frustration!

Notice that the back of the project looks white - that's because I've lined the velveteen with muslin to provide support for the goldwork. I'm not planning on a lot of goldwork, but I do like a double layer when working with metal threads.

The pattern will include a couple kinds of gold, beetle wings, and some beads, though I haven't figured what kind of beads yet. I was thinking something like pearls would look nice and rich, but I may find some darker specialty beads that will go along with the wings. We'll see.

I don't plan on this project taking very long - but my hobby plans and the rest of my life do not always coincide, especially with Thanksgiving right around the corner.

Any suggestions for beads?

I'll keep you posted on progress!
]]> beetle wing embroidery goldwork pictures needlework pictures 12752 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-19 07:55:02 2007-11-19 07:55:02 1 0
And thank you for the compliment, m. gutmann - I hope to get more pictures up of this project soon!]]> 12753 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-19 07:54:50 2007-11-19 07:54:50 1 0
And thank you for the compliment, m. gutmann - I hope to get more pictures up of this project soon!]]> 12754 M. Gutmann noreply@blogger.com http://www.blogger.com/profile/08307603763444561845 2007-11-18 23:22:00 2007-11-18 23:22:00 1 0 12759 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-18 16:13:00 2007-11-18 16:13:00 1 0
http://stores.ebay.com.au/ANTIQUES-HOUND-COMPANY

which is similiar.

"vintage rhinestone" anything just gets my blood running. I'm such a magpie!]]> 12765 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-17 18:08:23 2007-11-17 18:08:23 1 0
Thanks again!]]> 12768 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-17 11:14:00 2007-11-17 11:14:00 1 0
Do you know "AllWildJewels", the seller on ebay? (The seller's name is
wildness4u). I'm not going to put a link in here.

I'm going to get the black French patent leather sequins for my current project.

She does have a small range of rather special beads as well and some gold platelet thingys that I think might be useful in goldwork.

(No affiliation - I just really like the store. I dribble a lot when I'm there)]]> http://www.needlenthread.com/2007/11/embroidered-crazy-quilt-piece-from.html Thu, 15 Nov 2007 08:16:00 -0600 Mary Corbet 911 2007-11-15 08:16:00 2007-11-15 08:16:00 open open Embroidered-Crazy-Quilt-piece-from-a-Reader! publish 0 0 post little fuschia design I posted a while back. Her crazy quilt fabric postcard is really nice!

You can find the fuschia design listed in my list of hand embroidery patterns, which I just updated last night, if you didn't catch it when I first posted it.

Here's Jo's piece:



The fuschia makes a great accent on the square! It's pretty, isn't it? And I love the seam treatments! I keep thinking that some day I'll do at least one nice crazy quilt square, just to try it - the attraction to me is the variety of stitches that can be used to embellish the piece.

Thanks, Jo!!
]]> readers embroidery pictures needlework pictures 12731 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-22 08:40:31 2007-11-22 08:40:31 1 0
I'd like to try crazy quilting one of these days. I've been stashing up little scraps of fabric here and there, and I was recently thinking (just last night, actually!) that I should make a cq project with it - like a little wallet or bag or something.

Strangely enough, crazy quilting itself (the fabric part) doesn't thrill me - it's the embellishing part that interests me. So many possibilities - endless variety in treatments and embellishment. If I just didn't have to put the ground fabric together first! I'm not sure why the thought of it is such a hurdle for me, but it is!

I guess that's more of a reason to just try it!

Thanks again, Jo!]]> 12733 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2007-11-22 04:32:00 2007-11-22 04:32:00 1 0 To your 'anonymous' commentor. All the stitches are variations on, what is known in the crazy quilting world as, "basic seam treatments".
Stitches I have used - the blue seam is herringbone, every second stich is 'tied' to make the 'v' deeper. Detached chain is on the upper side.
The yellow treatment is fly stitch, done in a feather stitch formation, so alternating side to side. The flowers are chain stitch. The white seam is chevron, with a straight stitch.
As for the postcard. Yes it will go thru the mail. You write on the back, add a stamp and off it goes. That is why I only put stitching on the postcards, the are more likely to make it thru the machines in one piece. I am not big into "mail art" but there are 100s of yahoo groups out there and this is all they do. They are wonderful to receive and the posties love them.
If you email me I will send this one to you
playcentrejo(at)gmail(dot)com

Mary I am surprised that you have not crazy quilted, I hope you do try it one day. I would love to see the results.]]> 12770 Anonymous noreply@blogger.com 2007-11-16 06:04:00 2007-11-16 06:04:00 1 0 12772 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-15 20:53:17 2007-11-15 20:53:17 1 0 12775 Anonymous noreply@blogger.com 2007-11-15 19:08:00 2007-11-15 19:08:00 1 0 http://www.needlenthread.com/2007/11/slender-flower-free-embroidery-pattern.html Wed, 14 Nov 2007 14:08:00 -0600 Mary Corbet 912 2007-11-14 14:08:00 2007-11-14 14:08:00 open open A-Slender-Flower:-Free-Embroidery-Pattern publish 0 0 post Wouldn't I make a Great Embroidery Pattern?" That was certainly the case with this, and I've been thinking about it for a loooong time.

So this slender bunch of flowers could be embroidered a number of ways. Oh, yes - they would serve for needle painting - but... I was thinking that, worked on a very fine linen or batiste (probably linen, since it's a bit sturdier), the design would make an excellent study in whitework. If I were going to use whitework techniques on it, I'd make use of the typical outline type stitches and seed stitches, but I'd also try some more textured stitches, or even some pulled techniques, for the various leaves, just for variety.

Well, in any case, here's the design, and you can do with it whatever pleases you! Click on the pattern for a larger version, which you can save to your computer and scale up or down.



How would you see this pattern interpreted? What kind of technique do you think is suited to it? Any ideas??? I'd love to hear them!

Also, lately, I've mentioned to readers that I'd love to be able to share any photos of work they do with the patterns from Needle'NThread, and I've had two readers lately who have sent me photos! If you've used patterns from here and you want to share your work with other readers, don't hesitate to send me a photo. You can e-mail me at mary [at] needlenthread.com.

]]> free embroidery patterns whitework 6276 Anonymous noreply@blogger.com 2009-08-08 17:02:59 2009-08-08 17:02:59 1 0 12769 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-16 06:56:22 2007-11-16 06:56:22 1 0
Anyway, what she did was take a simple motif and repeat it down the side and (I think) around the base. She picked a kind of paisley shape, outlined it in stem stitch, and then she's working small sequins and beads around the outside and on the inside.

Thing is, she just picked out a little motif and went from there, deciding on where to place the repeats and what colors to use.

If you can't invent a design, check out my pattern library! Perhaps there's something in there that could be helpful!]]> 12771 Anonymous noreply@blogger.com 2007-11-16 02:37:00 2007-11-16 02:37:00 1 0
Comments: patricevanes@hotmail.com]]> 12779 Anonymous noreply@blogger.com 2007-11-14 19:11:00 2007-11-14 19:11:00 1 0 --Karen]]> http://www.needlenthread.com/2007/11/historical-embroidery-book-bindings.html Tue, 13 Nov 2007 16:21:00 -0600 Mary Corbet 913 2007-11-13 16:21:00 2007-11-13 16:21:00 open open Historical-Embroidery:-Book-Bindings publish 0 0 post

If you visit the British Library's Database of Bookbindings and search for "embroidered," you will find a whole gallery of gorgeous old embroidered book covers. You'll want to do a "keywork" search for "embroidered," and select "gallery" for the display method. Then you can spend hours (or at least a good many minutes!) browsing these beautiful little pieces of history.



In the gallery view, you'll get an overall view of the embroidered bookbindings. There are lots of them! You can browse through examples from different centuries and different countries.



You get a fairly good full shot of each image when you click on it, with all the pertinent details of size, workmanship, and so forth.



You can click on the photo for a close up, which allows you to see all the embroidered detail on the piece. Some of them are really opulent, like this cover in velvet worked over with gold.

This is a fantastic gallery, and excellent for browsing through when you just want to relax and search for inspiration. You'll get a good sense of the techniques of particular historical eras, and you'll marvel at the artistry of these pieces.

Thanks to Megan of Elmsley Rose for the link!
]]> historical needlework 12781 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-14 12:24:37 2007-11-14 12:24:37 1 0 12782 Pat patricia.thornhill@btopenworld.com http://www.blogger.com/profile/15771378948765147509 2007-11-14 10:41:00 2007-11-14 10:41:00 1 0 12783 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2007-11-14 09:04:00 2007-11-14 09:04:00 1 0 Also I tell to you, I am preparing one of your patterns for embroidery.
Thank you, so much.]]> 12784 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2007-11-14 08:06:00 2007-11-14 08:06:00 1 0 http://www.needlenthread.com/2007/11/embroidery-and-illumination.html Mon, 12 Nov 2007 16:10:00 -0600 Mary Corbet 914 2007-11-12 16:10:00 2007-11-12 16:10:00 open open Embroidery-and-Illumination publish 0 0 post mentioned before that embroidery and illumination (the decorating of manuscripts usually in conjunction with text worked in calligraphy) are pretty closely connected - or at least, at different points in history, they certainly have "fed" off each other.

Since making that comment, I've found other sources that substantiate it, among them Lanto Synge in his authoritative work, The Art of Embroidery. This is an excellent book that thoroughly covers the history of embroidery techniques and use. Really a great book for any serious needleworker's library!

But I digress... embroidery and illumination. Both are beautiful arts! Recently, a reader commented here on Needle 'n Thread, and, following her link, I ended up at her blog, Elmsley Rose.

WOW! Talk about beautiful work! While the topic may seem irrelevant to needlework and surface embroidery, she does discuss color combinations (granted, in paint) that are relevant to the embroiderer. At the same time, you can see how the designs used in illumination are certainly a source of inspiration for embroidery.

Elmsley Rose also has a photobucket gallery, where you can view her illuminated works and some needlework, which she also enjoys.

If you have time to browse these two sites, you're sure to enjoy the artwork on them. Feel free to leave a comment on her blog to encourage her! She does fantastic work!
]]> 12681 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-04 18:23:03 2007-12-04 18:23:03 1 0
a. Not mad, not necessarily over-ambitious. Goldwork, though it requires care, is not particularly difficult if you are already familiar with embroidery!

b. the lettering depends on what type of letters you plan to use! You can get good, crisp lines with twist and with pearl purl.

c. Well, again, it depends on what the lines are and what the letters look like. If you basically just want "lines" as opposed to filled areas, I'd stick with twist (the finer the twist, the finer the line you'll get - if you want bolder lines, use a heavier twist). It goes on relatively quickly. If you're planning on filling an area, you might want to use gold passing or even chip work (cut purls). You could always outline the areas you want filled with twist and then fill them with chip work, like I did at the base of my goldwork and beetle wing flower.

Anyway, if you have specific questions or want me to look at your proposed pattern when you have it ready, drop me an e-mail at mary [at] needlenthread [dot] com.

Good luck!!]]> 12682 ravenrigan noreply@blogger.com http://www.blogger.com/profile/03000571019027008811 2007-12-04 17:43:00 2007-12-04 17:43:00 1 0
I want to make an embroidered gift for my parent's Golden Wedding.

So what could be more appropriate than Goldwork?

I have not attempted this before so I wanted a very simple design, So I thought of a Family tree.

To keep it simple I have just used first names, and thought I might use Illuminated style Lettering for the first letters.

The whole item will be about 2-3feet long, on Black or Crimson Velvet, but there will be lots of blank space, and I am planning to use a premade bullion embroidered braid for a border.

I would be really grateful if you could give me some suggestions.

a) am I mad, or at least overambitious.
b) how hard is the lettering likely to be
c) What sort of materials would be best to use for the lettering and the lines. I would like to use at least some real Gold.

Hope this is not a cheeky request.]]> 12780 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-11-14 15:46:00 2007-11-14 15:46:00 1 0 12790 Margaret C. noreply@blogger.com 2007-11-12 16:21:00 2007-11-12 16:21:00 1 0
I love illuminated manuscripts as well and have been considering some embroidery projects that would include them. Here are a couple of links to sites with digital images of actual documents:

Bodleian Library (Oxford):
http://www.bodley.ox.ac.uk/dept/scwmss/wmss/medieval/browse.htm

British Library:
http://www.bl.uk/catalogues/illuminatedmanuscripts/welcome.htm

Unfortunately, you have to browse through these sites to find things, but there are some nice examples in there. On the British Library site try a search on 'book of hours' for a sample.

Google Images returns lots of images when you search on 'illuminated manuscripts'.

Lastly, there's a nice book by Patricia Carter entitled Illuminated Designs (ISBN: 0-85532-777-4) that takes you through the process of creating illuminated designs. (Ms. Carter has also written other books on the subject.) I believe this one is out of print, but can probably be found via one of the used book sites.]]> http://www.needlenthread.com/2007/11/readers-embroidery.html Sun, 11 Nov 2007 08:23:00 -0600 Mary Corbet 915 2007-11-11 08:23:00 2007-11-11 08:23:00 open open A-Reader's-Embroidery publish 0 0 post

Meeta used the sunflower cross pattern and the flower medallion pattern, and stitched up two really nice projects! She used a variety of stitches, especially in the second medallion, where you can see bullion stitch as the filler in the "buds" at the four points, vandyke stitch as the center flower petals, stem stitch, seed stitch, satin stitch, etc.!

They're both well done, and I like the use of color in them! So here they are for your enjoyment!



I love the use of seed stitch as filling in the outside leaves - it "frames" the design and finishes the edge.



The center flower is worked in long and short stitch, with a lattice work center. Although the photo is somewhat blurry, you can still get a good idea of the stitching.



And I like the interpretation of this pattern, too. The center, the filled areas, and the buds put the color and weight of the design in good places. I especially like the fact that she didn't fill the large leaves, as that would have been too heavy-looking!

Don't you think she did a great job??

Thanks, Meeta, for the photos and permission to publish them!
]]> readers embroidery pictures needlework pictures 12785 Meeta noreply@blogger.com 2007-11-13 08:40:00 2007-11-13 08:40:00 1 0 -Meeta]]> 12787 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-12 23:19:15 2007-11-12 23:19:15 1 0
Thanks for letting me know! I'm super excited to see what you've done with them!

Cheers!]]> 12789 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2007-11-12 21:31:00 2007-11-12 21:31:00 1 0 12791 Anonymous noreply@blogger.com 2007-11-12 14:44:00 2007-11-12 14:44:00 1 0 http://www.needlenthread.com/2007/05/doodle-embroidery-designs-would-they.html Wed, 23 May 2007 20:46:00 -0500 Mary Corbet 916 2007-05-23 20:46:00 2007-05-23 20:46:00 open open Doodle-Embroidery-Designs---Would-They-Make-Good-Patterns? publish 0 0 post

I will admit I'm a doodler - on the phone, in meetings, wherever - I find myself doodling. Can such doodling be adapted to embroidery designs? Textiles are often the "inspiration" of my random doodling. Tassles, lacy edges, fishbone stitch, basket weaves, stippling dots, lazy daisy stitch - all have their places on these little scraps. But how are these things necessarily adapted into real embroidery? I'll have to think about this question, but if anyone has any ideas, I'm all ears!







I'll have to think about if such scraps can be turned into embroidery patterns or anything useful like that! In the meantime, if anyone has any ideas, I'm all ears!

]]> free embroidery patterns pictures miscellaneous embroidery musings 3239 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-11 13:25:09 2010-02-11 13:25:09 1 0
Thanks for your comment! Your project sounds really pretty, in organza and gold!

I hope someday to do something similar!

Best,
Mary]]> 3241 terracota luzdeterracota@hotmail.com http://www.blogger.com/profile/00260150393724282247 2010-02-11 10:45:15 2010-02-11 10:45:15 1 0 Please continue with your idea,I would love to see the result.
Mariel, (subscriber to your blog feed)]]> 8164 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-02 17:29:36 2009-04-02 17:29:36 1 0
You can download them to your computer and save them to do whatever you want with them, as long as you don't re-sell them for profit... though you're welcome to sell whatever you make from them...

Glad you like them!

Best regards,
Mary]]> 8165 Siri Fjørtoft, Fjørtoft Design sfjortoft@gmail.com http://www.blogger.com/profile/15153252227706774829 2009-04-02 17:12:00 2009-04-02 17:12:00 1 0
Siri]]> 8801 Anonymous noreply@blogger.com 2009-02-16 20:40:00 2009-02-16 20:40:00 1 0 8902 Anonymous noreply@blogger.com 2009-02-05 09:15:00 2009-02-05 09:15:00 1 0
I would buy one of them to cover my wall.

really awesome work !]]> 9108 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-24 07:38:18 2009-01-24 07:38:18 1 0
Good idea! No, I don't mind at all. Send me a picture when you're finished! I'd love to see how it turns out!

MC]]> 9111 Queen of Dreamsz blogging@queenofdreamsz.com http://www.blogger.com/profile/17121430170088480348 2009-01-24 02:00:00 2009-01-24 02:00:00 1 0
I may like to adapt one of them for a mini hooking if don't object. I'll let you know when I start which could be months away right now but they are most inspiring. :0)

Stephanie
Queen of Dreamsz]]> 9405 Mary Carlson noreply@blogger.com 2008-12-20 22:51:00 2008-12-20 22:51:00 1 0 Your idea of just doodling, is my idea of art! You are certainly talented.It's lovely and I know your niece will love it. I certainly would. Merry Christmas!
Mary Carlson]]> 12767 Anonymous noreply@blogger.com 2007-11-17 11:27:00 2007-11-17 11:27:00 1 0 13101 My name is Ann. noreply@blogger.com http://www.blogger.com/profile/18112702684165508435 2007-06-11 14:03:00 2007-06-11 14:03:00 1 0 www.crafterstudio.com

-ann]]> 13119 susan sorrell noreply@blogger.com www.creativechick.com 2007-05-24 17:59:00 2007-05-24 17:59:00 1 0
I have always loved how embroidery can be used like a paint brush and love to doodle using my threads.

Cheers,
susan]]> 13120 Anonymous noreply@blogger.com 2007-05-24 09:57:00 2007-05-24 09:57:00 1 0 13121 Kristin Nicholas noreply@blogger.com http://www.blogger.com/profile/09038900681076035087 2007-05-24 08:33:00 2007-05-24 08:33:00 1 0 13123 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-05-23 22:33:37 2007-05-23 22:33:37 1 0 Elizabeth, I think they could be transferred using an ink-jet and something like Bubble Jet Set. But even better, I think they could be "retraced" on the back of tracing paper, following only the design line and using a semi-soft lead, then traced over again from the front while on top of the fabric. I'd enlarge them a bit, too. I was just thinking they'd make a neat embroidered notebook cover or drawstring bag.
Thanks for the comments and ideas, everyone!]]> 13125 Elizabeth noreply@blogger.com http://www.blogger.com/profile/08073775734501573713 2007-05-23 22:08:00 2007-05-23 22:08:00 1 0 13126 Gail galynn92347@yahoo.com http://www.blogger.com/profile/14240381173653268463 2007-05-23 21:57:00 2007-05-23 21:57:00 1 0 13128 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2007-05-23 21:40:00 2007-05-23 21:40:00 1 0 13129 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-05-23 21:29:06 2007-05-23 21:29:06 1 0 13130 Sequana noreply@blogger.com 2007-05-23 21:14:00 2007-05-23 21:14:00 1 0
I'd buy a sheet of that paper to make a book cover, for instance.]]> http://www.needlenthread.com/2007/11/embroidery-pattern-william-morris.html Sat, 10 Nov 2007 09:08:00 -0600 Mary Corbet 917 2007-11-10 09:08:00 2007-11-10 09:08:00 open open Embroidery-Pattern:-William-Morris-Flower-Thingy publish 0 0 post

Again, this embroidery pattern is the product of practicing drawing on a tablet with a pen. I know it's not that professionally done, but I think it produces an ok result to trace as an embroidery pattern.

Actually, this pattern and the next two that I've been working on, have lots of possibilities. I plan to work this one (if all goes well) in a combination of wool, wool-silk blend, silk, and beads. I'm going to stick with the colors that are in the original William Morris motif - that is, a golden honey color, some shades of red, and some shades of dark green. I'm going to use long-and-short stitch for the surrounding leaves, palestrina stitch for the outline of the inside, stem stitch for the stems, fishbone for the leaves. The "dots" will be beads, I think. So that's on my upcoming projects list, if all goes well!

Oh, and I am scaling it down a little bit. It's a bit big here for what I want!

Here's the pattern:



I hope you like the pattern and have the opportunity to do something with it!

I'll be cleaning up my pattern index soon, but you can find more embroidery patterns in the meantime under Free Embroidery Patterns Index.
]]> free embroidery patterns http://www.needlenthread.com/2007/11/free-pattern-tulips-ala-william-morris.html Thu, 08 Nov 2007 09:09:00 -0600 Mary Corbet 918 2007-11-08 09:09:00 2007-11-08 09:09:00 open open Free-Pattern:-Tulips-ala-William-Morris publish 0 0 post

The primary reason I invested in a tablet was to be able to draw up my own embroidery patterns. I've been getting some very good help from Margaret on how to create vector format images. Unfortunately, I haven't quite gotten to that point yet, but in the meantime, I will keep sketching away.

Here's yesterday's practice piece, a little tulip design inspired by a William Morris print. I like William Morris - his scrolly stuff is excellent inspiration for needlepainting (long-and-short stitch shading) ideas.

I hope you like this particular pattern!



It's not a super realistic looking rendition of tulips, but I do like his style. I could see this worked smaller (the pattern could be resized smaller), with two-toned tulips - orangish red and red, or yellowish orange and orange. Where the leaves join the stems, and where the leaves are "overlapped" by each other, the shades of green would be darker, but overall, I'd go with a lighter, brighter shade of green.

Anyway, if you can find use for it, have fun with it!

]]> free embroidery patterns 12799 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-09 13:14:45 2007-11-09 13:14:45 1 0 12801 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2007-11-09 09:06:00 2007-11-09 09:06:00 1 0 http://www.needlenthread.com/2007/11/opposite-faces-embroidered-pillowcases.html Wed, 07 Nov 2007 07:36:00 -0600 Mary Corbet 919 2007-11-07 07:36:00 2007-11-07 07:36:00 open open Opposite-Faces-Embroidered-Pillowcases-II publish 0 0 post

Both pillowcases are a cotton-poly blend, and I stitched through the two layers of the cuff. It seems to me that natural fibers "work" with the thread better. I don't know why. Linen, cotton, real silk - these are so wonderful to stitch on. For some reason, the poly-cotton simply doesn't stitch as well as the 100% cotton. I would be interested to know if other embroiderers think the same way, or not. Maybe I'm just imagining it! Let me know!

So the pillowcases were for a contest on the Craftster website, which is a huge forum website with all kinds of craft-related stuff on it. I feel I should caution people against some of the content on the site, though. Extra caution, especially if you have children. But overall, there are some very clever and artistic people on the site who share tips and tricks for different types of craft-related hobbies. I came across this "challenge" on the site, and, on whim, I thought "why not?" I've never really done anything in way of a contest before, so I did it.

In fact, here's my plug for my entry: If you go look at the Awake Asleep Pillowcases on Craftster, and you find you like them, you can also visit the challenge category, go to the poll, and vote for my project, by clicking on "challenge #22" - and you'll get a list of the entries. Mine's titled "Awake Asleep: Opposite Faces Pillow Cases." Click the radial button and hit submit. It's that easy. Oh, you do have to register to vote (left hand column), but it only take a few seconds if you want to do it.

What do I get out of it? Some thread and patterns and stuff from DMC - about $280 worth. When I joined, I admit I joined because - yes - I wanted the stuff. I figured it would be good to have for my kids' classes, and... you're right, I'm cheap enough to say it - it's stuff I don't have to pay for.

So there, in all it's glaring cheapness, is my plea for your vote!

Here are the other photos. This is the whole shot of the black one (overlapped by the white there in the corner!)



Can you find my rendition of Charlie Brown? I couldn't help it. He just materialized! (OH, no pun intended!)



My clown's a little more subdued in this one. Well, after all, he is sleeping!



For some reason, the drooly guy is really a favorite!



How does one illustrate a sleeping pumpkin? That was a weird problem.

And so, there they are!

What do you think? Worth it? Will you vote for me? Actually, you don't really have to if you don't want to! I'm not super-attached to the idea of winning! And there are a couple other really nice entries on there. So you might want to vote for one of them!

Ok, onto other projects. I'm in the mood for something.... grand! I have some goldwork to repair, some tiny lace trim to add to an ecclesiastical project, my silk sampler to make headway on, a Christmas present I want to make, some beetle wings I want to play with, and ... *sigh* stitches to film (I have a list of about 20 I would like to do for you before Christmas), and, finally, a website to overhaul! I want to give this one a new look. So, wish me luck!
]]> pictures embroidery for fun needlework pictures 12802 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-08 15:10:36 2007-11-08 15:10:36 1 0 12803 LoveCrafting noreply@blogger.com http://www.blogger.com/profile/02107546932533480866 2007-11-08 10:25:00 2007-11-08 10:25:00 1 0 12808 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-07 14:16:12 2007-11-07 14:16:12 1 0 Challenge Page and click on challenge #22, (the pillowcases one), and then you'll be at the poll page!

Let me know if that works!!

Thanks,
MC]]> 12809 MV noreply@blogger.com 2007-11-07 12:00:00 2007-11-07 12:00:00 1 0 12811 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-07 11:38:39 2007-11-07 11:38:39 1 0 12815 HSG noreply@blogger.com http://www.flickr.com/photos/7501799@N08/ 2007-11-07 06:49:00 2007-11-07 06:49:00 1 0 http://www.needlenthread.com/2007/11/embroidered-pillowcases-opposite-faces.html Tue, 06 Nov 2007 06:36:00 -0600 Mary Corbet 920 2007-11-06 06:36:00 2007-11-06 06:36:00 open open Embroidered-Pillowcases:-Opposite-Faces publish 0 0 post

I started embroidering the pillow cases about 3 weeks ago, then ran into a snag and wasn't able to stitch for about a week. They were for a contest, so I figured I'd just scratch the idea. But yesterday, I decided to at least try to see how far I could get, as I didn't want to waste the effort. Besides, if I hadn't pushed myself to finish for the deadline, I would probably have never finished the stitching!

They lack a couple finished details: jumbo ric-rac (black on the white and white on the black), and some text. I was going to split the following line of poetry and put the appropriate half on the appropriate pillow case. But oh well. I'll definitely add the ric-rac, since I think I'll give these away as a Christmas present.

This is the line:

Golden slumbers kiss your eyes, Smiles awake you when you rise.
--Thomas Dekker

So here are some photos of the project:



When I was in college, one summer I designed and copyrighted a line of notecards and stationery called "A Few Good Laughs," which I sold to make money for school. I drew the circles by tracing pennies, and filled in the circles with caricatures of laughing faces. For the pillow cases, I traced the lid of a vitamin bottle and free handed the faces.



The white pillow cases are the "awake" ones. I should've gotten a better shot of the individual pillow cases! Darn.



And here are some close-ups on faces. I embroidered the black pillow case first, and the kid with the ball cap has an "A" on the cap on the black one. So I put a "Z" on this one...



A little long-and-short stitch bow on this chubby baby...



A little flower girl here. She's a bit fuzzy around the chin. I had part of a small skein of black DMC when I started this... so I was running short by the end! I had to make my threads last a bit longer than usual. I learned a lot on this about fabric: I don't like working on blends! And passing through two layers is hard on thread. I should have bought the cotton and made my own pillowcases! Also, I could've waxed my threads to alleviate some of the wear, but it would've taken too much time. Ah well. Next time! (?? Next time???)



Aargh, matey!



The white background necessitated a snowman...



And Santa... and a clown.

So that's white one close up - I'll follow with the black one ("asleep") tomorrow!

Between the pair of pillow cases, there are 19 different embroidery stitches used, and 46 faces altogether.

What do you think? Could I start a face-ish pillowcase trend?
]]> pictures embroidery for fun needlework pictures 3459 wakeful dreamer noreply@blogger.com http://www.blogger.com/profile/16211174854914288573 2010-01-25 12:38:30 2010-01-25 12:38:30 1 0 4734 billiemick noreply@blogger.com http://www.blogger.com/profile/12962933031675452865 2009-10-31 14:06:28 2009-10-31 14:06:28 1 0 4735 dharma noreply@blogger.com http://www.blogger.com/profile/00175260661171145939 2009-10-31 12:54:42 2009-10-31 12:54:42 1 0 L.Dharmasamvardhini.]]> 9084 joaninreno noreply@blogger.com 2009-01-26 16:42:00 2009-01-26 16:42:00 1 0 9134 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-21 21:22:41 2009-01-21 21:22:41 1 0
Of course you can use floss on average pillow cases!! That's what these are in the photos above!

If you're fairly good at sewing, you can even take the cuff apart on the edge of the pillow case, embroider your design, then sew the cuff back up, hiding the back of the stitching. But even if you can't manage that, you can still use regular, store-bought pillow cases. You can stitch through both layers if there's a turn-over on the edge...

Good luck!

MC]]> 9137 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-01-21 17:51:00 2009-01-21 17:51:00 1 0
Im a college student that recently picked up embroidery and have fallen in love with it. I want to make bunches and bunches of gifts for people. Yet that can be expensive. So i had a question.... can i use floss on a regular average pillow case or would that be impossible to do? For the projects i have been working on i use regular sewing thread and was trying to move on to floss for a better look. i use regular pillow cases cause fabric from what i have seen is very expensive, especially since i am a novice at what i am doing.]]> 12798 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-09 13:15:55 2007-11-09 13:15:55 1 0 12800 Meeta noreply@blogger.com 2007-11-09 10:36:00 2007-11-09 10:36:00 1 0 12810 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-07 11:39:27 2007-11-07 11:39:27 1 0 12812 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-07 11:36:48 2007-11-07 11:36:48 1 0 12813 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-11-07 08:22:00 2007-11-07 08:22:00 1 0
Your pillow cases are too cute! Love them.

Ginger]]> 12814 usha noreply@blogger.com http://www.blogger.com/profile/07440964180667614927 2007-11-07 08:09:00 2007-11-07 08:09:00 1 0 12817 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-07 05:35:38 2007-11-07 05:35:38 1 0
Meeta, I'll cover the fabric question in the next post!

Kim - I used a pencil here and there on many of the faces! I found that freehanding some of the eyes with embroidery lead to crooked eyes!

A sheet or quilt or whole set of bedding like this would be fun to do, but holy cow! It would take so much time!!]]> 12818 Anonymous noreply@blogger.com 2007-11-07 00:30:00 2007-11-07 00:30:00 1 0 They are very cute!]]> 12819 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2007-11-06 10:28:00 2007-11-06 10:28:00 1 0 12820 Meeta noreply@blogger.com 2007-11-06 09:35:00 2007-11-06 09:35:00 1 0
Many thanks,
-Meeta]]> 12821 Elizabeth noreply@blogger.com http://www.blogger.com/profile/08073775734501573713 2007-11-06 08:33:00 2007-11-06 08:33:00 1 0 http://www.needlenthread.com/2007/11/first-attempt-embroidery-pattern.html Sun, 04 Nov 2007 10:14:00 -0600 Mary Corbet 921 2007-11-04 10:14:00 2007-11-04 10:14:00 open open First-Attempt-Embroidery-Pattern publish 0 0 post

I embroidered this stole several years ago. The pattern is an adaptation of a motif on a very old vestment, part of which I sketched, altered, and then adapted to my project. I like the stylized flower / pomegranate thingy, even if my sister does insist they look like something out of Little Shop of Horrors!

Here's the pattern, worked in silk on silk. Mostly it's worked in satin stitch, although some parts are stem stitch filling. If you've meandered through my whole website, you may have already seen this! If not, you'll find links to close-ups of the rest of the flowers on the stole and to a whole image of the embroidery on the gallery page.



And here's my first attempt at drawing something on the tablet. It's a lot harder than I thought it would be! It's takes some getting used to, but it's fun, so I'll stick with it and hopefully, I'll improve with time and practice!

But, in the meantime, if you want this pattern to play with and to adapt to your own project, feel free! Right click on it to download it to your computer. You can scale it up or down in a photo editing program, or you can use a copy machine. The image is flipped, by the way. The picture above is from the right side of the stole - the pattern is drawn from the left side! I just realized that! Sorry!



For all you graphic artists out there, I can't help but admire your skills! It must take perseverence at this kind of thing to get good at it! I don't know any of the tricks for working with these kinds of images, so if anyone has any links or suggestions or anything, I'm all ears!

Have fun with the pattern!
]]> free embroidery patterns pictures silk 7334 Anonymous noreply@blogger.com 2009-06-01 00:15:07 2009-06-01 00:15:07 1 0 I've just come across your site. I'M so impressed by all you do. I love embroidery, although I'm sort of stuck with cross stitching, but now and again I do some real stuff - mainly for the numerous babies cropping up recently in our family. Will try some of your wonderful patterns and let you know the result.

Thanks for a great site.]]> 9435 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-17 05:43:38 2008-12-17 05:43:38 1 0
Thanks very much for the information! I've been able to play around with a program called Inkscape, which has been invaluable in learning the whole "vector" thing. I haven't played with color in Inkscape, but I will one of these days! I opted for Inkscape first because (ahem...!) it's free! Also, a friend was able to work up some tutorials for me using Inkscape, to demonstrate how easy it is to use the program - the next thing I knew, I was hooked!

Eventually, I'm going to invest in Corel Draw or Illustrator. At work, I use the Adobe products, so Illustrator might end up being the logical choice there....

For now, though, I'm kind of economically stuck with the benefits of Inkscape - and, in all, it's rather a nice little program!

I will certainly keep your recommendation in mind. I really appreciate your help!

Best regards,
Mary]]> 9440 Devon noreply@blogger.com 2008-12-16 21:54:00 2008-12-16 21:54:00 1 0 12804 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-07 18:03:15 2007-11-07 18:03:15 1 0 12805 HSG noreply@blogger.com http://www.flickr.com/photos/7501799@N08/ 2007-11-07 18:00:50 2007-11-07 18:00:50 1 0
The colors are so pleasant and complimentary to the image design.
Helen (from craftster)]]> 12826 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-05 16:21:18 2007-11-05 16:21:18 1 0
Judyth - what part of Kansas??

Maria - I'm glad you like the pattern! It really is one of my favorite pieces I've ever worked on!

Thanks so much for the nice comments, everyone!]]> 12829 Maria del Valle noreply@blogger.com http://alarttex.wordpress.com/ 2007-11-05 15:20:00 2007-11-05 15:20:00 1 0 Thanks so much for this pattern and also your place, your blog, your work Congratulations]]> 12832 Crazy Judyth noreply@blogger.com 2007-11-05 09:35:00 2007-11-05 09:35:00 1 0 I admire your work so much. When and If I ever get time to stitch again, there are several things that I've saved from your blog that I want to do.
Thank you so much for being there.
Hugs,
Judyth in Kansas]]> 12835 Margaret C. noreply@blogger.com 2007-11-04 21:53:00 2007-11-04 21:53:00 1 0 12836 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-04 17:11:08 2007-11-04 17:11:08 1 0
I'm glad you like it! I'll get the other ones done, too. It's good practice!

Thanks,
MC]]> 12837 Meeta noreply@blogger.com 2007-11-04 13:24:00 2007-11-04 13:24:00 1 0 Thank you for posting the pattern of one of the flowers from the stole you made. I went back and looked at the whole stole and the flowers individually. It's just out of this world. You've done a great job. I'm sure it's hard work but please, please post the rest of the flowers.

Many thanks!
-Meeta]]> http://www.needlenthread.com/2007/10/free-embroidery-pattern-flower.html Wed, 31 Oct 2007 12:02:00 -0500 Mary Corbet 922 2007-10-31 12:02:00 2007-10-31 12:02:00 open open Free-Embroidery-Pattern:-Flower publish 0 0 post

Here's the embroidery pattern:



The outline of the flower is easily worked in stem stitch. The inside of the petals are worked in darning stitch, which is simply a kind of running stitch, where the space between the stitches is usually smaller than the length of the stitches. Notice how the length of the filling lines vary, getting smaller than disappearing before they get to the center. This is a great way to create a "shaded" effect inside the petals. The center can be worked in French knots. This design would look great in wools.

Have fun with it!

]]> free embroidery patterns 12838 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-02 21:39:34 2007-11-02 21:39:34 1 0
I don't have any framing information on needlenthread at this time. You're right, it can be very expensive. I always try to frame things in a standard size so I don't have to do custom framing, and I use pre-cut mats if I can find ones that match well. When I can't, or when I have to go custom, I wait for Hobby Lobby's 50% off custom framing sale.

Sorry I don't have anything particular about framing on here yet -- it's a good topic that should be covered!

Thanks,
MC]]> 12839 Meeta noreply@blogger.com 2007-11-01 19:47:00 2007-11-01 19:47:00 1 0 Do you have a link posted in your website where you've explained how to frame a project. Getting a project framed outside gets very expensive. I spent a lot of time and could not find any information. Your help will be greatly appreciated.

Thank you,
-Meeta]]> 12840 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-01 07:58:08 2007-11-01 07:58:08 1 0
Glad you like it!]]> 12841 Susie noreply@blogger.com 2007-11-01 07:40:00 2007-11-01 07:40:00 1 0 http://www.needlenthread.com/2007/10/taking-care-of-embroidered-goods-linens.html Tue, 30 Oct 2007 19:37:00 -0500 Mary Corbet 923 2007-10-30 19:37:00 2007-10-30 19:37:00 open open Taking-Care-of-Embroidered-Goods,-Linens,-and-Whatnot publish 0 0 post

For the following tips, I'm generally speaking of embroidery projects that are used in the home, that are worked in cotton on a natural fiber fabric, such as linen or cotton. Certainly, silk (whether used as a floss or as the ground fabric) and synthetics may require completely different care!

Cleaning your embroidery project requires special care. I suggest hand-washing with a mild detergent such as wool-lite, or even with a mild dish soap. The best scenario is to work carefully and avoid having to wash it at all, but if you're making cloth napkins, dishtowels, or household items like dresser scarves and so forth, you're going to have to wash them at some point.

I've gotten several questions about getting stains out of linen. For linen embroidered with white only, I generally use Biz if I've got tough spots. For really tough spots, as a last option because it's kind of a pain in the neck, I use cream-of-tartar in boiling water. Boil a pot of water, add a few teaspoons of cream of tartar, stir, submerge your item, wait ten minutes and rinse. I stir it now and then as it soaks. This works pretty well for me with linen that isn't embroidered in heavy colors, even removing old wine stains, etc. So that's an option. I've never tried it with dark colors, though I have with pale, and it works without damaging the color.

Never dry your embroidery projects in your dryer! Hang them or lay the flat to dry. This goes as well for vintage embroideries, etc. I think dishtowels are ok for the dryer, but finer projects are better off laid flat or hung to dry.

What about ironing? That project you just spent hours and hours on, and you've finally completed, and you are so proud of --- don't just throw it on your ironing board and go at it! Oh, no! When you press a piece of embroidery, you need to do it with care.

• Use a clean, soft white towel or other cloth to line your ironing board. Residue on your ironing board cover may not come off - but then again, it just may. Why risk it?
• Use another clean cloth to cover your work before you iron it. So you need two cloths, at least.
• Starting with the right side up, lay your piece of embroidery on the cloth covering your ironing board. Put the second cloth over it. I use a light steam setting - some people debate this, but the covering cloth protects the embroidered piece and the steam helps press.
• Do not "rub" the iron back on forth when ironing the front - rather, lay it on, then lift it, then lay it on again. This way, you avoid displacing any stitching. If you have a highly textured embroidered surface (lots of French knots, etc.), you may wish to skip ironing the front altogether.
• Then turn your piece over, front side down on the cloth covering your board, and now you can either cover it or not with the other piece of cloth. If your iron isn't trusty, I'd cover it. I've got a great iron (a Rowenta professional - made in Germany, not China as some of the cheaper Rowentas are), and I've never had to worry about a water misshap or anything like that.
• When ironing the back, you may "rub" the iron, but do it with care.
• For highly textured pieces of embroidery, use several layers of soft cloth on your ironing board. This gives your stitches something to sink into and keeps them from getting squashed flat.

To starch or not to starch:

• If you've embroidered napkins, tablecoths, or other household linens that are used frequently, starch them. The starch helps protect the fabric from dust and such that can discolor your work or make it look grimey.
• If you don't use the pieces frequently and keep them stored most of the time (taking them out for special occasions only), don't starch them until you iron them for use. Afterwards, clean them, let them dry, and put them away without starching them. Starch can lend to storage discoloration, and can also cause undesirable creasing that's really difficult to remove.

For storing embroidered works, here are a couple tips:

• Don't fold them! Either lay them flat or roll them on a cardboard tube that's either acid-free, or covered with a piece of acid-free tissue paper (or even with a piece of white linen).
• Do not store them in plastic. It doesn't breathe. You can get mildew and whatnot - or just a plain stinky smell - from storing in plastic. You're better off with a lined cardboard box (they make archival boxes that you could use), or just a drawer.
• However, if you are storing them in a drawer, beware of the wood! Wood will discolor your fabric over time. Line your storage drawer with white tissue paper or with white linen. I prefer tissue paper - it's cheaper!
• Alternately, you can roll your pieces up (as mentioned above), and then wrap an extra layer of tissue around the roll.

Well, those are the tips I've gleaned over the years. What about you?? Do you have any tips or tricks for taking care of your work? If so, please share! Also, if anything above looks strange to you, or hasn't worked in your experience, please do let the rest of us know!
]]> needlework care 3481 Figure5InGold noreply@blogger.com http://www.blogger.com/profile/02668726260506306346 2010-01-23 14:32:24 2010-01-23 14:32:24 1 0 12199 Anonymous noreply@blogger.com 2008-03-18 13:19:00 2008-03-18 13:19:00 1 0
There is also a great product called Melaeuca. They are all natural and have a great stain remover. You can become a member or you can just order there product online. www.melaleuca.com. Another great remover is Oxy Clean. It takes out almost everything. I have not found a stain that I could not get out without using bleach.]]> 12570 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-03 00:14:41 2008-01-03 00:14:41 1 0
Well, wood and age stains are difficult to remove, if not impossible. My "stand-by" is boiling water and cream of tartar. Boil a pot of water, turn off the heat, add a couple teaspoons of cream of tarter, and submerge your linen in it for ten minutes. Rinse. Repeat if necessary.

If that doesn't work, try BIZ. Make a paste and rub it in, and then soak it in a bucket of BIZ dissolved in water for 10 minutes. Rinse WELL.

The last resort is always bleach. It will eat the fibers. But there's where you have to weigh and measure - do you want to be able to use the linens, or do you want them to remain stained and unusable? But again, bleach is a last resort. And make it a weak solution, diluted with water, and a short soak.

Good luck!]]> 12571 Anonymous noreply@blogger.com 2008-01-02 19:44:00 2008-01-02 19:44:00 1 0 thanks so much.
Julia]]> 12846 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-31 11:01:36 2007-10-31 11:01:36 1 0
I've read that as well - I read somewhere that, in the past, some starches had sugar in them, some flour, etc. I don't know if they still do, but it's an excellent point. Nothing worse than bug-eaten cloth!

Thanks again!]]> 12847 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-10-31 08:58:00 2007-10-31 08:58:00 1 0 http://www.needlenthread.com/2007/10/really-silly-embroidery-project-can-you.html Sat, 27 Oct 2007 08:56:00 -0500 Mary Corbet 924 2007-10-27 08:56:00 2007-10-27 08:56:00 open open Really-Silly-Embroidery-Project---Can-you-Guess? publish 0 0 post

On this particular project, I'm trying to be somewhat diverse in my embroidery stitches. Originally, I thought I could manage at least 10 or 12 different types of embroidery stitches in it. Right now, I'm up to 10 types of stitches, with a few ideas for incorporating some more. So we'll see if I can manage at least a dozen types of stitches, if not more!

Here goes, then:



Nothing too silly about this one: this is Santa's hat underway. I haven't done his face or beard yet. I'm testing my "curly wool stitch" in different applications with regular stranded cotton. So I've just filled the white space with stem stitch, and now I'm wrapping the stem stitch with stranded cotton, in "tubes" to form a wooly kind of ridgy look, if you know what I mean!



These guys are having a good laugh. The top one needs "something" still - perhaps his huge mouth should be filled in with black.... I'll see about that later.



These fellows are a bit more sedate. I used bullion stitch on the clown's hair instead of drizzle stitch.



Hm. I was able to get herringbone stitch in here (the red on the cap).



I still have some clean-up work to do on this pudgy baby. The white dusty stuff on the black cloth is from the silver pencil I used to draw out the face. Originally, there was going to be a pacifier there.... but it looked like a band-aid, so I skipped it!



And a parting shot, since Halloween's just around the corner.

Welp - that's what I'm working on right now! Can you guess what the finished product is?
]]> Hand embroidery stitches pictures 12853 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-28 23:04:38 2007-10-28 23:04:38 1 0
Well, you're close - it is two things that "go together" - but not quite sweatshirt and jeans...]]> 12854 carolyn noreply@blogger.com http://www.blogger.com/profile/17732058393601133754 2007-10-28 15:31:00 2007-10-28 15:31:00 1 0
I think the top pictures look like sweat shirt fabric and the bottom is denim. So I'm going to guess it is a sweat shirt and jeans. The faces are so adorable and creative.

carolyn]]> 12855 Anonymous noreply@blogger.com 2007-10-28 09:45:00 2007-10-28 09:45:00 1 0
ss]]> 12856 Anonymous noreply@blogger.com 2007-10-28 09:43:00 2007-10-28 09:43:00 1 0 Shirley]]> 12857 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-27 23:04:36 2007-10-27 23:04:36 1 0
I'm not making very good headway on it, actually. I thought I'd have a couple hours to stitch this evening, but no such luck. :-(

Ah well - tomorrow is another day!]]> 12858 Meeta noreply@blogger.com 2007-10-27 22:38:00 2007-10-27 22:38:00 1 0 12859 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-27 15:33:33 2007-10-27 15:33:33 1 0
Thanks for the comments!]]> 12860 Anonymous noreply@blogger.com 2007-10-27 14:27:00 2007-10-27 14:27:00 1 0 12861 Anonymous noreply@blogger.com 2007-10-27 11:19:39 2007-10-27 11:19:39 1 0 http://www.needlenthread.com/2007/10/ethic-embroidery-website-great-resource.html Fri, 26 Oct 2007 19:32:00 -0500 Mary Corbet 925 2007-10-26 19:32:00 2007-10-26 19:32:00 open open Ethic-Embroidery-Website---Great-Resource publish 0 0 post

Ethnic Fiber Art, LLC, is a website devoted to the world of ethnic needlework techniques.

The needlework techniques database is an easily accessible database divided into the names of techniques or into regions, whichever search method you prefer. When you search the technique, you'll get a definition or a description of how it is executed, the country of origin, and often a photo of a needlework piece.

So if you've ever wondered what Tvistsom is, you can look it up by the technique name, or, if you know it is a Swedish technique, you can search under Sweden. You'll find out that it

uses long-armed cross stitch, but changes stitch direction in parts of design. Yarns often tweeded. Originally used wool thread on canvas, but many mutations during its history. Durable embroidery traditionally used for seat cushions, etc.

And you'll even get a photo:



You can look up Toroko Stitch and find out that it is a Hungarian technique used as a filling stitch.



And, if you've heard of Temari and don't know what it is, you can look it up and find out that it is a Japanese technique for wrapping and embroidering balls with geometric shapes.



You'll also find a nice list of tips and hints for different embroidery techniques. And, if you want to get lost a bit online, you'll find a nice list of links for different regional embroidery techniques. A couple of the links are outdated, but most of them are not. They provide some interesting browsing!

Enjoy the resource!
]]> embroidery links embroidery resources regional embroidery techniques 6336 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-05 01:48:08 2009-08-05 01:48:08 1 0 I own books on various stitches. So far the thickest, which covers the most techniques, is the Thérèse de Dillmont encyclopedia. Unfortunately, she has not lived long enough to complete the list. somebody has to. If I could afford to buy all the books in the world of embroidery, I would do the research work. There are just not enough information in the internet.
I guess, you are on the top of the list. Embroidery guilds websites do not even come near your passion on writing about embroidery techniques. :)]]> 12852 Anonymous noreply@blogger.com 2007-10-29 09:23:00 2007-10-29 09:23:00 1 0 These latest are interesting to me as I am always on the lookout for new techniques.

I love your site! Keep up the good work!]]> http://www.blogger.com/ Sat, 16 Jun 2007 21:14:00 -0500 Mary Corbet 926 2007-06-16 21:14:00 2007-06-16 21:14:00 open open "Antique"-or-"Vintage"-Embroidered-Blanket-and-Linen? draft 0 0 post

The first find was a blanket she made before her first baby was born. She calls it a quilt, but as it doesn't have pieced fabric, I call it a blanket. The distinguising mark, according to her, is the fact that the top and backing are held together by "quilted" lines. She may be right!

My oldest sister was born 49 years ago to the day. Mom made the blanket the year before. It's a Peter Rabbit theme, worked mostly in cross stitch, with some stem stitch, straight stitch, and lazy daisy. It's in remarkably good shape, I think! I figure it was probably a stamped kit.

The second piece is a small square linen table cloth she received as a wedding gift. My folks celebrated their 50th wedding anniversary a couple months ago. Mom still remembers who gave this to her! She informed me that this sized cloth was commonly used on bridge nights. They would play bridge at a card table, and, when it came time for a break, they'd clear away the cards, she'd spread this cloth on the table to "dress it up," and out came the dessert on the good china.

I think both pieces are lovely, and I'm glad to have them. Oops. Mom doesn't know I have them! Shhhhh!

]]> http://www.needlenthread.com/2007/10/historical-needlework-animated-bayeux.html Wed, 24 Oct 2007 14:02:00 -0500 Mary Corbet 927 2007-10-24 14:02:00 2007-10-24 14:02:00 open open Historical-Needlework:-An-Animated-Bayeux-Tapestry---Fantastic! publish 0 0 post

I came across a link to this little video on the Heritage Shoppe embroidery forum, which I just joined the other day. I have always loved the Heritage Shoppe website - they have some excellent information on there for needleworkers! I was happily surprised the other day when I revisited and found that it has a whole new (and lovely!) look to it. If you have never been, or haven't been lately, do check the site out. You'll need flash - and the site is occasionally a bit quirky because of it. While you're there, check out their Essays section - some excellent needlework reading!

So, like I said, I cam across the link while I was perusing the forum, and I just had to share this video with you! I find the Bayeux Tapestry fascinating, personally. But this video is better than fascinating. It's cleverly done! Make sure your sound's on to get the full effect. The boat crossing, with the poor sea-sick fellow retching overboard, made me chuckle - probably because I can relate! Note the comet at the beginning, and the battle scene at the end.

I thought it was well done, and I hope you enjoy it as much as I do!

[youtube=http://www.youtube.com/watch?v=bDaB-NNyM8o]
]]> historical needlework 12862 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-10-26 08:24:00 2007-10-26 08:24:00 1 0 12863 Anonymous noreply@blogger.com 2007-10-24 16:42:00 2007-10-24 16:42:00 1 0 12864 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-24 15:48:18 2007-10-24 15:48:18 1 0 12865 Anonymous noreply@blogger.com 2007-10-24 15:09:00 2007-10-24 15:09:00 1 0 http://www.needlenthread.com/2007/10/free-embroidery-pattern-hungarian-doily.html Sun, 21 Oct 2007 15:42:00 -0500 Mary Corbet 928 2007-10-21 15:42:00 2007-10-21 15:42:00 open open Free-Embroidery-Pattern:-Hungarian-Doily publish 0 0 post Piecework magazine, you may already be aware of this pattern. It's really beautiful!

Piecework magazine is a needlework magazine published by Interweave Press. On their website, they have a bunch of articles archived, and if you take the time to browse them, you'll probably come up with some real gems to add to your own "to do" list!

This particular project is a Hungarian Doily - a brightly colored embroidered piece that's really lovely! Talk about a great Christmas present!

If you click on the picture below, you'll go to the original article, with the detailed instructions for this Hungarian Doily. I would say that the project is suitable for intermediate level embroiderers, or perhaps even for determined beginners! The instructions are clear, but they assume some knowledge of surface embroidery.



The design is quite bold - very striking and colorful, typical of Hungarian embroidery. If you click on the photo below, you'll go straight to the PDF file of the design itself. The instructions (including directions on embroidery stitches) are found in the original article.



Besides using the design as a doily, you could adapt it to a table runner (nice colors for Christmas!) or to the corners of a table cloth or even the edges of a pillow case! With a little creativity, there are plenty of options!



I took the design and skewed it a bit to even up the scallops, then worked up a scallop repeat, to show you how you could play with it. However, I kept it small, because certainly, the original image isn't mine to alter and pass on. If you want to alter it for your own personal use, though, you can get an idea of possibilities.

Have fun with it!
]]> free embroidery patterns 4855 Speedwell penlavi@gmail.com http://www.blogger.com/profile/03183564986255249281 2009-10-26 05:28:17 2009-10-26 05:28:17 1 0 12844 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-31 12:26:06 2007-10-31 12:26:06 1 0
You sure can use stretcher bars, and I'll bet you'll like it better that you are using them rather than a hoop - the tension is better and requires less adjustment!

Make sure your stretcher bars are at least two inches all around bigger than the finished dimension of the project, and make sure you cut your fabric at least two inches (or three) bigger than the assembled dimensions of your stretcher bars!

Do let us know how it goes! I'd love to see a photo when you finish it, or even as you progress!

Good luck!]]> 12845 beth noreply@blogger.com 2007-10-31 11:49:00 2007-10-31 11:49:00 1 0
p.s. can I use stretcher bars instead of a hoop?]]> 12848 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-30 14:40:26 2007-10-30 14:40:26 1 0 12849 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-30 14:37:56 2007-10-30 14:37:56 1 0
Actually, it's not too big a topic - I think it's a good idea to discuss fibers and fabrics for embroidery! After all, it's the most pertinent thing when it comes to embroidery, isn't it?

I wouldn't use trigger cloth - it's not "smooth" enough. I'd look for a good high-count cotton muslin (like Southern Belle). If you have a quilt shop nearby, they may carry it. You could also use a nice crisp Egyptian "shirting" cotton, but I think you'd have to find that at a pretty good fabric store. Chain stores don't always carry 'nice' cottons (though it doesn't hurt to ask!)

I've ordered Southern Belle from Carriage House quilt shop online before. Their price per yard and shipping is very reasonable.

Here's a link:
Carriage House Quilt Shoppe - Southern Belle Muslin

Hope that's helpful! Good luck on it - let us know how it goes!]]> 12850 Beth noreply@blogger.com 2007-10-30 14:25:00 2007-10-30 14:25:00 1 0
I am planning to make this doily, but the only question I have is what fabric to use. The instructions say, "100% cotton, medium-weight"--but that seems kind of vague. I bought some 'trigger' cloth to practice on, but it is difficult to get the satin stitching to look nice--though it seems a good weight for a doily.

Am I just inexperienced, or could you recommend a particular fabric? (I'm using perle cotton size 8 as instructed). I would love to see a discussion on your site about matching fibers to fabric (maybe it's too big a topic.)]]> http://www.needlenthread.com/2007/10/even-embroidery-has-its-own-jargon.html Sun, 21 Oct 2007 15:25:00 -0500 Mary Corbet 929 2007-10-21 15:25:00 2007-10-21 15:25:00 open open Even-Embroidery-has-Its-Own-Jargon...-A-Textile-Dictionary-Link publish 0 0 post

Do you know what a bobbin is? What's duck cloth? What's a filament, when someone's talking about "filament silk"? What's it mean when someone says a certain fabric "has a good hand" or "handle"? You've probably heard of mercerized cotton - but what is it - what is mercerization? Cut on the selvedge - what's the selvedge?

If you're wondering about terminology, here's a useful dictionary of textile terms. Not all the terms are of interest to the casual embroiderer, but when you get stuck wondering what a word means when you're looking at textiles, it's nice to have this resource handy!
]]> embroidery links http://www.blogger.com/ Sun, 21 Oct 2007 09:05:00 -0500 Mary Corbet 930 2007-10-21 09:05:00 2007-10-21 09:05:00 open open Choosing-Colors-for-Your-Own-Embroidery-Project draft 0 0 post

You have a design - say, a flower - that you want to embroider onto something.

]]> http://www.needlenthread.com/2007/10/embroidery-pattern-jacobean-fuschia.html Wed, 17 Oct 2007 15:22:00 -0500 Mary Corbet 931 2007-10-17 15:22:00 2007-10-17 15:22:00 open open Embroidery-Pattern:-Jacobean-Fuschia publish 0 0 post

I think this pattern is exceptionally pretty, and the embroidery stitches used to produce it can, again, be quite simple.



The edges of the petals are buttonhole stitch. The center of the petals are satin stitch (without padding), the center petal can be worked in cretan stitch or even even open fishbone. The stamens are stem stitch, topped with three French knots. The decorations inside the petals are single fly stitches.

Right now, I'm in the middle of a couple projects - trying to catch up on the silk sampler from this summer, and working on another project which, for me, is totally "different." I'll share it with you later! It's somewhat bizarre, somewhat funny, and completely casual.

In the meantime, I just realized that I was missing a stitch in my Video Library of Embroidery Stitches Index! I'm going to go add it now!
]]> Jacobean embroidery free embroidery patterns http://www.needlenthread.com/2006/10/embroidery-stitch-video-tutorial.html Sun, 22 Oct 2006 21:09:00 -0500 Mary Corbet 932 2006-10-22 21:09:00 2006-10-22 21:09:00 open open Embroidery-Stitch-Video-Tutorial:-The-Running-Stitch-&-Finishing-Threads publish 0 0 post

To see a written explanation of the running stitch for hand-embroidery, you can look in the Basic Embroidery Stitches index, under Line Stitches.

You can use the running stitch many ways. You can also vary the look of the stitch by varying the length of the stitches vs. the length of the spaces between the stitches.

Here's the video:



More video tutorials will be added along the way, so check the Video Stitch Library index often.
]]> video tutorials Hand embroidery stitches beginner embroidery 3358 Lucile noreply@blogger.com http://www.blogger.com/profile/14264211139202892428 2010-02-03 05:32:51 2010-02-03 05:32:51 1 0 Quand on a plus de grand-mère qui peut aider, vos vidéos sont précieues.
Et en plus j'améliore mon anglais !
I'm from France, and so happy to find how to do new stiches !]]> 4341 Wee Nimble noreply@blogger.com http://www.weenimble.etsy.com 2009-12-04 00:32:33 2009-12-04 00:32:33 1 0 5193 Annie noreply@blogger.com http://www.blogger.com/profile/15154118713521629264 2009-10-03 17:06:28 2009-10-03 17:06:28 1 0 5995 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-23 07:32:11 2009-08-23 07:32:11 1 0
It's working now, at least on my end! Let me know...

MC]]> 5996 Anonymous noreply@blogger.com 2009-08-23 06:44:12 2009-08-23 06:44:12 1 0
Your site is awesome. You are a wonderful teacher, and you make it to tempting for everyone to learn embroidery. Unfortunately, I am unable to view your video. It displays the message "This video is currently not available. Please try again later." I am anxious to see your video.

Jem Victor.]]> 6301 anki noreply@blogger.com http://www.blogger.com/profile/10223147369094102670 2009-08-06 22:24:40 2009-08-06 22:24:40 1 0 thanks a lot. & best of luck:-)]]> 7612 barbara jean noreply@blogger.com http://www.blogger.com/profile/03434241857305508109 2009-05-16 12:06:00 2009-05-16 12:06:00 1 0 7646 Anonymous noreply@blogger.com 2009-05-13 06:28:00 2009-05-13 06:28:00 1 0 8251 gayathriiyer noreply@blogger.com 2009-03-24 14:27:00 2009-03-24 14:27:00 1 0 8373 Anonymous noreply@blogger.com 2009-03-11 07:09:00 2009-03-11 07:09:00 1 0 9331 Mémère and Papa noreply@blogger.com http://www.blogger.com/profile/06327254200760462557 2008-12-31 07:49:00 2008-12-31 07:49:00 1 0 9649 Anonymous noreply@blogger.com 2008-11-29 17:46:00 2008-11-29 17:46:00 1 0 I remember the childhood years I spend doing embroidery and now that I have two girls (6 and 4) I am ready to get them to join me. You are a blessing...
Thank you, thank you , thank you.

Alessandra]]> 9975 slinkerbell noreply@blogger.com 2008-10-29 23:42:00 2008-10-29 23:42:00 1 0 10383 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-25 22:59:09 2008-09-25 22:59:09 1 0
MC]]> 10389 Anonymous noreply@blogger.com 2008-09-25 13:09:00 2008-09-25 13:09:00 1 0 10701 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-03 14:21:41 2008-09-03 14:21:41 1 0 10702 Anonymous noreply@blogger.com 2008-09-03 12:33:00 2008-09-03 12:33:00 1 0 10960 Tonia noreply@blogger.com 2008-08-17 18:10:00 2008-08-17 18:10:00 1 0 11091 Anonymous noreply@blogger.com 2008-08-05 14:59:00 2008-08-05 14:59:00 1 0 11396 Anonymous noreply@blogger.com 2008-07-12 15:51:00 2008-07-12 15:51:00 1 0 11397 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-12 13:13:52 2008-07-12 13:13:52 1 0
Your fabric choice depends on what you want to do. You can embroider on any kind of fabric. For filming stitches, I use whatever scraps I have available - cotton, linen, etc. I prefer stitching on linen, but for just starting out, you can use regular cotton - a "high count" (fairly tightly woven) muslin works nicely. If you have a project in mind, the project will probably dictate the type of fabric you use.

DMC floss is fine. Depending on the fabric and the project, you would use several of the strands, or, if working something very detailed and fine, one strand.

Hope that helps!

MC]]> 11399 Anonymous noreply@blogger.com 2008-07-12 09:41:00 2008-07-12 09:41:00 1 0 11478 Anonymous noreply@blogger.com 2008-07-03 13:09:00 2008-07-03 13:09:00 1 0 11733 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-06-03 19:39:58 2008-06-03 19:39:58 1 0 11734 Anonymous noreply@blogger.com 2008-06-03 16:09:00 2008-06-03 16:09:00 1 0 12592 Karen noreply@blogger.com 2007-12-28 04:02:00 2007-12-28 04:02:00 1 0 12683 Anonymous noreply@blogger.com 2007-12-04 14:23:00 2007-12-04 14:23:00 1 0 12910 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-28 06:44:35 2007-09-28 06:44:35 1 0
You might want to check out the Google Video Support page that addresses this issue. It's probably a matter of not having Adobe Flash installed or java enabled. They'll take you through it step by step.

I hope it works for you!

MC]]> 12911 Anonymous noreply@blogger.com 2007-09-28 00:16:00 2007-09-28 00:16:00 1 0 12964 Anonymous noreply@blogger.com 2007-09-11 10:10:00 2007-09-11 10:10:00 1 0 13153 Anonymous noreply@blogger.com 2007-05-06 08:59:00 2007-05-06 08:59:00 1 0 13166 Anonymous noreply@blogger.com 2007-04-20 08:42:00 2007-04-20 08:42:00 1 0
(http://emptypurse.wordpress.com/)]]> 13270 Holly noreply@blogger.com http://www.blogger.com/profile/16788334771971518977 2007-02-22 11:48:00 2007-02-22 11:48:00 1 0 13385 Anonymous noreply@blogger.com 2006-11-18 14:58:00 2006-11-18 14:58:00 1 0
Help !]]> 13386 Anonymous noreply@blogger.com 2006-11-15 21:14:00 2006-11-15 21:14:00 1 0 13392 pat hall noreply@blogger.com 2006-11-11 11:29:00 2006-11-11 11:29:00 1 0 13400 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-10-29 23:31:05 2006-10-29 23:31:05 1 0 13411 Elizabethdee noreply@blogger.com 2006-10-23 12:48:00 2006-10-23 12:48:00 1 0 13413 Jenne jenne_girle@yahoo.com http://www.blogger.com/profile/07352116636593449335 2006-10-22 22:09:00 2006-10-22 22:09:00 1 0 http://www.needlenthread.com/2007/10/drizzle-stitch-video-tutorial.html Sun, 14 Oct 2007 09:54:00 -0500 Mary Corbet 933 2007-10-14 09:54:00 2007-10-14 09:54:00 open open Drizzle-Stitch-Video-Tutorial publish 0 0 post

The drizzle stitch is a "texture" stitch. It makes an individual, almost-upright, slightly twisted "tower" on your fabric. It's difficult to explain what it looks like! So here are some photos of it instead:



These are the two purple drizzle stitches from the video. They're worked in a coton a broder. They're not as pretty as the stitch could be, so I tried it with Trebizond, which is a three-ply twisted silk.



I think it's much prettier. The needle is there to give you a sense of size. They're not as big as they look! These are made with five cast-on stitches.



Here they are from another angle. They look rather like a caterpillar.



And here they are from the top. You can see the shadow - they do stick up off the fabric...

You might wonder how this stitch can be used in embroidery - as I mentioned above, it's a great way to add texture to clusters. So, for example, you might stitch a cluster of them in the middle of a flower, or among any kind of encrusted areas on textured embroidery.

The video takes you through two drizzle stitches, since it's a slower stitch to work. For materials, you may wish to have a needle threader handy, since you have to re-thread your needle while it's still in the fabric (embroidery is always much easier with the right tools!)



I'm trying to figure out a way to provide better quality videos. Right now, I'm uploading the videos to Google video, but they lose a lot in resolution and quality. Anyway, bear with me - there may be future developments along this line!

I hope you have fun with the drizzle stitch!
]]> video tutorials Hand embroidery stitches beginner embroidery 3838 http://ga-liswelt.blog.de gabyweeke@t-online.de http://www.blogger.com/profile/04028151277167739680 2010-01-04 09:10:27 2010-01-04 09:10:27 1 0 Regards Gaby

http://www.flickr.com/photos/meine_patchworkwelt/]]> 12868 Lorettas noreply@blogger.com brazilian-dimensional-embroidery.org 2007-10-23 12:09:00 2007-10-23 12:09:00 1 0 12874 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2007-10-14 20:47:00 2007-10-14 20:47:00 1 0 http://www.needlenthread.com/2006/11/outline-stitch-video-tutorial.html Thu, 02 Nov 2006 23:06:00 -0600 Mary Corbet 934 2006-11-02 23:06:00 2006-11-02 23:06:00 open open Outline-Stitch-Video-Tutorial publish 0 0 post

The outline stitch is a lot like the stem stitch - only the position of the working thread is above the needle as you stitch - or, if you're going upwards on your design, it's to the left of the needle.

Outline stitch can be used for fine lines and it can also be used for filling by working rows next to each other. The noticeable difference between the outline stitch and the stem stitch is that the outline stitch forms a closer twist in the look of your line, so that you don't see the separation in the stitches as clearly as you do in stem stitch.

Here's the video:



For more tutorials, please visit the Video Library of Stitches Index.
]]> video tutorials Hand embroidery stitches beginner embroidery 2526 N. Maria knackfulknitter@q.com http://www.blogger.com/profile/07065309287626365531 2010-03-08 16:26:54 2010-03-08 16:26:54 1 0 3052 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-21 06:20:35 2010-02-21 06:20:35 1 0
If right handed, turn your design so that you starting point - doesn't matter if it's the top or bottom of the leaf, wherever you want to start - is on the left side, so that you will be stitching from left to right. If you always turn your design so that you're stitching from left to right and keep your working thread ABOVE the needle, you'll always be doing the outline stitch and it will always look right.

If you're left handed, you would work from right to left, and keep your working thread BELOW the needle.]]> 3056 Anonymous noreply@blogger.com 2010-02-20 22:20:44 2010-02-20 22:20:44 1 0 3452 Colette Frazier flower.flipflops@yahoo.com http://www.blogger.com/profile/05462351764047473502 2010-01-26 01:43:31 2010-01-26 01:43:31 1 0 3772 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-09 08:00:26 2010-01-09 08:00:26 1 0
Best regards,
Mary]]> 3775 Elly D biscuitnrabbi@yahoo.co.uk http://www.blogger.com/profile/13132964984706757601 2010-01-09 02:37:27 2010-01-09 02:37:27 1 0 4671 Anonymous noreply@blogger.com 2009-11-09 09:50:28 2009-11-09 09:50:28 1 0 4737 heavenlyevil noreply@blogger.com http://www.blogger.com/profile/08744536108490485628 2009-10-31 09:33:33 2009-10-31 09:33:33 1 0 4738 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-31 09:02:14 2009-10-31 09:02:14 1 0
You can check out my lettering tutorial with stem stitch - the last letter (K) requires a newly started direction in order to get a sharp corner. The tutorial is here:

Stem Stitch Lettering Tutorial

Hope that helps!]]> 4741 heavenlyevil noreply@blogger.com http://www.blogger.com/profile/08744536108490485628 2009-10-30 22:23:37 2009-10-30 22:23:37 1 0 5192 Anonymous noreply@blogger.com 2009-10-03 20:07:15 2009-10-03 20:07:15 1 0 6617 ashwini noreply@blogger.com http://www.blogger.com/profile/00565123978649383252 2009-07-15 09:00:32 2009-07-15 09:00:32 1 0 7692 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-06 18:23:01 2009-05-06 18:23:01 1 0
It's a good question! If you're wanting the look of stem stitch, after all, then it's good to know how to do it with the correct thread.

So, in summary:

If you're using an S-twisted thread:

1. Stem stitch is worked from left to right (for right-handed stitchers) with the working thread below the needle.

2. Outline stitch is worked from left to right (for right handed stitchers) with the working thread above the needle.

For Z-twisted thread:

1. Stem stitch is worked from left to right with the working thread above the needle.

2. Outline stitch is worked from left to right with the working thread below the needle.

For left handers, this changes:

With S-twisted:

1. stem: right to left, with the working thread above the needle.

2. outline: right to left, with the working thread below the needle.

With Z-twisted:

1. stem: right to left, with working thread below the needle.

2. outline: right to left, with working thread above the needle.]]> 7695 Heidi in MN noreply@blogger.com 2009-05-06 14:48:00 2009-05-06 14:48:00 1 0 7876 Kristi noreply@blogger.com 2009-04-17 20:13:00 2009-04-17 20:13:00 1 0 8482 Lisa noreply@blogger.com 2009-03-04 07:16:00 2009-03-04 07:16:00 1 0 8784 Rebecca celticartist12000@yahoo.com http://www.blogger.com/profile/04005793994542317964 2009-02-18 18:42:00 2009-02-18 18:42:00 1 0 9105 Trae noreply@blogger.com http://www.blogger.com/profile/15730835441996116648 2009-01-24 14:38:00 2009-01-24 14:38:00 1 0
The videos are visually clear. And, the Audio instructions very precise.

Thank you. Thank you. Thank you.]]> 10465 Anonymous noreply@blogger.com 2008-09-18 16:00:00 2008-09-18 16:00:00 1 0 11295 Kaely Linker noreply@blogger.com 2008-07-25 09:18:00 2008-07-25 09:18:00 1 0 11409 nanajan noreply@blogger.com 2008-07-11 11:12:00 2008-07-11 11:12:00 1 0 12359 HY noreply@blogger.com http://www.blogger.com/profile/15758723227159853671 2008-02-15 00:35:00 2008-02-15 00:35:00 1 0 12678 Laura Geerman noreply@blogger.com http://www.blogger.com/profile/11673578895462190753 2007-12-06 00:38:00 2007-12-06 00:38:00 1 0 12686 Lyne noreply@blogger.com 2007-12-03 19:03:00 2007-12-03 19:03:00 1 0 12941 Em emandmikey@aol.com http://www.blogger.com/profile/04451102661519375820 2007-09-20 21:45:00 2007-09-20 21:45:00 1 0 12995 Katie noreply@blogger.com http://www.blogger.com/profile/17247811906883589854 2007-08-29 20:09:00 2007-08-29 20:09:00 1 0 http://www.needlenthread.com/2006/11/portuguese-knotted-stem-stitch-video.html Sat, 04 Nov 2006 14:25:00 -0600 Mary Corbet 935 2006-11-04 14:25:00 2006-11-04 14:25:00 open open Portuguese-Knotted-Stem-Stitch-Video-Tutorial publish 0 0 post

The Portuguese Knotted Stem Stitch can also be used for filling an area, when it's worked in closely stitched rows, with the "knots" in alternating positions.

This stitch is especially suitable to Mountmellick Embroidery, and can be used equally well in Jacobean work.

I've also got a photo tutorial of the same stitch, if you want to see it in "still life." The photo tutorial shows more clearly what the stitch looks like when worked.

Here's the video:



For more video tutorials, please visit the Video Library of Stitches Index.
]]> video tutorials Hand embroidery stitches beginner embroidery 2160 Anonymous noreply@blogger.com 2010-03-20 01:34:34 2010-03-20 01:34:34 1 0
../mehdiyah]]> 8335 Sumi noreply@blogger.com http://www.blogger.com/profile/11782716931049452638 2009-03-15 21:53:00 2009-03-15 21:53:00 1 0 9969 Anonymous noreply@blogger.com 2008-10-31 11:29:00 2008-10-31 11:29:00 1 0 11567 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2008-06-19 16:56:00 2008-06-19 16:56:00 1 0 Some time ago I was searching for instructions to do this stitch. After lots of searching - i didn't how it was called in English ou French - I found the site "in a minute ago". There she calls this Palestina stitch or reverse Palestrina stitch.
In fact some stitches have similar words, translated of course, but this is a peculiar word even in Portuguese - "ponto grilhão" that means "fetters stitch" - translating literally.
I love you call it Portuguese knotted :))]]> 12923 Leslie noreply@blogger.com http://www.blogger.com/profile/16996019377839330642 2007-09-25 21:41:00 2007-09-25 21:41:00 1 0 12944 Rhoda noreply@blogger.com http://www.blogger.com/profile/17908510805585722802 2007-09-18 02:46:00 2007-09-18 02:46:00 1 0 rhoda (Indian living in Oman)]]> 12952 Ehsona noreply@blogger.com 2007-09-17 05:54:00 2007-09-17 05:54:00 1 0 13028 Anonymous noreply@blogger.com 2007-07-30 15:31:00 2007-07-30 15:31:00 1 0 http://www.needlenthread.com/2006/11/french-knot-video-tutorial.html Sun, 05 Nov 2006 14:50:00 -0600 Mary Corbet 936 2006-11-05 14:50:00 2006-11-05 14:50:00 open open French-Knot-Video-Tutorial publish 0 0 post

There are different methods to making French knots. Some people twist their thread three times, some only two. I generally use two twists, but if I want a larger knot, I'll go with three. You can also achieve larger knots by changing the weight of the thread you are using. Instead of, say, two strands of DMC, you can use three or four.

The trick to French knots is to keep tension on your working thread while you're pulling your needle through so that your coils stay in their proper place on your needle.

If you want to see the French knot in application, you can check out these hollyhocks, around which you'll see some knots used for a 'stippling' effect.

Here's the video:



For more video tutorials, please visit the Video Library of Stitches.
]]> video tutorials Hand embroidery stitches beginner embroidery 2220 Anonymous noreply@blogger.com 2010-03-16 00:27:47 2010-03-16 00:27:47 1 0 A.P. :)]]> 3007 Tiffany tiff.web@gmail.com http://www.blogger.com/profile/14866239153743751808 2010-02-24 20:55:41 2010-02-24 20:55:41 1 0 3038 Carrie noreply@blogger.com http://www.blogger.com/profile/10293979952867256817 2010-02-22 21:21:19 2010-02-22 21:21:19 1 0 4154 Anonymous noreply@blogger.com 2009-12-20 06:13:18 2009-12-20 06:13:18 1 0 4534 Sandy noreply@blogger.com 2009-11-30 00:56:56 2009-11-30 00:56:56 1 0 Keep up the good work]]> 4613 Mythili noreply@blogger.com http://www.blogger.com/profile/02607841465906151347 2009-11-17 05:21:14 2009-11-17 05:21:14 1 0 I'm interested in a particulay embroidery pattern from India, known as 'Shisha' stitch ('Mirror' stitch). I could find few websites explaining it, but would be great to hear it from you, as your narrative style is simply awesome.
Hoping to hear from you on this one.
(Shisha stitch:- http://www.joyfulabode.com/2008/02/12/tutorial-indian-shisha-mirror-embroidery/)]]> 4779 ola noreply@blogger.com 2009-10-27 14:41:34 2009-10-27 14:41:34 1 0 4899 Karina hamishandkarina@gmail.com http://www.blogger.com/profile/17346061932285937261 2009-10-17 02:05:30 2009-10-17 02:05:30 1 0
K]]> 4908 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-16 12:46:14 2009-10-16 12:46:14 1 0
Well, you're right - it is called something else: pistol stitch. It's exactly what you said, though - an elongated French knot. So, instead of putting your needle back into the fabric right next to where you came up, you take it down as far away as the length of the stitch, so that you end up with a long straight stitch with the knot ending up on the very tip of the long stitch.

Hope that helps!

MC]]> 4910 Camille noreply@blogger.com http://www.blogger.com/profile/14362366254116252101 2009-10-16 12:24:14 2009-10-16 12:24:14 1 0 5189 bellahh noreply@blogger.com 2009-10-04 17:40:04 2009-10-04 17:40:04 1 0
the best how to on the french knot.

it was helpful including the minor mistake on the sixth knot -- since it showed me how to make the knot step by step at a Slower pace!

great site :)

thank you]]> 5190 Anonymous noreply@blogger.com 2009-10-04 17:38:58 2009-10-04 17:38:58 1 0
the best how to on the french knot.

it was helpful including the minor mistake on the sixth knot -- since it showed me how to make the knot step by step at a Slower pace!

great site :)

thank you]]> 5415 Anonymous noreply@blogger.com 2009-09-25 21:48:03 2009-09-25 21:48:03 1 0 5584 shahana noreply@blogger.com http://www.blogger.com/profile/01252056643432156639 2009-09-17 15:50:51 2009-09-17 15:50:51 1 0 5642 Anonymous noreply@blogger.com 2009-09-13 01:48:19 2009-09-13 01:48:19 1 0 Phyllis (78)]]> 5934 Anonymous noreply@blogger.com 2009-08-28 21:26:43 2009-08-28 21:26:43 1 0 6035 Anonymous noreply@blogger.com 2009-08-17 22:16:40 2009-08-17 22:16:40 1 0 6495 C N Heidelberg eastie216-blog@yahoo.com http://www.blogger.com/profile/18055010902344874594 2009-07-24 12:18:21 2009-07-24 12:18:21 1 0 6720 Cindy noreply@blogger.com http://www.blogger.com/profile/17191948719158294863 2009-07-06 11:31:39 2009-07-06 11:31:39 1 0 7074 Carollela noreply@blogger.com http://www.blogger.com/profile/06017755634699002547 2009-06-11 20:53:31 2009-06-11 20:53:31 1 0 7075 Carollela noreply@blogger.com http://www.blogger.com/profile/06017755634699002547 2009-06-11 20:51:37 2009-06-11 20:51:37 1 0 7337 Doll Hargrove noreply@blogger.com 2009-05-31 12:35:55 2009-05-31 12:35:55 1 0
Thanks for the video!!]]> 7397 Anonymous noreply@blogger.com 2009-05-23 14:41:57 2009-05-23 14:41:57 1 0 7638 Anonymous noreply@blogger.com 2009-05-14 11:32:00 2009-05-14 11:32:00 1 0
~Pandahh]]> 7796 Anonymous noreply@blogger.com 2009-04-24 14:00:00 2009-04-24 14:00:00 1 0 7798 ZZiby noreply@blogger.com http://www.blogger.com/profile/16001589536117173585 2009-04-24 13:27:00 2009-04-24 13:27:00 1 0 7816 Joshua noreply@blogger.com 2009-04-22 19:32:00 2009-04-22 19:32:00 1 0 8246 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-25 00:09:48 2009-03-25 00:09:48 1 0
That's a good question! I'll address that if I ever re-make this video!

But, in the meantime, if you look under "tips and tricks for hand embroidery" in the top right column on the website, you'll find there a list of articles that are instructive, and under there, and index on different ways to start and end threads. These aren't the only ways, but the only ones I've written whole posts about!

Anyway, normally for French knots, if I'm using a fine thread, it's easy enough to work a couple tiny anchor stitches over one thread, and then to work the French knots on top of that. Otherwise, if there are other embroidered areas right close by, I'll work anchoring stitches in the areas close by that will be embroidered, then carry the thread over. Even with heavy thread, you can usually manage anchor stitches and stitch into them or over them somehow. It's better than a knot, anyway, I think...

Hope that helps!

MC]]> 8249 Anonymous noreply@blogger.com 2009-03-24 16:05:00 2009-03-24 16:05:00 1 0
When you first place your needle through the fabric, do you first knot the thread to anchor it on the reverse side? I'm assuming this is so, because you need to have tension on the thread.

Then to end the stitch, do you stitch through the anchoring knot on the reverse?

Thanks for your wonderful site. I visit at least once a week. I've learn a LOT! :)

Susan]]> 8250 Susan noreply@blogger.com 2009-03-24 16:03:00 2009-03-24 16:03:00 1 0
When you first place your needle through the fabric, do you first knot the thread to anchor it on the reverse side? I'm assuming this is so, because you need to have tension on the thread.

Then to end the stitch, do you stitch through the anchoring knot on the reverse?

Thanks for your wonderful site. I visit at least once a week. I've learn a LOT! :)

Susan]]> 8288 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-20 16:22:09 2009-03-20 16:22:09 1 0
I'm using perle cotton in the video, so no, it wouldn't be doubled. Even with stranded cotton, you don't have to double your floss. If you want teeny tiny French knots, you can just use one strand of cotton. If you want bigger knots, add the number of strands you need to get the size you want.

With perle cotton, you don't usually double it, as it's already pretty darned thick! :-)

Hope that helps!

MC]]> 8297 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-03-20 00:18:00 2009-03-20 00:18:00 1 0
i was looking at the french knots video.... and i noticed ur floss was not doubled... is it like that for all stitch technique or was that just for the french knot???]]> 8804 Anonymous noreply@blogger.com 2009-02-16 14:08:00 2009-02-16 14:08:00 1 0 you've helped alot, thank you!!]]> 8895 Anonymous noreply@blogger.com 2009-02-05 16:19:00 2009-02-05 16:19:00 1 0 8967 Anonymous noreply@blogger.com 2009-02-01 20:19:00 2009-02-01 20:19:00 1 0 9016 AJS noreply@blogger.com http://www.blogger.com/profile/04185531573866904528 2009-01-31 23:01:00 2009-01-31 23:01:00 1 0 9277 Anonymous noreply@blogger.com 2009-01-05 02:47:00 2009-01-05 02:47:00 1 0

Thanks!
-Scarlett
Denton, TX]]> 9301 Anonymous noreply@blogger.com 2009-01-02 03:12:00 2009-01-02 03:12:00 1 0
Its an excelllent site,we can easily learn embroidery through this demonstration.

I have personally paid fees to learn hand embroidery, but by the time i come home i tend to forget the method.

I am very thank full for creating such informative sites]]> 9394 Anonymous noreply@blogger.com 2008-12-22 01:57:00 2008-12-22 01:57:00 1 0 9601 Anonymous noreply@blogger.com 2008-12-04 14:41:00 2008-12-04 14:41:00 1 0 I'm doing the french knot on a baby blanket I just finished.
I'm amazed it's so easy.
Great tutorial]]> 9602 Anonymous noreply@blogger.com 2008-12-04 14:33:00 2008-12-04 14:33:00 1 0 9679 Anonymous noreply@blogger.com 2008-11-23 12:19:00 2008-11-23 12:19:00 1 0 Emma]]> 9705 Ani noreply@blogger.com http://www.blogger.com/profile/09857530123833777454 2008-11-20 14:45:00 2008-11-20 14:45:00 1 0
xxx
Annie]]> 9792 Janine noreply@blogger.com 2008-11-14 11:58:00 2008-11-14 11:58:00 1 0 9797 Anonymous noreply@blogger.com 2008-11-14 11:01:00 2008-11-14 11:01:00 1 0 10353 Ellie noreply@blogger.com 2008-09-29 16:26:00 2008-09-29 16:26:00 1 0 10679 Anonymous noreply@blogger.com 2008-09-06 08:00:00 2008-09-06 08:00:00 1 0 10980 Anonymous noreply@blogger.com 2008-08-15 10:48:00 2008-08-15 10:48:00 1 0 brilliant :)]]> 11088 m+m=l noreply@blogger.com http://www.blogger.com/profile/13950090590233176527 2008-08-05 19:50:00 2008-08-05 19:50:00 1 0 11181 tomiannie noreply@blogger.com http://www.blogger.com/profile/11075119869389583638 2008-07-30 20:44:00 2008-07-30 20:44:00 1 0 11414 Sandy noreply@blogger.com http://www.blogger.com/profile/12201223465783898878 2008-07-10 19:23:00 2008-07-10 19:23:00 1 0 11617 Anonymous noreply@blogger.com 2008-06-13 12:36:00 2008-06-13 12:36:00 1 0 11769 Anonymous noreply@blogger.com 2008-05-27 17:10:00 2008-05-27 17:10:00 1 0 11783 Mrs Abbas Rezvi noreply@blogger.com 2008-05-23 06:44:00 2008-05-23 06:44:00 1 0 Such an easy explination on
these stiches! thankyou so much for investing your time to make these for us.
I like wonderful videos.]]> 11928 Anonymous noreply@blogger.com 2008-04-28 09:59:00 2008-04-28 09:59:00 1 0 11942 aussie grandma cheryl noreply@blogger.com http://www.blogger.com/profile/17321686520682323405 2008-04-25 09:17:00 2008-04-25 09:17:00 1 0 11948 Anonymous noreply@blogger.com 2008-04-23 23:54:00 2008-04-23 23:54:00 1 0 12275 beetlegirl noreply@blogger.com http://beetlegirl.typepad.com/ 2008-03-05 13:04:00 2008-03-05 13:04:00 1 0
Being a visual learner, this helped the written instructions I keep reading through "click."]]> 12411 randomwordfire noreply@blogger.com http://www.blogger.com/profile/13601172139821282882 2008-02-05 00:38:00 2008-02-05 00:38:00 1 0 12449 Pinklabrador noreply@blogger.com www.pinklabrador.wordpress.com 2008-01-27 14:13:00 2008-01-27 14:13:00 1 0 12455 Kathy kanaha@gmail.com http://www.blogger.com/profile/12893889699383837172 2008-01-26 10:18:00 2008-01-26 10:18:00 1 0
This was so easy to understand!]]> 12553 Anonymous noreply@blogger.com 2008-01-08 10:59:00 2008-01-08 10:59:00 1 0 Karen Oregon]]> 12594 Anonymous noreply@blogger.com 2007-12-26 14:55:00 2007-12-26 14:55:00 1 0 -Sarah]]> 12697 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-29 17:53:35 2007-11-29 17:53:35 1 0
You may need to install Flash on your new computer. If you visit the Google video help page, you should be able to find information to help you as well.

Here's a link:
Google Video Help]]> 12698 NoraD noreply@blogger.com 2007-11-29 16:55:00 2007-11-29 16:55:00 1 0 I just got my computer and came to your site and now I cannot see any of your videos. There is just a blank spot where they used to be. Can you or any of your readers help me access the videos.
Nora]]> 12842 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-31 21:06:43 2007-10-31 21:06:43 1 0
Hope that's helpful!]]> 12843 Hazel noreply@blogger.com 2007-10-31 20:42:00 2007-10-31 20:42:00 1 0 12902 martha marthabilski@gmail.com 2007-10-02 08:17:00 2007-10-02 08:17:00 1 0 13055 Anonymous noreply@blogger.com 2007-07-10 09:06:00 2007-07-10 09:06:00 1 0 13066 Anonymous noreply@blogger.com 2007-07-02 20:46:00 2007-07-02 20:46:00 1 0 13139 Vanna D noreply@blogger.com http://www.blogger.com/profile/05507524663344436025 2007-05-10 20:15:00 2007-05-10 20:15:00 1 0 I have been searching everywhere for someone to Show me how to do these stitches!!!
I own many books but I learn very little that way I need to SEE someone doing the stiches. I have been crazy quilting for 4 years and now I can make them much more then plain patches.
Vanessa]]> 13164 Anonymous noreply@blogger.com 2007-04-24 20:32:00 2007-04-24 20:32:00 1 0 Amudha
amukish2002@yahoo.com]]> 13165 Sandra noreply@blogger.com 2007-04-21 19:22:00 2007-04-21 19:22:00 1 0 13177 Anonymous noreply@blogger.com 2007-04-08 22:32:00 2007-04-08 22:32:00 1 0 Amudha]]> 13205 Anonymous noreply@blogger.com 2007-03-30 08:01:00 2007-03-30 08:01:00 1 0 13225 Mexycan Karencita: me_xstitch@yahoo.com http://www.blogger.com/profile/11318981310081195486 2007-03-13 16:27:00 2007-03-13 16:27:00 1 0 13226 Mexycan Karencita: me_xstitch@yahoo.com http://www.blogger.com/profile/11318981310081195486 2007-03-13 16:26:00 2007-03-13 16:26:00 1 0 13293 Anonymous noreply@blogger.com 2007-02-16 09:05:00 2007-02-16 09:05:00 1 0
Catrin in denmark]]> 13340 Anonymous noreply@blogger.com 2006-12-24 14:22:00 2006-12-24 14:22:00 1 0 13370 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-29 19:41:47 2006-11-29 19:41:47 1 0 13372 Glenn noreply@blogger.com 2006-11-29 18:41:00 2006-11-29 18:41:00 1 0 Thank you!
Glenn]]> http://www.needlenthread.com/2006/11/fishbone-stitch-video-tutorial.html Thu, 09 Nov 2006 04:54:00 -0600 Mary Corbet 937 2006-11-09 04:54:00 2006-11-09 04:54:00 open open Fishbone-Stitch-Video-Tutorial publish 0 0 post

If you vary the weight of your thread, you can make very delicate leaves or bold and heavy leaves. Here's an example of a leaf worked with this stitch:



The video is a bit longer than most, and towards the end, I switch over to working the end of the leaf. Here it is:



For more video tutorials on embroidery stitches, visit the Video Library of Stitches index.
]]> video tutorials Hand embroidery stitches beginner embroidery 7813 Kari noreply@blogger.com http://www.blogger.com/profile/01698636076804049947 2009-04-23 00:50:00 2009-04-23 00:50:00 1 0 8876 Anonymous noreply@blogger.com 2009-02-07 18:53:00 2009-02-07 18:53:00 1 0
SarahD]]> 9337 jmsharn noreply@blogger.com 2008-12-29 20:55:00 2008-12-29 20:55:00 1 0 9923 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-11 15:43:26 2008-11-11 15:43:26 1 0
I think it would work to fill an "O" if you are careful with compensating as you work around the curves. To tie the stitch off, you'll notice that, on the back, you'll have a leaf, too. Run the threads under the leaves there, and then hitch them into the threads by taking a couple backstitches through the threads (not through the fabric).

Hope that helps!

MC]]> 9924 B.T.Carolus noreply@blogger.com 2008-11-11 15:35:00 2008-11-11 15:35:00 1 0
How do you tie this stitch off? and, is it suitable to do a circle (i.e. to fill in a monogrammed 'o')?]]> 10023 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-10-26 11:38:00 2008-10-26 11:38:00 1 0 http://www.needlenthread.com/2006/11/whipped-backstitch-video-tutorial.html Fri, 10 Nov 2006 06:54:00 -0600 Mary Corbet 938 2006-11-10 06:54:00 2006-11-10 06:54:00 open open Whipped-Backstitch-Video-Tutorial publish 0 0 post
First, in order to work the whipped backstitch, you have to know how to work the backstitch. The video tutorial for backstitch will help you learn this basic embroidery stitch.

Second, there are LOTS of ways to whip a backstitch - this is the most basic here. You can change the look of this stitch by whipping a different weight or color thread through your backstitchs. You can also whip the backstitch twice, once in one direction (up through the backstitches) and once in the other (down through the stitches). Use your imagination and experiment!

You can see an example of the whipped backstitch used on linen to create delicate lines in the photo of this linen pall.

Here's the video - it's a short one this time!



For more video tutorials, please visit the Video Library of Stitches index.

]]> video tutorials Hand embroidery stitches beginner embroidery 4680 peter's mummy noreply@blogger.com 2009-11-08 11:21:41 2009-11-08 11:21:41 1 0 5916 donna noreply@blogger.com 2009-08-31 19:54:55 2009-08-31 19:54:55 1 0 8189 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-29 18:20:46 2009-03-29 18:20:46 1 0
You take the thread to the back at the end of your line, and run it under the back of the stitches.

Hope that helps!

MC]]> 8191 Anonymous noreply@blogger.com 2009-03-29 17:44:00 2009-03-29 17:44:00 1 0 Pam F.]]> 10279 Anonymous noreply@blogger.com 2008-10-07 13:04:00 2008-10-07 13:04:00 1 0
Thanks]]> 10722 Anonymous noreply@blogger.com 2008-09-02 18:20:00 2008-09-02 18:20:00 1 0 http://www.needlenthread.com/2006/11/buttonhole-stitch-video-tutorial.html Sat, 11 Nov 2006 13:23:00 -0600 Mary Corbet 939 2006-11-11 13:23:00 2006-11-11 13:23:00 open open Buttonhole-Stitch-Video-Tutorial publish 0 0 post

The length and pattern of the stitch can change, according to what you want to do with it. Check out this variety of tiny flowers using buttonhole stitch. These hollyhocks in wool are also worked with buttonhole.

Here's the video:



For more video tutorials for basic embroidery stitches, check out the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery 4585 peter's mummy noreply@blogger.com 2009-11-20 05:41:53 2009-11-20 05:41:53 1 0 i'll keep an eye out :D
really grateful
x]]> 4644 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-11-12 13:01:43 2009-11-12 13:01:43 1 0 4645 peter's mummy noreply@blogger.com 2009-11-12 12:41:47 2009-11-12 12:41:47 1 0 I am having terrible trouble doing the Blanket Stitch around corners, i just can't get it right.
Please could you help?
Do you have that in any of your videos?
thank you so much :D]]> 12525 Quilting Dispatcher compassionatequilter@rocketmail.com http://www.blogger.com/profile/16520079950948579975 2008-01-16 23:05:00 2008-01-16 23:05:00 1 0 13041 Bev Schweigert noreply@blogger.com http://easycrafts4fun.com 2007-07-20 10:37:00 2007-07-20 10:37:00 1 0
Bev]]> 13171 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-04-12 20:30:15 2007-04-12 20:30:15 1 0
Thanks for the tip on the name of the stitch. The buttonhole stitch has an extra little loop at the top that definitely makes a sturdier ridge. I use the "real" buttonhole stitch often in certain pieces of cutwork that I want to be extra-sturdy. In my illustrated buttonhole stitch, I went into the difference a little bit. Mostly, people associate blanket stitch with buttonhole stitch, and many books illustrate them as the "same" thing, unless they also add what is called the tailor's buttonhole.

Thanks again for the tip!]]> 13172 Laren noreply@blogger.com http://www.blogger.com/profile/12885582206860385433 2007-04-12 19:32:00 2007-04-12 19:32:00 1 0
Two things, firstly, I LOVE the videos, a great help for any embroiderer.

Second, you've titled this video Blankt/Buttonhole Stitch. These are two different stitches. What you are demonstrating is blanket stitch, but buttonhole is done slightly differently, and in many ways is a much stronger stitch than blanket stitch.

The best illustrations I've seen of the difference between the two is at: http://heritageshoppe.com/heritage/stitches/blanketstitch.html

The reason I point it out is that I use the true buttonhole for doing eyelets on bags, and they are much more robust and last alot longer tan just the closely placed blanket stitch.

Cheers,
Laren]]> http://www.needlenthread.com/2006/11/daisy-stitch-video-tutorial.html Mon, 13 Nov 2006 06:09:00 -0600 Mary Corbet 940 2006-11-13 06:09:00 2006-11-13 06:09:00 open open Daisy-Stitch-Video-Tutorial publish 0 0 post

Besides working daisy-type flowers with the detached chain stitch, you can also work the stitch as a ground stitch, to fill in parts of embroidery designs where you want a speckled effect, heavier, for example, than seeding. You can create background patterns with detached chain stitches, and play with the stitch in ways to create texture by overlapping stitches, or by "stippling" with them.

It would be interesting to hear from readers about how they have used this stitch in other ways, besides as flowers.

In the meantime, though, you can check out some embroidered flowers that use the detached chain. These embroidered daisies and the pansies on the buttonhole flowers page both make use of this stitch.

I like this example of lazy daisy stitch in action:


As you can see, these aren't daisies, but they come across pretty well with this stitch, I thought! They're worked in two strands of cotton overdyed floss.

Here's the video:



For more video tutorials for hand embroidery, please check out the Video Library of Stitches Index.
]]> video tutorials Hand embroidery stitches beginner embroidery 4540 Jane noreply@blogger.com http://www.blogger.com/profile/17511645216184401520 2009-11-29 06:24:43 2009-11-29 06:24:43 1 0 4876 Monica noreply@blogger.com 2009-10-21 19:18:03 2009-10-21 19:18:03 1 0 5982 Anonymous noreply@blogger.com 2009-08-24 11:03:58 2009-08-24 11:03:58 1 0 6481 Jenny noreply@blogger.com 2009-07-25 07:05:23 2009-07-25 07:05:23 1 0
Now that I have found your website, I know that I will be a frequent visitor!]]> 7684 Anonymous noreply@blogger.com 2009-05-08 10:49:00 2009-05-08 10:49:00 1 0
Second, I've been asked to complete an embroidery piece. It is printed with tons of lazy daisy stitches. I don't particularly like daisy stiches. Any suggestions for alternatives?]]> 7687 Anonymous noreply@blogger.com 2009-05-07 18:09:00 2009-05-07 18:09:00 1 0 I not speeking english, but I understanding, perfect your instructions, estoy muy agradecida con tus videos tutoriales, pues estoy aprendiendo a bordar desde las primeras puntadas y lo estoy haciendo con tus videos, te agradezco mucho el favor que haces al enseñarnos a otras personas desde tierras tan lejanas como mi pais Nicaragua, no sabes cuanto bien produces con tus videos, de nuevo mis felicitaciones y ojala algun dia contestes estos mails.

saludes desde Nicaragua

mARTHA]]> 7688 Anonymous noreply@blogger.com 2009-05-07 18:06:00 2009-05-07 18:06:00 1 0 estoy aprendiendo a bordar con tus videos y me sirven mucho mucho.

Thank you, muchas muchas gracias, me has ayudado mucho con tus videos estoy aprendiendo a bordar y no tengo capacidad para pagar una clase. pero con tus videos es mas que suficiente.

saludes desde Nicaragua.]]> 8245 Anonymous noreply@blogger.com 2009-03-25 00:14:00 2009-03-25 00:14:00 1 0 9161 Anonymous noreply@blogger.com 2009-01-18 19:46:00 2009-01-18 19:46:00 1 0
Tee in Philadelphia]]> 9471 Anonymous noreply@blogger.com 2008-12-11 21:29:00 2008-12-11 21:29:00 1 0 10442 Anonymous noreply@blogger.com 2008-09-20 18:54:00 2008-09-20 18:54:00 1 0 10889 Anonymous noreply@blogger.com 2008-08-22 19:05:00 2008-08-22 19:05:00 1 0 11294 MadeByAmanda noreply@blogger.com http://www.blogger.com/profile/15414284542330645222 2008-07-25 11:14:00 2008-07-25 11:14:00 1 0 12098 Anonymous noreply@blogger.com 2008-04-03 19:17:00 2008-04-03 19:17:00 1 0 12342 Anonymous noreply@blogger.com 2008-02-17 19:14:00 2008-02-17 19:14:00 1 0 Ilene in Maryland]]> 13244 Anonymous noreply@blogger.com 2007-03-06 11:30:00 2007-03-06 11:30:00 1 0 http://www.needlenthread.com/2006/11/buttonhole-wheels-video-tutorial.html Tue, 14 Nov 2006 06:28:00 -0600 Mary Corbet 941 2006-11-14 06:28:00 2006-11-14 06:28:00 open open Buttonhole-Wheels-Video-Tutorial publish 0 0 post can be effectively used in all kinds of embroidery - I like to use them for flower-like accents and for adding texture and such to designs.

If you want to see some embroidery with buttonhole wheel techniques, you can check out these hollyhocks and these other flowers embroidered with buttonhole stitch.

If you haven't tried the basic buttonhole stitch yet, you might want to check out the video tutorial for buttonhole stitch as well.

Here's the video for buttonhole wheels:



For more video tutorials, please check out the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery 5917 La Mañosa mistypursel@hotmail.com http://www.blogger.com/profile/07406265364982441732 2009-08-31 19:07:15 2009-08-31 19:07:15 1 0
Your web page and blog are such a great resource for people who are interested in embroidery!]]> 9147 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-21 06:46:49 2009-01-21 06:46:49 1 0
Best,
Mary]]> 9148 Linda noreply@blogger.com 2009-01-21 06:32:00 2009-01-21 06:32:00 1 0 13098 IH noreply@blogger.com http://www.blogger.com/profile/02383873402375400001 2007-06-12 22:00:00 2007-06-12 22:00:00 1 0 13389 Anonymous noreply@blogger.com 2006-11-14 18:16:00 2006-11-14 18:16:00 1 0 13390 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2006-11-14 17:17:00 2006-11-14 17:17:00 1 0 13391 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2006-11-14 17:17:00 2006-11-14 17:17:00 1 0 http://www.needlenthread.com/2006/11/feather-stitch-video-tutorial.html Mon, 20 Nov 2006 07:53:00 -0600 Mary Corbet 942 2006-11-20 07:53:00 2006-11-20 07:53:00 open open Feather-Stitch-Video-Tutorial publish 0 0 post

You can use the feather stitch in hand embroidery for edges and borders, it's used often in crazy quilting as a seam embellishment, and it also makes a good foundation of foliage or stems in flower designs, in Brazilian embroidery, etc.

Here's the video:


You'll find more video tutorials at the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery 6843 Pamela pamela.mittens@gmail.com http://www.blogger.com/profile/05485358671045660416 2009-06-17 13:06:57 2009-06-17 13:06:57 1 0
I'm new at embroidery and your videos have been extremely helpful. I'm not to good with diagrams so I was extremly grateful to find your site. I think of all of the stitches I've tried so far this one is my favorite.]]> 8388 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-10 07:59:15 2009-03-10 07:59:15 1 0
Sorry that the videos aren't downloadable. If you have an iPod, you can actually download them from Google, I believe, but they aren't downloadable to the computer.

Sorry about that!

Best,
Mary]]> 8389 RAHEL HAILE noreply@blogger.com http://www.blogger.com/profile/05413834813926788037 2009-03-10 07:03:00 2009-03-10 07:03:00 1 0 9641 Anonymous noreply@blogger.com 2008-11-30 16:57:00 2008-11-30 16:57:00 1 0 10366 emo :0 noreply@blogger.com 2008-09-28 01:24:00 2008-09-28 01:24:00 1 0 I need picz!!
The video is good but next time pls. put picz!
by the way thank you!]]> 12922 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-09-25 23:33:00 2007-09-25 23:33:00 1 0
Thankyou so much for the demonstration.

I have Dillmonte's encyclopadia, and I love her designs - and a few more basic books - but I was just going nuts last night trying to figure out the feather stitch .....

Megan, Australia]]> 13317 kerry noreply@blogger.com http://www.blogger.com/profile/07993756006621173539 2007-01-20 14:42:00 2007-01-20 14:42:00 1 0 http://www.needlenthread.com/2006/11/double-feather-stitch-video-tutorial.html Tue, 21 Nov 2006 07:30:00 -0600 Mary Corbet 943 2006-11-21 07:30:00 2006-11-21 07:30:00 open open Double-Feather-Stitch-Video-Tutorial publish 0 0 post

Like the feather stitch, the double feather stitch is used for foliage, sprigs, greenery, etc., in all types of general surface embroidery, and is especially good for Brazilian embroidery, ribbon embroidery, etc. It works great as a seam embellisment in crazy quilting, and as an edging or border stitch on other work.

On the following video, there isn't any sound! (Sorry!) The instructions are basically the same for this stitch as for the feather stitch. The difference with the double feather stitch is that you continue one more step to the left or right as you're working down your "feather."

Here's the video:



For more video tutorials for hand embroidery, please visit the Video Library of Stitches Index.
]]> video tutorials Hand embroidery stitches beginner embroidery 7689 triveni noreply@blogger.com 2009-05-07 05:55:00 2009-05-07 05:55:00 1 0 It's really a great idea to share your skills with us.

I saw few of your video stiches and i tried them. They work nicely.
I dont know even fundamentals before this but now iam intresting to learn these works only because of your presentation.simply supurb.
Thank You so much.]]> 7910 Anonymous noreply@blogger.com 2009-04-13 16:51:00 2009-04-13 16:51:00 1 0 http://www.needlenthread.com/2006/11/fly-stitch-video-tutorial-horizontal.html Fri, 24 Nov 2006 08:52:00 -0600 Mary Corbet 944 2006-11-24 08:52:00 2006-11-24 08:52:00 open open Fly-Stitch-Video-Tutorial:-Horizontal-Fly-Stitch publish 0 0 post

The fly stitch can be worked horizontally and vertically. In this video, it is worked horizontally. I'll show you the vertical fly stitch next.

Here's the video:



For more video tutorials for hand embroidery, please visit the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery 11882 Cass noreply@blogger.com http://www.blogger.com/profile/09813391155050992522 2008-05-06 19:39:00 2008-05-06 19:39:00 1 0 Cass]]> 13278 rustybuckets4u noreply@blogger.com 2007-02-20 15:19:55 2007-02-20 15:19:55 1 0 http://www.needlenthread.com/2006/11/fly-stitch-video-tutorial-vertical-fly.html Fri, 24 Nov 2006 18:08:00 -0600 Mary Corbet 945 2006-11-24 18:08:00 2006-11-24 18:08:00 open open Fly-Stitch-Video-Tutorial:-Vertical-Fly-Stitch publish 0 0 post

Besides working fly stitches in horizontal rows or vertical columns, the stitch can also be isolated, to create "filled" (loosely filled) background areas, or to create small accent-like stitches across a "canvas." Experiment with it! It's a fun and quick stitch!

If you'd like to see the fly stitch worked horizontally, check out the horizontal fly stitch video tutorial.

Here's the fly stitch, worked vertically:



For more video tutorials, please visit the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery http://www.needlenthread.com/2006/11/ribbed-spider-web-stitch-video.html Sat, 25 Nov 2006 06:23:00 -0600 Mary Corbet 946 2006-11-25 06:23:00 2006-11-25 06:23:00 open open Ribbed-Spider-Web-Stitch-Video-Tutorial publish 0 0 post

Mary Thomas, in her Dictionary of Embroidery Stitches, categorizes both stitches as "isolated" stitches. They add interest to embroidery, as well as texture.

This tutorial focuses on the ribbed spider web, or the backstitched spider web. Instead of weaving your needle merely over and under the spokes of the wheel in a constantly forward motion, with this stitch, you go forward under two spokes, and back over one, forward under two, back over one - just like a backstitch, except you're working over "spokes" arranged in a wheel shape.

Now, the spider web stitch can have any number of spokes - from 5 on up. Usually, with the regular spider web (woven in a constantly forward motion over and under the spokes, without backstitching over one), you're going to definitely use an odd number of spokes. In the ribbed spider web, it isn't as important, and an even number (8) is fairly regularly portrayed in popular stitch dictionaries (see Mary Thomas's, as well as the Embroiderer's Handbook).

In the video below, I've used 8 spokes. I've worked one with the centers crossing (the larger one used for the video), and next to it, you'll be able to see one where I've separated the spokes so that the center is empty. It's up to you, of course. You could always mount a bead in there, or work some other textured stitches, like a cluster of drizzle stitches.

Have fun with this stitch!

Here's the video:



For more video tutorials, please check out the Video Library of Stitches Index.


]]> video tutorials Hand embroidery stitches beginner embroidery 5570 Anonymous noreply@blogger.com 2009-09-20 18:14:24 2009-09-20 18:14:24 1 0 I will be back often!!]]> 8242 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-25 06:39:32 2009-03-25 06:39:32 1 0
I'm using a #5 perle cotton (DMC). Perle cotton is great for these types of textured stitches.

If you're using stranded cotton, you'll probably want to use at least 3 or 4 strands together to get decent results.

Hope that helps!

MC]]> 8244 Anonymous noreply@blogger.com 2009-03-25 00:26:00 2009-03-25 00:26:00 1 0 9621 Annonymous noreply@blogger.com http://www.blogger.com/profile/12993738749021590573 2008-12-02 18:29:00 2008-12-02 18:29:00 1 0 13029 Anonymous noreply@blogger.com 2007-07-28 09:38:00 2007-07-28 09:38:00 1 0
It's very frustrating to watch online as even though I have a broadband connection, the videos keep pausing and I can't follow it properly.

Thanks for your great site, if only the internet was foolproof but it's not!]]> 13147 Anonymous noreply@blogger.com 2007-05-10 03:33:00 2007-05-10 03:33:00 1 0 13258 Jiji Angel noreply@blogger.com http://www.blogger.com/profile/17086869459468131549 2007-02-27 03:10:00 2007-02-27 03:10:00 1 0 Thank u for ur generosity and the effort that u took!]]> 13371 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-29 19:39:58 2006-11-29 19:39:58 1 0
I do have the bullion tutorial "in the works" - I've actually filmed it twice. When I've reviewed it, I've found that you see more fingers than threadwork! So I'm trying to remedy that. It's especially important, I think, with the bullion stitch to see the whole process, because it can be an intimidating stitch. It took me forever to master it - and I used to simply avoid it altogether - until my sister took me through it a few times.

So, never fear - it's coming! Keep an eye out!]]> 13381 Anonymous noreply@blogger.com 2006-11-25 08:45:00 2006-11-25 08:45:00 1 0
I would like to thank you for your generosity.
The video library of stitches that you build is a precious resource for people like me (a beginner) and I apreciate it a lot, but I cannot wait to see the bullion stitch tutorial (I have not mastered that yet!).

Have a great weekend!
Thank you,
Virgi.]]> http://www.needlenthread.com/2006/11/satin-stitch-video-tutorial.html Sun, 26 Nov 2006 21:30:00 -0600 Mary Corbet 947 2006-11-26 21:30:00 2006-11-26 21:30:00 open open Satin-Stitch-Video-Tutorial publish 0 0 post

But perhaps this adds somewhat to its beauty - because we not only admire it for the pleasure it gives us when we see beautifully worked satin stitch, but, when we know what goes into it, we can truly appreciate the "art" behind the embroidery.

Don't let this deter you if you are a beginner! In concept, satin stitch is very easy. It just takes a little practice to get the edges right and to gauge the distance between your stitches.

If you aren't familiar with what satin stitch looks like, you'll find some close-ups of a piece that is worked entirely in satin stitch and stem stitch here.

The following video tutorial is for the padded satin stitch, to be precise. However, the same concepts work with non-padded satin stitching. The tutorial is rather long (almost 8 minutes). I filmed it in stages, from outlining, to padding, to satin stitching. I hope you find it helpful!



For more video tutorials, please visit the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery 1565 mama noreply@blogger.com http://www.blogger.com/profile/10690726243661617083 2010-04-07 18:35:18 2010-04-07 18:35:18 1 0 Your work is beautiful. Thank you so much for sharing!]]> 2803 Aniko noreply@blogger.com 2010-02-27 18:23:38 2010-02-27 18:23:38 1 0 You are such a big DARLING to do this!
THANKS A MILLION from Holland]]> 4729 Sue Ann fanglinganstudio@gmail.com http://www.blogger.com/profile/12701494372339059445 2009-11-01 11:59:20 2009-11-01 11:59:20 1 0 5191 Anonymous noreply@blogger.com 2009-10-04 03:46:04 2009-10-04 03:46:04 1 0 7316 EllenQ ellen.quillen@gmail.com http://www.blogger.com/profile/04805375871164019260 2009-06-02 18:32:16 2009-06-02 18:32:16 1 0 7381 shanghaicowgirl noreply@blogger.com http://shanghaicowgirl.wordpress.com/ 2009-05-26 14:17:46 2009-05-26 14:17:46 1 0 I'm bookmarking your movie onto my iPhone so I can refer to it when I'm stitching.
Thanks again,
Michelle]]> 7814 Kari noreply@blogger.com http://www.blogger.com/profile/01698636076804049947 2009-04-23 00:43:00 2009-04-23 00:43:00 1 0 7938 Anonymous noreply@blogger.com 2009-04-10 20:40:00 2009-04-10 20:40:00 1 0 8202 Erik noreply@blogger.com 2009-03-28 21:13:00 2009-03-28 21:13:00 1 0
Your site has been incredibly helpful! I'm doing a blanket for son to be and your site has been very helpful for the stiches I haven't done before. Thank You]]> 8218 Nena noreply@blogger.com http://www.blogger.com/profile/17151234727422014959 2009-03-27 07:20:00 2009-03-27 07:20:00 1 0 9076 Zire ziredecorar@hotmail.com http://www.blogger.com/profile/14035316945108700822 2009-01-27 04:17:00 2009-01-27 04:17:00 1 0 Thank you so very much for this video library of stiches!! It´s wonderful!!
I have your link in my blog.

Zire]]> 9138 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-21 15:15:19 2009-01-21 15:15:19 1 0
The only thing I can suggest is visiting the Google Video Help Center, to look at what they say for solving playback issues.

Here's the link:

http://video.google.com/support/bin/topic.py?topic=11480

I tested the video - it plays, but it required some time for buffering. Since I have a fast internet connection, I'm assuming that Google must be having some problems.

Anyway, if you've had luck viewing the videos on here before, you might try hitting play a couple times, and making sure it's buffering. If you haven't been able to view the videos on your computer, then it's probably a playback issue that you can figure out from the Google Video Help Center.]]> 9139 Anonymous noreply@blogger.com 2009-01-21 14:20:00 2009-01-21 14:20:00 1 0 The satin stitch video won't show up on my screen. Do you have any idea what to do? I really need this video as I am using it in my Junior Cert. Do you have any tips on how to fix it? Thanks!!
From, Jenny!!]]> 9527 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-07 20:43:49 2008-12-07 20:43:49 1 0
I have photo tutorials on beginning and ending your threads here:

Tips and Tricks for Hand Embroidery

Hope that helps!

MC]]> 9532 dark horse noreply@blogger.com 2008-12-07 17:56:00 2008-12-07 17:56:00 1 0 One thing that might be an idea for us newbies, is how to show the best way to secure the thread with a knot at the beginning and end.. that is something I struggle with, at least.
Have a beautiful day and thanks again!]]> 10342 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-01 11:12:38 2008-10-01 11:12:38 1 0
MC]]> 10346 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-10-01 09:33:00 2008-10-01 09:33:00 1 0 11020 Gabriela noreply@blogger.com http://www.blogger.com/profile/15200676857488955236 2008-08-12 03:05:00 2008-08-12 03:05:00 1 0 11777 Ruth noreply@blogger.com 2008-05-24 18:12:00 2008-05-24 18:12:00 1 0 This tutorial is brilliant. I knew how to do satin stitch (learned from my grandma a long time ago!) but I didn't know how to pad/raise it. Just a quick question. Do you know how Turkish embroiderers do their type of satin stitch. It looks like it is done in adjacent stripes (of the same colour) so they can then fill large areas, but it also could be a couching technique. Have you any idea? I want to learn to do it. It looks great.]]> 11867 Connie noreply@blogger.com http://www.blogger.com/profile/03489854710468724768 2008-05-09 18:46:00 2008-05-09 18:46:00 1 0 12002 Jean noreply@blogger.com 2008-04-12 21:56:00 2008-04-12 21:56:00 1 0 12149 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-28 07:00:20 2008-03-28 07:00:20 1 0
Glad you like the videos!

I believe shadow stitch is simply a closed herringbone stitch worked on the back side of the fabric, so that, on the front, you have two edges of what looks like backstitch, with the shadow of the herringbone stitch between the two edges just visible.

You may want to try that to see if that's what they're talking about!

Hope that helps!

Mary]]> 12152 Josephine noreply@blogger.com http://www.blogger.com/profile/04491440433413651379 2008-03-27 23:35:00 2008-03-27 23:35:00 1 0
Great work on the vids! It gives me much more variety than before when stitching and it can't be more enjoyable. A few table runners which I'm working on right now call for 'shadow stitch', which I've not done before and internet searches proved futile. Is there any chance that you might include 'shadow stitch' as your new addition in your tutorials? I'd be most delighted if you can teach me this stitch.]]> 12270 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-09 10:09:34 2008-03-09 10:09:34 1 0
Glad you're picking up your needle 'n thread again!

It's "coton a broder" - you can find it through Lacis (and other fine needlework shops online - but I order mine from Lacis)

www.lacis.com]]> 12271 Anonymous noreply@blogger.com 2008-03-09 09:41:00 2008-03-09 09:41:00 1 0 12497 nora noreply@blogger.com 2008-01-19 15:03:00 2008-01-19 15:03:00 1 0 I like the satin stitch. I was looking at the Brazilian leaf stitch which looks a little different. Some of it looks like it is raised. Can you explain.
Nora]]> 12575 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-31 20:16:31 2007-12-31 20:16:31 1 0
Index of Video Stitch Tutorials

I've been filming some lately, so I'll be posting new tutorials soon!

Good luck with your project!]]> 12577 jem`Z noreply@blogger.com http://www.blogger.com/profile/06058332080247481076 2007-12-31 19:09:00 2007-12-31 19:09:00 1 0 12796 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-10 08:57:42 2007-11-10 08:57:42 1 0 12797 Anonymous noreply@blogger.com 2007-11-10 00:40:00 2007-11-10 00:40:00 1 0 12919 Qing noreply@blogger.com http://www.blogger.com/profile/06628060039474069198 2007-09-27 09:27:00 2007-09-27 09:27:00 1 0 13003 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-08-20 21:31:36 2007-08-20 21:31:36 1 0 13006 Rosa noreply@blogger.com http://www.blogger.com/profile/06494809705959518320 2007-08-20 19:43:00 2007-08-20 19:43:00 1 0 13162 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-04-24 21:57:18 2007-04-24 21:57:18 1 0
Mary]]> 13163 amukish2002 noreply@blogger.com http://www.blogger.com/profile/12208460323820522909 2007-04-24 21:36:00 2007-04-24 21:36:00 1 0 Amudha]]> 13173 Loretta noreply@blogger.com lorettascustomstitchery.com 2007-04-12 15:04:00 2007-04-12 15:04:00 1 0 13313 rupali noreply@blogger.com http://www.blogger.com/profile/14635147939015246296 2007-01-24 01:09:00 2007-01-24 01:09:00 1 0 13314 rupali noreply@blogger.com http://www.blogger.com/profile/14635147939015246296 2007-01-24 01:07:00 2007-01-24 01:07:00 1 0 http://www.needlenthread.com/2006/11/heavy-chain-stitch-video-tutorial.html Tue, 28 Nov 2006 17:49:00 -0600 Mary Corbet 948 2006-11-28 17:49:00 2006-11-28 17:49:00 open open Heavy-Chain-Stitch-Video-Tutorial publish 0 0 post

Remember that the heavy chain stitch can be used for any kind of line - whether curved or straight. In the video, I'm working it vertically in a straight line, but don't limit yourself to straight lines with this stitch! It takes curves well.

If you're not familiar with the regular chain stitch, you might want to check out that video tutorial for chain stitch.

Here's the video for the heavy chain stitch:



For more video tutorials for hand embroidery stitches, please visit the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery http://www.needlenthread.com/2006/11/checkered-or-alternating-chain-stitch.html Wed, 29 Nov 2006 05:40:00 -0600 Mary Corbet 949 2006-11-29 05:40:00 2006-11-29 05:40:00 open open Checkered-or-Alternating-Chain-Stitch-Video-Tutorial publish 0 0 post

With this stitch, you end up with a chain stitched line wherein two colors alternate with each stitch. In the video tutorial, I use dark purple and light purple, and I end up with a line that progresses in dark-light-dark-light loops of chain stitches.

This stitch is kind of fun, because you're working with two different colors of thread in the same needle. Don't be intimidated by the sound of it! If you can do the chain stitch, you can do this! It's just a matter of looping one of the colors of thread under your needle instead of both. You might want to check out the chain stitch video tutorial if you aren't familiar with that stitch yet.

And, on a final note, I really have to apologize for this shaky video! One of these days, I'm going to get a better tripod! In the meantime, the concept is there, so once you pick it up, you can expand the applications of the stitch.

Have fun with it!



For more video tutorials for hand embroidery stitches, please visit the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery 13315 Akanksha noreply@blogger.com http://www.blogger.com/profile/17292569135880535312 2007-01-23 12:15:00 2007-01-23 12:15:00 1 0
Thanks so much.

Akanksha]]> 13318 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-01-19 09:11:37 2007-01-19 09:11:37 1 0
Actually, this is the same stitch! It's a checkered chain band, alternating chain stitch, checkered chain stitch, etc.

Hope that's helpful! Good luck on your project!]]> 13319 akanksha noreply@blogger.com http://www.blogger.com/profile/07766139735857901949 2007-01-18 22:45:00 2007-01-18 22:45:00 1 0 13361 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-30 13:42:26 2006-11-30 13:42:26 1 0
Glad you like the checkered chain - nope, it's not complicated at all, Elizabeth - it's fun to work, and will work up a lot faster than the video shows it!]]> 13362 Anonymous noreply@blogger.com 2006-11-30 09:49:00 2006-11-30 09:49:00 1 0 13363 ElizabethD noreply@blogger.com 2006-11-30 05:35:00 2006-11-30 05:35:00 1 0 13368 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-29 19:44:54 2006-11-29 19:44:54 1 0 is fun! Enjoy it!]]> 13374 Anonymous noreply@blogger.com 2006-11-29 10:29:00 2006-11-29 10:29:00 1 0 http://www.needlenthread.com/2006/10/couching-video-tutorial.html Sun, 29 Oct 2006 19:45:00 -0600 Mary Corbet 950 2006-10-29 19:45:00 2006-10-29 19:45:00 open open Couching-Video-Tutorial publish 0 0 post

There are two threads used in couching - the laid thread (that's the one you're sewing down) and the couching thread (the one you're using to attach the laid thread to the fabric).

As mentioned in the video, the key to good couching technique for outlining (couching single threads) is to make sure your stitches are evenly spaced and always perpendicular to the laid thread.

Here's the video:



]]> video tutorials Hand embroidery stitches beginner embroidery 3019 Anonymous noreply@blogger.com 2010-02-24 05:31:03 2010-02-24 05:31:03 1 0 this helped a lot for our assignment.
but how about "filling" to do that,?or, does "filling" exist?]]> 7892 Anonymous noreply@blogger.com 2009-04-15 11:47:00 2009-04-15 11:47:00 1 0 it really helped me to finish off my artwork
I still need to get the hang of Chinese Stitch
ican't find it anywhere =[
Marilyn
thnx again ! : )]]> 8906 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-04 17:39:16 2009-02-04 17:39:16 1 0 8907 Anonymous noreply@blogger.com 2009-02-04 15:10:00 2009-02-04 15:10:00 1 0 Thanks.]]> 10277 Anonymous noreply@blogger.com 2008-10-07 13:40:00 2008-10-07 13:40:00 1 0
Thank you SOOOO much for the wonderful,wonderful videos! I feel like I can do any stitch!! I was wondering if you put cross stitching on video.Thanks again!!

:)]]> 10714 SIMY PAVOO,INDIA noreply@blogger.com 2008-09-03 03:31:00 2008-09-03 03:31:00 1 0 11775 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-05-24 21:31:08 2008-05-24 21:31:08 1 0
Hope that helps!]]> 11778 Anonymous noreply@blogger.com 2008-05-24 16:58:00 2008-05-24 16:58:00 1 0 12984 Anonymous noreply@blogger.com 2007-09-04 02:29:00 2007-09-04 02:29:00 1 0 13025 Anonymous noreply@blogger.com 2007-08-02 19:39:00 2007-08-02 19:39:00 1 0 the only problem i have is that this, and the last, video do not have audio.
=[[]]> 13198 Anonymous noreply@blogger.com 2007-04-04 05:12:00 2007-04-04 05:12:00 1 0 13206 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-29 17:26:32 2007-03-29 17:26:32 1 0 13207 Anonymous noreply@blogger.com 2007-03-29 16:04:00 2007-03-29 16:04:00 1 0 13369 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-29 19:43:36 2006-11-29 19:43:36 1 0 13394 Anonymous noreply@blogger.com 2006-11-08 13:56:00 2006-11-08 13:56:00 1 0 Eve]]> 13397 Sheila noreply@blogger.com 2006-11-04 13:25:00 2006-11-04 13:25:00 1 0 http://www.needlenthread.com/2006/10/embroidery-stitch-video-tutorial-chain.html Thu, 26 Oct 2006 06:20:00 -0500 Mary Corbet 951 2006-10-26 06:20:00 2006-10-26 06:20:00 open open Embroidery-Stitch-Video-Tutorial:-Chain-Stitch publish 0 0 post

The chain stitch is probably one of the most common embroidery stitches, and adapted to all different techniques, even lace making. The chain stitch works very easily around curves, in lines, or in large spaces for filling. There are many variations on the stitch - heavy chain stitch, whipped chain stitch, twisted chain stitch, checkered chain stitch - you get the idea! Once the basic stitch is mastered, the rest is easy!

Here's the video:



For more video tutorials, please visit the video library of stitches.

]]> video tutorials Hand embroidery stitches beginner embroidery 3453 Robin noreply@blogger.com http://www.blogger.com/profile/04224362039490579433 2010-01-26 01:35:18 2010-01-26 01:35:18 1 0
My non-knitting needles have all disappeared into the clutter of my desk, so I dug out a crochet hook I'd bought once (and never really learned to use) - it actually seems to work fairly well for this, I was pleasantly surprised. Yay for pulling loops.

I'll definitely be poking around the rest of this website if/when I have more questions :)]]> 3829 Tasheera noreply@blogger.com 2010-01-04 19:18:19 2010-01-04 19:18:19 1 0 4970 Olga noreply@blogger.com http://www.blogger.com/profile/02346649882071905937 2009-10-11 18:22:55 2009-10-11 18:22:55 1 0 Thank you very much! I have never embroidered before, but your video was so easy to understand and follow! Thank you!
Olga A.]]> 5904 Anonymous noreply@blogger.com 2009-09-01 13:48:28 2009-09-01 13:48:28 1 0 5914 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2009-09-01 06:42:23 2009-09-01 06:42:23 1 0 Thank you again
Joyce]]> 5925 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-31 07:22:01 2009-08-31 07:22:01 1 0
If you're using two threads, try using one, but doubling it in the needle, with the fold at the eye. Then, when you emerge from the fabric for each stitch, wiggle the needle to make sure the needle is centered in the thread before taking the stitch. Just a suggestion - at least try it. I'm not so keen on doubling my thread in the needle, simply because it doesn't allow you to unthread the needle, should you need to (for removing a knot, etc.)

But, it might help!

Otherwise, I'd suggest evening up your threads at ever stitch...

Best,
MC]]> 5929 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2009-08-31 04:53:19 2009-08-31 04:53:19 1 0 Regards Joyce]]> 6042 Sujatha noreply@blogger.com 2009-08-17 09:45:13 2009-08-17 09:45:13 1 0 6073 Angelica Bays, TygrLilies.com Tygrlilies@cox.net http://www.blogger.com/profile/12070678368794217860 2009-08-14 11:11:07 2009-08-14 11:11:07 1 0 Thak you so much. This is just what I was looking for to give my projects a more polished look. Thank You!

Angelica Bays
Tygrlilies.com]]> 7065 Anonymous noreply@blogger.com 2009-06-12 12:35:02 2009-06-12 12:35:02 1 0 7314 Anonymous noreply@blogger.com 2009-06-03 11:57:51 2009-06-03 11:57:51 1 0 7736 Anonymous noreply@blogger.com 2009-05-04 20:37:00 2009-05-04 20:37:00 1 0 thanx]]> 8371 tushita noreply@blogger.com 2009-03-11 10:56:00 2009-03-11 10:56:00 1 0 10002 Anonymous noreply@blogger.com 2008-10-27 13:03:00 2008-10-27 13:03:00 1 0 Lindsay (Edinburgh, Scotland)]]> 12305 apexemb noreply@blogger.com http://www.apexembdesigns.com 2008-02-26 21:41:00 2008-02-26 21:41:00 1 0 12546 osmia noreply@blogger.com 2008-01-14 08:34:00 2008-01-14 08:34:00 1 0 12641 Joyce noreply@blogger.com http://www.blogger.com/profile/07744934071003824168 2007-12-11 13:21:00 2007-12-11 13:21:00 1 0 12930 loopy1 noreply@blogger.com http://www.blogger.com/profile/08484879963113140114 2007-09-24 14:31:00 2007-09-24 14:31:00 1 0 Jeannie]]> 12999 Embroidery Designs Shop noreply@blogger.com http://www.embroidery-designs-shop.com 2007-08-26 00:19:00 2007-08-26 00:19:00 1 0 13347 Anonymous noreply@blogger.com 2006-12-13 05:00:00 2006-12-13 05:00:00 1 0 13360 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-30 13:44:48 2006-11-30 13:44:48 1 0 13364 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2006-11-29 21:05:00 2006-11-29 21:05:00 1 0 http://www.needlenthread.com/2006/10/embroidery-stitch-video-tutorial_25.html Wed, 25 Oct 2006 06:45:00 -0500 Mary Corbet 952 2006-10-25 06:45:00 2006-10-25 06:45:00 open open Embroidery-Stitch-Video-Tutorial:-Whipped-Running-Stitch publish 0 0 post

The whipped running stitch looks great when using two colors of thread, as I did in this video tutorial. However, if you want a solid line out of one color, you can use it for that, too! You can change the look of the stitch by varying the spacing of your running stitches. To learn how to work the running stitch, you can check out the video tutorial or read the illustrated instructions.

If you want to see some examples of whipped running stitches in bold colors, you can explore the article on embroidery for children. This is a simple stitch, and kids especially love it - but it isn't limited to kid use! So have fun with it!



For more video tutorials, visit the Video Library of Stitches Index.

]]> video tutorials beginner embroidery 3018 Mridula noreply@blogger.com http://www.blogger.com/profile/08879949874595870490 2010-02-24 05:31:24 2010-02-24 05:31:24 1 0 7071 Melanie noreply@blogger.com 2009-06-12 04:07:34 2009-06-12 04:07:34 1 0 7658 Karen noreply@blogger.com 2009-05-12 05:38:00 2009-05-12 05:38:00 1 0 Karen from Liverpool]]> http://www.needlenthread.com/2006/10/embroidery-stitch-video-tutorial_24.html Tue, 24 Oct 2006 06:30:00 -0500 Mary Corbet 953 2006-10-24 06:30:00 2006-10-24 06:30:00 open open Embroidery-Stitch-Video-Tutorial:-Backstitch publish 0 0 post

You can use backstitch to make bold lines or delicate lines, depending on the fabric, thread, and needle you decide to use. There are several variations of backstitch, including the whipped backstitch and Holbein stitch (or running backstitch). You can find more detailed written instructions on this stitch here.

Here's the video:



For more video tutorials on simple embroidery stitches, please visit the Video Library of Stitches.

]]> video tutorials beginner embroidery 3373 Rosel noreply@blogger.com http://www.blogger.com/profile/16712160352016656586 2010-02-01 14:21:05 2010-02-01 14:21:05 1 0 I'm learning to handsew clothes and your videos are great.]]> 5572 Anonymous noreply@blogger.com 2009-09-20 12:25:36 2009-09-20 12:25:36 1 0 5968 Anonymous noreply@blogger.com 2009-08-25 13:34:46 2009-08-25 13:34:46 1 0 6698 Anonymous noreply@blogger.com 2009-07-08 16:07:16 2009-07-08 16:07:16 1 0
Regards
Carmen]]> 7677 Funky Fresh Crafts noreply@blogger.com http://www.blogger.com/profile/06087216679420300590 2009-05-09 08:38:00 2009-05-09 08:38:00 1 0 8842 megadisc megadisc1982@gmail.com http://www.blogger.com/profile/16858159796241505183 2009-02-12 04:13:00 2009-02-12 04:13:00 1 0 simple and effective

a guy from malaysia

thanks]]> 11789 Deborah noreply@blogger.com 2008-05-21 16:20:00 2008-05-21 16:20:00 1 0 12304 Apex noreply@blogger.com http://www.apexembdesigns.com 2008-02-26 21:52:00 2008-02-26 21:52:00 1 0 12378 Becky G noreply@blogger.com 2008-02-11 16:02:00 2008-02-11 16:02:00 1 0 12464 Anonymous noreply@blogger.com 2008-01-23 19:05:00 2008-01-23 19:05:00 1 0 12684 Courtney noreply@blogger.com 2007-12-04 12:28:00 2007-12-04 12:28:00 1 0 12943 Sicone noreply@blogger.com http://www.blogger.com/profile/05400327416463387376 2007-09-18 19:19:00 2007-09-18 19:19:00 1 0 13022 Anonymous noreply@blogger.com 2007-08-09 09:06:00 2007-08-09 09:06:00 1 0 13132 Anonymous noreply@blogger.com 2007-05-21 16:33:00 2007-05-21 16:33:00 1 0 Thanks again.]]> 13281 Glorious Hats glorioushats@gmail.com http://www.blogger.com/profile/11823049237183212920 2007-02-20 06:27:00 2007-02-20 06:27:00 1 0 http://www.needlenthread.com/2006/10/embroidery-stitch-video-tutorial-stem.html Mon, 23 Oct 2006 06:35:00 -0500 Mary Corbet 954 2006-10-23 06:35:00 2006-10-23 06:35:00 open open Embroidery-Stitch-Video-Tutorial:-Stem-Stitch publish 0 0 post

The stem stitch is a versatile embroidery stitch. It can be used to outline or to fill an area. When you fill an area, you work rows of stem stitches right next to each other. You can vary the length of your stitches for a slightly different look. If you want to read about the stem stitch in addition to watching the video tutorial, please check out the Basic Embroidery Stitch Index, where you will find stem stitch under the Line Stitches.

Here's the video:



For more video tutorials, please visit the Video Library of Stitches Index.

]]> video tutorials beginner embroidery 1487 Lucien noreply@blogger.com http://iweararedhat@blogspot.com 2010-04-13 10:07:35 2010-04-13 10:07:35 1 0 3178 Anonymous noreply@blogger.com 2010-02-14 22:05:38 2010-02-14 22:05:38 1 0 jane]]> 3211 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-13 12:16:48 2010-02-13 12:16:48 1 0
I'm pretty sure that in instructions for pillow cases and surface embroidery projects, when it calls for double stem stitch, they're talking about a double row of stem stitch. I could be wrong, but I'm pretty sure it's the case - they mean two rows of stem stitch, worked right up next to each other.

As far as a stitch called double stem stitch - I've never come across it in any books or anything as an individual stitch, though I have come across double rows of stem stitch.

If they have a picture with your pillow case, check to see that the place where they're asking for that stitch on the picture is perhaps a slightly bolder line. That would answer the question - the bolder line is probably made from two rows of stem stitch.

Hope that helps!

MC]]> 3212 Anonymous noreply@blogger.com 2010-02-13 10:38:25 2010-02-13 10:38:25 1 0 jane]]> 3231 Shuruthii noreply@blogger.com 2010-02-11 19:55:15 2010-02-11 19:55:15 1 0
-Shuruthii]]> 4276 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-10 05:43:59 2009-12-10 05:43:59 1 0
Thanks for your comment!

If you check out the series of tutorials on hand embroidered lettering that I'm running right now, you'll find all kinds of tips and tricks on using stem stitch for lettering, including corners, etc.

Here's the index for the lettering tutorials:

Hand Embroidered Lettering

Specifically, for stem stitch, you'll want to look at Lesson 4:

Lesson 4: Stem Stitch

If you're "writing" an L that's shaped like a printed L, the easiest way to do the sharp corner is to end one line and start the other, perpendicular to it, instead of trying to manipulate around the corner.

Hope that helps.

MC]]> 4277 wildviolet noreply@blogger.com 2009-12-09 22:49:11 2009-12-09 22:49:11 1 0 All of your help on the stem stitch is very much appreciated, but could you explain how to go around a corner, like an "L"?]]> 4614 devi noreply@blogger.com http://www.blogger.com/profile/16338965581604503120 2009-11-17 03:03:14 2009-11-17 03:03:14 1 0 Being a learner, this is the best site i'd ever come across.i can simply learn by sitting at home. you are really great.
thank u so much
devi]]> 5685 j noreply@blogger.com http://www.blogger.com/profile/06644818009847059908 2009-09-10 07:48:25 2009-09-10 07:48:25 1 0 5733 Katrina noreply@blogger.com http://www.blogger.com/profile/16242916792284546608 2009-09-06 19:52:03 2009-09-06 19:52:03 1 0 5926 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-31 07:19:01 2009-08-31 07:19:01 1 0
Yes, absolutely it can. I use the stab method pretty often, when working in a frame without much give in the fabric. Just leave a bit of a loop as you pull your thread through and use your non-stitching hand to hold the loop out of the way when you re-emerge behind it.

MC]]> 5930 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2009-08-31 04:40:58 2009-08-31 04:40:58 1 0 Making it very hard to work in a frame with the normal was of stitching the stem stitch, any help would be great.
Regards Joyce]]> 6774 Valy noreply@blogger.com http://www.blogger.com/profile/06906955079721684668 2009-06-27 12:41:03 2009-06-27 12:41:03 1 0 8077 Susie Q noreply@blogger.com http://www.blogger.com/profile/10287941961788239340 2009-04-08 14:15:00 2009-04-08 14:15:00 1 0 8467 Ellie noreply@blogger.com http://www.blogger.com/profile/17430083783255362708 2009-03-04 16:57:00 2009-03-04 16:57:00 1 0
Just a quick note to let you know how much your video series re: embroidery stitches is appreciated!

You work has inspired me to pick up needle and thread after 20 years away. I'm amazed at how much I've forgotten. Seeing your needle and thread in action makes the memories come back quickly. Much more so than in referring to a book.

Thanks]]> 8525 Lisa noreply@blogger.com 2009-02-26 07:48:00 2009-02-26 07:48:00 1 0
Just wanted to say Thanks!! The video was a great help.

Lisa

Ps. Your site is Fabulous]]> 9253 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-07 12:58:58 2009-01-07 12:58:58 1 0
Yep - just take your needle and thread to the back at the end of the line you're stitching, and then run the thread through the stitches on the back to secure it!

Thanks for your comment!

Best,
MC]]> 9254 Kristine Conanan noreply@blogger.com 2009-01-07 08:35:00 2009-01-07 08:35:00 1 0
I love how you do your stitches.
But how can I secure the stem stitch?
Will I put it in the back and do the whipped running stitch?

By the way,
I love your site!]]> 11957 des noreply@blogger.com 2008-04-21 05:57:41 2008-04-21 05:57:41 1 0 12878 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-09 18:08:05 2007-10-09 18:08:05 1 0
The best way to work through a video-playing problem on your computer (at least with my videos) is to check the Google Video Help Center. For example, you have to have Flash installed on your computer.

Before going to any lengthy trouble, you might want to check it again - and hit play twice.

Hope that helps!]]> 12879 Anonymous noreply@blogger.com 2007-10-09 16:26:00 2007-10-09 16:26:00 1 0 13233 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-12 07:18:02 2007-03-12 07:18:02 1 0
If you go here
you'll see the beginning of a sampler. The yellow or gold scrolly things on it are worked in stem stitch. The "slant" of the stitch merely follows the curves. I don't change the position of the working thread in relation to the needle as I work around the curves.

Hope that's helpful!]]> 13235 MrsDoc noreply@blogger.com http://www.blogger.com/profile/04454959158865576340 2007-03-11 20:41:00 2007-03-11 20:41:00 1 0 Or is that the way it's supposed to look?
Perhaps this comment needs to be on video!

Thank you very much for this website and for the very welcome Video Library of Stitches! Any explanation you can offer is most appreciated.]]> 13300 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-02-05 08:07:30 2007-02-05 08:07:30 1 0
As long as the volume's turned up on your computer (check your speakers, check your audio settings), it should work. Try the little volume slider on the front of the video, too. There are a couple videos in the library that don't have any audio to them, as they are self-explanatory without it. This particular one (stem stitch) does have audio, though - so it should work! Let me know!

MC]]> 13301 luckygrams noreply@blogger.com http://www.blogger.com/profile/03943349066903487713 2007-02-04 21:15:00 2007-02-04 21:15:00 1 0 Is there any thing I need to do in order for the sound to work. When I click on video there is no sound.

Please let me know what I need to do so I can get sound.

Also I wanted you to know how wonderful this site is. I'm just learning how to embroider and this site makes it easy.

Thank You so much.]]> http://www.needlenthread.com/2007/09/embroidery-designer-spotlight-jenny.html Tue, 18 Sep 2007 06:25:00 -0500 Mary Corbet 955 2007-09-18 06:25:00 2007-09-18 06:25:00 open open Embroidery-Designer-Spotlight:-Jenny-McWhinney publish 0 0 post Jenny McWhinney is a needlework designer who specializes in thread painting techniques. Her work is often featured in Inspirations Magazine, which is where I became acquainted with her.

Her needle painting (or thread painting) techniques showcase Beatrix-Potter-type illustrations: mostly animals, which, by some, may be considered "juvenile" in their portrayals. If I were to think of a word that summarizes her work, I'd call it "charming."



Her designs are perfect for anything related to children - blankets, quilts, wall-hangings, pillows - all those things you might use to deck out a child's room, or that would make a perfect gift.

This isn't to say that they are all "children's" designs. Her camels, for example, are featured on children's blankets, but who says they wouldn't look great on any wall in any home? They are intricate and really beautiful.



And, at the same time, they seem to have a sense of humor! When I look at Jenny's work, I can't help smiling!

Her "Monet the Mouse" books (little embroidered books that are truly gems!) are featured in a few different issues of Inspirations. In a little behind the scenes article, Jenny explains where she gets her inspiration for these projects and more. It's worth reading - it's nice to get a sense of the personality behind the designer.

Jenny's also got a book out, called "Thread Painting: Bunnies in my Garden." If you're in the US, you can find it on Amazon and save on shipping!

Now, why the renewed attraction to Jenny McWhinney's designs right now? I'm perusing all kinds of possibilities for a guild project, and I think her work would be great to incorporate into a quilt for raffling! The possibility of incorporating one or two of her Monet books into a couple quilts is not original! I think it's a great idea. But we'll see...!


]]> pictures embroidery designers needlepainting embroidery books 5882 Anonymous noreply@blogger.com 2009-09-03 08:54:04 2009-09-03 08:54:04 1 0 http://www.needlenthread.com/2006/10/embroidery-techniques-from-royal.html Tue, 10 Oct 2006 22:30:00 -0500 Mary Corbet 956 2006-10-10 22:30:00 2006-10-10 22:30:00 open open Embroidery-Techniques-from-the-Royal-School-of-Needlework publish 0 0 post
Sally Saunders's book, Royal School of Needlework Embroidery Techniques, is a great addition to any needleworker's library. It's another one of those perfect "coffee table books" that will fascinate anyone, whether they embroider or not.

The book begins, as all good neelework books do, with the essential information about setting up an embroidery project: tools, fabrics, threads, frames - everything is covered in the first two chapters.

The book is then divided into four sections: silk shading, crewel work, blackwork, and goldwork. Instructions for each of the above techniques are covered clearly and are illustrated by gorgeous examples of finished work. The author supplies designs for practice or for major projects, beginning with basics and advancing to complex work.

In each section, the reader receives practical tips on each of the projects presented, with all the techniques for finish work included.

An illustrated stitch glossary occupies the last section of the book, so that even the beginner can see clearly how to accomplish even the most complex projects in the book. Certainly, some of the projects are not for beginners! But don't let that deter you - the various grades of complexity make the whole book a real treasure.

My favorite section of the book is the part on goldwork. As this great art enjoys a revival these days, it's wonderful to have a source of inspiration and instruction as detailed as this chapter.

If you're looking for the perfect Christmas gift for the aspiring needle artist in your life, I don't think you could go wrong with this book!


]]> book review embroidery books 9365 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-26 07:31:23 2008-12-26 07:31:23 1 0
Thanks!
Mary

PS - us the "contact us" link in the menu across the top of the page to drop me an e-mail. If you regularly use an aol.com e-mail address, please use an alternative, if possible, as I can't normally respond to aol addresses for some reason (My mail delivery always fails!).

Thanks!]]> 9369 Maranda noreply@blogger.com 2008-12-25 20:09:00 2008-12-25 20:09:00 1 0 http://www.needlenthread.com/2006/10/dictionary-of-embroidery-stitches.html Mon, 09 Oct 2006 06:00:00 -0500 Mary Corbet 957 2006-10-09 06:00:00 2006-10-09 06:00:00 open open Dictionary-of-Embroidery-Stitches publish 0 0 post
I've got several in my own library, and one that I like and that I refer to often is Mary Thomas's Dictionary of Embroidery Stitches.

This particular stitch dictionary is a full color book with over 400 illustrated embroidery stitches. The book begins with essential information about embroidery supplies.

There are several particular features that I like about the book:

• While the stitches are "diagrammed" (rather than photos of the actual stitch in process), there are clear, colorful photos of the completed stitch in regular application as well as in major works of embroidered art. The photos of the major works provide inspiration.


• The book is divided into stitch types, as opposed to an alphabetical directory. This is useful if you know what kind of stitch you want. Do you want to stitch an outline? Do want some ideas for filling stitches? You can look them up easily this way. It's more helpful than wanting a line stitch and looking through an index at names like "Palestrina" or "coral" and not knowing what type of stitch it is.


• Step-by-step directions of thread direction, etc., are given on the more complex stitches. On simple stitches, generally only a one-step diagram is supplied, and this generally suffices.

While there are plenty of other stitch distionaries on the market, this one seems to be a standard. I know I like it for quick and easy reference. It suits both beginner and advanced embroiderer, and it's relatively inexpensive.

Do you have a stitch dictionary you prefer? Let the rest of us know what it is and why!



]]> book review embroidery books beginner embroidery http://www.needlenthread.com/2006/10/painting-with-needle-young-yang-chung.html Tue, 10 Oct 2006 06:46:00 -0500 Mary Corbet 958 2006-10-10 06:46:00 2006-10-10 06:46:00 open open Painting-with-a-Needle---Young-Yang-Chung publish 0 0 post Painting with a Needle by Young Yang Chung is just such a book. It's inspirational, instructive, and just downright gorgeous!

The book focuses on the art of silk embroidery, especially in Asian culture, but also in Western culture. Filled with beautiful photographs of silk embroidery from around the world, the book can't help but inspire. The technical information the author supplies is useful and precise, though perhaps not for the beginner. However, she does take you step by step through the process of creating several needlepainting projects, giving clear diagrams with stitch directions. She also provides a section on tools, accessories, floss, fabric, etc.

Want to know how inspirational it is? The cover features an embroidery of some magnificent fish that look absolutely real, they are so precise. The photo is a close-up of a screen created by the author, and the whole thing is featured inside the book. My 12-year old niece, after thumbing through the book and contemplating the fish for a long time, suddenly took it into her head that she had to learn to embroider - and she had to start with fish under water! This is her beginning attempt:



Admittedly, it isn't quite the same, but I thought it wasn't bad for a first attempt! Here's a close up on a bit of coral:



Young Yang Chung's book is really gorgeous! On top of it, it's inspiring! And it's not just for needleworkers - if you like to have "coffee table books" in your house, anyone would be entranced while thumbing through this one.



What books inspire you? Do you have any good recommendations for ornamental and useful embroidery books? Don't hesitate to share them with the rest of us!



]]> book review embroidery books http://www.needlenthread.com/2006/06/teaching-embroidery-art-of-teaching.html Tue, 20 Jun 2006 12:38:00 -0500 Mary Corbet 959 2006-06-20 12:38:00 2006-06-20 12:38:00 open open Teaching-Embroidery---The-Art-of-Teaching-Craft publish 0 0 post
If you want to teach embroidery, this book will show you how to get started and how to manage your classroom. The authors explore topics that concern every good teacher...

They begin by self-evaluation. Find out what kind of teacher you are, and use your personality to its potential.

The environment of the classroom is also explored. Whether you are planning to teach in a home studio or in a real classroom, they tell you how to make the most of the classroom environment so that you and your students can be comfortable and productive.

Professionalism is addressed, including questions of ethics, fees, copyright responsibility, and all areas that would concern the professional deportment of a teacher in a classroom.

Then they get into the nitty-gritty: developing realistic lesson plans with achievable objectives. I found this chapter the most instructive, since one essential element of really good teaching is preparation.

In The Art of Teaching Craft, you get directives on establishing goals, using time wisely, managing different personalities within the classroom, evaluating your lessons, motivating students, and dealing with students who have special needs. The authors discuss different strategies and techniques in teaching and how to effectively implement them. They even address the practical questions of running a business as a teacher of crafts.

Throughout the book, blurbs are included from teachers and from students alike, sharing what they like or don't like about different scenarios often found in art and craft classes and workshops. You'll find good scenarios - both positive and negative - and feedback on how to correct similar situations that you might come across in your own teaching.

If you want to be a teacher - whether you want to teach for profit or for community service - this book will give you all the practical guidelines you need to get started.


]]> book review embroidery books http://www.needlenthread.com/2006/06/ribbon-embroidery-stumpwork-book.html Mon, 19 Jun 2006 17:59:00 -0500 Mary Corbet 960 2006-06-19 17:59:00 2006-06-19 17:59:00 open open Ribbon-Embroidery-&-Stumpwork---Book-Review publish 0 0 post
Ribbon embroidery in itself isn't too difficult. If you know your basic stitches then you can apply them to embroidery with ribbon almost as easily as with thread. But if you want to go beyond the average daisy or rose, then you'll want to have a good guide to show you how.

Di van Niekerk is just such a guide. The book Ribbon Embroidery and Stumpwork not only makes the journey from simple ribbon stitching to complex, full-textured stumpwork and ribbon easy, but it also makes it fun. This book is beautiful - anyone, whether an embroiderer or not, would be enchanted just flipping through it. The flowers and plant life are realistic and charming. The author takes the stitcher step-by-step through creating 12 different "panels" or motifs in stumpwork and ribbon. Each panel is made up of a small collage of flowers or fruit or greenery, sometimes accentuated with an insect or bird. The little panels can be worked in one lattice-like composite (gorgeous!) or separately. The concepts can be adapted to any of your own designs.

The author also takes the stitcher through all the basic stitches. There's a colorful and clear stitch glossary in the middle of the book.

Besides covering the embroidery aspect, you'll get some good direction on setting up your fabric, choosing threads and ribbon, and transfering designs. There's quite a bit on heat transfer, using your color printer (or a commercial one) to print the design on the appropriate type of heat transfer paper. (Find this at Joann's online - it's called Photo Effects Transfer Paper). You then iron the design on to your fabric - so you get all the color. The lattice-work composition that is shown on the front cover of the book is included inside. It's a watercolor-type print that you can scan and print on the correct transfer paper.

Anyone interested in either ribbon embroidery or stumpwork - or both! - will love this book! And you can't beat the Amazon price - I paid 25.95 for it from a retail embroidery shop. (That's quite a bit of thread!)

]]> book review embroidery books http://www.needlenthread.com/2006/07/goldwork-metal-thread-embroidery.html Fri, 14 Jul 2006 12:33:00 -0500 Mary Corbet 961 2006-07-14 12:33:00 2006-07-14 12:33:00 open open Goldwork:-Metal-Thread-Embroidery publish 0 0 post there's an excellent book on the market called Metal Thread Embroidery by Jane Lemon.

Metal Thread Embroidery not only contains a wealth of technical information (on tools, supplies, and techniques), but it is the type of book that you could read from cover to cover just because. It's a grabber! The author includes heaps of close-up color photos of metal thread pieces, from historical (the really old stuff) to contemporary, and everything in between.

You'll find a thorough glossary of terminology for materials and types (or techniques) of metal thread embroidery - in fact, definitions make up much of the text in the book. While this may sound boring, the author explains not only what each technique or piece of equipment or type of material is, but also how it's been used historically, how it's used today, and other pertinent info.

As far as techniques are concerned (the "how to" behind metal thread embroidery), you won't be disappointed! She shows you everything - from basic couching to Or Nue; from padding to beading. You name it, if it's part of goldwork, the author addresses it.

To top the whole book off, Lemon includes a section on "Places to Visit" - for the traveller, you'll find out where you can go to see goldwork around the world. She not only pinpoints the museums all around the world that contain goldwork, but she also gives a whole list of collections. Finally, she gives you a thorough list of suppliers.

I just purchased this book recently - and I can't seem to put it down. It's not just a handy reference; it's entertaining, insightful, packed with historical content, and incredible to look at, thanks to the extensive collection of photos.

You can fortunately purchase this book through Amazon relatively cheaply. I bought mine through Hedgehog Handworks, but I paid the full retail price ($24.95). Amazon sells it for $16.97, and it ships within 24 hours.



If you have any recommendations for good books on metal thread embroidery, please let the rest of us know!

]]> book review embroidery books 13460 Nancy Schmidt noreply@blogger.com 2006-07-18 07:46:12 2006-07-18 07:46:12 1 0 http://www.needlenthread.com/2006/06/embroidery-stitches-book.html Wed, 21 Jun 2006 18:15:00 -0500 Mary Corbet 962 2006-06-21 18:15:00 2006-06-21 18:15:00 open open Embroidery-Stitches---a-book publish 0 0 post Dictionary of Embroidery Stitches is another good reference to have in your library. The book has plenty of full-color instructions and plenty of good ideas on how to use the stitches you've learned.

This particular edition of the book ("revised") has over 400 stitch diagrams in full color, with detailed instructions for each stitch. It includes an introduction that takes you through the basics to get you started. After the introduction, you'll find fourteen sections of stitch-types, from simple outlining to pulled fabric.

The books is pleasing to look at - the colors are great - and it's easy enough to use while you're stitching. The binding would be better if it were spiral, so it would lay flat. But it's "floppy" enough that, with just a little encouragement, it stays put where you need it.

If you're looking for a thorough stitch dictionary, you won't go wrong with this one.

Check out my Needlework Book Reviews to find similar items.



]]> book review embroidery books http://www.needlenthread.com/2006/06/whitework-embroidery-inexpensive.html Mon, 19 Jun 2006 13:56:00 -0500 Mary Corbet 963 2006-06-19 13:56:00 2006-06-19 13:56:00 open open Whitework-Embroidery---Inexpensive-&-Beautiful! publish 0 0 post
You don't need much in the way of supplies to produce a nice piece of white work embroidery...

First, you need fabric. Depending on what you want to produce, there are a lot of choices. If you're just starting out, try it on a high-count, pure white muslin (like "Southern Belle" muslin). It's relatively inexpensive, easy to work on, and produces a pretty end-product. If you've got your stitches down, and you really want to produce something nice, then work on good fine linen. Legacy linen makes some good stuff, but when you get into that quality, the price rises considerably! You can work on batiste, organdy, lawn, or anything, really, as long as it's white! I'd say avoid synthetic fabrics or blends - natural fibers seem to be easier to work on.

You'll need a hoop, a pattern, white thread, and needles corresponding to the size of your thread.

You can use a thread or two of regular 6-stranded embroidery floss (DMC or Anchor) or silk, or even very fine white wool, or coton a broder in the smaller sizes. I like using white silk, and YLI is relatively inexpensive and easy to work with.

To transfer the design, you should use blue - I don't know why, but for some reason, if the blue sticks around, it eventually absorbs itself into the white so that it isn't really visible. I use transfer pens that are water soluble, or Saral-type (no wax, no carbon) transfer paper. It wouldn't hurt to test your fabric to make sure the markings will wash out, but I've never had any that wouldn't.

If your fabric's not thin enough to see through easily, you can use a light box for tracing, or - more economically - tape your pattern to a window, and tape your fabric over it. Trace it. If you're using transfer paper, you don't have to worry about tracing.

The typical stitches you'll use are backstitch, stem stitch, satin stitch, chain stitch, buttonhole, and overcast. Other stitches can come into play, so it's a good idea to have a reference book handy if you need it (see my recommendation)

What kinds of designs? They can be as simple or as intricate as you wish - it all depends on your project. If you're just starting out, try something small. A book I like for white work designs is put out by Dover Publications - it's less than $7.00, and has a wealth of nice designs for any type of project in it.

Oh - and good lighting is a must! You can't work white-on-white in the dark!

Have fun with it!

]]> book review embroidery books 5765 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-09-05 01:52:41 2009-09-05 01:52:41 1 0
I have been stocking up my library with books based exclusively on your reviews... Got this book recently along with Trish Burr's books, A- Z series and Wessex Stitchery.I am awaiting the Wessex stitchery book. I must say that all the books have been great additions. Thanks for the indepth reviews]]> http://www.needlenthread.com/2007/10/embroidery-pattern-another-little.html Sat, 13 Oct 2007 09:04:00 -0500 Mary Corbet 964 2007-10-13 09:04:00 2007-10-13 09:04:00 open open Embroidery-Pattern:-Another-Little-Jacobean-Motif publish 0 0 post

The embroidery stitches in this one are simple stitches, for the most part: stem stitch, herringbone, chain or split, couching, darning, little cross stitches, French knots or seed stitch, and little fly stitches.

Here's the pattern:



I always tell myself I'm going to DO something with all these patterns, but I have yet to stitch any of them. My "big project" right now, though, (aside from my real job) is filming stitch videos...! But maybe one of these days I'll actually work one up, just for the fun of it!

Anyway, I hope YOU enjoy the pattern and have a chance to do something with it!

]]> Jacobean embroidery free embroidery patterns http://www.needlenthread.com/2007/10/hand-embroidery-accessories-thread.html Fri, 12 Oct 2007 09:21:00 -0500 Mary Corbet 965 2007-10-12 09:21:00 2007-10-12 09:21:00 open open Hand-Embroidery-Accessories---Thread-Rings-&-Keeps publish 0 0 post

While squizzing about the internet, I came upon another embroiderer's blog, and on it, I saw an accessory I had never seen before: thread rings. These are little rings of mother-of-pearl that you hook your threads through to keep them organized. I suppose any smooth rings would work, but these are apparently made just for thread.



The Happy Stitcher worked up a beautiful little thread roll, inside of which she lined up these thread rings, hung on ribbon, to keep thread for a project organized. Incidentally, speaking of accessories, the Happy Stitcher also makes and sells pretty little scissor and zipper fobs. And, while you're looking around her site, you might be interested in her "finishing school," where she gives step-by-step photo instructions on finishing different types of needlework projects.

Back to the thread rings.... When I saw this delightful little stitching accessory, I wanted to know what the rings were... and so I searched around for "thread rings" and came up with this:



Stitching Bits and Bobs is an extremely colorful website devoted to supplies for embroidery, and especially for needlepoint and counted thread designs. It is, in fact, the site where you can find Giulia Punti Antichi's embroidery designs. She's the lady who designed the little free Assisi work etui pattern I posted a while ago. You can find Giulia's patterns at Stitching Bits and Bobs, so if you want some nice designs to browse or purchase, you might take a look at them!

Back to the thread rings: I think they're a great idea. They don't have to be used in a thread roll like the happy stitcher did, but if they are, I think they would be very effective. I was also thinking they would be nice, just strung on a ribbon or on a bigger ring, while working a project. I suppose you could slip your thread in them and carry them loose, too.

There's also another cool little accessory at Bits and Bobs called a "thread keep." It's mother-of-pearl as well, and it holds six groups of floss:



I don't have any of the above accessories, but they look like great ideas, and someday, I might even invest in some of them! Would they keep me more organized? Hmmm. I can't guarantee it! One of these days, I'll have a little etui roll - I'll roll it up and put it in my nantucket basket, and love the fact that everything tucks prettily away. But I reckon I'll have to make it first - so I may be waiting a while! In the meantime, I guess I'll let my plastic box continue rattling inside my basket!

Oh - by the way - with Christmas in the not-too-distant future, I think all these accessories - the thread rings and keeps, or the scissor and zipper fobs - would make marvelous stocking stuffers for stitchers!!
]]> gift ideas embroidery resources needlework products http://www.needlenthread.com/2007/10/embroidered-buttons-dorset-button.html Thu, 11 Oct 2007 10:26:00 -0500 Mary Corbet 966 2007-10-11 10:26:00 2007-10-11 10:26:00 open open Embroidered-Buttons:-Dorset-Button-Tutorial! publish 0 0 post

Dorset Buttons have been around for a long time! It was a cottage industry in England (specifically in Dorset, hence the name). Read the history of button making in Dorset - it's pretty interesting! These buttons are a neat little chapter in the history of textiles. Sadly enough, when button-making machines came along, this vital cottage industry died, leaving many families poverty-stricken, since they were no longer able to rely on their craft of button-making for survival.

On a website called "The Sampler," there's a wonderful step-by-step tutorial for making Dorset buttons.



Take a look at the tutorial, and you'll see that the options of embellishing these buttons are really endless! A little knowledge of embroidery stitches will help - buttonhole stitch and the ribbed spider web will come in handy.

Once the outside of the button is done and a foundation is laid inside, you can dress the thing up to your heart's content!

I think these buttons would look great on chunky sweaters, on totes, on knitted winter caps ---- and on and on and on! I also think (though I haven't tried it yet) that they would be a good project for younger embroiderers on winter days! I may test that latter theory - if winter ever gets here!

Enjoy the tutorial! And thanks to Craftypod for supplying it!
]]> historical needlework needlework tutorials embroidery resources embroidered buttons 12876 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-10-12 08:40:00 2007-10-12 08:40:00 1 0 http://www.needlenthread.com/2007/10/beetle-wings-for-embroidery.html Sun, 07 Oct 2007 16:37:00 -0500 Mary Corbet 967 2007-10-07 16:37:00 2007-10-07 16:37:00 open open Beetle-Wings-for-Embroidery-Embellishment! publish 0 0 post beetle wings and goldwork previously, I had not seen the wings up close in person. What a surprise! Photographs don't do them justice!

Wings from the Asian "green jewel" beetle (Sternocera aequistignata) have been used to embellish textiles in Asia for centuries. In the Victorian era, it became fashionable in the western world to add these glorious little wings to elaborate clothing and accessories. The wings are still used today to embellish textiles and to make jewelry and other decorative items. But really, who woulda thunk it? When I think "beetle," it doesn't really generate the most pleasant thoughts.

All that has changed - I look at beetles in a different light now!



A camera cannot catch the scintillating depth of colors in these wings. Predominantly, the wings are green, but some carry as well a copper, gold, or yellow tone, and others a deep blue-ish tone. The light plays on the wings to reflect almost "layers" of colors. They remind me of two-dimensional emeralds - you don't get the depth in a glassy way like you do with a jewel, but, because of the reflection when you move the wings around, the colors are deep and changing.



I've tried to photograph the wings from different angles, in different light, to see if I could give a good enough impression of their varying color.



The copper-colored area on the foremost wing in the photo above isn't always that dominant! It's the angle! These are the same group of wings as in the photos above.

The wings are about the same consistency of a very strong fingernail. They don't seem to break easily, but I'm sure, with a good pressure on the top, they would.



If you happen to drop your camera on top of them - the break! The camera slipped out of my hand and landed on the whole pile - one took a direct hit, and it cracked. I broke it apart to see what it looks like. They don't chip or crack easily, though. They're sturdy.



When you hold them in your hands and shake them, they make a pleasant little chinking sound. They're very light.



When I took them outside into the sun to photograph them, the wings took on a blue tint - at least, more so than when inside. Again, they're pretty light - even the slightest breeze moved them around while I was outside.



To use them for embellishment, I'm told by Michael Cook, the Wormspit guy, that the wings should be steamed for five minutes to soften them, and then, using a sharp needle, holes are pierced at the tips and also on the sides, if you want (you pierce them, I assume, wherever you want to secure them to the fabric).

Now, where to get these things? You can find them on e-Bay, actually, at "herbkerb's" eBay store, Best deal Thai Goods. He sells them in different quantity packages: 200 of the regular green run about $15, with $5 shipping.... or you can go for bulk with 1,000 for $65.00! The smaller packages are grouped by color, so you can actually get predominantly blue-ish tones, green tones, copper tones, or whathaveyou. All of the wings are, of course, green, but they have these different elements of color in them. I have recently placed an order through this eBay store, but have not received it yet, so I can't vouch for the service personally yet, but they seem to have a good track record. The batch of wings above are from Michael Cook - I swapped with him for some silk samples! And speaking of which, he also sent a cocoon and some of his own silk - so more on that later!

The beauty and variety in God's creation is just amazing, isn't it? I'm really in awe of these little wings, and I'm looking forward to playing with them when the opportunity arises! I'll post results eventually.
]]> embellishments beetle wing embroidery goldwork 2634 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-02 10:33:01 2010-03-02 10:33:01 1 0
MC]]> 2635 Maizie Teasworth noreply@blogger.com http://www.blogger.com/profile/17776168416869066021 2010-03-02 10:28:32 2010-03-02 10:28:32 1 0 Does anyone know where I can buy these lovely things now?]]> 12693 Nancy noreply@blogger.com http://www.blogger.com/profile/02044120494682202785 2007-12-01 05:35:00 2007-12-01 05:35:00 1 0 12875 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-10-13 16:54:00 2007-10-13 16:54:00 1 0
The book shows several pictures (including close ups) of a Victorian dress that was heavily trimmed with the wings, incorporated into a design with gold thread. Just lovely and well worth having a look at :-)]]> 12881 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-08 22:20:59 2007-10-08 22:20:59 1 0
It'll be fun to experiment!]]> 12882 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2007-10-08 21:46:00 2007-10-08 21:46:00 1 0 http://oakenking.livejournal.com/153387.html

I found that clipping then with the nail clippers worked much better than scissors (but if you have to use scissors, nail scissors are the closest to working as well as the nail clippers) and the nail file roughed up the edge pretty badly. It seems to make a nicer finish to clip it to whatever shape you want.

Are you looking at making circular shapes, or just rounding out their natural shape?]]> 12883 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-08 21:01:57 2007-10-08 21:01:57 1 0
Michael - thanks for the heads up on the "food crop." Yum. I'm going to try clipping some of the wings when I work with them. I'd like to see how well they cut when steamed, to see if they can be effectively rounded off. I assume they can be...

Thanks for the comments!]]> 12884 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2007-10-08 14:48:00 2007-10-08 14:48:00 1 0
The wing that broke, broke in the classic pattern - I found that for some applications, I could snip with fingernail clippers a little v-dart out of each side to meet in the middle, making two pieces of each wing, and they're much more fracture-resistant than the whole pieces.]]> 12885 joey noreply@blogger.com http://www.blogger.com/profile/07906545294226603328 2007-10-08 13:51:00 2007-10-08 13:51:00 1 0 12886 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-08 05:47:22 2007-10-08 05:47:22 1 0
And many Asian countries do indeed have conservation laws!]]> 12887 Mer noreply@blogger.com http://www.blogger.com/profile/05384497763519876365 2007-10-08 04:33:00 2007-10-08 04:33:00 1 0 http://www.needlenthread.com/2007/10/embroidered-iris.html Sat, 06 Oct 2007 10:08:00 -0500 Mary Corbet 968 2007-10-06 10:08:00 2007-10-06 10:08:00 open open Embroidered-Iris publish 0 0 post

There are two flowers I just love - the iris and the daffodil - and I really love them together.... It was only natural, then, that Tanja Berlin's Iris caught my eye and became one of those "must do" kits. Too bad she doesn't have a daffodil! I'll have to drum that one up on my own.

So here's the iris so far....



Admittedly, it ain't perfect! The large bowl-shaped petal on the top right was the most difficult part of the pattern. I like it in the right light, but if the light's not right, my stitches don't look so good. I'm still debating about that one...



You can see what I mean up close here. From far away, it looks a lot better!



I like the leaves and stems, but the bud part is a little stiffer and unnatural looking. When I finish the flower, I'm going to go back in and do something about those leaves around the bud and on the bud stem. They're just too "coloring-book" looking. They need some depth, and a little more of a wrinkly taper at the top of the leaves (like on the left leaf next to the bud).

So that's my current little project... I need to get on with some bigger things, like the silk sampler - we have our first autumn guild meeting Monday, and I haven't made any headway on that recently! And then I've got two projects that have been requested that I want to start, AND.... oh, stay tuned - I'll post about this - I've got beetle wings to play with! And some videos I need to edit!

Time... it's not on my side. I think I'll write a song...
]]> pictures needlepainting 12888 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-07 17:29:12 2007-10-07 17:29:12 1 0
I keep several threads going at once, and switch when the shade changes. On the bowl of the top leaf on the right, for example, there are three shades, but they're worked across the shape, so the shade changes as you work the row across, though I admit I fudged it a bit here, and kept going down with one color when I thought it needed filling in more. But, yes, to answer your question, I do keep several threads going - it's just too much to do only a tiny bit of a color, end the thread, start the next, and so forth!

Hope that's helpful!

MC]]> 12889 Meeta noreply@blogger.com 2007-10-07 16:41:00 2007-10-07 16:41:00 1 0
Many thanks!]]> 12892 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-06 14:20:34 2007-10-06 14:20:34 1 0
I'm glad you find the videos useful!

Thanks for your comment!]]> 12893 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2007-10-06 11:43:00 2007-10-06 11:43:00 1 0 http://www.needlenthread.com/2007/10/jacobean-embroidery-pattern-hanging.html Thu, 04 Oct 2007 21:21:00 -0500 Mary Corbet 969 2007-10-04 21:21:00 2007-10-04 21:21:00 open open Jacobean-Embroidery-Pattern:-Hanging-Flower---Good-for-Goldwork,-too! publish 0 0 post

Like the other Jacobean patterns I've posted lately, this one comes from Mary Thomas's Embroidery Book, which is currently out of print. I like this motif - I like the rounded leaves, the couched stem, and the satin stitch edges. They all leave a lot of room for interpretation and adaptation.

Here's the pattern:



That's the full size, so to save it to your computer, you can just right click on the image above.

This particular pattern is open to a lot of interpretation (well, just about any design is!) - the outlines on the individual petals can certainly be something besides satin stitch. Buttonhole comes to mind, for example. Here, the little stamens coming out of the top of the flower are represented as satin stitched dots, but they could just as easily be clusters of French knots. The stem is shown couched, and the inside of the flowers are various sizes of straight stitch - but stem stitch, running stitch, or any line stitch would do for both the stem and the inside lines on the petals. You could dress up the stem with herringbone stitch inside, or stick with the little seed stitch dots there.

The design would also make a nice goldwork practice piece. The edges of the petals could be worked in purl, the stem would be great in couched gold passing, and the large dots at the base of the flower (top of the stem) would be nice in alternating check and smooth purl.

So many options!!

Have fun with it!

]]> Jacobean embroidery goldwork free embroidery patterns 10776 Gayatri noreply@blogger.com http://www.blogger.com/profile/12052596049259254254 2008-08-28 11:20:00 2008-08-28 11:20:00 1 0
I am learning needle work through your website, and I have improved a lot.I like your website a lot and your site is very unusual as you have all videos and designs organised neatly unlike lot of sites who either ask to pay or provide very small designs for namesake.I like the way you explain in your videos.Thanks so much and keep up the good work to teach people like me]]> 12896 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-05 23:04:57 2007-10-05 23:04:57 1 0
I enjoy working on my website, and I'd actually like to spend more time working on it - dress it up a bit and add about 100 more stitches to the video library... well... "One of these days!"

Thank you, Frances! I'm glad you enjoy the site! I'll try to keep it useful and interesting!]]> 12897 francesking noreply@blogger.com http://www.blogger.com/profile/05922149801977467994 2007-10-05 19:15:00 2007-10-05 19:15:00 1 0 I have been wanting to contact you for a while now but didn't know how to do the "post a comment" thing on your website. I do now, so that is something else I have learnt through you.
I would like to say that I am in awe of you. I have no idea how you accomplish so much!
Teaching, doing all the embroidery that you do, going on little trips, searching the internet for patterns and interesting things besides writing your Needle'n Thread email and website. I am guessing you have a home life too that you have to keep up with.
You must have some secret to time management that you could become rich on.
Thankyou so much for being the most unselfish and sharing person I know of. Also thankyou for all the good things on your website . It would be nice to know you personally.
Kind regards.
Frances.]]> http://www.needlenthread.com/2007/10/free-embroidery-pattern-single-leaf.html Wed, 03 Oct 2007 13:25:00 -0500 Mary Corbet 970 2007-10-03 13:25:00 2007-10-03 13:25:00 open open Free-Embroidery-Pattern:-Single-Leaf publish 0 0 post

I say "not necessarily fallish" because it all depends on the color you use to embroider this type of leaf. You can choose fall colors or spring colors - the leaf is pretty universal; the interpretation of it is up to you!

This is another pattern with a bit of Jacobean flair.



You can resize it in your own photo editing program after you've saved the design to your computer (click on the leaf pattern for a larger version, then right click on that and save to your computer). It's rather large, but, depending on what you want to do, that could be useful.

The outline suggests running stitch, but you really could use any kind of outlining stitch on this type of motif. The spine in the middle of the leaf is chain stitch or split stitch, and then the smaller veins are stem stitch or outline, or even whipped running - it's really up to you. The little "buds" on the veiny lines would be easily done in daisy stitch (detached chain).

Have fun with it!

]]> Jacobean embroidery free embroidery patterns http://www.needlenthread.com/2007/10/historical-needlepoint-hand-painted.html Tue, 02 Oct 2007 09:00:00 -0500 Mary Corbet 971 2007-10-02 09:00:00 2007-10-02 09:00:00 open open Historical-Needlepoint-Hand-painted-Canvas... publish 0 0 post

The Traquair House needlepoint canvases are hand-painted by Phillipa Turnbull. They are, "by special permission from The Laird of Traquair House in Scotland, an exact replica from a panel of slips from the 16th Century." There are 9 slips altogether. You can see photos of them at The Crewel Work Company.

Traquair House dates to 1107 (900 hundred years old!) when, according to the historical information on the website, the house was a hunting lodge for the Scottish royalty. Now, it's one of those "I'd love to go there" historical spots that hosts tours, events, and weddings, has a brewery on site, and even has Bed and Breakfast accommodations. It looks like a lovely place with a glorious history. You can read all about it at the Traquair House website.

Back to needlepoint! The panel I have is the Griffin, Pomegranates and Swooping Bird panel:


And it came with the whole palette of Trebizond silk!



This is the whole canvas. I'm glad it's the Griffin! As you probably guessed, I didn't actually order this specifically - it came as part of the needlepoint treasure box from Twining Thread, which, sadly, is no more.



There's the griffin up close. I like him!



Here's the Trebizond palette.

The piece is supposed to be worked entirely in tent stitch (or petit point), which I guess will make the stitching itself rather easy, except, perhaps, for the changing of colors rather often. I'm assuming that it should be worked in the "basketweave" style of tent stitching. The unfortunate part of receiving this canvas for a mere (small!) fraction of it's regular retail price (along with all the silks, to boot!) is that it didn't come with specific instructions. I'm hoping I know enough about needlework to manage working the piece, and what I don't know, I may be able to guess!

I've worked a lot of canvas stitches and their variations on evenweave, to play with them, but I've never actually worked a whole piece of needlework of this quality. So wish me luck! I can't wait until I have time to get it going!

If anyone out there has any advice about working on this type of canvas, I am, as usual, all ears!
]]> historical needlework pictures needlepoint 12451 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-01-27 13:36:00 2008-01-27 13:36:00 1 0 http://livingpast.com/sca/item2.html

http://www.victoriana.com/shops/andrews/slips.htm

http://www.meg-andrews.com/articles/slips.php]]> 12452 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-26 14:47:46 2008-01-26 14:47:46 1 0
I did start - I love the pallette that was sent with it (Trebizond colors - about 16 or so of them), although I have added a few more colors to it.

I'm using the tent stitch, and, depending on the motif, I'm using all three different types!

I've got the griffin fellow finished except for the black (almost finished with that), the grass, the two lower pomegranites, their branches, and a couple flowers and leaves done. I like it so far, and it's reeeeally relaxing "work."

I'm debating what color to use for the background - perhaps a just-barely-lighter shade than the canvas itself.

Thanks, J!]]> 12454 Anonymous noreply@blogger.com 2008-01-26 12:35:00 2008-01-26 12:35:00 1 0 Hand-painted needlepoint canvases seldom come with specific instructions. "Stitch Guides" are written for a few hand-painted canvases by needlepoint experts. The Stitch Guide will include threads that the writer used and stitches used in specific areas on the canvas. However, it is important to keep in mind that a Stitch Guide is just that - a guide, a suggestion from one person. And again, only a fraction of hand-painted canvases have a Stitch Guide written for them.

I know for a fact the Traquair House canvases are often sold alone without thread pallettes and without stitch guides. Some stores might choose to carry the thread pallettes and maybe there is a store out there that has taken the time to write a stitch guide, but many needlepointers will simply purchase canvases alone without either.

I think a lot of people view needlepoint as "easy", but the true challenge is choosing the fibers, colors, stitches and putting it all together to make a beautiful piece of needleart.

Needlepointers all have there personal ways of stitching - choosing to stitch from the center out, details or background first. On a piece such as the Traquair House canvas, my personal bent is toward the traditional tent stitch (executed in a number of different ways such as Basketweave, Continental, Half Cross etc). If you're having difficulty deciding where to begin, why not simply choose a motif - maybe one of the flowers or the grass - and place that first stitch. You'll find it all coming together before you know it.
Enjoy your fabulous project!
J]]> http://www.needlenthread.com/2007/09/another-jacobean-pattern-single-flower.html Sun, 30 Sep 2007 09:33:00 -0500 Mary Corbet 972 2007-09-30 09:33:00 2007-09-30 09:33:00 open open Another-Jacobean-Pattern:-Single-Flower-&-Leaves publish 0 0 post

I'm still trying to manipulate some images from Mary Thomas's Embroidery Book, and once I come upon "just the thing," I'll probably add a few personal touches. But I do like the single central flower.



I like the flower on this one. I'd stitch the edges in stem stitch or split stitch, all the way around, then work the satin stitch deep edge on the petals over the split stitch.

The leaves would look great in long-and-short stitch shading. I don't have a video up yet for that stitch, but ... (I keep saying this!)... some day soon. It's a long one, and the editing has been a real bear. I'm just not a "pro" when it comes to this camera stuff!

Up the veins of the leaves, I'd work three converging rows of backstitch, bricked (that is, alternating the position of the stitches).

Have fun with it!
]]> Jacobean embroidery free embroidery patterns crewel work http://www.needlenthread.com/2007/09/free-embroidery-pattern-playing-with.html Sat, 29 Sep 2007 21:13:00 -0500 Mary Corbet 973 2007-09-29 21:13:00 2007-09-29 21:13:00 open open Free-Embroidery-Pattern:-Playing-with-Jacobean-Motifs publish 0 0 post Embroidery Book, which is no longer in print. I added some repeats, hoping to find a "corner" design for a small cloth.

So this is one of the embroidery patterns I'm playing with. I'm not so sure about it, but it would be fun to use for practice.



You can click on the image above for a larger version, then right click on the larger version and save it to your computer. Using photo editing software or a copy machine, you can scale it up or down.

Ths stitches illustrated in the pattern are pretty basic: The outline can be worked in chain stitch or in split stitch. The dark oblong in the center is a good place for satin stitch, as well as the dark area on the right edge of each design. Stem stitch is used for the line that runs down the "vein" of the motif (inside), up to an area that can be worked in straight stitches. The accents in the motif (the individual stitches) on the back of the design are little single chains, or lazy daisy. Towards the front of the design are elongated French knots.

You could also add more repeats to the design, if you wanted to end up with, for example, a four-pointed "flower" or something similar. I was looking for three points, suitable for a corner, but you could build on this, spacing four or five around in a circle.

Right now, I have a renewed interest in Jacobean work and crewel embroidery because I just acquired a huge pile (huge!) of Appleton wools!



Have fun with it!
]]> Jacobean embroidery free embroidery patterns crewel work 12906 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-30 07:56:42 2007-09-30 07:56:42 1 0
Or weird, too - that fits!

Thanks for your comment! It's funny!]]> 12907 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-09-30 07:02:00 2007-09-30 07:02:00 1 0
I've just spent the evening reading about crewel and Jacobean work - so it was a nice surprise to get your post just as I was about to shut down for the night.

You have fun too :-)]]> http://www.needlenthread.com/2007/09/embroidery-embellishment-charm-of.html Thu, 27 Sep 2007 09:50:00 -0500 Mary Corbet 974 2007-09-27 09:50:00 2007-09-27 09:50:00 open open Embroidery-Embellishment:-The-Charm-of-Charms,-Buttons,-and-Beads publish 0 0 post

But now I'm hooked. Really. I like these little extra baubles and buttons, beads and charms. Oh, they've been around a while - goldwork, sequins, beaded embroidery, charms, buttons... they're nothing new! But it seems to me that they are enjoying a resurgence in popularity.

This is what sold me on the fun of these little items and that opened up my eyes to noticing them around more and more:



It was these little Sweetheart Tree kits. They're small kits - counted thread techniques - with little extra embellishments to the kits. I don't generally work counted thread techniques, except in dabbling in a bit o' blackwork here and there, and - very rarely - some canvas work... and hardanger now and then, too. Ok, fine - I take it back, I do "do" counted thread stuff - but it's not usually cross stitch.

Normally, these would not be something that would catch my eye. But they did. Why? I think it's the little embellishments! Both kits make use of little tiny beads and one has little heart-shaped white buttons in it. I like them! It takes them "above ordinary."

I admit I'm SLOW - I'm sure little embellishments have been prevailant for a while in needlework - or perhaps they never lost their charm! Maybe I just haven't noticed them....

But NOW... check this out:



I do believe I could become an embroidery embellishment junkie!



Here's a sweet little seashell made by Susan Clarke Originals.



And a pretty little iris by the same company... Irises are among my favorite flowers, and I'm in the middle of embroidering one right now. So I just love this little thing!



A very pretty snowflake - perfect for.... well, earrings came to mind at first, but this is about embroidery, so I chased that thought away, and voila! a better one crept in - what about building a simple embroidered card around this for a Christmas card?



This is largish - quite large, compared to the other pieces here. At first, I thought "What in the world would I ever.....?!" and then the same thing happened. In crept a little thought. A "formal" garden border - maybe even in blackwork or a similar style - built around it. Why not? For a framed piece... I could see it!



Cherries! Who doesn't like cherries?! They remind me of summer - and this is another perfect little something for a crazy quilt square, for the center of an embroidered motif, or for the center of an embroidered card.



And here's a whole little group of "under the sea" embellishments.

OH - so many ideas, so little time!

This bunch of stuff above came in the embellishments Treasure Box I ordered last week from Twining Thread, as part of their close-out. Along with them came ribbons - glorious, beautiful ribbons - and all kinds of neat stuff. What a deal!

Well, if YOU have any ideas for my new embellishment stash, I'm all ears!

In the meantime, I need to go find some storage space....

PS - I'm going to full feeds for a bit on Feedburner. What think you? Do you prefer partial or full feeds?
]]> embellishments pictures needlework products 12905 dawn noreply@blogger.com http://www.blogger.com/profile/17987916970944867015 2007-09-30 20:05:00 2007-09-30 20:05:00 1 0 12908 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-09-28 09:17:00 2007-09-28 09:17:00 1 0
I have seen beads used as an embellishment in the place of French knots and other tiny stitches.]]> 12909 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-28 06:48:09 2007-09-28 06:48:09 1 0
Thanks for the comment! I'm glad you like the site, and the full feeds!

MC]]> 12914 Whskr @ Dash Kitten noreply@blogger.com http://www.blogger.com/profile/10731031704072886773 2007-09-27 14:29:00 2007-09-27 14:29:00 1 0
Oh, by all means go to the full feed, I would appreciate it as sometimes, if time is short, I don't get to read a whole entry if it isn't on the feed (just lack of time). Having it there is convenient and I can click through to the blog if I am enjoying 'the read' and mark it for later use.

Thanks you for a hugely interesting and enjoyable blog, even to a low level embroiderer like myself,

Marjorie]]> 12917 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-27 10:29:33 2007-09-27 10:29:33 1 0
I'm absolutely sold on embellishments. It's so much fun to add just a touch of something here or there on a project. I notice, too, that when I give a little embroidered something as a gift, an accent like a button or charm is such a "sell point." People like that extra touch!

Thanks again!

MC]]> 12918 mub kim.russell@gmail.com http://www.blogger.com/profile/10673719943332888707 2007-09-27 10:17:00 2007-09-27 10:17:00 1 0
I really like the full feeds, I read them on my LiveJournal friends page, and it makes it handy not to navigate away to read things!]]> http://www.needlenthread.com/2007/09/free-redwork-embroidery-patterns-and.html Wed, 26 Sep 2007 08:41:00 -0500 Mary Corbet 975 2007-09-26 08:41:00 2007-09-26 08:41:00 open open Free-Redwork-Embroidery-Patterns-and-Books!-A-Great-Find! publish 0 0 post

At Quilter's Muse, you will find all kinds of information on quilts! For needleworkers, you must check out Pat's books on redwork!

You'll find three redwork books on Quilter's Muse: Redwork Embroidery and Needlework Traditions in Europe and America, Just for Fun Redwork Book, and Emma's Quilt (with embroidery patterns for an antique quilt).

While you're browsing through Quilter's Muse (it's a great site for browsing!), check out the Redwork Index, where you'll find a magnificent redwork peacock design. It's really nice, and it's not limited to redwork - when I saw it, I started immediately thinking of adaptations!

If you're interested in textile history, be sure to check out Pat's section of historical articles, the List of Articles Related to Quilt History, Embroidery, History, and Literature. You'll find enough reading on there for weeks!

Finally, while perusing the site, don't miss the Photo Gallery of Embroidery.

Take some time to browse through Quilter's Muse - it really is a "virtual museum," and well worth a lingering visit!
]]> historical needlework free embroidery patterns 12078 Anonymous noreply@blogger.com 2008-04-07 09:34:00 2008-04-07 09:34:00 1 0
I did find one website that suggested that the red DMC colors that are most offen used for redwork are as follows; 498, 817, 321, 304.

I've not found information on what DMC colors are suggested for Bluework though. Not that I imagine the rules are hard fixed regarding this topic but I am curious about the rule of thumb. Any thoughts or suggestions?

Thanks once again! J. Mosley]]> http://www.needlenthread.com/2007/09/free-embroidered-etui-pattern-needle.html Tue, 25 Sep 2007 09:06:00 -0500 Mary Corbet 976 2007-09-25 09:06:00 2007-09-25 09:06:00 open open Free-Embroidered-Etui-Pattern-(Needle-Book) publish 0 0 post estui, meaning prison. Etuis come in all kinds of shapes, sizes, renditions... some are shaped like boxes, some are simple needlebooks with slots for scissors and maybe a little pocket for threads.

I stumbled upon a website called Giulia Punti Antichi, which is home to an Italian family who work together in the embroidery design business. Giulia has some beautiful stuff on her website! Much of it is counted thread techniques. She's designed some beautiful biscornu patterns, and some really lovely "etui" type projects.

Giulia also features some free patterns on her website. The one that caught my eye was the Assisi Swan etui.



The Assisi Swan Etui from Giulia Punti Antichi is a pretty little Assisi work pattern for a book that holds needles and scissors. The design is in PDF format. The pattern is free and it includes finishing instructions.

Take a look around Giulia Punti Antichi - it's really a neat site full of all kinds of inspiring ideas! As a designer, her kits are for sale through different European retailers (I didn't see evidence of their being available in the States?), and in each kit's description, she indicates the retailer who sells it.

One other interesting note about her designs and her kit descriptions: she goes into detail about the things that inspire her in creating her designs - which is nice! You get a sense of the area of Italy she's from (Tuscany) and its beauties.

Keep in mind when looking at European embroidery retailers: the Euro is strong against the dollar. Right now, it costs us more than $1.40 to "purchase" one euro. And then there's shipping! So it may be better to find out if she has a distributor in the States... (I didn't find one! If you do, let us know!)
]]> free embroidery patterns embroidery resources embroidery designers 12920 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-27 07:12:54 2007-09-27 07:12:54 1 0 Stitching Bits and Bobs is a neat site with all kinds of embroidery goods available - to find Giulia's designs, I went to "search" and typed in Giulia - and sure enough! They all came up!

Thanks again for the resource!

MC]]> 12921 Mayté magicXstitch@gmail.com http://www.blogger.com/profile/09031486818730881428 2007-09-26 21:51:00 2007-09-26 21:51:00 1 0
Happy Stitching day!!]]> 12925 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-25 16:21:56 2007-09-25 16:21:56 1 0
I have a niece living in Naples presently - I told her to Go To Tuscany at her first opportunity, and I'm sure she will. It's a beautiful area of Italy, and you capture very nicely in your desciptions of your designs.

Thanks for the information on suppliers in the US!

MC]]> 12926 Giulia noreply@blogger.com www.puntiantichi.com 2007-09-25 15:29:00 2007-09-25 15:29:00 1 0 We decided to act in this way to help stitchers who are rightly scared about the Euro currency.
Thanks again for your exquisite comments. I am very touched....
Fondly,
Giulia Manfredini
Giulia Punti Antichi
www.puntiantichi.com]]> http://www.needlenthread.com/2007/09/needlepainting-project-complete-peony.html Mon, 24 Sep 2007 08:24:00 -0500 Mary Corbet 977 2007-09-24 08:24:00 2007-09-24 08:24:00 open open Needlepainting-Project-Complete:-Peony-type-Dahlia publish 0 0 post

This is the peony-type dahlia needlepainting kit from Tanja Berlin. If you've never seen her work or checked out berlinembroidery.com (her website), do take a look. I think kits like this are a great way to polish your skill in a certain technique. Not only does Tanja offer the needlepainting kits (which are really gorgeous), but she also offers kits in whitework, blackwork, Jacobean (traditional and modern), goldwork, shadow work, and appliqué.

I've worked a few of her kits before, particularly a couple birds - I put photos of the Red Poll embroidery kit online, but unfortunately didn't photograph the other one -- but that's ok. I've got another one of her birds to do before November (for a Christmas present). Come to think of it, I have her iris kit and her squirrel kit, too.... and two more birds, the wren and ... ? another one. I had planned on making those "fun" summer embroidery projects, but the summer was just way too hectic!! Now that school is underway, I find I need "little" manageable projects if I want to keep plying the needle, so these are perfect.

Anyway, back to the flower....



Here's a close up of the stalk. The colors in the kit are a little darker than the colors in the photo that comes with the kit, but I LIKE the darker colors better!



This is the left bud...



And this is the right bud. There's something amiss on the top, right side in the back - that satin-stitched dark green leaf is not quite right. It's not so noticeable farther away!



Here's the center of the flower. The dark background is made up of French knots, crowded together. The yellow stamens are elongated French knots, or pistol stitch. I kept the wraps rather loose, as I wanted the circles of the French knot at the end of the pistol stitch to show up. If I kept them tight, I found they sunk into the design too much.



This is a close-up of the front petal that was kind of crumpled. After I embroidered it the second time... I liked it better!!



And this is the whole thing. Yes, there are a couple spots that are a bit too "stitchy" looking, but overall, I like the little fellow!

I'm ready to move on to the next "little" project.... ??? I'm not sure what it will be yet... I was thinking about fiddling with a few goldwork techniques before starting up another of these kits. I'm in the mood for couching!
]]> pictures needlepainting 12928 Meeta noreply@blogger.com 2007-09-25 09:34:00 2007-09-25 09:34:00 1 0 http://www.needlenthread.com/2007/09/ecclesiastical-embroidery-example.html Sat, 22 Sep 2007 13:09:00 -0500 Mary Corbet 978 2007-09-22 13:09:00 2007-09-22 13:09:00 open open Ecclesiastical-Embroidery-Example:-Mantle-of-the-Virgin publish 0 0 post

This is from the "Mantle of the Virgin," a cope embroidered apparently in the Netherlands in the 15th century. It belongs to a group of vestments embroidered for the Order of the Golden Fleece, a chivalric order founded in 1430.



This is "needle painting" at it's most glorious - it is worked over gold threads, the shading managed by the spacing between the couching stitches over the gold. The cope is, from what I understand (although I'm certainly open to correction!), linen, completely covered in metal thread and silk embroidery in a variety of techniques. The design was actually first painted by an artist onto the fabric, and then turned over to an embroiderer or a guild for the needleworking.

You can read about Or Nué on the Historical Needlework Resources website, where they also display a fantastic example of the technique.

If you want to try the technique yourself, you can check out this information on how to work Or Nué. It's merely a written explanation, but there are a few rough diagrams to give you the idea.

And, if you want to try the technique without the investment of "real" gold threads, you can practice with the numerous "gold" threads available at hobby stores, notably those produced by Kreinik. They're fairly inexpensive, and it would at least give you a sense of how Or Nué is accomplished. Heck, I've even played around with the technique using regular cotton perle as my laid thread - it works! The perle obviously has more give than metal threads, so the tension on the couching thread has to be pretty light. It's a really inexpensive and fun way to see if you like the technique.

To see how couching works, check out my couching video in the Video Library of Hand Embroidery Stitches.
]]> historical needlework ecclesiastical embroidery goldwork pictures http://www.needlenthread.com/2007/09/litany-of-loreto-embroideries.html Sat, 22 Sep 2007 09:26:00 -0500 Mary Corbet 979 2007-09-22 09:26:00 2007-09-22 09:26:00 open open Litany-of-Loreto-Embroideries publish 0 0 post

According to the article on the Stitch website about the Litany of Loreto Embroideries (PDF), their history is rather vague. One thing is certain, just by looking at them - they are definitely influenced by the romanticism of the pre-Raphaelites.



The embroidered panels are worked in long-and-short stitch in muted shades, with metal threads used for accents.

While the style of art reminds me of the pre-Raphaelites, overall, I can't help comparing the embroideries with the art of William Bouguereau in particular. Take a look:



Perhaps it's just the throne that makes me think of that particular artist - but I think it's also the motif on the gown in the embroidery and the motif on the throne. The lines in the embroidery are not as "soft" as those in Bouguereau's painting, but it reminds me of him, nevertheless. It also reminds me of the Beuronese style of art, which I mentioned when speaking of the samples of ecclesiastical embroidery at the Convent in Clyde, MO. The trees in the background and the clean lines are all rather Beuronese-ish.



This is another one of the embroideries. In all, there are 12 of the panels. It would have been something to see every title from the Litany of Loreto worked in embroidery - there are around 50. What a project! The Royal School of Needlework sells a pamphlet on the embroideries, if you're interested in seeing them all.

I have a pretty keen interest in ecclesiastical embroidery, so the article on the Stitch Magazine website was the first to catch my eye. There are other articles on there for the enthusiast - another historical one concentrates on the Bayeux Stitch. The article, Bayeux Stitch Ancient and Modern (PDF), shows the reader how to work the stitch and how it can be interpreted. It's pretty neat - check it out!

You can find these articles and more at Stitch Magazine online. While you're there, you might want to check out their projects page, where you'll find all sorts of inspiring photos of projects, and their stitch page, where you will find illustrations of a heap of embroidery stitches. On their In Focus page, you'll find a terrific index of the pieces housed at their museum.
]]> historical needlework ecclesiastical embroidery pictures http://www.needlenthread.com/2007/09/needle-painting-update-flower-coming.html Fri, 21 Sep 2007 08:25:00 -0500 Mary Corbet 980 2007-09-21 08:25:00 2007-09-21 08:25:00 open open Needle-Painting-Update:-Flower-Coming-Along,-but... publish 0 0 post little needle painting project I'm currently working on.

This is an embroidery kit from Tanja Berlin, and she has it listed as advanced techniques - it's helpful if you have already done a little bit of this technique. I like working on it. In fact, it's striking me like a really good book does - I can't stand to put it down, and when I'm not at it, I'm thinking about it. Weird.

Anyway, here we are:



Overall, it isn't "bad," and in fact, I do like it a lot. But there's definitely a problem. Can you see it? What strikes you as somewhat "off" in the photo? Ok, wait. You're not allowed to say that the light is too light, and there's too much contrast - whoops. That's a camera problem. Bad lighting right now, as it's dark out and an Ott light never gives me good light for photos!

So you don't have to look too closely to see the problem...



It's that front petal on top. It's crumpled looking - and it doesn't look natural at all. My stitch direction is not as it should be, and my outside edge of stitches (the light ones) are too short is some places... and, then on top of it, I worked the medium too far into the light, up by the edge. SOOOO.... I'm going to pick out that petal.

I cheated in a couple places. And I found a couple parts of the design more challenging than the rest of it:



The "turned" petal (to the left of the one that is malformed) was difficult, insofar as there is only a very narrow space on the inside of the petal for working the long and short stitch in two shades. I cheated. I worked the two shades, but the back inside of the petal just didn't stand out enough. So I outline stitched a teeny line in the white, to make the petal stand out from the background a little more. I'm not sure if I like that. I have to think about it.

The next turned petal (continuing clockwise up the flower) was also difficult.... I'm still thinking about it, too. I don't think I'll unpick those two petals, but I will definitely take out the front "malformed" little guy and rework him.

The other thing: I don't think there are supposed to be those "voided" lines down the center of each flower petal, which end up looking kind of like a central spine or vein. I was thinking wrong when I did the first few petals, working in the same technique I've been using on my silk sampler. So I didn't really pay attention, and the next thing I knew, all my flower petals had definite veins. I don't think it detracts, so I'm leaving them like that. I actually kind of like it, because it makes one side of the petal stand out more than the other, especially if you turn it in the light. But then, if I frame this, who's going to be turning it in the light?

I won't think about that.

One more point: I find myself being really cheap with the light thread as I'm working. In Tanja's color photo of the peony-type dahlia, she uses a lot more light thread. For one thing, the kit didn't come with "a lot" of the lighter color, so I'm stingy with it. For another, it's one of the few Anchor colors in the kit (they're mostly DMC), so I know if I have to get more, I'm going to have to order it online, which would be a real bummer, so... I'm rather sparing with it. I've got a couple more "whole" strands (which will be stripped into individual strands). It is probably enough, but if I had used a lot more of the light color, I think I'd be running short!

Well, this is a good learning exercise. I really want to fine-tune the needlepainting skill, so these kits are good practice. It's a great learning experience and I'm having a blast with this kit!

What d'ya think of it? Any words of advice - I'm all ears!
]]> pictures needlepainting 12933 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-22 07:08:57 2007-09-22 07:08:57 1 0
I'd love to take up Japanese embroidery. The JEC in Atlanta has a marvelous line-up of classes that I'd love to attend!

Thanks for the suggestion on the flower! I did end up taking the front petal out - I'll post the update by the end of the weekend...
I think it looks better, but I'm not quite sure!
MC]]> 12934 Christine noreply@blogger.com http://www.blogger.com/profile/11812223278446037862 2007-09-22 05:58:00 2007-09-22 05:58:00 1 0
Christine
Oakton, VA]]> http://www.needlenthread.com/2007/09/needlework-shop-news-farewell-to.html Wed, 19 Sep 2007 18:57:00 -0500 Mary Corbet 981 2007-09-19 18:57:00 2007-09-19 18:57:00 open open Needlework-Shop-News---Farewell-to-Twining-Thread! publish 0 0 post Twining Thread has been my absolute favorite online needlework shop, but, sadly, the shop is closing. It was a great shop! Not only did Joey, the owner, stock a wonderful supply of quality merchandise that reflected excellent taste in needlework and marvelous variety, but the service was the best, bar none.

I never visited the store in person - I wish I could have! The photos of the place were endearing - a cozy needlework shop, with tables and chairs and lots and lots of colorful fibers, canvases, displays, trinkets... all those things that the embroidery enthusiast loves!

Though I never saw the brick and mortar store, I am convinced it was the perfect example of what a needlework shop should be - good service, fair prices, and a super stock to choose from!

Right now, Twining Thread is clearing out inventory. Joey says they still have plenty of good merchandise left! What they are doing is making up "treasure boxes" in different categories of needlework: counted thread, mostly fibers, embellishments, crewel, and needlepoint. The treasure boxes are only $60 each, but they contain at least (and sometimes over!) $200 (retail) in merchandise. Each treasure box is unique, so whether you order just one, or more than one, you'll end up with a real variety. Shipping is free.

This is a great deal for stitchers! As she put it on her site, think Christmas presents, special occasions, or even re-selling on eBay. (Re-selling on eBay??!! Not a chance!!) As for me, I ordered several, and I can't wait to get them! I feel like a 5-year-old waiting for her birthday.

As great a deal as it is, I'll be sorry to see the Twining Thread go. It was a "comfortable fit" for me for several years, and it will probably take a while to track down the new "perfect supplier."

Thanks, Joey, for being a super supplier, and best of luck in the future!

They're thinking of closing the online store by Oct. 14th, so you best hurry if you're interested in the Treasure Boxes! But be nice - there's only of her, and it's probably a pretty busy job right now! (And I'd hate to think I sent her a swarm of customers that ran her ragged!!!).... actually, it's such a good deal, and such a fun way of doing it - I love the whole Treasure Box idea. I'm trying to refrain from MORE. Aaaaackkk.....
]]> supplies 12942 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-09-20 04:55:00 2007-09-20 04:55:00 1 0 http://www.needlenthread.com/2007/09/some-great-finds-in-needlework-books.html Sat, 15 Sep 2007 15:25:00 -0500 Mary Corbet 982 2007-09-15 15:25:00 2007-09-15 15:25:00 open open Some-Great-Finds-in-Needlework-Books publish 0 0 post

This year, I couldn't make the trip in, but my sister and a friend did, and they both kept me in mind, picking up some great "new" (old) needlework books that have been fun to peruse and that I'm happy to add to my library... and, averaging about 50 cents each, it's not as if you could go wrong picking them up!



An excellent find was Mary Thomas's Embroidery Book - an excellent reference on all kinds of embroidery techniques. It's not to be confused with her stitch dictionary! I'd be interested to see if it's still in copyright, or if it's available online. The copyright date on this one is 1936.

A pretty neat Better Homes and Gardens book (titled "Embroidery") has a bunch of nice projects in it - some very classic, while some are typical of the 1970's, when it was published. So, there's some interesting "retro" stuff in there, and some nice folk embroidery.

There's a great book on bead and sequin embroidery, by Stanley Levy. It's got some really gorgeous stuff in it!

Another book - not properly "embroidery" but a mixture of all Irish crafts - called "Irish Hands" promises to be a nice browsing book. It's got some gorgeous photos of Irish lace in it.

Then there's a book of floral patterns for needlecraft & the decorative arts, by Karen Oleson - some nice line drawings of flowers and such that can be used for surface embroidery.

Another 50-cent-find was the Margaret Boyles Book of Needle Art. Probably it won't be a favorite, but it's got some good stuff in it.

And then - the laugh - Church Embroidery and Church Vestments, by Lucy Vaughan Hayden Mackrille! This book haunts me. I do consider it one of the best books on ecclesiastical needlework. This particular copy was published in 1939 (second edition), and it is in perfect shape, with perhaps just a little rubbing on the corners of the boards - the tiniest bit. Really, a beautiful book. The deep blue cover, the gold lettering - all very nice. What cracks me up is that, here it is, at a library book sale. I mentioned this particular book earlier, and, yes, it's supposedly hard to find. I paid $100 for it several years ago, when I found a good copy online through a trusted rare books dealer. Guess how much last night? .... Right. Another 50-cent-find!

Well, it's a jolly Saturday - I love books!
]]> embroidery books http://www.needlenthread.com/2007/09/needlework-stash-learn-from-my-mistakes.html Thu, 13 Sep 2007 13:38:00 -0500 Mary Corbet 983 2007-09-13 13:38:00 2007-09-13 13:38:00 open open Needlework-Stash---Learn-from-My-Mistakes! publish 0 0 post

An obvious downside of stashing a lot of stuff is organization. Organization of supplies is a huge topic, and since most people have their own approach, it's kind of hard to go into it thoroughly. Suffice it to say, if you're going to invest in "stash," you should develop a system to keep it organized, so that you know what you have and can access it when you want it.

Another downside is that you can end up spending a lot of money, often unnecessarily, simply because something catches your eye. Oh golly. I've done that a lot. You can regulate this by setting up a "budget" for your hobbies. In your regular budget, make a little concession for your hobbies, and add to it a little at a time as you can. Then, when you have the opportunity for one of those "fun days out," when you go visit a favorite store (or even a website!), or you go explore a new store, you know how much you can spend and you are cautious about what you buy. Set your limits and don't go beyond them. Think of things you know you want or that you'll really use, and try not to get distracted by Peripheral Stuff. Avoid impulse buying, just for the sake of buying! You'll feel better later about your superior sense of self-control, and you'll avoid "buyer's remorse"!

All that having been said, I thought I'd share some photos of goods I added to my stash this past summer when I had the opportunity to visit a few needlework shops I had never been to. I'll also share with you a couple of observations and one big mistake!



Here's the general colorful pile. You can note the things in the pile that are typical of me, if you've read my website: silk floss (soie d'alger) in a couple colors I like and will use and some Caron Collections waterlilies (silk) and watercolors (cotton). There's also, in the far background, barely visible, some little white cotton lace trim, perfect for linens. Ribbons, ric-rac, and a big blob of Sari Silk yarn.... some of these were definitely impulse items, and one was just plain a big mistake!



The Sari Silk yarn was actually not a mistake - when I came across it at one shop, I was delighted, because I've wanted to play around with it for a while, but the one time I had tried to place an order for it, the place was out of it. So here it was in person, I could touch it, examine it up close, and consider seriously whether or not the $14.00 was worth it. I thought, in the long-run, it would be - if not for me, for one of my nieces who crochets or one who knits, or even for my mom. Is it suitable for embroidery? Well, I want to see how it couches, just out of curiosity. So I will do that someday!



These are Rajmahal Art Silks. I've never actually worked with this thread, but I've always wanted to. It's from Australia, in fact, and it isn't silk! When I came across it that fateful day, I was already familiar with what it is, and in fact, I had one skein on hand, and I figured this was a good opportunity to expand to a few, so that I could give them a good test.

This particular shop experience was one of "those" experiences. You can always tell what store clerks know or don't know about embroidery by certain things they say. In this particularly fine store, which focuses more on "unique" supplies, antique ribbons, and various antique needlework items - a beautiful and rather ritzy store - the clerk greeted us at the door with the "warm" enthusiasm of someone who would not mind taking the time showing us around, if she had to! She was dressed sleekly, in a skilled imitation of "haute couture" fashion. I was duly impressed and let her show me around, although I pretty much knew where my interests lay once I walked in. I asked if she were the owner - no, no. But she and the owner, she told me, are both artists - textile artists, actually. She pointed out several of the focal points of the shop, including antique buttons and beads, antique ribbons, "modern" ribbons, some fun trims, and whatnot. I wanted to take a closer look at the real antiques they had on display - a beautiful shawl all worked over in goldwork, and a fantastic Victorian crazy quilt behind glass, covered in gorgeous stitchery - and many other items of delectable interest! I asked if I could take pictures of the shop, and it was the first retail place where I'd ever been told "no." (Next time, I'll contact them in advance and speak to the owner instead of the clerk!)

Then, as she warmed up a bit and realized that I wasn't there to pilfer the shop or to ask "stupid questions," she asked me if I was a textile artist. Textile artist is a strange phrase - I wouldn't use it to describe me at all, because it's far to professional and polished, (especially when you're in a store like that!), and none of my degrees are in the study of textiles by a long stretch!
"No, I just dabble in embroidery," said I. "I'm particularly interested in goldwork."
"Oh," was her rather non-committal reply.
"That's why I wanted to take a photo of that shawl."
"What shawl?"
"The goldwork shawl?"
"I'm not exactly sure what you mean by goldwork."
So I explained. "I've never really heard of goldwork. I'm sure Gretchen has." (Apparently, the shop owner...)
Then I mentioned I like working with silk. "OOOHHH - we have some marvelous silk thread here." And she showed me .... the Rajmahal. "It's so nice. We use it for all our needlework. We love silk. And Gretchen swears by this brand because of the sheen." [I was chuckling internally by this time]... "Natural silk," she continued to explain, "has the highest sheen."
I was in awe of her knowledge. I showed my approval by selecting the three colors above, and by agreeing with her that the thread had an extraordinary sheen. Considering there were a few other folks in the shop, I didn't want to... you know, put her on the spot!

Then I went on to look at the various ribbons, and this is where I made My Big Mistake! And this is what I get for feeling so SMUG about the "natural" silk!



I explored the various typical but darling tiny ric-racs and trims, and bought a few of those, and I picked up a couple yards of the above trim, only because it was different and rather neat. I could see it used to trim out a little something at some point.

And then I saw this stuff:



Isn't it pretty? It really is pretty! I could see it trimming out a collar on a little girl's dress or blouse. And I fell in love with it. I'm not super "up" on ribbon, types of ribbon, and whatnot. I saw it, saw that it was beautiful, and wanted some. I glanced (key word - glanced) at the casing, on which I saw marked $1.10. I had just bought some $.80/yard ric-rac, some $1.00 / yard other stuff, and even, yes, some $2.50 / yard other stuff. So I saw that, and I thought, "Wow, it's so pretty - and so inexpensive!"



The whole ribbon is actually a composite of little ribbon pieces, put together very attractively so that they look like flowers and bows.



You can buy all the separate types of ribbon, actually, and make up your own composite ribbon, if you're game for it!

This specialty ribbon, I've since learned, is Mokuba ribbon. Mokuba is a company name synonymous with high quality trims in the fashion world. I might know my silk, but I don't know my ribbon!

I decided on a yard, of course - why not? And it also came in violet - so a yard of that, too. While the clerk cut the first yard (working behind the sign that clearly read, "All cuts final"), I continued to explore. She asked how much of the violet flowered trim I wanted. "Oh, a yard is fine." She hesitated. I wondered. She measured it out. And then she said (God bless her!) "Are you sure?" I suddenly figured it out. "How much is it?" I asked. "It's $1.10 an inch."

Oh well. I swallowed my pride. I declined the violet, but in all fairness, paid for the coral flowered trim, because, after all, all cuts were final. She was just doing her job - and she did save me from a SECOND $40 mistake. She explained that most "clients" didn't purchase even a yard at a time. Well, heck -- if you're not buying a yard of ribbon, what could you possibly be using it for??? I know, I know - little things.

As I checked out, trying not to visibly wince, I did manage to mention that Rajmahal is actually viscose - as it says on the tag - and not silk. But I did concede that it does indeed have an exceptional sheen!
]]> supplies threads pictures miscellaneous embroidery musings 12957 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-16 09:42:49 2007-09-16 09:42:49 1 0
Thanks for sending the link to the photos - for those of you who want to see some more trim, Mer's is in deep reds and greens and is really lovely stuff. Perfect for winter, too! I was recently planning out a Christmas ornament for a gift - this would make great trim for an ornament! This is the direct link. Otherwise, you can cut and paste the url above into your browser.

Thanks again, Mer!]]> 12958 Mer noreply@blogger.com http://www.blogger.com/profile/05384497763519876365 2007-09-16 06:45:00 2007-09-16 06:45:00 1 0
http://www.innershelter.net/journal/2007/09/trim.jpg

I have another one in orange and green, made with some sort of orgaza ribbon, but I cannot find it!]]> 12959 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-09-14 08:11:00 2007-09-14 08:11:00 1 0 12960 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-14 07:17:03 2007-09-14 07:17:03 1 0 12961 Mer noreply@blogger.com http://www.blogger.com/profile/05384497763519876365 2007-09-14 03:28:00 2007-09-14 03:28:00 1 0
I actually have a ribbon similar to that, or two, I think, and they costed no more than 2 euro the meter in Barcelona. No flowers though. I could take a picture if you want to see. Galloons and trims are my weak spot.]]> http://www.needlenthread.com/2007/09/embroidery-mistake-yuck.html Mon, 10 Sep 2007 18:33:00 -0500 Mary Corbet 984 2007-09-10 18:33:00 2007-09-10 18:33:00 open open Embroidery-Mistake---YUCK! publish 0 0 post

I finished the leaf worked in split stitch (it's the one on the right) and decided to launch into the third flower.

One drawback was that the stitches were supposed to run horizontal in each petal, towards the center line down the petal to create a "voided" meeting area. Well, I figured to get the full effect of the void, if the stitches met anywhere else, you really wouldn't notice the voided line down the middle - or it would end up looking too sectioned off.

So I thought I'd just change the tones of red as I worked down the petal, creating horizontal layers of color, and forgetting about the "shape" of the color (rounded arches of color in each petal.)

And so I set about to do that, and this is the result:



I don't like it one tiny bit. If the color change were more gradual, it probably wouldn't be that bad. But in order to get a gradual color change, I'd have to split the Japanese silk and work in a few strands of the lighter shade as I worked down. Um... I've done that before, with the sky in my Agnus Dei.... it takes a bit o' time, if nothing else. I don't want this project to be frustrating, because I'm afraid if it reaches a high frustration level, no one will finish it!

The other problem is that the straight horizontal lines, when worked around the circle of the flower, would really look angular, which wouldn't really match with the rest of the sampler.

So I'm going to pick that silly looking petal out and go back to the arched color changes.

You may wonder why it's a big deal to go horizontal on this flower, when we worked the other one vertical. Well, it's a matter of seeing how the light catches on the stitches, depending on the type of stitch and the direction of stitch.

For example, you can see a difference between the two leaves - yes, they're the same colors, but they look slightly different, because the light plays off of them differently. The one on the right is worked in small split stitches while the one on the left is worked in longer long-and-short stitch.

Well, when I get around to picking the thing out and re-attempting it, I'll let you know how the alternative works. In the meantime, I seem to have contracted the Creepy Crawly Crud (sinus / bronchial stuff), so embroidery's not on my list of priorities - actually, the only thing on my list is BED!
]]> silkwork sampler pictures guild silk 8314 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-18 10:40:30 2009-03-18 10:40:30 1 0 8317 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-03-17 21:40:00 2009-03-17 21:40:00 1 0

I agree with the horizontal stiches having to go. Its u 2009, so what happened with this sampler???? Did you finish it?]]> 12965 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-09-11 08:12:00 2007-09-11 08:12:00 1 0 12966 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-09-11 05:20:00 2007-09-11 05:20:00 1 0 http://www.needlenthread.com/2007/09/tools-for-embroidery-heres-good-one.html Sun, 09 Sep 2007 19:29:00 -0500 Mary Corbet 985 2007-09-09 19:29:00 2007-09-09 19:29:00 open open Tools-for-Embroidery---Here's-a-Good-One! publish 0 0 post

The EZ Tack-It kit is quite handy to have - so much so, that I have two kits! I came across another one while I was shopping a few months ago, and bought it to keep on hand for our guild.



The EZ Tack-It is used to assist you in setting up embroidery projects on stretcher bar frames. Unlike scroll frames and slate frames, on stretcher bar frames, you tack your fabric all around the edges. Stretcher bars provide excellent tension, and, in my opinion, are quicker to set up than a slate frame.

So this is how it works: you assemble the four sides of your stretcher bar frame. If you aren't familiar with these things, they come in packs of two sides in a given length, and you can assemble a four-sided frame by buying two packs that will accommodate the dimensions of your project. You can find them in Michael's in the needlework section, and you can also buy them at many specialty needlework shops. Online, you can find them at different embroidery shops, like Needle in a Haystack. They're pretty inexpensive ($2.00 - 3.00 / pair). Don't confuse them with canvas stretcher frames, which are much wider than these! But - well, to be honest, I've used the canvas stretchers, too. You can find those in the art department of hobby stores. They aren't as nice as the embroidery stretcher bars, and you do end up "wasting" a bit of room on your fabric, because the frame itself is a good inch or so wider than the embroidery stretcher bar frames.

Anyway, back to the Tack-It. You've got your frame assembled, and you've got the fabric for your project ready. I always suggest pre-shrinking if you need to. You want to know where the middle of the top (horizontal) side of your fabric is, and this is where you start tacking - in the middle of the top edge of your fabric. You pick up a tack with the magnetic tack pusher (that's the big round red thing in the kit), and you insert it into your frame in the middle of the top bar. You can insert the tacks either on the back of the bar, or the very top of the bar. It's better not to insert them on the side of the bar facing you (if you've got your frame laying on a table, I'm talking about the side of the bar facing the ceiling), because you may get frustrated by threads catching on the tacks as you embroider. I prefer the side of the bar "around the corner" from this - the outside edge of the frame.

So you tack your fabric from the center to the outside, then you go back to the center and continue across your fabric to the other outside edge of the frame. Each of the tacks should be placed about half an inch to an inch apart on the frame. Then you move to the opposite side of the frame, doing the same thing. You want to pull the fabric taut as you tack the second side, but you're not going to get drum-tight tension, since you're only working on the second side. Then you move to the third side and repeate the process, pulling your fabric to keep it taut and even. Be careful, though! You don't want to warp your fabric. Just pull tight enough to establish good tension.

When you do the fourth side, you end up with drum-tight tension. A frame mounted like this will keep good tension for a long time. I've been working on my silk work sampler, for example, for almost four months, and the tension is still perfect. When I worked the Agnus Dei piece, I never had to readjust or fix the tension of the fabric.

The Tack-It kit makes it really easy to push the tacks into the frame. The handle of the magnetic tack pusher fits in the palm of your hand, to give you good, even distribution when pushing the tacks in. The magnetic tip keeps the tacks in place while you're working with them. And the extractor makes it easy to pull out tacks if you need to. Best of all, because your tension is good, you are not likely to end up with puckers in your fabric when you remove it from the frame.

I store my Tack-It kit in a jar, with an abundance of extra tacks. The kit comes with 60 steel-topped tacks, which is enough for at least one large-ish project. Since I generally will have more than one project going at a time, I have extra tacks - I just bought regular "brass" thumb tacks from the hardware store. They work fine.

You can find the EZ Tack-It kit online at several places, Lacis being one (in California). In Canada, Tanja Berlin carries them. In the States, they run $10 for the kit.

]]> needlework tools 12967 patricia noreply@blogger.com http://www.blogger.com/profile/05001374866613503067 2007-09-10 06:03:00 2007-09-10 06:03:00 1 0 Anyway thank you very much I will stay tuned.]]> http://www.needlenthread.com/2007/09/right-embroidery-needle-good-reference.html Fri, 07 Sep 2007 07:00:00 -0500 Mary Corbet 986 2007-09-07 07:00:00 2007-09-07 07:00:00 open open The-Right-Embroidery-Needle---Good-Reference-Chart publish 0 0 post information about Colonial Needle - a great place to order your embroidery needles - it may be useful to have access to a good reference chart that describes the various needles used in hand embroidery and even gives photos of them (I love photos!).

Country Bumpkin has a really good embroidery needle reference chart on their website. What I like about it over other charts is that it gives the reader all the information you need to choose the correct needle: types, uses, sizes available, and (unlike other charts I've seen) the types of threads or the numbers of strands to use with the different sizes of needles.

Once you decide what needles you'd like to have on hand (the ideal is to have access to several different types and sizes in your sewing basket), check out Colonial Needle, which is a great place in the US to buy a wide variety of fine needles.
]]> embroidery resources needlework tools 8397 Goldberry noreply@blogger.com http://www.blogger.com/profile/15550897298140763183 2009-03-09 20:14:00 2009-03-09 20:14:00 1 0
Anyhow, one way to find the direction on cotton floss is to run it across your upper lip. It will feel rougher when it's going the 'wrong' way. Thread on a spool usually comes off going the right way.]]> 12970 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-08 23:38:05 2007-09-08 23:38:05 1 0
Wool is really the only common embroidery thread with an obvious nap. If you run a wool thread between your fingers, you'll be able to tell by looking at the fibers - if running it through your fingers causes the fibers to stand out from the thread, it's going in the wrong direction. The right direction will feel smoother and the little fuzzy fibers, for the most part, will smooth themselves onto the thread.

Silk doesn't have a nap, and, to my knowledge, neither does mercerized cotton.

Maybe someone else can give some more input if they know differently?

Hope that helps!]]> 12972 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-09-08 21:57:00 2007-09-08 21:57:00 1 0 Joyce]]> http://www.needlenthread.com/2007/09/silk-work-embroidery-sampler-update.html Thu, 06 Sep 2007 17:11:00 -0500 Mary Corbet 987 2007-09-06 17:11:00 2007-09-06 17:11:00 open open Silk-Work-Embroidery-Sampler---an--Update publish 0 0 post silk work embroidery sampler. We started from absolute "scratch." We traced our designs, pricked them, mounted the linen on frames, and then pounced the designs, tracing over the pounced lines with watercolor paint. We meet just once a week, so our progress is relatively slow!

I thought I'd share a few photos of the second flower, which is worked in flat silk in satin stitch, and the second leaf, which is worked in twisted silk in split stitch.



Here's a view of what I've completed so far. It isn't much! The threads I'm using are Au Ver a Soie, Soie d'Alger for the twisted silk (one strand), and flat silk from the Japanese Embroidery Center. The colors are not a perfect match, but they are at least complementary. I would have preferred a perfect match!



This is a close up on the flower in the flat silk. It has a much higher sheen than the twisted silk! The satin stitch is used to fill in each gradation in color. The outline of each petal (and also the line between each color) is worked in stem stitch.



Here's the second leaf, which is worked in llines of split stitch. The color blend is greated by "dove-tailing" the lines of split stitch, so that the edge of each finished row of color resembles the edge of a finished row of long and short stitch. This way, the colors work into each other gradually and blend better.



Here's a close up on the finished half of the leaf. You can see how the split stitched lines work into each other. In fact, it's hard to follow one complete line of split stitch in the picture. They're a bit crowded, actually.



And here you can see how the lines are kind of "dove-tailed" so that the next color will blend in with them.

So that's as far as I've gotten! I'm pretty determined to finish it.... before Christmas!
]]> silkwork sampler pictures silk 12974 Laura Bullinger noreply@blogger.com 2007-09-08 18:19:00 2007-09-08 18:19:00 1 0 12978 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-07 18:58:24 2007-09-07 18:58:24 1 0 12980 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-09-07 16:46:00 2007-09-07 16:46:00 1 0 http://www.needlenthread.com/2007/09/display-of-summer-embroidery-projects.html Wed, 05 Sep 2007 06:43:00 -0500 Mary Corbet 988 2007-09-05 06:43:00 2007-09-05 06:43:00 open open Display-of-Summer-Embroidery-Projects publish 0 0 post

I made a couple posters for the display and then laid out the embroidery projects across the table. Unfortunately, many of the girls didn't finish their embroidered bags! It's too bad, because they really were darling, and the kids who did finish them, loved them!



After putting together the first bag, and after realizing that I had plenty of lining material available, since only about one third of the students finished them, I decided to play around to see how I could get the lining to show a bit better. I managed to fiddle with the pattern until I got the kind of edge I wanted at the top of the bag. You can see the green one in the photo above - it doesn't have a lining showing. It was the first one I put together. I still think it's darling, and, in fact, it won a first place ribbon at the judging!



A few more embroidered drawstring bags...



There's one of the display posters, with pictures of the two classes I taught this summer, and in front are a few of the felt notebook covers.



And there's another part of the display, with the other poster and more book covers and bags. No people there yet...!



Some of the felt notebook covers a little closer...

And there you have it! Another summer embroidery class comes to a close, and a new school year launches.... and I'm already feeling behind!

I'll post an update on the silk work sampler from the adults' summer classes soon. We didn't really seem to get very far, but it's all relative, I guess!
]]> embroidery for children pictures beginner embroidery 12773 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-15 20:51:12 2007-11-15 20:51:12 1 0
A lot of people start with doodle cloths, but I like starting with something that is more in line with a real project, only because it gives that sense of accomplishment when completed.

A sampler's a good idea (it's basically a doodle cloth with a little more organization).

Or you could try any of the patterns I have here - check out the index of patterns - and work one of them in whatever stitches you like, just as a fun practice, but with framing or finishing of some sort in mind.

I'd start on relatively inexpensive fabric, like a high count muslin, which you can find at a local quilt shop or fabric store. Use regular DMC thread, probably two strands at a time, with a #7 or #9 crewel or embroidery needle.

I like to use a hoop, and, when you're just setting out, an inexpensive plastic Susan Bates hoop will work just fine.

To trace a design, the easiest and least expensive way (I find) is to use a mechanical pencil and tape your pattern to a sunny window with your fabric taped on top of it. Go lightly with the pencil. Then hoop up your fabric and you're ready to start. The video tutorials will help you out with stitches as you go.

As you develop skill and move on to other projects, you can always upgrade to better fabric and tools that you will re-use, like embroidery frames and so forth.

Well, I hope that helps!]]> 12774 Idania noreply@blogger.com 2007-11-15 19:30:00 2007-11-15 19:30:00 1 0 12981 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-09-07 00:36:00 2007-09-07 00:36:00 1 0 12982 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-09-06 09:12:00 2007-09-06 09:12:00 1 0 12983 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-09-05 11:32:00 2007-09-05 11:32:00 1 0 http://www.needlenthread.com/2007/09/machine-embroidery-patterns-for-hand.html Sat, 01 Sep 2007 12:17:00 -0500 Mary Corbet 989 2007-09-01 12:17:00 2007-09-01 12:17:00 open open Machine-Embroidery-Patterns-for-Hand-Embroidered-Projects! publish 0 0 post

Now, the reason I like the site is because, though a machine embroidery site, it has some great inspirational ideas for the hand embroiderer - AND - it's got some good patterns on it that can be used for hand embroidery.

Les Secrets de Francine is a French website that sells motifs for machine embroidery.



Although the site is in French, English viewers will have no problem browsing through it. One of my favorite sections of the site is the Alphabets page, where you can view a number of great alphabets that would be terrific for monograms on gifts, household items, accessories, and any other place you'd embroider a monogram!



Besides the alphabets, you'll find ideas for redwork designs, cutwork patterns, and even patterns adaptable for goldwork.

Whether or not you're interested in machine embroidery, check out Les Secrets de Francine, where you can pick up plenty of good ideas for your next hand embroidery project!]]> embroidery links free embroidery patterns 12963 nisha noreply@blogger.com http://www.blogger.com/profile/03859566239338296257 2007-09-11 11:19:00 2007-09-11 11:19:00 1 0 Iam looking to for the types of threads used for embroidery both machine and hand.Also where can i find patterns for embroidery.Can you help me on this.

Thank You
Regards
Nisha]]> 12969 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-08 23:40:48 2007-09-08 23:40:48 1 0
Chicken Scratch Embroidery

I've got some links to sites with patterns on that post.

Hope that helps!]]> 12971 Usha noreply@blogger.com 2007-09-08 23:33:00 2007-09-08 23:33:00 1 0 Iam looking for some designs -small ones in Chicken scratch for cushion covers actually-can you help?
Usha]]> http://www.needlenthread.com/2007/09/too-busy-to-embroider.html Sun, 02 Sep 2007 10:05:00 -0500 Mary Corbet 990 2007-09-02 10:05:00 2007-09-02 10:05:00 open open Too-Busy-to-Embroider? publish 0 0 post

I think most die-hard needleworkers do. I don't have the "luxury" of making my living with needlework (I wonder if it's really a luxury - I imagine those who do, work pretty hard!) This time of year, as school is getting underway again, I'm generally swamped, and the prospect of picking up a needle - as appealing as it is - seem rather remote. Oh, to have the time to just relax with a good embroidery project and stitch away, without anything else hanging over my head!

Alas, it isn't to be. But I refuse to give up needlework during busy spells. Instead, I use it as a "carrot." I plan out the things I must do during a given day, and, if I accomplish my goals, then I get the carrot - even if it's just a half hour or so of embroidery, without feeling guilty about neglecting the daily duties.

The only problem is, I can't start a project when I'm swamped with other stuff. The set-up of a new project always takes too long, and is most suited to weekend hours when I know I'll have a good-sized block of time. Since that won't be the case for a while, I'm contenting myself with a couple needlepainting projects I have had stored away, and with my summer silkwork sampler, which is progressing veeeeerrrry slowly.

So how do you schedule in your needlework when life keeps you extraordinarily busy? Do you give it up altogether? Or do you squeeze it in somehow?

On another note, today all the summer embroidery projects from my kids' classes are being displayed at a local Fall Festival. I'm excited to get everything set up and ready for that, and to give away a few prizes. I plan to take plenty of photos!
]]> miscellaneous embroidery musings 12973 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-08 18:31:14 2007-09-08 18:31:14 1 0 12975 Laura Bullinger noreply@blogger.com 2007-09-08 18:16:00 2007-09-08 18:16:00 1 0 http://www.needlenthread.com/2007/08/embroidery-website-news.html Sun, 26 Aug 2007 18:58:00 -0500 Mary Corbet 991 2007-08-26 18:58:00 2007-08-26 18:58:00 open open Embroidery-Website-News... publish 0 0 post

Sharon has, I think, the most thorough pictorial embroidery stitch dictionary online, and that's how I found her site years ago.

If you're familiar with her website, you may want to know that the In a minute ago blog has moved recently. Sharon's blog features much informative content for the needleworker, so if you've never checked it out, give it a look!
]]> embroidery links 12988 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-02 09:47:10 2007-09-02 09:47:10 1 0
I think that's a great idea! I do have a bit of experience with goldwork. I will definitely add that to my list of "upcoming" tutorials. But be patient.... from the beginning of September through the middle of October, I have a hectic schedule, since the school year's just getting underway. I'll try to shoot for filming some more tutorials during the weekends around the end of September / beginning of October.

I have a few still in the editing stage that can fill the gap between now and then.

I'll probably have to work out some camera logistics, too. Oh, to be more professional with the camera!

Thanks for the input! That'll be a fun project!]]> 12989 Anonymous noreply@blogger.com 2007-09-02 00:38:00 2007-09-02 00:38:00 1 0 With your love of historical church embroidery, do you have any experience in Goldwork?

I'd love to see an instructional video on how to couch down Purl or Bullion gold threads over padding (felt or string)!!

Maybe a new section for those of us who are attempting historical Goldwork?

-thanks
Ray]]> 12993 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-08-30 22:38:34 2007-08-30 22:38:34 1 0
Thanks!]]> 12994 Reshmi Roshan noreply@blogger.com yahoo.com 2007-08-30 22:02:00 2007-08-30 22:02:00 1 0 but i have only one negative comment that in basic stitches video one stitch is missing that is CROSS STITCH.]]> http://www.needlenthread.com/2007/08/rosette-chain-stitch-video-tutorial.html Sun, 26 Aug 2007 10:23:00 -0500 Mary Corbet 992 2007-08-26 10:23:00 2007-08-26 10:23:00 open open Rosette-Chain-Stitch-Video-Tutorial publish 0 0 post

This is one of those embroidery stitches that I have always thought looks complicated in diagrams. It's a whole lot easier when you see someone work it!

The rosette chain stitch is much like the oyster stitch, but it's worked in a line, around curves, etc. The oyster stitch is more often seen, I think, individually.

You can curve this stitch really nicely around borders. You can work it close together, so that your line comes out looking like a tight, textured braiding, or you can space them out, to get a bumpy, scalloped-looking line. You can work it in circles:



However you decide to work it, the rosette chain is a nice stitch - and once you get the hang of it, it's quick, too.

In the video, I'm using Trebizond (twisted silk). Perle cotton works great for this stitch, but really, you can use any thread - the finer the thread, the more delicate the effect.



For more embroidery stitch videos, please visit my Video Library of Stitches Index.

Have fun with it!
]]> video tutorials beginner embroidery 9967 Anonymous noreply@blogger.com 2008-10-31 11:43:00 2008-10-31 11:43:00 1 0 http://www.needlenthread.com/2007/08/great-little-hand-embroidery-book.html Sun, 26 Aug 2007 07:58:00 -0500 Mary Corbet 993 2007-08-26 07:58:00 2007-08-26 07:58:00 open open Great-Little-Hand-Embroidery-Book publish 0 0 post

Unfortunately, the version I found is out of print! It's the Anchor Book of Free-Style Embroidery Stitches.



This is a great little book, with clear step-by-step diagrams. It is not, perhaps, as "beautiful" as the Country Bumpkin publications (those are favorites of mine!), but still - I think it's a neat little book.

First of all, it's little - about 5.5" x 6". Second, the stitches are clearly diagrammed. They are simple diagrams, but easy to read. Third, each two-page spread shows the stitch diagrams and written instructions, plus a real embroidered sample showing the stitch in application. Fourth, the back of the book has 44 patterns for tracing which match the embroidered samples throughout the book. Overall, there are about 50 stitches demonstrated.

Now, the out-of-print problem: Anchor has a "new" Anchor Book of Freestyle Embroidery Stitches that you can pick up through Amazon or other booksellers. It runs around $12.00. I haven't seen it, personally, but I imagine it demonstrates the same stitches, as it starts with Antwerp Edging and ends with Wheater Stitch, with the same number of stitches demonstrated in between. It seems the difference, though, may be in the number of patterns - according to the "new" book, it only offers 16 patterns! What happened there?

Good news on the out-of-print older one: it's available used all over the place, for as little as $3.00. I was able to pick up four of them from different used booksellers around the country, and, even with shipping, paid no more than $6.00 each for them.

So if you're looking for a good little book to teach yourself to embroider, or if you want it for a gift for someone else, you might look into this one.

Anchor has a whole series of these books, by the way. In the "old" series (like this one), they cover counted thread, canvas work, crewel work, hardanger, and ribbon embroidery. In the "new" series, they also have blackwork and pulled thread.

]]> embroidery books http://www.needlenthread.com/2007/08/looking-for-embroidery-needles.html Fri, 24 Aug 2007 10:38:00 -0500 Mary Corbet 994 2007-08-24 10:38:00 2007-08-24 10:38:00 open open Looking-for-Embroidery-Needles? publish 0 0 post

I've ordered embroidery needles from Wendy Schoen Designs - her needle portfolios (especially the purple) provide a good selection of needles for hand embroidery.

But I found a source I like better - Colonial Needle. I ordered a whole array of needles from them this summer for our different guild projects. The selection is fantastic (surely the best I've ever seen), the prices on the products and shipping are reasonable, and the service was excellent. They carry the prominent brands of fine English needles: Richard Hemming, John James, Mary Arden, Thomas & Sons. If you like beading, you can't beat Mary Arden's beading needles, which come in many sizes, but the teeny ones are great - and if you're looking for tiny milliners for bullions, you'll find that the Richard Hemming company produces every size from 1 - 11, or you can buy packs of assorted sizes.

Remember, needles are numbered like wire - the higher the number, the smaller the shaft of the needle.

So if you're looking for hand embroidery needles, check out Colonial Needle Company. You're sure to find what you're looking for!

]]> supplies embroidery resources 12997 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-08-26 18:44:31 2007-08-26 18:44:31 1 0
I'm glad you all like this source for needles - actually, I'm getting ready to place another order! I have two #10 crewel needles left. That's a shortage...!]]> 12998 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2007-08-26 16:08:00 2007-08-26 16:08:00 1 0 13000 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-08-25 09:15:00 2007-08-25 09:15:00 1 0 13001 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2007-08-25 09:14:00 2007-08-25 09:14:00 1 0 http://www.needlenthread.com/2007/08/embroidered-drawstring-pattern-little.html Wed, 22 Aug 2007 05:48:00 -0500 Mary Corbet 995 2007-08-22 05:48:00 2007-08-22 05:48:00 open open Embroidered-Drawstring-Pattern:-A-Little-Sampler publish 0 0 post drawstring bags. It's a little sampler, employing many of the stitches learned in their embroidery classes this summer.

If I remember correctly, only one student chose this pattern. It's a little more complicated than the other three patterns (see cirles, daisy garden, daisy wreath), but I thought it would be fun to work, since it employed different stitches.

The irony is that the one kid who picked it, didn't really work the stitches learned. Ah well. I think she had fun working on it, anyway.

Here it is. You can click on it for a larger image, then save it to your computer and resize it. Sorry about the scratchy look - it was drawn on graph paper and scanned.



The first row is fly stitch, tipped with a bead or a French knot. The long sides are simply straight stitches, or they could be daisy stitch. The second row is stem stitch stems, and then whipped daisy stitch, to cover the petals with a ribbed edge, like the ribbed spider web. The third row could have been fly stitch, or even a double herringbone, with daisy stitch or bullion knots, which should cross over and "couch" the fly stitch down - and French knot centers. The bottom row: flowers worked in lazy daisy stitch, with French knot centers and chain stitch stems, set in a row of herringbone or fly stitch.

]]> embroidery for children free embroidery patterns beginner embroidery http://www.needlenthread.com/2007/08/simple-daisy-wreath-pattern.html Sun, 19 Aug 2007 14:07:00 -0500 Mary Corbet 996 2007-08-19 14:07:00 2007-08-19 14:07:00 open open Simple-Daisy-Wreath-Pattern publish 0 0 post

This was probably the most popular pattern for the kids' embroidered drawstring bags. The other patterns include circles of sorts, a dancing daisy garden, and a little "sampler" pattern, which hasn't been featured yet.

You can click on the image below for a much larger version, which you can save to your computer and shrink to the size you want!



Shortly, I'll be adding some more photos of completed work by the kids. The bags are turning out really pretty!

]]> embroidery for children free embroidery patterns beginner embroidery 12977 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-07 19:00:22 2007-09-07 19:00:22 1 0 12979 Anonymous noreply@blogger.com 2007-09-07 17:25:00 2007-09-07 17:25:00 1 0 http://www.needlenthread.com/2007/08/church-embroidery-book-online.html Sun, 19 Aug 2007 10:54:00 -0500 Mary Corbet 997 2007-08-19 10:54:00 2007-08-19 10:54:00 open open Church-Embroidery-Book-Online publish 0 0 post

What captivates me is the intricacy of the designs, the beautiful materials used, the symbolism, and the variety of techniques employed to create what are absolutely amazing works of art. Most textile museums of worth will feature ecclesiastical embroidery as a noteable - and even vital - part of the history of textiles.



The above is a photo I took of a gorgeous miter in the museum of the Benedictine Sisters of Perpetual Adoration in Clyde, Missouri. It was apparently made in the early 1950's, the last piece worked by hand by the nuns in Clyde.

New ecclesiastical embroidery like this is hard to find these days. Even books detailing techniques and patterns are hard to come by. I'm an avid collector of such books, and have many from the turn of last century (early 1900's) in my collection. They can be pricey - I paid arolund $100 for one book, which is in perfect condition except for the slight discoloration from age. I grimaced at the price, but it was a rare find, and I haven't seen it (in good shape) available for less since then. I have found photocopies of it, but a photocopy is never as good as the original, especially when it comes to detailed pictures. So I saw it as an investment, bit the bullet, and paid the price.

But guess what? It's now available online! This particular book is by Lucy Vaughn Hayden Mackrille, and it's called Church Embroidery and Church Vestments. It's available on the Digital Archives of Weaving and Related Topics, a project of the University of Arizona. It comes in five parts, in PDF. You can find them here: Part 1, Part 2, Part 3, Part 4, and Part 5.

I'm still glad I bought the book. I've poured over it for ideas and for inspiration many times. I've replicated some of her patterns, like the one I used for this embroidered pall, worked in white on linen - though in the book it was worked in color, red on white, and in satin stitch and stem stitch:



Lucy Mackrille also has an image of it worked in white on linen, though the stitches used are slightly different. But this is where I took the overall concept for the pall I made.



I was really happy to find the book online, in case others are interested in browsing through it! I'm going to add it to my list of Needlework Books Online - I think it's a gem of a book for people interested in historical textiles or church embroidery.
]]> ecclesiastical embroidery book review pictures online needlework books embroidery books http://www.needlenthread.com/2007/08/textile-museum-exhibits-online.html Sat, 18 Aug 2007 06:46:00 -0500 Mary Corbet 998 2007-08-18 06:46:00 2007-08-18 06:46:00 open open Textile-Museum-Exhibits-Online publish 0 0 post

The first is CIETA, Centre International d'Etude des Textiles Anciens - "an international association founded in 1954 in order to coordinate work methods used by specialists in ancient textiles." The site itself is dedicated to telling people about CIETA. It offers both a French and English version for readers.



Essentially, CIETA is devoted to the study of historical textiles, and, as a world-wide organization, it has "fine-tuned" the language of textiles in order to provide consistency in the examination, documentation, and study of historic textiles. CIETA offers technical courses, where the student learns techniques of analysis of textiles. The members of the organization apparently meet every other year in an international congress, and the organization also has several departments for specialized groups within the realm of historical textiles. For those interested in making their life work the study of historical textiles, this looks like a great organization.

But what was more fun was the link on the site to the Museum of Textiles in Lyons, France. I have to admit, the site itself is rather irritating - it requires activating a lot of controls, if you have pop-ups blocked, you might have to unblock them, it doesn't allow regular forward-back movement on your browser, and on and on. BUT - despite all that - it's worth checking out.



Once you get into the site, you'll have a choice between English and French. Under the English option, there's a link for the Textile Museum Collection. In the menu bar across the top of that page, you'll have choices of different textiles from around the world, as well as a collection of costumes. The pictures are fun to browse through, even though they are rather stingy with the images - they're small, and even the enlargements are small. And you can't maximize the page and get a better view, either!

BUT - again - despite that, I enjoyed browsing through the textiles. They have beautiful examples of European, Eastern, Coptic and Egyptian, and local (Lyons) historical textiles. The costumes they have featured on the site are worth looking at, too.

So, if you're interested in historical textiles, here are two sites worth checking out!

]]> historical needlework http://www.needlenthread.com/2007/08/beetle-wing-goldwork-embroidery-links.html Wed, 15 Aug 2007 14:00:00 -0500 Mary Corbet 999 2007-08-15 14:00:00 2007-08-15 14:00:00 open open Beetle-Wing-&-Goldwork-Embroidery-Links publish 0 0 post Wormspit. That's worm spit, not worms pit, by the way. It's a great website that details how silk is produced by the silk worm, along with information on processing the silk, resources for cocoons, and all that kind of stuff.

Now, the casual embroiderer (that would be me) probably won't go to the extent of breeding moths and raising their cute little larvae for the sake of spinning one's own silk, but ... I cannot deny the utter fascination I have for the whole process. I have spent hours on wormspit.com. I have shared it with people. I have talked to fellow teachers (biology & science teachers) about doing a school-wide silkworm project (they see a mercenary motive, I think)... but what I didn't know about the creator of wormspit is that he isn't just the silkworm guy. He has a blog, and he does some pretty incredible and creative stuff. He also contributes to Gossamer Strands, which has a great illustrated explanation of processing and spinning polyphemus silk.

I thought readers interested in needlework, and especially in goldwork, might enjoy seeing Michael's beetle wing & goldwork embroidery.

Beetle wing embroidery is embroidery - either in threads or incorporating goldwork - around beetle wings that are sewn onto the fabric as part of the design. The wings are iridescent shiny things, in greens and blues and golds. The whole idea of beetle wing embroidery seems to have come from the East (Japan & India, especially), and was rather popular in Europe in the late-1800's (makes sense, as England's colonization undoubtedly brought an Eastern & Indian influence to fashion). For those who could afford it, it was not uncommon for dresses, bags, and accessories to be decorated with these bug parts.

You can see other examples of beetle wing embroidery online here and there.



On bugbios, for example, there's a gorgeous example of a turban worked on muslin with gold and beetle wings.



On Show Me UK, you can find a great link to a larger photo of this dress found in the Museum of London. The dress is elaborately adorned with beetle wings and gold. On this site (geared towards kids), the appeal is that the dress is decorated with bugs' wings. Regardless, the workmanship is stunning.

Michael worked up a beautiful example of goldwork and beetle wings. If you get a chance to look at it, do. If you want some tips on how to work with beetle wings, read his remarks in the comments at the bottom of the post.]]> goldwork http://www.needlenthread.com/2007/08/embroidery-projects-more-photos.html Tue, 14 Aug 2007 09:46:00 -0500 Mary Corbet 1000 2007-08-14 09:46:00 2007-08-14 09:46:00 open open Embroidery-Projects---More-Photos publish 0 0 post

The way we did it was this: I drew up the embroidery designs on graph paper, photocopied them, taped them to the classroom windows, and then let the kids pick the color of fabric they wanted to use for the outside of their bag. We taped the fabric to the pattern in the window, and they traced the patterns with water soluble markers.

Many of the girls finished their projects and decided to do the back of the bag as well, since they have one more week to work on the embroidery. Here are some photos of the work they've done so far.



For the kids who picked the daisy wreath (like this one above), I drew their initials onto the pattern. The water soluble marker will (hopefully) disappear after I've soaked the pieces. When they're dry, I'll starch and iron them and sew up the bags.



This is the sampler pattern. It's a bit more complicated. The girl who is stitching this bag decided to do the same pattern on the back, which means that I'll have to line up the seams very carefully so that they match.



Another initial in the daisy wreath. This one is going to look really nice with the lining, which is the same color as the initial!



Here's the little dancing daisy garden underway. This and the daisy wreath are perhaps the quickest patterns as far as stitching is concerned.



And yet another daisy garden. She decided to take the quicker route and backstitch the leaves rather than fill them.



I like the variegated threads used for the stems and for the daisies!



Here's one of the circle patterns being worked. It looks like a fun pattern to stitch - there can be a lot of variation in the stitches used. You can see a ribbed spider wheel there in the small circle below the hoop.



Another daisy wreath with an initial - this was a very popular design, and I thought that, by the time we finished, we'd have practically the whole alphabet!



And another "C" embroidered here - it's very pretty, I think!



And, finally, an "M" in green and white! I love the colors on these. They're very delicate. I can't wait to see them sewn up into bags!

So there's some progress so far. Only one more week of classes - it's been fun, but it sure makes for a hectic summer!

]]> embroidery for children pictures beginner embroidery 13010 corina noreply@blogger.com http://corinaj.wordpress.com 2007-08-18 15:33:00 2007-08-18 15:33:00 1 0 13015 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-08-15 06:13:00 2007-08-15 06:13:00 1 0 http://www.needlenthread.com/2007/08/daisy-garden-embroidery-pattern-for.html Mon, 13 Aug 2007 07:00:00 -0500 Mary Corbet 1001 2007-08-13 07:00:00 2007-08-13 07:00:00 open open Daisy-Garden-Embroidery-Pattern-for-Drawstring-Bags publish 0 0 post drawstring bags that the kids are makingn in our summer embroidery class, here's the second of the four patters we're using. It's a daisy garden.

This is the second most popular embroidery pattern for this project. The kids like it for a couple reasons: they love the lazy daisy stitch, the pattern is simple and doesn't require many different types of stitches, and therefore, it's quick to work. This morning, we have our second class since starting these projects, so I'm eager to see what they've accomplished at home in a week!

Here's the embroidery pattern. It's another sketched-on-graph-paper-then-scanned deal, so it's a bit scratchy, by you can still get the idea. If you want to save it, you can click on the image to get a larger size, then right click on that and save it to your computer. Then you can resize it however you wish.



For this design, the stem stitch works great on the stems (!), the lazy daizy works for the flowers (although you could dress them up with other stitches as well, like bullions worked in loops, which would give more texture), and the center of the flowers are French knots or beads. The leaves are fishbone stitch, or they can simply be outlined in stem stitch. For the younger children, the backstitch is preferred to the stem stitch, but the design looks really nice with the stem stitch.

This pattern looks really good on the light green, the light blue, and the light purple bags, especially because the linings on those have daisies or other flowers on them and the colors of the flowers are easy to coordinate with the colors of the lining.

Stay tuned for photos of the kids' work - I'll snap a few pictures during class today! ]]> embroidery for children free embroidery patterns beginner embroidery http://www.needlenthread.com/2007/08/embroidered-drawstring-bag-pattern.html Sun, 12 Aug 2007 09:57:00 -0500 Mary Corbet 1002 2007-08-12 09:57:00 2007-08-12 09:57:00 open open Embroidered-Drawstring-Bag-Pattern:-Circles publish 0 0 post drawstring bag. I thought I'd share the patterns that we're using to embroider the front of the bags. I just made quick sketches on graph paper, so this is a scan of a sketch - nothing fancy, but fun anyway.

This particular embroidery pattern for the front of the drawstring bag matches (at least a little bit!) the lining I picked out for the pink drawstring bags. It's not a great sketch at all, admittedly, but it served the purpose. We taped the patterns to windows and taped the fabric over the patterns, and the kids traced them using water soluble markers.

Here's the pattern. If you want to use it, you can click on it for a much larger version, and then resize it.



Well, it doesn't look like much, does it? The stitches used in it are the stem stitch for circle outlines, the buttonhole wheel, the lazy daisy, and French knots or beads where the dots are.

Here's the photo again of the pink bag with the lining. We selected threads that match the overall color scheme, and some of the kids added a few "extra" colors to brighten things up.



The bags are about 7 inches across, so the pattern should be about 6.5 inches wide when sized correctly.

As soon as we start sewing up the embroidered bags, I'll take photos and put together a little picture tutorial. They're surprisingly simple and really fun!
]]> embroidery for children free embroidery patterns pictures beginner embroidery 10280 amaloney noreply@blogger.com http://www.blogger.com/profile/10551750623787855297 2008-10-07 09:33:00 2008-10-07 09:33:00 1 0
Thanks for your wonderful site, Mary. I love it!]]> http://www.needlenthread.com/2006/07/ecclesiastical-embroidery-pattern.html Wed, 05 Jul 2006 07:04:00 -0500 Mary Corbet 1003 2006-07-05 07:04:00 2006-07-05 07:04:00 open open Ecclesiastical-Embroidery-Pattern:-Thistle-&-Star publish 0 0 post central focus on a vestment, as well as an ornamental covering for a chalice veil, pall, or burse.

This design would look exceptionally nice in goldwork, with couched gold passing covering the star image.



Click on the image for a larger version. Right-click on the larger version to save it to your computer.

]]> ecclesiastical embroidery http://www.needlenthread.com/2007/08/embroidery-equipment-ultimate.html Sat, 11 Aug 2007 11:37:00 -0500 Mary Corbet 1004 2007-08-11 11:37:00 2007-08-11 11:37:00 open open Embroidery-Equipment:-The-Ultimate-Needlework-Stand! publish 0 0 post

My current embroidery stand is a wooden one from Lacis. You can see it on their main catalog page. It's the floor stand on the right in the photo below.



When I first got it, I liked it well enough. It was nice to have a floor stand that adjusted in height. I soon found one noteable drawback: it doesn't adjust in position, so when I use it while sitting in the living room on the couch or in a comfortable chair, I have to pull it towards me and balance it on two of its legs. That's not so convenient. After a few years of use, of having to tighten and loosen the wooden ends every time I wanted to turn my work over, it has lost its appeal. The accessory for holding a hoop or a stretcher bar frame is actually a pain in the neck.

So the search was on for a good needlework stand, and to that end, I went to Kansas City, where there are a couple needlework shops that carry different lines of stands and frames. K's Creations is probably the most common line in most needlework shops. I checked out their stainless steel stand, which is featured on their website:



There are things I like about it and things I don't. The base, for example, while heavy, is not proportioned for larger needlework projects. If you accessorized with everything they offer, including the optional light attachment, the stand would be top heavy. Add a larger project to it, and it seems to me the whole set-up would be prone to toppling if someone brushed against it in passing. You can hold your foot on the base to stabilize it, but I often leave a project up when I'm not sitting at it, and I wouldn't want to risk the whole thing falling over.

Then I checked out the Lowry stand, which is a stainless steel stand much like K's Creations. The base seemed heavier, but really, they were very similar, and I figured the same thing would happen with the Lowry stand if it were loaded with a larger project. What I did like on both of these is that the clamp for stretcher bar frames is also stainless steel, as opposed to plastic or wood.

I tried the Mark 2 Needlework Stand (here's a picture of the Mark 2 Needlework Stand, if you scroll down the page), and, while I like the sturdiness of having the project mounted on both sides, I don't like the largeness of the thing in general. My workspace simply isn't big enough! On this one, though, you can rotate your work without adjusting the wooden knobs, which is a plus. However, if you want to adjust the stand to a new position, you have to adjust knobs on both legs of the stand. And then if the position isn't quite right, you have to do it again...! And all this makes for eventual wear on the wood.

I saw other stands and frames as well - American Dream products, which were wood and, while sturdy at first, prone to that same loosening and wear that I've experienced on my Lacis stand. I wasn't really impressed with these products - at least, not if I am going to make an investment in a piece of equipment that I want to last!

And then... I found it. It's the Rolls Royce of Needlework Stands. Oh golly, I want one. I tested and tried it and liked it, and I tested and tried it and liked it again. It's called the Needlework System 4.



It's somewhat strange looking, but it works! It slants down towards you if you're sitting in a lounge-type chair or on a couch, or you can position it straight up and down. You can clamp your work on the top, or on the side. The clamp (disadvantage) seems to be made of plastic, but it's very sturdy and seems really durable. (It has a lifetime warranty, which is great!) I mounted a large project on it to see how it would hold, and it does! I'm don't usually like the idea of top-mounting my needlework, because I don't like "straddling" the stand, but it was comfortable, and I even had a skirt on and it didn't bother me.

The front leg is long, but it is not very high, so it slides underneath furniture well. The long leg compensates for a larger or heavier needlework project, or any accessories such as lights that you might add to the stand. No wobbly feeling on this stand! And although the work is mounted only on one side, the frame I tested it with didn't feel wobbly or insecure, either.

And the whole construction of the stand part is steel - no wood rubbing down, etc.

Oh, yes. I like it. But the price! Holy Cow! To get the stand and the clamp attachment, you're looking right away at anywhere from $250 - $300. On the bright side, you'd never have to replace it! But the front-end investment is a bit steep.

If you want to use scross frames, by the way, you can. But you have to buy at least one of theirs, so that the sides will mount on the frame. You can use other dowels, as long as you have the side mounts.

I was pretty impressed with the System 4 Rug Floor Stand for Really Big Needlework Projects!! But that one doubles the price, since you need two of the floor stands to set it up!

Anyway, there it is. I didn't buy one. But perhaps someday....!
]]> embroidery resources needlework tools needlework products http://www.needlenthread.com/2007/08/embroidered-drawstring-bags-underway.html Wed, 08 Aug 2007 20:33:00 -0500 Mary Corbet 1005 2007-08-08 20:33:00 2007-08-08 20:33:00 open open Embroidered-Drawstring-Bags-Underway! publish 0 0 post

The embroidered design will be worked on the front of the bag only, since we don't have time to do a front and back pattern. So I drew up four patterns, which I will scan so you can see them, and I'll work up a short tutorial so you can see how easy it is to put together a lined drawstring bag, with "finished" seams on the inside.

I searched all over online for just the right pattern, but I didn't find anything that was exactly what I wanted. There was one pattern in particular that caught my eye, and I remember liking it, but I can't find the website! So I stuck with the simple rectangle, folded in half, with the lining tucked in, and actually, I like this pattern better. It's the perfect size for the kids to embroider, without being too big to take too long.



This is basically what the bags will look like when completed, although I'm going to do double drawstrings, so that they are easy to open and close. They'll have two strings coming out on the other side of the bag as well, then. They'll also be embroidered! This was just the sample I worked up to make sure the idea would work!



This is the lining in the light pink bag - I love the bright fabric! For the casing for the drawstring, I worked a backstitch around the bag in two parallel lines, so you're seeing the back side of the backstitch inside the bag there.

I think my favorite part of the bags so far is the fabric!



I've got a light blue with a purple and light blue flowered lining (although most of the linings can be mixed and matched).



Then there's a light purple with a yellow lining, with little purple flowers and pink roses.



And the same lining looks great with the dark pink bag, too! I also like the bright yellow and pink lining in the light pink bag above, with the dark pink.

I've got an aqua broadcloth as well, which looks incredibly good (believe it or not!) with the purple flowered lining.

My 13-year old niece helped me pick out the lining fabrics, which was good. I didn't want to end up with anything "fuddy duddy" that the kids wouldn't like! She did a great job, and the kids are really excited about their last project.

The designs I drew up are relatively simple - a wreath of lazy daisy leaves and flowers, to put their initials in; a row of daisies; a geometric "sampler" type pattern for the girls who like to dress things up a lot (and who spend time at home stitching!); and a pattern of random circles (worked in buttonhole wheels and stem stitch, etc) with lazy daisy flowers, to match that bright yellow lining on the bag above. I think (I hope!) they are all quick to work - and I think they are, as most of the kids not only traced all their patterns in class today, but got a good bit of stitching done.

Only two more weeks of classes (two a week, for two different age groups), so all in all, this summer, we will have had nine weeks of classes, or 18 classes altogether. Not bad!

I can't wait to take photos of the whole display of completed bags and notebook covers! It should end up being 76 completed projects! WOW!

]]> embroidery for children pictures beginner embroidery 11532 Anonymous noreply@blogger.com 2008-06-24 06:53:00 2008-06-24 06:53:00 1 0 12824 Anonymous noreply@blogger.com 2007-11-05 19:22:00 2007-11-05 19:22:00 1 0 -Christiana]]> http://www.needlenthread.com/2007/08/speaking-of-free-embroidery-patterns.html Fri, 03 Aug 2007 07:12:00 -0500 Mary Corbet 1006 2007-08-03 07:12:00 2007-08-03 07:12:00 open open Speaking-of-Free-Embroidery-Patterns.... publish 0 0 post

Whoops! I better clarify, though - I do like kits and such. And obviously, sometimes it's just easier to have the preliminary work done for you. But still, hand embroidery is a great do-it-yourself art, and with a little searching, you can probably find all the tools you need to do it yourself for free, online -- with the exception of the necessary material goods, of course!

Anyway, the latest copy of Inspirations is out (Issue 55), and every time I receive mine, I end up popping in at their website to see what's new. They've got some great free patterns on there - I think I've already mentioned the smocking pattern - but I happened to notice a few more nice ones while browsing yesterday.

First, there's a beautiful little stumpwork pattern called Magic Mushrooms. This pattern is straight out of the A-Z book on stumpwork. It features a couple colorful mushrooms, some berries, and - of course - a spider! Stumpwork looks difficult, but if you're proficient with just a few basic stitches, it's easy to pick up. There are two things I love about stumpwork: the dimensional look and the botanical subjects. Granted, not all stumpwork is botanical, but a lot of it is. The pattern, by the way, has step-by-step instructions, so, if you've wanted to give stumpwork a try without investing in a book right off the bat, this might be the way to do it.

The other free patterns that caught my attention are Christmas-related. If you're planning on hand-made Christmas gifts featuring embroidery, you might want to check out the Christmas bullion designs. They offer five - two Christmas trees, a Christmas pudding, a holly, and a Father Christmas design. All the little designs feature bullion knots, and are really darling!

So, if you get a chance, check out Country Pumpkin's Free Embroidery Design page... and get inspired! Have fun with it!

]]> free embroidery patterns embroidery resources http://www.needlenthread.com/2007/08/embroidery-patterns-more-online.html Thu, 02 Aug 2007 10:15:00 -0500 Mary Corbet 1007 2007-08-02 10:15:00 2007-08-02 10:15:00 open open Embroidery-Patterns:-More-Online-Resources publish 0 0 post

The first is the Online Digital Archives of Weaving and Related Topics, hosted by the University of Arizona. I had previously mentioned this particular site, as it makes available all kinds of resources related to textiles, but for the embroiderer especially, there are quite a few gems. My favorite "find" on this site is Ladies' Guide to Needlework, which is a book full of embroidery patterns and techniques. That link will take you to an index page - scroll down until you find the Ladies' Guide to Needlework, which is downloadable in three separate PDF files.

The book begins with an inscription from a poem by William Cowper, called "The Winter Evening."

But here the needle plies its busy task,
The pattern grows, the well-depicted flow'r,
Wrought patiently into the snowy lawn,
Unfolds its bosom; buds, and leaves, and sprigs,
And curling tendrils, gracefully dispos'd,
Follow the nimble finger of the fair;
A wreath that cannot fade, or flow'rs that blow
With most success when all besides decay.

The whole poem is beautiful, but I always thought it would be fun to design an embroidery pattern around these lines. So when I found it in the front of the first section of the Ladies' Guide to Needlework, I fell in love with the book!

You can literally spend hours browsing the resources on the Digital Archive. And the embroiderer will find all kinds of old books in full, with plenty of technique and design for inspiration.

The second recommended website is the Antique Pattern Library. I've mentioned individual finds on this one before, too, but haven't added them to my list of free embroidery patterns online, either. (But I will now!) Strictly, these aren't those quick pages you can jump to when looking for an embroidery pattern - you have to do a bit of browsing to find what you want - but oh! the browsing! You'll find heaps of great stuff on this site, too.

You'll want to go straight to the Antique Pattern Library "Card Catalog" since that's where you'll find a listing and description of the books available. Generous folk have done all the scanning work and made these wonderful resources available to the public.

There are all kinds of great needlework books there, from lace-making to crochet to cross stitch to general embroidery. Browse through the books, and you'll find yourself inspired to pick up your needle 'n thread and get stitching!

Thanks to Sytske for the prompting to add these to the list!
]]> historical needlework free embroidery patterns http://www.needlenthread.com/2007/07/kids-embroidery-still-more-photos.html Wed, 25 Jul 2007 07:59:00 -0500 Mary Corbet 1008 2007-07-25 07:59:00 2007-07-25 07:59:00 open open Kids'-Embroidery:-Still-More-Photos...! publish 0 0 post

Embroidery is a great thing to teach children - it gives them something to do while developing a worth-while skill, a "discipline" to follow, a sense of beauty, and a great sense of accomplishment. If you have time to do it, teach a child to embroider!



Here's a close up from the last notebook cover on this page of photos. This is the double chain stitch. It makes a great border.



This one's developing into a vine-covered bird house on a post, with (of course!) a bird....



On this one, the design was almost entirely drawn on the back, and the girl stitched from the back to the front. She ended up making a rather interesting chain stitch that way!



Here's one with a patriotic flair. Notice the variety of stitches. This student practices every stitch on her notebook cover, and any stitch that can be explained to her, she tries, whether we're covering it in class or not. So she really has a great variety!



I like these French knot and daisy clusters in the corners:



I love clustering French knots together for a textured fill, and this corner looks especially good.

So, that's it for now. I'm really excited to get into the younger kids' class this afternoon to see what they've done this week!
]]> embroidery for children pictures beginner embroidery 9653 Anonymous noreply@blogger.com 2008-11-29 10:39:00 2008-11-29 10:39:00 1 0
thank you]]> http://www.needlenthread.com/2007/07/kids-embroidery-project-photos.html Mon, 23 Jul 2007 13:25:00 -0500 Mary Corbet 1009 2007-07-23 13:25:00 2007-07-23 13:25:00 open open Kids'-Embroidery-Project-Photos publish 0 0 post

This embroidery class has children from age 9 - 13 in it. They're working on embroidered notebook covers right now. They'll be doing the finishing touches on them through next Monday, which will be our last class on the notebook covers. Then we're going to work on little draw-string bags.

The embroidered notebook covers are made out of 100% wool felt in various colors. The thread they're using is #5 perle cotton. The covers will fit on the Mead brand "fat little" notebooks.

I can't include all the photos in one article (I've got 30 from today's class alone!), so I'll split them up here and there... but I thought you'd be interested to see what little kids can produce when they're having fun with needle and thread and a little imagination!



I love the little watermelon slice worked in stem stitch and french knots. The round item to the right of the watermelon is working into a straw hat with a ribbon on the band. The hat and the watermelon are sitting on a table covered with a table cloth (backstitched). On the back of the notebook cover, she's embroidering a bird cage in chain stitch and back stitch. She just started adding some beads down the "spine" of the book cover, along the chain stitched wavy line.



Here's a big butterfly! The outline is chain stitch, and it's filled with white French knots, with buttonhole wheels at the base of the wings. The body is worked in a whipped running stitch. There are bunches of grapes next to the butterfly, as well as some backstitched hearts.



This is a sunny little scene on a flowery hill. She's still working in the rays of the sun, and adding little beads among the grass and flowers.



This is the same book cover, only the back, with a little embroidered flower and a bee trail. The bee's coming...



Here's a chick and a barn and a fish! I love the barn in the background - she's working on the roof of it now.



And here's a close-up on that happy fish, which is outlined in chain stitch and the scales are embroidered in long straight stitches in two colors.



I love all the buggy critters and flowers on this one! I also like the squared off patchwork pattern, which is worked in different colors in chain stitch.



There's the front up close. The center picture is a dancing bug.



And here's the little caterpillar and bug on the back. The caterpillar is worked in buttonhole stitch and laced running stitch.



Here's a lion and a kangaroo. These are both iron-on transfer patterns, which work really well on felt. The stitching is really well done - and I think she's the youngest girl in the class!



Here's the lion up close - worked in backstitch. The flowers are clusters of lazy daisy and French knots.



And here's the kangaroo up close, worked in whipped running stitch. The band at the base is double chain stitch.

So far, so good! The kids are doing a great job on their projects! I'm excited to see them complete the book covers! Next up, is a drawstring bag, using regular embroidery floss. That will take only 3 weeks (meeting each class once a week), and then the summer will be over! *SIGH*
]]> embroidery for children pictures beginner embroidery 12996 Craftybernie noreply@blogger.com http://www.blogger.com/profile/12794569742594543642 2007-08-28 23:45:00 2007-08-28 23:45:00 1 0
I learned to embroider when I was a kid in the 70's but I must admit, it was ladies in crinoline? dresses and bonnets - nothing as cool as these lovely vibrant naive designs.

Nice work!]]> 13034 Anonymous noreply@blogger.com 2007-07-24 10:03:00 2007-07-24 10:03:00 1 0
~Michell]]> 13035 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-07-24 09:52:00 2007-07-24 09:52:00 1 0 13036 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-07-24 05:04:00 2007-07-24 05:04:00 1 0 13037 Elizabeth noreply@blogger.com http://www.blogger.com/profile/08073775734501573713 2007-07-23 22:08:00 2007-07-23 22:08:00 1 0 http://www.needlenthread.com/2007/07/kids-embroidery-classes-more-project.html Tue, 24 Jul 2007 12:45:00 -0500 Mary Corbet 1010 2007-07-24 12:45:00 2007-07-24 12:45:00 open open Kids'-Embroidery-Classes:-More-Project-Photos publish 0 0 post

Next week, we'll be getting to the finishing stage of the first summer embroidery project. They'll be stitching up the edges and adding the ribbon that ties the book closed. I can't wait!

In the meantime, here are some more photos from class:



This is a close up of one of the flowers embroidered by one of the youngest girls in the 9 - 13 group. Her daisy stitches and French knots are great, but she really does an exceptional job on her perfectly even backstitches!



Here's a little dog pattern. This one was an iron-on as well. They started adding beads yesterday, so you can see how they're used in the middle of the flowers and as part of the eyes!



A close up on a flower worked in lazy daisy with a bead center.



Here are some initials worked in whipped running stitch, with greenery and large flowers. All the kids love the whipped running stitch, since it makes a two-tone line that looks like a rope (or a candy cane, depending on the colors!).



Here's a cute butterfly on the back of a cover - you can see that the whipped running is really a favorite, as well as the lazy daisy.



Here's the front of the butterfly notebook cover, with initials and flowers. She did a great job on the stem stitch filling!



And here's a close up on the spine of that book cover - an interesting approach to stem stitch. She threaded two colors in the same needle.



Bears are embroidered on this one - an iron-on transfer was used to good effect. The designs are small enough to give the stitcher plenty of room to embroider spontaneous embellishment.



I think the honey pot is really cute!

So there are a few more updates - hope you enjoy looking at them! The classes are going really well. I've got two of them going this summer for local children, aged 7 - 10 and aged 9 - 13. These pictures are from the 9 - 13 class. They're making embroidered notebook covers out of wool felt, working in #5 perle cotton. The designs were completely up to them, and what I do is basically teach them a stitch, give them an opportunity to practice it on their "scrap" fabric until they've got it down, draw (on the board) a few ways it can be used, and then they incorporate the stitch onto their notebook cover. It's a great way for them to keep track of which stitches they've learned, and it will supply them with a visual "diary" of each stitch for reference... And - they're making something they can use when school starts! (Summer goes too quickly!)
]]> embroidery for children pictures beginner embroidery 12816 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-07 05:37:27 2007-11-07 05:37:27 1 0
Thanks for all your comments! If you have any specific questions that aren't answered, your welcome to e-mail me at mary[at]needlenthread.com!

Glad you find my site useful! Welcome aboard!]]> 12822 Anonymous noreply@blogger.com 2007-11-05 19:32:00 2007-11-05 19:32:00 1 0 -Christiana]]> 12823 Anonymous noreply@blogger.com 2007-11-05 19:29:00 2007-11-05 19:29:00 1 0 What thread are the girls using? Pearl Cotton?
-Christiana]]> 13030 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-07-25 07:56:56 2007-07-25 07:56:56 1 0
Nope, it's just girls, Mer!]]> 13031 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-07-25 06:15:00 2007-07-25 06:15:00 1 0
JoWynn]]> 13032 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-07-25 04:59:00 2007-07-25 04:59:00 1 0 have a great day
Joyce]]> 13033 Mer noreply@blogger.com http://www.blogger.com/profile/15217082889378558201 2007-07-25 03:24:00 2007-07-25 03:24:00 1 0 No boys in the class?]]> http://www.needlenthread.com/2007/07/embroidered-greeting-cards-free.html Sat, 21 Jul 2007 20:52:00 -0500 Mary Corbet 1011 2007-07-21 20:52:00 2007-07-21 20:52:00 open open Embroidered-Greeting-Cards:-Free-Patterns publish 0 0 post

Embroidery on paper is slightly different than embroidery on fabric, but it employs the same concepts. Using embroidery, you can stitch up your own personalized cards, bookmarks, gift tags, or even just little decorative accents. The noteable difference between hand embroidery on paper and hand embroidery on fabric is that, when working on paper, you have to punch the holes first before stitching.

Nordic Needle can supply you with all the tools you'll need to punch paper for embroidery. With a little ingenuity, though, you can skip the fancy tools (though they do make it a bit easier) and use just a cork, a needle, and a piece of felt. Stick the eye of the needle into the cork for an easier-to-hold punch tool, and lay your paper on top of the felt, so that there's a "cushion" beyond the paper.

You'll need a pattern - you can make up your own, but remember, you're just punching at the points where your stitch will pass through to the other side of the paper (unless you just want to stitch on a grid, with cross stitch - then you need a whole grid of holes in your paper). Taking advantage of free online patterns is perhaps an easier alternative.

The free pattern page at Stitching Cards is a great place to find patterns. I love their holly wreath pattern for embroidered Christmas cards, and I think their different bead patterns for greeting cards are very pretty for any occasion.

If you are thinking about sending hand-made greeting cards for Christmas, 2008, now's the time to start planning. Or if a loved one has a birthday coming up, you might consider this a great way to personalize a card. Really, it's a card and gift in one!]]> 8437 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-03-05 22:20:48 2009-03-05 22:20:48 1 0
MC]]> 8441 Anonymous noreply@blogger.com 2009-03-05 21:10:00 2009-03-05 21:10:00 1 0 9297 Anonymous noreply@blogger.com 2009-01-02 12:43:00 2009-01-02 12:43:00 1 0
Rocklim@localnet.com]]> 9611 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-03 22:17:18 2008-12-03 22:17:18 1 0 9612 Anonymous noreply@blogger.com 2008-12-03 20:11:00 2008-12-03 20:11:00 1 0 13039 Meeta noreply@blogger.com 2007-07-22 10:12:00 2007-07-22 10:12:00 1 0 http://www.needlenthread.com/2007/07/silk-work-embroidery-sampler-update.html Tue, 17 Jul 2007 07:27:00 -0500 Mary Corbet 1012 2007-07-17 07:27:00 2007-07-17 07:27:00 open open Silk-Work-Embroidery-Sampler-Update publish 0 0 post silk work sampler that our embroidery group is working on is coming along. After spending a lot of time on set-up, we're finally stitching! Here are some photos of progress on the embroidery sampler so far.

We started with the middle flower, working it in long and short stitch. This was an adventure! I chose to do my flowers in reds, and first, the plan was to work from light on the outside to dark on the inside. I worked the first petal that way and didn't like it at all, so I picked it out and worked from dark on the outside to light on the inside. I liked it much better!



So, the center flower and the top left leaf are worked in long and short stitch. The idea is to work towards the "growth point" on flower petals, leaves, etc., when working with long and short stitch. Down below, I'll show you some close ups where I messed up!



This is the center of the flower. The image is a bit fuzzy (!) This is how I stitched it: I began with a light gold Soie d'Alger, and backstitched around the circle. Then, inside the backstitch (so, on the inside of the circle), I stitched one layer of loose satin stitch in the Soie d'Alger. Then, I satin stitched the whole circle (going outside over the edge of the backstitch) in a flat silk, in gold. Then, I worked a square lattice in the dark red, and couched the intersections with the lightest coral in the flower. Then I worked a stem stitch around the circle, using two strands of Soie d'Alger in the medium red.



Here's an odd angle on the flower, so you can see the "dimension."



The leaf is worked in long and short stitch in three shades of green, light on the outside, and darkest by the central vein. The whole leaf was first outlined in the light green in a backstitch. The long and short stitches should be directed towards the central vein, and slanting downwards (to the growth point of the leaf). If you look closely, you can see where I messed up! But if you can't see it here, you can here:



The central vein is worked in a stem stitch, in the darkest green. The problem in the leaf is in the lower left-hand corner of this photo. I marked the difficulties in red in the photo below:



The three middle red lines show how the stitches angle too far up. I should have taken that out and restitched it.... but I had too many layers in before I realized how far off it would go. In the scheme of things, it's not "too" noticeable, but it still bugs me! Live and learn!

So that's the progress so far... Next, we'll be working the flower on the left, which is worked in satin stitch, in flat silk. The shades change according to the lines in the pattern, and there's a "voided" line between each shade. The satin stitching will be vertical, without any radiation, so it will be a completely stylized flower. I'll let you know how it goes!

]]> silkwork sampler Hand embroidery stitches pictures guild 13038 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-07-23 00:12:00 2007-07-23 00:12:00 1 0 I have another request mary if you are able some time do you think you could show how to make a rose using wool embroidery
many thank Joyce]]> 13042 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-07-20 08:34:06 2007-07-20 08:34:06 1 0 13043 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-07-20 02:08:00 2007-07-20 02:08:00 1 0 many thanks and happy stitching
Joyce]]> http://www.needlenthread.com/2007/07/easy-sources-for-embroidery-designs.html Sun, 15 Jul 2007 11:22:00 -0500 Mary Corbet 1013 2007-07-15 11:22:00 2007-07-15 11:22:00 open open Easy-Sources-for-Embroidery-Designs:-Plants-and-Animals publish 0 0 post

First off, I should let Susan (the reader) know that she can find some embroidery patterns for herbs in particular at Colonial Patterns. They have an iron-on transfers for popular herbs, and the patterns look small enough for the type of linen Susan is planning to make. Just type "herbs" into the search box on their website, and it'll come up.

BUT, if you're looking for a particular embroidery pattern for something - especially botanical things - and you aren't great at drawing, I think the best sources are .... coloring books! Especially if you're looking for a "real" rendition of a plant or animal.

For example, this Dover coloring book on herbs has line drawing of all the popular herbs. You can photocopy and reduce them to the size you want, or you can just re-trace them. You could re-trace them and eliminate the details you don't want, and then photocopy the tracing and reduce it to the size you want - and there you have your pattern! If you're good a drawing, coloring books like this one are great for inspiration and accurate detail in the look of the plant. For example, I might know what coriander seeds look like, but if I want to draw the plant they come from (cilantro), I'd want to find an accurate image of it first, so that my interpretation in embroidery is at least recognizable! With the Dover coloring books, you'll also get colored plates that show (in miniature) what each picture would look like colored. So Dover coloring books come in really handy for this type of thing, and they're relatively inexpensive.

You don't have to stick just to coloring books, though, when you're looking for embroidery designs. Another great source for images of botanical life - or wild life, or aquatic life - are the various "field guide" type books. The nice thing about these books is that you get images of the plants (either drawn, watercolored, or photographed) of the plants or animals, and the colors are always absolutely accurate, because the whole point of the field guide is for you to identify what you're looking at. I especially like books like this that have artistic renditions for images (so, drawn, painted, etc.) because the shading done by the artist is easier to imitate in embroidery, than if you were working from a photo. In fact, when working from a photo, I like to turn it into a line drawing (either by sketching or tracing), then shade it myself with colored pencils - photographs don't give the same sense of "artistic" shading, I don't think.

If you can't find these types of books at your local bookstore or library, order them on-line. If you can save on shipping, you can get a good deal at Amazon, but if you're buying just one item, it's not necessarily worth the extra shipping (unless you can't find what you want locally!).

So there are some ideas for embroidery design resources. Hope they're helpful! Have fun!




]]> embroidery resources embroidery design 13047 Usha noreply@blogger.com http://www.blogger.com/profile/08564321962939978698 2007-07-16 05:25:00 2007-07-16 05:25:00 1 0 can u give me some ribbon embroidery patterns. mainly neck designs. i would be grateful if u do.]]> http://www.needlenthread.com/2006/08/embroidery-hoops-frames-review.html Wed, 09 Aug 2006 05:28:00 -0500 Mary Corbet 1014 2006-08-09 05:28:00 2006-08-09 05:28:00 open open Embroidery-Hoops-&-Frames-Review publish 0 0 post

The most commonly available hoops are probably the Susan Bates hoops found in most craft and hobby stores. These are plastic hoops with a "Super Grip Lip" on the inside ring, which is supposed to keep your fabric taut. These are very useful hoops - they are great for beginners and I use them all the time with the kids that I teach. They come in bright colors, so the kids really like them. Also, they're affordable. If you aren't sure you want to invest in this kind of hobby, you wouldn't be putting out much in purchasing this hoop. They come in a variety of sizes, from I think 3 inches to about 8 inches.

Better hoops: If you're sold on embroidery, and you like using a hoop, you might want to invest in some really good hoops. Hardwicke Manor hoops are made in Germany of birch wood, with brass hardware. The wood is polished super-smooth - no snags, no splinters. They come in three "depths" - thin (5/16"), medium (5/8") and thick (7/8"). The medium and thick hoops are perfect for heavier fabrics such as linen twill, Mountmellick fabric, and whatnot. The thin hoops are great for fine linen, cotton, etc. I have a variety of these hoops. The first thing I do when I get a new size is wrap the inner ring with twill tape (found in the same section as the bias tape at your local fabric store). Once this rather tedious task is done, my hoops are ready for any project that might come along. Another perk - the hardware on these hoops is really sturdy, and has a screw eye on the bolt, so you can adjust it as tight as you want with a screw driver. These are undoubtedly the best hoops on the market. You can order them at a rather reasonable price through the Twining Thread, where the service is quick and good.

Frames and Scroll Frames: I can't find a good source for slate frames!! If you know of one, will you share it? I tried through Accomplishments, which has moved from Ohio to the East Coast, but I never got a reply on whether or not they still stock them.

I have several other frames, though. The frames by K's Creations are nice, and pretty widely available. You can look at their official website here, where you'll find all their products, but you have to order them through retail shops - or pick them up in your favorite needlework shop. Unfortunately, I live in the boonies and there are no decent needlework shops around, so I order online from Twining Thread and others. I have a lap frame from K's Creations, with several sizes of bars for different projects.

Lacis also sells a good frame, and an excellent floor stand which is more affordable than the K's Creations, although Lacis doesn't have the same variety of designs, sizes, etc. But the floor stand at Lacis is not only affordable (around $80 for the stand - frame or hoop separate), but it is a really well-made, beautiful piece of work, and the wood is smooth as glass. I love mine!

Since I can't seem to find a source for slate frames, I am determined to find someone to build me some slate frames that are decent. I have one, but I would like a variety of sizes for group work. Slate frames are really the best way to set up a serious embroidery project. They provide the best uniform tension without the chance of damaging the fabric in any way. The drawback to a slate frame is that, if you're eager to get on to your stitching, you might not like the set-up time. It can take an hour or two to properly set up a project on a slate frame. On the bright side - once it's done, it's done!

If you've got recommendations for hoops or frames, share them with the rest of us, please!! Also, if you know of a source for slate frames, I'm all ears!
]]> embroidery resources needlework tools 5909 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-01 10:33:29 2009-09-01 10:33:29 1 0
I'm not sure, actually. I use the thin hardwicke manor hoops for mine (the 5/16" ones) and they work fine!!

Best,
Mary]]> 5912 Janice noreply@blogger.com http://www.blogger.com/profile/11250895030343329711 2009-09-01 10:00:08 2009-09-01 10:00:08 1 0
I just purchased a small Schwalm kit and the designer said that "Hardwicke Manor makes wonderful hoops, but I find that they are deeper than I like to use for work 'in hand'. There are other, thinner German hoops out there." She wasn't able to identify which these were. Do you have any ideas? -- Janice]]> 6050 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-15 19:23:10 2009-08-15 19:23:10 1 0
The ITA frames I've seen on eBay are scroll frames - haven't seen any slate frames!

I've since found a great source for slate frames - Hedgehog Handworks carries a whole range of sizes.

Thanks again,
MC]]> 6052 Anonymous noreply@blogger.com 2009-08-15 19:04:05 2009-08-15 19:04:05 1 0 10622 Eileene noreply@blogger.com http://www.blogger.com/profile/08628994291364448173 2008-09-10 18:45:00 2008-09-10 18:45:00 1 0 10634 Marilyn noreply@blogger.com 2008-09-10 09:54:00 2008-09-10 09:54:00 1 0
Marilyn]]> 10639 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-09-09 13:19:09 2008-09-09 13:19:09 1 0
My scroll frames have a canvas tape across the top (scrolling) bars. I attach my fabric to the tape, and then roll it as I progress. I use the wing nuts (which are usually more like three-pointed large plastic knobs for easy turning) to tighten the scroller bars after rolling the fabric.

But I'll post your question, and we'll see if readers can help you out, ok?

Thanks,
Mary]]> 10641 Nean the Bean amwheeless@carolina.rr.com http://www.blogger.com/profile/02251315510411787805 2008-09-09 12:05:00 2008-09-09 12:05:00 1 0 10796 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-26 22:26:28 2008-08-26 22:26:28 1 0
You can find them here:

Hardwick Manor Hoops at Needle in a Haystack

Twining Thread closed a while ago :-(

I'll post my "findings" soon - they aren't too exciting, but they will get me started on a pending project!]]> 10798 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-08-26 22:03:00 2008-08-26 22:03:00 1 0 Is there another source for the Hardwicke Manor frames? The Twining Thread link doesn't seem to work and I haven't found the hoops listed under this name at any of the other suppliers on the blog.
Also, I'm dying to hear what you found shopping in KC this past weekend!
Terry]]> 12300 Yvette noreply@blogger.com http://www.blogger.com/profile/07819109185978215096 2008-02-27 23:54:00 2008-02-27 23:54:00 1 0
Thanks to all who have contributed information!

I have already seen the BWH frames on a couple of sites. Those who have them - you are happy with them?

Yvette Stanton
Vetty Creations, Sydney Australia
Publishers of quality whitework embroidery books.
http://www.vettycreations.com.au]]> 12591 Anonymous noreply@blogger.com 2007-12-28 16:25:00 2007-12-28 16:25:00 1 0 12719 Margaret C. noreply@blogger.com 2007-11-25 17:10:00 2007-11-25 17:10:00 1 0
Regarding the slate frames from RSN/Perry:

They are quite heavy and fairly large, but really nice. They would be difficult to take out of the house, but worth the investment, I think. They were around $200 last year for both sizes (18" and 24"). (They cost me around $40 UPS shipping to send them home to Southern California!) The other problem I am going to have with the RSN frames is how to use them. You would definitely need a table to lean them against (or trestles, of course :-). I don't think my floor stand would be able to handle them; it will most likely fall over.

Even the larger sizes from stitchdirect are not as heavy as the frames from RSN. I am especially keen to try out the smaller sizes which I hope will happen in the next week or so.]]> 12730 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-22 08:58:06 2007-11-22 08:58:06 1 0
There's another place here in the States that I recently found them available as well - and I've lost the link! Aaack.

If I don't find it again, I'll bite the bullet and go with stitchdirect. How long did it take for your order to arrive??]]> 12735 Margaret C. noreply@blogger.com 2007-11-22 00:10:00 2007-11-22 00:10:00 1 0
I have received my slate frame order from the above web site. They are made by BWH Designs, a company in Yorkshire. The frames seem well-made and have a nice finish. I especially like the smaller sizes as they should be easily portable. The frames aren't terribly heavy and I can't wait to use them!]]> 12880 Margaret C. noreply@blogger.com 2007-10-08 23:38:00 2007-10-08 23:38:00 1 0
http://www.stitchdirect.com

This is a British site and they have all different combinations of slate frame rollers and stretchers. If, like me, you want to buy all the various sizes, try breaking up the order to reduce the postage. Otherwise, it's very expensive.]]> 12950 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-17 13:13:00 2007-09-17 13:13:00 1 0
Here's a link that has some contact information:
Royal School of Needlework Classes in Perry, Iowa.

One of these days, I'm going to follow up to see if I can get supplies through them! Do let the rest of us know if you have any luck!]]> 12951 Stabbed! noreply@blogger.com http://www.blogger.com/profile/10066612109451553822 2007-09-17 12:42:00 2007-09-17 12:42:00 1 0 13049 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-07-15 11:10:08 2007-07-15 11:10:08 1 0 http://www.twiningthread.com/Hoops-and-Frames-02.html

I'll change that link to their home page.

Good luck!

MC]]> 13051 diamond noreply@blogger.com 2007-07-15 08:46:00 2007-07-15 08:46:00 1 0 I JUST LOVE your site and spend many hours going through all the great comments you have placed here for all of us.
I do have a question that I'm hoping you can help with. It is how to order Hardwicke Manor Hoops. I tried the web address which you displayed in your description of these hoops, but cannot seem to open the web site.
I'd really appreciate any help you can give me as I cannot find these hoops in my hometown area in Ontario.
Thanks so much for being here for all of us to learn and enjoy our crafts even more.
Denise Collins]]> 13183 Robin noreply@blogger.com http://www.blogger.com/profile/01481520484587690947 2007-04-07 12:26:00 2007-04-07 12:26:00 1 0 RSN frames - they come to the US - Perry Iowa each year. If you email the people in Perry they will ship you a frame.]]> 13200 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-31 07:31:26 2007-03-31 07:31:26 1 0
Mostlytextiles referred readers to this page on slate frames, which gives info on setting one up and refers people to a couple websites for purchasing.

One of the sites is Gripit. As far as I can tell, gripit makes roller bar frames, but not actually slate frames. The other site is a company in the UK which I've already checked out. They no longer carry slate frames! So sad...

So the quest is still on. I'm actually going to commission a local woodwooker to make me a few in different sizes.... I think it's the only way to get one!]]> 13280 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-02-20 08:29:00 2007-02-20 08:29:00 1 0
Ginger]]> 13285 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-02-19 13:07:06 2007-02-19 13:07:06 1 0 http://journal.heritageshoppe.com/Jan2004/hoops.html
I don't go so far as they do in this article to set up the hoop, but I do like the wrap the inner ring for the reasons mentioned above.
I use twill tape. I tack it with thread (not glue), stitching the end of the tape (after wrapping) to the beginning. It takes a little bit of time, but once it's done, you can use it like that all the time.
Hope that helps!
MC]]> 13286 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-02-19 12:03:00 2007-02-19 12:03:00 1 0
I've never heard of this (though I confess to being an advanced beginner when it comes to embroidery).

Thanks so much. I really enjoy your website.]]> 13310 Anonymous noreply@blogger.com 2007-01-28 23:41:00 2007-01-28 23:41:00 1 0 13357 Anonymous noreply@blogger.com 2006-12-05 13:35:00 2006-12-05 13:35:00 1 0
It consists of two SQUARE "hoops" that fit one inside the other. There is about a half inch of clearance between the hoops. This space is filled in by winding the legs of the squares with wide strips of flannel. Then when the larger hoop is pressed over the smaller one, the flannel is compressed and very gently squeezes the fabric taut. I sometimes have to tug a bit on the top bottom and sides to get it really set but it holds beautifully and is so easy to install the fabric.]]> 13444 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-08-16 13:06:18 2006-08-16 13:06:18 1 0 here. A couple considerations for US customers: 1. currency conversion, so the slate frame which is 55GBP will cost approximately $104USD; 2. shipping costs are higher; 3. it does take time to get here. The upside: I can't seem to find a slate frame available anywhere else! So it may be worth the plunge! (I'm beginning to wonder why I can't have someone make one for me!)]]> 13445 Anonymous noreply@blogger.com 2006-08-16 09:03:00 2006-08-16 09:03:00 1 0 http://www.needlenthread.com/2007/07/embroidered-handkerchief-project-free.html Sat, 14 Jul 2007 08:48:00 -0500 Mary Corbet 1015 2007-07-14 08:48:00 2007-07-14 08:48:00 open open Embroidered-Handkerchief-Project:-Free-Pattern-&-Instructions publish 0 0 post

Designs for hand embroidery can be found all over the internet - it just takes some looking, which unfortunately, can take time. That's why I put together the list of online hand embroidery patterns - so that you don't have to spend as much time hunting! The list grows slowly, and I'm always glad to take recommendations to add to it.

Recently, I came across another gem. I just love it.It's a very pretty monogram and embellishment pattern. The pattern is shown as an embroidered handkerchief pattern, but it would look great on guest towels - perfect for a wedding gift, for example - on pillow cases, or even on the front of a tote bag.

The monogram design is offered by Plaid Online, which is a website devoted to all kinds of craft stuff.



So that's the page with the monogram project on it. Below the photo, you can click for a pattern. They also give you an alphabet, for the non-A people out there.

If you like monograms and embroidered household goods, check out this embroidered monogram pattern, and try it! I'm adding it to my (very-very-long-and-ever-growing) list of things to do .... someday.

]]> gift ideas free embroidery patterns monograms 13048 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-07-15 11:59:58 2007-07-15 11:59:58 1 0
Here's the link:
Sources for Plant and Animal Embroidery Designs]]> 13050 mary noreply@blogger.com http://www.blogger.com/profile/14488674077296125833 2007-07-15 10:05:00 2007-07-15 10:05:00 1 0 i'm 60 and have such fond memories of learning/doing embroidery as a child...thank you so much for providing this pattern...i'm thrilled and happy that i signed up for your newsletters only a couple of weeks ago! be well - susan]]> http://www.needlenthread.com/2007/07/embroidery-video-tutorial-cable-chain.html Wed, 11 Jul 2007 09:10:00 -0500 Mary Corbet 1016 2007-07-11 09:10:00 2007-07-11 09:10:00 open open Embroidery-Video-Tutorial:-Cable-Chain-Stitch publish 0 0 post

This stitch can be worked in lines, around curves, in circles - any way that you would normally use a chain stitch, except perhaps as a filling. That's not to say it couldn't be used as an interesting filling! I haven't tried it, but I would imagine that, worked in rows, alternating the location of the stitches in each row, it would make an interesting filling.

This is what the cable chain stitch looks like when worked:



The stitch begins the same way a chain stitch does, but after the first loop of the chain is created, you wrap your thread once around the needle and insert the needle on the other side of your first chain stitch loop (instead of inside it, like with the chain stitch). Then you make another chain stitch, and continue in that fashion.

Here in the video, I'm working down a line, from top to bottom, but the stitch can easily be worked from right to left (for right-handed stitchers - left to right for left-handed stitchers).



The list of hand embroidery video tutorials is still growing, so stay tuned!
]]> video tutorials Hand embroidery stitches beginner embroidery 3482 Brenda noreply@blogger.com http://www.blogger.com/profile/02932300582692498942 2010-01-23 06:29:05 2010-01-23 06:29:05 1 0 6030 Anonymous noreply@blogger.com 2009-08-18 11:08:25 2009-08-18 11:08:25 1 0 13054 Anonymous noreply@blogger.com 2007-07-11 08:55:00 2007-07-11 08:55:00 1 0 http://www.needlenthread.com/2007/07/embroidery-video-tutorial-double-chain.html Tue, 10 Jul 2007 07:55:00 -0500 Mary Corbet 1017 2007-07-10 07:55:00 2007-07-10 07:55:00 open open Embroidery-Video-Tutorial:-Double-Chain-Stitch publish 0 0 post chain stitch.

This stitch would look great as a border. It can be worked on curves or straight. You work on two parallel lines, and you can certainly vary the boldness or delicacy of the result by choosing different weight threads, and working across wider or narrower lines.

In the video, I'm using perle cotton #5 because it shows up better. I've worked this stitch in a single strand of DMC or silk in very tiny stitches, and achieved a kind of lacy effect. If you're embroidering anything miniature that needs trim on it - for example, a little Dutch girl or sunbonnet girl on a quilt square - you can add a nice pretty border on the edge of a dress with it.

It also makes good seam embellishment for crazy quilting, or it looks great as a band on samplers. Some of my students are presently having fun adding it to their embroidered notebook covers.

Here's a close up of the double chain stitch so you can see what it comes out looking like:



In the video, I'm working from top to bottom down two parallel lines. You can mark the lines, or, if you're using an even-weave fabric, you can follow the weave of the fabric. The stitch can also be worked from right to left (for right handed stitchers).

Here's the video:




For more video tutorials for hand embroidery stitches, please visit my Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery http://www.needlenthread.com/2007/07/new-stitch-videos-coming-up-variations.html Mon, 09 Jul 2007 08:21:00 -0500 Mary Corbet 1018 2007-07-09 08:21:00 2007-07-09 08:21:00 open open New-Stitch-Videos-Coming-Up:-Variations-on-the-Chain publish 0 0 post Video Library of Hand Embroidery Stitches, which is a lot of fun - but takes a lot of time! Just to let you know that some new stitches are coming, I thought I'd add an update of what's coming up.

I've been working on filming variations of the chain stitch. Some of the raw footage so far includes double chain stitch, cable chain stitch, open chain stitch, and rosette chain stitch. The most complicated is the rosette chain. Many people have requested it via e-mail, as they say that pictures alone just don't do it for them. I looked through several books and at several websites to see what's out there on the rosette chain (I like to make sure my technique matches the majority of authority opinion on how certain stitches should be done) - and, in seeing the photos, I realized why it can be confusing! So I've got a video coming that will help you make sense of the confusing pictures.

I've also got scroll stitch and coral stitch to add, and then - long awaited, but finally possible! - the long and short stitch. I've been filming this one in stages, and have some editing to do, and then I'll get it up. That'll probably be a week or so down the road here, as it will take the most time.

In the meantime, feel free to check out the Video Library of Hand Embroidery Stitches if you haven't already, and stay tuned for a new series of videos!

]]> 13052 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-07-12 19:21:57 2007-07-12 19:21:57 1 0
As soon as I do it, I'll let you and everyone else know!

Thanks!
MC]]> 13053 Prudence noreply@blogger.com dearprudence.net 2007-07-12 18:11:00 2007-07-12 18:11:00 1 0
Do you offer your library for sale in DVD format? If not, perhaps soon?

Prudence]]> 13057 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-07-09 18:07:13 2007-07-09 18:07:13 1 0
She offers some good information - books on constructing vestments, embellishing church linens, and whatnot.

If you can't do the work yourself, she may be able to point you in the direction of someone who could do it on commission. Making the chasuble isn't difficult (depending on the style, especially) but embellishing it (if you're doing it by hand) will take some time.

If you have any particular questions, please don't hesitate to e-mail me at mary@needlenthread.com

Good luck!]]> 13058 Allyson H. noreply@blogger.com 2007-07-09 16:45:00 2007-07-09 16:45:00 1 0 I read with interest about your Agnus Dei project. My son is studying for the priesthood and I am starting a chasuble for him. He loves the one you photographed from the Sisters at Clyde, MO. Am I crazy to undertake this? Any suggestions of where I can find patterns, fabric and advice? Thank you for sharing your beautiful work.]]> http://www.needlenthread.com/2007/07/embroidery-threads-twisted-silk-samples.html Thu, 05 Jul 2007 18:03:00 -0500 Mary Corbet 1019 2007-07-05 18:03:00 2007-07-05 18:03:00 open open Embroidery-Threads:-Twisted-Silk-Samples publish 0 0 post compared four kinds of silk used in hand embroidery. Here are some photos of a few stitches in each type of silk. I think it would be heaps of fun to work up an embroidery sampler using all my favorite silks - perhaps I need to add that to my list of things to do!

The first silk thread sample is worked in Soie Gobelins. I'm working on Edinburgh linen (36 count).



From left to right: straight stitch, which would be the equivalent of a satin stitch, if the thread filled the area. Gobelins is too fine to fill an equally spaced area on 36 ct. fabric. However, it makes great very fine lines - the two parallel lines show how it can be used to outline. The top line is stem stitch and the one below it is backstitch (Holbein stitch, actually). To show you the coverage for cross stitch, the second set of stitches on the left is cross stitch over two threads, and the tiny set right next to that is cross stitch over one thread. The last set of stitches on the right is chain stitch. The needle above the stitches (to give you some perspective on the stitches and the fabric) is a #9 crewel (it's pretty fine).



Here's the Soie Perlee. You can see that it fills the space better in the satin stitch on the left. To the right of the satin stitch is cross stitch worked over two. I think it's a bit bulky for that, but it certainly gives a good fill. It's far too bulky for cross stitch over one on 36 count fabric - shown are half-cross stitches (angled stitches over one thread). It works fine for backstitch (the bottom line) and stem stitch (the top line).



This is the separated Trebizond, worked in individual holes right next to each other. You can see what a nice satin stitch it make. I like the waves! On un-separated Trebizond, I could not stitch through the 36 count fabric without a bit of a real squeeze.



This is one ply of Soie de Paris, separated from the six-ply strand. It's about as fine as the Soie Gobelins. I think it's very nice for cross stitch over two on the 36-count fabric.



The Soie de Paris in one strand works great for chain stitch, too!


]]> threads pictures silk 10760 Stephanie Schlosser noreply@blogger.com 2008-08-30 12:00:00 2008-08-30 12:00:00 1 0 13061 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-07-06 07:54:00 2007-07-06 07:54:00 1 0
JoWynn]]> http://www.needlenthread.com/2007/07/embroidery-threads-comparison-of.html Wed, 04 Jul 2007 12:19:00 -0500 Mary Corbet 1020 2007-07-04 12:19:00 2007-07-04 12:19:00 open open Embroidery-Threads:-Comparison-of-Twisted-Silks publish 0 0 post

Of the four silk threads mentioned above, Trebizond is the only one not made by Au Ver a Soie. It's imported into the States by Access Commodities.

So here's a photo of all four silk threads side-by-side. For a bit of a size reference, they're lying on Edinburgh linen (36 ct) and that's a #9 crewel needle in the fabric.



The finest of the four threads is Soie Gobelins, which is a 2-ply twisted silk. It's a filament silk, which means it's taken in long filaments straight from the cocoon, has a great lustre, and is strong. It comes in over 100 colors, the numbers of which match the Soie d'Alger color chart. It's great for counted thread work on higher count linens, and it works fine on plain ground fabric as well. I have a friend who uses it with a teeny, tiny crochet needle to hand-crochet lace, and it's beautiful! In size, it seems to me to be comparable to a strand of DMC, but the twist on it seems a little tighter, and it's a lot "smoother" to work with (when passing through the fabric). It fits in a #9 needle with a little room left over - a #10 crewel or embroidery needle would do as well. As with all four of these silks, it's a little bit "boingy" - but less so than the other three.

Soie Perlee is the next silk thread up on the list, and it's the next up in size of these four. It fits fine in a #9 needle. Soie Perlee is a 3-ply twisted filament silk. I would say it's comparable to a cotton perle #12. It comes in some 365 colors! It's a favorite for needlepoint and counted thread work, and can be used in regular surface embroidery embellishment, crazy quilting, and whatnot.

Here are the two above right next to each other:



Next up the line is Trebizond. It's nice stuff, a lot thicker than Soie Perlee. I've read some descriptions that say it's comparable to a #5 perle cotton. I'd put it somewhere between a #8 and a #5 in size. It works great on 25 count linen. I find it a bit of a squeeze on 36! It works well on 18 mesh canvas for needlepoint. It's a 3-ply silk, pretty "boingy" when you use it, but really a nice, nice thread.

Here's the Perlee and Trebizond side-by-side:



Finally, there's Soie de Paris, the last one up the line. This is a 6-ply silk, and it's divisible into individual plies. The individual plies seem slightly larger than the Soie Gobelins - but they may be the same size. You can stitch with one or more plies, just as you can with stranded cotton or silk. Soie de Paris doesn't seem as tightly twisted as Gobelins or Perlee. It's got a very narrow range of colors (around 75), and they correspond with the Soie d'Alger color chart, too.

Here's the Trebizond and Soie de Paris side-by-side:



The Soie de Paris is divisible, and here you can see the individual strands:



Amazingly enough, the Trebizond is divisible, too! Most people probably don't use it this way, but you can divide the Trebizond carefully, to produce a wavy flat silk thread. To separate, cut short lengths (no more than 12 inches, I'd say), and grasp one end of the thread between two fingers. Pick out one ply and pull it slowly out of the bunch, still grasping the "neck" of the other two plies. (The same way you separate stranded cotton or silk.)



You might wonder what the heck you can do with a thread that looks like that - but really, it's great for adding a different "look" to your satin stitching. The thing about silk is this: depending on how the light plays off it, it looks different. So if you satin stitch a small area with a wavy thread like this, you'll end up with a nice effect because of the way the light will play off the silk.

To follow up on this comparison, I'll show you some stitches worked in each of them, so stay tuned!

I've also written up a comparison of flat silks, if you're interested. I'll be working in another comparison of the flat silks this week, adding TESS (True Embroideries Sleave Silk - just like Piper's Silk) to the comparison.

]]> threads pictures silk 11421 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-07-09 21:57:00 2008-07-09 21:57:00 1 0 11484 alarttex noreply@blogger.com http://alarttex.wordpress.com/ 2008-07-02 10:35:00 2008-07-02 10:35:00 1 0 A kiss]]> http://www.needlenthread.com/2007/07/stitch-glasses-new-concept-for-personal.html Sun, 01 Jul 2007 17:03:00 -0500 Mary Corbet 1021 2007-07-01 17:03:00 2007-07-01 17:03:00 open open Stitch-Glasses:-a-New-Concept-for-Personal-Embroidery-Items! publish 0 0 post

Seungyoub Oh (I think he's a designer?) has come up with the concept of embroidered, personalized glasses called Stitch Glasses. Trendy in design, they seem like a great way for un-inhibited embroiderers (or anyone else, really) to express themselves.



For those of you who would like to get your hands on these frames for your lenses, unfortunately they seem to be just a "concept" right now. But who knows? Before you know it, they may be all the rage.

Thanks for the link, Fred!
]]> embroidery resources http://www.needlenthread.com/2007/06/silk-work-embroidery-sampler-under-way.html Sat, 30 Jun 2007 19:25:00 -0500 Mary Corbet 1022 2007-06-30 19:25:00 2007-06-30 19:25:00 open open Silk-Work-Embroidery-Sampler-Under-Way publish 0 0 post silk work sampler pattern some time back.

During each embroidery guild meeting so far this summer, we've gone one step at a time in setting up the sampler, and we will all be working one step at a time in stitching it, so that everyone has time to get the different techniques down.

We haven't started stitching yet! We aren't taking any "short cuts" - we each framed up our pieces, then we traced our designs, pricked them, pounced them, and finally, using a fine paintbrush and watercolor paints, we painted in the design.

So here's my pattern, transferred to the fabric and ready to go:



The sampler itself is about 7.5 x 10 inches. We're using Legacy linen (Alba Maxima), and we purchased 18" x 18" squares, to mount up on 16 x 16 frames. We're using stretcher bars, with the fabric tacked all the way around. The linen was pre-shrunk and ironed before mounting. I like using the larger frame for this kind of project (a 14 x 14 or even a 10 x 12 would have sufficed), but it's good to have the extra space to practice a bit on the side lines if necessary.

Here are the threads we'll be using:



The top row of tubes is flat silk from the Japanese Embroidery Center. We're working with 5 shades of green, 3 shades of red or of coral, 3 shades of blue, and gold. We'll also be using a little bit of reddish-brown, for different stems. The silk in skeins is Soie d'Alger.

I picked out the colors from the thread sample binder of the Soie d'Alger. Then I matched my colors of Soie d'Alger to the thread palette of flat silk from the Japanese Embroidery Center. I was so happy to find a practically perfect match for all colors! Of course, the colors will still look slightly different, because the light will play on the flat and twisted silk differently. The stitches used will also change the look of the threads a bit, because of the way the light plays off different stitches.

We're starting with the middle flower at the top, which will be worked in long and short stitch in the twisted silk. The center of the flower will be a lattice work filling, in the gold and either red or blue, depending on the color of the flower. The side flowers will each be worked in different stitches, but they will be worked in flat silk.

I'll keep you posted as we progress - right now, I'm going to work up a sample section for Monday's class!

I'll be posting updates and explaining the stitches we're using as we go. If you want to stitch along from a distance, feel free!
]]> silkwork sampler pictures guild needlepainting silk 13044 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-07-18 07:04:30 2007-07-18 07:04:30 1 0
But it's fun!

I'm having second thoughts about the flat silk. It's driving me nuts.

More updates later!]]> 13045 meeka noreply@blogger.com http://www.blogger.com/profile/11728012426771894756 2007-07-18 05:43:00 2007-07-18 05:43:00 1 0 13060 Meeta noreply@blogger.com 2007-07-07 16:13:00 2007-07-07 16:13:00 1 0 You're doing a wonderful job...keep it up!]]> 13063 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-07-03 17:59:00 2007-07-03 17:59:00 1 0 Needle In a Haystack, for example. If you're in Canada, try Traditional Stitches, which has a good stock.]]> 13064 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-07-03 14:25:00 2007-07-03 14:25:00 1 0
Ginger]]> 13065 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-07-02 21:29:07 2007-07-02 21:29:07 1 0
Yep, I'll take some photos of the piece on the stretcher bars. In the meantime, check out this post. It shows a project set up on stretcher bars.

Basically, you put the bars together, then, working on one side of the fabric, you tack from the middle to the edge. Then you do the opposite side the same way, pulling your fabric to get good tension. Then you do the third side, again pulling the fabric and tacking from the middle out, then the fourth side (which is opposite the third), making sure you're pulling your fabric taught. You don't want to warp the fabric, but you do want it drum tight.

Stretcher bars are most convenient when you have a floor stand to clamp them into. You can also sit with your work on the edge of a table, resting on your stomach. They're not as easy to hold in your hand as a hoop is, unless it's a small project.

Try them - you'll probably like them!]]> 13067 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-07-02 13:40:00 2007-07-02 13:40:00 1 0 This will sounds like a strange question. But I'll ask anyway. As you share your progress, would you share a photo that shows the fabric on the stretcher bars, please? I've not used stretcher bars and I've never seen them in use. I'm not 100% sure how to use them. From what I understand, the concept sounds nice. I've only ever used a hoop. Oh to have an embroidery guild or store near me. :)

Thanks,
Ginger]]> 13069 Anonymous noreply@blogger.com 2007-07-01 07:12:00 2007-07-01 07:12:00 1 0
Stephi]]> http://www.needlenthread.com/2007/06/embroidered-monogram-pattern-letter.html Thu, 28 Jun 2007 20:41:00 -0500 Mary Corbet 1023 2007-06-28 20:41:00 2007-06-28 20:41:00 open open Embroidered-Monogram-Pattern:-the-Letter-A publish 0 0 post Initials for Embroidery a while back, and since I've always had an interest in monograms and old linens with monograms on them, I thought I'd share some monogram patterns.

This particular monogram - the letter A - comes from a monogram alphabet that I have in an old, old, old booklet. It's one of those pamphlets that's falling apart, yellow with age, and not of much use unless scanned and cleaned up. So I've been doing just that. The booklet is of French origin. It doesn't have a cover, but there's a French address on the bottom of one of the pages. It was a gift from a friend who loves antique book hunting, but isn't too crafty, so it ended up in my hands.

I believe it's from a series of "Sajou" pamphlets published in France. Some of the pamphlets can be found online at La Maison d'Anael, a French website. I'm not certain which one this is, if it's on there, as I don't have the pamphlet cover. If you're interested in the monograms, you might want to scroll through them to find the complete alphabet.

If there's any interest in having the whole alphabet cleaned up for use, I'll post the initials as I clean them up. And if you're looking for a particular initial and you like this pattern, I can jump ahead and clean up one for you!

Here's the "A." You can shrink it or enlarge it as you wish. I think this is a particularly pretty monogram, and it would look great with the letter and the vines outlined in stem stitch, the flowers and dots worked in a padded satin stitch, and the leaves filled with a seed stitch.



Right click on the letter to save it to your computer, and then adjust it to the size you want.

Have fun with it!
]]> free embroidery patterns monograms 1257 Janis noreply@blogger.com 2010-04-25 13:54:02 2010-04-25 13:54:02 1 0 7072 Nita noreply@blogger.com 2009-06-12 02:51:31 2009-06-12 02:51:31 1 0 11388 Anonymous noreply@blogger.com 2008-07-13 03:11:00 2008-07-13 03:11:00 1 0 11792 Marian noreply@blogger.com 2008-05-20 20:37:00 2008-05-20 20:37:00 1 0
Mary, I have a set of letters that I found in an old magazine, but the letter I would want, 'M' is missing, but they are great for plain statin stich, would you like a photocopy of them?

Maybe I can scan and load into my photobucket account and post the link for others?]]> 12362 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-02-14 21:39:00 2008-02-14 21:39:00 1 0 Thank you.]]> 12617 Anonymous noreply@blogger.com 2007-12-16 20:11:00 2007-12-16 20:11:00 1 0
I'm rather new at this and I did have quite a bit of trouble keeping my satin stitch smooth. Have you already written a post about satin tips that I'm missing?
-Christiana]]> 12891 Jess noreply@blogger.com 2007-10-06 21:26:00 2007-10-06 21:26:00 1 0 12898 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-02 16:19:48 2007-10-02 16:19:48 1 0
You right click on it and select "save as," then save it to your computer. That's the way I do it, anyway!

Hope that helps!]]> 12900 Meeta noreply@blogger.com 2007-10-02 16:17:00 2007-10-02 16:17:00 1 0
Thanks.]]> 13073 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-06-29 07:37:41 2007-06-29 07:37:41 1 0 13074 Mer noreply@blogger.com http://www.blogger.com/profile/15217082889378558201 2007-06-29 04:28:00 2007-06-29 04:28:00 1 0 I was gonna ask for M and P, but there are already there :)]]> http://www.needlenthread.com/2007/06/embroidered-notebook-cover-update-kids.html Tue, 26 Jun 2007 08:40:00 -0500 Mary Corbet 1024 2007-06-26 08:40:00 2007-06-26 08:40:00 open open Embroidered-Notebook-Cover-Update-&-Kids'-Embroidery-Class publish 0 0 post

The kids love the thing, by the way, and are excited to make their own. They learned three stitches on Monday: the running stitch (we always start with that one!), the whipped running stitch, and the chain stitch. I jump straight into the chain stitch because it's just a short step to the detached chain (lazy daisy), which is always received enthusiastically because they can make flowers with it.

We also talked a little about needles and scissors, keeping track of supplies, clean hands, and such. They learned how to hoop up their fabric (we use white cotton twill for practicing). Then they picked out two colors of cotton perle, we learned the stitches, and then they picked out the felt for their embroidered notebook cover (four different colors were available) and three pre-cut strands of three different colors of cotton perle, which they rolled up and put in their sewing boxes. I showed them where to stitch the running stitches to mark the sides of the notebook cover, and they practiced their stitches, and that was the whole two hours! Fortunately, I have two gals from our guild helping with each class - so in this class, which had 17 children in it, each of the adults were able to give some one-on-one help with each stitch.

It was fun! The next group meets on Wednesday afternoon.

So this is the notebook cover so far, which I have every intention of finishing today, depending on how long I have to be at work!



The spine is marked by the wavy line in the center, although the spine doesn't really have to be marked at all - the design could continue across the whole space. I realized it doesn't really matter which side is which, either - on this, either side of the spine could be the front cover!



This is what I accomplished on Sunday. The wavy line in yellow down the spine is a laced chain stitch. The stitching on the inside of the waves is a variation on Algerian eye, with French knots at the tips. The fan in the top right corner is worked in whipped back stitch (the ribs), and the two bold lines defining the arch are Portuguese knotted stem. The yellow between the ribs is fly stitch in yellow ribbon. The edge on the outside is fly stitch worked in three strands of DMC stranded cotton, with a little green detached chain between the peaks of the fly stitch.



I added these little hand-painted buttons to the part that I had already finished before Sunday.



The vine here is worked in stem stitch, dotted with little ribbon leaves. The flowers are daisy stitches and French knots, for the most part.



The buds that rest in the vine intersections are actually oyster stitch, covered a little by some ribbon.



There's a little French knot at the base of each bud.



This is backstitch laced with a wide and loose silk ribbon. It's a scrap of ribbon that came from an orts bag from Yodamo silk. These are little $4 and $6 bags of miscellaneous ends of silk ribbon which are great for scraps and such.

You can find pretty much all the stitches used above in my Video Library of Stitches.

I plan on posting exact instructions for making the cover - it's not complicated at all, and it's a great and relaxing project for any kid - no matter how old!
]]> embroidery for children Hand embroidery stitches pictures beginner embroidery 13075 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-06-27 13:00:00 2007-06-27 13:00:00 1 0 13076 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-06-27 06:54:16 2007-06-27 06:54:16 1 0 13077 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-06-27 05:41:00 2007-06-27 05:41:00 1 0 http://www.needlenthread.com/2007/06/embroidered-notebook-cover-for-kids.html Sun, 24 Jun 2007 08:17:00 -0500 Mary Corbet 1025 2007-06-24 08:17:00 2007-06-24 08:17:00 open open Embroidered-Notebook-Cover-for-Kids'-Embroidery-Class publish 0 0 post

I'm working on wool felt from Wooly Thread. I ordered twenty of the 12" x 15" pieces, and cut those length-wise so that we would have forty 6" x 15" pieces, enough for 36 students. I wanted the materials to be as economically feasible as possible - and wool felt can be rather expensive! - so the point was to find a notebook small enough to cover with a six-inch wide piece of felt. It so happens that the Mead Five Star Fat Lil' Notebook is perfect.

So I measured out the strips and marked the inside with lines where the cover, spine, and flaps would fall. I stitched the lines with running stitch in #5 perle cotton, so that they are visible on the front. I left a 3/4-inch space in the middle of each edge of the turn-under for the flap, where I will cut slits for the ribbon ties.



You can see the running stitch up the left side, marking the spine area. The ribbon is inserted through the slit on the right side.



I worked a simple overcase stitch around the edges of the slit. The stitching here isn't too neat, but ... I photographed it anyway. (Hint: if you plan ahead, you don't have to rush when working up your samples! Saves a lot of frustration.... rrrrgh.)



To secure the flap, I worked an overcast stitch over the two edges of felt (still using perle #5). I think we'll use buttonhole stitch for the edges when we do these in class. It's a little more decorative, and they don't have to be worked this close together. We could also just use a whip stitch.



Again, here you can see the running stitch up the left side of the front cover area, marking where the spine is. The whole stitching design was completely random. I didn't plan anything particular for the cover. But when I work through this project with the kids, I want them to sketch up their ideas for their covers first - or at least the general layout.

I realize the stitching here is a bit advanced for beginning children. They will practice their stitches first on cotton twill, and once they learn each stitch, they will work a little bit of it on the felt, in any design they want, embellishing the felt as they progress through the class. The finish work will come at the end.

The stitches they will be learning and using on their felt covers are the running stitch, the whipped running stitch, backstitch, stem stitch, chain stitch, detached chain stitch, buttonhole stitch, fly stitch, and a little bit of couching. I'll also show them how to do a ribbed spider wheel, buttonhole wheels, etc., which can be used as individual accents on the covers. We'll probably throw in a few beads and ribbo here and there, too.

I'll be working with 36 children, divided into two classes. The ages range from 8 - 10 and 11 - 13. Now, I know it may be a bit adventurous to undertake these with the younger kids, but I think they will be able to do it. Last year, they were chomping at the bit to produce something like this, and they learned really fast! I can't wait to see what they do this year.

When we finish the notebook covers, we'll move on to a simple circular drawstring bag. I'll keep you posted with pictures!
]]> embroidery for children pictures beginner embroidery 4912 Laura noreply@blogger.com http://chebirba.blogspot.com 2009-10-16 11:56:19 2009-10-16 11:56:19 1 0
http://chebirba.blogspot.com/2009/10/link-cose-belle-che-vorrei-realizzare.html]]> 10498 Yelda noreply@blogger.com http://www.blogger.com/profile/09362432866881481459 2008-09-17 02:41:00 2008-09-17 02:41:00 1 0 13082 Kristin Nicholas noreply@blogger.com http://www.blogger.com/profile/09038900681076035087 2007-06-25 07:37:00 2007-06-25 07:37:00 1 0 13083 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-06-25 07:35:13 2007-06-25 07:35:13 1 0 13084 Kristin Nicholas noreply@blogger.com http://www.blogger.com/profile/09038900681076035087 2007-06-25 07:35:00 2007-06-25 07:35:00 1 0
I can't wait to see the photos of what the kids make.

Good luck!]]> 13085 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-06-25 07:34:28 2007-06-25 07:34:28 1 0
Good luck!]]> 13086 LAURA BULLINGER noreply@blogger.com 2007-06-25 06:12:00 2007-06-25 06:12:00 1 0 http://www.needlenthread.com/2007/06/recycled-silk-for-embroidery.html Fri, 22 Jun 2007 19:45:00 -0500 Mary Corbet 1026 2007-06-22 19:45:00 2007-06-22 19:45:00 open open Recycled-Silk-for-Embroidery? publish 0 0 post

First of all, what is it? There are a lot of websites out there that are devoted to recycled silk and recycled silk products. Basically, the "leftovers" from the silk mills where fabrics are made (to use for saris, which come in a range of colors and patterns), which are taken and spun into a multi-colored yarn. The yarn is irregular, colorful, a little hairy, and sometimes rather "slubby," but it's the color and texture that makes it interesting and pretty stuff.

Recycled silk is used primarily for knitting and crocheting. But why can't it be used for embroidery, too? I doubt this question is original - I imagine there are heaps of needleworkers out there who have done just that. I think, to maintain its look, the yarn would have to be couched. Perhaps others use it differently, though. On the right sized mesh, it would probably work in needlepooint.

You can get recycled silk through many sources online, but the one that caught my eye was the Wool Peddler. I think it caught my eye, firstly, because of the name. It didn't match what I was looking for! Secondly, I like the logo on the site. Thirdly, they promise quality yarn, and they deliver quality yarn.... and, fourthly...



I like their pictures of the yarn!

So I've added recycled silk to my list of things to do, and one of these days, I'm going to give it a try. If you've worked with it, feel free to leave a comment and tell others what you like or don't like about it, or to share resources.

]]> threads silk http://www.needlenthread.com/2007/06/silk-embroidery-floss-by-needlepoint.html Tue, 19 Jun 2007 19:14:00 -0500 Mary Corbet 1027 2007-06-19 19:14:00 2007-06-19 19:14:00 open open Silk-Embroidery-Floss-by-Needlepoint,-Inc. publish 0 0 post

Needlepoint, Inc. is a reeled filament silk (as opposed to a spun silk), which means that the individual fibers that make up the threads are longer and stronger. The luster of a filament silk is also greater than that of a spun silk. The threads are 8-ply, meaning they can be divided into 8 individual threads, and they come in 5 meter skeins (or really large hanks of 45 meters, for those BIG projects!). The company produces its own Chinese silk for its threads; they claim that they therefore have better control over quality and over availability, which makes sense.

What I like about the Needlepoint, Inc. threads is that the shades are carefully graded, so that you can easily select from the color card or the rack a series of colors (say blues, for instance) that will blend into the next lighter or darker shade really nicely.

When comparing the Needlepoint, Inc. silks to Au Ver a Soie's Soie d'Alger, this is what I found:

1. Needlepoint, Inc., silk is slightly more expensive - averaging around $3.80 - $4.00 / 5 meter skein, whereas Soie d'Alger averages around $3.40 - $3.75.

2. Needlepoint, Inc., silk has one more ply per strand, which means you are getting a little more thread in 5 meters.

3. Needlepoint, Inc., comes in 476 colors, whereas Soie d'Alger comes in over 600 colors.

4. Needlepoint, Inc., is "softer" thread - it does not have the same body as Soie d'Alger, and the twist seems somewhat looser

5. In my opinion, Soie d'Alger has a "richer" sheen to it.

For stitchability, Soie d'Alger always wins out with me. It may be because I'm used to it. I do use a variety of threads, though - and I do like stitching with the Needlepoint, Inc., silks. Still, I seem to get better results, and a smoother stitching experience, with the Soie d'Alger.

If you're looking for a pretty good silk, I don't think you can go wrong with the Needlepoint, Inc. silks. Try not to be bothered by their label - it's bright yellow and can really be a turn-off at first glance (like a whole rack of defective clearance items - not that I have anything against clearance items, but that much yellow on a display of colors is a bit annoying!)



If you want to see what colors they have available, check out the Needlepoint, Inc. color card. You can also browse the Needlepoint, Inc. website for needlework items, primarily (as the name implies) needlepoint. The most intriguing part of the website, in my opinion, is the furniture section - some really ambitious and beautiful stuff in there!



If you want to find out if there's a store near you that carries Needlepoint, Inc. silk, they have a convenient store locator online as well.

As soon as my camera's back, I'll post some photo comparisons!]]> supplies embroidery resources threads silk http://www.needlenthread.com/2007/06/oyster-stitch-video-tutorial.html Sun, 17 Jun 2007 17:21:00 -0500 Mary Corbet 1028 2007-06-17 17:21:00 2007-06-17 17:21:00 open open Oyster-Stitch-Video-Tutorial publish 0 0 post

The oyster stitch is an isolated stitch. In trying to describe what the oyster stitch is, I would say it's a combination stitch using the twisted detached chain stitch which is "surrounded" by an "open" chain stitch, or even a fly stitch.

The oyster stitch makes a filled oval shape, suitable for flower petals or individual buds and accents.

Here's the video:



Have fun with it!
]]> video tutorials beginner embroidery 3484 ansari noreply@blogger.com http://www.blogger.com/profile/12310014721883746006 2010-01-23 03:45:46 2010-01-23 03:45:46 1 0 11284 Anonymous noreply@blogger.com 2008-07-26 07:46:00 2008-07-26 07:46:00 1 0
A fabulous tutorial.

Thanks]]> 12968 Dy noreply@blogger.com http://www.blogger.com/profile/01740876889996960105 2007-09-09 03:06:00 2007-09-09 03:06:00 1 0 13070 neki desu kangies@yahoo.com http://www.blogger.com/profile/02780249422205001288 2007-07-01 01:42:00 2007-07-01 01:42:00 1 0 i had problems with this stitch and gave up on it. now i can go back and do it.

neki desu]]> 13090 Usha noreply@blogger.com http://www.blogger.com/profile/08564321962939978698 2007-06-18 09:59:00 2007-06-18 09:59:00 1 0 http://www.needlenthread.com/2007/06/biscornu-needlework-oddity-thats-really.html Sat, 16 Jun 2007 17:13:00 -0500 Mary Corbet 1029 2007-06-16 17:13:00 2007-06-16 17:13:00 open open Biscornu:-a-Needlework-Oddity-that's-Really-Popular! publish 0 0 post biscornu? or what's biscornu? I'm not exactly sure how to term this little, popular needlework oddity. Is it a noun? or an adjective? Either way, I call it an "oddity" because it does strike me as a little odd in its shape - but more so in its recent "birth" into the embroidery world. I've been embroidering for .... too many years to count! And it was just a lucky happenstance that brought biscornu to my attention.

I have a little knowledge of French, so when I first encountered the word "biscornu" I was confused. On my recent vacation, a fellow stitcher in a needlework shop showed me a little roundish ornament of sorts and said, "Have you ever made a biscornu?" I puzzled over the word, asked how it was spelled, thought about it a bit, and "that's odd." And it is! The word itself means odd or bizarre in French - it's actually an adjective.

But there's nothing really too odd about biscornu, and it's really no wonder that the marvelous little things are suddenly very popular in the needlework world.

Biscornu are small pillows, made from squares by offsetting the corners of the squares, whip-stitching them together, and stuffing them, so that they form a kind of puffy, eight-pointed pillow. In the middle of the resulting pillow, a button or trinket is usually sewn, pulling the two sides of the pillow together.

Each side of the pillow is embroidered (or at least the top side is). The embroidery usually involves counted thread techniques such as cross stitch or blackwork, but other stitches may certainly be employed, and I would imagine to great effect.

I squizzed around the internet, looking for samples - and holy cow! These little gems are really popular! I must've had my head in the sand for the last four or five years! Actually, the earliest date I could find on any pictures of biscornu was 2004! And I figure the things must be relatively recent in the needlework world, because - believe it or not - there's not even a Wikipedia article about them!

So what do they look like? And what are they used for?

If you want to see what they look like, I suggest checking out the heaps of images on Webshots/Type "biscornu" into the search on Webshots, and you'll get a plethora of photos:



There are plenty of blogs out there with photos of completed biscornu, or works in progress. I particularly liked the one I found at the Peacock's Feather, a great blog with lots of book recommendations & photos of works in progress.



One of the most striking biscornu I've seen is found at Stitched in Holland. I'm a sucker for red, so the color scheme really appeals to me.



It seems that the primary purpose of biscornu is as a pin cushion. I found a nice biscornu worked in blue in a blackwork-like filling at the little French blog called Craft Corner. Although I was looking for biscornu, what really caught my eye are the gorgeous embroidered pansies you can see on that page! If you scroll down the page, you'll see the blue biscornu. Click on it for a larger image.

The biscornu can also be used for ornamentation - they make interesting Christmas ornaments, for example. I imagine they could also be made into sachets, but I would advise any flower or plant-like filling to be stitched into an enclosure bag instead of putting the filling loose into the biscornu.

How are they made? Well, there are several tutorials online that you can check out if you're interested in stitching up one of these oddities.

Probably the best tutorial I've found so far is the one at Finishing School, a place where you will find "alternative finishes for needlework designs." The biscornu made in that tutorial is a bit bigger than some of the other ones you might see online. It all depends on the fabric you choose.

You'll find another good tutorial at Annette's Acre. The pictures are not as clear, but the tutorial is still very good, and the biscornu she's putting together is very pretty!

And then, finally, what about patterns? You can probably find many good patterns all over the internet, given the popularity of this little item. With just a quick look, I found a pretty good source at Battybat, which is also a French website.

Finally, my favorite all around resource that I found for information on the biscornu is the website Own Two Hands, where you will find a wonderfully clear tutorial for creating a biscornu, as well as a whole list of links for patterns.

So, there you have it - a needlework oddity that I'm glad I came across, and I hope you find it interesting, too! Enjoy!
]]> free embroidery patterns pictures counted thread embroidery techniques embroidery design biscornu 6789 Isa isabelnemet@gmail.com http://www.blogger.com/profile/11922685998394930678 2009-06-25 11:49:21 2009-06-25 11:49:21 1 0 Isa]]> 12927 Nela nelapx@gmail.com http://www.blogger.com/profile/10681457194307415047 2007-09-25 09:57:00 2007-09-25 09:57:00 1 0 si deseas ver mas informacion yo recogi en español los trucos principales sobre el
http://nelapx.blogspot.com/2006/12/biscornut-trucos-tips.html
alli coloque enlaces de la pagina francesa que corio la idea
http://silepointcompte.free.fr/bricotruc/biscornu/biscornu.htm
galeria francesa
http://perso.bellapix.com/stitchingcat
intruccion and grafcs
http://own-two-hands.livejournal.com/4186.html
kises nela]]> 13071 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2007-06-30 07:38:00 2007-06-30 07:38:00 1 0 http://www.needlenthread.com/2007/06/needlework-stash-some-new-embroidery.html Fri, 15 Jun 2007 20:40:00 -0500 Mary Corbet 1030 2007-06-15 20:40:00 2007-06-15 20:40:00 open open Needlework-Stash---Some-New-Embroidery-Threads publish 0 0 post

Since the shops I visited in the Southeast focused mainly on needlepoint or counted thread techniques, the threads I picked up are highly suited to those techniques. For the first time, I got to feeeeel some threads that I've read about but have never come across in shops.



Here's a rather disorganized pile of all the embroidery goods I bought: Silk 'n Ivory, Vineyard Silk, Soie d'Alger, good ole cotton perle, ribbon floss, Rachelette by Caron, a couple little kits, and some stretcher bar, which aren't pictured!



Vineyard Silk is a Chinese silk that's produced in thicknesses suitable for needlepoint, but its use is not limited to needlepoint! It's an excellent, lustrous substitute for the traditional wools used in Jacobean or crewel embroidery, and would do well, I think, in any surface embroidery where you want a thicker thread. If you want to read about Vineyard Silk and see what's available in their line, check out the Vineyard Silk website. The classic colors are fantastic, and the subtle shades are perfect for long and short stitch flowers, etc.



Silk 'n Ivory is one of those threads I've longed to see up close and feel, but haven't had the opportunity to do so until now. Again, another thread good for needlepoint, but not limited to needlepoint. Silk 'n Ivory is a 50% wool, 50% silk thread, non-divisible and twisted. It has a nice sheen (not as much as the 100% silk threads, but very close), and it comes in a fantastic color range. It's distributed by a company called Brown Paper Packages, and is Swiss in origin. They also distribute the thread Trio, which is similar to Silk 'n Ivory, but it is divisible.



I probably don't need to explain Soie d'Alger by Au Ver a Soie, as I write about it quite often. But for those of you who are not familiar with this fine silk thread, it is French in origin, and possibly the best silk on the market. It comes in 5 meter skeins of 7-ply thread, one strand being about the same size as one strand of DMC stranded cotton. The difference between the silk and the cotton is the beautiful natural sheen of the silk, which will last for generations and generations. Soie d'Alger is a very strong silk; it doesn't fray easily and is great for any embroidery project. It's produced in well over 600 colors, so you can imagine the variety of color and the subtle shades you can achieve in your needlework with this thread! I just love the stuff.



Here's a jumbled little pile of DMC #5 perle cotton. I guess it's not something that you'd go "WOW" over, since it's pretty commonly available everywhere. But I liked these colors, and I use the #5 perle in my summer embroidery classes for kids, so... I bought a bunch of it in colors I knew they'd like. Their first project this summer is embroidery notebook covers worked on wool felt, so these threads will be great for that.



You may be wondering what ribbon floss is, and I will tell you truthfully that I'm wondering the same thing. I gather it's a floss that looks like ribbon, or a ribbon that behaves like floss, or something along those lines! I've never used it before, and, as you can see, I haven't even unwrapped the packages yet, but it intrigues me, so I'll have fun trying it on something. It's rayon, which could be a big drawback, as rayon threads can be a pain to work with. But given the general width of the floss (or ribbon?), I don't think it will boing up the way other rayon does. It apparently is comparable to one full (6 strands) of DMC, size-wise, and it works like ribbon, with the flexibility of floss. We shall see! I imagine it makes a pretty good accent thread for any kind of project.



I thought the Rachelette by Caron looked like a cross between funky and gorgeous. It's a nylon thread, with an outer net-like thread over it, and it's got a metallic sparkle to it. Another item which will make neat accents in the right place on the right kind of piece.




And finally, I bought two little kits - The Sweetheart Tree makes some really pretty counted thread kits. They aren't all cross stitch; many incorporate specialty stitches as well. I had such plans for these little gems! I didn't take any needlework along with me, so I bought these at the beginning of my trip. The only thing the kits lack is scissors. So I bought a pair of those, too. Anyway, I left the kits behind me in Florida when I left, so as I was sitting on my balcony in Charleston, overlooking the water and enjoying the evening views, I couldn't do one stitch of anything! My sister kindly mailed them home to me. Ah well - that's life!

So those are some fun new supplies I've picked up. If anyone's used any of these threads, I'd love to hear whether or not you like them, how you use them, and if there's anything out there you prefer to them!
]]> supplies embroidery resources threads pictures 13089 Jane/Chillyhollow noreply@blogger.com http://blog.360.yahoo.com/chillyhollow 2007-06-21 10:26:00 2007-06-21 10:26:00 1 0
http://www.ylicorp.com/ribbonfloss_1.htm

You can buy little mesh bags to put over the cardboard tubes to keep the thread from unwinding itself.

Jane/Chilly Hollow
http://blog.360.yahoo.com/chillyhollow]]> http://www.needlenthread.com/2007/06/cloth-of-gold-tragedy-needing-repair.html Thu, 14 Jun 2007 08:16:00 -0500 Mary Corbet 1031 2007-06-14 08:16:00 2007-06-14 08:16:00 open open Cloth-of-Gold:-A-Tragedy-needing-Repair publish 0 0 post Cloth of Gold, exploring what it is and how it's made. This exquisite textile made of gold-wrapped thread is expensive, somewhat hard to come by, and, in antique textiles, highly desired when in good shape. Here, I'm examining a piece made of cloth of gold, but which has unfortunately been damaged. The question is whether or not it is completely beyond repair.

The piece is a liturgical stole made from cloth of gold. It matches an exquisite set of vestments made from the same fabric.



This is a shot of one side of the stole, where the cloth of gold is in excellent shape, especially considering the age and the use of the piece.



And here is the other side, where you can see that the piece really is exquisite. The nature of this particular cloth is damask-like, with a pattern woven into the overall cloth. It is not embroidered in any way - the pattern you see is simply part of the pattern of the cloth.



There's a beautiful goldwork cloth on each side of the front of the stole. Again, it's in really good shape - there are a few spots where the gold thread is broken, but overall this does not mar the beauty of the piece. Age and wear are not highly evident.

But then, the tragedy:



Here you can see the torn fibers that need repair. Note how the cloth of gold is made in layers - underneath the gold thread, there are at least three layers: the first is the "base" of the fabric - it looks like a coursely woven material. The second and third layers directly under the gold are soft gold-colored thread in layers like padding. Then comes the gold.



It reminds me somewhat of shredded wheat cereal. What a mess! The question is, how can cloth of gold like this be repaired in a way that shows the least amount of damage? I'm musing over this question - and if you have any ideas, I'm all ears!



Here's the spot on the opposite side of the stole - not as bad, but still noticeably damaged!



The fringe at the bottom of the stole also needs some attention. The strands are crossed and held together by red thread, in an attractive pattern, but the red thread needs work!



In fact, the red thread is completely missing on half of the fringed edge.

The fringe won't be difficult to fix up. It's not really damaged - it just needs to be re-worked with red thread.

The cloth of gold itself, though, definitely needs repair before this piece can be used again. So here's my question: any good ideas on how to go about this? Of course, there are always those professionals that restore textiles, but I'm going to (very carefully!) give it a go myself before resorting to a professional. This may be a mistake, but the cost of such a repair would probably be tremendous, if it can be done at all.

If you have any thoughts, suggestions, ideas, or inspirations, feel free to share 'em!
]]> historical needlework ecclesiastical embroidery goldwork pictures 12639 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-12 06:59:36 2007-12-12 06:59:36 1 0
The hair wasn't so hard to come by, actually! I have a friend who had long, reddish-blonde hair, and about a week after I posted this, she decided to cut it off! So she had her hair dresser cut carefully in bundles approximately 14 inches long. The color was perfect!

I haven't finished this repair job yet...!]]> 12640 Anneg noreply@blogger.com http://www.blogger.com/profile/04264774791030984339 2007-12-11 18:20:00 2007-12-11 18:20:00 1 0 13092 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-06-15 22:42:56 2007-06-15 22:42:56 1 0
I will indeed look up a wig source. I'll post progress - but I have a feeling it will be a long process!

Thanks again!]]> 13093 Laura Bullinger noreply@blogger.com 2007-06-15 21:34:00 2007-06-15 21:34:00 1 0 13094 Laura Bullinger noreply@blogger.com 2007-06-15 21:27:00 2007-06-15 21:27:00 1 0 Good luck. It is my pleasure to be able to give back to someone so generous to her fellow stitchers!]]> 13095 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-06-15 21:17:27 2007-06-15 21:17:27 1 0
I'm very interested to know how to finish the ends, and if you want, you may comment here, for others to read, or you may e-mail me at mary@needlenthread.com

Thank you SO much, Laura! I look forward to hearing from you!

MC]]> 13096 Laura Bullinger noreply@blogger.com 2007-06-15 21:10:00 2007-06-15 21:10:00 1 0 1. Stuff a small wad of lamb wool (purchased through leather repair kits) in the "center" of damage. Carefully cover with tight clean but soft cotton square on side that will NOT be worked on (back).
2.Using silk thread of the same twist and shade, first run stitches that catch tiny bits of the original padding. After the padding has been laid down, now fill in missing padding strokes.
3.Using a light brown wig of real hair, pull a strand to thread through a wire beading needle. First draw needle through perpendicular through broken strand at very base with needle point facing the garment.Of
course, don't pull all the way through. This stroke will suffice as knot.Wrap the hair around the thread in a spiral direction but apart using very few turns, enough to secure the gold thread. At the end, push needle through the gold thread, again perpendicular.
Now, anchor the hair end to the textile in a woven manner. The thread ends will be frayed. I will send directions on the last bit of work to be done which will be to smooth the look of the frayed edges. Please respond so that I know you have received this.]]> 13097 Logan noreply@blogger.com http://www.blogger.com/profile/14190306276373818087 2007-06-14 09:58:00 2007-06-14 09:58:00 1 0 http://www.needlenthread.com/2007/06/needlework-travel-its-stitch-outside.html Mon, 11 Jun 2007 07:48:00 -0500 Mary Corbet 1032 2007-06-11 07:48:00 2007-06-11 07:48:00 open open Needlework-&-Travel:-It's-a-Stitch-outside-Charleston publish 0 0 post

Of the three needlework shops we visited, It's a Stitch had the most comprehensive selection of threads. Crammed into a space of some 400 or so square feet, the shop offers just about every kind of needlework fiber you could want. Right now, the shop is a bit on the crowded side, but they are moving their business a little way down the road soon, to occupy a space of over 1,000 square feet. This will be great!



The drive to this needlework shop from our hotel in Mt. Pleasant (on the other side of Charleston) was a pleasant one. The area is very typically "southern" looking and it's quite pretty! So the fact that the shop is located a distance outside the city is not at all a problem for those visiting the area. We continued our drive further down Maybank Highway after our stop and It's a Stitch, and visited the Charleston Tea Plantation - a convenient combination of sight-seeing and shopping.



Right now, you'll find It's a Stitch tucked into a little rural building that's home to a few other businesses as well. From the outside, it's inviting. There's a nice little chair on the front porch, and some baskets with daily specials.



Inside, you'll find three rooms. They are filled with fiber displays, while painted canvases line the walls and ceilings. This is the "main" room.



You'll find a whole wall of Silk 'n Ivory, Trio, and whatnot. You'll also find Needlenecessities, several different types of Au Ver a Soie, Trebizond, Gloriana, the whole range of Anchor, and on and on.



Each wall is filled with a display of fibers, the center of the room is occupied by racks of fibers - in short, if you're looking for threads, they're bound to have what you want!



Painted needlepoint canvases line the walls - and the ceiling! They have a great selection of colorful canvases. There was an absolutely gorgeous set for a child's upholstered chair. If I'd had the room.... and the budget....



They also had some great display items around the shop. This little knitted hat is precious! I had to buy the pattern! I also satisfied my thread craving by purchasing some Au Ver a Soie and a few other types of threads what will go into the general stash.

It's a Stitch is a neat little store - if you're in the area, you should swing by! Look for it further down Maybank Highway soon.

And that was our last needlework stop! I did manage to drive past the Embroidery Guild of America Headquarters in Louisville, KY, but it was too early in the morning to stop, and we couldn't wait around. Overall, it was a great trip!
]]> supplies pictures needlework and travel 13100 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-06-12 08:34:00 2007-06-12 08:34:00 1 0 http://www.needlenthread.com/2007/06/needlework-in-charleston-cabbage-row.html Sun, 10 Jun 2007 08:48:00 -0500 Mary Corbet 1033 2007-06-10 08:48:00 2007-06-10 08:48:00 open open Needlework-in-Charleston:-Cabbage-Row-Shoppe publish 0 0 post

Cabbage Row Shoppe has been operating in Charleston on Broad Street since the early 1970's.



It's at a beautiful location on Broad Street and State, right near the Old Exchange. There are plenty of sights nearby - the street is perfect for strolling, shopping, and sightseeing.



As you walk down Broad Street near the intersection of State, you'll see a cabbage on the wall, indicating the location of Cabbage Row Shoppe:



In case you miss the cabbage, there's also an overhead sign to indicate that you've arrived:



As you can tell from the sign above the door, Cabbage Row Shoppe specializes in needlepoint. They have an incredible variety of the most beautiful hand-painted canvases I've ever seen.



You'll find canvases lining both walls and covering racks in the middle of the store. There is also a small selection of counted thread designs to choose from, but the focus of the shop is definitely needlepoint.



All the canvases are unique and really gorgeous. I had to resist the temptation to purchase a set of beautiful Fleur de Lys squares that I would have loved to have - the difficulties being that 1. Needlepoint is not really my "thing" (though I like it, and I like the looks of it - I just don't have the time to devote to it); 2. I was searching for fibers, not designs to stitch; and 3. I would have overstepped my embroidery budget big time. Hand-painted canvases are not inexpensive, I've found, but, after contemplating their nature, I think that they are a good value. First, you're getting something unique that is a work of art; second, once it's stitched, it becomes your work of art as well; third, you can do useful and beautiful things with such canvases - from typical decor (pillows, framed works for the walls), to furniture upholstery (footstools, chair backs), to housewares (the base of covered glass trays), the needlepointed canvas can be a really beautiful addition to the home and something that can last from one generation to the next.



I loved this little elephant fellow. It's both exotic and fun.



And this camel canvas caught my eye, too! But I wasn't looking for canvas, I was looking for threads! They have plenty.



You'll find a range of colors of Paternayan Persian Wool, which is a three-ply 100% wool yarn used for needlepoint, but which can also be used for other needlework, for tassle-making, etc.



You'll also find the range of Silk 'n Ivory, a 50% Merino wool / 50% silk blend yarn made in Switzerland. The color range for the Silk 'n Ivory is gorgeous - they have 186 colors available, and the shading is wonderfully subtle, perfect for modern Jacobean and crewel work. And they carry Trio as well, made by the same company. It's a three-ply, divisible yarn made of silk and wool and can be used for fine work.

Cabbage Row also carries a variety of specialty flosses, some silks (Caron Collection, for example), the whole range of DMC, and notions and accessories, including stretcher bar frames.

They have a website, but it is not frequently updated. However, you can contact them via the website and they will help you fulfill your needs if they can. The proprietress was certainly the model of southern hospitality and graciousness. It was a pleasure spending time at Cabbage Row!
]]> supplies needlework and travel http://www.needlenthread.com/2007/06/traveling-and-embroidery-shops.html Sat, 09 Jun 2007 12:51:00 -0500 Mary Corbet 1034 2007-06-09 12:51:00 2007-06-09 12:51:00 open open Traveling-and-Embroidery-Shops publish 0 0 post

My first embroidery stop was supposed to be at the Japanese Embroidery Center in Atlanta, Georgia. I knew it would be the highlight of my trip, and I couldn't wait to check it out and to SHOP there! Alas, it was not to be. I thought I was lost, since the directions took me to a beautiful residential area in Dunwoody, a suburb of Atlanta. I landed at the address that I had, but it looked to me like one of the fine residences. It was 10:00 a.m., and I didn't think ringing someone's doorbell quite the thing to do, so I chalked the experience up to bad directions, and went on with my journey. When I finally had the opportunity to call to let them know I wouldn't be there for a tour (you have to arrange one with them at least 48 hours in advance), I found out that I had indeed been in the right place! So if you're ever looking for the Japanese Embroidery Center in Atlanta, it is in a residential area. Don't be shy! Ring the doorbell.

While in Florida, I made it to a little needlework shop in Altamonte Springs, called Needle Orts.



The shop is conveniently located in Altamonte Springs, just a bit outside (north) of Orlando. If you're vacationing in Orlando and love threads especially, this is a great place to stop to take a look at what they have. I was there on a Saturday morning, when they have their local stitch get-together. It looked like heaps of fun, with small group of stitches around a table, with lunch and snacks set out for all.



The shop itself (like the other shops I went into in the Southeast) specializes in hand-painted canvases for needlepoint, but they also have a good array of fabrics for (counted) embroidery, many of which can certainly be used for surface embroidery.



Painted canvases line the walls, and thread racks fill the center of the shop. They carry the full range of Soie d'Alger by Au Ver a Soie, as well as the 100/3. They have Trebizond as well. They've also got the full range of Needle Necessities silk, as well as a large selection of wools and other combinations of fibers. Caron Collection threads, DMC, and too many others to count are in abundance.



They've got plenty of little kits, too, which are perfect for the traveller looking for something to do in leisure time. I purchased a couple pretty little counted thread kits to keep me occupied, as well as selecting a bunch of Soie d'Alger colors for an upcoming guild project.



Just like many places in Florida, the shop overlooks a pretty little lake. This is a big sell-point for me. Being from Kansas, we don't see abundant water throughout the year, so I like to see it everywhere I go!

The staff was friendly. My only complaint as a shopper would be that the shop is Very Crowded! However, I think that has to do with the Saturday gathering they were having. But hey - I'd rather have it crowded with stuff I'm looking for than roomy as anything, but with a lousy stock! So this wasn't really a negative point. They had a great selection of all kinds of stuff.

Needle Orts has a website, but it isn't fully functional for shopping, although it apparently will be soon. If you're looking for something in particular, you can find their contact information online and you can order over the phone.

My next needlework stop was in Charleston, South Carolina, where I found some real gems .... I'll fill you in on that next time!]]> supplies needlework and travel 13102 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-06-10 10:24:17 2007-06-10 10:24:17 1 0 13103 JK noreply@blogger.com http://www.blogger.com/profile/10722633057708947661 2007-06-10 09:46:00 2007-06-10 09:46:00 1 0 Japanese Embroidery Center? Also, the Needle Orts is almost an exact replica of a little place we have here in Cali, called the Enchanted Unicorn.]]> 13104 Anonymous noreply@blogger.com 2007-06-10 05:52:00 2007-06-10 05:52:00 1 0 http://www.needlenthread.com/2007/05/hand-embroidery-pattern-flowers-in.html Thu, 31 May 2007 08:02:00 -0500 Mary Corbet 1035 2007-05-31 08:02:00 2007-05-31 08:02:00 open open Hand-Embroidery-Pattern:-Flowers-in-a-Quatrefoil publish 0 0 post

You can dress this one up a number of ways. I think it would look great with gold threads - the quatrefoil could be couched in gold passing, along with the tendrils, and the flowers could be needlepainted or couched again in gold. You could always work a filling stitch in a solid color in the background and couch the flowers in gold. Or you could go with a simple approach and just use line stitches to outline the design! Lots of possibilities on this one!



For more hand embroidery patterns, please visit my Index of Hand Embroidery Patterns.

Have fun with it!

I'm heading off on vacation now... I'll post some good stuff when I return!

]]> free embroidery patterns 13113 corina noreply@blogger.com http://corinaj.wordpress.com 2007-05-31 09:20:00 2007-05-31 09:20:00 1 0 http://www.needlenthread.com/2007/05/free-hand-embroidery-pattern-circular.html Wed, 30 May 2007 08:57:00 -0500 Mary Corbet 1036 2007-05-30 08:57:00 2007-05-30 08:57:00 open open Free-Hand-Embroidery-Pattern:-Circular-Thing publish 0 0 post

This simple embroidery pattern seems well-suited to line stitches. You can find a whole list of line stitches in my Video Library of Stitches Index.

To save this pattern, right click on it. You can enlarge it or reduce it on a photocopier or in a photo editing program.



For more hand embroidery patterns, please visit my index of hand embroidery patterns.

Have fun with it!
]]> free embroidery patterns beginner embroidery 10024 Anonymous noreply@blogger.com 2008-10-26 11:27:00 2008-10-26 11:27:00 1 0 http://www.needlenthread.com/2007/05/free-hand-embroidery-pattern-bookmark.html Tue, 29 May 2007 08:46:00 -0500 Mary Corbet 1037 2007-05-29 08:46:00 2007-05-29 08:46:00 open open Free-Hand-Embroidery-Pattern:-Bookmark-or-? publish 0 0 post

This embroidery design below struck me as a rather good one for a bookmark worked on linen. It must just be the shape!

Once you save the design, you can rotate it for a horizontal row. Repeats can easily be added by tracing, to get a longer motif. Don't limit yourself to merely bookmarks - this would look great on the edge of pillow cases or on a hand towel!

Enjoy!



For more free hand embroidery patterns, please visit my index of hand embroidery patterns. ]]> free embroidery patterns http://www.needlenthread.com/2007/05/free-embroidery-pattern-simple-lily.html Sun, 27 May 2007 10:09:00 -0500 Mary Corbet 1038 2007-05-27 10:09:00 2007-05-27 10:09:00 open open Free-Embroidery-Pattern:-Simple-Lily publish 0 0 post

This hand embroidery design can be enlarged or reduced, depending on what you want to do with it. Right click on it to save it to your computer.



For more free embroidery patterns, check out my hand embroidery pattern index.

Have fun with it!
]]> free embroidery patterns beginner embroidery 13115 Anonymous noreply@blogger.com 2007-05-29 13:12:00 2007-05-29 13:12:00 1 0 http://www.needlenthread.com/2007/05/embroidered-baby-quilts-are-finished.html Fri, 25 May 2007 08:20:00 -0500 Mary Corbet 1039 2007-05-25 08:20:00 2007-05-25 08:20:00 open open Embroidered-Baby-Quilts-are-Finished! publish 0 0 post

I've already featured the baby boy's quilt, which was completed a while ago. Now you can take a look at the baby girl's quilt!



I took this photo at a bad angle! But don't you love the border? I love the purple dotted "ribbon" in the corners! Here's a close up of the corner fabric:



The resolution is pretty poor in that photo, for the fabric is certainly not that "fuzzy" looking! I forgot to take an image of the back of the quilt. It's backed with a pink and white gingham checked flannel. Both quilts are entirely done in flannel - they're soft, but not fuzzy, fuzzy, and the quilting gives them a good "stiffness" or body so that they aren't heavy. They're just perfect for a baby crib! Here's a closer view of the bottom half of the quilt:



And here's the top half:



Isn't it cute? I love the variety of colors, and the soft sweetness of the whole thing! Just to put them both on the same page, here's the complete boy's quilt:



Our next whole group project for the guild is actually a class in silk work. We'll be working a silk sampler this summer, so I hope to have photos of that as we progress.
]]> pictures guild 13117 corina noreply@blogger.com http://corinaj.wordpress.com 2007-05-25 09:59:00 2007-05-25 09:59:00 1 0 http://www.needlenthread.com/2007/05/needlework-and-travel-winning.html Tue, 22 May 2007 21:40:00 -0500 Mary Corbet 1040 2007-05-22 21:40:00 2007-05-22 21:40:00 open open Needlework-and-Travel---A-Winning-Combination publish 0 0 post Inspiration Magazine. Funny how these situations unfold:

Inspirations Magazine is my biggest needlework "indulgence." It's a wonderful magazine full of great ideas for embroidery and loaded with embroidery patterns and articles and whatnot. It is pricey, I must admit. But I budget it carefully into my hobby money every month, so that I can renew my subscription without the pocket pain!

When the magazine arrives, I spend my lunch hour perusing all the content, and I never miss the "smaller" articles because that's where the human interest part of the textile world is found.

With summer coming, anything that smacks of "travel" catches my attention, and sure enough, there was an article on travel. Not just ANY travel, but Needlework Travel!!

Marie Yolande organizes needlework tours! I quickly took the opportunity to visit her website and found out that this year's tour looks absolutely enchanting - hence, "Enchanting Ireland."



If you love needlework and you love travel, I don't see how you could miss with this type of tour. It just looks like sheer indulgence! And with the Mountmellick embroidery workshop to boot, you'd go home richer in outlook and skill.

I communicated with Yolande to get permission to write about her work here, and asked her about upcoming tours. Personally, I can't afford to head out on vacation without budgeting carefully for a year and planning my summer vacation time around my summer embroidery classes and my job. So I like to plan these things well in advance. Well, what could possibly be better than heading to Italy for a lace and needlework show in mid-May, 2009? Yolande plans on offering an Italian tour in 2009, and, God willing, I'll be along. I'm already planning it into my budget for the next two years! I realize a lot can happen between now and then, but I'm so excited about the prospect.

Yolande kindly sent along some photos from a previous Italian lace and needlework show, so I thought I'd share a few so you can see a small portion of the experience!



Here's a gorgeous sample of Italian thread painting. The red rose is superb.



This is a display of exquisite needlelace and embroidered goods. The long oval table runner on the top of the right wall is very similar to my whitework runner, although quite a bit wider and without the filet lace inserts that I put in mine. But it's the same idea - cutwork and white-on-white embroidery, with a needlelace edge. I'd love to see this one up close, and the rectangular one with the wide needlelace edge! WOW!



Another marvelous display of textiles - filet lace is the focus here. I wonder if these are bed covers? I seriously doubt they are table cloths. I love the shape of the inset medallion. Very nice!



This is Yolande with Seg. Antonietta, who embroiders for the Vatican. On the wall in the background, you can see a photo of her with the Pope.



The above work, Rosa Mistica, was displayed at one of the booths in the Italian needlework show. This needlepainting is very nice - note the shadows on the face and the "sketched" look of the piece.

If you have a chance and want to see photos of Yolande's tours, don't miss checking out her website. Don't miss her unforgettable photos of previous needlework tours. On her website, you'll also find a virtual tour of this year's Enchanting Ireland adventure.

If you can't join up, sit back with a cup of coffee and enjoy the photos.... and dream!
]]> pictures needlework and travel http://www.needlenthread.com/2007/05/decorative-border-for-hand-embroidery.html Sun, 20 May 2007 08:32:00 -0500 Mary Corbet 1041 2007-05-20 08:32:00 2007-05-20 08:32:00 open open Decorative-Border-for-Hand-Embroidery:-Free-Pattern publish 0 0 post

I have two blank linen towels that are just waiting for some embellishment, and this particular border is in the running. There's also this Fleur de Lys border that I like, so it's a toss-up between the two of them.

I'm not 100% sure I like the dots on this one, but I have a thing with dots lately. I think it has to do with the Monograms book I got from Country Bumpkin publications. They have great instructions in there for raised dots. Suddenly, I want to put raised dots on everything!

The problem is, I need patterns that will stitch up on household linens relatively quickly, and when you start getting into filling the designs, it slows you down! So on this design, I may skip the dots altogether, and just work a simple outline on the linens.

Here's the question: color? or white? White on white is always nice on household linens, but I think a red on white would be great. The problem with red is that ever-present fear of bleeding thread. So before I take the leap and stick to a red-on-white decision, I'll fix the color by treating the threads.

There's part of me that wants to do several colors, in kind of the French country look - the dark yellow, red, blue, and green. Since there are several distinct parts in this design, that's feasible, too.

Here's the pattern - click on it for a much larger image, which you can save on your own computer. You can enlarge the pattern or scale it down in a photo editing program or on a copy machine. To lengthen the border, overlap the repeats and trace it.



If you have any great ideas for working this border in simple embroidery stitches on household linens, feel free to share them!

For more hand embroidery patterns, check out my index of embroidery patterns, where you'll find a list of patterns on this site, including ecclesiastical embroidery patterns, as well as an extensive list of online resources for embroidery patterns.
]]> free embroidery patterns beginner embroidery 13124 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-05-23 22:29:14 2007-05-23 22:29:14 1 0 13127 explorer0713 noreply@blogger.com 2007-05-23 21:45:00 2007-05-23 21:45:00 1 0 http://www.needlenthread.com/2007/05/embroidery-thread-company-offers.html Sat, 19 May 2007 17:22:00 -0500 Mary Corbet 1042 2007-05-19 17:22:00 2007-05-19 17:22:00 open open Embroidery-Thread-Company-Offers-Contest-with-Prizes! publish 0 0 post

The embroidery design contest requires you to use the Tokens and Trifles Christmas stocking card to create a hand embroidered ornament. Your design must be original, and there are two categories of entry: one category utilizes only Kreinik threads, and the other utilizes at least one type of Kreinik thread.



You might be worried that the stocking has to be worked solely in metallics, if you are only familiar with Kreinik's metallic threads. This isn't the case, though! Kreinik manufactures Silk Mori, which is a 6-ply spun silk floss. Admittedly, it isn't my "favorite" silk to work with, but it's nice for a spun silk. They have a nice range of colors available.

The prizes for the contest look enticing - there's a first, second, and third place prize in both categories, and the first place prize is $500-worth of Kreinik and Tokens and Trifles goods and books. You couldn't go wrong with that if you're building a stash. You'll also get a little publicity - a write up in Just Cross Stitch magazine. You're design will also be published by Kreinik.

There are the typical caveats - the design must be previously unpublished, you have to write up detailed instructions with a stitch guide and color chart, etc. But, overall, it sounds like a fun idea!

You can find the complete details of the contest on the Kreinik Manufacturing website. You can purchase Kreinik threads straight through their website, or you can usually find them in local craft stores, such as Hobby Lobby and Michael's. You can also purchase some Tokens and Trifles cards through Kreinik, but amazingly enough, they don't have the stocking card on their website! This is a drawback, since you have to submit the completed design worked on the card!

Never fear - you can find the Tokens and Trifles Stocking card available at Twining Thread, where it's $2.50 for 1 card per package. You can also find them directly through the Tokens and Trifles website, where they are $2.90 per card.

I doubt I'll have time this summer to join in on this contest, but it looks like fun! I hope others jump on the bandwagon and come up with some great ornament designs!
]]> embroidery resources embroidery design http://www.needlenthread.com/2007/05/free-embroidery-pattern-flower.html Thu, 17 May 2007 14:28:00 -0500 Mary Corbet 1043 2007-05-17 14:28:00 2007-05-17 14:28:00 open open Free-Embroidery-Pattern:-Flower-Medallion publish 0 0 post

This embroidery pattern is a medallion of sorts - it would make a good design for a decorative pillow, for a wall ornament, for the cover of a needlebook or anything similar (reduced in size), or a variety of any kind of household goods. I think it would be nice to work in the corners and center of a small square table cloth or linen, in white on white - you could enlarge it for a larger table covering.



Stitching possibilities range from simple outlining (stem stitch, chain stitch, split stitch, or any whipped line stitch) to filling the more isolate pieces of the design with satin stitch. I think the piece is especially suited to whitework, but you could work in two colors on it: pale greens and reds, for example.

Put your imagine to work and see what you can come up with! Have fun with it!
]]> free embroidery patterns beginner embroidery http://www.needlenthread.com/2007/05/free-embroidery-pattern-sunflower-cross.html Wed, 16 May 2007 20:23:00 -0500 Mary Corbet 1044 2007-05-16 20:23:00 2007-05-16 20:23:00 open open Free-Embroidery-Pattern:-Sunflower-Cross publish 0 0 post

This pattern comes from an old book I have of embroidery designs, published at the turn of last century and no longer in copyright. I scanned it and cleaned it up a bit so that you can have a good copy for your own embroidery library.

The pattern is open to all kinds of interpretation with stitches. You could go for a very simple look, outlining with basic stitches such as stem stitch or whipped backstitch. You could fill the leaf sections with seed stitch to give them some texture or color, like I did in this embroidered whitework piece. The center section of the sunflower is a perfect place to work a lattice filling.

You could also get fancy, and fill in the flower petals with padded satin stitch or even shaded long-and-short stitch.

Click on the pattern below to get a larger image. You can then right-click on the image to save it to your computer, and scale it up or down in a photo-editing program or on a copy machine.

Have fun with it!



For more free hand embroidery patterns from Needle'NThread, check out my Index of Hand Embroidery Patterns.

]]> free embroidery patterns embroidery design http://www.needlenthread.com/2007/05/embroidery-pattern-resource-for-iron-on.html Mon, 14 May 2007 20:38:00 -0500 Mary Corbet 1045 2007-05-14 20:38:00 2007-05-14 20:38:00 open open Embroidery-Pattern-Resource-for-Iron-on-Patterns publish 0 0 post

Colonial Patterns is located in Kansas City, Missouri, practically smack-dab in the middle of the US, so your orders come pretty quickly. You'll find all the typical iron-on motifs, including a whole list of soon-to-be-retired patterns.



Colonial Patterns also carries items to embroider, such as flower sack dish towels, pillow cases, and aprons. You can also buy DMC floss and needles through the website. Essentially, they carry everything you need to work up Aunt Martha's patterns on a project.

The prices are reasonable, the selection is better than I've ever seen in any retail location, and the shipping costs and speed are reasonable as well. So, if you like iron-on patterns and want to work up some quick gifts, check out Colonial Patterns!

]]> supplies free embroidery patterns embroidery resources beginner embroidery 13133 Anonymous noreply@blogger.com 2007-05-15 10:22:00 2007-05-15 10:22:00 1 0 http://www.needlenthread.com/2007/05/embroidered-baby-quilt-update.html Fri, 11 May 2007 20:43:00 -0500 Mary Corbet 1046 2007-05-11 20:43:00 2007-05-11 20:43:00 open open Embroidered-Baby-Quilt-Update! publish 0 0 post boy's quilt has been finished for a while, and we will be raffling both soon pretty soon! I thought I'd share some photos of the front of the pink quilt as it goes together.

The green may seem a little odd, but the border of the quilt will be made from a yellow flannel with little green, purple, and pink dots in it. In two corners of the border, the squares will be arranged to form a kind of "bow" motif, with the "ribbons" trailing up the edges. The "bow" parts of the border squares will be a purple flannel with tiny white polka dots. So in all, the quilt will end up rather colorful! I can't wait to see the finished project!

In the meantime, here's the front so far:



When the quilt is completed, I'll have to take photos in good lighting - outside, probably!

I've already posted a couple photos of the completed Sunbonnet Garden Girl, along with a few close-ups of her, so here are a few others that are used in the quilt, for your perusal.



This little white lamb with the blue butterfly is embroidered mostly with perle cotton #5.



Here's a little embroidered kitten, frustrated by a frog!



This embroidered bird sitting on an embroidered water fountain is really darling! I love the flowers and the colors!



The mouse under the flower umbrella is cute, too. It's stitched entirely in stem stitch, using two strands of DMC cotton.



This little "fishing angel" is so sweet! The original design has two facing angels in it, but to fit in the square, we cut the design in half, to good effect, I think!



I've already mentioned the embroidered butterfly once, when talking about seed stitch, but here's a shot of the completed square.



I love this little teddy bear - the eyes crack me up for some reason!

So there you have some close ups on the baby girl quilt. Marlene is doing a great job putting it together, and I'll let you see the finished project soon!

By the way, all the stitching was done by members of the Assumption Embroidery Guild. Most of the gals are beginners, and I think they did a marvelous job!
]]> pictures guild beginner embroidery 13137 corina noreply@blogger.com http://corinaj.wordpress.com 2007-05-12 10:22:00 2007-05-12 10:22:00 1 0 13138 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2007-05-12 08:58:00 2007-05-12 08:58:00 1 0 http://www.needlenthread.com/2007/05/some-embroidery-books-that-look-like.html Thu, 10 May 2007 18:24:00 -0500 Mary Corbet 1047 2007-05-10 18:24:00 2007-05-10 18:24:00 open open Some-Embroidery-Books-that-Look-Like-Fun! publish 0 0 post Getting Stitched on the Farm), and who has written and illustrated a number of stitchery books, among them a few on embroidery.

Kristin posted a comment last night on my request for ideas for children's embroidery, and directed me to check out Kristin Nicholas Books, where, sure enough, she has a book called Kids Embroidery! I'm happy to see this - I've only found two books directed solely to children's embroidery (as in, embroidery done by children, not done for children), and both of them left me a little disappointed. So I'm looking forward to checking out her book!

Another book by Kristin that caught my eye is Colorful Stitchery. This looks like a fun book for great projects! I've never actually recommended books that I haven't read, so I took a squiz around the web to see what others had to say about the book. Amy reviewed the book on Flikr Embroidery Blog, giving it high praise for being a lot of fun. The cover alone made me want the book right off - it seems as if it would be a good resource for people who want to do household projects with a little pizzazz.

You'll also find plenty of knitting books available - including one on teaching children!

They all look like fantastic books, and a couple of them are now on my "next book binge" list.

If anyone else has any of the books above and wants to let others know about them, feel free to leave a comment!
]]> embroidery for children embroidery designers beginner embroidery http://www.needlenthread.com/2007/05/ideas-for-childrens-embroidery-projects.html Wed, 09 May 2007 20:26:00 -0500 Mary Corbet 1048 2007-05-09 20:26:00 2007-05-09 20:26:00 open open Ideas-for-Children's-Embroidery-Projects? publish 0 0 post teaching free embroidery classes to children, as a "community project." I'm batting around ideas about what kind of projects would be good for relatively young children (9-11) and for children a little older (12-14).

Last summer, my children's embroidery classes didn't produce much in the way of finished projects. I taught them basic stitches, but we didn't produce a "finished" piece.



They worked simple designs that they drew out by hand or that they traced onto the fabric using cookie cutters. The design above was a lesson on buttonhole wheels and fishbone stitch. You can see buttonhole stitch (technically, blanket stitch) as the grass, and a line of chain stitch underneath. They also incorporated stem stitch and French knots in this little practice piece. You can find other pictures of what they did last summer at Embroidery for Children: Small Projects.

But this is the thing: I think, when teaching children, it is good for them to enjoy the success of finishing "something." A whole, completed project is better, I think, than many practice scraps (although the practice scraps are necessary, too!), especially when it comes to boosting confidence and awakening interest. It also teaches them the discipline of finishing what they start, which I think is good for any child to learn.

So I thought I'd ask the world-wide embroidery community for suggestions! What do you think would be a good idea for a project, and do you have any good links or resources that would be helpful as I plan this summer's classes? Input would be greatly appreciated!! And you never know who else you may help - or what child may benefit!! Thanks heaps!
]]> embroidery for children pictures beginner embroidery 13140 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-05-10 18:23:00 2007-05-10 18:23:00 1 0 PatchScrap. Check it out - she's got some great resources and ideas on there!
Thanks, Corina!]]> 13141 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-05-10 18:19:11 2007-05-10 18:19:11 1 0 Thanks again!]]> 13142 elizabethdee noreply@blogger.com http://www.blogger.com/profile/15530010568818566353 2007-05-10 14:23:00 2007-05-10 14:23:00 1 0
another idea, tested at home, is to have them embroider an applique or patch for their jeans or other clothes. If they embroider on washable felt, then they don't even have to finish the edges (full disclosure: i've only read about washable felt, i haven't tried it myself.) in my experience kids enjoy being able to wear their art.

those kids with you are lucky! the only thing better than your video tutorials would be an in-person class.]]> 13143 corina noreply@blogger.com http://corinaj.wordpress.com/2007/05/10/love-thursday-3/ 2007-05-10 11:20:00 2007-05-10 11:20:00 1 0 13144 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2007-05-10 08:41:00 2007-05-10 08:41:00 1 0 Melissa]]> 13145 Kristin Nicholas noreply@blogger.com http://www.blogger.com/profile/09038900681076035087 2007-05-10 08:29:00 2007-05-10 08:29:00 1 0 http://www.kristinnicholas.com/books.htm

Good luck!]]> 13146 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-05-10 06:17:38 2007-05-10 06:17:38 1 0 13148 sharonb noreply@blogger.com http://www.blogger.com/profile/14481133057585098367 2007-05-09 23:35:00 2007-05-09 23:35:00 1 0 things we made were - small gift bags, tissue packs, bookmarks, small notebook covers, mobile phone pouches, CD bags, needlebooks, pin cushions, christmas tree decorations, hair clasps, and crazy quilt pouches (they loved those) I found they loved projects that included a few beads etc - we live in an age of bling I think!

anyway hope this helps]]> http://www.needlenthread.com/2007/05/free-smocking-pattern.html Wed, 09 May 2007 19:53:00 -0500 Mary Corbet 1049 2007-05-09 19:53:00 2007-05-09 19:53:00 open open Free-Smocking-Pattern publish 0 0 post Australian Smocking and Embroidery, published by Country Bumpkin. I have managed to find one beautiful free smocking pattern online, so I thought I would share it with readers.

You might wonder why, all of a sudden, I'm on a smocking kick, since I already wrote once about smocking this week. This summer, I plan to smock some baby bonnets, either to use as gifts or to sell. Truthfully, I don't think I'll be able to sell them at a price suitable to pay for my time, but I think it's fun, now and then, to "test the market" on certain hand-made goods. We have several fine gift stores in town which take quality goods on consignment, so I might give that a whirl. We'll see!

So that's the interest in smocking, besides the fact that I just like the look of beautifully smocked baby goods! So don't be surprised if I do mention smocking off and on in the next few months. It's not my "strong point" (I've only smocked one other item in my life), but I'm eager to experiment with the technique!

Back to the pattern - I found this on the Country Bumpkin website, and it's really lovely. It's called Symphony of Roses, and it requires Adobe in order to view it. You may have to register (for free) at Country Bumpkin, but I think it's worth it - they have some nice stuff on there!

The most difficult stitch on the design is the bullion. If you haven't learned to create bullion knots yet, I suggest my bullion knot video tutorial or the video tutorial on bullion rose buds.

If you don't know a thing about smocking, and want to see how it's done, check out the beginner's guide to smocking on Creative Keepsakes. The instructions are good, and it's enough to get you started - once you have something pleated to adorn! I'll be working on ready-to-smock baby bonnets from The Old Fashioned Baby. These are a great way to go, if you don't have a pleater and want to make a special, personalized gift.

In addition to the instructions on Creative Keepsakes, they also have instructions for smocked gift bags, which I think are really cute. Since they're made out of gingham, they can be pleated easily by hand without a pleater.

If you find you like smocking, invest in a pleater! These bonnet patterns are so simple, so I imagine they don't take long to make up. My sister is a veteran smocker, and she almost choked when she found out I spent money on pre-pleated bonnets when she could have done it for me! Live and learn!

I'll keep you up-to-date on these projects when they start to materialize, and post plenty of photos along the way.
]]> gift ideas free embroidery patterns smocking 3602 Anonymous noreply@blogger.com 2010-01-15 15:59:16 2010-01-15 15:59:16 1 0 9088 Karrieann noreply@blogger.com http://www.blogger.com/profile/12509454709489592186 2009-01-26 13:01:00 2009-01-26 13:01:00 1 0
I have made a cute english smocking outfit for my grandaughter. I have inherited the Martha Pullen Pleater from my Great Aunt and am blessed to have it.
My daughter gave me the news to be expecting my second grandaughter coming this May! Well, I am into smocking now and is loving it. I came here to see about a pattern for the bonnet. It is a beautiful pattern, I am aware that you have purchased the bonnet pre-pleated. What I am looking for is the size of the bonnet before pleating. Would you happen to know what the size of the bonnet fabric is before pleating. I have bolts and bolts of natural muslin to use up!!

Thank you so much!
Karrieann]]> 9181 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-14 18:37:45 2009-01-14 18:37:45 1 0
You might wish to try companies like Country Bumpkin, where they have many smocking books and magazines. Here's a link:

http://www.countrybumpkin.com.au/

Hope that helps!]]> 9182 Anonymous noreply@blogger.com 2009-01-14 18:26:00 2009-01-14 18:26:00 1 0 9723 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-11-18 19:14:41 2008-11-18 19:14:41 1 0
No, I'm afraid I haven't tackled the bonnets yet. I have four now, waiting to be smocked. I just haven't had the chance to dig them out and work them! I'm thinking about passing them on to my niece, who loves smocking and does a beautiful job. Or, maybe one of these days... I'll get to it!

Thanks for reminding me, and for stopping back in!

Best regards,
Mary]]> 9724 CherWil noreply@blogger.com 2008-11-18 17:20:00 2008-11-18 17:20:00 1 0 I read about your baby bonnets and was wondering how did they come out? Have you posted pictures? I didn't notice if you had, but I will look around to see if you did. You are now saved into my favorites. Your site was an excellent site when I started with projects in the past. I will recommend you to many others.
Thank you for your efforts and information.]]> http://www.needlenthread.com/2007/05/sunbonnet-garden-embroidered-quilt.html Tue, 08 May 2007 20:07:00 -0500 Mary Corbet 1050 2007-05-08 20:07:00 2007-05-08 20:07:00 open open Sunbonnet-Garden-Embroidered-Quilt-Square---Close-Ups publish 0 0 post the complete Sunbonnet Garden square, but I thought you might want to see some close-ups with some embroidery stitch explanations.

This embroidered quilt square is an 8-inch square, in soft pink flannel. I transferred the design by tracing it with a Macro art marker in two stages: first, I traced the Sunbonnet girl, which I had saved on my computer. I sized the pattern in Photoshop, then traced it using my monitor as a "light box." I don't necessarily suggest this practice - but it worked for me!

After I finished the girl, I wanted to add a garden, so I flipped through my copies of Inspiration Magazine, looking for a little inspiration. I found a great pattern for a needlecase in issue #53, and I drew my garden from that. I loved the fact that the needlecase had bees on it - so I had to have a bee, too!



This little bee is worked in the following order: first, a bullion stitch in yellow forms the body; second, using black, I added some stripes and a head by just couching over the bullion; last, a couple lazy daisy stitches make the wings. The flight trail was originally going to be worked in a dashed black line using running stitch, but instead, I decided to use white so the contrast was not so obvious. Unfortunately, the write in running stitch didn't show up too well, so I decided to use a whipped running stitch instead.



The flowers in Sue's apron are a combination of lazy daisy (petals and leaves), straight stitches, and French knots.



The daisies in the flower bed are the same - on some of them, I filled in the centers of the lazy daisy stitch with straight stitches in a contrasting color. The centers of the flowers, for the most part, are French knots.



The hollyhocks are made out of buttonhole wheels, and the centers are satin stitched in yellow. I've posted before about hollyhocks - I think they make great flowers in embroidered flower gardens! The leaves are worked in fishbone stitch.



Sunbonnet Sue's dress was a lot of fun! It is outlined in a medium purple, in stem stitch, using two strands of DMC. Then, I added a horizontal fly stitch border in green. The little flowers that make up the print of the fabric are just straight stitches, worked in one strand of DMC. Then I speckled the background of the fabric with light green straight stitches, randomly scattered all over.



Now, her little sleeve was troublesome. Originally, I planned to work it in white, so I stem stitched a white outline around the whole thing, and then added white seed stitches in the middle. I embroidered the cuff of the sleeve in white, in a padded satin stitch. But the whole thing looked awful, primarily because it didn't show up well. So I decided to go with green, but I couldn't pick all those stitches out, or I would have ruined the fabric. Instead, I whipped the stem stitch with the green, covering up the white completely. Then I added green seed stitches, intermingling them with the white. On the cuff, I worked a series of horizontal fly stitches so that it would look a bit lacy.



The apron is worked in two strands of medium pink DMC, the outline in a whipped stem stitch, then the whole thing filled in with seed stitch. I wanted a contrast between the front of the apron and the turned up hem, so I just worked the seed stitches closer together on the turned up part of the apron.



I was somewhat pleased with the way the bonnet turned out, especially considering that, when I started it, I didn't like it! The blue on the outline was a little too dark. I worked the outline in backstitch, so I was able to whip the backstitch with a lighter blue to lighten the whole thing up. I was going to leave the inside of the bonnet blank, but it looked "too" blank, so I worked double straight stitches of light blue in a semi-pattern over the whole thing. The flowers on the band are straight stitches (two for each petal, worked in the same hole) and French knots.

So there's my little Sunbonnet Garden Girl. I like her! I think the quilt will be darling - and I can't wait to see it, either!

I think this square is a good example of what you can do with random mixed simple stitches. There's nothing difficult about any of the stitches in this particular square. If you want to learn them, please check out my video library of hand embroidery stitches.

Have fun stitching!
]]> Hand embroidery stitches pictures guild beginner embroidery 13150 Elizabeth noreply@blogger.com http://www.blogger.com/profile/08073775734501573713 2007-05-08 19:26:00 2007-05-08 19:26:00 1 0 http://www.needlenthread.com/2007/05/embroidered-baby-quilt-square-sunbonnet.html Sun, 06 May 2007 23:04:00 -0500 Mary Corbet 1051 2007-05-06 23:04:00 2007-05-06 23:04:00 open open Embroidered-Baby-Quilt-Square:-Sunbonnet-Garden publish 0 0 post

The pattern for this Sunbonnet girl was online somewhere, at some point, but I can't locate it again. In the original pattern, she's holding chicken eggs in her apron, but I thought the flowers would be a nice "girly" touch for this girl's quilt. Of course, if she's holding flowers, she has to be in a flower garden! And every flower garden has a bee, right?



This is the square still in the hoop right after I finished it up. I'll put up some close-ups later, and some images of the completed quilt when it's assembled!

The fun thing about this square is that it's all really simple stitches! More on this later... too many thunderstorms rolling through lately to get much done here!
]]> pictures guild 10178 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-12 18:51:11 2008-10-12 18:51:11 1 0
Thanks so much for your kind comments!

Best,
Mary]]> 10179 CC noreply@blogger.com http://lacenribbonroses.blogspot.com/ 2008-10-12 18:04:00 2008-10-12 18:04:00 1 0 10180 CC noreply@blogger.com http://lacenribbonroses.blogspot.com/ 2008-10-12 18:02:00 2008-10-12 18:02:00 1 0 11963 Anonymous noreply@blogger.com 2008-04-20 10:40:00 2008-04-20 10:40:00 1 0 13151 Anonymous noreply@blogger.com 2007-05-07 08:58:00 2007-05-07 08:58:00 1 0 13152 corina noreply@blogger.com http://corinaj.wordpress.com 2007-05-07 08:54:00 2007-05-07 08:54:00 1 0 http://www.needlenthread.com/2007/05/bullion-rose-bud-video-tutorial.html Sun, 06 May 2007 00:22:00 -0500 Mary Corbet 1052 2007-05-06 00:22:00 2007-05-06 00:22:00 open open Bullion-Rose-Bud-Video-Tutorial publish 0 0 post bullion knot can be used to make beautiful roses and rose buds, and, believe it or not, they're actually really simple to make once you get the hang of it!

The video tutorial for the bullion rose bud is rather long. It covers not only making the bullion rose bud, but also beginning and ending your threads when making little flowers like the bullion rose bud.



This is the bud that I make in the video. The filming was done a bit farther away than usual, but I think you can get the gist of the method pretty clearly. This is the order of stitching:

1. The first center bullion in stitched in dark pink or red. It's the bullion on the left in the picture.
2. The second center bullion is stitched in dark pink or red, to the right of the first stitch. It's a little bit longer than the first stitch.
3. The third bullion is stitched in medium pink, to the right of the second stitch, starting just above and to the right of it, and wrapping down below the middle of the two center stitches.
4. The fourth bullion is stitched in medium pink, to the left of the first center stitch. The stitch actually begins above the first center stitch, and wraps around below bullion #3.
5. The fifth bullion is stitched in medium pink, immediately to the left of bullion #4, and a little bit lower, wrapping around below and slightly to the right of the last stitch.
6. The sixth bullion is stitched in light pink, to the right of bullion #3 (on the right side of the bud). It starts slightly lower than bullion #3, and wraps around below the end of bullion #5.

After the sixth bullion is completed, a fly stitch is used to add the green at the base of the bud.

This may sound confusing, but if you watch the video, you'll see how easy it really is to make perfect little bullion rose buds!

You'll need three colors to make this bud: a dark pink or red, a medium pink, and a light pink. I'm using 2 strands of DMC in the video, with a milliner needle, on a tightly woven, high thread count muslin.

Here's the video:



If you want to learn basic embroidery stitches, check out the rest of the embroidery video tutorials available in my Video Library of Stitches. Feel free to share the link with stitching friends, or people just getting into the art of embroidery!

Have fun with it!
]]> video tutorials Hand embroidery stitches beginner embroidery 2159 Kirti noreply@blogger.com http://www.blogger.com/profile/12497769527670643923 2010-03-20 04:32:39 2010-03-20 04:32:39 1 0
Am great fan of u .. n i really admire ur talent...
Pls keep posting ..

Love you n ur work]]> 3051 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-21 06:22:32 2010-02-21 06:22:32 1 0 3055 Anonymous noreply@blogger.com 2010-02-20 22:21:42 2010-02-20 22:21:42 1 0 3837 http://ga-liswelt.blog.de gabyweeke@t-online.de http://www.blogger.com/profile/04028151277167739680 2010-01-04 13:08:33 2010-01-04 13:08:33 1 0 Regards Gaby.]]> 5025 crazyQstitcher noreply@blogger.com http://www.blogger.com/profile/10534395470078739309 2009-10-09 16:52:56 2009-10-09 16:52:56 1 0 I have passed your link to friends and some of the groups I'm in as each tute is well worthwhile viewing.]]> 8461 Anonymous noreply@blogger.com 2009-03-05 04:58:00 2009-03-05 04:58:00 1 0 9616 theeema noreply@blogger.com http://www.blogger.com/profile/01537683268388116764 2008-12-03 06:17:00 2008-12-03 06:17:00 1 0 9637 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-01 08:33:27 2008-12-01 08:33:27 1 0
How many strands of floss are you using? You might try to increase the number of strands by one or two, to see if that helps. If you're using a relatively fine floss and winding the bullions tightly, then I could see how they would have a hard time staying above the fabric. I'd increase the number of strands of floss and see how that works!

Best,
Mary]]> 9639 Marg in Mirror, Alberta noreply@blogger.com http://knitsonthebus.blogspot.com 2008-11-30 22:09:00 2008-11-30 22:09:00 1 0
Thanks again!]]> 11376 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-15 07:13:48 2008-07-15 07:13:48 1 0
I pulled about the floss (or stripped it) and took only two strands from the six...

MC]]> 11377 Anonymous noreply@blogger.com 2008-07-14 23:57:00 2008-07-14 23:57:00 1 0 12000 Anonymous noreply@blogger.com 2008-04-13 10:37:00 2008-04-13 10:37:00 1 0 12191 Anonymous noreply@blogger.com 2008-03-21 10:01:00 2008-03-21 10:01:00 1 0 Most Appreciated,]]> 12707 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-27 21:40:10 2007-11-27 21:40:10 1 0
Glad it was helpful! Link away!]]> 12708 Craftybernie noreply@blogger.com http://www.blogger.com/profile/12794569742594543642 2007-11-27 19:09:00 2007-11-27 19:09:00 1 0
Your instructions were a great help - I embroidered my first bullion rose this weekend.

I created a rose rather than a rose bud. To do this I worked around the centre bullion knots in larger incriments, using different colours. I'm very happy with the result.

This is such a wonderful resource. I wish I had found it sooner!!

Do you mind if I post a link on my blog? I'm sure some of my pals will find it very helpful.

Best wishes..Bernie]]> 12761 Nancy Gold noreply@blogger.com 2007-11-18 13:24:00 2007-11-18 13:24:00 1 0 13107 bigal_29053 noreply@blogger.com http://www.blogger.com/profile/13027453478361617049 2007-06-06 20:19:00 2007-06-06 20:19:00 1 0
Anne Stone
Sandy Run, SC]]> 13108 Artie Hasslefactor noreply@blogger.com http://www.blogger.com/profile/16587672773752716377 2007-06-04 09:09:00 2007-06-04 09:09:00 1 0 http://www.needlenthread.com/2007/05/smocking-great-source-for-smockable.html Thu, 03 May 2007 13:17:00 -0500 Mary Corbet 1053 2007-05-03 13:17:00 2007-05-03 13:17:00 open open Smocking---Great-Source-for-Smockable-Baby-Goods publish 0 0 post

The Old Fashioned Baby is an online shop devoted to classic baby clothing and accessories. The site also offered pre-pleated goods that are ready to smock, so that you can add your own personal touch to them. These goods would make great baby gifts!

The patterns of the goods on the site are by Jeannie Baumeister, whose works are often featured in Sew Beautiful Magazine, which is geared more towards machine embroidery than hand embroidery these days, but is still a wonderful source of inspiration for those interested in hand-made, embellished clothing, especially for children. If you like "Old Fashioned Baby," you will probably like Heirloom Sewing for Children, a website devoted to heirloom patterns, articles on fabrics, accessories, and tips and hints for heirloom sewing. I especially like the articles on fabric choice (batiste) and garment storage, which are useful for anyone who works with fine fabrics.

Back to The Old Fashioned Baby by Jeannie Baumeister - I was especially interested in the pre-pleated, ready-to-smock baby bonnets offered on her site. You can purchase these already assembled and pleated, ready to smock, or, in some styles, you can purchase the kits that include pattern, fabric, lace, and threads, to make your own bonnet for decidedly less money.



I think the bonnets are darling! I ordered a small selection of pre-pleated ones to smock for gifts. I thought I'd save time by ordering them ready to smock. We'll see how it goes!

When smocking bonnets, depending on the size and style, it's good practice to keep your stitches a little looser than you would on a dress, for example. This generally accommodates the head better, so that, when moving the bonnet on and off, you aren't stretching out the stitching.

For me, these will be low-priority projects, but I'm looking forward to working them!

After a hectic week of family reunioning - with 75 of us all together for my parents' 50th wedding anniversary - it's time to re-organize and re-prioritize, which means I'll be sorting out my upcoming projects and getting a few specialties online soon, including more video tutorials for hand embroidery stitches. I've got a few stitches lined up and ready for editing - oyster stitch and a bullion rose bud tutorial among them.

Thank goodness summer is coming!

If you have any good sources for ready-to-smock baby wear, etc., please feel free to share them with the rest of us! Thanks!
]]> embroidery resources smocking http://www.needlenthread.com/2007/04/more-whitework-embroidery-samples.html Fri, 20 Apr 2007 21:30:00 -0500 Mary Corbet 1054 2007-04-20 21:30:00 2007-04-20 21:30:00 open open More-Whitework-Embroidery-Samples:-an-Online-Exhibit publish 0 0 post

The Whitework Exhibit online at Lacis Museum details extraordinary pieces of whitework - some are so detailed and finely worked that it's hard to imagine the time and effort that went into them! They are simply gorgeous pieces!



At the online museum, click "slide show" to meander through photos of this exquisite work. You can also select the Whitework Exhibit Catalog link to read (in PDF format) about the different types of whitework that are showcased in the exhibit.

If you have time to go browsing and you like whitework - or really any needlework technique! - this is a good place to spend some moments. Enjoy!
]]> historical needlework embroidery resources whitework http://www.needlenthread.com/2007/04/new-z-embroidery-book-whitework-plus.html Wed, 18 Apr 2007 15:25:00 -0500 Mary Corbet 1055 2007-04-18 15:25:00 2007-04-18 15:25:00 open open New-A-Z-Embroidery-Book:-Whitework---plus-Photos! publish 0 0 post

The A-Z Book of Whitework (Everything You Ever Wanted to Know About Whitework) covers all the basics of whitework techniques, from candlewicking to cutwork and net embroidery. You'll find hundreds of step-by-step photos for stitch directions and finish work. The book is thorough, has great ideas in it, and makes whitework accessible even for the beginner. You can purchase the book through Country Bumpkin's website, where you'll also find the rest of their A-Z books and heaps of other goodies - kits, accessories, gifts, and subscriptions to their magazines, Inspirations Magazine and Australian Smocking & Embroidery.



What is whitework? Basically, it's any kind of stitching technique in white threads on white cloth. Normally, it's associated with embroidering motifs in white cotton on white linen, and often includes spaces in the design that have been cut away, in a technique called cutwork. Whitework is often associated with household linens and smaller items like monogrammed handkerchiefs. The stitches used are various, but typically you see padded satin stitch, stem stitch, buttonhole stitch, lattice work over open ground, seed stitching, French knots, and a variety of filling techniques.

Some techniques of whitework, such as Mountmellick embroidery, rely on relief work, padded stitches, and stitches that provide a lot of texture, so that there's a noticeable and pleasing contrast between the fabric and the stitchwork.

I thought I'd show you some samples of my whitework pieces that are either (unfortunately) in storage boxes for lack of household space, or that I have here and there around the house.



This is a close-up of a handkerchief, which I guess passes for whitework, although some of the stitching, as you can see, is not white, but rather a pale, pale blue. Something old, something new, something borrowed, something blue - you guessed it - it's a wedding hanky! Most of the stitching is pin stitch, stem stitch, satin stitch, and eyelets. All of these techniques are covered in the A-Z book!



This is an angled close-up on a dresser scarf, which is on top of an old dresser. I didn't iron it too well last time, I guess. Anyway, you can see here the cutwork and the overcast stitches - all of which are covered in the A-Z book!



Here's an overhead view of the same, and you can see the embroidered net insert (filet embroidery), which is also covered in the A-Z book!



I just love this piece, which I'm keep stored for now! This one is NOT my work - I purchased it through an antique dealer. I can't take credit for something this gorgeous!! But I do love it! Here's another close-up:



The eyelets are really well done. This is my favorite part of the motif - I love the little 'crown' look with the bow at the tip of the cutwork.



The satin stitching here is very nice, and you can see another close up of it below. The other filling is merely created with long straight stitches in some cases, and rows of stem stitching in other cases. You can see the backstitching down the center of the leaves.



Very nice satin stitching on these petals! The thread looks to me like coton a broder. There's enough shine to it, anyway, to be certain that it's mercerized.



And here's another example of a whitework tablecloth, edged in needle lace, with eyelet work and needlelace inserts. Another favorite piece unfortunately enjoying storage!

So, if you want to see what whitework is all about, check out the A-Z Book of Whitework at Country Bumpkin. Right now, it's not available through Amazon, so you'll have to find it in a retail embroidery shop or order it straigt through Country Bumpkin. The disadvantage is that you will pay high postage, because it's coming from Australia. You can always offset the postage a little by combining the order with other goodies from Country Bumpkin, though! But if you're a little more careful with your budget, you might want to wait until it's available through booksellers in America. It will save you at least half again the cost of the book in postage, and you won't have to wait 10 or more days for its arrival!


]]> whitework pictures embroidery books 12136 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-29 07:04:04 2008-03-29 07:04:04 1 0
Yes, you're right - some of the content is repeated from book to book, but generally there's a fresh perspective on the techniques, with different projects and so forth. So, in the Whitework book, you'll find satin stitch - you'll also find it in the Embroidery Stitches book. But the applications are different.

Hope that helps, again!!]]> 12137 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-29 07:01:36 2008-03-29 07:01:36 1 0
The A-Z of crewel focuses on typical crewel work, Jacobian-type embroidery and all the stitches and techniques that go with that. Although often worked in wool and usually associated with wool, crewel work doesn't "have" to be done in wool. Anyway, the focus in that book is mostly Jacobian in style.

The A-Z of wool focuses on all kinds of embroidery applications with wool, and the projects featured are especially suitable to working in wool thread. So, fluffy lambs in fields of grassy flowers, and so forth... flowers for the edges of sweaters.... things like that. It's pretty much general surface embroidery worked in wool, with projects that are suitable to wool threads.

When I think of the wool book, I think of designs by Jenny McWhinney and so forth. Rabbits, lambs, mice - and flowers and nature and whatnot - not specifically Jacobian / crewel work stuff!

Anyway, I hope that helps!

Best regards,
MC]]> 12140 Terry noreply@blogger.com http://www.blogger.com/profile/14708841846577924208 2008-03-28 21:38:00 2008-03-28 21:38:00 1 0 What is the difference between their book, "A-Z of Wool Embroidery" and "A-Z of Crewel Embroidery?" Several of the books look like the subject matter would be duplicated - makes me wonder which title to buy and which titles to skip to avoid repetition!
I do plan to purchase this whitework volume because your post is so informative. Is there a summary somewhere of each of the A-Z titles?]]> http://www.needlenthread.com/2006/12/video-tutorial-herringbone-stitch_17.html Mon, 18 Dec 2006 09:00:00 -0600 Mary Corbet 1056 2006-12-18 09:00:00 2006-12-18 09:00:00 open open Video-Tutorial:-Herringbone-Stitch! publish 0 0 post

In the video tutorial for the herringbone stitch, I'm working across two parallel lines from left to right. I've marked the lines on the fabric, as well as the intervals for the stitch. You'll be able to eye-ball the intervals yourself once you've worked the stitch a bit.

The herringbone stitch can be used in a lot of applications: lines and borders, crazy quilt embellishments, methods of couching, etc. You can also vary the stitch, by interlacing other threads or ribbons through it. The double herringbone stitch will be covered in another tutorial - it's a good example of variety in this stitch.

Here's the video:






For more video tutorials for hand embroidery stitches, please see the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery http://www.needlenthread.com/2007/04/palestrina-stitch-video-tutorial.html Mon, 16 Apr 2007 13:08:00 -0500 Mary Corbet 1057 2007-04-16 13:08:00 2007-04-16 13:08:00 open open Palestrina-Stitch-Video-Tutorial publish 0 0 post Jacobean designs as well as in Mountmellick embroidery, the latter because it gives a highly textured line or fill area.

The line produced in Palestrina stitch is bumpy! Evenly spaced along the line are knots that have one little arm that extends slightly, and which, when exaggerated, gives a barbed look to the completed stitch. I like this particular online illustration of Palestrina stitch at Mani di Fata. You'll find there a photo of the stitch, as well as drawn instructions for completing it.



To create a filled area with Palestrina stitch, you simply work rows of it next to each other, alternating the placement of the knots, and creating a highly textured filling. You can work the first row from left to right, then come back from right to left (either turning your hoop over or working the stitch backwards), or you can work all rows from the same direction. One thing I have noticed when using Palestrina stitch as a filling, though, is that the knots do look slightly different when worked from different directions. It doesn't ruin the look of the filling at all, to have the alternating rows also reflect the directional change - but you should practice with it to see which look you like better.



You can also vary the look of the Palestrina stitch by working it on a diagonal (instead of using straight stitches in line, as I do in the video). When you work your knot around a straight stitch worked diagonal to the line you are covering, the effect is much like a buttonhole stitch that has a knot at the anchoring point. You can futher alter the look of the stitch by increasing the length of the "arm" of the first wrap stitch. After watching the video, play around with the stitch to see what you can do with it!

In the video, I'm working on 36 ct. Edinburgh linen, using perle cotton #5. You can work this stitch on any fabric, though, and with any thread, really. The finer the thread, the finer the line. It takes curves well, too, by the way!

Enjoy the video, and please let me know if you want any clarification on anything!



For more video tutorials for hand embroidery stitches, please visit the Video Library of Stitches Index.



]]> video tutorials Hand embroidery stitches beginner embroidery 4578 Bernardina noreply@blogger.com 2009-11-21 08:42:48 2009-11-21 08:42:48 1 0 Thank you so much!!
Bern]]> 4934 jane- noreply@blogger.com 2009-10-15 03:47:53 2009-10-15 03:47:53 1 0 i fall in love with the picture of this stitch.. i'll definitely gonna try to make one of these.. thank you very much for sharing all of the videos.. i really love them.. i'm a rokie on embroidery, but your videos make it easier for me to learn.. :) thanks again.

hugs,
jane]]> 6440 Bonbon noreply@blogger.com http://www.blogger.com/profile/05226536977708429724 2009-07-27 19:22:34 2009-07-27 19:22:34 1 0 Some patterns or book on this subject are some place ?

Thanks for all]]> 8593 Anonymous noreply@blogger.com 2009-02-23 20:47:00 2009-02-23 20:47:00 1 0 so glad I found your site
jill]]> 9053 Anonymous noreply@blogger.com 2009-01-30 07:08:00 2009-01-30 07:08:00 1 0 11206 Princy noreply@blogger.com 2008-07-28 22:34:00 2008-07-28 22:34:00 1 0 11219 Anonymous noreply@blogger.com 2008-07-28 09:18:00 2008-07-28 09:18:00 1 0 11361 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-07-17 12:50:16 2008-07-17 12:50:16 1 0 11363 Anonymous noreply@blogger.com 2008-07-17 07:33:00 2008-07-17 07:33:00 1 0 I would like to kno if palestrina stitch and coral stitch are the same. If not what is yhe difference between these two.I really appreciate the wonderful ,unselfish work you are doing .]]> 12806 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-07 17:52:51 2007-11-07 17:52:51 1 0
Thanks!]]> 12807 NoraD noreply@blogger.com 2007-11-07 16:46:00 2007-11-07 16:46:00 1 0 13155 alicem noreply@blogger.com 2007-04-29 04:26:00 2007-04-29 04:26:00 1 0 13161 Karen noreply@blogger.com 2007-04-26 05:42:00 2007-04-26 05:42:00 1 0 13168 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-04-17 18:18:17 2007-04-17 18:18:17 1 0
Thanks!]]> 13169 Sequana noreply@blogger.com 2007-04-17 14:35:00 2007-04-17 14:35:00 1 0 http://www.needlenthread.com/2007/04/video-tutorial-for-bullion-knots.html Sun, 15 Apr 2007 17:21:00 -0500 Mary Corbet 1058 2007-04-15 17:21:00 2007-04-15 17:21:00 open open Video-Tutorial-for-Bullion-Knots! publish 0 0 post

The bullion knot needs a little practice to get it just right, and to be able to vary your technique to get the results you desire. Some useful tips before watching the video and trying the stitch:

1. The needle you use in important. While it is not impossible to create bullions with other needles, you'll get easier results with a milliner (or straw) needle. The difference between milliner needles and other needles is that the entire shaft of the needle is the same diameter, so the eye doesn't bulge. This makes it easier to pull the needle through the wraps in the thread. If you don't have a milliner needle, invest in a packet of various sizes. If you want to try the stitch without one, go for it! Just remember that, when you're pulling your needle through the wraps of thread, you'll really want to make certain that it comes through easily, so you may have to relax the tension on the wraps a little bit.

2. When you wrap your threads around the needle, you want them to follow the natural twist of the thread. So, for most stranded cottons and everyday threads, you're going to wrap your thread clockwise around the needle. The way to tell if you're going in the right direction is this: if, as you wrap your thread around the needle, the strands of thread start to untwist and separate, you're going in the wrong direction.

3. If you're having trouble getting the needle through the wraps, you can roll your thumb over the wraps lightly, back and forth, which will loosen them. Another trick is to roll your needle between your finger and thumb, back and forth in small movements, before you pull your thread through.



In the video, I'm using a milliner needle with two strands of stranded cotton (DMC). I'm working on Edinburgh linen (36 ct) which is set up in a hoop. I prefer working bullions in hand, without a hoop, because, as you pull your thread through, you can gauge the "finish" of the stitch by the little pleat that will form in the fabric. Then you simply smooth the pleat out, and the stitch will lie right down. This doesn't really happen in a hoop, but it doesn't matter - you can get results that are just as good in a hoop!

Also, I prefer working bullions on a smaller weave fabric, like a good muslin or a batiste (for little girls' dresses and such) or on doctor's flannel for blankets and whatnot. But that's just a personal preference.



You can do great things with bullions! The A-Z of Bullions put out by Country Bumpkin publications has so many ingenious ideas for the stitch - besides the typical bullion rose bud or rose, you can create teddy bears, clowns, other flowers, and all kinds of neat texturized accents. It's a fun stitch that, with a little practice, will surely become a favorite.



So, here's the video! Enjoy - and let me know what you think. If you think the stitch requires more explanation, don't hesitate to let me know!



For more video tutorials for hand embroidery stitches, visit the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches 1369 Anonymous noreply@blogger.com 2010-04-17 02:15:10 2010-04-17 02:15:10 1 0 christine
Australia]]> 1741 Esther susiepunkinellie@gmail.com http://www.blogger.com/profile/16205897822100830518 2010-03-26 00:50:20 2010-03-26 00:50:20 1 0 2256 Anonymous noreply@blogger.com 2010-03-12 14:38:48 2010-03-12 14:38:48 1 0 2289 margaret noreply@blogger.com http://www.blogger.com/profile/06575340691129832243 2010-03-10 16:56:24 2010-03-10 16:56:24 1 0 5201 Ann Flowers noreply@blogger.com http://www.blogger.com/profile/14965230549732671455 2009-10-03 13:11:36 2009-10-03 13:11:36 1 0
Ann Flowers
flowerscrazyq@gmail.com]]> 5204 Anonymous noreply@blogger.com 2009-10-02 21:49:04 2009-10-02 21:49:04 1 0
THANK YOU!!!!!!!!!!!!!

Sue]]> 6395 Anonymous noreply@blogger.com 2009-07-30 14:26:01 2009-07-30 14:26:01 1 0 7023 shalu shailu127g@gmail.com http://www.blogger.com/profile/07387115542623939980 2009-06-15 09:36:28 2009-06-15 09:36:28 1 0 7120 Anonymous noreply@blogger.com 2009-06-08 08:57:40 2009-06-08 08:57:40 1 0 I looked at 2 of them (corral stitch and bullion knot) and I was very happy to get these explanations and to see how to proceed.]]> 8273 gerri.x noreply@blogger.com http://www.blogger.com/profile/14679565473759536719 2009-03-21 11:39:00 2009-03-21 11:39:00 1 0 8506 The Heart of Paul noreply@blogger.com http://www.blogger.com/profile/12354064939156393794 2009-03-01 23:37:00 2009-03-01 23:37:00 1 0 8514 mtl stitch noreply@blogger.com 2009-02-27 22:15:00 2009-02-27 22:15:00 1 0
this is wonderful. i've bookmarked this site. i want to use the bullion stitch as hair for 3 different angels on a bell pull. i will be using variegated thread to make it look more like hair. this is an awesome site and thank you so much for your time. i know i will be back!!! to watch this video several more time!]]> 8603 Gloria Elizabeth noreply@blogger.com http://www.blogger.com/profile/06188056668690976457 2009-02-23 18:05:00 2009-02-23 18:05:00 1 0
Thanks again Gloria]]> 8838 Susan noreply@blogger.com http://www.girlsinwhitedresses.wordpress.com 2009-02-12 11:51:00 2009-02-12 11:51:00 1 0 9245 Anonymous noreply@blogger.com 2009-01-08 04:38:00 2009-01-08 04:38:00 1 0 10248 Melanie melcollette@gmail.com http://www.blogger.com/profile/04460395774928798150 2008-10-09 00:47:00 2008-10-09 00:47:00 1 0
and I've never embroidered before. This is an inspiration! :)]]> 10797 Anonymous noreply@blogger.com 2008-08-26 22:11:00 2008-08-26 22:11:00 1 0 Judy A, Vancouver, BC]]> 10946 Anonymous noreply@blogger.com 2008-08-18 15:30:00 2008-08-18 15:30:00 1 0 10955 Anonymous noreply@blogger.com 2008-08-17 18:32:00 2008-08-17 18:32:00 1 0 11040 Anonymous noreply@blogger.com 2008-08-10 19:29:00 2008-08-10 19:29:00 1 0 11338 Carol noreply@blogger.com http://www.blogger.com/profile/13441511560183210579 2008-07-19 21:27:00 2008-07-19 21:27:00 1 0
Carol K.]]> 11505 Anonymous noreply@blogger.com 2008-06-30 11:44:00 2008-06-30 11:44:00 1 0 11911 Ginger noreply@blogger.com http://www.blogger.com/profile/18284693868949330113 2008-04-30 17:42:00 2008-04-30 17:42:00 1 0
Ginger]]> 12005 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-12 16:45:44 2008-04-12 16:45:44 1 0
Thank you for the kind compliment!]]> 12008 Anonymous noreply@blogger.com 2008-04-12 11:58:00 2008-04-12 11:58:00 1 0 This morning I successfully completed the stitches for the first time because of your video tutorial.
Your site is the most useful I have ever seen BAR NONE. Wow, wow, wow!!!
Your tutorials are superb.
Fantastic.
cherryinga@live.com]]> 12276 Anonymous noreply@blogger.com 2008-03-04 09:26:00 2008-03-04 09:26:00 1 0 12283 Susie noreply@blogger.com http://www.blogger.com/profile/16071141652290508639 2008-03-02 13:51:00 2008-03-02 13:51:00 1 0 I shall be looking in often.
Sue
www.susie1205.blogspot.com]]> 12333 Anonymous noreply@blogger.com 2008-02-21 19:31:00 2008-02-21 19:31:00 1 0 12406 Anonymous noreply@blogger.com 2008-02-09 10:16:00 2008-02-09 10:16:00 1 0 13020 Nerys noreply@blogger.com http://www.blogger.com/profile/06740498040452927344 2007-08-11 05:45:00 2007-08-11 05:45:00 1 0 Nerys Purchon
http://gypsysoul-au.blogspot.com/]]> 13056 Jo-Ann noreply@blogger.com 2007-07-09 19:17:00 2007-07-09 19:17:00 1 0 I'm in school except this time I'm interested! I love it! thanks]]> http://www.needlenthread.com/2007/04/embroidery-patterns-for-historical.html Sat, 14 Apr 2007 12:30:00 -0500 Mary Corbet 1059 2007-04-14 12:30:00 2007-04-14 12:30:00 open open Embroidery-Patterns-for-Historical-Needlework---Great-Resource! publish 0 0 post

The website is called DragonBear, and it touches on fine arts, crafts, items of historical and literary interest, and "whatever else" they decide to put on their site! It's a pretty broad spectrum, so there's plenty of material for a good browse-through.



Of particular note for the embroiderer is the patterns section of DragonBear. Here's where you'll find plenty of historical embroidery patterns, especially in counted thread techniques. Be sure to check out Designs, Period in the links at the left side of the Patterns section. In that section, you'll find heaps of plates of different motifs for embroidery. They're fun to browse through, inspirational, and useful! You'll find detailed charts for borders, medieval motifs, and much more! There are over 250 designs in this section alone, and the designs come from different countries throughout medieval Europe.



While you're at DragonBear, check out the Strawberries pattern, which is listed first on the Patterns section.



The idea for this sampler is taken from a work in the Victoria and Albert Museum. It calls for several types of stitches - not just counted thread stitches - and silk and metal threads.

Other embroidery patterns include 16th century needlework Germanic borders, which are charted out for the embroiderer. They're simple designs, but versatile.

Besides embroidery, you'll find a heap of other stuff: cordial recipes (both the historical ones and the modern adaptations), articles on different aspects of medieval history, and, for those interested in historical costume, a great section of costume plates that span the Anglo-Saxon through 16th century in English costumes.

I'm adapting one of the designs from the Designs, Period section for a small linen bookmark. I think it will look very nice, and it will make a great gift for upcoming graduates. Have fun browsing through DragonBear!
]]> historical needlework free embroidery patterns http://www.needlenthread.com/2007/01/embroidered-eyes-animals.html Tue, 09 Jan 2007 08:35:00 -0600 Mary Corbet 1060 2007-01-09 08:35:00 2007-01-09 08:35:00 open open Embroidered-Eyes:-Animals publish 0 0 post

Still, you'll notice the care and detail that goes into a realistic-looking eye, even if it is a bit stylized. There isn't much difference in the techniques between these animals' eyes and the embroidered faces and eyes that I showed you earlier (here and here).



This is a pelican as typically used in religious motifs. The shot is taken at a bit of a distance. The way the threads pick up the light in this shot make the eye look rather glassy, which it isn't. It almost has a gold shine to it. Here's a close-up of the very same eye - note how important the glint is to achieving a realistic effect:



The next eye is from the same motif, only on a baby pelican:



Besides noticing the eye, it's interesting to note the amount of stitching in this bird's body. The bottom layer may be padding created with yarn - it's difficult to tell. In any case, it is padding (whether in bunches of yarn or a layer of stitching), as the bird stands out in relief from the background fabric. Over the padding, vertical long stitches are worked in a fine thread, which is then stitched over in long lines of split stitch, which are worked in the appropriate colors to provide shading.



This is the eye of an eagle, stylized, but the eye itself is rather impressive, considering the head of the eagle is only approximately an 1.5 inches high (from neck to crown). The variation in the color used in the iris - the light brown and dark brown, with two tiny stitches of white on the left side side - is delicate and detailed for something so small.



This last one is the eye of a lamb, whose head is in profile. It looks rather flat - there's no variation in color and no glint.

I have a feeling I'm the only one who finds these eyes so very interesting, but I hope that they come in handy for anyone doing any kind of figure embroidery, or even jacobean or crewel work, where animals are often part of the scene. One thing that I've learned from looking up close at this kind of work is to remember the glint!
]]> historical needlework ecclesiastical embroidery pictures needlepainting 13328 Anonymous noreply@blogger.com 2007-01-09 19:16:00 2007-01-09 19:16:00 1 0
Marilyn]]> http://www.needlenthread.com/2007/01/embroidered-eyes-part-ii.html Thu, 04 Jan 2007 17:01:00 -0600 Mary Corbet 1061 2007-01-04 17:01:00 2007-01-04 17:01:00 open open Embroidered-Eyes:-Part-II publish 0 0 post

These eyes are an element of needlepainting - that style of embroidery that achieves a painted look with the medium of thread.



In this particular set of eyes, you get a good view of how a gleam is created. The pupils, irises, and the whites are created with straight stitches, with the whites and pupils worked in the same vertical direction as the rest of the face. Note, however, that the iris is stitched around its curve, and the gleam is added with a lighter blue, stitched on top of the darker blue, following the curve of the iris as well. Notice that the shading under the eyes is achieved with alternating darker flesh tones (more like brown), and that the edge of the top lid and the top of the lid itself are set off with stem stitch. Notices where the shadows fall underneath the eyebrow - in towards the nose. This stitching is perhaps not as fine as some of the eyes in the previous article on embroidered eyes, but it is effective enough that from far away, the result is a smooth, painted effect.



The camera picked up the gleam on the top edges of the stitches, but here is another fine set of eyes. Notice the lighter blue in the iris, and the glints (in a couple tiny white stitches) on the left sides of both pupils, extending into the irises.



These eyes are mostly closed - looking down. You can get just a peek at the eyes underneath the lids. Unlike most of the other eyes here, these are bedecked with fine lashes created with long straight stitches. In context, on a face that's no more than 2 inches long, the eyelashes are a nice effect. The dark tips of the stitches are again a result of the photographing of the work. They are the points where the stitches split. There is very little shading done in this face - only a bit around the nose. Notice that the eyes are created solely with lines of stem stitch, with the slightest shading on the very edge of the lids.



The stitching here is much heavier than in some of the other figures, but again, in context and from a little distance, the stitches fade into each other and create just the right effect. In this sense, these last two images remind me of impressionist paintings. They look rather splotchy up close, but from a distance, the picture is smooth and clear.



And finally, these eyes are in the same style as the previous photo, yet they are open. The heavier looking stitches make the work seem as if it would look thick and bulky, but, on the contrary, from far away, the result is a perfect expression. Note the glint in the left eye, and the variety of colors used to provide the shading. These two last sets of eyes belong to faces that are approximately 2 inches long.
]]> historical needlework ecclesiastical embroidery pictures http://www.needlenthread.com/2007/01/embroidered-eyes-part-i.html Thu, 04 Jan 2007 16:45:00 -0600 Mary Corbet 1062 2007-01-04 16:45:00 2007-01-04 16:45:00 open open Embroidered-Eyes:-Part-I publish 0 0 post

The realism achieved by needle artists in figure embroidery is absolutely amazing! Skin tones, facial features and expressions, draped fabrics, backgrounds, greenery, etc., all unfold before the viewer in the same way that a great piece of painted art would. When we look closely at the stitching, we can appreciate the time, effort, and artistry in works of figure embroidery.

I always notice people's eyes, and it's no different when I look at an embroidered work. The artist uses the eyes primarily to get across facial expression - the eye itself, the glint, pupils, and shadows, and then the eye brow. In addition to the eyes in figure embroidery, the mouth also conveys the facial expression, but for now, we'll look at eyes.

I've got quite a collection of eyes to share with you, mostly of people, but some of animals. These are all taken from historical vestments which I have had the pleasure of being able to see, study, touch (in some cases), and photograph. So I'll be sharing them with you for your appreciation, and also as a learning tool. Sometimes, if we could just see up close "how they did that" we can learn to achieve similar results. If nothing else, we can at least be inspired and gain a greater appreciation for the art of embroidery.



Note the direction of the stitches: for the majority of the face, split long and short stitch is used, going vertically straight down the face. Around the eyes, though, we can notice some different stitches in different directions. Directly above the eye lid, for example, split stitch is worked surrounding the top and sides of the lid, in a slightly darker flesh tone, and above this line of split stitch, you can make out a series of straight stitches in the same color as the outline worked over the flesh tones, horizontal and pointing into the outline. The lid itself is shaded, light in the middle (above the pupil) and dark in the corners. At the edge of the lid, above the pupil, is a very fine, dark line of stem stitch. At the base of the eye, on the edge of the lower lid, a line of stem stitch is worked in a lighter brown, to imitate the ledge of the lower lid. The "bags" under the eye (for lack of a nicer term!) are split stitch in flesh tones, but notice their direction - while they are all vertical (like the rest of the face), in the corner of the right eye, a few straight stitches are worked out from the corner by the nose towards the top of the cheek. On the left eye, the same thing happens, but from the outside corner of the eye, in towards the top of the cheek. The eyes themselves, half closed, are satin stitched in white, grey, blue, and black. The pupils are black, the iris is blue, shot with a tiny stitch or two of white in the left eye (for a glint - to give it that realistic, shiny look), and the whites are worked in a couple stitches of white, shadowed by grey in the corners. The eyebrows are worked in longer stem stitch, in a darker brown. This entire serene face, in context, is no more than 3 inches high.



This is a little odd-looking, due to the camera picking up the gleam on the split stitches. Each of those spots of light is the point where one stitch splits the other. This eye is looking up - happy and brilliant. Note the direction of the stitches in the face - vertical - and the overstitching in stem stitch, to set in the details of the eye. Notice the white glint.



The anguish in this face - that of Christ crucified - is imparted by the shape of the brows. The death-like coloring (very dark around the eyes, pale elsewhere) is achieved through shading in split long and short stitch. Again, note the vertical direction in the stitching on the face, then the overstitching that establishes the shape of the eyes. The pupils are barely visible - dark straight stitches amidst lighter, in a horizontal direction under the lids of the eyes. Notice the bottom eyelids. They are achieved by a very delicate lighter line horizontally stitched under the eye.



This is a solemn, serious, and majestic eye. The directions of stitches in the face are vertical. The details of the eye are set in horizonally. The eyebrow is stitched, horizontally, in white in stem stitch. The most amazing feature of this eye is the shading. The eye is looking down, and the lid, half closed, shades the eye. The shading is achieved with colors of grey in the whites of the eye, and dark blue in the iris.



This face is approximately 2 - 2.5 inches high. Unlike the previous faces, this one is stitched in two layers: a layer of long stitches in flesh tones which provide most of the shading, stitched over with vertical lines made out of very long split stitches, which also provide shading of the flesh tones. The vertical lines are less than an eighth of an inch, spaced evenly across the face and neck. The irises are stitched in light blue and white, the pupils in black, and the edge of the lid in black stem stitch. The bottom of the eye is also edged in stem stitch, in a lighter flesh tone. The eyebrows match the hair and are stitched in stem stitch. Note that the sides and bottom of the face are set off by a line of stem stitch, in a ruddy color.

Amazing, aren't they?
]]> historical needlework ecclesiastical embroidery pictures needlepainting http://www.needlenthread.com/2007/04/assisi-work-free-patterns.html Fri, 13 Apr 2007 08:17:00 -0500 Mary Corbet 1063 2007-04-13 08:17:00 2007-04-13 08:17:00 open open Assisi-Work---Free-Patterns publish 0 0 post Assisi work is a kind of hand embroidery that originated in Medieval Italy. The technique produces a colored background where the motif in the design is void - that is, left blank. So you get the color background, and the design stands out because it is not colored.

Assisi work was popular as an ecclesiastical embroidery technique, where rich designs would be worked for altar frontals, vestments, and other church uses. The name originates from the town of Assisi, where this technique was often worked in convents responsible for providing church textiles.

In Assisi work today, the design is worked on an even weave fabric, and the motif is usually outlined in Holbein stitch or "running backstitch" - or simply in backstitch, according to some sources. The appeal of Assisi work is the boldness of the designs - no wimpy colors here! Rich colors of reds, blues, greens, browns, etc., will make up the background, while the "picture" is white.

Usually, the background was stitched in long-arm cross stitch or in a variation of Algerian Eye stitch, but modern embroiderers often substitute regular cross stitch, sometimes over two or even three threads of the fabric. They also will employ a variety of colors in their motifs, adapting the "voided" idea of the central picture to a more modern view of utilizing color. In any case, whether old or new, examples of Assisi work are attractive and captivating.

If you want to read about Assisi work, you'll find a good article at La Chatelaine Designs, the website of embroidery designer Lucy Willis. While you're there, check out her samplers! They're beautiful!

There's also a great website out of the Netherlands devoted to Assisi work, where you will find hundreds of free patterns - and they are marvelous patterns! The website is called Embroidery and Embroider, created by Jos Hendriks. You'll not only find wonderful patterns, but you'll also find plenty of photographs of finished work. It's really a fun site to peruse.



I especially like the easily printed patterns all over the site! There are some marvelous examples of truly medieval-style Assisi work, as well as work that can be adapted to a more modern approach. You'll find directions on Assisi work as well.



I like the look of Assisi work, and it's great for "small projects" as well as large. For example, an Assisi work bookmark takes only a little time to create, and yet would make a very thoughtful gift for a reader in your life! This style of embroidery is very suitable for household upholstery items, such as decorative pillows, etc. I can also see Assisi work well used on the cute and sturdy tote-bags that are so popular today. So many possibilities!

I'll be adding Embroidery and Embroider to my list of free embroidery patterns online - if you're looking for more embroidery patterns around the web, check out the list! It keeps growing!
]]> free embroidery patterns embroidery resources counted thread embroidery techniques http://www.needlenthread.com/2007/04/speaking-of-seed-stitch.html Thu, 12 Apr 2007 07:21:00 -0500 Mary Corbet 1064 2007-04-12 07:21:00 2007-04-12 07:21:00 open open Speaking-of-Seed-Stitch... publish 0 0 post embroidered baby quilts to raffle for fundraising. I didn't have time to contribute to the production of the embroidered squares for the boy's quilt, because I was working on a huge project with a looming deadline. We found we were two squares short, somehow, for the girl's quilt, so, thinking it would be nice to have a relaxing and "fun" embroidery project (that wouldn't really take too much time), I set up the two squares. This particular square I'm working on right now has plenty of seed stitching in it.

I found this butterfly embroidery pattern on Needlecrafter, I believe. There are some excellent free embroidery patterns available on that website.

So I started out with this little butterfly, and as I was working on it, I realized I wanted more color. The design is stitched on a pink quilter's flannel. I wanted to go with the pastels that are in the rest of the quilt fabric, but the whole design didn't seem to stand out too well if only outlined. So seed stitch seemed like the perfect option for a light filling.

Here's a photo of the square so far:



One of the little lines in the top wing is squiggling a bit: a good lesson - remember, when you transfer your design, if you draw it inaccurately and don't correct it, it WILL show up in your stitching! So I may take that out and correct it... or not. We'll see how noticeable it is when all is done.

Speaking of transferring designs, being pressed for time, I cheated on this one! I opened the design up in my photo editing program, reduced it to fit within a 6-inch hoop, and, holding the fabric on my monitor, traced it onto the fabric! Now, a word of advice: if you have an LCD monitor, be very, very careful if doing something like this!! You could damage it. I didn't, but I realized I easily could have!

Here's some of the seed stitching up close:



That's the inside of the wing. The lines are stitched in a whipped backstitch, using two strands of purple DMC for the base line in backstitch, and one strand of the green for the whipped running stitch. The whole butterfly wing is outlined in stem stitch.



You can see the medium purple seed stitching here - it's the same color on the head of the butterfly's body, which is worked in satin stitch.



I like using seed stitch for filling this kind of an area - it adds a "light" filling that almost looks as if it's dry-brushed in. Granted, the yellow reminds me a bit too much of cornmeal. But overall, I like the effect! Fun stuff with simple stitches!
]]> Hand embroidery stitches pictures guild beginner embroidery 3089 tigger noreply@blogger.com http://www.blogger.com/profile/08270873245406958135 2010-02-16 21:29:22 2010-02-16 21:29:22 1 0 http://www.needlenthread.com/2007/04/seed-stitch-video-tutorial.html Wed, 11 Apr 2007 08:24:00 -0500 Mary Corbet 1065 2007-04-11 08:24:00 2007-04-11 08:24:00 open open Seed-Stitch-Video-Tutorial publish 0 0 post

Seed stitch adds not only color but also texture to an area that you want to fill. Depending on how you work it, seed stitch can provide heavy filling or very light filling. For example, if you want an area to be densely filled, work your seed stitches close together. If you want an area only lightly filled, work them randomly and far apart. You can also shade with seed stitch, by varying the proximity of your stitches. For darker shaded areas, the stitches would be close, and, as you work towards the lighter areas, you would space the little stitches out more. Think of stippling in art!

Essentially, seed stitch is merely tiny straight stitches. You can double them, so that two stitches lie right next to each other, or you can work them as single stitches, as I do in the video.

Here are some basic examples of seed stitch in photos.



The leaf above is worked in white on white, using coton a broder #30. The outline is worked in a whipped stem stitch, and inside the leaf, seed stitching is used to add density and texture. (More photos of this particular piece of white on white embroidery worked in simple stitches).



You can see seed stitching in this project right below the green and pink chain. Here, the seeding is worked randomly, as a light filler. (More photos of this "sampler" worked on red felt - it will eventually be the cover of a large needle case.)

Now for the video. Again, this is a very basic, simple stitch! In the video, I am filling half a leaf, using purple coton a broder. There is no sound in this video, as the stitch is self-explanatory, once you see it worked. Enjoy!



For more video tutorials for hand embroidery stitches, check out the Video Library of Stitches Index. Thanks!
]]> video tutorials pictures beginner embroidery http://www.needlenthread.com/2007/04/embroidered-squares-for-baby-quilt-more.html Tue, 10 Apr 2007 09:56:00 -0500 Mary Corbet 1066 2007-04-10 09:56:00 2007-04-10 09:56:00 open open Embroidered-Squares-for-Baby-Quilt---More-Samples publish 0 0 post

As far as hand embroidery goes, these quilt squares are as simple to make as they are cute. We found our patterns all over the internet. If you're looking for free hand embroidery patterns, you can check out this list of free hand embroidery patterns online. The stitches used in the squares are simple hand embroidery stitches - perfect for beginners. If you're new to hand embroidery and want to learn the basic stitches necessary for simple designs, check out my hand embroidery video tutorials. They'll get you started with basic stitches so you can see how easy hand embroidery really is!



This pattern of little ducks on a pond is really cute! It's worked in stem stitch and backstitch.



The Three Bears is a great story to tell to kids - they love the "Someone's been eating my porridge" in a gruff, daddy bear voice. It's a favorite with the toddlers in my family! So here's a square to illustrate it. The square is worked in stem stitch, back stitch, split stitch, straight stitches, and seed stitch (for the filled areas on the yellow jacket and green overalls).



Here's a chipper little Jack-in-the-Box fellow. He's worked in stem stitch, backstitch, fly stitch, split stitch, and straight stitch.



And, finally, this square is worked in perle cotton, in stem stitch and lazy daisy. I love the bright colors on this one!

So there you have it - a few more squares for your perusal. The quilt is really darling in person! The pictures don't do it justice, I don't think! And it's well-made, thanks to Marlene, the quilt expert in the guild.

Check out the complete flannel baby quilt if you want a full shot of the quilt!

The baby girl quilt is almost ready for assembly. The nice thing about working such a project is that, with everyone stitching a square or two in such basic designs with easy stitches, the embroidery part goes very fast! Even if you're not working with a group, if you've got a child or a grandchild on the way, or you know someone who does, working up a small quilt like this isn't so difficult, and, especially for the beginning embroiderer, it's accessible and personal. Try it! You might like making one yourself!
]]> pictures guild beginner embroidery http://www.needlenthread.com/2007/04/free-cross-stitch-and-tapestry-patterns.html Mon, 09 Apr 2007 13:57:00 -0500 Mary Corbet 1067 2007-04-09 13:57:00 2007-04-09 13:57:00 open open Free-Cross-Stitch-and-Tapestry-Patterns---Website-Resource publish 0 0 post

This embroidery site, Alita Designs, has plenty of free downloadable charts for the cross stitcher, or for anyone interested in producing, for example, some of the gobelins, or tapestries adapted from famous works of art.

You'll find animal motifs, florals, religious designs, marine life, and children's designs. You'll also find some repeatable motifs for decoration of larger pieces. I have not ordered anything through Alita Designs, so you may wish to contact them before placing an order, to ensure that they are able to fill it. The free patterns are formatted so that they print in sections in a regular printer.

They also have some interesting textile history tidbits on there. Enjoy browsing the site!
]]> free embroidery patterns embroidery resources http://www.needlenthread.com/2007/04/flannel-baby-quilt-with-embroidered.html Sun, 08 Apr 2007 13:23:00 -0500 Mary Corbet 1068 2007-04-08 13:23:00 2007-04-08 13:23:00 open open Flannel-Baby-Quilt-with-Embroidered-Squares publish 0 0 post

The quilt is quite darling - and we'll have a girl's quilt to match soon - slightly different design in the border of the quilt, but overall, the same effect. In the meantime, here are a few photos of the boy's quilt, with some close ups of some squares.



The entire quilt is flannel. The quilting is done "in the ditch" up and down the sashing and around all the embroidered squares, as well as along the border.



Here, you can see the flannel used for the backing - really cute stuff!



The dark flannel posed a problem in design transfer, so the ladies used Solvy to transfer the designs. The patterns were gleaned from all over the place, the thread is DMC stranded and #5 perle in most cases.



Simple stitches, such as stem stitch and backstitch, were used on most of the squares.



Some of the gals modified their embroidery designs - like these ducks who got dressed up for cold weather.



I'll add some more close-ups on the squares later on! Hope you enjoy looking!

]]> pictures guild beginner embroidery 12398 Amber P. noreply@blogger.com http://www.blogger.com/profile/03578054754288878391 2008-02-10 07:33:00 2008-02-10 07:33:00 1 0 http://www.blogger.com/ Sat, 07 Apr 2007 07:18:00 -0500 Mary Corbet 1069 2007-04-07 07:18:00 2007-04-07 07:18:00 open open Online-Embroider-Resource:-Another-Great-Place-for-Whole-Books draft 0 0 post Antique Pattern Library. This site is incredible! Click on the "catalog" link in the middle of the page and you'll end up at the complete book list. You can scroll through the book titles and descriptions from there, and view the PDF files that you're interested in. All kinds of needlework techniques are covered.


]]> http://www.needlenthread.com/2007/04/excellent-embroidery-resource.html Sat, 07 Apr 2007 09:12:00 -0500 Mary Corbet 1070 2007-04-07 09:12:00 2007-04-07 09:12:00 open open Excellent-Embroidery-Resource publish 0 0 post

According to the title of this textile resource site, it actually deals with weaving and related topics, but many of the techniques in the digital books overlap hand embroidery techniques. They all fall into the category of needlework, anyway! Some of the books I've browsed through focus on drawn thread work, filet embroidery, petit point, etc. The On-Line Digital Archive of Documents on Weaving and Related Topics also contains a section on Documents Related to Lace, which also presents some great needlework books. You'll find art journals, illustrations, manuscripts, articles - all kinds of materials published about lace making, weaving, and needlework - all in downloadable PDF files. You'll also find historical photographs of textile-related places and people, including old postcards of lace-makers and weavers and such from Madeira, Ireland, etc. The site is hosted and maintained by the University of Arizona Computer Science Department. They've done a marvelous job making this resource available!



This website is great for anyone interested in textiles and in research on textiles. For the embroiderer, you can flip through the publications and get all kinds of inspiration!
]]> historical needlework free embroidery patterns embroidery resources http://www.blogger.com/ Fri, 06 Apr 2007 14:48:00 -0500 Mary Corbet 1071 2007-04-06 14:48:00 2007-04-06 14:48:00 open open Free-Drawn-Thread-and-Surface-Embroidery-Sampler-Directions draft 0 0 post

The directions can be found at Classic Stitches. There's no specific pattern for the sampler, but there is a detailed stitch guide so that you can work up your own sampler. The sampler includes drawn thread techniques, bullion stitch, free style embroidery, and more.

You have to register on Classic Stitches to access their designs, but it's a free registration, so it's well worth the time.

Check it out!

]]> http://www.needlenthread.com/2007/04/illuminated-books-online-source-for.html Thu, 05 Apr 2007 17:54:00 -0500 Mary Corbet 1072 2007-04-05 17:54:00 2007-04-05 17:54:00 open open Illuminated-Books-Online---Source-for-Embroidery-Inspiration publish 0 0 post

The site, Illuminated Books, hosts a digital library of many illustrated books, among them several Kate Greenaway books.



In addition to Kate Greenaway, you'll find some William Morris and even the Grammar of Ornament by Owen Jones, as well as some of his other works. The Grammar of Ornament is especially excellent - instead of a scanned version with slightly "off" colors, this is a photographed version. It's great fun to flip through!

My plan is to find a Kate Greenaway style gal and turn her into a line drawing, placing her in a little garden, with, perhaps, a beehive and some bees. So I'll keep flipping through Illuminated Books to see if I can come up with any specific inspiration for just the right girl!

As for the second quilt square, I haven't decided - there's no real theme to the quilt, so I have plenty of options!

]]> embroidery resources embroidery design 13184 Sequana noreply@blogger.com http://www.flickr.com/photos/sequana/ 2007-04-06 09:46:00 2007-04-06 09:46:00 1 0 http://www.needlenthread.com/2007/04/hand-embroidery-project-completed.html Wed, 04 Apr 2007 00:30:00 -0500 Mary Corbet 1073 2007-04-04 00:30:00 2007-04-04 00:30:00 open open Hand-Embroidery-Project-Completed! publish 0 0 post


Continue on to see the close-ups!

This is an example of ecclesiastical embroidery. I've been giving regular updates on the progress of this project, and you can find them all in order here:

• Agnus Dei project underway
• Project Update #2
• Project Update #3
• Project Update #4
• Project Update #5
• Project Update #6

This past weekend, I finished the gold around the edges, the blood, and the finish work on the hill, adding grass and flowers.



Here's a shot of a few bunches of flowers around the foot. The flowers are worked in flat silk - some in Au Ver a Soie Soie Ovale and some in True Embroideries Sleave Silk from Helen Stevens. I was rather random in the creation of the flowers - I wanted the effect of wild flowers - not anything stylized.



Here are the yellow flowers at the base of the staff. For colors, I wanted to mimic the brighter colors of spring rather than pastels. I thought the effect would be better, considering the brighter colors of the whole work.



Here's the whole hill. I didn't want "too many" flowers - sometimes less is more! The tufts of grass are just straight stitches in two strands of Soie d'Alger. I combined two colors in some blades of grass, and in others, used just one.



The blood is part of the symbolism of the whole image - the sacrificial Lamb of God (Agnus Dei). It is worked in three colors of red, all in stem stitch.



This is a close-up of the outlining on the lamb, above the back legs. I wanted a little definition in the body of the lamb, so I outlined it in stem stitch, using one strand of YLI silk in a grey-ish brown. I didn't want a "bold" outline. YLI silk is fine and well-suited for delicate lines.



You can see here a close up on the gold couching, and, above it, part of the outlining of the inside of the gold. Using the same YLI silk - one strand - that's used around the lamb, I outlined around the whole inside of the gold trim. I wanted a "hint" of a shadow and a finished edge. Underneath the corner of the book here, I worked two rows, since there was a small gap of white between the corner of the book and the gold. If I had thought about it in advance, I would have couched the gold in a definite ornamental pattern, rather than just a "brick" pattern, alternating the placement of the stitches over each row.



The finished product! You can see the original outline of the design still - I did not work the gold all the way to the line, as I thought it would be overkill. Besides, when I mounted it on the vestment today, I still had space for a red outline outside the gold. I'll post a completed picture of the whole vestment once it is assembled.



And finally, a long shot from the side, so you can see the gleam of the gold.

Now that it's finished, I can move on to other projects. Whew! That was a challenge, but it was a lot of fun and a good learning experience. I hope you enjoyed the updates on this particular project. Next up - some quilt squares....! Which will be very relaxing! Thanks for reading and for your kind compliments and enthusiasm over the last couple months as I worked this project!

]]> ecclesiastical embroidery goldwork pictures silk 1274 Andie noreply@blogger.com 2010-04-23 06:35:10 2010-04-23 06:35:10 1 0 A joy to behold.]]> 1275 Rangana noreply@blogger.com http://www.blogger.com/profile/06409727862540311737 2010-04-23 05:38:39 2010-04-23 05:38:39 1 0 wish that i could create a piece like you, the inspiration is just great
Mehnaz]]> 1716 Elaine noreply@blogger.com http://www.blogger.com/profile/10565138584945080707 2010-03-27 14:49:22 2010-03-27 14:49:22 1 0 Ah well, never mind! But thank you for replying.

Nevertheless, I'm sure whichever church is enjoying it feels suitably blessed. I envy them being able to enjoy seeing it during their services.

Elaine]]> 1721 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-27 09:25:45 2010-03-27 09:25:45 1 0
Unfortunately, I don't have a photo of the finished vestments. I delivered the medallion to the lady who made the vestments, and that was it. My part was done!

MC]]> 1723 Elaine noreply@blogger.com http://www.blogger.com/profile/10565138584945080707 2010-03-27 02:25:13 2010-03-27 02:25:13 1 0 I have only recently found your fantastic website. I think via searching for videos on how to do stitches ...... but such is jumping round the Internet, I can't now recall :)
However, I am so glad I found your site! I have spent some very enjoyable time over the last week or so (I think?) looking round but this piece of work really takes my breath away!
If I say it is stunning, the phrase just doesn't do it justice!
Thank you for taking the time to 'talk us through' how you did it.
One question .... I am sure I will find the page eventually but do you have a post where you show the embroidery on the finished vestment? Would love to see that.
Elaine
(Cheshunt, Hertfordshire, UK)]]> 3782 Loved and Cherished by God noreply@blogger.com http://www.blogger.com/profile/05730285162820042650 2010-01-08 08:53:02 2010-01-08 08:53:02 1 0 Thanks for sharing your work in progress unto completion. How very generous of you.
I love the symbolism of this project which you executed so well. I just love that you share your work as it is truly a "feast for the eyes"
Linda
Glastonbury CT]]> 4161 jayashree noreply@blogger.com http://www.blogger.com/profile/11952025222846811380 2009-12-19 10:32:20 2009-12-19 10:32:20 1 0 4311 Anonymous noreply@blogger.com 2009-12-06 18:04:33 2009-12-06 18:04:33 1 0 I am in awe of your beautiful, stunning Agnes Dei. I, too, love ecclesiastical embroidery. Your God given talent has been put to good use.
Catherine
Gainesville, FL]]> 4315 Gill, Winchester UK noreply@blogger.com 2009-12-06 10:41:33 2009-12-06 10:41:33 1 0 Thank you for sharing this project.
Gill, Winchester UK]]> 4316 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-12-06 06:34:31 2009-12-06 06:34:31 1 0
Hi, Madilayn - You are certainly welcome to add a link! I appreciate that!

Again, thanks for the recent onslaught of comments! And thanks to Margie of Country Bumpkin for publishing the piece in her webletter!

Best regards,
Mary]]> 4319 Megan McConnell noreply@blogger.com http://www.blogger.com/profile/12315338694391477911 2009-12-05 23:51:33 2009-12-05 23:51:33 1 0
Do you mind if I put a link to this at my own Embroidery site (http://embroidery.bellaonline.com - I am the Embroidery editor there)?]]> 4334 JC-S noreply@blogger.com http://www.blogger.com/profile/05429738347008468011 2009-12-04 21:52:07 2009-12-04 21:52:07 1 0 4338 kerrykatiecakeskeb43 Kerrykatiecakeskeb43@gmail.com http://www.blogger.com/profile/11949171119703114016 2009-12-04 11:22:09 2009-12-04 11:22:09 1 0 Hugs,
Kerry]]> 4435 Diane Adams noreply@blogger.com 2009-11-30 20:21:26 2009-11-30 20:21:26 1 0 9291 Student08 noreply@blogger.com http://www.blogger.com/profile/14510889068515987504 2009-01-03 12:53:00 2009-01-03 12:53:00 1 0
The ecclesiastical embroidery is truly outstanding! Pax Christi,]]> 9361 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-12-26 14:11:35 2008-12-26 14:11:35 1 0
I gleaned ideas from several different images of the Agnus Dei, but I drew up the design myself and made my own pattern on vellum (a little thicker than regular tracing paper), so that I would be able to prick it with a needle to transfer the design onto the linen.

You're welcome to do whatever you wish with it!

Enjoy the process!

Best regards,
Mary]]> 9362 Student08 noreply@blogger.com http://www.blogger.com/profile/14510889068515987504 2008-12-26 10:42:00 2008-12-26 10:42:00 1 0 9704 Kathleen noreply@blogger.com 2008-11-20 14:56:00 2008-11-20 14:56:00 1 0 11483 Anonymous noreply@blogger.com 2008-07-02 12:15:00 2008-07-02 12:15:00 1 0 Many, many thanks for sharing your techniques. I hope your priest will treasure it!
Lavenia Boswell]]> 13023 shobha noreply@blogger.com 2007-08-06 01:32:00 2007-08-06 01:32:00 1 0 13178 alicem noreply@blogger.com 2007-04-08 12:07:00 2007-04-08 12:07:00 1 0 13185 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-04-06 08:31:00 2007-04-06 08:31:00 1 0
JoWynn]]> 13186 Jo in NZ playcentrejo@gmail.com http://www.blogger.com/profile/01158058861171114255 2007-04-06 02:40:00 2007-04-06 02:40:00 1 0 13187 leahys noreply@blogger.com http://www.blogger.com/profile/17739993588791988787 2007-04-05 23:52:00 2007-04-05 23:52:00 1 0
Marilyn]]> 13188 Anonymous noreply@blogger.com 2007-04-05 19:49:00 2007-04-05 19:49:00 1 0
This is the most beautiful embroidery piece that I have ever seen, it looks like something out of a book. I would like to see more people do this kind of embroidery. It is truly a work of art and shows a great talent.]]> 13189 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-04-05 12:55:00 2007-04-05 12:55:00 1 0 13190 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-04-05 07:07:16 2007-04-05 07:07:16 1 0
The lamb's body is first worked with Soie d'Alger in stem stitch. I set in my "shadows" first, getting the stem stitch lines started. Then I set in the rest of the stem stitch in white, trying to follow a "natural" vertical growth pattern for the wool. After the stem stitch, I took a flat silk (soie ovale by au ver a soie, since it has more body than most flat silks) and whipped small sections of the stem stitch. At the most, I'd wrap the flat silk around about 4 times. Occasionally, here and there, I'd work in some small rounded straight stitches.

It was all an "experiment" - I was trying to imitate this example of a lamb's wool from an old piece of ecclesiastical embroidery. I made my bits of wool a little longer, I think, but overall, I like the outcome. The nice thing is that, although flat silk is rather whispy stuff, snagging on just but anything, once it's worked into stitches - or at least, in these stitches - it "tightens up" and becomes secure and rather "hard."]]> 13192 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-04-04 19:57:12 2007-04-04 19:57:12 1 0
The sky is flat silk, in four or five different shades of blue - as I neared each color change, I started blending in one filament of the next color, then two filaments, etc.

You can read about the completion of the sky in update #3 in the list above.

Thanks again, I'm glad you all like it!]]> 13193 Anonymous noreply@blogger.com 2007-04-04 18:16:00 2007-04-04 18:16:00 1 0
One question. How did you do the sky? Is the gold couched vertically over a painted sky? Or is there other stitching beneath the gold?

Again, gorgeous.]]> 13194 Sequana noreply@blogger.com http://www.flickr.com/photos/sequana/ 2007-04-04 09:49:00 2007-04-04 09:49:00 1 0
I do some of H. Stevens' embroidery too, so that was another interest of mine, to see those threads used.

Congratulations!]]> 13195 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-04-04 08:39:00 2007-04-04 08:39:00 1 0
JoWynn]]> 13196 elizabethdee noreply@blogger.com http://www.blogger.com/profile/15530010568818566353 2007-04-04 07:19:00 2007-04-04 07:19:00 1 0 Elizabeth D]]> 13197 Margaret noreply@blogger.com http://www.blogger.com/profile/01182634416071817358 2007-04-04 07:01:00 2007-04-04 07:01:00 1 0 Margaret]]> http://www.needlenthread.com/2007/04/embroidery-project-update-almost.html Sun, 01 Apr 2007 08:49:00 -0500 Mary Corbet 1074 2007-04-01 08:49:00 2007-04-01 08:49:00 open open Embroidery-Project-Update---Almost-Finished! publish 0 0 post

This embroidery project has been underway for about eight and a half weeks now. I calculate I've spent about 350 hours on it! Needless to say, outside of work, I haven't been doing much else besides plying the needle!

Without further ado, here's the update:



I have a tiny bit more outlining to do on the lamb, and a little area to fix on the neck next to the left side of the halo.



The eye looks a bit exaggerated, with the dark lines around it, but it will be viewed from far away, so it needs to show up! I wasn't exactly satisfied with the inside of the eye, but it's too late to go over it, and the overall effect is ok.



This is a close-up on the "wool." The lamb is stitched with a stem-stitch filling, worked in two strands of Soie d'Alger, over which I worked flat silk by whipping little bits of the stem stitching. I also worked in, here and there, small rounded straight stitches.



Here's a side angle, so you can see the effect of the gold which is couched over the sky.

Next step: finish outlining the lamb, then I'll do the blood and the little flower details on the hill (tufts of grass and little flowers), and then couch the gold around the edge. It's going to be a long day....!

]]> ecclesiastical embroidery pictures needlepainting silk 10495 Anonymous noreply@blogger.com 2008-09-17 04:34:00 2008-09-17 04:34:00 1 0 awesome!]]> http://www.needlenthread.com/2007/03/hand-embroidered-cope-photos-gorgeous.html Wed, 28 Mar 2007 16:10:00 -0500 Mary Corbet 1075 2007-03-28 16:10:00 2007-03-28 16:10:00 open open Hand-embroidered-Cope-Photos:-Gorgeous-Needlepainting-Examples publish 0 0 post

To set the stage, I'll tell you a bit about the monastery itself before getting into the embroidery.



The convent was built in the 1800's in answer to a request from the Benedictines for some Sisters from Europe to help support the work of the Benedictines in Missouri. Eventually, the nuns established what is called a Convent of Perpetual Adoration, where they kept regular prayer times before the Blessed Sacrament in their chapel.



The chapel is stunning. It's decorated in the Beuronese style of art, which originated in the Abbey of Beuron in Germany. Beuronese art has an interesting history, if you like art history. There's a pretty comprehensive page on the history of the Beuronese Murals at Conception Abbey, which also contains some information on the history of this style. Conception Abbey is located just a few miles from the monastery in Clyde. Here's a photo below of the interior of the chapel - many of the hand embroidered vestments in their museum imitate to an extent the style of art. The decoration seen in this part of the chapel over the main altar is all worked in mosaics.



Now, for some hand embroidered vestments. As you look at these, imagine the time, energy, and skill that went into them! For now, we'll look at the hood of a cope. A cope is a large, cape-like vestment once worn for different functions, including Benediction and also by different clerics during a Pontifical Mass, where a Bishop was presiding. It was also used in the Sung Mass at the beginning during a prayer called the "Asperges Me." I don't believe the cope is used often today in any common liturgical function. Even if it is, you probably won't find too many like this.



The scene is the Annunciation, recounted in Luke, Chapter 1 of the Bible, where the Angel Gabriel greets Mary with the news that she is to be the mother of God.



Here's a closer-up of the Blessed Virgin. I think the detail in the hair and at the top of her garments is amazing.



Here's a detail of the background: couched gold, embroidered on top, with black pearls.



Here's a side view, so you can get a glimpse of the color in the wings of the angel. The two capes are quite striking - note the "painted" look of the folded and draped fabric. It's really pretty!



Here's a close-up on the edge of the wing and on the background, where you can see that the design was embroidered over the gold, in a dark red geometrical pattern.



Here's a close-up of the angel's face. The stitches get a little blurred, but the face is entirely embroidered in a kind of long-and-short stitch. The halo is couched gold. I'm pretty certain it's gold jap.



Anyone see a problem with this when you look at it up close? From far away, the bulge on the neck is not as obvious. There is a little discrepancy here in the desire to produce the right shadow, and the actual outcome of the shadow. Again, from far away, it isn't as obvious. When you look at it up close, though, it looks a little odd. It certainly does not take away from the beauty of the entire piece, and it's less noticeable depending on the angle of viewing.

So there you have it - a very nice piece of historical needlework. I figure this was worked during the first half of the 1900's - probably between the 20's - 40's. I'm not sure of the date, though, and they didn't have information available on each specific piece. The last hand-embroidered item in the museum at Clyde is a miter, which was apparently worked in the 1950's.

Visit the website of the Benedictine Sisters in Clyde, Missouri if you want to read more about them.
]]> historical needlework ecclesiastical embroidery goldwork needlepainting 13199 Emily noreply@blogger.com http://www.blogger.com/profile/09805130570587132754 2007-04-01 14:50:00 2007-04-01 14:50:00 1 0
We just did a cope with a lamb-of-God embroidery on the hood, in fact - the embroiderer ended up doing the lamb's wool by leaving it almost empty with scattered spirals of couched gold. Came out really cute and cheerful looking.]]> http://www.needlenthread.com/2007/03/agnus-dei-project-update-embroidering.html Tue, 27 Mar 2007 15:38:00 -0500 Mary Corbet 1076 2007-03-27 15:38:00 2007-03-27 15:38:00 open open Agnus-Dei-Project-Update---Embroidering-against-a-Deadline! publish 0 0 post

I began this embroidery project about seven and a half weeks ago, working on it mostly at night outside of work hours, and on weekends. I've made a few mistakes along the way, especially in ordering supplies (which is a big mistake, considering just about everything had to be mail-ordered).

If you want to see the progress of the project, you can check out these phases:

• Beginning of the project: the project is mounted and the design transferred, with a little bit of the grass in.
• Second Update: the book is finished and the sky is going in. I took the sky out and opted for a different approach.
• Third Update: The flat silk is laid in for the sky. I had to correct some parts of it. The halo is also begun.
• Fourth Update: half the sky is couched with #4 gold passing (2% gold).

When you seen how far I still have to go, you might think I'll never make it. I'm pretty determined to make it, so we shall see! I still have to complete the whole lamb, then add the tufts of grass and some little flowers on the "hill," and then couch the gold around the edge.



So here you can see the whole effect of the work so far. I have a little "tweaking" to do on the halo, but overall, I like the effect. Had I known originally that I would do gold between the red parts of the halo, I would have stitched them in a different order. I originally planned on doing white in there, but when I started, it didn't look so good - so I tore it out and went with gold.



You can see the halo a little better here. I'm disappointed, personally, in my red couching stitches, especially on the lower left portion of the halo. Live and learn. On that section, too, I made the mistake of plunging the ends as I worked - tsk tsk. It makes a difference in the finished look. The other sections, where I plunged the ends after couching, look flatter.



And here's a better shot - you can see the sky and the halo pretty well. I surrounded the outer rim of the halo with the same dark red silk found on the edge inside the halo.



This little area in here was perhaps the most difficult to work. This is the only place on the whole thing so far where I'm glad I did the sky first. I'm sure the sky should have been done first, but there are a few areas where I would have made little corrections in the design if the sky were not already in.



Here's a close up on the top of the banner, near the staff. The banner is worked in a combination of colors: overall, it is white with a red cross. To shade the white around the turns, I used cream and 'brute' - a kind of champagne color.



And here's one of the tips of the banner, shaded in the same colors as the top part of it. I outlined the banner in a brown, to supply a contrast. I want the banner, halo, and lamb to stand out from the sky.

And so there you have it so far! I have six days left to finish it, the majority of which are spent at work teaching and such, so wish me luck!
]]> ecclesiastical embroidery pictures needlepainting silk 13208 Anonymous noreply@blogger.com 2007-03-28 17:32:00 2007-03-28 17:32:00 1 0
That is incrediable! It is awesome, I have never seen anything like it before. You are a true artist! I can't wait to see the finished product. How kind of you to donate that to your Church. I hope your guild gets their education soon so you can all do something like that.]]> 13210 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-27 21:42:05 2007-03-27 21:42:05 1 0
Thanks heaps for the compliments. It's very encouraging!

Crazy, thank you. It's not a paid commission. It's a commission, insofar as I was asked to do it, but since it's for the church I go to, I'm not charging for it! Our embroidery guild will eventually be producing works like this - well, once we get a little more education!

I reckon it would cost a lot to have something like this made, but I figure it's worth it. The supplies on this were a bit steep, as I didn't have them in stock, but if I were to produce another similar piece, the cost would be minimal, with the exception of the gold threads, since I have leftovers.

Thanks again! I'll post the finished product, hopefully early next week.]]> 13212 Crazy In Pieces noreply@blogger.com http://www.blogger.com/profile/01668684817035583968 2007-03-27 21:28:00 2007-03-27 21:28:00 1 0 13213 chrystal b noreply@blogger.com 2007-03-27 18:46:00 2007-03-27 18:46:00 1 0 http://www.needlenthread.com/2007/03/silk-shading-sampler-free-pattern.html Mon, 26 Mar 2007 09:06:00 -0500 Mary Corbet 1077 2007-03-26 09:06:00 2007-03-26 09:06:00 open open Silk-Shading-Sampler:-Free-Pattern publish 0 0 post Goldwork Sampler Pattern from Hinda Hands's out-of-print book on Church embroidery. Though the topic of her book is Church embroidery, this sampler is not really church-related. The pattern employs methods of silk shading and couched gold. I think it's really lovely, and I look forward to working it this summer.

For now, here's the pattern for the silk sampler. You might have your own great ideas to put to work on this pattern! There are heaps of possibilities for it. As a finished product, it would look fantastic framed, but I can also see it as an "Elizabethan sweete bag" or something to that effect.

You can click on the pattern for a larger version, then right click to save it. For a larger image, use a copy machine or a photo editing program to enlarge it.



As I edit and revise the suggested stitches for this sampler, I'll post them. In the meantime, enjoy the pattern!

]]> free embroidery patterns embroidery design silk 12899 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-02 16:18:22 2007-10-02 16:18:22 1 0 here, here, and here. I haven't gotten any further since the last one, but I need to get back to it soon! I especially need to correct that last mistake!

Glad you like the pattern!]]> 12901 Meeta noreply@blogger.com 2007-10-02 15:56:00 2007-10-02 15:56:00 1 0 This is a beautiful pattern. Curious to know - did you get around in making this one? If yes, can you please post the picture of the completed project. I'd like to know what stitches you used for this pattern.

Thank you.]]> http://www.needlenthread.com/2007/03/embroidery-stitch-video-tutorial.html Sun, 25 Mar 2007 14:30:00 -0500 Mary Corbet 1078 2007-03-25 14:30:00 2007-03-25 14:30:00 open open Embroidery-Stitch-Video-Tutorial:-Colonial-Knot publish 0 0 post French knot. Here's a video tutorial to help you get the hang of the colonial knot.

This video tutorial for the colonial knot will show you just how easy this stitch is - and perhaps it's a lot easier to see it worked than to figure it out from a book. I hope you find it helpful!

In the first couple knots, I had a problem with fingers - they do tend to get in the way - but the problem is solved as the tutorial progresses.

For ideas for application, check out these flowers made from French knots. Pretty much anything you can do with a French knot, you can do with a colonial knot!



If you enjoyed this tutorial and want to learn more basic hand-embroidery stitches, be sure to check out my Video Library of Stitches Index. There are now 28 videos available for your learning pleasure! Enjoy!

]]> video tutorials Hand embroidery stitches beginner embroidery 3298 Anonymous noreply@blogger.com 2010-02-07 15:48:12 2010-02-07 15:48:12 1 0 7683 Anonymous noreply@blogger.com 2009-05-08 13:24:00 2009-05-08 13:24:00 1 0 9189 Anonymous noreply@blogger.com 2009-01-12 18:37:41 2009-01-12 18:37:41 1 0 10908 Anonymous noreply@blogger.com 2008-08-22 06:03:00 2008-08-22 06:03:00 1 0 11548 Anonymous noreply@blogger.com 2008-06-21 17:18:00 2008-06-21 17:18:00 1 0 11776 Anonymous noreply@blogger.com 2008-05-24 19:35:00 2008-05-24 19:35:00 1 0 11805 jennied noreply@blogger.com 2008-05-17 21:23:00 2008-05-17 21:23:00 1 0
Jennie in VT]]> 11990 Kathryn noreply@blogger.com http://www.blogger.com/profile/05632209264002514037 2008-04-15 17:12:00 2008-04-15 17:12:00 1 0 12169 Anonymous noreply@blogger.com 2008-03-24 19:56:00 2008-03-24 19:56:00 1 0 12408 Teresa noreply@blogger.com http://www.blogger.com/profile/10240398180285467340 2008-02-08 05:58:00 2008-02-08 05:58:00 1 0 12872 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-10-16 21:48:18 2007-10-16 21:48:18 1 0 12873 Anonymous noreply@blogger.com 2007-10-16 21:36:00 2007-10-16 21:36:00 1 0 13204 Anonymous noreply@blogger.com 2007-03-30 12:41:00 2007-03-30 12:41:00 1 0 13215 Anonymous noreply@blogger.com 2007-03-26 13:29:00 2007-03-26 13:29:00 1 0 http://www.needlenthread.com/2007/03/historical-needlework-klosterstitch.html Thu, 22 Mar 2007 07:25:00 -0500 Mary Corbet 1079 2007-03-22 07:25:00 2007-03-22 07:25:00 open open Historical-Needlework:-Klosterstitch publish 0 0 post Floresita's vintage embroidery pattern site, I made the mistake of attributing the Vogart library to Floresita, who pointed out that it actually belongs to Jane Stockton. My apologies to Jane Stockton! I found out from Floresita that Jane also has an embroidery site - come to find out it's one I'm pretty familiar with, as I check it fairly regularly.

The Needles Excellency is a site devoted to historical needlework, and right now, Jane Stockton has updated her latest project, which is a hanging worked in klosterstitch. Check out her progress! It's really fantastic. I'd love to know more about the hanging - the design, for example, and the symbols on it, the choice of threads, and whatnot. It's really quite beautiful so far!



Klosterstitch is a "couch as you go" kind of stitch. It's also called Romanian couching, or Bokhara. "Kloster" meaning "cloister," it has roots in convent embroidery - that is, embroidery done for the Church. While I don't have the opportunity right now to add Romanian couching to my Video Library of Stitches, I do have it on my list of stitches I want to add. In the meantime, you might want to read about Romanian couching and see how it's worked.

Thanks, Jane, for a magnificent and fun website! Good luck on your Klosterstitch hanging! And my apologies for the misdirection on your Vogart Library!
]]> historical needlework ecclesiastical embroidery embroidery links Hand embroidery stitches http://www.needlenthread.com/2007/03/embroidery-silk-pearsalls-in-us.html Tue, 20 Mar 2007 18:08:00 -0500 Mary Corbet 1080 2007-03-20 18:08:00 2007-03-20 18:08:00 open open Embroidery-Silk:-Pearsall's-in-the-US publish 0 0 post

When I purchased Pearsall's filoselle embroidery silk, it was through a supplier in the UK from whom I was purchasing other supplies. Good news - there is a supplier in the US. You can purchase Pearsall's - approximately 350 shades in 75 color categories - from An Itch to Stitch.

An Itch to Stitch is a website devoted primarily to needlepoint. They have an online shop that offers needlepoint canvases, kits, tools, and accessories, as well as the full range of Pearsall's filoselle.



While I have not personally ordered from An Itch to Stitch, I have been in contact with them. They try to fill orders as quickly as they receive them. At any one time, they generally have all colors in stock, unless there's been a "run" on a specific color, which they will order for a quick replacement. Their resupply is usually over night, so there shouldn't be any super-long wait for any color they might not have in stock.

Each skein or twist of 4 meters runs about $4.25 each. Occasionally, some of the colors are on sale for $2.25.

Pearsall's is good silk for needlepainting techniques, since it provides a full range of subtle shades. I've used it just a few times, and I like it. It's somewhat "bouncy," but easy to stitch with. The silk can be tamed with Thread Heaven or with embroidery hand cream, like Au Ver a Soie hand cream.

I know Needle In a Haystack also carried Pearsall's once upon a time, but it looks as if they have discontinued it.

There's another purveyor located in Washington state, but they sell small packs of four related colors, each cut into a one-yard length for $6.00 a pack. To me, this doesn't seem like that great of a deal, unless you just want to try it, or are building a stash of small amounts of multiple colors.

So, if you're a Pearsall's user or if you want to check out yet one more kind of silk, then take a look at An Itch to Stitch.

Have fun with it!
]]> embroidery resources silk http://www.needlenthread.com/2007/03/pipers-silk-gift-from-alaska.html Sat, 17 Mar 2007 11:28:00 -0500 Mary Corbet 1081 2007-03-17 11:28:00 2007-03-17 11:28:00 open open Piper's-Silk---A-Gift-from-Alaska! publish 0 0 post first comparison of flat silks, followed a while later by a second comparison including Japanese Silk, garnered some interest, and a very kind lady from Alaska sent me a couple cops of Piper's silk to try out.

Piper's silk comes in cops (or spools) of 80 meters. It is a completely flat filament silk, much finer than the Japanese silk from the Japanese Embroidery Center. To get a "thicker" coverage with this silk, you would double or triple the strands in your needle, which is a lot easier than trying to get a finer thread by splitting the strands of Japanese silk. Size-wise, this seems to compare with one strand of Chinese silk like Eterna, but I will do an in-depth photo comparison of all the silks to determine if this is actually the case.



Marilyn from Alaska recommended the Helen M. Stevens site to me when I was taking a look at embroidery designers, as well as putting me back on to trying out Piper's silk. I was a bit daunted by their long turn-around times on orders (up to 28 days!) coupled with the fact that Piper's silk comes from England. After browsing Helen's site, I jumped over to Fritillary, where you can purchase embroidery-related merchandise that reflects the work of Helen Stevens. Low 'n behold, at Fritillary, Helen carries the same type of silk that Piper's produces, which, through her company, is called True Embroideries Sleave Silk. I placed an order, and eagerly await its arrival.

In the meantime, though, through the generosity of a kind reader, I have had a chance to try out Piper's silk, and.... I like it! I'll write up a comparison of it with the Japanese silk, Eterna, and Au Ver a Soie's Soie Ovale soon, giving you some close ups so you can see how they differ.

Thanks heaps, Marilyn!!
]]> embroidery resources silk 13211 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-27 21:35:50 2007-03-27 21:35:50 1 0 13214 Anonymous noreply@blogger.com 2007-03-27 18:36:00 2007-03-27 18:36:00 1 0
Anyone have any suggestions?
Thanks]]> http://www.needlenthread.com/2007/03/vintage-embroidery-free-patterns.html Sat, 17 Mar 2007 09:12:00 -0500 Mary Corbet 1082 2007-03-17 09:12:00 2007-03-17 09:12:00 open open Vintage-Embroidery:-Free-Patterns publish 0 0 post

These websites that focus on vintage designs for hand embroidery are all made available, from what I can tell, by one individual. Her sites include a flickr group, a blog, and a website that serves as a "library" of vintage Vogue embroidery patterns.

The website library of vintage Vogue embroidery patterns is really a colorful and entertaining stroll through the designs of past years which were popular for household embroidery embellishments. The website's owner has generously made available scanned photos of many sets of these Vogue embroidery patterns. While the patterns themselves are not available on this site, you can get plenty of good ideas for embroidery here.



You can click on the cover of any of the collections and get a close up of the images within that collection.



Then, the same author, Floresita, has a blog - a great blog! called Vintage Transfer Finds. And on this blog, she has available many scanned vintage designs. She does not offer designs that are still sold. Rather, these are designs which are no longer available to buy new and are therefore, from what I can tell, pretty much out of circulation. When you click on the design shown on her blog (which acts as a kind of index), it takes you to the larger image stored on her flickr site.



All in all, this is a great resource for embroiderers! You can find lots of fun designs for all kinds of projects: kitchen towels, baby quilts and clothes, pillow cases, tote bags, etc.

With these vintage designs, the beginner can certainly practice many basic embroidery stitches - if you're just starting out, visit my Video Library of Stitches, where you can learn how to work french knots, stem stitch, whipped backstitch, chain stitch, and other basic stitches perfectly suited to vintage embroidery designs.

Enjoy these links!

And thanks, Floresita, for the nice work!
]]> free embroidery patterns embroidery resources beginner embroidery 13217 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-20 16:44:26 2007-03-20 16:44:26 1 0 13220 Elizabeth noreply@blogger.com 2007-03-19 12:09:00 2007-03-19 12:09:00 1 0 13224 floresita noreply@blogger.com http://www.blogger.com/profile/12684933322612185834 2007-03-17 09:48:00 2007-03-17 09:48:00 1 0
I did do Vintage Transfer Finds - so glad you enjoyed the patterns! :)]]> http://www.needlenthread.com/2007/03/goldwork-sampler-pattern.html Fri, 16 Mar 2007 08:56:00 -0500 Mary Corbet 1083 2007-03-16 08:56:00 2007-03-16 08:56:00 open open Goldwork-Sampler---Pattern publish 0 0 post

This sampler comes from an old book, Church Embroidery by Hinda Hands, which is out of print and no longer in copyright here. The sampler itself is not necessarily church-related in design, as you can see. The author's purpose in including the sampler in her book is to instruct on the techniques that one should master in goldwork.

My intention here is to give you the sampler pattern, which may certainly be adapted to different uses, and then to unfold for you the techniques suggested by the author for working the sampler.

I think the pattern is really nice, but it's not really for "beginner" needleworkers. You should at least have some knowledge of embroidery, such as setting up a project (including transferring your pattern), basic embroidery stitches (especially couching), and a certain comfort with embroidery. Now, that's not to say that, if you're determined, you couldn't just set out and try. The hang-up with goldwork is that you do have to lay out a bit of an investment in the materials, but as I unfold the directions for working the sampler, I'll talk about materials, where to find them, what to use as substitutes (names of materials have changed a bit since the book was written) or less-expensive alternatives, and whatnot.

Here's the pattern, which you can click on for a larger image. You'll want to increase the size of the pattern to no more than between 10 - 14 inches across. You can do this by using an image editing program, or you could just use a copy machine.



I'm thinking about working this sampler with willing ladies in our guild this summer, so it will be a while before I can give "live photos" of progress.

Regarding the design itself, the first step I would take is enlarging it to the size I want, then tracing the lines of the design (without the stitching images) on vellum with a fine black pen. Then I'd go from there. There are some modifications that I would make on the pattern before beginning it with needleworkers new to goldwork. For example, some of the spines on the larger leaves call for plate - I would alter this, because plate is not so easy and it would be even more difficult worked in close spaces.

So what do you think of this pattern? Do I aspire too high for beginners in goldwork?

I'm thinking it may also do well "re-designed" for a sampler in silk shading, although I've got a different practice sampler for that! If you can think of any other uses for this design, I'm all ears!
]]> goldwork free embroidery patterns 4298 Anonymous noreply@blogger.com 2009-12-08 08:45:38 2009-12-08 08:45:38 1 0
mary marshall]]> 12310 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2008-02-26 00:04:00 2008-02-26 00:04:00 1 0
Probably won't be able to do it for a year - too many projects already.

Hinda Hands not help in an Australian library - will have to buy it. (any excuse for a new book! It's gone on my blog wishlist)]]> http://www.needlenthread.com/2007/03/embroidery-supplies-thread-express.html Thu, 15 Mar 2007 06:21:00 -0500 Mary Corbet 1084 2007-03-15 06:21:00 2007-03-15 06:21:00 open open Embroidery-Supplies:-Thread-Express publish 0 0 post

The online embroidery shop apparently has a real-life counterpart by appointment only located in Maine. Thread Express online offers a good amount of embroidery supplies, but, as the name indicates, it's all about the thread.



What kind of threads will you find here? You've got cotton, linen, wool, blends, synthetics, silks... You'll find the full palette of Anchor stranded cotton available, at $0.59 / skein. You'll also find Anchor Pearl Cotton #5 in a few select colors. You'll find the Caron Collection threads - Wildflowers in the cottons, but all the other types as well (silks, blends, etc.)

For silks, you'll find predominantly Eterna Silk, but you'll also find Alyce Schroth silk embroidery floss, which is a two-strand, low-luster silk, along with some Au Ver a Soie, Caron Collection, Thread Gatherer (Silk'n colors), lots of Rainbow Gallery (which I hesitate to recommend - if you're looking for silk, this isn't such a great thread, and I'd avoid it!), YLI, Glissen Gloss Japanese Colorwash Silk, and J. L. Walsh Silk - and maybe even more...? The nice thing is, when you want to order more than one color of most threads, you can go to an order page and just check off the ones you want and hit the button once. You don't have to go back and forth between a shopping cart and an ordering page.

There's also a good amount of embroidery books available on the site. You'll find many of the A-Z books, as well as some specialty books in techniques like crazy quilting, etc.

You'll find patterns for redwork, punchneedle accessories and kits, and a bunch of beads and "small delights."

I'm not super-impressed with the accessories offered - I think you can find better items, less expensive, elsewhere - but I think the site is well-worth a look, especially if you like trying out different threads! Enjoy!
]]> supplies embroidery links embroidery resources http://www.needlenthread.com/2007/03/embroidery-design-some-words-from-hinda.html Wed, 14 Mar 2007 19:43:00 -0500 Mary Corbet 1085 2007-03-14 19:43:00 2007-03-14 19:43:00 open open Embroidery-Design:-Some-Words-from-Hinda-Hands publish 0 0 post Church Needlework by Hinda Hands, I found her chapter on design particularly interesting. Her comments are not restricted to ecclesiastical needlework (that is, needlework done for church). They can be applied to needlework for any purpose.

Her thoughts may be considered passé nowadays; they tend towards conservative, certainly. Yet she instructs on certain concepts with knowledge and experience to back her up, setting forth her thoughts with precision and assurance. It would be interesting to hear what others think of her remarks.

I have edited some portions that apply strictly to church embroidery, trying to draw the focus out across a wider spectrum of interests.

From Chapter 1 “On Design”

Embroidery may be defined in a general way as an ornamentation of textiles by means of the needle. This being the case, one ought to expect from it something different from what can be attained by weaving, or something which cannot be done so well or so readily by that means. Some of the earliest forms of embroidery were, it is evident, direct copies of woven patterns, but these were quite appropriately placed, either on material which did not lend itself happily to being woven in patterns, or where the surface so decorated was too small to be worth while weaving; or again, where the ornamental material (such as gold or silk) was too precious to be lost on the underside of the work, as would be the case in all woven work wherever the ‘ground” shows between the patterns.

The superiority we expect to see in needlework as compared with woven decoration consists chiefly in three points:

1. The more harmonious gradation of colour.
2. The absence of mechanical repetition of pattern.
3. Freedom of line in the drawing.

It is this very freedom from mechanical restraint in all these respects of colour, drawing and treatment which has proved such a pitfall to the unartistic Englishwoman. Much of the beauty of the foreign peasant work is due to the restrictions imposed by their traditional style and limited range of color. There is practically no limit to the number of shades available in the present day, and without a cultivated “colour-sense” an embroiderer can run riot among an embarras de richesses [difficulties of abundance] with most disastrous results!

A good colour-scheme is even more necessary in embroidery design than in any other (except, perhaps, stained glass) because of the brilliance of its possibilities – at once its highest merit and its greatest danger.

The colour-scheme, then, being an essential part of the design, must be decided upon in accordance with it; and the actual materials with which the work is to be carried out should be chosen at the same time, if possible.

It is necessary for the designer of Church needlework to have a very clear idea of the capabilities and the limitations both of the methods and the materials by which the design is to be completed as a work of art, and also a fair knowledge of the traditions of ecclesiastical art from early times up to the present day.

It is equally necessary for the embroiderer to be able to enter into the ideas and intentions of the designer. It adds considerably to the interest of the work when it is carried out by the person who designed it, but I must protest against the notion gaining ground largely in certain educational circles, that the embroiderer ought to design her own work. There are very many women capable of executing perfect stitchery, and of entering into the highest ideals of beauty and devotion who are not fitted by nature or training to artistic design… The embroiderer with patient stitches will endeavor to express the ideal set before her by a master of the craft and will meet with a like reward. This is the utmost that the majority can hope to attain, and I cannot insist too strongly upon the principle that it is better to work from the designs of good artists, and to do again and again what has been proved excellent, than to attempt an originality which may be attractive only by its novelty.

Whether the worker be her own designer or not, too much care and attention can hardly be bestowed on the choice and arrangement of the design.

The principal requirements of good decorative design of every kind are:

1. Beauty
2. Fitness
3. Practicability

The author then addresses these three concepts (beauty, fitness, and practability) separately, unfolding a short but rather philosophical treatise on each of them.

I'd be interested to know if readers think the ideas above have changed drastically over the years. The last edition of this book was printed in 1950, with the first edition being in the early 1930's. Has the concept of design changed? What do you think?

I really enjoy reading these older embroidery books, especially books that focus on embroidery for specific purposes. If you're interested in acquiring the complete text of Hinda Hands's work, which contains all kinds information on working with silk and gold (information that can be applied to embroidery for any purpose), you can find rare copies of her book on ABE Books or at Amazon. ]]> historical needlework ecclesiastical embroidery embroidery design http://www.needlenthread.com/2007/03/embroidery-project-update-4-goldwork-on.html Tue, 13 Mar 2007 00:46:00 -0500 Mary Corbet 1086 2007-03-13 00:46:00 2007-03-13 00:46:00 open open Embroidery-Project-Update-4---Goldwork-on-Silk-Background publish 0 0 post

While I like goldwork, and I do like the effect of the gold couched over the silk, this evening I'm just not too enthused over my efforts. Perhaps this is because it is so much couching!



I still need to straighten out a few of the lines. I'll do this with a laying tool or melore, just nudging them into place a bit. The most tedious part of this type of work is securing the gold after it has been plunged to the back. Different instructors advise on doing this whole plunging thing differently. In Tanja Berlin's instructions, she says to plunge after the gold has been couched. In Ruth Chamberline's Beginner's Guide to Goldwork, she says to plunge as you go. For the majority of this, I plunged my threads to the back as I went, catching them in the couching stitches to secure them. In the smaller spaces, though, I found it easier to couch the gold, leaving the ends lying on the front of the work, and then plunging them after the gold was couched. But then comes the most tedious part of all! Securing the gold after plunging it!! The left side of the design should go faster, though, as there aren't as many small broken-up spaces.



Here's a side view, so that you can see the "gleam" of the gold, which you don't get from a straight-on shot. If the light is right, it does gleam straight on, a little bit. But from the side, it really shows up.

The gold really tones down the sky - almost too much - but I don't think I will be able to judge the overall effect until the entire piece is finished.

The technique, by the way, is called Italian Stitch, which I first learned about in Lucy Mackrille's book, Church Embroidery and Church Vestments. This book is a rare old gem, fetching prices up to $125 on Amazon and ABE Books. It's hard to come by, but if you are interested in church embroidery, it really is a wonderful resource. I haven't seen this technique by this name in any other book, although I'm certain it must have been rather frequently used in different church embroidery projects. In Lucy's book, she used this technique on an Agnus Dei design as well, which gave me the idea in the first place. She does the entire background, though, including the grassy hill, in flat silks couched over with gold. The only things not couched in gold are the banner and the lamb. Her design also lacks the book at the base of the quatrefoil. And her design is smaller - probably about 8" square, tops.

So, there's my update for now. Hopefully, I'll get the gold done this week so I can move on to more colorful aspects of the design.

If you want to see the progress of this project, you can check out the following phases:

• Embroidery Project Underway - the very beginning, from nothing to some grass
• Embroidery Project Update 2 - the grass and book finished
• Embroidery Project Update 3 - the silk in the sky finished

]]> ecclesiastical embroidery goldwork wip pictures silk 13229 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-13 13:37:01 2007-03-13 13:37:01 1 0
I have used the Rajmahal Art Silk, but I don't prefer it, because of the rayon content. I like to stick with all natural fibers, but this is just a personal preference. They're a heck of a lot easier to use than regular rayon, that's for sure! They handle a lot like silk, whereas most rayon flosses take some serious getting used to!

Thanks for the comment!]]> 13230 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-03-13 13:29:00 2007-03-13 13:29:00 1 0
Are you familiar with Rajmahal Art Silk? Their threads, from Australia, have some rayon, hence they are very shiny. Limited colors, but vivid ones.

JoWynn]]> 13231 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-03-13 10:33:00 2007-03-13 10:33:00 1 0
JoWynn]]> http://www.needlenthread.com/2007/03/embroidered-baby-quilts-guild-project.html Sun, 11 Mar 2007 09:34:00 -0500 Mary Corbet 1087 2007-03-11 09:34:00 2007-03-11 09:34:00 open open Embroidered-Baby-Quilts---Guild-Project publish 0 0 post

The first quilt block is an embroidered Little Dutch Girl, done in pinks rather than blues. The embroidered squares for the baby girl quilt are pink quilter's flannel (with the nap of the flannel on one side, smooth on the other). Most of the ladies used Solvy to transfer the designs, which is better, I think, than using the blue transfer pens, although some did use those, too. I've heard a lot of horror stories lately about blue transfer pens!



The stitching is all done in simple stitches. Here, the majority of the stitching is stem stitch, with a few straight stitches thrown in here and there. You can see a version of Algerian Eye on the skirt (six-pointed). You can see the Solvy in the photo. It'll be removed before squaring up the blocks.



Here's a close-up on her little embroidered cape, which is worked in two strands of DMC in stem stitch. She did a really nice, precise job with her stem stitch!



The skirt is detailed with these little six-pointed Algerian Eyes. You can see the permanent marker on the Solvy behind the stitches. This will rinse out when the Solvy is dissolved.



Here's the waste-line of the little dress, worked in stem stitch. I like the selection of colors - the light pinks and dark pinks for the dress. It's just so... girly!



What embroidered Little Dutch Girl would be complete without embroidered tulips? Here's her little face, with pointed nose, and little purple tulips.



And some blonde hair in a little pony tale to top it off, with a little pink bow.

The ladies are doing a great job on their squares - most of the members of our little group are beginners, but they're starting to "branch out" and take on challenging projects, which is great to see! We're lucky to have a great group of talented and devoted ladies! It's such fun!

We're going to be raffling a boy's quilt and a girl's quilt to raise funds for future projects. I'll let you know how it goes and I'll post some pictures as the quilts go together.]]> wip Hand embroidery stitches pictures guild beginner embroidery 12915 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-09-27 13:27:42 2007-09-27 13:27:42 1 0
Thanks!

MC]]> 12916 The Rhodes Family tkrhodes@gmail.com 2007-09-27 12:21:00 2007-09-27 12:21:00 1 0 13131 Sildah noreply@blogger.com http://www.blogger.com/profile/01398034197909070353 2007-05-22 23:29:00 2007-05-22 23:29:00 1 0 http://www.needlenthread.com/2007/03/embroidery-designer-spotlight-jane.html Sat, 10 Mar 2007 09:46:00 -0600 Mary Corbet 1088 2007-03-10 09:46:00 2007-03-10 09:46:00 open open Embroidery-Designer-Spotlight:-Jane-Nicholas---Stumpwork! publish 0 0 post

Jane Nicholas is an Australian embroiderer who has spent years researching stumpwork and developing gorgeous works of embroidered art, books, and kits. Her website alone attests to her appreciation of beauty and her artistic sense - it's a pleasure to look at! And you've just GOT to love the bugs!



While you're perusing Jane's site, check out her gallery! Her dragonfly specimen box is not to be missed, and her 17th century sampler is really unbelievable.

I like her stumpwork kits that correspond to the projects and designs in her books. I haven't personally worked any of her kits (I'd love to hear from someone who has!) but I think it's a neat idea to offer kits for the projects in her books. I've got hundreds of embroidery books with great ideas in them, but how convenient would it be to have all those ideas pre-packaged into kits?! While you may argue that it takes away the personal creative aspect, I think, for the learner, it's the way to go!

Jane Nicholas also offers an extensive list of supplies that can be ordered through her website. For those of us in the US, it might be a bit much to order these from Australia, but if you can't find them anywhere else, it might be worth it. From what I saw on the site, most basic supplies can be ordered here in the States.

The only thing that's missing that I'd like to see on a website like this would be a mini-tutorial or two - something that gives the reader (and beginners especially) a little taste of the technique. Just a little how-to project that one could print out and follow, that would produce maybe one simple flower or something. This would not only "sell" stumpwork, but it would probably sell people on her products, books, etc.

So if you want to take a delightful journey into the world of stumpwork, Jane Nicholas's Stumpwork Website might be just the right place to start. Enjoy the trip!
]]> supplies embroidery resources embroidery designers stumpwork http://www.needlenthread.com/2007/03/goldwork-metal-threads-up-close-gold.html Fri, 09 Mar 2007 08:08:00 -0600 Mary Corbet 1089 2007-03-09 08:08:00 2007-03-09 08:08:00 open open Goldwork:-Metal-Threads-Up-Close---Gold-Passing publish 0 0 post

Gold passing is the topic of this particular article, and I'm looking primarily at two kinds: real gold and imitation gold.



Before delving too far into this, you might want some background information on goldwork and how metal textiles are made, or you might want to take a look at some photos of a magnificent piece of goldwork.

Gold passing is often used to cover areas of design with smooth gold, by couching it. Above and below, you can see the Gold Passing Design from Berlin Embroidery Designs. This was the first goldwork I ever managed several years ago. This kit was perfect for getting me "into" goldwork and helping me learn how to use gold passing.



This is the majority of the gold passing design, and, for a first go at goldwork, I don't think it's too bad, though the mistakes seem a bit glaring: the twist around the red is couched incorrectly, the pearl purl is coming off in the center. But overall, this is what gold passing looks like when couched in a design. It gives a smooth filled gold look. There are different methods of couching - you can couch with gold thread as I did here, but you can also couch with colors, varying the distance between your couching to create a picture, as is done in the technique Or Nué. You can see a nice example of Or Nue at the Met.


Here's another close-up of the passing design, so you can see the couching, which is done over two gold passing threads at a time.

There are several sources for gold passing. Perhaps the most common source in the US is Kreinik, where you can purchase several types of real metals, including very limited sizes of passing, along with bullion, pearl purls, check purl, etc. They're selection is very limited. I do not know (and they don't mention it on their website) what the gold content is in these metals - whether or not they are gilt (a low content of gold), imitation (no gold), or 2%, which is, as I understand it, the highest content gold one can get in goldwork metals. Personally, I'm not that keen on Kreinik's selection, and once upon a time, when I did order some metals from them, I was a little surprised by their very brassy yellow look.

Then, of course, there's Berlin Embroidery Designs out of Canada, which is where I have purchased my 2% stuff, as well as her sampler goldwork kit. The 2% can get a little expensive. With the currency exchange rate, there is a slight difference between Tanja's Canadian prices on her website and the US dollar. Still, there's postage to consider, and this sort of balances out the exchange rate. Still, I like ordering from Tanja - I like the idea of supporting individual's embroidery businesses.

My latest find for gold is the Japanese Embroidery Center in Georgia, from which I've been purchasing, testing, and comparing silk.

So here are my finds on gold passing, and some comparisons so you can see what the stuff is like.



This is smooth passing, 2% from Berlin Embroidery Designs. The smallest Tanja Berlin carries is #4, which, as you can see by comparing it to the #10 embroidery needle, is fairly fine. There is a slight difference in size between the #4 and #5 both pictured above.



In the photo above, you see side by side the real gold passing (2%) in #5, and the Imitation Gold (Jap) from Japanese Embroidery Center, also #5.


Above is a close-up on the Jap, and below is a close-up of the 2%. Notice that the "gold" that twists around the core on the Jap is in somewhat wider strips, whereas the gold that twists around the core in the 2% is much narrower, creating a much stiffer thread (like a fine wire).



The Jap thread is more supple when compared to the 2%, probably because the outside "gold" is thinner and twisted around the core in wider strips.



Tanja packages her smooth passing either in a small, archival save plastic bag, or on spools, depending on how much you order. I ordered 10 yards here, so it's wound on a spool. The 2% is $3.00 (Canadian) / yard, so $30 Canadian for 10 yards.



The imitation Jap comes in a hank, 40 meters for $7.00. That's a considerable price difference! So you get about 43.75 yards for $7.00 (US), compared to 10 yards for about $25.50 US (as of today's date).



The imitation gold comes as small as size 0.8, which is sold in a hank of 100 meters, again, for $7.00. This stuff is super-fine, and can be used to embroider with (as in, passing through your fabric, not just couched on top).


You can see here a close-up on the hank of Jap size 0.8, with a #10 embroidery needle for perspective. It's teeny-tiny stuff!

Now, Jap gold can also be had as "real" gold - that is, with real gold hammered and wound around the core thread. In the photo above, I've got size #1 in both imitation Jap and real gold. Notice the color difference: the imitation has a redder tone. The real gold from the Japanese Embroidery Center also comes in a hank: 50 meters for $33.00 (US). Real gold in #5 (like that above) comes in a 50 meter hank for $88.00. Again, it's less expensive overall than the 2%. It's more supple as well (like the imitation Jap), because of the method of manufacturing.



Here's an up-close shot of the imitation Jap gold and the real gold, so you can see, again, the difference in color.



You can also purchase twisted gold for couching from the JEC. The twisted gold gives a different look to your project, because the twist reflects the light differently. This is imitation Jap as well.



And, finally, here's a close-up so you can see the size of the #2 twisted Jap gold in relation to the size of a #10 embroidery needle.

Why use real gold instead of imitation, or visa-versa? Well, real gold is "richer," certainly. When you're working on something of value, you might rest well in the knowlege that, with real gold, you're working with the "best." But, over time, real gold does tarnish - that is, it turns a bit darker. It's not the gold itself tarnishing, because gold doesn't tarnish - but to be worked, flattened, hammered, stretched, and retain strength, it has to be mixed with an alloy (sometimes silver), and this is what darkens. The imitation gold remains bright. But that "patina" (perhaps the wrong word!) or look of real gold over time is, I think, highly desirable on certain projects. As it darkens (not an ugly darkening, certainly), it looks richer. The real gold can also be cleaned by someone who knows how. The gilt or imitation golds remain a glaring bright, which takes away from the richer, aged look. This is just my opinion - I have certainly seen some beautiful needlework that was worked with imitation gold, the results of which are gorgeous. But...? I don't know - what do YOU think about imitation vs. real gold? Does it just depend on the purpose of your project?

Next time I cover gold, I'll give you some close-ups, comparisons, and resources for other types of metal used in goldwork. If you know of any further sources for different metals for goldwork, please let the rest of us know!]]> goldwork embroidery resources pictures 9075 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-27 05:13:45 2009-01-27 05:13:45 1 0
There's a difference between metal threads and metallic threads. Metallic threads are the goldish or silverish threads you might pick up at a regular craft / sewing store, in the floss / DMC section. They aren't made of real metal. Generally, they can be used just like regular floss, except they need a little extra care when stitching because they tend to fray up after passing through the fabric a lot. They also aren't "smooth-looking" threads - they're kind of rough, I think - so I don't think they'd make a good satin stitch...

To send pictures, please drop me a line using the contact us link at the top of the page. I'll reply, and then you can send photos. If you have an AOL e-mail address, though, it is likely that my e-mail will bounce back (for some reason, my e-mail address is generally rejected by AOL), so if you have an alternate e-mail address, you might want to use it (if you normally use AOL)

Good luck with your stitching!

MC]]> 9079 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-01-26 21:03:00 2009-01-26 21:03:00 1 0
i recently started a project for a couple friends. while shopping for materials i came upon metallic threads. I loved the shinnyness and thought of all the possibilities, yet when i used it i didnt look so good. Are there stiches that you recommend that i do and dont use when using mettalic thread??? for example i used a red mettalic to outline a letter so that i could do stain, but now im thiking that the metal isnt such a good idea for satin stiching..... could you help me?

also could you explain how to send you pictures of projects. i would like to send you mine when down but couldnt figure out how..

Your the best mary...thank you!!! :)]]> 12825 Anonymous noreply@blogger.com 2007-11-05 18:38:00 2007-11-05 18:38:00 1 0 Why is the real gold less expensive than the 2%? Which has more gold in it?
Thanks for comparisons, they are very clear and helpful.
I would use cheaper gold for practicing and then use the more expensive kind for everything else. It would be very satisfying I would think. You know, like baseball players practicing with a extra-heavy bat. The nice thread would be so lovely to use after the cheaper kind.
-Christiana]]> 13012 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2007-08-15 12:08:00 2007-08-15 12:08:00 1 0 my own experiments! I'm basically stepping out into thin air with a lot of the beetle wing stuff, because historical examples are tough to get hold of; I did find some on the web. The one that I got the little doodling shape from (and interpreted with help from Tanja) is here.

I'm getting results I'm fairly pleased with (more work since these photos) - the wings are such amazing gleaming things! I want to embroider a hat.]]> http://www.needlenthread.com/2007/03/comparing-flat-silks-for-hand.html Thu, 08 Mar 2007 13:33:00 -0600 Mary Corbet 1090 2007-03-08 13:33:00 2007-03-08 13:33:00 open open Comparing-Flat-Silks-for-Hand-Embroidery,-part-II publish 0 0 post previous comparison of flat silks. I've added the flat silk from the Japanese Embroidery Center into the comparison now, and have some photos to share with you.

These photos of flat silk don't really do the different silks justice. You have work with them, feel them, play around with them, to really get the sense of which ones you like best. The thoughts here are just my opinions, after playing around with the different silks.



Unfortunately, I ordered rather pale colors from the Japanese Embroidery Center, so they don't show up as well in the photo. What we have here are three types of flat silk: Au Ver a Soie Soie Ovale, Japanese Flat Silk, and Eterna (which is a Chinese flat silk which comes in groups of 12 strands).



This is the Soie Ovale up close again. You can see the individual filaments of silk (I believe they are called "suga") which make up the full strand.



This is the Japanese silk up close. It looks fuzzier in the photo than it actually is. You can see farther down the strand, away from the end, that it is not as fuzzy as it looks. The "fuzzy" end comes from handling. Again, you can see the individual very fine suga. Each strand of Japanese silk is made up of 12 suga.



Here, you can see the stranded silk from Eterna, which I purchase from Yodamo. Each "bundle" has 12 strands, not to be confused with filaments or suga, which are much finer. Each strand of the Eterna stranded silk would be made up of so many filaments. It takes approximately 2 strands of Eterna to equal the thickness of one strand of typical DMC 6-stranded embroidery floss. So - you guessed it - one strand of Eterna is very fine, and can be used for fine detail work. Believe it or not, the strand can be further split for even finer work.
Filament silk, by the way, is the silk pulled straight from the cacoon in long strands - as opposed to spun silk, which is all the left-over spun into the thread or floss. Filament is generally stronger silk with a higher lustre.



Here, I've divided the Japanese silk (the top one is divided) and laid it next to the undivided Japanese silk. You can divide this filament silk carefully. It will go back together in a smooth strand when you run it through your fingers (I suggest Au Ver a Soie hand cream when you're doing this kind of work - it reduces the friction on the thread and the snags...) Separating the filaments gives you an even finer thread to work with.



Another close-up on the Japanese silk....



Here's the Soie Ovale separated carefully. Again, same thing - after you've separated it, running it through your fingers puts it together again for working.



Just to give you some perspective, I threw in a #10 embroidery needle, so you can get the relative size of the threads.



And here's one strand of Eterna Silk and the Japanese silk side-by-side.



The Japanese silk comes in 60-meter spools from the Japanese Embroidery Center, at $7.00 for 60 meters. Shipping is reasonable, but somewhat slow. They guarantee shipping it out within five days of placing the order. Sometimes their website is quirky and doesn't seem to work, but with persistence, you shouldn't have a problem. You can also call and place an order. All the information is on their site.



The Soie Ovale comes in 15 meter spools for about $3.35. In other words, for approximately the same price as the Japanese silk, you get 40 meters less! I order Soie Ovale from Needle in a Haystack, which is the only place that seems to carry a ready selection of it. If she's out of stock, she's quick to place the order and get the product to you. Shipping is very reasonable, and the turn-around between order and arrival is minimal.

To sum up, these are my observations on the above silks.

Soie Ovale

• Best quality of the three silks overall - it's a bit thicker (more filaments) and the thread seems to have more "body" to it.


• Most expensive overall - which is a drawback!


• Nice colors, but low range of colors - only 59 available


• No color card, but the colors match the Soie d'Alger color chart, so you can cross-reference

Japanese Flat Silk

• Next best quality of the three silks overall - it's not as thick as the Soie Ovale, has less body, fewer filaments


• However, it has a better color range - about 258 colors - and a great color card for selection.


• Considerably less expensive when compared to the Soie Ovale


• And nice to work with, like the Soie Ovale

Eterna Stranded Silk (Chinese Flat Silk)

• Per strand, not as thick as the previous two silks, and overall, does not seem as "high quality" - but it's ok - I do like it. It is not as "flat" as the other two, either.


• The strands can be doubled, requiring the use of a laying tool to get a really smooth effect


• 5 meter skeins, with 12 strands per skein, are $.95. $7.00 will get you about 35 meters of 12 strands each, and about 3 or 4 strands equal the thickness of the Japanese silk, so, in essence, for the same price as the Japanese flat silk, you're getting about 105 meters of silk (if my math is correct!) So this is the least expensive option.


• An extensive color range - with 545 colors available.


• Printed color chart is available, but I found it inadequate in choosing colors.

So there you have it! I think, weighing quality, availability, and affordability, I'll be playing around more with the Japanese Silk.

If you have any insights into other silks, or questions about any silks in particular - or any recommendations, etc. - feel free to share!! I'm all ears!

I'm also willing to try out various silks, as long as the expense isn't too much, and write up comparisons, so if there's anything you want to hear about in particular, let me know!
]]> embroidery resources pictures silk 4877 Ilke Cochrane noreply@blogger.com 2009-10-21 11:43:08 2009-10-21 11:43:08 1 0 4882 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-20 06:22:22 2009-10-20 06:22:22 1 0
Thanks!

MC]]> 4883 Ilke Cochrane noreply@blogger.com 2009-10-20 04:19:52 2009-10-20 04:19:52 1 0 5436 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-25 07:00:30 2009-09-25 07:00:30 1 0
MC]]> 5437 Ilke Cochrane noreply@blogger.com 2009-09-25 06:51:09 2009-09-25 06:51:09 1 0 some time ago I did a project in six flat silks (Soie Ovale, JEC, Eterna, Pipers, House of Embroidery and the discontinued Pearsall's Filofloss) to compare them -- it's cross stitch, not free-style embroidery, but I was wondering whether you'd like a picture and the notes I made? If so I could email them to you.]]> 5551 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-23 11:29:54 2009-09-23 11:29:54 1 0
I think I've written about TESS (which is Helen Stevens's silk, but it's the same as Pipers). In fact, I was sent some Pipers silk once upon a time, too, so I probably did write about it at one point. I don't think I ever included it in the comparison articles, though.

I've been hoping to write up a few more thread comparison articles - not just on silk - so maybe I can work that one in, in the future!

Thanks for the suggestion!

Best regards,
MC]]> 5552 Ilke Cochrane noreply@blogger.com 2009-09-23 11:23:17 2009-09-23 11:23:17 1 0
I also got some of Pipers 90 Silk Floss, which has a good flat look even when you have to combine 3 or 4 threads to get the required thickness -- and at £1 for an 80-metre reel it is quite good value, plus it comes in a good range of shades (almost as many as JEC). Have you written about Pipers as well? If so I seem to have missed it. I also tried House of Embroidery Fine Silk, which is quite nice to work with but only comes in shaded/variegated colours.

Thanks again for your helpful comparisons!]]> 9259 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-06 07:40:02 2009-01-06 07:40:02 1 0
Unfortunately, I haven't come across any color charts for the JE flat silk online. You could probably do as I did at first. I picked a color name of a color I like, and then ordered a few shades in that color to test out.

I don't know if the original flat silk is different or not. I suppose it must be somewhat different, or they would have incorporated it into the range of colors of the regular flat silk.

I, too, like the soie ovale - it has nice "body" and is less flighty to stitch with!

Don't hesitate to contact me if you have any other questions!

MC]]> 9260 Ilke Cochrane noreply@blogger.com 2009-01-06 06:33:00 2009-01-06 06:33:00 1 0
I use Eterena for "everyday" silk stitching, but would love to try out the JEC silks; however, like Ann (above), I haven't really got the resources to spend $60 on a shade card just to order 3 or 4 spools to try out! Would you happen to know if there is anywhere on the web where they show the colours, rather than just the number and name of the silks?

Also, have you tried their "Original flat Silk" (which is available in only 8 colours, I think), and if so, is it very different from their regular flat silk?]]> 12180 Ann noreply@blogger.com www.itreallyaddsomething.etsy.com 2008-03-22 21:58:00 2008-03-22 21:58:00 1 0
I'm trying to get a blue flat silk that is closest to this royal blue flower necklace that I've made: http://www.etsy.com/view_listing.php?listing_id=9854263

Any help you can provide will be greatly appreciated. You can also email me at itreallyaddssomething@yahoo.com]]> 13011 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-08-15 13:59:24 2007-08-15 13:59:24 1 0
MC]]> 13013 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2007-08-15 11:46:00 2007-08-15 11:46:00 1 0
The way I measured the Soie Platte (which I'm pretty sure is the same as Soie Ovale) was to put a flat fold of tape on one end so that it had to flip over visibly to untwist itself, and tape the other end to the table, and then run a pin through the center of the length. That showed up any barely-there twist, and I got 9 flips out of a six-inch length.

If you'd be willing to measure twist in a couple of different kinds, or if I could swap you something for just a foot or so of the different kinds (color is irrelevant), I'd be delighted!]]> 13014 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-08-15 08:14:53 2007-08-15 08:14:53 1 0 13016 Michael oakenking@gmail.com http://www.blogger.com/profile/03495668097562584397 2007-08-14 09:51:00 2007-08-14 09:51:00 1 0 13238 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-08 21:09:24 2007-03-08 21:09:24 1 0 13239 leahys noreply@blogger.com http://www.blogger.com/profile/17739993588791988787 2007-03-08 19:40:00 2007-03-08 19:40:00 1 0
Marilyn]]> 13240 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-08 18:35:10 2007-03-08 18:35:10 1 0 13242 leahys noreply@blogger.com http://www.blogger.com/profile/17739993588791988787 2007-03-08 16:26:00 2007-03-08 16:26:00 1 0
Thanks so much for your helpful comparisons. I have been giving this matter much thought lately as I am pretty certain that I will be using silk as the mainstay of my embroidery from now on.

I have some Japanese silk and also the full range of Kreinik soie platte, which I believe is same as the soie ovale. I am actually leaning towards the Piper silk. It is finer than the two mentioned above, but I'd rather double or triple my thread instead of splitting it. It comes in more colors than the soie ovale, but fewer than the japanese silk. It is not as expensive as the JEC silk either, and the tubes are smaller and easier to store.

Piper also makes their silk into various twists and folds of silk, so I can easily add some texture to my work, too. Not sure what is meant by "folds" but I think it is a very loose twist. The only downside I can see is the long shipping time from England.

Marilyn]]> http://www.needlenthread.com/2007/03/embroidery-silk-color-card-whole.html Tue, 06 Mar 2007 16:52:00 -0600 Mary Corbet 1091 2007-03-06 16:52:00 2007-03-06 16:52:00 open open Embroidery-Silk-Color-Card:-The-Whole-Palette publish 0 0 post

Think about it: when you view fabric online, do you really get an accurate sense of the color, feel, or weight of the fabric - unless you've used it before? Consider the variation in colors on monitors, of colors when printing, etc., and you can see why the thread you ordered that you thought was going to be just right, ended up a tad bit off.

Even printed color cards won't do. Light has an adverse affect on inks. This is why, when you want a color print job done, professional print shops will show you their color cards (which are generally kept in black cases) but will warn that the color might be slightly different in the final print job. This is also why professional printers have to replace their color cards frequently (and why a set of color cards for printing is so darned expensive!)

But back to embroidery - if you want to be accurate when you select threads, I suggest investing in palettes of color cards with actual thread samples on them.



Last summer, I bit the bullet and invested in the Au Ver a Soie (Soie d'Alger) Color Selection Guide. This guide arranges all the colors in the same manner that a painter would arrange a color palette. Rather than having the threads listed by number, they're arranged by color groups - cool and warm, hues, etc. I ordered my selection guide from Twining Thread, and along with it came a hefty amount of coupons for silk, which I immediately cashed in for Soie d'Alger.

Question: Was the purchase worth it? ABSOLUTELY! In the last year, I've used it innumerable times to confidently order the exact thread colors I wanted, saving me time and money on projects.

Today, I received my latest investment in a color palette - the Color Card from the Japanese Embroidery Center.



The card sports some 258 colors of flat silk offered by the JEC. Oh, how I wish I had it in hand a month ago! This flat silk is great to work with - I ordered several spools of it a few weeks ago to test it, and I'll do a photo comparison of it soon (like this comparison on other flat silks). If I had the time to start my sky over again, I'd switch threads! Live and learn!



I like the fact that the sleeve folds up nice and compact, and has a handy ring on the end of it. This makes it great for toting about when necessary.

If you can get your hands on the real thread sample palettes of your favorite embroidery flosses, you won't be sorry - it's a great way to ensure precision when ordering, and it will save you both time and money.

And I'm just weird enough over color selections that I like to sit and pour over the colors to no apparent end....! So they can be entertaining, too!
]]> supplies embroidery resources pictures silk http://www.blogger.com/ Mon, 05 Mar 2007 17:56:00 -0600 Mary Corbet 1092 2007-03-05 17:56:00 2007-03-05 17:56:00 open open Kumihimo:-Japanese-Weaving draft 0 0 post

Kumihimo is an old art form; apparently, the cords, braids, and belts produced through this technique were used to cinch up warrior garb in ancient Japan, and are still a part of ceremonial and cultural costumes and apparel.

I'm no expert at the technique - not by a long-shot - but I do have a pretty nice marudai and a set of 16 bobbins and the requisite weights that are commonly used in your typical Kumihimo set-up.

This is the first cord I ever produced - this has been hanging on a hook in my room for a couple years now. It's a square cord made of pearl cotton.

Here's another little round cord I made shortly after making the square one. This is worked in silk.

I've also made a few other little items: a keychain, a braid to use as drawstring, etc.

Kumihimo supplies are not too difficult to come by, since the art form is enjoying relative popularity right now. The best books I've found on the subject are Jaquie Carry's

]]> http://www.needlenthread.com/2007/03/embroidery-project-update-3-sky-is-in.html Mon, 05 Mar 2007 13:16:00 -0600 Mary Corbet 1093 2007-03-05 13:16:00 2007-03-05 13:16:00 open open Embroidery-Project-Update-3---The-Sky-is-In publish 0 0 post

Worked in semi-flat silk in very long satin stitches that will eventually be couched over with gold passing thread, the sky in this project consists of four colors of blue in a gradiant going upwards. You can see it in the photo below:



Overall, I like the effect, but there are some adjustments that I will be making this week. For example, considering the gradiant from light blue to medium (the first color change going upwards), the change is too sudden, and the right side of the design does not match the left as well as I would like it to. So I will blend some of the medium colors into the light and some of the light into the medium, hopefully correcting the problem.

You can also see a few buckles here and there in the silk. That is the difficulty of working in such long spaces of satin stitch. Normally, you wouldn't cover this much of a distance in a continual strand of thread. But since I will be couching over with the gold, this will secure the silk. In the meantime, the silk is in a precarious situation, and the slightest thing can catch it: hands, fingernails, loose threads lying on the work - the whole endeavor is rather strenuous when it comes to taking care of that silk!



My favorite part of the sky is the very top. I like the way this gradiant worked - it looks natural, and the blend is very gradual. I also like the color of blue here. I'm not super-keen on the very light blue at the base of the design, but as it works upwards, I like it better.



I began working on the nimbus, or halo, while I was waiting for the rest of my silk to arrive. The red portions of the halo are worked in long and short stitch, in three shades of red. the outer, darker shade will provide a slight "shadow" when the goldwork is done around the outside of the halo.



A close up on the long-and-short stitching. This technique is not as difficult as it seems, although beginners seem to shy away from it. Once you get the basic technique of long and short stitch down, you will find it's really a very "forgiving" stitch. You can sneak stitches in here and there to even things up or fill in tiny spaces, etc. I love this stitch!



And here's another close up on the beginning of the long and short stitch on the halo. The longer stitches worked in the middle are my directional stitches - you can mark these on with a pencil, but I occasionally stitch them in with one of the shades of thread I'm using. I can cover them up completely or work them into the color scheme, depending on the design.



And, finally, the beginning of the couching over the silk. To keep the spacing even, I originally marked off quarter-inch sections around the top and bottom of the quatrefoil. However, approaching it this way, I'd have to stretch my gold passing down the length of the design and match up the marks. I didn't like that idea because it seems to me that it may lead to waste. So instead, I'm counting off the threads in the linen (it's an even-weave) in the middle of the design and at the top of the design, and lining the passing up this way.

Before couching, I run my couching thread (Au Ver a Soie 100/3 in gold) through beeswax to give it extra strength and to protect it from the gold.

So there it is so far. I'm certainly open to any suggestions or constructive criticism!! Thanks!
]]> ecclesiastical embroidery goldwork wip pictures needlepainting silk 13245 Anonymous noreply@blogger.com 2007-03-06 09:52:00 2007-03-06 09:52:00 1 0 13246 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-05 21:03:48 2007-03-05 21:03:48 1 0
I'm glad you like it. The lighter blue around the lamb is a great idea! It's too late now for me to change this one, but you'll have to send an update when you do yours.

Thanks again!]]> 13247 leahys noreply@blogger.com http://www.blogger.com/profile/17739993588791988787 2007-03-05 20:47:00 2007-03-05 20:47:00 1 0
I am keenly interested in your project because I'd like to copy it for my own church, maybe later this year. I love your idea of "shadowing" the gold. I may try to to the same in reverse for the lamb, that is, use lighter blue around the lamb outline to emphasize the radiance of the subject. I will be able to see how you did it and benefit from your experience!

Marilyn]]> http://www.blogger.com/ Sat, 03 Mar 2007 08:42:00 -0600 Mary Corbet 1094 2007-03-03 08:42:00 2007-03-03 08:42:00 open open Embroidery-Designers-and-Educators draft 0 0 post



]]> http://www.needlenthread.com/2007/03/embroidery-designer-spotlight-helen-m.html Sat, 03 Mar 2007 10:37:00 -0600 Mary Corbet 1095 2007-03-03 10:37:00 2007-03-03 10:37:00 open open Embroidery-Designer-Spotlight:-Helen-M.-Stevens publish 0 0 post

Helen Stevens not only offers on-site, in-person embroidery classes, but she even offers on-line video classes through the Helen M. Stevens Website. Here, you can find an array of classes in her specialty, which is needlepainting.



Helen Stevens's online classes range from beginner to advanced, and feature needlepainting projects illustrating flowers and animals. They echo the quality projects found in her books, but I would imagine that the classes are even more effective than her books, since you can view video clips of every part of each project. If you think it's something you would like, try her free class. I like the video clips - they don't last too long, but they show the essentials.

Helen's work features Piper's silk, conveniently wound on tubes (this is a great sell-point to me when it comes to flat or softly-twisted silk). I've never tried Piper's and I'm not sure what it looks like close up. From the photos, it looks a lot like the silk from the Japanese Embroider Center, but I have no idea, as I haven't tried Piper's. Piper's Silk is located in the UK, and their website indicates that orders can take up to 21 days for shipping within the UK. I assume the wait must be longer for an order from the US! I have not found any specific purveyors in the US, although I am certain there must be, given the popularity of Helen Stevens's books. On Fritillary, the website which sells Helen Stevens "goods" (fabric, notecards, tools and accessories, threads, and fabrics), you can find True Embroideries Sleave Silk which looks like Piper's silk under a different name.



The Embroiderer's Year is one of the several books I have by Helen Stevens, and I like it very much! Although we're always advised to never judge a book by its cover, the cover is what sold me on this book, and I'm not sorry for it!

Going back to my previous blurb on kits and designers, I don't think you could go wrong withHelen Stevens's projects and designs for anyone wanting to learn and perfect the technique of needlepainting.

While you're checking out her site, be sure to check out Fritillary. There's some beautiful stuff on there! The silk cabinet and the Bobbin Joe (both found under furnishings) look like fantastic additions to any embroiderer's stock of accessories. They'd make perfect gifts. Too bad my family doesn't frequent my site - or I'd leave a really BIG hint!

Remember when ordering from the UK that there's a hefty difference between the British pound and the American dollar - and that you'll also be paying a pretty penny in shipping, with a longer wait than usual. The ideal would be to find a US distributor who sells Helen Stevens supplies and such. If anyone has any resources available, I'm all ears!

Thanks to Marilyn for suggesting the topic!
]]> supplies embroidery resources pictures embroidery designers needlepainting 13228 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-13 13:41:30 2007-03-13 13:41:30 1 0
I love your site, and I love Fritillary site as well - beautiful stuff on there! I'm a great fan of your books. They're as informative as they are beautiful.

I'm so glad you have such a quick turn around on orders, and I'm really looking forward to receiving my recent purchase of silk!]]> 13232 helen m stevens noreply@blogger.com www.fritillary.co.uk 2007-03-13 07:56:00 2007-03-13 07:56:00 1 0
Thanks so much to you all for your write up and comments about my work, books, classes, etc. It's a pleasure! Many of you will have been familiar with my website www.helenmstevens.co.uk for some time, but www.fritillary.co.uk is new and I am so pleased that you are enjoying it! It's been such fun to share not only my love of embroidery, but also my - now quite considerable - range of products, silks, books and classes with a new audience. And - as you mention, Marilyn - we do try to turn our orders around really quickly (within 48 hours +/- 2 working days) as I know how frustrating it is to keep waiting and waiting ....

So many thanks and much love to you all - do keep in touch!
Helen]]> 13248 leahys noreply@blogger.com http://www.blogger.com/profile/17739993588791988787 2007-03-03 10:52:00 2007-03-03 10:52:00 1 0
I'm so glad you expanded on my suggestion about Helen. She is an international treasure.

When you sign up for her classes you are offered a set of silks that are used in that class, directly from Helen. I found her shipping to be very fast, even to Alaska. The silk itself is very like the Japanese silk only a much thinner thread. I often double it in the needle.

"Someday" I will be able to go to one of her classes in England. *sigh*

Marilyn]]> 13249 Sequana noreply@blogger.com http://www.flickr.com/photos/sequana/ 2007-03-03 10:26:00 2007-03-03 10:26:00 1 0 Her silks are wonderful. I had to give them up when the dollar went so bad, but I have quite a bit leftover to use for special pieces.
Even working with the books only is a treat. I'm glad to see you recommending her work.]]> http://www.needlenthread.com/2007/03/embroidery-designer-spotlight-laura-j.html Thu, 01 Mar 2007 18:12:00 -0600 Mary Corbet 1096 2007-03-01 18:12:00 2007-03-01 18:12:00 open open Embroidery-Designer-Spotlight:-Laura-J.-Perin publish 0 0 post

Laura's embroidery designs are sold in shops around the globe (the first one I came across was actually in the UK - an online shop called Happy Hobbits, which seems to specialize in counted techniques depicting fantasy-type art). You can also purchase her embroidery designs through her own website, Laura J. Perin Designs.



Her designs are counted techniques, and what she sells on her site are the designs only - the charts and patterns. She doesn't sell full kits, but she gives recommendations for threads and fabric.

She's got a nice collection of blackwork patterns that include animals, flower motifs, angels, various stylized designs, and people in period costumes.



And then she's got this section of quilt patterns that are worked in cotton and silks on mono canvas - I think these would be heaps of fun to work, and would make such great gifts for the quilters in our lives! Nice accents for walls, etc. And they are really eye-catchers. Some look more challenging than others.

To top everything off, Laura offers a free pattern page. This is generous - designers don't have to offer free patterns, certainly, but it is an effective way of getting stitchers interested in their designs!

Laura's also got a blog, The Two-Handed Stitcher, which features photos of her works. Don't miss the blackwork knight on that page. He's cool - I'd like to have him in my classroom! Reading through her posts is amusing and informative. She explains the origin of the name of the site (Two-Handed Stitcher), which is a good lesson for anyone serious about getting into embroidery.

And now a plug for designs and kits: I always have a kit or two on hand for what I call "casual" stitching - that is, stitching for my own pleasure, without having to do anything in particular with the product. If I buy a kit, it is usually one from a designer who specializes in a particular technique (like Tanja Berlin's needle painting kits or Laura Perin's blackwork kits). Working through a kit or a pattern by these designers is a GREAT learning tool. If you want to learn a technique well, it isn't enough just to practice a few stitches of this stitch or that stitch, or to work one tiny thing in a particular technique, and then to move on to another technique. If you want to perfect your embroidery skills, then you need to explore somewhat deeply specific techniques. Kits and patterns give the stitcher a manageable way to complete a project, and they generally introduce the stitcher to the nuances of the specific technique. As you acquire skill in the technique, you can move on to more complex projects, all the while having fun while the embroidery unfolds before you. If you find you lose interest in the technique, that's ok, too. Try another. But if you want to become skilled at stitching, I think it's important to learn different techniques with depth - not just to skim the surface by learning to execute a whole bunch of different stitches.

Now this is just my opinion, of course! And if your goal is to just have fun with your needle doing whatever pops into your head - hey, that's great, too!!

Enjoy Laura Perin's site. I know when my schedule loosens up a bit, I'm going to get a couple of her blackwork patterns for some "casual" stitching.
]]> embroidery links free embroidery patterns embroidery resources embroidery designers 13253 leahys noreply@blogger.com http://www.blogger.com/profile/17739993588791988787 2007-03-02 13:55:00 2007-03-02 13:55:00 1 0
http://www.helenmstevens.co.uk/

Marilyn]]> http://www.needlenthread.com/2007/02/vintage-embroidery-designs-iron-on.html Wed, 28 Feb 2007 06:15:00 -0600 Mary Corbet 1097 2007-02-28 06:15:00 2007-02-28 06:15:00 open open Vintage-Embroidery-Designs:-Iron-on-Transfers publish 0 0 post for these "old" iron on transfer patterns, you should check out the Vintage Embroidery Transfer pages at Pattern Bee.

You'll find all kinds of vintage embroidery patterns here, in iron-on format so you can quickly get down to the matter of stitching. Patterns for quilts, kitchen and household linens, baby goods, etc., are all available. There's even a "free stuff" section, if you're looking for a traceable design to use today.

The homepage exudes vintage:



If you like vintage embroidery patterns, check out Pattern Bee's Gallery as well. Lots of photos for browsing!

]]> embroidery links free embroidery patterns embroidery resources 1518 Apex noreply@blogger.com http://apexembdesigns.com/ 2010-04-10 10:46:07 2010-04-10 10:46:07 1 0 http://www.needlenthread.com/2007/02/embroidery-project-update-lamb-symbol.html Tue, 27 Feb 2007 08:19:00 -0600 Mary Corbet 1098 2007-02-27 08:19:00 2007-02-27 08:19:00 open open Embroidery-Project-Update:-Lamb-Symbol publish 0 0 post

This is an embroidery project for church, so the design is a religious one, the Agnus Dei or Lamb of God symbol. When I mentioned this embroidery project previously, I had managed to get only some of the grass in. Although I've finished a bit more, I have to admit I'm not super satisfied with it! I'm hoping that as it develops, it grows on me.



This is a photo of the whole project so far. The colors in the sky - especially the darker blue - are not quite that bright of a blue. They have more of a periwinkle hue to them.



Here you can see the book up close with the Alpha and Omega symbols. The pages are stitched in long and short stitch, in a tan, cream, and white Soie d'Alger. The edges of the pages are worked in split stitch in two tones of red. I stitched down the middle of the spine and around the pages of the book in a darker stem stitch. The Alpha and Omega are worked in padded satin stitch.



Here's a relative close up on the sky. The sky is much shinier than the rest, because it's worked in a flat silk. I'm using Eterna Silk for this, though I'd rather be using Soie Ovale, which lacks the color range, as explained in this comparison of flat silks. The stitches here are satin stitches that encroach on each other, kind of like an exaggerated long and short stitch. I'm using a laying tool to get the silks to lie flat. Last night, I decided to take out the darker blue of the sky here, and try a different approach. I'm going to sketch in a barely curved gradation in the sky, from the very light blue only up to about a medium blue, so I'll be keeping the color under the belly of the Lamb and extending it over to the edges. The sky just isn't measuring up so far, so I have to do SOMETHING. I looks more like a river to me!



To see how the Italian Stitch would work out, I started couching a little bit of the gold under the belly of the Lamb. I'm using a size 4 2% gold passing, and couching it with gold-colored silk thread run through a cake of beeswax.



Here's a closer close-up on the book, so you can catch the shading.



And finally, a close-up on the spine down the middle of the book.

So that's my update so far! If you have any critiques or suggestions, I'm all ears!

]]> ecclesiastical embroidery goldwork pictures needlepainting 13256 Anonymous noreply@blogger.com 2007-02-28 22:57:00 2007-02-28 22:57:00 1 0 http://www.needlenthread.com/2007/02/free-embroidery-pattern-bunch-of-little.html Mon, 26 Feb 2007 06:40:00 -0600 Mary Corbet 1099 2007-02-26 06:40:00 2007-02-26 06:40:00 open open Free-Embroidery-Pattern:-A-Bunch-of-Little-Flowers publish 0 0 post

I was contemplating how this embroidery pattern could be used, and these are some of the things I came up with: Embroidery on paper (greeting cards), pillow cases, quilt embellishment (actually, shrunk and repeated, I think it would make a nice seam embellishment), handkerchief corners (again, shrunk and repeated), household linens (table cloth, table runner, cloth napkins), and the list could go on. Do you have any particular ideas?

My stitch suggestions would be lazy daisy for the flowers, stem stitch for the stem, and either fishbone for the leaves, or a combination of something like buttonhole for one half and seed stitch for the other. You could also do bullions for the flowers, to create a more substantial look. For dimension, I'd vary the shade of the flowers. For example, I'd do the three running down the right hand side of the bunch a darker shade, the three in the very middle of the bunch a medium shade, and the two at the top left side of the bunch a lighter shade.

Click on the design for a larger image, which you can then save to your computer and shring or enlarge.



Here's an example of how the pattern could be shrunk and repeated. You can click on this image for a larger version, too.




]]> free embroidery patterns beginner embroidery 7375 shalu shailu127g@gmail.com http://www.blogger.com/profile/07387115542623939980 2009-05-27 14:34:24 2009-05-27 14:34:24 1 0 8402 Goldberry noreply@blogger.com http://www.blogger.com/profile/15550897298140763183 2009-03-09 12:30:00 2009-03-09 12:30:00 1 0
I'm really enjoying your website and am working on a set of pillowcases with Italian cutwork and point lace edging. It's nice to know I can go to your site for help.

This pattern is very pretty, and I believe it's a lilac bunch, not individual flowers. The leaves definitely look like lilac leaves. I think I might try it on a handkerchief soon!]]> http://www.blogger.com/ Sun, 25 Feb 2007 08:49:00 -0600 Mary Corbet 1100 2007-02-25 08:49:00 2007-02-25 08:49:00 open open Not-Exactly-Embroidery:-Temari-Resources draft 0 0 post

Temari balls are pretty darned impressive - if you've never seen any, check out the following sites for photos:

Temarikai.com - when you get here, click on the album, then browse through their picture links. Incredible!

Temari.com - this link will take you straight to their gallery, where you can click on thumbnails to see the larger images of some fascinating temari.

Gallery of Temari Balls - This link will take you to an individual artist's gallery. She claims she's not an expert, but my goodness!! You could fool me!

]]> http://www.needlenthread.com/2007/02/embroidery-stitches-fern-stitch-video.html Sun, 25 Feb 2007 09:06:00 -0600 Mary Corbet 1101 2007-02-25 09:06:00 2007-02-25 09:06:00 open open Embroidery-Stitches:-Fern-Stitch-Video-Tutorial publish 0 0 post Video Library of Embroidery Stitches expands again with a video tutorial on the fern stitch. This is a simple stitch that can be used in a number of hand embroidery applications: as a decorative border, as greenery in embroidered flower arrangements, to make curves and lines interesting, etc.

The basic unit of the fern stitch is three straight stitches that converge at the same point. You can achieve interesting and varied effects with the stitch by widening it as you work down the "fern" (or stem), by taking it narrower, by curving it, by overlapping it - play around with it, and you'll see how versatile it is!

Here's the video - have fun with it!



For more video tutorials, please visit the Video Library of Embroidery Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery 2255 Anonymous noreply@blogger.com 2010-03-12 15:11:35 2010-03-12 15:11:35 1 0 8167 Angela noreply@blogger.com 2009-04-02 05:56:00 2009-04-02 05:56:00 1 0 I want to learn a few stitches to decorate crazy patchwork project. Keep up the good work. God bless.]]> 8243 Anonymous noreply@blogger.com 2009-03-25 02:37:00 2009-03-25 02:37:00 1 0
--Maegan K in TN]]> 8321 Anonymous noreply@blogger.com 2009-03-17 17:43:00 2009-03-17 17:43:00 1 0 http://www.needlenthread.com/2007/02/hand-embroidery-pattern-single-flower.html Sun, 25 Feb 2007 08:55:00 -0600 Mary Corbet 1102 2007-02-25 08:55:00 2007-02-25 08:55:00 open open Hand-Embroidery-Pattern:-Single-Flower publish 0 0 post

If you're a beginner at hand embroidery, you might want to try some simple stitches to outline the flower - stem stitch, whipped running stitch, split stitch, or chain stitch would all work very well. French knots would work great for the dots in the center. The leaves could be outlined, or you could fill half of them with satin stitch, or you could do the whole leaf in fishbone stitch, which would look terrific.

If you've been embroidering for a while and are familiar with long and short stitch filling, you could "needle paint" the flower using long and short stitch. Outline the petals first in split stitch, and then, starting on the outside tips of the petals, work towards the center, fanning your stitches to point towards the growing point on the petal. Vary the shading as you progress.

Here's the pattern. You can click on it for a larger image. Right click on the image to save to your computer, and you can scale it up or down in a photo editing program or on a copy machine. Have fun with it!


For more patterns, including a list of online embroidery patterns, visit my free embroidery pattern index.

]]> free embroidery patterns 1666 Anonymous noreply@blogger.com 2010-04-01 16:56:24 2010-04-01 16:56:24 1 0 http://www.needlenthread.com/2007/02/embroidery-and-entertaining-yourself.html Sat, 24 Feb 2007 08:42:00 -0600 Mary Corbet 1103 2007-02-24 08:42:00 2007-02-24 08:42:00 open open Embroidery-and-Entertaining-Yourself publish 0 0 post

When I hand embroidery, I don't watch the television. I am an occasional movie watcher - though, when it comes to embroidery, I'm not really a "watcher," but more of a listener. I prefer non-action, drama-type movies or mysteries, and I'm a pretty steady fan of A&E; productions and the like. Action movies are simply not embroidery material for me, personally, because I just can't spare the eye time for action movies, which tend to depend so much on special effects rather than on quality script.

My favorite thing to do while I embroider - this is assuming the family is otherwise occupied and there's no company - is to listen to audio books, on CD with headphones. I love Shakespeare, so the Arkangel Shakespeare series is a favorite. These are full-cast audio productions, done really well, and super enjoyable to listen to. I also "grew up" on Agatha Christie and I love her older books especially, so I listen to those now and then, too. I also like to travel and to read the works of travel journalists, so Bill Bryson on audio isn't too bad, either (In a Sunburned Country was hilarious, and it followed right on a trip to Australia, so it struck home and was really enjoyable!) I don't even mind re-listening to audio books, because I'm convinced you can never get everything out of a book the first time you read it.

If you figure you'll be spending a lot of time with your needle, it's just great to relax with a good audio book and journey off into a good story. It serves as a wonderful remedy for the hectic life, and it's a great (and productive) escape.

You could always purchase your own audio books (I do sometimes, but I don't like to spend the money, unless I know it is certainly something I'll listen to again and again, like Shakespeare's plays). When I do purchase anything, I usually go through Audio Editions, because Amazon rarely has any readily available. But an even better source is your local library, especially if you live in a larger city (rural libraries are not always well-stocked, but they can get things for you on inter-library loan). If your local public library doesn't stock an audio book that you know is available, request it. They will usually either purchase it or track it down through another library.

Besides audio books or an occasional movie, I like to listen to good music while I embroider. And of course, you can't overlook the entertainment that comes with conversation among friends and family, so visits are always fun, though I don't get as much done when I'm chatting. But forget the phone - it just doesn't work for me when I'm engrossed in needlework!

But.... spring is coming.... and none of these things work when I'd rather be outside. So sometimes when the weather is good, I take my work outside (shock, horror!), where the light is excellent and the passers-by are more entertaining. My biggest fear is birds above, but so far, so good. (I know I'm going to regret it some day!)

What do you do while you embroider?
]]> miscellaneous embroidery musings 13262 Misa noreply@blogger.com http://www.blogger.com/profile/04959308400841122200 2007-02-24 20:24:00 2007-02-24 20:24:00 1 0 http://www.needlenthread.com/2007/02/tast-embroidery-stitch-challenge_24.html Sat, 24 Feb 2007 08:14:00 -0600 Mary Corbet 1104 2007-02-24 08:14:00 2007-02-24 08:14:00 open open TAST-Embroidery-Stitch-Challenge publish 0 0 post here.

So far, Sharon has presented the following stitches. For the majority of the stitches, you'll find video tutorials here. The only one I don't have a video tutorial of is the Algerian Eye.

• Week 1: herringbone
• Week 2: buttonhole
• Week 3: detached chain
• Week 4: cretan
• Week 5: chevron stitch
• Week 6: algerian eye
• Week 7: feather stitch
• Week 8: fly stitch

On her site, Sharon has demonstrated creative ways to use these stitches in hand embroidery. There are plenty of photos to inspire. As the challenge has progressed, she has published "round up" pages with hundreds of links to the people participating in the challenge - so if want to browse through a creative world, this is a good way to spend a lazy, rainy Saturday. If you follow this link, you'll find all her posts on the challenge.

I'm afraid I will be ducking out of the challenge for a while, as I don't have time to participate as I would like to. However, I'll still check it out now and then to see what's up and to browse through the contributions.

I hope everyone has fun with it!]]> stitch challenge http://www.needlenthread.com/2007/02/can-you-identify-this-embroidery-stitch.html Fri, 23 Feb 2007 09:26:00 -0600 Mary Corbet 1105 2007-02-23 09:26:00 2007-02-23 09:26:00 open open Can-You-Identify-this-Embroidery-Stitch? publish 0 0 post

It occurred to me that it may not be a bullion stitch after all, although I can't think of how else this look was created. So I thought I'd throw it out here to readers and see if anyone has any other ideas how this wooly look was created. It's obvious that there's a layer underneath of either long and short stitch, split stitch, or stem stitch, and that the "loopy" part is stitched kind of in between and on top of this first layer. Could the embroiderer have looped the thread over the "ridges" formed by an under layer of, say, stem stitch, leaving a loopy space using a laying tool or something of that sort? Or do you think it's really all bullions? Anyone? Anyone??



If you can figure it out, I'm all ears!!

]]> Hand embroidery stitches pictures 1564 pratibha noreply@blogger.com http://www.blogger.com/profile/07077922450649677016 2010-04-07 20:53:54 2010-04-07 20:53:54 1 0 7358 corey noreply@blogger.com 2009-05-28 19:42:26 2009-05-28 19:42:26 1 0 8532 Gabrielle noreply@blogger.com http://glo-gabrielle.blogspot.com 2009-02-25 14:45:00 2009-02-25 14:45:00 1 0 12890 Anonymous noreply@blogger.com 2007-10-07 04:20:00 2007-10-07 04:20:00 1 0 13221 papo noreply@blogger.com 2007-03-19 02:49:00 2007-03-19 02:49:00 1 0 13243 Anonymous noreply@blogger.com 2007-03-06 12:57:00 2007-03-06 12:57:00 1 0 13250 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-03-03 08:11:41 2007-03-03 08:11:41 1 0
It's worked on material, not canvas.

If you've got any suggestions, please let me know!]]> 13251 Anonymous noreply@blogger.com 2007-03-02 22:39:00 2007-03-02 22:39:00 1 0 13264 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-02-24 06:21:14 2007-02-24 06:21:14 1 0 13266 cedar51 noreply@blogger.com http://www.blogger.com/profile/13594003450962186410 2007-02-23 14:33:00 2007-02-23 14:33:00 1 0 13267 Anonymous noreply@blogger.com 2007-02-23 13:55:00 2007-02-23 13:55:00 1 0
Marilyn]]> 13268 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2007-02-23 12:40:00 2007-02-23 12:40:00 1 0 http://www.needlenthread.com/2007/02/medieval-textiles-what-is-cloth-of-gold.html Thu, 22 Feb 2007 09:00:00 -0600 Mary Corbet 1106 2007-02-22 09:00:00 2007-02-22 09:00:00 open open Medieval-Textiles:-What-is-Cloth-of-Gold? publish 0 0 post magnificent example of goldwork on cloth of gold seems to have intrigued several people who have either e-mailed or posted to ask "What exactly IS cloth of gold?"

To answer this question simply, real cloth of gold consists of gold either beaten or worked into long strips and wound around a core (such as silk) and then this thread is used in weaving a very rich fabric, which is relatively stiff, heavy, and expensive. Today, we don't see "real" cloth of gold much, although there are some places where it can still be purchased. Unfortunately, we do see a lot of lamé fabrics, which are "gold" fabrics made out of synthetics, with a bright metallic sheen. There is also "cloth of gold" that's made from imitation gold.

It's much more common today to find gold threads used for goldwork than it is to find real cloth of gold! It's really interesting to see how gold threads are made. The passing threads you couch in goldwork or the purls that you cut and sew on like beads are all made essentially from the same material - the material produced from the stretching and thinning process of the gold is just treated in different ways to make typical goldwork supplies. Gold is mixed with other alloys to make it strong enough, and often, especially in the older goldwork supplies, the other metal it is mixed with is silver. Hence, real gold used for goldwork can tarnish over time - in fact, it does tarnish over time. So besides the expense of real gold, the fact that it tarnishes was also an issue when manufactures sought methods to produce imitation varieties.

To show you the difference between real gold threads and imitation, here's a photo. You can see how, over time, the read gold threads in the trim at the base of the photo have tarnished (they're decidedly darker), but the imitation gold has not.



Anyway, if you'd like to read about how gold threads are made today, check out Benton & Johnson's website. Click on the "history of gold wire" link at the bottom of the page, and you'll find a rather interesting explanation of how Benton & Johnson still produce gold threads.

Another interesting article can be found in Issue 31 of Complex Weavers' Medieval Textiles. This particular issue discusses medieval linen weaves, cloth of gold and goldwork, as well as twills and their designs, among other things. It's a neat little newsletter. You'll need Adobe Reader to read it, which you can download free here.

Hope that helps answer your questions!
]]> historical needlework goldwork 1301 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-04-20 17:45:40 2010-04-20 17:45:40 1 0 http://www.wattsandco.com/index.php/textiles-trimmings/gold-fabrics/cloth-of-gold.html

Hope that helps!

MC]]> 1302 John noreply@blogger.com 2010-04-20 16:42:40 2010-04-20 16:42:40 1 0 8814 Anonymous noreply@blogger.com 2009-02-14 21:55:00 2009-02-14 21:55:00 1 0 http://www.needlenthread.com/2007/02/goldwork-up-close-photos-of-magnificent.html Wed, 21 Feb 2007 09:20:00 -0600 Mary Corbet 1107 2007-02-21 09:20:00 2007-02-21 09:20:00 open open Goldwork---Up-Close-Photos-of-a-Magnificent-Piece publish 0 0 post

This is a chasuble from a sacristy at a Catholic church, and the goldwork is stunning! It's still in use, actually, so it isn't in a museum, but rather serving its intended purpose.

I was able to photograph it a few weeks ago for a presentation I put together on pieces of historical church embroidery. I thought I'd share some of the photos with you so that you can appreciate the beauty of this work of art, and to inspire you to think about the type of work which must necessarily have gone into such a glorious piece, created for a glorious purpose: worship of God. They just don't make 'em like they used to!



Above is a view of the majority of the back of the vestment. The design includes the central motif, which is the IHS surmounted by a cross, and then the rest of the vestment is worked in scrolls of grapes, wheat, and roses.




Here is a a relatively close-up shot of a bunch of grapes. Notice the sheen in the leaves at the top of the photo. Also note the damaged area on the scross at the bottom of the photo, where you can see the brick-colored padding under the gold. It would be difficult for anyone but the most skilled professional to repair a piece like this, especially considering the coloring of the gold.



Another close-up on a bunch of grapes - the vine is worked in gold purl, and the inside of the wheat kernels is worked in folded gold plate.




The goldwork here is fantastic! This central motif is mostly worked with gold passing, couched over padding in such a way to create this texture. I cannot imagine the skill it takes to create something so precisely stitched as this part of the design. The gold looks liquid and catches the light beautifully.




This goldwork rose is lovely, as is all the surrounding embellishment. You can see the wear on the goldwork fairly clearly in this photo - note the area on the top, back petal of the rose.




And finally, a very close-up shot of one of the bunches of grapes. Note the precision in the purl work on the vine, and the purls that surround the individual grapes. Also note the spangles - how smooth and flat they lay, and that the purl used in attaching them looks fluid. Absolutely incredible!

I think this is a stunning piece, and I could spend quite a bit of time pouring over different elements to study the goldwork on it. In the relatively short amount of time I spent studying it, I could not find a flaw in the stitching. It is absolutely precise. The ground on which the goldwork is worked is cloth of gold.

So, what do you think? Amazing, isn't it?
]]> historical needlework ecclesiastical embroidery goldwork pictures 11143 Anonymous noreply@blogger.com 2008-08-02 16:51:00 2008-08-02 16:51:00 1 0 Its hard to believe that human hands can do this beautiful work of Art. Eva]]> 11152 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-08-01 08:40:00 2008-08-01 08:40:00 1 0 12827 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-05 16:16:22 2007-11-05 16:16:22 1 0 12828 Anonymous noreply@blogger.com 2007-11-05 16:01:00 2007-11-05 16:01:00 1 0 Your site is exactly what I've been looking for since last spring. (when I first tumbled upon Opus Anglicanum and some heavenly pictures of ecclesiastical embroidery.) Where have you been?
Christiana]]> 13271 Anonymous noreply@blogger.com 2007-02-22 09:53:00 2007-02-22 09:53:00 1 0 13272 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-02-22 07:55:02 2007-02-22 07:55:02 1 0
Yes, they stitch them over card to get a crisp edge - well, it depends, sometimes it's actual card, sometimes it's a kind of hard wool felt-type material. The gold is either couched or it is plunged, but it is not usually carried from one stitch to the next behind the fabric, like you normally would in satin stitching, for instance (takes too much thread to do that, and it would wear the gold).

Glad you liked the photos!
MC]]> 13273 Anonymous noreply@blogger.com 2007-02-21 14:09:00 2007-02-21 14:09:00 1 0
BTW, what exactly IS cloth of gold?

Marilyn]]> 13277 Charlene ♥ SC csogle@yahoo.com http://www.blogger.com/profile/09356543817696065946 2007-02-21 09:18:00 2007-02-21 09:18:00 1 0 http://www.needlenthread.com/2007/02/what-is-your-favorite-embroidery-tool.html Tue, 20 Feb 2007 09:35:00 -0600 Mary Corbet 1108 2007-02-20 09:35:00 2007-02-20 09:35:00 open open What-is-Your-Favorite-Embroidery-Tool-or-Accessory? publish 0 0 post

As I was plugging away through a major embroidery project this past weekend (which you can see the beginnings of here), I started contemplating the variety of tools and accessories in the world of embroidery. Think about it! Someone had to come up with all those ideas for this little accessory or that little necessity, and they market them somehow, and we, the faithful (perhaps a little "addicted") embroidery consumers decide "Wow. That's a good idea! I think I'll try that out!" And... we buy it. The Inventors of Embroidery Accessories and Necessities love us for it!

Admittedly, there are some things you generally can't get by without when you embroider: a needle, fabric, thread, and at least a basic pair of scissors. But what else do you use, what's it used for, where did you get it, and why can't you live without it?

I'll give you an example:



I like this thing. It's called "Judy's Boo Boo Stick." It's great for removing mistakes. You just gently brush or roll over the place where you've snipped some threads, and they lift right off, without having to pinch them. I especially like it in areas where I've removed threads that leave a fuzzy residue. You can find it at needlework shops, and I think I've even seen them at Hobby Lobby, though I could be wrong about that. They run anywhere from $6.50 in a store to the whopping ridiculous price of $12.95 at one online store. (Look around before you shop!) You can find them at Nordic Needle for $7.95.

So that's one of the little "necessories" I've picked up over the years.

So what accessory or necessity do YOU like having with you when you embroider? Give us all the details, and I'll share them with readers - and perhaps you'll be helping others enjoy their embroidery experiences even more! If you have anything you'd like to share, feel free to reply here or e-mail me at mary [at] needlenthread.com (it's the normal format for an e-mail address, only spelled out). You can even send a photo if you want!
]]> embroidery resources needlework products 13263 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-02-24 06:26:21 2007-02-24 06:26:21 1 0 13269 Jennifer noreply@blogger.com http://www.blogger.com/profile/10423993292607882820 2007-02-23 04:34:00 2007-02-23 04:34:00 1 0 13274 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-02-21 14:00:00 2007-02-21 14:00:00 1 0 13276 Anonymous noreply@blogger.com 2007-02-21 11:16:00 2007-02-21 11:16:00 1 0 13279 celeste noreply@blogger.com http://www.blogger.com/profile/00370330449811926383 2007-02-20 10:55:00 2007-02-20 10:55:00 1 0 Celeste]]> http://www.needlenthread.com/2007/02/comparing-flat-silks-for-hand.html Sun, 11 Feb 2007 08:42:00 -0600 Mary Corbet 1109 2007-02-11 08:42:00 2007-02-11 08:42:00 open open Comparing-Flat-Silks-for-Hand-Embroidery publish 0 0 post

First of all, what is flat silk? Well, in my book it's untwisted silk embroidery threads or "amost-untwisted" (with a very subtle twist). Your standard stranded embroidery floss, if you look at it closely, has a twist to it that holds the even smaller strands together. This stuff comes in cotton, silk, rayon, linen.... etc. But the untwisted silk lies flat (more or less), and, as far as threads go, has the highest "natural" sheen, which will last for years and years and years and years. That's the nature of silk.

Compared to rayon floss (which is also shiny), the flat silk is somewhat easier to work with. The silk is also, in my opinion, "richer" - and the fact that it's a natural fiber is also a big sell point for me.

So, in searching for flat or nearly flat silk over the years, the only two "standard" brands I've ever found are the Au Ver a Soie (Soie Ovale) and the Eterna Stranded silk, which has very little twist to it. Apparently, Kreinik also, once upon a time, sold a flat silk called Soie Platte, which was also the former name of Soie Ovale by Au Ver a Soie. On some websites, I've seen Kreinik Soie Platte listed, but it's not on their official website. Now, I don't know - I think there must've been some kind of cufuffle about four or five years ago, because I recall Kreinik's label on the Soie d'Alger stuff in some shops back then. Perhaps it was a marketing glitch of some sort? Who knows!

So I've found only two readily available "flat" silks, and I thought I'd show you the difference between them with photos. Sometimes it's just nice to see what you're ordering....



First off, Soie Ovale is pretty much non-divisible, unless you want to go to a whole lot of careful trouble. The Eterna silk divides into 12 strands.



Up close, this is the end of the Soie Ovale.



And these are the ends on the Eterna. Notice there's barely a hint of a twist.



This is the "body" of the Soie Ovale. It's very smooth.



And this is the "body" of the Eterna. Note the twist - the strands twist together, but when they are separated, they are not individually as twisted.



Soie Ovale comes on a spool, with 15 meters per spool. There are 59 colors made, but I've only ever seen 54 available (some by special order) in American shops.



Eterna comes in a hank (not a pull skein - you have to take the sleeve off and snip off the knot and unwind the length you desire from the hank). There are 5 meters per hank, and it comes in 545 shades.

Basically, you get 3 times as much thread on the Au Ver a Soie spool, but I've found that 4 or 5 strands of Eterna, when worked with a laying tool, cover about the same space as one strand of Soie Ovale, so I think that the amount of coverage for the hank and the spool is pretty close to the same.

The price difference is kind of interesting: $2.50 - $3.35 for the Soie Ovale, depending on where you're ordering it, while the Eterna runs $0.95 per little hank.

Which thread do I like better? The Soie Ovale is lovely - it's so nice to work with and is such a rich, smooth silk. I like it best. BUT - for the price and for the color range, you can't really beat the Eterna. I'm not an expert in silk and its qualities as a fiber, so I don't know which one is "scientifically" better! If anyone knows, I'd love to hear about it.

You can find the best ready selection of Soie Ovale online at Needle in a Haystack, where it's $3.35 / spool. You can find the Eterna at Yodamo, Inc., where you will want to look under "stranded silk."

Hope that's helpful! I'd love to hear from others who have had experience with flat silks or who know of another brand available. I'm always game to try anything!
]]> supplies embroidery resources pictures silk 12599 Elizabeth LaFleur noreply@blogger.com http://www.blogger.com/profile/14987805326634982324 2007-12-21 21:31:00 2007-12-21 21:31:00 1 0
Regarding comments on the use of silk threads for hand embroidery, I would like to add some pertinent details. The optimum quality of silk threads are those which come from Suzhou, China. European, American, or other cultures' threads do not have the quality of these Chinese threads. Among the different silk producing provinces inside China, Suzhou thread is considered the best by Chinese embroiderers.

There are multiple main reasons for this, among them:
A - the particular sub-species of Bombyx Mori moth residing around Suzhou and the only one type of tree leaf it eats;
B - the one continuous length obtained by undoing the cocoon versus the shorter lengths from other sub-species moths which are twisted together to make a long length;
C - the exacting temperatures used in process the unreeled thread;
D - the deeper color saturation achieved with the particular sub-species of moth.

The manipulation of light achieved in stained glass works is also obtainable with optimum silk threads. This raises one's stitching to an artistic level which we stitchers can appreciate and educate the public about.

If anyone would like more detail information, they can contact me at: lafleurtx@earthlink.net. I can also recommend mail order sources which I find reliable through my own trail and error efforts. Of course, going to Suzhou to study is always available.
Elizabeth LaFleur]]> 13156 Anonymous noreply@blogger.com 2007-04-29 01:01:00 2007-04-29 01:01:00 1 0 13289 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-02-18 22:01:03 2007-02-18 22:01:03 1 0
http://www.japaneseembroidery.com/

Go to the JEC Store in the top menu to see their flat silks.

Sorry, Marilyn!]]> 13290 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-02-18 21:49:51 2007-02-18 21:49:51 1 0
Thank you for the heads up on the Japanese silk. I had actually explored the Japanese Embroidery Center some time ago, but had no luck ordering from their online store at the time. It is very user-friendly now, and I have placed an order for a couple of their silks, and will post a review when I've tried them!

I have tried the Empress Silks - they are the same as the Eterna Silks, for all practical purposes. Their website is for wholesale customers (shop owners), so you can find a shop near you on the Needle Necessities website if you want to try out the Empress silks.

Thanks again!
MC]]> 13291 ginger noreply@blogger.com 2007-02-18 17:01:00 2007-02-18 17:01:00 1 0 13292 Jazzy noreply@blogger.com http://jazzydzinez.blogspot.com/ 2007-02-16 16:21:00 2007-02-16 16:21:00 1 0 13295 Virgi noreply@blogger.com http://www.blogger.com/profile/10755323766369829940 2007-02-11 10:57:20 2007-02-11 10:57:20 1 0
Although I love silk, I hardly ever buy silk thread because I do not have any clue about it and it is an expensive good.
I find your post extremely useful. To me, all the stuff about silk threads is almost a mistery, and when I search for these kind of items on-line, I always get confused because there is a great variaty in terms of finish and cost.
Thank you again for sharing part of your knowledge.]]> http://www.needlenthread.com/2007/02/new-look-at-great-embroidery-shop.html Sun, 18 Feb 2007 10:23:00 -0600 Mary Corbet 1110 2007-02-18 10:23:00 2007-02-18 10:23:00 open open New-Look-at-a-Great-Embroidery-Shop-Online! publish 0 0 post The Twining Thread, there's no time like the present. This is where I get Au Ver a Soie silks and Legacy linen, among other things here and there, now and then. They've got beautiful kits, all kinds of tools, and just about anything the stitcher could want. And the site now boasts some gorgeous pictures of their shop, which is located in Newport, Oregon. So check out The Twining Thread and see if you like the place as much as I do!

I'm always happy to hear about quality online embroidery supply sources - feel free to let the rest of us know what your favorite spots are and why. And if you have an online embroidery business, send me the link and I'll review it. You can e-mail me at mary [at] needlenthread.com.]]> embroidery resources 13288 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-02-19 05:36:00 2007-02-19 05:36:00 1 0 http://www.needlenthread.com/2007/02/embroider-project-underway-working.html Sat, 17 Feb 2007 09:19:00 -0600 Mary Corbet 1111 2007-02-17 09:19:00 2007-02-17 09:19:00 open open Embroider-Project-Underway-&-Working-Against-Deadlines publish 0 0 post

This project is for the back of a vestment, so it would fall under the category of "church embroidery" or ecclesiastical embroidery. The image is the Agnus Dei, or Lamb of God. Traditionally, the Lamb, as a symbol of Christ, is portrayed with a white banner with a red cross on it, standing on a hill or grass, generally with some flowers at the feet. The background is the sky at morning, although the motif is sometimes worked on a gold background, or simply on blue fabric. There is often a "fountain" of blood, symbolizing the slain Lamb shedding his blood for the salvation of the world.

So my first step in this project was to work up the design. I did this first in a sketch book, then on graph paper, finally transferring it to tracing paper several times until I got it where I wanted it. Then I layed in some color to get a color scheme. The design is placed within a quatrefoil shape.

Once I had my design where I wanted it, I pricked along all the lines with a handy piercing tool (you can find these at Nordic Needle). An alternative is a needle stuck in a cork (which makes it easier to hold). Then I prepared my fabric and mounted it on stretcher bars:



This is the "next best" option for setting up a project (the best being a slate frame, which is virtually impossible to be found in the US right now). The concept is that you stretch your fabric and pin it with tacks. This is easily done with the right tools, like the EZ Tack It kit from Lacis. Once the fabric was mounted, I pounced the design on with a pouncing tool and pounce powder. I should have taken pictures of the process, but I forgot - next time!

After pouncing, "connected the dots" of the pounce with watercolors, using a very fine paint brush.



So here it is, on the frame which is mounted on a stand. The design is 11" x 11" at the farthest points of the quatrefoil.



Here's a close up. I have a few adjustments to make in the design as I go - for example, the banner's not quite right on the top line. It needs to curve in more. I'll adjust that when I do the sky.



This is the grass going in. I'm using stem stitch, not long and short stitch. Since I'm working horizontally in many patches of different greens, it makes more sense to use stem stitch.



You can see the variations in color here. For thread, I'm using silk - Au Ver a Soie, Soie d'Alger, one strand. I ordered it from Twining Thread, where they carry the whole range of colors and the service is great, and the prices either the same or about 5 cents less per skein than other places.



You can see the patches of color being worked.



Once the background grass is finished, I'll work in tufts of grass in different greens, as well as clusters of flowers. (That'll be the fun part!)

The next step after the grass is the sky, which will be worked in long strands of flat silk in different blues, and then couched over with gold, in the old "Italian Stitch" style. You can see what that looks like here.

For fabric on this project, I'm using Legacy Linen - Alba Maxima, which is a relatively high count, evenweave linen, with about 40 threads per inch. It's great stuff! I purchased it through Twining Thread as well.

So, this is what's keeping me occupied for the next six weeks! I'll keep you posted with pictures, etc., as I progress.]]> ecclesiastical embroidery pictures needlework products needlepainting silk 4317 Anonymous noreply@blogger.com 2009-12-06 01:00:40 2009-12-06 01:00:40 1 0 13275 Anonymous noreply@blogger.com 2007-02-21 13:56:00 2007-02-21 13:56:00 1 0 13282 Anonymous noreply@blogger.com 2007-02-20 00:05:00 2007-02-20 00:05:00 1 0
Thank you so much. Marilyn]]> http://www.needlenthread.com/2007/02/tast-embroidery-stitch-challenge_10.html Sat, 10 Feb 2007 09:22:00 -0600 Mary Corbet 1112 2007-02-10 09:22:00 2007-02-10 09:22:00 open open TAST-Embroidery-Stitch-Challenge:-Algerian-Eye publish 0 0 post

The Algerian Eye stitch is simple enough, but there are plenty of variations and creative things you can do with it. If you want to see what I mean, check out the Take a Stitch Tuesday (TAST) posts on In a Minute Ago.

I didn't do anything spectacular - just played with a six-pointed variation of the stitch, working on blue silk shantung with various weights of white silk thread. The overall idea (in my mind, anyway) was snowflakes.



There's not much contrast between the fabric and the stitches - and it's even more the case in person. They just kind of "melt" into the fabric.



I used the following silks: YLI (one strand of white); Au Ver a Soie 100/3; Au Ver a Soie Soie Gobelins (it's the heavier twisted one); Pearsall's; and finally Soie d'Alger. I worked in an area about 2" x 3" - not a very big snowstorm!

I think this would make a good background for a scene reminiscent of snow - to build on it with other stitches would be fun, adding some silvers and very subtle blues or greys. Some day, some day!
]]> Hand embroidery stitches pictures silk stitch challenge beginner embroidery 13296 Helen in the UK thebaileyhouse@tiscali.co.uk http://www.blogger.com/profile/06244235808545822843 2007-02-11 08:43:00 2007-02-11 08:43:00 1 0 http://www.needlenthread.com/2007/02/working-with-silk-thread-hand-cream-for.html Mon, 05 Feb 2007 09:15:00 -0600 Mary Corbet 1113 2007-02-05 09:15:00 2007-02-05 09:15:00 open open Working-with-Silk-Thread---Hand-Cream-for-Embroiderers! publish 0 0 post

... So you fix the problem and go on working, unaware, perhaps, that there's a product out there that can help you with this problem.

Au Ver a Soie (the company in France that produces fine silk threads) has a hand cream made especially for working with silk. I've read about it before, but never thought I'd bother - after all, I can pick up lotion (even the intense stuff) somewhat cheaper at the local pharmacy. Of course, if it's laden with oils, I don't like to embroider right away after applying it.

But then I started a project that requires me to work with an extensive amount of flat silk, which catches on everything. My hands aren't really what I'd qualify as "rough," but still, the occasional snags are annoying. So I took the plunge and thought I'd test Au Ver a Soie hand cream.

Guess what? It's incredible stuff! Not only can I safely embroidery right after applying it, but I can even apply small amounts to the thread to make it tame and exceptionally maneable.

After using it with the flat silks, I've grown accumstomed to applying a small amount (about the size of a pea) to my hands before any handwork. It's wonderful, and makes a huge difference in the handling of threads. It's great with rayon threads, too.

If you want to try the cream out, you won't be sorry! You can find it for sale at Twining Thread, for $14.25 a tube, or at Criss Cross Row, for $15.00 a tube. The service is friendly and fast at both places. One tube goes a long way! And it would make a great gift for the needleworker in your life!
]]> supplies gift ideas needlework products 12664 Anneg noreply@blogger.com 2007-12-08 17:51:00 2007-12-08 17:51:00 1 0 13297 Ginger noreply@blogger.com http://www.blogger.com/profile/16363927407017174685 2007-02-10 13:50:10 2007-02-10 13:50:10 1 0 http://www.needlenthread.com/2007/02/lattice-work-video-tutorial.html Tue, 06 Feb 2007 08:53:00 -0600 Mary Corbet 1114 2007-02-06 08:53:00 2007-02-06 08:53:00 open open Lattice-Work-Video-Tutorial publish 0 0 post

Whether you decide to work lattice stitch over another layer of ground stitches or right on top of the fabric is up to you, depending on what effect you want. The principles for the actually lattice part of the technique are the same: lay down your crossing threads, then couch them at the intersections.

In the video below, I'm taking you through the satin stitching for the background of the lattice work, and then laying the lattice threads, then couching them, and finishing with a decorative border. Here's the result of the piece I'm working on in the video. It's about an inch square.



Since I'm working with untwisted silk threads (flat silk) for the blue background, I cover some techniques of working with these threads in the video.

A few notes about the video itself, before you launch in: 1. It's rather long - almost 10 minutes; 2. The sound is just slightly "off" - after editing the video and sound three times and saving the file to check again and again, I finally had to leave it as it is. It's not too bad, but you'll see me doing things right before you hear me talking about them! Sorry about that!

Although I would classify this as an intermediate technique overall (especially when embroidering the background in satin stitching in flat silk), it is still accessible for beginners. It just takes patience! You can certainly stitch the background with other threads - and you can simply use a filling stitch such as long and short stitch, instead of satin stitch. Experiment with it! And, while this is worked on a square, keep in mind that lattice stitching can be used to fill any shape or background.

Here's the video:



For more video tutorials, please visit the Video Library of Stitches Index.
]]> video tutorials Hand embroidery stitches pictures silk 8210 Anonymous noreply@blogger.com 2009-03-27 17:08:00 2009-03-27 17:08:00 1 0 thank you so much.

best regards
jale (from istanbul-turkey)]]> 10025 Sophie noreply@blogger.com http://absolutelyawesomethings.blogspot.com/ 2008-10-25 16:35:00 2008-10-25 16:35:00 1 0 13294 elizabethdee noreply@blogger.com http://www.blogger.com/profile/15530010568818566353 2007-02-14 18:40:00 2007-02-14 18:40:00 1 0
Do you ever use a laying tool? If so, when?

Thank you for another great lesson.]]> http://www.needlenthread.com/2007/02/chevron-stitch-video-tutorial.html Sat, 03 Feb 2007 17:12:00 -0600 Mary Corbet 1115 2007-02-03 17:12:00 2007-02-03 17:12:00 open open Chevron-Stitch-Video-Tutorial publish 0 0 post

The stitch is pretty simple. In the video, I'm working on a counted fabric, which makes it even easier, but it can be worked on plain weave as well. I think it's more suitable to straight lines than curves, but you can play around with it to see how it takes curves for you. You can make up composite bands with it (that is, layering the stitches), and get creative with spacing and height.

This is what the stitch looks like:



You can find more images of the Chevron Stitch in my mini-sampler here.

Here's the video:



For more video tutorials, please visit the Video Library of Stitches Index.
]]> video tutorials Hand embroidery stitches beginner embroidery 7371 Suranji noreply@blogger.com http://www.blogger.com/profile/06562378111782930857 2009-05-28 03:02:09 2009-05-28 03:02:09 1 0
Yes its amazing,every stich and all the organizing part of it.what makes her so amazing is just the thought of giving and shearing all this information and tips ,ideas with the world.

love you and thank you so much!!]]> 11918 chuck noreply@blogger.com http://www.blogger.com/profile/09576384414574299556 2008-04-29 19:38:00 2008-04-29 19:38:00 1 0 http://www.needlenthread.com/2007/02/tast-embroidery-stitch-challenge.html Sat, 03 Feb 2007 10:37:00 -0600 Mary Corbet 1116 2007-02-03 10:37:00 2007-02-03 10:37:00 open open TAST-Embroidery-Stitch-Challenge---Chevron-Stitch publish 0 0 post Herringbone Stitch, and just as easy to work. Here are some photos of a "mini sampler" worked in Chevron Stitch for the TAST Challenge.

If you are unfamiliar with the Take a Stitch Tuesday Challenge, you will find it explained on Sharon's Inaminuteago Blog. The whole idea of the challenge is to explore different embroidery stitches. Sharon posts each week's stitch on her blog on Tuesday (Monday evening in the States), and those who are interested "stitch along" with the other participants, exploring a variety of hand embroidery stitches. It's a great way for the beginner to become familiar with a variety of stitches. Each week, Sharon posts a "round up" of sites with photos of the stitch - a great source of inspiration for anyone interested in hand embroidery!

Last Tuesday, Sharon proposed Chevron Stitch. For the first time in many weeks, I've been able to do some casual night stitching, and produced this little sampler, which is about 3 x 4 inches. My own personal rules for participating in the challenge are to use what I have (no buying new materials right now!), to stitch only within a 6-inch hoop (makes it easy for hand-holding), and to post on the weekends during the weeks I have time to keep up with the challenge. These rules help keep me in line and help regulate my time between what I call "casual" embroidery and "work" embroidery. The "work" embroidery has set deadlines, so it has to be a priority!

On to it, then - here's my mini sampler:



I worked it on linen - sold as a "counted" linen, but it's not an even weave, as the warp and waft threads are not even remotely similar! I used a variety of stranded embroidery cotton - DMC, Weeks Dye Works, some hand-dyed stuff, etc. The ribbon is a scrap of YLI silk I had on hand. I don't do a lot of work on "counted" material, so this was fun. I liked the symmetry for a change.

Some close-ups:



This is Chevron Stitch worked in a square of sorts - but, considering that the stitch is isolated and doesn't really move from stitch to stitch, I wonder if it can legitimately be called "Chevron Stitch." Whatever the case, it looks more or less the same.



These are a few stacked little Chevrons.



And a few woven in different sizes along the same line...



A few more stacked and staggered a little differently...



These are literally stacked, one on top of the other. Just playing a bit with the color scheme - I think stacked like this, they'd look great in smocking, to fill in a larger band area.



Couching a ribbon...



And staggering and stacking again.

So there it is!

I've only worked one other week so far in this challenge - but as the year progresses and these little samples build up, I think they would make great additions for a "stitch book" to display different basic embroidery stitches. So that's my plan...

Check out the challenge if you have a chance and are interested! It's fun!
]]> Hand embroidery stitches pictures stitch challenge beginner embroidery http://www.needlenthread.com/2007/01/embroidery-classes-online-time-to-sign.html Sun, 28 Jan 2007 10:56:00 -0600 Mary Corbet 1117 2007-01-28 10:56:00 2007-01-28 10:56:00 open open Embroidery-Classes-Online---Time-to-Sign-Up! publish 0 0 post Sharon Boggon's online class "Developing a Personal Library of Stitches." The prices are super-duper reasonable (six classes for $60 - only $10 / class!) and from what I've heard from those who have signed up, it's worth every penny and then some. If you want details on what the classes cover, check out Sharon's site, inaminuteago. You can find a detailed explanation at the bottom of the post. If you're a beginning embroiderer and you really want to improve and expand, these classes look ideal. If you're not a beginner, I think you'd still get a lot of them. If you look at embroidery as a hobby or craft, this is a great investment that will give you a lifetime of pleasure. Check them out!

]]> embroidery resources Hand embroidery stitches inaminuteago 13312 ElizabethD noreply@blogger.com 2007-01-28 15:39:00 2007-01-28 15:39:00 1 0 http://www.needlenthread.com/2007/01/embroidery-and-textile-photos-from-rome.html Sat, 27 Jan 2007 15:37:00 -0600 Mary Corbet 1118 2007-01-27 15:37:00 2007-01-27 15:37:00 open open Embroidery-and-Textile-Photos-from-Rome publish 0 0 post

First, here's a shot of some religious embroidery (there's a lot of this in Rome, of course!). It looks to me like it is a combination of embroidery and applique. At first, I thought the colors might not be "true," but she says they are - just faded with time. It's a wallhanging, banner, or altar frontal - she can't remember which. (You do tend to get saturated from the visual gluttony!)



The next is a close up on some goldwork and silk embroidery. Pretty!



Here are the shoes. They were in a shop window. I love the fabric, but I doubt they'd hold up to Midwest USA winters!



Below is another example of goldwork and silk. You can see the goldwork on the leaf on the left side of the photo, and on the far right. This type of silk embroidery is done over board or very stiff and dense felt-like wool to get the squared-off edges.



The rather long photo below is goldwork and silk again. I think the blue flower above must be taken from the same piece. The styles are exactly the same, and the fabric looks the same. Again, typical goldwork and silk combination. I think it's a photo of a mitre in a shop window. I love the simple design and the combination of colors.



This below is a velvet tapestry, or altar frontal, or something.... it's embroidered. It apparently hangs in a very long hallway going to the bathrooms in some museum or church. The piece is actually very large, and this is only the very end section of the photo. I like the design and the contrast on the red.



Below is another of the same, in the same hallway. This was apparently completely covered in embroidery. It's apparently rather old and not in the best of shape, but still really beautiful. The colors are really stunning. It's apparently a mixture of applique and embroidery, as you can see in the close up image further down.



And yet another of the same - a close up of a section of the photo above - taken from right below the piece.



Ahhhh - I love goldwork. Here's a sample of some goldwork, in a typical ecclesiastical design.



And, lastly, another piece of goldwork, probably on the same piece as the photo above - magnificent!



Much better than a postcard! Thanks, deary!
]]> ecclesiastical embroidery goldwork needlepainting silk 13311 ElizabethD noreply@blogger.com 2007-01-28 15:41:00 2007-01-28 15:41:00 1 0 http://www.needlenthread.com/2007/01/crewel-work-kits.html Mon, 08 Jan 2007 08:10:00 -0600 Mary Corbet 1119 2007-01-08 08:10:00 2007-01-08 08:10:00 open open Crewel-Work-Kits publish 0 0 post

What is crewel work? Basically, it's embroidery in somewhat bold designs, usually on linen or linen twill, using wool threads. It's great for home accents, and is often seen worked on pillows and cushions, for wall hangings, etc.

If you're looking for some good crewel embroidery kits, here are a couple neat shops with good or interesting selections:

Twining Thread: they have a whole variety of crewel kits, which come with the prepared fabric, all the wools, and detailed instructions.

Accomplishments Shop: they have some gorgeous kits - somewhat pricey, but they would certainly work up into heirloom quality pieces. Check out the Crewel Work Company kits that they carry. They're stunning!

Now that the holiday rush is over and the New Year has begun, you might want to sink your fingers into a good project that will carry you through the rest of the winter. Why not try crewel work?

If you're looking for wools for crewel embroidery, by the way, you'll find the best deal at The Wooly Thread.
]]> embroidery links embroidery resources wool crewel work beginner embroidery 13327 Anonymous noreply@blogger.com 2007-01-10 09:47:00 2007-01-10 09:47:00 1 0 http://www.needlenthread.com/2007/01/tast-stitch-challenge-herringbone-in.html Sat, 06 Jan 2007 18:06:00 -0600 Mary Corbet 1120 2007-01-06 18:06:00 2007-01-06 18:06:00 open open TAST-Stitch-Challenge:-Herringbone-in-the-Round publish 0 0 post

Sticking with my resolutions, I dug for some fabric, and came up with the same old velveteen I've been working on all year. Eventually, I will get rid of this stuff! But I like red, so I wasn't too distraught. I didn't want to use linen or evenweave of any kind. After all, there's little point in evenweave when working around a circle!

Using a compass, I drew several concentric circles on tissue paper and marked off spots at even intervals around the circumference of each circle. I then transferred the dots to the fabric using a pencil. This would at least give me reference points for stitches. After all, drawing a circle free-hand is hard enough - stitching one? I'm pretty sure I couldn't do it!

Here's an overall view of my results with the whole stitching adventure. As you can see, I didn't do anything too wild and crazy with the stitch.



I began with the inside circle, and worked outwards. The interior circle is double herringbone stitch, worked in an overdyed stranded cotton. You can see how working in a circle slightly distorts the shape of the stitch, giving it a larger base on the inside diamond shape, with a narrower tip.



The second circle is herringbone stitch, woven and worked right next to each other in three colors. I wove the right side of the "V" of each stitch (the "up" thread) underneath the one stitched previously, to give an overlapping, folded look to the stitch.





The third circle is double herringbone, worked in #5 perle cotton (pink and blue). I stitched a straight stitch in green stranded cotton over the middle intersection of each double herringbone, and two lazy daisy stitches shooting out from the intersection. Then, for the fun of it, I stitched a single blue bead in the middle. Unfortunately, I didn't have the proper thread in my stash for securing beads, but I kept to my resolution and used only what was in my stash - color-matching as best as I could to a stranded floss, and using one strand to secure the beads.



The last circle is made of two rows of very wide herringbone stitches worked in blue stranded cotton, and then the double part of the herringbone was created using a green silk ribbon. After stitching the herringbone in ribbon, I added a French knot on each tip of the green ribbon. The knots are in an overdyed cotton, the size of #5 perle.



I always like to take shots of my work at or close to eye level, while it's still in the hoop or frame. I don't know - I just think it's kind of neat.

So there's my experiment with herringbone in the round. I'm looking forward to seeing what's up for the challenge this Tuesday, though if I keep missing the round up, I don't think I'll bother with the pressure of keeping up, since I've only got a short few hours on the weekends to work on this, and can't post until Sunday. We'll just have to wait and see!

If you want to check out all those included in this week's round up, check out the inaminuteago blog.
]]> Hand embroidery stitches pictures stitch challenge beginner embroidery 2238 cyndi noreply@blogger.com http://www.blogger.com/profile/12485232592683995836 2010-03-14 16:27:00 2010-03-14 16:27:00 1 0 13321 *I*Will*Rejoice!* noreply@blogger.com http://www.blogger.com/profile/13439222499550745287 2007-01-16 10:21:00 2007-01-16 10:21:00 1 0 Beautiful job!]]> 13329 Doreen G deeferdg@bigpond.net.au http://www.blogger.com/profile/14443929494814440393 2007-01-08 14:07:00 2007-01-08 14:07:00 1 0 I am a beginner at this blogging game and would be dissapointed not to see your work in future.]]> 13330 elizabethdee noreply@blogger.com http://www.blogger.com/profile/15530010568818566353 2007-01-08 08:57:00 2007-01-08 08:57:00 1 0
By the way, your rules for yourself (the 6" hoop, the use of the stash, the time limit) were useful for me, too.Thank you for those as well.]]> 13331 Misa noreply@blogger.com http://www.blogger.com/profile/04959308400841122200 2007-01-08 06:37:00 2007-01-08 06:37:00 1 0 13332 Marianne S mannu@andineeme.ee http://www.blogger.com/profile/01834868671410947266 2007-01-08 00:48:00 2007-01-08 00:48:00 1 0 13333 Laura Lea noreply@blogger.com 2007-01-07 19:51:00 2007-01-07 19:51:00 1 0 http://www.needlenthread.com/2007/01/herringbone-stitch-revisited-stitch.html Sat, 06 Jan 2007 07:29:00 -0600 Mary Corbet 1121 2007-01-06 07:29:00 2007-01-06 07:29:00 open open Herringbone-Stitch-Revisited:-Stitch-Challenge publish 0 0 post the opportunity to read about the TAST Challenge, you will find all the details here.

So the herringbone won out as the first stitch of the year. If you're not sure how to go about this stitch, you can check out the herringbone stitch video tutorial, as well as the double herringbone stitch tutorial. You'll see how simple the stitch is! Then, you might want to peruse Sharon's post for week one, which has plenty of photos for inspiration on working the herringbone stitch, with plenty of variations.

To keep up with the challenge, I'll be posting my attempts on Sundays. I wasn't able to touch any "casual" embroidery this week, until last night when I started foraging through the scrap bin for a piece of fabric. While I was foraging, I thought of a couple things that will help me make this stitch challenge managable:

1. Work samples in a small space - I've decided to use a six inch hoop only. I realize that's kind of restrictive, but I think it will also be challenging to see what can be produced inside a limited space.



2. Do only what can be worked in one evening, on the weekend, to post on Sunday. Again, restrictive, but I know if I want to keep up with work and my other embroidery, I must schedule time for all of it, and keep to a strict schedule, or everything will eventually fall apart!



3. Keep the costs down: use stashed fabric and threads only. Otherwise, I'll extend beyond my budget, which will restrict me from doing other things I want to do or have to do.

So that's my approach - I like restrictions like this, because it makes the whole stitch challenge a kind of "disciplined routine," and it becomes a personal challenge to keep it that way.]]> Hand embroidery stitches stitch challenge beginner embroidery http://www.needlenthread.com/2007/01/italian-stitching-silk-gold.html Tue, 02 Jan 2007 18:08:00 -0600 Mary Corbet 1122 2007-01-02 18:08:00 2007-01-02 18:08:00 open open Italian-Stitching:-Silk-&-Gold publish 0 0 post stitching in flat silks (that is, untwisted), and then couching over the stitching with tiny gold passing thread.

I wanted to do some test runs before I got underway on the serious work. So far, with this project, I've designed the emblem and chosen colors. I prefer to work with Soie Ovale by Au Ver a Soie, which is their flat, untwisted silk. However, Soie Ovale does not come in a large range of colors, and I can't quite get the shading I would like. In addition to this, it does tend to be rather expensive. I am convinced it's the best silk on the market, but .... I need subtle shading for this project, so I may go with Eterna Silks from Yodamo. If you're looking for Chinese silk, you can order it here, and get a pretty good deal on it.

Anyway, I ordered some stranded Eterna Silks to test whether or not I will like them. I've used them before - they are high luster silks, but they don't give the coverage that the Soie Ovale gives. I'll let you know which silks I go with as this project progresses.

Back to the Italian Stitch. Basically, you work long straight stitches (or satin stitches, or long-and-short stitches) in flat silk. Then, using the smallest possible gold passing thread, you couch the gold down over your silks. This helps hold the long stitches in place, it gives longevity to the silk (it won't get worn from rubbing), and, of course, the gold adds dimension and beauty to the whole piece.

As you lay the silk for this stitch, you might find you need to use a laying tool. The silk should be perfectly flat and untwisted. I wasn't using a laying tool here, and, with the Soie Ovale, I find I don't need to as often, but it's a good idea to have one handy. If you are trying this type of stitch and don't have a laying tool, you can use a large needle. Run the needle under the length of the thread that will remain on the surface as you pull the thread through and complete the stitch.

As I mucked around with it this afternoon, I took a couple photos of the concept, so you can see what I'm talking about.



I'm using 2% gold passing thread, size 4, which I ordered from Tanja Berlin. You might wonder why I ordered it from Canada - simply because I can't seem to find the 2% gold available in the States. (If anyone knows where it can be found, I'm all ears!) Tanja Berlin offers an excellent selection of gold, and the prices are not unreasonable. I prefer the "real gold" for ecclesiastical work, rather than gilt. 2% gold is the highest quantity of gold found in goldwork materials. If you're interested in how this stuff is made, check out the history of gold wire found on the Benton and Johnson website. It's pretty interesting!



For my project, the whole background of the piece will be worked in Italian Stitch. In the foreground will be the image of a lamb and banner, the Agnus Dei image often found in ecclesiastical symbols. You can find, for example, a typical image here. The lamb and the banner will stand out from the background, as the couched gold threads will only cover the background area. The lamb will be worked in "wool stitch" (a variation of French knots), with long-and-short stitch needlepainting for the banner, the legs of the lamb, and the face. The halo (or nimbus) around the head of the lamb will be worked in couched gold and red silk.

The Italian Stitch varies depending on how the embroiderer wants to use it. For example, the gold could be couched over the silk in swirls and curves, etc., or in lines. I will be couching straight lines, one eighth of an inch apart from each other, as shown in the samples here.



After laying each line of gold and couching it at the correct interval, I'll plunge the threads on the outside of the embroidery. Then I'll surround the entire design with a 1/2-inch border of gold couching.

So that's my latest "big project" which will probably occupy a lot of my stitching time. At the same time, I hope to be keeping up with Sharon Bogan's Take a Stitch Tuesday Challenge. If you haven't read about it, do! You might be interested in joining up and exploring some embroidery stitches.

]]> historical needlework goldwork wip silk 13257 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2007-02-27 11:36:00 2007-02-27 11:36:00 1 0
JoWynn]]> 13334 elizabethdee noreply@blogger.com http://www.blogger.com/profile/15530010568818566353 2007-01-03 17:56:00 2007-01-03 17:56:00 1 0 http://www.needlenthread.com/2007/01/wheat-stitch-video-tutorial.html Mon, 01 Jan 2007 16:00:00 -0600 Mary Corbet 1123 2007-01-01 16:00:00 2007-01-01 16:00:00 open open Wheat-Stitch-Video-Tutorial publish 0 0 post it would make great background greenery in flowers and gardens, it can also serve as a seam embellishment in crazy quilting, and it can serve as a simple decorative line. Of course, it can also work as individual stalks of wheat.

Below, you can see a tiny example of wheat stitch used in church embroidery, worked in one strand of YLI silk on linen. This example is rather small, but you can see how the wheat motif is simple to execute using the wheat stitch. If you vary the types and weights of your threads, you will achieve a different look.



Experiment with this stitch! It has a lot of potential as a useful stitch in any embroiderer's repetoire.

The video below is not filmed using my new contraption - rather, it's one I've had in the works for a while. Still, it came out "ok" - you'll get the gist of the stitch.

Have fun with it!



For more hand embroidery video tutorials, please visit the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches pictures beginner embroidery 9149 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-20 23:50:00 2009-01-20 23:50:00 1 0
You can use any thread for the stitch. In the video, I'm using floche, but really, any type of thread works well with this stitch. Keep in mind, the end result of the stitch will be thicker, with a heavier thread....

MC]]> 9150 Anonymous noreply@blogger.com 2009-01-20 23:16:00 2009-01-20 23:16:00 1 0 just found your website.
i am a beginner. your video tutorial is excellent.
i would like to know what kind of thread you are using in your tutorial.In my place i only get embriodery yarn which is thin.]]> http://www.needlenthread.com/2006/12/embroidery-video-tutorials-update.html Fri, 29 Dec 2006 19:05:00 -0600 Mary Corbet 1124 2006-12-29 19:05:00 2006-12-29 19:05:00 open open Embroidery-Video-Tutorials---an-Update publish 0 0 post Video Tutorial Library, feel free to take a peek at some of the short videos that demonstrate basic embroidery stitches. For beginners and even beyond, it's nice to be able to see a stitch as it is worked. If you've ever attended an embroidery class, you know how nice it is to get the hang of the stitch while you watch it in progress, rather than having to make heads or tails of written instructions or simple diagrams. You might also know what it's like to get home and say "Now, how did she do that again?" So this is why I began putting together this little video library of stitches - to help beginners begin and to help other expand their repertoire of stitches.

You've probably noticed lately that not too many tutorials have been posted, and there's a reason for this...

Have you ever tried to hand embroider while hugging an unbalanced and flimsy tripod - with the tripod between you and your work? If you have, you can guess where I'm going!



Here's the little fellow I've been working with. It has bendable legs, stands about 6 inches tall, and works fine for macro stills on the table. But when there's a lot of movement going on around it, and your arms and hands must pass back and forth here and there, forget it!

What I need is something that will allow my camera to rest, floating, just above the frame or hoop, leaving the area between me and my embroidery free, so that my hands can move in a normal fashion and so viewers can get a sense of what it's like to work a stitch naturally.

Today, I ventured out to find The Needful Thing. I was introduced to very nice tripods and optional arm attachments that would allow me to do just exactly what I wanted. The least expensive set up would cost me more than the camera - not to mention that the tripods themselves were rather bulky and looked very exaggerated with my Olympus Stylus 800 attached to them!

Fortunately, I was in one of those wonderful long-time, personal service shops (Wolfe's Camera), where the service was spectacular and the salesmen knew exactly what they were doing and what they were talking about. After explaining precisely my needs, what I would be using the set-up for, and how my budget would only provide half or less of what the tripod gear was going for, they rigged up this:



I know that it doesn't look like much, especially lying on my bed, but it is a glorious light stand used for photography, with a fully-adjustable-in-every-way-imagineable arm (also for lights), topped with a camera or tripod head, also adjustable. It's somewhat lightweight (which is fine for my camera), expands and contracts all over the place, and is Just What I Wanted, at the perfect price!

Don't you love to find Just The Thing when you're looking for it? I certainly do! So now, I can venture back into the filming arena and hopefully, in the near future, you will enjoy the results!

Thanks for your patience! I'll have some up for you soon!
]]> video tutorials http://www.needlenthread.com/2006/12/embroidery-project-progress-report.html Thu, 28 Dec 2006 09:54:00 -0600 Mary Corbet 1125 2006-12-28 09:54:00 2006-12-28 09:54:00 open open Embroidery-Project-Progress-Report---Sampler-Bookcover publish 0 0 post

The whole project is developing according to practically no plan at all, so I don't actually guarantee the finished product! I have an idea in my head of what I want it to look like, so hopefully it will turn out the way I want it to. It's nothing fancy. It started as a road trip project, and I've posted a couple updates, here and here, along the way.

So, here is a photo of the front and back, side by side:



The space between the two panels is about three quarters of an inch. This will serve as a spine, into which I will stitch another "page" in the book, and then I'll cover the spine with some decorative stitches. The left side in this photo will be the back.



Here's a close-up of a good bit of the back panel, and you can see that some of the stitching is not yet complete. For example, I still have to fill in a few of the flowers, add leaves, etc.



This little section is made up of a variety of stitches. The bold blue line is Portuguese knotted stem stitch. On the outside of this, in light blue forming the little pointed outline, is a fly stitch border. Inside the "wave" are a few rows of open buttonhole, and then a stem stitch filled area (in green), and the center of the motif is filled with lazy daisies with French knot centers. On the right side under the tip of the wave is a ribbed spider web wheel, surrounded by chain stitch, with some feather stitching filling in.



Here's another close up of a part of the back panel. The waves or swishes are stem stitch, used as filling. There's a little cluster of French knots filling in down at the base of the photo, and some seeding can be seen above the dark green chain stitch band.

I've been using a variety of threads in the whole thing: regular stranded DMC, variegated DMC, Caron Collection Waterlilies (overdyed silk) and Watercolors (overdyed cotton), DMC Perle #5, Eterna silks - twists and minitwists, some (but not much) Soie d'Alger, and some YLI silk ribbon.



Towards the bottom of this photo, the green band with the blue isolated chain stitches, is a length of YLI ribbon, which I stitched down and then worked the isolated chain stitches over. Directly above that line is a whipped stem stitch, which began with a coral-colored stem stitch, whipped with green. Directly above this is a blue band of heavy chain stitch. Directly above this, I couched some yellow DMC Perle #3 with some pink Perle #5, in a kind of bricking pattern. Some of the stitches have been joggled about a bit, due to carelessness in holding the project (I'm working in-hand, as opposed to on a hoop or frame).

Above the couched line is a buttonhole line in pink, topped with purple French knots, and floating above all that is a random selection of leaves worked in fishbone stitch. The leaves adorn the purple flower, which is made up of two layers of lazy daisy in dark purple and light, and which hasn't been filled in the center yet.

The "V" directly above this is worked in cretan stitch, edged with stem stitch in purple on the bottom of the band, and chain stitch on the top of the band. Another spider web wheel surrounded by buttonhole stitch is worked inside the "V."



This is a close-up of stem stitch used as filling. You can also see, in the distance in a variegated pink / yellow silk, a flower worked in bullion stitch.



And, a final shot, this is back to the front panel, looking at my favorite part of it. I prefer the front panel. I think I got carried away on the back panel, so that things look a bit too thick for me there. The front has a crisp look to it, despite the crowded areas, whereas the back seems to jumble together a bit too much. Still, I'm having fun working on it. I've got a commissioned project, though, that's demanding my attention now and probably into March, so I'll just be snatching a few stitches here and there on this one, as time allows. It may be a while before the project is completed! But I won't relegate it to the deep interiors of the closet just yet!

Again, all these are pretty much what I would call "basic" embroidery stitches (although the bullion stitch takes a little practice), and you can find video tutorials for most of the stitches in the Video Library of Stitches Index.

]]> needlecase wip Hand embroidery stitches beginner embroidery 6838 Snippety Gibbet noreply@blogger.com http://www.blogger.com/profile/00271129879408530904 2009-06-17 19:05:00 2009-06-17 19:05:00 1 0 9287 Izzy S noreply@blogger.com http://www.blogger.com/profile/06689190035479723582 2009-01-03 15:49:00 2009-01-03 15:49:00 1 0 10367 MargB noreply@blogger.com http://www.blogger.com/profile/02933881017940842123 2008-09-27 23:06:00 2008-09-27 23:06:00 1 0 10402 JoWynn Johns noreply@blogger.com http://www.blogger.com/profile/10132761305558051874 2008-09-24 09:42:00 2008-09-24 09:42:00 1 0 10409 Kayla coo michala.gyetvai@ntlworld.com http://www.blogger.com/profile/05120726257649689149 2008-09-23 11:08:00 2008-09-23 11:08:00 1 0 10410 bonita sarita noreply@blogger.com http://www.blogger.com/profile/08603837145978184044 2008-09-23 09:25:00 2008-09-23 09:25:00 1 0 10738 Constance noreply@blogger.com http://www.blogger.com/profile/13421335686195152108 2008-08-31 23:00:00 2008-08-31 23:00:00 1 0
Thanks for your website. I am a learning embroiderer and it has been very helpful.]]> 13338 Jennifer noreply@blogger.com http://www.blogger.com/profile/10423993292607882820 2006-12-28 17:25:00 2006-12-28 17:25:00 1 0 http://www.needlenthread.com/2006/12/bayeux-tapestry-other-historical.html Wed, 27 Dec 2006 08:43:00 -0600 Mary Corbet 1126 2006-12-27 08:43:00 2006-12-27 08:43:00 open open Bayeux-Tapestry-&-Other-Historical-Embroideries publish 0 0 post

About a month ago, SharonB of inaminuteago directed her readers to a link about a woman named Annette Banks who recreated the Bayeux Tapestry, embroidering it over a span of 20 years. Her accomplishment is certainly more than commendable! How many of us begin projects, and, growing tired of them, do not persevere to the finish line? (Well, I don't know about the rest of you, but I do it often!) So this woman certainly has my utmost regard! If you haven't read her inspiring story, you should! Also, take a look at close ups of her recreation of the Tapestry - it's really gorgeous, and it's in full color. It's a fun lesson in history, and a great lesson in perseverence.

If you're a modern history buff and prefer WWII memorabilia to that of Norman and Anglo-Saxon, you might like to take a look at the Overlord Tapestry. Inspired by the Bayeux Tapestry, this one depicts instead the D-Day Invasion on the beaches at Normandy. Unlike Annette Banks's work which is the work of one determined and skilled woman, this one was professionally designed and then executed in panels by the Royal School of Needlework. You can read about the making of the Overlord Tapestry at the D-Day Museum online, and you can view close-ups of different sections of it as well.

The original Bayeux Tapestry (which is not actually a woven tapestry, but rather a work of surface embroidery, on linen, worked in only 8 colors of thread!) is housed in France, and is certainly worth a long and lingering visit if you happen to be in Bayeux, Normandy and want to peruse all 230-ish feet of it. Britain necessarily believed she should have a copy of it as well, and so, during the Victorian Age, the work was undertaken by the Leek Embroidery Society, and, in just over a year, it was completed, with very minor alterations (a few naked figures were apparently clothed). You can view this reproduction and can read the account of the Norman invasion at the Bayeux Tapestry Reading Museum website.

Congratulations to Annette Banks for her great accomplishment, and to all those who persevere in Very Large Projects, you have my utmost admiration!
]]> historical needlework 11587 Mark Banks noreply@blogger.com http://www.annettebanks.co.uk 2008-06-17 14:12:00 2008-06-17 14:12:00 1 0
The project that Annette Banks had done is now on her website at www.annettebanks.co.uk.

Dear Mary Corbet,

My mother thanks you for your comments, I hope you have time to see the other work that she has done over the years. Your comments on the work that she has done with the "Needle and Thread" would be welcomed.

Thank you once again.]]> 12587 Katie hilltopkatie@gmail.com http://www.blogger.com/profile/08169620638518265423 2007-12-30 13:48:00 2007-12-30 13:48:00 1 0 I grew up in Leek, and while I knew all about Joshua Wardle, and the towns history with silk making, I had no idea we had an embroidery society who replicated the Bayeux tapestry. Thanks for teaching me something new about my home town!]]> http://www.needlenthread.com/2006/12/video-tutorial-double-herringbone.html Sat, 23 Dec 2006 22:38:00 -0600 Mary Corbet 1127 2006-12-23 22:38:00 2006-12-23 22:38:00 open open Video-Tutorial:-Double-Herringbone-Stitch publish 0 0 post

The double herringbone is simply the herringbone stitch worked twice - usually in different colors, and alternating the placement of the stitches. First, you work a line of herringbone stitch in one color (here's the herringbone stitch video tutorial), and then, in another color, you work on the same row, but between the stitches of your first row. Basically, you end up creating a band of diamond shapes. The trick to make the stitch look right is to "weave" your stitches. That is, when you are working the second set of herringbone on top of the first, when you go from the top row to the bottom row, you cross over the bar of the stitches already there. But when you go from the bottom row to the top, you take your needle under the stitch that's already there. You'll see this more clearly in the video!

There's no sound on this video. Just to point out the flaws in advance: in the first two or so stitches, I pick up only one thread in the fabric. I should be picking up two. Also, at the end of the video, you'll notice that, as I cross under the last stitch, it looks very loose. That's because I haven't anchored it yet! But you'll still get a clear notion of how the stitch is worked, despite the flaws!

The same rule applies in this stitch as in the herringbone stitch: when working on the bottom line, your working thread should be above your needle. When working on the top line, your working thread should be below your needle.

Here's the video. Have fun with it!



For more video tutorials, please visit the Video Library of Stitches Index.

]]> video tutorials Hand embroidery stitches beginner embroidery 11283 Anonymous noreply@blogger.com 2008-07-26 09:16:00 2008-07-26 09:16:00 1 0
went to herringbone, great! But wnet to double herrinbone and no SOUND.

Is this viedo libary available on a CD?]]> http://www.needlenthread.com/2006/12/embroidery-project-disorganization_21.html Thu, 21 Dec 2006 06:33:00 -0600 Mary Corbet 1128 2006-12-21 06:33:00 2006-12-21 06:33:00 open open Embroidery-Project-Disorganization! publish 0 0 post here), but I realize that, during this kind of work where I'm not sitting at a frame or my regular workspace, I tend towards disorganization! Yesterday, I started thinking about disorganization, and how it can decrease the pleasure of working on a project.

The first rule when working on any project comes from my mom: "A place for everything, and everything in its place." As long as you have a place for everything (before you start), you should have a relatively easy time keeping organized, and really no excuse not to be organized. So that's the first guiding principle.

After that, though, I might sit down to work on a project (especially when I'm in a comfortable location like the sofa), and think it "easier" to take what I need from my supplies, rummaging about if necessary, and worry about straightening them up when I come to a stopping point.

Tsk! Tsk! It is much easier to keep things neat as you go! So that's the second rule: "clean as you go" (my mom's kitchen rule, actually!) When you take a strand or two of thread from a skein, put the skein and the rest of the threads back where they belong! Trust me, it's much better than leaving them sitting on the arm of the couch, only to get dropped or tangled up! A place for everything and everything in its place. Especially if you're working with expensive threads, it can be such a waste to allow a tangled heap of threads to build up, and then, in a moment of frustration or cleaning frenzy, just to throw them away! But whether your threads are expensive or not, the less waste that goes into your hobby (or livelihood, whatever the case may be) the better!

And those snippets of thread - the waste from your project? They need a place, too. If you're not well-equipped with little accessories, even a plastic baggie will do. Put one next to you, and put all your snippets in it. Saves having to crawl around on the floor or vacuum, if nothing else! It also makes a quick clean up a breeze. If you have a good-sized scrap of craft felt, lay it over the arm of your chair. Put all your snippets on it. They will stick easily. Then scrape them off when you're ready to put things away.

There's a really cool little combo thread-catcher-pin-cushion accessory that would be great to have at your elbow, whether you're sitting in your favorite chair or at the work table. Here are instructions to make one in PDF format. But, if you want one and don't want to take the time to make it, you can also find different versions of them for sale, like this one. I'm not sure I'm keen on the wooden base, though.

Lastly, you might not want to pack your project off to your closet when you still plan to take it up in the evening or whenever you can snatch a minute. At the same time, though, you don't want it cluttering up your living space. A place for everything, and everything in its place. Devise a place where you can keep your project handy, but where it won't be in the way, and when you know you will be away from it for a stretch of time, pack it up and put it in that place.

So, here's the thing: if you clean as you go, and if you have a place for everything and everything in its place, your pleasure in embroidering will increase a hundred fold!
]]> organization 4211 Mrs. Mac EkHrafnsDove@gmail.com 2009-12-15 00:32:21 2009-12-15 00:32:21 1 0 8398 Goldberry noreply@blogger.com http://www.blogger.com/profile/15550897298140763183 2009-03-09 20:00:00 2009-03-09 20:00:00 1 0 13322 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2007-01-16 00:22:00 2007-01-16 00:22:00 1 0 13342 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2006-12-21 11:30:15 2006-12-21 11:30:15 1 0
I fixed that link. Thanks for the heads up!]]> 13343 leahys noreply@blogger.com http://www.blogger.com/profile/17739993588791988787 2006-12-21 10:33:00 2006-12-21 10:33:00 1 0
The link to the diy threadcatcher doesn't seem to work.

Marilyn]]> http://www.needlenthread.com/2006/12/embroidery-stitch-challenge-take-stitch.html Wed, 20 Dec 2006 06:42:00 -0600 Mary Corbet 1129 2006-12-20 06:42:00 2006-12-20 06:42:00 open open Embroidery-Stitch-Challenge:-Take-a-Stitch-Tuesdays publish 0 0 post inaminuteago. The concept is this:

Each week, Sharon will propose a new stitch to work with, exploring and experimenting with the possibilities of the stitch. You can work on anything you like, with any kinds of threads, etc. The commitment is flexible, so you can pop in and out of it as you wish. Sharon will do a "weekly round-up" of photos from people involved in the challenge, so all the participants will be posting their progress each week as they work. Sharon has over 100 people currently signed up to participate from around the world!

Here are the full details. I'm pretty excited about participating in this, as it will be a great motivational and learning tool. I'm particularly pleased about the flexibility of the whole challenge as well, since life does tend to go on outside embroidery. I also like the idea of starting the year with this, since it will give a continuity to learning different aspects of embroidery as the year progresses. And, finally, I think this would be perfect for the beginner - you will have the support of other beginners and advanced embroiderers from all over the world, to motivate and inspire, and to help you with questions, etc., as I'm sure there will be plenty of involvement and communication going on.

If you're interested in joining up, let Sharon know, so she can add you to the weekly round up list! Hope to see you there!
]]> inaminuteago stitch challenge beginner embroidery 13345 sharonb noreply@blogger.com http://www.blogger.com/profile/17606449324102953980 2006-12-20 17:53:00 2006-12-20 17:53:00 1 0 I think it will be a great challenge and a good motivator all round yet realisitic]]> http://www.needlenthread.com/2006/12/embroidered-sampler-book-cover-progress.html Wed, 20 Dec 2006 09:00:00 -0600 Mary Corbet 1130 2006-12-20 09:00:00 2006-12-20 09:00:00 open open Embroidered-Sampler-Book-Cover-Progress publish 0 0 post

… and eventually, I’ll share the back cover, too, which will be entirely hand-embroidered in crazy patterns as well.

Basically, as I explained earlier, my plan was just to stitch whatever stitches came to mind, using whatever threads I happened to pull out of my stash. I modified the plan only a little bit, by attempting to balance some of the colors in the larger areas. I also picked out a line I didn’t like (the puffy couching) and replaced it with a running stitch whipped with ribbon. You can see the puffy couching in this post, where I gave my last update.

Here’s a photo of the front cover, finished. You can click on the image for a close up.



So that’s what I’ve been occupying my evenings with while on vacation, although I have managed to finish and mail one embroidered Christmas present, and, in the next three days (working mostly in the wee hours, so I don’t get caught red-handed!), I have high hopes of starting and finishing a little bird as another gift. I might even be able to get it framed before Christmas! We’ll see! I’ll be sure to snap some photos before I give it away.

Back to the needle ‘n thread…
]]> needlecase wip Hand embroidery stitches sampler 13341 Gerry sscandq@comcast.net http://www.blogger.com/profile/08887400076568822423 2006-12-21 12:06:00 2006-12-21 12:06:00 1 0 13344 elizabethD noreply@blogger.com 2006-12-21 09:39:00 2006-12-21 09:39:00 1 0 http://www.needlenthread.com/2006/12/hand-embroidery-projects-stitching-on.html Mon, 04 Dec 2006 07:17:00 -0600 Mary Corbet 1131 2006-12-04 07:17:00 2006-12-04 07:17:00 open open Hand-Embroidery-Projects-&-Stitching-on-the-Road publish 0 0 post

Sharon Bogan has a couple posts on her site, Inaminuteago, about Christmas preparations - specifically card making and ornament making. And in fact, these are the things that I've been mulling over lately - specifically, embroidered Christmas cards. I've got some scraps of card-making supplies around, and I even have a handy-dandy pricker for fine holes in paper stock. I'm pretty sure my stash includes some metallics that will do for the embroidery. I should be able to drum up some Christmas cards before the season is completely over!

And speaking of over, the weekend is exactly that. Unfortunately, for me, it was an off-schedule sort of weekend. We had to take a road trip, so, with a six hour ride in front of me early Saturday morning, it occurred to me that I should be able to take something productive along. Stitching in the car is generally out of the question for me - I practically always have to stitch on a frame, and my projects generally require good light and exceptional precision, not to mention the use of gold for couching and all that stuff. Not exactly the kind of stuff you can open up and spread out in the car!

But as the prospect of the drive overcame me on Saturday, I figured I could manage something - so I foraged through the scrap bin and came up with a long strip of red wool felt.

I grabbed my "class bag," which contains a good stash of disorganized thread that I use specifically for embroidery class.

And we set out.

The first thing I did with my wool felt was block out four panels on it, using a greeting card envelope. Between the four (with two on each side) I left about a one-inch strip. Think book cover. The one inch strip would be the spine.

Then I pulled a micro marker out of my bag, and scrolled off a bit of a basic design, just to get the thing going.

Then I stitched! My method was really simple: reach into the bag, pull out some thread. Using whatever stitch that comes to mind, stitch! And so that's what I did.

I didn't get that far - I figured with a six hour drive I should've been able to finish the front of a panel - but things never happen the way we expect. The finished product will have two panels stitched, and then I'll fold the outside panels under the embroidered ones, put a light cardboard insert between them and stitch them closed, and then add an inside felt page, with flanel squares - to make an extra-large needlebook.

There's quite a ways to go on the embellishment on the front. It's a bit too standard right now to be "interesting," and I'd like to play a bit with texture and shading here and there on it.

I'll let you know how it goes! and I'll give you a run-down on the stitches used once I finish the front. Here's the progress so far:






]]> needlecase wip Hand embroidery stitches sampler beginner embroidery 13358 Meeta noreply@blogger.com 2006-12-05 09:39:00 2006-12-05 09:39:00 1 0 13359 elizabethdee noreply@blogger.com 2006-12-04 17:02:00 2006-12-04 17:02:00 1 0 http://www.needlenthread.com/2006/12/cretan-stitch-video-tutorial.html Tue, 19 Dec 2006 18:50:00 -0600 Mary Corbet 1132 2006-12-19 18:50:00 2006-12-19 18:50:00 open open Cretan-Stitch-Video-Tutorial publish 0 0 post

In this video tutorial for the cretan stitch, I'm working a closed band, vertically from top to bottom. You'll notice at the end of the video that the band forms a wide, almost-filled strip with a braid-like pattern down the middle of it.

Experiment with the cretan stitch for a different look, especially in creating fillings or decorative edges (for example, in crazy quilting). You can see the cretan stitch used in my "sampler" book cover here. It's the brighter green, upside-down "V" area towards the base of the first photo.

Here's the video:



For more video tutorials for hand embroidery, please visit the Video Library of Stitches Index.]]> video tutorials Hand embroidery stitches beginner embroidery 6630 Anonymous noreply@blogger.com 2009-07-13 11:54:52 2009-07-13 11:54:52 1 0 thanx alot for showing dis stiches mery]]> 8304 méri avo.meri@hotmail.com http://www.blogger.com/profile/07683673553220259451 2009-03-19 11:34:00 2009-03-19 11:34:00 1 0 9665 Bonnie noreply@blogger.com http://www.blogger.com/profile/08055385125124801136 2008-11-27 23:01:00 2008-11-27 23:01:00 1 0 9933 Kitty noreply@blogger.com http://www.blogger.com/profile/11550438563265135174 2008-11-09 21:22:00 2008-11-09 21:22:00 1 0 12568 CarolynPhi noreply@blogger.com 2008-01-03 19:00:00 2008-01-03 19:00:00 1 0 13122 tahira khan noreply@blogger.com 2007-05-24 05:23:00 2007-05-24 05:23:00 1 0 http://www.needlenthread.com/2006/11/embroidered-flower-gardens-hollyhocks.html Sun, 05 Nov 2006 07:38:00 -0600 Mary Corbet 1133 2006-11-05 07:38:00 2006-11-05 07:38:00 open open Embroidered-Flower-Gardens:-Hollyhocks publish 0 0 post
I thought it would be fun to present a series on elements of a flower garden - just small snippets from little embroidery projects I've worked, usually to use up bits of thread here and there or to test new threads.

The first flower in the series is the hollyhock...



These hollyhocks are somewhat stylized - that is, they look like hollyhocks in effect, artistic form, or context - but they obviously aren't meant to be an exact reflection of the flower!

The darker flowers are worked in hand-dyed wool, and the lighter ones are worked in two plies of stranded linen floss, all in buttonhole stitch. The centers are satin stitched in different types of silk. Some are flat silk with no twist and others are regular stranded silk.

The leaves are worked in fishbone stitch in two plies of stranded silk.

The stippling around the flowers are French knots, worked in two plies of stranded cotton.



Here's a close up of the hollyhocks. The whole stalk of flowers is approximately two inches tall.

All of the stitches above will eventually be featured in the Video Library of Stitches, so stay tuned!
]]> 13158 tablefor4 noreply@blogger.com http://www.blogger.com/profile/05308127967624340300 2007-04-28 15:32:00 2007-04-28 15:32:00 1 0 Can you please tell me...will these hollyhocks be in the tutorial? I've been looking all over on how to make them. :-)
I LOVE YOUR SITE!!
Thanks,
Lexie.]]> 13348 Fresh Flowers noreply@blogger.com http://www.serenataflowers.com/ 2006-12-12 13:34:00 2006-12-12 13:34:00 1 0 Fresh Flowers - Flowers England]]> 13388 Mary Ann noreply@blogger.com 2006-11-15 08:32:00 2006-11-15 08:32:00 1 0 http://www.needlenthread.com/2006/12/white-on-white-hand-embroidery.html Wed, 06 Dec 2006 10:49:00 -0600 Mary Corbet 1134 2006-12-06 10:49:00 2006-12-06 10:49:00 open open White-on-White-Hand-Embroidery-Revisted publish 0 0 post

You can find the original post on the subject here. I ended up picking out part of the work, and consequently marring the linen.

I reworked the same project and finished it a couple weeks ago, so I thought I'd share some photos of it. Overall, my point in this little article is to encourage readers who might be intimidated by "detail" work, especially whitework, that looks hard. This project, as far as stitching is concerned, was relatively simple!

Here's a photo of the overall piece, which is a white linen pall, a square piece of linen traditionally used to cover the chalice during the Mass. It's approximately 6 inches square.



Although the color looks a bit creamy in the photo, the linen is "ecclesiastical linen" by Legacy, which is white, and the thread I used was a #30 coton a broder by DMC.



I stitched all the lines and scrolls in a whipped backstitch - a very simple stitch! I wanted to raise the outlines a little bit, to add dimension to the piece. The grapes are stitched in a lighly padded satin stitch, and these were probably the most difficult part of the piece, only because some stitches may find it difficult to satin stitch circles well at first. I didn't necessarily want all the circles the same size or a perfectly "round" shape, but tried for at least some consistency! The insides of the double-outlined shapes (the outside circle and the inside quatrafoil) are stitched in larger seed stitches, using double stitches.



The inside of the leaves and the letters are worked with a seed stitch - tiny single stitches which I did not "randomly" work, but rather worked more or less in the direction of the leaf. Seed stitch may be randomly worked, in different directions, for a nice effect, but here I wanted something a little more organized looking.



Perhaps my favorite aspects of the piece are the dimension created by the whipped backstitch and the padded satin stitch, and the texture, provided by the seed stitches.

A hint when working white-on-white: use good lighting! It makes all the difference. For the whipped backstitch, keep your backstitches tiny and even, and do all the "whipping" in the same direction.
]]> 4014 Anonymous noreply@blogger.com 2009-12-22 15:02:52 2009-12-22 15:02:52 1 0 9162 Rita noreply@blogger.com http://www.blogger.com/profile/09710108866068797188 2009-01-18 18:58:00 2009-01-18 18:58:00 1 0 10733 Anonymous noreply@blogger.com 2008-09-01 09:48:00 2008-09-01 09:48:00 1 0 11082 Debby noreply@blogger.com http://www.blogger.com/profile/15553586938135524416 2008-08-06 13:53:00 2008-08-06 13:53:00 1 0 13302 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-02-03 17:08:58 2007-02-03 17:08:58 1 0 here. The area filled with the little speckles starting in the lower left hand corner of the fourth picture is worked with seed stitch (or "seeding" as it's sometimes called).]]> 13303 Anonymous noreply@blogger.com 2007-02-03 16:42:00 2007-02-03 16:42:00 1 0 13349 elizabethdee noreply@blogger.com 2006-12-12 06:38:00 2006-12-12 06:38:00 1 0 13353 Meeta noreply@blogger.com 2006-12-07 10:15:00 2006-12-07 10:15:00 1 0 http://www.needlenthread.com/2006/06/silk-thread-whats-difference.html Thu, 22 Jun 2006 05:27:00 -0500 Mary Corbet 1135 2006-06-22 05:27:00 2006-06-22 05:27:00 open open Silk-Thread---What's-the-difference? publish 0 0 post

Right off the bat, I will admit that my favorite threads for general embroidery are made by Au Ver a Soie, and I don't think many people will argue that Au Ver a Soie is the best silk on the market, especially once they've tried it. Au Ver a Soie has been around since the late 1800's (1875, to be precise). They produce different types of silk thread, and many of these are imported into the US through Access Commodities.

The most commonly used Au Ver a Soie is probably Soie d'Alger. This is a stranded spun silk, with 7 strands in usually 8 meter skeins, although you can special order 45 meter skeins through some sellers. In France, I believe you can acquire 390-meter hanks! That's a lot of thread! You could compare this silk in weight and usage to regular DMC, but the look is different, because it's silk. DMC is made out of mercerized cotton, which gives it its shiny finish. Mercerization is a chemical process, and over time, mercerized cotton does lose its sheen. Not so with silk. The great thing about Soie d'Alger is that it is produced in an amazing 592 colors. If you like this thread and plan to use it often, you should invest in a Color Selection Guide. It's a handy binder that has actual thread samples arranged according to palette, much like an artist would arrange paint colors. The Color Selection Guide is somewhat pricey, but I found a pretty good deal through The Twining Thread, where, if you purchase the guide, you get along with it $80-worth of coupons for Soie d'Alger. Not bad. The guide ends up costing you about $30 in that case (yes, it's $110.00!)

I've used Soie d'Alger on all types of fabric - linen, silk, cotton - and never been disappointed in the results. The range of shades within a color makes it super for needle painting. Soie d'Alger can be used for all sorts of surface embroidery stitches. It's a strong thread, too, and so it works well with drawn thread work and cutwork, even if it's not exactly "authentic" to these types of embroidery.

There are heaps of other silks available on the market - stay tuned for more.

Where to buy Soie d'Alger:

• The Twining Thread: they have an easy order page, if you know what colors you're looking for. They also have excellent, friendly, and quick service.


• Accomplishments Shop: They've recently moved from Ohio to Virginia, and apparently will be refurbishing their website soon. They sell all kinds of fine needlework goods, and their website is informative and fun.


• Nordic Needle: They also have an easy-order page, and besides the thread number, you get a description of the color. They do not stock all colors - some require special ordering.

If you want to convert colors from DMC to Soie d'Alger, you can check out a color conversion chart here.
]]> 13350 Anonymous noreply@blogger.com 2006-12-10 01:17:00 2006-12-10 01:17:00 1 0
Soie d'Alger is a stranded silk, right?

Where could I find flat silk?

Marilyn]]> http://www.needlenthread.com/2006/07/floss-thread-organization-storage-part.html Mon, 17 Jul 2006 12:11:00 -0500 Mary Corbet 1136 2006-07-17 12:11:00 2006-07-17 12:11:00 open open Floss-&-Thread-Organization-&-Storage,-Part-II publish 0 0 post here). Here are a couple other ideas that you might want to look at for storing your own stash.

Just to clarify, I'm not promoting one system of thread organization and storage absolutely over any other. I use a combination of methods. When I'm working on a particular project, I can't tote my whole stash around, so take out what I need and make it easily accessible. But how to organize a whole stash seems to be a perplexing question, since, in my opinion, there doesn't seem to be one "perfect" system.

• File-A-Floss System: I haven’t tried this one yet, personally, but I’ve read some reviews on it. If anyone has anything particular to add about it, I’d love to hear from you! The concept: a very pretty box (there are apparently five designs to choose from), in which brass rods are extended. Your floss goes in bags with hanger tabs (? I think?) on which you can write the number, and then these are hung on the brass rods. This looks like a good system, but according to customers who have bought it, it has one particular drawback, which is that the individual boxes cannot hold more than 100 skeins of floss. If you’re like me, your stash is probably considerably larger than that. BUT – think about it! – the boxes are relatively small, so if they hold 100 skeins of floss in such a small space, and look good to boot, I’d think that would be ok. You’d have to invest in a few boxes if you have a large stash. And you’d probably have to label the outside of the boxes into some sort of category. The other drawback with this one from what I can see is that it doesn’t allow for other types of threads aside from the regular skeins of DMC-type embroidery floss. If you have, then, thread on spools (some of the Au Ver a Soie silks come on spools), this probably wouldn’t be the best storage system. One thing this system has over every other idea for organization that I’ve seen is that it has “looks” appeal – arranged on a shelf, the boxes would be rather nice-looking.


• Thread Tux: All I can say on this one is that “packaging is everything” – the idea behind it is basically (again) the zip-lock bag. In this case, the bags are narrow and long like a skein of embroidery floss. The only major differences in this system are: 1. the place where you write the floss number is shaped like the front of a tuxedo, and there are four different “colors” to choose from for this space, so that you can “color code” your types of floss. 2. The shape of the bags – long and narrow, to accommodate one skein of floss. 3. The hole. Each bag has a little hole in it, right below the zip-lock (and right above the “bow tie” on the tuxedo). Through this little hole, you feed the end of your skein of floss, so that you can pull your floss out without opening the bag. This assumes, of course, that your floss will feed out perfectly. The idea is that you just slip the new skein into the bag, and feed the loose end out of this little hole. I don’t know about other people, but I don’t always have great success pulling the loose end on the skein. Sometimes, there’s a hitch, and I have to take the sleeves off and rewind the whole thing. So those are the sell points on Thread Tux. I’m not really impressed for the money. For individual projects, perhaps these might be useful, but why not just invest in the larger zip-locks that can hold a couple skeins?


• EZ Bobs: Now, I like these little guys. I use them for hand-held kumihimo disks. The concept: these are donut-shaped plastic bobbins. There’s a hole in the middle of them, and the outside, when opened, is shaped something like a yo-yo. You wind your thread around the core, and turn the plastic in, so that it closes and covers up the thread. Of course, you leave a little tail hanging out. They aren’t a bad idea for thread, and if you had a permanent workspace and a doweled cabinet to put them in, they might be a neat idea. BUT… (there’s always a but, isn’t there?) I’m not sure I’d like the idea of feeding good threads through them when they’re closed. I haven’t had any problems with thread snagging, though, so perhaps it wouldn’t make a difference. The other drawback is that you can’t see the thread, really, when they are closed (except for the little tail). You can write on the outside of the bobbin with a permanent marker to indicate the color, but then you’re stuck using that bobbin for that color. Oh – another neat thing – the individual bobbins lock together when you stack them. Again, this is something that might be great for when you’re working on an individual project. I can’t see storing a whole stash of thread on them, especially when you’ve got specialty threads and such to store as well.

So those are the thread storage and organization systems that I’m familiar with. Which do I use? Some of the above, and none of the above! For my whole stash, I’ve “invested in” (and it wasn’t a large investment, relatively speaking) the little plastic tool cabinets that you can find in the tool section at Walmart. These are small, multi-sized, multi-colored cabinets, all with drawers about as deep as the length of a skein of floss. The drawers are two widths of drawers, and, depending on the cabinet, 16 – 30 drawers in each cabinet. The cabinets aren’t big – they can easily fit on bookshelves. You can also stack them on top of each other on a work table. I have cotton flosses in green cabinets, silks and linens in red cabinets, and gold (metal threads) in the yellow cabinets. The metal threads are kept as well in acid-free plastic bags, or acid-free tissue, and then placed in the drawers. I have six cabinets in all, storing a stash of about 300 – 400 skeins of cotton, 200+ of silk and linen, and a bit of gold. I also can store spools, balls of cotton, hanks, etc., in the drawers. I also have a cabinet to hold notions – pins & needles, wood kumihimo bobbins and weights, cording, various scissors, pens, pounce, tambour needles, punch needle handles, etc. So all my “stuff” fits very easily into these cabinets, and they all fit easily onto bookshelves in my work room, or I can put them out on a table when conducting class.

I organize the threads by colors – dark blues, medium blues, light blues, etc. So each drawer actually has several different ‘numbers’ of floss in them. The drawers are clear (more or less) so from the outside, you can see which color group is in which drawer.

There is, really, a drawback (there’s always a but!). The backs of these cabinets are open. This doesn’t pose a problem when the cabinets are on a shelf, but in transporting the cabinets, it does. While the drawers don’t fall out (although they will open if you tip the cabinet forward), the stuff inside could fall out the back. So I’ve found a solution. I’ve covered the backs with matte board for now.
Obviously, when working on a particular project, you don’t want to tote a cabinet of floss around. I select my colors and put them in individual zip lock bags. I’ve found that sometimes I like them on a ring, and sometimes I don’t. Once I’m in the middle of stitching, I use a tray from my sewing basket to set the threads that I’m working with in.

And, last but not least, when I’m finished with an embroidery session, I put the individual threads back in the bags with the rest of their particular colors. This way, I avoid those unruly balls of floss that just have to be thrown away after a while.

Read Part I, which covers other thread systems, here.

That’s what I do. What do YOU do? Please share your storage tips and tricks with the rest of us!]]> 8903 Anonymous noreply@blogger.com 2009-02-05 09:13:00 2009-02-05 09:13:00 1 0
My absolute favorite is the file a floss system. Many Many years ago that company had a booth set up at a "Spirit of Crossstitch" show. At that show they were selling specialy made beautiful wood boxes that would look pretty sitting out. I bought one at a really good price on the last day of the show so I use it for my current projects that I do at my house and it sits out all the time. I did modify it a bit, I added a very small magnet ( sticky backed ) to the top tab and I park my needle there. I have a differnet needle for each thread as I am into time management and needles are cheap. I also leave the bags unzipped on current projects to save some time. I have 5 of the boxes now to store my floss. It is so easy to run my fingers down those tabs to find the colors I need. I am an office worker anyway so the file concept fits in with my way of working, my girlfriend however doesnt care for it so it just shows to each his own. Anyway, I highly recomend them - it is my favorite system and I highly recomend it.]]> 9698 carol harper noreply@blogger.com 2008-11-21 18:51:00 2008-11-21 18:51:00 1 0
They aren't cheap either!]]> 12399 Lucy noreply@blogger.com 2008-02-10 06:27:00 2008-02-10 06:27:00 1 0 Links with this issue are welcome...
Thank you.]]> 12420 Anonymous noreply@blogger.com 2008-02-03 06:45:00 2008-02-03 06:45:00 1 0
Basically the floss slips as is onto a "stitch bow" and the identification band from the floss fits onto the end of the bow and this then slides into a variety of storage devices.

There are sleeves that hold 15 stitch bows and these sleeves file neatly into 2 ring binders.

The stitich bows can also be stored in a travel pouch or box.

They are great for mobility as I can put the just the stitch bows I am working with into a sleeve nand put this into my craft organiser.

I am a bit (ok, a lot) obessive/complusive when it comes to ensuring my threads are neat so this new system gets my vote.

THANK YOU DMC !!!]]> 12580 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-31 08:29:32 2007-12-31 08:29:32 1 0
But it would be a heck of a lot easier if stranded cotton did come on spools!!]]> 12581 Andi noreply@blogger.com 2007-12-31 06:52:00 2007-12-31 06:52:00 1 0 13203 mostlytextiles noreply@blogger.com 2007-03-31 01:00:00 2007-03-31 01:00:00 1 0 now) will be my ticket, as it will be have enough drawers for threads, tools, findings, widgets, et al. All I need to do is find 'the perfect one' and settle on it.

Love your site, BTW. I've just leaped back into this side of textile work after a long hiatus, and am so happy to find the kind of resources you offer. Thanks for sharing so much of your knowledge!]]> 13237 Anonymous noreply@blogger.com 2007-03-08 21:22:00 2007-03-08 21:22:00 1 0 13351 Allie Orange noreply@blogger.com 2006-12-08 20:55:00 2006-12-08 20:55:00 1 0
Thanks again for the great site!]]> 13448 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-08-16 07:05:07 2006-08-16 07:05:07 1 0 13458 kellybean noreply@blogger.com 2006-07-20 07:30:52 2006-07-20 07:30:52 1 0 13459 kellybean noreply@blogger.com 2006-07-20 07:27:00 2006-07-20 07:27:00 1 0 13461 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-07-18 07:33:41 2006-07-18 07:33:41 1 0 BraidersHand]]> 13464 Tasha Grimski noreply@blogger.com 2006-07-17 18:37:37 2006-07-17 18:37:37 1 0 http://www.needlenthread.com/2006/12/embroidered-book-cover-progress.html Fri, 08 Dec 2006 09:14:00 -0600 Mary Corbet 1137 2006-12-08 09:14:00 2006-12-08 09:14:00 open open Embroidered-Book-Cover-Progress publish 0 0 post

The free-style embroidery sampler - rather whacky and completely spontaneous - will serve as a cover for a needlebook. Supposedly, when I finish it, I will have the "ideal" needlebook. Boy, have I got plans for this thing! But we'll see if they actually materialize the way I picture them!

In the meantime, I've been stitching away on the cover, and this is it so far. For me, this spontanious approach is rather different. Basically, I determined that I would reach for a color and decide on a stitch (or variation) and just stitch away, without any set plan of design or anything. It's actually rather fun to go about things this way - and very relaxing.

This is where it was last time I posted.

Here's the cover now, though by no means finished. (Although I am beginning to realize that one can definitely go overboard on this kind of thing!)



I'm not so keen on the big scrolly things in the middle now. I'm going to have to tone them down a bit. I've started added in some little flowers here and there, but haven't finished them. The whole thing is 5 x 7 inches.



The stitches on this section are pretty clear - portuguese knotted stem, buttonhole, whipped backstitch, daisy, and stem stitch, with some puffy and twisted couching at the very top.



Here, you've got some interlaced chain, somewhat modified. I ran through the center with little running stitches in coral on the blue chain, then laced the coral through. This is perle cotton #5 - in fact, all of the thicker threads in this thing are #5 perle cotton, and then I'm using some overdyed cotton and silk here and there, and a little bit of purple coton a broder.



Here's a close up on the puffy couching, which I twisted a bit. It's a bit whackier looking than I had planned, but it's "ok." In other words, I don't plan to take it out!

So there it is so far.

I was thinking of all the applications for free-style embroidery done like this. An embroidered purse, pouch, book covers, pillows, Christmas stockings, and whatnot. In fact, for my youth class this coming summer, I think we will "sampler" like this, and make pencil cases for them to use the following school year. Or Christmas stockings - I like that idea. Well, I'll keep you posted!
]]> 13352 Anonymous noreply@blogger.com 2006-12-08 10:46:00 2006-12-08 10:46:00 1 0 http://www.needlenthread.com/2006/12/embroidery-video-tutorial-blues.html Wed, 06 Dec 2006 13:35:00 -0600 Mary Corbet 1138 2006-12-06 13:35:00 2006-12-06 13:35:00 open open Embroidery-Video-Tutorial-Blues! publish 0 0 post

...but for some reason, all the video tutorials I've tried to produce in the past week have turned out so poorly, there hasn't been any point in posting them!

In fact, I'll give you an example. Check out the cretan stitch video below. It's awful! The sound is ok, but the image stinks. I suspect this may have something to do with the video host, but I will reserve comment until all possibilities have been explored.

In the meantime, I hope you keep reading the occasional snippets and that you stick around for the eventual moment when the situation is rectified!

If you have any technical clues as to what the problem may be, I'm all ears!

Here's the last of four or five videos I've uploaded in the past five days, all of which have been as bad or worse as far as quality goes:





]]> 13323 Melissa honeybeesbliss@gmail.com http://www.blogger.com/profile/03924555921398610822 2007-01-16 00:11:00 2007-01-16 00:11:00 1 0 I am not a tech expert by any means, but that would be my best guess from what it looks like.]]> 13354 Anonymous noreply@blogger.com 2006-12-07 10:11:00 2006-12-07 10:11:00 1 0 Also thanks for shwowing the stab method...I don't have the coordination to do it the other way!]]> http://www.needlenthread.com/2006/10/goldwork-on-blue.html Wed, 25 Oct 2006 17:37:00 -0500 Mary Corbet 1139 2006-10-25 17:37:00 2006-10-25 17:37:00 open open Goldwork-On-Blue publish 0 0 post

The piece is stunning. I'm not sure what I like best about it - the arrangement of the design, the fact that it's on blue, the lattice work in that central motif, with the little jewels - or the contrast formed by the white lace hanging in the upper right. I suspect that this is a robe on a statue of Mary in some church somewhere. On wikipedia it says something about St. Laurentius, and in the name of the photo included "mantle" and "olv." The Latin at the base of the central motif translates to "as a lily among thorns."

Whatever the case may be, the piece is gorgeous. I've left the full-sized image, so you can click on the photo and see it much larger. Enjoy!!



]]> 8442 Robin noreply@blogger.com http://howtomakemoneyontheinternet.info 2009-03-05 17:16:00 2009-03-05 17:16:00 1 0 10731 Anonymous noreply@blogger.com 2008-09-01 10:59:00 2008-09-01 10:59:00 1 0 11002 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-13 18:06:35 2008-08-13 18:06:35 1 0
You should put something over the velvet - such as a fine tear-away stabilizer, or (as they did in the past) a kind of silk gauze, that can be removed thread by thread after stitching. You need something to hold the threads up out of the pile while you stitch. Often, a design would be worked first on linen, and then attached to the velvet background. So it just depends on how you want to go about it. I think a light-weight tear away stabilizer would work, as long as you're really careful when removing it. You wouldn't want to crack any purls or anything....

Experiment, and let me know what happens!!!]]> 11004 Anonymous noreply@blogger.com 2008-08-13 15:29:00 2008-08-13 15:29:00 1 0 Christiana]]> 12830 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-05 13:28:45 2007-11-05 13:28:45 1 0 12831 Maggi noreply@blogger.com 2007-11-05 12:01:00 2007-11-05 12:01:00 1 0
I thought of this entry of yours the minute I saw her pictures! Her picture is of "Our Lady of the Pillar" in a cathedral of the same name.]]> 13355 Anonymous noreply@blogger.com 2006-12-07 01:18:00 2006-12-07 01:18:00 1 0
Marilyn]]> http://www.needlenthread.com/2006/11/needles-for-hand-embroidery.html Thu, 30 Nov 2006 07:41:00 -0600 Mary Corbet 1140 2006-11-30 07:41:00 2006-11-30 07:41:00 open open Needles-for-Hand-Embroidery publish 0 0 post

I use a couple online sources for needles - Joann's (especially when I can get free shipping!) for everyday embroidery needles, and to lay in supplies for embroidery classes. When I teach children, I have two good reasons for having plenty of needles - 1. they tend to disappear, somehow and often; 2. when working with children, I like for them to have several needles threaded and ready at once, so they don't have to stop to fumble with threading. So Joann's works pretty well when I want a good supply of every day embroidery needles.

For special projects, though - especially for fine hand embroidery - I have "favorites." These are the needles I keep in a separate small envelopes, wrapped in tissue, and labeled carefully. I get them from Wendy Schoen Designs. They're "the highest quality English needles" and they come in individual packs according to type, or in variety packs. If you're interested in extra fine needles for detail work, you might want to check out Wendy Schoen's selection of hand embroidery needles. A variety pack (the purple envelope's my favorite!) would make a great birthday gift for your favorite stitcher - or an excellent stocking stuffer for Christmas!

]]> http://www.needlenthread.com/2006/11/art-of-embroidery-book-recommendation.html Wed, 29 Nov 2006 05:49:00 -0600 Mary Corbet 1141 2006-11-29 05:49:00 2006-11-29 05:49:00 open open The-Art-of-Embroidery---Book-Recommendation publish 0 0 post The Art of Embroidery by Lanto Synge. This is not a technique book - it's a history book.

Mr. Synge takes the embroidery enthusiast on a journey through the development of embroidery, packing his book with hundreds of color photos that are awe-inspiring. Yes, this stuff used to be done by hand!! Some of the work is utterly unbelievable. Thumbing through the pages is almost as good as seeing the works in person, especially since Mr. Synge gives a very readable history of the techniques, people, and places in the "glory days" of embroidery's past.

You'll get not only an in-depth look at historical embroidery in Western culture, but you'll also be instructed on the influence of Eastern countries on the textiles in the West.

The only problem with the book is the price tag, I guess. You can purchase it new through Hedgehog Handworks, for a mere $95. This is one of the reasons I think it's for the serious embroidery enthusiast! I was able to find a copy, new, at ABE Books for less than $50, but I think it was a steal! I haven't seen one since for that price.

If you've got someone who is close to you who loves needlework, textiles, or history, I think this would be a special gift. It makes a great coffee table book. At my house, people generally indifferent to the art of embroidery still pick it up and flip through it often, enamored by the photos and awed by the magnificent work of past ages.
]]> 13373 Anonymous noreply@blogger.com 2006-11-29 10:31:00 2006-11-29 10:31:00 1 0 http://www.needlenthread.com/2006/11/embroidery-design-contest-countdown.html Mon, 27 Nov 2006 07:58:00 -0600 Mary Corbet 1142 2006-11-27 07:58:00 2006-11-27 07:58:00 open open Embroidery-Design-Contest---Countdown! publish 0 0 post 1st place - $50 off an online purchase from Twining Thread, where you can find fabrics, threads, and accessories for hand embroidery; 2nd place - a $25 gift certificate to Nordic Needle, another great resource for an array of fabric, threads, kits and accessories.

The guidelines for the contest can be found here: Christmas is Coming Design Contest

All entries should be e-mailed to me at mary@needlenthread.com by midnight, CST, on November 30th.

Join in on the fun - it's a relatively easy way to pick up some extra funds for embroidery supplies!

And, to be quite honest, the competition isn't too stiff right now as the number of entries is very low, so anyone who enters has a pretty good chance of winning!

If you can drum something up, I look forward to hearing from you!
]]> 13375 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-28 18:15:19 2006-11-28 18:15:19 1 0 13376 Anonymous noreply@blogger.com 2006-11-28 10:14:00 2006-11-28 10:14:00 1 0 http://www.needlenthread.com/2006/11/looking-for-deal-on-ott-lites.html Tue, 28 Nov 2006 06:01:00 -0600 Mary Corbet 1143 2006-11-28 06:01:00 2006-11-28 06:01:00 open open Looking-for-a-Deal-on-Ott-Lites? publish 0 0 post at Joann's online, believe it or not!

This is the deal. Joann's has on online coupon running for 50% off the regular price of one item. The coupon code is NOVA650. You won't find it on their website right now, but - with a little online hunting - you can usually find coupon codes for Joann's and other craft places.

This particular coupon expires November 30th, so you have to jump on it if you're interested - and hey, it's not just for Ott Lites! It's 50% off any one regular priced item. You might be looking for a sewing machine!

You can also get free shipping right now at Joann's, until November 30th as well - but, here's the hitch - you can't combine free shipping with other offers. So it won't work with this 50% off deal. But if you're interested, the coupon code for free shipping is NOVFSH6.

You can get to Joann's official website through the link in the left-hand column. You'll see the free shipping coupon there, but you won't see the 50% off coupon - you just have to put the coupon code in at checkout. It works - we just bought an Ott Lite for Christmas for my folks this way! We saved $130! But shhhh! It's a surprise!
]]> 13377 Anonymous noreply@blogger.com 2006-11-28 10:03:00 2006-11-28 10:03:00 1 0 http://www.needlenthread.com/2006/06/basic-embroidery-stitches.html Fri, 23 Jun 2006 23:03:00 -0500 Mary Corbet 1144 2006-06-23 23:03:00 2006-06-23 23:03:00 open open Basic-Embroidery-Stitches publish 0 0 post

• Line Stitches: Running stitch, whipped running stitch, backstitch, outline stitch, stem stitch, and couching.


• More Line Stitches: Coral Stitch, Scroll Stitch, Portuguese Knotted Stem Stitch


• Chain Stitches


• Detached Stitches & Knots


• Buttonhole Stitch & Its Various Uses


• Filling Stitches - Part I: fishbone and flat stitch


• Filling Stitches - Part II: Satin Stitch

If you would like to see video tutorials of these stitches and more, please visit the Video Library of Stitches.
]]> 3954 Molly noreply@blogger.com 2009-12-25 16:31:55 2009-12-25 16:31:55 1 0 7693 LoveNegimaMaoChan noreply@blogger.com 2009-05-06 16:28:00 2009-05-06 16:28:00 1 0 10146 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-17 06:29:31 2008-10-17 06:29:31 1 0
I'm so glad your little girls can watch the videos and learn to embroider! That's great!! And six years old - I think it's really wonderful to see kids learning, at a young age, how to stitch!

Best,
Mary]]> 10150 Sandlin Family noreply@blogger.com http://www.blogger.com/profile/16354825165689352435 2008-10-16 19:03:00 2008-10-16 19:03:00 1 0
Thanks for creating this awesome website and for offering it as free information. I have twin girls who are 6 and are earning their embroidery badge for Faith Keepers (Keepers of the Home). I haven't done embroidery since I was a teen and had forgotten much. The girls have had an easier time of learning a stitch because they can watch the video. Thanks so much!
Tam]]> 11070 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-08-08 12:38:07 2008-08-08 12:38:07 1 0
Well, with the kids I teach, I found that using a "fun" design - such as any of the iron on patterns available today, or even one of the simpler patterns listed on my patterns page - works fine as a sampler. You just pick different stitches to try, dressing it up.

You could also draw your own sampler. You could draw a series of lines, her name, some little motifs around it, etc., and practice different stitches on that.

Hope that helps!]]> 11071 Anonymous noreply@blogger.com 2008-08-08 12:34:00 2008-08-08 12:34:00 1 0 I used to embroider looong time ago. My 11 year old daughter is interested in learning now so I was looking for a "sampler" type project for her. Something simple but 'educational'. I've looked and looked but all I can find is descriptions of samplers instead of patterns. And, I'm looking for a free pattern, too. Might you have any suggestions?

We both thank you very much!]]> 11968 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-19 15:54:18 2008-04-19 15:54:18 1 0
I use a waste knot to start, and I either stitch towards the knot, or I clip the knot when I'm finished with that thread, thread my needle, and run the beginning thread through the back of my stitches.

For ending, I run the thread through the back of my stitches, weaving it, or wrapping it, depending on the types of stitches I've used.

You can see how to end threads on this video tutorial for running stitch:

Running Stitch and Finishing Threads

Hope that helps!]]> 11972 Anonymous noreply@blogger.com 2008-04-19 12:47:00 2008-04-19 12:47:00 1 0 12529 mec noreply@blogger.com 2008-01-15 22:29:00 2008-01-15 22:29:00 1 0 thank u for the information.
mec]]> 12542 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-15 07:31:39 2008-01-15 07:31:39 1 0
This is also called "pistol stitch," I think. It's simply an elongated French knot. You'll find a French knot video tutorial in the video library. All you do is put your needle back into your fabric a bit farther away than you would for a French knot, to give the French knot a tail.

I recorded the pistol stitch a couple weeks ago, so I'll be editing it soon and it'll be available as a video in the next couple weeks.

Thanks,
MC]]> 12543 mec noreply@blogger.com 2008-01-15 03:46:00 2008-01-15 03:46:00 1 0 12593 Golden Girl noreply@blogger.com http://www.blogger.com/profile/13089533367014809847 2007-12-27 15:22:00 2007-12-27 15:22:00 1 0
I just found your site and love the videos. I recently fell in love (again) with hand embroidery. The videos have been very helpful as a refresher.

Golden Girl]]> 12634 Anonymous noreply@blogger.com 2007-12-13 02:27:00 2007-12-13 02:27:00 1 0
This is a very good site for learning the stitches. But I still have some doubts on the thickness of threads to use for each type. Also it would be great if you can show some color combinations for the options that you have suggested
Princy]]> 13105 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-06-09 12:50:57 2007-06-09 12:50:57 1 0 http://lacis.com/catalog/
If you look under Materials, then Cords & Threads, then Needlework, DMC, etc., you'll find a selection of coton a broder. Look for the one labeled "cutwork thread #25", which comes in 17 colors. That's what I'm using. You can also order #16 in colors, as well as smaller sizes (up to #40) in white.

Hope that helps!]]> 13106 candace wagner noreply@blogger.com 2007-06-09 12:26:00 2007-06-09 12:26:00 1 0 I am so glad to have found this site! I now have it in my favorites. Thank you so much for the stitch instructions. My question is about the type of thread you used in the satin stitch video. "Cotton Abroder"? I am having trouble finding it, where should I look? I really liked the sheen. My work is usually done with paint...I'm getting into learning to "paint" with thread...your video tutorials are a huge help!Thanks,
Candace Wagner]]> 13380 Anonymous noreply@blogger.com 2006-11-26 05:25:00 2006-11-26 05:25:00 1 0 thanks so much for the cleardescriptions and everything. I am a beginner at 38 years old I will definetly be back so expect to see a lot more of me. Your descriptions were wonderfully described and written descriptions were very clear,
from a loyal embroiderer,
mary(my name to)]]> 13454 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-08-08 07:44:59 2006-08-08 07:44:59 1 0 13457 Anonymous noreply@blogger.com 2006-07-21 09:10:00 2006-07-21 09:10:00 1 0 thank you so much for your clarity and encouragement in stitching instructions. I am a total beginner, at 44 years old, to embroidery and find it a bit overwhelming - however, your wonderfully illustrated and written instructions inspire me! Vicki Earthrowl]]> http://www.blogger.com/ Mon, 20 Nov 2006 08:05:00 -0600 Mary Corbet 1145 2006-11-20 08:05:00 2006-11-20 08:05:00 open open Fabric-for-Embroidery:-Ideas-on-Organization,-Information-on-Fabric draft 0 0 post

Many of us, when we begin to embroidery, don't venture beyond what we're used to, or we might not even know what's out there!

I'll begin my fabric discussion

]]> http://www.needlenthread.com/2006/11/hand-embroidery-sources-of-inspiration.html Tue, 14 Nov 2006 22:27:00 -0600 Mary Corbet 1146 2006-11-14 22:27:00 2006-11-14 22:27:00 open open Hand-Embroidery:-Sources-of-Inspiration publish 0 0 post

I just can't help it. Pouring over them, I started thinking, "This would be GREAT to embroider! And so would this! And this!...."

Aside from embroidery, I dabble in a few other engaging pursuits. One of them (work-related) is graphics and layout for printed publications. Another (fun-related) is calligraphy.

As I was preparing a layout for our school's annual Christmas card, I thought it would be fun to incorporate some decorative calligraphy elements - which I didn't actually end up doing - but I did pick up a couple books for inspiration, and - voila! - I now find myself contemplating their uses in the embroidery world.

The first book is a Dover book called Illuminated Initials in Full Color. It's backed with around 550 colored illuminated initials and borders suitable for the art of calligraphy. But who says it's limited just to that?? While the initials may bring to mind embroidered monograms, it's the decoration of them that really captures me. The other book I picked up is the newly published Bible of Illuminated Letters, which is a step-by-step instruction book in calligraphy and illumination (filled with gorgeous examples!)



Within the pages of both books are all kinds of sources for inspiration - nature, geometric patterns, color combinations.



How the designs could actually be used might be a question - but I figure anything you would normally decorate with embroidery could easily serve as a "canvas" for a design inspired from the illuminations in manuscripts.



Can you say redwork? And monogram? Why not? I could see this embroidered in satin stitch, with tiny backstitches surrounding the initial to make the filigree border.



Crewel work, anyone? On a pillow, or in a little frame for a friend's wall (or your own!)...



How about stumpwork?

I'm pretty sure this is not a "new" idea - in fact, certain styles of illumination and certain styles of embroidery have a lot in common, doubtless because they were produced in the same age. Certain types 17th century illumination and stumpwork or Jacobean work often look a lot alike!

So many ideas - so little time!! But before the year's out, I plan to get an "illuminated embroidery" project set up (a great Christmas vacation project, perhaps?)

So where do YOU find sources of inspiration?



]]> http://www.needlenthread.com/2006/11/great-iron-on-transfer-patterns-for.html Mon, 13 Nov 2006 06:00:00 -0600 Mary Corbet 1147 2006-11-13 06:00:00 2006-11-13 06:00:00 open open Great-Iron-on-Transfer-Patterns-for-Hand-Embroidery publish 0 0 post

The magazines are called Mains et Merveilles, and yes, they're in French. However, even if you don't speak a lick of French, if you're looking for nice iron-on designs with clear instructions, these are the books for you!



There are five issues that I can find readily available in the States and that deal with different types of surface embroidery: one on cutwork, one on household linens, one on baby items, one on flowers and animals, and one on embroidered initials with all kinds of embellishment.



Not only will you find color photos instructing you on stitches, but you'll also find hints on fabric set-up and other useful points of embroidery. Worried that they're in French? Don't be! The photos give clear instructions - and, if you really get stuck, you can type the words into a free online language translater.

The thing about these magazines, though, is the magnificent selection of classy, beautiful patterns for hand-embroidery. And they're all tucked right into the center of the magazine, full size and ready to iron-on.



You can find all five magazines available at Hedgehog Handworks. They're $12.00 each, which is not bad. The first one I came across was through a different online shop, where they were charging $20.00 for it! I bought the cutwork issue for $20, then found all five of them available through Hedgehog Handworks for $12 each! One of those moments...
]]> 5999 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-08-22 09:33:25 2009-08-22 09:33:25 1 0 6008 worksofhands noreply@blogger.com http://worksofhands.wordpress.com/ 2009-08-21 19:17:42 2009-08-21 19:17:42 1 0 I love the projects and photographs. If one has experience with the techniques, it would be easy to reproduce the projects, without worrying about the language.]]> http://www.needlenthread.com/2006/11/embroidered-flower-gardens-daisies.html Wed, 08 Nov 2006 06:10:00 -0600 Mary Corbet 1148 2006-11-08 06:10:00 2006-11-08 06:10:00 open open Embroidered-Flower-Gardens:-Daisies publish 0 0 post



These daisy petals are worked in two strands of cotton using lazy daisy (or detached chain) stitch. In the middle of the petals formed by the stitch, I worked a long straight stitch in different colors of yellow, using one strand of over-dyed cotton. The French knots are worked in two strands of yellow.



And here you have some more daisies using the same stitches, without the straight stitch in the center. A variety of over-dyed silks and cottons are used in this part of the garden. Notice that the greenery is also worked in daisy stitch.

The daisy stitch is a simple way to make nice looking flowers for embellishment. Don't limit yourself to five or six petals, either - you can pack more around a center, make your petals long, and work some short ones over them for depth. Experiment and see what happens!

Have fun with it!
]]> http://www.blogger.com/ Sun, 12 Nov 2006 19:24:00 -0600 Mary Corbet 1149 2006-11-12 19:24:00 2006-11-12 19:24:00 open open Embroidery-Fabrics:-What-to-Choose?? draft 0 0 post
Before I go any further, let me clarify: you can embroidery on just about ANYTHING. You don't have to use "embroidery" fabric (or fabric sold solely for embroidery). You can embroider on denim, leather, rayon, satin, silk, cotton, wool, felt, knits, vinyl, linen, tulle, flannel - you name it, you can embellish it with embroidery.

That being said, most needleworkers have their favorite types of fabric, depending on what they like to do. Wading through the terminology of fabrics can be confusing, and, if you don't have the stuff right in front of you to feel and scrutinize, you can make a lot of expensive mistakes ordering the wrong stuff.

Here's an index of fabrics I've embroidered on or with. Click on the link for a breakdown of types and descriptions. When possible, I'll include an upclose picture and I'll even tell you, if I can, where you can find the goods.

• Linen
• Cotton
• Silk

]]> http://www.needlenthread.com/2006/11/embroidered-flowers-using-buttonhole.html Sat, 11 Nov 2006 12:46:00 -0600 Mary Corbet 1150 2006-11-11 12:46:00 2006-11-11 12:46:00 open open Embroidered-Flowers-using-Buttonhole-Stitch publish 0 0 post
This first flower is a stylized hollyhock. For another example of hollylocks shaped differently, check out my hollyhocks embroidered in wool.



These pink hollyhocks are embroidered with floche, in buttonhole stitch, with French knots for the centers. The dime is included to give you an idea of the size of the flowers.



The leaves on these little flowers are also buttonhole stitch, worked on linen using floche.



The various shades of pink floche worked in buttonhole stitch here create a stalk of bell-like flowers.



This tiny bunch of pansies is also embroidered in floche, using the lazy daisy stitch for the top petals, with the base petals in yellow done in buttonhole. That's the edge of a dime in the photo. The stitches are tiny!

To learn how to work the basic buttonhole stitch, check out the buttonhole video tutorial.

Have fun with it!

]]> 12100 Anonymous noreply@blogger.com 2008-04-03 09:56:00 2008-04-03 09:56:00 1 0
I kept looking for the word "nondivisible", so I thought I wasn't finding the right thing.

Thanks again! J.Mosley]]> 12103 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-03 08:06:49 2008-04-03 08:06:49 1 0
Even though coton a broder is "4-ply" it isn't actually divisible. Well, I guess if you really wanted to you could divide it. But it isn't meant to be divided. It would "fuzz up" if you tried, methinks. By 4-ply or 5-ply, it means that it is 4 plies twisted together to make one strand.

Floche is a lot finer than coton a broder, and I think it's probably a bit looser on the twist.

Hope that helps!]]> 12104 Anonymous noreply@blogger.com 2008-04-03 07:18:00 2008-04-03 07:18:00 1 0
Mary, what is the difference between coton a broder and floche, or are they the same thing?

Also, I'm looking at the coton a broder on the lacis site and the description is saying 4-ply. After Googling, I found floche on another site but it's described as 5-ply.

I'm having trouble finding the nondivisible thread that I've seen you mention in some of the video tutorials. It's probably right under my nose but I'm not finding it. :(

Thank you! Jeannine]]> http://www.needlenthread.com/2006/11/embroidery-design-contest-revisited.html Thu, 09 Nov 2006 05:10:00 -0600 Mary Corbet 1151 2006-11-09 05:10:00 2006-11-09 05:10:00 open open Embroidery-Design-Contest-Revisited! publish 0 0 post definitely the prizes!

For first prize, Twining Thread is offering $50 off your order from their shop, and for second prize, Nordic Needle is offering a $25 gift certificate. Both online shops are a great place for embroidery supplies! Just think - you want to try Au ver a Soie silks, but you don't want to make the investment? Both shops carry them! Do you want a nice new piece of fine linen? Both shops have a great selection! What about some new hoops, needles, or just a reduction on a major purchase that you want to make?

Your design can be anything that remotely resembles (or can be adapted to) the holiday season - and in any type of embroidery: Hardanger, blackwork, general surface techniques, it can be an outlined design, or a filled design, it can be cross stitch (as long as it employs two more stitches), needlepainting, whitework (white on white embroidery - great for a nice snowflake table runner or something), anything at all that you can think of, go for it!

The only conditions are the size of the design (fits in an 8" x 8" perimeter), the deadline, the employment of a minimum of three suggested stitches, and the guarantee that it isn't a previously-published design. You can read the nitty-gritty details here. Though the list seems long, they're not too nitty-gritty.

A lady contacted me and told me her 13 year old daughter wants to enter, but her speciality is "drawing dragons" - could she do a dragon with a Christmas theme to it? I told her certainly! What a great idea! It really can be anything!

The fun part will be posting the designs for everyone to see! The designs, of course, remain yours - they won't be sold or used for anything commercial - but they will be displayed here on Needle'NThread.

If you've drummed up a design and want to send it in, e-mail it to mary@needlenthread.com!

Have fun with it!
]]> http://www.needlenthread.com/2006/11/vintage-needlework-books-on-sale.html Wed, 08 Nov 2006 06:46:00 -0600 Mary Corbet 1152 2006-11-08 06:46:00 2006-11-08 06:46:00 open open Vintage-Needlework-Books---On-Sale-through-November! publish 0 0 post from Iva Rose Productions. The Carmela Testa books on cut work are a great resource if you like whitework, and the Butterick collection books (such as "Fancy Stitches" and "The Art of Drawnwork") are great for any embroiderer's bookshelf. But the real reason I'm posting this notice now is that through the end of November, Iva Rose Productions is offering half price on all their books! Now, that's a good deal!
]]> http://www.needlenthread.com/2006/11/good-resource-for-design-ideas.html Tue, 07 Nov 2006 07:10:00 -0600 Mary Corbet 1153 2006-11-07 07:10:00 2006-11-07 07:10:00 open open Good-Resource-for-Design-Ideas... publish 0 0 post The Grammar of Ornament by Owen Jones was produced in the 1800's as a representative collection of the prominent catagories of ornamental art. For years, this work was considered "the" classic ornamental art resource for students and designers alike, as well as a masterpiece of color printing...


The thousands of examples of ornamental motifs in the work come from all the ages and empires of history. They can be adapted in form or style to embroidery or textile techniques.

You can order the Grammar of Ornament in different places around the web - probably the most thorough digital source being from Direct Imagination. The $199 price tag can be a bit intimidating, though.

You can also find a CD-ROM version of Grammar of Ornament through Amazon at a little more reasonable price, though lacking the extras promised by Direct Imagination.


But, if you just want to LOOK at the images, to browse through the book for ideas for borders, backgrounds, shapes, images, etc., you can do it right online for free. The images won't reproduce all that well for graphic work (if you're wanting to do this, you should invest in the Direct Imagination edition), but you get a good representation of what's in the book. You'll find it at University of Wisconsin's Digital Library for the Decorative Arts and Material Culture - where you'll find a huge collection of online book on the decorative arts throughout the ages. You'll find the online version of Grammar of Ornament here.

]]> http://www.needlenthread.com/2006/11/embroidered-flower-gardens-french-knot.html Mon, 06 Nov 2006 18:00:00 -0600 Mary Corbet 1154 2006-11-06 18:00:00 2006-11-06 18:00:00 open open Embroidered-Flower-Gardens:-French-Knot-Flowers publish 0 0 post

Don't limit yourself to the centers of flowers! Bunch them together and see what you can create. The French knot is an easy stitch to work. Check out the French knot video tutorial for help.



These flowers are stitched with two strands of overdyed cotton. The stems are worked in stem stitch, and the leaves are detached chain stitches.


]]> http://www.needlenthread.com/2006/11/embroidery-design-contest-with-prizes.html Wed, 01 Nov 2006 07:19:00 -0600 Mary Corbet 1155 2006-11-01 07:19:00 2006-11-01 07:19:00 open open Embroidery-Design-Contest---With-Prizes!! publish 0 0 post Twining Thread and Nordic Needle have both agreed to participate in an embroidery design contest sponsored by Needle'nThread!! Join in for a chance to win two great prizes from two great embroidery shops! Read on for the details...

From beginners to experts, most hand-embroiderers eventually draw up a design of their very own to embroider - and what satisfaction, to complete a project where you can say, "Thanks. I designed it myself!"

To get the creative juices flowing, I thought it would be fun to see what the rest of the embroidery world does when dabbling in design - and decided to propose a contest. Joey at Twining Thread and Roz at Nordic Needle agreed to offer the following prizes:

• First Prize: from Twining Thread - a $50 discount on one order


• Second Prize: from Nordic Needle - a $25 gift certificate to spend in their online store

Both shops carry a large selection of supplies for hand embroidery, from fabric, floss, and ribbon, to kits, to all kinds of accessories, including hoops and frames. They also offer friendly, professional, and knowledgeable service, so check them out and see why it would be GREAT to win these prizes!

The Contest
It's an informal contest, and anyone can enter. These are the guidelines:

• The Theme: Since the holidays are approaching, I thought a holiday-type theme would be appropriate – so the theme of the contest is “Christmas is coming!” This means it can be anything that has to do with Christmas, winter holidays, etc., or that evokes ideas of Christmas – so, for example, geometric-type patterns, floral patterns, scenery, etc. are all fine, as long as they are related to Christmas or winter holiday themes or adaptable to uses for the holiday season (such as ornaments, table cloths, tea towels, greeting cards, etc.)


• Submit an original design for surface embroidery, the dimensions of which may be no larger than 8 inches by 8 inches. It may be smaller than this, and it may be any shape, as long as it fits within an 8x8 parameter.


• You have the whole month of November to work on it! Your design must be submitted by midnight CST, November 30th, via email to mary[at]needlenthread.com


• The design may be for any kind of surface hand embroidery, but it has to employ at least three different types of stitches.


• Your design should include recommended color & stitches. It may be produced in color or black and white, and in fact, you may even stitch a sample of the design, and send a picture along with it, although a picture of the finished product is not necessary (but would be nice!)


• The design must be original: that is, you created it yourself! And it must be previously unpublished.


• The design remains YOURS. However, by submitting your design to the contest, you give Needle'nThread permission to publish it on this website for this contest. It will not be used for any commercial purposes, although you should understand that if people like it, they will probably download it for personal use. On any submitted designs that are published on the site, I will include the designer’s name and commentary.


• Viewers will also have the opportunity to “judge” designs as they are posted by commenting on them. However, the final decision on the winning design belongs to Needle'nThread, as well as the decision about what will be posted (for example, I will not post anything that is indecent or offensive).


• You may submit more than one design.


• Prizes are non-transferable.

Submission Directions & Formats: Attach your design to your email directed to mary[at]needlenthread.com, in any of the following formats: jpg, gif, PDF, or Word Document. Deadline: Midnight, CST, November 30th. Include your name, location, your age if you want, and make sure I have the correct e-mail address for a response. Winners will have to submit their address.

You might ask what's the point of the contest -- it is merely this: to excite people about embroidery, to interest them in thinking of their own designs, and to have fun with it!

ANYONE can do this! So join in the fun! Good luck. E-mail me if you have any questions!
]]> 13398 Mrszam noreply@blogger.com 2006-11-01 08:54:00 2006-11-01 08:54:00 1 0 http://www.needlenthread.com/2006/10/is-lacemaking-lost-art.html Tue, 31 Oct 2006 06:33:00 -0600 Mary Corbet 1156 2006-10-31 06:33:00 2006-10-31 06:33:00 open open Is-Lacemaking-a-Lost-Art? publish 0 0 post A Manual of Lace, published in 1947 by Cassell & Company. As I was turning the pages in awe, I realized that they just don't make it like they used to! But is this the case? So I looked up some lacemaking resources...

It seems that "real" lacemaking (as found in this book) is pretty rare, although a few types of lace still enjoy popularity, and some, it seems, are making a come-back.

My first venture into lace-making was a short bout with bobbin lace. Visiting one of the Smithsonians in DC one summer, I was lucky to arrive at the textile section of the museum as a demonstration of bobbin-lace was going on. The smooth and easy motion of the bobbins being twisted and carried from one side of the pillow stand to another, back and forth, twisted, lifted, moved.... oh, yes. It was mesmerizing, and I was hooked! I bought the supplies and settled in to learn the art. Um... well. What can I say? It's about the only handwork that I am certain cannot be learned from a book - for me, anyway!

Needle-run lace, such as Carrickmacross and Limerick lace, caught my attention about two years ago. This led me to tambour lace, so I invested in a tambour needle and some tulle to give that a try. It was a bit more difficult than I expected, but once I got the hang of the needle, it worked up quickly. A tambour needle is basically like a tiny latch-hook needle, without the latch. The technique works almost the same way that a sewing machine works, it seems, as the needle goes down into the tulle and catches the thread below, pulling it to the front of the fabric to create a chain-stitched line.

The author of my new old book, Jeanette E. Pethebridge, insists that "lace-making is a handicraft that can be practised by anyone who possesses aptitude with the needle." Considering that many forms of lace are embroidery on a ground fabric (such as tulle), I agree. With needle-run lace, I found something I could relate to, though I felt like a fink for dropping the bobbins so quickly!

If you "possess aptitude with a needle" and want to see what lace-making is all about, try the following links. You'll at least enjoy browsing through them, and you never know - they just might inspire you to jump into lace-making, where you may find your embroidery niche!

Antique Needle Lace is a collection of some gorgeous pieces of lace. You can see close-ups of the photos to get an idea of structure.

Lace, Lacemaking Supplies, and Antique Lace is a somewhat difficult website to love, only because of the busy structure of the site, but on it, you'll find supplies for different types of lace, including princess lace, battenburg, and bobbin. They also produce or are connected somehow to Lace Magazine.

At Lacis, you'll find all kinds of lace-making supplies, including tambour frames and needles. In fact, at Lacis you'll find just about anything you could want for any handwork project. They have a great selection of books, too.

At Iva Rose productions, you'll find refurbished vintage books and patterns for all kinds of handwork, but for lace techniques in particular, check out the Carmela Testa books and the Mary Fitch books. Most of the techniques have to do with filet lace in particular - either crocheted or needle run.

Bobbinmaker focuses mostly on bobbin lace, as the name suggests. They make bobbins.

Catchpin Lacemaking Supplies has a variety of books on bobbin lace, tatting, etc. as well as supplies.

Snowgoose has a new online catalog, where you will find kits for different types of lace, as well as supplies for all kinds of techniques.

The Lacemaker has supplies for lace making as well as videos and books.

So, given the list above, which is only a mere fraction of what you would come up with on a Google search, it seems that lace-making may not be completely extinct. If you're looking for "the" source for supplies, I'd start with Lacis!

Have fun with it!






]]> http://www.needlenthread.com/2006/10/basic-embroidery-stitches-scroll.html Tue, 10 Oct 2006 06:32:00 -0500 Mary Corbet 1157 2006-10-10 06:32:00 2006-10-10 06:32:00 open open Basic-Embroidery-Stitches:-Scroll-Stitch publish 0 0 post

Like coral stitch, scroll stitch can be used as an outline or as a filler. If you decide to use it as a filler, alternate the placement of the knots. Both the coral stitch and the scroll stitch are used in general surface embroidery, in crazy quilting, and to embellish clothing or accessories, etc. If you're into that Linea stuff that DMC is putting out, you can certainly add a little twiste and texture to their basic lines by using a coral stitch or scroll stitch.

Scroll Stitch
The red arrow indicates the direction of the needle.



Scroll stitch is worked from left to right (left-handers: right to left!). Bring your needle and working thread to the front of the fabric. Determine the length of your stitch, and take the needle down and back up in a "sewing" fashion, picking up a small bit of the fabric. See the photo.



Notice that the working thread is looped behind the needle above where you've picked up the fabric, and below where you've picked up the fabric.



Pull your needle and thread through. You can put a little tension on the stitch area by applying your thumb gently to the top of the stitch - just to hold the length of the stitch in place, to keep it from being too loose.



Notice that the stitch forms a kind of upwards scallop or wave. This makes a really cute edging on a collar of a child's dress, done in a bright colored perle cotton.


The stitch easily takes curves. The look of the stitch will change slightly, depending on how you angle your needle as you enter the fabric.



And this is what the back should look like.

Have fun with it!
]]> 13403 elizabethdee noreply@blogger.com 2006-10-28 06:53:00 2006-10-28 06:53:00 1 0 http://www.needlenthread.com/2006/08/butterfly-embroidery-patterns.html Sat, 19 Aug 2006 11:04:00 -0500 Mary Corbet 1158 2006-08-19 11:04:00 2006-08-19 11:04:00 open open Butterfly-Embroidery-Patterns publish 0 0 post

Here are the first two butterfly patterns. Use your imagination!! These make great beginner patterns for young embroiderers. They can be worked in cotton perle #5, in a variety of colors and simple stitches - outline, stem, whipped backstitch, French knots, chain stitch, etc. They can also be "dressed up" with regular floss, applying satin stitch or more advanced stitches for a completely different look. In whitework, they would make a nice accent on a dresser scarf or table cloth.

I think they'd make a great "accent block" on a quilt, with a matching motif on a pillow for a child's room.

Click on the image for a larger version. Right click on the larger version and save it to your desktop.





You can find more hand embroidery patterns here.
]]> 9763 Patty nahnahnah@aol.com http://www.blogger.com/profile/10891955451425764506 2008-11-16 02:46:00 2008-11-16 02:46:00 1 0 13260 Jennifer noreply@blogger.com http://www.blogger.com/profile/10423993292607882820 2007-02-25 12:16:00 2007-02-25 12:16:00 1 0 http://www.needlenthread.com/2006/07/floss-and-thread-organization-storage.html Thu, 06 Jul 2006 12:58:00 -0500 Mary Corbet 1159 2006-07-06 12:58:00 2006-07-06 12:58:00 open open Floss-and-Thread-Organization-&-Storage publish 0 0 post
I should first make it clear that I haven't tried every single one of these methods of storage personally. I know some people who've tried one or the other organizational systems, and I've tried just a couple of them myself. I don't think there's anything wrong with "mixing and matching" your organizational methods, which is what I tend to do.

• Bags and Rings: Ok, first off, if you're talking about organizing and storing a relatively large stash of floss, this isn't the way to do it! But, bags and rings have their uses. I use the little zip-lock bags that fit onto a large ring when I'm working on a small project and I want to be able to tote my stuff with me. I select the threads I'm going to use, put them in their own little bags, run a ring through the bags (or not), and throw them in my embroidery basket. For large amounts of floss (for example, to store your stash), I say forget the bags and rings! The bags are too slippery, and the heap that ensues when you attach more than 10 or so bags to one ring just isn't that appealing. You end up having to "dig" for your colors, and that's just inconvenient. Besides, there's no neat and tidy way of storing bags and rings.


• Cards and Boxes: Here's another pretty common option for storing large quantities of floss. Compared to Bags and Rings, it's definitely neater, but... By cards and boxes, I'm talking about the little card "bobbins" that you wind your floss on, write the number on, and tuck into the "made-to-fit" plastic boxes that go with this system. You can fit quite a few wound cards into one box, which is a nice advantage to the whole idea. But... but... Personally, I don't like taking my floss apart and re-winding it. They make a little floss-winder doo-hickey that makes the winding apparently easier, but I still don't like the idea of winding my floss onto hundreds of little cards, and cramming the cards into a plastic box. It puts too many kinks in the floss, too many "stress" marks and fold marks. I know I would never do it with my silks! And the snag-factor is just a bit too great. I have used this option before - I just don't like it, personally. On the other hand, I know people who use this system faithfully, and they swear by it. So it just depends on what you like.


• DMC StitchBow Organizer System - Here's a system that's pretty interesting. There are about four components of the whole system: the "bows" that hold your thread, the binder inserts, the binder, and the travel bag. First of all, what's good about it? I like the bows. These are plastic sticks with little arms on each end, on which a skein or two of floss can fit, stretched its normal length. It's easy to put the floss onto the bows (no unwinding and rewinding), and on the side of each bow, there's a plastic tab over which fits the sleeve off the floss indicating its color. That little bow thing is rather ingenious. The only problem I've had with it is that the sleeve from the floss doesn't really fit those tabs, and they always fall off. It's easier just to write the number with a permanent marker on the tab (but then the tab becomes unusable for other colors!). Ok, so that covers one component of the whole system, and if you've got a lot of thread, and you want to put it all on those little bows, you're already obliged to spend a small fortune. 10 bows cost from $1.39 - $1.50 or so, depending on where you buy them. You'll pay $15.00 easy to store 100 skeins of floss. I guess that isn't "so" bad, but then, if you have a larger stash.... well, you've only bought the bows so far! Next, you need the binder insert - this is a clear plastic page with slots into which you put the loaded bows. One page holds 15 bows. One page costs around $2.29 - $2.50 depending on where you're buying it. If you are storing 100 skeins of floss, then, you'll spend around $16.00 for these binder inserts. So now you're up to about $30 or more to store a 100 skein stash. Then there's the third component - the binder - which costs around $8 - $10. It holds up to 8 loaded pages (assuming one skein of floss per bow, for a comfortable fit), and now you're up to $40 to store 100 skeins of floss. And then you can get the travel bag - actually, a zip up binder, with side pockets for storing your project. It retails for $18 - $22 bucks. If you get that, you're up to $55 to store 100 skeins of floss.
  
  ALL IN ALL - that's not that bad, considering that you can tuck the binder away, and your stash is neat, organized, and at your fingertips. However, I generally have anywhere from 300 - 400 skeins of floss on hand (I teach classes), not to mention a variety of silks, wools, metals, and whatnot. I won't spend $200 to organize my stash! I'd rather buy fabric or threads!
  
  Positives of the StitchBow System: 1. The bow - it's a great idea, and for individual projects, it's great to have some on hand to stick your floss on. 2. The binder inserts, though you don't really "need" them. If you're using the bows just to accommodate threads for a current project, you can put them in plastic bags. 3. The idea that you can open a binder, flip through the plastic inserts, and find just the floss you need. That's a cool idea.
  
  Negatives of the StitchBow System: 1. The binder they sell with it is cheap, cheap, cheap. It warps (I've even seen them on shelves in stores, already warped), and it doesn't do that great of a job holding everything in. It's flimsy and cheap. If you're going to use this system, buy a large 3-ring binder from Office Depot. You could even buy one that zips up, and you'd be miles ahead of this chintzy little thing. So skip the binder! 2. The floss number sleeves don't fit on the bow arm, and they will just fall off - so don't plan on using them. It'll just irritate you to have to chase the sleeves around. 3. The price - if you're storing an exceptionally large stash, I say find a different method - or just buy the bows.

So those are my views on a few of the available floss organizer systems out there. What do YOU use? Let us know! What's your opinion on available organizers? We want to hear it! There are a couple more that I'd like to mention, and then I'll tell you what I do (which isn't that fantastic, and probably won't suit all tastes!), but I'll save all that for Part II.
]]> 2581 dfalkin noreply@blogger.com http://www.blogger.com/profile/02814123119245956449 2010-03-05 08:13:42 2010-03-05 08:13:42 1 0 3057 Anonymous noreply@blogger.com 2010-02-20 16:24:22 2010-02-20 16:24:22 1 0 3062 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-02-20 07:14:45 2010-02-20 07:14:45 1 0
MC]]> 3064 Plastic Card noreply@blogger.com http://www.alltimeprint.com 2010-02-20 06:54:54 2010-02-20 06:54:54 1 0 12986 Joanie in TN noreply@blogger.com 2007-09-03 06:48:00 2007-09-03 06:48:00 1 0 13222 papo noreply@blogger.com 2007-03-19 02:21:00 2007-03-19 02:21:00 1 0 13405 Anonymous noreply@blogger.com 2006-10-26 07:13:00 2006-10-26 07:13:00 1 0 13431 Anonymous noreply@blogger.com 2006-09-20 18:18:00 2006-09-20 18:18:00 1 0 http://www.needlenthread.com/2006/10/online-embroidery-classes-times-tickin.html Thu, 26 Oct 2006 06:01:00 -0500 Mary Corbet 1160 2006-10-26 06:01:00 2006-10-26 06:01:00 open open Online-Embroidery-Classes---Time's-A-Tickin'! publish 0 0 post Inaminuteago) begins her online embroidery class titled Personal Library of Stitches. If you want a detailed description of what's in the class, you'll find one here, where you can also register for the class. You can also find further details with a week-by-week breakdown of topics here. If you can't get out to a "real life" embroidery class, and if you want to work at your own pace building not only a personal library of stitches, but also knowledge of design and execution, this would be a great way to do it! Check it out!]]> http://www.needlenthread.com/2006/10/silk-on-silk-satin-stitch-complete.html Wed, 04 Oct 2006 06:50:00 -0500 Mary Corbet 1161 2006-10-04 06:50:00 2006-10-04 06:50:00 open open Silk-on-Silk,-Satin-Stitch---Complete-Stole publish 0 0 post



The piece has not been steamed yet, so the wrinkles that are evident will be gone once I'm ready to assemble the whole thing. I used a scroll frame with the sides laced to supply tension.

You can see close ups of the various elements of the stole here.
]]> 2197 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-03-17 06:27:49 2010-03-17 06:27:49 1 0
I have one section of it available in the embroidery patterns list. Here's the link:

Stole Section

I'm afraid it's not too well drawn!

If you like the style, you might like the current goldwork project I'm working on - here's a link to the most recent post in the series, and at the end of that post, you'll find a link to the pattern for the design I'm using, which is similar to the various parts of the stole:

Current Goldwork Project

I hope that helps!

Thanks again,
MC]]> 2202 Anonymous noreply@blogger.com 2010-03-17 00:35:43 2010-03-17 00:35:43 1 0
Have found the video tutorials also really good.]]> 3785 Loved and Cherished by God noreply@blogger.com http://www.blogger.com/profile/05730285162820042650 2010-01-08 07:41:50 2010-01-08 07:41:50 1 0 You are truly an inspiring artist. I remember the tranquility I felt when I embroidered years ago. Time for me to experience that Peace again.
Thanks Mary for freely sharing your gift!
Linda]]> 8160 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-04-03 16:00:45 2009-04-03 16:00:45 1 0
Welcome aboard! Glad to hear you're taking up embroidery again! Thanks for your comment!

Best,
Mary]]> 8162 Kavitha noreply@blogger.com http://www.blogger.com/profile/04572946179123514516 2009-04-03 10:53:00 2009-04-03 10:53:00 1 0 I'm new to ur website.. I started browsing only from y'day.. its very informative.. Thanks for posting valuable info.. this is inspiring me to re-start my hobby that I had left ages ago.. :)]]> 8516 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-27 07:09:14 2009-02-27 07:09:14 1 0
Mary]]> 8518 Anonymous noreply@blogger.com 2009-02-26 22:00:00 2009-02-26 22:00:00 1 0
THanks
Christy]]> 12833 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-05 06:36:38 2007-11-05 06:36:38 1 0 12834 Sharon proudspirit57@gmail.com http://www.blogger.com/profile/14762923782505594807 2007-11-05 06:24:00 2007-11-05 06:24:00 1 0 13227 Anonymous noreply@blogger.com 2007-03-13 15:48:00 2007-03-13 15:48:00 1 0 13406 Fra noreply@blogger.com 2006-10-26 04:07:00 2006-10-26 04:07:00 1 0 13418 Julia ribbonwiz8@bigpond.com http://www.blogger.com/profile/15207957464039686839 2006-10-10 18:20:00 2006-10-10 18:20:00 1 0 Your work is so beautiful...such fine work!]]> 13420 Susan dezertsuz@gmail.com http://www.blogger.com/profile/09159163720029661287 2006-10-08 00:29:00 2006-10-08 00:29:00 1 0 13421 Marci noreply@blogger.com 2006-10-07 09:24:00 2006-10-07 09:24:00 1 0 13424 Jenne jenne_girle@yahoo.com http://www.blogger.com/profile/07352116636593449335 2006-10-05 17:06:00 2006-10-05 17:06:00 1 0 13425 elizabethdee noreply@blogger.com 2006-10-04 12:35:00 2006-10-04 12:35:00 1 0
It makes me happy to see that this level of workmanship has not been lost to the ages. You make this beginner straighten her spine! Thank you.]]> http://www.needlenthread.com/2006/10/silk-on-silk-satin-stitch.html Sun, 01 Oct 2006 10:53:00 -0500 Mary Corbet 1162 2006-10-01 10:53:00 2006-10-01 10:53:00 open open Silk-on-Silk-&-Satin-Stitch publish 0 0 post



This is the base of the stole. I am not particularly pleased with the stark contrast in the red and pink, although it is harsher in the photo than in real life. I tried to stick as much with the original color scheme on a very old vestment as I could, and the contrast between the reds and the "pinks" was rather stark. My sister says this reminds her of something out of "Little Shop of Horrors," a comment which I didn't entirely appreciate, but I can certainly see where she's coming from! The rays off the cross are stem stitched, and then I added a touch of blending filament. All the satin stitch thoughout the stole is padded - with two threads of soie d'alger. The satin stitching itself is done with one thread. (I'm firmly convinced you can only get a smooth stitch in satin stitch using one thread - unless you're supremely careful and employ a laying tool.)



This is the first flower just above the cross. Although I really like the stylized flower / pomegranite-ish look, I am not so keen on the soft colors. Again, it was a matter of sticking as close to possible to the color scheme in the antique vestment. Overall, it looks ok, but I would have chosen deeper colors, personally. Working the flowers was fun. The "branch" of the vine (the gold scrolly stuff) was fun, too, but it got a little monotonous.



This is the next flower up. I like the red and the green, and the cross-hatching in the middle of the flower. This was my favorite flower to work, but I wish I had worked the dark red "arms" sticking out there in satin stitch, as opposed to stem stitch.



The next flower up. Violet and green are two of my favorite color combinations, and I like it even better when red and gold are thrown in. (Think daffodils, irises, and red roses.) Here, I would have liked to have done something more "dimensional" with the pale green undersides of the side "petals."



The next little fellow up - and something weird and warbley going on over there on the right. I should have been a little more careful there. At this point, I was racing against the clock to finish the whole stole (and that was a couple years ago! The other half is taking me forever!)



Now we're getting up towards the tip of the stole. These two little guys are much smaller than they appear here. The cross hatching wasn't done with super precision - but it's really not noticeable except when looking really closely. The pink thing is a bud.



This is working right towards the tip. On the original vestment, where these little bleeding hearts are, there were other flowers - clusters of five round balls, each a differnt pastel-like color. I wanted to keep the deeper red traveling through the whole stole, so I substituted these guys. This looks larger in the photo than it really is.



Forty inches later - The End!

Now, if I could only arrive at that point on the second half!
]]> 1729 sandynette noreply@blogger.com http://sandynette.over-blog.com/ 2010-03-26 17:19:00 2010-03-26 17:19:00 1 0 3318 Anonymous noreply@blogger.com 2010-02-05 11:25:30 2010-02-05 11:25:30 1 0 3784 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2010-01-08 07:44:12 2010-01-08 07:44:12 1 0
Thanks so much for your comment!

If you hit the Home link at the top of the page, you'll see the most current posts. Click on the title of any one, and it will take you to the full article!

Hope that helps!

Best regards,
Mary]]> 3786 Loved and Cherished by God noreply@blogger.com http://www.blogger.com/profile/05730285162820042650 2010-01-08 07:34:56 2010-01-08 07:34:56 1 0 I find your site awesome
(the best really) Your instructions for stitches are very clear. You also seem to be such a giving and "real" person.
By the way the stole work is absolutly beautiful. Even though the colors are not what you may have chosen, the overall effect is lovely
I agree with someone's comment that artists can be their own worst critics.
Believe me, you do fine work.
Linda
How do I access your blog?]]> 4275 sujatha noreply@blogger.com http://www.blogger.com/profile/10387138941667967533 2009-12-10 06:45:05 2009-12-10 06:45:05 1 0 Keep going. Great work!!

Cheers
Sujatha]]> 5762 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-05 07:37:00 2009-09-05 07:37:00 1 0
Underneath the stitches, I added a layer of padding stitches, but I didn't use any stabilizer. I should have used another layer underneath - usually, for this type of work, I would put a layer of muslin behind it.

Thanks for your comment!

MC]]> 5772 Maria noreply@blogger.com http://www.blogger.com/profile/04379958786535186849 2009-09-04 21:19:47 2009-09-04 21:19:47 1 0
Thanks]]> 6736 Theresa @ Take A Sentimental Journey noreply@blogger.com http://www.blogger.com/profile/04815228648134077862 2009-07-04 17:41:30 2009-07-04 17:41:30 1 0 Your stole is absolutely gorgeous !

Thanks so much for sharing your wonderful blog !]]> 7414 ShoeGalCA noreply@blogger.com http://www.blogger.com/profile/06944935436785928553 2009-05-22 01:28:14 2009-05-22 01:28:14 1 0 8123 Anonymous noreply@blogger.com 2009-04-08 08:09:00 2009-04-08 08:09:00 1 0
It is really amazing , Your site is excellent and your videos are so so use ful to beginners like me.
thank you so much]]> 9100 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-25 08:32:52 2009-01-25 08:32:52 1 0
Thanks for your comment!

Well, for stitches, you might take a look at the various stitch videos to see what interests you. I noticed your comment on the monograms, so perhaps you could start with a monogram?

It's difficult to advise on a project without knowing your tastes and interests! But monograms are always nice for gifts!

Best,
Mary]]> 9103 kathaleenr noreply@blogger.com 2009-01-25 02:26:00 2009-01-25 02:26:00 1 0 Kate]]> 9388 Rose Blue noreply@blogger.com http://www.blogger.com/profile/08248192572786282725 2008-12-22 12:32:00 2008-12-22 12:32:00 1 0
Your work is outstanding. God bless you for it and greetings to your Guardian Angel.]]> 9944 Jean W noreply@blogger.com http://www.blogger.com/profile/00871581578774897339 2008-11-06 23:59:00 2008-11-06 23:59:00 1 0
Jean W.]]> 10138 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-17 18:01:30 2008-10-17 18:01:30 1 0
Yes, for a stole, I do use a scroll frame. I like them for this kind of work - but not just framed up. I learned (after working this piece) the importance of lacing the sides of the work to the sides of the scroll frame. It really helps keep a better tension all around. The problem with a wide scroll frame, if the sides are not laced, is that the firmest tension is directly in the center of the piece, and as you get closer to each side, you loose good tension.

So, with the sides laced, yes, a scroll frame is really a perfect solution to framing up a long, narrow piece like a stole!

Hope that helps!

MC]]> 10139 Candyce noreply@blogger.com http://www.blogger.com/profile/05863515974947515025 2008-10-17 17:23:00 2008-10-17 17:23:00 1 0 10343 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-01 11:11:48 2008-10-01 11:11:48 1 0
And thanks to all who have complimented this piece. One day, I will finish it!!

MC]]> 10345 Meenakshi Hardikar noreply@blogger.com http://www.blogger.com/profile/17527933788882885383 2008-10-01 09:40:00 2008-10-01 09:40:00 1 0 10777 elisabeth noreply@blogger.com 2008-08-28 10:32:00 2008-08-28 10:32:00 1 0 10851 Anonymous noreply@blogger.com 2008-08-24 13:06:00 2008-08-24 13:06:00 1 0
bubba's mom]]> 10894 Anonymous noreply@blogger.com 2008-08-22 15:11:00 2008-08-22 15:11:00 1 0 11593 Catherine Harris noreply@blogger.com http://www.blogger.com/profile/07646897373381666844 2008-06-16 22:06:00 2008-06-16 22:06:00 1 0 12459 Bohemian noreply@blogger.com http://www.blogger.com/profile/09199035984706065767 2008-01-25 13:48:00 2008-01-25 13:48:00 1 0 I was googling for some embroidary sites and voila, I jumped to your site.
This is exquisite work.I simply loved the videos.Extremely helpful.As they say, "Actions speak louder than words"
Too good.I am completely in awe.

-Sindhu]]> 12566 Anonymous noreply@blogger.com 2008-01-04 06:43:00 2008-01-04 06:43:00 1 0 12794 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-11 08:10:23 2007-11-11 08:10:23 1 0 12795 Anonymous noreply@blogger.com 2007-11-11 00:15:00 2007-11-11 00:15:00 1 0 12869 Sangheetha noreply@blogger.com http://www.blogger.com/profile/06777497661003570501 2007-10-21 08:37:00 2007-10-21 08:37:00 1 0 Love ur art]]> 13154 Patrice Marcks noreply@blogger.com 2007-05-03 18:21:00 2007-05-03 18:21:00 1 0 I'm at a loss for words!
Absolutely stunning!
I want to do work like this someday.]]> 13309 Anonymous noreply@blogger.com 2007-01-31 07:36:00 2007-01-31 07:36:00 1 0
Gorgeous work!

Vivian]]> 13367 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-11-29 19:47:38 2006-11-29 19:47:38 1 0 13407 Fra noreply@blogger.com 2006-10-26 04:03:00 2006-10-26 04:03:00 1 0 13422 "brat" noreply@blogger.com 2006-10-06 20:39:00 2006-10-06 20:39:00 1 0 13423 Anonymous noreply@blogger.com 2006-10-06 16:20:00 2006-10-06 16:20:00 1 0 13426 sharonb noreply@blogger.com http://www.blogger.com/profile/17606449324102953980 2006-10-02 23:08:00 2006-10-02 23:08:00 1 0 13427 Jenne jenne_girle@yahoo.com http://www.blogger.com/profile/07352116636593449335 2006-10-02 18:03:00 2006-10-02 18:03:00 1 0 13428 Jenne jenne_girle@yahoo.com http://www.blogger.com/profile/07352116636593449335 2006-10-02 18:03:00 2006-10-02 18:03:00 1 0 http://www.needlenthread.com/2006/10/embroidered-christmas-stocking-work-in.html Sun, 22 Oct 2006 10:00:00 -0500 Mary Corbet 1163 2006-10-22 10:00:00 2006-10-22 10:00:00 open open Embroidered-Christmas-Stocking:-A-Work-in-Progress publish 0 0 post

Now, this project is not a "traditional" blackwork project, although the cuff of the stocking will be in white linen with "real" blackwork on it. I like the filling designs in blackwork, so I wanted to play with one of them on the velvet stocking.

This particular design comes from The Blackwork Embroidery Archives, with designs by Paula Katherine Marmor, who generously gave me permission to show it here.

I took the design into photoshop and duplicated it in layers, so I could build a large enough pattern for the stocking. Then I dropped the stocking shape in as a layer, selected it, removed the excess pattern, and here is the result, which I had to touch up a bit. You can click on it to get a larger version.



I printed the design, and cut my velvet and solvy to fit a hoop. I traced the stocking design onto the solvy with a permanent marker (I suggest using a very fine tipped macro art pen). I mounted the velvet and solvy in the hoop and basted around the outside shape of the stocking.



Then, using two strands of gold soie d'alger (any gold embroidery floss would do, but since I had this on hand, that's what I used), I backstitched over the pattern. Normally, the Holbein stitch is used in blackwork, and on the linen cuff, I will be sure to use it. But I figured, since this will be lined, no one will see the inside! Lazy, I know...



I stitched the whole stocking over the solvy. By the way, contrary to my previous post on experimenting with this stuff, I do find that, with heavier fabrics, using the Ultra Solvy is a lot easier than using regular Solvy! I also find it's easier to trace the designs on, since regular Solvy is a lot like working with thin plastic wrap.



I soaked the fabric and removed the Solvy, and, again, found I had to scrub lightly to get rid of the Sharpie pen. I mentioned this in the second part of my earlier experiment - and I reiterate: don't use a Sharpie!!! I think it's just too much ink.

Here's a close-up of the design. The stitching is not super-duper accurate - part of that was a bit of carelessness, and the other part was that I was looking for an "effect" rather than mechanical accuracy.



The next step is to finish the cuff, which will probably take me all week. Once that's done, I'll sew the cuff to the stocking front, and cut out some lining and a backing, and put the whole thing together. I'm thinking about embroidering an identical back.... but I haven't gone beyond thinking about it yet.

This was a fun, easy, no-thought sort of project, and, since it's backstitch, it works up pretty quickly.

If you want to try working with some pretty blackwork designs, do visit the Blackwork Embroidery Archives.
]]> 8973 Susan noreply@blogger.com 2009-02-01 15:40:00 2009-02-01 15:40:00 1 0
BTW, thanks so much for the stitch tutorials. They make learning so much easier. I can't imagine how you were able to stitch AND film what you were doing at the same time!

Thanks!]]> http://www.blogger.com/ Tue, 17 Oct 2006 17:09:00 -0500 Mary Corbet 1164 2006-10-17 17:09:00 2006-10-17 17:09:00 open open Working-with-Embroidery-Floss-/-Thread:-Tips draft 0 0 post

Cotton Embroidery Floss

Probably the most widely available stuff. Stranded floss is generally six small strands of floss wound together into one larger strand, and, to use, you "strip" it - that is, you separate the individual strands. For the finest embroidery, use one strand. If you want to use more than one strand, you strip the floss first, separating the individual strands, and then you put it back together again. Some common manufacturers of cotton stranded embroidery floss are DMC, Anchor, JP Coats, Weeks Dye Works, among others.

Stranded cotton floss is generally mercerized - that is, chemically treated to provide sheen. Mercerization was a process invented during the industrial revolution, making cotton a highly desired product for handwork. The disadvantage of mercerization is that it does wear off over time - but generally over a long time, unless an item is washed a lot, with commercial soaps. This tends to speed up the dulling of mercerized cotton threads.

One of the most frustrating things for new stitchers is "stripping" floss correctly. For those who have been stitching for a while, this seems like "old hat," but having taught beginners, I noticed that it does take a while to catch on to a simple method of stripping floss. Here are some photos to show you how it's done:

Another consideration when working with cotton floss (as well as with other fibers) is colorfastness. With popular commercial brands like Anchor and DMC, the floss is sold as "colorfast." That means it won't bleed when it gets wet - or at least, it shouldn't bleed. I have had "colorfast" floss bleed before. You may want to test dark bright colors (like red) before washing handwork embroidered on light fabrics with such colors.

Overdyed or hand dyed cotton floss is not guaranteed to be colorfast - and therefore, you should be very careful as you stitch, keeping your hands grease-free and clean to eliminate the possibility of having to wash the piece.

You can set the color of dyed threads by soaking them in a solution of white vinegar and water. The basic formula is three parts water to one part white vinegar. Soak the thread in the formula then allow it to air dry. Test before using up a whole skein of your favorite floss! And then double-test on fabric to make certain the thread holds its color.



]]> http://www.needlenthread.com/2006/10/embroidery-on-paper-perforated-paper.html Wed, 18 Oct 2006 18:59:00 -0500 Mary Corbet 1165 2006-10-18 18:59:00 2006-10-18 18:59:00 open open Embroidery-on-Paper:-Perforated-Paper-Makes-a-Come-Back publish 0 0 post
During the Victorian era, embroidering on paper ("card work") was a popular occupation for ladies, regardless of class. Since paper was less expensive than linen and even the newly popular cotton, this form of needleart was easily accessible. It was so simple that children often learned to embroider first on paper.

Today, paper embroidery has several "looks." You can find kits for vintage embroidered mottoes that mimic the rustic, homey look of days gone by. Sage Stitchworks, a company founded by two sisters who collected antique embroidered paper mottoes and finally decided to make the art available again, offers a large variety of kits for embroidered mottoes. The kits work up quickly, making nice items for home decor as well as for gift-giving. Do you have a wedding coming up? How about making a Christmas present for your mother or grandmother? A beginner will have no problems with these kits, and advanced embroiderers will find in them a great way to spend a relaxing evening. Take a look at this pretty welcome sign. What a great gift for a new home! Vintage Needleworks also offers kits, including a variety of pretty Christmas designs.

If you want to make unique Christmas ornaments from punched paper, Tokens and Trifles offers several designs of small, fancy punched cards that could easily be made into ornaments, bookmarks, name or place cards, or even labels.

For a free pattern and instructions to make a simple card, you can check out Creative Life with Cheryl Fall, where she goes beyond cross stitch on a little embroidered flower card.

Speaking of cards, check out the embroidered paper cards by Linda Carlson on Terryfic Times. Linda incorporates metallic threads and beads to make incredible little pieces of art. Some of them may be slightly reminiscent of "string art" that we used to do on wood pounded with small nails, back in the '70's! But Linda takes the concept to a whole new dimension!

You can find a bunch of free patterns for easily stitchable cards at Stitching Cards. You'll find a Christmas pattern or two there, as well, in case you're thinking about really personalizing your cards this year. Card Inspirations also carries a few free patterns.

If you want to really get into stitching on paper and are looking for the tools to get you started, try Nordic Needle, where you can find a piercing pad, piercing needles in different sizes, and some great books on the subject of paper embroidery.

And don't get stuck thinking embroidery on paper is just for counted work! You can work all kinds of line stitches on pierced paper, from stem to chain to whathaveyou. The only thing I haven't had the best luck with is French knots, but lazy daisies look great! As do buttonhole wheels... and the list could go on.

Have fun with it!
]]> 12675 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-06 21:53:42 2007-12-06 21:53:42 1 0 12676 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-06 18:34:00 2007-12-06 18:34:00 1 0 http://www.needlenthread.com/2006/10/embroidery-floss-thread-conversion.html Tue, 17 Oct 2006 06:43:00 -0500 Mary Corbet 1166 2006-10-17 06:43:00 2006-10-17 06:43:00 open open Embroidery-Floss---Thread-Conversion-Charts publish 0 0 post

Probably my favorite conversion chart is from DMC to Soie d'Alger. I love soie d'alger, and I have a little stash (relative to the number of colors available!), but I have a huge stash of DMC. If I find a color I like in DMC, but want the silk thread, then this conversion chart at The Sophisticated Stitcher comes in handy.

You'll also find an Anchor to DMC conversion chart at Sophisticated Stitcher as well, and a DMC to Anchor.

In fact, here's the whole list of conversion and color charts at The Sophisticated Stitcher. You'll love having this handy tool!

Needlepointers also has several pages of links to color and conversion charts around the web. Some of the links are outdated, but most are still good.

Just remember when you're looking at colors online - your monitor may not reflect accurately the color you are considering! It's always better to see the product in person, or, if you're considering purchasing fabric, to request a swatch.

Have fun!
]]> 13414 Candida noreply@blogger.com 2006-10-17 11:23:00 2006-10-17 11:23:00 1 0
I enjoy very much your blog and would like to take the time to thank you for sharing such great and useful information.

I would like to share with you a link I had a hard time looking for. Is is about the japanese cotton floss called Cosmo which is quite comum in lots of japanese embroidery books.

Here you can find a link to a conversion table to DMC:
http://homepage2.nifty.com/angelcrossstitch/benrityo/conversion/cosmo.html

And here is the table of colours of Cosmo floss:

http://www.hobby-net.co.jp/mihon_i01.html

Hope this is useful!

Candida
Stitching in Brazil]]> http://www.needlenthread.com/2006/10/blackwork-embroidery-grid-bug-strikes.html Thu, 12 Oct 2006 07:07:00 -0500 Mary Corbet 1167 2006-10-12 07:07:00 2006-10-12 07:07:00 open open Blackwork-Embroidery---the-Grid-Bug-Strikes-Again! publish 0 0 post

I didn't know much when I took the oath, and I have no idea why I reacted so violently against counted cross-stitch. It wasn't until my sister on the East Coast showed me a sampler she did on even-weave linen, using some counted cross stitch embellished with a bunch of other stitches, that I realized that one doesn't have to pursue "exclusive" interests.

Certainly, now, we have a greater variety in available goods for counted techniques - or so it seems to me. In the 80's, I wasn't in control of my own pocket-book, so I only saw what a kid would see at a local shop. And we didn't have the internet to special order just the right fabric!

While I don't spend a lot of time on counted cross stitch myself, I do have friends who create beautiful pieces and who love it. They find it relaxing and theraputic. I've spend a bit of time on Hardanger, which is "griddy," but other than that, I was pretty sure I'd never commit myself to grids again.... Then, in the last few years especially, a "new" old technique resurfaced, and I find that I have the grid bug - it's all because of blackwork.

Blackwork is really stunning stuff! It's relatively simple to execute, as it relies on few stitches - though the finished product generally looks pretty complex. Despite it's name, blackwork isn't necessarily always done in black - today, you can find kits and patterns for blackwork in all kinds of colors, depicting rural scenes, animals, people - you name it. In the more traditional styles, it employs not only the Holbein stitch (double running stitch), but plenty of other stitches as well to add a "curvilinear" element to the design.

Squizzing around the internet, I've found some links for blackwork that are helpful.

At The Blackwork Embroidery Archives, you can find a heap of really nice patterns by Paula Kate Marmor. She also has a neat gallery.

A Blackwork Embroidery Primer by Rissa Peace Root gives a nice, readable history of blackwork. She also includes information on how to get started with blackwork, and a good links directory.

An Introduction to Blackworkby the American Needlework Guild is a great page for pictures, if you want to get an idea of what blackwork can look like and how it can be used.

Tanja Berlin has several blackwork kits available, and, as usual, her stuff is exquisite. Check out her blackwork etui box - what a great Christmas present that would make!

Moonshadow Stitchery has a free Christmas blackwork design in PDF. It's kind of cute - a cat with a mouse on its head, and the mouse has a Christmas hat on. Click on Sample Charts in the left column to get to the right page.

Stitch On Line from the Skinner Sisters has a really thorough article on blackwork, including the history and lots of pictures.

I have to admit, I'm considering branching away from the "traditional" approach to blackwork... with the availability of waste canvas (if I can find a small enough weave), I think the technique would look neat on velvet, to outline cuffs or a neckline for a child's Christmas dress. That's on my list of things to try before Christmas. Maybe it won't work - but there's no harm experimenting!

Hey, the grid bug's not such a bad thing! I'll have some samples of Holbein stitch up soon...
]]> 13415 Anonymous noreply@blogger.com 2006-10-14 09:42:00 2006-10-14 09:42:00 1 0 http://www.needlenthread.com/2006/10/transferring-embroidery-patterns.html Wed, 04 Oct 2006 17:22:00 -0500 Mary Corbet 1168 2006-10-04 17:22:00 2006-10-04 17:22:00 open open Transferring-Embroidery-Patterns:-Experimenting-with-Solvy publish 0 0 post over my Ott light so that I can see the lines of the pattern. But until a few weeks ago, I had never even thought of Solvy.

The inspiration to try Solvy came from... Inspirations Magazine, appropriately enough. When I received the last issue, I noticed the embroidered children's book in it, and I took the time to actually read the article rather than just flip through and drool over photos. This is where I learned that a clear plastic stabilizer that dissolves in water exists, and that, if you trace your design in permanent ink onto the clear plastic, you can mount the plastic over your fabric in your hoop and actually stitch the plastic and the fabric together, following the design lines. Well, apparently the rest of the world has known about this stuff called Solvy, but I had never heard of it!

So I decided to take the plunge and try it, purchasing a sample of regular Solvy. It worked great on plain cotton fabric, for a very quick scrap of a try. But that wasn't really what I was interested in Solvy for - see, prick and pounce, transfer pen, or a regular light mechanical pencil works fine on regular fabric. What intrigued me was the idea of using Solvy on material with a nap, like velvet.

So this last weekend, I set about to try it. Here's how you do it:

1. Gather the supplies: Solvy (NOT ULTRA-Solvy - you'll see why); a permanent marker, such as the macro pens at art stores - though for the sample below, I used a Sharpie; your choice of fabric (a washable fabric is a good idea for starters, though I'm told you can use this method with anything, as long as care is taken); your threads and needles; and your design.

2. Unfold or unroll the Solvy, and give it time to relax a little. If you're going to trace where it's been creased, it helps to leave it sitting for a while unfolded.

3. Trace your design onto the Solvy. Be careful in the tracing - wobbly lines will give wobbly results! I messed up on my tracing right off the bat.

4. Place your inner hoop on the table, lay your fabric over it, right side up, lay the Solvy over the fabric, pen side up, and place your outer hoop over everything. Tighten the hoop, and tighten the fabric and Solvy, making sure that the fabric is not wrinkling underneath while the Solvy is fine on top. Tighten the hoop again, and pull the fabric again. Be moderately gentle with the Solvy.

5. Begin stitching as you normally would - you can set up a waste knot and just go for it. Especially on fabrics with a nap, you might want to use slightly more tension as you stitch, to compensate for the extra layer over the fabric.

Here's how it started out:


Here, I'm stitching on red cotton velveteen and using Ultra-Solvy. The Ultra-Solvy for regular surface embroidery is probably a bit much! It's like embroidering through a clear vinyl shower curtain or something! At first, it felt like I wasn't using my own hands to stitch, and I really had to get the hang of it. I missed being able to see the work - the color and texture of the threads, etc. - directly on the fabric. But the suspense was kind of fun!


Starting to stem stitch - you can see where I messed up on tracing the design. Nice thing is, I didn't have to worry about stitching over a line to cover it up, since I was planning to melt the whole thing off, anyway!


The picture doesn't really make it 100% clear, but at this point, I was pushing with all my might to get that needle to pierce the plastic! And it wasn't piercing it! The lesson: make sure you're using the right needle, and be patient until you get the knack of plastic-piercing.

I'm not left-handed, by the way. That was just for the sake of the photo. One thing you can't do with the Ultra-Solvy is use a 'sewing method' on the stitches (working only from the front of the fabric, never having to go to the back of the hoop with your hand). You have to use a 'stab method' to get through the Ultra-Solvy.

So that's getting started. I'm almost finished with the little medallion - it's a stained glass motif from a Dover publications book I had on hand (below). I'm working on cotton velveteen with one strand of soie d'alger by Au Ver a Soie. Once I'm finished, I'll show you the melting process!

If you've used Solvy before and have any tips or tricks, feel free to share them with the rest of us!



To see the rest of my Solvy Experiment, go here.

]]> 5197 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-10-03 13:59:20 2009-10-03 13:59:20 1 0 5202 Monica noreply@blogger.com http://www.blogger.com/profile/16437170745493497429 2009-10-03 12:47:51 2009-10-03 12:47:51 1 0 8224 tayfan2 noreply@blogger.com http://stitchathome.wordpress.com/ 2009-03-26 18:42:00 2009-03-26 18:42:00 1 0 10379 Anonymous noreply@blogger.com 2008-09-26 16:18:00 2008-09-26 16:18:00 1 0
Rosalie Wakefield
Millefiori B.E. Books and Designs
rwrw@comcast.net]]> http://www.needlenthread.com/2006/06/goldwork-good-resources.html Wed, 28 Jun 2006 06:56:00 -0500 Mary Corbet 1169 2006-06-28 06:56:00 2006-06-28 06:56:00 open open Goldwork---Good-Resources publish 0 0 post beginning in the Far East and spreading into the West, where it became especially popular during the Middle Ages and later as decoration on liturgical (Church) vestments.

Probably the height of skill in goldwork history was the Middle Ages and into the Renaissance when a technique called "or nue" became popular. This technique involves couching metal thread ("passing thread") with colored silk, varying the distance of the stitches to provide shading on the image. You can see a gorgeous example of Or Nue here, and another one here. Both are close-ups of vestments in excellent shape, the former depicting the Blessed Virgin and the latter depicting the Annunciation.

Goldwork eventually was also used to decorate the clothing of the wealthy and the uniforms of the military.

Today, goldwork is gaining in popularity again - people are using it to decorate clothing, handbags, and whatnot. It's being revived as a hand-embroidery technique, a little challenging, but very rewarding. There are several good sources of information on goldwork, but the biggest problem is finding good thread, and, if you're starting out, finding a source to help you along.

You can find some excellent goldwork kits to get you started in this exciting needle art from Tanja Berlin, who is located in Canada. She's a designer featured in many publications, and she puts together a great goldwork sampler kit that will introduce you to goldwork techniques. She also has several other kits - even a few on Or Nue - that are really gorgeous. Here's her goldwork page. Tanja also supplies those who purchase her kits with e-mail support, which is a great perk for the beginner. Note: shipping costs are pretty high, and shipping is rather slow from Canada. What you might save in the exchange rate, you will probably lose in shipping.

If you are really intrigued by goldwork and what to get started on something that will introduce you the variety of gold threads, I suggest Tanja's goldwork sampler kit. It's pricey, but it's worth it. Besides, goldwork isn't cheap - the threads are rather expensive, although you can buy gilt threads instead of the higher-content 2% gold. But try that sampler! It's fun (I've worked it), and it will teach you basic goldwork techniques.

If you consider purchasing a book to help you get started in goldwork, there are quite a few available on the market, but not many that I really personally like. There are two books below that are pretty good, but New Ideas in Goldwork by Tracy Franklin is probably my favorite so far. The instructions within are pretty good. I'm really looking forward to the Beginner's Guide to Goldwork (being published by Search Press), which will be released in December, 2006.



]]> 13416 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-10-12 06:20:22 2006-10-12 06:20:22 1 0 13417 carmelflora noreply@blogger.com http://www.blogger.com/profile/12998233153589867469 2006-10-12 05:05:00 2006-10-12 05:05:00 1 0 13429 carmelflora noreply@blogger.com http://www.blogger.com/profile/12998233153589867469 2006-09-30 04:51:00 2006-09-30 04:51:00 1 0 13467 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-07-03 08:34:20 2006-07-03 08:34:20 1 0 13469 Anonymous noreply@blogger.com 2006-07-03 04:15:00 2006-07-03 04:15:00 1 0
JT]]> 13477 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-06-28 18:53:10 2006-06-28 18:53:10 1 0 can find the real metal threads in the US! You can look at Kreinik's website here. I'm not certain how much real gold is in their real metal threads, and, although I inquired, I never got a response. But I have ordered through them, and the service is good and delivery is quick. There are other retail shops in the US that carry real metal threads - if you're in the Charlottesville, Virginia area, there's a new shop called "Accomplishments" that just moved there from Ohio. According to the Accomplishments Shop website, they carry real metal threads. I've ordered from them online, as well, and received excellent service from a very knowledgeable staff.]]> 13478 Anonymous noreply@blogger.com 2006-06-28 18:23:01 2006-06-28 18:23:01 1 0 http://www.needlenthread.com/2006/10/embroidery-stitch-instructions.html Wed, 11 Oct 2006 06:15:00 -0500 Mary Corbet 1170 2006-10-11 06:15:00 2006-10-11 06:15:00 open open Embroidery-Stitch-Instructions:-Portuguese-Knotted-Stem-Stitch publish 0 0 post

The Portuguese knotted stem stitch is worked from left to right or bottom to top (opposite for left-handed embroiderers). Begin as you do for a stem stitch.



Bring your needle through the fabric, then take it down the length of your stitch, pointing it back towards the place you emerged. In the illustration, you'll see that this is done using a "sewing" method - you work on top of the fabric, without having to go to the back. This stitch can be worked with or without a hoop - personally, I usually use a hoop, but when I'm using the "sewing" method (as opposed to the "stab" method, where your working hand goes to the back of the fabric to get the needle and put it back through), I don't necessarily keep the fabric drum tight. A little give in the fabric helps with the "sewing" method of embroidery.



You want to keep the thread to the right of your needle when you draw it through, so that the working thread ends up to the left side of the stitch. Take the needle underneath the stitch you just made, without picking up any of the fabric. Do this twice, both times in the same direction, so that you are wrapping the thread twice around your stitch.



After you've wrapped the thread twice around your first stitch, you'll take another stitch, just as you did the first, progressing up the fabric the length of the new stitch, and emerging where the last stitch went down into the fabric.



Now that you have more than one stitch, you are going to wrap your thread twice around the both stitches - the base of the former stitch (after the "knot" that you made on top of the first stitch) and the middle of the new stitch. Take your needle under both stitches twice so that the working thread winds around the stitches twice. See the photo above and below for illustration.



Notice how the needle passes under both stitches and does not pick up any fabric. This is done twice. In the photo above, one pass has already been made, and this is the second pass under the two stitches.



Continue along your line in the same manner, going forward the length of the stitch, pointing the needle back to where your last stitch went down into the fabric, keeping the needle on the left side of the stitch. Pull the needle through, then, going from the right side, pass it under the two stitches twice, and then proceed to your next stitch.



On the back of your fabric, you'll see a line that looks like backstitches.

Have fun with it!

You can find more stitch directions here.
]]> 1516 Anonymous noreply@blogger.com 2010-04-10 16:57:11 2010-04-10 16:57:11 1 0
You can find a Mary's video tutorial on this stitch here: http://www.needlenthread.com/2006/11/portuguese-knotted-stem-stitch-video.html]]> 3483 anamika noreply@blogger.com 2010-01-23 04:03:49 2010-01-23 04:03:49 1 0 i never knew learning from the net was so easy. ur website has so much to offer and in about a month i have learnt so much.i am so thankful to u for introducing me to such a creative spare time activity.]]> 13305 Anitha noreply@blogger.com http://www.blogger.com/profile/00362690682532876425 2007-02-03 04:18:00 2007-02-03 04:18:00 1 0 You lessons are really simple and easy to learn for a starter like me and I enjoyed learning all the stitches that you have shown.Idont know how to thank you for this.

Mrs Anitha Edison]]> http://www.needlenthread.com/2006/10/basic-embroidery-stitches-more-outline.html Mon, 09 Oct 2006 06:11:00 -0500 Mary Corbet 1171 2006-10-09 06:11:00 2006-10-09 06:11:00 open open Basic-Embroidery-Stitches:-More-Outline-Stitches---Coral-Stitch publish 0 0 post

The three outline stitches that I'll cover this week are similar: they create a kind of "knotted" outline - a little "ropey" looking and rather solid. They're nice when you're looking for something a little more distinctive than simple lines. They can all be worked around curves easily. Here's the first one:

The Coral Stitch
This stitch has lots of alternate names (including "scroll stitch," but we're going to look at a slightly different one of those later). Whatever the name, it's basically a line stitch with a tiny "one loop" knot that's formed at the end of each stitch.

The coral stitch can be used for outlines, and it can also be used (as most line stitches) as a filler. If you're going to fill with it, I think the best thing would be to alternate the position of the knots in each row, in a kind of bricking pattern.

The direction of the red arrow indicates the direction of the needle's tip. Although I pretty much work everything in a frame or hoop, this stitch doesn't necessarily need a hoop. If you're fabric's in a hoop, it doesn't have to be super tight.


The Stitch: Coral stitch is worked from right to left. (Left-handed stitchers: from left to right.) Begin by coming up through your fabric where you want to start your line. Take your needle down at the point where you want your stitch to end (indicating the length of the stitch), picking up just a bit of the fabric, as shown, and coming right back up (in a "sewing" method). Your needle will be pointing down towards you, or, for a different look, you can angle it to the left or to the right - whichever way you angle your needle will alter the look of the knot slightly, so experiment to see what you like.

Loop your working thread over the needle in the direction of the line, then back around in the opposite direction under the needle. Pull the needle through. It may help to hold the working thread loosely with your thumb while working the stitch.


Here it is again, on the second stitch. Take your needle along the line, the desired length of the stitch, pick up a little bit of fabric, loop the working thread over then under, then pull your needle through.



Three knots in a row. You can vary the look of it by relaxing your tension a bit and allowing the line part of the stitch to "scallop" loosely.



And this is what the back should look like - three short, parallel stitches.

It's really a simple stitch!! How do you use coral stitch? Do you have any good ideas to share with the rest of us? Let us know!

Have fun with it!
]]> http://www.needlenthread.com/2006/10/embroidery-eyes-good-lighting-is.html Sun, 08 Oct 2006 08:01:00 -0500 Mary Corbet 1172 2006-10-08 08:01:00 2006-10-08 08:01:00 open open Embroidery-&-the-Eyes:-Good-lighting-is-important! publish 0 0 post
I'll give you an example: I was working on a very fine piece of high-count white linen using one tiny strand of silk thread to embroider an intricate design. I was working against the clock to get it done, as it was a commissioned project. At the time, I lived in an apartment that was shaded by a very large porch, so my sitting room had little natural light. I worked by the regular lighting in my room, until I started to notice extreme eye fatigue after short spells of work, and then - low 'n behold - swollen eyes, redness, etc. It was definitely the lack of good lighting. To remedy the situation, since it was my summer vacation, I took my work outside. This poses problems in itself! Birds flying over... insects.... dust from nearby fields... But - it was a great experience! Doing needlework outdoors in the sun is nice! And on a bright sunny day, I don't know if you could get better light!

A friend of mine suggested that, in the spring and early summer, our embroidery group meet outside. I know she had visions of Emma in Mirimax's Jane Austen film! Unfortunately, while it would be fun now and then - variety is good - again, there are certain problems with the proposition: logistics (supplies, tables, chairs, mosquitoes) and potentially dangerous situations with birds, bugs, and dirt.

So what do you do?! Invest in good lighting! Do not compromise your eyesight by settling for poor light. If you are serious about stitching - whether you do it for pleasure or for profit - you must take care of your eyes. If you don't, you won't be able to enjoy what you love to do!

The best lights for stitching, in my opinion, are made by OTT-Lite. They feature "true color" bulbs that are bright without glaring. You will be amazed at the difference in your work under an OTT light - everything is clearer!

OTT lights come in several varieties - floor lamps, table lamps, clamp lamps, portable lamps - it just depends on what you want. I've had mine for a while - it's the Flex Arm Plus, with the base and the clamp. For traveling or if you belong to an embroidery group, consider a portable version such as the one at the left. The lamp doesn't extend as far, but it's better than working in poor lighting!

While OTT lights can seem expensive, it is truly worth the investment. If you invest in nothing else as far as tools and accessories go, at least invest in a good light!

You can find OTT-Lite products at Joann's online. I just squizzed their site - they have a great variety of them, and this week, they're on sale. I may have to invest in a floor lamp....
]]> 12400 Lucy noreply@blogger.com 2008-02-10 05:13:00 2008-02-10 05:13:00 1 0 Thank you for share your "colorful" enthusiasm.

Hugs from Brazil!

Vera]]> http://www.needlenthread.com/2006/10/transferring-embroidery-patterns-solvy.html Sat, 07 Oct 2006 11:34:00 -0500 Mary Corbet 1173 2006-10-07 11:34:00 2006-10-07 11:34:00 open open Transferring-Embroidery-Patterns:-Solvy,-Part-II publish 0 0 post

I'm not quite convinced that Solvy is the absolute answer for embroidery transfer, but it definitely has its uses. To experiment a bit, I decided to try it with cotton velveteen and see how the process worked.

You can find the first steps in the process of using Solvy here.

After I finished stitching the piece, I took it out of the hoop and cut away the excess Solvy. This happens to be "Ultra-Solvy," which is extra-thick - in retrospect, I should have used regular Solvy. Here's the trim job:



After trimming it, I plunged the whole thing into a bowl of lukewarm water and let it sit for just a few minutes:



As it soaked, I got a little nervous, since the black from the Sharpie permanent marker seemed to be clinging to the threads. The next time I do this, I won't use such a heavy line! That's what I get for rushing! The thread was darkened a bit by the ink, I think. It's not super-noticeable to anyone but me, but still....

Once the work soaked for a while, I decided to use a mild soap, very lightly working it around the surface, even of the stitches. Normally, I wouldn't do this, and I don't recommend it, as the movement tends to separate the fibers of the thread. By the way, I stitched this using one strand of soie d'alger silk by Au Ver a Soie. After very lightly working the soap over the darkened areas (they were pretty noticeable before I did this), I rinsed the whole work in running water:


And, lastly, I laid out the piece on a towel to dry:



You can see the "fuzziness" of the stitches - normally, it should NOT be this way, but this was due to lightly "scrubbing" over them with mild soap, using my fingers. Usually, I get a very smooth result with the soie d'alger, which I find perfect for satin stitching (see here for an example).

Overall, I was pleased with the experiment, and I learned a lot about using a water soluble stabilizer for transferring an embroidery pattern. Some definite do nots:

• Don't use ultra solvy - use regular.


• Don't use a heavy line permanent marker, like a regular Sharpie. Use a fine-lined pen, like the macro pens found in the art section of a hobby store.


• Don't scrub over your stitches, even gently, with your fingers and soap - in fact, this is more or less a hard & fast rule when cleaning anything you've embroidered. Only in the most extreme cases of necessity (say, you spilled something directly on the threads and it's a toss-up between light scrubbing and scrapping the whole work) should you "scrub" the threads.

Will I use Solvy again?? YOU BET!

If you have any tips on how you use Solvy or on how you transfer your designs for embroidery, let the rest of us know!! Thanks!
]]> 6468 Anonymous noreply@blogger.com 2009-07-26 13:37:54 2009-07-26 13:37:54 1 0 10137 Anonymous noreply@blogger.com 2008-10-17 19:08:00 2008-10-17 19:08:00 1 0 13419 Elizabethdee noreply@blogger.com 2006-10-08 08:32:00 2006-10-08 08:32:00 1 0
My focus has been narrow: finding an easy way to transfer patterns onto dark-colored T-shirts and stabilize the fabric at the same time.

So far I've found that using just a white colored pencil, from a drawing set (mine is Prismacolor), works fine. For whatever reason, my hand is surer when I trace with a pencil instead of a felt-tip pen.

After tracing the pattern onto a single layer of Solvy, I fuse on a second layer of Solvy. This is accomplished by laying the second layer on top of the first sheet of Solvy, putting a protective sheet of ordinary paper over that, and pressing with an iron for two-three seconds. You might have to peel the paper off the Solvy.

The two layers of Solvy are enough to stabilize the T-shirt fabric and do not stymy your needle, and the pencil shows up perfectly on dark fabric. I also found the fused layers easier to work with than the single layer.

I haven't had any problems with removing Solvy or with pencil marks transferring onto the fabric or the threads --which in my case have only been DMC cotton floss. THe Solvy with the pencil marks has dissolved on contact with water. The Solvy instructions also suggest removing by ironing between two damp paper towels, and that has worked well for me too.

There's another type of Solvy I'm going to try, coming in the mail. I hope it isn't the Ultra! I'll let you know how that turns out.

Once again, Mary, thank you for your wonderful work. Your writing is so clear and encouraging.]]> http://www.needlenthread.com/2006/10/embroidery-for-children-small-projects.html Thu, 05 Oct 2006 06:18:00 -0500 Mary Corbet 1174 2006-10-05 06:18:00 2006-10-05 06:18:00 open open Embroidery-for-Children:-Small-Projects publish 0 0 post We used a butterfly cookie-cutter as a design template (50 cents at Wal-mart), along with a ruler and the inner ring of smaller hoops for circles. We used water-soluble transfer pens to draw the designs.

We began with the most basic stitch, the running stitch, and progressed to the whipped running stitch, the backstitch, the whipped backstitch, stem stitch, chain stitch, buttonhole stitch, feather stitch, lazy daisy, and French knots. By the end of the summer, the girls were stitching on linen with two strands of DMC, and embroidering bouquets of daisies with stems and bows.

I thought I'd share some of their early to mid-way work. They had a lot of fun creating these. The variety in color and the fact that they were stitching things they thought were pretty - butterflies, flowers, hearts, and such - made them extra-enthusiastic.


A butterfly within a circle, with multiple lines done in a variety of line stitches.


Squares and curly-ques


Close-up on the curly-ques


Buttonhole flowers with French knot centers, buttonhole grass, and feather stitch leaves - the stems are stem stitch, and the red line at the base is chain stitch.


A great job on the buttonhole stitch and the French knots! (10 years old)


A butterfly in a sunburst


A close-up on various stitches employed: whipped running, stem, and backstitch are featured here.

If you start off simple, most children who are interested and enthusiastic can learn simple stitches very quickly. Once they can see progress with simple stitches, they are eager to learn more complex stitches. It takes a little bit of patience to teach young children, but it is really a blast!! If you ever have the opportunity, give it a try! The supplies are few, the rewards great!


]]> http://www.needlenthread.com/2006/10/embroidered-pouch-for-linens.html Sun, 01 Oct 2006 09:50:00 -0500 Mary Corbet 1175 2006-10-01 09:50:00 2006-10-01 09:50:00 open open Embroidered-Pouch-for-Linens publish 0 0 post



This is a front view of the linen pouch. In retrospect, I'm thinking of everything else I could have or should have done - and certainly, the fact that the initials are just way too big. The initials serve a purpose - the priest keeps his own personal altar linens in this bag. But my goodness! They're large! Not only that, but they look like "R 9N" instead of "RM."



The initials are mostly satin stitched, with padding underneath. I padded them using one strand of soie d'alger, and stitched them with one strand. On the edges of the initials, I used stem stitch, and followed this by running a fine gold blending filament through the stem stitch. I added the blending filament after, instead of threading it with the thread in the needle, because passing through the fabric takes a toll on metallics like this.

The decorative boarder is worked in stem stitch (Caron waterlilies - a greenish overdyed) and lazy daisy. The french knot clusters are also Caron waterlilies. There's a bit of gold blending filament worked in with the green stem stitch as well.

The pouch is edged with a gold braid, and finished at the tip of the flap with gold tassles, which wrap around an embroidered covered button on the front (detail below).



The inside of the pouch is gold moire something-or-other (it's an upholstery fabric - nothing super-fancy!). The whole item is rather limp, to give it room to expand when linens are added - the same reason the closure for it is cording wrapped around a button. When the pouch is full, the cording wraps fewer times around the button. I did line the pouch with a lightweight interfacing. In fact, I used the interfacing as my embroidery pattern transfer. I drew the design on the interfacing, and basted it onto the wrong side of the fabric. I stitched over a light, backlighting the dark fabric, and in this way, I could see the design without having to mark on the front of the fabric.



The pouch holds various altar linens - here, you see a pall, which is a small square piece of linen. I used legacy linen on the pall, and stitched the design in one strand of YLI white silk. For four years of use, it doesn't look too bad! The edges are hand-tatted in white.

I designed the front of the pall on graph paper, traced it onto tracing paper, then used blue dressmaker's carbon to transfer the design onto the linen. The stitches I used were satin stitch, wheat stitch, stem stitch, and whipped backstitch.



Peeking out of the pouch here is another pall made, again, of white linen, the embroidery done in metallic gold. I did not emboirder this one. I like the filigree on the outside of the design, but I'm not too keen on the overall design, although the embroidery is done well.



And here's a close-up of the button, worked in whipped backstitch with one strand of soie d'alger. The button is the reason I have the whole thing back in my possession after four years. It fell off, so it was sent home for repairs. Initially, I merely pinned the button on with a button pin (safety pin with a bump in it). Over time, this has worn away a little hole, so now I have to think of some ingenious way to fix it and to anchor the button permanently.

Any suggestions??

This pattern for the pouch could really be used for a number of things. I made up the pattern myself, and will eventually post a step-by-step for construction. Looking back on this project (which was the first of its kind for me, but not the last), I can think of a hundred ways to improve it, some of which I plan to employ on my next similar project.






]]> 12786 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-12 23:21:28 2007-11-12 23:21:28 1 0
Thank you!!]]> 12788 Logan noreply@blogger.com http://www.blogger.com/profile/14190306276373818087 2007-11-12 22:42:00 2007-11-12 22:42:00 1 0
Lovely work!]]> 13134 Cheryl Anderson noreply@blogger.com 2007-05-15 02:51:00 2007-05-15 02:51:00 1 0
Your work is amazing!]]> http://www.needlenthread.com/2006/06/basic-embroidery-stitches-line.html Wed, 28 Jun 2006 21:21:00 -0500 Mary Corbet 1176 2006-06-28 21:21:00 2006-06-28 21:21:00 open open Basic-Embroidery-Stitches:-Line-Stitches publish 0 0 post Experiment with them! They aren't just for lines - they can also be used for fillings. If you have any additional uses for any of these stitches, feel free to share! And if you have any questions or corrections, post a comment - I'm all ears!

Running stitch: This is perhaps the most basic "sewing" stitch, and it can be used well for decorative effects in embroidery. This is the first stitch I teach in my embroidery classes, and even though it seems really basic, it makes for a good exercise in judging stitch length and spacing. To look "nice," running stitches need to be evenly spaced and of even length - though the space between the stitches does not always have to equal the length of the stitch! You can create different effects by using longer stitches, with smaller spaces between them. You can create a light fill with running stitch, by alternating the spacing in parallel lines, forming a kind of "brick" effect. The running stitch, when worked very small and very close together in fine thread on fine fabric, can be used for delicate vines and lines. It can also be "whipped" (explained below) to make a solid line with a rope-like effect.
Direction: For right-handers, work from right to left or top to bottom. For left-handers, work from left to right, or top to bottom. Bring the needle to the front of the fabric at A, and pull the thread through. Now, for the rest of your stitches, you can work them more quickly if you "run" them on the top of the fabric, without taking your hand to the back. Go down at B, and, using your fingers on your non-dominant hand (the one that's not holding the needle!) behind the fabric, encourage the needle to come up again at C. Pull the thread through. Work to the end of the line or curve in this manner, and try to keep your stitches straight and even! The more you practice, the easier it gets!

Whipped running stitch: The "whipped" part of this stitch is demonstrated in red. You can "whip" a stitch with a contrasting color, with the same color, or with a shade of the same color, all of which will give a different effect. The weight of the thread also determines the effect. If you are using one fine strand of floss or thread, your stitch will be very delicate. In this case, you should stitch a row of tiny, close running stitches.
Direction: Bring the needle up at the point where you began your running stitches. Take your needle down through each running stitch, passing between the stitch and the fabric, without picking up any fabric. When you reach the end of the running stitch foundation, take the needle to the back of the fabric at the same point where you ended your running stitches. Secure the thread in the usual way (by running it under the backs of your stitches) and snip. And there you have it!

Back Stitch: This is another easy outline stitch which can be used to good effect on delicate or heavy lines. This stitch is commonly used in counted cross stitch. The back stitch can be further decorated by whipping it, just like the running stitch above. The key to good looking back stitches - just like running stitches - is even stitches.
Direction: Left-handers: you're going to work left to right. Right-handers: work right to left, bringing your thread up at A, determining the length of your stitch between A and the starting point of your line. Take your needle back to B, insert and encourage it up at C (using a finger of your other hand under your work). Pull the thread through. Continue working in a backwards-forewards motion until you have completed the line. At the end of the line, take the needle down at the end of the second to the last stitch, thus forming your final stitch. On the underside of your fabric, whip the needle and working thread in and out of the stitches formed to secure it.


Outline Stitch: This stitch is a lot like the stem stitch in technique, but the outcome looks slightly different. In stem stitch (below), the individual stitches remain quite distinct, while in outline stitch, the stitches twist together, forming a solid line without clear distinction in the stitches. They kind of "twist together" and make a smoother looking "rope." I prefer the stem stitch (below) to the outline stitch, especially if I'm using it as a filling. You can use both of them as filling, by working rows close to each other, and you can achieve a nice shaded effect by switching to lighter shades as you go along. But for some reason, the stem stitch seems to work better for that than the outline stitch does. The outline stitch is great for nice, tight-looking, fine outlines. It takes curves well, so it's great for curly-q's.
Direction: For left-handed stitchers, you will stitch in the opposite direction, and keep the thread below the needle. For right-handed stitchers: outline stitch is worked from left to right, by bringing the needle up into the fabric at the beginning of the line to be covered. Put the needle into the fabric at the point that determines the length of the stitch. Without pulling through, pointing the needle back towards the beginning of the line and keeping the thread ABOVE the needle, push the tip of your needle through the fabric about halfway down the length of the stitch. Pull through. Continue in this "back and forth" manner, going forward, but always pointing the needle back towards the beginning of your work, and, for subsequent stitches, bring the needle up where you finished the last stitch. User the fingers on your non-stitching hand to encourage the needle back into the fabric. This way, you can avoid taking your hand to the back of the fabric. Try to keep your stitches even.

Stem Stitch: Like the outline stitch, stem stitch can be used to outline delicate lines, curves, and curly-q's. Unlike the outline stitch, the stem stitch produces a line of more defined invidual stitches. Like the running stitch, the stem stitch can be whipped. Stem stitch makes great stems (of course!) on leaves and flowers, as well as simple outlines on any design. Stem stitch can also be used as a thick filler, by working rows next to each other. You can add shading to your filling by changing the shade of the thread.
Direction: For left-handers, work this stitch right to left, keeping the thread above the needle (opposite of the diagram). Right-handers: Bring the needle and the thread through the fabric at your starting point (A). Take your needle down at B (which will determine the length of the rest of your stitches). Encourage the needle back up about halfway back along the stitch line, and pull the thread through. You can work directly on your stitch line, and just nudge your thread over as you come up. As you take the second stitch, the emerging point of the needle (C) will be at the end of the previous stitch. You can reduce this distance, and only go back half the space (or even less), and elongate your stitches. You can also stitch on more of an angle (as shown in the diagram) to achieve a wider line.

Couching: another great way to achieve a neat line, as well as to fill an area. Couching is basically the stitching down of a thicker thread that is laid on the fabric, using usually a finer thread. It is an essential technique in most goldwork. But it doesn't have to be used only for goldwork! I teach my 10 - 14 year olds couching by having them fill in an area between two parallel lines with #3 or #5 perle cotton - usually in a nice, bright color - which is couched down with a contrasting bright color in a brick pattern (that is, alternating the placement of the couching thread in each line). They love the effect! Couching is used in the technique "Or Nue" (a goldwork technique) in such a way that the placement of the couching stitches determines the shading of the figure being embroidered. I have some links to examples of Or Nue on this page.
Direction: Lay your thicker thread (the thread to be couched) on your design. In some cases, you can thread a larger needle with your thicker thread and bring it up through your fabric. In other cases, you take the couched thread ends to the back of the fabric later, or not at all. Thread your needle with a fine thread. Use a contrasting color if you want your stitches to be seen; use a similar color if you do not want your stitches to be seen. If you are couching down gold or other metalics, you will want to wax your thread first. Take small stitches over the laid thread, perpendicular to it, and evenly spaced. Catch the fabric in the back at each stitch. When you fill a pattern, you usually alternate the placement of your stitches, so that, even if the couching thread is a similar color to the laid thread, you still get a kind of pleasing pattern.

]]> 10323 Anonymous noreply@blogger.com 2008-10-02 08:46:00 2008-10-02 08:46:00 1 0 Thank you so much. Your article has been of great help. I'm a novice trying to make a pillow case. I'm going to try out a few stitches from above. I come to the conclusion that even if the design is basic, the stitch makes all the difference....

Take care,
G]]> 10653 Sarah noreply@blogger.com 2008-09-08 18:59:00 2008-09-08 18:59:00 1 0 12462 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-01-24 18:14:55 2008-01-24 18:14:55 1 0 12463 smita manoj noreply@blogger.com http://www.blogger.com/profile/16858128883484152952 2008-01-24 15:13:00 2008-01-24 15:13:00 1 0
thanks more making hand embroidery easy. i wanted to know if there are any particular type of threads that u recomment so that my works look good on tops & dresses.are silk threads worth working ...]]> 12755 EJ180 noreply@blogger.com 2007-11-18 21:29:00 2007-11-18 21:29:00 1 0 Mandy]]> 12756 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-11-18 21:10:23 2007-11-18 21:10:23 1 0
If you want to e-mail me a photo at mary [at] needlenthread.com, I'd be happy to look at it.

I think the whipped backstitch is great for thin-lined text. You might want to try that one. I used it on some of the text on my pillow cases - the first photo, on the "Shhhh" on the top left side of the pillow case.

MC]]> 12757 EJ180 noreply@blogger.com 2007-11-18 20:57:00 2007-11-18 20:57:00 1 0 I'm not sure you can see the part I'm doing on this link. Which stitch is best for this? I'm currently doing what looks like the running stitch. I'm not liking the pointyness (if that is even a word) of some of the stitches on my letters, it doesn't look smooth. I wished I could post a pic so you could see what I'm talking about. Can you help?
Mandy]]> 13004 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-08-20 21:29:07 2007-08-20 21:29:07 1 0
If you check out this video tutorial, there's a little blurb on ending threads:

Running stitch & Finishing Threads

When you start your threads, you can start with a waste knot, which I describe here:

Want knot?Waste knot!

Hope that's helpful!]]> 13007 Anonymous noreply@blogger.com 2007-08-20 16:35:00 2007-08-20 16:35:00 1 0 thanks,
-L]]> 13135 Leslie lsharr@gmail.com http://www.blogger.com/profile/13896225590676052139 2007-05-13 09:09:00 2007-05-13 09:09:00 1 0 13430 Anonymous noreply@blogger.com 2006-09-27 14:21:00 2006-09-27 14:21:00 1 0
Eve]]> 13468 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-07-03 08:32:30 2006-07-03 08:32:30 1 0
I'll have the rest of the basic stitches (filling and detached) up this week.]]> 13470 Kathy Kyger noreply@blogger.com 2006-07-02 23:45:00 2006-07-02 23:45:00 1 0
Thanks again,
Kathy]]> http://www.needlenthread.com/2006/09/daisy-chains-embroidery-patterns.html Sun, 24 Sep 2006 13:18:00 -0500 Mary Corbet 1177 2006-09-24 13:18:00 2006-09-24 13:18:00 open open Daisy-Chains---Embroidery-Patterns publish 0 0 post

Click on each pattern for a larger version, then right click on the larger version to save it to your computer. You can adjust the size of the design in a photo editing program, or you can use a photocopier. You can also add more daisies by tracing the repeats.

Have fun with it!






]]> http://www.needlenthread.com/2006/09/z-embroidery-books-inspirations-tanja.html Sun, 17 Sep 2006 18:44:00 -0500 Mary Corbet 1178 2006-09-17 18:44:00 2006-09-17 18:44:00 open open A-Z-Embroidery-Books,-Inspirations,-&-Tanja-Berlin publish 0 0 post

The deal is through Amazon. Normally, in a retail shop, you'd pay anywhere from $24 - $29 for the book. If you order it straight through Country Bumpkin, it's $22.55. Right now it's on sale at Amazon for $18.66. Not bad.... The drawback is that you have to wait 2 weeks or more for it. BUT - if you're Christmas shopping for a stitcher, it'd be a great time to pick up a perfect present at a reduced price.

Here's a link:


Speaking of the A-Z books, I finally bit the bullet and subscribed to Inspirations. I'm not sure what inspired me to do it - well, I take that back. On the Country Bumpkin website, they list the contents of the current issue (#51). I've been aware of Inspirations for years, but never keen enough on any one thing to actually subscribe, as I find it rather pricey. Two things in this one sold me: the Elizabethan bag and the cockatoo apple bag. I'm looking forward to having something fun to flip through every so often!

The one issue of Inspirations that I did purchase a while back a while back introduced me to goldwork, and I wasn't sorry. Within, there was a project by Tanja Berlin, and I ended up visiting her website and purchasing the whole kit. Have you seen her stuff? If not, visit Berlin Embroidery. Her goldwork sampler kit is fun, and she's got some really gorgeous kits for needlepainting, blackwork, Jacobean, etc. She gets stuff out quickly, so even though it's coming from Canada, it's not that long of a wait. The postage rates are a drawback, but the slight currency difference helps compensate. If you're looking for a Christmas present for a stitcher in your life, check out her Blackwork Embroidery and Etui Box kit (you have to scroll down to see it). Finally, check out her Kit of the Month - each month, she offers a reduced-price kit. This month, appropriately, it's an autumn maple leaf. If you're interested in trying needlepainting, this is an easy way to do it. Tanja Berlin, by the way, is one of the authors featured in A-Z of Threadpainting. It's excellent, and, in typical A-Z style, packed with great ideas.]]> http://www.needlenthread.com/2006/09/initials-for-embroidery.html Sun, 17 Sep 2006 11:02:00 -0500 Mary Corbet 1179 2006-09-17 11:02:00 2006-09-17 11:02:00 open open Initials-for-Embroidery publish 0 0 post

My mom has a kitchen towel that was given to her as a wedding gift 49 years ago. It's a typical towel with one special point to it - her initials, embroidered by a friend. In our house, that thing has had some serious years of usage, but it's held up.

Initials and monograms are funny things - they seem to go in and out of style, but are never really out of style. I was browsing through Elizabeth Kurella's book, Whitework Embroidered Lace Handkerchiefs, yesterday, and found it amusing that monograms often served the very practical purpose of marking fine linens for the laundry service. As she put it, "they made sure the laundry got back to the right home." Most of us don't send out our household laundry these days (I wish!), but that's no good reason to put aside the art of monogramming, initialing, or embroidering the whole darned name right across the piece. What a great way to mark a piece in a special, even intimate, way.

At my last adult class, my students brought in their projects that they'll be working on until we can get started up again. They were pretty enthusiastic to be putting their newly-found skill of basic stitches into practice on their own. One of the ladies is working on two pillow cases - she has two daughters (in second and third grade), and she's making them each a matching pillow case for Christmas presents. I suggested putting initials on them to make them each distinct, so she hunted about for a book, and came up with a fabulous find - at Wal-mart of all places - with beautiful iron-on initials. Wary of "using up the book," I suggested she trace the initials and transfer them lightly with pencil or transfer paper. We met the other day, and she showed me her progress. She's halfway through with the first case, and it's lovely! Those girls are going to have a hand-made treasure from their mom, to cherish for the rest of their lives. But it's the initials that are going to carry the most meaning as the linens travel through time.

There are heaps of resources out there for inspiration for embroidered initials. Hedgehog Handworks offers several nice books. You can pick up different artists' resource books at sellers like Barnes and Noble - I've never been in there yet that I haven't seen one on initials. There's a cool blog online that offers downloadable intial fonts in PDF form that are very nice: Rissa's Pieces. If you're into using fonts and you want some nice ones that can be used for embroidery, you can try looking at Fontcraft's Scriptorium, which has heaps of beautiful (and sometimes weird and funky) fonts available.

As you're planning your Christmas list, considering adding a monogram to a gift. People will always remember you for it!
]]> 12172 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-03-24 08:43:46 2008-03-24 08:43:46 1 0 12173 Anonymous noreply@blogger.com 2008-03-24 08:05:00 2008-03-24 08:05:00 1 0 http://www.needlenthread.com/2006/09/learn-embroidery-stitches-for.html Fri, 15 Sep 2006 07:27:00 -0500 Mary Corbet 1180 2006-09-15 07:27:00 2006-09-15 07:27:00 open open Learn-Embroidery-Stitches---for-Beginners-and-More! publish 0 0 post Inaminuteago offers online embroidery classes through Joggles. If you're interested in building a repertoire of stitches but your schedule restricts you from getting out to a class, why not try one online? If you've ever checked out Sharon's stitch dictionary, you know the classes are going to be top-notch.

Another great idea that she is working up can be found on her blog - a weekly stitch challenge, where she posts detailed instructions on a particular stitch each week, and we interpret the stitch, work something up, and post pictures. To me, this sounds like a great idea! Creative, fun, interactive, and - best of all - perfect for improving embroidery skills. You can read about it here. She's proposing starting in January.

If you get a chance, browse through her 100 Details for 100 Days posts on her blog. You'll be inspired!
]]> 13434 sharonb noreply@blogger.com http://www.blogger.com/profile/17606449324102953980 2006-09-16 19:54:00 2006-09-16 19:54:00 1 0
The challenge should shape up to be alot of fun and hopefully a good skills sharing exercise so I am looking forward to it

I am enjoying your blog thanks for the effort you have been putting in I will be swinging by regularly.]]> http://www.needlenthread.com/2006/06/passion-flower-embroidery-pattern.html Tue, 27 Jun 2006 08:51:00 -0500 Mary Corbet 1181 2006-06-27 08:51:00 2006-06-27 08:51:00 open open Passion-Flower---Embroidery-Pattern publish 0 0 post

Satin stitch could be used for much of the design, or it could be needle-painted. Try some Montmellic techniques on it, in white, for a textured design. The possibilities are endless! Have fun with it!

To use in two corners on the same piece, you can "mirror" the image by flipping it horizontally in your graphics program, or you can trace the image, and turn your traced design upside-down before transferring.

Click on the image for a larger version. Right-click on the larger image and save to your computer.

For more hand-embroidery images, click here.



]]> 2165 Anonymous noreply@blogger.com 2010-03-19 12:17:00 2010-03-19 12:17:00 1 0
Thanks again!

Andrea]]> 5883 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-03 06:19:49 2009-09-03 06:19:49 1 0
Thanks for the recent comments. The reason the design probably only comes out partially is that it is too large for your print area on your computer. You may have to save it to your computer, then "shrink to fit" before you print, in whatever program you use for printing graphics. After that, if you want it larger, photocopy it and enlarge it by percents (and, if necessary, using larger paper in the machine...)

For information on transfering designs to fabric, etc., you can visit the tips and tricks page, where you'll find lots of articles listed that touch on this topic.

Here's the link:

Tips and Trick for Hand Embroidery

Hope that helps!

MC]]> 5884 Pallavi noreply@blogger.com 2009-09-03 04:38:58 2009-09-03 04:38:58 1 0 Your designs are extremely wonderful!!! A great work.....
I have just seen them...
Now I want to use them. how can i use them?
how should I copy it on cloth?
please mail me the details on pallavikul@yahoo.co.in

Thanks]]> 5888 Anonymous noreply@blogger.com 2009-09-02 15:30:07 2009-09-02 15:30:07 1 0
januarybb2000@yahoo.com]]> 5889 Anonymous noreply@blogger.com 2009-09-02 15:29:07 2009-09-02 15:29:07 1 0
januarybb2000@yahoo.com]]> 6525 sajan noreply@blogger.com http://www.blogger.com/profile/07816637271632381994 2009-07-23 00:31:53 2009-07-23 00:31:53 1 0 your designs are wonderful!! I wonder if this design is good for bedspreads. what other designs would you suggest and also colors?!! Neetha]]> 13046 beno noreply@blogger.com 2007-07-16 20:35:00 2007-07-16 20:35:00 1 0 13149 Marissa noreply@blogger.com http://www.blogger.com/profile/15352742126904744546 2007-05-08 20:00:00 2007-05-08 20:00:00 1 0
Thanks, beautiful selection and design.
Marissa from Mexico
Newby in
CQForNewbies@yahoogroups.com
i-love-cross-stitch@yahoogroups.com]]> 13472 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-06-30 08:38:13 2006-06-30 08:38:13 1 0 13473 Cathy P. noreply@blogger.com 2006-06-29 22:08:20 2006-06-29 22:08:20 1 0 http://www.needlenthread.com/2006/09/simple-rose-embroidery-design.html Wed, 13 Sep 2006 21:52:00 -0500 Mary Corbet 1182 2006-09-13 21:52:00 2006-09-13 21:52:00 open open Simple-Rose-Embroidery-Design publish 0 0 post
This is a corner pattern. To lengthen the lines, you'll have to trace and manipulate the repeats.

While colors are perfectly suitable for the design (in fact, I think variegated floss might look pretty nice, with the right color selections), the design would serve well in a single color, too. On guest towels or other household linens, you can add a personal touch with an initial. This would make a great wedding or anniversary gift! (Hint: an easy way to acquire initials for embroidery designs is to check out your computer fonts...)

Click on the pattern for a larger version, then right click to save it to your computer. You can mirror the image for the opposite corner by flipping it horizontally in your photo editing program, or you could turn it over and trace it after printing. Enlarge or decrease the design on your computer or on a photocopier.

What do you think of it, and how would you suggest using it? Feel free to share your ideas with the rest of us!!!


]]> 2530 Naima Bilal noreply@blogger.com 2010-03-08 13:21:15 2010-03-08 13:21:15 1 0 2531 Naima noreply@blogger.com http://www.blogger.com/profile/01531431931145223322 2010-03-08 13:18:05 2010-03-08 13:18:05 1 0 3621 Anonymous noreply@blogger.com 2010-01-15 05:52:44 2010-01-15 05:52:44 1 0 7875 meg noreply@blogger.com 2009-04-17 20:22:00 2009-04-17 20:22:00 1 0 7912 jules noreply@blogger.com http://www.blogger.com/profile/10240212025071328241 2009-04-13 15:00:00 2009-04-13 15:00:00 1 0 8126 Anonymous noreply@blogger.com 2009-04-07 22:35:00 2009-04-07 22:35:00 1 0 13339 cassiemodo noreply@blogger.com http://www.blogger.com/profile/09745351399884939803 2006-12-27 16:09:00 2006-12-27 16:09:00 1 0
You asked for comments about this pattern, so here it is!

I LOVE this pattern. I am VERY new at hand embroidery and this will be a simple, beautiful pattern for me to use. It is very hard to find flowers that I can actually do as a beginner (and have them turn out nicely), but I am very excited to start on this pattern. Thank you!]]> http://www.needlenthread.com/2006/09/seasonal-embroidery-acorn-revisited.html Tue, 12 Sep 2006 07:33:00 -0500 Mary Corbet 1183 2006-09-12 07:33:00 2006-09-12 07:33:00 open open Seasonal-Embroidery:-the-Acorn,-revisited publish 0 0 post
Here's the pattern:



Some ideas:

Try line stitches in one strand of floss, in a light gold. The caps of the acorns would look good in French knots or in seed stitching.

If you want rich colors, use deep browns and golds, with hints of red or orange in the leaves, which could be predominantly green. Satin stitch the acorn nuts in two tones of brown and seed stitch the caps in a darker brown. Use long and short stitch on the leaves, with veins and stems in stem stitch or outline stitch.

Click on the pattern for a slightly larger version. If you want it still larger, resize it on your computer or on a photocopier.

Enjoy!

]]> http://www.needlenthread.com/2006/09/jacobean-embroidery-design.html Sat, 09 Sep 2006 19:09:00 -0500 Mary Corbet 1184 2006-09-09 19:09:00 2006-09-09 19:09:00 open open Jacobean-Embroidery-Design publish 0 0 post

You could embroider a pillow cover or a nice wall accent... or just have fun learning the stitches to no determined end!

The elements of this design came from an old, old book I have - way out print, no copyright info available in it. I took a couple different parts of different scanned images and put them together to see how they would look. I wanted to try a whole variety of stitches in the form of a kind of sampler just to get familiar with Jacobean work, and this looked like a neat way to do it.

I think that traditionally, Jacobean work wasn't necessarily done in wool. Considering the time period (Elizabethan and a little later), it seems more likely that real Jacobean embroidery would have been stitched on linen or even finer cloth, and probably with silk threads. The motifs in Jacobean work, after all, were seen on the clothing (vests, jackets, etc.) of the nobility. Typical motifs were stylized plant life and vines, animals, flowers, bugs. There is a distinct similarity between Jacobean motifs and the illuminated work produced during the same era, with its funky strange animals, flowers, bugs, bees, gargoyles, etc.

If you want to play with this design, click on it for a larger image, then right click and save it to your computer. You can resize it on a photocopier or on your computer. If the image isn't quite clear enough, you can always touch it up and retrace it - and, if you're feeling creative - you can add a few personal touches, such as more leaves, a berry stem, or whatnot.



]]> 12692 Elmsley Rose a_velvet_claw@yahoo.com.au http://www.blogger.com/profile/14842743721181682681 2007-12-02 16:39:00 2007-12-02 16:39:00 1 0
So's you know - 'gargoyles' are monsters on buildings. (you mention them above as being in Jacobean designs)

"grotesques" are monsters in paintings/illuminated pages. And, I imagine, Jacobean designs.

Gotta keep our monsters straight!

"Images on The Edge" by Michale Camille is a fascinating book talking about what monkeys farting etc actually *meant* - the artists were making comments that would be completely unacceptable by the Church today!]]> http://www.needlenthread.com/2006/09/free-embroidery-pattern-scrolly-border.html Fri, 08 Sep 2006 05:37:00 -0500 Mary Corbet 1185 2006-09-08 05:37:00 2006-09-08 05:37:00 open open Free-Embroidery-Pattern:-a-Scrolly-Border publish 0 0 post line approach to something "dressier" with fillings.

Here's the pattern:



You'll want to click on that to get the larger image, which you can then right click on to save to your computer.

The pattern can continue on by tracing the repeats. Although it doesn't have a clear beginning and end, I think it would make sense to begin it right before the leaf, on the up-swoosh, and end it right after the leaf that curls around and under... just my opinion!

Enjoy it!
]]> 4052 Sonya noreply@blogger.com http://www.blogger.com/profile/05010349116635664782 2009-12-21 22:35:56 2009-12-21 22:35:56 1 0 http://www.needlenthread.com/2006/09/embroidery-pattern-grape-vine.html Thu, 07 Sep 2006 07:50:00 -0500 Mary Corbet 1186 2006-09-07 07:50:00 2006-09-07 07:50:00 open open Embroidery-Pattern:-Grape-Vine publish 0 0 post

The pattern can be scaled up or down on your computer or on a photocopier. If you want a longer border, just repeat the pattern or parts of it. This would look great in white-on-white or in color. You can fill the design, or just stitch oulines. Any way you choose to do it, I think you'll be pleased with the results. Click on the pattern below for a larger image, then right click on the larger image to save it to your computer.

Enjoy!



]]> http://www.needlenthread.com/2006/07/embroidery-pattern-single-lily.html Sat, 01 Jul 2006 07:34:00 -0500 Mary Corbet 1187 2006-07-01 07:34:00 2006-07-01 07:34:00 open open Embroidery-Pattern:-Single-Lily publish 0 0 post




If you click on the image above, you'll get a larger version. Right click on the larger version and save it to your desktop.

I'm rather keen, personally, on white-on-white, so I like this pattern worked in white lines on white linen. Working all the lines in a stem stitch, I like to go back and fill the leaves with tiny seed stitches, worked very evenly in a bricking pattern. Actually, they would look fine randomly done as well. On the lily petals, I prefer a long & short stitch, with satin stitch on the circular center and on the little tips of the stamen. But, hey! That's just me - it would look great in color, and needle-painted, it would look wonderful!

How do you think it would look good? I'd love to hear other ideas on it!
]]> 13436 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-09-16 05:34:35 2006-09-16 05:34:35 1 0
Thanks!]]> 13438 Anonymous noreply@blogger.com 2006-09-03 18:30:00 2006-09-03 18:30:00 1 0 http://www.needlenthread.com/2006/08/linea-embroidery-simple-and-quick.html Tue, 29 Aug 2006 07:23:00 -0500 Mary Corbet 1188 2006-08-29 07:23:00 2006-08-29 07:23:00 open open Linea---Embroidery-Simple-and-Quick publish 0 0 post

Linea is basic, simple embroidery used to embellish garments and accessories (household and wearable) using simple line stitches worked in DMC perle cotton. What's new about it? Nothing really - except that the designs, bold patterns, and colors fit the fashion trends of today.

The stitches used in Linea kits by DMC are basic: the running stitch, the back stitch, the straight stitch, whipped stitches (sometimes), stem stitch, chain stitch, and a few others here and there, now and then, depending on the look you want.

There's nothing at all new about the stitches. However, the "new" comes into the play in that DMC is packaging Linea kits with pre-made items stamped with the design, perle cotton to embroider the design, a needle, and some simple instructions. Still, as far as kits go, it doesn't sound so "new." But most embroidery kits out there, unless you're shopping for children's kits, are generally a bit more complex than these. The appeal to popularity falls, in my opinion, on two facts:

• The kits are fashionable - they fit today's fashion trends. They aren't the typical "homey," "country," or "vintage" type embroidery that has been around for a while. Most of the Linea projects I've seen appeal to trendy people - teenagers, college crowd adults, etc. Silk dupoin and other popular fabrics are commonly used in them. The color schemes worked in DMC perle cotton fit today's popular color schemes.


• Linea is EASY and QUICK. If you want to feel the satisfaction of completing a hand-made project, you can't go wrong. Linea just isn't the kind of stuff that develops into a UFO (unfinished object). On the contrary, if your creative juices are flowing, if you're itching to try your hand at embroidery, and if you like the idea of having an accessory you can wear or display in your home - you can't really go wrong. You can work up any one of the kits in a weekend, if not in an afternoon. The stitching is quick and basic. The tools are minimal. The results are pleasing.

Now, if you like the whole concept behind Linea, but are a little more original in your thought processes, you might indeed like to take a stab at the techniques and create something --- but you might be the type who thinks "Ok, if I buy this kit for a silk scarf, how many other people are buying the same kit, and how original is that?" No problem! You don't need a kit! This is the funny thing about it - packaging is everything, and DMC has succeeded once again in marketing something thanks to packaging.

What do you need to make your own original Linea-type project? Any pre-made item you would like to embellish. A denim shoulder bag, a silk purse, a long flowy scarf, a jacket - whatever. You need a pattern, or you can be really creative and draw up your own. You need a needle comparable to the fabric you're embellishing, and you need some DMC perle cotton #5 (even more widely available than ever at your local hobby and craft stores). And finally, you need simple stitch directions for line stitches primarily, which you can find here.

Here's a pattern, if you're looking for something simple and pretty. Click on it for a larger version, and right click to save it to your computer. You can scale it up or down on your computer or on a photocopy machine. You can also only trace parts of it, depending on how you want to arrange your embellishment.



To transfer the design, I suggest using the wax-free, carbon-free dressmaker's transfer paper (like Saral or Dritz) that you can find in the fabric section of your local hobby, fabric, or craft store. Use a light colored paper for dark fabric or a dark paper for light fabric. The markings will come out after washing, as long as you don't iron over them and set them with heat. If your eyes are good, you might use a dark paper on dark fabric and a light paper on light fabric, so that the markings are not so noticeable, if you're working on something that you don't plan to wash right away.

You don't really need a hoop, and you should stitch only from the front of the fabric (in a "sewing" method), especially on pre-made items.

Get creative and have fun with this "new" (not-so-new) concept!
]]> 13234 leenah noreply@blogger.com 2007-03-12 01:10:00 2007-03-12 01:10:00 1 0
i have a sale Linea kit for practice (and i get something useful too!) before i head on to bigger things.]]> http://www.needlenthread.com/2006/08/seasonal-embroidery-fall-acorn-border.html Sun, 27 Aug 2006 09:20:00 -0500 Mary Corbet 1189 2006-08-27 09:20:00 2006-08-27 09:20:00 open open Seasonal-Embroidery---Fall-Acorn-Border publish 0 0 post on table linens, on a sweater or skirt, or just about anything else you want to use it for.

Here's the pattern:



Click on it for the larger version, then right click on the larger version to save to your computer.

Some stitching suggestions:

A good opportunity to dig through your stash! Use simple outline stitches and multiple colors on the leaves - oranges, yellows, browns, reds, even greens! Use a darker brown on the cap of the acorn, and fill it in with close French knots. Satin stitch the nut in a lighter brown.

You can scale the image up or down on your computer or on a photocopy machine. You can also make the pattern longer or shorter by tracing or eliminating some of the repeats.

Whatever you do with it, have fun!]]> 6452 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-07-27 10:33:56 2009-07-27 10:33:56 1 0
You can find all kinds of articles here on Needle 'n Thread about transferring your embroidery pattern!

Just look under Tips and Tricks for Hand Embroidery in the right hand column under Editor's Floss. There are quite a few articles listed there for beginners, too.

Later this week, I'll be posting an article on transferring a design, as I start the Long and Short stitch shading series. The first post (about supplies) was posted today, if you want to check it out. Just click the "Home" link above to go to the most recent posts here.

Hope that helps!

MC]]> 6453 Debbie mdhaley@blomand.net http://www.blogger.com/profile/13916146392862669716 2009-07-27 10:07:51 2009-07-27 10:07:51 1 0 13439 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-08-28 07:53:33 2006-08-28 07:53:33 1 0 13441 Clara Barker noreply@blogger.com http://www.blogger.com/profile/10215467232515361106 2006-08-28 07:20:00 2006-08-28 07:20:00 1 0
C.B.]]> http://www.needlenthread.com/2006/08/maple-leaf-embroidery-pattern.html Sun, 27 Aug 2006 20:31:00 -0500 Mary Corbet 1190 2006-08-27 20:31:00 2006-08-27 20:31:00 open open Maple-Leaf-Embroidery-Pattern publish 0 0 post in autumn colors, in any kind of line stitch (even a simple running stitch), on a bread cloth (i.e. a cotton or linen cloth used to line a bread basket and wrap over warm bread). Do you have an autumn wedding coming up? A bread cloth with a maple leaf on each corner, combined with a nice basket and a bread cookbook would make a great shower or wedding gift!

Here's the pattern:



For a larger image, click on the leaf. Right click and save it to your desktop. You can resize it (up or down) on your computer or on a photocopier. If you don't want the veins in the leaf, skip 'em!

Any ideas for this particular pattern? Feel free to share them. Have fun!

]]> 5698 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-09-09 05:48:02 2009-09-09 05:48:02 1 0
Thanks for your comment!

For easier navigation, the "Editor's Floss" menu in the upper right hand corner has all the main indexes under it. You could choose, for example, to browse through the "Topic Index" - if you see a topic you like, just click on the link in the list, and you'll find all the articles that have been tagged as part of that topic.

The "Tips and tricks" section has lots of longer articles and tutorials listed, too, which can be helpful.

Hope that helps! Thanks for visiting!

Best regards,
Mary]]> 5699 Kanchana noreply@blogger.com 2009-09-09 03:57:44 2009-09-09 03:57:44 1 0 beautiful blog!! i can just feel like you are in fact talking to us in person. I m from India, and tell you, you have a lot of fans here :)
I m not exactly a beginner. have done some simple work in the past but restarting after a long break now so, i know most of the basic stitches.
my Question is:
1. Given my situation, where do i start?Your blog has so much of information that i sometimes feel a little intimidated, so would be great if you tell me how i go abt it?
Thanks in advance.]]> 6045 lil' irish noreply@blogger.com http://www.blogger.com/profile/09747198044032809831 2009-08-17 04:23:54 2009-08-17 04:23:54 1 0 13440 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-08-28 07:52:07 2006-08-28 07:52:07 1 0 13442 Clara Barker noreply@blogger.com http://www.blogger.com/profile/10215467232515361106 2006-08-28 07:16:00 2006-08-28 07:16:00 1 0
Did you get my post to your blog?

Clara Barker]]> http://www.needlenthread.com/2006/08/iron-on-transfers-embroidery.html Wed, 09 Aug 2006 10:10:00 -0500 Mary Corbet 1191 2006-08-09 10:10:00 2006-08-09 10:10:00 open open Iron-on-Transfers-&-Embroidery publish 0 0 post

Iron-on transfers on t-shirts and other items are really in vogue right now, with the do-it-at-home, do-it-yourself creation of personalized transfers. All you really need is an ink-jet printer and some special paper to get started, and you can transfer just about anything following a few easy steps.

The question is, can you create and transfer embroidery designs for hand-embroidery the same way? Simply put, the answer is no. If you do a line-drawing on your computer (of if you have, for example, an embroidery pattern like the ones found here), if you print these in your computer on transfer paper then transfer them to your fabric to embroider, you’re still going to get the film from the paper in between the markings. So, this isn’t the way to go when you want to transfer hand-embroidery designs! I have heard of doing this if you want to fully cover the design you’re embroidering, but I still don’t think it’s such a good idea. For one thing, given the relative newness of the technique, I don’t know if the fabric and transfer medium would withstand the test of time. How will it affect, for example, your floss or threads over time?

So that’s the ink-jet transfer technique, and I personally say forget it for fine embroidery…

Is there another way? Sure there is! If you like the idea of iron-on transfers, you can make your own pretty easily.

What do you need?

1. The iron-on “product.” There are a couple kinds available out there:
Dritz makes a red iron-on pencil, which you can use on any tracing paper. You can find a picture of it here. It’s easy to use and works well, and is pretty inexpensive. For precise designs, you’re going to want a couple pencils on hand so that you can keep them sharp while you’re working.

Then there are Aunt Martha’s hot iron transfer pencils, which require hot iron transfer paper. These are “ok” – but I figure the Dritz pencils work just as well, and you don’t have to have the paper.

2. Designs to transfer: these can be as simple or complex as you’d like. There are some hand-embroidery designs on this site here. You can also use designs from Dover coloring books and such, or from design books. There are heaps of these out on the market, and some of them have great designs in them. Or you can go free-hand.

3. A regular iron and a relatively hard surface. If you have a padded ironing board cover, you may want to put something heat-resistant and harder on top of it, and cover whatever you’re using with an old sheet. You want a firm surface for ironing.
4. Fabric: natural fibers always work best, and, for iron-ons, the smoother the fabric, the better. You don’t want to use a waffle-like kitchen towel, for example, with an iron-on pattern!

How do you do it?

Set up your fabric first. If you want, for example, to mark the center of your fabric, you should baste in some lines, “cutting” the fabric in half horizontally and vertically. When you baste these lines in, the place where they intersect will be the center of your fabric.

Trace a “mirror image” of the design onto the paper – use any tracing paper for the Dritz pencil; for the Martha one, you need to use the specific stuff mentioned above. It’s only necessary to trace a mirror image when you want the design to point in a certain direction, or when you are using text. It will require you to trace the design twice – trace it once, turn it over, trace it again. If you have your design on a computer, you can just flip the design horizontally in your photo editing program, print it out, and trace it once.

Now, if this is a design you want centered on your fabric, I suggest marking lines on the back of the paper (the part the iron will touch) so that you can see the center of the design. Line these lines up with the basting that you have already done on your fabric.

Place the design “pencil side down” on your fabric, and line it up carefully. Using even pressure and the correct iron setting for your fabric, firmly but gently (in other words, don’t mash the fabric!) press over the design. Don’t go “back and forth” with the iron – you don’t want the paper to move around. You can carefully lift off a corner to check the progress of the transfer. Do not leave the iron on one place too long, but be careful when you move it – you do not want to shift the pattern!

You can keep your pattern from shifting by pinning it on the edges to your fabric – outside the area of the transfer. This will help a little bit, but you must still be careful when you iron.

Iron-on transfers like the above are a great way to set up an embroidery project for kids, or to transfer a design onto a quilt square, etc. For very fine embroidery, I suggest using other transfer methods – because guess what? The iron-on transfer pencils don’t wash out well! But don’t lose heart!! It’s no big deal if you’re going to cover your lines with your stitches, right??

Have fun with it, be creative – you can even draw free hand with it, and skip the tracing altogether!

If you have any suggestions on creating iron-on transfer designs, do share them!
]]> 11994 Michelle Taylor noreply@blogger.com wwwmichellemybelle622.myspace.com/ 2008-04-14 20:10:00 2008-04-14 20:10:00 1 0 12316 Joanie noreply@blogger.com http://ninimakes.typepad.com 2008-02-24 17:12:00 2008-02-24 17:12:00 1 0 12573 Anonymous noreply@blogger.com 2008-01-01 12:14:00 2008-01-01 12:14:00 1 0
Thanks so much!

Sally in CA]]> 12689 Anonymous noreply@blogger.com 2007-12-02 19:45:00 2007-12-02 19:45:00 1 0 http://www.needlenthread.com/2006/08/satin-stitch-filling-stitches-part-ii.html Thu, 10 Aug 2006 06:44:00 -0500 Mary Corbet 1192 2006-08-10 06:44:00 2006-08-10 06:44:00 open open Satin-Stitch---Filling-Stitches,-Part-II publish 0 0 post

The Satin Stitch
The satin stitch holds its own as the most beautiful of embroidery stitches when done well. It is used in many embroidery applications. I've included below two photos of satin stitching. These are not necessarily techniques for the beginner, but it's always nice to have some "inspiration" - as with any embroidery stitch, practice makes perfect!


Whitework: a combination of cutwork and satin stitching

This is a close-up of a piece of linen covered with Italian cutwork, satin stitching, and inserts of needle lace. To stitch the "swoosh" at the base of the image, I first outlined the shape with a tiny backstitch. Some people use split stitch for this outlining. The instide of the outline is then filled with straight stitches running perpendicular (more or less) to the final satin stitched layer. Using #40 coton a broder, I satin stitched over the straight stitches. Note how the direction of the satin stitching turns with the design.


Goldwork: satin stitching in gold thread on cloth of gold
This is certainly not a beginner's technique. This is a photo taken of a relatively old piece of work (not done by me!). The gold thread is satin stitched over a kind of cardboard. It is actually softer than cardboard - almost like a cross between mat board and dense wool felt. I couldn't move the stitches apart to see precisely what was used, since the piece is not mine. I include the picture here so you can get a sense of the beautiful effect of satin stitching in gold.

The Basics of Satin Stitch
Satin stitch is basically a series of straight stitches taken right next to each other, close enough to cover the fabric underneath, but not too close as to butt up next to each other and cause bumps. The idea of satin stitch is that your stitches look smooth - like satin.

There are several difficulties in satin stitching that need to be overcome by practice, and I've addressed each of those below:

1. Uniform edges: when you satin-stitch, you want the edges of the space you are covering to be even. Practice will help you achieve this. Don't hesitate to take out stitches that don't produce an even edge. You will be better pleased with the overall results if you patiently work on getting the edges of your shape even. A hint: when you transfer your pattern, be extra-careful for the areas that are going to be satin-stitched. If the edge of your transfer is "off" (if your pen wobbles as you draw the design, etc.) then your embroidered stitches will also be off! You can also make yourself familiar first with stitches like the fishbone stitch or buttonhole. Practicing on these will acclimate you to neat edges.
   
   Here's a point on which stitchers differ. Some stitchers say that satin stitching does not require you to stitch an outline of your shape before you proceed to stitch over the shape. Other stitches claim that an outline is very helpful for neat edges and indispensible to the satin stitch. I believe both, depending on what you're doing. Stitching a tiny outline of back stitches or split stitches on the lines of the shape you are going to satin stitch can be very helpful. Even in very delicate work, this one tiny outline does not take away from the delicacy of the work. The trick is to use one strand of floss, either back stitch or split stitch over your outline, and then satin stitch over the edges of the outline you just stitched (not inside the outline!). I do this with practically anything I satin stitch, with the exception of very small circles and tiny bars. Other than those two shapes, I can't think of any time that I don't use an outlining stitch along my pattern.


2. Spacing: Satin stitches that are too close together buckle. Stitches that are too far apart show the fabric and lose the desired effect. So, spacing is important. When you begin to practice satin stitching, choose a fabric that has a relatively even weave, and choose a thread that will cover the space between one fiber in the fabric and the next. Try, for example, something like a loose weave linen, and use tatting cotton or perle cotton, or a larger size coton a broder (that is, a lower number, like 16). Try to aim for one stitch per fiber in your fabric, but if this is too far apart, you may have to split the fibers. If it's too close, you may have to work over 1.5 fibers or 2 fibers, etc. Try it with and without an outline (mentioned in #1 above). See what you like best. As you practice, try different shapes - like the "swoosh" in the whitework above. Try circles. Try tear-drop shapes, etc. Follow the stitch instructions below for different shapes. Strive to keep your spacing even and to insure that your threads are lying flat. Practice, practice, practice!


3. Stitch direction: It's important to know in which direction to stitch. For example, in the whitework above, the stitches don't run down the length of the "swoosh" - they cross over the "height" of it. Also, notice the direction of the stitches. They don't continue straight up and down, always parallel to the side edges of the fabric. They "ease" themselves around the shape. As you work around curved shapes (like the swoosh), you'll have to fan your stitches out - that is, at the top of the design, there will be more space between stitches than there will be at the bottom of the design. The direction of your stitches change as they move down the design around curves. However, when you're stitching a rectangle, bar, square, line, or any squared shape, there should be no real reason for your stitch direction to change - unless you're trying to achieve some strange, different effect. The stitch direction should remain the same over the whole shape.

Stitch Directions
For these directions, I'm using cotton twill and #5 perle cotton. The concept is the same, no matter what fabric and floss you're using. Keep in mind that satin stitch is not meant to cover huge spans or large shapes. Your needle should be able to cross the shape comfortably. The photos below show the "sewing" method of embroidery - that is, your hand does not go to the back of the fabric to work the needle. Everything is done from the front of the fabric. You can use the "stab" method just as effectively in satin stitch. It helps to have your fabric in a hoop or frame.

Notice that the stitching begins in the middle of the shape and works to one edge. Then you go back to the middle and work to the other edge. These are illustrations of two basic shapes. I didn't pad or outline these stitches at all, but you could run a small outline around the shape if you wanted to, and you could even pad the shape by stitching straight stithes underneath, perpendicular to the direction of the intended top layer of satin stitches.

Stitching a horizontal bar shape, with perpendicular stitches


Stitching a horizontal bar shape, with diagonal stitches (recommended)



Stitching a petal or tear-drop shape, using diagonal stitches (recommended)






]]> 2619 Anne noreply@blogger.com http://www.blogger.com/profile/03406978617890487235 2010-03-02 21:53:10 2010-03-02 21:53:10 1 0 Anne]]> 2620 Anne noreply@blogger.com http://www.blogger.com/profile/03406978617890487235 2010-03-02 21:42:37 2010-03-02 21:42:37 1 0 2621 Anne noreply@blogger.com http://www.blogger.com/profile/03406978617890487235 2010-03-02 21:41:50 2010-03-02 21:41:50 1 0 9185 Kait noreply@blogger.com http://www.myspace.com/kaitmurphy 2009-01-13 10:40:00 2009-01-13 10:40:00 1 0 9186 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-13 06:29:58 2009-01-13 06:29:58 1 0
Good luck!]]> 9187 Kait noreply@blogger.com http://www.myspace.com/kaitmurphy 2009-01-12 22:17:00 2009-01-12 22:17:00 1 0 9445 Annepoes noreply@blogger.com 2008-12-16 04:56:00 2008-12-16 04:56:00 1 0 AX]]> 10496 Anonymous noreply@blogger.com 2008-09-17 04:25:00 2008-09-17 04:25:00 1 0 thankyou for the inspiration.
I hope to give it a go and with lots of practice - and a good embroidery frame i might get a result.
loved the site.]]> 11711 Anonymous noreply@blogger.com 2008-06-07 02:58:00 2008-06-07 02:58:00 1 0 13005 Carla noreply@blogger.com http://www.blogger.com/profile/13355049728821123373 2007-08-20 19:53:00 2007-08-20 19:53:00 1 0 13018 bcurl noreply@blogger.com http://www.blogger.com/profile/14347176761100324769 2007-08-12 15:23:00 2007-08-12 15:23:00 1 0 13068 Lisa noreply@blogger.com http://www.blogger.com/profile/03547315164561456911 2007-07-02 12:53:00 2007-07-02 12:53:00 1 0 13091 Anonymous noreply@blogger.com 2007-06-17 16:54:00 2007-06-17 16:54:00 1 0 13209 Anonymous noreply@blogger.com 2007-03-28 03:36:00 2007-03-28 03:36:00 1 0 13450 Anonymous noreply@blogger.com 2006-08-15 07:42:13 2006-08-15 07:42:13 1 0 http://www.needlenthread.com/2006/08/mountmellick-embroidery.html Tue, 08 Aug 2006 06:00:00 -0500 Mary Corbet 1193 2006-08-08 06:00:00 2006-08-08 06:00:00 open open Mountmellick-Embroidery publish 0 0 post

There are actually several aspects of Mountmellick embroidery that differentiate this technique from other forms of whitework. First of all, Mountmellick is not done on linen. Rather, authentic Mountmellic fabric is a heavy cotton jean fabric (not denim, really) - with a nice sheen on the back of it, the side on which the embroidery is done. It's a durable fabric, and it stands up to laundering. The more it's washed, the shinier it seems to become.

While the material has a nice sheen, the thread is actually matte. This nice contrast is a trademark of real Mountmellick work. In fact, in the era of mercerized cotton (which has a chemically-induced shine), it can be hard to find the proper threads for real Mountmellick work. Good thing there's Lacis, which does have the matte thread. (Look under embroidery cotton).

In most whitework, the designs are somewhat delicate, and cutwork or openwork is often involved. In Mountmellick Embroidery, the designs are definitely bold, and cutwork and openwork are never involved - it's all straight surface embroidery. The common motifs in Mountmellick Embroidery are taken from nature - flowers, berries, brambles, leaves, stems, etc. The typical stitches are satin stitch (padded), stem or outline, Mountmellick stitch, knots, feather stitch, and buttonhole, and variations on all of these. The edges in Mountmellic embroidery are generally finished with buttonhole stitch or with fringe, depending on how the stuff is to be used.

The type of embroidery that "flourished" in Mountmellick was originally intended to help poor Irish women and girls survive the austere living of the Industrial Age in Ireland. The supplies were inexpensive (not so today - if you want the "real stuff" when it comes to Mountmellick fabric, you'll pay anywhere from $30 - $50 / yard for it), and the goods were sold, often to visiting Americans, from whence the technique spread in popularity. It's still a popular technique, and in the embroidery world, it's enjoying a renewed interest.

If you'd like to give Mountmellick embroidery a try, I suggest starting with Pat Trott's "Beginner's Guide to Mountmellick Embroidery." It's very practical and down-to-earth. She even suggests transferring designs by taping them to your window! She's got great suggestions for framing up your work for stitching, and a nice selection of authentic patterns and stitches.


]]> 13027 geetha noreply@blogger.com http://www.blogger.com/profile/08712069919009608774 2007-07-30 22:23:00 2007-07-30 22:23:00 1 0 http://www.needlenthread.com/2006/07/ecclesiastical-church-embroidery.html Sat, 15 Jul 2006 13:11:00 -0500 Mary Corbet 1194 2006-07-15 13:11:00 2006-07-15 13:11:00 open open Ecclesiastical-&-Church-Embroidery-Patterns:-Crosses publish 0 0 post
Click on the individual cross to view a larger image. Right click on the larger image to save it to your computer. You can rescale the image to any size you want once you save it to your computer. If you don't know how to rescale in a graphics program, print the image and shrink or enlarge it on a photocopier.

Most of these crosses lend themselves easily to goldwork and all of them are suitable for filling or outlines using silk or any other embroidery thread.














]]> 2587 Anonymous noreply@blogger.com 2010-03-04 19:57:08 2010-03-04 19:57:08 1 0 6543 Anonymous noreply@blogger.com 2009-07-21 11:15:34 2009-07-21 11:15:34 1 0 Thank you.]]> 9199 Vonny noreply@blogger.com 2009-01-10 18:33:00 2009-01-10 18:33:00 1 0 13059 Anonymous noreply@blogger.com 2007-07-09 03:43:00 2007-07-09 03:43:00 1 0 13453 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-08-08 07:46:37 2006-08-08 07:46:37 1 0
Let me know if there's anything particular you're looking for, and I'll see if I can find it for you!]]> 13455 Anonymous noreply@blogger.com 2006-08-02 16:57:00 2006-08-02 16:57:00 1 0 http://www.needlenthread.com/2006/08/simple-stitches-beautiful-results.html Tue, 01 Aug 2006 13:05:00 -0500 Mary Corbet 1195 2006-08-01 13:05:00 2006-08-01 13:05:00 open open Simple-Stitches---Beautiful-Results publish 0 0 post that employs only three types of stitches.

The item below is a piece of church embroidery. It is a pall, which is a square linen “pocket” that usually has a thin cardboard insert that makes it stiff. The pall is always made of linen, and it is generally all white (white on white embroidery), although you can often find colored palls made for special occasions. That is, the embroidery or the image on the top of the pall may be colored, but the pall itself is linen, and especially the back of the pall, which rests on the chalice.



Even if you are not interested in church embroidery, you can see by this example how very simple stitches can create a beautiful finished product. You can apply this concept to anything you want to embroider!

First, the main outlines in the whole design (so, the outlines and veins of the leaves, the double outlines on the circle and on the quatrefoil, and the outlines of the letters) are all done in a whipped backstitch, using #20 coton a broder. I embroidered the backstitch first, and then whipped the same type of thread through all the backstitches, forming a kind of tiny “rope” effect for all the borders. This was simple, fun, and relaxing. I didn’t have to sweat over complicated stitches. The backstitch is so simple! Overall, you want to make certain that the stitches are as even as possible, but even if they are occasionally a tiny bit “off” – no worries! The whipping with the finishing thread covers up a multitude of sins!

The inside of the leaves are filled with seed stitches, or seeding, in #40 coton a broder. These are tiny straight stitches which, for the most part, I have taken in the same direction, following the normal “growth” of the leaf (the directions of the veins).

The curling vines at the top of the pattern are stem stitched in #40 coton a broder.

Between the double outlines on the circle and the quatrefoil, I have stitched double seed stitches – that is, two small straight stitches originating and ending in the same hole in the fabric – in #30 coton a broder.

The grapes were actually a bigger problem than I realized. When I originally drew the design – copying from Church Embroidery and Church Vestments by Lucy Vaughan Hayden MacKrille, I clustered the grapes together instead of sticking with the original “stylized” bunch of grapes, where each grape was separate from the other. But because of the closeness of the individual grapes, the satin stitching on them did not look as good as I would have liked. After mulling over them for a while, and working two clusters, I changed my mind and picked out the stitches. This was no small task after having stitched about four layers of padding under each grape! To my dismay, the stitching had taken its toll on the fabric, and the resulting mess in the fibers of the linen had to be covered up, or I’d have to start all over again! Frustrating!



So I washed the linen to get my marking lines out and to establish the extent of the damage. With a little bit of adjusting in the design, I was able to re-draw the grapes (stylized as on the original). I will transfer these onto the linen, and re-stitch the grapes, covering up the distorted fibers in the linen with coton a broder #30. I would use #40 (much finer), but I noticed that the Anchor #40 that I have is a lot brighter white than the DMC #30 and #20, with which the rest of the pall is stitched.

So, in the end, I think it will turn out "ok." The finished pall will be stretched tight over the cardboard insert, and an small edge of needle-lace will be stitched around it.

The point is ----- you CAN stitch something that looks elegant and skillful using some of the simplest embroidery stitches out there.

Try it!!

If you’ve done similar projects that use simple stitches for beautiful results, feel free to share your ideas!
]]> http://www.needlenthread.com/2006/08/embroidery-pattern-border-for-redwork.html Tue, 01 Aug 2006 05:57:00 -0500 Mary Corbet 1196 2006-08-01 05:57:00 2006-08-01 05:57:00 open open Embroidery-Pattern:-Border-for-Redwork-(or-other-techniques) publish 0 0 post

If you click on the pattern below, you'll get a larger image. Right click on the larger image and save it to your computer. Enjoy!



And here's the same pattern, without the dots!



For more hand embroidery patterns, click here.

]]> http://www.needlenthread.com/2006/07/basic-embroidery-stitches-filling.html Sun, 09 Jul 2006 17:45:00 -0500 Mary Corbet 1197 2006-07-09 17:45:00 2006-07-09 17:45:00 open open Basic-Embroidery-Stitches:-Filling-Stitches,-Part-I publish 0 0 post

Fishbone Stitch: Here's a good stitch to start with, when it comes to filling smaller shapes such as leaves and flower petals. The advantage of fishbone stitch is that it really looks like a leaf when complet, and you don't have to do anything "extra" to add, for example, the spine down the middle of the leaf. If you want a perfectly smooth leaf, though, you would use satin stitch instead of fishbone. The trick to a good fishbone stitched leaf is to draw a line in the middle of the leaf shape to use as a guide. You want to keep your edges smooth, too.
Direction: Begin at the tip of the shape, coming up at A. Make a longish straight stitch straight down, following the center line marked in the leaf. Come up at B, and then slant your stitch to cross over the base of the straight stitch, just to the other side of your center line. Come up at C, and go down just on the other side of the center line, crossing over the tip of the previous stitch you just made. Note that the stitches take turns crossing over each other at the center line. They do not enter the fabric "on the line" - rather, just to the other side of the line. In this manner, the stitches overlap each other, all the way down the shape, giving the shape that "woven" look, creating the "spine" down the middle. Keep your stitches close together - you want to cover the area solidly.

Flat Stitch: This is a lot like the fishbone stitch, but instead of stitching over one center line, you draw two lines just off the center, and take your needle down on either one of them. The flat stitch is also known as the Croatian stitch or the Croatian flat stitch. Again, it solidly fills a shape, forming an overlap in your stitches so that a kind of spine runs down th emiddle of the shape. Once executed, it looks almost identical to the fishbone, except it doesn't come to a point. Flat stitch is a good way to fill in circular flower petals.
Direction: Again, with this stitch, you're going to be working slightly slanted stitches. Come up at A, go down at B, up at C, cross over the stitch you made when you went down at B, and go down at D. Keep your stitches close together, creating a solid filling. Make certain your edges are kept smooth by following the outline carefully, and taking up very little fabric between stitches.

If there are any particular filling stitches you'd like to see directions for, just name them.

More filling stitches to come! Check back in soon!
]]> 13456 Sandi noreply@blogger.com 2006-07-21 16:12:00 2006-07-21 16:12:00 1 0 http://www.needlenthread.com/2006/07/discount-embroidery-supplies-and-kits.html Sun, 16 Jul 2006 09:10:00 -0500 Mary Corbet 1198 2006-07-16 09:10:00 2006-07-16 09:10:00 open open Discount-Embroidery-Supplies-and-Kits publish 0 0 post

I was disappointed to see that Jenny June is going out of business. This website (attached to their "real" store) offers some beautiful kits and excessories. If you've ever seen the Roseworks embroidery kits (out of South Africa), then you know what I mean by beautiful. Anyway, they don't have a whole lot of stuff left in stock, though you will still find some books, fabric (limited supply), and several kits (mostly instructions and marked fabric, without the threads) still available.

Many of the kits that are available are suited to beginners, although several are good for the intermediate to advanced embroiderer. There are all kinds of categories - general surface embroidery, crewel, stumpwork, etc.

What I especially liked about Jenny June is that the things they offered were "pretty" - their website was a fun place to browse through beautiful embroidery goods. I found their prices a little high - just slightly over the standard prices for similar stuff. But with the 40% discount they are offering now, you can get some good deals. A little drawback is that the shipping time is up the 30 days, since they are in the middle of restructuring their store. It doesn't hurt, though, to see what's left in stock, especially if you are looking for some fun and easy kits to enjoy!

Visit Jenny June Fancy Work before they close for good!

]]> http://www.needlenthread.com/2006/07/buttonhole-stitch-various-uses.html Sat, 15 Jul 2006 10:23:00 -0500 Mary Corbet 1199 2006-07-15 10:23:00 2006-07-15 10:23:00 open open Buttonhole-Stitch-&-Various-Uses publish 0 0 post
Distinction: The stitch I'm talking about here is, according to some, properly called a "blanket stitch." You see it frequently on the edges of thick blankets, especially those made out of fleece today. The proper buttonhole stitch has an extra little loop in it, so that a tiny knot is formed at the edge. When executed neatly, this stitch (called a "tailor's buttonhole") forms a tight row of knots on the edge, great for pieces that would take a lot of wear around the buttonhole stitching.

But for all practical purposes, in regular embroidery, it's the blanket stitch that's used as the buttonhole stitch. Here's how you execute the buttonhole stitch, and some ways that the buttonhole stitch is frequently used in embroidery.

First of all, the stitch itself:

Buttonhole Stitch: When you use the buttonhole stitch, you want the rope-like edge created by the stitch to line the outside of whatever design you are doing. So if your border is on the base of your design, your stitches will be worked in the direction shown in the diagram on the left here. You begin at the base of the design, at A. Your needle comes up from the back of the fabric, and goes down at B. When you bring your needle back up at C, make sure the working thread is underneath your needle, as shown. You can space your stitches out, depending on the effect you want. If you're planning on cutting around the area stitched (as you would with cutwork or with a scalloped edge), you would keep your stitches right next to each other. In other techniques, you can spread your stitches out to create a different "look" (for example, as a decorative edging in crazy quilting - see below). To finish, you anchor the thread by taking your needle down over the loop you formed when you came up in front of the needle at C. Basically, you're just going to go down right next to C, and anchor your working thread.


Buttonhole Stitch used as decorative edges

So that's the basic stitch. It's relatively easy to work. You can change the direction of the stitch (placing the twisted edge, for example, at the top of the area you are covering) very easily. You just want to make sure that your needle is always brought up in front of your working thread.

There are several different ways that buttonhole stitch can be used. In cutwork, it's used to create a firm edge so that excess fabric can be cut away. For example, if you wanted to stitch a scalloped design on the edge of a collar of a little girl's dress, you would stitch buttonhole scallops, like the ones below. Then you would cut the excess fabric carefully away, leaving just the scalloped edge.

There are a couple things you want to achieve when you make buttonhole scallops - the correct angle on your stitches (the green lines mark the stitch direction), and a solid scallop (otherwise, you risk frayed fabric). In the image above, note that the scallops are padded with a rather thick layer of outline or stem stitch. The padding could actually be any stitches - plain old straight stitch will do fine. The scallops don't have to be heavily padded, but it's a good idea to supply some padding.


Above is an example of how buttonhole stitch could be used to edge a design in cutwork. In this example, the inside material has already been cut and turned back. This is normal to do when working with shapes made of straight lines. For this particular example, what has happened before the buttonhole stitch was begun is this: the shape (a rectangle) was marked on the fabric. Then, within the shape, the fabric was cut from corner to corner, like an X. The cut fabric was then turned under, and tacked down by a running stitch. The buttonhole stitch is being worked over the running stitch. When it is complete, the excess fabric on the back (from the turn-under) will be carefully cut away.

When working with curves and stronger designs, you would outline your edges with a running stitch. You wouldn't cut any fabric away at first. Then you'd carefully and snuggly buttonhole the edge of the design, over your running stitches (which not only guide the stitcher, but also provide support along the edge). Once your buttonhole stitching is complete, you would very carefully cut away the excess fabric. Do this from the front of the fabric, so that you can see the prominent twisted edge on the buttonhole stitching. If you do it from the back, you risk snipping that edge.

Buttonhole Wheels or Eyelets: Here, the buttonhole stitch is being worked around in a circular shape. This is effective in white work, when creating eyelets (shapes that have the center cut away), and it is equally effective in surface embroidery for stitching little flowers and such. You can space your stitches farther apart for flowers and such, but with eyelets in cutwork, you want to keep them close. Below is another example of how buttonhole wheels can be used. The example below was taken from one of my student's samplers.



Buttonhole Shading: You can also use the buttonhole stitch as a filling stitch. By changing the shade of your thread as you progress, you can achieve a nice "needle-painted" effect. However, the buttonhole stitch, because of that twisted, rope-like edge, will be slightly thicker than your typical long & short stitch. It also requires being worked in straight rows, whereas, in long & short stitch, there's more flexibility. Notice in the diagram on the left that the stitch is being worked over a laid thread. This helps keep the "padding" more consistent, and also helps keep your rows nice and straight. When using the buttonhole stitch to fill an area like this, the effect is rather more stylized and formal. The finer the thread you use, the finer the the results.

Detached Buttonhole Filling: Common in needle lace, this filling technique requires working a base running stitches along the edge of your design. Before working the buttonhole filling, you run a laid thread through the running stitches from side to side. Then you work your buttonholes over this thread, without passing through the fabric. For the next row of stitches, you use the previous row as your base, and stitch through it. By laying a long thread from side to side just below each row of buttonholes, you allow yourself to go back to the left side of the area and work from left to right. It's not required, though, that you do this - you can work each row of buttonholes back and forth, without laying anything but the initial thread. Your filled area will be anchored to the running stitches along the side (pass through them with your last buttonhole in a row), and, when you're finished filling in the design, you can cut away the fabric behind if you wish. If you do this, it is recommended that you stitch the edge of the design either with overcast stitching, or with an buttonhole edge as shown above in the cutwork explanation.

And there you have some of the typical uses of the versatile buttonhole stitch. If you have any additional uses that you would like to see an explanation of, let me know!


]]> 3418 lidia noreply@blogger.com 2010-01-28 12:53:36 2010-01-28 12:53:36 1 0 linda es dificil para mi poder adquirir estos materiales ,,no se buscarlos
pero soy una bordadora muy agradecida ,aprender en tu espacio no cuesta nada
gracias
cariños
lidia]]> 10048 stacee stacee3k@msn.com http://www.blogger.com/profile/06952667413027304503 2008-10-23 22:19:00 2008-10-23 22:19:00 1 0 10141 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-10-17 16:31:13 2008-10-17 16:31:13 1 0
Thanks for your enthusiastic comment!

You'll find the following buttonhole videos available on needle 'n thread:

Buttonhole Wheels
Buttonhole stitch

Once you know both of those stitches, you can do leaves and flowers (the hollyhocks are buttonhole wheels - sometimes, they have a rounded lump on four sides, sometimes, they're just round), and any leaves done with buttonhole are buttonhole stitches worked close together, with the edge on the outside of the leaf and the spokes on the middle vein of the leaf.

Buttonhole scallops are just regular buttonhole stitch worked along a scalloped line.

Here's the video link for Buttonhole filling:

Buttonhole Filling Stitch Video

Buttonhole filling can be worked open or closed.

With the other variations, it's just a matter of changing the length of the "spoke" of the buttonhole stitch, or the direction of the spoke.

If you have any problems working a specific stitch and you want some pointers, feel free to contact me.

Good luck!
MC]]> 10143 Sana noreply@blogger.com 2008-10-17 14:28:00 2008-10-17 14:28:00 1 0
can we have a video for all these methods??

i m very much interested in learning these stitches...besides i actually went shopping for all the embroidery accessories just because i got inspired from ur "hollyhocks" project..i simply love the way the flowers have been made..n i wanted to make those flowers exactly that way...oh i m a beginner by the way!

now i have all the accessories but i am stuck here because i m not able to learn this stitch! :(

plzzzzzzzzz post some videos Mary!!!]]> 11379 Nicole noreply@blogger.com http://www.flickr.com/photos/chezbunny/ 2008-07-14 16:22:00 2008-07-14 16:22:00 1 0 13462 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-07-18 07:29:24 2006-07-18 07:29:24 1 0 13463 Tasha Grimski noreply@blogger.com 2006-07-17 18:42:04 2006-07-17 18:42:04 1 0 http://www.needlenthread.com/2006/07/basic-embroidery-stitches-filling_11.html Tue, 11 Jul 2006 19:39:00 -0500 Mary Corbet 1200 2006-07-11 19:39:00 2006-07-11 19:39:00 open open Basic-Embroidery-Stitches:-Filling-Stitches,-Part-II---Seed-Stitch-&-Stem-Stitch-Filling publish 0 0 post
Continuing on with filling stitches, though, I'll give you a few more to add to your repertoire. I'm trying to stick with the "simple" filling stitches, and work up to the ones that take a bit more practice to get "just right" (like satin stitch)....

Seed Stitch: Given the fact that seed stitch is merely the filling of a space with random straight stitches, it would seem as if it were one of the easiest stitches to execute. But there's a hitch to the seed stitch: for a really good-looking effect, you have to keep your stitches uniform in size. Random seed stitches that vary in size end up looking a bit juvenile. Try to make all your straight stitches (seeding) small, uniform in size, and evenly spaced across the area you are filling.
Direction: Make tiny straight stitches within the area to be filled, keeping your stitches uniform in size and the spaces between your stitches as uniform as possible. You can create a "shaded" effect by working stitches closer together in one part of the fill area, and then farther apart in other parts of the area. But the key to really nice-looking seeding is uniformity!
Note: Some stitchers will make two tiny parallel straight stitches right next to each other - sometimes even beginning both stitches at the same point in the fabric, and ending both stitches at the same point. This creates a "fat" little seed stitch, and it can look very nice. Some stitchers also work their seeding in parallel lines, alternating the placement of the stitches to form a "brick" pattern. This can create a very stylized and formal-looking filling.

Stem Stitch Filling or Stem Stitch Shading: if you've already worked the stem stitch, you'll find this filling technique easier. Stem stitch can be used to fill up a space by working rows of stem stitches right next to each other - packing them neatly to cover all the fabric within the fill area. To add shading to your filled area, change the color of your floss in gradual increments of shading.
Direction: remember that, in stem stitch, the thread always lies below (or to the right) of the needle. Work the outside rows along the shape of the pattern first. To see detailed instruction on stem stitch, go here.

Other stitches:

• Basic Filling Stitches, Part I - Fishbone & Flat Stitch


• Line Stitches


• Chain Stitches


• Detached Stitches & Knots

]]> http://www.needlenthread.com/2006/07/ecclesiastical-embroidery-pattern_08.html Sat, 08 Jul 2006 16:00:00 -0500 Mary Corbet 1201 2006-07-08 16:00:00 2006-07-08 16:00:00 open open Ecclesiastical-Embroidery-Pattern:-Crown-&-Wheat publish 0 0 post

I haven't had the opportunity to work this design, personally, but I'd like to have time to devote to it. I'd love to do it in gold for the front or back of a vestment. The edges of the leaves and the scroll designs coming off the letters would be great for couched gold passing (#5, I'd say). Well, too much to do, too little time to do it....

Click on the image for a larger version, then right click on the larger version and save it to your desktop.


]]> 12279 Anonymous noreply@blogger.com 2008-03-03 16:17:00 2008-03-03 16:17:00 1 0 http://www.needlenthread.com/2006/07/sewing-baskets-boxes-or-craft-totes.html Thu, 06 Jul 2006 12:47:00 -0500 Mary Corbet 1202 2006-07-06 12:47:00 2006-07-06 12:47:00 open open Sewing-Baskets-&-Boxes-or-Craft-Totes---What-Do-You-Use? publish 0 0 post

...and the depend on what I'm working on. Here's what I use:

• Nantucket basket: I keep current small “quick access” projects in a very pretty Nantucket basket, for two good reasons: 1. Since it’s an attractive “container,” I can leave it sitting out as a decorative object in my home, ready to access whenever I have time, especially when sitting around chatting with company; 2. It’s easy and light to take places, so I can grab it and head to the car without having to fumble with larger, more awkward totes.


• A large plastic “picnic style” hard plastic hamper, with a removable tray: In this larger container, I keep bigger projects – sometimes sewing projects or quilts, sometimes a whole table cloth that I’m stitching a design on. The space is essential for big projects. The removable tray is good to lay out my scissors, needles, threads, etc. while stitching.


• Organizer bag, for traveling with embroidery supplies: When traveling, I like to take along all the supplies I might possibly need, but I don’t like throwing them in one large, loose container. Yazzii makes nice totes that have organizational pockets galore, as well as large spaces for stowing your bigger projects. They come in all different sizes - from economy to luxury! They're convenient for airport travel as carry-ons (leave the scissors behind!) and they're also great as well for stashing in the trunk of a car for those summer road trips.

So these are what I use pretty regularly for toting my stuff around. All three of them come in handy, depending on what I'm doing and where I'm going. Got any ideas for good totes, baskets, or boxes? Let the rest of us know!!
]]> 11435 newyorkgirl noreply@blogger.com http://www.blogger.com/profile/07764037848110567009 2008-07-07 15:58:00 2008-07-07 15:58:00 1 0 13452 Anonymous noreply@blogger.com 2006-08-09 08:06:16 2006-08-09 08:06:16 1 0 http://www.needlenthread.com/2006/07/basic-embroidery-stitches-detached.html Thu, 06 Jul 2006 06:50:00 -0500 Mary Corbet 1203 2006-07-06 06:50:00 2006-07-06 06:50:00 open open Basic-Embroidery-Stitches:-Detached-Stitches-&-Knots publish 0 0 post

Detached Chain - aka "lazy daisy" stitch: This stitch is great for little accent flower petals and leaves. It can also be used as an outline stitch, when stitches in a line with regular spaces between the stitches. As a very loose or light filling, you could work lines of detached chains in a kind of alternating "brick" pattern.
Direction: Bring your needle and thread through at A. Take the needle back down at A, but don't pull the thread through - instead, encourage the tip of the needle up at B (this space between A and B determines the length of your stitch), and wrap the working thread underneath the needle, as shown in the diagram. Pull your thread through from a forward angle, so that the loop is snug against the "throat" of your thread. Now, take your needle down at C, which is just outside the loop, and bring it up at D, which is the beginning point of your next stitch. You can either encourage the needle up at D without having pulled the thread all the way through, or you can pull your thread through completely when going down at C, and then bring the needle back up at D.


Here's a sample of "lazy daisy" stitch, with a French knot center. Inside the detached chains that form the petals of the flower, a straight stitch has been worked in a lighter color, just to give some "depth."

French knot: Perhaps this is the most "common" knot used in surface embroidery. It's uses range from the single center of a little flower (above) to a dense, textured filling. (See a great sample of textured filling here). Outlining shapes with French knots can add a nice stippling effect to your embroidery. In short, you can do heaps of things with this stitch! Vary the type and weight of thread for more texture and for interesting effects.
Direction: Bring your needle and thread up at A, which should be the point where you want the center of the knot located. Holding the working thread in your left hand, wrap it around your needle twice. Don't let go of the thread! Keeping a bit of tension on the thread, take the tip of your needle back through at A. If you are using a hoop, you can hold the hoop and your working thread in your left hand - holding the thread between your forefinger and thumb, and using the rest of your fingers to balance the hoop. (If you're using a frame that is mounted on a stand, this stitch is a lot easier!) Anyway, you want to take your needle down again at A, but you do not want to loosen the tension on your thread. You aren't pulling too tight, but just enough to keep those coils in place next to the fabric as you pull your needle and thread through them. Use the tension on the working thread to manipulate the coils a bit. You want to keep them next to the fabric, and taut, without choking the thread as it passes through. You can also move the working thread so that your knot is better-positioned. Pull your thread all the way through the coils, releasing it from your left hand as you approach the end of the thread. This particular diagram on the top left shows your needle coming up for the next knot - and this is well and fine if you are working in a row of evenly spaced knots. However, I prefer to take my needle and thread straight down through the fabric, and then come up for the next stitch.

Fly Stitch: This stitch can be used as individual stitches for accents and for loose filling. It can also be worked in horizontal or vertical rows, as an edging (in crazy quilting, sampers, and whatnot). Below, you can see an example of it used in a horizontal row.
Direction: Bring your thread through and A, and back down at B, without pulling it tight - keep it loose and a little bit "looped." Your placement of the needle at B will determine the width of the space between the two tops of the resulting V or Y shape. Come up at C, which is inside the tip of the V, and go down at D, anchoring the tip of the V shape. If you're continuing in a horizontal row, you can enter with your needle at D, and encourage it up again right next to B, to start a new stitch.


Here, you can see the fly stitch worked in a horizontal row. The stitches are rather wide, and the anchoring thread is tiny, so the whole effect creates a zigzag pattern. This is worked in two strands of DMC on cotton twill.
]]> http://www.needlenthread.com/2006/07/teaching-embroidery-to-kids.html Wed, 05 Jul 2006 22:09:00 -0500 Mary Corbet 1204 2006-07-05 22:09:00 2006-07-05 22:09:00 open open Teaching-Embroidery-to-Kids publish 0 0 post

The first point in teaching any embroidery class, but especially to kids, whose attention spans can be rather short, is to be prepared. These are the supplies we use:

• 100% white cotton twill - a little bit lighter than "denim" or "jean" twill. This fabric is good for the beginner. It's easy to pass a needle through, and the "twill" lines can help the beginner learn to gauge stitch length. I cut the pieces in 15-inch squares.


• A design to stitch - for this age group, I used a butterfly-shaped cookie cutter for the primary "design." I traced it onto the fabric with a wash-out blue transfer pen. Then I drew either a circle or a box around it. I put a wavy line on the outside of the circle or box. Inside the circle or box, I drew wide, straight vertical lines with a ruler, leaving the area inside the butterfly either blank or filled with closer parallel diagonal lines. This type of design is suitable for beginning with the most basic stitches.


• Thread - we use DMC #5 cotton perle, and I pre-cut the lengths and lay them out in groups of color on a large table. The kids can then select their own colors - two strands of at least four colors, so that they have a variety.


• Needles - each child gets two needles. They are instructed to always secure their needles in the corner of their fabric when they are finished with them. They decide which color they are going to work with, picking two. They thread both needles, each with a different color. Then they keep the extra threaded needle on their table, so that they don't have to re-thread between every color. This saves time, and it keeps them stitching.


• Basic stitches - decide on which very basic stitches you're going to start with. I begin with the running stitch, and they lay a running stitch foundation over every line in their design. Then, we move on to the whipped running stitch, selecting every-other-line in the parallel groups to whip. They also whip any edges of the design - so, the butterfly gets a whipped edge, and the outside of the whole design gets a whipped edge, as well as the wavy lines. But on the inside, they do leave every other line a plain running stitch, and, if they want, inside the butterfly remains plain running stitches. This way, they can see what it is like to combine two different stitches to achieve a varied effect.

When the students enter the classroom, they wash their hands (each student brings a small package of baby-type wipes in her sewing box). Then they thread their needles. They begin working on the last stitches they learned in the previous class. Then I go around to groups of five and instruct on a new stitch. When they finish their butterfly designs, they pick a flower design or a heart design, set up the same way as the butterfly, and they work new stitches on it - stem stitch, chain stitch, etc.

After they have practiced the basic line stitches in this manner - on these very cute little colorful projects - they apply them to their basic stitches sampler (you can see an image of it here).

In the next stage of the class - after about three weeks - we go on to detached stitches, especially the "lazy daisy" stitch, which kids just love. They use French knots in the middle of their lazy daisies. They practice these on yet another cookie cutter design, and then move to that section of the sampler.

If you're a pretty good stitcher - you don't have to be a "pro" - and you want to do something very satisfying and fun, get together a group of youngsters in your neighborhood or at your church or local school, and teach them some basic embroidery. They'll love it, and you will, too!

If you have any neat ideas for teaching children how to embroider, PLEASE SHARE! It would be great to hear how other people go about it, so that we can all incorporate good ideas to help teach children the art of embroidery!

]]> 2265 Ansie wiebina@gmail.com http://www.blogger.com/profile/08265845785916762436 2010-03-11 23:49:56 2010-03-11 23:49:56 1 0 I am left-handed and my right-handed grandmother taught me how to embroider and crochet. The best way for me was if the teacher and the pupil sit facing each other and the pupil copy everything the teacher do in mirror style. That way the teacher can still use her right hand and the pupil can copy with the left hand and the directions can be things like 'facing your body, towards the window, etc in stead of right,left, etc.
I am now a bit worried that I will confuse righthanded children with my own lefthandedness, but I will just approach it in the same mirror-style way and see how it goes...]]> 7637 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-05-14 14:16:37 2009-05-14 14:16:37 1 0
It depends a bit on what type of special needs you mean. If you're working with children who are lacking fine motor skills and eye-hand coordination, I would start them with either felt as a ground, or even plastic canvas or paper. If you use paper or felt, you can mark out the stitches using a fine tipped permanent marker. With paper, you'll want to pierce holes where the stitches pass through the paper. By paper, I'm talking about small pieces of card stock - something heavy enough in weight that it holds the stitches and doesn't tear or fold as easily. For thread, I'd use #3 or #5 perle cotton, since it doesn't need to be divided, and large-eyed tapestry needles, which are blunt (rather than crewel needles, which are sharp). With needles, the lower the number the larger the needle. Go for the lower numbers. If you're using plastic canvas, you can even use yarn, and you'll often find, in craft stores, plastic needles that are used with plastic canvas. The idea is to make whatever project you do as un-frustrating as possible, so stick with simple stitches like running stitch, backstitch, and cross stitch. Once they've shown interest and ability with simple stitches and larger needles, you can adjust to more challenging stitches with smaller needles. Let them achieve a sense of confidence through perseverence before moving on to more complex tasks.

Hope that helps!

MC]]> 7639 Anonymous noreply@blogger.com 2009-05-14 10:07:00 2009-05-14 10:07:00 1 0 8134 IamSusie tszig@hotmail.com http://www.blogger.com/profile/05477300247354661564 2009-04-07 14:09:00 2009-04-07 14:09:00 1 0 8799 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-02-17 07:31:18 2009-02-17 07:31:18 1 0
If you mean project-wise, there are a few different articles on the projects that I've done with little kids and written about here. You should be able to find most of them if you click on this link:

Embroidery for Children

Anything on felt works great for the younger kids - felt and perle cotton...

Hope that helps.

MC]]> 8800 char noreply@blogger.com 2009-02-16 23:24:00 2009-02-16 23:24:00 1 0 9208 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2009-01-10 09:04:41 2009-01-10 09:04:41 1 0
There are a couple out of print books available on used books sources that demonstrate left-handed embroidery, but they're pretty limited in their content. On the bright side, Yvette Stanton of Vetty Creations is in the process of putting together a left-handed stitch dictionary which will be very helpful for lefties.

When you teach the left-handed child to embroider, there are two approaches I've found useful:

One, is to work out the stitches yourself for left-handed execution, so that you can show the child with the left hand. Many stitches that a child would start with - like the backstitch, running stitch, chain stitch, etc. - don't require any special directions whether you're right or left handed. The way the stitch is worked works either way, only you you start from the opposite end of the fabric. But for those that make a difference, such as stem stitch, it's helpful if you can work it with your left hand to show the child. It'll slow a right-hander down a lot, but that's good, because a slow demonstration is more helpful. To figure out from a stitch diagram how the stitch should be worked for a lefty, invert the diagram. For stem stitch, for example, the left-hander would work from right to left, and keep the working thread below the needle (exactly opposite of what a right hander would do).

The other approach is to check the child to see if he or she is capable of ambidexterity. I have several students who are lefties, but who stitch with their right hands. They never thought anything about it. I never realized they wrote with their left hands, because whenever they started learning embroidery, they automatically picked up their needles with their right hands and learned to stitch that way. They find left-handed embroidery difficult! So you could always check to see if the child will just naturally pick up the needle with the right hand...

Anyway, you may wish to google left-handed embroidery and see what you come up with!

Hope that helps!

MC]]> 9211 molly jean noreply@blogger.com http://www.blogger.com/profile/05699452803700882501 2009-01-10 08:36:00 2009-01-10 08:36:00 1 0 12121 aishmom noreply@blogger.com 2008-03-31 06:47:00 2008-03-31 06:47:00 1 0 http://www.needlenthread.com/2006/07/basic-embroidery-stitches-sampler.html Tue, 04 Jul 2006 09:45:00 -0500 Mary Corbet 1205 2006-07-04 09:45:00 2006-07-04 09:45:00 open open Basic-Embroidery-Stitches-Sampler publish 0 0 post

You'll have to click on the image below for a full-sized view.



I wanted my students to be able to work a whole variety of basic stitches, with a few interesting ones thrown in, so that they could get the "feel" of combining stitches. At the same time, I left the color choices up to them. In our classroom, we have about five thread cabinets that they can take colors from. Most of the sampler is stitched in two strands of DMC, although the couching is #5 cotton perle as the laid thread, which is then couched with a contrasting color of DMC.

On the scallop-looking section, you can see that the padded satin stitches are not yet complete, with the padding visible in the last couple of scallops. I think this stitcher padded with two strands of DMC, but satin-stitched over it with one strand. Between the scallops are "tassles" - these aren't indicated in the names of the stitches. They are simply a whipped backstitch for the "rope" and straight stitches for the tassle.

In designing the sampler, I just drew it out on graph paper. I transferred the design to fabric using a light table and a transfer pen that will wash out later. The kids are stitching on 100% cotton, and I think this particular piece is a twill. The nice thing is, the ribs (more apparent in the larger image) provide the beginning stitcher with a way to gauge the length of the stitches.

Like traditional samplers, there's room for some text - in this case, a name and date. Some of my adult students are planning to put their daughter's name and birthdate in those spaces, and hang the completed sampler in the baby's room.

A sampler, then, is a great way to learn basic stitches. This particular sampler gives enough practice to get the stitch right, without becoming bored working a single stitch. The variety of color maintains interest and provides a pretty effect when finished.

You can design your own sampler easily - sit down with graph paper, draw some lines, shapes, and curves, leave some space for your name and date, trace your pattern onto your fabric, sit down with some instructions, and stitch away!
]]> 12871 Tracy noreply@blogger.com http://www.blogger.com/profile/11169925463615696131 2007-10-19 16:56:00 2007-10-19 16:56:00 1 0 Those seems to be the only ones that I can find. I'm looking for something that is already stamped or transfered onto a piece of fabric with stitch suggestions for each design. A sampler that had at least 5 diffrent stitches would be great! I think that a sampler like that would be really helpful for me since it's hard envision the patterns when you don't have a good working knowledge of stitches. Thanks in advance! I hope someone can point me in the right direction.]]> 13078 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-06-26 19:26:36 2007-06-26 19:26:36 1 0
Good luck! I hope your daughter likes stitching!!]]> 13079 Mandy(ej180) noreply@blogger.com 2007-06-26 18:32:00 2007-06-26 18:32:00 1 0 13465 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-07-06 18:42:44 2006-07-06 18:42:44 1 0 13466 tanja e. noreply@blogger.com 2006-07-06 08:11:15 2006-07-06 08:11:15 1 0 http://www.needlenthread.com/2006/07/goldwork-another-good-source.html Mon, 03 Jul 2006 08:34:00 -0500 Mary Corbet 1206 2006-07-03 08:34:00 2006-07-03 08:34:00 open open Goldwork---Another-Good-Source publish 0 0 post who provides not only the metal threads but also some stunning kits. When you visit her site, take a look at her gallery - there are some gorgeous pieces in there. I like the medallion best.

For overseas customers (that would be those of us not in Australia), the ordering is done via e-mail, and they send you a Paypal link. This is a convenient way to pay, but not the most convenient for ordering, since you have to type out exactly what you want in your e-mail. However, the great thing is, you get real customer service when you order that way. A "real person" actually responds! And so you always know that if there's some kind of discrepancy, it does get addressed.

Ahhh - then, there's the question of distance and postage expenses. Well, the postage looks very reasonable - $12.00 Australian is about $9.00 US right now - and you're also paying less for the goods. A package from Australia generally arrives within 10 days. So that wait isn't all that long, especially if you're used to ordering from Lacis, which is right here in the US and can take forever!

I haven't ordered from Mary Brown's website yet, but I suspect I will soon! If you're familiar with her or her work, or have ordered from her, feel free to let the rest of us know about your experiences, so we can promote her artistic work - 'cuz it's sure nice stuff!

You can visit her here: Mary Brown Designs (And her website's really pretty, too!)
]]> 12647 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2007-12-09 21:40:26 2007-12-09 21:40:26 1 0 12648 Anneg noreply@blogger.com http://www.blogger.com/profile/04264774791030984339 2007-12-09 19:57:00 2007-12-09 19:57:00 1 0 http://www.berlinembroidery.com/
Anneg]]> http://www.needlenthread.com/2006/07/embroidery-site-another-good-resource.html Sun, 02 Jul 2006 09:01:00 -0500 Mary Corbet 1207 2006-07-02 09:01:00 2006-07-02 09:01:00 open open Embroidery-Site:-Another-Good-Resource publish 0 0 post two good embroidery resources. I had the pleasure of coming across one interesting and fun needlework forum for the first time the other day. And, while I was there, I found myself directed to a great shopping site that I had visited once upon a time, but from which I've never ordered anything. But I'm afraid that's about to change...

The first "resource" may seem unusual, but, for those of us who use the internet to find solutions to our embroidery questions, to get advice, or to enjoy communicating with people with similar interests, it's really not that unusual. It's the forum associated with MarthaPullen.com. If you've been milling about in the world of smocking, you have undoubtedly heard of Martha Pullen (as in, Sew Beautiful magazine). I'm not really a smocker, though I love the look and the idea of smocking, especially on children's clothes. But Martha Pullen also gets into heirloom sewing, which necessarily involves surface embroidery, and so.... I found myself at her forum. It's full of great ideas, and interesting people. And it's nice to be able to interact with people who take their needle art seriously, in a fun way! Take a look, if you want, here. It's a great way to get inspired!

While I was there, I happened upon a post that directed someone to Needle in a Haystack. This is an embroidery shop in Alameda, California. It makes me want to live in Alameda!! (I was born there, but this place wasn't around then, and I wouldn't have noticed it, anyway, since I was only there my first year hatched!) Ok, if you're looking for threads, here's another great place to find them. And, like The Twining Thread (you'll find the link in my resources), what I love about the site is that it is an "easy order" site. You find the types of threads you want from their thread catalog, go to the page, and insert the quantities for each color, and, at the end of the page, add it all to your cart. I like this set-up!

You can find all the Au Ver a Soie threads there, which is great, as well as Trebizond and other Access Commodities imports. I've been looking for a good source for Soie Ovale for a while, and sure enough! They carry it.

I haven't ordered from them (yet - that will change momentarily), so I can't give a run-down on shipping and service, but, from the looks of their shop, I'd say it's got to be a top-notch spot.

So, if you're looking for a great source for threads and such, try Needle in a Haystack. And then let the rest of us know what you think!!
]]> http://www.needlenthread.com/2006/06/basic-embroidery-stitches-chain.html Thu, 29 Jun 2006 19:20:00 -0500 Mary Corbet 1208 2006-06-29 19:20:00 2006-06-29 19:20:00 open open Basic-Embroidery-Stitches:-Chain-Stitches publish 0 0 post
The chain stitch is a fairly old stitch. It was commonly used in the Middle Ages to define lines and to fill spaces. A variation - the split stitch - was used to define and shade delicate faces and hands.

Chain Stitch: This is a great stitch for lines and curves. It can be delicate or heavy depending on the thread you use. There are lots of variations on chain stitch: it can be whipped, it can be twisted, it can be doubled, it can be "checkered," and on and on. Once you know the basic stitch, experiment! It's a very versatile stitch. Chain stitch can be worked from top to bottom or bottom to top - it doesn't really matter - but as a right-hander, when considering horizontal direction, I prefer working from right to left with it. Left-handers may find that left to right is easier.
Direction: To begin, bring the needle and thread through the fabric. Take the needle back down at the same spot you emerged, and then encourage it up again a short distance away (the length of the stitch). Make sure the working thread is under the needle as you pull it and the thread through the fabric. Pull firmly enough to take the loop of the thread to the "throat" of the working thread, but not so firmly that your stitch stretches too straight and your working thread gets pulled backwards! It's best if you pull the thread through going forwards. On subsequent stitches, you take your needle back down into the loop you just created, and encourage it up a stitch-length later. NOTE: Don't take your needle down outside the loop, as you would for a detached chain! Take it down inside the loop! (For the longest time, I worked this stitch taking the needle down outside the loop, and it just never looked right. I wonder why??!)

Split Stitch: Split stitch ends up looking a little like a chain stitch, only it's a little finer because you're splitting a single thread. This stitch was commonly used for delicate shading on faces and hands. It also makes a good outline for delicate curves and lines. You can fill an area by working split stitches in lines close to each other, changing the shade of your thread to create a painted effect.
Direction: For left-handers, work right to left; for right-handers, left to right. Bring the thread out of the fabric at A. Take the needle back into the fabric close to A, pointing backwards towards A, and as you encourage the needle back up, split the working thread. This is worked in the same manner as outline stitch or back stitch, but when you come up, you take the needle through the working thread.

Wheat Stitch: This stitch is worked from top to bottom as shown, or from left to right, or from right to left. It can be used for edges and oulines, especially effective in crazy quilting techniques and such. It obviously makes great stalks of wheat. If I use it for wheat, I usually finish the very top of a line of stitches with a straight stitch to complete the look of the "wheat."
Direction: Bring the needle and thread out at A, which is slightly off the line you are working. Make an angled straight stitch, by taking it down on the line. Bring the needle back up at B, and make another straight stitch opposite to A, meeting at the line (as shown in the diagram). Bring the needle up on the line below the "V" created by the straight stitches, and then pass through the base of the straight stitches, and back down where you just brought the needle up. Go up at C, and make an angled straight stitch to the base of the loop you just formed, taking the needle and thread to the back of your fabric, up at D, and forming the last straight stitch. Now, as you continue down the line, keep looping the thread through the straight stitches, as shown in the diagram.
]]> http://www.needlenthread.com/2006/06/embroider-this-what-good-idea.html Fri, 30 Jun 2006 06:58:00 -0500 Mary Corbet 1209 2006-06-30 06:58:00 2006-06-30 06:58:00 open open Embroider-This!---What-a-Good-Idea! publish 0 0 post

Embroider This! specializes in finished items, ready to personalize with your own embroidery. I imagine they're primarily servicing machine-embroidery customers, which is quite alright - because if you can machine-embroider something, I'm pretty sure you can hand-embroider it, too.

So what did I get that I really liked? I bought three pre-made linen guest towels that would make great wedding gifts once personalized; some linen hankies, which can be used as hankies if you want, or as "doilies" or whatnot; a really nice drawn-thread apron, 100% cotton, which would be darling with a little embroidered accent on it; and some flour sack towels (another great gift idea). I can't wait to stitch up a couple of the items. They'll make great gifts!

The shipping is fast, and the goods I bought were all of a decent quality. What an easy way to get some of those Christmas presents done!

Check out Embroider This! and start stitching!
]]> http://www.needlenthread.com/2006/06/embroidery-design-fleur-de-lys-border.html Thu, 29 Jun 2006 19:28:00 -0500 Mary Corbet 1210 2006-06-29 19:28:00 2006-06-29 19:28:00 open open Embroidery-Design---Fleur-de-Lys-Border publish 0 0 post

If you're going to extend the pattern, trace it and overlap the previous design. If you set up your tracing paper with lines, or if you use vellum graph paper, you will get a nice, square image.

For stitching, you could simply employ any basic line stitch. Think of the satisfaction you'll have as you move quickly through this pretty design!

For threads, you could use cottons, although I think this would be really gorgeous done in a thicker silk twist, like Trebizond silk - but remember to use short lengths of thread. But if you're expecting to wash the finished product often, you should probably stick with a cotton thread.

Other ideas: Satin stitch the petal shapes. Or make a silk scarf and use this as a design for the ends, couching down gold thread for the design.

If you have any creative ideas about how this design can be used, feel free to share them!

Click the picture below for a larger image. Right click on the larger image and save to your computer.



]]> 4926 Anonymous noreply@blogger.com 2009-10-15 16:45:56 2009-10-15 16:45:56 1 0 9955 Althaaf noreply@blogger.com http://www.blogger.com/profile/08151061077761531294 2008-11-05 03:23:00 2008-11-05 03:23:00 1 0 13259 leahys noreply@blogger.com http://www.blogger.com/profile/17739993588791988787 2007-02-25 15:02:00 2007-02-25 15:02:00 1 0
Marilyn]]> 13471 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-06-30 08:40:10 2006-06-30 08:40:10 1 0 13474 Cathy P. noreply@blogger.com 2006-06-29 22:04:54 2006-06-29 22:04:54 1 0 http://www.needlenthread.com/2006/06/satin-stitch.html Sat, 24 Jun 2006 07:59:00 -0500 Mary Corbet 1211 2006-06-24 07:59:00 2006-06-24 07:59:00 open open Satin-Stitch publish 0 0 post

I find that satin stitch looks better and is easier to do when your fabric is mounted in a hoop or on a frame, with good tension.

First, outline the shape to be covered with back stitch or split stitch. This ensures an even edge around the shape. Depending on the "thickness" of the satin stitched area, I use either one, two, or three strands of floss for stitching around the edge. Usually, it's two strands. The color corresponds with the color of the thread used for the satin stitching.

Then I fill the center of the shape to be covered with straight stitches perpendicular to the finishing satin stitch.

The last step is to do the satin stitching. For this, I start in the middle of the shape, and work towards one edge, then go back to the middle, and work to the other edge. I work just on the outside of the back-stitched outline. I pick up only one thread of fabric between stitches, and sometimes, I even split that thread, depending on the weight of the floss I'm using and the type of fabric. I prefer to use one strand of stranded embroidery floss for satin stitch, but, again, depending on the weight of the fabric, sometimes I'll use two or more. The finished product seems to look smoother with just one thread. If you use two or more, make sure you let your needle and thread hang often to untwist.

Satin stitching without padding: There are times when it is necessary to satin stitch without any padding underneath, because you don't want the thickness of the padding on your design. In these cases, I still manage a tiny backstitch around the edge of the design, and I keep my stitches as close together as possible.

For satin stitched small dots, I try to stitch in a grid pattern - three center stitches over five threads in the fabric, with a stitch over three threads on each side of the center stitches - to give the appearance of a round dot. I don't outline small satin stitched dots with back stitch first.

I hope those hints help.... pictures coming soon!

]]> 13475 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/00716756065731221093 2006-06-29 20:36:27 2006-06-29 20:36:27 1 0
Yes, when you really want a raised area, you can stitch over felt. You can even increase the layers of felt. Start with your shape that you're going to satin stitch, and transfer the same shape onto your felt. Then cut a shape even smaller, and tack the small one onto your ground fabric first, then the larger one over it. If you tack your felt down (either by using running stitches at the edge of it, or by whippling around the edge of it) you shouldn't have a problem with its poking through. Also, make sure you keep your satin stitches as close together as possible! Felt used in this manner will produce a mound-like 3D effect. If you want a squared off look, use board (mat board is good, as long as it is acid free) or carpet felt.
Thanks for the question! Good luck!]]> 13476 Anonymous noreply@blogger.com 2006-06-29 19:24:23 2006-06-29 19:24:23 1 0 http://www.needlenthread.com/2006/06/filet-lace.html Tue, 20 Jun 2006 17:30:00 -0500 Mary Corbet 1212 2006-06-20 17:30:00 2006-06-20 17:30:00 open open Filet-Lace publish 0 0 post
The problem arises in acquiring the net. In the past, the net was made by hand, and this can certainly still be done. There are plenty of books to show you how to make net by hand, as well as a website here and there devoted to it. But you know what? It can be really boring to make a large enough piece to do anything decorative (like curtains or a table runner).

So, what's the alternative? You could go with machine-made mono-canvas, which I think looks exceptionally flat. Or, you could go with machine-made knotted net, which can still be had through a few sources.

I got "into" filet lace when I was looking at church ornamentation. In churches of old, often the altar linens or the vesture of the priests were ornamented with filet lace. (You can see an example of what I'm talking about at a website called French Yesterdays, in their "antique lace" section here.) Seeing an example of this, I wondered what it was and how it was done.

The example of filet lace at French Yesterdays is commonly called "filet guipure," which is intricately embroidered net. After seeing multiple examples of this, I came across an individual correspondence course through the Embroidery Guild of America, and was instantly intrigued. I joined up with the guild as a "member at large" and launched in. But you know what? I found out that everything I wanted to know and do on net I could learn on my own. It really just takes a knowledge of basic stitches and a little creativity.

In my explorations, I also came across one book that helped me a lot. It is called Filet Lace - Introduction to the Linen Stitch. This book is packed with clear, easy instructions. The author, Marie-Jo Quinault, has a neat website called Filet Lace By the Sea, where you can purchase the book. Essentially, it covers primarily the linen stitch, which is a form of needleweaving through the mesh. Perhaps more exciting than the book is the fact that Marie-Jo also sells knotted net, for those of us who prefer the "authentic" look of the net ground, without the grueling hours of making your own net.

Don't get me wrong, though - making the net is not that bad. There's something to be said for being able to do it. But for an extensive piece, it's a bit much to knot your own net. So the fact that someone offers knotted net is pretty cool! It's reasonably priced, too - she charges for the cut. It's not hand-made, but you can't tell that when you get the piece made up. It's made on an old loom. It's great stuff!

Perhaps the most enticing thing about filet lace is the fact that it really is a very easy way to produce beautiful stuff for the home.
]]> http://www.needlenthread.com/2006/06/cutwork-filet-lace-and-needle-lace.html Sat, 17 Jun 2006 10:01:00 -0500 Mary Corbet 1213 2006-06-17 10:01:00 2006-06-17 10:01:00 open open Cutwork,-Filet-Lace,-and-Needle-Lace publish 0 0 post make 'em like they used to. If you've ever come across antique linens - whether in a "real people" store or online - if you're like me, you've asked "How the heck could they do that?" The stitches are tiny; the needlelace is intricate; the drawn-thread work is extensive; and the end product is worthy of a museum. But there's no name - no artist - just a piece of linen, waiting for the highest bidder.

But the art of creating beautiful home linens by hand is not entirely forgotten. There are some good resources out there - here's an "obscure" one that I came across one day...

When I first came across Iva Rose Vintage Publications, I was looking for information on needle lace. I had a purchased an antique linen with needle lace inserts, and I wanted to "remake" it. But I didn't know how. I started searching, bought books, and invested quite a bit in the whole idea. When I came across this website, I knew I had hit something "special." Iva Rose offers digitally restored reprints on some old, old stuff. Many of her reproductions were originally published in the early 1900's. The ones I was particularly interested in were by Carmela Testa & Co. of Boston. The series on Italian cutwork and filet lace is a real treasure.

Iva Rose Vintage Publications is doing a "good work" by preserving these old magazines, which are really part of our heritage. If such works are not digitally preserved soon, I don't think they'll be around long. What a good idea to collect and reprint these publications!

The books are not necessarily for beginners. It does help to have some knowledge of basic stitching. Don't expect the colorful, step-by-step patterns that we see in most embroidery books today, either. These are black & white, and the directions are primarily text, although the Carmela Testa books have plenty of diagrams and patterns - a wealth of them! - and good, clear directions with photos of the essential elements.

If you invest in these, you invest in the past and the future. They're wonderful to have. If you are interested in beautiful linen work, and if you can afford the set, you won't be sorry. If you can't afford the whole set at once, buy a book here and there.

Thanks, Iva Rose Productions!

]]> 12588 Maxi noreply@blogger.com www.maxifortend.com 2007-12-30 08:45:00 2007-12-30 08:45:00 1 0 12956 Anonymous noreply@blogger.com 2007-09-16 11:36:00 2007-09-16 11:36:00 1 0 http://www.needlenthread.com/2006/06/can-i-teach-myself-to-embroider-or.html Sat, 17 Jun 2006 22:33:00 -0500 Mary Corbet 1214 2006-06-17 22:33:00 2006-06-17 22:33:00 open open Can-I-teach-myself-to-embroider?-Or-should-I-join-a-group? publish 0 0 post

Where to start? You need one very good book that teaches basic stitches. The A-Z Series books put out by Country Bumpkin (they do Inspirations Magazine out of Australia) are excellent books for step-by-step instruction. They have a general one: The A-Z of Embroidery Stitches, which is really good. They’re packed with step by step photos. You can pick up the less-obscure titles at Amazon, for a lot less than buying them straight from the company or from retail shops. You can usually even find them used on Amazon, for even less. Even if you save just a buck or two – that’s floss!

Start with a good book, then. You’ll probably want some fabric – a tightly woven, smooth fabric such as a high-thread count muslin would work, and it would be relatively inexpensive. If you’re the type that wants to launch into something fine, purchase a medium-weight linen (48 thread count or higher for all-purpose embroidery). Then you’ll want a needle, and a hoop. More about these later - but for now, try a #3 crewel needle, and a plastic "Susan Bates" brand hoop (8 or 10 inches).

Why not start with a sampler of surface embroidery stitches? Draw it yourself – simple lines and curves, a row of lazy daisy stitches and perhaps some buttonhole wheels – and your name and the date in outline stitch. It’s simple! Draw it on graph paper, then trace it onto your fabric using a one-step transfer pen (EZ Marking Pens with a fine tip – purchase them at Hobby Lobby, or on-line at Joann’s), and voila! You’ve got your design.

If you don’t have floss, head out to a favorite hobby store (Hobby Lobby, for example), and get a nice selection of about 10 colors of DMC. Open your book, and start stitching.

I’ll put up an example that I use for a youth class, so you can see what I mean, and I’ll add some stitching ideas and color ideas for you…. keep an eye out!

See you soon!]]> 13157 Anonymous noreply@blogger.com 2007-04-29 00:51:00 2007-04-29 00:51:00 1 0 http://www.needlenthread.com/2006/06/do-you-embroider-with-knots-want-knot.html Sun, 18 Jun 2006 09:24:00 -0500 Mary Corbet 1215 2006-06-18 09:24:00 2006-06-18 09:24:00 open open Do-you-embroider-with-knots?-Want-knot?-Waste-knot! publish 0 0 post

A waste knot is basically a knot on the FRONT of the fabric, which you remove when you "catch up" to it.

Tie a regular knot at the end of your embroidery thread. Go down into the fabric from the front, a couple inches away from where you intend to begin stitching, so that when you begin, you are traveling in the direction of the knot. Make sure you're stitching over the "waste thread" on the back as you travel towards the knot. When you catch up with the knot, pull it firmly and clip the thread right above the surface of your fabric. The thread will spring behind the fabric, and then you keep on stitching.

The friction between the thread, the fabric, and the "waste thread" that you have overstitched will keep your thread in place without a knot. It's easy, and it works! Give it a try!
]]> 3465 Mylah noreply@blogger.com http://www.blogger.com/profile/09541292358065304647 2010-01-24 18:10:54 2010-01-24 18:10:54 1 0 12090 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-04 13:11:50 2008-04-04 13:11:50 1 0
Instead of a knot, on items that are going to be laundered, I use two small anchoring stitches that are worked perpendicular to each other, and usually over one thread of the fabric (or splitting a thread, depending on the weave of the fabric). Then I stitch over the area. If I'm working single stitches like French knots or daisy stitch, I work other parts of the design first, and then I weave my thread under the other stitches before starting the French knot or daisy.

Then, on the other hand, there are just times when you HAVE to knot, so don't feel like you cannot knot if you must knot!

Best of luck!]]> 12096 Anonymous noreply@blogger.com 2008-04-04 08:03:00 2008-04-04 08:03:00 1 0
I'm thinking there must be a different rule of thumb for those working simple needlework pieces such as quilt blocks and tea towels, as opposed to needle art pieces like Margaret's "Enchanted Spring" and alike.

Being so new to this, I'm still working on my first pieces, vintage Fairway quilt blocks. For the most part I'm using Stem Stitch, Backstitch, Lazy Daisy, and French Knots.

It's no problem hiding the ends of my threads in the stem and backstitch areas. But when I try to anchor the beginning and end of my thread to all of these stand alone Lazy Daisy and French Knot stitches, oy!

I end up with such a mess of thread wrapped around and around the backs of those stitches it looks awful! And still, with all those humps and bumps of wrapped thread, the stitches aren't anchored tightly, so the daisies and their centers are loose and floppy looking. Not attractive!

The stitches look so much better and the back looks so much neater if I use tiny tight knots on areas that have a very short run of thread being used.

Is it always naughty to not knot? Methinks I can not not knot! :p

J.Mosley]]> 12643 Spooky Momma noreply@blogger.com http://www.blogger.com/profile/08125375118780316119 2007-12-10 21:55:00 2007-12-10 21:55:00 1 0 http://www.needlenthread.com/2006/06/embroidery-hoop-or-frame.html Fri, 16 Jun 2006 08:29:00 -0500 Mary Corbet 1216 2006-06-16 08:29:00 2006-06-16 08:29:00 open open Embroidery-hoop-or-frame? publish 0 0 post

A hoop is great for mobility. You can take one anywhere. I've found that the best hoops are wooden ones, with brass hardware that can be adjusted with a screwdriver. NOT the poorly-constructed hoops you find in the quilting section at sewing stores, though! Look for "Hardwick Manor" hoops (made in Germany of quality wood). They come in three thicknesses, and many sizes. I ordered mine through The Twining Thread, a great online shop with really good service. It isn't a "discount shop," but you'll find some really nice stuff there if you browse.

If you're just beginning to embroider, and aren't sure you want to make the investment in the more expensive accessories, start with a Susan Bates brand plastic hoop. You can order them from Joann's, or you can pick them up at your favorite fabric / craft store.

If you're working on something exceptionally fine - especially on any kind of expensive silk fabric or delicate fabrics that you aren't planning to wash - and you don't want hoop marks, you'll have to set your work up in a frame that can accommodate it. K's Creations make nice frames and stands. But the stand I love best I bought from Lacis You have to order the stand (adjustable floor stand) and the frame separate, but it's well worth the price.

So, to answer the question, I prefer hoops for the everyday stuff that I can easily move around. I prefer frames - scroll or "slate" frames - for the fine work that I don't want affected by hoop marks, and that I know I can't wash and iron.]]> 12877 Margaret C. noreply@blogger.com 2007-10-10 22:46:00 2007-10-10 22:46:00 1 0
I have found them to be absolutely the best hoops for everything from surface embroidery to stumpwork to goldwork. I especially like my 6" and 8" 3/8" thick hoops (thick hoops are wonderful). I don't even wrap the inner hoop (I know you're supposed to, but I don't :-) because I can make my projects drum tight with a screwdriver.

Earlier this year out of curiosity I bought a couple of Elbesee hoops from a British site because they appeared to be similar to Hardwickes and were quite a bit less expensive. I would not recommend the Elbesee hoops unless you have no other option. Although they are adequate, they are neither as sturdy nor as finished as Hardwicke hoops. I had to run steel wool over the Elbesee hoops in order to smooth them out.]]> http://www.needlenthread.com/2006/06/favorite-spot-learn-basic-embroidery.html Thu, 15 Jun 2006 18:26:00 -0500 Mary Corbet 1217 2006-06-15 18:26:00 2006-06-15 18:26:00 open open A-Favorite-Spot---Learn-basic-embroidery-stitches publish 0 0 post
I don't know the lady personally, but I sure admire her website. She's obviously a talented fiber artist and an enthusiastic embroiderer. Her name is Sharon B (?), she's located in Australia (a great place for embroidery enthusiasts), and her website can be found here. Check out her stitch dictionary - it's the best I've ever seen online!

Enjoy!]]> 7880 Axa noreply@blogger.com 2009-04-17 09:37:00 2009-04-17 09:37:00 1 0 Take care]]> 11943 Mary Corbet noreply@blogger.com http://www.blogger.com/profile/12784249791065857006 2008-04-24 21:48:45 2008-04-24 21:48:45 1 0
It worked for me. It's where it says it can be found here. The linked word is "here." It takes you to her static website.

Thanks,
MC]]> 11944 madinahrose noreply@blogger.com http://www.blogger.com/profile/09652397920934517527 2008-04-24 21:13:00 2008-04-24 21:13:00 1 0 Thank you so much for your wonderful site. I now have hope that I will be able to learn how to hand embroider.
Thanx,
Carol T]]>